WEBVTT - Questlove Supreme: Spike Lee

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<v Speaker 1>Quest Love Supreme is a production of iHeart Radio.

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<v Speaker 2>People, Citizens of the World. What's Up quest Love? Welcome

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<v Speaker 2>to a special Friday q LS Live. I guess we're

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<v Speaker 2>doing it in tandem. This will also be archived on

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<v Speaker 2>our iHeart podcast our special with Spike Lee Today. We

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<v Speaker 2>we haven't done this in a minute. We haven't done

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<v Speaker 2>this in the last two weeks.

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<v Speaker 3>Long. Yeah, a lot.

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<v Speaker 4>When you when you let wait two months, it's been

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<v Speaker 4>that long? Its like it?

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<v Speaker 2>Yeah, thanks, I you know tom this I used to

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<v Speaker 2>laugh at.

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<v Speaker 5>Uh.

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<v Speaker 2>There's there's always two quotes that come from movies that

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<v Speaker 2>deal with jail Street jail Uh you know the one,

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<v Speaker 2>the one cliches like you know, they take your body,

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<v Speaker 2>but not take your mind. Your mind, that's what you

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<v Speaker 2>always hear. And number two is there's always two days.

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<v Speaker 6>Only two days you come in and the day you

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<v Speaker 6>walk out, the day you walk out.

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<v Speaker 4>So yeah, I just lose track of time. You said,

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<v Speaker 4>that's kind of.

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<v Speaker 5>True, Like you, I said, what movie is that.

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<v Speaker 4>Every day you walk in? That's from what I heard.

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<v Speaker 6>I know it from the wire the you only do

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<v Speaker 6>two days, the day you come in and the day

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<v Speaker 6>you walk.

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<v Speaker 4>Out the wire.

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<v Speaker 2>I'm sorry that was our friend David Chappelle called us, Oh,

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<v Speaker 2>speaking of.

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<v Speaker 3>The last two weeks eight four to six.

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<v Speaker 2>Yeah, yeah, yeah, a lot a lot has that. Well,

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<v Speaker 2>we have not spoken since. Uh the what are we calling?

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<v Speaker 2>Are we calling the uprising?

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<v Speaker 3>I like the uprising?

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<v Speaker 6>The uprising. I like uprising. I like that better than

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<v Speaker 6>riot because, you know.

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<v Speaker 3>Protests, it's just something more progressive about it.

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<v Speaker 4>Yeah, and more act it, you know what I'm saying.

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<v Speaker 6>I mean, because just because riot sounds like or protests,

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<v Speaker 6>riot sounds like, it's just it sounds reckless, you know

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<v Speaker 6>what I'm saying, Like these people are just out here

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<v Speaker 6>rioting and being stupid for no reason whatsoever, you know

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<v Speaker 6>what I mean?

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<v Speaker 4>So I like uprising.

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<v Speaker 6>It's people that right, nobody wants to be what Donald

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<v Speaker 6>all right? Well yeah I didn't even I don't watch him,

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<v Speaker 6>but I got you.

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<v Speaker 4>I'm with you. I was literally like, who's that? Yeah?

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<v Speaker 7>So are we going to do another episode on election

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<v Speaker 7>night like we did it four years ago?

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<v Speaker 6>Looking at the results we got from election night, I'd

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<v Speaker 6>say hopefully not, because.

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<v Speaker 7>Like, do we do we you know, do we go

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<v Speaker 7>through that again or do we try and break the

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<v Speaker 7>chinks by not doing a show that night.

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<v Speaker 4>Oh god, why trying to.

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<v Speaker 8>Break the I think it was Russia and the white ladies.

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<v Speaker 8>They're voted for Trump. But that's that's with us.

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<v Speaker 4>Yeah, who is our guest that night? I forgot Stephen Hill.

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<v Speaker 4>That was Steve Hill.

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<v Speaker 6>It was also the same night my uncle got shot

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<v Speaker 6>and subsequently died like a couple of weeks later.

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<v Speaker 4>He got shot that night.

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<v Speaker 6>It was like that was like the eighth I want

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<v Speaker 6>to say, and then he died on Thanksgiving Day.

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<v Speaker 4>Ship that was it was just that was just a

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<v Speaker 4>fun up day.

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<v Speaker 2>And I remember it was like with with up Front,

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<v Speaker 2>with with up selling out right, that was the weirdness

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<v Speaker 2>about it. It's like the life and the funniest day

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<v Speaker 2>about life, like upselling. What do you call it when

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<v Speaker 2>you talk of the music on the radio?

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<v Speaker 4>The back cell?

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<v Speaker 2>Yeah, yes, I forgot.

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<v Speaker 6>I remember doing that interview when we were all sitting

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<v Speaker 6>there and everybody had like their laptops or their phones

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<v Speaker 6>or whatever, and we're all trying to keep it cool,

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<v Speaker 6>and you just see the ship flipping red results red, like.

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<v Speaker 4>Yeah, And by the end of the interview it was crazy.

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<v Speaker 6>Literally in a three hour interview, the world changed because

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<v Speaker 6>that in the beginning, we were all like word up inside.

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<v Speaker 4>And then by the end of that ship and by

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<v Speaker 4>the end it was a wrap. It was a rep.

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<v Speaker 3>That's not happening this time, y'all, that's not happening.

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<v Speaker 7>We should we should re reair that episode with Stephen Hill.

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<v Speaker 3>Well longer did that. At the time, Stephen Hill was

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<v Speaker 3>the hell of b T and at.

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<v Speaker 6>That time, and then that's right after that, Oh wow,

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<v Speaker 6>A lot, a lot has happened on that show, DJ

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<v Speaker 6>and a.

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<v Speaker 3>Hell of a set on I G live.

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<v Speaker 4>Hey Stephen, I be there, Yeah, Stephen, He DJ is on.

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<v Speaker 4>He does.

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<v Speaker 2>It's a little it's about eleven people watching. But you

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<v Speaker 2>know me and old boy uh news, Uh dude from

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<v Speaker 2>TV one.

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<v Speaker 3>Uh listen, it's all a battles.

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<v Speaker 6>Roling Martin Yeah, Roland Martin yeah. Oh yeah, I ain't

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<v Speaker 6>going to that ship. Rolland Lord and blocked me for

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<v Speaker 6>calling him a nigga on Twitter.

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<v Speaker 4>So I don't don't know your what notable people will

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<v Speaker 4>blocked you Twitter.

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<v Speaker 6>The only one I know of I know. I remember

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<v Speaker 6>rollingd Martin did and this was years ago because he

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<v Speaker 6>was like, we deserve he just I don't have a list,

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<v Speaker 6>like I just say things and people listen.

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<v Speaker 4>I don't.

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<v Speaker 6>I don't try to, you know, provoke anyone. But no,

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<v Speaker 6>he was just on Twitter. And this was years ago,

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<v Speaker 6>this was before I found Christ. But he was just like, look,

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<v Speaker 6>we need to ban the N word and all this.

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<v Speaker 6>And I was like, nigga please, and that was it.

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<v Speaker 6>And and and he just you know, he he banned me.

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<v Speaker 6>And he still banned me and still has blocked me,

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<v Speaker 6>which I mean, fine, whatever, But then.

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<v Speaker 4>Mc Hammer has me blocked. I don't know why. And

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<v Speaker 4>that was like.

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<v Speaker 6>Like Hammer, like yo, Hammer, if you see this Hammer, bro,

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<v Speaker 6>I don't know what I said. It could have been

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<v Speaker 6>a joke order, but look, man, I saw the too

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<v Speaker 6>legit to quit tour. Please haven't heard him tour?

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<v Speaker 9>Uh?

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<v Speaker 6>When I was in like seventh grade, it was you

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<v Speaker 6>boys and men and Josy. That shit changed my life.

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<v Speaker 6>Like Hammer, please all the forgiven, bro, Like, come on

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<v Speaker 6>the show, man, let's please please us.

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<v Speaker 4>Don't hurt him, right, please hurt it.

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<v Speaker 8>I would love to have y'all come to Jesus moment

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<v Speaker 8>on this show, much like we had your Solange come

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<v Speaker 8>to Jesus moment on the show.

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<v Speaker 2>Yeah, would you even think that Hammer was even remotely

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<v Speaker 2>aware of who he blocked or what the situation was.

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<v Speaker 6>He probably had no fun. I'm sure he doesn't have

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<v Speaker 6>any clue. I mean it could have I don't know

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<v Speaker 6>what it could have been. It could have been a joke,

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<v Speaker 6>it could have been whatever. But the bottom line is

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<v Speaker 6>I was following him c Hammer like, I mean, I

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<v Speaker 6>you know, I fucked with.

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<v Speaker 4>Him Hammer legend. But so if we get him on

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<v Speaker 4>the show, we straighten it out. Maybe it's usually get

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<v Speaker 4>him on the show. I don't even know why.

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<v Speaker 7>Okay, I would like to get Hammer the other guy

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<v Speaker 7>on too, please from from even Roland Martin, Roland Martin.

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<v Speaker 4>Yeah, let's get him on.

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<v Speaker 5>Oh yeah, it's time.

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<v Speaker 6>I mean we can't because he don't listen. I'm not

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<v Speaker 6>I'm not ducking no smoke for nobody. I just don't

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<v Speaker 6>think because he's very he has very specific views about

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<v Speaker 6>about the N word and like coon and stuff and I.

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<v Speaker 4>Don't use that word, but yeah, he's like very big

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<v Speaker 4>on those words.

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<v Speaker 6>And that is yes, I use like nigga is noun adjective, verb,

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<v Speaker 6>ain't ad verb.

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<v Speaker 4>So listen, stand near you're doing.

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<v Speaker 6>Yeah, I'm like, come on, bro, you ain't about to

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<v Speaker 6>tell me what I can't say on the show we're doing.

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<v Speaker 7>So, Hey, yeah, if we could work in with Spike

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<v Speaker 7>about the way Bamboozle kind of is relevant to I

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<v Speaker 7>mean a lot of ways, but especially to what's going

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<v Speaker 7>on like literally today like Cream of Wheat is changing

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<v Speaker 7>their logo.

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<v Speaker 10>And Temima and the Washington Red Finally, yeah, I was

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<v Speaker 10>about to say, are the Redskins considering as well?

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<v Speaker 6>Yeah?

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<v Speaker 7>Yeah, everybody is considering it now, you know, like so,

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<v Speaker 7>but bamboozo was kind of like specifically about that symbolism stuff.

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<v Speaker 4>That was a good pool. I didn't I didn't think

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<v Speaker 4>about that. Yeah, I know that.

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<v Speaker 2>Uh that Netflix did their whole Black Lives Matter section

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<v Speaker 2>for Spike reason, you know, like get on the bus

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<v Speaker 2>and Rodney King thing and some of the stuff he

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<v Speaker 2>did Jango.

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<v Speaker 4>Uh Jengo was done by.

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<v Speaker 5>I.

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<v Speaker 8>You know that That's what I was making. I was

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<v Speaker 8>just saying black lead because the Netflix section is no, no, no.

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<v Speaker 2>I just been like, Spike has his own wing in

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<v Speaker 2>the he has his own suite in the Black Lives

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<v Speaker 2>Matter hotel on Netflix.

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<v Speaker 8>Netflix is going above and beyond. You know, the President

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<v Speaker 8>just gave all this money to HBCUs. But most notably

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<v Speaker 8>the riches of HBC used more houses film and I'm

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<v Speaker 8>not mad.

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<v Speaker 4>I'm just right right.

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<v Speaker 2>Yeah, man, wait a minute before we get Spike on,

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<v Speaker 2>I need somebody to translate something for me, cause I

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<v Speaker 2>don't you know, I don't want to be tone deaf

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<v Speaker 2>and say I don't speak millennial. And on top of that,

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<v Speaker 2>you know, I'm pals with this particular person.

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<v Speaker 4>Okay, can someone I'm gen x.

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<v Speaker 5>X.

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<v Speaker 4>He's gen X man, look it up.

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<v Speaker 3>Okay, I'm not going I'm just gonna look it up.

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<v Speaker 3>Go ahead, look it up.

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<v Speaker 6>I was born I was born in seventy eight. I'm

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<v Speaker 6>forty one years old. I'm like, he's gen X.

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<v Speaker 4>He's US. I'm like, yeah, I'm like the youngest in

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<v Speaker 4>but yeah, I'm like right there.

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<v Speaker 2>But can someone translate this? Can you give me a

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<v Speaker 2>movie in the minute version of this? J Cole no

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<v Speaker 2>name thing?

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<v Speaker 3>What's that about?

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<v Speaker 5>Yeah?

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<v Speaker 6>I talked, come on, never mind too much? No, no, no, no,

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<v Speaker 6>it's not too much. It's okay, So moving in a minute.

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<v Speaker 6>J Cole, no name, Okay, no name, and I'm just

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<v Speaker 6>giving context. No name did a talk which I did

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<v Speaker 6>not see. I just saw kind of the out the

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<v Speaker 6>out you know, the fallout of it. She did a

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<v Speaker 6>talk with Boots Riley on Live I think, and they

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<v Speaker 6>were just talking about I guess socialism and police abolition,

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<v Speaker 6>like they were just having a conversation. I didn't see

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<v Speaker 6>the entire thing in context, but the fallout. The what

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<v Speaker 6>I saw from the fallout was that, oh he was

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<v Speaker 6>over talking her and he was it just it went

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<v Speaker 6>left right.

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<v Speaker 4>Then J Cole puts out.

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<v Speaker 6>A song and he's saying, yo, it was this sister

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<v Speaker 6>on her timeline. She don't like the crackers, she don't

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<v Speaker 6>like the police, she don't like this, and you know,

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<v Speaker 6>it was something about her tone that's bothering me.

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<v Speaker 4>Now.

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<v Speaker 6>At no point in this song did he ever say

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<v Speaker 6>no name. At no point in no names tweets or

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<v Speaker 6>in her talk with Boots Riley. As I understood, she

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<v Speaker 6>had said something about, you know, with all these rappers,

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<v Speaker 6>these rich rappers or something, you know, they they ain't

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<v Speaker 6>said nothing. But she never said his name or anyone's name.

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<v Speaker 6>So Cole puts out this song saying it's this girl

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<v Speaker 6>online saying this that, and the third out like her tone.

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<v Speaker 6>I saw another site put up and they were saying yo,

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<v Speaker 6>J Cole is saying it's talking about No Name in

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<v Speaker 6>his new verse. Now, at no point in time in

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<v Speaker 6>any of this that he ever say her name in

0:11:28.400 --> 0:11:31.040
<v Speaker 6>the verse, and to my knowledge, at no point did

0:11:31.080 --> 0:11:33.920
<v Speaker 6>she ever say his name. So, as far as I'm sitting,

0:11:33.920 --> 0:11:36.280
<v Speaker 6>all this shit is just fucking conjecture to start right,

0:11:36.320 --> 0:11:41.480
<v Speaker 6>it's just y'all niggas. It's all fucking speculation. So the

0:11:41.559 --> 0:11:44.320
<v Speaker 6>song comes out, people say it's to meet about No Name.

0:11:44.800 --> 0:11:48.199
<v Speaker 6>Everybody lose this shit. Oh, he's policing a woman he's

0:11:48.240 --> 0:11:50.480
<v Speaker 6>watched talk about her, tone, police and all this shit,

0:11:51.200 --> 0:11:52.480
<v Speaker 6>and it just becomes a shit show.

0:11:52.600 --> 0:11:55.440
<v Speaker 4>So then the next morning, Cole put out.

0:11:55.760 --> 0:11:58.200
<v Speaker 6>A series of tweets and he was just like, look,

0:11:58.360 --> 0:11:59.319
<v Speaker 6>I said what I said.

0:12:01.040 --> 0:12:02.440
<v Speaker 4>You know, all love the No Name.

0:12:03.000 --> 0:12:03.200
<v Speaker 5>You know.

0:12:03.520 --> 0:12:05.080
<v Speaker 6>He you know, he was like, you know, she's doing

0:12:05.120 --> 0:12:07.920
<v Speaker 6>the work. I'm not a dude to be reading like that.

0:12:08.160 --> 0:12:09.120
<v Speaker 6>And these are his words.

0:12:09.120 --> 0:12:09.760
<v Speaker 4>He's like, I don't be.

0:12:09.800 --> 0:12:11.439
<v Speaker 3>Reading like that.

0:12:11.840 --> 0:12:15.560
<v Speaker 4>He's like, he's like, you know, red J Cole.

0:12:17.000 --> 0:12:18.880
<v Speaker 6>But he says in his verse, he's like, Yo, don't

0:12:18.920 --> 0:12:20.280
<v Speaker 6>let my degree fool you.

0:12:20.280 --> 0:12:22.199
<v Speaker 4>You know you can have you.

0:12:22.160 --> 0:12:24.400
<v Speaker 6>Know, just because I went to college doesn't mean i'm

0:12:24.400 --> 0:12:27.679
<v Speaker 6>as up on these issues as everyone else. So so

0:12:27.760 --> 0:12:30.840
<v Speaker 6>that was so that was that, and I mean that

0:12:31.040 --> 0:12:31.600
<v Speaker 6>was it to me.

0:12:32.280 --> 0:12:34.240
<v Speaker 4>Yeah, it was just a ship show for day and

0:12:34.440 --> 0:12:34.920
<v Speaker 4>I mean.

0:12:35.679 --> 0:12:38.559
<v Speaker 2>I came in the middle of it, and didn't you

0:12:38.640 --> 0:12:42.559
<v Speaker 2>know was Donald Glover walking to the apartment on fire?

0:12:42.679 --> 0:12:45.080
<v Speaker 6>Like exactly, that's exactly. I was like, what in the

0:12:45.120 --> 0:12:46.319
<v Speaker 6>hell exactly?

0:12:46.320 --> 0:12:48.319
<v Speaker 8>Can I just say one month thing before we bring

0:12:48.400 --> 0:12:51.320
<v Speaker 8>the spike in because he's here. I just wanted to

0:12:51.520 --> 0:12:54.960
<v Speaker 8>say congratulations to old girl who created you about to

0:12:55.040 --> 0:12:56.960
<v Speaker 8>lose your job because I don't know if y'all heard,

0:12:57.000 --> 0:12:58.560
<v Speaker 8>but she found her family and they got her off

0:12:58.559 --> 0:12:59.000
<v Speaker 8>the streets.

0:12:59.040 --> 0:13:00.640
<v Speaker 3>I was just really excited that story.

0:13:00.960 --> 0:13:01.760
<v Speaker 4>Are you serious?

0:13:04.280 --> 0:13:04.520
<v Speaker 5>Ship?

0:13:05.160 --> 0:13:06.920
<v Speaker 3>And she was like, y'all have no idea what that

0:13:06.960 --> 0:13:07.440
<v Speaker 3>did for me.

0:13:07.960 --> 0:13:10.959
<v Speaker 8>So I wish I had her name in front of me,

0:13:11.000 --> 0:13:14.160
<v Speaker 8>but I don't, But I.

0:13:12.920 --> 0:13:15.560
<v Speaker 6>I had no you know, I will say this just

0:13:15.600 --> 0:13:18.240
<v Speaker 6>to tap off big Upsta the girl that that with

0:13:18.520 --> 0:13:20.320
<v Speaker 6>that coin that you were about to lose or lose

0:13:20.320 --> 0:13:23.360
<v Speaker 6>your job anthem. The best tweet of the j Cole

0:13:23.520 --> 0:13:28.319
<v Speaker 6>No Name debacle goes to my man al Shipley and

0:13:28.360 --> 0:13:30.840
<v Speaker 6>he won Twitter. It's only like eight of us that

0:13:31.040 --> 0:13:33.960
<v Speaker 6>like got it, but it was a great tweet. He goes,

0:13:34.000 --> 0:13:37.199
<v Speaker 6>and I quote the j cole lyric is something about

0:13:37.200 --> 0:13:41.360
<v Speaker 6>the Queen tone that's bothering me. It's problematic because nobody

0:13:41.440 --> 0:13:44.360
<v Speaker 6>questions Brian May's pedal board and amp settings.

0:13:46.960 --> 0:13:50.120
<v Speaker 4>And I'm bringing in bigger like that's it. I mean,

0:13:50.200 --> 0:13:54.960
<v Speaker 4>come on, that's all you need to know. Like, that's

0:13:55.040 --> 0:13:55.520
<v Speaker 4>that's it.

0:13:55.559 --> 0:13:57.319
<v Speaker 5>That's what it is, and.

0:13:57.280 --> 0:13:59.080
<v Speaker 3>Figure out that joke because that was a total like

0:13:59.160 --> 0:13:59.880
<v Speaker 3>musical type.

0:14:00.280 --> 0:14:00.559
<v Speaker 5>Uh.

0:14:00.760 --> 0:14:03.400
<v Speaker 4>It was that it was made for me and all

0:14:03.440 --> 0:14:07.480
<v Speaker 4>the people, all the people. Brian May was the.

0:14:07.440 --> 0:14:11.840
<v Speaker 6>Guitarist in Queen and so the pedal board is the UH.

0:14:11.920 --> 0:14:14.960
<v Speaker 2>Ladies and gentlemen, We are joined by friends of the show,

0:14:15.080 --> 0:14:21.000
<v Speaker 2>newly bestowed Academy Award winner storyteller Our Tour African American

0:14:21.040 --> 0:14:24.200
<v Speaker 2>Griot and always the UH.

0:14:23.640 --> 0:14:25.640
<v Speaker 4>A cinematic provocateur.

0:14:26.280 --> 0:14:29.800
<v Speaker 2>UH, one of the last original storytellers we have today.

0:14:30.040 --> 0:14:34.120
<v Speaker 2>Please welcome back to q LS Live and quest Love

0:14:34.200 --> 0:14:38.200
<v Speaker 2>Supreme UH for his second appearance, our pale and friend,

0:14:38.520 --> 0:14:40.680
<v Speaker 2>mister Spike Lee.

0:14:40.920 --> 0:14:42.400
<v Speaker 4>How are you house?

0:14:42.480 --> 0:14:44.040
<v Speaker 5>Everyone doing? Everybody's safe?

0:14:44.520 --> 0:14:48.360
<v Speaker 4>Were good? Brother? Were good? You up? Are you right now?

0:14:48.600 --> 0:14:51.880
<v Speaker 5>Now? This is my office hearing the People's Republic of Brookly,

0:14:51.920 --> 0:14:53.320
<v Speaker 5>New York for Green Baby.

0:14:53.760 --> 0:14:56.960
<v Speaker 4>Yeah, Sames Fall. I visited with the baseball Mint in

0:14:57.040 --> 0:14:57.520
<v Speaker 4>the in the.

0:14:57.560 --> 0:14:59.080
<v Speaker 11>Room, yeah yeah, yeah, yeah, but just one of the

0:14:59.200 --> 0:15:00.200
<v Speaker 11>editing rooms.

0:15:01.320 --> 0:15:05.440
<v Speaker 4>I took a nap in everyone once I forgot what

0:15:05.440 --> 0:15:07.120
<v Speaker 4>I was there for. You you had a super Bowl

0:15:07.120 --> 0:15:08.080
<v Speaker 4>party or something, and I.

0:15:08.000 --> 0:15:09.600
<v Speaker 5>Faid, where's everybody.

0:15:10.360 --> 0:15:11.640
<v Speaker 4>I'm at home in North Carolina.

0:15:11.760 --> 0:15:16.480
<v Speaker 6>Raley, I'm in Los Angeles, LA.

0:15:16.960 --> 0:15:17.840
<v Speaker 7>I'm in Manhattan.

0:15:19.360 --> 0:15:19.600
<v Speaker 5>Uh.

0:15:19.880 --> 0:15:25.320
<v Speaker 2>And I'm in a ranch somewhere in Westchester on a

0:15:25.320 --> 0:15:30.000
<v Speaker 2>friends farm. But I just closed him on my house yesterday.

0:15:30.080 --> 0:15:34.600
<v Speaker 2>So yes, I'll be thank you.

0:15:35.520 --> 0:15:36.360
<v Speaker 5>What can I ask for?

0:15:36.560 --> 0:15:36.840
<v Speaker 3>Burrow?

0:15:37.680 --> 0:15:37.800
<v Speaker 5>Uh?

0:15:38.400 --> 0:15:44.520
<v Speaker 2>This is in Palisades, so yeah, I have to say, Spike,

0:15:45.920 --> 0:15:49.040
<v Speaker 2>I believe that the last time I physically saw you,

0:15:49.520 --> 0:15:53.400
<v Speaker 2>I saw you twice, you were flying on your way.

0:15:53.520 --> 0:15:59.000
<v Speaker 2>I believe, just somewhere in Africa or somewhere overseas where

0:15:59.040 --> 0:16:01.320
<v Speaker 2>you told me that it was the first day of

0:16:02.080 --> 0:16:03.480
<v Speaker 2>scouting wherever.

0:16:03.840 --> 0:16:05.080
<v Speaker 4>I don't know where you shot the.

0:16:05.000 --> 0:16:08.520
<v Speaker 5>Film, but I was going to I was going to Thieland.

0:16:09.000 --> 0:16:12.360
<v Speaker 2>Okay, maybe I thought Africa. Okay, I remember you telling

0:16:12.400 --> 0:16:15.840
<v Speaker 2>me that you were going somewhere far off to shoot, yeah, yeah,

0:16:15.960 --> 0:16:16.680
<v Speaker 2>I saw you there.

0:16:16.720 --> 0:16:21.320
<v Speaker 5>And then at jay Z's party.

0:16:22.960 --> 0:16:25.240
<v Speaker 4>No, no, no, no, I saw you in the airport.

0:16:25.640 --> 0:16:28.320
<v Speaker 2>Well, I forget where it was, but it was you

0:16:28.360 --> 0:16:31.520
<v Speaker 2>were on your way to scout for locations. And then

0:16:31.800 --> 0:16:36.320
<v Speaker 2>I saw you on the way back home, oh, coming

0:16:36.680 --> 0:16:37.080
<v Speaker 2>from it.

0:16:37.640 --> 0:16:41.080
<v Speaker 5>So that's a police circle exactly.

0:16:41.480 --> 0:16:43.680
<v Speaker 2>You gave me a synopsis on the way home, and

0:16:43.720 --> 0:16:45.400
<v Speaker 2>I was like, I'm trying to figure that out and

0:16:47.520 --> 0:16:49.640
<v Speaker 2>quest people still trying to figure it out.

0:16:50.200 --> 0:16:56.280
<v Speaker 4>Yeah, let's talk about it. Let's talk about it. Okay. Look, okay,

0:16:56.440 --> 0:16:57.680
<v Speaker 4>So I got a question for you.

0:16:58.080 --> 0:17:02.440
<v Speaker 6>What was the idea of naming all the soldiers after

0:17:02.600 --> 0:17:07.120
<v Speaker 6>the Temptations and Norman Whitfield like being stormy Norman?

0:17:08.920 --> 0:17:09.800
<v Speaker 4>You got that one.

0:17:11.040 --> 0:17:11.679
<v Speaker 3>I didn't catch that.

0:17:13.000 --> 0:17:14.800
<v Speaker 4>I didn't catch that.

0:17:15.040 --> 0:17:18.560
<v Speaker 5>Look like, wait, what happened to five? And when a

0:17:18.600 --> 0:17:20.600
<v Speaker 5>good thing though? A great happy? The other day, Otis

0:17:20.680 --> 0:17:25.280
<v Speaker 5>Lee was called me, wow, okay, the last living member

0:17:26.240 --> 0:17:29.200
<v Speaker 5>of the Temptations, and he says, he told me, I'm

0:17:29.200 --> 0:17:32.919
<v Speaker 5>speaking behalf of all my brothers aren't here. Thank you

0:17:32.960 --> 0:17:34.240
<v Speaker 5>for doing that.

0:17:34.240 --> 0:17:35.080
<v Speaker 4>That's what's up, man.

0:17:35.320 --> 0:17:39.160
<v Speaker 5>It was out of nowhere, so out of nowhere.

0:17:39.840 --> 0:17:42.960
<v Speaker 2>One one question I wanted to ask you the last

0:17:42.960 --> 0:17:46.480
<v Speaker 2>time we spoke that I didn't what is for this

0:17:46.520 --> 0:17:49.359
<v Speaker 2>movie specifically? And I think the last time we spoke

0:17:49.480 --> 0:17:52.400
<v Speaker 2>to you, you were just about to launch. Uh, she's

0:17:52.400 --> 0:17:54.360
<v Speaker 2>got to have it on Netflix. So this is even

0:17:54.359 --> 0:17:59.000
<v Speaker 2>before Black Clansmen, even though you were still working on it. Okay,

0:17:59.040 --> 0:18:01.000
<v Speaker 2>So I guess I can start with now, like now

0:18:01.040 --> 0:18:04.080
<v Speaker 2>that this is in the can, what what is what

0:18:04.200 --> 0:18:07.400
<v Speaker 2>is your what is your daily or weekly process when

0:18:07.440 --> 0:18:11.600
<v Speaker 2>it comes to conceptualizing.

0:18:11.200 --> 0:18:13.920
<v Speaker 4>What do you want to add next to your cannon?

0:18:14.359 --> 0:18:16.920
<v Speaker 2>Like I don't know the name of whatever movie you're

0:18:16.960 --> 0:18:19.480
<v Speaker 2>about to do, but like, does the idea of start

0:18:19.480 --> 0:18:21.160
<v Speaker 2>in that room that you're in right now?

0:18:21.840 --> 0:18:23.679
<v Speaker 4>Do you sit for silence? Do you do you have

0:18:23.760 --> 0:18:26.120
<v Speaker 4>a a notepad where you.

0:18:26.920 --> 0:18:30.160
<v Speaker 5>I'm open, you know, I think that I've learned. I'm

0:18:30.920 --> 0:18:36.800
<v Speaker 5>qus I think you might forgot. I'm sixty three years old.

0:18:35.760 --> 0:18:39.440
<v Speaker 5>I'm I'm in my fourth decade.

0:18:40.520 --> 0:18:45.239
<v Speaker 11>So I've learned that I gotta be open when the

0:18:45.280 --> 0:18:47.240
<v Speaker 11>news comes.

0:18:47.640 --> 0:18:50.200
<v Speaker 5>I just can't like now I'm gonna now, I gotta

0:18:50.200 --> 0:18:56.399
<v Speaker 5>think of an ideal. It doesn't for me, mhm, it

0:18:56.400 --> 0:18:59.200
<v Speaker 5>doesn't work like that. So I just gotta be open

0:19:00.080 --> 0:19:03.399
<v Speaker 5>to the muse. I trusted, you know, I trust the muse.

0:19:03.960 --> 0:19:05.679
<v Speaker 4>So where did it start for this film? Like? What

0:19:05.840 --> 0:19:07.960
<v Speaker 4>was the he was we.

0:19:07.840 --> 0:19:10.840
<v Speaker 8>Were interviewing him when we interviewed you an Electric Lady,

0:19:11.040 --> 0:19:14.240
<v Speaker 8>you were telling us singing the Praises about nineteen seventeen, right.

0:19:14.119 --> 0:19:14.880
<v Speaker 3>That was the movie?

0:19:15.520 --> 0:19:15.880
<v Speaker 5>Is a movie?

0:19:15.880 --> 0:19:16.800
<v Speaker 3>That was the war movie?

0:19:17.119 --> 0:19:18.200
<v Speaker 4>That was a war movie.

0:19:18.280 --> 0:19:20.560
<v Speaker 3>Yeah, yeah, yeah, right, So that's the question.

0:19:20.760 --> 0:19:22.359
<v Speaker 8>Just being back on the mirrors question, I was like,

0:19:22.600 --> 0:19:24.200
<v Speaker 8>didn't it start all the way back then when you

0:19:24.240 --> 0:19:24.960
<v Speaker 8>were talking.

0:19:24.680 --> 0:19:28.800
<v Speaker 5>To No No, But let me let me tell you

0:19:28.800 --> 0:19:32.800
<v Speaker 5>the story this is. I did not write the original

0:19:32.880 --> 0:19:36.679
<v Speaker 5>script for this. The original script was written by Danny

0:19:36.720 --> 0:19:40.960
<v Speaker 5>Bilson and Paul the Male. Paul the Mail has since died.

0:19:41.040 --> 0:19:43.160
<v Speaker 5>Since he died before we started to shoot the film

0:19:43.640 --> 0:19:48.199
<v Speaker 5>of an Illness, they produced the Lloyd Levin option. The script.

0:19:48.240 --> 0:19:52.400
<v Speaker 5>It was called The Last Tour and it was about

0:19:52.440 --> 0:19:57.720
<v Speaker 5>white Vietnam vets except one. They automatically brought it to

0:19:57.920 --> 0:20:02.119
<v Speaker 5>Alvar Stone Alice Don't sat on it for two years

0:20:02.160 --> 0:20:06.240
<v Speaker 5>and walked away. Lloyd Levin just happened to read the

0:20:06.520 --> 0:20:10.120
<v Speaker 5>article in the Guardian where I talked about one of.

0:20:10.040 --> 0:20:13.320
<v Speaker 12>My favorite films, which is a Treasure Sarah Madre starring

0:20:13.520 --> 0:20:18.879
<v Speaker 12>Humphrey Bogart h and the tape There's a Gold that

0:20:19.000 --> 0:20:20.240
<v Speaker 12>the whole gold in this.

0:20:20.280 --> 0:20:24.160
<v Speaker 5>Film was came directly from the trust Sarah Madre. He

0:20:24.320 --> 0:20:26.680
<v Speaker 5>called me up, said set you know, step a meeting.

0:20:27.119 --> 0:20:30.600
<v Speaker 5>We get we're getting ready to go right into Black Klansmen.

0:20:31.440 --> 0:20:35.199
<v Speaker 5>So we met with my co writer Kevin Wilmont, and

0:20:35.240 --> 0:20:37.680
<v Speaker 5>we told I told, look, I like it. It's a

0:20:37.720 --> 0:20:41.439
<v Speaker 5>great script. I want to change for me to be involved,

0:20:41.880 --> 0:20:45.000
<v Speaker 5>we have to change the viewpoint. This has to be

0:20:45.160 --> 0:20:51.080
<v Speaker 5>told to the viewpoint of African American Vietnam debts.

0:20:51.560 --> 0:20:55.800
<v Speaker 12>And Kevin and I we wrote it, you know, twisted it,

0:20:55.960 --> 0:20:57.119
<v Speaker 12>put some funk on it.

0:20:57.920 --> 0:21:03.280
<v Speaker 5>And Marvin Gaye, you know everybody and the world of

0:21:03.359 --> 0:21:04.800
<v Speaker 5>Senior result now on Netflix.

0:21:05.960 --> 0:21:06.160
<v Speaker 4>Yeah.

0:21:06.200 --> 0:21:08.240
<v Speaker 6>I love the way you use the barbing gay A

0:21:08.240 --> 0:21:09.480
<v Speaker 6>cappellas in the joint.

0:21:09.480 --> 0:21:11.280
<v Speaker 5>Man was only there was only one? No, there was

0:21:11.320 --> 0:21:11.760
<v Speaker 5>only one?

0:21:12.160 --> 0:21:14.600
<v Speaker 4>Yeah, yeah, that was beautiful. Man.

0:21:15.119 --> 0:21:17.720
<v Speaker 3>And you said you filmed this in Thailand, not Vietnam.

0:21:17.400 --> 0:21:20.400
<v Speaker 5>Right, No, mostly in Thailand, and we ended in Vietnam.

0:21:20.880 --> 0:21:21.879
<v Speaker 3>So can you talk about this?

0:21:22.000 --> 0:21:24.960
<v Speaker 8>I was talking to another filmmaker about filming in Vietnam,

0:21:25.000 --> 0:21:27.639
<v Speaker 8>and they were talking about since it's a communist country,

0:21:27.680 --> 0:21:30.639
<v Speaker 8>how sometimes challenging it could be, like sometimes they have

0:21:30.680 --> 0:21:32.800
<v Speaker 8>people following people to make sure you're doing what you

0:21:32.800 --> 0:21:33.480
<v Speaker 8>say you're gonna do.

0:21:33.560 --> 0:21:34.119
<v Speaker 3>And what was that?

0:21:34.320 --> 0:21:37.639
<v Speaker 5>No, we never had that, but we had to have

0:21:37.840 --> 0:21:42.280
<v Speaker 5>the script passed through it as censor, so we didn't know.

0:21:42.440 --> 0:21:43.840
<v Speaker 11>And we were up.

0:21:43.760 --> 0:21:46.879
<v Speaker 5>There last week in Thailand and we still not gotten

0:21:46.920 --> 0:21:50.960
<v Speaker 5>the green light to shoot in Vietnam. But once we

0:21:51.040 --> 0:21:53.879
<v Speaker 5>got the green light, no one's following us. It was

0:21:53.960 --> 0:21:59.320
<v Speaker 5>all love. And it's also number one in Vietnam too.

0:22:00.000 --> 0:22:12.840
<v Speaker 2>Netflix, do you prefer Is this an adjustment to you? Like,

0:22:12.920 --> 0:22:16.440
<v Speaker 2>I know, I would imagine the same way for it

0:22:16.480 --> 0:22:20.040
<v Speaker 2>is for me making records, Like I miss the sort

0:22:20.040 --> 0:22:24.040
<v Speaker 2>of the romantic view of like having a tangible piece

0:22:24.080 --> 0:22:28.119
<v Speaker 2>of wax with an album cover or whatever format. I

0:22:28.160 --> 0:22:30.639
<v Speaker 2>mean CDs and cassettes are no longer there, but still,

0:22:30.680 --> 0:22:34.439
<v Speaker 2>like you know, for movie makers, I would imagine that

0:22:34.480 --> 0:22:39.520
<v Speaker 2>they still dream of you know, yeah, like looking at

0:22:39.520 --> 0:22:42.159
<v Speaker 2>the mark key and seeing their names and sort of

0:22:42.359 --> 0:22:45.080
<v Speaker 2>I mean, does I know Netflix doesn't have the same

0:22:45.160 --> 0:22:48.600
<v Speaker 2>cachet as going straight to video and you actually see

0:22:48.640 --> 0:22:52.119
<v Speaker 2>bigger results but is that at least an ego adjustment

0:22:52.280 --> 0:22:55.879
<v Speaker 2>that this is now the new normal for filmmakers where

0:22:56.400 --> 0:23:01.640
<v Speaker 2>you go straight to streaming as a proposed to inside

0:23:01.640 --> 0:23:04.119
<v Speaker 2>of movie theaters, Like does it feel different for you?

0:23:04.359 --> 0:23:09.240
<v Speaker 5>Or Netflix was the last place I had to go

0:23:10.480 --> 0:23:14.240
<v Speaker 5>and this every other studio said, no, coming off black class.

0:23:14.119 --> 0:23:16.479
<v Speaker 4>Even off even coming off of an Oscar Win.

0:23:17.040 --> 0:23:21.200
<v Speaker 5>Well, that's not happened. But we were nominated, right, okay,

0:23:21.760 --> 0:23:27.880
<v Speaker 5>six nominations turn us down, So God bless Netflix. Now.

0:23:27.920 --> 0:23:31.600
<v Speaker 5>Of course, no one knew the world was going to change.

0:23:32.680 --> 0:23:33.080
<v Speaker 4>Mm hmm.

0:23:33.640 --> 0:23:37.800
<v Speaker 5>So a lot of people have films ready, but their studios,

0:23:37.840 --> 0:23:41.160
<v Speaker 5>which they made them for, does not have a streaming service.

0:23:42.200 --> 0:23:45.240
<v Speaker 5>So because of that, and this was Next Six's film,

0:23:45.680 --> 0:23:50.600
<v Speaker 5>This film debuted all around the world at the same time,

0:23:51.480 --> 0:23:57.520
<v Speaker 5>before the world changed BC, not before christ but before Corona.

0:23:58.800 --> 0:24:01.560
<v Speaker 5>I was going to be the president of the Jury,

0:24:01.600 --> 0:24:06.280
<v Speaker 5>the first black president ever. And the con film festimes. Yes,

0:24:07.280 --> 0:24:10.919
<v Speaker 5>and this is you hear that, and this is in

0:24:10.960 --> 0:24:14.800
<v Speaker 5>the world and the world premiere of the Five Bloods

0:24:14.800 --> 0:24:18.880
<v Speaker 5>is gonna be income out of competition. The world changed.

0:24:20.400 --> 0:24:23.760
<v Speaker 5>But the answer will give you a more a deeper

0:24:23.920 --> 0:24:29.119
<v Speaker 5>answer that you know plans change, and a lot of

0:24:29.800 --> 0:24:35.600
<v Speaker 5>everybody had died had plans. Twenty over twenty thousand New

0:24:35.680 --> 0:24:42.000
<v Speaker 5>Yorkers had plans. Over one hundred thousand Americans had plans.

0:24:42.280 --> 0:24:47.320
<v Speaker 5>All these people had plans. So for me, I'm just

0:24:47.400 --> 0:24:51.879
<v Speaker 5>I say, God, bless him alive and my family is

0:24:51.960 --> 0:24:53.879
<v Speaker 5>you know, That's where I take it. I don't mean,

0:24:53.960 --> 0:24:57.359
<v Speaker 5>I don't mean to get any deep spiritual thing, but

0:24:57.560 --> 0:25:00.680
<v Speaker 5>for me, and how can I complain that my movie

0:25:00.880 --> 0:25:02.439
<v Speaker 5>didn't come out the way it did? You know, when

0:25:02.520 --> 0:25:07.160
<v Speaker 5>when people everybody had plans and the world has changed,

0:25:07.520 --> 0:25:12.600
<v Speaker 5>you know, and the ones that are here, the screaming

0:25:13.040 --> 0:25:14.840
<v Speaker 5>black Lives matter all over.

0:25:14.680 --> 0:25:20.440
<v Speaker 4>The world, right, facts, The timing couldn't have been more uncanny.

0:25:20.640 --> 0:25:23.800
<v Speaker 5>Yeah, exactly, exactly. And then another thing, another thing. I

0:25:23.800 --> 0:25:26.360
<v Speaker 5>know you have questions for me, but go down say

0:25:26.920 --> 0:25:30.280
<v Speaker 5>something right away to not forget it. People asking me,

0:25:31.160 --> 0:25:38.960
<v Speaker 5>friends and journalists. Spike, didn't you, well, all this should happen.

0:25:39.040 --> 0:25:43.840
<v Speaker 5>Didn't you run back and shoot that Black Lives Matter scene? Wrong?

0:25:44.440 --> 0:25:50.640
<v Speaker 5>That is the first thing we shot. Wow, really, this

0:25:50.720 --> 0:25:55.040
<v Speaker 5>is the slate of a camera. The first day of

0:25:55.240 --> 0:25:58.919
<v Speaker 5>Princeville Talkley was March twenty nineteen, and we went to

0:26:00.520 --> 0:26:04.520
<v Speaker 5>May twenty first, twenty nineteen. So again the first day

0:26:04.520 --> 0:26:09.640
<v Speaker 5>of Prince photography was March twenty fifth, a full year

0:26:09.760 --> 0:26:14.240
<v Speaker 5>before we shot the Black Lives Matter scene and pre production.

0:26:14.920 --> 0:26:15.640
<v Speaker 4>Wow.

0:26:17.119 --> 0:26:22.240
<v Speaker 5>So anyway, there are a lot of things that happen

0:26:22.280 --> 0:26:27.000
<v Speaker 5>in this film. It's on some spiritual level that nothing

0:26:27.000 --> 0:26:27.359
<v Speaker 5>to do.

0:26:27.280 --> 0:26:29.960
<v Speaker 4>With that's happened with a lot of your films. Though.

0:26:31.440 --> 0:26:34.080
<v Speaker 4>We were talking before, like before you came on.

0:26:34.240 --> 0:26:38.520
<v Speaker 6>About how Bamboozo and like how now we're seeing like

0:26:38.600 --> 0:26:42.000
<v Speaker 6>they're getting you know, Uncle Ben and not Jemima and

0:26:42.520 --> 0:26:44.120
<v Speaker 6>like getting all that out of the paint.

0:26:44.240 --> 0:26:46.360
<v Speaker 4>You know what I'm saying. And you were showing that

0:26:46.400 --> 0:26:48.440
<v Speaker 4>you know that was you know twenty years ago. Are there?

0:26:48.600 --> 0:26:51.320
<v Speaker 5>You know you leave it out, You leave it out something,

0:26:52.320 --> 0:26:55.880
<v Speaker 5>do the right thing. We were talking about global warming.

0:26:57.320 --> 0:27:00.240
<v Speaker 4>You weren't. You weren't talking about global you don't you know?

0:27:00.359 --> 0:27:08.040
<v Speaker 5>My friends called me what Nico domas to be like

0:27:08.840 --> 0:27:11.439
<v Speaker 5>you we talking about ship before it should even happened.

0:27:12.720 --> 0:27:13.080
<v Speaker 5>You did.

0:27:14.119 --> 0:27:16.920
<v Speaker 2>Wait, that's okay, So I'll say like every other month

0:27:17.080 --> 0:27:20.320
<v Speaker 2>I might bug you with the text asking why your

0:27:20.560 --> 0:27:26.120
<v Speaker 2>entire uh film uh, your film collection isn't in one space.

0:27:26.320 --> 0:27:29.440
<v Speaker 4>I mean right now is do you not think?

0:27:29.480 --> 0:27:29.720
<v Speaker 13>Now?

0:27:29.960 --> 0:27:31.240
<v Speaker 4>Is is uh?

0:27:31.480 --> 0:27:35.440
<v Speaker 2>And its twentieth in its twentieth anniversary, now's the time

0:27:35.600 --> 0:27:39.920
<v Speaker 2>for bamboozo to come out again because I can't find

0:27:39.960 --> 0:27:42.320
<v Speaker 2>it anywhere and I need to see it.

0:27:42.320 --> 0:27:45.280
<v Speaker 5>It just came out and Criterion just put on a

0:27:45.280 --> 0:27:49.960
<v Speaker 5>great new blue rail of it, restored picture, sound, everything.

0:27:50.400 --> 0:27:54.119
<v Speaker 4>Bamboozos is a Criterion Collection film. Yes what you did that?

0:27:55.280 --> 0:27:55.480
<v Speaker 3>Yeah?

0:27:55.640 --> 0:27:58.800
<v Speaker 6>Man is in This is like two months ago.

0:27:59.280 --> 0:28:02.160
<v Speaker 4>This is a very suite. Like in my mind, I'm

0:28:02.200 --> 0:28:03.120
<v Speaker 4>such a film nerd.

0:28:03.160 --> 0:28:04.800
<v Speaker 2>I'm like, wow, I wish one day I could be

0:28:04.840 --> 0:28:09.200
<v Speaker 2>a Criterion film And now I will say that. All right,

0:28:09.240 --> 0:28:11.280
<v Speaker 2>So living on a tour bus for like the last

0:28:11.280 --> 0:28:14.280
<v Speaker 2>twenty five years, you know, you just buy any and

0:28:14.400 --> 0:28:18.680
<v Speaker 2>every DVD that to keep your mind occupied. So Criterion

0:28:18.720 --> 0:28:23.399
<v Speaker 2>Collection is basically like it's it's it's the it's the

0:28:23.560 --> 0:28:28.320
<v Speaker 2>upper echelon line Rolls Royce. Yeah, it's the upper echelon

0:28:28.560 --> 0:28:32.040
<v Speaker 2>of film releases. It's like a committee that decides that

0:28:32.200 --> 0:28:35.840
<v Speaker 2>this particular film, regardless of it, of its stature and

0:28:36.119 --> 0:28:40.400
<v Speaker 2>the box office whatever, deserves the royal treatment. I mean,

0:28:40.520 --> 0:28:44.320
<v Speaker 2>now you know companies are doing that. Now that you

0:28:44.320 --> 0:28:47.080
<v Speaker 2>know there's twenty fifth anniversary of this in thirty.

0:28:46.800 --> 0:28:48.600
<v Speaker 4>Fifth Anniversity of Purple Raine and no da da.

0:28:48.960 --> 0:28:52.640
<v Speaker 2>But like back in the day, when Criterion approaches you

0:28:52.720 --> 0:28:54.840
<v Speaker 2>and says we would like to re release, it would

0:28:54.840 --> 0:28:59.320
<v Speaker 2>be like an independent label deciding, Okay, I'm gonna take

0:28:59.360 --> 0:29:02.280
<v Speaker 2>Fante's for a record, the first Little Brother record the

0:29:02.360 --> 0:29:06.280
<v Speaker 2>listening and give it the royal treatment, remaster it you outum.

0:29:06.080 --> 0:29:08.000
<v Speaker 5>Cover great analogy, great analogy.

0:29:08.720 --> 0:29:12.760
<v Speaker 2>Yeah and so uh wow, that's funny. It's always been

0:29:12.760 --> 0:29:14.920
<v Speaker 2>my dream to be in a Criterion.

0:29:16.440 --> 0:29:17.040
<v Speaker 4>Be careful.

0:29:18.120 --> 0:29:21.640
<v Speaker 8>Wait, can I just ask this question, Spike, because you

0:29:21.760 --> 0:29:24.440
<v Speaker 8>more than me, but like you said, you are Negro

0:29:24.560 --> 0:29:27.720
<v Speaker 8>domas And what does it feel like present day? Because

0:29:27.720 --> 0:29:29.320
<v Speaker 8>we were just talking about this before you came on

0:29:29.600 --> 0:29:33.560
<v Speaker 8>where Number one, we have protests, including all kinds of

0:29:33.600 --> 0:29:36.800
<v Speaker 8>people outside of us. Number two, we wake up to

0:29:37.440 --> 0:29:40.200
<v Speaker 8>no more Uncle Ben, no more an't your mama. Twitter

0:29:40.240 --> 0:29:43.440
<v Speaker 8>says Junie teenth is a holiday. New York says June

0:29:43.480 --> 0:29:47.040
<v Speaker 8>teenth is a state holiday. Like, I feel overwhelmed. What

0:29:47.040 --> 0:29:51.880
<v Speaker 8>does it feel like? It's a lot?

0:29:52.160 --> 0:29:54.320
<v Speaker 2>In other words, how many calls did you get? How

0:29:54.400 --> 0:29:56.560
<v Speaker 2>many calls did you get the last two weeks? To

0:29:56.640 --> 0:29:59.680
<v Speaker 2>explain stuff to them, and how.

0:29:59.520 --> 0:30:00.720
<v Speaker 4>Many you didn't explain?

0:30:00.800 --> 0:30:02.880
<v Speaker 2>Many rough drafts did you have to read to make

0:30:02.920 --> 0:30:09.400
<v Speaker 2>sure that this tweet was okay? And though here's my answer,

0:30:10.200 --> 0:30:10.760
<v Speaker 2>they barely.

0:30:10.920 --> 0:30:20.400
<v Speaker 11>Motherfucker, Uncle Ben alone, Uncle Ben man.

0:30:20.440 --> 0:30:26.080
<v Speaker 3>Right, you came with Jemima, she got a whole new look, so.

0:30:27.000 --> 0:30:28.080
<v Speaker 5>You got a right.

0:30:32.280 --> 0:30:35.920
<v Speaker 4>No the story. Actually, you know what I just read that.

0:30:36.160 --> 0:30:40.840
<v Speaker 2>I didn't realize that similar to the family that won

0:30:40.960 --> 0:30:44.280
<v Speaker 2>that settlement for the line Sleeps Tonight.

0:30:44.600 --> 0:30:46.520
<v Speaker 4>The South African family for writing it.

0:30:48.000 --> 0:30:56.000
<v Speaker 14>For the last thirty seven years, the family of the

0:30:56.200 --> 0:31:01.520
<v Speaker 14>woman who was the original aunt Jemima Logo, who was

0:31:01.560 --> 0:31:06.880
<v Speaker 14>also instrumental in them getting the recipe together, has been

0:31:07.000 --> 0:31:09.800
<v Speaker 14>trying to like she's basically owed.

0:31:10.640 --> 0:31:13.880
<v Speaker 2>The minimum is at least a two billion dollar settlement

0:31:14.280 --> 0:31:16.480
<v Speaker 2>for the last money.

0:31:16.640 --> 0:31:20.240
<v Speaker 4>So let's let's see what happened.

0:31:20.720 --> 0:31:24.160
<v Speaker 5>But white corporations, they're like the money way, like it's

0:31:24.200 --> 0:31:24.840
<v Speaker 5>all right.

0:31:25.400 --> 0:31:27.920
<v Speaker 8>Yeah, Like I don't know, I'm a shocked. I don't

0:31:27.920 --> 0:31:29.600
<v Speaker 8>know whether to take people on their word, like it's

0:31:29.600 --> 0:31:31.000
<v Speaker 8>gonna change in a week. I don't want to get

0:31:31.080 --> 0:31:31.840
<v Speaker 8>used to it.

0:31:31.840 --> 0:31:36.320
<v Speaker 2>It's very you know what it is like reparation cool

0:31:36.800 --> 0:31:41.040
<v Speaker 2>it's it's cool, but it's like, I don't I feel

0:31:41.080 --> 0:31:43.960
<v Speaker 2>like this is more like a get out of discussions

0:31:44.000 --> 0:31:49.880
<v Speaker 2>free card and go away. Yeah yeah, and it's not

0:31:50.040 --> 0:31:52.200
<v Speaker 2>just going to be you know, it's like this is

0:31:52.240 --> 0:31:54.640
<v Speaker 2>sort of like with the I voted for Obama, so

0:31:54.720 --> 0:31:56.840
<v Speaker 2>now racism is over, and it's like, okay, well I

0:31:56.880 --> 0:32:01.120
<v Speaker 2>donated Amazon's like a I'll give two hundred and fifty

0:32:01.480 --> 0:32:03.760
<v Speaker 2>million dollars to this particular Da da da, So now

0:32:03.840 --> 0:32:09.280
<v Speaker 2>races is over, there's there's still a bigger conversation to

0:32:09.400 --> 0:32:10.840
<v Speaker 2>have for real change.

0:32:10.880 --> 0:32:12.720
<v Speaker 4>So I mean, yeah, like.

0:32:12.720 --> 0:32:16.280
<v Speaker 2>It's it's it's cool now, but I still feel as

0:32:16.360 --> 0:32:20.040
<v Speaker 2>though that's that's kind of a get out of discussions

0:32:20.320 --> 0:32:24.680
<v Speaker 2>free card, and that's the deeper that's the deeper conversation

0:32:24.760 --> 0:32:27.360
<v Speaker 2>that needs to be had. So I mean it's cute,

0:32:27.400 --> 0:32:30.440
<v Speaker 2>but I'm watching very skeptically right now.

0:32:30.840 --> 0:32:34.520
<v Speaker 6>Yeah, Spike, I always wanted to ask you after you

0:32:34.640 --> 0:32:38.320
<v Speaker 6>one for Black Clansmen, Uh, being the director that won,

0:32:39.160 --> 0:32:41.960
<v Speaker 6>you know, finally got an oscar like later in your career,

0:32:42.960 --> 0:32:44.320
<v Speaker 6>what changes was it?

0:32:44.400 --> 0:32:46.040
<v Speaker 4>Because or where there changes?

0:32:46.520 --> 0:32:48.960
<v Speaker 6>You know, we've seen people that win them early and

0:32:49.040 --> 0:32:51.240
<v Speaker 6>they kind of you know, it changes them, But you

0:32:51.320 --> 0:32:52.960
<v Speaker 6>had been putting in the work for so long, and

0:32:53.080 --> 0:32:54.880
<v Speaker 6>your track record already spoke for itself.

0:32:55.120 --> 0:32:57.720
<v Speaker 5>So a lot of times a question, well you see

0:32:57.720 --> 0:33:01.680
<v Speaker 5>a question between Black Class and the Five Bloods that

0:33:01.800 --> 0:33:06.200
<v Speaker 5>you think that affected Kemy Wood affected the Five Bloods.

0:33:06.840 --> 0:33:09.320
<v Speaker 4>But so but you said, had you won? Oh, we

0:33:09.440 --> 0:33:10.320
<v Speaker 4>just fat you had nominated.

0:33:10.320 --> 0:33:12.760
<v Speaker 6>You were nominated, but then they still passed, but you

0:33:12.840 --> 0:33:16.240
<v Speaker 6>didn't and you won. I guess it was after was

0:33:16.280 --> 0:33:18.240
<v Speaker 6>the Five was already in production when you won.

0:33:18.960 --> 0:33:21.920
<v Speaker 5>No, the morning after, the morning after, I was on

0:33:21.960 --> 0:33:24.880
<v Speaker 5>a plane that Thailand, Bangkok, Ah.

0:33:24.480 --> 0:33:28.520
<v Speaker 4>Okay, Okay, I got even after you wan, it was

0:33:28.520 --> 0:33:31.280
<v Speaker 4>still a fight to get your stuff without.

0:33:31.280 --> 0:33:33.800
<v Speaker 5>Now the deal was done. I'm just saying that Netflix

0:33:33.880 --> 0:33:36.600
<v Speaker 5>was the last one I had to I could. It

0:33:36.720 --> 0:33:39.200
<v Speaker 5>was doing else to go to.

0:33:38.320 --> 0:33:38.760
<v Speaker 4>Too, you know.

0:33:38.920 --> 0:33:42.000
<v Speaker 5>So we won the Oscar. We partied that night. That

0:33:42.200 --> 0:33:45.320
<v Speaker 5>morning I never went to bed, packed my bags and

0:33:45.440 --> 0:33:47.640
<v Speaker 5>was on a plane that Bangkok, Thailand.

0:33:48.400 --> 0:33:51.120
<v Speaker 4>It was l a X. Now I'm sorry, okay.

0:33:51.360 --> 0:33:56.000
<v Speaker 5>And so my production, my great productions, I to win

0:33:56.080 --> 0:33:59.360
<v Speaker 5>Thomas whose first film was She's Gonna Have It in

0:33:59.400 --> 0:34:04.960
<v Speaker 5>nineteen eighties. My climatoger Tom Siegel. They had been in

0:34:05.240 --> 0:34:09.160
<v Speaker 5>Bangkock for four weeks already. The Anxis too had to

0:34:09.200 --> 0:34:11.160
<v Speaker 5>do the Oscar shit, so I had to catch up.

0:34:12.000 --> 0:34:14.800
<v Speaker 5>So minute I landed in Bangkock, in that one hundred

0:34:14.800 --> 0:34:19.480
<v Speaker 5>degrees hit outside the head, that Oscar stuff out the

0:34:19.520 --> 0:34:23.200
<v Speaker 5>fucking window, it was over here. I had to catch

0:34:23.360 --> 0:34:27.399
<v Speaker 5>up because we get ready shoot a movie. So all

0:34:27.440 --> 0:34:32.800
<v Speaker 5>the Oscar stuff between Lax and ban Cock was gone.

0:34:33.160 --> 0:34:33.440
<v Speaker 4>Wow.

0:34:34.080 --> 0:34:36.480
<v Speaker 2>I guess it would be more apt to ask an actor,

0:34:36.480 --> 0:34:37.960
<v Speaker 2>what kind of director are you?

0:34:38.120 --> 0:34:39.200
<v Speaker 4>Are you the director that?

0:34:40.160 --> 0:34:40.319
<v Speaker 5>Well?

0:34:40.360 --> 0:34:41.399
<v Speaker 4>No, no, no, no, okay, so.

0:34:41.400 --> 0:34:44.520
<v Speaker 5>I answered, I can't answer that, I asked.

0:34:44.600 --> 0:34:48.120
<v Speaker 2>I asked Paul Thomas answer this question like he Paul

0:34:48.160 --> 0:34:51.919
<v Speaker 2>Thomas pt Anderson is the type of guy that will

0:34:51.960 --> 0:34:58.040
<v Speaker 2>do twenty takes of the same scene because he knows,

0:34:58.120 --> 0:35:00.960
<v Speaker 2>by like the thirty team time, there will be a

0:35:00.960 --> 0:35:02.400
<v Speaker 2>certain rhythm that feels natural.

0:35:03.000 --> 0:35:06.080
<v Speaker 4>But the level of intensity that you.

0:35:06.120 --> 0:35:09.840
<v Speaker 2>Got Delroy Lindo did really give you in this film

0:35:09.880 --> 0:35:18.040
<v Speaker 2>his most Yeah, his most, so, like how many takes

0:35:18.040 --> 0:35:20.440
<v Speaker 2>does it take to get him to that level?

0:35:20.520 --> 0:35:23.600
<v Speaker 4>Like was this just take one he was on? Or

0:35:23.800 --> 0:35:24.800
<v Speaker 4>it took a few times.

0:35:25.320 --> 0:35:28.040
<v Speaker 5>I mean, I'll give more than one take. But here's

0:35:28.080 --> 0:35:32.120
<v Speaker 5>the thing. This is my fourth film with Delroy, but

0:35:32.680 --> 0:35:36.839
<v Speaker 5>it's been twenty five years between this and the last one.

0:35:37.760 --> 0:35:42.400
<v Speaker 5>Delroy first worked with me played Western Archie, Yeah, Malcolm

0:35:42.520 --> 0:35:46.360
<v Speaker 5>xIC great. He was in Clocks, played the drug Kingpinn.

0:35:46.440 --> 0:35:52.240
<v Speaker 5>Also played my actual Fatherokly Forgot about Crookly.

0:35:52.960 --> 0:35:57.200
<v Speaker 11>He played my father in All you guys, Lazy and Jim.

0:35:57.239 --> 0:36:00.600
<v Speaker 5>You all notice that you can have great talent, but

0:36:00.800 --> 0:36:04.319
<v Speaker 5>sometimes you get lost in the sauce. Putting in work,

0:36:04.440 --> 0:36:08.919
<v Speaker 5>putting in work, but you get that that vehicle. Mm hmm,

0:36:09.480 --> 0:36:13.440
<v Speaker 5>you get that role. Thats been putting work w r

0:36:13.560 --> 0:36:14.040
<v Speaker 5>K for.

0:36:14.040 --> 0:36:25.640
<v Speaker 4>The get been here sorry fighting the air.

0:36:29.000 --> 0:36:34.000
<v Speaker 5>Delroy did not fall off the truck. He's been putting

0:36:34.000 --> 0:36:39.319
<v Speaker 5>in work and this role he had the vehicle. He

0:36:39.440 --> 0:36:41.520
<v Speaker 5>took it to another level and he was in his own.

0:36:42.719 --> 0:36:45.279
<v Speaker 9>Can we talk about casting, because I was going to say,

0:36:45.280 --> 0:36:47.640
<v Speaker 9>how did you in your mind?

0:36:47.920 --> 0:36:51.000
<v Speaker 2>Like, how did you how did you decide that this

0:36:51.200 --> 0:36:52.720
<v Speaker 2>was the right ensemble for you.

0:36:53.320 --> 0:36:56.480
<v Speaker 5>I've worked with them three other times. I know I

0:36:56.520 --> 0:37:00.000
<v Speaker 5>know what he could do first ten experience.

0:37:00.400 --> 0:37:03.239
<v Speaker 8>But Spike, on fairness, you've done so many movies with

0:37:03.920 --> 0:37:06.400
<v Speaker 8>such a large collective of actors that you have a

0:37:06.560 --> 0:37:08.560
<v Speaker 8>vat that you could have picked out of.

0:37:08.640 --> 0:37:12.920
<v Speaker 3>I mean, you know from Laurence Fishburne of people that

0:37:13.000 --> 0:37:13.680
<v Speaker 3>could have Nah.

0:37:13.960 --> 0:37:15.759
<v Speaker 6>We me and my wife we were talking the other

0:37:15.880 --> 0:37:19.080
<v Speaker 6>night and last night we were watching I think they've

0:37:19.120 --> 0:37:21.160
<v Speaker 6>been showing She They've been showing He Got Game a

0:37:21.200 --> 0:37:24.120
<v Speaker 6>lot on HBO now, like they've been showing that a lot.

0:37:24.600 --> 0:37:27.719
<v Speaker 6>And we were just talking like how you you were

0:37:27.800 --> 0:37:31.239
<v Speaker 6>kind of like the Miles Davis of in terms of

0:37:31.280 --> 0:37:33.400
<v Speaker 6>like a talent scout, like what Miles Davis was the

0:37:33.480 --> 0:37:36.319
<v Speaker 6>jazz and being able to see Herbie, to see Cole Trank,

0:37:36.640 --> 0:37:40.319
<v Speaker 6>like the dudes and the actresses and actors that you pick,

0:37:40.920 --> 0:37:43.200
<v Speaker 6>you know, the stuff that they go on to do

0:37:43.320 --> 0:37:45.480
<v Speaker 6>after working with you, and you know what I mean,

0:37:45.560 --> 0:37:49.279
<v Speaker 6>it is incredible. And one actor that you chose for

0:37:49.320 --> 0:37:52.279
<v Speaker 6>the Five Bloods that I love is Jonathan Majrix who

0:37:52.280 --> 0:37:56.000
<v Speaker 6>plays the son. How how did you pick him and

0:37:56.080 --> 0:37:58.080
<v Speaker 6>what was what was the thing you saw in him

0:37:58.120 --> 0:38:01.040
<v Speaker 6>that was like, Yo, he's the one O Delroy.

0:38:02.200 --> 0:38:05.560
<v Speaker 4>Jonathan Major. Have you seen San Francisco?

0:38:06.440 --> 0:38:11.160
<v Speaker 5>I have the place I didn't see him in that

0:38:11.239 --> 0:38:12.840
<v Speaker 5>film after the audition.

0:38:15.080 --> 0:38:16.520
<v Speaker 4>That's why I thought you chose him.

0:38:16.960 --> 0:38:23.040
<v Speaker 5>No. Casting director Kim Coleman, Wow, I just wanted to,

0:38:23.200 --> 0:38:29.000
<v Speaker 5>you know, let's talk but but but talk about I mean,

0:38:29.040 --> 0:38:33.239
<v Speaker 5>here's the thing. Do the right thing? Was Rosie President's

0:38:33.239 --> 0:38:36.560
<v Speaker 5>first film, had the late Great Robin Harsh's first film,

0:38:37.360 --> 0:38:41.680
<v Speaker 5>Mark lawrence first film, Jungle Fee was Howie Berry's first film,

0:38:42.239 --> 0:38:45.919
<v Speaker 5>Queenly Chiefess first film, and we can go on and

0:38:46.040 --> 0:38:52.960
<v Speaker 5>on and Barry Gory Yeah, but John that was that

0:38:53.080 --> 0:38:57.319
<v Speaker 5>was his first one. But yeah, but still so I

0:38:57.400 --> 0:39:01.400
<v Speaker 5>just have when I get the vibe, you know, I

0:39:01.440 --> 0:39:04.360
<v Speaker 5>know that's somebody want to work with and work with again.

0:39:05.480 --> 0:39:09.040
<v Speaker 2>I would like to know what's the barometer for I mean,

0:39:09.040 --> 0:39:12.840
<v Speaker 2>I would think that having a ninety two in Rotten Tomatoes,

0:39:13.760 --> 0:39:15.359
<v Speaker 2>I mean it doesn't doesn't.

0:39:15.120 --> 0:39:15.719
<v Speaker 4>Hurt at all.

0:39:16.120 --> 0:39:18.879
<v Speaker 2>But what is what is the barometer now that there

0:39:18.960 --> 0:39:25.719
<v Speaker 2>isn't a box office listing per se to determine if

0:39:25.719 --> 0:39:28.000
<v Speaker 2>a film does well or not does well? Like, how

0:39:28.080 --> 0:39:31.440
<v Speaker 2>do you what's what's the what's the new standard or

0:39:31.480 --> 0:39:31.920
<v Speaker 2>the number?

0:39:33.080 --> 0:39:39.360
<v Speaker 5>Well this is I heard that our opening box offers

0:39:40.239 --> 0:39:45.840
<v Speaker 5>if you could make analogy from the people saw it

0:39:45.960 --> 0:39:51.000
<v Speaker 5>on Netflix to people buying a ticket, we open up

0:39:51.120 --> 0:39:56.359
<v Speaker 5>like one hundred and twenty five million dollars weekend. Real good,

0:39:56.600 --> 0:39:58.359
<v Speaker 5>it very good. OK.

0:39:58.480 --> 0:40:00.520
<v Speaker 4>Yeah, I just want to know, But is it good

0:40:00.640 --> 0:40:05.120
<v Speaker 4>enough for Netflix to say let's make it? Are you

0:40:05.239 --> 0:40:06.319
<v Speaker 4>just say one at a time?

0:40:06.920 --> 0:40:09.239
<v Speaker 5>No, no, no, I mean it. It's there's love again,

0:40:09.320 --> 0:40:13.360
<v Speaker 5>I said before no one else wanted to do this film.

0:40:13.920 --> 0:40:18.840
<v Speaker 2>In light of his new studio in Atlanta? Did you

0:40:19.040 --> 0:40:21.839
<v Speaker 2>take it down to Noah?

0:40:22.440 --> 0:40:22.600
<v Speaker 4>Was?

0:40:22.600 --> 0:40:22.920
<v Speaker 5>It was?

0:40:24.000 --> 0:40:24.040
<v Speaker 9>No?

0:40:24.320 --> 0:40:27.520
<v Speaker 11>And that's no direspect to my brother, because.

0:40:27.320 --> 0:40:31.080
<v Speaker 2>Yeah, no, no, no, no, no, no quest It's all love, baby,

0:40:32.120 --> 0:40:33.680
<v Speaker 2>And I just want to say something that you know in.

0:40:33.719 --> 0:40:38.560
<v Speaker 5>This suddenly showed me and Tyler a mad cool. That

0:40:38.640 --> 0:40:42.960
<v Speaker 5>beat was splashed years ago. I called him up out

0:40:42.960 --> 0:40:46.840
<v Speaker 5>of the blue. He said, I said, you gotta talk.

0:40:47.760 --> 0:40:49.880
<v Speaker 11>I jumped, put my ass, my black guys.

0:40:49.719 --> 0:40:51.960
<v Speaker 5>On a plane from La Guardian in Atlanta.

0:40:53.360 --> 0:40:58.040
<v Speaker 11>Went out to his mansion. We sat down, talked brother

0:40:58.120 --> 0:40:58.840
<v Speaker 11>the brother.

0:41:00.120 --> 0:41:03.640
<v Speaker 5>Man a black man, gave each other hug and for

0:41:03.800 --> 0:41:05.920
<v Speaker 5>nothing but love ever since.

0:41:06.480 --> 0:41:06.840
<v Speaker 4>To get it.

0:41:07.040 --> 0:41:10.080
<v Speaker 5>Remember this, he did not, you know, all that big

0:41:10.120 --> 0:41:13.799
<v Speaker 5>complex he has. He not had to put my name

0:41:14.560 --> 0:41:16.920
<v Speaker 5>on a studio, on one of the studios, one of

0:41:16.960 --> 0:41:19.879
<v Speaker 5>those stages he had to do that, so.

0:41:20.320 --> 0:41:22.400
<v Speaker 3>Because there would be no Tyler not for you, but

0:41:22.480 --> 0:41:22.839
<v Speaker 3>he did.

0:41:23.600 --> 0:41:26.919
<v Speaker 5>But that it wasn't even about that. I know, It's

0:41:27.000 --> 0:41:31.120
<v Speaker 5>just it's love. I did not want to put Tyler

0:41:31.160 --> 0:41:32.759
<v Speaker 5>in a position You're like come on.

0:41:33.360 --> 0:41:33.520
<v Speaker 3>Like.

0:41:35.200 --> 0:41:40.200
<v Speaker 4>Yeah, but I would think. My thing is that if

0:41:40.239 --> 0:41:44.760
<v Speaker 4>you if you're I mean, okay, so establishing the studios.

0:41:45.560 --> 0:41:48.520
<v Speaker 5>Here's the thing though, when I when I answer that

0:41:48.640 --> 0:41:52.960
<v Speaker 5>and let me if I can adjust that answer, I

0:41:53.120 --> 0:41:54.000
<v Speaker 5>was I.

0:41:53.920 --> 0:41:56.880
<v Speaker 2>Was only asking because I know that he has the

0:41:56.920 --> 0:41:59.680
<v Speaker 2>complex up and he's open for business.

0:42:00.480 --> 0:42:02.560
<v Speaker 4>But then I was kind of wondering, like what's step two?

0:42:02.600 --> 0:42:08.400
<v Speaker 2>Is step two now like for future for directors and screenwriters,

0:42:08.480 --> 0:42:10.960
<v Speaker 2>like do they is it a studio in the terms

0:42:10.960 --> 0:42:14.320
<v Speaker 2>of like MGM, like do you is he an option

0:42:14.400 --> 0:42:14.960
<v Speaker 2>to take it to?

0:42:15.280 --> 0:42:16.719
<v Speaker 5>Or is Georgia is.

0:42:16.719 --> 0:42:18.680
<v Speaker 8>Just Georgia stop you from wanting to go down there

0:42:18.680 --> 0:42:20.160
<v Speaker 8>because of their laws and what they do and the

0:42:20.200 --> 0:42:22.080
<v Speaker 8>women's suppression on their bodies and whatnot.

0:42:22.120 --> 0:42:25.120
<v Speaker 3>Because some people are considering that too. I'm just saying

0:42:25.120 --> 0:42:27.720
<v Speaker 3>it is an actor that they.

0:42:27.360 --> 0:42:31.719
<v Speaker 5>True, I don't I can't ask that question. I don't

0:42:31.719 --> 0:42:35.320
<v Speaker 5>know if you know, is the studio in the centuries

0:42:35.400 --> 0:42:39.560
<v Speaker 5>also financing films or is it that?

0:42:40.800 --> 0:42:43.440
<v Speaker 4>Is it just a place to shoot? That's my question.

0:42:44.000 --> 0:42:45.760
<v Speaker 2>I don't know if he was the studio in terms

0:42:45.800 --> 0:42:48.720
<v Speaker 2>of I don't know Warner Brothers or MGM.

0:42:48.840 --> 0:42:49.919
<v Speaker 4>That's what I was trying to ask.

0:42:50.040 --> 0:42:52.040
<v Speaker 3>I don't think he was. I didn't think he was yet.

0:42:52.440 --> 0:42:54.480
<v Speaker 4>So that's just the place to shoot if you want

0:42:54.520 --> 0:42:54.880
<v Speaker 4>to shoot.

0:42:55.040 --> 0:42:56.800
<v Speaker 5>So now, I mean, I don't know what the his

0:42:56.800 --> 0:42:57.319
<v Speaker 5>his his.

0:42:58.320 --> 0:43:01.680
<v Speaker 4>The end game of it all. Okay, I want to vacuum.

0:43:02.120 --> 0:43:02.840
<v Speaker 4>That's all I wanted to do.

0:43:03.400 --> 0:43:06.399
<v Speaker 6>When you did well, kind of following up on that question,

0:43:06.440 --> 0:43:08.919
<v Speaker 6>when you did X and you know, as we talked

0:43:09.000 --> 0:43:11.719
<v Speaker 6>last time, you was like you call call folke up, Like, Yo,

0:43:11.719 --> 0:43:13.600
<v Speaker 6>it's station time, let's get it, you know what I mean?

0:43:14.120 --> 0:43:14.400
<v Speaker 4>Uh?

0:43:14.640 --> 0:43:17.799
<v Speaker 6>Was there ever consideration after that of saying, well, if

0:43:17.840 --> 0:43:20.960
<v Speaker 6>we can come together to do this, why don't we

0:43:21.080 --> 0:43:24.520
<v Speaker 6>keep going? What are some of the challenges in self

0:43:24.520 --> 0:43:27.359
<v Speaker 6>funding and put doing stuff like that?

0:43:28.600 --> 0:43:33.960
<v Speaker 5>The challenge is really most people lose money when you

0:43:34.040 --> 0:43:37.640
<v Speaker 5>invest in the film, okay, and very few of us

0:43:37.719 --> 0:43:41.399
<v Speaker 5>have disposable income where they could just write a check

0:43:41.719 --> 0:43:43.719
<v Speaker 5>and like not even be you know, hurt.

0:43:44.040 --> 0:43:44.920
<v Speaker 4>Just take them losses.

0:43:45.000 --> 0:43:48.120
<v Speaker 5>Yeah, so it's it's Look, it's not. This thing's been

0:43:48.160 --> 0:43:53.440
<v Speaker 5>a struggle since sixteen nineteen when that first ship lanted

0:43:53.520 --> 0:43:56.840
<v Speaker 5>James thom Virginia. And if history has tost anything, you know,

0:43:56.920 --> 0:43:59.960
<v Speaker 5>it's the struggle continues. We take it by day by day.

0:44:00.040 --> 0:44:02.320
<v Speaker 5>It was like, you're not gonna chop down a redwood

0:44:02.320 --> 0:44:05.759
<v Speaker 5>tree with that first wing. We gotta be John hearing

0:44:05.800 --> 0:44:08.239
<v Speaker 5>like a motherfucker though, right?

0:44:09.160 --> 0:44:11.959
<v Speaker 3>Can I ask you that the Five bloods real quick?

0:44:12.200 --> 0:44:13.279
<v Speaker 3>It's a in the movie.

0:44:13.320 --> 0:44:15.120
<v Speaker 8>It's a picture of Delroy has shown it looked like

0:44:15.160 --> 0:44:18.600
<v Speaker 8>he was. Actually he actually served in the military. Is

0:44:18.719 --> 0:44:19.320
<v Speaker 8>that the case?

0:44:19.400 --> 0:44:25.399
<v Speaker 5>Yeah? That was from American graffeiti too? What?

0:44:25.960 --> 0:44:28.719
<v Speaker 4>Wow? I didn't know if there was an American graffiti too.

0:44:29.120 --> 0:44:36.479
<v Speaker 4>Wait see what we found it? There is such a thing. Yes,

0:44:37.600 --> 0:44:39.480
<v Speaker 4>how come I don't know about this because I've never

0:44:39.520 --> 0:44:40.560
<v Speaker 4>heard America graffiti too?

0:44:41.680 --> 0:44:43.879
<v Speaker 5>Google Google, I am dB sugar.

0:44:45.080 --> 0:44:46.560
<v Speaker 3>Computer too on a computer?

0:44:46.760 --> 0:44:48.920
<v Speaker 5>You know you want to, but he's not talking. Let

0:44:49.000 --> 0:44:49.360
<v Speaker 5>him do it.

0:44:50.680 --> 0:44:51.799
<v Speaker 4>I haven't I haven't seen that.

0:44:52.280 --> 0:44:54.719
<v Speaker 7>I haven't seen that movie, but I have the soundtrack

0:44:54.800 --> 0:44:56.920
<v Speaker 7>for it. So if there's a soundtrack for it in

0:44:57.000 --> 0:44:59.640
<v Speaker 7>my period.

0:44:59.760 --> 0:45:03.440
<v Speaker 8>Real did you use any Vietnamese actors.

0:45:03.800 --> 0:45:05.040
<v Speaker 4>Wow, a more American.

0:45:05.920 --> 0:45:08.920
<v Speaker 5>You're right, everybody was Vietnamese.

0:45:09.080 --> 0:45:10.600
<v Speaker 3>So then okay, so this is this leads to my

0:45:10.640 --> 0:45:11.160
<v Speaker 3>next question.

0:45:11.200 --> 0:45:13.680
<v Speaker 8>Then the scene on the boat with del Roy and

0:45:13.719 --> 0:45:17.160
<v Speaker 8>the god selling the chickens, right, it seemed to me

0:45:17.360 --> 0:45:19.359
<v Speaker 8>did you ever have to have a off camera come

0:45:19.360 --> 0:45:22.520
<v Speaker 8>to Jesus moment with the cast because history is so

0:45:22.640 --> 0:45:24.480
<v Speaker 8>deep in that way and y'all were shooting in Vietnam

0:45:24.520 --> 0:45:27.560
<v Speaker 8>and some of these Vietnamese actors do have a history

0:45:27.840 --> 0:45:29.920
<v Speaker 8>with this war in that way because it was it

0:45:29.960 --> 0:45:32.120
<v Speaker 8>was so you know, it's so emotional part about you

0:45:32.200 --> 0:45:34.520
<v Speaker 8>killed my father and my mother body thought chicken?

0:45:35.719 --> 0:45:38.479
<v Speaker 5>I told I told my brother to use that because

0:45:38.520 --> 0:45:42.920
<v Speaker 5>he didn't speak that much English, but I said, black Gi,

0:45:43.680 --> 0:45:44.360
<v Speaker 5>black Gi.

0:45:45.000 --> 0:45:46.799
<v Speaker 3>Right, Were there real moments about it.

0:45:50.080 --> 0:45:51.360
<v Speaker 5>Was? Because there's history?

0:45:51.920 --> 0:45:52.720
<v Speaker 3>Yeah.

0:45:52.920 --> 0:45:56.400
<v Speaker 5>I mean one of the key lines everybody in the

0:45:56.440 --> 0:45:59.800
<v Speaker 5>film is a war never ends.

0:46:00.880 --> 0:46:03.560
<v Speaker 11>And we had a Vietnamese brother, Ben say that line.

0:46:04.080 --> 0:46:08.400
<v Speaker 5>People in America in Vietnam is still deal with this

0:46:08.480 --> 0:46:11.120
<v Speaker 5>war is coming on fifty years from them, fifty years ago.

0:46:11.760 --> 0:46:15.600
<v Speaker 5>Another thing that I learned very quickly that if you're

0:46:15.640 --> 0:46:19.600
<v Speaker 5>in Vietnam and you say the Vietnam War. They say, no, no, no.

0:46:19.360 --> 0:46:20.319
<v Speaker 4>No American War.

0:46:21.160 --> 0:46:25.560
<v Speaker 5>We call it their American War. We did not go

0:46:25.920 --> 0:46:29.520
<v Speaker 5>the motherfucker United States in America. You motherfuckers came here,

0:46:30.520 --> 0:46:33.359
<v Speaker 5>got your ass kicked. And before that, the French came

0:46:33.440 --> 0:46:35.120
<v Speaker 5>here and got the ass kicked.

0:46:36.960 --> 0:46:38.759
<v Speaker 3>You did mention that was mentioned in the movie while

0:46:38.800 --> 0:46:40.000
<v Speaker 3>they speak.

0:46:39.840 --> 0:46:46.080
<v Speaker 5>The French, the French colonized Vietnam. If you, I mean,

0:46:46.120 --> 0:46:48.759
<v Speaker 5>if you look when you get a chance, we get

0:46:48.760 --> 0:46:53.520
<v Speaker 5>a chance, get look at your globe, globe that's cute,

0:46:54.160 --> 0:46:59.280
<v Speaker 5>or you just go to your Google a world map.

0:47:00.600 --> 0:47:03.000
<v Speaker 5>Look how big Vietnam is.

0:47:04.440 --> 0:47:04.960
<v Speaker 4>I'm looking.

0:47:05.160 --> 0:47:10.600
<v Speaker 2>Wow, Okay, what state you think?

0:47:11.320 --> 0:47:14.520
<v Speaker 5>What's the question? You got it? What state you think

0:47:14.560 --> 0:47:16.920
<v Speaker 5>it's comfortable in size to Vietnam?

0:47:17.120 --> 0:47:22.000
<v Speaker 2>I guess by the looks of it.

0:47:21.440 --> 0:47:27.239
<v Speaker 5>I mean not Texas, for Texas bigger than Vietnam. I'm

0:47:27.239 --> 0:47:29.680
<v Speaker 5>looking one of the smaller states.

0:47:30.000 --> 0:47:32.800
<v Speaker 4>Yeah, this is This could be up in New England somewhere.

0:47:33.640 --> 0:47:37.399
<v Speaker 5>Mm hmmm. So just say, like four guests, maybe it's

0:47:37.440 --> 0:47:44.920
<v Speaker 5>the size of the Rhode Island or New Hampshire, Vermont,

0:47:45.480 --> 0:47:51.520
<v Speaker 5>that is the size of Vietnam. They kicked mothers.

0:47:52.200 --> 0:47:52.359
<v Speaker 4>Yea.

0:47:56.320 --> 0:47:58.520
<v Speaker 3>They know when you came to be like Spike Lee.

0:47:59.360 --> 0:48:02.800
<v Speaker 5>Some did, some did, but we made a conscious effort

0:48:02.960 --> 0:48:07.360
<v Speaker 5>in this film not to dehumanize being these people, not

0:48:07.520 --> 0:48:12.240
<v Speaker 5>to make them villains. We treat them with love, respect,

0:48:12.280 --> 0:48:13.400
<v Speaker 5>and we got that in return.

0:48:14.640 --> 0:48:14.839
<v Speaker 4>Uh.

0:48:15.040 --> 0:48:18.200
<v Speaker 6>One question I had about your because you say, you

0:48:18.200 --> 0:48:19.479
<v Speaker 6>know war that was the theme?

0:48:19.600 --> 0:48:20.640
<v Speaker 4>You know war never ends?

0:48:21.160 --> 0:48:24.399
<v Speaker 6>Was that a part of the decision to keep the

0:48:24.440 --> 0:48:28.560
<v Speaker 6>main actors the same age and the flashbacks? Uh, you

0:48:28.600 --> 0:48:30.400
<v Speaker 6>know what I mean? And the only one that was

0:48:30.440 --> 0:48:32.360
<v Speaker 6>young was was Chad you know Norman.

0:48:34.000 --> 0:48:39.200
<v Speaker 5>It was thank you? Big question again, that's question I've

0:48:39.239 --> 0:48:41.480
<v Speaker 5>been asked a question a million times already now, so

0:48:42.200 --> 0:48:50.400
<v Speaker 5>I have there. As I said earlier, everybody. Netflix was

0:48:50.440 --> 0:48:53.719
<v Speaker 5>the last person who started to do the film. But

0:48:54.760 --> 0:48:58.680
<v Speaker 5>they said we're doing it for a price, a price

0:48:59.080 --> 0:49:05.239
<v Speaker 5>that you a price. If I to add the dou

0:49:05.400 --> 0:49:08.960
<v Speaker 5>to do the age that the d age actors would

0:49:09.080 --> 0:49:12.720
<v Speaker 5>added another one hundred million dollars.

0:49:12.120 --> 0:49:12.640
<v Speaker 11>To a film.

0:49:12.680 --> 0:49:15.560
<v Speaker 5>Would have to do that one hundred down. That's more

0:49:15.600 --> 0:49:19.960
<v Speaker 5>the whole film car. Another part of this answer and

0:49:20.080 --> 0:49:24.399
<v Speaker 5>complicated answer, is that we had very few days when

0:49:24.440 --> 0:49:29.399
<v Speaker 5>the temperature was not over one hundred degrees. We were

0:49:29.440 --> 0:49:33.560
<v Speaker 5>shooting in the jungles of Thailand, make up aesthetics would

0:49:33.560 --> 0:49:38.319
<v Speaker 5>have melted writing for the right cameras. So with all

0:49:38.400 --> 0:49:44.040
<v Speaker 5>those things I just said, combined with my confidence in

0:49:44.120 --> 0:49:49.640
<v Speaker 5>the telligence of the moving the movie going audience that

0:49:49.760 --> 0:49:52.240
<v Speaker 5>the first time they see it it will be jarn

0:49:52.840 --> 0:49:57.719
<v Speaker 5>But then like that, the light bulb would go and

0:49:58.120 --> 0:49:59.960
<v Speaker 5>you know, off over the head and like, I get it,

0:50:01.640 --> 0:50:04.640
<v Speaker 5>this is a memory. So that is the answer to

0:50:06.840 --> 0:50:07.360
<v Speaker 5>your question.

0:50:07.480 --> 0:50:07.760
<v Speaker 4>Yeah.

0:50:07.840 --> 0:50:11.880
<v Speaker 6>Yeah, My good friend Sarah McDonald who writes for The Undefeated,

0:50:11.920 --> 0:50:14.400
<v Speaker 6>and she gave the Five Bloods good review. She was

0:50:14.440 --> 0:50:17.360
<v Speaker 6>the one that kind of made that point of just

0:50:17.440 --> 0:50:20.120
<v Speaker 6>how that was the way even though it was you know,

0:50:20.120 --> 0:50:22.319
<v Speaker 6>it may have been a budgetarystriction whatever, but that was

0:50:22.360 --> 0:50:24.759
<v Speaker 6>just a way to show that they never left the war,

0:50:24.880 --> 0:50:25.919
<v Speaker 6>like they're still there.

0:50:27.000 --> 0:50:31.759
<v Speaker 5>Yes, And what did Marvin Gate sing? War is hell?

0:50:33.080 --> 0:50:33.600
<v Speaker 4>But win it?

0:50:33.760 --> 0:50:37.400
<v Speaker 5>And I'm not gonna sing it when we start getting

0:50:37.480 --> 0:50:38.720
<v Speaker 5>back together again.

0:50:39.440 --> 0:50:40.880
<v Speaker 11>So I know the questions coming.

0:50:40.719 --> 0:50:46.600
<v Speaker 5>About Marvion Gate. Marvin Gay had an older brother named Franklin.

0:50:48.200 --> 0:50:52.880
<v Speaker 5>He did three tours in Vietnam, three tours. He was

0:50:52.880 --> 0:50:57.200
<v Speaker 5>a radio operator and he was right his brother every week,

0:50:58.160 --> 0:51:00.320
<v Speaker 5>and Marvin never answered one of those others.

0:51:00.920 --> 0:51:01.200
<v Speaker 4>Wow.

0:51:01.560 --> 0:51:04.000
<v Speaker 5>And I think a lot of ways that album is

0:51:04.040 --> 0:51:09.040
<v Speaker 5>an answer. It was a lettering never wrote. So Marvin

0:51:09.080 --> 0:51:11.080
<v Speaker 5>is getting a first hand account from his brother who's

0:51:11.120 --> 0:51:15.080
<v Speaker 5>doing three tours of Vietnam. Plus Marvin is in Detroit Motown,

0:51:15.239 --> 0:51:19.239
<v Speaker 5>so they're seeing the buds come back, maimed, fucked up,

0:51:21.280 --> 0:51:25.160
<v Speaker 5>strung on heroin. So all those things it might look,

0:51:25.200 --> 0:51:27.879
<v Speaker 5>I might be wrong. I think those are the things

0:51:27.880 --> 0:51:32.680
<v Speaker 5>that all came together that he gave the world the

0:51:32.760 --> 0:51:35.160
<v Speaker 5>gift of one of the greatest albums ever in my opinion.

0:51:35.760 --> 0:51:36.319
<v Speaker 4>What's going on?

0:51:36.840 --> 0:51:42.160
<v Speaker 5>So Marvin is a character in this movie.

0:51:42.320 --> 0:51:43.799
<v Speaker 2>Did you know from the gate that you were going

0:51:43.880 --> 0:51:50.680
<v Speaker 2>to use that album, that entire record as Yes, now

0:51:50.719 --> 0:51:53.960
<v Speaker 2>I'm gonna do that because it introduces another, yet another

0:51:54.000 --> 0:51:59.200
<v Speaker 2>generation to an album that's about to celebrate its fiftieth anniversary.

0:51:59.320 --> 0:52:03.279
<v Speaker 5>So and another thing is that we did. Another thing

0:52:03.280 --> 0:52:08.120
<v Speaker 5>that we did is that my brother Sanki, who does

0:52:08.239 --> 0:52:12.160
<v Speaker 5>all my still photography and not not still with Talk Records,

0:52:12.160 --> 0:52:18.360
<v Speaker 5>he's behind the scenes. While we were in Thailand, he

0:52:18.520 --> 0:52:22.000
<v Speaker 5>gave me that Acapella birds was I never heard it before?

0:52:22.520 --> 0:52:25.080
<v Speaker 5>M hmm, I never.

0:52:25.719 --> 0:52:29.440
<v Speaker 11>Heard it, had never ever heard of acapella What's going on?

0:52:30.840 --> 0:52:34.239
<v Speaker 5>And once I heard it, I knew we had to

0:52:34.280 --> 0:52:38.360
<v Speaker 5>put it on a scene with Paul as he's on

0:52:38.520 --> 0:52:43.520
<v Speaker 5>his dissent and the depths.

0:52:43.880 --> 0:52:47.320
<v Speaker 2>You know, right, Yeah, I feel like that was your

0:52:47.400 --> 0:52:49.960
<v Speaker 2>That was your living for the City moment from ju

0:52:50.239 --> 0:52:50.800
<v Speaker 2>Jungle Fever.

0:52:51.960 --> 0:52:56.800
<v Speaker 4>That was your Yeah, just using a song.

0:52:56.640 --> 0:52:58.120
<v Speaker 5>Like go to the Tosh.

0:53:01.160 --> 0:53:03.279
<v Speaker 6>Also do one of my favorite scenes where you did

0:53:03.320 --> 0:53:07.080
<v Speaker 6>that is in Girl six, when you use how come

0:53:07.239 --> 0:53:08.080
<v Speaker 6>you don't call me no more?

0:53:08.160 --> 0:53:12.200
<v Speaker 11>Any boardwalk?

0:53:13.400 --> 0:53:15.520
<v Speaker 8>In spite as a I'm gonna get on you with

0:53:15.560 --> 0:53:17.040
<v Speaker 8>it again every time I talk to you, I'm gonna

0:53:17.040 --> 0:53:19.200
<v Speaker 8>just say, as a c Au person, I found it

0:53:19.320 --> 0:53:22.719
<v Speaker 8>very interesting the way you again go more House into.

0:53:22.520 --> 0:53:24.640
<v Speaker 3>Another of yours.

0:53:24.719 --> 0:53:29.200
<v Speaker 5>I just the house history. Though you were absolutely right,

0:53:29.840 --> 0:53:33.600
<v Speaker 5>I do not mention clark Au now it's called back

0:53:33.640 --> 0:53:37.680
<v Speaker 5>on Clark was called Clark College. My maid was that

0:53:37.880 --> 0:53:42.279
<v Speaker 5>even like graduating from Morehouse ELECTUS class of nineteen seventy nine,

0:53:43.080 --> 0:53:48.920
<v Speaker 5>my major, Herb. Eichelberger, taught me he's the one that

0:53:49.080 --> 0:53:51.600
<v Speaker 5>believed in me as a young filmmaker. So I know

0:53:51.719 --> 0:53:56.680
<v Speaker 5>you're absolutely distraught now that read Hastings just gave forty

0:53:56.680 --> 0:54:04.360
<v Speaker 5>million to Morehouse, y'all fort forty million to the United

0:54:04.760 --> 0:54:10.920
<v Speaker 5>College Fund, and clark Au didn't gonna die that the country.

0:54:10.960 --> 0:54:11.719
<v Speaker 4>Was that you're doing.

0:54:13.760 --> 0:54:16.000
<v Speaker 5>Hey, I thought about it like the rest of the world.

0:54:16.680 --> 0:54:19.320
<v Speaker 4>Okay, okay, listen though.

0:54:19.480 --> 0:54:23.239
<v Speaker 5>You know why that's special to me, No bullshit. My

0:54:23.360 --> 0:54:27.640
<v Speaker 5>father went to Morehouse. Well, my father was a freshman

0:54:28.200 --> 0:54:32.120
<v Speaker 5>doctor Martin Luther King was a senior. Martin Luther King

0:54:32.160 --> 0:54:36.360
<v Speaker 5>the Third and I are classmates. We both graduated class

0:54:36.400 --> 0:54:41.400
<v Speaker 5>thirty nine. My grandfather went to Morehouse. My mother, who

0:54:41.480 --> 0:54:44.880
<v Speaker 5>is a centophile, she's the one. She's the reason why

0:54:44.880 --> 0:54:48.680
<v Speaker 5>I'm a filmmaker. She went to Spellman. My grandma lived

0:54:48.719 --> 0:54:52.839
<v Speaker 5>one hundred years old. Wow, she went to Spellman. My

0:54:52.880 --> 0:54:58.080
<v Speaker 5>grandmother is a one who's who saved the Social Security

0:54:58.160 --> 0:55:01.680
<v Speaker 5>checks for fifty years for a grand josen for a

0:55:01.719 --> 0:55:02.800
<v Speaker 5>grandch education.

0:55:03.560 --> 0:55:06.360
<v Speaker 11>I was the first born, I had first DIBs.

0:55:06.680 --> 0:55:11.840
<v Speaker 5>My grandmother put me through Morehouse, put me through n YU,

0:55:13.120 --> 0:55:15.719
<v Speaker 5>and gave me the same money. But she's gotta have it.

0:55:16.239 --> 0:55:16.839
<v Speaker 3>I get it.

0:55:16.880 --> 0:55:23.799
<v Speaker 5>So that's why I show Love Morehouse and Spellman plus

0:55:24.280 --> 0:55:29.359
<v Speaker 5>the world's grades Hurd. Love with Moses was one year

0:55:29.520 --> 0:55:31.759
<v Speaker 5>ahead of me classes seventy eight.

0:55:33.120 --> 0:55:35.920
<v Speaker 3>Nobody rides out of school like morehouse men and spellman women.

0:55:35.960 --> 0:55:40.560
<v Speaker 9>I'm gonna tell I'm the motherfucking house what all right,

0:55:40.680 --> 0:55:46.440
<v Speaker 9>one day I'll do it for OKAYK got to do it.

0:55:46.400 --> 0:55:53.959
<v Speaker 4>A mirror my pros from me her culture festival. All right, y'all?

0:55:54.080 --> 0:55:56.600
<v Speaker 15>No Bill None who used to teach at Clark and

0:55:56.680 --> 0:56:01.640
<v Speaker 15>Land and where you go? I don't know the house

0:56:02.680 --> 0:56:05.839
<v Speaker 15>And Samuel Jackson Sam, I.

0:56:05.760 --> 0:56:07.880
<v Speaker 3>Think he was about.

0:56:10.400 --> 0:56:14.640
<v Speaker 5>Sam, Sam, Sam and John I mean Sam then Bill

0:56:14.680 --> 0:56:16.040
<v Speaker 5>were classmates some more Hawks.

0:56:16.840 --> 0:56:21.040
<v Speaker 2>When you saw Sam presenting the award, you you kind

0:56:21.040 --> 0:56:22.240
<v Speaker 2>of you already, right.

0:56:22.800 --> 0:56:24.880
<v Speaker 5>I had an inkling, but I didn't want to go

0:56:25.000 --> 0:56:32.000
<v Speaker 5>for the dope bean double cross again. I gotta love

0:56:32.040 --> 0:56:34.440
<v Speaker 5>you so much. I don't want to go for that.

0:56:34.560 --> 0:56:37.799
<v Speaker 4>I wanted going. I look, I was a hit.

0:56:37.880 --> 0:56:41.480
<v Speaker 5>It was a hit. But I've seen that skull bluggery,

0:56:43.040 --> 0:56:46.200
<v Speaker 5>that Agan's subterfuge before.

0:56:46.600 --> 0:56:53.640
<v Speaker 4>Right, we all have. Man, I was I was there before.

0:56:55.080 --> 0:56:57.400
<v Speaker 2>I was there, and that that was That was like

0:56:57.400 --> 0:56:59.360
<v Speaker 2>one of the most electric moments in the audience.

0:56:59.400 --> 0:57:02.880
<v Speaker 3>Man, like watching that and Ruth get one too, Like

0:57:02.920 --> 0:57:03.359
<v Speaker 3>it was.

0:57:03.280 --> 0:57:07.080
<v Speaker 5>Just oh, there was a bunch of us. Yeah, that

0:57:07.280 --> 0:57:11.560
<v Speaker 5>was a good knight for negroes all, not just the

0:57:11.560 --> 0:57:12.200
<v Speaker 5>ones that want.

0:57:14.239 --> 0:57:16.880
<v Speaker 4>Yes. Yeah, it was great. That was a great night.

0:57:21.720 --> 0:57:23.000
<v Speaker 4>What is next for you?

0:57:23.400 --> 0:57:26.640
<v Speaker 2>And how are you preparing for whatever is next for you?

0:57:27.400 --> 0:57:27.800
<v Speaker 5>You know what?

0:57:28.480 --> 0:57:30.480
<v Speaker 11>Another you guys give me nothing A great question.

0:57:30.600 --> 0:57:32.920
<v Speaker 5>I thank you for because it's hard to answer the

0:57:33.040 --> 0:57:39.560
<v Speaker 5>questions that you're like, WTF. OMG. This is the first time.

0:57:40.760 --> 0:57:43.000
<v Speaker 5>If I just had as my mother, my late mother

0:57:43.040 --> 0:57:49.200
<v Speaker 5>will say, sit your skinny, rusty black ass down. I've

0:57:49.240 --> 0:57:51.680
<v Speaker 5>been working non stop.

0:57:52.640 --> 0:57:53.160
<v Speaker 2>She used to have.

0:57:53.280 --> 0:57:56.800
<v Speaker 11>It was eighty six, do the right thing.

0:57:56.880 --> 0:58:01.240
<v Speaker 5>It's gonna be thirty one years old this coming June thirty.

0:58:01.360 --> 0:58:03.320
<v Speaker 5>The film was released the same day as Tim Baton.

0:58:03.520 --> 0:58:11.800
<v Speaker 5>Tim Burton's Batman was between feature films, featured documentaries, short

0:58:11.880 --> 0:58:20.560
<v Speaker 5>films for Michael Jackson, Prince Public Enemy, Miles Davis, Anita Baker.

0:58:20.680 --> 0:58:24.360
<v Speaker 5>You know, a whole bunch of people, and then being

0:58:24.400 --> 0:58:29.120
<v Speaker 5>married twenty six years, my group of wife Tanya, two kids,

0:58:29.680 --> 0:58:35.440
<v Speaker 5>grown kids, this pandemic both and you know there's two.

0:58:35.280 --> 0:58:37.920
<v Speaker 4>Of them, alright me.

0:58:38.760 --> 0:58:44.240
<v Speaker 11>Yeah, Like, sit the fuck down and be still.

0:58:45.000 --> 0:58:47.480
<v Speaker 16>Stop the ripping and running here and ripping running air

0:58:48.440 --> 0:58:53.720
<v Speaker 16>My family, we were. You know, I just went out

0:58:54.160 --> 0:58:56.200
<v Speaker 16>the first two months just to take.

0:58:56.040 --> 0:58:56.800
<v Speaker 5>Out the garbage.

0:58:57.440 --> 0:59:00.800
<v Speaker 4>Wow. Sometimes you just using up.

0:59:01.240 --> 0:59:03.320
<v Speaker 5>Now it's loosen up, you know, ride my bike, spending

0:59:03.320 --> 0:59:06.000
<v Speaker 5>a lot of dollar demonstrations. But I had to be

0:59:06.040 --> 0:59:11.280
<v Speaker 5>still because I want. I wanted to live and I

0:59:11.280 --> 0:59:14.000
<v Speaker 5>don't want to do nothing that's gonna, you know, put

0:59:14.040 --> 0:59:18.840
<v Speaker 5>my family in jeopardy. And when you're just there, you

0:59:19.000 --> 0:59:25.480
<v Speaker 5>think your mind and maybe maybe everybody, some other beautiful

0:59:25.480 --> 0:59:28.440
<v Speaker 5>people might have felt this way too. My mind was

0:59:28.480 --> 0:59:29.960
<v Speaker 5>not racing, and.

0:59:29.960 --> 0:59:33.240
<v Speaker 16>It was like I'm taking this one motherfucking day and

0:59:33.320 --> 0:59:38.320
<v Speaker 16>a motherfucking at time, one day at a time, not

0:59:38.360 --> 0:59:39.480
<v Speaker 16>trying to plan on us.

0:59:39.880 --> 0:59:41.800
<v Speaker 5>We don't know when it's just going to change whatever.

0:59:42.440 --> 0:59:46.160
<v Speaker 5>I'm just gonna be still. And I've done a lot

0:59:46.160 --> 0:59:49.480
<v Speaker 5>of reflections. I thought about my brother Chris, who died

0:59:49.640 --> 0:59:51.560
<v Speaker 5>not recently, but you know he was a brother right

0:59:51.640 --> 0:59:53.600
<v Speaker 5>under me. You know, he had an addiction.

0:59:54.960 --> 0:59:57.200
<v Speaker 11>I thought of my mother, who died of liver cancer.

0:59:57.840 --> 1:00:00.960
<v Speaker 5>You saw a crook one I'm wanted. She was forty

1:00:00.960 --> 1:00:05.120
<v Speaker 5>one years old, you know, another sophomore in more house.

1:00:06.520 --> 1:00:09.080
<v Speaker 5>So I've had time to think about It's not just

1:00:09.120 --> 1:00:12.040
<v Speaker 5>all you know, dark stuff. But I've had a lot

1:00:12.080 --> 1:00:17.600
<v Speaker 5>of time to reflect the good and bad, which I

1:00:17.640 --> 1:00:22.360
<v Speaker 5>think has been very beneficial to my growth because I

1:00:22.480 --> 1:00:27.720
<v Speaker 5>just had to shit the fuck down. Hey man, I'm

1:00:27.760 --> 1:00:29.400
<v Speaker 5>trying to be like, you know, like mister.

1:00:29.640 --> 1:00:32.480
<v Speaker 4>No, that's real. No, that's really, that's real.

1:00:33.400 --> 1:00:35.480
<v Speaker 6>Even when at the beginning when you were saying, you know,

1:00:35.640 --> 1:00:37.840
<v Speaker 6>like I'm sixty three years old, like me and my

1:00:37.880 --> 1:00:41.000
<v Speaker 6>wife were even talking about that about how you've always

1:00:41.080 --> 1:00:44.920
<v Speaker 6>been someone who he your output has always been very prolific,

1:00:44.960 --> 1:00:47.240
<v Speaker 6>and so you've always like every year or at least

1:00:47.240 --> 1:00:49.600
<v Speaker 6>every other year, we know, Spike got something coming. And

1:00:49.640 --> 1:00:53.040
<v Speaker 6>then on top of that, your subject matter is always

1:00:53.080 --> 1:00:56.920
<v Speaker 6>timely to what's going on. So it's easy to forget

1:00:56.960 --> 1:00:59.880
<v Speaker 6>because you're always so current. Like you said, he's beginning,

1:00:59.920 --> 1:01:02.480
<v Speaker 6>like yo, this cap been doing this shit for forty years.

1:01:02.640 --> 1:01:03.160
<v Speaker 4>You know what I mean?

1:01:03.640 --> 1:01:06.240
<v Speaker 5>People, we want to freeze just like it all right,

1:01:07.720 --> 1:01:09.520
<v Speaker 5>But if I could just say this, and this is

1:01:09.720 --> 1:01:11.720
<v Speaker 5>because I gotta go, but I want to thank you guys.

1:01:11.760 --> 1:01:15.520
<v Speaker 5>But but also another thing I left out I've been

1:01:15.520 --> 1:01:17.280
<v Speaker 5>thinking about. I was, you know, the first time ever

1:01:17.280 --> 1:01:21.560
<v Speaker 5>I'm thinking about my own mortality. Death has been around

1:01:21.640 --> 1:01:29.440
<v Speaker 5>us around me, people have died left and right, and

1:01:29.440 --> 1:01:31.960
<v Speaker 5>it really you know, maybe think about you know, like

1:01:32.080 --> 1:01:36.680
<v Speaker 5>I'm not going to be the fuck here forever, you know.

1:01:38.000 --> 1:01:42.480
<v Speaker 5>And I know it's a cliche, but you know what

1:01:42.560 --> 1:01:46.400
<v Speaker 5>makes a cliche that war times than not, it is

1:01:46.480 --> 1:01:46.920
<v Speaker 5>the truth.

1:01:47.640 --> 1:01:50.240
<v Speaker 11>Bullshit doesn't become a cliche.

1:01:50.920 --> 1:01:53.280
<v Speaker 5>Truth does, in my opinion.

1:01:54.480 --> 1:01:57.800
<v Speaker 17>In fact, we got to enjoy what we got because

1:01:59.160 --> 1:02:03.520
<v Speaker 17>no one knows when that last breath is we're gonna take,

1:02:04.560 --> 1:02:06.720
<v Speaker 17>and nothing is reaffirmed that.

1:02:06.800 --> 1:02:08.640
<v Speaker 5>I mean, you hear that, you hear that, hear that

1:02:08.640 --> 1:02:11.240
<v Speaker 5>he has some bulls that will live ever. But living

1:02:11.320 --> 1:02:17.160
<v Speaker 5>through New York City in this epicenter that changed is

1:02:17.240 --> 1:02:20.680
<v Speaker 5>like I said, nah, that shit is real.

1:02:22.760 --> 1:02:23.360
<v Speaker 11>You gotta we.

1:02:23.360 --> 1:02:27.960
<v Speaker 5>Gotta enjoy this ship while you're here, because this was

1:02:28.000 --> 1:02:30.600
<v Speaker 5>a motherfucking epicenter New York City.

1:02:31.320 --> 1:02:33.000
<v Speaker 11>People dying left and right.

1:02:33.680 --> 1:02:38.120
<v Speaker 5>Funeral homes have motherfucking U haul trucks.

1:02:38.240 --> 1:02:44.880
<v Speaker 13>They're unrefrigerated. People have to call the cops because valley

1:02:45.000 --> 1:02:51.160
<v Speaker 13>fueled fluid and just a stinch is like, just be crazy.

1:02:51.600 --> 1:02:55.200
<v Speaker 13>That's like living Fort Green not right next to Brooklyn Hospital.

1:02:56.400 --> 1:03:00.680
<v Speaker 18>And you see the refrigeration trucks they had they're gone now, yeah,

1:03:00.800 --> 1:03:04.840
<v Speaker 18>but that they had to bring in refrigeration trucks to

1:03:05.000 --> 1:03:08.200
<v Speaker 18>keep the course of the the dead bodies.

1:03:09.200 --> 1:03:09.800
<v Speaker 5>You're on ice.

1:03:10.680 --> 1:03:11.080
<v Speaker 4>Yeah.

1:03:12.160 --> 1:03:14.800
<v Speaker 5>And the last thing, my brother, I'm gonna sing you

1:03:14.840 --> 1:03:16.960
<v Speaker 5>out because I want to let you know that I love.

1:03:16.800 --> 1:03:18.720
<v Speaker 11>You and it's love, love, love.

1:03:19.240 --> 1:03:23.520
<v Speaker 5>And I think that this is time history that we're

1:03:23.520 --> 1:03:29.720
<v Speaker 5>living through is going to reduce great albums, great plays,

1:03:30.720 --> 1:03:35.360
<v Speaker 5>great movies, great documentaries, great art is going to come

1:03:35.360 --> 1:03:40.040
<v Speaker 5>out of this historic moment we're living in. I believe

1:03:40.080 --> 1:03:44.720
<v Speaker 5>in my heart, amen, that they're great, that they that

1:03:44.800 --> 1:03:49.280
<v Speaker 5>for me, what makes artists great is a God given

1:03:49.400 --> 1:03:54.160
<v Speaker 5>gift and that god even gift is is the connection

1:03:54.280 --> 1:03:58.520
<v Speaker 5>between the heart and the mind. And you watch just

1:03:58.720 --> 1:03:59.160
<v Speaker 5>me cold.

1:03:59.280 --> 1:04:02.640
<v Speaker 11>Because the the the.

1:04:03.160 --> 1:04:06.440
<v Speaker 5>Horrible things have happened, art, great art is going to

1:04:06.480 --> 1:04:07.760
<v Speaker 5>comment on this period we lived.

1:04:08.800 --> 1:04:12.000
<v Speaker 4>Thank you, amen, Thank you very much, Spike Lee.

1:04:12.400 --> 1:04:13.560
<v Speaker 3>Thank you.

1:04:13.800 --> 1:04:14.480
<v Speaker 4>I appreciate it.

1:04:14.560 --> 1:04:16.160
<v Speaker 5>Thank you for your art.

1:04:16.400 --> 1:04:21.320
<v Speaker 2>Not a special Q slive with Spike Lee Bontelo. Fight Yeah, Steve,

1:04:22.800 --> 1:04:23.560
<v Speaker 2>that was a mouthful.

1:04:23.680 --> 1:04:24.240
<v Speaker 4>We got it.

1:04:31.360 --> 1:04:36.600
<v Speaker 1>What's Love Supreme is a production of iHeart Radio. For

1:04:36.680 --> 1:04:39.800
<v Speaker 1>more podcasts from iHeart Radio, visit the iHeart Radio app.

1:04:40.000 --> 1:04:43.080
<v Speaker 1>Apple podcasts, or wherever you listen to your favorite shows.