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Speaker 1: Welcome to episode to forty. Eddie, stay with me for

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Speaker 1: the first part and we'll talk to Jarrend from Cadillac

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Speaker 1: three in a little bit. Catac three has a newish

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Speaker 1: record out, but I'm a big fan of that guy,

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Speaker 1: so we'll talk to him coming up. But first, Eddie,

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Speaker 1: how are you today? I'm good man, how are you

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Speaker 1: pretty good? Uh? Promote your podcast before we get started. Yes,

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Speaker 1: The Sore Losers. It's a It's me Raimundo and Lunchbox

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Speaker 1: from the show. Um, you know, and we're just guys.

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Speaker 1: We do a lot of guy talk. We also talk

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Speaker 1: about sports, but right now it's really hard to talk

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Speaker 1: about sports because there just ain't any sports, So we

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Speaker 1: tell little stories of our lives and what we're doing

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Speaker 1: in quarantine and all that. And I think Ray is

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Speaker 1: one of the funniest guys in the world. So it's

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Speaker 1: just there's a lot of humor in it. Uh, The

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Speaker 1: Sore Losers. That's Eddie's payment for coming on as a

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Speaker 1: special correspondent here. Yes, thank you, I'll bill you. But also,

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Speaker 1: Eddie is a massive music nerd like I am. I

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Speaker 1: think we probably could have done this podcast together, you know,

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Speaker 1: because we both to such music nerds, but um, what

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Speaker 1: I wanted to talk about today? Do you know the

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Speaker 1: topic today? I do. Mike d told me it's ten

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Speaker 1: big hits that were not sung by the lead singer,

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Speaker 1: which is super interesting. Now you may have heard me

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Speaker 1: talk about the Oasis one already, is that right? Yeah? Well,

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Speaker 1: I've heard you guys play clips, so I'm like, I

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Speaker 1: cannot wait to hear this. I don't know the story though, Okay,

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Speaker 1: so this is Don't Look Back at Anger Oasis, which,

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Speaker 1: by the way, what's the story Morning Glory was for

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Speaker 1: that time I was fifteen slash sixteen year old kid.

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Speaker 1: This album to me is one of the biggest records

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Speaker 1: that came out for my teenage years. I didn't become

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Speaker 1: an Oasis super fan for a lifetime because they didn't

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Speaker 1: put anything else. I really like, maybe a song on

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Speaker 1: a later record, but this was This was it though

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Speaker 1: for me. I loved it, you know, top fifteen album

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Speaker 1: of life. I remember in high school Alison Wheelock, hottest

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Speaker 1: girl in high school she was. She came up to

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Speaker 1: me because she knows I'm a big music fan. She

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Speaker 1: came up to me and she's like, have you heard

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Speaker 1: like the new Oasis album? And I was like, yes,

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Speaker 1: so now forever in my mind, hot girl in high

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Speaker 1: school and I we bonded over Oasis and what's the

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Speaker 1: story Morning Glory. That's funny because my I remember Aubrey

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Speaker 1: Mitchell coming of him and she had this record at

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Speaker 1: her house and I knew all the songs and I

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Speaker 1: was like, oh, yeah, we can because I wasn't cool

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Speaker 1: and she was like the super cool, popular, pretty good

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Speaker 1: but it was like almost one of the She would

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Speaker 1: talk to me about church and about music and that

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Speaker 1: was all I had. Otherwise why would you talk to me?

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Speaker 1: But so this record comes out, uh Don't Look Back

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Speaker 1: at Anger as a song that I just played here.

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Speaker 1: If you play that again, Mike, Sorry, we talked over them.

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Speaker 1: So it was sung by Noel Gallagher, who's not the

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Speaker 1: lead singer. Liam is the lead singer of Oasis, but

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Speaker 1: this was the first single where Noel sang instead of Liam.

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Speaker 1: He went to Liam and he had two songs. He said, Ilam,

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Speaker 1: I got two songs for you yet, and you can

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Speaker 1: pick which one you want me to sing, and he

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Speaker 1: presented him wonder Wall and Don't Look Back at Anger,

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Speaker 1: and of course Liam chose wonder Wall, but that is

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Speaker 1: Noel singing don't Look Back at Anger and here's one.

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Speaker 1: But this song again, it was like the ultimate teenage song,

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Speaker 1: and we thought we were just like struggling with live

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Speaker 1: the all the sadness out of this song. What was

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Speaker 1: your favorite out of these two bones? Well, I think there,

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Speaker 1: I think they're different. And by the way, when I

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Speaker 1: did Top fifteen albums, I don't even telling me fifteen

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Speaker 1: favorite albums, I mean top fifteen impression albums. Sure, sure

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Speaker 1: made a big impression. Yes, that like when I think

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Speaker 1: back at certain eras of my life. Um ah, I

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Speaker 1: think wonder Wall hit me hard and scoot me up

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Speaker 1: as to make me a fan of the band because

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Speaker 1: it was a bigger radio song. But if I had

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Speaker 1: to pick now with a lifetime to live with them,

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Speaker 1: and which one I listened to most, probably don't Look

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Speaker 1: Back in Anger. Yeah, same for me because wonder Wall

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Speaker 1: was a hit. Yeah, I mean that was the one

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Speaker 1: that we listened to all the time on the radio.

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Speaker 1: But I remember I saw them at Austin City Limits

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Speaker 1: Music Festival and they played Don't Look Back at Anger,

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Speaker 1: and I was like, wow, I completely missed on how

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Speaker 1: good this song is. And I still probably listened to

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Speaker 1: that song now more than wonder Wall. Well, there's always

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Speaker 1: Champagne Supernova. You can't forget about Champagne Supernova on that

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Speaker 1: record because it was wonder Wall. Champagne Supernova was a

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Speaker 1: big hit for them. Don't Look Back at Anger was

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Speaker 1: a hit for them, but not not how freaking wonder

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Speaker 1: Wall just launched and created a whole era of white

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Speaker 1: kids with acoustic guitars at parties. The New three songs,

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Speaker 1: but that was the one they played over and over again.

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Speaker 1: So okay, that was one song. That's pretty fun, right.

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Speaker 1: The lead singer don't even sing that song. But the

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Speaker 1: thing about always was those two guys look so similar anyway,

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Speaker 1: those two brothers, they sound the same and you know, right,

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Speaker 1: so it's a fun fact, but they don't really sound

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Speaker 1: a whole lot different. Okay. The next one up is

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Speaker 1: the Eagles song is take It to the Limit. What

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Speaker 1: do you know? Okay, So I think is it the

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Speaker 1: Basis that sings it? Yeah. The only way I know

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Speaker 1: this is because when we went to go see him

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Speaker 1: at the show, I'm like, hey, look at that guy

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Speaker 1: I don't know who, I don't know his name, and

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Speaker 1: he singing. Did he win? A contest. Was he call

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Speaker 1: or ten to be able to do this? It's amazing both.

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Speaker 1: Do you remember he broke his foot or something and

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Speaker 1: he was sitting down with his foot up the whole show.

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Speaker 1: I don't. I knew this from the documentary when I

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Speaker 1: really saw it, because it was like he was singing

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Speaker 1: it and they were talking about are they all sang?

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Speaker 1: But he's sang the least. This is the bassist because

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Speaker 1: he's saying, Hi, do take it? Sung by the original

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Speaker 1: bassist Randy Meisner. Randy's performance of the song was popular

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Speaker 1: with the audiences, but disputes over his reluctance to perform

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Speaker 1: it would also directly lead to his departure from the band. Now,

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Speaker 1: if I'm not mistaken, he came back. They all came back. Uh,

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Speaker 1: if they're alive, they came back. Yeah, even Joe Walsh. Yeah. So,

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Speaker 1: but the Eagles, they didn't really have a lead, lead,

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Speaker 1: lead singer, and that person changed. Maybe that's what you know.

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Speaker 1: The leadsing are kind of changed with the Eagles a

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Speaker 1: little bit. But I mean, I think the only one

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Speaker 1: that would be Glenn Fry because he was the front man.

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Speaker 1: And you know, when Don Henley started singing. He was

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Speaker 1: singing from the drums, wasn't the lead singer, but kind

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Speaker 1: of had a voice that you couldn't say no to.

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Speaker 1: So he started getting more and more songs, so that

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Speaker 1: the leadsing are kind of transitioned in that band more

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Speaker 1: than they started with the going we have multiple lead singers, right?

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Speaker 1: And who was the guy that you that you read

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Speaker 1: his book or something? I think he wrote, Um, well,

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Speaker 1: first of all, California, Joe Walsh and I presented the

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Speaker 1: c M as together. Right, I'm not talking about him though.

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Speaker 1: How many how many Eagles can you name? Okay, Joe

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Speaker 1: Wash Glenn Fry? Uh? You know what? What what is

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Speaker 1: Glenn Fry like to you? What is he to you?

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Speaker 1: He is the lead the lead guy is because at

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Speaker 1: this point after all the and again that they weren't

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Speaker 1: our band, right, they're little older than us. But to me,

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Speaker 1: Don Henley is the lead singer of the Eagles. Yeah

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Speaker 1: to me, he's the drummer. Yeah that too, but um, okay,

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Speaker 1: go ahead, who else Don Henley? And I think the

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Speaker 1: guy that I was thinking of was Don Felder. That's it? Yeah, good,

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Speaker 1: good for you. There's been a bunch of them so

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Speaker 1: there's been Let me look at this whole thing here.

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Speaker 1: There's a lot of people have been in the freaking Eagles,

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Speaker 1: but they're not the main ones, right, Vince Gill, he's listed. Yeah,

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Speaker 1: Timothy B. Schmidt too is listed, and I think he's

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Speaker 1: sang on some of them as well, did it, Mike?

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Speaker 1: We look up and see if if I'm reading his

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Speaker 1: name is Timothy B. Schmidt, But it seems like I've

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Speaker 1: seen him singing songs too, he has any singles? Because

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Speaker 1: I feel like the Eagles could have could have been

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Speaker 1: put in this category a bunch. Did they ever put

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Speaker 1: um Jackson Brown in that list? In the list that

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Speaker 1: I have now? No, But I just googled other members

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Speaker 1: of the Eagles. What songs did he sing? Mike, I'm

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Speaker 1: not coming up who we're onto the next one? Anyways?

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Speaker 1: Let me have to find any move on Blue Oyster

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Speaker 1: Cold ninety six Don't Fear the Reaper? Nice? That's the

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Speaker 1: cow bell song. Yeah, like their biggest song, basically yes,

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Speaker 1: sung by guitarists Buck Dharma, who was not the lead singer.

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Speaker 1: Released as an edited single, the song was Blue Oyster

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Speaker 1: Colt's highest chart success release, reaching number twelve. That to

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Speaker 1: be fair. All five members of Blue Oyster Colts sing,

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Speaker 1: and Eric Bloom was the most frequent lead singer, but

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Speaker 1: and Buck did sing on tracks, but he wasn't the

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Speaker 1: lead singer. But their biggest song wasn't lead singer. I

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Speaker 1: would always get so annoyed because I like the Google Dolls.

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Speaker 1: You can judge me if you want love nineties early

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Speaker 1: two thousands, still like them, like Johnny Resis, but they

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Speaker 1: left the Bassis always thing like two or three songs

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Speaker 1: for the record, always sound like Mike if you can

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Speaker 1: find a Google Dolls with that Bassis singing. And then

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Speaker 1: I went and watched him again a couple of years

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Speaker 1: ago in Nashville, and the Basis got up and sanging

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Speaker 1: a couple of songs, and I was always like, but

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Speaker 1: it would get up another he would like he had

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Speaker 1: long hair. I don't know if he has long here anymore,

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Speaker 1: but he was like head bang while he's saying he

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Speaker 1: just felt like Google Dolls stuff. I feel like it

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Speaker 1: was an agreement they made way early in the band,

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Speaker 1: or like listen, Chuck, we'll give you two songs every record.

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Speaker 1: Just play the bass force man, you're the best. Mike

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Speaker 1: will come back to the Google Dolls. Whenever you find

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Speaker 1: that his name is Robbie though, Oh yeah, Robbie, listen, man,

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Speaker 1: we know you're you're a terror with the bass. But

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Speaker 1: me and I want to I want to sing. Yeah,

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Speaker 1: But Robbie, listen, you're not as good as Johnny. He

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Speaker 1: looks good, he sounds good. But I just got it

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Speaker 1: in me. But Robbie, I think that is it. Okay, here, Eddie,

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Speaker 1: this is the basis of the Google Dolls. Oh come on, yeah,

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Speaker 1: let me leave me hear some more of that. He's

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Speaker 1: not bad, He's just not the Google Dolls. No, that's

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Speaker 1: the thing. Man leads. These lead singers voices, they are

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Speaker 1: the sound of the band. So when you bring in

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Speaker 1: Jimmy or whatever, like everyone's like, who is this? I

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Speaker 1: always get I've probably seen them ten times in concert.

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Speaker 1: That's a lot, and I wo'd always get. So I'll

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Speaker 1: be like, all right, here we go. Well, Billy, the basis,

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Speaker 1: he's gotta take us nine minutes. So I didn't know

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Speaker 1: that you were that big of a Google Dolls fan.

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Speaker 1: I wouldn't say they're one of my favorite bands of

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Speaker 1: all time, but I would go and I love Dizzy

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Speaker 1: up to girl a boy named Goo. Those were records

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Speaker 1: that I knew every song too. Yeah. Yeah, I'm not

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Speaker 1: embarrassed though. I would have Johnny Resnick on our show

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Speaker 1: if you came to town, like you would play Yeah,

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Speaker 1: here comes the Sun from the Beatles. Have you known

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Speaker 1: this one comes? And you know sings this? Yeah, George,

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Speaker 1: he wrote it. I'm telling you, I played this game

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Speaker 1: with my kids. This is what we do all the time.

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Speaker 1: We're like, all right, which Beatles singing this one? Really?

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Speaker 1: And they're getting yeah, and they're getting pretty good at it.

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Speaker 1: They can start to hear the tones like their voice.

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Speaker 1: I think the two that they just get mixed up

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Speaker 1: a lot, or just obviously Paul and John, because sometimes

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Speaker 1: sometimes they sound similar. George Harrison wrote the song in

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Speaker 1: nineteen nine at the country house of his friend Eric Clapton.

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Speaker 1: It became one of the beatles best known songs. George

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Speaker 1: Harrison's recognition of the songwriter had previously been reserved for

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Speaker 1: his bandmates John Lennon and Paul McCartney. Only so, just

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Speaker 1: like Jimmy from Google Dolls, I think I feel like

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Speaker 1: Ringo two had some side of backdoor deal that was like, hey,

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Speaker 1: you gotta let me sing on albums too well, because

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Speaker 1: they lend me and not saying us song I will

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Speaker 1: try not to get You know that's a ring Go

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Speaker 1: right and Yellow Submarine. Oh yeah, that's right. It's like

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Speaker 1: the peculiar songs they put the peculiar voice on, right.

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Speaker 1: That's interesting. Yeah, oh we got we got a mash

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Speaker 1: up here. Oh come on, DJ Distro knows where we've been. Yeah,

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Speaker 1: it's like any of the talk songs they gave to Ringo.

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Speaker 1: It's like the songs that William Shatner does now and

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Speaker 1: the Shatner type songs they just gave Slam poetry is

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Speaker 1: what he does. Another one Africa from Toto Here he Goes,

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Speaker 1: sung by the keyboardist David Page. It was the band's

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Speaker 1: only number one song. The initial idea and lyrics for

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Speaker 1: the song came from David Page. He was playing around

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Speaker 1: with a new keyboard, the C S A D and

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Speaker 1: found a brassy sound that became the opening riff. He

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Speaker 1: completed the melody and the lyrics for the chorus and

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Speaker 1: about ten minutes and then sang on the recording. The leader,

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Speaker 1: the lead singer, Bobby Kimball, only sing backup. I have

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Speaker 1: a friend that saw him in concert, and he said,

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Speaker 1: this was kind of weird when they played this song

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Speaker 1: because the keyboard played and singing, the other guy, the

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Speaker 1: lead singer, was on a little stage aside from the

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Speaker 1: rest of the band, and it was the only time

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Speaker 1: where you just kind of stood over there oddly and

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Speaker 1: didn't really do much. They're like, all right, Jimmy, take

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Speaker 1: it away. The Cars eight just what I needed. It

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Speaker 1: was from their debut album. The song, which it's demo

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Speaker 1: is what got put on the radio. It's sung by

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Speaker 1: bass player Benjamin Or and not by Rick Okay Rick

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Speaker 1: Okay sick as I think I say his name right. Yeah. Wow,

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Speaker 1: that's crazy because I don't hear the difference between their voices,

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Speaker 1: because I feel like this song sounds like every other

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Speaker 1: car song. What's the most streamed car song? Like anybody

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Speaker 1: think the most streamed car song is? I would think

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Speaker 1: it's um done done, Ut, I don't tend your him

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Speaker 1: in here wasting all my time toime. Oh that's just

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Speaker 1: what I needed, isn't it? Um So just what I needed? Yeah?

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Speaker 1: What is it? It's dr Oh? Yeah? Which one is

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Speaker 1: that one who's going to drive you home? And this

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Speaker 1: has got to be from movies more so than back

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Speaker 1: in the day, right, like movies and TV shows. What's

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Speaker 1: number two on the list? Just what I needed? What's three?

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Speaker 1: And my best friends girl? My best friends girl? Oh

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Speaker 1: yeah right there? Doesn't that sound like the same dude

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Speaker 1: that sings just what I needed? I gotta tell you

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Speaker 1: I never listened or cared that much. I mean, I

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Speaker 1: like the song what's number four? Number four is? You

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Speaker 1: might think hit that one. Let's see. Oh yeah, I'm

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Speaker 1: sorry this one isn't bigger at three. At least it's

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Speaker 1: a good one. They all have the same style. That's

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Speaker 1: funny to me this I see. That's a good fact

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Speaker 1: that there. That Benny is his name ben the dude

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Speaker 1: that's saying just what I needed? Benjamin or Benny Eddie's

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Speaker 1: pready nicknamed Betty my man Fanny got crazy. Oh no,

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Speaker 1: that's a good one. That. Wow, they have any other hits?

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Speaker 1: Good Time's role as the next one? Come on, that's

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Speaker 1: a good times role. God, that's a jam too. Are

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Speaker 1: they in the Rocking Hall of Fame? Aren't they up

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Speaker 1: for it? Are an they one of the ones that's

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Speaker 1: been snubbed? At this point when you have this many

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Speaker 1: massive hits, Yeah, that's a jam. They made it. Huh,

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Speaker 1: so they must have another hit at least right if

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Speaker 1: they got in you're thinking one more, I'm thinking any

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Speaker 1: one more? You need six? What else you got? Let's

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Speaker 1: see moving in stereo, see that one? H hit? The

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Speaker 1: next one? Let's go, oh Starren Arron down? Oh yeah,

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Speaker 1: I know this one. Okay, we got the six, but

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Speaker 1: we got the six. What's what's the next one? Magic? Mhm?

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Speaker 1: I think I'm gonna know this one? Do you believe in? Man?

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Speaker 1: Too much of these get high sounds at the beginning, like,

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Speaker 1: let's get to this the other one? Magic? Magic? They

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Speaker 1: got seven? Crap? What else? We're going to the whole

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Speaker 1: cars segment? Here? What else do the cars have? And

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Speaker 1: they have next step? Shake it up up? Come on? Wow?

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Speaker 1: Who knew? Guys? You call me a music idiot if

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Speaker 1: you want, there are before my time. But I'm usually

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Speaker 1: pretty going on a classic rock. I didn't know they

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Speaker 1: had this many massive songs. No not no, it's all night.

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Speaker 1: I mean I know them all alight anymore. And the

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Speaker 1: last one is bye bye love, bye bye love. Yeah close,

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Speaker 1: oh yeah, I know that one. You do, let me

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Speaker 1: hear you do know this one? I think. Yeah, well

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Speaker 1: I learned a little bit tonight that I'm a much

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Speaker 1: bigger cars fan than I thought I was. Okay, more

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Speaker 1: of these artists bands who lead singer didn't sing the

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Speaker 1: biggest songs. Beth from Kiss. Yeah, I know the song

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Speaker 1: from Role Models, the movie Role Models. I never saw it.

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Speaker 1: All kids songs. Yeah, it's funny because Paul Rudd isn't

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Speaker 1: it and it's a good movie. But they sing all

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Speaker 1: Kiss songs through it. There's a part where he sings this.

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Speaker 1: This is talking about the drummer Peter Chris, who is

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Speaker 1: the lead singer of Kiss. Gene right, Gene Simmons? Is

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Speaker 1: he not Ace Freely? Okay? I guess Jean Simmons is

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Speaker 1: the guy we know, but A free is the lead singer?

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Speaker 1: Who was Paul Stanley? Another one? Another one that's them? Right?

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Speaker 1: No way, Paul Stanley is the lead singer. H really

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Speaker 1: is a guitar player? Okay? What Gen Simmons the basis

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Speaker 1: bassistow who knows? They all dress? Um The highest charting

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Speaker 1: single in the US, which number seven Peter Chris sings.

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Speaker 1: The song was written by Chris and guitarist Stan Pinridge.

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Speaker 1: The song was written before Chris had joined the band

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Speaker 1: while they were members of the band Chelsea. During the

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Speaker 1: recording sessions for the song, Chris was the only Kiss

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Speaker 1: member in the studio, making it the only Kiss song

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Speaker 1: that features no instrumental performances by any member of the band.

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Speaker 1: I'm probably let this song go and happen. Yeah, I know,

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Speaker 1: lucky him. What do you always say though? Right place,

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Speaker 1: right time? I don't know, do you ever say that? Heart?

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Speaker 1: Here's These Dreams sung by guitarist Nancy Wilson. It was

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Speaker 1: actually one of the two songs they were offered by

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Speaker 1: outside songwriters. The other one was We Built This City,

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Speaker 1: which became a hit for Starship. But sisters and Wilson

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Speaker 1: and Nancy Wilson had a straightforward division of labor. Nancy

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Speaker 1: played guitar and handled all the lead vocals. But when

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Speaker 1: they had gone a few years that hit, they were

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Speaker 1: offered two songs Bernie tober one of the songs one

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Speaker 1: of Elton John's the guy Elton John writes with all

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Speaker 1: the time. They picked These Dreams and had Nancy sang it,

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Speaker 1: sing it what she did with a cold, and it

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Speaker 1: was their first number one song. She wasn't the real

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Speaker 1: singer all the time. I didn't know that, um and

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Speaker 1: I didn't know that either. I do know Nancy. Nancy,

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Speaker 1: She's she's the blonde one, Um Tall Blonde one, and

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Speaker 1: she's married to the director the director that did UM

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Speaker 1: almost famous Jerry McGuire's excuse me, Mike, you know the

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Speaker 1: movie that movie People? Who is the director at it?

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Speaker 1: Is Barry to him? Yeah, Cameron Crow, that's him. Cameron

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Speaker 1: Crow does all that. He does all the music movies,

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Speaker 1: singles and the one where the guy holds up the

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Speaker 1: radio say anything. He did all those. Let's do Grand

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Speaker 1: Funk Railroad. We're an American band. It is sang by

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Speaker 1: the drummer Don Brewer. It was the first number one song.

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Speaker 1: It was sung by Don Brewer, and then his voice

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Speaker 1: actually lent them into be a top forty band. Like

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Speaker 1: because of this, it kind of crossed him over because

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Speaker 1: he was a little more palatable apparently. And I'll give

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Speaker 1: you one more happy from the Rolling Stones. He can

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Speaker 1: Can you name all the Rolling Stones members? Yeah? I

365
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Speaker 1: think so. But that's Keith interesting that by the way. Wow,

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Speaker 1: I didn't even know he could. He can barely talk,

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Speaker 1: he can sing. I don't know that he's singing that great? There?

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Speaker 1: How many named Keith obviously, Mick Jagger, Um, Keith Jagger,

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Speaker 1: Mick Richard, Oh, Charlie. You know there's a Charlie. Oh

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Speaker 1: is he the is he the drummer? Charlie Watts? Yeah,

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Speaker 1: dang bones, good one. Who else do you know from

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Speaker 1: the Rolling Stone? Ronnie Wood? Oh? Yeah, men, those guys

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Speaker 1: are old and still rocking it? Huh Ronnie would, Keith Richards,

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Speaker 1: Mick Jagger? Who else is that? Is that? All of

375
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Speaker 1: them there? I could think there was just four? So

376
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Speaker 1: good old Charlie. I guess we can go back and

377
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Speaker 1: look at some other people. Brian Jones, was he in

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Speaker 1: he died? Past member he died, Yeah, he died. Well

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Speaker 1: those are all lead singers that no, no singers that

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Speaker 1: sang lead that weren't the lead singer other group. So

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Speaker 1: there you go. I will say this to Maddie and Tay.

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Speaker 1: You have a new record out this week. If you're

383
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Speaker 1: looking for new music. Usually we come on Fridays and

384
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Speaker 1: do the new music. Not a ton out as far

385
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Speaker 1: as new stuff we're gonna talk about, but Maddie and

386
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Speaker 1: Tay have a new record. Other music news, Jake Owen

387
00:22:18,800 --> 00:22:21,160
Speaker 1: announced that made for You as his next single, which

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Speaker 1: that's my favorite Jack Owen song. That's when I mean.

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Speaker 1: It was over a year ago. Jake and I were

390
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Speaker 1: together at a charity event and he's like, I never

391
00:22:28,720 --> 00:22:30,520
Speaker 1: played this song before anybody anymore, but it did bit

392
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Speaker 1: a bit and he started playing a song. You know,

393
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Speaker 1: you just hear people play songs, and he starts playing

394
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Speaker 1: this song and I was like, dude, that's my favorite

395
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Speaker 1: song you've ever done. He's like, thanks, man, he didn't

396
00:22:42,160 --> 00:22:44,159
Speaker 1: write it. It was like, you know, I didn't write it.

397
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Speaker 1: I went found it, but the first time I heard it,

398
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Speaker 1: I loved it, and I was like, that's cool. I

399
00:22:47,920 --> 00:22:49,720
Speaker 1: always feel weird though, when I tell people my favorite

400
00:22:49,720 --> 00:22:51,880
Speaker 1: song they ever done is the song they didn't write.

401
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Speaker 1: I didn't have Brad Paisley once I was like, man,

402
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Speaker 1: my favorite song you've ever done is Whiskey Lullaby. That's

403
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Speaker 1: my jam. And it's like, it was like, that's the

404
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Speaker 1: one I didn't write. Yeah, but so what you picked it?

405
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Speaker 1: You're saying it the songwriter got money? Yeah, yeah, yeah yeah.

406
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Speaker 1: So and then keep more annouced he's putting out a

407
00:23:08,320 --> 00:23:12,399
Speaker 1: record in May, so all that's going on Mike, anything

408
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Speaker 1: I missed, that's it. Anything you'd like to say. Oh,

409
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Speaker 1: I do want to mention too that I've been listening

410
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Speaker 1: a little bit of John Prime because he just died

411
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Speaker 1: and I didn't I'll be honest, I had no idea

412
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Speaker 1: what John Pride saying really or what I knew none

413
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Speaker 1: of his music. I knew he had done Angels from Montgomery,

414
00:23:30,720 --> 00:23:33,320
Speaker 1: but that's yeah, but that's about it. And man, I've

415
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Speaker 1: been kind of the last couple of days just been

416
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Speaker 1: going down and listen to his songs, and I think

417
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Speaker 1: I'm just a fan, like a really big fan of

418
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Speaker 1: his music, especially as old music. It's real singer, songwrighty

419
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Speaker 1: um folk music, kind of like Bob Dylan with a

420
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Speaker 1: really good with a much better voice. Well, think about

421
00:23:49,920 --> 00:23:52,560
Speaker 1: John Prime was he never had hits, right, not real

422
00:23:52,880 --> 00:23:57,120
Speaker 1: hit hits. So when he died, I saw a lot

423
00:23:57,160 --> 00:24:00,159
Speaker 1: of John Prime poser's out there being like that big

424
00:24:00,240 --> 00:24:05,480
Speaker 1: John Prian fan. And because he's so cool, and I

425
00:24:05,480 --> 00:24:07,200
Speaker 1: didn't do a huge tribute to him on the radio

426
00:24:07,200 --> 00:24:10,040
Speaker 1: show Alreadio Show because that he wasn't really a country guy.

427
00:24:10,280 --> 00:24:12,000
Speaker 1: He wrote a bunch of all that. Chris Kostofferson was

428
00:24:12,040 --> 00:24:14,280
Speaker 1: a big champion of John Prine. A lot of those

429
00:24:14,280 --> 00:24:19,840
Speaker 1: guys championed and played his songs right because he was

430
00:24:19,960 --> 00:24:24,199
Speaker 1: the underground folk singer. That was the cool scene. But

431
00:24:24,359 --> 00:24:26,920
Speaker 1: you've never seen postos come out of the woodwork until John,

432
00:24:27,080 --> 00:24:28,840
Speaker 1: and it was And I know these people like you

433
00:24:28,880 --> 00:24:32,520
Speaker 1: never listen that John Prian in your life, but yeah,

434
00:24:32,680 --> 00:24:36,200
Speaker 1: Angel for Montgomery is awesome. Bonnie, she searched for a hit,

435
00:24:36,280 --> 00:24:41,040
Speaker 1: she had a following, a great voice, couldn't get a hit. Yeah,

436
00:24:41,200 --> 00:24:43,080
Speaker 1: And there's a cool version of him doing it from

437
00:24:43,119 --> 00:24:45,399
Speaker 1: back in the day obviously when he's sang it, but

438
00:24:45,440 --> 00:24:47,239
Speaker 1: that this was kind of the song that launched her

439
00:24:47,280 --> 00:24:50,360
Speaker 1: into the mainstream to make Bonnie Raid a big success.

440
00:24:50,560 --> 00:24:52,240
Speaker 1: And I'm not a John Prine super fan, but I

441
00:24:52,280 --> 00:24:54,080
Speaker 1: do know John Prin and know a story a bit.

442
00:24:54,680 --> 00:24:56,879
Speaker 1: But yeah, yeah, I saw so many people being like,

443
00:24:56,960 --> 00:25:00,360
Speaker 1: I'm just devastated. I'm like, name three songs before you, chick,

444
00:25:00,960 --> 00:25:04,360
Speaker 1: and I hope you do now and become a fan now. Um,

445
00:25:04,400 --> 00:25:07,080
Speaker 1: but yeah, yeah, yeah, yeah, that's kind of where I am. Man.

446
00:25:07,119 --> 00:25:09,159
Speaker 1: I just didn't know anything that you should open and

447
00:25:09,240 --> 00:25:11,160
Speaker 1: honest about it, Eddie, You're gonna give you a treat

448
00:25:11,240 --> 00:25:14,439
Speaker 1: nice job. Thank you man, seriously, But but I am

449
00:25:14,520 --> 00:25:16,400
Speaker 1: a fan now. It sucks that he had to die

450
00:25:16,440 --> 00:25:18,320
Speaker 1: for me to be a fan, but I am a

451
00:25:18,320 --> 00:25:22,080
Speaker 1: fan now. I like it a lot. Yeah, I mean

452
00:25:22,119 --> 00:25:24,879
Speaker 1: I saw Joe Diffy had two maybe three songs hit

453
00:25:24,920 --> 00:25:27,480
Speaker 1: the top one hundred country chart again after Joe died

454
00:25:27,920 --> 00:25:29,679
Speaker 1: in that in that interesting how people just want to

455
00:25:29,680 --> 00:25:31,119
Speaker 1: listen to that music now that they know that they

456
00:25:31,200 --> 00:25:34,120
Speaker 1: they're gone. Well, it just reminds you when you say

457
00:25:34,119 --> 00:25:35,600
Speaker 1: they die, You're like, oh, man, there's a part of

458
00:25:35,600 --> 00:25:37,200
Speaker 1: my life that I spent with that person. I like

459
00:25:37,280 --> 00:25:40,840
Speaker 1: to go re experience that again now because it's reminding

460
00:25:40,880 --> 00:25:42,399
Speaker 1: me of it. But yeah, I did it with Kenny

461
00:25:42,440 --> 00:25:45,440
Speaker 1: Rodgers too, same thing. Okay, we're gonna take a little

462
00:25:45,440 --> 00:25:49,480
Speaker 1: break and come back with jarn from the Cadillac three.

463
00:25:49,640 --> 00:25:51,840
Speaker 1: I think you're gonna like this interview. I like Jarring anyway,

464
00:25:51,920 --> 00:25:53,399
Speaker 1: this interview turned out great. There's a part of this

465
00:25:53,400 --> 00:25:55,320
Speaker 1: interview coming up, Eddie where he talks about Porto Wagner

466
00:25:55,320 --> 00:25:58,879
Speaker 1: cussing Adam. Oh really yeah, yeah, Yeah, that's that's awesome.

467
00:25:58,960 --> 00:26:08,040
Speaker 1: That's coming up. General. What's happening dude? Ally, Bobby, how

468
00:26:08,040 --> 00:26:09,680
Speaker 1: are you doing Bob. It's kind of a weird question

469
00:26:09,720 --> 00:26:11,240
Speaker 1: to ask what's happening, because I think we all know

470
00:26:11,320 --> 00:26:16,520
Speaker 1: exactly what's happening with everybody at this point. Yeah, it's

471
00:26:16,560 --> 00:26:19,000
Speaker 1: it's it's a weird time, bro. You know. I find

472
00:26:19,000 --> 00:26:21,400
Speaker 1: myself because I'm still doing my radio show every day

473
00:26:21,440 --> 00:26:24,800
Speaker 1: that I look forward now to that block where I

474
00:26:24,880 --> 00:26:27,600
Speaker 1: know that I'm going to be working worry. It wasn't

475
00:26:27,640 --> 00:26:30,120
Speaker 1: that I didn't look forward to it before, but now

476
00:26:30,160 --> 00:26:31,680
Speaker 1: it's like I'm looking I look forward to that piece

477
00:26:31,720 --> 00:26:33,679
Speaker 1: of structure. What are you doing to kind of keep

478
00:26:33,720 --> 00:26:38,000
Speaker 1: your schedule structured to it? Man? Um, I know exactly

479
00:26:38,080 --> 00:26:40,639
Speaker 1: what you're saying there too. I feel like when I'm

480
00:26:40,680 --> 00:26:43,800
Speaker 1: we're doing all these writing sessions now, like via zoom,

481
00:26:43,840 --> 00:26:46,800
Speaker 1: you know, the intern, the internet or whatever, and it's

482
00:26:46,840 --> 00:26:48,720
Speaker 1: like face timing. I'm sure you guys are doing meetings

483
00:26:48,720 --> 00:26:51,240
Speaker 1: within stuff too, but I look forward to it so

484
00:26:51,320 --> 00:26:55,080
Speaker 1: much because I'm not just sitting there wondering what's wrong

485
00:26:55,119 --> 00:26:57,159
Speaker 1: with the world and if it's gonna get fixed, and

486
00:26:57,160 --> 00:27:00,560
Speaker 1: so I'm basically just being creative and writing and you know,

487
00:27:00,600 --> 00:27:03,960
Speaker 1: trying to trying to write the next Cadillac three record

488
00:27:04,000 --> 00:27:06,879
Speaker 1: and write some hits for other people. Man, So what

489
00:27:07,000 --> 00:27:11,719
Speaker 1: does zoom writing session? Like? It's weird, dude, the first

490
00:27:12,320 --> 00:27:15,479
Speaker 1: I say the first like two, we're tough, and then

491
00:27:15,560 --> 00:27:17,080
Speaker 1: you kind of get used to it and actually, like,

492
00:27:17,119 --> 00:27:19,440
Speaker 1: I'm really enjoying it now because I've got I got

493
00:27:19,440 --> 00:27:21,080
Speaker 1: it down and I've got all the you know, there's

494
00:27:21,119 --> 00:27:24,919
Speaker 1: like fifteen screens in my little studio room and everything's

495
00:27:24,960 --> 00:27:27,240
Speaker 1: running it once, so it's kind of like flying a

496
00:27:27,240 --> 00:27:29,400
Speaker 1: little play. So it's it adds a couple of extra

497
00:27:29,480 --> 00:27:33,240
Speaker 1: challenges in that, and songwriters can get stuck in a rut,

498
00:27:33,280 --> 00:27:34,680
Speaker 1: you know, and so this is kind of cool. It

499
00:27:34,680 --> 00:27:37,920
Speaker 1: adds a little dynamic to it. First time I'll talked

500
00:27:37,920 --> 00:27:39,480
Speaker 1: to you relationship put the record out. I know, I

501
00:27:39,520 --> 00:27:41,399
Speaker 1: did a little promotional piece for you guys as you're

502
00:27:41,400 --> 00:27:43,119
Speaker 1: putting it out, and I've listened to the record, but

503
00:27:43,280 --> 00:27:45,640
Speaker 1: I mean, congratulations, I'm putting out of the full project. Man,

504
00:27:46,600 --> 00:27:48,919
Speaker 1: thanks buddy. It's you know what, I don't take that

505
00:27:49,040 --> 00:27:52,120
Speaker 1: lightly because it's hard for artists to get records out

506
00:27:52,160 --> 00:27:55,240
Speaker 1: these days, you know, like full records. Man. Yeah, so

507
00:27:56,080 --> 00:27:59,160
Speaker 1: what was the difference in maybe doing this record Whenever

508
00:27:59,560 --> 00:28:01,520
Speaker 1: I would assume you have a little more freedom this

509
00:28:01,560 --> 00:28:03,040
Speaker 1: time to do what you want because you know who

510
00:28:03,080 --> 00:28:04,520
Speaker 1: you are a little bit more. What was the difference

511
00:28:04,560 --> 00:28:07,280
Speaker 1: in this record in the last one. I think the

512
00:28:07,359 --> 00:28:09,920
Speaker 1: last one we were kind of trying a little too hard.

513
00:28:09,920 --> 00:28:12,480
Speaker 1: In this one we were a little bit more like

514
00:28:12,520 --> 00:28:16,000
Speaker 1: you're saying, you know, like maybe more confident and uh,

515
00:28:16,040 --> 00:28:17,960
Speaker 1: you know, it's just like anything like working out. If

516
00:28:18,000 --> 00:28:20,360
Speaker 1: you work out, your muscles get bigger. You know, if

517
00:28:20,400 --> 00:28:23,200
Speaker 1: you're doing this stuff a little longer, your your production

518
00:28:23,240 --> 00:28:25,800
Speaker 1: skills get better, your songwriting gets better. And I think

519
00:28:25,800 --> 00:28:27,600
Speaker 1: this one we kind of stuck to a vibe that,

520
00:28:28,119 --> 00:28:29,320
Speaker 1: you know, kind of it was a little bit more

521
00:28:29,359 --> 00:28:32,520
Speaker 1: cohesive than the other records that we've done. And you

522
00:28:32,800 --> 00:28:36,400
Speaker 1: produced this record too, Am I right about that? Yeah?

523
00:28:36,880 --> 00:28:39,480
Speaker 1: So you're producing skills again. I'm just going from memory here.

524
00:28:39,520 --> 00:28:42,840
Speaker 1: Didn't you produce some of Kelly Bannon stuff too? Yeah? Man,

525
00:28:42,880 --> 00:28:45,600
Speaker 1: I did Kelly's record, I just did Drake White's New Thing,

526
00:28:45,720 --> 00:28:48,360
Speaker 1: and um, a bunch of a bunch of cool stuff. Man,

527
00:28:48,360 --> 00:28:50,600
Speaker 1: I've been lucky. So what what's what is it for you? Then?

528
00:28:50,600 --> 00:28:53,120
Speaker 1: Because you're writing songs for other folks, you're producing records now.

529
00:28:53,200 --> 00:28:56,400
Speaker 1: Obviously the Catallact three, Like, where is this going to

530
00:28:56,520 --> 00:28:58,120
Speaker 1: end up for you in five years? In your mind?

531
00:28:59,160 --> 00:29:03,200
Speaker 1: I hope, hope of my beach house. Man, I ain't

532
00:29:03,200 --> 00:29:05,040
Speaker 1: gonna lie to you, brother, I'm trying. I've got as

533
00:29:05,040 --> 00:29:06,560
Speaker 1: many irons on the fire right now, just so I

534
00:29:06,560 --> 00:29:09,680
Speaker 1: can get out of here. So what is as a producer?

535
00:29:09,720 --> 00:29:12,120
Speaker 1: Because I think most folks and I wouldn't have known

536
00:29:12,160 --> 00:29:14,240
Speaker 1: until I went to a comedy record, But what is

537
00:29:14,240 --> 00:29:16,200
Speaker 1: it as a producer? Like what do you do? Let's

538
00:29:16,280 --> 00:29:18,040
Speaker 1: let's take you out of Cadillac three right now, take

539
00:29:18,040 --> 00:29:20,200
Speaker 1: you out a songwriting, but you're just gearing the producer.

540
00:29:20,600 --> 00:29:23,520
Speaker 1: Let's say Drake White comes up to love Drake, love

541
00:29:23,600 --> 00:29:24,840
Speaker 1: his sound. He says, hey, man, I want to do

542
00:29:24,880 --> 00:29:27,440
Speaker 1: this project. Like what are your roles as a producer?

543
00:29:27,640 --> 00:29:31,440
Speaker 1: Whenever that happens, well usually man, it's like when when

544
00:29:31,520 --> 00:29:35,400
Speaker 1: somebody calls a producer or like at least Mike, from

545
00:29:35,440 --> 00:29:40,360
Speaker 1: what I've gotten from this, they usually like what I

546
00:29:40,480 --> 00:29:42,720
Speaker 1: do on my my stuff at least you know what

547
00:29:42,720 --> 00:29:45,360
Speaker 1: I mean? Like the most calls I get there usually

548
00:29:45,400 --> 00:29:48,720
Speaker 1: somebody pairing this up because um or you know, like Drake,

549
00:29:48,760 --> 00:29:50,960
Speaker 1: he likes the way to Cadillac stuff sounds or or

550
00:29:51,280 --> 00:29:53,640
Speaker 1: you know, they hear these these crappy demos that I

551
00:29:53,680 --> 00:29:56,280
Speaker 1: do to pitch too artists for a country, so you know,

552
00:29:56,360 --> 00:29:58,720
Speaker 1: like for to to record, and they love the way

553
00:29:58,760 --> 00:30:01,160
Speaker 1: those things sound, and so I I guess you kind

554
00:30:01,160 --> 00:30:03,200
Speaker 1: of just getting put in those places. And you know,

555
00:30:03,240 --> 00:30:05,920
Speaker 1: I'm a huge Break White fan, huge Kelly Bannon fan,

556
00:30:06,040 --> 00:30:08,400
Speaker 1: So it was like getting to getting to do that.

557
00:30:08,640 --> 00:30:10,239
Speaker 1: You know, as soon as somebody calls and say, hey,

558
00:30:10,240 --> 00:30:12,560
Speaker 1: can you make me sound raw and dirty but still

559
00:30:12,600 --> 00:30:14,560
Speaker 1: kind of accessible, I'm like, hell, yeah, that's what I

560
00:30:14,720 --> 00:30:16,280
Speaker 1: try to do. You know. So you go into the

561
00:30:16,320 --> 00:30:19,120
Speaker 1: studio and you're the guy that basically tells, hey, we

562
00:30:19,240 --> 00:30:21,440
Speaker 1: need more guitar, more drums, But what what if we

563
00:30:21,480 --> 00:30:24,320
Speaker 1: added another xylophone? I'm just making crap up here, but

564
00:30:24,440 --> 00:30:26,280
Speaker 1: what if we added a xylophone? Like it's you're a

565
00:30:26,360 --> 00:30:30,960
Speaker 1: creative like macro vision, right, well, you try to be.

566
00:30:31,040 --> 00:30:32,680
Speaker 1: I mean, like the way I usually do it is

567
00:30:32,840 --> 00:30:35,560
Speaker 1: we have the artists come in and they sing live

568
00:30:35,600 --> 00:30:38,040
Speaker 1: in the room with me and the engineer, and then

569
00:30:38,080 --> 00:30:41,240
Speaker 1: we have a guitar player, drum drummer, and a bass

570
00:30:41,240 --> 00:30:43,320
Speaker 1: player and then I'm also playing guitar in there, and

571
00:30:43,400 --> 00:30:45,080
Speaker 1: usually I get the meat and the potatoes in the

572
00:30:45,120 --> 00:30:46,800
Speaker 1: studio and then I get out of the studio and

573
00:30:46,840 --> 00:30:48,800
Speaker 1: take it home or to the bus, and I do

574
00:30:48,920 --> 00:30:52,160
Speaker 1: everything else, all the background vocals, all the programming, all

575
00:30:52,200 --> 00:30:55,480
Speaker 1: the overdubs, and it's just lives in my head for

576
00:30:55,480 --> 00:30:58,520
Speaker 1: about three weeks. And that's how I that's that way.

577
00:30:58,560 --> 00:30:59,680
Speaker 1: You don't have to you cut out a lot of

578
00:30:59,680 --> 00:31:01,080
Speaker 1: the cook in the kitchen, you know what I mean?

579
00:31:01,360 --> 00:31:04,160
Speaker 1: Where did this music education come from? As far as

580
00:31:04,160 --> 00:31:07,880
Speaker 1: like early Jarren, I'm growing up in Nashville, man, you know,

581
00:31:07,920 --> 00:31:10,719
Speaker 1: I was born here, and I think that you know,

582
00:31:10,800 --> 00:31:13,840
Speaker 1: it's you know, my dad was in it growing up

583
00:31:13,880 --> 00:31:17,360
Speaker 1: and just being around it constantly and then watching things,

584
00:31:17,560 --> 00:31:19,680
Speaker 1: you know, growing up in Nashville and country music was

585
00:31:19,680 --> 00:31:22,960
Speaker 1: Garth Brooks and Clint Black and you know, Faith Hill

586
00:31:23,000 --> 00:31:25,120
Speaker 1: and all these mega huge You saw how big a

587
00:31:25,120 --> 00:31:27,560
Speaker 1: country star could be. You know, Garth is wearing a

588
00:31:27,640 --> 00:31:31,520
Speaker 1: damn headset flying around the room, um, and you realize that, oh,

589
00:31:31,600 --> 00:31:33,880
Speaker 1: this is kind of rock and roll, you know what

590
00:31:33,920 --> 00:31:35,520
Speaker 1: I mean. So I think that I just kind of

591
00:31:35,760 --> 00:31:38,920
Speaker 1: from you know, six seven years old on, I was

592
00:31:39,040 --> 00:31:42,240
Speaker 1: kind of just really intrigued and excited about music, and

593
00:31:42,280 --> 00:31:43,880
Speaker 1: it was it turns out it was the only thing

594
00:31:43,880 --> 00:31:46,080
Speaker 1: I was really good at. So wait, so what did

595
00:31:46,120 --> 00:31:49,320
Speaker 1: your dad do in the business. He plays, he's a drummer.

596
00:31:49,360 --> 00:31:51,200
Speaker 1: He was the drummer at the Grand ol Opry for

597
00:31:51,840 --> 00:31:55,840
Speaker 1: shoot thirty years. He still plays there occasionally. And uh yeah,

598
00:31:55,840 --> 00:31:57,840
Speaker 1: so I kind of got to go to the Grand

599
00:31:57,880 --> 00:32:00,640
Speaker 1: ol Operry every weekend. That was my kind of babysitter

600
00:32:00,640 --> 00:32:02,520
Speaker 1: when I was a kid. Oh that's cool. Do you

601
00:32:02,560 --> 00:32:05,320
Speaker 1: have any stories about seeing anybody super cool and like

602
00:32:05,480 --> 00:32:07,400
Speaker 1: now they'd be called old school at the operat where

603
00:32:07,360 --> 00:32:10,320
Speaker 1: he had a moment with them. Oh, man, I've got

604
00:32:10,440 --> 00:32:14,440
Speaker 1: there's so many Bobby like Um. I remember Porter Wagner.

605
00:32:14,840 --> 00:32:17,120
Speaker 1: I've stumbled into his dressing room. I was probably eleven

606
00:32:17,200 --> 00:32:20,280
Speaker 1: or twelve, and he had this huge bodyguard named Tony

607
00:32:20,320 --> 00:32:22,120
Speaker 1: I think was his name, and he's kind of Maffi

608
00:32:22,240 --> 00:32:25,640
Speaker 1: like Sopranos asked, But he's a you know, a Nashville guy.

609
00:32:26,200 --> 00:32:29,000
Speaker 1: So um, he was very intimidating, and so Porter came

610
00:32:29,040 --> 00:32:30,160
Speaker 1: in there and yelled at me and told me to

611
00:32:30,160 --> 00:32:32,120
Speaker 1: get the get the f out of his out of

612
00:32:32,160 --> 00:32:35,160
Speaker 1: his dressing room, and my dad went up to Porter

613
00:32:35,240 --> 00:32:36,840
Speaker 1: and the antony and said, if you ever talked to

614
00:32:36,960 --> 00:32:41,080
Speaker 1: my kid like that again? You're asked wagner Man. Yeah,

615
00:32:41,080 --> 00:32:43,000
Speaker 1: that's a great one. Wow, Wow, I had no idea.

616
00:32:43,080 --> 00:32:46,040
Speaker 1: That's cool. I do want to talk about the record here,

617
00:32:46,240 --> 00:32:47,880
Speaker 1: um and play a few songs from it. I'm gonna

618
00:32:47,920 --> 00:32:50,680
Speaker 1: play a clip of Cracking cole Ones with the boys.

619
00:32:50,680 --> 00:33:01,160
Speaker 1: Here you go with the Bulls. I'm gonna do the

620
00:33:01,240 --> 00:33:03,560
Speaker 1: generic thing here I go. Hey, just tell me about

621
00:33:03,560 --> 00:33:04,760
Speaker 1: the song, and what do you think about when you

622
00:33:04,840 --> 00:33:07,720
Speaker 1: you think when you hear the song back? Well, it's

623
00:33:07,880 --> 00:33:13,720
Speaker 1: it's hilarious because you know, it's it's just a you know,

624
00:33:13,720 --> 00:33:15,600
Speaker 1: we've never done a beat like that, either the Gary

625
00:33:15,600 --> 00:33:18,720
Speaker 1: Glitter to KAKA We're going to Kick Hell out of You,

626
00:33:19,080 --> 00:33:21,920
Speaker 1: And so Nila and I had that track and I

627
00:33:21,920 --> 00:33:24,080
Speaker 1: don't know if you've let to usually do you're usually

628
00:33:24,080 --> 00:33:26,840
Speaker 1: pretty good about this, but there's seven co writers on

629
00:33:26,880 --> 00:33:30,920
Speaker 1: that song. So like anybody that yelled out a word

630
00:33:30,960 --> 00:33:32,960
Speaker 1: in the room, you're you're on the track. It's the

631
00:33:32,960 --> 00:33:35,880
Speaker 1: how it went. It's it's our band, it's our whole

632
00:33:35,880 --> 00:33:39,360
Speaker 1: band and our whole crew on the road. Yeah, it's

633
00:33:39,400 --> 00:33:41,920
Speaker 1: like if you look at that and didn't know. You're like, wow,

634
00:33:41,960 --> 00:33:43,920
Speaker 1: this is so stupid. It took seven people to write

635
00:33:43,920 --> 00:33:47,600
Speaker 1: this moronic song, you know, so, but I like it.

636
00:33:47,600 --> 00:33:50,920
Speaker 1: It's fun. It's a fun to play live. And you know,

637
00:33:51,120 --> 00:33:52,600
Speaker 1: we wrote that thing just because I want to be

638
00:33:52,640 --> 00:33:54,480
Speaker 1: in hockey arenas. You know, that's the best. I wanted

639
00:33:54,520 --> 00:33:56,720
Speaker 1: to go to a Predators game and hear that song.

640
00:33:57,240 --> 00:33:59,800
Speaker 1: That does feel like you know when you mentioned Gary Glitter,

641
00:33:59,800 --> 00:34:02,280
Speaker 1: of those are are listening and don't know who that is. Um,

642
00:34:02,520 --> 00:34:05,080
Speaker 1: by the way, not the best, dude, but a song

643
00:34:05,200 --> 00:34:11,560
Speaker 1: that don't don't uh Donna, Donna like that's Gary Glitter

644
00:34:11,760 --> 00:34:14,600
Speaker 1: And so people missed that reference. How about this one

645
00:34:14,640 --> 00:34:16,000
Speaker 1: hard out here for a country boy and play a

646
00:34:16,000 --> 00:34:30,879
Speaker 1: little bit? All right, give me that one, dude. Um.

647
00:34:30,960 --> 00:34:32,880
Speaker 1: I wrote it with Jeremy Stober and Neil on the

648
00:34:32,920 --> 00:34:35,400
Speaker 1: bus and we were out on the road with Travis

649
00:34:36,280 --> 00:34:39,640
Speaker 1: Trip and Charlie Daniels and so Travis was I played

650
00:34:39,680 --> 00:34:41,319
Speaker 1: him some of the record on the bus one night

651
00:34:41,360 --> 00:34:43,799
Speaker 1: we were I mean, we were getting after you know,

652
00:34:43,800 --> 00:34:46,279
Speaker 1: we were drinking pretty good and it's probably about three

653
00:34:46,280 --> 00:34:48,520
Speaker 1: in the morning and they're trying to bus drivers are

654
00:34:48,520 --> 00:34:50,160
Speaker 1: trying to get everybody off the bus to leave, and

655
00:34:50,160 --> 00:34:52,319
Speaker 1: he's like, noh, play me another, play another, And that

656
00:34:52,360 --> 00:34:54,200
Speaker 1: one came on the next day and sound check I

657
00:34:54,239 --> 00:34:57,279
Speaker 1: heard him playing it, and so I said, man, you

658
00:34:57,280 --> 00:34:59,480
Speaker 1: want to sing on it? He goes yeah, because on

659
00:34:59,520 --> 00:35:01,479
Speaker 1: the road, know how it is, there's nothing but time.

660
00:35:01,880 --> 00:35:03,480
Speaker 1: So I was like, he's like, well, what do you

661
00:35:03,520 --> 00:35:04,839
Speaker 1: want to do it? I go what you doing right now?

662
00:35:04,920 --> 00:35:06,640
Speaker 1: He goes nothing until he came over the bus and

663
00:35:06,640 --> 00:35:09,520
Speaker 1: sang it in the back lounge. And then Jansen called

664
00:35:09,560 --> 00:35:12,000
Speaker 1: me during that little session. He said what are you doing?

665
00:35:12,040 --> 00:35:13,799
Speaker 1: I said, man, I'm according to right now. You ain't

666
00:35:13,800 --> 00:35:16,360
Speaker 1: gonna believe this for the new Cadillac record. And he goes, well,

667
00:35:16,400 --> 00:35:18,440
Speaker 1: what's the song? I go, cracking Colin, Sorry, I go

668
00:35:18,680 --> 00:35:20,759
Speaker 1: part I here for a country boy. He goes, well,

669
00:35:21,000 --> 00:35:22,640
Speaker 1: to me, I want to sing on it. You know,

670
00:35:22,800 --> 00:35:24,520
Speaker 1: you know, you know how crazy he is. He probably

671
00:35:24,560 --> 00:35:27,960
Speaker 1: had fifteen Mountain dues by that time in the day. Um,

672
00:35:28,080 --> 00:35:29,799
Speaker 1: and so he I surned the track and he sent

673
00:35:29,840 --> 00:35:31,960
Speaker 1: it back the next day and put harmonica on and everything.

674
00:35:32,000 --> 00:35:33,600
Speaker 1: I just like it was one of those things that

675
00:35:33,719 --> 00:35:36,399
Speaker 1: like easily came together and it was so fun. Man.

676
00:35:36,840 --> 00:35:38,319
Speaker 1: We tried to line that one up to get all

677
00:35:38,400 --> 00:35:39,840
Speaker 1: you guys up in the studio for that one. We

678
00:35:39,880 --> 00:35:42,480
Speaker 1: couldn't quite get all the schedules to work. But that

679
00:35:42,560 --> 00:35:44,080
Speaker 1: was the one when when I first heard the record

680
00:35:44,080 --> 00:35:46,359
Speaker 1: and heard that one, I called, uh, Tom Lord, who's

681
00:35:46,400 --> 00:35:48,680
Speaker 1: my man? And I was like, Hey, let's get Jared

682
00:35:48,760 --> 00:35:50,719
Speaker 1: and Jansen and Tray and I don't think Travis is

683
00:35:50,719 --> 00:35:52,600
Speaker 1: able to get down. But that's a jam. Like, that's it.

684
00:35:52,760 --> 00:35:55,600
Speaker 1: That's a good one. Thanks man. Hey, Bobby, Travis, don't

685
00:35:55,640 --> 00:35:57,880
Speaker 1: leave the house for lesson quarter million dollars. You know,

686
00:35:58,280 --> 00:36:00,880
Speaker 1: I've heard stories about people on to hire Travis and

687
00:36:00,920 --> 00:36:03,080
Speaker 1: it's like, how much like you need to tell me

688
00:36:03,120 --> 00:36:05,720
Speaker 1: before I even get out of Yeah, so we weren't

689
00:36:05,719 --> 00:36:09,879
Speaker 1: able to make that happen for promotional Uh, Catalect three,

690
00:36:09,920 --> 00:36:12,920
Speaker 1: So so sorry about that. It's all good man. Um.

691
00:36:13,000 --> 00:36:14,439
Speaker 1: You know, I was reading this article about you guys

692
00:36:14,440 --> 00:36:17,719
Speaker 1: whenever the intro of the album came out, and it

693
00:36:17,760 --> 00:36:19,880
Speaker 1: was from Rolling Stone and said why the Catalect three

694
00:36:20,000 --> 00:36:24,680
Speaker 1: or Nashville's most uncompromising band? Fifteen years together and without

695
00:36:24,680 --> 00:36:27,680
Speaker 1: a country radiohead. The trio refused to chase trends on

696
00:36:27,719 --> 00:36:31,520
Speaker 1: the new album now, as complimentary as that is, because

697
00:36:31,560 --> 00:36:33,560
Speaker 1: for a long time what I was doing, and because

698
00:36:33,600 --> 00:36:35,359
Speaker 1: I would get on country radio and just be like, hey,

699
00:36:35,440 --> 00:36:37,360
Speaker 1: I have other influence, Like I grew up in Arkansas

700
00:36:37,360 --> 00:36:40,160
Speaker 1: and I love country music, but I listen nineties hip hop.

701
00:36:40,239 --> 00:36:42,879
Speaker 1: I was an alternative guy, and they would say, oh,

702
00:36:42,920 --> 00:36:45,160
Speaker 1: the bad boy. But eventually I didn't want to be

703
00:36:45,239 --> 00:36:47,799
Speaker 1: the I wanted my style to be so good that

704
00:36:47,880 --> 00:36:51,239
Speaker 1: everyone else would do it right. And so whenever someone

705
00:36:51,280 --> 00:36:53,279
Speaker 1: writes a headline like this a little bit, are you like,

706
00:36:53,360 --> 00:36:55,759
Speaker 1: I appreciate that, but we're trying to break through so

707
00:36:55,800 --> 00:36:57,520
Speaker 1: hard that we want people to follow us. We want

708
00:36:57,520 --> 00:37:00,520
Speaker 1: to be the style. Does that ever pop in your head? Yeah,

709
00:37:00,560 --> 00:37:02,959
Speaker 1: I mean, you know, I think that's kind of what

710
00:37:03,239 --> 00:37:05,959
Speaker 1: they were trying to say there. But you know how

711
00:37:06,560 --> 00:37:11,160
Speaker 1: press can be. And um, that whole that whole interviewed

712
00:37:11,360 --> 00:37:14,439
Speaker 1: um thing or that whole piece is us hanging out

713
00:37:14,480 --> 00:37:17,480
Speaker 1: with a writer who is super sweep, very talented, writer,

714
00:37:17,680 --> 00:37:20,560
Speaker 1: very cool person, um throwing axes at that battle acts

715
00:37:20,600 --> 00:37:24,200
Speaker 1: place in East Nashville, and and literally like, so you're

716
00:37:24,200 --> 00:37:26,000
Speaker 1: writing this whole thing about the history of a band,

717
00:37:26,080 --> 00:37:28,399
Speaker 1: this new record all this stuff and spending an hour

718
00:37:28,480 --> 00:37:31,800
Speaker 1: with them, you know, and do playing a redneck sport.

719
00:37:32,640 --> 00:37:36,040
Speaker 1: I don't think that, you know, when when those conversations

720
00:37:36,080 --> 00:37:38,120
Speaker 1: did happen a little bit in that thing, I think,

721
00:37:38,320 --> 00:37:40,600
Speaker 1: I think, I, you know, I hear when I hear

722
00:37:40,640 --> 00:37:43,080
Speaker 1: something like that. At this point in our careers, I'm

723
00:37:43,120 --> 00:37:46,480
Speaker 1: just happy they didn't say, you know, this record sucked,

724
00:37:46,520 --> 00:37:49,879
Speaker 1: ask you know, or like or you know. These guys

725
00:37:49,920 --> 00:37:51,680
Speaker 1: are trying to be something they're not. At least they're

726
00:37:51,719 --> 00:37:54,400
Speaker 1: saying things in a positive way. Um. I do know

727
00:37:54,440 --> 00:37:56,640
Speaker 1: what you're saying, though, And I think that, Um, the

728
00:37:56,680 --> 00:37:58,719
Speaker 1: reason the band that we are and what we're kind

729
00:37:58,719 --> 00:38:01,480
Speaker 1: of morphing into and the more confident we get and

730
00:38:01,520 --> 00:38:05,400
Speaker 1: the bigger that we're getting more successful, um worldwide is

731
00:38:05,880 --> 00:38:08,080
Speaker 1: I think that's giving us the thing where it is working,

732
00:38:08,080 --> 00:38:10,640
Speaker 1: whether it's with radio or not, you know, or or whatever.

733
00:38:10,680 --> 00:38:13,080
Speaker 1: I think that our mentality is if we keep doing

734
00:38:13,120 --> 00:38:15,319
Speaker 1: our whole thing, I think radio, at some point we'll

735
00:38:15,520 --> 00:38:18,400
Speaker 1: won't really have a choice because it'll be you know,

736
00:38:18,480 --> 00:38:20,560
Speaker 1: kind of like look at Eric Church, the way that happened.

737
00:38:20,920 --> 00:38:22,400
Speaker 1: He got to a point so big he's selling so

738
00:38:22,440 --> 00:38:25,160
Speaker 1: many damn tickets that it didn't like. They could not

739
00:38:25,200 --> 00:38:27,400
Speaker 1: play it because people were calling in and asking for it,

740
00:38:27,440 --> 00:38:29,600
Speaker 1: and that's when you win, um and he did that

741
00:38:29,680 --> 00:38:32,319
Speaker 1: by following his own vibe the whole time. So I mean,

742
00:38:32,360 --> 00:38:34,279
Speaker 1: we're trying to do that at least. I don't know

743
00:38:34,320 --> 00:38:36,239
Speaker 1: if I've answered your question or not, but if I

744
00:38:36,320 --> 00:38:38,600
Speaker 1: were writing the story a different story, I would go

745
00:38:39,080 --> 00:38:41,560
Speaker 1: the band that a lot of other artists and bands

746
00:38:41,560 --> 00:38:45,600
Speaker 1: have stolen their sound from, but that they just haven't

747
00:38:45,600 --> 00:38:49,719
Speaker 1: popped with a song on radio listen. There's a lot

748
00:38:49,800 --> 00:38:53,279
Speaker 1: of derivatives of Cadillac three out there, and I know

749
00:38:53,320 --> 00:38:55,440
Speaker 1: you We're not gonna I'm not gonna say anybody specifically,

750
00:38:55,520 --> 00:38:58,279
Speaker 1: but I think you probably think this too, Like your

751
00:38:58,360 --> 00:39:01,200
Speaker 1: style has been taken by a lot to people and

752
00:39:01,239 --> 00:39:04,920
Speaker 1: they've ran with it and they've done well with it.

753
00:39:05,040 --> 00:39:07,640
Speaker 1: And that's what I think. Do you feel that way?

754
00:39:08,160 --> 00:39:10,120
Speaker 1: I feel like, yeah, there's a lot of a lot

755
00:39:10,120 --> 00:39:11,640
Speaker 1: of want to be clones out there. I think that

756
00:39:12,040 --> 00:39:14,000
Speaker 1: the way we do it is, you know, obviously a

757
00:39:14,000 --> 00:39:17,239
Speaker 1: different thing, but it's hard to to accurately clone. I

758
00:39:17,239 --> 00:39:19,839
Speaker 1: think the way they're winning is they're they're they're doing

759
00:39:19,840 --> 00:39:21,600
Speaker 1: the thing that we kind of refused to do. And

760
00:39:21,640 --> 00:39:24,600
Speaker 1: that's that's you know, it'd be really easy for me

761
00:39:24,640 --> 00:39:27,480
Speaker 1: to you know, record meanwhile back at Mama's or some

762
00:39:27,600 --> 00:39:30,880
Speaker 1: ship like that, or beaching, you know, um, but it

763
00:39:31,000 --> 00:39:33,719
Speaker 1: just it doesn't feel real. And that's why, you know,

764
00:39:33,760 --> 00:39:36,640
Speaker 1: I'm kind of like to face, you know, I want

765
00:39:36,680 --> 00:39:41,040
Speaker 1: to have that, that's that that creative outlet writing songs

766
00:39:41,080 --> 00:39:42,560
Speaker 1: for other people. And then I also want to kick

767
00:39:42,600 --> 00:39:45,840
Speaker 1: ass and and and and another thing about those clones

768
00:39:45,880 --> 00:39:48,200
Speaker 1: that you were talking about that are winning, I guarantee

769
00:39:48,239 --> 00:39:51,279
Speaker 1: most of them can't can't sail out their hometown, you know.

770
00:39:51,360 --> 00:39:53,440
Speaker 1: So it's like that's that's a lot of a lot

771
00:39:53,440 --> 00:39:56,360
Speaker 1: of the difference too. Well, And before a blog picks

772
00:39:56,480 --> 00:39:58,960
Speaker 1: up with Jared saying beaching or meanwhile back at Mama's,

773
00:39:59,040 --> 00:40:01,080
Speaker 1: he wrote those songs, You wrote those songs. You're not

774
00:40:01,120 --> 00:40:03,759
Speaker 1: just bashing those songs. Well, you're saying you could have

775
00:40:04,000 --> 00:40:06,280
Speaker 1: taken one of those songs that you wrote for someone else.

776
00:40:06,600 --> 00:40:08,719
Speaker 1: And because you know what's gonna happen if someone will

777
00:40:08,800 --> 00:40:11,520
Speaker 1: hear this and go up Jaren's trash and Jake Owen

778
00:40:11,480 --> 00:40:14,080
Speaker 1: and Tim mcgrawl. No, no, not at all, Jaren wrote

779
00:40:14,120 --> 00:40:15,960
Speaker 1: those songs, So I just want to put that out there.

780
00:40:16,840 --> 00:40:20,520
Speaker 1: I trashed Tim mcgrawl and Jake of their faces. I

781
00:40:20,560 --> 00:40:23,000
Speaker 1: just got off the phone with Jake. Uh some of

782
00:40:23,040 --> 00:40:24,600
Speaker 1: the songs Jaren wrote. I mean, let me read some

783
00:40:24,600 --> 00:40:26,400
Speaker 1: of these. I guess seven number ones as a songwriter.

784
00:40:26,640 --> 00:40:29,640
Speaker 1: You got Beaching Jake Oen American country love song from Jake.

785
00:40:29,680 --> 00:40:32,800
Speaker 1: Meanwhile back at Mom is Tim mcgrawl, Southern Girl, Tim mcgrawl,

786
00:40:32,960 --> 00:40:35,360
Speaker 1: Keith Urban, You're Gonna Fly, Raise Them Up Urban, and

787
00:40:35,480 --> 00:40:38,759
Speaker 1: Church Billy Currington, don't it now? Of those songs, Jared,

788
00:40:38,840 --> 00:40:44,919
Speaker 1: did you think about taking any of them to catalect three? Um? No? Um?

789
00:40:45,000 --> 00:40:48,000
Speaker 1: Raise Them Up was one of those when people asked

790
00:40:48,000 --> 00:40:50,440
Speaker 1: me that I look back on and say, you know,

791
00:40:51,239 --> 00:40:53,840
Speaker 1: maybe that would have been one that you know, but

792
00:40:53,920 --> 00:40:56,799
Speaker 1: I'm a huge, huge Keith Urban fan. You know, he's

793
00:40:56,840 --> 00:40:59,360
Speaker 1: one of my idols and got to be friends with

794
00:40:59,400 --> 00:41:01,239
Speaker 1: him now, and it's like, I don't I know that

795
00:41:01,320 --> 00:41:03,279
Speaker 1: I'm well, I don't know, but I don't think that

796
00:41:03,560 --> 00:41:06,000
Speaker 1: Cadillac could have gotten that to where it was. And

797
00:41:06,600 --> 00:41:08,239
Speaker 1: songs are like babies, man, you wanted to go out

798
00:41:08,239 --> 00:41:11,160
Speaker 1: in the world and do great things, and so that's

799
00:41:11,200 --> 00:41:13,480
Speaker 1: that's the catch train. Two of that stuff, I think, um,

800
00:41:14,160 --> 00:41:15,839
Speaker 1: but the rest of those, no, we didn't even think

801
00:41:15,840 --> 00:41:18,759
Speaker 1: about them. I see you have a coloring book where

802
00:41:18,760 --> 00:41:20,840
Speaker 1: it's just pictures of sneakers, and I know you're like me,

803
00:41:21,000 --> 00:41:23,319
Speaker 1: your shoe guy, because I sometimes I'll see flex and

804
00:41:23,320 --> 00:41:25,680
Speaker 1: I'll be like, all right, this is because you got

805
00:41:25,800 --> 00:41:27,520
Speaker 1: you got a little songwriter money, because I know how

806
00:41:27,600 --> 00:41:29,359
Speaker 1: much you shoes cost. You may not put them up there,

807
00:41:29,520 --> 00:41:32,680
Speaker 1: but I know, like I see it. Uh, what's the

808
00:41:33,120 --> 00:41:35,480
Speaker 1: I'm not gonna this shoe. What's your favorite pair of

809
00:41:35,520 --> 00:41:40,800
Speaker 1: shoes recent pair of shoes? Because um man, it's tough.

810
00:41:40,920 --> 00:41:44,759
Speaker 1: I kind of stopped. I've stopped recently because of this.

811
00:41:45,000 --> 00:41:47,000
Speaker 1: I can't wear them out anywhere. Man. I haven't left

812
00:41:47,000 --> 00:41:49,719
Speaker 1: my house in a month, you know. So it's like

813
00:41:50,200 --> 00:41:51,920
Speaker 1: I can't just post them on Instagram. Hey look what

814
00:41:51,960 --> 00:41:54,960
Speaker 1: I got. But I really like the um I have

815
00:41:55,040 --> 00:41:58,759
Speaker 1: the Original Force, the Jordan's I love those. Those are

816
00:41:58,760 --> 00:42:01,680
Speaker 1: probably my first, like when I got my first couple

817
00:42:01,680 --> 00:42:03,680
Speaker 1: of checks, you know what I mean, those are the

818
00:42:03,719 --> 00:42:06,399
Speaker 1: things you go. I mean you might be like this too.

819
00:42:06,440 --> 00:42:08,839
Speaker 1: I'm sure you are. Like once you make a little

820
00:42:08,880 --> 00:42:10,560
Speaker 1: bit of money and I grew up pretty broke as

821
00:42:10,560 --> 00:42:12,880
Speaker 1: a kid in East Nashville, and you know you didn't

822
00:42:12,880 --> 00:42:14,719
Speaker 1: have these things, and so you go and you buy

823
00:42:14,719 --> 00:42:16,399
Speaker 1: all the things you want. You buy that in six

824
00:42:16,520 --> 00:42:19,600
Speaker 1: before you buy that, those Jordans, you buy those Airmax

825
00:42:20,080 --> 00:42:22,520
Speaker 1: ninety seven, you know what I mean. And it's just

826
00:42:22,600 --> 00:42:25,040
Speaker 1: so fun. And then you realize, wait, these are these

827
00:42:25,040 --> 00:42:26,680
Speaker 1: are such this is such a weird thing to buy

828
00:42:26,680 --> 00:42:28,120
Speaker 1: it because you can only wear It's like a car,

829
00:42:28,600 --> 00:42:30,120
Speaker 1: you can only drive one at a time. You can

830
00:42:30,120 --> 00:42:32,160
Speaker 1: only wear one pair of times. So then you just

831
00:42:32,239 --> 00:42:36,200
Speaker 1: have shoes everywhere and and no more money. I got

832
00:42:36,520 --> 00:42:38,200
Speaker 1: a pair of I ordered a pair of shoes out

833
00:42:38,200 --> 00:42:40,200
Speaker 1: a month ago before we started locking in our houses,

834
00:42:40,200 --> 00:42:42,960
Speaker 1: and I got a pair of the new Airmax Hunter

835
00:42:43,040 --> 00:42:45,719
Speaker 1: orange and camouflage. They just came out, you know, a

836
00:42:45,719 --> 00:42:47,680
Speaker 1: few weeks and I opened them up and I hadn't

837
00:42:47,719 --> 00:42:49,480
Speaker 1: ordered any shoes since I've been a quarantine. And my

838
00:42:49,480 --> 00:42:51,239
Speaker 1: girlfriend goes, oh, that's cool. You got a new pair

839
00:42:51,280 --> 00:42:52,840
Speaker 1: of shoes where you gonna wear them to the kitchen

840
00:42:53,040 --> 00:42:56,279
Speaker 1: or the bedroom. You might go out on the deck,

841
00:42:56,400 --> 00:43:00,000
Speaker 1: give them some give them some vitamin D there. So okay,

842
00:43:00,000 --> 00:43:03,160
Speaker 1: a body should check out country fuzz. Um. It's their

843
00:43:03,480 --> 00:43:06,680
Speaker 1: fourth album. It came out back in February. But um,

844
00:43:06,719 --> 00:43:09,120
Speaker 1: that doesn't mean the music is is any worse now

845
00:43:09,120 --> 00:43:11,319
Speaker 1: that we're here in April. Um. But if you if,

846
00:43:11,360 --> 00:43:13,719
Speaker 1: and if you're you're just now hearing us talk about

847
00:43:13,960 --> 00:43:15,560
Speaker 1: the cat like three, check them out. I'm big fan

848
00:43:15,600 --> 00:43:19,440
Speaker 1: of Jaren as a songwriter, even Kelly stuff. When you

849
00:43:19,440 --> 00:43:22,040
Speaker 1: were producing it, like you know, listening to it, it

850
00:43:22,080 --> 00:43:23,879
Speaker 1: was just a new rawer sound for her. I can't

851
00:43:23,880 --> 00:43:25,200
Speaker 1: wait to hear the Drake stuff. I'm just a fan

852
00:43:25,239 --> 00:43:28,080
Speaker 1: of you. Man. Well, I appreciate it. Man. Hey, um,

853
00:43:28,280 --> 00:43:31,120
Speaker 1: we're dropping something a little special next week, so keep

854
00:43:31,120 --> 00:43:33,759
Speaker 1: a lookout as a new single. And it's not on

855
00:43:33,800 --> 00:43:35,879
Speaker 1: the record either because we just we were bored here

856
00:43:35,880 --> 00:43:39,239
Speaker 1: and so we recorded stuff. I've recorded all at my

857
00:43:39,280 --> 00:43:42,120
Speaker 1: house and then kind of did the rest via zoom

858
00:43:42,160 --> 00:43:44,120
Speaker 1: and all that stuff. It's it's gonna be pretty cool, man,

859
00:43:44,120 --> 00:43:47,479
Speaker 1: You're gonna dig it. How do you record via zoom? Well,

860
00:43:48,239 --> 00:43:51,600
Speaker 1: I send them the track and then um it's you

861
00:43:51,680 --> 00:43:53,279
Speaker 1: got a link up and all this. I mean it's

862
00:43:53,440 --> 00:43:56,680
Speaker 1: it's it's recording in the iPhones and singing it in

863
00:43:56,719 --> 00:43:58,560
Speaker 1: real time and then me taking the track like it's

864
00:43:59,080 --> 00:44:02,040
Speaker 1: it's a real pain in the asked, but it sounds

865
00:44:02,040 --> 00:44:04,720
Speaker 1: cool and it sounds different. I think so an anything

866
00:44:04,719 --> 00:44:07,080
Speaker 1: that we've done, and that's kind of that's fun. You know. Well,

867
00:44:07,080 --> 00:44:09,279
Speaker 1: I'm looking forward to it. Hey man, good luck, good

868
00:44:09,360 --> 00:44:12,440
Speaker 1: talk to you and hope everybody. To the folks that

869
00:44:12,560 --> 00:44:15,720
Speaker 1: haven't really invested any time in listening to you guys,

870
00:44:15,760 --> 00:44:18,279
Speaker 1: I encourage it and do to Hopefully I'll see out

871
00:44:18,280 --> 00:44:21,359
Speaker 1: and about in human life soon. Thanks Bobby, stay safe.

872
00:44:21,400 --> 00:44:29,640
Speaker 1: But alr Jensva all right, Yeah,