WEBVTT - Ghosts and Letters

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<v Speaker 1>Previously on Happy Face.

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<v Speaker 2>There was some dark force that was trying to get

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<v Speaker 2>rid of us, and I felt that that force was

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<v Speaker 2>your dad. The first year was Melissa had went through

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<v Speaker 2>two fires. Then shortly after that we go camping and

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<v Speaker 2>then I heard a bear. He cleaned fish in front

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<v Speaker 2>of the cabin.

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<v Speaker 3>And he was sleeping in the car.

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<v Speaker 2>The moment I walked in that house, I felt like

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<v Speaker 2>I wasn't alone, that there were spirits there, that I.

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<v Speaker 4>Was being watched.

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<v Speaker 2>And it was my first night in this new house.

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<v Speaker 2>I fall asleep a little bit, but then I'm awakened

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<v Speaker 2>by being touched. It's not a heavy touch, it's.

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<v Speaker 5>A light touch.

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<v Speaker 2>And so I laid on the hallway floor with a

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<v Speaker 2>light on, curled up in a ball, hoping that the

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<v Speaker 2>night would just go away fast. And in the morning,

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<v Speaker 2>my dad stepped over me and he said, why did

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<v Speaker 2>you fall asleep in the hallway And I said I

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<v Speaker 2>was being touched, Dad, And he said, oh, don't pay

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<v Speaker 2>any attention to them. They bothered me all the time

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<v Speaker 2>that night. Don't pay them any mind.

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<v Speaker 6>In the fight, in the fight with the sun, I

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<v Speaker 6>don't know shine oh sh oh.

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<v Speaker 4>Through a bond. Melissa and her father's share involves the

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<v Speaker 4>spirits they both claim to encounter. Even to this day.

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<v Speaker 5>It's not a fearful feeling.

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<v Speaker 7>It's almost a peaceful feeling that I have these I

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<v Speaker 7>have company with me. Okay, It's like they're all watch me,

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<v Speaker 7>so I'm now was like they're waiting for something to happen,

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<v Speaker 7>like who am I going to do next or something.

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<v Speaker 7>But it's almost like my company, and I can't get

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<v Speaker 7>rid of them. So I I have my own little

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<v Speaker 7>party in my own cell, and I'm all by myself,

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<v Speaker 7>but I've got all these apes spirs with me.

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<v Speaker 4>Perhaps these are her father's victims, or perhaps something else.

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<v Speaker 4>Could they be the manifestation of the psychopathy she fears

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<v Speaker 4>her father has passed on to her. To quote Edgar

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<v Speaker 4>Allan Poe, the boundaries which divide life from death are

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<v Speaker 4>at best shadowy, and they who shall say where one

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<v Speaker 4>ends and where the other begins. I'm Lauren Bright Pacheco,

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<v Speaker 4>and this is happy face. As we drove through her hometown,

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<v Speaker 4>military called her first real encounter.

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<v Speaker 2>My first experience with a spirit was when we lived

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<v Speaker 2>in Treli Park and Sela, Washington. A neighbor man was

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<v Speaker 2>watching me. I was laying on the couch and I

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<v Speaker 2>remember looking up over the couch and seeing this white

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<v Speaker 2>being and it was protecting me.

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<v Speaker 4>So in a weird way, it was kind of normal

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<v Speaker 4>in your family. What did your dad talk to you about.

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<v Speaker 2>He would comment about seeing spirits as well, so I

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<v Speaker 2>felt that he understood what I was seeing. It wasn't

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<v Speaker 2>like an everyday conversation. Is just once in a while

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<v Speaker 2>he would talk about a supernatural event in his life.

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<v Speaker 2>There was a time where he was in a massive

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<v Speaker 2>car accident where his truck went off a cliff. Totaled

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<v Speaker 2>the semi truck and fell off the cliff, and he

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<v Speaker 2>said he saw spirits that were around him. But my

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<v Speaker 2>first memory of seeing anything was that was when I

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<v Speaker 2>was probably about four years old, seeing a white being

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<v Speaker 2>and it was hovering. I wonder if I would have

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<v Speaker 2>been harmed by the man that was watching me, and

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<v Speaker 2>maybe that being was protecting me, But I don't know.

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<v Speaker 2>I don't know how that works. But ever since I've

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<v Speaker 2>seen them.

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<v Speaker 4>Your dad talked a lot in his first book with

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<v Speaker 4>Jack Oltson about the ghosts in Roberta's house. Oh really, Yeah?

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<v Speaker 4>What did he say that they tormented him? After Keith

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<v Speaker 4>left Melissa's mom. He moved in with his then girlfriend Roberta,

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<v Speaker 4>but he claims they shared her home with spirits. In

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<v Speaker 4>one of his conversations with al Carlyle, Keith even seems

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<v Speaker 4>to confirm the theory that perhaps these are his victims

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<v Speaker 4>and describes what he felt with Tanya Bennett Well.

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<v Speaker 5>I killed her. I felt like I felt like she

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<v Speaker 5>just absorbed into me.

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<v Speaker 7>I felt like he just came right up in somebody,

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<v Speaker 7>Like I could feel she was right there, like asking

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<v Speaker 7>me why and all this. I mean, it was like

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<v Speaker 7>she's just right there and she just like over surrounded me.

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<v Speaker 7>And you know, I don't think it frightened me because

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<v Speaker 7>I've been in a haunted house for two years almost

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<v Speaker 7>I felt this stuff before. I felt that I heard

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<v Speaker 7>someone hung themselves in the house. But I do feel

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<v Speaker 7>the spirit. I feel her when I think of her. Well,

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<v Speaker 7>I'm at night or something like that. I'm laying there

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<v Speaker 7>and I think they're all sitting around watching ma'm and

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<v Speaker 7>my cell.

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<v Speaker 5>I think they're all sitting there waiting for me to go.

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<v Speaker 2>When I was at my dad's house at night, I

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<v Speaker 2>would feel like I was being watched and it was multiple.

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<v Speaker 2>There's multiple female spirits that I couldn't see them. I

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<v Speaker 2>just felt their presence. Not bad spirits, but they were

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<v Speaker 2>uneasy spirits.

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<v Speaker 5>They were.

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<v Speaker 2>Like trying to get my attention. Nobody else would talk

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<v Speaker 2>to me about the spirits about my dad. I'm embarrassed

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<v Speaker 2>actually telling you about this because I'm thinking you guys

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<v Speaker 2>are going to think I'm crazy. But I truly I

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<v Speaker 2>actually hear them too. They talk sometimes and they don't

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<v Speaker 2>talk like audible. I'll just have an understanding of what

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<v Speaker 2>they're trying to convey and they don't need words for that.

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<v Speaker 7>The house is haunted, and that's from my understanding. I

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<v Speaker 7>actually felt it was too, because Roberta said it was.

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<v Speaker 7>It's sort of a mother and some strange things happen

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<v Speaker 7>in that house while I was laying there, and I

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<v Speaker 7>feel cold.

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<v Speaker 5>You'd see all this and that.

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<v Speaker 7>And so when after I killed Tanya, I kind of

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<v Speaker 7>like looked up and I yelled at the office and now,

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<v Speaker 7>you evil son of a bitch is now I'm the

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<v Speaker 7>most evil person in here. And not shut the fuck up,

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<v Speaker 7>leave me Alone's what I said.

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<v Speaker 5>And I have no problem with to goes after that.

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<v Speaker 4>From Melissa's perspective, her father's acceptance of spirits almost made

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<v Speaker 4>her feel like seeing them was normal.

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<v Speaker 2>This is making me feel validated because it's something that

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<v Speaker 2>I'm afraid that people would think coming crazy.

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<v Speaker 4>After he murdered Tanya in that home, he told Roberta

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<v Speaker 4>that maybe the ghosts now would leave him alone because

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<v Speaker 4>they'd know what he's capable of.

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<v Speaker 2>It's weird. I know some serial killers collect souvenirs like

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<v Speaker 2>driver's licenses.

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<v Speaker 4>Or panties, or jewelry or hair.

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<v Speaker 2>Yeah, maybe my dad collected spirits.

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<v Speaker 4>As we gathered interviews for this story, a pretty distinct

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<v Speaker 4>theme began to appear, the appearance of ghosts. It was

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<v Speaker 4>a twist that honestly split our team for a variety

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<v Speaker 4>of reasons, but it was an undeniable one. People we

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<v Speaker 4>spoke to spoke of sensing ghosts. Whether these encounters were

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<v Speaker 4>something sparked by psychosis, the manifestation of trauma, or spirituality

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<v Speaker 4>remains a question, but they were a shared experience for Keith,

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<v Speaker 4>Melissa and Julie's son Don. Here's Don with your mom.

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<v Speaker 4>Did you ever do refueler with you?

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<v Speaker 2>Oh?

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<v Speaker 8>Yeah, I drive taxi now. I felt my mom in

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<v Speaker 8>the back of my cab. Even when it first happened,

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<v Speaker 8>and I had a girlfriend at the time. She didn't

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<v Speaker 8>believe in it, but she felt empties on the edge

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<v Speaker 8>of the bed.

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<v Speaker 1>My mom called me.

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<v Speaker 2>She called you.

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<v Speaker 8>They say, when the other side contacts you, they have

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<v Speaker 8>made peace. Shortly after the first set of trials, I

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<v Speaker 8>went back to San Diego. No one had my phone number.

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<v Speaker 8>I was living in a rental room with a bunch

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<v Speaker 8>of Mexicans that were legal workers doing tar roofing. One night,

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<v Speaker 8>I decided to answer the phone, Hello, sweetie. No one

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<v Speaker 8>ever called me sweetie, and I know my mom's voice.

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<v Speaker 2>Mom.

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<v Speaker 5>Mom.

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<v Speaker 8>I dropped the phone, curled up in a corner till daylight.

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<v Speaker 8>She's okay, Okay, my mother is at peace. Her and

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<v Speaker 8>my grandmother have come to see me in my dreams.

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<v Speaker 8>They came to see me, and I cried and they left.

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<v Speaker 8>They weren't there to make me cry. They were letting

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<v Speaker 8>me know they're at peace. Okay.

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<v Speaker 4>For all of Keith's talk about the ghosts of his victims,

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<v Speaker 4>somewhere inside he feared them for what they really could

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<v Speaker 4>be a manifestation of his own evil. Even in jail,

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<v Speaker 4>he couldn't escape Tanya or the rest of his victims.

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<v Speaker 7>Did that seem real to you?

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<v Speaker 5>Yeah, yeah, it does seem real.

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<v Speaker 2>Did you feel her presences? Yeah?

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<v Speaker 7>I felt I feel it myself. I feel it all

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<v Speaker 7>the time though. I feel everyone, everyone i've killed, I feel.

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<v Speaker 5>I've heard that from others talk about it. It's just

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<v Speaker 5>a feeling there.

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<v Speaker 7>It's like I feel if I turn around fast enough,

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<v Speaker 7>I can see him right behind me. Now they're guiding

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<v Speaker 7>me right now, I think is that they're They're just there.

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<v Speaker 7>I mean, everywhere I go, they're there.

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<v Speaker 5>They're waiting for me to die so that I can

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<v Speaker 5>be in their world. That's what I can do. I

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<v Speaker 5>think they're gonna get even.

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<v Speaker 7>Yeah, they're going to rule my rules because by that time, Yeah,

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<v Speaker 7>I think they're going to have control of where they're

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<v Speaker 7>at and I'm just a new guy in the blockdown.

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<v Speaker 4>For Melissa and perhaps for Dawn, the ghosts serve as

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<v Speaker 4>a way to process their trauma or alleviate the magnitude

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<v Speaker 4>of their loss. But for Keith, he's become their prey.

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<v Speaker 4>They both haunt and hunt him, and to exercise his demons,

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<v Speaker 4>he attempted to purge them on paper.

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<v Speaker 2>Letters have definitely been a theme, you know, with my

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<v Speaker 2>dad on the road. Before he was arrested, he would

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<v Speaker 2>send us letters. He would send us postcards, and that's

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<v Speaker 2>his way of communicating with me and my siblings while

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<v Speaker 2>he was on the road as a truck driver. So

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<v Speaker 2>I'd have all these postcards and letters from all these

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<v Speaker 2>different destinations and I would look forward to them. Then

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<v Speaker 2>my father was caught by writing a letter, a confessional

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<v Speaker 2>letter to my uncle and grandfather. Then when he was arrested,

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<v Speaker 2>he starts writing to their agonian and then after that

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<v Speaker 2>he continues to write letters to me and tries to

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<v Speaker 2>stay in communication with me, and he writes letters to

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<v Speaker 2>media outlets, and he writes letters to want to be

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<v Speaker 2>writers and biographers. He keeps using letters to be his

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<v Speaker 2>medium to the world.

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<v Speaker 4>When speaking about his letter to the Oregonian, Jessperson almost

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<v Speaker 4>makes it seem altruistic to free two innocent people, but

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<v Speaker 4>he's unable to con heal his narcissism.

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<v Speaker 7>The gut feeling I had when I wrote that smiley

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<v Speaker 7>faced letter and send it to him that I shouldn't

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<v Speaker 7>do it, but I said, I'm gonna do it because

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<v Speaker 7>I'm trying to get those two people out, or I'm

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<v Speaker 7>trying to stir up a horner sense to get these

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<v Speaker 7>people out out turning myself in.

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<v Speaker 5>That's when I why did you care?

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<v Speaker 7>I didn't think it was right that two people could

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<v Speaker 7>take the blame be prosecuted for my murder. I figured

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<v Speaker 7>that I was responsible for that. Nobody should be able

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<v Speaker 7>to take that responsibility from me. And then I it's

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<v Speaker 7>it's kind of funny in a way that here mccoldblood.

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<v Speaker 5>And murdered they had.

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<v Speaker 7>I'm worried about two people in president during my time.

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<v Speaker 5>It it makes sense.

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<v Speaker 7>Uh hm when you say I didn't want them to

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<v Speaker 7>take that responsibility away, what do you mean, Well, it

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<v Speaker 7>was my murder, Yeah, my body count. It was like

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<v Speaker 7>my victim, she hangs around me. She's not hanging around them.

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<v Speaker 7>She's hanging around me, and they're like, we're inter wound.

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<v Speaker 9>We were kind of like.

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<v Speaker 7>And the fact that I did eight at the end

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<v Speaker 7>there towards the end, when I said I did it,

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<v Speaker 7>I did it, And it became also important on credibility

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<v Speaker 7>that they believed.

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<v Speaker 5>That was mine.

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<v Speaker 4>He wrote a confession letter to his brother after Julie's murder,

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<v Speaker 4>which he later claimed meant to serve a dual purpose

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<v Speaker 4>as both confession and suicide note.

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<v Speaker 5>Why take a chance by confessing to him the notes.

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<v Speaker 1>The letters?

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<v Speaker 5>Well, I had to.

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<v Speaker 7>When I left to go up in the mountains, I

0:14:27.040 --> 0:14:29.320
<v Speaker 7>wrote my letter to my brother, feeling I wasn't going

0:14:29.400 --> 0:14:29.800
<v Speaker 7>to come back.

0:14:31.320 --> 0:14:34.480
<v Speaker 5>That was my suicide note. I was going to let

0:14:34.560 --> 0:14:38.640
<v Speaker 5>my brother know. March Yeah, March twenty fourth, ninety five,

0:14:38.680 --> 0:14:39.240
<v Speaker 5>I sent a letter.

0:14:39.280 --> 0:14:42.280
<v Speaker 7>I said I'd killed Julie in the truck, then tried

0:14:42.360 --> 0:14:45.600
<v Speaker 7>to explain that I had killed seven others here I

0:14:45.720 --> 0:14:47.720
<v Speaker 7>let the cat out of the bag, even though I

0:14:47.880 --> 0:14:50.960
<v Speaker 7>just instead of just being down for one murder and

0:14:51.160 --> 0:14:54.400
<v Speaker 7>a suicide, I was trying to explain to my brother

0:14:55.680 --> 0:14:57.640
<v Speaker 7>why I turned out this way. And I couldn't you

0:14:57.680 --> 0:14:59.360
<v Speaker 7>know in a short letter, how can I explain it?

0:15:00.920 --> 0:15:04.200
<v Speaker 7>I felt lost at that time. I was not feeling myself.

0:15:04.240 --> 0:15:06.520
<v Speaker 5>I was like, I have to end it. I can't

0:15:06.600 --> 0:15:10.680
<v Speaker 5>let the cops get me and let the others go

0:15:10.920 --> 0:15:12.400
<v Speaker 5>so your family wouldn't know that.

0:15:13.360 --> 0:15:16.720
<v Speaker 7>Well, when I was arrested, when I turned myself in,

0:15:16.840 --> 0:15:18.520
<v Speaker 7>I thought I could just call my brother up and say,

0:15:18.640 --> 0:15:19.280
<v Speaker 7>just ignore.

0:15:19.040 --> 0:15:22.320
<v Speaker 10>The letter, destroy the letter, and that way I'll just confess.

0:15:22.040 --> 0:15:23.960
<v Speaker 5>To the one murder. And I told him all the

0:15:24.000 --> 0:15:26.280
<v Speaker 5>phone there's nothing to the letter. It's all bullshit, right,

0:15:26.720 --> 0:15:27.560
<v Speaker 5>so just leave it at that.

0:15:27.760 --> 0:15:29.600
<v Speaker 10>And I figured I'd just confess to the one murder

0:15:29.640 --> 0:15:31.400
<v Speaker 10>and then I'd be punished for the one murder period

0:15:31.440 --> 0:15:33.400
<v Speaker 10>and I'd be the end of that and I'd get

0:15:33.440 --> 0:15:36.440
<v Speaker 10>out in fifteen twenty years after doing Manjuan or Man two?

0:15:36.640 --> 0:15:39.760
<v Speaker 2>Or were you clearing your conscience when you put the

0:15:39.880 --> 0:15:40.720
<v Speaker 2>other homicide?

0:15:41.000 --> 0:15:42.920
<v Speaker 5>I'd be good a good aspect to it.

0:15:45.080 --> 0:15:48.600
<v Speaker 4>Keith's letter to his brother led to his confession to

0:15:48.720 --> 0:15:49.520
<v Speaker 4>the other murders.

0:15:50.200 --> 0:15:53.200
<v Speaker 7>I come to the realization that I was going to

0:15:53.240 --> 0:15:57.000
<v Speaker 7>be convicted anyway. Like I wanted to kill myself though

0:15:57.000 --> 0:15:59.320
<v Speaker 7>the truth wouldn't come out. But now that I was

0:15:59.360 --> 0:16:02.800
<v Speaker 7>in custody, I knew the truth would come out. One

0:16:02.840 --> 0:16:04.960
<v Speaker 7>of the reasons why I turned myself in. I thought, well,

0:16:04.960 --> 0:16:07.200
<v Speaker 7>you know, I said I should face my problem. The

0:16:07.360 --> 0:16:09.400
<v Speaker 7>worst thing I did was I called a cop up

0:16:09.440 --> 0:16:11.720
<v Speaker 7>and I said I did it. I confessed to it.

0:16:11.840 --> 0:16:13.520
<v Speaker 7>I confessed to the one murder. I never said I

0:16:13.560 --> 0:16:16.560
<v Speaker 7>confessed to all of them only after my attorney came

0:16:16.600 --> 0:16:18.120
<v Speaker 7>over and he showed me the letter that my brother

0:16:18.240 --> 0:16:21.760
<v Speaker 7>didn't destroy. And then I was faced with having to

0:16:22.760 --> 0:16:26.920
<v Speaker 7>deal with all of them. That was the clincher.

0:16:28.640 --> 0:16:32.600
<v Speaker 4>Keith also waged a nearly year long letter war with Less,

0:16:33.120 --> 0:16:36.920
<v Speaker 4>his now sober and dying father, that ranged from back

0:16:36.960 --> 0:16:39.960
<v Speaker 4>and forth, blame to declarations of love.

0:16:44.080 --> 0:16:47.480
<v Speaker 1>From I the creation of a serial killer by Jack Olsen.

0:16:48.760 --> 0:16:52.880
<v Speaker 4>The letter from Less, the last letter you sent me

0:16:53.320 --> 0:16:57.200
<v Speaker 4>was full of bitterness and resentment. It left me with

0:16:57.320 --> 0:17:00.360
<v Speaker 4>a feeling that it was not my son that was

0:17:00.400 --> 0:17:04.480
<v Speaker 4>writing that letter. I have never reprimanded you for your

0:17:04.640 --> 0:17:08.560
<v Speaker 4>terrible crimes. I have forgiven you and have asked the

0:17:08.680 --> 0:17:13.119
<v Speaker 4>Lord to forgive you. Also, you have to admit you

0:17:13.280 --> 0:17:15.800
<v Speaker 4>put your family through one hell of a mess.

0:17:19.720 --> 0:17:22.280
<v Speaker 1>Letter from Keith. Dad.

0:17:23.400 --> 0:17:25.879
<v Speaker 9>I do two hours in the morning of classes, so

0:17:25.960 --> 0:17:28.280
<v Speaker 9>if I get out of prison, I won't do this again.

0:17:29.280 --> 0:17:32.200
<v Speaker 9>The class is called anger Management, deals with the way

0:17:32.240 --> 0:17:34.680
<v Speaker 9>I was raised and the punishment dished out to me

0:17:34.760 --> 0:17:38.280
<v Speaker 9>as a child. We talk openly about the belt and

0:17:38.320 --> 0:17:41.480
<v Speaker 9>the wooden spoon, and the fist and the backhand and

0:17:41.560 --> 0:17:45.840
<v Speaker 9>the verbal abuse. Under the program, we have the prison

0:17:45.960 --> 0:17:49.240
<v Speaker 9>pointing into your corner on why I'm here and why

0:17:49.320 --> 0:17:50.040
<v Speaker 9>I turned out.

0:17:49.960 --> 0:17:53.120
<v Speaker 1>To be a serial killer. But that's all right, Dad,

0:17:54.040 --> 0:17:54.680
<v Speaker 1>I still love you.

0:17:54.760 --> 0:18:12.600
<v Speaker 4>Anyway, Melissa wrote her father after his arrest, and he

0:18:12.760 --> 0:18:16.840
<v Speaker 4>wrote her back. He was hurtful and planted seeds in

0:18:16.880 --> 0:18:19.639
<v Speaker 4>her mind that would fester and make her wonder for

0:18:19.800 --> 0:18:23.760
<v Speaker 4>decades if she was like him, that his evil could

0:18:23.840 --> 0:18:29.400
<v Speaker 4>also be inside of her somewhere. Her husband Sam would

0:18:29.440 --> 0:18:32.720
<v Speaker 4>often read Keith's letters to act as a filter to

0:18:32.840 --> 0:18:35.359
<v Speaker 4>protect Melissa from their worst content.

0:18:36.840 --> 0:18:39.680
<v Speaker 11>I think periodically she would get a letter from him,

0:18:40.320 --> 0:18:42.359
<v Speaker 11>and instead of reading it, she would ask me to

0:18:42.400 --> 0:18:45.159
<v Speaker 11>read it because she didn't want to be impacted by

0:18:45.240 --> 0:18:48.840
<v Speaker 11>his words because he was so cruel. I would read

0:18:48.880 --> 0:18:51.040
<v Speaker 11>them and then I would kind of decipher what I

0:18:51.080 --> 0:18:53.960
<v Speaker 11>thought would be helpful and then filter out the things

0:18:54.000 --> 0:18:54.720
<v Speaker 11>that weren't needed.

0:18:55.160 --> 0:18:57.080
<v Speaker 1>So it's not like I read things verbatim.

0:18:56.760 --> 0:18:57.080
<v Speaker 5>Back to her.

0:18:57.119 --> 0:18:59.080
<v Speaker 11>I literally just kind of filter through and then go,

0:18:59.480 --> 0:19:01.879
<v Speaker 11>this is what he said, or this is what I

0:19:01.960 --> 0:19:06.000
<v Speaker 11>think might matter why. I don't think she really wanted

0:19:06.040 --> 0:19:08.359
<v Speaker 11>to hear from him, but she also maybe wanted to

0:19:08.400 --> 0:19:10.200
<v Speaker 11>still stay connected to him because.

0:19:10.000 --> 0:19:10.600
<v Speaker 5>It was her dad.

0:19:11.160 --> 0:19:14.080
<v Speaker 4>And what was your take on the personality behind those letters?

0:19:14.160 --> 0:19:14.840
<v Speaker 4>You said cruel?

0:19:15.640 --> 0:19:20.240
<v Speaker 11>Yeah, he was strange, weird, like inappropriate. He made some

0:19:20.359 --> 0:19:24.040
<v Speaker 11>of the most inappropriate comments to your daughter. He just

0:19:24.160 --> 0:19:27.280
<v Speaker 11>was always out of touch with what was appropriate.

0:19:27.520 --> 0:19:27.880
<v Speaker 5>For sure.

0:19:29.240 --> 0:19:34.080
<v Speaker 11>He was always kind of condescending too, and always trying

0:19:34.119 --> 0:19:37.119
<v Speaker 11>to tell Melissa that she was I don't think he

0:19:37.240 --> 0:19:39.960
<v Speaker 11>thinks she's that smart, or he feels like it's his

0:19:40.200 --> 0:19:43.480
<v Speaker 11>job to make her feel not smart. He was never

0:19:43.680 --> 0:19:46.520
<v Speaker 11>very kind, never loving by any means.

0:19:53.480 --> 0:19:57.760
<v Speaker 4>Over the years, Melissa received many letters from Keith, and

0:19:58.000 --> 0:20:00.000
<v Speaker 4>many of them remained unready.

0:20:01.400 --> 0:20:04.800
<v Speaker 2>They just collect. As you can see, they're old. And

0:20:04.920 --> 0:20:08.720
<v Speaker 2>now I'm wondering if these are more honest than actually

0:20:08.880 --> 0:20:11.840
<v Speaker 2>meeting him in person, that if these are the true

0:20:12.400 --> 0:20:16.320
<v Speaker 2>his true confessions, like a diary versus what he would

0:20:16.320 --> 0:20:19.320
<v Speaker 2>say to my face. I don't know why I collect them.

0:20:19.880 --> 0:20:22.560
<v Speaker 2>Sometimes I throw them away when they come in the mail,

0:20:22.640 --> 0:20:25.399
<v Speaker 2>and sometimes I just save them, maybe because I'm not

0:20:25.520 --> 0:20:28.680
<v Speaker 2>ready to read them when I receive them, but maybe

0:20:28.920 --> 0:20:32.240
<v Speaker 2>I think that I'll be ready to read them another time.

0:20:36.560 --> 0:20:39.680
<v Speaker 2>And so nine, dear Melissa, I'll let you in on

0:20:39.760 --> 0:20:41.920
<v Speaker 2>a secret you should be well aware of by now,

0:20:42.520 --> 0:20:46.639
<v Speaker 2>but haven't come to understand just yet. It matters little

0:20:46.840 --> 0:20:49.919
<v Speaker 2>what the real truth is. When telling stories in the press,

0:20:50.080 --> 0:20:53.560
<v Speaker 2>you see most people reading those press reports don't know

0:20:54.200 --> 0:20:57.520
<v Speaker 2>the true facts, and they're relying on the reporter to

0:20:57.640 --> 0:21:01.280
<v Speaker 2>get them the story. Therefore, they read it and believe

0:21:01.520 --> 0:21:04.280
<v Speaker 2>they are getting the truth, or as close to it

0:21:04.359 --> 0:21:08.640
<v Speaker 2>as they can get. It is of entertainment value. People

0:21:08.760 --> 0:21:11.880
<v Speaker 2>read it to pass the time. People write to throw

0:21:11.960 --> 0:21:15.320
<v Speaker 2>across to the public, recording it a message. What is

0:21:15.400 --> 0:21:15.920
<v Speaker 2>the message.

0:21:17.800 --> 0:21:18.440
<v Speaker 4>It's to sell.

0:21:19.359 --> 0:21:22.320
<v Speaker 2>It's to get enough to believe them and not the

0:21:22.400 --> 0:21:29.080
<v Speaker 2>other guy. Does it matter that Angelusa Breeze was alive

0:21:29.880 --> 0:21:34.920
<v Speaker 2>when I dragged her body down the freeway. Does it

0:21:35.040 --> 0:21:38.439
<v Speaker 2>matter that I plan to kill Laura and Pentland hours

0:21:38.480 --> 0:21:40.959
<v Speaker 2>before I drove her to Wilsonville just to see her.

0:21:42.160 --> 0:21:45.120
<v Speaker 2>Does it matter that when I drove into the rest

0:21:45.240 --> 0:21:47.800
<v Speaker 2>area at Turnlock that I was going to kill someone

0:21:48.520 --> 0:21:52.400
<v Speaker 2>the first one I saw. Does it matter that every

0:21:52.520 --> 0:21:55.760
<v Speaker 2>victim to come to me after Claudia was going to

0:21:55.920 --> 0:22:00.600
<v Speaker 2>die because I fulfill the plan once I decided to

0:22:00.720 --> 0:22:04.879
<v Speaker 2>kill them. My story is the story I wanted to

0:22:05.000 --> 0:22:10.120
<v Speaker 2>tell the truth, according to Keith, the story to sell

0:22:10.160 --> 0:22:13.880
<v Speaker 2>to the public. But apparently it won't sell because people

0:22:14.480 --> 0:22:18.520
<v Speaker 2>such as sick, perverted, bloodthirsty monsters like publishers and true

0:22:18.600 --> 0:22:21.800
<v Speaker 2>crime writers and victims and their people want to read

0:22:21.840 --> 0:22:25.840
<v Speaker 2>about it, the gore, the thought process to why I killed.

0:22:26.720 --> 0:22:29.240
<v Speaker 2>They want to tell a morbid tell to put me

0:22:29.280 --> 0:22:31.800
<v Speaker 2>in a certain light of darkness in order to sell

0:22:31.840 --> 0:22:35.440
<v Speaker 2>their books. But Dad, you're not telling the truth. I'll

0:22:35.520 --> 0:22:36.320
<v Speaker 2>tell you a story.

0:22:36.400 --> 0:22:37.120
<v Speaker 4>Must know it all.

0:22:37.800 --> 0:22:38.280
<v Speaker 5>Neither are you.

0:22:39.800 --> 0:22:41.720
<v Speaker 2>I know you think you can say anything you want

0:22:41.840 --> 0:22:44.560
<v Speaker 2>and it will be published because you are the victim here.

0:22:46.040 --> 0:22:51.040
<v Speaker 2>You are a killer, yourself called so because you killed

0:22:51.040 --> 0:22:55.000
<v Speaker 2>your baby. But you had a reason, right, It was

0:22:55.040 --> 0:22:58.560
<v Speaker 2>still murder, killing a baby that could have lived and

0:22:58.720 --> 0:23:01.720
<v Speaker 2>not had one thing to do with why she was born.

0:23:03.040 --> 0:23:05.400
<v Speaker 2>Are you caring what I did and holding it high

0:23:05.480 --> 0:23:05.879
<v Speaker 2>to tell.

0:23:05.760 --> 0:23:06.800
<v Speaker 4>The world, Hey, look at me.

0:23:06.960 --> 0:23:09.520
<v Speaker 2>I'm the daughter of the happy face killer. I'm a

0:23:09.680 --> 0:23:13.800
<v Speaker 2>victim here. But it seems now that you want the

0:23:13.880 --> 0:23:17.080
<v Speaker 2>world to know who you are, not Melissa Moore, but

0:23:17.200 --> 0:23:24.040
<v Speaker 2>the daughter of the happy face killer. I've created a

0:23:24.200 --> 0:23:28.080
<v Speaker 2>monster in you because you are telling him you are

0:23:28.119 --> 0:23:31.760
<v Speaker 2>a victim. He wrote what you say and believe it

0:23:31.920 --> 0:23:36.800
<v Speaker 2>even though it isn't true. You know this. I don't know.

0:23:38.720 --> 0:23:40.320
<v Speaker 4>He's insane and that.

0:23:41.160 --> 0:23:43.440
<v Speaker 2>This is why I don't read these fucky letters.

0:23:43.960 --> 0:23:45.400
<v Speaker 1>This is why I don't read them.

0:23:46.080 --> 0:23:48.080
<v Speaker 5>Don't you understand? This is why I don't read them.

0:23:51.240 --> 0:23:53.600
<v Speaker 4>Just what he says it doesn't make it true. Just

0:23:53.720 --> 0:23:56.840
<v Speaker 4>because he writes it doesn't make it true. It's not true.

0:23:57.920 --> 0:24:11.720
<v Speaker 4>You know I have him. The letters had undoubtedly opened

0:24:12.160 --> 0:24:21.119
<v Speaker 4>old wounds that had never fully healed. It also seems that,

0:24:22.200 --> 0:24:27.080
<v Speaker 4>having read the letters that he sends you, that this

0:24:27.320 --> 0:24:33.359
<v Speaker 4>is an incarcerated man who is still inflicting violence with words.

0:24:34.119 --> 0:24:39.240
<v Speaker 2>Absolutely, it's just emotional abuse. It's verbal abuse through the

0:24:39.280 --> 0:24:43.080
<v Speaker 2>written form. So words are his weapon of choice now

0:24:44.840 --> 0:24:48.359
<v Speaker 2>I would say words are his weapon instead of his

0:24:48.600 --> 0:24:50.600
<v Speaker 2>hands now, he writes.

0:24:51.920 --> 0:24:56.119
<v Speaker 4>Judging from Melissa's reaction, Keith appears to have known exactly

0:24:56.359 --> 0:25:00.359
<v Speaker 4>what he was doing. What has always been your greatest

0:25:00.400 --> 0:25:01.600
<v Speaker 4>fear with your father?

0:25:02.520 --> 0:25:05.040
<v Speaker 2>That I'm just like him? He said, I'm just like him.

0:25:06.119 --> 0:25:10.800
<v Speaker 2>He has told me for years growing up, and then

0:25:10.840 --> 0:25:14.359
<v Speaker 2>after his arrest, you're just like me, and.

0:25:16.119 --> 0:25:20.359
<v Speaker 4>I believed it. And what would that have meant in

0:25:20.560 --> 0:25:22.560
<v Speaker 4>terms of who you are?

0:25:23.560 --> 0:25:26.360
<v Speaker 2>It means I'm a horrible person. It means I'm a murderer,

0:25:26.440 --> 0:25:32.159
<v Speaker 2>I'm a monster. I am not human, I am I

0:25:32.200 --> 0:25:32.680
<v Speaker 2>am nothing.

0:25:34.320 --> 0:25:38.040
<v Speaker 4>And what's your greatest fear? About your mind.

0:25:39.400 --> 0:25:43.240
<v Speaker 2>Genetically, that I am wired to be like my dad,

0:25:44.160 --> 0:25:46.399
<v Speaker 2>that I'm genetically created.

0:25:46.119 --> 0:25:49.760
<v Speaker 3>A clone of my father. I look like my father,

0:25:50.040 --> 0:25:54.000
<v Speaker 3>I smile like my father. My eyes are my father,

0:25:54.359 --> 0:25:56.800
<v Speaker 3>my nose is my father. I look in the mirror

0:25:56.800 --> 0:26:01.400
<v Speaker 3>and I see my dad. I want to know, did

0:26:01.760 --> 0:26:05.320
<v Speaker 3>my insides match my dad too? Everything that I am

0:26:06.280 --> 0:26:06.960
<v Speaker 3>is it my dad.

0:26:08.640 --> 0:26:12.919
<v Speaker 2>I thought I was choosing to live against my nature

0:26:14.000 --> 0:26:17.080
<v Speaker 2>and that was delusional, and that people could see through that,

0:26:17.560 --> 0:26:22.600
<v Speaker 2>that my nature was a psychopath and my nature was

0:26:22.720 --> 0:26:26.760
<v Speaker 2>my father, and that I was going against the grain

0:26:26.840 --> 0:26:29.800
<v Speaker 2>of my DNA to be a good person.

0:26:30.560 --> 0:26:32.320
<v Speaker 4>And then you look in your children's faces, and what

0:26:32.400 --> 0:26:34.560
<v Speaker 4>do you say, my dad?

0:26:36.440 --> 0:26:39.520
<v Speaker 2>I see my dad's hair, my son. I see my

0:26:39.640 --> 0:26:43.440
<v Speaker 2>daughter's work, ethic, you know, and that's similar to my dad.

0:26:44.160 --> 0:26:46.560
<v Speaker 2>There's so much, you know that's ruda to my dad,

0:26:46.640 --> 0:26:49.000
<v Speaker 2>and I see him everywhere.

0:26:56.720 --> 0:27:01.080
<v Speaker 4>Though Melissa hadn't heard her father's voice person in nearly

0:27:01.160 --> 0:27:04.800
<v Speaker 4>two decades, she still felt as though he were right

0:27:04.920 --> 0:27:07.520
<v Speaker 4>there with her, speaking through his letters.

0:27:09.640 --> 0:27:16.879
<v Speaker 2>And he knew everything. He knows all my fears, and

0:27:17.040 --> 0:27:21.720
<v Speaker 2>he put all my insecurities on two pages of paper.

0:27:22.760 --> 0:27:27.159
<v Speaker 2>And I wasn't prepared to read his words, and it

0:27:27.280 --> 0:27:31.920
<v Speaker 2>felt a little prophetic in some ways when he said

0:27:32.000 --> 0:27:34.399
<v Speaker 2>you need a doctor, and tomorrow I'm going to go

0:27:34.520 --> 0:27:38.359
<v Speaker 2>see a doctor that only a doctor could really tell me, what.

0:27:39.880 --> 0:27:40.800
<v Speaker 5>Can tell me the truth?

0:27:47.800 --> 0:27:51.560
<v Speaker 4>In the next Happy Face, Melissa's Petscan brings her face

0:27:51.640 --> 0:27:55.920
<v Speaker 4>to face with a neuroscientist who understands psychopathy on a

0:27:56.080 --> 0:27:57.080
<v Speaker 4>very personal level.

0:27:57.920 --> 0:28:01.720
<v Speaker 12>There's a whole other part of psychopathy, which are these

0:28:01.800 --> 0:28:06.720
<v Speaker 12>positive or pro social, pro social traits. It makes sound

0:28:06.720 --> 0:28:08.440
<v Speaker 12>like you're really nice to be around everything. It just

0:28:08.520 --> 0:28:11.920
<v Speaker 12>means that you can navigate through society and everybody thinks

0:28:11.960 --> 0:28:15.360
<v Speaker 12>you're okay. So it makes you more dangerous than one says.

0:28:15.400 --> 0:28:17.960
<v Speaker 12>So you have these pro social traits. People with just

0:28:18.000 --> 0:28:19.920
<v Speaker 12>negative traits, everybody stays away from them.

0:28:25.119 --> 0:28:27.240
<v Speaker 1>Happy Faces of Production of How Stuff Works.

0:28:27.880 --> 0:28:32.440
<v Speaker 9>Executive producers are Melissa Moore, Lauren Brde Pacheco, Mangesha Ticketur,

0:28:32.600 --> 0:28:37.159
<v Speaker 9>and Will Pearson. Supervising producer is Noel Brown. Music by

0:28:37.200 --> 0:28:39.960
<v Speaker 9>Claire Campbell, Paige Campbell and Hope for a Golden Summer.

0:28:40.800 --> 0:28:44.520
<v Speaker 9>Story editor is Matt Riddle. Audio editing by Chandler Mays

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<v Speaker 9>and Noel Brown. Assistant editor is Taylor Chicoigne. Special thanks

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<v Speaker 9>to Phil Stanford, the publishers of the Oregonian newspaper, and

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<v Speaker 9>the Carlisle family.