1 00:00:00,520 --> 00:00:05,160 Speaker 1: This story contains adult content and language. Listener discretion is advised. 2 00:00:13,680 --> 00:00:15,400 Speaker 2: You know, I was once a little girl with braids 3 00:00:15,400 --> 00:00:18,000 Speaker 2: like I could hear that picture. It's so heartbreaking to 4 00:00:18,079 --> 00:00:21,160 Speaker 2: think that in such a time of innocence, something terrible 5 00:00:21,200 --> 00:00:21,919 Speaker 2: could happen to you. 6 00:00:22,000 --> 00:00:23,119 Speaker 1: I think that really stuck with me. 7 00:00:29,680 --> 00:00:33,559 Speaker 3: I'm Kate Winkler Dawson, a nonfiction author and journalism professor 8 00:00:33,600 --> 00:00:34,640 Speaker 3: in Austin, Texas. 9 00:00:34,880 --> 00:00:35,800 Speaker 1: I'm also the co. 10 00:00:35,760 --> 00:00:39,159 Speaker 3: Host of the podcast Buried Bones on Exactly Right, and 11 00:00:39,240 --> 00:00:43,000 Speaker 3: throughout my career, research for my many audio and book 12 00:00:43,040 --> 00:00:46,680 Speaker 3: projects has taken me around the world. On Wicked Words, 13 00:00:46,800 --> 00:00:49,200 Speaker 3: I sit down with the people I've met along the way, 14 00:00:49,640 --> 00:00:54,840 Speaker 3: amazing writers, journalists, filmmakers, and podcasters who have investigated and 15 00:00:54,920 --> 00:00:58,560 Speaker 3: reported on notorious true crime cases. This is about the 16 00:00:58,680 --> 00:01:02,280 Speaker 3: choices writers make, both good and bad, and it's a 17 00:01:02,320 --> 00:01:08,120 Speaker 3: deep dive into the unpublished details behind their stories. When 18 00:01:08,120 --> 00:01:11,280 Speaker 3: an eight year old disappeared from a homeless shelter in Washington, 19 00:01:11,360 --> 00:01:15,760 Speaker 3: d C. In twenty fourteen, nobody noticed for eighteen days, 20 00:01:16,360 --> 00:01:20,880 Speaker 3: even her family. Seven years later, Relitia Rudd has never 21 00:01:20,920 --> 00:01:24,920 Speaker 3: been found. The Through the Cracks podcast investigates gaps in 22 00:01:24,959 --> 00:01:28,440 Speaker 3: our society and the people who fall through them. Host 23 00:01:28,560 --> 00:01:31,840 Speaker 3: John Quilin Hill asks what could have been done to 24 00:01:31,920 --> 00:01:38,440 Speaker 3: find Relitia. Let's start with where you got the story. 25 00:01:38,560 --> 00:01:41,720 Speaker 3: Was this PRX approached you about it? Or where did 26 00:01:41,760 --> 00:01:45,760 Speaker 3: this come from? No, so it's actually really interesting. 27 00:01:46,080 --> 00:01:49,320 Speaker 2: I went to college here in DC and I stayed 28 00:01:49,360 --> 00:01:52,800 Speaker 2: after graduation. And I remember I was on my way 29 00:01:53,240 --> 00:01:56,480 Speaker 2: to work at the time. It was twenty fourteen. I 30 00:01:56,520 --> 00:01:58,400 Speaker 2: was on the Red Line. People who live in d 31 00:01:58,600 --> 00:02:01,559 Speaker 2: C and know the metro system, we'll understand what that means. 32 00:02:02,000 --> 00:02:05,000 Speaker 2: And I was getting off at Union Station for work, 33 00:02:05,040 --> 00:02:08,840 Speaker 2: which is one of the metro station's closest to the Capitol. 34 00:02:09,120 --> 00:02:12,000 Speaker 2: I was, you know, a little Hill producer, on my 35 00:02:12,080 --> 00:02:16,279 Speaker 2: way to get some sound or some tape with somebody's congressman. 36 00:02:17,240 --> 00:02:21,960 Speaker 2: And I saw Relicious photo in the window of the 37 00:02:21,960 --> 00:02:25,680 Speaker 2: Einstein Bagels there, and you know, I remember when she 38 00:02:26,280 --> 00:02:29,400 Speaker 2: went missing. That was also twenty fourteen, but it just 39 00:02:29,440 --> 00:02:32,040 Speaker 2: blew my mind that her missing photo was still there, 40 00:02:32,440 --> 00:02:34,560 Speaker 2: and I think her story stuck with me for a 41 00:02:34,600 --> 00:02:37,760 Speaker 2: while after that. And then, you know, also around that time, 42 00:02:37,800 --> 00:02:41,320 Speaker 2: we start to see more podcasts. I think of, you know, Cereal, 43 00:02:41,600 --> 00:02:44,480 Speaker 2: I think of a few years later in the dark, 44 00:02:44,520 --> 00:02:47,760 Speaker 2: and I couldn't help but think relicious story is also 45 00:02:47,840 --> 00:02:50,760 Speaker 2: a story that needs to be told. So I pitched 46 00:02:50,800 --> 00:02:55,280 Speaker 2: it to the station I was working at at the time, WAMU, 47 00:02:55,600 --> 00:03:00,520 Speaker 2: and worked really hard to get that funding and X 48 00:03:00,639 --> 00:03:02,639 Speaker 2: came through with a big chunk of it also helped 49 00:03:02,720 --> 00:03:05,680 Speaker 2: us develop and distribute it, and from there we hit 50 00:03:05,720 --> 00:03:08,080 Speaker 2: the ground running and started telling the story. 51 00:03:08,480 --> 00:03:10,799 Speaker 3: You might disagree with this, but this is one of 52 00:03:10,840 --> 00:03:15,320 Speaker 3: the first stories about a person of color who actually 53 00:03:15,480 --> 00:03:16,799 Speaker 3: the story gets amplified. 54 00:03:16,880 --> 00:03:17,919 Speaker 1: It sounds like quite a bit. 55 00:03:17,960 --> 00:03:20,760 Speaker 3: I mean, we talk a lot about how true crime 56 00:03:20,840 --> 00:03:24,480 Speaker 3: stories or missing people's stories in general, you know, involving 57 00:03:24,520 --> 00:03:27,080 Speaker 3: people of color who they just kind of get buried. 58 00:03:27,200 --> 00:03:29,639 Speaker 1: Is it because she's eight or was it because. 59 00:03:29,360 --> 00:03:34,080 Speaker 3: This eighteen day lag between when people last saw her 60 00:03:34,120 --> 00:03:35,680 Speaker 3: and when they found out she was missing. 61 00:03:36,040 --> 00:03:37,680 Speaker 1: I think it's a combination of things. 62 00:03:37,720 --> 00:03:41,920 Speaker 2: I think one thankfully, typically when kids go missing, especially 63 00:03:42,000 --> 00:03:44,680 Speaker 2: in the district, they're found. You know, if you're at 64 00:03:44,680 --> 00:03:47,640 Speaker 2: a bus stop, it's not out of the ordinary to see, 65 00:03:48,200 --> 00:03:52,440 Speaker 2: you know, a missing child poster. But often they're found. 66 00:03:52,520 --> 00:03:55,600 Speaker 2: It could be a custody you dispute among parents could 67 00:03:55,640 --> 00:03:58,480 Speaker 2: be a runaway. I think even in those situations, we 68 00:03:58,560 --> 00:04:00,680 Speaker 2: have to treat every situation with a kid like it's 69 00:04:00,680 --> 00:04:02,720 Speaker 2: an emergency, but they're eventually found. 70 00:04:03,040 --> 00:04:03,840 Speaker 1: Relicia was not. 71 00:04:04,280 --> 00:04:06,600 Speaker 2: She was only eight years old, and so she also 72 00:04:06,760 --> 00:04:09,120 Speaker 2: has this sort of, I guess, for lack of a 73 00:04:09,160 --> 00:04:12,520 Speaker 2: better term, the kind of perfect victim story. Because you 74 00:04:12,560 --> 00:04:16,560 Speaker 2: know she's young, there's still a sense of innocence there 75 00:04:16,760 --> 00:04:21,160 Speaker 2: that people don't necessarily perceive as girls and women get older. 76 00:04:21,960 --> 00:04:23,600 Speaker 2: I think it's the amount of time she was missing 77 00:04:23,680 --> 00:04:26,839 Speaker 2: before anyone realized. And I also think this was something 78 00:04:27,080 --> 00:04:30,880 Speaker 2: that an expert sort of laid out as we were 79 00:04:31,000 --> 00:04:34,480 Speaker 2: doing the reporting. The fact that she got so much 80 00:04:34,520 --> 00:04:36,880 Speaker 2: attention kind of highlights Oh how little. 81 00:04:36,640 --> 00:04:39,880 Speaker 1: Attention cases like these get. She's sort of this exception 82 00:04:40,839 --> 00:04:41,559 Speaker 1: to this rule. 83 00:04:41,600 --> 00:04:44,520 Speaker 2: But I remember she was everywhere, all in the news, 84 00:04:44,640 --> 00:04:48,400 Speaker 2: people looking for her. To this day, people get together 85 00:04:48,880 --> 00:04:51,320 Speaker 2: and do a search, put up posters, hoping that she's 86 00:04:51,320 --> 00:04:52,359 Speaker 2: still out there somewhere. 87 00:04:52,680 --> 00:04:54,839 Speaker 3: Well, and you know, you and I have talked about 88 00:04:54,839 --> 00:04:57,200 Speaker 3: where to start with this story. One thing I'll be 89 00:04:57,279 --> 00:05:00,000 Speaker 3: interested in is learning a little bit about homeless show 90 00:05:00,520 --> 00:05:01,000 Speaker 3: in DC. 91 00:05:01,720 --> 00:05:03,039 Speaker 1: This was only eleven years ago. 92 00:05:03,080 --> 00:05:06,800 Speaker 3: I don't know if they've changed dramatically, but that I'm 93 00:05:06,839 --> 00:05:09,159 Speaker 3: sure has to be another point. Not only do you 94 00:05:09,279 --> 00:05:13,120 Speaker 3: have an eight year old who is vulnerable to begin with, 95 00:05:13,240 --> 00:05:16,160 Speaker 3: no matter where you are socioeconomically, but now you've got 96 00:05:16,480 --> 00:05:18,159 Speaker 3: a kid who's in a homeless shelter. 97 00:05:18,279 --> 00:05:19,880 Speaker 1: Right, how long had she been there? 98 00:05:20,160 --> 00:05:23,000 Speaker 2: Oh, her family had sort of been in and out 99 00:05:23,360 --> 00:05:26,240 Speaker 2: of shelters, bouncing on couches for a while. 100 00:05:26,680 --> 00:05:28,599 Speaker 1: Her mother was evicted. 101 00:05:28,680 --> 00:05:32,640 Speaker 2: And DC admittedly has better tenant laws than a lot 102 00:05:32,640 --> 00:05:36,760 Speaker 2: of places. There are lots of protections, lots of opportunities, 103 00:05:37,480 --> 00:05:41,680 Speaker 2: but taking advantage of those protections takes time and the 104 00:05:41,760 --> 00:05:44,000 Speaker 2: knowledge to do it. And you know, if you're working, 105 00:05:44,040 --> 00:05:46,880 Speaker 2: if you're running around after three small children, you maybe 106 00:05:47,000 --> 00:05:50,800 Speaker 2: don't necessarily have the time and the resources to do that. 107 00:05:51,160 --> 00:05:54,760 Speaker 2: Shelters in DC have changed quite a bit since Relicia 108 00:05:54,760 --> 00:05:57,920 Speaker 2: and her family lived in a shelter. Now we have 109 00:05:58,839 --> 00:06:02,840 Speaker 2: shelters that are dedicated to families at the eight different 110 00:06:02,920 --> 00:06:07,120 Speaker 2: wards around d C, and so that's much different. You know, 111 00:06:07,160 --> 00:06:10,840 Speaker 2: they're made for families, but DC general was not a 112 00:06:10,880 --> 00:06:13,680 Speaker 2: place that was at any point meant to be a shelter, 113 00:06:14,000 --> 00:06:19,120 Speaker 2: especially for families. So DC General was an abandoned hospital. 114 00:06:19,600 --> 00:06:24,320 Speaker 2: It's by now RFK Stadium, where you know, eventually they've 115 00:06:24,400 --> 00:06:27,160 Speaker 2: they've torn it down, I believe, where eventually, you know, 116 00:06:27,240 --> 00:06:30,240 Speaker 2: there's probably going to be a new stadium for the commanders. 117 00:06:30,279 --> 00:06:34,200 Speaker 2: But at the time it was an abandoned hospital. So 118 00:06:34,320 --> 00:06:37,400 Speaker 2: they turned it into the shelter. Initially, it started as 119 00:06:37,440 --> 00:06:42,080 Speaker 2: a hypothermia shelter because when it gets below a certain temperature, 120 00:06:42,120 --> 00:06:44,560 Speaker 2: if people are experiencing homelessness, they need a place to go. 121 00:06:44,920 --> 00:06:47,200 Speaker 2: And then eventually it turned into a family shelter just 122 00:06:47,240 --> 00:06:49,120 Speaker 2: because there were so many families in need. 123 00:06:49,360 --> 00:06:51,800 Speaker 1: It very much looked like a hospital. 124 00:06:52,279 --> 00:06:56,960 Speaker 2: One of the organizers. I talked to the executive director 125 00:06:57,000 --> 00:07:00,440 Speaker 2: of the Homeless Children's Playtime Project, which is an organization 126 00:07:00,560 --> 00:07:05,920 Speaker 2: that creates space and playtime for children in homo shelters, 127 00:07:05,960 --> 00:07:08,560 Speaker 2: Jimila Larson. She was saying that they would go and 128 00:07:08,600 --> 00:07:12,160 Speaker 2: there would still be boxes of you know, medical record 129 00:07:12,200 --> 00:07:16,360 Speaker 2: documents and kids. You know, you got to go to 130 00:07:16,360 --> 00:07:18,360 Speaker 2: the bathroom in the middle of the night. They were 131 00:07:18,400 --> 00:07:21,040 Speaker 2: required to be with their parents at all times, and 132 00:07:21,120 --> 00:07:24,920 Speaker 2: it was sort of this dormitory style shower, not necessarily 133 00:07:24,920 --> 00:07:26,800 Speaker 2: a place where you know, what if you have a 134 00:07:26,840 --> 00:07:29,000 Speaker 2: little girl and she just started her period and you 135 00:07:29,040 --> 00:07:30,240 Speaker 2: got to get up in the middle of the night. 136 00:07:30,280 --> 00:07:32,720 Speaker 2: Now you got to bring the whole entire family to 137 00:07:32,760 --> 00:07:35,480 Speaker 2: the bathroom. There was even an incident that was very 138 00:07:35,480 --> 00:07:38,840 Speaker 2: scary for families and for the person who was injured, 139 00:07:38,880 --> 00:07:42,480 Speaker 2: where a man was shot and his friends saw the 140 00:07:42,600 --> 00:07:45,800 Speaker 2: DC General sign and assumed it was a hospital they 141 00:07:45,880 --> 00:07:46,520 Speaker 2: drove there. 142 00:07:46,600 --> 00:07:48,120 Speaker 1: It was not a working hospital. 143 00:07:48,160 --> 00:07:50,280 Speaker 2: The families were freaking out, the guy who was shot 144 00:07:50,360 --> 00:07:52,280 Speaker 2: was freaking out. It was just it was a really 145 00:07:52,320 --> 00:07:57,040 Speaker 2: bad situation. And in fact, before Relicia disappeared, there was 146 00:07:57,400 --> 00:08:01,080 Speaker 2: a fight overbuilding a playground there. You know, the families 147 00:08:01,120 --> 00:08:03,720 Speaker 2: they wanted a playground, and the city pushed back, I 148 00:08:03,760 --> 00:08:06,720 Speaker 2: think in part because it would have really signified a 149 00:08:06,800 --> 00:08:09,720 Speaker 2: sense of permanence and would have sort of let people know, oh, 150 00:08:09,720 --> 00:08:12,080 Speaker 2: their children here, And it was not a place for children. 151 00:08:12,680 --> 00:08:14,720 Speaker 2: So it was just it was a really it was 152 00:08:14,800 --> 00:08:17,080 Speaker 2: not a great place to grow up. And I think 153 00:08:17,120 --> 00:08:21,160 Speaker 2: that also put Relicia and her family in a vulnerable 154 00:08:21,240 --> 00:08:25,640 Speaker 2: position to end up befriending this man, who it turned 155 00:08:25,640 --> 00:08:26,720 Speaker 2: out was really dangerous. 156 00:08:27,320 --> 00:08:30,160 Speaker 1: Tell me about Relicia, and then I want to know 157 00:08:30,200 --> 00:08:31,080 Speaker 1: about her family. 158 00:08:31,240 --> 00:08:34,240 Speaker 3: We get to hear from her in your podcast. How 159 00:08:34,280 --> 00:08:37,120 Speaker 3: does that audio come about? I mean it's just for me, 160 00:08:37,200 --> 00:08:41,240 Speaker 3: heartbreaking knowing what was going to happen, but just as 161 00:08:41,280 --> 00:08:43,480 Speaker 3: sweet as can be when you hear it. 162 00:08:44,080 --> 00:08:46,800 Speaker 2: Yeah, I mean that video some of the last video 163 00:08:47,120 --> 00:08:51,240 Speaker 2: of her. It was recorded with the Homeless Children's Playtime Project. 164 00:08:51,320 --> 00:08:54,160 Speaker 2: You know, you do these fundraising videos. You get the 165 00:08:54,200 --> 00:08:56,240 Speaker 2: kids to say, yeah, we need a place to play. 166 00:08:56,280 --> 00:08:59,080 Speaker 2: We love to play. And it's funny because when you 167 00:08:59,120 --> 00:09:00,719 Speaker 2: look at that full video, you know, she's such a 168 00:09:00,760 --> 00:09:03,520 Speaker 2: little girl, like she's being goofy. She has her hands 169 00:09:03,559 --> 00:09:06,480 Speaker 2: in her face, she's like being silly and they're off 170 00:09:06,559 --> 00:09:08,520 Speaker 2: kind of like okay, can you do it again? I mean, 171 00:09:08,520 --> 00:09:10,640 Speaker 2: we all know what it's like to coax a kid 172 00:09:10,679 --> 00:09:13,760 Speaker 2: into a picture or a video when you're doing something. 173 00:09:14,360 --> 00:09:18,080 Speaker 2: And yeah, she's just this little girl acting like this 174 00:09:18,120 --> 00:09:20,960 Speaker 2: little girl. And that's some of the last video we 175 00:09:21,120 --> 00:09:24,120 Speaker 2: have of her. She loved arts and crafts. She was 176 00:09:24,720 --> 00:09:27,560 Speaker 2: the big sister. And I think you know those running 177 00:09:27,800 --> 00:09:31,600 Speaker 2: there's that running joke about how oldest sisters and families 178 00:09:31,600 --> 00:09:35,080 Speaker 2: should probably unionize because they just do so much, they 179 00:09:35,120 --> 00:09:38,120 Speaker 2: take on so much responsibility, and that was Relicia. You know, 180 00:09:38,240 --> 00:09:41,520 Speaker 2: her brothers did have a few behavioral problems, but Relicia 181 00:09:41,600 --> 00:09:44,719 Speaker 2: was quiet. She was well behaved, and because of that, 182 00:09:44,840 --> 00:09:47,800 Speaker 2: I think sometimes she got lost in the shuffle from 183 00:09:47,840 --> 00:09:51,520 Speaker 2: her brothers who kind of needed more attention from her family. 184 00:09:51,880 --> 00:09:54,120 Speaker 3: So tell me about her part of the family that's 185 00:09:54,160 --> 00:09:57,120 Speaker 3: actually in the shelter. It's her brothers and Relicia and 186 00:09:57,160 --> 00:09:59,079 Speaker 3: then her mom or is there anybody else. 187 00:09:59,040 --> 00:10:03,480 Speaker 2: Right, So in the shelter it was Relitia, her younger brothers, 188 00:10:03,600 --> 00:10:08,480 Speaker 2: her mother, and then sometimes her stepfather Antonio. Antonio wasn't 189 00:10:08,520 --> 00:10:11,920 Speaker 2: always around because he would get work, you know, working 190 00:10:11,960 --> 00:10:14,520 Speaker 2: construction sites, would often go to Pennsylvania so he could 191 00:10:14,559 --> 00:10:17,319 Speaker 2: earn money from the family and come back. But her 192 00:10:17,320 --> 00:10:19,720 Speaker 2: family that was in the shelter, it was her her 193 00:10:19,760 --> 00:10:22,839 Speaker 2: brothers and her mom. She did have family that was 194 00:10:22,880 --> 00:10:25,000 Speaker 2: outside the shelter. She had an aunt she would spend 195 00:10:25,040 --> 00:10:28,600 Speaker 2: time with. She had a grandmother she would spend time with. 196 00:10:29,080 --> 00:10:32,240 Speaker 2: It was it was a mix, but mainly her place 197 00:10:32,240 --> 00:10:33,760 Speaker 2: of residence was the shelter. 198 00:10:34,520 --> 00:10:38,960 Speaker 3: Now is her mother in Antonio. Are they considered underemployed 199 00:10:39,200 --> 00:10:41,520 Speaker 3: or unemployed? I mean, I know that you said he 200 00:10:41,559 --> 00:10:44,559 Speaker 3: would go out and stuff. I guess I'm asking how 201 00:10:44,559 --> 00:10:47,800 Speaker 3: did they end up at this shelter aside from being evicted? 202 00:10:47,880 --> 00:10:48,840 Speaker 1: What led to all of that? 203 00:10:49,320 --> 00:10:53,439 Speaker 2: Yeah, it's really the eviction because once it's on, it's 204 00:10:53,559 --> 00:10:56,560 Speaker 2: very difficult to find other places that will rent to you. 205 00:10:56,960 --> 00:10:59,600 Speaker 2: DC is a very expensive city, even more so now, 206 00:10:59,640 --> 00:11:02,240 Speaker 2: but very expensive at the time, and you know, their 207 00:11:02,360 --> 00:11:07,440 Speaker 2: native Washingtonians. In fact, her stepfather, Antonio, also has a 208 00:11:07,440 --> 00:11:11,040 Speaker 2: really tragic story. He was put into foster care as 209 00:11:11,080 --> 00:11:16,520 Speaker 2: a child because his stepfather murdered his little sister. Oh yeah, 210 00:11:16,600 --> 00:11:19,920 Speaker 2: the entire family basically got broken up and he was 211 00:11:20,200 --> 00:11:23,520 Speaker 2: put into foster care. And it was very heartbreaking interviewing 212 00:11:23,600 --> 00:11:26,800 Speaker 2: him because all he ever wanted because of that was 213 00:11:26,800 --> 00:11:29,040 Speaker 2: to have a family and a family that sticks together, 214 00:11:29,679 --> 00:11:31,280 Speaker 2: and then this tragedy hits. 215 00:11:31,080 --> 00:11:34,320 Speaker 1: It was just so cyclical and so heartbreaking. 216 00:11:37,720 --> 00:11:39,920 Speaker 3: Well, we'll talk about Antonio and how he plays into 217 00:11:39,960 --> 00:11:42,040 Speaker 3: this a little bit later, because I'm sure you know, 218 00:11:42,080 --> 00:11:45,120 Speaker 3: immediately people think, well, he must be you know, the 219 00:11:45,200 --> 00:11:48,320 Speaker 3: key suspect, the offender. But you know, let's keep going 220 00:11:48,400 --> 00:11:51,480 Speaker 3: with personalities in the family. So you have said that 221 00:11:51,520 --> 00:11:54,959 Speaker 3: Relicia was sort of the caretaker, the older sister, and 222 00:11:55,400 --> 00:11:58,600 Speaker 3: she had brothers who were a little contankerous, it sounds like. 223 00:11:59,040 --> 00:12:01,560 Speaker 3: And then her mom, I mean, are we considering this 224 00:12:01,720 --> 00:12:05,360 Speaker 3: a really solid nuclear family despite you know, things that 225 00:12:05,400 --> 00:12:08,319 Speaker 3: are happening economically in their lives and instability. 226 00:12:08,520 --> 00:12:12,439 Speaker 2: No, her mom had a lot on her plate as well, 227 00:12:12,960 --> 00:12:16,520 Speaker 2: so she grew up in shelters as well, like she 228 00:12:16,600 --> 00:12:20,040 Speaker 2: grew up in shelters in Virginia. Also, there's reporting in 229 00:12:20,080 --> 00:12:22,679 Speaker 2: the Washington Post like she does have a little bit 230 00:12:22,720 --> 00:12:28,120 Speaker 2: of a developmental delay. And she also had Relicia fairly young. 231 00:12:28,280 --> 00:12:30,720 Speaker 2: I believe she was nineteen when she had her, and 232 00:12:31,120 --> 00:12:35,360 Speaker 2: Relicio's father is considerably older than her mother, you know, 233 00:12:35,480 --> 00:12:39,200 Speaker 2: and for all the conversations about age gaps, is just yeah, 234 00:12:39,320 --> 00:12:43,000 Speaker 2: it's a sticky situation. She was dealing with a lot, 235 00:12:43,120 --> 00:12:45,680 Speaker 2: So she was dealing with her own stuff, plus having 236 00:12:46,200 --> 00:12:50,920 Speaker 2: sons with some behavioral issues and a daughter. There was 237 00:12:50,960 --> 00:12:52,120 Speaker 2: not a lot of stability there. 238 00:12:52,360 --> 00:12:56,360 Speaker 3: No so in DC shelters in this time period in 239 00:12:56,440 --> 00:12:59,080 Speaker 3: twenty fourteen, and again I'm not familiar with them. Now, 240 00:12:59,559 --> 00:13:04,200 Speaker 3: were they going to transition this family out of the 241 00:13:04,240 --> 00:13:07,920 Speaker 3: shelter into like is there are there work positions available, 242 00:13:07,960 --> 00:13:10,160 Speaker 3: Are they pushing forward? Is this a good place to 243 00:13:10,200 --> 00:13:15,440 Speaker 3: transition to a more stable life or was this just 244 00:13:15,480 --> 00:13:17,240 Speaker 3: a ticket day by day situation. 245 00:13:17,679 --> 00:13:20,680 Speaker 1: According to her mom and her stepfather, I. 246 00:13:20,679 --> 00:13:22,960 Speaker 2: Think at the time it was more taken day by day. 247 00:13:23,160 --> 00:13:28,000 Speaker 2: Now in DC, the way people approach homelessness is much different. 248 00:13:28,200 --> 00:13:31,280 Speaker 2: You know, you have rapid rehousing, you have programs that 249 00:13:31,360 --> 00:13:34,840 Speaker 2: get people into housing, that help with job training, that 250 00:13:34,880 --> 00:13:36,280 Speaker 2: help with a series of things. 251 00:13:36,840 --> 00:13:40,600 Speaker 1: But that was not the landscape at the time. 252 00:13:40,720 --> 00:13:44,920 Speaker 2: There really weren't as many resources being poured into it 253 00:13:45,720 --> 00:13:48,200 Speaker 2: as there are now. The approach the city has taken 254 00:13:48,240 --> 00:13:52,359 Speaker 2: and has changed in a major part to relicious disappearance. 255 00:13:52,480 --> 00:13:56,760 Speaker 3: Actually, isn't that so? That's awful? And this was halfway 256 00:13:56,840 --> 00:13:59,960 Speaker 3: through Obama's second term? Is that about right now? 257 00:14:00,000 --> 00:14:00,640 Speaker 1: Twenty fourteen? 258 00:14:00,800 --> 00:14:03,760 Speaker 3: Yeah, Okay, was there anything when when this really was 259 00:14:03,880 --> 00:14:06,559 Speaker 3: rolling and there was panic, you know, eighteen days later? 260 00:14:06,920 --> 00:14:09,160 Speaker 3: Was was he involved in any way or did he 261 00:14:09,160 --> 00:14:09,880 Speaker 3: help amplefly? 262 00:14:10,440 --> 00:14:13,280 Speaker 2: I don't think so. It really felt like such a 263 00:14:13,320 --> 00:14:17,200 Speaker 2: local story, okay, like you would occasionally see it on 264 00:14:17,240 --> 00:14:20,040 Speaker 2: the cable news. You would occasionally see things, but when 265 00:14:20,080 --> 00:14:24,160 Speaker 2: it was everywhere, it was everywhere locally there were vigils. 266 00:14:24,240 --> 00:14:27,320 Speaker 2: I mean, people went searching, but it was also it 267 00:14:27,360 --> 00:14:29,920 Speaker 2: was major to Washingtonians. 268 00:14:30,280 --> 00:14:32,240 Speaker 3: Yeah, and I think when you're in the middle of 269 00:14:32,280 --> 00:14:35,280 Speaker 3: that search, kind of like I think about Gabby Petito thing, 270 00:14:35,320 --> 00:14:37,360 Speaker 3: when it is like a clear and present danger. 271 00:14:37,800 --> 00:14:40,200 Speaker 1: Somebody is in danger, let's figure out where they are. 272 00:14:40,520 --> 00:14:43,120 Speaker 3: I'm not sure the themes pop up immediately, like the 273 00:14:43,240 --> 00:14:46,440 Speaker 3: people are not going to be talking about homeless shelter 274 00:14:46,520 --> 00:14:47,479 Speaker 3: safety immediately. 275 00:14:47,480 --> 00:14:49,120 Speaker 1: They're just gonna say, where's this kid? Right? 276 00:14:49,440 --> 00:14:52,200 Speaker 2: Yeah, exactly Like when I when I think about Through 277 00:14:52,240 --> 00:14:55,080 Speaker 2: the Cracks, I've kind of described it, it's almost a 278 00:14:55,160 --> 00:14:58,040 Speaker 2: trojan horse, like, yes, it's this true crime story, but 279 00:14:58,080 --> 00:15:00,560 Speaker 2: it's also a trojan horse to get at home listeners 280 00:15:00,560 --> 00:15:04,200 Speaker 2: policy in America. And it's kind of like, not until 281 00:15:04,200 --> 00:15:06,320 Speaker 2: you're in it for a little bit you realize, oh wait, 282 00:15:06,400 --> 00:15:09,280 Speaker 2: this is about affordable housing. This is about how we 283 00:15:09,280 --> 00:15:11,960 Speaker 2: think of kids, how we treat kids, childcare, and the 284 00:15:12,040 --> 00:15:15,440 Speaker 2: accessibility to that. I think what's interesting and part of 285 00:15:15,440 --> 00:15:17,560 Speaker 2: the reason we called it Through the Cracks is like, yes, 286 00:15:17,800 --> 00:15:23,360 Speaker 2: ideally your family is your first social safety net, but 287 00:15:24,040 --> 00:15:28,400 Speaker 2: there are safety nets in place when that safety net 288 00:15:28,440 --> 00:15:32,200 Speaker 2: falls through and there were just so many, so many 289 00:15:32,240 --> 00:15:33,960 Speaker 2: safety nets that she fell through. 290 00:15:34,400 --> 00:15:38,800 Speaker 3: Yeah, when people criticize true crime and put all of 291 00:15:38,880 --> 00:15:42,040 Speaker 3: us under this umbrella of you know, the stuff that 292 00:15:42,200 --> 00:15:45,960 Speaker 3: really is sensationalized and really you know, glorifies the killer 293 00:15:46,000 --> 00:15:49,160 Speaker 3: and ignores the victims, it makes me really angry because 294 00:15:49,240 --> 00:15:51,800 Speaker 3: you know, you cannot put us all under that umbrella. 295 00:15:51,880 --> 00:15:54,720 Speaker 3: True crime is powerful in some ways, in a lot 296 00:15:54,720 --> 00:15:57,720 Speaker 3: of ways because of this, because of a podcast like 297 00:15:57,760 --> 00:16:00,360 Speaker 3: Through the Cracks, and you know, anything else that I 298 00:16:00,400 --> 00:16:02,600 Speaker 3: think is of high quality, hopefully the things that I do, 299 00:16:03,000 --> 00:16:05,240 Speaker 3: which is, you know you are yes, you're talking about 300 00:16:05,240 --> 00:16:08,280 Speaker 3: a death. Yes there's drama, Yes there are characters there, 301 00:16:08,320 --> 00:16:12,000 Speaker 3: and you know you're looking for a resolution. It follows 302 00:16:12,040 --> 00:16:15,280 Speaker 3: that storyline that people say good stories are supposed to be. 303 00:16:15,360 --> 00:16:19,000 Speaker 3: But it always there's always a circumstance for why it 304 00:16:19,080 --> 00:16:21,040 Speaker 3: happened that you can talk about. It's whether you take 305 00:16:21,080 --> 00:16:23,720 Speaker 3: advantage of that and actually want to inform people about 306 00:16:23,720 --> 00:16:24,080 Speaker 3: it or not. 307 00:16:24,120 --> 00:16:26,640 Speaker 1: And you do, Yeah, thank you. I mean I think 308 00:16:26,680 --> 00:16:27,400 Speaker 1: that's the thing. 309 00:16:27,720 --> 00:16:32,800 Speaker 2: Like, I think the definition of true crime has shifted 310 00:16:32,960 --> 00:16:34,400 Speaker 2: quite a bit, and you. 311 00:16:34,320 --> 00:16:36,400 Speaker 1: Know, people call it guilty pleasure or whatever. 312 00:16:36,400 --> 00:16:38,400 Speaker 2: But I've always been sort of like into the true 313 00:16:38,480 --> 00:16:40,080 Speaker 2: crime of it all, Like I will always throw on 314 00:16:40,120 --> 00:16:42,720 Speaker 2: a documentary, I'll always see what's going on. But I 315 00:16:42,760 --> 00:16:45,240 Speaker 2: think the way we think of true crime has also changed, 316 00:16:45,280 --> 00:16:47,680 Speaker 2: both with like through the cracks, but I also think 317 00:16:47,840 --> 00:16:50,840 Speaker 2: in the dark, like we're not just talking about there 318 00:16:50,880 --> 00:16:54,320 Speaker 2: are all types of victims, like wrongful conviction that is 319 00:16:54,360 --> 00:16:57,280 Speaker 2: also a victim that is also getting into like these 320 00:16:57,320 --> 00:17:03,320 Speaker 2: big systemic things, you know, both people who are wrongly convicted, 321 00:17:03,520 --> 00:17:07,760 Speaker 2: people who are victims of crimes. Like it's all about 322 00:17:07,840 --> 00:17:11,280 Speaker 2: vulnerable populations and how they're treated or not treated. 323 00:17:11,320 --> 00:17:13,640 Speaker 1: I really think that's like the heart of it. 324 00:17:13,680 --> 00:17:15,639 Speaker 2: And I think some of the appeal of true crime 325 00:17:16,200 --> 00:17:19,360 Speaker 2: I don't know, Like, yes, I guess people lead into 326 00:17:19,359 --> 00:17:22,639 Speaker 2: like oh, it's so salacious, but I think there is 327 00:17:22,680 --> 00:17:25,480 Speaker 2: also this sense of like an attempt at control, like 328 00:17:25,520 --> 00:17:27,320 Speaker 2: maybe if I know what's out there, there's a way 329 00:17:27,359 --> 00:17:30,200 Speaker 2: for me to protect myself and there may not be frankly, 330 00:17:30,440 --> 00:17:34,760 Speaker 2: and that is honestly scary, but I do not fault 331 00:17:34,920 --> 00:17:35,960 Speaker 2: those of us who try. 332 00:17:36,200 --> 00:17:38,320 Speaker 3: And I think that there isn't a need and a 333 00:17:38,359 --> 00:17:40,639 Speaker 3: lot of us and maybe this is just me projecting 334 00:17:40,960 --> 00:17:43,760 Speaker 3: to want to see some good something happen at the 335 00:17:43,840 --> 00:17:46,520 Speaker 3: end of one of these stories, like Okay, this person 336 00:17:46,560 --> 00:17:50,119 Speaker 3: did this awful thing, or this young girl is gone. 337 00:17:50,280 --> 00:17:52,000 Speaker 1: Can we you know, it's God. 338 00:17:52,000 --> 00:17:54,959 Speaker 3: I hope something good happens, and when it doesn't, you know, 339 00:17:55,000 --> 00:17:57,320 Speaker 3: it's I think it can be difficult. That's why untulf 340 00:17:57,359 --> 00:18:00,199 Speaker 3: cases are upsetting for me. And we'll get to to 341 00:18:00,240 --> 00:18:00,680 Speaker 3: that more. 342 00:18:00,760 --> 00:18:01,200 Speaker 1: Yeah. 343 00:18:01,320 --> 00:18:05,280 Speaker 3: Yeah, shifting back to you as a journalist, had you 344 00:18:05,320 --> 00:18:08,199 Speaker 3: ever reported this much on homeless shelters or just the 345 00:18:08,200 --> 00:18:11,320 Speaker 3: homeless population before all of this started. 346 00:18:11,920 --> 00:18:16,399 Speaker 2: No, this was this was a totally new endeavor for me. 347 00:18:16,520 --> 00:18:20,000 Speaker 2: Prior to this. You know, I worked as an audio producer. 348 00:18:20,440 --> 00:18:24,520 Speaker 2: I joke that I'm a producer's rights advocate, like producers 349 00:18:24,600 --> 00:18:26,640 Speaker 2: they make these pop why or would we be without 350 00:18:26,680 --> 00:18:28,280 Speaker 2: you producers? Thank you producers. 351 00:18:28,600 --> 00:18:29,719 Speaker 1: But yeah, it was. 352 00:18:29,800 --> 00:18:34,160 Speaker 2: It was a really big leap as far as skills go. 353 00:18:34,400 --> 00:18:37,240 Speaker 2: Like I'd always loved interviewing people, I always loved talking, 354 00:18:37,600 --> 00:18:40,359 Speaker 2: but it was, Oh, we're going through documents, we're doing 355 00:18:40,400 --> 00:18:45,000 Speaker 2: Foyer requests, We're doing this brand new sort of journalism 356 00:18:45,800 --> 00:18:49,399 Speaker 2: that you have not done before. And so I really 357 00:18:49,440 --> 00:18:52,640 Speaker 2: appreciate the story for that as well. The fact that 358 00:18:52,920 --> 00:18:56,439 Speaker 2: it stretched me beyond my comfort zone. We also did 359 00:18:56,480 --> 00:19:01,240 Speaker 2: a lot of the reporting during COVID and oh my gosh, 360 00:19:01,320 --> 00:19:05,560 Speaker 2: like just hopping in a car, wrapping a microphone in 361 00:19:05,800 --> 00:19:08,920 Speaker 2: a saran wrap, going to a park to interview her 362 00:19:08,960 --> 00:19:09,760 Speaker 2: family members. 363 00:19:09,960 --> 00:19:12,520 Speaker 1: It was wild. It really was. Yeah. 364 00:19:12,960 --> 00:19:15,640 Speaker 3: I reported during COVID too, and it was pretty scary. 365 00:19:15,840 --> 00:19:17,720 Speaker 3: I mean I did some before and then you know, 366 00:19:17,760 --> 00:19:20,639 Speaker 3: for my first show, and it is it's weird. I 367 00:19:20,640 --> 00:19:23,639 Speaker 3: mean there's always sort of a especially with audio or video, 368 00:19:23,680 --> 00:19:26,480 Speaker 3: there's always that sort of barrier people have a first 369 00:19:26,560 --> 00:19:29,159 Speaker 3: unless they really want to be on camera or really 370 00:19:29,200 --> 00:19:31,879 Speaker 3: are confident with themselves. And then you add that layer 371 00:19:31,920 --> 00:19:34,359 Speaker 3: of masks or just sort of a you know, a 372 00:19:34,359 --> 00:19:36,760 Speaker 3: scariness element to it. I think it makes it hard. 373 00:19:36,760 --> 00:19:39,520 Speaker 3: You're right, when did you come into this story. I 374 00:19:39,600 --> 00:19:41,919 Speaker 3: know that it came out in twenty twenty one and 375 00:19:41,960 --> 00:19:45,040 Speaker 3: you were reporting earlier on it, but you had said 376 00:19:45,080 --> 00:19:47,040 Speaker 3: it was you know, how many years is it six 377 00:19:47,119 --> 00:19:48,000 Speaker 3: or seven years later? 378 00:19:48,200 --> 00:19:51,159 Speaker 2: Oh yeah, I first pitched this in twenty seventeen. It 379 00:19:51,280 --> 00:19:54,280 Speaker 2: was a long time coming. I'll be forever grateful that 380 00:19:54,359 --> 00:19:56,560 Speaker 2: I kind of like got the time in space to 381 00:19:57,040 --> 00:20:00,080 Speaker 2: do that reporting. The reporting really started in earnest I 382 00:20:00,080 --> 00:20:04,119 Speaker 2: want to say, like end of twenty nineteen. But yeah, 383 00:20:04,280 --> 00:20:07,000 Speaker 2: it was a story that was with me for a 384 00:20:07,040 --> 00:20:08,919 Speaker 2: long time, and I just something about it. 385 00:20:08,920 --> 00:20:10,520 Speaker 1: I couldn't let go. I don't know. 386 00:20:10,600 --> 00:20:14,360 Speaker 2: I just see that picture of Relicia and her braids. 387 00:20:14,640 --> 00:20:16,359 Speaker 2: You know, I was once a little girl with braids, 388 00:20:16,400 --> 00:20:18,359 Speaker 2: like I could hear that picture. I can smell the 389 00:20:18,359 --> 00:20:21,600 Speaker 2: cocoa butter in that picture, and it's just it's so 390 00:20:21,720 --> 00:20:25,120 Speaker 2: heartbreaking to think that in such a time of innocence, 391 00:20:25,160 --> 00:20:27,960 Speaker 2: where you're you know, you're jumping around, you're hanging out, 392 00:20:28,040 --> 00:20:29,919 Speaker 2: like something terrible could happen to you. 393 00:20:30,000 --> 00:20:31,119 Speaker 1: I think that really stuck with me. 394 00:20:34,440 --> 00:20:38,280 Speaker 2: Relicio's story is really interesting because when you go in 395 00:20:38,359 --> 00:20:42,040 Speaker 2: chronological order, it's hard to know quite what order to 396 00:20:42,080 --> 00:20:44,840 Speaker 2: go in. But I think the best place to start 397 00:20:45,240 --> 00:20:50,119 Speaker 2: is when the city realized she was missing. So Licia 398 00:20:50,359 --> 00:20:56,760 Speaker 2: was last seen on surveillance video March first. It wasn't 399 00:20:56,880 --> 00:21:00,000 Speaker 2: until March nineteenth that the city realized she was missing. 400 00:21:00,640 --> 00:21:05,639 Speaker 2: And so Relicia was living in this homeless shelter, you know, 401 00:21:06,160 --> 00:21:08,640 Speaker 2: family a little bit all over the place, things getting 402 00:21:08,680 --> 00:21:12,800 Speaker 2: lost in the shuffle. There was a man who was 403 00:21:13,119 --> 00:21:16,199 Speaker 2: a janitor at the homeless shelter, and you know, he 404 00:21:16,280 --> 00:21:17,399 Speaker 2: was really nice to the kids. 405 00:21:17,480 --> 00:21:19,240 Speaker 1: He would always give them presents. He would say, how 406 00:21:19,280 --> 00:21:19,879 Speaker 1: are you doing. 407 00:21:20,560 --> 00:21:24,800 Speaker 2: And he befriended Relicio's mother, Shamikha, and he said, you know, 408 00:21:25,280 --> 00:21:28,679 Speaker 2: I have a granddaughter, like Relisia, can come stay with me, 409 00:21:28,920 --> 00:21:31,960 Speaker 2: my wife, my granddaughter, like, We'll do trips, We'll do 410 00:21:32,040 --> 00:21:35,040 Speaker 2: that sort of things. And you know, if you are 411 00:21:35,080 --> 00:21:40,000 Speaker 2: in a very trustful situation, your kids are in a 412 00:21:40,119 --> 00:21:42,800 Speaker 2: chaotic environment, you may not think things through and you 413 00:21:42,840 --> 00:21:45,560 Speaker 2: may jump at the chance of stability, especially if you 414 00:21:45,600 --> 00:21:50,120 Speaker 2: have this one child who is very well behaved and 415 00:21:50,240 --> 00:21:53,960 Speaker 2: her little brothers require more attention. So this was an 416 00:21:54,000 --> 00:21:59,320 Speaker 2: ongoing friendship that they had. Relicia would refer to Khalil 417 00:21:59,640 --> 00:22:04,080 Speaker 2: as her godfather. They would spend tons of time together, 418 00:22:04,359 --> 00:22:08,280 Speaker 2: hang out with his granddaughter, amusement parks, you know, stuff 419 00:22:08,520 --> 00:22:11,760 Speaker 2: kids like. At the same time, Relicia was missing a 420 00:22:11,800 --> 00:22:14,480 Speaker 2: lot of school, and you know, she did have health issues, 421 00:22:14,560 --> 00:22:18,040 Speaker 2: so she would get excused quite a bit. But it 422 00:22:18,119 --> 00:22:20,959 Speaker 2: turned out that Khalil Tatum, who was the janitor at 423 00:22:20,960 --> 00:22:25,479 Speaker 2: the shelter that befriended her family, was writing some of 424 00:22:25,520 --> 00:22:29,440 Speaker 2: the notes, he was referring to himself as the doctor 425 00:22:29,560 --> 00:22:33,760 Speaker 2: who was excusing Relicia. And so Relicia was seen on 426 00:22:33,800 --> 00:22:37,800 Speaker 2: a surveillance video of February twenty sixth, you know, at 427 00:22:37,920 --> 00:22:41,880 Speaker 2: a holiday in express in Northeast DC. March first, she's 428 00:22:41,920 --> 00:22:46,200 Speaker 2: seen on surveillance at a days in in Northwest DC. 429 00:22:47,119 --> 00:22:51,639 Speaker 2: And then on March second, that's when Khalil Tatum was 430 00:22:51,680 --> 00:22:56,240 Speaker 2: seen purchasing forty two gallon trash bags a shovel in 431 00:22:56,320 --> 00:22:59,320 Speaker 2: lime and he was also seen around the Kennilworth Park 432 00:22:59,320 --> 00:23:02,280 Speaker 2: and aquatic guards. But at this time, you know, the 433 00:23:02,320 --> 00:23:05,480 Speaker 2: city still isn't aware that she's nowhere to be found. 434 00:23:06,160 --> 00:23:11,080 Speaker 2: So Milicia reached ten unexcused absences from her elementary school 435 00:23:11,320 --> 00:23:14,280 Speaker 2: pay an elementary school which was near the shelter and 436 00:23:14,320 --> 00:23:17,960 Speaker 2: where a lot of children experiencing homelessness went. The school 437 00:23:18,080 --> 00:23:22,240 Speaker 2: social worker was like, okay, we got to notify family 438 00:23:22,280 --> 00:23:25,440 Speaker 2: services figure out what's going on. The social worker really 439 00:23:25,480 --> 00:23:28,719 Speaker 2: is the reason that things start going off. You know, 440 00:23:29,200 --> 00:23:31,520 Speaker 2: he goes to the shelter and he's like, so, what's 441 00:23:31,520 --> 00:23:33,360 Speaker 2: the deal with Relicia. I haven't been hearing from her. 442 00:23:33,760 --> 00:23:36,040 Speaker 2: We keep hearing from doctor Tatum. Is there a doctor 443 00:23:36,040 --> 00:23:38,639 Speaker 2: Tatum here? And someone was like doctor Tatum. There's no 444 00:23:38,720 --> 00:23:41,720 Speaker 2: doctor Tatum, but there is a Tatum that's a janitor. 445 00:23:42,320 --> 00:23:46,600 Speaker 2: And that's when he realizes, oh no, something is wrong, 446 00:23:46,760 --> 00:23:49,040 Speaker 2: and that's when the police get involved, the city gets involved. 447 00:23:49,080 --> 00:23:52,920 Speaker 2: Her family is questioned, and that's also the time that 448 00:23:53,400 --> 00:23:57,280 Speaker 2: Khalil Tatum and his wife Andrea check into a hotel 449 00:23:57,640 --> 00:24:01,880 Speaker 2: in Maryland. The next day, that's when the city goes 450 00:24:01,880 --> 00:24:04,160 Speaker 2: public with it. You know, there's a huge search. People 451 00:24:04,200 --> 00:24:07,040 Speaker 2: are coming through the gardens. But it's also on the 452 00:24:07,080 --> 00:24:11,159 Speaker 2: twentieth that Khalil Tita's wife, Andrea is found dead in 453 00:24:11,480 --> 00:24:12,760 Speaker 2: a hotel room from. 454 00:24:12,600 --> 00:24:13,520 Speaker 1: A gunshot wound. 455 00:24:14,200 --> 00:24:17,040 Speaker 2: One thing that I think it's really important to point 456 00:24:17,080 --> 00:24:18,560 Speaker 2: out in the story is that there is more than 457 00:24:18,600 --> 00:24:23,240 Speaker 2: one victim. I spoke with Andrea's daughter, and I'm so 458 00:24:23,440 --> 00:24:26,399 Speaker 2: grateful for her time because it was really important to 459 00:24:26,440 --> 00:24:29,159 Speaker 2: me because not a lot was known about her, like 460 00:24:29,200 --> 00:24:32,879 Speaker 2: what's her story? Like she's missed and her daughter was 461 00:24:33,000 --> 00:24:36,679 Speaker 2: just it really left her broken and confused because she 462 00:24:36,800 --> 00:24:40,480 Speaker 2: said Khalil loved her mom like he would spoil her. 463 00:24:40,560 --> 00:24:43,080 Speaker 2: He was all about her and for him to go 464 00:24:43,119 --> 00:24:46,560 Speaker 2: around to go kill her. It's like, okay, well then 465 00:24:46,600 --> 00:24:48,600 Speaker 2: what does that say about love? If someone can love 466 00:24:48,600 --> 00:24:50,440 Speaker 2: you that much and still harm you? And I think 467 00:24:51,040 --> 00:24:53,520 Speaker 2: that's really stuck with her. I asked her, you know, 468 00:24:53,680 --> 00:24:56,160 Speaker 2: does that make like being in relationship with people really hard? 469 00:24:56,160 --> 00:24:58,720 Speaker 2: And she's like, yeah, I don't know who to trust 470 00:24:58,720 --> 00:25:01,960 Speaker 2: because at any point things could go left, things could 471 00:25:02,000 --> 00:25:05,040 Speaker 2: get dangerous. You may not even know the person that 472 00:25:05,080 --> 00:25:07,040 Speaker 2: you're with, and so I don't know. I just like 473 00:25:07,080 --> 00:25:11,520 Speaker 2: to also think of Andrea in that hm, because like 474 00:25:11,560 --> 00:25:13,479 Speaker 2: there's just so many victims in this. 475 00:25:14,119 --> 00:25:16,720 Speaker 3: So the last time her mom saw her, is it 476 00:25:16,800 --> 00:25:19,640 Speaker 3: February twenty sixth? Is that when it was somebody other 477 00:25:19,680 --> 00:25:21,200 Speaker 3: than Khalil and his wife? 478 00:25:21,440 --> 00:25:21,959 Speaker 1: When was that? 479 00:25:22,320 --> 00:25:25,640 Speaker 2: I don't know the exact date, but I know her 480 00:25:25,800 --> 00:25:29,679 Speaker 2: aunt was like, Okay, she is gonna hang out with 481 00:25:29,720 --> 00:25:30,480 Speaker 2: them till Easter. 482 00:25:30,640 --> 00:25:32,480 Speaker 1: They're gonna go buy her some Easter shoes. 483 00:25:32,920 --> 00:25:35,680 Speaker 2: Like that was sort of the last conversation they had 484 00:25:35,840 --> 00:25:38,480 Speaker 2: that you know, oh, Easter's coming up soon. 485 00:25:38,720 --> 00:25:41,480 Speaker 1: We got to get her address and shoes for Easter service. 486 00:25:42,280 --> 00:25:45,600 Speaker 3: How long had they been at the shelter before they 487 00:25:45,720 --> 00:25:51,040 Speaker 3: meet Khalil and Andrea and this sort of relationship starts. 488 00:25:51,200 --> 00:25:53,359 Speaker 2: I don't think very long, because it was known that 489 00:25:53,440 --> 00:25:56,159 Speaker 2: he would befriend families pretty quickly when they moved in. 490 00:25:56,200 --> 00:25:59,080 Speaker 2: I think he gave one girl a fish as a gift. 491 00:25:59,080 --> 00:26:02,680 Speaker 2: In her mind was like, I don't like this. You 492 00:26:02,760 --> 00:26:06,280 Speaker 2: are stranger given gifts like no. But it also was 493 00:26:06,359 --> 00:26:09,520 Speaker 2: not uncommon for kids who were staying at the shelter 494 00:26:10,080 --> 00:26:13,479 Speaker 2: to not necessarily be at the shelter. Like, you know, 495 00:26:13,520 --> 00:26:16,560 Speaker 2: if you have no family with a house, people would 496 00:26:16,640 --> 00:26:18,400 Speaker 2: be more likely to send their kid to go stay 497 00:26:18,440 --> 00:26:22,239 Speaker 2: with family. So even though Relitia wasn't necessarily checked in 498 00:26:23,040 --> 00:26:25,240 Speaker 2: at night at the shelter, it wasn't that out of 499 00:26:25,280 --> 00:26:27,720 Speaker 2: the ordinary because so many kids would stay with friends 500 00:26:27,720 --> 00:26:30,160 Speaker 2: and family rather than stay at the shelter. 501 00:26:30,240 --> 00:26:31,800 Speaker 1: So they would not at the shelter. 502 00:26:31,920 --> 00:26:33,760 Speaker 3: And I don't know if this is realistic now, but 503 00:26:34,000 --> 00:26:37,119 Speaker 3: they would not track people coming in and out at all, 504 00:26:37,320 --> 00:26:39,439 Speaker 3: like and want to know where you're going, mister Anthony, 505 00:26:39,480 --> 00:26:40,080 Speaker 3: where are you going? 506 00:26:40,280 --> 00:26:43,119 Speaker 2: Yeah, I mean they were supposed to. I think it 507 00:26:43,280 --> 00:26:45,920 Speaker 2: like really fell by the wayside at times. And also 508 00:26:46,160 --> 00:26:48,480 Speaker 2: like there's this feeling among families because I've even talked 509 00:26:48,520 --> 00:26:51,600 Speaker 2: with families who are in shelter now, and it's this 510 00:26:51,640 --> 00:26:54,199 Speaker 2: feeling of like, I'm an adult, I have a family. 511 00:26:54,200 --> 00:26:55,919 Speaker 2: Why do I need to check in and out if 512 00:26:55,960 --> 00:26:59,000 Speaker 2: I'm a grown person? Like it's this back and forth 513 00:26:59,040 --> 00:27:02,000 Speaker 2: between like Okay, is this necessary or is it paternalistic? 514 00:27:02,200 --> 00:27:04,560 Speaker 2: But they were supposed to be checking in but they weren't. Also, 515 00:27:04,760 --> 00:27:07,600 Speaker 2: you know, Khalil Tatum had a record. I think there's 516 00:27:07,600 --> 00:27:10,720 Speaker 2: a conversation to be had about people who have been 517 00:27:10,760 --> 00:27:13,199 Speaker 2: incarcerated being able to find work and find jobs. They 518 00:27:13,200 --> 00:27:15,680 Speaker 2: should absolutely be able to find work, but according to 519 00:27:15,760 --> 00:27:18,439 Speaker 2: DC policy at the time, because of his record, he 520 00:27:18,480 --> 00:27:20,119 Speaker 2: was not supposed to be working at that shelter, and 521 00:27:20,160 --> 00:27:20,679 Speaker 2: yet he was. 522 00:27:21,480 --> 00:27:26,160 Speaker 3: Well, Okay, how did Antonio feel about Khalil and Andrea? 523 00:27:26,280 --> 00:27:28,040 Speaker 3: I mean, did he have an opinion at all? I'm 524 00:27:28,040 --> 00:27:30,439 Speaker 3: sure he was just trying to get work and provide 525 00:27:30,440 --> 00:27:31,800 Speaker 3: for his family and get them out of there. 526 00:27:32,080 --> 00:27:35,199 Speaker 2: He says that in hindsight it was very weird, but 527 00:27:35,760 --> 00:27:39,480 Speaker 2: he had his sons with Shamikha, and Relicia was not 528 00:27:39,560 --> 00:27:42,199 Speaker 2: his biological daughter and her mother was very much like 529 00:27:42,560 --> 00:27:45,199 Speaker 2: Relicious mine. I make the decision when it comes to 530 00:27:45,240 --> 00:27:49,879 Speaker 2: my daughter, like stay out of this. So she vanishes. 531 00:27:50,000 --> 00:27:53,640 Speaker 2: She's seen on surveillance video at different hotels. 532 00:27:54,359 --> 00:27:57,359 Speaker 3: Does he call in sick? How would he have accounted 533 00:27:57,359 --> 00:28:00,679 Speaker 3: for his time being gone? For my understand, he was 534 00:28:00,760 --> 00:28:01,200 Speaker 3: just gone. 535 00:28:01,480 --> 00:28:03,680 Speaker 2: I don't think he was calling in and checking in 536 00:28:04,000 --> 00:28:06,399 Speaker 2: or anything like that with them. 537 00:28:06,480 --> 00:28:09,600 Speaker 3: Okay, had he had any other kind of instances I 538 00:28:09,640 --> 00:28:11,760 Speaker 3: know you said he had a record, but anything else 539 00:28:11,880 --> 00:28:13,800 Speaker 3: that were red flags at the shelter at the time, 540 00:28:13,840 --> 00:28:15,080 Speaker 3: and they just said, well, who was we going to 541 00:28:15,119 --> 00:28:18,360 Speaker 3: get to do this or was there was nothing happening 542 00:28:18,359 --> 00:28:19,080 Speaker 3: with him before this? 543 00:28:19,400 --> 00:28:22,040 Speaker 1: No, like people did not pick up red flags. 544 00:28:22,040 --> 00:28:27,680 Speaker 2: His step daughter, Andrea's daughter, did say the very very 545 00:28:27,680 --> 00:28:31,280 Speaker 2: weird thing that he brought up to her mother was 546 00:28:31,320 --> 00:28:33,280 Speaker 2: that he was like, oh, I want to get a gun, 547 00:28:34,119 --> 00:28:37,600 Speaker 2: and her mother was like, you're a convicted felon. 548 00:28:37,680 --> 00:28:38,920 Speaker 1: You can't own a gun. 549 00:28:39,000 --> 00:28:42,160 Speaker 2: Like also, this is DC Maryland, Like it's it's not 550 00:28:42,240 --> 00:28:44,680 Speaker 2: that easy, And it was just they thought it was 551 00:28:44,720 --> 00:28:46,960 Speaker 2: weird that he was just like I'm pushing like, yeah, 552 00:28:47,000 --> 00:28:48,600 Speaker 2: I want to I want to get a gun, where 553 00:28:48,600 --> 00:28:49,880 Speaker 2: it's like you can't. 554 00:28:50,680 --> 00:28:52,080 Speaker 1: You can't because of your record. 555 00:28:52,640 --> 00:28:56,280 Speaker 3: Okay, So would you think talking to experts that this 556 00:28:56,320 --> 00:28:58,880 Speaker 3: would be considered grooming today. I don't even know if 557 00:28:58,880 --> 00:29:01,520 Speaker 3: we have that term in twenty four Oh, I think 558 00:29:01,560 --> 00:29:03,000 Speaker 3: absolutely it does. 559 00:29:03,160 --> 00:29:07,720 Speaker 2: Like you prey on a family that does not have resources, 560 00:29:08,280 --> 00:29:11,560 Speaker 2: that is very distracted, would not be thinking, hey, what's 561 00:29:11,600 --> 00:29:14,920 Speaker 2: going on? Like people who have been through things themselves, 562 00:29:15,600 --> 00:29:18,040 Speaker 2: and then you apply them with gifts you do like 563 00:29:18,120 --> 00:29:20,040 Speaker 2: I don't know what he did with that grooming. I 564 00:29:20,080 --> 00:29:23,000 Speaker 2: cannot say, like, I do not know that from my reporting, 565 00:29:23,040 --> 00:29:26,400 Speaker 2: but I would feel safe saying that, like you're buying 566 00:29:26,400 --> 00:29:29,880 Speaker 2: little gifts, you're doing stuff. You also work here, there's 567 00:29:29,920 --> 00:29:32,920 Speaker 2: a no fraternization policy, or being kind of that in 568 00:29:32,960 --> 00:29:37,040 Speaker 2: and of itself is inappropriate, Like yeah, I think. 569 00:29:36,960 --> 00:29:40,720 Speaker 3: It's safe to say, Okay, so she's seen on surveillance, 570 00:29:40,760 --> 00:29:42,800 Speaker 3: but nobody knows where she is. I guess we get 571 00:29:42,800 --> 00:29:45,800 Speaker 3: into where the heck has this kid been? And part 572 00:29:45,840 --> 00:29:48,480 Speaker 3: of the podcast that you have, especially the trailer, is 573 00:29:48,520 --> 00:29:52,200 Speaker 3: it's like your granddaughter's missing. No, she's not, she's at 574 00:29:52,200 --> 00:29:54,920 Speaker 3: ex's house. And then you go to X, did you 575 00:29:54,960 --> 00:29:57,240 Speaker 3: know your niece is missing? No, No, she's not, she's 576 00:29:57,280 --> 00:29:59,600 Speaker 3: at this place. Is that kind of what happened? 577 00:29:59,720 --> 00:30:03,000 Speaker 2: That's exactly like the example I give y'all have seen 578 00:30:03,040 --> 00:30:08,200 Speaker 2: home alone, like you know what it's like chaos? Oh 579 00:30:08,280 --> 00:30:10,400 Speaker 2: so and so is over there. No, they're over here, 580 00:30:10,440 --> 00:30:13,440 Speaker 2: like wires get cross. That is a lot of what happened. 581 00:30:13,520 --> 00:30:16,120 Speaker 2: Like if Grandma thinks she's at Auntie's house, if Aunties 582 00:30:16,160 --> 00:30:20,040 Speaker 2: thinks she's at you know, Grandma's house, they're not necessarily 583 00:30:20,040 --> 00:30:22,640 Speaker 2: gonna question each other and be like, oh where is she? 584 00:30:23,640 --> 00:30:26,000 Speaker 2: Versus like, oh, she's with this man? 585 00:30:26,040 --> 00:30:26,520 Speaker 1: Where is she? 586 00:30:27,440 --> 00:30:30,440 Speaker 3: Why did Relicio's family not move in with any of 587 00:30:30,480 --> 00:30:33,480 Speaker 3: these people who she trusted enough to take Relicia for, 588 00:30:33,800 --> 00:30:35,960 Speaker 3: you know, overnight visits and stuff. Was it just none 589 00:30:36,000 --> 00:30:38,440 Speaker 3: of space at these houses the grandmother and the aunt 590 00:30:38,520 --> 00:30:39,120 Speaker 3: and these people. 591 00:30:39,280 --> 00:30:41,280 Speaker 2: Yeah, I think it comes down to space, especially when 592 00:30:41,320 --> 00:30:43,640 Speaker 2: there are children involved. There's a certain amount of bedrooms, 593 00:30:43,680 --> 00:30:46,160 Speaker 2: a certain amount of square footage, like what are the 594 00:30:46,200 --> 00:30:48,800 Speaker 2: gender of the kids by x amount of age? 595 00:30:48,800 --> 00:30:50,200 Speaker 1: They should not be sharing rooms. 596 00:30:50,240 --> 00:30:53,520 Speaker 2: It was just I think leaving Licia with Tatum felt 597 00:30:53,560 --> 00:30:57,880 Speaker 2: like the easier option for everybody involved, more convenient. 598 00:30:57,960 --> 00:31:01,040 Speaker 3: Okay, you said that she had so I just remember 599 00:31:01,080 --> 00:31:03,560 Speaker 3: you saying this. She had some health issues that doctor 600 00:31:03,600 --> 00:31:05,160 Speaker 3: Tatum was writing notes for. 601 00:31:05,320 --> 00:31:07,520 Speaker 1: What were the health issues. I'm not exactly sure. 602 00:31:07,520 --> 00:31:09,680 Speaker 2: I know her little brother had asthma, it might have 603 00:31:09,720 --> 00:31:13,719 Speaker 2: been something similar. And it's really interesting because children in 604 00:31:14,040 --> 00:31:17,200 Speaker 2: low income families, children who are like in apartments where 605 00:31:17,240 --> 00:31:19,400 Speaker 2: there are mole where there's mold stuff like that, they're 606 00:31:19,400 --> 00:31:22,840 Speaker 2: more likely to develop asthma. So I wouldn't be surprised 607 00:31:22,840 --> 00:31:24,640 Speaker 2: if that was part of it. Also, like her brother 608 00:31:24,760 --> 00:31:27,080 Speaker 2: was often sick too, so they were preoccupied with that 609 00:31:27,160 --> 00:31:28,120 Speaker 2: as well, because. 610 00:31:27,840 --> 00:31:31,080 Speaker 1: He had asthma. But I believe it was some respiratory 611 00:31:31,160 --> 00:31:31,960 Speaker 1: stuff but. 612 00:31:31,960 --> 00:31:34,480 Speaker 3: It wasn't not that you wouldn't need an inhaler or 613 00:31:34,520 --> 00:31:37,280 Speaker 3: anything for that, but it wasn't like she's diabetic and 614 00:31:37,320 --> 00:31:39,040 Speaker 3: she needs to have a shot or she's going to die. 615 00:31:39,160 --> 00:31:40,880 Speaker 1: No, Okay, that's what I was wondering. 616 00:31:40,960 --> 00:31:45,800 Speaker 3: Okay, so she vanishes and then there's this eighteen day period. 617 00:31:45,920 --> 00:31:49,120 Speaker 3: Tell me kind of what happens with the family. Who's 618 00:31:49,160 --> 00:31:51,680 Speaker 3: the first one I would assume it's her mom is 619 00:31:51,720 --> 00:31:54,520 Speaker 3: the first one who makes the call to family members saying, hey, 620 00:31:54,520 --> 00:31:57,160 Speaker 3: I haven't seen her Relicia, do you know where she is? 621 00:31:57,280 --> 00:31:57,480 Speaker 1: Or no? 622 00:31:57,800 --> 00:32:00,400 Speaker 2: Well, once the police get involved, that's sort of when 623 00:32:00,440 --> 00:32:02,880 Speaker 2: the phone calls to family happened where it's like, hey, 624 00:32:02,920 --> 00:32:04,960 Speaker 2: she's with you, right, and it's like, no, she's with 625 00:32:05,080 --> 00:32:07,200 Speaker 2: so and so. And that's when sort of the game 626 00:32:07,200 --> 00:32:10,600 Speaker 2: of telephone happens. Before those eighteen days, I think Shamikha 627 00:32:11,040 --> 00:32:13,480 Speaker 2: was thinking she's with Tatum, She's fine, wow. 628 00:32:13,400 --> 00:32:15,800 Speaker 1: For that long. She was okay with her taking her 629 00:32:15,840 --> 00:32:17,080 Speaker 1: for that long? Wow? 630 00:32:17,440 --> 00:32:20,200 Speaker 3: Yeah, And has had that happen before? I mean, had 631 00:32:20,200 --> 00:32:22,200 Speaker 3: they gone away for a week or something. 632 00:32:22,400 --> 00:32:25,680 Speaker 2: I mean they've gone out of town before, like they'd 633 00:32:25,720 --> 00:32:27,479 Speaker 2: been like, oh, we're going to go to the amusement 634 00:32:27,520 --> 00:32:30,400 Speaker 2: park and he had a granddaughter and they would like 635 00:32:30,480 --> 00:32:33,120 Speaker 2: play together, like it was like oh yeah, like bring 636 00:32:33,120 --> 00:32:34,720 Speaker 2: your swimsuit, we're gonna go to the pool. 637 00:32:34,880 --> 00:32:37,160 Speaker 1: Like it was they were like, yeah, that's his goddaughter. 638 00:32:37,560 --> 00:32:41,200 Speaker 3: And then the social worker shows up and says, truancy 639 00:32:41,280 --> 00:32:45,400 Speaker 3: for ten days? What's going on with Relitia? And that's 640 00:32:45,440 --> 00:32:47,360 Speaker 3: when is that And that's when you said it all 641 00:32:47,440 --> 00:32:49,440 Speaker 3: unraveled right where it was like, oh, I think he's 642 00:32:49,440 --> 00:32:52,480 Speaker 3: with this guy with Khalil and his wife and the 643 00:32:52,640 --> 00:32:55,400 Speaker 3: social worker gets alarmed and that's where DC police get involved. 644 00:32:55,520 --> 00:32:58,520 Speaker 2: Yeah, I mean because he said, hey, where's doctor Tatum 645 00:32:58,560 --> 00:33:00,320 Speaker 2: and the fact that they were like, they're there's no 646 00:33:00,400 --> 00:33:02,920 Speaker 2: doctor Tatum, there's a janitor Tatum. That was when it 647 00:33:03,000 --> 00:33:06,040 Speaker 2: was like, something is not right, something is wrong. 648 00:33:06,440 --> 00:33:09,600 Speaker 3: What is Shamika's reaction? She's like no, no, no, and 649 00:33:09,600 --> 00:33:11,000 Speaker 3: then she starts making the phone calls. 650 00:33:11,040 --> 00:33:13,280 Speaker 1: Is that right? Yeah? I think initially she was like 651 00:33:13,480 --> 00:33:15,320 Speaker 1: she's with Tatum, She's fine, Like what do you mean? 652 00:33:15,360 --> 00:33:17,520 Speaker 2: And I think after a while that's when it starts 653 00:33:17,520 --> 00:33:21,160 Speaker 2: to hit her like, hey, this is much bigger than 654 00:33:21,160 --> 00:33:21,840 Speaker 2: we realized. 655 00:33:22,040 --> 00:33:24,440 Speaker 3: And I'm assuming he's not picking up. Khalil is not 656 00:33:24,440 --> 00:33:24,920 Speaker 3: picking up. 657 00:33:25,880 --> 00:33:28,840 Speaker 2: And I will say on April first, Khalil Tatum was 658 00:33:28,880 --> 00:33:32,600 Speaker 2: found dead from a self inflicted gunshot wound in a 659 00:33:32,840 --> 00:33:36,120 Speaker 2: shed near Kenilworth Park and it was from the same 660 00:33:36,160 --> 00:33:37,520 Speaker 2: gun that shot his wife. 661 00:33:38,000 --> 00:33:41,600 Speaker 3: Aside from Khalil and his wife, how many other possibilities 662 00:33:41,680 --> 00:33:44,360 Speaker 3: do you think were there for Relicia to go and 663 00:33:44,360 --> 00:33:46,720 Speaker 3: stay with different people? Are we talking about just a 664 00:33:46,760 --> 00:33:49,719 Speaker 3: couple her aunt and her her grandmother or is it 665 00:33:50,080 --> 00:33:50,920 Speaker 3: a bigger one. 666 00:33:51,120 --> 00:33:53,280 Speaker 2: She had cousins, aunts and uncles, but as far as 667 00:33:53,280 --> 00:33:56,560 Speaker 2: closeness goes, her grandmother and her aunt were the main ones, 668 00:33:58,160 --> 00:34:02,800 Speaker 2: especially since you know Antonio's family, like wasn't her biological family, 669 00:34:02,800 --> 00:34:05,240 Speaker 2: and her mom was very like, this is my daughter, 670 00:34:05,480 --> 00:34:09,040 Speaker 2: so like, yes, there was community, but like not that 671 00:34:09,280 --> 00:34:14,920 Speaker 2: much available. I'm not certain what relicious father was up 672 00:34:14,960 --> 00:34:17,640 Speaker 2: to at the time, but not. 673 00:34:17,680 --> 00:34:21,200 Speaker 1: A whole whole lot of options. Okay, her biological father, 674 00:34:21,360 --> 00:34:24,160 Speaker 1: her biological father, was he in the picture. I mean 675 00:34:24,400 --> 00:34:24,960 Speaker 1: I think he. 676 00:34:24,920 --> 00:34:28,160 Speaker 2: Would be like say hello, but they weren't together, so 677 00:34:28,440 --> 00:34:32,239 Speaker 2: I think sometimes you know, when relationships fall apart, relationships 678 00:34:32,239 --> 00:34:34,319 Speaker 2: with kids can fall apart two a lot of the time. 679 00:34:35,239 --> 00:34:38,200 Speaker 3: So the police do what they find out that the 680 00:34:38,239 --> 00:34:42,480 Speaker 3: only option is that Relicia is with Khalil and his wife, 681 00:34:42,800 --> 00:34:44,480 Speaker 3: and they try to get a hold of him. And 682 00:34:44,840 --> 00:34:47,600 Speaker 3: you know, this is about what March you said about. 683 00:34:47,640 --> 00:34:50,520 Speaker 3: March eighteenth is when they start sounding the arms. March nineteenth. 684 00:34:50,800 --> 00:34:54,000 Speaker 2: Yes, on March nineteenth, that's when they realize, Okay, something 685 00:34:54,080 --> 00:34:57,520 Speaker 2: isn't right. And it's on the twentieth that the police 686 00:34:57,600 --> 00:35:00,400 Speaker 2: go public. I spoke with a reporter who was covering 687 00:35:00,480 --> 00:35:03,520 Speaker 2: it at the time, and you know, whenever there's a 688 00:35:03,560 --> 00:35:07,240 Speaker 2: major police presence, if you're a reporter, they're text messages. 689 00:35:07,280 --> 00:35:09,799 Speaker 2: They are like, hey, what's going on here? What's going on? 690 00:35:10,760 --> 00:35:15,560 Speaker 2: Jackie Benson? And she said when she heard that DC police, 691 00:35:16,239 --> 00:35:19,160 Speaker 2: we're at a red roof inn in PG County. That's 692 00:35:19,200 --> 00:35:22,080 Speaker 2: when her antenna went up and was like, wait, why 693 00:35:22,080 --> 00:35:23,879 Speaker 2: are they over there? 694 00:35:23,960 --> 00:35:25,160 Speaker 1: That's not their jurisdiction. 695 00:35:25,719 --> 00:35:29,839 Speaker 3: So we're starting at March twentieth, and they've seen her 696 00:35:29,960 --> 00:35:33,960 Speaker 3: at how many different on video? How many different places 697 00:35:34,000 --> 00:35:36,480 Speaker 3: have they seen her? A couple different hotels. 698 00:35:36,280 --> 00:35:39,680 Speaker 2: Two two different hotels, a holiday inn, and a Day's 699 00:35:39,719 --> 00:35:41,400 Speaker 2: in that's right across the street from it. 700 00:35:41,760 --> 00:35:44,799 Speaker 3: Okay, and are they all together? Is it the three 701 00:35:44,840 --> 00:35:48,720 Speaker 3: of them together? So she's only seen with Tatum on camera? 702 00:35:49,200 --> 00:35:52,399 Speaker 2: Okay, we don't see his wife on camera, at least 703 00:35:52,400 --> 00:35:54,120 Speaker 2: not in the publicly available video. 704 00:35:54,520 --> 00:35:56,000 Speaker 1: Did her family Undrea? 705 00:35:56,000 --> 00:35:58,399 Speaker 3: His family say, well, they've got to be together because 706 00:35:58,400 --> 00:35:59,640 Speaker 3: we can't get a hold of her either. 707 00:36:00,320 --> 00:36:00,759 Speaker 1: I think so. 708 00:36:01,120 --> 00:36:04,799 Speaker 2: And like she said, Andrea's daughter was saying that. Initially 709 00:36:05,320 --> 00:36:07,160 Speaker 2: her mom was like, oh, we're staying in a hotel. 710 00:36:07,600 --> 00:36:09,759 Speaker 2: The heat is broken. Her mother's an emic and you 711 00:36:09,760 --> 00:36:11,959 Speaker 2: know she would get cold, so it was like, okay, 712 00:36:11,960 --> 00:36:13,759 Speaker 2: we're going to stay in a hotel. It's a little 713 00:36:13,800 --> 00:36:16,399 Speaker 2: chili still, the heat is broken. So they were at 714 00:36:16,440 --> 00:36:19,080 Speaker 2: the hotel. She said it was weird. She could not 715 00:36:19,160 --> 00:36:20,680 Speaker 2: get a hold of her mom and she's like, that's weird. 716 00:36:20,719 --> 00:36:22,120 Speaker 2: I talked to my mom all the time. 717 00:36:22,560 --> 00:36:26,640 Speaker 3: Were they able to trace with GPS? Is that what 718 00:36:26,680 --> 00:36:29,240 Speaker 3: they were doing? How were they figuring out what hotel? 719 00:36:29,560 --> 00:36:32,640 Speaker 3: The last hotel they were at was that. I'm not sure. 720 00:36:32,680 --> 00:36:34,279 Speaker 3: I'm not sure how they tracked them down. 721 00:36:34,320 --> 00:36:37,479 Speaker 2: It could have been a tip, surveillance, GPS, all types 722 00:36:37,520 --> 00:36:39,279 Speaker 2: of ways, but they did find them there at that 723 00:36:39,320 --> 00:36:40,960 Speaker 2: red roof in What. 724 00:36:40,880 --> 00:36:44,719 Speaker 3: Was Shamika doing at the time in Antonio now? I 725 00:36:44,719 --> 00:36:48,360 Speaker 3: mean were they were they looking or was she falling apart? 726 00:36:48,480 --> 00:36:51,200 Speaker 1: Or what ends up? What's the way that they process 727 00:36:51,320 --> 00:36:52,080 Speaker 1: what happened. 728 00:36:52,680 --> 00:36:57,279 Speaker 2: It's so interesting because the disappearance has also led to 729 00:36:57,840 --> 00:37:00,839 Speaker 2: different fallouts of the family at different times. There were 730 00:37:00,880 --> 00:37:03,960 Speaker 2: times where Shamika and her mother are speaking when they're not, 731 00:37:04,200 --> 00:37:06,680 Speaker 2: when Antonio and Shimika are speaking when they're not, when 732 00:37:06,680 --> 00:37:09,520 Speaker 2: Antonio is speaking with a grandmother when they're not, Just 733 00:37:09,640 --> 00:37:12,319 Speaker 2: a lot of different fallout. The thing that I think 734 00:37:12,360 --> 00:37:17,640 Speaker 2: that's interesting about Shamika, I think people have been very 735 00:37:17,960 --> 00:37:20,480 Speaker 2: judgmental when it comes to her, and I get where 736 00:37:20,520 --> 00:37:22,799 Speaker 2: that comes from, because I know when I played my 737 00:37:22,840 --> 00:37:25,799 Speaker 2: mom the Pilot, her first thing was like, as a mother, 738 00:37:25,840 --> 00:37:27,279 Speaker 2: how could you not know where your kid is? 739 00:37:27,360 --> 00:37:27,480 Speaker 3: Like? 740 00:37:27,840 --> 00:37:29,440 Speaker 1: How could you not do X Y Z? 741 00:37:30,080 --> 00:37:32,880 Speaker 2: But the more I learned about Shamika, the more I 742 00:37:32,960 --> 00:37:37,799 Speaker 2: learned about her upbringing, the more I realized, Oh, there's 743 00:37:37,840 --> 00:37:42,600 Speaker 2: a cycle that's kind of repeating here eventually, because at 744 00:37:42,600 --> 00:37:45,160 Speaker 2: first she was like, Khalil didn't do it, and she 745 00:37:45,160 --> 00:37:48,240 Speaker 2: she has said that, and then you know, she comes 746 00:37:48,239 --> 00:37:51,879 Speaker 2: around and goes back, comes around, goes back. I think 747 00:37:51,920 --> 00:37:55,320 Speaker 2: Antonio has had like the strongest and most typical reaction 748 00:37:55,320 --> 00:37:57,479 Speaker 2: where it's a lot of grief, because I think he's 749 00:37:57,680 --> 00:38:00,920 Speaker 2: grieving both Relicia and the fan that he wanted and 750 00:38:01,040 --> 00:38:04,839 Speaker 2: kind of wanting the chance to break kind of the 751 00:38:04,840 --> 00:38:08,000 Speaker 2: cycle he was living in. You know, his his family, 752 00:38:08,040 --> 00:38:11,600 Speaker 2: his kids were taken away. Oh wow, after all of this, 753 00:38:11,719 --> 00:38:15,399 Speaker 2: and he was taken away from his family when something 754 00:38:15,480 --> 00:38:16,240 Speaker 2: similar happened. 755 00:38:16,360 --> 00:38:20,200 Speaker 1: Why why did that happen? They just determined you're unfit. 756 00:38:20,360 --> 00:38:23,319 Speaker 2: You'll let this little girl go for eighteen days, got 757 00:38:23,320 --> 00:38:25,560 Speaker 2: to take the boys. And I think that's been really 758 00:38:25,920 --> 00:38:26,799 Speaker 2: really hard for him. 759 00:38:27,200 --> 00:38:28,240 Speaker 1: Oh that's awful. 760 00:38:28,480 --> 00:38:30,719 Speaker 3: Okay, and I do think about that too, you know, 761 00:38:30,719 --> 00:38:33,960 Speaker 3: when people get online hate and even though their story 762 00:38:34,040 --> 00:38:37,040 Speaker 3: is explained, and you know, your people are figuring out 763 00:38:37,040 --> 00:38:41,440 Speaker 3: how much empathy you deserve. Yeah, and particularly women, you know, 764 00:38:41,480 --> 00:38:42,799 Speaker 3: women get the brunt of it too. 765 00:38:42,960 --> 00:38:45,160 Speaker 2: I mean, oh yeah, And I mean I get the 766 00:38:45,239 --> 00:38:47,280 Speaker 2: knee jerk reaction to be like, how could this happen? 767 00:38:47,360 --> 00:38:48,000 Speaker 1: What do you mean? 768 00:38:48,360 --> 00:38:51,359 Speaker 2: But I think taking a peek behind the curtain and 769 00:38:51,440 --> 00:38:55,080 Speaker 2: knowing the resources people have and. 770 00:38:55,160 --> 00:38:58,759 Speaker 1: Don't have, it was very illuminating for me. You know. 771 00:38:58,840 --> 00:39:00,520 Speaker 3: I hope that this is a world a lot of 772 00:39:00,560 --> 00:39:04,000 Speaker 3: our listeners, yours and mine, don't have to ever enter, 773 00:39:04,320 --> 00:39:05,600 Speaker 3: but oh god, I hope not. 774 00:39:05,800 --> 00:39:06,040 Speaker 1: I think. 775 00:39:06,360 --> 00:39:09,160 Speaker 3: I think when you learn more about it, it doesn't 776 00:39:09,160 --> 00:39:13,080 Speaker 3: have to be sympathy or even empathy or anything like that, 777 00:39:13,160 --> 00:39:15,319 Speaker 3: but just sort of it's not black and white. 778 00:39:15,520 --> 00:39:16,960 Speaker 1: I mean, you know that the reason. 779 00:39:17,000 --> 00:39:18,840 Speaker 3: I'm sure she did not want this to happen to 780 00:39:18,880 --> 00:39:21,600 Speaker 3: her child, But you know, at the same time, it 781 00:39:21,600 --> 00:39:23,920 Speaker 3: does show so many failings on so many different levels. 782 00:39:23,920 --> 00:39:26,920 Speaker 2: So yeah. There's a really great write up about Shamika 783 00:39:26,960 --> 00:39:29,920 Speaker 2: and her childhood in the Washington Post that came out 784 00:39:29,960 --> 00:39:32,640 Speaker 2: around the time, and reading it and also talking with 785 00:39:32,680 --> 00:39:34,840 Speaker 2: her family. There are times where I'm like, oh my god, 786 00:39:34,920 --> 00:39:38,080 Speaker 2: like did she ever really get a chance? Yeah, And 787 00:39:38,160 --> 00:39:40,759 Speaker 2: I think that's the heartbreaking part. It's like did she 788 00:39:40,840 --> 00:39:41,680 Speaker 2: ever have a chance. 789 00:39:42,120 --> 00:39:46,080 Speaker 3: So it sounds like the bottom line with this is that, well, 790 00:39:46,120 --> 00:39:48,480 Speaker 3: I guess, take me through what happened. So the police, 791 00:39:48,640 --> 00:39:52,359 Speaker 3: everybody is all forces starting probably about March twentieth, and 792 00:39:52,400 --> 00:39:55,080 Speaker 3: we know that Khalil is found, the last one to 793 00:39:55,120 --> 00:39:58,520 Speaker 3: be found, and he's got a self inflicted gunshot wound 794 00:39:58,920 --> 00:40:02,080 Speaker 3: on April first. Okay, so you've got ten days basically 795 00:40:02,200 --> 00:40:05,240 Speaker 3: until he's discovered. Is there any understanding of what happened 796 00:40:05,239 --> 00:40:07,560 Speaker 3: over those ten days aside from I know you said 797 00:40:07,560 --> 00:40:09,839 Speaker 3: that Khalil was caught on camera getting. 798 00:40:10,040 --> 00:40:11,200 Speaker 1: Large trash bags. 799 00:40:11,480 --> 00:40:14,680 Speaker 2: I think people fall into two camps either like she 800 00:40:15,080 --> 00:40:19,240 Speaker 2: is no longer with us, he killed her, or maybe 801 00:40:19,600 --> 00:40:22,799 Speaker 2: some sort of trafficking. And part of me like, really 802 00:40:22,800 --> 00:40:24,879 Speaker 2: hope she's still out there. You know she would be 803 00:40:25,280 --> 00:40:27,680 Speaker 2: oh gosh, she would be maybe a senior, if not graduated. 804 00:40:27,960 --> 00:40:30,960 Speaker 1: Maybe you know, she hangs out with her friends. 805 00:40:31,040 --> 00:40:33,520 Speaker 2: And I think it's one of those things where like 806 00:40:33,920 --> 00:40:37,799 Speaker 2: this may truly be unsolved, And I think one of 807 00:40:37,800 --> 00:40:39,880 Speaker 2: the things that also hits me hard about it, and 808 00:40:39,920 --> 00:40:41,960 Speaker 2: this is sort of the crux of what we base 809 00:40:42,040 --> 00:40:45,080 Speaker 2: the podcast on. But you know, Khalil Tatum has found 810 00:40:45,120 --> 00:40:48,640 Speaker 2: dead April first. On April eighth, the mayor at the 811 00:40:48,680 --> 00:40:52,799 Speaker 2: time of Vincent Gray, ordered a report into the investigation 812 00:40:52,880 --> 00:40:56,719 Speaker 2: of the city's responsibility when it comes to religious disappearance. 813 00:40:56,719 --> 00:40:58,640 Speaker 2: And you know, her family was touched by a lot 814 00:40:58,640 --> 00:41:01,239 Speaker 2: of social services, Like her mother was in contact with 815 00:41:01,239 --> 00:41:04,759 Speaker 2: the Department of Behavioral Health, she was in DC public schools, 816 00:41:05,239 --> 00:41:08,520 Speaker 2: she's with homeless services. And I think the part that 817 00:41:08,560 --> 00:41:10,799 Speaker 2: really gets me is that September of that same year, 818 00:41:10,840 --> 00:41:14,440 Speaker 2: September second, the preface of the report read that quote, 819 00:41:14,520 --> 00:41:17,400 Speaker 2: the review team did not find evidence that these tragic 820 00:41:17,480 --> 00:41:23,240 Speaker 2: events were preventable. The idea of something like this being 821 00:41:23,640 --> 00:41:26,279 Speaker 2: unpreventable does not sit well with me. I think we 822 00:41:26,320 --> 00:41:30,120 Speaker 2: can absolutely like there, we can definitely create a world 823 00:41:30,239 --> 00:41:34,120 Speaker 2: where there are no more relishes, where this doesn't happen 824 00:41:34,320 --> 00:41:36,000 Speaker 2: have to happen to little girls. 825 00:41:36,280 --> 00:41:36,680 Speaker 1: You're right. 826 00:41:36,760 --> 00:41:39,120 Speaker 3: I mean, there were so many social services around her 827 00:41:39,640 --> 00:41:41,680 Speaker 3: that it sounded like we're really failing. And we talk 828 00:41:41,719 --> 00:41:44,680 Speaker 3: about that with the foster care system too. You know 829 00:41:44,760 --> 00:41:48,759 Speaker 3: when things happen, and it's just sad to think it 830 00:41:48,800 --> 00:41:52,040 Speaker 3: takes these kinds of stories for people to understand, you know, 831 00:41:52,120 --> 00:41:56,200 Speaker 3: what happens sometimes when they are vulnerable, people who become 832 00:41:56,239 --> 00:42:01,120 Speaker 3: even more vulnerable. And so Andrea you said, had been killed. 833 00:42:01,200 --> 00:42:03,480 Speaker 3: They found her at the inn is that right? The 834 00:42:03,560 --> 00:42:07,719 Speaker 3: Red roof in in PG County, Maryland, and it clearly 835 00:42:07,880 --> 00:42:11,680 Speaker 3: she had been shot, but not as suicide. No, is 836 00:42:11,719 --> 00:42:14,880 Speaker 3: there evidence that Relicia was at that hotel? 837 00:42:15,320 --> 00:42:16,719 Speaker 1: I don't think so. No. 838 00:42:16,920 --> 00:42:19,399 Speaker 2: I don't think they saw her at the Red roof In. No, 839 00:42:19,440 --> 00:42:21,439 Speaker 2: they wouldn't have because that was she was last seeding 840 00:42:21,520 --> 00:42:22,600 Speaker 2: March first, and that was later. 841 00:42:22,920 --> 00:42:27,680 Speaker 3: But does Shamika remember when they actually said goodbye, we'll 842 00:42:27,680 --> 00:42:29,040 Speaker 3: see you in a couple of weeks. 843 00:42:29,320 --> 00:42:32,760 Speaker 1: That's in February, right, yeah, that's February. Yeah. Wow. 844 00:42:33,520 --> 00:42:36,840 Speaker 3: Okay, So there are you talked about? There were some 845 00:42:36,960 --> 00:42:40,880 Speaker 3: images of what was it wetlands or something that Kenilworth 846 00:42:40,880 --> 00:42:43,120 Speaker 3: Garden tell me how all of that came out. So 847 00:42:43,480 --> 00:42:47,240 Speaker 3: they find these people dead and Relicia is nowhere around. 848 00:42:47,360 --> 00:42:50,800 Speaker 3: What do the DC police or Maryland whoever is involved 849 00:42:50,800 --> 00:42:53,440 Speaker 3: with us at this point, what do they do next? 850 00:42:53,600 --> 00:42:55,759 Speaker 1: To try to figure out where she is. The thing is, 851 00:42:55,800 --> 00:42:58,520 Speaker 1: the case is still open. They have not closed this case. 852 00:42:58,880 --> 00:43:01,319 Speaker 2: They're still a know how active they're looking, but the 853 00:43:01,320 --> 00:43:02,120 Speaker 2: case is still open. 854 00:43:02,440 --> 00:43:05,080 Speaker 1: So they find these two people dead. Where do you 855 00:43:05,120 --> 00:43:05,800 Speaker 1: go from there? 856 00:43:05,960 --> 00:43:08,080 Speaker 3: Where the two people who would know where she is, 857 00:43:08,960 --> 00:43:11,240 Speaker 3: you know, are gone and you can't question Them'm assuming 858 00:43:11,280 --> 00:43:13,200 Speaker 3: there's no notes or any kind of clues. 859 00:43:13,440 --> 00:43:16,200 Speaker 2: Oh yeah, I mean I think that's also part of it, 860 00:43:16,280 --> 00:43:19,000 Speaker 2: like the lack of the lack of answers. And that's 861 00:43:19,040 --> 00:43:21,560 Speaker 2: when you sort of start to see you know, I 862 00:43:21,560 --> 00:43:24,560 Speaker 2: mean we see this with every case. Internet suits, psychics, 863 00:43:25,280 --> 00:43:27,520 Speaker 2: Reddit gets in there, Like that's around the time we 864 00:43:27,560 --> 00:43:31,440 Speaker 2: start to see people like saying, okay, like where is she? 865 00:43:32,000 --> 00:43:32,759 Speaker 1: What's going on? 866 00:43:33,440 --> 00:43:36,279 Speaker 2: But yeah, that's and that's also like the tragedy what 867 00:43:36,320 --> 00:43:38,760 Speaker 2: happened to Relicia died with Khalil Tatum? 868 00:43:39,160 --> 00:43:41,880 Speaker 3: Yeah, do they end up finding anything? You don't know 869 00:43:41,880 --> 00:43:44,000 Speaker 3: about his cell phone or anything like that? I mean 870 00:43:44,200 --> 00:43:46,080 Speaker 3: I can't imagine they wouldn't be able to trace something 871 00:43:46,120 --> 00:43:48,440 Speaker 3: his car anywhere, GPS anything. 872 00:43:48,640 --> 00:43:50,560 Speaker 1: Yeah, it's all Kennilworth gardens. 873 00:43:50,560 --> 00:43:53,960 Speaker 2: So the kennel Worth gardens there, that's the tragic part too, 874 00:43:54,040 --> 00:43:59,200 Speaker 2: is this beautiful like aquatic part of the National Arboretum. 875 00:43:59,280 --> 00:44:02,759 Speaker 2: So these beautiful trees, all these paths, things like that, 876 00:44:02,880 --> 00:44:04,960 Speaker 2: and you know this didn't make it in the podcast, 877 00:44:05,000 --> 00:44:07,800 Speaker 2: but there is a day where we go we retrace 878 00:44:07,880 --> 00:44:11,640 Speaker 2: the steps. But I'm telling you people combed every inch 879 00:44:11,719 --> 00:44:14,560 Speaker 2: of those gardens and found nothing. 880 00:44:14,880 --> 00:44:17,080 Speaker 1: That was because of his phone that took you guys there. 881 00:44:17,480 --> 00:44:19,520 Speaker 1: It was either his phone or a tip. There might 882 00:44:19,520 --> 00:44:21,520 Speaker 1: have been a tip of some kind. Was that somebody 883 00:44:21,640 --> 00:44:22,960 Speaker 1: seeing him dig up something? 884 00:44:23,120 --> 00:44:25,560 Speaker 2: I think people just seeing him around, like like he 885 00:44:25,680 --> 00:44:28,719 Speaker 2: was seen buying the trash bags and the lime and everything. 886 00:44:29,160 --> 00:44:33,560 Speaker 3: Okay, so then you know they did they do any 887 00:44:33,640 --> 00:44:37,040 Speaker 3: dragging anywhere, like if she were in a lake or 888 00:44:37,080 --> 00:44:38,640 Speaker 3: if there's a water source. 889 00:44:38,640 --> 00:44:42,480 Speaker 2: All of that, like police like searched by water like 890 00:44:42,680 --> 00:44:46,040 Speaker 2: it was, people were on foot, there were volunteers, like 891 00:44:46,360 --> 00:44:49,200 Speaker 2: they went all through those gardens. 892 00:44:50,239 --> 00:44:52,200 Speaker 1: How and you might know the answer to this. 893 00:44:52,239 --> 00:44:55,960 Speaker 3: And now I'm curious what would they do to be 894 00:44:56,120 --> 00:44:59,680 Speaker 3: able to figure out if she ended up, god forbid, 895 00:44:59,760 --> 00:45:04,839 Speaker 3: in sex trafficking or something. Is that a DNA you know, 896 00:45:05,080 --> 00:45:08,480 Speaker 3: a piece of her DNA? And if she is arrested 897 00:45:08,760 --> 00:45:13,080 Speaker 3: or found or somebody in her family had uploaded, you know, 898 00:45:13,280 --> 00:45:16,200 Speaker 3: a DNA to a genealogy site. You know, is there 899 00:45:16,239 --> 00:45:20,160 Speaker 3: anything that's helpful that would flag something for either law 900 00:45:20,239 --> 00:45:24,600 Speaker 3: enforcement or someone that she is actually alive at all. 901 00:45:25,000 --> 00:45:27,920 Speaker 2: Yeah. I think the biggest thing is it's not even DNA, 902 00:45:27,960 --> 00:45:30,960 Speaker 2: it's the time progressed pictures. Like every year there is 903 00:45:31,000 --> 00:45:35,400 Speaker 2: a new time progressed photo of militia, and every year 904 00:45:35,560 --> 00:45:37,839 Speaker 2: there is a vigil where people go out and they 905 00:45:37,880 --> 00:45:40,920 Speaker 2: pass the photo around and they post it and media 906 00:45:41,000 --> 00:45:43,160 Speaker 2: comes out and we do stories about it, like it 907 00:45:43,280 --> 00:45:46,600 Speaker 2: is a very active, active thing. 908 00:45:46,960 --> 00:45:49,920 Speaker 1: Have you hooked up with the women who I interviewed 909 00:45:49,920 --> 00:45:52,879 Speaker 1: at Black and Missing? Oh yeah, they were a major part. 910 00:45:53,040 --> 00:45:56,960 Speaker 2: They were unbelievably helpful as we reported the story. And 911 00:45:57,000 --> 00:45:59,880 Speaker 2: also they're so good on giving the context of where this. 912 00:46:00,520 --> 00:46:06,120 Speaker 2: Like I said before, relicious story is kind of different 913 00:46:06,160 --> 00:46:09,200 Speaker 2: than a lot of stories we hear because she did 914 00:46:09,239 --> 00:46:11,560 Speaker 2: get attention and that doesn't happen. And I think you 915 00:46:11,640 --> 00:46:15,480 Speaker 2: can mark how well a society is doing by how 916 00:46:15,520 --> 00:46:18,839 Speaker 2: the most marginalized people within that society are treated, and 917 00:46:18,880 --> 00:46:21,319 Speaker 2: I think Relicia kind of sits at that intersection of 918 00:46:21,400 --> 00:46:24,040 Speaker 2: like she is black, she is a little girl, she 919 00:46:24,160 --> 00:46:26,080 Speaker 2: is a child, and those are three groups of people 920 00:46:26,080 --> 00:46:29,200 Speaker 2: that we do not necessarily treat the best. Yeah, I 921 00:46:29,200 --> 00:46:31,440 Speaker 2: think it's sort of like a if you want to 922 00:46:31,520 --> 00:46:33,800 Speaker 2: know how a society is doing, look at the people 923 00:46:33,800 --> 00:46:37,280 Speaker 2: who are most marginalized. But yeah, they were absolutely amazing 924 00:46:37,280 --> 00:46:40,560 Speaker 2: and they were there. They were like on the ground 925 00:46:40,960 --> 00:46:43,839 Speaker 2: part of that search when Relicia first went missing. They 926 00:46:43,840 --> 00:46:45,480 Speaker 2: were out there with the police, out there with the 927 00:46:45,560 --> 00:46:48,560 Speaker 2: volunteers looking through Kenilworth aquatic gardens. 928 00:46:49,160 --> 00:46:54,040 Speaker 3: What is the theory about what happened as far as 929 00:46:54,400 --> 00:46:57,040 Speaker 3: why you know Tatum and his wife would have taken 930 00:46:57,320 --> 00:47:01,319 Speaker 3: her to begin with, as in sexual or wanting to 931 00:47:01,560 --> 00:47:04,640 Speaker 3: just co opt her as their daughter. I felt like 932 00:47:04,719 --> 00:47:07,080 Speaker 3: it's somewhat unusual to have a couple doing. 933 00:47:06,840 --> 00:47:09,160 Speaker 2: This from what the reporting I've done in people I've 934 00:47:09,160 --> 00:47:11,759 Speaker 2: talked with, like Andrea was kind of like in the 935 00:47:12,160 --> 00:47:16,440 Speaker 2: dark pretty much like it. Mainly like Khalil, Tatum was 936 00:47:16,480 --> 00:47:20,240 Speaker 2: the one who forged this relationship with this family. I 937 00:47:20,320 --> 00:47:23,319 Speaker 2: don't know, but a lot of people are like, this 938 00:47:23,360 --> 00:47:25,560 Speaker 2: is a man who like grooms people. It was not 939 00:47:25,840 --> 00:47:28,560 Speaker 2: a good situation. Now what that means again, I do 940 00:47:28,640 --> 00:47:31,680 Speaker 2: not know. That's that's the reporter in me who's like, well, 941 00:47:31,800 --> 00:47:34,480 Speaker 2: I gotta like get for certain and get on records, 942 00:47:34,520 --> 00:47:35,879 Speaker 2: so I don't have that. 943 00:47:36,160 --> 00:47:39,320 Speaker 1: But yeah, it was not a great situation. 944 00:47:39,480 --> 00:47:42,360 Speaker 2: And I also think part of like what led to 945 00:47:42,480 --> 00:47:45,360 Speaker 2: Andrea's death and his death was like, oh, people know 946 00:47:45,600 --> 00:47:50,799 Speaker 2: something is up now, and like panic ensues, okay, and 947 00:47:50,880 --> 00:47:52,760 Speaker 2: decisions are made now. 948 00:47:52,960 --> 00:47:57,000 Speaker 3: The family members that you spoke with, how were they grieving? 949 00:47:57,360 --> 00:48:00,560 Speaker 3: Are Is there hope that she's still alive or is it? 950 00:48:00,560 --> 00:48:02,720 Speaker 3: It's sort of like a feeling that all the evidence 951 00:48:02,760 --> 00:48:05,759 Speaker 3: points to her not being alive, and then you have 952 00:48:05,800 --> 00:48:07,680 Speaker 3: to think about how do you grieve when there's no 953 00:48:07,800 --> 00:48:09,440 Speaker 3: body and there's still uncertainty. 954 00:48:09,840 --> 00:48:11,799 Speaker 2: I think there is a level of hope from some 955 00:48:11,920 --> 00:48:15,680 Speaker 2: Her grandmother, in fact, during an interview, she uses the 956 00:48:15,719 --> 00:48:19,960 Speaker 2: past tense and catches herself and starts using the present tense. Also, 957 00:48:20,719 --> 00:48:25,359 Speaker 2: she has a trunk with Birthday and Christmas gifts she's 958 00:48:25,360 --> 00:48:28,120 Speaker 2: gotten for Relicia every year because she's like, oh, when 959 00:48:28,160 --> 00:48:30,960 Speaker 2: she comes home, she's gonna want to come home to gifts. 960 00:48:31,320 --> 00:48:33,279 Speaker 2: And you know, it started with dolls and things like that, 961 00:48:33,280 --> 00:48:35,600 Speaker 2: but as she got older, she's like, oh, I got 962 00:48:35,600 --> 00:48:38,520 Speaker 2: her like earrings. I got her body spray because you know, 963 00:48:38,600 --> 00:48:42,040 Speaker 2: teenagers like to smell good. I think that's her own 964 00:48:42,080 --> 00:48:44,399 Speaker 2: way of coping. I don't know that we will ever 965 00:48:44,440 --> 00:48:46,840 Speaker 2: find out what happened to Relicia. There's a part of 966 00:48:46,880 --> 00:48:49,880 Speaker 2: me that really hopes so, but I think, yeah, I 967 00:48:49,880 --> 00:48:52,759 Speaker 2: think her family goes back and forth to between she's 968 00:48:52,800 --> 00:48:55,400 Speaker 2: not coming home and like, well, maybe she will walk 969 00:48:55,480 --> 00:48:56,319 Speaker 2: through the door one day. 970 00:48:56,360 --> 00:49:00,600 Speaker 1: You hear stories of that sometimes. What about Shamika and Antonio. 971 00:49:00,719 --> 00:49:01,960 Speaker 1: I mean we hear about Antonio. 972 00:49:02,000 --> 00:49:05,600 Speaker 3: He lost his two sons because of this, so there's 973 00:49:05,640 --> 00:49:08,480 Speaker 3: that fallout. I'm assuming they're not together anymore. 974 00:49:08,600 --> 00:49:09,359 Speaker 1: Oh, no, they are. 975 00:49:09,840 --> 00:49:12,040 Speaker 2: They are no longer together. I think the case really 976 00:49:12,080 --> 00:49:15,040 Speaker 2: broke them like that. It really it split that family up. 977 00:49:15,280 --> 00:49:18,600 Speaker 2: I think Antonio's focus now is his family. I need 978 00:49:18,640 --> 00:49:21,000 Speaker 2: to check in with him. But last I heard like 979 00:49:21,400 --> 00:49:23,880 Speaker 2: he was making headway with getting one of his sons 980 00:49:23,920 --> 00:49:28,200 Speaker 2: back and living near him, and that's kind of like 981 00:49:28,239 --> 00:49:31,799 Speaker 2: what he's been really focusing on. I think they both 982 00:49:31,840 --> 00:49:34,640 Speaker 2: hold out hope. Shamikha I was not able to get 983 00:49:34,880 --> 00:49:38,080 Speaker 2: on the record on the phone. You know, lots of calls. 984 00:49:38,400 --> 00:49:40,600 Speaker 2: In fact, if she's hit me up today, I'd be like, Yeah, 985 00:49:40,640 --> 00:49:43,520 Speaker 2: let's sit down, let's talk, let's do an interview. But 986 00:49:43,800 --> 00:49:47,040 Speaker 2: she doesn't really talk to the press, which I do understand. 987 00:49:47,200 --> 00:49:51,759 Speaker 2: You know, there was this episode that she, Antonio, and 988 00:49:51,880 --> 00:49:54,880 Speaker 2: her mother were on on The Steve Wilco Show, and 989 00:49:54,920 --> 00:49:57,120 Speaker 2: it just it very much feels like a circus, for 990 00:49:57,239 --> 00:49:58,400 Speaker 2: lack of a better term. 991 00:49:58,560 --> 00:49:59,920 Speaker 1: Like what in fighting? Ye? 992 00:50:00,040 --> 00:50:01,799 Speaker 2: Yeah, it's this salacious feel. It's like are you going 993 00:50:01,840 --> 00:50:04,800 Speaker 2: to take a lie detector test? It's the family arguing 994 00:50:04,840 --> 00:50:06,440 Speaker 2: with each other in front of a crowd while a 995 00:50:06,520 --> 00:50:07,200 Speaker 2: crowd like. 996 00:50:07,320 --> 00:50:08,680 Speaker 1: Jeers or cheers them on. 997 00:50:09,160 --> 00:50:12,399 Speaker 2: Really yeah, Honestly, if I had experience like that would 998 00:50:12,520 --> 00:50:13,239 Speaker 2: be I would not. 999 00:50:14,560 --> 00:50:17,200 Speaker 1: I would not either. Why did they do that that I. 1000 00:50:17,080 --> 00:50:19,200 Speaker 2: Don't know, but I think they were like, yeah, come 1001 00:50:19,239 --> 00:50:23,160 Speaker 2: do the show. They're like okay, And you know, after that, 1002 00:50:23,480 --> 00:50:25,160 Speaker 2: they talked to the media a lot less. And that 1003 00:50:25,320 --> 00:50:28,360 Speaker 2: was until it came through that the podcast was actually 1004 00:50:28,400 --> 00:50:31,000 Speaker 2: going to happen. I really hesitated with reaching out to 1005 00:50:31,080 --> 00:50:34,040 Speaker 2: Relicious family because I did not want to start that 1006 00:50:34,120 --> 00:50:37,680 Speaker 2: process if it was not going to happen. What's wild is, 1007 00:50:38,280 --> 00:50:41,000 Speaker 2: I messaged Antonio on Facebook. That's how I got in 1008 00:50:41,040 --> 00:50:43,120 Speaker 2: contact with him, and I was like, Hey, I'm working 1009 00:50:43,160 --> 00:50:45,440 Speaker 2: on this podcast, like I want to hear your story, 1010 00:50:45,760 --> 00:50:49,160 Speaker 2: and his response was, I've been waiting for someone to 1011 00:50:49,200 --> 00:50:53,200 Speaker 2: call me. I've been waiting to tell this story, and 1012 00:50:53,200 --> 00:50:55,759 Speaker 2: I don't know. I feel very fortunate when people open 1013 00:50:55,880 --> 00:50:59,279 Speaker 2: up to me, and so every time anyone opens up 1014 00:50:59,320 --> 00:51:03,040 Speaker 2: to me, especially bout something so traumatic, I feel very 1015 00:51:03,480 --> 00:51:15,160 Speaker 2: grateful that they trust me with their story. 1016 00:51:17,440 --> 00:51:20,320 Speaker 3: If you love historical true crime stories, check out the 1017 00:51:20,360 --> 00:51:23,239 Speaker 3: audio versions of my books The Ghost Club, All That 1018 00:51:23,360 --> 00:51:26,600 Speaker 3: Is Wicked, and American Sherlock and Don't Forget. There are 1019 00:51:26,680 --> 00:51:30,440 Speaker 3: twelve seasons of my historical true crime podcast Tenfold More 1020 00:51:30,480 --> 00:51:34,120 Speaker 3: Wicked right here in this podcast feed, scroll back and 1021 00:51:34,160 --> 00:51:36,920 Speaker 3: give them a listen if you haven't already. This has 1022 00:51:36,960 --> 00:51:40,880 Speaker 3: been an exactly right production. Our senior producer is Alexis M. 1023 00:51:40,920 --> 00:51:43,600 Speaker 1: Morosi. Our associate producer. 1024 00:51:43,239 --> 00:51:47,520 Speaker 3: Is Christina Chamberlain. This episode was mixed by John Bradley. 1025 00:51:47,719 --> 00:51:51,759 Speaker 3: Curtis heath Is our composer, artwork by Nick Toga. Executive 1026 00:51:51,840 --> 00:51:56,280 Speaker 3: produced by Georgia Hartstark, Karen Kilgarriff and Danielle Kramer. Listen 1027 00:51:56,320 --> 00:52:00,320 Speaker 3: to Wicked Words on the iHeartRadio app Apple podcasts, or 1028 00:52:00,320 --> 00:52:04,400 Speaker 3: wherever you get your podcasts. Follow wicked Words on Instagram 1029 00:52:04,440 --> 00:52:08,320 Speaker 3: at tenfold More Wicked, and on Facebook at wicked words 1030 00:52:08,440 --> 00:52:08,720 Speaker 3: pod