WEBVTT - #290 - Mistah F.A.B.

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<v Speaker 1>Boulet Cap Podcast Special guests in here legend, mister fat Man,

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<v Speaker 1>welcome bro the al word. What's going down? I'm good Man,

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<v Speaker 1>it's happy to be here. Man. Definitely appreciate you reaching

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<v Speaker 1>back out when we reached out Man, a long time coming.

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<v Speaker 1>But watching your grind, Man, I love everything that you're

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<v Speaker 1>doing and how you highlighting a lot of the artists. Man,

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<v Speaker 1>it's beautiful thing to see, you know, when our media

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<v Speaker 1>begins to expand and expound from people that are from

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<v Speaker 1>the culture. Man. And I definitely have seen you grinding

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<v Speaker 1>for several years. Man, And I'm just happy to be here. Yes, sir,

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<v Speaker 1>I'm kind of frustrated because I can't even buy your

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<v Speaker 1>ship online. You don't have a website. Now, we keep

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<v Speaker 1>it where you got to come get it straight from us. Man.

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<v Speaker 1>That creates our own ecosystm. Where can I buy some

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<v Speaker 1>some dope? Ara shit. Oh. I feel like everything that's

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<v Speaker 1>on the internet is fake. It's all of it. It's

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<v Speaker 1>all bout legged the irony of that. But you have

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<v Speaker 1>to go to Oakland. Yeah, you have to go to

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<v Speaker 1>Oakland or tap into the you know the intricacies of

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<v Speaker 1>our ecosystem. Man. One of us me, and you got

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<v Speaker 1>to get it from us directly. I think we did

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<v Speaker 1>that intentionally, though. I think a lot of I've seen

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<v Speaker 1>a lot of clothing companies come and go just based

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<v Speaker 1>off the fact of they've been too accessible, and then

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<v Speaker 1>people bring the value of the brand down by just

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<v Speaker 1>frivolously wearing it and not representing it as h for

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<v Speaker 1>the culture. Like we represent a straight, straight, strong harm

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<v Speaker 1>strong arm on a culture. So you got to get

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<v Speaker 1>it from us. It's kind of like we got evalidated,

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<v Speaker 1>Like let me see you dope air approved. Right, Yeah,

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<v Speaker 1>we got you, Like you either got to go and

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<v Speaker 1>buy it or be tapped in, be tapped in. So

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<v Speaker 1>you know, I'm gonna get you something I'm not tapped in.

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<v Speaker 1>One's definitely tapped in, man, I definitely get your packages

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<v Speaker 1>and everything. Man, how's everything? Though? I obviously got the

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<v Speaker 1>new album coming out this month? Right every week, bro,

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<v Speaker 1>we're dropping. You know. That's the thing with us right now.

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<v Speaker 1>We're doing this line this year hashtag PTA, which is

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<v Speaker 1>pimp the Algorithms. So we're dropping. We're dropping an album

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<v Speaker 1>every other week, every other every two weeks, there's an album. Yeah,

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<v Speaker 1>so just dropping. So for you obviously. You know, we

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<v Speaker 1>think of the barrier. I think of like independent grind.

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<v Speaker 1>I think of independent rappers with twenty thirty albums, right.

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<v Speaker 1>You know, for you what was the thought process behind,

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<v Speaker 1>you know, trying to figure out how to adjust that

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<v Speaker 1>Bay Area grind to the algorithm to you know, it's

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<v Speaker 1>just pta man. You know, right now we living in

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<v Speaker 1>times where you have hundreds and thousands of artists that

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<v Speaker 1>drop music consistently and it's so easy. There's no middle

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<v Speaker 1>man now. It's back in the day it's hard to

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<v Speaker 1>drop album right, Definitely difficult to drop an album back then.

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<v Speaker 1>Now to take an advantage, you have so many different

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<v Speaker 1>DSPs and other ways to get your music to the masses.

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<v Speaker 1>Our main thing is just I'm one of those artists

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<v Speaker 1>where I really love music. I really love being in

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<v Speaker 1>the studio creating, working, and that's a daily thing for me,

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<v Speaker 1>even in the midst of all the other businesses. If

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<v Speaker 1>you do it for free, I love it, right. So

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<v Speaker 1>my main thing is I still get high off creating.

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<v Speaker 1>You know, when I go in the studio, I feel

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<v Speaker 1>like it's my first day still, right, and I go

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<v Speaker 1>in there with something to prove. I going there with

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<v Speaker 1>something to create. I'm not one of those dudes that

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<v Speaker 1>go on the lab and just you know, party bullshit,

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<v Speaker 1>It's not my thing. I'm like, dude, I'm in here

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<v Speaker 1>creating I really like and with my craft. I love

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<v Speaker 1>it like that. So saying all that to say, you

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<v Speaker 1>look in your email, you look at hundreds and you know,

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<v Speaker 1>thousands of songs like no, they're just sitting. Why not

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<v Speaker 1>put these out? Why not finish them? Why not? Why

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<v Speaker 1>just get them out? You know, get them out, and

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<v Speaker 1>you never know what can happen. Somebody can You can

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<v Speaker 1>wake up in the morning and your song is gone viral,

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<v Speaker 1>somebody has done a TikTok to it, somebody wants to

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<v Speaker 1>put it in a movie. You know. And as we

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<v Speaker 1>grow and as we expand and expound, the others around

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<v Speaker 1>us that have been in the creative field they do

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<v Speaker 1>as well. So you have directors that may be working

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<v Speaker 1>on music, that may be working on movies, a lot

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<v Speaker 1>of things in Northern California right now with you know,

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<v Speaker 1>the Blind Spotting. Ryan Coogler is a childhood friend of mine,

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<v Speaker 1>And these are people that reach out like, yo, I

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<v Speaker 1>need some music for this for us, So why not

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<v Speaker 1>put it out? Man? And you know, like I say,

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<v Speaker 1>hashtag piece he pimped algorithms. My biggest advice to any

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<v Speaker 1>artists out there, there's no perfect time to drop music.

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<v Speaker 1>So stop waking yourself and stop thinking it. Stop overthinking it,

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<v Speaker 1>you know, and over analysts can cause paralysis, yep, and

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<v Speaker 1>you'll be able to Then you stuff and then you

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<v Speaker 1>get tired of the ship that you know is hot

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<v Speaker 1>because you're like, man, it's just old. Now get it out.

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<v Speaker 1>Then it don't come out, and then get the music out, man,

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<v Speaker 1>Get the music to the people. Let the fans decide.

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<v Speaker 1>Push the music out, and if it don't work, drop

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<v Speaker 1>some more shit. And you're not being held or held

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<v Speaker 1>accountable to all men. Your last project was trashed. We

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<v Speaker 1>don't want to listen to nothing else. Man. Just keep working, man,

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<v Speaker 1>you know, keep grinding. Man. That's you know, if you're

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<v Speaker 1>an artist and this is what you love to do,

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<v Speaker 1>do it. I love it man. For you, you've obviously

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<v Speaker 1>evolved into such a leader of the Bay. Like when

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<v Speaker 1>I think of the Bay Area, I think of you,

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<v Speaker 1>I think of forty. I think of a couple guys

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<v Speaker 1>who are just kind of like I feel like on

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<v Speaker 1>all levels, being an og I always see you embracing

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<v Speaker 1>the younger generation. I always see you kind of evolving

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<v Speaker 1>the hustle, whether it's doing content now we're doing the store,

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<v Speaker 1>the closing line, still obviously keeping your finger on the

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<v Speaker 1>post of the music. Shit for you, like what motivates

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<v Speaker 1>you to just keep the hustle strong? Man, I feel

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<v Speaker 1>like you know it's in you. It ain't on you, you

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<v Speaker 1>you know what I mean? Like I said, man, I

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<v Speaker 1>love it. You have to really love what you do,

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<v Speaker 1>you know, to continue to do it, especially when you're

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<v Speaker 1>doing it and it's not instant gratification. It's not instant

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<v Speaker 1>monetary you know, consumption and things like that. We really

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<v Speaker 1>just do it, man, we love it, you know with

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<v Speaker 1>me and UNC which he's here, gonna come on and

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<v Speaker 1>you know and chill. But embracing the younger guys, showing

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<v Speaker 1>the younger guys. Look, there's no age limit in it.

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<v Speaker 1>It's no there's no expiration date. And creativity, you know

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<v Speaker 1>what I'm saying, that's real, and remain creative, continue to

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<v Speaker 1>keep doing I tell people Quincy Jones helped create Thriller

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<v Speaker 1>at fifty years old. That's wildest thing, you know what

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<v Speaker 1>I'm saying. And that's that's one of his biggest contributions

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<v Speaker 1>to music and one of the biggest songs in music.

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<v Speaker 1>You think about the Asian dude who just won the

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<v Speaker 1>Best Actors last night, he was like he was the

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<v Speaker 1>little kid Jones. I'm seeing that. Yeah, they hugged and

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<v Speaker 1>reenacted kind of like that same thing, which is kind

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<v Speaker 1>of crazy. Yeah, but that that's like, that's what it

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<v Speaker 1>is like. You know, you look at icons and legends,

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<v Speaker 1>like Knives winning this first Grammy a couple of years ago,

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<v Speaker 1>after all of the things that he's done, after after

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<v Speaker 1>was written, like we we look at these things and

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<v Speaker 1>we say, look at what our icons have been doing.

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<v Speaker 1>I come under as you eluded, uh, the e forties

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<v Speaker 1>and you know the two shorts, Mac Dre's, Nicotina's and

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<v Speaker 1>the several of the the icons that have done, Uh,

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<v Speaker 1>they have pioneered what it is to be an independent artist.

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<v Speaker 1>So just following that blueprint and then inoculating the things

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<v Speaker 1>that I'm doing to show some of the younger guys. Look,

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<v Speaker 1>I don't have to just start with music. We have

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<v Speaker 1>a clothing store, I have a nightclub, I have a museum,

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<v Speaker 1>I have nail shops. I didn't know, you had a museum,

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<v Speaker 1>the Dope Air Experience. So it's just a canvas that

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<v Speaker 1>we're gonna allocate to other schools and everything. We're opening

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<v Speaker 1>up our school and this summer the Dope Air Academy,

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<v Speaker 1>which is just a it's like a course to teach

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<v Speaker 1>entrepreneurialism and other things to help these people, these young

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<v Speaker 1>kids jump the curve to be able to say, dude,

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<v Speaker 1>we got to start our kids early. We got to

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<v Speaker 1>start our kids in position to say due, let's get

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<v Speaker 1>you in the game early. One thing with us in

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<v Speaker 1>the culture that we come from, sometimes our parents have

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<v Speaker 1>taught us like you're too young for that, instead of

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<v Speaker 1>this is how you do it. Don't touch that. You're

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<v Speaker 1>too young to that. Nah. We have to change that

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<v Speaker 1>narrative and break that monotony of not teaching and not educating.

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<v Speaker 1>So I'm very you know, I'm huge on that. So

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<v Speaker 1>that's all it is with me, man in a nutshell,

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<v Speaker 1>is just keep leading that, keep going and embrace the

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<v Speaker 1>next generation. Don't hog space so long, and embrace there's

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<v Speaker 1>room forever everybody. Yeah, come on, man, Yeah, for sure

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<v Speaker 1>for you. I feel like San Francisco and the Bay

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<v Speaker 1>and Oakland were probably as heavily impacted by the pandemic

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<v Speaker 1>as like a lot of cities, because you know, with

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<v Speaker 1>extreme wealth comes extreme poverty. When I go to the Bay,

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<v Speaker 1>because I try to make it out there probably like

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<v Speaker 1>four or five times a year for Empire shit, and

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<v Speaker 1>it feels like like, at least in the city, it

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<v Speaker 1>feels like a lot of energy has kind of gotten

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<v Speaker 1>pulled out of it. Now every time I go, everyone's like,

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<v Speaker 1>it's Oakland's where you want to be. Oakland's where you know,

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<v Speaker 1>the night life is still thriving. And you know, for

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<v Speaker 1>you being somebody from Oakland and just kind of assessing

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<v Speaker 1>like the state of the Bay as a city, as

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<v Speaker 1>a as a metropolitan area rather, how do you feel

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<v Speaker 1>like you feel like it's bouncing back at all? Or

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<v Speaker 1>because because you know, I was at trying to go

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<v Speaker 1>to a wal fucking Walgreens in San Francisco and that

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<v Speaker 1>ship was just not open because of the the law.

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<v Speaker 1>You know, everyone was stealing out of there. It's tough, man.

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<v Speaker 1>And before we address the secondary, we must address the primary.

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<v Speaker 1>You know, we're in the economical deficit is definitely hasn't

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<v Speaker 1>affected and impacted and most of the time when this happens.

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<v Speaker 1>You hear the wealthy complain about the loss of their

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<v Speaker 1>wages and riches and things of their businesses that are

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<v Speaker 1>slowing down. But the flip sides to that is what

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<v Speaker 1>about those that don't have those businesses to be affected? Right,

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<v Speaker 1>So if poverty is how they're affected, So if poverty,

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<v Speaker 1>if the wealthy are being affected, imagine how impactful and

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<v Speaker 1>affected people living in poverty. The poverty and so what

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<v Speaker 1>that does is that induces all of the other things.

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<v Speaker 1>Crime goes up, you know, the violence and the impoverished mindset.

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<v Speaker 1>So in that mind state, you look at a lot

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<v Speaker 1>of the people that are involved that are trying to

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<v Speaker 1>rise above their areas that they're coming from. It's it's

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<v Speaker 1>it becomes crucial, man, it becomes u It's a sad state.

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<v Speaker 1>You know. It's a sad state where I can't come

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<v Speaker 1>visit you at your store because I'm worried about if

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<v Speaker 1>my windows are gonna get broken into. I can't come, uh,

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<v Speaker 1>patronize your nightclub because I don't know if I'm gonna

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<v Speaker 1>get rib going leaving my club, you know what I'm saying,

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<v Speaker 1>leaving the club. So that's the the climate and the sentiment,

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<v Speaker 1>the sentiments that we that we deal with and we

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<v Speaker 1>have to factor into these equations. But you can't blame

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<v Speaker 1>them for doing what they're doing out of an act

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<v Speaker 1>of survival. Yeah, I mean that's and that's that's the

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<v Speaker 1>other the other side of the coin, Like the law,

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<v Speaker 1>I think it's you could steal under a thousand dollars,

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<v Speaker 1>Like if you have no money and you're starving, and

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<v Speaker 1>you could go get your food and get your whatever

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<v Speaker 1>you need and nothing gonna happen to you. I mean,

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<v Speaker 1>you're gonna do it or not, you know what I mean,

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<v Speaker 1>You're gonna We we have to stop being so judgmental

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<v Speaker 1>and judging right or wrong in situations that's either starved. Yeah,

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<v Speaker 1>it's like context to every situation, like you know what

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<v Speaker 1>I'm saying, and and and there's people who are going

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<v Speaker 1>to take advantage of that who might not be starving. Yeah, definitely,

0:11:03.320 --> 0:11:07.079
<v Speaker 1>most definitely. You know, it's hard to not be empathetic.

0:11:07.120 --> 0:11:10.000
<v Speaker 1>But then it's also understanding that you know, I don't

0:11:10.000 --> 0:11:13.160
<v Speaker 1>I don't want to be naive to the situations that's

0:11:13.200 --> 0:11:17.400
<v Speaker 1>going on. So yeah, like I say, you know, there

0:11:17.520 --> 0:11:20.040
<v Speaker 1>is is what it is, man, and you just you

0:11:20.200 --> 0:11:22.240
<v Speaker 1>just hope, you know, keep your fingers crossed, and hope

0:11:22.240 --> 0:11:24.200
<v Speaker 1>that you and your family are protected man, and that

0:11:24.280 --> 0:11:27.760
<v Speaker 1>people find their way. And then as someone like myself

0:11:27.800 --> 0:11:30.599
<v Speaker 1>as an influencer, continue to keep leading by example to

0:11:30.640 --> 0:11:33.520
<v Speaker 1>show people how to create your own wells right and

0:11:33.559 --> 0:11:37.520
<v Speaker 1>you know, and creating creating those wells, you can quench

0:11:37.600 --> 0:11:40.640
<v Speaker 1>the thirst of many in your village. I saw was

0:11:40.640 --> 0:11:44.600
<v Speaker 1>it your daughter whose car got bipped? Her? Her mother? Okay? Yeah,

0:11:44.760 --> 0:11:47.679
<v Speaker 1>I saw like what you posted, was it her school work?

0:11:47.679 --> 0:11:50.160
<v Speaker 1>To got her school work? Yeah? And you were like, hey,

0:11:50.679 --> 0:11:52.480
<v Speaker 1>I get it as part of the game. I get it,

0:11:53.200 --> 0:11:55.880
<v Speaker 1>But can I get my daughter's backpack back? Get it? Like?

0:11:55.880 --> 0:12:01.040
<v Speaker 1>Like people don't. People love the game until the rules

0:12:01.760 --> 0:12:04.439
<v Speaker 1>hit them and now they want to change the rules. Bro,

0:12:04.520 --> 0:12:06.640
<v Speaker 1>we in it. We know what we signed up for.

0:12:06.800 --> 0:12:08.160
<v Speaker 1>We know where we live, and we know. You know

0:12:08.200 --> 0:12:10.959
<v Speaker 1>you can't change the law of the jungle. You know

0:12:11.000 --> 0:12:13.400
<v Speaker 1>what I mean, And we understand that. And knowing is

0:12:13.520 --> 0:12:17.240
<v Speaker 1>immune to You're not above it, like you're you're you're

0:12:17.280 --> 0:12:18.920
<v Speaker 1>not above and I don't care what you're doing if

0:12:18.920 --> 0:12:21.280
<v Speaker 1>you if you in this, you know what it is.

0:12:21.320 --> 0:12:22.680
<v Speaker 1>It's just like if you in the game, and you

0:12:22.760 --> 0:12:24.640
<v Speaker 1>signed up for something, but you got to come even

0:12:24.640 --> 0:12:26.760
<v Speaker 1>when it ain't in your favor. So as I say,

0:12:26.800 --> 0:12:30.439
<v Speaker 1>you know, my, my, my, uh my public service announcement,

0:12:30.600 --> 0:12:32.400
<v Speaker 1>you know, to the bippers out there, like hey man,

0:12:32.920 --> 0:12:34.840
<v Speaker 1>if you guys, you guys hit this card. Hey, I

0:12:34.880 --> 0:12:36.680
<v Speaker 1>didn't know if you got the bag. Man, they're not

0:12:36.800 --> 0:12:40.640
<v Speaker 1>in there. But some home. That's it and so its work.

0:12:40.720 --> 0:12:43.800
<v Speaker 1>It has worked before. It didn't work that time. It

0:12:43.840 --> 0:12:47.600
<v Speaker 1>has worked before. The relationship. You know, some of the guys,

0:12:47.640 --> 0:12:52.040
<v Speaker 1>you know, these young guys, they're the they're the mass crusaders.

0:12:52.040 --> 0:12:53.760
<v Speaker 1>So sometimes you may know them and don't even know

0:12:53.800 --> 0:12:56.200
<v Speaker 1>that you know them, and they'll follow you and be like,

0:12:56.240 --> 0:12:58.760
<v Speaker 1>oh man, my bad, unc I didn't know, and you know,

0:12:58.880 --> 0:13:01.360
<v Speaker 1>come drop it off. But uh man, my daughter is

0:13:01.360 --> 0:13:03.400
<v Speaker 1>such a warrior man. She was able to steal ace

0:13:03.440 --> 0:13:07.320
<v Speaker 1>all of her finals and everything straight A's it was

0:13:07.360 --> 0:13:10.920
<v Speaker 1>like her homeworker notes her notes, and it was a

0:13:10.920 --> 0:13:14.440
<v Speaker 1>week before finals, you know, and she's she's, uh, she's

0:13:15.440 --> 0:13:18.400
<v Speaker 1>she's such a chap man, and she's like she's she

0:13:18.640 --> 0:13:22.200
<v Speaker 1>is so devoted to school man, and getting into she

0:13:22.240 --> 0:13:25.680
<v Speaker 1>wants to go to you know, like an m I

0:13:25.760 --> 0:13:28.280
<v Speaker 1>T or things like that. So she's she's super dedicated

0:13:28.400 --> 0:13:30.680
<v Speaker 1>still as the finals straight A's man and I'm proud

0:13:30.720 --> 0:13:34.120
<v Speaker 1>of her. Which, uh, Golden State Warrior. At any time

0:13:34.200 --> 0:13:37.000
<v Speaker 1>you answered, you think you can get to answer the phone,

0:13:37.320 --> 0:13:42.080
<v Speaker 1>It's difficult, Like if real close someone, if someone said

0:13:42.120 --> 0:13:43.480
<v Speaker 1>I have a million dollars, you have to get a

0:13:43.480 --> 0:13:51.199
<v Speaker 1>warrior to answer the phone. Who who you call? Clay Clay? Uh?

0:13:52.040 --> 0:13:54.600
<v Speaker 1>I mean that's that's a good warrior to you know,

0:13:54.840 --> 0:13:56.720
<v Speaker 1>you know those are my brothers like you, I mean

0:13:56.800 --> 0:13:58.800
<v Speaker 1>like you would have to give me a time frame,

0:13:58.840 --> 0:14:01.440
<v Speaker 1>like all give me a window, like give me a

0:14:01.440 --> 0:14:03.000
<v Speaker 1>window of time, like you know what I'm saying. But

0:14:03.400 --> 0:14:08.719
<v Speaker 1>pretty much pretty Gary's gonna answer anytime. Who's now back

0:14:08.760 --> 0:14:11.320
<v Speaker 1>on the team? Yeah, So so Gary's Gary's gonna answer

0:14:11.320 --> 0:14:13.880
<v Speaker 1>any time? Were you had with his dad? Yes? Of course,

0:14:16.000 --> 0:14:21.120
<v Speaker 1>GPS from Oakland at all that ship talking me and Steph.

0:14:21.200 --> 0:14:23.240
<v Speaker 1>Me and Steph are like super close, Like me and

0:14:23.240 --> 0:14:26.800
<v Speaker 1>Steph have a super close relationship. Man. But you know

0:14:26.880 --> 0:14:29.840
<v Speaker 1>this is we have to be mindful of who Steph

0:14:29.960 --> 0:14:33.280
<v Speaker 1>Curry is. So you know I'm saying like I'm just

0:14:33.360 --> 0:14:35.800
<v Speaker 1>gonna call you. Yeah. So it's like I'm not just yeah,

0:14:36.360 --> 0:14:38.200
<v Speaker 1>that's a that's a tough thing, like to be like,

0:14:38.240 --> 0:14:40.120
<v Speaker 1>oh yeah, Steph's gonna answer that. You know, I would

0:14:40.120 --> 0:14:43.400
<v Speaker 1>be lying, uh, but well he text back and when

0:14:43.400 --> 0:14:45.360
<v Speaker 1>he call, of course. So it just has to be

0:14:45.400 --> 0:14:47.520
<v Speaker 1>a time window though. Man. But I pretty have a

0:14:48.120 --> 0:14:50.280
<v Speaker 1>great relationship with all of the fellas, man, you know,

0:14:50.800 --> 0:14:53.320
<v Speaker 1>you know, Dre's little bro, and we just continue to

0:14:53.400 --> 0:14:56.480
<v Speaker 1>keep building. Man, you know, I love those guys. For you,

0:14:57.440 --> 0:15:00.800
<v Speaker 1>is it frustrating as a Warriors fan to see they're

0:15:00.840 --> 0:15:03.440
<v Speaker 1>like the number one bandwagon team now in the last

0:15:03.640 --> 0:15:07.440
<v Speaker 1>decade And I'm like, nobody was rooined for the fucking

0:15:07.480 --> 0:15:11.200
<v Speaker 1>Warriors when it was Manta Ellis and David Lee, and

0:15:11.240 --> 0:15:13.760
<v Speaker 1>then before that it was like Stephen Jackson, you know,

0:15:14.240 --> 0:15:18.680
<v Speaker 1>even when it was like run dmc right, nobody was there.

0:15:19.680 --> 0:15:22.640
<v Speaker 1>But now it's like they're like, you know, the the team.

0:15:22.680 --> 0:15:25.840
<v Speaker 1>But do you get frustrated to see like bandwagon Warrior

0:15:25.880 --> 0:15:28.440
<v Speaker 1>fans not at all? That's what winning does? You know?

0:15:28.560 --> 0:15:30.720
<v Speaker 1>You you want to be able to say, man, let's

0:15:30.720 --> 0:15:33.160
<v Speaker 1>continue to expand the bandwagon. Man, let's keep going that

0:15:33.440 --> 0:15:36.680
<v Speaker 1>lets us know that we're winning. You have Yankee fans

0:15:36.720 --> 0:15:39.400
<v Speaker 1>that probably can't tell you one person on the team.

0:15:39.440 --> 0:15:42.680
<v Speaker 1>I just love the striking Cowboys fans. Cowboys fans, you know,

0:15:42.680 --> 0:15:45.760
<v Speaker 1>all of these franchise man, you know, the Patriots of course,

0:15:45.800 --> 0:15:48.160
<v Speaker 1>the Lakers fans. I've seen so many Bay Area people

0:15:48.200 --> 0:15:50.000
<v Speaker 1>that I know that were Lakers, al most definitely was

0:15:50.080 --> 0:15:54.440
<v Speaker 1>lak Now they're warrior fans, a lot of them, and

0:15:54.440 --> 0:15:57.080
<v Speaker 1>you're full of ship. So I grew up my dad

0:15:57.120 --> 0:15:59.560
<v Speaker 1>watched them. Yeah, yeah, magic Johnson. I had a Magic

0:15:59.640 --> 0:16:02.000
<v Speaker 1>Johnson jersey at four, Like, come on, man, cut it out.

0:16:02.320 --> 0:16:04.000
<v Speaker 1>But uh, you know, it is what it is, like

0:16:04.440 --> 0:16:07.920
<v Speaker 1>you that's what comes with winning, man. I definitely salute

0:16:08.560 --> 0:16:11.360
<v Speaker 1>the fans that were there doing the tough times, and

0:16:11.880 --> 0:16:14.840
<v Speaker 1>you know, that's what I'm happy about. I'm just happy

0:16:14.880 --> 0:16:17.240
<v Speaker 1>to see some of those people still going strong. Yeah,

0:16:17.320 --> 0:16:21.240
<v Speaker 1>for sure, shout out what was his name, Bertrand's what

0:16:21.280 --> 0:16:23.160
<v Speaker 1>was the guy's name? The big German fucking Center, the

0:16:23.160 --> 0:16:28.600
<v Speaker 1>White Boys Lithuania. He died, He had to die so

0:16:29.720 --> 0:16:33.360
<v Speaker 1>could exist. Yeah, and people forget that he was an

0:16:33.360 --> 0:16:36.320
<v Speaker 1>All Starr. Just he wasn't an All Star, but he

0:16:36.440 --> 0:16:41.360
<v Speaker 1>was good. But he led the league and uh yeah,

0:16:41.560 --> 0:16:44.320
<v Speaker 1>pretty good man, pretty good, dug. It's like so fucking

0:16:44.480 --> 0:16:46.680
<v Speaker 1>Lithuanian and something like that. He was pretty good. And

0:16:46.720 --> 0:16:49.800
<v Speaker 1>his wow, his girl, oh my god, we gotta see

0:16:49.840 --> 0:16:52.280
<v Speaker 1>we could find a picture of her. Man. His girl

0:16:52.440 --> 0:16:57.800
<v Speaker 1>was so fine. Oh my god. So yeah, I remember

0:16:57.800 --> 0:17:01.360
<v Speaker 1>those days. Yo. If someone comes to the bay you're visiting,

0:17:03.440 --> 0:17:06.399
<v Speaker 1>what's the advice so they don't get bitped? Are we

0:17:06.720 --> 0:17:08.440
<v Speaker 1>like you lying? You get your rental car, you got

0:17:08.480 --> 0:17:10.560
<v Speaker 1>all your luggage. Let's say I'm hungry, I'm gonna eat.

0:17:10.600 --> 0:17:12.160
<v Speaker 1>Am I taking all the luggage out of a car

0:17:12.280 --> 0:17:14.480
<v Speaker 1>putting it in a restaurant with me? Most definitely? Okay.

0:17:15.160 --> 0:17:17.840
<v Speaker 1>When you pull up, roll your windows down. Windows. You

0:17:17.880 --> 0:17:19.159
<v Speaker 1>know most people pull up and be like, roll the

0:17:19.160 --> 0:17:21.399
<v Speaker 1>windows up, we're getting out. No, when you pull up,

0:17:21.480 --> 0:17:24.639
<v Speaker 1>roll the windows down. I don't care what the weather is,

0:17:25.280 --> 0:17:28.440
<v Speaker 1>but roll the windows down, okay, and take everything out

0:17:28.480 --> 0:17:32.159
<v Speaker 1>of your car. Don't risk it. The great advice is

0:17:32.200 --> 0:17:34.080
<v Speaker 1>go to the room first, or go to your airbnb,

0:17:34.200 --> 0:17:39.639
<v Speaker 1>put your stuff up, don't leave. Don't leave a Safeway

0:17:39.680 --> 0:17:44.560
<v Speaker 1>bag in the backs, don't leave nothing, a fucking charger, nothing.

0:17:44.680 --> 0:17:48.000
<v Speaker 1>Because what happens is they identify the cars and they like, oh,

0:17:48.000 --> 0:17:50.520
<v Speaker 1>that's a rental. They know so they know it's a rental,

0:17:50.520 --> 0:17:54.080
<v Speaker 1>like it's a science to it, right, so it's a rental, like,

0:17:54.119 --> 0:17:56.080
<v Speaker 1>oh he got a brand new christ the three hundred.

0:17:56.080 --> 0:17:59.280
<v Speaker 1>Oh we got a rental. And then people be thinking,

0:18:00.119 --> 0:18:02.959
<v Speaker 1>this is the biggest reason why most people get bipped.

0:18:03.560 --> 0:18:07.640
<v Speaker 1>Those hazards. Those hazards let a person know that you're

0:18:07.640 --> 0:18:12.439
<v Speaker 1>coming right back to the car, so it's evident that

0:18:12.480 --> 0:18:14.720
<v Speaker 1>you've left something in the car since you're coming right

0:18:14.760 --> 0:18:19.480
<v Speaker 1>back that fast, and hey, somem's in here. That's a

0:18:19.520 --> 0:18:22.919
<v Speaker 1>green light. Yeah yeah, because it happens, so like you

0:18:22.960 --> 0:18:25.920
<v Speaker 1>could go, you could go to that door, to the

0:18:25.960 --> 0:18:30.040
<v Speaker 1>front door right here. The bit pulls up so fast

0:18:31.040 --> 0:18:34.400
<v Speaker 1>by the time you get back here, you like, oh

0:18:34.880 --> 0:18:37.119
<v Speaker 1>so hey, yeah, man, roll your windows down. You come

0:18:37.160 --> 0:18:40.159
<v Speaker 1>to the Bay Area, roll your windows down. You're not safe.

0:18:40.160 --> 0:18:42.159
<v Speaker 1>Don't think just because you're going in the Starbucks and

0:18:42.240 --> 0:18:45.720
<v Speaker 1>anything like that, you are not safe. Row the windows down.

0:18:45.760 --> 0:18:48.840
<v Speaker 1>You will be highly disappointed. Just allow them to open

0:18:48.840 --> 0:18:51.399
<v Speaker 1>the door and go through it. Man. And there's nothing

0:18:51.840 --> 0:18:54.320
<v Speaker 1>that there's no chain of command. So you can't call

0:18:54.359 --> 0:18:57.240
<v Speaker 1>the big homie, you can't call the rapper to be like, man,

0:18:57.320 --> 0:18:59.760
<v Speaker 1>can you get my stuff? Bro? That's gone. It's probably

0:18:59.800 --> 0:19:02.160
<v Speaker 1>some fourteen year old, fifteen year old who don't even

0:19:02.200 --> 0:19:04.760
<v Speaker 1>know who your big homie is. He don't know nothing.

0:19:04.760 --> 0:19:07.320
<v Speaker 1>It's no protocols, no chain of command, it's none of that.

0:19:07.400 --> 0:19:09.960
<v Speaker 1>This is getting how you live. They eat you feel me?

0:19:10.000 --> 0:19:12.239
<v Speaker 1>They out are the key boys eating out there right now,

0:19:12.240 --> 0:19:14.600
<v Speaker 1>because in LA there's just a lot of little kids

0:19:14.600 --> 0:19:17.280
<v Speaker 1>stealing keys with USB's right now. Man, it's all kind

0:19:17.280 --> 0:19:19.240
<v Speaker 1>of stuff. You got the scat cat boys, the hellcat

0:19:19.240 --> 0:19:21.080
<v Speaker 1>because you know, they got the whole you know, the

0:19:21.080 --> 0:19:25.520
<v Speaker 1>bay is a little bit more technic, technologically technologically advanced.

0:19:25.880 --> 0:19:29.359
<v Speaker 1>It's Silicon Valley, so there's some silicon game going on.

0:19:29.480 --> 0:19:31.760
<v Speaker 1>There's some pull up to your car with the iPad

0:19:31.840 --> 0:19:35.400
<v Speaker 1>reprogrammed the hell cat. We'll get the meat on God. Wait,

0:19:35.440 --> 0:19:37.840
<v Speaker 1>so what do they do? Man, You got the reprogrammer,

0:19:37.920 --> 0:19:39.640
<v Speaker 1>so you got the when you get in the car,

0:19:39.680 --> 0:19:42.480
<v Speaker 1>you got the reprogramming, putting it under the thing. Reprogram

0:19:42.640 --> 0:19:47.800
<v Speaker 1>The key folks started up. It's serious, that's amazing. It's

0:19:47.800 --> 0:19:51.400
<v Speaker 1>a whole different level of some of thievery going on

0:19:51.440 --> 0:19:53.920
<v Speaker 1>out there. Some of them disable your key on God

0:19:53.960 --> 0:19:57.840
<v Speaker 1>and bring a new key and just reprogramming that's impressive.

0:19:57.920 --> 0:20:00.480
<v Speaker 1>The youngsters is man. They advance. That's why I was

0:20:00.520 --> 0:20:03.640
<v Speaker 1>telling us, Say, dude, y'all taking all this time for crime.

0:20:04.119 --> 0:20:07.880
<v Speaker 1>Imagine if you did something positive with it, Like imagine

0:20:07.880 --> 0:20:10.280
<v Speaker 1>if you created the anti program where now you can

0:20:10.320 --> 0:20:12.880
<v Speaker 1>deactivate somebody that's trying to program, like you can win,

0:20:13.359 --> 0:20:15.680
<v Speaker 1>be smart, use your talents for a great You're out

0:20:15.720 --> 0:20:20.000
<v Speaker 1>here reprogramming vehicles in a vert in a highly stressful situation.

0:20:20.160 --> 0:20:22.240
<v Speaker 1>With a very small amount of time, you can work

0:20:22.280 --> 0:20:24.359
<v Speaker 1>on something different. Bro, you're under a lot of stress.

0:20:24.359 --> 0:20:27.240
<v Speaker 1>You can be diffusing bobs for the FBI. Whoa man

0:20:27.240 --> 0:20:30.480
<v Speaker 1>you got? You got talent kid, Yeah, a fourteen year old,

0:20:30.480 --> 0:20:33.600
<v Speaker 1>fifteen year old kiddie. Like then the way he explained

0:20:33.600 --> 0:20:36.439
<v Speaker 1>it to you is so funny. All you gotta do, bro,

0:20:36.880 --> 0:20:39.239
<v Speaker 1>take the iPad, put it under the thing. When you

0:20:39.240 --> 0:20:41.760
<v Speaker 1>get the key, boom, it's gonna pop up. The app

0:20:41.880 --> 0:20:44.359
<v Speaker 1>is gonna show up. So then you reprogramming bright. Then

0:20:44.400 --> 0:20:47.679
<v Speaker 1>you got about ninety seconds. Once you get it, you

0:20:47.760 --> 0:20:50.320
<v Speaker 1>click it, boom, Then you get up out of there,

0:20:50.480 --> 0:20:52.480
<v Speaker 1>and then you gonna take it to the Mexicans. The

0:20:52.560 --> 0:20:55.399
<v Speaker 1>Mexican's gonna give you three four thousand form, Bro, just

0:20:55.480 --> 0:20:58.760
<v Speaker 1>chop it down. Crazy, Bro, that's amazing. Say y'all, y'all

0:20:58.840 --> 0:21:01.320
<v Speaker 1>too much time and said, my brother, that's all I

0:21:01.400 --> 0:21:03.840
<v Speaker 1>be looking for. Bro. I'm either gonna bip or get

0:21:03.880 --> 0:21:05.440
<v Speaker 1>me a Hellcat brand. I know I can go. Give

0:21:05.440 --> 0:21:08.560
<v Speaker 1>me a quick three thousand dollars, real fast, bro, I say, bro,

0:21:08.760 --> 0:21:12.000
<v Speaker 1>y'all is crazy. Stay away from the Hellcat for real

0:21:12.119 --> 0:21:16.320
<v Speaker 1>Hellcats and sketch. You will get reprogrammed. Man, we could

0:21:16.320 --> 0:21:18.800
<v Speaker 1>get you too unk brow yo, Lambo, that's not safe. Bro.

0:21:18.920 --> 0:21:21.320
<v Speaker 1>Let me see this key. Oh yeah, I can reprogram this.

0:21:21.960 --> 0:21:24.080
<v Speaker 1>I could reprogram this. Man. You got to be cool

0:21:24.119 --> 0:21:29.560
<v Speaker 1>leaving your key in the car. Huh. That shit is crazy.

0:21:29.720 --> 0:21:33.199
<v Speaker 1>I think back. One of the viral moments when in

0:21:33.240 --> 0:21:35.879
<v Speaker 1>the blog era that you had was when you know,

0:21:36.000 --> 0:21:37.880
<v Speaker 1>in my opinion, one of the greatest rappers of all

0:21:37.880 --> 0:21:40.719
<v Speaker 1>time fell death to your sword on stage and I'm

0:21:40.720 --> 0:21:44.120
<v Speaker 1>talking about Royce the Five Nine. You guys had a battle,

0:21:44.680 --> 0:21:47.639
<v Speaker 1>and I think Royce is one of the grace of

0:21:47.680 --> 0:21:52.480
<v Speaker 1>all time. So you bodied him. It was rough, No,

0:21:53.119 --> 0:21:55.919
<v Speaker 1>it was I felt like you caught him off guard.

0:21:56.000 --> 0:21:58.880
<v Speaker 1>And there was a lot more factors into what happened, right,

0:21:58.880 --> 0:22:02.520
<v Speaker 1>It wasn't like Royce got killed, but like the circumstances

0:22:02.520 --> 0:22:04.520
<v Speaker 1>did not line a favorablyefore Royce he was caught off

0:22:04.520 --> 0:22:06.720
<v Speaker 1>guard a little bit. I also don't think Royce came there,

0:22:06.760 --> 0:22:08.440
<v Speaker 1>like I mean, you can kind of give you a

0:22:08.480 --> 0:22:11.000
<v Speaker 1>little background what happened that night, because it's on YouTube, right,

0:22:11.520 --> 0:22:14.200
<v Speaker 1>and not a lot of people can say, I shot

0:22:14.240 --> 0:22:16.159
<v Speaker 1>the fade on stage with Royce and rapid and I

0:22:16.240 --> 0:22:18.960
<v Speaker 1>got him. I caught him off guard that night. I

0:22:19.000 --> 0:22:24.479
<v Speaker 1>don't think that he knew competitively what we were supposed

0:22:24.480 --> 0:22:26.800
<v Speaker 1>to do that night. Okay. I think one thing that

0:22:26.880 --> 0:22:29.159
<v Speaker 1>was told to me was we're going to have a

0:22:29.200 --> 0:22:32.320
<v Speaker 1>freestyle battle with this person, this person, this person, and

0:22:32.400 --> 0:22:35.480
<v Speaker 1>everybody's going to be there. One guy didn't show up.

0:22:37.280 --> 0:22:39.760
<v Speaker 1>I think something had happened to something. Something did happen

0:22:39.800 --> 0:22:42.000
<v Speaker 1>to Joe Butden's brother that night. So Joe was supposed

0:22:42.000 --> 0:22:44.200
<v Speaker 1>to be there. And this is why I tell people

0:22:44.200 --> 0:22:48.440
<v Speaker 1>all the time, here's here's a good hairline headline for us.

0:22:48.960 --> 0:22:54.920
<v Speaker 1>That night created Slaughterhouse MMMM. Because Joe Button was supposed

0:22:54.960 --> 0:22:58.000
<v Speaker 1>to perform that night. Unfortunately, something had happened to his

0:22:58.040 --> 0:23:01.760
<v Speaker 1>brother which prevented him from coming, which left me and

0:23:02.720 --> 0:23:05.240
<v Speaker 1>Royce to battle and dual. So when we got up

0:23:05.280 --> 0:23:08.239
<v Speaker 1>there to battle, I don't think that he understood that

0:23:08.320 --> 0:23:11.119
<v Speaker 1>it was like that kind of battle, Like it's more

0:23:11.200 --> 0:23:13.439
<v Speaker 1>like everybody just just get a verse some bars all,

0:23:13.560 --> 0:23:17.680
<v Speaker 1>you know. So I caught him off guard, me being

0:23:17.720 --> 0:23:22.560
<v Speaker 1>the young you know, super guy just excited, you know,

0:23:22.680 --> 0:23:25.080
<v Speaker 1>for one him being one of my favorite rappers, he's

0:23:25.119 --> 0:23:27.720
<v Speaker 1>a got to being like, yo, I get a chance

0:23:27.760 --> 0:23:31.760
<v Speaker 1>to spar with with Royce tonight, I'm bringing the best shot.

0:23:31.800 --> 0:23:34.280
<v Speaker 1>I'm going I'm swinging, so you know what I'm saying.

0:23:34.320 --> 0:23:37.320
<v Speaker 1>So we did that. So then that led to Joe

0:23:37.359 --> 0:23:42.000
<v Speaker 1>and Royce having words. I forgot that the little beef. Yeah,

0:23:42.040 --> 0:23:45.800
<v Speaker 1>this is before Slaughterhouse, So that night created Slaughterhouse. Yeah,

0:23:45.840 --> 0:23:48.080
<v Speaker 1>because off of their beef is how they kind of yeah,

0:23:48.080 --> 0:23:50.480
<v Speaker 1>got cool. So then it was like Joe was like,

0:23:52.200 --> 0:23:55.440
<v Speaker 1>Hugh Royce, y'all whack woo, you know, Joe, Joe gets

0:23:55.440 --> 0:23:58.440
<v Speaker 1>in his bag and he was like whatever, like y'all

0:23:58.480 --> 0:24:00.960
<v Speaker 1>not even in my lone lane. And then Joe and Royce,

0:24:01.840 --> 0:24:04.719
<v Speaker 1>I mean Joe and Royce and then me and Royce

0:24:05.320 --> 0:24:08.800
<v Speaker 1>and they were like, we did what we did And

0:24:08.840 --> 0:24:11.919
<v Speaker 1>then they were they went and then they you know,

0:24:12.080 --> 0:24:16.600
<v Speaker 1>that was that began and took for real, so it conflated.

0:24:17.080 --> 0:24:20.600
<v Speaker 1>They came together, they got Joel and and Uh and

0:24:20.640 --> 0:24:23.240
<v Speaker 1>Crooked and created the Dope who was on that first song.

0:24:23.320 --> 0:24:25.639
<v Speaker 1>Nino Blessed was on a song with them, and he

0:24:25.760 --> 0:24:28.360
<v Speaker 1>was like, there was there was a song called Slaughterhouse

0:24:28.760 --> 0:24:31.399
<v Speaker 1>and I think it was five of them, but they

0:24:31.440 --> 0:24:35.320
<v Speaker 1>didn't end up including No Blessed, so Joe Crook and

0:24:35.400 --> 0:24:37.800
<v Speaker 1>Joe and then they created you know, arguably one of

0:24:37.800 --> 0:24:41.120
<v Speaker 1>the dopest groups. You know, especially first album was amazing

0:24:41.160 --> 0:24:43.199
<v Speaker 1>for sure. Man, to be able to watch all of

0:24:43.240 --> 0:24:46.560
<v Speaker 1>those dudes just trade bars was super dope. Man. It

0:24:46.600 --> 0:24:49.000
<v Speaker 1>was funny because my dude came to me one day

0:24:49.000 --> 0:24:52.600
<v Speaker 1>he was like, cuz, man, you helps work that bro,

0:24:52.720 --> 0:24:54.639
<v Speaker 1>they could at least put you on a song or something.

0:24:55.119 --> 0:24:56.919
<v Speaker 1>I say, Man, that's crazy. I say, Man, they're in

0:24:56.960 --> 0:25:00.000
<v Speaker 1>a different league, man. You know we we we the underground.

0:25:00.200 --> 0:25:02.199
<v Speaker 1>We like the dude that beat Tyson in prison and

0:25:02.240 --> 0:25:04.240
<v Speaker 1>nobody knows his name. We just heard the rumors of

0:25:04.280 --> 0:25:07.080
<v Speaker 1>Tyson lost a fight in jail. What is interesting too,

0:25:07.119 --> 0:25:10.440
<v Speaker 1>because I do feel like, for whatever reason, it's still happening.

0:25:10.440 --> 0:25:14.040
<v Speaker 1>But in terms of like the Bay Area, if you

0:25:14.080 --> 0:25:15.920
<v Speaker 1>go to the Bay it is very much like its

0:25:15.960 --> 0:25:19.080
<v Speaker 1>own like you're like in your own country kind of

0:25:19.359 --> 0:25:21.399
<v Speaker 1>hip hop. It's like an island. Like you go to

0:25:21.440 --> 0:25:23.440
<v Speaker 1>the club, you're gonna hear shit. You're gonna hear songs

0:25:23.440 --> 0:25:25.040
<v Speaker 1>from people who aren't from the Bay that you won't

0:25:25.119 --> 0:25:27.960
<v Speaker 1>hear anywhere else. Like you'll hear some Baby Boy the

0:25:28.040 --> 0:25:30.120
<v Speaker 1>Prince or some like for sure, you'll just hear shit

0:25:30.200 --> 0:25:33.040
<v Speaker 1>that like only worked there. The Way We Live still

0:25:33.080 --> 0:25:35.959
<v Speaker 1>gets played, That's what I mean. Like this that that record,

0:25:36.359 --> 0:25:38.439
<v Speaker 1>I think one of the young guys just redid that

0:25:38.480 --> 0:25:40.480
<v Speaker 1>beat or something, or he's planning to redo that beat.

0:25:40.520 --> 0:25:43.120
<v Speaker 1>That record is still big and people like never even

0:25:43.160 --> 0:25:46.159
<v Speaker 1>heard that record. It's so crazy because like it is

0:25:46.240 --> 0:25:50.040
<v Speaker 1>indeed its own island, and I think that there's like

0:25:50.040 --> 0:25:52.720
<v Speaker 1>gifts and curses with that while also being like one

0:25:52.760 --> 0:25:56.000
<v Speaker 1>of the most influential places in hip hop. There's so

0:25:56.000 --> 0:25:59.000
<v Speaker 1>many things you can trace back to the Bay Area. Right,

0:26:00.480 --> 0:26:03.960
<v Speaker 1>Why do you think you know twenty years later now

0:26:04.000 --> 0:26:06.159
<v Speaker 1>you have a lot of context to your career and

0:26:07.560 --> 0:26:10.320
<v Speaker 1>just you know, observing the music industry that the base

0:26:10.400 --> 0:26:13.880
<v Speaker 1>still somehow doesn't get the flowers or respect you think

0:26:13.880 --> 0:26:15.600
<v Speaker 1>it deserves, because I think it deserves a lot more

0:26:15.640 --> 0:26:17.840
<v Speaker 1>love and respect, you know, in terms of the landscape

0:26:17.840 --> 0:26:21.040
<v Speaker 1>and hip hop. You look at independent artists that have

0:26:21.240 --> 0:26:26.720
<v Speaker 1>dealt with mainstream artists that have been backed by powerhouse machines,

0:26:27.880 --> 0:26:33.960
<v Speaker 1>and you can't there's no equivalence to an independent artist

0:26:33.960 --> 0:26:37.800
<v Speaker 1>pushing out his own product versus a label that's pushing

0:26:37.880 --> 0:26:39.919
<v Speaker 1>millions and correct and you know what I'm saying, hundreds

0:26:39.920 --> 0:26:43.399
<v Speaker 1>of thousand dollars behind a single correct for someone who's

0:26:43.440 --> 0:26:47.560
<v Speaker 1>pushing a couple pennies towards a project, you know, And

0:26:47.880 --> 0:26:50.320
<v Speaker 1>that's at the end of the day, that's what it is. Like.

0:26:50.400 --> 0:26:54.280
<v Speaker 1>The difference is, as independent artists, we've created an infrastructure

0:26:54.480 --> 0:26:59.600
<v Speaker 1>that has solely been based off a fan artist type relationship.

0:27:00.160 --> 0:27:02.080
<v Speaker 1>We look at what the Russell is doing right now,

0:27:03.000 --> 0:27:06.560
<v Speaker 1>and that's all just fan base. That's all community. This

0:27:06.600 --> 0:27:11.240
<v Speaker 1>whole community and this ecosystem is that's what to marginalize

0:27:11.560 --> 0:27:13.840
<v Speaker 1>the Bay Area in a nutshell, that's what it is.

0:27:13.960 --> 0:27:18.800
<v Speaker 1>It's just artists that has succeeded in respected markets with

0:27:18.880 --> 0:27:20.800
<v Speaker 1>the art with with the fans and the group of

0:27:20.800 --> 0:27:23.720
<v Speaker 1>people that support them and they just focus on them.

0:27:24.000 --> 0:27:27.320
<v Speaker 1>Like you may take the hottest artists in the country

0:27:29.280 --> 0:27:33.879
<v Speaker 1>and put him against somebody in the Bay that that

0:27:33.960 --> 0:27:37.359
<v Speaker 1>may be thriving there demographically, and they do a show,

0:27:38.440 --> 0:27:39.879
<v Speaker 1>they're gonna be people that are going to be going

0:27:39.920 --> 0:27:41.480
<v Speaker 1>to that to that Bay, to that artist from the

0:27:41.520 --> 0:27:43.639
<v Speaker 1>Bay's record, or if they put them on the same show,

0:27:44.080 --> 0:27:45.800
<v Speaker 1>that artist is gonna be like, damn, why y'all let

0:27:45.840 --> 0:27:48.640
<v Speaker 1>me open? Like just brought Dlo out like a few

0:27:48.680 --> 0:27:53.520
<v Speaker 1>months ago, and it was crazy. It was I feel

0:27:53.560 --> 0:27:57.240
<v Speaker 1>like it was like somebody else YG, maybe it was

0:27:59.560 --> 0:28:02.840
<v Speaker 1>Kline brought him out about three months ago. Yeah, I

0:28:02.880 --> 0:28:06.320
<v Speaker 1>think that's what I was if. I mean, obviously she

0:28:06.480 --> 0:28:08.040
<v Speaker 1>was from the Bay, you know, so it's a little

0:28:08.080 --> 0:28:10.199
<v Speaker 1>little but I was just like that so tight she

0:28:10.240 --> 0:28:12.520
<v Speaker 1>brought him out, and then YG brought him out about

0:28:12.520 --> 0:28:16.320
<v Speaker 1>a month ago, same energy. D Low has hit the

0:28:16.359 --> 0:28:19.200
<v Speaker 1>ground running. He just, you know, came home from prison

0:28:19.359 --> 0:28:21.000
<v Speaker 1>and just been hitting the ground running. And like I

0:28:21.040 --> 0:28:25.880
<v Speaker 1>told him, he's so influential. He doesn't even know, right,

0:28:26.240 --> 0:28:28.160
<v Speaker 1>he was a kid when that record was probably sixteen

0:28:28.200 --> 0:28:31.240
<v Speaker 1>years old, seventeen years old, and all of these years later,

0:28:31.320 --> 0:28:35.320
<v Speaker 1>that record is still the number one records in the

0:28:35.520 --> 0:28:38.160
<v Speaker 1>in the party starting record, and so now this is

0:28:38.200 --> 0:28:40.800
<v Speaker 1>about him getting out and expanding and continuing to keep

0:28:40.840 --> 0:28:45.880
<v Speaker 1>moving forward. But you see that times over in the Bay.

0:28:45.880 --> 0:28:48.160
<v Speaker 1>There's so many different artists that are doing There's a

0:28:48.160 --> 0:28:50.880
<v Speaker 1>young artist named Cato who has a record called go

0:28:50.960 --> 0:28:54.560
<v Speaker 1>Off that went viral on TikTok, and you don't see

0:28:54.560 --> 0:28:56.800
<v Speaker 1>people working records anymore. And like I was telling him, though,

0:28:56.800 --> 0:28:59.920
<v Speaker 1>put some y'all never even worked that record. I'm like, hunk,

0:29:00.080 --> 0:29:04.040
<v Speaker 1>all this person some energy, put some energy behind it.

0:29:04.080 --> 0:29:05.960
<v Speaker 1>Like if you really put some energy behind this record,

0:29:06.040 --> 0:29:08.800
<v Speaker 1>say I didn't watch y'all blow twenty thirty thousand and

0:29:09.000 --> 0:29:11.240
<v Speaker 1>on the weekend at the club or something, go put

0:29:11.280 --> 0:29:13.760
<v Speaker 1>that behind somebody. Call you know this guy and say, man,

0:29:13.760 --> 0:29:15.720
<v Speaker 1>can you work this record? Help me get this record? Yeah,

0:29:15.840 --> 0:29:17.560
<v Speaker 1>I see. Like the stunner Man kid's been working his

0:29:17.600 --> 0:29:20.760
<v Speaker 1>record for two years, two years now, two years and

0:29:21.240 --> 0:29:24.000
<v Speaker 1>stunner Man his energy alone, he's just a good person,

0:29:24.040 --> 0:29:26.920
<v Speaker 1>great kid. He's got his he's got an amazing line

0:29:26.960 --> 0:29:30.360
<v Speaker 1>of organic juices that taste amazing. He's just a great kid.

0:29:31.040 --> 0:29:33.240
<v Speaker 1>His energy for sure, like his energy just so he's

0:29:33.280 --> 0:29:35.560
<v Speaker 1>just a great kid man, so it's hard to not

0:29:35.720 --> 0:29:37.840
<v Speaker 1>like him. Like we were in I was a he

0:29:38.160 --> 0:29:41.880
<v Speaker 1>records at my home studio, like where I do all

0:29:41.960 --> 0:29:45.240
<v Speaker 1>my work at Studio X. And he came in the

0:29:45.280 --> 0:29:48.960
<v Speaker 1>other day and he was like, man, what did it

0:29:48.960 --> 0:29:50.440
<v Speaker 1>take to get you on the song? I'm like, what,

0:29:51.360 --> 0:29:53.720
<v Speaker 1>I'm like, load up? What you want me to get on?

0:29:54.640 --> 0:29:56.200
<v Speaker 1>He said, But I got this one, but then I

0:29:56.280 --> 0:29:58.960
<v Speaker 1>might have liked it this but this one sound cool too.

0:30:00.080 --> 0:30:02.160
<v Speaker 1>Just did three verses for me real quick. Well pick

0:30:02.200 --> 0:30:04.160
<v Speaker 1>what you like, just take whatever one. He was like,

0:30:04.840 --> 0:30:06.960
<v Speaker 1>But that's you know, that's the type of organic energy

0:30:06.960 --> 0:30:08.880
<v Speaker 1>that we own. Man right there, man, and and and

0:30:08.880 --> 0:30:12.880
<v Speaker 1>and that camaraderie can continue to help bridge what has

0:30:12.920 --> 0:30:14.840
<v Speaker 1>ever been separated in there. You got a lot of

0:30:14.880 --> 0:30:17.640
<v Speaker 1>guys that are that are working extremely hard from all

0:30:17.720 --> 0:30:21.840
<v Speaker 1>cities up in the Bay. San Francisco is really thriving, Oakland,

0:30:22.000 --> 0:30:26.600
<v Speaker 1>e p A. Berkeley, Richmond the most. Definitely Valeo and Sacramento,

0:30:26.640 --> 0:30:29.040
<v Speaker 1>which a lot of people won't consider the Bay, Stockton

0:30:29.080 --> 0:30:32.720
<v Speaker 1>and Sacramento. Stockton's on fire. Doctor is crazy, like the

0:30:32.720 --> 0:30:35.920
<v Speaker 1>whole Stocking movement is on fire. And unfortunately that and

0:30:35.920 --> 0:30:37.640
<v Speaker 1>you know, I know they lost the Slow B guy,

0:30:37.720 --> 0:30:40.640
<v Speaker 1>but nursing piece of Slow B and Stockton Is but

0:30:40.720 --> 0:30:42.760
<v Speaker 1>all the EBK all those guys though, I mean, those

0:30:42.800 --> 0:30:45.160
<v Speaker 1>guys are crazy. And then we just seen Haiti Baby

0:30:45.200 --> 0:30:48.920
<v Speaker 1>get signed with so you know, yeah, I always like

0:30:49.840 --> 0:30:51.840
<v Speaker 1>it is funny because you'll you'll hear like you'll talk

0:30:52.000 --> 0:30:54.560
<v Speaker 1>like you'll talk to certain people from and they're from

0:30:54.560 --> 0:30:58.320
<v Speaker 1>like Sacramento and or stocked It and then you'll ask

0:30:58.360 --> 0:31:00.640
<v Speaker 1>them if they don't think that, you know, like where

0:31:00.640 --> 0:31:05.600
<v Speaker 1>are you from from the Bay? I'm from Sack, I said, right.

0:31:05.880 --> 0:31:11.200
<v Speaker 1>But now Sack has created its own representation. Now they

0:31:11.360 --> 0:31:13.760
<v Speaker 1>just like it's just like that. They just just pieful

0:31:13.880 --> 0:31:18.280
<v Speaker 1>now now from Sack. So you know what I'm saying.

0:31:18.320 --> 0:31:21.480
<v Speaker 1>You know, you contribute, uh, the mazi's and the cmos,

0:31:21.720 --> 0:31:23.680
<v Speaker 1>you know, and and and all of the dB botty

0:31:23.720 --> 0:31:26.040
<v Speaker 1>Bags and all of these other artists that have done

0:31:26.760 --> 0:31:30.400
<v Speaker 1>tremendous work to grab them their identity in the continuance

0:31:30.440 --> 0:31:33.880
<v Speaker 1>of the Sea Bowls and the X Rated, the roop

0:31:34.000 --> 0:31:36.160
<v Speaker 1>Dogs and Brother Lynches and these guys that have that

0:31:36.200 --> 0:31:38.520
<v Speaker 1>have done it for years. Marvelous, one of the first

0:31:38.560 --> 0:31:42.520
<v Speaker 1>female rappers to be on the scene, yeah, come on

0:31:42.600 --> 0:31:46.920
<v Speaker 1>like you like ce Bo is a pioneer man, independent

0:31:47.000 --> 0:31:50.280
<v Speaker 1>like this is. There would be no sack music scene

0:31:50.680 --> 0:31:54.680
<v Speaker 1>without ce Bow and you know in black Market. You

0:31:54.680 --> 0:31:56.240
<v Speaker 1>know when I was able to do. When I was

0:31:56.280 --> 0:31:58.960
<v Speaker 1>a little kid, I bought Season of the Sickness for

0:31:59.040 --> 0:32:01.640
<v Speaker 1>Brotherly Brother Lynn. Well, I didn't buy it. My best

0:32:01.680 --> 0:32:05.880
<v Speaker 1>friend had the CD and I was probably like seven eight,

0:32:06.520 --> 0:32:11.200
<v Speaker 1>and I believe that he was eating but I love

0:32:11.280 --> 0:32:13.640
<v Speaker 1>that shit, that album. I'm the type of a horse

0:32:13.680 --> 0:32:16.440
<v Speaker 1>head and your bed which your wife is miss the

0:32:16.520 --> 0:32:19.720
<v Speaker 1>knife and he's got a whole song about eating kids.

0:32:20.120 --> 0:32:22.920
<v Speaker 1>I love Brother lynch Man, Brother Lynch And so when

0:32:22.920 --> 0:32:25.280
<v Speaker 1>I was a little kid, I remember like listening to

0:32:25.280 --> 0:32:29.000
<v Speaker 1>his shit and my mom heard it and lost her

0:32:29.120 --> 0:32:33.240
<v Speaker 1>fucking mind, Like what the hell is this? Listen? Do

0:32:33.320 --> 0:32:35.720
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0:32:35.840 --> 0:32:39.040
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0:34:02.520 --> 0:34:07.360
<v Speaker 1>at Hardean Hardyan Las Vegas. Yes you see him. I

0:34:07.440 --> 0:34:10.480
<v Speaker 1>was just there in Vegas yesterday. This is the best

0:34:10.520 --> 0:34:14.279
<v Speaker 1>place I've ever been to in terms of dispensaries. I've

0:34:14.280 --> 0:34:17.799
<v Speaker 1>been to probably hundreds of these things, and the experience

0:34:17.880 --> 0:34:22.759
<v Speaker 1>at Hardan is like nowhere else. The customer service, the

0:34:22.880 --> 0:34:26.200
<v Speaker 1>selection of premium cannabis, the experience as a customer that

0:34:26.239 --> 0:34:28.640
<v Speaker 1>you get when you walk into the building in Las

0:34:28.760 --> 0:34:31.920
<v Speaker 1>Vegas is bar none the best. It's just the best, man,

0:34:31.960 --> 0:34:34.239
<v Speaker 1>they are the best. We got so much going on

0:34:34.280 --> 0:34:37.040
<v Speaker 1>this weekend. They're sponsoring the Rolling Stone Party on Friday,

0:34:37.040 --> 0:34:42.200
<v Speaker 1>super Bowl weekend, Fabulous Thursday, Offset Friday, Meek Saturday. It's

0:34:42.239 --> 0:34:44.120
<v Speaker 1>a lot going on with Hardan. You got to follow

0:34:44.160 --> 0:34:47.400
<v Speaker 1>him at Hardean Underscore Las Vegas right now. Shoot them

0:34:47.400 --> 0:34:49.640
<v Speaker 1>a follow on Instagram while you're at it. Go to

0:34:49.640 --> 0:34:53.040
<v Speaker 1>the website Hardyinlasvegas dot com. So much fly gear, so

0:34:53.160 --> 0:34:56.040
<v Speaker 1>much flyweed. What are we talking about? Baby? Shout out

0:34:56.080 --> 0:34:58.400
<v Speaker 1>to Hardean man, that's the family man. Go if you're

0:34:58.440 --> 0:35:01.080
<v Speaker 1>in Vegas, pull up on them, man Dean Las Vegas.

0:35:01.320 --> 0:35:03.719
<v Speaker 1>Because he had a record. You better pray, wouldn't you see?

0:35:03.719 --> 0:35:06.040
<v Speaker 1>He put that nne up in there. Pussy whole cocka back,

0:35:06.120 --> 0:35:08.319
<v Speaker 1>slow rocking back and forth, wait for the nut and

0:35:08.360 --> 0:35:11.319
<v Speaker 1>let my tuer go boom, pussy guts all over the room.

0:35:11.440 --> 0:35:13.520
<v Speaker 1>And the whole song is about eating, like serving. Maybe

0:35:14.560 --> 0:35:20.000
<v Speaker 1>he's serving his own children baby parts. Lynch was crazy

0:35:20.280 --> 0:35:24.560
<v Speaker 1>like Lynch Lynch Looney calling on. Unfortunately Lurch actually did it.

0:35:25.520 --> 0:35:28.040
<v Speaker 1>Remember that's what he jailed for. Yeah, I didn't know

0:35:28.120 --> 0:35:31.319
<v Speaker 1>that Lurch wigged out on some PCP and actually ate

0:35:32.120 --> 0:35:35.200
<v Speaker 1>someone he was hanging out with, brother Lynch. Yeah, that

0:35:35.239 --> 0:35:37.239
<v Speaker 1>was their whole crew, like they was their crew. Like,

0:35:37.400 --> 0:35:42.640
<v Speaker 1>well yeah he actually he was inspired by hip so

0:35:43.200 --> 0:35:45.360
<v Speaker 1>but no, Sad, I didn't know that. Yeah, he's actually

0:35:45.360 --> 0:35:49.000
<v Speaker 1>in jail for that right now. Fuck X Rayeds out,

0:35:49.080 --> 0:35:54.080
<v Speaker 1>Thriving x rays Out, Strange. I feel like Strange might

0:35:54.160 --> 0:35:58.319
<v Speaker 1>have tried it. They were trying to sign you technical Travis.

0:35:58.640 --> 0:36:01.600
<v Speaker 1>We spoke, I did a They pushed a hard line,

0:36:01.800 --> 0:36:03.920
<v Speaker 1>super hard. I mean they're strict. It's like it's kind

0:36:03.920 --> 0:36:07.640
<v Speaker 1>of like it's because a bot camp camp for sure,

0:36:08.080 --> 0:36:09.920
<v Speaker 1>Like you go on tour and get fine and ship.

0:36:09.960 --> 0:36:11.759
<v Speaker 1>Me and Tech are like this like that's that's my

0:36:11.800 --> 0:36:13.879
<v Speaker 1>brother man. And Tech has showed me so much love

0:36:13.920 --> 0:36:16.600
<v Speaker 1>and game. I remember my first time going to Kansas

0:36:16.640 --> 0:36:23.640
<v Speaker 1>City doing the show. Shortly after Macdrey was assassinated. Tech

0:36:23.719 --> 0:36:25.160
<v Speaker 1>came to the show and was like I'm not letting

0:36:25.160 --> 0:36:28.920
<v Speaker 1>nothing happen. He was their security guards and from I'm

0:36:28.920 --> 0:36:32.760
<v Speaker 1>talking about from me entering Kansas City to me leaving,

0:36:32.800 --> 0:36:37.600
<v Speaker 1>he was with me. And I was just like how

0:36:37.600 --> 0:36:40.120
<v Speaker 1>did you get my number? Like this is like like

0:36:40.160 --> 0:36:44.120
<v Speaker 1>he just called me. I was like what's up. I'm like, Tech,

0:36:44.160 --> 0:36:47.880
<v Speaker 1>what's up? Where you at? Like, man, you're at Candy

0:36:47.920 --> 0:36:51.600
<v Speaker 1>tonight right pulling up and he just stayed with me.

0:36:51.640 --> 0:36:53.200
<v Speaker 1>It was like nothing's going to happen to Yeah. For

0:36:53.280 --> 0:36:56.400
<v Speaker 1>people who don't know mac Drey was murdered in Kansas City,

0:36:56.400 --> 0:37:02.640
<v Speaker 1>man and and Tech uh uh and Joe and like

0:37:02.719 --> 0:37:05.400
<v Speaker 1>the whole squad. Travis made sure that we was cool

0:37:05.440 --> 0:37:08.840
<v Speaker 1>man and like man like yeah, but the strange music,

0:37:09.480 --> 0:37:14.000
<v Speaker 1>like bro, they so militant. Like when Tech goes on tour,

0:37:14.080 --> 0:37:18.520
<v Speaker 1>Tech does like ninety eight days, ninety eight dates and

0:37:18.520 --> 0:37:23.520
<v Speaker 1>one hundred days. It's it's no rooms you're shwering at

0:37:24.520 --> 0:37:27.400
<v Speaker 1>and he's expecting a baby right now. I don't know

0:37:27.440 --> 0:37:29.920
<v Speaker 1>how that's gonna happen. Like, bro, you shiring at truck

0:37:29.960 --> 0:37:32.719
<v Speaker 1>stops for sure. You gotta get up at six in

0:37:32.760 --> 0:37:35.160
<v Speaker 1>the morning. You gotta deal with those those strange music

0:37:35.200 --> 0:37:37.400
<v Speaker 1>fans who are a special kind of fan. At the

0:37:37.480 --> 0:37:39.160
<v Speaker 1>end of the show, you gotta wait till all the

0:37:39.200 --> 0:37:41.439
<v Speaker 1>meet and greet and the signings and all that's done.

0:37:41.560 --> 0:37:43.960
<v Speaker 1>So you might have performed at nine o'clock, you're not

0:37:44.040 --> 0:37:47.040
<v Speaker 1>leaving that city till two o'clock. You gotta be at

0:37:47.080 --> 0:37:48.960
<v Speaker 1>the next city at a certain time. You gotta shower,

0:37:49.040 --> 0:37:53.880
<v Speaker 1>I said, I went out, I'll say to boogie for this.

0:37:54.360 --> 0:37:55.719
<v Speaker 1>So I don't want to. I don't want to be

0:37:55.760 --> 0:37:58.600
<v Speaker 1>this type of successful. This is a different level of success.

0:37:58.640 --> 0:38:01.200
<v Speaker 1>I love my freedom, brother, I don't I want to

0:38:01.200 --> 0:38:03.920
<v Speaker 1>shower in a nice place. I am the room type.

0:38:04.040 --> 0:38:07.000
<v Speaker 1>I am the I got to go go to the hotel.

0:38:07.080 --> 0:38:09.920
<v Speaker 1>I got to catch an airplane. Man, I can't do

0:38:10.000 --> 0:38:13.440
<v Speaker 1>it like I don't know, say it wasn't meant for

0:38:13.480 --> 0:38:15.360
<v Speaker 1>me to get to get on that way. Sometimes you

0:38:15.360 --> 0:38:17.839
<v Speaker 1>got to realize, Man, you gotta really applaud those people

0:38:17.920 --> 0:38:21.000
<v Speaker 1>that put in that extra effort and Tech nine is

0:38:21.280 --> 0:38:23.080
<v Speaker 1>the reason why he is and the reason why they're

0:38:23.080 --> 0:38:25.920
<v Speaker 1>successful as they are because the behind the scenes work

0:38:26.000 --> 0:38:28.680
<v Speaker 1>that they put in. Oh my god, the average artists

0:38:28.680 --> 0:38:31.959
<v Speaker 1>wouldn't last. That's a real rap boot camp. Like, that's like, dude,

0:38:32.320 --> 0:38:34.120
<v Speaker 1>you come in here, it's deer. You got to be

0:38:34.160 --> 0:38:37.000
<v Speaker 1>ready for sure. So I love them and I salute

0:38:37.000 --> 0:38:39.520
<v Speaker 1>them like for what they do. Man, them dudes are

0:38:39.640 --> 0:38:43.439
<v Speaker 1>definitely deserving of everything that they get. I think some

0:38:43.520 --> 0:38:47.960
<v Speaker 1>people who aren't from the Bay might not understand the

0:38:48.000 --> 0:38:52.120
<v Speaker 1>gravity of mac dre, right. I think that for a

0:38:52.160 --> 0:38:55.720
<v Speaker 1>lot of people, mac Dre wasn't a thing until he passed,

0:38:55.719 --> 0:38:57.840
<v Speaker 1>and that's how they found out about him. Now, obviously

0:38:58.200 --> 0:38:59.799
<v Speaker 1>in the Bay it's a lot different, But I had

0:38:59.840 --> 0:39:03.040
<v Speaker 1>heard prior to him passing he was more embraced by

0:39:03.080 --> 0:39:06.640
<v Speaker 1>like the like more nerdy, like like Berkeley, like rap

0:39:06.719 --> 0:39:09.000
<v Speaker 1>hippie shit. Like. Explain to me kind of the dynamic

0:39:09.120 --> 0:39:12.920
<v Speaker 1>of mac dre like and his kind of career and

0:39:12.960 --> 0:39:15.919
<v Speaker 1>how things change in the way he was perceived after

0:39:15.960 --> 0:39:18.719
<v Speaker 1>he passed, even even from like somebody like yourself, I

0:39:18.760 --> 0:39:23.520
<v Speaker 1>think even the misconception of Berkeley, like we we people

0:39:24.280 --> 0:39:27.919
<v Speaker 1>grab Berkeley from Telegraph Street and they think that that's

0:39:28.040 --> 0:39:30.239
<v Speaker 1>just Berkeley, Like Berkeley is hood, Like you know what

0:39:30.239 --> 0:39:33.480
<v Speaker 1>I'm saying, it's you got the South Berkeley's the waterfronts, like,

0:39:33.600 --> 0:39:36.959
<v Speaker 1>so all Berkeley, not just what you see on Telegraph Street.

0:39:37.000 --> 0:39:39.320
<v Speaker 1>Like what I'm saying, Berkeley is like it's a real spot,

0:39:39.400 --> 0:39:43.319
<v Speaker 1>like it's a hood spot. So his fans, though, to

0:39:43.600 --> 0:39:46.080
<v Speaker 1>you know, support what you were saying. He had a

0:39:46.120 --> 0:39:51.239
<v Speaker 1>fan base before he before he got out of jail,

0:39:51.239 --> 0:39:53.920
<v Speaker 1>like people forget the California living, people forget the too

0:39:53.960 --> 0:39:56.880
<v Speaker 1>hard for the radio on his first run where he

0:39:56.960 --> 0:40:00.160
<v Speaker 1>sold you know, hundreds of thousands of records, and it's

0:40:00.160 --> 0:40:02.120
<v Speaker 1>safe to say that was before the fist face for sure,

0:40:02.239 --> 0:40:04.080
<v Speaker 1>way before that. Then you know, he went to the

0:40:04.080 --> 0:40:09.239
<v Speaker 1>federal penitentiary for trumped up charges and he refused to

0:40:09.280 --> 0:40:11.680
<v Speaker 1>tell on his friends. He did about five and a

0:40:11.719 --> 0:40:15.120
<v Speaker 1>half years and he came out and his philosophy was, Man,

0:40:15.160 --> 0:40:17.719
<v Speaker 1>I'm just gonna have fun. I'm gonna just kick it,

0:40:17.760 --> 0:40:22.319
<v Speaker 1>make some party music and chill and Miami created you know,

0:40:22.520 --> 0:40:25.359
<v Speaker 1>the term this and it was just about just having fun,

0:40:25.440 --> 0:40:29.200
<v Speaker 1>like doing the hippie, like creating the modern day hip

0:40:29.239 --> 0:40:35.239
<v Speaker 1>hop hippie, and a lot of people don't understand. He went,

0:40:35.880 --> 0:40:38.320
<v Speaker 1>I won't say under the wing, but let's say side

0:40:38.320 --> 0:40:42.560
<v Speaker 1>by side with Andre Nicotina, and Nicotina was like another

0:40:42.640 --> 0:40:45.560
<v Speaker 1>legend who doesn't super icon, who you won't get an

0:40:45.560 --> 0:40:49.680
<v Speaker 1>interview out of, you won't anything. It still does like

0:40:49.760 --> 0:40:52.960
<v Speaker 1>random shows. Yeah, he'll do when he wants to. You'll

0:40:52.960 --> 0:40:55.520
<v Speaker 1>be like a Nicotina's performing here, like he's doing this,

0:40:55.680 --> 0:40:58.000
<v Speaker 1>He's doing this thing now with the symphony where they're

0:40:58.040 --> 0:41:01.480
<v Speaker 1>doing He's like the San Francisco Symphony is doing his

0:41:01.640 --> 0:41:04.360
<v Speaker 1>music and like Niggis. I think Godzi was telling me

0:41:04.360 --> 0:41:06.560
<v Speaker 1>about that. I love Nikki, like like Nikki is a

0:41:06.640 --> 0:41:09.040
<v Speaker 1>dude where he's a he's a guru man. He'll he

0:41:09.160 --> 0:41:11.719
<v Speaker 1>talked to you in parables and it's just like you

0:41:11.719 --> 0:41:14.319
<v Speaker 1>sit up and you be like see all that ship

0:41:14.560 --> 0:41:16.560
<v Speaker 1>just miss me Lean a kid from Phoenix, like the

0:41:16.640 --> 0:41:19.759
<v Speaker 1>mac dre Andre Nicotina. I was listening to forty in

0:41:19.800 --> 0:41:21.520
<v Speaker 1>a major way. I was listening to all the two

0:41:21.600 --> 0:41:25.319
<v Speaker 1>short ships. So they were underground, so like hieroglyphics, but

0:41:25.400 --> 0:41:28.040
<v Speaker 1>like and and like Selly sell ship like that, but

0:41:28.120 --> 0:41:31.200
<v Speaker 1>that like under Drey Dog was like Dre Dog is

0:41:31.280 --> 0:41:34.799
<v Speaker 1>you know that's Nicotina. That's like the under undercut. So

0:41:35.640 --> 0:41:39.360
<v Speaker 1>Dre and Dre and Dre hooked up. So Nicotina and

0:41:39.360 --> 0:41:43.719
<v Speaker 1>and and uh mac Dre hooked up and Dre was like,

0:41:43.719 --> 0:41:46.919
<v Speaker 1>I'm gonna introduce you to these other fans, to these fans.

0:41:46.920 --> 0:41:49.400
<v Speaker 1>That's supportive, to these fans, that's gone no matter what

0:41:49.440 --> 0:41:52.360
<v Speaker 1>you do. And we went out on tour and it

0:41:52.480 --> 0:41:57.839
<v Speaker 1>was a Nicotina tour and me, I was like, I

0:41:57.880 --> 0:42:02.040
<v Speaker 1>thought mac Dre was bigger than Nikki until I went

0:42:02.080 --> 0:42:05.080
<v Speaker 1>to the Seattle's and the Olympias and the Salem's and

0:42:05.120 --> 0:42:09.160
<v Speaker 1>the belly Hans and I was like, oh, it's different.

0:42:09.400 --> 0:42:13.200
<v Speaker 1>He's bringing them out. Yeah, like Nikki huge. So I

0:42:13.200 --> 0:42:14.880
<v Speaker 1>got a chance to go on a Canadian tour with

0:42:14.960 --> 0:42:17.160
<v Speaker 1>Nicotina and I was just I was blown away because

0:42:17.160 --> 0:42:18.759
<v Speaker 1>I'm like, we're going in the cities you can't I

0:42:18.800 --> 0:42:20.840
<v Speaker 1>can't even pronounce the city and I'm just like the

0:42:20.960 --> 0:42:23.960
<v Speaker 1>lines wrapped around the corner and like Nicotina is just

0:42:24.000 --> 0:42:27.399
<v Speaker 1>like wow. So that's the fan base they had. They had,

0:42:27.480 --> 0:42:32.640
<v Speaker 1>like you know, big shoutouts to Santa Rosa, Sebastia Pool, Petaluma, Yukaya, Humbled,

0:42:32.680 --> 0:42:36.920
<v Speaker 1>all of these small cities that people bypass the normal

0:42:37.000 --> 0:42:39.400
<v Speaker 1>mainstream hip hop they go right by those these cities.

0:42:39.440 --> 0:42:43.520
<v Speaker 1>But these guys made a career off showing love to

0:42:43.600 --> 0:42:48.600
<v Speaker 1>those fans, right and until this day, those fans are

0:42:48.680 --> 0:42:51.840
<v Speaker 1>very still supportive. Man. And that's the Bay areas Chitlin

0:42:51.920 --> 0:42:54.959
<v Speaker 1>circuit where they go out, because yeah, that's real. It's

0:42:55.000 --> 0:42:57.239
<v Speaker 1>like you get kind of that whole. You can go

0:42:57.280 --> 0:42:59.480
<v Speaker 1>to Boise, you can go tour, you go from from

0:42:59.560 --> 0:43:02.960
<v Speaker 1>Seattle to San Diego, and then we jump over because

0:43:03.000 --> 0:43:06.160
<v Speaker 1>of course we go to Arizona, we go Boise and

0:43:06.719 --> 0:43:10.480
<v Speaker 1>from that area, that whole little that Chitland circuit, a

0:43:10.560 --> 0:43:15.719
<v Speaker 1>bay area and artists can make a living and now

0:43:15.800 --> 0:43:18.480
<v Speaker 1>too and a good one and LA artists. It's the same,

0:43:18.480 --> 0:43:20.759
<v Speaker 1>most definitely, most definitely because the sound is similar. Yeah,

0:43:20.760 --> 0:43:22.920
<v Speaker 1>because the LA shit, Like I'll notice, like guys like

0:43:23.120 --> 0:43:25.200
<v Speaker 1>you know, I'm always trying to talk to some of

0:43:25.239 --> 0:43:26.879
<v Speaker 1>my friends and be like, hey, you know, like how

0:43:26.880 --> 0:43:29.160
<v Speaker 1>do we get past get you past Arizona or get

0:43:29.160 --> 0:43:31.399
<v Speaker 1>you past Albuquerque? Right? You know what I mean? Because

0:43:31.400 --> 0:43:33.600
<v Speaker 1>that's really the key kid named Kaitlyn for Real, for

0:43:33.640 --> 0:43:35.000
<v Speaker 1>real did a good job because he just moved to

0:43:35.000 --> 0:43:37.080
<v Speaker 1>Atlanta for like a year. He went crazy when he

0:43:37.120 --> 0:43:39.319
<v Speaker 1>came to the Bay. Yeah, so like, but he went

0:43:39.560 --> 0:43:42.920
<v Speaker 1>to the South and try to break there first, and

0:43:43.000 --> 0:43:44.920
<v Speaker 1>it kind of worked in his favor because you know,

0:43:45.160 --> 0:43:46.600
<v Speaker 1>now he can go to Atlanta and do a show.

0:43:46.600 --> 0:43:49.040
<v Speaker 1>But I do think that chitpland circuit is a real

0:43:49.040 --> 0:43:51.320
<v Speaker 1>thing you have. You have to tap into the chitpland

0:43:51.320 --> 0:43:55.520
<v Speaker 1>circuit because something that people lack nowadays that they allow

0:43:55.600 --> 0:43:58.400
<v Speaker 1>social media to confuse them into thinking just because you

0:43:58.440 --> 0:44:01.360
<v Speaker 1>have followers that you have fans. True, and that's a

0:44:01.360 --> 0:44:05.200
<v Speaker 1>different fans break bread to buy the shirt. Followers kind

0:44:05.200 --> 0:44:08.320
<v Speaker 1>of like nosy neighbors. Your followers are the people that

0:44:08.440 --> 0:44:10.520
<v Speaker 1>just want to look and they peak through the window.

0:44:10.800 --> 0:44:14.400
<v Speaker 1>Thet won't. But the difference between followers and fans are

0:44:14.440 --> 0:44:16.560
<v Speaker 1>those fans are going to say, dude, I'm going I

0:44:16.600 --> 0:44:18.680
<v Speaker 1>want I want that picture, I want to be I

0:44:18.680 --> 0:44:22.040
<v Speaker 1>want that autograph, I need period of tattoo. By the way,

0:44:22.080 --> 0:44:24.279
<v Speaker 1>hey listen right, you know I need that, you know,

0:44:24.360 --> 0:44:27.480
<v Speaker 1>And then that fan is they're going to subscribe to

0:44:27.520 --> 0:44:30.320
<v Speaker 1>your tribe, and that's how you become successful. That's how

0:44:30.840 --> 0:44:34.080
<v Speaker 1>somebody passed the Mississippi may have never heard of mister

0:44:34.120 --> 0:44:37.879
<v Speaker 1>Fab or past the Rockies may not have never heard

0:44:37.880 --> 0:44:40.520
<v Speaker 1>of mister Fab. But you come to our area and

0:44:40.560 --> 0:44:44.040
<v Speaker 1>you're like, wow, you you have all of these entities

0:44:44.080 --> 0:44:47.560
<v Speaker 1>and you have this influence, and you ride around town

0:44:47.640 --> 0:44:50.359
<v Speaker 1>and Lamborghinis and Maseraties, you do all of this things.

0:44:50.400 --> 0:44:52.319
<v Speaker 1>You know, all of the things that they're in awe by.

0:44:53.320 --> 0:44:56.480
<v Speaker 1>But it's because we wouldn't be anything without the fans,

0:44:57.200 --> 0:45:01.960
<v Speaker 1>and so our Chiplin circuit is it's very impactful and thriving,

0:45:02.280 --> 0:45:04.680
<v Speaker 1>especially if you go out and you involve yourself and

0:45:04.680 --> 0:45:08.560
<v Speaker 1>dedicate with them. So why do you think? Uh? And

0:45:09.000 --> 0:45:13.279
<v Speaker 1>I might be wrong, but was mac Dre more embraced

0:45:13.480 --> 0:45:16.359
<v Speaker 1>by the inner city after he passed or was his

0:45:16.440 --> 0:45:20.000
<v Speaker 1>influence recognized more once he passed away in terms of

0:45:20.040 --> 0:45:22.000
<v Speaker 1>just kind of like the Hyphee movement and like what

0:45:22.200 --> 0:45:24.520
<v Speaker 1>kind of came after his death? Because I feel like

0:45:24.920 --> 0:45:28.480
<v Speaker 1>after mac Dre passed away is really when the Hyphee

0:45:28.480 --> 0:45:31.040
<v Speaker 1>movement took on a whole new level. And I can

0:45:31.120 --> 0:45:32.640
<v Speaker 1>you know, obviously, you can give a lot of credit

0:45:32.680 --> 0:45:33.759
<v Speaker 1>to a lot of people, but I think might get

0:45:33.800 --> 0:45:35.560
<v Speaker 1>a report card is kind of what brought the hyphee

0:45:35.560 --> 0:45:38.200
<v Speaker 1>movement too the world. But like, why do you think

0:45:38.239 --> 0:45:41.480
<v Speaker 1>that he wasn't maybe necessarily appreciated as much as he

0:45:42.040 --> 0:45:48.719
<v Speaker 1>is now because I've never been the guy a lot.

0:45:48.760 --> 0:45:50.560
<v Speaker 1>I'm not like, I've never been a big Mac Dre fan,

0:45:50.600 --> 0:45:52.120
<v Speaker 1>So I try to understand that because I go to

0:45:52.160 --> 0:45:54.560
<v Speaker 1>the band, I'm like, God, damn it, it's motherfucker. I

0:45:54.560 --> 0:45:56.520
<v Speaker 1>went and bought him Mac Dre sodaan Balo. You know

0:45:56.560 --> 0:46:00.840
<v Speaker 1>what I'm saying. It's a hip hop fan who's never

0:46:00.960 --> 0:46:05.120
<v Speaker 1>heard a J Dealer beat, who would argue that Jay

0:46:05.120 --> 0:46:07.640
<v Speaker 1>deal is one of the best producers ever. I just

0:46:07.640 --> 0:46:10.640
<v Speaker 1>had this kid, cash kid from Detroit, who's from Detroit,

0:46:10.680 --> 0:46:12.120
<v Speaker 1>and I said, have you ever heard of Jay Dealer?

0:46:12.160 --> 0:46:13.719
<v Speaker 1>And he was like, Oh, what's that? I was like,

0:46:14.239 --> 0:46:21.240
<v Speaker 1>so like, it's just like what comes with the post

0:46:22.560 --> 0:46:26.920
<v Speaker 1>is people just automatically begin to give you a certain

0:46:26.960 --> 0:46:29.439
<v Speaker 1>amount of praise or they contin just because they feel

0:46:29.480 --> 0:46:31.239
<v Speaker 1>like And that's unfortunate because I think we just saw

0:46:31.280 --> 0:46:34.279
<v Speaker 1>it with Nipsey most definitely, like the world stopped when

0:46:34.360 --> 0:46:36.799
<v Speaker 1>Nipsey died and it was like where were these people

0:46:36.840 --> 0:46:39.000
<v Speaker 1>that when Nips was alive? For sure, like you know,

0:46:39.120 --> 0:46:40.719
<v Speaker 1>now give it credit that there were a lot of

0:46:40.719 --> 0:46:45.360
<v Speaker 1>people that loved Nip for sure, But was it like that, right,

0:46:45.400 --> 0:46:46.960
<v Speaker 1>you know what I'm saying. Was it like that? It's

0:46:46.960 --> 0:46:50.040
<v Speaker 1>almost like he had to to be fully appreciated for

0:46:50.080 --> 0:46:53.239
<v Speaker 1>everything he was doing. It's like they're seldom do you

0:46:53.280 --> 0:46:55.600
<v Speaker 1>see artists get a chance to receive that love while

0:46:55.640 --> 0:46:59.440
<v Speaker 1>they're alive. I think mac dre was able to receive

0:46:59.480 --> 0:47:03.680
<v Speaker 1>that in the world that he was in. He was

0:47:03.719 --> 0:47:07.560
<v Speaker 1>able to feel that. He dropped the DVD called Trill TV,

0:47:08.200 --> 0:47:12.120
<v Speaker 1>and and this is just being in transparency. People in

0:47:12.160 --> 0:47:14.640
<v Speaker 1>Oakland was just like, Okay, that's the LAO, that's the rump,

0:47:14.680 --> 0:47:17.000
<v Speaker 1>that's that's them, that's they doing their thing. They wasn't

0:47:17.040 --> 0:47:19.879
<v Speaker 1>really super crazy Mac dre fans, not the majority. Of course,

0:47:19.920 --> 0:47:22.880
<v Speaker 1>you have fans that were already previous fans, you know

0:47:22.920 --> 0:47:27.440
<v Speaker 1>in theforemention of what we talked about. But when Trill

0:47:27.560 --> 0:47:31.319
<v Speaker 1>TV came out and people was like, bro, this is

0:47:31.320 --> 0:47:34.920
<v Speaker 1>how you living. Like Trill TV showed him an effect

0:47:34.960 --> 0:47:38.120
<v Speaker 1>where he had g wagon, he had the Platinum chain,

0:47:38.239 --> 0:47:40.640
<v Speaker 1>he had the grill, he was like it. He became

0:47:40.680 --> 0:47:44.800
<v Speaker 1>a superstar and for a long time, the Bay Area

0:47:44.880 --> 0:47:48.520
<v Speaker 1>hadn't saw that. They hadn't saw somebody in the benses

0:47:48.960 --> 0:47:51.120
<v Speaker 1>and and the things that he had, the chains and

0:47:51.160 --> 0:47:54.000
<v Speaker 1>the watch. They was like, oh, this cut of this

0:47:54.120 --> 0:47:57.719
<v Speaker 1>nigga saucy. He like, I want to be him. Like

0:47:57.840 --> 0:48:01.239
<v Speaker 1>what I'm saying now, people want to They started aspiring

0:48:01.320 --> 0:48:03.879
<v Speaker 1>to be like him. The lifestyle. So that gave him

0:48:04.200 --> 0:48:08.120
<v Speaker 1>a level of star power that you know, it was

0:48:08.200 --> 0:48:14.000
<v Speaker 1>it was an avalanche and on his incline. Unfortunately, what

0:48:14.120 --> 0:48:17.240
<v Speaker 1>took place took place, so he was he was rising

0:48:17.320 --> 0:48:20.320
<v Speaker 1>back up on the end and so that momentum still

0:48:20.320 --> 0:48:23.960
<v Speaker 1>pushed forward after he passed, and people were just like, bro, y'all, yeah,

0:48:24.040 --> 0:48:25.560
<v Speaker 1>y'all seeing that, but y'all didn't get a chance to

0:48:25.600 --> 0:48:29.880
<v Speaker 1>see it. So it became folklore. It was urban folklore.

0:48:29.880 --> 0:48:32.080
<v Speaker 1>It was like y'all didn't get a chance to see it. Yep,

0:48:32.480 --> 0:48:35.960
<v Speaker 1>we was there, like we saw Like people tell you

0:48:36.000 --> 0:48:39.239
<v Speaker 1>their stories of his star power. You know what I'm saying.

0:48:39.239 --> 0:48:41.239
<v Speaker 1>It's like, you know, Jesus, people's got to talking about

0:48:41.280 --> 0:48:43.040
<v Speaker 1>We don't know if those stories were true. It's like, man,

0:48:43.640 --> 0:48:46.400
<v Speaker 1>he touched it in Man and cure leprosy man. And

0:48:46.640 --> 0:48:48.880
<v Speaker 1>when he took the bread and cut the fish up

0:48:48.880 --> 0:48:50.960
<v Speaker 1>and fed everybody, it was like, you know, the folklore

0:48:51.000 --> 0:48:54.239
<v Speaker 1>begins to expand, and so that's what it was with

0:48:54.360 --> 0:48:56.759
<v Speaker 1>dre But if you asked me, was he able to

0:48:56.920 --> 0:49:00.279
<v Speaker 1>feel or smell those roses? I do believe that he

0:49:00.480 --> 0:49:03.279
<v Speaker 1>was because he was able to see his impact and

0:49:03.320 --> 0:49:07.279
<v Speaker 1>how impactful that it was becoming in his resurgence. And

0:49:07.480 --> 0:49:12.600
<v Speaker 1>unfortunately it was cut short forty and Warner did a

0:49:12.600 --> 0:49:16.080
<v Speaker 1>hell of a job with packaging up the high fee

0:49:16.120 --> 0:49:18.960
<v Speaker 1>movement and selling it right shots a little John too,

0:49:19.239 --> 0:49:21.680
<v Speaker 1>the most depinely that was all the you know, Warner

0:49:22.200 --> 0:49:26.399
<v Speaker 1>Little John TVT forty. They did a great movement in

0:49:26.760 --> 0:49:29.839
<v Speaker 1>pushing it forward, and a lot of people capitalized off

0:49:29.880 --> 0:49:35.320
<v Speaker 1>of it from you know, monetary perspective. But I feel

0:49:35.320 --> 0:49:39.880
<v Speaker 1>like the whole package of seeing it all, if they

0:49:39.920 --> 0:49:42.360
<v Speaker 1>would have got a chance to see it all, it

0:49:42.360 --> 0:49:43.799
<v Speaker 1>would have been amazing, Like if you would have got

0:49:43.800 --> 0:49:46.960
<v Speaker 1>a chance to see too short forty Mac dre Key,

0:49:47.520 --> 0:49:50.400
<v Speaker 1>you know, and then the Younger Federation, the Team Fabs

0:49:50.440 --> 0:49:52.200
<v Speaker 1>and Turf Talks and all of the other guys that

0:49:52.280 --> 0:49:55.359
<v Speaker 1>played a significant role in keeping that snowball going into

0:49:55.400 --> 0:49:57.080
<v Speaker 1>an avalanche. I think you would have got a chance

0:49:57.120 --> 0:50:01.040
<v Speaker 1>to see it being broader and being more spoke about,

0:50:01.120 --> 0:50:03.839
<v Speaker 1>rather than just the folklore of what it was and

0:50:03.920 --> 0:50:07.560
<v Speaker 1>what it could have been. Do you feel like for

0:50:07.719 --> 0:50:11.720
<v Speaker 1>you being do you feel like right now like everything's

0:50:11.719 --> 0:50:13.680
<v Speaker 1>in good hands in the bay in terms of just

0:50:13.800 --> 0:50:15.759
<v Speaker 1>the up and coming generation, Because I think a guy

0:50:15.800 --> 0:50:17.799
<v Speaker 1>like Simba, who's kind of a young og, it's kind

0:50:17.800 --> 0:50:21.120
<v Speaker 1>of like a you know, he's been around l Russell,

0:50:21.200 --> 0:50:23.640
<v Speaker 1>I think is changing a lot of the way independent

0:50:23.719 --> 0:50:25.600
<v Speaker 1>artists all over the world are thinking about their business,

0:50:25.600 --> 0:50:27.839
<v Speaker 1>modeling what it means to be an artist. Like, how

0:50:27.880 --> 0:50:30.360
<v Speaker 1>do you feel about the new generation? I love those guys.

0:50:30.600 --> 0:50:33.560
<v Speaker 1>I love Simba, I love Larrussell. I actually just did

0:50:34.320 --> 0:50:37.319
<v Speaker 1>fab Week, which is my annual birthday party weeks and

0:50:37.360 --> 0:50:41.719
<v Speaker 1>I brought drink Champs out to sit down with Larussell

0:50:42.440 --> 0:50:48.560
<v Speaker 1>and Simba and other icons like Jay Styling. But you

0:50:48.600 --> 0:50:51.120
<v Speaker 1>see people that are transitioning, You see the filthy riches

0:50:51.160 --> 0:50:55.680
<v Speaker 1>that are transitioning from an artist to CEOs label. So

0:50:55.760 --> 0:50:59.080
<v Speaker 1>He's given a lot of these artists chances to be heard.

0:51:01.360 --> 0:51:04.399
<v Speaker 1>Then you have the underground guys that are working, still

0:51:04.440 --> 0:51:05.960
<v Speaker 1>trying to figure it out on their own. You have

0:51:06.040 --> 0:51:09.920
<v Speaker 1>people like in different areas, every region has they're different.

0:51:09.920 --> 0:51:13.440
<v Speaker 1>You got the all Blacks all said cham. You know

0:51:13.520 --> 0:51:18.480
<v Speaker 1>those guys that have their fan bases. They're running and

0:51:18.480 --> 0:51:21.839
<v Speaker 1>and and and they're working. Man, They're they're working. And

0:51:21.880 --> 0:51:23.520
<v Speaker 1>I'm just happy to see these guys. I'm happy to

0:51:23.520 --> 0:51:25.719
<v Speaker 1>see these guys. But one thing that I'm super proud

0:51:25.760 --> 0:51:28.760
<v Speaker 1>of is, you know, San Francisco. I'm the little beans

0:51:28.800 --> 0:51:30.919
<v Speaker 1>and the zay bangs and the little pets, like these

0:51:30.920 --> 0:51:34.160
<v Speaker 1>are guys that are doing numbers. Yeah, San Francisco. I

0:51:34.239 --> 0:51:37.440
<v Speaker 1>feel like, kind of like musically was like the least

0:51:37.680 --> 0:51:40.600
<v Speaker 1>popping city in the Bay for a long time because

0:51:40.640 --> 0:51:42.480
<v Speaker 1>we think of the guys who came from Ballejo and Oakland.

0:51:42.480 --> 0:51:43.960
<v Speaker 1>But now, like you said, San Francisco is kind of

0:51:44.000 --> 0:51:48.440
<v Speaker 1>on fire. By the way, Larry June is also the hottest,

0:51:48.560 --> 0:51:51.000
<v Speaker 1>the hottest. There's no one hotter than Larry Jones. I

0:51:51.040 --> 0:51:52.640
<v Speaker 1>just gave Larry June a serious bag to do my

0:51:52.719 --> 0:51:54.399
<v Speaker 1>nightclub last week and it was it was a good

0:51:54.400 --> 0:51:58.600
<v Speaker 1>turn out. Like there's there's there's no one nobody in California.

0:51:58.680 --> 0:52:02.680
<v Speaker 1>I'm going to say that that if you put, if

0:52:02.719 --> 0:52:05.440
<v Speaker 1>we talk about independent structure, we talk about you put

0:52:05.520 --> 0:52:07.839
<v Speaker 1>you say that Larry June's coming, and then somebody else

0:52:07.920 --> 0:52:10.560
<v Speaker 1>they're going to go to the Larry June shows. Like

0:52:11.000 --> 0:52:14.799
<v Speaker 1>I've watched Larry June sellout shows not only in the

0:52:14.880 --> 0:52:18.920
<v Speaker 1>States everywhere, but we were we were in Amsterdam and

0:52:18.960 --> 0:52:23.000
<v Speaker 1>he had a show and everything is sold out, like

0:52:23.000 --> 0:52:25.680
<v Speaker 1>like Larry Jones selling out shows all around the world.

0:52:26.800 --> 0:52:30.120
<v Speaker 1>Independent I want and I want to say this doing festivals.

0:52:30.960 --> 0:52:36.040
<v Speaker 1>I want to say this to the to the disturbances

0:52:36.120 --> 0:52:40.040
<v Speaker 1>is what I like to call people. As of late

0:52:40.120 --> 0:52:42.239
<v Speaker 1>in the past couple of weeks or so, there's been

0:52:43.239 --> 0:52:46.280
<v Speaker 1>internet turmoial where people are trying to say that Larry

0:52:46.360 --> 0:52:52.359
<v Speaker 1>June has taken Dom's style, Dom Kennedy, and I want

0:52:52.400 --> 0:52:57.040
<v Speaker 1>to say this. This is where hip hop becomes our

0:52:57.120 --> 0:53:01.480
<v Speaker 1>own worst enemies. Where fans begin to try to turn

0:53:01.520 --> 0:53:04.080
<v Speaker 1>on people, or they begin to try to turn artists

0:53:04.080 --> 0:53:08.200
<v Speaker 1>against each other, and they begin to create narratives, these

0:53:08.320 --> 0:53:13.000
<v Speaker 1>narratives that are false. Both of those guys are extremely

0:53:13.040 --> 0:53:18.480
<v Speaker 1>talented artists. Both of those guys have rolled in the

0:53:18.520 --> 0:53:21.880
<v Speaker 1>same lane of life We're in California, so we've been

0:53:21.920 --> 0:53:25.920
<v Speaker 1>exposed to the same level of culture, just different perspectives,

0:53:25.960 --> 0:53:29.080
<v Speaker 1>one from northern California, one from southern California. So before

0:53:29.120 --> 0:53:31.719
<v Speaker 1>you guys begin to turn them brothers against each other,

0:53:32.080 --> 0:53:34.560
<v Speaker 1>let's be able to say, let's push the narrative of

0:53:34.640 --> 0:53:37.960
<v Speaker 1>them doing a tour together, them doing songs together, them

0:53:38.000 --> 0:53:43.120
<v Speaker 1>continuing to create and come together, so that narrative begins broken.

0:53:43.360 --> 0:53:46.000
<v Speaker 1>And now you can see more people being able to

0:53:46.000 --> 0:53:48.600
<v Speaker 1>be employed and taking care of themselves. And it's also

0:53:48.640 --> 0:53:51.160
<v Speaker 1>not like Larry June just popped up like Larry Jones been.

0:53:51.239 --> 0:53:53.359
<v Speaker 1>I got when we did the record with Larry June

0:53:53.560 --> 0:53:56.640
<v Speaker 1>we did years ago. This is like like I feel

0:53:56.680 --> 0:53:59.040
<v Speaker 1>like he's been at least ten years after. Like people

0:53:59.160 --> 0:54:01.440
<v Speaker 1>o Jamaiko like he was he was he was he

0:54:01.560 --> 0:54:05.160
<v Speaker 1>was on tour with Mako years ago, Like you feel

0:54:05.160 --> 0:54:08.440
<v Speaker 1>me like like June June is and June comes from it.

0:54:09.040 --> 0:54:11.640
<v Speaker 1>June's like a direct descendant of RBL, like this that

0:54:11.760 --> 0:54:14.960
<v Speaker 1>he's the child of Big June was in RBL. So

0:54:15.120 --> 0:54:16.760
<v Speaker 1>like you know what I'm saying, when you see RBL,

0:54:16.800 --> 0:54:20.680
<v Speaker 1>these guys are icons that sold several records, Gold records

0:54:20.719 --> 0:54:23.879
<v Speaker 1>at a time where you know, San Francisco wasn't even

0:54:23.880 --> 0:54:26.719
<v Speaker 1>getting credited for that. These dudes did that. So this dude,

0:54:26.800 --> 0:54:30.920
<v Speaker 1>he's not somebody that he really from it, Like June

0:54:30.960 --> 0:54:33.160
<v Speaker 1>is really that dude, like he really from it. So

0:54:33.760 --> 0:54:35.959
<v Speaker 1>don't don't create those near it is, man. But Larry

0:54:36.000 --> 0:54:39.040
<v Speaker 1>jon Is, Larry June's on fire. Camaya is doing her job.

0:54:40.360 --> 0:54:44.719
<v Speaker 1>She's such a masweetheart. And like I say, it's so

0:54:44.800 --> 0:54:47.319
<v Speaker 1>many other artists, man, that are that are working, that

0:54:47.360 --> 0:54:50.040
<v Speaker 1>are thriving, that are doing a damn thing man. And

0:54:50.560 --> 0:54:52.879
<v Speaker 1>I'm I'm I'm happy, man, I'm happy to see these

0:54:52.920 --> 0:54:57.920
<v Speaker 1>young guys get a chance to make something of themselves

0:54:58.000 --> 0:55:02.279
<v Speaker 1>with their talent. That's a that's a blessing man, to

0:55:02.320 --> 0:55:04.560
<v Speaker 1>be able to say, you got these guys like Cash

0:55:04.600 --> 0:55:09.680
<v Speaker 1>click Bug, he's from Richmond, and man, they on fire. Man.

0:55:09.719 --> 0:55:12.359
<v Speaker 1>They like they working and they grind and they doing

0:55:12.400 --> 0:55:14.760
<v Speaker 1>their thing. Man. And I'm just I'm just so proud

0:55:14.800 --> 0:55:18.040
<v Speaker 1>of them. You got Brotherro who just signed with Little Dirt.

0:55:18.280 --> 0:55:20.760
<v Speaker 1>It's a dude from West Oakland. You got the years,

0:55:20.800 --> 0:55:25.040
<v Speaker 1>the catos, the lingos, and police blame the head and

0:55:25.080 --> 0:55:27.439
<v Speaker 1>not the heart, but to all of the dudes that's

0:55:27.480 --> 0:55:29.680
<v Speaker 1>working out there in the Bay Area. Man, keep going,

0:55:29.840 --> 0:55:33.160
<v Speaker 1>keep pushing because y'all doing the hell of a job man, right,

0:55:33.200 --> 0:55:36.000
<v Speaker 1>for sure, No facts. It's also dorope to kind of

0:55:36.000 --> 0:55:41.279
<v Speaker 1>see like a it's wild because I feel like you

0:55:41.320 --> 0:55:44.279
<v Speaker 1>can speak to why you think Detroit and Oakland because

0:55:44.320 --> 0:55:46.600
<v Speaker 1>I've talked to Detroit guys about this. It feels like Detroit,

0:55:46.640 --> 0:55:50.120
<v Speaker 1>Oakland and San Francisco. There's like a Cousins. Yeah, it's

0:55:50.200 --> 0:55:53.000
<v Speaker 1>you know, there's a lot of cousins similarities and the

0:55:53.120 --> 0:55:55.279
<v Speaker 1>music and the hustle and the game, and you know

0:55:55.920 --> 0:55:58.719
<v Speaker 1>when you a lot of Detroit guys very very big

0:55:58.760 --> 0:56:01.680
<v Speaker 1>in the base man cousins. Man. It definitely because people

0:56:01.719 --> 0:56:06.920
<v Speaker 1>forget too short discovered kid rock facts back in the

0:56:07.000 --> 0:56:09.719
<v Speaker 1>day because kid you know what I'm saying, people people

0:56:09.800 --> 0:56:15.959
<v Speaker 1>forget that and the high Top so like people forget that.

0:56:16.440 --> 0:56:23.439
<v Speaker 1>So the Bay Area and Michigan have always been one

0:56:23.440 --> 0:56:25.080
<v Speaker 1>of the same, like you know what I'm saying, like

0:56:25.280 --> 0:56:29.879
<v Speaker 1>their cousins e forty be legit or like icons there.

0:56:29.960 --> 0:56:32.400
<v Speaker 1>That's why Big Sean wanted to do the record with forty,

0:56:32.800 --> 0:56:35.600
<v Speaker 1>you know what I'm saying, Like that that connection is

0:56:35.760 --> 0:56:39.560
<v Speaker 1>it's been there, like you know. So it's so identical,

0:56:39.719 --> 0:56:44.000
<v Speaker 1>same culture, same lifestyle, the player, won't you know, popping it,

0:56:44.080 --> 0:56:47.759
<v Speaker 1>the hustling, you know, so a lot of that. The

0:56:47.920 --> 0:56:51.439
<v Speaker 1>market is the same, so Day's loaf. Her first big

0:56:51.480 --> 0:56:53.359
<v Speaker 1>market that she blew up in was the Bay before

0:56:53.360 --> 0:56:55.279
<v Speaker 1>the rest of the country even heard of her. Try

0:56:55.360 --> 0:56:58.760
<v Speaker 1>Me was a number one record in Oakland. In the Bay.

0:56:59.200 --> 0:57:02.120
<v Speaker 1>All of the Detroit guys, man, they're they're they get

0:57:02.239 --> 0:57:05.560
<v Speaker 1>they get love. Filthy is huge in Detroit. Huge, He's

0:57:05.560 --> 0:57:07.440
<v Speaker 1>out there a lot. Like Filthy goes to Detroit and

0:57:07.440 --> 0:57:09.200
<v Speaker 1>you would think that he's from there, like you know

0:57:09.239 --> 0:57:11.680
<v Speaker 1>what I mean, he's taking his whole crew. Mazzi is

0:57:11.760 --> 0:57:13.880
<v Speaker 1>huge out there. Mazzi is huge out there, like you

0:57:13.960 --> 0:57:17.160
<v Speaker 1>know what I mean. These guys have crazy fambaus. I

0:57:17.160 --> 0:57:19.480
<v Speaker 1>remember I went out there to Detroit and I was

0:57:19.520 --> 0:57:21.840
<v Speaker 1>shocked that people knew who I was. I was like,

0:57:23.200 --> 0:57:25.560
<v Speaker 1>they're like fat, Oh my god, Like bro, that's crazy

0:57:25.680 --> 0:57:28.040
<v Speaker 1>because during our movement we never went out there, right,

0:57:28.440 --> 0:57:30.800
<v Speaker 1>so it's like, damn we could. We could have been

0:57:31.480 --> 0:57:34.760
<v Speaker 1>over here. Like sat of seen me sort of seeing

0:57:34.840 --> 0:57:37.480
<v Speaker 1>me and unc and was like, bro, love y'all, Like

0:57:37.480 --> 0:57:39.800
<v Speaker 1>like what I'm saying. I was like, Yo, that's crazy.

0:57:40.360 --> 0:57:43.400
<v Speaker 1>So it's definitely the similarities are you know, it's it's

0:57:43.600 --> 0:57:45.960
<v Speaker 1>the same in culture, So Oakland and Detroit, the whole

0:57:45.960 --> 0:57:48.840
<v Speaker 1>Bay area in Detroit, Man is definitely a you know,

0:57:48.880 --> 0:57:51.600
<v Speaker 1>they they stat by side and culture and fans and

0:57:51.640 --> 0:57:54.240
<v Speaker 1>so it's dope. Well, once upon a time, you know,

0:57:54.680 --> 0:57:57.840
<v Speaker 1>the Bay did have a bit of like a you know,

0:57:58.040 --> 0:58:01.280
<v Speaker 1>Drive Records had an office there. A lot of the

0:58:01.360 --> 0:58:05.240
<v Speaker 1>music industry was based in San Francisco. And I talked

0:58:05.240 --> 0:58:07.480
<v Speaker 1>to Gazi about this a lot, like his mission is

0:58:07.560 --> 0:58:12.000
<v Speaker 1>kind of to do his part to try to bring

0:58:12.040 --> 0:58:14.480
<v Speaker 1>that energy back and to try to bring people to

0:58:14.960 --> 0:58:18.200
<v Speaker 1>the Bay. Like do you feel like you kind of

0:58:18.200 --> 0:58:19.920
<v Speaker 1>have that burden on your shoulders too to kind of

0:58:19.960 --> 0:58:22.600
<v Speaker 1>make sure like, hey, you know, you don't have to leave,

0:58:22.680 --> 0:58:24.600
<v Speaker 1>because I do feel like there is a there, and

0:58:24.720 --> 0:58:26.560
<v Speaker 1>like to be fair, a lot of the bigger artists

0:58:26.600 --> 0:58:28.600
<v Speaker 1>who come out of the Bay and then move into

0:58:28.720 --> 0:58:31.080
<v Speaker 1>LA or they kind of do the back and forth thing.

0:58:31.680 --> 0:58:34.480
<v Speaker 1>Do you feel like you still kind of can make

0:58:34.520 --> 0:58:36.720
<v Speaker 1>it nationally if you stay in the Bay or do

0:58:36.760 --> 0:58:40.520
<v Speaker 1>you feel like it would be more productive to maybe

0:58:40.520 --> 0:58:42.760
<v Speaker 1>go to La for a little bit, go to Atlanta

0:58:42.800 --> 0:58:44.720
<v Speaker 1>for a little bit. Like it's all about what you

0:58:44.760 --> 0:58:47.160
<v Speaker 1>want to do, right, what do you feel is fitting

0:58:47.200 --> 0:58:49.360
<v Speaker 1>for you? Some people want to be famous, some people

0:58:49.360 --> 0:58:52.280
<v Speaker 1>want to get paid. People want both. Some people want

0:58:52.320 --> 0:58:54.600
<v Speaker 1>to be both. You know, are you willing to deal

0:58:54.640 --> 0:58:57.800
<v Speaker 1>with the restraints and the constraints that come with that? Right?

0:58:58.160 --> 0:59:02.840
<v Speaker 1>Are you ready to deal with? You know, the liability

0:59:02.880 --> 0:59:04.720
<v Speaker 1>that you become, that you put on yourself by being

0:59:04.720 --> 0:59:07.000
<v Speaker 1>able to have to move around? And can you afford

0:59:07.040 --> 0:59:09.920
<v Speaker 1>that lifestyle? You know, and these are the things that

0:59:10.040 --> 0:59:12.800
<v Speaker 1>you have to just ask yourself, what are you willing

0:59:12.880 --> 0:59:15.920
<v Speaker 1>to do? I feel like if anyone wants to continue

0:59:15.960 --> 0:59:20.120
<v Speaker 1>to further the trajectory of their career, they must always

0:59:20.120 --> 0:59:22.480
<v Speaker 1>move around. You must always be able to go connect

0:59:22.520 --> 0:59:25.720
<v Speaker 1>the dots and other areas demographics and build a network

0:59:25.760 --> 0:59:28.000
<v Speaker 1>and learn to be a businessman in that regards. And

0:59:28.000 --> 0:59:30.000
<v Speaker 1>if you go to Atlanta, save some rep money, right,

0:59:30.040 --> 0:59:32.560
<v Speaker 1>you know, you get a chance to save some money

0:59:32.600 --> 0:59:35.080
<v Speaker 1>and things of that nature. And and so it's all

0:59:35.080 --> 0:59:36.600
<v Speaker 1>based off what do you want to do? What do

0:59:36.640 --> 0:59:38.920
<v Speaker 1>you see fitting for yourself? You see the guys like

0:59:39.440 --> 0:59:42.320
<v Speaker 1>Cupolo three to oh four, who's a star. He's a

0:59:42.360 --> 0:59:43.960
<v Speaker 1>star to me for like you know what I'm saying,

0:59:43.960 --> 0:59:45.800
<v Speaker 1>and to be able to see him. These are the

0:59:45.800 --> 0:59:48.080
<v Speaker 1>guys that I tell like leave I've been told filthy

0:59:49.320 --> 0:59:52.240
<v Speaker 1>goal Yeah shit, Filthy had the opportunity to be on

0:59:52.320 --> 0:59:57.080
<v Speaker 1>Rock Nation like goal goal bro go leave go. Fel

0:59:57.120 --> 1:00:01.720
<v Speaker 1>me like you become a shark in the fish bowl

1:00:01.760 --> 1:00:06.320
<v Speaker 1>like leave go. It's it's nothing wrong with like my

1:00:06.440 --> 1:00:10.400
<v Speaker 1>aspirations for wanting to be a superstar megastar died years ago.

1:00:11.080 --> 1:00:15.280
<v Speaker 1>And it wasn't like I've settled or I've become complacent.

1:00:15.360 --> 1:00:19.000
<v Speaker 1>It was just like I'm cool, I'm I'm I'm friends

1:00:19.040 --> 1:00:21.680
<v Speaker 1>with the superstars, you know, and I'm okay with that.

1:00:21.840 --> 1:00:23.440
<v Speaker 1>I can call them. Those are you know, those are

1:00:23.440 --> 1:00:26.919
<v Speaker 1>my guy I could call? You know, could I could

1:00:26.960 --> 1:00:29.040
<v Speaker 1>call these people like you know, I can, I can

1:00:29.240 --> 1:00:31.320
<v Speaker 1>pop up, you know, I can have stuff come to

1:00:31.400 --> 1:00:33.760
<v Speaker 1>the neighborhood and you know, come chill. I could. I

1:00:33.760 --> 1:00:35.680
<v Speaker 1>could do all of these things with all the superstars.

1:00:35.720 --> 1:00:38.520
<v Speaker 1>I get the features and you know, I've never paid

1:00:38.520 --> 1:00:40.160
<v Speaker 1>for a feature in my life. I got records with

1:00:40.240 --> 1:00:42.520
<v Speaker 1>Kendrick Lamar and all of these guys, like you know what,

1:00:42.560 --> 1:00:45.320
<v Speaker 1>I'm saying. So I'm okay with that, you know what

1:00:45.360 --> 1:00:47.480
<v Speaker 1>I mean. But to the next generation, if you do

1:00:47.560 --> 1:00:50.880
<v Speaker 1>want to go take that man, go go move around.

1:00:50.920 --> 1:00:52.920
<v Speaker 1>And that's to any artists that's the artist from LA

1:00:53.280 --> 1:00:57.000
<v Speaker 1>that's the that's an artist from Consequence, New Mexico. Go, yeah,

1:00:57.040 --> 1:00:58.959
<v Speaker 1>you should definitely go. Like you know what I'm saying,

1:00:59.080 --> 1:01:01.400
<v Speaker 1>just just go go see the world, go venture out

1:01:01.400 --> 1:01:03.560
<v Speaker 1>and go and go network like right now, and I

1:01:03.680 --> 1:01:07.880
<v Speaker 1>live I live my dreams vicariously through my uncle, Like

1:01:07.920 --> 1:01:10.360
<v Speaker 1>you know what I mean. My uncle is doing. He's

1:01:10.440 --> 1:01:12.200
<v Speaker 1>he's a star. My uncle is bigger than a lot

1:01:12.200 --> 1:01:14.880
<v Speaker 1>of rappers where we're from right now, Like you know

1:01:14.920 --> 1:01:17.560
<v Speaker 1>what I'm saying. And so the whole Uncle Hunk show

1:01:17.640 --> 1:01:20.000
<v Speaker 1>is just like I want to see. I love the

1:01:20.080 --> 1:01:24.240
<v Speaker 1>excitement sing him with these major artists and then these

1:01:24.320 --> 1:01:26.680
<v Speaker 1>artists that come like that watch our page or that

1:01:26.800 --> 1:01:29.040
<v Speaker 1>see us and just be like, bro, I was cracking

1:01:29.120 --> 1:01:32.040
<v Speaker 1>up watching y'all, like do what you do, And to me,

1:01:32.680 --> 1:01:34.840
<v Speaker 1>I live it through him. I get juiced off that man.

1:01:35.040 --> 1:01:39.040
<v Speaker 1>You know, that's super dope for you. Do you ever

1:01:39.040 --> 1:01:42.960
<v Speaker 1>see yourself retiring from rapping? I mean, as long as

1:01:42.960 --> 1:01:45.160
<v Speaker 1>the passionate and the loves there. Like we were talking earlier,

1:01:45.160 --> 1:01:48.080
<v Speaker 1>I'm sure you're just gonna, yo, just keep keep it going,

1:01:48.080 --> 1:01:51.000
<v Speaker 1>because why not. I'm a writer, so I don't. I

1:01:51.000 --> 1:01:53.960
<v Speaker 1>don't just rap like you know, like I've wrote platinum

1:01:54.000 --> 1:01:56.280
<v Speaker 1>and gold records for several artists, right, like you know

1:01:56.280 --> 1:01:57.720
<v Speaker 1>what I'm saying. I think that's one thing that has

1:01:57.760 --> 1:02:02.040
<v Speaker 1>always you know, kept me around the basket. I got

1:02:02.040 --> 1:02:04.120
<v Speaker 1>that pen, yeah, I can. You know I write for

1:02:04.360 --> 1:02:07.080
<v Speaker 1>several artists, you know, knowing Lee and those that you

1:02:07.120 --> 1:02:08.560
<v Speaker 1>were like, oh I didn't know you were, Okay, you

1:02:08.600 --> 1:02:11.720
<v Speaker 1>wrote that. So so I love this music. And like

1:02:11.760 --> 1:02:15.920
<v Speaker 1>I say, my idols aren't just rappers, like my idols

1:02:16.040 --> 1:02:19.600
<v Speaker 1>are the Quincy Joneses and you know, the Miles Davis

1:02:19.640 --> 1:02:25.240
<v Speaker 1>and people that have contributed to music in ways that

1:02:26.680 --> 1:02:30.160
<v Speaker 1>have surpassed just the rapper mentality, like you know what

1:02:30.200 --> 1:02:33.360
<v Speaker 1>I mean. And so I will always stay around it.

1:02:33.400 --> 1:02:35.440
<v Speaker 1>I love it, Yeah, I love it. And then you

1:02:35.440 --> 1:02:40.280
<v Speaker 1>know my hip hop dad too short. It's like fifty

1:02:40.320 --> 1:02:45.200
<v Speaker 1>eight years old, still on tour Mount wes Moore, still

1:02:45.320 --> 1:02:47.640
<v Speaker 1>like gross in fifteen to twenty million a year from

1:02:47.720 --> 1:02:50.920
<v Speaker 1>rat at fifty seven, fifty eight years old, still coming

1:02:50.920 --> 1:02:53.200
<v Speaker 1>with records still being sought after. What's your favorite two

1:02:53.240 --> 1:02:56.400
<v Speaker 1>short album? What's up? Guys? Hey, shout out to our

1:02:56.440 --> 1:02:59.360
<v Speaker 1>family at blue Choo. Man, listen, I know we always

1:02:59.360 --> 1:03:05.360
<v Speaker 1>are getting feed about our blue Choo interviews. They're not interviews, Yeah,

1:03:05.800 --> 1:03:09.640
<v Speaker 1>they're commercials, and we're always getting feedback about them. Usually

1:03:09.720 --> 1:03:13.240
<v Speaker 1>it's they're fucking hilarious. Man. You know, people love it

1:03:13.280 --> 1:03:15.120
<v Speaker 1>when we talk about Bluechoo. But let me say this

1:03:15.160 --> 1:03:17.000
<v Speaker 1>shit works. A lot of people are like, look, man,

1:03:17.160 --> 1:03:19.600
<v Speaker 1>I see you talking about bluetoo, but it doesn't work. Yes,

1:03:19.640 --> 1:03:21.240
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1:03:21.280 --> 1:03:25.640
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1:03:32.480 --> 1:03:38.240
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<v Speaker 1>That's it, And they'll be like, damn keV, you're right, bro.

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<v Speaker 1>My erections are lit as they should be. Every erection

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1:03:59.160 --> 1:04:01.280
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1:04:01.280 --> 1:04:04.080
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1:04:04.120 --> 1:04:09.840
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1:04:11.120 --> 1:04:13.600
<v Speaker 1>Could you use an extra thirty percent hard? Maybe fifty

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<v Speaker 1>Are you tired of having seich with your girlfriend? Hard?

1:04:21.200 --> 1:04:23.520
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1:04:35.840 --> 1:04:37.680
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1:04:37.720 --> 1:04:39.120
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<v Speaker 1>also want to shout out to our family over at

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<v Speaker 1>so this was stuff about odd socks. Man. Not only

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1:05:16.440 --> 1:05:19.080
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<v Speaker 1>If you're one of those guys who wears other plain

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1:05:49.760 --> 1:05:53.160
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<v Speaker 1>you wear those other socks? We could wear odd socks.

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1:06:08.920 --> 1:06:14.040
<v Speaker 1>to the interview, getting it. Getting it's the one. But

1:06:14.080 --> 1:06:16.360
<v Speaker 1>you know what's crazy getting I feel like life is

1:06:16.400 --> 1:06:19.640
<v Speaker 1>too short? Was like I think that was like way yeah,

1:06:19.760 --> 1:06:21.960
<v Speaker 1>well that was like but like cuss words. I just

1:06:21.960 --> 1:06:24.120
<v Speaker 1>remember learning cusswords by heart as a kid because it

1:06:24.160 --> 1:06:25.800
<v Speaker 1>was like one of the few rap albums my dad had.

1:06:26.040 --> 1:06:28.360
<v Speaker 1>Short dog Like I mean, like I said, that's my

1:06:28.440 --> 1:06:31.200
<v Speaker 1>hip hop dad. That's the dude who you know, I

1:06:31.280 --> 1:06:34.800
<v Speaker 1>call pops, who has taken me all around the world

1:06:34.880 --> 1:06:38.840
<v Speaker 1>with him, who has shown me and his most gorrific

1:06:39.880 --> 1:06:44.280
<v Speaker 1>way of teaching. He just like someone just told me, well,

1:06:44.400 --> 1:06:46.760
<v Speaker 1>never mind, I don't think I'm probably not someone's gonna

1:06:46.760 --> 1:06:50.120
<v Speaker 1>be playing too short in a movie or a show. Yeah, symbol, Oh,

1:06:50.200 --> 1:06:53.160
<v Speaker 1>I didn't know it's public. It's public. Pl He looks

1:06:53.280 --> 1:06:55.320
<v Speaker 1>just like him. Dead on him. It's fucking crazy, dead

1:06:55.360 --> 1:06:57.360
<v Speaker 1>on him. He got the tooth and everything, the coat,

1:06:57.480 --> 1:07:02.920
<v Speaker 1>the hat, to the back. So he called me. He

1:07:03.000 --> 1:07:05.360
<v Speaker 1>called me, he was like, big brother, can you put

1:07:05.400 --> 1:07:06.760
<v Speaker 1>me on the phone with Short man. I just want

1:07:06.800 --> 1:07:08.600
<v Speaker 1>to show him this little thing. So I facetimed the

1:07:08.680 --> 1:07:11.920
<v Speaker 1>way all he was like. Sure, was like, oh that's crazy, crazy,

1:07:12.040 --> 1:07:15.760
<v Speaker 1>So and then that right there, like that alone, man,

1:07:15.800 --> 1:07:17.920
<v Speaker 1>it's just crazy. I mean, like, you know, Short is

1:07:19.080 --> 1:07:22.960
<v Speaker 1>short of somebody who they'll never give him his credit,

1:07:23.240 --> 1:07:27.000
<v Speaker 1>right like unfortunately, it's going to take for him to

1:07:27.080 --> 1:07:29.400
<v Speaker 1>ascend after this long and for people to really be

1:07:29.480 --> 1:07:32.560
<v Speaker 1>like damn. He was on Life After Death. It was

1:07:32.600 --> 1:07:35.920
<v Speaker 1>on volume two any major album. I mean too Short,

1:07:36.120 --> 1:07:37.680
<v Speaker 1>Like when I was a kid, I thought Too Short

1:07:37.720 --> 1:07:39.640
<v Speaker 1>was the biggest rapper in the world to me, like

1:07:39.680 --> 1:07:42.840
<v Speaker 1>as a little kid, I was like, Short is the

1:07:42.880 --> 1:07:45.360
<v Speaker 1>only artist and not to cut you off, I apologize now.

1:07:45.560 --> 1:07:48.120
<v Speaker 1>Short is the only artist that has a song with

1:07:48.280 --> 1:07:56.720
<v Speaker 1>Biggie Pop jay Z PIMPSI. Yeah, he had Anybody you name.

1:07:56.840 --> 1:07:59.600
<v Speaker 1>He had his Atlanta run like anybody you name Short

1:07:59.640 --> 1:08:02.560
<v Speaker 1>has records with on their album. First time I ever

1:08:02.560 --> 1:08:06.080
<v Speaker 1>heard Little John was that he shine Little John. He

1:08:06.200 --> 1:08:10.080
<v Speaker 1>signed Little John at seventeen and then was so player.

1:08:10.720 --> 1:08:14.720
<v Speaker 1>He let him go for nothing like when the major

1:08:14.800 --> 1:08:17.240
<v Speaker 1>labels wanted to get Little John, he John was like, man,

1:08:17.280 --> 1:08:19.040
<v Speaker 1>can I get out this contract? And he let him go.

1:08:19.120 --> 1:08:21.960
<v Speaker 1>He was like ohhea, like I'm not do your thing.

1:08:22.120 --> 1:08:25.240
<v Speaker 1>And that's why to this day they have the greatest

1:08:25.280 --> 1:08:28.519
<v Speaker 1>relationship in friendship. Like John damn there just got him

1:08:28.640 --> 1:08:31.960
<v Speaker 1>the residency. Short big shoutouts to Short just got a

1:08:31.960 --> 1:08:35.720
<v Speaker 1>residency in Vegas on a was that taw one of

1:08:35.760 --> 1:08:38.720
<v Speaker 1>them clubs? Like this is short man like Shortest, Like

1:08:39.560 --> 1:08:42.200
<v Speaker 1>I brag and I talk about him more than he

1:08:42.240 --> 1:08:45.240
<v Speaker 1>does for himself, Like I'm his voice, I'm his I'm

1:08:45.280 --> 1:08:48.040
<v Speaker 1>his come on, like you know what I'm saying. And

1:08:48.840 --> 1:08:52.360
<v Speaker 1>it's just because I don't like the way that the

1:08:52.479 --> 1:08:57.080
<v Speaker 1>industry tries to normal normalize what he has done for

1:08:57.320 --> 1:09:00.680
<v Speaker 1>hip hop. Like how many people that you know that

1:09:00.760 --> 1:09:04.120
<v Speaker 1>you can say was famous as a rapper in nineteen

1:09:04.160 --> 1:09:08.320
<v Speaker 1>eighty two, It's crazy, Like, Bro, that's forty years, Bro,

1:09:08.560 --> 1:09:11.280
<v Speaker 1>forty one years where he was a known rapper famous.

1:09:11.320 --> 1:09:14.719
<v Speaker 1>Really like him and Iced Tea in terms of this side, Yeah,

1:09:14.960 --> 1:09:19.519
<v Speaker 1>like come on, bro, like you see Ice get a

1:09:19.560 --> 1:09:24.679
<v Speaker 1>star love uncle HEAs that's huge? Why not like one

1:09:24.760 --> 1:09:28.320
<v Speaker 1>has who has? Just tell me who has done more

1:09:28.400 --> 1:09:33.280
<v Speaker 1>than two short and hip hop for the past forty years, right,

1:09:33.800 --> 1:09:36.639
<v Speaker 1>it's crazy forty like four And when I just talking

1:09:36.640 --> 1:09:39.040
<v Speaker 1>about like forty years, I'm talking about this dude got

1:09:39.040 --> 1:09:42.320
<v Speaker 1>songs with Lady g Go. Like He's like this is short,

1:09:42.960 --> 1:09:46.000
<v Speaker 1>Like this is short. Walking up into the Playboy mansion,

1:09:46.040 --> 1:09:48.280
<v Speaker 1>I was a kid. He walks up. Hugh Hefner walks

1:09:48.360 --> 1:09:50.920
<v Speaker 1>up to him and was like, what's up, Todd. I'm like, Bro,

1:09:51.760 --> 1:09:54.320
<v Speaker 1>you have knows you by your name. This is crazy.

1:09:55.120 --> 1:09:58.040
<v Speaker 1>Like I'm saying, this is crazy to me, Bro, Like

1:09:58.720 --> 1:10:01.360
<v Speaker 1>nobody's bigger than too short my eyes man, And like

1:10:01.439 --> 1:10:03.360
<v Speaker 1>I say, man, like even right now. And I just

1:10:03.400 --> 1:10:08.760
<v Speaker 1>text him and he's like, till this day, Pops, what

1:10:08.760 --> 1:10:10.400
<v Speaker 1>you're doing? Man, I'm in the studio. MA, I'm in

1:10:10.400 --> 1:10:14.760
<v Speaker 1>a labbin Like it's like I'm still in Like he's

1:10:14.760 --> 1:10:18.320
<v Speaker 1>still there, Like this is crazy, bro. So I mean,

1:10:18.400 --> 1:10:19.920
<v Speaker 1>if it's all right, can I bring my uncle up here?

1:10:20.840 --> 1:10:25.320
<v Speaker 1>What's up? Man? Come here? Man? Were he said, what

1:10:28.000 --> 1:10:29.559
<v Speaker 1>you want? You want your own got to do his own.

1:10:29.600 --> 1:10:33.120
<v Speaker 1>We gotta do his owne Oh, you want your own interview?

1:10:34.720 --> 1:10:39.519
<v Speaker 1>So you're not gonna come on? What's he saying what

1:10:39.560 --> 1:10:50.200
<v Speaker 1>do you say? Oh yo, you want to come over here?

1:10:50.760 --> 1:10:55.080
<v Speaker 1>Come on, man, come on, get go ahead, take over?

1:10:58.360 --> 1:11:01.200
<v Speaker 1>So you took over the show? Oh yes, it's no

1:11:01.240 --> 1:11:05.439
<v Speaker 1>longer the bootleg. It's bootleg. Ain't nothing bootleg about me.

1:11:05.439 --> 1:11:08.080
<v Speaker 1>Don't get it messed up. So what are you doing? Man?

1:11:08.160 --> 1:11:12.040
<v Speaker 1>I'm doing the bootleg cav takeover by So what's up? Man?

1:11:12.040 --> 1:11:14.479
<v Speaker 1>First to be done? I have three questions for you?

1:11:14.520 --> 1:11:17.320
<v Speaker 1>What so next? Serious? Questions? Don't be this could be

1:11:17.320 --> 1:11:21.439
<v Speaker 1>be funny. Don't mean everything's funny. So are you ready?

1:11:21.439 --> 1:11:23.840
<v Speaker 1>Maybe gotta take my interview serious? I'm ready, man, I'm ready.

1:11:23.920 --> 1:11:25.800
<v Speaker 1>Let me get here, let me get back an interview mote?

1:11:25.880 --> 1:11:29.000
<v Speaker 1>All right? You ready? All right? What so you know

1:11:29.640 --> 1:11:33.880
<v Speaker 1>growing up in the in the hood or the urban communities,

1:11:33.920 --> 1:11:36.519
<v Speaker 1>however you want to address it. A lot of our

1:11:36.640 --> 1:11:44.559
<v Speaker 1>kids come up without being properly trained how to have dreams, goals,

1:11:44.600 --> 1:11:47.800
<v Speaker 1>and how to accomplish them. A lot of us we

1:11:47.960 --> 1:11:50.640
<v Speaker 1>just go through life trying to survive and trying to

1:11:50.640 --> 1:11:54.840
<v Speaker 1>figure it out because no one investing in us that

1:11:54.920 --> 1:11:57.040
<v Speaker 1>we can be anything we want to be. You know,

1:11:57.120 --> 1:12:01.479
<v Speaker 1>some people, you know, certain households, their parents really invest

1:12:01.560 --> 1:12:03.639
<v Speaker 1>in them. They you know, they push them to be great.

1:12:03.720 --> 1:12:09.439
<v Speaker 1>They they're enrolling and all these activities as kids, so

1:12:09.560 --> 1:12:11.720
<v Speaker 1>they don't really have free time to be able to

1:12:12.280 --> 1:12:15.400
<v Speaker 1>run around and do other stuff. So what is something

1:12:15.479 --> 1:12:18.280
<v Speaker 1>that you would some advice that you would give a

1:12:18.360 --> 1:12:24.720
<v Speaker 1>kid about chasing dreams? Great question. I feel like the

1:12:24.840 --> 1:12:27.680
<v Speaker 1>greatest advice is never be afraid to dream, Never be

1:12:27.720 --> 1:12:30.559
<v Speaker 1>afraid to be more than what you are. Never be

1:12:30.600 --> 1:12:35.760
<v Speaker 1>afraid to venture out outside of the walls that have

1:12:35.920 --> 1:12:39.320
<v Speaker 1>us confined to our neighborhoods. When we had our project buildings,

1:12:39.320 --> 1:12:41.080
<v Speaker 1>we had that gate, and in that gate, we never

1:12:41.120 --> 1:12:43.320
<v Speaker 1>thought that there could be life outside of that gate.

1:12:43.640 --> 1:12:46.200
<v Speaker 1>We didn't see a possibility outside of those four corners

1:12:46.200 --> 1:12:48.839
<v Speaker 1>that we called our hood, our block. It was the story,

1:12:48.840 --> 1:12:50.800
<v Speaker 1>it was the school, it was the turf, it was

1:12:50.840 --> 1:12:53.400
<v Speaker 1>the steps, and outside of that, we felt like there

1:12:53.479 --> 1:12:56.160
<v Speaker 1>was nowhere place, no place for us. And the greatest

1:12:56.200 --> 1:12:59.560
<v Speaker 1>thing that my mother did for me was she cultivated

1:12:59.600 --> 1:13:05.080
<v Speaker 1>my mamagination. She allowed me to have an imagination, because

1:13:05.120 --> 1:13:08.640
<v Speaker 1>in order to surpass those walls and those blocks and

1:13:08.680 --> 1:13:11.479
<v Speaker 1>those corners that we come from, the only way that

1:13:11.520 --> 1:13:14.360
<v Speaker 1>we're able to fly over them is through our imagination.

1:13:15.400 --> 1:13:19.080
<v Speaker 1>And my greatest advice to these children, to these kids,

1:13:19.080 --> 1:13:22.559
<v Speaker 1>to parents, to big homies, to anybody that comes from

1:13:22.560 --> 1:13:29.160
<v Speaker 1>our areas, never corrupt a child's imagination. Allow them to

1:13:29.240 --> 1:13:31.720
<v Speaker 1>do that. Like I told a person on Christmas, you

1:13:31.760 --> 1:13:35.880
<v Speaker 1>believe that you know whatever you believe in, Allow that

1:13:36.000 --> 1:13:38.280
<v Speaker 1>child to believe in, saying, allow that girl to have

1:13:38.360 --> 1:13:41.120
<v Speaker 1>her imaginary friend that she talks to, that doll that

1:13:41.200 --> 1:13:45.599
<v Speaker 1>she talks to. Allow that kid to, you know, imagine,

1:13:45.640 --> 1:13:47.920
<v Speaker 1>because sometimes your imagination is the only thing that can

1:13:47.960 --> 1:13:50.320
<v Speaker 1>get you out of those situations. Yeah, because you can

1:13:50.680 --> 1:13:54.320
<v Speaker 1>become so consumed by what your days, the reality of

1:13:54.320 --> 1:13:57.160
<v Speaker 1>what's your reality around you, that you that a dreak

1:13:57.280 --> 1:14:00.960
<v Speaker 1>like something that you would think is poser for you, You

1:14:00.520 --> 1:14:03.120
<v Speaker 1>You would think that your situation like what won't make

1:14:03.160 --> 1:14:06.280
<v Speaker 1>it takes you out of the equation of being able

1:14:06.320 --> 1:14:08.479
<v Speaker 1>to reach those things. But sure, why so serious to that?

1:14:08.479 --> 1:14:10.000
<v Speaker 1>Though I thought you was gonna get over here, I

1:14:10.000 --> 1:14:13.000
<v Speaker 1>got another question of you taking over his own interview

1:14:13.000 --> 1:14:15.160
<v Speaker 1>with you. Why are you He ain't sweating me? Why

1:14:15.240 --> 1:14:19.519
<v Speaker 1>you sweating me? You wouldn't sweating her like this? What's

1:14:19.560 --> 1:14:21.599
<v Speaker 1>the next question? So the next question is right now,

1:14:21.640 --> 1:14:25.400
<v Speaker 1>you along our journey in life, a lot of things

1:14:25.479 --> 1:14:28.360
<v Speaker 1>happened that we may not be ready for. We not

1:14:28.680 --> 1:14:31.519
<v Speaker 1>we may not be willing or ready to take on,

1:14:32.120 --> 1:14:35.679
<v Speaker 1>but we have no choice because it's just what comes

1:14:35.760 --> 1:14:37.559
<v Speaker 1>with our journey and lives. Like, we don't be able

1:14:37.560 --> 1:14:39.800
<v Speaker 1>to pick what's ahead of us, right, we only could

1:14:39.840 --> 1:14:42.000
<v Speaker 1>prepare ourselves to deal with it when we get there.

1:14:43.520 --> 1:14:46.040
<v Speaker 1>I don't like to use the word regret, so I'm

1:14:46.040 --> 1:14:49.280
<v Speaker 1>gonna say, what is one mistake you may have made

1:14:49.360 --> 1:14:53.679
<v Speaker 1>in your rap career that you can explain that may

1:14:53.720 --> 1:14:59.680
<v Speaker 1>give another up and coming rapper some knowledge on what

1:14:59.760 --> 1:15:02.280
<v Speaker 1>maybe he might not want to do when it comes

1:15:02.280 --> 1:15:06.360
<v Speaker 1>to his career that may prevent him from, you know,

1:15:06.439 --> 1:15:09.800
<v Speaker 1>maybe shortening his career, maybe making it take go a

1:15:09.840 --> 1:15:12.759
<v Speaker 1>little slower. Like, what is something What is a mistake

1:15:12.840 --> 1:15:15.240
<v Speaker 1>that you may have made that somebody else may able

1:15:15.240 --> 1:15:19.080
<v Speaker 1>to get something out of. It's the difference between confidence

1:15:19.320 --> 1:15:28.320
<v Speaker 1>and arrogance. Coming up, I've always been confident, right, but

1:15:28.439 --> 1:15:33.120
<v Speaker 1>sometimes we don't understand that there's a difference between confidence

1:15:33.160 --> 1:15:38.800
<v Speaker 1>and arrogance. Arrogance is a it's a thin line between

1:15:38.840 --> 1:15:43.160
<v Speaker 1>being humble and being hubris, and that arrogance is the

1:15:43.200 --> 1:15:50.200
<v Speaker 1>thing that offends people, and you're intentionally slighting someone just

1:15:50.240 --> 1:15:52.640
<v Speaker 1>because you may want them to look at you a

1:15:52.680 --> 1:15:55.759
<v Speaker 1>certain way or you want them to put some certain

1:15:55.800 --> 1:15:57.720
<v Speaker 1>respect on it. And there's no need to do that.

1:15:58.080 --> 1:16:00.040
<v Speaker 1>Like if you're a good person, there's no need to

1:16:00.120 --> 1:16:03.000
<v Speaker 1>treat anyone bad. Right, just because you got money don't

1:16:03.000 --> 1:16:04.800
<v Speaker 1>mean that you need to look down on people. And

1:16:04.920 --> 1:16:07.599
<v Speaker 1>I think in the early stages of my career, I

1:16:07.680 --> 1:16:11.720
<v Speaker 1>allow my arrogance to override my natural confidence because you

1:16:11.760 --> 1:16:15.280
<v Speaker 1>can still be confident and still be a humble individual. Yeah,

1:16:15.320 --> 1:16:16.840
<v Speaker 1>because I was going to have an extra I was

1:16:16.880 --> 1:16:18.479
<v Speaker 1>going to add on to that. Do you think that

1:16:18.520 --> 1:16:22.599
<v Speaker 1>some people be arrogant because personally they don't have they

1:16:22.800 --> 1:16:25.479
<v Speaker 1>they're really not as confident as they think they so

1:16:25.520 --> 1:16:28.920
<v Speaker 1>they really they really try to be macho with they

1:16:29.520 --> 1:16:32.040
<v Speaker 1>not confident. They try to be machi because they because

1:16:32.120 --> 1:16:35.599
<v Speaker 1>conveidens come with like a control. Right, you understand mean

1:16:35.600 --> 1:16:38.360
<v Speaker 1>and it teaches you. I'm confident enough to know that

1:16:38.400 --> 1:16:40.760
<v Speaker 1>when I come in here, I don't have to be arrogant. Right.

1:16:40.920 --> 1:16:43.120
<v Speaker 1>I never thought that I was better than anyone, but

1:16:43.200 --> 1:16:49.800
<v Speaker 1>I knew that I worked harder, and sometimes that can

1:16:50.880 --> 1:16:56.360
<v Speaker 1>activate some people's insecurities and then your arrogance overrides it.

1:16:56.400 --> 1:16:58.840
<v Speaker 1>So now they look at confidence. Is Steph Curry pulling

1:16:58.920 --> 1:17:00.479
<v Speaker 1>up from half court feeling like I can make the

1:17:00.479 --> 1:17:03.439
<v Speaker 1>shot right. Some people would be like, oh, he arrogant.

1:17:03.479 --> 1:17:05.799
<v Speaker 1>He shot it from won't won't Nah. That's just contidents

1:17:06.479 --> 1:17:08.479
<v Speaker 1>because when they asked him, man, why did you shoot

1:17:08.479 --> 1:17:10.639
<v Speaker 1>that shot? And I felt like I could make it right,

1:17:10.720 --> 1:17:12.200
<v Speaker 1>it wasn't. Oh I knew I could make it. I

1:17:12.240 --> 1:17:16.800
<v Speaker 1>won't want nah. That arrogance sometimes is a sucker complex. Yeah,

1:17:16.840 --> 1:17:19.120
<v Speaker 1>that's what I mean. I'm saying you a sucker complex

1:17:19.160 --> 1:17:21.400
<v Speaker 1>where the guys that act Keller tough or the females

1:17:21.439 --> 1:17:24.000
<v Speaker 1>that act Keller most of the girls that be mean

1:17:24.040 --> 1:17:27.720
<v Speaker 1>as hell be real sweethearts. That's their defense mechaniicanism. So

1:17:27.800 --> 1:17:30.720
<v Speaker 1>I allow my arrogance to become a defense mechanism. And

1:17:31.280 --> 1:17:35.200
<v Speaker 1>I offended certain individuals, and I'm thankful that I did

1:17:35.200 --> 1:17:37.360
<v Speaker 1>it because it taught me the lesson because I wouldn't

1:17:37.360 --> 1:17:40.800
<v Speaker 1>be able to know. So, uh, there's no regret to it.

1:17:41.080 --> 1:17:44.559
<v Speaker 1>But it was, Yeah, it was. It was a mistake,

1:17:44.880 --> 1:17:47.640
<v Speaker 1>a mistake, you know, and you learn from it and

1:17:47.960 --> 1:17:50.920
<v Speaker 1>you build on okay, And my last question is this,

1:17:51.200 --> 1:17:55.400
<v Speaker 1>if you had the opportunity to to really be able

1:17:55.439 --> 1:18:00.400
<v Speaker 1>to do an album, or or or participate or or

1:18:00.439 --> 1:18:04.320
<v Speaker 1>do anything musically, would one artist? Who would that artist be?

1:18:04.840 --> 1:18:08.600
<v Speaker 1>And why? Sam Cook? To me, Sam Cook was the

1:18:08.600 --> 1:18:12.439
<v Speaker 1>greatest artist of our time. It wasn't my time, but

1:18:12.560 --> 1:18:17.120
<v Speaker 1>just of that genre of music, soul music. Not only

1:18:17.240 --> 1:18:22.600
<v Speaker 1>was Sam Cook a great artist, he was a brilliant songwriter.

1:18:23.240 --> 1:18:26.200
<v Speaker 1>But something that trump's all of that is at a

1:18:26.240 --> 1:18:30.080
<v Speaker 1>time where black men didn't own their music, where black

1:18:30.120 --> 1:18:33.320
<v Speaker 1>men didn't have anything, the black artists at that time

1:18:33.360 --> 1:18:37.599
<v Speaker 1>would receive pennies. This man owned his own label, He

1:18:37.640 --> 1:18:40.880
<v Speaker 1>owned his own label, he signed his own artists, He

1:18:40.960 --> 1:18:44.799
<v Speaker 1>did a lot of things that was he trumped everyone

1:18:44.880 --> 1:18:49.120
<v Speaker 1>that was around at that time soulful. He was a superstar.

1:18:49.160 --> 1:18:54.479
<v Speaker 1>He was a super duperstar. And I would love to

1:18:54.520 --> 1:18:56.640
<v Speaker 1>do something with Sam Cook. Man like Sam Cook. To me,

1:18:58.360 --> 1:19:02.000
<v Speaker 1>he was the greatest man. But uh, I love your questions,

1:19:02.000 --> 1:19:06.320
<v Speaker 1>I love your seriousness, and I appreciate, but care for

1:19:06.360 --> 1:19:10.439
<v Speaker 1>letting us rock man the air away. That was a

1:19:10.439 --> 1:19:13.120
<v Speaker 1>good question. Let's wrap it up with Let's wrap it

1:19:13.200 --> 1:19:15.080
<v Speaker 1>up man. Listen the next time I see you. I

1:19:15.120 --> 1:19:18.000
<v Speaker 1>need some of these got hey, hey, listen, we got

1:19:18.120 --> 1:19:20.680
<v Speaker 1>we got you on the dope air everything, and we

1:19:20.720 --> 1:19:22.679
<v Speaker 1>would love for you to come up. Man, the next

1:19:22.680 --> 1:19:24.200
<v Speaker 1>time I'm in the bay, I got I'll be out

1:19:24.240 --> 1:19:26.799
<v Speaker 1>there soon. We're gonna do. So what what I've been doing,

1:19:28.160 --> 1:19:30.240
<v Speaker 1>We've been doing these things to just help the artists

1:19:30.240 --> 1:19:31.879
<v Speaker 1>that I'll be out there to watch the Sons eliminate

1:19:31.920 --> 1:19:36.280
<v Speaker 1>you guys in the playoffs. So what mhm, wow, 'm

1:19:36.280 --> 1:19:38.240
<v Speaker 1>gonna catch a game, go watch you know, go watch

1:19:38.439 --> 1:19:41.120
<v Speaker 1>Katie come back. If that's the case, we need to

1:19:41.160 --> 1:19:44.479
<v Speaker 1>take advantage of him coming to see Phoinish lose and

1:19:44.560 --> 1:19:47.559
<v Speaker 1>why are there do something amazing with him, do something.

1:19:47.800 --> 1:19:49.800
<v Speaker 1>It's still to do the watch party at the club.

1:19:50.040 --> 1:19:52.040
<v Speaker 1>Whatever we gotta do, go to the game. I'll be

1:19:52.080 --> 1:19:54.040
<v Speaker 1>super excited to watch you guys losen to the Suns

1:19:54.080 --> 1:19:58.120
<v Speaker 1>in the playoffs this year. I ask your question, do

1:19:58.240 --> 1:20:01.880
<v Speaker 1>you honestly think that Phoenix is gonna like let's talk sports. Okay, okay, okay,

1:20:01.920 --> 1:20:04.000
<v Speaker 1>if Katie is, if everyone's health wait wait wait wait

1:20:04.000 --> 1:20:06.880
<v Speaker 1>wait wait wait, you're talking about a Phoenix Suns team

1:20:06.920 --> 1:20:09.759
<v Speaker 1>that we're able to reach the semi conference finals. Without

1:20:09.760 --> 1:20:13.120
<v Speaker 1>a KD. So now it's an if KD. Well, first

1:20:13.160 --> 1:20:14.840
<v Speaker 1>of all, we just got rid of Cam Johnson and

1:20:14.920 --> 1:20:19.960
<v Speaker 1>Michael Bridges, who were very important parts of that team. Okay, Two,

1:20:21.520 --> 1:20:24.200
<v Speaker 1>if Kevin Durant is healthy, I don't think anyone's gonna

1:20:24.200 --> 1:20:28.320
<v Speaker 1>beat us. You know a little something about putting a

1:20:28.360 --> 1:20:30.360
<v Speaker 1>little extra on top of that a team that was

1:20:30.400 --> 1:20:33.439
<v Speaker 1>already on fire seventy three nine and nine team adding

1:20:33.520 --> 1:20:35.679
<v Speaker 1>Kevin Durant, So you know you and I were both

1:20:35.680 --> 1:20:37.840
<v Speaker 1>the same now, Yeah, but the only thing is we

1:20:37.880 --> 1:20:40.400
<v Speaker 1>have all had a ring before him. Yeah, but that

1:20:40.520 --> 1:20:42.640
<v Speaker 1>was because Kyrie Irving and Kevin Lover fucked up. Are

1:20:42.640 --> 1:20:45.519
<v Speaker 1>we gonna use because this shout out to Della Dova

1:20:45.560 --> 1:20:48.439
<v Speaker 1>still gave step some Hell, let's just be listen. This

1:20:48.600 --> 1:20:52.479
<v Speaker 1>is just crazy. Yes, we find any way to say

1:20:52.600 --> 1:20:55.160
<v Speaker 1>to take away. We had a ring before KD and

1:20:55.560 --> 1:21:00.439
<v Speaker 1>we have a ring after KD. So now is the

1:21:00.520 --> 1:21:02.920
<v Speaker 1>pressure on? Can I be honest with you? Or the

1:21:03.400 --> 1:21:05.960
<v Speaker 1>most important and best ring you guys won was last

1:21:06.040 --> 1:21:09.080
<v Speaker 1>year's ring. No, that's the best ring you guys ever

1:21:09.120 --> 1:21:12.680
<v Speaker 1>won because there's no there's no caveat or asterisk to

1:21:12.720 --> 1:21:15.920
<v Speaker 1>that ring. So there's an asterisk to our other rings

1:21:15.920 --> 1:21:18.240
<v Speaker 1>because of injuriescuse people weren't able to endure a full

1:21:18.280 --> 1:21:24.760
<v Speaker 1>season and stay healthy. That's our fault. Like I said

1:21:26.000 --> 1:21:28.240
<v Speaker 1>on the court, last year is your most respected ring

1:21:28.240 --> 1:21:29.800
<v Speaker 1>you've got. Can you at least agree on that. I

1:21:29.840 --> 1:21:31.320
<v Speaker 1>love that ring last year? You think it's but do

1:21:31.360 --> 1:21:34.560
<v Speaker 1>you think it's the most And when it comes to integrity,

1:21:35.200 --> 1:21:38.639
<v Speaker 1>nobody could say shit about last year. You guys were

1:21:38.920 --> 1:21:41.400
<v Speaker 1>you guys. Nobody gave you guys a chance. You guys

1:21:41.439 --> 1:21:43.760
<v Speaker 1>won the fucking championship. You played a great Celtics team,

1:21:44.160 --> 1:21:46.960
<v Speaker 1>who are the favorites this year? And there was no

1:21:47.160 --> 1:21:49.559
<v Speaker 1>there was no shenanigans. I love that ring. I loved

1:21:49.640 --> 1:21:51.960
<v Speaker 1>last year's ring. I love the effort collectively that the

1:21:52.000 --> 1:21:55.360
<v Speaker 1>fellas did. We were able to You know, I don't

1:21:55.360 --> 1:21:57.000
<v Speaker 1>know what it's like to have a championship. I know

1:21:57.160 --> 1:21:58.880
<v Speaker 1>that's that sucks. That's I don't even know what that is.

1:21:58.960 --> 1:22:02.360
<v Speaker 1>I never understand this kind of station. But the beauty

1:22:02.400 --> 1:22:04.760
<v Speaker 1>of it is I think the ring that we missed

1:22:04.760 --> 1:22:07.120
<v Speaker 1>out on was the most important to me, which is crazy.

1:22:07.200 --> 1:22:09.439
<v Speaker 1>Like the seventy seventy three and nine that was that

1:22:09.520 --> 1:22:12.240
<v Speaker 1>was heartbreaking. It's okay, because you guys added KD to

1:22:12.280 --> 1:22:13.960
<v Speaker 1>that team, and then yeah it was, and then you

1:22:14.160 --> 1:22:16.640
<v Speaker 1>ruined the league for a couple of weeks. Sometimes a

1:22:16.760 --> 1:22:18.880
<v Speaker 1>loss that humbles you is far greater than a win

1:22:18.920 --> 1:22:21.000
<v Speaker 1>that adds to your arrogance. Well, I sure hope that

1:22:21.040 --> 1:22:22.720
<v Speaker 1>we ruined the league for the next few years too,

1:22:22.760 --> 1:22:25.200
<v Speaker 1>with its not gonna happen. Like Chris, Chris Paul's not

1:22:25.240 --> 1:22:29.200
<v Speaker 1>a winner. Here we go. He's never won anything. He

1:22:29.240 --> 1:22:31.080
<v Speaker 1>didn't win at Georgia Tech. He did, He's never won.

1:22:31.160 --> 1:22:33.560
<v Speaker 1>He never won in New Orleans, He's never won in

1:22:33.720 --> 1:22:36.200
<v Speaker 1>LA when he had the greatest duck and mess way

1:22:36.680 --> 1:22:39.120
<v Speaker 1>what Blake Griffin and DeAndre Jordan. It was Ali you

1:22:39.320 --> 1:22:42.559
<v Speaker 1>Central Lop City the greatest though. I mean for that

1:22:42.680 --> 1:22:47.080
<v Speaker 1>time an athletic in his prime, Blake Griffin dunking over anyone.

1:22:47.120 --> 1:22:48.519
<v Speaker 1>All you got to do is throw the ball up

1:22:48.560 --> 1:22:50.880
<v Speaker 1>and you couldn't win. You lose. You come down three

1:22:50.920 --> 1:22:53.679
<v Speaker 1>to one, you lose. That They had bad injury luck, man,

1:22:53.800 --> 1:22:56.880
<v Speaker 1>Chris Paul will forever had bad luck some way except

1:22:56.960 --> 1:22:58.840
<v Speaker 1>this year. Somewhere along life. You know what I'm saying.

1:22:58.880 --> 1:23:01.080
<v Speaker 1>The only thing that he did us what he did

1:23:01.680 --> 1:23:05.960
<v Speaker 1>and what he did to that woman, and how do

1:23:06.000 --> 1:23:09.320
<v Speaker 1>you feel about how do you feel about? Uh? This

1:23:09.400 --> 1:23:11.920
<v Speaker 1>is are we can we make a prediction that this

1:23:12.000 --> 1:23:15.080
<v Speaker 1>is Draymond's final year with the Warriors. No, you think

1:23:15.080 --> 1:23:19.879
<v Speaker 1>he's staying. I think the Warriors organization know how important,

1:23:20.360 --> 1:23:23.519
<v Speaker 1>They know how important Draymond is. I think he wants

1:23:23.520 --> 1:23:24.880
<v Speaker 1>to go to the Lakers and play with his best

1:23:24.880 --> 1:23:26.880
<v Speaker 1>bud Man. I think he definitely wants to go to

1:23:27.040 --> 1:23:29.160
<v Speaker 1>the Lakers, just based off the fact Rich Paul and

1:23:29.200 --> 1:23:32.920
<v Speaker 1>his whole management agency team, and you know, and and Lebron.

1:23:33.000 --> 1:23:35.120
<v Speaker 1>Him and Lebron are definitely friends. But I would have

1:23:35.120 --> 1:23:37.000
<v Speaker 1>thought that they'd been to be a best friends after

1:23:37.040 --> 1:23:38.880
<v Speaker 1>he nailed him in the nuts and cost him the ring.

1:23:39.640 --> 1:23:43.519
<v Speaker 1>There we go, Yeah, who would have thought? And then

1:23:43.520 --> 1:23:45.360
<v Speaker 1>they're gonna end up playing together next year. It's gonna

1:23:45.360 --> 1:23:48.960
<v Speaker 1>be Draymond and Dill and ad know what's weird? Ron?

1:23:49.240 --> 1:23:53.320
<v Speaker 1>If the Warriors don't pay Bob Myers, then Draymond leaves. True.

1:23:53.800 --> 1:23:56.519
<v Speaker 1>If I heard that he might leave, he might go

1:23:56.600 --> 1:23:59.920
<v Speaker 1>to the Lakers. You know, he might go to the

1:24:00.320 --> 1:24:02.560
<v Speaker 1>So if I just can't wait for your dynasty to

1:24:02.600 --> 1:24:06.160
<v Speaker 1>be over, because I have nothing against fans from the

1:24:06.160 --> 1:24:09.640
<v Speaker 1>Bay who are Warrior supporters. But it's these fucking you

1:24:09.680 --> 1:24:13.160
<v Speaker 1>guys are like the new Cowboys fans. It's crazy. Dealing

1:24:13.200 --> 1:24:17.280
<v Speaker 1>with Warriors fans who aren't from the fucking Bay is ridiculous.

1:24:18.680 --> 1:24:21.840
<v Speaker 1>Like I mean, it's it's it's like it's like it's

1:24:21.840 --> 1:24:26.000
<v Speaker 1>like John Cena fans. Are you mad? Of course you're

1:24:26.040 --> 1:24:28.640
<v Speaker 1>a fucking John Cena fan. That's your fucking convenience. Are

1:24:28.640 --> 1:24:30.840
<v Speaker 1>you more? Are you mad because there's more Warrior fans

1:24:30.840 --> 1:24:33.280
<v Speaker 1>at the Sun's game? Do you see that that's ten

1:24:33.320 --> 1:24:35.120
<v Speaker 1>years old? But I listen, Is that a Joe Smith

1:24:35.200 --> 1:24:38.280
<v Speaker 1>Jersey buddy? That's Tyron Hill, buddy? Tyron Hill? Okay, well,

1:24:38.280 --> 1:24:39.840
<v Speaker 1>first of all, Joe Smith was the same number, right

1:24:39.880 --> 1:24:42.240
<v Speaker 1>most definitely that just lets you know how long ago

1:24:42.360 --> 1:24:44.200
<v Speaker 1>that was. Brother. I didn't say you weren't a real No,

1:24:44.240 --> 1:24:46.519
<v Speaker 1>I'm just saying because I just feel like I have

1:24:46.720 --> 1:24:49.680
<v Speaker 1>right to talk about this conversation. Regardless of our our

1:24:49.720 --> 1:24:51.679
<v Speaker 1>dynasty was supposed to be over when we when Steph

1:24:51.800 --> 1:24:54.439
<v Speaker 1>was hurt and we wants I was excited. I was excited.

1:24:54.479 --> 1:24:56.519
<v Speaker 1>So you want to see us lose? For sure? Why

1:24:56.640 --> 1:24:59.000
<v Speaker 1>I fucking hate the Warriors. Man, that's crazy. How did

1:24:59.000 --> 1:25:02.559
<v Speaker 1>the Phoenix US Poenix Suns fan established this much hatred

1:25:02.640 --> 1:25:04.599
<v Speaker 1>for the Warriors? You know why? Because my favorite player

1:25:04.640 --> 1:25:07.960
<v Speaker 1>is that guy right there, the statue, Lebron James. I

1:25:08.000 --> 1:25:12.400
<v Speaker 1>love Lebron. Yeah, I listen. The Sons were like the

1:25:12.439 --> 1:25:15.719
<v Speaker 1>fucking Dan Marley. I love Kevin Johnson. I like Charles Barkley.

1:25:15.720 --> 1:25:18.920
<v Speaker 1>I love Cedric Sabalis. I love Wayman Tisdale. I'm a

1:25:19.040 --> 1:25:22.599
<v Speaker 1>Rayman his wow, best jazz player, Like I'm saying, I'm

1:25:22.640 --> 1:25:25.200
<v Speaker 1>a real best way Tisdale on the Warriors. No, he

1:25:25.200 --> 1:25:26.960
<v Speaker 1>didn't play for US. He played for the Suns. No,

1:25:27.000 --> 1:25:29.160
<v Speaker 1>but he wasn't on the Warriors for a little beaten

1:25:30.400 --> 1:25:32.519
<v Speaker 1>all right. No, so like he was when he was

1:25:32.560 --> 1:25:34.200
<v Speaker 1>on the Suns. He put out a jazz album. Yeah

1:25:34.200 --> 1:25:37.679
<v Speaker 1>he did. He played the bass. Yeah. Uh. I love

1:25:38.360 --> 1:25:40.439
<v Speaker 1>the Phoenix Suns love you know. I love with you.

1:25:40.520 --> 1:25:42.840
<v Speaker 1>I love Tom Chambers everything that you got. I can

1:25:42.920 --> 1:25:46.000
<v Speaker 1>never see myself wanting to see a team just deliberately lose.

1:25:46.040 --> 1:25:49.040
<v Speaker 1>I don't. That's where you and I are different. I do.

1:25:49.160 --> 1:25:52.120
<v Speaker 1>I want to see the Warriors. January twenty seventh, and

1:25:52.160 --> 1:25:54.800
<v Speaker 1>you're an Aquarius. How Can this be I'm an Aquarius.

1:25:54.880 --> 1:25:57.280
<v Speaker 1>Where are you act like this? I fucking hate the Warriors.

1:25:57.280 --> 1:26:00.559
<v Speaker 1>It's crazy over We're going to continue to sports show.

1:26:02.560 --> 1:26:04.760
<v Speaker 1>Hey man, Thank you all, brother, I appreciate you. Yes,

1:26:04.800 --> 1:26:08.320
<v Speaker 1>sir real man as always nothing but love Northern California,

1:26:08.360 --> 1:26:10.920
<v Speaker 1>Southern California. Let's continue to keep being able to create

1:26:11.120 --> 1:26:13.840
<v Speaker 1>and show the world man that California's hey man, We're

1:26:13.880 --> 1:26:15.679
<v Speaker 1>one of the most creative places in the world. Let's

1:26:15.680 --> 1:26:18.400
<v Speaker 1>continue to keep working together artists and keep building in

1:26:18.520 --> 1:26:23.160
<v Speaker 1>Central Calix and yes, definitely expensive to live here. Man,

1:26:23.240 --> 1:26:26.479
<v Speaker 1>Unkin fab show going worldwide, man, and I thank you man,

1:26:26.560 --> 1:26:28.040
<v Speaker 1>thank you, appreciate you. There it is