WEBVTT - Part Two: The Surrealists Were Even Cooler Than You Thought

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<v Speaker 1>Hello, and welcome to Cool People Did Cool Stuff, your

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<v Speaker 1>podcast that is expertly introduced every single time by Margaret Kildroy,

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<v Speaker 1>who is me and in particular, I also want to

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<v Speaker 1>introduce Caitlyn Deronte. I don't know why. It's in particular,

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<v Speaker 1>I really prove to lie about the first thing that

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<v Speaker 1>I said. But Hi, Caitlin, how are you? Can you

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<v Speaker 1>save me?

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<v Speaker 2>Oh? It's here, I come to the rescue. Caitlin in particular.

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<v Speaker 1>Name Caitlin is the host of the Bechdel Cast, where

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<v Speaker 1>they talk about movies, but they're not allowed to talk

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<v Speaker 1>about men and who are in the movies because yeah,

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<v Speaker 1>which has ever made this joke?

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<v Speaker 2>Because every movie is about men? So yeah, kind of

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<v Speaker 2>really say like five words to each other and then

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<v Speaker 2>we have to end the episode.

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<v Speaker 1>I don't know what else I can talk to women

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<v Speaker 1>about besides men. Oh, there's a bunch of men in

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<v Speaker 1>this episode last Monday head well whatever, there's also some

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<v Speaker 1>women in it, so, including Sophie. Stop. Sophie's the producer.

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<v Speaker 1>Ian is our audio editor who can't say Hi, Hi Ian, Hello?

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<v Speaker 1>Unwomen did our theme music? And this is part two

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<v Speaker 1>in our Derive through Surrealism, which will piss off some

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<v Speaker 1>situation as somewhere because the situations didn't like the surrealists,

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<v Speaker 1>and then the ones who invented the concept of derief,

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<v Speaker 1>but it was based on the surrealists. That's not what

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<v Speaker 1>we're talking about today. Last time we talked about a

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<v Speaker 1>bunch of shit THEYD in World War Two, because I

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<v Speaker 1>figured i'd start with some of the action. This time,

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<v Speaker 1>I'm going to start with their precursors. I'm actually not

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<v Speaker 1>gonna I'm just gonna talk about some people who inspired

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<v Speaker 1>them because they some of them inspire me too. Some

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<v Speaker 1>of them I don't like. Yeah, so let's do it.

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<v Speaker 2>Let's do it.

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<v Speaker 1>Okay. In one of the last episodes, we did not

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<v Speaker 1>me and Caitlin but means we talked about John Henry,

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<v Speaker 1>the guy who beat the steam engine? Right, and I

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<v Speaker 1>actually was, wait, I want to ask I ask everyone

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<v Speaker 1>this now, do you know that John Henry was a

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<v Speaker 1>real person? I M.

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<v Speaker 2>I mean, it's a pretty generic ass sounding name.

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<v Speaker 1>So, oh, the like the guy who beat the steam

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<v Speaker 1>engine in the song maybe this is the different rocks

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<v Speaker 1>we live under.

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<v Speaker 2>I don't know this reference.

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<v Speaker 1>Okay, never mind, there's this like myth about the like

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<v Speaker 1>like John Henry is a steel driving man and he's

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<v Speaker 1>faster than any machine and he like beats the steam

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<v Speaker 1>drill and then he dies.

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<v Speaker 2>Right, I okay, I am familiar with this.

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<v Speaker 1>Yeah, he's a real person. We did a whole episode

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<v Speaker 1>about it, and he was a black convict who went

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<v Speaker 1>on to go and serve as the model for Superman

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<v Speaker 1>and Captain America. Therefore all modern comics hmmm. And our

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<v Speaker 1>guest prop pointed out that history keeps proving again and

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<v Speaker 1>again that black people invented everything, and he's not wrong.

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<v Speaker 1>I have this pet theory that I'm working on, which

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<v Speaker 1>is that basically everything to cool, everything cool that comes

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<v Speaker 1>out of is based on coo Europeans looking around and

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<v Speaker 1>being like, oh God, our society is evil and shitty,

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<v Speaker 1>what is better and finding inspiration from colonized people, indigenous people,

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<v Speaker 1>enslave people, and their descendants. These Western folks are desperately

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<v Speaker 1>trying to counteract the shittiest parts of their society, which

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<v Speaker 1>plays into the history of appropriation, capitalism and blah blah

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<v Speaker 1>blah blah blah. But it's also really interesting and so

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<v Speaker 1>this is my way of saying, a bunch of the

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<v Speaker 1>people who inspired the surrealists were black, and even though

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<v Speaker 1>actually there were a ton of black surrealists, and we'll

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<v Speaker 1>talk about them later, but they're not the face of

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<v Speaker 1>the movement. I want to talk about this guy named

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<v Speaker 1>Pascal Beverly Randolph. I'm just gonna assume you haven't heard

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<v Speaker 1>of him, because I hadn't heard of him, and no

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<v Speaker 1>one I know has probably heard him unless you're into

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<v Speaker 1>like specific occultist stuff. I have not. He is fucking wild.

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<v Speaker 1>He is one of the forefathers of American occultism. He

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<v Speaker 1>was a sex magician and a spiritualist.

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<v Speaker 2>Define sex magician. Oh we're gonna okay, good, sorry to

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<v Speaker 2>beat you. Yeah no, no, actually, in not fucked up ways.

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<v Speaker 2>I think that's what's the thing that's wild is I

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<v Speaker 2>am describing everything that would be a shitty con man

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<v Speaker 2>m hm. Instead he is an earnest seeker of wisdom

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<v Speaker 2>who is trying to help people and succeeds. Okay, great,

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<v Speaker 2>it's like the really wildest story. He may or may

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<v Speaker 2>not have been an actual doctor. He certainly called himself one,

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<v Speaker 2>speaking of things that are very con manny. He if

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<v Speaker 2>I had known about him before I started this four parter,

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<v Speaker 2>he might have gotten some episodes on his own. He's

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<v Speaker 2>just really fucking cool.

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<v Speaker 1>He was born in New York City in eighteen twenty

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<v Speaker 1>five to a free black mother and a white father.

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<v Speaker 1>Through his white dad, he may or may not have

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<v Speaker 1>been descended from this guy, William Randolph, one of the

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<v Speaker 1>founders of the Colony of Virginia, which means that our

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<v Speaker 1>black sex magician who helped inspire surrealism might have been

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<v Speaker 1>related to everyone from founding father and third President Thomas

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<v Speaker 1>Jefferson through the Confederate General Robert E.

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<v Speaker 3>Lee.

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<v Speaker 1>Some scholars think he made of his pedigree in order

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<v Speaker 1>to confront racism in his career, because racism was a

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<v Speaker 1>major impediment in his career, which like fair whatever.

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<v Speaker 2>Ah, yeah, I would make up all. I would say,

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<v Speaker 2>I have two masters degrees. Yeah, it's weird because they're

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<v Speaker 2>both in screenwriting, just from different schools. Yeah, University of

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<v Speaker 2>Boston and Boston University. Yeah, congratulations. We are less than

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<v Speaker 2>ten minutes in. So Pascal's dad runs out on the family.

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<v Speaker 2>I'm sure race is a factor here, the white dad.

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<v Speaker 2>His mom died of cholera when he was six. I'm

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<v Speaker 2>sure race and its attended poverty is a factor. Here

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<v Speaker 2>and he grew up homeless in nineteenth century five.

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<v Speaker 1>Points Manhattan, which is not an easy time. That's like

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<v Speaker 1>the like bad part of there's not a lot of

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<v Speaker 1>good parts of Manhattan. Twenty five. He taught himself how

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<v Speaker 1>to read and write, and then he fucked off on

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<v Speaker 1>a sailboat as a cabin boy in a deckhand and

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<v Speaker 1>saw some of the world. He came back after five years.

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<v Speaker 1>He worked as a boot black, a dyer, and a barber.

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<v Speaker 1>At some point he converted to Roman Catholicism. It did

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<v Speaker 1>not stick, and he studied mysticism everywhere he went, and

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<v Speaker 1>then he got involved in the spiritualist movement. I assume

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<v Speaker 1>everyone has heard Jamie Loftus's series Ghost Church, but in

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<v Speaker 1>case you haven't, have you ever heard of Jamie Loftus Klein.

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<v Speaker 2>I know the name, yeah, but I haven't. We have

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<v Speaker 2>never met. We've just we've we've done a podcast together

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<v Speaker 2>for seven years, but we've never met face to face.

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<v Speaker 1>And well, one of you is dead and being spoken

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<v Speaker 1>to by a spiritual media. No, oh, it's not gonna

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<v Speaker 1>it's me.

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<v Speaker 2>Oh dead. I wasn't going to tell you if I've

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<v Speaker 2>been dead the whole time. Is this the sixth sense.

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<v Speaker 1>So Ghost Church is a podcast that talks about the

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<v Speaker 1>spiritualist movement, and it's like people who do seances and shit.

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<v Speaker 1>That was wildly popular in the nineteenth century. It was

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<v Speaker 1>actually remarkably tied into radical politics in a way that

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<v Speaker 1>I did not expect to keep running across spiritualists as

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<v Speaker 1>I do this podcast. He gets involved in the spiritualist movement.

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<v Speaker 1>He doesn't stick with it, but he's there for a while,

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<v Speaker 1>and he goes on behalf of that movement around much

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<v Speaker 1>of the world. He studies at least somewhere between being

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<v Speaker 1>a deckhand and be working with the spiritualists. He goes

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<v Speaker 1>to at least Cuba, France, England, Syria, Turkey, and Egypt.

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<v Speaker 1>And you wouldn't believe how hard I had to work.

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<v Speaker 1>You might believe how hard I had to work to

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<v Speaker 1>dig up more than just traveled in Africa and find

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<v Speaker 1>an actual name of a specific country, right if Africa

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<v Speaker 1>is a country, which it's not. Along the way, probably

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<v Speaker 1>when he was about twenty five, Pascal married a black

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<v Speaker 1>woman and had three kids with her, though it's the

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<v Speaker 1>nineteenth century, so only one survives to adulthood. Fourteen years later,

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<v Speaker 1>they get divorced, and he marries a white Irish woman

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<v Speaker 1>with whom he had another kid. And both of his

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<v Speaker 1>wives were his actual partners and spiritual practitioners of their

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<v Speaker 1>own and he I think kept up with all the kids,

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<v Speaker 1>and he didn't do what his dad had done. And

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<v Speaker 1>also I had to look this up. I was like,

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<v Speaker 1>how did he marry a New York State is one

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<v Speaker 1>of the very few states in the US that has

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<v Speaker 1>never outlawed interracial marriage, so it was even legal for

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<v Speaker 1>him to marry that Irish woman. But he didn't last

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<v Speaker 1>long in a spiritualist movement because he wasn't a con man.

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<v Speaker 1>He was probably lying here and there about his past.

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<v Speaker 1>His black wife may or may not have been an indigenous,

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<v Speaker 1>but was absolutely selling Native American medicine for a living.

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<v Speaker 1>But he he wasn't a con man because he wasn't

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<v Speaker 1>He was seeking actual trances, right, And he was like, Oh,

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<v Speaker 1>you all are just doing weird shit on stage or

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<v Speaker 1>stage magicians. This is not of interest to me. You know.

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<v Speaker 1>He was specifically into being mixed race. He didn't love

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<v Speaker 1>he didn't love the way that people exoticized him. But

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<v Speaker 1>he talked about how he channeled multiple racial identities and

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<v Speaker 1>it helped him channel the spirits. He said, quote, I

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<v Speaker 1>owe my successes to my conglomerate blood, my troubles and

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<v Speaker 1>poverty to the same source. And by eighteen fifty eight

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<v Speaker 1>he leaves a spiritualist movement. He's like, y'all's trances are bullshit.

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<v Speaker 1>You're faking, and you're a bunch of racists, and you're

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<v Speaker 1>claiming to be activists trying to make the world better,

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<v Speaker 1>but you're just doing it for clout and money and

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<v Speaker 1>fuck you. He also, in contrast to spiritualist teachings, he

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<v Speaker 1>was basically a universalist. Instead of believing that only select

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<v Speaker 1>souls are immortal, he was like, every soul is equal,

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<v Speaker 1>every soul is immortal. At one point he moved to

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<v Speaker 1>Boston and declared himself a medical doctor because he'd read

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<v Speaker 1>lots of books on the subject. So he's shaking her

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<v Speaker 1>head now the hand is on the face. I like

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<v Speaker 1>how this just as easily could be a setup for

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<v Speaker 1>someone who just turns into a terrible cult leader, right, Oh,

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<v Speaker 1>for sure. But he's like the good person one as

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<v Speaker 1>far as I can tell, you know. He set up

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<v Speaker 1>the first Resicrucian societies in the US, which I had

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<v Speaker 1>to look up. It's an occultist movement that goes back

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<v Speaker 1>to the early seventeenth century in Europe. Basically, they're like, oh,

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<v Speaker 1>there's like a secret order of like secret knowledge that's

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<v Speaker 1>going to like set the world right. He labeled his

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<v Speaker 1>shit as resacrution. He said that he admitted this later

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<v Speaker 1>because he had a lot of spiritual teachings and since

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<v Speaker 1>he was black, no one was going to take him

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<v Speaker 1>seriously unless he gave it a label that like white

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<v Speaker 1>people were already like new and we're familiar with. And

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<v Speaker 1>the current order that he started doesn't like to talk

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<v Speaker 1>about their founder's sex magic. But he goes around and

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<v Speaker 1>he's traveling. He's forming secret societies all over the place,

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<v Speaker 1>or at least claiming to some of them. Might have

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<v Speaker 1>been like I set one up in Denver and it

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<v Speaker 1>was me and I swear there was like fifty guys there,

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<v Speaker 1>you know. But he had all these spiritual teachings. It

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<v Speaker 1>was the sex, drugs and rock and roll type thing.

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<v Speaker 1>Too early for rock and roll, but sex and drugs,

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<v Speaker 1>especially hashish, could lead to spiritual enlightenment when paired with study,

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<v Speaker 1>according to him. And he's selling all this shit through

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<v Speaker 1>mail order, Like really, I'm setting it all up, right,

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<v Speaker 1>But half of the shit that he's selling through a

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<v Speaker 1>mail order is free, and all of his prices are

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<v Speaker 1>like rock bottom, like barely breaking even because he's not

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<v Speaker 1>a grifter, and he seemed to be into free love,

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<v Speaker 1>not as I want to be a cult leader and

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<v Speaker 1>have a million lover's way, but an actual women's liberation

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<v Speaker 1>way like we were talking about last time. Right, It's

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<v Speaker 1>so funny that I'm so skeptical of like free love

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<v Speaker 1>and all that shit, even though like polyamory is like

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<v Speaker 1>a fairly major part of modern queer culture, you know, right,

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<v Speaker 1>but also as many of the same problems.

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<v Speaker 2>I mean, well, that's the thing, the lot of a

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<v Speaker 2>lot of yeah, like liberating movements can get and have

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<v Speaker 2>been weaponized against the people who are Yeah, yeah, it's

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<v Speaker 2>but yeah, I see what you mean. But yes, yeah,

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<v Speaker 2>polyamory all the way, Yeah, said Caitlin.

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<v Speaker 1>Yeah. He also was a gender rebel and probably pansexual.

0:12:27.559 --> 0:12:30.880
<v Speaker 1>He also makes the oldest reference to a non binary

0:12:30.960 --> 0:12:34.400
<v Speaker 1>gender with a specific name that I've ever read. I'm

0:12:34.480 --> 0:12:37.560
<v Speaker 1>sure there's other ones, but the oldest one I've ever read.

0:12:38.000 --> 0:12:41.400
<v Speaker 1>He wrote, quote, I believe in love all the way through,

0:12:41.720 --> 0:12:43.960
<v Speaker 1>and while I live, I will help every man, woman

0:12:44.080 --> 0:12:48.040
<v Speaker 1>and the in the betweenities to win, obtain, intensify, deep

0:12:48.120 --> 0:12:53.280
<v Speaker 1>and purify, strengthen and keep it in betweenity just between

0:12:53.280 --> 0:12:58.040
<v Speaker 1>these okay, between the y Yeah, I love it. I

0:12:58.120 --> 0:13:01.280
<v Speaker 1>know that was non binary, Like, no, I'm not non binary,

0:13:01.320 --> 0:13:02.119
<v Speaker 1>I'm a between.

0:13:01.880 --> 0:13:04.080
<v Speaker 3>Of the Yeah.

0:13:05.280 --> 0:13:09.280
<v Speaker 1>He also declared that earthly gender was provisional, that your

0:13:09.320 --> 0:13:12.480
<v Speaker 1>soul itself isn't gendered, just your body on earth, and

0:13:12.520 --> 0:13:16.960
<v Speaker 1>that God was both genders. He also taught both feminine

0:13:16.960 --> 0:13:20.800
<v Speaker 1>and masculine magic, but that was intentionally the gender of

0:13:20.840 --> 0:13:27.240
<v Speaker 1>the magic, not the practitioner, which, as my weird tangent,

0:13:27.600 --> 0:13:31.280
<v Speaker 1>is fairly Odin of him. Do you know that Odin

0:13:31.320 --> 0:13:37.959
<v Speaker 1>practice women's magic? No, the like every fucking nazis favorite

0:13:38.000 --> 0:13:40.000
<v Speaker 1>god Odin you know, oh.

0:13:39.920 --> 0:13:43.240
<v Speaker 2>Because of right Norse mythology.

0:13:43.440 --> 0:13:46.400
<v Speaker 1>Yeah. Yeah yeah, And he's like presented as like as

0:13:46.440 --> 0:13:48.840
<v Speaker 1>if he he's the all Father, right, although I like

0:13:48.880 --> 0:13:53.400
<v Speaker 1>the LGBT supportive Pagans who are like Odin is the

0:13:53.400 --> 0:13:58.000
<v Speaker 1>all Father, not the so Father, but he willingly gives

0:13:58.080 --> 0:13:59.760
<v Speaker 1>up his eye. This is a complete tangent, But I

0:13:59.800 --> 0:14:02.000
<v Speaker 1>wrote into the script because I like this story, he

0:14:02.080 --> 0:14:03.880
<v Speaker 1>drinks from the pool of knowledge. He gives up his

0:14:03.920 --> 0:14:06.000
<v Speaker 1>eye to drinkrom the pool of knowledge. He learned satyr,

0:14:06.040 --> 0:14:08.720
<v Speaker 1>which is women's magic and is also the magic of

0:14:08.800 --> 0:14:12.600
<v Speaker 1>men who take the submissive role with other men, because

0:14:12.840 --> 0:14:15.080
<v Speaker 1>all throughout history running this thing where instead of like

0:14:15.200 --> 0:14:17.839
<v Speaker 1>there being a stigma against men being gay, there's a

0:14:17.840 --> 0:14:22.480
<v Speaker 1>stigma against men being the receptive partner in sex. This

0:14:22.720 --> 0:14:27.000
<v Speaker 1>tangent brought to you by Margaret's Adhd the Pascal. He

0:14:27.040 --> 0:14:31.920
<v Speaker 1>also wrote, quote, it don't follow that all who wear

0:14:31.960 --> 0:14:34.360
<v Speaker 1>the penis are in soul true males, or that a

0:14:34.440 --> 0:14:39.640
<v Speaker 1>vagina is the sign of womanness, which pushes him so

0:14:40.160 --> 0:14:42.680
<v Speaker 1>the fuck far ahead of his time from a sexology

0:14:42.720 --> 0:14:48.560
<v Speaker 1>point of view. Seriously, he skipped several steps. I was

0:14:48.600 --> 0:14:50.720
<v Speaker 1>like reading like some people were like, oh, he like

0:14:50.920 --> 0:14:54.800
<v Speaker 1>predated the inversion theory of late nineteenth century stuff. He didn't.

0:14:55.440 --> 0:15:00.680
<v Speaker 1>He skipped that entirely. He went to fucking modern trans theory. Yeah,

0:15:01.920 --> 0:15:02.600
<v Speaker 1>he rules.

0:15:03.600 --> 0:15:04.240
<v Speaker 2>That's awesome.

0:15:05.240 --> 0:15:07.600
<v Speaker 1>By doing sex magic, the stuff he taught, he promised

0:15:07.600 --> 0:15:11.280
<v Speaker 1>people better sex, better health, women's liberation, and also the

0:15:11.360 --> 0:15:13.560
<v Speaker 1>kids you make during sex magic will be smarter.

0:15:16.920 --> 0:15:19.200
<v Speaker 2>So wait, okay, I still am not clear on the

0:15:19.200 --> 0:15:22.520
<v Speaker 2>definition of sex magic and sex magician.

0:15:24.040 --> 0:15:26.920
<v Speaker 1>I am not as versed on this because most of

0:15:26.920 --> 0:15:29.000
<v Speaker 1>the time when I meet someone who describes himself as

0:15:29.040 --> 0:15:34.840
<v Speaker 1>a sex magician, I am run screaming the opposite direction, sure,

0:15:35.120 --> 0:15:37.800
<v Speaker 1>which is not fair to many people who practice all

0:15:37.880 --> 0:15:40.360
<v Speaker 1>kinds of shit that are as cool and like enrich

0:15:40.400 --> 0:15:45.960
<v Speaker 1>as people's lives. I just distrust men. But I believe overall,

0:15:46.000 --> 0:15:49.400
<v Speaker 1>he's like turning talking about turning sex into ritual and

0:15:50.480 --> 0:15:54.240
<v Speaker 1>like working on like consciously developing like other ways to

0:15:54.240 --> 0:15:57.440
<v Speaker 1>have sex, and like be very conscious about sex. That's

0:15:57.440 --> 0:16:01.040
<v Speaker 1>my inference. I don't actually wrote like forty some books,

0:16:01.040 --> 0:16:02.800
<v Speaker 1>and I mostly just read about him instead of like

0:16:02.840 --> 0:16:03.680
<v Speaker 1>reading his books.

0:16:04.000 --> 0:16:09.080
<v Speaker 2>Okay, yeah, so it's time to read forty books, you know.

0:16:09.200 --> 0:16:14.680
<v Speaker 2>Apparently not me. I'm busy playing Zelda.

0:16:15.720 --> 0:16:16.800
<v Speaker 1>Have you started the new Zelda?

0:16:17.360 --> 0:16:17.560
<v Speaker 3>Yeah?

0:16:17.560 --> 0:16:20.760
<v Speaker 2>I just did like four days ago, and I've done

0:16:20.960 --> 0:16:21.720
<v Speaker 2>nothing else.

0:16:21.840 --> 0:16:23.480
<v Speaker 1>I'm surprised you didn't cancel this week.

0:16:23.560 --> 0:16:26.400
<v Speaker 2>So I honestly was like, I was like, can I

0:16:26.440 --> 0:16:29.440
<v Speaker 2>get away with playing the game while.

0:16:29.200 --> 0:16:33.040
<v Speaker 1>I'm I mean, I'm playing Baller's Gate three right now,

0:16:33.040 --> 0:16:34.160
<v Speaker 1>but that's different.

0:16:34.440 --> 0:16:39.920
<v Speaker 2>Sort No, But I took time out of my busy,

0:16:40.080 --> 0:16:42.640
<v Speaker 2>Zelda schedule to talk with you your wife.

0:16:42.640 --> 0:16:47.360
<v Speaker 1>I appreciate it. I appreciate it. Yeah. So his slogan,

0:16:48.080 --> 0:16:50.680
<v Speaker 1>tied to his dislike for church and traditional marriage, was

0:16:51.000 --> 0:16:56.240
<v Speaker 1>quote love forever against the world. And he believed that

0:16:56.280 --> 0:16:58.360
<v Speaker 1>as we learn to unlock ourselves, we'll be able to

0:16:58.400 --> 0:17:01.080
<v Speaker 1>bring in a new world, a new epo of human history.

0:17:01.120 --> 0:17:03.280
<v Speaker 1>And this is where he starts getting kind of surrealist, right.

0:17:05.200 --> 0:17:08.840
<v Speaker 1>And he's also he has like two very different lives.

0:17:09.760 --> 0:17:11.840
<v Speaker 1>He has like himself as a sex magician and a

0:17:11.880 --> 0:17:15.840
<v Speaker 1>traveling actually oddly not a con man, doing all the

0:17:15.880 --> 0:17:19.720
<v Speaker 1>same things that conman do. And then also he was

0:17:19.720 --> 0:17:22.320
<v Speaker 1>an abolitionist and he was involved in political stuff, and

0:17:22.440 --> 0:17:27.399
<v Speaker 1>like largely the two didn't affect each other, right, Like

0:17:27.440 --> 0:17:30.119
<v Speaker 1>he didn't hide them, I don't think. But he was

0:17:30.160 --> 0:17:32.679
<v Speaker 1>all about abolition as a pre Civil war, He's going

0:17:32.720 --> 0:17:35.280
<v Speaker 1>around touring the South talking about abolition, spending a lot

0:17:35.280 --> 0:17:37.679
<v Speaker 1>of time in New Orleans, hanging out with voodoo priestesses,

0:17:38.440 --> 0:17:40.480
<v Speaker 1>and like being a free black man from New York

0:17:40.520 --> 0:17:42.840
<v Speaker 1>and voluntarily going to the South is like braves shit,

0:17:43.520 --> 0:17:47.560
<v Speaker 1>very dangerous. He took a gradualist rather than revolutionary stance,

0:17:47.560 --> 0:17:50.920
<v Speaker 1>which tended to offend his fellow abolitionists for good reason.

0:17:50.960 --> 0:17:53.600
<v Speaker 1>But whatever, he had more skin of the game than

0:17:53.640 --> 0:17:55.920
<v Speaker 1>I did do or whatever. You know, I'm not trying

0:17:55.920 --> 0:17:59.680
<v Speaker 1>to Some people didn't like him in the abolitionist movement.

0:18:00.800 --> 0:18:03.400
<v Speaker 1>During the Civil War, he spent his time recruiting black

0:18:03.440 --> 0:18:05.840
<v Speaker 1>soldiers for the war. He was already in his forties,

0:18:05.840 --> 0:18:09.400
<v Speaker 1>and I don't think he fought directly himself. After the war,

0:18:09.480 --> 0:18:11.600
<v Speaker 1>he spent a lot of his time in Louisiana teaching

0:18:12.040 --> 0:18:14.520
<v Speaker 1>thousands of black people how to read and write through

0:18:14.560 --> 0:18:19.359
<v Speaker 1>the Freedmen's Bureau schools during a time when white racists

0:18:19.359 --> 0:18:22.440
<v Speaker 1>were attacking every black person and white Republican they could find.

0:18:23.359 --> 0:18:26.040
<v Speaker 1>He lived there during the New Orleans Massacre of eighteen

0:18:26.119 --> 0:18:29.400
<v Speaker 1>sixty six, in which probably fifty black people and three

0:18:29.400 --> 0:18:32.560
<v Speaker 1>white allies were killed by a racist mob, so he

0:18:32.600 --> 0:18:35.000
<v Speaker 1>slept with pistols under his bed as the death threats

0:18:35.040 --> 0:18:37.440
<v Speaker 1>came in for his daring to teach black people how

0:18:37.440 --> 0:18:42.280
<v Speaker 1>to read. He wrote quote, if Hell is any worse

0:18:42.320 --> 0:18:47.320
<v Speaker 1>than New Orleans, I pity the damned. He was a

0:18:47.320 --> 0:18:52.600
<v Speaker 1>good writer. Yeah, he got a little millenarian after that.

0:18:52.800 --> 0:18:55.520
<v Speaker 1>He predicted a great apocalypse was coming, that the white

0:18:55.520 --> 0:18:57.840
<v Speaker 1>people would give the Southwest to black people and he

0:18:57.840 --> 0:19:01.439
<v Speaker 1>would march off towards their Zion with them. He lectured

0:19:01.440 --> 0:19:04.600
<v Speaker 1>and wrote extensively about black rights. Unrelated to his occultism,

0:19:05.119 --> 0:19:08.840
<v Speaker 1>he formed the National Equal Rights League. His other personal

0:19:08.880 --> 0:19:11.879
<v Speaker 1>motto was we may be happy yet, and it applied

0:19:11.920 --> 0:19:17.679
<v Speaker 1>to both of his interests, magic and emancipation. And one

0:19:17.720 --> 0:19:19.000
<v Speaker 1>of the reasons I like him so much is he's

0:19:19.040 --> 0:19:21.840
<v Speaker 1>like a he's a seeker, right, He's someone who wasn't

0:19:21.880 --> 0:19:25.080
<v Speaker 1>convinced there was He wasn't convinced he was right, but

0:19:25.119 --> 0:19:27.840
<v Speaker 1>he explored spirituality to the best of his knowledge, and

0:19:27.880 --> 0:19:31.000
<v Speaker 1>he wrote. He wrote shit that contradicted his previous shit

0:19:31.040 --> 0:19:33.360
<v Speaker 1>as he changed his mind as he learned new things. Right,

0:19:34.119 --> 0:19:35.720
<v Speaker 1>And that's cool. I think that's a good thing.

0:19:36.480 --> 0:19:37.160
<v Speaker 2>Yeah, for sure.

0:19:38.359 --> 0:19:41.440
<v Speaker 1>He believed in the spirit realm, and he believed that

0:19:41.560 --> 0:19:45.439
<v Speaker 1>our souls are it's like, not totally dissimilar from the

0:19:45.440 --> 0:19:48.040
<v Speaker 1>Big Bang kind of even though that wasn't developed scientifically

0:19:48.080 --> 0:19:51.600
<v Speaker 1>until the twentieth century. Basically, that like the thoughts of

0:19:51.640 --> 0:19:54.600
<v Speaker 1>God have spread out all over the galaxy, falling like

0:19:54.720 --> 0:19:59.679
<v Speaker 1>dust onto certain worlds where they slowly collect into geological formations,

0:20:00.000 --> 0:20:03.560
<v Speaker 1>ants and non human animals before eventually they might become

0:20:03.640 --> 0:20:09.239
<v Speaker 1>human souls. Then when you die, your soul returns not

0:20:09.359 --> 0:20:12.280
<v Speaker 1>to the dust, but instead travels to the spirit realms,

0:20:12.320 --> 0:20:15.000
<v Speaker 1>which are Sometimes he writes it about them as being

0:20:15.040 --> 0:20:18.959
<v Speaker 1>around planets, galaxies, or beyond space itself, and it depends

0:20:19.000 --> 0:20:21.400
<v Speaker 1>on how enlighten this particular soul is where you end up.

0:20:22.560 --> 0:20:27.240
<v Speaker 1>In his earliest writings with his internalized racism, he says

0:20:27.240 --> 0:20:29.000
<v Speaker 1>that the white souls are the most developed and they're

0:20:29.000 --> 0:20:31.000
<v Speaker 1>going to end up like in the coolest spirit realms.

0:20:31.040 --> 0:20:33.800
<v Speaker 1>By the end of his life, it's people of color,

0:20:33.920 --> 0:20:36.119
<v Speaker 1>not just black people, who are the most developed and

0:20:36.160 --> 0:20:38.000
<v Speaker 1>are in the coolest parts of space, and white people

0:20:38.040 --> 0:20:41.800
<v Speaker 1>who are damned mm hmm or have more to more

0:20:41.840 --> 0:20:47.959
<v Speaker 1>development to do, just not inherently wrong. Through study and

0:20:48.080 --> 0:20:51.000
<v Speaker 1>drugs and sex, one could drop through the outer world

0:20:51.080 --> 0:20:54.480
<v Speaker 1>into the world below, into the spirit realm, which he

0:20:54.560 --> 0:20:57.359
<v Speaker 1>sometimes conceptualizes under the earth and other times is the

0:20:57.359 --> 0:21:00.880
<v Speaker 1>interior of one's own soul because inside of us microcosms

0:21:00.920 --> 0:21:06.399
<v Speaker 1>of the universe. And yeah, he lived his life and

0:21:06.440 --> 0:21:10.960
<v Speaker 1>he did that shit nice. In July eighteen seventy five,

0:21:11.000 --> 0:21:14.160
<v Speaker 1>at the age of forty nine he died. He most

0:21:14.359 --> 0:21:17.439
<v Speaker 1>likely shot himself in the head with a revolver. He

0:21:17.600 --> 0:21:20.880
<v Speaker 1>was destitute, and he was resentful of the white occultist

0:21:20.960 --> 0:21:24.600
<v Speaker 1>world continuing to ignore him. A friend and fellow occultist

0:21:24.720 --> 0:21:27.159
<v Speaker 1>on his deathbed claimed to have killed Pascal during a

0:21:27.160 --> 0:21:30.880
<v Speaker 1>fit of temporary insanity, but it's likely that this later

0:21:30.920 --> 0:21:34.040
<v Speaker 1>confession is a lie. It's likely that he took his

0:21:34.040 --> 0:21:39.679
<v Speaker 1>own life. And yeah, his wife continued to publish his works.

0:21:39.720 --> 0:21:42.399
<v Speaker 1>He published forty five books and pamphlets while he was alive,

0:21:44.520 --> 0:21:48.399
<v Speaker 1>and all of the big occult groups after he died.

0:21:49.119 --> 0:21:52.080
<v Speaker 1>It drew on his legacy because black people have been everything,

0:21:53.920 --> 0:21:57.520
<v Speaker 1>and the Surrealists also drew on this. His writing about

0:21:57.520 --> 0:22:00.440
<v Speaker 1>the unconscious world seeping into the conscious world and particular

0:22:00.480 --> 0:22:03.920
<v Speaker 1>influence them. But a lot of the influence information about

0:22:03.920 --> 0:22:06.560
<v Speaker 1>black influences on the Surrealists didn't start being acknowledged until

0:22:06.560 --> 0:22:08.720
<v Speaker 1>the later incarnation of the Surrealists and like the sixties

0:22:08.800 --> 0:22:11.080
<v Speaker 1>or whatever. And we'll get to that at some point.

0:22:12.000 --> 0:22:15.119
<v Speaker 1>But what we're going to get to first is, uh,

0:22:16.720 --> 0:22:20.840
<v Speaker 1>what's something good? We can be sponsored by books, but

0:22:21.560 --> 0:22:27.320
<v Speaker 1>libraries lost books. Yeah, yeah, everyone listening should write at

0:22:27.440 --> 0:22:29.200
<v Speaker 1>least forty books in their life.

0:22:29.800 --> 0:22:30.240
<v Speaker 2>Mm hmm.

0:22:30.800 --> 0:22:34.719
<v Speaker 1>If you don't, what are you doing? Why are you alive?

0:22:36.160 --> 0:22:37.000
<v Speaker 2>Loser alert?

0:22:37.600 --> 0:22:41.840
<v Speaker 1>Yeah, that's definitely to be taken seriously, and just like

0:22:41.920 --> 0:22:49.560
<v Speaker 1>you should take these ads seriously. Here's some ads, and

0:22:49.640 --> 0:22:52.240
<v Speaker 1>we're back and we're talking about how awkward it'll be

0:22:52.280 --> 0:22:56.400
<v Speaker 1>if I ever have to do host red ads anyway, whatever,

0:22:58.280 --> 0:23:02.360
<v Speaker 1>more influences. The Surrealists are all about automatic writing, right,

0:23:02.760 --> 0:23:06.320
<v Speaker 1>letting the unconsciousness, like like, hey, God, take the wheel,

0:23:06.359 --> 0:23:10.080
<v Speaker 1>only without God, you know, hey, dream take the wheel

0:23:11.080 --> 0:23:13.960
<v Speaker 1>and produce stuff. And if that sounds like improvisational music

0:23:14.400 --> 0:23:19.080
<v Speaker 1>like jazz jazz, that's not a coincidence. As far as

0:23:19.119 --> 0:23:22.160
<v Speaker 1>I can tell history, the West is like the only

0:23:22.200 --> 0:23:25.280
<v Speaker 1>place that's ever been really super whatever's only plays I've

0:23:25.280 --> 0:23:28.000
<v Speaker 1>found that has been super obsessed with, like music should

0:23:28.000 --> 0:23:30.719
<v Speaker 1>be written down and performed exactly as it's written. And

0:23:30.760 --> 0:23:34.760
<v Speaker 1>this is even only the recent West, which leads me

0:23:34.800 --> 0:23:39.480
<v Speaker 1>to a tangent. Okay, there's this finished instrument called the contelee.

0:23:39.760 --> 0:23:42.080
<v Speaker 1>It's a kind of zither. I've made a couple of them.

0:23:42.160 --> 0:23:44.520
<v Speaker 1>I think they're really cool and I like playing them.

0:23:45.440 --> 0:23:48.280
<v Speaker 1>And I listened to an interview with the traditional contelet

0:23:48.320 --> 0:23:50.520
<v Speaker 1>player and he was like, well, the traditional way to

0:23:50.520 --> 0:23:52.960
<v Speaker 1>play this instrument this is sit in the corner of

0:23:52.960 --> 0:23:56.800
<v Speaker 1>the house, probably drink, have your dog, sleep on your feet,

0:23:57.640 --> 0:23:59.120
<v Speaker 1>let that rest of the house do their own thing,

0:23:59.240 --> 0:24:01.959
<v Speaker 1>and then make up whatever you want as you and

0:24:02.040 --> 0:24:05.520
<v Speaker 1>just like suck around on it. Yeah, And it's not

0:24:05.520 --> 0:24:10.120
<v Speaker 1>about playing specific compositions. It's about channeling, right, It's about

0:24:10.119 --> 0:24:12.679
<v Speaker 1>improvisational music. Everyone has known this forever, with the exception

0:24:12.760 --> 0:24:16.440
<v Speaker 1>of Western Europe during some certain time period. But the

0:24:16.480 --> 0:24:19.440
<v Speaker 1>Surrealists are from Western Europe in that certain time period.

0:24:19.720 --> 0:24:23.760
<v Speaker 1>So improvisational plane. This is like a fucking epiphany, right.

0:24:25.320 --> 0:24:27.800
<v Speaker 1>Jazz is imported from the US, in part by black

0:24:27.840 --> 0:24:31.760
<v Speaker 1>soldiers from the US or in World War One, and

0:24:31.800 --> 0:24:34.719
<v Speaker 1>the Surrealists are super into veteran of the pad Josephine Baker,

0:24:34.840 --> 0:24:37.320
<v Speaker 1>the black superstar who moved to the France, moved to France,

0:24:37.320 --> 0:24:41.439
<v Speaker 1>fought Nazis and had a pet cheetah whoa Yes, she's

0:24:41.440 --> 0:24:42.800
<v Speaker 1>a real quote. You should check out that episodes.

0:24:42.880 --> 0:24:43.040
<v Speaker 3>Better.

0:24:44.119 --> 0:24:46.800
<v Speaker 1>There's another jazz musician in particular who influenced them, though

0:24:46.800 --> 0:24:50.480
<v Speaker 1>not right at the beginning, and so he's not really

0:24:50.480 --> 0:24:53.040
<v Speaker 1>a pre curb he gets called a crew precursor. But

0:24:53.080 --> 0:24:54.680
<v Speaker 1>I think people are playing a little fast and loose

0:24:54.680 --> 0:25:01.000
<v Speaker 1>with history sometimes. Felonious Monk who basically was this like,

0:25:01.480 --> 0:25:03.840
<v Speaker 1>he was born in North Carolina nineteen seventeen. He learned

0:25:03.840 --> 0:25:05.560
<v Speaker 1>all the Western greades on piano and he was like, nah,

0:25:05.600 --> 0:25:08.879
<v Speaker 1>I'm good. I like jazz. And his quote is the

0:25:08.920 --> 0:25:12.879
<v Speaker 1>piano ain't got no wrong notes. And he revolutionized piano plane.

0:25:13.040 --> 0:25:15.600
<v Speaker 1>He also got involved in the civil rights movement, and

0:25:15.680 --> 0:25:21.440
<v Speaker 1>he inspired the fuck out of the surrealists more influences.

0:25:20.960 --> 0:25:22.840
<v Speaker 1>What's your take on edge lords?

0:25:27.359 --> 0:25:37.480
<v Speaker 2>I mean, I find being I find edge lord behavior

0:25:37.840 --> 0:25:40.879
<v Speaker 2>pretty irritating a lot of the Yeah, as far as

0:25:41.000 --> 0:25:44.879
<v Speaker 2>just yeah, you know, yeah, I'll leave it at that.

0:25:46.200 --> 0:25:48.280
<v Speaker 1>One of the things that really fucks of my head

0:25:48.320 --> 0:25:50.560
<v Speaker 1>as I read more and more history is that, like

0:25:51.040 --> 0:25:53.520
<v Speaker 1>what an edged lord is. I mean, obviously people aren't

0:25:53.560 --> 0:25:56.440
<v Speaker 1>using that word except for recently, but like someone who's

0:25:56.480 --> 0:26:00.600
<v Speaker 1>like edgy on purpose and playing with like dark stuff

0:26:00.640 --> 0:26:03.359
<v Speaker 1>that might trigger people or whatever out of like shake

0:26:03.440 --> 0:26:07.280
<v Speaker 1>things up, you know, for its own sake. What that

0:26:07.400 --> 0:26:12.160
<v Speaker 1>means has been different politically and like culturally, like at

0:26:12.160 --> 0:26:16.000
<v Speaker 1>different times, and like wildly differently. It has been used

0:26:16.000 --> 0:26:19.119
<v Speaker 1>by like aggressive shitty centrists, the far right and the

0:26:19.160 --> 0:26:23.080
<v Speaker 1>far left, and not often at the same time. They

0:26:23.119 --> 0:26:24.800
<v Speaker 1>seem to like pass it back and forth like a

0:26:24.800 --> 0:26:30.840
<v Speaker 1>hot potato. You know, right now the potato is in

0:26:30.880 --> 0:26:35.800
<v Speaker 1>the right wings hands, I think, and I don't so.

0:26:37.359 --> 0:26:41.840
<v Speaker 1>One of the original Edgelords in literature is a character

0:26:41.920 --> 0:26:45.360
<v Speaker 1>named Malderour, and he is a protagonist of a book

0:26:45.400 --> 0:26:49.520
<v Speaker 1>from the eighteen sixties called La Chanton about Malderoor The

0:26:49.520 --> 0:26:53.040
<v Speaker 1>Songs of Maldour. I have tried to read it. I

0:26:53.080 --> 0:26:55.760
<v Speaker 1>hope one day to succeed. My god, it is dense.

0:26:57.960 --> 0:26:59.199
<v Speaker 2>What's the name Malderour?

0:26:59.520 --> 0:27:03.520
<v Speaker 1>Maldo m A L D O R.

0:27:03.800 --> 0:27:08.639
<v Speaker 2>O R sounds like a Lord of the Rings character, honestly,

0:27:08.640 --> 0:27:12.359
<v Speaker 2>and Zelda character. Totally not to bring it back to

0:27:12.440 --> 0:27:13.480
<v Speaker 2>Zelda again, but.

0:27:13.920 --> 0:27:17.320
<v Speaker 1>If Zelda, if the character was in Zelda, Zelda would

0:27:17.320 --> 0:27:18.120
<v Speaker 1>be a very different game.

0:27:19.480 --> 0:27:22.360
<v Speaker 2>Okay, well, and say more about that, please.

0:27:22.480 --> 0:27:26.399
<v Speaker 1>Well, first time I tell you about a dog named Alderar. Okay,

0:27:26.440 --> 0:27:30.560
<v Speaker 1>Because I've been on a fucking adhd bender this week.

0:27:31.240 --> 0:27:33.840
<v Speaker 1>I read so many different books about surrealism and they're

0:27:33.880 --> 0:27:36.720
<v Speaker 1>all so different. I just was like, whatever, I'm doing

0:27:36.720 --> 0:27:37.120
<v Speaker 1>this thing.

0:27:38.560 --> 0:27:46.240
<v Speaker 2>I think this okay podcast tone tonally this or this

0:27:46.359 --> 0:27:49.560
<v Speaker 2>you know what is it? Four parter of episode so on?

0:27:49.640 --> 0:27:52.480
<v Speaker 2>Surrealism is surrealist.

0:27:53.480 --> 0:27:59.080
<v Speaker 1>That's my intention? Yeah, yeah thanks. My surrealist friends in

0:27:59.119 --> 0:28:01.880
<v Speaker 1>Baltimore had a dog name and he was super cool

0:28:01.960 --> 0:28:03.440
<v Speaker 1>and smart as hell. And this is where I first

0:28:03.480 --> 0:28:06.120
<v Speaker 1>heard about Maldraur and rest in peace, you good boy, Malderer.

0:28:07.600 --> 0:28:09.000
<v Speaker 1>He was the first dog I ever met where they

0:28:09.040 --> 0:28:12.199
<v Speaker 1>could be like, go get the following toy and the

0:28:12.240 --> 0:28:13.879
<v Speaker 1>dog would go to the chest and pick out the

0:28:13.920 --> 0:28:15.120
<v Speaker 1>correct toy and come back.

0:28:15.240 --> 0:28:15.640
<v Speaker 3>WHOA.

0:28:16.000 --> 0:28:19.320
<v Speaker 1>Yeah, is dog's smartest. Shit. He's also the inspiration for

0:28:19.400 --> 0:28:22.679
<v Speaker 1>me naming my dog Rentraw, because I thought, if my

0:28:22.720 --> 0:28:24.880
<v Speaker 1>super cool friends can name their dog after an obscure

0:28:24.920 --> 0:28:29.720
<v Speaker 1>figure from literature, so can I. So can you Rentraw?

0:28:29.920 --> 0:28:30.120
<v Speaker 3>What?

0:28:30.200 --> 0:28:30.600
<v Speaker 2>Literately?

0:28:30.600 --> 0:28:30.639
<v Speaker 1>What?

0:28:30.840 --> 0:28:31.240
<v Speaker 3>Oh? Yeah?

0:28:31.480 --> 0:28:33.560
<v Speaker 1>Always in the script, I was like, this is where

0:28:33.600 --> 0:28:37.520
<v Speaker 1>I reveal the origin of my dogs name, because I

0:28:37.560 --> 0:28:39.840
<v Speaker 1>was talking about my dog. I'm Rinshaw is a character

0:28:39.920 --> 0:28:43.000
<v Speaker 1>from William Blake? Who is this? I'm almost certain I'll

0:28:43.040 --> 0:28:44.880
<v Speaker 1>do an episode about William Blake eventually, once I figure

0:28:44.880 --> 0:28:48.240
<v Speaker 1>out the way to make it. Entertaining to people besides me.

0:28:48.880 --> 0:28:53.480
<v Speaker 1>He's a proto anarchist who wrote and illustrated. He like

0:28:53.520 --> 0:28:57.560
<v Speaker 1>did some of the first illustrated manuscripts in the Western tradition.

0:28:58.480 --> 0:29:02.000
<v Speaker 1>Like think, he's like sometimes like a precursor of the

0:29:02.040 --> 0:29:06.200
<v Speaker 1>modern graphic novel because he'd like write really weird theological

0:29:06.240 --> 0:29:09.959
<v Speaker 1>shit and then draw it too. And he was a

0:29:09.960 --> 0:29:12.920
<v Speaker 1>printmaker and he like so he engraved it all by hand.

0:29:12.920 --> 0:29:15.760
<v Speaker 1>He basically made zenes. He was a weird fucking zineester

0:29:16.080 --> 0:29:19.800
<v Speaker 1>who I like a lot. Rintrall's the name of a

0:29:19.880 --> 0:29:23.000
<v Speaker 1>character who represents the just rage of the prophet. The

0:29:23.080 --> 0:29:25.320
<v Speaker 1>first line from his book The Marriage of Heaven and

0:29:25.360 --> 0:29:28.080
<v Speaker 1>Hell is Rintraw roars and shakes his fires in the

0:29:28.080 --> 0:29:30.440
<v Speaker 1>burdened air. And no, I can't tell you what that

0:29:30.480 --> 0:29:34.680
<v Speaker 1>means because I don't understand it, but it's pretty mm hmm.

0:29:34.800 --> 0:29:36.840
<v Speaker 1>And I understand a lot of the rest of that book.

0:29:37.280 --> 0:29:39.480
<v Speaker 2>So okay, that's what's important.

0:29:39.760 --> 0:29:43.920
<v Speaker 1>Yeah, the back to Maldor of the character, it is

0:29:43.920 --> 0:29:46.920
<v Speaker 1>about a man who has abandoned traditional morality in violent

0:29:47.000 --> 0:29:52.000
<v Speaker 1>and absurd ways. That's that's kind of you know, And

0:29:52.040 --> 0:29:54.200
<v Speaker 1>it's like there was a time in the nineteenth century,

0:29:54.200 --> 0:29:57.080
<v Speaker 1>where doing that was like, holy shit, someone tried something

0:29:57.360 --> 0:30:01.560
<v Speaker 1>wildly new, whereas now you're just like, whooped to do?

0:30:01.680 --> 0:30:04.520
<v Speaker 1>In gill little like small flag that you like, you know,

0:30:04.640 --> 0:30:07.920
<v Speaker 1>like this book is attributed to Comte de la trement,

0:30:08.360 --> 0:30:10.560
<v Speaker 1>which is the pen name of a poet named Isidore

0:30:10.640 --> 0:30:15.040
<v Speaker 1>Lucien Dakau isidor read all the Romantics or another influence

0:30:15.080 --> 0:30:17.680
<v Speaker 1>about the Surrealists I'll get to one day. And he

0:30:17.720 --> 0:30:20.920
<v Speaker 1>was a depressed trust fund kid, so very like the surrealists,

0:30:21.640 --> 0:30:24.120
<v Speaker 1>who wrote furiously late at night and self published the

0:30:24.120 --> 0:30:27.560
<v Speaker 1>book with his dad's money. It's just very surrealist of it. Again,

0:30:27.640 --> 0:30:30.120
<v Speaker 1>I'm kind of talking shit. I don't know what percentage

0:30:30.120 --> 0:30:32.040
<v Speaker 1>of the I don't know what percentage of the surrealist

0:30:32.120 --> 0:30:35.120
<v Speaker 1>or trust fund kids, but art world early twentieth century

0:30:35.240 --> 0:30:38.120
<v Speaker 1>was a lot of them. Otherwise weren't. And so he

0:30:38.120 --> 0:30:40.400
<v Speaker 1>wrote this book and he was like, oh, look how

0:30:40.440 --> 0:30:42.400
<v Speaker 1>I jam. But then he started an inversion of it

0:30:42.440 --> 0:30:44.880
<v Speaker 1>called Songs of the Good that was built on courage

0:30:44.920 --> 0:30:46.480
<v Speaker 1>and hope and faith, which is the kind of thing

0:30:46.480 --> 0:30:50.440
<v Speaker 1>that a modern edgelord would not do. Because I think

0:30:50.440 --> 0:30:53.440
<v Speaker 1>he actually was like I want to explore different parts

0:30:53.480 --> 0:30:57.360
<v Speaker 1>of the human psyche. Right, But before he could do that,

0:30:58.600 --> 0:31:03.000
<v Speaker 1>Prussia besieged Paris in eighteen seventy and the conditions of

0:31:03.000 --> 0:31:05.440
<v Speaker 1>the city got worse, and Isodor died at age twenty

0:31:05.480 --> 0:31:10.160
<v Speaker 1>four in eighteen seventy. So that was the other reason

0:31:10.200 --> 0:31:12.959
<v Speaker 1>I forgive him or whatever. Anyway, So this Edgeloord's thing

0:31:13.040 --> 0:31:15.600
<v Speaker 1>is honestly part of the core of surrealism, the idea

0:31:15.640 --> 0:31:18.040
<v Speaker 1>of tapping into the unconscious and writing things that up

0:31:18.080 --> 0:31:21.640
<v Speaker 1>end the values we assume have it like, it has

0:31:21.640 --> 0:31:25.560
<v Speaker 1>its own value from the surrealist point of view, right, Yeah,

0:31:25.640 --> 0:31:28.400
<v Speaker 1>and this is like part of this how the concept

0:31:28.440 --> 0:31:31.480
<v Speaker 1>of being edgy and up ending values and morality and

0:31:31.520 --> 0:31:33.800
<v Speaker 1>all this stuff is like goes back and forth. The

0:31:33.840 --> 0:31:36.480
<v Speaker 1>far left was doing it in the sixties and early seventies,

0:31:36.520 --> 0:31:41.000
<v Speaker 1>centered around Michael Moorcock and creating the concept of the

0:31:41.040 --> 0:31:44.440
<v Speaker 1>anti hero, or rather popularizing the concept of the anti hero.

0:31:46.560 --> 0:31:48.040
<v Speaker 1>But now it's like the concept of the anti hero

0:31:48.160 --> 0:31:50.120
<v Speaker 1>is this like really interesting thing? And now it's just like,

0:31:50.960 --> 0:31:56.440
<v Speaker 1>of course, your detective smokes cigarettes and hates women, Like, congratulations,

0:31:56.720 --> 0:31:59.520
<v Speaker 1>who's an edgy boy, You're an edgyp boy.

0:31:59.560 --> 0:32:01.840
<v Speaker 2>It's not even Edgi anymore, because everyone's doing it.

0:32:02.040 --> 0:32:05.040
<v Speaker 1>I know the real Edgen is Hope.

0:32:06.240 --> 0:32:08.160
<v Speaker 2>That's why I love Paddington so much.

0:32:08.600 --> 0:32:12.800
<v Speaker 1>Yeah, Edgie Paddington. Have you seen the memes that are

0:32:12.920 --> 0:32:16.080
<v Speaker 1>where there's like the person who photoshops them into different

0:32:16.120 --> 0:32:16.840
<v Speaker 1>movies stills?

0:32:17.160 --> 0:32:19.280
<v Speaker 2>Of course, yeah, of course you have. I've seen that.

0:32:19.360 --> 0:32:23.880
<v Speaker 2>There's also oh what, why don't I remember her name? Ever?

0:32:24.280 --> 0:32:26.160
<v Speaker 2>The star of the movie eighth Grade?

0:32:27.040 --> 0:32:30.040
<v Speaker 1>Whose name is I've heard of eighth Grade? I went

0:32:30.080 --> 0:32:30.680
<v Speaker 1>to eighth grade.

0:32:32.240 --> 0:32:35.160
<v Speaker 2>We did that too, So I'm talking about Elsie Fisher.

0:32:35.160 --> 0:32:37.800
<v Speaker 2>I almost always call her isle of Fisher. That's someone

0:32:37.840 --> 0:32:42.520
<v Speaker 2>else Elsie Fisher had for a while she would like

0:32:42.680 --> 0:32:47.120
<v Speaker 2>change her Twitter account to Evil Paddington and then she

0:32:47.160 --> 0:32:51.400
<v Speaker 2>would tweet stuff that Paddington would say if Paddington was evil,

0:32:51.400 --> 0:32:53.560
<v Speaker 2>and it was the funniest bit I've ever seen.

0:32:54.400 --> 0:32:56.400
<v Speaker 1>Ok, this actually gets into like some of the things

0:32:56.400 --> 0:32:58.280
<v Speaker 1>that I keep thinking about when I'm researching this, where

0:32:58.320 --> 0:33:00.280
<v Speaker 1>it's like all of the shit that the surren less

0:33:00.320 --> 0:33:02.680
<v Speaker 1>are doing, or the people before them are doing. It's

0:33:02.720 --> 0:33:08.360
<v Speaker 1>like we blow through cultural ideas, like our like machine

0:33:08.440 --> 0:33:12.800
<v Speaker 1>for culture is just overclocked now, like like it's like

0:33:12.840 --> 0:33:15.440
<v Speaker 1>we used to have abacuses and now we have supercomputers.

0:33:15.480 --> 0:33:18.600
<v Speaker 1>We're just like and everyone gets to participate. So all

0:33:18.600 --> 0:33:25.000
<v Speaker 1>of these culture things, cultural things like happen so fast

0:33:25.120 --> 0:33:29.040
<v Speaker 1>and like you know, and they're not less good or

0:33:29.120 --> 0:33:31.960
<v Speaker 1>less important or less interesting than like the Surrealists, just

0:33:32.000 --> 0:33:34.400
<v Speaker 1>because like the surrealisted certain things first, but they didn't

0:33:34.400 --> 0:33:38.400
<v Speaker 1>really right, but they like you know, and like I

0:33:38.440 --> 0:33:43.200
<v Speaker 1>really like the Surrealists. But we live in a beautiful, strange,

0:33:43.200 --> 0:33:46.080
<v Speaker 1>absurd time where culture happens really quickly, and Evil Paddington

0:33:46.320 --> 0:33:49.280
<v Speaker 1>is like the kind of thing that would have broken

0:33:49.520 --> 0:33:50.840
<v Speaker 1>these people's minds.

0:33:51.320 --> 0:33:54.880
<v Speaker 2>Right, and in our modern world it was just like

0:33:55.640 --> 0:34:01.520
<v Speaker 2>a random blip slash, a random bit that has come

0:34:01.560 --> 0:34:02.240
<v Speaker 2>and gone.

0:34:02.440 --> 0:34:09.000
<v Speaker 1>Yeah, totally. But the blip who had come and gone Isidor,

0:34:09.120 --> 0:34:11.560
<v Speaker 1>who died at twenty four, wrote this one book, self

0:34:11.600 --> 0:34:13.440
<v Speaker 1>published it later, I think it got picked up by

0:34:13.440 --> 0:34:17.600
<v Speaker 1>some other people in nineteen seventeen, when the surrealis is

0:34:17.640 --> 0:34:20.600
<v Speaker 1>going to find a copy of La Chanta Maldor and

0:34:20.640 --> 0:34:23.840
<v Speaker 1>the character becomes their icon. Here's the person who's like

0:34:24.440 --> 0:34:29.560
<v Speaker 1>against everything, right, you know, he's their prophet alongside Baldiire

0:34:29.640 --> 0:34:32.279
<v Speaker 1>who wrote the book the Flowers of Evil, just poetry book,

0:34:32.320 --> 0:34:34.640
<v Speaker 1>and who also fought in the eighteen forty eight revolutions.

0:34:35.000 --> 0:34:37.960
<v Speaker 1>And then Arthur Rimbaud, who is a gay author who

0:34:38.040 --> 0:34:40.120
<v Speaker 1>wrote a Season in Hell and fought in the early

0:34:40.160 --> 0:34:42.160
<v Speaker 1>Paris Commune but got out before everything went to shit

0:34:42.200 --> 0:34:45.000
<v Speaker 1>and everyone died, who also wrote poems about Louis Michelle,

0:34:45.040 --> 0:34:47.359
<v Speaker 1>the anarchists here of the Commune. Anyway, what I'm trying

0:34:47.360 --> 0:34:49.040
<v Speaker 1>to say is, all though cool old edge Lord's actually

0:34:49.120 --> 0:34:51.000
<v Speaker 1>like threw down in all these revolutions. If you're an edgelord,

0:34:51.040 --> 0:34:53.320
<v Speaker 1>now one, cut it out. It's not as interesting anymore

0:34:53.680 --> 0:34:56.640
<v Speaker 1>to get into Paddington, I guess. And three all your

0:34:56.640 --> 0:35:02.920
<v Speaker 1>heroes were leftists. Get with a program. Okay, yes, all

0:35:02.960 --> 0:35:06.319
<v Speaker 1>of this pushing traditional morality had a limit even to them, right,

0:35:06.800 --> 0:35:09.680
<v Speaker 1>They're like, oh, we like Maldoror who like and we

0:35:09.800 --> 0:35:13.480
<v Speaker 1>like people imagining evil and all this shit. And then

0:35:13.560 --> 0:35:17.920
<v Speaker 1>fucking Dolly starts putting out paintings of like Hitler naked

0:35:17.960 --> 0:35:21.279
<v Speaker 1>and sexy and the other surrealists. He has a bunch

0:35:21.280 --> 0:35:24.200
<v Speaker 1>of paintings, including like more recent paintings that are like

0:35:24.640 --> 0:35:27.600
<v Speaker 1>Hitler masturbating or whatever. It's like what they're called they're

0:35:27.640 --> 0:35:31.640
<v Speaker 1>too surreal for whatever anyway, and the other surrealists are like,

0:35:31.760 --> 0:35:35.440
<v Speaker 1>are you fucking serious, my man, And so they ran

0:35:35.520 --> 0:35:37.440
<v Speaker 1>him out of the surrealist group in nineteen thirty four

0:35:37.480 --> 0:35:40.359
<v Speaker 1>for a while, and then for good they like put

0:35:40.400 --> 0:35:43.239
<v Speaker 1>him on trial and then decided not to kick him out,

0:35:44.160 --> 0:35:46.160
<v Speaker 1>and then in for good in nineteen thirty nine, when

0:35:46.200 --> 0:35:49.000
<v Speaker 1>DOLLI was like, yeah, but I like Franco but like

0:35:49.040 --> 0:35:52.759
<v Speaker 1>for real, and they were like, you gotta go, like

0:35:53.120 --> 0:35:58.799
<v Speaker 1>you're a fascist. For some straight Dolly quotes, just to

0:35:59.320 --> 0:36:03.560
<v Speaker 1>fucking clear the air for anyone listening, Dolly said, quote,

0:36:03.840 --> 0:36:06.640
<v Speaker 1>we don't want happiness for all men, rather the happiness

0:36:06.680 --> 0:36:09.360
<v Speaker 1>of some to the detriment of others, since oppression and

0:36:09.400 --> 0:36:12.920
<v Speaker 1>suffering are primordial psychological, biological, and physical conditions for the

0:36:12.960 --> 0:36:16.200
<v Speaker 1>happiness of the rest. And then I'm going to read

0:36:16.239 --> 0:36:18.399
<v Speaker 1>an even worse one. Okay. So first he wrote about

0:36:18.440 --> 0:36:20.960
<v Speaker 1>how the death penalty was like human sacrifice, but it

0:36:21.000 --> 0:36:24.480
<v Speaker 1>was a good thing, oh my god. And then he

0:36:24.520 --> 0:36:27.200
<v Speaker 1>wrote that Nazism was a surrealist government and the swastika

0:36:27.280 --> 0:36:31.440
<v Speaker 1>is a surrealist symbolo. He also like vaguely got involved

0:36:31.440 --> 0:36:33.799
<v Speaker 1>in the Allies trying to fight the Nazis, but not

0:36:33.920 --> 0:36:38.560
<v Speaker 1>in a useful way, and he wrote, quote the domination

0:36:38.680 --> 0:36:41.440
<v Speaker 1>or submission of all colored races was possible if quote

0:36:42.160 --> 0:36:46.240
<v Speaker 1>all the whites united fanatically like he's just like actually

0:36:46.800 --> 0:36:50.200
<v Speaker 1>the worst. And I'm going to read one more quote

0:36:50.239 --> 0:36:52.000
<v Speaker 1>a bit more brutal than I usually read on the show,

0:36:52.000 --> 0:36:54.799
<v Speaker 1>because I fucking hate Dolly, he wrote in a letter

0:36:54.840 --> 0:36:59.880
<v Speaker 1>to Britton, the surrealist leadery guy who I actually really like,

0:37:00.800 --> 0:37:03.960
<v Speaker 1>Dolly wrote quote, I declare that even though I may

0:37:04.000 --> 0:37:07.440
<v Speaker 1>have pity and a negative opinion of the cruel lynchings

0:37:07.440 --> 0:37:10.480
<v Speaker 1>and bonfires, I admit to feeling real pleasure and considerable

0:37:10.480 --> 0:37:13.719
<v Speaker 1>sexual excitement in reading about such things, and do not

0:37:13.760 --> 0:37:17.040
<v Speaker 1>intend to censure those who burn blacks alive and lynch them.

0:37:17.360 --> 0:37:20.480
<v Speaker 1>I consider I have to consider the legitimate pleasure that

0:37:20.600 --> 0:37:33.080
<v Speaker 1>drives these people. Yuck. Yeah, these are fucking monster Yeah.

0:37:33.360 --> 0:37:37.040
<v Speaker 1>And I think that that like shows the like limits

0:37:37.080 --> 0:37:39.279
<v Speaker 1>of the like edginess that they're sort of interested in,

0:37:39.800 --> 0:37:43.520
<v Speaker 1>right in the same way that Magree's started like painting

0:37:43.600 --> 0:37:48.000
<v Speaker 1>flowers and shit. When the Nazis occupied things, you know, right,

0:37:48.040 --> 0:37:50.680
<v Speaker 1>they're like evil is a really interesting concept. And then

0:37:50.680 --> 0:37:53.239
<v Speaker 1>when evil is like personified in the world. They're like, Nope,

0:37:53.320 --> 0:37:55.080
<v Speaker 1>not that that's the enemy.

0:37:54.960 --> 0:38:00.879
<v Speaker 2>Right, Yeah, I mean there's all like everything's all about context, right,

0:38:01.040 --> 0:38:09.319
<v Speaker 2>Totally like to question and challenge the status quo is

0:38:09.360 --> 0:38:13.080
<v Speaker 2>not inherently edge lordie, because a lot of times the

0:38:13.080 --> 0:38:16.319
<v Speaker 2>status quo is bad and needs to be restructured or whatever,

0:38:16.360 --> 0:38:19.399
<v Speaker 2>but like to be edge lordy just for the sake

0:38:19.440 --> 0:38:23.279
<v Speaker 2>of like wanting to get someone riled up. Yeah, that's

0:38:23.320 --> 0:38:27.400
<v Speaker 2>what I associate like edge lord totally if you're with totally.

0:38:28.480 --> 0:38:32.400
<v Speaker 1>Yeah. And so Dolli after the war, he moves to

0:38:32.440 --> 0:38:36.520
<v Speaker 1>Spain and converts the Catholicism of the Francoist National Catholicism type,

0:38:37.120 --> 0:38:39.000
<v Speaker 1>and he spends the rest of his days raving about

0:38:39.000 --> 0:38:41.799
<v Speaker 1>how like monarchism is the real rebellion or whatever, like

0:38:41.920 --> 0:38:45.319
<v Speaker 1>fucking Nick Fuentes type shit. And I will argue that

0:38:45.400 --> 0:38:47.480
<v Speaker 1>Dolli was kicked out. He was not a surrealist. He

0:38:47.520 --> 0:38:50.040
<v Speaker 1>was the inversion of surrealism. He was like the like

0:38:50.880 --> 0:38:55.960
<v Speaker 1>the dark mirror of it. But you know, there's a

0:38:56.040 --> 0:38:59.080
<v Speaker 1>danger having edge lord heroes. But there's still something interesting

0:38:59.080 --> 0:39:02.960
<v Speaker 1>about Maldaurar. And we're gonna talk about one more precursor,

0:39:03.320 --> 0:39:09.120
<v Speaker 1>and it's the need to eat food and therefore advertise stuff.

0:39:10.800 --> 0:39:16.200
<v Speaker 1>Food is a type of stuff. They call it food stuff.

0:39:18.320 --> 0:39:26.200
<v Speaker 1>Yell me, here's the meds and we're back. We're going

0:39:26.200 --> 0:39:30.359
<v Speaker 1>to talk about one more actual precursor. Germenberto was a

0:39:30.440 --> 0:39:34.400
<v Speaker 1>French anarchist lady. She was raised in a working class,

0:39:34.400 --> 0:39:39.319
<v Speaker 1>Republican like left wing family. She wanted to get into

0:39:39.360 --> 0:39:41.360
<v Speaker 1>drawing and shit, she went to art school when she

0:39:41.400 --> 0:39:42.839
<v Speaker 1>was like ten because she was like winning all these

0:39:42.840 --> 0:39:45.839
<v Speaker 1>awards for a drawing. Then her dad died and she

0:39:45.960 --> 0:39:48.319
<v Speaker 1>had to as a pre teen leave school to go

0:39:48.360 --> 0:39:53.520
<v Speaker 1>work in the factory. Because this is I mean, like, frankly,

0:39:53.600 --> 0:39:55.319
<v Speaker 1>this is why so many of the artists back then

0:39:55.400 --> 0:40:00.680
<v Speaker 1>were fucking like trust fund kids, you know, because German

0:40:00.760 --> 0:40:04.120
<v Speaker 1>wanted to be an artist and had to not die instead.

0:40:05.480 --> 0:40:06.160
<v Speaker 1>I mean it.

0:40:07.440 --> 0:40:11.040
<v Speaker 2>You have to be surrounded by a certain level of privilege,

0:40:11.080 --> 0:40:14.560
<v Speaker 2>should be able to even have the time and energy

0:40:14.680 --> 0:40:16.040
<v Speaker 2>to create art.

0:40:16.280 --> 0:40:21.319
<v Speaker 1>Yeah, and people do create amazing art, and you know,

0:40:21.400 --> 0:40:23.879
<v Speaker 1>and all this stuff, and it's just is less likely

0:40:23.920 --> 0:40:26.239
<v Speaker 1>to be held up in the like art world, you know,

0:40:26.440 --> 0:40:29.440
<v Speaker 1>sure for sure. When she was thirteen, she fell in

0:40:29.440 --> 0:40:31.560
<v Speaker 1>love for the first time with a soldier who immediately

0:40:31.600 --> 0:40:34.359
<v Speaker 1>died in World War One, and she was like, oh,

0:40:34.400 --> 0:40:37.279
<v Speaker 1>war is bad. And then in a factory she joined

0:40:37.280 --> 0:40:39.479
<v Speaker 1>the union and pretty much immediately got arrested for giving

0:40:39.520 --> 0:40:41.320
<v Speaker 1>a speech that was like I think she's like probably

0:40:41.320 --> 0:40:43.720
<v Speaker 1>like you know this, like teen girls given a speech.

0:40:43.719 --> 0:40:46.680
<v Speaker 1>It's like, hey, what about violence, guys, And we tried violence.

0:40:46.800 --> 0:40:51.279
<v Speaker 1>That might solve some shit, help things get better around here,

0:40:51.760 --> 0:40:54.280
<v Speaker 1>you know. So they were in jail. She got arrested

0:40:54.360 --> 0:40:58.799
<v Speaker 1>multiple times for writing different insundiary things. By the time

0:40:58.840 --> 0:41:01.440
<v Speaker 1>she was eighteen or so, the Anarchist Union of Paris,

0:41:01.880 --> 0:41:05.319
<v Speaker 1>and she wrote about how soldiers should dessert, presaging that

0:41:05.360 --> 0:41:08.239
<v Speaker 1>great surrealist activity being the coolest fuck lady, you tell

0:41:08.320 --> 0:41:15.120
<v Speaker 1>soldiers to dessert? She oh, you'll appreciate this part. She

0:41:15.280 --> 0:41:17.279
<v Speaker 1>took on a lot of debt from rich banks with

0:41:17.320 --> 0:41:21.400
<v Speaker 1>no intention of repaying it as like a specific class

0:41:21.400 --> 0:41:23.719
<v Speaker 1>war thing, like as a way to rob the rich, right,

0:41:24.239 --> 0:41:27.360
<v Speaker 1>hell yeah. She also lost a lover to suicide, a

0:41:27.400 --> 0:41:29.439
<v Speaker 1>guy who had been drafted and was like, oh no,

0:41:29.520 --> 0:41:33.120
<v Speaker 1>I can't, I don't want to be drafted killed himself.

0:41:33.840 --> 0:41:37.920
<v Speaker 1>She had a not fucking easy chunk of life. Actually,

0:41:38.640 --> 0:41:43.279
<v Speaker 1>it never gets less rough, unfortunately. But she's interesting. This

0:41:43.320 --> 0:41:47.520
<v Speaker 1>fascist thing starts happening in the early nineteen twenties, like

0:41:48.320 --> 0:41:51.680
<v Speaker 1>it hits France, like not long after it hits Italy,

0:41:51.760 --> 0:41:55.799
<v Speaker 1>you know, it doesn't take over quite as hard. She's like, well,

0:41:55.920 --> 0:41:57.960
<v Speaker 1>until it does, I guess during World War Two. But whatever,

0:41:59.280 --> 0:42:01.600
<v Speaker 1>She's like, I don't like this. This fascist thing is

0:42:01.640 --> 0:42:05.160
<v Speaker 1>not my style. And there's this guy, his name's Marius Platau,

0:42:05.960 --> 0:42:10.120
<v Speaker 1>who runs a far right newspaper and also the National

0:42:10.160 --> 0:42:14.839
<v Speaker 1>Federation of the Night's Camelot, which is the far right

0:42:14.880 --> 0:42:17.680
<v Speaker 1>youth organization of the time, and they're trying to bring

0:42:17.719 --> 0:42:24.320
<v Speaker 1>back the monarchy much like today's. Wow, it's almost exactly

0:42:24.280 --> 0:42:26.319
<v Speaker 1>one hundred years ago. Is exactly one hundred years ago

0:42:26.360 --> 0:42:29.560
<v Speaker 1>the thing we're talking about today, and we are now

0:42:29.560 --> 0:42:32.319
<v Speaker 1>dealing with people who are trying to set up far

0:42:32.440 --> 0:42:37.719
<v Speaker 1>right night organizations to bring back the monarchy. So Jermn

0:42:38.239 --> 0:42:43.279
<v Speaker 1>was like, well, I have a problem, and I have

0:42:43.360 --> 0:42:49.319
<v Speaker 1>a revolver. So that far right newspaper he runs, it

0:42:49.400 --> 0:42:53.560
<v Speaker 1>has an office. On the twenty second of January nineteen

0:42:53.600 --> 0:42:55.520
<v Speaker 1>twenty three, she walked into the building and shot him

0:42:55.560 --> 0:42:58.719
<v Speaker 1>five times and killed him. She spent eleven months of

0:42:58.800 --> 0:43:02.000
<v Speaker 1>waiting trial in jail, and the whole time she maintained

0:43:02.000 --> 0:43:04.839
<v Speaker 1>her guilt. At no point did she'd make any other

0:43:04.920 --> 0:43:07.200
<v Speaker 1>claim other than I shot and killed that man because

0:43:07.239 --> 0:43:07.560
<v Speaker 1>he was.

0:43:07.520 --> 0:43:09.799
<v Speaker 2>Bad, Like, yes, I definitely did it.

0:43:10.880 --> 0:43:12.480
<v Speaker 1>There was a nun there who was supposed to like

0:43:12.480 --> 0:43:13.759
<v Speaker 1>talk with the prisoners, you know. It was like a

0:43:13.760 --> 0:43:17.360
<v Speaker 1>sign to the jail jer men managed to basically convince

0:43:17.360 --> 0:43:19.040
<v Speaker 1>the nun to like leave the convent, I think, to

0:43:19.040 --> 0:43:21.320
<v Speaker 1>be an anarchist for a while. That later she returns

0:43:21.360 --> 0:43:23.520
<v Speaker 1>to the convent. I hope she stayed both. That's my

0:43:23.760 --> 0:43:27.240
<v Speaker 1>personal hope, you know. And this trial is a big

0:43:27.360 --> 0:43:31.000
<v Speaker 1>fucking thing. And this is like right before the Surrealists

0:43:31.000 --> 0:43:35.680
<v Speaker 1>announced themselves by being like we're the Surrealists, right, And

0:43:35.719 --> 0:43:39.960
<v Speaker 1>the jury is like, you know, carefully considering the evidence,

0:43:39.960 --> 0:43:41.720
<v Speaker 1>and the jury is like, well, she says she's guilty,

0:43:42.719 --> 0:43:44.839
<v Speaker 1>but I don't think she did anything wrong. Fuck that guy,

0:43:44.920 --> 0:43:48.200
<v Speaker 1>and they fucking let her off. She's found not guilty.

0:43:48.320 --> 0:43:55.640
<v Speaker 2>J Yeah, sometimes you just have to stand your ground

0:43:55.719 --> 0:43:58.640
<v Speaker 2>and then everyone will be like I mean, yeah, yeah,

0:43:58.719 --> 0:44:02.239
<v Speaker 2>all right, yeah actually yeah.

0:44:02.400 --> 0:44:04.759
<v Speaker 1>The rest of her life was not super happy, and

0:44:04.800 --> 0:44:05.920
<v Speaker 1>I don't want to get into it because there's a

0:44:05.920 --> 0:44:09.680
<v Speaker 1>lot of people around her dying and suicide and stuff.

0:44:10.520 --> 0:44:13.280
<v Speaker 1>Her trial, though it's set a fire in the minds

0:44:13.280 --> 0:44:16.560
<v Speaker 1>of the Surrealists. Her mugshot appeared in like one of

0:44:16.600 --> 0:44:18.719
<v Speaker 1>the first issues of their magazine, surrounded by the other

0:44:18.800 --> 0:44:21.720
<v Speaker 1>Surrealists and alongside some of their other heroes like Freud

0:44:21.800 --> 0:44:25.280
<v Speaker 1>and Picasso, and the caption was a quote from Baldaire,

0:44:26.560 --> 0:44:29.200
<v Speaker 1>the woman is the being who cast the greatest shadow

0:44:29.320 --> 0:44:32.719
<v Speaker 1>or the greatest light in our dreams. And so it's

0:44:32.760 --> 0:44:34.960
<v Speaker 1>like this is them being like, we are obsessed with

0:44:35.000 --> 0:44:38.479
<v Speaker 1>the woman as muse, but the woman as muse isn't

0:44:38.560 --> 0:44:43.759
<v Speaker 1>like check out her tits. It's like this woman had

0:44:43.760 --> 0:44:45.600
<v Speaker 1>a revolver and put five shots into the head of

0:44:45.600 --> 0:44:46.799
<v Speaker 1>the monarchist movement.

0:44:47.800 --> 0:44:53.640
<v Speaker 2>You know, yeah, I yeah, fair I would yeah.

0:44:53.719 --> 0:44:58.480
<v Speaker 1>No note honestly, and there are other precursors and inspirations

0:44:58.600 --> 0:45:01.120
<v Speaker 1>Freud has talked about all the time. It's true that

0:45:01.160 --> 0:45:04.680
<v Speaker 1>they were stoked about his ideas about dreaming. He's overstated

0:45:04.719 --> 0:45:07.000
<v Speaker 1>as an influence. He's like presented as like the only influence,

0:45:07.000 --> 0:45:08.600
<v Speaker 1>I think, because he's like one of the least political

0:45:08.600 --> 0:45:12.239
<v Speaker 1>of their influences, and then Picasso and you can go

0:45:12.280 --> 0:45:15.040
<v Speaker 1>read about Picasso and Freud anywhere you want, So I'm

0:45:15.160 --> 0:45:19.080
<v Speaker 1>not gonna bother. We're not done with this derive. When

0:45:19.080 --> 0:45:20.799
<v Speaker 1>we come back next week, we're going to talk about

0:45:20.800 --> 0:45:24.040
<v Speaker 1>the dataists, the early Surrealists, and then the living movement

0:45:24.080 --> 0:45:26.840
<v Speaker 1>that gives the hippies the phrase. Oh yeah, it's surrealists

0:45:26.840 --> 0:45:28.560
<v Speaker 1>who came up with the phrase make love not War

0:45:28.600 --> 0:45:33.879
<v Speaker 1>in the sixties. And probably, but I can't promise we'll

0:45:33.880 --> 0:45:37.000
<v Speaker 1>find more ways to talk shit on Dolli as well

0:45:37.040 --> 0:45:43.960
<v Speaker 1>as the surrealists who went over to Stalin. Okay, Cliffhanger, Eh,

0:45:44.160 --> 0:45:46.840
<v Speaker 1>thank you, thanks for Why are you always drawing attention

0:45:46.880 --> 0:45:52.160
<v Speaker 1>to my Cliffhangers. I'm acknowledging, I'm acknowledging You're brilliance. Oh thanks, thanks.

0:45:52.000 --> 0:45:56.120
<v Speaker 1>It's important. But if people are interested in you're brilliance,

0:45:56.239 --> 0:45:58.960
<v Speaker 1>not you, Sophie, but you, Caitlin. I mean, if you're

0:45:59.000 --> 0:46:00.520
<v Speaker 1>interested in Sophie's brilliant, then.

0:46:00.440 --> 0:46:06.040
<v Speaker 2>We'll make space for you too. Sophie. Yeah, my brilliance

0:46:06.320 --> 0:46:10.840
<v Speaker 2>can be found kind of everywhere. I've fact speaking of

0:46:11.120 --> 0:46:16.640
<v Speaker 2>influence and inspiration, No, I kid, uh, but you can

0:46:16.960 --> 0:46:20.560
<v Speaker 2>listen to The Bechdel Cast, which I co host with

0:46:20.680 --> 0:46:23.399
<v Speaker 2>Jamie Loftis, and we talk about movies through an intersexual

0:46:23.440 --> 0:46:28.560
<v Speaker 2>feminist lens. Margaret has been a guest. Definitely start with

0:46:28.600 --> 0:46:32.799
<v Speaker 2>that episode if you've never heard the show, or start

0:46:32.840 --> 0:46:35.439
<v Speaker 2>anywhere you want, you know, do whatever you want. Yeah,

0:46:36.120 --> 0:46:41.640
<v Speaker 2>you know, be be follow your heart and you can

0:46:41.840 --> 0:46:46.800
<v Speaker 2>follow me online. I guess at Caitlin Dorante.

0:46:47.960 --> 0:46:52.319
<v Speaker 1>Yeah, Bechdel Cast is my favorite movie podcast. I didn't

0:46:52.360 --> 0:46:54.480
<v Speaker 1>expect that I would like movie podcasts, and I listened

0:46:54.480 --> 0:46:56.399
<v Speaker 1>to Bechdel Cast, and now I listen to the Bechdel Cast.

0:46:57.280 --> 0:46:58.439
<v Speaker 2>Thank you so much.

0:47:00.280 --> 0:47:02.480
<v Speaker 1>You might have a similar experience, or you might already

0:47:02.520 --> 0:47:07.040
<v Speaker 1>like movie podcasts. If you don't like the Bechdel Cast,

0:47:07.200 --> 0:47:11.239
<v Speaker 1>there's probably you should talk to somebody. You should get Yeah,

0:47:11.280 --> 0:47:14.839
<v Speaker 1>you should fix it. You go to therapy. Yeah, and

0:47:15.160 --> 0:47:17.920
<v Speaker 1>if you want to follow me, you can follow me

0:47:17.920 --> 0:47:21.479
<v Speaker 1>on substack. I write a new essay every week. Half

0:47:21.480 --> 0:47:24.799
<v Speaker 1>the time. It's like more personal, like memory journalist type stuff,

0:47:24.800 --> 0:47:27.799
<v Speaker 1>and that's only for the people who are paid subscribers.

0:47:27.840 --> 0:47:31.239
<v Speaker 1>But then every other week is free content. I write

0:47:31.320 --> 0:47:34.480
<v Speaker 1>more about history, I write more about politics. I write

0:47:34.480 --> 0:47:38.520
<v Speaker 1>about preparedness. I swear it's more entertaining than those three.

0:47:39.040 --> 0:47:41.799
<v Speaker 1>Well whatever you hear me. Listen to talk about history.

0:47:41.840 --> 0:47:43.600
<v Speaker 1>If you made it this far you think I'm not boring,

0:47:43.960 --> 0:47:47.880
<v Speaker 1>I hope, And if you do, also you should like

0:47:47.920 --> 0:47:52.239
<v Speaker 1>if you hate, listen to podcasts like that's interesting but

0:47:53.520 --> 0:47:55.000
<v Speaker 1>not good?

0:47:55.360 --> 0:47:58.920
<v Speaker 2>Well? Who are you an edge lord? Yeah?

0:47:58.200 --> 0:47:58.439
<v Speaker 3>Yeah?

0:47:59.000 --> 0:48:02.560
<v Speaker 1>Which would fit on your wait? Would it? Yeah? Would

0:48:02.760 --> 0:48:05.160
<v Speaker 1>don't get that tattooed on your knuckles? Usually, I there's

0:48:05.239 --> 0:48:08.960
<v Speaker 1>positive things. Mal door would also fit, but that would

0:48:08.960 --> 0:48:10.640
<v Speaker 1>be another edgelord tattoo, but it would be like a

0:48:10.760 --> 0:48:15.759
<v Speaker 1>pretentious one, which is cooler. Maybe Sophie rescue me. I mean,

0:48:15.800 --> 0:48:17.239
<v Speaker 1>do you have any plugs, Sophie.

0:48:17.840 --> 0:48:20.960
<v Speaker 3>Yeah. Listen to the four part series James Stout just

0:48:21.000 --> 0:48:25.319
<v Speaker 3>did about the Marsha Islands on It could happen here, and.

0:48:25.239 --> 0:48:29.040
<v Speaker 1>You'll learn that the word bikini comes from terrible things

0:48:29.040 --> 0:48:30.200
<v Speaker 1>that the US government has done.

0:48:31.760 --> 0:48:35.480
<v Speaker 2>Listen to the climate change episode. It's really good. If

0:48:35.480 --> 0:48:36.520
<v Speaker 2>you're gonna if you only have.

0:48:36.520 --> 0:48:40.120
<v Speaker 1>Ten for one see everyone next week.

0:48:40.960 --> 0:48:43.120
<v Speaker 2>Bye bye.

0:48:44.440 --> 0:48:46.920
<v Speaker 3>Cool People Who Did Cool Stuff is a production of

0:48:46.960 --> 0:48:50.080
<v Speaker 3>cool Zone Media. For more podcasts and cool Zone Media,

0:48:50.239 --> 0:48:53.480
<v Speaker 3>visit our website Coolzonemedia Dot com or check us out

0:48:53.560 --> 0:48:56.960
<v Speaker 3>on the iHeartRadio app, Apple Podcasts, or wherever you get

0:48:56.960 --> 0:48:57.799
<v Speaker 3>your podcasts.

0:49:01.719 --> 0:49:01.959
<v Speaker 1>Here