WEBVTT - #71 - Bia

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<v Speaker 1>All right, look man, it is that time. Welcome to

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<v Speaker 1>the Bootleg cav Podcast, Ladies and gentlemen. I hope for

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<v Speaker 1>everyone's having a good day. Man, we got a dope

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<v Speaker 1>interview today. So I've been following Bea for a very

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<v Speaker 1>long time. I remember when she first came out on

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<v Speaker 1>some like fly Shit. She was working with Pharrell repin Boston,

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<v Speaker 1>was signed an RCA for a long time, and I

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<v Speaker 1>don't think they really knew what to do with her.

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<v Speaker 1>And now she's just thriving. Man. So we got to

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<v Speaker 1>sit down with Bea. She got a crazy record on

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<v Speaker 1>TikTok right now, but just in general, just a really

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<v Speaker 1>dope artist. Great vibes from Beia. Had an amazing conversation.

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<v Speaker 1>But we're gonna get into that. But first, man, shout

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<v Speaker 1>Let's get into the Bea interview one time. Yo, it's

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<v Speaker 1>boutlet Cavs show special guests in here. You know her,

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<v Speaker 1>her name is Bea. Wow. That was a great intro.

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<v Speaker 1>You know her, well, let me see her. Let me

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<v Speaker 1>say this. I've been paying attention to your journey for

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<v Speaker 1>a very long time, and congratulations because this I know

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<v Speaker 1>that this success is is uh well deserved. You've been

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<v Speaker 1>grinding for a very long time. I've been seeing other

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<v Speaker 1>chicks pop off and you know, you've been here the

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<v Speaker 1>whole time, and like to finally see you kind of

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<v Speaker 1>break through his delptacy. Thank you so much. It's been, like,

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<v Speaker 1>like you said, a long ass journey. Yeah. I wouldn't

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<v Speaker 1>change it, man, Like if I could go back, like,

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<v Speaker 1>I wouldn't have done anything different, Like yeah, because I

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<v Speaker 1>feel like you were shout out to you too, because

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<v Speaker 1>I remember it was it you were an RCA. Yeah,

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<v Speaker 1>and then uh you, I mean they didn't do shit

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<v Speaker 1>with you, they didn't know what to do with you.

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<v Speaker 1>And then the RUSS record popped, and I think right

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<v Speaker 1>when the Rust record popped, you became like a free agent.

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<v Speaker 1>I was actually a free agent a week before to us, right,

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<v Speaker 1>like it all lined up. It's like the stars of

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<v Speaker 1>line for it was god bro like for real, like

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<v Speaker 1>I couldn't have wrote that no other way. Yeah, because

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<v Speaker 1>I remember, you know, I'm cool cool with the you

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<v Speaker 1>know your old A and r h RCA shout out,

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<v Speaker 1>leave him a name, very that's my boy, you know

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<v Speaker 1>what I'm saying. But yeah, I remember always thinking like man,

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<v Speaker 1>this girl being so fire like like and then I

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<v Speaker 1>would see other chicks who are as fire as you, like,

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<v Speaker 1>you know, catch some ship, and I'm like man. And

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<v Speaker 1>then that Russ record happened, and I remember someone telling them.

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<v Speaker 1>I think Russ told me. Russe was like, yo, yeah,

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<v Speaker 1>she's a free agent now, and I was like, oh shit.

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<v Speaker 1>And then when I found out you were with Epic,

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<v Speaker 1>I'm you're in good hands now. Yeah. I love it

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<v Speaker 1>over there like we love Epic. Yeah. And now now

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<v Speaker 1>you got this this whole lot of money song that's

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<v Speaker 1>going insane crazy. Yeah. So for people who don't know,

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<v Speaker 1>how long have you been rapping? So I've been rapping

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<v Speaker 1>probably for like I want to say ten years, but

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<v Speaker 1>like really like really really rapping for probably like seven years,

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<v Speaker 1>Like yeah about that. And so for like I'm you

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<v Speaker 1>originally did did Pharrell kind of discover you? Like kind

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<v Speaker 1>of give us a background on you and Pharrell like

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<v Speaker 1>like back back when you kind of because I think

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<v Speaker 1>that that's how maybe some people might have first heard

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<v Speaker 1>of you. So actually family discovered me. Shout out to family. Yeah,

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<v Speaker 1>he's Virginia, He's the original because like you know, nobody

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<v Speaker 1>believed in me until he did, and then you know,

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<v Speaker 1>it was just just him believing in me for a

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<v Speaker 1>long time. And then you know then Forarrell and and

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<v Speaker 1>it was just it's really hard when you have to

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<v Speaker 1>put all that pressure on on just only two people,

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<v Speaker 1>like you know what I'm saying, to try to get

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<v Speaker 1>the world to see what you see that early on

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<v Speaker 1>is like it's very hard to do. And you know,

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<v Speaker 1>I respect and love them forever for doing that for me,

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<v Speaker 1>because when you stamp something that early, it's like that's genuine,

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<v Speaker 1>that's big. Yeah, I mean. And then also like you know,

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<v Speaker 1>Forrell outside of Calice, like I don't, I can't. I mean,

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<v Speaker 1>the police is obviously a singer, but like, I mean

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<v Speaker 1>to have someone like that co sign you as a

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<v Speaker 1>female MC. And by the way, but at the time,

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<v Speaker 1>you know, there's been this big female MC renaissance which

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<v Speaker 1>has been amazing to see, but at the time, I

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<v Speaker 1>feel like it was just so it was kind of

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<v Speaker 1>a weird time to be a female rapper, right because

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<v Speaker 1>it was really just nicky and then it was like

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<v Speaker 1>I mean everybody, I mean, it was like, you know,

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<v Speaker 1>there was like people like Nitty Scott MC and Rhapsody

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<v Speaker 1>and all these dope like people making noise on the underground.

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<v Speaker 1>But it was really like, I'm so happy that the

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<v Speaker 1>ceiling has gotten broken through of their only being one

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<v Speaker 1>it female rapper at a time, because that's it's over

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<v Speaker 1>with now. I mean, I think it's been over with,

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<v Speaker 1>but just now you have the industry accepting it because

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<v Speaker 1>it's a different thing when there's always been girls wrapping.

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<v Speaker 1>Of course, there's always been girls that were fired, you know,

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<v Speaker 1>and they just didn't get there, dude, because you know

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<v Speaker 1>the way it was set up. So it's like now

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<v Speaker 1>that I think like as one girl starts to go

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<v Speaker 1>and another girl goes, and another girl goes, it's making

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<v Speaker 1>people open their eyes and making labels wake up and

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<v Speaker 1>be like, hey, listen, week festivals, everything. We have to

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<v Speaker 1>start pouring into the girls a little bit more because

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<v Speaker 1>there's something going on here. The people are picking it,

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<v Speaker 1>like you know what I'm saying. The people are the

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<v Speaker 1>ones that consumers are speaking through. Yeah, one d P.

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<v Speaker 1>When you first kind of started to see this record,

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<v Speaker 1>this Whole Lot of Money record go crazy on TikTok,

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<v Speaker 1>Like what was like like, like, what was the moment

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<v Speaker 1>where you realize, oh, this shit's this is gonna's kind

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<v Speaker 1>of a thing. Was it like a certain person who

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<v Speaker 1>did something to it? Like, because it seemed like it

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<v Speaker 1>popped pretty quick. I we were in Puerto Rico shooting

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<v Speaker 1>the video and you know, just on like a little

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<v Speaker 1>recording vacation. And then when we came back is when

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<v Speaker 1>it was it was going viral like the day we

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<v Speaker 1>came back, and we loved Whole Lot of Money, like

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<v Speaker 1>my whole team, like everybody on my side. We we

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<v Speaker 1>always felt like that record was special, but we just

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<v Speaker 1>like we were in the business of just letting the

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<v Speaker 1>people pick what they love and you know, moving on

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<v Speaker 1>to the next record, Like we don't get married to

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<v Speaker 1>anything or think like, oh, if this doesn't work out,

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<v Speaker 1>it's over. You know, we're always in the in the

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<v Speaker 1>game to just keep it, keep it, keep the momentum rolling.

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<v Speaker 1>So we didn't expect it, but after it happened, we

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<v Speaker 1>were so happy about it because it was one that

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<v Speaker 1>you guys already loved. Yeah, it was the one that

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<v Speaker 1>we were like, oh, we added this song last, Like,

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<v Speaker 1>you know, we we didn't really fight for it because

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<v Speaker 1>it wasn't a fight, but we were all like, do

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<v Speaker 1>we shure we think we should have this? Yeah? Yeah,

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<v Speaker 1>we have to. Like do you feel like back in

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<v Speaker 1>like when you first kind of started, Like was that

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<v Speaker 1>an uphill battle to be like man, I like you

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<v Speaker 1>got to kind of get a single pop you know

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<v Speaker 1>what I'm saying? That was the worst right, Like it's

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<v Speaker 1>like and your man, he's the king of that, Like

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<v Speaker 1>he's the king of like certain people, my old A

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<v Speaker 1>and R he was the king of like you need

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<v Speaker 1>a hit single? Hey, by the way, similar things happen

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<v Speaker 1>with other people, and that works for some people. Don't

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<v Speaker 1>know what I'm saying. Like that also stalled out a

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<v Speaker 1>lot of dope artists on that same label. That's what

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<v Speaker 1>I'm trying to say that that either that's like the

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<v Speaker 1>that's cancer to an artist, Like when you don't allow

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<v Speaker 1>them to be productive and consistent, you kill their momentum.

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<v Speaker 1>So it's like you kill everything that they have going on.

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<v Speaker 1>So for some artists that works, they could come out

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<v Speaker 1>the gate with one hit, then wait until they get

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<v Speaker 1>the next one, then come out the gate with another hit.

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<v Speaker 1>But that's not how you build fans. That's not how

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<v Speaker 1>you build the identity because if you're known as like

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<v Speaker 1>the radio artist, and what happens when you don't have

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<v Speaker 1>a radio record, and that's just not the artist I

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<v Speaker 1>want it to be, right, I have more depth. I

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<v Speaker 1>felt like there was a lot of music that I

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<v Speaker 1>had that wasn't going to see the light of day,

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<v Speaker 1>that needed to see the light of day. And were

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<v Speaker 1>you able to take any of your stuff that you

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<v Speaker 1>recorded over there with you? I didn't. I didn't. But

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<v Speaker 1>that's okay because my boys will tell you, like I

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<v Speaker 1>record bro, like I could cut records, like I'll go

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<v Speaker 1>in there. I could have a day where I might

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<v Speaker 1>leave with three. I could have a day where I

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<v Speaker 1>might leave with six. You know what I'm saying. And

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<v Speaker 1>everybody that's ever been in the studio with me knows

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<v Speaker 1>that and they know it's it's more where that came from.

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<v Speaker 1>I feel like, you know, sometimes like that that'll happen

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<v Speaker 1>where an artist will be like, damn, like, I'm really

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<v Speaker 1>married to these songs. But if you're really, like, if

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<v Speaker 1>you're really that motherfucker, like, it's all good. You just

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<v Speaker 1>to make new ones, you know what I mean? And

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<v Speaker 1>And also what that mentality you're talking about is it

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<v Speaker 1>almost like I hate to see when when really dope

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<v Speaker 1>motherfuckers like get put in situations where the label really

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<v Speaker 1>make them question themselves a second guess how dope they

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<v Speaker 1>are because the single ain't hit or you know what

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<v Speaker 1>I'm saying, it's like, man, like your fire, Like I've

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<v Speaker 1>been thinking you're fire for a long time. And did

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<v Speaker 1>you ever have that situation where you kind of started

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<v Speaker 1>to question yourself, like because I know, you know, the

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<v Speaker 1>old conventional way of this shit was, hey, we need it,

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<v Speaker 1>we need a single to pop you off. That was

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<v Speaker 1>my whole I felt like that was the whole beginning

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<v Speaker 1>of my career where I felt like I was constantly

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<v Speaker 1>questioning myself and my own abilities because it wasn't working,

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<v Speaker 1>and I'm like, what am I doing wrong? What am

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<v Speaker 1>I doing wrong? I'm constantly going back to the drawing

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<v Speaker 1>board and trying to reinvent or come up with something

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<v Speaker 1>else or mimic what they're telling me. I should be

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<v Speaker 1>like you know what I'm saying. And I got to

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<v Speaker 1>a place where I was like, I don't know what happened, really,

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<v Speaker 1>but I got charged up, like you know when you

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<v Speaker 1>just you stopped taking shit and you just like you

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<v Speaker 1>know what you got. I got so angry that it

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<v Speaker 1>forced me to no longer seek no validation and just

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<v Speaker 1>pour that into myself like yeah, like it's almost like

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<v Speaker 1>you're here for a reason. It's because you're dope, Like

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<v Speaker 1>just yeah, just be do you how? And it took

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<v Speaker 1>the fun out of it, yeah, because then it feels

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<v Speaker 1>like a job, because then you're not creating for the

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<v Speaker 1>love or for yourself. You're creating for what you think

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<v Speaker 1>people want to hear exactly. And then when I got

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<v Speaker 1>back to the basics, like when I got out of

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<v Speaker 1>the label situation and I had nobody, just my friends.

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<v Speaker 1>We were going to the studio every day, you know,

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<v Speaker 1>just recording as friends, and I'm like, you know, this

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<v Speaker 1>is fun, this is this is why we did this.

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<v Speaker 1>This is what this used to feel like. So now

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<v Speaker 1>I just chase that, Like as long as I'm having

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<v Speaker 1>a good time and I'm around good people, good energy,

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<v Speaker 1>and I protect that vibe. I don't work with everybody

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<v Speaker 1>because you can't get that way. Who's who are artists

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<v Speaker 1>that you enjoy working with where you get that vibe

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<v Speaker 1>like or producers, just someone who who you've gotten in with.

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<v Speaker 1>You're like, this is this is great. I love my

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<v Speaker 1>homeboys Little Rich and Disease. They are like two of

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<v Speaker 1>my best friends and they're hilarious. He's hilarious. He has

0:10:51.200 --> 0:10:55.320
<v Speaker 1>me cracking up whull time. London Jay is really fire.

0:10:56.400 --> 0:11:00.000
<v Speaker 1>T Romano like any other art about any other arts

0:11:00.160 --> 0:11:03.840
<v Speaker 1>that you've gotten, artists just felt organic and Russ Russ's

0:11:05.000 --> 0:11:07.560
<v Speaker 1>he's a genius. Yeah. I saw the video of you

0:11:07.559 --> 0:11:09.520
<v Speaker 1>guys working on Best on Earth together and it just

0:11:09.720 --> 0:11:15.280
<v Speaker 1>felt is a vibe like he's he's so talented and

0:11:15.360 --> 0:11:18.200
<v Speaker 1>you know, like, honestly, Pharrell is a vibe to be

0:11:18.240 --> 0:11:20.520
<v Speaker 1>in a studio with, like to soak up if like

0:11:20.600 --> 0:11:22.600
<v Speaker 1>anyone that's ever been in a studio with Pharrell to

0:11:22.640 --> 0:11:25.240
<v Speaker 1>soak up from him and to see his process, like

0:11:25.320 --> 0:11:29.320
<v Speaker 1>you'll learn some shit Like so, yeah, Pharrell, I think

0:11:29.440 --> 0:11:32.720
<v Speaker 1>is uh, you know, there's a few guys that I

0:11:32.760 --> 0:11:35.640
<v Speaker 1>think every artist has like on their checklist to work with.

0:11:35.679 --> 0:11:40.559
<v Speaker 1>It's like doctor Dre Pharrell. Yeah, he's like that. Like

0:11:40.600 --> 0:11:43.760
<v Speaker 1>I would just watch him like wow, Like did you

0:11:43.840 --> 0:11:45.880
<v Speaker 1>learn a lot that you replied to your own creative

0:11:45.920 --> 0:11:48.400
<v Speaker 1>process from being around him so much? Absolutely, Like if

0:11:48.400 --> 0:11:50.360
<v Speaker 1>something don't feel right, I get off of it, like

0:11:50.440 --> 0:11:52.559
<v Speaker 1>you know, like I don't sit there and try to

0:11:52.559 --> 0:11:55.160
<v Speaker 1>write a line for like ten hours, Like if it

0:11:55.200 --> 0:11:57.760
<v Speaker 1>doesn't feel right, it's like move on. Let's move on, Like,

0:11:57.840 --> 0:11:59.800
<v Speaker 1>let's move on and come back to it, because it's

0:12:00.200 --> 0:12:03.040
<v Speaker 1>be natural. It should feel good. It shouldn't feel like homework. Hey,

0:12:03.120 --> 0:12:05.079
<v Speaker 1>and then the the you know, I think that that

0:12:05.120 --> 0:12:08.320
<v Speaker 1>moment with Best on Earth was big because again, you

0:12:08.400 --> 0:12:11.559
<v Speaker 1>had just got out of your deal that that record

0:12:11.840 --> 0:12:14.840
<v Speaker 1>went crazy. Obviously, Russ he puts out a I think,

0:12:15.000 --> 0:12:17.480
<v Speaker 1>you know a lot of artists should follow his blueprint

0:12:17.679 --> 0:12:19.960
<v Speaker 1>in terms in terms of just how he releases music

0:12:20.040 --> 0:12:23.080
<v Speaker 1>and builds his fans. But like it was one of

0:12:23.080 --> 0:12:24.439
<v Speaker 1>the records that he you know, he puts out a

0:12:24.480 --> 0:12:27.320
<v Speaker 1>lot of songs that record comes out, I think was

0:12:27.400 --> 0:12:30.960
<v Speaker 1>Rihanna posted it right and it was just off to

0:12:31.040 --> 0:12:35.760
<v Speaker 1>the races, Like what was that first of all at

0:12:35.800 --> 0:12:39.000
<v Speaker 1>the time. Russ. I think Russ is another person who

0:12:39.040 --> 0:12:40.920
<v Speaker 1>everything he does is very organic as far as the

0:12:40.920 --> 0:12:43.000
<v Speaker 1>people he works with, Like I never see Russ force

0:12:43.040 --> 0:12:44.880
<v Speaker 1>any features. Like he's like, yo, if I fuck with him,

0:12:44.920 --> 0:12:46.920
<v Speaker 1>I fuck with him like he was he was a

0:12:46.960 --> 0:12:49.439
<v Speaker 1>fan of you to work with him. Yes, I was

0:12:49.440 --> 0:12:52.800
<v Speaker 1>a fan of him too, so like I love his music.

0:12:52.920 --> 0:12:55.920
<v Speaker 1>So when he hit me he's in La, He's like,

0:12:55.960 --> 0:12:58.480
<v Speaker 1>I'm in LA, Like you know, I got some studio sessions.

0:12:58.480 --> 0:13:00.679
<v Speaker 1>And he don't even do studio sessions like out at

0:13:00.679 --> 0:13:02.760
<v Speaker 1>the studio. He recorded at home at home yea. So

0:13:02.800 --> 0:13:04.240
<v Speaker 1>he's like, you know, I'm out here. I don't really

0:13:04.240 --> 0:13:06.040
<v Speaker 1>do this shit, but I got session. If you've got time,

0:13:06.080 --> 0:13:07.440
<v Speaker 1>I'd like for you to pull up. I got some

0:13:07.480 --> 0:13:09.960
<v Speaker 1>beats for you. So he had some beats originally and

0:13:10.600 --> 0:13:12.840
<v Speaker 1>to play me. As I was listening to them, we

0:13:12.880 --> 0:13:15.760
<v Speaker 1>heard the best on earth Beat and we were like, man,

0:13:15.840 --> 0:13:17.880
<v Speaker 1>let's get on this right now. We just both felt it.

0:13:18.000 --> 0:13:20.400
<v Speaker 1>Cut it right away. He did a hook, I did

0:13:20.400 --> 0:13:22.120
<v Speaker 1>the other half he did a verse. I did the

0:13:22.160 --> 0:13:24.840
<v Speaker 1>other half for the verse. So it was it was organic,

0:13:25.320 --> 0:13:28.880
<v Speaker 1>like real, that's fire, that's fire. We were talking earlier

0:13:28.880 --> 0:13:31.319
<v Speaker 1>about shrooms. You said you've had some bad shroom experiences.

0:13:31.480 --> 0:13:35.480
<v Speaker 1>Tell me about the craziest shroom experience you've had. He

0:13:35.640 --> 0:13:38.280
<v Speaker 1>just put me on the spot. Listen, we've all, I mean,

0:13:38.320 --> 0:13:40.400
<v Speaker 1>I don't know, but we've all had bad I don't

0:13:41.000 --> 0:13:42.600
<v Speaker 1>know because I don't want people to think I'm weird.

0:13:42.640 --> 0:13:44.360
<v Speaker 1>You know what I'm saying, Like, because you did trooms,

0:13:44.640 --> 0:13:47.120
<v Speaker 1>because like my experience, Oh yeah, tell me what happened, please,

0:13:47.400 --> 0:13:49.960
<v Speaker 1>Like I don't want them to be like she was tripping.

0:13:50.240 --> 0:13:55.120
<v Speaker 1>So I saw a UFO like I was in Brickle,

0:13:55.440 --> 0:13:57.920
<v Speaker 1>you know, I was looking out looking out my hotel.

0:13:59.280 --> 0:14:02.400
<v Speaker 1>I saw you. It's in Miami, right in Miami. Yeah, yeah,

0:14:02.880 --> 0:14:05.280
<v Speaker 1>I saw a UFO. It was like four in the morning.

0:14:05.720 --> 0:14:09.199
<v Speaker 1>I'm laying with my boyfriend and we're both looking at it.

0:14:09.360 --> 0:14:13.360
<v Speaker 1>But we felt asleep, but we were awake. It was weird.

0:14:13.400 --> 0:14:17.200
<v Speaker 1>It's like my mind was awake but my eyes was closed,

0:14:17.320 --> 0:14:19.600
<v Speaker 1>but I was fully awake. I wasn't sleep and then

0:14:19.600 --> 0:14:22.680
<v Speaker 1>I opened my eyes. So let me not say my

0:14:22.720 --> 0:14:24.560
<v Speaker 1>eyes was closed. This is not making sense AnyWho. I

0:14:24.600 --> 0:14:26.280
<v Speaker 1>was laying down, I was looking out the window and

0:14:26.320 --> 0:14:28.960
<v Speaker 1>I saw a UFO. I didn't want to say anything, like, yo,

0:14:29.040 --> 0:14:31.320
<v Speaker 1>you see that UFO because I didn't want to think

0:14:31.320 --> 0:14:34.160
<v Speaker 1>I was crazy. Did he see the UFO as well?

0:14:34.240 --> 0:14:39.920
<v Speaker 1>Let me tell you. So the next day I saw

0:14:39.960 --> 0:14:42.480
<v Speaker 1>the uf I asked him, like I told somebody in

0:14:42.480 --> 0:14:44.320
<v Speaker 1>front of him. I'm like, oh, you know, I thought

0:14:44.320 --> 0:14:46.960
<v Speaker 1>I saw a UFO yesterday. He said, I seen it too,

0:14:47.000 --> 0:14:48.560
<v Speaker 1>but I didn't want to say anything because I thought

0:14:48.560 --> 0:14:51.040
<v Speaker 1>I was tripping and I wanted to see if you

0:14:51.360 --> 0:14:53.080
<v Speaker 1>would bring it up today. And I was like, yes,

0:14:53.240 --> 0:14:55.760
<v Speaker 1>I saw it, like I knew it was a UFO.

0:14:56.000 --> 0:14:58.560
<v Speaker 1>It was doing this little weird shit and then it

0:14:58.720 --> 0:15:02.800
<v Speaker 1>just shot and disintegrated, like shot down and disintegrated and

0:15:02.840 --> 0:15:05.240
<v Speaker 1>what the fuck flies down? Everything flies up? You know

0:15:05.280 --> 0:15:08.040
<v Speaker 1>what I'm saying. It was like, Yo, what's crazy is

0:15:08.440 --> 0:15:11.160
<v Speaker 1>they just put a video out? Do you see that

0:15:11.240 --> 0:15:13.120
<v Speaker 1>video that just came out that they confirmed is real.

0:15:14.640 --> 0:15:16.640
<v Speaker 1>It's like a naval ship and they have like their

0:15:16.720 --> 0:15:21.680
<v Speaker 1>radar thing and the government said it's like a real video.

0:15:21.840 --> 0:15:23.840
<v Speaker 1>I know because I've been meeting people that have seen

0:15:23.880 --> 0:15:25.800
<v Speaker 1>it. It It was in the sky that but UFO. No,

0:15:25.840 --> 0:15:27.680
<v Speaker 1>it was a UFO in the sky over the water

0:15:28.080 --> 0:15:30.239
<v Speaker 1>and then it dived down into the water and disappeared.

0:15:30.480 --> 0:15:35.120
<v Speaker 1>That's what I saw. That's what I saw. Yeah, I'm

0:15:35.160 --> 0:15:38.160
<v Speaker 1>not kidding bro like and Obama just came out two

0:15:38.200 --> 0:15:40.479
<v Speaker 1>days ago and said that the ship is real. There's UFOs.

0:15:40.880 --> 0:15:43.360
<v Speaker 1>So I don't know exactly what it was, but I

0:15:43.400 --> 0:15:45.920
<v Speaker 1>know that that wasn't something that I was normal. I've

0:15:45.960 --> 0:15:47.920
<v Speaker 1>never seen it again. I was only I only seen

0:15:47.960 --> 0:15:51.520
<v Speaker 1>it on shrooms. So ever since, I've been wanting to, like,

0:15:51.560 --> 0:15:53.880
<v Speaker 1>you know, I've just been wanting to see some shit

0:15:53.960 --> 0:15:55.320
<v Speaker 1>like that again. But I feel like you can only

0:15:55.360 --> 0:15:58.400
<v Speaker 1>crack those levels maybe on like the right amount of shrooms.

0:15:58.480 --> 0:16:00.880
<v Speaker 1>You Yeah, I think that they're I mean, listen, I

0:16:00.880 --> 0:16:04.720
<v Speaker 1>mean there's no proven science, but I think if you something,

0:16:04.840 --> 0:16:07.000
<v Speaker 1>something gets unlocked in your brain, maybe you could see

0:16:07.000 --> 0:16:08.760
<v Speaker 1>things a little bit different. You know, your third eye

0:16:08.760 --> 0:16:11.600
<v Speaker 1>gets a little I don't know, man, I mean you

0:16:11.640 --> 0:16:14.520
<v Speaker 1>know how shit starts melting sometimes when you're on shruck. Oh,

0:16:14.640 --> 0:16:17.320
<v Speaker 1>I know, like one time my whole fridge was melting,

0:16:17.400 --> 0:16:20.000
<v Speaker 1>Like I looked at left sliding down I'm like, what

0:16:20.160 --> 0:16:22.840
<v Speaker 1>is going on? Yeah, the last time I did shrooms,

0:16:22.880 --> 0:16:25.560
<v Speaker 1>I was in Texas and me and Freddie Gibbs were

0:16:25.560 --> 0:16:28.000
<v Speaker 1>at a bar fucked up and there was some chick

0:16:28.160 --> 0:16:31.080
<v Speaker 1>dancing by herself and her face was censored like she

0:16:31.200 --> 0:16:34.080
<v Speaker 1>was on Cops. What Her face was all scrambled and

0:16:34.120 --> 0:16:35.880
<v Speaker 1>shit like, like, you know, like there was a censor

0:16:36.000 --> 0:16:39.360
<v Speaker 1>like her face was censored. And I was like, Bro,

0:16:39.480 --> 0:16:41.520
<v Speaker 1>I was like, bro, you see this bitch like in

0:16:41.600 --> 0:16:44.200
<v Speaker 1>my tripping or is her face fucking like she looks

0:16:44.200 --> 0:16:45.800
<v Speaker 1>like she's on an episode of Cops? And did he

0:16:45.840 --> 0:16:49.040
<v Speaker 1>see it? I don't think he. So I was really

0:16:49.120 --> 0:16:51.800
<v Speaker 1>fucked up. He wasn't as fuck. I was fucked That

0:16:51.920 --> 0:16:53.240
<v Speaker 1>was a rough night for me. That was one of

0:16:53.280 --> 0:16:54.840
<v Speaker 1>the worst nights in my life as far as just

0:16:54.880 --> 0:16:58.120
<v Speaker 1>freaking the fuck out. But yeah, that was yeah. Yeah.

0:16:58.120 --> 0:16:59.880
<v Speaker 1>I think you know what's interesting because you do hear

0:16:59.920 --> 0:17:01.920
<v Speaker 1>that a lot. When people do it together, they usually

0:17:01.920 --> 0:17:05.680
<v Speaker 1>see the same shit we just had. Wiz was telling

0:17:05.720 --> 0:17:07.359
<v Speaker 1>us that about his mom. He said, him and his

0:17:07.359 --> 0:17:10.640
<v Speaker 1>mom they did trooms together at Coachella and they saw

0:17:10.680 --> 0:17:13.040
<v Speaker 1>all the same I would love to do shrems with

0:17:13.080 --> 0:17:15.879
<v Speaker 1>my mom. That's lit Hey, what up man? How to

0:17:15.920 --> 0:17:18.520
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0:18:11.640 --> 0:18:14.359
<v Speaker 1>Would your mom do shrooms with you? Probably not. She's

0:18:14.400 --> 0:18:17.400
<v Speaker 1>like kind of She's like, oh no, I can't do that.

0:18:18.240 --> 0:18:21.320
<v Speaker 1>She's like one of those what's your ethnicity? She's Italian,

0:18:21.320 --> 0:18:23.760
<v Speaker 1>My mom's Italian. Okay, what about your dad? My dad

0:18:23.960 --> 0:18:27.040
<v Speaker 1>is Puerto Rican and a little bit of black and white,

0:18:27.160 --> 0:18:30.399
<v Speaker 1>well a little bit of black and Native American. But

0:18:31.080 --> 0:18:33.960
<v Speaker 1>so it's like a mix. But you came up in Boston,

0:18:34.760 --> 0:18:39.399
<v Speaker 1>which is a dope city. It's an interesting city. I've

0:18:39.400 --> 0:18:41.320
<v Speaker 1>been there a lot, so I know a lot about Boston.

0:18:41.520 --> 0:18:43.760
<v Speaker 1>I mean, I love it. I love little Italy there,

0:18:43.760 --> 0:18:45.400
<v Speaker 1>special time food I ever had, by the way, shout

0:18:45.400 --> 0:18:48.399
<v Speaker 1>out to Boston. But it's also like kind of perceived

0:18:48.560 --> 0:18:51.199
<v Speaker 1>as like a racist city. Kind it is? Is it

0:18:51.240 --> 0:18:54.320
<v Speaker 1>a racist city? Is perceived that way? It's perceived that way. Yeah,

0:18:54.359 --> 0:18:56.639
<v Speaker 1>it's like that in some places though, because you know,

0:18:56.720 --> 0:18:59.280
<v Speaker 1>it's it's kind of like we just think of like

0:18:59.440 --> 0:19:03.000
<v Speaker 1>drunk white Irish dudes out there. They have those, you know,

0:19:03.040 --> 0:19:06.040
<v Speaker 1>you watch The Departed and Ship and you're like, is

0:19:06.080 --> 0:19:08.960
<v Speaker 1>everyone like whether there's townies and they does everyone sound

0:19:09.040 --> 0:19:13.600
<v Speaker 1>like Bill Berwin? They talk? No, No, they do. They

0:19:13.680 --> 0:19:16.720
<v Speaker 1>sound You know what I hate about people. They don't

0:19:16.760 --> 0:19:19.880
<v Speaker 1>think that Boston has like any culture that Massachusetts has,

0:19:19.920 --> 0:19:22.639
<v Speaker 1>like any black so Latinos like there's a lot of

0:19:22.640 --> 0:19:26.560
<v Speaker 1>culture out there. Of course, it's just in its own areas.

0:19:26.640 --> 0:19:28.400
<v Speaker 1>Like yeah, I mean, look, I mean we're talking about Elier.

0:19:28.920 --> 0:19:31.399
<v Speaker 1>I love Lawrence. Lawrence is a dope area. Yeah, Lawrence

0:19:31.480 --> 0:19:35.439
<v Speaker 1>is all Puerto Ricans and Dominicans. Hey, terminologies from Boston

0:19:35.440 --> 0:19:37.879
<v Speaker 1>and he's Puerto Rican. Yeah, fuck with him. Shout out

0:19:37.960 --> 0:19:41.080
<v Speaker 1>a term. One of the most underrated dudes. He's a legend,

0:19:41.280 --> 0:19:44.360
<v Speaker 1>a legend for sure. And then there's like Ben, let's

0:19:44.359 --> 0:19:46.520
<v Speaker 1>give him as flowers. Well, he's right here. Let me

0:19:46.520 --> 0:19:50.160
<v Speaker 1>tell you something about terminology static statics selected nineteen eighty two.

0:19:50.960 --> 0:19:52.360
<v Speaker 1>You know what I mean. Shout out to my God,

0:19:52.560 --> 0:19:55.880
<v Speaker 1>good dad, gang, go buy fucking terminology from Boston their

0:19:55.920 --> 0:19:58.560
<v Speaker 1>flowers right now. Let's give the Celtics their flowers? Are

0:19:58.600 --> 0:20:02.320
<v Speaker 1>we gonna give the Ruins there you've been and Cam

0:20:02.400 --> 0:20:05.439
<v Speaker 1>Newton his flowers? Yes, because it's cooys down and that's

0:20:05.480 --> 0:20:12.280
<v Speaker 1>my girl. Shout Everybody from Boston gets they flowers. Yeah,

0:20:12.320 --> 0:20:15.000
<v Speaker 1>Coiler Ray shout out to Coiler Ray Man. She's doing

0:20:15.000 --> 0:20:17.480
<v Speaker 1>her thing. Yeah, that's my girl. Yeah, she's I love

0:20:17.480 --> 0:20:20.760
<v Speaker 1>her energy, very positive, she's just having fun. You know

0:20:20.800 --> 0:20:23.200
<v Speaker 1>what I'm saying. I love it. Yeah, Boston is Yeah,

0:20:23.400 --> 0:20:26.560
<v Speaker 1>you know, there's there's so many legendary cool people from Boston.

0:20:26.640 --> 0:20:29.080
<v Speaker 1>Oh yeah, Static selected one of the greatest hipocoatless of

0:20:29.080 --> 0:20:31.040
<v Speaker 1>all time and my brother Man, I love that guy. Man.

0:20:31.080 --> 0:20:34.399
<v Speaker 1>So it's crazy because it's such a boombap hip hop city.

0:20:34.480 --> 0:20:36.399
<v Speaker 1>Like I feel like you come out of Boston, like

0:20:36.520 --> 0:20:38.520
<v Speaker 1>you got to have a real respect for like the

0:20:38.680 --> 0:20:41.480
<v Speaker 1>art form, you know what I'm saying. Like, and I

0:20:41.520 --> 0:20:43.880
<v Speaker 1>don't feel like a lot of artists who are your

0:20:43.920 --> 0:20:48.240
<v Speaker 1>peers have that luxury of coming from that background, you

0:20:48.280 --> 0:20:51.399
<v Speaker 1>know what I'm saying, because it's a different generation. You know,

0:20:51.520 --> 0:20:54.760
<v Speaker 1>gen Z is a little different. They don't really respect

0:20:54.960 --> 0:20:58.600
<v Speaker 1>like the new generation is, Like I don't funk about

0:20:58.600 --> 0:21:01.639
<v Speaker 1>them old heads like Knowing and their biggest affluences are

0:21:01.720 --> 0:21:04.120
<v Speaker 1>Chief Keith and Soldier Boy, and I like Chief Keith

0:21:04.119 --> 0:21:07.080
<v Speaker 1>and Story. Yeah of course. But I also I respect

0:21:07.160 --> 0:21:09.320
<v Speaker 1>music I grew up on like NAS and like, you know,

0:21:10.080 --> 0:21:15.040
<v Speaker 1>real rap. So what's your okay? How about this besides Zillmatic?

0:21:15.280 --> 0:21:20.840
<v Speaker 1>What's your favorite NAS album? Still Madic, still Manic? I

0:21:20.920 --> 0:21:24.640
<v Speaker 1>respect it. I respect it. The Lost Tapes too, Oh

0:21:25.119 --> 0:21:27.240
<v Speaker 1>I could. I could definitely run back the Lost Tapes

0:21:27.280 --> 0:21:30.320
<v Speaker 1>and pop first, No, the first Lost tapes. Okay I didn't.

0:21:30.480 --> 0:21:32.520
<v Speaker 1>I was hoping you didn't say Lost Tapes too, because

0:21:32.560 --> 0:21:34.040
<v Speaker 1>part two of Lost Tapes that came out a couple

0:21:34.119 --> 0:21:36.640
<v Speaker 1>years ago was No, I'm talking about first Lost Tapes,

0:21:37.840 --> 0:21:42.480
<v Speaker 1>Lost Tapes, the original Rags Purple. Yeah, like I love

0:21:42.840 --> 0:21:45.920
<v Speaker 1>like Laser fifty. Blazer fifty is one of the best

0:21:45.960 --> 0:21:49.520
<v Speaker 1>storytelling songs ever. That's the one thing when I when

0:21:49.560 --> 0:21:51.119
<v Speaker 1>I never I talked to Nas next, I want to

0:21:51.119 --> 0:21:53.000
<v Speaker 1>ask like that anymore. I want to ask nas what

0:21:53.240 --> 0:21:56.040
<v Speaker 1>what what girl was Blaze of fifty about? Because she

0:21:56.160 --> 0:21:59.160
<v Speaker 1>fucked someone on the Broncos during their Super Bowl run

0:21:59.200 --> 0:22:01.520
<v Speaker 1>and she fucked you, so who was it? I think

0:22:01.520 --> 0:22:03.320
<v Speaker 1>she said what she used to fuck to Real Davis

0:22:03.320 --> 0:22:05.960
<v Speaker 1>from the Broncos on that song. Shout out to Nas man.

0:22:06.200 --> 0:22:09.000
<v Speaker 1>I have to run that one back. Who's your favorite?

0:22:09.119 --> 0:22:11.280
<v Speaker 1>If you had to give me your top five all time?

0:22:11.320 --> 0:22:15.440
<v Speaker 1>Who is it? Top five? I hate that question favorite

0:22:15.520 --> 0:22:17.199
<v Speaker 1>not greatest of all time? Because you know, there's two

0:22:17.400 --> 0:22:22.200
<v Speaker 1>different questions. I got artists that are my family question.

0:22:22.600 --> 0:22:24.280
<v Speaker 1>Like every time I put push a t I put

0:22:24.280 --> 0:22:26.560
<v Speaker 1>push the tea, so higo on my favorites of all time,

0:22:26.600 --> 0:22:28.440
<v Speaker 1>and people get offended because I put them above like

0:22:28.480 --> 0:22:31.320
<v Speaker 1>Lil Wayne. But what I'd be like, bro, it's my

0:22:31.400 --> 0:22:34.960
<v Speaker 1>favorite like people that are my favorites as people or

0:22:34.960 --> 0:22:38.480
<v Speaker 1>people like your favorite as music, not as people. I

0:22:38.520 --> 0:22:41.240
<v Speaker 1>can't put that into five. Give me just throw some

0:22:41.359 --> 0:22:43.720
<v Speaker 1>names you don't even get maybe maybe like three, give

0:22:43.760 --> 0:22:51.800
<v Speaker 1>me three names, no order, no order, Rihanna, aliya, Okay,

0:22:51.800 --> 0:22:54.560
<v Speaker 1>give me some rappers I want. I want to talking

0:22:54.640 --> 0:22:57.560
<v Speaker 1>hip hop here. Okay, I don't have to reread. We

0:22:57.560 --> 0:23:00.240
<v Speaker 1>need some music for music. It's been too long, Okay.

0:23:04.440 --> 0:23:06.200
<v Speaker 1>I just don't want to be cliche. You know what

0:23:06.280 --> 0:23:11.960
<v Speaker 1>I'm saying, Like I really like Okay, Like I would

0:23:11.960 --> 0:23:15.920
<v Speaker 1>put jay Z up there because, like I just I mean,

0:23:15.960 --> 0:23:22.000
<v Speaker 1>he's He's jay Z. He wraps really good. I would

0:23:22.040 --> 0:23:28.320
<v Speaker 1>put Drake up there because Drake's penn to me. I

0:23:28.359 --> 0:23:31.879
<v Speaker 1>finally met Drake two weeks ago. He had he had

0:23:31.880 --> 0:23:34.879
<v Speaker 1>the softest hands ever. I gave him a dap and

0:23:34.880 --> 0:23:38.399
<v Speaker 1>I was like, I just felt like I dapped up

0:23:38.440 --> 0:23:42.280
<v Speaker 1>a pillow, Like what kind of explos I just yeah,

0:23:42.440 --> 0:23:45.080
<v Speaker 1>he gotta be doing something. I gotta get some hand masks.

0:23:45.240 --> 0:23:47.359
<v Speaker 1>He's the only artist I've ever met that I felt

0:23:47.359 --> 0:23:51.880
<v Speaker 1>had an actual like aura around him. Like I was like, Oh,

0:23:52.320 --> 0:23:55.720
<v Speaker 1>that's because he rapped so good. Yes, me and Freddie

0:23:55.720 --> 0:23:58.000
<v Speaker 1>Gives met him meta some some bar over here and

0:23:58.040 --> 0:24:00.159
<v Speaker 1>we got we took shots with him, and I was like, Yo,

0:24:00.280 --> 0:24:02.640
<v Speaker 1>this guy's glowing. You know what I'm saying. Maybe it's

0:24:02.640 --> 0:24:05.600
<v Speaker 1>the skin routine, but super nice guys. So drake cove

0:24:05.640 --> 0:24:15.680
<v Speaker 1>give me one more name. Mm I just don't want

0:24:16.119 --> 0:24:19.880
<v Speaker 1>to get like ridiculed. You won't come on. Who gives

0:24:19.880 --> 0:24:29.080
<v Speaker 1>a fuck? Fuck the internet? Okay, and no, I'm really

0:24:29.119 --> 0:24:31.560
<v Speaker 1>really thinking about this because, like I'm going down. There's

0:24:31.600 --> 0:24:34.479
<v Speaker 1>a couple of people that throw a couple names out there. Okay.

0:24:34.920 --> 0:24:38.359
<v Speaker 1>I love Travis, I love Future, I love Little Babies.

0:24:39.080 --> 0:24:41.800
<v Speaker 1>Rowdy Rich's music is crazy to me. Those are like

0:24:41.880 --> 0:24:43.679
<v Speaker 1>some of my favorite artists. I listen to them all

0:24:43.720 --> 0:24:46.760
<v Speaker 1>the time in the rap world. Who would you say,

0:24:47.440 --> 0:24:54.840
<v Speaker 1>personally has influenced your style the most? Me? You? Okay?

0:24:55.160 --> 0:24:58.160
<v Speaker 1>Oh and wait, time out, time out. I forgot somebody

0:24:58.240 --> 0:24:59.640
<v Speaker 1>really high on my list that I have to throw

0:24:59.720 --> 0:25:01.159
<v Speaker 1>up there because he hasn't put on music in a

0:25:01.200 --> 0:25:03.520
<v Speaker 1>really long time, but when he does, I'm waiting to

0:25:03.560 --> 0:25:07.159
<v Speaker 1>hear it. Kendrick. I forgot Kendrick, but don't ever let

0:25:07.240 --> 0:25:10.920
<v Speaker 1>me forget Kendrick again. Kendrick is ah. I always tell

0:25:10.960 --> 0:25:14.840
<v Speaker 1>people he's top five all time, no debate, because if

0:25:15.520 --> 0:25:17.359
<v Speaker 1>you're putting Biggie in your top five and big he

0:25:17.440 --> 0:25:19.359
<v Speaker 1>only put out two albums, you gotta put Kendrick in

0:25:19.359 --> 0:25:21.960
<v Speaker 1>your shit because he's put out classic, classic, classic. Good

0:25:22.040 --> 0:25:26.240
<v Speaker 1>Kid Mass City was one of the most incredibly constructed

0:25:26.600 --> 0:25:29.640
<v Speaker 1>bodies of work I've ever heard in my entire life.

0:25:29.840 --> 0:25:33.720
<v Speaker 1>I don't disagree. The first time I heard backseat freestyle,

0:25:34.400 --> 0:25:37.840
<v Speaker 1>I almost jumped out the window, like out the car

0:25:38.240 --> 0:25:42.440
<v Speaker 1>in a moving car on the highway. You didn't it

0:25:42.520 --> 0:25:44.760
<v Speaker 1>right now, yah, or you'd be here. You would just

0:25:44.760 --> 0:25:47.800
<v Speaker 1>look fucked up, like what happened to be a man?

0:25:47.880 --> 0:25:49.680
<v Speaker 1>Her face is all fucked up. She jumps out of

0:25:49.720 --> 0:25:52.080
<v Speaker 1>a vehicle fifty miles an hour. Wow, it was good

0:25:52.160 --> 0:25:56.320
<v Speaker 1>Kid mass City? Yeah, it was Ayle. What I mean?

0:25:56.400 --> 0:26:00.159
<v Speaker 1>I know that festivals are coming up, finally, shows are

0:26:00.160 --> 0:26:03.679
<v Speaker 1>opening back up, thank god, thank god. I know you

0:26:03.720 --> 0:26:05.520
<v Speaker 1>have some big shows that you're on coming up. In

0:26:05.560 --> 0:26:09.520
<v Speaker 1>this it was the summertime. What are some of that

0:26:09.800 --> 0:26:12.320
<v Speaker 1>which ones. Are you looking forward to the most? Looking

0:26:12.359 --> 0:26:16.800
<v Speaker 1>forward to the most rolling loud Lollapalooza. Yeah, both of

0:26:16.800 --> 0:26:20.200
<v Speaker 1>those are crazy. The rolling Loud lineup is almost unfair.

0:26:21.080 --> 0:26:24.720
<v Speaker 1>It's like, who is not on that show? It looks

0:26:24.800 --> 0:26:27.919
<v Speaker 1>so fun it almost looks fake. It's such a good lineup.

0:26:29.080 --> 0:26:32.680
<v Speaker 1>I'm happy. I'm happy to be on it. You're gonna

0:26:32.680 --> 0:26:34.359
<v Speaker 1>really fuck that show up. I was gonna say, do

0:26:34.400 --> 0:26:37.040
<v Speaker 1>you do like when you do a festival show that

0:26:37.680 --> 0:26:40.560
<v Speaker 1>is for a big crowd that maybe not everyone's there

0:26:40.640 --> 0:26:41.920
<v Speaker 1>just for you as opposed to when you do a

0:26:41.960 --> 0:26:43.760
<v Speaker 1>b a show, do you do you approach them differently

0:26:44.520 --> 0:26:47.200
<v Speaker 1>or is it the same vibe? No matter what? Nah,

0:26:47.200 --> 0:26:49.439
<v Speaker 1>I go to fuck up every show every time I

0:26:49.480 --> 0:26:54.119
<v Speaker 1>have a show, like I'm going, I'm I'm taking people

0:26:54.160 --> 0:26:57.119
<v Speaker 1>with me. You crowds forever? No, because I wear like

0:26:57.240 --> 0:26:58.639
<v Speaker 1>jewelry and I have titties and I don't want to

0:26:58.640 --> 0:27:00.120
<v Speaker 1>wait to grab Yeah, I feel like it be it's

0:27:00.119 --> 0:27:02.480
<v Speaker 1>tough for chicks to CrowdSurf. I just saw some girl

0:27:02.480 --> 0:27:05.399
<v Speaker 1>CrowdSurf who didn't get growth. Who was it, I don't know,

0:27:05.400 --> 0:27:07.000
<v Speaker 1>but I was like, hey, good, good for those. It

0:27:07.040 --> 0:27:09.600
<v Speaker 1>depends like it depends what I'm wearing if I were CrowdSurf,

0:27:09.640 --> 0:27:11.879
<v Speaker 1>because if I had heels, I wouldn't CrowdSurf if I

0:27:11.920 --> 0:27:15.680
<v Speaker 1>had like you know, some I I'm not crowdsurfing. Don't

0:27:15.680 --> 0:27:17.200
<v Speaker 1>want to nip slip popping up. He Yeah, I don't

0:27:17.200 --> 0:27:21.040
<v Speaker 1>want to nip slip. That's fair, that's fair. Who is

0:27:21.080 --> 0:27:24.640
<v Speaker 1>it that you're like, I know you got a lot

0:27:24.640 --> 0:27:27.680
<v Speaker 1>of records in the chamber right now. Can you give

0:27:27.760 --> 0:27:31.280
<v Speaker 1>us a little revelation on maybe some records you got

0:27:31.320 --> 0:27:33.439
<v Speaker 1>with some other artists that you're excited for people to hear.

0:27:33.680 --> 0:27:35.399
<v Speaker 1>I got a song coming out with g Herbal in

0:27:35.440 --> 0:27:39.399
<v Speaker 1>the streets is asking me for it's sweatie hmmm. Ge

0:27:39.520 --> 0:27:42.119
<v Speaker 1>Herbo is a good dude. Yeah, he's fine. So you

0:27:42.200 --> 0:27:45.040
<v Speaker 1>got the g Herbal record coming, Yeah, it's stupid. Then

0:27:45.080 --> 0:27:48.680
<v Speaker 1>I got some joints with my girl, Iggy. Oh Iggy.

0:27:48.840 --> 0:27:51.880
<v Speaker 1>Do you know? Iggy's one of the nicest people I've

0:27:51.920 --> 0:27:54.879
<v Speaker 1>ever met. She's so nice. I always you know, she

0:27:54.920 --> 0:27:58.639
<v Speaker 1>gets a lot of criticism and you know, however you

0:27:58.680 --> 0:28:00.639
<v Speaker 1>feel about her and her music, But when I met her,

0:28:00.680 --> 0:28:02.560
<v Speaker 1>I was like, yo, you're like the sweetest girl, Like like,

0:28:02.680 --> 0:28:05.240
<v Speaker 1>you know, she I feel like genuine. A lot of people,

0:28:05.400 --> 0:28:08.440
<v Speaker 1>you know, the media, hip hop in general, probably paints

0:28:08.440 --> 0:28:10.679
<v Speaker 1>her in an unfair light because if you meet her,

0:28:10.680 --> 0:28:13.800
<v Speaker 1>he'd be like, she's such a sweetheart. Facts, that's how

0:28:13.840 --> 0:28:16.960
<v Speaker 1>I felt. So you and Iggy have multiple songs, We

0:28:17.040 --> 0:28:19.560
<v Speaker 1>have a couple, maybe a little project, little joint project.

0:28:19.600 --> 0:28:21.720
<v Speaker 1>Oh no, not that. But we got went off mine,

0:28:21.760 --> 0:28:23.680
<v Speaker 1>I got one off hers and they're both fire. What

0:28:23.720 --> 0:28:26.640
<v Speaker 1>about any more music with Russ? No, but we are

0:28:26.680 --> 0:28:30.600
<v Speaker 1>going to We just spoke about that. Actually, gotta be fire,

0:28:31.200 --> 0:28:33.560
<v Speaker 1>gotta be yeah. I got some other stuff coming out.

0:28:33.600 --> 0:28:35.280
<v Speaker 1>I don't want to give all the tea away. And

0:28:35.400 --> 0:28:37.720
<v Speaker 1>you you said that you put Rihanna's your all time?

0:28:37.800 --> 0:28:40.240
<v Speaker 1>How how awesome was it to know that Rihanna heard

0:28:40.240 --> 0:28:42.360
<v Speaker 1>your music like that? You know she she was a

0:28:42.400 --> 0:28:43.880
<v Speaker 1>fan of Best on her Like, that's got to be

0:28:43.920 --> 0:28:47.240
<v Speaker 1>a big fucking deal deal. She's like the goddess of

0:28:47.240 --> 0:28:49.840
<v Speaker 1>this show. She didn't get no bigger, no better than Rihanna.

0:28:49.920 --> 0:28:52.760
<v Speaker 1>To me, I always have arguments with people. And I

0:28:52.840 --> 0:28:56.120
<v Speaker 1>love Beyonce. I love her right, She's the greatest entertainer

0:28:56.120 --> 0:28:59.360
<v Speaker 1>probably of our generation. But I love Rihanna's music so

0:28:59.440 --> 0:29:02.640
<v Speaker 1>much more. I love both. I love both too, but

0:29:03.160 --> 0:29:05.200
<v Speaker 1>that versus But like, why do people do that, Like

0:29:05.240 --> 0:29:07.720
<v Speaker 1>why do people be like, oh I love this person,

0:29:07.840 --> 0:29:09.920
<v Speaker 1>it's really just my wife I argue with about this.

0:29:10.000 --> 0:29:12.440
<v Speaker 1>Oh my god. I hate when people do that because

0:29:12.480 --> 0:29:15.240
<v Speaker 1>it's like I Liken, it's harder than Beyonce. No, you're

0:29:15.280 --> 0:29:17.800
<v Speaker 1>fucking grand, Like you gotta just let them both do

0:29:17.880 --> 0:29:20.400
<v Speaker 1>what they do, you know what I'm saying. That's what people.

0:29:20.400 --> 0:29:22.960
<v Speaker 1>I hate when people compare, not compare me because I

0:29:23.000 --> 0:29:25.560
<v Speaker 1>take comparisons like in a good way now, because I'd

0:29:25.560 --> 0:29:28.520
<v Speaker 1>be like, oh, she's beautiful, That's a nice compliment whatever,

0:29:28.640 --> 0:29:30.560
<v Speaker 1>you know, I don't take it bad. But I feel

0:29:30.600 --> 0:29:33.200
<v Speaker 1>like when it comes to the artistry, like you gotta

0:29:33.280 --> 0:29:35.200
<v Speaker 1>let people. I like when people let me do what

0:29:35.240 --> 0:29:37.640
<v Speaker 1>I do, Like, don't don't put me in that. You know.

0:29:37.680 --> 0:29:40.440
<v Speaker 1>What I like nowadays is I'm sure when you first

0:29:40.440 --> 0:29:43.200
<v Speaker 1>came out, I mean, every female rapper was getting compared

0:29:43.200 --> 0:29:46.560
<v Speaker 1>to Nikki. But now there's so many successful, thriving artists

0:29:47.040 --> 0:29:50.080
<v Speaker 1>that the comparison she's going away. You don't hear that anymore.

0:29:50.760 --> 0:29:52.600
<v Speaker 1>I get it, you get it? Who do you like? Like? Like,

0:29:52.640 --> 0:29:55.040
<v Speaker 1>what do you people just do it with like looks

0:29:55.080 --> 0:29:57.920
<v Speaker 1>online like on the Internet. People will always be like,

0:29:57.960 --> 0:30:01.240
<v Speaker 1>oh yeah, the Internet, you be on there like you

0:30:01.440 --> 0:30:04.440
<v Speaker 1>like on like look reading comments and ship. Sometimes sometimes

0:30:05.200 --> 0:30:07.960
<v Speaker 1>when I'm bored, like no, because sometimes you get it.

0:30:07.960 --> 0:30:11.240
<v Speaker 1>Getting in the comments and comments is ruthless. I hit block, Like,

0:30:11.320 --> 0:30:12.920
<v Speaker 1>if I really have a problem with something, I will

0:30:12.960 --> 0:30:16.080
<v Speaker 1>block it. Yeah, I'm a spitual blocker energy like me too.

0:30:16.640 --> 0:30:18.080
<v Speaker 1>You're not going to come into my house and tell

0:30:18.120 --> 0:30:20.440
<v Speaker 1>me you don't like my curtains. Somebody my comments was

0:30:20.440 --> 0:30:23.360
<v Speaker 1>some bullshit that block I used to engage. I used

0:30:23.360 --> 0:30:25.520
<v Speaker 1>to fight with trumpers and shade on my comments. I like,

0:30:25.520 --> 0:30:28.520
<v Speaker 1>you know what, fuck these I'm just block. Block game

0:30:28.640 --> 0:30:30.240
<v Speaker 1>is strong. How many people do you think you have

0:30:30.360 --> 0:30:35.200
<v Speaker 1>blocked totally? Oh? At least a thousand? A thousand Probably

0:30:35.360 --> 0:30:38.000
<v Speaker 1>that's fair. I probably deserved it too, Probably deserved it.

0:30:38.440 --> 0:30:41.040
<v Speaker 1>Say something I don't like and you're getting blocked because

0:30:41.080 --> 0:30:44.280
<v Speaker 1>it's like why would why would you say? Why would

0:30:44.320 --> 0:30:48.560
<v Speaker 1>you come into my into my environment in disrespect my advice.

0:30:48.640 --> 0:30:50.520
<v Speaker 1>That's like me saying I don't think you should have

0:30:50.560 --> 0:30:52.600
<v Speaker 1>this TV here, you should move that TV over there.

0:30:53.120 --> 0:30:55.360
<v Speaker 1>I'd be like, well, she's a female who probably has

0:30:55.440 --> 0:30:59.920
<v Speaker 1>better interior. Would you probably have better taste than me?

0:31:00.400 --> 0:31:02.480
<v Speaker 1>So I might, I might listen to you. You better

0:31:02.520 --> 0:31:04.280
<v Speaker 1>not letting no girl come in here, try to move

0:31:04.320 --> 0:31:07.080
<v Speaker 1>your TV. Now. My wife, she could move it wherever

0:31:07.080 --> 0:31:09.080
<v Speaker 1>she wants. Just your wife. You know what I'm saying.

0:31:09.120 --> 0:31:13.480
<v Speaker 1>That's it. That's happy wife, Happy life. One hund Yeah

0:31:13.680 --> 0:31:16.480
<v Speaker 1>do you uh you know some guys should take notes.

0:31:16.880 --> 0:31:20.600
<v Speaker 1>They should. You said you had a boyfriend. Yeah, he

0:31:20.640 --> 0:31:24.000
<v Speaker 1>takes great he's taking those notes. Yeah he's taking Okay, okay,

0:31:24.040 --> 0:31:26.080
<v Speaker 1>that's good. Yeah. For any guys watching this Happy Wife,

0:31:26.080 --> 0:31:28.040
<v Speaker 1>Happy life, you should just live by that ship or

0:31:28.160 --> 0:31:30.920
<v Speaker 1>be single one of the two. Pick your fucking path.

0:31:31.000 --> 0:31:32.720
<v Speaker 1>But you can't. You can't have your cake and eat

0:31:32.760 --> 0:31:37.000
<v Speaker 1>it too. You can't. Some women, though, man, there's I've

0:31:37.040 --> 0:31:41.240
<v Speaker 1>noticed that this generation some women is long. They're okay

0:31:41.320 --> 0:31:45.719
<v Speaker 1>with some bullshit going down, as long as it don't

0:31:46.160 --> 0:31:50.920
<v Speaker 1>penetrate their their knowledge. Like you. You know, you'll see

0:31:50.920 --> 0:31:53.000
<v Speaker 1>some lady say, look, I know if my man's doing

0:31:53.000 --> 0:31:54.440
<v Speaker 1>this thing. As long as I don't find out about it,

0:31:54.440 --> 0:31:58.320
<v Speaker 1>I don't give a fuck. Yeah that's not me. I mean, yeah,

0:31:58.440 --> 0:32:01.240
<v Speaker 1>you're also Latina. My wife's max she's a crazy person.

0:32:01.560 --> 0:32:04.840
<v Speaker 1>So I think it's like in us, we're just not

0:32:04.920 --> 0:32:07.840
<v Speaker 1>having it. You shouldn't. By the way, I don't agree

0:32:07.840 --> 0:32:11.200
<v Speaker 1>with that, you know, state of mind. Right, you've noticed

0:32:11.200 --> 0:32:14.320
<v Speaker 1>that's a thing now, like chicks don't give a fuck anymore, Like, yeah,

0:32:14.320 --> 0:32:16.920
<v Speaker 1>I don't care whatever, how many times. Anyway, we're not

0:32:16.920 --> 0:32:19.560
<v Speaker 1>going to dive down that rabbit hole. We're gonna do that.

0:32:19.680 --> 0:32:21.240
<v Speaker 1>Shout out to my wife and shout out to your

0:32:21.280 --> 0:32:26.680
<v Speaker 1>boyfriend who understands the concept of happy wife, happy life. Yes, uh,

0:32:26.680 --> 0:32:28.760
<v Speaker 1>that's a nice watch we're gonna watch? Is that? It's

0:32:28.800 --> 0:32:32.600
<v Speaker 1>a little just a little ap. Shout out to Benny.

0:32:33.600 --> 0:32:38.320
<v Speaker 1>I worked off for that watch. Did you do you

0:32:38.320 --> 0:32:40.200
<v Speaker 1>get like a discount on jewelry because you're be a

0:32:40.320 --> 0:32:42.800
<v Speaker 1>do they do? They say, like, hey, we'll hook you up,

0:32:42.800 --> 0:32:46.480
<v Speaker 1>but you gotta pet tag us. No, you gotta do that.

0:32:46.520 --> 0:32:48.480
<v Speaker 1>People do that. Who's the jewelers that do that? I

0:32:48.480 --> 0:32:51.760
<v Speaker 1>don't know. You probably find one in Boston. How to

0:32:51.800 --> 0:32:53.920
<v Speaker 1>ask around? You better get that Boston to get you

0:32:54.000 --> 0:32:58.440
<v Speaker 1>get you one in Boston jewelers. What's tea I want

0:32:58.440 --> 0:33:02.120
<v Speaker 1>to discount or free? What's a question? What's the best

0:33:02.360 --> 0:33:08.000
<v Speaker 1>Boston movie of all time? Oh my, we got the Town,

0:33:08.920 --> 0:33:11.960
<v Speaker 1>we got the we got the Departed, you got the

0:33:12.000 --> 0:33:14.600
<v Speaker 1>one where Damon Wayne's plays on the jazz and the

0:33:14.640 --> 0:33:17.880
<v Speaker 1>two Celtics fans kidnapped. There's some great ones. What's the

0:33:17.920 --> 0:33:23.240
<v Speaker 1>other one with the Mystic Valley River uncut gems. Casey

0:33:23.280 --> 0:33:25.920
<v Speaker 1>Afflecks stars in the other one, Gone Baby? What is

0:33:25.920 --> 0:33:28.920
<v Speaker 1>a Gone Baby? Isn't that in Boston? There's a lot

0:33:28.920 --> 0:33:32.080
<v Speaker 1>of good Boston movies. The Town, the Town. I love

0:33:32.120 --> 0:33:35.960
<v Speaker 1>the town. Let's give the flowers to the town right now. Yeah,

0:33:35.960 --> 0:33:38.640
<v Speaker 1>the Town's an amazing movie. Shout out to Ben Affleck,

0:33:39.680 --> 0:33:42.200
<v Speaker 1>top five historical Boston figure of all time. Let's give

0:33:42.240 --> 0:33:52.160
<v Speaker 1>some flowers to Ben Affleck. Facts He's yes, hey man,

0:33:52.440 --> 0:33:55.240
<v Speaker 1>anytime I love to see when a white boy catches

0:33:55.280 --> 0:33:58.520
<v Speaker 1>him a beautiful woman, doesn't you know? Outside of our

0:33:58.760 --> 0:34:00.680
<v Speaker 1>I'll be like, Ben, you're back in there. You're making

0:34:00.680 --> 0:34:03.560
<v Speaker 1>this look good, bro. I see you man. Anyway, look, Bia,

0:34:03.600 --> 0:34:07.200
<v Speaker 1>thank you for pulling up. Yeah, the new songs out.

0:34:07.240 --> 0:34:09.399
<v Speaker 1>You got lots of music out. Go support. You're gonna

0:34:09.400 --> 0:34:11.920
<v Speaker 1>have a crazy rest of the year. For certain, for

0:34:12.080 --> 0:34:14.200
<v Speaker 1>certain so much, but lick have I love being here

0:34:14.239 --> 0:34:16.440
<v Speaker 1>and I love my gifts and I'm coming back, so

0:34:16.840 --> 0:34:18.920
<v Speaker 1>it is done, done deal. And then next time, get

0:34:18.920 --> 0:34:20.600
<v Speaker 1>your dog situated so your dog could be in here.

0:34:20.600 --> 0:34:21.560
<v Speaker 1>You know what I mean. We're gonna have me in

0:34:21.640 --> 0:34:25.440
<v Speaker 1>an interview The B and Me a show. She's chilling today.

0:34:25.440 --> 0:34:26.480
<v Speaker 1>Look at her, just lit