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Speaker 1: I am all in. That's you. I Am all in

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Speaker 1: with Scott Patterson and I heart radio podcast right everybody. Uh,

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Speaker 1: we're loading up another episode here Richard and stars Hollow.

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Speaker 1: I don't know what you thought of this one, but

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Speaker 1: first and foremost, I'm Scott Patterson and this is the

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Speaker 1: I Am All In podcast on our radio. I want

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Speaker 1: to let in productions. I'm joined by the luminous Riley

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Speaker 1: Pelusis from her home office, and Amy Sugarman with a

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Speaker 1: vase like a ming Dynasty homeless. I'm at my mom's.

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Speaker 1: Are you at a museum? You're really right now? My

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Speaker 1: furnace is having some issues, so I'm at my mom

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Speaker 1: So there is Your furnace cannot be having issues. It's

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Speaker 1: an at an object. You're having issues with your furnace? Wait?

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Speaker 1: Most of how do you feel? How does Riley feel?

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Speaker 1: How does Danielle feel? Who's going to be here in

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Speaker 1: two minutes? Riley, how do you feel? I feel great?

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Speaker 1: Are you? Are you? Are you out of COVID? Are

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Speaker 1: you out of it? I am I am out of COVID.

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Speaker 1: Those around me are not out of COVIDEZ myself and

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Speaker 1: I in my home office and out of COVID. Can

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Speaker 1: you get recovided from the other people? So once once?

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Speaker 1: Because I'm coming out of it, Can I get it again?

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Speaker 1: Like again and again and again? Riley's had it twice.

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Speaker 1: I'm liking. I'm liking knocking myself out at night with

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Speaker 1: the severe cold and flu formula. I'd like that. And

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Speaker 1: then I thought, after seven nights in a row of that,

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Speaker 1: I thought this could be potentially dangerous, so maybe I

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Speaker 1: should stop doing it. So I stopped doing it. There's there,

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Speaker 1: but I'm not sleeping as well, so I have to

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Speaker 1: find a substitute for the cough syrup. I've been to

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Speaker 1: the gym for a couple of days. I got a

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Speaker 1: mask on, I got you know, I got a whole

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Speaker 1: thing going on. You know, I'm doing some light workouts.

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Speaker 1: I'm feeling I'm feeling markedly improved. Thank you. First. But well,

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Speaker 1: now I have the next scary question. Tell me, tell me,

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Speaker 1: ask me. What what did you think after last week?

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Speaker 1: This episode of this episode? What did I think of

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Speaker 1: this episode? Well, okay, so I thought that this episode

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Speaker 1: was firing on all cylinders. I thought that as far

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Speaker 1: as the Frank Lombardo script was concerned, it was absolute perfection.

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Speaker 1: I thought the acting was absolute perfection. I thought the lighting,

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Speaker 1: the time, the flow, everything about this episode was firing

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Speaker 1: on all cylinders. It was maybe the best episode, complete

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Speaker 1: episode tied in a nice package that I have seen. Wow,

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Speaker 1: I think I'll go that far. But I definitely loved

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Speaker 1: this episode. No, no, that I enjoyed other episodes more like,

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Speaker 1: let's skip the last one and then the two prior

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Speaker 1: to that, We're just hit it out of the park.

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Speaker 1: But I thought, as far as you know, the limited

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Speaker 1: scope that this one had, it was a little larger

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Speaker 1: than the prior week, which I did not like. It

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Speaker 1: really hit it out of the park. I thought the

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Speaker 1: performances were stunning. Yeah, I thought the writing was stunning

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Speaker 1: right from the get go, right from the get and

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Speaker 1: I'm going out of order, but we'll get back to this.

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Speaker 1: But you really see how talented Jared Paddock he is

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Speaker 1: in the scene when he is going toe to toe

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Speaker 1: with Edward Herman, It's like, wow, that must have been

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Speaker 1: eighteen year old kid. Yeah, just just you know, trading

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Speaker 1: punches with the with with the champ totally and hanging

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Speaker 1: in there and delivering his own blows. And I don't

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Speaker 1: know why I keep using boxing and no, but it's

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Speaker 1: a perfect analogy because it was that. It was like, wow, yeah,

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Speaker 1: because that wasn't aggressive, that was a battle. That scene

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Speaker 1: was a battle by the car with Rose. Yeah, and

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Speaker 1: you realize why Jared's gone on to like be the

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Speaker 1: huge star of Supernatural, because he's really talented. He's not

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Speaker 1: just a pretty face with long hair. He's not just

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Speaker 1: a pretty face. He's tall. He's not just tall, right,

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Speaker 1: He's got some skills. Definitely. We'll break that scene down

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Speaker 1: more as we go, but so we'll touch briefly on

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Speaker 1: not everybody, but some people did agree with you about

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Speaker 1: last week. So they didn't like rip you a new one.

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Speaker 1: Like they were fair and they weren't super hateful. I

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Speaker 1: knew I was gonna stepped in it with that one.

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Speaker 1: Oh look who decided to show up? Danielle Romo. Ladies

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Speaker 1: and gentlemen, Welcome to the podcast, young lady. How are

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Speaker 1: you feeling. I'm feeling great. I'm here. I am ready

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Speaker 1: to recap this episode. What did you think of it? Yeah?

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Speaker 1: What do you think of the episode? I was actually

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Speaker 1: talking to Riley earlier this morning. I liked I like

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Speaker 1: every Gilmore Girls episode I'm not going to say I

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Speaker 1: don't like one, because I love them all. Just wasn't

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Speaker 1: top five because you missed it, because for Scott it

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Speaker 1: could be definitely top five. Okay, so here, okay, So

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Speaker 1: so I'm saying script wise technically speaking. And I thought,

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Speaker 1: if if I were Lauren Graham, this would be the

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Speaker 1: episode that I would submit for awards consideration because it

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Speaker 1: had so any colors in it and so many great

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Speaker 1: lines delivered with such finesse um. And I thought the

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Speaker 1: timing on everybody see the editing. The editing was so

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Speaker 1: great on this one too. I mean, it was just

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Speaker 1: such a perfect package. But but there's a butt, there's

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Speaker 1: a butt, there's a butt. Nervous it. It was so sad.

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Speaker 1: I was so depressed at the end of this episode,

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Speaker 1: and I think obviously because of the loss of Ed Herman,

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Speaker 1: and here he was playing an unfamiliar role of a

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Speaker 1: man without a job, a man without a purpose, and

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Speaker 1: that final scene of him sitting in his chair in

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Speaker 1: his office with nothing to do. Um, you know he's

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Speaker 1: gonna rearrange his stamp collection. I mean, it was just

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Speaker 1: such a downer for me. And the tone of the show,

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Speaker 1: the tone of this episode was down or down, down,

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Speaker 1: own her down, or as funny as they tried to,

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Speaker 1: as funny as it was, and as many laughs as

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Speaker 1: I got out of it, it was like, what is

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Speaker 1: this show? What is this show trying to be? And

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Speaker 1: now I can see how the critics were a little

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Speaker 1: bit confused or a lot confused. Um by what is

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Speaker 1: this show trying to be? Is it a drama? Is

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Speaker 1: it a comed comedy? Is a drama? What is it?

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Speaker 1: It's sort of ship shape shifts a lot. It becomes

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Speaker 1: this heavy drama, it becomes this quippy, funny little comedy.

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Speaker 1: I mean, it's like, that's what I love about it? Right? No, absolutely,

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Speaker 1: But it is a bit schizophrenic, isn't it. I mean

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Speaker 1: it really does toy with you and it takes you

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Speaker 1: on this real roller coaster ride intentional or not. Um,

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Speaker 1: that's that's the net effect. But I was especially left

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Speaker 1: empty and I was left without hope at the end

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Speaker 1: of this episode. I don't like feeling that way. I

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Speaker 1: don't like feeling like there's no hope and I you

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Speaker 1: haven't seen it either, Do you feel the same way

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Speaker 1: as Scott? Because I'm the wrong person to ask, because

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Speaker 1: I know what's coming because I'm used to like belly laughing,

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Speaker 1: like tears coming out, thinking the show so funny. And

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Speaker 1: this episode, Scott, you hit the nail on the head.

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Speaker 1: It was just like it was just a downer. I

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Speaker 1: was just like, oh, this like guy is like reting

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Speaker 1: and he doesn't have anything, and this whole show centered

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Speaker 1: around how like bitter he is that he doesn't have

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Speaker 1: anything to do now. But also it's like how do

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Speaker 1: you measure? And again, this is this is what this

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Speaker 1: show of visits upon its audience. This is where it goes.

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Speaker 1: It goes to this place. It's established this premise where

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Speaker 1: this girl, this daughter left home, has no relation. All

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Speaker 1: those years gone, sixteen years wiped out. And then suddenly

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Speaker 1: Rory uh wants to go to private school. So now

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Speaker 1: they're back in business with the parents. But the sixteen

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Speaker 1: year gap where life wasn't lived, where love wasn't given,

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Speaker 1: where love wasn't accepted, where life didn't happen, it was

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Speaker 1: like it's like you're in outer space. I saw ad

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Speaker 1: Astra recently with Brad Pitt, and I just think he's

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Speaker 1: a good movie. Did like, I love that movie because

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Speaker 1: it wasn't trying to be anything other than it was.

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Speaker 1: And I like the starkness of what Brad Pitt brings

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Speaker 1: as a producer, and I really like his choices as

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Speaker 1: an actor. And I like the roles that he chooses

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Speaker 1: when he's you know, when his production company is doing

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Speaker 1: the film, which is like all the films he does. Now, Um,

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Speaker 1: he's very prolific. But so that film left me with

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Speaker 1: this with a little more hope. He's slipping around in space.

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Speaker 1: I'm not even going to comment because I know what's coming.

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Speaker 1: So I'll sort of let you and l be more

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Speaker 1: present in the episode, should we. Okay, let's take a

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Speaker 1: break because there's so much in this and I want

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Speaker 1: to just start asking you guys questions. Okay, let's take

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Speaker 1: a break, all right, So we're gonna take a little break.

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Speaker 1: We're gonna we're gonna take a little trip to Jupiter

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Speaker 1: and Mars, and we're gonna come back with Brad Pitt

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Speaker 1: and uh, we're going to discuss this vacuous empty space

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Speaker 1: between Yeah. Right. I definitely want to brush my tea,

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Speaker 1: which I didn't do yet. I would shave, I would

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Speaker 1: try to look more presentable wearing and I want to brush.

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Speaker 1: I watched Fury last night till I'll review that too. Anyway,

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Speaker 1: we'll be back after these works. Yeah, okay, everybody, we're back.

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Speaker 1: Brad Pitt is not here yet. We're still waiting. Have

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Speaker 1: you made that? Have you? Have you? Have you reached

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Speaker 1: out Amy? Have you reached out to break? I'm sure

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Speaker 1: they'll get right back to me. Let me ask you

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Speaker 1: this as a guest, A million questions as I want

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Speaker 1: to ask him. I think he's a he's a very

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Speaker 1: gifted producer, is a very gifted act There's a million

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Speaker 1: questions I want to ask the guy. Get right on that.

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Speaker 1: Plus a guitar player he plays. Just like, we'll go

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Speaker 1: through this episode because it's got so much in chronological order.

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Speaker 1: Let's start right from the beginning when Emily asked are

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Speaker 1: you dating? And I even was like, where's she going

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Speaker 1: with this? Isn't it? Isn't it powerful? When we get

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Speaker 1: an unexpected opening with an unexpectedly optimistic, energetic Emily. When

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Speaker 1: you see that the mother and the daughter actually have

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Speaker 1: a relationship and they're not hating on each other and

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Speaker 1: they're depending on each other, and this felt like a

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Speaker 1: real mother daughter relationship that was somewhat healthy. But where

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Speaker 1: the communication was open where it was like it was

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Speaker 1: hysterically funny, right, And it was really the high point

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Speaker 1: of the show for me because it was the best

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Speaker 1: opening of of an episode that I have seen. I

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Speaker 1: don't disagree with you on that because it totally She's like,

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Speaker 1: are you the man in the diner? Doesn't shame because

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Speaker 1: I'm wondering about the family mausoleum, And like then Lord

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Speaker 1: lines the perfect line like did not see that coming? Comedy,

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Speaker 1: They're ready to just ship her down. The whole openings

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Speaker 1: comedy gold exactly and absolute a little bit foreshadowing because

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Speaker 1: at the very end, Richard comes down and you realize,

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Speaker 1: h Richard is retired and has nothing to do but

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Speaker 1: see if the vase moved three inches? But how to

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Speaker 1: maintain that tone, that spirit, that energy throughout this entire episode,

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Speaker 1: because man, it started out like a house on fire,

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Speaker 1: and what a perfect tone that they captured, and even

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Speaker 1: Richard coming in and contributing to the to the mausoleum

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Speaker 1: joke and the oil awful horrible woman. And then she

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Speaker 1: still has his whatever the word is because he's like,

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Speaker 1: I have a you know, first edition flow Bear, and

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Speaker 1: then you know he's bonding with Rory and off they go,

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Speaker 1: and that's when we learned that Emily is losing her

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Speaker 1: bleep because Richard has nothing to do, and it's just

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Speaker 1: like you know, and needs needs her daughter's help. I mean,

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Speaker 1: she's being human, she's being vulnerable, she's being open, she's

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Speaker 1: pleading with her daughter, having this relationship with her daughter

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Speaker 1: that I haven't seen before. It's the first time I

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Speaker 1: have seen this dynamic between these two two women, and

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Speaker 1: it was so refreshing to to to see a laurel

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Speaker 1: Ie that was caught off guard, that was sort of

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Speaker 1: caught back. I mean she wasn't being defensive, she wasn't

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Speaker 1: being nasty. I mean she was being a quippy, funny self,

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Speaker 1: but she wasn't attacking her mother, and she wanted to

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Speaker 1: do it. She's like you, yeah, I got your back.

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Speaker 1: Isn't that so powerful? Isn't that just so much? A

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Speaker 1: pleasant to watch? This episode was much more about the

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Speaker 1: conflict that still exists between Richard and Laura Lae, which

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Speaker 1: we'll get into Emily and we're cruising, yeah, And that's

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Speaker 1: that's what left me with no hope at the end,

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Speaker 1: is those two don't have a relationship. They really don't

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Speaker 1: have a relationship. There's sixteen years lost, there's regrets, recriminations,

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Speaker 1: there's time that will never be made up, and now

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Speaker 1: is retired and how much longer does he really have? No,

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Speaker 1: that's interesting that you bring that up, because we are

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Speaker 1: seeing the ups and downs, but the progress between Emily

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Speaker 1: and Lorelei where we really haven't dug into it. With

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Speaker 1: Richard and Laura Lee, this is really the first time.

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Speaker 1: They were probably little glimpses, but this is really the

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Speaker 1: one because that fight in the living room was rough.

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Speaker 1: That was rough, boy, that was hard to stomach. And

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Speaker 1: then when he left and didn't stay for dinner that

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Speaker 1: broke my heart and then lied to Emily. But we're

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Speaker 1: going out for it, so alright, So now so now

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Speaker 1: we go, Okay, go ahead, question, go ahead, Have any

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Speaker 1: of you before we move on eating sweetbreads because I

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Speaker 1: didn't know what they were and I did certainly didn't

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Speaker 1: know they were pancreas. That was a great scene, even

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Speaker 1: that take like that that frozen Laurela right there, pancreas.

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Speaker 1: It's like, oh, I mean that was It was a perfect, perfect,

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Speaker 1: perfect setup. The whole thing was perfect. That opening. I

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Speaker 1: watched that opening three times and it was lawless. It

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Speaker 1: was absolutely the best. Good on your Frank Lombardo. Great episode.

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Speaker 1: And have you eaten sweetbreads? I have not, Danielle Riley

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Speaker 1: can't can't say that. I have no, no, thank you.

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Speaker 1: I thought they were bread, not bread. All right, So

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Speaker 1: next here we go nervous. I'm very nervous. Okay, So

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Speaker 1: here's look listen, I don't know why anybody I mean this,

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Speaker 1: This girl is so crazy. I mean now she wants

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Speaker 1: to she wants to take on stars Hollow and smear

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Speaker 1: the town and smear the town's people who Stars Hollow

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Speaker 1: and Gilmore fans and people in the show. I mean

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Speaker 1: even Rory was like, you're you're you know you're gonna

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Speaker 1: give yourself a stroke one day, right, I mean, I mean,

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Speaker 1: give me a break, give me a break. She's a

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Speaker 1: complete psychopath. I mean, nothing stands in her way. She's

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Speaker 1: willing to rip apart Rory, Rory's hometown, Rory's reputation, the

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Speaker 1: reputation of Stars Hollow, the reputation of these people. She

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Speaker 1: doesn't care. She just wants to write. She just wants

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Speaker 1: to get into Harvard. I mean, talk about a level

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Speaker 1: of ruthless Paris is gone. Yeah, I mean ye bye bye.

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Speaker 1: That was funny. Yes, when Louise said that, right, Paris

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Speaker 1: gone by. I mean it's like what an overbearing crazy

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Speaker 1: girl when she went into the diner. I that was

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Speaker 1: my favorite scene of the whole episode. I agree, I agree.

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Speaker 1: That was my first laugh out loud when I looked

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Speaker 1: at Rory and says, Rory, how much do you like

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Speaker 1: this person? Or what is that what he's saying? Because

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Speaker 1: because he was He's going to deliver like the killer blow,

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Speaker 1: and he meant it right, but he wanted to check

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Speaker 1: with Rory first to see how much I am not

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Speaker 1: mad at here because I love the setup that got

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Speaker 1: her two stars Hala, because I was like, oh, yeah,

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Speaker 1: this is gonna be good. Let's bring her in the stars.

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Speaker 1: No entertainment value through the roof. I appreciate the humor

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Speaker 1: that it provides, but let's just look at this character.

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Speaker 1: Let's look at this character because I'm believing that this

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Speaker 1: place exists. I'm liking these people. I'm trusting these people.

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Speaker 1: I'm watching them every week. I'm they're part of my family.

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Speaker 1: They are my family, for God's sake. I spent all

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Speaker 1: this time with him and then you've got the psychopath

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Speaker 1: who's plotting the demise of the reputation of the place

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Speaker 1: of Rory, of stars, hollow of anybody that inhabits that town,

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Speaker 1: so that she can get ahead. It's the that's it's

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Speaker 1: the definition of psychopathology. I mean, she's she's nuts, she

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Speaker 1: needs but she needs to be but the funny but

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Speaker 1: the but the thing is okay, so so so so

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Speaker 1: now I get it, all right. It's like it's so

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Speaker 1: over the top that nobody really takes it seriously because

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Speaker 1: they know it will fail. Yeah. Right, She's just like

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Speaker 1: the netball. It's like nothing, no scheme that she hatches

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Speaker 1: has really taken seriously. Although they take it seriously, it's

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Speaker 1: really not taken seriously because it's just too crazy. It

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Speaker 1: over the time. And I thought this was quite interesting.

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Speaker 1: When Paris is no, no, no, and we need to

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Speaker 1: do this in this in the first meeting at the paper,

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Speaker 1: she's sort of unhinged and Rory takes over. Did you

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Speaker 1: notice that, Like Rory's at the table in the journalism

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Speaker 1: room and she's like, okay, guys, Like Paris throws out

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Speaker 1: this nutty thing of what they have to do, and

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Speaker 1: then Rory is really the leader, going all right, let's

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Speaker 1: start brainstorming, let's start. And I thought that was interesting. Well,

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Speaker 1: she's just trying to get her you know. And thing

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Speaker 1: where Paris complimented Rory, it was sort of like Paris

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Speaker 1: is like nobody did a good job. Well you did,

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Speaker 1: but you know, like it's like she knows that Rory

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Speaker 1: is like the one that's going to pull off her

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Speaker 1: like Crayess zen Master compared to that ball. Okay, so

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Speaker 1: now we must before we dig into that more. She's

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Speaker 1: sitting there at the counter accusing Luke of running a brothel,

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Speaker 1: of being a pimp, of having girls upstairs and charging

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Speaker 1: for them. And how great was Milo slash Jess Amazing?

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Speaker 1: Like he just came in and nailed it. Milo nailed

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Speaker 1: both scenes that he was in so hard because we'll

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Speaker 1: get to the end too, Like I love that they

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Speaker 1: just are not giving us just NonStop Milo, They're just

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Speaker 1: giving us like little glimpses of Jess. And I love

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Speaker 1: every scene he is in. Yeah, well you couldn't. You

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Speaker 1: couldn't handle too much Milo, because any take over the show. Yes,

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Speaker 1: he's so awesome, he'd take over the show. That's why

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Speaker 1: you just get little glimpses. You're getting little glimpses of

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Speaker 1: Milo of Luke because you don't want these people to

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Speaker 1: take over the show. His cameo shirt was a ten

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Speaker 1: out of ten. But we're too powerful. These characters are

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Speaker 1: too powerful, So we're going in order. What did you

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Speaker 1: think of the scene where sore so you know, as

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Speaker 1: the show jumps around. I just love when Richard comments

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Speaker 1: not only on Emily drinking three cups of coffee, but

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Speaker 1: Laurel I bringing freak was a go a lot of coffee. Well,

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Speaker 1: well we'll get into that more. But you know, Richard

333
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Speaker 1: was just being a pain in the ass. I mean,

334
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Speaker 1: no wonder he nobody wanted him around chops versus the roast,

335
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Speaker 1: like the whole The grapefruit conversation I totally agreed with

336
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Speaker 1: because I start my day with a grapefruit and I

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Speaker 1: kind of choke it down to I literally put grapefruit

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Speaker 1: juice on my grocery list. I'm getting that next y.

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Speaker 1: It's a great thing to start the morning with, and

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Speaker 1: I didn't have any this morning, so I feel a

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Speaker 1: little off. But you don't like it? Oh, I love it? No,

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Speaker 1: I do, Yeah, I do. I do A brainfruit juice too. Yeah, yeah,

343
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Speaker 1: all of it, all of it. But it doesn't know

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Speaker 1: what a what a pain in the tail. This guy

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Speaker 1: is telling everybody what they need to do. He can't

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Speaker 1: help it, well he needs is he like completely unaware

347
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Speaker 1: of where he is and he's with disbleed because he's

348
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Speaker 1: never he wakes him at five thirty in the morning

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Speaker 1: and has gone to work every day. So he doesn't matter.

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Speaker 1: You can't go through life like that, ordering people around

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Speaker 1: and bossing them around and telling them what to drink

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Speaker 1: and eat. And that's too much, I said, guy, is

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Speaker 1: he kidding? But what he wanted to go to dry

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Speaker 1: cleaner with the Emily, Oh, I'll go with you, And

355
00:22:15,920 --> 00:22:18,159
Speaker 1: that is like a total thing of Grandpa does like

356
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Speaker 1: I swear grups are like, I'll do that. I just

357
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Speaker 1: kept thinking to myself, a boy, that's Trixie's son right there,

358
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Speaker 1: who didn't defend his own wife. I just I just

359
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Speaker 1: there's that aspect of his personality I thought was quite unappealing.

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Speaker 1: You know, she had every right to throttle him in

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Speaker 1: her living room. It was it was it was too

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Speaker 1: much to take. It really really was. And I don't

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Speaker 1: know why they did that to him, but and you know, okay,

364
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Speaker 1: so just in a macro sense, it really the reason

365
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Speaker 1: it was such a downer is, I don't look, I

366
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Speaker 1: don't know if he's going to get his job back

367
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Speaker 1: or he's going back to work. Maybe he is, I

368
00:22:58,280 --> 00:23:02,000
Speaker 1: have no idea. But look at this point, like this

369
00:23:02,040 --> 00:23:06,400
Speaker 1: show is completely altered because Richard doesn't have a job anymore.

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Speaker 1: It's not the Gilmore Girls anymore. The dynamic has completely changed,

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Speaker 1: and which is why for me it was a downer.

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Speaker 1: At the end, it says, are we gonna have to

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Speaker 1: deal with this where they're gonna never have to deal

374
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Speaker 1: with not have to deal with Richard as a businessman again.

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00:23:19,960 --> 00:23:22,199
Speaker 1: Where he had all his power and you know, all

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Speaker 1: his verve and his energy and and and and and

377
00:23:25,760 --> 00:23:29,280
Speaker 1: and the charismatic nature of that character drives a lot

378
00:23:29,320 --> 00:23:31,439
Speaker 1: of his power from what he does. And now he

379
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Speaker 1: doesn't do it anymore. So what happened? I mean, the

380
00:23:35,000 --> 00:23:37,520
Speaker 1: bottom drops out of this character and now he's just

381
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Speaker 1: a pain in the ass and everybody. I mean, he's

382
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Speaker 1: taken so many notches down from the prestige scale that

383
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Speaker 1: how do you rehabilitate this guy? Now? I mean, it's

384
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Speaker 1: it's just what you're just gonna feel We're gonna feel

385
00:23:49,520 --> 00:23:51,520
Speaker 1: sorry for them for the for a couple more years.

386
00:23:51,720 --> 00:23:59,760
Speaker 1: I mean, it's untenable situation. Untenable situation. I don't know

387
00:23:59,760 --> 00:24:03,399
Speaker 1: how they they brought the character down this many notches,

388
00:24:03,400 --> 00:24:07,040
Speaker 1: How are they going to rehabilitate him? I agree? I

389
00:24:07,040 --> 00:24:10,240
Speaker 1: mean no, seriously, I do. I do agree with everything

390
00:24:10,359 --> 00:24:13,480
Speaker 1: Scott saying. I want him, I want him back. I

391
00:24:13,520 --> 00:24:17,399
Speaker 1: want him as like the powerful Richard who you know

392
00:24:17,720 --> 00:24:21,040
Speaker 1: has his little briefcase and you know is all I

393
00:24:21,160 --> 00:24:25,200
Speaker 1: ask is that this little clip right here we saved

394
00:24:26,240 --> 00:24:29,639
Speaker 1: because we are going to come back to this of

395
00:24:29,680 --> 00:24:35,600
Speaker 1: how you feel and what you desire. So before we

396
00:24:35,720 --> 00:24:40,560
Speaker 1: move on, Scott, what did you feel when Richard, although

397
00:24:40,600 --> 00:24:42,639
Speaker 1: Michelle was the funniest part of the whole thing, I

398
00:24:42,680 --> 00:24:46,520
Speaker 1: literally was dying. What did you think when Richard sort

399
00:24:46,520 --> 00:24:54,359
Speaker 1: of called out Lorala at the end with their conversation

400
00:24:54,400 --> 00:24:57,239
Speaker 1: with the Linnen guy. Yeah, very inappropriate, I mean just

401
00:24:57,359 --> 00:25:00,359
Speaker 1: really inappropriate. I mean it's not he's not She's not

402
00:25:00,440 --> 00:25:04,600
Speaker 1: running an insurance company. This is an intimate job. It's

403
00:25:04,640 --> 00:25:08,679
Speaker 1: a job. It's a that depends on people, and you know,

404
00:25:08,800 --> 00:25:11,720
Speaker 1: we're not all insurance salesman here dealing with you know,

405
00:25:11,800 --> 00:25:14,760
Speaker 1: billion dollar decisions. It's it's a whole different dynamic. And

406
00:25:14,800 --> 00:25:19,639
Speaker 1: it was shocking that he didn't adjust his demeanor and

407
00:25:19,720 --> 00:25:23,159
Speaker 1: his attitude knowing that this he's not in the middle of,

408
00:25:23,600 --> 00:25:28,280
Speaker 1: you know, uh, a massive insurance company. He's in a

409
00:25:28,320 --> 00:25:30,639
Speaker 1: little in He's in an end and stars hollow. For

410
00:25:30,680 --> 00:25:34,960
Speaker 1: God's sake, what are you sitting around condescending and pontificating

411
00:25:35,040 --> 00:25:38,560
Speaker 1: and and being just a kind of a jerk. Yeah,

412
00:25:38,640 --> 00:25:40,479
Speaker 1: we wouldn't. We wouldn't tell a doctor how to do

413
00:25:40,520 --> 00:25:43,760
Speaker 1: their job right. Right. It's like, are you kidding? It's

414
00:25:43,800 --> 00:25:48,440
Speaker 1: just it's such a a a clueless Richard, and it's

415
00:25:48,560 --> 00:25:51,320
Speaker 1: not a Richard I want to see again. I'm sorry,

416
00:25:51,359 --> 00:25:54,400
Speaker 1: I don't want to see him in this state. That's interesting.

417
00:25:54,440 --> 00:25:59,880
Speaker 1: I think that that's important that you're not enjoying this, Richard. No,

418
00:26:00,760 --> 00:26:04,040
Speaker 1: how could you enjoy this? Richard? How do you enjoy this? Now?

419
00:26:04,040 --> 00:26:06,639
Speaker 1: How did you feel about the Richard Dean scene? I

420
00:26:07,320 --> 00:26:12,240
Speaker 1: that one bothered me less because I thought, look, if

421
00:26:12,280 --> 00:26:15,720
Speaker 1: some dudes given your granddaughter a car, he wasn't totally

422
00:26:15,760 --> 00:26:19,040
Speaker 1: wrong to have it checked out. And I thought he

423
00:26:19,280 --> 00:26:21,879
Speaker 1: warmed up to Dean. I thought that there was like

424
00:26:22,359 --> 00:26:25,600
Speaker 1: because Dean really held his ground and was so strong

425
00:26:25,760 --> 00:26:31,600
Speaker 1: and tough. When Richard was talking to him, it did

426
00:26:31,680 --> 00:26:35,520
Speaker 1: seem like, oh okay, like Dean is winning him over.

427
00:26:36,240 --> 00:26:40,479
Speaker 1: Dean has no chance. Oh my gosh, was the son

428
00:26:40,600 --> 00:26:44,080
Speaker 1: of Trixie. I agree with you, Amy. I found it

429
00:26:44,160 --> 00:26:48,040
Speaker 1: so ironic that out of all the people, like all

430
00:26:48,040 --> 00:26:51,800
Speaker 1: the Gilmore's, Dean was actually the one that held his

431
00:26:51,880 --> 00:26:55,640
Speaker 1: ground with Richard like the girls didn't, not neither of them,

432
00:26:56,080 --> 00:26:58,440
Speaker 1: And he was the one that was like, no, I'm

433
00:26:58,440 --> 00:27:01,000
Speaker 1: going to stand up to you. And Richard actually did

434
00:27:01,000 --> 00:27:04,840
Speaker 1: come around. Yes, And Scott Lorla didn't stand up to

435
00:27:04,920 --> 00:27:07,320
Speaker 1: him at the end. Now maybe she did that because

436
00:27:07,320 --> 00:27:11,520
Speaker 1: she was in her place and she had to put

437
00:27:11,800 --> 00:27:19,000
Speaker 1: the stiff upper lip that she ordered it right and

438
00:27:19,040 --> 00:27:21,800
Speaker 1: she has to go running to doses to get it.

439
00:27:22,600 --> 00:27:25,800
Speaker 1: So I thought the scene with Dean and Richard was

440
00:27:26,680 --> 00:27:31,919
Speaker 1: amazing because Dean holds his ground, tells the truth, doesn't

441
00:27:31,920 --> 00:27:34,840
Speaker 1: back down, and then Richard does warm up to him.

442
00:27:34,880 --> 00:27:37,240
Speaker 1: He asked about his parents and then he says how

443
00:27:37,359 --> 00:27:39,560
Speaker 1: tall are you? And Dean says, why do you want

444
00:27:39,560 --> 00:27:44,000
Speaker 1: to dance? No? But I appreciate the offer totally inconsequential scene,

445
00:27:44,160 --> 00:27:48,119
Speaker 1: Dean doesn't hold it. He doesn't have a chance in

446
00:27:48,240 --> 00:27:52,240
Speaker 1: Richard's world. He has been weighed and measured and found

447
00:27:52,440 --> 00:27:55,919
Speaker 1: one thing. He will not have a chance with Rory

448
00:27:56,240 --> 00:27:59,520
Speaker 1: no matter what he does. That's why he asked all

449
00:27:59,520 --> 00:28:04,840
Speaker 1: those questions. He is not good enough for Rory. End

450
00:28:04,880 --> 00:28:11,440
Speaker 1: of statement. It won't happen. I do think he's made

451
00:28:11,480 --> 00:28:16,000
Speaker 1: improvement with Richard though, from the dinner at the house. Yeah,

452
00:28:16,359 --> 00:28:19,920
Speaker 1: I agree. I think Richard's thing okay and he and

453
00:28:20,000 --> 00:28:27,920
Speaker 1: Richard says, yeah, you can have the car, not Rory. Rory, Nope, sorry,

454
00:28:29,240 --> 00:28:31,400
Speaker 1: none of those people are good enough for Richard. It's

455
00:28:31,440 --> 00:28:34,240
Speaker 1: not not true. What did you think of the first

456
00:28:34,320 --> 00:28:39,240
Speaker 1: appearance of Gypsy. I thought it was pretty good. I mean,

457
00:28:39,320 --> 00:28:42,280
Speaker 1: she really takes the scene right. I mean she really,

458
00:28:42,440 --> 00:28:47,760
Speaker 1: she's very present, she's very funny. She it was it

459
00:28:47,880 --> 00:28:50,960
Speaker 1: was and it was that the first time we say yes,

460
00:28:51,000 --> 00:28:54,120
Speaker 1: that's the first time it was. It was an auspicious debut.

461
00:28:54,920 --> 00:28:59,120
Speaker 1: I thought, brief and but really great stuff, really fun. Yeah,

462
00:28:59,160 --> 00:29:03,840
Speaker 1: she's great. It was great. I love her. I thought

463
00:29:04,000 --> 00:29:07,320
Speaker 1: she came on screen and I think it's why Gypsy

464
00:29:07,360 --> 00:29:09,800
Speaker 1: stands out and I assumed she'd been on since the

465
00:29:09,800 --> 00:29:12,720
Speaker 1: beginning because she does sort of steal the scene and

466
00:29:12,720 --> 00:29:16,920
Speaker 1: you get her personality right away, and she's just moving

467
00:29:16,960 --> 00:29:20,640
Speaker 1: and grooving and I love it. It's a woman mechanic, right,

468
00:29:21,440 --> 00:29:25,960
Speaker 1: you know. I'm like, yeah, this chick rocks. Right. Yeah,

469
00:29:29,800 --> 00:29:34,120
Speaker 1: we skipped the movie store. Oh let's talk about it. Huh.

470
00:29:34,640 --> 00:29:38,200
Speaker 1: That was pretty good. That's a whole another thing happening

471
00:29:38,200 --> 00:29:40,280
Speaker 1: in this episode. That was a good setup because that's

472
00:29:40,280 --> 00:29:42,360
Speaker 1: when the phone call came about Laurel. I take this

473
00:29:42,400 --> 00:29:44,280
Speaker 1: guy off my hands for a day. They were in

474
00:29:44,320 --> 00:29:50,320
Speaker 1: the movie store. I like, I like that. Uh Rory

475
00:29:50,560 --> 00:29:53,080
Speaker 1: went to Kirk and said, hey, you know this is

476
00:29:53,200 --> 00:29:56,920
Speaker 1: they're looking at a What was the movie that show Girls?

477
00:29:58,160 --> 00:30:00,920
Speaker 1: The show Girls cover the two little boys? Zippy? You know.

478
00:30:01,960 --> 00:30:06,080
Speaker 1: Uh So it was actually one of the funnier scenes

479
00:30:06,480 --> 00:30:14,760
Speaker 1: later on when Taylor comes outside made a curtain. I'm sure, like,

480
00:30:14,880 --> 00:30:21,680
Speaker 1: what was that picture? But again, a great way to

481
00:30:21,760 --> 00:30:26,280
Speaker 1: fit Kirkin to an episode. Very funny, laminated card. That's

482
00:30:26,280 --> 00:30:30,160
Speaker 1: a relationship you have with the store moralize, Like, hang

483
00:30:30,200 --> 00:30:34,960
Speaker 1: on a second, and this for me, the like I

484
00:30:35,080 --> 00:30:37,320
Speaker 1: used to wander around the video store all the time

485
00:30:37,400 --> 00:30:41,400
Speaker 1: like Riley, do you even remember like video stores? Oh

486
00:30:41,440 --> 00:30:46,400
Speaker 1: I'm watching this. I miss Blockbuster, Blockbuster, Like I miss

487
00:30:46,480 --> 00:30:49,040
Speaker 1: just going Like I wasn't old enough to go anywhere else,

488
00:30:49,080 --> 00:30:50,640
Speaker 1: so I just go to the movie store and walk

489
00:30:50,720 --> 00:30:54,800
Speaker 1: up and down every aisle and choose. I come from

490
00:30:54,800 --> 00:30:59,240
Speaker 1: a time before Blockbuster, like take one video like it

491
00:30:59,320 --> 00:31:03,480
Speaker 1: was just the like local old video place. And you,

492
00:31:03,560 --> 00:31:06,000
Speaker 1: I think you had an account, So I'm pretty sure

493
00:31:06,000 --> 00:31:08,760
Speaker 1: you could like go in there without your parents and

494
00:31:08,840 --> 00:31:10,800
Speaker 1: get the movie because you don't have to use money.

495
00:31:13,200 --> 00:31:15,400
Speaker 1: And you know what, I just had a thought. You know,

496
00:31:16,160 --> 00:31:21,320
Speaker 1: Kirk is as insane in his mania, in his in

497
00:31:21,520 --> 00:31:25,040
Speaker 1: his approach to life, as Paris is without the mania.

498
00:31:27,320 --> 00:31:29,320
Speaker 1: I mean, you look at those two characters. They're kind

499
00:31:29,320 --> 00:31:32,200
Speaker 1: of they're kind of the same person. They should have

500
00:31:32,240 --> 00:31:34,760
Speaker 1: had those two get together, Yeah, they should up. There

501
00:31:34,800 --> 00:31:38,800
Speaker 1: would have been fireworks because they're the same yet their opposite.

502
00:31:38,920 --> 00:31:41,800
Speaker 1: I mean, can you imagine that? Can you imagine that?

503
00:31:42,040 --> 00:31:44,560
Speaker 1: The video scene was hilarious and it totally gave us

504
00:31:44,640 --> 00:31:48,600
Speaker 1: levity because you know, the scene with Richard and Lorelei

505
00:31:48,800 --> 00:31:54,800
Speaker 1: was rough. Yeah, Plus guess what we got because of

506
00:31:54,840 --> 00:32:03,720
Speaker 1: the video store, just the hero and Rory likes it. Yeah,

507
00:32:03,760 --> 00:32:08,160
Speaker 1: he obviously switched all the movies and did it before

508
00:32:08,160 --> 00:32:13,360
Speaker 1: he even knew that she hated this. He knew, like

509
00:32:13,480 --> 00:32:15,800
Speaker 1: they hadn't talked about that. She's like, ah, this wasn't

510
00:32:15,840 --> 00:32:18,360
Speaker 1: what I wanted. He just knew, so he's like, a

511
00:32:18,520 --> 00:32:26,560
Speaker 1: handle it. I love Jess. Yeah, well you've made that clean.

512
00:32:28,720 --> 00:32:31,880
Speaker 1: Even Dean in this episode, with the awesomeness of what

513
00:32:32,080 --> 00:32:35,920
Speaker 1: we've talked about for the last minutes, He's in two scenes.

514
00:32:35,960 --> 00:32:39,320
Speaker 1: He probably like three minutes of screen time, maybe maybe less,

515
00:32:39,720 --> 00:32:43,880
Speaker 1: And I'm like, I love him right, he was so

516
00:32:44,160 --> 00:32:46,400
Speaker 1: much better suited to her. I mean, I don't I

517
00:32:46,440 --> 00:32:49,680
Speaker 1: feel bad saying it. I do. It gives me guilt

518
00:32:49,760 --> 00:32:54,320
Speaker 1: because Dean is so sweet. But like Jess, Yes, well,

519
00:32:54,360 --> 00:32:57,680
Speaker 1: it's it's like, what what side of Rory comes out

520
00:32:58,360 --> 00:33:01,800
Speaker 1: when she's with Dean versus Yes? And I like I

521
00:33:01,840 --> 00:33:04,840
Speaker 1: like Rory better with Jess because I like the person

522
00:33:04,960 --> 00:33:10,000
Speaker 1: that that Rory becomes with Jess. There's more, there's more

523
00:33:10,120 --> 00:33:14,520
Speaker 1: mystery there, it's smarter, whereas I think with Dean she

524
00:33:14,680 --> 00:33:17,520
Speaker 1: becomes a little she reversed back to more like trying

525
00:33:17,520 --> 00:33:20,560
Speaker 1: to please him to and playing a traditional role which

526
00:33:20,560 --> 00:33:23,200
Speaker 1: she's not suited for. Like it's so like girly for

527
00:33:23,240 --> 00:33:25,560
Speaker 1: me to like the car, the car, and like, oh, Grandpa,

528
00:33:25,600 --> 00:33:27,480
Speaker 1: thanks for letting me have the car, and it's just

529
00:33:27,520 --> 00:33:32,560
Speaker 1: like it's sweet. But Jess, I think brings out the

530
00:33:32,640 --> 00:33:36,320
Speaker 1: authentic Rory. There's a rebellion. There, there's depth, there's a

531
00:33:36,360 --> 00:33:41,040
Speaker 1: rebellious nous, there's wonder, there's there's real love. You know.

532
00:33:41,080 --> 00:33:44,080
Speaker 1: I think there's a there's a recognition of each other

533
00:33:44,200 --> 00:33:48,160
Speaker 1: and one and in those two, yeah, you know, they're

534
00:33:48,400 --> 00:33:52,320
Speaker 1: Guy steals every scene he's in. They're both hurting and

535
00:33:52,360 --> 00:33:54,920
Speaker 1: they're both going to heal each other. We really want

536
00:33:54,960 --> 00:33:57,400
Speaker 1: to and it's gonna look good when they do it.

537
00:33:58,760 --> 00:34:01,880
Speaker 1: I just love not to be too graphic. I think

538
00:34:01,880 --> 00:34:05,360
Speaker 1: you're I think it's perfect. Like just the way Jess moves,

539
00:34:05,360 --> 00:34:08,760
Speaker 1: like the way Milo moves, Like the way he walks,

540
00:34:08,800 --> 00:34:11,400
Speaker 1: so he sort of leans and stands at the window,

541
00:34:11,480 --> 00:34:13,640
Speaker 1: and then the way he walks away and the looks

542
00:34:13,760 --> 00:34:18,960
Speaker 1: back like you he is awesome, like Milo is so

543
00:34:20,680 --> 00:34:23,080
Speaker 1: because I mean, Jess doesn't have a lot of words,

544
00:34:23,320 --> 00:34:25,000
Speaker 1: and even in the scene in the diner, he has

545
00:34:25,080 --> 00:34:27,799
Speaker 1: like one line, but he nails it and You're like,

546
00:34:27,880 --> 00:34:34,600
Speaker 1: oh my god, that kid. H Yeah. Well, uh so

547
00:34:34,640 --> 00:34:40,200
Speaker 1: now Richard is is now in the diner, He's doing

548
00:34:40,200 --> 00:34:43,400
Speaker 1: his grapefruit routine. He's being a pain in the tail.

549
00:34:43,440 --> 00:34:47,799
Speaker 1: At leads to a very funny situation where Laurel I asked, uh,

550
00:34:48,200 --> 00:34:50,560
Speaker 1: where where Luke offers to go get a grape fruit

551
00:34:50,640 --> 00:34:55,400
Speaker 1: next door, being the good guy that he is feeling

552
00:34:55,440 --> 00:34:59,440
Speaker 1: her pain. Um, and then we moved back in the

553
00:34:59,600 --> 00:35:04,719
Speaker 1: chilt and where, uh does Rory really try to get

554
00:35:04,719 --> 00:35:06,440
Speaker 1: out of it, trying to get out of doing this, Oh,

555
00:35:06,520 --> 00:35:11,680
Speaker 1: tries to get out of tries to convince the Stars

556
00:35:11,719 --> 00:35:15,080
Speaker 1: Hollow there's no story there. Um. I think that's a

557
00:35:15,200 --> 00:35:19,920
Speaker 1: very funny premise. Again, it demonstrates the outlandish nature of

558
00:35:20,000 --> 00:35:22,600
Speaker 1: this character and this sort of the female version of

559
00:35:22,680 --> 00:35:28,600
Speaker 1: Kirk with mania, who is willing to do anything and

560
00:35:28,680 --> 00:35:34,279
Speaker 1: step over anybody, step on anybody to get what she wants. Yeah.

561
00:35:34,360 --> 00:35:38,040
Speaker 1: I love Paris with the Stars how with the Stars

562
00:35:38,080 --> 00:35:40,800
Speaker 1: Hollow group, just like I did at the Bracebridge dinner

563
00:35:40,840 --> 00:35:43,680
Speaker 1: with Paris there. I love bringing her into the town,

564
00:35:43,800 --> 00:35:46,399
Speaker 1: getting her out of children into the town with these

565
00:35:46,400 --> 00:35:51,160
Speaker 1: other misfits. It's just like, oh my god. Yeah, I

566
00:35:51,200 --> 00:35:54,359
Speaker 1: think the real joint that character is knowing how inappropriate

567
00:35:54,400 --> 00:35:57,080
Speaker 1: she is, and she's going to do something really stupid

568
00:35:57,600 --> 00:36:00,399
Speaker 1: and it's gonna be funny and just act nuts. Yeah,

569
00:36:00,520 --> 00:36:04,440
Speaker 1: just just be completely completely crazy. So now we have

570
00:36:04,600 --> 00:36:08,719
Speaker 1: Richard at the end. So now we find ourselves in

571
00:36:08,800 --> 00:36:16,080
Speaker 1: the n um and you know, again he's being inappropriate

572
00:36:16,120 --> 00:36:20,239
Speaker 1: with Loreli. We've covered this a little bit. She's got

573
00:36:20,239 --> 00:36:22,600
Speaker 1: to just grit her teeth and take it because she's

574
00:36:22,600 --> 00:36:25,480
Speaker 1: in her you know, it made me nervous right from

575
00:36:25,480 --> 00:36:29,040
Speaker 1: the minute he walked in, like, oh no, oh, no,

576
00:36:30,320 --> 00:36:34,359
Speaker 1: he's shaking the coffee table leg again. It's it's uncomfortable

577
00:36:34,400 --> 00:36:38,480
Speaker 1: to see Richard in this role. Um. It was uncomfortable

578
00:36:38,520 --> 00:36:43,440
Speaker 1: for me. I like that guy who is too busy

579
00:36:43,480 --> 00:36:46,080
Speaker 1: to really do much and he's got things going on,

580
00:36:46,200 --> 00:36:50,239
Speaker 1: and he's he's got bigger fish to fry, and he's detached.

581
00:36:50,960 --> 00:36:54,600
Speaker 1: Richard's detached, you know, he's he's really not president at dinners,

582
00:36:55,520 --> 00:36:58,960
Speaker 1: he's deflecting a lot of the Laurela hostility towards him,

583
00:36:59,160 --> 00:37:02,680
Speaker 1: towards his wife. They're just sort of putting up with it.

584
00:37:02,760 --> 00:37:05,200
Speaker 1: That's the dynamic that I want. I want that I

585
00:37:05,239 --> 00:37:07,600
Speaker 1: missed that dysfunction. I agree with you. I loved Richard

586
00:37:07,600 --> 00:37:10,520
Speaker 1: at the Bracebridge dinner where everyone's all eyes on him

587
00:37:10,520 --> 00:37:14,960
Speaker 1: as he tells the story. It's like, you know, even

588
00:37:15,320 --> 00:37:18,480
Speaker 1: back when Richard had the heart attack, he still was

589
00:37:18,520 --> 00:37:22,759
Speaker 1: in total command and control. I just that scene where

590
00:37:22,800 --> 00:37:25,439
Speaker 1: he tries to tell Emily about the will and she's

591
00:37:25,480 --> 00:37:28,600
Speaker 1: just like, no, he this is sort of yeah, this

592
00:37:28,640 --> 00:37:31,680
Speaker 1: is sad Richard. It's just a lack of love. I mean,

593
00:37:31,680 --> 00:37:34,880
Speaker 1: there's no love being exchanged, there's no concern for one another.

594
00:37:34,920 --> 00:37:38,120
Speaker 1: It's just him being a dictator and him being overbearing.

595
00:37:38,239 --> 00:37:42,800
Speaker 1: And oh man, I just boy, that was uncomfortable watching.

596
00:37:43,320 --> 00:37:45,719
Speaker 1: But they do reveal in that fight in the living

597
00:37:45,800 --> 00:37:49,480
Speaker 1: room why he's doing it and overstepping even though it's wrong,

598
00:37:49,920 --> 00:37:53,080
Speaker 1: because he's so sad and he knows that Emily called

599
00:37:53,120 --> 00:37:56,640
Speaker 1: Laurela and said, like, take him off my hands. So

600
00:37:56,840 --> 00:38:00,080
Speaker 1: then you're like to how and does an audience? So,

601
00:38:00,480 --> 00:38:02,359
Speaker 1: why do we have to deal with this? Why are

602
00:38:02,400 --> 00:38:05,359
Speaker 1: we being why is this being foisted upon us? We

603
00:38:05,400 --> 00:38:08,800
Speaker 1: love our Richard detached and busy and powerful and quippy

604
00:38:08,880 --> 00:38:12,200
Speaker 1: and above it all right, that's the power of the character.

605
00:38:12,320 --> 00:38:18,080
Speaker 1: And now he's he's he's the gravity has his entropy

606
00:38:18,160 --> 00:38:20,680
Speaker 1: has brought him back to Earth. And now it's just

607
00:38:20,760 --> 00:38:24,640
Speaker 1: because it's so real. It's like, I will take the

608
00:38:24,680 --> 00:38:28,320
Speaker 1: good with the bad because these characters are so full

609
00:38:28,440 --> 00:38:31,040
Speaker 1: and real. I don't watch that show to get real.

610
00:38:32,520 --> 00:38:35,719
Speaker 1: That's not real. Nothing about that show is real. I

611
00:38:35,760 --> 00:38:38,320
Speaker 1: don't know. Do you think any of those characters are real?

612
00:38:38,840 --> 00:38:41,360
Speaker 1: I think the magic of it is that wait a minute,

613
00:38:41,440 --> 00:38:44,359
Speaker 1: here's the top and crazy. I do think there. Do

614
00:38:44,400 --> 00:38:46,920
Speaker 1: you think it's even possible? And I was just having

615
00:38:46,920 --> 00:38:50,319
Speaker 1: this conversation with my wife, Okay, I said, do you

616
00:38:50,360 --> 00:38:52,840
Speaker 1: think it's even possible that a person like Laurel I

617
00:38:52,960 --> 00:38:56,560
Speaker 1: Gilmore could exist and has ever existed in a place

618
00:38:56,600 --> 00:38:59,240
Speaker 1: like Stars Hollow? Do you think a place like stars

619
00:38:59,239 --> 00:39:03,879
Speaker 1: Hollow has ever existed to that degree? Do you think

620
00:39:03,960 --> 00:39:09,560
Speaker 1: a person from a Gilmore like family that's one of

621
00:39:09,560 --> 00:39:13,160
Speaker 1: the top families in an area in a pretty big

622
00:39:13,200 --> 00:39:16,719
Speaker 1: metropolitan area, which Hartford is, right the top of the

623
00:39:16,760 --> 00:39:20,239
Speaker 1: food chain, the wealthiest people, the most powerful people. Do

624
00:39:20,280 --> 00:39:22,960
Speaker 1: you think that the sixteen year old daughter or the

625
00:39:23,040 --> 00:39:25,880
Speaker 1: sixteen year old son had a baby and moved to

626
00:39:25,880 --> 00:39:28,359
Speaker 1: a Star's Hollow and stayed there. Do you think that's

627
00:39:28,360 --> 00:39:34,920
Speaker 1: even possible. Do you think it's possible? Yes, I don't.

628
00:39:35,400 --> 00:39:38,680
Speaker 1: I don't think. I don't think it can exist in reality.

629
00:39:39,040 --> 00:39:42,080
Speaker 1: I don't think it's a question. But I think it's

630
00:39:42,080 --> 00:39:47,400
Speaker 1: an exaggerated version of what it could be. A small town,

631
00:39:48,480 --> 00:39:51,960
Speaker 1: quirky small town, and I think they do exist. I

632
00:39:52,040 --> 00:39:53,680
Speaker 1: think it's exaggerate. I'll give you that. I don't think

633
00:39:53,680 --> 00:39:56,240
Speaker 1: there's the Kirk. I don't think there's the Miss Patty

634
00:39:56,320 --> 00:39:59,560
Speaker 1: exactly how she is, or Babet or even Gypsy. But

635
00:39:59,600 --> 00:40:02,640
Speaker 1: I do think, yeah, I do. I do think that

636
00:40:02,680 --> 00:40:06,120
Speaker 1: there's some element of like, yeah, so do you think

637
00:40:06,239 --> 00:40:08,960
Speaker 1: it's Do you think the characters the stars Hollow, the

638
00:40:09,400 --> 00:40:14,680
Speaker 1: premise of the show and the actual town of stars Hollow,

639
00:40:15,560 --> 00:40:19,279
Speaker 1: is this sort of heightened reality? It's an unreality in

640
00:40:19,400 --> 00:40:21,640
Speaker 1: order that these people can behave in such a way

641
00:40:21,640 --> 00:40:24,719
Speaker 1: and get away with it, the way that Laurel at

642
00:40:24,760 --> 00:40:26,520
Speaker 1: times just sort of lords over the people there and

643
00:40:26,520 --> 00:40:29,040
Speaker 1: talks over their head and talks down to them. You

644
00:40:29,080 --> 00:40:30,320
Speaker 1: know what I'm saying. I mean, I don't want to

645
00:40:30,360 --> 00:40:34,360
Speaker 1: get negative. It's like Ken does is this supposed to

646
00:40:34,360 --> 00:40:37,280
Speaker 1: be a real place? Are we as an audience supposed

647
00:40:37,320 --> 00:40:41,839
Speaker 1: to buy this, So I think it's an exaggerated version

648
00:40:41,840 --> 00:40:43,799
Speaker 1: of reality. So I come from a small town, but

649
00:40:43,840 --> 00:40:46,600
Speaker 1: it's not as small as this. But like we have

650
00:40:46,880 --> 00:40:52,000
Speaker 1: the local doses market where everybody knows the butcher by name,

651
00:40:52,520 --> 00:40:55,839
Speaker 1: and the checkout person knows your name and they've got

652
00:40:55,880 --> 00:40:59,839
Speaker 1: your Christmas card at the check out, and like it's

653
00:41:01,239 --> 00:41:03,120
Speaker 1: I mean, it's a little bigger than that town where

654
00:41:03,160 --> 00:41:06,960
Speaker 1: I come from. So but it is, everything is relatable.

655
00:41:07,000 --> 00:41:09,640
Speaker 1: Like I said, I dare I bring up the Debutante ball,

656
00:41:09,760 --> 00:41:14,879
Speaker 1: but it was an exaggerated version of exactly in my town.

657
00:41:15,000 --> 00:41:20,560
Speaker 1: But how does a Laurelai Gilmore, even a pregnant Laurelai Gilmore,

658
00:41:21,040 --> 00:41:26,640
Speaker 1: go to that place and stay there? How? How is

659
00:41:26,640 --> 00:41:32,000
Speaker 1: that possible? How does that happen? And that's the question

660
00:41:32,040 --> 00:41:35,000
Speaker 1: you have to answer, because I don't know if you

661
00:41:35,040 --> 00:41:37,759
Speaker 1: want to answer the question. Because of the level of

662
00:41:37,960 --> 00:41:41,520
Speaker 1: enmity between her and her parents, which is apparent in

663
00:41:41,680 --> 00:41:48,640
Speaker 1: every single episode, the division, the life that wasn't lived,

664
00:41:48,640 --> 00:41:51,560
Speaker 1: the love that never was, the love that the familiar

665
00:41:51,600 --> 00:41:54,680
Speaker 1: love that was never shared. It's the loss, the loss,

666
00:41:54,760 --> 00:41:57,319
Speaker 1: the loss. Every single episode I felt it. And that's

667
00:41:57,360 --> 00:42:00,040
Speaker 1: why Danielle I felt It was a downer because I

668
00:42:00,040 --> 00:42:03,040
Speaker 1: I felt it so prominently in this episode, and I

669
00:42:03,080 --> 00:42:05,480
Speaker 1: didn't want to be reminded of it anymore. I just

670
00:42:06,320 --> 00:42:08,760
Speaker 1: I want to me the character of loyal, like Gilmore

671
00:42:08,760 --> 00:42:10,759
Speaker 1: and Rory represent getting away from that kind of thing

672
00:42:10,800 --> 00:42:13,160
Speaker 1: and making light of everything because they don't want to

673
00:42:13,200 --> 00:42:15,680
Speaker 1: deal with it. Now they're thrust back into this forced

674
00:42:15,719 --> 00:42:17,840
Speaker 1: dinners and all this kind of stuff with these people

675
00:42:18,280 --> 00:42:20,600
Speaker 1: that they can't relate to and don't even want to

676
00:42:20,600 --> 00:42:24,400
Speaker 1: spend time with, and you're and and now we're really

677
00:42:24,600 --> 00:42:27,760
Speaker 1: mired in this for an entire episode, which I thought, Wow,

678
00:42:28,440 --> 00:42:30,120
Speaker 1: I don't want to go there. This is not why

679
00:42:30,160 --> 00:42:31,719
Speaker 1: I watched the show, and that's not why I enjoy

680
00:42:31,800 --> 00:42:34,920
Speaker 1: the characters. I want to get away from that. So

681
00:42:36,200 --> 00:42:40,600
Speaker 1: again it goes back to the question could this character could?

682
00:42:41,280 --> 00:42:44,600
Speaker 1: Has this ever happened in life? Has somebody from this

683
00:42:45,640 --> 00:42:50,480
Speaker 1: high a place fallen this far and ended up in

684
00:42:50,520 --> 00:42:53,279
Speaker 1: this place? Not that it's a terrible place, it's just

685
00:42:53,320 --> 00:42:57,160
Speaker 1: a much different world. How does she exist? How does

686
00:42:57,200 --> 00:43:00,040
Speaker 1: she exist in that world? For sixteen years? So I

687
00:43:00,080 --> 00:43:03,799
Speaker 1: say yes, you say no, what did Danielle and Riley say?

688
00:43:03,840 --> 00:43:17,560
Speaker 1: I say, Prince Harry and making Marcos and I think

689
00:43:17,800 --> 00:43:21,359
Speaker 1: pretty good. Yes, I think she. I think Lorelie found

690
00:43:21,400 --> 00:43:24,080
Speaker 1: comfort in her belonging in Stars Hollow that she had

691
00:43:24,120 --> 00:43:26,840
Speaker 1: been looking for at home, and she just loved it

692
00:43:26,920 --> 00:43:32,080
Speaker 1: so much that she stayed. Well. I mean that means

693
00:43:32,160 --> 00:43:35,600
Speaker 1: that that means that Richard and Emily were the two

694
00:43:35,960 --> 00:43:39,880
Speaker 1: worst people in the universe to be that cruel and

695
00:43:39,960 --> 00:43:43,520
Speaker 1: that evil to a sixteen year old who found herself

696
00:43:43,560 --> 00:43:49,239
Speaker 1: in a real predicament and needed support. I mean they're tough. Well,

697
00:43:49,520 --> 00:43:59,200
Speaker 1: that Megan and Harry from sucking im palace to want

698
00:43:59,239 --> 00:44:10,240
Speaker 1: to see too vic Palisades. Yeah, is it time time

699
00:44:10,280 --> 00:44:15,440
Speaker 1: for pop culture? For what time of the day? Pop culture?

700
00:44:15,560 --> 00:44:19,560
Speaker 1: Pretty much is. I would like to I cannot wait

701
00:44:19,600 --> 00:44:23,600
Speaker 1: to give my favorite line though, so ultimately I'm going

702
00:44:23,680 --> 00:44:29,600
Speaker 1: to give this episode a thumbs down. Yes, turned on me. No,

703
00:44:29,960 --> 00:44:33,560
Speaker 1: I didn't. I set you up. But I didn't turn

704
00:44:34,920 --> 00:44:39,879
Speaker 1: not even a sideways no, because it left me with

705
00:44:39,920 --> 00:44:44,319
Speaker 1: no hope and I don't like feeling empty after spending

706
00:44:45,040 --> 00:44:50,399
Speaker 1: forty minutes with people that I've come to love. I'm

707
00:44:50,440 --> 00:44:54,279
Speaker 1: with you, I don't. I think it's a thumbs down

708
00:44:54,360 --> 00:44:57,440
Speaker 1: for me, Even though as far as the acting, the

709
00:44:57,520 --> 00:45:05,160
Speaker 1: directing the writing that the editing was perfection. I give

710
00:45:05,160 --> 00:45:08,440
Speaker 1: a thumbs up because I'm not afraid to feel sad

711
00:45:08,719 --> 00:45:12,879
Speaker 1: for a minute, because we'll grow. I'm not. I don't.

712
00:45:12,920 --> 00:45:14,440
Speaker 1: I don't like how I felt at the end, but

713
00:45:14,480 --> 00:45:17,480
Speaker 1: I'm not afraid to feel that. I felt more hope

714
00:45:17,480 --> 00:45:24,400
Speaker 1: with ad Astra because it's so bad. I watched like

715
00:45:24,480 --> 00:45:27,040
Speaker 1: eight minutes of that movie was like, that was a

716
00:45:27,040 --> 00:45:34,080
Speaker 1: great movie. I love that movie. Riley, take it over

717
00:45:35,239 --> 00:45:41,120
Speaker 1: ya I Rilly, And this is your pop culture. Laura

718
00:45:41,200 --> 00:45:43,560
Speaker 1: Lee and Richard argue after they're in the living room,

719
00:45:43,560 --> 00:45:46,880
Speaker 1: and Laura Li says, nothing that can come out of

720
00:45:46,880 --> 00:45:49,279
Speaker 1: your mouth today in any universe visited by Kirk or

721
00:45:49,360 --> 00:45:55,360
Speaker 1: Spoch can be constructed as construted, as constructive. Obviously, the

722
00:45:55,560 --> 00:45:58,280
Speaker 1: writers are fans of Star Trek, since we've had so

723
00:45:58,320 --> 00:46:02,440
Speaker 1: many Star Trek references on this podcast and the show.

724
00:46:02,880 --> 00:46:06,839
Speaker 1: They're in Gilmore Girls. The sound made by the motorcycle

725
00:46:06,920 --> 00:46:10,560
Speaker 1: in Kirk rides the shuttle departing the Starfleet Academy is

726
00:46:10,600 --> 00:46:13,480
Speaker 1: the same sound used in The Jetsons two for the

727
00:46:13,520 --> 00:46:18,080
Speaker 1: cars they fly. Once again, pop culture creates a timeless

728
00:46:18,080 --> 00:46:21,560
Speaker 1: culture reference and new viewers will know Star Trek from

729
00:46:21,640 --> 00:46:25,040
Speaker 1: The Star Trek starring Chris Pine. I love that. I

730
00:46:25,040 --> 00:46:27,279
Speaker 1: know it just goes all the way through. I love that,

731
00:46:27,400 --> 00:46:31,160
Speaker 1: Like I think of William Shatner, but like young people

732
00:46:31,239 --> 00:46:33,560
Speaker 1: might be like, oh, I know Captain Kirk from Chris Pine.

733
00:46:34,000 --> 00:46:36,960
Speaker 1: And when Chris Pine was cast as Captain Kirk, he

734
00:46:37,080 --> 00:46:40,120
Speaker 1: was sent He sent William Shatner a letter and received

735
00:46:40,120 --> 00:46:43,959
Speaker 1: a reply containing Shatterer's approval, which is really cool. And um,

736
00:46:44,000 --> 00:46:47,319
Speaker 1: we actually heard Amy's toilet flush last week. But did

737
00:46:47,400 --> 00:46:49,480
Speaker 1: you know the sound of the automatic doors opening on

738
00:46:49,520 --> 00:46:53,080
Speaker 1: the USS Enterprise is a Russian trains toilet flushing. What

739
00:46:55,160 --> 00:46:59,040
Speaker 1: I love it? What all these uses for toilet flushes?

740
00:46:59,200 --> 00:47:03,200
Speaker 1: A Russian train a toilet flushing is the sound of

741
00:47:03,280 --> 00:47:11,279
Speaker 1: the original Star Trek. It somebody obviously was a huge

742
00:47:11,280 --> 00:47:13,480
Speaker 1: fan the writers. Do you know which writer it was

743
00:47:13,520 --> 00:47:15,400
Speaker 1: that loves Star Trek because they work it in and

744
00:47:15,480 --> 00:47:21,560
Speaker 1: like so many episodes they're a Trekker like me. So

745
00:47:21,600 --> 00:47:24,160
Speaker 1: we have in the movie store every there's so many

746
00:47:24,200 --> 00:47:27,319
Speaker 1: movie references in this short amount of time. So lor

747
00:47:27,480 --> 00:47:29,560
Speaker 1: lyone roy are trying to figure out what they're gonna watch.

748
00:47:30,080 --> 00:47:33,520
Speaker 1: Lorda Lie says the three paces of Costner, Bowl Durham,

749
00:47:33,719 --> 00:47:37,440
Speaker 1: Dances with Wolves and the Postman, Tom Petty playing Tom Petty,

750
00:47:37,520 --> 00:47:39,719
Speaker 1: that great big speech about once upon a time and

751
00:47:39,760 --> 00:47:42,879
Speaker 1: there's a thing called mail. How do they say field

752
00:47:42,920 --> 00:47:47,359
Speaker 1: of dreams? Those are the three faces? So Lorea lies

753
00:47:47,400 --> 00:47:50,560
Speaker 1: referencing the actor Kevin Costner. Bodyguard? How do they not

754
00:47:50,560 --> 00:47:56,000
Speaker 1: see Bodyguard? It's fine? Wasn't considered a great film? Wasn't

755
00:47:56,280 --> 00:47:59,640
Speaker 1: it wasn't considered a great film. Whitney Houston's performance was

756
00:48:00,080 --> 00:48:03,279
Speaker 1: end universally. I do love it though. I do love

757
00:48:03,320 --> 00:48:05,880
Speaker 1: the movie. Oh No, very watchable film for sure, but

758
00:48:05,960 --> 00:48:08,560
Speaker 1: it was kind of campy. They don't mention the water world.

759
00:48:08,719 --> 00:48:11,880
Speaker 1: It was the Sister I really, Oh yeah, I know

760
00:48:11,960 --> 00:48:16,000
Speaker 1: that was it was. It was, but it was a

761
00:48:16,080 --> 00:48:20,959
Speaker 1: watch very watchable film. Hold up, so the three movies

762
00:48:21,000 --> 00:48:25,440
Speaker 1: they do reference. Bull Durham is American romantic comedy sports film.

763
00:48:25,719 --> 00:48:28,200
Speaker 1: In the meeting at the Pictures Mound, Robert wooll ad

764
00:48:28,200 --> 00:48:30,640
Speaker 1: libbed his line about getting candlesticks at it as a

765
00:48:30,640 --> 00:48:32,759
Speaker 1: wedding present. He said it was based on a real

766
00:48:32,800 --> 00:48:35,759
Speaker 1: conversation he had with his wife. Dances with Wolves is

767
00:48:36,480 --> 00:48:39,720
Speaker 1: American epic western film starring, directed and produced by Kevin

768
00:48:39,719 --> 00:48:44,760
Speaker 1: Costner in his first directorial debut. Because of the film's

769
00:48:44,880 --> 00:48:47,800
Speaker 1: enormous success and sympathetic treatment of the Native Americans, and

770
00:48:47,880 --> 00:48:51,960
Speaker 1: Sue Nation adopted Kevin Costner as an honorary member and

771
00:48:52,000 --> 00:48:54,839
Speaker 1: again a timeless reference because Costner is now known as

772
00:48:54,920 --> 00:48:58,920
Speaker 1: John Dunton in the epic series Yellowstone. And finally, The

773
00:48:58,920 --> 00:49:03,480
Speaker 1: Postman is seven American post apocaly apocalyptic action film. Kevin

774
00:49:03,480 --> 00:49:07,799
Speaker 1: Costner's chillen all appear in this film. Never Saw. Continuing

775
00:49:07,800 --> 00:49:09,400
Speaker 1: on with the movies, Rory says, oh, we could do

776
00:49:09,440 --> 00:49:12,640
Speaker 1: a Ruth Gordon film festival. Harold, Harold and Mod Rosemary's Baby.

777
00:49:12,640 --> 00:49:14,960
Speaker 1: In the really great episode of Taxi, I did not

778
00:49:15,040 --> 00:49:17,840
Speaker 1: know whose Cordon was in Taxi, but continue. We have

779
00:49:17,960 --> 00:49:21,600
Speaker 1: mentioned this one episode, We have mentioned Ruth Gordon in

780
00:49:21,719 --> 00:49:24,360
Speaker 1: season one, episode one, and Casey missed it. Scott and

781
00:49:24,400 --> 00:49:27,759
Speaker 1: Henry reviewed Rosemary's Baby on the I Am All minnisode

782
00:49:28,000 --> 00:49:32,000
Speaker 1: and Coming Soon teaser The sixth sets, So next. Harold

783
00:49:32,120 --> 00:49:34,279
Speaker 1: Mod is nineteen seventy one American coming of age dark

784
00:49:34,320 --> 00:49:37,640
Speaker 1: comedy film. In the all shots of Ruth Gordon driving

785
00:49:37,680 --> 00:49:40,319
Speaker 1: the hers, it is being towed because she never learned

786
00:49:40,320 --> 00:49:44,200
Speaker 1: how to drive. A Car. Taxi is an American American

787
00:49:44,280 --> 00:49:48,040
Speaker 1: sitcom that originally aired on ABC from to nine eight two.

788
00:49:48,320 --> 00:49:51,360
Speaker 1: After the third season, the director, the and most of

789
00:49:51,400 --> 00:49:55,000
Speaker 1: the Taxi cast appeared on Cheers in two and vice versa.

790
00:49:55,400 --> 00:49:59,320
Speaker 1: The cast of Taxi was epic, consisting of Don Danny

791
00:49:59,360 --> 00:50:03,839
Speaker 1: de Vito, Tony Danza, Mary Lou Henner, Jed Hirst, and

792
00:50:03,840 --> 00:50:07,719
Speaker 1: Andy Kaufman. And Taxi is also a two thousand four

793
00:50:07,719 --> 00:50:11,280
Speaker 1: American comedy drama film starring Queen Latifa and Jimmy Fallon,

794
00:50:11,360 --> 00:50:16,040
Speaker 1: but not related to the show. Not related. They also

795
00:50:16,160 --> 00:50:19,600
Speaker 1: mentioned cool as Ice Hudson Hawk in Electric Googloo when

796
00:50:19,640 --> 00:50:21,040
Speaker 1: they were in there, I mean they rattled off like

797
00:50:21,080 --> 00:50:26,840
Speaker 1: a thousand movie names a thousand. Next verse, Richard suggests

798
00:50:26,880 --> 00:50:29,680
Speaker 1: Rory should look at other options for schools. Richards says,

799
00:50:29,719 --> 00:50:32,040
Speaker 1: but that's ridiculous. Who's going to help her get into Harvard?

800
00:50:32,160 --> 00:50:35,400
Speaker 1: Laura Lay says Reese Witherspoon. This is a reference to

801
00:50:35,480 --> 00:50:38,080
Speaker 1: Legally Blonde in two thousand one American comedy films starring

802
00:50:38,080 --> 00:50:41,280
Speaker 1: Reese Witherspoon. As a greed in her contract, Reese kept

803
00:50:41,320 --> 00:50:44,200
Speaker 1: all of her her costumes after filming and to prepare

804
00:50:44,239 --> 00:50:47,120
Speaker 1: for her role in Elwood's Rees, spent two weeks studying

805
00:50:47,160 --> 00:50:51,240
Speaker 1: the behavior of sorority girls. Again relevant today because according

806
00:50:51,280 --> 00:50:54,560
Speaker 1: to Variety, legally Blonde three is set to release in theaters.

807
00:50:54,640 --> 00:50:58,880
Speaker 1: On Emily is in a good mood at dinner and

808
00:50:58,920 --> 00:51:01,879
Speaker 1: everyone says they're five fine. Laura I says, oh, look

809
00:51:01,920 --> 00:51:04,200
Speaker 1: at that, all three of us fine, just like the Judds.

810
00:51:06,320 --> 00:51:10,000
Speaker 1: The Jeds were an American country music do composing Thank

811
00:51:10,040 --> 00:51:15,279
Speaker 1: you Naomi Jed and her daughter Winona Judd. Um. While

812
00:51:15,280 --> 00:51:19,160
Speaker 1: we know Wyona Wynona, Naomi has said to have another

813
00:51:19,200 --> 00:51:22,240
Speaker 1: famous daughter, Ashley Judd, is an actress known for projects

814
00:51:22,239 --> 00:51:26,360
Speaker 1: like Double Jeopardy, Divergent. In Twin Peaks one, the Judds

815
00:51:26,360 --> 00:51:29,520
Speaker 1: were inducted into the Country Hall of Fame, and it

816
00:51:29,640 --> 00:51:32,000
Speaker 1: is in fact not all fine in the Judds world

817
00:51:32,040 --> 00:51:35,200
Speaker 1: because it is no secret that Naomi and Winona have

818
00:51:35,320 --> 00:51:39,680
Speaker 1: had a rocky relationship over the years. I think that

819
00:51:39,760 --> 00:51:44,520
Speaker 1: was sort of the cheeky um. Finally we have Emily

820
00:51:44,520 --> 00:51:46,600
Speaker 1: and Laurea Lae are left at the table while Richard

821
00:51:46,640 --> 00:51:50,680
Speaker 1: and Rory walk off Friday night dinner. Laura, license you

822
00:51:50,719 --> 00:51:53,359
Speaker 1: were twitching, I saw you, says this to Emily Laura

823
00:51:53,440 --> 00:51:56,239
Speaker 1: license Mom. When Dad was talking about the vase, you

824
00:51:56,320 --> 00:52:00,520
Speaker 1: were pulling a toll on Tabitha. This is reference to

825
00:52:00,560 --> 00:52:04,560
Speaker 1: the show Bewitched. Bewitches American fantasy sitcom television series that

826
00:52:04,640 --> 00:52:07,440
Speaker 1: originally aired for eight seasons on ABC from nineteen six

827
00:52:07,840 --> 00:52:11,359
Speaker 1: to nineteen seventy two, and be Witch Samantha constantly had

828
00:52:11,440 --> 00:52:16,239
Speaker 1: to remind her daughter Tabitha you mustn't twitch. During season two,

829
00:52:16,440 --> 00:52:19,759
Speaker 1: five Babies played Tabitha Stevens, and season three the young

830
00:52:19,880 --> 00:52:22,800
Speaker 1: twins had been replaced by fraternal twins Aaron Murphy and

831
00:52:22,880 --> 00:52:25,880
Speaker 1: Diane Murphy. By season five, the role was solely played

832
00:52:25,880 --> 00:52:28,399
Speaker 1: by Aaron Murphy and in two thousand five b which

833
00:52:28,480 --> 00:52:30,880
Speaker 1: was made into a film starring Nicole Kidman and Will Ferrell.

834
00:52:31,080 --> 00:52:33,680
Speaker 1: I do have one more reference that was missed. That was,

835
00:52:34,120 --> 00:52:36,600
Speaker 1: it's like I'm in a Lifetime movie. Nancy McKeon is

836
00:52:36,640 --> 00:52:40,120
Speaker 1: playing me. I am Joe, which is a reference to

837
00:52:40,280 --> 00:52:42,760
Speaker 1: Joe from the Facts of Life, and that Nancy McKeon

838
00:52:42,880 --> 00:52:50,520
Speaker 1: did multiple Lifetime movies. And that's your top culture all right, lines,

839
00:52:50,640 --> 00:52:54,360
Speaker 1: give it? Who wants to go first? Go ahead? Danielle

840
00:52:54,440 --> 00:52:58,360
Speaker 1: favorite line. I have to, but um, I will do

841
00:52:59,040 --> 00:53:02,040
Speaker 1: the one from or a lie When she was arguing

842
00:53:02,280 --> 00:53:08,640
Speaker 1: with Richard about getting Rory into Yale and Richard was like, yea,

843
00:53:08,680 --> 00:53:11,279
Speaker 1: it would be a breeze to get her into and

844
00:53:11,520 --> 00:53:14,040
Speaker 1: Lauraa goes, we don't like breezes. They messed up our hair,

845
00:53:16,280 --> 00:53:20,880
Speaker 1: right mine is? I feel like it's always gonna be Michelle.

846
00:53:21,080 --> 00:53:23,000
Speaker 1: But I want to you know, I answer phones like

847
00:53:23,080 --> 00:53:25,839
Speaker 1: this as soon as I can. I will send someone up. Yes,

848
00:53:25,880 --> 00:53:31,040
Speaker 1: I will understand. Understand, I understand, I understand, I understand, Okay, understand. Goodbye.

849
00:53:33,760 --> 00:53:38,800
Speaker 1: Michelle was my favorite by far, when he said someone

850
00:53:39,080 --> 00:53:43,040
Speaker 1: is in trouble, when Richard was like, given the stink,

851
00:53:43,120 --> 00:53:46,439
Speaker 1: I and I'll quickly say my fashion moments lorea Lize

852
00:53:46,520 --> 00:53:51,320
Speaker 1: purple tuxedo blouse that did not have a jacket and

853
00:53:52,040 --> 00:53:57,000
Speaker 1: Jesse's camo shirt. I had the purple ruffle blouse too.

854
00:53:57,200 --> 00:53:59,800
Speaker 1: Are we doing favorite lines? What's going on? We just

855
00:54:00,040 --> 00:54:01,920
Speaker 1: giving our quick fashion because we're bunny out of time

856
00:54:02,080 --> 00:54:10,479
Speaker 1: quick fashion. My favorite line was Luke when he asked Rory, goes, Rory,

857
00:54:10,560 --> 00:54:17,320
Speaker 1: how much do you like? This person? Was good? So

858
00:54:17,560 --> 00:54:23,480
Speaker 1: we have a little surprise next special episode we do yea,

859
00:54:23,600 --> 00:54:26,760
Speaker 1: so later this week. Guys, there's gonna be a bonus episode,

860
00:54:28,960 --> 00:54:36,200
Speaker 1: a very special guest, don't we who is coming back

861
00:54:36,440 --> 00:54:41,200
Speaker 1: to us? And I believe she was one of the

862
00:54:41,280 --> 00:54:51,319
Speaker 1: initial guests, wasn't she with Rose Gypsy later is coming back?

863
00:54:53,320 --> 00:54:56,560
Speaker 1: We love her so much. And then you'll know when

864
00:54:56,600 --> 00:55:00,680
Speaker 1: it's here. Oh yeah, we're not telling you. It's a

865
00:55:00,760 --> 00:55:04,560
Speaker 1: big mystery. And we don't know when Brad Pitt's coming,

866
00:55:04,600 --> 00:55:08,040
Speaker 1: but is on the way. Subscribe so you can get

867
00:55:08,080 --> 00:55:13,600
Speaker 1: alerted when that is. He's spacewalking right now, right outside

868
00:55:13,680 --> 00:55:18,359
Speaker 1: of Jupiter and he'll be here any minute. All are

869
00:55:18,440 --> 00:55:20,640
Speaker 1: you one of dance? No, but I appreciate the offer.

870
00:55:22,200 --> 00:55:28,359
Speaker 1: Just he's never going to accept. He won't accept Jess either.

871
00:55:28,600 --> 00:55:31,360
Speaker 1: It's just it won't happen. All right, next episode A

872
00:55:31,520 --> 00:55:35,480
Speaker 1: tisket a tasket and we're going to get into that

873
00:55:35,680 --> 00:55:40,080
Speaker 1: next time. Everybody, thank you so very much for putting

874
00:55:40,160 --> 00:55:44,520
Speaker 1: up with all of us individually and as a group.

875
00:55:44,800 --> 00:55:46,560
Speaker 1: I really hope it tis get a task, it gets

876
00:55:46,600 --> 00:55:49,200
Speaker 1: a thumbs up, because we've had two thumbs downs and

877
00:55:49,320 --> 00:55:55,800
Speaker 1: I'm stress and about that. Why down? Then then the

878
00:55:56,040 --> 00:55:58,560
Speaker 1: the episode should give me hope, It should make me

879
00:55:58,680 --> 00:56:03,160
Speaker 1: feel good. That's what I'm tuning in for this silly,

880
00:56:03,239 --> 00:56:06,799
Speaker 1: little crazy show. Right, good job. I'm glad you guys

881
00:56:06,800 --> 00:56:09,760
Speaker 1: are all feeling better too. Yes, we are all right, everybody,

882
00:56:09,960 --> 00:56:13,040
Speaker 1: best fans on the planet. Thanks for downloading. We so

883
00:56:13,280 --> 00:56:18,120
Speaker 1: appreciated um and we hope you enjoyed this one and

884
00:56:18,320 --> 00:56:51,400
Speaker 1: we will see you next time. Stay safe, hey, everybody,

885
00:56:51,400 --> 00:56:54,680
Speaker 1: and don't forget follow us on Instagram at I Am

886
00:56:54,800 --> 00:56:58,759
Speaker 1: all In podcast and email us at Gilmore at I

887
00:56:58,960 --> 00:57:02,160
Speaker 1: heart radio dot com. Oh you get more fans. If

888
00:57:02,160 --> 00:57:04,120
Speaker 1: you're looking for the best cup of coffee in the world,

889
00:57:04,200 --> 00:57:07,879
Speaker 1: go to my website for my company scott EP dot

890
00:57:07,960 --> 00:57:10,000
Speaker 1: com s C O T T y P dot com,

891
00:57:10,120 --> 00:57:21,360
Speaker 1: scott ep dot com Grade one Specialty Coffee. Yeah.