WEBVTT - Radio Better Offline: David "Shingy" Shing

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<v Speaker 1>Also media, Hi, Mimo, moo ed zitron. This is better offline.

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<v Speaker 1>We're in iHeart Radio studio in beautiful New York City today.

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<v Speaker 1>I am joined by a man who in twenty fourteen

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<v Speaker 1>roast to fame after becoming AOL's digital profit. He joins

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<v Speaker 1>me in the studio today, David Shing, best known as Shingy. David, Hey, ed,

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<v Speaker 1>how are you, mate, sing? I am fantastic an intro.

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<v Speaker 1>Oh yeah, this is the most normal show in tech.

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<v Speaker 1>What are you up to these days? Shingy?

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<v Speaker 2>Great question. There's three things. I'm primarily up to them. Okay,

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<v Speaker 2>I'm out speaking and educating, that's right, what I'm known for.

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<v Speaker 2>I also have a creative house, nice that started around

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<v Speaker 2>pandemic time.

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<v Speaker 1>What's the creative house too?

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<v Speaker 2>It does everything from iconography all the way through the strategy,

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<v Speaker 2>so all the way through psychography. You happened to be

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<v Speaker 2>wearing a brand Onion T shirt. Yeah, somebody designed that, dude.

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<v Speaker 1>Okay, so a design thing cool.

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<v Speaker 2>And then the other flip side is an advisory practice.

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<v Speaker 2>That's cool, and it's institutional advisory as well as small startups,

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<v Speaker 2>which has really been research for me, which has been amazing.

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<v Speaker 1>Yeah, as a fellow consultant with the podcast. It's always

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<v Speaker 1>good to meet another one. So you it's been a

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<v Speaker 1>while since you rose to fame. What kind of happened?

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<v Speaker 1>What kind of happened? Because you I remember I was

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<v Speaker 1>in the Bay Area at the time when I saw

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<v Speaker 1>you you arise on MSNBC, and then just went and

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<v Speaker 1>did other things. I had to go and make some

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<v Speaker 1>mistakes in my life. I guess what was it you

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<v Speaker 1>did today?

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<v Speaker 2>Well, so I ran thirteen countries for them. I ran

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<v Speaker 2>the media in marketing for them right throughout Europe.

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<v Speaker 1>But what did that actually entail?

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<v Speaker 2>I ran thirteen countries with multi millions?

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<v Speaker 1>But what did you do each day?

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<v Speaker 2>Because I launched I launched a series of websites, and

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<v Speaker 2>I launched a series of ad platforms, and I helped

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<v Speaker 2>change the iconography for AOL. And when you build a

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<v Speaker 2>new brand and you don't have any budget to support it, right,

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<v Speaker 2>you have to think about a way to be in

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<v Speaker 2>the marketplace.

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<v Speaker 1>So I created a PERSONA wait, did you not have

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<v Speaker 1>like much budget?

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<v Speaker 2>Oh?

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<v Speaker 1>Yeah, we did, but not in Europe. No, not in Europe.

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<v Speaker 2>No, Because what happened in a big company, you could

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<v Speaker 2>probably appreciate this if one division performs poorly, everyone suffers, right,

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<v Speaker 2>So if you're not close to the sun, you're not

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<v Speaker 2>going to get all the budget.

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<v Speaker 1>It's just how it works. It's funny because your whole thing,

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<v Speaker 1>and I don't say this is an ensult, got kind

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<v Speaker 1>of flattenedto that one picture of you with the kind

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<v Speaker 1>of yeah because and then there was that Guardian interview.

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<v Speaker 1>It's like you drew a zebra. It said you showed

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<v Speaker 1>someone AOL a picture of a zebra zebra pant pants.

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<v Speaker 1>Possibly it's just I was wearing them. You're wearing a

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<v Speaker 1>nice right. Yeah. It's it's funny because you've become somewhat

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<v Speaker 1>of like a like a I want to say, like

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<v Speaker 1>a character within meme, a meme. I think memes fair,

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<v Speaker 1>but it's more.

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<v Speaker 2>Than character's probably a little underrated.

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<v Speaker 1>Yeah, it's just because you have a real job, it seems,

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<v Speaker 1>and you have this whole time, despite the fact that

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<v Speaker 1>I've been told, like, oh, this guy just like shows

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<v Speaker 1>up and says he's the digital profit and I was

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<v Speaker 1>genuinely curious about like, I.

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<v Speaker 2>Never really told anybody the mystery. I want to hear

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<v Speaker 2>that and the magic of it still replicates today. So

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<v Speaker 2>I would go in and get interviews, get audiences with

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<v Speaker 2>brands we could never be in front.

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<v Speaker 1>Of like what like what brand? Like? Yeah, what kind

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<v Speaker 1>of brands? Nike? Nike? Why couldn't al get in front

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<v Speaker 1>of them?

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<v Speaker 2>Well, they could, but they're going to just sell ads.

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<v Speaker 2>I'm trying to sell innovation on top of the ads,

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<v Speaker 2>so much bigger than we would ever be able to do.

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<v Speaker 1>And what would that innovation manifest? That's what were you

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<v Speaker 1>selling to Nike? For example? I know this is just

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<v Speaker 1>an example.

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<v Speaker 2>We invented an ad called Devil, which was like this

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<v Speaker 2>incredible new magazine esque style ad takeover right, that the

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<v Speaker 2>IAB ended up picking up and running with. So we

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<v Speaker 2>were just building things that were radically different than spots

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<v Speaker 2>and dots that sales teams are selling.

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<v Speaker 1>Right, So how do you feel about AI? How are

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<v Speaker 1>you feeling about all this? Because look, you were part

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<v Speaker 1>of a hype cycle. So end of twenty fourteen is

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<v Speaker 1>like it was like a very hype driven time. It's

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<v Speaker 1>like the sexiest time in indiego Go and Kickstarter land.

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<v Speaker 1>I would say, back then, what do you think of AI?

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<v Speaker 1>How do you feel about it? Do you think it's

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<v Speaker 1>a bubble? No?

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<v Speaker 2>No, Well, it's also been around for forty fifty.

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<v Speaker 1>Years, right, so generative AI specifically.

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<v Speaker 2>What do I think about that?

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<v Speaker 1>Yeah?

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<v Speaker 2>Sure, think it's magical. Really Yeah, it hallucinates occasionally, but

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<v Speaker 2>I think it's great because if I can extend a

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<v Speaker 2>background without having to go reshoot it, that's pretty good

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<v Speaker 2>and I'm able to change it out.

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<v Speaker 1>Can't do that though.

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<v Speaker 2>Yeah, you're not been you know, haven't checked out fire

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<v Speaker 2>Fly or.

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<v Speaker 1>I have I read your sub stack. I do read

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<v Speaker 1>your blog. It's just right now as a hype man.

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<v Speaker 1>I don't mean that derisively. I mean that, like your

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<v Speaker 1>job is ostensibly hype. Right now, it feels like there

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<v Speaker 1>is this marketing dissonance between in Firefly, which I'm aware

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<v Speaker 1>and I know there are lots of people who listen

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<v Speaker 1>to the showho are going to be very angry at

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<v Speaker 1>me that we're even talking about Adobe AI. Calm down, everyone,

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<v Speaker 1>it's shingy. Allow him in. But it's it feels like

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<v Speaker 1>you've got this massive business failure happening in the background,

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<v Speaker 1>billions of dollars burned from Open AI, but you've got

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<v Speaker 1>some utility. How do you balance that?

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<v Speaker 2>Like, how do you in what characterizational you said?

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<v Speaker 1>Generally they so, well, I'm talking about the fact that

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<v Speaker 1>you're hyping up something that is unsustainable right now, which

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<v Speaker 1>bit I mean the generative AI features of Firefly, for example,

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<v Speaker 1>the same.

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<v Speaker 2>Is it not sustainable?

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<v Speaker 1>Well, because open AI burns five billion dollars a year,

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<v Speaker 1>they still haven't worked out any profitability for any of

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<v Speaker 1>these models. Yes, but fireflies run on generitive models.

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<v Speaker 2>Yeah, right, and they help create ad performances sure at scale. Right,

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<v Speaker 2>So at some point in time these things level.

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<v Speaker 1>Out when because that's the thing, like the amount when

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<v Speaker 1>there's demand for better right, I just feel like we're

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<v Speaker 1>a little lost within the general of AI conversation right

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<v Speaker 1>as an industry. Right, And I'm curious you see, do

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<v Speaker 1>you play with Runway. I've played with Sora a bit. Yeah,

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<v Speaker 1>I just think I found Runway to be really fucking mediocre.

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<v Speaker 2>Well, there's a dystopian to it, which is definitely that

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<v Speaker 2>shine will come off and that production is going to

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<v Speaker 2>be pretty amazing. Single single tool that does one thing

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<v Speaker 2>no good, right, but a tool that allows you to

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<v Speaker 2>master audio without an engineer pretty amazing.

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<v Speaker 1>Yeah, But does that exist yet?

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<v Speaker 2>Yeah?

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<v Speaker 1>It does. With voice Riverside is not good.

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<v Speaker 2>Riverside is a podcasting platform.

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<v Speaker 1>And they have AI mastering on it.

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<v Speaker 2>God bless them, but they're not just doing mastering. So

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<v Speaker 2>you can upload something to something like voice AI and

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<v Speaker 2>it's absolutely designed for mastering, right.

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<v Speaker 1>But there is this massive financial problem at the side

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<v Speaker 1>of this, that this stuff is burning so much money.

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<v Speaker 1>And I guess you could have on device models, but

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<v Speaker 1>that's nowhere near what I just I don't know how

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<v Speaker 1>you couch these two things.

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<v Speaker 2>Supply and demand. I mean, there's a massive supply for

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<v Speaker 2>new ways of creating different tools, and the supply cycle

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<v Speaker 2>is incredibly wide. It feels like, well, you know, back

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<v Speaker 2>in the web one dot ohs cycles, right, but now

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<v Speaker 2>it has different tools that are much faster build.

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<v Speaker 1>But the demand isn't there I think. I mean, I

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<v Speaker 1>did a piece a few months ago and weeks ago

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<v Speaker 1>Jesus Christ time dilation where it was like co pilot

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<v Speaker 1>has like eleven million monthly active users, okay, which is

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<v Speaker 1>pretty pispor and that's Microsoft's I am hearing that there

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<v Speaker 1>are various companies like eleven Labs which are kind of

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<v Speaker 1>leveling out as far as user base goes. What happens

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<v Speaker 1>if this doesn't get much bigger?

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<v Speaker 2>It just continues to do what everything else does. It

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<v Speaker 2>tails off and becomes a niche, which is okay, you think, so, yeah,

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<v Speaker 2>it's totally okay.

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<v Speaker 1>So you seem quite eye on it. So what are

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<v Speaker 1>you using? Then? Talk to me about the tools you use?

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<v Speaker 1>The obvious.

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<v Speaker 2>I mean, I think chat's interesting. I think that Claude

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<v Speaker 2>is interesting to help you do draft one. So those

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<v Speaker 2>tools are fine. I think sora is it seems interesting.

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<v Speaker 2>But Dystopian Runaway works okay if you can actually model

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<v Speaker 2>it correctly.

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<v Speaker 1>When you say dystopian, what do you mean over glossy?

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<v Speaker 2>Really hard to understand. Depth of field like it's if

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<v Speaker 2>you are going to be a deep practitioner, you know,

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<v Speaker 2>the sort of thing you want to try and visualize,

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<v Speaker 2>that can be very difficult. And I think that's kind

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<v Speaker 2>of the challenge today is these tools do remarkable.

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<v Speaker 1>Amount of work.

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<v Speaker 2>It's a matter of can you get it to do

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<v Speaker 2>the work that you wanted to do without taking more

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<v Speaker 2>time than actually doing it physically. It's software, So it's

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<v Speaker 2>just software, and it's and it's curious, but it's not it.

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<v Speaker 2>Here's what I'm am saying. I'm seeing a consolidation of

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<v Speaker 2>tools saying here's one tool that you log into and

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<v Speaker 2>it does all these things for you, but it does

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<v Speaker 2>all of them only, Okay, so you have to splinter

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<v Speaker 2>off and find something that does just what you want

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<v Speaker 2>it to do.

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<v Speaker 1>So focused, and you know.

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<v Speaker 2>Better at book writing then maybe stories, or better that

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<v Speaker 2>draw oring than maybe paining a landscape. I mean these

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<v Speaker 2>articulations that become really just splinters of a certain technique

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<v Speaker 2>today or crud into one thing. And I don't think

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<v Speaker 2>anything does a great job. Words are great.

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<v Speaker 1>I think the agent if I agree on the words side,

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<v Speaker 1>I don't think well as at and you're still your

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<v Speaker 1>points made. But it's way better than me as a

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<v Speaker 1>first edit copywriter. So yeah, but that's a skill issue, shingy,

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<v Speaker 1>like you could get better by writing more. You could.

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<v Speaker 1>It's good, Like do you is your substack chat GPT

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<v Speaker 1>written or claud written? No, but it's but it's you know.

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<v Speaker 2>I think what's interesting about the tools I don't want

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<v Speaker 2>to have to necessarily become very technical when I'm wanting

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<v Speaker 2>to shoot an idea of a landscape or something. By

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<v Speaker 2>the way, I'm only using my own images and only

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<v Speaker 2>purposely not using anything generative. It's all like photos from

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<v Speaker 2>my own photo library, right, no stock, no, no generative

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<v Speaker 2>because until it's actually really good. As much as I'm

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<v Speaker 2>an advocate for it, I'm a better believer in craft

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<v Speaker 2>than I am. Then so can these tools like mastering

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<v Speaker 2>for example of sound love that love that for a

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<v Speaker 2>tool because I have no clue how to bring eqs up.

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<v Speaker 2>I have no clue how to bring in any depth

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<v Speaker 2>within a voice, and no clue on that.

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<v Speaker 1>So God bless, and do you use it for that?

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<v Speaker 1>Like you actually use it? What do you use for masking?

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<v Speaker 2>I use voice? I think it's voice AI. I've used

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<v Speaker 2>a couple of them. And by the way, when you

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<v Speaker 2>skim it, you know, when I'm looking for something, it's

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<v Speaker 2>typically at urgency other levels alone, and I can't seem

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<v Speaker 2>to bring them up and over peaky, and then I

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<v Speaker 2>use the service comes back it's too peaky or it's

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<v Speaker 2>got too much base. I don't know, right, So it's

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<v Speaker 2>really about can I use things tools that help get

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<v Speaker 2>to a better artifact than the actual tools that I

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<v Speaker 2>can use, Because democratization of tools means that everything is

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<v Speaker 2>kind of flatlined. So I'm looking for things to become

0:10:48.000 --> 0:10:52.360
<v Speaker 2>really interesting. I don't necessarily I don't necessarily think that

0:10:52.400 --> 0:10:56.640
<v Speaker 2>the quality of the end result is higher resolution enough,

0:10:57.240 --> 0:11:01.360
<v Speaker 2>but it sure beats squeaky markers and poof pads he

0:11:01.480 --> 0:11:04.439
<v Speaker 2>grew up with. So the efficiency of getting ideas out.

0:11:05.280 --> 0:11:08.840
<v Speaker 1>Love that, right, But is it craft if you're using

0:11:08.880 --> 0:11:09.520
<v Speaker 1>generative AI?

0:11:09.800 --> 0:11:11.880
<v Speaker 2>Yes, I think it is. I think it's I think

0:11:12.320 --> 0:11:14.880
<v Speaker 2>an artist can use any tool. This just happens to

0:11:14.880 --> 0:11:15.680
<v Speaker 2>be one of them today.

0:11:16.080 --> 0:11:17.120
<v Speaker 1>Right now.

0:11:17.280 --> 0:11:19.439
<v Speaker 2>You talked about value though, you talked about this thing

0:11:19.440 --> 0:11:21.520
<v Speaker 2>seemed to be bleeding money, et cetera, et cetera, all

0:11:21.520 --> 0:11:24.319
<v Speaker 2>of them. Yeah, God bless, what do you mean, God bless?

0:11:24.440 --> 0:11:26.120
<v Speaker 2>I mean that's that's going to be their problem at

0:11:26.120 --> 0:11:27.560
<v Speaker 2>some point in time. They're going to have to factor

0:11:27.559 --> 0:11:30.000
<v Speaker 2>that out and figure out a model that everyone's trying to,

0:11:30.080 --> 0:11:34.079
<v Speaker 2>you know, generate these tools that can be the panacea,

0:11:34.160 --> 0:11:35.439
<v Speaker 2>and then they're going to make money on it at

0:11:35.440 --> 0:11:40.199
<v Speaker 2>some point. Yeah maybe, yes, See, it's just not all

0:11:40.200 --> 0:11:42.080
<v Speaker 2>the tools he had to make money, you know that.

0:11:42.520 --> 0:11:45.480
<v Speaker 1>Sure, But none of the tools currently make money. Like

0:11:45.600 --> 0:11:48.280
<v Speaker 1>that's that's kind of thing. It just it feels like

0:11:48.320 --> 0:11:52.640
<v Speaker 1>an atypical hype psycle in that having lived through enough

0:11:52.640 --> 0:11:54.839
<v Speaker 1>of these now myself, I'm a little bit younger than you.

0:11:55.800 --> 0:11:58.360
<v Speaker 1>I've never seen one that was just burning cash like

0:11:58.440 --> 0:12:01.319
<v Speaker 1>this and it, but I've never seen one with more

0:12:01.679 --> 0:12:04.040
<v Speaker 1>nor have I ever seen one with more disconnection between

0:12:04.080 --> 0:12:06.959
<v Speaker 1>the utility and the marketing hype. It feels like they

0:12:06.960 --> 0:12:10.440
<v Speaker 1>are promising more than ever. Yeah, and we're in this weird,

0:12:10.920 --> 0:12:13.760
<v Speaker 1>distant area where it's like no one really knows what's

0:12:13.800 --> 0:12:14.400
<v Speaker 1>going to happen.

0:12:15.080 --> 0:12:17.360
<v Speaker 2>Well, you know, I live in the space of ads still,

0:12:17.440 --> 0:12:20.760
<v Speaker 2>so from an ad perspective, there's no shortage of demand.

0:12:21.120 --> 0:12:25.280
<v Speaker 1>But for what though? Ads? Yeah, sure, but demand for ads?

0:12:25.440 --> 0:12:28.360
<v Speaker 1>But what about generative? Like where does general vay I

0:12:28.800 --> 0:12:29.400
<v Speaker 1>fit into this?

0:12:29.480 --> 0:12:31.960
<v Speaker 2>You saying creative but yeah, helping to create the ads.

0:12:31.960 --> 0:12:33.520
<v Speaker 2>I think the ads that are created with Generative are

0:12:33.520 --> 0:12:36.440
<v Speaker 2>pretty rubbish. Yeah, but the truth is there's a demand

0:12:36.440 --> 0:12:39.320
<v Speaker 2>for lots of ads because of just sheer audience growth.

0:12:39.760 --> 0:12:43.040
<v Speaker 2>But the reality is that efficiency of can you make

0:12:43.080 --> 0:12:45.880
<v Speaker 2>ads cheaper? That's a that's a conundrum.

0:12:45.280 --> 0:12:47.400
<v Speaker 1>Because is Generative I doing that?

0:12:47.960 --> 0:12:49.800
<v Speaker 2>I don't think so. I think they're doing some of it.

0:12:49.880 --> 0:12:52.640
<v Speaker 2>Perhaps maybe they're doing an interesting background that would have

0:12:52.679 --> 0:12:54.320
<v Speaker 2>taken taking you up, but it can't.

0:12:54.480 --> 0:12:55.440
<v Speaker 1>It's not the whole thing.

0:12:55.480 --> 0:12:57.080
<v Speaker 2>And by the way, if you and I would look

0:12:57.120 --> 0:12:59.000
<v Speaker 2>at a bunch of ads right now and try and

0:12:59.000 --> 0:13:01.120
<v Speaker 2>pick with their AI or not AI, you would I

0:13:01.120 --> 0:13:03.320
<v Speaker 2>think nine out of ten would get We would know

0:13:03.360 --> 0:13:04.320
<v Speaker 2>that it's written by.

0:13:04.200 --> 0:13:06.439
<v Speaker 1>A There's like an uncanny Valley feel to them.

0:13:06.559 --> 0:13:08.520
<v Speaker 2>It's got a dystopian I guess. It's kind of feels

0:13:08.520 --> 0:13:11.280
<v Speaker 2>a little bit like and we've gone way beyond hallucination.

0:13:11.320 --> 0:13:13.560
<v Speaker 2>We've gone into this kind of you just know, you

0:13:13.559 --> 0:13:15.680
<v Speaker 2>can just see it and feel it. It's cold, it's weird.

0:13:15.840 --> 0:13:18.000
<v Speaker 1>And the funny thing is this, I think what you're

0:13:18.000 --> 0:13:21.079
<v Speaker 1>talking about is not hallucination. It is actually a in

0:13:21.120 --> 0:13:25.400
<v Speaker 1>accurate depiction of something. But it's too It has this

0:13:25.520 --> 0:13:29.679
<v Speaker 1>kind of sheen to it does feels like the movie AI. Yeah, ironically,

0:13:29.840 --> 0:13:31.760
<v Speaker 1>it has said that it came off my head. I'm like, shit,

0:13:31.800 --> 0:13:33.120
<v Speaker 1>I'm stupid anyway.

0:13:32.840 --> 0:13:34.680
<v Speaker 2>And the number of frames a second seem off.

0:13:34.679 --> 0:13:36.640
<v Speaker 1>There's something very there's too much like I.

0:13:37.800 --> 0:13:40.480
<v Speaker 2>Completely agree with you, but it's also where I see

0:13:40.520 --> 0:13:44.520
<v Speaker 2>those sort of things used in more kind of tunny jads,

0:13:44.600 --> 0:13:47.000
<v Speaker 2>like things that are just trying to get a lot

0:13:47.040 --> 0:13:51.440
<v Speaker 2>of these creatives saturating the marketplace, which ultimately if we're

0:13:51.440 --> 0:13:53.920
<v Speaker 2>not careful, we'll make ads more expensive, meaning to get

0:13:53.920 --> 0:13:55.880
<v Speaker 2>to ed the human at the end of it. If

0:13:55.920 --> 0:14:00.720
<v Speaker 2>you if you've now just become completely oblivious or ignoring

0:14:00.800 --> 0:14:03.559
<v Speaker 2>ads that feel like they're aied because and the sack

0:14:03.640 --> 0:14:06.720
<v Speaker 2>gets figured out, right, you'll become blind of these AI ads.

0:14:06.720 --> 0:14:08.280
<v Speaker 1>So to get to us even going to be harder.

0:14:08.360 --> 0:14:11.080
<v Speaker 1>So this is the weird thing right now. Ads and

0:14:11.160 --> 0:14:13.600
<v Speaker 1>AI don't seem to have touched that much. Can I

0:14:13.679 --> 0:14:15.840
<v Speaker 1>say this because there's a company so you heard a

0:14:15.840 --> 0:14:19.320
<v Speaker 1>perplexity too. So Perplexity is allegedly Hayden Field that the

0:14:19.440 --> 0:14:22.360
<v Speaker 1>NBC reported this last year. They're apparently looking for like

0:14:22.520 --> 0:14:26.680
<v Speaker 1>fifty five dollars CPM on what platform on their search

0:14:26.760 --> 0:14:30.320
<v Speaker 1>net their search platform. Okay, but you've not really seen

0:14:30.360 --> 0:14:33.720
<v Speaker 1>ADS and AI touch like even Google's AI search they

0:14:33.920 --> 0:14:34.600
<v Speaker 1>just did ads.

0:14:34.760 --> 0:14:36.880
<v Speaker 2>No, I think perplexity if you were to give it

0:14:36.880 --> 0:14:41.080
<v Speaker 2>a prompt and it recommended something that you were looking for. Yeah,

0:14:41.080 --> 0:14:42.320
<v Speaker 2>I assume you're looking for a piece of gear and

0:14:42.320 --> 0:14:44.800
<v Speaker 2>they recommend a piece of gear versus these other ten

0:14:44.800 --> 0:14:47.240
<v Speaker 2>pieces of gear. Ah, that review is probably in their

0:14:47.240 --> 0:14:50.040
<v Speaker 2>eyes an ad, right, you know what I mean? It's

0:14:50.040 --> 0:14:51.440
<v Speaker 2>not it may not be a display ad as we

0:14:51.640 --> 0:14:52.000
<v Speaker 2>but they're not.

0:14:52.440 --> 0:14:53.680
<v Speaker 1>They're not doing ads yet.

0:14:53.720 --> 0:14:55.240
<v Speaker 2>It's just you know, but I'm saying they could be

0:14:55.240 --> 0:14:59.120
<v Speaker 2>in the description. Sure are they formally not doing ads

0:14:59.160 --> 0:14:59.840
<v Speaker 2>or they haven't.

0:14:59.600 --> 0:15:01.840
<v Speaker 1>They haven't started yet because they want to.

0:15:01.920 --> 0:15:04.480
<v Speaker 2>And when they do those ads, they will be subtle

0:15:04.600 --> 0:15:06.880
<v Speaker 2>like that, they will be within descriptions, they will be

0:15:07.560 --> 0:15:10.360
<v Speaker 2>contextually relevant to that person in terms of the totality

0:15:10.360 --> 0:15:11.960
<v Speaker 2>of a story, not just a display.

0:15:12.040 --> 0:15:13.600
<v Speaker 1>I'm just wanting I think it will be No, no, no,

0:15:13.960 --> 0:15:15.680
<v Speaker 1>I'm not disagreeing with you. I'm just wondering how they

0:15:15.720 --> 0:15:18.080
<v Speaker 1>pull it off. Because the whole thing with hallucinations, you

0:15:18.120 --> 0:15:19.760
<v Speaker 1>can't predict where an AD is going to appear or

0:15:19.800 --> 0:15:20.920
<v Speaker 1>what it's going to appear next to.

0:15:21.600 --> 0:15:23.920
<v Speaker 2>And I think that if it's with with if it's

0:15:23.920 --> 0:15:25.320
<v Speaker 2>with words, the context is wider.

0:15:25.680 --> 0:15:28.040
<v Speaker 1>You think. If it's with voice, they're not going to

0:15:28.320 --> 0:15:29.560
<v Speaker 1>voice as not.

0:15:29.640 --> 0:15:31.680
<v Speaker 2>You know, it's like it's just a wider context. Though,

0:15:31.680 --> 0:15:33.440
<v Speaker 2>So let's let's just stream for a second. If you're

0:15:33.480 --> 0:15:35.800
<v Speaker 2>able to do that, at least you've got a wider

0:15:35.840 --> 0:15:40.840
<v Speaker 2>concept of what the story is versus a display out around.

0:15:41.080 --> 0:15:44.000
<v Speaker 1>But I mean, I mean just like, practically speaking, if

0:15:44.000 --> 0:15:46.720
<v Speaker 1>you vomit out a bunch of text which may rip

0:15:46.760 --> 0:15:49.720
<v Speaker 1>off a journalist outlet, or to how do you like

0:15:49.800 --> 0:15:53.520
<v Speaker 1>I Perhaps the I need to actually ask you the question,

0:15:54.080 --> 0:15:57.000
<v Speaker 1>why do you think that ADS and AI really haven't

0:15:57.000 --> 0:16:00.440
<v Speaker 1>touched it? Because chat GPT doesn't monetize with that, Lexity

0:16:00.520 --> 0:16:03.840
<v Speaker 1>is thinking about it, haven't Google AI has only just

0:16:03.960 --> 0:16:07.440
<v Speaker 1>started considering it. Do you think it's a generative side

0:16:07.520 --> 0:16:08.920
<v Speaker 1>like you've been in the AD slot for that?

0:16:09.120 --> 0:16:12.000
<v Speaker 2>I guess it depends on depends on which place you

0:16:12.040 --> 0:16:14.040
<v Speaker 2>want to sit in that question. Are you talking about

0:16:14.680 --> 0:16:16.800
<v Speaker 2>me as somebody going to the tool to use it?

0:16:16.920 --> 0:16:21.000
<v Speaker 1>Now? I'm wondering why the companies themselves have been hesitant? No, no, no,

0:16:21.160 --> 0:16:21.880
<v Speaker 1>hang on, let me let me.

0:16:21.960 --> 0:16:23.640
<v Speaker 2>Let's get back to the context real quick so I

0:16:23.640 --> 0:16:26.400
<v Speaker 2>can understand the framing. Is it? Is it me going

0:16:26.400 --> 0:16:29.320
<v Speaker 2>to Perplexity's website to be able to use its tool,

0:16:29.360 --> 0:16:31.640
<v Speaker 2>and it's folding in ADS in the results of me?

0:16:32.120 --> 0:16:34.400
<v Speaker 1>I mean, I mean a generative I mean on a

0:16:34.440 --> 0:16:37.160
<v Speaker 1>grander perspective, like taking it away from just like the

0:16:37.240 --> 0:16:39.680
<v Speaker 1>user right now, You've been in ads for a long time, however,

0:16:39.800 --> 0:16:41.520
<v Speaker 1>so I think, why do you think they if it

0:16:41.640 --> 0:16:44.400
<v Speaker 1>was like ads to ad tech has traditionally been very

0:16:44.520 --> 0:16:46.880
<v Speaker 1>quick to adopt stuff. But they will rush. They rush

0:16:46.920 --> 0:16:50.040
<v Speaker 1>to fucking micat, They rushed to everything fast. Remember that.

0:16:51.480 --> 0:16:55.040
<v Speaker 1>But it's AI. They've generative AI, generative search Chat GPT.

0:16:55.240 --> 0:16:57.440
<v Speaker 2>Because I just don't think it's I would I would

0:16:57.520 --> 0:17:02.160
<v Speaker 2>say that it's just a little naive. And I have

0:17:02.240 --> 0:17:06.240
<v Speaker 2>seen you mean, I have seen ads that are directed

0:17:06.320 --> 0:17:13.320
<v Speaker 2>by so, scripted by AI, shot by humans. Sure, and

0:17:13.440 --> 0:17:17.600
<v Speaker 2>they look there's just something missing. And because that litmus

0:17:17.640 --> 0:17:19.480
<v Speaker 2>test of is it warm and after does it feel

0:17:19.680 --> 0:17:23.359
<v Speaker 2>like something that is a motive it misses? Sure, it

0:17:23.440 --> 0:17:25.239
<v Speaker 2>is going to get a lot better. Man, This is

0:17:25.240 --> 0:17:26.360
<v Speaker 2>not even a debate, but.

0:17:26.600 --> 0:17:29.040
<v Speaker 1>I mean it absolutely is a debate. I mean I

0:17:29.080 --> 0:17:31.399
<v Speaker 1>will absolutely debate the shit out of this. The training

0:17:31.480 --> 0:17:34.320
<v Speaker 1>data required to make saua better does not exist, even

0:17:34.359 --> 0:17:37.080
<v Speaker 1>if you took every video ever taken there. Adobe is

0:17:37.080 --> 0:17:40.320
<v Speaker 1>paying people to take video. But my question was actually

0:17:40.359 --> 0:17:43.639
<v Speaker 1>really way more specific, which is, you have been in

0:17:43.680 --> 0:17:46.680
<v Speaker 1>ad tech for a long time. Everything else has been

0:17:46.680 --> 0:17:51.800
<v Speaker 1>in like generative AI platforms are not integrating ads as

0:17:51.840 --> 0:17:55.200
<v Speaker 1>a monetization mechanis well, and why do you think that is.

0:17:55.000 --> 0:17:57.920
<v Speaker 2>Because the presentation layer of that, the actual ability to

0:17:58.040 --> 0:18:01.159
<v Speaker 2>generate something that feels like it's not coal specifically, and

0:18:01.240 --> 0:18:03.439
<v Speaker 2>I've said it a few times now, is not up

0:18:03.440 --> 0:18:06.320
<v Speaker 2>to snuff. Everything else in the background that is actually

0:18:06.440 --> 0:18:10.600
<v Speaker 2>using lots of big data to be able to represent

0:18:10.640 --> 0:18:13.320
<v Speaker 2>the right type of context to you. Today we will

0:18:13.320 --> 0:18:16.000
<v Speaker 2>call that AI is in play. So I think there's

0:18:16.000 --> 0:18:18.359
<v Speaker 2>a marriage between what's going on in the back Haman

0:18:18.400 --> 0:18:21.320
<v Speaker 2>along and the presentation layer of that, to be honest,

0:18:21.440 --> 0:18:24.320
<v Speaker 2>is terrible. I agre in comparison, I agree, but maybe

0:18:24.320 --> 0:18:27.120
<v Speaker 2>they need to be more specific. It feels like ad

0:18:27.200 --> 0:18:29.840
<v Speaker 2>tech is they will do the generative side. There's tons

0:18:29.880 --> 0:18:31.760
<v Speaker 2>of ad tech platforms that will generate like and you

0:18:31.760 --> 0:18:34.600
<v Speaker 2>see those the specs, or you've seen the ads too.

0:18:34.600 --> 0:18:36.840
<v Speaker 2>You've seen the shiny musclier person.

0:18:36.800 --> 0:18:40.040
<v Speaker 1>Oh god, yeah, the horrifying like beautiful people with like

0:18:40.760 --> 0:18:44.080
<v Speaker 1>nineteen pack. I mean more on a practical level of

0:18:44.520 --> 0:18:47.199
<v Speaker 1>you were a AOWA, you were inspiring them to do

0:18:47.280 --> 0:18:49.760
<v Speaker 1>more things. It feels like when it comes to the

0:18:49.800 --> 0:18:53.440
<v Speaker 1>platforms themselves, putting aside the actual ads themselves, I mean,

0:18:54.040 --> 0:18:58.400
<v Speaker 1>it doesn't feel like anyone not perplexity, perplexity being so

0:18:58.440 --> 0:19:01.920
<v Speaker 1>slow Google, especially so weird. It feels like they're hesitant

0:19:02.000 --> 0:19:07.240
<v Speaker 1>to attach ads to these platforms at all. To the platforms, yeah,

0:19:07.240 --> 0:19:09.280
<v Speaker 1>as in like they have an integrate because ad tech

0:19:09.359 --> 0:19:12.800
<v Speaker 1>loves integrating shit are putting stuff on stuff, But it

0:19:12.840 --> 0:19:15.360
<v Speaker 1>feels like they've stepped away from it like they had. Look.

0:19:15.440 --> 0:19:18.280
<v Speaker 2>Yeah, and maybe maybe because of that's a really interesting question.

0:19:18.320 --> 0:19:21.400
<v Speaker 2>Maybe it's because it's just, you know, it's an interface

0:19:21.440 --> 0:19:23.720
<v Speaker 2>for creation and they don't want to actually bastardartter with

0:19:23.720 --> 0:19:25.440
<v Speaker 2>ads today. It might be that it might be that pure.

0:19:25.440 --> 0:19:26.160
<v Speaker 2>It might be that pure.

0:19:26.200 --> 0:19:29.000
<v Speaker 1>I wonder if it's difficult to integrate it because.

0:19:28.640 --> 0:19:32.160
<v Speaker 2>Or where would you because that's that's the interface today.

0:19:32.200 --> 0:19:36.440
<v Speaker 2>Feels a bit like Wikipedia meets answers dot com. Yeah,

0:19:36.520 --> 0:19:38.959
<v Speaker 2>it feels a bit kind of retro, you know. And

0:19:39.000 --> 0:19:40.760
<v Speaker 2>because it's a new interface, the only way to put

0:19:40.760 --> 0:19:42.480
<v Speaker 2>the context around it is in the context of what

0:19:42.520 --> 0:19:43.160
<v Speaker 2>you're generating.

0:19:43.200 --> 0:19:45.000
<v Speaker 1>And it's so and that's random every time.

0:19:45.400 --> 0:19:48.679
<v Speaker 2>And it's also software equals ads. Before, So if we

0:19:48.800 --> 0:19:52.400
<v Speaker 2>roll this back to the early nineties mid nineties, there

0:19:52.400 --> 0:19:54.960
<v Speaker 2>were holes cut across websites for display ads and those

0:19:54.960 --> 0:19:59.520
<v Speaker 2>formats were accredited. Now it's so rare. There is a

0:19:59.520 --> 0:20:01.640
<v Speaker 2>little bit of through line that feels like it's consistent,

0:20:02.320 --> 0:20:04.280
<v Speaker 2>but it's not a consistent interface that feels like in

0:20:04.359 --> 0:20:06.320
<v Speaker 2>rap ads around it and particularly on mobile, but Destop

0:20:06.359 --> 0:20:07.000
<v Speaker 2>probably more so.

0:20:07.160 --> 0:20:08.600
<v Speaker 1>And I wanted to and like, this wasn't meant to

0:20:08.600 --> 0:20:10.800
<v Speaker 1>be an oppositional question. It's just fascinating to me. Oh,

0:20:10.840 --> 0:20:11.359
<v Speaker 1>I don't think it is.

0:20:11.400 --> 0:20:13.440
<v Speaker 2>I think it's a really good question because because I

0:20:13.440 --> 0:20:15.920
<v Speaker 2>would say that these But the reason why I'm keep

0:20:15.920 --> 0:20:19.840
<v Speaker 2>on asking for a pointed question to the question is

0:20:19.880 --> 0:20:23.679
<v Speaker 2>that you've got creation tools and you've got consumption tools,

0:20:24.280 --> 0:20:26.840
<v Speaker 2>and at times they're the same thing. Sure, if you

0:20:26.880 --> 0:20:28.520
<v Speaker 2>look at Chat or if you look at you know,

0:20:28.680 --> 0:20:31.479
<v Speaker 2>if you're a claud they're the same thing. So you're

0:20:31.480 --> 0:20:33.880
<v Speaker 2>in there creating as a creator as well as somebody

0:20:33.880 --> 0:20:37.439
<v Speaker 2>who is consuming that. That's pretty new from a dynamic

0:20:37.440 --> 0:20:39.640
<v Speaker 2>of a user interface, because you don't go in and

0:20:39.960 --> 0:20:42.000
<v Speaker 2>you don't well, you could go in and create a

0:20:42.119 --> 0:20:46.600
<v Speaker 2>video on the fly and upload it to Instagram, but

0:20:47.280 --> 0:20:49.560
<v Speaker 2>you wouldn't expect to see an ad on your creation

0:20:49.640 --> 0:20:51.960
<v Speaker 2>of that video on Instagram, you know what I'm saying.

0:20:52.280 --> 0:20:55.080
<v Speaker 2>So given that's the case, there's a new paradigm, that's

0:20:55.080 --> 0:20:57.640
<v Speaker 2>all I'm saying. And I haven't really thought about that

0:20:57.680 --> 0:20:59.200
<v Speaker 2>paradigm converging.

0:20:59.280 --> 0:21:01.720
<v Speaker 1>And that's the thing, Like your whole thing is what's

0:21:01.800 --> 0:21:05.840
<v Speaker 1>new and sexy and ads and all shiny, and it's

0:21:06.160 --> 0:21:08.960
<v Speaker 1>it's just so strange. It's truly unique. Because when we

0:21:09.040 --> 0:21:12.000
<v Speaker 1>had the bullshit AR thing, I'm sure you remember that

0:21:12.440 --> 0:21:14.840
<v Speaker 1>they had ads on that ship immediately. You could not.

0:21:15.240 --> 0:21:18.359
<v Speaker 1>You couldn't you were filthy with filters. You could have

0:21:18.560 --> 0:21:21.240
<v Speaker 1>like a sprite filter on your face if you wanted it.

0:21:21.359 --> 0:21:23.520
<v Speaker 1>They had the ads immediately.

0:21:23.600 --> 0:21:25.960
<v Speaker 2>Because in that context, it feel like you're really good.

0:21:26.000 --> 0:21:26.879
<v Speaker 2>Can you just layer it?

0:21:27.400 --> 0:21:30.000
<v Speaker 1>Yeah? And it's just like it and you I agree

0:21:30.000 --> 0:21:32.400
<v Speaker 1>with you that they are creative interfaces when you look

0:21:32.400 --> 0:21:34.560
<v Speaker 1>at them. This is not a judgment or how much

0:21:34.600 --> 0:21:36.480
<v Speaker 1>I like them, it's just what they work work has.

0:21:36.880 --> 0:21:39.280
<v Speaker 1>It just feels so weird that ad tech or like,

0:21:39.400 --> 0:21:41.560
<v Speaker 1>none of these platforms want to Sam Wortman said he

0:21:41.560 --> 0:21:44.360
<v Speaker 1>doesn't like it whatever, but it's just so bizarre.

0:21:56.200 --> 0:21:59.880
<v Speaker 2>What about the fact that the gold rush of AAR

0:22:00.400 --> 0:22:04.359
<v Speaker 2>happening now is also part of the fallout of the

0:22:04.400 --> 0:22:09.080
<v Speaker 2>euphoria of the web three NFT blockchain world how do

0:22:09.080 --> 0:22:10.760
<v Speaker 2>you mean? And what I mean by that is that

0:22:10.760 --> 0:22:13.120
<v Speaker 2>that was all the attention. If we meant on this

0:22:13.160 --> 0:22:15.399
<v Speaker 2>particular show three four years ago, that's probably all you

0:22:15.520 --> 0:22:15.960
<v Speaker 2>talk about.

0:22:17.160 --> 0:22:19.520
<v Speaker 1>I mean this three years ago, but I was I

0:22:19.640 --> 0:22:21.159
<v Speaker 1>was on that ship if we were. But you know

0:22:21.200 --> 0:22:21.600
<v Speaker 1>what I'm saying.

0:22:21.640 --> 0:22:25.400
<v Speaker 2>So, but that that has kind of that isn't as

0:22:25.480 --> 0:22:27.960
<v Speaker 2>quite hypey as it is today. So what I'm saying,

0:22:28.000 --> 0:22:29.880
<v Speaker 2>if people are saying Web three the future of that's

0:22:29.960 --> 0:22:32.359
<v Speaker 2>more puristic. We haven't seen a world like this. This

0:22:32.400 --> 0:22:34.280
<v Speaker 2>is going to be incredible. It's by landing it blah

0:22:34.280 --> 0:22:39.560
<v Speaker 2>blah blah. Perhaps the positioning of what does this new web,

0:22:39.640 --> 0:22:42.719
<v Speaker 2>better web look like? Jamming ads in it is just

0:22:42.760 --> 0:22:44.840
<v Speaker 2>like having the uninvited guests to the paint.

0:22:44.840 --> 0:22:47.200
<v Speaker 1>I don't know if I feel like it's the utopian thing.

0:22:47.240 --> 0:22:52.760
<v Speaker 1>It's just the idea of any of these companies being like, oh, well,

0:22:52.800 --> 0:22:54.800
<v Speaker 1>we don't want to fuck up the Internet. I mean,

0:22:54.840 --> 0:22:57.000
<v Speaker 1>look at Google Search. I mean that there is no

0:22:57.080 --> 0:23:00.360
<v Speaker 1>great effector that has fucked up the Internet. Ragavat, piece

0:23:00.400 --> 0:23:04.800
<v Speaker 1>of shit. It's just so strange. And I've really only

0:23:04.840 --> 0:23:08.200
<v Speaker 1>came to this conversation thinking about this because every single

0:23:08.440 --> 0:23:11.680
<v Speaker 1>hype cycle other than and crypto. I can understand why

0:23:11.720 --> 0:23:14.639
<v Speaker 1>the ads weren't quite as prevalent. I can understand because

0:23:14.640 --> 0:23:18.040
<v Speaker 1>it's difficult to do blockchain ads. Christ what a hype

0:23:18.040 --> 0:23:21.720
<v Speaker 1>cycle idea, But blockchain ads because the sure the immutable ledger.

0:23:21.760 --> 0:23:25.240
<v Speaker 1>But how would you actually reliably You could probably say

0:23:25.280 --> 0:23:27.280
<v Speaker 1>a click happened. No, actually it would be difficult.

0:23:28.400 --> 0:23:30.720
<v Speaker 2>Yeah, attribution across that would be challenging. But I also

0:23:30.720 --> 0:23:36.800
<v Speaker 2>think but on your point, I don't know why, to

0:23:36.840 --> 0:23:40.520
<v Speaker 2>be honest, but I do think maybe there is It's

0:23:40.600 --> 0:23:44.639
<v Speaker 2>always an outcome. Monetizing a platform of popularity is always

0:23:44.680 --> 0:23:45.359
<v Speaker 2>going to be an outcome.

0:23:45.400 --> 0:23:46.040
<v Speaker 1>It doesn't mater to me.

0:23:46.200 --> 0:23:47.879
<v Speaker 2>And by the way, that's with every platform. You know,

0:23:47.920 --> 0:23:50.120
<v Speaker 2>it starts with the purest of all the social platforms.

0:23:50.160 --> 0:23:53.119
<v Speaker 2>None of them had ads initially. And then if you

0:23:53.200 --> 0:23:54.639
<v Speaker 2>look at something if you go into the vault and

0:23:54.640 --> 0:23:56.480
<v Speaker 2>look at things like MySpace, they never had ads for

0:23:56.560 --> 0:23:59.560
<v Speaker 2>the longest time because the artist was the ad. I mean,

0:23:59.720 --> 0:24:01.760
<v Speaker 2>you know, sure that makes sense.

0:24:01.880 --> 0:24:04.920
<v Speaker 1>Yeah, but I'm just thinking, I'm having like one idea,

0:24:04.920 --> 0:24:07.879
<v Speaker 1>which is very difficult for my brain. It almost feels

0:24:07.880 --> 0:24:10.720
<v Speaker 1>like these hype cycles have failed because they haven't found

0:24:10.359 --> 0:24:13.840
<v Speaker 1>an AD thing all of the previous ones. The Internet

0:24:13.920 --> 0:24:17.000
<v Speaker 1>is built on advertising, as you well know, but none

0:24:17.040 --> 0:24:21.760
<v Speaker 1>of them, not meta, not metaverse, not crypto, not generative

0:24:21.760 --> 0:24:24.879
<v Speaker 1>AI have found a stable ad income. And I have

0:24:24.960 --> 0:24:27.639
<v Speaker 1>to wonder if it might be that the subscription model

0:24:28.160 --> 0:24:31.600
<v Speaker 1>is not scalable, at least it doesn't scale to the

0:24:32.280 --> 0:24:35.560
<v Speaker 1>dollars that advertising can provide, which most of tech is

0:24:36.200 --> 0:24:37.800
<v Speaker 1>dependent on. Yeah, for sure.

0:24:37.920 --> 0:24:40.000
<v Speaker 2>I mean the subscription dollars versus the ad dollars is

0:24:40.000 --> 0:24:40.960
<v Speaker 2>still the pathetic.

0:24:41.080 --> 0:24:42.639
<v Speaker 1>Yeah, forget about it.

0:24:42.680 --> 0:24:45.680
<v Speaker 2>But there's something really interesting about that popularity though we're

0:24:45.720 --> 0:24:48.320
<v Speaker 2>still in this world of popularity right until right until

0:24:48.320 --> 0:24:50.240
<v Speaker 2>you get scale, you don't have an audience that actually

0:24:50.320 --> 0:24:53.159
<v Speaker 2>you can monetize. But it still comes down to I

0:24:53.200 --> 0:24:55.240
<v Speaker 2>think these two interphases are in conflict because you've got

0:24:55.280 --> 0:24:57.800
<v Speaker 2>consumption and creation happening on the same platform, right, which

0:24:57.840 --> 0:24:59.040
<v Speaker 2>I think is incredibly unique.

0:24:59.119 --> 0:25:02.679
<v Speaker 1>It is unique, however, I feel about generative AI. There

0:25:02.680 --> 0:25:05.240
<v Speaker 1>hasn't been something like this shit before, which is I

0:25:05.359 --> 0:25:09.239
<v Speaker 1>find it deeply annoying and all of it frustrating, and

0:25:09.280 --> 0:25:11.560
<v Speaker 1>the environmental and the theft and all of that, and

0:25:11.600 --> 0:25:14.680
<v Speaker 1>the fact it's actually fair the people it's put out

0:25:14.720 --> 0:25:17.520
<v Speaker 1>of jobs, feel like people who are already vulnerable as well,

0:25:17.560 --> 0:25:23.400
<v Speaker 1>like art directors and like freelance audio people and freelance

0:25:23.480 --> 0:25:26.880
<v Speaker 1>creatives are the ones getting fucked by this, and all

0:25:26.920 --> 0:25:29.879
<v Speaker 1>of this is happening for them all to lose money.

0:25:30.080 --> 0:25:32.399
<v Speaker 1>That to me is the dystopian part that they haven't.

0:25:32.440 --> 0:25:35.280
<v Speaker 1>They've No one really appears to be benefiting from this

0:25:35.440 --> 0:25:37.520
<v Speaker 1>other than maybe Samuelman and dari Ama Day.

0:25:37.920 --> 0:25:41.959
<v Speaker 2>There is something to the culture of creativity which is

0:25:42.600 --> 0:25:46.240
<v Speaker 2>even in it adds today still is that creative is

0:25:46.280 --> 0:25:48.240
<v Speaker 2>considered a non working part of the media. What do

0:25:48.240 --> 0:25:51.000
<v Speaker 2>you mean, I mean that it doesn't count as part

0:25:51.040 --> 0:25:52.680
<v Speaker 2>of the media creative.

0:25:52.280 --> 0:25:55.399
<v Speaker 1>So it's always this cost item. Ok so what the

0:25:55.520 --> 0:25:57.480
<v Speaker 1>journalists and the artists and all that.

0:25:57.560 --> 0:25:59.439
<v Speaker 2>Yeah, the people should create the commercials for example, they

0:25:59.440 --> 0:26:01.560
<v Speaker 2>typically doesn't get rolled up as part of the media

0:26:01.600 --> 0:26:05.160
<v Speaker 2>spend or success. So it's always debatable. Media isn't because

0:26:05.160 --> 0:26:07.560
<v Speaker 2>it's absolute, because it's skeary. You got a rate card,

0:26:07.600 --> 0:26:08.720
<v Speaker 2>you know where the audiences are?

0:26:08.880 --> 0:26:10.440
<v Speaker 1>You know, I get what you're saying. Who are the

0:26:10.480 --> 0:26:13.600
<v Speaker 1>people that have when you say it's not rated or like,

0:26:13.640 --> 0:26:16.280
<v Speaker 1>it's not not contented part of the media. Who are

0:26:16.280 --> 0:26:19.560
<v Speaker 1>the people saying this is it the ad? The ads people?

0:26:19.600 --> 0:26:21.160
<v Speaker 1>They just don't consider the.

0:26:21.119 --> 0:26:23.359
<v Speaker 2>Creatives, oh, the brand. So if a brand is sitting

0:26:23.359 --> 0:26:25.120
<v Speaker 2>here saying, look, we're going to create an AD, but

0:26:25.320 --> 0:26:28.400
<v Speaker 2>the cost of that ad doesn't get attributed to where

0:26:28.440 --> 0:26:30.200
<v Speaker 2>the media is because media is always whole.

0:26:30.400 --> 0:26:32.440
<v Speaker 1>So that's always I'm not sure I understand.

0:26:32.600 --> 0:26:35.679
<v Speaker 2>So I guess my point in saying this is that

0:26:36.600 --> 0:26:38.520
<v Speaker 2>we're always going to try and skinny down the cost

0:26:38.520 --> 0:26:41.159
<v Speaker 2>of creation, right, Okay, that's really the nut of it,

0:26:41.200 --> 0:26:45.560
<v Speaker 2>because everything else that's ray card, negotiable, whatever, But the

0:26:45.640 --> 0:26:47.840
<v Speaker 2>actual physical cost of the thing that gets placed that

0:26:47.920 --> 0:26:48.800
<v Speaker 2>always seems to be.

0:26:50.520 --> 0:26:52.840
<v Speaker 1>A step child. Yeah yeah, yeah, No, that's a shame.

0:26:52.920 --> 0:26:55.000
<v Speaker 2>And so when you talk about vulnerability, I completely agree

0:26:55.040 --> 0:26:57.800
<v Speaker 2>with that. The flip side of that is all of

0:26:57.840 --> 0:27:00.480
<v Speaker 2>these efficiency tools that we see, and AI is considered

0:27:00.480 --> 0:27:04.320
<v Speaker 2>one of those today because generative is just one part

0:27:04.320 --> 0:27:07.159
<v Speaker 2>of it which is still trying to find I believe

0:27:07.280 --> 0:27:09.200
<v Speaker 2>its way. I find some things that are really kind

0:27:09.200 --> 0:27:12.560
<v Speaker 2>of amazing, but not all the time, Like I wouldn't

0:27:12.560 --> 0:27:14.600
<v Speaker 2>be using it all the time, but you can't.

0:27:15.119 --> 0:27:17.360
<v Speaker 1>It is not reliable on that point. No, I wasn't

0:27:17.400 --> 0:27:19.399
<v Speaker 1>even trying to gotch that, but you just can't write now.

0:27:19.480 --> 0:27:22.000
<v Speaker 2>And it's also you know, it's not higher resolution enough.

0:27:22.000 --> 0:27:24.600
<v Speaker 2>There's many reasons why, but it does get you to

0:27:24.640 --> 0:27:27.320
<v Speaker 2>mediocre faster, and so at least.

0:27:27.160 --> 0:27:29.560
<v Speaker 1>Jesus that allows you to not the secreme, but.

0:27:29.520 --> 0:27:31.400
<v Speaker 2>You you know, so at least make those decisions to say,

0:27:31.680 --> 0:27:33.159
<v Speaker 2>obviously that's a bad idea, we're not going to go

0:27:33.240 --> 0:27:35.680
<v Speaker 2>forward with it, as opposed to somebody polishing ten great

0:27:35.680 --> 0:27:39.240
<v Speaker 2>ideas or ten mediocre ideas and finding out there's one

0:27:39.240 --> 0:27:41.639
<v Speaker 2>should have been executed faster, better, sooner.

0:27:42.119 --> 0:27:44.439
<v Speaker 1>Maybe that's a maybe that's a case for it. I

0:27:44.480 --> 0:27:48.920
<v Speaker 1>think you've really touched upon something though, which is I

0:27:48.960 --> 0:27:51.960
<v Speaker 1>think a lot of my listeners and my readers struggle

0:27:52.040 --> 0:27:55.280
<v Speaker 1>with why so many corporations want general if AI to grow.

0:27:55.359 --> 0:27:57.960
<v Speaker 1>And parts of it is the labor automation, why they want,

0:27:59.119 --> 0:28:01.720
<v Speaker 1>why they want to be a thing, And there's many

0:28:01.760 --> 0:28:04.679
<v Speaker 1>stupid reasons. But I never thought about the fact that

0:28:04.800 --> 0:28:08.119
<v Speaker 1>just in the ads world, which controls large swarts of

0:28:08.119 --> 0:28:10.639
<v Speaker 1>our economy and funds a lot of the tech industry,

0:28:11.000 --> 0:28:14.080
<v Speaker 1>just all creativity was considered minor. I never I mean,

0:28:14.119 --> 0:28:16.000
<v Speaker 1>it's very obvious now I say it, but like it's

0:28:16.040 --> 0:28:18.159
<v Speaker 1>fascinating to know that from that is that like an

0:28:18.160 --> 0:28:23.359
<v Speaker 1>executive possession. Well, yet here's a challenge.

0:28:23.920 --> 0:28:27.359
<v Speaker 2>You have mediocre creatives seen by many, right, and you

0:28:27.400 --> 0:28:30.760
<v Speaker 2>see really great creatives seen by few. So that's why

0:28:30.760 --> 0:28:33.040
<v Speaker 2>it feels like the creatives still sort of sit.

0:28:34.400 --> 0:28:34.960
<v Speaker 1>At the back.

0:28:35.720 --> 0:28:38.320
<v Speaker 2>They're trying to do these things, but they whenever a

0:28:38.320 --> 0:28:42.160
<v Speaker 2>discussion says at scale, that's when it falls apart. So

0:28:42.200 --> 0:28:44.280
<v Speaker 2>that's why it's it's kind of.

0:28:44.640 --> 0:28:46.480
<v Speaker 1>Why is mediocre seen by the many? Though?

0:28:46.600 --> 0:28:49.000
<v Speaker 2>Like why does the mis simply because of format? I

0:28:49.000 --> 0:28:51.520
<v Speaker 2>think is really you know, the ability to try and

0:28:51.560 --> 0:28:56.719
<v Speaker 2>create something that has a contagiousness to it. Today seems

0:28:56.720 --> 0:28:59.600
<v Speaker 2>to have a celebrity moment those days. I think it

0:28:59.680 --> 0:29:05.640
<v Speaker 2>kind of at least falling away, and there are better

0:29:05.680 --> 0:29:08.600
<v Speaker 2>places for people to hold their attention, So metrics have

0:29:08.640 --> 0:29:11.400
<v Speaker 2>to change effectively, go away from popularity and talk about

0:29:11.400 --> 0:29:13.640
<v Speaker 2>other things like how do you hold somebody's attention for

0:29:13.680 --> 0:29:17.840
<v Speaker 2>the longest time versus just trying to saturate you know, right,

0:29:18.480 --> 0:29:21.640
<v Speaker 2>I mean I think it's I think the landscape's changing,

0:29:22.720 --> 0:29:25.800
<v Speaker 2>but I don't think it's I don't think creation of

0:29:25.840 --> 0:29:30.240
<v Speaker 2>content or creativity is evolving at the same pace.

0:29:30.360 --> 0:29:33.240
<v Speaker 1>But would evolving even matter if there was this attitude

0:29:33.240 --> 0:29:35.120
<v Speaker 1>towards creatives? Ah?

0:29:36.160 --> 0:29:39.240
<v Speaker 2>Yeah, well, eg format, of course, what do you mean

0:29:39.840 --> 0:29:40.720
<v Speaker 2>shape of the ad?

0:29:41.240 --> 0:29:42.240
<v Speaker 1>Sure, style of the ad.

0:29:42.280 --> 0:29:44.120
<v Speaker 2>You know you talked about ar as a good example.

0:29:44.280 --> 0:29:48.760
<v Speaker 2>That was small orient's wow experience to be honest, but where.

0:29:48.720 --> 0:29:51.400
<v Speaker 1>Was the conversion there? Because that's the thing. It doesn't

0:29:51.440 --> 0:29:54.520
<v Speaker 1>feel like there has been a new successful ad format

0:29:54.720 --> 0:29:57.360
<v Speaker 1>in a long time. Have you seen others?

0:29:58.120 --> 0:30:00.760
<v Speaker 2>I really haven't. It's so strang you know, I've tried

0:30:00.800 --> 0:30:02.560
<v Speaker 2>on as I'm sure you have with vision Pro. You've

0:30:02.560 --> 0:30:04.840
<v Speaker 2>tried on the goggles? Oh christ, yes, you know I

0:30:04.880 --> 0:30:08.320
<v Speaker 2>can't really see anybody. Firstly, it just doesn't scale. It

0:30:08.320 --> 0:30:10.400
<v Speaker 2>comes back to that, right, there is no scale, but

0:30:10.440 --> 0:30:14.040
<v Speaker 2>it's immersive. But the reality of are you building things

0:30:14.080 --> 0:30:16.080
<v Speaker 2>for a wonder many? Are you building it for one

0:30:16.120 --> 0:30:16.600
<v Speaker 2>to one?

0:30:17.040 --> 0:30:20.560
<v Speaker 1>And just even then I have to wonder if there's

0:30:20.600 --> 0:30:23.480
<v Speaker 1>not a problem which we the geniuses have discovered, which

0:30:23.480 --> 0:30:27.840
<v Speaker 1>is there is no like we're in the iHeartRadio studios.

0:30:27.880 --> 0:30:30.360
<v Speaker 1>One of the most successful advertising formats, and as my

0:30:30.520 --> 0:30:34.080
<v Speaker 1>listeners love to tell me, is the ads. The basic

0:30:34.480 --> 0:30:40.280
<v Speaker 1>radio play ads and display ads and so CPACPM. Otherwise,

0:30:40.320 --> 0:30:44.080
<v Speaker 1>it doesn't feel like advertising has evolved. It's tried to evolve.

0:30:44.240 --> 0:30:45.680
<v Speaker 2>Yeah, I mean we tried to do it with Devil.

0:30:45.720 --> 0:30:47.440
<v Speaker 2>We try to do it with these incredible formats and

0:30:47.560 --> 0:30:50.520
<v Speaker 2>at least work. They certainly did, and the measurement of

0:30:50.600 --> 0:30:54.640
<v Speaker 2>work is you know, dwell time click through all of

0:30:54.640 --> 0:30:56.920
<v Speaker 2>those things that you can measure. They were going through

0:30:56.920 --> 0:30:59.200
<v Speaker 2>the roof and they work until they become standards and

0:30:59.200 --> 0:31:01.560
<v Speaker 2>then they don't work because they're everywhere. So there's this

0:31:01.640 --> 0:31:05.880
<v Speaker 2>exclusivity to these things that make you feel like you're scale,

0:31:06.240 --> 0:31:08.920
<v Speaker 2>and then scale comes in rum because when everyone does

0:31:08.960 --> 0:31:12.440
<v Speaker 2>the same thing and it all gets back to well,

0:31:12.480 --> 0:31:15.160
<v Speaker 2>you end up with homogenization. Right, So that's why just

0:31:15.160 --> 0:31:20.080
<v Speaker 2>why it's homogenized. Everything feels normalized. It feels consistently the

0:31:20.120 --> 0:31:22.600
<v Speaker 2>same thing, regardless of what you put in. It was

0:31:22.840 --> 0:31:25.080
<v Speaker 2>there was something and you know, this conversation makes me

0:31:25.120 --> 0:31:28.960
<v Speaker 2>think of something that was retro years ago when these

0:31:28.960 --> 0:31:31.040
<v Speaker 2>ad formats came out. There was this ad and I

0:31:31.080 --> 0:31:33.480
<v Speaker 2>don't know what brand it is, So that's at the

0:31:33.560 --> 0:31:35.920
<v Speaker 2>jump that tells me that the thing didn't work. But

0:31:36.000 --> 0:31:40.920
<v Speaker 2>what was working was this incredible experience. So a band

0:31:41.120 --> 0:31:46.320
<v Speaker 2>built shape of a AD display, add two shapes. One

0:31:46.360 --> 0:31:49.360
<v Speaker 2>was square, one was rectangular, and in this square they

0:31:49.400 --> 0:31:51.920
<v Speaker 2>had a drama and maybe a guitarist. In that square

0:31:51.920 --> 0:31:54.120
<v Speaker 2>that had a basis and maybe the vocals. And they

0:31:54.120 --> 0:31:57.200
<v Speaker 2>were playing live in these displays and display and those

0:31:57.360 --> 0:32:01.040
<v Speaker 2>live displays because they were they were being broadcast to

0:32:01.080 --> 0:32:01.920
<v Speaker 2>these websites.

0:32:02.320 --> 0:32:06.840
<v Speaker 1>That's so strange. It was so fabulous. Did it it felt?

0:32:07.280 --> 0:32:08.600
<v Speaker 2>I don't know, but it made a hell of an

0:32:08.600 --> 0:32:10.640
<v Speaker 2>impression on me twenty years upstream. So that's the thing

0:32:10.680 --> 0:32:12.240
<v Speaker 2>it's and it just felt very inventive.

0:32:12.480 --> 0:32:14.840
<v Speaker 1>That is inventive. I'm also going to have to look

0:32:14.880 --> 0:32:16.560
<v Speaker 1>this up because that's how the hell.

0:32:16.640 --> 0:32:18.960
<v Speaker 2>Ben in a box or something. I don't look this up.

0:32:19.040 --> 0:32:22.640
<v Speaker 2>It's very cool, but it's you get it.

0:32:22.640 --> 0:32:25.480
<v Speaker 1>It feels almost as if the more I think about

0:32:25.560 --> 0:32:27.880
<v Speaker 1>the ads and display ads and all this, how like

0:32:28.800 --> 0:32:31.640
<v Speaker 1>this might actually be what's really undermined general if AI,

0:32:31.760 --> 0:32:35.360
<v Speaker 1>which is they are trying to scale something that requires

0:32:35.440 --> 0:32:40.200
<v Speaker 1>advertising dollar level funding with subscriptions, which may not work.

0:32:40.320 --> 0:32:41.960
<v Speaker 2>I think you've hit on something, But I do think

0:32:42.040 --> 0:32:45.480
<v Speaker 2>that when there's a format that becomes consistent, which doesn't

0:32:45.520 --> 0:32:46.040
<v Speaker 2>exist today.

0:32:46.200 --> 0:32:48.160
<v Speaker 1>Right, when you've.

0:32:47.960 --> 0:32:50.240
<v Speaker 2>Got that, there's always these outlines.

0:32:49.880 --> 0:32:52.760
<v Speaker 1>That are trying to create something around that format. Right.

0:32:52.800 --> 0:32:55.320
<v Speaker 2>So back then in the day, there was breakout and

0:32:55.600 --> 0:32:57.160
<v Speaker 2>you have an AD, you click on it, you know,

0:32:57.560 --> 0:32:59.520
<v Speaker 2>folds open, right, you know, all of those sort of

0:32:59.520 --> 0:33:02.000
<v Speaker 2>things that happened. All of that stuff was really just

0:33:02.040 --> 0:33:04.800
<v Speaker 2>to say, here's the format that we've all decided is important.

0:33:05.160 --> 0:33:06.680
<v Speaker 2>We're going to put this value on top of it.

0:33:06.680 --> 0:33:08.600
<v Speaker 2>That makes it feel like it's really different and it

0:33:08.600 --> 0:33:10.240
<v Speaker 2>reminds me of that band in the box thing. Yeah,

0:33:10.280 --> 0:33:13.280
<v Speaker 2>because there's no consistent interface, you can't have a consistent AD.

0:33:13.360 --> 0:33:15.600
<v Speaker 2>So everything around all these ads that we're going to see,

0:33:15.840 --> 0:33:18.320
<v Speaker 2>they're going to be cloaked in this thing called context

0:33:18.320 --> 0:33:22.120
<v Speaker 2>in value, I think, and it will be obstigated because

0:33:22.160 --> 0:33:24.440
<v Speaker 2>it'll come back as a long paragraph talking about why

0:33:24.440 --> 0:33:27.160
<v Speaker 2>I should buy these Sony headphones versus something else. Yeah.

0:33:27.440 --> 0:33:30.360
<v Speaker 1>I can see them trying that for sure. I mean,

0:33:30.400 --> 0:33:33.080
<v Speaker 1>particularly in descriptive results. The problem is if that if

0:33:33.120 --> 0:33:35.920
<v Speaker 1>that result is generative, that's going to shave off that

0:33:36.040 --> 0:33:39.120
<v Speaker 1>little bit of CPM revenue. That's going to scrape it off.

0:33:39.400 --> 0:33:43.120
<v Speaker 1>It's like it's almost as if it's antithetical to add I. Actually,

0:33:43.120 --> 0:33:44.360
<v Speaker 1>I'll tell you where it won't shave it off.

0:33:44.400 --> 0:33:46.800
<v Speaker 2>It won't shave it off because you'll probably move from

0:33:46.800 --> 0:33:50.280
<v Speaker 2>a CPA to sorry, CPM to a CBA so appeciship

0:33:50.320 --> 0:33:50.920
<v Speaker 2>would that be?

0:33:51.240 --> 0:33:51.720
<v Speaker 1>Who knows?

0:33:51.880 --> 0:33:53.880
<v Speaker 2>But it depends on the cost of I mean, it

0:33:54.080 --> 0:33:55.840
<v Speaker 2>depends on what the attribution cost it's going to be.

0:33:55.880 --> 0:33:57.400
<v Speaker 2>But let me just stay with me for a second.

0:33:57.840 --> 0:34:01.240
<v Speaker 2>If it moves from cost per mili into or thousands

0:34:01.320 --> 0:34:05.640
<v Speaker 2>to cost per acquisition, and there is a direct cost

0:34:05.680 --> 0:34:08.440
<v Speaker 2>because that AD is generated wonder one, right, so that

0:34:08.520 --> 0:34:10.799
<v Speaker 2>it isn't a many to many model to wonder many

0:34:11.000 --> 0:34:14.439
<v Speaker 2>and sorry, it's actually a wonder one generative. So I'm

0:34:14.480 --> 0:34:16.960
<v Speaker 2>able to produce an AD that feels highly tailored to

0:34:16.960 --> 0:34:17.840
<v Speaker 2>add in his needs.

0:34:18.000 --> 0:34:20.799
<v Speaker 1>But that should be highly valuableized. It should be. But

0:34:20.880 --> 0:34:23.720
<v Speaker 1>the hallucination when you scale it to a million people

0:34:23.800 --> 0:34:25.040
<v Speaker 1>is the thing. But you don't have to.

0:34:25.120 --> 0:34:26.879
<v Speaker 2>Sorry, you don't have to scale it, is what I'm saying.

0:34:27.080 --> 0:34:29.280
<v Speaker 2>You do, No, you don't, you don't because if people

0:34:29.320 --> 0:34:33.319
<v Speaker 2>aren't if you're searching generally for an AD some.

0:34:33.360 --> 0:34:35.840
<v Speaker 1>Headphones, we're searching for some headphones and you're presented with

0:34:35.880 --> 0:34:38.440
<v Speaker 1>an AD for headphones, if it's generating for each person,

0:34:38.520 --> 0:34:40.239
<v Speaker 1>say a million people see this ad and it is

0:34:40.320 --> 0:34:43.160
<v Speaker 1>one to one. Yeah, it's still generative with fresh game.

0:34:43.239 --> 0:34:45.879
<v Speaker 1>At one point it's going to hallucinate. It's just right.

0:34:46.120 --> 0:34:49.000
<v Speaker 1>And I'm not saying you're necessarily wrong with the idea.

0:34:49.440 --> 0:34:52.400
<v Speaker 1>It's just it's not completely thought out, I can tell you.

0:34:52.760 --> 0:34:54.280
<v Speaker 1>But I love what is scale?

0:34:54.360 --> 0:34:56.920
<v Speaker 2>Yeah, yeah, and it's like the scale is a challenge.

0:34:56.920 --> 0:35:00.279
<v Speaker 1>With genera full stop, with generative AI is it's I

0:35:00.400 --> 0:35:02.000
<v Speaker 1>just have to wonder if this is not part of

0:35:02.000 --> 0:35:04.880
<v Speaker 1>the economic failure, because it doesn't. It scales, but when

0:35:04.960 --> 0:35:07.400
<v Speaker 1>you try and scale it in the traditional tech software

0:35:07.520 --> 0:35:11.120
<v Speaker 1>way subscriptions, it's not they're not making enough money or

0:35:11.120 --> 0:35:13.520
<v Speaker 1>not with it. But even when you try and put

0:35:13.520 --> 0:35:18.520
<v Speaker 1>it into ads ads, ads are by definition going to

0:35:18.560 --> 0:35:21.480
<v Speaker 1>be scaled to millions, hundreds of millions of people to

0:35:21.480 --> 0:35:23.920
<v Speaker 1>make any money. And if you're doing generative, you're going

0:35:23.960 --> 0:35:26.360
<v Speaker 1>to have things like Google telling you to eat rocks.

0:35:26.640 --> 0:35:29.840
<v Speaker 2>I will tell you that I think this conversation isn't

0:35:29.960 --> 0:35:33.360
<v Speaker 2>ready for that type of architecture. Because these generative tools

0:35:33.400 --> 0:35:38.719
<v Speaker 2>are designed for generating, they're not just consuming. Sure, I

0:35:38.760 --> 0:35:41.360
<v Speaker 2>don't think there's a mass that. I don't think the

0:35:41.400 --> 0:35:45.840
<v Speaker 2>volume of people is is at a point where average

0:35:45.880 --> 0:35:49.920
<v Speaker 2>people are going to consume things based on search criteria

0:35:49.960 --> 0:35:50.680
<v Speaker 2>as a new rhythm.

0:35:50.920 --> 0:35:53.879
<v Speaker 1>I mean, that's how Google makes all its money. And

0:35:53.920 --> 0:35:54.680
<v Speaker 1>it's Google.

0:35:54.800 --> 0:35:56.719
<v Speaker 2>But if you're talking about these other tools that are

0:35:56.760 --> 0:36:01.040
<v Speaker 2>thinking about how they actually monetize, it's from a creative perspective,

0:36:01.040 --> 0:36:01.760
<v Speaker 2>not from a consumption.

0:36:01.840 --> 0:36:04.680
<v Speaker 1>Yeah. I was just talking at scaling generative AI as

0:36:04.680 --> 0:36:06.640
<v Speaker 1>an ad tech tool or add tool.

0:36:06.840 --> 0:36:10.279
<v Speaker 2>And in your reference to that example with Google, yeah,

0:36:10.680 --> 0:36:13.880
<v Speaker 2>I'd be surprised if they're not at least trying.

0:36:14.000 --> 0:36:17.120
<v Speaker 1>Oh, they just started trying it. But it's funny. It's

0:36:17.200 --> 0:36:21.040
<v Speaker 1>just in their search results. In their search started Gemini tools,

0:36:21.040 --> 0:36:23.239
<v Speaker 1>you know. Yeah, well no, they're now putting Gemini front

0:36:23.280 --> 0:36:25.680
<v Speaker 1>and center, which is so funny. It's just like, but

0:36:25.719 --> 0:36:28.319
<v Speaker 1>it definitely crowds out of their homepage. Well that's the thing,

0:36:28.440 --> 0:36:32.399
<v Speaker 1>Like Google's in this weird, this really weird spot now

0:36:32.520 --> 0:36:34.200
<v Speaker 1>And actually.

0:36:33.960 --> 0:36:35.680
<v Speaker 2>Do you think it's a catch ups? What to tell

0:36:35.719 --> 0:36:37.279
<v Speaker 2>me when you say weird? To find that some more?

0:36:37.320 --> 0:36:39.440
<v Speaker 1>Well, I mean that Google search has never been worse.

0:36:39.920 --> 0:36:42.120
<v Speaker 1>It's definitely worse. It's ever been a little bit like

0:36:42.120 --> 0:36:46.480
<v Speaker 1>Craigslist of the nineties. Yes, by comparison, Craigslist information was

0:36:46.520 --> 0:36:50.680
<v Speaker 1>relatively validated. I mean you didn't. You didn't have crags

0:36:50.719 --> 0:36:53.160
<v Speaker 1>list optimization experts, and if you did, I'd love to

0:36:53.160 --> 0:36:56.960
<v Speaker 1>meet them. But it's Google's position right now is they're

0:36:57.000 --> 0:37:00.000
<v Speaker 1>behind on AI, even though it's like being the first

0:37:00.200 --> 0:37:03.400
<v Speaker 1>to eat out of the toilet. In my opinion, it's

0:37:03.560 --> 0:37:08.719
<v Speaker 1>they're behind on AI. They're a traffic is slowing like that,

0:37:09.000 --> 0:37:11.680
<v Speaker 1>everything is kind of contracting with them, and they're desperate

0:37:11.760 --> 0:37:15.680
<v Speaker 1>and people hate these AI search results. So yeah, they

0:37:15.680 --> 0:37:17.520
<v Speaker 1>are in a weird spot. But on top of that,

0:37:17.840 --> 0:37:21.200
<v Speaker 1>I think we've actually noticed one thing, which is the

0:37:21.239 --> 0:37:24.480
<v Speaker 1>core economics of tech are around ads, and ads have

0:37:24.600 --> 0:37:28.760
<v Speaker 1>been the same fifteen to twenty years. They've had agree

0:37:28.840 --> 0:37:30.080
<v Speaker 1>I mean ads at scale.

0:37:30.320 --> 0:37:33.680
<v Speaker 2>Sure, So it's the at scale question that comes back

0:37:33.719 --> 0:37:37.480
<v Speaker 2>to that, because you know, everything sounds great in that

0:37:37.520 --> 0:37:40.240
<v Speaker 2>statement until you say at scale exactly.

0:37:40.280 --> 0:37:43.640
<v Speaker 1>It's kind of the world. Oh mate.

0:37:43.920 --> 0:37:46.880
<v Speaker 2>You'll hear that the creative brief stage where it's like,

0:37:46.880 --> 0:37:48.640
<v Speaker 2>how can we do this? But it needs to scale?

0:37:48.800 --> 0:37:50.840
<v Speaker 2>Like wow, But that's not take that out of the

0:37:50.880 --> 0:37:53.880
<v Speaker 2>vernacular ads. Take that out of the vernacular of metia.

0:37:53.880 --> 0:37:56.360
<v Speaker 2>It's everything is trying to scale. The beauty industry is

0:37:56.400 --> 0:37:58.440
<v Speaker 2>trying to do things at scale. They're trying to do

0:37:58.520 --> 0:38:00.239
<v Speaker 2>things at a high volume. I mean, this is just

0:38:00.280 --> 0:38:01.000
<v Speaker 2>part of the vocab.

0:38:01.239 --> 0:38:05.160
<v Speaker 1>It's an attempt to do something at scale with nuance,

0:38:05.200 --> 0:38:06.480
<v Speaker 1>which is almost impossible.

0:38:06.520 --> 0:38:09.040
<v Speaker 2>I imagine that's a good observation.

0:38:09.080 --> 0:38:11.880
<v Speaker 1>I mean, look at the super Bowl commercials. They're all insane.

0:38:12.040 --> 0:38:14.799
<v Speaker 1>That every single Super Bowl commercial is like either old

0:38:14.840 --> 0:38:17.960
<v Speaker 1>people doing something that young people do or eleven celebrities.

0:38:18.400 --> 0:38:20.200
<v Speaker 2>And I was watching there's lots of electric, lots of

0:38:20.440 --> 0:38:21.960
<v Speaker 2>retro soundtracks.

0:38:21.440 --> 0:38:25.480
<v Speaker 1>Exactly like Big Noises, And I feel very stupid because

0:38:25.480 --> 0:38:28.000
<v Speaker 1>now I understand they are trying to create something that

0:38:28.560 --> 0:38:31.359
<v Speaker 1>they are trying to create something that everyone could enjoy. Man,

0:38:31.480 --> 0:38:33.280
<v Speaker 1>I know so little sometimes.

0:38:33.120 --> 0:38:36.640
<v Speaker 2>But that's I mean, the truth of that is to

0:38:36.960 --> 0:38:39.600
<v Speaker 2>matter for everybody means you matter for nobody. Yeah, and

0:38:39.640 --> 0:38:42.360
<v Speaker 2>that analogy rings true there. So there's something nostalgic and

0:38:42.360 --> 0:38:45.759
<v Speaker 2>comfortable and okay, but everything around it has to be

0:38:45.800 --> 0:38:48.000
<v Speaker 2>super weird to try and make it fit.

0:38:48.760 --> 0:38:49.480
<v Speaker 1>And that example.

0:38:49.480 --> 0:38:52.080
<v Speaker 2>But you know, I think the Super Bowl is a

0:38:52.120 --> 0:38:55.120
<v Speaker 2>really good example of you know, to a moment right

0:38:55.160 --> 0:38:58.439
<v Speaker 2>the rest of I don't know what happens on daytime TV,

0:38:58.560 --> 0:38:59.799
<v Speaker 2>but those sort of ads don't turn up there.

0:39:00.520 --> 0:39:03.359
<v Speaker 1>Yeah, because you would also be spending so much money

0:39:03.360 --> 0:39:07.799
<v Speaker 1>on all of that, you know more about the economics.

0:39:20.040 --> 0:39:22.040
<v Speaker 1>I actually want to change gears slightly because you did

0:39:22.040 --> 0:39:26.640
<v Speaker 1>write something related to nostalgia and as a as a creative,

0:39:26.800 --> 0:39:29.640
<v Speaker 1>as you as you go about your business, are you

0:39:29.719 --> 0:39:32.920
<v Speaker 1>finding more demand on the client side? Four more nostalgic

0:39:33.000 --> 0:39:36.279
<v Speaker 1>things returning to the nineties of the two thousands, Are

0:39:36.320 --> 0:39:37.239
<v Speaker 1>you finding any of that?

0:39:37.440 --> 0:39:41.000
<v Speaker 2>Yeah, it's not it's not a date stamp. Yeah, it's

0:39:41.080 --> 0:39:45.560
<v Speaker 2>just a feeling and that nostalgic vibe is I think

0:39:45.600 --> 0:39:48.319
<v Speaker 2>it's as I think it's a throwback to Look, we're

0:39:48.320 --> 0:39:49.520
<v Speaker 2>in a room right now that has a lot of

0:39:49.560 --> 0:39:50.239
<v Speaker 2>nostalgia around it.

0:39:50.239 --> 0:39:51.640
<v Speaker 1>Maybe these buttons couldn't be more big.

0:39:51.800 --> 0:39:54.279
<v Speaker 2>I love them, and these sort of analog knobs and

0:39:54.480 --> 0:39:57.680
<v Speaker 2>you know what I mean, Yeah, creaky chairs and you

0:39:57.719 --> 0:39:59.560
<v Speaker 2>know the only thing that's modeling here are the shaw mics.

0:39:59.600 --> 0:40:02.520
<v Speaker 2>Everything else this kind of retrod, including.

0:40:02.120 --> 0:40:04.520
<v Speaker 1>The Daniel Goodman's wonderful skills and.

0:40:04.520 --> 0:40:07.000
<v Speaker 2>The and the MDR headphones, whatever we're wearing right now.

0:40:07.040 --> 0:40:10.400
<v Speaker 2>But what's amazing about this is there's there's a throwback

0:40:10.520 --> 0:40:12.200
<v Speaker 2>one to those who are old enough to know about

0:40:12.239 --> 0:40:15.120
<v Speaker 2>nostalgia and those are them young enough to curious about

0:40:15.120 --> 0:40:17.239
<v Speaker 2>it because they, you know, didn't grow up with it,

0:40:17.239 --> 0:40:19.359
<v Speaker 2>but they're super curious, you know, to read through liner

0:40:19.440 --> 0:40:21.279
<v Speaker 2>notes and understand that there's a flip side of an

0:40:21.360 --> 0:40:25.680
<v Speaker 2>LP and there's something very there's something very moorish about

0:40:25.760 --> 0:40:28.920
<v Speaker 2>slowing it down because it's everything is highly consumptive him.

0:40:28.920 --> 0:40:30.680
<v Speaker 2>Then the time we've spoken, I saw you pick up

0:40:30.680 --> 0:40:32.600
<v Speaker 2>your phone. Oh that was the picture A dozen times

0:40:32.760 --> 0:40:37.040
<v Speaker 2>something waits one but can I not exaggerate? But what's

0:40:37.080 --> 0:40:39.680
<v Speaker 2>amazing about this is that there's something really kind of

0:40:39.680 --> 0:40:41.120
<v Speaker 2>about that distraction.

0:40:42.239 --> 0:40:43.759
<v Speaker 1>That the anchors it.

0:40:43.800 --> 0:40:47.400
<v Speaker 2>There's something there's something beautiful about nostalgia and I'm gonna

0:40:47.480 --> 0:40:49.680
<v Speaker 2>keep harping on about it because I see it pop up.

0:40:49.719 --> 0:40:52.040
<v Speaker 2>I mean, super Bowl is a classic example. I think

0:40:52.040 --> 0:40:54.040
<v Speaker 2>I counted like eleven songs or something, yet I'm gonna

0:40:54.040 --> 0:40:56.520
<v Speaker 2>misquote that, but I could pick everything from Bloody Huey

0:40:56.600 --> 0:40:59.759
<v Speaker 2>Lewis to Journey or something, and I'm like, my god,

0:41:00.239 --> 0:41:04.239
<v Speaker 2>you know firstly what happened, and secondly, is this the

0:41:04.239 --> 0:41:05.600
<v Speaker 2>only thing we have as this throwback?

0:41:05.640 --> 0:41:07.719
<v Speaker 1>There's something really unique about it. I have to wonder

0:41:07.760 --> 0:41:09.640
<v Speaker 1>if it's not a bit of trying to ignore reality

0:41:09.680 --> 0:41:11.640
<v Speaker 1>as well. You talk about them, I don't mean it

0:41:12.080 --> 0:41:15.360
<v Speaker 1>when you look at the news, it sucks when you

0:41:15.400 --> 0:41:18.000
<v Speaker 1>look at the like everything kind of sucks. There's you

0:41:18.080 --> 0:41:21.640
<v Speaker 1>talk about the idea that we're constantly getting we're having

0:41:21.680 --> 0:41:24.239
<v Speaker 1>to engage with our devices constantly, and I agree, and

0:41:24.280 --> 0:41:26.239
<v Speaker 1>it's the kind of a return to a time when

0:41:26.280 --> 0:41:28.480
<v Speaker 1>we weren't harassed by them, even though we I love

0:41:28.560 --> 0:41:31.400
<v Speaker 1>being online, but at the same time, now I fucking

0:41:31.440 --> 0:41:33.239
<v Speaker 1>hated it before online. I'm not going to pretend I

0:41:33.239 --> 0:41:36.600
<v Speaker 1>imagine normal people crave the time of not being online

0:41:36.640 --> 0:41:39.760
<v Speaker 1>constantly and not having because it's not just like content.

0:41:39.920 --> 0:41:42.520
<v Speaker 1>It's you get working, as you get your texts from

0:41:42.520 --> 0:41:44.080
<v Speaker 1>people mad at you get a text from a T

0:41:44.200 --> 0:41:47.520
<v Speaker 1>shirt company you bought from fifteen years ago. It feels

0:41:47.560 --> 0:41:52.759
<v Speaker 1>like maybe people are craving an off ramp almost or

0:41:52.800 --> 0:41:53.680
<v Speaker 1>permission to have one of these.

0:41:53.920 --> 0:41:57.440
<v Speaker 2>Yes. Can I also say, though, there's something about perhaps

0:41:57.480 --> 0:42:04.240
<v Speaker 2>this fast culture that we've fu and this futuristic vibe

0:42:04.239 --> 0:42:06.759
<v Speaker 2>that we've been in something and what I mean. But

0:42:06.840 --> 0:42:08.319
<v Speaker 2>I'm just going to apply this to front. I'm just

0:42:08.360 --> 0:42:11.120
<v Speaker 2>going to apply this to a thought in that statement

0:42:11.160 --> 0:42:14.520
<v Speaker 2>you said about nostalgia. When I watch a brand like

0:42:14.880 --> 0:42:19.960
<v Speaker 2>BMW line and I see their cars, which look amazing, right,

0:42:21.239 --> 0:42:23.719
<v Speaker 2>the love that a retro car, like an old car

0:42:23.800 --> 0:42:26.080
<v Speaker 2>that they get, like back in the eighties, a boxy

0:42:26.440 --> 0:42:29.319
<v Speaker 2>M series or something and M three or something three

0:42:29.360 --> 0:42:32.839
<v Speaker 2>twenty five I or something, it gets way more love

0:42:32.880 --> 0:42:36.320
<v Speaker 2>and commentary than anything they've got either in market or

0:42:36.360 --> 0:42:39.600
<v Speaker 2>even planning on doing. Aynda is a classic example. They

0:42:39.680 --> 0:42:42.000
<v Speaker 2>you know they're throughout this. They might bring back this

0:42:42.120 --> 0:42:43.280
<v Speaker 2>boxy beautiful.

0:42:43.600 --> 0:42:45.799
<v Speaker 1>Oh is this the electric one? But it's like an.

0:42:45.719 --> 0:42:47.880
<v Speaker 2>Eighties yeah, and it's got the you know, it's got

0:42:47.880 --> 0:42:52.000
<v Speaker 2>the square lights. And you'll see people go into every

0:42:52.040 --> 0:42:55.080
<v Speaker 2>single design detail like the white wall time to the

0:42:55.280 --> 0:42:58.160
<v Speaker 2>to the type of mudcap. You don't get that sort

0:42:58.200 --> 0:43:00.520
<v Speaker 2>of detail today. It's all spec right, and then it's

0:43:00.520 --> 0:43:02.279
<v Speaker 2>not there's no emotion to it. But you look at

0:43:02.280 --> 0:43:05.560
<v Speaker 2>these things that feel like and it's not bygone emotion.

0:43:05.719 --> 0:43:08.920
<v Speaker 2>It's a different era of freedom. And maybe that's kind

0:43:08.960 --> 0:43:12.000
<v Speaker 2>of the thing that is a land like terrestrial radio,

0:43:12.120 --> 0:43:15.480
<v Speaker 2>it's probably still massive. I mean, I had it was

0:43:15.560 --> 0:43:19.319
<v Speaker 2>so bloody successful. Terrestrial radio is unbelievable, And.

0:43:19.239 --> 0:43:22.680
<v Speaker 1>I think it's because in a world of just sudden conversations,

0:43:22.719 --> 0:43:24.760
<v Speaker 1>you have real ones. The reason that I like doing

0:43:24.840 --> 0:43:26.960
<v Speaker 1>the reason that then any lessener is curious about this.

0:43:27.040 --> 0:43:29.080
<v Speaker 1>The reason I don't do a lot of virtual interviews

0:43:29.160 --> 0:43:31.879
<v Speaker 1>is they kind of suck. Yeah, maybe it's pretty good,

0:43:32.120 --> 0:43:34.480
<v Speaker 1>but the in person it's having the micropront it's like

0:43:34.520 --> 0:43:37.960
<v Speaker 1>hearing yourself that the basic tones. I also have to

0:43:38.000 --> 0:43:41.520
<v Speaker 1>wonder if the reason that people are nostalgic for things

0:43:41.560 --> 0:43:44.160
<v Speaker 1>like an old car, or like the CD player or whatever,

0:43:44.320 --> 0:43:46.160
<v Speaker 1>is it felt like the companies gave more of a

0:43:46.239 --> 0:43:50.839
<v Speaker 1>shit because you talk about that thing probably scaling. It's

0:43:51.080 --> 0:43:53.879
<v Speaker 1>built for everyone, but built for no one. Every car

0:43:54.000 --> 0:43:55.719
<v Speaker 1>kind of looks the same. They all have the kind

0:43:55.719 --> 0:43:59.600
<v Speaker 1>of Tesla esque curve to it, or like they look

0:43:59.640 --> 0:44:02.799
<v Speaker 1>like a Porsche Cayenne. Yeah not a car guy. They

0:44:02.880 --> 0:44:04.560
<v Speaker 1>all kind of look and feel the same, and they

0:44:04.600 --> 0:44:07.080
<v Speaker 1>all kind of and people are craving something that feels

0:44:07.160 --> 0:44:08.959
<v Speaker 1>like anyone cared about building out.

0:44:08.920 --> 0:44:10.600
<v Speaker 2>Maybe yeah, and maybe it all got to a point.

0:44:11.080 --> 0:44:13.279
<v Speaker 2>I think maybe designing culture generally has got to a

0:44:13.280 --> 0:44:15.840
<v Speaker 2>point where it feels like it's efficient. Yes, and that

0:44:15.880 --> 0:44:19.640
<v Speaker 2>efficiency means it's not I'm not tied to any of it, dude,

0:44:19.920 --> 0:44:22.160
<v Speaker 2>you know what I mean. Yeah, And that evolution of

0:44:22.200 --> 0:44:24.920
<v Speaker 2>design means that if you've got efficiency, you're really because you'

0:44:24.960 --> 0:44:27.560
<v Speaker 2>using battery technologies and you're using something that doesn't have

0:44:27.600 --> 0:44:29.600
<v Speaker 2>to feel like it looks like a pin, so it

0:44:29.640 --> 0:44:33.400
<v Speaker 2>becomes wind efficient and you build something that's square, square, square,

0:44:33.440 --> 0:44:35.719
<v Speaker 2>square blast. I think it's amazing.

0:44:36.080 --> 0:44:37.880
<v Speaker 1>I think this is why people don't like generally if

0:44:37.920 --> 0:44:40.919
<v Speaker 1>AI content as well, because it really the point we're

0:44:40.920 --> 0:44:42.319
<v Speaker 1>making earlier that it all kind of looks the same.

0:44:42.320 --> 0:44:44.920
<v Speaker 1>It has to be down County Valley. It feels like, Wow,

0:44:45.520 --> 0:44:48.319
<v Speaker 1>no love went into it, not just like not just

0:44:48.360 --> 0:44:51.840
<v Speaker 1>like this is mass produced. It's not even mass produced.

0:44:51.880 --> 0:44:56.360
<v Speaker 1>It's this sub production where we're creating this thing for

0:44:57.440 --> 0:45:00.480
<v Speaker 1>nobody and everybody at the same time. I don't I'm

0:45:00.520 --> 0:45:03.040
<v Speaker 1>not going to debate generative AI's efficacy with you in

0:45:03.320 --> 0:45:06.239
<v Speaker 1>any further. I'm sorry about that. But you know, it's

0:45:06.320 --> 0:45:09.319
<v Speaker 1>more we're all kind of craving a return to a

0:45:09.360 --> 0:45:11.800
<v Speaker 1>time when things felt like they were made for someone,

0:45:11.840 --> 0:45:13.239
<v Speaker 1>that they were made with a bit of a soul,

0:45:13.800 --> 0:45:18.279
<v Speaker 1>and it sucks to be in this world and it

0:45:18.800 --> 0:45:21.440
<v Speaker 1>sucks to And I think that nostalgia is the natural

0:45:21.840 --> 0:45:24.040
<v Speaker 1>It's kind of the natural endpoint of a culture that

0:45:24.080 --> 0:45:27.759
<v Speaker 1>has escaped any kind of personalization or joy in the

0:45:27.760 --> 0:45:31.399
<v Speaker 1>creation of anything mass market. Even the utility of these

0:45:31.440 --> 0:45:34.360
<v Speaker 1>things doesn't feel like it's four people.

0:45:34.120 --> 0:45:37.919
<v Speaker 2>You know, as you're having this discussion, and I'm with you. Yeah,

0:45:37.920 --> 0:45:40.080
<v Speaker 2>I look out at the screen that we're facing and

0:45:40.160 --> 0:45:43.480
<v Speaker 2>flow Rider was on, and before that was Flavor Flav

0:45:43.680 --> 0:45:46.279
<v Speaker 2>and I think before that a minuscene snoop yep, And

0:45:46.320 --> 0:45:49.719
<v Speaker 2>I look at them and think, to your point, there's

0:45:49.719 --> 0:45:54.640
<v Speaker 2>something about these this cycle of comfort and familiarity that

0:45:54.680 --> 0:45:58.000
<v Speaker 2>I think is it's really interesting because what you're talking

0:45:58.000 --> 0:46:00.920
<v Speaker 2>about is by the way, I will just put a

0:46:00.960 --> 0:46:02.640
<v Speaker 2>pin in this and say that I think the generative

0:46:02.680 --> 0:46:06.240
<v Speaker 2>AI creation will absolutely be for everything other than the human.

0:46:06.960 --> 0:46:08.279
<v Speaker 2>And when you want to put a human in it,

0:46:08.360 --> 0:46:10.960
<v Speaker 2>just film them and then add them to this generative

0:46:11.000 --> 0:46:12.960
<v Speaker 2>crazy background in utopia if you want to do it.

0:46:13.320 --> 0:46:16.239
<v Speaker 2>But these blended AI experiences will happen. But I do

0:46:16.280 --> 0:46:19.280
<v Speaker 2>think that because it's called CGI previously.

0:46:20.239 --> 0:46:22.120
<v Speaker 1>But I actually I'm going to push back on that

0:46:22.200 --> 0:46:24.440
<v Speaker 1>and say I believe that will happen. Yeah, but I

0:46:24.520 --> 0:46:26.080
<v Speaker 1>think people are going to get really upset with it

0:46:26.080 --> 0:46:27.640
<v Speaker 1>because you're kind of seeing it with severance and the

0:46:27.680 --> 0:46:30.200
<v Speaker 1>Mandalorian when they're doing these weird I don't know what

0:46:30.200 --> 0:46:32.920
<v Speaker 1>it's called, but it's when they do the on shot

0:46:32.960 --> 0:46:35.920
<v Speaker 1>thing where it's they pretend they're outside, and for a

0:46:35.960 --> 0:46:38.200
<v Speaker 1>while it convinced people. Then you saw it enough times

0:46:38.239 --> 0:46:40.239
<v Speaker 1>you're like, no, fucking another fuck.

0:46:40.719 --> 0:46:43.240
<v Speaker 2>But what it would also do, though, is it'll inspire

0:46:43.280 --> 0:46:45.880
<v Speaker 2>you when you see something that's really designed by cutting

0:46:45.920 --> 0:46:47.560
<v Speaker 2>up the cardboard box to make it feel like a

0:46:47.600 --> 0:46:49.839
<v Speaker 2>cardboard box. And I can show you some really good

0:46:49.840 --> 0:46:51.879
<v Speaker 2>examples of people that push back against that and say,

0:46:51.880 --> 0:46:53.520
<v Speaker 2>we're just going to film this thing analog. Dude.

0:46:53.600 --> 0:46:56.400
<v Speaker 1>Oh yeah, I feel it and it feels so different,

0:46:56.680 --> 0:46:59.680
<v Speaker 1>and it does, and it's just we're we're getting back

0:46:59.719 --> 0:47:03.120
<v Speaker 1>to maybe nostalgia is just wishing that people that creatives

0:47:03.239 --> 0:47:05.879
<v Speaker 1>gave it, not creative. Yeah, it feels like the mechanisms

0:47:05.880 --> 0:47:09.040
<v Speaker 1>of creatives more than anything, gave a ship and felt

0:47:09.120 --> 0:47:11.520
<v Speaker 1>like they were putting any thought into it other than

0:47:12.480 --> 0:47:15.239
<v Speaker 1>just kind of simmering it down for everyone making creative.

0:47:15.960 --> 0:47:18.479
<v Speaker 2>I've almost bought the Samsung flip phone a couple of times.

0:47:18.480 --> 0:47:21.080
<v Speaker 1>Oh it's so cool. Yeah, it's so cool. I love it.

0:47:21.920 --> 0:47:24.239
<v Speaker 1>I use that exactly. I need my I message. I

0:47:24.280 --> 0:47:24.600
<v Speaker 1>need it.

0:47:24.640 --> 0:47:26.360
<v Speaker 2>I'm a pig and I don't have two phones. It

0:47:26.440 --> 0:47:28.760
<v Speaker 2>just drives me crazy. But even the matter all looks amazing.

0:47:28.840 --> 0:47:31.239
<v Speaker 2>But there's something about that time when you'd have a

0:47:31.239 --> 0:47:32.520
<v Speaker 2>flip phone and buttons and all that.

0:47:34.320 --> 0:47:36.920
<v Speaker 1>I didn't. I didn't have a flip phone, right, the

0:47:37.320 --> 0:47:40.920
<v Speaker 1>chocolate bar Nokia. Yeah, that was so good. It's funny.

0:47:40.960 --> 0:47:43.600
<v Speaker 2>It's it's funny like chocolate bark.

0:47:44.400 --> 0:47:46.480
<v Speaker 1>But even then it kind of fucking sucked. I don't

0:47:46.480 --> 0:47:48.359
<v Speaker 1>know why I'm pretending like I like this device the moment,

0:47:48.400 --> 0:47:49.000
<v Speaker 1>the iPhone.

0:47:48.719 --> 0:47:50.520
<v Speaker 2>Because you're probably still talking on the phone and that

0:47:50.600 --> 0:47:53.160
<v Speaker 2>sounded god what it did on the tin. No, I

0:47:53.280 --> 0:47:54.840
<v Speaker 2>just you're texting with all those buttons.

0:47:55.040 --> 0:47:59.040
<v Speaker 1>Yes, Oh, I'm a freak in many ways. And it's

0:47:59.080 --> 0:48:03.000
<v Speaker 1>just funny because as we discuss all these different bits,

0:48:03.040 --> 0:48:06.440
<v Speaker 1>it really is just like creativity is considered this stepchild

0:48:06.520 --> 0:48:08.560
<v Speaker 1>of ads. Ads are the way that a lot of

0:48:08.560 --> 0:48:12.440
<v Speaker 1>people are exposed to an alarming amount of creativity, and

0:48:12.520 --> 0:48:16.960
<v Speaker 1>it feels like people at scale are kind of becoming

0:48:16.960 --> 0:48:19.640
<v Speaker 1>more aware of how much is manufactured for them. Maybe

0:48:19.680 --> 0:48:21.879
<v Speaker 1>it's not just that thing. Maybe it's not that things

0:48:21.880 --> 0:48:25.080
<v Speaker 1>have changed a ton. I believe they have, obviously, but

0:48:25.200 --> 0:48:27.640
<v Speaker 1>it's that they've kind of people are more aware of

0:48:27.640 --> 0:48:29.880
<v Speaker 1>when they're being fucked with, when they're being given the

0:48:29.920 --> 0:48:31.920
<v Speaker 1>same slop when they're being given And I think that

0:48:32.040 --> 0:48:34.880
<v Speaker 1>corporations may have slightly overplayed their hand.

0:48:35.960 --> 0:48:38.480
<v Speaker 2>In the mass production ere I mean you'll see that

0:48:38.520 --> 0:48:41.279
<v Speaker 2>with foods, You'll see that with I mean education in

0:48:41.320 --> 0:48:44.840
<v Speaker 2>that criteria is way more transparent and interesting than it

0:48:44.960 --> 0:48:48.000
<v Speaker 2>used to be because you don't have to have you know,

0:48:48.000 --> 0:48:51.000
<v Speaker 2>you can consume less and probably feel better. And I

0:48:51.040 --> 0:48:53.120
<v Speaker 2>have a question for you, is that an ordering where

0:48:53.160 --> 0:48:53.359
<v Speaker 2>it got?

0:48:53.880 --> 0:48:56.279
<v Speaker 1>Why you're wearing it? Because they track my sleep? Are

0:48:56.280 --> 0:48:57.160
<v Speaker 1>you doing my workout?

0:48:57.239 --> 0:48:59.400
<v Speaker 2>And you're actually you are using it as a utility?

0:48:59.520 --> 0:49:00.920
<v Speaker 2>I am you haven't how long you had it?

0:49:01.360 --> 0:49:02.279
<v Speaker 1>That's years? Yeah?

0:49:02.320 --> 0:49:06.480
<v Speaker 2>Generation like gen isn't it three? And do you find

0:49:07.040 --> 0:49:09.239
<v Speaker 2>so do you do anything with the data.

0:49:09.280 --> 0:49:10.640
<v Speaker 1>Or you just do it?

0:49:10.680 --> 0:49:13.759
<v Speaker 2>Does it just reassure you, Oh no, this.

0:49:13.680 --> 0:49:17.160
<v Speaker 1>Is this is the terrible choice if if you wanted

0:49:17.160 --> 0:49:19.160
<v Speaker 1>any gotcha. No. So, actually I'm really interested in my

0:49:19.200 --> 0:49:21.759
<v Speaker 1>sleep because I realized a few years ago that my

0:49:21.800 --> 0:49:24.560
<v Speaker 1>sleep was fucked and I couldn't work out why I

0:49:24.600 --> 0:49:28.879
<v Speaker 1>was depressed. Good. I've become fascinated by what I don't

0:49:28.880 --> 0:49:31.440
<v Speaker 1>know weed or alcohol will do to me. Not that

0:49:31.440 --> 0:49:33.439
<v Speaker 1>I'm like experimenting, but if I have a bad night sleep,

0:49:33.480 --> 0:49:34.959
<v Speaker 1>I like to look at it and say, all right,

0:49:35.239 --> 0:49:37.200
<v Speaker 1>this does affect me. I just got this thing called

0:49:37.200 --> 0:49:39.759
<v Speaker 1>a son as well. What is it? It's like a

0:49:40.200 --> 0:49:41.600
<v Speaker 1>thing you've strapped to your head and it has the

0:49:41.680 --> 0:49:44.040
<v Speaker 1>little electrodes that go on to the top. Is this

0:49:44.040 --> 0:49:46.480
<v Speaker 1>fella you sleep it down on? No? Isn't you just

0:49:46.480 --> 0:49:49.040
<v Speaker 1>put it on? It does like a fifteen minutes before bed.

0:49:49.320 --> 0:49:51.839
<v Speaker 1>It has increased my ram sleep and I have been

0:49:51.880 --> 0:49:54.200
<v Speaker 1>feeling surely. But yeah, I'm annoying.

0:49:54.200 --> 0:49:56.960
<v Speaker 2>Sorry, What does this thing do? Does it give you?

0:49:57.480 --> 0:50:00.080
<v Speaker 1>It has some sort of waves? It doesn't you. I

0:50:00.080 --> 0:50:02.680
<v Speaker 1>should be able to say this oftenly.

0:50:02.440 --> 0:50:04.319
<v Speaker 2>But but you're finding your sleep cycles better?

0:50:04.440 --> 0:50:04.640
<v Speaker 1>Yes?

0:50:04.680 --> 0:50:08.080
<v Speaker 2>Now are you finding that the patterns you your sleep cycles?

0:50:08.080 --> 0:50:08.560
<v Speaker 1>Previously?

0:50:08.560 --> 0:50:11.200
<v Speaker 2>Once you've sort of vindicated I'm having a crappy night sleep.

0:50:11.280 --> 0:50:12.360
<v Speaker 2>Has it changed your behavior?

0:50:13.120 --> 0:50:17.279
<v Speaker 1>Yes? No, I like how proximity of using any substances

0:50:17.360 --> 0:50:21.319
<v Speaker 1>before bed, like what I eat when I eat? That

0:50:21.360 --> 0:50:22.759
<v Speaker 1>was a big thing, like eating late.

0:50:23.280 --> 0:50:25.600
<v Speaker 2>I also, oh, well, okay, so you are you really

0:50:25.640 --> 0:50:26.400
<v Speaker 2>are digging into the day.

0:50:26.520 --> 0:50:28.480
<v Speaker 1>Yeah, because otherwise why I'm wearing this thing that on

0:50:28.600 --> 0:50:32.640
<v Speaker 1>dating apps convinces people that I'm married. It's very fucking annoying.

0:50:32.680 --> 0:50:35.000
<v Speaker 2>There's something interesting about, you know, the adoption of these

0:50:35.000 --> 0:50:38.120
<v Speaker 2>sort of technologies like athletes, for example, Oh yes, clearly

0:50:38.120 --> 0:50:40.160
<v Speaker 2>fall back to things like the whoop band and oh

0:50:40.200 --> 0:50:45.040
<v Speaker 2>well or not, they'll wear a garment or they'll wear

0:50:45.120 --> 0:50:46.799
<v Speaker 2>these technologies that have been around for a long time

0:50:46.880 --> 0:50:49.560
<v Speaker 2>for athletes. But you know, the eye watches of this

0:50:49.640 --> 0:50:50.799
<v Speaker 2>world or you know.

0:50:51.840 --> 0:50:55.000
<v Speaker 1>I watch no no, no, that no, that just means

0:50:55.040 --> 0:50:57.160
<v Speaker 1>you've been around a while. You're just still saying the

0:50:57.160 --> 0:50:58.200
<v Speaker 1>ship before they'd even know.

0:50:59.680 --> 0:51:02.520
<v Speaker 2>But yeah, So what's interesting to me is, you know,

0:51:02.760 --> 0:51:05.600
<v Speaker 2>the subtlety of technology, while it comes down and gives

0:51:05.640 --> 0:51:09.120
<v Speaker 2>you what you need, hopefully that changes your psychology. Now

0:51:09.120 --> 0:51:11.239
<v Speaker 2>we don't you don't necessarily see that on the phone

0:51:11.239 --> 0:51:13.000
<v Speaker 2>because all the phone does is kind of distract you.

0:51:13.320 --> 0:51:15.640
<v Speaker 2>We'll take you down a rabbitti. And so I'm just

0:51:15.680 --> 0:51:18.560
<v Speaker 2>super curious about what your behavior is, your relationship with

0:51:18.600 --> 0:51:20.160
<v Speaker 2>that sort of tech. But it is because I've pushed

0:51:20.200 --> 0:51:20.960
<v Speaker 2>away from all of it.

0:51:21.080 --> 0:51:24.239
<v Speaker 1>I generally do like I with my workouts, I track

0:51:24.320 --> 0:51:27.360
<v Speaker 1>my calories and that is emotional. Yeah, good on you. No,

0:51:27.440 --> 0:51:30.640
<v Speaker 1>that is absolutely emotional, and that's a good use case

0:51:30.680 --> 0:51:32.640
<v Speaker 1>for that. But if I but oh no, I use it.

0:51:32.760 --> 0:51:34.560
<v Speaker 1>Oh but this is the ultimate tech bullshit.

0:51:34.600 --> 0:51:34.759
<v Speaker 2>Though.

0:51:34.960 --> 0:51:37.160
<v Speaker 1>I don't use this track all my workouts. I track

0:51:37.239 --> 0:51:40.799
<v Speaker 1>boxing with this. You box with the ring on? Yeah,

0:51:40.960 --> 0:51:42.480
<v Speaker 1>you bandage your hand up like that with the ring

0:51:42.800 --> 0:51:44.080
<v Speaker 1>you get you get quick wraps on?

0:51:44.239 --> 0:51:46.240
<v Speaker 2>Okay, Yeah, and it just doesn't crush your fingers.

0:51:46.239 --> 0:51:47.880
<v Speaker 1>Haven't it did with certain raps?

0:51:48.080 --> 0:51:50.520
<v Speaker 2>Yeah, but it's it's not the lowest profile ring.

0:51:50.520 --> 0:51:52.560
<v Speaker 1>That's why I'm no, it's really not. It's like the

0:51:52.640 --> 0:51:54.080
<v Speaker 1>Chunky one Victorious.

0:51:53.640 --> 0:51:55.839
<v Speaker 2>Song of the Verge was, are we spending too much

0:51:55.840 --> 0:51:56.480
<v Speaker 2>time with the ring?

0:51:56.600 --> 0:51:58.840
<v Speaker 1>I don't care. This is my show, do whatever the

0:51:58.920 --> 0:52:00.920
<v Speaker 1>hell I want. I can say shit and balls and

0:52:00.960 --> 0:52:05.360
<v Speaker 1>all that. It is funny though, because all of this

0:52:05.600 --> 0:52:08.480
<v Speaker 1>talk about nostalgia. It is kind of where even I

0:52:08.640 --> 0:52:11.760
<v Speaker 1>personally am leaning I'm listening to fucking metal from fifteen

0:52:11.840 --> 0:52:14.839
<v Speaker 1>years ago. My favorite in Flames album is Colony, which

0:52:14.880 --> 0:52:17.560
<v Speaker 1>is twenty years old and barely resembles the band anymore.

0:52:18.880 --> 0:52:20.600
<v Speaker 1>Like one of my favorite movies is the Guardians of

0:52:20.600 --> 0:52:23.400
<v Speaker 1>the Galaxy movie in the first one, which is inherently nostalgic.

0:52:23.560 --> 0:52:26.200
<v Speaker 1>And those movies got shit as all it became about

0:52:26.239 --> 0:52:28.959
<v Speaker 1>was nostalgic. And now I've just had a live thought,

0:52:29.000 --> 0:52:32.440
<v Speaker 1>which is that is the thing that's that is actually

0:52:32.480 --> 0:52:35.000
<v Speaker 1>something that's driving a lot of culture. Which is the

0:52:35.040 --> 0:52:37.239
<v Speaker 1>reason the Marvel movies did well at the beginning was

0:52:37.320 --> 0:52:40.600
<v Speaker 1>they were fun, they were nostalgic, They had these characters

0:52:40.640 --> 0:52:43.200
<v Speaker 1>you'd love to see, and they got progressively worse as

0:52:43.840 --> 0:52:46.480
<v Speaker 1>these companies were like, Okay, what the people like about this?

0:52:46.680 --> 0:52:49.040
<v Speaker 1>Fuck it is the people they recognize. Look, it's the

0:52:49.080 --> 0:52:53.759
<v Speaker 1>guy from the thing. The corporatization of nostalgia, I.

0:52:53.719 --> 0:52:56.200
<v Speaker 2>Think it's but it does get rebooted. Right, So if

0:52:56.200 --> 0:52:58.319
<v Speaker 2>you look at the music videos that are playing back

0:52:58.320 --> 0:53:02.200
<v Speaker 2>here now, half those soundtracks and I'm paraphrasing this, are

0:53:02.320 --> 0:53:06.520
<v Speaker 2>using a soundtrack that's retro. Yeah, and there's something it's familiar, right.

0:53:06.520 --> 0:53:09.160
<v Speaker 2>You hear this backbeating thing that seems like that's funky

0:53:09.200 --> 0:53:11.640
<v Speaker 2>trim dammer from you know, James Brown, and you hear

0:53:11.680 --> 0:53:13.680
<v Speaker 2>that in the track and think, Okay, there's a reason

0:53:13.680 --> 0:53:17.799
<v Speaker 2>why that works because it's just good and something about

0:53:17.800 --> 0:53:19.320
<v Speaker 2>the time that that was done.

0:53:19.200 --> 0:53:24.040
<v Speaker 1>And it wasn't created to scale right, putting even the

0:53:24.080 --> 0:53:26.879
<v Speaker 1>side generative AI for now. I just mean like, because

0:53:26.880 --> 0:53:28.680
<v Speaker 1>if you look at this, there will be multiple things

0:53:28.680 --> 0:53:31.880
<v Speaker 1>on TikTok where it's like a band has popped up

0:53:31.880 --> 0:53:33.759
<v Speaker 1>and you're like, wow, they're so good, or people have

0:53:33.800 --> 0:53:35.759
<v Speaker 1>said this and it's turned out to be like they're

0:53:35.760 --> 0:53:37.680
<v Speaker 1>pretending to be a garage pan but it's actually a

0:53:37.760 --> 0:53:42.879
<v Speaker 1>signed artist with United and it's it does and switch Yeah.

0:53:43.040 --> 0:53:44.680
<v Speaker 1>And there's so much of it now and there are

0:53:44.800 --> 0:53:48.239
<v Speaker 1>things that are made to be to appear normal and

0:53:48.600 --> 0:53:51.920
<v Speaker 1>natural that are absolutely not. And I think people are

0:53:51.960 --> 0:53:56.600
<v Speaker 1>craving normality again, they're craving things that don't feel mass produced.

0:53:56.640 --> 0:54:00.200
<v Speaker 1>I agree with you, it's a funny. It's a funny time. Yeah.

0:54:00.200 --> 0:54:01.839
<v Speaker 2>I wrote about craft this week and it was really

0:54:01.880 --> 0:54:03.760
<v Speaker 2>just about you know, if you've got all these tools

0:54:03.760 --> 0:54:05.080
<v Speaker 2>that make you feel like happy hands.

0:54:05.840 --> 0:54:06.880
<v Speaker 1>What do you mean happy hands?

0:54:06.920 --> 0:54:09.520
<v Speaker 2>Like very excited? And I can defend that all day

0:54:09.560 --> 0:54:12.440
<v Speaker 2>every day. But what I lean towards is craft. You know,

0:54:12.520 --> 0:54:15.360
<v Speaker 2>I will all day every day rather a pen and

0:54:15.360 --> 0:54:17.600
<v Speaker 2>pencil than trying to scribble something down on my iPad,

0:54:17.719 --> 0:54:21.279
<v Speaker 2>you know. Yeah, so there's just something more visceral, and

0:54:21.360 --> 0:54:23.759
<v Speaker 2>I'm leaning towards that as a test to make sure

0:54:23.760 --> 0:54:26.160
<v Speaker 2>I'm not losing my rods and cones, but that it's

0:54:26.160 --> 0:54:28.440
<v Speaker 2>not just down this rabbit's warrant of distraction that I

0:54:28.480 --> 0:54:30.960
<v Speaker 2>can actually be, you know, back to creation.

0:54:31.719 --> 0:54:35.080
<v Speaker 1>Mm hmm. Are you well? You say you say you're

0:54:35.239 --> 0:54:38.760
<v Speaker 1>like aware of your phone nagging you? Are you generally?

0:54:38.960 --> 0:54:41.160
<v Speaker 1>Do you surround yourself with tech or do you try to?

0:54:41.600 --> 0:54:44.440
<v Speaker 2>I'll push back in how so I had all the

0:54:44.440 --> 0:54:46.319
<v Speaker 2>tech that made me look like a tribal leader like you.

0:54:46.360 --> 0:54:49.080
<v Speaker 2>I mean, I get it, dude, but I when I

0:54:49.080 --> 0:54:52.040
<v Speaker 2>don't game of fine, data doesn't excite me about myself, right,

0:54:52.520 --> 0:54:53.560
<v Speaker 2>and it's not that interesting.

0:54:54.200 --> 0:54:54.600
<v Speaker 1>And so.

0:54:56.080 --> 0:54:57.960
<v Speaker 2>The thing that's wild for me is nature. I mean,

0:54:58.200 --> 0:55:00.520
<v Speaker 2>tech is, yeah, it's great to but what am.

0:55:00.480 --> 0:55:01.359
<v Speaker 1>I going to do with it?

0:55:01.560 --> 0:55:03.200
<v Speaker 2>And I don't know if I want to do that

0:55:03.320 --> 0:55:06.719
<v Speaker 2>with it whatever that is. So no, I try not

0:55:06.760 --> 0:55:10.120
<v Speaker 2>to I'm trying to push back to you know, no,

0:55:10.320 --> 0:55:12.960
<v Speaker 2>not trying to push back. I'm trying to restrict the

0:55:13.040 --> 0:55:16.560
<v Speaker 2>amount of things that occupy my mind and take my

0:55:16.600 --> 0:55:19.400
<v Speaker 2>attention away from creating.

0:55:20.200 --> 0:55:22.560
<v Speaker 1>And what are you creating? And is it for? Is

0:55:22.600 --> 0:55:23.279
<v Speaker 1>it just for you?

0:55:23.440 --> 0:55:25.960
<v Speaker 2>I know, I'm right, you know, yeah, it is really

0:55:26.320 --> 0:55:28.839
<v Speaker 2>I have this concept of edition of one. It really

0:55:28.920 --> 0:55:30.160
<v Speaker 2>is just for me, and it doesn't matter if it

0:55:30.160 --> 0:55:33.440
<v Speaker 2>doesn't scale. And you know, I'm a classically trained designer,

0:55:33.480 --> 0:55:37.279
<v Speaker 2>so I'm back to full design outside of my creative practice.

0:55:37.440 --> 0:55:39.080
<v Speaker 2>And I have a wet studio, so I'm in the

0:55:39.520 --> 0:55:41.799
<v Speaker 2>marriage studio. Yeah, I'm married to an artist. We have

0:55:41.840 --> 0:55:43.680
<v Speaker 2>you know what is a wet studio. We have paints

0:55:43.719 --> 0:55:46.640
<v Speaker 2>in the thing that are constantly dry. I mean it's

0:55:46.920 --> 0:55:51.359
<v Speaker 2>very practical, dude, and it's not screen free. A lot

0:55:51.360 --> 0:55:54.799
<v Speaker 2>of it is just back to articulating things, you know,

0:55:55.239 --> 0:55:57.960
<v Speaker 2>playing music, you know, things that actually feel like I

0:55:58.000 --> 0:55:59.560
<v Speaker 2>play guitar, seeing all that rubbish.

0:55:59.680 --> 0:56:01.560
<v Speaker 1>But it's fun. But it's oh, it's funny.

0:56:01.719 --> 0:56:04.319
<v Speaker 2>I love so more of that than just sort of

0:56:04.360 --> 0:56:10.399
<v Speaker 2>being a participant I'd rather be actively participating in it,

0:56:10.840 --> 0:56:12.680
<v Speaker 2>which is why I can't stand sports. I mean, I

0:56:12.680 --> 0:56:15.040
<v Speaker 2>can't stand sitting and watching sports. I'd rather play football

0:56:15.040 --> 0:56:16.640
<v Speaker 2>if I'm going to you know, I'd rather go out

0:56:16.640 --> 0:56:18.000
<v Speaker 2>in the field and kick. If I'm going to kick.

0:56:18.400 --> 0:56:21.200
<v Speaker 2>I can't really sit back and watch. It drives me nuts. Interesting,

0:56:21.239 --> 0:56:24.880
<v Speaker 2>But there's something about kind of just taking that position

0:56:25.280 --> 0:56:27.279
<v Speaker 2>of the polymath. I've got lots of ideas that I

0:56:27.280 --> 0:56:29.480
<v Speaker 2>want to express. Let's get them down on.

0:56:29.400 --> 0:56:32.319
<v Speaker 1>Paine that they're expressed for you rather than yeah, can

0:56:32.440 --> 0:56:33.440
<v Speaker 1>less others find it interesting.

0:56:33.440 --> 0:56:35.480
<v Speaker 2>I've got a fashion co lab that I'm doing, and

0:56:35.640 --> 0:56:38.640
<v Speaker 2>I've got these artisans and craft people in Mexico that

0:56:38.680 --> 0:56:43.040
<v Speaker 2>are actually hand stitching this embroidery in state of digital embroidery,

0:56:43.040 --> 0:56:45.800
<v Speaker 2>which I could have done finding it sitting it's sitting

0:56:45.800 --> 0:56:48.520
<v Speaker 2>on the fabric differently. I mean, it's all of these

0:56:48.800 --> 0:56:53.200
<v Speaker 2>things that are slow crafts. They're bloody. It's just awesome, dude,

0:56:53.239 --> 0:56:56.000
<v Speaker 2>it really is. No. It slows me down. It puts

0:56:56.000 --> 0:56:57.440
<v Speaker 2>me in a place that feels more conscious.

0:56:57.680 --> 0:57:01.440
<v Speaker 1>It's funny because this show came from a newsletter that

0:57:01.480 --> 0:57:04.840
<v Speaker 1>I wrote for three hundred people's fifty eighty five hundred

0:57:04.880 --> 0:57:08.000
<v Speaker 1>now and this show started with a lot of people

0:57:08.040 --> 0:57:10.719
<v Speaker 1>being very unfair to me on readit, and I will

0:57:10.719 --> 0:57:13.399
<v Speaker 1>admit I changed into the internet. Oh no, fuck yeah,

0:57:13.560 --> 0:57:15.839
<v Speaker 1>I didn't change shit. I just kept doing it until

0:57:15.880 --> 0:57:19.040
<v Speaker 1>I felt good. And it's interesting how the show's done

0:57:19.120 --> 0:57:22.000
<v Speaker 1>well based on that, rather than trying to change it

0:57:22.040 --> 0:57:25.280
<v Speaker 1>for anyone, partly because I didn't. I never really understood

0:57:25.320 --> 0:57:27.320
<v Speaker 1>why I would change for them, Like I was like

0:57:28.040 --> 0:57:30.440
<v Speaker 1>Horsity at fifty five has told me they don't like

0:57:30.480 --> 0:57:31.600
<v Speaker 1>it when I say, this is what the fuck am

0:57:31.600 --> 0:57:33.560
<v Speaker 1>I meant to do? Write it down and like avoid

0:57:33.560 --> 0:57:37.320
<v Speaker 1>the word fuck that. It just it feels that that

0:57:37.480 --> 0:57:40.040
<v Speaker 1>is also another thing plaguing creatives, that there is this

0:57:40.520 --> 0:57:45.360
<v Speaker 1>apparent source of derision and judgment on tap right, and

0:57:45.400 --> 0:57:47.320
<v Speaker 1>you have to do that to scale, to do that,

0:57:47.840 --> 0:57:50.600
<v Speaker 1>and the desperation for engagement is kind of stuck in

0:57:50.600 --> 0:57:53.000
<v Speaker 1>the joy out of even the process. It's too slow.

0:57:53.720 --> 0:57:56.040
<v Speaker 1>It must be done this fast, we must be timely.

0:57:56.400 --> 0:57:59.280
<v Speaker 2>Yeah, but there's one thing that's definitive is there's only

0:57:59.600 --> 0:58:02.000
<v Speaker 2>certain amount of time in a day, isn't it. You

0:58:02.040 --> 0:58:04.680
<v Speaker 2>can't create a new version of it, but you can

0:58:04.720 --> 0:58:07.160
<v Speaker 2>participate in it differently. I think this has been an

0:58:07.160 --> 0:58:09.080
<v Speaker 2>interesting conversation for me because I didn't know what we're

0:58:09.080 --> 0:58:13.120
<v Speaker 2>going to chat about, if anything. Yeah, and I'm admirer

0:58:13.160 --> 0:58:14.640
<v Speaker 2>of your work, so congrats on all you're doing.

0:58:14.960 --> 0:58:17.240
<v Speaker 1>Thank you so much, Shingy. I think we can wrap

0:58:17.280 --> 0:58:20.080
<v Speaker 1>it that. Where can people find you, Shingy? Uh? You

0:58:20.120 --> 0:58:23.880
<v Speaker 1>know the interwebs? Yes, but wow, Okay, I'll put it

0:58:23.920 --> 0:58:24.480
<v Speaker 1>in the apisode.

0:58:24.520 --> 0:58:28.080
<v Speaker 2>I'm easily found on linked just looks probably the right way, Shingy.

0:58:28.120 --> 0:58:29.600
<v Speaker 2>You could go to my dot com. I'm there too,

0:58:29.720 --> 0:58:33.120
<v Speaker 2>hanging out. Yeah, but you know it's Yeah, this has

0:58:33.160 --> 0:58:35.919
<v Speaker 2>been a blast. Thanks for coming in on a hot

0:58:35.920 --> 0:58:40.280
<v Speaker 2>streak about Jen of course, and we exit out on pottery.

0:58:41.000 --> 0:58:44.040
<v Speaker 1>Sure your streets at my mum's spotter as well. That's Ron,

0:58:44.480 --> 0:58:46.720
<v Speaker 1>all right, you've been listening to me. My name's ed Zetron.

0:58:46.760 --> 0:58:50.160
<v Speaker 1>You can google them who destroyed Google Search and you

0:58:50.160 --> 0:58:54.120
<v Speaker 1>will find the answer is me. Thank you so much

0:58:54.160 --> 0:58:56.560
<v Speaker 1>to Daniel Goodman or wonderful producer here in New York,

0:58:56.640 --> 0:58:58.480
<v Speaker 1>and thank you, of course to all of you for listening.

0:58:58.480 --> 0:59:00.640
<v Speaker 1>You'll now hear a very similar message after that. I've

0:59:00.640 --> 0:59:03.240
<v Speaker 1>recorded in February of last year, and I swear I'm

0:59:03.240 --> 0:59:05.400
<v Speaker 1>going to re record. Mattasowski and I were talking about

0:59:05.400 --> 0:59:16.520
<v Speaker 1>this yesterday. B sal Thank you for listening to Better Offline.

0:59:16.640 --> 0:59:19.080
<v Speaker 1>The editor and composer of the Better Offline theme song

0:59:19.120 --> 0:59:21.800
<v Speaker 1>is Matasowski. You can check out more of his music

0:59:21.800 --> 0:59:25.439
<v Speaker 1>and audio projects at Mattasowski dot com, M A T

0:59:25.440 --> 0:59:29.920
<v Speaker 1>T O. S O W s ki dot com. You

0:59:29.920 --> 0:59:32.440
<v Speaker 1>can email me at easy at Better Offline dot com

0:59:32.560 --> 0:59:34.880
<v Speaker 1>or visit Better Offline dot com to find more podcast

0:59:34.920 --> 0:59:38.280
<v Speaker 1>links and of course, my newsletter. I also really recommend

0:59:38.280 --> 0:59:40.200
<v Speaker 1>you go to chat dot Where's youreed dot at to

0:59:40.280 --> 0:59:43.080
<v Speaker 1>visit the discord, and go to our slash Better Offline

0:59:43.120 --> 0:59:46.320
<v Speaker 1>to check out our reddit. Thank you so much for listening.

0:59:47.160 --> 0:59:49.880
<v Speaker 1>Better Offline is a production of cool Zone Media. For

0:59:49.960 --> 0:59:53.160
<v Speaker 1>more from cool Zone Media, visit our website cool Zonemedia

0:59:53.200 --> 0:59:56.080
<v Speaker 1>dot com, or check us out on the iHeartRadio app,

0:59:56.120 --> 1:00:20.160
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts.