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Speaker 1: Do you guys know the theme song?

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Speaker 2: I need I need a drum beat. That's it, big rye.

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Speaker 3: Who should do the show?

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Speaker 4: Fight?

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Speaker 3: Small small, small.

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Speaker 2: Small small?

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Speaker 4: So this is every Friday night with socks with the cat. Dude,

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Speaker 4: I say, the socks you want? You like, you want Italian?

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Speaker 4: You want like Chinese? Like, what are you in.

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Speaker 2: The mood for? And he's like, whatever, whatever you want

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Speaker 2: to be? So help me? Yeah, exactly. So then I

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Speaker 2: choose something.

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Speaker 5: And oh, like, I don't know, not really in the

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Speaker 5: mood for that whatever except for what you are.

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Speaker 2: Yes.

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Speaker 4: And then by the time we're like ready to go,

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Speaker 4: he's eaten a huge bird.

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Speaker 2: It's all a control thing with stuck.

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Speaker 4: Yes, And so I said to Bill, you know, this

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Speaker 4: seems like the kind of thing Bill would actually enjoy.

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Speaker 2: He likes that sort of like back.

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Speaker 4: It's all games, yes, mental push, pull, minds, manipulation.

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Speaker 2: Yeah, you murdered someone. Hey, welcome. I want to end

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Speaker 2: up and I got to take you thought you drop

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Speaker 2: the names the red to shoot recalled show? Does up?

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Speaker 5: What up?

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Speaker 2: You listen to podcast?

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Speaker 5: Yes? This is.

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Speaker 2: No not no not podcast.

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Speaker 3: You can see.

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Speaker 4: You are in a real place, not a house, not

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Speaker 4: a house, but not in your car unless you're listening

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Speaker 4: to this later, keep driving your car.

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Speaker 5: M Oh, yes, we should say that we were talking

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Speaker 5: to the people here and not to the people who

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Speaker 5: will listen to podcast.

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Speaker 2: Yes, people listening to podcasts. I don't know how do

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Speaker 2: we this in before that?

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Speaker 4: Yes, there should be some kind of extra version in

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Speaker 4: the podcast where this is cut out because it's too

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Speaker 4: dangerous for.

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Speaker 3: Car for car.

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Speaker 2: Because of wheels. Yeah, a word with bread. Ah, Yes,

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Speaker 2: what you were speaking before the song? What did you say?

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Speaker 1: I forgot how it went? I needed help. You only

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Speaker 1: asked me to do this like an hour ago.

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Speaker 2: You asked them to do it for you.

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Speaker 4: Is that what I heard?

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Speaker 1: I thought it was.

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Speaker 4: It seemed like you were doing it in a way

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Speaker 4: like you were like fake trying to engage them, but

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Speaker 4: really you just.

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Speaker 2: Didn't know what you were supposed to do, so you

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Speaker 2: wanted help. You needed emergency help.

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Speaker 1: I thought this was gonna be like my performance, like

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Speaker 1: the full theme song in the.

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Speaker 2: Fifteen words, right, Brett, remove the idea of the song.

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Speaker 2: Just think about it like this.

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Speaker 5: We asked you, a professional sounding near under the employe

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Speaker 5: of Earwolf, to help us out with a podcast task.

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Speaker 5: You then contracted it to a bunch of strangers, many

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Speaker 5: of whom are suspicious.

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Speaker 3: What do you make in a day?

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Speaker 4: Yeah?

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Speaker 2: How much money.

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Speaker 1: Wolf pays handsomely?

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Speaker 4: I doubt that very much. I think whatever it is

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Speaker 4: should be divided equally among the audience of the show.

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Speaker 4: Isn't that right audience? Yeah, that's how you engage people.

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Speaker 4: That was the same clapping, not.

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Speaker 3: What you got.

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Speaker 2: That wasn't real.

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Speaker 1: I just asked the clapping to come before that.

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Speaker 4: That's like what the clap you got is like what

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Speaker 4: the kids do to bring Tinkerbell back to life.

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Speaker 3: It's forced.

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Speaker 2: They know, they know you're the next part until they

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Speaker 2: do the clap.

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Speaker 4: Yeah.

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Speaker 2: Right, the big sports game tonight and we're huge.

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Speaker 3: Oh yes, and I love it.

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Speaker 2: So we got to know what happened in sports.

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Speaker 5: Yes, you we're very kind to sacrifice doing sports to

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Speaker 5: come here and hear this, and so we want.

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Speaker 2: To keep you updated. I'll check on my phone and

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Speaker 2: so Hayes is going to get.

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Speaker 5: All the information through the show and tell me if

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Speaker 5: there was a dunk or anything, and don't spare me

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Speaker 5: a single detail.

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Speaker 4: Did you get a text it's stuck in text mode.

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Speaker 4: Oh no, maybe I have to text someone to see

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Speaker 4: if they know the score. I'll text Adrian PLICKI that

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Speaker 4: would be great.

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Speaker 5: I mean I usually just for sports, i'd go to Calista. Calista,

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Speaker 5: that's me, okay, I mean that's for me.

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Speaker 2: That might be weird. I'll do it all right because

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Speaker 2: of Calista. Sorry, I am not engaged to you no more.

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Speaker 2: O see x clam.

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Speaker 4: What is the basketball score? Bubbles rin Yeah. From saying something,

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Speaker 4: she says, what is biscuitball? I wrote biscuitball by accident.

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Speaker 4: I accudentally wrote.

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Speaker 2: Well, even so, she doesn't know what biscuitball is biscuit.

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Speaker 4: I wrote it so much it's an autocorrect for me

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Speaker 4: in my phone when I hit the letter beat and

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Speaker 4: she doesn't even know what it is.

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Speaker 2: She played biscuitball at my house fourth of July last year.

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Speaker 2: I think she won.

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Speaker 4: I wonder if that game isn't taking off like you

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Speaker 4: thought it would. Oh, we don't even want to think

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Speaker 4: about that. That would take the show in a very

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Speaker 4: sad direction. This would be a dark episode of.

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Speaker 5: All of the time and money I sunk into biscuitball

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Speaker 5: had not resulted in its popularity.

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Speaker 2: I mean, it's a household everyone in the auto knows

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Speaker 2: what biscuy ball is, right, few, let's go into the audience.

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Speaker 2: We love having audience.

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Speaker 4: We love being able to see you guys, because podcast

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Speaker 4: is just a magazine of noise.

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Speaker 3: Basically, yes, made of noise.

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Speaker 2: And it's so nice when we do the live because

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Speaker 2: it is so much that we are.

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Speaker 5: Just imagining who listens, and it's easy to get scared

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Speaker 5: that way. And here I get to see, Oh it's

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Speaker 5: this guy that's less scary than what I pictured, but

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Speaker 5: still love comforting for me.

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Speaker 4: So let's help get it to a place that's more comforting.

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Speaker 4: We want to help you guys with your brands. Brands

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Speaker 4: are like kick the cereal, or like a special hat that.

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Speaker 2: You wear, Oh, a crackling o brand the cereal. Everyone

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Speaker 2: has one, and we want to help you with yours.

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Speaker 3: So we want to play a game.

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Speaker 2: Segment called the brand that rocks the cable as in

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Speaker 2: cable television yes, cable networks yes.

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Speaker 5: And then of course you go, well that's Russell brand,

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Speaker 5: but no other it's a different one.

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Speaker 2: This is a different brand. Now what we need is

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Speaker 2: someone to volunteer. Anyone.

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Speaker 4: They're they're just All we just need is your full name,

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Speaker 4: and this will be a great way to get your

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Speaker 4: brand out there initially, so people will.

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Speaker 2: Say, oh, okay, I name having guy. Well, yes, what's

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Speaker 2: your full name? John Jonathan Jonathan Earl four.

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Speaker 4: Well, one of those is actually a number, yes, and

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Speaker 4: so that's where I start first.

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Speaker 2: We all have a number.

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Speaker 5: Numbers aren't guys. Numbers aren't names. I of course have

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Speaker 5: a number of social Security number, but mine's not four.

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Speaker 5: I mean that makes you very old.

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Speaker 4: Yeah, yours is four nine six four nine and it's

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Speaker 4: and so that's your social Security number. You must be

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Speaker 4: like the oldest guy in the world.

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Speaker 5: Uh So, one of the things your middle name is earl,

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Speaker 5: but my name is Earl, got canceled.

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Speaker 4: So so you don't want to go with that because

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Speaker 4: we've already said no, thank you, and you're not really

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Speaker 4: giving off the middle name Earl. James Earl Jones was

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Speaker 4: just James Jones, but he then was basketball player for

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Speaker 4: the Cavaliers and he got he had to put the

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Speaker 4: earl in his name, which connotes wise blackness, and you're

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Speaker 4: not you're.

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Speaker 5: Not bringing that to the brand. So what am I

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Speaker 5: thinking your name is? Actually he's wearing glass and glass shirt.

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Speaker 5: Mister shirt shirt Glass. I mean, is that shirt glass?

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Speaker 5: Is that a good last name?

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Speaker 2: Kurt?

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Speaker 3: Oh, k Kurt shirt Glass.

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Speaker 2: Now we've gotten so that's a brand.

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Speaker 5: That's now somebody passed me the Crackling Oat brand, the

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Speaker 5: cereal I could see.

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Speaker 4: I could see Kurt shirt Glass surfing on television. Does

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Speaker 4: anyone else have a name?

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Speaker 2: Yes? Megan Adams. Meghan Adams. Now that's about the scariest

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Speaker 2: name I've ever heard.

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Speaker 4: If you trigger warning, if you are part of one

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Speaker 4: of the spookiest families of all time, I command you

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Speaker 4: to get out of this theater.

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Speaker 3: Before somebody is scared.

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Speaker 2: At least they're whited. If it's Wednesday Atams, I know

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Speaker 2: what I'm dealing with.

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Speaker 5: Okay, But if you're Meghan Adams, like, oh, this is

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Speaker 5: the one I haven't met yet, so even they're afraid of.

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Speaker 4: Her, unless it's like, isn't there always there is one

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Speaker 4: who's the cousin who is normal?

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Speaker 2: Is well, no, it's a little better than normal.

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Speaker 6: Oh yes, Oh, I see type of goal you play

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Speaker 6: biscuit ball with. So yes, that makes sense to me.

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Speaker 4: So if you're gonna be in the Atoms family, you

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Speaker 4: want to make it clear that you are normal, and

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Speaker 4: so your name should be norm Adams.

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Speaker 2: I have a pitch.

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Speaker 5: If you're gonna be in a scary family like the

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Speaker 5: Adams Family, shouldn't you be one of the monsters.

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Speaker 2: The monsters were like a parody version of the Adams Family.

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Speaker 2: I guess it's Oh.

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Speaker 3: I don't see it that way at all.

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Speaker 5: I think they were an original idea, lots of fun,

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Speaker 5: and the dad is of a freaking Stein.

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Speaker 3: And now you say, Sean, you're scared of Franking Stein.

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Speaker 3: Not this time.

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Speaker 2: So I guess your brand would be nice Franking Stein.

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Speaker 2: And that's also your name. Good job. Uh so, maybe

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Speaker 2: one more before we bring our guests out.

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Speaker 3: Yeah, let's do one more name front.

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Speaker 2: Arthur Hickman.

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Speaker 3: That seems right.

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Speaker 4: I don't like it, but it looks right to me.

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Speaker 4: It makes me think that you're something of a hickey man.

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Speaker 4: And it looks like you have long hair, which maybe

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Speaker 4: you grew quickly or just because you knew that you

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Speaker 4: were going to have to conceal a lot of very

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Speaker 4: salacious hickeys.

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Speaker 2: And you have glasses like the art of Arthur.

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Speaker 3: That's good.

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Speaker 2: I actually want that one.

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Speaker 4: Okay, I'm Arthur Hickman. Now you've got to find your

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Speaker 4: own brand. We have something famous to talk about. We

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Speaker 4: made a movie on our show called Teen Pope Nice Clappies.

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Speaker 2: We just read the script written by Sarah Brian Husky, and.

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Speaker 4: Since nighted it exploded in ways that we could never

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Speaker 4: have anticipated. You see it just about all over town.

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Speaker 7: The well.

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Speaker 2: The movie first of all, came out and beat Jurassic World.

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Speaker 4: It was the second most popular movie, and then Jurassic

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Speaker 4: World became most popular. Then people said nuh uh huh,

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Speaker 4: and then they doubled back for more. Teen Pope. Ye

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Speaker 4: saw it even more. So it's the first one to

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Speaker 4: be biggest movie twice and yes double biggest and the best.

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Speaker 4: And they say, if you want to make God laugh,

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Speaker 4: try to guess.

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Speaker 5: How much money Team Pope's gonna make, because yeah, he's

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Speaker 5: got other ideas and it made quite a bit. So

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Speaker 5: let's bring out that famous author, writer of the movies,

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Speaker 5: m Brian Husky.

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Speaker 3: You're welcome, You're welcome, you are welcome.

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Speaker 5: I'd almost forgot the question, Oh okay, you do the show.

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Speaker 5: We almost forgot about Brett. But music was such a

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Speaker 5: big part of that film.

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Speaker 8: It was you know, we started off just we just

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Speaker 8: had a I'd like to write from inspiration, and we

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Speaker 8: just had a room of instruments. I have a farm

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Speaker 8: and then I have an auxiliary farm next to that farm,

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Speaker 8: up state California. And we would go out there and

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Speaker 8: we would just grab whatever instrument was a handy. We

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Speaker 8: had dough Bros. We had dough bro we had banjo's

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Speaker 8: and doughbros. And we just started exploring. And the next

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Speaker 8: thing we knew we were making up Catholic songs, you know,

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Speaker 8: songs that Catholics would approve of Catholics might listen to.

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Speaker 8: So I said, put my fucking Doughbros Down. Everybody get

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Speaker 8: off my farm, because the muse is here. I kicked

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Speaker 8: everyone off. There were tears, but I had to set

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Speaker 8: in and up sickless, crying Beck was there?

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Speaker 3: A band of horses?

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Speaker 2: Was there? Good for a farm, Good band for a farm.

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Speaker 3: Rihanna was there, But Rihanna did not play anything.

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Speaker 8: When she This is something about her when she goes

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Speaker 8: to upstate New York or upstate California, either one, she

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Speaker 8: likes to just kick back and not do anything musical.

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Speaker 2: Does she stop doing that accent?

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Speaker 3: No, she still sounds like an Irish sailor. Oh yes,

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Speaker 3: she's still doing that.

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Speaker 8: Like you know, when she's on camera she sounds normal,

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Speaker 8: but if you have a just a conversation, she does

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Speaker 8: this brogue thing.

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Speaker 3: That's just can I say the word annoying on this podcast?

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Speaker 5: Is that?

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Speaker 2: I know you've had a problem with that in the past.

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Speaker 2: Does he have an a word?

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Speaker 5: Pass?

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Speaker 4: Uh?

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Speaker 5: You know what?

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Speaker 2: It reminds me of my childhood in a scary way,

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Speaker 2: you know what.

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Speaker 3: Let's hot I of the.

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Speaker 4: Mask that I thought was very fun and nice and

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Speaker 4: it was described usually another word that I'd rather.

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Speaker 2: Not here ever again.

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Speaker 1: Mm hmm.

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Speaker 8: Okay, So we're gonna hot pocket that for just right now,

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Speaker 8: just we're just gonna that's a term. No, no, no,

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Speaker 8: Do you know hot pocket the term I thought I did? Oh, okay,

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Speaker 8: I guess this is that that came out this week.

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Speaker 8: This is a new industry term. If you hot pocket something,

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Speaker 8: you're just gonna set it aside for later, but bring

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Speaker 8: it up in an inopportune moment. Okay, So you're getting

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Speaker 8: that thing hot and ready to serve up to someone

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Speaker 8: who has a gluten allergy. That's the whole idea behind

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Speaker 8: Oh wow, so I'm gonna hot pocket it.

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Speaker 2: Yes, that's my.

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Speaker 4: That's my favorite gafficking bit. And I love when stand

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Speaker 4: up to talk about gross food.

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Speaker 6: I like it.

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Speaker 5: But he doesn't really mention being a dad, and so

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Speaker 5: there's a way for them to do both.

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Speaker 8: That's the perfect one. He's the kind of performer who

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Speaker 8: I wish his voice was.

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Speaker 3: In a more attractive body, you know, Yes, the perfect woman.

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Speaker 8: Yes, I feel like he has a very engaging female

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Speaker 8: voice trans that should.

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Speaker 3: Be in another vessel. But that's for another time.

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Speaker 5: Oh, I remember my other favorite gaffkin bit, the manateee stuff,

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Speaker 5: the holy Trinity of gaff.

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Speaker 2: So enough about Gaffigin. Let's talk about you. Your big

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Speaker 2: movie was so big that you have to do another,

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Speaker 2: and it happens to even the best of us.

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Speaker 3: That's true, only the best.

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Speaker 2: Okay, But you, of course have brought the script for

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Speaker 2: teen Pope two.

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Speaker 4: Yes, yes, we're gonna read Team Pope two. I have, Uh,

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Speaker 4: it's printed on this money.

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Speaker 3: Oh good, good full.

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Speaker 8: I thought I almost forgot the script Team Pope two,

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Speaker 8: the Great White Pope. And so it picks up just

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Speaker 8: so everybody knows where we are. It picks up right

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Speaker 8: after there's been a black Pope. Okay, so this new

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Speaker 8: Pope is the great White Pope. And of course who

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Speaker 8: is this great new White Pope?

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Speaker 3: Teen Pope growing up, growing up a load.

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Speaker 2: It And surely you remember teen Pope's real name.

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Speaker 8: Yes, So team Pope, you just have to say, yes, yes,

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Speaker 8: I do remember it. So teen Pope decides said he's

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Speaker 8: going to get back in there and just sort of

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Speaker 8: just bring some radical attitude back to the Holy Church thing.

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Speaker 2: And this is printed on the front page of the script.

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Speaker 3: Yep, that's the full title.

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Speaker 8: Original title, is the full explanation of the theme and

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Speaker 8: the pitch. Because I just said, this is a win win,

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Speaker 8: So just read this. Yes, here's the title, here's the

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Speaker 8: here's the go and that happened. And that's a real story.

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Speaker 3: That's a real story.

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Speaker 2: Yes, and I've heard it a few times now and

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Speaker 2: I'm loving it.

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Speaker 4: Yes, So we a lot of the notes we got

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Speaker 4: in thinking about the sequel with you developing it is

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Speaker 4: turned it into a rock musical.

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Speaker 8: Well, do you guys want to talk about how we

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Speaker 8: are process? Yes, because it was it was not upstate

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Speaker 8: California or New York that we went to. It was

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Speaker 8: a little country by the name of.

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Speaker 2: Brazil.

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Speaker 3: Nope, no, it was.

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Speaker 2: Oh, that's right, that's a huge country.

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Speaker 3: Yes it was. It was one of the small ones.

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Speaker 2: Yeah, church City.

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Speaker 3: Oh that's it, that's it.

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Speaker 2: Church City.

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Speaker 5: We went to Church City, the tiny one where the

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Speaker 5: church lives. And I remember being there and being so

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Speaker 5: inspired by what is around. And because you said earlier

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Speaker 5: that you like to write from inspiration, and I thought

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Speaker 5: I'll try that too.

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Speaker 2: It was fun.

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Speaker 4: They don't like when you throw a screaming nerve football there,

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Speaker 4: mainly because that that is an old tradition that they've

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Speaker 4: done away with there.

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Speaker 8: And they used to They used to throw these inflated,

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Speaker 8: flaming uh loads of bread out to the to the

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Speaker 8: to the people.

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Speaker 3: Yeah, and Jesus was like, this is my body, my

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Speaker 3: body like fucking up on fire. Help me.

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Speaker 2: You're burnt. I think that was the origin of your burn.

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Speaker 2: You burn, And they would of course.

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Speaker 5: Stick alive burn inside the bread so to create the

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Speaker 5: screaming football the fact.

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Speaker 8: Right, And oftentimes the wings would get free and they

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Speaker 8: would fly around a little bit. Yes, people thought that

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Speaker 8: it was a vision of the devil and it got

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Speaker 8: very confusing, and so they're like, well, let's just scrub

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Speaker 8: this went off.

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Speaker 3: We could do all this stuff with the dirt on

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Speaker 3: their face and all that stuff.

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Speaker 5: Yeah, the palms all that because they were like, this

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Speaker 5: really never meant anything.

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Speaker 2: I think it just seemed cool.

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Speaker 8: Yes, but yeah, we we We were in Church City, Brazil.

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Speaker 8: It was actually in Brazil that was playing a little

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Speaker 8: thing with him. But they led us into their music

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Speaker 8: room where there were Doughbros. And there were banjos and

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Speaker 8: there were some holy chimes, and we got down to

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Speaker 8: business and we played one note I think it was.

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Speaker 2: That was it that was taking me back? Yes, that's

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Speaker 2: giving me a physical response that I enjoyed.

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Speaker 8: Yeah, it's a flashbacks and I think you know what

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Speaker 8: it is. And then uh, and then we just got

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00:23:51,840 --> 00:23:57,080
Speaker 8: to type in got to writing. We were in different

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Speaker 8: rooms and we were writing different scripts.

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Speaker 3: And I said, that's fine.

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Speaker 2: Yeah, but they almost sort of worked together.

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Speaker 3: They almost did.

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Speaker 8: We did sort of a sort of a Burrows thing.

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Speaker 8: You know that that fellow shot at his wife so much,

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Speaker 8: and you know he was crazy.

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Speaker 3: He did heroin.

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Speaker 8: He used to do a thing or he would chop

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Speaker 8: up books and then read sort of put them back

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Speaker 8: together and say, hey, it's a book. He did.

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Speaker 2: Yes, we did that was running with scissors always.

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Speaker 8: We did that with this script, and I'll say the

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Speaker 8: first fourteen versions of it were terrible. Oh I'm ready

399
00:24:34,280 --> 00:24:36,719
Speaker 8: to admit that now because none of it were sent

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Speaker 8: is there are no sentences. No, there's nothing deciding, there's

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00:24:40,760 --> 00:24:42,720
Speaker 8: no language that was understandable.

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00:24:42,920 --> 00:24:48,440
Speaker 2: But now there's some yes, yes, thank you, Yes, yes.

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Speaker 3: That could be our set piece. Is it the set

404
00:24:52,800 --> 00:24:54,600
Speaker 3: piece in the movie. We haven't decided yet. We have

405
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Speaker 3: to let the studio know what the set piece is.

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Speaker 3: And what huh that one? The chop top scene, the

407
00:25:01,760 --> 00:25:03,680
Speaker 3: chopped up scene. Yeah, the beat poet scene that we

408
00:25:03,760 --> 00:25:06,560
Speaker 3: put in there. You know, that's the that's the main

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00:25:06,640 --> 00:25:07,119
Speaker 3: set piece.

410
00:25:07,400 --> 00:25:09,760
Speaker 2: Yes, the running with scissors scene, yeah, we can.

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Speaker 5: That's how the books got all chopped because he's running

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Speaker 5: with the scissors and he dries them out and they're

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00:25:18,160 --> 00:25:21,160
Speaker 5: dry and all that and and then so that's good.

414
00:25:22,320 --> 00:25:25,320
Speaker 3: Now, that's a good point.

415
00:25:25,680 --> 00:25:28,640
Speaker 5: Do we want to just launch into the first scene

416
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Speaker 5: of the movie and just give these people a little

417
00:25:30,760 --> 00:25:34,640
Speaker 5: taste of the movie with their mouth.

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00:25:35,960 --> 00:25:37,200
Speaker 2: From us reading it?

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00:25:37,359 --> 00:25:40,439
Speaker 4: Do we want I'll read the stage your actions, yes, okay,

420
00:25:40,560 --> 00:25:44,520
Speaker 4: so let me smooth and you'll read pop attitude.

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00:25:44,600 --> 00:25:47,480
Speaker 2: I will of course, be reprising my role as Pope Attitude,

422
00:25:48,560 --> 00:25:50,800
Speaker 2: Jason Attitude. That's the name that you remember, I know,

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00:25:55,000 --> 00:25:57,080
Speaker 2: and you know your guys.

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Speaker 3: Yes, I'm the I'm the outgoing black pope.

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00:26:03,880 --> 00:26:04,000
Speaker 9: Uh.

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00:26:05,840 --> 00:26:10,600
Speaker 4: My favorite song this is Brian Writing plays Pinch Me

427
00:26:10,760 --> 00:26:12,200
Speaker 4: by Bare Naked Ladies.

428
00:26:18,640 --> 00:26:20,800
Speaker 2: Interior Church City.

429
00:26:26,560 --> 00:26:26,800
Speaker 8: Coup.

430
00:26:26,920 --> 00:26:33,640
Speaker 4: Attitude walks down the main hall of the city. He's

431
00:26:33,720 --> 00:26:38,080
Speaker 4: slapping fives with a bunch of bishops and shit.

432
00:26:39,359 --> 00:26:48,480
Speaker 10: Well, amazeball, it's ridiculous. Hey, y'all, flappy dicky dudes, check

433
00:26:48,600 --> 00:26:49,080
Speaker 10: this out.

434
00:26:49,880 --> 00:26:58,439
Speaker 2: I give zero. F's awkward town. It's the old pope.

435
00:26:59,160 --> 00:26:59,760
Speaker 1: What's going on?

436
00:27:00,600 --> 00:27:06,680
Speaker 9: Maestros, Listen, It's gonna be a tough road for you,

437
00:27:07,520 --> 00:27:10,399
Speaker 9: but I'm gonna do what it is the right thing

438
00:27:10,440 --> 00:27:11,920
Speaker 9: to do and give you some advice.

439
00:27:13,840 --> 00:27:19,040
Speaker 3: Okay, when you go in there, if you're black, it's

440
00:27:19,119 --> 00:27:30,720
Speaker 3: gonna be tough for you. Okay, but you're not, so

441
00:27:30,840 --> 00:27:32,240
Speaker 3: you got that going for you.

442
00:27:34,440 --> 00:27:40,879
Speaker 8: Yeah, there's some real issues in America right now, what

443
00:27:41,119 --> 00:27:44,160
Speaker 8: with Ferguson and all the cops killing everybody.

444
00:27:45,640 --> 00:27:48,600
Speaker 3: But that's not your problem because you're a white pope.

445
00:27:49,359 --> 00:27:52,840
Speaker 5: Well, and also, the pope's domain is not expressly America

446
00:27:53,000 --> 00:27:58,080
Speaker 5: and they're a police in racial politics. You know, it

447
00:27:58,160 --> 00:28:01,760
Speaker 5: seems like the American government would be more concerned with that,

448
00:28:01,920 --> 00:28:04,800
Speaker 5: and I would just be running Church City and the

449
00:28:04,960 --> 00:28:06,560
Speaker 5: church we like the big one.

450
00:28:08,880 --> 00:28:11,520
Speaker 8: That's one of the main issues with the Catholic system.

451
00:28:11,880 --> 00:28:15,680
Speaker 8: It's so obsessed with staying neutral, not getting involved.

452
00:28:16,000 --> 00:28:22,080
Speaker 2: I fuck it, I'm out of here, peace doggie. Now

453
00:28:22,160 --> 00:28:23,919
Speaker 2: can we even stop this down for a second?

454
00:28:25,040 --> 00:28:29,040
Speaker 4: Uh? You said in developing the sequel with us that

455
00:28:30,000 --> 00:28:32,159
Speaker 4: you really wanted to let the world know how you

456
00:28:32,240 --> 00:28:32,800
Speaker 4: felt about it.

457
00:28:32,960 --> 00:28:35,920
Speaker 8: I felt like what was lacking in Teamboa was a

458
00:28:36,040 --> 00:28:38,880
Speaker 8: real message like, yes, we're identifying some of the changes

459
00:28:38,960 --> 00:28:43,040
Speaker 8: that teenagers go through. Uh that you know, the normal

460
00:28:43,120 --> 00:28:45,400
Speaker 8: sort of journey of the self capturing a rye kind

461
00:28:45,440 --> 00:28:45,720
Speaker 8: of thing.

462
00:28:46,240 --> 00:28:51,120
Speaker 2: I was like, Oh, take a second, cannot we take?

463
00:28:51,160 --> 00:28:54,840
Speaker 2: You can not blow by that need to you cannot blow.

464
00:28:54,800 --> 00:28:58,080
Speaker 8: How many times have you guys thought about that book?

465
00:28:58,360 --> 00:29:00,920
Speaker 8: Hands all the times?

466
00:29:01,040 --> 00:29:03,640
Speaker 3: And how many times you number? How many times?

467
00:29:03,920 --> 00:29:05,840
Speaker 2: There's no number?

468
00:29:06,040 --> 00:29:08,680
Speaker 5: And every page is dogging at this place because they

469
00:29:08,760 --> 00:29:10,040
Speaker 5: all have something to say.

470
00:29:09,920 --> 00:29:13,320
Speaker 2: In corners and it's still and it's written so long.

471
00:29:13,200 --> 00:29:15,360
Speaker 11: Ago, and I still hate phonies today.

472
00:29:16,960 --> 00:29:21,240
Speaker 10: Yes, But.

473
00:29:22,880 --> 00:29:26,080
Speaker 8: As I sat down to work on this script, catcher

474
00:29:26,160 --> 00:29:28,720
Speaker 8: in the rye on one hand, my typing hand on

475
00:29:28,840 --> 00:29:41,600
Speaker 8: the other hand, I said to myself, Brian Husky, writer,

476
00:29:42,720 --> 00:29:44,200
Speaker 8: are you going to say the same thing?

477
00:29:44,680 --> 00:29:49,280
Speaker 3: Are you going to say something else? I didn't answer myself.

478
00:29:49,640 --> 00:29:50,680
Speaker 3: I didn't answer.

479
00:29:50,440 --> 00:29:55,240
Speaker 8: Myself no because that would make me look stupid. But

480
00:29:55,400 --> 00:29:58,440
Speaker 8: instead I let my typing hand decide for me.

481
00:29:59,240 --> 00:30:00,480
Speaker 3: I blacked out, Guys.

482
00:30:00,320 --> 00:30:02,800
Speaker 4: I'm gonna be honest, it does seem like for a

483
00:30:02,880 --> 00:30:05,120
Speaker 4: while in the script that you are trying to type

484
00:30:05,160 --> 00:30:06,760
Speaker 4: with your catcher in the rye hand.

485
00:30:07,920 --> 00:30:10,680
Speaker 8: That's where there's just a cluster of letters. It seems

486
00:30:10,720 --> 00:30:13,160
Speaker 8: like it's just a book pressed against the keys. Yeah,

487
00:30:13,320 --> 00:30:16,200
Speaker 8: that's maybe when my catching a rye hand came in

488
00:30:16,680 --> 00:30:17,760
Speaker 8: to kind of interject.

489
00:30:18,680 --> 00:30:23,240
Speaker 3: But my typing hand was like, no, stand back, nave message.

490
00:30:24,160 --> 00:30:24,240
Speaker 8: And.

491
00:30:26,000 --> 00:30:28,800
Speaker 3: And that's that was That was that that where, that's

492
00:30:28,840 --> 00:30:30,360
Speaker 3: where we got the Black Pope.

493
00:30:30,600 --> 00:30:34,200
Speaker 5: And people don't realize that writing is just really a

494
00:30:34,440 --> 00:30:37,800
Speaker 5: wrestling match in a war between your two hands.

495
00:30:38,000 --> 00:30:42,000
Speaker 8: In ways, it's two sides of the brain that are

496
00:30:42,840 --> 00:30:46,240
Speaker 8: id and ego and super ego and psyche, which is

497
00:30:46,440 --> 00:30:51,080
Speaker 8: four parts of the brain fighting for two positions. So

498
00:30:52,440 --> 00:30:55,440
Speaker 8: then it becomes the left hemisphere and the right hemisphere.

499
00:30:55,840 --> 00:31:00,200
Speaker 8: Like science, yes, keep going, and we all know that

500
00:31:00,320 --> 00:31:03,080
Speaker 8: the right hemisphere has a secret trap door that if

501
00:31:03,120 --> 00:31:06,440
Speaker 8: you go in there, that's the answer to the questions.

502
00:31:06,480 --> 00:31:09,680
Speaker 8: The left hemisphere was asking your left hand to tell

503
00:31:09,720 --> 00:31:11,000
Speaker 8: to your right typing.

504
00:31:10,760 --> 00:31:18,960
Speaker 2: Hand talk about the dela, the which one. The switch

505
00:31:19,000 --> 00:31:20,720
Speaker 2: in the brain. The switch in the.

506
00:31:20,760 --> 00:31:25,160
Speaker 8: Brain is almost like you know those turbocharged cars that

507
00:31:25,320 --> 00:31:29,120
Speaker 8: dickheads drive. If you switch that and it gives a

508
00:31:29,160 --> 00:31:31,760
Speaker 8: bunch of nitrous oxide or some bullshit I'm making up

509
00:31:31,800 --> 00:31:36,920
Speaker 8: right now, that's what happens imatic.

510
00:31:37,840 --> 00:31:40,760
Speaker 7: Yeah, yeah, so I like to.

511
00:31:40,800 --> 00:31:42,960
Speaker 3: Think that that's what happened when I was writing to

512
00:31:43,080 --> 00:31:44,000
Speaker 3: answer your question.

513
00:31:48,400 --> 00:31:52,080
Speaker 2: You hear that nice franking stun. I know you were

514
00:31:52,160 --> 00:31:52,920
Speaker 2: thinking of question.

515
00:31:54,000 --> 00:32:01,120
Speaker 5: So I'd love to see the scene where the conflict enters,

516
00:32:01,200 --> 00:32:03,480
Speaker 5: because I feel like that's such an important part of

517
00:32:03,560 --> 00:32:04,000
Speaker 5: the film.

518
00:32:04,120 --> 00:32:04,760
Speaker 3: Well, you know, an.

519
00:32:04,760 --> 00:32:08,800
Speaker 8: Interesting decision I made was to take what seems like

520
00:32:08,920 --> 00:32:12,760
Speaker 8: the conflict out in the very first scene. That's what

521
00:32:12,920 --> 00:32:15,840
Speaker 8: we called a red hairring getting raped by a bunch

522
00:32:15,880 --> 00:32:20,880
Speaker 8: of truckers in the industry. That's the terminology. Okay, sometimes

523
00:32:20,960 --> 00:32:25,280
Speaker 8: you'll have haring is like a trucker term. Yes, getting

524
00:32:25,360 --> 00:32:28,560
Speaker 8: rape is a trucker term. Rape is a trucker term.

525
00:32:28,600 --> 00:32:30,760
Speaker 2: A bunch of truckers. Just describe the truckers who use

526
00:32:30,840 --> 00:32:31,320
Speaker 2: those terms.

527
00:32:31,360 --> 00:32:35,120
Speaker 3: Trucker is a term. So you put all that together,

528
00:32:35,320 --> 00:32:39,760
Speaker 3: that's what happens to answer your question. So, yeah, I

529
00:32:39,840 --> 00:32:40,400
Speaker 3: took that out.

530
00:32:40,480 --> 00:32:43,480
Speaker 8: But then I said, okay, here's another bit of conflict.

531
00:32:43,680 --> 00:32:45,600
Speaker 8: You didn't see this coming, and I think I put.

532
00:32:45,480 --> 00:32:47,560
Speaker 2: That in the action line right, Yes you did.

533
00:32:47,800 --> 00:32:50,920
Speaker 8: Yeah, I think I did that every page I went

534
00:32:51,000 --> 00:32:53,800
Speaker 8: to keep them engaged. Now that's a tip for you

535
00:32:54,200 --> 00:32:56,560
Speaker 8: writers out there. Anybody wants to be a writer, quick

536
00:32:56,600 --> 00:33:00,400
Speaker 8: show of hands, that's enough. So if if you want

537
00:33:00,480 --> 00:33:04,240
Speaker 8: to really engage your reader, make it so personal that

538
00:33:04,360 --> 00:33:06,360
Speaker 8: they feel like they're just hanging out with you. I

539
00:33:06,440 --> 00:33:11,240
Speaker 8: will have long, long diatribes about my own personal issues

540
00:33:11,280 --> 00:33:14,120
Speaker 8: within the script, and then I'll put a little, a

541
00:33:14,200 --> 00:33:16,920
Speaker 8: little you know, asterisk at the bottom there and say, hey,

542
00:33:16,960 --> 00:33:18,800
Speaker 8: this doesn't have to be in the movie before it can.

543
00:33:21,320 --> 00:33:23,640
Speaker 2: So I'll put my to do list a lot of

544
00:33:23,720 --> 00:33:25,280
Speaker 2: times that's good, and then.

545
00:33:25,240 --> 00:33:27,120
Speaker 5: I'll cross out three of the items and then a

546
00:33:27,200 --> 00:33:29,400
Speaker 5: few pages later I'll go, oh damn, I forgot to

547
00:33:29,480 --> 00:33:31,400
Speaker 5: do and then it's the two items on the to

548
00:33:31,480 --> 00:33:34,360
Speaker 5: do list they won't cross down, and so that's sort of.

549
00:33:34,400 --> 00:33:36,760
Speaker 2: Like a cool like they're inside my day.

550
00:33:37,040 --> 00:33:42,760
Speaker 8: Yeah, yeah, yeah, it's just about making the experience a

551
00:33:42,960 --> 00:33:44,000
Speaker 8: human experience.

552
00:33:44,520 --> 00:33:44,840
Speaker 6: Hmmm.

553
00:33:44,960 --> 00:33:47,240
Speaker 2: And it's people is what does the movies at the

554
00:33:47,320 --> 00:33:49,040
Speaker 2: end of the day, It.

555
00:33:49,160 --> 00:33:50,600
Speaker 3: Am it am Yeah.

556
00:33:51,360 --> 00:33:52,920
Speaker 2: Should we get to the conflict scene?

557
00:33:53,080 --> 00:33:55,760
Speaker 3: Oh yes, oh yes, long last Yes.

558
00:33:57,360 --> 00:34:12,520
Speaker 4: The music cue says just monkey Ranch Interior Adult Circumcision

559
00:34:13,560 --> 00:34:24,759
Speaker 4: Chamber code A Attitude lies on a marble slab. He's

560
00:34:24,840 --> 00:34:30,040
Speaker 4: surrounded by the Council of Elders holding scimitars.

561
00:34:30,320 --> 00:34:34,719
Speaker 3: Yep, he's sweating bullets.

562
00:34:37,880 --> 00:34:40,239
Speaker 5: Yeah. My freaking girlfriend asked me if you guys could

563
00:34:40,280 --> 00:34:41,600
Speaker 5: take off a little bit extra.

564
00:34:47,680 --> 00:34:53,600
Speaker 8: I find no humor, and you're probably Dico mont Chin good.

565
00:34:55,400 --> 00:34:56,160
Speaker 4: I want to be.

566
00:34:58,680 --> 00:34:59,640
Speaker 3: Can we suffer a second?

567
00:35:01,440 --> 00:35:01,600
Speaker 2: Now?

568
00:35:01,840 --> 00:35:05,440
Speaker 8: That was supposed to be that famous British actor who

569
00:35:05,520 --> 00:35:06,160
Speaker 8: died recently.

570
00:35:06,200 --> 00:35:16,359
Speaker 3: What's his name? Oh yeah, Christopher Lee no plummer reeves, Yes,

571
00:35:16,800 --> 00:35:18,359
Speaker 3: all of them. We're trying to get all.

572
00:35:18,360 --> 00:35:22,320
Speaker 8: Those British guys, the British ones to be the Council

573
00:35:22,400 --> 00:35:23,000
Speaker 8: of Elders.

574
00:35:24,040 --> 00:35:27,680
Speaker 3: But they were just dying, like left and right, boom

575
00:35:27,840 --> 00:35:30,239
Speaker 3: boom boom, call them up. They're dying, they're dying.

576
00:35:30,760 --> 00:35:33,160
Speaker 2: So we in retrospect with Christopher Wreath.

577
00:35:36,200 --> 00:35:36,960
Speaker 5: Is that on us?

578
00:35:37,920 --> 00:35:42,480
Speaker 8: Well, there is a story going around town that when

579
00:35:42,640 --> 00:35:46,320
Speaker 8: he heard that he got the news from his agent

580
00:35:46,560 --> 00:35:49,480
Speaker 8: that he was going to be in Team Folk two,

581
00:35:50,400 --> 00:35:57,080
Speaker 8: he good died. He up and good died because of that.

582
00:35:57,360 --> 00:35:59,799
Speaker 8: So I think that's a great way to go out.

583
00:36:00,000 --> 00:36:01,400
Speaker 8: I'm not taking playing for it.

584
00:36:01,520 --> 00:36:05,120
Speaker 5: I'm saying, yes, that kind of recognition is what he'd

585
00:36:05,160 --> 00:36:06,560
Speaker 5: been striving for the whole time.

586
00:36:06,680 --> 00:36:09,480
Speaker 3: That's a button on a career that you cannot put

587
00:36:09,520 --> 00:36:10,040
Speaker 3: on a shirt.

588
00:36:10,800 --> 00:36:13,439
Speaker 2: That's what I mean. That's why an Australian person dies.

589
00:36:13,600 --> 00:36:17,960
Speaker 3: Good died me. Yeah, good to die, Yes, even though

590
00:36:17,960 --> 00:36:18,520
Speaker 3: he's British.

591
00:36:18,640 --> 00:36:21,799
Speaker 8: But that's that's fine. Okay, back to the scene. Sorry,

592
00:36:21,840 --> 00:36:22,879
Speaker 8: that's just a little side note.

593
00:36:24,120 --> 00:36:25,799
Speaker 2: Yeah, and an additional side note.

594
00:36:25,840 --> 00:36:27,880
Speaker 5: We thought it was so cool when we decided to

595
00:36:27,960 --> 00:36:31,560
Speaker 5: make one character named Council of Elders. Yes, but it

596
00:36:31,640 --> 00:36:34,240
Speaker 5: really came back to bite us when those actors kept dying,

597
00:36:34,440 --> 00:36:37,360
Speaker 5: you know, because then we could have had some backups.

598
00:36:37,560 --> 00:36:40,120
Speaker 8: Well, that's going back. I'm sorry to interrupt. Can you

599
00:36:40,239 --> 00:36:42,680
Speaker 8: hold on a second. That's going back.

600
00:36:43,200 --> 00:36:45,600
Speaker 3: To the classic Greek chorus.

601
00:36:46,280 --> 00:36:49,719
Speaker 8: Now, this Council of elders was the classic Greek course,

602
00:36:49,760 --> 00:36:52,279
Speaker 8: and we're going to have them all speak in you know,

603
00:36:52,560 --> 00:36:58,000
Speaker 8: and together. That's why we put that pronunciation, that kind

604
00:36:58,000 --> 00:37:01,840
Speaker 8: of unusual sort of twist and funding. Yeah, so we

605
00:37:01,920 --> 00:37:05,400
Speaker 8: chose a different font, right, we hit We smeared it

606
00:37:05,480 --> 00:37:06,200
Speaker 8: on the page.

607
00:37:06,360 --> 00:37:09,120
Speaker 3: We would put water on each script. We smeared it.

608
00:37:11,320 --> 00:37:11,880
Speaker 2: Tokyo.

609
00:37:13,960 --> 00:37:15,560
Speaker 8: And then at the end of the day, it just

610
00:37:15,680 --> 00:37:19,600
Speaker 8: ends up being one guy. That's that's Hollywood. I guess

611
00:37:19,680 --> 00:37:20,360
Speaker 8: that's Hollywood.

612
00:37:20,640 --> 00:37:23,319
Speaker 2: They're always reducing groups of characters to one.

613
00:37:23,520 --> 00:37:26,359
Speaker 8: They'll say, yes, they don't like the Greek chorus, they

614
00:37:26,680 --> 00:37:29,359
Speaker 8: never have, and they don't like the past.

615
00:37:29,440 --> 00:37:31,680
Speaker 2: They did it with the basketball team and Hoosiers. M

616
00:37:31,880 --> 00:37:36,319
Speaker 2: mm hmm. It ended up just being just one main

617
00:37:36,400 --> 00:37:39,360
Speaker 2: Hoosier for a pass and it would just gound.

618
00:37:39,480 --> 00:37:42,440
Speaker 3: That was the original pitch perfect was supposed to be that.

619
00:37:42,880 --> 00:37:45,320
Speaker 8: They just are like, well, let's have them speak individually,

620
00:37:45,400 --> 00:37:47,200
Speaker 8: and they're like, all right, find their women, let's do that.

621
00:37:47,320 --> 00:37:51,680
Speaker 5: Three hundred is just one big giants to one guy.

622
00:37:52,040 --> 00:37:57,160
Speaker 2: Yeah, you just make the name one. Yeah, yeah, of course,

623
00:37:57,239 --> 00:37:58,680
Speaker 2: then that would step on my movie one.

624
00:37:59,640 --> 00:38:00,439
Speaker 3: How was going?

625
00:38:00,920 --> 00:38:07,200
Speaker 2: Oh bad? I made the choice too.

626
00:38:07,280 --> 00:38:09,520
Speaker 5: He's talking to himself in the mirror and then for

627
00:38:09,600 --> 00:38:11,719
Speaker 5: some reason I broke the mirror on page two.

628
00:38:12,440 --> 00:38:14,000
Speaker 2: Well are you learning any did you?

629
00:38:14,320 --> 00:38:16,600
Speaker 8: Wouldn't that Tom Hardy film where he's just sitting in

630
00:38:16,640 --> 00:38:18,479
Speaker 8: a car like a jerk for a whole moon.

631
00:38:19,200 --> 00:38:22,480
Speaker 5: But even then he's using the rearview mirror. He's talking

632
00:38:22,520 --> 00:38:24,800
Speaker 5: to his dad in the back seat. That probably the

633
00:38:24,880 --> 00:38:27,880
Speaker 5: part that's not good. If I now he had a phone,

634
00:38:30,960 --> 00:38:33,040
Speaker 5: it's not break one wide open.

635
00:38:34,440 --> 00:38:35,920
Speaker 2: Because your guy has a phone.

636
00:38:36,000 --> 00:38:38,960
Speaker 8: Now, Yes, I gave you the note of putting him

637
00:38:38,960 --> 00:38:41,839
Speaker 8: in a super echoey place, so it's sounded like there's

638
00:38:41,840 --> 00:38:42,560
Speaker 8: a bunch of them.

639
00:38:42,520 --> 00:38:46,520
Speaker 2: So he thinks he's talking more. Yeah, stop copying me?

640
00:38:48,680 --> 00:38:49,479
Speaker 2: Hello Hello?

641
00:38:49,800 --> 00:38:51,120
Speaker 3: Why are you saying hello back to me?

642
00:38:51,200 --> 00:38:53,200
Speaker 2: I want to play shadow? Want to play shadow?

643
00:38:54,320 --> 00:38:56,440
Speaker 8: And that I thought, right, a little bit of levity

644
00:38:56,480 --> 00:38:59,800
Speaker 8: because it is a drama, right, it's starting to be uh.

645
00:39:03,960 --> 00:39:05,240
Speaker 3: Because there is a new genre.

646
00:39:05,360 --> 00:39:10,919
Speaker 5: There's the chromedy comedy that's crowd man doing doing comedy.

647
00:39:14,640 --> 00:39:16,360
Speaker 3: And a comma you could do a comma.

648
00:39:19,880 --> 00:39:22,840
Speaker 2: Should we do the final scene in the movie already?

649
00:39:22,880 --> 00:39:24,080
Speaker 3: Well, I really whizz by.

650
00:39:25,600 --> 00:39:29,120
Speaker 2: I think there's more scenes. There's more scenes. I'm having

651
00:39:29,160 --> 00:39:31,680
Speaker 2: a joke on the audience and all of us on stage.

652
00:39:31,920 --> 00:39:34,279
Speaker 3: Well, we should just tell my health happens with the

653
00:39:34,360 --> 00:39:35,280
Speaker 3: Council of Elders.

654
00:39:35,920 --> 00:39:41,200
Speaker 8: That scimitar gets real close to teen Pope attitude, Jason attitudes,

655
00:39:41,719 --> 00:39:45,280
Speaker 8: junk and yeah, it goes through.

656
00:39:45,160 --> 00:39:51,839
Speaker 2: It, yes, yes, and then it starts to glow. I mean,

657
00:39:51,920 --> 00:39:52,640
Speaker 2: let's just read it.

658
00:39:54,080 --> 00:40:03,160
Speaker 3: Okay, told you're not fear this teen got right boys myself?

659
00:40:05,360 --> 00:40:05,560
Speaker 5: Right?

660
00:40:07,120 --> 00:40:09,239
Speaker 2: Wait, no, I don't say that. I'm prope attitude.

661
00:40:09,480 --> 00:40:10,080
Speaker 11: That's yeah.

662
00:40:10,520 --> 00:40:12,280
Speaker 2: Strap Ladder is such a phony.

663
00:40:14,440 --> 00:40:15,720
Speaker 7: He's a secret slob.

664
00:40:17,600 --> 00:40:24,360
Speaker 4: The music guy wakes up and plays I believe in

665
00:40:24,400 --> 00:40:36,520
Speaker 4: the thing called love. Propde grabs a scimitar.

666
00:40:38,719 --> 00:40:41,560
Speaker 12: If you want something done right, you gotta do it yourself.

667
00:40:44,160 --> 00:40:48,720
Speaker 12: You loved drumming like a guitar.

668
00:40:49,760 --> 00:40:50,600
Speaker 2: What am I doing?

669
00:40:51,040 --> 00:40:58,440
Speaker 11: I'm shredding my fucking wee wee dude, you must be crazy?

670
00:40:59,360 --> 00:40:59,960
Speaker 2: Is this true?

671
00:41:00,600 --> 00:41:00,640
Speaker 5: Not?

672
00:41:05,440 --> 00:41:09,120
Speaker 8: Councils and listen, said all of those children free from

673
00:41:09,200 --> 00:41:17,920
Speaker 8: the basement. Side note, Okay, we did have I wanted

674
00:41:18,000 --> 00:41:22,680
Speaker 8: to build in. Uh, I wanted to build in a

675
00:41:22,760 --> 00:41:23,839
Speaker 8: secret storyline.

676
00:41:24,160 --> 00:41:27,680
Speaker 2: Okay, yeah, this is the first I'm hearing of this.

677
00:41:27,920 --> 00:41:34,640
Speaker 8: Yes, a lot of people, a lot of people just

678
00:41:34,719 --> 00:41:36,920
Speaker 8: gloss over that part of the movie, just as like

679
00:41:37,080 --> 00:41:38,360
Speaker 8: he's just saying crazy stuff.

680
00:41:38,400 --> 00:41:40,480
Speaker 3: But no, there's a bunch of children held in the

681
00:41:40,600 --> 00:41:44,680
Speaker 3: vad Con basements. Okay, the church city, Church City, that's

682
00:41:44,760 --> 00:41:46,640
Speaker 3: where we wrote it, Brazil.

683
00:41:47,880 --> 00:41:48,920
Speaker 2: Is that on the same place?

684
00:41:49,400 --> 00:41:52,399
Speaker 8: No, no, you we should also say that we took

685
00:41:52,640 --> 00:41:56,759
Speaker 8: ayahuasca when you're doing this, not a safe amount either,

686
00:41:57,040 --> 00:41:59,319
Speaker 8: and we didn't we didn't have a shaman help us

687
00:41:59,360 --> 00:41:59,759
Speaker 8: with it all.

688
00:42:00,120 --> 00:42:04,240
Speaker 2: They should call it iichi wah wah. Yeah, yeah, because

689
00:42:04,280 --> 00:42:06,000
Speaker 2: that's how I was feeling internally.

690
00:42:06,640 --> 00:42:09,600
Speaker 4: I think the shaman would have told us whether we're

691
00:42:09,640 --> 00:42:12,960
Speaker 4: supposed to like sniff it or drink it or or.

692
00:42:13,120 --> 00:42:15,400
Speaker 3: What, or cut our skin open and then insert it

693
00:42:15,520 --> 00:42:18,160
Speaker 3: under our skins all of it.

694
00:42:18,320 --> 00:42:22,240
Speaker 8: Yeah, yeah, wed it into our flesh, which did different

695
00:42:22,320 --> 00:42:23,000
Speaker 8: things to us.

696
00:42:23,360 --> 00:42:25,239
Speaker 5: I drilled a hole in my head and poured it in.

697
00:42:30,080 --> 00:42:34,680
Speaker 5: I mean, I guess it helped with something, but with others.

698
00:42:34,560 --> 00:42:38,160
Speaker 3: Well, you have to say what's more important myself for my.

699
00:42:38,360 --> 00:42:42,000
Speaker 4: Art it comes out his ears sometimes and then goes

700
00:42:42,160 --> 00:42:47,879
Speaker 4: back in. Yeah, almost like it's peaking out.

701
00:42:49,120 --> 00:42:49,840
Speaker 8: Is it safe?

702
00:42:50,920 --> 00:42:52,800
Speaker 3: You know what, You're super lucky because now you have

703
00:42:52,880 --> 00:42:53,920
Speaker 3: a third consciousness.

704
00:42:54,320 --> 00:42:56,839
Speaker 2: Hmmm yeah too.

705
00:42:57,480 --> 00:42:57,719
Speaker 7: Yeah.

706
00:42:59,040 --> 00:42:59,880
Speaker 3: Well every writer.

707
00:43:01,520 --> 00:43:04,839
Speaker 2: We've all got two. Yeah, but yeah, the third one

708
00:43:05,040 --> 00:43:07,160
Speaker 2: is a cool guy.

709
00:43:07,560 --> 00:43:07,799
Speaker 8: Yeah.

710
00:43:08,880 --> 00:43:10,359
Speaker 2: Anyway you were talking about.

711
00:43:11,000 --> 00:43:14,080
Speaker 8: Oh yeah, there's a secret storyline that if you're an

712
00:43:14,640 --> 00:43:18,080
Speaker 8: devoted watcher and fan of the series, you will want

713
00:43:18,120 --> 00:43:22,160
Speaker 8: to investigate more. We're hoping when the film comes out

714
00:43:22,239 --> 00:43:24,680
Speaker 8: that there will be an app that goes with it.

715
00:43:25,239 --> 00:43:27,919
Speaker 8: When that line is said during the movie, you stop

716
00:43:28,000 --> 00:43:30,960
Speaker 8: paying attention to the movie and look down only at

717
00:43:31,000 --> 00:43:34,200
Speaker 8: your phone, and a second movie we'll start playing on

718
00:43:34,360 --> 00:43:34,880
Speaker 8: your phone.

719
00:43:36,560 --> 00:43:40,720
Speaker 3: Now we want the viewers to only watch this movie. Okay.

720
00:43:41,680 --> 00:43:44,200
Speaker 8: This is about the children who are kept in the

721
00:43:44,280 --> 00:43:48,840
Speaker 8: basement and they they are their only information they've gotten

722
00:43:49,120 --> 00:43:52,640
Speaker 8: from the outside world is listening to Rush Limball and

723
00:43:52,760 --> 00:43:56,000
Speaker 8: they're trying to make sense of growing up and and

724
00:43:56,239 --> 00:43:58,680
Speaker 8: and changes and having sex with each other, and some

725
00:43:58,840 --> 00:43:59,680
Speaker 8: of them are sibling.

726
00:44:00,280 --> 00:44:01,920
Speaker 2: Do we want to do a scene from that movie?

727
00:44:03,880 --> 00:44:04,920
Speaker 3: Okay, So the.

728
00:44:04,960 --> 00:44:10,879
Speaker 8: Main characters are Rory, Scooter and Bam Bam Okay, I know, yes,

729
00:44:12,640 --> 00:44:16,279
Speaker 8: Bam BAM's a girl, duh, Scooter's.

730
00:44:15,719 --> 00:44:20,000
Speaker 3: A guy right and Rory question mark Yes, let's wait

731
00:44:20,040 --> 00:44:20,560
Speaker 3: and find that.

732
00:44:21,040 --> 00:44:24,840
Speaker 8: Okay, okay, so uh do you want to read the

733
00:44:25,040 --> 00:44:26,359
Speaker 8: stage directions for this show too?

734
00:44:26,520 --> 00:44:26,800
Speaker 1: Okay?

735
00:44:28,360 --> 00:44:41,560
Speaker 4: Interior child jail the music guy stops freestyling as we

736
00:44:41,760 --> 00:44:52,640
Speaker 4: hear Possum Kingdom. Rory and Scooter sit cross leg on

737
00:44:52,760 --> 00:44:58,520
Speaker 4: the floor, splitting a meal of Bambam's legs.

738
00:45:02,480 --> 00:45:05,200
Speaker 8: Hey, Laura, I'll tread you one of my best for

739
00:45:05,360 --> 00:45:08,840
Speaker 8: your path that they will both have the same always started.

740
00:45:08,520 --> 00:45:14,879
Speaker 2: With sounds good. Hey, I want to ask you a question.

741
00:45:15,320 --> 00:45:19,719
Speaker 2: Do you think Bambab's into me? Because I want to

742
00:45:19,800 --> 00:45:25,520
Speaker 2: get into her sexually? I wouldn't know a thing about it.

743
00:45:26,400 --> 00:45:29,960
Speaker 8: Oh, come on, Roorster, I know you got something down

744
00:45:30,000 --> 00:45:31,560
Speaker 8: there you want to let roar.

745
00:45:33,520 --> 00:45:37,000
Speaker 5: All right fainly. You've been digging at it for so long.

746
00:45:37,080 --> 00:45:41,440
Speaker 5: I'll show it to you, eh, Jim, Jim, you gotta

747
00:45:41,640 --> 00:45:46,480
Speaker 5: fucked up wing way, Oh shut it up.

748
00:45:46,760 --> 00:45:48,760
Speaker 3: Here comes Bampams.

749
00:45:49,880 --> 00:45:54,040
Speaker 2: One legon. Bambam hops into the room.

750
00:45:54,840 --> 00:45:58,279
Speaker 3: Oh look at that hot cogo stick. I'd like to

751
00:45:58,320 --> 00:46:00,719
Speaker 3: see it go up and down on me.

752
00:46:01,480 --> 00:46:02,600
Speaker 2: We wasn't eating nothing.

753
00:46:08,760 --> 00:46:13,239
Speaker 4: Band in slides start to say something, then slides on,

754
00:46:14,560 --> 00:46:15,920
Speaker 4: pile up, slides.

755
00:46:17,640 --> 00:46:21,000
Speaker 2: Out through the door, which it turns out was not

756
00:46:21,160 --> 00:46:22,160
Speaker 2: only unlocked, but.

757
00:46:22,320 --> 00:46:22,960
Speaker 5: Just a push.

758
00:46:24,680 --> 00:46:26,560
Speaker 2: Say, we're on our way out.

759
00:46:26,920 --> 00:46:29,600
Speaker 5: Do you think it's true that the person with the

760
00:46:29,719 --> 00:46:32,320
Speaker 5: fucked up wing wing that matches the popes is the

761
00:46:32,520 --> 00:46:33,800
Speaker 5: next team Pope?

762
00:46:35,360 --> 00:46:38,120
Speaker 3: I don't know. I'm scared to go out there. Will

763
00:46:38,160 --> 00:46:39,120
Speaker 3: you guys help me?

764
00:46:39,960 --> 00:46:41,120
Speaker 5: No? Oh?

765
00:46:43,600 --> 00:46:46,280
Speaker 3: Okay, and that's where some of the ads start popping

766
00:46:46,360 --> 00:46:47,840
Speaker 3: up on your phone. Okay.

767
00:46:48,080 --> 00:46:50,439
Speaker 8: I really encourage you to think on those ads because

768
00:46:50,440 --> 00:46:53,080
Speaker 8: some of these games are rocket hot.

769
00:46:53,520 --> 00:46:55,359
Speaker 3: Okay, they're super fun.

770
00:46:55,520 --> 00:47:00,360
Speaker 2: There's kings War. There's Kings War, which is where we

771
00:47:00,680 --> 00:47:07,560
Speaker 2: could get Kane up to May West. May West.

772
00:47:08,280 --> 00:47:10,800
Speaker 3: We got an old Yeah, we got an animation.

773
00:47:11,200 --> 00:47:14,239
Speaker 2: Take a sexier. There's there's something to be said.

774
00:47:14,320 --> 00:47:17,480
Speaker 3: Yeah, for you know, just gigantic holding a little of

775
00:47:17,600 --> 00:47:21,640
Speaker 3: it back. Yes, yeah, and and so yeah, it's not

776
00:47:21,840 --> 00:47:26,759
Speaker 3: King's War, it's Gentleman's Disagreements. Yes, yes, And it's just fun.

777
00:47:26,880 --> 00:47:27,920
Speaker 3: It's just fun, you know.

778
00:47:28,080 --> 00:47:30,879
Speaker 8: So once you've downloaded that game and played the first

779
00:47:30,920 --> 00:47:33,520
Speaker 8: twelve levels, then you'll get to the next chapter of

780
00:47:33,600 --> 00:47:37,960
Speaker 8: this secret storyline, okay, which is basically them getting put

781
00:47:38,080 --> 00:47:40,560
Speaker 8: back in the room because someone noticed they wandered out.

782
00:47:42,000 --> 00:47:44,120
Speaker 3: And that's all we fleshed out.

783
00:47:44,200 --> 00:47:45,960
Speaker 2: Right now, it seems like you're setting up for a

784
00:47:46,080 --> 00:47:46,680
Speaker 2: third though.

785
00:47:47,280 --> 00:47:50,400
Speaker 3: Yeah, it's point. Don't put me in a corner.

786
00:47:50,480 --> 00:47:59,000
Speaker 8: But yes, okay, that's that's happening the industry, okay, So anyway,

787
00:47:59,080 --> 00:48:03,279
Speaker 8: so yes, but when when the team pope chopped up his.

788
00:48:03,480 --> 00:48:08,719
Speaker 5: His we we yes, yes, it was a scimitar through

789
00:48:08,800 --> 00:48:11,279
Speaker 5: it and it started to glow, which we all heard.

790
00:48:11,440 --> 00:48:15,479
Speaker 8: Yes, yeah, that's actually When we were in Vatican City,

791
00:48:15,560 --> 00:48:18,279
Speaker 8: I was allowed to go into one of the gift

792
00:48:18,320 --> 00:48:21,600
Speaker 8: shops and I was looking through one of the books

793
00:48:21,640 --> 00:48:24,080
Speaker 8: they had there, and I found a little bit about

794
00:48:24,719 --> 00:48:28,200
Speaker 8: the self mutilation habits of old popes.

795
00:48:29,320 --> 00:48:31,880
Speaker 5: And that there we we would start to glow because

796
00:48:32,000 --> 00:48:34,320
Speaker 5: of course a lot of their genitals are from space.

797
00:48:34,600 --> 00:48:37,560
Speaker 8: Yes, yes, And that was the divine intervention of the

798
00:48:37,880 --> 00:48:40,480
Speaker 8: astral projection of the aliens that come down, as well

799
00:48:40,520 --> 00:48:42,879
Speaker 8: as God getting involved sort of straightened things.

800
00:48:45,280 --> 00:48:46,560
Speaker 2: Was really a.

801
00:48:46,600 --> 00:48:52,279
Speaker 8: Pope, so I wanted to just as much as I could.

802
00:48:52,360 --> 00:48:55,640
Speaker 8: I wanted to say, yes, this is a rich vibrant history.

803
00:48:55,719 --> 00:48:57,200
Speaker 8: We should draw from it because we.

804
00:48:57,239 --> 00:48:59,520
Speaker 3: Took a lot of liberties. They don't wear any of

805
00:48:59,560 --> 00:49:02,680
Speaker 3: the pope clothing. There's not a single cross in the movie.

806
00:49:02,719 --> 00:49:04,319
Speaker 2: They were young and reckless gear.

807
00:49:05,120 --> 00:49:10,480
Speaker 3: Yeah, they call Jesus the F bomb like, they just

808
00:49:10,560 --> 00:49:11,320
Speaker 3: call him a fuck.

809
00:49:11,480 --> 00:49:16,879
Speaker 5: They called Jesus fuck, yes, yeah, almost exclusively. Yeah, yeah,

810
00:49:17,640 --> 00:49:20,440
Speaker 5: it's hard to tell he's Jesus. Yeah, you know until

811
00:49:20,520 --> 00:49:23,040
Speaker 5: pretty far into the film and.

812
00:49:23,080 --> 00:49:27,799
Speaker 2: He's played by Rob Dardick, but they're just calling him

813
00:49:27,840 --> 00:49:28,160
Speaker 2: a fuck.

814
00:49:28,200 --> 00:49:30,719
Speaker 5: And until they crucify him as a prank and you

815
00:49:30,800 --> 00:49:34,000
Speaker 5: see it next to the actual crucifix.

816
00:49:33,880 --> 00:49:36,239
Speaker 2: And that they match, you may not know.

817
00:49:37,200 --> 00:49:39,239
Speaker 3: These are the things that we're like, wow, we can't

818
00:49:39,239 --> 00:49:43,879
Speaker 3: approve on this. Yeh, let's just use this stuff. So yeah,

819
00:49:44,040 --> 00:49:47,120
Speaker 3: so Jesus was called a fuck? What else?

820
00:49:47,680 --> 00:49:48,640
Speaker 2: What else in the movie?

821
00:49:49,320 --> 00:49:49,360
Speaker 5: No?

822
00:49:49,640 --> 00:49:50,240
Speaker 3: Just in general?

823
00:49:50,400 --> 00:49:52,239
Speaker 2: Okay, uh no.

824
00:49:52,440 --> 00:49:55,280
Speaker 8: But yeah, so after that scene the Council of Elders

825
00:49:55,360 --> 00:49:59,239
Speaker 8: goes away, of course we had to introduce the teen pope's.

826
00:49:58,960 --> 00:50:02,719
Speaker 2: New love interest. Yeah, couldn't get the old one back.

827
00:50:02,960 --> 00:50:06,600
Speaker 8: No, no, But since we were in Brazil, we're like, well,

828
00:50:06,680 --> 00:50:08,960
Speaker 8: let's get a little Brazilian flavor in there.

829
00:50:08,960 --> 00:50:14,560
Speaker 2: Yes, and so Ronaldo the soccer player was available.

830
00:50:14,719 --> 00:50:18,080
Speaker 3: That's true, and we thought, well, Team Pope is exploring,

831
00:50:18,160 --> 00:50:22,440
Speaker 3: and and you know this, we went another model.

832
00:50:22,520 --> 00:50:29,080
Speaker 4: Let's get to interior boudoir. Yes, the freestyling ceases forever.

833
00:50:36,280 --> 00:50:38,279
Speaker 2: As Team Pope.

834
00:50:39,120 --> 00:50:40,799
Speaker 3: And Ronaldo nal.

835
00:50:41,000 --> 00:50:43,279
Speaker 8: We just he insisted on using his own name and

836
00:50:43,480 --> 00:50:45,880
Speaker 8: being a soccer player Ranaldo the girl.

837
00:50:46,360 --> 00:50:48,520
Speaker 3: Yes, but he did want to wear a wig.

838
00:50:50,480 --> 00:50:53,719
Speaker 2: Uh face each other in bed.

839
00:50:55,440 --> 00:50:59,680
Speaker 8: Aichin Gada, Team pop. You can do so many things

840
00:50:59,719 --> 00:51:02,160
Speaker 8: to what a score two to one?

841
00:51:02,280 --> 00:51:06,520
Speaker 2: You win soccer, Yes, across the universe.

842
00:51:09,680 --> 00:51:15,400
Speaker 5: But all right, Ronaldo, I'll do what you want and

843
00:51:15,480 --> 00:51:18,200
Speaker 5: save the Church city from the rent being raised.

844
00:51:18,360 --> 00:51:26,120
Speaker 2: But but first, just a few more beijenios. That's Portuguese

845
00:51:26,280 --> 00:51:27,520
Speaker 2: for kisses.

846
00:51:27,440 --> 00:51:31,439
Speaker 3: One one, one one one real quick.

847
00:51:31,920 --> 00:51:32,160
Speaker 8: We know.

848
00:51:34,440 --> 00:51:35,160
Speaker 2: Ronaldo's pussy.

849
00:51:35,680 --> 00:51:36,279
Speaker 1: We'll get to that.

850
00:51:36,719 --> 00:51:37,320
Speaker 3: We'll get to that.

851
00:51:38,160 --> 00:51:41,560
Speaker 8: So, yes, we chose a Portuguese phrase to be said

852
00:51:41,600 --> 00:51:47,120
Speaker 8: to a Brazilian soccer player. Why because America needs to

853
00:51:47,239 --> 00:51:50,120
Speaker 8: look at itself. Okay, back to the scene.

854
00:51:54,640 --> 00:51:59,560
Speaker 7: No, no, no, would you like to try some of

855
00:51:59,640 --> 00:52:02,960
Speaker 7: my douche that's my pussy.

856
00:52:06,719 --> 00:52:07,120
Speaker 3: Trying.

857
00:52:07,800 --> 00:52:17,040
Speaker 12: I'm looking to old man shipa Honda.

858
00:52:18,000 --> 00:52:20,200
Speaker 11: You getting that tongue out of there?

859
00:52:20,920 --> 00:52:22,320
Speaker 7: Did you just say own me?

860
00:52:23,080 --> 00:52:23,120
Speaker 5: No?

861
00:52:23,320 --> 00:52:26,600
Speaker 3: No, no, I'm an independent woman. I'm gonna have a job,

862
00:52:27,080 --> 00:52:29,280
Speaker 3: and I'm not gonna let a baby come out.

863
00:52:29,160 --> 00:52:32,560
Speaker 7: Of my vagina. I'm gonna have a cesarean like.

864
00:52:32,600 --> 00:52:37,920
Speaker 11: A proud woman would. But that's the only thing the

865
00:52:38,040 --> 00:52:38,960
Speaker 11: church doesn't like.

866
00:52:43,400 --> 00:52:44,319
Speaker 2: Well, I don't care.

867
00:52:44,800 --> 00:52:47,479
Speaker 8: Is he a cesarean or you don't get to munch

868
00:52:47,560 --> 00:52:49,040
Speaker 8: on my honeyplat hole.

869
00:52:51,360 --> 00:52:55,960
Speaker 5: Well that choice was made a long time ago in

870
00:52:56,120 --> 00:52:57,640
Speaker 5: my downstairs area.

871
00:53:03,080 --> 00:53:06,800
Speaker 2: Ttp TP, Listen to me.

872
00:53:07,239 --> 00:53:12,280
Speaker 11: This is serious. It's either you change the laws and rules.

873
00:53:12,080 --> 00:53:16,000
Speaker 10: Of Catholicism and allow all women to have cesareans like.

874
00:53:16,080 --> 00:53:19,920
Speaker 7: They want to have, or we will not be together.

875
00:53:20,760 --> 00:53:24,120
Speaker 8: And for now, I'm gonna shove this pillow into my

876
00:53:24,280 --> 00:53:26,160
Speaker 8: vagina so you'll have no access to it.

877
00:53:27,560 --> 00:53:32,400
Speaker 9: Wait, that's not my vagina, that's your mouth.

878
00:53:35,880 --> 00:53:40,320
Speaker 8: This scene fades, okay, and this leads into one of

879
00:53:40,360 --> 00:53:44,320
Speaker 8: my favorite montages of the teen polk walking around by himself,

880
00:53:44,600 --> 00:53:48,480
Speaker 8: just really thinking with a pillow in his mouth, with

881
00:53:48,600 --> 00:53:50,800
Speaker 8: a pillow still in his mouth as a reminder of

882
00:53:50,880 --> 00:53:52,360
Speaker 8: what scene just happened before.

883
00:53:52,520 --> 00:53:56,439
Speaker 3: That's another writer's tip. Always have some element.

884
00:53:56,200 --> 00:53:58,920
Speaker 8: Of the scene that just happened before, whether it's a

885
00:53:59,040 --> 00:54:01,719
Speaker 8: flashback from the past or to the future, or on

886
00:54:01,840 --> 00:54:03,600
Speaker 8: another country or different anything.

887
00:54:03,920 --> 00:54:05,840
Speaker 3: Always have some elements. Okay.

888
00:54:06,440 --> 00:54:09,040
Speaker 8: It can be another character from another scene walks by

889
00:54:09,120 --> 00:54:09,920
Speaker 8: in the background.

890
00:54:10,520 --> 00:54:12,600
Speaker 3: They can be wearing the outfit of the person you're

891
00:54:12,640 --> 00:54:15,520
Speaker 3: wearing talking to in the previous scene. Whatever. You have

892
00:54:15,760 --> 00:54:18,320
Speaker 3: to connect the dots for the viewers. No offense to

893
00:54:18,560 --> 00:54:22,400
Speaker 3: the audience. But you're stupid as shit, okay, so you

894
00:54:22,520 --> 00:54:24,080
Speaker 3: gotta do these things. Okay.

895
00:54:24,560 --> 00:54:27,839
Speaker 8: So he's walking around and I wanted to say, let's

896
00:54:27,880 --> 00:54:31,360
Speaker 8: make it real time, right, And when I think about something,

897
00:54:31,560 --> 00:54:33,160
Speaker 8: it usually takes about.

898
00:54:33,120 --> 00:54:34,840
Speaker 3: Two to three weeks to make a decision.

899
00:54:35,719 --> 00:54:39,640
Speaker 8: Okay, So this was a two to three week handheld

900
00:54:40,560 --> 00:54:44,680
Speaker 8: Scorsese esque no cut shot of him walking around and

901
00:54:44,800 --> 00:54:47,920
Speaker 8: thinking and Bill Maher was there, and Bill Maher was.

902
00:54:47,960 --> 00:54:50,880
Speaker 3: There because he was in the previous scene. But we

903
00:54:50,960 --> 00:54:52,000
Speaker 3: cut about yeah.

904
00:54:52,440 --> 00:54:52,640
Speaker 2: Yeah.

905
00:54:53,480 --> 00:54:57,160
Speaker 3: The funny thing is we only ended up using four

906
00:54:57,280 --> 00:55:00,759
Speaker 3: seconds of that shot. God laugh.

907
00:55:01,840 --> 00:55:04,279
Speaker 2: Plan how long the Team Pope montage is gonna be?

908
00:55:04,480 --> 00:55:07,879
Speaker 8: Yes, thank you Another T shirt was just a two week,

909
00:55:08,040 --> 00:55:09,360
Speaker 8: one shot montage.

910
00:55:09,440 --> 00:55:12,439
Speaker 3: Yes, Yes, we were gonna do. Yeah, and we're gonna

911
00:55:12,480 --> 00:55:14,760
Speaker 3: end up cutting out of the movie entirely anyway.

912
00:55:15,000 --> 00:55:16,080
Speaker 2: But should we display it?

913
00:55:16,239 --> 00:55:17,759
Speaker 3: Yeah, we're gonna play that scene right now.

914
00:55:18,239 --> 00:55:20,120
Speaker 2: They're walking around with the pillow, them out.

915
00:55:20,000 --> 00:55:25,960
Speaker 3: By your thinking, and I was like, let's make a

916
00:55:26,080 --> 00:55:29,799
Speaker 3: fun let's jest it up. Let's have some stones in there.

917
00:55:30,360 --> 00:55:34,440
Speaker 3: You know, this is that scene, so enjoy it.

918
00:55:36,120 --> 00:55:44,480
Speaker 2: Oh, that's it.

919
00:55:45,200 --> 00:55:45,480
Speaker 13: That's it.

920
00:55:46,280 --> 00:55:47,400
Speaker 2: That's that scene thinking.

921
00:55:47,680 --> 00:55:51,279
Speaker 3: Yeah, that was him thinking. And I'm not gonna tell

922
00:55:51,280 --> 00:55:52,080
Speaker 3: you why you decide it?

923
00:55:52,520 --> 00:55:54,960
Speaker 2: You know, oh, oh gotta buy a ticket?

924
00:55:55,040 --> 00:55:55,520
Speaker 3: Gotay?

925
00:55:55,640 --> 00:55:56,040
Speaker 2: Say good?

926
00:55:56,920 --> 00:55:59,160
Speaker 3: Or is that another secret storyline?

927
00:55:59,480 --> 00:55:59,680
Speaker 2: Yeah?

928
00:56:00,160 --> 00:56:00,440
Speaker 5: It is.

929
00:56:00,840 --> 00:56:04,440
Speaker 2: Actually we wanted it to be a three screen experience.

930
00:56:04,560 --> 00:56:09,799
Speaker 8: Yes, so this one is only downloadable on a tablet device. Okay,

931
00:56:09,920 --> 00:56:11,600
Speaker 8: so when you come to see it, bring your phone,

932
00:56:12,239 --> 00:56:15,040
Speaker 8: bring a tablet. Okay, you're gonna have to have both

933
00:56:15,080 --> 00:56:15,399
Speaker 8: of those.

934
00:56:15,520 --> 00:56:21,120
Speaker 2: But what if I have a fablet? Mister husky, we

935
00:56:21,200 --> 00:56:22,239
Speaker 2: knew we'd get this one.

936
00:56:22,480 --> 00:56:24,600
Speaker 3: Yeah, that is so true.

937
00:56:25,600 --> 00:56:26,839
Speaker 2: It's like a disabled guy.

938
00:56:28,719 --> 00:56:31,280
Speaker 3: I don't. I don't. That's kind of a hot pocket

939
00:56:31,320 --> 00:56:31,520
Speaker 3: for me.

940
00:56:31,640 --> 00:56:36,440
Speaker 2: So let's not Did the definition of that term change

941
00:56:38,800 --> 00:56:40,000
Speaker 2: while we were doing this this?

942
00:56:41,680 --> 00:56:42,640
Speaker 3: No, it didn't.

943
00:56:43,000 --> 00:56:48,120
Speaker 8: I still find it annoying. Pocket you just how pocketed you?

944
00:56:48,520 --> 00:56:49,480
Speaker 8: That's just how pocketed you.

945
00:56:50,120 --> 00:56:51,160
Speaker 2: He's going somewhere.

946
00:56:51,280 --> 00:56:52,080
Speaker 3: He's going somewhere.

947
00:56:53,520 --> 00:56:54,520
Speaker 2: But I am smoking.

948
00:56:57,000 --> 00:57:02,000
Speaker 8: Okay, okay, writers, writers, just asnoying saying, because this is

949
00:57:02,080 --> 00:57:03,360
Speaker 8: probably inspiration.

950
00:57:04,160 --> 00:57:08,440
Speaker 2: Somebody, somebody stop me, somebody.

951
00:57:08,760 --> 00:57:13,239
Speaker 3: This could be dialogue, This could be a confession of

952
00:57:13,360 --> 00:57:13,759
Speaker 3: some kind.

953
00:57:15,239 --> 00:57:24,360
Speaker 2: Brand play Cuban Pete, play what I've never seen. I

954
00:57:24,480 --> 00:57:30,440
Speaker 2: just wanted to play My Friends thirteen movie Cuban Pete.

955
00:57:30,520 --> 00:57:33,680
Speaker 2: There are other people doing it. He's the king of

956
00:57:33,760 --> 00:57:34,560
Speaker 2: a rumba beat.

957
00:57:40,440 --> 00:57:41,160
Speaker 7: That's close.

958
00:57:45,480 --> 00:57:52,440
Speaker 8: He seems to becoming out. Oh god, where was you

959
00:57:52,720 --> 00:57:55,920
Speaker 8: just came up with several great pitches? Yes, so you

960
00:57:56,040 --> 00:58:00,840
Speaker 8: remember all that stuff there, And we're going to be

961
00:58:01,000 --> 00:58:05,120
Speaker 8: seeing teen popes for a long long time because all

962
00:58:05,240 --> 00:58:06,280
Speaker 8: of this is usable.

963
00:58:09,440 --> 00:58:14,240
Speaker 2: Do you have time for anything? Time for anything else? Well,

964
00:58:14,400 --> 00:58:18,120
Speaker 2: what do you have in mind? Questions? That sounds easy?

965
00:58:18,520 --> 00:58:23,160
Speaker 2: Oh yes, I've decided we should get a question.

966
00:58:24,160 --> 00:58:25,480
Speaker 3: Oh that's a Goodison.

967
00:58:25,840 --> 00:58:30,320
Speaker 2: Play the Popcorn Gallery theme song, please with the words.

968
00:58:35,960 --> 00:58:37,320
Speaker 1: Popcorn Gallery?

969
00:58:37,680 --> 00:58:40,120
Speaker 5: Is that it? That was it? Those are the lyrics

970
00:58:40,200 --> 00:58:45,760
Speaker 5: popping because uh, Formerly Arthur Hickman have you thought of

971
00:58:45,800 --> 00:58:47,840
Speaker 5: a new name for yourself now that I'm Arthur Hickman.

972
00:58:53,720 --> 00:58:54,720
Speaker 2: Oh that's pretty good.

973
00:58:55,080 --> 00:58:59,200
Speaker 4: That's your alter ego from this previous episode. Yes, it

974
00:58:59,320 --> 00:59:00,640
Speaker 4: is making a very deep cut.

975
00:59:00,840 --> 00:59:01,160
Speaker 12: I don't know.

976
00:59:03,240 --> 00:59:07,640
Speaker 2: Okay, yes it is, so I guess let's get a

977
00:59:07,680 --> 00:59:10,720
Speaker 2: popcorn gallery. Questions. Do we have to reach into the bag?

978
00:59:10,880 --> 00:59:11,000
Speaker 9: Oh?

979
00:59:11,120 --> 00:59:15,280
Speaker 2: Yeah, that's where the questions are. Okay, Well, let's just

980
00:59:15,320 --> 00:59:16,520
Speaker 2: play the sound drop then.

981
00:59:18,160 --> 00:59:25,760
Speaker 8: Ah woods, Oh, so much popcorn spilling onto the floor.

982
00:59:26,520 --> 00:59:32,200
Speaker 8: Oh oh, he's actually gone into the popcorn barrel to

983
00:59:32,280 --> 00:59:32,520
Speaker 8: get it.

984
00:59:32,760 --> 00:59:38,920
Speaker 2: This is a sound clip, but I've lost inside the barrels.

985
00:59:40,840 --> 00:59:43,320
Speaker 2: Maybe if I stand up, I'll be outside.

986
00:59:42,880 --> 00:59:45,760
Speaker 5: The barrels and I'm wearing it like a poor person,

987
00:59:45,880 --> 00:59:47,280
Speaker 5: a barrel with suspenders.

988
00:59:50,160 --> 00:59:52,240
Speaker 8: You just explained the sound clip that doesn't send me.

989
00:59:52,320 --> 00:59:54,600
Speaker 8: If it's like a viable soundclip, you wouldn't have to

990
00:59:54,720 --> 00:59:54,920
Speaker 8: have that.

991
00:59:54,960 --> 00:59:57,200
Speaker 5: Can Well, my high school friend Mark sends us these

992
00:59:57,240 --> 01:00:03,240
Speaker 5: sound clips. He records them independ from his estate near

993
01:00:03,360 --> 01:00:06,000
Speaker 5: Cape Cod, where he has a job pushing dumpsters into

994
01:00:06,040 --> 01:00:06,360
Speaker 5: each other.

995
01:00:09,680 --> 01:00:14,920
Speaker 3: He's a dump dumpster. I'm sorry, he's a dump dumpster.

996
01:00:15,400 --> 01:00:17,520
Speaker 2: Yes, yes, he was one of the first ones. So

997
01:00:17,640 --> 01:00:23,360
Speaker 2: he got equity and it just grew and grew.

998
01:00:23,880 --> 01:00:28,360
Speaker 3: Yep. Now they have dumpster derbies right with live people

999
01:00:28,600 --> 01:00:28,880
Speaker 3: out there.

1000
01:00:29,120 --> 01:00:32,400
Speaker 2: Yeah stuff, Yeah, I'll trying to challenge Mark. Who's doing

1001
01:00:32,440 --> 01:00:33,200
Speaker 2: one with each an?

1002
01:00:33,360 --> 01:00:35,320
Speaker 3: Now that's John dude.

1003
01:00:37,400 --> 01:00:40,520
Speaker 4: Well, so inside the bag was a question from the audience,

1004
01:00:42,360 --> 01:00:46,440
Speaker 4: and what was it? Let's see, seems like something that

1005
01:00:46,680 --> 01:00:47,960
Speaker 4: one person would have prepared.

1006
01:00:49,560 --> 01:00:53,720
Speaker 2: They had a long time during the sound anything anybody.

1007
01:00:53,960 --> 01:00:56,640
Speaker 4: I realized it's been a lower side proposition, you know

1008
01:00:56,800 --> 01:00:58,320
Speaker 4: everyone else who's ever done.

1009
01:00:58,120 --> 01:01:02,640
Speaker 5: It at noncmental half Andreise from our intern, Oh here

1010
01:01:02,720 --> 01:01:03,240
Speaker 5: you here's.

1011
01:01:03,040 --> 01:01:05,240
Speaker 3: A proud this is here we go great. This person's hungry.

1012
01:01:05,280 --> 01:01:10,480
Speaker 3: You can see it that it probably is good.

1013
01:01:10,680 --> 01:01:14,120
Speaker 4: I wish every question would begin to win. This person said,

1014
01:01:14,160 --> 01:01:16,320
Speaker 4: which is this might sound really stupid.

1015
01:01:16,360 --> 01:01:17,440
Speaker 2: It would help prepare me.

1016
01:01:18,560 --> 01:01:21,200
Speaker 4: I feel sufficially prepared for what's about to come. Go ahead,

1017
01:01:25,600 --> 01:01:27,320
Speaker 4: Oh this is going to be very good.

1018
01:01:27,600 --> 01:01:41,680
Speaker 2: No wow, oh wow, okay, it's oh wow.

1019
01:01:42,160 --> 01:01:42,680
Speaker 7: Let's see.

1020
01:01:43,280 --> 01:01:43,960
Speaker 2: That's okay.

1021
01:01:44,080 --> 01:01:47,200
Speaker 8: So that's a that's are you you should give the

1022
01:01:47,320 --> 01:01:48,040
Speaker 8: question back?

1023
01:01:48,400 --> 01:01:50,760
Speaker 3: I know this has to be addressed.

1024
01:01:50,840 --> 01:01:51,919
Speaker 2: Yeah, but let's say the question.

1025
01:01:52,160 --> 01:01:56,360
Speaker 3: The question is, is teen Pope a real movie. Are

1026
01:01:56,440 --> 01:01:58,120
Speaker 3: you a real I love your show.

1027
01:01:58,760 --> 01:02:00,080
Speaker 2: I'm a faithful listener.

1028
01:02:00,040 --> 01:02:00,520
Speaker 7: In the show.

1029
01:02:00,920 --> 01:02:03,440
Speaker 2: I'm a huge fan. I came here to see you guys.

1030
01:02:03,560 --> 01:02:07,120
Speaker 3: Yeah, I waited long hours. I was here early. I'm

1031
01:02:07,160 --> 01:02:10,080
Speaker 3: sitting in the front row like a groupie. I'm hungry

1032
01:02:10,160 --> 01:02:11,680
Speaker 3: for this thing.

1033
01:02:12,640 --> 01:02:15,760
Speaker 2: Yeah, where the where the front half is wax?

1034
01:02:18,600 --> 01:02:21,920
Speaker 8: So I guess this spects the question of what's a

1035
01:02:22,000 --> 01:02:27,800
Speaker 8: real movie? Okay, A real movie is something that makes

1036
01:02:27,880 --> 01:02:31,880
Speaker 8: you feel. A real movie is something that makes you think.

1037
01:02:34,200 --> 01:02:38,720
Speaker 8: A real movie is something that you will never be

1038
01:02:38,800 --> 01:02:43,360
Speaker 8: able to fucking do because you can't recognize that I've

1039
01:02:43,440 --> 01:02:46,680
Speaker 8: created something that has changed America.

1040
01:02:47,320 --> 01:02:49,920
Speaker 11: And you come in here and you asked that kind

1041
01:02:49,960 --> 01:02:52,040
Speaker 11: of question, So it was made.

1042
01:02:52,440 --> 01:02:56,600
Speaker 2: It's been fucking tell the way you alive.

1043
01:02:57,200 --> 01:03:00,360
Speaker 11: You are fucking fucking great tacks shot.

1044
01:03:12,560 --> 01:03:16,960
Speaker 2: And if I could piggyback on that, thank you, shu,

1045
01:03:17,480 --> 01:03:21,600
Speaker 2: thank you. You know I I actually I agree with

1046
01:03:21,680 --> 01:03:22,120
Speaker 2: a lot.

1047
01:03:22,040 --> 01:03:25,560
Speaker 5: Of what you said, but I almost think that minimizes it, because,

1048
01:03:25,680 --> 01:03:28,000
Speaker 5: of course, yes, Team Pope is a real movie. Yes, dummy,

1049
01:03:28,120 --> 01:03:29,920
Speaker 5: that did sound stupid. It is a real movie, yes,

1050
01:03:30,000 --> 01:03:31,480
Speaker 5: but also it's so much.

1051
01:03:31,480 --> 01:03:32,360
Speaker 2: More than that.

1052
01:03:33,000 --> 01:03:35,440
Speaker 4: Do you not see the car wraps. People will drive

1053
01:03:35,520 --> 01:03:40,080
Speaker 4: around now with their cars wrapped in Team Poove.

1054
01:03:40,480 --> 01:03:43,040
Speaker 8: And and I want this to be an open forum

1055
01:03:43,080 --> 01:03:46,840
Speaker 8: at this point. You know everyone you know, just let

1056
01:03:46,920 --> 01:03:49,200
Speaker 8: it come out. So anyone else want to say something

1057
01:03:49,200 --> 01:03:52,840
Speaker 8: about the movie? I wrote anything, anything at all.

1058
01:03:53,960 --> 01:03:56,520
Speaker 3: A lot of people nodding like they liked it. Yeah,

1059
01:03:57,200 --> 01:03:58,240
Speaker 3: a lot of people looking down.

1060
01:03:58,320 --> 01:04:00,680
Speaker 2: And we will be running over the tent show by

1061
01:04:00,720 --> 01:04:02,800
Speaker 2: the way, Yeah, entirely.

1062
01:04:03,360 --> 01:04:06,480
Speaker 5: Yeah, they've made a powerful Enemy thirty show you were

1063
01:04:06,520 --> 01:04:07,160
Speaker 5: waiting to see.

1064
01:04:07,200 --> 01:04:11,880
Speaker 4: It's actually no longer a show unless you call it

1065
01:04:12,280 --> 01:04:17,680
Speaker 4: the middle third of our show. Did someone else have

1066
01:04:17,800 --> 01:04:18,200
Speaker 4: a question?

1067
01:04:19,200 --> 01:04:20,080
Speaker 3: It could be about anything.

1068
01:04:20,320 --> 01:04:24,600
Speaker 14: Yeah, because somebody raising their hands, somebody to see yes, yes,

1069
01:04:24,720 --> 01:04:32,360
Speaker 14: miss yes, hold up, hold up.

1070
01:04:32,920 --> 01:04:35,439
Speaker 2: We never got the question out of the bag.

1071
01:04:35,600 --> 01:04:36,520
Speaker 3: I'm so sorry.

1072
01:04:41,960 --> 01:04:44,000
Speaker 2: Hey, this new barrel outfits working out?

1073
01:04:45,960 --> 01:04:48,560
Speaker 5: See, I feel like these blades weren't all buzzing around

1074
01:04:48,600 --> 01:04:50,120
Speaker 5: me like I'm stinky.

1075
01:04:51,240 --> 01:04:52,720
Speaker 2: And your eyes are pure white.

1076
01:04:53,080 --> 01:04:54,000
Speaker 3: Yeah, no, it's like that.

1077
01:04:55,120 --> 01:04:58,600
Speaker 2: They're really say, hey, what's that a bag of money?

1078
01:05:00,080 --> 01:05:02,520
Speaker 2: Oh my barrel fell off and I'm in a tuxedos.

1079
01:05:03,240 --> 01:05:07,200
Speaker 3: Okay, now I'm seeing a tuxedo. Oh you got rich?

1080
01:05:09,000 --> 01:05:12,760
Speaker 2: The question was, does Team Pope drive the Potmobile Again?

1081
01:05:12,800 --> 01:05:14,440
Speaker 2: I feel like you have to see the car wraps.

1082
01:05:14,920 --> 01:05:18,840
Speaker 4: He's stitches everywhere, like he rides a skateboard and he

1083
01:05:18,960 --> 01:05:22,520
Speaker 4: grabs the bumper overboard the car, which is what's happening

1084
01:05:23,000 --> 01:05:27,880
Speaker 4: on the wrapped image of every car that you see.

1085
01:05:28,040 --> 01:05:28,840
Speaker 2: I don't understand.

1086
01:05:28,960 --> 01:05:32,840
Speaker 8: See clearly that is a metaphor for the radical change

1087
01:05:32,840 --> 01:05:36,800
Speaker 8: that's happening within the papal system because this is fresh,

1088
01:05:36,960 --> 01:05:39,320
Speaker 8: new young voice is coming in there, and he's not

1089
01:05:39,440 --> 01:05:42,360
Speaker 8: going to ride around in the stinky old popmobile.

1090
01:05:42,640 --> 01:05:45,240
Speaker 3: No, he's not a being shot at, because he will

1091
01:05:45,320 --> 01:05:46,280
Speaker 3: be shot at a lot.

1092
01:05:46,560 --> 01:05:49,440
Speaker 2: Oh yes, you know, he gets shot most of the movie.

1093
01:05:49,640 --> 01:05:51,840
Speaker 3: Most of the movie is being shot out in the

1094
01:05:52,040 --> 01:05:54,000
Speaker 3: rich one and in two as well.

1095
01:05:54,080 --> 01:05:56,440
Speaker 4: It's a lot of him being shot off his skateboard,

1096
01:05:56,560 --> 01:05:59,640
Speaker 4: but his hand is stuck to the bumper coverboard.

1097
01:06:00,080 --> 01:06:03,360
Speaker 3: Yeah right, well, well it goes back and forth. Yeah,

1098
01:06:03,480 --> 01:06:08,160
Speaker 3: there's some continuity problems. Yes, we had aboard shots. Yeah

1099
01:06:08,200 --> 01:06:12,440
Speaker 3: we had shots. Yeah, we we we we but we

1100
01:06:12,680 --> 01:06:15,360
Speaker 3: said it's hard, so let's let let it roll.

1101
01:06:15,440 --> 01:06:17,680
Speaker 2: Yeah. Well and that's like and that's like the church too.

1102
01:06:17,920 --> 01:06:20,960
Speaker 5: You know, it's like sometimes there's moving forward, but sometimes

1103
01:06:21,000 --> 01:06:22,600
Speaker 5: they have to go back to the old ways too,

1104
01:06:23,000 --> 01:06:25,920
Speaker 5: which is like having wheels appear on your hoverboard.

1105
01:06:25,600 --> 01:06:28,680
Speaker 3: Right right right right right.

1106
01:06:29,560 --> 01:06:31,920
Speaker 5: Well, that.

1107
01:06:34,640 --> 01:06:35,680
Speaker 3: Familiar wrap up.

1108
01:06:35,840 --> 01:06:38,760
Speaker 2: Yeah, getting to be that time again. That means it's

1109
01:06:38,800 --> 01:06:39,680
Speaker 2: the end of the show.

1110
01:06:40,680 --> 01:06:42,000
Speaker 3: What do you we usually say?

1111
01:06:42,520 --> 01:06:46,080
Speaker 2: Well, like us on Facebook, rate us on iTunes. Episode

1112
01:06:46,480 --> 01:06:49,320
Speaker 2: se teen, pop Oh, buy.

1113
01:06:49,240 --> 01:06:53,400
Speaker 5: More tickets, Yes, go, yes, come back and see them

1114
01:06:53,880 --> 01:06:58,280
Speaker 5: see the ten thirty show, Support.

1115
01:06:58,080 --> 01:07:00,800
Speaker 3: Life Theater, Yes, Support Life.

1116
01:07:00,840 --> 01:07:02,120
Speaker 2: You have you have something you want to know?

1117
01:07:02,840 --> 01:07:07,200
Speaker 3: Brian? Oh, yes, I'm doing a one man reading of

1118
01:07:09,240 --> 01:07:11,120
Speaker 3: one man reading the one man reading.

1119
01:07:11,280 --> 01:07:12,240
Speaker 2: It's very impressive.

1120
01:07:12,280 --> 01:07:13,320
Speaker 3: And it's not me reading.

1121
01:07:13,440 --> 01:07:17,120
Speaker 8: It's not me reading, it's someone else reading my unpublished

1122
01:07:17,200 --> 01:07:18,480
Speaker 8: and unproduced scripts.

1123
01:07:19,040 --> 01:07:20,080
Speaker 2: Uh. There are.

1124
01:07:24,800 --> 01:07:27,720
Speaker 3: Seven two scripts will be read and.

1125
01:07:30,120 --> 01:07:30,680
Speaker 2: Back to back.

1126
01:07:31,440 --> 01:07:31,560
Speaker 4: Uh.

1127
01:07:32,080 --> 01:07:36,600
Speaker 8: And it's all in a monotone no inflection, no differentiation

1128
01:07:36,760 --> 01:07:39,360
Speaker 8: between action and dialogue.

1129
01:07:40,160 --> 01:07:45,600
Speaker 3: So it's really a challenging experience for the for the viewer. Okay,

1130
01:07:46,080 --> 01:07:47,200
Speaker 3: was Kaufman a genius?

1131
01:07:48,080 --> 01:07:50,080
Speaker 2: Pardon was in the Kaufman a genius?

1132
01:07:51,600 --> 01:07:57,760
Speaker 3: Or was he a scoundrel? He was a playful imp

1133
01:07:58,800 --> 01:08:01,680
Speaker 3: that would never make it in this town. Today, I'll

1134
01:08:01,760 --> 01:08:02,040
Speaker 3: tell you.

1135
01:08:02,080 --> 01:08:06,400
Speaker 8: That much, those those hideous cheeks, and that that Armenian

1136
01:08:06,520 --> 01:08:07,520
Speaker 8: bent to his life.

1137
01:08:11,160 --> 01:08:13,320
Speaker 3: I'm just saying what the industry is thinking.

1138
01:08:15,360 --> 01:08:17,719
Speaker 2: We should have. We should have Brett play some outro music.

1139
01:08:17,920 --> 01:08:18,320
Speaker 5: Mm hmm.

1140
01:08:18,360 --> 01:08:21,360
Speaker 2: And Megan Adams got the pro version. Megan Adams got

1141
01:08:21,400 --> 01:08:25,840
Speaker 2: the pro version. Yes, please don't scare us anymore. Earl

1142
01:08:26,240 --> 01:08:30,080
Speaker 2: Or earl Or gets the pro version too. No, you

1143
01:08:30,120 --> 01:08:33,920
Speaker 2: don't get the Jews play old apartment?

1144
01:08:36,040 --> 01:08:37,240
Speaker 5: What's that? You know?

1145
01:08:37,880 --> 01:08:42,160
Speaker 2: Old old apartment, Old apartment, old apartment?

1146
01:08:43,000 --> 01:08:44,400
Speaker 1: Is that another bear naked ladies?

1147
01:08:44,640 --> 01:08:45,680
Speaker 3: Yes, I don't know.

1148
01:08:46,720 --> 01:08:49,680
Speaker 2: By the way, by the sound person to shut down Red's.

1149
01:08:49,400 --> 01:08:52,040
Speaker 3: Mic, But if we could do right, thanks, I like

1150
01:08:52,120 --> 01:08:53,160
Speaker 3: the direction you're thinking.

1151
01:08:53,280 --> 01:08:54,920
Speaker 2: But if we could just bring it up for just

1152
01:08:54,960 --> 01:08:55,760
Speaker 2: one second.

1153
01:08:55,600 --> 01:08:58,960
Speaker 1: Is that Cody bare naked ladies?

1154
01:08:59,000 --> 01:09:02,680
Speaker 13: I don't know Brett, don't Brett Brett, Brett Brett. This

1155
01:09:02,920 --> 01:09:08,400
Speaker 13: is where we used to Brett, Brett, Brett Brett. Brian

1156
01:09:11,000 --> 01:09:14,720
Speaker 13: beach Boy said you knew metal, Brett. If I Brett,

1157
01:09:14,840 --> 01:09:17,120
Speaker 13: you're a rocker. If I had a million dollars.

1158
01:09:16,960 --> 01:09:18,840
Speaker 2: That's what your specialty was. And you said metal.

1159
01:09:18,920 --> 01:09:20,759
Speaker 3: You don't know any ladies.

1160
01:09:22,760 --> 01:09:25,080
Speaker 1: Brian Wilson or bar Naked Lady, Bret Brett.

1161
01:09:25,800 --> 01:09:28,800
Speaker 2: Brett bretton this is a who's on first comedy act.

1162
01:09:28,880 --> 01:09:31,519
Speaker 2: I mean, I don't know if that's what you're trying

1163
01:09:31,560 --> 01:09:31,800
Speaker 2: to do.

1164
01:09:32,560 --> 01:09:35,080
Speaker 3: But I refuse to engage Brett.

1165
01:09:35,120 --> 01:09:38,840
Speaker 2: It's all been done. It's all Shohn Brett one week.

1166
01:09:39,120 --> 01:09:41,360
Speaker 1: Why is it Baronicckue Ladies every time? I don't know,

1167
01:09:41,479 --> 01:09:42,640
Speaker 1: that's the one band I don't know.

1168
01:09:43,520 --> 01:09:47,000
Speaker 2: Uh, you know, just pinched me by Barnicked Ladies.

1169
01:09:48,640 --> 01:09:55,960
Speaker 3: Just play that again? Really, yes, thank you all for

1170
01:09:56,080 --> 01:10:06,120
Speaker 3: coming tonight. B This is the last episode ever.

1171
01:10:06,040 --> 01:10:23,719
Speaker 1: Combined about

1172
01:10:26,240 --> 01:10:35,400
Speaker 5: See you guys, Hollywood, and Book is brought to you

1173
01:10:35,520 --> 01:10:40,679
Speaker 5: by Wolf Cool Production to subsidiary of Calvin Hibs Ow

1174
01:10:42,120 --> 01:10:42,439
Speaker 5: Baby