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Speaker 1: And I want and two and hello and welcome back

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Speaker 1: to movie Mike's movie podcast. I am your host Movie Mike,

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Speaker 1: and what you hear there is the joining sounds of

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Speaker 1: cracking a cold brew with my wife and coach Kelsey.

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Speaker 1: Oh there we go. Not sponsored, by the way.

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Speaker 2: No, we just truly have Hybrid set up on subscription.

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Speaker 1: Today. We're here to talk about the best and worst

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Speaker 1: movies for November that we've seen. I also want to

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Speaker 1: get into how Disney has not made a billion dollar

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Speaker 1: movie this year, dum and in the movie review Ooh,

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Speaker 1: you set it up perfectly. I'm gonna be talking about

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Speaker 1: god Zella on minus one. And in the trailer park

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Speaker 1: we have a look at a new mad Max Fury

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Speaker 1: Saga movie starring Chris Hemsworth and Anya Taylor Joy. Thank

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Speaker 1: you for being here, shout out to the Monday Morning

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Speaker 1: Movie crew. And now let's talk movies.

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Speaker 3: In a world where everyone and their mother has a podcast,

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Speaker 3: one man stands to infiltrate the ears of listeners like

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Speaker 3: never before in a movie podcast.

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Speaker 1: A man with so much movie knowledge.

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Speaker 3: He's basically like walking IMTB with glasses from the Nashville

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Speaker 3: Podcast Network.

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Speaker 1: In cases movie Mike Movie Podcast. We'll kick it off.

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Speaker 1: What was the best movie you saw this month?

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Speaker 2: Easy? The Holdovers.

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Speaker 1: What made you excited to see that movie going into it?

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Speaker 2: I honestly don't know.

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Speaker 1: Yeah, you wanted to watch more than I did because

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Speaker 1: I trailed that.

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Speaker 4: The Bellcourt was doing a thirty five millimeter screening and

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Speaker 4: we ended up not seeing it there. But anytime they

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Speaker 4: do something in thirty five millimeters, I'm like, Oh, it

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Speaker 4: has to be good.

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Speaker 2: It's on film.

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Speaker 1: And The Holdovers is about this kid who goes to

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Speaker 1: a boarding school. He's supposed to go home for the holidays,

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Speaker 1: but his parents suck.

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Speaker 4: A group of kids. That's why they're called the holdovers.

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Speaker 4: They hold over from one semester to the next. They

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Speaker 4: don't go home for the holidays.

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Speaker 1: So he gets stuck there with another group of people

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Speaker 1: who have nowhere to go for the holidays. And Paulo

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Speaker 1: gia Maadi is a teacher there who also gets stuck

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Speaker 1: doing that job of taking care of all the holdovers

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Speaker 1: and bonding with them. But he is such a not

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Speaker 1: like teacher who gives really hard homework and assignments that

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Speaker 1: he translates that into their vacation of Hey we're all

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Speaker 1: going to do schoolwork.

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Speaker 4: But you also have the supporting cast, which was amazing.

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Speaker 4: You had the cook who had just recently lost her

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Speaker 4: son and she was grappling with like the first holidays

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Speaker 4: without him. It just they kind of became like a

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Speaker 4: little makeshift family. I loved it. It warmed my heart.

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Speaker 4: There were laughs, It was touching, and it takes a lot.

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Speaker 1: For me to go into a movie knowing that I

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Speaker 1: wasn't excited about, primarily because I don't like Paul Giamonni

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Speaker 1: we know, no, I don't think people on this podcast

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Speaker 1: know that I don't like Paul Giamani. Ever since two

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Speaker 1: thousand and four Sideways, I heard him do an interview

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Speaker 1: where he was pretty disrespectful to a fan who was

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Speaker 1: just a fan of that film, and ever since then,

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Speaker 1: I just had this feeling that he wasn't that great

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Speaker 1: of a guy. That made me not enjoy any of

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Speaker 1: the movies he's been in.

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Speaker 2: But you like Christian Bales movies, and he has the

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Speaker 2: Notorious Rant, which he has a terrible human.

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Speaker 1: In that case, I can separate the art from the artists.

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Speaker 1: But with Paul Giamani, I also don't like the roles

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Speaker 1: he takes, and I also feel like he ruins movies

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Speaker 1: by being in them. Okay, when he was in Spider

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Speaker 1: Man two as Rhino, it made me hate that movie.

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Speaker 1: Even though I love Spider Man, I was Apologiamondy's in it.

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Speaker 1: I don't care for it, and everybody just when I

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Speaker 1: said that, I feel like everybody has this undying love

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Speaker 1: for him, and I was like, what role does he

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Speaker 1: have that really defines him that makes him such a

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Speaker 1: great actor. But while watching this movie, I think it

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Speaker 1: helped that you're not really supposed to like his character,

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Speaker 1: and I think he plays that really well. He plays

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Speaker 1: unlikable so well that it didn't make me like him,

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Speaker 1: but it made me enjoy his character in this story.

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Speaker 1: And I feel there was so much just well roundedness

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Speaker 1: from every single character that it made me enjoy the

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Speaker 1: movie so much more, and how much they connected with

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Speaker 1: each other, and how much it was like an unorthodox

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Speaker 1: story of unlikely characters put together, which is what I like.

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Speaker 1: Nobody in this movie looks like a movie star, but

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Speaker 1: the story is so good and the message is so heartwarming,

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Speaker 1: and it's a great movie for or people like me

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Speaker 1: who don't necessarily love Christmas movies that you can enjoy.

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Speaker 2: It also had depth overall as a movie.

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Speaker 1: Yeah, I don't think I was on the verge of tears,

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Speaker 1: but there were definitely elements of the story that made

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Speaker 1: me like, oh man, that sucks. And out of any

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Speaker 1: movie that I've seen this year, I never felt a

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Speaker 1: bond like this that I did with these characters that

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Speaker 1: you enjoy going through their entire journey and seeing where

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Speaker 1: they end up at the end of this film, you

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Speaker 1: truly feel invested. It almost felt like I went to

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Speaker 1: school with them and experienced it with him, because that's

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Speaker 1: how well their characters were written and how great of

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Speaker 1: a performances that they had that it made me feel

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Speaker 1: like I was there with them. So I think that

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Speaker 1: is a feat in itself and maybe something kind of

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Speaker 1: a long shot, but it could have some Oscar attention there.

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Speaker 1: But I love the little details that had even in

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Speaker 1: the opening scene of showing Paul Giamatti's office and all

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Speaker 1: the little things that show you the kind of person

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Speaker 1: he is, Like showing you the things that are in

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Speaker 1: his bathroom, the things laying down on his desk, and

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Speaker 1: the way he receives other people. It kind of tells

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Speaker 1: you all you need to know without even saying anything.

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Speaker 1: So I think, just from a filmmaking standpoint, this movie

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Speaker 1: just really shines. So I also think there's something to

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Speaker 1: going into a movie having very little expectations and leaving

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Speaker 1: loving it.

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Speaker 2: I did have to drag you to it.

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Speaker 1: Yeah, I did not want to see it. It was

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Speaker 1: a movie that just didn't really speak to me. But

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Speaker 1: I'm so glad that we ended up watching it.

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Speaker 4: But in this household, it's like when parents ask their

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Speaker 4: kid to try one bite of food, you have to

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Speaker 4: try the movie.

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Speaker 2: I just hate it. We can leave.

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Speaker 1: For my best movie of November, I went with The Killer,

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Speaker 1: which is on Netflix, in a movie I haven't even

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Speaker 1: fully reviewed on the podcast and has Michael Fassbender who

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Speaker 1: plays an assassin, and the movie is so interesting because

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Speaker 1: there's very little dialogue throughout the entire movie, and it's

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Speaker 1: very much just him having monologues inside his head. Because

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Speaker 1: as an assassin, the movie shows you that there's a

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Speaker 1: lot of times that you're just in solitude, waiting, why

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Speaker 1: are you looking at me?

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Speaker 4: So weird because I didn't watch the movie, so I'm

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Speaker 4: excusing myself from this review, but I just it doesn't

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Speaker 4: sound good.

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Speaker 1: Oh but It's the thing is I love movies that

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Speaker 1: build a lot of tension. I say that all the time.

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Speaker 1: You could probably take a drink every time I say tension,

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Speaker 1: But that's what this movie does, because it's a psychological

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Speaker 1: thriller that just takes you inside the mind of a killer.

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Speaker 1: It starts out with him trying to kill somebody, it

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Speaker 1: goes wrong, and then the company that hires him out

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Speaker 1: to other people turned the tables and try to kill him,

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Speaker 1: and then he goes all the way around the world

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Speaker 1: kind of on a cat and mouse game. But I

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Speaker 1: just loved everything about this movie. It's also from the

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Speaker 1: director who did Fight Club and Gone Girls, so if

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Speaker 1: you like movies like that, it's a lot of the

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Speaker 1: same that you would expect from David Fincher, and some

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Speaker 1: really great fight scenes too. So I know a lot

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Speaker 1: of it is like the waiting and thinking game, but

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Speaker 1: there's also just a lot of action. It's a very

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Speaker 1: good balance of both of them. And for Netflix, who

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Speaker 1: really hasn't had that many hits this year.

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Speaker 2: More flops, more flops, more flops than bops.

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Speaker 1: It was a movie that I started and had to

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Speaker 1: finish immediately. There's so many movies that have come out

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Speaker 1: on Netflix that I start and sometimes just never go

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Speaker 1: back to because they're not that great.

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Speaker 2: For TV shows, we do that a lot.

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Speaker 4: I think we have more TV shows we've started, oh,

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Speaker 4: definitely this year than things we've actually finished.

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Speaker 1: I've been doing a lot of these, like six things

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Speaker 1: to get to Know Me on my Instagram story, and

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Speaker 1: there was one for six series to get to Know Me,

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Speaker 1: and I couldn't do it. I feel like I've fallen

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Speaker 1: out of love with TV so much lately that I

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Speaker 1: couldn't think of my six favorite shows anymore. The Simpsons

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Speaker 1: that's all I had, really lost, that's one. And Jackass,

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Speaker 1: That's really all I had. And I felt like putting

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Speaker 1: Jackass is one of my favorite shows of all time

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Speaker 1: felt a little bit weird. But that question is so

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Speaker 1: easy for me to answer when it comes to movies

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Speaker 1: that I would have to pick a certain genre. When

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Speaker 1: it came to TV shows of my lifetime, I couldn't

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Speaker 1: even think of six that I would say that I

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Speaker 1: just love anymore.

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Speaker 2: SpongeBob SquarePants.

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Speaker 1: Yeah, there's a lot of great comedy in Sponge, but

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Speaker 1: I don't watch it any well. I mean sometimes I.

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Speaker 4: Definitely still Watchpongebob sometimes don't lie.

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Speaker 1: Yeah, but anyway, Yeah, The Killer on Netflix is a

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Speaker 1: movie I highly recommend, and I know some people just

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Speaker 1: want to watch something at home. If you haven't seen

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Speaker 1: it yet, you gotta check it out. Now, let's talk

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Speaker 1: about the worst movies we saw in November. What do

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Speaker 1: you have?

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Speaker 2: I have Napoleon?

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Speaker 1: I do you're gonna do? Now? This is a movie

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Speaker 1: I drug you to go see.

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Speaker 2: Listen.

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Speaker 4: I know that I come on here and I talk

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Speaker 4: about every book that I love, those historical fiction, and

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Speaker 4: I have decided I like historical fiction about the ladies

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Speaker 4: because here's the problem with like war movies and things

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Speaker 4: like that. It's just a bunch of dumb men holding swords,

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Speaker 4: yelling charge at each other.

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Speaker 1: That is essentially what Napoleon is.

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Speaker 4: That was the whole movie. There's a graphic scene that

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Speaker 4: involves an animal perishing.

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Speaker 1: Okay, when you said graphic scene, I thought you meant

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Speaker 1: the hooking up part. No, that was that was also graphic,

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Speaker 1: and there one of those and.

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Speaker 2: Children walked in on accident right after that.

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Speaker 1: Traumatizing.

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Speaker 2: No, but there's a sad you know, with an animal.

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Speaker 4: There's also we talked about this and I would truly

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Speaker 4: love if somebody knows the reason for this, please educate me.

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Speaker 4: But what was the point of like the drum line

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Speaker 4: in war times? Because we just put those men on

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Speaker 4: the front with the drums with no weapons, and were

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Speaker 4: they just like providing a soundtrack letting them know they're coming.

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Speaker 1: Yeah. So there's a big fight scene where Napoleon is

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Speaker 1: leading the French army and then you see all these people,

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Speaker 1: you know, armed with guns, and then there are people

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Speaker 1: on the front lines just with big drums, just for

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Speaker 1: ambiance to make it scary.

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Speaker 2: But yeah, I know I left historical fiction.

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Speaker 4: Now, if we had talked about, like the story of

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Speaker 4: his wife, we had done one from her perspective, I.

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Speaker 1: Thought that would have been a better movie.

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Speaker 2: Would have been great.

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Speaker 4: Vanessa Kirby would have been amazing in a like starring

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Speaker 4: feature film like that. So if we had done one

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Speaker 4: from the point of view of the woman, but just

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Speaker 4: Napoleon himself, he was also so emo. He cried a lot.

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Speaker 4: Let me put it out there. I have nothing against

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Speaker 4: men having feelings. I love it, but he just would

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Speaker 4: cry all the time, like he'd say something and then

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Speaker 4: even start weeping.

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Speaker 1: I think it was a big movie to say something

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Speaker 1: very small, like a small statement, not hating on his

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Speaker 1: size or anything, but it was really just a movie

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Speaker 1: made to show you that, hey, Napoleon was always just

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Speaker 1: searching for validation. That was the summary of that entire movie.

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Speaker 1: You could have done that in an hour and a half.

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Speaker 2: I was so bored.

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Speaker 1: Yeah, And that was one I thought I was going

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Speaker 1: to love. I love Joaquin Phoenix, I love Ridley Scott.

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Speaker 1: But I found myself being bored in that and gave

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Speaker 1: it a two point five out of five.

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Speaker 4: I even asked you going into it, I said, am

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Speaker 4: I going to enjoy this? And you said, I think

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Speaker 4: you will.

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Speaker 1: I thought I was going to.

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Speaker 2: I need you to eat.

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Speaker 4: Those words, because I was me eating the words.

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Speaker 2: I did not enjoy it.

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Speaker 1: So that was your worst. My worst was The Marvels,

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Speaker 1: which I also gave it two point five at a five.

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Speaker 1: Kind of along the same lines is I had higher

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Speaker 1: expectations going into this.

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Speaker 2: Movie, more entertaining than Napoleon.

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Speaker 1: It was more entertaining, smart women, but it was so

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Speaker 1: much just down the middle that nothing really was changed

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Speaker 1: after that movie. That that's fair. I found myself like,

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Speaker 1: what was the point of that? As much as I

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Speaker 1: love the actual Captain Marvel character, I just felt that

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Speaker 1: in the MCU right now, it felt like such a misstep.

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Speaker 1: And I always love the second part and a superhero story,

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Speaker 1: I always feel like it's so much stronger because you're

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Speaker 1: really supposed to get underneath that character's skin to the

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Speaker 1: point that it makes your break whether or not they

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Speaker 1: want to be the superhero. There was nothing on the

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Speaker 1: line in that movie, and some things just felt all

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Speaker 1: out ridiculous, like the cats. The cats, and yeah, that

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Speaker 1: was like the funnest part of the movie. But then

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Speaker 1: I think it's also coming off the heels of Secret Invasion,

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Speaker 1: which is by far the worst Disney plus Marvel series

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Speaker 1: they have ever made.

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Speaker 2: Also a flop. Couldn't even get through the first episode.

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Speaker 1: I watched that entire thing and hated it, especially I

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Speaker 1: did the season finale was terrible news to me. And

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Speaker 1: then they brought in the scrolls from that into this

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Speaker 1: movie again, and I just find those characters so insufferable

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Speaker 1: and boring that on screen, It's just like, why am

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Speaker 1: I watching this?

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Speaker 4: This is not me making fun of the way you talk.

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Speaker 4: I thought you said squirrels, and my brain was like

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Speaker 4: they brought in Squirrels.

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Speaker 1: There was Squirrels. No a squirrel from Bokemon, no scroll.

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Speaker 1: It's a dumb character and it's all.

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Speaker 4: Squirrels spelled like Travis Kelsey's sweet lazy writing.

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Speaker 2: Oh No, I opened. I opened to that box.

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Speaker 1: So more so than any other movie we saw in November,

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Speaker 1: that was one that just left me with disappointment and

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Speaker 1: a character I wanted to root for.

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Speaker 2: I'm not mad, I'm disappointed.

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Speaker 1: I am I'm just disappointed in it, and I didn't

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Speaker 1: want to come at it as the typical dude in

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Speaker 1: his basement type person who just hates on any female

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Speaker 1: led superhero movie.

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Speaker 2: We have a basement, Yeah, we do have a basement.

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Speaker 1: I'm just saying I'm not the guy in the basement.

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Speaker 1: We don't own a basement. But it just feels like

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Speaker 1: when I go through the comments on TikTok, it's like

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Speaker 1: those dudes who just hate female led movies. And I

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Speaker 1: didn't want to be a part of that group. But

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Speaker 1: I also couldn't in good faith say that I love

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Speaker 1: that movie or loved aspects of it. So I hope,

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Speaker 1: if anything, there is redemption later for the Captain Marvel

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Speaker 1: character and just creating a whole new storyline that makes

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Speaker 1: more sense.

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Speaker 4: If you're gonna be a dude in the basement, can

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Speaker 4: you be like Paul Dannel in Dumb Money? Can you

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Speaker 4: be that dude in the basement and make us a

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Speaker 4: lot of money?

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Speaker 1: I think about that movie a lot too, too.

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Speaker 2: It was so good.

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Speaker 1: I was thinking of like how transparent he was with

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Speaker 1: showing how much he invested it, having that spreadsheet, and

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Speaker 1: how cool that aspect of.

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Speaker 2: Pete Davidson was so funny.

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Speaker 1: That was a really good movie. I feel like we're again,

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Speaker 1: like we were saying earlier because of the strike, didn't

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Speaker 1: get promoted as much as it should have been. I

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Speaker 1: feel like that is one that's going to go through

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Speaker 1: the cracks this year of being one of the best comedies, A.

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Speaker 2: Great role for Shalene Woodley.

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Speaker 1: All around almostaid the same thing all around Dumb Money.

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Speaker 1: We'll go throwback review here, go back to last month. Yeah,

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Speaker 1: I was gonna mention that so far in twenty twenty three,

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Speaker 1: Disney has not made a billion dollar movie. And this

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Speaker 1: includes Pixar, this includes Star Wars, this includes Marvel movies,

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Speaker 1: everything that Disney owns, and this is the first time

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Speaker 1: this has happened since twenty fourteen, not counting the pandemic

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Speaker 1: years of twenty twenty and twenty twenty one. The reason

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Speaker 1: I feel that this is important is because it shows

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Speaker 1: you that Disney doesn't have that rain that they once did,

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Speaker 1: and having a billion dollar movie is very impactful because

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Speaker 1: that shows you that it's kind of the new gold standard.

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Speaker 1: If you're able to make a billion dollars at the

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Speaker 1: box office, that shows that you have the secret formula

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Speaker 1: to get people in the seats. And the fact that

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Speaker 1: Disney has not had one this year. The closest one

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Speaker 1: was Guardians of the Galaxy Volume three, which made eight

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Speaker 1: hundred and forty five million, and Wish so far has

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Speaker 1: made like fifty million dollars is a big flop. What

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Speaker 1: I think this says more so than the Marvel side,

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Speaker 1: I think that is in a whole different phase right

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Speaker 1: now that's going to bounce back next year with Wolverine

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Speaker 1: and Deadpool teaming up. I think I think it really speaks

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Speaker 1: to the animated side of Disney and then becoming so

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Speaker 1: reliant on their properties that are just the most known

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Speaker 1: and not really putting the same amount of money into

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Speaker 1: these new properties that they're trying to make.

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Speaker 4: I feel like they're not hiring fresh talent, or as

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Speaker 4: we saw with the writers strike, they're not paying their

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Speaker 4: good talent enough. It is true, they are probably hounding

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Speaker 4: their talent to just push out content. And if you

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Speaker 4: have a quick turnaround, if you just demand something from someone,

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Speaker 4: you're gonna squash their creativity because creativity takes time. So

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Speaker 4: I feel like they're either not giving people a break,

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Speaker 4: not paying them enough.

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Speaker 2: Well, we know they're not paying them enough.

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Speaker 1: I also think they're just not finding the best stories. Yeah,

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Speaker 1: not too with a movie like Wish that's supposed to

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Speaker 1: honor the one hundred years of Disney. And even for

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Speaker 1: me saying that I would love to see a movie

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Speaker 1: use two D animation again, just seeing that trailer made

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Speaker 1: me realize that two D animation looks so dated. And

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Speaker 1: to think about a kid right now that wants to

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Speaker 1: go something in theaters that they're going to love, want

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Speaker 1: to sing along to, two D just doesn't really do it.

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Speaker 1: You could do a scene maybe in two D to make,

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Speaker 1: you know, a fun little moment, but going back to

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Speaker 1: that just feels like reverting back to an odd time.

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Speaker 1: And also just the way they invest in stories. Now

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Speaker 1: when you look at their other big movies that they

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Speaker 1: spend a lot of money on and lost money on

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Speaker 1: Indiana Jones and The Tail of Destiny, which wasn't a

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Speaker 1: bad movie.

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Speaker 2: I was not. I enjoyed it more than I thought

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Speaker 2: I would.

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Speaker 1: But it lost so much money. And it's just them

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Speaker 1: going back to what works. But now going back to

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Speaker 1: what has worked in theaters is not working anymore. What

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Speaker 1: are you gonna do? Even The Little Mermaids still still

380
00:16:37,640 --> 00:16:41,320
Speaker 1: failed to meet expectations, even though that did probably better

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Speaker 1: than all of their other remakes. It just feels like

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Speaker 1: they're missing out on something here. It's really time for

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Speaker 1: them to almost take a step back and think, Okay,

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Speaker 1: what are we gonna do here? And even the CEO,

385
00:16:52,560 --> 00:16:55,080
Speaker 1: Bob Iiger, came out and said, we're getting back to

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Speaker 1: quality over quantity. When you look at the history of

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Speaker 1: the statements he has made, he has said that year

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Speaker 1: and year like we're gonna and they don't do it.

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Speaker 1: They say they're gonna work on the quality, but they're not.

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00:17:05,280 --> 00:17:07,080
Speaker 1: They are a money making machine and just going to

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Speaker 1: put out things that are so uninspired. And I say

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Speaker 1: this knowing that I'm an adult in my thirties talking

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Speaker 1: about Disney movies. But still they make movies for the

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Speaker 1: entire family. They are making films that appeal to kids,

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Speaker 1: but that parents are going to also pay money and

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Speaker 1: take the entire family out to go see, and they're

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Speaker 1: not doing that. Therefore, I'm putting myself in that category.

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Speaker 4: But they also make movies like Indiana Jones is not

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Speaker 4: meant for kids. Yes, a lot of the Marvel movies

400
00:17:34,359 --> 00:17:36,120
Speaker 4: are geared towards adults.

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Speaker 1: That's true. I also think they are having this issue

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00:17:39,160 --> 00:17:42,240
Speaker 1: where they want to also appeal to gen Z, which

403
00:17:42,280 --> 00:17:43,840
Speaker 1: is kind of what they did with the Marvels and

404
00:17:43,880 --> 00:17:47,439
Speaker 1: Miss Marvel's character, and it almost feels like they're trying

405
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Speaker 1: a little bit too.

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Speaker 2: Hard for anything appeal to gen Z.

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Speaker 1: Yeah, they doesn't care.

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Speaker 2: They're unimpressed. And I say that having two brothers that

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00:17:54,880 --> 00:17:55,359
Speaker 2: are gen Z.

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Speaker 4: They're unimpressed by anything, absolutely anything.

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Speaker 1: They're just like, okay, I don't care whatever else. Yeah. So,

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Speaker 1: maybe in the twenty tens, they set this really high

413
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Speaker 1: bar for themselves, making movies that just generated so much

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Speaker 1: revenue and really cemented themselves as the force they are now.

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Speaker 1: But as that force starts to slip a little bit

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Speaker 1: more and more, and you look at some of the

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Speaker 1: other movies that have made a billion dollars this year.

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Speaker 1: Super Mario Brothers movie was just a lot of fun

419
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Speaker 1: with a known franchise, and it took what that video

420
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Speaker 1: game was and brought it to life on the big screen.

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Speaker 1: Barbie and Oppenheimer were also just really great movies that

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Speaker 1: at the core of it, even though Barbie was rooted

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Speaker 1: in a known product, it wasn't really rooted in a franchise,

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Speaker 1: so it still felt fresh. Nothing on the Disney side

425
00:18:45,760 --> 00:18:48,000
Speaker 1: feels fresh anymore, and it's going to take a lot

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Speaker 1: to get back to that. But it hurts them when

427
00:18:50,760 --> 00:18:53,639
Speaker 1: they do have something that's fresh, but they are kind

428
00:18:53,640 --> 00:18:55,879
Speaker 1: of weary about taking the risk on it. They just

429
00:18:55,960 --> 00:18:58,560
Speaker 1: throw it on Disney Plus and therefore loses out on

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Speaker 1: all the profits.

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Speaker 4: To get all philosophical, but I feel like this happens

432
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Speaker 4: in any area market, not just movies. Like Disney was

433
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Speaker 4: this juggernaut kind of slowly not becoming that anymore. Think

434
00:19:09,720 --> 00:19:13,760
Speaker 4: about social media, Facebook, the heyday, MySpace, all these things

435
00:19:13,760 --> 00:19:16,960
Speaker 4: were like a juggernaut of their time, and now they're

436
00:19:17,000 --> 00:19:18,400
Speaker 4: just going to fall into the wayside. So I feel

437
00:19:18,400 --> 00:19:20,960
Speaker 4: like that's anything. Something reaches a height of popularity and

438
00:19:21,000 --> 00:19:23,159
Speaker 4: it doesn't always stand the test of time. And I

439
00:19:23,160 --> 00:19:25,040
Speaker 4: get that Disney's different. It's been around forever. It's to

440
00:19:25,200 --> 00:19:27,760
Speaker 4: the test of time, bigger company than just like a

441
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Speaker 4: social media brand. But I feel like it's kind of

442
00:19:30,240 --> 00:19:31,320
Speaker 4: cyclical and trends.

443
00:19:31,520 --> 00:19:33,399
Speaker 1: I think it's just a fact, like you said that

444
00:19:33,400 --> 00:19:36,400
Speaker 1: Disney has been around for one hundred years, that they

445
00:19:36,480 --> 00:19:39,520
Speaker 1: are held to a different standard. They have had their

446
00:19:39,560 --> 00:19:42,679
Speaker 1: dark periods when they were xeroxing all their backgrounds and

447
00:19:42,720 --> 00:19:45,320
Speaker 1: their animation felt lifeless. They had to have the renaissance

448
00:19:45,359 --> 00:19:48,880
Speaker 1: in the nineties, which they reinvented themselves, took another dip

449
00:19:48,920 --> 00:19:52,040
Speaker 1: in the two thousands, came back strong in the twenty tens.

450
00:19:52,280 --> 00:19:55,720
Speaker 1: So yeah, maybe this is their twenty twenties decade to

451
00:19:55,800 --> 00:19:58,680
Speaker 1: kind of take down until twenty thirty is maybe when

452
00:19:58,680 --> 00:19:59,359
Speaker 1: they rise again.

453
00:19:59,640 --> 00:20:02,200
Speaker 2: The other thing, too, is it's like the stories are

454
00:20:02,240 --> 00:20:02,720
Speaker 2: out there.

455
00:20:02,880 --> 00:20:04,360
Speaker 1: I know that, Yeah, they are still.

456
00:20:04,240 --> 00:20:05,359
Speaker 2: Have great stories.

457
00:20:05,840 --> 00:20:08,119
Speaker 4: So I don't know like what Disney needs to do

458
00:20:08,160 --> 00:20:11,480
Speaker 4: to find those and hire the talent and the people

459
00:20:11,560 --> 00:20:13,560
Speaker 4: that have those stories because they're out there, because people

460
00:20:13,560 --> 00:20:14,000
Speaker 4: are smart.

461
00:20:14,280 --> 00:20:16,560
Speaker 1: Oh yeah, they need to go on Reddit of people

462
00:20:16,560 --> 00:20:19,840
Speaker 1: who write fan fiction about Toy Story. On Reddit, I

463
00:20:19,960 --> 00:20:23,120
Speaker 1: read what is or would have been the best ending

464
00:20:23,160 --> 00:20:26,119
Speaker 1: to Toy Story ever, and I still think about it,

465
00:20:26,160 --> 00:20:27,720
Speaker 1: and they didn't do it, and now they're making Toy

466
00:20:27,720 --> 00:20:29,439
Speaker 1: Story five and it'll never be done.

467
00:20:29,760 --> 00:20:34,040
Speaker 4: The story reminds me of the Reddit thread with the

468
00:20:34,080 --> 00:20:37,720
Speaker 4: girls that she read Harry Potter fan fiction and thought

469
00:20:37,800 --> 00:20:41,080
Speaker 4: it was the real book, but it was a a

470
00:20:41,200 --> 00:20:42,280
Speaker 4: rawnchy fan fiction.

471
00:20:42,520 --> 00:20:45,199
Speaker 2: She thought that was the real Harry Potter. It's my

472
00:20:45,320 --> 00:20:46,600
Speaker 2: favorite story of all time.

473
00:20:46,680 --> 00:20:49,800
Speaker 1: Oh, clarify, not all fan fiction is raunchy, because I

474
00:20:49,880 --> 00:20:53,359
Speaker 1: know that Fifty Shades of Gray was like fan fiction

475
00:20:53,520 --> 00:20:54,080
Speaker 1: of Twilight.

476
00:20:54,200 --> 00:20:56,240
Speaker 2: I was gonna I feel like you gotta clarify that girl.

477
00:20:56,320 --> 00:20:58,800
Speaker 1: Well, toy story it was just like Andy grows up

478
00:20:58,840 --> 00:21:01,040
Speaker 1: and then wants all this toy back and then the

479
00:21:01,080 --> 00:21:04,000
Speaker 1: way he you know whatever, is not sexy at all.

480
00:21:04,840 --> 00:21:07,840
Speaker 1: But anyway, that is our best and worst of the month.

481
00:21:07,920 --> 00:21:09,879
Speaker 1: Anything else you want to say before we go.

482
00:21:09,920 --> 00:21:12,879
Speaker 4: I need to go put together and we still have

483
00:21:12,920 --> 00:21:14,679
Speaker 4: one month left of the year of my best books

484
00:21:14,680 --> 00:21:15,960
Speaker 4: of the year, because I am going to do that

485
00:21:16,000 --> 00:21:18,719
Speaker 4: episode again because I did get very nice feedback from

486
00:21:18,760 --> 00:21:21,040
Speaker 4: people that they enjoyed it, So if you like to read,

487
00:21:21,160 --> 00:21:23,160
Speaker 4: we'll be recording that in the next few weeks, probably

488
00:21:23,200 --> 00:21:24,560
Speaker 4: put it out, maybe.

489
00:21:24,520 --> 00:21:26,000
Speaker 2: Right before Christmas breaks, so we have a lot.

490
00:21:26,080 --> 00:21:27,960
Speaker 1: Yeah, we have to do best movies of the year,

491
00:21:28,080 --> 00:21:29,879
Speaker 1: worst movies of the year. There's a lot of stuff

492
00:21:29,920 --> 00:21:30,280
Speaker 1: to get to you.

493
00:21:30,359 --> 00:21:32,000
Speaker 4: But my books will put that one out so people

494
00:21:32,000 --> 00:21:33,200
Speaker 4: can read over Christmas break.

495
00:21:33,359 --> 00:21:36,440
Speaker 1: And then I am about to completely nerd out about

496
00:21:36,440 --> 00:21:38,720
Speaker 1: god Zilla Minus one. And sometimes when I nerd out

497
00:21:38,760 --> 00:21:41,720
Speaker 1: so much about a movie, people don't know the level

498
00:21:41,800 --> 00:21:44,160
Speaker 1: of like, oh, is it just he loves it so much?

499
00:21:44,240 --> 00:21:45,439
Speaker 1: You did not want to see it?

500
00:21:45,640 --> 00:21:46,679
Speaker 2: No, that's not true.

501
00:21:46,800 --> 00:21:48,280
Speaker 1: You were not a Godzilla fan.

502
00:21:48,520 --> 00:21:50,080
Speaker 4: I didn't watch the trailer. I had no clue what

503
00:21:50,080 --> 00:21:52,520
Speaker 4: the movie was about. I just said, Kylie Napoleon, am

504
00:21:52,560 --> 00:21:53,399
Speaker 4: I going to enjoy this?

505
00:21:53,480 --> 00:21:53,960
Speaker 2: And this one?

506
00:21:54,000 --> 00:21:56,680
Speaker 4: You did not lead me astrang. I did enjoy god

507
00:21:56,720 --> 00:21:58,960
Speaker 4: Zilla Minus one. I had an emotional connection to some

508
00:21:58,960 --> 00:21:59,600
Speaker 4: of the characters.

509
00:21:59,800 --> 00:22:03,160
Speaker 1: There you go as I get into my fully nerded

510
00:22:03,240 --> 00:22:04,320
Speaker 1: out in review.

511
00:22:04,760 --> 00:22:06,520
Speaker 4: But it was one of the most annoying movies we've

512
00:22:06,560 --> 00:22:09,080
Speaker 4: been in a while because there were teenagers in the

513
00:22:09,160 --> 00:22:12,399
Speaker 4: back and not to sound like a grumpy old almost

514
00:22:12,440 --> 00:22:15,159
Speaker 4: thirty year old. But they talked the whole time, and

515
00:22:15,160 --> 00:22:17,520
Speaker 4: they were on their phones and they had that like

516
00:22:17,680 --> 00:22:19,760
Speaker 4: text thing that the light goes off on your phone,

517
00:22:19,800 --> 00:22:22,200
Speaker 4: and so just like every few minutes, they were just loud.

518
00:22:22,640 --> 00:22:25,280
Speaker 1: Yeah, we usually have pretty good luck when it comes

519
00:22:25,280 --> 00:22:30,119
Speaker 1: to respectful audiences in movies, and that was probably I mean,

520
00:22:30,200 --> 00:22:32,199
Speaker 1: if that's the rowdiest it gets, I'll take it. But

521
00:22:32,240 --> 00:22:33,359
Speaker 1: it was a little bit distracting.

522
00:22:33,520 --> 00:22:36,760
Speaker 2: I would imagine they didn't know that it was subtitled.

523
00:22:36,280 --> 00:22:38,440
Speaker 1: And they're like, I have to read is this.

524
00:22:38,400 --> 00:22:39,160
Speaker 2: Part of your review?

525
00:22:39,320 --> 00:22:42,520
Speaker 4: How we talked about even with subtitles, you can get

526
00:22:42,520 --> 00:22:45,720
Speaker 4: the humor. Do you dive into better reviewers me saying

527
00:22:45,760 --> 00:22:46,920
Speaker 4: that a spoiler you can get this.

528
00:22:47,080 --> 00:22:47,920
Speaker 1: No, you can say that.

529
00:22:48,560 --> 00:22:49,560
Speaker 2: We were talking on the way.

530
00:22:49,440 --> 00:22:54,080
Speaker 4: Home about how even in a different language, without the

531
00:22:54,080 --> 00:22:57,280
Speaker 4: same inflection as the English language, you can tell when

532
00:22:57,320 --> 00:22:59,640
Speaker 4: someone's being funny and like the tone in which they're

533
00:22:59,680 --> 00:23:02,080
Speaker 4: trying to say it, just from the subtitles. And it

534
00:23:02,119 --> 00:23:03,720
Speaker 4: was weird because I didn't think about it until you

535
00:23:03,760 --> 00:23:06,480
Speaker 4: said that. But there was like some like dry humor

536
00:23:06,560 --> 00:23:09,760
Speaker 4: parts where you read it as dry humor even though

537
00:23:10,160 --> 00:23:13,320
Speaker 4: they were speaking Japanese and the subtitles were in English,

538
00:23:13,400 --> 00:23:15,880
Speaker 4: and again the inflection isn't the same.

539
00:23:16,080 --> 00:23:18,040
Speaker 1: Yeah, the movie got a few good laughs out of me,

540
00:23:18,080 --> 00:23:20,720
Speaker 1: and I chuckled. I don't know Japanese, but yeah, so.

541
00:23:20,680 --> 00:23:23,920
Speaker 2: I thought that was a cool way that, like humor translates.

542
00:23:24,400 --> 00:23:26,320
Speaker 1: There you go. You have Kelsey's review. I'll come back

543
00:23:26,320 --> 00:23:33,760
Speaker 1: with mine after this a movie review. I cannot wait

544
00:23:33,800 --> 00:23:37,600
Speaker 1: to do Godzilla minus one. I now realize that I've

545
00:23:37,640 --> 00:23:40,360
Speaker 1: been a low key fan of the famous monster since

546
00:23:40,400 --> 00:23:42,800
Speaker 1: I was a kid. I really think my relationship started

547
00:23:42,840 --> 00:23:45,679
Speaker 1: back with my older brother got a Godzilla toy at

548
00:23:45,720 --> 00:23:47,920
Speaker 1: a yard sale and it was a hand me down

549
00:23:47,960 --> 00:23:49,480
Speaker 1: that I got from him, and I would play with

550
00:23:49,520 --> 00:23:52,480
Speaker 1: that all the time. I remember having bubble bats where

551
00:23:52,480 --> 00:23:54,320
Speaker 1: I would play with the Godzilla like, oh, look at

552
00:23:54,359 --> 00:23:57,000
Speaker 1: him terrorizing the people. And then in the late nineties

553
00:23:57,000 --> 00:23:59,960
Speaker 1: and ninety eight, whenever the Matthew Broadery Godzilla version came out,

554
00:24:00,359 --> 00:24:02,800
Speaker 1: my mom was working at Taco Bell and they had

555
00:24:02,840 --> 00:24:05,960
Speaker 1: the best toys, and I remember they had this big

556
00:24:05,960 --> 00:24:08,840
Speaker 1: collector's cup that had Godzilla wrapped around it, and I

557
00:24:08,880 --> 00:24:11,000
Speaker 1: told my mom, please get your hands on one of those,

558
00:24:11,040 --> 00:24:13,280
Speaker 1: and she did, and I loved it. So I think

559
00:24:13,320 --> 00:24:16,399
Speaker 1: as kids we are always just drawn towards dinosaurs, and

560
00:24:16,440 --> 00:24:19,879
Speaker 1: Godzilla being the coolest one of them all having a

561
00:24:19,920 --> 00:24:24,280
Speaker 1: really historic past. There's been over thirty Godzilla films, and

562
00:24:24,440 --> 00:24:27,520
Speaker 1: over the course of them, they've all kind of been similar,

563
00:24:28,080 --> 00:24:30,280
Speaker 1: and you kind of know what to expect going into

564
00:24:30,280 --> 00:24:33,280
Speaker 1: a Godzilla movie. It's a big, crazy monster. You have

565
00:24:33,320 --> 00:24:36,200
Speaker 1: the atom bomb, you have his fiery breath, and he

566
00:24:36,280 --> 00:24:39,000
Speaker 1: destroys cities and people go running and then in the

567
00:24:39,080 --> 00:24:41,880
Speaker 1: end they defeat the monster. That is basically the formula

568
00:24:41,960 --> 00:24:44,600
Speaker 1: for every single Godzilla movie, and most recently in the

569
00:24:44,640 --> 00:24:46,119
Speaker 1: twenty tens, we've had a little bit more of a

570
00:24:46,160 --> 00:24:50,320
Speaker 1: sophisticated look at the creature, trying to make it more cinematic,

571
00:24:50,400 --> 00:24:53,240
Speaker 1: more Hollywood like, but still kind of been along the

572
00:24:53,240 --> 00:24:55,520
Speaker 1: same lines of you don't really go watch a Godzilla

573
00:24:55,560 --> 00:24:58,639
Speaker 1: movie to have a change or influence your life. Big

574
00:24:58,760 --> 00:25:01,679
Speaker 1: fun action, big mind suns, that's what you get. But

575
00:25:01,720 --> 00:25:03,199
Speaker 1: with this one, we have it going back in the

576
00:25:03,240 --> 00:25:06,119
Speaker 1: hands of Japanese filmmakers, where I think the franchise truly

577
00:25:06,160 --> 00:25:08,639
Speaker 1: shines with the people who created it, and this movie

578
00:25:08,680 --> 00:25:12,160
Speaker 1: takes place in a bombed out Tokyo post World War Two.

579
00:25:12,440 --> 00:25:16,320
Speaker 1: It focuses on one character who went to war was

580
00:25:16,359 --> 00:25:20,320
Speaker 1: a Kama Kazi pilot, ended up not dying in war

581
00:25:20,440 --> 00:25:25,160
Speaker 1: and returning home after a crazy encounter with Godzilla where

582
00:25:25,440 --> 00:25:29,159
Speaker 1: he is traumatized he is dealing with PTSD, goes home

583
00:25:29,320 --> 00:25:32,920
Speaker 1: and essentially gets scolded because he went to war as

584
00:25:32,920 --> 00:25:35,920
Speaker 1: a Kama Kazi pilot but returned home with his life

585
00:25:36,000 --> 00:25:38,840
Speaker 1: which was not supposed to happen. So he has all

586
00:25:38,880 --> 00:25:41,480
Speaker 1: of this weighing on his soul, combined with the fact

587
00:25:41,520 --> 00:25:43,639
Speaker 1: that he's now terrorized and living with this fear of

588
00:25:43,680 --> 00:25:46,440
Speaker 1: a Godzilla. You gets the job as a mind sweeper

589
00:25:46,520 --> 00:25:48,680
Speaker 1: in order to help out this woman he met who

590
00:25:48,720 --> 00:25:50,640
Speaker 1: was taking care of this young child, and they start

591
00:25:50,640 --> 00:25:53,320
Speaker 1: to form this little family, and that is where our

592
00:25:53,440 --> 00:25:57,080
Speaker 1: character story really begins. Now, the thing I was not

593
00:25:57,200 --> 00:25:59,800
Speaker 1: expecting about this movie was the human element where it

594
00:26:00,040 --> 00:26:03,119
Speaker 1: really shines. Because all this stuff I've been telling you,

595
00:26:03,160 --> 00:26:05,320
Speaker 1: I haven't really told you about how good Godzilla is

596
00:26:05,320 --> 00:26:08,760
Speaker 1: in this movie, because it was so well rounded and

597
00:26:08,840 --> 00:26:11,280
Speaker 1: so three dimensional that it made me forget that I

598
00:26:11,320 --> 00:26:14,560
Speaker 1: was watching a monster film, and this movie really attacked

599
00:26:14,560 --> 00:26:18,199
Speaker 1: it on every single level of the filmmaking process. But

600
00:26:18,320 --> 00:26:21,080
Speaker 1: at its core, this movie had heart, had story, and

601
00:26:21,160 --> 00:26:23,919
Speaker 1: had characters that I was so invested in. And that

602
00:26:24,040 --> 00:26:26,639
Speaker 1: is really what movies this year and then really the

603
00:26:26,680 --> 00:26:29,280
Speaker 1: past five years have struggled with, is there needs to

604
00:26:29,320 --> 00:26:31,760
Speaker 1: be something on the line. And this movie was only

605
00:26:31,800 --> 00:26:34,800
Speaker 1: made for fifteen million dollars, but that's really all you

606
00:26:34,840 --> 00:26:38,160
Speaker 1: need to accomplish is create a mission for a character

607
00:26:38,600 --> 00:26:41,520
Speaker 1: that has you rooting for him, and in this movie,

608
00:26:41,560 --> 00:26:44,720
Speaker 1: you are rooting the entire time for him to be

609
00:26:44,840 --> 00:26:48,520
Speaker 1: the hero in this story. So he is here just

610
00:26:48,640 --> 00:26:51,040
Speaker 1: out living this normal life, trying to do this job

611
00:26:51,080 --> 00:26:54,280
Speaker 1: to earn some money that is a relatively dangerous job.

612
00:26:54,720 --> 00:26:57,560
Speaker 1: And then Godzilla keeps popping up here and there. So

613
00:26:57,640 --> 00:26:59,639
Speaker 1: now that we've told you about our character and the

614
00:26:59,680 --> 00:27:03,600
Speaker 1: story we have going here, let's talk about Godzilla, who

615
00:27:03,640 --> 00:27:07,200
Speaker 1: in this movie looks the best he has ever looked.

616
00:27:07,240 --> 00:27:10,560
Speaker 1: And what I really loved about Godzilla minus one is

617
00:27:10,560 --> 00:27:13,200
Speaker 1: that maybe it was the fact that it was made

618
00:27:13,240 --> 00:27:16,560
Speaker 1: for fifteen million dollars, but in the last few Godzilla

619
00:27:16,600 --> 00:27:19,080
Speaker 1: movies I've watched, which I have enjoyed, God Delivers's Cang

620
00:27:19,200 --> 00:27:21,120
Speaker 1: was a fun time, but in those movies, I don't

621
00:27:21,119 --> 00:27:23,240
Speaker 1: really feel like they have the look and the essence

622
00:27:23,280 --> 00:27:25,959
Speaker 1: of the character of Godzilla down in those movies. In

623
00:27:26,000 --> 00:27:29,800
Speaker 1: this one, I really felt like Godzilla had personality, Godzilla

624
00:27:29,840 --> 00:27:33,840
Speaker 1: head swagger, Godzilla had an identity, and it felt like

625
00:27:33,880 --> 00:27:36,119
Speaker 1: there was weight behind the actions he was doing and

626
00:27:36,160 --> 00:27:38,840
Speaker 1: acting in a very intelligent way that I haven't really

627
00:27:38,840 --> 00:27:42,720
Speaker 1: seen in recent additions to the Godzilla franchise. But every

628
00:27:42,760 --> 00:27:45,880
Speaker 1: single time he was on screen, it was important there

629
00:27:45,920 --> 00:27:49,040
Speaker 1: was the right amount of monster to non monster ratio

630
00:27:49,080 --> 00:27:51,920
Speaker 1: in this movie, because sometimes we just get a bunch

631
00:27:51,920 --> 00:27:54,280
Speaker 1: of Godzilla where he's running around the entire time, and

632
00:27:54,320 --> 00:27:56,480
Speaker 1: you just get used to it. It becomes a norm

633
00:27:56,520 --> 00:27:58,439
Speaker 1: and it doesn't feel like a spectacle when he's on

634
00:27:58,480 --> 00:28:01,520
Speaker 1: the screen. Every time I'm in this movie, when Godzilla

635
00:28:01,600 --> 00:28:04,760
Speaker 1: is on screen, you care about it because I love

636
00:28:04,800 --> 00:28:07,440
Speaker 1: the way his attacks were so articulate, almost like he

637
00:28:07,560 --> 00:28:10,800
Speaker 1: plotted them out of coming up. He's going to terrorize

638
00:28:10,840 --> 00:28:12,800
Speaker 1: and then he's going back. He was like a really

639
00:28:12,880 --> 00:28:15,639
Speaker 1: well dialed in quarterback almost who knew what they wanted

640
00:28:15,680 --> 00:28:18,040
Speaker 1: to do, knew how they wanted to score the touchdown,

641
00:28:18,320 --> 00:28:20,520
Speaker 1: went out there and scored the touchdown. And then got

642
00:28:20,520 --> 00:28:23,199
Speaker 1: off the field. That is exactly how Godzilla was in

643
00:28:23,240 --> 00:28:26,000
Speaker 1: this movie, and I loved him for it. And I

644
00:28:26,080 --> 00:28:28,560
Speaker 1: referenced the size earlier that in this one he was

645
00:28:28,600 --> 00:28:31,280
Speaker 1: a little bit more agile, and he grew throughout the

646
00:28:31,400 --> 00:28:35,080
Speaker 1: entire movie, which really made it more impactful. As the

647
00:28:35,160 --> 00:28:38,320
Speaker 1: tension grew, Godzilla grew with it. He became more of

648
00:28:38,360 --> 00:28:41,640
Speaker 1: a threat, and he became even more of an unstoppable force.

649
00:28:41,760 --> 00:28:43,960
Speaker 1: And the thing I was not expecting was to actually

650
00:28:44,000 --> 00:28:47,520
Speaker 1: feel terror from this monster, where other times it just

651
00:28:47,600 --> 00:28:50,840
Speaker 1: kind of feels like big dumb fun Whenever Godzilla is

652
00:28:50,840 --> 00:28:53,480
Speaker 1: on screen, you're rooting for him to tear down buildings

653
00:28:53,520 --> 00:28:57,920
Speaker 1: and breathe fire. But I was actually genuinely scared throughout

654
00:28:57,920 --> 00:28:59,920
Speaker 1: this movie, and I wasn't really expecting it to have

655
00:29:00,240 --> 00:29:02,640
Speaker 1: any kind of a horror element to it, but this

656
00:29:02,720 --> 00:29:05,400
Speaker 1: one was truly terrifying that it made me feel like

657
00:29:05,760 --> 00:29:09,240
Speaker 1: what would happen if Godzilla actually existed the rain of

658
00:29:09,320 --> 00:29:11,400
Speaker 1: terror he would go on the amount of destruction he

659
00:29:11,400 --> 00:29:14,120
Speaker 1: would create, not even just from his feet, but even

660
00:29:14,160 --> 00:29:17,840
Speaker 1: his tail whipping around and crashing buildings, and the way

661
00:29:17,920 --> 00:29:20,640
Speaker 1: people reacted to his actions in this movie felt so

662
00:29:20,880 --> 00:29:24,040
Speaker 1: real and genuine. To me, it is the best I've

663
00:29:24,080 --> 00:29:27,000
Speaker 1: ever seen Godzilla look. So it all goes back to

664
00:29:27,040 --> 00:29:29,240
Speaker 1: that human element, and it also just goes back to

665
00:29:29,280 --> 00:29:32,280
Speaker 1: the filmmaking process in this movie, where like I was

666
00:29:32,280 --> 00:29:35,480
Speaker 1: saying earlier, all the recent iterations of Godzilla had been

667
00:29:35,560 --> 00:29:37,760
Speaker 1: very dark and eerie, and you don't really get a

668
00:29:37,760 --> 00:29:40,600
Speaker 1: full picture of Godzilla the way I wanted to be seen.

669
00:29:40,960 --> 00:29:43,920
Speaker 1: Had this really classic monster like vibe to it, but

670
00:29:44,000 --> 00:29:47,120
Speaker 1: it was very bright and colorful, to the point that

671
00:29:47,200 --> 00:29:50,160
Speaker 1: when Godzilla was on screen, he was very much the

672
00:29:50,200 --> 00:29:53,480
Speaker 1: focal point, primarily in the scenes that take place in

673
00:29:53,520 --> 00:29:57,240
Speaker 1: the water. That just looked beautiful seeing Godzilla rip through water,

674
00:29:57,400 --> 00:29:59,760
Speaker 1: and that is truly where the character shines because he

675
00:29:59,880 --> 00:30:02,600
Speaker 1: is creature of the ocean. And that was also the

676
00:30:02,640 --> 00:30:04,920
Speaker 1: reason I felt scared, because there's one part where they're

677
00:30:04,960 --> 00:30:07,680
Speaker 1: in this really small boat out in this open water

678
00:30:07,760 --> 00:30:11,160
Speaker 1: and you have this terrorizing monster. You feel the most

679
00:30:11,240 --> 00:30:14,040
Speaker 1: vulnerable in that situation, and the movie puts you right

680
00:30:14,040 --> 00:30:17,040
Speaker 1: there in that action. My only regret of this movie

681
00:30:17,080 --> 00:30:20,560
Speaker 1: was not seeing it in Imax, because it truly truly

682
00:30:20,680 --> 00:30:23,680
Speaker 1: warranted the big screen, and even bigger screen that I

683
00:30:23,720 --> 00:30:25,440
Speaker 1: went to go see it on because not only were

684
00:30:25,440 --> 00:30:29,320
Speaker 1: the visuals so big, the soundtrack and the score and

685
00:30:29,360 --> 00:30:32,600
Speaker 1: the music and the special effects all added this other

686
00:30:32,880 --> 00:30:36,120
Speaker 1: level that really puts you in that seat. I mean,

687
00:30:36,520 --> 00:30:39,640
Speaker 1: whenever a monster has its own theme music, you know

688
00:30:39,760 --> 00:30:42,840
Speaker 1: you're in for a good time. And whenever this track hit,

689
00:30:43,240 --> 00:30:53,920
Speaker 1: I genuinely got goosebumps. And how just classic monster movie

690
00:30:53,960 --> 00:30:55,720
Speaker 1: is that theme? I'm gonna play it again just because

691
00:30:55,720 --> 00:31:03,000
Speaker 1: I love it so much. But then you have that

692
00:31:03,120 --> 00:31:09,200
Speaker 1: combined with the terrorizing roar that is Godzilla, the roar

693
00:31:09,320 --> 00:31:12,560
Speaker 1: we all know and love, but more sophisticated. And then

694
00:31:12,600 --> 00:31:15,480
Speaker 1: it has some of the best chase scenes I've ever seen,

695
00:31:15,560 --> 00:31:18,400
Speaker 1: not just in a God'zilla movie, but in any movie really.

696
00:31:18,960 --> 00:31:22,440
Speaker 1: With the soundtrack that just packs in the tension building it.

697
00:31:23,080 --> 00:31:26,520
Speaker 1: Listen to that soundtrack, It's so simple, a few charging notes.

698
00:31:27,200 --> 00:31:29,440
Speaker 1: They just adds a little bit more layers each time.

699
00:31:29,600 --> 00:31:31,760
Speaker 1: It is a treat for the eyes, a treat for

700
00:31:31,800 --> 00:31:34,040
Speaker 1: the ears. And to say that this was the best

701
00:31:34,080 --> 00:31:37,400
Speaker 1: Godzilla movie ever would be easy. This is one of

702
00:31:37,440 --> 00:31:39,480
Speaker 1: the best movies of the year. I'm looking right in

703
00:31:39,560 --> 00:31:43,520
Speaker 1: the camera as I say this. This movie Godzilla minus

704
00:31:43,560 --> 00:31:46,040
Speaker 1: one is one of the best movies of the year,

705
00:31:46,440 --> 00:31:48,680
Speaker 1: and there is nothing I can say that would take

706
00:31:48,720 --> 00:31:52,280
Speaker 1: away from any level of enjoyment. The movie comes in

707
00:31:52,320 --> 00:31:55,240
Speaker 1: a right under two hours, and it's the only movie

708
00:31:55,280 --> 00:31:58,600
Speaker 1: this year that left me wanting more. And I would say,

709
00:31:58,640 --> 00:32:00,520
Speaker 1: if you take apart all the little things, if I

710
00:32:00,560 --> 00:32:03,160
Speaker 1: were just looking at this strictly from the viewpoint of

711
00:32:03,200 --> 00:32:05,520
Speaker 1: a critic, I would probably give it a four point

712
00:32:05,560 --> 00:32:08,680
Speaker 1: five out of five. But I have not stopped thinking

713
00:32:08,680 --> 00:32:11,680
Speaker 1: about this movie and how it's going to impact this genre.

714
00:32:12,080 --> 00:32:14,200
Speaker 1: And then I go back to the fifteen million dollar

715
00:32:14,280 --> 00:32:17,360
Speaker 1: budget and it's made about thirty million dollars at the

716
00:32:17,400 --> 00:32:20,360
Speaker 1: global box office, which is amazing. And to think that

717
00:32:20,400 --> 00:32:22,800
Speaker 1: you could make a movie like this that looks so big,

718
00:32:22,840 --> 00:32:26,160
Speaker 1: looks so cinematic, has Hollywood written all over it, even

719
00:32:26,200 --> 00:32:30,080
Speaker 1: though it was made in Japan for only fifteen million dollars,

720
00:32:30,200 --> 00:32:32,920
Speaker 1: that is astonishing to me. And then you look at

721
00:32:32,920 --> 00:32:35,080
Speaker 1: the fact that the movie is in Japanese and I

722
00:32:35,120 --> 00:32:38,600
Speaker 1: watched it with English subtitles and there was nothing lost

723
00:32:38,720 --> 00:32:42,720
Speaker 1: in that translation. Like the director of Parasite said after

724
00:32:42,760 --> 00:32:45,560
Speaker 1: winning the Oscar, once you overcome the one inch tall

725
00:32:45,640 --> 00:32:49,320
Speaker 1: barrier of subtitles, you'll be introduced to so many more

726
00:32:49,400 --> 00:32:52,600
Speaker 1: amazing films. You cannot say it any better than that.

727
00:32:52,640 --> 00:32:54,560
Speaker 1: You should not let the fact that a movie is

728
00:32:54,560 --> 00:32:58,600
Speaker 1: in another language keep you from enjoying it. And what

729
00:32:58,720 --> 00:33:01,320
Speaker 1: I loved about this is that even though it was

730
00:33:01,360 --> 00:33:04,040
Speaker 1: in another language and I was having to read and interpret,

731
00:33:04,640 --> 00:33:07,960
Speaker 1: there was nothing lost on the characters themselves. I could

732
00:33:08,000 --> 00:33:11,200
Speaker 1: easily tell and define each of those characters for you

733
00:33:11,360 --> 00:33:14,680
Speaker 1: because of how good the acting was. But the movie

734
00:33:14,720 --> 00:33:17,160
Speaker 1: had it all. It had a great opening, which I

735
00:33:17,240 --> 00:33:20,680
Speaker 1: love in a monster movie. It had character development, it

736
00:33:20,680 --> 00:33:26,200
Speaker 1: had great character arches, beautiful cinematography, a beautiful score. There

737
00:33:26,280 --> 00:33:29,040
Speaker 1: is nothing bad I can say about this movie. I

738
00:33:29,080 --> 00:33:31,120
Speaker 1: will say I could see why this movie is not

739
00:33:31,240 --> 00:33:34,440
Speaker 1: for everybody, and even Kelsey who went with me, this

740
00:33:34,520 --> 00:33:36,160
Speaker 1: is not a movie she would ever go see you

741
00:33:36,200 --> 00:33:38,600
Speaker 1: on her own, but she ended up enjoying it. She

742
00:33:38,640 --> 00:33:41,200
Speaker 1: doesn't like any type of horror movies, but it was

743
00:33:41,240 --> 00:33:44,760
Speaker 1: that human element that sucked her in. And yes, maybe

744
00:33:44,760 --> 00:33:47,480
Speaker 1: in the beginning there were some kind of brutal not

745
00:33:47,640 --> 00:33:51,600
Speaker 1: really rated R kill scenes from Godzilla, even though it's

746
00:33:51,600 --> 00:33:54,320
Speaker 1: not overly bloody in any way. I think again, it

747
00:33:54,360 --> 00:33:56,320
Speaker 1: goes back to that human element in the story and

748
00:33:56,360 --> 00:34:00,479
Speaker 1: the characters that had her in as a non Godzilla.

749
00:34:00,560 --> 00:34:03,920
Speaker 1: So just by checking all the boxes without any other influence,

750
00:34:03,960 --> 00:34:06,360
Speaker 1: this movie is easily a four point five out of five.

751
00:34:06,640 --> 00:34:08,400
Speaker 1: But due to the fact that I have not stopped

752
00:34:08,440 --> 00:34:10,440
Speaker 1: thinking about it, I want to go watch it again.

753
00:34:10,680 --> 00:34:13,560
Speaker 1: I definitely got to see it in Imax because I

754
00:34:13,600 --> 00:34:16,279
Speaker 1: didn't realize how big this movie was going to look

755
00:34:16,360 --> 00:34:19,480
Speaker 1: on a fifteen million dollar budget, and the fact that

756
00:34:19,520 --> 00:34:22,360
Speaker 1: it left me wanting more. That is the biggest factor

757
00:34:22,400 --> 00:34:24,480
Speaker 1: in my rating. When I went to go see the

758
00:34:24,480 --> 00:34:26,399
Speaker 1: two other movies I've given a five out of five.

759
00:34:26,520 --> 00:34:30,400
Speaker 1: Oppenheimer was one. At three hours. I loved it completely.

760
00:34:30,440 --> 00:34:32,440
Speaker 1: I still stand by that five out of five, but

761
00:34:32,520 --> 00:34:35,080
Speaker 1: I was good after that. Same with Barbie. I love

762
00:34:35,160 --> 00:34:37,520
Speaker 1: that entire movie, but after it was over, I was

763
00:34:37,560 --> 00:34:39,399
Speaker 1: good on it. I don't even need a sequel there.

764
00:34:39,600 --> 00:34:41,840
Speaker 1: On Oppenheimer, obviously you will do that, but on Barbie,

765
00:34:41,880 --> 00:34:44,479
Speaker 1: I don't need a sequel for God's Silla minus one.

766
00:34:45,080 --> 00:34:47,440
Speaker 1: I could have been in that theater for another hour

767
00:34:47,560 --> 00:34:49,520
Speaker 1: because it was so great, and I want to see

768
00:34:49,520 --> 00:34:52,399
Speaker 1: a sequel to this story. So I don't normally hand

769
00:34:52,440 --> 00:34:54,600
Speaker 1: these out This is only my third of the year,

770
00:34:55,200 --> 00:34:58,080
Speaker 1: maybe fifth or sixth in the entire time I've been

771
00:34:58,120 --> 00:35:01,640
Speaker 1: doing this podcast. But for god Godzilla minus one, I

772
00:35:01,719 --> 00:35:06,920
Speaker 1: give it five out of five Godzilla Roars. Give it

773
00:35:06,960 --> 00:35:09,600
Speaker 1: five out of five roars. You gotta go see it.

774
00:35:10,160 --> 00:35:12,319
Speaker 1: And I don't even say that often when I close

775
00:35:12,400 --> 00:35:14,440
Speaker 1: a review, because do what you want to do with

776
00:35:14,520 --> 00:35:16,920
Speaker 1: your money. I just tell you how I feel about movies.

777
00:35:17,040 --> 00:35:20,360
Speaker 1: But I honestly feel this is a movie everybody needs

778
00:35:20,400 --> 00:35:23,200
Speaker 1: to see an experience, and even though it is a

779
00:35:23,239 --> 00:35:27,120
Speaker 1: part of a legacy franchise, it still doesn't feel to

780
00:35:27,160 --> 00:35:29,960
Speaker 1: me like that same category of everything being a remake

781
00:35:30,120 --> 00:35:32,799
Speaker 1: in a reboot, because it's such a fresh take. So

782
00:35:32,840 --> 00:35:35,600
Speaker 1: do yourself a favor. Check out Godzilla minus one.

783
00:35:45,440 --> 00:35:49,440
Speaker 3: It's time to head down to movie Mike trailer pauls.

784
00:35:50,080 --> 00:35:52,400
Speaker 1: It is rare that I watched a trailer and just

785
00:35:52,480 --> 00:35:55,400
Speaker 1: drool over it. But the new Mad Max trailer is

786
00:35:55,440 --> 00:35:57,719
Speaker 1: a prequel, and I'm not the biggest fan of prequels.

787
00:35:57,760 --> 00:36:00,280
Speaker 1: It has me drooling, and I don't even consider myself

788
00:36:00,320 --> 00:36:03,200
Speaker 1: a huge fan of the franchise. I didn't really love

789
00:36:03,239 --> 00:36:05,480
Speaker 1: the original one back in the seventies or all the

790
00:36:05,560 --> 00:36:09,040
Speaker 1: sequels from the eighties, but when Mad Max Fury Road

791
00:36:09,120 --> 00:36:12,920
Speaker 1: came out, it changed my entire perspective on the franchise,

792
00:36:13,120 --> 00:36:16,799
Speaker 1: which a least their own Tom Hardy. Their performances in

793
00:36:16,840 --> 00:36:20,360
Speaker 1: that movie match with the visuals and all the awesome vehicles.

794
00:36:20,800 --> 00:36:24,520
Speaker 1: That movie was an unexpected hit for me, And honestly,

795
00:36:24,600 --> 00:36:26,520
Speaker 1: I didn't even know this movie was coming. I knew

796
00:36:26,520 --> 00:36:28,040
Speaker 1: they had some things in the works, but I thought

797
00:36:28,040 --> 00:36:30,520
Speaker 1: we would have a sequel to that movie before we

798
00:36:30,560 --> 00:36:34,120
Speaker 1: got the prequels. So I'm not the biggest fan of prequels.

799
00:36:34,120 --> 00:36:36,560
Speaker 1: I told you guys when talking about Hunger Games The

800
00:36:36,600 --> 00:36:38,960
Speaker 1: Ballad of Songbirds and Snakes, because I always feel like

801
00:36:39,040 --> 00:36:41,640
Speaker 1: we do a deep dive into a character and focus

802
00:36:41,680 --> 00:36:44,279
Speaker 1: on such a minute part of the entire story that

803
00:36:44,320 --> 00:36:46,520
Speaker 1: I often feel like prequels are always just a bit

804
00:36:46,560 --> 00:36:49,000
Speaker 1: of a cash grab. But this movie is called Fury Yosa.

805
00:36:49,040 --> 00:36:51,960
Speaker 1: It's part of the Mad Max saga. It's a standalone film.

806
00:36:52,120 --> 00:36:54,719
Speaker 1: The movie stars Anya Taylor Joy, who you may know

807
00:36:54,800 --> 00:36:57,319
Speaker 1: from The Queen's Gambit. She is really crushing it right

808
00:36:57,360 --> 00:36:59,880
Speaker 1: now as a new actress. I loved her in the Menu,

809
00:37:00,120 --> 00:37:03,160
Speaker 1: playing the character that Charlie starone played in Fury Road,

810
00:37:03,480 --> 00:37:06,440
Speaker 1: except the younger version. It's kind of her origin story.

811
00:37:06,719 --> 00:37:09,719
Speaker 1: You also have Chris Hemsworth, who is store but has

812
00:37:09,760 --> 00:37:13,040
Speaker 1: really been looking for where he's gonna go post MCU,

813
00:37:13,200 --> 00:37:15,200
Speaker 1: and I think this could be a great fit for him.

814
00:37:15,520 --> 00:37:18,240
Speaker 1: The movie is coming out next year on May twenty fourth.

815
00:37:18,480 --> 00:37:22,040
Speaker 1: The official description says it's about a young Furiosa. She

816
00:37:22,239 --> 00:37:24,759
Speaker 1: is snatched from the green Place of many mothers and

817
00:37:24,800 --> 00:37:26,960
Speaker 1: into the hands of a biker horde led by the

818
00:37:27,000 --> 00:37:31,479
Speaker 1: warlord Dementius. Essentially her trying to get back home through

819
00:37:31,480 --> 00:37:35,000
Speaker 1: the wasteland. So a similar concept to all the other

820
00:37:35,120 --> 00:37:38,359
Speaker 1: Mad Max movies. It's essentially one big epic road trip.

821
00:37:38,440 --> 00:37:40,879
Speaker 1: So before I get into Morrow, what I think about Furiosa.

822
00:37:41,040 --> 00:37:43,360
Speaker 1: Here is just a little bit of the trailer. Whatever

823
00:37:43,400 --> 00:37:46,200
Speaker 1: you have to do, however long it takes, Promise me

824
00:37:46,400 --> 00:37:52,400
Speaker 1: you'll find your way home. Fury yourselves. Give me this promise?

825
00:37:52,840 --> 00:38:01,759
Speaker 1: Why stop origenis hi there up the darkest of the joy?

826
00:38:02,760 --> 00:38:03,680
Speaker 4: Did you have it in you?

827
00:38:03,719 --> 00:38:04,800
Speaker 2: And I might get epic?

828
00:38:07,480 --> 00:38:11,400
Speaker 1: So I honestly did not know that this movie was coming,

829
00:38:11,560 --> 00:38:15,880
Speaker 1: therefore making this a delight and a treat. I honestly

830
00:38:16,040 --> 00:38:19,840
Speaker 1: thought we would get a sequel to Fury Road before

831
00:38:19,880 --> 00:38:23,080
Speaker 1: we had a movie like this a prequel. But after

832
00:38:23,160 --> 00:38:27,480
Speaker 1: diving into this trailer, I am really excited for this movie.

833
00:38:27,560 --> 00:38:31,320
Speaker 1: It looks a lot more cinematic than Fury Road, almost

834
00:38:31,320 --> 00:38:33,960
Speaker 1: to the point where it looks too cinematic. It almost

835
00:38:34,000 --> 00:38:37,120
Speaker 1: looks like a video game brought to life. And watching

836
00:38:37,200 --> 00:38:40,080
Speaker 1: it on my laptop and on my phone, it looks

837
00:38:40,120 --> 00:38:42,239
Speaker 1: a little bit weird, I gotta say, but I think

838
00:38:42,280 --> 00:38:44,279
Speaker 1: that that is going to demand a big screen. It

839
00:38:44,320 --> 00:38:47,360
Speaker 1: looks so perfect. Probably if you go watch this movie

840
00:38:47,360 --> 00:38:50,960
Speaker 1: in imax, it just has such a large landscape in

841
00:38:51,000 --> 00:38:53,799
Speaker 1: the Mad Max world that this is a movie that

842
00:38:53,880 --> 00:38:56,120
Speaker 1: needs to be made right now to give people like

843
00:38:56,160 --> 00:38:58,480
Speaker 1: you and I have reason to go in theaters to

844
00:38:58,520 --> 00:39:00,759
Speaker 1: experience a movie like this. Because of the visuals and

845
00:39:00,800 --> 00:39:04,279
Speaker 1: because of the soundtrack, it looks very glossy, So I

846
00:39:04,360 --> 00:39:06,760
Speaker 1: really think they stepped it up from Mad Max Fury

847
00:39:06,840 --> 00:39:09,840
Speaker 1: Road until now. And this movie is directed by the

848
00:39:09,880 --> 00:39:12,399
Speaker 1: same director, George Miller, who has done them all since

849
00:39:12,440 --> 00:39:15,160
Speaker 1: the nineteen seventies, So making this a part of the

850
00:39:15,239 --> 00:39:17,640
Speaker 1: saga looks like a part of a plan to create

851
00:39:17,640 --> 00:39:20,840
Speaker 1: this entire Mad Max universe, which I don't know that

852
00:39:20,880 --> 00:39:23,799
Speaker 1: there's the biggest fandom for these type of movies, but

853
00:39:23,840 --> 00:39:26,440
Speaker 1: when you go watch them, you can deny how entertaining

854
00:39:26,480 --> 00:39:28,920
Speaker 1: they are. What I really love about this is I

855
00:39:28,960 --> 00:39:31,239
Speaker 1: already knew Anya Taylor Droy is a great actress, and

856
00:39:31,280 --> 00:39:33,400
Speaker 1: I'm excited to see how she does in a big,

857
00:39:33,480 --> 00:39:36,719
Speaker 1: epic action movie like this, and from the shots of

858
00:39:36,760 --> 00:39:40,520
Speaker 1: her covered in dirt or riding underneath one of these vehicles,

859
00:39:40,600 --> 00:39:43,440
Speaker 1: it looks amazing. I have to say the person I'm

860
00:39:43,480 --> 00:39:45,799
Speaker 1: most interested in to see how this plays into the

861
00:39:45,800 --> 00:39:48,360
Speaker 1: trajectory of his career is Chris Hemsworth, who I was

862
00:39:48,400 --> 00:39:51,680
Speaker 1: just saying is probably gonna someday regret playing Thor because

863
00:39:51,719 --> 00:39:54,640
Speaker 1: he's going to continue to be typecasts that big muscly

864
00:39:54,800 --> 00:39:57,600
Speaker 1: dude really only known for doing one thing. But I

865
00:39:57,600 --> 00:40:00,040
Speaker 1: feel like in this role he has found one that

866
00:40:00,360 --> 00:40:03,040
Speaker 1: he looks the part but is also able to show

867
00:40:03,080 --> 00:40:05,680
Speaker 1: a different side of his acting skills, playing a very

868
00:40:05,760 --> 00:40:08,920
Speaker 1: quirky character through the use of costume, his hair, but

869
00:40:08,960 --> 00:40:11,360
Speaker 1: most importantly his makeup and the work on his nose,

870
00:40:11,440 --> 00:40:14,680
Speaker 1: he looks unrecognizable that until I was one hundred percent

871
00:40:14,760 --> 00:40:17,120
Speaker 1: sure that it was him in this movie. After he

872
00:40:17,200 --> 00:40:20,200
Speaker 1: shared the trailer on Instagram, I could have been convinced

873
00:40:20,200 --> 00:40:22,879
Speaker 1: that was somebody else. So I think this definitely will

874
00:40:22,920 --> 00:40:25,840
Speaker 1: be his best role he has taken post MCU. So

875
00:40:25,920 --> 00:40:28,319
Speaker 1: I will encourage you if you've not seen Mad Max

876
00:40:28,360 --> 00:40:30,759
Speaker 1: Fury Road, which came out back in twenty fifteen, to

877
00:40:30,840 --> 00:40:33,799
Speaker 1: go check out that movie, because probably, like you, if

878
00:40:33,800 --> 00:40:35,880
Speaker 1: you haven't seen it by now, you probably haven't had

879
00:40:35,880 --> 00:40:38,000
Speaker 1: a whole lot of interest in this franchise, which I

880
00:40:38,040 --> 00:40:40,600
Speaker 1: didn't at the time it came out. But that movie

881
00:40:40,640 --> 00:40:43,840
Speaker 1: is so fun and cinematic and was so unexpected for

882
00:40:43,920 --> 00:40:46,480
Speaker 1: me to be a hit not only among just the

883
00:40:46,560 --> 00:40:50,839
Speaker 1: general movie going audience, but also critically acclaimed with Oscar nominations,

884
00:40:50,880 --> 00:40:54,040
Speaker 1: which is a very rare thing to happen for a

885
00:40:54,120 --> 00:40:57,279
Speaker 1: movie like that. So the only concern I have with

886
00:40:57,320 --> 00:40:59,920
Speaker 1: the prequel is it's going to be hard to replicate

887
00:41:00,120 --> 00:41:03,319
Speaker 1: that same kind of praise, because I do think a

888
00:41:03,400 --> 00:41:05,560
Speaker 1: big part of that was the leads in that movie.

889
00:41:05,640 --> 00:41:08,840
Speaker 1: Charlie the Roan and Tom Hardy together just on paper,

890
00:41:08,960 --> 00:41:12,040
Speaker 1: is a much stronger duo than Anya Taylor Joy and

891
00:41:12,120 --> 00:41:14,759
Speaker 1: Chris Hemsworth. So it does look like this prequel is

892
00:41:14,760 --> 00:41:16,279
Speaker 1: going to lean in a little bit more to the

893
00:41:16,400 --> 00:41:20,239
Speaker 1: quirkiness and play up the visuals a lot more. So

894
00:41:20,920 --> 00:41:23,600
Speaker 1: will it be as Oscar worthy? I don't think so.

895
00:41:23,719 --> 00:41:25,680
Speaker 1: But this movie looks a lot more fun to me

896
00:41:25,920 --> 00:41:28,200
Speaker 1: just based on this trailer. So I'm hoping that the

897
00:41:28,239 --> 00:41:30,880
Speaker 1: intention of this movie is to play towards the fans

898
00:41:30,880 --> 00:41:33,080
Speaker 1: of Fury Road more so than the critics. So I

899
00:41:33,080 --> 00:41:35,480
Speaker 1: think if they're able to execute that, there's much more

900
00:41:35,480 --> 00:41:37,560
Speaker 1: of a success straight as far as building a fan

901
00:41:37,600 --> 00:41:40,240
Speaker 1: base and making all of these chapters in this saga

902
00:41:40,280 --> 00:41:42,360
Speaker 1: working out in the long run. Again, this movie is

903
00:41:42,400 --> 00:41:44,839
Speaker 1: coming out on May twenty fourth, and twenty twenty four

904
00:41:44,920 --> 00:41:46,960
Speaker 1: is already shaping up to look like a really great

905
00:41:47,080 --> 00:41:48,120
Speaker 1: year in film.

906
00:41:48,719 --> 00:41:48,959
Speaker 4: Said.

907
00:41:49,040 --> 00:41:53,000
Speaker 2: That was this week's edition of movie Line Tramer.

908
00:41:52,719 --> 00:41:55,200
Speaker 1: Bar and that's gonna do it for another episode here

909
00:41:55,239 --> 00:41:57,319
Speaker 1: of the podcast. But before I go, I gotta give

910
00:41:57,360 --> 00:42:00,000
Speaker 1: my listeners shout out of the week for this week.

911
00:42:00,120 --> 00:42:02,560
Speaker 1: I'm going over to Instagram and a couple people who

912
00:42:02,600 --> 00:42:05,440
Speaker 1: tag me in their story, so it's a double listener

913
00:42:05,520 --> 00:42:08,600
Speaker 1: shout out. So this was the week that all of

914
00:42:08,600 --> 00:42:11,240
Speaker 1: the stats came out with all of the music and podcast,

915
00:42:11,320 --> 00:42:13,600
Speaker 1: everybody listened to the most. So my shout outs go

916
00:42:13,640 --> 00:42:16,520
Speaker 1: to Taylor Lewis and Keegan O'Donnell, who I was in

917
00:42:16,560 --> 00:42:19,239
Speaker 1: both of their top five most listen to podcasts for

918
00:42:19,280 --> 00:42:21,799
Speaker 1: twenty twenty three. Thank you for listening. Thank you for

919
00:42:21,880 --> 00:42:24,840
Speaker 1: tagging me in your Instagram story. If I've made anybody

920
00:42:24,840 --> 00:42:28,160
Speaker 1: else's top five, I'm looking for a number one here.

921
00:42:28,200 --> 00:42:30,400
Speaker 1: So if I made your number one most listen to

922
00:42:30,480 --> 00:42:34,160
Speaker 1: podcasts of the year and you have Instagram, share that

923
00:42:34,280 --> 00:42:35,920
Speaker 1: and tag me in it, and I will give you

924
00:42:35,960 --> 00:42:38,399
Speaker 1: next week's listener shout out. But this week it goes

925
00:42:38,400 --> 00:42:41,400
Speaker 1: out to Keegan O'Donnell and Taylor Lewis. Thank you guys

926
00:42:41,400 --> 00:42:43,799
Speaker 1: for listening. Also, thank you to the movie crew and

927
00:42:43,840 --> 00:42:46,640
Speaker 1: you listening right now for listening every single week. We

928
00:42:46,719 --> 00:42:49,000
Speaker 1: are in the best time of movies right now. We

929
00:42:49,080 --> 00:42:52,160
Speaker 1: have Oscar season coming up right around the corner, and

930
00:42:52,239 --> 00:42:53,800
Speaker 1: then we get into the start of the year and

931
00:42:53,840 --> 00:42:55,839
Speaker 1: I start looking forward to all the movies coming out

932
00:42:55,840 --> 00:42:57,759
Speaker 1: in twenty twenty four. So now is a really great

933
00:42:57,840 --> 00:43:00,279
Speaker 1: time to be subscribed and listening to the podcast. So

934
00:43:00,320 --> 00:43:02,239
Speaker 1: thank you, have a great rest of your week, and

935
00:43:02,320 --> 00:43:04,960
Speaker 1: until next time, go out and watch good movies, and

936
00:43:05,000 --> 00:43:06,960
Speaker 1: I will talk to you later.