WEBVTT - Rory & Mal Don't Know Ball | Elle Duncan

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<v Speaker 1>The volume.

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<v Speaker 2>All right, Rory back for another episode of Don't Know Ball,

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<v Speaker 2>because we absolutely do not know ball.

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<v Speaker 3>Maybe maybe a little bit. Maybe.

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<v Speaker 2>Look, this is why this is why we have this show,

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<v Speaker 2>so we can bring in some of our friends and that.

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<v Speaker 3>Do know ball and they can help us out.

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<v Speaker 2>Today we are joined by someone who is very knowledgeable,

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<v Speaker 2>more knowledgeable than you and I both Comebin Yes, combined,

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<v Speaker 2>even with Google, right, even with our smartphones in our hands,

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<v Speaker 2>she knows more about ball than we do. ESPN host

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<v Speaker 2>anchor women's college basketball sideline reporter analyst. I mean, if

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<v Speaker 2>it's women's basketball, she's there. Welcome Elle duncan lle thank

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<v Speaker 2>you for joining us.

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<v Speaker 4>Clap studio audience.

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<v Speaker 3>You can't hit it.

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<v Speaker 1>By the way, you guys are doing it wrong. If

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<v Speaker 1>you're still googling, just pull up chat GPT.

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<v Speaker 4>Yeah, yeah, we get in this entire series, just like.

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<v Speaker 3>We can pull up chat chat GYT tell.

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<v Speaker 2>Us things we don't want to know about about basketball.

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<v Speaker 2>But you how are you doing?

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<v Speaker 1>I'm doing good, man. I'm a little bit tired. We

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<v Speaker 1>had the draft this week and I'm like in my

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<v Speaker 1>forties now, so I need like three or four days

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<v Speaker 1>to recover from one long night.

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<v Speaker 3>Is draft like this draft week like hell week for you?

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<v Speaker 1>Not really, because I was coming off like it's a

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<v Speaker 1>quick turnaround. I do college women's basketball. So we were

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<v Speaker 1>at the Final Four and then you know, five days later,

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<v Speaker 1>we're at the WNBA Draft because I also covered the

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<v Speaker 1>w NBA. So it's just like a it's like a

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<v Speaker 1>really long two months, but then I get a bit

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<v Speaker 1>of a break before the actual season starts.

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<v Speaker 2>I saw during the Final Four and everything, well the

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<v Speaker 2>lead up to the Final Four and women's college basketball,

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<v Speaker 2>I saw that you you had South Carolina when it

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<v Speaker 2>all you said that they had to be get the thrones.

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<v Speaker 3>I didn't know why. I mean, I get it.

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<v Speaker 2>I understand what coach Staley has been able to do,

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<v Speaker 2>and South Carolina is amazing, but coach orim I mean,

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<v Speaker 2>I mean Yukon, It's just like, how how do you

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<v Speaker 2>go against that?

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<v Speaker 1>Well, here's the thing, okay, mile, is that I've filled

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<v Speaker 1>out my bracket and then Yukon just decided to start

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<v Speaker 1>playing like Yukon in the tournament and I couldn't go

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<v Speaker 1>back from there. The reason I'm sort of like, in

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<v Speaker 1>the same way with football, it's like you always choose

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<v Speaker 1>the Chiefs until someone beats them. Now, the Eagles beat them,

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<v Speaker 1>so now we won't just assume that the Chiefs are

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<v Speaker 1>going to win again. But Don literally won a championship

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<v Speaker 1>after losing seventy percent of her offense. She lost all

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<v Speaker 1>of her starters and reloaded and won a championship and

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<v Speaker 1>went undefeated in the process. So I gave them the

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<v Speaker 1>benefit of the doubt. But there was not a single

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<v Speaker 1>team on this planet, maybe not even the Lakers, that

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<v Speaker 1>we're going to beat that Yukon team the way they

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<v Speaker 1>were playing period.

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<v Speaker 2>How important is it with coach Staley, the culture that

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<v Speaker 2>she's building in South Carolina? How important is that program

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<v Speaker 2>for women's college basketball.

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<v Speaker 1>What's funny is that Gino and Don have very similar

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<v Speaker 1>programs in terms of, like in this new nil world

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<v Speaker 1>where there's so much player empowerment, right, Like they can lead,

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<v Speaker 1>they can go. Do they come for money? They leave

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<v Speaker 1>for more money if you go to Yukon in South Carolina,

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<v Speaker 1>Like they're not really paying that much money. It's not

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<v Speaker 1>that they can't, it's that they're just sort of like, listen,

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<v Speaker 1>do you want to contend for national championship? Do you

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<v Speaker 1>want to be in the W and if you do

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<v Speaker 1>these two programs give you the best opportunity to do

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<v Speaker 1>both of those things. So it's really interesting because Dawn,

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<v Speaker 1>I mean, her leading scores came off the bench. Like

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<v Speaker 1>it's tough to convince young women who are becoming famous,

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<v Speaker 1>who are getting you know, nods from Steph Curry, who

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<v Speaker 1>are getting a ton of money and brand of marketing deals,

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<v Speaker 1>that they still need to come off the bench because

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<v Speaker 1>it's what's best for the program, because it's what's best

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<v Speaker 1>for the team. But I think talking to her team,

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<v Speaker 1>the reason that they do that is because specifically with

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<v Speaker 1>Down because she has literally walked that path, you know,

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<v Speaker 1>like she is a champion at it right, Like she's

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<v Speaker 1>she was a champion player. She didn't win in college,

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<v Speaker 1>but she was a National Player of the year, then

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<v Speaker 1>went onto the pros. She then went on and was

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<v Speaker 1>a Hall of Fame coach. She's won the Olympic gold medals. Like,

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<v Speaker 1>so they really see her as like a t t so,

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<v Speaker 1>you know, like a proud auntie and she really she

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<v Speaker 1>calls herself a dream merchant, but that's because she tries

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<v Speaker 1>to prepare them for more than just basketball. So they

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<v Speaker 1>just have such a respect for her she speaks their language,

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<v Speaker 1>she meets them where they're at, and I think that's

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<v Speaker 1>why they buy in. But the culture is why she's

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<v Speaker 1>so consistently in the conversation, even with a team that

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<v Speaker 1>did not have a Bona five super Starly this is

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<v Speaker 1>the first time don tried to win a national championship

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<v Speaker 1>without a Lotto pick. She won her first one with

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<v Speaker 1>Asia Wilson, the Asia Wilson right. She won her second

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<v Speaker 1>one with Leah Boston. She won her third one with

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<v Speaker 1>Kamilla Cardoso. They didn't have that this year, and they

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<v Speaker 1>still made the national championship.

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<v Speaker 2>Right now, over the years, I've been a fan of

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<v Speaker 2>women's basketball for years, watching Sue Bird here in New

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<v Speaker 2>York High School, Shamikah holes Claw, and a few other players.

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<v Speaker 3>The recent s of women's players.

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<v Speaker 2>What is happening though, because it's a different thing that's

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<v Speaker 2>happening now with women's Like they just a couple of

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<v Speaker 2>years ago to have a higher rated national championship game

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<v Speaker 2>than the men's championship game, which was when.

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<v Speaker 3>I found out that was crazy to mean, it's.

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<v Speaker 2>Play better tournament, And yeah, it seems like it's more

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<v Speaker 2>exciting to watch women's college basketball now.

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<v Speaker 3>Than ever before, Like, what is the cause of that?

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<v Speaker 1>Well, I think part of it is because in the

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<v Speaker 1>men's side, the really big players, the big names, they're

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<v Speaker 1>one and done, like they bounce right Cooper Flag's done,

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<v Speaker 1>he's out, Zion like all these big name sort of

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<v Speaker 1>superstars they leave. In the women's game, you have to

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<v Speaker 1>be twenty two years old the year of the draft

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<v Speaker 1>to lead, which means that in most cases we're getting

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<v Speaker 1>them for four years because of COVID. In some cases,

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<v Speaker 1>like with Paige Beckers, we're getting them for five years.

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<v Speaker 1>So I think you just you just get to know

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<v Speaker 1>them more, you root for them more. Like you. They

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<v Speaker 1>become household names, and IL has helped, Like they've got

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<v Speaker 1>incredible brand of marketing deals, they're better on social media,

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<v Speaker 1>so they're social media stars on top of what they're

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<v Speaker 1>doing on the court. And then I just think like

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<v Speaker 1>in general, the game has gotten better. We talked to

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<v Speaker 1>Geno about this. I asked him this last year, like,

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<v Speaker 1>what do you think it is, because he's, you know,

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<v Speaker 1>a legacy, he's an og and he was like, honestly,

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<v Speaker 1>I also think there's an appreciation for people meeting the

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<v Speaker 1>women where they're at, and he used the example of

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<v Speaker 1>Diana Tarasi like he was like when de was coming

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<v Speaker 1>through Yukon, everybody's comp was always right, like, she's like Kobe.

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<v Speaker 1>She's like a female Kobe. Of course that's why she's

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<v Speaker 1>the white mom. But he was like, now the comps

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<v Speaker 1>are she's like an Asia Wilson. She's like a Brianna Stewart, right,

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<v Speaker 1>And so they appreciate women's game for what it is,

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<v Speaker 1>as opposed to saying, well, I'd be more interested if

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<v Speaker 1>they dunked, or I'd be more interested if they did this.

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<v Speaker 1>I think there's just an appreciation for how they play more.

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<v Speaker 1>But I really do think it comes down to the

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<v Speaker 1>fact that you just watch them longer, like you watch

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<v Speaker 1>them for years. With Paige Becker's like you saw her journey.

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<v Speaker 1>You know how hard it was for her to win

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<v Speaker 1>that national championship. You were root for her. And in

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<v Speaker 1>the men's side, they just they bounced. I mean, most

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<v Speaker 1>of these big name superstars, we don't even remember where

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<v Speaker 1>they went to college because they were only there for

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<v Speaker 1>a calendar year.

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<v Speaker 3>I don't.

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<v Speaker 2>I was talking to somebody a few weeks ago, I said,

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<v Speaker 2>I don't.

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<v Speaker 3>I don't even can't name the.

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<v Speaker 2>Top five picks of the NBA Draft, Like, I really can't.

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<v Speaker 3>I can't. I can't name the top five picks.

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<v Speaker 2>And that's probably the first time in years that I

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<v Speaker 2>could actually say I cannot name the top five picks

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<v Speaker 2>in the NBA Draft.

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<v Speaker 1>I'm with you, I can name Cooper Flag. But you know,

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<v Speaker 1>I'm all like I always joke whenever someone's like, and

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<v Speaker 1>who's your pick on the men's side, I'm like, men

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<v Speaker 1>play basketball.

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<v Speaker 2>I don't know how long How long do you think

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<v Speaker 2>before or do you ever think that they will try

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<v Speaker 2>that with men's basketball, where they would actually, you know,

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<v Speaker 2>have the players stay not and not do one and done.

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<v Speaker 3>Do you think that will ever happen?

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<v Speaker 2>Because I mean, this is a business, and if they

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<v Speaker 2>start to see the ratings and viewership slip more than

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<v Speaker 2>it already has, I can see them getting to a

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<v Speaker 2>point where they're like, we have to do something to

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<v Speaker 2>keep these players at these universities for more than a year.

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<v Speaker 1>Yeah, I mean I actually think even though existentially, like

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<v Speaker 1>for me, you know this big boogeyman of nil that

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<v Speaker 1>everybody always bitches and complains about, Like, I get it.

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<v Speaker 1>If you are a program, if you're a coach.

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<v Speaker 4>It's tough.

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<v Speaker 1>It is tough because like as soon as someone says

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<v Speaker 1>something you don't like or plays you in a way

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<v Speaker 1>you don't like, they can bounce. And I understand that

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<v Speaker 1>there's a lot they didn't regulate it at all, or

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<v Speaker 1>they regulated it too much and then it turned into

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<v Speaker 1>the wild wild West. As a fan, I think it's great.

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<v Speaker 1>Like I love the fact it's so much drama. Right,

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<v Speaker 1>We've never had like a real off season in college sports,

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<v Speaker 1>so the idea that you know, the kid in Tennessee

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<v Speaker 1>is like, I'll want more money and they're like, we'll

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<v Speaker 1>call your bluff. You can fuck off. Like, I think

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<v Speaker 1>it's exciting.

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<v Speaker 5>Yeah.

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<v Speaker 1>I also think NIL helps with some players because they

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<v Speaker 1>don't they don't want to leave right, Like they know

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<v Speaker 1>that if they're going to be a late first round pick,

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<v Speaker 1>they could probably make. Look at Drew Timmy that you

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<v Speaker 1>just felt like twenty five years in college basketball, but

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<v Speaker 1>it's because he knew there was a lot more opportunity

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<v Speaker 1>for him staying in college. So I think that is

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<v Speaker 1>going to help some of these dudes that you know

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<v Speaker 1>are maybe fringe like lotto picks, decide to stay another

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<v Speaker 1>year or take their talent somewhere else and get more money.

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<v Speaker 1>But I mean they've tried it now, right, Like I remember,

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<v Speaker 1>you know when it was you could come straight from

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<v Speaker 1>high school, and then they regulated that because they felt

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<v Speaker 1>like it was making college irrelevant. And then they went

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<v Speaker 1>into the one and done and now we're back to

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<v Speaker 1>the it's making college irrelevant. But ultimately, it's just really

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<v Speaker 1>hard to tell these players who are coming out for

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<v Speaker 1>the most part, the top players are coming out somewhat

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<v Speaker 1>pro ready. It's hard to tell them, like to force

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<v Speaker 1>them to stay in college when they know they can

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<v Speaker 1>make so much bank in the NBA. So I don't

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<v Speaker 1>know that there's a regulation that's coming. Adam Silver's talked

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<v Speaker 1>about that, the NCAA's talked about that, and ultimately it's

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<v Speaker 1>really up to the if they think they've got to

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<v Speaker 1>flat on their hands. No, they got one year, it's

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<v Speaker 1>like make it or break it is.

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<v Speaker 3>This is it now. I'm not mad at the NIO.

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<v Speaker 2>I think that, you know, we should be paying these

0:09:59.440 --> 0:10:01.520
<v Speaker 2>collegiate as athletes, especially with all of the money that

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<v Speaker 2>they bring these universities. I absolutely hate the transfer portal though,

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<v Speaker 2>I think that is a problem. Like I one, I

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<v Speaker 2>don't understand it and to us like why do we

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<v Speaker 2>have that?

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<v Speaker 3>Like you know what I mean, like, why what do

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<v Speaker 3>you dis.

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<v Speaker 4>Like about it?

0:10:15.960 --> 0:10:18.439
<v Speaker 2>Because I think that it's It's almost like if I

0:10:18.800 --> 0:10:22.560
<v Speaker 2>go to university, I commit to a university and I

0:10:22.640 --> 0:10:24.920
<v Speaker 2>get there and say I'm not playing well, I don't

0:10:24.960 --> 0:10:27.200
<v Speaker 2>like the coach as somebody that you know has a

0:10:27.200 --> 0:10:29.920
<v Speaker 2>scholarship or doesn't have a walk on places out plays me.

0:10:30.440 --> 0:10:32.160
<v Speaker 2>He has more playing time than me. Now I can

0:10:32.200 --> 0:10:35.360
<v Speaker 2>just decide that, oh, I'm going to transfer. I just

0:10:35.360 --> 0:10:37.200
<v Speaker 2>don't agree with that. I just think that that's I

0:10:37.240 --> 0:10:40.000
<v Speaker 2>think that has the potential to kill college.

0:10:40.040 --> 0:10:42.360
<v Speaker 6>Not that there was a transfer portal, say when Cam

0:10:42.400 --> 0:10:44.240
<v Speaker 6>Newton was there, but we could have got a better

0:10:44.320 --> 0:10:47.160
<v Speaker 6>Cam Newton if he could have left Florida immediately and

0:10:47.200 --> 0:10:50.120
<v Speaker 6>went to Auburn rather than like one and a half years,

0:10:50.120 --> 0:10:53.040
<v Speaker 6>Like he could have really had four years of greatness

0:10:53.440 --> 0:10:55.840
<v Speaker 6>instead of just sitting behind Tim Tebow stealing laptops.

0:10:56.080 --> 0:10:58.120
<v Speaker 3>Yeah, but I don't know. I just I just think

0:10:58.160 --> 0:10:58.480
<v Speaker 3>that it.

0:10:58.559 --> 0:11:02.880
<v Speaker 2>Just gives players, I want to say, like an out,

0:11:03.000 --> 0:11:05.520
<v Speaker 2>like the first thing that they don't like. The coach

0:11:05.600 --> 0:11:08.160
<v Speaker 2>does this says that doesn't like the offense, I'm out

0:11:08.200 --> 0:11:10.640
<v Speaker 2>of here. I'm transferring. It's like I just don't agree

0:11:10.679 --> 0:11:13.160
<v Speaker 2>with the transporter. I think that that's like you.

0:11:13.120 --> 0:11:14.720
<v Speaker 3>Should have to sit out a full year.

0:11:15.240 --> 0:11:17.880
<v Speaker 1>I believe, yeah, like how it used to be. I mean,

0:11:18.120 --> 0:11:19.680
<v Speaker 1>here's what I would say to you about that, because

0:11:19.679 --> 0:11:21.080
<v Speaker 1>I hear that a lot. And like I said, if

0:11:21.080 --> 0:11:23.080
<v Speaker 1>you're a coach, I get it. The transfer portal has

0:11:23.480 --> 0:11:25.439
<v Speaker 1>retired some coaches. They're like, I want to deal with it,

0:11:25.679 --> 0:11:28.720
<v Speaker 1>this is it's a new breed of player and whatnot.

0:11:28.880 --> 0:11:31.720
<v Speaker 1>But I would also say that like you can apply

0:11:31.800 --> 0:11:34.600
<v Speaker 1>that to literally anything in life, like even go to

0:11:34.640 --> 0:11:37.320
<v Speaker 1>the pros, like their player impoundment now is just saying okay,

0:11:37.360 --> 0:11:39.440
<v Speaker 1>I'll set out I just won't participate until you give

0:11:39.480 --> 0:11:40.679
<v Speaker 1>me more money, until you trade me.

0:11:41.120 --> 0:11:43.720
<v Speaker 2>That's true. But something some would say that that's ruining

0:11:43.840 --> 0:11:44.800
<v Speaker 2>the NBA as well.

0:11:44.600 --> 0:11:48.000
<v Speaker 1>Though, and that's fine. I think it comes down to

0:11:49.200 --> 0:11:51.160
<v Speaker 1>I don't want to say it comes down to character,

0:11:51.240 --> 0:11:53.080
<v Speaker 1>as if you have bad character, if you choose to

0:11:53.120 --> 0:11:56.679
<v Speaker 1>do it. I was raised that like when you start something,

0:11:56.720 --> 0:11:59.440
<v Speaker 1>you finish it. You don't quit period. You finish something,

0:11:59.600 --> 0:12:00.800
<v Speaker 1>and then if if you don't want to do it

0:12:00.840 --> 0:12:02.240
<v Speaker 1>at the end of it. Again, you don't have to

0:12:02.240 --> 0:12:04.800
<v Speaker 1>sign back up, but that you don't quit things, and

0:12:04.840 --> 0:12:08.080
<v Speaker 1>so existentially, I will never be that person. That's just

0:12:08.160 --> 0:12:11.240
<v Speaker 1>who I am, and that's sort of like my moral base.

0:12:11.440 --> 0:12:13.200
<v Speaker 1>And I think there are plenty of players who feel

0:12:13.240 --> 0:12:15.679
<v Speaker 1>the same way, who say, Okay, I'm still going to

0:12:15.720 --> 0:12:17.760
<v Speaker 1>stay with this program because I made a commitment to

0:12:17.800 --> 0:12:19.839
<v Speaker 1>them and they made a commitment to me. I just

0:12:19.840 --> 0:12:23.000
<v Speaker 1>think people are motivated by different things. And you know, frankly,

0:12:23.240 --> 0:12:27.520
<v Speaker 1>like I said before, they this is on the conference.

0:12:27.520 --> 0:12:29.480
<v Speaker 1>This is on the conferences in the leagues. Because they

0:12:29.559 --> 0:12:33.520
<v Speaker 1>went so long with punishing people for having you know,

0:12:33.559 --> 0:12:36.640
<v Speaker 1>a McDonald's meal paid for by a booster could cost

0:12:36.640 --> 0:12:39.400
<v Speaker 1>you your eligibility. They went so long doing that crap

0:12:39.920 --> 0:12:43.440
<v Speaker 1>that then Congress had to get involved, and Congress didn't

0:12:43.440 --> 0:12:45.880
<v Speaker 1>know anything else sports, so they were like, cool, wheels

0:12:45.920 --> 0:12:49.160
<v Speaker 1>are off, go at. They completely deregulated everything when the

0:12:49.240 --> 0:12:52.679
<v Speaker 1>NCAA could have got ahead of this years ago, and

0:12:52.760 --> 0:12:55.520
<v Speaker 1>instead they waited and they waited and they waited and

0:12:55.520 --> 0:12:57.400
<v Speaker 1>they waited, and they put it in somebody else's hands

0:12:57.440 --> 0:13:00.240
<v Speaker 1>and now they're upset, but ultimately like this, this is

0:13:00.240 --> 0:13:02.960
<v Speaker 1>the new reality I'm with you. I mean, I think

0:13:03.040 --> 0:13:06.199
<v Speaker 1>it was something like on the first day of eligibility

0:13:06.240 --> 0:13:09.000
<v Speaker 1>there was like twelve hundred people in the transfer portal,

0:13:09.120 --> 0:13:14.080
<v Speaker 1>Like that's that's that's bano. So we also have to

0:13:14.080 --> 0:13:18.160
<v Speaker 1>stop looking at college as an amateur sport. It's not anymore.

0:13:18.360 --> 0:13:20.760
<v Speaker 1>It's a professional league at this point. I think they

0:13:20.800 --> 0:13:22.400
<v Speaker 1>need to make it that way. They need to have

0:13:22.440 --> 0:13:24.920
<v Speaker 1>a commissioner. They need to allow these people to have, like,

0:13:25.080 --> 0:13:27.040
<v Speaker 1>you know, the agents that they have, and treat it

0:13:27.120 --> 0:13:29.600
<v Speaker 1>as a professional league, because that's essentially where we.

0:13:29.559 --> 0:13:35.480
<v Speaker 6>Are in covering women's college basketball. You're there early for

0:13:35.480 --> 0:13:37.560
<v Speaker 6>shoot around, you're in the locker rooms, et cetera. How

0:13:37.600 --> 0:13:39.480
<v Speaker 6>bad is the music taste of these young people.

0:13:43.080 --> 0:13:45.439
<v Speaker 1>It's like, I feel like I'm in a constant TikTok video.

0:13:46.400 --> 0:13:47.000
<v Speaker 3>So hard.

0:13:48.040 --> 0:13:50.840
<v Speaker 4>You're in the tiktoka constantly.

0:13:51.000 --> 0:13:53.079
<v Speaker 1>It's just and then sometimes you'll realize you are in

0:13:53.120 --> 0:13:56.000
<v Speaker 1>a TikTok video. You know, you'll see him synchronizing and

0:13:56.040 --> 0:13:58.040
<v Speaker 1>doing the dance. I'm like, wow, we're here. It's not

0:13:58.640 --> 0:14:02.840
<v Speaker 1>It's not great. I mean, I like every kind of music,

0:14:02.880 --> 0:14:04.680
<v Speaker 1>Like music is very much my shit. I had a

0:14:04.720 --> 0:14:08.040
<v Speaker 1>musical background. I started in hip hop radio in Atlanta,

0:14:08.360 --> 0:14:10.480
<v Speaker 1>And if I wasn't doing sports, frankly, I would be

0:14:10.480 --> 0:14:13.720
<v Speaker 1>doing something in the music world, maybe music supervisor or something.

0:14:13.760 --> 0:14:16.840
<v Speaker 1>I love music, but I also feel like some of

0:14:16.840 --> 0:14:20.000
<v Speaker 1>the music needs to like make you feel something, and

0:14:20.040 --> 0:14:22.720
<v Speaker 1>like the mumble rap and the TikTok songs, I.

0:14:22.720 --> 0:14:24.520
<v Speaker 4>Don't see somebody's artists.

0:14:24.600 --> 0:14:26.640
<v Speaker 2>Somebody's artists need to get into transfer portal. That's what

0:14:27.600 --> 0:14:30.840
<v Speaker 2>transfer out of music. Transfer out of that music makes

0:14:30.880 --> 0:14:32.280
<v Speaker 2>you feel something, it makes you feel stupid.

0:14:32.360 --> 0:14:34.120
<v Speaker 3>Yeah, absolutely fair.

0:14:34.200 --> 0:14:36.360
<v Speaker 1>I will say the wildest shoot around I was ever

0:14:36.400 --> 0:14:38.760
<v Speaker 1>at though, cause like, for the most part, right for

0:14:38.800 --> 0:14:40.720
<v Speaker 1>the most part, especially in the basketball world, they're listening

0:14:40.760 --> 0:14:42.120
<v Speaker 1>to a lot of hip hop, you know, and even

0:14:42.120 --> 0:14:44.240
<v Speaker 1>if it's not particularly my type of hip hop, it's

0:14:44.280 --> 0:14:47.560
<v Speaker 1>like SoundCloud hip hop, it's still hip hop. Like it's

0:14:47.600 --> 0:14:49.160
<v Speaker 1>still you know, it's still got some thumb.

0:14:49.400 --> 0:14:49.640
<v Speaker 3>Yeah.

0:14:49.720 --> 0:14:51.360
<v Speaker 1>I went to shoot around a couple of years ago

0:14:51.560 --> 0:14:55.680
<v Speaker 1>at Iowa. Kaylen Clark was there and they were blasting

0:14:55.720 --> 0:14:57.960
<v Speaker 1>Taylor swiftest shoot around, and I was like, this feels

0:14:58.040 --> 0:15:02.160
<v Speaker 1>very apropos Like I've never really seen anybody lean all

0:15:02.200 --> 0:15:05.920
<v Speaker 1>the way in. He comes from the hostile music for page,

0:15:05.960 --> 0:15:08.280
<v Speaker 1>but for the most part, it's all the same consistent thing.

0:15:08.600 --> 0:15:10.760
<v Speaker 4>What music did you listen to coming up in Atlanta?

0:15:11.800 --> 0:15:14.640
<v Speaker 1>Oh Man, Well, you know, I don't know how. I

0:15:14.640 --> 0:15:17.040
<v Speaker 1>don't know how Atlanta I can go. But like I

0:15:17.160 --> 0:15:20.280
<v Speaker 1>was raised on like kil and Raheem the Dream and

0:15:20.400 --> 0:15:24.440
<v Speaker 1>I mean, but I'm wearing an outcast shirt shirt.

0:15:24.600 --> 0:15:24.880
<v Speaker 3>Yeah.

0:15:25.920 --> 0:15:30.720
<v Speaker 1>Always. But my parents were always really had like a

0:15:30.720 --> 0:15:33.320
<v Speaker 1>really diverse sort of discography too, if you will, and

0:15:33.320 --> 0:15:35.800
<v Speaker 1>their tastes were varied. So I also grew up on

0:15:35.840 --> 0:15:38.120
<v Speaker 1>a lot of like, like my favorite artists still to

0:15:38.120 --> 0:15:41.080
<v Speaker 1>this day is Sam Cook, I love Stevie Wonders, so

0:15:41.200 --> 0:15:44.400
<v Speaker 1>all the classics. But I think what's cool about Atlanta

0:15:44.480 --> 0:15:47.000
<v Speaker 1>is it's such a melting pot. And I was candidly

0:15:47.680 --> 0:15:51.240
<v Speaker 1>raised in the suburbs of Atlanta, which if you don't know,

0:15:51.440 --> 0:15:54.040
<v Speaker 1>when you drive thirty miles outside of Atlanta, you drive

0:15:54.080 --> 0:15:59.200
<v Speaker 1>thirty miles back into time. And so I also grew

0:15:59.240 --> 0:16:02.080
<v Speaker 1>up on a lot of like alternative music and rock music,

0:16:02.240 --> 0:16:04.040
<v Speaker 1>and you know, I might have had a little bit

0:16:04.040 --> 0:16:07.000
<v Speaker 1>of a metal moment for a time being. So I

0:16:07.080 --> 0:16:08.880
<v Speaker 1>think that's where it came from, is just this melting

0:16:08.920 --> 0:16:11.720
<v Speaker 1>pot of like you know, whistle while you twerk, and

0:16:11.760 --> 0:16:13.400
<v Speaker 1>then we would like hit you with a little Green

0:16:13.480 --> 0:16:13.840
<v Speaker 1>Day too.

0:16:14.200 --> 0:16:16.120
<v Speaker 2>Oh no, we were just talking about Green Day a

0:16:16.120 --> 0:16:18.480
<v Speaker 2>couple of days ago, like and OJ that juice Love

0:16:18.680 --> 0:16:21.200
<v Speaker 2>Love Green Day, Huge, Green Day. Yo.

0:16:21.320 --> 0:16:24.920
<v Speaker 1>OJ's ad libs were just so great. I mean, just

0:16:25.080 --> 0:16:26.320
<v Speaker 1>the best.

0:16:26.280 --> 0:16:29.120
<v Speaker 6>Nicest person too. What you were saying so so.

0:16:29.120 --> 0:16:30.880
<v Speaker 2>So you had a time where you would we could

0:16:30.920 --> 0:16:33.120
<v Speaker 2>catch l at hot topic in the all getting like

0:16:33.600 --> 0:16:37.520
<v Speaker 2>some outfits, some some shirts like heavy metal I got

0:16:37.560 --> 0:16:38.320
<v Speaker 2>the Outcast shirt?

0:16:38.440 --> 0:16:39.120
<v Speaker 3>Was that hot topic?

0:16:40.320 --> 0:16:46.760
<v Speaker 1>This is one hundred percent Spencer's gifts. Absolutely, I had.

0:16:47.200 --> 0:16:48.800
<v Speaker 1>I had a little moment with like system of a

0:16:48.880 --> 0:16:53.400
<v Speaker 1>down Yeah, yeah, where I just want you know, you're

0:16:53.440 --> 0:16:56.240
<v Speaker 1>young and you're angry for no reason. Uh like literally

0:16:56.240 --> 0:16:58.440
<v Speaker 1>lived behind a farm. There was no reason to be angry,

0:16:58.480 --> 0:17:01.840
<v Speaker 1>so I just had to manufacture anger. So metal music

0:17:01.840 --> 0:17:02.400
<v Speaker 1>did that for me.

0:17:02.680 --> 0:17:05.680
<v Speaker 6>Do you remember like the exact time when Outcast kind

0:17:05.680 --> 0:17:07.520
<v Speaker 6>of popped and entered into the world.

0:17:07.560 --> 0:17:08.159
<v Speaker 3>What was that like?

0:17:08.920 --> 0:17:12.040
<v Speaker 1>Yeah, I mean I was actually in middle school and

0:17:12.080 --> 0:17:14.720
<v Speaker 1>at the time we had just moved from Atlanta to Florida,

0:17:15.000 --> 0:17:17.680
<v Speaker 1>brief three year stint, very forgettable, but we were living

0:17:17.720 --> 0:17:22.240
<v Speaker 1>in Jacksonville and I had heard Elevators and I was like,

0:17:22.920 --> 0:17:26.320
<v Speaker 1>what's this and I then I started falling into the

0:17:26.359 --> 0:17:29.040
<v Speaker 1>rabbit hole. Obviously it was more difficult back then. You

0:17:29.040 --> 0:17:31.240
<v Speaker 1>couldn't just hop on Spotify, so I had to start

0:17:31.240 --> 0:17:34.800
<v Speaker 1>buying CD singles. But that's when I like went back

0:17:34.880 --> 0:17:36.880
<v Speaker 1>in time and you know, picked him back up with

0:17:37.520 --> 0:17:41.600
<v Speaker 1>Southern playlistic. But I think what really made Outcast pop

0:17:41.760 --> 0:17:44.760
<v Speaker 1>was like the Source Awards, you know, with saying that

0:17:44.800 --> 0:17:46.359
<v Speaker 1>the South had something to say, was when it was

0:17:46.400 --> 0:17:49.280
<v Speaker 1>like yes, because you know, New York and LA had

0:17:49.320 --> 0:17:52.680
<v Speaker 1>dominated hip hop at that point and nobody took Southern

0:17:52.760 --> 0:17:55.639
<v Speaker 1>rappers seriously. It was part of music. It was rhem,

0:17:55.680 --> 0:17:58.480
<v Speaker 1>the dream. It was you know, like Uncle Lucash like,

0:17:58.520 --> 0:18:00.600
<v Speaker 1>it was that kind of like, you know, Black Pack.

0:18:02.160 --> 0:18:04.080
<v Speaker 1>I was hoping I can get this Black Pack reference

0:18:04.080 --> 0:18:07.359
<v Speaker 1>in and I think for me, so for me, it

0:18:07.440 --> 0:18:08.880
<v Speaker 1>was like middle school. But I really think the Source

0:18:08.880 --> 0:18:11.760
<v Speaker 1>Awards is when people were like, these young fellas do

0:18:11.880 --> 0:18:13.639
<v Speaker 1>have something to say? Interesting?

0:18:14.280 --> 0:18:16.680
<v Speaker 6>And at the same time, what was I guess the

0:18:16.720 --> 0:18:21.360
<v Speaker 6>wave like with TLC happening around then Jermaine Dupree starting out,

0:18:21.359 --> 0:18:22.560
<v Speaker 6>what was the energy like then?

0:18:23.320 --> 0:18:28.040
<v Speaker 1>Yeah, so fire. I love JD. I actually saw JD

0:18:28.119 --> 0:18:30.199
<v Speaker 1>a couple of years ago after a Super Bowl. I

0:18:30.240 --> 0:18:31.800
<v Speaker 1>was like, damn, man, why'd you dress like se Lo?

0:18:32.040 --> 0:18:33.320
<v Speaker 1>He did a little bit a little like Sei Leo,

0:18:35.440 --> 0:18:39.560
<v Speaker 1>right thought everybody did, but they were like they brought Selo,

0:18:39.840 --> 0:18:43.720
<v Speaker 1>let's go. But like Goodie Mob was very much my

0:18:43.760 --> 0:18:46.600
<v Speaker 1>ship at the time, and it was it was great

0:18:46.600 --> 0:18:48.520
<v Speaker 1>because we had TLC who were like our R and

0:18:48.560 --> 0:18:50.600
<v Speaker 1>B queens, but then we had all of you know,

0:18:50.720 --> 0:18:53.760
<v Speaker 1>Jermaine Dupree was really starting to put us on the map.

0:18:54.040 --> 0:18:56.879
<v Speaker 1>Like Luda. I think people sort of gloss over Luda's

0:18:56.880 --> 0:18:59.520
<v Speaker 1>contributions to hip hop. I get it, he's like fun rap,

0:18:59.640 --> 0:19:02.240
<v Speaker 1>but like Luda was huge for us. You know, he

0:19:02.359 --> 0:19:05.320
<v Speaker 1>was more mainstream than even Outcast was at the time.

0:19:05.720 --> 0:19:07.720
<v Speaker 1>And then just sort of like his wordplay and his

0:19:07.800 --> 0:19:10.160
<v Speaker 1>fun energy. I mean, they still play Move, Bitch, get

0:19:10.200 --> 0:19:12.640
<v Speaker 1>out the Way at Falcons games every time they get

0:19:12.680 --> 0:19:15.639
<v Speaker 1>a first down. And so it was it was like

0:19:15.680 --> 0:19:20.200
<v Speaker 1>such an amazing time to be in Atlanta. I remember

0:19:20.359 --> 0:19:22.760
<v Speaker 1>like having you know, my cousins, my family's from Denver,

0:19:23.160 --> 0:19:25.359
<v Speaker 1>and they would be like, can you can you like

0:19:25.520 --> 0:19:28.640
<v Speaker 1>record on the radio? Got a few of young listeners

0:19:28.680 --> 0:19:30.680
<v Speaker 1>or viewers. I'm sure they're like what you used to

0:19:30.720 --> 0:19:32.879
<v Speaker 1>have to press record and play at the same time

0:19:33.520 --> 0:19:35.800
<v Speaker 1>on your on your tapes, and I would make them

0:19:35.840 --> 0:19:37.879
<v Speaker 1>mixtapes and I would send them to them because they

0:19:37.920 --> 0:19:41.480
<v Speaker 1>were getting music. Eight nine, ten months later that we

0:19:41.480 --> 0:19:43.840
<v Speaker 1>were debuting in Atlanta. It was quite a time Freaknick

0:19:43.960 --> 0:19:45.720
<v Speaker 1>was popping at the time, like it was was too

0:19:45.760 --> 0:19:46.119
<v Speaker 1>young for that.

0:19:46.840 --> 0:19:51.080
<v Speaker 2>All right, listen Elle, you referenced Luke, You reference Luke,

0:19:51.560 --> 0:19:52.920
<v Speaker 2>and now you reference the Freaknik.

0:19:53.000 --> 0:19:55.719
<v Speaker 3>Is there anything you wanted? Trailers and Jacksonville.

0:19:55.480 --> 0:19:58.040
<v Speaker 2>JD is doing a Freaknick documentary. Are we going to

0:19:58.080 --> 0:20:01.560
<v Speaker 2>see l somewhere in the background walking past a camera? Like,

0:20:01.680 --> 0:20:03.360
<v Speaker 2>just let us know now so we don't be as

0:20:03.359 --> 0:20:04.439
<v Speaker 2>surprised when we see it.

0:20:05.040 --> 0:20:05.800
<v Speaker 3>No, I was.

0:20:06.280 --> 0:20:10.359
<v Speaker 1>For I am so fortunate that Freaknick was really pretty

0:20:10.440 --> 0:20:13.840
<v Speaker 1>much waning out by the time I hit like college,

0:20:13.880 --> 0:20:16.280
<v Speaker 1>but it was it was definitely very prevalent in middle

0:20:16.280 --> 0:20:18.440
<v Speaker 1>and high school for me. My first introduction to Freaknick,

0:20:18.840 --> 0:20:20.640
<v Speaker 1>my dad had to take because anybody that was from

0:20:20.720 --> 0:20:24.080
<v Speaker 1>there knew, like, you stay away from downtown Atlanta during Freaknick, unless,

0:20:24.080 --> 0:20:26.560
<v Speaker 1>of course you're participating, but we had to go. I

0:20:26.560 --> 0:20:29.760
<v Speaker 1>had theater camp downtown and so my dad had to

0:20:29.800 --> 0:20:34.359
<v Speaker 1>take me exact problem. And I just remember my dad

0:20:34.400 --> 0:20:37.960
<v Speaker 1>being like, cover your eyes, close your eyes because it

0:20:38.000 --> 0:20:40.240
<v Speaker 1>was I mean it was it was going down. And

0:20:40.280 --> 0:20:42.800
<v Speaker 1>then in high school, this guy comes up to me

0:20:42.840 --> 0:20:44.959
<v Speaker 1>in class. We were in Spanish class. His name was Shannon.

0:20:45.000 --> 0:20:46.720
<v Speaker 1>I'll never forget this. He comes up to me. He's like,

0:20:46.880 --> 0:20:48.600
<v Speaker 1>let me show you something, you know, And this is

0:20:48.600 --> 0:20:50.280
<v Speaker 1>when we just had like digital cameras, were gonna have

0:20:50.359 --> 0:20:52.919
<v Speaker 1>like cell phones with that digital cameras, And he was like,

0:20:53.240 --> 0:20:57.679
<v Speaker 1>take a look, and he shows me a video he

0:20:57.680 --> 0:21:01.320
<v Speaker 1>had taken on his digital camera of some folks getting

0:21:01.359 --> 0:21:04.960
<v Speaker 1>at popping while just just driving down Peachtree in the

0:21:05.000 --> 0:21:07.600
<v Speaker 1>back of a truck with everyone like watching. And I

0:21:07.680 --> 0:21:11.480
<v Speaker 1>was like, is this what's happening thirty miles from now

0:21:11.800 --> 0:21:12.639
<v Speaker 1>here downtown?

0:21:12.760 --> 0:21:17.960
<v Speaker 6>Like absolutely, yeah, you were practicing othello while you're doing that, right, I'm.

0:21:17.800 --> 0:21:19.880
<v Speaker 1>Over here doing Shakespeare and they're shaking that ass, they're

0:21:19.880 --> 0:21:23.520
<v Speaker 1>shaking out. I love to remind some people, many of

0:21:23.520 --> 0:21:25.760
<v Speaker 1>which you are from Atlanta or from the surrounding areas.

0:21:25.800 --> 0:21:28.000
<v Speaker 1>I'm like, some of you came about because of freakniks.

0:21:28.000 --> 0:21:28.840
<v Speaker 4>So yeah, for.

0:21:28.760 --> 0:21:31.199
<v Speaker 3>Sure, absolutely absolutely.

0:21:30.720 --> 0:21:32.680
<v Speaker 6>And they're carrying on the tradition just without the festival

0:21:32.720 --> 0:21:33.720
<v Speaker 6>exactly correct.

0:21:34.400 --> 0:21:37.400
<v Speaker 2>El So, you being so close to women's college basketball

0:21:37.400 --> 0:21:42.359
<v Speaker 2>and actually seeing these women up close and personal, who

0:21:42.480 --> 0:21:46.399
<v Speaker 2>is the one player that people don't talk about a

0:21:46.440 --> 0:21:49.439
<v Speaker 2>lot that you feel like will be a star at

0:21:49.480 --> 0:21:50.200
<v Speaker 2>the next level?

0:21:50.800 --> 0:21:54.400
<v Speaker 1>Ooh, someone people don't talk about a lot. I mean,

0:21:55.480 --> 0:21:59.320
<v Speaker 1>you know, the thing about women's college basketball is, even

0:21:59.359 --> 0:22:01.280
<v Speaker 1>though the parody is gone a lot better, there's still

0:22:01.320 --> 0:22:04.840
<v Speaker 1>really only like six or seven teams that I think

0:22:05.920 --> 0:22:09.840
<v Speaker 1>are really like contenders every year. And of those six

0:22:09.920 --> 0:22:12.000
<v Speaker 1>or seven teams, there's probably like three or four that

0:22:12.080 --> 0:22:15.720
<v Speaker 1>I think are our you know, next level or generational

0:22:15.840 --> 0:22:18.560
<v Speaker 1>or transformational. So most people sort of know them. But

0:22:18.600 --> 0:22:22.160
<v Speaker 1>I think someone that is is really going to take

0:22:22.320 --> 0:22:25.160
<v Speaker 1>not just because of her play, but because of everything

0:22:25.200 --> 0:22:27.000
<v Speaker 1>that she represents that's really going to take the next

0:22:27.080 --> 0:22:31.720
<v Speaker 1>level by storm is Flage Johnson at LSU. Because we

0:22:31.840 --> 0:22:33.880
<v Speaker 1>know that these young women have to navigate a lot,

0:22:33.920 --> 0:22:36.680
<v Speaker 1>and they're balancing being student athletes and now being brands

0:22:36.680 --> 0:22:39.520
<v Speaker 1>because of nil, but she's like a whole ass rapper

0:22:39.600 --> 0:22:43.040
<v Speaker 1>and performer, like she'll go do a performance somewhere and

0:22:43.080 --> 0:22:45.480
<v Speaker 1>then she'll find where their closest jim is and she'll

0:22:45.520 --> 0:22:49.760
<v Speaker 1>work out for LSU. She's a champion. I think Flage

0:22:49.840 --> 0:22:52.800
<v Speaker 1>is like she's gonna be you know, we see you know,

0:22:52.920 --> 0:22:55.880
<v Speaker 1>some dudes in the NBA and their careers fizzle out

0:22:56.320 --> 0:23:00.520
<v Speaker 1>and they end up having hits that I don't know why.

0:23:00.600 --> 0:23:02.840
<v Speaker 1>I'm so sorry. I don't I don't get it. Jello,

0:23:03.040 --> 0:23:04.400
<v Speaker 1>I don't like Elle.

0:23:04.440 --> 0:23:06.439
<v Speaker 3>I love you, I love you already, ell Ell, I

0:23:06.520 --> 0:23:06.879
<v Speaker 3>love you.

0:23:07.280 --> 0:23:10.919
<v Speaker 1>I'm like you guys are one of those songs that,

0:23:11.080 --> 0:23:13.320
<v Speaker 1>like it starts out, you're like, oh, this is fun,

0:23:13.359 --> 0:23:16.400
<v Speaker 1>and then after about thirty seconds, it's like, because that's

0:23:16.440 --> 0:23:16.800
<v Speaker 1>all you.

0:23:16.800 --> 0:23:18.800
<v Speaker 2>Need, and that's all you need for all you need

0:23:18.840 --> 0:23:20.840
<v Speaker 2>for TikTok is twenty seconds.

0:23:20.359 --> 0:23:21.280
<v Speaker 4>All you need for streaming.

0:23:21.680 --> 0:23:22.920
<v Speaker 3>Yeah, that's all that's all you need.

0:23:22.960 --> 0:23:25.400
<v Speaker 2>So they're making these songs that just have this moment

0:23:25.520 --> 0:23:27.520
<v Speaker 2>within the song and people like that's a hit.

0:23:27.600 --> 0:23:28.800
<v Speaker 3>I'm like, no, it's not.

0:23:28.880 --> 0:23:30.439
<v Speaker 4>It's certified gold as yesterday.

0:23:30.440 --> 0:23:33.080
<v Speaker 3>It's a terrible record, terrible, terrible record.

0:23:33.160 --> 0:23:35.920
<v Speaker 1>Well it's not a good record, it's it's just it's

0:23:35.920 --> 0:23:37.840
<v Speaker 1>one of those that like yeah, Like, if you're a DJ,

0:23:37.960 --> 0:23:40.119
<v Speaker 1>it's fun. You play it for the crowd for thirty

0:23:40.160 --> 0:23:41.920
<v Speaker 1>seconds and then you move on. Nobody wants to listen

0:23:41.920 --> 0:23:43.240
<v Speaker 1>to that shit from beginning to end.

0:23:43.320 --> 0:23:43.760
<v Speaker 3>Nobody.

0:23:44.000 --> 0:23:45.879
<v Speaker 6>I'll agree with you there, I'm definitely not listening to

0:23:45.920 --> 0:23:46.720
<v Speaker 6>that entire record.

0:23:46.760 --> 0:23:47.680
<v Speaker 3>I do like it in the.

0:23:47.600 --> 0:23:50.200
<v Speaker 6>Middle of a set for you know, thirty seconds at most.

0:23:50.600 --> 0:23:53.720
<v Speaker 6>But his follow up with Gloilla was one of the

0:23:53.720 --> 0:23:55.000
<v Speaker 6>worst songs I've ever heard.

0:23:54.960 --> 0:23:58.639
<v Speaker 2>Because he because he's not a real artist. He's not

0:23:58.680 --> 0:24:00.000
<v Speaker 2>a rapper, he's not a real artist.

0:24:00.160 --> 0:24:00.719
<v Speaker 3>That's why.

0:24:01.400 --> 0:24:07.200
<v Speaker 1>Yes, And like the actual she's an actual artist. Like

0:24:07.240 --> 0:24:09.159
<v Speaker 1>I think that's why Flage is dope, because like, you know,

0:24:09.200 --> 0:24:11.560
<v Speaker 1>a lot of these dudes rap and they're bored. You know,

0:24:11.680 --> 0:24:13.960
<v Speaker 1>Damian lillarpoill hop on a mic, and like I think

0:24:14.040 --> 0:24:20.960
<v Speaker 1>Dame's actually not bad. Yeah, Dame can rap, but it's

0:24:21.000 --> 0:24:25.359
<v Speaker 1>it's a it's a hobby. Like Flage really wants basketball

0:24:25.400 --> 0:24:27.600
<v Speaker 1>and music to like sort of both be her careers,

0:24:27.680 --> 0:24:30.240
<v Speaker 1>and she has the talent to do that. So I

0:24:30.320 --> 0:24:32.119
<v Speaker 1>just think, I think at the next level, Like I

0:24:32.280 --> 0:24:33.960
<v Speaker 1>just think she's going to be an absolute So.

0:24:33.960 --> 0:24:34.720
<v Speaker 3>She's a star already.

0:24:34.800 --> 0:24:38.400
<v Speaker 2>I can't open X without seeing a flage ad. I'm like, yo,

0:24:38.440 --> 0:24:40.080
<v Speaker 2>she is she in school? Like they just have a

0:24:40.160 --> 0:24:44.119
<v Speaker 2>work doing ads all day. On X you said you

0:24:44.160 --> 0:24:48.560
<v Speaker 2>did theater as a kid Atlanta Radio. Did you ever

0:24:48.600 --> 0:24:52.000
<v Speaker 2>try to rap? There's no way you did.

0:24:53.240 --> 0:24:56.280
<v Speaker 1>Absolutely not. My my rap style, I describe it as

0:24:56.320 --> 0:24:58.840
<v Speaker 1>like a mix of like Fergie and Kesh. It's very

0:24:58.840 --> 0:25:01.679
<v Speaker 1>white girl rap, like I need. It needs to be slow,

0:25:01.840 --> 0:25:04.719
<v Speaker 1>you know. I woke up in the morning like I

0:25:04.760 --> 0:25:09.119
<v Speaker 1>won't say his name. Yeah, it's been like very so methodical,

0:25:09.119 --> 0:25:11.120
<v Speaker 1>which is why when everybody was shitting on snap music,

0:25:11.160 --> 0:25:12.200
<v Speaker 1>I was like, I love that shit.

0:25:12.200 --> 0:25:14.119
<v Speaker 4>I all along to the easy Pocket.

0:25:16.920 --> 0:25:19.520
<v Speaker 1>Yeah, it's like ABC one two three raps. I never

0:25:19.600 --> 0:25:22.119
<v Speaker 1>tried to rap, but I did. Rory have a very

0:25:22.200 --> 0:25:26.640
<v Speaker 1>brief encounter as a singer. I got a record deal

0:25:27.359 --> 0:25:31.359
<v Speaker 1>when I was nineteen, and the deal was it the

0:25:31.440 --> 0:25:34.080
<v Speaker 1>deal put TLC's deal to Shane. Just to tell you

0:25:34.119 --> 0:25:37.040
<v Speaker 1>how bad that deal was, Like they wanted to own

0:25:37.119 --> 0:25:40.280
<v Speaker 1>my name and perpetuity for like my life, like it was.

0:25:40.720 --> 0:25:42.760
<v Speaker 4>They didn't negotiate with ESPN just now.

0:25:45.080 --> 0:25:47.280
<v Speaker 1>They would still be making money off of me doing

0:25:47.680 --> 0:25:51.760
<v Speaker 1>something that's not music related and I released like I

0:25:51.800 --> 0:25:54.520
<v Speaker 1>had like some songs I put together like an EP,

0:25:55.119 --> 0:25:57.359
<v Speaker 1>and I went and I performed for the first time.

0:25:58.000 --> 0:25:59.560
<v Speaker 1>I was gonta do a live performance for the first

0:25:59.640 --> 0:26:02.680
<v Speaker 1>time with original music at this club in Atlanta at

0:26:02.680 --> 0:26:05.600
<v Speaker 1>the time called the Chili Pepper, and I had backup

0:26:05.680 --> 0:26:08.760
<v Speaker 1>dancers and like all this stuff. And it was so

0:26:09.040 --> 0:26:12.320
<v Speaker 1>bad that my own parents couldn't even lie to me,

0:26:12.480 --> 0:26:14.520
<v Speaker 1>like they like when I came off stage, I was like,

0:26:14.880 --> 0:26:17.680
<v Speaker 1>how did I do? And they were just like, You're

0:26:18.000 --> 0:26:19.000
<v Speaker 1>so brave.

0:26:22.560 --> 0:26:24.440
<v Speaker 3>It's so brave, such a brave soul.

0:26:24.920 --> 0:26:26.399
<v Speaker 4>What went wrong? What?

0:26:26.720 --> 0:26:28.960
<v Speaker 1>It just was bad? Like, you know what I realized.

0:26:29.000 --> 0:26:32.919
<v Speaker 1>I realized that having a decent voice and that I

0:26:32.960 --> 0:26:35.680
<v Speaker 1>love because I loved music so much, I thought, well,

0:26:35.720 --> 0:26:37.800
<v Speaker 1>because I love music, and people keep telling me I

0:26:37.840 --> 0:26:40.240
<v Speaker 1>have a decent voice, like I should do something in

0:26:40.280 --> 0:26:42.199
<v Speaker 1>this space. And I think what I realized was that

0:26:42.240 --> 0:26:44.439
<v Speaker 1>you can have like a passion and you can like

0:26:44.640 --> 0:26:46.840
<v Speaker 1>enjoy something and that does not mean that you have

0:26:46.960 --> 0:26:49.040
<v Speaker 1>what it takes to make it a profession. Like just

0:26:49.080 --> 0:26:51.520
<v Speaker 1>because you like making beats and that's a great creative

0:26:51.520 --> 0:26:54.359
<v Speaker 1>outlet for you, does not mean that, like you're the

0:26:54.400 --> 0:26:56.560
<v Speaker 1>next DJ Mustard, Like, I just it just doesn't do

0:26:56.560 --> 0:26:58.439
<v Speaker 1>you know what I'm saying, And like, there's a whole

0:26:58.480 --> 0:27:03.240
<v Speaker 1>lot more that goes into being a music artist then

0:27:04.200 --> 0:27:07.040
<v Speaker 1>generally liking writing songs, and like, there's just a lot

0:27:07.040 --> 0:27:08.560
<v Speaker 1>more that goes into it. And I realized that at

0:27:08.600 --> 0:27:10.560
<v Speaker 1>the time, but it was just it was the dancing.

0:27:11.119 --> 0:27:14.640
<v Speaker 1>It was the singing on key to a backup track.

0:27:14.760 --> 0:27:15.560
<v Speaker 3>Key is important.

0:27:15.600 --> 0:27:18.000
<v Speaker 2>On key is important because you can sing, but are

0:27:18.000 --> 0:27:20.399
<v Speaker 2>you on key tune on it exactly?

0:27:20.600 --> 0:27:22.560
<v Speaker 1>And I discovered that, like I am the Queen of

0:27:22.640 --> 0:27:25.960
<v Speaker 1>Shower Records, Like in the Shower, it's not like with

0:27:26.040 --> 0:27:29.840
<v Speaker 1>the acoustics, yeah right, Like I'm fucking Whitney Houston. But

0:27:29.920 --> 0:27:32.679
<v Speaker 1>you you put me with like ears in and it

0:27:32.720 --> 0:27:35.359
<v Speaker 1>doesn't go particularly well. So I just keep it to

0:27:35.440 --> 0:27:36.920
<v Speaker 1>karaoke at this point.

0:27:42.400 --> 0:27:45.359
<v Speaker 2>So Paige Beckers, she is the real deal. I like

0:27:45.440 --> 0:27:48.520
<v Speaker 2>her game. Where do you have her? As far as

0:27:48.600 --> 0:27:50.760
<v Speaker 2>what she will be able to do for the WNBA.

0:27:50.800 --> 0:27:54.360
<v Speaker 2>We saw what Caitlin and Angels rivalry and they're back

0:27:54.400 --> 0:27:57.800
<v Speaker 2>and forth kind of help to elevate the audience of

0:27:57.840 --> 0:27:58.400
<v Speaker 2>the WNBA.

0:27:58.480 --> 0:28:01.320
<v Speaker 3>Do you think Page comes in and adds to that.

0:28:02.320 --> 0:28:04.600
<v Speaker 1>Yeah, She's definitely a ratings driver. I mean, listen, let's

0:28:04.640 --> 0:28:06.640
<v Speaker 1>just be real. There's no one like Caitlyn Clark. Like

0:28:06.720 --> 0:28:10.879
<v Speaker 1>there's like there just isn't There's no one, there's no rivalry.

0:28:10.920 --> 0:28:14.040
<v Speaker 1>I think that's fresh on people's minds. That's bigger than

0:28:14.080 --> 0:28:16.560
<v Speaker 1>Angel Rees versus Kaitlin Clark. It's why their matchups always

0:28:16.560 --> 0:28:19.760
<v Speaker 1>do so well. But Paige Becker's Like the thing about

0:28:19.800 --> 0:28:22.960
<v Speaker 1>Page is that someone was asking me this the other day.

0:28:23.000 --> 0:28:26.720
<v Speaker 1>They were like, this idea that the space is being

0:28:26.760 --> 0:28:30.560
<v Speaker 1>dominated by like a white woman, and it worked really

0:28:30.600 --> 0:28:33.760
<v Speaker 1>well for Caitlin because she's so freakin good and also

0:28:33.840 --> 0:28:37.320
<v Speaker 1>helped that like mainstream America, you know, could relate to

0:28:37.359 --> 0:28:40.160
<v Speaker 1>her and see, you know, their daughters and her. Why

0:28:40.200 --> 0:28:44.440
<v Speaker 1>didn't we have that same you know, astronomical effect with Page.

0:28:44.520 --> 0:28:48.160
<v Speaker 1>And the thing is is that, like Paige Becker's is

0:28:48.960 --> 0:28:51.040
<v Speaker 1>the best way to describe her is a very un

0:28:51.120 --> 0:28:54.120
<v Speaker 1>sexy word, and that is efficient, Like there is not

0:28:54.240 --> 0:28:57.400
<v Speaker 1>a smarter basketball player in terms of Page almost never

0:28:57.440 --> 0:29:02.480
<v Speaker 1>takes the wrong shot. She is is so incredibly efficient,

0:29:02.760 --> 0:29:05.920
<v Speaker 1>Like she was like on the precipice of like a

0:29:05.960 --> 0:29:08.600
<v Speaker 1>season where she was shooting at least fifty percent from

0:29:08.600 --> 0:29:11.040
<v Speaker 1>the field, at least forty percent from three, and was

0:29:11.040 --> 0:29:13.680
<v Speaker 1>shooting ninety percent from the free throw line. She's a

0:29:13.720 --> 0:29:15.680
<v Speaker 1>great two way player. She's a hell of a defender,

0:29:15.720 --> 0:29:17.800
<v Speaker 1>She's a facilitator. She can bring the ball up, she

0:29:17.840 --> 0:29:22.960
<v Speaker 1>can create. But she's very deferential, like Page is, such

0:29:23.000 --> 0:29:28.040
<v Speaker 1>as she doesn't love the like is a superstar, she's

0:29:28.040 --> 0:29:30.120
<v Speaker 1>the Queen of Riz Like. She's just as charismatic in

0:29:30.160 --> 0:29:33.120
<v Speaker 1>person as you see on social media, but she's also

0:29:33.440 --> 0:29:35.960
<v Speaker 1>very much about Like if you ever hear her talk,

0:29:36.000 --> 0:29:38.040
<v Speaker 1>all she does talk about her teamates, it's always about

0:29:38.080 --> 0:29:42.040
<v Speaker 1>other people, other people, other people. She doesn't love to

0:29:42.080 --> 0:29:45.440
<v Speaker 1>sort of own and embrace this superstar thing, and I

0:29:45.480 --> 0:29:48.040
<v Speaker 1>think that that's maybe why we didn't see the same.

0:29:48.280 --> 0:29:49.840
<v Speaker 1>I also think that there was a lot of stop

0:29:49.840 --> 0:29:52.040
<v Speaker 1>and start to her career because of the injuries. Like

0:29:52.120 --> 0:29:54.480
<v Speaker 1>Paige was the original Caitlin in terms of height. She

0:29:54.720 --> 0:29:57.560
<v Speaker 1>was the Gatorade National Player of the Year in high school,

0:29:57.880 --> 0:30:00.240
<v Speaker 1>COVID ruined her chance of winning a state champ being

0:30:00.280 --> 0:30:03.400
<v Speaker 1>ship She's the first and still only freshman ever to

0:30:03.480 --> 0:30:05.680
<v Speaker 1>win National Player of the Year. And there was just

0:30:05.840 --> 0:30:09.200
<v Speaker 1>this groundswell of like yo, this is the one, and

0:30:09.280 --> 0:30:11.680
<v Speaker 1>then she got hurt, right, and then she got hurt again,

0:30:11.760 --> 0:30:14.400
<v Speaker 1>and then all of her teammates got her. And I

0:30:14.480 --> 0:30:16.400
<v Speaker 1>think because of sort of the stop and start is

0:30:16.480 --> 0:30:19.040
<v Speaker 1>why we didn't see those same sort of like bananas

0:30:19.120 --> 0:30:23.400
<v Speaker 1>numbers that we saw with Caitlin Clark. But she is

0:30:23.960 --> 0:30:27.920
<v Speaker 1>absolutely the real deal, Like she is so incredible also

0:30:28.000 --> 0:30:31.560
<v Speaker 1>at navigating the space, because the w space is yes,

0:30:31.640 --> 0:30:36.080
<v Speaker 1>about the basketball, but also about the conversation and narratives

0:30:36.120 --> 0:30:39.120
<v Speaker 1>around it, and I think that Page navigates that in

0:30:39.240 --> 0:30:41.920
<v Speaker 1>such a smart way and it's incredibly authentic, Like she

0:30:42.520 --> 0:30:44.720
<v Speaker 1>understands and respects that this was a league that was

0:30:45.200 --> 0:30:48.160
<v Speaker 1>born and bred on the backs of black women, queer women,

0:30:48.440 --> 0:30:50.840
<v Speaker 1>and that they always have had the same attention and

0:30:50.920 --> 0:30:54.200
<v Speaker 1>commercial appeal, and she uses every opportunity she can to

0:30:54.520 --> 0:30:58.240
<v Speaker 1>thank them, to show them gratitude, to pay homage to them.

0:30:58.320 --> 0:31:02.120
<v Speaker 1>So she's she's gonna be She's gonna be amazing. Am

0:31:02.160 --> 0:31:03.840
<v Speaker 1>I do I expect that we're going to see, you know,

0:31:04.040 --> 0:31:06.200
<v Speaker 1>seven million viewers every time she steps on the court.

0:31:06.600 --> 0:31:09.320
<v Speaker 1>Maybe not, but in terms of just sheer talent, who

0:31:09.400 --> 0:31:11.440
<v Speaker 1>she is as a person, and then her social media

0:31:12.600 --> 0:31:14.680
<v Speaker 1>you know, outreach she's a superstar.

0:31:16.080 --> 0:31:19.480
<v Speaker 4>How do you feel the first takes and just morning

0:31:19.520 --> 0:31:22.400
<v Speaker 4>debate shows have affected the legacy of Sports Center?

0:31:24.800 --> 0:31:29.320
<v Speaker 1>Hmm, well, I mean I think in general, there's been

0:31:29.360 --> 0:31:31.640
<v Speaker 1>a lot of debate about like do we embrace debate?

0:31:31.720 --> 0:31:34.000
<v Speaker 1>Are we tired of debate? Sports Ower is one of

0:31:34.000 --> 0:31:35.680
<v Speaker 1>those like tried and true. When I first started working

0:31:35.720 --> 0:31:38.280
<v Speaker 1>at ESPN, they were like, sports Owner is such a

0:31:38.360 --> 0:31:41.520
<v Speaker 1>recognized brand that some people don't even associate it with ESPN,

0:31:41.600 --> 0:31:44.400
<v Speaker 1>Like they think it's its own thing. And Sports Center

0:31:44.480 --> 0:31:48.000
<v Speaker 1>has also seen some like different machinations right where like

0:31:48.360 --> 0:31:52.160
<v Speaker 1>it was very to start, was very newsy. It was

0:31:52.360 --> 0:31:54.600
<v Speaker 1>very you know, you give the highlights, you give the facts,

0:31:54.760 --> 0:31:57.400
<v Speaker 1>like there's no and then like people like Stuart Scott

0:31:57.480 --> 0:31:59.840
<v Speaker 1>came in and they brought in cultural references and they

0:31:59.840 --> 0:32:02.560
<v Speaker 1>made it more fun and interesting and they used you know,

0:32:02.680 --> 0:32:05.440
<v Speaker 1>one liners to sort of tell the story of sports.

0:32:05.760 --> 0:32:07.640
<v Speaker 1>And now I think that the Sports Owner that I

0:32:07.760 --> 0:32:11.600
<v Speaker 1>work at is cool because it allows for any type

0:32:11.640 --> 0:32:14.440
<v Speaker 1>of personality to be who they want to be. Like

0:32:15.800 --> 0:32:18.480
<v Speaker 1>fifteen years ago, probably a sports center was never going

0:32:18.560 --> 0:32:20.920
<v Speaker 1>to let someone like me write a monologue where I

0:32:21.040 --> 0:32:22.960
<v Speaker 1>just roast people like I do on taking the l

0:32:23.160 --> 0:32:27.640
<v Speaker 1>right or allow the fandom. You know, I bark because

0:32:27.640 --> 0:32:30.160
<v Speaker 1>I'm a Georgia Bulldog fan whenever I can, Like, I

0:32:30.240 --> 0:32:33.360
<v Speaker 1>don't think it was embraced or appreciated in the same way,

0:32:33.440 --> 0:32:36.000
<v Speaker 1>and I'd like to believe that the debate shows have

0:32:36.080 --> 0:32:39.480
<v Speaker 1>helped in that way. I think that it allows like

0:32:39.600 --> 0:32:42.000
<v Speaker 1>I get to do first take. There would have been

0:32:42.000 --> 0:32:45.040
<v Speaker 1>a time where it would have been nonsensical to put

0:32:45.120 --> 0:32:47.280
<v Speaker 1>a sports center anchor on a debate show, because the

0:32:47.320 --> 0:32:49.680
<v Speaker 1>whole point is, it's not about you, it's not about

0:32:49.680 --> 0:32:52.080
<v Speaker 1>your opinion, it doesn't matter what you think. And so

0:32:52.720 --> 0:32:55.880
<v Speaker 1>I think that a place like ESPN and the first

0:32:55.960 --> 0:32:57.320
<v Speaker 1>takes of the world and they get up to the

0:32:57.360 --> 0:32:59.480
<v Speaker 1>world's has just allowed people to sort of see us

0:33:00.080 --> 0:33:02.400
<v Speaker 1>a little bit more than just what the specific role is.

0:33:02.560 --> 0:33:04.840
<v Speaker 1>And so I like to believe that I'm a sports

0:33:04.880 --> 0:33:09.480
<v Speaker 1>center anchor and then some and so you know, ultimately,

0:33:09.640 --> 0:33:12.440
<v Speaker 1>like we're sort of damned if we do and damned

0:33:12.440 --> 0:33:14.680
<v Speaker 1>if we don't. Sometimes at ESPN, you just go full

0:33:14.760 --> 0:33:17.280
<v Speaker 1>highlights and people go, well, I can get that on

0:33:17.400 --> 0:33:19.240
<v Speaker 1>my phone. That's stupid. Why would I just come to

0:33:19.280 --> 0:33:22.040
<v Speaker 1>you for highlights? That's stupid. You talk too much and

0:33:22.080 --> 0:33:24.400
<v Speaker 1>then they go, we want our highlights. It's like you really, like,

0:33:24.520 --> 0:33:28.520
<v Speaker 1>you really can't win, And so ultimately it works like

0:33:28.640 --> 0:33:32.200
<v Speaker 1>people that bitch and complain about first take like tell

0:33:32.240 --> 0:33:34.040
<v Speaker 1>that to the ratings, tell that to the interest, to

0:33:34.120 --> 0:33:36.520
<v Speaker 1>the intrigue, like it's a it's a formula that's working,

0:33:36.600 --> 0:33:38.320
<v Speaker 1>and so they're going to keep doing it and like that.

0:33:38.440 --> 0:33:40.600
<v Speaker 1>It just is what it is. But ultimately, like if

0:33:40.640 --> 0:33:43.240
<v Speaker 1>you don't like a debate show, we also offer you

0:33:43.360 --> 0:33:44.320
<v Speaker 1>other options as well.

0:33:44.720 --> 0:33:47.760
<v Speaker 4>What's something you want to add to Sports Center that's

0:33:47.840 --> 0:33:48.479
<v Speaker 4>not currently there?

0:33:49.560 --> 0:33:51.280
<v Speaker 1>Something I want to add to Sports Center?

0:33:52.840 --> 0:33:55.040
<v Speaker 4>More baseball highlights, yeah for sure.

0:33:55.360 --> 0:33:59.760
<v Speaker 1>Yeah, golf, yeah, more golf in general. Yeah, you know,

0:34:00.000 --> 0:34:02.840
<v Speaker 1>I would say that, like speaking for my Sports Center

0:34:03.920 --> 0:34:05.880
<v Speaker 1>because it's a one hour show and then when you

0:34:05.960 --> 0:34:08.480
<v Speaker 1>account for commercials, it's a forty minute show. What I

0:34:08.520 --> 0:34:11.080
<v Speaker 1>would love for Sports Center to be able to have

0:34:11.239 --> 0:34:13.880
<v Speaker 1>more of but it's kind of impossible based on the formula.

0:34:14.280 --> 0:34:16.200
<v Speaker 1>It's just more time to let shit breathe, you know,

0:34:16.440 --> 0:34:19.800
<v Speaker 1>like more time to have a guest on and not

0:34:20.000 --> 0:34:22.440
<v Speaker 1>dedicate three minutes to them, Like if the conversation is

0:34:22.520 --> 0:34:25.640
<v Speaker 1>going really well, being able to have more opportunity to

0:34:25.800 --> 0:34:28.520
<v Speaker 1>expound or to dig in a little deeper on things.

0:34:28.840 --> 0:34:31.000
<v Speaker 1>But that's just not really what we're working with, Like

0:34:31.080 --> 0:34:33.560
<v Speaker 1>we're trying to give you all of the news or

0:34:33.640 --> 0:34:37.880
<v Speaker 1>table set everything that's coming up amongst the four major sports,

0:34:38.239 --> 0:34:41.759
<v Speaker 1>including women's basketball, including men's basketball. Like, it's just it's

0:34:41.800 --> 0:34:44.400
<v Speaker 1>a lot. I wish that there was a little bit

0:34:44.440 --> 0:34:47.719
<v Speaker 1>more space to just when called for a freestyle a bit.

0:34:48.600 --> 0:34:50.560
<v Speaker 3>How do you feel about some.

0:34:50.680 --> 0:34:53.000
<v Speaker 2>Of the biggest stars in the WNBA being able to

0:34:53.080 --> 0:34:56.080
<v Speaker 2>make more money in unrival than.

0:34:56.520 --> 0:34:57.239
<v Speaker 3>The actual league?

0:34:58.760 --> 0:35:02.080
<v Speaker 1>Yeah, I mean I think that it It's fortunately short term,

0:35:02.320 --> 0:35:04.200
<v Speaker 1>you know, the new CBA is coming up, this is

0:35:04.239 --> 0:35:06.399
<v Speaker 1>the last year under this current CBA. They will get

0:35:06.400 --> 0:35:10.200
<v Speaker 1>an exponential raise. Of course, it's unfortunate. You know, it's

0:35:10.520 --> 0:35:14.440
<v Speaker 1>when you see that like Caitlin Clark, Paige Becker's Angel

0:35:14.480 --> 0:35:17.200
<v Speaker 1>Reese making seventy two thousand dollars a year and their

0:35:17.400 --> 0:35:20.400
<v Speaker 1>you know, first year, Like I'm pretty sure that's what

0:35:20.560 --> 0:35:23.480
<v Speaker 1>like the team manager is making on an NBA team, right, Like,

0:35:23.640 --> 0:35:28.560
<v Speaker 1>So that's that's wild. I appreciate that Unrivaled was started

0:35:28.640 --> 0:35:31.880
<v Speaker 1>by w NBA players with the FISA, Collier and Brianna Stewart,

0:35:32.520 --> 0:35:38.000
<v Speaker 1>because they understand a what their worth is and their value,

0:35:38.040 --> 0:35:40.640
<v Speaker 1>but they also understand that the money is in being

0:35:40.680 --> 0:35:43.040
<v Speaker 1>an initial investor. And that was what I thought was

0:35:43.080 --> 0:35:45.320
<v Speaker 1>the cool thing with Unrivaled. It wasn't just another league

0:35:45.560 --> 0:35:47.960
<v Speaker 1>where they were promising to pay more people. It was

0:35:47.960 --> 0:35:50.080
<v Speaker 1>a league where you could come in as an initial investor.

0:35:50.160 --> 0:35:53.880
<v Speaker 1>So you're profiting off of a direct profit off of

0:35:53.960 --> 0:35:58.520
<v Speaker 1>the ratings, the viewership, Jersey sales, ticket sales, Like you're

0:35:58.560 --> 0:36:00.400
<v Speaker 1>getting a piece of all of that tech. You are

0:36:00.440 --> 0:36:02.520
<v Speaker 1>in the CBA as well, but it's just such a

0:36:02.680 --> 0:36:05.800
<v Speaker 1>small piece. So it gave these women an opportunity to

0:36:05.920 --> 0:36:08.719
<v Speaker 1>have a business venture on top of being able to

0:36:08.800 --> 0:36:12.120
<v Speaker 1>stay in this country not have to play internationally. It

0:36:12.280 --> 0:36:15.400
<v Speaker 1>was a breeding ground for free agents, Like they got

0:36:15.440 --> 0:36:17.080
<v Speaker 1>to play with people, They got to talk to people

0:36:17.160 --> 0:36:19.840
<v Speaker 1>in Miami. From what I understand, like that's how some

0:36:19.960 --> 0:36:21.960
<v Speaker 1>of these deals came about, is someone like hollering as

0:36:22.000 --> 0:36:23.600
<v Speaker 1>someone and being like, Yo, you need to join us

0:36:23.640 --> 0:36:25.560
<v Speaker 1>in Connecticut, you need to join us in New York.

0:36:26.040 --> 0:36:28.000
<v Speaker 1>And so from all the women that I've talked to,

0:36:28.400 --> 0:36:31.040
<v Speaker 1>they absolutely love it and the ratings were great despite

0:36:31.040 --> 0:36:33.040
<v Speaker 1>the fact they didn't have some of the bigger, bigger

0:36:33.160 --> 0:36:35.680
<v Speaker 1>names like an Asia Wilson or a Caitlin Clark Page

0:36:35.719 --> 0:36:38.400
<v Speaker 1>signed on to do three years of it. So that's amazing.

0:36:38.520 --> 0:36:41.560
<v Speaker 1>But I mean it's great to have competition, Like for

0:36:41.719 --> 0:36:44.000
<v Speaker 1>so long in the women's space, it's basically been you

0:36:44.080 --> 0:36:45.800
<v Speaker 1>get what you get and you don't get upset. And

0:36:45.880 --> 0:36:49.000
<v Speaker 1>that's because there is no competition, right, Like there's one

0:36:49.080 --> 0:36:51.840
<v Speaker 1>media company that does your games, there's one league that

0:36:51.920 --> 0:36:54.520
<v Speaker 1>does your games, and so like you just have to

0:36:54.680 --> 0:36:57.480
<v Speaker 1>get what you get because you really don't have any

0:36:57.560 --> 0:37:00.040
<v Speaker 1>other options unless you want to go to Russia, and

0:37:00.160 --> 0:37:01.280
<v Speaker 1>who wants to go to Russia?

0:37:01.440 --> 0:37:05.400
<v Speaker 5>So any time there's compensation, that just drives the price up,

0:37:05.600 --> 0:37:08.120
<v Speaker 5>right exactly, What's what's something you would change if you

0:37:08.160 --> 0:37:08.840
<v Speaker 5>were the commissioner?

0:37:10.360 --> 0:37:10.560
<v Speaker 6>Ooh?

0:37:10.760 --> 0:37:14.360
<v Speaker 1>I mean, well, you know that's a tough one because

0:37:14.400 --> 0:37:16.200
<v Speaker 1>the things that I think should change in the w

0:37:16.520 --> 0:37:19.799
<v Speaker 1>R counter intuitive to what a commissioner would want, right

0:37:19.920 --> 0:37:22.680
<v Speaker 1>paying them. Yeah, but I think you know what I

0:37:22.719 --> 0:37:25.120
<v Speaker 1>would do is I would level the playing field more

0:37:25.280 --> 0:37:31.040
<v Speaker 1>in terms of the facilities and because right now you

0:37:31.280 --> 0:37:33.560
<v Speaker 1>still have the haves and have nots, like when you're

0:37:33.560 --> 0:37:36.000
<v Speaker 1>a free agent and you're deciding and like, listen, it's

0:37:36.080 --> 0:37:38.919
<v Speaker 1>with all sports. Some facilities facilities are nicer than others,

0:37:38.960 --> 0:37:41.600
<v Speaker 1>and we get it, but they're in general is a baseline,

0:37:41.719 --> 0:37:44.360
<v Speaker 1>right Like, there is a baseline of like, you can't

0:37:44.520 --> 0:37:47.239
<v Speaker 1>have these women in a rat infested gym, right Like,

0:37:47.800 --> 0:37:50.280
<v Speaker 1>there's like and I'm not saying that that's what's happening,

0:37:50.560 --> 0:37:53.200
<v Speaker 1>but across men's sports, there's a baseline. You have to

0:37:53.280 --> 0:37:55.600
<v Speaker 1>have certain nutrition, you have to have certain you know,

0:37:55.760 --> 0:37:58.640
<v Speaker 1>number of staff that's and that's not there right now.

0:37:58.800 --> 0:38:00.320
<v Speaker 1>So it's kind of like, okay, if if you go

0:38:00.440 --> 0:38:03.040
<v Speaker 1>to the aces and you're in you're in great shape,

0:38:03.280 --> 0:38:05.239
<v Speaker 1>right because Mark Davis really believes in the product, so

0:38:05.280 --> 0:38:07.400
<v Speaker 1>we spends a ton of money. You're at Golden State,

0:38:07.480 --> 0:38:10.759
<v Speaker 1>they're brand new, but like the Lake ups like they care,

0:38:10.880 --> 0:38:12.600
<v Speaker 1>so they're going to spend a bunch of money. But

0:38:12.680 --> 0:38:14.439
<v Speaker 1>let's say you want to go play for a team

0:38:14.480 --> 0:38:16.759
<v Speaker 1>because you think their roster is incredible, but you also

0:38:16.880 --> 0:38:19.680
<v Speaker 1>know that your facilities are trash like, so I would

0:38:19.719 --> 0:38:23.040
<v Speaker 1>start with making a baseline that is better in general

0:38:23.200 --> 0:38:27.040
<v Speaker 1>for them in terms of facilities. They're asking for insurance

0:38:27.080 --> 0:38:29.560
<v Speaker 1>after they retire, which is like something that you should

0:38:29.600 --> 0:38:32.520
<v Speaker 1>be able to do. The last CBA was really historic

0:38:32.600 --> 0:38:36.440
<v Speaker 1>in terms of, like, you know, women have babies. It's

0:38:36.480 --> 0:38:38.719
<v Speaker 1>a thing. I hope I'm not sharing something new with you,

0:38:38.960 --> 0:38:41.840
<v Speaker 1>Ria Maw, but women have babies, so like what is

0:38:41.920 --> 0:38:46.439
<v Speaker 1>it right? Like protections during pregnancy, how long it takes

0:38:46.480 --> 0:38:48.040
<v Speaker 1>for them to get back onto the court, like all

0:38:48.080 --> 0:38:49.840
<v Speaker 1>of those things I would take into consideration, but I

0:38:49.840 --> 0:38:52.560
<v Speaker 1>would definitely start with the facilities and how they travel.

0:38:52.680 --> 0:38:56.000
<v Speaker 1>And the charters were new last year, and again it's

0:38:56.080 --> 0:38:58.000
<v Speaker 1>quine of one of those things where it was like, Okay,

0:38:58.040 --> 0:39:02.319
<v Speaker 1>it's better than commercial for sure. However, I've also heard

0:39:02.360 --> 0:39:06.560
<v Speaker 1>that some of these planes are basically like Southwest Plains,

0:39:06.600 --> 0:39:09.520
<v Speaker 1>Like they're not they're not necessarily like the lap of

0:39:09.640 --> 0:39:11.960
<v Speaker 1>luxury planes that you would expect on like a chartered

0:39:12.000 --> 0:39:14.200
<v Speaker 1>you know, I've been on charters with the Red Sox

0:39:15.680 --> 0:39:18.760
<v Speaker 1>and you know their lux like they're they're nice, nice,

0:39:18.880 --> 0:39:22.520
<v Speaker 1>nice planes. Some of these planes don't even recline, you know.

0:39:22.680 --> 0:39:25.120
<v Speaker 1>And these are tall women who are traveling across country,

0:39:25.160 --> 0:39:26.360
<v Speaker 1>So just that kind of stuff.

0:39:26.560 --> 0:39:28.759
<v Speaker 6>We had a Lexi Brown on the show and she

0:39:28.960 --> 0:39:31.319
<v Speaker 6>just got traded from LA to Seattle, and the first

0:39:31.360 --> 0:39:32.800
<v Speaker 6>thing she said was, well, at least they'll have a

0:39:32.880 --> 0:39:36.480
<v Speaker 6>practice gym. Now she had no practice gym in Los Angeles,

0:39:36.480 --> 0:39:43.560
<v Speaker 6>which is crazy Los Angeles, right, Kansas, Right, that's crazy.

0:39:43.640 --> 0:39:43.799
<v Speaker 4>Right.

0:39:43.920 --> 0:39:45.400
<v Speaker 1>So when you're thinking about where you want to go,

0:39:45.600 --> 0:39:46.480
<v Speaker 1>like do you want to go to the place that

0:39:46.480 --> 0:39:47.920
<v Speaker 1>has not a practice gym or the place that has

0:39:47.960 --> 0:39:50.960
<v Speaker 1>a practice gym and like a cryogenic chamber, like.

0:39:51.120 --> 0:39:54.399
<v Speaker 4>You know, a shower and an ice bath at least, yeah,

0:39:54.560 --> 0:39:55.360
<v Speaker 4>can you imagine?

0:39:55.840 --> 0:39:57.880
<v Speaker 2>Now we had We also had one of your other calls,

0:39:57.920 --> 0:40:01.719
<v Speaker 2>Andrea on and the other day were watching Rich Paul

0:40:02.440 --> 0:40:05.280
<v Speaker 2>and he said he said he even feel like Miami

0:40:05.960 --> 0:40:07.480
<v Speaker 2>was the Big Three because he even feel like Chris

0:40:07.560 --> 0:40:10.640
<v Speaker 2>Bosh was part of the Big Three. Now you Andrea,

0:40:10.760 --> 0:40:12.720
<v Speaker 2>and I don't want to butcher her name is it Shane?

0:40:13.640 --> 0:40:13.839
<v Speaker 4>Yeah?

0:40:14.280 --> 0:40:20.920
<v Speaker 2>Sam, y'all have been dubbed the Big Three? How important

0:40:20.960 --> 0:40:22.600
<v Speaker 2>do you think it is what y'all are doing? Because

0:40:22.600 --> 0:40:25.200
<v Speaker 2>I do think that y'all are building a type of

0:40:25.280 --> 0:40:29.960
<v Speaker 2>culture and analyst and over at ESPN. How important and

0:40:30.040 --> 0:40:31.759
<v Speaker 2>how much fun do y'all have doing what y'all doing?

0:40:31.800 --> 0:40:35.000
<v Speaker 2>Because I'm starting to see clips of y'all everywhere having

0:40:35.040 --> 0:40:37.359
<v Speaker 2>fun in the studio, and the way that y'all talk

0:40:37.400 --> 0:40:39.120
<v Speaker 2>about the game and break it down and give it

0:40:39.200 --> 0:40:42.920
<v Speaker 2>to somebody who is not really into women's sports like myself,

0:40:42.960 --> 0:40:45.360
<v Speaker 2>but have followed it, y'all make it more, you know,

0:40:45.520 --> 0:40:46.719
<v Speaker 2>palatable for somebody like me.

0:40:46.840 --> 0:40:49.160
<v Speaker 3>How important is that for y'all and what y'all are building.

0:40:49.800 --> 0:40:52.080
<v Speaker 1>We appreciate that. I mean, I think that's the point now,

0:40:52.239 --> 0:40:54.600
<v Speaker 1>is that, like, you know, you got two ogs like

0:40:54.719 --> 0:40:57.800
<v Speaker 1>Drea play in Tennessee. Chaney is a Stanford Hall of

0:40:57.880 --> 0:41:00.400
<v Speaker 1>Famer and was a former number one overall pick, so

0:41:00.480 --> 0:41:02.560
<v Speaker 1>they've been in it. But then you have someone like

0:41:02.680 --> 0:41:05.480
<v Speaker 1>me who came into the space four seasons ago. I mean,

0:41:05.520 --> 0:41:07.759
<v Speaker 1>I've obviously always been a fan of women's sports in general.

0:41:07.880 --> 0:41:10.040
<v Speaker 1>I was a softball player in my whole life, but

0:41:10.160 --> 0:41:13.080
<v Speaker 1>I wasn't in this space. And the beautiful part about

0:41:13.200 --> 0:41:16.120
<v Speaker 1>growing and expanding a fan base is that there needs

0:41:16.160 --> 0:41:19.120
<v Speaker 1>to be room for the novices who are learning. And

0:41:19.239 --> 0:41:22.360
<v Speaker 1>I think what Cheney and Andrea do incredibly well is

0:41:22.480 --> 0:41:25.120
<v Speaker 1>that while they could talk over your head about basketball,

0:41:25.480 --> 0:41:29.040
<v Speaker 1>they make it digestible. They show you all the joy

0:41:29.440 --> 0:41:32.399
<v Speaker 1>that they have in talking about it, and the joy

0:41:32.520 --> 0:41:35.160
<v Speaker 1>that they had in playing it. They know these players

0:41:35.239 --> 0:41:39.000
<v Speaker 1>so incredibly well. They either played with them or they

0:41:39.160 --> 0:41:42.200
<v Speaker 1>mentor them. And I just think that, like, if you

0:41:42.480 --> 0:41:45.520
<v Speaker 1>love the WNBA, if you love women's college basketball and

0:41:45.560 --> 0:41:48.320
<v Speaker 1>you've been around since its inception, then they're for you,

0:41:48.520 --> 0:41:50.520
<v Speaker 1>and we hope that we're for you. But if you're

0:41:50.600 --> 0:41:52.600
<v Speaker 1>brand new and you're just trying to learn and you

0:41:52.800 --> 0:41:55.120
<v Speaker 1>just want to know, like who should I be watching? Okay,

0:41:55.200 --> 0:41:57.640
<v Speaker 1>apart from like Paige Becker's, who else on the team

0:41:57.719 --> 0:42:01.280
<v Speaker 1>is really important if you want to see why ucon

0:42:01.840 --> 0:42:04.480
<v Speaker 1>went on that ridiculous run and won the national championship,

0:42:04.520 --> 0:42:06.480
<v Speaker 1>Like if you just want and then on top of that,

0:42:06.520 --> 0:42:09.239
<v Speaker 1>if you just want to see three women who really

0:42:09.400 --> 0:42:12.080
<v Speaker 1>enjoy each other's company and roast each other and look

0:42:12.120 --> 0:42:14.480
<v Speaker 1>at each other like sisters. And you know, I come

0:42:14.600 --> 0:42:16.520
<v Speaker 1>up with my one liners because I'm certainly not going

0:42:16.600 --> 0:42:19.040
<v Speaker 1>to match them in terms of basketball acumen. Like, I

0:42:19.160 --> 0:42:20.919
<v Speaker 1>just think that we try to bring as much fun

0:42:21.000 --> 0:42:23.880
<v Speaker 1>as we can because this space is really fun. And

0:42:24.520 --> 0:42:27.759
<v Speaker 1>the thing that's most important to me is that our

0:42:27.840 --> 0:42:31.080
<v Speaker 1>relationship translates on air because we are always like that

0:42:31.200 --> 0:42:34.080
<v Speaker 1>if the camera stops rolling, we don't stop acting that way.

0:42:34.600 --> 0:42:37.320
<v Speaker 1>It's just that, you know, we have an opportunity to

0:42:37.400 --> 0:42:40.399
<v Speaker 1>share our relationship with everybody, and it's been great. It's

0:42:40.480 --> 0:42:42.960
<v Speaker 1>been one of the most rewarding experiences of my career

0:42:43.360 --> 0:42:45.960
<v Speaker 1>because it's two women that I respect so much and

0:42:46.040 --> 0:42:48.000
<v Speaker 1>we all want each other to win, and that can

0:42:48.040 --> 0:42:51.719
<v Speaker 1>be difficult. Like I've worked with people before, and your

0:42:51.840 --> 0:42:55.160
<v Speaker 1>job is to have chemistry and sometimes you have to

0:42:55.200 --> 0:42:58.200
<v Speaker 1>fake it. And you know, my greatest like gift is

0:42:58.239 --> 0:43:00.080
<v Speaker 1>when I've worked with someone who I can't stay and

0:43:00.360 --> 0:43:02.200
<v Speaker 1>people will come up to me and be like, are

0:43:02.239 --> 0:43:04.560
<v Speaker 1>you guys best friends? Because you just seem like you

0:43:04.840 --> 0:43:08.600
<v Speaker 1>love each other. I'm like, she smiles through her teeth,

0:43:10.000 --> 0:43:12.280
<v Speaker 1>And in this case, I don't have to fake the chemistry,

0:43:12.360 --> 0:43:15.000
<v Speaker 1>the joy, the love, the respect. Like it's all been great.

0:43:15.600 --> 0:43:17.080
<v Speaker 3>It was a funny story.

0:43:17.120 --> 0:43:20.880
<v Speaker 2>I was driving in Manhattan one day and I'm turning

0:43:20.920 --> 0:43:25.320
<v Speaker 2>on like thirty twenty ninth Street, I think, and I

0:43:25.480 --> 0:43:27.840
<v Speaker 2>was texting, texting and turning at the same time. But

0:43:27.920 --> 0:43:29.759
<v Speaker 2>I was trying to tell my friend that I was

0:43:29.800 --> 0:43:32.600
<v Speaker 2>pulling up in front of the building to come downstairs,

0:43:33.800 --> 0:43:35.279
<v Speaker 2>and I look up. I had to slam on the

0:43:35.320 --> 0:43:38.400
<v Speaker 2>brakes almost hit somebody and she yells, you fucking idiot,

0:43:38.960 --> 0:43:41.200
<v Speaker 2>and it was Swing Cash, and I wanted to say,

0:43:41.880 --> 0:43:43.520
<v Speaker 2>I wanted to say I'm a big fan, but I

0:43:43.560 --> 0:43:47.280
<v Speaker 2>didn't think that was the right the right time to yoh.

0:43:47.120 --> 0:43:48.920
<v Speaker 1>You got swin to cuss at you because she's so

0:43:49.200 --> 0:43:49.759
<v Speaker 1>chill and.

0:43:50.040 --> 0:43:53.560
<v Speaker 2>Like, no, what I like? Yeah, I almost hit, like

0:43:53.640 --> 0:43:55.919
<v Speaker 2>I'm turning slow, but like she had the right away

0:43:56.280 --> 0:43:58.399
<v Speaker 2>to walk And I looked up and it was Swing

0:43:58.520 --> 0:44:00.000
<v Speaker 2>Cash and she was just yelling like what are you.

0:44:00.200 --> 0:44:02.479
<v Speaker 2>I was like, I wanted to say, I'm sorry, Swim,

0:44:02.520 --> 0:44:03.400
<v Speaker 2>I'm a huge fan, but.

0:44:03.680 --> 0:44:04.800
<v Speaker 3>That wasn't the right time to do that.

0:44:05.000 --> 0:44:07.120
<v Speaker 1>Yeah, that probably was not the right wasn't the right

0:44:07.160 --> 0:44:10.240
<v Speaker 1>time you almost murdered her, But yeah, I'm glad you didn't.

0:44:11.520 --> 0:44:15.400
<v Speaker 6>We did an Atlanta album versus with pac Man Jones,

0:44:15.400 --> 0:44:17.759
<v Speaker 6>another Atlanta resident, and I figured we could bring that

0:44:17.800 --> 0:44:20.160
<v Speaker 6>segment back with you. Since you are a music person

0:44:20.280 --> 0:44:24.120
<v Speaker 6>and from Atlanta. You have to pick an album between

0:44:24.920 --> 0:44:27.719
<v Speaker 6>each of these artists. You can't say, booth. We'll start

0:44:27.760 --> 0:44:30.360
<v Speaker 6>with Outcasts. Since you have the shirt on Aty Aliens

0:44:30.560 --> 0:44:31.680
<v Speaker 6>or Equemini.

0:44:31.960 --> 0:44:35.919
<v Speaker 1>Equimini, are you answer that quick? Chunky Fire Chunky Fire

0:44:36.120 --> 0:44:38.040
<v Speaker 1>is my favorite Outcast song of all time.

0:44:38.160 --> 0:44:39.279
<v Speaker 3>Okay, I'm with you.

0:44:40.760 --> 0:44:42.520
<v Speaker 4>I'd probably still lean on eighty aliens.

0:44:42.560 --> 0:44:43.080
<v Speaker 3>But it is tough.

0:44:43.160 --> 0:44:45.200
<v Speaker 4>You said that with the quickness God damn.

0:44:45.280 --> 0:44:48.160
<v Speaker 1>Yeah, I mean Equimini. Just to me, it's like a

0:44:48.200 --> 0:44:50.120
<v Speaker 1>Noe Skips album. Literally, I will listen to it from

0:44:50.160 --> 0:44:50.680
<v Speaker 1>beginning to end.

0:44:52.080 --> 0:44:54.480
<v Speaker 4>Ludacris back for the first time versus Chicken and Beer.

0:44:55.160 --> 0:44:59.000
<v Speaker 1>Chicken and Beer only because only because there was a

0:44:59.080 --> 0:45:01.560
<v Speaker 1>personal story there. I was working at the time at

0:45:01.960 --> 0:45:06.479
<v Speaker 1>gladyson Ron's Chicken and Waffles. Do you remember that franchise? Okay,

0:45:07.040 --> 0:45:10.360
<v Speaker 1>So I'm working there as a hostess, and they Luda

0:45:10.480 --> 0:45:14.719
<v Speaker 1>had his like album listening party at gladyson Ron's. It

0:45:14.800 --> 0:45:16.719
<v Speaker 1>was the first time I ever met him. I'm cool

0:45:16.719 --> 0:45:18.960
<v Speaker 1>with Luda, like we're homies now, like he's the best

0:45:19.000 --> 0:45:21.680
<v Speaker 1>I love Shaka, but at the time, I just was

0:45:21.719 --> 0:45:23.759
<v Speaker 1>so starstruck and I just remember hearing it for the

0:45:23.840 --> 0:45:26.440
<v Speaker 1>first time while he was playing and watching him like

0:45:26.560 --> 0:45:29.080
<v Speaker 1>rap along while he was having chicken and waffles. So

0:45:29.160 --> 0:45:31.200
<v Speaker 1>I'm going chicken and waffles just for nostalgia.

0:45:31.560 --> 0:45:33.080
<v Speaker 6>Yeah, and he was a radio host too, so I

0:45:33.120 --> 0:45:35.359
<v Speaker 6>see I see the collection back for the first time

0:45:35.520 --> 0:45:36.280
<v Speaker 6>is underrated.

0:45:36.320 --> 0:45:38.479
<v Speaker 4>But I'm going chicken in beer as well. Yeah gz

0:45:38.640 --> 0:45:42.359
<v Speaker 4>TM one on one versus the Recession, ooh, TM one

0:45:42.400 --> 0:45:44.640
<v Speaker 4>on one, Yeah, that's kind of yeah, that's that's that's

0:45:44.719 --> 0:45:47.279
<v Speaker 4>you can't you can't go against it. The recession is

0:45:47.320 --> 0:45:47.680
<v Speaker 4>there though.

0:45:47.760 --> 0:45:50.080
<v Speaker 2>This was a good album, but it was a good album.

0:45:50.480 --> 0:45:52.160
<v Speaker 2>The TM one on one is the is the album.

0:45:52.440 --> 0:45:53.759
<v Speaker 4>This is one of the toughest to me. T I

0:45:53.880 --> 0:45:54.880
<v Speaker 4>Trap Music Verse King.

0:45:55.719 --> 0:46:01.920
<v Speaker 1>Oh Okay. Again, at the time, I was doing Atlanta Radio,

0:46:02.160 --> 0:46:04.440
<v Speaker 1>so we were doing some events with t I at

0:46:04.480 --> 0:46:09.600
<v Speaker 1>the time, and like did his album release party for King.

0:46:09.800 --> 0:46:12.880
<v Speaker 1>So I'm gonna go with King, just because of the nostalgia.

0:46:13.040 --> 0:46:15.200
<v Speaker 1>Like I have a horrible memory, and I listened to

0:46:15.360 --> 0:46:18.640
<v Speaker 1>music specifically when I'm in moments to help me remember

0:46:18.680 --> 0:46:22.120
<v Speaker 1>those moments. And I just like I can distinctly remember,

0:46:22.239 --> 0:46:24.640
<v Speaker 1>like so much of my life at that time wrapped

0:46:24.680 --> 0:46:25.799
<v Speaker 1>up with King. So I'm gonna go King.

0:46:26.040 --> 0:46:27.480
<v Speaker 6>Do you have any crazy stories from when you were

0:46:27.480 --> 0:46:30.560
<v Speaker 6>working at the radio station? Oh god, especially around that

0:46:30.680 --> 0:46:33.360
<v Speaker 6>time in Atlanta, was so many Well.

0:46:33.280 --> 0:46:35.640
<v Speaker 1>Okay, So I have a funny Kanye story which.

0:46:35.560 --> 0:46:40.200
<v Speaker 4>Is, Oh my god, the world if you're on Twitter,

0:46:40.239 --> 0:46:40.440
<v Speaker 4>you have.

0:46:40.520 --> 0:46:45.040
<v Speaker 1>One fair fair although what he's doing now isn't exactly funny,

0:46:45.200 --> 0:46:49.360
<v Speaker 1>more so disgusting and deplorable, but you're right, right. So

0:46:49.520 --> 0:46:52.320
<v Speaker 1>we were the last radio station at the time to

0:46:52.520 --> 0:46:56.800
<v Speaker 1>add gold Digger, Okay, the very last one, and I

0:46:56.800 --> 0:46:58.719
<v Speaker 1>don't know why RPD just decided we weren't going to

0:46:58.760 --> 0:47:01.080
<v Speaker 1>add the song, so we ad gold Digger. Of course,

0:47:01.120 --> 0:47:03.200
<v Speaker 1>gold Digger is a huge smash it. Kanye comes on

0:47:03.280 --> 0:47:07.800
<v Speaker 1>our radio show and he has clearly been told or

0:47:07.960 --> 0:47:11.040
<v Speaker 1>knows that we were the last hip hop major hip hop.

0:47:11.239 --> 0:47:14.080
<v Speaker 4>He probably researched himself, of course he did.

0:47:14.640 --> 0:47:19.440
<v Speaker 1>So there's just this like there's just this contentious like

0:47:19.920 --> 0:47:23.279
<v Speaker 1>attitude with everything that we're doing, you know, and the

0:47:23.400 --> 0:47:25.640
<v Speaker 1>man was truly like at the time, I was like, man,

0:47:25.719 --> 0:47:29.080
<v Speaker 1>this man is truly eccentric. Right, Like now I would

0:47:29.080 --> 0:47:31.080
<v Speaker 1>describe him in some other words, but at the time,

0:47:31.600 --> 0:47:34.000
<v Speaker 1>eccentric kept coming to mind. You know, he just would

0:47:34.520 --> 0:47:37.640
<v Speaker 1>He was very add and I can relate. I'm add two.

0:47:37.719 --> 0:47:40.160
<v Speaker 1>But like you could literally be like, Kanye, do you

0:47:40.200 --> 0:47:42.600
<v Speaker 1>want like a coke or anything? And he'd be like, no,

0:47:42.680 --> 0:47:44.960
<v Speaker 1>I don't want to coke, but coke is refreshing. It's

0:47:45.000 --> 0:47:47.680
<v Speaker 1>refreshing like a Fanta, although Fanta commercials are not that

0:47:47.800 --> 0:47:49.480
<v Speaker 1>good because it was just like, what the fuck are

0:47:49.520 --> 0:47:50.040
<v Speaker 1>you talking about?

0:47:50.120 --> 0:47:50.799
<v Speaker 3>So he was the first.

0:47:53.760 --> 0:47:56.840
<v Speaker 1>We just and how they hallucinate the same thing and

0:47:57.040 --> 0:47:59.520
<v Speaker 1>so so, so the interview is over, it's like all

0:47:59.600 --> 0:48:02.160
<v Speaker 1>over the he's being He's like jumping behind, He's just

0:48:02.239 --> 0:48:04.600
<v Speaker 1>being Kanye. And so finally we get to a point

0:48:04.600 --> 0:48:06.520
<v Speaker 1>where we're like, it's time to do the radio drops, right,

0:48:06.640 --> 0:48:08.360
<v Speaker 1>and like, for people that are listening that don't know,

0:48:08.440 --> 0:48:10.200
<v Speaker 1>I know, y'all know, the radio drop is you know, yo,

0:48:10.320 --> 0:48:12.239
<v Speaker 1>you're listening to Rory and Mao on B one o

0:48:12.320 --> 0:48:14.800
<v Speaker 1>three whatever it is. So it's time for him to

0:48:14.840 --> 0:48:17.640
<v Speaker 1>do the drops. And this is where he decides he's

0:48:17.719 --> 0:48:21.200
<v Speaker 1>going to bring up that we were the last. So

0:48:21.560 --> 0:48:24.280
<v Speaker 1>so every drop is like, Yo, what's up? You're listening

0:48:24.320 --> 0:48:26.040
<v Speaker 1>to V one o three? Or he's like, Yo, what's

0:48:26.120 --> 0:48:29.359
<v Speaker 1>up this Kanye West? You listening to V one o three? Yeah?

0:48:29.440 --> 0:48:31.160
<v Speaker 1>I mean, I guess you should listen to them. Even

0:48:31.200 --> 0:48:33.359
<v Speaker 1>though they didn't want to play my stuff, even though

0:48:33.360 --> 0:48:35.080
<v Speaker 1>they didn't want to play gold Digger, even though they

0:48:35.120 --> 0:48:37.720
<v Speaker 1>didn't see it, that's cool, though it's fine. It's whatever.

0:48:37.920 --> 0:48:42.520
<v Speaker 1>You're listening. We're like, all right, can you try it again?

0:48:42.680 --> 0:48:43.360
<v Speaker 2>Kanye n.

0:48:45.640 --> 0:48:48.360
<v Speaker 4>No, it's perfect, Yo, what's up?

0:48:48.480 --> 0:48:51.040
<v Speaker 1>This is Kanye West. I mean you know, you listen

0:48:51.120 --> 0:48:52.040
<v Speaker 1>in the bitch Ass V one.

0:48:52.080 --> 0:48:57.719
<v Speaker 3>OK, Like, oh my god, bro, you listen in the

0:48:57.760 --> 0:48:58.560
<v Speaker 3>bitch Ass V one.

0:48:58.600 --> 0:49:02.000
<v Speaker 1>O three was but to be honest, if you have

0:49:02.120 --> 0:49:04.160
<v Speaker 1>time for one more story, rest in peace to the

0:49:04.200 --> 0:49:08.000
<v Speaker 1>greatest DMX. My favorite radio drop story of all time

0:49:08.120 --> 0:49:12.319
<v Speaker 1>was X because X comes up to our radio station, which,

0:49:12.400 --> 0:49:15.880
<v Speaker 1>by the way, is located right on Peachtree Street in

0:49:16.000 --> 0:49:18.320
<v Speaker 1>Colony Square, which, if you've been to Atlanta, is a

0:49:18.680 --> 0:49:22.719
<v Speaker 1>main thoroughfare. He shows up with every rough rider in

0:49:22.840 --> 0:49:27.200
<v Speaker 1>the southeast. They are blocking traffic, like there's people everywhere.

0:49:27.280 --> 0:49:30.040
<v Speaker 1>It's just it's Madison chaos everywhere. So it comes up

0:49:30.040 --> 0:49:32.960
<v Speaker 1>to the radio station and he's great, and we're you know,

0:49:33.120 --> 0:49:35.080
<v Speaker 1>we're doing our interview or whatever, and it comes time

0:49:35.120 --> 0:49:37.680
<v Speaker 1>for him to do the drops. So my little intern

0:49:37.800 --> 0:49:40.640
<v Speaker 1>comes in and hands him the sheet right with everything

0:49:40.680 --> 0:49:42.320
<v Speaker 1>that he needs to say and his name on it,

0:49:42.480 --> 0:49:45.000
<v Speaker 1>even though he could have figured out the name part right.

0:49:45.520 --> 0:49:48.279
<v Speaker 5>So he goes to start, Yo, what's up? This isn't

0:49:48.960 --> 0:49:52.480
<v Speaker 5>and he stops and he's like, Yo, what the fuck

0:49:52.600 --> 0:49:55.759
<v Speaker 5>is this? And we were like what and he's like,

0:49:56.040 --> 0:49:57.960
<v Speaker 5>what the fuck is this? And he turns a paper

0:49:58.000 --> 0:49:59.840
<v Speaker 5>and he's like, you put fucking little EG.

0:50:00.480 --> 0:50:01.560
<v Speaker 3>I looked like a little X.

0:50:01.760 --> 0:50:04.520
<v Speaker 1>You is a big X. That ain't no fuck, I'm

0:50:04.520 --> 0:50:05.560
<v Speaker 1>not a little X.

0:50:05.880 --> 0:50:06.759
<v Speaker 6>You need to fix it.

0:50:06.880 --> 0:50:09.680
<v Speaker 1>And we were like, can you just can you just

0:50:09.840 --> 0:50:11.759
<v Speaker 1>like say it though, because like, no one's gonna see

0:50:11.800 --> 0:50:14.239
<v Speaker 1>the paper. This is just a reference for you. I

0:50:14.360 --> 0:50:17.080
<v Speaker 1>want you to change it. And he's like, he's pissed

0:50:17.160 --> 0:50:20.120
<v Speaker 1>because we somebody did a typo and they did capital D,

0:50:20.320 --> 0:50:23.520
<v Speaker 1>capital M, lowercase X, and he would not let it slide.

0:50:23.560 --> 0:50:26.120
<v Speaker 3>So we have never lowercase the X. You never lowercase

0:50:26.160 --> 0:50:26.560
<v Speaker 3>the X.

0:50:26.920 --> 0:50:30.279
<v Speaker 1>Ever, Brett. So we had to wait reprint it, and

0:50:30.360 --> 0:50:31.920
<v Speaker 1>then he was like this is better, and then he

0:50:31.960 --> 0:50:33.399
<v Speaker 1>did it great.

0:50:33.400 --> 0:50:35.279
<v Speaker 6>Wait, that's even crazy, because when you were saying it,

0:50:35.400 --> 0:50:37.839
<v Speaker 6>I thought maybe someone confused him with the director little

0:50:37.960 --> 0:50:38.399
<v Speaker 6>X or something.

0:50:38.680 --> 0:50:41.520
<v Speaker 3>It was just a lower case lower case X.

0:50:43.080 --> 0:50:46.000
<v Speaker 7>They were just typing it really quickly, and because he

0:50:46.080 --> 0:50:47.880
<v Speaker 7>asked for it to be like written out and he

0:50:48.520 --> 0:50:51.160
<v Speaker 7>and then they accidentally made a typo and the intern

0:50:51.400 --> 0:50:53.160
<v Speaker 7>was humiliated and embarrassed.

0:50:54.640 --> 0:50:54.960
<v Speaker 3>All right.

0:50:55.000 --> 0:50:57.239
<v Speaker 6>Before before we get to our don'no ball questions, just

0:50:57.680 --> 0:51:01.480
<v Speaker 6>quickly have a few more future fifty six nights Verse Hendrix,

0:51:02.120 --> 0:51:07.480
<v Speaker 6>now Hendrix, same young Thug, Jeffrey or Barter six Jeffrey

0:51:08.560 --> 0:51:13.879
<v Speaker 6>Usher Confessions or eighty seven oh one, Oh Confessions I'm

0:51:13.960 --> 0:51:14.640
<v Speaker 6>Leana eighty seven.

0:51:14.640 --> 0:51:16.839
<v Speaker 2>I I like that you kind of hesitated with that one.

0:51:17.000 --> 0:51:18.960
<v Speaker 2>You thought about eighty seven oh one.

0:51:18.840 --> 0:51:20.319
<v Speaker 3>A little bit, I did.

0:51:20.440 --> 0:51:22.479
<v Speaker 1>I mean, I love eighty seven oh one, but again

0:51:22.880 --> 0:51:24.680
<v Speaker 1>professions radio nostalgia.

0:51:24.960 --> 0:51:27.319
<v Speaker 6>Yeah, yeah, eighty seven on one is still a note

0:51:27.360 --> 0:51:29.680
<v Speaker 6>skip classic to me though, But yes, do we want

0:51:29.719 --> 0:51:31.680
<v Speaker 6>to start or don't know trivia questions?

0:51:32.400 --> 0:51:32.719
<v Speaker 3>All right?

0:51:32.800 --> 0:51:35.440
<v Speaker 2>Yeah, so, Lle, we have some questions to see how

0:51:35.560 --> 0:51:37.520
<v Speaker 2>much ball we don't know, But we also have some

0:51:37.680 --> 0:51:40.120
<v Speaker 2>questions for you to see how much music even though

0:51:40.280 --> 0:51:43.399
<v Speaker 2>I mean, Lle, she's fucking she's shop all the way around.

0:51:43.400 --> 0:51:46.040
<v Speaker 2>I don't know if we're gonna be able to yeahoth categories.

0:51:46.320 --> 0:51:48.320
<v Speaker 2>This is gonna be pretty bad for us, But we

0:51:48.400 --> 0:51:50.560
<v Speaker 2>have some questions for you. So we're gonna ask you

0:51:50.640 --> 0:51:53.200
<v Speaker 2>a question, you'll answer, and then you'll ask us a

0:51:53.280 --> 0:51:56.440
<v Speaker 2>question about Ball to see exactly how much Rory and Maul.

0:51:56.360 --> 0:51:57.799
<v Speaker 3>Do not know about Ball.

0:51:57.920 --> 0:52:01.320
<v Speaker 2>So the first question l before the stage name he

0:52:01.480 --> 0:52:06.120
<v Speaker 2>has now Anderson Pac released two albums under the alias

0:52:06.280 --> 0:52:11.960
<v Speaker 2>of A Breeze love Joy, b Obe C Brandon Anderson

0:52:12.160 --> 0:52:13.120
<v Speaker 2>or d Oasis.

0:52:13.960 --> 0:52:20.600
<v Speaker 1>Oh wow, I don't know this one, I'll I wouldn't. No,

0:52:20.920 --> 0:52:22.200
<v Speaker 1>I only know him as Anderson?

0:52:22.560 --> 0:52:22.719
<v Speaker 2>Was it?

0:52:23.400 --> 0:52:26.920
<v Speaker 4>Answer is A Breezy love Joy? Wow?

0:52:27.120 --> 0:52:31.080
<v Speaker 1>That actually feels Yeah, that's.

0:52:30.880 --> 0:52:32.040
<v Speaker 4>Not like the name of the next album.

0:52:33.760 --> 0:52:33.960
<v Speaker 1>Yeah.

0:52:34.480 --> 0:52:35.879
<v Speaker 4>What's your favorite Anderson back album?

0:52:37.120 --> 0:52:37.239
<v Speaker 1>Uh?

0:52:37.719 --> 0:52:39.640
<v Speaker 4>Venice, Okay, I'm with you.

0:52:39.680 --> 0:52:40.239
<v Speaker 3>The great album.

0:52:40.280 --> 0:52:42.920
<v Speaker 4>What'd you think about the Silk Sonic Project? I loved it.

0:52:43.000 --> 0:52:47.160
<v Speaker 1>I actually saw them live in Vegas and I dropped

0:52:47.200 --> 0:52:48.799
<v Speaker 1>several bags to go see it. I was a little

0:52:48.800 --> 0:52:50.359
<v Speaker 1>pissed at first, and then I was pissed when they

0:52:50.360 --> 0:52:52.000
<v Speaker 1>told me to put my phone away, And by the

0:52:52.120 --> 0:52:54.080
<v Speaker 1>end of it, I was like, this was the I've

0:52:54.160 --> 0:52:58.719
<v Speaker 1>just never seen anybody sing and perform their heart out

0:52:58.880 --> 0:53:00.760
<v Speaker 1>like that for two and a hour half straight hours

0:53:00.800 --> 0:53:02.120
<v Speaker 1>like it was. I was into it.

0:53:02.440 --> 0:53:04.600
<v Speaker 6>We can we can cut this if your agent gets upset.

0:53:04.960 --> 0:53:07.160
<v Speaker 6>Who do you think did more cocaine in the studio

0:53:07.520 --> 0:53:10.000
<v Speaker 6>Bruno Mars or Anderson pac during the making of that project.

0:53:10.520 --> 0:53:13.680
<v Speaker 1>Bruno, for sure. I didn't I feel like you.

0:53:13.880 --> 0:53:16.440
<v Speaker 4>Are selling Anders short on his cocaine ability.

0:53:16.520 --> 0:53:18.320
<v Speaker 3>No, I think she knows Bruno's cocaine.

0:53:18.360 --> 0:53:19.200
<v Speaker 2>What does he have high.

0:53:20.920 --> 0:53:22.280
<v Speaker 1>More about Bruno's.

0:53:22.200 --> 0:53:24.160
<v Speaker 2>Yeah she no, No, you could look at Bruno and

0:53:24.239 --> 0:53:25.680
<v Speaker 2>just tell like now he probably just you.

0:53:25.719 --> 0:53:28.000
<v Speaker 4>Know, that project was not for the love of soul music.

0:53:28.080 --> 0:53:28.920
<v Speaker 4>It was for the love of coke.

0:53:29.000 --> 0:53:31.200
<v Speaker 6>That's not the same coke dealer. Yeah, but that's you know,

0:53:31.360 --> 0:53:33.759
<v Speaker 6>music in cocohen and that's their an R. You know

0:53:33.840 --> 0:53:35.840
<v Speaker 6>how that is all right, so you can ask us.

0:53:37.680 --> 0:53:41.240
<v Speaker 1>All right, here's your question. In twenty twenty four, Caitlin

0:53:41.280 --> 0:53:44.400
<v Speaker 1>Clark became the all time leading score in NCAA women's

0:53:44.440 --> 0:53:47.560
<v Speaker 1>basketball history. Whose record did she break? Was it a

0:53:47.800 --> 0:53:51.560
<v Speaker 1>Don Staley, b Kelsey Plumb, Ce, Candice Parker or de

0:53:51.800 --> 0:53:54.120
<v Speaker 1>Maya Moore? This is a sneaky one.

0:53:55.560 --> 0:54:01.360
<v Speaker 4>Uh shit, I'm a work seems too obvious.

0:54:01.520 --> 0:54:02.759
<v Speaker 3>I'm gonna go d Maya Moore.

0:54:03.640 --> 0:54:06.279
<v Speaker 6>Okay, I'm gonna steal Mall's answer. I'm gonna go d

0:54:06.400 --> 0:54:07.439
<v Speaker 6>as well. We'll be wrong together.

0:54:08.160 --> 0:54:09.920
<v Speaker 1>Yeah, the answer is actually Kelsey.

0:54:09.680 --> 0:54:12.640
<v Speaker 4>Plumb really never got Yeah.

0:54:12.960 --> 0:54:15.799
<v Speaker 1>Yeah, she was at Washington and she got a whole

0:54:15.880 --> 0:54:16.520
<v Speaker 1>lot of points.

0:54:16.719 --> 0:54:17.279
<v Speaker 6>Like she was.

0:54:17.640 --> 0:54:19.239
<v Speaker 1>She was up there racking up points. Yep.

0:54:19.719 --> 0:54:22.160
<v Speaker 3>Wow, go Kelsey. I didn't know that as well. Yeah,

0:54:22.800 --> 0:54:23.120
<v Speaker 3>all right.

0:54:23.160 --> 0:54:26.799
<v Speaker 6>Our second question, what Gucci Man feature performed the best

0:54:26.960 --> 0:54:29.520
<v Speaker 6>on the Billboard Hot one hundred. Was it a Party,

0:54:29.840 --> 0:54:33.200
<v Speaker 6>B Steady Movin C, Black Beatles or d wake Up

0:54:33.280 --> 0:54:33.759
<v Speaker 6>in the Sky?

0:54:35.239 --> 0:54:37.000
<v Speaker 1>Oh? I love that song. By the way, whenever people

0:54:37.000 --> 0:54:38.640
<v Speaker 1>ask me what my walk up song would be if

0:54:38.680 --> 0:54:40.480
<v Speaker 1>I was a baseball player, I say that even though

0:54:40.520 --> 0:54:45.800
<v Speaker 1>it's about waking up stoned, I suppose, if you know me,

0:54:45.960 --> 0:54:49.960
<v Speaker 1>is pretty appropriate. Coo. I don't know. I feel like

0:54:50.000 --> 0:54:54.440
<v Speaker 1>it's probably some maybe because Gucci, like Gucci's my guy,

0:54:54.520 --> 0:54:57.320
<v Speaker 1>by the way, I love Gucci, but his music is

0:54:57.480 --> 0:55:00.600
<v Speaker 1>not that mainstream, so I'll say because it was with

0:55:00.680 --> 0:55:02.160
<v Speaker 1>Bruno Mars, maybe wake Up in the Sky.

0:55:03.080 --> 0:55:07.480
<v Speaker 6>No, it was see Black Beatles. Really Yeah, that one

0:55:07.560 --> 0:55:09.760
<v Speaker 6>actually shocked me as well. Did you watch the GZ

0:55:10.160 --> 0:55:12.880
<v Speaker 6>and Gucci Man versus during of.

0:55:12.880 --> 0:55:17.000
<v Speaker 1>Course I did, and again like I love Gez, like

0:55:17.080 --> 0:55:19.360
<v Speaker 1>I dropped a GZ reference at the final four. I

0:55:19.520 --> 0:55:23.200
<v Speaker 1>love Gez, but I am a I'm like a Gucci girl,

0:55:23.400 --> 0:55:25.239
<v Speaker 1>like I like I'm a dog is like one of

0:55:25.320 --> 0:55:27.600
<v Speaker 1>my favorite songs of all time. I'm a treat to

0:55:27.760 --> 0:55:30.800
<v Speaker 1>like a dog. I'm a come on man. And so

0:55:31.040 --> 0:55:33.320
<v Speaker 1>I'm maybe the only person that thought he won.

0:55:36.600 --> 0:55:36.880
<v Speaker 3>Smoke.

0:55:37.120 --> 0:55:40.040
<v Speaker 1>I was like, hey, let's go Gucci, come on man,

0:55:40.360 --> 0:55:41.600
<v Speaker 1>We're definitely one.

0:55:41.880 --> 0:55:44.719
<v Speaker 6>Ignorant New Yorkers. I was watching that, like, why is

0:55:44.760 --> 0:55:47.920
<v Speaker 6>this a matchup? Like why would anyone even think that Gucci?

0:55:48.360 --> 0:55:48.560
<v Speaker 1>I was.

0:55:48.680 --> 0:55:50.960
<v Speaker 2>I was more so concerned that the security concerns in

0:55:51.000 --> 0:55:52.840
<v Speaker 2>the buildings, like why would they have these two gentlemen

0:55:53.120 --> 0:55:54.719
<v Speaker 2>so close on the stage to each other?

0:55:54.800 --> 0:55:56.640
<v Speaker 3>Like I just didn't think that was a safe thing

0:55:56.680 --> 0:55:56.840
<v Speaker 3>to do.

0:55:56.960 --> 0:55:58.839
<v Speaker 4>But the matchup goes much deeper than music.

0:55:58.960 --> 0:56:00.000
<v Speaker 3>Yeah, there was much deep.

0:56:00.239 --> 0:56:02.320
<v Speaker 1>Yeah, there's some there's some real animals over there. But

0:56:02.360 --> 0:56:03.319
<v Speaker 1>I'm always gonna ride.

0:56:03.239 --> 0:56:07.440
<v Speaker 4>With Do you do you think, in fact, Gucci is

0:56:07.520 --> 0:56:07.920
<v Speaker 4>a clone?

0:56:10.920 --> 0:56:12.640
<v Speaker 1>Is that a rumor that he's a clone?

0:56:12.760 --> 0:56:12.920
<v Speaker 4>Yeah?

0:56:13.000 --> 0:56:14.480
<v Speaker 6>When he got out of jail, he looked like a

0:56:14.520 --> 0:56:17.640
<v Speaker 6>completely different human being, Like the before and after looked

0:56:17.760 --> 0:56:19.200
<v Speaker 6>like some telemarketer.

0:56:19.400 --> 0:56:20.960
<v Speaker 2>Well that's what happens when you're locked up and you

0:56:21.040 --> 0:56:22.280
<v Speaker 2>have you on the strict diet.

0:56:22.160 --> 0:56:24.000
<v Speaker 4>Of you know you thank you, you got nothing to

0:56:24.080 --> 0:56:26.879
<v Speaker 4>do all you're doing in federal prison.

0:56:26.960 --> 0:56:29.440
<v Speaker 3>No, but when you stop eating all the bullshit, your

0:56:29.480 --> 0:56:30.319
<v Speaker 3>skin kind of you know.

0:56:30.440 --> 0:56:33.280
<v Speaker 2>Jail is where you're start eating healthy, a little little healthier,

0:56:33.360 --> 0:56:34.279
<v Speaker 2>little healthier and jury.

0:56:34.320 --> 0:56:37.000
<v Speaker 1>You're not drinking, you're not smoking, you're not late night snacking.

0:56:37.080 --> 0:56:39.000
<v Speaker 1>I mean, you know these artists are in the studio late,

0:56:39.040 --> 0:56:41.440
<v Speaker 1>they're eating meals at three am. Like all he did

0:56:41.600 --> 0:56:46.520
<v Speaker 1>was work out. I listen. I knew Gucci before and after.

0:56:46.680 --> 0:56:48.239
<v Speaker 1>I remember when you would talk to Gucci and he

0:56:48.239 --> 0:56:51.000
<v Speaker 1>would rub that big fat Santa belly. I believe that

0:56:51.040 --> 0:56:51.920
<v Speaker 1>he's not a clone at all.

0:56:52.000 --> 0:56:52.120
<v Speaker 2>Now.

0:56:52.160 --> 0:56:54.640
<v Speaker 1>The teeth sometimes I'm like, bro, we need to scale

0:56:54.680 --> 0:56:56.759
<v Speaker 1>that down a little bit, like that is not a

0:56:56.880 --> 0:56:57.879
<v Speaker 1>natural shade of teeth.

0:56:58.800 --> 0:57:01.640
<v Speaker 4>He definitely got the excels for sure, got the mediums.

0:57:03.239 --> 0:57:04.160
<v Speaker 4>It's on you, right, all right.

0:57:04.840 --> 0:57:08.520
<v Speaker 1>My question, which w NBA superstar holds the record with

0:57:08.680 --> 0:57:11.680
<v Speaker 1>two other teammates for the most n c A A

0:57:11.880 --> 0:57:15.839
<v Speaker 1>Championships won by a player. Is it a Sabrinian Escu,

0:57:16.440 --> 0:57:20.520
<v Speaker 1>b Cheryl Miller, cee Asia Wilson or de Brianna Stewart

0:57:22.600 --> 0:57:26.160
<v Speaker 1>what was B again B with Cheryl Miller. I'm going

0:57:26.240 --> 0:57:28.680
<v Speaker 1>to give you a hint. This person literally won four

0:57:29.040 --> 0:57:31.040
<v Speaker 1>national championships in a row. Four.

0:57:32.240 --> 0:57:33.400
<v Speaker 3>It has to be b Stuart.

0:57:34.680 --> 0:57:36.720
<v Speaker 1>No, is that your answer?

0:57:36.760 --> 0:57:37.800
<v Speaker 3>I'm going Brianna Stewart.

0:57:37.840 --> 0:57:38.680
<v Speaker 4>I'm going Brianna too.

0:57:39.120 --> 0:57:41.680
<v Speaker 3>Yeah, got it in your face. Them all was right

0:57:41.720 --> 0:57:43.240
<v Speaker 3>when he said it. So yeah, that was not going

0:57:43.320 --> 0:57:43.480
<v Speaker 3>to be.

0:57:45.480 --> 0:57:47.720
<v Speaker 2>That's that's you, because that sounds like you can even

0:57:47.760 --> 0:57:51.960
<v Speaker 2>though Cheryl, what Cheryl was doing was absolutely just you know,

0:57:52.120 --> 0:57:54.760
<v Speaker 2>that was insane. I saw a clip of her talking

0:57:54.760 --> 0:57:58.840
<v Speaker 2>about when she came home and Reggie had had a

0:57:58.920 --> 0:58:00.680
<v Speaker 2>good game. I think he had like thirty six or

0:58:00.760 --> 0:58:03.200
<v Speaker 2>thirty eight, and so he was kind of hype coming home.

0:58:03.920 --> 0:58:05.920
<v Speaker 2>And that was the day that Cheryl had one hundred

0:58:05.960 --> 0:58:11.480
<v Speaker 2>and something and he was he came in and she was, Yeah,

0:58:11.600 --> 0:58:13.840
<v Speaker 2>she came and came in and he was hyping. Cheryl

0:58:13.920 --> 0:58:16.120
<v Speaker 2>was already home, sitting there and he's like, yo, so

0:58:16.200 --> 0:58:16.480
<v Speaker 2>what's up?

0:58:16.520 --> 0:58:17.200
<v Speaker 3>What did you do today?

0:58:17.840 --> 0:58:19.600
<v Speaker 2>He was like, at that point, I think she had

0:58:19.600 --> 0:58:22.200
<v Speaker 2>a sixty point game, already had a seventy. She was

0:58:22.240 --> 0:58:25.080
<v Speaker 2>throwing out some numbers that I was like, she's casually saying, yeah,

0:58:25.120 --> 0:58:27.000
<v Speaker 2>I had sixty before, I had seventy before.

0:58:27.520 --> 0:58:29.040
<v Speaker 3>And so Reggie was sitting there like, so, what did

0:58:29.040 --> 0:58:31.240
<v Speaker 3>you do today? She was like, you know, one hundred?

0:58:31.280 --> 0:58:33.120
<v Speaker 3>And he was like what did he just see you through?

0:58:33.160 --> 0:58:33.440
<v Speaker 3>A fit?

0:58:33.880 --> 0:58:36.520
<v Speaker 2>Got mad, got upset, told his mom I can't beat her.

0:58:36.600 --> 0:58:38.680
<v Speaker 2>I'm not better than her. I thought that that was

0:58:38.800 --> 0:58:42.000
<v Speaker 2>crazy to see, Like, first of all, the Millers are legendary,

0:58:42.080 --> 0:58:46.000
<v Speaker 2>but you forget about exactly how dominant Cheryl Miller was

0:58:46.120 --> 0:58:50.360
<v Speaker 2>when she played basketball. And obviously Reggie is a legend too,

0:58:50.440 --> 0:58:53.120
<v Speaker 2>but by far, Cheryl Miller is the better.

0:58:53.280 --> 0:58:54.440
<v Speaker 3>Is the better of the siblings?

0:58:54.640 --> 0:58:55.080
<v Speaker 4>No sense?

0:58:55.440 --> 0:58:56.800
<v Speaker 1>She got two titles but not four?

0:58:57.040 --> 0:58:58.040
<v Speaker 3>Yeah? Crazy?

0:58:58.680 --> 0:59:01.240
<v Speaker 6>How many number one singles does Usher have? Is it

0:59:01.400 --> 0:59:04.840
<v Speaker 6>A seven, B nine, C eleven or D.

0:59:05.040 --> 0:59:09.720
<v Speaker 1>Thirteen number one singles? I'll go nine?

0:59:10.320 --> 0:59:12.959
<v Speaker 4>You are correct, right? Answer is B nine?

0:59:14.080 --> 0:59:14.320
<v Speaker 1>Nice?

0:59:14.960 --> 0:59:15.480
<v Speaker 4>One for three?

0:59:16.240 --> 0:59:17.320
<v Speaker 1>User baby? All right?

0:59:17.400 --> 0:59:17.680
<v Speaker 3>All right?

0:59:17.720 --> 0:59:22.400
<v Speaker 1>So one more? Yep, you got one more? Which this

0:59:22.560 --> 0:59:24.439
<v Speaker 1>is hard? This is I'm gonna, I'm not gonna.

0:59:24.480 --> 0:59:25.240
<v Speaker 3>I'm gonna get this right.

0:59:26.440 --> 0:59:32.000
<v Speaker 1>Which w NBA franchise has the most title appearances? Is

0:59:32.040 --> 0:59:35.560
<v Speaker 1>it A The New York Liberty, B the Los Angeles Sparks.

0:59:35.960 --> 0:59:39.000
<v Speaker 1>See the Minnesota Lynx or d the Phoenix Mercury.

0:59:39.760 --> 0:59:40.840
<v Speaker 4>I'm going b Sparks.

0:59:42.120 --> 0:59:44.959
<v Speaker 3>Nah, it's not the it's not the Sparks. I'm going.

0:59:48.600 --> 0:59:49.600
<v Speaker 4>If it's a Phoenix, I quit.

0:59:49.720 --> 0:59:54.200
<v Speaker 2>I feel like Diana Tarassi been there a lot. I'm

0:59:54.240 --> 0:59:54.920
<v Speaker 2>going Phoenix.

0:59:55.760 --> 0:59:57.720
<v Speaker 1>Okay, let me get your you're both wrong. Let me

0:59:57.800 --> 1:00:01.800
<v Speaker 1>give you a hint. It's a team from the finals

1:00:02.880 --> 1:00:05.880
<v Speaker 1>a season ago. So that that's two of the that's

1:00:05.960 --> 1:00:08.200
<v Speaker 1>A and C on here. It's either the Liberty or

1:00:08.240 --> 1:00:08.640
<v Speaker 1>the Links.

1:00:09.440 --> 1:00:11.040
<v Speaker 4>Well, the Liberty won last year, right, so it's the

1:00:11.120 --> 1:00:14.040
<v Speaker 4>Links then, yeah, the Links.

1:00:14.320 --> 1:00:17.120
<v Speaker 3>Maya Moore? Was that Maya that was getting all the time?

1:00:17.240 --> 1:00:20.760
<v Speaker 4>Yeah, okay, yep, yeah, were one to three as well.

1:00:20.800 --> 1:00:23.040
<v Speaker 2>Look, we said we don't know ball, like we told

1:00:23.080 --> 1:00:24.800
<v Speaker 2>you that before you called in, Like, we said, we

1:00:24.840 --> 1:00:25.560
<v Speaker 2>don't know ball.

1:00:26.280 --> 1:00:28.200
<v Speaker 1>So yeah, but I said on New Music and I

1:00:28.280 --> 1:00:29.760
<v Speaker 1>got the same score as you. So there you go.

1:00:30.040 --> 1:00:32.520
<v Speaker 2>That's how we broke even. We broke even, Stevens. It's

1:00:32.520 --> 1:00:35.240
<v Speaker 2>all good. We want to thank you for joining us.

1:00:35.520 --> 1:00:37.840
<v Speaker 2>Good luck with everything that you're doing. We appreciate everything

1:00:37.920 --> 1:00:41.360
<v Speaker 2>you're doing. You Andrea and Shaney, y'all absolutely killing it.

1:00:41.640 --> 1:00:44.439
<v Speaker 2>It's a pleasure watching you ladies, uh you know, talk

1:00:44.480 --> 1:00:46.720
<v Speaker 2>about sports and have fun at the same time.

1:00:46.800 --> 1:00:48.600
<v Speaker 3>And we appreciate you kicking with us today.

1:00:48.400 --> 1:00:49.960
<v Speaker 4>And thank you for the well time.

1:00:50.000 --> 1:00:51.720
<v Speaker 2>Yeah, and tell your husband we said peace. Thanks for

1:00:51.800 --> 1:00:53.400
<v Speaker 2>the support and we'll talk.

1:00:53.440 --> 1:00:54.720
<v Speaker 1>You just did. He's gonna listen.

1:00:55.600 --> 1:00:58.360
<v Speaker 3>We appreciate that. L. Thank you. That's L. Duncan for

1:00:58.520 --> 1:01:02.080
<v Speaker 3>Rory and Maul. Don't know ball, no Willian now