1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch, to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,400 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,400 --> 00:00:32,640 Speaker 1: a little thing we like to call the after party. 6 00:00:32,840 --> 00:00:35,400 Speaker 1: This is the show after the show, the party after 7 00:00:35,440 --> 00:00:37,480 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,479 --> 00:00:40,160 Speaker 1: episode or Disgraceland to the other. The backyard to dig 9 00:00:40,200 --> 00:00:43,680 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:43,800 --> 00:00:48,000 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:48,040 --> 00:00:51,680 Speaker 1: we're talking about this week's full episode subject the Replacements. 12 00:00:51,720 --> 00:00:54,600 Speaker 1: We're rewinding with the Guns and Roses Parts one and two, 13 00:00:54,640 --> 00:00:58,160 Speaker 1: stories from our archive, previewing our new upcoming episode on 14 00:00:58,280 --> 00:01:00,880 Speaker 1: Nikki six, and we get into your voicemail, text, dms 15 00:01:00,920 --> 00:01:04,640 Speaker 1: and as always a whole lot of rosie. Disgraceland is 16 00:01:04,760 --> 00:01:07,320 Speaker 1: for the obsessed, the overlook, the outsiders who know that 17 00:01:07,360 --> 00:01:09,959 Speaker 1: the best stories are the ones that got buried. If 18 00:01:10,000 --> 00:01:12,720 Speaker 1: that's you, then you belong right here in the after party. 19 00:01:12,720 --> 00:01:26,240 Speaker 1: All right, this goes, Let's get into it. When I 20 00:01:26,240 --> 00:01:29,120 Speaker 1: first heard The Replacements in high school, it was what 21 00:01:29,280 --> 00:01:32,280 Speaker 1: older kids listened to, and by older kids, I mean 22 00:01:32,520 --> 00:01:35,959 Speaker 1: kids who seem both smart and dangerous, kids from my 23 00:01:36,080 --> 00:01:39,400 Speaker 1: town who went to college but still had cool vintage 24 00:01:39,440 --> 00:01:43,520 Speaker 1: cars and hot girlfriends. But Molly ringwaldhat not Cindy Crawford hot. 25 00:01:43,600 --> 00:01:47,440 Speaker 1: The point is what these Replacements listening dudes had was 26 00:01:47,560 --> 00:01:50,640 Speaker 1: different from what my punk rock listening friends had. It 27 00:01:50,720 --> 00:01:55,880 Speaker 1: seemed more adult and fun, and like I said, somehow smart, 28 00:01:55,880 --> 00:01:59,400 Speaker 1: too smarter than the Misfits and suicidal tendencies. Anyway, despite 29 00:01:59,640 --> 00:02:03,200 Speaker 1: Gary and Boner, so I gravitated toward these kids, and 30 00:02:03,240 --> 00:02:07,080 Speaker 1: of course toward the Replacements. Now, given how fucked up 31 00:02:07,080 --> 00:02:10,280 Speaker 1: the Replacements were and how good their songs were and 32 00:02:10,360 --> 00:02:13,360 Speaker 1: what the dudes who were listening to the Replacements were reaping, 33 00:02:13,480 --> 00:02:16,480 Speaker 1: I thought, I fucking love this band, and I thought 34 00:02:16,919 --> 00:02:20,600 Speaker 1: I can do this, and of course I couldn't, not 35 00:02:20,680 --> 00:02:23,679 Speaker 1: with that level of brilliance. Turns out it's really hard 36 00:02:23,720 --> 00:02:26,360 Speaker 1: to be wasted all the time and brilliant. Just ask 37 00:02:26,520 --> 00:02:31,120 Speaker 1: Bob Stinson. Now, the Replacements were mythic before they even 38 00:02:31,160 --> 00:02:35,080 Speaker 1: got big, and maybe that was the problem because in 39 00:02:35,120 --> 00:02:38,600 Speaker 1: living up to that myth, they paid a very very 40 00:02:38,680 --> 00:02:42,160 Speaker 1: very steep price. We' of course detailed that reckoning in 41 00:02:42,200 --> 00:02:44,960 Speaker 1: our new episode this week on the Replacements, the greatest 42 00:02:44,960 --> 00:02:48,040 Speaker 1: band that Never was. They never reached the rock and 43 00:02:48,120 --> 00:02:51,200 Speaker 1: roll heights they were promised, and that their great songs 44 00:02:51,320 --> 00:02:54,800 Speaker 1: promised us. And some say they should have been, you know, 45 00:02:54,880 --> 00:02:57,040 Speaker 1: akin to what Tom Petty and the Heartbreakers were, And 46 00:02:57,080 --> 00:03:01,080 Speaker 1: I don't believe that. I think the Plents should have 47 00:03:01,080 --> 00:03:04,120 Speaker 1: been the Rolling Stones. The songs were that good, and 48 00:03:04,200 --> 00:03:07,960 Speaker 1: so were the albums. And you know, here's where where 49 00:03:08,000 --> 00:03:11,360 Speaker 1: the Replacements had Tom Petty and the Heartbreakers beat. The 50 00:03:11,440 --> 00:03:16,280 Speaker 1: individual members of the Mats had more charisma than the Heartbreakers, 51 00:03:16,880 --> 00:03:19,560 Speaker 1: just like the Rolling Stones. And maybe that's why Tom 52 00:03:19,560 --> 00:03:21,760 Speaker 1: Petty had the Replacements thrown off tour with him, but 53 00:03:21,880 --> 00:03:25,400 Speaker 1: probably not. Never mind any of that. It doesn't matter, 54 00:03:26,000 --> 00:03:28,079 Speaker 1: some of you will say, and I kind of agree 55 00:03:28,080 --> 00:03:33,720 Speaker 1: with you. Who cares? The Replacements made great music, mainstream 56 00:03:33,840 --> 00:03:38,040 Speaker 1: rock and roll stardom doesn't matter. And this is true. 57 00:03:38,160 --> 00:03:42,720 Speaker 1: But there's a weird sort of generational representation that shines 58 00:03:42,760 --> 00:03:45,680 Speaker 1: on the fans of a very small handful of bands. 59 00:03:45,720 --> 00:03:51,120 Speaker 1: You're Rolling Stones, Nirvana, et cetera. Okay, those precious few 60 00:03:51,200 --> 00:03:55,280 Speaker 1: bands who completely embody everything there is to say about 61 00:03:55,280 --> 00:03:59,440 Speaker 1: a generation. The Replacements had that level of rock stardom 62 00:03:59,480 --> 00:04:02,080 Speaker 1: waiting for them, and they fucked themselves out of it. 63 00:04:02,680 --> 00:04:05,520 Speaker 1: And yes, it's beyond cool to have seen the Replacements 64 00:04:05,560 --> 00:04:07,920 Speaker 1: at the rat and Kenmore Square back in nineteen eighty four. 65 00:04:07,920 --> 00:04:10,040 Speaker 1: But wouldn't it be cooler to be telling your kid 66 00:04:10,080 --> 00:04:13,520 Speaker 1: that this summer at Gillette Stadium while watching the Replacements 67 00:04:13,560 --> 00:04:17,960 Speaker 1: storm through decades of hits that now speak to generations. 68 00:04:18,760 --> 00:04:21,880 Speaker 1: I don't know, Maybe, maybe not. I like to think 69 00:04:21,920 --> 00:04:24,560 Speaker 1: so anyway, not everything needs to be gate kept. We 70 00:04:24,640 --> 00:04:28,320 Speaker 1: have plenty of Smiths and minute Men and Sonics and 71 00:04:28,440 --> 00:04:31,520 Speaker 1: Joy Divisions, so many bands that were great but never 72 00:04:31,640 --> 00:04:36,479 Speaker 1: cemented their greatness across generations at scale or whatever, I 73 00:04:36,480 --> 00:04:40,240 Speaker 1: feel like the Replacements could have been truly iconic. I 74 00:04:40,279 --> 00:04:42,600 Speaker 1: had Skyway on the stereo yesterday while driving to the 75 00:04:42,640 --> 00:04:45,520 Speaker 1: basketball court with my seven year old son, and he 76 00:04:45,560 --> 00:04:49,279 Speaker 1: asked me to play a Fleetwood Max everywhere. I wonder 77 00:04:49,320 --> 00:04:52,400 Speaker 1: what Paul Westerburg thinks of that. I don't know, but 78 00:04:52,720 --> 00:04:57,719 Speaker 1: I bet somehow he gets it. Anyway, speaking of icons Oasis, 79 00:04:58,080 --> 00:05:00,840 Speaker 1: the reunion shows are happening. Were any of you there? 80 00:05:01,400 --> 00:05:03,520 Speaker 1: Any of you at all? Last weekend at the gig 81 00:05:03,800 --> 00:05:06,120 Speaker 1: UK listeners. I know you're out there. You're the third 82 00:05:06,120 --> 00:05:09,200 Speaker 1: biggest country for disgrace Sland listeners. Someone out there is 83 00:05:09,200 --> 00:05:10,840 Speaker 1: listening to this. Who was at that show? And if 84 00:05:10,839 --> 00:05:13,400 Speaker 1: it was you, you are, as they say across the Pond, 85 00:05:13,480 --> 00:05:16,000 Speaker 1: a fucking legend. So call me and give me the review. 86 00:05:16,040 --> 00:05:18,480 Speaker 1: Six one seven nine oh six six sixty three eight 87 00:05:18,560 --> 00:05:20,880 Speaker 1: Sabbath just played as well last weekend, their last show 88 00:05:21,240 --> 00:05:24,120 Speaker 1: the day after Oasis. I saw some of the footage online. 89 00:05:24,160 --> 00:05:26,520 Speaker 1: Looks incredible. Maybe you were there instead of Oasis, and 90 00:05:26,560 --> 00:05:27,760 Speaker 1: if you were, you know how to get in touch 91 00:05:27,800 --> 00:05:29,880 Speaker 1: as well. I want your review too, and I wanted 92 00:05:29,880 --> 00:05:32,839 Speaker 1: to know if seeing Oasis or Black Sabbath made you 93 00:05:32,839 --> 00:05:35,080 Speaker 1: feel like the dirty rock and roll animals you were 94 00:05:35,080 --> 00:05:37,320 Speaker 1: back in high school. These are the important questions that 95 00:05:37,320 --> 00:05:39,320 Speaker 1: we need to answer. Disc goes, so hit me up. 96 00:05:39,920 --> 00:05:42,920 Speaker 1: Seawan Colmes still in jail, and boy did I blow 97 00:05:42,960 --> 00:05:46,080 Speaker 1: that one. Last week. I was convinced the judge was 98 00:05:46,080 --> 00:05:47,680 Speaker 1: going to let him skate, but looks like he's in 99 00:05:47,680 --> 00:05:51,360 Speaker 1: the Huskau until sentencing on October third. I still don't 100 00:05:51,360 --> 00:05:53,800 Speaker 1: think he's going to do serious time. It's a chance 101 00:05:54,560 --> 00:05:56,039 Speaker 1: I'm not saying this is going to happen, but there's 102 00:05:56,040 --> 00:05:58,800 Speaker 1: a chance he could just get time served and just 103 00:05:59,000 --> 00:06:02,719 Speaker 1: walk in. OK, Tame, we shall see. I finished writing 104 00:06:02,760 --> 00:06:08,159 Speaker 1: my Brian Wilson episode on Friday, actually on Saturday. I 105 00:06:08,200 --> 00:06:09,960 Speaker 1: can't tell if it's good or not. Might have been 106 00:06:10,000 --> 00:06:13,240 Speaker 1: the hardest episode I've ever written. I'll tell you more 107 00:06:13,240 --> 00:06:15,120 Speaker 1: about it in a couple of weeks when it's released. 108 00:06:15,160 --> 00:06:18,479 Speaker 1: I'm reading about Jimmy Buffett, and man, oh man, was 109 00:06:18,560 --> 00:06:21,479 Speaker 1: this dude not the droid I was looking for. I 110 00:06:21,480 --> 00:06:23,960 Speaker 1: don't think I've ever been more interested in an artist 111 00:06:23,960 --> 00:06:30,120 Speaker 1: whose music I just don't like. That said, those first 112 00:06:30,120 --> 00:06:32,160 Speaker 1: three records are starting to get their hooks into me. 113 00:06:32,400 --> 00:06:35,400 Speaker 1: And if you have partial punk rock indie snow blood 114 00:06:35,480 --> 00:06:37,960 Speaker 1: running through your veins like I do, I promise you 115 00:06:37,960 --> 00:06:40,160 Speaker 1: you're going to love the Jimmy Buffett story that I'm 116 00:06:40,200 --> 00:06:42,120 Speaker 1: going to tell you. Don't believe me, just wait. This 117 00:06:42,200 --> 00:06:44,320 Speaker 1: story is not what you think it is so much more. 118 00:06:44,760 --> 00:06:46,600 Speaker 1: What else is going on? My favorite character in the 119 00:06:46,640 --> 00:06:48,320 Speaker 1: Chris Whitker book that I'm reading that I've been telling 120 00:06:48,360 --> 00:06:50,719 Speaker 1: you guys about, he just died, and honestly, I feel 121 00:06:50,760 --> 00:06:52,719 Speaker 1: like I need to find a way to process my 122 00:06:52,760 --> 00:06:56,120 Speaker 1: grief here. Maybe a mock cremation, a pirate's funeral, perhaps, 123 00:06:56,160 --> 00:06:57,800 Speaker 1: I don't know. It bummed me the fuck out, man. 124 00:06:57,800 --> 00:06:59,240 Speaker 1: You ever have that happen to you. You're reading your 125 00:06:59,240 --> 00:07:01,640 Speaker 1: book and you're just no, don't do wait, what are 126 00:07:01,680 --> 00:07:02,119 Speaker 1: you doing? 127 00:07:02,240 --> 00:07:02,480 Speaker 2: Man? 128 00:07:03,000 --> 00:07:04,760 Speaker 1: And then it happens and you're like, shit, Now, I 129 00:07:04,760 --> 00:07:08,720 Speaker 1: get the entire third act to go, and the dude's 130 00:07:08,800 --> 00:07:11,559 Speaker 1: just not there. Man, He's gone. Okay, there's no bringing 131 00:07:11,600 --> 00:07:15,320 Speaker 1: them back either. It's not that type of book. Whitaker's book. 132 00:07:15,720 --> 00:07:18,000 Speaker 1: The one I'm reading is called We Begin at the End. 133 00:07:18,200 --> 00:07:21,280 Speaker 1: His new book, which I can't recall the name of 134 00:07:21,400 --> 00:07:24,960 Speaker 1: at the moment, is number three on the Times bestseller list, 135 00:07:25,040 --> 00:07:28,240 Speaker 1: so I could just read that next. But I've got 136 00:07:28,320 --> 00:07:32,440 Speaker 1: Tom mcguine's Nobody's Angel queued up next to pair with 137 00:07:32,560 --> 00:07:35,720 Speaker 1: my upcoming trip to Montana at the end of the month. 138 00:07:36,240 --> 00:07:38,840 Speaker 1: Hopefully that book will come with less fictional grief. We 139 00:07:38,880 --> 00:07:42,840 Speaker 1: shall see. I've got Turnstyle, the new Turnstyle record, on 140 00:07:42,840 --> 00:07:45,240 Speaker 1: my turntable, and no matter what I do, I can't 141 00:07:45,280 --> 00:07:49,040 Speaker 1: get it off. I can't stop listening to this record. 142 00:07:49,080 --> 00:07:52,000 Speaker 1: It's never enough listening to the Turnstyle record see what 143 00:07:52,000 --> 00:07:54,680 Speaker 1: I did there. I'll have more on Turnstyle in the 144 00:07:54,720 --> 00:07:57,920 Speaker 1: exclusive section of this bonus episode, as well as a 145 00:07:57,960 --> 00:08:00,640 Speaker 1: little bit more on my time on tour with Tommy 146 00:08:00,680 --> 00:08:03,559 Speaker 1: Stinson from the Replacements that'll come up later in the show. 147 00:08:04,480 --> 00:08:06,960 Speaker 1: After that, next up in your feed after this episode, 148 00:08:07,280 --> 00:08:10,080 Speaker 1: we're revisiting Guns N' Roses Parts one and two, tracing 149 00:08:10,120 --> 00:08:13,400 Speaker 1: their rise of Corus Slash and Izzi's eighties and nineties 150 00:08:13,400 --> 00:08:18,000 Speaker 1: awesomeness and the weird, strange, juvenile delinquent id of Axel Rose. 151 00:08:18,000 --> 00:08:21,120 Speaker 1: And then next week quick refresher on our og Motley 152 00:08:21,200 --> 00:08:25,160 Speaker 1: Crue episode on Monday to set the groundwork for our 153 00:08:25,320 --> 00:08:30,040 Speaker 1: part two crew episode on Nicky six. Entirely, Yes, the 154 00:08:30,120 --> 00:08:33,200 Speaker 1: Nicky sixth story is so out of control the two 155 00:08:33,240 --> 00:08:35,760 Speaker 1: episodes were needed to get into all of it. Thanks 156 00:08:35,760 --> 00:08:37,880 Speaker 1: to Disco Chris on It for pushing me on this one. 157 00:08:37,880 --> 00:08:40,080 Speaker 1: When you're listening to that Nicki six episode, guys, be 158 00:08:40,120 --> 00:08:42,480 Speaker 1: thinking about this question. Is Motley Crue the greatest hair 159 00:08:42,480 --> 00:08:45,360 Speaker 1: metal band of all time? Which glam band makes you 160 00:08:45,400 --> 00:08:47,880 Speaker 1: want to drive faster, drink more, stay out later, never 161 00:08:47,960 --> 00:08:49,600 Speaker 1: leave that kegger out in the woods. I want to 162 00:08:49,640 --> 00:08:52,440 Speaker 1: know and if you can't stand hair metal, which hair 163 00:08:52,480 --> 00:08:54,559 Speaker 1: band do you kind of sort of maybe think is 164 00:08:54,600 --> 00:08:56,880 Speaker 1: all right? You might not like poison, but you can 165 00:08:56,920 --> 00:08:59,280 Speaker 1: tolerate Hanoi rocks. I don't know you tell me caller 166 00:08:59,360 --> 00:09:02,240 Speaker 1: Tech six one nine oh six six six three eight 167 00:09:02,240 --> 00:09:04,880 Speaker 1: will feature your picks in the next after party. All right, 168 00:09:05,080 --> 00:09:07,880 Speaker 1: that's everything that's in my head. Uh, I gotta take 169 00:09:07,880 --> 00:09:09,920 Speaker 1: a break. I need some tea. I need to drink 170 00:09:09,960 --> 00:09:11,760 Speaker 1: a little water. I'll be back in a minute with 171 00:09:11,760 --> 00:09:34,280 Speaker 1: your voicemails in your texts. All right, we are back. 172 00:09:34,280 --> 00:09:37,200 Speaker 1: Apple podcast listeners. Remember, make sure you got auto downloads 173 00:09:37,240 --> 00:09:39,600 Speaker 1: turned on, so the disgrace and finds you every morning. 174 00:09:39,600 --> 00:09:40,960 Speaker 1: You don't have to go looking forward. So it's gonna 175 00:09:40,960 --> 00:09:43,640 Speaker 1: be right there in your RSS feed waiting for you 176 00:09:43,720 --> 00:09:46,200 Speaker 1: every episode. All right. Six one seven nine oh six 177 00:09:46,280 --> 00:09:47,959 Speaker 1: six six three eight. You know where I'm at ham 178 00:09:47,960 --> 00:09:49,520 Speaker 1: in the phone booth, that's one across the hall. I'm 179 00:09:49,520 --> 00:09:50,839 Speaker 1: hanging on the telephone. You want to send me a 180 00:09:50,880 --> 00:09:54,680 Speaker 1: voicemail or a text, get at me six one seven 181 00:09:54,800 --> 00:09:57,040 Speaker 1: nine oh six six six three eight. The question of 182 00:09:57,040 --> 00:09:59,679 Speaker 1: the week we're answering this week has to do with 183 00:09:59,679 --> 00:10:03,160 Speaker 1: the rep I asked you guys, are they I forget 184 00:10:03,160 --> 00:10:05,160 Speaker 1: how I freezed it, but it was basically like you 185 00:10:05,160 --> 00:10:08,480 Speaker 1: know what band. Besides, the replacements should have been huge 186 00:10:08,760 --> 00:10:12,720 Speaker 1: but was not. This call comes from the two seven zero. 187 00:10:13,080 --> 00:10:18,760 Speaker 3: Hey, Jake, two seven oh, Todd. I love this question. 188 00:10:19,240 --> 00:10:21,960 Speaker 3: I hope I'm not too late for it. I'm going 189 00:10:22,000 --> 00:10:25,800 Speaker 3: to go with the replacements, which is the subject matter 190 00:10:25,840 --> 00:10:31,160 Speaker 3: of your show. Also, honorable mentions will go to the 191 00:10:31,240 --> 00:10:34,880 Speaker 3: New York Dolls, who you have spoke about before, so 192 00:10:35,040 --> 00:10:40,160 Speaker 3: influential kiss Errol Smith. Most of the hair metal bands 193 00:10:40,360 --> 00:10:42,760 Speaker 3: owe something to the New York Dolls, as we all know, 194 00:10:42,880 --> 00:10:45,520 Speaker 3: and they just never really sold the many albums. I'm 195 00:10:45,520 --> 00:10:48,920 Speaker 3: biased because I love them. Honorable mentions will go to 196 00:10:49,720 --> 00:10:53,120 Speaker 3: Screaming Trees front of by Mark Lanagan, in my opinion, 197 00:10:53,200 --> 00:10:56,240 Speaker 3: one of the best bands from Seattle, if not the best. 198 00:10:56,720 --> 00:10:58,520 Speaker 3: Loved the questions, love the content. 199 00:10:58,679 --> 00:11:02,280 Speaker 1: Thank you, Jake, all right, Todd, thanks man. I appreciate 200 00:11:02,360 --> 00:11:05,360 Speaker 1: you well digging into the theme here. Replacements of course, 201 00:11:05,360 --> 00:11:07,600 Speaker 1: and I like your New York Dolls suggestion as well. 202 00:11:07,600 --> 00:11:10,520 Speaker 1: I also like the Mark Lanigan Screaming Trees piece of 203 00:11:10,559 --> 00:11:13,080 Speaker 1: it all because we've got a landag An episode coming up. 204 00:11:13,640 --> 00:11:16,120 Speaker 1: I think next, No, Nikki six is next, and then 205 00:11:16,200 --> 00:11:18,520 Speaker 1: I think after that or two after that is our 206 00:11:18,600 --> 00:11:22,000 Speaker 1: Mark Lannigan story. So that's coming down the pike just 207 00:11:22,080 --> 00:11:25,000 Speaker 1: for you. See we did that for you specifically. No, 208 00:11:25,120 --> 00:11:27,160 Speaker 1: we didn't, but you know we did. Just check out 209 00:11:27,160 --> 00:11:29,040 Speaker 1: this voicemail from the seven eight one. 210 00:11:29,240 --> 00:11:32,719 Speaker 2: Hey, Jake Chris here in the seven eight one. I'm 211 00:11:32,760 --> 00:11:35,920 Speaker 2: an unapologetic Replacements fan, so I had the pleasure of 212 00:11:35,960 --> 00:11:38,040 Speaker 2: meeting Paul a couple of times. Such a great guy. 213 00:11:39,280 --> 00:11:42,520 Speaker 2: I think they were severely underrated and or appreciate it, 214 00:11:42,600 --> 00:11:47,280 Speaker 2: especially during their heyday. See what I did there. They 215 00:11:47,320 --> 00:11:51,160 Speaker 2: were in the middle of the synthpop and hair metal eighties. 216 00:11:51,679 --> 00:11:53,800 Speaker 2: There's a couple of bands though, that I think about 217 00:11:53,840 --> 00:11:59,559 Speaker 2: that really should have been bigger, are even marginally successful. 218 00:12:00,120 --> 00:12:03,760 Speaker 2: One band out of Boston was Berlin Airlift later morphed 219 00:12:03,760 --> 00:12:07,160 Speaker 2: into Berlin the movie. Maybe the greatest band I've ever 220 00:12:07,200 --> 00:12:09,800 Speaker 2: seen in my life in my opinion. Also two other 221 00:12:09,840 --> 00:12:13,679 Speaker 2: bands from Boston that are severely underrated or underappreciated. One 222 00:12:14,520 --> 00:12:18,679 Speaker 2: would be the Del Fuegos and the other the legendary Neighborhoods. 223 00:12:19,120 --> 00:12:22,280 Speaker 2: Of course, Dave Minihan ended up playing with Paul in 224 00:12:22,320 --> 00:12:25,280 Speaker 2: a solo band, and of course, later in the twenty 225 00:12:25,400 --> 00:12:30,160 Speaker 2: thirteen replaced in Store. Great episode, I Love the Maps, 226 00:12:30,400 --> 00:12:33,040 Speaker 2: Love what you Do, Rock and Roller, Buddy. 227 00:12:33,080 --> 00:12:35,360 Speaker 1: Chris, Rock and Roller, Thank you so much, great call. 228 00:12:36,200 --> 00:12:39,480 Speaker 1: Yeah man, I felt like the replacements were good enough 229 00:12:39,520 --> 00:12:42,040 Speaker 1: to transcend all the hair metal bullshit that was going 230 00:12:42,080 --> 00:12:44,679 Speaker 1: on in the eighties. And you know, I don't know 231 00:12:44,720 --> 00:12:46,640 Speaker 1: if we'd agree or differ on this, but I think 232 00:12:46,679 --> 00:12:50,000 Speaker 1: the level of self sabotage from the band itself has 233 00:12:50,040 --> 00:12:54,679 Speaker 1: more to do with their lack of a breakthrough than 234 00:12:54,720 --> 00:12:56,640 Speaker 1: the actual scene that was going on at the time. 235 00:12:57,320 --> 00:13:00,560 Speaker 1: Love Love the Boston Rex here on band who should 236 00:13:00,559 --> 00:13:04,600 Speaker 1: have been bigger? Berlin Airlift? Was that Rick Berlin's band? 237 00:13:04,679 --> 00:13:07,400 Speaker 1: I never saw Berlin Airlift or Berlin the movie, but 238 00:13:07,440 --> 00:13:10,040 Speaker 1: I think that's Rick Bruin's band. And I've seen Rick 239 00:13:10,080 --> 00:13:14,080 Speaker 1: Brulin perform numerous times. I've even met him once or twice. 240 00:13:14,160 --> 00:13:17,000 Speaker 1: Super nice guy back when I was a doorman for 241 00:13:17,040 --> 00:13:20,000 Speaker 1: the Lizard Lounge way back in the day. What a 242 00:13:20,040 --> 00:13:22,240 Speaker 1: fun gig that was. Let's see what else what else 243 00:13:22,240 --> 00:13:23,600 Speaker 1: you got here? Let us talk about O. Yeah, course 244 00:13:23,600 --> 00:13:25,200 Speaker 1: you talked about delf Fuegos. I was just listening to 245 00:13:25,200 --> 00:13:29,679 Speaker 1: the Delfoegos the other day, listening to some eighties quote 246 00:13:29,720 --> 00:13:34,520 Speaker 1: unquote college rock had a mix going started by the 247 00:13:34,559 --> 00:13:37,080 Speaker 1: Long Riders, not from Boston, but a great band, and 248 00:13:37,080 --> 00:13:40,000 Speaker 1: it pulled up some great Del Fuego stuff. I was 249 00:13:40,040 --> 00:13:42,760 Speaker 1: listening to the Del Fuegos way way way, way, way, way, 250 00:13:42,840 --> 00:13:44,320 Speaker 1: way way way back in the day when they were 251 00:13:44,360 --> 00:13:47,040 Speaker 1: actually happening, when they were being played on FNX. I 252 00:13:47,080 --> 00:13:49,120 Speaker 1: think they're even being played on BCN at the time. 253 00:13:49,640 --> 00:13:53,240 Speaker 1: I remember the girl I was seeing back in sixth grade, 254 00:13:53,480 --> 00:13:55,760 Speaker 1: my girlfriend. She lives at the top of this hill, 255 00:13:55,800 --> 00:13:58,640 Speaker 1: like really high up in Clinton and from her house 256 00:13:58,679 --> 00:14:02,840 Speaker 1: you could actually get the wain X signal and it 257 00:14:02,920 --> 00:14:06,079 Speaker 1: was fantastic because you you listen to the Del Fuegos, 258 00:14:06,120 --> 00:14:08,600 Speaker 1: you get all kinds of stuff. It was great and 259 00:14:08,679 --> 00:14:10,959 Speaker 1: I still love him, still listen to him. Don't Run 260 00:14:11,040 --> 00:14:14,120 Speaker 1: Wild Baby, And of course Neighborhood's one of the most 261 00:14:14,160 --> 00:14:17,200 Speaker 1: incredible Boston bands of all time. And has there ever 262 00:14:17,280 --> 00:14:21,800 Speaker 1: been a more suitable replacement for Bob Stinson's energy and 263 00:14:21,960 --> 00:14:25,840 Speaker 1: mad cap rock and roll stage presence than one Sir 264 00:14:26,040 --> 00:14:29,800 Speaker 1: Dave Minihan of the Neighborhoods Guys a beast on stage. 265 00:14:30,560 --> 00:14:34,160 Speaker 1: Just incredible, great call, Chris, appreciate you real quick. From 266 00:14:34,200 --> 00:14:36,040 Speaker 1: the three one zero all the way out on the 267 00:14:36,080 --> 00:14:37,200 Speaker 1: West Coast. 268 00:14:37,200 --> 00:14:43,520 Speaker 2: Here we go, Jake, Jake does, Grace Land, Trace Marshall, Aloha. 269 00:14:44,760 --> 00:14:51,800 Speaker 2: Bands that should have been bigger. Question Love from Los Angeles, 270 00:14:51,840 --> 00:14:53,200 Speaker 2: the greatest of all time. 271 00:14:53,600 --> 00:14:58,040 Speaker 1: Arthurly and Love. It should be an episode. Good hand Aloha, 272 00:14:58,120 --> 00:15:01,240 Speaker 1: mister hand, I don't just I agree with you and 273 00:15:01,520 --> 00:15:04,800 Speaker 1: Arthur Lee and Love should absolutely be an episode. There's 274 00:15:04,840 --> 00:15:08,280 Speaker 1: some cool, juicy criminality going on there. I think there's 275 00:15:08,320 --> 00:15:10,880 Speaker 1: a connection between Arthur Lee or someone in love and 276 00:15:10,920 --> 00:15:15,280 Speaker 1: Bobby Bolsolet from the Manson family, And there's even more 277 00:15:15,680 --> 00:15:18,880 Speaker 1: juicy criminality going on stuff going on there with that story. 278 00:15:19,600 --> 00:15:22,200 Speaker 1: But yeah, I love love just everything. You know. This 279 00:15:22,240 --> 00:15:24,120 Speaker 1: happens to me. It's happened to me my whole life. 280 00:15:24,760 --> 00:15:26,480 Speaker 1: There's a mix going on. I'm somewhere, I'm in a 281 00:15:26,520 --> 00:15:29,200 Speaker 1: bar on whatever. I just got a playlist going at 282 00:15:29,240 --> 00:15:31,800 Speaker 1: home with stuff I haven't heard before, and something comes 283 00:15:31,840 --> 00:15:33,920 Speaker 1: on and I'm like, what the fuck is this? Great? 284 00:15:34,040 --> 00:15:36,040 Speaker 1: It is love that's happened to me so many times. 285 00:15:36,080 --> 00:15:38,400 Speaker 1: That's a type of band there, incredible band. Appreciate you 286 00:15:38,440 --> 00:15:41,320 Speaker 1: three one oh five seven four text and hey Jake, 287 00:15:41,520 --> 00:15:45,400 Speaker 1: this is Michael from Mishawaka, Indiana. If I had to 288 00:15:45,400 --> 00:15:48,080 Speaker 1: pick a band that should have been big, I'd pick 289 00:15:48,400 --> 00:15:52,440 Speaker 1: Mute Math. Thanks love the podcast. I've never heard of 290 00:15:52,600 --> 00:15:56,280 Speaker 1: Mute Math. Tell me where to start? Okay? Are they 291 00:15:56,360 --> 00:15:58,680 Speaker 1: like a math rock band? Are they one of those 292 00:15:58,720 --> 00:16:00,560 Speaker 1: bands that you know, the guy looks like he works 293 00:16:00,560 --> 00:16:03,480 Speaker 1: in it. He's got to strap on a guitar, get 294 00:16:03,520 --> 00:16:05,960 Speaker 1: on stage, and then the pitt's gonna get really fucking violent. 295 00:16:06,040 --> 00:16:07,520 Speaker 1: Is that the type of thing we're looking at here? 296 00:16:07,640 --> 00:16:10,520 Speaker 1: Page Hamilton Vibes. What are we looking at? Who's mute Math? 297 00:16:10,880 --> 00:16:13,160 Speaker 1: How have I not heard this before? Four to four 298 00:16:13,240 --> 00:16:15,240 Speaker 1: Rohl Rights saying, hey, Jake, love this week's episode on 299 00:16:15,280 --> 00:16:17,560 Speaker 1: the Replacements. As for an answer to this week's question, 300 00:16:17,560 --> 00:16:20,160 Speaker 1: I have to go with Michael Stanley. Michael, along with 301 00:16:20,200 --> 00:16:22,760 Speaker 1: his band, The Michael Stanley Band, are rock royalty in 302 00:16:22,920 --> 00:16:27,320 Speaker 1: Northeast Ohio, but outside of that, he's virtually unknown. Despite 303 00:16:27,360 --> 00:16:30,160 Speaker 1: having collaborated with Joe Walsh, Todd Rundgren and others, did 304 00:16:30,160 --> 00:16:32,080 Speaker 1: a couple of top forty hits in the early eighties, 305 00:16:32,240 --> 00:16:34,560 Speaker 1: and Michael even had a cameo in the Drew Carey 306 00:16:34,600 --> 00:16:37,160 Speaker 1: Show episode where Drew is auditioning people for his band 307 00:16:37,360 --> 00:16:39,440 Speaker 1: but alas never send it to the levels of rock 308 00:16:39,440 --> 00:16:42,280 Speaker 1: stardom he deserved. Loved the show. Michael Stanley, It's like 309 00:16:42,360 --> 00:16:46,000 Speaker 1: on the edge of recognition for me, Like right there 310 00:16:46,040 --> 00:16:48,520 Speaker 1: at the recognition part in my brain, it's like it's 311 00:16:48,560 --> 00:16:53,640 Speaker 1: like dering, Like I can almost recall who Michael Stanley 312 00:16:53,640 --> 00:16:55,320 Speaker 1: and the Michael Stanley ban is, but then I think, wait, 313 00:16:55,440 --> 00:16:57,480 Speaker 1: was he in the Scorpions. No, of course he was 314 00:16:57,520 --> 00:17:00,680 Speaker 1: not in the Scorpions. I don't know where I Michael Stanley. Yeah, 315 00:17:00,680 --> 00:17:02,520 Speaker 1: I guess hit me up. I don't know anything about 316 00:17:02,520 --> 00:17:05,280 Speaker 1: Michael Stanley. I like these recommendations of artists that I've 317 00:17:05,560 --> 00:17:08,280 Speaker 1: never heard of before. We can't recall. I should say, 318 00:17:08,480 --> 00:17:11,640 Speaker 1: appreciate you guys six one seven nine oh six six 319 00:17:11,840 --> 00:17:15,240 Speaker 1: six three eight on the voicemail in the text at 320 00:17:15,240 --> 00:17:17,480 Speaker 1: Disgrace Lamb pod. You want to hit me up on Instagram, 321 00:17:17,560 --> 00:17:18,800 Speaker 1: I'll answer you over there. You want to hit me 322 00:17:18,840 --> 00:17:20,680 Speaker 1: up on TikTok, I'll hit you back there. Same is 323 00:17:20,720 --> 00:17:23,720 Speaker 1: on Facebook, saying with X at disgracelam pod. You can 324 00:17:23,760 --> 00:17:27,439 Speaker 1: also email me Disgrace lampod at gmail dot com. Jason 325 00:17:27,520 --> 00:17:30,280 Speaker 1: Hunt writes and nice, short and sweet, Jason love it 326 00:17:30,680 --> 00:17:35,080 Speaker 1: would love a deep dive on Andrew Wood and Mother Lovebone. 327 00:17:35,200 --> 00:17:37,080 Speaker 1: You know this is one of those I gotta do it. 328 00:17:37,160 --> 00:17:39,840 Speaker 1: I gotta do it sooner or later. People freaking love 329 00:17:39,920 --> 00:17:43,040 Speaker 1: this guy, love this band. This gets requested so much. 330 00:17:43,119 --> 00:17:45,119 Speaker 1: Maybe that'll be coming up next. I'm not sure. We're 331 00:17:45,119 --> 00:17:47,800 Speaker 1: trying to balance out our schedule right now. We shall see. 332 00:17:47,840 --> 00:17:51,760 Speaker 1: Thanks for the email, Jason. This email comes from Nicholas Phillips. 333 00:17:51,840 --> 00:17:54,439 Speaker 1: Nicholas says, hey there, it's Nicholas from seven to one 334 00:17:54,480 --> 00:17:56,520 Speaker 1: to three Houston. The band that should have been huge 335 00:17:56,560 --> 00:17:59,800 Speaker 1: to me was The Wildhearts, formed in nineteen eighty nine Newcastle. 336 00:18:00,720 --> 00:18:02,760 Speaker 1: From initially coming into the music scene, they have always 337 00:18:02,760 --> 00:18:05,359 Speaker 1: managed to just fall short of breaking through, usually by 338 00:18:05,359 --> 00:18:07,680 Speaker 1: their own volition, and have enough stories that they would 339 00:18:07,680 --> 00:18:10,040 Speaker 1: make a great subject to Disgrace Land. For over the years, 340 00:18:10,359 --> 00:18:13,080 Speaker 1: they've been lineup changes, drug and alcoholic problems, mental health issues, 341 00:18:13,119 --> 00:18:14,919 Speaker 1: which has led to such things as the band trashing 342 00:18:14,960 --> 00:18:17,639 Speaker 1: the offices of Kerrang magazine, having to drop out of 343 00:18:17,640 --> 00:18:21,000 Speaker 1: a US tour supporting ACDC Bassis, Danny McCormick having his 344 00:18:21,119 --> 00:18:23,520 Speaker 1: leg amputated in So I'm sorry, I'm not laughing at that, 345 00:18:23,640 --> 00:18:26,679 Speaker 1: just laughing at the laundry list of insanity here and 346 00:18:26,760 --> 00:18:30,640 Speaker 1: singer Ginger wild Heart spending time in a tie jail. Somehow, 347 00:18:30,680 --> 00:18:33,639 Speaker 1: the band is still going, having released their new album, 348 00:18:33,880 --> 00:18:37,400 Speaker 1: The Satanic Rights of the Wild Hearts to critical acclaim. 349 00:18:37,520 --> 00:18:40,000 Speaker 1: So if you fancy listening to a band that sounds 350 00:18:40,000 --> 00:18:42,560 Speaker 1: like the bastard child of a three way between Metallica, 351 00:18:42,640 --> 00:18:45,040 Speaker 1: the Beatles and Sex Pistols, you are in for a tree. 352 00:18:45,200 --> 00:18:48,359 Speaker 1: Keep up the good work and rock a rolla Nick, Nick, 353 00:18:48,640 --> 00:18:51,520 Speaker 1: thanks brother, never heard of the Wild Hearts. How's that possible? 354 00:18:51,760 --> 00:18:55,000 Speaker 1: I don't know. Can't catch it all, Nick, You know, 355 00:18:55,280 --> 00:18:57,760 Speaker 1: I do my best. I try. That's what I have 356 00:18:57,840 --> 00:18:59,960 Speaker 1: you guys for, you know, help fill in the gaps, 357 00:19:00,480 --> 00:19:05,520 Speaker 1: all right, guys, be like Nick, Be like the other callers, 358 00:19:06,040 --> 00:19:10,520 Speaker 1: the texters, the emailers. Okay, maybe you've been sitting on 359 00:19:10,520 --> 00:19:12,479 Speaker 1: the fence listening and go, I'm like shit, man, I 360 00:19:12,520 --> 00:19:15,800 Speaker 1: really enjoy when people call in and Jake engages with them, 361 00:19:16,560 --> 00:19:19,879 Speaker 1: But I never call myself or you might say, you know, 362 00:19:20,000 --> 00:19:21,640 Speaker 1: maybe say like God, damn, I really want to tell 363 00:19:21,640 --> 00:19:23,800 Speaker 1: the story the thing that happened to me that I 364 00:19:23,840 --> 00:19:25,680 Speaker 1: saw when I was at that show back in high 365 00:19:25,680 --> 00:19:29,800 Speaker 1: school or maybe years. Read a great book I don't know, 366 00:19:29,840 --> 00:19:33,120 Speaker 1: a great bio biography, autobiography and an artist, and there's 367 00:19:33,160 --> 00:19:35,320 Speaker 1: some stuff in there that I'm not aware of. And 368 00:19:35,359 --> 00:19:38,439 Speaker 1: you think, yeah, Jake's got a whole research team behind him, 369 00:19:38,440 --> 00:19:40,040 Speaker 1: he knows all this stuff. Why would I tell them 370 00:19:40,080 --> 00:19:41,600 Speaker 1: I don't know all this stuff. And yeah, we have 371 00:19:41,640 --> 00:19:44,040 Speaker 1: people who do research my dad, but you know, my 372 00:19:44,119 --> 00:19:46,280 Speaker 1: dad's busy, he's got shit going on. He doesn't even 373 00:19:46,280 --> 00:19:48,680 Speaker 1: listen to the podcast works for us, doesn't listen to 374 00:19:48,720 --> 00:19:50,920 Speaker 1: the podcast. What's that all about? I don't know. Someone 375 00:19:51,000 --> 00:19:53,040 Speaker 1: tell my dad to listen to the podcast anyhow. If 376 00:19:53,040 --> 00:19:55,560 Speaker 1: that's you, If you guys got shit to say, I 377 00:19:55,640 --> 00:19:57,760 Speaker 1: want you to know. I want to hear your voice. 378 00:19:57,800 --> 00:20:01,560 Speaker 1: Your voice helps prompt me to dig in, to try 379 00:20:01,560 --> 00:20:05,200 Speaker 1: and uncover the stories that get buried, the real stories. 380 00:20:05,640 --> 00:20:08,800 Speaker 1: Sometimes their stories like I said that I'm not even 381 00:20:08,840 --> 00:20:11,560 Speaker 1: aware are there. And sometimes there's stories with narratives that 382 00:20:11,600 --> 00:20:14,680 Speaker 1: are just too fucking convenient and not nearly as interesting 383 00:20:14,680 --> 00:20:17,200 Speaker 1: and entertaining as the truth. And you guys, as I 384 00:20:17,280 --> 00:20:19,600 Speaker 1: mentioned earlier in the B block when talking about Nikki 385 00:20:19,640 --> 00:20:22,679 Speaker 1: six and I mentioned Disco Chris on it, you guys 386 00:20:23,240 --> 00:20:27,320 Speaker 1: sometimes propel me to find these stories and to bring 387 00:20:27,359 --> 00:20:30,439 Speaker 1: them to the forefront. So six one seven nine oh 388 00:20:30,520 --> 00:20:33,200 Speaker 1: six sixty six three eight, don't sit on the fence. 389 00:20:33,280 --> 00:20:36,399 Speaker 1: Give us a call, send us a text, Email us 390 00:20:36,840 --> 00:20:39,560 Speaker 1: this Gray Sampod at gmail dot com. All right, let's 391 00:20:39,600 --> 00:20:42,200 Speaker 1: dive into our sixty second sports rant and under thirty seconds. Okay, 392 00:20:42,200 --> 00:20:45,120 Speaker 1: Brian BeOS complete game gem for the Red Sox this week. 393 00:20:45,280 --> 00:20:50,760 Speaker 1: Aside this, this is how uninteresting the Red Sox have 394 00:20:50,920 --> 00:20:57,159 Speaker 1: become for me this year, I'm about to talk about sailing, Okay, 395 00:20:57,359 --> 00:21:00,720 Speaker 1: sort of this week. Twenty three years ago, on July seventh, 396 00:21:00,720 --> 00:21:04,200 Speaker 1: two thousand and two, NBA player Bison Deal as you say, 397 00:21:04,160 --> 00:21:07,240 Speaker 1: his name, d E. L E vanished on a Tahitian 398 00:21:07,520 --> 00:21:10,440 Speaker 1: sailing trip. How the hell am I just learning about this? Now? 399 00:21:10,560 --> 00:21:14,840 Speaker 1: Deal dated Madonna for crap six. It's believed this guy, 400 00:21:14,920 --> 00:21:18,320 Speaker 1: this NBA player, was murdered at sea. This story is 401 00:21:18,600 --> 00:21:21,240 Speaker 1: nuts and it is way too much to get into 402 00:21:21,320 --> 00:21:23,960 Speaker 1: in under thirty seconds. But we will eventually get into 403 00:21:24,000 --> 00:21:27,240 Speaker 1: it in Sportsland. Moral of the story. If you're in 404 00:21:27,320 --> 00:21:29,879 Speaker 1: the NBA and dating Madonna, be careful out there on 405 00:21:29,920 --> 00:21:32,119 Speaker 1: the high season. Be more interesting if you're on the 406 00:21:32,119 --> 00:21:34,480 Speaker 1: Red Sox. All right, Matt, how to do? Did I 407 00:21:34,520 --> 00:21:35,119 Speaker 1: beat the buzzer? 408 00:21:35,680 --> 00:21:35,880 Speaker 3: Jake? 409 00:21:35,880 --> 00:21:37,760 Speaker 4: I'm going to give you a partial credit this week. 410 00:21:38,640 --> 00:21:42,200 Speaker 4: You came in under a minute, but not under thirty seconds. 411 00:21:42,280 --> 00:21:45,679 Speaker 4: You were about forty eight seconds there, So partial credit. 412 00:21:46,200 --> 00:21:50,680 Speaker 4: And yeah, Bison Delea, that is a crazy story. The 413 00:21:50,760 --> 00:21:56,639 Speaker 4: former Brian Williams. He was on the Chicago Bulls championship 414 00:21:56,640 --> 00:21:59,960 Speaker 4: team and I want to say ninety seven before each 415 00:22:00,080 --> 00:22:02,480 Speaker 4: changed his name to Bison Delea. And yeah, it's a 416 00:22:02,520 --> 00:22:05,040 Speaker 4: crazy story. We gotta get into that one for sure. 417 00:22:05,640 --> 00:22:07,520 Speaker 1: I'm gonna take a very short break. I will be 418 00:22:07,600 --> 00:22:23,840 Speaker 1: back in a flash. All right, guys, we're back with 419 00:22:23,960 --> 00:22:25,840 Speaker 1: you here in the after party. You want to bring 420 00:22:25,840 --> 00:22:28,440 Speaker 1: your attention real quick to the Hollywood Land podcast, where 421 00:22:28,520 --> 00:22:32,600 Speaker 1: this week we are featuring Sharon Stone. That's right, the 422 00:22:32,600 --> 00:22:36,600 Speaker 1: one and only Sharon Stone, from casino to cannibalism and 423 00:22:36,680 --> 00:22:40,439 Speaker 1: back again. What you're asking yourself, what the hell is 424 00:22:40,480 --> 00:22:42,639 Speaker 1: that all about? Well, I'm telling you, man, you're just 425 00:22:42,640 --> 00:22:45,520 Speaker 1: gonna have to go listen. Subscribe to hollywood Land. Okay, 426 00:22:45,720 --> 00:22:49,680 Speaker 1: go to your RSS, go to whatever podcast player you use, Spotify, Apple, 427 00:22:49,760 --> 00:22:53,440 Speaker 1: whatever it is. Search for hollywood Land. Give that a follow. 428 00:22:53,840 --> 00:22:56,840 Speaker 1: True Crime lens on. This Sharon Stone story is intense, 429 00:22:56,960 --> 00:22:59,080 Speaker 1: of course, as I've been telling you guys for the 430 00:22:59,160 --> 00:23:02,200 Speaker 1: last few weeks, and I are deep into these episodes 431 00:23:02,520 --> 00:23:06,480 Speaker 1: in our hollywood Land Rap Party bonus episodes, those those 432 00:23:06,560 --> 00:23:09,800 Speaker 1: drop every Wednesday, where every week you get another bite 433 00:23:09,800 --> 00:23:13,200 Speaker 1: at getting your voicemails and text heard and played, and 434 00:23:13,880 --> 00:23:18,040 Speaker 1: you also get some movie related music rex from yours. Truly. 435 00:23:18,440 --> 00:23:21,800 Speaker 1: I got to say, recording that segment of the Rap 436 00:23:21,840 --> 00:23:27,200 Speaker 1: Party with Zeth is one of my favorite work things 437 00:23:27,200 --> 00:23:31,880 Speaker 1: to do every week now because I get to talk 438 00:23:31,920 --> 00:23:36,119 Speaker 1: about music just for almost freely. I know it's tied 439 00:23:36,160 --> 00:23:39,240 Speaker 1: to as sharance to whatever the actresses that were or 440 00:23:39,280 --> 00:23:42,120 Speaker 1: actor or director that we're featuring in hollywood Land that week, 441 00:23:42,359 --> 00:23:45,080 Speaker 1: but I find ways to hopskip and jump around and 442 00:23:45,080 --> 00:23:47,320 Speaker 1: get to what just I want to talk about musically, 443 00:23:48,040 --> 00:23:52,239 Speaker 1: and it's it's exercising this muscle that I don't have 444 00:23:52,320 --> 00:23:54,399 Speaker 1: anymore because I don't I don't go to parties and 445 00:23:54,480 --> 00:23:57,120 Speaker 1: just or go to the bar anymore and just sort 446 00:23:57,119 --> 00:24:00,320 Speaker 1: of like talk shit about music. I get, I guess 447 00:24:00,359 --> 00:24:03,840 Speaker 1: I do it in a much more formulaic and structured 448 00:24:03,880 --> 00:24:06,720 Speaker 1: way and disgrace Land. But the conversation with Zeth is 449 00:24:06,720 --> 00:24:09,760 Speaker 1: pretty free flowing around the recommendations, and I really look 450 00:24:09,800 --> 00:24:13,000 Speaker 1: forward to it. Matt is going to queue up a little. 451 00:24:13,040 --> 00:24:14,800 Speaker 1: I don't know if he'll play that part of the 452 00:24:14,920 --> 00:24:16,920 Speaker 1: rap party for you, but it's Matt, give a little taste. 453 00:24:16,920 --> 00:24:18,119 Speaker 1: I'm gonna stop talking here. 454 00:24:19,640 --> 00:24:21,680 Speaker 5: Jake is always going to start with you. What music 455 00:24:21,720 --> 00:24:23,760 Speaker 5: recommendations are you bringing this week? 456 00:24:24,200 --> 00:24:29,399 Speaker 1: Share Your Love by Aretha Franklin. Just a fantastic song. 457 00:24:29,440 --> 00:24:31,879 Speaker 1: I think it's a Bobby Blue Bland song. I'm not 458 00:24:31,960 --> 00:24:36,200 Speaker 1: exactly sure, but google this song. Also early seventies, I believe, 459 00:24:36,680 --> 00:24:42,360 Speaker 1: and it's the perfect sort of like deep cut Aretha 460 00:24:42,800 --> 00:24:45,119 Speaker 1: that'll make you go like, how the fuck do I 461 00:24:45,119 --> 00:24:48,240 Speaker 1: not know this song? And it's so great she has. 462 00:24:48,280 --> 00:24:50,280 Speaker 1: Her greatness is so great that like the shit no 463 00:24:50,320 --> 00:24:53,040 Speaker 1: one pays attention to is greater than everything else. That's 464 00:24:53,040 --> 00:24:55,320 Speaker 1: the type of artist she is. She's amazing, and this 465 00:24:55,400 --> 00:24:58,440 Speaker 1: song is indicative of I think that exact point. 466 00:24:59,040 --> 00:25:00,919 Speaker 5: I don't know what that what record that's from, but 467 00:25:00,960 --> 00:25:03,760 Speaker 5: I discovered only recently her album let Me in Your Life, 468 00:25:04,160 --> 00:25:07,520 Speaker 5: which is that's the title of a Bill withersong, which 469 00:25:07,560 --> 00:25:10,480 Speaker 5: I think opens the record, and it's one it's sort 470 00:25:10,480 --> 00:25:13,119 Speaker 5: of outside that like quote unquote classic period, you know 471 00:25:13,160 --> 00:25:15,639 Speaker 5: of like respect and things and all that stuff. So 472 00:25:15,680 --> 00:25:17,679 Speaker 5: I always kind of ignored it. I was actually in 473 00:25:17,720 --> 00:25:19,480 Speaker 5: my local record store and the owner was playing it 474 00:25:19,480 --> 00:25:20,480 Speaker 5: and he was like, do you know this now? I 475 00:25:20,520 --> 00:25:22,040 Speaker 5: said no, and he was like, it's fucking great, and 476 00:25:22,080 --> 00:25:25,399 Speaker 5: so I bought it and it's amazing. But to your point, 477 00:25:25,680 --> 00:25:28,399 Speaker 5: she is so great that there's so much stuff hiding 478 00:25:28,440 --> 00:25:32,199 Speaker 5: in plain sight, right she did? It's crazy, all right. 479 00:25:32,240 --> 00:25:34,800 Speaker 1: So that's the wrap party part of the hollywood Land experience. 480 00:25:35,200 --> 00:25:38,320 Speaker 1: If you want more storytelling like we do here in Disgraceland, 481 00:25:38,840 --> 00:25:41,320 Speaker 1: get over to hollywood Land and subscribe. I was talking 482 00:25:41,320 --> 00:25:47,439 Speaker 1: about recommendations another music rack. I mentioned Turnstile earlier, and 483 00:25:47,680 --> 00:25:50,600 Speaker 1: in the beginning of this episode, I get the record 484 00:25:50,680 --> 00:25:53,640 Speaker 1: right up here on top of my desk. What else 485 00:25:53,640 --> 00:25:59,879 Speaker 1: I got here? Boem Machine, Tom Waits, DJ Shadow and 486 00:26:00,000 --> 00:26:04,360 Speaker 1: introducing great CD. These are CDs. By the way, Turnstylo 487 00:26:04,680 --> 00:26:07,200 Speaker 1: is the album is Vinyl. I'm going to be talking 488 00:26:07,200 --> 00:26:11,960 Speaker 1: about Turnstyle, the new record, the band, and the replacements 489 00:26:12,000 --> 00:26:15,639 Speaker 1: in the exclusive section of this episode coming up very shortly, 490 00:26:15,680 --> 00:26:17,560 Speaker 1: five bucks is going to get access to that the 491 00:26:17,600 --> 00:26:20,520 Speaker 1: all access portion of the after Party. It's where we 492 00:26:20,560 --> 00:26:22,760 Speaker 1: go a little deeper into the music and the music 493 00:26:22,840 --> 00:26:26,879 Speaker 1: myths that we're exploring. If you're near stalker level obsessed 494 00:26:26,920 --> 00:26:29,600 Speaker 1: with the artists that we're covering, if you're in need 495 00:26:29,640 --> 00:26:32,040 Speaker 1: of just to touch more nitty gritty around these stories, 496 00:26:32,040 --> 00:26:36,280 Speaker 1: if you want a deeper, sometimes darker, sometimes more personal 497 00:26:36,320 --> 00:26:39,360 Speaker 1: look into my head and how I see these stories 498 00:26:39,359 --> 00:26:43,240 Speaker 1: and how I build them in part sometimes with your help, 499 00:26:43,320 --> 00:26:46,480 Speaker 1: then go to Disgrace slampod dot com slash membership and 500 00:26:46,520 --> 00:26:48,600 Speaker 1: become a member today and get, like I said, the 501 00:26:48,600 --> 00:26:52,800 Speaker 1: exclusive portion of this episode, but also an extra full 502 00:26:52,840 --> 00:26:55,760 Speaker 1: episode per month. This month, we're featuring Alice Cooper and 503 00:26:56,520 --> 00:26:58,520 Speaker 1: maybe the best part of becoming a member for just 504 00:26:58,560 --> 00:27:00,639 Speaker 1: five dollars a month is you get all all this content, 505 00:27:00,680 --> 00:27:04,440 Speaker 1: all these episodes add free today and get like I said, 506 00:27:04,440 --> 00:27:08,479 Speaker 1: the exclusive portion of this episode, but also an extra 507 00:27:08,520 --> 00:27:11,360 Speaker 1: full episode per month this month, we're featuring Alice Cooper 508 00:27:11,480 --> 00:27:14,160 Speaker 1: and uh, maybe the best part of becoming a member 509 00:27:14,200 --> 00:27:16,000 Speaker 1: for just five dollars a month is you get all 510 00:27:16,040 --> 00:27:33,840 Speaker 1: this content, all these episodes add free. All right, this goes. 511 00:27:33,880 --> 00:27:35,680 Speaker 1: We are back. Thank you for hanging out with me 512 00:27:35,680 --> 00:27:37,960 Speaker 1: in the afterparty today. I really appreciate it. Listen, if 513 00:27:37,960 --> 00:27:40,360 Speaker 1: you're new here, I say this every week. I'm gonna 514 00:27:40,359 --> 00:27:41,920 Speaker 1: say it again. We got about two hundred and forty 515 00:27:41,960 --> 00:27:46,199 Speaker 1: episodes on a gazillion different musicians artists in the Disgrace 516 00:27:46,280 --> 00:27:49,080 Speaker 1: Land archive. If you need any help finding any of 517 00:27:49,080 --> 00:27:51,440 Speaker 1: those subjects, people you're interested in that you want to 518 00:27:51,480 --> 00:27:53,479 Speaker 1: hear episodes on, hit me up and let me know 519 00:27:53,760 --> 00:27:55,080 Speaker 1: you know how to get in touch with me. Six 520 00:27:55,200 --> 00:27:57,359 Speaker 1: one seven, nine oh six sixty six three eight. The 521 00:27:57,480 --> 00:27:59,560 Speaker 1: archive is deep. It can be hard to find your 522 00:27:59,560 --> 00:28:02,840 Speaker 1: way around. This week we talked about in this episode. 523 00:28:02,880 --> 00:28:07,360 Speaker 1: We mentioned Madonna, We mentioned joyd Division, and we mentioned 524 00:28:07,400 --> 00:28:10,480 Speaker 1: the Misfits. We mentioned Tom Petty. Of course we have 525 00:28:10,520 --> 00:28:13,480 Speaker 1: episodes on three of those four. We don't have a 526 00:28:13,560 --> 00:28:16,919 Speaker 1: Joy Division episode. We have a New Order episode of course, Misfits, 527 00:28:16,960 --> 00:28:18,960 Speaker 1: Tom Petty and Madonna, like I said, and Matt will 528 00:28:19,000 --> 00:28:21,800 Speaker 1: have the show info on those episodes in the show 529 00:28:21,840 --> 00:28:24,560 Speaker 1: notes of this bonus episode make it easy for you 530 00:28:24,680 --> 00:28:27,000 Speaker 1: to find all right, let's recap, shall we. Number one, 531 00:28:27,040 --> 00:28:29,280 Speaker 1: This week's full episode on the Replacements is live and 532 00:28:29,359 --> 00:28:31,359 Speaker 1: waiting for you right now. Number two. Next up in 533 00:28:31,400 --> 00:28:34,280 Speaker 1: your feed, we are rewinding with our Guns n' Roses 534 00:28:34,280 --> 00:28:37,200 Speaker 1: parts one and two episodes. Number three up next week. 535 00:28:37,359 --> 00:28:40,400 Speaker 1: A brand new episode on Nikki six coming your way 536 00:28:40,440 --> 00:28:43,120 Speaker 1: on Tuesday. Number four Over in the Hollywood Land feed, 537 00:28:43,200 --> 00:28:45,640 Speaker 1: Sharon Stone, plus this week's wrap party with Zeth and 538 00:28:45,680 --> 00:28:47,760 Speaker 1: I unpacking the story, and a whole bunch of recommendations. 539 00:28:47,800 --> 00:28:50,200 Speaker 1: Number five, six, one, seven nine oh six six six 540 00:28:50,280 --> 00:28:53,840 Speaker 1: three eight voicemail and text dm me at gracelam pod 541 00:28:53,920 --> 00:28:57,320 Speaker 1: on Instagram, TikTok, Facebook, and ex discracelampod at gmail dot 542 00:28:57,360 --> 00:29:02,320 Speaker 1: com to email. Your voice helps uncover what is buried. Okay, 543 00:29:02,520 --> 00:29:04,920 Speaker 1: your takes they propel me into the dark corners of 544 00:29:05,000 --> 00:29:07,880 Speaker 1: music history, so keep them coming, all right, dig baby, 545 00:29:08,080 --> 00:29:09,680 Speaker 1: Let me know about the rock and roll animals you 546 00:29:09,680 --> 00:29:11,640 Speaker 1: want to hear about. Let me know about the myths 547 00:29:11,720 --> 00:29:14,120 Speaker 1: you want busted. Hit me up all right. Number six, 548 00:29:14,120 --> 00:29:16,560 Speaker 1: don't forget this because no one cares about music, books, records, 549 00:29:16,560 --> 00:29:18,840 Speaker 1: and the crime and grime that ties it all together, 550 00:29:18,960 --> 00:29:22,080 Speaker 1: like you do and well, that is a disgrace Rock 551 00:29:22,120 --> 00:29:25,680 Speaker 1: and Roller. On January twenty fifth, nineteen eighty six, the 552 00:29:25,760 --> 00:29:30,360 Speaker 1: Replacements famously bombed on SNL. Here's what didn't bomb that 553 00:29:30,360 --> 00:29:33,640 Speaker 1: week from the top of the Billboard charts. Number one, 554 00:29:34,280 --> 00:29:37,680 Speaker 1: That's what Friends Are For Dion and Friends featuring Elton John, 555 00:29:37,680 --> 00:29:41,400 Speaker 1: Gladys Knight and Stevie Wonder, peak position one weeks on 556 00:29:41,520 --> 00:29:44,479 Speaker 1: Chart twelve. Number two. Say You Say Me lionel Richie 557 00:29:44,760 --> 00:29:47,480 Speaker 1: last week two, peak position one weeks on Chart twelve. 558 00:29:47,560 --> 00:29:51,400 Speaker 1: Number three. Burning Hearts Survivor last week eight, peak position 559 00:29:51,560 --> 00:29:54,800 Speaker 1: three weeks on chart thirty number four. Talk to Me 560 00:29:54,920 --> 00:29:59,280 Speaker 1: Steve Nicks last week three seven peap position four weeks 561 00:29:59,320 --> 00:30:03,600 Speaker 1: on chart eleven, number five. I'm Your Man last week twelve, 562 00:30:03,680 --> 00:30:06,600 Speaker 1: pea positions five weeks on chart at nine, number six. 563 00:30:06,840 --> 00:30:10,760 Speaker 1: In My Hometown Bruce Springsteen last week eleven, peak positioned 564 00:30:10,920 --> 00:30:14,320 Speaker 1: six weeks on chart. A River of Seven Walks of 565 00:30:14,440 --> 00:30:18,440 Speaker 1: Life Sire Streaks last week nine pp position seven weeks 566 00:30:18,480 --> 00:30:31,240 Speaker 1: on the chart. Quit talking and start mixing. 567 00:30:31,480 --> 00:30:31,520 Speaker 2: Co