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Speaker 1: No Willian.

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Speaker 2: Doctor, welcome back. You're trying to clown my my intro

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Speaker 2: radio voice, and I don't like it. Like zip, I

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Speaker 2: don't like welcome back, come.

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Speaker 3: Back a new episode, new epis so come back.

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Speaker 1: It just coming like it's trash. Yeah, we live, it's popping.

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Speaker 1: What y'all line? What'll be on you?

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Speaker 3: Right now?

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Speaker 1: We drunk at the parade, falling out.

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Speaker 2: We are outside, were outside right now.

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Speaker 1: We all lower mer it's too.

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Speaker 4: Bad.

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Speaker 2: Influence on me. Man is kicking in, kicking in around

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Speaker 2: three o'clock.

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Speaker 3: Well, listen, we are back sponsored by Boost Mobile unlimited talk,

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Speaker 3: text and data. We are here with our brother Edden.

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Speaker 3: Everyone makes a noise for Edden.

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Speaker 1: We love.

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Speaker 2: But Peach didn't get fired. He just couldn't join us

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Speaker 2: today for family reasons. So we brought our brother Eddon back.

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Speaker 3: Yes, Ed, what's up?

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Speaker 1: Are you good? He doesn't have.

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Speaker 3: Get in another mic?

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Speaker 2: Give it as long as no. Let's have a whole

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Speaker 2: edding interview for the first.

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Speaker 3: That was good.

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Speaker 2: And everyone is safe. But other than that, how's everyone feeling?

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Speaker 3: Great? Man good? I'm a champion, what you I'm a

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Speaker 3: New York nick, I'm a champion New York. I turned

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Speaker 3: trying for I had fights that none of them. Other

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Speaker 3: niggas had fights over the day. Jelen Brunson ain't even

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Speaker 3: fight over the Necks. I had fights over the Nicks.

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Speaker 3: I'm a champion. Yeah, I went all my life and this.

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Speaker 2: Ship wait in jail. They had fights about black basketball. Yeah,

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Speaker 2: I know they.

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Speaker 3: Have it at bars, but I just feel like there's

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Speaker 3: other ship that, like things.

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Speaker 1: Are other things to worry about what I'm saying.

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Speaker 3: Like basketball, like like when clear the early Yeah, this nigga,

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Speaker 3: you know what I'm saying.

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Speaker 1: Ship like that, You know.

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Speaker 2: I mean, Kyrie, you don't any Curry years.

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Speaker 1: I want to say about the Knick name. Crazy when

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Speaker 1: you're watching your mom.

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Speaker 2: Ni Curriers and were down thirty, Yeah, fighting over edit

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Speaker 2: Er Thimas the coach.

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Speaker 3: Yeah yeah, yeah, those days, those years with the nigga name,

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Speaker 3: who's that the nigga name with the mustache and the ball.

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Speaker 3: He won a few games, and I think that's when

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Speaker 3: Jerard mey lymb was popping.

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Speaker 1: Oh that was so uh.

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Speaker 2: He had him running up and down at the fucking court.

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Speaker 2: That was the strategy.

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Speaker 3: Mister potato head. He looked like mister potato head. Uh Nah, no,

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Speaker 3: black dude, Mike wood Woodson, Woodson, Mike Woodson, Mike Woodson, Man,

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Speaker 3: come on, I'm a New York niggas. I had bad

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Speaker 3: coaches I had.

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Speaker 1: I had a bad coach, I had mad coaches.

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Speaker 3: Mister potato head, check him out. And I'm saying I

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Speaker 3: went through all of this ship. You know, I'm a

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Speaker 3: champion that niggas can't tell me ship right everybody that

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Speaker 3: they think we was gonna do that. What you wear

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Speaker 3: into the parade, what you wear into the paraders lot.

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Speaker 3: You know, I just found out that there's people down

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Speaker 3: there right now. Can't dout you wanted to go out

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Speaker 3: there around ten thirty. I might not make it, might be,

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Speaker 3: but I just know the whole lightly, the whole city

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Speaker 3: is gonna be lit tomorrow.

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Speaker 1: So tomorrow night when it get a little cool.

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Speaker 3: Yeah, I'm gonna spray some ship on and I'm popping

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Speaker 3: out in the streets. Yes, yeah, fuck that.

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Speaker 2: All morning, I've been debating talk with everybody. I feel

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Speaker 2: like the Aftes is more my waif.

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Speaker 3: Yes, you go to the nice little ball, a little restaurant.

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Speaker 2: They have the barricades and tense. Right now, it's three

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Speaker 2: o'clock on a Wednesday. People have tents outside the barricades

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Speaker 2: right now. Yeah, you think I'm gonna try. You think

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Speaker 2: I'm gonna come here one tomorrow and try to even

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Speaker 2: be anywhere near it.

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Speaker 3: That's more than fans than me. Yeah, they got paraphernalias.

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Speaker 3: Everything you're forgetting about the people. I gotta get a tattoo.

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Speaker 3: I gotta get a two thousand and twenty nixt Okay,

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Speaker 3: like two thousand instead of twenty twenty six.

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Speaker 1: I'm gonna get two thousand and twenty nix. I'm getting that.

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Speaker 1: I don't give a fuck. I'm a real nick.

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Speaker 3: Where are you gonna get it out somewhere? I might

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Speaker 3: get it on the little boy chesh. I might get it,

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Speaker 3: you know what I mean. Ain't somewhere. I'm gonna get

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Speaker 3: that ship though. People not realizing the amount of people

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Speaker 3: that's coming back to New York for this, just for

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Speaker 3: the parade. New Yorkers that moved out of New York

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Speaker 3: now the other states, they're coming back just for this.

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Speaker 3: It's gonna be too much, That's what I'm saying. And

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Speaker 3: not really for the parade, just for the day. So

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Speaker 3: you remember when David Lee was the best knick, right right,

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Speaker 3: Zach Randall.

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Speaker 1: That was a good team, though it was not David.

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Speaker 1: When David Lee was the best Nick, that was a

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Speaker 1: good team.

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Speaker 3: I don't think. I wouldn't say he was the best.

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Speaker 2: Nick had a lot of heads up plays.

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Speaker 1: He was great.

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Speaker 3: David Lee was twenty and he was white. But you

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Speaker 3: know we made a lot of Yeah, but he was

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Speaker 3: the best Nick. David Lee.

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Speaker 1: What's my maxed out? What's the what's the what's the

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Speaker 1: what's the trade? He got the money? He made a

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Speaker 1: hundred million?

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Speaker 3: Yeah?

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Speaker 1: What's the dude named the guard?

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Speaker 5: Though?

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Speaker 3: That?

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Speaker 1: I think he went to Toronto when the Knicks got

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Speaker 1: barn Yanni.

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Speaker 3: Oh my? What was what was the guards? What was

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Speaker 3: the guard's name? He had like the slick back black

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Speaker 3: he almost like Matt Bones a little bit.

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Speaker 2: Oh ship, I know exactly what you're talking about.

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Speaker 1: What was his name? He has his name to.

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Speaker 3: No, no, not him, I know all of these things.

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Speaker 3: It was I forgot his name.

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Speaker 5: Man.

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Speaker 3: He was a guard, he was I think he was

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Speaker 3: the two guard those years, was right? Landry Shammy? No,

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Speaker 3: that was my son. I gave him a lot of

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Speaker 3: money Landry Sam Landry, Yes, that's hand in the league.

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Speaker 3: Who feel you crazy, and I've been. I had some

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Speaker 3: bad teams, Yo, Listen, I have bad teams. I had

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Speaker 3: bad teams for a long time, so much so that

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Speaker 3: Kobe is my favorite player. I couldn't even like it

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Speaker 3: was like Kobe got to be your favorite player. Even

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Speaker 3: if you're a dog nick fan, you can't Kobe Kobe

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Speaker 3: and Mike. He's not my MI, not my even nigga Mike.

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Speaker 3: I'm too young for like respect you not. We're the

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Speaker 3: same age what you're talking about. But I was like

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Speaker 3: not really fucking with basketball like that. When Mike for

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Speaker 3: Mike last hip and nine eight.

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Speaker 1: I was fighting a gunshot. Got to give a funk

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Speaker 1: about what Mike was doing.

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Speaker 3: I was trying to get one the drink. He was

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Speaker 3: a shop and guard. I was a shoeing gud with ship. God,

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Speaker 3: I'm trying.

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Speaker 1: To get a one to three for this ship.

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Speaker 2: Was about to say something about like the lockouts.

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Speaker 1: I was fighting. Yeah, yeah, I got a one one and.

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Speaker 3: A half the three, Yeah yeah, yeah, never never. I

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Speaker 3: didn't care about that ship. I learned I started sucking

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Speaker 3: with basketball after that. That's when I come here.

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Speaker 1: Yeah right, you.

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Speaker 3: Know what I'm saying like that, that makes sense priorities there,

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Speaker 3: holy ship, that's for speaking of priorities.

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Speaker 1: Like if you in.

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Speaker 3: Jail, was Terry run in jail? Sports run jail? Can

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Speaker 3: you with the new tablets? Can you get porn in jail? Nah?

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Speaker 1: Really, you can get your little you can get your

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Speaker 1: little joint.

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Speaker 3: Maybe a video come through her bustle doing the little

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Speaker 3: the little dance to a song or something and all that,

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Speaker 3: and that's sufficient. Let's get that out of the way.

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Speaker 3: Because the nigga had paper books for a little time.

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Speaker 3: Ain't no videos or nothing. Use your man, then stop

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Speaker 3: that uncut ship. That really fucked the world up. Let's

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Speaker 3: get to that. The lady for bt that is that

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Speaker 3: the old six. I'll never forget that it was old six. Yeah,

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Speaker 3: I still had a lot of time, bet you bunny. Yeah,

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Speaker 3: take that off the area.

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Speaker 1: What was the purpose you think you have?

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Speaker 2: Like a good imagination? Pause like that. Your life is

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Speaker 2: imagination in that regard.

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Speaker 1: Right, everything you imagine, everything is jail. Nigga, tell you, nigga,

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Speaker 1: tell you exactly what happened.

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Speaker 3: You gotta imagine it.

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Speaker 1: I mean, what the fuck you know what I'm saying.

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Speaker 3: Nigga tell you that your nigga, tell you your brother

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Speaker 3: shot somebody. You gotta imagine that you're like, oh shit, like,

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Speaker 3: did you nigga have it?

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Speaker 1: You know what I'm saying, striding gold, who's going on here?

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Speaker 1: You know what I'm saying. You gotta imagine that they

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Speaker 1: tell you exactly.

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Speaker 2: Have a non violid way. Because they had Terry Crews

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Speaker 2: was beating his dick for eleven hours. I feel like

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Speaker 2: if they added porn into the jail system, there would

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Speaker 2: be like no fights, all.

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Speaker 1: Right, so check it out. Imagine if there was porn

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Speaker 1: in jail hold they got they got booch. But is

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Speaker 1: checking the el Myra right? Oh? This like but I

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Speaker 1: went to Old Myron.

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Speaker 3: I think I went to el Myra October five, right,

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Speaker 3: So el Myra they had the v C all. This

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Speaker 3: niggas had the regular TVs. Black and Whites four channel.

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Speaker 3: Shit is trash. Niggas is watching Mace talk on the

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Speaker 3: Preacher channels. Were talking to the Preacher on the channel

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Speaker 3: Black and White. Teav's big doofy ship. Right, so look boom.

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Speaker 3: So now niggas steal a v C all from one

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Speaker 3: of the like activities buildings like alt or something. Still

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Speaker 3: a VS y'all. Now, once you get that niggas, get

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Speaker 3: a police some money. He gonna bring you some tapes

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Speaker 3: bing over. Brazilian shit is lit. You know what I'm saying.

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Speaker 3: You can't go twelve hours in jazz. There's nothing happening.

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Speaker 3: I'm telling you from experience, nothing will happen. No, that

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Speaker 3: shit is a feeling twelve years. You wouldn't even need tissue.

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Speaker 3: You wouldn't need a tissue. Bro Terry Crews.

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Speaker 2: Said, I got a day off from set and I

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Speaker 2: could watch porn from probably ten o'clock after my workout

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Speaker 2: ten am to eleven pm.

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Speaker 3: And now I was in the sell by myself for

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Speaker 3: ten months straight. Nobody else You cannot do. No, you

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Speaker 3: got to be the nastiest, freakiest person in the world.

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Speaker 1: Like, like, what is you doing? I don't mean you rich,

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Speaker 1: you a famous person? Like what are you doing? Like,

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Speaker 1: just go fuck a girl? Riot?

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Speaker 6: Escapism? Huh escapism? You're trying to escape something whatever you're

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Speaker 6: trying whatever, right you're.

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Speaker 1: Trying to make yourself?

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Speaker 3: Are you trying to convince yourself that you're not something

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Speaker 3: that you already are?

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Speaker 1: Oh No, I wasn't going that way with it.

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Speaker 3: That's that's where I was at.

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Speaker 1: That's That's why I'm at with this.

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Speaker 3: Wait, no, land the point what you mean? But I'm

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Speaker 3: saying that if you got to watch some ship for

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Speaker 3: twelve hour you listen.

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Speaker 1: This is what I'm saying. Bro.

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Speaker 3: If you watch this ship for three hours and you

225
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Speaker 3: active like it's a feeling, bro, it's no tissue needed,

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Speaker 3: it's nothing coming out.

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Speaker 1: Now hold on. It stops it right there? Though?

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Speaker 3: Did he say exactly what type of porn he did

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Speaker 3: not know? Okay? Is there is gay porn. It's lesbian porn.

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Speaker 1: All right.

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Speaker 3: So if you're watching regular, like heterosexual heterosexual porn for

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Speaker 3: twelve hours, I feel like you're trying to convince yourself

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Speaker 3: that you don't want to be I'm willing to I'm.

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Speaker 2: Willing to say you want to play the piano for twelve.

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Speaker 3: I'm willing to go out on the limit. Say Terry

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Speaker 3: Cruise's line he wanted to get an out might be

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Speaker 3: lying me too, because that shit is impossible.

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Speaker 1: That sh it is like, what the fuck?

239
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Speaker 2: Why are they You've never met an addict before?

240
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Speaker 3: No matter, I smoke crack for twelve hours.

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Speaker 1: Now, hold you get sore? Theft all wow? Hold on?

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00:12:03,280 --> 00:12:08,440
Speaker 1: Hold on watching just beating off he said watching. He

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Speaker 1: just said watching. He didn't say he was masturbating.

244
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Speaker 3: Oh so he watching that like a nigga Binge watched

245
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Speaker 3: Chicago p D.

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Speaker 1: Listen, that's weird. It is weird.

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Speaker 3: No matter how you cut, you need help. No matter

248
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Speaker 3: how you cut it, this weird and they can click

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Speaker 3: this this is now.

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Speaker 2: I'm not stitching on nobody because Kanye admitted this a

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Speaker 2: million times.

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Speaker 3: One time I ever was in the studio with Kanye West,

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Speaker 3: he had porn playing for fucking six hours, and he

254
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Speaker 3: admitted that he was a porn at it.

255
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Speaker 2: He wasn't beating off. He just had porn playing the

256
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Speaker 2: whole time.

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Speaker 1: Yeah.

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Speaker 3: If I walk into the studio, I don't care who's

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Speaker 3: in there working and it's porn playing, I'm leaving that

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Speaker 3: studio right. Yeah, but it was Kanye West.

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Speaker 1: I don't care who people you. You made him six hours.

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Speaker 1: You did good.

263
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Speaker 2: You was like wait, wait, wait, wait, hold on was

264
00:12:59,440 --> 00:13:01,319
Speaker 2: the NDA in my death Jam contract at this point?

265
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Speaker 3: But yeah, he had he on the screen.

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Speaker 2: It was it was tasteful, like it wasn't like some

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Speaker 2: some fucking porn hub.

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Speaker 3: Yeah, it was porn.

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Speaker 1: It was what the fuck is artsy porn?

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Speaker 3: Or you know what the storyline storyline. No, no, not

271
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Speaker 3: not storyline but birthday cake. But in between.

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Speaker 2: Though, like he definitely made the montage because at some

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Speaker 2: point it did get into like hardcore porn. Then it

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Speaker 2: would go into and I'm not saying anything he hasn't

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Speaker 2: admitted on camera before, Like I want to make that

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Speaker 2: clear for the internet. If eddon clips like clips his

277
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Speaker 2: whole shi, they're not sing we get it.

278
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Speaker 3: But yeah, it was porn on the screen. I understand that.

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Speaker 3: I'm just saying, twelve hours of watching porn. Whether you're master, well,

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Speaker 3: I was there for like probably maybe I'm great. It's

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Speaker 3: crazy like that.

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Speaker 6: For twenty minutes, I'm sure he like got up and

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Speaker 6: got like a snack.

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Speaker 1: You know what I'm saying.

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Speaker 2: Kanye was fully able to get a Snatchbody was beating off.

286
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Speaker 1: We're talking about Kanye, know I was.

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Speaker 2: I was relating it to this where maybe he just

288
00:13:58,480 --> 00:13:59,600
Speaker 2: watches porn all day.

289
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Speaker 3: He doesn't beat off the porn.

290
00:14:01,000 --> 00:14:02,200
Speaker 1: No, No, I get that either way.

291
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Speaker 3: It's weird. You're a No, That's what I'm saying, Like,

292
00:14:04,640 --> 00:14:06,680
Speaker 3: there's no point if that's interesting for twelve hours.

293
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Speaker 1: No, he's at it.

294
00:14:07,720 --> 00:14:10,200
Speaker 3: He's at it like I'm not twelve. The Wings stopped

295
00:14:10,440 --> 00:14:14,280
Speaker 3: watching porn is weird. Yeah, that's what I'm saying. You

296
00:14:14,520 --> 00:14:16,840
Speaker 3: shouldn't be hard, is not you should right, that's what

297
00:14:16,840 --> 00:14:18,680
Speaker 3: I'm saying, Like you shouldn't be watching porn just to

298
00:14:18,679 --> 00:14:19,440
Speaker 3: watch people.

299
00:14:19,480 --> 00:14:23,240
Speaker 1: Lemon Pepper Wings and you halled, like, come on, all right,

300
00:14:23,440 --> 00:14:24,120
Speaker 1: this is weird.

301
00:14:25,920 --> 00:14:27,360
Speaker 2: The whole time I was in that studio, I didn't

302
00:14:27,360 --> 00:14:28,640
Speaker 2: get hard to watch on the porn. You don't get

303
00:14:28,680 --> 00:14:29,280
Speaker 2: hard every time.

304
00:14:29,200 --> 00:14:31,760
Speaker 1: You watch porn. No, you don't get hard.

305
00:14:32,000 --> 00:14:35,160
Speaker 3: If I myself, if I want hard, so I wouldn't.

306
00:14:34,800 --> 00:14:36,600
Speaker 1: Even know if I could get hard in the studio

307
00:14:36,640 --> 00:14:37,800
Speaker 1: around these people. It's people.

308
00:14:37,840 --> 00:14:41,000
Speaker 2: Yeah, No, no one was aroused in the studio.

309
00:14:41,040 --> 00:14:41,560
Speaker 1: I promise you.

310
00:14:41,680 --> 00:14:43,240
Speaker 3: I just win the lounges. I've said down in the

311
00:14:43,280 --> 00:14:44,720
Speaker 3: lounge like, I don't know what they're doing in the

312
00:14:44,840 --> 00:14:45,240
Speaker 3: in the room.

313
00:14:45,280 --> 00:14:48,119
Speaker 2: But it's weird, beautiful, dark switsy.

314
00:14:48,200 --> 00:14:50,360
Speaker 3: Yeah I don't. Yeah, I'm cool. I don't want no

315
00:14:50,400 --> 00:14:52,920
Speaker 3: part of that. I ain't doing a classic came out

316
00:14:52,920 --> 00:14:55,240
Speaker 3: of it, he said. Terry Crews said, when day turns

317
00:14:55,280 --> 00:14:58,040
Speaker 3: into night and you're still watching, I knew I had a.

318
00:14:58,000 --> 00:15:00,000
Speaker 6: Problem, but I don't I don't like him being shamed

319
00:15:00,360 --> 00:15:03,240
Speaker 6: his addiction because we'll like, you're not made mad.

320
00:15:03,240 --> 00:15:06,200
Speaker 1: People got addictions. It's like, oh, he's some freaky, weird Assnigga.

321
00:15:06,440 --> 00:15:09,960
Speaker 6: Niggas be our alcohol twelve hours a day. Niggas be

322
00:15:10,040 --> 00:15:13,080
Speaker 6: on uppers twelve hours a day. Shame.

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Speaker 3: And that's what I was saying.

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Speaker 1: I'm not saying.

325
00:15:15,360 --> 00:15:17,360
Speaker 3: I'm not saying that's any little different than any addiction. Yes,

326
00:15:17,360 --> 00:15:21,080
Speaker 3: it's an addiction, but that's that's watching twelve hours of porn.

327
00:15:21,120 --> 00:15:21,640
Speaker 1: We could laugh.

328
00:15:21,680 --> 00:15:24,320
Speaker 3: I was rolling dice for like seventeen hours.

329
00:15:24,840 --> 00:15:26,640
Speaker 1: I feel like, watch a porn is more normal than that.

330
00:15:26,720 --> 00:15:28,120
Speaker 1: I ain't win a fucking dollar.

331
00:15:29,720 --> 00:15:31,480
Speaker 2: You have to go to hard rock bet fuck my

332
00:15:31,600 --> 00:15:33,080
Speaker 2: still decrease and everything.

333
00:15:33,120 --> 00:15:33,840
Speaker 1: I was rolling dice.

334
00:15:34,160 --> 00:15:39,080
Speaker 3: This was recently. I ain't win a fucking to fuck

335
00:15:39,160 --> 00:15:41,480
Speaker 3: the rod looked. I was like, damn, dig you Dawn

336
00:15:41,600 --> 00:15:49,080
Speaker 3: like forty dollars. I don't the house. Somebody like nigga

337
00:15:49,080 --> 00:15:51,440
Speaker 3: got the house. And I'm like, well, nigga something. He

338
00:15:51,480 --> 00:15:54,080
Speaker 3: don't roll on the table. Yeah, you'll roll on the table.

339
00:15:54,080 --> 00:15:57,600
Speaker 1: Go to the store. Fuck you mean you don't roll

340
00:15:57,640 --> 00:15:58,200
Speaker 1: on the table.

341
00:15:58,200 --> 00:16:05,360
Speaker 3: Why? I was like, the table neither nigga niggas fourteen hours, Nigga,

342
00:16:05,880 --> 00:16:06,360
Speaker 3: Why do.

343
00:16:06,400 --> 00:16:11,080
Speaker 1: Yall gambling for seventeen hours and not winning? Nobody is crazy, yo.

344
00:16:11,120 --> 00:16:13,880
Speaker 2: But if you listen, if you go to Lanta City band,

345
00:16:14,080 --> 00:16:15,880
Speaker 2: you go up and down from your hotel, you'll see

346
00:16:15,880 --> 00:16:18,000
Speaker 2: the same people hitting the same button for seventeen hours.

347
00:16:18,680 --> 00:16:20,640
Speaker 1: Oh no, for sure. I got a text.

348
00:16:20,680 --> 00:16:23,240
Speaker 3: I got a text that say YO tomorrow, such as

349
00:16:23,280 --> 00:16:25,320
Speaker 3: I alight, bet. I thought I was gonna go get

350
00:16:25,320 --> 00:16:27,040
Speaker 3: a nap and pull up.

351
00:16:27,200 --> 00:16:32,400
Speaker 6: Yeah, guess why I want?

352
00:16:32,440 --> 00:16:34,200
Speaker 1: I ask you money? You ain't got nothing to give me?

353
00:16:35,160 --> 00:16:36,080
Speaker 1: Shoot it away with.

354
00:16:36,120 --> 00:16:41,680
Speaker 2: That if it worked out, seventeen hours to see if

355
00:16:41,680 --> 00:16:42,240
Speaker 2: it works out.

356
00:16:43,080 --> 00:16:44,760
Speaker 1: I'm saying, I'm saying I've seen people. I'm saying.

357
00:16:44,760 --> 00:16:47,440
Speaker 3: This is what I'm saying. Right, My logic is this right.

358
00:16:47,800 --> 00:16:51,600
Speaker 3: You can't make twenty thousand tonight, Yeah, you get also

359
00:16:51,640 --> 00:16:55,480
Speaker 3: lose twenty thousand. No, the fuck I can't. I cannot

360
00:16:55,480 --> 00:16:59,680
Speaker 3: do that. That is impossible. It is impossible for me

361
00:16:59,720 --> 00:17:01,240
Speaker 3: to lose that. You know what I'm saying to There's

362
00:17:01,320 --> 00:17:03,400
Speaker 3: no way I could leave it. I don't have that here,

363
00:17:04,000 --> 00:17:05,560
Speaker 3: that's not around, that's somewhere else.

364
00:17:05,960 --> 00:17:07,920
Speaker 1: Yeah, like even I that.

365
00:17:08,200 --> 00:17:10,879
Speaker 3: Yeh, I cannot lose you, but I could win that.

366
00:17:11,640 --> 00:17:16,119
Speaker 3: I might lose three, yeah, four, but twenty twenty thousand

367
00:17:16,119 --> 00:17:18,639
Speaker 3: in a day? Who will fuck make it? Tell me

368
00:17:18,680 --> 00:17:21,240
Speaker 3: which for? Who made doctor the doctor? If you would

369
00:17:21,280 --> 00:17:23,120
Speaker 3: have been If you would have been a doctor, your

370
00:17:23,160 --> 00:17:25,480
Speaker 3: mama wouldn't have been more proud of you. He ain't

371
00:17:25,560 --> 00:17:29,160
Speaker 3: making twenty a day, nigga, that's too much worth for work?

372
00:17:29,200 --> 00:17:29,800
Speaker 1: Easy.

373
00:17:30,119 --> 00:17:34,639
Speaker 3: I don't fuck with nobody. I'm seventeen. Yeah, what I'm saying,

374
00:17:35,160 --> 00:17:36,040
Speaker 3: I can figure it out.

375
00:17:36,320 --> 00:17:39,160
Speaker 1: Seventeen. Have you ever won the twenty thousand of a day? Yes?

376
00:17:39,680 --> 00:17:39,880
Speaker 5: Wow?

377
00:17:40,840 --> 00:17:43,520
Speaker 1: Like of all the days? Like what's your percentage of it?

378
00:17:43,720 --> 00:17:45,920
Speaker 3: Varies? Sometimes you be on the road, sometimes you go

379
00:17:46,040 --> 00:17:50,080
Speaker 3: win ten, you went seven, you went thirty years, and

380
00:17:50,200 --> 00:17:52,240
Speaker 3: then you go back and get a nigga's.

381
00:17:51,880 --> 00:17:55,320
Speaker 1: Fally, like what was this full?

382
00:17:55,720 --> 00:17:57,280
Speaker 3: You know what I'm saying, it'd be like that though,

383
00:17:57,400 --> 00:17:59,680
Speaker 3: I'm saying, it's like that's I guess they get high

384
00:18:00,000 --> 00:18:01,000
Speaker 3: some nigga sniffing coke.

385
00:18:01,080 --> 00:18:05,359
Speaker 1: So yeah, I'm doing better than them. No, no addiction

386
00:18:05,480 --> 00:18:08,119
Speaker 1: is better than another addiction. Baby shaking.

387
00:18:08,600 --> 00:18:11,560
Speaker 3: I'm not going for that. I'm not jacking that. You

388
00:18:11,640 --> 00:18:14,640
Speaker 3: cannot tell me that me rolling dice is worse than

389
00:18:14,680 --> 00:18:18,240
Speaker 3: a crackhead or the same even it's not even no.

390
00:18:18,359 --> 00:18:21,879
Speaker 1: You smoking crazy the same part of the brain you

391
00:18:22,000 --> 00:18:22,520
Speaker 1: was smoking.

392
00:18:22,880 --> 00:18:24,680
Speaker 6: I'm both spend the same amount of money. You're both

393
00:18:24,720 --> 00:18:28,679
Speaker 6: losing the thing spitting no fucking ti thousand dollars.

394
00:18:28,680 --> 00:18:32,800
Speaker 1: He ain't got this. Crackhead was a cracker gets you.

395
00:18:33,000 --> 00:18:37,520
Speaker 3: Yeah that nigga smoked, he ain't got this A thousand

396
00:18:37,640 --> 00:18:41,240
Speaker 3: dollars a crab, but he's cracking. Yeah, yeah, one hit

397
00:18:41,320 --> 00:18:44,960
Speaker 3: of that, I could lose a million and get that

398
00:18:45,000 --> 00:18:48,560
Speaker 3: a vegan. Imagine someone having a thousand dollars a c.

399
00:18:51,640 --> 00:18:52,800
Speaker 1: You win thirty thousand.

400
00:18:53,080 --> 00:18:55,720
Speaker 3: Yeah, the little African niggas wrong took thirty thousand from

401
00:18:55,720 --> 00:18:59,720
Speaker 3: me uptown too, Little African niggas, y'all.

402
00:19:00,320 --> 00:19:02,679
Speaker 1: I was so bad, but I was like, no, I

403
00:19:02,680 --> 00:19:03,760
Speaker 1: had like nine thousand on.

404
00:19:04,040 --> 00:19:06,520
Speaker 3: Yeah, when I left, I realized I had that, But

405
00:19:06,560 --> 00:19:08,160
Speaker 3: them little niggas caught me for some shit.

406
00:19:08,280 --> 00:19:08,480
Speaker 1: Son.

407
00:19:08,760 --> 00:19:12,119
Speaker 3: Yeah, nah, like thirty thousand. I had sixteen thousand on

408
00:19:12,160 --> 00:19:14,360
Speaker 3: the floor. Nigga says, stop and he walked.

409
00:19:14,119 --> 00:19:14,439
Speaker 1: To the car.

410
00:19:14,480 --> 00:19:16,520
Speaker 3: He was walking to the car every time I rolled

411
00:19:16,520 --> 00:19:18,120
Speaker 3: a head crack. He dropping over the floor. He said,

412
00:19:18,119 --> 00:19:20,880
Speaker 3: stop it six stop for sixteen year. I threw trip

413
00:19:20,920 --> 00:19:22,399
Speaker 3: once for that shit. I'm looking at you, some one

414
00:19:22,520 --> 00:19:25,560
Speaker 3: one that's just been it that niggas I gott got

415
00:19:25,600 --> 00:19:32,720
Speaker 3: got God, God, c the little niggas start reaching, The

416
00:19:32,880 --> 00:19:34,080
Speaker 3: little niggas start reaching.

417
00:19:34,160 --> 00:19:36,880
Speaker 1: You are ain't gonna lie. Ain't scared of guns. That's tough. Though.

418
00:19:37,240 --> 00:19:38,800
Speaker 3: I was still talking shit like yo, make give me

419
00:19:38,880 --> 00:19:40,840
Speaker 3: my fucking money, man, I ain't trying to hear none

420
00:19:40,880 --> 00:19:41,000
Speaker 3: of that.

421
00:19:41,240 --> 00:19:42,040
Speaker 1: So he jumped in the car.

422
00:19:42,160 --> 00:19:43,840
Speaker 3: So now I'm watching the nigga go back and forth

423
00:19:43,880 --> 00:19:46,040
Speaker 3: to the car right, so he getting in the drought

424
00:19:47,800 --> 00:19:50,240
Speaker 3: when he go this time, he get in the backseat. Yeah,

425
00:19:50,320 --> 00:19:52,600
Speaker 3: you know what I'm saying. You get in the back

426
00:19:52,640 --> 00:19:54,440
Speaker 3: seat for a nigga that there was somebody in the

427
00:19:54,480 --> 00:19:56,159
Speaker 3: front seat. The nigga trying to like run me off.

428
00:19:56,200 --> 00:19:58,359
Speaker 1: I backed about the way, like, oy, hello, bitch ass niggas.

429
00:19:59,119 --> 00:20:00,680
Speaker 1: Niggas I was up there, but they wouldn't give me

430
00:20:00,720 --> 00:20:03,240
Speaker 1: no gun or none of that. I'm glad.

431
00:20:04,440 --> 00:20:08,120
Speaker 3: I'm glad, yeah, because I was going to jail thirty

432
00:20:08,160 --> 00:20:08,880
Speaker 3: two thousand.

433
00:20:09,960 --> 00:20:12,840
Speaker 1: However, are two thousand niggas going to jail?

434
00:20:12,880 --> 00:20:15,440
Speaker 3: For first of all, the sixteen you asked better me

435
00:20:15,520 --> 00:20:18,440
Speaker 3: for I respect, but you make um sixteen.

436
00:20:18,600 --> 00:20:22,400
Speaker 1: That's my nigga. You took that from me, nigga, that's

437
00:20:22,480 --> 00:20:23,320
Speaker 1: my ship, Nigga.

438
00:20:23,880 --> 00:20:27,200
Speaker 3: The other sixteen that you shoes sixteen and you would

439
00:20:27,200 --> 00:20:28,280
Speaker 3: have been like, yo, I ain't paying.

440
00:20:28,400 --> 00:20:31,440
Speaker 1: Yeah, yeah, got here, let me give more money. You

441
00:20:31,800 --> 00:20:35,240
Speaker 1: picked that that was already Yeah, that was mins niggas.

442
00:20:35,720 --> 00:20:39,360
Speaker 1: Fuck out of here, niggah. You shouldn't go back there.

443
00:20:39,960 --> 00:20:44,560
Speaker 1: I'm never gonna roll no dice again. I will never

444
00:20:44,640 --> 00:20:50,080
Speaker 1: know security. Why don't have no security around the dice security?

445
00:20:50,840 --> 00:20:54,000
Speaker 1: I'm the security, not really nigga. Yall, ship wasn't secure.

446
00:20:54,280 --> 00:20:55,040
Speaker 1: I left. I left.

447
00:20:55,040 --> 00:20:58,359
Speaker 3: I had a roll high level the rollie I had

448
00:20:58,440 --> 00:21:00,600
Speaker 3: nine thousand. I didn't get like nigga and take nothing

449
00:21:00,640 --> 00:21:02,720
Speaker 3: from me. He just picked all that money that he

450
00:21:02,880 --> 00:21:05,399
Speaker 3: was putting down on the floor. He just picked it

451
00:21:05,520 --> 00:21:08,520
Speaker 3: back all up. Yeah, he just picked it all back up.

452
00:21:09,840 --> 00:21:13,359
Speaker 3: But he ain't take nothing from like, he ain't relieve

453
00:21:13,440 --> 00:21:14,720
Speaker 3: me or not of my trinkets.

454
00:21:15,720 --> 00:21:16,320
Speaker 1: You know what I'm saying.

455
00:21:16,960 --> 00:21:19,040
Speaker 3: But that's what I would have did because I was

456
00:21:19,160 --> 00:21:21,240
Speaker 3: kicking ass for like four hours. I was out there

457
00:21:21,320 --> 00:21:24,359
Speaker 3: rolling dice. It was like four hours. I was, I

458
00:21:24,400 --> 00:21:26,399
Speaker 3: ain't gonna lie when I got in the car. You

459
00:21:26,480 --> 00:21:28,040
Speaker 3: know you're looking for your keys and ship. I don't

460
00:21:28,040 --> 00:21:29,840
Speaker 3: even need the keys. I'm still looking for my ship.

461
00:21:30,280 --> 00:21:32,560
Speaker 3: I got money, every product. I'm backing out all this money.

462
00:21:32,560 --> 00:21:35,879
Speaker 3: I said, Oh ship, I hit. What I left my

463
00:21:35,960 --> 00:21:38,080
Speaker 3: house was like six hundred seven hundred. That's why you

464
00:21:38,080 --> 00:21:39,040
Speaker 3: gotta fuck with the Russians.

465
00:21:39,040 --> 00:21:44,520
Speaker 1: Man, Nah, that sh ain't even sound like some ship.

466
00:21:44,560 --> 00:21:46,040
Speaker 1: I want to do fun with the rushing.

467
00:21:47,680 --> 00:21:50,520
Speaker 3: The only ambling places you should go to is with

468
00:21:50,640 --> 00:21:51,119
Speaker 3: the Russians.

469
00:21:51,680 --> 00:21:55,200
Speaker 1: Your pop told you that, I'm telling you. I'm telling

470
00:21:55,200 --> 00:21:56,560
Speaker 1: you that you can take over with me.

471
00:21:57,800 --> 00:21:58,000
Speaker 5: I was.

472
00:21:59,080 --> 00:21:59,720
Speaker 1: I was in the Bronx.

473
00:21:59,720 --> 00:22:02,960
Speaker 3: I was bright and beach to rockaway.

474
00:22:03,200 --> 00:22:03,679
Speaker 1: You understand.

475
00:22:03,720 --> 00:22:05,480
Speaker 3: That's how I got realed inn of that I was

476
00:22:05,600 --> 00:22:08,840
Speaker 3: up there. All this is like the pandemic time. All

477
00:22:08,880 --> 00:22:13,680
Speaker 3: these niggas got big ass Cuban bracelet and people was

478
00:22:13,680 --> 00:22:14,120
Speaker 3: gonna cry.

479
00:22:14,160 --> 00:22:16,560
Speaker 1: Yes, And this is the most littlest block I've ever

480
00:22:16,680 --> 00:22:19,040
Speaker 1: been on. With it, I'm like, God damn, like all

481
00:22:19,080 --> 00:22:19,680
Speaker 1: you nigga.

482
00:22:19,480 --> 00:22:21,879
Speaker 3: Nobody got more money than cocon No, not every one

483
00:22:21,960 --> 00:22:24,360
Speaker 3: of these niggas. Look rich a nigga come around the corner,

484
00:22:24,440 --> 00:22:26,399
Speaker 3: say you're such and such, got the dice around the corner.

485
00:22:26,520 --> 00:22:28,479
Speaker 3: So I'm in the Bronx Homeie. This is shisty as

486
00:22:28,600 --> 00:22:30,800
Speaker 3: they call this shit sisty app I don't got, I don't.

487
00:22:31,000 --> 00:22:34,720
Speaker 3: I'm not rolling no dice. Nigga said, I just took

488
00:22:34,840 --> 00:22:37,600
Speaker 3: seventy thousand from this nigga the other day. I beat

489
00:22:37,720 --> 00:22:41,439
Speaker 3: him around the corner. He said, I took seventy thousand

490
00:22:41,480 --> 00:22:43,160
Speaker 3: for this nigga the other day, I beat him around

491
00:22:43,200 --> 00:22:43,520
Speaker 3: the corner.

492
00:22:43,640 --> 00:22:50,080
Speaker 1: Pill Fuck you mean seventy I need shit like that house?

493
00:22:50,119 --> 00:22:50,720
Speaker 1: Got it? Yeah?

494
00:22:51,760 --> 00:22:54,240
Speaker 3: Fuck, I'm growing it in a motherfucker. You niggas playing

495
00:22:54,280 --> 00:22:57,040
Speaker 3: you niggas by bracelets and chain. I don't get a

496
00:22:57,240 --> 00:22:59,960
Speaker 3: fuck up out of chain nigga. Yeah, it's some mothers

497
00:23:00,000 --> 00:23:03,679
Speaker 3: should I gotta do it. I'd rather get a double wide.

498
00:23:03,880 --> 00:23:05,960
Speaker 3: Go get a double wide in Maryland somewhere.

499
00:23:06,000 --> 00:23:07,400
Speaker 1: Nigga. The fuck is your niggas minding?

500
00:23:07,520 --> 00:23:08,960
Speaker 3: Change your niggas is crazy?

501
00:23:09,840 --> 00:23:10,480
Speaker 1: Word the mother?

502
00:23:12,160 --> 00:23:18,239
Speaker 3: Oh my god, oh ship. All right, Well, while we're here,

503
00:23:20,160 --> 00:23:23,800
Speaker 3: we have we have a guest coming up, because I

504
00:23:23,840 --> 00:23:24,639
Speaker 3: forgot we had a guest coming.

505
00:23:24,800 --> 00:23:26,840
Speaker 2: Yes, we have guests coming up, and Eddon has a

506
00:23:26,880 --> 00:23:31,160
Speaker 2: heart out pause. We finally have ending back in the studio,

507
00:23:31,280 --> 00:23:34,040
Speaker 2: has to leave, leave, can't hang out with him, and ship.

508
00:23:34,359 --> 00:23:36,080
Speaker 1: Ain't no thank you, adding fuck you? D how he

509
00:23:36,119 --> 00:23:38,679
Speaker 1: getting to the money that give money?

510
00:23:39,600 --> 00:23:41,680
Speaker 2: But I'm saying this when he's not here. That key

511
00:23:41,720 --> 00:23:45,800
Speaker 2: Lock album that they sent us is great. Yeah, project.

512
00:23:45,960 --> 00:23:48,000
Speaker 2: I was like, that's no, that ship is really really good.

513
00:23:48,560 --> 00:23:49,440
Speaker 3: Top I'm with it.

514
00:23:49,680 --> 00:23:51,480
Speaker 1: Yeah, fifty holes is my ship. I'm fucking with that.

515
00:23:51,840 --> 00:23:54,640
Speaker 2: So we uh, we're gonna sit down and talk talk

516
00:23:54,680 --> 00:23:58,440
Speaker 2: with Lock about his album. And at this point me

517
00:23:58,520 --> 00:24:01,240
Speaker 2: and the Marits are maybe drunk as fuck at the

518
00:24:01,240 --> 00:24:01,840
Speaker 2: parade right now.

519
00:24:01,880 --> 00:24:03,879
Speaker 3: I don't know, maybe, but.

520
00:24:05,520 --> 00:24:05,960
Speaker 5: Is on the way.

521
00:24:06,119 --> 00:24:08,639
Speaker 2: Who got you that Supreme joint? Because I'm not like

522
00:24:08,680 --> 00:24:11,320
Speaker 2: a like, I like that.

523
00:24:11,880 --> 00:24:13,080
Speaker 1: I wish I had that jack yet.

524
00:24:13,520 --> 00:24:14,800
Speaker 2: And you said I got the mashing pants.

525
00:24:14,880 --> 00:24:17,439
Speaker 1: Yeah, I got the match in like one break when

526
00:24:17,480 --> 00:24:17,919
Speaker 1: you came and.

527
00:24:17,960 --> 00:24:19,480
Speaker 2: The lights were off so I could see it has

528
00:24:19,520 --> 00:24:20,520
Speaker 2: the three ship on it.

529
00:24:20,560 --> 00:24:22,520
Speaker 1: And yeah, now you did that. You put that together

530
00:24:22,600 --> 00:24:23,960
Speaker 1: though without the pants, then.

531
00:24:24,400 --> 00:24:25,000
Speaker 3: We could share that.

532
00:24:25,840 --> 00:24:26,560
Speaker 1: What share this?

533
00:24:26,920 --> 00:24:27,120
Speaker 3: Yeah?

534
00:24:27,400 --> 00:24:30,200
Speaker 1: You want to wear another man's clothes? Mm hmm, I

535
00:24:30,240 --> 00:24:33,000
Speaker 1: thought it was yours. It is mine. It was gifted

536
00:24:33,080 --> 00:24:33,480
Speaker 1: to me though.

537
00:24:34,080 --> 00:24:36,480
Speaker 3: Oh wait, but that the other man Warren, Yeah.

538
00:24:36,560 --> 00:24:38,760
Speaker 1: He hasn't worn it. He wore that, he hasn't warn it.

539
00:24:39,160 --> 00:24:41,040
Speaker 1: She came here small like I make that nigga mad

540
00:24:41,080 --> 00:24:45,640
Speaker 1: as a motherfucker. Yeah, let me rock that. Yeah yeah,

541
00:24:46,080 --> 00:24:46,360
Speaker 1: I got.

542
00:24:49,480 --> 00:24:51,399
Speaker 6: But not that, not this, because this was gifted to me.

543
00:24:51,480 --> 00:24:52,960
Speaker 6: Like you got a fire I sweater at a girl

544
00:24:53,000 --> 00:24:54,840
Speaker 6: gifted to you. I wouldn't wear that because somebody.

545
00:24:54,600 --> 00:24:56,960
Speaker 3: Wouldn't give that to you. So yeah, yeah, okay, fair enough.

546
00:24:57,680 --> 00:24:59,720
Speaker 3: But if you leave it like for a second, me

547
00:24:59,800 --> 00:25:01,840
Speaker 3: and it may walk us like take some pictures with it.

548
00:25:02,160 --> 00:25:06,280
Speaker 1: That shit is fie. Listen, mall Ovio chain together a fit.

549
00:25:07,640 --> 00:25:08,600
Speaker 3: We're gonna find it one day.

550
00:25:08,680 --> 00:25:10,720
Speaker 1: That that she says she got pants for that that

551
00:25:12,119 --> 00:25:13,200
Speaker 1: I got some Jordan's.

552
00:25:12,880 --> 00:25:17,000
Speaker 3: Wait could wear the pants then? No, no, it was crazy,

553
00:25:19,200 --> 00:25:20,560
Speaker 3: but that's crazy.

554
00:25:22,040 --> 00:25:29,720
Speaker 2: Bringing block please no, mall boost Mobile is proving that

555
00:25:29,800 --> 00:25:32,080
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556
00:25:32,080 --> 00:25:34,840
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557
00:25:34,880 --> 00:25:37,159
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558
00:25:37,200 --> 00:25:40,440
Speaker 2: tell you. It's twenty five dollars orever on every week.

559
00:25:40,840 --> 00:25:43,439
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560
00:25:43,480 --> 00:25:44,760
Speaker 2: plan is going to be is how much I'm going

561
00:25:44,800 --> 00:25:46,600
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562
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563
00:25:49,440 --> 00:25:51,400
Speaker 2: your number, but you save up to six hundred dollars

564
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Speaker 2: a year compared to all other major carriers.

565
00:25:53,800 --> 00:25:56,480
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566
00:25:56,520 --> 00:25:59,200
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567
00:25:59,240 --> 00:26:01,840
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568
00:26:01,880 --> 00:26:04,520
Speaker 3: twelve months on the Boost Mobile Unlimited plan as of

569
00:26:04,640 --> 00:26:07,440
Speaker 3: January twenty twenty six. For full off of details, visit

570
00:26:07,480 --> 00:26:16,560
Speaker 3: boost mobile dot com. Welcome back to another episode of

571
00:26:16,640 --> 00:26:19,600
Speaker 3: the New Rory and Maul podcast, Iron Maul. I'm Rory

572
00:26:19,720 --> 00:26:22,560
Speaker 3: and we are also joined today by Netflix Zip. Let's

573
00:26:22,560 --> 00:26:25,679
Speaker 3: stay to that today, though, fellas. We are joined by

574
00:26:25,760 --> 00:26:28,720
Speaker 3: somebody who I think we all watched over the years

575
00:26:28,760 --> 00:26:31,800
Speaker 3: progress as an artist, somebody that we've all been a

576
00:26:31,880 --> 00:26:34,520
Speaker 3: fan of, and he's here today to talk some shit with.

577
00:26:34,600 --> 00:26:36,959
Speaker 1: Us in studio today with us key Block.

578
00:26:39,880 --> 00:26:41,600
Speaker 3: It got you up since you ain't been to sleep.

579
00:26:42,040 --> 00:26:43,399
Speaker 3: It's a good time to be in New York though

580
00:26:43,400 --> 00:26:46,720
Speaker 3: the next one, So the city got some energy to it. WORLKO. Yeah,

581
00:26:46,880 --> 00:26:50,159
Speaker 3: World Cup of Shadfifa is here. What's going on with

582
00:26:50,240 --> 00:26:50,479
Speaker 3: you though?

583
00:26:50,520 --> 00:26:51,680
Speaker 1: Man'm good?

584
00:26:52,040 --> 00:26:54,080
Speaker 3: How's everything? How you feeling smooth?

585
00:26:54,240 --> 00:26:54,840
Speaker 5: Ready to drop?

586
00:26:55,119 --> 00:26:58,040
Speaker 1: Ready to draw? Now for take us from the first album?

587
00:26:58,040 --> 00:26:59,920
Speaker 3: Because we obviously watched you over the years with Yellow

588
00:27:00,680 --> 00:27:05,600
Speaker 3: Back in twenty twenty, how have you progressed though up

589
00:27:05,640 --> 00:27:07,960
Speaker 3: to Project X as an artist? How have you changed

590
00:27:08,000 --> 00:27:10,200
Speaker 3: the way you create your music? Because we we was

591
00:27:10,240 --> 00:27:11,840
Speaker 3: in here listening to the album before you got here.

592
00:27:12,080 --> 00:27:16,160
Speaker 3: The one thing that we noticed automatically was the production

593
00:27:16,680 --> 00:27:19,359
Speaker 3: on this project seems to be a lot stronger and

594
00:27:19,440 --> 00:27:21,879
Speaker 3: a lot bigger than some of the other projects. But

595
00:27:21,920 --> 00:27:24,159
Speaker 3: how much have you changed the way you create your

596
00:27:24,200 --> 00:27:25,639
Speaker 3: music from twenty twenty till today?

597
00:27:27,280 --> 00:27:27,560
Speaker 1: Really?

598
00:27:29,680 --> 00:27:33,960
Speaker 5: Really, nothing nothing changed. I just don't like I just

599
00:27:34,040 --> 00:27:39,000
Speaker 5: don't like giving the same sound to my fans. Okay,

600
00:27:39,119 --> 00:27:41,360
Speaker 5: I always at least try to switch it up every

601
00:27:41,440 --> 00:27:44,480
Speaker 5: tabe or every other tape, but it always still be

602
00:27:44,640 --> 00:27:45,119
Speaker 5: my sound.

603
00:27:45,280 --> 00:27:46,040
Speaker 1: Yeah, you know what I'm saying.

604
00:27:46,400 --> 00:27:50,720
Speaker 3: Very it's a very specific sound though out of you know, Memphis, Tennessey,

605
00:27:50,760 --> 00:27:53,359
Speaker 3: out of that region. You didn't stray away from it

606
00:27:53,400 --> 00:27:55,440
Speaker 3: too much on this we hear like the three six

607
00:27:55,520 --> 00:27:58,320
Speaker 3: influence on there, just that heavy base. But when you

608
00:27:58,400 --> 00:28:00,200
Speaker 3: say you you don't like to give the same saying

609
00:28:00,240 --> 00:28:02,119
Speaker 3: how much of it have you changed on this project?

610
00:28:04,080 --> 00:28:07,880
Speaker 5: I say this project project X. I went I went

611
00:28:08,000 --> 00:28:12,359
Speaker 5: back a few years. It sounded like the younger Clock

612
00:28:13,000 --> 00:28:15,960
Speaker 5: when I first came in. More, it's more aggressive, it's

613
00:28:16,040 --> 00:28:17,280
Speaker 5: more energity.

614
00:28:17,520 --> 00:28:21,200
Speaker 3: Fifty the first listen, that's the one to me that

615
00:28:21,320 --> 00:28:24,160
Speaker 3: stuck out. It's fifty holes. That's my That's all music

616
00:28:24,440 --> 00:28:26,360
Speaker 3: is crazy. The cherry joints is crazy as well.

617
00:28:26,480 --> 00:28:26,680
Speaker 1: Yeah.

618
00:28:27,560 --> 00:28:30,040
Speaker 2: I mean with with this production, how great the production is.

619
00:28:30,640 --> 00:28:32,200
Speaker 2: You didn't want to have any features on this one,

620
00:28:32,280 --> 00:28:35,040
Speaker 2: which I thought was interesting because with Clock of Value

621
00:28:35,040 --> 00:28:35,960
Speaker 2: you didn't have any features either.

622
00:28:36,760 --> 00:28:37,199
Speaker 4: Is that like.

623
00:28:38,840 --> 00:28:39,280
Speaker 3: People like.

624
00:28:41,440 --> 00:28:45,360
Speaker 5: I just what it was. I dropped my first tape

625
00:28:47,040 --> 00:28:51,240
Speaker 5: yesterday nine years ago, Glock season. Yeah, and ever since then,

626
00:28:51,360 --> 00:28:54,640
Speaker 5: I never had like a feature on my tapes all

627
00:28:54,680 --> 00:28:55,520
Speaker 5: the way up into now.

628
00:28:56,560 --> 00:28:58,400
Speaker 1: So why is that though, Like it's like we're joking

629
00:28:58,440 --> 00:29:01,000
Speaker 1: about you. It is because you just don't When I.

630
00:29:01,160 --> 00:29:03,040
Speaker 5: Tried it and it didn't work, So it's like it's

631
00:29:03,120 --> 00:29:05,400
Speaker 5: just it's just spoiled for everybody.

632
00:29:06,200 --> 00:29:09,800
Speaker 3: Damn, So shut the door for everybody. No features with

633
00:29:09,920 --> 00:29:11,200
Speaker 3: nobody moving forward.

634
00:29:12,360 --> 00:29:14,600
Speaker 2: I mean you think that was a one time experience

635
00:29:14,640 --> 00:29:16,120
Speaker 2: and it would be different with like because me and

636
00:29:16,200 --> 00:29:18,480
Speaker 2: is it when we was listening like at Cherry Joint

637
00:29:18,520 --> 00:29:20,320
Speaker 2: like two changes would sound crazy on that. He even

638
00:29:20,320 --> 00:29:23,280
Speaker 2: said Ludo would have sounded crazy, which I agree, Like

639
00:29:23,360 --> 00:29:24,840
Speaker 2: there's a lot of joints on this stick.

640
00:29:25,400 --> 00:29:28,280
Speaker 5: I could hear it's crazy. I got songs with both

641
00:29:28,320 --> 00:29:33,320
Speaker 5: of them too, Okay, yeah, on them you'll hear.

642
00:29:36,080 --> 00:29:37,160
Speaker 1: And it is that a strategy?

643
00:29:37,240 --> 00:29:39,080
Speaker 2: Is that like when you want to do the official

644
00:29:39,160 --> 00:29:42,440
Speaker 2: album album when you have the feature stuff or treating

645
00:29:42,480 --> 00:29:43,200
Speaker 2: them more like tapes.

646
00:29:44,240 --> 00:29:45,600
Speaker 5: I have no strategy to it.

647
00:29:47,240 --> 00:29:54,280
Speaker 3: Yeah. So now now with Project X, no features heavy

648
00:29:54,360 --> 00:29:57,880
Speaker 3: Memphis sound on it. Though, are we getting a tour?

649
00:29:57,920 --> 00:29:59,400
Speaker 3: You're gonna take this on the road because I think

650
00:29:59,400 --> 00:30:02,120
Speaker 3: I saw you. I think I saw you at I

651
00:30:02,200 --> 00:30:05,560
Speaker 3: want to say you and what you at? What Dolphoneny

652
00:30:05,640 --> 00:30:10,280
Speaker 3: came to was that Sony Hall. I think years ago

653
00:30:11,880 --> 00:30:13,520
Speaker 3: that was the first time I saw I think that

654
00:30:13,600 --> 00:30:15,160
Speaker 3: was the first and only time I saw Dolph live

655
00:30:15,160 --> 00:30:15,960
Speaker 3: and I only went here.

656
00:30:16,680 --> 00:30:17,320
Speaker 5: It was in New York.

657
00:30:17,360 --> 00:30:18,960
Speaker 3: It was it was it was in a Sony Hall.

658
00:30:19,600 --> 00:30:21,920
Speaker 3: I didn't want to say twenty nineteen or twenty eighteen,

659
00:30:22,680 --> 00:30:23,120
Speaker 3: something like that.

660
00:30:23,960 --> 00:30:26,280
Speaker 1: I think I think I think he was there.

661
00:30:27,240 --> 00:30:29,240
Speaker 5: Yeah, I think he was going to and bring him

662
00:30:29,240 --> 00:30:31,320
Speaker 5: out or you about twenty one that it was something

663
00:30:31,400 --> 00:30:31,520
Speaker 5: like that.

664
00:30:31,800 --> 00:30:34,160
Speaker 1: I think he bought twenty one out. Yeah, I think

665
00:30:34,200 --> 00:30:34,960
Speaker 1: he got twenty one.

666
00:30:34,840 --> 00:30:38,000
Speaker 3: Out Sony Hall March sixth, twenty twenty. Why Project X

667
00:30:38,160 --> 00:30:38,720
Speaker 3: as the title?

668
00:30:41,520 --> 00:30:44,280
Speaker 5: They just this, that's just the move I was in

669
00:30:44,600 --> 00:30:46,640
Speaker 5: like that. I say, like the end of last year,

670
00:30:46,760 --> 00:30:49,160
Speaker 5: the beginning of this year, it was just a lot

671
00:30:49,240 --> 00:30:51,920
Speaker 5: of hard partying and drug and going on.

672
00:30:53,400 --> 00:30:54,960
Speaker 1: Then, honest, a lot of.

673
00:30:55,240 --> 00:30:57,840
Speaker 2: Party, Okay, because I remember it was a poor mind

674
00:30:57,880 --> 00:30:59,480
Speaker 2: I think it was poor Mind's You had said that

675
00:31:00,200 --> 00:31:01,760
Speaker 2: it was like one of your first times drinking, like

676
00:31:01,800 --> 00:31:03,840
Speaker 2: you understood why people drink. You didn't drink like that,

677
00:31:04,480 --> 00:31:07,160
Speaker 2: And that was maybe like a year ago. So all right,

678
00:31:07,200 --> 00:31:08,760
Speaker 2: so we just took a whole turn to ecstasy.

679
00:31:09,840 --> 00:31:15,040
Speaker 5: They ain't liking, They ain't got we ain't They ain't

680
00:31:15,080 --> 00:31:16,440
Speaker 5: got nothing to do with it with that.

681
00:31:16,800 --> 00:31:19,760
Speaker 3: Yeah, Now, how much of the time, how much of

682
00:31:19,800 --> 00:31:21,360
Speaker 3: the time do you spend. Are you like the studio

683
00:31:21,480 --> 00:31:23,360
Speaker 3: rat when you can see yourself a studio rat?

684
00:31:23,520 --> 00:31:27,800
Speaker 1: Are you in the studio a lot? Studio junkie, studio

685
00:31:28,120 --> 00:31:30,440
Speaker 1: kagas never want to I like that.

686
00:31:30,600 --> 00:31:33,680
Speaker 3: I like that. I like that. Yeah, studio junk So

687
00:31:33,760 --> 00:31:35,960
Speaker 3: you stay in the studio a lot. Yeah sure, So

688
00:31:36,080 --> 00:31:38,080
Speaker 3: that means sitting on a lot of music then, because

689
00:31:38,080 --> 00:31:39,440
Speaker 3: you can't be in the studio. You can't be a

690
00:31:39,480 --> 00:31:42,240
Speaker 3: studio junkie and not be recording all the.

691
00:31:42,320 --> 00:31:44,080
Speaker 1: Time, right right?

692
00:31:44,640 --> 00:31:49,440
Speaker 2: So uh the party better that happened? That affected how

693
00:31:50,040 --> 00:31:50,720
Speaker 2: the sound was on.

694
00:31:50,800 --> 00:31:55,800
Speaker 5: This, Yeah for sure because if I was the project, Yeah,

695
00:31:55,800 --> 00:31:58,320
Speaker 5: I was rapping about like literally what was going on?

696
00:31:58,600 --> 00:31:58,800
Speaker 1: Yeah?

697
00:31:59,320 --> 00:32:01,520
Speaker 2: What was what was jumping into the project X world

698
00:32:02,040 --> 00:32:05,880
Speaker 2: like at this age too, because usually people do that

699
00:32:05,920 --> 00:32:07,000
Speaker 2: at like twenty one years old.

700
00:32:07,320 --> 00:32:09,920
Speaker 5: Nah, it's been like that. I just never talk about

701
00:32:09,960 --> 00:32:13,080
Speaker 5: a display, Gosha. It's just a side that I want

702
00:32:13,120 --> 00:32:15,280
Speaker 5: to let the fans and people see because I'm not

703
00:32:15,360 --> 00:32:17,840
Speaker 5: a fun guy or fun person to the people. So

704
00:32:17,920 --> 00:32:20,560
Speaker 5: it's like, just let me show y'all something that's right quick.

705
00:32:21,360 --> 00:32:21,760
Speaker 3: What's up?

706
00:32:22,520 --> 00:32:24,880
Speaker 2: What city gave you the most inspiration outside of Memphis?

707
00:32:24,920 --> 00:32:26,640
Speaker 2: When it came to that type of content.

708
00:32:29,200 --> 00:32:31,239
Speaker 5: Miami that checks out.

709
00:32:31,320 --> 00:32:35,320
Speaker 2: Yeah, damn my project X checks out Project X Miami

710
00:32:35,360 --> 00:32:38,280
Speaker 2: that Miami or Houston would have been my one and two.

711
00:32:38,600 --> 00:32:39,240
Speaker 5: Yeah in that.

712
00:32:39,320 --> 00:32:42,120
Speaker 3: Regard outside to take Keith, who's some of the producers

713
00:32:42,160 --> 00:32:44,080
Speaker 3: you worked with on this project? X?

714
00:32:45,160 --> 00:32:54,320
Speaker 5: Uh Kid, Hazel Honor will see you? No bank world

715
00:32:54,400 --> 00:32:54,680
Speaker 5: got it?

716
00:32:55,640 --> 00:32:55,960
Speaker 3: Okay?

717
00:32:56,560 --> 00:32:56,720
Speaker 5: Uh?

718
00:33:00,040 --> 00:33:01,440
Speaker 3: Who did fifty holes? Because that's my.

719
00:33:01,520 --> 00:33:07,240
Speaker 1: Ship, my humble many many Yeah, man.

720
00:33:07,240 --> 00:33:09,880
Speaker 3: You tell many he got one that fifty holes is hard?

721
00:33:10,200 --> 00:33:11,840
Speaker 3: You know you think you could achieve that?

722
00:33:13,720 --> 00:33:15,920
Speaker 1: No, glock is block, I believe can you achieve that?

723
00:33:16,200 --> 00:33:16,960
Speaker 1: But fifty holes?

724
00:33:17,080 --> 00:33:20,560
Speaker 3: No, no, No, I don't have the bandwidth to entertain

725
00:33:20,640 --> 00:33:22,840
Speaker 3: fifty different fifteen summer though. But that was that was

726
00:33:22,960 --> 00:33:24,840
Speaker 3: track that was in my but I was nineteen twenty

727
00:33:24,920 --> 00:33:26,880
Speaker 3: years old. That was that was many moves ago.

728
00:33:26,960 --> 00:33:27,280
Speaker 1: Today.

729
00:33:27,400 --> 00:33:28,360
Speaker 3: No, no, I can't entertain.

730
00:33:28,480 --> 00:33:31,440
Speaker 1: What's the state you think you could? You couldn't get?

731
00:33:31,720 --> 00:33:34,640
Speaker 1: You get to? What maybe forty no four like the

732
00:33:34,680 --> 00:33:35,280
Speaker 1: Pacific North?

733
00:33:35,320 --> 00:33:37,360
Speaker 3: No, No, I'm down I'm down there, down to four

734
00:33:37,440 --> 00:33:39,840
Speaker 3: and five. That's where that's where I stop at. Four

735
00:33:39,880 --> 00:33:42,600
Speaker 3: different women maybe at a time, But fifty god, no,

736
00:33:42,720 --> 00:33:46,680
Speaker 3: that that gives me nightmnes thinking about that yal at

737
00:33:46,720 --> 00:33:49,640
Speaker 3: one time, at twenty eight, twenty nine, you're supposed to

738
00:33:49,680 --> 00:33:52,360
Speaker 3: be doing that at my age forty four. You can't

739
00:33:52,400 --> 00:33:54,200
Speaker 3: be doing those shit like that. Man, we sleep by

740
00:33:54,240 --> 00:33:58,200
Speaker 3: eight o'clock. You ain't old though, I ain't old. But

741
00:33:58,280 --> 00:34:00,760
Speaker 3: I've been outside a lot of summers man. He too,

742
00:34:00,880 --> 00:34:02,880
Speaker 3: I've been outside a lot of summers. Man, I had

743
00:34:02,920 --> 00:34:04,880
Speaker 3: I had a summer one time, like Rory was talking about,

744
00:34:05,360 --> 00:34:06,320
Speaker 3: thinking back, I got.

745
00:34:06,520 --> 00:34:08,520
Speaker 1: I don't know. I was just a lost child, running

746
00:34:08,560 --> 00:34:11,080
Speaker 1: wild like I was just doing myself.

747
00:34:11,200 --> 00:34:13,600
Speaker 3: Yeah, it was just unnecessary shit I was doing.

748
00:34:13,680 --> 00:34:15,480
Speaker 1: Man, But you know we here.

749
00:34:15,680 --> 00:34:21,160
Speaker 3: It's all good now with you specifically not working with

750
00:34:21,360 --> 00:34:23,520
Speaker 3: a lot of different artists. He's saying you tried it,

751
00:34:24,160 --> 00:34:27,360
Speaker 3: turned you off from it. How do you how do

752
00:34:27,440 --> 00:34:29,880
Speaker 3: you view the landscape of hip hop of rap today?

753
00:34:30,000 --> 00:34:32,200
Speaker 3: Do you just stay in your circle with your sound,

754
00:34:32,280 --> 00:34:34,560
Speaker 3: with your crew, or do you look at other dudes

755
00:34:34,560 --> 00:34:36,279
Speaker 3: and get some inspiration, Like I like what they doing,

756
00:34:36,320 --> 00:34:38,399
Speaker 3: I like that, I like where this region is headed,

757
00:34:38,440 --> 00:34:41,359
Speaker 3: what they sound, or it's just I'm all in, I'm

758
00:34:41,440 --> 00:34:42,080
Speaker 3: all in on glock.

759
00:34:42,239 --> 00:34:43,160
Speaker 5: Is it just you or you?

760
00:34:43,400 --> 00:34:45,920
Speaker 3: You like to listen to other artists, you like to

761
00:34:46,360 --> 00:34:48,520
Speaker 3: study what they doing and kind of draw some inspiration

762
00:34:48,600 --> 00:34:48,800
Speaker 3: from it.

763
00:34:49,600 --> 00:34:54,160
Speaker 5: Like I'm I'm all about Glock for sure, but like

764
00:34:56,400 --> 00:34:59,640
Speaker 5: far As, like other rappers like and they sound and

765
00:34:59,640 --> 00:35:02,759
Speaker 5: stuff like it's cool. I might, I might listen to it,

766
00:35:02,880 --> 00:35:07,480
Speaker 5: but I'm not going to like take a piece of

767
00:35:07,560 --> 00:35:09,479
Speaker 5: their style. And you know what I'm saying, No, not take.

768
00:35:09,400 --> 00:35:11,319
Speaker 3: Their style, but like just to sound and see where

769
00:35:11,360 --> 00:35:14,000
Speaker 3: the energy is going. Do you say, Okay, like this

770
00:35:14,239 --> 00:35:15,799
Speaker 3: this is what a lot of people are turning up

771
00:35:15,800 --> 00:35:18,080
Speaker 3: to right now, This is the energy outside, this is

772
00:35:18,120 --> 00:35:19,879
Speaker 3: what people want to kind of get into.

773
00:35:22,520 --> 00:35:24,800
Speaker 5: It's like, it's really hard to say because it's like

774
00:35:24,880 --> 00:35:32,759
Speaker 5: the Internet of tricky. The Internet is tricky, like those

775
00:35:32,920 --> 00:35:38,040
Speaker 5: same like people may be like talking about they might

776
00:35:38,120 --> 00:35:40,520
Speaker 5: be like this way on the internet, but can't sell

777
00:35:41,080 --> 00:35:42,399
Speaker 5: a ticket to say their life.

778
00:35:42,480 --> 00:35:45,520
Speaker 2: So it's like, right, yeah, a lot, it's a lot

779
00:35:45,600 --> 00:35:49,960
Speaker 2: of that hard no hard, can't sell.

780
00:35:51,320 --> 00:35:53,759
Speaker 5: Be happy for the next person or whatever, but I'd

781
00:35:53,800 --> 00:35:56,960
Speaker 5: be worried about me. Yeah, I don't get too deep

782
00:35:57,000 --> 00:35:57,560
Speaker 5: into nobody.

783
00:35:58,200 --> 00:35:59,759
Speaker 1: M what are you listening to right now?

784
00:36:00,040 --> 00:36:01,560
Speaker 3: Like with some of the music when you're riding out,

785
00:36:01,600 --> 00:36:03,600
Speaker 3: you're just riding around with some of the music that

786
00:36:03,640 --> 00:36:04,160
Speaker 3: you're listening to.

787
00:36:05,400 --> 00:36:11,480
Speaker 5: This is no unreleased Clock and my homeboys. Everybody in

788
00:36:11,560 --> 00:36:15,439
Speaker 5: the circle. Yeah, memphits sound.

789
00:36:15,520 --> 00:36:17,160
Speaker 3: I'm trying to I'm trying to figure out what it

790
00:36:17,239 --> 00:36:20,160
Speaker 3: is with Clock, Like he just like it's all yeah,

791
00:36:20,160 --> 00:36:26,160
Speaker 3: he ain't. Yeah, I'm not mad at it, But I

792
00:36:26,239 --> 00:36:28,719
Speaker 3: just think as an artist you kind of have to

793
00:36:28,880 --> 00:36:31,120
Speaker 3: like just kind of peek out and see what's going

794
00:36:31,200 --> 00:36:33,520
Speaker 3: on out there and see what you know, the sound

795
00:36:33,600 --> 00:36:35,160
Speaker 3: is and with the energy and see what people are doing.

796
00:36:35,360 --> 00:36:36,880
Speaker 1: But at the same time, like you said, I.

797
00:36:37,000 --> 00:36:43,200
Speaker 5: Feel like I've been I've been stripping good this whole time,

798
00:36:43,440 --> 00:36:49,360
Speaker 5: just just being me in my lane. Sure, keep y'all features,

799
00:36:49,400 --> 00:36:52,040
Speaker 5: you know what I'm saying, Like y'all, y'all bigger with.

800
00:36:52,120 --> 00:36:54,920
Speaker 3: Each other over here, I'm saying, do that shit got

801
00:36:54,960 --> 00:36:57,279
Speaker 3: anything to do with like the climbing in your city though,

802
00:36:57,400 --> 00:36:59,880
Speaker 3: Like like it's so like because everybody here about me

803
00:37:00,040 --> 00:37:02,360
Speaker 3: if it's like Memphis, like nobody really.

804
00:37:02,200 --> 00:37:04,799
Speaker 1: Be wanting to go from Memphis less from Memphis.

805
00:37:04,719 --> 00:37:06,920
Speaker 3: Right, like that got anything to do with it? Like

806
00:37:06,960 --> 00:37:09,319
Speaker 3: it's so cutthroat like that she got anything.

807
00:37:09,040 --> 00:37:12,120
Speaker 1: To do with it? I don't.

808
00:37:12,239 --> 00:37:16,839
Speaker 5: I don't think so. I wouldn't think so, but who knows.

809
00:37:17,719 --> 00:37:21,640
Speaker 5: It's like they're never they'll never actually tell y'all, like,

810
00:37:22,120 --> 00:37:23,479
Speaker 5: but you're from Memphis, but I can't.

811
00:37:23,600 --> 00:37:23,919
Speaker 1: I can't.

812
00:37:24,800 --> 00:37:26,239
Speaker 5: I can't do this with you. I can't do that

813
00:37:26,360 --> 00:37:27,920
Speaker 5: with you, Like you know what I'm saying. But they

814
00:37:28,040 --> 00:37:30,160
Speaker 5: always keep that in the back of their head. Okay,

815
00:37:30,200 --> 00:37:33,279
Speaker 5: basically like just judging because of where I'm from.

816
00:37:33,400 --> 00:37:36,120
Speaker 2: Yeah, yeah, yeah, of not knowing who you offending if

817
00:37:36,160 --> 00:37:37,800
Speaker 2: you work with certain people and this and that.

818
00:37:38,400 --> 00:37:41,279
Speaker 3: I can understand that's what that's heavy. Yeah, yeah, that's

819
00:37:41,440 --> 00:37:44,880
Speaker 3: heavy politics, which I could see certain artists trying to

820
00:37:44,880 --> 00:37:47,120
Speaker 3: stay away from that. But because I know a lot

821
00:37:47,160 --> 00:37:48,719
Speaker 3: of artists that when they're creating, they don't want to

822
00:37:48,760 --> 00:37:50,920
Speaker 3: hear anyone else's ship. Just have to fear that you

823
00:37:51,000 --> 00:37:52,440
Speaker 3: may even take in something that you don't even want

824
00:37:52,440 --> 00:37:54,680
Speaker 3: to take in. What were you listening before you were

825
00:37:55,520 --> 00:37:58,120
Speaker 3: rapping and making music at this level? What were you

826
00:37:58,200 --> 00:37:58,640
Speaker 3: listening to.

827
00:38:00,200 --> 00:38:03,080
Speaker 5: Listen to? Wayne Gucci?

828
00:38:03,719 --> 00:38:07,400
Speaker 1: Mm hmm uh do be.

829
00:38:10,400 --> 00:38:11,480
Speaker 5: Bank Road Fish?

830
00:38:12,680 --> 00:38:14,120
Speaker 1: Okay? Uh?

831
00:38:17,080 --> 00:38:17,520
Speaker 5: Future?

832
00:38:18,840 --> 00:38:23,200
Speaker 1: I was waiting for that name Fluid, Yeah, waiting, Yeah,

833
00:38:23,280 --> 00:38:23,880
Speaker 1: I was waiting.

834
00:38:24,960 --> 00:38:27,400
Speaker 2: Anything from up here because you know, obviously Memphis is

835
00:38:27,560 --> 00:38:29,640
Speaker 2: the South for sure, but I mean, you guys are

836
00:38:29,680 --> 00:38:32,200
Speaker 2: still kind of middle. You're not deep deep in the South,

837
00:38:32,320 --> 00:38:35,719
Speaker 2: like you're not You're not that far from the North

838
00:38:38,040 --> 00:38:42,000
Speaker 2: South like stars down there. It's still kind of close

839
00:38:42,080 --> 00:38:44,879
Speaker 2: to North Carolina too far. You kind of like Luther

840
00:38:45,480 --> 00:38:52,200
Speaker 2: b It don't get more South sound, but music from

841
00:38:52,280 --> 00:38:54,879
Speaker 2: up here ever make it down there being twenty twenty

842
00:38:54,920 --> 00:38:58,640
Speaker 2: nine years old, like I know, probably not not really, I.

843
00:38:58,680 --> 00:39:01,680
Speaker 5: Mean, but but not really. I'm not gonna lie like, yeah,

844
00:39:01,840 --> 00:39:06,800
Speaker 5: like the South, how can I put this? Just like

845
00:39:06,920 --> 00:39:10,880
Speaker 5: how Cali is it's one state, Like artists can just

846
00:39:11,920 --> 00:39:14,080
Speaker 5: get big and just make their whole you know what

847
00:39:14,120 --> 00:39:17,359
Speaker 5: I'm saying. Living out of Cali. Like in the South,

848
00:39:17,560 --> 00:39:21,000
Speaker 5: as long as you got the whole South, it's cool too.

849
00:39:21,080 --> 00:39:25,480
Speaker 5: It's like they don't even here what's coming from West

850
00:39:25,600 --> 00:39:27,759
Speaker 5: or Nook, you know what I'm saying. But you still

851
00:39:27,840 --> 00:39:31,560
Speaker 5: have some people that are leading to jigger nas, you

852
00:39:31,640 --> 00:39:33,400
Speaker 5: know what I'm saying. It like that. But as far

853
00:39:33,440 --> 00:39:39,000
Speaker 5: as my generator, it wasn't really too much even to

854
00:39:39,160 --> 00:39:42,359
Speaker 5: dip set, but it wasn't like heavy because we had

855
00:39:42,760 --> 00:39:46,760
Speaker 5: so many rappers down south. Yeah, so many rappers, downsids.

856
00:39:46,400 --> 00:39:49,759
Speaker 3: And I mean even said has a Southern sound by

857
00:39:49,840 --> 00:39:51,080
Speaker 3: New York Productions.

858
00:39:51,200 --> 00:39:55,120
Speaker 6: Yea, they let you slide when they said that Miami

859
00:39:55,200 --> 00:39:56,359
Speaker 6: gives you the Project x Field.

860
00:39:56,360 --> 00:39:57,640
Speaker 1: You say you be up in New York a lot.

861
00:39:57,680 --> 00:39:59,239
Speaker 1: You don't be partying Project xt all.

862
00:39:59,200 --> 00:39:59,680
Speaker 3: In New York.

863
00:40:00,239 --> 00:40:03,759
Speaker 5: No, because New York, New York, New York. It'd be

864
00:40:03,840 --> 00:40:07,080
Speaker 5: too many people. There's too many people, and I gotta

865
00:40:07,800 --> 00:40:11,600
Speaker 5: I'd rather be safe, you know, I'd rather be on

866
00:40:11,719 --> 00:40:14,200
Speaker 5: point than unfunctional.

867
00:40:14,480 --> 00:40:16,440
Speaker 3: I mean, I've never I've never seen as much as

868
00:40:16,480 --> 00:40:18,279
Speaker 3: you be in New York though, but I've never seen

869
00:40:18,320 --> 00:40:19,120
Speaker 3: you out.

870
00:40:18,960 --> 00:40:20,439
Speaker 1: In New York. No, you won't.

871
00:40:20,520 --> 00:40:21,680
Speaker 5: You won't see me out of nowhere.

872
00:40:21,840 --> 00:40:25,920
Speaker 2: He would like, literally, like I think those type of events.

873
00:40:25,760 --> 00:40:27,560
Speaker 5: Like I can't go there. I can't go in it.

874
00:40:28,040 --> 00:40:35,960
Speaker 1: You can't, I can't. Why it's too many. I'm being honest,

875
00:40:37,760 --> 00:40:38,480
Speaker 1: it's too many.

876
00:40:39,600 --> 00:40:40,600
Speaker 5: I'd rather stay back.

877
00:40:41,440 --> 00:40:45,120
Speaker 1: Wait, so you're not allowed I want to go?

878
00:40:45,360 --> 00:40:47,839
Speaker 5: Yeah, I'm not saying I don't want to go. I'm

879
00:40:47,880 --> 00:40:50,680
Speaker 5: not saying like I'm not allowed. I just prefer to

880
00:40:50,680 --> 00:40:51,719
Speaker 5: stay back, stay at home.

881
00:40:52,040 --> 00:40:53,120
Speaker 1: Gosh, I know.

882
00:40:55,440 --> 00:40:59,480
Speaker 3: I like that. Y'all started asking too many other ques.

883
00:40:59,560 --> 00:41:03,480
Speaker 3: Once he said that's too many. I knew there's too

884
00:41:03,719 --> 00:41:04,520
Speaker 3: many in.

885
00:41:08,120 --> 00:41:08,520
Speaker 5: My room.

886
00:41:08,880 --> 00:41:11,040
Speaker 1: I'm going to eat and I'm going back to my room.

887
00:41:11,160 --> 00:41:12,200
Speaker 1: That's what lock is on.

888
00:41:13,560 --> 00:41:18,360
Speaker 3: That's fucking hilarious. Is there any producers that are on

889
00:41:18,560 --> 00:41:20,200
Speaker 3: like your vision board or working with like if you

890
00:41:20,239 --> 00:41:24,120
Speaker 3: could get a couple of records with them? Mm hmm,

891
00:41:25,840 --> 00:41:26,640
Speaker 3: because I know you ain't.

892
00:41:26,680 --> 00:41:27,200
Speaker 1: You don't want to know.

893
00:41:27,400 --> 00:41:30,560
Speaker 3: No features ain't suing, no rappers, but production producers like

894
00:41:30,640 --> 00:41:32,640
Speaker 3: the sound. Is there anybody that you like, I need

895
00:41:32,719 --> 00:41:34,839
Speaker 3: to lock in the studio with this person for about

896
00:41:34,920 --> 00:41:35,279
Speaker 3: a week.

897
00:41:38,920 --> 00:41:44,520
Speaker 5: Let me see, me see, let me see. I have

898
00:41:44,600 --> 00:41:45,239
Speaker 5: to think on it.

899
00:41:48,840 --> 00:41:55,480
Speaker 1: I got one in my mind, probably Metro. That's the

900
00:41:55,520 --> 00:41:56,200
Speaker 1: person I had them on.

901
00:41:56,680 --> 00:41:58,200
Speaker 5: Some Metro. That'll be easy.

902
00:41:58,480 --> 00:42:01,480
Speaker 3: Yeah, I met y'all. I think y'all could get an

903
00:42:01,480 --> 00:42:04,360
Speaker 3: album done and a week. You Metric, I think you

904
00:42:04,480 --> 00:42:05,440
Speaker 3: could get an album.

905
00:42:05,239 --> 00:42:07,479
Speaker 5: Done three days. Give me three day, three days.

906
00:42:08,800 --> 00:42:11,879
Speaker 3: Metro work fast too, So you have that you work

907
00:42:11,960 --> 00:42:16,359
Speaker 3: was a before Yeah, okay, it's been a meaning but yeah, yeah, yeah,

908
00:42:16,800 --> 00:42:19,120
Speaker 3: it makes a whole lot of sense. Anyone outside of

909
00:42:19,120 --> 00:42:24,600
Speaker 3: the Metro. Metro makes the most sense to me, Like

910
00:42:24,840 --> 00:42:25,680
Speaker 3: just Glock Yeah.

911
00:42:25,480 --> 00:42:34,399
Speaker 5: Because I'm thinking about my sound Juicy no Juicy, Juicy Pole.

912
00:42:34,480 --> 00:42:39,200
Speaker 5: We got stuff DJ Squeaky Okay, squeak yeah, squeaky yeah.

913
00:42:39,239 --> 00:42:42,000
Speaker 1: Makes sense. Would you ever do like just a full

914
00:42:42,080 --> 00:42:44,480
Speaker 1: collab tape with a producer.

915
00:42:45,480 --> 00:42:47,960
Speaker 3: Metro, just just a Metro. I would want to hear

916
00:42:48,000 --> 00:42:50,839
Speaker 3: that personally, I would. I would want to hear Glocking Metro.

917
00:42:52,160 --> 00:42:53,719
Speaker 2: I know it sounds kind of weird, but I feel

918
00:42:53,760 --> 00:42:56,200
Speaker 2: like you and hip boy would actually make sense. Oh,

919
00:42:56,320 --> 00:43:01,160
Speaker 2: I think like a Juxon that would yard lots a

920
00:43:01,160 --> 00:43:01,920
Speaker 2: whole nother equals.

921
00:43:02,560 --> 00:43:06,120
Speaker 5: We we we do for some ship anyway. We always

922
00:43:06,160 --> 00:43:08,600
Speaker 5: talk about we just ain't took the time to you

923
00:43:08,640 --> 00:43:10,239
Speaker 5: know what I'm saying, sit down and do it.

924
00:43:12,200 --> 00:43:14,560
Speaker 3: The hit boy to me is I mean we talked

925
00:43:14,600 --> 00:43:17,239
Speaker 3: about moll touch o God, he's probably the most.

926
00:43:19,120 --> 00:43:20,200
Speaker 1: Correct. Yeah.

927
00:43:20,239 --> 00:43:23,080
Speaker 3: He can give Beyonce a record all the way he

928
00:43:23,120 --> 00:43:24,920
Speaker 3: can give Glock a record. He can give you know

929
00:43:24,960 --> 00:43:27,759
Speaker 3: what I'm saying, yeah, your record, like yeah, it's not

930
00:43:27,840 --> 00:43:31,680
Speaker 3: too many producers that can create those types of sounds

931
00:43:31,680 --> 00:43:33,800
Speaker 3: for the past. You into that Cali ship like that

932
00:43:34,000 --> 00:43:37,120
Speaker 3: Cali Yeah, nigga, nigga get it let out letting Cali.

933
00:43:37,160 --> 00:43:37,959
Speaker 1: He don't need to be letting.

934
00:43:37,960 --> 00:43:39,879
Speaker 5: Oh yeah, yeah, you know what I'm saying.

935
00:43:40,640 --> 00:43:42,799
Speaker 2: Yeah, I mean I've been in with hip boy before,

936
00:43:42,840 --> 00:43:45,960
Speaker 2: and like, actually watching hip Boy do everything gives me

937
00:43:46,040 --> 00:43:47,719
Speaker 2: even more respect to his name.

938
00:43:48,160 --> 00:43:50,040
Speaker 1: Have you been, and you have to obviously say any names.

939
00:43:50,040 --> 00:43:52,920
Speaker 2: Have you been in any sessions where you started to

940
00:43:52,960 --> 00:43:55,120
Speaker 2: realize maybe that producer didn't do anything that he said

941
00:43:55,160 --> 00:43:55,520
Speaker 2: he did.

942
00:43:57,320 --> 00:43:57,880
Speaker 3: Because I've been in.

943
00:44:00,080 --> 00:44:04,919
Speaker 5: Of course, once you get in and rand you start

944
00:44:05,560 --> 00:44:07,839
Speaker 5: you know what I'm saying, Yeah, you learn to see

945
00:44:07,880 --> 00:44:08,880
Speaker 5: ship for what it really is.

946
00:44:09,080 --> 00:44:12,680
Speaker 3: Yeah, Hey, what's what's been some of the weirdest studio

947
00:44:12,719 --> 00:44:15,560
Speaker 3: etiquette that you that you've seen in sessions, even if

948
00:44:15,600 --> 00:44:17,680
Speaker 3: it's just like the entourage of people in general, like

949
00:44:17,800 --> 00:44:24,759
Speaker 3: just weird studio sessions or does nobody play that ship

950
00:44:24,800 --> 00:44:25,120
Speaker 3: around you?

951
00:44:31,200 --> 00:44:31,880
Speaker 5: Don't come around me.

952
00:44:32,080 --> 00:44:34,839
Speaker 3: It's too many. He told you already, it's too many.

953
00:44:37,960 --> 00:44:40,040
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979
00:45:46,680 --> 00:45:51,800
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980
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981
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982
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983
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984
00:46:01,880 --> 00:46:04,120
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985
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986
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Speaker 3: and Virginia. Now I'm hearing that you big into uh,

987
00:46:17,960 --> 00:46:19,880
Speaker 3: you want to you want to get into acting. So

988
00:46:19,960 --> 00:46:23,160
Speaker 3: we always debate up here about what's the better show.

989
00:46:23,760 --> 00:46:27,239
Speaker 3: So I'm gonna ask you in your opinion, clock, what

990
00:46:27,440 --> 00:46:31,400
Speaker 3: is the better show between the Wire and Snowfall?

991
00:46:37,600 --> 00:46:38,759
Speaker 5: For me? Snowfall?

992
00:46:39,840 --> 00:46:41,560
Speaker 3: See see That's what I'm saying.

993
00:46:41,680 --> 00:46:45,320
Speaker 1: Get twenty eight, twenty nine, those son O two and that.

994
00:46:45,520 --> 00:46:46,880
Speaker 1: Why is shit stopping?

995
00:46:47,640 --> 00:46:47,840
Speaker 3: I know?

996
00:46:49,160 --> 00:46:54,600
Speaker 5: But it's like I feel like snow Snowfall ain't it

997
00:46:54,800 --> 00:46:58,480
Speaker 5: wasn't It didn't just end like how any any other

998
00:46:58,560 --> 00:47:02,360
Speaker 5: mover series will end like they showed you to side

999
00:47:02,440 --> 00:47:05,839
Speaker 5: like height. It ain't just all pizzas and cream, right,

1000
00:47:05,960 --> 00:47:07,840
Speaker 5: You keep playing this ship that happened.

1001
00:47:07,560 --> 00:47:10,040
Speaker 1: Too right, it ain't dead on jail.

1002
00:47:10,719 --> 00:47:12,800
Speaker 5: Movies don't just always give you it. They just always

1003
00:47:12,800 --> 00:47:14,719
Speaker 5: give you the la la la la.

1004
00:47:16,080 --> 00:47:18,120
Speaker 3: Marlow got shot that had to walk up the block

1005
00:47:18,160 --> 00:47:19,960
Speaker 3: with that suit, or we don't care nothing about none

1006
00:47:19,960 --> 00:47:21,160
Speaker 3: of that ship you was doing.

1007
00:47:21,320 --> 00:47:26,200
Speaker 2: Before No No Jail became new omard. But see like

1008
00:47:26,560 --> 00:47:31,200
Speaker 2: just Sai and then ever like nothing is good. It

1009
00:47:31,280 --> 00:47:34,600
Speaker 2: shows that Baltimore nothing is good. Good is gonna happen? Yeah,

1010
00:47:34,640 --> 00:47:38,480
Speaker 2: but snowfall, like we always say, it's just that ending of.

1011
00:47:38,800 --> 00:47:41,000
Speaker 1: I'm not against the snowfall with no I know, I

1012
00:47:41,080 --> 00:47:41,400
Speaker 1: know you do.

1013
00:47:41,520 --> 00:47:44,080
Speaker 3: I'm just saying, but that ending to what Glack is saying,

1014
00:47:44,120 --> 00:47:46,120
Speaker 3: like I always say, it's just that we didn't anticipate

1015
00:47:46,160 --> 00:47:49,600
Speaker 3: it going that way where he strung out in the

1016
00:47:49,640 --> 00:47:54,000
Speaker 3: same house as moms had Filthy Dirty. He's a darrel

1017
00:47:54,040 --> 00:47:58,200
Speaker 3: looking and they like that ending to me is like, yes,

1018
00:47:58,480 --> 00:48:01,160
Speaker 3: the wire incredible, We're not taking nothing away from it.

1019
00:48:01,239 --> 00:48:03,440
Speaker 3: But to me that ending is more so like it

1020
00:48:03,600 --> 00:48:06,239
Speaker 3: never really been depicted in that manner before on TV.

1021
00:48:06,560 --> 00:48:09,040
Speaker 3: We never really saw that type of ending before we

1022
00:48:09,120 --> 00:48:11,920
Speaker 3: had the big time drug dealers now a derrelic in

1023
00:48:12,000 --> 00:48:13,880
Speaker 3: the same neighborhood that he used to fucking be the

1024
00:48:13,960 --> 00:48:14,279
Speaker 3: man in.

1025
00:48:14,520 --> 00:48:17,239
Speaker 1: I've seen the same ship happened to Pooky Man. But

1026
00:48:17,360 --> 00:48:28,920
Speaker 1: Pooky was never the god. Poky wasn't. If that happened

1027
00:48:28,920 --> 00:48:32,640
Speaker 1: to me, if that happened to Nino, that's different. He

1028
00:48:32,800 --> 00:48:34,520
Speaker 1: was always your money, money went out.

1029
00:48:35,160 --> 00:48:39,600
Speaker 3: Money wasn't the top dog, though, he wasn't the top dog.

1030
00:48:40,000 --> 00:48:43,160
Speaker 3: The top dog turning into the derylic fiend in the

1031
00:48:43,239 --> 00:48:45,600
Speaker 3: same neighborhood. That was crazy, seeing.

1032
00:48:45,440 --> 00:48:49,280
Speaker 5: That he went from having the world to nothing.

1033
00:48:50,080 --> 00:48:53,040
Speaker 2: He ain't have a bass soap outside of the governor.

1034
00:48:53,080 --> 00:48:54,920
Speaker 2: Can you name one character in the Wire where it

1035
00:48:55,000 --> 00:48:55,359
Speaker 2: worked out?

1036
00:48:57,080 --> 00:48:59,440
Speaker 1: Probably not, probably not.

1037
00:49:00,440 --> 00:49:03,200
Speaker 3: But to me, the snowfall just his mom's taking that

1038
00:49:03,360 --> 00:49:06,520
Speaker 3: time for him, going to prison, doing that like it

1039
00:49:06,640 --> 00:49:08,360
Speaker 3: was just so many different things, and then she not

1040
00:49:08,440 --> 00:49:10,920
Speaker 3: even speaking to her son no more because she she

1041
00:49:11,040 --> 00:49:12,640
Speaker 3: did that to save him, and he still was trying

1042
00:49:12,680 --> 00:49:15,640
Speaker 3: to be out there in the streets like those little nuances.

1043
00:49:15,680 --> 00:49:20,200
Speaker 3: To me, loved the Wire, But snowfall to me personally.

1044
00:49:20,200 --> 00:49:24,279
Speaker 2: All right, well had of a wire, Sopranos, breaking bad, Snowfall.

1045
00:49:25,000 --> 00:49:28,160
Speaker 2: Where do you rank the endings of those? And have

1046
00:49:28,239 --> 00:49:32,120
Speaker 2: you seen every Breaking Bad Sopranos were Breaking Bad.

1047
00:49:32,719 --> 00:49:34,360
Speaker 3: Breaking Bad to me is one of the best shows

1048
00:49:34,360 --> 00:49:34,839
Speaker 3: ever as well.

1049
00:49:35,160 --> 00:49:37,600
Speaker 1: That's my listen, the most complete ending ever.

1050
00:49:37,880 --> 00:49:41,799
Speaker 3: Yeah, Likerano storyline the Sopranos is still like I love

1051
00:49:41,920 --> 00:49:45,120
Speaker 3: how like the diner, Like, how did it end? Let

1052
00:49:45,239 --> 00:49:47,359
Speaker 3: us like come up with the end of the Yeah,

1053
00:49:47,400 --> 00:49:49,000
Speaker 3: it's like to me, that was like I get what

1054
00:49:49,080 --> 00:49:50,399
Speaker 3: they was trying to do, but it was like, y'all

1055
00:49:50,440 --> 00:49:51,960
Speaker 3: was supposed to give us a little better ending in

1056
00:49:52,080 --> 00:49:52,880
Speaker 3: that I like.

1057
00:49:52,920 --> 00:49:54,040
Speaker 1: It in retrospect.

1058
00:49:54,080 --> 00:49:55,759
Speaker 2: At the time, I didn't like it, but I like

1059
00:49:55,840 --> 00:49:57,560
Speaker 2: it in retrospect because we still debate that was in

1060
00:49:57,600 --> 00:49:59,640
Speaker 2: what two thousand and seven, Yeah, it's twenty twenty six.

1061
00:49:59,719 --> 00:50:04,840
Speaker 1: We still debate what happened journey.

1062
00:50:05,400 --> 00:50:08,239
Speaker 2: Yeah, but Breaking Bad, like will never debate about it

1063
00:50:08,320 --> 00:50:12,359
Speaker 2: because they literally closed every single storyline in the most

1064
00:50:12,400 --> 00:50:14,600
Speaker 2: perfect way, like we knew exactly what happened to everybody.

1065
00:50:15,080 --> 00:50:18,240
Speaker 2: So both are great endings, just in different ways.

1066
00:50:18,120 --> 00:50:20,759
Speaker 3: Different way. Is there any roles Glock that you see

1067
00:50:21,000 --> 00:50:23,160
Speaker 3: in some of your shows with you, like, damn, I

1068
00:50:23,200 --> 00:50:24,560
Speaker 3: would have loved to play that role.

1069
00:50:29,600 --> 00:50:31,040
Speaker 1: This one where you practice.

1070
00:50:32,400 --> 00:50:33,480
Speaker 3: This nigga is unique.

1071
00:50:34,600 --> 00:50:36,840
Speaker 1: Okay, you can see that. Man, I can see it.

1072
00:50:36,880 --> 00:50:37,320
Speaker 1: I can see it.

1073
00:50:37,560 --> 00:50:39,320
Speaker 3: I can see I can see unique raising Kane and

1074
00:50:39,360 --> 00:50:41,120
Speaker 3: I can see that. I could definitely see that.

1075
00:50:41,400 --> 00:50:45,080
Speaker 5: Yeah, I can play in it, bro, But.

1076
00:50:45,120 --> 00:50:46,640
Speaker 3: If you had to give them a New York accent

1077
00:50:46,680 --> 00:50:54,279
Speaker 3: through the show is based in it is, but it's

1078
00:50:54,400 --> 00:50:58,120
Speaker 3: not like that's not just strong. Let's do let's do it,

1079
00:50:58,120 --> 00:50:59,840
Speaker 3: audition table, you're doing it.

1080
00:51:00,080 --> 00:51:03,280
Speaker 5: I can name so many actors you never heard another

1081
00:51:03,400 --> 00:51:04,000
Speaker 5: voice from them.

1082
00:51:04,560 --> 00:51:07,480
Speaker 1: You was from Harlem, or you was from Brownsville right now.

1083
00:51:12,560 --> 00:51:12,719
Speaker 5: York.

1084
00:51:14,480 --> 00:51:17,160
Speaker 1: But it's a cast. It's a big show, big production.

1085
00:51:17,320 --> 00:51:18,200
Speaker 1: I'm not gonna.

1086
00:51:19,600 --> 00:51:21,560
Speaker 5: Because I know I gotta do a New York accent.

1087
00:51:21,600 --> 00:51:22,279
Speaker 5: I'm not even gonna.

1088
00:51:22,920 --> 00:51:23,879
Speaker 1: You got you gotta watch.

1089
00:51:24,040 --> 00:51:25,960
Speaker 3: No, no, you can't. You can'tnot go. If they say

1090
00:51:26,200 --> 00:51:31,719
Speaker 3: your glock, that might be in my time a New

1091
00:51:31,800 --> 00:51:33,840
Speaker 3: York No, but you gotta. You would have to study,

1092
00:51:33,840 --> 00:51:35,239
Speaker 3: You would have to watch some of your favorite New

1093
00:51:35,320 --> 00:51:40,480
Speaker 3: York movies right, pay them full New Jack City Juice, right,

1094
00:51:40,760 --> 00:51:42,200
Speaker 3: and you would have to say you got to be

1095
00:51:42,280 --> 00:51:44,120
Speaker 3: in your room. You gotta be like listen, it's a

1096
00:51:44,239 --> 00:51:47,880
Speaker 3: big Netflix production. Clock they want you specifically. The casting

1097
00:51:47,960 --> 00:51:50,560
Speaker 3: director said, glock is made for this role, but it's

1098
00:51:50,640 --> 00:51:54,520
Speaker 3: based in New York. You gotta lock in study. They

1099
00:51:54,600 --> 00:51:56,640
Speaker 3: give you a bunch of lines. You got to give

1100
00:51:56,640 --> 00:51:58,319
Speaker 3: them your best New York accent? What is your New

1101
00:51:58,400 --> 00:51:58,920
Speaker 3: York accent?

1102
00:51:59,840 --> 00:52:02,920
Speaker 5: I got the study first. I can't see buzz it

1103
00:52:03,000 --> 00:52:03,359
Speaker 5: out right.

1104
00:52:04,239 --> 00:52:05,759
Speaker 3: Just throw a son or be you'll be fine.

1105
00:52:08,520 --> 00:52:11,920
Speaker 1: I know the like, I don't have the accent, But

1106
00:52:12,000 --> 00:52:13,959
Speaker 1: do you think what do you think if you had to? Really?

1107
00:52:14,120 --> 00:52:16,680
Speaker 3: They gave you two weeks to kind of like work

1108
00:52:16,719 --> 00:52:17,920
Speaker 3: on it. You think that you can go in the

1109
00:52:17,960 --> 00:52:18,879
Speaker 3: audition and get the rod.

1110
00:52:19,960 --> 00:52:22,520
Speaker 5: Yeah, I get the road, but I can't promise the accent.

1111
00:52:23,360 --> 00:52:25,239
Speaker 3: No, but it's New York. You're gonna have to like it.

1112
00:52:25,360 --> 00:52:28,000
Speaker 3: Just that I didn't know he was from the u K.

1113
00:52:28,239 --> 00:52:33,560
Speaker 4: I was like, wait, he was talking like that said

1114
00:52:33,560 --> 00:52:36,800
Speaker 4: this niggas acting right now like that ship walk for

1115
00:52:36,920 --> 00:52:40,480
Speaker 4: everybody like London from over there?

1116
00:52:40,840 --> 00:52:43,040
Speaker 1: Exactly did you do Atlanta?

1117
00:52:44,080 --> 00:52:48,000
Speaker 3: Mak me yeah, ship let me get your a t o.

1118
00:52:48,280 --> 00:52:49,879
Speaker 1: Uh what a dude?

1119
00:52:49,920 --> 00:52:51,560
Speaker 3: Shouty oh god?

1120
00:52:52,320 --> 00:52:56,520
Speaker 1: Is that that's not That's what I'm saying.

1121
00:52:56,560 --> 00:53:00,680
Speaker 5: It's slang to Atlanta because we know the means was slung.

1122
00:53:05,080 --> 00:53:09,440
Speaker 3: In a t L when he's making sounding like he

1123
00:53:09,480 --> 00:53:15,439
Speaker 3: sound like an undercover cop shot sound like at work,

1124
00:53:16,360 --> 00:53:19,520
Speaker 3: get your ass, were like boo, and folks like you

1125
00:53:19,520 --> 00:53:20,560
Speaker 3: don't even know what you're talking about.

1126
00:53:20,880 --> 00:53:21,200
Speaker 4: I don't know.

1127
00:53:21,320 --> 00:53:22,960
Speaker 6: I don't like how they assume that you would go

1128
00:53:23,080 --> 00:53:25,560
Speaker 6: into those type of roles, like you ever consider doing

1129
00:53:25,640 --> 00:53:27,600
Speaker 6: like rom coms or like comedies or.

1130
00:53:27,560 --> 00:53:29,399
Speaker 1: Anything like that. You said you can play any role

1131
00:53:29,880 --> 00:53:30,520
Speaker 1: you think you can do that.

1132
00:53:30,920 --> 00:53:34,160
Speaker 3: Okay, sure I can't. Glock in the rom com will

1133
00:53:34,200 --> 00:53:37,160
Speaker 3: be hilarious. If I've seen the trailer for rom Common, glock,

1134
00:53:37,560 --> 00:53:39,160
Speaker 3: I gotta watch it exactly.

1135
00:53:39,440 --> 00:53:39,880
Speaker 1: I got it.

1136
00:53:40,680 --> 00:53:42,840
Speaker 2: Wait the trailers they definitely start and reach for the

1137
00:53:42,880 --> 00:53:44,800
Speaker 2: same bullet at the gun range, like that's how the

1138
00:53:44,880 --> 00:53:46,880
Speaker 2: rom com starts, both of.

1139
00:53:46,920 --> 00:53:47,520
Speaker 1: Their hands.

1140
00:53:49,520 --> 00:53:49,960
Speaker 5: And the girl.

1141
00:53:53,920 --> 00:53:55,680
Speaker 2: We haven't gotten a good rom Common a while, though,

1142
00:53:56,480 --> 00:53:58,000
Speaker 2: we used to get those at least once a year.

1143
00:53:58,239 --> 00:54:00,640
Speaker 3: I feel like we just got We just talked about one.

1144
00:54:01,040 --> 00:54:03,400
Speaker 3: When was the last time we got a hitch? Oh no,

1145
00:54:03,560 --> 00:54:05,080
Speaker 3: it's been The watch is like a hitch. But I

1146
00:54:05,160 --> 00:54:07,480
Speaker 3: think we just spoke about one, not a couple of

1147
00:54:07,480 --> 00:54:12,160
Speaker 3: weeks ago that we all watched. Yeah, there's some rom

1148
00:54:12,200 --> 00:54:12,920
Speaker 3: coms out right now.

1149
00:54:12,920 --> 00:54:16,560
Speaker 6: We get everybody looks at rom coms like their corny.

1150
00:54:16,640 --> 00:54:17,840
Speaker 6: Now it's like corny's.

1151
00:54:17,920 --> 00:54:19,680
Speaker 1: I just saw one. What was the with with with

1152
00:54:20,040 --> 00:54:24,400
Speaker 1: the the Haley Hally Haley Bailey. Oh you me and Tuscany,

1153
00:54:24,480 --> 00:54:26,440
Speaker 1: You me and Tusky saw that pretty good?

1154
00:54:26,960 --> 00:54:28,719
Speaker 2: You mean you mean why they always try to throw

1155
00:54:28,760 --> 00:54:30,120
Speaker 2: Tuscany into every single rong?

1156
00:54:30,200 --> 00:54:31,000
Speaker 1: Come, it must be.

1157
00:54:31,040 --> 00:54:35,640
Speaker 3: Cheating the wrong between love and hate. That's it's not No,

1158
00:54:35,800 --> 00:54:39,839
Speaker 3: that's not wrong drama. That's a drama because it was like, yeah,

1159
00:54:40,080 --> 00:54:41,920
Speaker 3: you're talking about Martin years ago. Yeah, No, that's not

1160
00:54:42,000 --> 00:54:46,160
Speaker 3: a wrong com because they was they was beaten between hate. Yeah,

1161
00:54:46,160 --> 00:54:46,719
Speaker 3: that's not wrong.

1162
00:54:46,960 --> 00:54:50,879
Speaker 1: Funny, you gotta be funny. But it's not a rom

1163
00:54:51,440 --> 00:54:52,239
Speaker 1: like drama.

1164
00:54:52,200 --> 00:54:57,319
Speaker 3: Because I never heard that's some new ship.

1165
00:54:57,760 --> 00:55:01,560
Speaker 1: Yeah it wasn't. That was baby. No, that's a real thing.

1166
00:55:01,680 --> 00:55:04,160
Speaker 3: Yes, that's Martin black Knight a rom com.

1167
00:55:04,880 --> 00:55:06,760
Speaker 1: No, that's that's just a comedy.

1168
00:55:06,920 --> 00:55:09,399
Speaker 3: That's that's he fell in love with the Princess. That's

1169
00:55:09,440 --> 00:55:11,520
Speaker 3: a whole nother movie. Bro, No thin line between love

1170
00:55:11,560 --> 00:55:11,799
Speaker 3: and him.

1171
00:55:11,800 --> 00:55:14,320
Speaker 1: What I'm saying, it's black Knight, that's just a comedy.

1172
00:55:15,800 --> 00:55:17,799
Speaker 6: That's fell in love with That could be wrong, Tom

1173
00:55:17,880 --> 00:55:20,759
Speaker 6: focuses more on the romance, and there's comedy in it.

1174
00:55:20,880 --> 00:55:22,920
Speaker 3: If he was, you're doing that so he could get

1175
00:55:22,960 --> 00:55:25,359
Speaker 3: to check they got it on the comedy adventure. Yes,

1176
00:55:25,840 --> 00:55:28,759
Speaker 3: so Booty Call is like a wrong com Yeah, no,

1177
00:55:32,960 --> 00:55:35,400
Speaker 3: booty called straight up comedy. Booty called straight up comedy.

1178
00:55:35,520 --> 00:55:36,440
Speaker 3: That's not no wrong com.

1179
00:55:36,560 --> 00:55:37,960
Speaker 1: So you think you could do like something like a

1180
00:55:38,040 --> 00:55:38,960
Speaker 1: thin line, Oh that is a.

1181
00:55:38,960 --> 00:55:42,080
Speaker 3: Wrong com comedy romance bo Call is a wrong com

1182
00:55:43,000 --> 00:55:44,680
Speaker 3: That might be one of that might be one of

1183
00:55:44,719 --> 00:55:45,480
Speaker 3: the best wrongs.

1184
00:55:48,520 --> 00:55:51,000
Speaker 1: Damn that she came out.

1185
00:55:56,560 --> 00:55:59,520
Speaker 3: Nigga need started when he said that, Like, damn that

1186
00:55:59,640 --> 00:56:03,440
Speaker 3: you he was boring when I was locking for I

1187
00:56:03,600 --> 00:56:04,560
Speaker 3: was in high school.

1188
00:56:04,800 --> 00:56:07,960
Speaker 1: Ship you willing to do kissing scenes for me?

1189
00:56:09,960 --> 00:56:14,600
Speaker 3: It's too many. He's not a lot of drugs, love karaoke.

1190
00:56:15,760 --> 00:56:22,560
Speaker 1: Like, no, you can't just depend.

1191
00:56:22,760 --> 00:56:28,000
Speaker 6: Depends kiss somebody, fine, wolf, you can't kiss nobody fine.

1192
00:56:28,040 --> 00:56:30,920
Speaker 1: It just depends what it depends on, though it depends.

1193
00:56:32,320 --> 00:56:33,759
Speaker 5: I don't want to say right now. I don't want

1194
00:56:33,800 --> 00:56:34,640
Speaker 5: to blow my chances.

1195
00:56:37,760 --> 00:56:40,120
Speaker 1: I love it, man, I love it. What happens with

1196
00:56:40,160 --> 00:56:40,680
Speaker 1: the sex scene?

1197
00:56:41,280 --> 00:56:41,759
Speaker 5: What about it?

1198
00:56:42,040 --> 00:56:43,880
Speaker 3: I'm saying you can't get past then.

1199
00:56:45,600 --> 00:56:46,200
Speaker 5: What about it.

1200
00:56:46,840 --> 00:56:57,000
Speaker 1: It depends what I do. Yeah, I don't know that

1201
00:56:57,160 --> 00:57:01,080
Speaker 1: whoever you don't want to talk for she's not listening. Yeah, yeah,

1202
00:57:02,120 --> 00:57:03,640
Speaker 1: but I don't know.

1203
00:57:03,920 --> 00:57:08,680
Speaker 5: It depends. I don't know what what what depends. It

1204
00:57:08,840 --> 00:57:10,000
Speaker 5: depends on the situation.

1205
00:57:10,560 --> 00:57:12,640
Speaker 2: Like in the movie, I'm saying, what's what's what's the

1206
00:57:13,400 --> 00:57:16,000
Speaker 2: no way I'm doing this situation in the movie.

1207
00:57:16,240 --> 00:57:20,600
Speaker 1: It depends we're gonna get locked into acting.

1208
00:57:21,000 --> 00:57:23,240
Speaker 5: Yeah, it's like the.

1209
00:57:23,320 --> 00:57:26,959
Speaker 1: New Belly coming out. They need you to be three please,

1210
00:57:27,040 --> 00:57:28,080
Speaker 1: he deserves better.

1211
00:57:28,520 --> 00:57:30,320
Speaker 3: No, I'm just saying like that was like, that was

1212
00:57:30,400 --> 00:57:32,920
Speaker 3: like I remember, I remember one time I was saying myself,

1213
00:57:32,920 --> 00:57:34,080
Speaker 3: I wish I could have been doing that.

1214
00:57:35,800 --> 00:57:42,840
Speaker 2: Yeah, yeah, I mean he's sexy and Belly, it's.

1215
00:57:42,840 --> 00:57:46,440
Speaker 1: Iconic, iconic. I was like, oh, ship, I wish that

1216
00:57:46,600 --> 00:57:49,240
Speaker 1: was me. Yeah, I mean DMX and Belly. You think

1217
00:57:49,280 --> 00:57:49,680
Speaker 1: you could do that?

1218
00:57:50,000 --> 00:57:53,680
Speaker 5: My thing is like I don't like faking nothing, so

1219
00:57:53,800 --> 00:58:06,920
Speaker 5: I probably wouldn't do it. I'm not literally like saying it,

1220
00:58:07,040 --> 00:58:11,200
Speaker 5: but like I'm not finna pretend, like just get a.

1221
00:58:11,200 --> 00:58:16,240
Speaker 1: Stunt, getting a stunner devil for the sex scene. Y'all

1222
00:58:16,320 --> 00:58:20,160
Speaker 1: go play, he's a fense y'all go do that scene.

1223
00:58:20,160 --> 00:58:20,880
Speaker 1: I've been the triller.

1224
00:58:21,200 --> 00:58:21,800
Speaker 3: Yeah, too many.

1225
00:58:21,840 --> 00:58:22,479
Speaker 1: I'll be a trailer.

1226
00:58:24,680 --> 00:58:27,200
Speaker 2: Make it look like it's to fake. Somebody that would

1227
00:58:27,200 --> 00:58:28,800
Speaker 2: be got to be an actor. Like, I feel like

1228
00:58:28,880 --> 00:58:31,640
Speaker 2: doing a crime scene would be easier than fake. You know,

1229
00:58:32,280 --> 00:58:34,960
Speaker 2: you hear any fake you never pay.

1230
00:58:35,400 --> 00:58:36,000
Speaker 5: They don't do that.

1231
00:58:36,120 --> 00:58:38,040
Speaker 3: Yeah, when I was a teenager, you know what, you

1232
00:58:38,120 --> 00:58:41,840
Speaker 3: got experience and that. But but damn, like you got

1233
00:58:41,840 --> 00:58:43,400
Speaker 3: a lot of lists of don'ts though.

1234
00:58:43,480 --> 00:58:43,880
Speaker 1: Man, Like.

1235
00:58:46,000 --> 00:58:48,040
Speaker 3: I feel like you're closing the window you got to

1236
00:58:48,040 --> 00:58:50,200
Speaker 3: be saying, you know what, just send me the script,

1237
00:58:50,400 --> 00:58:50,920
Speaker 3: let me read it.

1238
00:58:51,760 --> 00:58:53,480
Speaker 5: Yeah, of course I don't do that, but I'm like,

1239
00:58:54,200 --> 00:58:54,640
Speaker 5: it's a part.

1240
00:58:54,720 --> 00:58:58,000
Speaker 1: Has anybody sent to you a script? Yeah? Yeah, like

1241
00:58:58,120 --> 00:59:01,080
Speaker 1: for additionally, Yeah, and you actually went.

1242
00:59:02,560 --> 00:59:03,680
Speaker 5: They all they all.

1243
00:59:05,360 --> 00:59:08,680
Speaker 1: Our dish is Now it's like you gotta video in

1244
00:59:08,760 --> 00:59:09,640
Speaker 1: person on them. Yeah.

1245
00:59:11,280 --> 00:59:13,240
Speaker 3: That means what we're seeing glock soon or something.

1246
00:59:13,320 --> 00:59:16,480
Speaker 1: Have you seen Pe Valley? Mm hmm love Peak Valley.

1247
00:59:17,120 --> 00:59:19,560
Speaker 1: Would you ever take on a role like Little Murders?

1248
00:59:20,200 --> 00:59:20,400
Speaker 5: Nah?

1249
00:59:21,680 --> 00:59:24,880
Speaker 1: We spoke to my god jail fans about that years ago.

1250
00:59:24,920 --> 00:59:27,560
Speaker 3: Now. Yeah, yeah, that that that type of act, and

1251
00:59:28,240 --> 00:59:30,560
Speaker 3: I mean that takes a different that's a different level

1252
00:59:30,640 --> 00:59:33,200
Speaker 3: of commitment. But like he said, he spoke to Will Smith,

1253
00:59:33,280 --> 00:59:36,120
Speaker 3: and the advice Will Smith game is like, listen, if

1254
00:59:36,120 --> 00:59:38,840
Speaker 3: you if you're gonna do it, you gotta go all

1255
00:59:38,840 --> 00:59:44,640
Speaker 3: the way interesting person to take. Oh yeah, Will, So

1256
00:59:46,040 --> 00:59:54,360
Speaker 3: that's yeah, And it's a Southern show. It's from the

1257
00:59:54,400 --> 00:59:59,200
Speaker 3: South too as well. But p Valley coming back soon, right, Yeah?

1258
00:59:59,360 --> 01:00:00,680
Speaker 5: Would y'all do a roll like that?

1259
01:00:01,320 --> 01:00:02,520
Speaker 1: Like what we spoke to.

1260
01:00:05,560 --> 01:00:08,160
Speaker 3: Me about Little Murder? Now, we spoke.

1261
01:00:08,360 --> 01:00:09,640
Speaker 1: We spoke with him. We had him on the show

1262
01:00:09,680 --> 01:00:12,720
Speaker 1: few years ago, and I know him though. He cool.

1263
01:00:12,800 --> 01:00:13,240
Speaker 1: That's my man.

1264
01:00:13,280 --> 01:00:16,640
Speaker 3: I know the writer and everything. I'm sure they sent

1265
01:00:16,720 --> 01:00:19,600
Speaker 3: you to Yeah, I got hell the song down there.

1266
01:00:19,680 --> 01:00:21,360
Speaker 3: Yeah no, but I'm talking about own the show. They

1267
01:00:21,400 --> 01:00:23,560
Speaker 3: didn't ask you to read for nothing on the show.

1268
01:00:24,840 --> 01:00:27,120
Speaker 5: Yeah, but the time and when Okay, I was in

1269
01:00:27,160 --> 01:00:27,760
Speaker 5: the middle of tour.

1270
01:00:27,920 --> 01:00:30,040
Speaker 3: Okay, okay, okay, because I could definitely see that.

1271
01:00:30,760 --> 01:00:33,120
Speaker 2: I mean, I don't know if if my life was

1272
01:00:33,880 --> 01:00:36,760
Speaker 2: acting like obviously we've done a little bit of acting.

1273
01:00:36,800 --> 01:00:37,880
Speaker 1: We want to get into that.

1274
01:00:38,240 --> 01:00:40,400
Speaker 2: No, I don't know if I'm taking the little obviously,

1275
01:00:40,400 --> 01:00:43,280
Speaker 2: I don't think i'd sells a Little Murder, but I

1276
01:00:43,320 --> 01:00:45,200
Speaker 2: wouldn't take that out the gate. But if my life

1277
01:00:45,360 --> 01:00:48,600
Speaker 2: was acting, yeah, I mean, if that's what you dedicate

1278
01:00:48,640 --> 01:00:50,400
Speaker 2: your life to, I don't think it's that that crazy,

1279
01:00:50,640 --> 01:00:52,680
Speaker 2: that's a that's a but me coming out the gate, No,

1280
01:00:52,760 --> 01:00:54,800
Speaker 2: that's not something that I would do.

1281
01:00:55,080 --> 01:00:57,600
Speaker 1: I'm saying. You remember he Leedgend. You remember how they

1282
01:00:57,640 --> 01:00:59,720
Speaker 1: said he Ledgend never came out of came What if

1283
01:00:59,760 --> 01:01:02,880
Speaker 1: that if you never come out of I ain't doing

1284
01:01:03,720 --> 01:01:08,040
Speaker 1: I just overdoses the joke. Yeah, now you say that's

1285
01:01:08,800 --> 01:01:11,480
Speaker 1: method acted overdose. That's what you're saying.

1286
01:01:16,280 --> 01:01:19,040
Speaker 2: I'm good on that. But no, I mean, yeah, that

1287
01:01:19,240 --> 01:01:22,240
Speaker 2: would be for me. But again, if that was my

1288
01:01:22,360 --> 01:01:24,480
Speaker 2: whole life, yeah, that's something you probably gotta deal with.

1289
01:01:24,560 --> 01:01:27,120
Speaker 2: If if the role makes sense, if you just doing

1290
01:01:27,120 --> 01:01:30,040
Speaker 2: ship you wouldn't do for no reason, then that's questionable

1291
01:01:30,080 --> 01:01:33,040
Speaker 2: to me. Like Omar, but that was a pivotal role

1292
01:01:33,160 --> 01:01:36,000
Speaker 2: in the wire, the the juxt of what Michael k

1293
01:01:36,280 --> 01:01:39,640
Speaker 2: was bro Please no, but take it out that.

1294
01:01:40,240 --> 01:01:43,160
Speaker 1: Really happens though, that's to it. You ain't gotta have

1295
01:01:43,360 --> 01:01:46,360
Speaker 1: me doing this showing it that like, well, come on,

1296
01:01:46,480 --> 01:01:48,720
Speaker 1: I'm not doing that. I'm not Omar. I can't be Omar.

1297
01:01:49,000 --> 01:01:52,520
Speaker 3: Yeah, I mean it just made me wonder. But to that,

1298
01:01:52,840 --> 01:01:53,600
Speaker 3: like I'm saying, Michael K.

1299
01:01:53,680 --> 01:01:57,200
Speaker 2: Williams dedicated his life to acting, and that made the

1300
01:01:57,280 --> 01:02:00,240
Speaker 2: Omar character more than just somebody that robbed people, like

1301
01:02:00,360 --> 01:02:01,320
Speaker 2: that was the whole character.

1302
01:02:01,400 --> 01:02:04,840
Speaker 1: Like he's also gay, Like there was a purpose to it.

1303
01:02:04,920 --> 01:02:07,000
Speaker 2: It wasn't like he was just sucking dick to suck

1304
01:02:07,080 --> 01:02:11,120
Speaker 2: dick on camera, like like there's a purpose to this role.

1305
01:02:11,560 --> 01:02:12,600
Speaker 1: Saying I don't know, I.

1306
01:02:12,600 --> 01:02:13,600
Speaker 6: Don't like.

1307
01:02:15,200 --> 01:02:23,480
Speaker 5: I don't even allude because like certain certain movies or

1308
01:02:23,600 --> 01:02:27,360
Speaker 5: shows you watch, people were actually not like the person

1309
01:02:27,480 --> 01:02:29,640
Speaker 5: because of the role they played in the movie.

1310
01:02:30,720 --> 01:02:32,160
Speaker 1: You never say.

1311
01:02:32,200 --> 01:02:37,520
Speaker 3: I was about to say Chauncey Chaucy. Niggas don't like Chauncey, Like,

1312
01:02:37,800 --> 01:02:40,120
Speaker 3: I don't care what you think. I see that many

1313
01:02:40,240 --> 01:02:43,440
Speaker 3: movie and I'm like, he.

1314
01:02:43,520 --> 01:02:44,040
Speaker 1: Was a bitch.

1315
01:02:44,640 --> 01:02:50,480
Speaker 2: You want to sit that tape, police, nigga. I don't know,

1316
01:02:51,640 --> 01:02:54,160
Speaker 2: expect more Omar and Chauncy. Because Chauncey was waiting.

1317
01:02:59,800 --> 01:03:07,160
Speaker 1: You you with me said they worse than a rat

1318
01:03:14,520 --> 01:03:18,120
Speaker 1: shout out, Yeah it's shortly that knockdown, O MA free him, yeah,

1319
01:03:18,440 --> 01:03:19,320
Speaker 1: freed the little nigga.

1320
01:03:20,480 --> 01:03:24,760
Speaker 3: Yeah, all right, glad So Project exs out Tonight Houston

1321
01:03:24,800 --> 01:03:27,440
Speaker 3: flowed Cherry on Is this the Is this the correct? Uh?

1322
01:03:27,680 --> 01:03:28,120
Speaker 1: Sequence?

1323
01:03:30,120 --> 01:03:30,760
Speaker 3: It's probably not.

1324
01:03:31,480 --> 01:03:37,040
Speaker 1: Yeah, sometimes the box line those times, I ain't gonna lie.

1325
01:03:37,120 --> 01:03:38,640
Speaker 1: Cherry on top. That's my ship.

1326
01:03:39,360 --> 01:03:43,360
Speaker 3: Fifty Holes s r T Music. It was another one

1327
01:03:43,440 --> 01:03:49,120
Speaker 3: seeing Red Reminiscent. I like Reminiscent and I think face

1328
01:03:49,240 --> 01:03:53,240
Speaker 3: down it is my ships on it. But what's your favorite?

1329
01:03:54,240 --> 01:04:01,520
Speaker 3: Oh okay, twenty joints, no features, Yeah, that's tough. I'm

1330
01:04:02,320 --> 01:04:05,000
Speaker 3: what you think your core fan base is gonna gravitate

1331
01:04:05,040 --> 01:04:07,280
Speaker 3: to the most? Which one or two records?

1332
01:04:08,680 --> 01:04:15,800
Speaker 5: Fifty Holes? I can't say, yeah, I can't eve say

1333
01:04:16,040 --> 01:04:20,000
Speaker 5: I get it. Definitely be unexpected. It's like we might

1334
01:04:20,080 --> 01:04:24,439
Speaker 5: think it'll be this song, it'll be the song releas. Yeah, yeah,

1335
01:04:24,600 --> 01:04:26,000
Speaker 5: I have to wait to come up.

1336
01:04:26,320 --> 01:04:31,680
Speaker 1: It's down gonna have them, So you know, everybody? Do

1337
01:04:31,760 --> 01:04:32,400
Speaker 1: you do you many?

1338
01:04:34,800 --> 01:04:34,840
Speaker 3: Do?

1339
01:04:35,000 --> 01:04:37,880
Speaker 2: Do you have any type of feeling on the release

1340
01:04:38,000 --> 01:04:41,600
Speaker 2: night or you just kind of like, I want to say,

1341
01:04:41,680 --> 01:04:43,560
Speaker 2: over the album, but you worked on it for so

1342
01:04:43,680 --> 01:04:45,880
Speaker 2: long that you've lived with it for so long that

1343
01:04:45,960 --> 01:04:47,960
Speaker 2: it's older to you than it is to everyone else

1344
01:04:48,000 --> 01:04:51,240
Speaker 2: at midnight? But do you have that that like surreal feeling.

1345
01:04:51,280 --> 01:04:53,200
Speaker 2: Every time you drop a project at midnight.

1346
01:04:56,120 --> 01:04:58,280
Speaker 5: I might listen to it, but it's like I'd be

1347
01:04:58,400 --> 01:05:01,160
Speaker 5: already working on the next one year. Sometimes be in

1348
01:05:01,280 --> 01:05:06,680
Speaker 5: the studio recording the night sometime. Damn come on, yeah, yeah,

1349
01:05:06,720 --> 01:05:10,360
Speaker 5: that's crazy recording a new project to night. Your project

1350
01:05:10,400 --> 01:05:10,920
Speaker 5: come out.

1351
01:05:12,920 --> 01:05:13,480
Speaker 3: Some workload.

1352
01:05:14,880 --> 01:05:17,720
Speaker 1: Well, we will definitely be at the New York show. Yeah,

1353
01:05:17,720 --> 01:05:22,160
Speaker 1: when you were in New York. Man next week, next week.

1354
01:05:21,960 --> 01:05:25,080
Speaker 5: For a show, though, I'll be right back, Okay, be

1355
01:05:25,200 --> 01:05:25,520
Speaker 5: right back.

1356
01:05:25,720 --> 01:05:27,560
Speaker 1: It's not your show, or you're just popping out with

1357
01:05:27,640 --> 01:05:30,919
Speaker 1: somebody popping out, you know, he hear the work man. Listen,

1358
01:05:31,440 --> 01:05:34,080
Speaker 1: you gotta do Girls Love carry I'm gonna go.

1359
01:05:35,640 --> 01:05:36,800
Speaker 5: We need go together.

1360
01:05:38,640 --> 01:05:39,400
Speaker 1: You need reinforce.

1361
01:05:41,080 --> 01:05:44,200
Speaker 5: If we go, we go to I just can't say

1362
01:05:44,240 --> 01:05:45,160
Speaker 5: hours the reason to go.

1363
01:05:45,360 --> 01:05:50,880
Speaker 1: Yeah, I need the more contract.

1364
01:05:51,480 --> 01:05:53,080
Speaker 2: You gotta go to Girls Love Carryer, gotta go to

1365
01:05:53,160 --> 01:05:53,560
Speaker 2: Girls Love.

1366
01:05:53,840 --> 01:05:55,480
Speaker 6: You got to show him that New York is funner

1367
01:05:55,480 --> 01:06:00,840
Speaker 6: than Miami, like Miami isn't it's left fun like these

1368
01:06:00,880 --> 01:06:03,760
Speaker 6: are like this is real people, fun like chill, like

1369
01:06:04,240 --> 01:06:06,280
Speaker 6: laid back. You don't gotta have no appearance. You could

1370
01:06:06,360 --> 01:06:08,800
Speaker 6: just be chilling and have a fucking ball, like come

1371
01:06:08,840 --> 01:06:09,880
Speaker 6: home four o'clock in the morning.

1372
01:06:10,320 --> 01:06:12,760
Speaker 2: Miami win with the weather though, it's just the Miami

1373
01:06:12,880 --> 01:06:14,960
Speaker 2: is fun for two days compared to New York.

1374
01:06:15,000 --> 01:06:15,920
Speaker 3: But New York beats Miami.

1375
01:06:24,560 --> 01:06:25,440
Speaker 5: We turned them up.

1376
01:06:25,560 --> 01:06:32,440
Speaker 3: Yeah, that's a Then you get Project Yeah, Project X,

1377
01:06:34,040 --> 01:06:36,120
Speaker 3: key Block. Thank you for coming by. Man, listen, next

1378
01:06:36,160 --> 01:06:37,680
Speaker 3: time you're in New York, you always got a home

1379
01:06:37,720 --> 01:06:39,160
Speaker 3: and you want to come by and talk some ships.

1380
01:06:39,160 --> 01:06:41,160
Speaker 3: Please pull up on us here and play some music. Anything.

1381
01:06:41,360 --> 01:06:42,560
Speaker 1: Pleasure to have you in the studio.

1382
01:06:44,040 --> 01:06:44,240
Speaker 5: Yeah.

1383
01:06:44,280 --> 01:06:46,240
Speaker 1: Man, Next time you're New York, we're going out.

1384
01:06:46,240 --> 01:06:48,320
Speaker 3: We run out dinner. You can do dinner, cool ship dinner.

1385
01:06:48,800 --> 01:06:50,520
Speaker 3: Maybe you know a little R and B party here

1386
01:06:50,560 --> 01:06:51,840
Speaker 3: and then if you want to do that, the Marris

1387
01:06:51,840 --> 01:06:55,240
Speaker 3: got him to, so yeah, we do that. I'm not nigga,

1388
01:06:55,280 --> 01:06:59,480
Speaker 3: He's just Jinger. That's netflix it key Block, Project X out.

1389
01:06:59,680 --> 01:07:02,160
Speaker 1: Now do worryan now