WEBVTT - Episode 368 | Business Decisions 

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<v Speaker 2>The volume willian We are back and We're black? Who's we?

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<v Speaker 2>Some of us? All of us?

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<v Speaker 3>Mmmmm, I mean I get a theory.

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<v Speaker 4>I'm black.

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<v Speaker 2>He ain't.

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<v Speaker 3>Choose boy nute Josh?

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<v Speaker 2>Oh okay, no, Josh? What he said? Three percent African?

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<v Speaker 2>Oh my bad?

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<v Speaker 3>Twenty nine is just a wild number. How do they

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<v Speaker 3>break those numbers down? Of like you took a twenty

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<v Speaker 3>three meter to I know, but to like be twenty

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<v Speaker 3>nine percent, it's just funny to me. I feel like

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<v Speaker 3>they just really beat and making numbers.

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<v Speaker 2>What stopped me from that thirty? Like? Who? Who didn't

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<v Speaker 2>fuck who to stop me at that thirty? Like that's

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<v Speaker 2>what I want to know. Yeah, let's get to that.

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<v Speaker 3>And like I needed to, like I signed up for it,

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<v Speaker 3>which I told y'all, but there was no tutorial on

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<v Speaker 3>like how they break this down, like after you spit

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<v Speaker 3>in this tube and mail it, like this is how

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<v Speaker 3>we break up the DNA to know where it's from.

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<v Speaker 2>This is somebody like this, like the digging up at

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<v Speaker 2>each place. Yeah, you know when you build your your

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<v Speaker 2>creative play on two K the attribute just like yo,

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<v Speaker 2>let's make them seventeen seventeen percent? Ash was it? What

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<v Speaker 2>is it? Ashta Gandhi? Yeah? Three percent actual Gandhi.

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<v Speaker 3>You think I know it's you?

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<v Speaker 2>It's literally your being. Never been to Ashazi Asha Kanazi? Yeah,

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<v Speaker 2>ashkan I've went to a.

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<v Speaker 5>Few minus turn him in the Ganda the herb is

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<v Speaker 5>fucking hilarious.

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<v Speaker 3>But he's definitely a Ganda type of guy. But you

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<v Speaker 3>know that's the vibe I give. Yeah, that three percent

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<v Speaker 3>we migrated everywhere. Yeah, and it became ninety seven percent Irish,

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<v Speaker 3>but you know that's how it goes. But anyways, how's

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<v Speaker 3>everyone doing great? Can't you see it?

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<v Speaker 2>Yeah?

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<v Speaker 3>You the glow walking in today?

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<v Speaker 2>Did I? Yeah, it's the sun. The sun is out.

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<v Speaker 2>I walked, took a little walk this morning and got

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<v Speaker 2>some vitamin D. And you know how far you walked.

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<v Speaker 2>I walked about tim blocks, about tim starts getting nice.

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<v Speaker 2>I like to walk around my hat a little bit. Yeah,

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<v Speaker 2>that's your type of thing, just to get a little son,

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<v Speaker 2>you know the outside, say hellolder people, a little vitamin D.

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<v Speaker 5>I wanted to FaceTime y'all yesterday so y'all could see

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<v Speaker 5>what I was doing, because like you ever be in

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<v Speaker 5>the middle of doing something and you realize when you're

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<v Speaker 5>doing it, like you're doing some crazy ship.

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<v Speaker 2>Y'all know.

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<v Speaker 5>I had to go pick my wallet up from Starlits.

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<v Speaker 5>I told you I left my wall, Yes, so I

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<v Speaker 5>took out of Ubers were like they were trying to

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<v Speaker 5>I was coming from Jersey, so like ubers were trying

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<v Speaker 5>to blast me. I'm like, I'm not going to take

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<v Speaker 5>the path in and then I'll just take the train

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<v Speaker 5>and then you know, I'll take a car over. But

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<v Speaker 5>once I got to Queen's I was like, I saw

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<v Speaker 5>a city bike and.

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<v Speaker 3>I was like, why not, Like Aria park right there?

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<v Speaker 2>Stop stop stop if you tell me, if Damaris, if

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<v Speaker 2>you tell me you rode a city bike to stall.

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<v Speaker 2>Its me and you are gonna fight like two gorillas, right,

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<v Speaker 2>you know, right now if you throw the city bike

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<v Speaker 2>to the strip clock.

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<v Speaker 3>I swear to God, it's not funny that she drove

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<v Speaker 3>her there, it's that she parked it outside.

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<v Speaker 2>I ain't got back on it. Kicks. I kicked the

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<v Speaker 2>kicks man left and left it running. Like don't they

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<v Speaker 2>charge you per what per minute? Yeah, you left the

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<v Speaker 2>city bike running, the meter running, and better got it

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<v Speaker 2>during the day.

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<v Speaker 3>But it was two am.

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<v Speaker 2>No, no excuse to say it was during today were

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<v Speaker 2>they opened.

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<v Speaker 5>No, the cleaner was there, so that I was talking

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<v Speaker 5>to the manager and the cleaner able to now he

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<v Speaker 5>was cleaning. He was really cleaning, and they have like yeah,

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<v Speaker 5>he was like really clean, and he offered me a drink.

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<v Speaker 4>Okay, I didn't take it.

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<v Speaker 5>My janitor's a lot of serve drinks because the meter

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<v Speaker 5>was running. He's not a janitor who the meter was

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<v Speaker 5>running on my yo and then listen, so.

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<v Speaker 3>You know, split irning.

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<v Speaker 5>I didn't know my way there, obviously because I'm not

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<v Speaker 5>in a car on my bike. So on Google Maps

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<v Speaker 5>they have like the little like you could click like

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<v Speaker 5>city bike and it'll give you like the directions for that.

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<v Speaker 5>But it was, you know, like usually when you take

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<v Speaker 5>the streets, like there's a certain way you can go.

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<v Speaker 5>They were leading me through the projects like in Astoria,

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<v Speaker 5>like there's like, oh, you know, like basically it's a

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<v Speaker 5>short cut. So I was in the projects in a story.

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<v Speaker 5>I have my big ass you know, like my work bag.

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<v Speaker 5>I have my big ass laptop Louis bag in the

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<v Speaker 5>little basket and I'm just riding through a story of piece.

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<v Speaker 4>I hit the bell for somebody get out the way. Yeah,

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<v Speaker 4>I know, I know how crazy I look.

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<v Speaker 5>It's like like fifteen minutes and I was like, Yo,

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<v Speaker 5>you look nuts, my nigga, like.

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<v Speaker 2>You supposed to. You didn't record that. I'm flogging it.

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<v Speaker 2>I'velogged it. I haven't had my camera. I'm clear, I'm watching.

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<v Speaker 2>That's gonna be the first log I watched. I got

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<v Speaker 2>to see.

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<v Speaker 3>Any One's really funny about that entire thing. A story

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<v Speaker 3>of projects is out of the way that like Google

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<v Speaker 3>Maps just took you projects.

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<v Speaker 5>No, from this train station I got off at. I

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<v Speaker 5>had to go through the projects to get the starletts. Yeah, yo,

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<v Speaker 5>that is a lot, yo, let me tell you something

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<v Speaker 5>for whatever reason. If I happened to be in Queens

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<v Speaker 5>last night and I saw the Marius from the car

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<v Speaker 5>window riding a city bike, I would have followed her,

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<v Speaker 5>and if she got out at Starlet's I would have

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<v Speaker 5>had to get out like a yo, what are you doing?

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<v Speaker 2>What type of fucking life are you living away from

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<v Speaker 2>the studio? Like you riding in you ride a city bike?

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<v Speaker 3>Like a what's up?

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<v Speaker 2>Man?

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<v Speaker 4>Like a nice day yesterday? It was beautiful outside.

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<v Speaker 3>What does the Starletts look like with the lights on?

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<v Speaker 3>Like that's gotta be interesting.

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<v Speaker 5>Well, I went in through it like a backway somewhere,

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<v Speaker 5>like I wasn't at the top.

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<v Speaker 3>Take a good fella's entrance to Yeah, Starletts?

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<v Speaker 5>Okay, Well it was very clean y'all day it was.

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<v Speaker 5>It smelled like bleach, like they clean in there. If

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<v Speaker 5>you ever wanted to, like go, did.

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<v Speaker 3>You check your statements leaving your card at Starlets?

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<v Speaker 2>It just feel like you take.

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<v Speaker 3>Money out of twenty dollars and then you give them

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<v Speaker 3>the money and then they tax the ones. If I

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<v Speaker 3>give you five hundred dollars for ones, they're gonna give

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<v Speaker 3>me four hundred dollars.

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<v Speaker 5>Yeah, now shout out to shout out to the manager

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<v Speaker 5>of Starlets and the girls whoever returned the wallet. My wallet,

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<v Speaker 5>add everything in it, my card. I have been watching

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<v Speaker 5>my car. Nothing charged off like I expected that to

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<v Speaker 5>be gone, Like I'm just be honest.

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<v Speaker 4>No, it was.

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<v Speaker 5>Everything was good, So shout shout out to them. They

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<v Speaker 5>made everything they wanted to make sure I got my

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<v Speaker 5>wallet back to it.

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<v Speaker 4>They were very accommodated.

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<v Speaker 2>That just dope. Yeah, all right, well glad you got

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<v Speaker 2>everything back and everything was in your wallet.

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<v Speaker 3>Anything to not go to the DMV, I get it.

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<v Speaker 3>And would you would you run the bill on the

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<v Speaker 3>city bike?

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<v Speaker 2>What was your bill? Uh?

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<v Speaker 4>Ten eleven?

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<v Speaker 2>Oh you went crazy the whole damn bike. Yeah, eleven

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<v Speaker 2>dollars on a city bike. You went crazy.

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<v Speaker 3>Yeah that's wild because we had a city bike here

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<v Speaker 3>that you made us throw out.

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<v Speaker 5>But they almost you know, they charged like twenty five

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<v Speaker 5>dollars for a day pass, and I'm like, I don't

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<v Speaker 5>feel like I'm going twenty five dollars worth of pedals,

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<v Speaker 5>you know what I'm saying. Like, I'm like, I feel

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<v Speaker 5>like it's a straight shot. So I only spent ten

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<v Speaker 5>you know, there and back.

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<v Speaker 2>That's cool. That's a cool little like I got. That's

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<v Speaker 2>what I did last night.

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<v Speaker 4>It was fun.

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<v Speaker 5>It wasn't last night. It was at twelve o'clock in

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<v Speaker 5>the afternoon.

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<v Speaker 2>Oh okay, yeah, I keep forgetting said it was okay. Yeah,

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<v Speaker 2>that's that's cool. Ain't nothing wrong with that? That's early enough.

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<v Speaker 3>Since you didn't have your wallet, did you paying ones

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<v Speaker 3>like the city bike? Yeah, just put on the machine.

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<v Speaker 4>No, it goes by your phone on the lift.

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<v Speaker 3>At see, somebody just trying to put in like a

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<v Speaker 3>vending machine.

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<v Speaker 2>They got city bikes in DR word, he's just taking

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<v Speaker 2>them shipping the.

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<v Speaker 3>Dominican to modern society.

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<v Speaker 2>Dominican report does not have a city bank. What are

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<v Speaker 2>you talking about?

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<v Speaker 3>Yeah, but there's towns that don't have city bank that

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<v Speaker 3>have city bikes.

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<v Speaker 2>No, they have bikes, but it's not called a city bike.

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<v Speaker 2>It's just bikes. They all have bikes. But no, I'm

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<v Speaker 2>talking about NDR. People are stealing bikes from here and

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<v Speaker 2>shipping them to d R.

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<v Speaker 5>But why why? I don't get the point though. Don't

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<v Speaker 5>you need to in order to pedal it? Don't you

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<v Speaker 5>need No, you think you niggas ain't got scamming cars.

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<v Speaker 3>It's a modern society. People have debit cards and ship.

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<v Speaker 2>No, it's not as a third world country world. I

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<v Speaker 2>don't know if you know that there's like a city though.

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<v Speaker 3>Of course it gets a little crazy, but it's still

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<v Speaker 3>like modern.

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<v Speaker 2>No. But I'm saying here they just have cars that

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<v Speaker 2>they don't know who's card it is. It's scam cars.

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<v Speaker 2>Swipe it get the bike.

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<v Speaker 5>No, my I know that dr is a city. What

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<v Speaker 5>I'm saying is the charge. They don't have the charging ports,

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<v Speaker 5>So like, how are we.

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<v Speaker 4>Ah theyre not? Oh okay, I thought yeah, I thought

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<v Speaker 4>they were all electric.

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<v Speaker 3>Wait, city bike is electric. So oh I've only written

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<v Speaker 3>the ones that were like the regular pedals. Yeah, I

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<v Speaker 3>thought that was the thing. Maybe for another like a Patreon.

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<v Speaker 3>We can look up the history of city bike, because

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<v Speaker 3>I need to know. There's got to be something somewhere

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<v Speaker 3>conspiracy in there. There's no way. Somebody that worked at

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<v Speaker 3>a bank was like, yo, I have an idea and

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<v Speaker 3>pitched bikes. I'm st old parking spots and they were like, yeah,

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<v Speaker 3>that's that's going to be our new business plan a

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<v Speaker 3>city bank.

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<v Speaker 2>No way. Nah. You know what it was. Somebody was

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<v Speaker 2>late to work and it was like all the trains. Oh,

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<v Speaker 2>it was like I had to go cross town. I

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<v Speaker 2>wish I just had a bike, and somebody's like, hmm.

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<v Speaker 3>I think it was probably just like some old loan

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<v Speaker 3>shark shit. Somebody asked for a loan for this idea,

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<v Speaker 3>couldn't pay it back, and they just stole it.

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<v Speaker 2>Oh, you might be right. City Bank City Bike was

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<v Speaker 2>launched through a partnership between New York City and private funding.

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<v Speaker 3>Yeah, somebody.

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<v Speaker 2>Fuck.

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<v Speaker 3>Whenever you say private, there's no way someone came with

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<v Speaker 3>a power so yo, I love bikes even work at

0:09:28.720 --> 0:09:29.080
<v Speaker 3>a bank.

0:09:29.160 --> 0:09:32.000
<v Speaker 2>Private funding with City Group being the lead sponsor and

0:09:32.080 --> 0:09:35.400
<v Speaker 2>the name of the system. The city, through its Department

0:09:35.600 --> 0:09:38.959
<v Speaker 2>of Transportation, initially proposed a bike share system in two

0:09:39.000 --> 0:09:42.319
<v Speaker 2>thousand and eight wow with feasibility studying. Following twenty ten,

0:09:42.679 --> 0:09:45.800
<v Speaker 2>City Group's financial investment, along with the support of Goldman

0:09:45.960 --> 0:09:49.360
<v Speaker 2>Sachs Urban Investment Group, underwrote the project. The City of

0:09:49.360 --> 0:09:53.000
<v Speaker 2>New York contracted with NYC Bike Share later Motivate and

0:09:53.080 --> 0:09:56.079
<v Speaker 2>operated to run the system, with City Groups sponsorship securing

0:09:56.120 --> 0:09:57.040
<v Speaker 2>the City Bike name.

0:09:57.200 --> 0:09:59.280
<v Speaker 3>To me, it was like the first congestion pricing because

0:09:59.320 --> 0:10:01.280
<v Speaker 3>the amount of parking spots they took and the amount

0:10:01.280 --> 0:10:03.280
<v Speaker 3>of tickets everyone got because of those bikes.

0:10:03.440 --> 0:10:03.640
<v Speaker 2>Yeah.

0:10:04.760 --> 0:10:09.560
<v Speaker 3>Yeah, and the private funding is a icon parking, Yeah, for.

0:10:09.480 --> 0:10:10.720
<v Speaker 2>Sure, there's one hundred percent.

0:10:11.160 --> 0:10:13.400
<v Speaker 3>Everything about city bikes was to make sure we could

0:10:13.400 --> 0:10:16.920
<v Speaker 3>ticket more people. Yeah, crime, real estate they took, Yeah

0:10:16.960 --> 0:10:19.160
<v Speaker 3>they can't. We can't take any more buildings with gentrification.

0:10:19.280 --> 0:10:21.000
<v Speaker 3>Let's take the fucking sidewalks.

0:10:21.520 --> 0:10:23.640
<v Speaker 2>I hate it. I mean, I understand it, but I

0:10:23.679 --> 0:10:26.320
<v Speaker 2>hate it. It takes up so much parking in the city.

0:10:27.200 --> 0:10:29.280
<v Speaker 2>The bikes, they don't do bad bikes too. People on

0:10:29.320 --> 0:10:32.040
<v Speaker 2>the bikes don't stay in the bike lane, they like

0:10:32.120 --> 0:10:34.880
<v Speaker 2>right next to the like escalate. I'm like, yo, fam,

0:10:34.920 --> 0:10:37.040
<v Speaker 2>you're supposed to be on that side.

0:10:37.120 --> 0:10:37.280
<v Speaker 1>Day.

0:10:37.280 --> 0:10:39.319
<v Speaker 5>Well, sometimes they don't happen, you don't. I used to

0:10:39.400 --> 0:10:41.480
<v Speaker 5>yell about that too when I was driving. But yesterday,

0:10:41.520 --> 0:10:44.360
<v Speaker 5>like being a regular civilian on the bike, I realized

0:10:44.360 --> 0:10:45.319
<v Speaker 5>that now the.

0:10:45.280 --> 0:10:47.079
<v Speaker 2>Masag was like she could speak for like the bikers,

0:10:47.120 --> 0:10:48.760
<v Speaker 2>now that she rode the stalls, she's like, you know,

0:10:49.000 --> 0:10:51.240
<v Speaker 2>I used to feel the same, but after yesterday my

0:10:51.320 --> 0:10:53.800
<v Speaker 2>experience and I vlogged it. Check it out.

0:10:53.720 --> 0:10:55.640
<v Speaker 3>Now, you know, like when a rich kid does like

0:10:55.720 --> 0:10:58.440
<v Speaker 3>one missionary mission like that, they go out for like

0:10:58.440 --> 0:11:01.680
<v Speaker 3>a week, don't do shit. But I finally understand, Like

0:11:01.760 --> 0:11:03.280
<v Speaker 3>what the gers I get it.

0:11:03.559 --> 0:11:05.720
<v Speaker 5>Yeah, Like, but not every street has a bike lay,

0:11:05.760 --> 0:11:07.560
<v Speaker 5>Like the main streets have it, but like the side

0:11:07.600 --> 0:11:09.400
<v Speaker 5>streets don't. So I was, you know, there were some

0:11:09.440 --> 0:11:11.120
<v Speaker 5>people beeping at me. I beaped back and then I

0:11:11.160 --> 0:11:13.960
<v Speaker 5>just had to pull over to the side beat.

0:11:17.000 --> 0:11:22.280
<v Speaker 3>If you don't get that microwave bell out of a movie,

0:11:22.320 --> 0:11:26.560
<v Speaker 3>your ass to wait the matterage that bell. No, but

0:11:26.640 --> 0:11:29.120
<v Speaker 3>I biked in the city. You have no respect, Like

0:11:29.160 --> 0:11:31.199
<v Speaker 3>it might be more dangerous than a walking for the

0:11:31.280 --> 0:11:33.920
<v Speaker 3>string car, Like the bike is the last thing people

0:11:33.920 --> 0:11:36.080
<v Speaker 3>give a fuck about. Cars will just push you this way.

0:11:36.400 --> 0:11:38.480
<v Speaker 3>People just walk right in front of your ship. They

0:11:38.520 --> 0:11:41.480
<v Speaker 3>do not respect that bike. Laying myself included, it's dangerous

0:11:41.480 --> 0:11:41.760
<v Speaker 3>out there.

0:11:41.800 --> 0:11:44.560
<v Speaker 2>It's a whole We need to talk about the culture

0:11:44.600 --> 0:11:48.040
<v Speaker 2>of people that get up at like five am and

0:11:48.120 --> 0:11:51.839
<v Speaker 2>go outside running. So like a large majority of people,

0:11:52.160 --> 0:11:53.520
<v Speaker 2>that's like the niggas. We need to throw at the

0:11:53.520 --> 0:11:57.040
<v Speaker 2>gorillas first, y'all want to y'all want to wake up

0:11:57.040 --> 0:11:58.920
<v Speaker 2>at five am and just be running outside in the

0:11:58.960 --> 0:12:02.599
<v Speaker 2>neighborhood for a long time. Yeah, you mun't. I go

0:12:02.640 --> 0:12:03.280
<v Speaker 2>fight the grillers.

0:12:03.440 --> 0:12:03.960
<v Speaker 3>I don't want to.

0:12:04.360 --> 0:12:05.559
<v Speaker 4>I want to run in the morion.

0:12:05.840 --> 0:12:08.439
<v Speaker 3>There's no training so I can run away from the gorillas. Okay,

0:12:09.000 --> 0:12:10.680
<v Speaker 3>y'all this way, I'm going this way.

0:12:11.040 --> 0:12:16.079
<v Speaker 2>Got it with the country at first of all, tell

0:12:16.120 --> 0:12:17.000
<v Speaker 2>me that guerrillas wake up.

0:12:17.000 --> 0:12:20.280
<v Speaker 3>You don't think grills don't sleep in There's no fucking

0:12:20.280 --> 0:12:25.000
<v Speaker 3>way they up with the sun. Oh anyways, yes, stop,

0:12:25.320 --> 0:12:27.720
<v Speaker 3>move the city bikes onto the sidewalk. Give me my

0:12:27.760 --> 0:12:31.000
<v Speaker 3>parking back. But with that said, let's get through some

0:12:31.000 --> 0:12:33.320
<v Speaker 3>topics before we get to the second half of this episode.

0:12:34.360 --> 0:12:36.480
<v Speaker 3>These are the ones that you guys decided on. I

0:12:36.480 --> 0:12:37.959
<v Speaker 3>love to do pre production in real time. It's my

0:12:38.000 --> 0:12:41.439
<v Speaker 3>favorite part. That's my real, like unwoke opinion is that

0:12:41.480 --> 0:12:45.160
<v Speaker 3>all city bikes should affect pedestrians sidewalk and not my parking.

0:12:45.200 --> 0:12:47.559
<v Speaker 3>Because I saw on Twitter that someone said, host your

0:12:47.640 --> 0:12:51.520
<v Speaker 3>your most unwoke opinion, Like, don't try to set me up.

0:12:52.080 --> 0:12:53.679
<v Speaker 2>We've been through these Twitter streets before.

0:12:54.800 --> 0:12:57.480
<v Speaker 3>Sorry, officer, I'm not about to tell you my unwoke

0:12:57.520 --> 0:13:01.200
<v Speaker 3>opinion m hm, because like should die down a bit

0:13:01.360 --> 0:13:04.040
<v Speaker 3>on Twitter. As far as the cancelation, this is somebody

0:13:04.040 --> 0:13:06.880
<v Speaker 3>from twenty twenty. That was a social justice warrior trying

0:13:06.920 --> 0:13:08.720
<v Speaker 3>to get us all jammed up again. Nope, not falling

0:13:08.720 --> 0:13:11.520
<v Speaker 3>for that fucking dait. It's city bikes and city bikes only.

0:13:11.640 --> 0:13:14.400
<v Speaker 2>What's your most unwoke opinion? Yeah? None?

0:13:15.000 --> 0:13:20.360
<v Speaker 3>Everything I say is woke, Bernie. If Bernie Sanders didn't

0:13:20.400 --> 0:13:21.320
<v Speaker 3>say it, I didn't say it.

0:13:23.960 --> 0:13:25.000
<v Speaker 2>Who started this question?

0:13:26.280 --> 0:13:27.200
<v Speaker 3>But how an agent?

0:13:27.679 --> 0:13:29.520
<v Speaker 2>Yeah? Like how did? How did? How do these things?

0:13:29.600 --> 0:13:29.680
<v Speaker 3>Like?

0:13:30.800 --> 0:13:32.800
<v Speaker 2>Because we know what these are for. They just for engagement,

0:13:32.800 --> 0:13:36.319
<v Speaker 2>get people riled up on the timeline. But like, what's

0:13:36.360 --> 0:13:38.679
<v Speaker 2>your most unwoke opinion?

0:13:39.480 --> 0:13:42.040
<v Speaker 4>Mm hmm? I gave mine.

0:13:42.080 --> 0:13:44.760
<v Speaker 5>I gave one of my safe ones. I didn't give

0:13:45.880 --> 0:13:48.240
<v Speaker 5>really this up there, I said, fuck it, trying making

0:13:48.280 --> 0:13:50.959
<v Speaker 5>these kids too soft. Life is hard and you'll never

0:13:51.040 --> 0:13:53.360
<v Speaker 5>survive it. If survive it and learn how to find

0:13:53.360 --> 0:13:55.000
<v Speaker 5>beauty in it, if you grow up with everything being

0:13:55.000 --> 0:13:56.839
<v Speaker 5>sugarcoated for you, I think the kids are being made

0:13:56.880 --> 0:13:57.560
<v Speaker 5>to be too soft.

0:13:57.840 --> 0:13:59.960
<v Speaker 4>That's my unwoke opinion. That's safe.

0:14:00.160 --> 0:14:02.360
<v Speaker 5>I think like we won't our podcasts won't get canceled

0:14:02.360 --> 0:14:02.560
<v Speaker 5>for that.

0:14:02.760 --> 0:14:04.280
<v Speaker 2>Oh, we're not getting canceled norre about that.

0:14:04.320 --> 0:14:05.760
<v Speaker 3>There's nothing unwoke about that.

0:14:06.559 --> 0:14:08.199
<v Speaker 2>At all. Actually, that is unwoke.

0:14:08.559 --> 0:14:10.760
<v Speaker 4>Do you know what woke is or what they say woke.

0:14:10.679 --> 0:14:13.400
<v Speaker 3>Is, Well, woke was hacked and taken by Yes, the

0:14:13.480 --> 0:14:15.080
<v Speaker 3>right to make it is to be something else.

0:14:15.120 --> 0:14:15.880
<v Speaker 4>But agree.

0:14:16.360 --> 0:14:20.840
<v Speaker 3>I think any regular person would agree with that, that

0:14:20.880 --> 0:14:21.800
<v Speaker 3>things have softened up.

0:14:21.960 --> 0:14:25.520
<v Speaker 5>And no, see, a regular a person will not agree

0:14:25.520 --> 0:14:28.680
<v Speaker 5>that you needed like that you need to like spank

0:14:28.680 --> 0:14:31.160
<v Speaker 5>your kids, or that you need to stop gentle parenting.

0:14:31.280 --> 0:14:33.360
<v Speaker 4>That is not the regular person will not agree with that.

0:14:34.280 --> 0:14:35.920
<v Speaker 3>Oh see now all right, see we got this out

0:14:35.920 --> 0:14:37.880
<v Speaker 3>of you. Now you're saying in between the lines here

0:14:37.880 --> 0:14:39.120
<v Speaker 3>that we should beat the shit out of our house.

0:14:39.120 --> 0:14:42.680
<v Speaker 3>I've never never said these fucking kids screaming in the supermarket,

0:14:42.720 --> 0:14:45.160
<v Speaker 3>we need to smack them across their face and let's say,

0:14:45.160 --> 0:14:45.840
<v Speaker 3>give me some skills.

0:14:45.960 --> 0:14:46.520
<v Speaker 4>Never said that.

0:14:46.560 --> 0:14:48.120
<v Speaker 3>I'm not no, I'm reading in between us. See what's

0:14:48.160 --> 0:14:48.440
<v Speaker 3>going on?

0:14:48.480 --> 0:14:51.040
<v Speaker 5>People need to discipline their children, if their children need

0:14:51.080 --> 0:14:52.440
<v Speaker 5>to be disciplined.

0:14:52.600 --> 0:14:55.040
<v Speaker 2>But what type of discipline It depends because discipline is

0:14:55.040 --> 0:14:56.320
<v Speaker 2>different for every children.

0:14:56.680 --> 0:14:58.960
<v Speaker 5>Yeah, for every child, for every child, discipline should be different.

0:14:59.000 --> 0:15:00.680
<v Speaker 5>But people need to discipline their and I don't even

0:15:00.880 --> 0:15:04.160
<v Speaker 5>mean just spanking your kids, but like punishing your kids,

0:15:04.200 --> 0:15:07.640
<v Speaker 5>taking things away from your kids, making your kids respect you,

0:15:07.320 --> 0:15:10.000
<v Speaker 5>your parent. You're like the thing like even with parents,

0:15:10.000 --> 0:15:14.040
<v Speaker 5>like when they like when I was younger, I hated

0:15:14.400 --> 0:15:17.560
<v Speaker 5>because I said so until my father explained it to me,

0:15:17.600 --> 0:15:19.400
<v Speaker 5>because he didn't say that to me often, but he

0:15:19.480 --> 0:15:22.200
<v Speaker 5>was like, you need to understand that I am always

0:15:22.200 --> 0:15:24.800
<v Speaker 5>looking out for your safety and your best interests, and

0:15:25.200 --> 0:15:27.440
<v Speaker 5>one day there might be a question that I don't

0:15:27.480 --> 0:15:29.480
<v Speaker 5>have the time to answer for you. Our lives might

0:15:29.480 --> 0:15:31.480
<v Speaker 5>be in the balance. So because I said so, you

0:15:31.520 --> 0:15:33.440
<v Speaker 5>need to respect that because we might. If I say

0:15:33.480 --> 0:15:35.320
<v Speaker 5>do something, do it right now, because it might be

0:15:35.360 --> 0:15:37.200
<v Speaker 5>for your safety. I don't have time for my child

0:15:37.280 --> 0:15:40.360
<v Speaker 5>to be questioning me when something like you need to

0:15:40.400 --> 0:15:40.760
<v Speaker 5>know that.

0:15:40.760 --> 0:15:42.360
<v Speaker 4>You can trust me. You don't need to question every

0:15:42.400 --> 0:15:43.560
<v Speaker 4>single thing I do right.

0:15:43.640 --> 0:15:45.640
<v Speaker 5>And I learned that lesson and it has benefited me,

0:15:45.840 --> 0:15:47.720
<v Speaker 5>and I think it could benefit some other people and

0:15:47.880 --> 0:15:48.440
<v Speaker 5>some children.

0:15:48.480 --> 0:15:50.720
<v Speaker 3>You do your kids a disservice if you don't discipline

0:15:50.760 --> 0:15:53.640
<v Speaker 3>them or train them for actual real life and yeah,

0:15:53.680 --> 0:15:56.960
<v Speaker 3>the safety of your home, and they may resent you

0:15:57.000 --> 0:15:59.040
<v Speaker 3>for it in the meantime, but them figure out.

0:15:58.960 --> 0:16:01.120
<v Speaker 5>And not everybody needs to p tech your fucking feelings,

0:16:01.120 --> 0:16:03.040
<v Speaker 5>their feelings, their feelings.

0:16:02.560 --> 0:16:04.080
<v Speaker 4>Their feelings, their feelings.

0:16:04.120 --> 0:16:07.000
<v Speaker 5>Oh my god, we live in fucking America.

0:16:07.080 --> 0:16:09.080
<v Speaker 4>Don't nobody give a fuck about your feelings.

0:16:09.120 --> 0:16:11.080
<v Speaker 5>You're about to go out into the world and get

0:16:11.200 --> 0:16:12.320
<v Speaker 5>molly wopped boot.

0:16:12.560 --> 0:16:16.800
<v Speaker 3>No, So that is feelings are so focused on now

0:16:16.840 --> 0:16:20.320
<v Speaker 3>that people create feelings they don't even have to feel something. Yeah,

0:16:20.600 --> 0:16:21.840
<v Speaker 3>I feel offended right now.

0:16:22.080 --> 0:16:23.320
<v Speaker 2>No, you don't. You don't.

0:16:23.400 --> 0:16:26.560
<v Speaker 3>You don't care that you feel like you're you're finding

0:16:26.600 --> 0:16:27.440
<v Speaker 3>something to feel about.

0:16:27.640 --> 0:16:32.280
<v Speaker 2>Rory sent me a tweet last night about how insane

0:16:33.360 --> 0:16:35.840
<v Speaker 2>twenty twenty was. It was like, yo, bro to, I

0:16:35.880 --> 0:16:37.880
<v Speaker 2>think that we say your twenty twenty was the wildest

0:16:37.920 --> 0:16:40.680
<v Speaker 2>year ever. And it was a video of a guy

0:16:40.760 --> 0:16:43.640
<v Speaker 2>crumping in front of police. I saw it.

0:16:43.720 --> 0:16:47.000
<v Speaker 3>I guess it was the way of protesting, which I

0:16:47.040 --> 0:16:52.000
<v Speaker 3>get a cultural thing, understand crumping Gods want to know

0:16:52.000 --> 0:16:52.680
<v Speaker 3>what song they heard.

0:16:53.000 --> 0:16:55.160
<v Speaker 2>You don't get it. There was no reason for that

0:16:55.200 --> 0:16:57.560
<v Speaker 2>gentleman to be doing what he was doing, none at all.

0:16:57.720 --> 0:17:00.360
<v Speaker 2>Like we could just cut the ship somebody to the like,

0:17:00.640 --> 0:17:03.040
<v Speaker 2>get the fuck out the street man that's not doing

0:17:03.120 --> 0:17:06.040
<v Speaker 2>this is not helping anybody. What you're doing. No, not

0:17:06.280 --> 0:17:07.800
<v Speaker 2>at all. Twenty twenty.

0:17:07.920 --> 0:17:10.480
<v Speaker 3>Really just a lot of good came out of it,

0:17:10.840 --> 0:17:13.080
<v Speaker 3>but it did shift all of our brains into what

0:17:13.160 --> 0:17:15.800
<v Speaker 3>I think Damaris is getting at in this tweet, even

0:17:15.800 --> 0:17:17.800
<v Speaker 3>though I was joking about between the lines of what

0:17:17.800 --> 0:17:20.000
<v Speaker 3>she was saying, it's softened the whole world though.

0:17:20.560 --> 0:17:22.840
<v Speaker 2>No, but but see that's but see, that's what I

0:17:22.840 --> 0:17:25.120
<v Speaker 2>hated because I was one of those and obviously where

0:17:25.119 --> 0:17:27.399
<v Speaker 2>we were probably together every fucking week in twenty twenty.

0:17:27.760 --> 0:17:30.680
<v Speaker 2>But you know that people gave me shit for a

0:17:30.680 --> 0:17:32.760
<v Speaker 2>lot of shit I was laughing at when I was like, man,

0:17:32.840 --> 0:17:34.359
<v Speaker 2>get the fuck out of here with this shit. What

0:17:34.480 --> 0:17:37.359
<v Speaker 2>is this dumb shit? This is doing nothing. I said

0:17:37.400 --> 0:17:40.639
<v Speaker 2>that a lot in twenty twenty. People stopped talking to

0:17:40.680 --> 0:17:42.560
<v Speaker 2>me and followed me, blocked me about a lot of

0:17:42.600 --> 0:17:45.640
<v Speaker 2>shit I was saying. Here we are five years later

0:17:45.800 --> 0:17:47.879
<v Speaker 2>and everybody sitting back feeling the same way I was

0:17:47.880 --> 0:17:50.600
<v Speaker 2>feeling in the moment. I'm like, bro, what is this

0:17:50.760 --> 0:17:53.840
<v Speaker 2>doing for this? Cause what is any of this? Just

0:17:53.880 --> 0:17:56.000
<v Speaker 2>like you said, people like I'm offended. No you're not.

0:17:57.080 --> 0:18:00.560
<v Speaker 2>You're offended because the timeline seems to be offended, and

0:18:00.600 --> 0:18:03.480
<v Speaker 2>you want to jump in on that wave, and now

0:18:03.560 --> 0:18:06.120
<v Speaker 2>you want your tweet to be seen and you want

0:18:06.160 --> 0:18:09.040
<v Speaker 2>your voice to be heard. And it's like, but you're

0:18:09.119 --> 0:18:11.360
<v Speaker 2>not really offended by anything that's happened right now, You're

0:18:11.400 --> 0:18:14.920
<v Speaker 2>not affected by anything. For the timeline you are.

0:18:15.080 --> 0:18:17.879
<v Speaker 3>I think it's a balance because there is just the

0:18:17.880 --> 0:18:20.119
<v Speaker 3>timeline bubble that we have that. Yes, people were just

0:18:20.200 --> 0:18:23.920
<v Speaker 3>trying to get as much positive engagement, not the way

0:18:23.920 --> 0:18:26.480
<v Speaker 3>they do on Twitter now, but during the social justice time,

0:18:26.880 --> 0:18:28.960
<v Speaker 3>they just wanted some attention there. But there was also

0:18:29.000 --> 0:18:31.680
<v Speaker 3>people that were actually in the field doing good things.

0:18:31.960 --> 0:18:35.040
<v Speaker 3>I think it got overshadowed by what was going on

0:18:35.960 --> 0:18:38.320
<v Speaker 3>the timeline because if you would have had that conversation,

0:18:39.160 --> 0:18:42.240
<v Speaker 3>like actually out in Union Square during protests this and that,

0:18:42.280 --> 0:18:44.040
<v Speaker 3>I actually think you would have been met with good

0:18:44.080 --> 0:18:46.480
<v Speaker 3>dialogue and good conversation because I was out there and

0:18:46.560 --> 0:18:48.919
<v Speaker 3>it wasn't as woke. It was actually people having conversations.

0:18:49.080 --> 0:18:52.440
<v Speaker 3>It was the timeline where everything was fucking the wild,

0:18:52.520 --> 0:18:56.399
<v Speaker 3>wild West, and if you use the wrong fucking vowel,

0:18:56.640 --> 0:18:59.040
<v Speaker 3>it was over for you. That was not the real

0:18:59.040 --> 0:19:03.280
<v Speaker 3>world at that point, Like there were real conversations happening.

0:19:03.280 --> 0:19:06.719
<v Speaker 3>It was just overshadowed by that bullshit, and yes, I

0:19:06.760 --> 0:19:08.359
<v Speaker 3>was also petrified during that time. I'm one of the

0:19:08.359 --> 0:19:10.120
<v Speaker 3>few people that admit, yeah, I was walking on the egshells.

0:19:10.560 --> 0:19:11.439
<v Speaker 2>That's from fucking right.

0:19:11.520 --> 0:19:13.720
<v Speaker 4>As far as what the white person in hip hop.

0:19:14.920 --> 0:19:18.200
<v Speaker 3>That dude, other things that were going on, which I mean,

0:19:18.240 --> 0:19:20.040
<v Speaker 3>we can talk about but not talk about, like, yeah,

0:19:20.320 --> 0:19:22.960
<v Speaker 3>I'm not about to sacrifice all the work I've done

0:19:23.000 --> 0:19:26.360
<v Speaker 3>in my entire life, knowing how good the good intentions

0:19:26.400 --> 0:19:28.359
<v Speaker 3>I do have, knowing I have nothing to do with

0:19:28.400 --> 0:19:30.240
<v Speaker 3>some of the bad shit that's bringing up where I'm

0:19:30.280 --> 0:19:32.240
<v Speaker 3>just gonna go rogue for the fuck of it and

0:19:32.320 --> 0:19:35.400
<v Speaker 3>ruin my life just to fight back on one day

0:19:35.440 --> 0:19:37.920
<v Speaker 3>on Twitter because I don't agree with what people are saying. Nah,

0:19:37.960 --> 0:19:40.600
<v Speaker 3>fuck that you think these people that don't give a

0:19:40.600 --> 0:19:42.720
<v Speaker 3>fuck about me, that are trying to cancel me, that

0:19:42.760 --> 0:19:45.119
<v Speaker 3>don't know me, I'm going to fight back to prove

0:19:45.160 --> 0:19:47.680
<v Speaker 3>their point. I'm gonna shut the fuck up and keep

0:19:47.680 --> 0:19:48.040
<v Speaker 3>it moving.

0:19:48.640 --> 0:19:51.080
<v Speaker 2>Nah, they killed me from my Black Lives Matter shit

0:19:51.119 --> 0:19:51.800
<v Speaker 2>in twenty twenty.

0:19:52.560 --> 0:19:53.840
<v Speaker 3>I mean, I hope they don't dig it back up

0:19:53.840 --> 0:19:54.840
<v Speaker 3>because I'm sure it's crazy.

0:19:54.920 --> 0:19:57.200
<v Speaker 2>No was it? It wasn't you was sitting right wasn't crazy.

0:19:57.280 --> 0:19:59.720
<v Speaker 2>It was the truth. I said. The slogan I agree with.

0:20:00.240 --> 0:20:02.080
<v Speaker 2>We had that conversation. I agree with that we had

0:20:02.080 --> 0:20:02.879
<v Speaker 2>who was this company?

0:20:02.920 --> 0:20:03.000
<v Speaker 5>Like?

0:20:03.000 --> 0:20:05.639
<v Speaker 2>Who are these people? Nobody knew nothing about you?

0:20:05.640 --> 0:20:07.720
<v Speaker 3>And I had that conversation. I remember on the file

0:20:07.720 --> 0:20:10.800
<v Speaker 3>where I was saying, they're not yelling Black Lives Matter

0:20:11.119 --> 0:20:14.480
<v Speaker 3>LLC like the people in the field are yelling the

0:20:14.560 --> 0:20:17.120
<v Speaker 3>actual definition of the term. So I hear what you're saying. Yes,

0:20:17.160 --> 0:20:19.399
<v Speaker 3>that was proven that they were just taking money and

0:20:19.440 --> 0:20:21.959
<v Speaker 3>doing wild shit, But that was to me just more

0:20:22.000 --> 0:20:24.160
<v Speaker 3>of a ploy to get rid of the actual message

0:20:24.200 --> 0:20:26.760
<v Speaker 3>of what was going on outside. People were not yelling

0:20:26.840 --> 0:20:29.040
<v Speaker 3>for the Corporation of Black Lives Matter, like, not even

0:20:29.040 --> 0:20:32.360
<v Speaker 3>a little. They were yelling the phrase yeah, yeah, somebody,

0:20:32.520 --> 0:20:35.960
<v Speaker 3>which happens all the time, no matter what race it is,

0:20:35.960 --> 0:20:37.359
<v Speaker 3>is going to take advantage of what the fuck is

0:20:37.400 --> 0:20:41.480
<v Speaker 3>going on. That's all that was. But you know, terrifying

0:20:41.520 --> 0:20:43.240
<v Speaker 3>times I should have just crumped instead.

0:20:43.359 --> 0:20:45.960
<v Speaker 2>I got an unwoll opinion. But that's why.

0:20:46.000 --> 0:20:48.399
<v Speaker 3>Any time Peelee this back thing and goes like this,

0:20:48.920 --> 0:20:51.120
<v Speaker 3>I know this is something that he's gonna be Yeah,

0:20:51.119 --> 0:20:51.760
<v Speaker 3>we should cut this out.

0:20:53.080 --> 0:20:54.800
<v Speaker 2>I got an unwoke companion, but I don't know if

0:20:54.800 --> 0:20:59.440
<v Speaker 2>I should say it, say it, say it. No, I

0:20:59.480 --> 0:21:00.280
<v Speaker 2>ain't gonna be a leap.

0:21:01.560 --> 0:21:04.080
<v Speaker 3>Hey, you can't hear what you never reveal mm hmm.

0:21:07.840 --> 0:21:09.920
<v Speaker 3>I know it's bad because I know, he says.

0:21:10.320 --> 0:21:12.240
<v Speaker 2>I'm trying to phrase it. I'm thinking about it. I'm

0:21:12.240 --> 0:21:13.920
<v Speaker 2>trying to figure ou how to phrase it because I

0:21:13.920 --> 0:21:15.680
<v Speaker 2>don't know if it's I guess it. Is it a

0:21:15.680 --> 0:21:17.480
<v Speaker 2>woken I don't even know. I it's woke pan, but

0:21:19.119 --> 0:21:19.440
<v Speaker 2>I don't.

0:21:21.040 --> 0:21:24.600
<v Speaker 3>Okay, mall interesting, how would.

0:21:24.359 --> 0:21:29.359
<v Speaker 2>You do that? See? Because I want to suppressed me.

0:21:30.520 --> 0:21:36.160
<v Speaker 2>I just want to let you know you were heard, okay, heard,

0:21:36.400 --> 0:21:41.520
<v Speaker 2>but I wasn't. I wasn't heard by my my listenership.

0:21:41.560 --> 0:21:44.800
<v Speaker 2>I wasn't heard by them in the room. I'm being suppressed.

0:21:44.920 --> 0:21:47.560
<v Speaker 3>That's with that said, I'll get us down into maybe

0:21:48.040 --> 0:21:52.920
<v Speaker 3>a deeper hole here. Not that I could ever get

0:21:52.960 --> 0:21:56.200
<v Speaker 3>this role, because one I'm not an actor too, I'd

0:21:56.240 --> 0:21:59.480
<v Speaker 3>have to do blackface. I would still take the role

0:21:59.600 --> 0:22:02.000
<v Speaker 3>of Marvan Gay in the biopick if I had to

0:22:02.040 --> 0:22:04.720
<v Speaker 3>kiss a man. Terrence Howard said he would never do that,

0:22:04.880 --> 0:22:08.120
<v Speaker 3>even though I think he'd smoked that role. I don't

0:22:08.119 --> 0:22:10.080
<v Speaker 3>think that's weird. If you're an actor to kiss a

0:22:10.119 --> 0:22:11.320
<v Speaker 3>man in the script.

0:22:12.200 --> 0:22:15.600
<v Speaker 2>Well, you don't. Certain people. Certain people feel like it

0:22:15.600 --> 0:22:18.480
<v Speaker 2>it is weird. They're just not. And we've had to

0:22:18.520 --> 0:22:20.560
<v Speaker 2>talk shout out to our god, Jail Fonds. We've had

0:22:20.600 --> 0:22:22.960
<v Speaker 2>to talk with him about that about you know, when

0:22:23.000 --> 0:22:25.360
<v Speaker 2>it's art and you know, having to approach a role

0:22:25.440 --> 0:22:30.199
<v Speaker 2>like that with his role in Pee Valley, what do

0:22:30.240 --> 0:22:32.040
<v Speaker 2>you do to prepare for that as an actor? You

0:22:32.080 --> 0:22:33.760
<v Speaker 2>know what I mean? Like, do you just completely dive

0:22:33.800 --> 0:22:37.280
<v Speaker 2>into that that role, the mindset, the person, the character

0:22:37.320 --> 0:22:40.560
<v Speaker 2>that you're playing. It's not really you quote unquote, it's

0:22:40.640 --> 0:22:46.080
<v Speaker 2>the character. But some some actors and some artists, they

0:22:46.200 --> 0:22:48.520
<v Speaker 2>just don't. You know, that's something that they're not willing

0:22:48.520 --> 0:22:50.320
<v Speaker 2>to compromise on. They're just not willing to do that.

0:22:50.400 --> 0:22:53.880
<v Speaker 3>Cool, and I understand people and their boundaries. But what's

0:22:53.880 --> 0:22:55.679
<v Speaker 3>so funny is Terrence Howard said that he would turn

0:22:55.760 --> 0:22:59.400
<v Speaker 3>down the role. It wasn't even in the script. We

0:22:59.480 --> 0:23:02.480
<v Speaker 3>know that famous Quincy Jones article which is probably my favorite,

0:23:02.640 --> 0:23:04.960
<v Speaker 3>I think my favorite print article that's ever existed on

0:23:05.000 --> 0:23:08.000
<v Speaker 3>Earth down to Tupac with Vibe magazine talking about the

0:23:08.280 --> 0:23:11.960
<v Speaker 3>big and puff thing. Quincy Jones interview was the greatest

0:23:11.960 --> 0:23:14.920
<v Speaker 3>thing I've ever seen, where he reveals rich that Martin gay.

0:23:15.400 --> 0:23:17.959
<v Speaker 3>Everybody's fucking each other, but Terrence Howard, like the rest

0:23:18.000 --> 0:23:20.240
<v Speaker 3>of us read that. And when the thought was even

0:23:20.240 --> 0:23:22.120
<v Speaker 3>brought up that there could be a Marvin Gay biopic

0:23:22.160 --> 0:23:23.840
<v Speaker 3>and I think he would be great for that, he

0:23:23.920 --> 0:23:25.360
<v Speaker 3>was like, nah, I heard he kissed him. Man, oh,

0:23:25.359 --> 0:23:25.960
<v Speaker 3>it's not even.

0:23:25.800 --> 0:23:28.240
<v Speaker 2>A script yet. Know how we even know that's gonna

0:23:28.240 --> 0:23:30.800
<v Speaker 2>happen about real life? I heard that's heard that's what

0:23:30.800 --> 0:23:32.440
<v Speaker 2>he did in real life. Like, nah, I don't.

0:23:33.160 --> 0:23:37.159
<v Speaker 3>You're dedicated to a different level of homophobia that you

0:23:37.160 --> 0:23:39.040
<v Speaker 3>don't even know it's in the script.

0:23:38.680 --> 0:23:40.600
<v Speaker 2>That they don't even to do that.

0:23:40.600 --> 0:23:44.119
<v Speaker 5>That's not true, That's not true, Quincy. When he was

0:23:44.200 --> 0:23:47.280
<v Speaker 5>asking Quincy Jones, he said, I'm hearing rumors that Marvin

0:23:47.400 --> 0:23:49.440
<v Speaker 5>was gay. And I was like, was he gay? And

0:23:49.640 --> 0:23:52.080
<v Speaker 5>he was like yeah, And then he said, I can't

0:23:52.119 --> 0:23:54.520
<v Speaker 5>play the role because he's They're gonna have some type

0:23:54.560 --> 0:23:55.440
<v Speaker 5>of love stuff in there.

0:23:55.480 --> 0:23:56.800
<v Speaker 4>You can automatically you know that.

0:23:56.840 --> 0:23:58.720
<v Speaker 2>Are they are? I don't know if they would just

0:23:58.720 --> 0:24:00.240
<v Speaker 2>had that in the movie, because he really was because

0:24:00.240 --> 0:24:01.520
<v Speaker 2>that's not a known thing.

0:24:01.600 --> 0:24:03.520
<v Speaker 3>That wasn't a big part Like all right, I'll put

0:24:03.560 --> 0:24:10.320
<v Speaker 3>the Aaron Hernandez Netflix series or whatever the fucking network

0:24:10.359 --> 0:24:12.399
<v Speaker 3>it was on. That was a big part of that story.

0:24:12.520 --> 0:24:15.280
<v Speaker 3>Was he was suppressing gay stuff and all the Marvin

0:24:15.280 --> 0:24:17.720
<v Speaker 3>Gay story. The gayest part about his story is his

0:24:17.800 --> 0:24:20.720
<v Speaker 3>last name. Like, outside of that Quincy interview, nobody was

0:24:20.760 --> 0:24:23.160
<v Speaker 3>ever running around like Marvin Gay is gay, Like that's

0:24:23.160 --> 0:24:26.800
<v Speaker 3>not something people are waiting for in that biopic.

0:24:27.119 --> 0:24:30.480
<v Speaker 5>Yes, but Terrence Howard also knows Hollywood in twenty twenty

0:24:30.520 --> 0:24:31.359
<v Speaker 5>five if.

0:24:31.200 --> 0:24:34.200
<v Speaker 4>You think they not sneaking that in there, of course.

0:24:34.200 --> 0:24:37.399
<v Speaker 3>I see that point. But also with that, if it's true,

0:24:38.119 --> 0:24:40.320
<v Speaker 3>I don't think Quincy Jones is a liar at all.

0:24:40.440 --> 0:24:42.640
<v Speaker 3>I actually think he held back in that because after

0:24:42.680 --> 0:24:44.520
<v Speaker 3>he said who killed JFK? He asked him do you

0:24:44.560 --> 0:24:48.359
<v Speaker 3>like Brazilian music? He was trying to get off like topics.

0:24:49.000 --> 0:24:52.520
<v Speaker 3>So if it's true, who cares? Then it's not Hollywood

0:24:52.560 --> 0:24:56.080
<v Speaker 3>trying to add in some gay shit to the masculinized

0:24:56.119 --> 0:24:59.159
<v Speaker 3>men or do the gay agenda. Yeah, Marvin Gay had that,

0:24:59.280 --> 0:25:01.120
<v Speaker 3>and we don't make the whole story about him being

0:25:01.160 --> 0:25:05.720
<v Speaker 3>gay because clearly sexual healing is much more than men.

0:25:06.680 --> 0:25:08.119
<v Speaker 3>Why the fuck would you? All right, if there's one

0:25:08.200 --> 0:25:10.480
<v Speaker 3>kissing scene with a dude, you're not taking that role.

0:25:11.240 --> 0:25:13.880
<v Speaker 3>You're playing Marvin gay Yo one of the greatest voices ever.

0:25:13.960 --> 0:25:16.000
<v Speaker 5>This is Terrence Howard. Terrence Howard doesn't have to take

0:25:16.040 --> 0:25:18.560
<v Speaker 5>any role. He's tears Howard can do what the fuck

0:25:18.600 --> 0:25:20.840
<v Speaker 5>he wants to do. He can he cannot work again

0:25:20.880 --> 0:25:22.800
<v Speaker 5>for the rest of his life if he's not attracted

0:25:22.840 --> 0:25:24.080
<v Speaker 5>to men and doesn't want to kiss men, and it

0:25:24.119 --> 0:25:26.280
<v Speaker 5>will make him feel uncomfortable, and that's his boundary.

0:25:27.800 --> 0:25:30.119
<v Speaker 3>I'm not saying if that's your boundary, cool, I'm not

0:25:30.280 --> 0:25:31.760
<v Speaker 3>Terrence Howard can do what the fuck he wants. I'm

0:25:31.760 --> 0:25:35.120
<v Speaker 3>not trying to tell him to do something different. I'm

0:25:35.119 --> 0:25:38.920
<v Speaker 3>speaking in general. If you're an actor, that role wouldn't

0:25:38.920 --> 0:25:43.680
<v Speaker 3>be something that you may ease in to really tell

0:25:43.680 --> 0:25:47.080
<v Speaker 3>that story like this is a very important story to

0:25:47.119 --> 0:25:47.480
<v Speaker 3>the world.

0:25:48.080 --> 0:25:52.920
<v Speaker 4>It's still told. Okay, mall, is there anything you wouldn't

0:25:52.920 --> 0:25:54.000
<v Speaker 4>do entertainment wise?

0:25:54.600 --> 0:25:55.600
<v Speaker 2>I'm not kissing though, man.

0:25:55.720 --> 0:25:57.639
<v Speaker 5>I mean, we know we know that when I tell you,

0:25:57.680 --> 0:26:00.600
<v Speaker 5>we know we know that. But just like just things

0:26:00.600 --> 0:26:05.719
<v Speaker 5>that normal that might be normal that other. No, it's

0:26:06.080 --> 0:26:08.320
<v Speaker 5>is normal. Like I wouldn't do a nude scene. I

0:26:08.359 --> 0:26:09.920
<v Speaker 5>want to be an actress very bad, but I would

0:26:10.000 --> 0:26:13.480
<v Speaker 5>not do a new scene. I wouldn't do a new scene.

0:26:13.520 --> 0:26:18.520
<v Speaker 2>You wouldn't show bush or you would show nipple. Gotch.

0:26:18.640 --> 0:26:20.280
<v Speaker 2>I think I think you would show nipple bush.

0:26:20.320 --> 0:26:22.320
<v Speaker 5>I wouldn't either. I wouldn't do either. But that's a

0:26:22.320 --> 0:26:23.119
<v Speaker 5>boundary that I have.

0:26:23.240 --> 0:26:24.760
<v Speaker 3>I feel weirder than showing bush.

0:26:25.680 --> 0:26:30.920
<v Speaker 2>You wouldn't You wouldn't do it topless? Really, bless you

0:26:30.920 --> 0:26:32.920
<v Speaker 2>didn't go topless? Why? Why when topless?

0:26:33.520 --> 0:26:35.760
<v Speaker 5>Because I'm not comfortable doing it. Okay, Yeah, I'm not

0:26:35.760 --> 0:26:37.800
<v Speaker 5>comfortable doing it. And I also don't think it's necessary.

0:26:37.800 --> 0:26:39.359
<v Speaker 5>I think that there's a lot of nudity and TV

0:26:39.440 --> 0:26:41.159
<v Speaker 5>that is not necessary to tell a story.

0:26:41.359 --> 0:26:43.280
<v Speaker 2>Completely agree there, it's a lot of gay and TV

0:26:43.320 --> 0:26:47.760
<v Speaker 2>that's not necessary. I said, period, Like it's not even

0:26:48.320 --> 0:26:52.800
<v Speaker 2>it's like it's not even part of the plot. Turn

0:26:52.880 --> 0:26:54.760
<v Speaker 2>it off, turn it off.

0:26:57.720 --> 0:27:02.400
<v Speaker 3>Okay, And I'm not trying to go against our woke

0:27:02.520 --> 0:27:05.160
<v Speaker 3>conversation to be that guy. But there's been plenty of

0:27:05.240 --> 0:27:08.960
<v Speaker 3>like regular heterosexual people are attracted to sexual stuff. There's

0:27:09.000 --> 0:27:13.000
<v Speaker 3>mad unnecessary titties ass sex scenes that had nothing to

0:27:13.000 --> 0:27:13.680
<v Speaker 3>do with the fucking plot.

0:27:13.800 --> 0:27:15.880
<v Speaker 2>It depends on whose titties it is now grant. Even

0:27:15.920 --> 0:27:20.040
<v Speaker 2>like Euphoria Alba Robbie, it made total sense in Wolf

0:27:20.080 --> 0:27:21.840
<v Speaker 2>of wall Street when she opened the doors completely.

0:27:21.920 --> 0:27:23.679
<v Speaker 3>I thought that was a part of part of the

0:27:23.720 --> 0:27:25.480
<v Speaker 3>plot when she was said at dinner, we're not gonna

0:27:25.480 --> 0:27:28.200
<v Speaker 3>be friends. Like plotting against a man with money, there

0:27:28.280 --> 0:27:31.600
<v Speaker 3>is something there. And of course you are also creating art,

0:27:31.600 --> 0:27:34.119
<v Speaker 3>and let's not act like naked shit isn't art. At

0:27:34.119 --> 0:27:35.520
<v Speaker 3>the end of the day, it was done in a

0:27:35.520 --> 0:27:38.600
<v Speaker 3>tasteful way. The shot everything loved, the whipped cream and

0:27:38.640 --> 0:27:41.520
<v Speaker 3>even adding in a nothing too quick like the dog

0:27:42.040 --> 0:27:44.760
<v Speaker 3>at your fucking leg like beautiful. To me, that was

0:27:44.840 --> 0:27:49.399
<v Speaker 3>a tasteful sex scene added into it is that Scorz yes,

0:27:50.000 --> 0:27:53.399
<v Speaker 3>which by the way, doesn't like. He doesn't lean on

0:27:53.400 --> 0:27:54.600
<v Speaker 3>sex scenes like that at all, so.

0:27:54.680 --> 0:27:56.680
<v Speaker 4>Does a need to because he actually has actual talent.

0:27:56.840 --> 0:27:59.080
<v Speaker 3>But even like Euphoria, which I thought there was mad

0:27:59.200 --> 0:28:03.000
<v Speaker 3>unnecessary that entire thing, I also had to think, Okay,

0:28:03.080 --> 0:28:06.040
<v Speaker 3>they're playing off the amount of unnecessary titties and adds

0:28:06.080 --> 0:28:09.959
<v Speaker 3>that have been in film since existence, like it's a

0:28:10.080 --> 0:28:12.840
<v Speaker 3>it's a sexual thing as humans, it's not really a

0:28:12.840 --> 0:28:16.640
<v Speaker 3>sexual preference during films. We just want to see titties.

0:28:16.320 --> 0:28:17.960
<v Speaker 4>And ship I'm cool.

0:28:18.080 --> 0:28:18.360
<v Speaker 5>I don't.

0:28:18.800 --> 0:28:19.600
<v Speaker 3>I'm not trying to that.

0:28:19.960 --> 0:28:21.600
<v Speaker 2>That's your line. You wanted to get nude?

0:28:21.640 --> 0:28:23.240
<v Speaker 4>I would, yeah, I would. I wouldn't get nude.

0:28:23.480 --> 0:28:27.879
<v Speaker 3>What if a director had like a passionate reason why

0:28:28.320 --> 0:28:32.120
<v Speaker 3>Because I've heard actresses and even like men talk about

0:28:32.160 --> 0:28:33.640
<v Speaker 3>it where they had to do sex scenes they didn't

0:28:33.640 --> 0:28:36.199
<v Speaker 3>want to do because the director was so passionate on

0:28:36.600 --> 0:28:39.560
<v Speaker 3>how it moved the story and how it moved the shots,

0:28:39.600 --> 0:28:40.080
<v Speaker 3>and like.

0:28:40.360 --> 0:28:45.040
<v Speaker 5>That's what's up the actress fair And that's why I'm

0:28:45.080 --> 0:28:47.520
<v Speaker 5>saying I don't. I don't think that. Everyone's like, there's

0:28:47.560 --> 0:28:49.560
<v Speaker 5>how are he so homophobic? I don't think that's homophobic.

0:28:49.560 --> 0:28:51.440
<v Speaker 5>I don't want to to get the man. That's crazy,

0:28:51.680 --> 0:28:53.120
<v Speaker 5>not wanting to get you.

0:28:54.120 --> 0:28:56.000
<v Speaker 2>But that's the thing that people do though, that I

0:28:56.040 --> 0:28:58.360
<v Speaker 2>think is wrong, Like they throw that label on you

0:28:58.440 --> 0:28:59.680
<v Speaker 2>just because you said, like you said, that's just his

0:28:59.760 --> 0:29:02.160
<v Speaker 2>bound Like there's nothing wrong with him saying I don't

0:29:02.160 --> 0:29:04.680
<v Speaker 2>want to kiss a man, Like yeah, now he's homophobic

0:29:04.680 --> 0:29:05.760
<v Speaker 2>because he doesn't want to kiss him in.

0:29:05.760 --> 0:29:06.400
<v Speaker 3>I don't think he's home.

0:29:06.640 --> 0:29:08.160
<v Speaker 2>That is crazy. But I'm just saying the fact that

0:29:08.200 --> 0:29:10.720
<v Speaker 2>people say that they said.

0:29:10.520 --> 0:29:12.720
<v Speaker 4>I would cut my I would, I would cut my

0:29:12.760 --> 0:29:13.200
<v Speaker 4>lips off.

0:29:13.520 --> 0:29:14.160
<v Speaker 3>He took it a little far.

0:29:14.200 --> 0:29:15.960
<v Speaker 5>If I kissed some man, I will cut my lips off.

0:29:17.000 --> 0:29:19.200
<v Speaker 2>That's it's a little far. I don't know I felt them.

0:29:20.000 --> 0:29:22.720
<v Speaker 2>I don't know, man, I feel that man like I

0:29:22.760 --> 0:29:23.360
<v Speaker 2>don't know man.

0:29:23.960 --> 0:29:24.040
<v Speaker 6>No.

0:29:24.160 --> 0:29:26.320
<v Speaker 2>But I mean Terrence is he's in his right too

0:29:26.320 --> 0:29:27.720
<v Speaker 2>if he doesn't want to kiss a man take a role,

0:29:27.720 --> 0:29:28.040
<v Speaker 2>because I.

0:29:28.000 --> 0:29:31.120
<v Speaker 3>Hope he hasn't heard the most recent Kanye Oh you

0:29:31.160 --> 0:29:31.720
<v Speaker 3>know he's heard that.

0:29:31.800 --> 0:29:34.360
<v Speaker 4>Are there any podcast interviews y'all wouldn't.

0:29:34.000 --> 0:29:41.440
<v Speaker 2>Take how many years we've been doing this?

0:29:41.680 --> 0:29:45.960
<v Speaker 5>Okay, I'm not talking about people directly tied to us,

0:29:46.160 --> 0:29:48.720
<v Speaker 5>right Like, for example, we had the opportunity to have

0:29:48.960 --> 0:29:52.360
<v Speaker 5>an interview with someone and I advised and my other

0:29:52.400 --> 0:29:55.280
<v Speaker 5>producer at the time advised y'all not to take that interview.

0:29:55.840 --> 0:29:57.680
<v Speaker 2>But mainly just speaking, I never told you how much

0:29:57.720 --> 0:30:00.440
<v Speaker 2>I wanted to fire both of y'all for that, but

0:30:00.480 --> 0:30:01.040
<v Speaker 2>I never did.

0:30:02.080 --> 0:30:05.200
<v Speaker 3>Wait, wait, are we're talking about we can be Canau's

0:30:05.200 --> 0:30:06.160
<v Speaker 3>talk about the Fox News Shit.

0:30:06.600 --> 0:30:10.280
<v Speaker 2>No, No, she's talking about Candace owns. Oh that okay, okay, okay.

0:30:10.480 --> 0:30:13.280
<v Speaker 3>I thought like when they had brought the Fox News

0:30:13.360 --> 0:30:15.480
<v Speaker 3>Jesse water ship and we was all like, nah, we're

0:30:15.480 --> 0:30:17.760
<v Speaker 3>not doing that. That's what I thought y'all were talking about,

0:30:17.760 --> 0:30:19.440
<v Speaker 3>not that one. We all said no to that immediately.

0:30:19.720 --> 0:30:22.520
<v Speaker 3>Oh the candas own ship. Yeah, I mean, it wasn't

0:30:22.560 --> 0:30:24.280
<v Speaker 3>because I didn't want to speak to Candace Owens. It

0:30:24.320 --> 0:30:26.080
<v Speaker 3>was just because I didn't think this was the platform

0:30:26.120 --> 0:30:26.840
<v Speaker 3>to have that station.

0:30:27.000 --> 0:30:27.720
<v Speaker 4>I agree that.

0:30:27.880 --> 0:30:28.920
<v Speaker 2>That's why I was with it.

0:30:28.920 --> 0:30:32.720
<v Speaker 3>It wasn't Hey, I have no interest in speaking to Candas,

0:30:33.480 --> 0:30:36.200
<v Speaker 3>even if I agree or disagree with her stuff.

0:30:36.360 --> 0:30:38.520
<v Speaker 2>I just didn't think that that's what the platform for.

0:30:38.680 --> 0:30:40.720
<v Speaker 2>That's cat because I said, well, I wouldn't even. I

0:30:40.760 --> 0:30:43.120
<v Speaker 2>wouldn't even I didn't even really want to talk politics

0:30:43.120 --> 0:30:45.360
<v Speaker 2>with Candas. I wanted to get to know Candas like

0:30:45.400 --> 0:30:46.840
<v Speaker 2>on something like yo, what should be listening is like

0:30:46.880 --> 0:30:48.920
<v Speaker 2>growing up? Like what was your she talked about you?

0:30:49.040 --> 0:30:52.440
<v Speaker 2>Never like yeah, but she ain't talked to me about it. Okay,

0:30:52.640 --> 0:30:54.280
<v Speaker 2>That's where I was going with it. But y'all was

0:30:54.320 --> 0:30:57.240
<v Speaker 2>just so helping. No, No, I'm just like what well,

0:30:57.240 --> 0:30:58.520
<v Speaker 2>the Candas owners we talking.

0:30:58.320 --> 0:31:01.240
<v Speaker 5>About because you're producers that you wanted to fire. Know

0:31:01.360 --> 0:31:04.200
<v Speaker 5>your audience, Know what your audience would have felt in

0:31:04.240 --> 0:31:04.960
<v Speaker 5>a sensitive time.

0:31:05.000 --> 0:31:07.480
<v Speaker 2>You don't know clips go that we never even thought

0:31:07.640 --> 0:31:08.160
<v Speaker 2>and that's.

0:31:08.000 --> 0:31:10.080
<v Speaker 5>Not our Those are not from your audience. Those are

0:31:10.120 --> 0:31:13.800
<v Speaker 5>from people who don't who are discovering your Yes.

0:31:13.720 --> 0:31:16.440
<v Speaker 2>There you go. Now we have Canvas on with her platform,

0:31:16.440 --> 0:31:17.360
<v Speaker 2>people that never heard of.

0:31:17.280 --> 0:31:20.720
<v Speaker 5>It, and you this platform is going to revisit this podcast.

0:31:20.760 --> 0:31:22.440
<v Speaker 4>You don't know that, regular listener.

0:31:22.160 --> 0:31:25.400
<v Speaker 2>You don't know that. Okay, well how could you say that?

0:31:25.480 --> 0:31:28.360
<v Speaker 2>So like matter of factly you don't know that? Okay, Yeah,

0:31:28.360 --> 0:31:30.000
<v Speaker 2>that's what I'm saying. I was just wanting to have

0:31:30.040 --> 0:31:32.840
<v Speaker 2>that conversation with Candas on some old fun politics. Let's

0:31:32.840 --> 0:31:35.280
<v Speaker 2>talk to candas owns about the ship she'd be into,

0:31:35.440 --> 0:31:37.960
<v Speaker 2>like away from politics, Like that's what I wanted to

0:31:38.000 --> 0:31:39.680
<v Speaker 2>get into. I thought that would have been dope.

0:31:39.880 --> 0:31:40.200
<v Speaker 4>Why not?

0:31:41.080 --> 0:31:41.320
<v Speaker 2>Yeah?

0:31:41.320 --> 0:31:43.760
<v Speaker 3>But I feel like if we asked her about anything

0:31:43.920 --> 0:31:47.040
<v Speaker 3>music related, her answer would be I used to listen

0:31:47.080 --> 0:31:48.800
<v Speaker 3>to Jay Z and Beyonce. Then I realized they were

0:31:48.840 --> 0:31:51.840
<v Speaker 3>democratic puppets, and then we anything we say would have

0:31:51.840 --> 0:31:54.480
<v Speaker 3>went back and down and that's to a political night.

0:31:54.640 --> 0:31:55.560
<v Speaker 2>And that's what I.

0:31:55.520 --> 0:31:57.400
<v Speaker 3>Told you when we were having this conversation off Mike,

0:31:57.440 --> 0:31:59.440
<v Speaker 3>because I remember this vividly when we're all talking about it.

0:31:59.720 --> 0:32:02.600
<v Speaker 3>I've watched Cannis own stuff, and I've seen her talk

0:32:02.640 --> 0:32:04.640
<v Speaker 3>about her past growing up in Connecticut and how she

0:32:04.720 --> 0:32:06.440
<v Speaker 3>was such a hip hop fan. I know for a

0:32:06.480 --> 0:32:09.040
<v Speaker 3>fact anything we brought up would get down to like, well,

0:32:09.040 --> 0:32:11.400
<v Speaker 3>then the Democrats got a hold of them and it

0:32:11.520 --> 0:32:14.080
<v Speaker 3>just would have went off the rails because she is

0:32:14.120 --> 0:32:17.600
<v Speaker 3>so trained in what she does London.

0:32:17.720 --> 0:32:19.120
<v Speaker 2>But I don't think so, Bro, I don't think it

0:32:19.120 --> 0:32:21.000
<v Speaker 2>would have went like that. I don't think I get

0:32:21.040 --> 0:32:22.640
<v Speaker 2>what you're saying that. I get why you're saying it,

0:32:23.080 --> 0:32:26.400
<v Speaker 2>but like you think it all right? Say she would

0:32:26.400 --> 0:32:28.560
<v Speaker 2>have went that route with it? You think we wouldn't

0:32:28.600 --> 0:32:30.719
<v Speaker 2>have had a blast having fun with her? Like, Yo,

0:32:30.720 --> 0:32:32.520
<v Speaker 2>what are you like? So everything is just gonna go

0:32:32.840 --> 0:32:35.200
<v Speaker 2>right back to politics? You don't think that would have

0:32:35.240 --> 0:32:37.520
<v Speaker 2>been like funny to watch? Like me and you sit

0:32:37.600 --> 0:32:39.640
<v Speaker 2>with cannas owners and laughing every time she tried to

0:32:39.680 --> 0:32:41.680
<v Speaker 2>turn Yo, what you listen to as far as music

0:32:41.760 --> 0:32:44.120
<v Speaker 2>or sports and it and she turned into some political shit.

0:32:44.600 --> 0:32:46.760
<v Speaker 2>I would have had a field day laughing at Candas

0:32:46.800 --> 0:32:48.400
<v Speaker 2>own was about this shit, like, Yo, what are you doing?

0:32:50.360 --> 0:32:53.120
<v Speaker 3>I would have laughed, But we have to think about

0:32:53.200 --> 0:32:56.520
<v Speaker 3>an entire viewership that while we're laughing, can go through

0:32:56.600 --> 0:33:00.840
<v Speaker 3>her entire catalog of shit that they completely agree with him. Fine,

0:33:00.920 --> 0:33:03.400
<v Speaker 3>actually straight up offensive to their lives.

0:33:04.040 --> 0:33:04.400
<v Speaker 2>That's all.

0:33:04.480 --> 0:33:05.800
<v Speaker 3>Like, I'm not going to key key about jay Z

0:33:05.880 --> 0:33:07.760
<v Speaker 3>and Beyonce with her when I would rather do that

0:33:07.760 --> 0:33:08.200
<v Speaker 3>with y'all.

0:33:10.600 --> 0:33:12.280
<v Speaker 2>I'm just saying we had some people in this room

0:33:12.320 --> 0:33:14.880
<v Speaker 2>that we could have had Candace Owns is what I'm saying.

0:33:15.400 --> 0:33:16.239
<v Speaker 2>We could do the one on one.

0:33:16.240 --> 0:33:20.120
<v Speaker 3>I'll produce that one same way we did the DJ headshit.

0:33:20.280 --> 0:33:22.920
<v Speaker 2>Nah, I don't need you to produce Candas. Don't produce.

0:33:22.960 --> 0:33:26.760
<v Speaker 2>You can't produce Candace. No, listen, you can't produce Candace.

0:33:26.800 --> 0:33:29.120
<v Speaker 2>That's your problem. You're trying to produce the black girl.

0:33:29.800 --> 0:33:33.120
<v Speaker 3>Why I The thing I loved that Candace did was

0:33:33.160 --> 0:33:35.280
<v Speaker 3>get the fuck away from the Daily Wire when she

0:33:35.520 --> 0:33:37.960
<v Speaker 3>exposed them for Yeah, they not based off their business

0:33:37.960 --> 0:33:40.040
<v Speaker 3>plan a free speech You say one word about a

0:33:40.040 --> 0:33:42.800
<v Speaker 3>certain group and yeah, y'all are not these free speech people.

0:33:43.080 --> 0:33:45.120
<v Speaker 3>I'm not trying to produce her. I'm just trying to

0:33:45.120 --> 0:33:46.320
<v Speaker 3>help produce you.

0:33:47.280 --> 0:33:49.680
<v Speaker 2>I don't know. With Candace, No, that would just be

0:33:49.840 --> 0:33:52.680
<v Speaker 2>that would be a good conversation though, sold you do it? Yeah,

0:33:52.880 --> 0:33:53.720
<v Speaker 2>Candas Absolutely.

0:33:53.720 --> 0:33:57.160
<v Speaker 5>Are there any big names that y'all would not take

0:33:57.160 --> 0:33:57.680
<v Speaker 5>the interview?

0:33:58.160 --> 0:33:58.760
<v Speaker 2>Absolutely?

0:33:59.160 --> 0:34:01.480
<v Speaker 5>If our Kelly came here, which I'll take the interview.

0:34:01.560 --> 0:34:05.400
<v Speaker 5>Kel You see the difference in the two You see

0:34:05.400 --> 0:34:05.920
<v Speaker 5>the gang in the.

0:34:06.280 --> 0:34:10.080
<v Speaker 2>Yang Kels, No, I wouldn't for what.

0:34:12.880 --> 0:34:15.399
<v Speaker 4>Listen, he gave Gail a banger, I don't know, but.

0:34:15.360 --> 0:34:17.759
<v Speaker 2>That's before he was found guilty and throwing under the jail.

0:34:18.040 --> 0:34:20.160
<v Speaker 3>We knew he was guilty, but at that point ship

0:34:20.280 --> 0:34:21.719
<v Speaker 3>was going on, the doc had came out.

0:34:21.760 --> 0:34:22.840
<v Speaker 2>We had some questions for R.

0:34:22.920 --> 0:34:24.080
<v Speaker 3>Kelly. I have no questions for.

0:34:24.160 --> 0:34:26.759
<v Speaker 2>The questions are answered. The questions are like, there's nothing

0:34:26.800 --> 0:34:27.879
<v Speaker 2>to ask AR Kelly.

0:34:28.000 --> 0:34:30.160
<v Speaker 3>And his answers where I'm fighting for my fucking life

0:34:30.160 --> 0:34:32.200
<v Speaker 3>and it's like dog, so were the people in your basement?

0:34:32.920 --> 0:34:38.000
<v Speaker 2>Like yeah, that was I mean, but there is. I

0:34:38.000 --> 0:34:42.080
<v Speaker 2>wouldn't sit down with R. Kelly, but somebody's gonna set

0:34:42.080 --> 0:34:43.400
<v Speaker 2>a cam up in front of him one day and

0:34:43.719 --> 0:34:46.200
<v Speaker 2>ask some real questions, like all right, But the parents,

0:34:48.000 --> 0:34:51.600
<v Speaker 2>that's all were We were the parents because that was

0:34:51.640 --> 0:34:54.200
<v Speaker 2>always a question for me. I don't care where you say,

0:34:54.200 --> 0:34:58.120
<v Speaker 2>my daughter is at studio. Nobody can nobody can stop

0:34:58.120 --> 0:34:59.960
<v Speaker 2>me from getting in this studio. What are you talking about.

0:35:00.440 --> 0:35:02.400
<v Speaker 2>My daughter's in there and she doesn't want to be

0:35:02.440 --> 0:35:05.960
<v Speaker 2>in there, and she's trying to get out. We're getting

0:35:05.960 --> 0:35:09.520
<v Speaker 2>in this studio that right now, doors, windows, everything is

0:35:09.560 --> 0:35:09.960
<v Speaker 2>coming down.

0:35:10.120 --> 0:35:13.920
<v Speaker 3>Separate conversation though, Like I agree with you, the parents

0:35:13.960 --> 0:35:16.880
<v Speaker 3>are responsible, if not the exact same as R.

0:35:16.960 --> 0:35:17.200
<v Speaker 2>Kelly.

0:35:17.239 --> 0:35:20.160
<v Speaker 3>But because he knew how to target young girls that

0:35:20.239 --> 0:35:23.200
<v Speaker 3>had shitty parents and could identify, that doesn't excuse him

0:35:23.239 --> 0:35:24.000
<v Speaker 3>because those parents I.

0:35:24.040 --> 0:35:24.680
<v Speaker 2>Never you never heard.

0:35:25.400 --> 0:35:28.560
<v Speaker 3>No, I'm just saying, like, but the parents, that's not

0:35:28.600 --> 0:35:29.719
<v Speaker 3>a conversation I want to have with R.

0:35:29.800 --> 0:35:30.000
<v Speaker 6>Kelly.

0:35:30.080 --> 0:35:31.880
<v Speaker 3>I would want to have that conversation. I'd sit with

0:35:31.920 --> 0:35:34.239
<v Speaker 3>the parents. I would definitely sit with the parents. What

0:35:34.239 --> 0:35:34.960
<v Speaker 3>the fuck are you doing?

0:35:35.000 --> 0:35:37.200
<v Speaker 2>I want to hear from kel I want to hear

0:35:37.200 --> 0:35:37.719
<v Speaker 2>from all Kelly.

0:35:37.719 --> 0:35:39.480
<v Speaker 3>He didn't hear from the parents. That's why Kell's could

0:35:39.480 --> 0:35:39.640
<v Speaker 3>do it.

0:35:39.680 --> 0:35:42.000
<v Speaker 2>I want to hear from you how much you paid

0:35:42.000 --> 0:35:45.520
<v Speaker 2>the parents? That'd be Kel's thinks he's innocent.

0:35:46.320 --> 0:35:47.400
<v Speaker 3>He would come in here.

0:35:47.280 --> 0:35:51.040
<v Speaker 2>Because because they went through That's why he thought it

0:35:51.080 --> 0:35:53.399
<v Speaker 2>was a negotiation. He thought it was a deal. That's

0:35:53.400 --> 0:35:56.920
<v Speaker 2>why he thinks he's innocent. Who has their passports? Who

0:35:56.960 --> 0:35:58.040
<v Speaker 2>has their shots? Kanye?

0:35:59.000 --> 0:36:00.400
<v Speaker 4>Yeah, what you said ya interview.

0:36:01.520 --> 0:36:03.520
<v Speaker 3>I used to want to say yes to that. And

0:36:03.520 --> 0:36:07.200
<v Speaker 3>by the way, it's not because all the insane things

0:36:07.280 --> 0:36:08.960
<v Speaker 3>that he said, I'm not doing it on a moral shit.

0:36:09.040 --> 0:36:10.560
<v Speaker 3>It would be a waste of fucking time.

0:36:12.160 --> 0:36:14.760
<v Speaker 2>Yeah, I just don't know. A waste of it would.

0:36:14.520 --> 0:36:16.640
<v Speaker 3>Be him screaming, which he's already doing now on his

0:36:16.840 --> 0:36:17.720
<v Speaker 3>on his own stream.

0:36:17.840 --> 0:36:19.640
<v Speaker 2>Yeah, I just don't know if he's a good get,

0:36:19.640 --> 0:36:22.960
<v Speaker 2>Like I don't know, Like what would you because we

0:36:23.000 --> 0:36:25.399
<v Speaker 2>would act you talked about Ken is doing it? If

0:36:25.400 --> 0:36:27.560
<v Speaker 2>you ask Kanye hate something, he gonna turn that into

0:36:27.600 --> 0:36:28.680
<v Speaker 2>a whole different.

0:36:28.480 --> 0:36:30.799
<v Speaker 3>He wouldn't answer what you asked. He would just go

0:36:30.800 --> 0:36:32.000
<v Speaker 3>on a rank of what was on his mind.

0:36:32.160 --> 0:36:33.879
<v Speaker 5>And a lot of people like that because it gets

0:36:33.880 --> 0:36:34.920
<v Speaker 5>them clicks and views.

0:36:35.320 --> 0:36:39.680
<v Speaker 3>But that would be absolutely pointless. Yeah nah at this time,

0:36:39.800 --> 0:36:41.560
<v Speaker 3>Like all the stuff that I would want to know,

0:36:42.360 --> 0:36:44.920
<v Speaker 3>like if even if I took a month to do

0:36:45.040 --> 0:36:47.880
<v Speaker 3>all the journalistic shit about yay and put together the

0:36:47.880 --> 0:36:51.719
<v Speaker 3>best structure ever, it wouldn't work, So what would be

0:36:51.719 --> 0:36:51.960
<v Speaker 3>the point?

0:36:52.040 --> 0:36:53.480
<v Speaker 2>Yeah, I want to sit down with people that I

0:36:53.600 --> 0:36:56.120
<v Speaker 2>really am interested in and like don't hear much from,

0:36:56.160 --> 0:36:59.160
<v Speaker 2>like Ken and Ivy WAYNMS. That's like my dream to

0:36:59.200 --> 0:37:01.160
<v Speaker 2>sit down and have a common station with Keen Navy.

0:37:01.120 --> 0:37:03.080
<v Speaker 3>I mean with everything going on with their family and

0:37:03.120 --> 0:37:05.279
<v Speaker 3>the headlines. Now, I don't think that's far fetched. No,

0:37:05.320 --> 0:37:06.880
<v Speaker 3>I don't think it's far fest But that's just like

0:37:07.160 --> 0:37:11.400
<v Speaker 3>one of my him Byron Allen Allen, Like, those are

0:37:11.840 --> 0:37:14.400
<v Speaker 3>guys that I look at and I'm just like, you know,

0:37:14.960 --> 0:37:18.560
<v Speaker 3>legends and have done amazing things and you don't really

0:37:18.560 --> 0:37:20.440
<v Speaker 3>hear about them, don't really see them in headlines for

0:37:20.520 --> 0:37:24.480
<v Speaker 3>no crazy shit, but their work speaks for itself and

0:37:24.480 --> 0:37:26.520
<v Speaker 3>they've done legendary things. Like those are the type of

0:37:26.560 --> 0:37:29.919
<v Speaker 3>people that I'm interested to have conversations with, the ones

0:37:29.920 --> 0:37:31.840
<v Speaker 3>that are accessible and on the timeline every day and

0:37:32.760 --> 0:37:35.000
<v Speaker 3>you know, going on rants and it's like, I'm cool,

0:37:35.040 --> 0:37:35.719
<v Speaker 3>I don't really want to.

0:37:35.760 --> 0:37:37.480
<v Speaker 2>I don't. That's like the that's like the circus.

0:37:37.800 --> 0:37:38.840
<v Speaker 4>Lo's your dream interview?

0:37:40.400 --> 0:37:45.520
<v Speaker 3>Uh, Lucian Range, I know, somebody that's actually like in.

0:37:47.840 --> 0:37:49.279
<v Speaker 2>Some negotiations with I.

0:37:49.280 --> 0:37:55.080
<v Speaker 3>Don't but legally I don't think they're allowed to speak now, No, Lucian,

0:37:55.239 --> 0:37:58.879
<v Speaker 3>Like outside of just music industry, we're talking about people

0:37:58.920 --> 0:38:02.640
<v Speaker 3>that we are hypothetically saying would be candid in their interview,

0:38:02.680 --> 0:38:05.880
<v Speaker 3>right m h. Because I don't think Sir, Sir Lucian

0:38:05.960 --> 0:38:08.880
<v Speaker 3>Grange would have anything to say on camera period. Like

0:38:08.920 --> 0:38:10.880
<v Speaker 3>even the fact that Leo did the Breakfast Club was

0:38:11.640 --> 0:38:12.640
<v Speaker 3>blew my fucking mind.

0:38:13.280 --> 0:38:16.440
<v Speaker 2>He did drink Champs, didn't he Yes, that's.

0:38:16.239 --> 0:38:18.160
<v Speaker 3>When he was on his pressure, which I could not

0:38:18.200 --> 0:38:21.600
<v Speaker 3>believe he even did that. Lucian would be That's like

0:38:23.040 --> 0:38:25.480
<v Speaker 3>the bevy of everything we questioned about the music industry

0:38:25.480 --> 0:38:31.280
<v Speaker 3>could be answered with one person. Okay, that or Tommy

0:38:31.320 --> 0:38:35.399
<v Speaker 3>venslo ooh wow, it would be Tommy or Lucian, because

0:38:35.440 --> 0:38:37.960
<v Speaker 3>I think you'd get pretty much the same information from

0:38:38.000 --> 0:38:42.799
<v Speaker 3>both of them. Anything we've talked about over the last shit,

0:38:42.840 --> 0:38:46.520
<v Speaker 3>well Quincy was talking about in that interview, last fifty years,

0:38:46.640 --> 0:38:49.319
<v Speaker 3>you're getting answers from those two people, and those two

0:38:49.320 --> 0:38:52.239
<v Speaker 3>people only shit Michael Jackson couldn't get answers to. They

0:38:52.280 --> 0:38:55.040
<v Speaker 3>would have answers to that would be my dream interview

0:38:55.040 --> 0:38:56.279
<v Speaker 3>to talk to one of them, but they never would.

0:38:56.400 --> 0:39:00.520
<v Speaker 3>This is hypothetical shit, Yeah, okay, that makes sense. I

0:39:00.520 --> 0:39:02.320
<v Speaker 3>mean maybe maybe his son would.

0:39:02.160 --> 0:39:05.000
<v Speaker 2>Do it, Michael Jackson's son.

0:39:05.719 --> 0:39:08.560
<v Speaker 3>I would love to talk the Blanket. Oh okay, no,

0:39:08.680 --> 0:39:12.360
<v Speaker 3>Lucian Grange, oh son that's now running inland. But listen,

0:39:12.480 --> 0:39:17.319
<v Speaker 3>if you can get extorted by Trey Way, like maybe

0:39:17.360 --> 0:39:17.640
<v Speaker 3>we can.

0:39:17.960 --> 0:39:19.600
<v Speaker 2>Maybe we got a shot yeah, never know.

0:39:19.840 --> 0:39:23.799
<v Speaker 3>Yeah, throw some guns and money around, take them, make

0:39:23.840 --> 0:39:26.560
<v Speaker 3>it look like a real video. Yeah, take them a

0:39:26.760 --> 0:39:28.120
<v Speaker 3>Uh where'd they have that? Shoot at it?

0:39:28.760 --> 0:39:32.719
<v Speaker 2>I forgot the restaurant was mister Chiles, right, No, I

0:39:32.760 --> 0:39:34.160
<v Speaker 2>feel like I would have remembered if it was missing.

0:39:34.160 --> 0:39:35.680
<v Speaker 3>I'm pretty sure it was mister Chiles on the East

0:39:35.680 --> 0:39:40.200
<v Speaker 3>Side when that happened, like Trey Way and Lucian Grange's

0:39:40.239 --> 0:39:43.400
<v Speaker 3>son just in the line of fire, sick Tom. It

0:39:43.520 --> 0:39:46.320
<v Speaker 3>was that twenty what eighteen seventeen?

0:39:46.520 --> 0:39:49.520
<v Speaker 2>God damn sixteen wow?

0:39:49.640 --> 0:39:52.799
<v Speaker 3>Which is funny that our our guests that we're gonna

0:39:52.800 --> 0:39:54.960
<v Speaker 3>have on the second half of this episode was never

0:39:55.000 --> 0:39:58.640
<v Speaker 3>really affiliated with Trey Way. He was cool with Shody,

0:39:58.760 --> 0:40:01.239
<v Speaker 3>run around with Shotty before that, you know, six or

0:40:01.280 --> 0:40:05.000
<v Speaker 3>nine got weird. But yeah, that's actually a good segue

0:40:05.040 --> 0:40:07.440
<v Speaker 3>now into who we're about to sit down with finally,

0:40:07.480 --> 0:40:09.640
<v Speaker 3>somebody that is of my complexion. Maybe I'll get some

0:40:09.680 --> 0:40:12.440
<v Speaker 3>respect with the lighting once he sits down, but I

0:40:12.520 --> 0:40:15.520
<v Speaker 3>doubt it. That's what we need on the show. More

0:40:15.640 --> 0:40:17.920
<v Speaker 3>click this unwoke opinion. We need more white people on

0:40:18.000 --> 0:40:18.879
<v Speaker 3>this set so I can get.

0:40:18.800 --> 0:40:21.759
<v Speaker 2>Better lighting, white lights.

0:40:21.760 --> 0:40:24.440
<v Speaker 3>All the lighting is to YouTube and I look nuts

0:40:24.480 --> 0:40:25.080
<v Speaker 3>all the time.

0:40:25.360 --> 0:40:27.960
<v Speaker 4>Nah, it's just that black gold man trying to blame

0:40:28.040 --> 0:40:29.759
<v Speaker 4>us for being ugly. It don't have nothing to do

0:40:29.800 --> 0:40:31.520
<v Speaker 4>with the light, and we ain't fucking you up. That's

0:40:31.520 --> 0:40:32.200
<v Speaker 4>how you look yo.

0:40:33.239 --> 0:40:33.920
<v Speaker 3>On my birthday.

0:40:33.960 --> 0:40:35.920
<v Speaker 4>Oh I'm sorry, Damn, I'm so sorry.

0:40:36.120 --> 0:40:37.879
<v Speaker 2>On you're born on your born bon born.

0:40:38.600 --> 0:40:39.120
<v Speaker 3>It's crazy.

0:40:39.200 --> 0:40:41.440
<v Speaker 2>You're beautiful friends, just the way of us have them.

0:40:41.480 --> 0:40:42.800
<v Speaker 2>All right, Well, let's get it to the guests.

0:40:42.800 --> 0:40:49.480
<v Speaker 3>Man, Maul, you know we are sponsored by Rope. It

0:40:49.680 --> 0:40:54.600
<v Speaker 3>is birthday time for me. It's time to go to poundtown.

0:40:54.880 --> 0:40:57.080
<v Speaker 2>Listen, man, I hope you got your road sparks and

0:40:57.120 --> 0:40:58.200
<v Speaker 2>your travel bag. Listen.

0:40:58.480 --> 0:41:03.840
<v Speaker 3>The birthday con sensual sex is ready to happen. Takes

0:41:03.880 --> 0:41:06.120
<v Speaker 3>like fifteen minutes once it dissolves on your tongue and

0:41:06.200 --> 0:41:09.040
<v Speaker 3>I'm ready to go, you know, thirty fives first time

0:41:09.040 --> 0:41:12.880
<v Speaker 3>I'm getting up there. Yeah, sometimes a little nervous, you know,

0:41:12.920 --> 0:41:15.440
<v Speaker 3>I'll be a little busy. Can't really perform the way

0:41:15.480 --> 0:41:18.360
<v Speaker 3>I want to. But his birthday, Tom thirty five years.

0:41:18.160 --> 0:41:21.040
<v Speaker 2>Old, listen, man thirty five years old, got to have

0:41:21.080 --> 0:41:24.400
<v Speaker 2>a teammate, got to have a teammate, Road Sparks. Let it,

0:41:24.719 --> 0:41:27.040
<v Speaker 2>let ro set the screen and then come off that

0:41:27.080 --> 0:41:27.640
<v Speaker 2>thing shooting.

0:41:27.719 --> 0:41:29.680
<v Speaker 3>That's what she called me. Who calls you that?

0:41:29.760 --> 0:41:30.040
<v Speaker 2>Rory?

0:41:30.480 --> 0:41:32.799
<v Speaker 3>Listen. I'm not gonna divulge any names. But she got

0:41:32.800 --> 0:41:34.680
<v Speaker 3>me a birthday cake, they said, Roe, Rory on it.

0:41:35.080 --> 0:41:37.759
<v Speaker 2>I like to hear that if prescribed new sexual health

0:41:37.840 --> 0:41:41.000
<v Speaker 2>patients get fifteen dollars off their first order of Sparks

0:41:41.040 --> 0:41:44.040
<v Speaker 2>on a recurring plan, connect with the provider at road

0:41:44.120 --> 0:41:47.000
<v Speaker 2>dot co slash Rory and Mal to find out a

0:41:47.080 --> 0:41:50.600
<v Speaker 2>prescription Road Sparks are right for you. That's our dot

0:41:50.719 --> 0:41:54.319
<v Speaker 2>co slash roryan Mal for fifteen dollars off your first order.

0:42:00.800 --> 0:42:03.200
<v Speaker 2>All right, Rory. Today we are joined by one of

0:42:03.239 --> 0:42:05.400
<v Speaker 2>my favorite guys man, one of my favorite people in

0:42:05.440 --> 0:42:09.040
<v Speaker 2>this industry, the shithold of the industry, a guy that

0:42:09.040 --> 0:42:11.239
<v Speaker 2>I've been following for a long time, and I'm happy

0:42:11.280 --> 0:42:14.600
<v Speaker 2>to see all the success he's achieving and all the elevation.

0:42:14.719 --> 0:42:16.160
<v Speaker 2>And you know, I'm seeing a lot of people post

0:42:16.200 --> 0:42:17.920
<v Speaker 2>him on my timeline and I just smile when I

0:42:17.920 --> 0:42:20.799
<v Speaker 2>see things like that. So today we are joined by

0:42:21.560 --> 0:42:29.440
<v Speaker 2>Cambridge's finest mass is Finest Millies Millies Listen. Rory went

0:42:29.480 --> 0:42:33.279
<v Speaker 2>to your album release about two weeks ago. Yes, he

0:42:33.360 --> 0:42:35.279
<v Speaker 2>called me. He was like, yo, Millies having an hour release.

0:42:35.320 --> 0:42:36.840
<v Speaker 2>I felt some type of way because Millies didn't hit

0:42:36.880 --> 0:42:38.160
<v Speaker 2>me and tell me how the album was about. Said

0:42:38.160 --> 0:42:40.400
<v Speaker 2>it's so good, and Rory was like, Yo, listen, I'm

0:42:40.440 --> 0:42:42.080
<v Speaker 2>gonna go by it. I said, bro, I'm in the crib.

0:42:42.120 --> 0:42:43.319
<v Speaker 2>You know, I'm all. I live all the way up

0:42:43.360 --> 0:42:45.000
<v Speaker 2>north to come back down to the city. It's gonna

0:42:45.000 --> 0:42:46.839
<v Speaker 2>be a I'm just not into it. But tell my guy,

0:42:46.920 --> 0:42:49.680
<v Speaker 2>said what's up? Rory? Didn't I get come to the

0:42:49.680 --> 0:42:52.480
<v Speaker 2>studio the next day? Rory was like, nah, you were

0:42:52.480 --> 0:42:53.800
<v Speaker 2>supposed to be there last night, Listen.

0:42:53.840 --> 0:42:55.640
<v Speaker 3>I went for Millies, I went for hip hop, I

0:42:55.680 --> 0:42:58.040
<v Speaker 3>went to support, but I stayed for other reasons.

0:42:58.120 --> 0:42:59.960
<v Speaker 2>Yeah, I went for one. It was the party for

0:43:00.080 --> 0:43:02.719
<v Speaker 2>the party they called Party Favorite. There was a lot

0:43:02.760 --> 0:43:06.200
<v Speaker 2>of party favors and the beyond the aesthetic was very nice.

0:43:06.280 --> 0:43:10.160
<v Speaker 2>What you mean, yeah, very welcome hip hop. Yeah, a

0:43:10.160 --> 0:43:12.440
<v Speaker 2>lot of hip hop in the building. You know that

0:43:12.640 --> 0:43:14.719
<v Speaker 2>gotta be hip hop with Millies is dead? Man. How

0:43:14.760 --> 0:43:18.359
<v Speaker 2>you feeling though, bro? I feel good, man, I feelt excellent. Yo. Listen, man,

0:43:18.400 --> 0:43:20.239
<v Speaker 2>you look at we saw you. I think the last

0:43:20.239 --> 0:43:22.640
<v Speaker 2>time I saw Millis was we had our show in Boston.

0:43:22.880 --> 0:43:23.879
<v Speaker 2>That was what two years agow?

0:43:23.880 --> 0:43:26.560
<v Speaker 3>Oh yeah, yeah, that was December of twenty twenty two.

0:43:27.040 --> 0:43:28.239
<v Speaker 2>It might have been twenty three. I don't think it

0:43:28.280 --> 0:43:30.120
<v Speaker 2>was twenty two. It might have been twenty three. Yeah,

0:43:30.120 --> 0:43:32.560
<v Speaker 2>you might be right though, maybe twenty two a minute.

0:43:32.960 --> 0:43:37.120
<v Speaker 2>But yo, man, I've been seeing you. The elevation is amazing.

0:43:37.560 --> 0:43:41.760
<v Speaker 2>Blanco nine is out now, Blanco seven, Blanco seven, Blanco

0:43:41.840 --> 0:43:43.759
<v Speaker 2>seven is out. Now, we'll get to nine. We're going

0:43:43.840 --> 0:43:46.440
<v Speaker 2>to know, we definitely gonna get to nine. But how

0:43:46.480 --> 0:43:49.120
<v Speaker 2>has it been, man? How was the the journey being

0:43:49.200 --> 0:43:51.200
<v Speaker 2>up un to this point? Because I remember I think

0:43:51.200 --> 0:43:53.239
<v Speaker 2>the first time, well I heard you years ago, but

0:43:53.280 --> 0:43:56.480
<v Speaker 2>the first time I remember hearing you wrap hearing you

0:43:56.560 --> 0:43:59.279
<v Speaker 2>freestyle and I was like, nah, he's serious. It might

0:43:59.320 --> 0:44:04.000
<v Speaker 2>have been funk flex freestyle thing like yeah, it's a

0:44:04.080 --> 0:44:06.799
<v Speaker 2>long long time about eight years ago. Yeah, that was

0:44:06.840 --> 0:44:09.440
<v Speaker 2>like twenty seventeen. That was the first time I heard

0:44:09.480 --> 0:44:12.719
<v Speaker 2>you before that. But that freestyle, I think is when

0:44:12.760 --> 0:44:15.320
<v Speaker 2>I said I got to start paying more attention to me.

0:44:15.320 --> 0:44:17.200
<v Speaker 2>And I think, were you signed the kiss before that

0:44:17.600 --> 0:44:19.160
<v Speaker 2>or was it that happen right after the like right

0:44:19.239 --> 0:44:21.640
<v Speaker 2>right before that, right before that, and that's when when

0:44:21.640 --> 0:44:24.280
<v Speaker 2>you signed with Jada. Well when I have I found

0:44:24.280 --> 0:44:26.600
<v Speaker 2>that out after that freestyle and I said, okay, like

0:44:26.680 --> 0:44:29.000
<v Speaker 2>so kiss herd the same shit I'm hearing. I'm looking

0:44:29.040 --> 0:44:30.880
<v Speaker 2>at him. But to see you now, seeing everything that

0:44:30.880 --> 0:44:34.360
<v Speaker 2>you're doing, it's been dope to watch. But how have

0:44:34.480 --> 0:44:36.880
<v Speaker 2>you been feeling though as far as like personally, is

0:44:36.920 --> 0:44:38.799
<v Speaker 2>this this is the music industry been good to you?

0:44:39.360 --> 0:44:41.399
<v Speaker 2>Is there a lot of things that you're like, Oh man,

0:44:41.400 --> 0:44:43.520
<v Speaker 2>these are the potholes that people tried to warm me

0:44:43.600 --> 0:44:45.799
<v Speaker 2>about to trying to avoid, like what is it? What

0:44:45.920 --> 0:44:50.080
<v Speaker 2>is the experience been like up until Blanco seven? Man?

0:44:50.160 --> 0:44:54.719
<v Speaker 2>That's it was like a loaded question because.

0:44:55.920 --> 0:44:58.200
<v Speaker 6>It feels like even though you saw me on flex

0:44:58.320 --> 0:45:02.800
<v Speaker 6>at whatever you that was. Yeah, I shouldn't start My

0:45:02.800 --> 0:45:06.120
<v Speaker 6>shouldn't start until the pandemic, like it got lit in

0:45:06.200 --> 0:45:10.080
<v Speaker 6>COVID because I wasn't saying I can't make club music.

0:45:10.120 --> 0:45:13.400
<v Speaker 6>But that wasn't what I was super on. I was

0:45:13.480 --> 0:45:15.680
<v Speaker 6>kind of doing more like pain songs. I do the

0:45:15.719 --> 0:45:18.760
<v Speaker 6>freestyle raps and stuff because it brings engagement on social media.

0:45:18.800 --> 0:45:19.720
<v Speaker 6>That's not my passion.

0:45:19.960 --> 0:45:22.080
<v Speaker 2>It's commercial, yeah exactly.

0:45:22.600 --> 0:45:25.200
<v Speaker 6>And it's a commercial just to draw people in to

0:45:25.280 --> 0:45:26.920
<v Speaker 6>be like, you know, look what's going on. Because I

0:45:26.920 --> 0:45:29.040
<v Speaker 6>know I could technically do that. It's like a technical

0:45:29.120 --> 0:45:30.919
<v Speaker 6>skill set. It's like making half court shots.

0:45:30.960 --> 0:45:33.279
<v Speaker 2>You'd rather make music. Yeah, you know what I mean.

0:45:35.120 --> 0:45:38.440
<v Speaker 6>But yeah, it started in the pandemic when everything slowed down.

0:45:38.480 --> 0:45:40.759
<v Speaker 6>It was like people started listening to music for real,

0:45:40.880 --> 0:45:43.520
<v Speaker 6>and that's when they started. I just remember I posted

0:45:43.560 --> 0:45:45.759
<v Speaker 6>a song called URLs and it was kind of more

0:45:46.160 --> 0:45:49.759
<v Speaker 6>singing but talking about going through real life shit, and

0:45:49.840 --> 0:45:52.399
<v Speaker 6>I just saw like a bump in the algorithm morning

0:45:52.480 --> 0:45:54.360
<v Speaker 6>and I'm like, oh, and then I dropped something with

0:45:54.600 --> 0:45:59.439
<v Speaker 6>Jim Heightened Census and it was like the easiest type

0:45:59.480 --> 0:46:02.440
<v Speaker 6>of song I could do it was just wrapping intricately

0:46:02.840 --> 0:46:05.239
<v Speaker 6>and I'm a lot of cook from me over like

0:46:05.280 --> 0:46:07.440
<v Speaker 6>a beat with a vocal sample, and people like that

0:46:07.520 --> 0:46:09.320
<v Speaker 6>off the album. I didn't push it off the album,

0:46:09.360 --> 0:46:12.040
<v Speaker 6>but people liked it a lot off the album. And

0:46:12.040 --> 0:46:13.960
<v Speaker 6>that's when I realized, oh, if y'all like this, I

0:46:13.960 --> 0:46:15.960
<v Speaker 6>could do this over and over and all. This is

0:46:15.960 --> 0:46:18.320
<v Speaker 6>the easiest thing I could do. So I started dropping

0:46:18.320 --> 0:46:19.839
<v Speaker 6>from there and everything went up. That's how I went

0:46:19.920 --> 0:46:23.520
<v Speaker 6>Blanco five six here to seven, like off of signature

0:46:23.560 --> 0:46:25.160
<v Speaker 6>sound Like if you go to YouTube and look at

0:46:25.200 --> 0:46:29.320
<v Speaker 6>a Milli's type beat, you'll see a thousand, one hundred

0:46:29.440 --> 0:46:33.799
<v Speaker 6>thousand Millies type beats, you know. So that was the

0:46:33.840 --> 0:46:36.440
<v Speaker 6>progress like with music. But yeah, I learned a lot

0:46:36.640 --> 0:46:39.600
<v Speaker 6>just in the music industry. I still feel like I'm

0:46:39.640 --> 0:46:41.359
<v Speaker 6>on the outside of the industry because I never had

0:46:41.360 --> 0:46:43.160
<v Speaker 6>a major push. It always just been me and my

0:46:43.200 --> 0:46:45.360
<v Speaker 6>friends behind me, and then like you know, co signs

0:46:45.440 --> 0:46:48.080
<v Speaker 6>like y'all have been we personally know each other like

0:46:48.520 --> 0:46:51.120
<v Speaker 6>kiss a post me or like however it goes. But

0:46:51.160 --> 0:46:54.920
<v Speaker 6>it's never been a major sort of corporation. I did

0:46:54.920 --> 0:46:57.760
<v Speaker 6>a dishro deal, you know, I did big DISHO deals,

0:46:57.800 --> 0:46:59.600
<v Speaker 6>but they just give you the bag and then you

0:46:59.640 --> 0:47:01.640
<v Speaker 6>gotta go kind of do it yourself.

0:47:02.719 --> 0:47:05.560
<v Speaker 3>It's been a good mentor in that capacity because Kiss

0:47:05.560 --> 0:47:10.120
<v Speaker 3>has probably been through more situations than any major rapper

0:47:10.120 --> 0:47:12.960
<v Speaker 3>that I can think of. Like he's the only rapper

0:47:12.960 --> 0:47:17.560
<v Speaker 3>that's been on Bad Boy, Rough Riders and Rockefeller.

0:47:17.080 --> 0:47:22.000
<v Speaker 6>Technically and beef with fifty Ambigu and Puffy.

0:47:22.080 --> 0:47:22.319
<v Speaker 2>Yeah.

0:47:22.520 --> 0:47:24.760
<v Speaker 3>For publishing, like he's been very vocal.

0:47:24.920 --> 0:47:26.759
<v Speaker 2>Kiss might be a vampire now that I think about it.

0:47:26.840 --> 0:47:28.840
<v Speaker 3>Yeah, I mean even on We Are the Streets, like

0:47:28.880 --> 0:47:31.920
<v Speaker 3>the Interludes is raping you records, Like everything in the

0:47:31.960 --> 0:47:34.560
<v Speaker 3>Interludes is about being fucked. I think in the industry,

0:47:34.560 --> 0:47:37.040
<v Speaker 3>for your pub for your budget, everything.

0:47:36.880 --> 0:47:38.719
<v Speaker 6>I think about it now. That's why he was kind

0:47:38.719 --> 0:47:41.600
<v Speaker 6>of like protective over me. It was times I was

0:47:41.600 --> 0:47:45.040
<v Speaker 6>supposed to do Love and hip Hop and twenty twenty

0:47:45.120 --> 0:47:47.279
<v Speaker 6>one or one of them shit, like I.

0:47:47.239 --> 0:47:49.839
<v Speaker 2>Mean, like I would. Yeah, he was adamantly against it.

0:47:50.280 --> 0:47:53.560
<v Speaker 2>Who were they gonna pair you with? Oh, this girl, man,

0:47:53.840 --> 0:47:57.600
<v Speaker 2>this girl. Yeah, shout out to this girl, you know,

0:47:58.560 --> 0:48:00.400
<v Speaker 2>shout out to this girl.

0:48:00.480 --> 0:48:03.400
<v Speaker 6>We had a Philly city, We had a right, we

0:48:03.440 --> 0:48:05.319
<v Speaker 6>had a bright future on love and hip hop, and

0:48:05.440 --> 0:48:07.920
<v Speaker 6>Kiss was just adamantly against it, and I'm like, I

0:48:08.000 --> 0:48:11.279
<v Speaker 6>need to feed my family. Bro. I actually moved out

0:48:11.280 --> 0:48:13.160
<v Speaker 6>of my apartment that I was in because I'm like, well,

0:48:13.160 --> 0:48:16.279
<v Speaker 6>I'm about to be famous, so.

0:48:16.200 --> 0:48:18.160
<v Speaker 2>It's probably like, no, I don't do that. This is

0:48:18.200 --> 0:48:19.040
<v Speaker 2>like twenty nineteen.

0:48:19.080 --> 0:48:22.160
<v Speaker 6>He was like, that's wag, that's cool Andy, No disrespect

0:48:22.200 --> 0:48:24.600
<v Speaker 6>to Mona, we love you and all of that. But yeah,

0:48:24.640 --> 0:48:27.560
<v Speaker 6>he was just adamantly against it. And I was like, well, bro,

0:48:27.640 --> 0:48:30.080
<v Speaker 6>I'm starving. I'm a die, like I gotta do love

0:48:30.120 --> 0:48:33.560
<v Speaker 6>and hip hop. This girl man, and she started going

0:48:33.640 --> 0:48:36.600
<v Speaker 6>left on me before the show even started, like she's

0:48:36.640 --> 0:48:40.040
<v Speaker 6>getting a character. Yeah, I guess so. And it was

0:48:40.160 --> 0:48:42.000
<v Speaker 6>crazy because you're trying to create the story. I mean,

0:48:42.080 --> 0:48:44.600
<v Speaker 6>I seen her one day. I don't know if I

0:48:44.640 --> 0:48:46.719
<v Speaker 6>don't want to violate like shout out to her, but

0:48:46.800 --> 0:48:48.400
<v Speaker 6>I seen her one day and she was smoking a

0:48:48.440 --> 0:48:49.320
<v Speaker 6>new Port hunted.

0:48:49.600 --> 0:48:52.719
<v Speaker 2>Oh no, it was on FaceTime and I got and

0:48:52.760 --> 0:48:56.640
<v Speaker 2>this is like a week. It was one hundred face time.

0:48:59.360 --> 0:49:02.880
<v Speaker 6>She was smoking a hundred and I was just like, damn,

0:49:02.960 --> 0:49:04.839
<v Speaker 6>like we want to face something. She was arguing with

0:49:04.840 --> 0:49:07.799
<v Speaker 6>me about something I don't really like argue like that,

0:49:07.800 --> 0:49:12.520
<v Speaker 6>that's not even in my character, Like, don't indulge in that.

0:49:13.000 --> 0:49:16.200
<v Speaker 6>And I'm just like, damn, Like we went to those

0:49:16.320 --> 0:49:18.560
<v Speaker 6>meetings and they started asking me about.

0:49:18.480 --> 0:49:20.600
<v Speaker 3>It's a long argument too, where your.

0:49:20.480 --> 0:49:22.520
<v Speaker 6>Side chicks at you. You gotta smoke a whole new

0:49:22.600 --> 0:49:28.560
<v Speaker 6>boy argument. Hell yeah. But now Kiss protecting me, you know,

0:49:28.640 --> 0:49:31.000
<v Speaker 6>from from a lot of things, just a lot of situations,

0:49:31.000 --> 0:49:33.960
<v Speaker 6>Like always reached out to me and he would always say,

0:49:34.200 --> 0:49:36.200
<v Speaker 6>you know, you got the complexion for the connection. But

0:49:36.280 --> 0:49:39.080
<v Speaker 6>I don't think we ever. I don't think we have

0:49:39.120 --> 0:49:41.319
<v Speaker 6>to like use it, like monetize.

0:49:40.719 --> 0:49:44.960
<v Speaker 2>It the way we were. Yeah, thinking of like I

0:49:44.960 --> 0:49:47.399
<v Speaker 2>think that is more so because you're I think your

0:49:47.440 --> 0:49:49.839
<v Speaker 2>brand and who you are in real life, I think

0:49:49.840 --> 0:49:52.239
<v Speaker 2>it's probably what Kiss was like, Now we got to

0:49:52.239 --> 0:49:55.080
<v Speaker 2>protect that because that's that's real, that's really who you are.

0:49:55.120 --> 0:49:57.399
<v Speaker 2>So we start to go this way, it's just too

0:49:57.440 --> 0:49:59.839
<v Speaker 2>much out of who you really are. Personal Moda wanted

0:49:59.840 --> 0:50:01.600
<v Speaker 2>to do well. Yeah, I mean we know Mona would

0:50:01.719 --> 0:50:02.759
<v Speaker 2>Mona would have loved that.

0:50:02.760 --> 0:50:05.040
<v Speaker 3>Because she has to you know, things would have been white.

0:50:05.360 --> 0:50:07.920
<v Speaker 2>Yeah nah, but you I think that Kiss Kiss made

0:50:07.960 --> 0:50:10.279
<v Speaker 2>the right Calle, what is your been you have this

0:50:10.280 --> 0:50:14.799
<v Speaker 2>this unique like thing of just being tapped in with

0:50:15.000 --> 0:50:18.880
<v Speaker 2>certain guys and certain other artists that like Leak, like

0:50:18.960 --> 0:50:23.040
<v Speaker 2>lead Ward and alb Al and you know those guys

0:50:23.040 --> 0:50:25.760
<v Speaker 2>that I listen to. But to see you doing videos,

0:50:25.760 --> 0:50:28.600
<v Speaker 2>I'm like, yo, Millie's is like he's he's in tune

0:50:28.600 --> 0:50:30.880
<v Speaker 2>because these are guys that you gotta kind of really

0:50:30.920 --> 0:50:33.560
<v Speaker 2>be in tune with a certain area to kind of

0:50:33.600 --> 0:50:36.480
<v Speaker 2>like even connect with on a personal level, but then

0:50:36.480 --> 0:50:38.920
<v Speaker 2>to even make music and then actually go to that

0:50:38.960 --> 0:50:41.800
<v Speaker 2>hood and do a video. Now we talking about something deeper,

0:50:41.920 --> 0:50:44.480
<v Speaker 2>deeper connection. And the deeper like you know, it has

0:50:44.520 --> 0:50:47.400
<v Speaker 2>to be a trusted Where's that? Where's that come from?

0:50:47.520 --> 0:50:49.799
<v Speaker 2>Is it just the sense of you know, if I'm

0:50:49.800 --> 0:50:53.120
<v Speaker 2>from a hood and mass the hood is the hood everywhere,

0:50:53.120 --> 0:50:54.960
<v Speaker 2>it's just a certain language that we all speak. Is

0:50:54.960 --> 0:50:58.160
<v Speaker 2>it just that or is it a deeper like connection

0:50:58.280 --> 0:51:02.680
<v Speaker 2>that's just deeper than that. Yeah, that's that's a good

0:51:02.760 --> 0:51:03.359
<v Speaker 2>question though.

0:51:03.400 --> 0:51:07.520
<v Speaker 6>And I think people see the videos and they think

0:51:07.560 --> 0:51:10.160
<v Speaker 6>it's like really some Hollywood shit. They don't understand how

0:51:10.400 --> 0:51:11.279
<v Speaker 6>treacherous it is.

0:51:11.320 --> 0:51:12.880
<v Speaker 2>Oh yeah, I know that's why I ask.

0:51:12.960 --> 0:51:14.839
<v Speaker 6>But yeah, even like leaf War like he don't care

0:51:14.880 --> 0:51:16.640
<v Speaker 6>who you are in the industry. He don't really do

0:51:16.840 --> 0:51:19.080
<v Speaker 6>much features with people and shit like that. So I

0:51:19.080 --> 0:51:22.360
<v Speaker 6>think they tap in because I had like that pain type.

0:51:22.120 --> 0:51:22.920
<v Speaker 2>Of music moving.

0:51:23.360 --> 0:51:26.120
<v Speaker 6>So but it'll be like my youngins in my neighborhood

0:51:26.120 --> 0:51:27.759
<v Speaker 6>that will tell me, yo, you got to get with

0:51:27.840 --> 0:51:29.120
<v Speaker 6>leaf Ward, and I'd be like, I want to do

0:51:29.160 --> 0:51:30.560
<v Speaker 6>a song with so and so, and they'd be like

0:51:31.440 --> 0:51:34.600
<v Speaker 6>fuck him. Like I say something somebody mainstream, they really

0:51:34.600 --> 0:51:37.439
<v Speaker 6>tap me in and risk Takers got like forty five

0:51:37.520 --> 0:51:40.840
<v Speaker 6>million streams or something crazy, and we're all underground artists.

0:51:40.840 --> 0:51:43.120
<v Speaker 6>So i'by all that was like just people telling us

0:51:43.120 --> 0:51:44.759
<v Speaker 6>to work as soon as he came home, like we

0:51:44.840 --> 0:51:48.920
<v Speaker 6>just tapped in, got on FaceTime. Leaf Ward was harder

0:51:48.960 --> 0:51:52.640
<v Speaker 6>to It was harder to get because you know, he's

0:51:52.719 --> 0:51:57.560
<v Speaker 6>just running around. He was in the streets, but you know,

0:51:58.360 --> 0:52:00.600
<v Speaker 6>shit like that. He ended up getting and booked. But

0:52:00.640 --> 0:52:02.560
<v Speaker 6>I was grateful to be able to go out there.

0:52:02.600 --> 0:52:05.960
<v Speaker 6>But yeah, it's stretches we've done. There's so many videos

0:52:06.400 --> 0:52:08.600
<v Speaker 6>and just popped out on artists just to show them

0:52:08.600 --> 0:52:11.200
<v Speaker 6>like it's genuine love. I'm not you know, I'm not

0:52:11.239 --> 0:52:14.200
<v Speaker 6>trying to use you for a verse or anything like that.

0:52:15.560 --> 0:52:17.680
<v Speaker 3>I think that speaks to the authenticity though, because that

0:52:17.760 --> 0:52:19.560
<v Speaker 3>record is crazy and I didn't even know that forty

0:52:19.560 --> 0:52:21.520
<v Speaker 3>five million. I feel like if you went like the

0:52:21.560 --> 0:52:23.560
<v Speaker 3>major route, they try to pair you with somebody that

0:52:23.680 --> 0:52:25.880
<v Speaker 3>was singing hook right, and you probably clock at like

0:52:25.920 --> 0:52:28.920
<v Speaker 3>a million views, mate, right, Like that was something All

0:52:28.960 --> 0:52:31.560
<v Speaker 3>three y'all have the same but different fan bases.

0:52:32.200 --> 0:52:34.360
<v Speaker 6>It's cross and we brought them all together like that

0:52:34.440 --> 0:52:35.520
<v Speaker 6>and that song man.

0:52:35.400 --> 0:52:36.840
<v Speaker 2>That shit is so big.

0:52:36.920 --> 0:52:40.640
<v Speaker 6>But no, I think it's a trust and it's a

0:52:40.680 --> 0:52:46.480
<v Speaker 6>respect thing, you know. So also like I'm I believe

0:52:46.520 --> 0:52:50.440
<v Speaker 6>in God a lot, bro Like I'm very in tune

0:52:50.480 --> 0:52:52.120
<v Speaker 6>with God to the point where I just feel like

0:52:52.120 --> 0:52:54.919
<v Speaker 6>I could go anywhere, you know, on trust and with

0:52:55.000 --> 0:52:57.520
<v Speaker 6>God like I've been. I've been in Haiti for real, right,

0:52:57.680 --> 0:52:59.840
<v Speaker 6>I grew up with all Haitians, Like my school was

0:52:59.840 --> 0:53:02.600
<v Speaker 6>half Haitian when Pop bloom in.

0:53:02.640 --> 0:53:03.479
<v Speaker 2>My school is.

0:53:03.440 --> 0:53:09.239
<v Speaker 6>Half Haitian, like straight from poor to prince. So I

0:53:09.280 --> 0:53:12.080
<v Speaker 6>had a certain trust level to where I'll go. You know,

0:53:12.160 --> 0:53:14.680
<v Speaker 6>the government can't even protect you in Haiti. You gotta

0:53:14.680 --> 0:53:18.480
<v Speaker 6>be real tapped in, right, And we went out there

0:53:18.480 --> 0:53:20.600
<v Speaker 6>in like I think twenty nineteen or something like that

0:53:20.640 --> 0:53:21.800
<v Speaker 6>and just moving around.

0:53:21.880 --> 0:53:23.560
<v Speaker 2>But it's love and it's it's trust.

0:53:23.640 --> 0:53:26.799
<v Speaker 6>I was with all deporties, like people got deported from

0:53:26.800 --> 0:53:29.680
<v Speaker 6>Cambridge and shit like that, and they're real z old.

0:53:29.719 --> 0:53:32.400
<v Speaker 6>So it's like, I'll really go anywhere if I feel,

0:53:32.640 --> 0:53:35.759
<v Speaker 6>you know, it's authentically like in my heart to go there,

0:53:35.840 --> 0:53:39.560
<v Speaker 6>like I feel comfortable in those environments, you know.

0:53:40.120 --> 0:53:43.160
<v Speaker 3>Yeah, I forgot what platform was. It might have been

0:53:43.160 --> 0:53:45.719
<v Speaker 3>your own YouTube channel where you gave, like I guess,

0:53:45.719 --> 0:53:47.359
<v Speaker 3>a tour. That's kind of corny to say it that way,

0:53:47.400 --> 0:53:49.799
<v Speaker 3>but to tour your neighborhood. And I did notice out

0:53:49.800 --> 0:53:54.640
<v Speaker 3>of all like the hoodvlog stuff, everyone from sixty years

0:53:54.640 --> 0:53:57.560
<v Speaker 3>old to young had a story about you. Yeah, which

0:53:58.120 --> 0:53:59.800
<v Speaker 3>usually people walk around the hood and the just with

0:54:00.200 --> 0:54:02.239
<v Speaker 3>friends and just make up shit as they walk past.

0:54:02.239 --> 0:54:06.520
<v Speaker 3>It was like old Haitian women coming out they crib child.

0:54:06.560 --> 0:54:08.239
<v Speaker 3>I was like, oh right, he's from here for real.

0:54:08.440 --> 0:54:11.719
<v Speaker 6>Yeah, yeah, And it's so funny because I'm actually from

0:54:11.719 --> 0:54:15.480
<v Speaker 6>a place that putting the most money into PR campaigns

0:54:15.480 --> 0:54:19.600
<v Speaker 6>and the history of PR campaigns, Like I'm from Cambridge, Massachusetts.

0:54:19.719 --> 0:54:21.279
<v Speaker 2>That's Harvard College.

0:54:21.680 --> 0:54:25.360
<v Speaker 6>Mit, Like you don't get that's been blasted out to

0:54:25.440 --> 0:54:29.680
<v Speaker 6>people since the twenties. There's a if you go to

0:54:29.800 --> 0:54:33.920
<v Speaker 6>Jason Trimman's YouTube, it's a smaller YouTube channel, but he

0:54:34.000 --> 0:54:36.960
<v Speaker 6>gives a real breakdown of the Cambridge that I'm from,

0:54:37.080 --> 0:54:39.399
<v Speaker 6>you know, because it's also Harvard College, but it's also

0:54:39.480 --> 0:54:42.759
<v Speaker 6>fourteen housing projects and people living below the poverty line

0:54:42.760 --> 0:54:47.719
<v Speaker 6>and shit like that. So yeah, nah, I really grew

0:54:47.800 --> 0:54:50.840
<v Speaker 6>up just kind of in an environment that made me

0:54:50.840 --> 0:54:54.360
<v Speaker 6>feel like we were just in far out yesterday and

0:54:54.400 --> 0:54:56.920
<v Speaker 6>they were like, nobody comes out here, bro. So but

0:54:57.040 --> 0:55:00.000
<v Speaker 6>I feel it still feels like my neighborhood in the summer,

0:55:00.200 --> 0:55:02.360
<v Speaker 6>you know, it's not too far. So yeah, that's what

0:55:02.400 --> 0:55:04.839
<v Speaker 6>gave me the confidence to go wherever. Also, and then

0:55:04.840 --> 0:55:06.759
<v Speaker 6>I'm not leading on no tough shit either, Like I'm

0:55:06.840 --> 0:55:07.200
<v Speaker 6>just like.

0:55:07.440 --> 0:55:09.240
<v Speaker 2>You know, yeah, mutual respect be cooler.

0:55:09.680 --> 0:55:13.280
<v Speaker 3>Boss just had a very interesting music history where it's

0:55:13.640 --> 0:55:15.520
<v Speaker 3>I feel like it's been neglected, but if you really

0:55:15.520 --> 0:55:17.799
<v Speaker 3>go through it, it does have like monumental shit. But

0:55:17.880 --> 0:55:20.840
<v Speaker 3>on the hip hop side, I feel like even Guru

0:55:20.960 --> 0:55:27.600
<v Speaker 3>from Gangstar, we all thought Guru and from Brooklyn ben Zeno,

0:55:28.120 --> 0:55:30.200
<v Speaker 3>I'm actually one of the few people that's like not

0:55:30.280 --> 0:55:32.120
<v Speaker 3>a Benzeno hater. I actually think he's done a lot

0:55:32.120 --> 0:55:34.040
<v Speaker 3>of good for hip hop, and he had a few

0:55:34.080 --> 0:55:37.440
<v Speaker 3>joints and made men I always fucked with with their mixtapes.

0:55:37.480 --> 0:55:42.240
<v Speaker 3>That's hard every time Static, you know, brought Terminology always

0:55:42.239 --> 0:55:44.759
<v Speaker 3>fucks with him, Mass Bike Miles. But I always feel

0:55:44.800 --> 0:55:47.400
<v Speaker 3>like Bobby Brown was kind of the like New Election.

0:55:48.280 --> 0:55:50.360
<v Speaker 2>Yeah, no, I think for sure.

0:55:50.480 --> 0:55:53.359
<v Speaker 6>I tell people like, you've got to understand when you're

0:55:53.360 --> 0:55:55.319
<v Speaker 6>coming out of Mass it's like an uphill battle on

0:55:55.440 --> 0:55:59.080
<v Speaker 6>roller skates because you're dealing with if you just go,

0:55:59.160 --> 0:56:00.040
<v Speaker 6>I'm a person.

0:56:00.160 --> 0:56:01.040
<v Speaker 2>Likes to go with the odds.

0:56:01.040 --> 0:56:02.480
<v Speaker 6>Like I tell people, it's harder to make it and

0:56:02.480 --> 0:56:05.719
<v Speaker 6>wrapped in the NBA because it statistically is how many

0:56:05.840 --> 0:56:09.080
<v Speaker 6>rappers are there in New York right now? Like people

0:56:09.239 --> 0:56:10.480
<v Speaker 6>making songs in the studio.

0:56:10.920 --> 0:56:16.120
<v Speaker 2>I don't know a million, all right, how.

0:56:16.000 --> 0:56:17.960
<v Speaker 6>Many peoples in the NBA, you know what I mean?

0:56:18.080 --> 0:56:19.839
<v Speaker 6>How many people play for the Knicks. Just do your

0:56:19.920 --> 0:56:21.680
<v Speaker 6>math on that. I tell people that before you try

0:56:21.719 --> 0:56:24.160
<v Speaker 6>to jump in the rap. But like especially from Mass

0:56:24.160 --> 0:56:26.840
<v Speaker 6>with three hours from New York and probably five hundred

0:56:27.000 --> 0:56:29.839
<v Speaker 6>artists got record deals in the last ten years from

0:56:29.920 --> 0:56:33.480
<v Speaker 6>New York and three artists from Massachusetts got record deals.

0:56:33.960 --> 0:56:35.520
<v Speaker 3>And how do you think that is, though, because even

0:56:35.560 --> 0:56:38.000
<v Speaker 3>like the source coming out, because a lot of cities

0:56:38.040 --> 0:56:39.960
<v Speaker 3>will bring up the New York thing, like all the

0:56:40.000 --> 0:56:43.120
<v Speaker 3>publications everything media. That's why y'all get the looks that

0:56:43.160 --> 0:56:45.520
<v Speaker 3>you look. And I think there's an argument there. I

0:56:45.560 --> 0:56:47.799
<v Speaker 3>see what they're saying. There's some pushback, but I get

0:56:47.840 --> 0:56:50.719
<v Speaker 3>it right. The source came out of Boston, and I

0:56:50.719 --> 0:56:54.359
<v Speaker 3>mean that was the bible. Yeah, why did that never

0:56:54.400 --> 0:56:57.880
<v Speaker 3>really click outside of what Benzino was doing, because there's

0:56:57.920 --> 0:57:01.480
<v Speaker 3>been plenty of great rappers, they just never get their look.

0:57:02.280 --> 0:57:02.480
<v Speaker 2>Yeah.

0:57:02.520 --> 0:57:07.600
<v Speaker 6>I think people had probably had a sour taste, salty taste, pause,

0:57:07.680 --> 0:57:12.000
<v Speaker 6>like whatever, you know from the fact that I think

0:57:12.040 --> 0:57:14.239
<v Speaker 6>they felt like even if you hear eminem, he's like

0:57:14.480 --> 0:57:18.280
<v Speaker 6>half your staffs fresh out of jail from Boston bullying

0:57:18.320 --> 0:57:22.040
<v Speaker 6>and extoror like and it's real shit. Like Benzino, you know,

0:57:22.160 --> 0:57:24.800
<v Speaker 6>to his credit, he took what I I don't want

0:57:24.840 --> 0:57:27.080
<v Speaker 6>to get all the facts on. This was before my time,

0:57:27.120 --> 0:57:31.760
<v Speaker 6>but he took ten different, ten different rappers from all

0:57:31.760 --> 0:57:34.240
<v Speaker 6>different hoods that were beef and when the murder rate

0:57:34.400 --> 0:57:36.840
<v Speaker 6>was high in Boston, the murder rate actually dropped. He

0:57:37.840 --> 0:57:41.080
<v Speaker 6>put a lot of rappers together and formed the Wise Guys,

0:57:41.360 --> 0:57:42.880
<v Speaker 6>which was like a bigger.

0:57:42.640 --> 0:57:43.960
<v Speaker 2>Extension of the main Men.

0:57:44.880 --> 0:57:46.800
<v Speaker 6>And he tried to you know, he tried to put

0:57:47.160 --> 0:57:49.360
<v Speaker 6>a lot of people in position. But I don't know, Bro,

0:57:49.400 --> 0:57:52.880
<v Speaker 6>It's just like we're such a town that we believe

0:57:52.920 --> 0:57:55.240
<v Speaker 6>in sports man, you know.

0:57:55.400 --> 0:57:59.400
<v Speaker 3>Like sports like we'vet what Benzino and his friends did,

0:57:59.480 --> 0:58:01.600
<v Speaker 3>uh to a certain player.

0:58:03.560 --> 0:58:04.040
<v Speaker 2>To kiss her?

0:58:04.120 --> 0:58:06.240
<v Speaker 3>Telling you the story of the Benzi know, Bro.

0:58:06.920 --> 0:58:09.440
<v Speaker 6>Yeah, lightly, But I had it enough on podcasts and

0:58:09.480 --> 0:58:11.360
<v Speaker 6>ship like that.

0:58:11.560 --> 0:58:12.840
<v Speaker 3>There's been some locks Boston.

0:58:13.800 --> 0:58:18.120
<v Speaker 2>What is the straight though? Where's there is there? Do

0:58:18.160 --> 0:58:19.600
<v Speaker 2>you have a relation I'm not sure if you do.

0:58:19.760 --> 0:58:23.080
<v Speaker 2>But do you have a relationship with Joined Lucas? Yeah?

0:58:22.680 --> 0:58:28.240
<v Speaker 6>I got a relationship with Joiner like we never saw

0:58:28.800 --> 0:58:31.320
<v Speaker 6>really eye of eye. There was some some tension there.

0:58:31.800 --> 0:58:36.080
<v Speaker 6>There was just some like serious things. They don't have

0:58:36.160 --> 0:58:38.320
<v Speaker 6>nothing to do with me or him, but in the

0:58:38.360 --> 0:58:40.040
<v Speaker 6>middle of it.

0:58:40.120 --> 0:58:45.560
<v Speaker 2>But actually Mark Man, Mark Wahlberg, he put us together

0:58:45.640 --> 0:58:57.360
<v Speaker 2>for real. That's dope. First laughing just found out that rapper.

0:58:57.400 --> 0:58:59.520
<v Speaker 5>She had know he was a rapper. I didn't know

0:58:59.560 --> 0:59:01.240
<v Speaker 5>he was a part of a funky bunch. I didn't

0:59:01.280 --> 0:59:01.640
<v Speaker 5>know that.

0:59:01.800 --> 0:59:06.320
<v Speaker 2>What's the funky bunch and the funky bunch? I don't know.

0:59:06.440 --> 0:59:09.840
<v Speaker 6>I know it was Marky Mark so and he'll come around,

0:59:09.880 --> 0:59:12.160
<v Speaker 6>he said, you know I would. Hey, he downs himself

0:59:12.200 --> 0:59:15.040
<v Speaker 6>and me he'll go. I was the only corny rapper

0:59:15.080 --> 0:59:16.920
<v Speaker 6>from Boston. Now we got real rappers. But I don't

0:59:16.920 --> 0:59:18.560
<v Speaker 6>think he was corny. I don't think nothing about Mark.

0:59:18.680 --> 0:59:19.840
<v Speaker 6>Mark's corny.

0:59:20.400 --> 0:59:22.959
<v Speaker 2>Mark Wahlberg is a street guy from doing one hundred.

0:59:23.240 --> 0:59:25.000
<v Speaker 3>It just came off with the vanilla ice ship was going.

0:59:25.360 --> 0:59:26.240
<v Speaker 3>It was just bad talking.

0:59:26.400 --> 0:59:30.600
<v Speaker 6>Markberg will hang vanilla ice off the building, like signited

0:59:30.720 --> 0:59:33.440
<v Speaker 6>in real life. Like Mark Wahlberg is Mark Wahlberg from

0:59:33.440 --> 0:59:38.280
<v Speaker 6>Four Brothers. I'm trying to tell you Mark Wahlberg is

0:59:38.320 --> 0:59:43.040
<v Speaker 6>somebody I could tell us, very comfortable in staticky environments,

0:59:43.080 --> 0:59:45.360
<v Speaker 6>like we'll be with all the corporate people and everything,

0:59:45.600 --> 0:59:47.960
<v Speaker 6>and Mark Wahlberg will defer in the room to me

0:59:48.000 --> 0:59:50.640
<v Speaker 6>and my friends. I swear to God, all these hundred

0:59:50.680 --> 0:59:53.720
<v Speaker 6>million dollar guys on this dick, Mark Mark Mark, and

0:59:53.760 --> 0:59:57.400
<v Speaker 6>he's just talking to us like super but not forcing it,

0:59:57.480 --> 1:00:01.160
<v Speaker 6>just super comfortable and regular like he is Mark Wahlberg

1:00:01.200 --> 1:00:01.920
<v Speaker 6>from Four Brothers.

1:00:01.960 --> 1:00:02.880
<v Speaker 2>I'm standing on that.

1:00:03.760 --> 1:00:06.080
<v Speaker 3>But let's slow down, all right, because when you asked

1:00:06.080 --> 1:00:07.360
<v Speaker 3>the question about joint a little all right, So I

1:00:07.440 --> 1:00:09.360
<v Speaker 3>was like, all right, I get it. It's a mass thing.

1:00:09.840 --> 1:00:12.920
<v Speaker 3>Maybe they crosspaths. Then I could see y'all having issues.

1:00:13.040 --> 1:00:15.800
<v Speaker 3>People know each other. How the fuck did Mark Wahlberg

1:00:16.240 --> 1:00:16.760
<v Speaker 3>end this beef?

1:00:17.160 --> 1:00:20.880
<v Speaker 6>Because like he would support Joiner and I used to

1:00:20.920 --> 1:00:23.400
<v Speaker 6>see that, like, man, that's the coolest shit in the world.

1:00:23.440 --> 1:00:26.680
<v Speaker 6>Oh my god, Mark Wahlburg a less celebrity bro. I'd

1:00:26.720 --> 1:00:31.680
<v Speaker 6>be like, that's amazing. And and one day he just

1:00:31.720 --> 1:00:35.080
<v Speaker 6>followed me and started just he just started liking my

1:00:35.160 --> 1:00:37.560
<v Speaker 6>posts more than my friends, like my post like you know,

1:00:37.680 --> 1:00:40.640
<v Speaker 6>like throwing the moojis and shit, just really support and

1:00:40.720 --> 1:00:43.480
<v Speaker 6>throwing Mark yeah, throwing my shit up. We met him

1:00:43.520 --> 1:00:45.760
<v Speaker 6>in on We had a toy day in Vegas. He

1:00:45.840 --> 1:00:47.480
<v Speaker 6>was like, Yo, what hotel you staying at? We were

1:00:47.480 --> 1:00:49.640
<v Speaker 6>in the wind. He pulled up to the wind came

1:00:49.680 --> 1:00:51.600
<v Speaker 6>into the lobby. He was like, met me down in

1:00:51.680 --> 1:00:53.920
<v Speaker 6>the lobby and it was like this like Mark Warburg

1:00:53.960 --> 1:00:56.360
<v Speaker 6>me and yeah, me me in the lobby and he

1:00:56.520 --> 1:00:58.320
<v Speaker 6>just sat down with me in like the nice part

1:00:58.360 --> 1:01:00.600
<v Speaker 6>of the lobby, and it caused so much tension, like

1:01:00.640 --> 1:01:03.760
<v Speaker 6>the hotel employees couldn't believe it. Everyone stopped for him.

1:01:04.160 --> 1:01:09.919
<v Speaker 6>Old Chinese lady, yeah, little fat young kids like everybody,

1:01:10.000 --> 1:01:12.680
<v Speaker 6>like everyone you could think about just stop for him.

1:01:13.040 --> 1:01:14.880
<v Speaker 6>And like he just had the conversation with me like

1:01:14.880 --> 1:01:17.440
<v Speaker 6>it wasn't happening and shit like, and he just showed

1:01:17.440 --> 1:01:19.760
<v Speaker 6>support from there. And then one day he had a

1:01:19.800 --> 1:01:23.560
<v Speaker 6>thing with Concepts and I was like, yo, I'm pulling up,

1:01:24.400 --> 1:01:26.680
<v Speaker 6>but Joyan was pulling up too. I think he just

1:01:26.800 --> 1:01:29.520
<v Speaker 6>checked you know, like the temperature with them, because I

1:01:29.520 --> 1:01:32.320
<v Speaker 6>was always fine, I'll be around anybody, but he really, like,

1:01:32.480 --> 1:01:35.000
<v Speaker 6>you know, just put us in that room together and

1:01:35.440 --> 1:01:37.280
<v Speaker 6>was just like I'm telling you all, y'all are stronger

1:01:37.360 --> 1:01:40.040
<v Speaker 6>and together and ship like that. And then Joya ended

1:01:40.120 --> 1:01:41.480
<v Speaker 6>up taking me on tour and he got a big

1:01:41.480 --> 1:01:42.160
<v Speaker 6>AUSS fan base.

1:01:42.240 --> 1:01:47.760
<v Speaker 3>So for sure, what was that combo? Like, I mean,

1:01:47.880 --> 1:01:52.000
<v Speaker 3>the details you can't give in Vegas.

1:01:51.640 --> 1:01:53.520
<v Speaker 6>Now with market he was we were just talking about

1:01:53.520 --> 1:01:56.120
<v Speaker 6>our town, like you know, people like to it's a

1:01:56.160 --> 1:02:01.280
<v Speaker 6>lot of hatred like in Boston in Massachusetts in general,

1:02:01.400 --> 1:02:02.560
<v Speaker 6>like this, it's like.

1:02:02.520 --> 1:02:05.440
<v Speaker 2>Our culture to hate on shit outside of sports. M h.

1:02:06.040 --> 1:02:07.800
<v Speaker 6>We love sports, but people want to see you do

1:02:07.880 --> 1:02:10.000
<v Speaker 6>good but never too good and he just you know,

1:02:10.200 --> 1:02:10.440
<v Speaker 6>kind of.

1:02:10.440 --> 1:02:12.760
<v Speaker 2>That's everywhere though, that's not just a mass thing.

1:02:15.440 --> 1:02:18.400
<v Speaker 6>Yeah, I mean it's bad where we're from because we've

1:02:18.440 --> 1:02:21.360
<v Speaker 6>never had success in music too, So like New York

1:02:21.400 --> 1:02:25.360
<v Speaker 6>are gonna let an artists fly, like like, hey, Buogie

1:02:25.360 --> 1:02:28.720
<v Speaker 6>can fly because a shot Rocky flew and all these people,

1:02:28.800 --> 1:02:30.840
<v Speaker 6>it's like, but they really want to clip your wings

1:02:30.840 --> 1:02:32.800
<v Speaker 6>if they never saw somebody. It's like they kind of

1:02:32.840 --> 1:02:35.920
<v Speaker 6>start panicking when they see an artist get a certain

1:02:36.000 --> 1:02:36.960
<v Speaker 6>level of success.

1:02:37.320 --> 1:02:38.200
<v Speaker 2>I'll be trying to tell.

1:02:38.080 --> 1:02:40.760
<v Speaker 6>People I'm not on bro, I'm not jay Z, Like

1:02:40.800 --> 1:02:44.760
<v Speaker 6>I cannot fix this whole state, right, you know.

1:02:44.960 --> 1:02:47.080
<v Speaker 2>But have you ran into any of that though, as

1:02:47.080 --> 1:02:49.240
<v Speaker 2>far as like back back in the hood, back home

1:02:49.440 --> 1:02:51.960
<v Speaker 2>you ran into like where it's like the people that

1:02:52.040 --> 1:02:54.760
<v Speaker 2>you thought were like real friends and people you grow

1:02:54.840 --> 1:02:57.200
<v Speaker 2>up that know you're away from music, have you seen

1:02:57.240 --> 1:03:00.440
<v Speaker 2>their energy change? And it's like, yo, like y'all are

1:03:00.440 --> 1:03:04.440
<v Speaker 2>going crazy. I'm not like I'm still here with y'all.

1:03:04.800 --> 1:03:09.320
<v Speaker 6>Nobody, nobody that I really grew up with. Feels like

1:03:09.360 --> 1:03:12.560
<v Speaker 6>that because they know, like I'm solid, Like I'm gonna

1:03:12.560 --> 1:03:13.320
<v Speaker 6>stand on my word.

1:03:13.360 --> 1:03:14.520
<v Speaker 2>I'm gonna do what I can do.

1:03:14.640 --> 1:03:16.480
<v Speaker 6>I do have to break down to people that I

1:03:16.520 --> 1:03:18.280
<v Speaker 6>have less money than you think I have them.

1:03:18.720 --> 1:03:21.720
<v Speaker 7>Yeah, that's like if you don't, you got to say,

1:03:21.760 --> 1:03:23.640
<v Speaker 7>I don't care how I pop it on the ground,

1:03:23.800 --> 1:03:26.400
<v Speaker 7>like this is pop money, man, but in the Kodak

1:03:26.520 --> 1:03:29.120
<v Speaker 7>dam this is my money.

1:03:29.400 --> 1:03:30.200
<v Speaker 2>Yeah, because I do.

1:03:30.360 --> 1:03:33.000
<v Speaker 6>Because it's weird, because I do pop it on Instagram

1:03:33.080 --> 1:03:34.960
<v Speaker 6>because at the at the end of the day, like

1:03:34.960 --> 1:03:36.840
<v Speaker 6>I'm a rapper that people might be like, oh, he

1:03:36.920 --> 1:03:39.880
<v Speaker 6>don't got mainstream success. Yeah, but here's two hundred thousand

1:03:39.920 --> 1:03:42.360
<v Speaker 6>dollars and I got four hundred thousand dollars in jewelry.

1:03:42.680 --> 1:03:44.720
<v Speaker 6>I need you to know that. I don't need y'all

1:03:44.760 --> 1:03:47.680
<v Speaker 6>to know that. So it's like for y'all to start

1:03:47.720 --> 1:03:50.920
<v Speaker 6>doing this is not for y'all. Don't count my pockets.

1:03:50.960 --> 1:03:54.320
<v Speaker 6>I'm popping into them, my entire neighborhood.

1:03:55.840 --> 1:03:57.880
<v Speaker 2>Yeah, you know.

1:03:59.160 --> 1:04:01.080
<v Speaker 6>But so it gets tricky like that because it's like

1:04:01.120 --> 1:04:03.280
<v Speaker 6>I have to pop into the industry and that shit

1:04:03.400 --> 1:04:06.280
<v Speaker 6>works like it works. I'm telling you right now, if

1:04:06.320 --> 1:04:08.800
<v Speaker 6>I up one hundred thousand dollars on Instagram.

1:04:09.600 --> 1:04:11.760
<v Speaker 2>It just reminds people like, don't get it fucked up.

1:04:11.800 --> 1:04:14.600
<v Speaker 6>I'm not being pushed by a corporate machine and I'm

1:04:14.640 --> 1:04:19.080
<v Speaker 6>not on these whatever you know platforms, but I'm getting

1:04:19.120 --> 1:04:21.000
<v Speaker 6>money off wrap off rhyming words.

1:04:21.040 --> 1:04:22.640
<v Speaker 2>One ever try to play with me like I didn't

1:04:22.680 --> 1:04:24.320
<v Speaker 2>make it. I made it. I made it. I made it.

1:04:24.960 --> 1:04:29.720
<v Speaker 6>But now to my neighborhood, shit like hold on, hold on,

1:04:31.200 --> 1:04:35.760
<v Speaker 6>we need to take a step back and y'all can

1:04:35.800 --> 1:04:39.040
<v Speaker 6>see it. And so, but then I have to remind

1:04:39.040 --> 1:04:48.640
<v Speaker 6>my neighborhood like smokes Buddah has Rah rah crook, my

1:04:48.720 --> 1:04:54.440
<v Speaker 6>brother s, k Nip was just booked ten other guys.

1:04:54.680 --> 1:04:59.440
<v Speaker 6>These is my friends in jail. All right, that's a

1:04:59.480 --> 1:05:07.720
<v Speaker 6>bill and itself. Now security, because so I don't put

1:05:07.920 --> 1:05:12.400
<v Speaker 6>people in jeopardy with you know, I'm ana higher armed security.

1:05:12.440 --> 1:05:13.800
<v Speaker 2>Don't want your friends to be security.

1:05:13.880 --> 1:05:16.760
<v Speaker 6>Yeah, you see what I'm saying. So now I'm hiring

1:05:16.760 --> 1:05:19.240
<v Speaker 6>people outside of the team. I could go to cheap route,

1:05:21.000 --> 1:05:25.919
<v Speaker 6>but you know, I'm hiring people outside of the team, drivers, whatever.

1:05:26.080 --> 1:05:28.360
<v Speaker 6>All this money is coming to make this ship look

1:05:28.440 --> 1:05:29.920
<v Speaker 6>big and make this ship look grand.

1:05:29.960 --> 1:05:32.640
<v Speaker 2>You know what I mean. I'm reinvesting. So it's like

1:05:32.680 --> 1:05:34.840
<v Speaker 2>I gotta pop it to them and then reiterate to them.

1:05:35.080 --> 1:05:38.120
<v Speaker 3>Yeah, yeah, I get the branding outside of the safety

1:05:38.160 --> 1:05:40.120
<v Speaker 3>in that as well, Like even down to where I

1:05:40.160 --> 1:05:41.920
<v Speaker 3>was mad that you told every girl in there to

1:05:42.200 --> 1:05:45.600
<v Speaker 3>dress and white and blind and now but the rest

1:05:45.600 --> 1:05:50.520
<v Speaker 3>of us did. He didn't tell you. Every man came different.

1:05:50.640 --> 1:05:53.400
<v Speaker 2>You showed up to Millies release party all white. That

1:05:53.400 --> 1:05:57.000
<v Speaker 2>would have been the nastiest ship ever. You can't do that, which,

1:05:57.720 --> 1:05:59.600
<v Speaker 2>oh god, you can't do that. Yeah, all white with me?

1:05:59.760 --> 1:06:02.800
<v Speaker 2>That's the success. Not really nothing, But who were some

1:06:02.840 --> 1:06:05.480
<v Speaker 2>of the people growing up in mass as far as

1:06:05.480 --> 1:06:08.720
<v Speaker 2>like music that inspired you, like just mask artists that

1:06:08.800 --> 1:06:11.320
<v Speaker 2>maybe people outside of Mask never heard of.

1:06:13.720 --> 1:06:16.480
<v Speaker 6>The people outside of mask. Damn, it's like rappers that

1:06:16.680 --> 1:06:19.600
<v Speaker 6>like damn they never never dropped out. I say, Smoke

1:06:19.680 --> 1:06:27.280
<v Speaker 6>Bulger he was having motion RP rock through KATEI man,

1:06:27.320 --> 1:06:29.920
<v Speaker 6>it's a few. Like there was people with movements. A

1:06:30.000 --> 1:06:33.400
<v Speaker 6>guy named Lou Armstrong. He had a movement like where

1:06:33.440 --> 1:06:35.960
<v Speaker 6>they would wrap all the trucks and shit like that.

1:06:36.080 --> 1:06:38.520
<v Speaker 6>You know, people like that kind of moving Like as

1:06:38.560 --> 1:06:43.000
<v Speaker 6>far as like musically inspiring me, even outside of Mass,

1:06:44.680 --> 1:06:45.400
<v Speaker 6>outside of Mask.

1:06:45.440 --> 1:06:46.000
<v Speaker 2>I've been. I've been.

1:06:46.040 --> 1:06:48.760
<v Speaker 6>I'm inspired by so many people. I don't know, that's like,

1:06:49.040 --> 1:06:53.600
<v Speaker 6>I'm inspired by a lot, like, you know, to this day,

1:06:53.680 --> 1:06:56.600
<v Speaker 6>so many people. So I had a friend from I

1:06:56.640 --> 1:06:58.920
<v Speaker 6>had a friend that got sent away to live in Florida,

1:06:59.000 --> 1:07:02.320
<v Speaker 6>and he came back from and he was introducing me

1:07:02.360 --> 1:07:05.600
<v Speaker 6>to like Gezy and you know, shit like that. Before

1:07:05.600 --> 1:07:10.200
<v Speaker 6>it was really hitting like and even more old school

1:07:10.360 --> 1:07:14.000
<v Speaker 6>down South music like Boosy and Past Detroit. So I

1:07:14.040 --> 1:07:16.480
<v Speaker 6>was getting acquainted with like the down south sounds at

1:07:16.520 --> 1:07:19.200
<v Speaker 6>the same time as I was really studying all the

1:07:19.360 --> 1:07:22.880
<v Speaker 6>you know, fifty cent and everything underground New York.

1:07:23.240 --> 1:07:25.400
<v Speaker 2>But no, I'm inspired by everything still to this day.

1:07:25.560 --> 1:07:27.560
<v Speaker 2>What was it like, because I know, obviously you know

1:07:27.640 --> 1:07:31.000
<v Speaker 2>The Locks was a big inspiration. Yeah, anybody that's into

1:07:31.040 --> 1:07:34.000
<v Speaker 2>hip hundred pc the Locks gotta be inspiration. What was

1:07:34.040 --> 1:07:36.520
<v Speaker 2>it like when you first had that, you know, first

1:07:36.520 --> 1:07:40.040
<v Speaker 2>conversation with Kiss and you felt like, oh shit, like

1:07:40.120 --> 1:07:42.040
<v Speaker 2>me and Kiss about to do business together. Like what

1:07:42.640 --> 1:07:44.920
<v Speaker 2>was that feeling like for somebody that obviously grew up

1:07:45.280 --> 1:07:49.040
<v Speaker 2>listening to Jada and just being a fan of The Locks.

1:07:49.840 --> 1:07:51.840
<v Speaker 6>It's funny, I want to tell, like, the real story,

1:07:51.920 --> 1:07:55.920
<v Speaker 6>you know. But so I was always around Kiss, and

1:07:55.960 --> 1:07:58.560
<v Speaker 6>Kiss was cool as shit, like I did a feature

1:07:58.600 --> 1:08:04.800
<v Speaker 6>with them through my and Set Free, And then I

1:08:04.880 --> 1:08:08.080
<v Speaker 6>just started popping up on him like at whatever flyer

1:08:08.240 --> 1:08:10.440
<v Speaker 6>was posted. When I came to New York, I like

1:08:10.960 --> 1:08:13.560
<v Speaker 6>would move by myself. I go to Lust by myself,

1:08:13.680 --> 1:08:18.880
<v Speaker 6>like aces RP Lust. Yeah, And it was like I

1:08:18.960 --> 1:08:21.080
<v Speaker 6>just had the sense like I had so much baggage

1:08:21.080 --> 1:08:24.640
<v Speaker 6>in Boston and Massachusetts in general that I just felt like,

1:08:25.439 --> 1:08:27.720
<v Speaker 6>you know, I can move out here. Everybody nobody got

1:08:27.800 --> 1:08:29.880
<v Speaker 6>beef for the white kid out here, like they know

1:08:29.920 --> 1:08:32.320
<v Speaker 6>who their ops are. And I didn't have no jewelry

1:08:32.360 --> 1:08:34.519
<v Speaker 6>at the time or anything. I'm going anywhere. I used

1:08:34.520 --> 1:08:37.160
<v Speaker 6>to take the train to stall it for real, I'm

1:08:37.200 --> 1:08:39.000
<v Speaker 6>on the wall install its now. I used to take

1:08:39.000 --> 1:08:40.880
<v Speaker 6>the train to I didn't even know how to take

1:08:40.880 --> 1:08:43.040
<v Speaker 6>the train. I don't know this train system. I know

1:08:43.080 --> 1:08:46.519
<v Speaker 6>the red line and the green line, but no. So

1:08:46.560 --> 1:08:48.519
<v Speaker 6>I would pop up on Kiss a lot of times,

1:08:48.520 --> 1:08:50.320
<v Speaker 6>and he was so cool, like he just made me

1:08:50.360 --> 1:08:52.920
<v Speaker 6>feel like something like we'd be in the club and

1:08:52.960 --> 1:08:56.320
<v Speaker 6>he'd see me I'm outside of the VIP like no

1:08:56.479 --> 1:08:58.640
<v Speaker 6>motion at all, and he'd seen me staying on the

1:08:58.640 --> 1:09:02.080
<v Speaker 6>couch scream on the bound, letting him in like sit

1:09:02.240 --> 1:09:04.040
<v Speaker 6>me next to him, and that was like my whole

1:09:04.080 --> 1:09:06.760
<v Speaker 6>fucking moment in life. I take the train back on

1:09:06.920 --> 1:09:09.040
<v Speaker 6>cloud nine, like, oh my.

1:09:08.720 --> 1:09:13.800
<v Speaker 2>God, my life is lit. But we never yeah for real,

1:09:14.000 --> 1:09:14.559
<v Speaker 2>an't matter.

1:09:15.520 --> 1:09:17.519
<v Speaker 6>And I was sleeping in the apartment in the Bronx

1:09:17.560 --> 1:09:20.760
<v Speaker 6>with roaches, wild roaches. I'm putting powder down on all

1:09:20.840 --> 1:09:24.160
<v Speaker 6>the like the roach I got, the roach spray, the glue,

1:09:24.240 --> 1:09:28.599
<v Speaker 6>the powder, everything I gotta, I'm telling me and seth free.

1:09:28.640 --> 1:09:32.200
<v Speaker 6>We're going to events like double Excel events and tall

1:09:32.240 --> 1:09:34.719
<v Speaker 6>you see, like the Lauryn Hill poster were taking ship

1:09:34.800 --> 1:09:37.720
<v Speaker 6>like that and like limit into whatever you call them.

1:09:37.720 --> 1:09:40.840
<v Speaker 6>I'm spreading it around my apartment so you know, in

1:09:40.880 --> 1:09:42.839
<v Speaker 6>case I got a girl and the roaches come.

1:09:42.760 --> 1:09:45.040
<v Speaker 2>Through like a barriers ship like that.

1:09:45.120 --> 1:09:48.920
<v Speaker 6>Like but I'm still on cloud now because I'm cool

1:09:48.960 --> 1:09:52.519
<v Speaker 6>with killers, you know, So I think that's gratitude to

1:09:52.560 --> 1:09:53.320
<v Speaker 6>get you a long way.

1:09:53.360 --> 1:09:55.839
<v Speaker 2>But yeah.

1:09:56.000 --> 1:09:59.680
<v Speaker 6>At one point Ice picked Jay who was hit his

1:09:59.800 --> 1:10:03.400
<v Speaker 6>men was like, you know, millies can sing mm hmm,

1:10:03.880 --> 1:10:06.479
<v Speaker 6>kiss like no, and He's like, no, Millie sings brou

1:10:06.680 --> 1:10:08.720
<v Speaker 6>all the rap and Ship you should we need to

1:10:08.760 --> 1:10:11.120
<v Speaker 6>take him as an artist. And so he called a

1:10:11.200 --> 1:10:13.880
<v Speaker 6>meeting and we went to kiss his crib and I

1:10:13.920 --> 1:10:15.920
<v Speaker 6>was all excited for the meeting and then it was

1:10:16.000 --> 1:10:18.800
<v Speaker 6>just me, Seth Free and Ice Pick and Kiss was

1:10:18.800 --> 1:10:20.479
<v Speaker 6>like in the kitchen and he was.

1:10:20.400 --> 1:10:23.200
<v Speaker 2>Like, I talk about this later some.

1:10:24.720 --> 1:10:27.640
<v Speaker 6>He was like to tell me when, like when the

1:10:27.720 --> 1:10:30.280
<v Speaker 6>important shit comes up. But it was like Pick was

1:10:30.280 --> 1:10:33.559
<v Speaker 6>going to run the play and Pick ended up passing

1:10:34.439 --> 1:10:38.040
<v Speaker 6>probably like two months later, and Ship, but like he

1:10:38.320 --> 1:10:42.040
<v Speaker 6>essentially gave me the kiss, you know, and then Kiss

1:10:42.240 --> 1:10:44.680
<v Speaker 6>ended up running the place. So real spiritual to me.

1:10:47.000 --> 1:10:48.519
<v Speaker 6>But yeah, so that was like the first time we

1:10:48.560 --> 1:10:51.280
<v Speaker 6>really talked about it. And then it was like after that,

1:10:51.320 --> 1:10:52.840
<v Speaker 6>you know, there was a lot of artists that was

1:10:52.880 --> 1:10:57.360
<v Speaker 6>down with Kiss, but I just felt like I got

1:10:57.400 --> 1:10:59.280
<v Speaker 6>to take the stamp and just make everything I can

1:10:59.360 --> 1:11:01.200
<v Speaker 6>make of the stamp. Like people think when you get

1:11:01.240 --> 1:11:04.160
<v Speaker 6>with an artist that they go, don't sign the artist,

1:11:04.240 --> 1:11:05.760
<v Speaker 6>But it's like, nah, don't sign the artist if you

1:11:05.800 --> 1:11:10.000
<v Speaker 6>plan to just use that artist's whole platform. Yeah, you know,

1:11:10.240 --> 1:11:14.320
<v Speaker 6>like create, create your shit. You should be There's people

1:11:14.320 --> 1:11:16.080
<v Speaker 6>that could come in here off media and take it

1:11:16.200 --> 1:11:19.800
<v Speaker 6>I work with Rory and Maul and literally just propel it.

1:11:20.160 --> 1:11:21.599
<v Speaker 6>All you need is to stamp. Oh, I could get

1:11:21.640 --> 1:11:24.160
<v Speaker 6>you on FaceTime. I could get you on FaceTime. That's

1:11:24.200 --> 1:11:26.639
<v Speaker 6>all you need. I could call it the marriage right now,

1:11:26.760 --> 1:11:29.679
<v Speaker 6>you don't believe me bad and I'm trying to start

1:11:29.720 --> 1:11:31.519
<v Speaker 6>my own shit. And it was kind of like that.

1:11:31.600 --> 1:11:34.920
<v Speaker 6>I had that stamp from Kiss, so I am running

1:11:34.960 --> 1:11:36.960
<v Speaker 6>with that. I need a stamp. I don't need much more.

1:11:37.080 --> 1:11:39.680
<v Speaker 2>Yeah, you know, so as a raper, if somebody like

1:11:39.680 --> 1:11:42.719
<v Speaker 2>you got somebody like Kiss that you know is telling

1:11:42.760 --> 1:11:44.680
<v Speaker 2>you like you dope and you know he fucked with you,

1:11:45.240 --> 1:11:46.519
<v Speaker 2>I don't think you need much more.

1:11:46.560 --> 1:11:50.240
<v Speaker 6>Yeah, ultimate confidence, ultimate confidence for sure. And then from

1:11:50.280 --> 1:11:52.800
<v Speaker 6>there it's just like once my name got big and

1:11:52.840 --> 1:11:56.000
<v Speaker 6>I really got attached to him and the whole brand,

1:11:56.040 --> 1:11:58.040
<v Speaker 6>I was like, I gotta, you know, protect this shit forever.

1:11:58.120 --> 1:12:00.000
<v Speaker 6>And it's still things I do that like he won't

1:12:00.040 --> 1:12:04.479
<v Speaker 6>approve of, you know what I mean, whether it's showing

1:12:04.520 --> 1:12:05.719
<v Speaker 6>money on the ground or whatever.

1:12:05.760 --> 1:12:09.040
<v Speaker 2>Like there's certain things but with different people. That's just

1:12:09.200 --> 1:12:10.479
<v Speaker 2>he's the elder Statesman now.

1:12:10.400 --> 1:12:15.440
<v Speaker 6>So yeah, sure it's like yo, why Yeah, he's like tonyo,

1:12:15.479 --> 1:12:21.920
<v Speaker 6>and I'm like Chris Chris for sure, Yeah, but without

1:12:21.920 --> 1:12:22.599
<v Speaker 6>the cocaine.

1:12:22.760 --> 1:12:25.160
<v Speaker 2>So a couple of a couple of weeks ago, even

1:12:25.200 --> 1:12:27.800
<v Speaker 2>running with this whole Mount Rushmore ship and they did

1:12:27.800 --> 1:12:32.720
<v Speaker 2>the White Rapper Mount Rushmore and somebody who you had

1:12:32.720 --> 1:12:34.960
<v Speaker 2>a little bit of a little bit I guess an

1:12:35.000 --> 1:12:37.840
<v Speaker 2>issue at one point mg K machine gun Kelly was

1:12:38.560 --> 1:12:41.479
<v Speaker 2>he was on the Mount White was he he should

1:12:41.479 --> 1:12:42.880
<v Speaker 2>have so he.

1:12:42.840 --> 1:12:44.200
<v Speaker 3>Was saying should have been to him, but he should

1:12:44.439 --> 1:12:45.160
<v Speaker 3>know shouldn't be on it.

1:12:45.320 --> 1:12:47.120
<v Speaker 2>But I know that you and an mg K had

1:12:47.160 --> 1:12:50.479
<v Speaker 2>y'all thinking for but y'all have squashed y'all think what

1:12:50.520 --> 1:12:54.720
<v Speaker 2>was that? What was the original uh reason behind you

1:12:54.760 --> 1:12:56.639
<v Speaker 2>and m g K kind of having a little back

1:12:56.680 --> 1:12:57.080
<v Speaker 2>and forth.

1:12:57.640 --> 1:12:59.719
<v Speaker 6>It's gonna make it look like I'm dragging it to

1:12:59.760 --> 1:13:03.240
<v Speaker 6>talk on this joint, But like we just knew each

1:13:03.240 --> 1:13:06.880
<v Speaker 6>other super early, and yeah, we knew each other super early,

1:13:06.920 --> 1:13:10.439
<v Speaker 6>and then I just fell out about ship and you know,

1:13:10.760 --> 1:13:13.479
<v Speaker 6>I took my route to I took my route to

1:13:13.520 --> 1:13:15.200
<v Speaker 6>you know, speak on him and raps and ship like

1:13:15.240 --> 1:13:17.120
<v Speaker 6>that and trying to bait him into the battle and

1:13:17.920 --> 1:13:18.400
<v Speaker 6>he didn't go.

1:13:18.400 --> 1:13:20.960
<v Speaker 2>For the battle. Okay, yeah, do you have you But

1:13:21.320 --> 1:13:22.720
<v Speaker 2>it met sensibly, you know what I mean.

1:13:22.840 --> 1:13:25.160
<v Speaker 6>I think I think it was probably like risk assessment

1:13:25.640 --> 1:13:29.000
<v Speaker 6>at the same time. Yeah, because I think I do

1:13:29.040 --> 1:13:30.559
<v Speaker 6>think he's a great rapper, you know what I mean.

1:13:31.880 --> 1:13:34.720
<v Speaker 6>Don't get he could rap his ass. I wanted that

1:13:34.800 --> 1:13:36.760
<v Speaker 6>match up. To me, it is like a boxer, you know,

1:13:36.920 --> 1:13:38.200
<v Speaker 6>I want. I wanted that match up.

1:13:38.240 --> 1:13:41.479
<v Speaker 3>But even I mean, outside of his reply, which I

1:13:41.520 --> 1:13:44.240
<v Speaker 3>thought he'd be. Did Jack Harlow reply that no one

1:13:44.280 --> 1:13:48.280
<v Speaker 3>talked about when he left his million dollar mansion with his.

1:13:49.120 --> 1:13:51.280
<v Speaker 2>Wait, you felt like he got him in that battle? Yeah?

1:13:51.320 --> 1:13:52.920
<v Speaker 2>I thought he was always because I always I thought

1:13:52.920 --> 1:13:54.120
<v Speaker 2>he was on composite size of that.

1:13:54.479 --> 1:13:57.400
<v Speaker 3>No. I thought and ship was cool. Don't get me wrong,

1:13:57.400 --> 1:14:00.800
<v Speaker 3>but I really think mgk's hit better. But even after

1:14:00.800 --> 1:14:02.760
<v Speaker 3>the whole Jack Carlow thing, which I've even forgot how

1:14:02.760 --> 1:14:05.519
<v Speaker 3>that even got started, I think it was just, you know,

1:14:06.800 --> 1:14:09.240
<v Speaker 3>we can speak about it. We hate our own kind.

1:14:09.760 --> 1:14:15.320
<v Speaker 3>Every white person you like, skin folk luckily you know

1:14:16.000 --> 1:14:17.720
<v Speaker 3>like that. But yeah, we try to beef with other

1:14:17.760 --> 1:14:19.920
<v Speaker 3>white people that you know.

1:14:19.960 --> 1:14:23.120
<v Speaker 6>It's crazy and like, I don't know, they might wild

1:14:23.120 --> 1:14:26.080
<v Speaker 6>on me on this saying this on the podcast, but

1:14:26.320 --> 1:14:29.920
<v Speaker 6>I swear to God white people tried to stop me

1:14:29.960 --> 1:14:32.720
<v Speaker 6>from getting into the rap industry. Like on everything I

1:14:32.760 --> 1:14:36.799
<v Speaker 6>love bro Wow. I was never helped by white people,

1:14:36.880 --> 1:14:40.880
<v Speaker 6>not the fans. The fans helped me. The fans very clear.

1:14:41.280 --> 1:14:44.800
<v Speaker 6>White people in the industry with the power to bring

1:14:44.840 --> 1:14:47.080
<v Speaker 6>me up did not jack me at all.

1:14:48.479 --> 1:14:52.040
<v Speaker 2>I mean, it's definitely everybody who brought me up. Was

1:14:52.640 --> 1:14:55.200
<v Speaker 2>that Melanin. But why do you think that is?

1:14:55.240 --> 1:14:57.559
<v Speaker 6>Though, I don't know, but he just said it, So

1:14:57.560 --> 1:15:00.240
<v Speaker 6>I'm just thinking about that. It's a thought I I

1:15:00.280 --> 1:15:02.840
<v Speaker 6>commonly think of, like it wasn't like what you would

1:15:02.840 --> 1:15:03.240
<v Speaker 6>think it is.

1:15:03.320 --> 1:15:04.400
<v Speaker 2>I think it's because.

1:15:04.479 --> 1:15:08.599
<v Speaker 6>I'm not from a white neighborhood, okay, And so like

1:15:08.640 --> 1:15:11.040
<v Speaker 6>that threw them off. I think they you got to

1:15:11.080 --> 1:15:12.960
<v Speaker 6>have a point of reference. So like your point of

1:15:13.000 --> 1:15:16.519
<v Speaker 6>references either Malibu's Most Wanted or Timmy from Power.

1:15:16.600 --> 1:15:19.880
<v Speaker 2>It's like where is it has.

1:15:21.640 --> 1:15:24.000
<v Speaker 6>Yet, you know, because people of people would rather go

1:15:24.160 --> 1:15:26.080
<v Speaker 6>for like the easy lie.

1:15:25.880 --> 1:15:26.880
<v Speaker 2>Than the complex truth.

1:15:27.160 --> 1:15:29.360
<v Speaker 6>So somebody don't want to dive into a complex truth

1:15:29.400 --> 1:15:31.360
<v Speaker 6>and have to tell that that story.

1:15:31.400 --> 1:15:33.639
<v Speaker 2>But yeah, it was just like I felt like a lot.

1:15:33.520 --> 1:15:36.360
<v Speaker 6>Of resistance and just like downplay just trying to whether

1:15:36.400 --> 1:15:38.400
<v Speaker 6>it was the blog era or whatever it was. I

1:15:38.439 --> 1:15:41.679
<v Speaker 6>just felt like a lot of downplay from the whites,

1:15:41.760 --> 1:15:42.040
<v Speaker 6>you know.

1:15:42.680 --> 1:15:50.879
<v Speaker 2>Exist, we have the fans people in the industry.

1:15:51.000 --> 1:15:53.080
<v Speaker 3>Glad was on Maths or whatever and had brought me

1:15:53.120 --> 1:15:55.559
<v Speaker 3>up and talked about white the white on white crime

1:15:55.560 --> 1:15:57.640
<v Speaker 3>and hip hop and white people and hate each other.

1:15:58.400 --> 1:16:02.720
<v Speaker 3>And I feel him because that is a stigma and

1:16:02.760 --> 1:16:05.840
<v Speaker 3>something that is true. I'm joking because I feel like

1:16:05.880 --> 1:16:07.840
<v Speaker 3>I've never been that way.

1:16:07.600 --> 1:16:10.519
<v Speaker 2>Everyone that's white, Yeah, I didn't get that from me.

1:16:10.560 --> 1:16:11.519
<v Speaker 2>I didn't get that from.

1:16:11.640 --> 1:16:14.280
<v Speaker 3>I mean, listen, if you're a good there's white rappers

1:16:14.320 --> 1:16:17.639
<v Speaker 3>I hate, don't get me wrong, but there's sometimes I'll

1:16:17.640 --> 1:16:18.680
<v Speaker 3>see a white face and go.

1:16:18.920 --> 1:16:21.800
<v Speaker 2>No thanks, y good, but pumps down.

1:16:22.960 --> 1:16:24.680
<v Speaker 3>But it's behind the scenes too, with media stuff, like

1:16:24.760 --> 1:16:28.160
<v Speaker 3>I haven't like Rosenberg is the real Everyone in white

1:16:28.240 --> 1:16:30.559
<v Speaker 3>media I've had a great relationship with, but I know

1:16:30.640 --> 1:16:33.600
<v Speaker 3>for a fact they have had really weird interactions with

1:16:33.680 --> 1:16:35.679
<v Speaker 3>other white people in hip hop as well. I don't

1:16:35.680 --> 1:16:38.200
<v Speaker 3>know if it's the guest thing that we're all trying

1:16:38.240 --> 1:16:40.640
<v Speaker 3>to fight to prove that we're the better guests. I

1:16:40.640 --> 1:16:42.439
<v Speaker 3>don't really know where it comes from because I don't

1:16:42.439 --> 1:16:44.759
<v Speaker 3>subscribe to it, but it does exist. Like it doesn't

1:16:44.760 --> 1:16:47.240
<v Speaker 3>shock me at all that that's been your experience when

1:16:47.240 --> 1:16:50.479
<v Speaker 3>it comes to mines scenes, it's not really their their thing.

1:16:51.120 --> 1:16:53.639
<v Speaker 3>I mean even like shit, how Mac had to come

1:16:53.680 --> 1:16:57.000
<v Speaker 3>through with Wiz and everyone. Like Mac did become the

1:16:57.080 --> 1:16:59.719
<v Speaker 3>darling of the whites, but he had to go through

1:17:00.520 --> 1:17:02.439
<v Speaker 3>wizards Camp. I mean, Granny went to high school with

1:17:02.479 --> 1:17:05.439
<v Speaker 3>all them everything, but that was still not the traditional way.

1:17:06.080 --> 1:17:07.519
<v Speaker 3>That's say, I don't.

1:17:07.360 --> 1:17:10.400
<v Speaker 2>Know, that's so interesting to hear, like really say that though,

1:17:10.439 --> 1:17:13.000
<v Speaker 2>like no white people.

1:17:14.200 --> 1:17:16.280
<v Speaker 6>Essentially, because you got to think that everybody who put

1:17:16.320 --> 1:17:19.280
<v Speaker 6>me on bro in the industry, yeah, set like it

1:17:19.360 --> 1:17:23.880
<v Speaker 6>goes back to my neighbor of my first manager, and

1:17:23.920 --> 1:17:26.400
<v Speaker 6>then you know, set Free brought me out to New York,

1:17:26.920 --> 1:17:29.600
<v Speaker 6>kiss ice pick, people who show me love, and the

1:17:29.680 --> 1:17:32.680
<v Speaker 6>industry yoed me put me in the BT cipher. I

1:17:32.680 --> 1:17:35.720
<v Speaker 6>didn't have pr or anything of that nature, you know

1:17:35.760 --> 1:17:38.599
<v Speaker 6>what I mean. All the way to just the artists,

1:17:38.640 --> 1:17:39.439
<v Speaker 6>it's like it's.

1:17:39.600 --> 1:17:41.759
<v Speaker 2>You know, I ain't.

1:17:43.120 --> 1:17:46.080
<v Speaker 6>I've been I've been in a million meetings I feel

1:17:46.120 --> 1:17:49.120
<v Speaker 6>like with just people, but like I don't see it,

1:17:50.160 --> 1:17:53.439
<v Speaker 6>but you know, well, I mean that's fine, Like that's

1:17:53.479 --> 1:17:55.560
<v Speaker 6>why I showed the money on Instagram.

1:17:55.800 --> 1:17:58.240
<v Speaker 2>Yeahah, like listen, I got to it with everybody.

1:18:00.600 --> 1:18:02.759
<v Speaker 6>Look, I'll be looking at it. It was like, my life

1:18:02.800 --> 1:18:06.719
<v Speaker 6>is crushing this ship. My life is demolish in your ship?

1:18:07.160 --> 1:18:08.400
<v Speaker 6>Crazy stupid.

1:18:08.800 --> 1:18:12.240
<v Speaker 2>As far as the music, are there any producers that

1:18:12.720 --> 1:18:15.120
<v Speaker 2>you haven't worked with that you like? Damn? I would

1:18:15.160 --> 1:18:21.599
<v Speaker 2>love to get like an entire project with this producer. No,

1:18:21.640 --> 1:18:24.200
<v Speaker 2>not really, no, no producers.

1:18:24.720 --> 1:18:27.040
<v Speaker 6>Yeah nah, because now it's like the Millies type beat

1:18:27.040 --> 1:18:29.920
<v Speaker 6>thing is so crazy that I just have to find

1:18:29.920 --> 1:18:32.799
<v Speaker 6>somebody original who's making a crazy sound.

1:18:32.960 --> 1:18:36.760
<v Speaker 2>And I feel like.

1:18:40.040 --> 1:18:41.760
<v Speaker 6>I don't I don't want to say rappers do that

1:18:41.800 --> 1:18:44.920
<v Speaker 6>like when they're when they're like not hanging their career up,

1:18:44.920 --> 1:18:47.400
<v Speaker 6>but it's more like an artistic thing after they already

1:18:47.439 --> 1:18:49.479
<v Speaker 6>made it, and then like they do that like I'm

1:18:49.520 --> 1:18:51.360
<v Speaker 6>still trying to find hit records and shiit like that.

1:18:52.640 --> 1:18:55.440
<v Speaker 2>What's so your relationship will be a cool.

1:18:55.400 --> 1:18:58.040
<v Speaker 6>It's like my sister for for sure, Like we just

1:18:58.240 --> 1:19:02.160
<v Speaker 6>we relate to each other because we from the same place, and.

1:19:04.040 --> 1:19:06.840
<v Speaker 2>Yeah, she's just cool. We talk a lot of shit,

1:19:06.960 --> 1:19:07.800
<v Speaker 2>like outside.

1:19:07.439 --> 1:19:10.559
<v Speaker 3>Of the rap, you know, it's definitely cool. People before

1:19:10.560 --> 1:19:12.960
<v Speaker 3>we get to our voicemails. We were talking off microphone

1:19:13.400 --> 1:19:17.080
<v Speaker 3>of your strategy of one hundred, one hundred men versus

1:19:17.080 --> 1:19:20.360
<v Speaker 3>one gorilla, and you seem to have this painted out

1:19:20.720 --> 1:19:23.040
<v Speaker 3>like the general strategy of how we're gonna get this done.

1:19:23.760 --> 1:19:30.080
<v Speaker 6>Yeah, hell yeah, the hell you's so confidence.

1:19:30.120 --> 1:19:32.479
<v Speaker 2>Yeah, and I love you know why I love this

1:19:32.560 --> 1:19:35.080
<v Speaker 2>because the only way to find out is it has

1:19:35.120 --> 1:19:37.679
<v Speaker 2>to happen. You can't test this theory.

1:19:37.760 --> 1:19:40.360
<v Speaker 6>We're gonna do it, Like no, Peter gotta take a

1:19:40.400 --> 1:19:41.960
<v Speaker 6>step back and we just gotta try.

1:19:42.040 --> 1:19:44.800
<v Speaker 2>We need to do this. But yeah, give us the

1:19:44.840 --> 1:19:48.240
<v Speaker 2>millies game plan, the execution or so like some of this.

1:19:48.360 --> 1:19:50.600
<v Speaker 6>I was talking with my men, Miley and I was

1:19:50.960 --> 1:19:53.400
<v Speaker 6>and we were just saying, like it depends on like

1:19:53.439 --> 1:19:55.360
<v Speaker 6>the level of humans. So when people we're just thinking

1:19:55.400 --> 1:19:57.240
<v Speaker 6>like dudes will go to the gym and m m

1:19:57.320 --> 1:20:00.759
<v Speaker 6>a fighters, you gotta think about humans that in the jungle.

1:20:01.479 --> 1:20:04.559
<v Speaker 2>Mm hmm. That's what that's what you're taking it.

1:20:05.080 --> 1:20:11.479
<v Speaker 6>We get them think about dudes that's not Tarzan like

1:20:11.479 --> 1:20:14.880
<v Speaker 6>like Georgia of the jungle, like a pocket, like a

1:20:14.880 --> 1:20:17.599
<v Speaker 6>pocket liptic, like you know, there's still kids from still

1:20:17.640 --> 1:20:20.160
<v Speaker 6>places in Colombia and ship like that where they haven't

1:20:20.160 --> 1:20:21.000
<v Speaker 6>seen civilization.

1:20:21.080 --> 1:20:23.519
<v Speaker 2>Oh yeah, So so you're saying, go get them.

1:20:23.760 --> 1:20:25.639
<v Speaker 6>Go get twenty of them. We got one hundred dudes,

1:20:25.720 --> 1:20:27.280
<v Speaker 6>right yeah, all right, but.

1:20:27.320 --> 1:20:30.320
<v Speaker 3>Even like that one indigenous island that has all the

1:20:30.320 --> 1:20:32.880
<v Speaker 3>people that never seen civilization and they kill like one

1:20:32.960 --> 1:20:34.320
<v Speaker 3>Christian every three years.

1:20:34.360 --> 1:20:38.120
<v Speaker 2>That trist Jesus. That's not a gorilla. That's they're killing animals. Bro.

1:20:38.200 --> 1:20:39.280
<v Speaker 2>They live with the gorillas.

1:20:40.160 --> 1:20:42.720
<v Speaker 6>They know the tactics of gorilla, but they don't get expirens.

1:20:43.479 --> 1:20:47.120
<v Speaker 2>You know, you sound silly, right, We just trying to

1:20:47.160 --> 1:20:51.120
<v Speaker 2>keep trying to keep it like his theorious trotting No, no, no,

1:20:51.120 --> 1:20:55.879
<v Speaker 2>Nolla is Colombia too, like you just named Colombian gorilla.

1:20:56.880 --> 1:20:57.479
<v Speaker 2>Just show them a.

1:20:57.479 --> 1:21:01.719
<v Speaker 3>Brick, let them get into the poppy field. He's done,

1:21:01.840 --> 1:21:02.240
<v Speaker 3>he's done.

1:21:02.280 --> 1:21:08.160
<v Speaker 2>We got it. You're going people from the jungle. Yeah,

1:21:08.360 --> 1:21:09.320
<v Speaker 2>different strategies.

1:21:09.320 --> 1:21:12.280
<v Speaker 6>They just they got climb shree, they do all types

1:21:12.280 --> 1:21:16.719
<v Speaker 6>of just do jungle SMOs, twenty sumos twenty okay, twenty sumos.

1:21:16.760 --> 1:21:19.760
<v Speaker 3>Okay, that's the first wave. A gorilla is smoking every

1:21:19.800 --> 1:21:21.800
<v Speaker 3>sumo to Harvey, They've moved like this.

1:21:23.040 --> 1:21:25.599
<v Speaker 6>Nah, you're not thinking, You're not thinking the weight of sumos. Bro,

1:21:26.280 --> 1:21:29.479
<v Speaker 6>you're gonna use this. You use the sumos. You use

1:21:29.560 --> 1:21:34.200
<v Speaker 6>the sumos essentially to sit on the gorilla. You gotta

1:21:34.240 --> 1:21:37.320
<v Speaker 6>pin the gorilla down. So we got wild sumos. A

1:21:37.360 --> 1:21:39.919
<v Speaker 6>few of y'all are gonna be casualties. Ten dead sumos

1:21:39.920 --> 1:21:40.679
<v Speaker 6>on that thing about.

1:21:40.479 --> 1:21:43.040
<v Speaker 2>Supporting the high like that. Yeah, we're gonna use the

1:21:43.200 --> 1:21:44.080
<v Speaker 2>dead body.

1:21:44.240 --> 1:21:44.360
<v Speaker 1>Bro.

1:21:44.439 --> 1:21:46.639
<v Speaker 2>First of all, we're gonna use the dead bodies.

1:21:47.120 --> 1:21:52.320
<v Speaker 6>So you take you take ten dead sumos, r ip, Yeah,

1:21:52.880 --> 1:21:57.519
<v Speaker 6>stack them up on the gorilla while fighting. Look, you

1:21:57.880 --> 1:22:00.960
<v Speaker 6>need like four mma fighters fighting. They to be casualties too.

1:22:01.040 --> 1:22:04.040
<v Speaker 6>You got dudes picking them up. Eventually, you just you

1:22:04.120 --> 1:22:06.840
<v Speaker 6>swing the bodies whatever if you if you swing a

1:22:07.400 --> 1:22:08.479
<v Speaker 6>body hard enough.

1:22:11.520 --> 1:22:15.360
<v Speaker 3>Real when we look up the average weight, we're talking

1:22:15.360 --> 1:22:15.960
<v Speaker 3>about the most wing.

1:22:16.040 --> 1:22:18.519
<v Speaker 2>We're talking about the most strongest people on earth that

1:22:18.640 --> 1:22:22.880
<v Speaker 2>do the jab the strong competitions.

1:22:25.360 --> 1:22:29.040
<v Speaker 3>The gorilla is gonna give us enough time to swing, BROI.

1:22:28.640 --> 1:22:30.040
<v Speaker 2>How many pounds is the gorilla way?

1:22:31.479 --> 1:22:37.439
<v Speaker 3>It's by tons, I believe, not the biggest gorilla, all right,

1:22:37.560 --> 1:22:38.200
<v Speaker 3>six hundred.

1:22:38.680 --> 1:22:40.280
<v Speaker 2>You throw a three hundred.

1:22:39.960 --> 1:22:43.320
<v Speaker 3>Six hundred, and agile sumo wrestlers are three hundred or fifty.

1:22:43.360 --> 1:22:48.800
<v Speaker 6>We're gonna demolish this thing you throw if you throw it,

1:22:48.920 --> 1:22:52.400
<v Speaker 6>so listen, listen, listen, listen, listen, listen. If you throw

1:22:52.400 --> 1:22:54.960
<v Speaker 6>a sumo, Look you see how it's standing right there,

1:22:55.280 --> 1:22:58.959
<v Speaker 6>throw the sumo into its leg fop like a kickstand.

1:22:59.040 --> 1:23:02.759
<v Speaker 6>You're kicking the leg out, so they're getting injured.

1:23:02.800 --> 1:23:05.200
<v Speaker 2>Off rip. I promise one hundred men could be Assume

1:23:05.240 --> 1:23:06.720
<v Speaker 2>I'm dead. Ass Okay, you.

1:23:06.800 --> 1:23:08.840
<v Speaker 3>Make it to the tabletop, remember tabletop of middle school?

1:23:08.880 --> 1:23:09.559
<v Speaker 3>Someone get behind in.

1:23:09.560 --> 1:23:12.400
<v Speaker 6>Them, push them, Look you throw, You throw the sumos

1:23:12.400 --> 1:23:14.800
<v Speaker 6>at it until this ship is hurt. Eventually you start

1:23:14.880 --> 1:23:17.519
<v Speaker 6>stacking dead bodies on the ship. It's dead weight. Now

1:23:17.520 --> 1:23:21.160
<v Speaker 6>the people are even heavier. Now you just fucking get tactical.

1:23:21.320 --> 1:23:24.240
<v Speaker 6>You get people who've been growing their nails out or whatever.

1:23:24.720 --> 1:23:27.680
<v Speaker 6>You stabish and bro you do shit, gosh it, you

1:23:27.840 --> 1:23:30.280
<v Speaker 6>just slowly attacked it. It's only gonna take It's gonna

1:23:30.280 --> 1:23:32.679
<v Speaker 6>take about twenty human casualties. The rest of the eighty

1:23:32.720 --> 1:23:35.400
<v Speaker 6>dudes is gonna pound it out. And gorillas have never

1:23:35.479 --> 1:23:38.599
<v Speaker 6>laid a demonstration on whoever they killed outside of God's

1:23:38.640 --> 1:23:39.280
<v Speaker 6>Zilla movie.

1:23:39.320 --> 1:23:40.800
<v Speaker 2>But that's what I'm saying. I don't think we have

1:23:40.920 --> 1:23:44.800
<v Speaker 2>any any any excuse merrillas we did. We did have

1:23:44.840 --> 1:23:47.559
<v Speaker 2>a chimp. There's no demonstrations though. It's like a guy

1:23:47.600 --> 1:23:49.719
<v Speaker 2>with a bunch of guns who never killed anybody. That's true,

1:23:49.760 --> 1:23:53.360
<v Speaker 2>But we do have cases where chimps have attacked humans.

1:23:53.360 --> 1:23:56.240
<v Speaker 2>I believe one chimp completely ripped the lady's face off.

1:23:56.400 --> 1:23:58.519
<v Speaker 2>The lady just yeah, just it was just like but

1:23:58.560 --> 1:24:01.120
<v Speaker 2>they were like we just off to Yeah, they were

1:24:01.160 --> 1:24:01.639
<v Speaker 2>just at home.

1:24:03.120 --> 1:24:05.400
<v Speaker 3>Faces don't have gender, Like it doesn't matter as a

1:24:05.479 --> 1:24:07.040
<v Speaker 3>lady or man that face is getting ripped off.

1:24:07.400 --> 1:24:11.000
<v Speaker 2>But gorillas don't kill humans because humans are very rarely

1:24:11.479 --> 1:24:13.880
<v Speaker 2>in the vicinity of a wild gorilla.

1:24:13.960 --> 1:24:16.160
<v Speaker 6>I'm just saying, we have no demonstration, and y'all are

1:24:16.160 --> 1:24:17.479
<v Speaker 6>giving it a hundred bodies.

1:24:18.040 --> 1:24:22.000
<v Speaker 2>Yeah, there's no demonstrations. You may double the murder rate.

1:24:22.040 --> 1:24:26.280
<v Speaker 2>And wherever they were and we clean up. Peach, pull

1:24:26.320 --> 1:24:29.320
<v Speaker 2>up the clip where uh the gorilla? I got forty

1:24:29.400 --> 1:24:32.200
<v Speaker 2>humans drag drag. It was like a photographer that was

1:24:32.200 --> 1:24:34.600
<v Speaker 2>in like they were all like in amongst gorillas and

1:24:34.600 --> 1:24:37.320
<v Speaker 2>it just dragged a photographer a few feet and let

1:24:37.360 --> 1:24:40.439
<v Speaker 2>him go like that is the funny that clip right there,

1:24:41.680 --> 1:24:45.920
<v Speaker 2>and it just dragged. I'm an animal lover too. Yeah,

1:24:45.960 --> 1:24:51.160
<v Speaker 2>look at that. Look at bodies on animals. The car

1:24:51.320 --> 1:24:53.120
<v Speaker 2>just dragging. That looks that dude looks like he's shipped

1:24:53.120 --> 1:24:53.479
<v Speaker 2>all on this.

1:24:56.280 --> 1:24:58.960
<v Speaker 4>He it was very calm, though, you better be.

1:24:59.320 --> 1:25:00.000
<v Speaker 2>You bet a little.

1:25:00.120 --> 1:25:04.880
<v Speaker 6>You want to fight, that's your demonstration. Will I'm trying

1:25:04.880 --> 1:25:07.720
<v Speaker 6>to tell you, Bro, I'm trying to tell you it's

1:25:07.720 --> 1:25:08.840
<v Speaker 6>not even a discussion.

1:25:09.000 --> 1:25:12.960
<v Speaker 2>One hundred men will crush one of them. Shits, Bro,

1:25:14.360 --> 1:25:16.840
<v Speaker 2>A punch has seven You getting all it is. It's

1:25:16.840 --> 1:25:19.120
<v Speaker 2>a lot of bark, Like do.

1:25:19.080 --> 1:25:21.960
<v Speaker 3>You even see the hip movement on that bro swinging?

1:25:22.240 --> 1:25:25.880
<v Speaker 2>The gorilla has one punch, has seven hundred and seventy

1:25:25.920 --> 1:25:30.439
<v Speaker 2>six pounds of pressure one punch. That's why he's gonna

1:25:30.479 --> 1:25:35.559
<v Speaker 2>kick that. Oh excuse me, I had the numbers wrong.

1:25:36.120 --> 1:25:39.240
<v Speaker 2>Two thousand, seven hundred pounds of pressure behind one girl.

1:25:39.360 --> 1:25:41.120
<v Speaker 6>Right, but all right, Look if you play that clip

1:25:41.160 --> 1:25:44.400
<v Speaker 6>back right, this clip is looping right now. So if

1:25:45.120 --> 1:25:47.519
<v Speaker 6>you watch this clip right when he punches the guy,

1:25:48.400 --> 1:25:51.280
<v Speaker 6>when the gorilla, when the gorilla punches the guy, you'll

1:25:51.320 --> 1:25:55.120
<v Speaker 6>see an outlet. Look right there. When that's when you're

1:25:55.120 --> 1:25:56.799
<v Speaker 6>throwing the guys at his leg.

1:25:56.880 --> 1:25:59.200
<v Speaker 2>Okay, throw the so break the legs. That's what I'm saying.

1:25:59.280 --> 1:26:02.280
<v Speaker 2>I think standing straight up and doing all this like.

1:26:02.760 --> 1:26:05.880
<v Speaker 3>Somebody with two thousand pounds in a hook. Look breaking

1:26:05.920 --> 1:26:07.640
<v Speaker 3>throwing someone that his leg is gonna stop it.

1:26:07.760 --> 1:26:10.479
<v Speaker 6>A sumo wrestler, You throw sumo wrestler at his leg

1:26:10.520 --> 1:26:12.400
<v Speaker 6>with high velocity.

1:26:12.680 --> 1:26:15.559
<v Speaker 3>Yeah, I just the velocity we're doing with the wrestler

1:26:16.120 --> 1:26:19.200
<v Speaker 3>who's with the strongest people, Like we're gonna roll like

1:26:19.200 --> 1:26:19.840
<v Speaker 3>a bowling ball.

1:26:20.800 --> 1:26:25.439
<v Speaker 2>Three sumo wrestlers to throw. Bro is the way that's

1:26:25.439 --> 1:26:27.120
<v Speaker 2>not happening. So we're throwing the dead bodies.

1:26:27.160 --> 1:26:29.320
<v Speaker 6>I get they keep showing these type of dudes. These

1:26:29.400 --> 1:26:31.720
<v Speaker 6>is not the type of dudes that's gonna beat this.

1:26:32.280 --> 1:26:34.960
<v Speaker 6>Like you're giving the wrong example. These dudes be in

1:26:34.960 --> 1:26:35.360
<v Speaker 6>the gym.

1:26:36.720 --> 1:26:38.280
<v Speaker 2>They show the mm A fighter in the in the

1:26:38.360 --> 1:26:40.439
<v Speaker 2>ring with a gorilla like AI. You know they showed that,

1:26:40.680 --> 1:26:43.320
<v Speaker 2>but they say that the gorilla could bitch press forty

1:26:43.400 --> 1:26:46.960
<v Speaker 2>up to forty eight hundred pounds. All right, are you do.

1:26:46.920 --> 1:26:49.880
<v Speaker 6>You think you can't beat a dude who goes to

1:26:49.920 --> 1:26:52.680
<v Speaker 6>the gym every day. There's got to be They're not

1:26:52.720 --> 1:26:55.000
<v Speaker 6>talking about parts of the gorilla that could knock them out.

1:26:55.000 --> 1:26:56.720
<v Speaker 2>Whe's the nerves at? Where's his nerves at?

1:26:57.120 --> 1:27:00.400
<v Speaker 3>It's That's what I'm trying to say, Like, you can't

1:27:00.439 --> 1:27:03.559
<v Speaker 3>do with you the muscle bound guy, that being the gym.

1:27:03.600 --> 1:27:04.840
<v Speaker 3>If you don't know how to fight, you could beat

1:27:04.840 --> 1:27:08.400
<v Speaker 3>them no matter what. Yeah, to fight somebody with two

1:27:08.439 --> 1:27:11.200
<v Speaker 3>thousand pounds in a punch when they mush your face,

1:27:11.800 --> 1:27:14.120
<v Speaker 3>that's like five hundred pounds breaking your nose.

1:27:14.880 --> 1:27:17.400
<v Speaker 6>Break break all right, you you start with the gold

1:27:17.439 --> 1:27:20.519
<v Speaker 6>bro you break the leg on the gorilla. Listen, you

1:27:20.560 --> 1:27:23.040
<v Speaker 6>break the leg on the gorilla, and then you chill

1:27:23.120 --> 1:27:25.720
<v Speaker 6>until it starts really feeling pain. Everybody, get away from it,

1:27:25.800 --> 1:27:28.639
<v Speaker 6>Just away from it. Okay, yeah, now it's really in pain.

1:27:28.680 --> 1:27:31.160
<v Speaker 6>You heard it again. But I love gorillas. I would

1:27:31.160 --> 1:27:34.400
<v Speaker 6>never want to kill a gorilla. I'm just saying, like, right, no,

1:27:34.640 --> 1:27:35.759
<v Speaker 6>I really love animals.

1:27:35.840 --> 1:27:40.760
<v Speaker 2>You would never get the chance. I Like, I really

1:27:40.760 --> 1:27:42.200
<v Speaker 2>said it, Like he gonna beat in the vicinity of

1:27:42.200 --> 1:27:42.639
<v Speaker 2>a gorilla?

1:27:42.760 --> 1:27:46.840
<v Speaker 6>Like you good, You're gonna do nothing, you know, I

1:27:46.920 --> 1:27:49.400
<v Speaker 6>just don't want to, Like I love I love animals,

1:27:49.600 --> 1:27:51.839
<v Speaker 6>like I don't even like talking about humans killing animals.

1:27:51.840 --> 1:27:55.880
<v Speaker 2>But we could though, Oh no, I think this for sure.

1:27:55.880 --> 1:27:58.160
<v Speaker 2>We can kill animals when we get weapons and things

1:27:58.200 --> 1:28:02.280
<v Speaker 2>bare hands. Bro, I can't believe that. I'm not going onyrilla,

1:28:02.479 --> 1:28:02.720
<v Speaker 2>just not.

1:28:03.000 --> 1:28:05.519
<v Speaker 6>We got we got twenty dudes from the jungle, twenty sumos,

1:28:05.600 --> 1:28:06.839
<v Speaker 6>twenty NMA fighters.

1:28:07.120 --> 1:28:15.360
<v Speaker 2>Okay, that's sixty who you sacrificing. We sacrificed.

1:28:15.520 --> 1:28:18.479
<v Speaker 3>Like they're saying, a nine millimeter can't even puncture this kid.

1:28:18.800 --> 1:28:19.800
<v Speaker 3>You think a punch.

1:28:19.560 --> 1:28:23.200
<v Speaker 2>Will damn it? I mean, but you could break You

1:28:23.240 --> 1:28:25.960
<v Speaker 2>could break a leg of them if you. I think

1:28:25.960 --> 1:28:28.400
<v Speaker 2>it takes more than just throwing a sumo wrest lad.

1:28:28.560 --> 1:28:30.679
<v Speaker 6>I don't think we got enough facts on how long

1:28:30.720 --> 1:28:31.960
<v Speaker 6>the gorilla can fight for.

1:28:32.160 --> 1:28:34.200
<v Speaker 2>No, that Darren Drance is very short now, That is

1:28:34.280 --> 1:28:36.120
<v Speaker 2>what I'm saying. There's a lot of facts that is

1:28:36.200 --> 1:28:39.160
<v Speaker 2>not being presented. I just but millies me personally. I

1:28:39.240 --> 1:28:40.760
<v Speaker 2>just know that if you send in a wave of

1:28:40.800 --> 1:28:44.880
<v Speaker 2>twenty men and the other eighty are standing back waiting

1:28:44.880 --> 1:28:50.040
<v Speaker 2>for them for the first forty in and there watching

1:28:50.080 --> 1:28:53.679
<v Speaker 2>them run. Once those sixty men start seeing that gorilla

1:28:53.840 --> 1:28:56.960
<v Speaker 2>peel these grown men apart like bananas. I think some

1:28:57.000 --> 1:28:58.599
<v Speaker 2>of those six they're gonna be yo. I'm cool. I'm

1:28:58.600 --> 1:28:59.040
<v Speaker 2>not going in there.

1:28:59.080 --> 1:29:01.280
<v Speaker 6>They're not allowed These just all we we're thinking about

1:29:01.320 --> 1:29:04.040
<v Speaker 6>it on some gladiator Russell Crow shit, they're not allowed

1:29:04.080 --> 1:29:05.920
<v Speaker 6>to run these These are not the guys that's running.

1:29:05.920 --> 1:29:07.720
<v Speaker 2>I'm talking about humans.

1:29:07.320 --> 1:29:09.960
<v Speaker 6>That's here to die for this, Like gladiator shit, three

1:29:10.000 --> 1:29:13.880
<v Speaker 6>hundred people like yeah, okay, not three hundred people, one

1:29:13.960 --> 1:29:18.320
<v Speaker 6>hundred from three hundred three that they were like, understand,

1:29:18.479 --> 1:29:22.160
<v Speaker 6>you want to raise You're just we're talking about straight warriors.

1:29:22.160 --> 1:29:23.880
<v Speaker 6>We're not talking about guys who are gonna see this

1:29:23.880 --> 1:29:24.679
<v Speaker 6>ship and run away.

1:29:24.880 --> 1:29:25.720
<v Speaker 2>Okay, all right.

1:29:25.760 --> 1:29:28.439
<v Speaker 3>Gorillas don't have the same endurance. They're more likely sprinters

1:29:28.439 --> 1:29:31.200
<v Speaker 3>than long distance runners. But at the same time, I'm

1:29:31.240 --> 1:29:34.679
<v Speaker 3>taking their sprint over the sumo wrestler sprint and endurance.

1:29:35.280 --> 1:29:38.599
<v Speaker 6>They don't have the endurance of athletes. What happens when

1:29:38.640 --> 1:29:39.360
<v Speaker 6>you break this leg?

1:29:39.400 --> 1:29:42.439
<v Speaker 2>It's done? Yeah, I just don't know if the sumo

1:29:42.439 --> 1:29:44.760
<v Speaker 2>wrestler throwing them sumer wrestler at the leg is gonna

1:29:44.800 --> 1:29:47.040
<v Speaker 2>do it though it's gonna take a lot to break

1:29:47.040 --> 1:29:47.519
<v Speaker 2>a grill.

1:29:47.439 --> 1:29:49.680
<v Speaker 6>Three hundred and thirty pounds, you throw a couple of

1:29:49.680 --> 1:29:53.160
<v Speaker 6>the motherfuckers, or like when it's doing this thing that

1:29:53.240 --> 1:29:55.519
<v Speaker 6>someone could just really try to pen its leg down,

1:29:55.600 --> 1:29:56.200
<v Speaker 6>break that ship.

1:29:56.200 --> 1:29:59.040
<v Speaker 2>There's people that know how to. Yeah, that's true. I

1:29:59.120 --> 1:30:00.760
<v Speaker 2>just think that you're thinking about breaking like a human

1:30:00.840 --> 1:30:02.360
<v Speaker 2>leg I don't know if you to the.

1:30:02.400 --> 1:30:05.559
<v Speaker 5>Back yard I having this conversation and being serious has

1:30:06.000 --> 1:30:06.840
<v Speaker 5>he yo.

1:30:06.760 --> 1:30:10.640
<v Speaker 2>Yo, because you know what it is you now.

1:30:10.960 --> 1:30:12.280
<v Speaker 4>I wouldn't be the dumb bitch getting in.

1:30:12.280 --> 1:30:14.240
<v Speaker 2>The ring with the gorilla that you don't you don't

1:30:14.280 --> 1:30:15.360
<v Speaker 2>believe in one hundred men.

1:30:16.840 --> 1:30:18.040
<v Speaker 4>I don't believe in one man.

1:30:19.800 --> 1:30:23.160
<v Speaker 2>That's just a hundred niggas. You don't believe that's shat GBT.

1:30:23.240 --> 1:30:24.599
<v Speaker 2>How do you break a gorilla's legs? Said?

1:30:24.600 --> 1:30:26.479
<v Speaker 3>I can't help you with that. Your question is about

1:30:26.479 --> 1:30:29.719
<v Speaker 3>gorilla anatomy, veterinarian care of wildlife protection. I'd be happy

1:30:29.720 --> 1:30:33.200
<v Speaker 3>to help. Can you clarify what your intent is?

1:30:33.240 --> 1:30:35.360
<v Speaker 6>That's why I'm trying to tell Peter like I'm not

1:30:35.400 --> 1:30:37.920
<v Speaker 6>on this like I want all the gorillas to live.

1:30:38.160 --> 1:30:40.160
<v Speaker 2>I think. Also, let me put the disclaimer.

1:30:40.240 --> 1:30:43.439
<v Speaker 6>Anybody who goes and hunts wild game or whatever, you know,

1:30:43.479 --> 1:30:46.160
<v Speaker 6>all them rich people, they go kill tigers and lions

1:30:46.200 --> 1:30:50.000
<v Speaker 6>and rare animal was like, you're going to hell too.

1:30:51.400 --> 1:30:54.520
<v Speaker 6>But yeah, like just on this just you know, strategy

1:30:54.560 --> 1:30:57.439
<v Speaker 6>of one hundred men versus gorilla. Now that gorilla is

1:30:57.439 --> 1:31:06.719
<v Speaker 6>gonna die, well.

1:31:06.640 --> 1:31:08.040
<v Speaker 4>Least we have some voicemails for you.

1:31:08.120 --> 1:31:10.400
<v Speaker 5>Some people have they want to know, they want some

1:31:10.439 --> 1:31:13.960
<v Speaker 5>advice from y'all. Not monkey advice, just regular human advice.

1:31:15.360 --> 1:31:18.640
<v Speaker 3>You've got male Gorilla's.

1:31:18.120 --> 1:31:21.040
<v Speaker 2>Bones from Austin, Texas.

1:31:22.000 --> 1:31:24.200
<v Speaker 8>And it's just a question about the rap music and

1:31:24.240 --> 1:31:26.559
<v Speaker 8>stuff since like you know, I love the nineties early

1:31:26.600 --> 1:31:29.920
<v Speaker 8>two thousands, but y'all know all stuff right now it's

1:31:29.960 --> 1:31:33.559
<v Speaker 8>all gimmicky, like what can come viral? How do you

1:31:33.600 --> 1:31:37.080
<v Speaker 8>propose new rappers or rappers these days that are like

1:31:37.200 --> 1:31:41.160
<v Speaker 8>coming up to make music like the nineties again or

1:31:41.200 --> 1:31:43.920
<v Speaker 8>not exactly, like make the exact same music, But how

1:31:43.960 --> 1:31:46.840
<v Speaker 8>do you get to that genre of like the rap

1:31:46.920 --> 1:31:49.479
<v Speaker 8>music being like a part of the pain and suffering

1:31:49.560 --> 1:31:51.640
<v Speaker 8>of you growing up in life and if you like

1:31:51.760 --> 1:31:54.240
<v Speaker 8>telling your outlets how to how to get out of

1:31:54.240 --> 1:31:57.719
<v Speaker 8>that stuff, like, well, how do you propose people music

1:31:58.320 --> 1:31:59.439
<v Speaker 8>get to that level of music?

1:31:59.479 --> 1:32:01.960
<v Speaker 2>Again? That's a good question.

1:32:02.479 --> 1:32:04.920
<v Speaker 6>Well that that's on the industry because that music is

1:32:04.920 --> 1:32:07.960
<v Speaker 6>out there. Yeah, leaf Ward like equivalent to naws you

1:32:08.120 --> 1:32:10.719
<v Speaker 6>break down his bar. It's no difference, bro, He wrapped

1:32:10.800 --> 1:32:15.360
<v Speaker 6>high level, high high high, very high level. You know,

1:32:15.439 --> 1:32:18.280
<v Speaker 6>and people from the nineties is so jaded from listening

1:32:18.320 --> 1:32:20.519
<v Speaker 6>to the nineties shit they go, oh my god, you said,

1:32:20.520 --> 1:32:23.960
<v Speaker 6>He's like, no, you know what I mean. So there's

1:32:24.080 --> 1:32:25.920
<v Speaker 6>the disconnect with that. If you're looking for a high

1:32:25.960 --> 1:32:29.040
<v Speaker 6>level rap, it's really out there in there, and they're

1:32:29.080 --> 1:32:34.880
<v Speaker 6>going crazy real pain music, mighty real pain music more

1:32:34.920 --> 1:32:36.920
<v Speaker 6>than him, Like there's great rappers out there. I think

1:32:36.920 --> 1:32:39.920
<v Speaker 6>it comes down, but you know, TikTok definitely throws the

1:32:39.960 --> 1:32:42.200
<v Speaker 6>shit off with the fifteen seconds and all that. People

1:32:42.200 --> 1:32:44.720
<v Speaker 6>don't want to ride and like it's like people don't

1:32:44.760 --> 1:32:47.880
<v Speaker 6>want to tune into something that makes him think anymore.

1:32:47.880 --> 1:32:51.400
<v Speaker 6>We want to just everything's so dumb down, you know.

1:32:52.600 --> 1:32:54.439
<v Speaker 6>So I don't know that. I think that's on the industry.

1:32:54.479 --> 1:32:56.400
<v Speaker 6>But as far as the talent getting people back to

1:32:56.479 --> 1:32:57.320
<v Speaker 6>rapping like that.

1:32:57.240 --> 1:32:59.280
<v Speaker 3>Like people out there doing it's out there, and I

1:32:59.280 --> 1:33:02.720
<v Speaker 3>think backsalk conversation, your records will all be like those

1:33:02.760 --> 1:33:05.960
<v Speaker 3>are proven that those bring views in And let's not

1:33:06.000 --> 1:33:07.680
<v Speaker 3>act like there wasn't gimmicks in the ninety two. It's

1:33:07.680 --> 1:33:09.360
<v Speaker 3>always going to be gimmicks. You no matter what is

1:33:09.400 --> 1:33:12.280
<v Speaker 3>going to happen. But I hate that mentality because if

1:33:12.320 --> 1:33:15.200
<v Speaker 3>you go look at artists like you, it's still working.

1:33:15.240 --> 1:33:16.280
<v Speaker 3>There's still crazy.

1:33:16.080 --> 1:33:18.759
<v Speaker 6>Views over the people that are still yeah, hard take tales,

1:33:18.760 --> 1:33:19.479
<v Speaker 6>crazy orts.

1:33:19.560 --> 1:33:21.519
<v Speaker 3>Will have to deal with TikTok the fifteen second shit,

1:33:21.560 --> 1:33:23.720
<v Speaker 3>but that's just always going to be the same thing.

1:33:23.760 --> 1:33:25.600
<v Speaker 3>People to deal with TRL. People are to deal with

1:33:25.680 --> 1:33:28.880
<v Speaker 3>radio like, that's just the new version of that. It's

1:33:28.920 --> 1:33:32.479
<v Speaker 3>still working. Yeah, how that mentality, I think is the issue.

1:33:32.600 --> 1:33:39.320
<v Speaker 6>You have also to homie from a Z like it

1:33:39.439 --> 1:33:41.800
<v Speaker 6>might not have the ninety sound, but go listen to

1:33:41.880 --> 1:33:45.519
<v Speaker 6>No Cap like, this is an artist that lit by

1:33:45.560 --> 1:33:49.400
<v Speaker 6>all standards. He's actually doing melody shit with all bars

1:33:49.439 --> 1:33:51.320
<v Speaker 6>in it. Though everything is bars.

1:33:51.400 --> 1:33:52.360
<v Speaker 2>R o'rorig is.

1:33:52.360 --> 1:33:54.920
<v Speaker 6>A lot of people won't a lot of people won't

1:33:54.960 --> 1:33:57.360
<v Speaker 6>like put it in, you know, in their in their

1:33:57.400 --> 1:33:58.639
<v Speaker 6>mind that they don't got that.

1:33:58.720 --> 1:34:01.120
<v Speaker 2>It's like it takes you are a little adjusting.

1:34:02.000 --> 1:34:04.440
<v Speaker 6>But if you want that bars and pain and substances

1:34:04.439 --> 1:34:06.680
<v Speaker 6>out there too, like No Cap is phenomenal.

1:34:06.880 --> 1:34:08.400
<v Speaker 2>You know, there's a lot of it. I think, like

1:34:08.439 --> 1:34:10.840
<v Speaker 2>you said, I think just the way we consume music

1:34:10.880 --> 1:34:12.720
<v Speaker 2>has changed, and I think that you know the fact

1:34:12.760 --> 1:34:18.519
<v Speaker 2>that a nobody can upload their music the same day

1:34:18.560 --> 1:34:22.120
<v Speaker 2>to the same platform as a Beyonce or Kendrick or Drake.

1:34:22.200 --> 1:34:24.439
<v Speaker 2>I think that fucks with a lot of it as well,

1:34:24.479 --> 1:34:27.519
<v Speaker 2>because it's like, there's so much access that we have

1:34:27.640 --> 1:34:31.360
<v Speaker 2>to bullshit. We have access to dumb shit, shit that

1:34:31.360 --> 1:34:33.720
<v Speaker 2>we should never even hear, shit that we should never

1:34:33.760 --> 1:34:36.760
<v Speaker 2>even see. But because we all are on our devices

1:34:36.760 --> 1:34:39.840
<v Speaker 2>and all on these streaming platforms, we're gonna come across it.

1:34:39.880 --> 1:34:41.720
<v Speaker 2>All shit is gonna be pushed that it maybe we

1:34:41.760 --> 1:34:44.479
<v Speaker 2>would never even find, but it's being pushed, like you said,

1:34:44.520 --> 1:34:47.120
<v Speaker 2>because of TikTok. It's fifteen seconds in the song that

1:34:47.920 --> 1:34:49.920
<v Speaker 2>one hundred thousand kids are looking at that they thought

1:34:50.000 --> 1:34:51.680
<v Speaker 2>was dope. Yeah, I didn't just spreading it.

1:34:51.760 --> 1:34:53.600
<v Speaker 6>I didn't understand how bad that was un till I

1:34:53.600 --> 1:34:55.799
<v Speaker 6>talked to a DJ and he was like, yeah, when

1:34:56.000 --> 1:34:58.559
<v Speaker 6>I'm in the club, I got to play the sound

1:34:58.600 --> 1:34:59.280
<v Speaker 6>from TikTok.

1:34:59.479 --> 1:35:02.240
<v Speaker 2>You gotta keep down, bro, you gotta. He was like,

1:35:02.280 --> 1:35:02.639
<v Speaker 2>you gotta.

1:35:03.680 --> 1:35:05.880
<v Speaker 6>You gotta play the sound on TikTok and skip over

1:35:05.920 --> 1:35:07.559
<v Speaker 6>the rest of the song because they might know the

1:35:07.640 --> 1:35:09.439
<v Speaker 6>song and the whole club ro was crazy, but they

1:35:09.479 --> 1:35:11.479
<v Speaker 6>don't know the rest of the rest of the shit.

1:35:11.560 --> 1:35:15.519
<v Speaker 3>Oh yeah, I also think like consumers that are like

1:35:15.680 --> 1:35:20.280
<v Speaker 3>my age and older need to also adjust their Yeah,

1:35:21.960 --> 1:35:25.759
<v Speaker 3>granted I'm early two thousands, was like I really started

1:35:25.760 --> 1:35:28.759
<v Speaker 3>to really really get the music late nineties, went back

1:35:28.800 --> 1:35:31.439
<v Speaker 3>to ninety shit in my teenage year. So I still

1:35:31.439 --> 1:35:33.840
<v Speaker 3>have that nostalgic feel like when I was coming up.

1:35:33.880 --> 1:35:36.599
<v Speaker 3>I have a different connection to it, so that sound

1:35:37.360 --> 1:35:40.200
<v Speaker 3>enters my brain differently. I can't listen to this stuff

1:35:40.400 --> 1:35:42.559
<v Speaker 3>now the same way because I'm doing a disjustice to

1:35:42.600 --> 1:35:45.080
<v Speaker 3>what's out now. Why could I have those same ears

1:35:45.120 --> 1:35:46.920
<v Speaker 3>because it's connected to a different part of my life,

1:35:47.360 --> 1:35:50.519
<v Speaker 3>like my childhood. Nothing's going to sound that way. No

1:35:50.600 --> 1:35:52.080
<v Speaker 3>matter what you were listening to as a kid, it's

1:35:52.080 --> 1:35:54.719
<v Speaker 3>always going to sound and be in your heart way

1:35:54.760 --> 1:35:57.240
<v Speaker 3>fucking different. There's plenty of guys rapping just as good

1:35:57.240 --> 1:35:59.679
<v Speaker 3>as everyone in the nineties. Just because it doesn't sound

1:35:59.720 --> 1:36:02.640
<v Speaker 3>like exact same fucking thing super fast, you need to

1:36:02.760 --> 1:36:04.880
<v Speaker 3>adjust your ears, and it's it's.

1:36:06.680 --> 1:36:08.840
<v Speaker 6>It's not the popular thing either, But if you want

1:36:08.880 --> 1:36:11.160
<v Speaker 6>that like that is out there, you know.

1:36:11.920 --> 1:36:13.360
<v Speaker 2>You just want the fucking same.

1:36:13.640 --> 1:36:15.720
<v Speaker 3>No, nothing's gonna sound like the first time you heard

1:36:15.800 --> 1:36:17.080
<v Speaker 3>nahs when you were ten.

1:36:18.479 --> 1:36:22.080
<v Speaker 6>Happen that Justini Aaron trying to trying to understand why

1:36:22.160 --> 1:36:25.600
<v Speaker 6>something is lit is very important too, Like you know,

1:36:25.640 --> 1:36:27.960
<v Speaker 6>they say people stop listening to music or searching for

1:36:28.000 --> 1:36:32.000
<v Speaker 6>new music after the age of thirty, Like scientifically, it's

1:36:32.000 --> 1:36:35.800
<v Speaker 6>not like my gorilla theory, Demaris is like real fact

1:36:35.880 --> 1:36:39.960
<v Speaker 6>I've heard, but people stop listening for looking for new

1:36:40.040 --> 1:36:42.720
<v Speaker 6>music and they just hang it up. Whereas like the

1:36:42.840 --> 1:36:47.400
<v Speaker 6>part of being you know, youthful is just listen, like

1:36:47.880 --> 1:36:50.320
<v Speaker 6>being excited about new ship. So when you're not excited

1:36:50.360 --> 1:36:52.400
<v Speaker 6>to look at anything, like I'm all, even if I

1:36:52.400 --> 1:36:56.080
<v Speaker 6>don't understand it, I'm asking like the youngins, like until

1:36:56.080 --> 1:36:57.080
<v Speaker 6>I understand.

1:36:56.720 --> 1:36:58.880
<v Speaker 2>It, Oh this is this is why y'all like it.

1:36:58.920 --> 1:37:01.320
<v Speaker 6>And then I try to listen for from that standpoint,

1:37:01.479 --> 1:37:02.559
<v Speaker 6>and a lot of the times.

1:37:02.320 --> 1:37:06.160
<v Speaker 2>I'll be like, oh, I see it. It's fire that

1:37:06.240 --> 1:37:08.800
<v Speaker 2>with Rod Wave, because I like, I hear some songs

1:37:08.840 --> 1:37:12.320
<v Speaker 2>from him, and I love his melodies. I don't know

1:37:12.360 --> 1:37:15.320
<v Speaker 2>if I'm just depressed or sad enough to really get

1:37:15.360 --> 1:37:17.559
<v Speaker 2>into it, but he was one of the artists that

1:37:17.640 --> 1:37:20.080
<v Speaker 2>I remember, you know, asking a lot of younger guys like, yo, so,

1:37:20.120 --> 1:37:22.720
<v Speaker 2>why is it that y'all really into this dude? Because

1:37:22.720 --> 1:37:24.559
<v Speaker 2>every time I see him, he's in a fucking sold

1:37:24.600 --> 1:37:27.599
<v Speaker 2>out arena. I'm like, Okay, clearly there's a whole wave

1:37:27.680 --> 1:37:29.679
<v Speaker 2>he heart bro you want.

1:37:29.560 --> 1:37:33.120
<v Speaker 6>Here man, So I feel like I see that with

1:37:33.240 --> 1:37:34.920
<v Speaker 6>rod Wave. To me, road Wave is one of the

1:37:35.080 --> 1:37:37.560
<v Speaker 6>that's probably my most listened to artists. I listen to

1:37:37.600 --> 1:37:39.599
<v Speaker 6>road Wave every time I take a plane. Every time

1:37:39.640 --> 1:37:41.799
<v Speaker 6>I take a plane back from somewhere, that's my ship.

1:37:42.200 --> 1:37:46.320
<v Speaker 2>Because you're sad that you're leaving. No, it's like reflection music.

1:37:46.400 --> 1:37:48.479
<v Speaker 6>Like if you listen to his ship, like already one,

1:37:48.520 --> 1:37:50.760
<v Speaker 6>it's sad to some people, okay.

1:37:50.720 --> 1:37:53.880
<v Speaker 2>But he's also I don't know, it's just real life

1:37:53.960 --> 1:37:54.160
<v Speaker 2>to me.

1:37:54.280 --> 1:37:58.360
<v Speaker 6>I like, I don't like escapism music, like how a

1:37:58.360 --> 1:38:00.599
<v Speaker 6>lot of people just listen to Escape is a music

1:38:00.640 --> 1:38:03.160
<v Speaker 6>which is like club shiit like let me just escape

1:38:03.160 --> 1:38:03.599
<v Speaker 6>from my life.

1:38:03.640 --> 1:38:05.360
<v Speaker 2>I like this ship that talks to me about what

1:38:05.400 --> 1:38:06.400
<v Speaker 2>I'm going through because.

1:38:06.160 --> 1:38:08.360
<v Speaker 6>I don't have no therapist or I don't got nothing,

1:38:08.360 --> 1:38:10.720
<v Speaker 6>so that's where the music is the therapy and it

1:38:10.800 --> 1:38:12.519
<v Speaker 6>just sounds fundamentally good.

1:38:13.479 --> 1:38:17.400
<v Speaker 2>And yeah, I don't I don't know. I love roadways. No,

1:38:18.080 --> 1:38:20.840
<v Speaker 2>I'm trying to. I'm trying to appreciate him more. I'm

1:38:20.840 --> 1:38:23.080
<v Speaker 2>trying to get more to the music. I recognize the talent.

1:38:23.320 --> 1:38:26.920
<v Speaker 6>So for instance, like Scott Priority is a is a

1:38:26.960 --> 1:38:29.000
<v Speaker 6>song I heard from man. We were literally leaving like

1:38:29.040 --> 1:38:37.160
<v Speaker 6>a little treacherous venue in Connecticut one night and yeah, yeah,

1:38:37.280 --> 1:38:42.600
<v Speaker 6>and Toads isn't per se treacherous but New Haven and

1:38:42.640 --> 1:38:43.280
<v Speaker 6>it was some shit that.

1:38:43.280 --> 1:38:44.559
<v Speaker 2>Was going on at the show or whatever.

1:38:44.600 --> 1:38:47.800
<v Speaker 6>And we got into the car and I'm listening to

1:38:47.840 --> 1:38:50.120
<v Speaker 6>Rod Wave and he's like on the road doing shows

1:38:50.200 --> 1:38:54.680
<v Speaker 6>alone and somebody that's the city living wrong. Pray to

1:38:54.760 --> 1:38:58.320
<v Speaker 6>God that can make it back home even if I don't,

1:38:58.320 --> 1:39:01.400
<v Speaker 6>it won't be long. And I'm listening to the show.

1:39:01.439 --> 1:39:04.360
<v Speaker 6>I just went through this ship, Like just went through

1:39:04.400 --> 1:39:06.880
<v Speaker 6>this ship. And that's I played that song one hundred times.

1:39:06.880 --> 1:39:08.639
<v Speaker 6>I didn't want to hear another song for the next

1:39:08.640 --> 1:39:11.559
<v Speaker 6>two weeks. So broad Wave has that effect on people, Okay,

1:39:11.720 --> 1:39:13.080
<v Speaker 6>you know what I mean, where it's like you might

1:39:13.120 --> 1:39:15.439
<v Speaker 6>hear something that hits you so strong from him that

1:39:15.520 --> 1:39:18.120
<v Speaker 6>you're like, I don't now, this is like above music,

1:39:18.120 --> 1:39:20.120
<v Speaker 6>because this is like connecting with me on the on

1:39:20.160 --> 1:39:21.360
<v Speaker 6>the therapy level.

1:39:21.120 --> 1:39:23.599
<v Speaker 2>And that's what and that's essentially what music is supposed

1:39:23.600 --> 1:39:24.160
<v Speaker 2>to do, right.

1:39:24.240 --> 1:39:27.160
<v Speaker 6>So yeah, and I'm big into just singing like that,

1:39:27.280 --> 1:39:30.360
<v Speaker 6>you know the I haven't been as big into like

1:39:30.400 --> 1:39:32.599
<v Speaker 6>the more newer R and B and ship like that,

1:39:32.640 --> 1:39:35.600
<v Speaker 6>but like rod Wave brings that that singing element all

1:39:35.640 --> 1:39:36.280
<v Speaker 6>were gonna get.

1:39:36.160 --> 1:39:40.679
<v Speaker 2>Like an R and B project for relies, I learned

1:39:40.720 --> 1:39:45.759
<v Speaker 2>Blanc Black, I s Aaron Blanco's hard. I mean Arn Blanco,

1:39:45.840 --> 1:39:47.839
<v Speaker 2>you know what I tell people to like my rapping.

1:39:47.960 --> 1:39:51.000
<v Speaker 6>Oh that's why man, I got a freestyle going fake

1:39:51.080 --> 1:39:56.679
<v Speaker 6>viral right now. But it's like it overshadows the other ship.

1:39:56.720 --> 1:39:58.679
<v Speaker 6>I got millions, I got millions of views on songs

1:39:58.720 --> 1:40:01.880
<v Speaker 6>where I just sing, you know. So I'd love to

1:40:01.880 --> 1:40:03.519
<v Speaker 6>do that and be more known for that. Like my

1:40:03.560 --> 1:40:06.920
<v Speaker 6>core audience, everybody who buys hard tickets, they expect that

1:40:06.960 --> 1:40:09.920
<v Speaker 6>from me. They love that, but that hasn't like that's

1:40:10.040 --> 1:40:12.479
<v Speaker 6>one of my goals to kind of push that more

1:40:12.600 --> 1:40:14.680
<v Speaker 6>through to the mainstream that you know, I do that.

1:40:14.920 --> 1:40:16.599
<v Speaker 3>I think in this era though you can split it,

1:40:16.680 --> 1:40:19.439
<v Speaker 3>like even if it's not ar and Blanco, even though

1:40:19.439 --> 1:40:22.080
<v Speaker 3>I think it's a genius name people having different series

1:40:22.120 --> 1:40:24.760
<v Speaker 3>of stuff has always been even a hip hop, even

1:40:24.800 --> 1:40:27.000
<v Speaker 3>if people that were just rapping, all right, this is

1:40:27.040 --> 1:40:29.320
<v Speaker 3>just gonna be my freestyle over other beats and then

1:40:29.360 --> 1:40:31.240
<v Speaker 3>here's my original music. I think you can still do

1:40:31.280 --> 1:40:33.679
<v Speaker 3>an R and B EP some of those lines.

1:40:33.680 --> 1:40:36.360
<v Speaker 6>I think, and I don't even consider it's more like

1:40:36.400 --> 1:40:38.560
<v Speaker 6>because it's I'm not trying to like sing saying I

1:40:38.560 --> 1:40:41.040
<v Speaker 6>got a song called high Beams though they got like

1:40:41.880 --> 1:40:45.200
<v Speaker 6>it's own little core audience, and that's the most I

1:40:45.240 --> 1:40:46.320
<v Speaker 6>like really was singing.

1:40:47.160 --> 1:40:48.200
<v Speaker 2>I'm gonna send that to y'all.

1:40:48.200 --> 1:40:51.400
<v Speaker 6>But that's yeah, if I can make like a project

1:40:51.439 --> 1:40:52.240
<v Speaker 6>like that, it'd be hard.

1:40:53.160 --> 1:40:55.760
<v Speaker 3>We're also before we get out of we're talking off Mike,

1:40:56.240 --> 1:40:59.640
<v Speaker 3>you brought up a really really good question Max B

1:40:59.760 --> 1:41:02.920
<v Speaker 3>is goot now in November. From what we understand, what

1:41:03.040 --> 1:41:06.960
<v Speaker 3>should Max B's first move be getting out of jail.

1:41:07.479 --> 1:41:09.559
<v Speaker 3>I thought that was a very very interesting.

1:41:10.000 --> 1:41:12.360
<v Speaker 2>Yeah, I thought, I think I believe he should just

1:41:12.400 --> 1:41:16.040
<v Speaker 2>get straight to Max b Silver Surfer Shit mixtape soon.

1:41:16.040 --> 1:41:18.400
<v Speaker 3>As I mean, obviously his sound is kind of what's now.

1:41:20.000 --> 1:41:23.840
<v Speaker 2>It fits as everybody's you know, the melodies and and

1:41:24.040 --> 1:41:26.599
<v Speaker 2>and a lot of the styles that that you know

1:41:26.720 --> 1:41:30.000
<v Speaker 2>Max had with the whole Silver Surfer and all of

1:41:30.040 --> 1:41:31.720
<v Speaker 2>the you know, the mixtapes that he was putting out.

1:41:31.720 --> 1:41:35.600
<v Speaker 2>Just the sound is very relevant right now. But I

1:41:35.600 --> 1:41:37.800
<v Speaker 2>think obviously when he after he gets adjusted to being

1:41:37.880 --> 1:41:40.719
<v Speaker 2>home family, gets that out the way, once he's ready

1:41:40.720 --> 1:41:42.360
<v Speaker 2>to get back into music, I think that we need

1:41:42.400 --> 1:41:43.759
<v Speaker 2>a Silver Surfer mixtape.

1:41:43.800 --> 1:41:46.320
<v Speaker 3>And I mean outside of getting adjusted family and you know,

1:41:46.400 --> 1:41:50.719
<v Speaker 3>not rushing like get your life back together, I think

1:41:50.760 --> 1:41:54.080
<v Speaker 3>outside of the sound being what Max was doing, Max

1:41:54.200 --> 1:41:56.120
<v Speaker 3>was the content king during the DVD, he took the

1:41:56.120 --> 1:41:59.560
<v Speaker 3>word we are now in the content era Max b

1:42:00.640 --> 1:42:03.320
<v Speaker 3>I don't even know like studio yet. He let it

1:42:03.680 --> 1:42:07.640
<v Speaker 3>reintroduce you to the world as the fucking comedian personality,

1:42:08.240 --> 1:42:10.639
<v Speaker 3>amazing person that we know Max B to b through

1:42:10.680 --> 1:42:13.400
<v Speaker 3>the DVD. Ear, I don't even know if we need

1:42:13.400 --> 1:42:15.040
<v Speaker 3>a song from him for the first few months.

1:42:15.920 --> 1:42:18.800
<v Speaker 2>No, we need a song. People want to hear Max.

1:42:18.840 --> 1:42:19.800
<v Speaker 2>He been through some shit.

1:42:20.080 --> 1:42:23.000
<v Speaker 6>But that's kind of like Smurder, like Bobby Smurder got

1:42:23.000 --> 1:42:24.240
<v Speaker 6>like a big personality.

1:42:25.360 --> 1:42:28.080
<v Speaker 2>But I feel like you think Bobby should have dropped

1:42:28.240 --> 1:42:28.800
<v Speaker 2>straight out.

1:42:29.520 --> 1:42:31.800
<v Speaker 3>Nah, I think it should have chilled a little bit longer.

1:42:31.800 --> 1:42:33.800
<v Speaker 3>To be quite honest, I don't think he dropped like

1:42:34.040 --> 1:42:36.080
<v Speaker 3>fresh out though he didn't. He think he should have

1:42:36.120 --> 1:42:36.920
<v Speaker 3>taken more time.

1:42:37.080 --> 1:42:39.559
<v Speaker 6>Right now though the attention span of the public is

1:42:39.600 --> 1:42:41.680
<v Speaker 6>so crazy. When you get out of jail, you kind

1:42:41.720 --> 1:42:43.680
<v Speaker 6>of got to ride that momentum.

1:42:43.800 --> 1:42:47.280
<v Speaker 3>Like, but Bobby was in that physician though they could

1:42:47.280 --> 1:42:49.400
<v Speaker 3>have taken He's one of the few people because of

1:42:49.439 --> 1:42:51.719
<v Speaker 3>the story and the anticipation, he could have really really

1:42:51.760 --> 1:42:53.360
<v Speaker 3>taken his time. But I don't know what's going on

1:42:53.400 --> 1:42:54.840
<v Speaker 3>in people's lives. Who needs money, Like.

1:42:54.920 --> 1:42:57.439
<v Speaker 6>But that's what I'm saying, judging that attention so boom

1:42:57.560 --> 1:43:01.160
<v Speaker 6>when whoever whatever rapper gets out of jail, man, I

1:43:01.160 --> 1:43:04.400
<v Speaker 6>feel like you got you know, rio To Young Og,

1:43:05.000 --> 1:43:07.400
<v Speaker 6>come on, he came straight to the PJ.

1:43:07.560 --> 1:43:08.519
<v Speaker 2>You gotta go PJ.

1:43:09.800 --> 1:43:14.559
<v Speaker 6>They gotta give your advance from your record label and cash.

1:43:15.120 --> 1:43:17.280
<v Speaker 2>You gotta pop it that day if you want.

1:43:17.360 --> 1:43:20.360
<v Speaker 6>That's how I think, like, because you're gonna get a

1:43:20.360 --> 1:43:22.800
<v Speaker 6>lot of free publicity and you gotta ride that ship.

1:43:22.880 --> 1:43:24.640
<v Speaker 6>So I think the quicker you could get to it,

1:43:24.680 --> 1:43:26.800
<v Speaker 6>like rio To Young Og came home and got right

1:43:26.880 --> 1:43:31.280
<v Speaker 6>to it. I think I'm not gonna lie. I think

1:43:31.560 --> 1:43:32.919
<v Speaker 6>Max gotta get right.

1:43:32.760 --> 1:43:35.720
<v Speaker 3>To it like he's not, like I hear you, especially with.

1:43:37.760 --> 1:43:41.040
<v Speaker 6>How much how much is the older generation gonna support him?

1:43:41.080 --> 1:43:42.800
<v Speaker 2>Like though I think they will. I think not only

1:43:42.800 --> 1:43:45.400
<v Speaker 2>will the older like he just had. You know, Supreme

1:43:45.479 --> 1:43:48.679
<v Speaker 2>just dropped his T shirt, so we obviously know Supreme

1:43:48.760 --> 1:43:50.800
<v Speaker 2>being a you know, a street where brand, A lot

1:43:50.880 --> 1:43:52.960
<v Speaker 2>of you know, young people attached to that brand and

1:43:53.000 --> 1:43:56.400
<v Speaker 2>support that brand it sold out with, so which means

1:43:56.439 --> 1:43:58.760
<v Speaker 2>you know, people are people know who Max is and

1:43:58.800 --> 1:44:01.040
<v Speaker 2>if they don't know, they heard about it. They want

1:44:01.080 --> 1:44:03.800
<v Speaker 2>to be affiliated with the story of Max B and

1:44:03.800 --> 1:44:06.960
<v Speaker 2>who he is. So I think that Max comes home obviously,

1:44:06.960 --> 1:44:10.080
<v Speaker 2>you know, get his his his family orders in line

1:44:10.080 --> 1:44:13.000
<v Speaker 2>and things of that nature. But I think he has

1:44:13.080 --> 1:44:16.320
<v Speaker 2>plans on getting right to the music. I believe got

1:44:16.320 --> 1:44:20.240
<v Speaker 2>a thousand songs written. I'm sure. I'm pretty sure he has.

1:44:20.800 --> 1:44:22.240
<v Speaker 6>I think I think that's the way you got to

1:44:22.280 --> 1:44:24.599
<v Speaker 6>come home, like pot and people got to come home.

1:44:26.000 --> 1:44:28.120
<v Speaker 3>To the older Does the older crowd matter with someone

1:44:28.240 --> 1:44:31.479
<v Speaker 3>like Max? And hear me, hear me out the way,

1:44:31.520 --> 1:44:33.960
<v Speaker 3>I'm not. I'm not comparing Max B to Charleston White

1:44:34.080 --> 1:44:37.280
<v Speaker 3>or Boosy whatsoever. I'm just saying older people that are

1:44:37.280 --> 1:44:41.280
<v Speaker 3>dominating the media space because of their unique personalities. I

1:44:41.320 --> 1:44:44.240
<v Speaker 3>think these young kids without even knowing who Max b

1:44:44.520 --> 1:44:47.559
<v Speaker 3>is is going to gravitate to him. He's that type of.

1:44:47.479 --> 1:44:49.200
<v Speaker 2>Person, yeah, for sure, for sure.

1:44:49.280 --> 1:44:51.479
<v Speaker 3>So I don't know if he needs to go to

1:44:51.600 --> 1:44:54.679
<v Speaker 3>have to rely on the connections that he had when

1:44:54.720 --> 1:44:57.360
<v Speaker 3>he was free, Like even though a lot of people

1:44:57.400 --> 1:44:58.880
<v Speaker 3>are still moving to shake, and does he need them.

1:44:58.880 --> 1:45:01.120
<v Speaker 2>He's persons differ personality wise.

1:45:01.160 --> 1:45:04.840
<v Speaker 6>Personality wise, he's going to go crazy regardless. I just

1:45:04.840 --> 1:45:07.439
<v Speaker 6>think in the state of music, like where we're at now,

1:45:07.439 --> 1:45:11.360
<v Speaker 6>it's like people almost stop giving a fuck about rappers

1:45:11.400 --> 1:45:13.519
<v Speaker 6>coming home from jail because so many rappers come home

1:45:13.560 --> 1:45:16.120
<v Speaker 6>from jail where it used to be like, you know.

1:45:16.080 --> 1:45:17.479
<v Speaker 2>Like a big rollout.

1:45:17.920 --> 1:45:19.920
<v Speaker 6>And so I was just thinking, like music wise, he's

1:45:19.960 --> 1:45:22.920
<v Speaker 6>going to do phenomenal either way. But it's like music wise,

1:45:23.640 --> 1:45:28.360
<v Speaker 6>I would think just on the strategy, on a strategy

1:45:28.360 --> 1:45:31.800
<v Speaker 6>found how to have the attitude of coming out and

1:45:31.840 --> 1:45:36.080
<v Speaker 6>getting right directly to it drop a song first seventy

1:45:36.120 --> 1:45:39.960
<v Speaker 6>two hours like go or something just big in the media,

1:45:40.000 --> 1:45:41.320
<v Speaker 6>you know what I mean, Like, what do you think

1:45:41.360 --> 1:45:41.680
<v Speaker 6>he was the.

1:45:41.600 --> 1:45:42.800
<v Speaker 2>First big feature.

1:45:44.000 --> 1:45:48.360
<v Speaker 3>What's what's the first big record that he remixes. That's

1:45:48.400 --> 1:45:51.920
<v Speaker 3>the most effective thing. I think that was Max made

1:45:51.920 --> 1:45:54.400
<v Speaker 3>his name and now the ship, the game recycles itself

1:45:54.400 --> 1:45:56.000
<v Speaker 3>all the time. We even see the biggest artists not

1:45:56.040 --> 1:45:59.320
<v Speaker 3>even going to streaming anymore. Max, if he doesn't monetizer,

1:45:59.360 --> 1:46:02.439
<v Speaker 3>shit could wrap over every big record out right now

1:46:03.720 --> 1:46:04.320
<v Speaker 3>on YouTube.

1:46:04.840 --> 1:46:07.880
<v Speaker 2>You know what, y'all, this is gonna bear with me, Okay,

1:46:08.280 --> 1:46:10.240
<v Speaker 2>you know what. I would love to hear Max on

1:46:12.040 --> 1:46:14.719
<v Speaker 2>just because his melodies and his style and his voice

1:46:14.720 --> 1:46:16.720
<v Speaker 2>and his flow. I would love to hear him on

1:46:16.760 --> 1:46:17.600
<v Speaker 2>No Kid.

1:46:18.640 --> 1:46:23.799
<v Speaker 3>Oh, that's that's not a crazy take it that is design.

1:46:24.320 --> 1:46:27.440
<v Speaker 2>I would love to Max be on No Kid that. Yeah,

1:46:27.479 --> 1:46:30.600
<v Speaker 2>he could float on a lot. I would love he

1:46:30.960 --> 1:46:33.280
<v Speaker 2>already has, he's on the I would love to hear

1:46:33.360 --> 1:46:35.080
<v Speaker 2>him on Baby Girl. I would love to hear that.

1:46:35.479 --> 1:46:39.360
<v Speaker 3>And I mean, even with everything going melodic, like Max

1:46:39.400 --> 1:46:41.840
<v Speaker 3>has not even seen what tune can do on pro

1:46:41.880 --> 1:46:46.120
<v Speaker 3>tools right now, like with everything on for melodic, who

1:46:46.160 --> 1:46:47.479
<v Speaker 3>knows if Max is even gonna rap.

1:46:48.520 --> 1:46:51.439
<v Speaker 2>Oh he's gonna rap, yeah, but he's definitely saying sure, no,

1:46:51.479 --> 1:46:54.000
<v Speaker 2>oh no, that's he has to That's that's his thing

1:46:54.040 --> 1:46:56.559
<v Speaker 2>he has to. All right, Millies, well, we appreciate you

1:46:56.600 --> 1:46:59.200
<v Speaker 2>coming by kicking with a man, always seeing you. Blanco

1:46:59.360 --> 1:47:02.360
<v Speaker 2>seven is available now and whenever you're ready to start

1:47:02.439 --> 1:47:04.360
<v Speaker 2>Ron Blanco, let me know, I want to all the

1:47:04.360 --> 1:47:07.320
<v Speaker 2>first few sessions. Man, get that ship going, because I

1:47:07.360 --> 1:47:09.280
<v Speaker 2>heard I heard the rod waves, I heard I hear

1:47:09.320 --> 1:47:12.160
<v Speaker 2>the vocals. I hear what you're doing there. But anytime

1:47:12.200 --> 1:47:14.040
<v Speaker 2>you're in the city, well you you always hear me.

1:47:14.080 --> 1:47:18.040
<v Speaker 2>I told Roy Mills, I appreciate y'all, man, And we

1:47:18.040 --> 1:47:19.839
<v Speaker 2>got to catch a Boston game, Boston Knicks.

1:47:20.160 --> 1:47:22.320
<v Speaker 6>I'm gonna get out of the Yeah, I think the

1:47:22.400 --> 1:47:23.160
<v Speaker 6>next are gonna make it.

1:47:23.439 --> 1:47:25.320
<v Speaker 2>I'm gonna I'm gonna get out of New York for

1:47:25.360 --> 1:47:28.960
<v Speaker 2>a while until the cool down to the playoffs. Yeah,

1:47:29.040 --> 1:47:31.280
<v Speaker 2>until the playoffs. You can't be in the garden with

1:47:31.320 --> 1:47:33.320
<v Speaker 2>that Boston if we're in the playoffs. I'm not going

1:47:33.360 --> 1:47:35.439
<v Speaker 2>to Madison squat. No, you can't do that. I'm cool.

1:47:36.320 --> 1:47:38.640
<v Speaker 6>I go like to regular games and ship like I

1:47:38.680 --> 1:47:41.400
<v Speaker 6>can't go when the Knicks fans is like super delusion.

1:47:41.000 --> 1:47:44.320
<v Speaker 2>On Yeah, yeah, it's crazy all the time. Yeah, every

1:47:44.360 --> 1:47:47.160
<v Speaker 2>game is the Nix fans. But that's what makes it

1:47:47.240 --> 1:47:51.160
<v Speaker 2>fun those fun times. But as a hard Celtics we.

1:47:53.000 --> 1:47:54.600
<v Speaker 3>Make it a second round. But let's not act like

1:47:54.640 --> 1:47:56.679
<v Speaker 3>the Celtics don't look a little shaky.

1:47:57.680 --> 1:48:00.679
<v Speaker 2>Can we do this when you come to a Yankee

1:48:00.760 --> 1:48:03.200
<v Speaker 2>game with us? Me, you and Rory at a Yankee game,

1:48:03.680 --> 1:48:07.120
<v Speaker 2>I feel like that's worse. No, people don't really care

1:48:07.160 --> 1:48:07.479
<v Speaker 2>like that.

1:48:07.600 --> 1:48:10.000
<v Speaker 3>If we went to a game and Yankee ship, it

1:48:10.000 --> 1:48:12.280
<v Speaker 3>would be a problem Yankee stadium. You don't really care

1:48:12.280 --> 1:48:14.400
<v Speaker 3>about that.

1:48:14.400 --> 1:48:14.800
<v Speaker 2>That ship.

1:48:14.960 --> 1:48:17.160
<v Speaker 6>Yeah, I think that ships overhyped. I'll go to a

1:48:17.200 --> 1:48:17.920
<v Speaker 6>Mets game with you.

1:48:18.680 --> 1:48:21.720
<v Speaker 2>Are you a Mets fan? You Mets hats and ship

1:48:21.840 --> 1:48:24.559
<v Speaker 2>like that? Because you're like, he's so fast, he's not.

1:48:24.920 --> 1:48:29.320
<v Speaker 2>You don't even want to go in. I could a

1:48:29.400 --> 1:48:30.720
<v Speaker 2>Yankee with this right here?

1:48:30.920 --> 1:48:35.280
<v Speaker 3>You like Noah in the In the event that the

1:48:35.320 --> 1:48:37.840
<v Speaker 3>Knicks and Celtics do meet in the second round, if

1:48:37.840 --> 1:48:40.240
<v Speaker 3>Maul and I drive up to Boston, would you even

1:48:40.280 --> 1:48:43.799
<v Speaker 3>be scene with us if we went to the Boston

1:48:43.800 --> 1:48:44.719
<v Speaker 3>Garden of course.

1:48:44.800 --> 1:48:47.240
<v Speaker 2>No, it's just not in the next gear. But look,

1:48:48.200 --> 1:48:50.759
<v Speaker 2>I'm gonna wear my Nick ship. No, No, I can't

1:48:50.800 --> 1:48:53.400
<v Speaker 2>walk away. You all into the ball. No disrespect that Wow,

1:48:54.439 --> 1:48:55.720
<v Speaker 2>walking Shamrock.

1:49:00.040 --> 1:49:03.280
<v Speaker 6>And I gotta keep it moving because like it's just political, bro.

1:49:03.479 --> 1:49:06.720
<v Speaker 6>But you know they're gonna bring up to I guarantee

1:49:06.800 --> 1:49:08.599
<v Speaker 6>if we play the NIXT they're gonna say, oh, look,

1:49:08.640 --> 1:49:12.400
<v Speaker 6>Millis were a New York Knicks jersey courtside with Davies

1:49:12.439 --> 1:49:14.679
<v Speaker 6>at a at a Madison Square Garden game.

1:49:15.920 --> 1:49:18.080
<v Speaker 2>That was a Patrick Ewing jersey. That's a fact.

1:49:18.160 --> 1:49:21.880
<v Speaker 6>Who is from three streets from me, my neighborhood hero.

1:49:22.200 --> 1:49:24.280
<v Speaker 2>There you go, There you go. I saw the connect,

1:49:24.280 --> 1:49:26.320
<v Speaker 2>I knew the kids. You know what I mean. Don't

1:49:26.320 --> 1:49:27.200
<v Speaker 2>try to pull that card.

1:49:27.479 --> 1:49:31.160
<v Speaker 3>There's also no Knicks like Celtics rivalry like that.

1:49:31.160 --> 1:49:33.439
<v Speaker 2>That's not a thing the way it is Red Sox Yankees.

1:49:33.520 --> 1:49:36.920
<v Speaker 6>Y'all want that though, like it'll have. New York fans

1:49:36.920 --> 1:49:39.679
<v Speaker 6>are so crazy that as soon as y'all get like nice,

1:49:39.720 --> 1:49:40.360
<v Speaker 6>I could just see you.

1:49:41.600 --> 1:49:43.519
<v Speaker 3>I'm saying, we've been remember when y'all get.

1:49:43.320 --> 1:49:45.400
<v Speaker 6>This out the playoffs before, when we had like KG

1:49:45.600 --> 1:49:48.439
<v Speaker 6>and Ship and Fat Joe tweeted something. He was like,

1:49:49.080 --> 1:49:52.160
<v Speaker 6>he was like, Celtics, we love you. It's just our

1:49:52.200 --> 1:49:54.960
<v Speaker 6>time right now. And I was like, oh man, it's

1:49:55.000 --> 1:49:56.680
<v Speaker 6>never been, never been a.

1:49:56.640 --> 1:49:58.280
<v Speaker 2>Time every year, it's our time.

1:49:58.360 --> 1:49:59.559
<v Speaker 3>It's just delusion of.

1:49:59.680 --> 1:50:02.840
<v Speaker 2>Yes, delusional fans. Yes, but I milized. We appreciate you man,

1:50:02.880 --> 1:50:03.680
<v Speaker 2>and whist you soon.

1:50:03.800 --> 1:50:06.640
<v Speaker 3>That love no Willia