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Speaker 2: The volume willian We are back and We're black? Who's we?

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Speaker 2: Some of us? All of us?

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Speaker 3: Mmmmm, I mean I get a theory.

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Speaker 4: I'm black.

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Speaker 2: He ain't.

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Speaker 3: Choose boy nute Josh?

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Speaker 2: Oh okay, no, Josh? What he said? Three percent African?

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Speaker 2: Oh my bad?

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Speaker 3: Twenty nine is just a wild number. How do they

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Speaker 3: break those numbers down? Of like you took a twenty

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Speaker 3: three meter to I know, but to like be twenty

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Speaker 3: nine percent, it's just funny to me. I feel like

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Speaker 3: they just really beat and making numbers.

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Speaker 2: What stopped me from that thirty? Like? Who? Who didn't

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Speaker 2: fuck who to stop me at that thirty? Like that's

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Speaker 2: what I want to know. Yeah, let's get to that.

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Speaker 3: And like I needed to, like I signed up for it,

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Speaker 3: which I told y'all, but there was no tutorial on

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Speaker 3: like how they break this down, like after you spit

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Speaker 3: in this tube and mail it, like this is how

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Speaker 3: we break up the DNA to know where it's from.

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Speaker 2: This is somebody like this, like the digging up at

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Speaker 2: each place. Yeah, you know when you build your your

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Speaker 2: creative play on two K the attribute just like yo,

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Speaker 2: let's make them seventeen seventeen percent? Ash was it? What

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Speaker 2: is it? Ashta Gandhi? Yeah? Three percent actual Gandhi.

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Speaker 3: You think I know it's you?

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Speaker 2: It's literally your being. Never been to Ashazi Asha Kanazi? Yeah,

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Speaker 2: ashkan I've went to a.

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Speaker 5: Few minus turn him in the Ganda the herb is

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Speaker 5: fucking hilarious.

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Speaker 3: But he's definitely a Ganda type of guy. But you

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Speaker 3: know that's the vibe I give. Yeah, that three percent

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Speaker 3: we migrated everywhere. Yeah, and it became ninety seven percent Irish,

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Speaker 3: but you know that's how it goes. But anyways, how's

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Speaker 3: everyone doing great? Can't you see it?

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Speaker 2: Yeah?

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Speaker 3: You the glow walking in today?

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Speaker 2: Did I? Yeah, it's the sun. The sun is out.

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Speaker 2: I walked, took a little walk this morning and got

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Speaker 2: some vitamin D. And you know how far you walked.

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Speaker 2: I walked about tim blocks, about tim starts getting nice.

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Speaker 2: I like to walk around my hat a little bit. Yeah,

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Speaker 2: that's your type of thing, just to get a little son,

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Speaker 2: you know the outside, say hellolder people, a little vitamin D.

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Speaker 5: I wanted to FaceTime y'all yesterday so y'all could see

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Speaker 5: what I was doing, because like you ever be in

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Speaker 5: the middle of doing something and you realize when you're

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Speaker 5: doing it, like you're doing some crazy ship.

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Speaker 2: Y'all know.

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Speaker 5: I had to go pick my wallet up from Starlits.

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Speaker 5: I told you I left my wall, Yes, so I

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Speaker 5: took out of Ubers were like they were trying to

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Speaker 5: I was coming from Jersey, so like ubers were trying

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Speaker 5: to blast me. I'm like, I'm not going to take

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Speaker 5: the path in and then I'll just take the train

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Speaker 5: and then you know, I'll take a car over. But

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Speaker 5: once I got to Queen's I was like, I saw

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Speaker 5: a city bike and.

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Speaker 3: I was like, why not, Like Aria park right there?

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Speaker 2: Stop stop stop if you tell me, if Damaris, if

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Speaker 2: you tell me you rode a city bike to stall.

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Speaker 2: Its me and you are gonna fight like two gorillas, right,

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Speaker 2: you know, right now if you throw the city bike

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Speaker 2: to the strip clock.

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Speaker 3: I swear to God, it's not funny that she drove

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Speaker 3: her there, it's that she parked it outside.

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Speaker 2: I ain't got back on it. Kicks. I kicked the

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Speaker 2: kicks man left and left it running. Like don't they

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Speaker 2: charge you per what per minute? Yeah, you left the

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Speaker 2: city bike running, the meter running, and better got it

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Speaker 2: during the day.

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Speaker 3: But it was two am.

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Speaker 2: No, no excuse to say it was during today were

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Speaker 2: they opened.

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Speaker 5: No, the cleaner was there, so that I was talking

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Speaker 5: to the manager and the cleaner able to now he

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Speaker 5: was cleaning. He was really cleaning, and they have like yeah,

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Speaker 5: he was like really clean, and he offered me a drink.

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Speaker 4: Okay, I didn't take it.

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Speaker 5: My janitor's a lot of serve drinks because the meter

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Speaker 5: was running. He's not a janitor who the meter was

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Speaker 5: running on my yo and then listen, so.

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Speaker 3: You know, split irning.

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Speaker 5: I didn't know my way there, obviously because I'm not

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Speaker 5: in a car on my bike. So on Google Maps

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Speaker 5: they have like the little like you could click like

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Speaker 5: city bike and it'll give you like the directions for that.

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Speaker 5: But it was, you know, like usually when you take

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Speaker 5: the streets, like there's a certain way you can go.

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Speaker 5: They were leading me through the projects like in Astoria,

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Speaker 5: like there's like, oh, you know, like basically it's a

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Speaker 5: short cut. So I was in the projects in a story.

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Speaker 5: I have my big ass you know, like my work bag.

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Speaker 5: I have my big ass laptop Louis bag in the

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Speaker 5: little basket and I'm just riding through a story of piece.

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Speaker 4: I hit the bell for somebody get out the way. Yeah,

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Speaker 4: I know, I know how crazy I look.

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Speaker 5: It's like like fifteen minutes and I was like, Yo,

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Speaker 5: you look nuts, my nigga, like.

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Speaker 2: You supposed to. You didn't record that. I'm flogging it.

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Speaker 2: I'velogged it. I haven't had my camera. I'm clear, I'm watching.

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Speaker 2: That's gonna be the first log I watched. I got

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Speaker 2: to see.

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Speaker 3: Any One's really funny about that entire thing. A story

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Speaker 3: of projects is out of the way that like Google

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Speaker 3: Maps just took you projects.

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Speaker 5: No, from this train station I got off at. I

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Speaker 5: had to go through the projects to get the starletts. Yeah, yo,

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Speaker 5: that is a lot, yo, let me tell you something

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Speaker 5: for whatever reason. If I happened to be in Queens

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Speaker 5: last night and I saw the Marius from the car

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Speaker 5: window riding a city bike, I would have followed her,

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Speaker 5: and if she got out at Starlet's I would have

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Speaker 5: had to get out like a yo, what are you doing?

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Speaker 2: What type of fucking life are you living away from

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Speaker 2: the studio? Like you riding in you ride a city bike?

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Speaker 3: Like a what's up?

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Speaker 2: Man?

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Speaker 4: Like a nice day yesterday? It was beautiful outside.

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Speaker 3: What does the Starletts look like with the lights on?

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Speaker 3: Like that's gotta be interesting.

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Speaker 5: Well, I went in through it like a backway somewhere,

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Speaker 5: like I wasn't at the top.

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Speaker 3: Take a good fella's entrance to Yeah, Starletts?

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Speaker 5: Okay, Well it was very clean y'all day it was.

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Speaker 5: It smelled like bleach, like they clean in there. If

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Speaker 5: you ever wanted to, like go, did.

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Speaker 3: You check your statements leaving your card at Starlets?

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Speaker 2: It just feel like you take.

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Speaker 3: Money out of twenty dollars and then you give them

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Speaker 3: the money and then they tax the ones. If I

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Speaker 3: give you five hundred dollars for ones, they're gonna give

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Speaker 3: me four hundred dollars.

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Speaker 5: Yeah, now shout out to shout out to the manager

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Speaker 5: of Starlets and the girls whoever returned the wallet. My wallet,

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Speaker 5: add everything in it, my card. I have been watching

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Speaker 5: my car. Nothing charged off like I expected that to

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Speaker 5: be gone, Like I'm just be honest.

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Speaker 4: No, it was.

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Speaker 5: Everything was good, So shout shout out to them. They

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Speaker 5: made everything they wanted to make sure I got my

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Speaker 5: wallet back to it.

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Speaker 4: They were very accommodated.

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Speaker 2: That just dope. Yeah, all right, well glad you got

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Speaker 2: everything back and everything was in your wallet.

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Speaker 3: Anything to not go to the DMV, I get it.

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Speaker 3: And would you would you run the bill on the

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Speaker 3: city bike?

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Speaker 2: What was your bill? Uh?

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Speaker 4: Ten eleven?

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Speaker 2: Oh you went crazy the whole damn bike. Yeah, eleven

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Speaker 2: dollars on a city bike. You went crazy.

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Speaker 3: Yeah that's wild because we had a city bike here

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Speaker 3: that you made us throw out.

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Speaker 5: But they almost you know, they charged like twenty five

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Speaker 5: dollars for a day pass, and I'm like, I don't

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Speaker 5: feel like I'm going twenty five dollars worth of pedals,

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Speaker 5: you know what I'm saying. Like, I'm like, I feel

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Speaker 5: like it's a straight shot. So I only spent ten

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Speaker 5: you know, there and back.

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Speaker 2: That's cool. That's a cool little like I got. That's

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Speaker 2: what I did last night.

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Speaker 4: It was fun.

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Speaker 5: It wasn't last night. It was at twelve o'clock in

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Speaker 5: the afternoon.

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Speaker 2: Oh okay, yeah, I keep forgetting said it was okay. Yeah,

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Speaker 2: that's that's cool. Ain't nothing wrong with that? That's early enough.

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Speaker 3: Since you didn't have your wallet, did you paying ones

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Speaker 3: like the city bike? Yeah, just put on the machine.

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Speaker 4: No, it goes by your phone on the lift.

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Speaker 3: At see, somebody just trying to put in like a

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Speaker 3: vending machine.

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Speaker 2: They got city bikes in DR word, he's just taking

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Speaker 2: them shipping the.

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Speaker 3: Dominican to modern society.

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Speaker 2: Dominican report does not have a city bank. What are

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Speaker 2: you talking about?

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Speaker 3: Yeah, but there's towns that don't have city bank that

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Speaker 3: have city bikes.

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Speaker 2: No, they have bikes, but it's not called a city bike.

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Speaker 2: It's just bikes. They all have bikes. But no, I'm

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Speaker 2: talking about NDR. People are stealing bikes from here and

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Speaker 2: shipping them to d R.

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Speaker 5: But why why? I don't get the point though. Don't

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Speaker 5: you need to in order to pedal it? Don't you

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Speaker 5: need No, you think you niggas ain't got scamming cars.

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Speaker 3: It's a modern society. People have debit cards and ship.

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Speaker 2: No, it's not as a third world country world. I

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Speaker 2: don't know if you know that there's like a city though.

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Speaker 3: Of course it gets a little crazy, but it's still

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Speaker 3: like modern.

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Speaker 2: No. But I'm saying here they just have cars that

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Speaker 2: they don't know who's card it is. It's scam cars.

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Speaker 2: Swipe it get the bike.

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Speaker 5: No, my I know that dr is a city. What

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Speaker 5: I'm saying is the charge. They don't have the charging ports,

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Speaker 5: So like, how are we.

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Speaker 4: Ah theyre not? Oh okay, I thought yeah, I thought

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Speaker 4: they were all electric.

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Speaker 3: Wait, city bike is electric. So oh I've only written

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Speaker 3: the ones that were like the regular pedals. Yeah, I

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Speaker 3: thought that was the thing. Maybe for another like a Patreon.

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Speaker 3: We can look up the history of city bike, because

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Speaker 3: I need to know. There's got to be something somewhere

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Speaker 3: conspiracy in there. There's no way. Somebody that worked at

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Speaker 3: a bank was like, yo, I have an idea and

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Speaker 3: pitched bikes. I'm st old parking spots and they were like, yeah,

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Speaker 3: that's that's going to be our new business plan a

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Speaker 3: city bank.

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Speaker 2: No way. Nah. You know what it was. Somebody was

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Speaker 2: late to work and it was like all the trains. Oh,

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Speaker 2: it was like I had to go cross town. I

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Speaker 2: wish I just had a bike, and somebody's like, hmm.

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Speaker 3: I think it was probably just like some old loan

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Speaker 3: shark shit. Somebody asked for a loan for this idea,

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Speaker 3: couldn't pay it back, and they just stole it.

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Speaker 2: Oh, you might be right. City Bank City Bike was

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Speaker 2: launched through a partnership between New York City and private funding.

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Speaker 3: Yeah, somebody.

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Speaker 2: Fuck.

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Speaker 3: Whenever you say private, there's no way someone came with

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Speaker 3: a power so yo, I love bikes even work at

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Speaker 3: a bank.

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Speaker 2: Private funding with City Group being the lead sponsor and

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Speaker 2: the name of the system. The city, through its Department

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Speaker 2: of Transportation, initially proposed a bike share system in two

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Speaker 2: thousand and eight wow with feasibility studying. Following twenty ten,

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Speaker 2: City Group's financial investment, along with the support of Goldman

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Speaker 2: Sachs Urban Investment Group, underwrote the project. The City of

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Speaker 2: New York contracted with NYC Bike Share later Motivate and

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Speaker 2: operated to run the system, with City Groups sponsorship securing

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Speaker 2: the City Bike name.

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Speaker 3: To me, it was like the first congestion pricing because

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Speaker 3: the amount of parking spots they took and the amount

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Speaker 3: of tickets everyone got because of those bikes.

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Speaker 2: Yeah.

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Speaker 3: Yeah, and the private funding is a icon parking, Yeah, for.

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Speaker 2: Sure, there's one hundred percent.

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Speaker 3: Everything about city bikes was to make sure we could

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Speaker 3: ticket more people. Yeah, crime, real estate they took, Yeah

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Speaker 3: they can't. We can't take any more buildings with gentrification.

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Speaker 3: Let's take the fucking sidewalks.

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Speaker 2: I hate it. I mean, I understand it, but I

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Speaker 2: hate it. It takes up so much parking in the city.

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Speaker 2: The bikes, they don't do bad bikes too. People on

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Speaker 2: the bikes don't stay in the bike lane, they like

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Speaker 2: right next to the like escalate. I'm like, yo, fam,

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Speaker 2: you're supposed to be on that side.

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Speaker 1: Day.

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Speaker 5: Well, sometimes they don't happen, you don't. I used to

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Speaker 5: yell about that too when I was driving. But yesterday,

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Speaker 5: like being a regular civilian on the bike, I realized

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Speaker 5: that now the.

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Speaker 2: Masag was like she could speak for like the bikers,

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Speaker 2: now that she rode the stalls, she's like, you know,

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Speaker 2: I used to feel the same, but after yesterday my

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Speaker 2: experience and I vlogged it. Check it out.

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Speaker 3: Now, you know, like when a rich kid does like

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Speaker 3: one missionary mission like that, they go out for like

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Speaker 3: a week, don't do shit. But I finally understand, Like

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Speaker 3: what the gers I get it.

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Speaker 5: Yeah, Like, but not every street has a bike lay,

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Speaker 5: Like the main streets have it, but like the side

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Speaker 5: streets don't. So I was, you know, there were some

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Speaker 5: people beeping at me. I beaped back and then I

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Speaker 5: just had to pull over to the side beat.

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Speaker 3: If you don't get that microwave bell out of a movie,

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Speaker 3: your ass to wait the matterage that bell. No, but

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Speaker 3: I biked in the city. You have no respect, Like

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Speaker 3: it might be more dangerous than a walking for the

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Speaker 3: string car, Like the bike is the last thing people

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Speaker 3: give a fuck about. Cars will just push you this way.

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Speaker 3: People just walk right in front of your ship. They

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Speaker 3: do not respect that bike. Laying myself included, it's dangerous

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Speaker 3: out there.

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Speaker 2: It's a whole We need to talk about the culture

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Speaker 2: of people that get up at like five am and

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Speaker 2: go outside running. So like a large majority of people,

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Speaker 2: that's like the niggas. We need to throw at the

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Speaker 2: gorillas first, y'all want to y'all want to wake up

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Speaker 2: at five am and just be running outside in the

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Speaker 2: neighborhood for a long time. Yeah, you mun't. I go

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Speaker 2: fight the grillers.

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Speaker 3: I don't want to.

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Speaker 4: I want to run in the morion.

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Speaker 3: There's no training so I can run away from the gorillas. Okay,

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Speaker 3: y'all this way, I'm going this way.

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Speaker 2: Got it with the country at first of all, tell

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Speaker 2: me that guerrillas wake up.

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Speaker 3: You don't think grills don't sleep in There's no fucking

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Speaker 3: way they up with the sun. Oh anyways, yes, stop,

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Speaker 3: move the city bikes onto the sidewalk. Give me my

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Speaker 3: parking back. But with that said, let's get through some

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Speaker 3: topics before we get to the second half of this episode.

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Speaker 3: These are the ones that you guys decided on. I

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Speaker 3: love to do pre production in real time. It's my

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Speaker 3: favorite part. That's my real, like unwoke opinion is that

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Speaker 3: all city bikes should affect pedestrians sidewalk and not my parking.

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Speaker 3: Because I saw on Twitter that someone said, host your

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Speaker 3: your most unwoke opinion, Like, don't try to set me up.

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Speaker 2: We've been through these Twitter streets before.

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Speaker 3: Sorry, officer, I'm not about to tell you my unwoke

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Speaker 3: opinion m hm, because like should die down a bit

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Speaker 3: on Twitter. As far as the cancelation, this is somebody

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Speaker 3: from twenty twenty. That was a social justice warrior trying

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Speaker 3: to get us all jammed up again. Nope, not falling

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Speaker 3: for that fucking dait. It's city bikes and city bikes only.

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Speaker 2: What's your most unwoke opinion? Yeah? None?

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Speaker 3: Everything I say is woke, Bernie. If Bernie Sanders didn't

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Speaker 3: say it, I didn't say it.

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Speaker 2: Who started this question?

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Speaker 3: But how an agent?

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Speaker 2: Yeah? Like how did? How did? How do these things?

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Speaker 3: Like?

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Speaker 2: Because we know what these are for. They just for engagement,

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Speaker 2: get people riled up on the timeline. But like, what's

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Speaker 2: your most unwoke opinion?

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Speaker 4: Mm hmm? I gave mine.

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Speaker 5: I gave one of my safe ones. I didn't give

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Speaker 5: really this up there, I said, fuck it, trying making

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Speaker 5: these kids too soft. Life is hard and you'll never

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Speaker 5: survive it. If survive it and learn how to find

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Speaker 5: beauty in it, if you grow up with everything being

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Speaker 5: sugarcoated for you, I think the kids are being made

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Speaker 5: to be too soft.

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Speaker 4: That's my unwoke opinion. That's safe.

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Speaker 5: I think like we won't our podcasts won't get canceled

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Speaker 5: for that.

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Speaker 2: Oh, we're not getting canceled norre about that.

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Speaker 3: There's nothing unwoke about that.

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Speaker 2: At all. Actually, that is unwoke.

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Speaker 4: Do you know what woke is or what they say woke.

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Speaker 3: Is, Well, woke was hacked and taken by Yes, the

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Speaker 3: right to make it is to be something else.

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Speaker 4: But agree.

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Speaker 3: I think any regular person would agree with that, that

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Speaker 3: things have softened up.

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Speaker 5: And no, see, a regular a person will not agree

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Speaker 5: that you needed like that you need to like spank

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Speaker 5: your kids, or that you need to stop gentle parenting.

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Speaker 4: That is not the regular person will not agree with that.

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Speaker 3: Oh see now all right, see we got this out

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Speaker 3: of you. Now you're saying in between the lines here

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Speaker 3: that we should beat the shit out of our house.

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Speaker 3: I've never never said these fucking kids screaming in the supermarket,

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Speaker 3: we need to smack them across their face and let's say,

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Speaker 3: give me some skills.

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Speaker 4: Never said that.

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Speaker 3: I'm not no, I'm reading in between us. See what's

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Speaker 3: going on?

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Speaker 5: People need to discipline their children, if their children need

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Speaker 5: to be disciplined.

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Speaker 2: But what type of discipline It depends because discipline is

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Speaker 2: different for every children.

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Speaker 5: Yeah, for every child, for every child, discipline should be different.

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Speaker 5: But people need to discipline their and I don't even

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Speaker 5: mean just spanking your kids, but like punishing your kids,

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Speaker 5: taking things away from your kids, making your kids respect you,

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Speaker 5: your parent. You're like the thing like even with parents,

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Speaker 5: like when they like when I was younger, I hated

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Speaker 5: because I said so until my father explained it to me,

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Speaker 5: because he didn't say that to me often, but he

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Speaker 5: was like, you need to understand that I am always

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Speaker 5: looking out for your safety and your best interests, and

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Speaker 5: one day there might be a question that I don't

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Speaker 5: have the time to answer for you. Our lives might

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Speaker 5: be in the balance. So because I said so, you

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Speaker 5: need to respect that because we might. If I say

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Speaker 5: do something, do it right now, because it might be

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Speaker 5: for your safety. I don't have time for my child

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Speaker 5: to be questioning me when something like you need to

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Speaker 5: know that.

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Speaker 4: You can trust me. You don't need to question every

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Speaker 4: single thing I do right.

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Speaker 5: And I learned that lesson and it has benefited me,

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Speaker 5: and I think it could benefit some other people and

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Speaker 5: some children.

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Speaker 3: You do your kids a disservice if you don't discipline

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Speaker 3: them or train them for actual real life and yeah,

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Speaker 3: the safety of your home, and they may resent you

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Speaker 3: for it in the meantime, but them figure out.

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Speaker 5: And not everybody needs to p tech your fucking feelings,

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Speaker 5: their feelings, their feelings.

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Speaker 4: Their feelings, their feelings.

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Speaker 5: Oh my god, we live in fucking America.

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Speaker 4: Don't nobody give a fuck about your feelings.

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Speaker 5: You're about to go out into the world and get

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Speaker 5: molly wopped boot.

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Speaker 3: No, So that is feelings are so focused on now

400
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Speaker 3: that people create feelings they don't even have to feel something. Yeah,

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Speaker 3: I feel offended right now.

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00:16:22,080 --> 00:16:23,320
Speaker 2: No, you don't. You don't.

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Speaker 3: You don't care that you feel like you're you're finding

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Speaker 3: something to feel about.

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Speaker 2: Rory sent me a tweet last night about how insane

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Speaker 2: twenty twenty was. It was like, yo, bro to, I

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Speaker 2: think that we say your twenty twenty was the wildest

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Speaker 2: year ever. And it was a video of a guy

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Speaker 2: crumping in front of police. I saw it.

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Speaker 3: I guess it was the way of protesting, which I

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Speaker 3: get a cultural thing, understand crumping Gods want to know

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Speaker 3: what song they heard.

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Speaker 2: You don't get it. There was no reason for that

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Speaker 2: gentleman to be doing what he was doing, none at all.

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Speaker 2: Like we could just cut the ship somebody to the like,

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Speaker 2: get the fuck out the street man that's not doing

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Speaker 2: this is not helping anybody. What you're doing. No, not

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Speaker 2: at all. Twenty twenty.

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Speaker 3: Really just a lot of good came out of it,

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Speaker 3: but it did shift all of our brains into what

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Speaker 3: I think Damaris is getting at in this tweet, even

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Speaker 3: though I was joking about between the lines of what

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Speaker 3: she was saying, it's softened the whole world though.

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Speaker 2: No, but but see that's but see, that's what I

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00:17:22,840 --> 00:17:25,120
Speaker 2: hated because I was one of those and obviously where

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00:17:25,119 --> 00:17:27,399
Speaker 2: we were probably together every fucking week in twenty twenty.

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Speaker 2: But you know that people gave me shit for a

428
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Speaker 2: lot of shit I was laughing at when I was like, man,

429
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Speaker 2: get the fuck out of here with this shit. What

430
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Speaker 2: is this dumb shit? This is doing nothing. I said

431
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Speaker 2: that a lot in twenty twenty. People stopped talking to

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Speaker 2: me and followed me, blocked me about a lot of

433
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Speaker 2: shit I was saying. Here we are five years later

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Speaker 2: and everybody sitting back feeling the same way I was

435
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Speaker 2: feeling in the moment. I'm like, bro, what is this

436
00:17:50,760 --> 00:17:53,840
Speaker 2: doing for this? Cause what is any of this? Just

437
00:17:53,880 --> 00:17:56,000
Speaker 2: like you said, people like I'm offended. No you're not.

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00:17:57,080 --> 00:18:00,560
Speaker 2: You're offended because the timeline seems to be offended, and

439
00:18:00,600 --> 00:18:03,480
Speaker 2: you want to jump in on that wave, and now

440
00:18:03,560 --> 00:18:06,120
Speaker 2: you want your tweet to be seen and you want

441
00:18:06,160 --> 00:18:09,040
Speaker 2: your voice to be heard. And it's like, but you're

442
00:18:09,119 --> 00:18:11,360
Speaker 2: not really offended by anything that's happened right now, You're

443
00:18:11,400 --> 00:18:14,920
Speaker 2: not affected by anything. For the timeline you are.

444
00:18:15,080 --> 00:18:17,879
Speaker 3: I think it's a balance because there is just the

445
00:18:17,880 --> 00:18:20,119
Speaker 3: timeline bubble that we have that. Yes, people were just

446
00:18:20,200 --> 00:18:23,920
Speaker 3: trying to get as much positive engagement, not the way

447
00:18:23,920 --> 00:18:26,480
Speaker 3: they do on Twitter now, but during the social justice time,

448
00:18:26,880 --> 00:18:28,960
Speaker 3: they just wanted some attention there. But there was also

449
00:18:29,000 --> 00:18:31,680
Speaker 3: people that were actually in the field doing good things.

450
00:18:31,960 --> 00:18:35,040
Speaker 3: I think it got overshadowed by what was going on

451
00:18:35,960 --> 00:18:38,320
Speaker 3: the timeline because if you would have had that conversation,

452
00:18:39,160 --> 00:18:42,240
Speaker 3: like actually out in Union Square during protests this and that,

453
00:18:42,280 --> 00:18:44,040
Speaker 3: I actually think you would have been met with good

454
00:18:44,080 --> 00:18:46,480
Speaker 3: dialogue and good conversation because I was out there and

455
00:18:46,560 --> 00:18:48,919
Speaker 3: it wasn't as woke. It was actually people having conversations.

456
00:18:49,080 --> 00:18:52,440
Speaker 3: It was the timeline where everything was fucking the wild,

457
00:18:52,520 --> 00:18:56,399
Speaker 3: wild West, and if you use the wrong fucking vowel,

458
00:18:56,640 --> 00:18:59,040
Speaker 3: it was over for you. That was not the real

459
00:18:59,040 --> 00:19:03,280
Speaker 3: world at that point, Like there were real conversations happening.

460
00:19:03,280 --> 00:19:06,719
Speaker 3: It was just overshadowed by that bullshit, and yes, I

461
00:19:06,760 --> 00:19:08,359
Speaker 3: was also petrified during that time. I'm one of the

462
00:19:08,359 --> 00:19:10,120
Speaker 3: few people that admit, yeah, I was walking on the egshells.

463
00:19:10,560 --> 00:19:11,439
Speaker 2: That's from fucking right.

464
00:19:11,520 --> 00:19:13,720
Speaker 4: As far as what the white person in hip hop.

465
00:19:14,920 --> 00:19:18,200
Speaker 3: That dude, other things that were going on, which I mean,

466
00:19:18,240 --> 00:19:20,040
Speaker 3: we can talk about but not talk about, like, yeah,

467
00:19:20,320 --> 00:19:22,960
Speaker 3: I'm not about to sacrifice all the work I've done

468
00:19:23,000 --> 00:19:26,360
Speaker 3: in my entire life, knowing how good the good intentions

469
00:19:26,400 --> 00:19:28,359
Speaker 3: I do have, knowing I have nothing to do with

470
00:19:28,400 --> 00:19:30,240
Speaker 3: some of the bad shit that's bringing up where I'm

471
00:19:30,280 --> 00:19:32,240
Speaker 3: just gonna go rogue for the fuck of it and

472
00:19:32,320 --> 00:19:35,400
Speaker 3: ruin my life just to fight back on one day

473
00:19:35,440 --> 00:19:37,920
Speaker 3: on Twitter because I don't agree with what people are saying. Nah,

474
00:19:37,960 --> 00:19:40,600
Speaker 3: fuck that you think these people that don't give a

475
00:19:40,600 --> 00:19:42,720
Speaker 3: fuck about me, that are trying to cancel me, that

476
00:19:42,760 --> 00:19:45,119
Speaker 3: don't know me, I'm going to fight back to prove

477
00:19:45,160 --> 00:19:47,680
Speaker 3: their point. I'm gonna shut the fuck up and keep

478
00:19:47,680 --> 00:19:48,040
Speaker 3: it moving.

479
00:19:48,640 --> 00:19:51,080
Speaker 2: Nah, they killed me from my Black Lives Matter shit

480
00:19:51,119 --> 00:19:51,800
Speaker 2: in twenty twenty.

481
00:19:52,560 --> 00:19:53,840
Speaker 3: I mean, I hope they don't dig it back up

482
00:19:53,840 --> 00:19:54,840
Speaker 3: because I'm sure it's crazy.

483
00:19:54,920 --> 00:19:57,200
Speaker 2: No was it? It wasn't you was sitting right wasn't crazy.

484
00:19:57,280 --> 00:19:59,720
Speaker 2: It was the truth. I said. The slogan I agree with.

485
00:20:00,240 --> 00:20:02,080
Speaker 2: We had that conversation. I agree with that we had

486
00:20:02,080 --> 00:20:02,879
Speaker 2: who was this company?

487
00:20:02,920 --> 00:20:03,000
Speaker 5: Like?

488
00:20:03,000 --> 00:20:05,639
Speaker 2: Who are these people? Nobody knew nothing about you?

489
00:20:05,640 --> 00:20:07,720
Speaker 3: And I had that conversation. I remember on the file

490
00:20:07,720 --> 00:20:10,800
Speaker 3: where I was saying, they're not yelling Black Lives Matter

491
00:20:11,119 --> 00:20:14,480
Speaker 3: LLC like the people in the field are yelling the

492
00:20:14,560 --> 00:20:17,120
Speaker 3: actual definition of the term. So I hear what you're saying. Yes,

493
00:20:17,160 --> 00:20:19,399
Speaker 3: that was proven that they were just taking money and

494
00:20:19,440 --> 00:20:21,959
Speaker 3: doing wild shit, But that was to me just more

495
00:20:22,000 --> 00:20:24,160
Speaker 3: of a ploy to get rid of the actual message

496
00:20:24,200 --> 00:20:26,760
Speaker 3: of what was going on outside. People were not yelling

497
00:20:26,840 --> 00:20:29,040
Speaker 3: for the Corporation of Black Lives Matter, like, not even

498
00:20:29,040 --> 00:20:32,360
Speaker 3: a little. They were yelling the phrase yeah, yeah, somebody,

499
00:20:32,520 --> 00:20:35,960
Speaker 3: which happens all the time, no matter what race it is,

500
00:20:35,960 --> 00:20:37,359
Speaker 3: is going to take advantage of what the fuck is

501
00:20:37,400 --> 00:20:41,480
Speaker 3: going on. That's all that was. But you know, terrifying

502
00:20:41,520 --> 00:20:43,240
Speaker 3: times I should have just crumped instead.

503
00:20:43,359 --> 00:20:45,960
Speaker 2: I got an unwoll opinion. But that's why.

504
00:20:46,000 --> 00:20:48,399
Speaker 3: Any time Peelee this back thing and goes like this,

505
00:20:48,920 --> 00:20:51,120
Speaker 3: I know this is something that he's gonna be Yeah,

506
00:20:51,119 --> 00:20:51,760
Speaker 3: we should cut this out.

507
00:20:53,080 --> 00:20:54,800
Speaker 2: I got an unwoke companion, but I don't know if

508
00:20:54,800 --> 00:20:59,440
Speaker 2: I should say it, say it, say it. No, I

509
00:20:59,480 --> 00:21:00,280
Speaker 2: ain't gonna be a leap.

510
00:21:01,560 --> 00:21:04,080
Speaker 3: Hey, you can't hear what you never reveal mm hmm.

511
00:21:07,840 --> 00:21:09,920
Speaker 3: I know it's bad because I know, he says.

512
00:21:10,320 --> 00:21:12,240
Speaker 2: I'm trying to phrase it. I'm thinking about it. I'm

513
00:21:12,240 --> 00:21:13,920
Speaker 2: trying to figure ou how to phrase it because I

514
00:21:13,920 --> 00:21:15,680
Speaker 2: don't know if it's I guess it. Is it a

515
00:21:15,680 --> 00:21:17,480
Speaker 2: woken I don't even know. I it's woke pan, but

516
00:21:19,119 --> 00:21:19,440
Speaker 2: I don't.

517
00:21:21,040 --> 00:21:24,600
Speaker 3: Okay, mall interesting, how would.

518
00:21:24,359 --> 00:21:29,359
Speaker 2: You do that? See? Because I want to suppressed me.

519
00:21:30,520 --> 00:21:36,160
Speaker 2: I just want to let you know you were heard, okay, heard,

520
00:21:36,400 --> 00:21:41,520
Speaker 2: but I wasn't. I wasn't heard by my my listenership.

521
00:21:41,560 --> 00:21:44,800
Speaker 2: I wasn't heard by them in the room. I'm being suppressed.

522
00:21:44,920 --> 00:21:47,560
Speaker 3: That's with that said, I'll get us down into maybe

523
00:21:48,040 --> 00:21:52,920
Speaker 3: a deeper hole here. Not that I could ever get

524
00:21:52,960 --> 00:21:56,200
Speaker 3: this role, because one I'm not an actor too, I'd

525
00:21:56,240 --> 00:21:59,480
Speaker 3: have to do blackface. I would still take the role

526
00:21:59,600 --> 00:22:02,000
Speaker 3: of Marvan Gay in the biopick if I had to

527
00:22:02,040 --> 00:22:04,720
Speaker 3: kiss a man. Terrence Howard said he would never do that,

528
00:22:04,880 --> 00:22:08,120
Speaker 3: even though I think he'd smoked that role. I don't

529
00:22:08,119 --> 00:22:10,080
Speaker 3: think that's weird. If you're an actor to kiss a

530
00:22:10,119 --> 00:22:11,320
Speaker 3: man in the script.

531
00:22:12,200 --> 00:22:15,600
Speaker 2: Well, you don't. Certain people. Certain people feel like it

532
00:22:15,600 --> 00:22:18,480
Speaker 2: it is weird. They're just not. And we've had to

533
00:22:18,520 --> 00:22:20,560
Speaker 2: talk shout out to our god, Jail Fonds. We've had

534
00:22:20,600 --> 00:22:22,960
Speaker 2: to talk with him about that about you know, when

535
00:22:23,000 --> 00:22:25,360
Speaker 2: it's art and you know, having to approach a role

536
00:22:25,440 --> 00:22:30,199
Speaker 2: like that with his role in Pee Valley, what do

537
00:22:30,240 --> 00:22:32,040
Speaker 2: you do to prepare for that as an actor? You

538
00:22:32,080 --> 00:22:33,760
Speaker 2: know what I mean? Like, do you just completely dive

539
00:22:33,800 --> 00:22:37,280
Speaker 2: into that that role, the mindset, the person, the character

540
00:22:37,320 --> 00:22:40,560
Speaker 2: that you're playing. It's not really you quote unquote, it's

541
00:22:40,640 --> 00:22:46,080
Speaker 2: the character. But some some actors and some artists, they

542
00:22:46,200 --> 00:22:48,520
Speaker 2: just don't. You know, that's something that they're not willing

543
00:22:48,520 --> 00:22:50,320
Speaker 2: to compromise on. They're just not willing to do that.

544
00:22:50,400 --> 00:22:53,880
Speaker 3: Cool, and I understand people and their boundaries. But what's

545
00:22:53,880 --> 00:22:55,679
Speaker 3: so funny is Terrence Howard said that he would turn

546
00:22:55,760 --> 00:22:59,400
Speaker 3: down the role. It wasn't even in the script. We

547
00:22:59,480 --> 00:23:02,480
Speaker 3: know that famous Quincy Jones article which is probably my favorite,

548
00:23:02,640 --> 00:23:04,960
Speaker 3: I think my favorite print article that's ever existed on

549
00:23:05,000 --> 00:23:08,000
Speaker 3: Earth down to Tupac with Vibe magazine talking about the

550
00:23:08,280 --> 00:23:11,960
Speaker 3: big and puff thing. Quincy Jones interview was the greatest

551
00:23:11,960 --> 00:23:14,920
Speaker 3: thing I've ever seen, where he reveals rich that Martin gay.

552
00:23:15,400 --> 00:23:17,959
Speaker 3: Everybody's fucking each other, but Terrence Howard, like the rest

553
00:23:18,000 --> 00:23:20,240
Speaker 3: of us read that. And when the thought was even

554
00:23:20,240 --> 00:23:22,120
Speaker 3: brought up that there could be a Marvin Gay biopic

555
00:23:22,160 --> 00:23:23,840
Speaker 3: and I think he would be great for that, he

556
00:23:23,920 --> 00:23:25,360
Speaker 3: was like, nah, I heard he kissed him. Man, oh,

557
00:23:25,359 --> 00:23:25,960
Speaker 3: it's not even.

558
00:23:25,800 --> 00:23:28,240
Speaker 2: A script yet. Know how we even know that's gonna

559
00:23:28,240 --> 00:23:30,800
Speaker 2: happen about real life? I heard that's heard that's what

560
00:23:30,800 --> 00:23:32,440
Speaker 2: he did in real life. Like, nah, I don't.

561
00:23:33,160 --> 00:23:37,159
Speaker 3: You're dedicated to a different level of homophobia that you

562
00:23:37,160 --> 00:23:39,040
Speaker 3: don't even know it's in the script.

563
00:23:38,680 --> 00:23:40,600
Speaker 2: That they don't even to do that.

564
00:23:40,600 --> 00:23:44,119
Speaker 5: That's not true, That's not true, Quincy. When he was

565
00:23:44,200 --> 00:23:47,280
Speaker 5: asking Quincy Jones, he said, I'm hearing rumors that Marvin

566
00:23:47,400 --> 00:23:49,440
Speaker 5: was gay. And I was like, was he gay? And

567
00:23:49,640 --> 00:23:52,080
Speaker 5: he was like yeah, And then he said, I can't

568
00:23:52,119 --> 00:23:54,520
Speaker 5: play the role because he's They're gonna have some type

569
00:23:54,560 --> 00:23:55,440
Speaker 5: of love stuff in there.

570
00:23:55,480 --> 00:23:56,800
Speaker 4: You can automatically you know that.

571
00:23:56,840 --> 00:23:58,720
Speaker 2: Are they are? I don't know if they would just

572
00:23:58,720 --> 00:24:00,240
Speaker 2: had that in the movie, because he really was because

573
00:24:00,240 --> 00:24:01,520
Speaker 2: that's not a known thing.

574
00:24:01,600 --> 00:24:03,520
Speaker 3: That wasn't a big part Like all right, I'll put

575
00:24:03,560 --> 00:24:10,320
Speaker 3: the Aaron Hernandez Netflix series or whatever the fucking network

576
00:24:10,359 --> 00:24:12,399
Speaker 3: it was on. That was a big part of that story.

577
00:24:12,520 --> 00:24:15,280
Speaker 3: Was he was suppressing gay stuff and all the Marvin

578
00:24:15,280 --> 00:24:17,720
Speaker 3: Gay story. The gayest part about his story is his

579
00:24:17,800 --> 00:24:20,720
Speaker 3: last name. Like, outside of that Quincy interview, nobody was

580
00:24:20,760 --> 00:24:23,160
Speaker 3: ever running around like Marvin Gay is gay, Like that's

581
00:24:23,160 --> 00:24:26,800
Speaker 3: not something people are waiting for in that biopic.

582
00:24:27,119 --> 00:24:30,480
Speaker 5: Yes, but Terrence Howard also knows Hollywood in twenty twenty

583
00:24:30,520 --> 00:24:31,359
Speaker 5: five if.

584
00:24:31,200 --> 00:24:34,200
Speaker 4: You think they not sneaking that in there, of course.

585
00:24:34,200 --> 00:24:37,399
Speaker 3: I see that point. But also with that, if it's true,

586
00:24:38,119 --> 00:24:40,320
Speaker 3: I don't think Quincy Jones is a liar at all.

587
00:24:40,440 --> 00:24:42,640
Speaker 3: I actually think he held back in that because after

588
00:24:42,680 --> 00:24:44,520
Speaker 3: he said who killed JFK? He asked him do you

589
00:24:44,560 --> 00:24:48,359
Speaker 3: like Brazilian music? He was trying to get off like topics.

590
00:24:49,000 --> 00:24:52,520
Speaker 3: So if it's true, who cares? Then it's not Hollywood

591
00:24:52,560 --> 00:24:56,080
Speaker 3: trying to add in some gay shit to the masculinized

592
00:24:56,119 --> 00:24:59,159
Speaker 3: men or do the gay agenda. Yeah, Marvin Gay had that,

593
00:24:59,280 --> 00:25:01,120
Speaker 3: and we don't make the whole story about him being

594
00:25:01,160 --> 00:25:05,720
Speaker 3: gay because clearly sexual healing is much more than men.

595
00:25:06,680 --> 00:25:08,119
Speaker 3: Why the fuck would you? All right, if there's one

596
00:25:08,200 --> 00:25:10,480
Speaker 3: kissing scene with a dude, you're not taking that role.

597
00:25:11,240 --> 00:25:13,880
Speaker 3: You're playing Marvin gay Yo one of the greatest voices ever.

598
00:25:13,960 --> 00:25:16,000
Speaker 5: This is Terrence Howard. Terrence Howard doesn't have to take

599
00:25:16,040 --> 00:25:18,560
Speaker 5: any role. He's tears Howard can do what the fuck

600
00:25:18,600 --> 00:25:20,840
Speaker 5: he wants to do. He can he cannot work again

601
00:25:20,880 --> 00:25:22,800
Speaker 5: for the rest of his life if he's not attracted

602
00:25:22,840 --> 00:25:24,080
Speaker 5: to men and doesn't want to kiss men, and it

603
00:25:24,119 --> 00:25:26,280
Speaker 5: will make him feel uncomfortable, and that's his boundary.

604
00:25:27,800 --> 00:25:30,119
Speaker 3: I'm not saying if that's your boundary, cool, I'm not

605
00:25:30,280 --> 00:25:31,760
Speaker 3: Terrence Howard can do what the fuck he wants. I'm

606
00:25:31,760 --> 00:25:35,120
Speaker 3: not trying to tell him to do something different. I'm

607
00:25:35,119 --> 00:25:38,920
Speaker 3: speaking in general. If you're an actor, that role wouldn't

608
00:25:38,920 --> 00:25:43,680
Speaker 3: be something that you may ease in to really tell

609
00:25:43,680 --> 00:25:47,080
Speaker 3: that story like this is a very important story to

610
00:25:47,119 --> 00:25:47,480
Speaker 3: the world.

611
00:25:48,080 --> 00:25:52,920
Speaker 4: It's still told. Okay, mall, is there anything you wouldn't

612
00:25:52,920 --> 00:25:54,000
Speaker 4: do entertainment wise?

613
00:25:54,600 --> 00:25:55,600
Speaker 2: I'm not kissing though, man.

614
00:25:55,720 --> 00:25:57,639
Speaker 5: I mean, we know we know that when I tell you,

615
00:25:57,680 --> 00:26:00,600
Speaker 5: we know we know that. But just like just things

616
00:26:00,600 --> 00:26:05,719
Speaker 5: that normal that might be normal that other. No, it's

617
00:26:06,080 --> 00:26:08,320
Speaker 5: is normal. Like I wouldn't do a nude scene. I

618
00:26:08,359 --> 00:26:09,920
Speaker 5: want to be an actress very bad, but I would

619
00:26:10,000 --> 00:26:13,480
Speaker 5: not do a new scene. I wouldn't do a new scene.

620
00:26:13,520 --> 00:26:18,520
Speaker 2: You wouldn't show bush or you would show nipple. Gotch.

621
00:26:18,640 --> 00:26:20,280
Speaker 2: I think I think you would show nipple bush.

622
00:26:20,320 --> 00:26:22,320
Speaker 5: I wouldn't either. I wouldn't do either. But that's a

623
00:26:22,320 --> 00:26:23,119
Speaker 5: boundary that I have.

624
00:26:23,240 --> 00:26:24,760
Speaker 3: I feel weirder than showing bush.

625
00:26:25,680 --> 00:26:30,920
Speaker 2: You wouldn't You wouldn't do it topless? Really, bless you

626
00:26:30,920 --> 00:26:32,920
Speaker 2: didn't go topless? Why? Why when topless?

627
00:26:33,520 --> 00:26:35,760
Speaker 5: Because I'm not comfortable doing it. Okay, Yeah, I'm not

628
00:26:35,760 --> 00:26:37,800
Speaker 5: comfortable doing it. And I also don't think it's necessary.

629
00:26:37,800 --> 00:26:39,359
Speaker 5: I think that there's a lot of nudity and TV

630
00:26:39,440 --> 00:26:41,159
Speaker 5: that is not necessary to tell a story.

631
00:26:41,359 --> 00:26:43,280
Speaker 2: Completely agree there, it's a lot of gay and TV

632
00:26:43,320 --> 00:26:47,760
Speaker 2: that's not necessary. I said, period, Like it's not even

633
00:26:48,320 --> 00:26:52,800
Speaker 2: it's like it's not even part of the plot. Turn

634
00:26:52,880 --> 00:26:54,760
Speaker 2: it off, turn it off.

635
00:26:57,720 --> 00:27:02,400
Speaker 3: Okay, And I'm not trying to go against our woke

636
00:27:02,520 --> 00:27:05,160
Speaker 3: conversation to be that guy. But there's been plenty of

637
00:27:05,240 --> 00:27:08,960
Speaker 3: like regular heterosexual people are attracted to sexual stuff. There's

638
00:27:09,000 --> 00:27:13,000
Speaker 3: mad unnecessary titties ass sex scenes that had nothing to

639
00:27:13,000 --> 00:27:13,680
Speaker 3: do with the fucking plot.

640
00:27:13,800 --> 00:27:15,880
Speaker 2: It depends on whose titties it is now grant. Even

641
00:27:15,920 --> 00:27:20,040
Speaker 2: like Euphoria Alba Robbie, it made total sense in Wolf

642
00:27:20,080 --> 00:27:21,840
Speaker 2: of wall Street when she opened the doors completely.

643
00:27:21,920 --> 00:27:23,679
Speaker 3: I thought that was a part of part of the

644
00:27:23,720 --> 00:27:25,480
Speaker 3: plot when she was said at dinner, we're not gonna

645
00:27:25,480 --> 00:27:28,200
Speaker 3: be friends. Like plotting against a man with money, there

646
00:27:28,280 --> 00:27:31,600
Speaker 3: is something there. And of course you are also creating art,

647
00:27:31,600 --> 00:27:34,119
Speaker 3: and let's not act like naked shit isn't art. At

648
00:27:34,119 --> 00:27:35,520
Speaker 3: the end of the day, it was done in a

649
00:27:35,520 --> 00:27:38,600
Speaker 3: tasteful way. The shot everything loved, the whipped cream and

650
00:27:38,640 --> 00:27:41,520
Speaker 3: even adding in a nothing too quick like the dog

651
00:27:42,040 --> 00:27:44,760
Speaker 3: at your fucking leg like beautiful. To me, that was

652
00:27:44,840 --> 00:27:49,399
Speaker 3: a tasteful sex scene added into it is that Scorz yes,

653
00:27:50,000 --> 00:27:53,399
Speaker 3: which by the way, doesn't like. He doesn't lean on

654
00:27:53,400 --> 00:27:54,600
Speaker 3: sex scenes like that at all, so.

655
00:27:54,680 --> 00:27:56,680
Speaker 4: Does a need to because he actually has actual talent.

656
00:27:56,840 --> 00:27:59,080
Speaker 3: But even like Euphoria, which I thought there was mad

657
00:27:59,200 --> 00:28:03,000
Speaker 3: unnecessary that entire thing, I also had to think, Okay,

658
00:28:03,080 --> 00:28:06,040
Speaker 3: they're playing off the amount of unnecessary titties and adds

659
00:28:06,080 --> 00:28:09,959
Speaker 3: that have been in film since existence, like it's a

660
00:28:10,080 --> 00:28:12,840
Speaker 3: it's a sexual thing as humans, it's not really a

661
00:28:12,840 --> 00:28:16,640
Speaker 3: sexual preference during films. We just want to see titties.

662
00:28:16,320 --> 00:28:17,960
Speaker 4: And ship I'm cool.

663
00:28:18,080 --> 00:28:18,360
Speaker 5: I don't.

664
00:28:18,800 --> 00:28:19,600
Speaker 3: I'm not trying to that.

665
00:28:19,960 --> 00:28:21,600
Speaker 2: That's your line. You wanted to get nude?

666
00:28:21,640 --> 00:28:23,240
Speaker 4: I would, yeah, I would. I wouldn't get nude.

667
00:28:23,480 --> 00:28:27,879
Speaker 3: What if a director had like a passionate reason why

668
00:28:28,320 --> 00:28:32,120
Speaker 3: Because I've heard actresses and even like men talk about

669
00:28:32,160 --> 00:28:33,640
Speaker 3: it where they had to do sex scenes they didn't

670
00:28:33,640 --> 00:28:36,199
Speaker 3: want to do because the director was so passionate on

671
00:28:36,600 --> 00:28:39,560
Speaker 3: how it moved the story and how it moved the shots,

672
00:28:39,600 --> 00:28:40,080
Speaker 3: and like.

673
00:28:40,360 --> 00:28:45,040
Speaker 5: That's what's up the actress fair And that's why I'm

674
00:28:45,080 --> 00:28:47,520
Speaker 5: saying I don't. I don't think that. Everyone's like, there's

675
00:28:47,560 --> 00:28:49,560
Speaker 5: how are he so homophobic? I don't think that's homophobic.

676
00:28:49,560 --> 00:28:51,440
Speaker 5: I don't want to to get the man. That's crazy,

677
00:28:51,680 --> 00:28:53,120
Speaker 5: not wanting to get you.

678
00:28:54,120 --> 00:28:56,000
Speaker 2: But that's the thing that people do though, that I

679
00:28:56,040 --> 00:28:58,360
Speaker 2: think is wrong, Like they throw that label on you

680
00:28:58,440 --> 00:28:59,680
Speaker 2: just because you said, like you said, that's just his

681
00:28:59,760 --> 00:29:02,160
Speaker 2: bound Like there's nothing wrong with him saying I don't

682
00:29:02,160 --> 00:29:04,680
Speaker 2: want to kiss a man, Like yeah, now he's homophobic

683
00:29:04,680 --> 00:29:05,760
Speaker 2: because he doesn't want to kiss him in.

684
00:29:05,760 --> 00:29:06,400
Speaker 3: I don't think he's home.

685
00:29:06,640 --> 00:29:08,160
Speaker 2: That is crazy. But I'm just saying the fact that

686
00:29:08,200 --> 00:29:10,720
Speaker 2: people say that they said.

687
00:29:10,520 --> 00:29:12,720
Speaker 4: I would cut my I would, I would cut my

688
00:29:12,760 --> 00:29:13,200
Speaker 4: lips off.

689
00:29:13,520 --> 00:29:14,160
Speaker 3: He took it a little far.

690
00:29:14,200 --> 00:29:15,960
Speaker 5: If I kissed some man, I will cut my lips off.

691
00:29:17,000 --> 00:29:19,200
Speaker 2: That's it's a little far. I don't know I felt them.

692
00:29:20,000 --> 00:29:22,720
Speaker 2: I don't know, man, I feel that man like I

693
00:29:22,760 --> 00:29:23,360
Speaker 2: don't know man.

694
00:29:23,960 --> 00:29:24,040
Speaker 6: No.

695
00:29:24,160 --> 00:29:26,320
Speaker 2: But I mean Terrence is he's in his right too

696
00:29:26,320 --> 00:29:27,720
Speaker 2: if he doesn't want to kiss a man take a role,

697
00:29:27,720 --> 00:29:28,040
Speaker 2: because I.

698
00:29:28,000 --> 00:29:31,120
Speaker 3: Hope he hasn't heard the most recent Kanye Oh you

699
00:29:31,160 --> 00:29:31,720
Speaker 3: know he's heard that.

700
00:29:31,800 --> 00:29:34,360
Speaker 4: Are there any podcast interviews y'all wouldn't.

701
00:29:34,000 --> 00:29:41,440
Speaker 2: Take how many years we've been doing this?

702
00:29:41,680 --> 00:29:45,960
Speaker 5: Okay, I'm not talking about people directly tied to us,

703
00:29:46,160 --> 00:29:48,720
Speaker 5: right Like, for example, we had the opportunity to have

704
00:29:48,960 --> 00:29:52,360
Speaker 5: an interview with someone and I advised and my other

705
00:29:52,400 --> 00:29:55,280
Speaker 5: producer at the time advised y'all not to take that interview.

706
00:29:55,840 --> 00:29:57,680
Speaker 2: But mainly just speaking, I never told you how much

707
00:29:57,720 --> 00:30:00,440
Speaker 2: I wanted to fire both of y'all for that, but

708
00:30:00,480 --> 00:30:01,040
Speaker 2: I never did.

709
00:30:02,080 --> 00:30:05,200
Speaker 3: Wait, wait, are we're talking about we can be Canau's

710
00:30:05,200 --> 00:30:06,160
Speaker 3: talk about the Fox News Shit.

711
00:30:06,600 --> 00:30:10,280
Speaker 2: No, No, she's talking about Candace owns. Oh that okay, okay, okay.

712
00:30:10,480 --> 00:30:13,280
Speaker 3: I thought like when they had brought the Fox News

713
00:30:13,360 --> 00:30:15,480
Speaker 3: Jesse water ship and we was all like, nah, we're

714
00:30:15,480 --> 00:30:17,760
Speaker 3: not doing that. That's what I thought y'all were talking about,

715
00:30:17,760 --> 00:30:19,440
Speaker 3: not that one. We all said no to that immediately.

716
00:30:19,720 --> 00:30:22,520
Speaker 3: Oh the candas own ship. Yeah, I mean, it wasn't

717
00:30:22,560 --> 00:30:24,280
Speaker 3: because I didn't want to speak to Candace Owens. It

718
00:30:24,320 --> 00:30:26,080
Speaker 3: was just because I didn't think this was the platform

719
00:30:26,120 --> 00:30:26,840
Speaker 3: to have that station.

720
00:30:27,000 --> 00:30:27,720
Speaker 4: I agree that.

721
00:30:27,880 --> 00:30:28,920
Speaker 2: That's why I was with it.

722
00:30:28,920 --> 00:30:32,720
Speaker 3: It wasn't Hey, I have no interest in speaking to Candas,

723
00:30:33,480 --> 00:30:36,200
Speaker 3: even if I agree or disagree with her stuff.

724
00:30:36,360 --> 00:30:38,520
Speaker 2: I just didn't think that that's what the platform for.

725
00:30:38,680 --> 00:30:40,720
Speaker 2: That's cat because I said, well, I wouldn't even. I

726
00:30:40,760 --> 00:30:43,120
Speaker 2: wouldn't even I didn't even really want to talk politics

727
00:30:43,120 --> 00:30:45,360
Speaker 2: with Candas. I wanted to get to know Candas like

728
00:30:45,400 --> 00:30:46,840
Speaker 2: on something like yo, what should be listening is like

729
00:30:46,880 --> 00:30:48,920
Speaker 2: growing up? Like what was your she talked about you?

730
00:30:49,040 --> 00:30:52,440
Speaker 2: Never like yeah, but she ain't talked to me about it. Okay,

731
00:30:52,640 --> 00:30:54,280
Speaker 2: That's where I was going with it. But y'all was

732
00:30:54,320 --> 00:30:57,240
Speaker 2: just so helping. No, No, I'm just like what well,

733
00:30:57,240 --> 00:30:58,520
Speaker 2: the Candas owners we talking.

734
00:30:58,320 --> 00:31:01,240
Speaker 5: About because you're producers that you wanted to fire. Know

735
00:31:01,360 --> 00:31:04,200
Speaker 5: your audience, Know what your audience would have felt in

736
00:31:04,240 --> 00:31:04,960
Speaker 5: a sensitive time.

737
00:31:05,000 --> 00:31:07,480
Speaker 2: You don't know clips go that we never even thought

738
00:31:07,640 --> 00:31:08,160
Speaker 2: and that's.

739
00:31:08,000 --> 00:31:10,080
Speaker 5: Not our Those are not from your audience. Those are

740
00:31:10,120 --> 00:31:13,800
Speaker 5: from people who don't who are discovering your Yes.

741
00:31:13,720 --> 00:31:16,440
Speaker 2: There you go. Now we have Canvas on with her platform,

742
00:31:16,440 --> 00:31:17,360
Speaker 2: people that never heard of.

743
00:31:17,280 --> 00:31:20,720
Speaker 5: It, and you this platform is going to revisit this podcast.

744
00:31:20,760 --> 00:31:22,440
Speaker 4: You don't know that, regular listener.

745
00:31:22,160 --> 00:31:25,400
Speaker 2: You don't know that. Okay, well how could you say that?

746
00:31:25,480 --> 00:31:28,360
Speaker 2: So like matter of factly you don't know that? Okay, Yeah,

747
00:31:28,360 --> 00:31:30,000
Speaker 2: that's what I'm saying. I was just wanting to have

748
00:31:30,040 --> 00:31:32,840
Speaker 2: that conversation with Candas on some old fun politics. Let's

749
00:31:32,840 --> 00:31:35,280
Speaker 2: talk to candas owns about the ship she'd be into,

750
00:31:35,440 --> 00:31:37,960
Speaker 2: like away from politics, Like that's what I wanted to

751
00:31:38,000 --> 00:31:39,680
Speaker 2: get into. I thought that would have been dope.

752
00:31:39,880 --> 00:31:40,200
Speaker 4: Why not?

753
00:31:41,080 --> 00:31:41,320
Speaker 2: Yeah?

754
00:31:41,320 --> 00:31:43,760
Speaker 3: But I feel like if we asked her about anything

755
00:31:43,920 --> 00:31:47,040
Speaker 3: music related, her answer would be I used to listen

756
00:31:47,080 --> 00:31:48,800
Speaker 3: to Jay Z and Beyonce. Then I realized they were

757
00:31:48,840 --> 00:31:51,840
Speaker 3: democratic puppets, and then we anything we say would have

758
00:31:51,840 --> 00:31:54,480
Speaker 3: went back and down and that's to a political night.

759
00:31:54,640 --> 00:31:55,560
Speaker 2: And that's what I.

760
00:31:55,520 --> 00:31:57,400
Speaker 3: Told you when we were having this conversation off Mike,

761
00:31:57,440 --> 00:31:59,440
Speaker 3: because I remember this vividly when we're all talking about it.

762
00:31:59,720 --> 00:32:02,600
Speaker 3: I've watched Cannis own stuff, and I've seen her talk

763
00:32:02,640 --> 00:32:04,640
Speaker 3: about her past growing up in Connecticut and how she

764
00:32:04,720 --> 00:32:06,440
Speaker 3: was such a hip hop fan. I know for a

765
00:32:06,480 --> 00:32:09,040
Speaker 3: fact anything we brought up would get down to like, well,

766
00:32:09,040 --> 00:32:11,400
Speaker 3: then the Democrats got a hold of them and it

767
00:32:11,520 --> 00:32:14,080
Speaker 3: just would have went off the rails because she is

768
00:32:14,120 --> 00:32:17,600
Speaker 3: so trained in what she does London.

769
00:32:17,720 --> 00:32:19,120
Speaker 2: But I don't think so, Bro, I don't think it

770
00:32:19,120 --> 00:32:21,000
Speaker 2: would have went like that. I don't think I get

771
00:32:21,040 --> 00:32:22,640
Speaker 2: what you're saying that. I get why you're saying it,

772
00:32:23,080 --> 00:32:26,400
Speaker 2: but like you think it all right? Say she would

773
00:32:26,400 --> 00:32:28,560
Speaker 2: have went that route with it? You think we wouldn't

774
00:32:28,600 --> 00:32:30,719
Speaker 2: have had a blast having fun with her? Like, Yo,

775
00:32:30,720 --> 00:32:32,520
Speaker 2: what are you like? So everything is just gonna go

776
00:32:32,840 --> 00:32:35,200
Speaker 2: right back to politics? You don't think that would have

777
00:32:35,240 --> 00:32:37,520
Speaker 2: been like funny to watch? Like me and you sit

778
00:32:37,600 --> 00:32:39,640
Speaker 2: with cannas owners and laughing every time she tried to

779
00:32:39,680 --> 00:32:41,680
Speaker 2: turn Yo, what you listen to as far as music

780
00:32:41,760 --> 00:32:44,120
Speaker 2: or sports and it and she turned into some political shit.

781
00:32:44,600 --> 00:32:46,760
Speaker 2: I would have had a field day laughing at Candas

782
00:32:46,800 --> 00:32:48,400
Speaker 2: own was about this shit, like, Yo, what are you doing?

783
00:32:50,360 --> 00:32:53,120
Speaker 3: I would have laughed, But we have to think about

784
00:32:53,200 --> 00:32:56,520
Speaker 3: an entire viewership that while we're laughing, can go through

785
00:32:56,600 --> 00:33:00,840
Speaker 3: her entire catalog of shit that they completely agree with him. Fine,

786
00:33:00,920 --> 00:33:03,400
Speaker 3: actually straight up offensive to their lives.

787
00:33:04,040 --> 00:33:04,400
Speaker 2: That's all.

788
00:33:04,480 --> 00:33:05,800
Speaker 3: Like, I'm not going to key key about jay Z

789
00:33:05,880 --> 00:33:07,760
Speaker 3: and Beyonce with her when I would rather do that

790
00:33:07,760 --> 00:33:08,200
Speaker 3: with y'all.

791
00:33:10,600 --> 00:33:12,280
Speaker 2: I'm just saying we had some people in this room

792
00:33:12,320 --> 00:33:14,880
Speaker 2: that we could have had Candace Owns is what I'm saying.

793
00:33:15,400 --> 00:33:16,239
Speaker 2: We could do the one on one.

794
00:33:16,240 --> 00:33:20,120
Speaker 3: I'll produce that one same way we did the DJ headshit.

795
00:33:20,280 --> 00:33:22,920
Speaker 2: Nah, I don't need you to produce Candas. Don't produce.

796
00:33:22,960 --> 00:33:26,760
Speaker 2: You can't produce Candace. No, listen, you can't produce Candace.

797
00:33:26,800 --> 00:33:29,120
Speaker 2: That's your problem. You're trying to produce the black girl.

798
00:33:29,800 --> 00:33:33,120
Speaker 3: Why I The thing I loved that Candace did was

799
00:33:33,160 --> 00:33:35,280
Speaker 3: get the fuck away from the Daily Wire when she

800
00:33:35,520 --> 00:33:37,960
Speaker 3: exposed them for Yeah, they not based off their business

801
00:33:37,960 --> 00:33:40,040
Speaker 3: plan a free speech You say one word about a

802
00:33:40,040 --> 00:33:42,800
Speaker 3: certain group and yeah, y'all are not these free speech people.

803
00:33:43,080 --> 00:33:45,120
Speaker 3: I'm not trying to produce her. I'm just trying to

804
00:33:45,120 --> 00:33:46,320
Speaker 3: help produce you.

805
00:33:47,280 --> 00:33:49,680
Speaker 2: I don't know. With Candace, No, that would just be

806
00:33:49,840 --> 00:33:52,680
Speaker 2: that would be a good conversation though, sold you do it? Yeah,

807
00:33:52,880 --> 00:33:53,720
Speaker 2: Candas Absolutely.

808
00:33:53,720 --> 00:33:57,160
Speaker 5: Are there any big names that y'all would not take

809
00:33:57,160 --> 00:33:57,680
Speaker 5: the interview?

810
00:33:58,160 --> 00:33:58,760
Speaker 2: Absolutely?

811
00:33:59,160 --> 00:34:01,480
Speaker 5: If our Kelly came here, which I'll take the interview.

812
00:34:01,560 --> 00:34:05,400
Speaker 5: Kel You see the difference in the two You see

813
00:34:05,400 --> 00:34:05,920
Speaker 5: the gang in the.

814
00:34:06,280 --> 00:34:10,080
Speaker 2: Yang Kels, No, I wouldn't for what.

815
00:34:12,880 --> 00:34:15,399
Speaker 4: Listen, he gave Gail a banger, I don't know, but.

816
00:34:15,360 --> 00:34:17,759
Speaker 2: That's before he was found guilty and throwing under the jail.

817
00:34:18,040 --> 00:34:20,160
Speaker 3: We knew he was guilty, but at that point ship

818
00:34:20,280 --> 00:34:21,719
Speaker 3: was going on, the doc had came out.

819
00:34:21,760 --> 00:34:22,840
Speaker 2: We had some questions for R.

820
00:34:22,920 --> 00:34:24,080
Speaker 3: Kelly. I have no questions for.

821
00:34:24,160 --> 00:34:26,759
Speaker 2: The questions are answered. The questions are like, there's nothing

822
00:34:26,800 --> 00:34:27,879
Speaker 2: to ask AR Kelly.

823
00:34:28,000 --> 00:34:30,160
Speaker 3: And his answers where I'm fighting for my fucking life

824
00:34:30,160 --> 00:34:32,200
Speaker 3: and it's like dog, so were the people in your basement?

825
00:34:32,920 --> 00:34:38,000
Speaker 2: Like yeah, that was I mean, but there is. I

826
00:34:38,000 --> 00:34:42,080
Speaker 2: wouldn't sit down with R. Kelly, but somebody's gonna set

827
00:34:42,080 --> 00:34:43,400
Speaker 2: a cam up in front of him one day and

828
00:34:43,719 --> 00:34:46,200
Speaker 2: ask some real questions, like all right, But the parents,

829
00:34:48,000 --> 00:34:51,600
Speaker 2: that's all were We were the parents because that was

830
00:34:51,640 --> 00:34:54,200
Speaker 2: always a question for me. I don't care where you say,

831
00:34:54,200 --> 00:34:58,120
Speaker 2: my daughter is at studio. Nobody can nobody can stop

832
00:34:58,120 --> 00:34:59,960
Speaker 2: me from getting in this studio. What are you talking about.

833
00:35:00,440 --> 00:35:02,400
Speaker 2: My daughter's in there and she doesn't want to be

834
00:35:02,440 --> 00:35:05,960
Speaker 2: in there, and she's trying to get out. We're getting

835
00:35:05,960 --> 00:35:09,520
Speaker 2: in this studio that right now, doors, windows, everything is

836
00:35:09,560 --> 00:35:09,960
Speaker 2: coming down.

837
00:35:10,120 --> 00:35:13,920
Speaker 3: Separate conversation though, Like I agree with you, the parents

838
00:35:13,960 --> 00:35:16,880
Speaker 3: are responsible, if not the exact same as R.

839
00:35:16,960 --> 00:35:17,200
Speaker 2: Kelly.

840
00:35:17,239 --> 00:35:20,160
Speaker 3: But because he knew how to target young girls that

841
00:35:20,239 --> 00:35:23,200
Speaker 3: had shitty parents and could identify, that doesn't excuse him

842
00:35:23,239 --> 00:35:24,000
Speaker 3: because those parents I.

843
00:35:24,040 --> 00:35:24,680
Speaker 2: Never you never heard.

844
00:35:25,400 --> 00:35:28,560
Speaker 3: No, I'm just saying, like, but the parents, that's not

845
00:35:28,600 --> 00:35:29,719
Speaker 3: a conversation I want to have with R.

846
00:35:29,800 --> 00:35:30,000
Speaker 6: Kelly.

847
00:35:30,080 --> 00:35:31,880
Speaker 3: I would want to have that conversation. I'd sit with

848
00:35:31,920 --> 00:35:34,239
Speaker 3: the parents. I would definitely sit with the parents. What

849
00:35:34,239 --> 00:35:34,960
Speaker 3: the fuck are you doing?

850
00:35:35,000 --> 00:35:37,200
Speaker 2: I want to hear from kel I want to hear

851
00:35:37,200 --> 00:35:37,719
Speaker 2: from all Kelly.

852
00:35:37,719 --> 00:35:39,480
Speaker 3: He didn't hear from the parents. That's why Kell's could

853
00:35:39,480 --> 00:35:39,640
Speaker 3: do it.

854
00:35:39,680 --> 00:35:42,000
Speaker 2: I want to hear from you how much you paid

855
00:35:42,000 --> 00:35:45,520
Speaker 2: the parents? That'd be Kel's thinks he's innocent.

856
00:35:46,320 --> 00:35:47,400
Speaker 3: He would come in here.

857
00:35:47,280 --> 00:35:51,040
Speaker 2: Because because they went through That's why he thought it

858
00:35:51,080 --> 00:35:53,399
Speaker 2: was a negotiation. He thought it was a deal. That's

859
00:35:53,400 --> 00:35:56,920
Speaker 2: why he thinks he's innocent. Who has their passports? Who

860
00:35:56,960 --> 00:35:58,040
Speaker 2: has their shots? Kanye?

861
00:35:59,000 --> 00:36:00,400
Speaker 4: Yeah, what you said ya interview.

862
00:36:01,520 --> 00:36:03,520
Speaker 3: I used to want to say yes to that. And

863
00:36:03,520 --> 00:36:07,200
Speaker 3: by the way, it's not because all the insane things

864
00:36:07,280 --> 00:36:08,960
Speaker 3: that he said, I'm not doing it on a moral shit.

865
00:36:09,040 --> 00:36:10,560
Speaker 3: It would be a waste of fucking time.

866
00:36:12,160 --> 00:36:14,760
Speaker 2: Yeah, I just don't know. A waste of it would.

867
00:36:14,520 --> 00:36:16,640
Speaker 3: Be him screaming, which he's already doing now on his

868
00:36:16,840 --> 00:36:17,720
Speaker 3: on his own stream.

869
00:36:17,840 --> 00:36:19,640
Speaker 2: Yeah, I just don't know if he's a good get,

870
00:36:19,640 --> 00:36:22,960
Speaker 2: Like I don't know, Like what would you because we

871
00:36:23,000 --> 00:36:25,399
Speaker 2: would act you talked about Ken is doing it? If

872
00:36:25,400 --> 00:36:27,560
Speaker 2: you ask Kanye hate something, he gonna turn that into

873
00:36:27,600 --> 00:36:28,680
Speaker 2: a whole different.

874
00:36:28,480 --> 00:36:30,799
Speaker 3: He wouldn't answer what you asked. He would just go

875
00:36:30,800 --> 00:36:32,000
Speaker 3: on a rank of what was on his mind.

876
00:36:32,160 --> 00:36:33,879
Speaker 5: And a lot of people like that because it gets

877
00:36:33,880 --> 00:36:34,920
Speaker 5: them clicks and views.

878
00:36:35,320 --> 00:36:39,680
Speaker 3: But that would be absolutely pointless. Yeah nah at this time,

879
00:36:39,800 --> 00:36:41,560
Speaker 3: Like all the stuff that I would want to know,

880
00:36:42,360 --> 00:36:44,920
Speaker 3: like if even if I took a month to do

881
00:36:45,040 --> 00:36:47,880
Speaker 3: all the journalistic shit about yay and put together the

882
00:36:47,880 --> 00:36:51,719
Speaker 3: best structure ever, it wouldn't work, So what would be

883
00:36:51,719 --> 00:36:51,960
Speaker 3: the point?

884
00:36:52,040 --> 00:36:53,480
Speaker 2: Yeah, I want to sit down with people that I

885
00:36:53,600 --> 00:36:56,120
Speaker 2: really am interested in and like don't hear much from,

886
00:36:56,160 --> 00:36:59,160
Speaker 2: like Ken and Ivy WAYNMS. That's like my dream to

887
00:36:59,200 --> 00:37:01,160
Speaker 2: sit down and have a common station with Keen Navy.

888
00:37:01,120 --> 00:37:03,080
Speaker 3: I mean with everything going on with their family and

889
00:37:03,120 --> 00:37:05,279
Speaker 3: the headlines. Now, I don't think that's far fetched. No,

890
00:37:05,320 --> 00:37:06,880
Speaker 3: I don't think it's far fest But that's just like

891
00:37:07,160 --> 00:37:11,400
Speaker 3: one of my him Byron Allen Allen, Like, those are

892
00:37:11,840 --> 00:37:14,400
Speaker 3: guys that I look at and I'm just like, you know,

893
00:37:14,960 --> 00:37:18,560
Speaker 3: legends and have done amazing things and you don't really

894
00:37:18,560 --> 00:37:20,440
Speaker 3: hear about them, don't really see them in headlines for

895
00:37:20,520 --> 00:37:24,480
Speaker 3: no crazy shit, but their work speaks for itself and

896
00:37:24,480 --> 00:37:26,520
Speaker 3: they've done legendary things. Like those are the type of

897
00:37:26,560 --> 00:37:29,919
Speaker 3: people that I'm interested to have conversations with, the ones

898
00:37:29,920 --> 00:37:31,840
Speaker 3: that are accessible and on the timeline every day and

899
00:37:32,760 --> 00:37:35,000
Speaker 3: you know, going on rants and it's like, I'm cool,

900
00:37:35,040 --> 00:37:35,719
Speaker 3: I don't really want to.

901
00:37:35,760 --> 00:37:37,480
Speaker 2: I don't. That's like the that's like the circus.

902
00:37:37,800 --> 00:37:38,840
Speaker 4: Lo's your dream interview?

903
00:37:40,400 --> 00:37:45,520
Speaker 3: Uh, Lucian Range, I know, somebody that's actually like in.

904
00:37:47,840 --> 00:37:49,279
Speaker 2: Some negotiations with I.

905
00:37:49,280 --> 00:37:55,080
Speaker 3: Don't but legally I don't think they're allowed to speak now, No, Lucian,

906
00:37:55,239 --> 00:37:58,879
Speaker 3: Like outside of just music industry, we're talking about people

907
00:37:58,920 --> 00:38:02,640
Speaker 3: that we are hypothetically saying would be candid in their interview,

908
00:38:02,680 --> 00:38:05,880
Speaker 3: right m h. Because I don't think Sir, Sir Lucian

909
00:38:05,960 --> 00:38:08,880
Speaker 3: Grange would have anything to say on camera period. Like

910
00:38:08,920 --> 00:38:10,880
Speaker 3: even the fact that Leo did the Breakfast Club was

911
00:38:11,640 --> 00:38:12,640
Speaker 3: blew my fucking mind.

912
00:38:13,280 --> 00:38:16,440
Speaker 2: He did drink Champs, didn't he Yes, that's.

913
00:38:16,239 --> 00:38:18,160
Speaker 3: When he was on his pressure, which I could not

914
00:38:18,200 --> 00:38:21,600
Speaker 3: believe he even did that. Lucian would be That's like

915
00:38:23,040 --> 00:38:25,480
Speaker 3: the bevy of everything we questioned about the music industry

916
00:38:25,480 --> 00:38:31,280
Speaker 3: could be answered with one person. Okay, that or Tommy

917
00:38:31,320 --> 00:38:35,399
Speaker 3: venslo ooh wow, it would be Tommy or Lucian, because

918
00:38:35,440 --> 00:38:37,960
Speaker 3: I think you'd get pretty much the same information from

919
00:38:38,000 --> 00:38:42,799
Speaker 3: both of them. Anything we've talked about over the last shit,

920
00:38:42,840 --> 00:38:46,520
Speaker 3: well Quincy was talking about in that interview, last fifty years,

921
00:38:46,640 --> 00:38:49,319
Speaker 3: you're getting answers from those two people, and those two

922
00:38:49,320 --> 00:38:52,239
Speaker 3: people only shit Michael Jackson couldn't get answers to. They

923
00:38:52,280 --> 00:38:55,040
Speaker 3: would have answers to that would be my dream interview

924
00:38:55,040 --> 00:38:56,279
Speaker 3: to talk to one of them, but they never would.

925
00:38:56,400 --> 00:39:00,520
Speaker 3: This is hypothetical shit, Yeah, okay, that makes sense. I

926
00:39:00,520 --> 00:39:02,320
Speaker 3: mean maybe maybe his son would.

927
00:39:02,160 --> 00:39:05,000
Speaker 2: Do it, Michael Jackson's son.

928
00:39:05,719 --> 00:39:08,560
Speaker 3: I would love to talk the Blanket. Oh okay, no,

929
00:39:08,680 --> 00:39:12,360
Speaker 3: Lucian Grange, oh son that's now running inland. But listen,

930
00:39:12,480 --> 00:39:17,319
Speaker 3: if you can get extorted by Trey Way, like maybe

931
00:39:17,360 --> 00:39:17,640
Speaker 3: we can.

932
00:39:17,960 --> 00:39:19,600
Speaker 2: Maybe we got a shot yeah, never know.

933
00:39:19,840 --> 00:39:23,799
Speaker 3: Yeah, throw some guns and money around, take them, make

934
00:39:23,840 --> 00:39:26,560
Speaker 3: it look like a real video. Yeah, take them a

935
00:39:26,760 --> 00:39:28,120
Speaker 3: Uh where'd they have that? Shoot at it?

936
00:39:28,760 --> 00:39:32,719
Speaker 2: I forgot the restaurant was mister Chiles, right, No, I

937
00:39:32,760 --> 00:39:34,160
Speaker 2: feel like I would have remembered if it was missing.

938
00:39:34,160 --> 00:39:35,680
Speaker 3: I'm pretty sure it was mister Chiles on the East

939
00:39:35,680 --> 00:39:40,200
Speaker 3: Side when that happened, like Trey Way and Lucian Grange's

940
00:39:40,239 --> 00:39:43,400
Speaker 3: son just in the line of fire, sick Tom. It

941
00:39:43,520 --> 00:39:46,320
Speaker 3: was that twenty what eighteen seventeen?

942
00:39:46,520 --> 00:39:49,520
Speaker 2: God damn sixteen wow?

943
00:39:49,640 --> 00:39:52,799
Speaker 3: Which is funny that our our guests that we're gonna

944
00:39:52,800 --> 00:39:54,960
Speaker 3: have on the second half of this episode was never

945
00:39:55,000 --> 00:39:58,640
Speaker 3: really affiliated with Trey Way. He was cool with Shody,

946
00:39:58,760 --> 00:40:01,239
Speaker 3: run around with Shotty before that, you know, six or

947
00:40:01,280 --> 00:40:05,000
Speaker 3: nine got weird. But yeah, that's actually a good segue

948
00:40:05,040 --> 00:40:07,440
Speaker 3: now into who we're about to sit down with finally,

949
00:40:07,480 --> 00:40:09,640
Speaker 3: somebody that is of my complexion. Maybe I'll get some

950
00:40:09,680 --> 00:40:12,440
Speaker 3: respect with the lighting once he sits down, but I

951
00:40:12,520 --> 00:40:15,520
Speaker 3: doubt it. That's what we need on the show. More

952
00:40:15,640 --> 00:40:17,920
Speaker 3: click this unwoke opinion. We need more white people on

953
00:40:18,000 --> 00:40:18,879
Speaker 3: this set so I can get.

954
00:40:18,800 --> 00:40:21,759
Speaker 2: Better lighting, white lights.

955
00:40:21,760 --> 00:40:24,440
Speaker 3: All the lighting is to YouTube and I look nuts

956
00:40:24,480 --> 00:40:25,080
Speaker 3: all the time.

957
00:40:25,360 --> 00:40:27,960
Speaker 4: Nah, it's just that black gold man trying to blame

958
00:40:28,040 --> 00:40:29,759
Speaker 4: us for being ugly. It don't have nothing to do

959
00:40:29,800 --> 00:40:31,520
Speaker 4: with the light, and we ain't fucking you up. That's

960
00:40:31,520 --> 00:40:32,200
Speaker 4: how you look yo.

961
00:40:33,239 --> 00:40:33,920
Speaker 3: On my birthday.

962
00:40:33,960 --> 00:40:35,920
Speaker 4: Oh I'm sorry, Damn, I'm so sorry.

963
00:40:36,120 --> 00:40:37,879
Speaker 2: On you're born on your born bon born.

964
00:40:38,600 --> 00:40:39,120
Speaker 3: It's crazy.

965
00:40:39,200 --> 00:40:41,440
Speaker 2: You're beautiful friends, just the way of us have them.

966
00:40:41,480 --> 00:40:42,800
Speaker 2: All right, Well, let's get it to the guests.

967
00:40:42,800 --> 00:40:49,480
Speaker 3: Man, Maul, you know we are sponsored by Rope. It

968
00:40:49,680 --> 00:40:54,600
Speaker 3: is birthday time for me. It's time to go to poundtown.

969
00:40:54,880 --> 00:40:57,080
Speaker 2: Listen, man, I hope you got your road sparks and

970
00:40:57,120 --> 00:40:58,200
Speaker 2: your travel bag. Listen.

971
00:40:58,480 --> 00:41:03,840
Speaker 3: The birthday con sensual sex is ready to happen. Takes

972
00:41:03,880 --> 00:41:06,120
Speaker 3: like fifteen minutes once it dissolves on your tongue and

973
00:41:06,200 --> 00:41:09,040
Speaker 3: I'm ready to go, you know, thirty fives first time

974
00:41:09,040 --> 00:41:12,880
Speaker 3: I'm getting up there. Yeah, sometimes a little nervous, you know,

975
00:41:12,920 --> 00:41:15,440
Speaker 3: I'll be a little busy. Can't really perform the way

976
00:41:15,480 --> 00:41:18,360
Speaker 3: I want to. But his birthday, Tom thirty five years.

977
00:41:18,160 --> 00:41:21,040
Speaker 2: Old, listen, man thirty five years old, got to have

978
00:41:21,080 --> 00:41:24,400
Speaker 2: a teammate, got to have a teammate, Road Sparks. Let it,

979
00:41:24,719 --> 00:41:27,040
Speaker 2: let ro set the screen and then come off that

980
00:41:27,080 --> 00:41:27,640
Speaker 2: thing shooting.

981
00:41:27,719 --> 00:41:29,680
Speaker 3: That's what she called me. Who calls you that?

982
00:41:29,760 --> 00:41:30,040
Speaker 2: Rory?

983
00:41:30,480 --> 00:41:32,799
Speaker 3: Listen. I'm not gonna divulge any names. But she got

984
00:41:32,800 --> 00:41:34,680
Speaker 3: me a birthday cake, they said, Roe, Rory on it.

985
00:41:35,080 --> 00:41:37,759
Speaker 2: I like to hear that if prescribed new sexual health

986
00:41:37,840 --> 00:41:41,000
Speaker 2: patients get fifteen dollars off their first order of Sparks

987
00:41:41,040 --> 00:41:44,040
Speaker 2: on a recurring plan, connect with the provider at road

988
00:41:44,120 --> 00:41:47,000
Speaker 2: dot co slash Rory and Mal to find out a

989
00:41:47,080 --> 00:41:50,600
Speaker 2: prescription Road Sparks are right for you. That's our dot

990
00:41:50,719 --> 00:41:54,319
Speaker 2: co slash roryan Mal for fifteen dollars off your first order.

991
00:42:00,800 --> 00:42:03,200
Speaker 2: All right, Rory. Today we are joined by one of

992
00:42:03,239 --> 00:42:05,400
Speaker 2: my favorite guys man, one of my favorite people in

993
00:42:05,440 --> 00:42:09,040
Speaker 2: this industry, the shithold of the industry, a guy that

994
00:42:09,040 --> 00:42:11,239
Speaker 2: I've been following for a long time, and I'm happy

995
00:42:11,280 --> 00:42:14,600
Speaker 2: to see all the success he's achieving and all the elevation.

996
00:42:14,719 --> 00:42:16,160
Speaker 2: And you know, I'm seeing a lot of people post

997
00:42:16,200 --> 00:42:17,920
Speaker 2: him on my timeline and I just smile when I

998
00:42:17,920 --> 00:42:20,799
Speaker 2: see things like that. So today we are joined by

999
00:42:21,560 --> 00:42:29,440
Speaker 2: Cambridge's finest mass is Finest Millies Millies Listen. Rory went

1000
00:42:29,480 --> 00:42:33,279
Speaker 2: to your album release about two weeks ago. Yes, he

1001
00:42:33,360 --> 00:42:35,279
Speaker 2: called me. He was like, yo, Millies having an hour release.

1002
00:42:35,320 --> 00:42:36,840
Speaker 2: I felt some type of way because Millies didn't hit

1003
00:42:36,880 --> 00:42:38,160
Speaker 2: me and tell me how the album was about. Said

1004
00:42:38,160 --> 00:42:40,400
Speaker 2: it's so good, and Rory was like, Yo, listen, I'm

1005
00:42:40,440 --> 00:42:42,080
Speaker 2: gonna go by it. I said, bro, I'm in the crib.

1006
00:42:42,120 --> 00:42:43,319
Speaker 2: You know, I'm all. I live all the way up

1007
00:42:43,360 --> 00:42:45,000
Speaker 2: north to come back down to the city. It's gonna

1008
00:42:45,000 --> 00:42:46,839
Speaker 2: be a I'm just not into it. But tell my guy,

1009
00:42:46,920 --> 00:42:49,680
Speaker 2: said what's up? Rory? Didn't I get come to the

1010
00:42:49,680 --> 00:42:52,480
Speaker 2: studio the next day? Rory was like, nah, you were

1011
00:42:52,480 --> 00:42:53,800
Speaker 2: supposed to be there last night, Listen.

1012
00:42:53,840 --> 00:42:55,640
Speaker 3: I went for Millies, I went for hip hop, I

1013
00:42:55,680 --> 00:42:58,040
Speaker 3: went to support, but I stayed for other reasons.

1014
00:42:58,120 --> 00:42:59,960
Speaker 2: Yeah, I went for one. It was the party for

1015
00:43:00,080 --> 00:43:02,719
Speaker 2: the party they called Party Favorite. There was a lot

1016
00:43:02,760 --> 00:43:06,200
Speaker 2: of party favors and the beyond the aesthetic was very nice.

1017
00:43:06,280 --> 00:43:10,160
Speaker 2: What you mean, yeah, very welcome hip hop. Yeah, a

1018
00:43:10,160 --> 00:43:12,440
Speaker 2: lot of hip hop in the building. You know that

1019
00:43:12,640 --> 00:43:14,719
Speaker 2: gotta be hip hop with Millies is dead? Man. How

1020
00:43:14,760 --> 00:43:18,359
Speaker 2: you feeling though, bro? I feel good, man, I feelt excellent. Yo. Listen, man,

1021
00:43:18,400 --> 00:43:20,239
Speaker 2: you look at we saw you. I think the last

1022
00:43:20,239 --> 00:43:22,640
Speaker 2: time I saw Millis was we had our show in Boston.

1023
00:43:22,880 --> 00:43:23,879
Speaker 2: That was what two years agow?

1024
00:43:23,880 --> 00:43:26,560
Speaker 3: Oh yeah, yeah, that was December of twenty twenty two.

1025
00:43:27,040 --> 00:43:28,239
Speaker 2: It might have been twenty three. I don't think it

1026
00:43:28,280 --> 00:43:30,120
Speaker 2: was twenty two. It might have been twenty three. Yeah,

1027
00:43:30,120 --> 00:43:32,560
Speaker 2: you might be right though, maybe twenty two a minute.

1028
00:43:32,960 --> 00:43:37,120
Speaker 2: But yo, man, I've been seeing you. The elevation is amazing.

1029
00:43:37,560 --> 00:43:41,760
Speaker 2: Blanco nine is out now, Blanco seven, Blanco seven, Blanco

1030
00:43:41,840 --> 00:43:43,759
Speaker 2: seven is out. Now, we'll get to nine. We're going

1031
00:43:43,840 --> 00:43:46,440
Speaker 2: to know, we definitely gonna get to nine. But how

1032
00:43:46,480 --> 00:43:49,120
Speaker 2: has it been, man? How was the the journey being

1033
00:43:49,200 --> 00:43:51,200
Speaker 2: up un to this point? Because I remember I think

1034
00:43:51,200 --> 00:43:53,239
Speaker 2: the first time, well I heard you years ago, but

1035
00:43:53,280 --> 00:43:56,480
Speaker 2: the first time I remember hearing you wrap hearing you

1036
00:43:56,560 --> 00:43:59,279
Speaker 2: freestyle and I was like, nah, he's serious. It might

1037
00:43:59,320 --> 00:44:04,000
Speaker 2: have been funk flex freestyle thing like yeah, it's a

1038
00:44:04,080 --> 00:44:06,799
Speaker 2: long long time about eight years ago. Yeah, that was

1039
00:44:06,840 --> 00:44:09,440
Speaker 2: like twenty seventeen. That was the first time I heard

1040
00:44:09,480 --> 00:44:12,719
Speaker 2: you before that. But that freestyle, I think is when

1041
00:44:12,760 --> 00:44:15,320
Speaker 2: I said I got to start paying more attention to me.

1042
00:44:15,320 --> 00:44:17,200
Speaker 2: And I think, were you signed the kiss before that

1043
00:44:17,600 --> 00:44:19,160
Speaker 2: or was it that happen right after the like right

1044
00:44:19,239 --> 00:44:21,640
Speaker 2: right before that, right before that, and that's when when

1045
00:44:21,640 --> 00:44:24,280
Speaker 2: you signed with Jada. Well when I have I found

1046
00:44:24,280 --> 00:44:26,600
Speaker 2: that out after that freestyle and I said, okay, like

1047
00:44:26,680 --> 00:44:29,000
Speaker 2: so kiss herd the same shit I'm hearing. I'm looking

1048
00:44:29,040 --> 00:44:30,880
Speaker 2: at him. But to see you now, seeing everything that

1049
00:44:30,880 --> 00:44:34,360
Speaker 2: you're doing, it's been dope to watch. But how have

1050
00:44:34,480 --> 00:44:36,880
Speaker 2: you been feeling though as far as like personally, is

1051
00:44:36,920 --> 00:44:38,799
Speaker 2: this this is the music industry been good to you?

1052
00:44:39,360 --> 00:44:41,399
Speaker 2: Is there a lot of things that you're like, Oh man,

1053
00:44:41,400 --> 00:44:43,520
Speaker 2: these are the potholes that people tried to warm me

1054
00:44:43,600 --> 00:44:45,799
Speaker 2: about to trying to avoid, like what is it? What

1055
00:44:45,920 --> 00:44:50,080
Speaker 2: is the experience been like up until Blanco seven? Man?

1056
00:44:50,160 --> 00:44:54,719
Speaker 2: That's it was like a loaded question because.

1057
00:44:55,920 --> 00:44:58,200
Speaker 6: It feels like even though you saw me on flex

1058
00:44:58,320 --> 00:45:02,800
Speaker 6: at whatever you that was. Yeah, I shouldn't start My

1059
00:45:02,800 --> 00:45:06,120
Speaker 6: shouldn't start until the pandemic, like it got lit in

1060
00:45:06,200 --> 00:45:10,080
Speaker 6: COVID because I wasn't saying I can't make club music.

1061
00:45:10,120 --> 00:45:13,400
Speaker 6: But that wasn't what I was super on. I was

1062
00:45:13,480 --> 00:45:15,680
Speaker 6: kind of doing more like pain songs. I do the

1063
00:45:15,719 --> 00:45:18,760
Speaker 6: freestyle raps and stuff because it brings engagement on social media.

1064
00:45:18,800 --> 00:45:19,720
Speaker 6: That's not my passion.

1065
00:45:19,960 --> 00:45:22,080
Speaker 2: It's commercial, yeah exactly.

1066
00:45:22,600 --> 00:45:25,200
Speaker 6: And it's a commercial just to draw people in to

1067
00:45:25,280 --> 00:45:26,920
Speaker 6: be like, you know, look what's going on. Because I

1068
00:45:26,920 --> 00:45:29,040
Speaker 6: know I could technically do that. It's like a technical

1069
00:45:29,120 --> 00:45:30,919
Speaker 6: skill set. It's like making half court shots.

1070
00:45:30,960 --> 00:45:33,279
Speaker 2: You'd rather make music. Yeah, you know what I mean.

1071
00:45:35,120 --> 00:45:38,440
Speaker 6: But yeah, it started in the pandemic when everything slowed down.

1072
00:45:38,480 --> 00:45:40,759
Speaker 6: It was like people started listening to music for real,

1073
00:45:40,880 --> 00:45:43,520
Speaker 6: and that's when they started. I just remember I posted

1074
00:45:43,560 --> 00:45:45,759
Speaker 6: a song called URLs and it was kind of more

1075
00:45:46,160 --> 00:45:49,759
Speaker 6: singing but talking about going through real life shit, and

1076
00:45:49,840 --> 00:45:52,399
Speaker 6: I just saw like a bump in the algorithm morning

1077
00:45:52,480 --> 00:45:54,360
Speaker 6: and I'm like, oh, and then I dropped something with

1078
00:45:54,600 --> 00:45:59,439
Speaker 6: Jim Heightened Census and it was like the easiest type

1079
00:45:59,480 --> 00:46:02,440
Speaker 6: of song I could do it was just wrapping intricately

1080
00:46:02,840 --> 00:46:05,239
Speaker 6: and I'm a lot of cook from me over like

1081
00:46:05,280 --> 00:46:07,440
Speaker 6: a beat with a vocal sample, and people like that

1082
00:46:07,520 --> 00:46:09,320
Speaker 6: off the album. I didn't push it off the album,

1083
00:46:09,360 --> 00:46:12,040
Speaker 6: but people liked it a lot off the album. And

1084
00:46:12,040 --> 00:46:13,960
Speaker 6: that's when I realized, oh, if y'all like this, I

1085
00:46:13,960 --> 00:46:15,960
Speaker 6: could do this over and over and all. This is

1086
00:46:15,960 --> 00:46:18,320
Speaker 6: the easiest thing I could do. So I started dropping

1087
00:46:18,320 --> 00:46:19,839
Speaker 6: from there and everything went up. That's how I went

1088
00:46:19,920 --> 00:46:23,520
Speaker 6: Blanco five six here to seven, like off of signature

1089
00:46:23,560 --> 00:46:25,160
Speaker 6: sound Like if you go to YouTube and look at

1090
00:46:25,200 --> 00:46:29,320
Speaker 6: a Milli's type beat, you'll see a thousand, one hundred

1091
00:46:29,440 --> 00:46:33,799
Speaker 6: thousand Millies type beats, you know. So that was the

1092
00:46:33,840 --> 00:46:36,440
Speaker 6: progress like with music. But yeah, I learned a lot

1093
00:46:36,640 --> 00:46:39,600
Speaker 6: just in the music industry. I still feel like I'm

1094
00:46:39,640 --> 00:46:41,359
Speaker 6: on the outside of the industry because I never had

1095
00:46:41,360 --> 00:46:43,160
Speaker 6: a major push. It always just been me and my

1096
00:46:43,200 --> 00:46:45,360
Speaker 6: friends behind me, and then like you know, co signs

1097
00:46:45,440 --> 00:46:48,080
Speaker 6: like y'all have been we personally know each other like

1098
00:46:48,520 --> 00:46:51,120
Speaker 6: kiss a post me or like however it goes. But

1099
00:46:51,160 --> 00:46:54,920
Speaker 6: it's never been a major sort of corporation. I did

1100
00:46:54,920 --> 00:46:57,760
Speaker 6: a dishro deal, you know, I did big DISHO deals,

1101
00:46:57,800 --> 00:46:59,600
Speaker 6: but they just give you the bag and then you

1102
00:46:59,640 --> 00:47:01,640
Speaker 6: gotta go kind of do it yourself.

1103
00:47:02,719 --> 00:47:05,560
Speaker 3: It's been a good mentor in that capacity because Kiss

1104
00:47:05,560 --> 00:47:10,120
Speaker 3: has probably been through more situations than any major rapper

1105
00:47:10,120 --> 00:47:12,960
Speaker 3: that I can think of. Like he's the only rapper

1106
00:47:12,960 --> 00:47:17,560
Speaker 3: that's been on Bad Boy, Rough Riders and Rockefeller.

1107
00:47:17,080 --> 00:47:22,000
Speaker 6: Technically and beef with fifty Ambigu and Puffy.

1108
00:47:22,080 --> 00:47:22,319
Speaker 2: Yeah.

1109
00:47:22,520 --> 00:47:24,760
Speaker 3: For publishing, like he's been very vocal.

1110
00:47:24,920 --> 00:47:26,759
Speaker 2: Kiss might be a vampire now that I think about it.

1111
00:47:26,840 --> 00:47:28,840
Speaker 3: Yeah, I mean even on We Are the Streets, like

1112
00:47:28,880 --> 00:47:31,920
Speaker 3: the Interludes is raping you records, Like everything in the

1113
00:47:31,960 --> 00:47:34,560
Speaker 3: Interludes is about being fucked. I think in the industry,

1114
00:47:34,560 --> 00:47:37,040
Speaker 3: for your pub for your budget, everything.

1115
00:47:36,880 --> 00:47:38,719
Speaker 6: I think about it now. That's why he was kind

1116
00:47:38,719 --> 00:47:41,600
Speaker 6: of like protective over me. It was times I was

1117
00:47:41,600 --> 00:47:45,040
Speaker 6: supposed to do Love and hip Hop and twenty twenty

1118
00:47:45,120 --> 00:47:47,279
Speaker 6: one or one of them shit, like I.

1119
00:47:47,239 --> 00:47:49,839
Speaker 2: Mean, like I would. Yeah, he was adamantly against it.

1120
00:47:50,280 --> 00:47:53,560
Speaker 2: Who were they gonna pair you with? Oh, this girl, man,

1121
00:47:53,840 --> 00:47:57,600
Speaker 2: this girl. Yeah, shout out to this girl, you know,

1122
00:47:58,560 --> 00:48:00,400
Speaker 2: shout out to this girl.

1123
00:48:00,480 --> 00:48:03,400
Speaker 6: We had a Philly city, We had a right, we

1124
00:48:03,440 --> 00:48:05,319
Speaker 6: had a bright future on love and hip hop, and

1125
00:48:05,440 --> 00:48:07,920
Speaker 6: Kiss was just adamantly against it, and I'm like, I

1126
00:48:08,000 --> 00:48:11,279
Speaker 6: need to feed my family. Bro. I actually moved out

1127
00:48:11,280 --> 00:48:13,160
Speaker 6: of my apartment that I was in because I'm like, well,

1128
00:48:13,160 --> 00:48:16,279
Speaker 6: I'm about to be famous, so.

1129
00:48:16,200 --> 00:48:18,160
Speaker 2: It's probably like, no, I don't do that. This is

1130
00:48:18,200 --> 00:48:19,040
Speaker 2: like twenty nineteen.

1131
00:48:19,080 --> 00:48:22,160
Speaker 6: He was like, that's wag, that's cool Andy, No disrespect

1132
00:48:22,200 --> 00:48:24,600
Speaker 6: to Mona, we love you and all of that. But yeah,

1133
00:48:24,640 --> 00:48:27,560
Speaker 6: he was just adamantly against it. And I was like, well, bro,

1134
00:48:27,640 --> 00:48:30,080
Speaker 6: I'm starving. I'm a die, like I gotta do love

1135
00:48:30,120 --> 00:48:33,560
Speaker 6: and hip hop. This girl man, and she started going

1136
00:48:33,640 --> 00:48:36,600
Speaker 6: left on me before the show even started, like she's

1137
00:48:36,640 --> 00:48:40,040
Speaker 6: getting a character. Yeah, I guess so. And it was

1138
00:48:40,160 --> 00:48:42,000
Speaker 6: crazy because you're trying to create the story. I mean,

1139
00:48:42,080 --> 00:48:44,600
Speaker 6: I seen her one day. I don't know if I

1140
00:48:44,640 --> 00:48:46,719
Speaker 6: don't want to violate like shout out to her, but

1141
00:48:46,800 --> 00:48:48,400
Speaker 6: I seen her one day and she was smoking a

1142
00:48:48,440 --> 00:48:49,320
Speaker 6: new Port hunted.

1143
00:48:49,600 --> 00:48:52,719
Speaker 2: Oh no, it was on FaceTime and I got and

1144
00:48:52,760 --> 00:48:56,640
Speaker 2: this is like a week. It was one hundred face time.

1145
00:48:59,360 --> 00:49:02,880
Speaker 6: She was smoking a hundred and I was just like, damn,

1146
00:49:02,960 --> 00:49:04,839
Speaker 6: like we want to face something. She was arguing with

1147
00:49:04,840 --> 00:49:07,799
Speaker 6: me about something I don't really like argue like that,

1148
00:49:07,800 --> 00:49:12,520
Speaker 6: that's not even in my character, Like, don't indulge in that.

1149
00:49:13,000 --> 00:49:16,200
Speaker 6: And I'm just like, damn, Like we went to those

1150
00:49:16,320 --> 00:49:18,560
Speaker 6: meetings and they started asking me about.

1151
00:49:18,480 --> 00:49:20,600
Speaker 3: It's a long argument too, where your.

1152
00:49:20,480 --> 00:49:22,520
Speaker 6: Side chicks at you. You gotta smoke a whole new

1153
00:49:22,600 --> 00:49:28,560
Speaker 6: boy argument. Hell yeah. But now Kiss protecting me, you know,

1154
00:49:28,640 --> 00:49:31,000
Speaker 6: from from a lot of things, just a lot of situations,

1155
00:49:31,000 --> 00:49:33,960
Speaker 6: Like always reached out to me and he would always say,

1156
00:49:34,200 --> 00:49:36,200
Speaker 6: you know, you got the complexion for the connection. But

1157
00:49:36,280 --> 00:49:39,080
Speaker 6: I don't think we ever. I don't think we have

1158
00:49:39,120 --> 00:49:41,319
Speaker 6: to like use it, like monetize.

1159
00:49:40,719 --> 00:49:44,960
Speaker 2: It the way we were. Yeah, thinking of like I

1160
00:49:44,960 --> 00:49:47,399
Speaker 2: think that is more so because you're I think your

1161
00:49:47,440 --> 00:49:49,839
Speaker 2: brand and who you are in real life, I think

1162
00:49:49,840 --> 00:49:52,239
Speaker 2: it's probably what Kiss was like, Now we got to

1163
00:49:52,239 --> 00:49:55,080
Speaker 2: protect that because that's that's real, that's really who you are.

1164
00:49:55,120 --> 00:49:57,399
Speaker 2: So we start to go this way, it's just too

1165
00:49:57,440 --> 00:49:59,839
Speaker 2: much out of who you really are. Personal Moda wanted

1166
00:49:59,840 --> 00:50:01,600
Speaker 2: to do well. Yeah, I mean we know Mona would

1167
00:50:01,719 --> 00:50:02,759
Speaker 2: Mona would have loved that.

1168
00:50:02,760 --> 00:50:05,040
Speaker 3: Because she has to you know, things would have been white.

1169
00:50:05,360 --> 00:50:07,920
Speaker 2: Yeah nah, but you I think that Kiss Kiss made

1170
00:50:07,960 --> 00:50:10,279
Speaker 2: the right Calle, what is your been you have this

1171
00:50:10,280 --> 00:50:14,799
Speaker 2: this unique like thing of just being tapped in with

1172
00:50:15,000 --> 00:50:18,880
Speaker 2: certain guys and certain other artists that like Leak, like

1173
00:50:18,960 --> 00:50:23,040
Speaker 2: lead Ward and alb Al and you know those guys

1174
00:50:23,040 --> 00:50:25,760
Speaker 2: that I listen to. But to see you doing videos,

1175
00:50:25,760 --> 00:50:28,600
Speaker 2: I'm like, yo, Millie's is like he's he's in tune

1176
00:50:28,600 --> 00:50:30,880
Speaker 2: because these are guys that you gotta kind of really

1177
00:50:30,920 --> 00:50:33,560
Speaker 2: be in tune with a certain area to kind of

1178
00:50:33,600 --> 00:50:36,480
Speaker 2: like even connect with on a personal level, but then

1179
00:50:36,480 --> 00:50:38,920
Speaker 2: to even make music and then actually go to that

1180
00:50:38,960 --> 00:50:41,800
Speaker 2: hood and do a video. Now we talking about something deeper,

1181
00:50:41,920 --> 00:50:44,480
Speaker 2: deeper connection. And the deeper like you know, it has

1182
00:50:44,520 --> 00:50:47,400
Speaker 2: to be a trusted Where's that? Where's that come from?

1183
00:50:47,520 --> 00:50:49,799
Speaker 2: Is it just the sense of you know, if I'm

1184
00:50:49,800 --> 00:50:53,120
Speaker 2: from a hood and mass the hood is the hood everywhere,

1185
00:50:53,120 --> 00:50:54,960
Speaker 2: it's just a certain language that we all speak. Is

1186
00:50:54,960 --> 00:50:58,160
Speaker 2: it just that or is it a deeper like connection

1187
00:50:58,280 --> 00:51:02,680
Speaker 2: that's just deeper than that. Yeah, that's that's a good

1188
00:51:02,760 --> 00:51:03,359
Speaker 2: question though.

1189
00:51:03,400 --> 00:51:07,520
Speaker 6: And I think people see the videos and they think

1190
00:51:07,560 --> 00:51:10,160
Speaker 6: it's like really some Hollywood shit. They don't understand how

1191
00:51:10,400 --> 00:51:11,279
Speaker 6: treacherous it is.

1192
00:51:11,320 --> 00:51:12,880
Speaker 2: Oh yeah, I know that's why I ask.

1193
00:51:12,960 --> 00:51:14,839
Speaker 6: But yeah, even like leaf War like he don't care

1194
00:51:14,880 --> 00:51:16,640
Speaker 6: who you are in the industry. He don't really do

1195
00:51:16,840 --> 00:51:19,080
Speaker 6: much features with people and shit like that. So I

1196
00:51:19,080 --> 00:51:22,360
Speaker 6: think they tap in because I had like that pain type.

1197
00:51:22,120 --> 00:51:22,920
Speaker 2: Of music moving.

1198
00:51:23,360 --> 00:51:26,120
Speaker 6: So but it'll be like my youngins in my neighborhood

1199
00:51:26,120 --> 00:51:27,759
Speaker 6: that will tell me, yo, you got to get with

1200
00:51:27,840 --> 00:51:29,120
Speaker 6: leaf Ward, and I'd be like, I want to do

1201
00:51:29,160 --> 00:51:30,560
Speaker 6: a song with so and so, and they'd be like

1202
00:51:31,440 --> 00:51:34,600
Speaker 6: fuck him. Like I say something somebody mainstream, they really

1203
00:51:34,600 --> 00:51:37,439
Speaker 6: tap me in and risk Takers got like forty five

1204
00:51:37,520 --> 00:51:40,840
Speaker 6: million streams or something crazy, and we're all underground artists.

1205
00:51:40,840 --> 00:51:43,120
Speaker 6: So i'by all that was like just people telling us

1206
00:51:43,120 --> 00:51:44,759
Speaker 6: to work as soon as he came home, like we

1207
00:51:44,840 --> 00:51:48,920
Speaker 6: just tapped in, got on FaceTime. Leaf Ward was harder

1208
00:51:48,960 --> 00:51:52,640
Speaker 6: to It was harder to get because you know, he's

1209
00:51:52,719 --> 00:51:57,560
Speaker 6: just running around. He was in the streets, but you know,

1210
00:51:58,360 --> 00:52:00,600
Speaker 6: shit like that. He ended up getting and booked. But

1211
00:52:00,640 --> 00:52:02,560
Speaker 6: I was grateful to be able to go out there.

1212
00:52:02,600 --> 00:52:05,960
Speaker 6: But yeah, it's stretches we've done. There's so many videos

1213
00:52:06,400 --> 00:52:08,600
Speaker 6: and just popped out on artists just to show them

1214
00:52:08,600 --> 00:52:11,200
Speaker 6: like it's genuine love. I'm not you know, I'm not

1215
00:52:11,239 --> 00:52:14,200
Speaker 6: trying to use you for a verse or anything like that.

1216
00:52:15,560 --> 00:52:17,680
Speaker 3: I think that speaks to the authenticity though, because that

1217
00:52:17,760 --> 00:52:19,560
Speaker 3: record is crazy and I didn't even know that forty

1218
00:52:19,560 --> 00:52:21,520
Speaker 3: five million. I feel like if you went like the

1219
00:52:21,560 --> 00:52:23,560
Speaker 3: major route, they try to pair you with somebody that

1220
00:52:23,680 --> 00:52:25,880
Speaker 3: was singing hook right, and you probably clock at like

1221
00:52:25,920 --> 00:52:28,920
Speaker 3: a million views, mate, right, Like that was something All

1222
00:52:28,960 --> 00:52:31,560
Speaker 3: three y'all have the same but different fan bases.

1223
00:52:32,200 --> 00:52:34,360
Speaker 6: It's cross and we brought them all together like that

1224
00:52:34,440 --> 00:52:35,520
Speaker 6: and that song man.

1225
00:52:35,400 --> 00:52:36,840
Speaker 2: That shit is so big.

1226
00:52:36,920 --> 00:52:40,640
Speaker 6: But no, I think it's a trust and it's a

1227
00:52:40,680 --> 00:52:46,480
Speaker 6: respect thing, you know. So also like I'm I believe

1228
00:52:46,520 --> 00:52:50,440
Speaker 6: in God a lot, bro Like I'm very in tune

1229
00:52:50,480 --> 00:52:52,120
Speaker 6: with God to the point where I just feel like

1230
00:52:52,120 --> 00:52:54,919
Speaker 6: I could go anywhere, you know, on trust and with

1231
00:52:55,000 --> 00:52:57,520
Speaker 6: God like I've been. I've been in Haiti for real, right,

1232
00:52:57,680 --> 00:52:59,840
Speaker 6: I grew up with all Haitians, Like my school was

1233
00:52:59,840 --> 00:53:02,600
Speaker 6: half Haitian when Pop bloom in.

1234
00:53:02,640 --> 00:53:03,479
Speaker 2: My school is.

1235
00:53:03,440 --> 00:53:09,239
Speaker 6: Half Haitian, like straight from poor to prince. So I

1236
00:53:09,280 --> 00:53:12,080
Speaker 6: had a certain trust level to where I'll go. You know,

1237
00:53:12,160 --> 00:53:14,680
Speaker 6: the government can't even protect you in Haiti. You gotta

1238
00:53:14,680 --> 00:53:18,480
Speaker 6: be real tapped in, right, And we went out there

1239
00:53:18,480 --> 00:53:20,600
Speaker 6: in like I think twenty nineteen or something like that

1240
00:53:20,640 --> 00:53:21,800
Speaker 6: and just moving around.

1241
00:53:21,880 --> 00:53:23,560
Speaker 2: But it's love and it's it's trust.

1242
00:53:23,640 --> 00:53:26,799
Speaker 6: I was with all deporties, like people got deported from

1243
00:53:26,800 --> 00:53:29,680
Speaker 6: Cambridge and shit like that, and they're real z old.

1244
00:53:29,719 --> 00:53:32,400
Speaker 6: So it's like, I'll really go anywhere if I feel,

1245
00:53:32,640 --> 00:53:35,759
Speaker 6: you know, it's authentically like in my heart to go there,

1246
00:53:35,840 --> 00:53:39,560
Speaker 6: like I feel comfortable in those environments, you know.

1247
00:53:40,120 --> 00:53:43,160
Speaker 3: Yeah, I forgot what platform was. It might have been

1248
00:53:43,160 --> 00:53:45,719
Speaker 3: your own YouTube channel where you gave, like I guess,

1249
00:53:45,719 --> 00:53:47,359
Speaker 3: a tour. That's kind of corny to say it that way,

1250
00:53:47,400 --> 00:53:49,799
Speaker 3: but to tour your neighborhood. And I did notice out

1251
00:53:49,800 --> 00:53:54,640
Speaker 3: of all like the hoodvlog stuff, everyone from sixty years

1252
00:53:54,640 --> 00:53:57,560
Speaker 3: old to young had a story about you. Yeah, which

1253
00:53:58,120 --> 00:53:59,800
Speaker 3: usually people walk around the hood and the just with

1254
00:54:00,200 --> 00:54:02,239
Speaker 3: friends and just make up shit as they walk past.

1255
00:54:02,239 --> 00:54:06,520
Speaker 3: It was like old Haitian women coming out they crib child.

1256
00:54:06,560 --> 00:54:08,239
Speaker 3: I was like, oh right, he's from here for real.

1257
00:54:08,440 --> 00:54:11,719
Speaker 6: Yeah, yeah, And it's so funny because I'm actually from

1258
00:54:11,719 --> 00:54:15,480
Speaker 6: a place that putting the most money into PR campaigns

1259
00:54:15,480 --> 00:54:19,600
Speaker 6: and the history of PR campaigns, Like I'm from Cambridge, Massachusetts.

1260
00:54:19,719 --> 00:54:21,279
Speaker 2: That's Harvard College.

1261
00:54:21,680 --> 00:54:25,360
Speaker 6: Mit, Like you don't get that's been blasted out to

1262
00:54:25,440 --> 00:54:29,680
Speaker 6: people since the twenties. There's a if you go to

1263
00:54:29,800 --> 00:54:33,920
Speaker 6: Jason Trimman's YouTube, it's a smaller YouTube channel, but he

1264
00:54:34,000 --> 00:54:36,960
Speaker 6: gives a real breakdown of the Cambridge that I'm from,

1265
00:54:37,080 --> 00:54:39,399
Speaker 6: you know, because it's also Harvard College, but it's also

1266
00:54:39,480 --> 00:54:42,759
Speaker 6: fourteen housing projects and people living below the poverty line

1267
00:54:42,760 --> 00:54:47,719
Speaker 6: and shit like that. So yeah, nah, I really grew

1268
00:54:47,800 --> 00:54:50,840
Speaker 6: up just kind of in an environment that made me

1269
00:54:50,840 --> 00:54:54,360
Speaker 6: feel like we were just in far out yesterday and

1270
00:54:54,400 --> 00:54:56,920
Speaker 6: they were like, nobody comes out here, bro. So but

1271
00:54:57,040 --> 00:55:00,000
Speaker 6: I feel it still feels like my neighborhood in the summer,

1272
00:55:00,200 --> 00:55:02,360
Speaker 6: you know, it's not too far. So yeah, that's what

1273
00:55:02,400 --> 00:55:04,839
Speaker 6: gave me the confidence to go wherever. Also, and then

1274
00:55:04,840 --> 00:55:06,759
Speaker 6: I'm not leading on no tough shit either, Like I'm

1275
00:55:06,840 --> 00:55:07,200
Speaker 6: just like.

1276
00:55:07,440 --> 00:55:09,240
Speaker 2: You know, yeah, mutual respect be cooler.

1277
00:55:09,680 --> 00:55:13,280
Speaker 3: Boss just had a very interesting music history where it's

1278
00:55:13,640 --> 00:55:15,520
Speaker 3: I feel like it's been neglected, but if you really

1279
00:55:15,520 --> 00:55:17,799
Speaker 3: go through it, it does have like monumental shit. But

1280
00:55:17,880 --> 00:55:20,840
Speaker 3: on the hip hop side, I feel like even Guru

1281
00:55:20,960 --> 00:55:27,600
Speaker 3: from Gangstar, we all thought Guru and from Brooklyn ben Zeno,

1282
00:55:28,120 --> 00:55:30,200
Speaker 3: I'm actually one of the few people that's like not

1283
00:55:30,280 --> 00:55:32,120
Speaker 3: a Benzeno hater. I actually think he's done a lot

1284
00:55:32,120 --> 00:55:34,040
Speaker 3: of good for hip hop, and he had a few

1285
00:55:34,080 --> 00:55:37,440
Speaker 3: joints and made men I always fucked with with their mixtapes.

1286
00:55:37,480 --> 00:55:42,240
Speaker 3: That's hard every time Static, you know, brought Terminology always

1287
00:55:42,239 --> 00:55:44,759
Speaker 3: fucks with him, Mass Bike Miles. But I always feel

1288
00:55:44,800 --> 00:55:47,400
Speaker 3: like Bobby Brown was kind of the like New Election.

1289
00:55:48,280 --> 00:55:50,360
Speaker 2: Yeah, no, I think for sure.

1290
00:55:50,480 --> 00:55:53,359
Speaker 6: I tell people like, you've got to understand when you're

1291
00:55:53,360 --> 00:55:55,319
Speaker 6: coming out of Mass it's like an uphill battle on

1292
00:55:55,440 --> 00:55:59,080
Speaker 6: roller skates because you're dealing with if you just go,

1293
00:55:59,160 --> 00:56:00,040
Speaker 6: I'm a person.

1294
00:56:00,160 --> 00:56:01,040
Speaker 2: Likes to go with the odds.

1295
00:56:01,040 --> 00:56:02,480
Speaker 6: Like I tell people, it's harder to make it and

1296
00:56:02,480 --> 00:56:05,719
Speaker 6: wrapped in the NBA because it statistically is how many

1297
00:56:05,840 --> 00:56:09,080
Speaker 6: rappers are there in New York right now? Like people

1298
00:56:09,239 --> 00:56:10,480
Speaker 6: making songs in the studio.

1299
00:56:10,920 --> 00:56:16,120
Speaker 2: I don't know a million, all right, how.

1300
00:56:16,000 --> 00:56:17,960
Speaker 6: Many peoples in the NBA, you know what I mean?

1301
00:56:18,080 --> 00:56:19,839
Speaker 6: How many people play for the Knicks. Just do your

1302
00:56:19,920 --> 00:56:21,680
Speaker 6: math on that. I tell people that before you try

1303
00:56:21,719 --> 00:56:24,160
Speaker 6: to jump in the rap. But like especially from Mass

1304
00:56:24,160 --> 00:56:26,840
Speaker 6: with three hours from New York and probably five hundred

1305
00:56:27,000 --> 00:56:29,839
Speaker 6: artists got record deals in the last ten years from

1306
00:56:29,920 --> 00:56:33,480
Speaker 6: New York and three artists from Massachusetts got record deals.

1307
00:56:33,960 --> 00:56:35,520
Speaker 3: And how do you think that is, though, because even

1308
00:56:35,560 --> 00:56:38,000
Speaker 3: like the source coming out, because a lot of cities

1309
00:56:38,040 --> 00:56:39,960
Speaker 3: will bring up the New York thing, like all the

1310
00:56:40,000 --> 00:56:43,120
Speaker 3: publications everything media. That's why y'all get the looks that

1311
00:56:43,160 --> 00:56:45,520
Speaker 3: you look. And I think there's an argument there. I

1312
00:56:45,560 --> 00:56:47,799
Speaker 3: see what they're saying. There's some pushback, but I get

1313
00:56:47,840 --> 00:56:50,719
Speaker 3: it right. The source came out of Boston, and I

1314
00:56:50,719 --> 00:56:54,359
Speaker 3: mean that was the bible. Yeah, why did that never

1315
00:56:54,400 --> 00:56:57,880
Speaker 3: really click outside of what Benzino was doing, because there's

1316
00:56:57,920 --> 00:57:01,480
Speaker 3: been plenty of great rappers, they just never get their look.

1317
00:57:02,280 --> 00:57:02,480
Speaker 2: Yeah.

1318
00:57:02,520 --> 00:57:07,600
Speaker 6: I think people had probably had a sour taste, salty taste, pause,

1319
00:57:07,680 --> 00:57:12,000
Speaker 6: like whatever, you know from the fact that I think

1320
00:57:12,040 --> 00:57:14,239
Speaker 6: they felt like even if you hear eminem, he's like

1321
00:57:14,480 --> 00:57:18,280
Speaker 6: half your staffs fresh out of jail from Boston bullying

1322
00:57:18,320 --> 00:57:22,040
Speaker 6: and extoror like and it's real shit. Like Benzino, you know,

1323
00:57:22,160 --> 00:57:24,800
Speaker 6: to his credit, he took what I I don't want

1324
00:57:24,840 --> 00:57:27,080
Speaker 6: to get all the facts on. This was before my time,

1325
00:57:27,120 --> 00:57:31,760
Speaker 6: but he took ten different, ten different rappers from all

1326
00:57:31,760 --> 00:57:34,240
Speaker 6: different hoods that were beef and when the murder rate

1327
00:57:34,400 --> 00:57:36,840
Speaker 6: was high in Boston, the murder rate actually dropped. He

1328
00:57:37,840 --> 00:57:41,080
Speaker 6: put a lot of rappers together and formed the Wise Guys,

1329
00:57:41,360 --> 00:57:42,880
Speaker 6: which was like a bigger.

1330
00:57:42,640 --> 00:57:43,960
Speaker 2: Extension of the main Men.

1331
00:57:44,880 --> 00:57:46,800
Speaker 6: And he tried to you know, he tried to put

1332
00:57:47,160 --> 00:57:49,360
Speaker 6: a lot of people in position. But I don't know, Bro,

1333
00:57:49,400 --> 00:57:52,880
Speaker 6: It's just like we're such a town that we believe

1334
00:57:52,920 --> 00:57:55,240
Speaker 6: in sports man, you know.

1335
00:57:55,400 --> 00:57:59,400
Speaker 3: Like sports like we'vet what Benzino and his friends did,

1336
00:57:59,480 --> 00:58:01,600
Speaker 3: uh to a certain player.

1337
00:58:03,560 --> 00:58:04,040
Speaker 2: To kiss her?

1338
00:58:04,120 --> 00:58:06,240
Speaker 3: Telling you the story of the Benzi know, Bro.

1339
00:58:06,920 --> 00:58:09,440
Speaker 6: Yeah, lightly, But I had it enough on podcasts and

1340
00:58:09,480 --> 00:58:11,360
Speaker 6: ship like that.

1341
00:58:11,560 --> 00:58:12,840
Speaker 3: There's been some locks Boston.

1342
00:58:13,800 --> 00:58:18,120
Speaker 2: What is the straight though? Where's there is there? Do

1343
00:58:18,160 --> 00:58:19,600
Speaker 2: you have a relation I'm not sure if you do.

1344
00:58:19,760 --> 00:58:23,080
Speaker 2: But do you have a relationship with Joined Lucas? Yeah?

1345
00:58:22,680 --> 00:58:28,240
Speaker 6: I got a relationship with Joiner like we never saw

1346
00:58:28,800 --> 00:58:31,320
Speaker 6: really eye of eye. There was some some tension there.

1347
00:58:31,800 --> 00:58:36,080
Speaker 6: There was just some like serious things. They don't have

1348
00:58:36,160 --> 00:58:38,320
Speaker 6: nothing to do with me or him, but in the

1349
00:58:38,360 --> 00:58:40,040
Speaker 6: middle of it.

1350
00:58:40,120 --> 00:58:45,560
Speaker 2: But actually Mark Man, Mark Wahlberg, he put us together

1351
00:58:45,640 --> 00:58:57,360
Speaker 2: for real. That's dope. First laughing just found out that rapper.

1352
00:58:57,400 --> 00:58:59,520
Speaker 5: She had know he was a rapper. I didn't know

1353
00:58:59,560 --> 00:59:01,240
Speaker 5: he was a part of a funky bunch. I didn't

1354
00:59:01,280 --> 00:59:01,640
Speaker 5: know that.

1355
00:59:01,800 --> 00:59:06,320
Speaker 2: What's the funky bunch and the funky bunch? I don't know.

1356
00:59:06,440 --> 00:59:09,840
Speaker 6: I know it was Marky Mark so and he'll come around,

1357
00:59:09,880 --> 00:59:12,160
Speaker 6: he said, you know I would. Hey, he downs himself

1358
00:59:12,200 --> 00:59:15,040
Speaker 6: and me he'll go. I was the only corny rapper

1359
00:59:15,080 --> 00:59:16,920
Speaker 6: from Boston. Now we got real rappers. But I don't

1360
00:59:16,920 --> 00:59:18,560
Speaker 6: think he was corny. I don't think nothing about Mark.

1361
00:59:18,680 --> 00:59:19,840
Speaker 6: Mark's corny.

1362
00:59:20,400 --> 00:59:22,959
Speaker 2: Mark Wahlberg is a street guy from doing one hundred.

1363
00:59:23,240 --> 00:59:25,000
Speaker 3: It just came off with the vanilla ice ship was going.

1364
00:59:25,360 --> 00:59:26,240
Speaker 3: It was just bad talking.

1365
00:59:26,400 --> 00:59:30,600
Speaker 6: Markberg will hang vanilla ice off the building, like signited

1366
00:59:30,720 --> 00:59:33,440
Speaker 6: in real life. Like Mark Wahlberg is Mark Wahlberg from

1367
00:59:33,440 --> 00:59:38,280
Speaker 6: Four Brothers. I'm trying to tell you Mark Wahlberg is

1368
00:59:38,320 --> 00:59:43,040
Speaker 6: somebody I could tell us, very comfortable in staticky environments,

1369
00:59:43,080 --> 00:59:45,360
Speaker 6: like we'll be with all the corporate people and everything,

1370
00:59:45,600 --> 00:59:47,960
Speaker 6: and Mark Wahlberg will defer in the room to me

1371
00:59:48,000 --> 00:59:50,640
Speaker 6: and my friends. I swear to God, all these hundred

1372
00:59:50,680 --> 00:59:53,720
Speaker 6: million dollar guys on this dick, Mark Mark Mark, and

1373
00:59:53,760 --> 00:59:57,400
Speaker 6: he's just talking to us like super but not forcing it,

1374
00:59:57,480 --> 01:00:01,160
Speaker 6: just super comfortable and regular like he is Mark Wahlberg

1375
01:00:01,200 --> 01:00:01,920
Speaker 6: from Four Brothers.

1376
01:00:01,960 --> 01:00:02,880
Speaker 2: I'm standing on that.

1377
01:00:03,760 --> 01:00:06,080
Speaker 3: But let's slow down, all right, because when you asked

1378
01:00:06,080 --> 01:00:07,360
Speaker 3: the question about joint a little all right, So I

1379
01:00:07,440 --> 01:00:09,360
Speaker 3: was like, all right, I get it. It's a mass thing.

1380
01:00:09,840 --> 01:00:12,920
Speaker 3: Maybe they crosspaths. Then I could see y'all having issues.

1381
01:00:13,040 --> 01:00:15,800
Speaker 3: People know each other. How the fuck did Mark Wahlberg

1382
01:00:16,240 --> 01:00:16,760
Speaker 3: end this beef?

1383
01:00:17,160 --> 01:00:20,880
Speaker 6: Because like he would support Joiner and I used to

1384
01:00:20,920 --> 01:00:23,400
Speaker 6: see that, like, man, that's the coolest shit in the world.

1385
01:00:23,440 --> 01:00:26,680
Speaker 6: Oh my god, Mark Wahlburg a less celebrity bro. I'd

1386
01:00:26,720 --> 01:00:31,680
Speaker 6: be like, that's amazing. And and one day he just

1387
01:00:31,720 --> 01:00:35,080
Speaker 6: followed me and started just he just started liking my

1388
01:00:35,160 --> 01:00:37,560
Speaker 6: posts more than my friends, like my post like you know,

1389
01:00:37,680 --> 01:00:40,640
Speaker 6: like throwing the moojis and shit, just really support and

1390
01:00:40,720 --> 01:00:43,480
Speaker 6: throwing Mark yeah, throwing my shit up. We met him

1391
01:00:43,520 --> 01:00:45,760
Speaker 6: in on We had a toy day in Vegas. He

1392
01:00:45,840 --> 01:00:47,480
Speaker 6: was like, Yo, what hotel you staying at? We were

1393
01:00:47,480 --> 01:00:49,640
Speaker 6: in the wind. He pulled up to the wind came

1394
01:00:49,680 --> 01:00:51,600
Speaker 6: into the lobby. He was like, met me down in

1395
01:00:51,680 --> 01:00:53,920
Speaker 6: the lobby and it was like this like Mark Warburg

1396
01:00:53,960 --> 01:00:56,360
Speaker 6: me and yeah, me me in the lobby and he

1397
01:00:56,520 --> 01:00:58,320
Speaker 6: just sat down with me in like the nice part

1398
01:00:58,360 --> 01:01:00,600
Speaker 6: of the lobby, and it caused so much tension, like

1399
01:01:00,640 --> 01:01:03,760
Speaker 6: the hotel employees couldn't believe it. Everyone stopped for him.

1400
01:01:04,160 --> 01:01:09,919
Speaker 6: Old Chinese lady, yeah, little fat young kids like everybody,

1401
01:01:10,000 --> 01:01:12,680
Speaker 6: like everyone you could think about just stop for him.

1402
01:01:13,040 --> 01:01:14,880
Speaker 6: And like he just had the conversation with me like

1403
01:01:14,880 --> 01:01:17,440
Speaker 6: it wasn't happening and shit like, and he just showed

1404
01:01:17,440 --> 01:01:19,760
Speaker 6: support from there. And then one day he had a

1405
01:01:19,800 --> 01:01:23,560
Speaker 6: thing with Concepts and I was like, yo, I'm pulling up,

1406
01:01:24,400 --> 01:01:26,680
Speaker 6: but Joyan was pulling up too. I think he just

1407
01:01:26,800 --> 01:01:29,520
Speaker 6: checked you know, like the temperature with them, because I

1408
01:01:29,520 --> 01:01:32,320
Speaker 6: was always fine, I'll be around anybody, but he really, like,

1409
01:01:32,480 --> 01:01:35,000
Speaker 6: you know, just put us in that room together and

1410
01:01:35,440 --> 01:01:37,280
Speaker 6: was just like I'm telling you all, y'all are stronger

1411
01:01:37,360 --> 01:01:40,040
Speaker 6: and together and ship like that. And then Joya ended

1412
01:01:40,120 --> 01:01:41,480
Speaker 6: up taking me on tour and he got a big

1413
01:01:41,480 --> 01:01:42,160
Speaker 6: AUSS fan base.

1414
01:01:42,240 --> 01:01:47,760
Speaker 3: So for sure, what was that combo? Like, I mean,

1415
01:01:47,880 --> 01:01:52,000
Speaker 3: the details you can't give in Vegas.

1416
01:01:51,640 --> 01:01:53,520
Speaker 6: Now with market he was we were just talking about

1417
01:01:53,520 --> 01:01:56,120
Speaker 6: our town, like you know, people like to it's a

1418
01:01:56,160 --> 01:02:01,280
Speaker 6: lot of hatred like in Boston in Massachusetts in general,

1419
01:02:01,400 --> 01:02:02,560
Speaker 6: like this, it's like.

1420
01:02:02,520 --> 01:02:05,440
Speaker 2: Our culture to hate on shit outside of sports. M h.

1421
01:02:06,040 --> 01:02:07,800
Speaker 6: We love sports, but people want to see you do

1422
01:02:07,880 --> 01:02:10,000
Speaker 6: good but never too good and he just you know,

1423
01:02:10,200 --> 01:02:10,440
Speaker 6: kind of.

1424
01:02:10,440 --> 01:02:12,760
Speaker 2: That's everywhere though, that's not just a mass thing.

1425
01:02:15,440 --> 01:02:18,400
Speaker 6: Yeah, I mean it's bad where we're from because we've

1426
01:02:18,440 --> 01:02:21,360
Speaker 6: never had success in music too, So like New York

1427
01:02:21,400 --> 01:02:25,360
Speaker 6: are gonna let an artists fly, like like, hey, Buogie

1428
01:02:25,360 --> 01:02:28,720
Speaker 6: can fly because a shot Rocky flew and all these people,

1429
01:02:28,800 --> 01:02:30,840
Speaker 6: it's like, but they really want to clip your wings

1430
01:02:30,840 --> 01:02:32,800
Speaker 6: if they never saw somebody. It's like they kind of

1431
01:02:32,840 --> 01:02:35,920
Speaker 6: start panicking when they see an artist get a certain

1432
01:02:36,000 --> 01:02:36,960
Speaker 6: level of success.

1433
01:02:37,320 --> 01:02:38,200
Speaker 2: I'll be trying to tell.

1434
01:02:38,080 --> 01:02:40,760
Speaker 6: People I'm not on bro, I'm not jay Z, Like

1435
01:02:40,800 --> 01:02:44,760
Speaker 6: I cannot fix this whole state, right, you know.

1436
01:02:44,960 --> 01:02:47,080
Speaker 2: But have you ran into any of that though, as

1437
01:02:47,080 --> 01:02:49,240
Speaker 2: far as like back back in the hood, back home

1438
01:02:49,440 --> 01:02:51,960
Speaker 2: you ran into like where it's like the people that

1439
01:02:52,040 --> 01:02:54,760
Speaker 2: you thought were like real friends and people you grow

1440
01:02:54,840 --> 01:02:57,200
Speaker 2: up that know you're away from music, have you seen

1441
01:02:57,240 --> 01:03:00,440
Speaker 2: their energy change? And it's like, yo, like y'all are

1442
01:03:00,440 --> 01:03:04,440
Speaker 2: going crazy. I'm not like I'm still here with y'all.

1443
01:03:04,800 --> 01:03:09,320
Speaker 6: Nobody, nobody that I really grew up with. Feels like

1444
01:03:09,360 --> 01:03:12,560
Speaker 6: that because they know, like I'm solid, Like I'm gonna

1445
01:03:12,560 --> 01:03:13,320
Speaker 6: stand on my word.

1446
01:03:13,360 --> 01:03:14,520
Speaker 2: I'm gonna do what I can do.

1447
01:03:14,640 --> 01:03:16,480
Speaker 6: I do have to break down to people that I

1448
01:03:16,520 --> 01:03:18,280
Speaker 6: have less money than you think I have them.

1449
01:03:18,720 --> 01:03:21,720
Speaker 7: Yeah, that's like if you don't, you got to say,

1450
01:03:21,760 --> 01:03:23,640
Speaker 7: I don't care how I pop it on the ground,

1451
01:03:23,800 --> 01:03:26,400
Speaker 7: like this is pop money, man, but in the Kodak

1452
01:03:26,520 --> 01:03:29,120
Speaker 7: dam this is my money.

1453
01:03:29,400 --> 01:03:30,200
Speaker 2: Yeah, because I do.

1454
01:03:30,360 --> 01:03:33,000
Speaker 6: Because it's weird, because I do pop it on Instagram

1455
01:03:33,080 --> 01:03:34,960
Speaker 6: because at the at the end of the day, like

1456
01:03:34,960 --> 01:03:36,840
Speaker 6: I'm a rapper that people might be like, oh, he

1457
01:03:36,920 --> 01:03:39,880
Speaker 6: don't got mainstream success. Yeah, but here's two hundred thousand

1458
01:03:39,920 --> 01:03:42,360
Speaker 6: dollars and I got four hundred thousand dollars in jewelry.

1459
01:03:42,680 --> 01:03:44,720
Speaker 6: I need you to know that. I don't need y'all

1460
01:03:44,760 --> 01:03:47,680
Speaker 6: to know that. So it's like for y'all to start

1461
01:03:47,720 --> 01:03:50,920
Speaker 6: doing this is not for y'all. Don't count my pockets.

1462
01:03:50,960 --> 01:03:54,320
Speaker 6: I'm popping into them, my entire neighborhood.

1463
01:03:55,840 --> 01:03:57,880
Speaker 2: Yeah, you know.

1464
01:03:59,160 --> 01:04:01,080
Speaker 6: But so it gets tricky like that because it's like

1465
01:04:01,120 --> 01:04:03,280
Speaker 6: I have to pop into the industry and that shit

1466
01:04:03,400 --> 01:04:06,280
Speaker 6: works like it works. I'm telling you right now, if

1467
01:04:06,320 --> 01:04:08,800
Speaker 6: I up one hundred thousand dollars on Instagram.

1468
01:04:09,600 --> 01:04:11,760
Speaker 2: It just reminds people like, don't get it fucked up.

1469
01:04:11,800 --> 01:04:14,600
Speaker 6: I'm not being pushed by a corporate machine and I'm

1470
01:04:14,640 --> 01:04:19,080
Speaker 6: not on these whatever you know platforms, but I'm getting

1471
01:04:19,120 --> 01:04:21,000
Speaker 6: money off wrap off rhyming words.

1472
01:04:21,040 --> 01:04:22,640
Speaker 2: One ever try to play with me like I didn't

1473
01:04:22,680 --> 01:04:24,320
Speaker 2: make it. I made it. I made it. I made it.

1474
01:04:24,960 --> 01:04:29,720
Speaker 6: But now to my neighborhood, shit like hold on, hold on,

1475
01:04:31,200 --> 01:04:35,760
Speaker 6: we need to take a step back and y'all can

1476
01:04:35,800 --> 01:04:39,040
Speaker 6: see it. And so, but then I have to remind

1477
01:04:39,040 --> 01:04:48,640
Speaker 6: my neighborhood like smokes Buddah has Rah rah crook, my

1478
01:04:48,720 --> 01:04:54,440
Speaker 6: brother s, k Nip was just booked ten other guys.

1479
01:04:54,680 --> 01:04:59,440
Speaker 6: These is my friends in jail. All right, that's a

1480
01:04:59,480 --> 01:05:07,720
Speaker 6: bill and itself. Now security, because so I don't put

1481
01:05:07,920 --> 01:05:12,400
Speaker 6: people in jeopardy with you know, I'm ana higher armed security.

1482
01:05:12,440 --> 01:05:13,800
Speaker 2: Don't want your friends to be security.

1483
01:05:13,880 --> 01:05:16,760
Speaker 6: Yeah, you see what I'm saying. So now I'm hiring

1484
01:05:16,760 --> 01:05:19,240
Speaker 6: people outside of the team. I could go to cheap route,

1485
01:05:21,000 --> 01:05:25,919
Speaker 6: but you know, I'm hiring people outside of the team, drivers, whatever.

1486
01:05:26,080 --> 01:05:28,360
Speaker 6: All this money is coming to make this ship look

1487
01:05:28,440 --> 01:05:29,920
Speaker 6: big and make this ship look grand.

1488
01:05:29,960 --> 01:05:32,640
Speaker 2: You know what I mean. I'm reinvesting. So it's like

1489
01:05:32,680 --> 01:05:34,840
Speaker 2: I gotta pop it to them and then reiterate to them.

1490
01:05:35,080 --> 01:05:38,120
Speaker 3: Yeah, yeah, I get the branding outside of the safety

1491
01:05:38,160 --> 01:05:40,120
Speaker 3: in that as well, Like even down to where I

1492
01:05:40,160 --> 01:05:41,920
Speaker 3: was mad that you told every girl in there to

1493
01:05:42,200 --> 01:05:45,600
Speaker 3: dress and white and blind and now but the rest

1494
01:05:45,600 --> 01:05:50,520
Speaker 3: of us did. He didn't tell you. Every man came different.

1495
01:05:50,640 --> 01:05:53,400
Speaker 2: You showed up to Millies release party all white. That

1496
01:05:53,400 --> 01:05:57,000
Speaker 2: would have been the nastiest ship ever. You can't do that, which,

1497
01:05:57,720 --> 01:05:59,600
Speaker 2: oh god, you can't do that. Yeah, all white with me?

1498
01:05:59,760 --> 01:06:02,800
Speaker 2: That's the success. Not really nothing, But who were some

1499
01:06:02,840 --> 01:06:05,480
Speaker 2: of the people growing up in mass as far as

1500
01:06:05,480 --> 01:06:08,720
Speaker 2: like music that inspired you, like just mask artists that

1501
01:06:08,800 --> 01:06:11,320
Speaker 2: maybe people outside of Mask never heard of.

1502
01:06:13,720 --> 01:06:16,480
Speaker 6: The people outside of mask. Damn, it's like rappers that

1503
01:06:16,680 --> 01:06:19,600
Speaker 6: like damn they never never dropped out. I say, Smoke

1504
01:06:19,680 --> 01:06:27,280
Speaker 6: Bulger he was having motion RP rock through KATEI man,

1505
01:06:27,320 --> 01:06:29,920
Speaker 6: it's a few. Like there was people with movements. A

1506
01:06:30,000 --> 01:06:33,400
Speaker 6: guy named Lou Armstrong. He had a movement like where

1507
01:06:33,440 --> 01:06:35,960
Speaker 6: they would wrap all the trucks and shit like that.

1508
01:06:36,080 --> 01:06:38,520
Speaker 6: You know, people like that kind of moving Like as

1509
01:06:38,560 --> 01:06:43,000
Speaker 6: far as like musically inspiring me, even outside of Mass,

1510
01:06:44,680 --> 01:06:45,400
Speaker 6: outside of Mask.

1511
01:06:45,440 --> 01:06:46,000
Speaker 2: I've been. I've been.

1512
01:06:46,040 --> 01:06:48,760
Speaker 6: I'm inspired by so many people. I don't know, that's like,

1513
01:06:49,040 --> 01:06:53,600
Speaker 6: I'm inspired by a lot, like, you know, to this day,

1514
01:06:53,680 --> 01:06:56,600
Speaker 6: so many people. So I had a friend from I

1515
01:06:56,640 --> 01:06:58,920
Speaker 6: had a friend that got sent away to live in Florida,

1516
01:06:59,000 --> 01:07:02,320
Speaker 6: and he came back from and he was introducing me

1517
01:07:02,360 --> 01:07:05,600
Speaker 6: to like Gezy and you know, shit like that. Before

1518
01:07:05,600 --> 01:07:10,200
Speaker 6: it was really hitting like and even more old school

1519
01:07:10,360 --> 01:07:14,000
Speaker 6: down South music like Boosy and Past Detroit. So I

1520
01:07:14,040 --> 01:07:16,480
Speaker 6: was getting acquainted with like the down south sounds at

1521
01:07:16,520 --> 01:07:19,200
Speaker 6: the same time as I was really studying all the

1522
01:07:19,360 --> 01:07:22,880
Speaker 6: you know, fifty cent and everything underground New York.

1523
01:07:23,240 --> 01:07:25,400
Speaker 2: But no, I'm inspired by everything still to this day.

1524
01:07:25,560 --> 01:07:27,560
Speaker 2: What was it like, because I know, obviously you know

1525
01:07:27,640 --> 01:07:31,000
Speaker 2: The Locks was a big inspiration. Yeah, anybody that's into

1526
01:07:31,040 --> 01:07:34,000
Speaker 2: hip hundred pc the Locks gotta be inspiration. What was

1527
01:07:34,040 --> 01:07:36,520
Speaker 2: it like when you first had that, you know, first

1528
01:07:36,520 --> 01:07:40,040
Speaker 2: conversation with Kiss and you felt like, oh shit, like

1529
01:07:40,120 --> 01:07:42,040
Speaker 2: me and Kiss about to do business together. Like what

1530
01:07:42,640 --> 01:07:44,920
Speaker 2: was that feeling like for somebody that obviously grew up

1531
01:07:45,280 --> 01:07:49,040
Speaker 2: listening to Jada and just being a fan of The Locks.

1532
01:07:49,840 --> 01:07:51,840
Speaker 6: It's funny, I want to tell, like, the real story,

1533
01:07:51,920 --> 01:07:55,920
Speaker 6: you know. But so I was always around Kiss, and

1534
01:07:55,960 --> 01:07:58,560
Speaker 6: Kiss was cool as shit, like I did a feature

1535
01:07:58,600 --> 01:08:04,800
Speaker 6: with them through my and Set Free, And then I

1536
01:08:04,880 --> 01:08:08,080
Speaker 6: just started popping up on him like at whatever flyer

1537
01:08:08,240 --> 01:08:10,440
Speaker 6: was posted. When I came to New York, I like

1538
01:08:10,960 --> 01:08:13,560
Speaker 6: would move by myself. I go to Lust by myself,

1539
01:08:13,680 --> 01:08:18,880
Speaker 6: like aces RP Lust. Yeah, And it was like I

1540
01:08:18,960 --> 01:08:21,080
Speaker 6: just had the sense like I had so much baggage

1541
01:08:21,080 --> 01:08:24,640
Speaker 6: in Boston and Massachusetts in general that I just felt like,

1542
01:08:25,439 --> 01:08:27,720
Speaker 6: you know, I can move out here. Everybody nobody got

1543
01:08:27,800 --> 01:08:29,880
Speaker 6: beef for the white kid out here, like they know

1544
01:08:29,920 --> 01:08:32,320
Speaker 6: who their ops are. And I didn't have no jewelry

1545
01:08:32,360 --> 01:08:34,519
Speaker 6: at the time or anything. I'm going anywhere. I used

1546
01:08:34,520 --> 01:08:37,160
Speaker 6: to take the train to stall it for real, I'm

1547
01:08:37,200 --> 01:08:39,000
Speaker 6: on the wall install its now. I used to take

1548
01:08:39,000 --> 01:08:40,880
Speaker 6: the train to I didn't even know how to take

1549
01:08:40,880 --> 01:08:43,040
Speaker 6: the train. I don't know this train system. I know

1550
01:08:43,080 --> 01:08:46,519
Speaker 6: the red line and the green line, but no. So

1551
01:08:46,560 --> 01:08:48,519
Speaker 6: I would pop up on Kiss a lot of times,

1552
01:08:48,520 --> 01:08:50,320
Speaker 6: and he was so cool, like he just made me

1553
01:08:50,360 --> 01:08:52,920
Speaker 6: feel like something like we'd be in the club and

1554
01:08:52,960 --> 01:08:56,320
Speaker 6: he'd see me I'm outside of the VIP like no

1555
01:08:56,479 --> 01:08:58,640
Speaker 6: motion at all, and he'd seen me staying on the

1556
01:08:58,640 --> 01:09:02,080
Speaker 6: couch scream on the bound, letting him in like sit

1557
01:09:02,240 --> 01:09:04,040
Speaker 6: me next to him, and that was like my whole

1558
01:09:04,080 --> 01:09:06,760
Speaker 6: fucking moment in life. I take the train back on

1559
01:09:06,920 --> 01:09:09,040
Speaker 6: cloud nine, like, oh my.

1560
01:09:08,720 --> 01:09:13,800
Speaker 2: God, my life is lit. But we never yeah for real,

1561
01:09:14,000 --> 01:09:14,559
Speaker 2: an't matter.

1562
01:09:15,520 --> 01:09:17,519
Speaker 6: And I was sleeping in the apartment in the Bronx

1563
01:09:17,560 --> 01:09:20,760
Speaker 6: with roaches, wild roaches. I'm putting powder down on all

1564
01:09:20,840 --> 01:09:24,160
Speaker 6: the like the roach I got, the roach spray, the glue,

1565
01:09:24,240 --> 01:09:28,599
Speaker 6: the powder, everything I gotta, I'm telling me and seth free.

1566
01:09:28,640 --> 01:09:32,200
Speaker 6: We're going to events like double Excel events and tall

1567
01:09:32,240 --> 01:09:34,719
Speaker 6: you see, like the Lauryn Hill poster were taking ship

1568
01:09:34,800 --> 01:09:37,720
Speaker 6: like that and like limit into whatever you call them.

1569
01:09:37,720 --> 01:09:40,840
Speaker 6: I'm spreading it around my apartment so you know, in

1570
01:09:40,880 --> 01:09:42,839
Speaker 6: case I got a girl and the roaches come.

1571
01:09:42,760 --> 01:09:45,040
Speaker 2: Through like a barriers ship like that.

1572
01:09:45,120 --> 01:09:48,920
Speaker 6: Like but I'm still on cloud now because I'm cool

1573
01:09:48,960 --> 01:09:52,519
Speaker 6: with killers, you know, So I think that's gratitude to

1574
01:09:52,560 --> 01:09:53,320
Speaker 6: get you a long way.

1575
01:09:53,360 --> 01:09:55,839
Speaker 2: But yeah.

1576
01:09:56,000 --> 01:09:59,680
Speaker 6: At one point Ice picked Jay who was hit his

1577
01:09:59,800 --> 01:10:03,400
Speaker 6: men was like, you know, millies can sing mm hmm,

1578
01:10:03,880 --> 01:10:06,479
Speaker 6: kiss like no, and He's like, no, Millie sings brou

1579
01:10:06,680 --> 01:10:08,720
Speaker 6: all the rap and Ship you should we need to

1580
01:10:08,760 --> 01:10:11,120
Speaker 6: take him as an artist. And so he called a

1581
01:10:11,200 --> 01:10:13,880
Speaker 6: meeting and we went to kiss his crib and I

1582
01:10:13,920 --> 01:10:15,920
Speaker 6: was all excited for the meeting and then it was

1583
01:10:16,000 --> 01:10:18,800
Speaker 6: just me, Seth Free and Ice Pick and Kiss was

1584
01:10:18,800 --> 01:10:20,479
Speaker 6: like in the kitchen and he was.

1585
01:10:20,400 --> 01:10:23,200
Speaker 2: Like, I talk about this later some.

1586
01:10:24,720 --> 01:10:27,640
Speaker 6: He was like to tell me when, like when the

1587
01:10:27,720 --> 01:10:30,280
Speaker 6: important shit comes up. But it was like Pick was

1588
01:10:30,280 --> 01:10:33,559
Speaker 6: going to run the play and Pick ended up passing

1589
01:10:34,439 --> 01:10:38,040
Speaker 6: probably like two months later, and Ship, but like he

1590
01:10:38,320 --> 01:10:42,040
Speaker 6: essentially gave me the kiss, you know, and then Kiss

1591
01:10:42,240 --> 01:10:44,680
Speaker 6: ended up running the place. So real spiritual to me.

1592
01:10:47,000 --> 01:10:48,519
Speaker 6: But yeah, so that was like the first time we

1593
01:10:48,560 --> 01:10:51,280
Speaker 6: really talked about it. And then it was like after that,

1594
01:10:51,320 --> 01:10:52,840
Speaker 6: you know, there was a lot of artists that was

1595
01:10:52,880 --> 01:10:57,360
Speaker 6: down with Kiss, but I just felt like I got

1596
01:10:57,400 --> 01:10:59,280
Speaker 6: to take the stamp and just make everything I can

1597
01:10:59,360 --> 01:11:01,200
Speaker 6: make of the stamp. Like people think when you get

1598
01:11:01,240 --> 01:11:04,160
Speaker 6: with an artist that they go, don't sign the artist,

1599
01:11:04,240 --> 01:11:05,760
Speaker 6: But it's like, nah, don't sign the artist if you

1600
01:11:05,800 --> 01:11:10,000
Speaker 6: plan to just use that artist's whole platform. Yeah, you know,

1601
01:11:10,240 --> 01:11:14,320
Speaker 6: like create, create your shit. You should be There's people

1602
01:11:14,320 --> 01:11:16,080
Speaker 6: that could come in here off media and take it

1603
01:11:16,200 --> 01:11:19,800
Speaker 6: I work with Rory and Maul and literally just propel it.

1604
01:11:20,160 --> 01:11:21,599
Speaker 6: All you need is to stamp. Oh, I could get

1605
01:11:21,640 --> 01:11:24,160
Speaker 6: you on FaceTime. I could get you on FaceTime. That's

1606
01:11:24,200 --> 01:11:26,639
Speaker 6: all you need. I could call it the marriage right now,

1607
01:11:26,760 --> 01:11:29,679
Speaker 6: you don't believe me bad and I'm trying to start

1608
01:11:29,720 --> 01:11:31,519
Speaker 6: my own shit. And it was kind of like that.

1609
01:11:31,600 --> 01:11:34,920
Speaker 6: I had that stamp from Kiss, so I am running

1610
01:11:34,960 --> 01:11:36,960
Speaker 6: with that. I need a stamp. I don't need much more.

1611
01:11:37,080 --> 01:11:39,680
Speaker 2: Yeah, you know, so as a raper, if somebody like

1612
01:11:39,680 --> 01:11:42,719
Speaker 2: you got somebody like Kiss that you know is telling

1613
01:11:42,760 --> 01:11:44,680
Speaker 2: you like you dope and you know he fucked with you,

1614
01:11:45,240 --> 01:11:46,519
Speaker 2: I don't think you need much more.

1615
01:11:46,560 --> 01:11:50,240
Speaker 6: Yeah, ultimate confidence, ultimate confidence for sure. And then from

1616
01:11:50,280 --> 01:11:52,800
Speaker 6: there it's just like once my name got big and

1617
01:11:52,840 --> 01:11:56,000
Speaker 6: I really got attached to him and the whole brand,

1618
01:11:56,040 --> 01:11:58,040
Speaker 6: I was like, I gotta, you know, protect this shit forever.

1619
01:11:58,120 --> 01:12:00,000
Speaker 6: And it's still things I do that like he won't

1620
01:12:00,040 --> 01:12:04,479
Speaker 6: approve of, you know what I mean, whether it's showing

1621
01:12:04,520 --> 01:12:05,719
Speaker 6: money on the ground or whatever.

1622
01:12:05,760 --> 01:12:09,040
Speaker 2: Like there's certain things but with different people. That's just

1623
01:12:09,200 --> 01:12:10,479
Speaker 2: he's the elder Statesman now.

1624
01:12:10,400 --> 01:12:15,440
Speaker 6: So yeah, sure it's like yo, why Yeah, he's like tonyo,

1625
01:12:15,479 --> 01:12:21,920
Speaker 6: and I'm like Chris Chris for sure, Yeah, but without

1626
01:12:21,920 --> 01:12:22,599
Speaker 6: the cocaine.

1627
01:12:22,760 --> 01:12:25,160
Speaker 2: So a couple of a couple of weeks ago, even

1628
01:12:25,200 --> 01:12:27,800
Speaker 2: running with this whole Mount Rushmore ship and they did

1629
01:12:27,800 --> 01:12:32,720
Speaker 2: the White Rapper Mount Rushmore and somebody who you had

1630
01:12:32,720 --> 01:12:34,960
Speaker 2: a little bit of a little bit I guess an

1631
01:12:35,000 --> 01:12:37,840
Speaker 2: issue at one point mg K machine gun Kelly was

1632
01:12:38,560 --> 01:12:41,479
Speaker 2: he was on the Mount White was he he should

1633
01:12:41,479 --> 01:12:42,880
Speaker 2: have so he.

1634
01:12:42,840 --> 01:12:44,200
Speaker 3: Was saying should have been to him, but he should

1635
01:12:44,439 --> 01:12:45,160
Speaker 3: know shouldn't be on it.

1636
01:12:45,320 --> 01:12:47,120
Speaker 2: But I know that you and an mg K had

1637
01:12:47,160 --> 01:12:50,479
Speaker 2: y'all thinking for but y'all have squashed y'all think what

1638
01:12:50,520 --> 01:12:54,720
Speaker 2: was that? What was the original uh reason behind you

1639
01:12:54,760 --> 01:12:56,639
Speaker 2: and m g K kind of having a little back

1640
01:12:56,680 --> 01:12:57,080
Speaker 2: and forth.

1641
01:12:57,640 --> 01:12:59,719
Speaker 6: It's gonna make it look like I'm dragging it to

1642
01:12:59,760 --> 01:13:03,240
Speaker 6: talk on this joint, But like we just knew each

1643
01:13:03,240 --> 01:13:06,880
Speaker 6: other super early, and yeah, we knew each other super early,

1644
01:13:06,920 --> 01:13:10,439
Speaker 6: and then I just fell out about ship and you know,

1645
01:13:10,760 --> 01:13:13,479
Speaker 6: I took my route to I took my route to

1646
01:13:13,520 --> 01:13:15,200
Speaker 6: you know, speak on him and raps and ship like

1647
01:13:15,240 --> 01:13:17,120
Speaker 6: that and trying to bait him into the battle and

1648
01:13:17,920 --> 01:13:18,400
Speaker 6: he didn't go.

1649
01:13:18,400 --> 01:13:20,960
Speaker 2: For the battle. Okay, yeah, do you have you But

1650
01:13:21,320 --> 01:13:22,720
Speaker 2: it met sensibly, you know what I mean.

1651
01:13:22,840 --> 01:13:25,160
Speaker 6: I think I think it was probably like risk assessment

1652
01:13:25,640 --> 01:13:29,000
Speaker 6: at the same time. Yeah, because I think I do

1653
01:13:29,040 --> 01:13:30,559
Speaker 6: think he's a great rapper, you know what I mean.

1654
01:13:31,880 --> 01:13:34,720
Speaker 6: Don't get he could rap his ass. I wanted that

1655
01:13:34,800 --> 01:13:36,760
Speaker 6: match up. To me, it is like a boxer, you know,

1656
01:13:36,920 --> 01:13:38,200
Speaker 6: I want. I wanted that match up.

1657
01:13:38,240 --> 01:13:41,479
Speaker 3: But even I mean, outside of his reply, which I

1658
01:13:41,520 --> 01:13:44,240
Speaker 3: thought he'd be. Did Jack Harlow reply that no one

1659
01:13:44,280 --> 01:13:48,280
Speaker 3: talked about when he left his million dollar mansion with his.

1660
01:13:49,120 --> 01:13:51,280
Speaker 2: Wait, you felt like he got him in that battle? Yeah?

1661
01:13:51,320 --> 01:13:52,920
Speaker 2: I thought he was always because I always I thought

1662
01:13:52,920 --> 01:13:54,120
Speaker 2: he was on composite size of that.

1663
01:13:54,479 --> 01:13:57,400
Speaker 3: No. I thought and ship was cool. Don't get me wrong,

1664
01:13:57,400 --> 01:14:00,800
Speaker 3: but I really think mgk's hit better. But even after

1665
01:14:00,800 --> 01:14:02,760
Speaker 3: the whole Jack Carlow thing, which I've even forgot how

1666
01:14:02,760 --> 01:14:05,519
Speaker 3: that even got started, I think it was just, you know,

1667
01:14:06,800 --> 01:14:09,240
Speaker 3: we can speak about it. We hate our own kind.

1668
01:14:09,760 --> 01:14:15,320
Speaker 3: Every white person you like, skin folk luckily you know

1669
01:14:16,000 --> 01:14:17,720
Speaker 3: like that. But yeah, we try to beef with other

1670
01:14:17,760 --> 01:14:19,920
Speaker 3: white people that you know.

1671
01:14:19,960 --> 01:14:23,120
Speaker 6: It's crazy and like, I don't know, they might wild

1672
01:14:23,120 --> 01:14:26,080
Speaker 6: on me on this saying this on the podcast, but

1673
01:14:26,320 --> 01:14:29,920
Speaker 6: I swear to God white people tried to stop me

1674
01:14:29,960 --> 01:14:32,720
Speaker 6: from getting into the rap industry. Like on everything I

1675
01:14:32,760 --> 01:14:36,799
Speaker 6: love bro Wow. I was never helped by white people,

1676
01:14:36,880 --> 01:14:40,880
Speaker 6: not the fans. The fans helped me. The fans very clear.

1677
01:14:41,280 --> 01:14:44,800
Speaker 6: White people in the industry with the power to bring

1678
01:14:44,840 --> 01:14:47,080
Speaker 6: me up did not jack me at all.

1679
01:14:48,479 --> 01:14:52,040
Speaker 2: I mean, it's definitely everybody who brought me up. Was

1680
01:14:52,640 --> 01:14:55,200
Speaker 2: that Melanin. But why do you think that is?

1681
01:14:55,240 --> 01:14:57,559
Speaker 6: Though, I don't know, but he just said it, So

1682
01:14:57,560 --> 01:15:00,240
Speaker 6: I'm just thinking about that. It's a thought I I

1683
01:15:00,280 --> 01:15:02,840
Speaker 6: commonly think of, like it wasn't like what you would

1684
01:15:02,840 --> 01:15:03,240
Speaker 6: think it is.

1685
01:15:03,320 --> 01:15:04,400
Speaker 2: I think it's because.

1686
01:15:04,479 --> 01:15:08,599
Speaker 6: I'm not from a white neighborhood, okay, And so like

1687
01:15:08,640 --> 01:15:11,040
Speaker 6: that threw them off. I think they you got to

1688
01:15:11,080 --> 01:15:12,960
Speaker 6: have a point of reference. So like your point of

1689
01:15:13,000 --> 01:15:16,519
Speaker 6: references either Malibu's Most Wanted or Timmy from Power.

1690
01:15:16,600 --> 01:15:19,880
Speaker 2: It's like where is it has.

1691
01:15:21,640 --> 01:15:24,000
Speaker 6: Yet, you know, because people of people would rather go

1692
01:15:24,160 --> 01:15:26,080
Speaker 6: for like the easy lie.

1693
01:15:25,880 --> 01:15:26,880
Speaker 2: Than the complex truth.

1694
01:15:27,160 --> 01:15:29,360
Speaker 6: So somebody don't want to dive into a complex truth

1695
01:15:29,400 --> 01:15:31,360
Speaker 6: and have to tell that that story.

1696
01:15:31,400 --> 01:15:33,639
Speaker 2: But yeah, it was just like I felt like a lot.

1697
01:15:33,520 --> 01:15:36,360
Speaker 6: Of resistance and just like downplay just trying to whether

1698
01:15:36,400 --> 01:15:38,400
Speaker 6: it was the blog era or whatever it was. I

1699
01:15:38,439 --> 01:15:41,679
Speaker 6: just felt like a lot of downplay from the whites,

1700
01:15:41,760 --> 01:15:42,040
Speaker 6: you know.

1701
01:15:42,680 --> 01:15:50,879
Speaker 2: Exist, we have the fans people in the industry.

1702
01:15:51,000 --> 01:15:53,080
Speaker 3: Glad was on Maths or whatever and had brought me

1703
01:15:53,120 --> 01:15:55,559
Speaker 3: up and talked about white the white on white crime

1704
01:15:55,560 --> 01:15:57,640
Speaker 3: and hip hop and white people and hate each other.

1705
01:15:58,400 --> 01:16:02,720
Speaker 3: And I feel him because that is a stigma and

1706
01:16:02,760 --> 01:16:05,840
Speaker 3: something that is true. I'm joking because I feel like

1707
01:16:05,880 --> 01:16:07,840
Speaker 3: I've never been that way.

1708
01:16:07,600 --> 01:16:10,519
Speaker 2: Everyone that's white, Yeah, I didn't get that from me.

1709
01:16:10,560 --> 01:16:11,519
Speaker 2: I didn't get that from.

1710
01:16:11,640 --> 01:16:14,280
Speaker 3: I mean, listen, if you're a good there's white rappers

1711
01:16:14,320 --> 01:16:17,639
Speaker 3: I hate, don't get me wrong, but there's sometimes I'll

1712
01:16:17,640 --> 01:16:18,680
Speaker 3: see a white face and go.

1713
01:16:18,920 --> 01:16:21,800
Speaker 2: No thanks, y good, but pumps down.

1714
01:16:22,960 --> 01:16:24,680
Speaker 3: But it's behind the scenes too, with media stuff, like

1715
01:16:24,760 --> 01:16:28,160
Speaker 3: I haven't like Rosenberg is the real Everyone in white

1716
01:16:28,240 --> 01:16:30,559
Speaker 3: media I've had a great relationship with, but I know

1717
01:16:30,640 --> 01:16:33,600
Speaker 3: for a fact they have had really weird interactions with

1718
01:16:33,680 --> 01:16:35,679
Speaker 3: other white people in hip hop as well. I don't

1719
01:16:35,680 --> 01:16:38,200
Speaker 3: know if it's the guest thing that we're all trying

1720
01:16:38,240 --> 01:16:40,640
Speaker 3: to fight to prove that we're the better guests. I

1721
01:16:40,640 --> 01:16:42,439
Speaker 3: don't really know where it comes from because I don't

1722
01:16:42,439 --> 01:16:44,759
Speaker 3: subscribe to it, but it does exist. Like it doesn't

1723
01:16:44,760 --> 01:16:47,240
Speaker 3: shock me at all that that's been your experience when

1724
01:16:47,240 --> 01:16:50,479
Speaker 3: it comes to mines scenes, it's not really their their thing.

1725
01:16:51,120 --> 01:16:53,639
Speaker 3: I mean even like shit, how Mac had to come

1726
01:16:53,680 --> 01:16:57,000
Speaker 3: through with Wiz and everyone. Like Mac did become the

1727
01:16:57,080 --> 01:16:59,719
Speaker 3: darling of the whites, but he had to go through

1728
01:17:00,520 --> 01:17:02,439
Speaker 3: wizards Camp. I mean, Granny went to high school with

1729
01:17:02,479 --> 01:17:05,439
Speaker 3: all them everything, but that was still not the traditional way.

1730
01:17:06,080 --> 01:17:07,519
Speaker 3: That's say, I don't.

1731
01:17:07,360 --> 01:17:10,400
Speaker 2: Know, that's so interesting to hear, like really say that though,

1732
01:17:10,439 --> 01:17:13,000
Speaker 2: like no white people.

1733
01:17:14,200 --> 01:17:16,280
Speaker 6: Essentially, because you got to think that everybody who put

1734
01:17:16,320 --> 01:17:19,280
Speaker 6: me on bro in the industry, yeah, set like it

1735
01:17:19,360 --> 01:17:23,880
Speaker 6: goes back to my neighbor of my first manager, and

1736
01:17:23,920 --> 01:17:26,400
Speaker 6: then you know, set Free brought me out to New York,

1737
01:17:26,920 --> 01:17:29,600
Speaker 6: kiss ice pick, people who show me love, and the

1738
01:17:29,680 --> 01:17:32,680
Speaker 6: industry yoed me put me in the BT cipher. I

1739
01:17:32,680 --> 01:17:35,720
Speaker 6: didn't have pr or anything of that nature, you know

1740
01:17:35,760 --> 01:17:38,599
Speaker 6: what I mean. All the way to just the artists,

1741
01:17:38,640 --> 01:17:39,439
Speaker 6: it's like it's.

1742
01:17:39,600 --> 01:17:41,759
Speaker 2: You know, I ain't.

1743
01:17:43,120 --> 01:17:46,080
Speaker 6: I've been I've been in a million meetings I feel

1744
01:17:46,120 --> 01:17:49,120
Speaker 6: like with just people, but like I don't see it,

1745
01:17:50,160 --> 01:17:53,439
Speaker 6: but you know, well, I mean that's fine, Like that's

1746
01:17:53,479 --> 01:17:55,560
Speaker 6: why I showed the money on Instagram.

1747
01:17:55,800 --> 01:17:58,240
Speaker 2: Yeahah, like listen, I got to it with everybody.

1748
01:18:00,600 --> 01:18:02,759
Speaker 6: Look, I'll be looking at it. It was like, my life

1749
01:18:02,800 --> 01:18:06,719
Speaker 6: is crushing this ship. My life is demolish in your ship?

1750
01:18:07,160 --> 01:18:08,400
Speaker 6: Crazy stupid.

1751
01:18:08,800 --> 01:18:12,240
Speaker 2: As far as the music, are there any producers that

1752
01:18:12,720 --> 01:18:15,120
Speaker 2: you haven't worked with that you like? Damn? I would

1753
01:18:15,160 --> 01:18:21,599
Speaker 2: love to get like an entire project with this producer. No,

1754
01:18:21,640 --> 01:18:24,200
Speaker 2: not really, no, no producers.

1755
01:18:24,720 --> 01:18:27,040
Speaker 6: Yeah nah, because now it's like the Millies type beat

1756
01:18:27,040 --> 01:18:29,920
Speaker 6: thing is so crazy that I just have to find

1757
01:18:29,920 --> 01:18:32,799
Speaker 6: somebody original who's making a crazy sound.

1758
01:18:32,960 --> 01:18:36,760
Speaker 2: And I feel like.

1759
01:18:40,040 --> 01:18:41,760
Speaker 6: I don't I don't want to say rappers do that

1760
01:18:41,800 --> 01:18:44,920
Speaker 6: like when they're when they're like not hanging their career up,

1761
01:18:44,920 --> 01:18:47,400
Speaker 6: but it's more like an artistic thing after they already

1762
01:18:47,439 --> 01:18:49,479
Speaker 6: made it, and then like they do that like I'm

1763
01:18:49,520 --> 01:18:51,360
Speaker 6: still trying to find hit records and shiit like that.

1764
01:18:52,640 --> 01:18:55,440
Speaker 2: What's so your relationship will be a cool.

1765
01:18:55,400 --> 01:18:58,040
Speaker 6: It's like my sister for for sure, Like we just

1766
01:18:58,240 --> 01:19:02,160
Speaker 6: we relate to each other because we from the same place, and.

1767
01:19:04,040 --> 01:19:06,840
Speaker 2: Yeah, she's just cool. We talk a lot of shit,

1768
01:19:06,960 --> 01:19:07,800
Speaker 2: like outside.

1769
01:19:07,439 --> 01:19:10,559
Speaker 3: Of the rap, you know, it's definitely cool. People before

1770
01:19:10,560 --> 01:19:12,960
Speaker 3: we get to our voicemails. We were talking off microphone

1771
01:19:13,400 --> 01:19:17,080
Speaker 3: of your strategy of one hundred, one hundred men versus

1772
01:19:17,080 --> 01:19:20,360
Speaker 3: one gorilla, and you seem to have this painted out

1773
01:19:20,720 --> 01:19:23,040
Speaker 3: like the general strategy of how we're gonna get this done.

1774
01:19:23,760 --> 01:19:30,080
Speaker 6: Yeah, hell yeah, the hell you's so confidence.

1775
01:19:30,120 --> 01:19:32,479
Speaker 2: Yeah, and I love you know why I love this

1776
01:19:32,560 --> 01:19:35,080
Speaker 2: because the only way to find out is it has

1777
01:19:35,120 --> 01:19:37,679
Speaker 2: to happen. You can't test this theory.

1778
01:19:37,760 --> 01:19:40,360
Speaker 6: We're gonna do it, Like no, Peter gotta take a

1779
01:19:40,400 --> 01:19:41,960
Speaker 6: step back and we just gotta try.

1780
01:19:42,040 --> 01:19:44,800
Speaker 2: We need to do this. But yeah, give us the

1781
01:19:44,840 --> 01:19:48,240
Speaker 2: millies game plan, the execution or so like some of this.

1782
01:19:48,360 --> 01:19:50,600
Speaker 6: I was talking with my men, Miley and I was

1783
01:19:50,960 --> 01:19:53,400
Speaker 6: and we were just saying, like it depends on like

1784
01:19:53,439 --> 01:19:55,360
Speaker 6: the level of humans. So when people we're just thinking

1785
01:19:55,400 --> 01:19:57,240
Speaker 6: like dudes will go to the gym and m m

1786
01:19:57,320 --> 01:20:00,759
Speaker 6: a fighters, you gotta think about humans that in the jungle.

1787
01:20:01,479 --> 01:20:04,559
Speaker 2: Mm hmm. That's what that's what you're taking it.

1788
01:20:05,080 --> 01:20:11,479
Speaker 6: We get them think about dudes that's not Tarzan like

1789
01:20:11,479 --> 01:20:14,880
Speaker 6: like Georgia of the jungle, like a pocket, like a

1790
01:20:14,880 --> 01:20:17,599
Speaker 6: pocket liptic, like you know, there's still kids from still

1791
01:20:17,640 --> 01:20:20,160
Speaker 6: places in Colombia and ship like that where they haven't

1792
01:20:20,160 --> 01:20:21,000
Speaker 6: seen civilization.

1793
01:20:21,080 --> 01:20:23,519
Speaker 2: Oh yeah, So so you're saying, go get them.

1794
01:20:23,760 --> 01:20:25,639
Speaker 6: Go get twenty of them. We got one hundred dudes,

1795
01:20:25,720 --> 01:20:27,280
Speaker 6: right yeah, all right, but.

1796
01:20:27,320 --> 01:20:30,320
Speaker 3: Even like that one indigenous island that has all the

1797
01:20:30,320 --> 01:20:32,880
Speaker 3: people that never seen civilization and they kill like one

1798
01:20:32,960 --> 01:20:34,320
Speaker 3: Christian every three years.

1799
01:20:34,360 --> 01:20:38,120
Speaker 2: That trist Jesus. That's not a gorilla. That's they're killing animals. Bro.

1800
01:20:38,200 --> 01:20:39,280
Speaker 2: They live with the gorillas.

1801
01:20:40,160 --> 01:20:42,720
Speaker 6: They know the tactics of gorilla, but they don't get expirens.

1802
01:20:43,479 --> 01:20:47,120
Speaker 2: You know, you sound silly, right, We just trying to

1803
01:20:47,160 --> 01:20:51,120
Speaker 2: keep trying to keep it like his theorious trotting No, no, no,

1804
01:20:51,120 --> 01:20:55,879
Speaker 2: Nolla is Colombia too, like you just named Colombian gorilla.

1805
01:20:56,880 --> 01:20:57,479
Speaker 2: Just show them a.

1806
01:20:57,479 --> 01:21:01,719
Speaker 3: Brick, let them get into the poppy field. He's done,

1807
01:21:01,840 --> 01:21:02,240
Speaker 3: he's done.

1808
01:21:02,280 --> 01:21:08,160
Speaker 2: We got it. You're going people from the jungle. Yeah,

1809
01:21:08,360 --> 01:21:09,320
Speaker 2: different strategies.

1810
01:21:09,320 --> 01:21:12,280
Speaker 6: They just they got climb shree, they do all types

1811
01:21:12,280 --> 01:21:16,719
Speaker 6: of just do jungle SMOs, twenty sumos twenty okay, twenty sumos.

1812
01:21:16,760 --> 01:21:19,760
Speaker 3: Okay, that's the first wave. A gorilla is smoking every

1813
01:21:19,800 --> 01:21:21,800
Speaker 3: sumo to Harvey, They've moved like this.

1814
01:21:23,040 --> 01:21:25,599
Speaker 6: Nah, you're not thinking, You're not thinking the weight of sumos. Bro,

1815
01:21:26,280 --> 01:21:29,479
Speaker 6: you're gonna use this. You use the sumos. You use

1816
01:21:29,560 --> 01:21:34,200
Speaker 6: the sumos essentially to sit on the gorilla. You gotta

1817
01:21:34,240 --> 01:21:37,320
Speaker 6: pin the gorilla down. So we got wild sumos. A

1818
01:21:37,360 --> 01:21:39,919
Speaker 6: few of y'all are gonna be casualties. Ten dead sumos

1819
01:21:39,920 --> 01:21:40,679
Speaker 6: on that thing about.

1820
01:21:40,479 --> 01:21:43,040
Speaker 2: Supporting the high like that. Yeah, we're gonna use the

1821
01:21:43,200 --> 01:21:44,080
Speaker 2: dead body.

1822
01:21:44,240 --> 01:21:44,360
Speaker 1: Bro.

1823
01:21:44,439 --> 01:21:46,639
Speaker 2: First of all, we're gonna use the dead bodies.

1824
01:21:47,120 --> 01:21:52,320
Speaker 6: So you take you take ten dead sumos, r ip, Yeah,

1825
01:21:52,880 --> 01:21:57,519
Speaker 6: stack them up on the gorilla while fighting. Look, you

1826
01:21:57,880 --> 01:22:00,960
Speaker 6: need like four mma fighters fighting. They to be casualties too.

1827
01:22:01,040 --> 01:22:04,040
Speaker 6: You got dudes picking them up. Eventually, you just you

1828
01:22:04,120 --> 01:22:06,840
Speaker 6: swing the bodies whatever if you if you swing a

1829
01:22:07,400 --> 01:22:08,479
Speaker 6: body hard enough.

1830
01:22:11,520 --> 01:22:15,360
Speaker 3: Real when we look up the average weight, we're talking

1831
01:22:15,360 --> 01:22:15,960
Speaker 3: about the most wing.

1832
01:22:16,040 --> 01:22:18,519
Speaker 2: We're talking about the most strongest people on earth that

1833
01:22:18,640 --> 01:22:22,880
Speaker 2: do the jab the strong competitions.

1834
01:22:25,360 --> 01:22:29,040
Speaker 3: The gorilla is gonna give us enough time to swing, BROI.

1835
01:22:28,640 --> 01:22:30,040
Speaker 2: How many pounds is the gorilla way?

1836
01:22:31,479 --> 01:22:37,439
Speaker 3: It's by tons, I believe, not the biggest gorilla, all right,

1837
01:22:37,560 --> 01:22:38,200
Speaker 3: six hundred.

1838
01:22:38,680 --> 01:22:40,280
Speaker 2: You throw a three hundred.

1839
01:22:39,960 --> 01:22:43,320
Speaker 3: Six hundred, and agile sumo wrestlers are three hundred or fifty.

1840
01:22:43,360 --> 01:22:48,800
Speaker 6: We're gonna demolish this thing you throw if you throw it,

1841
01:22:48,920 --> 01:22:52,400
Speaker 6: so listen, listen, listen, listen, listen, listen. If you throw

1842
01:22:52,400 --> 01:22:54,960
Speaker 6: a sumo, Look you see how it's standing right there,

1843
01:22:55,280 --> 01:22:58,959
Speaker 6: throw the sumo into its leg fop like a kickstand.

1844
01:22:59,040 --> 01:23:02,759
Speaker 6: You're kicking the leg out, so they're getting injured.

1845
01:23:02,800 --> 01:23:05,200
Speaker 2: Off rip. I promise one hundred men could be Assume

1846
01:23:05,240 --> 01:23:06,720
Speaker 2: I'm dead. Ass Okay, you.

1847
01:23:06,800 --> 01:23:08,840
Speaker 3: Make it to the tabletop, remember tabletop of middle school?

1848
01:23:08,880 --> 01:23:09,559
Speaker 3: Someone get behind in.

1849
01:23:09,560 --> 01:23:12,400
Speaker 6: Them, push them, Look you throw, You throw the sumos

1850
01:23:12,400 --> 01:23:14,800
Speaker 6: at it until this ship is hurt. Eventually you start

1851
01:23:14,880 --> 01:23:17,519
Speaker 6: stacking dead bodies on the ship. It's dead weight. Now

1852
01:23:17,520 --> 01:23:21,160
Speaker 6: the people are even heavier. Now you just fucking get tactical.

1853
01:23:21,320 --> 01:23:24,240
Speaker 6: You get people who've been growing their nails out or whatever.

1854
01:23:24,720 --> 01:23:27,680
Speaker 6: You stabish and bro you do shit, gosh it, you

1855
01:23:27,840 --> 01:23:30,280
Speaker 6: just slowly attacked it. It's only gonna take It's gonna

1856
01:23:30,280 --> 01:23:32,679
Speaker 6: take about twenty human casualties. The rest of the eighty

1857
01:23:32,720 --> 01:23:35,400
Speaker 6: dudes is gonna pound it out. And gorillas have never

1858
01:23:35,479 --> 01:23:38,599
Speaker 6: laid a demonstration on whoever they killed outside of God's

1859
01:23:38,640 --> 01:23:39,280
Speaker 6: Zilla movie.

1860
01:23:39,320 --> 01:23:40,800
Speaker 2: But that's what I'm saying. I don't think we have

1861
01:23:40,920 --> 01:23:44,800
Speaker 2: any any any excuse merrillas we did. We did have

1862
01:23:44,840 --> 01:23:47,559
Speaker 2: a chimp. There's no demonstrations though. It's like a guy

1863
01:23:47,600 --> 01:23:49,719
Speaker 2: with a bunch of guns who never killed anybody. That's true,

1864
01:23:49,760 --> 01:23:53,360
Speaker 2: But we do have cases where chimps have attacked humans.

1865
01:23:53,360 --> 01:23:56,240
Speaker 2: I believe one chimp completely ripped the lady's face off.

1866
01:23:56,400 --> 01:23:58,519
Speaker 2: The lady just yeah, just it was just like but

1867
01:23:58,560 --> 01:24:01,120
Speaker 2: they were like we just off to Yeah, they were

1868
01:24:01,160 --> 01:24:01,639
Speaker 2: just at home.

1869
01:24:03,120 --> 01:24:05,400
Speaker 3: Faces don't have gender, Like it doesn't matter as a

1870
01:24:05,479 --> 01:24:07,040
Speaker 3: lady or man that face is getting ripped off.

1871
01:24:07,400 --> 01:24:11,000
Speaker 2: But gorillas don't kill humans because humans are very rarely

1872
01:24:11,479 --> 01:24:13,880
Speaker 2: in the vicinity of a wild gorilla.

1873
01:24:13,960 --> 01:24:16,160
Speaker 6: I'm just saying, we have no demonstration, and y'all are

1874
01:24:16,160 --> 01:24:17,479
Speaker 6: giving it a hundred bodies.

1875
01:24:18,040 --> 01:24:22,000
Speaker 2: Yeah, there's no demonstrations. You may double the murder rate.

1876
01:24:22,040 --> 01:24:26,280
Speaker 2: And wherever they were and we clean up. Peach, pull

1877
01:24:26,320 --> 01:24:29,320
Speaker 2: up the clip where uh the gorilla? I got forty

1878
01:24:29,400 --> 01:24:32,200
Speaker 2: humans drag drag. It was like a photographer that was

1879
01:24:32,200 --> 01:24:34,600
Speaker 2: in like they were all like in amongst gorillas and

1880
01:24:34,600 --> 01:24:37,320
Speaker 2: it just dragged a photographer a few feet and let

1881
01:24:37,360 --> 01:24:40,439
Speaker 2: him go like that is the funny that clip right there,

1882
01:24:41,680 --> 01:24:45,920
Speaker 2: and it just dragged. I'm an animal lover too. Yeah,

1883
01:24:45,960 --> 01:24:51,160
Speaker 2: look at that. Look at bodies on animals. The car

1884
01:24:51,320 --> 01:24:53,120
Speaker 2: just dragging. That looks that dude looks like he's shipped

1885
01:24:53,120 --> 01:24:53,479
Speaker 2: all on this.

1886
01:24:56,280 --> 01:24:58,960
Speaker 4: He it was very calm, though, you better be.

1887
01:24:59,320 --> 01:25:00,000
Speaker 2: You bet a little.

1888
01:25:00,120 --> 01:25:04,880
Speaker 6: You want to fight, that's your demonstration. Will I'm trying

1889
01:25:04,880 --> 01:25:07,720
Speaker 6: to tell you, Bro, I'm trying to tell you it's

1890
01:25:07,720 --> 01:25:08,840
Speaker 6: not even a discussion.

1891
01:25:09,000 --> 01:25:12,960
Speaker 2: One hundred men will crush one of them. Shits, Bro,

1892
01:25:14,360 --> 01:25:16,840
Speaker 2: A punch has seven You getting all it is. It's

1893
01:25:16,840 --> 01:25:19,120
Speaker 2: a lot of bark, Like do.

1894
01:25:19,080 --> 01:25:21,960
Speaker 3: You even see the hip movement on that bro swinging?

1895
01:25:22,240 --> 01:25:25,880
Speaker 2: The gorilla has one punch, has seven hundred and seventy

1896
01:25:25,920 --> 01:25:30,439
Speaker 2: six pounds of pressure one punch. That's why he's gonna

1897
01:25:30,479 --> 01:25:35,559
Speaker 2: kick that. Oh excuse me, I had the numbers wrong.

1898
01:25:36,120 --> 01:25:39,240
Speaker 2: Two thousand, seven hundred pounds of pressure behind one girl.

1899
01:25:39,360 --> 01:25:41,120
Speaker 6: Right, but all right, Look if you play that clip

1900
01:25:41,160 --> 01:25:44,400
Speaker 6: back right, this clip is looping right now. So if

1901
01:25:45,120 --> 01:25:47,519
Speaker 6: you watch this clip right when he punches the guy,

1902
01:25:48,400 --> 01:25:51,280
Speaker 6: when the gorilla, when the gorilla punches the guy, you'll

1903
01:25:51,320 --> 01:25:55,120
Speaker 6: see an outlet. Look right there. When that's when you're

1904
01:25:55,120 --> 01:25:56,799
Speaker 6: throwing the guys at his leg.

1905
01:25:56,880 --> 01:25:59,200
Speaker 2: Okay, throw the so break the legs. That's what I'm saying.

1906
01:25:59,280 --> 01:26:02,280
Speaker 2: I think standing straight up and doing all this like.

1907
01:26:02,760 --> 01:26:05,880
Speaker 3: Somebody with two thousand pounds in a hook. Look breaking

1908
01:26:05,920 --> 01:26:07,640
Speaker 3: throwing someone that his leg is gonna stop it.

1909
01:26:07,760 --> 01:26:10,479
Speaker 6: A sumo wrestler, You throw sumo wrestler at his leg

1910
01:26:10,520 --> 01:26:12,400
Speaker 6: with high velocity.

1911
01:26:12,680 --> 01:26:15,559
Speaker 3: Yeah, I just the velocity we're doing with the wrestler

1912
01:26:16,120 --> 01:26:19,200
Speaker 3: who's with the strongest people, Like we're gonna roll like

1913
01:26:19,200 --> 01:26:19,840
Speaker 3: a bowling ball.

1914
01:26:20,800 --> 01:26:25,439
Speaker 2: Three sumo wrestlers to throw. Bro is the way that's

1915
01:26:25,439 --> 01:26:27,120
Speaker 2: not happening. So we're throwing the dead bodies.

1916
01:26:27,160 --> 01:26:29,320
Speaker 6: I get they keep showing these type of dudes. These

1917
01:26:29,400 --> 01:26:31,720
Speaker 6: is not the type of dudes that's gonna beat this.

1918
01:26:32,280 --> 01:26:34,960
Speaker 6: Like you're giving the wrong example. These dudes be in

1919
01:26:34,960 --> 01:26:35,360
Speaker 6: the gym.

1920
01:26:36,720 --> 01:26:38,280
Speaker 2: They show the mm A fighter in the in the

1921
01:26:38,360 --> 01:26:40,439
Speaker 2: ring with a gorilla like AI. You know they showed that,

1922
01:26:40,680 --> 01:26:43,320
Speaker 2: but they say that the gorilla could bitch press forty

1923
01:26:43,400 --> 01:26:46,960
Speaker 2: up to forty eight hundred pounds. All right, are you do.

1924
01:26:46,920 --> 01:26:49,880
Speaker 6: You think you can't beat a dude who goes to

1925
01:26:49,920 --> 01:26:52,680
Speaker 6: the gym every day. There's got to be They're not

1926
01:26:52,720 --> 01:26:55,000
Speaker 6: talking about parts of the gorilla that could knock them out.

1927
01:26:55,000 --> 01:26:56,720
Speaker 2: Whe's the nerves at? Where's his nerves at?

1928
01:26:57,120 --> 01:27:00,400
Speaker 3: It's That's what I'm trying to say, Like, you can't

1929
01:27:00,439 --> 01:27:03,559
Speaker 3: do with you the muscle bound guy, that being the gym.

1930
01:27:03,600 --> 01:27:04,840
Speaker 3: If you don't know how to fight, you could beat

1931
01:27:04,840 --> 01:27:08,400
Speaker 3: them no matter what. Yeah, to fight somebody with two

1932
01:27:08,439 --> 01:27:11,200
Speaker 3: thousand pounds in a punch when they mush your face,

1933
01:27:11,800 --> 01:27:14,120
Speaker 3: that's like five hundred pounds breaking your nose.

1934
01:27:14,880 --> 01:27:17,400
Speaker 6: Break break all right, you you start with the gold

1935
01:27:17,439 --> 01:27:20,519
Speaker 6: bro you break the leg on the gorilla. Listen, you

1936
01:27:20,560 --> 01:27:23,040
Speaker 6: break the leg on the gorilla, and then you chill

1937
01:27:23,120 --> 01:27:25,720
Speaker 6: until it starts really feeling pain. Everybody, get away from it,

1938
01:27:25,800 --> 01:27:28,639
Speaker 6: Just away from it. Okay, yeah, now it's really in pain.

1939
01:27:28,680 --> 01:27:31,160
Speaker 6: You heard it again. But I love gorillas. I would

1940
01:27:31,160 --> 01:27:34,400
Speaker 6: never want to kill a gorilla. I'm just saying, like, right, no,

1941
01:27:34,640 --> 01:27:35,759
Speaker 6: I really love animals.

1942
01:27:35,840 --> 01:27:40,760
Speaker 2: You would never get the chance. I Like, I really

1943
01:27:40,760 --> 01:27:42,200
Speaker 2: said it, Like he gonna beat in the vicinity of

1944
01:27:42,200 --> 01:27:42,639
Speaker 2: a gorilla?

1945
01:27:42,760 --> 01:27:46,840
Speaker 6: Like you good, You're gonna do nothing, you know, I

1946
01:27:46,920 --> 01:27:49,400
Speaker 6: just don't want to, Like I love I love animals,

1947
01:27:49,600 --> 01:27:51,839
Speaker 6: like I don't even like talking about humans killing animals.

1948
01:27:51,840 --> 01:27:55,880
Speaker 2: But we could though, Oh no, I think this for sure.

1949
01:27:55,880 --> 01:27:58,160
Speaker 2: We can kill animals when we get weapons and things

1950
01:27:58,200 --> 01:28:02,280
Speaker 2: bare hands. Bro, I can't believe that. I'm not going onyrilla,

1951
01:28:02,479 --> 01:28:02,720
Speaker 2: just not.

1952
01:28:03,000 --> 01:28:05,519
Speaker 6: We got we got twenty dudes from the jungle, twenty sumos,

1953
01:28:05,600 --> 01:28:06,839
Speaker 6: twenty NMA fighters.

1954
01:28:07,120 --> 01:28:15,360
Speaker 2: Okay, that's sixty who you sacrificing. We sacrificed.

1955
01:28:15,520 --> 01:28:18,479
Speaker 3: Like they're saying, a nine millimeter can't even puncture this kid.

1956
01:28:18,800 --> 01:28:19,800
Speaker 3: You think a punch.

1957
01:28:19,560 --> 01:28:23,200
Speaker 2: Will damn it? I mean, but you could break You

1958
01:28:23,240 --> 01:28:25,960
Speaker 2: could break a leg of them if you. I think

1959
01:28:25,960 --> 01:28:28,400
Speaker 2: it takes more than just throwing a sumo wrest lad.

1960
01:28:28,560 --> 01:28:30,679
Speaker 6: I don't think we got enough facts on how long

1961
01:28:30,720 --> 01:28:31,960
Speaker 6: the gorilla can fight for.

1962
01:28:32,160 --> 01:28:34,200
Speaker 2: No, that Darren Drance is very short now, That is

1963
01:28:34,280 --> 01:28:36,120
Speaker 2: what I'm saying. There's a lot of facts that is

1964
01:28:36,200 --> 01:28:39,160
Speaker 2: not being presented. I just but millies me personally. I

1965
01:28:39,240 --> 01:28:40,760
Speaker 2: just know that if you send in a wave of

1966
01:28:40,800 --> 01:28:44,880
Speaker 2: twenty men and the other eighty are standing back waiting

1967
01:28:44,880 --> 01:28:50,040
Speaker 2: for them for the first forty in and there watching

1968
01:28:50,080 --> 01:28:53,679
Speaker 2: them run. Once those sixty men start seeing that gorilla

1969
01:28:53,840 --> 01:28:56,960
Speaker 2: peel these grown men apart like bananas. I think some

1970
01:28:57,000 --> 01:28:58,599
Speaker 2: of those six they're gonna be yo. I'm cool. I'm

1971
01:28:58,600 --> 01:28:59,040
Speaker 2: not going in there.

1972
01:28:59,080 --> 01:29:01,280
Speaker 6: They're not allowed These just all we we're thinking about

1973
01:29:01,320 --> 01:29:04,040
Speaker 6: it on some gladiator Russell Crow shit, they're not allowed

1974
01:29:04,080 --> 01:29:05,920
Speaker 6: to run these These are not the guys that's running.

1975
01:29:05,920 --> 01:29:07,720
Speaker 2: I'm talking about humans.

1976
01:29:07,320 --> 01:29:09,960
Speaker 6: That's here to die for this, Like gladiator shit, three

1977
01:29:10,000 --> 01:29:13,880
Speaker 6: hundred people like yeah, okay, not three hundred people, one

1978
01:29:13,960 --> 01:29:18,320
Speaker 6: hundred from three hundred three that they were like, understand,

1979
01:29:18,479 --> 01:29:22,160
Speaker 6: you want to raise You're just we're talking about straight warriors.

1980
01:29:22,160 --> 01:29:23,880
Speaker 6: We're not talking about guys who are gonna see this

1981
01:29:23,880 --> 01:29:24,679
Speaker 6: ship and run away.

1982
01:29:24,880 --> 01:29:25,720
Speaker 2: Okay, all right.

1983
01:29:25,760 --> 01:29:28,439
Speaker 3: Gorillas don't have the same endurance. They're more likely sprinters

1984
01:29:28,439 --> 01:29:31,200
Speaker 3: than long distance runners. But at the same time, I'm

1985
01:29:31,240 --> 01:29:34,679
Speaker 3: taking their sprint over the sumo wrestler sprint and endurance.

1986
01:29:35,280 --> 01:29:38,599
Speaker 6: They don't have the endurance of athletes. What happens when

1987
01:29:38,640 --> 01:29:39,360
Speaker 6: you break this leg?

1988
01:29:39,400 --> 01:29:42,439
Speaker 2: It's done? Yeah, I just don't know if the sumo

1989
01:29:42,439 --> 01:29:44,760
Speaker 2: wrestler throwing them sumer wrestler at the leg is gonna

1990
01:29:44,800 --> 01:29:47,040
Speaker 2: do it though it's gonna take a lot to break

1991
01:29:47,040 --> 01:29:47,519
Speaker 2: a grill.

1992
01:29:47,439 --> 01:29:49,680
Speaker 6: Three hundred and thirty pounds, you throw a couple of

1993
01:29:49,680 --> 01:29:53,160
Speaker 6: the motherfuckers, or like when it's doing this thing that

1994
01:29:53,240 --> 01:29:55,519
Speaker 6: someone could just really try to pen its leg down,

1995
01:29:55,600 --> 01:29:56,200
Speaker 6: break that ship.

1996
01:29:56,200 --> 01:29:59,040
Speaker 2: There's people that know how to. Yeah, that's true. I

1997
01:29:59,120 --> 01:30:00,760
Speaker 2: just think that you're thinking about breaking like a human

1998
01:30:00,840 --> 01:30:02,360
Speaker 2: leg I don't know if you to the.

1999
01:30:02,400 --> 01:30:05,559
Speaker 5: Back yard I having this conversation and being serious has

2000
01:30:06,000 --> 01:30:06,840
Speaker 5: he yo.

2001
01:30:06,760 --> 01:30:10,640
Speaker 2: Yo, because you know what it is you now.

2002
01:30:10,960 --> 01:30:12,280
Speaker 4: I wouldn't be the dumb bitch getting in.

2003
01:30:12,280 --> 01:30:14,240
Speaker 2: The ring with the gorilla that you don't you don't

2004
01:30:14,280 --> 01:30:15,360
Speaker 2: believe in one hundred men.

2005
01:30:16,840 --> 01:30:18,040
Speaker 4: I don't believe in one man.

2006
01:30:19,800 --> 01:30:23,160
Speaker 2: That's just a hundred niggas. You don't believe that's shat GBT.

2007
01:30:23,240 --> 01:30:24,599
Speaker 2: How do you break a gorilla's legs? Said?

2008
01:30:24,600 --> 01:30:26,479
Speaker 3: I can't help you with that. Your question is about

2009
01:30:26,479 --> 01:30:29,719
Speaker 3: gorilla anatomy, veterinarian care of wildlife protection. I'd be happy

2010
01:30:29,720 --> 01:30:33,200
Speaker 3: to help. Can you clarify what your intent is?

2011
01:30:33,240 --> 01:30:35,360
Speaker 6: That's why I'm trying to tell Peter like I'm not

2012
01:30:35,400 --> 01:30:37,920
Speaker 6: on this like I want all the gorillas to live.

2013
01:30:38,160 --> 01:30:40,160
Speaker 2: I think. Also, let me put the disclaimer.

2014
01:30:40,240 --> 01:30:43,439
Speaker 6: Anybody who goes and hunts wild game or whatever, you know,

2015
01:30:43,479 --> 01:30:46,160
Speaker 6: all them rich people, they go kill tigers and lions

2016
01:30:46,200 --> 01:30:50,000
Speaker 6: and rare animal was like, you're going to hell too.

2017
01:30:51,400 --> 01:30:54,520
Speaker 6: But yeah, like just on this just you know, strategy

2018
01:30:54,560 --> 01:30:57,439
Speaker 6: of one hundred men versus gorilla. Now that gorilla is

2019
01:30:57,439 --> 01:31:06,719
Speaker 6: gonna die, well.

2020
01:31:06,640 --> 01:31:08,040
Speaker 4: Least we have some voicemails for you.

2021
01:31:08,120 --> 01:31:10,400
Speaker 5: Some people have they want to know, they want some

2022
01:31:10,439 --> 01:31:13,960
Speaker 5: advice from y'all. Not monkey advice, just regular human advice.

2023
01:31:15,360 --> 01:31:18,640
Speaker 3: You've got male Gorilla's.

2024
01:31:18,120 --> 01:31:21,040
Speaker 2: Bones from Austin, Texas.

2025
01:31:22,000 --> 01:31:24,200
Speaker 8: And it's just a question about the rap music and

2026
01:31:24,240 --> 01:31:26,559
Speaker 8: stuff since like you know, I love the nineties early

2027
01:31:26,600 --> 01:31:29,920
Speaker 8: two thousands, but y'all know all stuff right now it's

2028
01:31:29,960 --> 01:31:33,559
Speaker 8: all gimmicky, like what can come viral? How do you

2029
01:31:33,600 --> 01:31:37,080
Speaker 8: propose new rappers or rappers these days that are like

2030
01:31:37,200 --> 01:31:41,160
Speaker 8: coming up to make music like the nineties again or

2031
01:31:41,200 --> 01:31:43,920
Speaker 8: not exactly, like make the exact same music, But how

2032
01:31:43,960 --> 01:31:46,840
Speaker 8: do you get to that genre of like the rap

2033
01:31:46,920 --> 01:31:49,479
Speaker 8: music being like a part of the pain and suffering

2034
01:31:49,560 --> 01:31:51,640
Speaker 8: of you growing up in life and if you like

2035
01:31:51,760 --> 01:31:54,240
Speaker 8: telling your outlets how to how to get out of

2036
01:31:54,240 --> 01:31:57,719
Speaker 8: that stuff, like, well, how do you propose people music

2037
01:31:58,320 --> 01:31:59,439
Speaker 8: get to that level of music?

2038
01:31:59,479 --> 01:32:01,960
Speaker 2: Again? That's a good question.

2039
01:32:02,479 --> 01:32:04,920
Speaker 6: Well that that's on the industry because that music is

2040
01:32:04,920 --> 01:32:07,960
Speaker 6: out there. Yeah, leaf Ward like equivalent to naws you

2041
01:32:08,120 --> 01:32:10,719
Speaker 6: break down his bar. It's no difference, bro, He wrapped

2042
01:32:10,800 --> 01:32:15,360
Speaker 6: high level, high high high, very high level. You know,

2043
01:32:15,439 --> 01:32:18,280
Speaker 6: and people from the nineties is so jaded from listening

2044
01:32:18,320 --> 01:32:20,519
Speaker 6: to the nineties shit they go, oh my god, you said,

2045
01:32:20,520 --> 01:32:23,960
Speaker 6: He's like, no, you know what I mean. So there's

2046
01:32:24,080 --> 01:32:25,920
Speaker 6: the disconnect with that. If you're looking for a high

2047
01:32:25,960 --> 01:32:29,040
Speaker 6: level rap, it's really out there in there, and they're

2048
01:32:29,080 --> 01:32:34,880
Speaker 6: going crazy real pain music, mighty real pain music more

2049
01:32:34,920 --> 01:32:36,920
Speaker 6: than him, Like there's great rappers out there. I think

2050
01:32:36,920 --> 01:32:39,920
Speaker 6: it comes down, but you know, TikTok definitely throws the

2051
01:32:39,960 --> 01:32:42,200
Speaker 6: shit off with the fifteen seconds and all that. People

2052
01:32:42,200 --> 01:32:44,720
Speaker 6: don't want to ride and like it's like people don't

2053
01:32:44,760 --> 01:32:47,880
Speaker 6: want to tune into something that makes him think anymore.

2054
01:32:47,880 --> 01:32:51,400
Speaker 6: We want to just everything's so dumb down, you know.

2055
01:32:52,600 --> 01:32:54,439
Speaker 6: So I don't know that. I think that's on the industry.

2056
01:32:54,479 --> 01:32:56,400
Speaker 6: But as far as the talent getting people back to

2057
01:32:56,479 --> 01:32:57,320
Speaker 6: rapping like that.

2058
01:32:57,240 --> 01:32:59,280
Speaker 3: Like people out there doing it's out there, and I

2059
01:32:59,280 --> 01:33:02,720
Speaker 3: think backsalk conversation, your records will all be like those

2060
01:33:02,760 --> 01:33:05,960
Speaker 3: are proven that those bring views in And let's not

2061
01:33:06,000 --> 01:33:07,680
Speaker 3: act like there wasn't gimmicks in the ninety two. It's

2062
01:33:07,680 --> 01:33:09,360
Speaker 3: always going to be gimmicks. You no matter what is

2063
01:33:09,400 --> 01:33:12,280
Speaker 3: going to happen. But I hate that mentality because if

2064
01:33:12,320 --> 01:33:15,200
Speaker 3: you go look at artists like you, it's still working.

2065
01:33:15,240 --> 01:33:16,280
Speaker 3: There's still crazy.

2066
01:33:16,080 --> 01:33:18,759
Speaker 6: Views over the people that are still yeah, hard take tales,

2067
01:33:18,760 --> 01:33:19,479
Speaker 6: crazy orts.

2068
01:33:19,560 --> 01:33:21,519
Speaker 3: Will have to deal with TikTok the fifteen second shit,

2069
01:33:21,560 --> 01:33:23,720
Speaker 3: but that's just always going to be the same thing.

2070
01:33:23,760 --> 01:33:25,600
Speaker 3: People to deal with TRL. People are to deal with

2071
01:33:25,680 --> 01:33:28,880
Speaker 3: radio like, that's just the new version of that. It's

2072
01:33:28,920 --> 01:33:32,479
Speaker 3: still working. Yeah, how that mentality, I think is the issue.

2073
01:33:32,600 --> 01:33:39,320
Speaker 6: You have also to homie from a Z like it

2074
01:33:39,439 --> 01:33:41,800
Speaker 6: might not have the ninety sound, but go listen to

2075
01:33:41,880 --> 01:33:45,519
Speaker 6: No Cap like, this is an artist that lit by

2076
01:33:45,560 --> 01:33:49,400
Speaker 6: all standards. He's actually doing melody shit with all bars

2077
01:33:49,439 --> 01:33:51,320
Speaker 6: in it. Though everything is bars.

2078
01:33:51,400 --> 01:33:52,360
Speaker 2: R o'rorig is.

2079
01:33:52,360 --> 01:33:54,920
Speaker 6: A lot of people won't a lot of people won't

2080
01:33:54,960 --> 01:33:57,360
Speaker 6: like put it in, you know, in their in their

2081
01:33:57,400 --> 01:33:58,639
Speaker 6: mind that they don't got that.

2082
01:33:58,720 --> 01:34:01,120
Speaker 2: It's like it takes you are a little adjusting.

2083
01:34:02,000 --> 01:34:04,440
Speaker 6: But if you want that bars and pain and substances

2084
01:34:04,439 --> 01:34:06,680
Speaker 6: out there too, like No Cap is phenomenal.

2085
01:34:06,880 --> 01:34:08,400
Speaker 2: You know, there's a lot of it. I think, like

2086
01:34:08,439 --> 01:34:10,840
Speaker 2: you said, I think just the way we consume music

2087
01:34:10,880 --> 01:34:12,720
Speaker 2: has changed, and I think that you know the fact

2088
01:34:12,760 --> 01:34:18,519
Speaker 2: that a nobody can upload their music the same day

2089
01:34:18,560 --> 01:34:22,120
Speaker 2: to the same platform as a Beyonce or Kendrick or Drake.

2090
01:34:22,200 --> 01:34:24,439
Speaker 2: I think that fucks with a lot of it as well,

2091
01:34:24,479 --> 01:34:27,519
Speaker 2: because it's like, there's so much access that we have

2092
01:34:27,640 --> 01:34:31,360
Speaker 2: to bullshit. We have access to dumb shit, shit that

2093
01:34:31,360 --> 01:34:33,720
Speaker 2: we should never even hear, shit that we should never

2094
01:34:33,760 --> 01:34:36,760
Speaker 2: even see. But because we all are on our devices

2095
01:34:36,760 --> 01:34:39,840
Speaker 2: and all on these streaming platforms, we're gonna come across it.

2096
01:34:39,880 --> 01:34:41,720
Speaker 2: All shit is gonna be pushed that it maybe we

2097
01:34:41,760 --> 01:34:44,479
Speaker 2: would never even find, but it's being pushed, like you said,

2098
01:34:44,520 --> 01:34:47,120
Speaker 2: because of TikTok. It's fifteen seconds in the song that

2099
01:34:47,920 --> 01:34:49,920
Speaker 2: one hundred thousand kids are looking at that they thought

2100
01:34:50,000 --> 01:34:51,680
Speaker 2: was dope. Yeah, I didn't just spreading it.

2101
01:34:51,760 --> 01:34:53,600
Speaker 6: I didn't understand how bad that was un till I

2102
01:34:53,600 --> 01:34:55,799
Speaker 6: talked to a DJ and he was like, yeah, when

2103
01:34:56,000 --> 01:34:58,559
Speaker 6: I'm in the club, I got to play the sound

2104
01:34:58,600 --> 01:34:59,280
Speaker 6: from TikTok.

2105
01:34:59,479 --> 01:35:02,240
Speaker 2: You gotta keep down, bro, you gotta. He was like,

2106
01:35:02,280 --> 01:35:02,639
Speaker 2: you gotta.

2107
01:35:03,680 --> 01:35:05,880
Speaker 6: You gotta play the sound on TikTok and skip over

2108
01:35:05,920 --> 01:35:07,559
Speaker 6: the rest of the song because they might know the

2109
01:35:07,640 --> 01:35:09,439
Speaker 6: song and the whole club ro was crazy, but they

2110
01:35:09,479 --> 01:35:11,479
Speaker 6: don't know the rest of the rest of the shit.

2111
01:35:11,560 --> 01:35:15,519
Speaker 3: Oh yeah, I also think like consumers that are like

2112
01:35:15,680 --> 01:35:20,280
Speaker 3: my age and older need to also adjust their Yeah,

2113
01:35:21,960 --> 01:35:25,759
Speaker 3: granted I'm early two thousands, was like I really started

2114
01:35:25,760 --> 01:35:28,759
Speaker 3: to really really get the music late nineties, went back

2115
01:35:28,800 --> 01:35:31,439
Speaker 3: to ninety shit in my teenage year. So I still

2116
01:35:31,439 --> 01:35:33,840
Speaker 3: have that nostalgic feel like when I was coming up.

2117
01:35:33,880 --> 01:35:36,599
Speaker 3: I have a different connection to it, so that sound

2118
01:35:37,360 --> 01:35:40,200
Speaker 3: enters my brain differently. I can't listen to this stuff

2119
01:35:40,400 --> 01:35:42,559
Speaker 3: now the same way because I'm doing a disjustice to

2120
01:35:42,600 --> 01:35:45,080
Speaker 3: what's out now. Why could I have those same ears

2121
01:35:45,120 --> 01:35:46,920
Speaker 3: because it's connected to a different part of my life,

2122
01:35:47,360 --> 01:35:50,519
Speaker 3: like my childhood. Nothing's going to sound that way. No

2123
01:35:50,600 --> 01:35:52,080
Speaker 3: matter what you were listening to as a kid, it's

2124
01:35:52,080 --> 01:35:54,719
Speaker 3: always going to sound and be in your heart way

2125
01:35:54,760 --> 01:35:57,240
Speaker 3: fucking different. There's plenty of guys rapping just as good

2126
01:35:57,240 --> 01:35:59,679
Speaker 3: as everyone in the nineties. Just because it doesn't sound

2127
01:35:59,720 --> 01:36:02,640
Speaker 3: like exact same fucking thing super fast, you need to

2128
01:36:02,760 --> 01:36:04,880
Speaker 3: adjust your ears, and it's it's.

2129
01:36:06,680 --> 01:36:08,840
Speaker 6: It's not the popular thing either, But if you want

2130
01:36:08,880 --> 01:36:11,160
Speaker 6: that like that is out there, you know.

2131
01:36:11,920 --> 01:36:13,360
Speaker 2: You just want the fucking same.

2132
01:36:13,640 --> 01:36:15,720
Speaker 3: No, nothing's gonna sound like the first time you heard

2133
01:36:15,800 --> 01:36:17,080
Speaker 3: nahs when you were ten.

2134
01:36:18,479 --> 01:36:22,080
Speaker 6: Happen that Justini Aaron trying to trying to understand why

2135
01:36:22,160 --> 01:36:25,600
Speaker 6: something is lit is very important too, Like you know,

2136
01:36:25,640 --> 01:36:27,960
Speaker 6: they say people stop listening to music or searching for

2137
01:36:28,000 --> 01:36:32,000
Speaker 6: new music after the age of thirty, Like scientifically, it's

2138
01:36:32,000 --> 01:36:35,800
Speaker 6: not like my gorilla theory, Demaris is like real fact

2139
01:36:35,880 --> 01:36:39,960
Speaker 6: I've heard, but people stop listening for looking for new

2140
01:36:40,040 --> 01:36:42,720
Speaker 6: music and they just hang it up. Whereas like the

2141
01:36:42,840 --> 01:36:47,400
Speaker 6: part of being you know, youthful is just listen, like

2142
01:36:47,880 --> 01:36:50,320
Speaker 6: being excited about new ship. So when you're not excited

2143
01:36:50,360 --> 01:36:52,400
Speaker 6: to look at anything, like I'm all, even if I

2144
01:36:52,400 --> 01:36:56,080
Speaker 6: don't understand it, I'm asking like the youngins, like until

2145
01:36:56,080 --> 01:36:57,080
Speaker 6: I understand.

2146
01:36:56,720 --> 01:36:58,880
Speaker 2: It, Oh this is this is why y'all like it.

2147
01:36:58,920 --> 01:37:01,320
Speaker 6: And then I try to listen for from that standpoint,

2148
01:37:01,479 --> 01:37:02,559
Speaker 6: and a lot of the times.

2149
01:37:02,320 --> 01:37:06,160
Speaker 2: I'll be like, oh, I see it. It's fire that

2150
01:37:06,240 --> 01:37:08,800
Speaker 2: with Rod Wave, because I like, I hear some songs

2151
01:37:08,840 --> 01:37:12,320
Speaker 2: from him, and I love his melodies. I don't know

2152
01:37:12,360 --> 01:37:15,320
Speaker 2: if I'm just depressed or sad enough to really get

2153
01:37:15,360 --> 01:37:17,559
Speaker 2: into it, but he was one of the artists that

2154
01:37:17,640 --> 01:37:20,080
Speaker 2: I remember, you know, asking a lot of younger guys like, yo, so,

2155
01:37:20,120 --> 01:37:22,720
Speaker 2: why is it that y'all really into this dude? Because

2156
01:37:22,720 --> 01:37:24,559
Speaker 2: every time I see him, he's in a fucking sold

2157
01:37:24,600 --> 01:37:27,599
Speaker 2: out arena. I'm like, Okay, clearly there's a whole wave

2158
01:37:27,680 --> 01:37:29,679
Speaker 2: he heart bro you want.

2159
01:37:29,560 --> 01:37:33,120
Speaker 6: Here man, So I feel like I see that with

2160
01:37:33,240 --> 01:37:34,920
Speaker 6: rod Wave. To me, road Wave is one of the

2161
01:37:35,080 --> 01:37:37,560
Speaker 6: that's probably my most listened to artists. I listen to

2162
01:37:37,600 --> 01:37:39,599
Speaker 6: road Wave every time I take a plane. Every time

2163
01:37:39,640 --> 01:37:41,799
Speaker 6: I take a plane back from somewhere, that's my ship.

2164
01:37:42,200 --> 01:37:46,320
Speaker 2: Because you're sad that you're leaving. No, it's like reflection music.

2165
01:37:46,400 --> 01:37:48,479
Speaker 6: Like if you listen to his ship, like already one,

2166
01:37:48,520 --> 01:37:50,760
Speaker 6: it's sad to some people, okay.

2167
01:37:50,720 --> 01:37:53,880
Speaker 2: But he's also I don't know, it's just real life

2168
01:37:53,960 --> 01:37:54,160
Speaker 2: to me.

2169
01:37:54,280 --> 01:37:58,360
Speaker 6: I like, I don't like escapism music, like how a

2170
01:37:58,360 --> 01:38:00,599
Speaker 6: lot of people just listen to Escape is a music

2171
01:38:00,640 --> 01:38:03,160
Speaker 6: which is like club shiit like let me just escape

2172
01:38:03,160 --> 01:38:03,599
Speaker 6: from my life.

2173
01:38:03,640 --> 01:38:05,360
Speaker 2: I like this ship that talks to me about what

2174
01:38:05,400 --> 01:38:06,400
Speaker 2: I'm going through because.

2175
01:38:06,160 --> 01:38:08,360
Speaker 6: I don't have no therapist or I don't got nothing,

2176
01:38:08,360 --> 01:38:10,720
Speaker 6: so that's where the music is the therapy and it

2177
01:38:10,800 --> 01:38:12,519
Speaker 6: just sounds fundamentally good.

2178
01:38:13,479 --> 01:38:17,400
Speaker 2: And yeah, I don't I don't know. I love roadways. No,

2179
01:38:18,080 --> 01:38:20,840
Speaker 2: I'm trying to. I'm trying to appreciate him more. I'm

2180
01:38:20,840 --> 01:38:23,080
Speaker 2: trying to get more to the music. I recognize the talent.

2181
01:38:23,320 --> 01:38:26,920
Speaker 6: So for instance, like Scott Priority is a is a

2182
01:38:26,960 --> 01:38:29,000
Speaker 6: song I heard from man. We were literally leaving like

2183
01:38:29,040 --> 01:38:37,160
Speaker 6: a little treacherous venue in Connecticut one night and yeah, yeah,

2184
01:38:37,280 --> 01:38:42,600
Speaker 6: and Toads isn't per se treacherous but New Haven and

2185
01:38:42,640 --> 01:38:43,280
Speaker 6: it was some shit that.

2186
01:38:43,280 --> 01:38:44,559
Speaker 2: Was going on at the show or whatever.

2187
01:38:44,600 --> 01:38:47,800
Speaker 6: And we got into the car and I'm listening to

2188
01:38:47,840 --> 01:38:50,120
Speaker 6: Rod Wave and he's like on the road doing shows

2189
01:38:50,200 --> 01:38:54,680
Speaker 6: alone and somebody that's the city living wrong. Pray to

2190
01:38:54,760 --> 01:38:58,320
Speaker 6: God that can make it back home even if I don't,

2191
01:38:58,320 --> 01:39:01,400
Speaker 6: it won't be long. And I'm listening to the show.

2192
01:39:01,439 --> 01:39:04,360
Speaker 6: I just went through this ship, Like just went through

2193
01:39:04,400 --> 01:39:06,880
Speaker 6: this ship. And that's I played that song one hundred times.

2194
01:39:06,880 --> 01:39:08,639
Speaker 6: I didn't want to hear another song for the next

2195
01:39:08,640 --> 01:39:11,559
Speaker 6: two weeks. So broad Wave has that effect on people, Okay,

2196
01:39:11,720 --> 01:39:13,080
Speaker 6: you know what I mean, where it's like you might

2197
01:39:13,120 --> 01:39:15,439
Speaker 6: hear something that hits you so strong from him that

2198
01:39:15,520 --> 01:39:18,120
Speaker 6: you're like, I don't now, this is like above music,

2199
01:39:18,120 --> 01:39:20,120
Speaker 6: because this is like connecting with me on the on

2200
01:39:20,160 --> 01:39:21,360
Speaker 6: the therapy level.

2201
01:39:21,120 --> 01:39:23,599
Speaker 2: And that's what and that's essentially what music is supposed

2202
01:39:23,600 --> 01:39:24,160
Speaker 2: to do, right.

2203
01:39:24,240 --> 01:39:27,160
Speaker 6: So yeah, and I'm big into just singing like that,

2204
01:39:27,280 --> 01:39:30,360
Speaker 6: you know the I haven't been as big into like

2205
01:39:30,400 --> 01:39:32,599
Speaker 6: the more newer R and B and ship like that,

2206
01:39:32,640 --> 01:39:35,600
Speaker 6: but like rod Wave brings that that singing element all

2207
01:39:35,640 --> 01:39:36,280
Speaker 6: were gonna get.

2208
01:39:36,160 --> 01:39:40,679
Speaker 2: Like an R and B project for relies, I learned

2209
01:39:40,720 --> 01:39:45,759
Speaker 2: Blanc Black, I s Aaron Blanco's hard. I mean Arn Blanco,

2210
01:39:45,840 --> 01:39:47,839
Speaker 2: you know what I tell people to like my rapping.

2211
01:39:47,960 --> 01:39:51,000
Speaker 6: Oh that's why man, I got a freestyle going fake

2212
01:39:51,080 --> 01:39:56,679
Speaker 6: viral right now. But it's like it overshadows the other ship.

2213
01:39:56,720 --> 01:39:58,679
Speaker 6: I got millions, I got millions of views on songs

2214
01:39:58,720 --> 01:40:01,880
Speaker 6: where I just sing, you know. So I'd love to

2215
01:40:01,880 --> 01:40:03,519
Speaker 6: do that and be more known for that. Like my

2216
01:40:03,560 --> 01:40:06,920
Speaker 6: core audience, everybody who buys hard tickets, they expect that

2217
01:40:06,960 --> 01:40:09,920
Speaker 6: from me. They love that, but that hasn't like that's

2218
01:40:10,040 --> 01:40:12,479
Speaker 6: one of my goals to kind of push that more

2219
01:40:12,600 --> 01:40:14,680
Speaker 6: through to the mainstream that you know, I do that.

2220
01:40:14,920 --> 01:40:16,599
Speaker 3: I think in this era though you can split it,

2221
01:40:16,680 --> 01:40:19,439
Speaker 3: like even if it's not ar and Blanco, even though

2222
01:40:19,439 --> 01:40:22,080
Speaker 3: I think it's a genius name people having different series

2223
01:40:22,120 --> 01:40:24,760
Speaker 3: of stuff has always been even a hip hop, even

2224
01:40:24,800 --> 01:40:27,000
Speaker 3: if people that were just rapping, all right, this is

2225
01:40:27,040 --> 01:40:29,320
Speaker 3: just gonna be my freestyle over other beats and then

2226
01:40:29,360 --> 01:40:31,240
Speaker 3: here's my original music. I think you can still do

2227
01:40:31,280 --> 01:40:33,679
Speaker 3: an R and B EP some of those lines.

2228
01:40:33,680 --> 01:40:36,360
Speaker 6: I think, and I don't even consider it's more like

2229
01:40:36,400 --> 01:40:38,560
Speaker 6: because it's I'm not trying to like sing saying I

2230
01:40:38,560 --> 01:40:41,040
Speaker 6: got a song called high Beams though they got like

2231
01:40:41,880 --> 01:40:45,200
Speaker 6: it's own little core audience, and that's the most I

2232
01:40:45,240 --> 01:40:46,320
Speaker 6: like really was singing.

2233
01:40:47,160 --> 01:40:48,200
Speaker 2: I'm gonna send that to y'all.

2234
01:40:48,200 --> 01:40:51,400
Speaker 6: But that's yeah, if I can make like a project

2235
01:40:51,439 --> 01:40:52,240
Speaker 6: like that, it'd be hard.

2236
01:40:53,160 --> 01:40:55,760
Speaker 3: We're also before we get out of we're talking off Mike,

2237
01:40:56,240 --> 01:40:59,640
Speaker 3: you brought up a really really good question Max B

2238
01:40:59,760 --> 01:41:02,920
Speaker 3: is goot now in November. From what we understand, what

2239
01:41:03,040 --> 01:41:06,960
Speaker 3: should Max B's first move be getting out of jail.

2240
01:41:07,479 --> 01:41:09,559
Speaker 3: I thought that was a very very interesting.

2241
01:41:10,000 --> 01:41:12,360
Speaker 2: Yeah, I thought, I think I believe he should just

2242
01:41:12,400 --> 01:41:16,040
Speaker 2: get straight to Max b Silver Surfer Shit mixtape soon.

2243
01:41:16,040 --> 01:41:18,400
Speaker 3: As I mean, obviously his sound is kind of what's now.

2244
01:41:20,000 --> 01:41:23,840
Speaker 2: It fits as everybody's you know, the melodies and and

2245
01:41:24,040 --> 01:41:26,599
Speaker 2: and a lot of the styles that that you know

2246
01:41:26,720 --> 01:41:30,000
Speaker 2: Max had with the whole Silver Surfer and all of

2247
01:41:30,040 --> 01:41:31,720
Speaker 2: the you know, the mixtapes that he was putting out.

2248
01:41:31,720 --> 01:41:35,600
Speaker 2: Just the sound is very relevant right now. But I

2249
01:41:35,600 --> 01:41:37,800
Speaker 2: think obviously when he after he gets adjusted to being

2250
01:41:37,880 --> 01:41:40,719
Speaker 2: home family, gets that out the way, once he's ready

2251
01:41:40,720 --> 01:41:42,360
Speaker 2: to get back into music, I think that we need

2252
01:41:42,400 --> 01:41:43,759
Speaker 2: a Silver Surfer mixtape.

2253
01:41:43,800 --> 01:41:46,320
Speaker 3: And I mean outside of getting adjusted family and you know,

2254
01:41:46,400 --> 01:41:50,719
Speaker 3: not rushing like get your life back together, I think

2255
01:41:50,760 --> 01:41:54,080
Speaker 3: outside of the sound being what Max was doing, Max

2256
01:41:54,200 --> 01:41:56,120
Speaker 3: was the content king during the DVD, he took the

2257
01:41:56,120 --> 01:41:59,560
Speaker 3: word we are now in the content era Max b

2258
01:42:00,640 --> 01:42:03,320
Speaker 3: I don't even know like studio yet. He let it

2259
01:42:03,680 --> 01:42:07,640
Speaker 3: reintroduce you to the world as the fucking comedian personality,

2260
01:42:08,240 --> 01:42:10,639
Speaker 3: amazing person that we know Max B to b through

2261
01:42:10,680 --> 01:42:13,400
Speaker 3: the DVD. Ear, I don't even know if we need

2262
01:42:13,400 --> 01:42:15,040
Speaker 3: a song from him for the first few months.

2263
01:42:15,920 --> 01:42:18,800
Speaker 2: No, we need a song. People want to hear Max.

2264
01:42:18,840 --> 01:42:19,800
Speaker 2: He been through some shit.

2265
01:42:20,080 --> 01:42:23,000
Speaker 6: But that's kind of like Smurder, like Bobby Smurder got

2266
01:42:23,000 --> 01:42:24,240
Speaker 6: like a big personality.

2267
01:42:25,360 --> 01:42:28,080
Speaker 2: But I feel like you think Bobby should have dropped

2268
01:42:28,240 --> 01:42:28,800
Speaker 2: straight out.

2269
01:42:29,520 --> 01:42:31,800
Speaker 3: Nah, I think it should have chilled a little bit longer.

2270
01:42:31,800 --> 01:42:33,800
Speaker 3: To be quite honest, I don't think he dropped like

2271
01:42:34,040 --> 01:42:36,080
Speaker 3: fresh out though he didn't. He think he should have

2272
01:42:36,120 --> 01:42:36,920
Speaker 3: taken more time.

2273
01:42:37,080 --> 01:42:39,559
Speaker 6: Right now though the attention span of the public is

2274
01:42:39,600 --> 01:42:41,680
Speaker 6: so crazy. When you get out of jail, you kind

2275
01:42:41,720 --> 01:42:43,680
Speaker 6: of got to ride that momentum.

2276
01:42:43,800 --> 01:42:47,280
Speaker 3: Like, but Bobby was in that physician though they could

2277
01:42:47,280 --> 01:42:49,400
Speaker 3: have taken He's one of the few people because of

2278
01:42:49,439 --> 01:42:51,719
Speaker 3: the story and the anticipation, he could have really really

2279
01:42:51,760 --> 01:42:53,360
Speaker 3: taken his time. But I don't know what's going on

2280
01:42:53,400 --> 01:42:54,840
Speaker 3: in people's lives. Who needs money, Like.

2281
01:42:54,920 --> 01:42:57,439
Speaker 6: But that's what I'm saying, judging that attention so boom

2282
01:42:57,560 --> 01:43:01,160
Speaker 6: when whoever whatever rapper gets out of jail, man, I

2283
01:43:01,160 --> 01:43:04,400
Speaker 6: feel like you got you know, rio To Young Og,

2284
01:43:05,000 --> 01:43:07,400
Speaker 6: come on, he came straight to the PJ.

2285
01:43:07,560 --> 01:43:08,519
Speaker 2: You gotta go PJ.

2286
01:43:09,800 --> 01:43:14,559
Speaker 6: They gotta give your advance from your record label and cash.

2287
01:43:15,120 --> 01:43:17,280
Speaker 2: You gotta pop it that day if you want.

2288
01:43:17,360 --> 01:43:20,360
Speaker 6: That's how I think, like, because you're gonna get a

2289
01:43:20,360 --> 01:43:22,800
Speaker 6: lot of free publicity and you gotta ride that ship.

2290
01:43:22,880 --> 01:43:24,640
Speaker 6: So I think the quicker you could get to it,

2291
01:43:24,680 --> 01:43:26,800
Speaker 6: like rio To Young Og came home and got right

2292
01:43:26,880 --> 01:43:31,280
Speaker 6: to it. I think I'm not gonna lie. I think

2293
01:43:31,560 --> 01:43:32,919
Speaker 6: Max gotta get right.

2294
01:43:32,760 --> 01:43:35,720
Speaker 3: To it like he's not, like I hear you, especially with.

2295
01:43:37,760 --> 01:43:41,040
Speaker 6: How much how much is the older generation gonna support him?

2296
01:43:41,080 --> 01:43:42,800
Speaker 2: Like though I think they will. I think not only

2297
01:43:42,800 --> 01:43:45,400
Speaker 2: will the older like he just had. You know, Supreme

2298
01:43:45,479 --> 01:43:48,679
Speaker 2: just dropped his T shirt, so we obviously know Supreme

2299
01:43:48,760 --> 01:43:50,800
Speaker 2: being a you know, a street where brand, A lot

2300
01:43:50,880 --> 01:43:52,960
Speaker 2: of you know, young people attached to that brand and

2301
01:43:53,000 --> 01:43:56,400
Speaker 2: support that brand it sold out with, so which means

2302
01:43:56,439 --> 01:43:58,760
Speaker 2: you know, people are people know who Max is and

2303
01:43:58,800 --> 01:44:01,040
Speaker 2: if they don't know, they heard about it. They want

2304
01:44:01,080 --> 01:44:03,800
Speaker 2: to be affiliated with the story of Max B and

2305
01:44:03,800 --> 01:44:06,960
Speaker 2: who he is. So I think that Max comes home obviously,

2306
01:44:06,960 --> 01:44:10,080
Speaker 2: you know, get his his his family orders in line

2307
01:44:10,080 --> 01:44:13,000
Speaker 2: and things of that nature. But I think he has

2308
01:44:13,080 --> 01:44:16,320
Speaker 2: plans on getting right to the music. I believe got

2309
01:44:16,320 --> 01:44:20,240
Speaker 2: a thousand songs written. I'm sure. I'm pretty sure he has.

2310
01:44:20,800 --> 01:44:22,240
Speaker 6: I think I think that's the way you got to

2311
01:44:22,280 --> 01:44:24,599
Speaker 6: come home, like pot and people got to come home.

2312
01:44:26,000 --> 01:44:28,120
Speaker 3: To the older Does the older crowd matter with someone

2313
01:44:28,240 --> 01:44:31,479
Speaker 3: like Max? And hear me, hear me out the way,

2314
01:44:31,520 --> 01:44:33,960
Speaker 3: I'm not. I'm not comparing Max B to Charleston White

2315
01:44:34,080 --> 01:44:37,280
Speaker 3: or Boosy whatsoever. I'm just saying older people that are

2316
01:44:37,280 --> 01:44:41,280
Speaker 3: dominating the media space because of their unique personalities. I

2317
01:44:41,320 --> 01:44:44,240
Speaker 3: think these young kids without even knowing who Max b

2318
01:44:44,520 --> 01:44:47,559
Speaker 3: is is going to gravitate to him. He's that type of.

2319
01:44:47,479 --> 01:44:49,200
Speaker 2: Person, yeah, for sure, for sure.

2320
01:44:49,280 --> 01:44:51,479
Speaker 3: So I don't know if he needs to go to

2321
01:44:51,600 --> 01:44:54,679
Speaker 3: have to rely on the connections that he had when

2322
01:44:54,720 --> 01:44:57,360
Speaker 3: he was free, Like even though a lot of people

2323
01:44:57,400 --> 01:44:58,880
Speaker 3: are still moving to shake, and does he need them.

2324
01:44:58,880 --> 01:45:01,120
Speaker 2: He's persons differ personality wise.

2325
01:45:01,160 --> 01:45:04,840
Speaker 6: Personality wise, he's going to go crazy regardless. I just

2326
01:45:04,840 --> 01:45:07,439
Speaker 6: think in the state of music, like where we're at now,

2327
01:45:07,439 --> 01:45:11,360
Speaker 6: it's like people almost stop giving a fuck about rappers

2328
01:45:11,400 --> 01:45:13,519
Speaker 6: coming home from jail because so many rappers come home

2329
01:45:13,560 --> 01:45:16,120
Speaker 6: from jail where it used to be like, you know.

2330
01:45:16,080 --> 01:45:17,479
Speaker 2: Like a big rollout.

2331
01:45:17,920 --> 01:45:19,920
Speaker 6: And so I was just thinking, like music wise, he's

2332
01:45:19,960 --> 01:45:22,920
Speaker 6: going to do phenomenal either way. But it's like music wise,

2333
01:45:23,640 --> 01:45:28,360
Speaker 6: I would think just on the strategy, on a strategy

2334
01:45:28,360 --> 01:45:31,800
Speaker 6: found how to have the attitude of coming out and

2335
01:45:31,840 --> 01:45:36,080
Speaker 6: getting right directly to it drop a song first seventy

2336
01:45:36,120 --> 01:45:39,960
Speaker 6: two hours like go or something just big in the media,

2337
01:45:40,000 --> 01:45:41,320
Speaker 6: you know what I mean, Like, what do you think

2338
01:45:41,360 --> 01:45:41,680
Speaker 6: he was the.

2339
01:45:41,600 --> 01:45:42,800
Speaker 2: First big feature.

2340
01:45:44,000 --> 01:45:48,360
Speaker 3: What's what's the first big record that he remixes. That's

2341
01:45:48,400 --> 01:45:51,920
Speaker 3: the most effective thing. I think that was Max made

2342
01:45:51,920 --> 01:45:54,400
Speaker 3: his name and now the ship, the game recycles itself

2343
01:45:54,400 --> 01:45:56,000
Speaker 3: all the time. We even see the biggest artists not

2344
01:45:56,040 --> 01:45:59,320
Speaker 3: even going to streaming anymore. Max, if he doesn't monetizer,

2345
01:45:59,360 --> 01:46:02,439
Speaker 3: shit could wrap over every big record out right now

2346
01:46:03,720 --> 01:46:04,320
Speaker 3: on YouTube.

2347
01:46:04,840 --> 01:46:07,880
Speaker 2: You know what, y'all, this is gonna bear with me, Okay,

2348
01:46:08,280 --> 01:46:10,240
Speaker 2: you know what. I would love to hear Max on

2349
01:46:12,040 --> 01:46:14,719
Speaker 2: just because his melodies and his style and his voice

2350
01:46:14,720 --> 01:46:16,720
Speaker 2: and his flow. I would love to hear him on

2351
01:46:16,760 --> 01:46:17,600
Speaker 2: No Kid.

2352
01:46:18,640 --> 01:46:23,799
Speaker 3: Oh, that's that's not a crazy take it that is design.

2353
01:46:24,320 --> 01:46:27,440
Speaker 2: I would love to Max be on No Kid that. Yeah,

2354
01:46:27,479 --> 01:46:30,600
Speaker 2: he could float on a lot. I would love he

2355
01:46:30,960 --> 01:46:33,280
Speaker 2: already has, he's on the I would love to hear

2356
01:46:33,360 --> 01:46:35,080
Speaker 2: him on Baby Girl. I would love to hear that.

2357
01:46:35,479 --> 01:46:39,360
Speaker 3: And I mean, even with everything going melodic, like Max

2358
01:46:39,400 --> 01:46:41,840
Speaker 3: has not even seen what tune can do on pro

2359
01:46:41,880 --> 01:46:46,120
Speaker 3: tools right now, like with everything on for melodic, who

2360
01:46:46,160 --> 01:46:47,479
Speaker 3: knows if Max is even gonna rap.

2361
01:46:48,520 --> 01:46:51,439
Speaker 2: Oh he's gonna rap, yeah, but he's definitely saying sure, no,

2362
01:46:51,479 --> 01:46:54,000
Speaker 2: oh no, that's he has to That's that's his thing

2363
01:46:54,040 --> 01:46:56,559
Speaker 2: he has to. All right, Millies, well, we appreciate you

2364
01:46:56,600 --> 01:46:59,200
Speaker 2: coming by kicking with a man, always seeing you. Blanco

2365
01:46:59,360 --> 01:47:02,360
Speaker 2: seven is available now and whenever you're ready to start

2366
01:47:02,439 --> 01:47:04,360
Speaker 2: Ron Blanco, let me know, I want to all the

2367
01:47:04,360 --> 01:47:07,320
Speaker 2: first few sessions. Man, get that ship going, because I

2368
01:47:07,360 --> 01:47:09,280
Speaker 2: heard I heard the rod waves, I heard I hear

2369
01:47:09,320 --> 01:47:12,160
Speaker 2: the vocals. I hear what you're doing there. But anytime

2370
01:47:12,200 --> 01:47:14,040
Speaker 2: you're in the city, well you you always hear me.

2371
01:47:14,080 --> 01:47:18,040
Speaker 2: I told Roy Mills, I appreciate y'all, man, And we

2372
01:47:18,040 --> 01:47:19,839
Speaker 2: got to catch a Boston game, Boston Knicks.

2373
01:47:20,160 --> 01:47:22,320
Speaker 6: I'm gonna get out of the Yeah, I think the

2374
01:47:22,400 --> 01:47:23,160
Speaker 6: next are gonna make it.

2375
01:47:23,439 --> 01:47:25,320
Speaker 2: I'm gonna I'm gonna get out of New York for

2376
01:47:25,360 --> 01:47:28,960
Speaker 2: a while until the cool down to the playoffs. Yeah,

2377
01:47:29,040 --> 01:47:31,280
Speaker 2: until the playoffs. You can't be in the garden with

2378
01:47:31,320 --> 01:47:33,320
Speaker 2: that Boston if we're in the playoffs. I'm not going

2379
01:47:33,360 --> 01:47:35,439
Speaker 2: to Madison squat. No, you can't do that. I'm cool.

2380
01:47:36,320 --> 01:47:38,640
Speaker 6: I go like to regular games and ship like I

2381
01:47:38,680 --> 01:47:41,400
Speaker 6: can't go when the Knicks fans is like super delusion.

2382
01:47:41,000 --> 01:47:44,320
Speaker 2: On Yeah, yeah, it's crazy all the time. Yeah, every

2383
01:47:44,360 --> 01:47:47,160
Speaker 2: game is the Nix fans. But that's what makes it

2384
01:47:47,240 --> 01:47:51,160
Speaker 2: fun those fun times. But as a hard Celtics we.

2385
01:47:53,000 --> 01:47:54,600
Speaker 3: Make it a second round. But let's not act like

2386
01:47:54,640 --> 01:47:56,679
Speaker 3: the Celtics don't look a little shaky.

2387
01:47:57,680 --> 01:48:00,679
Speaker 2: Can we do this when you come to a Yankee

2388
01:48:00,760 --> 01:48:03,200
Speaker 2: game with us? Me, you and Rory at a Yankee game,

2389
01:48:03,680 --> 01:48:07,120
Speaker 2: I feel like that's worse. No, people don't really care

2390
01:48:07,160 --> 01:48:07,479
Speaker 2: like that.

2391
01:48:07,600 --> 01:48:10,000
Speaker 3: If we went to a game and Yankee ship, it

2392
01:48:10,000 --> 01:48:12,280
Speaker 3: would be a problem Yankee stadium. You don't really care

2393
01:48:12,280 --> 01:48:14,400
Speaker 3: about that.

2394
01:48:14,400 --> 01:48:14,800
Speaker 2: That ship.

2395
01:48:14,960 --> 01:48:17,160
Speaker 6: Yeah, I think that ships overhyped. I'll go to a

2396
01:48:17,200 --> 01:48:17,920
Speaker 6: Mets game with you.

2397
01:48:18,680 --> 01:48:21,720
Speaker 2: Are you a Mets fan? You Mets hats and ship

2398
01:48:21,840 --> 01:48:24,559
Speaker 2: like that? Because you're like, he's so fast, he's not.

2399
01:48:24,920 --> 01:48:29,320
Speaker 2: You don't even want to go in. I could a

2400
01:48:29,400 --> 01:48:30,720
Speaker 2: Yankee with this right here?

2401
01:48:30,920 --> 01:48:35,280
Speaker 3: You like Noah in the In the event that the

2402
01:48:35,320 --> 01:48:37,840
Speaker 3: Knicks and Celtics do meet in the second round, if

2403
01:48:37,840 --> 01:48:40,240
Speaker 3: Maul and I drive up to Boston, would you even

2404
01:48:40,280 --> 01:48:43,799
Speaker 3: be scene with us if we went to the Boston

2405
01:48:43,800 --> 01:48:44,719
Speaker 3: Garden of course.

2406
01:48:44,800 --> 01:48:47,240
Speaker 2: No, it's just not in the next gear. But look,

2407
01:48:48,200 --> 01:48:50,759
Speaker 2: I'm gonna wear my Nick ship. No, No, I can't

2408
01:48:50,800 --> 01:48:53,400
Speaker 2: walk away. You all into the ball. No disrespect that Wow,

2409
01:48:54,439 --> 01:48:55,720
Speaker 2: walking Shamrock.

2410
01:49:00,040 --> 01:49:03,280
Speaker 6: And I gotta keep it moving because like it's just political, bro.

2411
01:49:03,479 --> 01:49:06,720
Speaker 6: But you know they're gonna bring up to I guarantee

2412
01:49:06,800 --> 01:49:08,599
Speaker 6: if we play the NIXT they're gonna say, oh, look,

2413
01:49:08,640 --> 01:49:12,400
Speaker 6: Millis were a New York Knicks jersey courtside with Davies

2414
01:49:12,439 --> 01:49:14,679
Speaker 6: at a at a Madison Square Garden game.

2415
01:49:15,920 --> 01:49:18,080
Speaker 2: That was a Patrick Ewing jersey. That's a fact.

2416
01:49:18,160 --> 01:49:21,880
Speaker 6: Who is from three streets from me, my neighborhood hero.

2417
01:49:22,200 --> 01:49:24,280
Speaker 2: There you go, There you go. I saw the connect,

2418
01:49:24,280 --> 01:49:26,320
Speaker 2: I knew the kids. You know what I mean. Don't

2419
01:49:26,320 --> 01:49:27,200
Speaker 2: try to pull that card.

2420
01:49:27,479 --> 01:49:31,160
Speaker 3: There's also no Knicks like Celtics rivalry like that.

2421
01:49:31,160 --> 01:49:33,439
Speaker 2: That's not a thing the way it is Red Sox Yankees.

2422
01:49:33,520 --> 01:49:36,920
Speaker 6: Y'all want that though, like it'll have. New York fans

2423
01:49:36,920 --> 01:49:39,679
Speaker 6: are so crazy that as soon as y'all get like nice,

2424
01:49:39,720 --> 01:49:40,360
Speaker 6: I could just see you.

2425
01:49:41,600 --> 01:49:43,519
Speaker 3: I'm saying, we've been remember when y'all get.

2426
01:49:43,320 --> 01:49:45,400
Speaker 6: This out the playoffs before, when we had like KG

2427
01:49:45,600 --> 01:49:48,439
Speaker 6: and Ship and Fat Joe tweeted something. He was like,

2428
01:49:49,080 --> 01:49:52,160
Speaker 6: he was like, Celtics, we love you. It's just our

2429
01:49:52,200 --> 01:49:54,960
Speaker 6: time right now. And I was like, oh man, it's

2430
01:49:55,000 --> 01:49:56,680
Speaker 6: never been, never been a.

2431
01:49:56,640 --> 01:49:58,280
Speaker 2: Time every year, it's our time.

2432
01:49:58,360 --> 01:49:59,559
Speaker 3: It's just delusion of.

2433
01:49:59,680 --> 01:50:02,840
Speaker 2: Yes, delusional fans. Yes, but I milized. We appreciate you man,

2434
01:50:02,880 --> 01:50:03,680
Speaker 2: and whist you soon.

2435
01:50:03,800 --> 01:50:06,640
Speaker 3: That love no Willia