1 00:00:04,600 --> 00:00:05,040 Speaker 1: So you know. 2 00:00:05,120 --> 00:00:09,760 Speaker 2: I pull the truck up, parallel park, get the cones out, 3 00:00:09,800 --> 00:00:12,160 Speaker 2: put the little block in front of the tires, jump 4 00:00:12,160 --> 00:00:15,920 Speaker 2: in the cherry picker. I extend that thing, you know, 5 00:00:16,320 --> 00:00:19,200 Speaker 2: all the way out to the edge, and I realize 6 00:00:19,360 --> 00:00:21,840 Speaker 2: I'm lined up. I'm lined up straight with the pole 7 00:00:21,960 --> 00:00:25,360 Speaker 2: for some reason. Where I am on the wire, I'm 8 00:00:25,440 --> 00:00:28,960 Speaker 2: too far out from the box so I can't get 9 00:00:29,000 --> 00:00:31,880 Speaker 2: to the transforming with my drill, and I'm reaching and 10 00:00:31,920 --> 00:00:34,720 Speaker 2: I go like, this isn't safe to do it this way, So. 11 00:00:40,080 --> 00:00:42,160 Speaker 1: All the way back down. 12 00:00:42,720 --> 00:00:47,360 Speaker 2: Get out of the cherry picker, get in the truck. Wait, nope, 13 00:00:47,400 --> 00:00:51,440 Speaker 2: don't get in the truck yet. Move the cones, grab 14 00:00:51,520 --> 00:00:54,920 Speaker 2: the block under the tire that's there. Put that back 15 00:00:54,920 --> 00:01:01,080 Speaker 2: in the cab. Pull it up, I drive up couple beat, 16 00:01:02,640 --> 00:01:05,120 Speaker 2: put the cones back down and go where you know 17 00:01:05,160 --> 00:01:08,319 Speaker 2: where I landed. Put the block back in. Get back 18 00:01:08,360 --> 00:01:16,080 Speaker 2: in the cherry picker. Get up. 19 00:01:16,560 --> 00:01:20,720 Speaker 1: Reach too far now I went too far. 20 00:01:21,280 --> 00:01:25,200 Speaker 3: Now you're too close to the Yeah, now I'm too close. 21 00:01:25,240 --> 00:01:27,800 Speaker 2: So I'm actually coming up straight underneath it. You know, 22 00:01:27,880 --> 00:01:30,480 Speaker 2: I want to be at a diagonal so I can reach. 23 00:01:30,800 --> 00:01:32,880 Speaker 2: I don't want to be you know, bumping my hat 24 00:01:32,920 --> 00:01:35,679 Speaker 2: on these wires. And I turn and I'm starting to 25 00:01:35,680 --> 00:01:39,280 Speaker 2: lower it, and I hear a little I hear, I hear, 26 00:01:40,760 --> 00:01:43,800 Speaker 2: and I turn and I see Martin Sheen watching me, 27 00:01:44,319 --> 00:01:49,960 Speaker 2: and he's laughing. Oh, he's loving it. He's cracking up. 28 00:01:50,360 --> 00:01:53,000 Speaker 2: And I'm like, well, Martin, you think you could do 29 00:01:53,080 --> 00:01:55,640 Speaker 2: so much better now that I showed you the parameters, 30 00:01:55,680 --> 00:01:57,720 Speaker 2: why don't you get in the cab of this truck 31 00:01:57,760 --> 00:01:59,880 Speaker 2: and move? And he goes cause I don't got a 32 00:02:00,080 --> 00:02:05,400 Speaker 2: fucking union card man, and and I go, okay, okay, 33 00:02:05,400 --> 00:02:07,240 Speaker 2: you got me because I was gonna tell aut them. 34 00:02:07,840 --> 00:02:10,800 Speaker 2: And then I say, hey, look forget it, like union cards, 35 00:02:10,840 --> 00:02:14,120 Speaker 2: all that stuff aside. Can you eyeball this for me? 36 00:02:15,160 --> 00:02:17,560 Speaker 2: Because I now at this point don't trust myself. I'm like, 37 00:02:17,639 --> 00:02:21,200 Speaker 2: I lost the touch. I'm the guy, you know, I've 38 00:02:21,240 --> 00:02:23,600 Speaker 2: been a one man operation. That's I told him I 39 00:02:23,600 --> 00:02:24,720 Speaker 2: don't need a partner anymore. 40 00:02:25,000 --> 00:02:27,720 Speaker 3: And but let's say what the like might be helpful 41 00:02:27,760 --> 00:02:29,760 Speaker 3: to explain to like Martha and everyone, like what the 42 00:02:29,919 --> 00:02:30,480 Speaker 3: job is? 43 00:02:30,800 --> 00:02:32,200 Speaker 1: So I'm stealing wires? 44 00:02:32,639 --> 00:02:33,000 Speaker 3: Yeah? 45 00:02:33,960 --> 00:02:35,880 Speaker 4: Wait, you do what on wires? 46 00:02:36,280 --> 00:02:39,800 Speaker 3: I steal the wires? Oh, but to get there, so like, 47 00:02:39,800 --> 00:02:42,560 Speaker 3: what's the drill for? You're asking. Oftentimes there's like a 48 00:02:42,560 --> 00:02:45,000 Speaker 3: big bat in there or something, and you got to 49 00:02:45,200 --> 00:02:51,040 Speaker 3: drill that thing before basically before it drill. You bat's 50 00:02:51,200 --> 00:02:56,280 Speaker 3: fear drills, you know, because especially if fear being like 51 00:02:57,280 --> 00:03:00,840 Speaker 3: fully speared by one drilled and they have you know, 52 00:03:00,880 --> 00:03:02,320 Speaker 3: they have big fangs. 53 00:03:04,120 --> 00:03:08,000 Speaker 2: What's a bigger fang than a drill? Almost nothing, And 54 00:03:08,040 --> 00:03:10,120 Speaker 2: so it's it's sort of, you know, more of a 55 00:03:10,160 --> 00:03:14,679 Speaker 2: fair fight. And what I try to do ideally is 56 00:03:14,720 --> 00:03:16,639 Speaker 2: I have a drill and I also have a bucket, 57 00:03:17,760 --> 00:03:23,320 Speaker 2: and I just give them a choice. I say, I say, 58 00:03:23,480 --> 00:03:29,560 Speaker 2: mister Dracula, mister Dracula, I tell them you want the 59 00:03:29,639 --> 00:03:31,119 Speaker 2: drill or the bucket, It's up to you. 60 00:03:31,880 --> 00:03:34,560 Speaker 1: And nine times out of ten they take the bucket. 61 00:03:34,600 --> 00:03:35,720 Speaker 3: They just hop in there. 62 00:03:37,040 --> 00:03:39,200 Speaker 4: And then do you just take them to a new 63 00:03:39,320 --> 00:03:42,760 Speaker 4: home or where do they go in the bucket? 64 00:03:43,680 --> 00:03:46,440 Speaker 2: Well, it depends on what their attitude is. I mean, 65 00:03:46,480 --> 00:03:49,480 Speaker 2: if they if they're a real pain in the ass, 66 00:03:49,520 --> 00:03:53,640 Speaker 2: real blabbermouts, I'll drop them off just a block or 67 00:03:53,680 --> 00:03:54,200 Speaker 2: two away. 68 00:03:54,680 --> 00:03:58,160 Speaker 3: Yeah, but you might take a stop at at at 69 00:03:58,280 --> 00:03:59,720 Speaker 3: bucket shaking dout. 70 00:04:00,080 --> 00:04:03,280 Speaker 1: Mm hmm, Yeah, I might go. 71 00:04:03,920 --> 00:04:08,280 Speaker 2: I might go to the local uh Bears paint kiosk 72 00:04:08,360 --> 00:04:14,640 Speaker 2: and throw it in the paint bucket shaker and just say, 73 00:04:14,680 --> 00:04:16,240 Speaker 2: I do, let's see if this can stop some of 74 00:04:16,279 --> 00:04:18,960 Speaker 2: that squeak and you like so much. But if they're chill, man, 75 00:04:19,000 --> 00:04:21,000 Speaker 2: I'll take them down in the Santa Monica Pier play 76 00:04:21,040 --> 00:04:26,039 Speaker 2: ski ball. You know no reason not to. Actually, you 77 00:04:26,080 --> 00:04:28,160 Speaker 2: put them up by the hondo hole. They can catch 78 00:04:28,200 --> 00:04:29,719 Speaker 2: it with their feet and drop it in for you. 79 00:04:32,279 --> 00:04:34,760 Speaker 2: So it's it's really there's no one answer to what 80 00:04:34,839 --> 00:04:36,640 Speaker 2: I do with the bats once they're in the bucket. 81 00:04:38,040 --> 00:04:40,039 Speaker 3: Did you ever did you get those wires? 82 00:04:41,440 --> 00:04:49,520 Speaker 1: I got some of them. I gotta say. They're huge. 83 00:04:49,760 --> 00:04:51,200 Speaker 3: Yeah, they're so they're. 84 00:04:52,200 --> 00:04:55,440 Speaker 2: They're so big, and by the time you get them, 85 00:04:55,480 --> 00:04:58,200 Speaker 2: you're so tired from dragging them all up you don't 86 00:04:58,240 --> 00:05:00,640 Speaker 2: even remember why you started mm hmm. 87 00:05:02,240 --> 00:05:04,520 Speaker 3: And this is what we're doing with technology now, Like 88 00:05:04,560 --> 00:05:07,200 Speaker 3: all the things we could be focusing on could be 89 00:05:07,360 --> 00:05:13,080 Speaker 3: curing like like hungriness for the entire world, but instead 90 00:05:13,080 --> 00:05:19,440 Speaker 3: we're just making wires huge to make them harder for 91 00:05:19,480 --> 00:05:20,880 Speaker 3: Sean to pick up. 92 00:05:21,480 --> 00:05:23,680 Speaker 2: That's been so frustrated to me because you know, when 93 00:05:23,720 --> 00:05:28,040 Speaker 2: I started out. You know, I'm not as young as 94 00:05:28,040 --> 00:05:30,320 Speaker 2: I used to be. When I started out as a kid. 95 00:05:30,400 --> 00:05:35,480 Speaker 2: I remember the wires were about this big, and you 96 00:05:35,560 --> 00:05:38,599 Speaker 2: just put them, you know, you pull your shirt up 97 00:05:38,800 --> 00:05:40,520 Speaker 2: and you just sort of put them in a little 98 00:05:40,560 --> 00:05:43,640 Speaker 2: basket like that, you know, and then you run home 99 00:05:43,680 --> 00:05:45,720 Speaker 2: and you show your mom, Oh I found the wires, 100 00:05:46,800 --> 00:05:50,920 Speaker 2: and she'd say, sit down and have you know, have 101 00:05:51,040 --> 00:05:54,400 Speaker 2: your root a big And you'd say, okay, you know, 102 00:05:55,400 --> 00:05:58,160 Speaker 2: and she'd hands you a big sharp knife. 103 00:05:59,040 --> 00:06:01,000 Speaker 1: It like some pieces. 104 00:06:01,760 --> 00:06:05,599 Speaker 2: It just you know, slop it on down, throw ketchup 105 00:06:05,640 --> 00:06:08,920 Speaker 2: on it, you know, a little hamburger juice. 106 00:06:11,640 --> 00:06:15,120 Speaker 3: Always just don't save the hamburger juice. Don't throw out 107 00:06:15,320 --> 00:06:18,159 Speaker 3: We'll have rootybas tomorrow. Don't throw out the hamburger juice. 108 00:06:20,400 --> 00:06:23,760 Speaker 3: But Martha, I just wanted Martha just finished. Martha just 109 00:06:23,800 --> 00:06:24,440 Speaker 3: finished a coke. 110 00:06:24,480 --> 00:06:28,920 Speaker 4: I just Martha's gonna sorry. 111 00:06:28,960 --> 00:06:33,440 Speaker 3: Maybe you think that you finished, Yeah, okay, maybe we 112 00:06:33,560 --> 00:06:35,599 Speaker 3: save a little bit. I'm just worried you're gonna be 113 00:06:35,640 --> 00:06:36,520 Speaker 3: like impossible. 114 00:06:37,760 --> 00:06:38,600 Speaker 1: That's a concern. 115 00:06:38,680 --> 00:06:44,679 Speaker 2: Obviously, you came in with a. 116 00:06:42,520 --> 00:06:44,000 Speaker 1: Pretty terrifying energy. 117 00:06:44,320 --> 00:06:47,640 Speaker 2: And when I saw that you did have a caffeinated beverage. 118 00:06:47,680 --> 00:06:49,799 Speaker 1: I said, well, there's nowhere to go but down. 119 00:06:51,080 --> 00:06:55,080 Speaker 2: So if if you want to just paste yourself, I 120 00:06:55,080 --> 00:06:58,880 Speaker 2: would say, we are seven minutes into the show, give 121 00:06:58,960 --> 00:07:05,799 Speaker 2: or take. I would love to see minute thirty nine 122 00:07:06,040 --> 00:07:07,440 Speaker 2: before you take another sip. 123 00:07:10,080 --> 00:07:15,080 Speaker 4: All right, I'm I can commit to that. I'm happy 124 00:07:15,160 --> 00:07:15,920 Speaker 4: to do. 125 00:07:15,960 --> 00:07:19,520 Speaker 1: You want to promise for me? This isn't a one 126 00:07:19,560 --> 00:07:20,080 Speaker 1: way street. 127 00:07:20,600 --> 00:07:21,760 Speaker 3: We can all make a promise. 128 00:07:22,360 --> 00:07:23,600 Speaker 1: Everyone makes a promise today. 129 00:07:23,600 --> 00:07:26,280 Speaker 4: All right, Sean, from you, I would love it if 130 00:07:26,320 --> 00:07:29,960 Speaker 4: you had promise not to take any more abouts to 131 00:07:30,080 --> 00:07:35,880 Speaker 4: the bucket shaking machine, even if they're being assholes. That's 132 00:07:35,920 --> 00:07:37,160 Speaker 4: what I'd like from you. 133 00:07:38,720 --> 00:07:40,960 Speaker 1: For the rest of my life. 134 00:07:41,240 --> 00:07:45,320 Speaker 2: Yes, yeah, okay, I need more than thirty two minutes 135 00:07:45,320 --> 00:07:46,360 Speaker 2: off the zip of coke. 136 00:07:46,480 --> 00:07:50,040 Speaker 3: You know it does he does it? I mean my 137 00:07:50,120 --> 00:07:57,800 Speaker 3: library heard you, Martha that there's actually someone's job to 138 00:07:57,800 --> 00:08:01,960 Speaker 3: stand there and like in like basically how Sean like 139 00:08:02,160 --> 00:08:04,520 Speaker 3: set up the bucket machine and things like that. And 140 00:08:04,600 --> 00:08:09,520 Speaker 3: so Sean, by participating in this exchange, is actually helping 141 00:08:09,560 --> 00:08:13,600 Speaker 3: someone like live a life. And his kids are bats. 142 00:08:16,040 --> 00:08:21,480 Speaker 3: So now his kids are they don't have anything, they 143 00:08:21,480 --> 00:08:23,040 Speaker 3: don't have any nutrients to drink. 144 00:08:24,920 --> 00:08:29,240 Speaker 4: Yeah, I didn't. So if his wait, are Sean's kids 145 00:08:29,360 --> 00:08:33,319 Speaker 4: bats or the bucket shaking guys kids are bats? 146 00:08:33,440 --> 00:08:35,040 Speaker 1: The guy that works, does it matter? 147 00:08:37,720 --> 00:08:38,760 Speaker 4: That's a fair point. 148 00:08:39,000 --> 00:08:45,440 Speaker 2: It shouldn't matter it. It shouldn't matter whose kids are bats. 149 00:08:47,520 --> 00:08:52,720 Speaker 2: There should be no special treatment right where it's like, oh, 150 00:08:52,760 --> 00:08:56,000 Speaker 2: well your kids are bats. So then like you're not 151 00:08:56,120 --> 00:08:59,199 Speaker 2: in trouble with Martha Kelly. But then like your kids 152 00:08:59,240 --> 00:09:04,440 Speaker 2: are like just whatever, like kids, like normal kids or 153 00:09:04,520 --> 00:09:06,640 Speaker 2: like you know, non bats. 154 00:09:07,000 --> 00:09:09,440 Speaker 1: So then like Martha Kelly's mad at you. 155 00:09:10,800 --> 00:09:17,280 Speaker 2: I'm sorry, Yeah, you're at no reverse racism, Yeah, isn't it? 156 00:09:18,720 --> 00:09:19,040 Speaker 1: Isn't it? 157 00:09:19,120 --> 00:09:23,360 Speaker 4: Yeah, I'm I I'm gonna. What I'd like to do 158 00:09:23,400 --> 00:09:26,280 Speaker 4: is just take some time to just listen for us. 159 00:09:26,320 --> 00:09:27,240 Speaker 3: It would be amazing. 160 00:09:27,960 --> 00:09:29,320 Speaker 1: I would love to see that. 161 00:09:31,000 --> 00:09:33,800 Speaker 4: Do you mind if i'd drink my coke zero while 162 00:09:33,840 --> 00:09:36,240 Speaker 4: I'm listening or do you still want me to wait 163 00:09:36,440 --> 00:09:38,040 Speaker 4: till minute thirty? 164 00:09:38,200 --> 00:09:41,880 Speaker 3: Correct? I'm worried that this whole thing was just, yeah, 165 00:09:42,160 --> 00:09:46,079 Speaker 3: designed to get another sip at that. 166 00:09:45,240 --> 00:09:49,880 Speaker 2: That you became incredibly offensive, just to just to manufacture 167 00:09:49,880 --> 00:09:53,320 Speaker 2: a scenario, yeah, where you would be able to take 168 00:09:53,360 --> 00:09:55,480 Speaker 2: us with your coke zero ahead of the time that 169 00:09:55,520 --> 00:09:57,880 Speaker 2: we actually all agreed on, and I think we all 170 00:09:57,880 --> 00:09:58,839 Speaker 2: felt really good about. 171 00:10:00,400 --> 00:10:08,200 Speaker 3: Okay, I remember last time Martha was on the show. 172 00:10:08,480 --> 00:10:12,280 Speaker 3: I think she's at one point alluded to killing the president, 173 00:10:14,960 --> 00:10:16,800 Speaker 3: but that was much later in the show. 174 00:10:17,920 --> 00:10:22,800 Speaker 4: Yeah, God, that made me feel so happy for a second. 175 00:10:23,080 --> 00:10:29,920 Speaker 4: Hayes to just remember saying something about I don't I mean, 176 00:10:29,960 --> 00:10:33,920 Speaker 4: I hope I didn't outright threaten to kill Donald Trump 177 00:10:34,000 --> 00:10:38,600 Speaker 4: because while he was president and maybe now still that 178 00:10:38,600 --> 00:10:44,199 Speaker 4: that's illegal, but maybe I said I hoped, would. 179 00:10:44,040 --> 00:10:46,360 Speaker 3: You put him in the paint shaker machine. 180 00:10:47,320 --> 00:10:50,280 Speaker 4: I don't want to. I don't want I can't handle 181 00:10:50,720 --> 00:10:56,960 Speaker 4: people like being tortured. But what I am willing to do, 182 00:10:57,120 --> 00:10:59,480 Speaker 4: and I feel like this would make some kind of 183 00:10:59,480 --> 00:11:04,040 Speaker 4: amends for what I did to the children who aren't bats, 184 00:11:04,400 --> 00:11:09,920 Speaker 4: is sacrifice myself and take him out at the same 185 00:11:10,040 --> 00:11:14,400 Speaker 4: time by siling up next to him the next time 186 00:11:14,440 --> 00:11:18,680 Speaker 4: I met mar Largo, putting my finger in a light 187 00:11:18,800 --> 00:11:22,840 Speaker 4: socket and then grabbing onto his arm with my other hand, 188 00:11:23,000 --> 00:11:28,079 Speaker 4: and then we're both gone, We're both canceled. The world's 189 00:11:28,080 --> 00:11:28,880 Speaker 4: a better place. 190 00:11:30,040 --> 00:11:32,160 Speaker 3: That's what happened to Joan Cusac at the end of 191 00:11:32,920 --> 00:11:39,479 Speaker 3: Adam's Family Values. I she became dust. 192 00:11:40,240 --> 00:11:44,000 Speaker 4: So she put she stuck her finger in a light. 193 00:11:43,840 --> 00:11:48,240 Speaker 3: Socket, no, the current from She put them all in 194 00:11:48,320 --> 00:11:50,960 Speaker 3: electric chairs, and they were actually like, this is what's 195 00:11:51,040 --> 00:11:53,679 Speaker 3: so crazy, And this is where I quit on this movie. Okay. 196 00:11:54,320 --> 00:11:57,640 Speaker 3: She put the entire Adams Family Values in electric chairs, 197 00:11:58,000 --> 00:12:00,520 Speaker 3: and every single one of them is like, this is 198 00:12:00,559 --> 00:12:02,920 Speaker 3: actually good. That's good. We like it. 199 00:12:03,360 --> 00:12:04,079 Speaker 1: We like this. 200 00:12:04,320 --> 00:12:06,839 Speaker 3: To me, this is actually just a regular chair. And 201 00:12:06,880 --> 00:12:09,480 Speaker 3: when I sit in what you think is a normal chair, 202 00:12:10,120 --> 00:12:12,520 Speaker 3: I think it is that's uncourting to me. 203 00:12:12,880 --> 00:12:13,280 Speaker 1: Yeah. 204 00:12:13,440 --> 00:12:19,480 Speaker 2: Yeah, they said about the electric chair, this is nice. 205 00:12:20,200 --> 00:12:22,360 Speaker 3: Mm hmm. And one of them said to the other 206 00:12:22,400 --> 00:12:24,240 Speaker 3: one something like remember Honeymoon. 207 00:12:25,600 --> 00:12:27,880 Speaker 1: Yes, oh one of them. 208 00:12:27,880 --> 00:12:32,960 Speaker 3: I'm like, I'm done. That was when I didn't turn 209 00:12:33,000 --> 00:12:36,800 Speaker 3: it off. You don't actually like that. I'm saying, like you, 210 00:12:36,840 --> 00:12:38,640 Speaker 3: there's no way you like that. 211 00:12:39,320 --> 00:12:42,160 Speaker 2: But I started to regard it with a lot more skepticism, 212 00:12:43,920 --> 00:12:47,480 Speaker 2: and I thought, who are they doing this for? Like 213 00:12:47,800 --> 00:12:52,640 Speaker 2: why do they feel the need to put on this 214 00:12:52,880 --> 00:12:56,640 Speaker 2: act of liking this kind of chair, which is a 215 00:12:56,679 --> 00:12:57,760 Speaker 2: scary chair. 216 00:12:58,600 --> 00:13:01,160 Speaker 1: Like who is it? Four? 217 00:13:02,320 --> 00:13:04,320 Speaker 2: I know it can't be comfortable for them, Is it 218 00:13:04,360 --> 00:13:07,480 Speaker 2: for me because I'm not impressed anymore. I would rather 219 00:13:07,559 --> 00:13:11,800 Speaker 2: have you be vulnerable and say this chair is hurting. 220 00:13:15,040 --> 00:13:18,199 Speaker 3: Martha. Let me ask you, like, so, okay, you say 221 00:13:18,200 --> 00:13:20,160 Speaker 3: you wouldn't put don Trump in the paint shaking machine, 222 00:13:20,160 --> 00:13:23,120 Speaker 3: but have you considered this. You put him in in 223 00:13:23,160 --> 00:13:26,800 Speaker 3: a way that's like he's kind of like lying down, 224 00:13:27,320 --> 00:13:30,000 Speaker 3: and so the paint shaking machine is just kind of 225 00:13:30,080 --> 00:13:33,800 Speaker 3: like resting up against his belly a little bit, and 226 00:13:33,840 --> 00:13:36,920 Speaker 3: then you turn it on. It it's basically just kind 227 00:13:37,000 --> 00:13:40,040 Speaker 3: of like lightly disturbing his belly. 228 00:13:40,120 --> 00:13:43,080 Speaker 2: Is he and he maybe has like a pad so 229 00:13:43,120 --> 00:13:44,280 Speaker 2: he doesn't get all shaped? 230 00:13:46,040 --> 00:13:48,400 Speaker 1: Yeah, well pad, I don't want. 231 00:13:48,320 --> 00:13:51,400 Speaker 4: To spend that much time with him as part of 232 00:13:51,440 --> 00:13:53,120 Speaker 4: the problem. That sounds like. 233 00:13:53,160 --> 00:13:55,679 Speaker 1: A long Well, you're in a squirrel suit. 234 00:13:55,720 --> 00:13:57,520 Speaker 2: You're up in the rafters in a squirrel suit, and 235 00:13:57,559 --> 00:14:01,760 Speaker 2: you dive down to activate the paint shaking machine, so 236 00:14:03,040 --> 00:14:07,080 Speaker 2: you like and then you just like flick the switch 237 00:14:07,160 --> 00:14:10,520 Speaker 2: on your way by, so you don't really have to. 238 00:14:10,640 --> 00:14:13,880 Speaker 3: It's no more time, certainly, no more time than this 239 00:14:14,000 --> 00:14:16,920 Speaker 3: scenario where you have to like negotiate yourself. So not 240 00:14:16,960 --> 00:14:19,160 Speaker 3: only are you next to him, you're holding his hand. 241 00:14:20,160 --> 00:14:24,320 Speaker 4: Well, no, I uh hear. Okay. First of all, I 242 00:14:24,360 --> 00:14:29,680 Speaker 4: realized already you're supposed to do yes and when you're improving, 243 00:14:29,800 --> 00:14:37,080 Speaker 4: And I've just repeatedly ended whatever we were talking about 244 00:14:37,200 --> 00:14:41,600 Speaker 4: with no, and so I apologize for that. B I 245 00:14:41,640 --> 00:14:45,440 Speaker 4: would love to wear a squirrel suit and dive down 246 00:14:45,640 --> 00:14:49,120 Speaker 4: at Donald Trump. That alone, without any of the other 247 00:14:50,040 --> 00:14:53,240 Speaker 4: apparatus would be fun and would probably scare him into 248 00:14:53,280 --> 00:14:58,400 Speaker 4: having some kind of a heart attack. But then see, 249 00:14:58,640 --> 00:15:01,240 Speaker 4: I'm actually a little worried that what I said about 250 00:15:01,320 --> 00:15:06,480 Speaker 4: electrocuting us both could be considered a threat that the 251 00:15:06,560 --> 00:15:10,000 Speaker 4: Secret Service or the FBI will show up here. What 252 00:15:10,040 --> 00:15:11,480 Speaker 4: do you what do you think? 253 00:15:13,040 --> 00:15:17,600 Speaker 3: The dice and I think when they show up, you 254 00:15:17,680 --> 00:15:22,680 Speaker 3: go down. 255 00:15:19,600 --> 00:15:26,640 Speaker 4: Go down swinging okay, I mean swinging guns? All right? 256 00:15:29,720 --> 00:15:32,920 Speaker 4: Was what I said this time more of a threat 257 00:15:32,920 --> 00:15:34,760 Speaker 4: than the last time I did the show. 258 00:15:35,280 --> 00:15:38,800 Speaker 3: I can't remember what I remember specific. I think, yeah, 259 00:15:38,840 --> 00:15:41,760 Speaker 3: I don't remember exactly you did give There was a 260 00:15:41,800 --> 00:15:44,240 Speaker 3: methodology last time. I just don't remember what it was. 261 00:15:46,600 --> 00:15:50,200 Speaker 4: Martha, Oh my god. Sorry. 262 00:15:50,840 --> 00:15:51,600 Speaker 1: We have. 263 00:15:53,160 --> 00:15:57,960 Speaker 3: Something that we did with lovely guests. Tim Ands Simmons 264 00:15:58,600 --> 00:16:02,600 Speaker 3: was on this show and we played do you know 265 00:16:02,640 --> 00:16:04,080 Speaker 3: Tim and Simmons, Tim and. 266 00:16:04,120 --> 00:16:08,080 Speaker 4: Simmons, I don't know, we're not acquainted. 267 00:16:09,040 --> 00:16:12,520 Speaker 1: Oh you would love this man. 268 00:16:13,120 --> 00:16:20,640 Speaker 3: He's from VP VP and he said, I want to 269 00:16:20,680 --> 00:16:26,880 Speaker 3: do your show, and we're like kick ass nice And 270 00:16:26,960 --> 00:16:29,600 Speaker 3: so he does the show and we do this where 271 00:16:29,800 --> 00:16:36,360 Speaker 3: we go through his rich career, illustrious career also and 272 00:16:36,560 --> 00:16:41,520 Speaker 3: rich making big money m hm. And we just talk 273 00:16:41,600 --> 00:16:43,960 Speaker 3: about these different roles. And it had a name, Kevin, 274 00:16:44,000 --> 00:16:44,560 Speaker 3: what was it? 275 00:16:45,280 --> 00:16:50,480 Speaker 1: Character study? Character study? Character study? And what do we 276 00:16:50,520 --> 00:16:56,720 Speaker 1: do with this, Sean? So, character study. 277 00:16:59,200 --> 00:17:02,360 Speaker 2: Is the study of the character of what you are 278 00:17:02,400 --> 00:17:08,359 Speaker 2: doing acting and we are seeing and there's and and 279 00:17:08,440 --> 00:17:11,960 Speaker 2: the internet will have a list for us, which is 280 00:17:12,400 --> 00:17:15,920 Speaker 2: which is pretty cool. And what we'll do is we'll 281 00:17:16,000 --> 00:17:18,040 Speaker 2: kind of talk about some of these characters and we 282 00:17:18,119 --> 00:17:21,760 Speaker 2: will talk to the lady herself. 283 00:17:23,320 --> 00:17:27,960 Speaker 1: Who who made who made them? Flesh and bone? Not 284 00:17:28,040 --> 00:17:29,840 Speaker 1: Timmins Simmons this time. 285 00:17:30,359 --> 00:17:33,640 Speaker 3: No, it's you. We're talking about you. 286 00:17:35,920 --> 00:17:38,080 Speaker 1: We've been talking about you. 287 00:17:39,560 --> 00:17:45,639 Speaker 2: Except for the one time we talked about Tim and Simmons. 288 00:17:46,480 --> 00:17:51,240 Speaker 2: So I think I think you'll actually enjoy this because 289 00:17:51,280 --> 00:17:54,240 Speaker 2: I know that there's so much work we don't get 290 00:17:54,280 --> 00:17:58,520 Speaker 2: to see, and it's a little bit of a way 291 00:17:59,520 --> 00:18:04,080 Speaker 2: to show people because acting is a very disrespected profession, 292 00:18:04,160 --> 00:18:04,600 Speaker 2: isn't it. 293 00:18:05,480 --> 00:18:07,600 Speaker 4: I thought you were going to say acting is a 294 00:18:07,720 --> 00:18:10,399 Speaker 4: very disrespectful. 295 00:18:10,760 --> 00:18:12,960 Speaker 1: It can be that. 296 00:18:13,080 --> 00:18:18,800 Speaker 4: I will agree to. Quick question, though, Can you hear 297 00:18:18,840 --> 00:18:22,480 Speaker 4: my cat Gary howling in the background because he's bad 298 00:18:22,560 --> 00:18:24,280 Speaker 4: that he's in the other room? Okay? 299 00:18:24,560 --> 00:18:29,520 Speaker 3: No, yes, I can hear your cat Gary being himself 300 00:18:29,560 --> 00:18:36,960 Speaker 3: in the background. M Well, I can hear Gary making 301 00:18:37,000 --> 00:18:40,240 Speaker 3: his needs felt in a way that feels appropriate for 302 00:18:40,320 --> 00:18:40,960 Speaker 3: him right now? 303 00:18:41,880 --> 00:18:51,000 Speaker 2: I hear Gary honoring his id. 304 00:18:48,040 --> 00:18:50,480 Speaker 4: Right, Yeah, you're right. 305 00:18:50,640 --> 00:19:00,240 Speaker 2: That primal self. Yes, well, well let's talk I mean, I mean, 306 00:19:02,240 --> 00:19:06,040 Speaker 2: maybe we should talk first about Martha. 307 00:19:06,080 --> 00:19:07,800 Speaker 1: Do you think you and I have ever acted together? 308 00:19:09,640 --> 00:19:11,960 Speaker 4: I don't think we've ever acted together. 309 00:19:13,200 --> 00:19:17,040 Speaker 1: What if I told you that that's very rude? 310 00:19:18,000 --> 00:19:23,760 Speaker 2: What if I tell you right now how rude and 311 00:19:23,760 --> 00:19:26,359 Speaker 2: it's big disrespect? And I guess when you said acting 312 00:19:26,400 --> 00:19:28,639 Speaker 2: could be very disrespectful and that you agreed with it, 313 00:19:28,720 --> 00:19:32,000 Speaker 2: you meant you wanted to disrespect me at my acting. 314 00:19:33,119 --> 00:19:35,439 Speaker 1: When I said that we act together and you say no, 315 00:19:35,600 --> 00:19:36,320 Speaker 1: we don't. 316 00:19:36,800 --> 00:19:39,600 Speaker 2: And make me to be a liar in front of 317 00:19:39,640 --> 00:19:43,520 Speaker 2: my fans, I feel like. 318 00:19:44,400 --> 00:19:49,560 Speaker 4: You asked me what I would say if you asked 319 00:19:49,640 --> 00:19:53,000 Speaker 4: me if we ever acted together? And I said, I 320 00:19:53,080 --> 00:19:56,280 Speaker 4: didn't think that we had? Is that not? What? 321 00:19:57,200 --> 00:20:03,040 Speaker 1: So well, let me take you all the way back. 322 00:20:04,160 --> 00:20:11,679 Speaker 2: Okay, one oh, and a little TV show I like 323 00:20:11,760 --> 00:20:14,120 Speaker 2: to call The Great North? 324 00:20:16,080 --> 00:20:20,400 Speaker 4: We did? I just don't. I thought you meant live. 325 00:20:20,640 --> 00:20:23,280 Speaker 2: You don't consider what I was doing at a TV show. 326 00:20:23,320 --> 00:20:26,600 Speaker 2: You don't consider what I was doing acting. If you, 327 00:20:27,080 --> 00:20:28,719 Speaker 2: I guess I was just existing. 328 00:20:30,440 --> 00:20:34,040 Speaker 4: If you said said, have we ever done voiceover together? 329 00:20:34,200 --> 00:20:38,080 Speaker 4: I would have said, yeah, we did The Great North? 330 00:20:38,200 --> 00:20:41,320 Speaker 2: But I would have said, no, we didn't do that together. 331 00:20:42,000 --> 00:20:46,920 Speaker 2: We did it really together, not really voiceover. No, it's 332 00:20:46,960 --> 00:20:48,159 Speaker 2: not it's voice acting. 333 00:20:48,280 --> 00:20:50,280 Speaker 1: It's voice actor voice acting. 334 00:20:50,560 --> 00:20:55,359 Speaker 4: Guys, this is it? Is there any way that we. 335 00:20:55,359 --> 00:20:59,000 Speaker 3: Could for unless you did voiceover? Maybe I'm wrong? Did 336 00:20:59,000 --> 00:21:03,400 Speaker 3: you do voiceover? Where the guy the cartoons are happening? 337 00:21:03,440 --> 00:21:06,840 Speaker 3: And then you were just like, look at these cartoo, 338 00:21:06,960 --> 00:21:08,159 Speaker 3: these guys are being weird. 339 00:21:11,480 --> 00:21:15,600 Speaker 4: Your I take your point. You're absolutely right. I feel 340 00:21:15,600 --> 00:21:19,480 Speaker 4: like I feel like I've got off on the wrong 341 00:21:19,600 --> 00:21:23,520 Speaker 4: foot and then have gone down a road of more 342 00:21:23,680 --> 00:21:25,840 Speaker 4: wrong feet since we've. 343 00:21:29,600 --> 00:21:31,960 Speaker 1: You know, maybe you had a little too much Coca cola. 344 00:21:32,600 --> 00:21:34,639 Speaker 4: I did. I thought you were a kidding, but I 345 00:21:34,720 --> 00:21:36,480 Speaker 4: actually I hope that's why. 346 00:21:36,560 --> 00:21:39,120 Speaker 3: Because I'm sure to take a big step and I said, 347 00:21:39,160 --> 00:21:40,040 Speaker 3: I'm sure, Well. 348 00:21:39,960 --> 00:21:42,679 Speaker 4: Yeah, I really. 349 00:21:44,160 --> 00:21:44,240 Speaker 5: Up. 350 00:21:45,520 --> 00:21:49,960 Speaker 4: I apologize. Yes, we did act together, and we did. 351 00:21:50,440 --> 00:21:54,240 Speaker 4: We did at a table, at a long table that 352 00:21:54,320 --> 00:21:55,480 Speaker 4: a bunch of people were. 353 00:21:55,359 --> 00:21:58,879 Speaker 1: At with a bunch of people weren't as well, A 354 00:21:58,920 --> 00:22:00,600 Speaker 1: lot of at. 355 00:22:00,440 --> 00:22:06,240 Speaker 4: That table, right, there were more people not at the table. 356 00:22:06,400 --> 00:22:09,240 Speaker 4: Even if you can imagine. 357 00:22:08,680 --> 00:22:11,680 Speaker 1: The people at the table, there were people too. It 358 00:22:11,720 --> 00:22:12,440 Speaker 1: was a big table. 359 00:22:12,480 --> 00:22:13,879 Speaker 2: I'm not going to say there weren't a lot of 360 00:22:13,880 --> 00:22:16,280 Speaker 2: people there, but there were way more people. 361 00:22:16,040 --> 00:22:20,840 Speaker 1: Who weren't there. You're right, so you were doing. 362 00:22:20,600 --> 00:22:24,919 Speaker 2: This voice at this time, acting, and your name was 363 00:22:25,000 --> 00:22:28,280 Speaker 2: Breath of Me. So let's talk a little bit about 364 00:22:28,359 --> 00:22:31,399 Speaker 2: breath of Me and the creation of breath me. And 365 00:22:31,680 --> 00:22:35,800 Speaker 2: I like to start by saying, got of cars the 366 00:22:35,840 --> 00:22:36,840 Speaker 2: son of a bitch driving? 367 00:22:39,440 --> 00:22:44,439 Speaker 4: I think Beth of Me. I think that she drives 368 00:22:44,520 --> 00:22:48,760 Speaker 4: a little tiny Fiat, little tiny toy car. 369 00:22:49,880 --> 00:22:51,800 Speaker 3: Current she's split in lanes on the highway. 370 00:22:51,960 --> 00:22:55,200 Speaker 4: Huh Yeah. She likes to go home. 371 00:22:55,160 --> 00:22:57,280 Speaker 1: Taking off people's rearview beers. 372 00:22:58,160 --> 00:22:59,600 Speaker 4: She likes to go hot rotting. 373 00:23:00,320 --> 00:23:05,280 Speaker 2: Mm hm, oh Nas, she got nas in that thing. 374 00:23:07,000 --> 00:23:10,359 Speaker 4: She's got big speakers. Is that what you meant? 375 00:23:10,640 --> 00:23:20,280 Speaker 3: No, Nas is a gas Nitris. Oh guy, she might 376 00:23:20,320 --> 00:23:24,080 Speaker 3: have big speakers too, though. Could she put anything in 377 00:23:24,119 --> 00:23:24,520 Speaker 3: the trunk? 378 00:23:24,640 --> 00:23:26,800 Speaker 1: There's the entire speaker. 379 00:23:28,440 --> 00:23:30,760 Speaker 4: The entire trunk is one large. 380 00:23:30,800 --> 00:23:34,560 Speaker 3: When she goes down with her suitcase in her lap, 381 00:23:35,119 --> 00:23:37,400 Speaker 3: she has to put her suitcase in her lap, even 382 00:23:37,440 --> 00:23:41,040 Speaker 3: if she's part backing for a really long trip, because 383 00:23:41,080 --> 00:23:43,520 Speaker 3: there is no there's no room in the boot. 384 00:23:43,680 --> 00:23:48,680 Speaker 1: As the British would say, it's all speaker. Bow wow 385 00:23:48,720 --> 00:23:50,359 Speaker 1: wow bow wow. 386 00:23:50,480 --> 00:23:52,960 Speaker 3: Down boy. 387 00:23:53,960 --> 00:23:54,120 Speaker 1: Right. 388 00:23:54,240 --> 00:23:56,080 Speaker 2: I knew you were a dog lover, but I didn't 389 00:23:56,080 --> 00:24:01,560 Speaker 2: know you were this in the woofers. 390 00:23:59,400 --> 00:24:04,400 Speaker 4: Pretty, I'm pretty into them. I gotta admit you got 391 00:24:04,440 --> 00:24:07,679 Speaker 4: me guilty as charged once again? 392 00:24:08,640 --> 00:24:17,719 Speaker 3: What is Breath of Me's deal? Do you remember? 393 00:24:18,720 --> 00:24:20,720 Speaker 4: I think that I. 394 00:24:20,640 --> 00:24:22,160 Speaker 3: Think that she's fake. 395 00:24:23,520 --> 00:24:29,760 Speaker 4: Of Me is a made up character on a TV ship, 396 00:24:30,040 --> 00:24:33,600 Speaker 4: completely made up, not not a real person as far 397 00:24:33,640 --> 00:24:36,240 Speaker 4: as I know, Although it might be based on a 398 00:24:36,280 --> 00:24:44,359 Speaker 4: real person, I haven't done the reason that Just a 399 00:24:44,480 --> 00:24:47,959 Speaker 4: quick side note speaking of characters that might be based 400 00:24:48,000 --> 00:24:52,359 Speaker 4: on real people, have you guys seen the Jackie Collins 401 00:24:52,720 --> 00:24:59,040 Speaker 4: biopic on Netflix. A lot of her characters were based 402 00:24:59,119 --> 00:24:59,840 Speaker 4: on real people. 403 00:25:00,160 --> 00:25:02,840 Speaker 2: What it reminded me of, Yes, a lot of our 404 00:25:02,920 --> 00:25:04,399 Speaker 2: characters were based on real people. 405 00:25:07,200 --> 00:25:13,160 Speaker 4: I feel like I've never thought I did a good 406 00:25:13,280 --> 00:25:16,239 Speaker 4: job on Hollywood Handbook, but I feel like this is 407 00:25:16,280 --> 00:25:19,919 Speaker 4: a record breaking lye bad episode that I'm ruining, and 408 00:25:20,000 --> 00:25:24,159 Speaker 4: I want to apologize to all your fans. I I 409 00:25:24,280 --> 00:25:24,919 Speaker 4: don't know what. 410 00:25:25,480 --> 00:25:26,639 Speaker 3: Okay, get started. 411 00:25:26,680 --> 00:25:30,240 Speaker 1: No, it's wrong, Let's get in because. 412 00:25:30,119 --> 00:25:33,760 Speaker 3: Let's get started. Let's start with I'm start from the beginning. 413 00:25:33,920 --> 00:25:37,199 Speaker 3: Valerie Bryant. I don't know if she still listens, but 414 00:25:37,760 --> 00:25:39,800 Speaker 3: she was a fan of the show for a really 415 00:25:39,840 --> 00:25:44,360 Speaker 3: long time, like back to reality show show. Just yeah, 416 00:25:44,440 --> 00:25:46,240 Speaker 3: quick apology for her. 417 00:25:47,000 --> 00:25:48,360 Speaker 4: Valerie. I'm so sorry. 418 00:25:48,640 --> 00:25:51,760 Speaker 2: I don't know why no longer Bryant, Ay, I believe 419 00:25:52,000 --> 00:25:53,000 Speaker 2: Oh yeah, that's right. 420 00:25:53,600 --> 00:25:58,720 Speaker 1: Congratulations. Yeah, I mean a little congratulations and an apology. 421 00:26:00,280 --> 00:26:05,960 Speaker 4: Bust wishes on your recent nuptials, and I'm really sorry 422 00:26:05,960 --> 00:26:08,000 Speaker 4: I ruined your favorite show yet again. 423 00:26:09,200 --> 00:26:12,680 Speaker 1: Skis a low I think would deserve. 424 00:26:14,119 --> 00:26:21,000 Speaker 4: A little question, skiz Al, you deserve the absolute best 425 00:26:21,080 --> 00:26:24,119 Speaker 4: episodes of the show that you could possibly get and 426 00:26:24,200 --> 00:26:28,440 Speaker 4: I haven't delivered. And once again I apologize. 427 00:26:27,760 --> 00:26:29,280 Speaker 1: Spunky Foonriism. 428 00:26:30,359 --> 00:26:34,199 Speaker 2: I would obviously really love to hear from you and 429 00:26:34,359 --> 00:26:37,440 Speaker 2: just go ahead and say, hey, cool name and. 430 00:26:37,680 --> 00:26:40,520 Speaker 3: A little personal touch. He is research is bugs? 431 00:26:40,920 --> 00:26:45,000 Speaker 4: M h, Spunky Foonerism. I heard that you are a 432 00:26:45,040 --> 00:26:52,760 Speaker 4: great what do you call a bug research person? Uh? 433 00:26:53,720 --> 00:26:58,600 Speaker 1: Bug bug at bug bug bug guy. 434 00:27:00,160 --> 00:27:03,480 Speaker 4: Spunky Poonriism. I've heard you're the best bug guy in 435 00:27:03,520 --> 00:27:05,280 Speaker 4: your industry, and. 436 00:27:05,240 --> 00:27:07,040 Speaker 1: You certainly the best. 437 00:27:07,119 --> 00:27:10,640 Speaker 4: I mean, you're right up there with the best, if 438 00:27:10,680 --> 00:27:13,439 Speaker 4: not the best, you're definitely in the running for it 439 00:27:14,920 --> 00:27:19,200 Speaker 4: sucond or third best. And should you work really hard 440 00:27:19,320 --> 00:27:22,040 Speaker 4: with those bugs? And you deserve a good podcast, And 441 00:27:22,119 --> 00:27:24,120 Speaker 4: I'm sorry that I ruined it for you. 442 00:27:24,400 --> 00:27:35,600 Speaker 3: Whoa whoally, Martha pay Let's go back, okay to twenty 443 00:27:35,680 --> 00:27:39,760 Speaker 3: nineteen Corporate Animals. This movie looks like there's bats in 444 00:27:39,800 --> 00:27:42,240 Speaker 3: that There bats. 445 00:27:43,680 --> 00:27:46,640 Speaker 4: We were in a cave, but I don't think there 446 00:27:46,680 --> 00:27:51,639 Speaker 4: were bats. There were some Uh what are those little 447 00:27:51,720 --> 00:27:54,960 Speaker 4: dessert bats? Yes, it is tough to. 448 00:27:54,960 --> 00:27:55,320 Speaker 6: Be a bat. 449 00:27:55,480 --> 00:27:56,679 Speaker 1: Yeah, tough to get bats? 450 00:27:57,560 --> 00:28:03,280 Speaker 2: What a really nice bucket? What you want to know 451 00:28:03,280 --> 00:28:04,439 Speaker 2: what the name of a lizard is? 452 00:28:04,600 --> 00:28:08,520 Speaker 4: I'll know the little colorful lizards that are like they 453 00:28:08,600 --> 00:28:15,600 Speaker 4: live in waters. Yeah, they had nuts, although I didn't 454 00:28:15,600 --> 00:28:18,120 Speaker 4: get to work with the nuts, but they did have 455 00:28:18,200 --> 00:28:18,800 Speaker 4: some in that. 456 00:28:18,760 --> 00:28:20,480 Speaker 1: Movie Fire Belly Nut. 457 00:28:21,960 --> 00:28:25,480 Speaker 4: They were very colorful. Is that it sound like a. 458 00:28:27,280 --> 00:28:28,560 Speaker 1: You remember what color. 459 00:28:29,920 --> 00:28:33,040 Speaker 4: Multi color actually could be? 460 00:28:33,640 --> 00:28:35,800 Speaker 1: Could be, Martha, I. 461 00:28:37,600 --> 00:28:46,440 Speaker 3: Know one of these colorful nuts. Little guy named Newt Grinchkinch. Yeah, 462 00:28:46,440 --> 00:28:51,280 Speaker 3: he's pretty colorful, nude grinchkinch. Yeah, that's a colorful character. 463 00:28:51,440 --> 00:28:56,240 Speaker 3: If I've ever seen one nude grinchkinch that Yeah. Yeah, 464 00:28:56,400 --> 00:29:01,720 Speaker 3: that guy is one color actually to me yellow. Mm hmmm. 465 00:29:01,920 --> 00:29:03,680 Speaker 3: He makes me one color too, blue. 466 00:29:04,560 --> 00:29:08,320 Speaker 1: Yeah, he makes me another color to green. Want to 467 00:29:08,400 --> 00:29:09,200 Speaker 1: throw up. 468 00:29:11,120 --> 00:29:15,760 Speaker 2: Seasick when I see new grinch flopping all over the boat. 469 00:29:16,160 --> 00:29:19,400 Speaker 1: Oh color talk about? 470 00:29:19,720 --> 00:29:26,040 Speaker 4: Oh you know what, I hope that motherfucker dies immediately. 471 00:29:26,280 --> 00:29:28,400 Speaker 3: Okay, we're just more more color. 472 00:29:28,560 --> 00:29:32,200 Speaker 1: Yeah, like yeah, it makes me red. 473 00:29:32,760 --> 00:29:36,960 Speaker 4: He makes me turn. He makes me turn purple because 474 00:29:37,240 --> 00:29:41,200 Speaker 4: I put a pillowcase over my head and tie it 475 00:29:41,320 --> 00:29:43,880 Speaker 4: shut and kill myself when I hear his voice. 476 00:29:45,160 --> 00:29:48,160 Speaker 1: You know, Martha, Martha can't. 477 00:29:48,280 --> 00:29:51,520 Speaker 4: I can't improv. And I've said it a million times. 478 00:29:52,240 --> 00:29:57,640 Speaker 1: He was doing improv. We're talking about we're talking about process. 479 00:29:57,840 --> 00:29:59,120 Speaker 1: We're all friends here. 480 00:29:59,520 --> 00:30:01,560 Speaker 2: The I do yeah that you, by the way, and 481 00:30:01,640 --> 00:30:05,160 Speaker 2: I do want to take you to task on something. Okay, 482 00:30:05,320 --> 00:30:07,880 Speaker 2: that you think you have the power to ruin an 483 00:30:07,880 --> 00:30:15,040 Speaker 2: episode of Hollywood. The ego it takes to believe that you, 484 00:30:16,080 --> 00:30:17,480 Speaker 2: a mere guest. 485 00:30:19,640 --> 00:30:23,520 Speaker 1: Well could ruin an episode of a show that is 486 00:30:23,560 --> 00:30:30,760 Speaker 1: so bad by design it barely involves the guest at all. 487 00:30:31,680 --> 00:30:38,120 Speaker 1: It's so ego maniacal. It honestly speaks to. 488 00:30:40,200 --> 00:30:45,240 Speaker 2: Some really disturbing truths about you and how you see yourself. 489 00:30:46,200 --> 00:30:49,240 Speaker 4: I feel like if you guys have done your research, 490 00:30:49,440 --> 00:30:52,320 Speaker 4: you would know that I have the biggest ego in 491 00:30:52,400 --> 00:30:55,760 Speaker 4: the biz. And that's not a secret. And so you 492 00:30:55,920 --> 00:31:00,600 Speaker 4: pretending to be surprised by that is either you didn't 493 00:31:00,720 --> 00:31:04,760 Speaker 4: do the research and you don't actually know who I am, 494 00:31:04,920 --> 00:31:09,880 Speaker 4: let alone, who breph of me is, but or you 495 00:31:10,040 --> 00:31:12,480 Speaker 4: do know and you're pretending not to know. And then 496 00:31:12,520 --> 00:31:17,040 Speaker 4: I have to ask, what's what's really going on? What 497 00:31:17,240 --> 00:31:21,040 Speaker 4: is the underlying prank happening for you to pretend that 498 00:31:21,120 --> 00:31:23,800 Speaker 4: you didn't see I said it a minute ago. I'm 499 00:31:23,800 --> 00:31:25,840 Speaker 4: going to keep saying it every time you let me 500 00:31:25,920 --> 00:31:29,040 Speaker 4: talk for more than five seconds. I cannot riff. 501 00:31:29,320 --> 00:31:31,600 Speaker 3: I can we just do a quick apology. We'll just 502 00:31:31,640 --> 00:31:35,840 Speaker 3: tear off a couple like really really quick ones. Okay, 503 00:31:36,280 --> 00:31:40,200 Speaker 3: who else anyone else from the from the old from 504 00:31:40,240 --> 00:31:45,040 Speaker 3: the old days. Burger Ho might not mind, Burgh, Yeah, 505 00:31:45,200 --> 00:31:45,840 Speaker 3: Burger Hoe. 506 00:31:46,360 --> 00:31:49,200 Speaker 4: I heard that you're the best Burger Ho in the biz. 507 00:31:49,440 --> 00:31:52,920 Speaker 4: And I apologize for ruining your favorite podcast. 508 00:31:53,200 --> 00:31:55,320 Speaker 1: Anastasia might want to yeah that. 509 00:31:55,440 --> 00:31:58,920 Speaker 3: Yeah, yeah, she might be past it, but we can dry. 510 00:31:59,000 --> 00:32:02,040 Speaker 1: She's not gonna know. Yeah, maybe somebody will email her about. 511 00:32:01,760 --> 00:32:05,360 Speaker 4: It, honest, Sauzia. I hope that you enjoyed the bat 512 00:32:05,440 --> 00:32:08,080 Speaker 4: in a Bucket portion of the show before it took 513 00:32:08,160 --> 00:32:11,840 Speaker 4: a turn for the worse, and I apologize for being 514 00:32:11,880 --> 00:32:14,160 Speaker 4: the one who turned it, but I hope it turns 515 00:32:14,240 --> 00:32:16,480 Speaker 4: back for you. 516 00:32:17,120 --> 00:32:20,240 Speaker 3: Martha. Yeah, oh yeah, we have a new listter Faith. 517 00:32:20,360 --> 00:32:25,560 Speaker 4: Yes, yeah, hey Faith, I hope that you are. 518 00:32:25,800 --> 00:32:29,440 Speaker 1: Who you are again? What say who you are again? 519 00:32:32,920 --> 00:32:36,160 Speaker 4: Hey? Faith? This is Martha Kelly a k A Breath 520 00:32:36,240 --> 00:32:38,440 Speaker 4: of Me a k A. 521 00:32:39,400 --> 00:32:41,400 Speaker 3: What's your character's name from Corporate Animals? 522 00:32:43,280 --> 00:32:44,240 Speaker 4: Cannot remember? 523 00:32:44,360 --> 00:32:46,479 Speaker 1: I'll give you a hand. They should have called it 524 00:32:46,760 --> 00:32:48,719 Speaker 1: Gorporate Animals. 525 00:32:48,240 --> 00:32:59,280 Speaker 4: Oh, Gloria. Yes, Corporate Animals. Yeah, this high Faith. This 526 00:32:59,360 --> 00:33:03,840 Speaker 4: is Martha Kelly from Gloryporate Animals fame, and I am 527 00:33:03,920 --> 00:33:06,480 Speaker 4: here to say thank you for listening to Hollywood Handbook. 528 00:33:06,520 --> 00:33:10,480 Speaker 4: And don't worry because in the next episode I won't 529 00:33:10,480 --> 00:33:14,240 Speaker 4: be on it. So don't don't let this ruin your hello. 530 00:33:14,520 --> 00:33:16,960 Speaker 1: Check out this, check out this, this song. I just 531 00:33:17,040 --> 00:33:23,600 Speaker 1: beat up Gloria, Gloria. I'm asking about your character, Gloria. 532 00:33:23,960 --> 00:33:29,680 Speaker 1: What's that's? Some bitch driving Gloria. 533 00:33:28,720 --> 00:33:32,000 Speaker 2: Glora, So come on, hit me? What do you what 534 00:33:32,000 --> 00:33:34,440 Speaker 2: do you spell it? How a fucking ride? 535 00:33:34,480 --> 00:33:35,120 Speaker 1: You push it? 536 00:33:35,200 --> 00:33:37,240 Speaker 3: Spill it out? 537 00:33:37,840 --> 00:33:39,280 Speaker 4: What did Gloria drive? 538 00:33:39,920 --> 00:33:43,239 Speaker 3: She might have put you got to drive in the movie. 539 00:33:43,520 --> 00:33:49,200 Speaker 4: Actually no, we get driven to a retreat and then 540 00:33:49,320 --> 00:33:54,640 Speaker 4: it goes south, sour, goes bad, so she probably would 541 00:33:54,720 --> 00:33:57,680 Speaker 4: drive the Subaru. 542 00:33:58,320 --> 00:34:01,600 Speaker 1: She has children Forrester Legacy. 543 00:34:03,160 --> 00:34:07,280 Speaker 4: I'm not familiar with the very outback cross track. Maybe 544 00:34:07,320 --> 00:34:14,600 Speaker 4: an outback Yeah, good company, guys, we did it. 545 00:34:14,760 --> 00:34:16,080 Speaker 1: You go friendly materials. 546 00:34:16,440 --> 00:34:16,960 Speaker 3: You gotta go. 547 00:34:17,719 --> 00:34:18,640 Speaker 4: No, I don't have to go. 548 00:34:19,400 --> 00:34:24,960 Speaker 3: We have a lot more fans to apologize to. Uh, 549 00:34:25,360 --> 00:34:31,600 Speaker 3: but we don't have to do that now. Baskets some 550 00:34:31,680 --> 00:34:38,880 Speaker 3: of these baskets. 551 00:34:35,560 --> 00:34:38,239 Speaker 1: Going on, went to some of the baskets. 552 00:34:37,760 --> 00:34:42,080 Speaker 3: They are like some of these baskets I go to 553 00:34:42,160 --> 00:34:45,400 Speaker 3: the store right now, it's like do you want me to? 554 00:34:45,520 --> 00:34:51,719 Speaker 3: They're the right size, like just too small, so that 555 00:34:51,840 --> 00:34:56,520 Speaker 3: like liquid is is falling out right right. 556 00:34:57,000 --> 00:34:59,960 Speaker 2: So I'll bring you know, I'll bring my like a 557 00:35:00,320 --> 00:35:05,319 Speaker 2: my laundry detergent to a basket store and I'll pour 558 00:35:05,360 --> 00:35:08,440 Speaker 2: it inside. And as I'm walking up to the register, 559 00:35:09,920 --> 00:35:11,439 Speaker 2: it's all as soap is. 560 00:35:11,360 --> 00:35:12,080 Speaker 1: On the ground. 561 00:35:12,320 --> 00:35:14,120 Speaker 3: Yeah. Is that Rosie having a drink? 562 00:35:15,080 --> 00:35:17,839 Speaker 4: Yeah, she might come back around the corner. 563 00:35:17,520 --> 00:35:21,439 Speaker 3: And can you just can you just pour your coke 564 00:35:21,520 --> 00:35:24,440 Speaker 3: zero sugar in there like that? That that for me 565 00:35:24,520 --> 00:35:29,319 Speaker 3: would just like she goes, that would kill two birds 566 00:35:29,360 --> 00:35:30,920 Speaker 3: with one stone, when it would kind of like get 567 00:35:31,040 --> 00:35:34,320 Speaker 3: Rosy's energy up in a way that could be useful 568 00:35:34,360 --> 00:35:36,960 Speaker 3: for us and like and just solve the solve the 569 00:35:37,480 --> 00:35:39,040 Speaker 3: U problem at least on that side. 570 00:35:39,440 --> 00:35:40,320 Speaker 1: Is that you're so. 571 00:35:40,200 --> 00:35:46,080 Speaker 4: Turned Caffeine is bad for dogs and can actually kill them. 572 00:35:46,160 --> 00:35:49,640 Speaker 4: So now who's canceled? Heyes, first it was me, but 573 00:35:49,840 --> 00:35:52,879 Speaker 4: now it's you because you just told me to kill 574 00:35:52,880 --> 00:35:54,320 Speaker 4: my dog with coke zero? 575 00:35:54,840 --> 00:35:58,760 Speaker 3: Okay? Uh, like you've said before, I'm actually doing improv 576 00:35:58,880 --> 00:35:59,319 Speaker 3: right now. 577 00:36:00,040 --> 00:36:00,440 Speaker 1: M hmmm. 578 00:36:01,120 --> 00:36:04,760 Speaker 3: And the idea that like just me saying like, oh 579 00:36:04,880 --> 00:36:07,719 Speaker 3: like like like I initiate a funny bit like you 580 00:36:08,080 --> 00:36:11,160 Speaker 3: like feed your dog cox you're a sugar thing bad? 581 00:36:11,920 --> 00:36:14,279 Speaker 4: Yeah, you poison your dog is a funny. 582 00:36:14,080 --> 00:36:17,399 Speaker 3: Yet just like don't actually, well, it's absurd. I'm gonna 583 00:36:17,400 --> 00:36:19,600 Speaker 3: be saying all kinds of funny shit on here, like 584 00:36:19,800 --> 00:36:23,319 Speaker 3: do not actually do these things? And everyone listening, do 585 00:36:23,520 --> 00:36:25,640 Speaker 3: not like do any of the stuff that I'm actually 586 00:36:25,640 --> 00:36:26,399 Speaker 3: saying for real. 587 00:36:26,480 --> 00:36:28,719 Speaker 2: When you hear me saying some of the funniest ship 588 00:36:28,840 --> 00:36:32,920 Speaker 2: you've ever even imagined, that's like just so completely absurd 589 00:36:33,000 --> 00:36:37,040 Speaker 2: that you're like, Okay, this guy's brain would not want 590 00:36:37,080 --> 00:36:38,680 Speaker 2: to be alone in there. 591 00:36:40,760 --> 00:36:42,600 Speaker 1: Kind of like a bad neighborhood. 592 00:36:44,400 --> 00:36:47,480 Speaker 4: If I'm understanding correctly, then are the people who I 593 00:36:47,520 --> 00:36:52,080 Speaker 4: apologize to not supposed to accept my apology because it's 594 00:36:52,200 --> 00:36:53,879 Speaker 4: part of the improv that's real. 595 00:36:54,080 --> 00:36:56,680 Speaker 2: That's real, That part's real because that is after you've 596 00:36:56,719 --> 00:36:59,440 Speaker 2: broken the improv. Yeah, those will be that will be 597 00:36:59,480 --> 00:37:01,839 Speaker 2: and that will be sort of a recent and they're 598 00:37:01,840 --> 00:37:02,480 Speaker 2: gonna need it. 599 00:37:02,840 --> 00:37:03,080 Speaker 4: But I. 600 00:37:04,800 --> 00:37:07,120 Speaker 1: Gotta ask, as we do talk about. 601 00:37:06,840 --> 00:37:10,120 Speaker 2: Being an artist and how absurd and how crazy our 602 00:37:10,120 --> 00:37:14,320 Speaker 2: brains are. When people say, like, you know, talk about 603 00:37:14,680 --> 00:37:19,680 Speaker 2: choosing to be an actor, do you just gotta laugh? 604 00:37:22,120 --> 00:37:26,440 Speaker 2: Because I'd be in a straight jacket and a goddamn 605 00:37:26,560 --> 00:37:30,840 Speaker 2: fucking rubber room getting shot full of god knows what 606 00:37:31,080 --> 00:37:31,440 Speaker 2: by a. 607 00:37:31,400 --> 00:37:36,080 Speaker 1: Bunch of goons and white coats, if I didn't have 608 00:37:36,160 --> 00:37:40,080 Speaker 1: some outlet for this thing that's inside of us, this 609 00:37:40,160 --> 00:37:41,759 Speaker 1: thing that happens to us. 610 00:37:42,520 --> 00:37:47,000 Speaker 2: You know, if I didn't have you to discuss it with, 611 00:37:49,160 --> 00:37:51,160 Speaker 2: I don't know how I would even survive. 612 00:37:51,600 --> 00:37:56,000 Speaker 1: And this way to express when you're being Gloria, that's therapy, 613 00:37:57,160 --> 00:38:01,760 Speaker 1: isn't it? And the tour and the retreat is going south? 614 00:38:04,760 --> 00:38:05,480 Speaker 3: Where would you be? 615 00:38:05,800 --> 00:38:09,520 Speaker 1: That's medicine, that's good medicine. 616 00:38:09,760 --> 00:38:10,480 Speaker 3: Where would you be? 617 00:38:10,880 --> 00:38:15,719 Speaker 4: Where would you be if I wasn't Gloria? Is that 618 00:38:15,800 --> 00:38:16,239 Speaker 4: what you mean? 619 00:38:16,600 --> 00:38:17,040 Speaker 3: Sort of? 620 00:38:17,480 --> 00:38:19,879 Speaker 2: It's just a pretty simple way to say it. It's 621 00:38:19,960 --> 00:38:24,440 Speaker 2: kind of missing the point intentionally, But yes, where would. 622 00:38:24,200 --> 00:38:28,680 Speaker 3: I Sean would be without this this thing that he 623 00:38:28,960 --> 00:38:30,360 Speaker 3: has to get out, and Sean would be in a 624 00:38:30,360 --> 00:38:34,799 Speaker 3: streak jacket, a patozel, being shotful of god knows what 625 00:38:34,920 --> 00:38:37,640 Speaker 3: by a bunch of goons and white coats. You would 626 00:38:37,680 --> 00:38:38,719 Speaker 3: be where. 627 00:38:40,280 --> 00:38:43,319 Speaker 4: I think it's more a question of where will I be, 628 00:38:43,640 --> 00:38:46,799 Speaker 4: not where would I be? I will I will be 629 00:38:46,960 --> 00:38:49,719 Speaker 4: going back to the same types of jobs I had 630 00:38:49,800 --> 00:38:54,920 Speaker 4: before people started hiring me to ruin their television shows, 631 00:38:55,000 --> 00:39:00,040 Speaker 4: and those jobs include secretary, waitress, pizza del. 632 00:39:00,560 --> 00:39:04,240 Speaker 2: Two movies were the first two were movies, and Thirty 633 00:39:04,239 --> 00:39:05,879 Speaker 2: Minutes or Less was a movie as well. 634 00:39:08,760 --> 00:39:10,360 Speaker 1: Wait, these are all movies. 635 00:39:11,920 --> 00:39:15,920 Speaker 4: That's right. I unfortunately was not cast in Thirty Minutes 636 00:39:16,000 --> 00:39:20,560 Speaker 4: or Less sadly, but I've made my piece with it. 637 00:39:21,160 --> 00:39:24,480 Speaker 4: That's where that's that's where I'll be when one of 638 00:39:24,520 --> 00:39:28,799 Speaker 4: those jobs pet sitter, proofreader. 639 00:39:28,280 --> 00:39:32,160 Speaker 6: Martha news what. 640 00:39:32,120 --> 00:39:33,320 Speaker 1: We're at thirty nine minutes? 641 00:39:33,360 --> 00:39:35,959 Speaker 3: You can have a notice of your coke? Now? 642 00:39:36,640 --> 00:39:39,759 Speaker 4: Is that really okay? Are you guys afraid I'm going 643 00:39:39,840 --> 00:39:41,760 Speaker 4: to become even more unreasonable? 644 00:39:41,920 --> 00:39:44,000 Speaker 3: We actually keep our promises on this show. 645 00:39:44,080 --> 00:39:47,800 Speaker 1: Yeah, so you now. 646 00:39:48,040 --> 00:39:51,040 Speaker 2: Was one of the jobs you had before a tour guide? 647 00:39:51,800 --> 00:39:55,680 Speaker 2: Or is that just the role you played in Spider. 648 00:39:55,320 --> 00:39:56,600 Speaker 1: Man home Coming? 649 00:40:01,040 --> 00:40:06,080 Speaker 2: I actually that Spider's not so itsy bitsy. He's pretty big. 650 00:40:06,120 --> 00:40:14,240 Speaker 2: He's a real guy. Yeah, you think of spiders as small. 651 00:40:14,320 --> 00:40:17,840 Speaker 1: But this is a guy. 652 00:40:18,400 --> 00:40:22,040 Speaker 4: Okay, guys, are you sure you don't hear again? 653 00:40:23,400 --> 00:40:25,520 Speaker 3: No? What did you drive. 654 00:40:27,440 --> 00:40:31,239 Speaker 4: As the tour guide? I think that I drove a 655 00:40:31,320 --> 00:40:34,640 Speaker 4: little like a little Ford pickup. 656 00:40:35,160 --> 00:40:37,200 Speaker 2: Be funny if you had a segue? Huh, running the 657 00:40:37,239 --> 00:40:38,320 Speaker 2: tour on a little segue? 658 00:40:39,320 --> 00:40:41,600 Speaker 4: Yeah, except at first I thought you meant if I 659 00:40:41,680 --> 00:40:44,960 Speaker 4: had a good segue into a funnier bit than what 660 00:40:45,080 --> 00:40:47,399 Speaker 4: I tried to do with the Ford pickup. I don't 661 00:40:47,400 --> 00:40:47,640 Speaker 4: have you. 662 00:40:47,880 --> 00:40:49,560 Speaker 1: I gave up on that a while ago. 663 00:40:50,040 --> 00:40:55,560 Speaker 3: A little a little Ford pickup, a little. 664 00:40:56,040 --> 00:41:00,680 Speaker 4: Ford, maybe a dots and maybe those are smaller than little. 665 00:41:01,080 --> 00:41:04,359 Speaker 3: A little Nissan pick up. 666 00:41:04,840 --> 00:41:09,720 Speaker 4: They're smaller than Ford's, maybe Chevy Chevy. 667 00:41:09,760 --> 00:41:13,000 Speaker 3: What do you got v like a Nissan Kick with 668 00:41:13,120 --> 00:41:14,359 Speaker 3: the back scooped out? 669 00:41:15,040 --> 00:41:19,600 Speaker 4: Mm hmm yeah, with the giant speaker. 670 00:41:19,160 --> 00:41:19,680 Speaker 5: In the back. 671 00:41:20,920 --> 00:41:26,840 Speaker 1: Hell yes, yes, wow, having jokes about that the big speaker. 672 00:41:28,880 --> 00:41:40,000 Speaker 3: We did it, my guys, Kevin, Yes, you get to 673 00:41:40,040 --> 00:41:41,120 Speaker 3: ask Martha a question. 674 00:41:41,560 --> 00:41:45,480 Speaker 2: Martha, I've always wanted to know what are your daily reminders? 675 00:41:47,719 --> 00:41:50,919 Speaker 4: Daily reminders? 676 00:41:52,320 --> 00:41:53,680 Speaker 3: Do you have any daily reminders? 677 00:41:54,000 --> 00:41:57,440 Speaker 4: You mean, like what I do the chores I have 678 00:41:57,520 --> 00:41:59,520 Speaker 4: to remind myself to do every day or do you 679 00:41:59,600 --> 00:42:04,280 Speaker 4: mean spiritual positive positivity? 680 00:42:04,800 --> 00:42:07,120 Speaker 3: Kevin? The floor is yours, two of each. 681 00:42:08,000 --> 00:42:18,919 Speaker 4: Okay. The practical reminders are kiss Gary, Kiss Gary. 682 00:42:19,360 --> 00:42:23,080 Speaker 3: That was I think that was maybe Gary did through 683 00:42:23,160 --> 00:42:25,800 Speaker 3: the door. So now I actually can hear Gary. 684 00:42:26,480 --> 00:42:32,080 Speaker 4: It's heartbreaking because he's been howling with grief the entire time. 685 00:42:32,840 --> 00:42:34,560 Speaker 3: Sounds like he might want to sounds like he might 686 00:42:34,600 --> 00:42:35,360 Speaker 3: want to kiss. 687 00:42:36,440 --> 00:42:39,080 Speaker 4: Is it? Would it be okay if I let him 688 00:42:39,200 --> 00:42:40,160 Speaker 4: out of this room? 689 00:42:40,920 --> 00:42:41,160 Speaker 3: Yeah? 690 00:42:42,640 --> 00:42:50,360 Speaker 1: Yeah, I think I heard Rosie saying a daily reminder, 691 00:42:50,480 --> 00:42:50,759 Speaker 1: give me. 692 00:42:56,880 --> 00:42:57,280 Speaker 3: Rosie. 693 00:42:57,280 --> 00:43:08,160 Speaker 1: That was fake. Dogs can do improv too, Rosie. Oh 694 00:43:08,280 --> 00:43:08,919 Speaker 1: yeah too. 695 00:43:09,560 --> 00:43:10,640 Speaker 3: Rosie's got chops. 696 00:43:11,719 --> 00:43:14,760 Speaker 4: She's pretty. She we live really close to the UCB 697 00:43:14,960 --> 00:43:19,520 Speaker 4: on Franklin. We moved, so she's been taking some classes 698 00:43:19,640 --> 00:43:20,160 Speaker 4: and stuff. 699 00:43:21,200 --> 00:43:25,000 Speaker 3: The gravitational pull of that building I feel it too. 700 00:43:25,640 --> 00:43:28,600 Speaker 2: Is she really taking the classes or is it just 701 00:43:28,640 --> 00:43:32,000 Speaker 2: a resume padding thing so that you can like add 702 00:43:32,040 --> 00:43:35,080 Speaker 2: it like, oh and I studied at UCB. Like are 703 00:43:35,120 --> 00:43:37,600 Speaker 2: you trying to study the art form or are you 704 00:43:37,760 --> 00:43:40,080 Speaker 2: just checking off a box so you can tell some 705 00:43:40,239 --> 00:43:42,280 Speaker 2: casting director you do improv? 706 00:43:43,160 --> 00:43:45,399 Speaker 1: Rosie? Let's get real. 707 00:43:46,440 --> 00:43:50,360 Speaker 4: Well, what I can tell you is that she asked 708 00:43:50,400 --> 00:43:52,920 Speaker 4: me for the money to pay for it. And she 709 00:43:53,160 --> 00:43:57,120 Speaker 4: leaves the house every Wednesday at three o'clock and says 710 00:43:57,239 --> 00:43:59,080 Speaker 4: she's going to the class, So. 711 00:44:00,600 --> 00:44:00,919 Speaker 5: I haven't. 712 00:44:01,360 --> 00:44:03,640 Speaker 1: She's at the O T B's. 713 00:44:07,200 --> 00:44:13,880 Speaker 3: That doesn't press me much. Okay, so your Britt Pitt, 714 00:44:16,640 --> 00:44:22,040 Speaker 3: that doesn't impress me much. Well, okay, so you're Matt 715 00:44:22,080 --> 00:44:33,880 Speaker 3: Besser right going eatb. That doesn't press me much. You 716 00:44:33,960 --> 00:44:35,880 Speaker 3: want to get Gary, I don't want to hold you up. 717 00:44:35,880 --> 00:44:37,759 Speaker 3: If you want to get Gary, you. 718 00:44:37,800 --> 00:44:40,440 Speaker 1: Go on cam. Gary gets a kiss on cam. 719 00:44:41,120 --> 00:44:44,200 Speaker 4: Yeah, hold on one set, guys, I'm gonna turn the 720 00:44:44,320 --> 00:44:47,440 Speaker 4: camera off because I don't want to walk on camera. 721 00:44:47,719 --> 00:44:49,960 Speaker 4: It's it's a union. 722 00:44:49,920 --> 00:44:53,600 Speaker 1: Thing, okay, absolutely? Yeah. 723 00:44:54,160 --> 00:44:56,840 Speaker 4: Is this the last time I'm ever gonna be invited 724 00:44:56,880 --> 00:45:02,560 Speaker 4: on the show because of how uh how terrible my 725 00:45:02,640 --> 00:45:03,440 Speaker 4: fight with Gary? 726 00:45:03,560 --> 00:45:06,399 Speaker 3: Marca? You said that last time, didn't you? 727 00:45:07,280 --> 00:45:08,640 Speaker 1: Didn't that come up last time? 728 00:45:08,640 --> 00:45:10,719 Speaker 3: And didn't you say that the time before that? 729 00:45:11,239 --> 00:45:16,360 Speaker 2: And then didn't we ask you again? Well, and didn't 730 00:45:16,400 --> 00:45:17,640 Speaker 2: you and didn't you and I have. 731 00:45:17,640 --> 00:45:18,480 Speaker 1: A good time again? 732 00:45:19,200 --> 00:45:19,480 Speaker 4: M h. 733 00:45:21,800 --> 00:45:24,759 Speaker 1: Do you remember? Well? 734 00:45:24,880 --> 00:45:28,160 Speaker 3: That's and that's why I'm saying we did this twice. Yes, 735 00:45:28,280 --> 00:45:33,520 Speaker 3: you're right, we cannot. We can't do this again. 736 00:45:34,320 --> 00:45:38,320 Speaker 4: I can't. I can't put you through it again. Good 737 00:45:38,320 --> 00:45:39,000 Speaker 4: I feel like. 738 00:45:42,120 --> 00:45:44,520 Speaker 1: To me, you know, it doesn't bother me at all. 739 00:45:44,600 --> 00:45:46,640 Speaker 2: It doesn't really feel great to a couple of our 740 00:45:46,680 --> 00:45:49,960 Speaker 2: fans who haven't gotten an apology yet. Perhaps Yorch should 741 00:45:49,960 --> 00:45:54,320 Speaker 2: hear from you, York Yorch. 742 00:45:54,440 --> 00:46:04,560 Speaker 4: George from Australia, George, look out for those camel spiders 743 00:46:04,600 --> 00:46:07,200 Speaker 4: in Australia, the ones that are as big as a 744 00:46:07,360 --> 00:46:10,320 Speaker 4: basketball and hang out on your balcony. 745 00:46:10,680 --> 00:46:15,000 Speaker 3: And this is coming from Imagine. Yeah, that and a 746 00:46:15,080 --> 00:46:18,240 Speaker 3: paint shaker too. Oh my goodness, whoa. 747 00:46:18,360 --> 00:46:20,560 Speaker 4: My, you can't. 748 00:46:21,080 --> 00:46:26,120 Speaker 2: Martha's in a squirrel suit, flying around, just circling the 749 00:46:26,160 --> 00:46:27,920 Speaker 2: paint shaker as the camel spider. 750 00:46:29,400 --> 00:46:30,920 Speaker 1: Absolutely cuckoo. 751 00:46:33,440 --> 00:46:35,399 Speaker 4: We've lost Sean, and I don't blame him. 752 00:46:36,320 --> 00:46:40,080 Speaker 3: Yeah, Sean got really bored. He had to look outside 753 00:46:40,760 --> 00:46:44,799 Speaker 3: and left his house. Maybe there's something interesting, maybe there's 754 00:46:44,800 --> 00:46:46,440 Speaker 3: an interesting podcast happening outside. 755 00:46:46,520 --> 00:46:48,520 Speaker 1: He said, I'm trying to get I was trying to 756 00:46:48,520 --> 00:46:52,319 Speaker 1: get Bosh to come in, and even he didn't want 757 00:46:52,360 --> 00:46:54,600 Speaker 1: to come in. I know, Martha, but. 758 00:46:55,400 --> 00:46:57,960 Speaker 4: You know that when the last time I saw Bosh 759 00:46:58,000 --> 00:47:01,719 Speaker 4: in person. He was a little aloof towards me, and 760 00:47:01,760 --> 00:47:07,759 Speaker 4: I wonder if something's going on, and I wish I 761 00:47:07,840 --> 00:47:08,920 Speaker 4: knew I had done. 762 00:47:09,200 --> 00:47:11,080 Speaker 1: Yeah, couldn't couldn't be that you deserved it. 763 00:47:11,200 --> 00:47:20,440 Speaker 5: Yeah, you know when you guys joke about stuff most 764 00:47:20,520 --> 00:47:24,000 Speaker 5: of the time, I am fine with it because I 765 00:47:24,080 --> 00:47:25,480 Speaker 5: know that it's funny. 766 00:47:25,480 --> 00:47:29,920 Speaker 4: But that's not funny. That's my friendship with Bosh that 767 00:47:30,080 --> 00:47:36,040 Speaker 4: you're they are now joking about being over. That's not funny, Sean. 768 00:47:36,760 --> 00:47:40,000 Speaker 2: No, I didn't say it was over. Friends can have 769 00:47:40,960 --> 00:47:45,680 Speaker 2: difficult times that they go through. Hayes and I. 770 00:47:45,800 --> 00:47:47,720 Speaker 1: You barely go a week without one. 771 00:47:47,600 --> 00:47:52,360 Speaker 2: Of us being infuriated by the. 772 00:47:51,320 --> 00:47:57,960 Speaker 3: Behavior you let. Bosh it like he just won't come in, 773 00:47:58,120 --> 00:47:59,280 Speaker 3: or he's not out there. 774 00:47:59,160 --> 00:48:03,000 Speaker 2: He's he's no, he's underneath the bench outside and I 775 00:48:03,040 --> 00:48:04,600 Speaker 2: went to try to sort of call him in. 776 00:48:04,719 --> 00:48:06,319 Speaker 3: The issue is my bench made. 777 00:48:06,360 --> 00:48:07,640 Speaker 1: My son is also. 778 00:48:07,440 --> 00:48:11,080 Speaker 2: Out there playing, and if he hears me calling for Bosh, 779 00:48:11,160 --> 00:48:15,120 Speaker 2: then he's gonna want to come into And then that 780 00:48:15,320 --> 00:48:19,600 Speaker 2: is like that's a rap. Yeah, that ends the show. 781 00:48:21,360 --> 00:48:25,040 Speaker 2: Well we may need to do anyway. Yeah, I could 782 00:48:25,040 --> 00:48:28,960 Speaker 2: try to get again. Hang on, Martha, what's your favorite character? 783 00:48:31,480 --> 00:48:33,919 Speaker 4: Just out of all the characters you. 784 00:48:33,880 --> 00:48:36,680 Speaker 1: Ever know that you ever played. 785 00:48:39,600 --> 00:48:42,560 Speaker 4: I got to play a character who popped up from 786 00:48:42,600 --> 00:48:46,279 Speaker 4: behind a bush about a month ago, and that was 787 00:48:46,920 --> 00:48:49,480 Speaker 4: one of my favorite things I've ever gotten to do. 788 00:48:49,760 --> 00:48:52,920 Speaker 4: So probably I don't know if I can say what 789 00:48:52,920 --> 00:48:56,320 Speaker 4: what the character is because the thing hasn't come out yet. 790 00:48:56,440 --> 00:49:00,600 Speaker 3: But I'm really sorry, Martha, that character. I wish you 791 00:49:00,600 --> 00:49:05,360 Speaker 3: could see how he's looking at me. That character is 792 00:49:05,360 --> 00:49:08,400 Speaker 3: no longer in the in the project, he asked me 793 00:49:08,440 --> 00:49:14,799 Speaker 3: who the guest was, what'd you say? 794 00:49:17,040 --> 00:49:24,319 Speaker 6: You know, let's just you know what, you know what, 795 00:49:24,400 --> 00:49:28,040 Speaker 6: Let's just uh, let's just send that. 796 00:49:30,239 --> 00:49:30,600 Speaker 3: Bye. 797 00:49:32,920 --> 00:49:35,720 Speaker 1: This week on the Patreon, Carl and Hassan play What's 798 00:49:35,760 --> 00:49:40,080 Speaker 1: the Scenario? The Boys call Amazon's customer service, shaunk and 799 00:49:40,160 --> 00:49:43,919 Speaker 1: Brett help Bang get in the Funky Zone on Hollywood Masterclass, 800 00:49:44,160 --> 00:49:48,319 Speaker 1: and The Flagrant Ones are mostly talking all things basketball. 801 00:49:48,760 --> 00:49:52,640 Speaker 1: Check out these bonus podcasts and videos of the full episodes, 802 00:49:52,840 --> 00:49:57,120 Speaker 1: including today's with Martha at patreon dot com Slash The 803 00:49:57,160 --> 00:49:58,040 Speaker 1: Flagrant Ones