WEBVTT - The Subtraction Mindset: How To Get More By Doing Less | Dr. Leidy Klotz

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<v Speaker 1>Welcome to two percent. I am your host, Michael Easter.

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<v Speaker 1>So I recently just turned in a draft of my

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<v Speaker 1>new book to my editor. It was a very long process.

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<v Speaker 1>Took me about two years to write this book. And

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<v Speaker 1>I wrote this book everywhere. I wrote some of it

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<v Speaker 1>in my office, some of it in my kitchen table.

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<v Speaker 1>I wrote it on airplanes, I wrote it in airports,

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<v Speaker 1>all these different places. And I noticed in the writing

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<v Speaker 1>process that some places were much better than others. Some

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<v Speaker 1>places I would be more focused, some places I would

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<v Speaker 1>be more creative. And it really got me thinking about

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<v Speaker 1>place and how the places where we live, work and

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<v Speaker 1>exist affect us and what we do.

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<v Speaker 2>Now.

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<v Speaker 1>Lucky for us, I have an old friend who used

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<v Speaker 1>to be a pro soccer player Good Little Factoids, now

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<v Speaker 1>a professor at UVA, and he has a new book out.

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<v Speaker 1>His name is Lighty Klotts. It is called in a

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<v Speaker 1>Good Place, How the spaces where we live, work and

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<v Speaker 1>play can help us thrive. So this is a really

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<v Speaker 1>awesome book. If you happen to be a human who

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<v Speaker 1>takes up space anywhere on this planet, that is to

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<v Speaker 1>say you. So I called up Lighty. We're going to

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<v Speaker 1>talk to him about place We're going to talk to

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<v Speaker 1>him about his past work, which I featured in my

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<v Speaker 1>book Scarcity Brain, and that is where we're going to start.

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<v Speaker 1>He found something really fascinating about the human mind and

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<v Speaker 1>how we are wired to add often when it is

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<v Speaker 1>not a good idea.

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<v Speaker 2>So let's go LIGHTI thanks for coming on the show.

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<v Speaker 3>Thanks for having me, Michael, it's great to be here.

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<v Speaker 1>So we first met when I was writing my book

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<v Speaker 1>Scarcity Brain. A came across your study in Nature about

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<v Speaker 1>how humans preferentially overlook subtraction and even wrote a book

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<v Speaker 1>called Subtract about that entire topic. What I thought was

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<v Speaker 1>amazing and awesome is the whole story behind how that

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<v Speaker 1>study started, what kicked off the book, and it starts

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<v Speaker 1>with legos. So tell us that story because it's amazing.

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<v Speaker 3>Yeah.

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<v Speaker 4>I was playing Legos with my son Ezra, he was

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<v Speaker 4>three at the time. So it was actually the duplow

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<v Speaker 4>blocks and we had we had a bridge basically that

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<v Speaker 4>wasn't level. So the support column on one side of

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<v Speaker 4>the bridge was shorter than the support column on the

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<v Speaker 4>other side of the bridge. And so as a dad,

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<v Speaker 4>I'm like, all right, I can fix this problem. Turned

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<v Speaker 4>around behind me, to grab a block to add to

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<v Speaker 4>the shorter column, but by the time I had turned

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<v Speaker 4>back around, Ezra had removed a block from the longer

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<v Speaker 4>column to make the level bridge.

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<v Speaker 1>And I think the important point here is that you

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<v Speaker 1>spent a lot of time in school thinking about engineering

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<v Speaker 1>as well, so it's not like you're the you don't

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<v Speaker 1>know what you're doing here, Like you have a PhD

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<v Speaker 1>in this topic.

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<v Speaker 4>Yeah, literally a PhD in engineering. Yeah, so this was

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<v Speaker 4>like this should have been moment, right, a doting dad

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<v Speaker 4>and a PhD in the topic of making bridges straight.

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<v Speaker 3>But he came up with an answer that was.

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<v Speaker 4>Better, better than I did, And I wouldn't have thought

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<v Speaker 4>of if he wasn't there.

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<v Speaker 1>And didn't you actually make the bridge wonky again and

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<v Speaker 1>take it around and ask your collaborators, colleagues grad students

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<v Speaker 1>to fix it.

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<v Speaker 2>But you would give them.

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<v Speaker 1>You would put the legos on the table so they

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<v Speaker 1>could elevate it, right, And wouldn't most people add, yeah,

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<v Speaker 1>so I.

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<v Speaker 3>Have the version of it right here.

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<v Speaker 4>I mean I still carried around like and so yeah,

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<v Speaker 4>I would you know, make I made a replica, so

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<v Speaker 4>basically this super simplified and then put the blocks next

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<v Speaker 4>to it on the table, and I started bringing it

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<v Speaker 4>around because I was like, I don't I mean, maybe

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<v Speaker 4>people will just get this, but yeah, the super smart

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<v Speaker 4>grad students could smarter than me come in and they're

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<v Speaker 4>all adding. And then I gave it to my collaborator,

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<v Speaker 4>who I'd thought I had been trying to explain these

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<v Speaker 4>ideas to and she was like she failed, and then

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<v Speaker 4>she said, oh I get it, So what you but

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<v Speaker 4>what we've what you've been trying to say is that

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<v Speaker 4>why don't we subtract to make things better?

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<v Speaker 3>And then we were off.

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<v Speaker 1>So then speaking of that, you're off. This means you

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<v Speaker 1>set up a series of experiments and what were those?

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<v Speaker 1>How were they designed? And yeah, how'd that all play out?

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<v Speaker 4>My background's engineering. I do a lot of behavioral science

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<v Speaker 4>stuff and I respect it, and I respected enough to

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<v Speaker 4>know that for a study like that, I needed help.

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<v Speaker 4>And so like Gabe Adams and Ben Coomvers and Andy

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<v Speaker 4>Hale's or the co authors on the study and they're

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<v Speaker 4>all psychology professors, were just at a table that students

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<v Speaker 4>were walking by, and we would give them a lego

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<v Speaker 4>structure that was pre made, just kind of a random structure,

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<v Speaker 4>and said how would you make this thing better. We

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<v Speaker 4>got sixty samples from that and every single one added,

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<v Speaker 4>and we like send an email saying the biggest bias ever.

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<v Speaker 4>But then we went into you know, trying to create

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<v Speaker 4>more like experimental setups where we're trying to figure out,

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<v Speaker 4>like Okay was trying to make it so that subtracting

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<v Speaker 4>is at least as good an option as adding, if

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<v Speaker 4>not better, and then trying to show that people would

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<v Speaker 4>overlook subtraction to their detriment and you would enjoy the

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<v Speaker 4>writing ones. And the classic writing advice right is omit

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<v Speaker 4>needless words.

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<v Speaker 3>All this writing.

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<v Speaker 4>There's a whole profession of editors that exist to take

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<v Speaker 4>things away from our writing and make it better. And

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<v Speaker 4>we would give people summaries of writing and ask them

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<v Speaker 4>to make it better, and everybody would add. And then

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<v Speaker 4>so we did writing. We had a day trip itinerary

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<v Speaker 4>in Washington, d C. That was just almost it was

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<v Speaker 4>impossible to execute. I would argue, totally overloaded schedule. There's

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<v Speaker 4>like a million Yeah, of course, seeing major monuments launch

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<v Speaker 4>at a five star bistro. I mean traffic between these

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<v Speaker 4>things is like three hours of travel time just and

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<v Speaker 4>then gave people a drag and drop interface where they

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<v Speaker 4>could take stuff off of the schedule or add stuff

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<v Speaker 4>to it and buy large people added to this already

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<v Speaker 4>impossible schedule to make it better.

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<v Speaker 2>Or we missed the Vietnam monument. We got to see

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<v Speaker 2>that too.

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<v Speaker 3>That's a good one.

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<v Speaker 4>That's subtractive though, that's down into the earth and it's

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<v Speaker 4>all inspiring because it's subtracting, you know. Then we were

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<v Speaker 4>playing around with like, Okay, how do how do we

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<v Speaker 4>create situations we're subtracting? Is objectively the correct answer, because

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<v Speaker 4>all of the other studies you could just argue, well,

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<v Speaker 4>people just wanted to have a jam pack schedule, or

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<v Speaker 4>people just wanted to have longer words. So the Lego one,

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<v Speaker 4>we created this thing where it was basically.

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<v Speaker 3>Like a.

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<v Speaker 4>Sandwich, a panel on the bottom and a panel on

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<v Speaker 4>the top, and then there was a stormtrooper, a Lego

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<v Speaker 4>stormtrooper being protected by the top panel, and then there

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<v Speaker 4>was like a column of supports going up. And the

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<v Speaker 4>task was to try to put a masonry block on

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<v Speaker 4>the top panel without it collapsing and crushing the stormtrooper.

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<v Speaker 4>So if you didn't do to any modifications, it would

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<v Speaker 4>just collapse and crush the stormtrooper.

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<v Speaker 3>It was set up so that the most.

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<v Speaker 4>Common modification people did was to add a whole row

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<v Speaker 4>of blocks to strengthen the top the top row. The

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<v Speaker 4>subtractive way to do it was to move one block

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<v Speaker 4>and just drop the platform down. And we gave people

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<v Speaker 4>financial incentives. We told them to so it costs money

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<v Speaker 4>to add blocks, and they kept the money they had

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<v Speaker 4>if they If they didn't ad blocks, we told them

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<v Speaker 4>that the goal was to do it in as fuel

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<v Speaker 4>blocks as possible. So again they were getting the wrong answer,

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<v Speaker 4>but it was very narrow, narrow context. So eventually came

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<v Speaker 4>of this really elegant grid designs that you could show

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<v Speaker 4>people on a computer screen. And basically, I mean there

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<v Speaker 4>were a bunch of different designs, but all of them

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<v Speaker 4>were symmetrical from left to right and top to bottom,

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<v Speaker 4>except there were extraneous marks in one of the quadrants.

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<v Speaker 4>And then we tasked people with like, how would you

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<v Speaker 4>make this symmetrical? And the subtractive way to do it

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<v Speaker 4>was to remove the extraneous marks from one quadrant. The

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<v Speaker 4>additive way to do it was to add to three quadrants,

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<v Speaker 4>which of course took more work, and people would still

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<v Speaker 4>add not even consider subtraction and then move on.

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<v Speaker 2>We overlook it.

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<v Speaker 1>And it's not that one is any better than the

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<v Speaker 1>other inherently adding or subtracting. But the point you're trying

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<v Speaker 1>to make is that if you are consistently overlooking subtraction

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<v Speaker 1>as an as an option to solve a problem or

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<v Speaker 1>make an improvement, then you're you're missing like half the options.

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<v Speaker 2>And those options are oftentimes more efficient.

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<v Speaker 4>Right, And they're like the if you think about this

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<v Speaker 4>as like a marketplace of ideas, those are the ideas

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<v Speaker 4>that nobody's thinking of, right, I mean, because everybody's overlooking them.

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<v Speaker 4>And so I would argue, you know, if I have

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<v Speaker 4>to pick between adding and subtracting, I would just take heading.

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<v Speaker 3>But we don't have to.

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<v Speaker 4>Pick their like complementary approaches to making things better. And

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<v Speaker 4>because the subtractive ones are so underused, I would argue

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<v Speaker 4>that there's probably more potential there to make your life better.

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<v Speaker 1>I would imagine A big one with businesses is meetings. Yeah,

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<v Speaker 1>you look, you look at the stats on meetings, and

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<v Speaker 1>I have been growing in frequency and duration over time,

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<v Speaker 1>and I actually think probably after people started to work

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<v Speaker 1>from home, I think that there's probably more meetings because

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<v Speaker 1>it's like you got to meet with someone, but they're

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<v Speaker 1>often not as productive as we think. It's almost like less,

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<v Speaker 1>there's more in the meeting space.

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<v Speaker 3>Yeah, one hundred percent.

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<v Speaker 4>Bob Sutton, who's he's the author of the No Asshole

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<v Speaker 4>Rule and a bunch of other books. But he and

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<v Speaker 4>I have this like rule of halves for meetings that

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<v Speaker 4>I think he came up with, but he keeps trying

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<v Speaker 4>to give me credit for. And it's, you know, basically

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<v Speaker 4>like making these Okay, can the meetings be half the

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<v Speaker 4>frequency or half the half the number of time, half

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<v Speaker 4>the number of attendees, And you're just like putting rules

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<v Speaker 4>on it. But and also I mean there are companies

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<v Speaker 4>that do meeting doomsdays, which just take meetings entirely off

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<v Speaker 4>the calendar and then you can immediately add them back.

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<v Speaker 4>But it's like flipping the flipping the framing in your

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<v Speaker 4>brain where it's like, Okay, is this something that we

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<v Speaker 4>should add to our calendar versus is this something that

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<v Speaker 4>we should we should have to subtract. And I think

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<v Speaker 4>they end up with far fewer meetings. But that's definitely

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<v Speaker 4>a huge time stink.

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<v Speaker 1>It could be an email or it could be to

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<v Speaker 1>our previous point about information, just someone make a decision,

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<v Speaker 1>you don't have to run it by fifty people.

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<v Speaker 4>Right, And there's this whole thing of you know, one

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<v Speaker 4>of the reasons that we do this, you know, on

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<v Speaker 4>the biological perspective, is just we want to show competence, right,

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<v Speaker 4>We want to show that we're effectively making change in

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<v Speaker 4>the world, and that is that disadvantages subtraction because like

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<v Speaker 4>when we subtract something, the change isn't visible.

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<v Speaker 1>Yeah, that's really smart. You played professional soccer. Did you

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<v Speaker 1>find this in your soccer career at all in terms

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<v Speaker 1>of like how you were training, how just anything in

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<v Speaker 1>that field.

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<v Speaker 4>There was a marathon er who like got sick before

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<v Speaker 4>a big marathon and therefore didn't couldn't train as much,

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<v Speaker 4>and then did really well in the marathon because like

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<v Speaker 4>he effectively forced to taper, And that's how this idea

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<v Speaker 4>of like scaling down your training before the games.

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<v Speaker 3>Actually came to be. So there's definitely that piece.

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<v Speaker 4>One of my favorite soccer ones is you can often

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<v Speaker 4>these constraints can help. Like I'm coaching a bunch of

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<v Speaker 4>eleven year olds right now, and like if you tell

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<v Speaker 4>them they can only touch the ball twice and not

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<v Speaker 4>dribble it. Actually the soccer gets much better because they're

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<v Speaker 4>forced to pass and then sometimes even you know, taking

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<v Speaker 4>people off the field so to shake the system out

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<v Speaker 4>of its out of its slumber. So basically, if you're

0:11:25.880 --> 0:11:29.520
<v Speaker 4>playing like eleven on eleven and you're just like it's

0:11:29.520 --> 0:11:32.520
<v Speaker 4>not dynamic enough, you go down to like nine people

0:11:32.679 --> 0:11:34.000
<v Speaker 4>on one of the teams, and then all of a

0:11:34.040 --> 0:11:36.080
<v Speaker 4>sudden people are having to cover more ground and it

0:11:36.160 --> 0:11:41.360
<v Speaker 4>just breaks people out of the regular patterns. So definitely

0:11:41.440 --> 0:11:43.319
<v Speaker 4>those things, but it's also hard. I mean, like one

0:11:43.320 --> 0:11:45.920
<v Speaker 4>of the things, I think, the more you care about something,

0:11:45.960 --> 0:11:48.000
<v Speaker 4>the harder it is to subtract. And when you're trying

0:11:48.040 --> 0:11:51.679
<v Speaker 4>to be a professional soccer player, it's really really hard

0:11:51.720 --> 0:11:53.560
<v Speaker 4>to be like, oh, I'm not going to do this

0:11:54.240 --> 0:11:56.599
<v Speaker 4>thing that everybody else is doing and that's going to

0:11:56.679 --> 0:11:57.960
<v Speaker 4>help me get ahead.

0:11:58.000 --> 0:11:59.200
<v Speaker 3>It's it's really hard.

0:11:59.000 --> 0:12:01.200
<v Speaker 4>To think that way. And I would say probably I

0:12:01.280 --> 0:12:04.560
<v Speaker 4>probably overtrained. I probably aired on the side of doing

0:12:04.800 --> 0:12:06.600
<v Speaker 4>too much and not being fresh enough.

0:12:06.760 --> 0:12:08.640
<v Speaker 1>Yeah, And I feel like in the wellness world, do

0:12:08.640 --> 0:12:12.080
<v Speaker 1>you see this, especially as people are starting to get

0:12:12.080 --> 0:12:15.080
<v Speaker 1>into health and wellness, The question becomes what do I

0:12:15.120 --> 0:12:17.920
<v Speaker 1>need to add and do? An example would be weight loss.

0:12:17.960 --> 0:12:20.640
<v Speaker 1>People are like, what special diet do I need to add?

0:12:20.640 --> 0:12:22.280
<v Speaker 1>And then they go to the grocery store and they

0:12:22.280 --> 0:12:25.040
<v Speaker 1>buy this massive range of all these new foods and

0:12:25.080 --> 0:12:26.520
<v Speaker 1>it's like, well, you know, you could just kind of

0:12:26.520 --> 0:12:29.400
<v Speaker 1>eat less of what you're already eating, or like I'm

0:12:29.400 --> 0:12:32.640
<v Speaker 1>going to work out, I need insert ten thousand dollars

0:12:32.640 --> 0:12:33.160
<v Speaker 1>in equipment.

0:12:33.160 --> 0:12:34.720
<v Speaker 2>It's like, why don't you just take a walk and

0:12:34.720 --> 0:12:36.000
<v Speaker 2>do some push ups? That's free.

0:12:36.200 --> 0:12:40.560
<v Speaker 4>Yeah, I mean the weight loss one is so like obvious, right,

0:12:40.679 --> 0:12:44.120
<v Speaker 4>but it's it's so true that a solution is so

0:12:44.280 --> 0:12:47.640
<v Speaker 4>clearly less one. Reframing though, Like that's helped me because

0:12:47.640 --> 0:12:51.600
<v Speaker 4>I would always have a hard time doing like rest days, right,

0:12:51.760 --> 0:12:54.760
<v Speaker 4>and just like so just naming it something, right, This

0:12:54.800 --> 0:12:58.560
<v Speaker 4>isn't a rest day. This is like my active recovery day.

0:12:58.600 --> 0:13:00.400
<v Speaker 4>And I could do the exact same thing, but it's

0:13:00.400 --> 0:13:03.640
<v Speaker 4>like I feel like the sense of accomplishment from doing it.

0:13:03.840 --> 0:13:06.599
<v Speaker 1>You've got to frame it for the type a personality

0:13:06.960 --> 0:13:10.280
<v Speaker 1>that gets into professional soccer. Yeah, this isn't You're not

0:13:10.280 --> 0:13:15.160
<v Speaker 1>just sitting around, This is actively recovering. Yeah, exactly, Okay,

0:13:15.200 --> 0:13:17.240
<v Speaker 1>So one of the stories I love from your new

0:13:17.240 --> 0:13:20.800
<v Speaker 1>book is how in college and you went to Lafayette

0:13:20.880 --> 0:13:23.200
<v Speaker 1>right in Easton, Pennsylvania.

0:13:23.400 --> 0:13:23.720
<v Speaker 3>Got it.

0:13:24.240 --> 0:13:30.280
<v Speaker 1>You are playing Lehigh, which is, I don't know, twenty

0:13:30.320 --> 0:13:35.120
<v Speaker 1>minutes away. They're your giant rival in soccer. Game is

0:13:35.200 --> 0:13:39.079
<v Speaker 1>at Lehigh, so you are on your away turf, and

0:13:39.200 --> 0:13:43.040
<v Speaker 1>all the data says that teams that are away teams

0:13:43.040 --> 0:13:46.040
<v Speaker 1>have a disadvantage because there's crowd around, you're in a

0:13:46.080 --> 0:13:46.760
<v Speaker 1>new territory.

0:13:46.800 --> 0:13:47.960
<v Speaker 2>It just kind of throws you off.

0:13:48.760 --> 0:13:52.000
<v Speaker 1>So your coach, before you guys are headed to the game,

0:13:53.280 --> 0:13:55.360
<v Speaker 1>he's like, I'm going to take a meeting, I'm going

0:13:55.400 --> 0:13:57.800
<v Speaker 1>to mess around a little bit. And you're all waiting

0:13:57.800 --> 0:13:59.320
<v Speaker 1>for the bus, like we got to get to the game,

0:13:59.360 --> 0:14:01.840
<v Speaker 1>and he's just gagging. When you get in the bus,

0:14:02.280 --> 0:14:05.760
<v Speaker 1>he has the bus go like a really obscure route

0:14:05.840 --> 0:14:08.640
<v Speaker 1>that takes way longer. So you show up at this

0:14:08.760 --> 0:14:13.520
<v Speaker 1>game like ten twenty minutes before kickoff and you're kind

0:14:13.520 --> 0:14:15.920
<v Speaker 1>of frazzled. But it got you right into the game

0:14:15.960 --> 0:14:19.680
<v Speaker 1>and you're like, we realized that it almost didn't allow

0:14:19.760 --> 0:14:21.560
<v Speaker 1>us to sit on that field and get in our

0:14:21.640 --> 0:14:24.320
<v Speaker 1>heads about being in this a way setting.

0:14:24.640 --> 0:14:28.000
<v Speaker 4>Yeah, and our coach would he said. I confirmed it

0:14:28.080 --> 0:14:30.960
<v Speaker 4>with him, like when I was writing the book, because

0:14:31.000 --> 0:14:32.640
<v Speaker 4>he would always do weird stuff and I was like,

0:14:32.720 --> 0:14:34.840
<v Speaker 4>was that intentional? He's like, yeah, I wanted you guys

0:14:34.840 --> 0:14:38.080
<v Speaker 4>to get off the bus and play. And the idea

0:14:38.280 --> 0:14:41.080
<v Speaker 4>was that you know, all the hoopla around the game,

0:14:41.200 --> 0:14:43.760
<v Speaker 4>any of the nerves, any of the kind of like

0:14:43.880 --> 0:14:48.160
<v Speaker 4>feeling disoriented in a new space, he would just transport

0:14:48.280 --> 0:14:51.320
<v Speaker 4>us right to the soccer field, which is the same dimensions,

0:14:51.360 --> 0:14:54.920
<v Speaker 4>the same grass, very familiar, and maybe have a little

0:14:54.920 --> 0:14:57.080
<v Speaker 4>bit more adrenaline going through our veins. Because we were

0:14:57.080 --> 0:14:59.480
<v Speaker 4>like kind of pissed at him for like messing up,

0:15:00.120 --> 0:15:03.520
<v Speaker 4>you know, we wanted to. Yeah, And so what I

0:15:03.600 --> 0:15:05.640
<v Speaker 4>learned from that is like, when we're like going into

0:15:05.720 --> 0:15:08.320
<v Speaker 4>new territory, it's I mean, it's super important to think

0:15:08.320 --> 0:15:10.480
<v Speaker 4>about how you approach it, and it's not always good

0:15:10.520 --> 0:15:13.400
<v Speaker 4>to just show up right before. But one strategy is

0:15:13.400 --> 0:15:15.240
<v Speaker 4>to show up right before if you think it's going

0:15:15.240 --> 0:15:17.640
<v Speaker 4>to be an intimidating space, and then just get into

0:15:17.680 --> 0:15:20.320
<v Speaker 4>the familiar space as quickly as possible.

0:15:20.520 --> 0:15:22.880
<v Speaker 1>Yeah, I've noticed, I mean, you do public talks a

0:15:22.880 --> 0:15:25.240
<v Speaker 1>lot and I've noticed too when people want me there,

0:15:25.640 --> 0:15:28.680
<v Speaker 1>you know, two three hours before a talk, they're like, okay,

0:15:28.840 --> 0:15:30.880
<v Speaker 1>just hang out in the green room for two hours.

0:15:30.880 --> 0:15:32.360
<v Speaker 1>You're just kind of sitting there going, I wonder how

0:15:32.360 --> 0:15:34.680
<v Speaker 1>big the crowd is, I wonder how big this stage is,

0:15:34.720 --> 0:15:36.760
<v Speaker 1>what is this how much brighter the light's going to be?

0:15:36.800 --> 0:15:38.480
<v Speaker 1>Do I have a conference where you're just like running

0:15:38.520 --> 0:15:40.680
<v Speaker 1>through your head, whereas in situations where they're like, yeah,

0:15:40.680 --> 0:15:43.120
<v Speaker 1>just show up like twenty minutes before, you just get

0:15:43.200 --> 0:15:44.680
<v Speaker 1>right into it, and it's like, oh yeah, this is

0:15:44.760 --> 0:15:45.640
<v Speaker 1>just like every other talk.

0:15:45.680 --> 0:15:47.480
<v Speaker 2>You don't have time to sit and stew.

0:15:47.440 --> 0:15:50.120
<v Speaker 3>Yeah, what's the person before me going to say? Right?

0:15:50.160 --> 0:15:52.200
<v Speaker 4>And it's like and again, the talk's a great example

0:15:52.240 --> 0:15:54.600
<v Speaker 4>because it's not like you're not prepared, right, You've done

0:15:54.640 --> 0:15:57.440
<v Speaker 4>the talk before, You've prepared at nauseum. And what you're

0:15:57.480 --> 0:16:01.600
<v Speaker 4>doing is like avoiding the awkward spatial stuff so that

0:16:01.680 --> 0:16:05.520
<v Speaker 4>you can like connect with the audience as best as

0:16:05.560 --> 0:16:06.480
<v Speaker 4>best as possible.

0:16:06.560 --> 0:16:08.280
<v Speaker 3>Yeah, So that's that's another great example.

0:16:08.280 --> 0:16:10.280
<v Speaker 4>I will say that like a good green room does

0:16:10.320 --> 0:16:14.520
<v Speaker 4>that when you like kind of keeps you isolated. But

0:16:14.880 --> 0:16:17.000
<v Speaker 4>if you the worst is when there isn't a green

0:16:17.040 --> 0:16:18.560
<v Speaker 4>room and you go and you're like sitting in the

0:16:18.600 --> 0:16:20.360
<v Speaker 4>audience and then you have to like come from the

0:16:20.400 --> 0:16:23.280
<v Speaker 4>audience and go up on stage awkwardly.

0:16:23.560 --> 0:16:25.520
<v Speaker 1>Hey guys, Yeah, I was the one sitting over that.

0:16:29.440 --> 0:16:32.240
<v Speaker 1>So what prompted you to write the new book?

0:16:32.320 --> 0:16:36.640
<v Speaker 4>I think the new book was in my mind before Subtract.

0:16:36.680 --> 0:16:39.480
<v Speaker 4>I've always been interested in this intersection between like our

0:16:39.520 --> 0:16:44.040
<v Speaker 4>physical world and our mental world. And then to write

0:16:44.080 --> 0:16:47.280
<v Speaker 4>a book, you know, it has to be useful to somebody,

0:16:47.320 --> 0:16:49.800
<v Speaker 4>so trying to figure out what people needed to know

0:16:49.880 --> 0:16:52.640
<v Speaker 4>about that intersection because I felt like the intersection between

0:16:52.680 --> 0:16:55.120
<v Speaker 4>like our physical and mental world, everybody would be like, oh, yeah,

0:16:55.160 --> 0:16:57.960
<v Speaker 4>that's important, but like where are we supposed to focus

0:16:58.760 --> 0:17:00.600
<v Speaker 4>How can it be helpful to us? And so I

0:17:00.600 --> 0:17:03.120
<v Speaker 4>think that was the motivating factor. And then the book

0:17:03.200 --> 0:17:07.360
<v Speaker 4>was very like, you know, distilling down to what is

0:17:08.200 --> 0:17:11.840
<v Speaker 4>what's important about this relationship and how can it help

0:17:11.840 --> 0:17:14.120
<v Speaker 4>people and how can we use it in our day

0:17:14.160 --> 0:17:14.960
<v Speaker 4>to day lives.

0:17:15.320 --> 0:17:20.760
<v Speaker 1>Yeah, you wrote about how people have three needs, agency, competence, connection,

0:17:21.720 --> 0:17:23.800
<v Speaker 1>tell us more about those. I thought that was really interesting.

0:17:23.800 --> 0:17:25.679
<v Speaker 1>And then how it applies to place.

0:17:25.960 --> 0:17:29.000
<v Speaker 4>I'll use an example, So agency competence and connection. You

0:17:29.000 --> 0:17:32.280
<v Speaker 4>can think about like kids playing on a beach, right,

0:17:32.600 --> 0:17:35.280
<v Speaker 4>So kids goes to a beach. Agency is like they

0:17:35.280 --> 0:17:39.000
<v Speaker 4>get to decide where to build the sand castle.

0:17:39.200 --> 0:17:39.360
<v Speaker 3>Right.

0:17:39.720 --> 0:17:41.800
<v Speaker 4>They can they decide where to build it, they can

0:17:41.840 --> 0:17:44.480
<v Speaker 4>decide how big to build it, they can decide how

0:17:44.600 --> 0:17:47.160
<v Speaker 4>the shapes the forms. They can decide whether to make

0:17:47.240 --> 0:17:50.080
<v Speaker 4>packed sand or a drip castle. So this agency is

0:17:50.119 --> 0:17:56.000
<v Speaker 4>their ability to choose their relationship with their surroundings. Competence

0:17:56.160 --> 0:18:00.639
<v Speaker 4>is the ability to actually do something right and to

0:18:00.359 --> 0:18:01.120
<v Speaker 4>to know.

0:18:01.280 --> 0:18:02.040
<v Speaker 3>That you can do this.

0:18:02.160 --> 0:18:05.399
<v Speaker 4>So compensates or growth like if and it's amazing if

0:18:05.400 --> 0:18:07.600
<v Speaker 4>you think about like what a kid's learning building a

0:18:07.640 --> 0:18:08.600
<v Speaker 4>sand castle, right.

0:18:08.840 --> 0:18:12.560
<v Speaker 1>Barn awesome examples of your daughter building sand castles.

0:18:12.560 --> 0:18:13.560
<v Speaker 2>Were you on the Jersey Shore?

0:18:13.680 --> 0:18:16.359
<v Speaker 4>Yeah, Jersey Shore, Ocean City, New Jersey, and we go

0:18:16.400 --> 0:18:19.160
<v Speaker 4>there every summer, and you know, but she's like doing

0:18:19.200 --> 0:18:22.920
<v Speaker 4>the drip castles, and I think there's two or three

0:18:23.000 --> 0:18:25.880
<v Speaker 4>and she's like making these really immaculate drip castles. You're

0:18:25.920 --> 0:18:29.080
<v Speaker 4>learning how like the water swirls, right, you're learning the

0:18:29.119 --> 0:18:32.240
<v Speaker 4>material properties of sand, But then you're also learning these

0:18:32.400 --> 0:18:35.520
<v Speaker 4>really important things about yourself. Right, So she'd get frustrated

0:18:35.560 --> 0:18:37.640
<v Speaker 4>if it didn't work, but then she realized that if

0:18:37.640 --> 0:18:41.320
<v Speaker 4>she did it again, she felt good about herself and

0:18:41.359 --> 0:18:42.600
<v Speaker 4>she had some light control.

0:18:42.640 --> 0:18:46.400
<v Speaker 3>And so she's growing. And then the connection.

0:18:47.119 --> 0:18:51.280
<v Speaker 4>Obviously, connection comes in spaces from you know, connecting with

0:18:51.400 --> 0:18:55.919
<v Speaker 4>other people, but you're also connecting through the creating of

0:18:55.960 --> 0:18:58.760
<v Speaker 4>the spaces. So what always happens in those projects is

0:18:58.800 --> 0:19:00.760
<v Speaker 4>like one kid's working and they realize that, well, if

0:19:00.800 --> 0:19:03.000
<v Speaker 4>I can get other people to do stuff with me,

0:19:03.160 --> 0:19:04.520
<v Speaker 4>then I can make this thing bigger.

0:19:04.800 --> 0:19:06.640
<v Speaker 3>And so she would you know.

0:19:07.400 --> 0:19:09.199
<v Speaker 2>I need you to get twenty buckets of sand and

0:19:09.240 --> 0:19:09.840
<v Speaker 2>bring them up here.

0:19:09.920 --> 0:19:12.680
<v Speaker 4>Now, Oh, the worst is the water, right because you're

0:19:12.720 --> 0:19:15.359
<v Speaker 4>just like endlessly going down to the ocean, grabbing a

0:19:15.359 --> 0:19:17.520
<v Speaker 4>bucket of water, dumping it in their thing. That's then

0:19:17.600 --> 0:19:19.840
<v Speaker 4>like filtering right into the ground as soon as you

0:19:19.840 --> 0:19:21.600
<v Speaker 4>can like get back to the ocean.

0:19:21.480 --> 0:19:23.119
<v Speaker 3>Just like and just loop. You know, you see it

0:19:23.160 --> 0:19:23.639
<v Speaker 3>in kids.

0:19:23.680 --> 0:19:25.520
<v Speaker 4>But you also you could think back to our hunter

0:19:25.600 --> 0:19:29.040
<v Speaker 4>gather ancestors like agency would be, hey, can I like

0:19:29.080 --> 0:19:32.879
<v Speaker 4>shape this environment so that I don't get killed by

0:19:32.880 --> 0:19:35.560
<v Speaker 4>a predator or so that I am not exposed to

0:19:35.560 --> 0:19:38.000
<v Speaker 4>the elements? Right, that's that's agency. Do I have the

0:19:38.000 --> 0:19:40.359
<v Speaker 4>ability to do that? The competence, Like am I drawn

0:19:40.880 --> 0:19:44.440
<v Speaker 4>to act on my environment to move to move sticks

0:19:44.480 --> 0:19:47.440
<v Speaker 4>around in the world? And you know, now it's it's

0:19:47.480 --> 0:19:49.760
<v Speaker 4>not some you know, the sand castle isn't life or

0:19:49.800 --> 0:19:52.040
<v Speaker 4>death proposition. But if you're not drawn to do that,

0:19:52.080 --> 0:19:55.960
<v Speaker 4>when you're a you know, exposed to the elements, you're

0:19:56.240 --> 0:19:57.240
<v Speaker 4>you're not going to survive.

0:19:58.000 --> 0:20:01.159
<v Speaker 3>So and then the connection, it's fascinating to me.

0:20:01.560 --> 0:20:04.600
<v Speaker 4>How you know, we talk about like social connection and

0:20:04.760 --> 0:20:08.520
<v Speaker 4>like the first reason like Huntergether bands came together was

0:20:08.560 --> 0:20:10.400
<v Speaker 4>to build big stuff.

0:20:10.760 --> 0:20:13.240
<v Speaker 1>I thought that was that was fascinating and it was

0:20:13.280 --> 0:20:17.520
<v Speaker 1>like these sort of large scale projects, right, So they

0:20:17.520 --> 0:20:21.960
<v Speaker 1>would come together start building on a project. And that

0:20:22.080 --> 0:20:26.440
<v Speaker 1>almost led to the development of permanent settlements, right because

0:20:26.440 --> 0:20:28.520
<v Speaker 1>they're going, well, it's going to take a long time

0:20:28.520 --> 0:20:30.240
<v Speaker 1>to build this, so we might as well settle in.

0:20:30.480 --> 0:20:32.159
<v Speaker 1>More people came to help, and all of a sudden

0:20:32.200 --> 0:20:33.920
<v Speaker 1>we have towns and cities.

0:20:33.960 --> 0:20:37.000
<v Speaker 4>Eventually, right, you're figuring out, Okay, now we need agriculture

0:20:37.040 --> 0:20:39.040
<v Speaker 4>because we need to stay in this spot. Now we

0:20:39.080 --> 0:20:41.119
<v Speaker 4>need to have like social structures because we got to

0:20:41.119 --> 0:20:43.439
<v Speaker 4>figure out how to organize this town, and so like

0:20:43.480 --> 0:20:47.480
<v Speaker 4>the physical thing led to all these social structures.

0:20:47.680 --> 0:20:48.280
<v Speaker 3>You know, you.

0:20:48.160 --> 0:20:52.960
<v Speaker 4>See microcosms of that even just like Habitat for Humanity, right,

0:20:53.840 --> 0:20:58.000
<v Speaker 4>that's building this most successful charity. It's fundamentally you're building

0:20:58.040 --> 0:21:01.440
<v Speaker 4>houses together, but you're building all these social connections too.

0:21:02.040 --> 0:21:05.080
<v Speaker 4>And there's this kind of culture of shared building that's

0:21:05.160 --> 0:21:09.919
<v Speaker 4>in every culture all over the world by different names.

0:21:10.440 --> 0:21:14.159
<v Speaker 4>So yeah, that's agency, competenes, and connection. I think, you know,

0:21:14.200 --> 0:21:16.720
<v Speaker 4>it's kind of known that those are things in the

0:21:16.760 --> 0:21:19.200
<v Speaker 4>psychology world. It's known that those are things that matter

0:21:19.320 --> 0:21:23.800
<v Speaker 4>for our well being. But the how closely tied they

0:21:23.840 --> 0:21:28.159
<v Speaker 4>are to our relationship with our surroundings, and like, in

0:21:28.200 --> 0:21:31.360
<v Speaker 4>fact they like arose from our relationship with our surroundings,

0:21:31.440 --> 0:21:34.639
<v Speaker 4>and yet we've kind of gotten away from that in

0:21:34.680 --> 0:21:35.639
<v Speaker 4>the in current times.

0:21:35.880 --> 0:21:38.000
<v Speaker 2>Yeah, and I like that.

0:21:38.080 --> 0:21:40.919
<v Speaker 1>A lot of the book was very tactical in the

0:21:41.000 --> 0:21:45.280
<v Speaker 1>sense that it got into how can I upgrade the

0:21:45.440 --> 0:21:50.760
<v Speaker 1>places and spaces where I exist? What spaces do you

0:21:50.880 --> 0:21:54.359
<v Speaker 1>think could use the most upgrade in people's lives.

0:21:54.560 --> 0:21:57.600
<v Speaker 4>We don't do a great job of taking advantage of

0:21:57.640 --> 0:22:00.320
<v Speaker 4>all the spaces to which we have access. This could

0:22:00.320 --> 0:22:03.840
<v Speaker 4>be everything from like an unused room in your house,

0:22:04.000 --> 0:22:06.879
<v Speaker 4>or like the outdoor space around your house to just

0:22:07.000 --> 0:22:10.560
<v Speaker 4>like a different route you could take to work that

0:22:10.680 --> 0:22:14.560
<v Speaker 4>would be much better to you know, all these amenities

0:22:14.600 --> 0:22:16.640
<v Speaker 4>that your office has that you never go to because

0:22:16.640 --> 0:22:18.800
<v Speaker 4>we're just on our like tried and true path. That

0:22:18.920 --> 0:22:23.760
<v Speaker 4>to me is the biggest immediate upgrade that people can have.

0:22:24.119 --> 0:22:27.080
<v Speaker 1>Yeah, you're like you kind of get trapped in a

0:22:27.080 --> 0:22:29.480
<v Speaker 1>cycle of doing the same thing day in and day out,

0:22:29.480 --> 0:22:32.280
<v Speaker 1>and you don't ever think, Oh, if I, to your point,

0:22:32.440 --> 0:22:35.680
<v Speaker 1>change my route, did explore the office and saw what

0:22:35.760 --> 0:22:37.960
<v Speaker 1>it had, or like this room that I've just been

0:22:38.200 --> 0:22:41.760
<v Speaker 1>shoving stuff in and never use, like I could provide

0:22:41.800 --> 0:22:45.080
<v Speaker 1>an opportunity for something totally different that I could leverage.

0:22:45.240 --> 0:22:46.200
<v Speaker 3>Yeah, and you.

0:22:46.160 --> 0:22:49.000
<v Speaker 4>Know, we talked about the you know, the difference between

0:22:49.040 --> 0:22:52.080
<v Speaker 4>showing up to a space right before versus showing up

0:22:52.480 --> 0:22:56.120
<v Speaker 4>three days before. Like that's something we all can do

0:22:56.400 --> 0:22:58.679
<v Speaker 4>in a lot of our spaces, right, So it's like

0:22:58.800 --> 0:23:01.199
<v Speaker 4>how you can think through like how you interact with

0:23:01.200 --> 0:23:02.960
<v Speaker 4>the space on the.

0:23:04.560 --> 0:23:05.800
<v Speaker 3>When it comes to time.

0:23:05.840 --> 0:23:10.440
<v Speaker 1>How can officers improve when you've worked with companies. I

0:23:10.440 --> 0:23:12.600
<v Speaker 1>don't know if you spend much time in the office

0:23:12.680 --> 0:23:15.720
<v Speaker 1>I've now I work from home, which we can get into,

0:23:15.760 --> 0:23:18.080
<v Speaker 1>but when I used to be in working in offices,

0:23:18.119 --> 0:23:20.959
<v Speaker 1>it was always I don't know, it was kind of

0:23:21.080 --> 0:23:23.520
<v Speaker 1>just like I don't love this place.

0:23:23.920 --> 0:23:25.840
<v Speaker 3>Well, we can workshop this together.

0:23:25.880 --> 0:23:28.159
<v Speaker 4>I'm waiting a piece for the Wall Street Journal right

0:23:28.200 --> 0:23:30.760
<v Speaker 4>now about the offices, and I'm like trying to make

0:23:30.800 --> 0:23:33.280
<v Speaker 4>the point that I think like agency is the first

0:23:33.359 --> 0:23:35.840
<v Speaker 4>thing that offices should give us, and yet we jump

0:23:36.240 --> 0:23:39.240
<v Speaker 4>all these other things, right, And you may have read

0:23:39.240 --> 0:23:41.840
<v Speaker 4>these articles, but like every five years there's an article

0:23:41.920 --> 0:23:45.680
<v Speaker 4>saying like open planned offices are great, or closed offices

0:23:45.720 --> 0:23:48.000
<v Speaker 4>are great, or you know, and then you know, people

0:23:48.000 --> 0:23:49.800
<v Speaker 4>get into the weeds and they're like, well, this pink

0:23:49.840 --> 0:23:52.399
<v Speaker 4>color will make you more creative, and natural light is

0:23:52.440 --> 0:23:55.000
<v Speaker 4>important and all that stuff. You know, there's there's science

0:23:55.040 --> 0:23:58.080
<v Speaker 4>behind some of it, but it's also like such a

0:23:58.280 --> 0:24:00.840
<v Speaker 4>depends on the people, depends on the tas, depends on

0:24:01.480 --> 0:24:04.399
<v Speaker 4>the office. And if there's a general rule, it's that

0:24:04.480 --> 0:24:07.439
<v Speaker 4>like people need to feel like they have some say

0:24:07.680 --> 0:24:11.479
<v Speaker 4>in their relationship with their surroundings, and yet we like

0:24:11.560 --> 0:24:15.399
<v Speaker 4>skip right by that in the in the office design.

0:24:16.000 --> 0:24:20.159
<v Speaker 1>So it's almost like there's some people thinking about open office,

0:24:20.160 --> 0:24:21.119
<v Speaker 1>first clothes office.

0:24:21.240 --> 0:24:22.080
<v Speaker 2>I'll give you an example.

0:24:22.080 --> 0:24:25.760
<v Speaker 1>When I was working at Men's Health, we had our

0:24:25.800 --> 0:24:31.159
<v Speaker 1>own offices for a while. To your point about agency,

0:24:31.320 --> 0:24:33.560
<v Speaker 1>I had like these nice pieces of art that I

0:24:33.680 --> 0:24:34.359
<v Speaker 1>liked on the wall.

0:24:34.520 --> 0:24:36.840
<v Speaker 2>It was MySpace. People couldn't come bug me.

0:24:37.119 --> 0:24:38.639
<v Speaker 1>And then we swa We got a new editor in

0:24:38.720 --> 0:24:40.960
<v Speaker 1>chief and he was like really hot on this like

0:24:41.000 --> 0:24:43.720
<v Speaker 1>Silicon Valley trend of open offices, and he switched to

0:24:43.760 --> 0:24:46.240
<v Speaker 1>an open office. And it was like the worst thing

0:24:46.320 --> 0:24:48.800
<v Speaker 1>that had ever happened to me, because now I'm like

0:24:49.160 --> 0:24:52.760
<v Speaker 1>sitting next to people, and I'm you know, I like people,

0:24:52.840 --> 0:24:56.479
<v Speaker 1>but generally in small and fleeting clusters, you know, and

0:24:56.520 --> 0:24:58.400
<v Speaker 1>so they're just like people. I felt like people were

0:24:58.400 --> 0:25:00.320
<v Speaker 1>overlooking me the whole time. I just like I didn't

0:25:00.320 --> 0:25:03.600
<v Speaker 1>get anything done. But I also imagine in his case,

0:25:03.640 --> 0:25:05.280
<v Speaker 1>he's like, no, I actually work better when I can

0:25:05.320 --> 0:25:07.720
<v Speaker 1>just bounce ideas off you guys and harass you and

0:25:07.760 --> 0:25:10.280
<v Speaker 1>make sure you're doing your work. And so how does like,

0:25:10.320 --> 0:25:12.240
<v Speaker 1>how do we find a balance given that we know

0:25:13.240 --> 0:25:14.879
<v Speaker 1>some people are like me where it's like and in

0:25:14.920 --> 0:25:17.439
<v Speaker 1>my space, I need to think in quiet. And then

0:25:17.480 --> 0:25:20.440
<v Speaker 1>you have other people who thrive on more people being

0:25:20.480 --> 0:25:22.320
<v Speaker 1>around and almost the I don't want to use the

0:25:22.320 --> 0:25:24.320
<v Speaker 1>word chaos, but that's how it felt to me of

0:25:24.359 --> 0:25:25.119
<v Speaker 1>the open office.

0:25:25.320 --> 0:25:28.639
<v Speaker 4>Yeah, I think I mean flexibility and multiple uses and

0:25:29.480 --> 0:25:32.439
<v Speaker 4>making sure that people know that they're allowed to do

0:25:32.480 --> 0:25:34.600
<v Speaker 4>those multiple uses, right. I mean, I think there's a

0:25:34.640 --> 0:25:37.760
<v Speaker 4>lot of these spaces and offices. Like I was talking

0:25:37.800 --> 0:25:42.159
<v Speaker 4>to my editor and she was saying that in her

0:25:42.200 --> 0:25:45.000
<v Speaker 4>office they have like all these great you know, it's

0:25:45.280 --> 0:25:48.439
<v Speaker 4>open plan, but they recognize the editors need to do

0:25:48.520 --> 0:25:50.399
<v Speaker 4>deep work. So there's these places where you can do

0:25:50.480 --> 0:25:52.320
<v Speaker 4>deep work, but the boss just comes in and like

0:25:52.359 --> 0:25:54.280
<v Speaker 4>sits in the deep workplace and just kind of like

0:25:54.359 --> 0:25:55.120
<v Speaker 4>camps out there.

0:25:55.200 --> 0:25:57.320
<v Speaker 3>And so I think making.

0:25:57.000 --> 0:25:59.679
<v Speaker 4>Sure that people know the spaces that they have access to,

0:26:00.080 --> 0:26:03.800
<v Speaker 4>like kind of modeling that behavior is probably pretty helpful.

0:26:04.000 --> 0:26:06.240
<v Speaker 4>Agency could be lost as something as simple as like

0:26:06.280 --> 0:26:09.280
<v Speaker 4>you can't open a window, right, and now you know

0:26:09.320 --> 0:26:12.280
<v Speaker 4>it's nice outside here today we I'm in an old

0:26:12.280 --> 0:26:15.719
<v Speaker 4>building and like the windows sealed shut because they redid

0:26:15.760 --> 0:26:19.600
<v Speaker 4>it with air conditioning, and that that takes away my

0:26:19.680 --> 0:26:23.880
<v Speaker 4>agency in one way, and now I'm probably less likely

0:26:23.960 --> 0:26:26.280
<v Speaker 4>to like rearrange the furniture in my office. So just

0:26:26.320 --> 0:26:30.560
<v Speaker 4>like giving people these like little gateway agency experiences, then

0:26:30.600 --> 0:26:33.960
<v Speaker 4>making them more likely to kind of feel agency in

0:26:34.000 --> 0:26:36.560
<v Speaker 4>their larger relationship with the space might make it better.

0:26:36.640 --> 0:26:38.200
<v Speaker 1>I guess it was probably from a study that you

0:26:38.320 --> 0:26:41.760
<v Speaker 1>referenced in the book that I loved was that in

0:26:41.920 --> 0:26:48.119
<v Speaker 1>retirement homes, when people are allowed to design their space

0:26:48.119 --> 0:26:50.639
<v Speaker 1>how they want, make these choices about how they're going

0:26:50.680 --> 0:26:54.359
<v Speaker 1>to live, they tend to have better outcomes compared to

0:26:54.520 --> 0:26:56.400
<v Speaker 1>retirement homes where it's like this is it.

0:26:56.400 --> 0:26:57.040
<v Speaker 2>It's fixed.

0:26:57.160 --> 0:26:59.040
<v Speaker 1>No, you can't open the window, you can't move the

0:26:59.200 --> 0:27:01.560
<v Speaker 1>furniture around, you can't do all the stuff to the walls.

0:27:02.240 --> 0:27:05.280
<v Speaker 2>So tell us about that. What are those studies find better.

0:27:05.080 --> 0:27:08.320
<v Speaker 4>Outcomes in this case is like likelihood of being alive, right,

0:27:08.359 --> 0:27:10.960
<v Speaker 4>And so the people who are able to customize their space,

0:27:11.040 --> 0:27:13.320
<v Speaker 4>and this is a pretty controlled you know, it is

0:27:13.359 --> 0:27:15.800
<v Speaker 4>controlled and experiments you can get with the people who

0:27:15.840 --> 0:27:19.960
<v Speaker 4>could customize their space where I think twice as likely

0:27:20.000 --> 0:27:22.520
<v Speaker 4>to be alive eighteen months later.

0:27:23.040 --> 0:27:23.679
<v Speaker 2>That's wild.

0:27:24.080 --> 0:27:26.199
<v Speaker 4>Again, this is like, you know, we talk about like

0:27:26.280 --> 0:27:28.960
<v Speaker 4>these psychological quirks that we have, and we have all

0:27:28.960 --> 0:27:31.160
<v Speaker 4>these needs and again, like the paint color on the wall,

0:27:31.280 --> 0:27:32.120
<v Speaker 4>more creative.

0:27:31.840 --> 0:27:34.600
<v Speaker 3>Blah blah blah. But this is like life or death.

0:27:34.880 --> 0:27:37.480
<v Speaker 4>Like agency is like this core need that we have

0:27:38.720 --> 0:27:41.760
<v Speaker 4>and yeah, our space that you our spaces are either

0:27:41.800 --> 0:27:43.280
<v Speaker 4>meeting it or starving it.

0:27:43.720 --> 0:27:47.399
<v Speaker 1>How do you think about that with your kids in

0:27:47.480 --> 0:27:50.399
<v Speaker 1>terms of wanting to give them enough agency and at

0:27:50.400 --> 0:27:53.960
<v Speaker 1>the same time recognizing that you can't just kind of

0:27:54.000 --> 0:27:55.640
<v Speaker 1>let them do whatever the hell they want.

0:27:55.880 --> 0:27:58.359
<v Speaker 4>I love one of my favorite stories with my daughter

0:27:58.440 --> 0:28:01.479
<v Speaker 4>with she like she's this preschool that did an amazing

0:28:01.560 --> 0:28:04.560
<v Speaker 4>job with boundaries, and it's like one of these examples

0:28:04.600 --> 0:28:08.360
<v Speaker 4>where like a spatial concept has been like taken over

0:28:08.480 --> 0:28:11.479
<v Speaker 4>into the social world. Right, we talk about boundaries now

0:28:11.520 --> 0:28:13.720
<v Speaker 4>and it's all about like a human relationship. But of

0:28:13.760 --> 0:28:16.439
<v Speaker 4>course that came from like protecting your physical space. And

0:28:16.480 --> 0:28:18.679
<v Speaker 4>so one of the first things they learned was like

0:28:19.680 --> 0:28:22.760
<v Speaker 4>you could yell space, and that literally meant that people

0:28:22.800 --> 0:28:25.399
<v Speaker 4>had to give you like a ten foot radius around you. So,

0:28:25.760 --> 0:28:28.840
<v Speaker 4>like my daughter's sitting in the in the lego room

0:28:28.920 --> 0:28:31.680
<v Speaker 4>playing and I'm like trying to do laundry coming through

0:28:31.840 --> 0:28:33.680
<v Speaker 4>and like I just have to walk through her orbit

0:28:33.760 --> 0:28:36.680
<v Speaker 4>just a little bit, and she's like space and like

0:28:37.280 --> 0:28:39.560
<v Speaker 4>all right, all right, can I like walk around here?

0:28:39.600 --> 0:28:41.560
<v Speaker 3>And she's like yeah, but you like you can't look

0:28:41.600 --> 0:28:41.840
<v Speaker 3>at me.

0:28:42.520 --> 0:28:44.880
<v Speaker 4>But it was just like her being able to like

0:28:45.280 --> 0:28:48.080
<v Speaker 4>set this like really healthy thing, right, like this is

0:28:48.320 --> 0:28:51.080
<v Speaker 4>this is where I end, and you begin over here,

0:28:51.120 --> 0:28:52.520
<v Speaker 4>but like don't come this is me.

0:28:52.680 --> 0:28:55.280
<v Speaker 3>Don't don't infringe, And that's her identity.

0:28:55.400 --> 0:28:58.719
<v Speaker 4>I think with my son, when there are opportunities for

0:28:58.800 --> 0:29:00.760
<v Speaker 4>him to, you know, of course, like set up his

0:29:00.760 --> 0:29:02.280
<v Speaker 4>own room and so on and so forth, but if

0:29:02.320 --> 0:29:04.160
<v Speaker 4>they're like simple things to do in the house, like

0:29:04.160 --> 0:29:08.040
<v Speaker 4>we have a woodstairs that are a little slippery, and

0:29:08.040 --> 0:29:10.040
<v Speaker 4>so I just wanted to put some carpet tiles on

0:29:10.080 --> 0:29:11.480
<v Speaker 4>them so that people wouldn't fall.

0:29:11.600 --> 0:29:14.120
<v Speaker 3>And I asked my son, like what color do you want?

0:29:14.160 --> 0:29:17.520
<v Speaker 4>And you know, then they just stick on and he

0:29:17.520 --> 0:29:20.920
<v Speaker 4>helped put them on. But I mean he was like

0:29:21.000 --> 0:29:24.440
<v Speaker 4>totally bought into that. You could see his you know,

0:29:24.560 --> 0:29:27.720
<v Speaker 4>his self confidence lifting. But I think it also probably

0:29:27.760 --> 0:29:30.719
<v Speaker 4>makes him like the space better and feel more bought in.

0:29:30.800 --> 0:29:32.920
<v Speaker 4>So I think it's like trying to give them these

0:29:33.440 --> 0:29:36.320
<v Speaker 4>agency opportunities where they make sense, right, I'm not letting

0:29:36.360 --> 0:29:38.760
<v Speaker 4>him decide the you know, what color to paint the

0:29:38.800 --> 0:29:40.960
<v Speaker 4>walls or to do it himself. But it's like, Okay,

0:29:41.000 --> 0:29:42.840
<v Speaker 4>now he can be involved and I can give him

0:29:42.880 --> 0:29:45.720
<v Speaker 4>this agency, and he's going to feel a greater connection

0:29:45.800 --> 0:29:48.640
<v Speaker 4>to the space and more agency, which is going to

0:29:48.640 --> 0:29:50.120
<v Speaker 4>help him in a lot of different other ways.

0:29:50.240 --> 0:29:52.560
<v Speaker 1>My sister in law, when we go out and eat

0:29:52.640 --> 0:29:55.400
<v Speaker 1>with her kids, she's like, Lena, do you want chicken

0:29:55.440 --> 0:29:57.320
<v Speaker 1>nuggets or do you want a hamburger? It's not like,

0:29:57.400 --> 0:29:59.080
<v Speaker 1>here's the entire menu, right.

0:29:59.200 --> 0:30:01.640
<v Speaker 4>And I think that's you know, that's a strategy for kids,

0:30:01.640 --> 0:30:05.680
<v Speaker 4>but it's also a strategy for ourselves. It's like well

0:30:05.720 --> 0:30:09.040
<v Speaker 4>known that the more choices we have, like the worst

0:30:09.520 --> 0:30:12.080
<v Speaker 4>the worst our decision is, and then the worst is

0:30:12.240 --> 0:30:14.560
<v Speaker 4>we feel about it. So there's like this classic study

0:30:14.600 --> 0:30:18.520
<v Speaker 4>of chocolate where people given six choices varieties of chocolate

0:30:18.560 --> 0:30:20.800
<v Speaker 4>to choose from are happier with their choice than people

0:30:20.840 --> 0:30:24.440
<v Speaker 4>giving thirty varieties, which included the subset of six.

0:30:24.360 --> 0:30:27.200
<v Speaker 1>And is up just because if you have thirty you

0:30:27.360 --> 0:30:30.480
<v Speaker 1>really have no idea. If you'll it's just overwhelming. You're like,

0:30:30.520 --> 0:30:32.280
<v Speaker 1>there's no way I picked the right one if I

0:30:32.320 --> 0:30:34.719
<v Speaker 1>have thirty, But with six, you go, yeah, I had

0:30:34.720 --> 0:30:36.240
<v Speaker 1>a choice, and I think I might have picked the

0:30:36.320 --> 0:30:36.720
<v Speaker 1>right one.

0:30:36.800 --> 0:30:37.680
<v Speaker 3>I mean there's two parts.

0:30:37.680 --> 0:30:40.240
<v Speaker 4>One is it's like there's just too much to consider

0:30:40.840 --> 0:30:44.360
<v Speaker 4>with thirty and then there's the yeah, the fear of

0:30:44.760 --> 0:30:47.760
<v Speaker 4>the fear of making having made the wrong decision afterwards. Right,

0:30:47.760 --> 0:30:49.400
<v Speaker 4>there's all these ones that you're like, man, if I

0:30:49.440 --> 0:30:50.480
<v Speaker 4>picked that one, I would have liked.

0:30:50.440 --> 0:30:54.320
<v Speaker 3>The chocolate better. But that's just chocolate.

0:30:54.360 --> 0:30:56.719
<v Speaker 4>And now you think about like the degrees of choice

0:30:56.720 --> 0:30:58.920
<v Speaker 4>that there are when you're making your surrounding. If you're

0:30:58.920 --> 0:31:01.000
<v Speaker 4>setting up your home office, be like, Okay, what are

0:31:01.040 --> 0:31:04.160
<v Speaker 4>the three most important things in my home office and

0:31:04.280 --> 0:31:07.120
<v Speaker 4>how am I going to design for those first? Before

0:31:07.160 --> 0:31:09.600
<v Speaker 4>I get into all these things that you know, home

0:31:09.680 --> 0:31:12.360
<v Speaker 4>depot or you know, the catalogs are trying to get

0:31:12.400 --> 0:31:14.480
<v Speaker 4>you to start paying attention to.

0:31:14.760 --> 0:31:17.320
<v Speaker 1>Yeah, it's like focusing on the most important questions. You

0:31:17.320 --> 0:31:19.840
<v Speaker 1>had a good example in your book about when you

0:31:19.880 --> 0:31:22.120
<v Speaker 1>were was it the New Jersey school system you.

0:31:22.040 --> 0:31:24.760
<v Speaker 2>Were working for, Yeah, yeah.

0:31:24.360 --> 0:31:28.760
<v Speaker 1>Building schools, designing schools, and you talked about how people

0:31:28.800 --> 0:31:32.200
<v Speaker 1>would get obsessed with the paint color on the wall.

0:31:32.480 --> 0:31:34.560
<v Speaker 1>You'd be in these meetings and they'd be like rambling

0:31:34.600 --> 0:31:37.600
<v Speaker 1>forever about the paint color and how did you But

0:31:37.640 --> 0:31:40.120
<v Speaker 1>that was obviously wasn't going to be like a determinive art.

0:31:40.160 --> 0:31:41.840
<v Speaker 1>Is this going to be a really good space for

0:31:42.080 --> 0:31:44.520
<v Speaker 1>kids to learn? Right, Like one shade of white versus

0:31:44.600 --> 0:31:47.600
<v Speaker 1>another probably not going to affect test scores. So how

0:31:47.640 --> 0:31:50.480
<v Speaker 1>would you steer those conversations so they're more productive?

0:31:54.520 --> 0:31:56.240
<v Speaker 4>Well, I mean I didn't do a good job with

0:31:56.320 --> 0:31:58.480
<v Speaker 4>it at the time. I would like let the pink

0:31:58.480 --> 0:32:02.960
<v Speaker 4>color go. But I think I think the way to

0:32:03.000 --> 0:32:06.000
<v Speaker 4>steer it is Okay, So you know this situation.

0:32:06.080 --> 0:32:07.120
<v Speaker 3>These are all well meaning.

0:32:06.960 --> 0:32:10.520
<v Speaker 4>People, right There's teachers and superintendents and architects and engineers,

0:32:11.400 --> 0:32:15.400
<v Speaker 4>and I think the issue there was the professionals, namely me,

0:32:15.640 --> 0:32:19.240
<v Speaker 4>should have done a better job of being like, these

0:32:19.240 --> 0:32:21.640
<v Speaker 4>are the important decisions right now. And if we could

0:32:21.640 --> 0:32:26.600
<v Speaker 4>have said, look, we're here to talk about safety at

0:32:26.680 --> 0:32:31.320
<v Speaker 4>drop off, right, and this is why the circulation in

0:32:31.320 --> 0:32:34.480
<v Speaker 4>front of the school matters. Here's fencing, but here's other

0:32:34.520 --> 0:32:38.320
<v Speaker 4>options to help with safety at drop off, and here

0:32:38.360 --> 0:32:41.160
<v Speaker 4>are the key decisions we really need you to focus

0:32:41.200 --> 0:32:44.800
<v Speaker 4>on and kind of boiled down the technical stuff to okay,

0:32:44.840 --> 0:32:47.920
<v Speaker 4>this is what matters now. Then the people that we

0:32:47.960 --> 0:32:50.560
<v Speaker 4>had assembled would have been able to appine on things

0:32:50.640 --> 0:32:53.400
<v Speaker 4>that actually mattered for the design at that point. So

0:32:53.480 --> 0:32:55.800
<v Speaker 4>I mean the general principle there is like what are

0:32:55.840 --> 0:33:00.560
<v Speaker 4>the what are the important decisions and you know, making

0:33:00.600 --> 0:33:03.280
<v Speaker 4>them kind of manageable for people. Because one of the

0:33:03.320 --> 0:33:05.880
<v Speaker 4>reasons we focus on the paint colors is I mean,

0:33:05.920 --> 0:33:08.160
<v Speaker 4>it's it's very salient, but it's also we have this

0:33:08.320 --> 0:33:11.560
<v Speaker 4>like tendency when we're making decisions to focus on the

0:33:11.600 --> 0:33:16.400
<v Speaker 4>decisions that are like certain and.

0:33:15.040 --> 0:33:16.880
<v Speaker 3>We know that we can actually make them. So the

0:33:16.920 --> 0:33:17.360
<v Speaker 3>pink color.

0:33:17.400 --> 0:33:18.800
<v Speaker 4>If you say we're going to have blue walls, you

0:33:18.840 --> 0:33:20.840
<v Speaker 4>know what blue walls look like, and you know that's

0:33:20.880 --> 0:33:25.120
<v Speaker 4>a different like that's certain, even though it, like you said,

0:33:25.200 --> 0:33:28.160
<v Speaker 4>doesn't actually matter. At least we feel like we've done

0:33:28.240 --> 0:33:30.240
<v Speaker 4>something and had an impact. When we need to like

0:33:30.320 --> 0:33:32.600
<v Speaker 4>really fight that tendency when it comes to our spaces

0:33:32.640 --> 0:33:34.520
<v Speaker 4>because so many of the decisions we can make you're

0:33:34.560 --> 0:33:38.120
<v Speaker 4>not I mean with safety, you know, going back to

0:33:38.160 --> 0:33:40.920
<v Speaker 4>safety and like the circulation patterns you're going to you're

0:33:40.960 --> 0:33:44.120
<v Speaker 4>going to make it safer if you do the right thing,

0:33:44.600 --> 0:33:48.840
<v Speaker 4>but it's you know, you know, twenty collisions instead of

0:33:48.960 --> 0:33:51.680
<v Speaker 4>two hundred and you know that's going to happen over time,

0:33:51.720 --> 0:33:54.560
<v Speaker 4>the outcome is not nearly as certain.

0:33:54.960 --> 0:33:57.840
<v Speaker 1>That makes sense. Do you feel like this manifests itself?

0:33:57.920 --> 0:34:01.480
<v Speaker 1>If you're thinking about how do I my office or

0:34:01.520 --> 0:34:06.239
<v Speaker 1>workspace better for productivity? What do you feel like are

0:34:06.280 --> 0:34:09.000
<v Speaker 1>the most important things for people? Does it all just

0:34:09.040 --> 0:34:11.480
<v Speaker 1>go back to agency or like are there sort of

0:34:11.480 --> 0:34:13.960
<v Speaker 1>hallmarks where you see most people most of the time

0:34:14.120 --> 0:34:16.600
<v Speaker 1>tend to do better in a space like X.

0:34:16.840 --> 0:34:19.600
<v Speaker 4>I think it's like agency growth in connection, right, It's

0:34:19.640 --> 0:34:21.800
<v Speaker 4>like again, if you're going to filter it through three things,

0:34:21.840 --> 0:34:24.080
<v Speaker 4>filter it through those three and so I mean we've

0:34:24.080 --> 0:34:26.319
<v Speaker 4>talked about agency and that you know that could be

0:34:26.360 --> 0:34:31.000
<v Speaker 4>the design itself. Growth is interesting because it's not static, right,

0:34:31.040 --> 0:34:34.040
<v Speaker 4>So like the space that you're in, you know, it

0:34:34.080 --> 0:34:35.919
<v Speaker 4>works for a couple of years, and then you're kind

0:34:35.920 --> 0:34:38.719
<v Speaker 4>of like, all right, I'm not it's not challenging me, right,

0:34:38.760 --> 0:34:41.360
<v Speaker 4>And this is often why we renovate. We just a

0:34:41.440 --> 0:34:43.600
<v Speaker 4>new backsplash, It's going to make my life so much better,

0:34:43.640 --> 0:34:46.319
<v Speaker 4>and then like the novelty wears off and you have

0:34:46.360 --> 0:34:49.200
<v Speaker 4>to make another new new bike, new backslash. But I

0:34:49.200 --> 0:34:52.000
<v Speaker 4>think there's other ways to like kind of grow and

0:34:52.800 --> 0:34:55.800
<v Speaker 4>in your space, right, And it's like you can rearrange things.

0:34:55.880 --> 0:34:57.040
<v Speaker 3>You can think about like.

0:34:57.040 --> 0:34:59.640
<v Speaker 4>Okay, what are they you know, what are the pictures?

0:34:59.640 --> 0:35:01.799
<v Speaker 4>And do I want to have new artwork or do

0:35:01.840 --> 0:35:05.400
<v Speaker 4>I want to you know, now that I'm doing writing

0:35:05.520 --> 0:35:08.080
<v Speaker 4>with a treadmill desk, you know, should my desk be

0:35:08.080 --> 0:35:11.680
<v Speaker 4>in a different spot. Those kinds of things are like

0:35:11.800 --> 0:35:16.440
<v Speaker 4>small ways to keep growing with your space. And so

0:35:16.640 --> 0:35:19.359
<v Speaker 4>I think and then connection, right, and I think your

0:35:19.400 --> 0:35:21.560
<v Speaker 4>men's health example is a really great example of that

0:35:21.640 --> 0:35:25.640
<v Speaker 4>where it's like, you know, this the reason that the office,

0:35:26.160 --> 0:35:28.600
<v Speaker 4>the new office design didn't work it was the wrong

0:35:28.920 --> 0:35:33.000
<v Speaker 4>amount of connection, right, And you like people, but writing

0:35:33.040 --> 0:35:35.560
<v Speaker 4>is really hard to do with people all around you.

0:35:36.320 --> 0:35:39.080
<v Speaker 4>And so just being conscious of like, Okay, what do

0:35:39.120 --> 0:35:41.720
<v Speaker 4>I need from this space in terms of the amount

0:35:41.760 --> 0:35:44.920
<v Speaker 4>of connection and how do I set up the space

0:35:45.120 --> 0:35:46.880
<v Speaker 4>to get it? And I'm sorry to not have like

0:35:46.960 --> 0:35:49.480
<v Speaker 4>a kind of wirecutter hack, but it's.

0:35:50.760 --> 0:35:52.920
<v Speaker 3>It's it's really not. It's individual.

0:35:53.000 --> 0:35:55.799
<v Speaker 4>But it's like those those needs are basic, right, Those

0:35:55.840 --> 0:35:58.720
<v Speaker 4>needs are basic, as basic to all of us as anything,

0:35:59.120 --> 0:36:02.759
<v Speaker 4>and then how you meet those needs is going to

0:36:02.800 --> 0:36:03.520
<v Speaker 4>be individual.

0:36:03.760 --> 0:36:06.120
<v Speaker 2>Yeah, I've always struggled with.

0:36:07.480 --> 0:36:12.840
<v Speaker 1>Trying to remove extraneous stimulation from my office. So there's

0:36:12.880 --> 0:36:17.280
<v Speaker 1>not you know, the metaphorical squirrel darting in my office

0:36:17.320 --> 0:36:18.719
<v Speaker 1>and I'm trying to write, and I'm like, oh, but

0:36:18.840 --> 0:36:21.279
<v Speaker 1>this thing and that thing, and then also not having

0:36:21.280 --> 0:36:24.560
<v Speaker 1>it feel like a prison at the same time. How

0:36:24.600 --> 0:36:27.080
<v Speaker 1>did writing this book, I guess, like, what was the

0:36:27.160 --> 0:36:29.680
<v Speaker 1>space where you would write this book? And how did

0:36:29.840 --> 0:36:33.440
<v Speaker 1>did your ideas on where you worked best change at

0:36:33.480 --> 0:36:34.600
<v Speaker 1>all when you were writing this?

0:36:35.080 --> 0:36:37.840
<v Speaker 4>So for me, I like, there's a variety of spaces

0:36:37.880 --> 0:36:40.560
<v Speaker 4>that I mean, I like the university campus. I go

0:36:40.640 --> 0:36:43.279
<v Speaker 4>to different buildings, but there's not like I'll go to

0:36:43.320 --> 0:36:45.279
<v Speaker 4>this building to write this kind of thing or this

0:36:45.360 --> 0:36:48.720
<v Speaker 4>building to write this kind of thing. I totally agree

0:36:48.719 --> 0:36:52.560
<v Speaker 4>with the distraction thing, right, Like, the spatial distractions are

0:36:52.840 --> 0:36:54.920
<v Speaker 4>a much bigger risk for me than not having the

0:36:54.960 --> 0:37:00.680
<v Speaker 4>space be exciting enough, and so eliminating those is important.

0:37:00.760 --> 0:37:04.760
<v Speaker 4>Every writer talks about this, But like the balance between

0:37:04.880 --> 0:37:08.640
<v Speaker 4>like sitting and moving right, you know, some of the

0:37:08.719 --> 0:37:12.239
<v Speaker 4>easiest way to get unstuck is by just getting up

0:37:12.280 --> 0:37:14.600
<v Speaker 4>and going for a walk, even if it's a really

0:37:14.840 --> 0:37:17.960
<v Speaker 4>small one. At the same time, you just got to

0:37:18.200 --> 0:37:20.760
<v Speaker 4>have your butt in the chair for a certain amount

0:37:20.800 --> 0:37:22.680
<v Speaker 4>of time. I mean that like the ideas have to

0:37:22.920 --> 0:37:24.960
<v Speaker 4>you have to spend the time thinking about them and

0:37:25.000 --> 0:37:27.640
<v Speaker 4>try and struggling with it for those walks to be useful.

0:37:28.320 --> 0:37:32.000
<v Speaker 4>But thinking about like the the balance between those things

0:37:32.040 --> 0:37:34.359
<v Speaker 4>is important. And then I mean going back to the

0:37:34.360 --> 0:37:38.880
<v Speaker 4>professional athlete stuff, it's like the the the mindset is

0:37:38.920 --> 0:37:41.480
<v Speaker 4>so dependent on you know, if I can run and

0:37:41.520 --> 0:37:45.800
<v Speaker 4>then get coffee, I am like that's my best time.

0:37:45.960 --> 0:37:47.960
<v Speaker 1>Yeah, that makes sense. Did you as you were writing this,

0:37:48.160 --> 0:37:51.600
<v Speaker 1>did you change your mind on anything? I found that

0:37:51.600 --> 0:37:53.680
<v Speaker 1>when I write books, there's often I'll often go into

0:37:53.719 --> 0:37:56.760
<v Speaker 1>it with one idea and then like, oh, I actually

0:37:56.800 --> 0:37:59.160
<v Speaker 1>think something different after having done all this research.

0:37:59.480 --> 0:38:04.200
<v Speaker 4>The idea that these psychological needs arguably came from our

0:38:04.239 --> 0:38:07.400
<v Speaker 4>relationship with space aren't just like it's not just another

0:38:07.440 --> 0:38:09.839
<v Speaker 4>way to meet them. It's like they actually came from

0:38:09.840 --> 0:38:13.440
<v Speaker 4>That was just blew my mind. And it's like in

0:38:13.520 --> 0:38:17.480
<v Speaker 4>a lot of it's just everywhere in their research. I mean,

0:38:17.520 --> 0:38:20.920
<v Speaker 4>there's there's the neuroscience research that shows that like our

0:38:20.960 --> 0:38:23.600
<v Speaker 4>spatial networks, like the spatial networks in our brain, those

0:38:23.640 --> 0:38:26.640
<v Speaker 4>are the ones that then got adapted to map our

0:38:26.719 --> 0:38:28.320
<v Speaker 4>connections with other people.

0:38:28.600 --> 0:38:33.160
<v Speaker 1>That makes me think of So you point out on

0:38:33.160 --> 0:38:38.640
<v Speaker 1>the book, how there's this really beautiful building on your

0:38:38.680 --> 0:38:40.280
<v Speaker 1>campus that you walk past.

0:38:40.640 --> 0:38:41.839
<v Speaker 3>It's a memorial gym.

0:38:41.960 --> 0:38:44.120
<v Speaker 4>Yeah, and it's like it looks like there should be

0:38:44.160 --> 0:38:47.000
<v Speaker 4>Roman baths inside. It's like Beaux Arts, which is an

0:38:47.120 --> 0:38:51.040
<v Speaker 4>architectural style, and it's also like historically significant. I mean

0:38:51.120 --> 0:38:56.320
<v Speaker 4>like the after World War One, the students like donated

0:38:56.360 --> 0:38:59.440
<v Speaker 4>a third of that money to their fallen classmates, right,

0:38:59.520 --> 0:39:03.320
<v Speaker 4>I mean edge. And then in World War Two, Roosevelt

0:39:03.360 --> 0:39:06.560
<v Speaker 4>was here because some like his nephew was graduating or something,

0:39:06.680 --> 0:39:08.799
<v Speaker 4>and he's supposed to just give the commencement address, but

0:39:08.840 --> 0:39:11.400
<v Speaker 4>then something happened in Europe and so it was basically

0:39:11.480 --> 0:39:14.080
<v Speaker 4>his commencement address was like we're going to be in

0:39:14.360 --> 0:39:15.480
<v Speaker 4>war in Europe, and.

0:39:15.600 --> 0:39:17.000
<v Speaker 3>So all these people heard this speech.

0:39:17.320 --> 0:39:22.279
<v Speaker 4>So it's like historically significant, beautiful and sticks out. It's

0:39:22.280 --> 0:39:24.560
<v Speaker 4>like next to tennis courts and open fields.

0:39:24.760 --> 0:39:31.000
<v Speaker 1>It made me think about this, the difference between spaces

0:39:31.080 --> 0:39:34.440
<v Speaker 1>like that that I think were more frequent in the

0:39:34.480 --> 0:39:38.160
<v Speaker 1>past where they're kind of unique, and spaces we have

0:39:38.320 --> 0:39:44.440
<v Speaker 1>now where there's almost a creeping sameness setting in the

0:39:44.520 --> 0:39:49.359
<v Speaker 1>example I like to give is coffee shops. So if

0:39:49.400 --> 0:39:53.680
<v Speaker 1>you go into like a good coffee shop, it doesn't

0:39:53.680 --> 0:39:55.680
<v Speaker 1>matter if you go into the good coffee shop in

0:39:56.000 --> 0:39:59.920
<v Speaker 1>Tokyo or New York City or Mexico City or one

0:40:00.120 --> 0:40:03.719
<v Speaker 1>US are is they all have the same vibe. It's

0:40:03.719 --> 0:40:07.440
<v Speaker 1>all like minimalist, not much in there. It's like you

0:40:07.440 --> 0:40:09.560
<v Speaker 1>could get planted in any one and you'd be like,

0:40:09.600 --> 0:40:10.960
<v Speaker 1>I don't know where I am. It could be the

0:40:10.960 --> 0:40:12.480
<v Speaker 1>one at home I go to. It could I don't

0:40:12.480 --> 0:40:15.640
<v Speaker 1>know where I am. What do you think about that? Like,

0:40:15.680 --> 0:40:17.680
<v Speaker 1>what do you think is driving this sort of like

0:40:17.840 --> 0:40:19.719
<v Speaker 1>sameness you have? And you I think in the book

0:40:19.760 --> 0:40:22.359
<v Speaker 1>you use the example of hotels. How there's like kind

0:40:22.400 --> 0:40:23.919
<v Speaker 1>of hotels are all kind of the same.

0:40:24.160 --> 0:40:28.439
<v Speaker 4>So I mean there's a level of comfort with like familiarity, right,

0:40:28.560 --> 0:40:32.000
<v Speaker 4>Like we the reason hotel chain, like you book a

0:40:32.040 --> 0:40:34.960
<v Speaker 4>Marriott because you know what a Mariat is going to be, right,

0:40:35.040 --> 0:40:37.080
<v Speaker 4>And so I think that same thing could be happening

0:40:37.120 --> 0:40:39.800
<v Speaker 4>with the level of sameness in the spaces, is people

0:40:39.840 --> 0:40:41.959
<v Speaker 4>realize that like, okay, people are going to be more

0:40:42.360 --> 0:40:45.520
<v Speaker 4>immediately comfortable in this coffee shop if it's exactly like

0:40:45.560 --> 0:40:50.160
<v Speaker 4>the coffee shop that is where you know, like like

0:40:50.200 --> 0:40:51.360
<v Speaker 4>the coffee shop in the last.

0:40:51.239 --> 0:40:52.239
<v Speaker 3>City where they were.

0:40:53.080 --> 0:40:55.680
<v Speaker 4>The other side of that coin is that that's like

0:40:55.960 --> 0:40:58.440
<v Speaker 4>you know, in this aligns with a lot of your writing, right,

0:40:58.480 --> 0:41:00.880
<v Speaker 4>that's like an opportunity for Grill. It's like a small

0:41:00.880 --> 0:41:03.719
<v Speaker 4>amount of discomfort that would actually be better for us

0:41:03.800 --> 0:41:06.319
<v Speaker 4>in the long run. I think of it as like

0:41:06.360 --> 0:41:08.880
<v Speaker 4>when you go on vacation to a new spot, for example,

0:41:08.960 --> 0:41:11.640
<v Speaker 4>like we talked about the Jersey Shore before I go

0:41:11.680 --> 0:41:13.640
<v Speaker 4>to the Outer Banks. That's like closer to where I

0:41:13.680 --> 0:41:16.600
<v Speaker 4>live now. Sometimes like this sucks. It's like doesn't seem

0:41:16.600 --> 0:41:19.239
<v Speaker 4>like the Jersey Shore and it's just like the it's

0:41:19.320 --> 0:41:22.520
<v Speaker 4>fundamentally the same geography, but the built environment is like

0:41:22.680 --> 0:41:24.680
<v Speaker 4>slightly different, and I'm just not used to it. But

0:41:24.719 --> 0:41:28.320
<v Speaker 4>then once I go for a run and realize, like, okay,

0:41:28.360 --> 0:41:31.000
<v Speaker 4>like there's no boardwalk, but actually the place where you

0:41:31.080 --> 0:41:33.600
<v Speaker 4>walk is like along the beach and that's cool, And

0:41:33.880 --> 0:41:37.000
<v Speaker 4>there's no amusement park, but there's a soccer field right

0:41:37.000 --> 0:41:38.880
<v Speaker 4>over here that the kids are going to love. And

0:41:40.719 --> 0:41:42.839
<v Speaker 4>now I'm like, okay, I'm comfortable at the Jersey Shore.

0:41:42.880 --> 0:41:45.239
<v Speaker 4>And the outer bank. So it's like this growth opportunity

0:41:45.280 --> 0:41:48.160
<v Speaker 4>from a slightly different space, but it took you know,

0:41:48.360 --> 0:41:51.799
<v Speaker 4>a day or a run to become familiar with it

0:41:51.880 --> 0:41:53.760
<v Speaker 4>and then therefore feel more comfortable.

0:41:53.840 --> 0:41:55.279
<v Speaker 1>Yeah, it's like you had to you had to get

0:41:55.280 --> 0:41:58.239
<v Speaker 1>out and explore the environment instead of just kind of

0:41:58.280 --> 0:41:59.840
<v Speaker 1>doing what was easiest in the moment.

0:42:00.200 --> 0:42:00.680
<v Speaker 3>Exactly.

0:42:00.760 --> 0:42:02.759
<v Speaker 4>That's the fastest way to do it, right, is like,

0:42:02.840 --> 0:42:04.640
<v Speaker 4>just get out there and explore it, and then you

0:42:04.640 --> 0:42:05.680
<v Speaker 4>will become comfortable.

0:42:05.800 --> 0:42:09.840
<v Speaker 1>Like something I'll do in Las Vegas is I stopped

0:42:09.920 --> 0:42:12.640
<v Speaker 1>using GPS so much when I'm trying to get somewhere.

0:42:12.960 --> 0:42:13.280
<v Speaker 2>Yeah.

0:42:13.320 --> 0:42:16.600
<v Speaker 1>So it's like, Okay, we're going to this restaurant in Chinatown.

0:42:17.239 --> 0:42:19.839
<v Speaker 1>I generally know how to get to Chinatown. I kind

0:42:19.840 --> 0:42:21.560
<v Speaker 1>of know the crosstreets of this place, but I'm not

0:42:21.600 --> 0:42:23.280
<v Speaker 1>going to put it in GPS. I'm going to figure

0:42:23.280 --> 0:42:25.799
<v Speaker 1>it out along the way. And that has forced me

0:42:26.920 --> 0:42:30.120
<v Speaker 1>to have to pay so much more attention to the

0:42:30.200 --> 0:42:34.479
<v Speaker 1>neighborhoods and the streets, and in doing that, I find

0:42:34.480 --> 0:42:36.960
<v Speaker 1>myself picking up like, oh, I didn't know that that

0:42:37.040 --> 0:42:39.279
<v Speaker 1>place was here. I didn't know that place was I'm

0:42:39.280 --> 0:42:40.799
<v Speaker 1>going to check that out, So I'm just a lot

0:42:40.840 --> 0:42:44.759
<v Speaker 1>more aware of my surroundings by not just immediately defaulting

0:42:44.800 --> 0:42:48.080
<v Speaker 1>to an algorithm saying this is absolutely the most efficient

0:42:48.120 --> 0:42:50.080
<v Speaker 1>way to get there. Just follow the blue dot, Just

0:42:50.120 --> 0:42:52.040
<v Speaker 1>follow the line. Don't pay attention to anything but the

0:42:52.040 --> 0:42:52.680
<v Speaker 1>line and the car.

0:42:52.719 --> 0:42:53.680
<v Speaker 2>How do you? Yeah?

0:42:53.719 --> 0:42:56.040
<v Speaker 4>And i'd also is like your brain as being like

0:42:56.040 --> 0:42:58.680
<v Speaker 4>when you're on GPS, it's like your brain has gone

0:42:58.719 --> 0:43:02.640
<v Speaker 4>to the screen instead of to your surroundings, and it's

0:43:02.680 --> 0:43:07.480
<v Speaker 4>like the screen is two dimensional and doesn't smell like anything,

0:43:07.560 --> 0:43:10.320
<v Speaker 4>it doesn't taste like anything, it doesn't sound like much,

0:43:10.400 --> 0:43:13.279
<v Speaker 4>and you know you're taking you out of like all

0:43:13.320 --> 0:43:14.360
<v Speaker 4>of these other senses.

0:43:14.440 --> 0:43:18.200
<v Speaker 1>Did you change anything about the spaces that you frequent

0:43:18.239 --> 0:43:20.839
<v Speaker 1>most after writing this? Like a renovation cruise at your

0:43:20.840 --> 0:43:24.520
<v Speaker 1>house right now, just like overhauling everything or what not?

0:43:24.680 --> 0:43:25.600
<v Speaker 3>Renovation cruise?

0:43:25.640 --> 0:43:27.960
<v Speaker 4>I mean, the decluttering is like a really easy one

0:43:28.000 --> 0:43:30.040
<v Speaker 4>if you really like go into the entrance of your

0:43:30.040 --> 0:43:33.000
<v Speaker 4>door and then like walk into wherever you congregate and

0:43:33.040 --> 0:43:35.960
<v Speaker 4>think about like how other people are going to experience that.

0:43:37.160 --> 0:43:38.920
<v Speaker 4>For me at least, there's like a lot of stuff

0:43:38.920 --> 0:43:40.399
<v Speaker 4>that it's like, oh, I don't want them to see

0:43:40.400 --> 0:43:44.919
<v Speaker 4>that before they interact with me, right, And just streamlining

0:43:44.920 --> 0:43:48.160
<v Speaker 4>that kind of thing is just something that I've definitely

0:43:48.160 --> 0:43:48.799
<v Speaker 4>done that.

0:43:48.760 --> 0:43:50.719
<v Speaker 2>Was really useful for me to think about.

0:43:50.800 --> 0:43:52.640
<v Speaker 1>And I think you used a great example in the

0:43:52.640 --> 0:43:55.359
<v Speaker 1>book of a realtor who will kind of like walk

0:43:55.360 --> 0:43:55.880
<v Speaker 1>into space.

0:43:56.200 --> 0:43:56.880
<v Speaker 2>What are you saying?

0:43:57.680 --> 0:44:02.400
<v Speaker 1>And I think we get it's so habituated to walking

0:44:02.440 --> 0:44:03.879
<v Speaker 1>in and out of our house, we don't think about

0:44:03.880 --> 0:44:06.640
<v Speaker 1>how do other people who have never been here experience this?

0:44:06.719 --> 0:44:08.200
<v Speaker 1>And to your point, it's like if you have all

0:44:08.239 --> 0:44:09.800
<v Speaker 1>this stuff, like that's where their eye is going to

0:44:09.840 --> 0:44:12.960
<v Speaker 1>get drawn and it starts to change the interaction you're

0:44:13.000 --> 0:44:14.600
<v Speaker 1>going to have with that person in a way. So

0:44:14.640 --> 0:44:17.560
<v Speaker 1>it's almost like you have to like the places you

0:44:17.600 --> 0:44:19.680
<v Speaker 1>most frequent. It's almost like you have to try and

0:44:19.800 --> 0:44:23.359
<v Speaker 1>wipe the slate claim go into them anew like what

0:44:23.400 --> 0:44:26.040
<v Speaker 1>am I picking up here, and just spend time thinking

0:44:26.080 --> 0:44:26.560
<v Speaker 1>about that.

0:44:26.960 --> 0:44:27.960
<v Speaker 3>Yeah. Yeah.

0:44:28.000 --> 0:44:30.680
<v Speaker 4>And the realtor also she would like close her eyes

0:44:30.760 --> 0:44:35.200
<v Speaker 4>so that she could like, like the smell, then tap

0:44:35.239 --> 0:44:38.319
<v Speaker 4>more into the smells and the sounds, because those are

0:44:38.320 --> 0:44:41.480
<v Speaker 4>things that we tend to know we just too now, right,

0:44:41.600 --> 0:44:43.479
<v Speaker 4>I mean, there are all these studies showing that people

0:44:43.480 --> 0:44:45.680
<v Speaker 4>who are in like a noisy office environment like yours.

0:44:45.880 --> 0:44:48.480
<v Speaker 4>Men's health, they're like more stress at the end of

0:44:48.520 --> 0:44:50.920
<v Speaker 4>the day, even if they can't tell.

0:44:50.760 --> 0:44:52.960
<v Speaker 3>You that their office environment was more noisy.

0:44:53.040 --> 0:44:57.320
<v Speaker 4>So like, by tapping into those senses, you're realizing you're

0:44:57.360 --> 0:44:59.680
<v Speaker 4>more aware of what's going on and you can notice

0:44:59.680 --> 0:45:02.160
<v Speaker 4>good thing like if it's birds singing or you know,

0:45:02.280 --> 0:45:05.000
<v Speaker 4>pleasant smells. But you can also notice bad things that

0:45:05.040 --> 0:45:06.040
<v Speaker 4>you can then get rid of.

0:45:06.640 --> 0:45:08.520
<v Speaker 2>Yeah, that the example you just gave is great.

0:45:08.560 --> 0:45:10.600
<v Speaker 1>I remember there's this one study I came upon when

0:45:10.640 --> 0:45:13.960
<v Speaker 1>I was reporting a book, and it basically took groups

0:45:14.120 --> 0:45:17.040
<v Speaker 1>and had some of them do work in an open

0:45:17.120 --> 0:45:20.960
<v Speaker 1>concept office that was louder. The other group did work

0:45:21.040 --> 0:45:25.160
<v Speaker 1>in a quiet office. Both groups said, oh, yeah, I

0:45:25.200 --> 0:45:27.839
<v Speaker 1>did I did good work. I wasn't affected. Things are great.

0:45:27.880 --> 0:45:30.400
<v Speaker 1>But when they looked at the actual what they had produced,

0:45:30.600 --> 0:45:33.080
<v Speaker 1>the group who was not as in the noise and

0:45:33.120 --> 0:45:36.160
<v Speaker 1>in the chaos actually had a lot better quality work

0:45:36.200 --> 0:45:38.200
<v Speaker 1>and we're able to do more. So I think, to

0:45:38.239 --> 0:45:41.360
<v Speaker 1>your point, we don't realize a lot of these things

0:45:41.640 --> 0:45:43.840
<v Speaker 1>are affecting us at all, but they are.

0:45:43.880 --> 0:45:48.680
<v Speaker 3>Right right, Yeah, exactly. That's a fascinating study.

0:45:48.840 --> 0:45:49.239
<v Speaker 2>I should have.

0:45:49.680 --> 0:45:52.240
<v Speaker 1>I should have taken that study up to my editor

0:45:52.280 --> 0:45:55.080
<v Speaker 1>in chief and I'm like, look, man, science, I need

0:45:55.080 --> 0:45:59.080
<v Speaker 1>my damn office back, like right now, right now. What

0:45:59.239 --> 0:46:02.680
<v Speaker 1>is like one for kind of one big takeaway before

0:46:02.719 --> 0:46:07.439
<v Speaker 1>we end? What is like one thing people can use

0:46:07.600 --> 0:46:09.479
<v Speaker 1>immediately that you learned in your book?

0:46:09.560 --> 0:46:09.799
<v Speaker 2>Is it?

0:46:09.880 --> 0:46:11.799
<v Speaker 1>Does it go back to agency or like what is

0:46:11.840 --> 0:46:13.799
<v Speaker 1>that someone says like, okay, what's one thing I can

0:46:13.800 --> 0:46:14.719
<v Speaker 1>do from reading your book?

0:46:14.840 --> 0:46:16.160
<v Speaker 3>Maybe space before screen?

0:46:17.880 --> 0:46:18.520
<v Speaker 2>Tell us about that?

0:46:19.320 --> 0:46:20.600
<v Speaker 3>Yeah, So the idea is just.

0:46:20.600 --> 0:46:23.560
<v Speaker 4>That like we don't pay enough attention to our spaces,

0:46:23.600 --> 0:46:26.080
<v Speaker 4>like you said, and it's like, all right, well, obviously

0:46:26.080 --> 0:46:29.080
<v Speaker 4>we're like on screens all the time, and spaces do

0:46:29.120 --> 0:46:31.720
<v Speaker 4>all these beautiful things for us that the screens cannot.

0:46:32.640 --> 0:46:35.479
<v Speaker 4>So instead of like fighting that, maybe connect the two

0:46:35.520 --> 0:46:37.279
<v Speaker 4>and it's just like, all right, when you're drawn to

0:46:37.440 --> 0:46:40.719
<v Speaker 4>like look at your phone, use that as a queue

0:46:40.800 --> 0:46:44.160
<v Speaker 4>to be like, have I actually engaged with the space

0:46:44.200 --> 0:46:46.920
<v Speaker 4>that's around me? Have I paid attention to the space

0:46:47.000 --> 0:46:49.479
<v Speaker 4>that I'm in? And I think for me at least

0:46:49.480 --> 0:46:54.319
<v Speaker 4>that goes a long way towards uh yeah, towards number one,

0:46:54.360 --> 0:46:56.480
<v Speaker 4>like getting off my phone. But number two, just like

0:46:56.560 --> 0:47:01.839
<v Speaker 4>appreciating the magic of even a very simple space will

0:47:01.840 --> 0:47:04.719
<v Speaker 4>have cool stuff that you've never noticed about it. And

0:47:04.880 --> 0:47:08.560
<v Speaker 4>I think that's that's a cool useful tip that people have.

0:47:09.000 --> 0:47:13.120
<v Speaker 4>It sounds like early readers have enjoyed and it's been

0:47:13.120 --> 0:47:13.799
<v Speaker 4>sticky for them.

0:47:14.520 --> 0:47:16.759
<v Speaker 1>Do you have a room in your house where you

0:47:16.800 --> 0:47:18.280
<v Speaker 1>don't have screens purposely?

0:47:18.600 --> 0:47:18.759
<v Speaker 2>Oh?

0:47:18.840 --> 0:47:21.839
<v Speaker 3>God, this this Uh sorry, I'm kind of rant now.

0:47:22.840 --> 0:47:27.040
<v Speaker 3>It's like, so I love I mean, I love. Uh.

0:47:27.800 --> 0:47:30.320
<v Speaker 4>There's this new book called The Amazing Generation by Katherine

0:47:30.360 --> 0:47:33.479
<v Speaker 4>Price and Jonathan Hey I and uh like it's meant

0:47:33.480 --> 0:47:36.319
<v Speaker 4>for tweens and it's about like screen time and it's

0:47:36.400 --> 0:47:38.280
<v Speaker 4>just like my son's eleven.

0:47:38.400 --> 0:47:40.040
<v Speaker 3>He like stopped reading Harry Potter.

0:47:40.120 --> 0:47:42.200
<v Speaker 4>It was so interesting to him, and then we had

0:47:42.200 --> 0:47:44.719
<v Speaker 4>a conversation about screens. He's like, you can't let me

0:47:44.760 --> 0:47:47.800
<v Speaker 4>get a phone until I'm like this age. But he

0:47:47.920 --> 0:47:50.960
<v Speaker 4>like really understood it and it was like interesting to him.

0:47:51.080 --> 0:47:52.000
<v Speaker 3>So great book.

0:47:52.040 --> 0:47:53.880
<v Speaker 4>And then I like read a nice post about it

0:47:53.880 --> 0:47:55.680
<v Speaker 4>on LinkedIn and then you know they liked it. And

0:47:55.719 --> 0:47:58.480
<v Speaker 4>then as a result of that, there I'm seeing their

0:47:58.520 --> 0:48:00.200
<v Speaker 4>stuff in my feet and then I see Catherine by

0:48:00.320 --> 0:48:02.879
<v Speaker 4>saying like suggesting we should have one room that's screen free,

0:48:02.920 --> 0:48:05.040
<v Speaker 4>and I'm like, that's the opposite. We should have like

0:48:05.120 --> 0:48:06.759
<v Speaker 4>one room that has the screens.

0:48:06.960 --> 0:48:07.160
<v Speaker 3>Right.

0:48:08.800 --> 0:48:11.320
<v Speaker 4>So that's what I've tried to do in my house.

0:48:11.360 --> 0:48:13.439
<v Speaker 4>It's like, okay, like we have a huge TV.

0:48:13.560 --> 0:48:14.040
<v Speaker 3>It's awesome.

0:48:14.080 --> 0:48:15.880
<v Speaker 4>We can like watch soccer games and it's like the

0:48:16.000 --> 0:48:18.000
<v Speaker 4>players are bigger than we are on the TV. But

0:48:18.560 --> 0:48:21.840
<v Speaker 4>we that's the screen room, right, And I try to

0:48:21.840 --> 0:48:23.480
<v Speaker 4>put my phone in there when I come in and

0:48:23.520 --> 0:48:26.200
<v Speaker 4>try that's where he has to play on his iPad

0:48:26.360 --> 0:48:30.080
<v Speaker 4>and and all the other rooms are are screen free,

0:48:30.120 --> 0:48:34.120
<v Speaker 4>so I do think, yeah, use the space, and but

0:48:34.200 --> 0:48:36.759
<v Speaker 4>I would argue for like one screen room instead of

0:48:36.800 --> 0:48:38.840
<v Speaker 4>one screen free room. I just thought it was like

0:48:38.920 --> 0:48:41.440
<v Speaker 4>super ironic that we've come so far that that was

0:48:41.520 --> 0:48:43.320
<v Speaker 4>like the suggestion from the.

0:48:43.400 --> 0:48:44.680
<v Speaker 3>Anti screen people.

0:48:44.800 --> 0:48:47.560
<v Speaker 4>It's like, just what this one little room you can

0:48:47.600 --> 0:48:49.120
<v Speaker 4>go in and get away from them.

0:48:49.440 --> 0:48:52.360
<v Speaker 2>Totally. I love it. Well, this was awesome talking to you.

0:48:52.400 --> 0:48:56.120
<v Speaker 1>The new book is fantastic, and I also recommend Subtract.

0:48:56.160 --> 0:48:58.440
<v Speaker 1>That's a great one. And I love the work you do.

0:48:58.520 --> 0:48:58.640
<v Speaker 3>Man.

0:48:58.640 --> 0:48:59.920
<v Speaker 2>I appreciate you taking the time coming on.

0:49:00.440 --> 0:49:02.759
<v Speaker 3>Yeah, thanks for having me, Michael. This is super fun.

0:49:02.760 --> 0:49:04.080
<v Speaker 3>It's always a pleasure talking to you.

0:49:05.840 --> 0:49:07.880
<v Speaker 1>Thanks for checking out the show, and thanks to Lighty

0:49:08.040 --> 0:49:10.600
<v Speaker 1>for coming on. We are in your feeds twice a week,

0:49:10.640 --> 0:49:12.640
<v Speaker 1>so please keep an eye out for more and we

0:49:12.680 --> 0:49:15.480
<v Speaker 1>are always open to questions for our Ask Michael Anything section.

0:49:15.560 --> 0:49:17.839
<v Speaker 1>If you are watching this on YouTube, just drop your

0:49:17.960 --> 0:49:21.000
<v Speaker 1>question in the comments section. If you are listening in

0:49:21.120 --> 0:49:24.160
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0:49:24.200 --> 0:49:29.799
<v Speaker 1>twopct dot com. Even better, send your question in the

0:49:29.800 --> 0:49:32.480
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0:49:32.520 --> 0:49:33.759
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0:49:33.440 --> 0:49:34.080
<v Speaker 2>To answer it.

0:49:34.760 --> 0:49:38.399
<v Speaker 1>Do not forget to subscribe, and as always, how fun,

0:49:38.880 --> 0:49:39.359
<v Speaker 1>don't die