WEBVTT - Trevor Jackson

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<v Speaker 1>Money. Well, we are the authority and ladies and gentlemen,

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<v Speaker 1>what's going on? I am take and we are the

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<v Speaker 1>Army Money Podcast, the authorities on all things R and

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<v Speaker 1>B in the building. Yeah, I'm I'm getting passionate. You

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<v Speaker 1>know what I'm saying because because sometimes we have family

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<v Speaker 1>members in the building. You know what I'm saying. You

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<v Speaker 1>know the guys who who we've watched go from boys

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<v Speaker 1>to men, saying you shout out to those guys. We've

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<v Speaker 1>watched them go from boys to men and they've done

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<v Speaker 1>it with class, they've done it with excellence, and they've

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<v Speaker 1>been successful at this thing. Ladies and gentleman in the building.

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<v Speaker 1>A little bro who's not tallering us, hey honed to

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<v Speaker 1>be here for all seriousness legends. Man, I've looked at

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<v Speaker 1>you guys like basically my whole life and then being

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<v Speaker 1>able to work with you guys, like you said, since

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<v Speaker 1>I was very young and hopefully we can do it again.

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<v Speaker 1>How that I'm older, But you guys man paved the

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<v Speaker 1>way many ways, brother, many people, So thank you for

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<v Speaker 1>having got jury and a kind of ship. No, no,

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<v Speaker 1>he had no jury. Man lash out of Indiana, like, man,

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<v Speaker 1>it's crazy, that's what you gotta respect about what Trevor's

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<v Speaker 1>doing right. Okay, Trevor is doing right? Is I care?

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<v Speaker 1>But I don't care. But I don't, But I'm gonna

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<v Speaker 1>go surf. I'm probably surf after this, I don't know.

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<v Speaker 1>Maybe a little parkore on your fake grass, I don't know,

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<v Speaker 1>shoot a couple of jumpers on into the pool, backflip

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<v Speaker 1>into the pool. He's prepared, He's prepared for all things.

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<v Speaker 1>But then he says, don't get ship twisted. I got ice,

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<v Speaker 1>I got it, I got it on me. It's very new,

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<v Speaker 1>it's very new. I just funny thing is I said

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<v Speaker 1>I would never do it, and then I was like, man,

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<v Speaker 1>explain that. So this I got this first. This is

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<v Speaker 1>just a little link to get cuping, a little link.

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<v Speaker 1>I didn't want it to hang too low because I

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<v Speaker 1>like to be shirtless. So anyways, you right, you under

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<v Speaker 1>saying yeah, no, so I wanted that, and then born

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<v Speaker 1>artists my company. This is like the imblements of sharks.

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<v Speaker 1>Sharks will die if they stopped moving forward, stop swimming,

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<v Speaker 1>to literally die. And I feel like that's why I'm

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<v Speaker 1>with music when it comes to entertainments. Yeah, he's got

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<v Speaker 1>crocks on. Hey, man because I don't care really but

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<v Speaker 1>still kind of and he's bodying a paintbrush meaning arts

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<v Speaker 1>and all things art like we want to suck the

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<v Speaker 1>art name up in a good way. Wow. So so, Trevor,

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<v Speaker 1>you're one of those You're one of those rare human beings,

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<v Speaker 1>um who can do anything. Like everything that I've mean

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<v Speaker 1>you do or whatever task you've taken on high level,

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<v Speaker 1>high level, you done it and done it well. Well,

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<v Speaker 1>we looked at what we love to do on Army

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<v Speaker 1>Money podcast is we like to start at the beginning,

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<v Speaker 1>even though we need the people need to understanding back

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<v Speaker 1>to Indiana. We want on the journey. We want to

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<v Speaker 1>we want to know the first day you said as

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<v Speaker 1>somebody said, he got it, and then we want to

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<v Speaker 1>go from there and get to the shark with crocs

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<v Speaker 1>on because I didn't always have always You're a first

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<v Speaker 1>to put crocks on the shark, you know. And if

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<v Speaker 1>Disney cos your ship, if you niggas make a shark feet,

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<v Speaker 1>if y'all come out with a shark feet, I know sharks, Dad,

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<v Speaker 1>I just want to wear shark feet. Were we together? It? Okay?

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<v Speaker 1>So the beginning. I started tap as when I was

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<v Speaker 1>three years old, I remember Gregory Hunt alright, alright, see

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<v Speaker 1>the young man. No, it's history to tap dancing. At

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<v Speaker 1>three three years old, I remember I was my mom.

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<v Speaker 1>This is what she claims. She says that I was

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<v Speaker 1>flipping around and she didn't want to hear myself. She

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<v Speaker 1>took me to a gymnastics class and I walked by

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<v Speaker 1>the room and think it was happening. I was like, whoo,

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<v Speaker 1>so I want to do that. And then I just remember,

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<v Speaker 1>like anything I want to do. I'm like just trying

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<v Speaker 1>to study and like who's great? And I just remember

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<v Speaker 1>seeing Gregory Hinds. And it wasn't just that he was happening.

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<v Speaker 1>He was just like when he was on screen, everybody

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<v Speaker 1>else was like, who is that? Why is he The

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<v Speaker 1>way he walked away, he spoke um, and he's sang

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<v Speaker 1>and whatever. I saw her. Forget what the movie was,

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<v Speaker 1>but he was singing in it, he was tapping in it,

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<v Speaker 1>and you know he was on TV s he was acting.

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<v Speaker 1>So I was like, I want to do that. Whatever

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<v Speaker 1>all of these things are I want to have. I

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<v Speaker 1>want to do all that. That's kind of where it started.

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<v Speaker 1>I started, like, uh, competing in different places and stuff.

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<v Speaker 1>And then I remember I went to some workshop in

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<v Speaker 1>New York and some guy, his name is Lane Napper.

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<v Speaker 1>He worked for Nickelodeon at the time, and he was like, yo,

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<v Speaker 1>we know he could dance, but he's got something like

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<v Speaker 1>just put him into up else, make him do something else.

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<v Speaker 1>Did a local Broadway show called even Boards Christmas Show,

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<v Speaker 1>and then from that I did Lion King the Broadway

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<v Speaker 1>show for like three years, and that that changed my

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<v Speaker 1>whole life. I told when you when you was eight

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<v Speaker 1>years old eight to eleven, Simba, I was Smber. Yeah,

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<v Speaker 1>I was the whole first hour of the show and

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<v Speaker 1>um at eight at eight, yeah, And I remember I

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<v Speaker 1>can remember at that time, I never thought about being on.

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<v Speaker 1>I mean, I was just like, I'm just having a

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<v Speaker 1>blast from a backflips, I'm singing. Didn't even think about

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<v Speaker 1>what it was doing. He didn't think about it as

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<v Speaker 1>work either, No, not at all, not at all. And

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<v Speaker 1>I remember there was a day and I don't remember

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<v Speaker 1>what day, but some day I wasn't performing, and I

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<v Speaker 1>remember just you can only really see the first row

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<v Speaker 1>when it's like that, Yeah, the life. Yeah, I don't know.

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<v Speaker 1>I've never done broad Away, you know, No, I don't

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<v Speaker 1>you know, you know, you can only really see and

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<v Speaker 1>I only see everything's blacked out in the SUPERCI perform

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<v Speaker 1>multiple concerts in the right right. Okay, cool? So Mr

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<v Speaker 1>burns from me. That's so. Yeah. They're in the front

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<v Speaker 1>row and I just remember them being like like that,

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<v Speaker 1>and I was just like, why are they smiling? And

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<v Speaker 1>I looked on stage. I was like, I'm only one

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<v Speaker 1>up here. So I was like, oh wait wait wait

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<v Speaker 1>wait wait wait wait wait, completely by yourself. Yeah. Yeah,

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<v Speaker 1>there's like numbers where I'm just singing it's just me,

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<v Speaker 1>and I'm like, they're all smiling like happy, And I

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<v Speaker 1>was like, is that because I'm it's me? I was like,

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<v Speaker 1>all right, that's what I want for life. If I

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<v Speaker 1>can do that, and it doesn't have to be just

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<v Speaker 1>on stage. Is anyway that I can like affect someone's day,

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<v Speaker 1>make them happier. It's done something, you know what I'm saying.

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<v Speaker 1>So after that, I told him, I mean, I was like,

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<v Speaker 1>this is it. I'm I can't go back school. I mean,

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<v Speaker 1>I gotta I gotta perform. I've gotta dropped out of eight. Yeah,

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<v Speaker 1>I wish bro The wars that me and my mom

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<v Speaker 1>had about he dropped out of eight never looked back,

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<v Speaker 1>never never looked back. Um. Yeah, So then that people

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<v Speaker 1>were like, okay, so we should go to New York.

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<v Speaker 1>L A. I'm an l A guy. No respected it

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<v Speaker 1>in New York. I love New York. I love people

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<v Speaker 1>from New York. New York as the place is just

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<v Speaker 1>not my I don't think I would thrive there. So

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<v Speaker 1>we have a thing when when when you put out

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<v Speaker 1>the disclaimer of no disrespects, no disrespect, I love New York.

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<v Speaker 1>Uh yeah, A was just the place that you wanted

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<v Speaker 1>to be. Yeah, I want to be I like ocean,

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<v Speaker 1>you know, I like water, and I like I like

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<v Speaker 1>open you know. Aaron moved out here in two thousand

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<v Speaker 1>and eight and been shipping away man since then. That's

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<v Speaker 1>from fifteen years up in the Iron. So but during

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<v Speaker 1>that time, right from Lion King, I remember when your

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<v Speaker 1>label Reps came to that's the thing, right, like, no,

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<v Speaker 1>that that was the thing because people don't understand the

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<v Speaker 1>music business. You have to have certain bullet points for

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<v Speaker 1>people to even be interested, right because from the outside,

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<v Speaker 1>people just like, oh well, if I gotta check you

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<v Speaker 1>work with me. You know a lot of people gotta

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<v Speaker 1>check a lot of people, you know what I mean, Like,

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<v Speaker 1>and you get to a point in a business where

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<v Speaker 1>you've had enough success where you can pick and choose

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<v Speaker 1>who you want to work with if it makes sense

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<v Speaker 1>for you, right, Because one, everybody can't work with kids,

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<v Speaker 1>and you were a kid, you know what I'm saying,

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<v Speaker 1>Like you still hyper, but you was even more hyper then, right, Like,

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<v Speaker 1>so it's like all of those factors. That's why people

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<v Speaker 1>like Jermaine dupri have the utmost respect for Jermaine Dupris

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<v Speaker 1>for being able to work with multiple kid acts. That's tough, right,

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<v Speaker 1>because you gotta write the right record too, right, It

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<v Speaker 1>can't beat or to that. We've experienced that with you, right, So,

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<v Speaker 1>and that's that's what that's what I'm getting to. Like,

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<v Speaker 1>I remember having a conversation and then seeing you in

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<v Speaker 1>the lobby and of course every as soon as the

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<v Speaker 1>first thing they do all kids acts. If you can sing,

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<v Speaker 1>it's a it's a young boy, not even just sing,

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<v Speaker 1>but it's Michael Jackson. Everybody's Michael jack You're gonna either

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<v Speaker 1>sing Michael Jackson and Stevie Wonder. So listen, if you

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<v Speaker 1>guys are watching this, If you sing my Chael Jackson

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<v Speaker 1>and Stevie Wonder from me I'm kicking you out the studio. Now,

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<v Speaker 1>I'm putting this this their a legends, their legends. They

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<v Speaker 1>are who they are, right I am. I think it

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<v Speaker 1>was Who's loving you might have been it was, but

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<v Speaker 1>that was years ago. But that break out into that

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<v Speaker 1>I'm kicking you your mom or your uncle and your

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<v Speaker 1>daddy out the studio. It's one more song to added

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<v Speaker 1>to that though, too. Which one is that the kid

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<v Speaker 1>Alicia Ki? Yes, yes, something. I was like, okay, because

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<v Speaker 1>they find songs that the kids can push. I've heard

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<v Speaker 1>at least not kids singing at that point. You're on

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<v Speaker 1>Atlantic Records. Yeah, okay, Wait, before that, I met with everyone,

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<v Speaker 1>and you know, everyone says what they say, awesome, cool,

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<v Speaker 1>Atlantic said the best stuff. So I went with them.

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<v Speaker 1>Um and yeah, I was fifteen years old. That was crazy,

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<v Speaker 1>crazy experience, very green at the time, you know, but

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<v Speaker 1>it's very dope. Um yeah, and then we met right, yeah, yes,

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<v Speaker 1>what the heck? That was ten years ago. That's at

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<v Speaker 1>uh yes and yeah yeah yeah dude, And I still

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<v Speaker 1>remember some of the stuff we did, some craziness. We

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<v Speaker 1>did some and still needs to come out. I still

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<v Speaker 1>sing hold up. And we wanted to put you on

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<v Speaker 1>a level because you had the tools right and and

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<v Speaker 1>there of course, he said, there has to be a

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<v Speaker 1>fine balance between you being a kid, you know what

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<v Speaker 1>I'm saying, and you being an adult and what you

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<v Speaker 1>can um actually conveyable. That's you know what vocally, no, no, no,

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<v Speaker 1>we met you at fifteen at UM the studio hard

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<v Speaker 1>that that. Oh, but but what's the one that I

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<v Speaker 1>can't think of it, but that's we got you maybe

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<v Speaker 1>seven maybe around seventeen eighteen, which we felt like was

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<v Speaker 1>a perfect time because it was like the coming of

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<v Speaker 1>age thing. Obviously, we spoke about that off camera, like him,

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<v Speaker 1>you know, us doing a Mario when he's like eighteen,

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<v Speaker 1>you know what I mean. Like we had already worked

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<v Speaker 1>with Chris Brown, different artists that we had worked with

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<v Speaker 1>that were like young men, right, fifteen young boy, seventeen

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<v Speaker 1>eighteen young man. And for us, we were like, oh,

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<v Speaker 1>this is the pocket, this is where we're going to.

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<v Speaker 1>We're gonna, we're gonna, we're gonna give him that ship,

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<v Speaker 1>you know what I mean, because because you know, you

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<v Speaker 1>become very aggressive eighteen or will just say eighteen for

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<v Speaker 1>the for the sake of what I'm gonna say. After that,

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<v Speaker 1>at the age of eighteen, you were, you know, young lion.

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<v Speaker 1>Sure man, they know. I remember who was coming by

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<v Speaker 1>the studio. Yeah, those are those are amazing times for real, honestly,

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<v Speaker 1>And I remember you guys, uh just like pouring in man,

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<v Speaker 1>and then you'd be like, Yo're like going there, I'm

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<v Speaker 1>gonna come back, have the vocals done, and I want

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<v Speaker 1>him to sound like this was to sound. And I

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<v Speaker 1>was like, because you at the time, you know, you

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<v Speaker 1>were still doing a lot of stuff yourself, like you

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<v Speaker 1>were vocal producing yourself, and so we were very impressed

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<v Speaker 1>that at seventeen eighteen years old, you were like really

0:12:40.440 --> 0:12:44.840
<v Speaker 1>tapped into the quality. Yeah, make sure that it's good, man,

0:12:45.080 --> 0:12:46.599
<v Speaker 1>it's all you have left. I feel like, you know,

0:12:46.640 --> 0:12:50.800
<v Speaker 1>I'm going like, yo, this record it is um. But

0:12:50.840 --> 0:12:53.680
<v Speaker 1>it was the fight right like you were like explained

0:12:53.720 --> 0:12:56.040
<v Speaker 1>that because I mean, obviously we have our side of

0:12:56.080 --> 0:12:59.000
<v Speaker 1>how we saw it from the outside looking in, but

0:12:59.120 --> 0:13:03.640
<v Speaker 1>explained being seventeen eighteen years old, coming of age, young man,

0:13:04.559 --> 0:13:06.400
<v Speaker 1>wanting to get your ship off at that point, you

0:13:06.440 --> 0:13:07.960
<v Speaker 1>want to get your ship off, Yeah, and it's hard

0:13:08.000 --> 0:13:09.839
<v Speaker 1>right now, you're trying to tell a label that you've

0:13:09.840 --> 0:13:12.800
<v Speaker 1>been signed to since you were fifteen that no, no,

0:13:12.800 --> 0:13:16.040
<v Speaker 1>I'm grown now about to be grown? Right? Um. I

0:13:16.080 --> 0:13:19.160
<v Speaker 1>think it was you know what, To be honest with you,

0:13:19.160 --> 0:13:20.839
<v Speaker 1>I think it was partly me. I don't think I

0:13:20.960 --> 0:13:25.760
<v Speaker 1>understood the beauty of honesty until I got a little older,

0:13:26.480 --> 0:13:28.240
<v Speaker 1>because even at eighteen, I felt like I was still

0:13:28.320 --> 0:13:30.160
<v Speaker 1>under I feel like I was still under the mask

0:13:30.280 --> 0:13:32.360
<v Speaker 1>of like we were just talking about Michael, and I

0:13:32.400 --> 0:13:34.160
<v Speaker 1>was always like, Michael wouldn't say that, or no, I

0:13:34.240 --> 0:13:35.959
<v Speaker 1>was like trying to hold myself to pretty sure you

0:13:35.960 --> 0:13:37.560
<v Speaker 1>said that to us. Yeah, I'm pretty sure I did.

0:13:38.120 --> 0:13:40.200
<v Speaker 1>They're like, we can say that. I was like, Michael,

0:13:40.240 --> 0:13:47.000
<v Speaker 1>Michael wouldn't say that. Whoever even met Michael. You met Michael,

0:13:47.920 --> 0:13:52.120
<v Speaker 1>You're Michael. Look look at it. Look at Michael. Oh,

0:13:52.200 --> 0:13:55.760
<v Speaker 1>Michael beat up bubbles for him. Hey man, we do

0:13:55.800 --> 0:14:00.080
<v Speaker 1>a drug. I'm sorry I didn't know that. Wow, But

0:14:00.200 --> 0:14:02.480
<v Speaker 1>you never told me that everything. Um, I thought you

0:14:02.520 --> 0:14:09.160
<v Speaker 1>were told me that we're not gonna but no, that

0:14:09.240 --> 0:14:11.000
<v Speaker 1>was mine. That's where I was at that time, like,

0:14:11.000 --> 0:14:13.560
<v Speaker 1>oh I got to do this, I do this right. Um.

0:14:13.640 --> 0:14:15.240
<v Speaker 1>So I think I was partably part of the problem

0:14:15.280 --> 0:14:18.000
<v Speaker 1>for that too. Um. And like I said, it wasn't

0:14:18.040 --> 0:14:19.800
<v Speaker 1>til later that I was like, oh man, I just

0:14:19.840 --> 0:14:23.480
<v Speaker 1>gotta everything feels better when it's real, or at least

0:14:24.640 --> 0:14:27.080
<v Speaker 1>it's something that you want, you know, um, because people

0:14:27.080 --> 0:14:28.360
<v Speaker 1>can tell you to do a certain thing and you

0:14:28.360 --> 0:14:29.640
<v Speaker 1>can do it, but it won't be as good as

0:14:29.680 --> 0:14:31.120
<v Speaker 1>if you're like, hey, I love that thing and don't

0:14:31.120 --> 0:14:33.240
<v Speaker 1>want to do it, like yeah, it's it's it's I mean,

0:14:34.080 --> 0:14:36.000
<v Speaker 1>we can pitch it to pitch it all day, right right,

0:14:36.040 --> 0:14:39.880
<v Speaker 1>but I think we saw something in you and about

0:14:39.920 --> 0:14:45.320
<v Speaker 1>you that you knew, probably probably scared of it, probably

0:14:45.320 --> 0:14:47.600
<v Speaker 1>were like I mean. And then add add to the

0:14:47.640 --> 0:14:52.479
<v Speaker 1>fact that you know, Mom's is heavily in the so good,

0:14:52.080 --> 0:14:54.560
<v Speaker 1>so good a spot. Moms was heavily in the building.

0:14:54.720 --> 0:14:59.400
<v Speaker 1>Yeah you always yeah, right right right in the studio

0:15:00.240 --> 0:15:07.240
<v Speaker 1>in the Bible right for she's like now traveling, now

0:15:07.360 --> 0:15:09.240
<v Speaker 1>come on, even now, I'll be playing to it. I'm like,

0:15:09.880 --> 0:15:14.560
<v Speaker 1>let me let me cook. I understand, I understand it.

0:15:14.600 --> 0:15:17.560
<v Speaker 1>And then you know, trying to you know, manage it

0:15:17.640 --> 0:15:20.480
<v Speaker 1>from an image standpoint in terms of where you and

0:15:20.520 --> 0:15:22.240
<v Speaker 1>what you think, and it's all about and that's what

0:15:22.240 --> 0:15:24.520
<v Speaker 1>I'm saying like these image things are only from people

0:15:24.560 --> 0:15:27.720
<v Speaker 1>that have been have existed already, and if you're trying

0:15:27.720 --> 0:15:30.640
<v Speaker 1>to do something to or create something, you realize that, hey,

0:15:30.840 --> 0:15:34.200
<v Speaker 1>this path hasn't been made yet, you know, the footprints

0:15:34.240 --> 0:15:35.840
<v Speaker 1>in the same haven't been made. So maybe I can,

0:15:36.400 --> 0:15:39.120
<v Speaker 1>you know, but it takes time, you know. I used

0:15:39.160 --> 0:15:40.560
<v Speaker 1>to have a kind of like a spirit of like,

0:15:40.560 --> 0:15:42.800
<v Speaker 1>oh I wish, but now I'm just like, everything is purpose,

0:15:42.800 --> 0:15:45.200
<v Speaker 1>So everything is happening at the time is supposed to happen.

0:15:45.880 --> 0:15:51.840
<v Speaker 1>It makes sense now, So you you, you're acting was

0:15:53.280 --> 0:15:58.000
<v Speaker 1>developed in a space that I think, I think most

0:15:58.040 --> 0:16:04.160
<v Speaker 1>actors should you know, should dabble in at least once

0:16:04.240 --> 0:16:08.720
<v Speaker 1>or twice. And that's that theater stage, because that theater

0:16:08.840 --> 0:16:12.400
<v Speaker 1>stage is unforgiving. Yeah, no it is. I just had

0:16:12.440 --> 0:16:14.120
<v Speaker 1>to go. I just brought away at this beginning of

0:16:14.120 --> 0:16:16.280
<v Speaker 1>this year the top dance kid. And that was the

0:16:16.320 --> 0:16:18.760
<v Speaker 1>hardest thing I've ever done in my whole life's ever

0:16:19.080 --> 0:16:22.040
<v Speaker 1>learned the whole show in eleven days. And then how

0:16:22.240 --> 0:16:24.640
<v Speaker 1>did how many shows every week? I did well, only

0:16:24.800 --> 0:16:26.280
<v Speaker 1>it was only like a week long run, but it

0:16:26.400 --> 0:16:31.239
<v Speaker 1>was every day every day for sure, and Saturday Sunday. Yeah,

0:16:31.360 --> 0:16:35.840
<v Speaker 1>and you can't can't party, you can't hang out, can't

0:16:35.880 --> 0:16:37.360
<v Speaker 1>do anything. It's like, if I want my voice to

0:16:37.400 --> 0:16:40.360
<v Speaker 1>sound good tomorrow, I've got to not talking to anything.

0:16:40.720 --> 0:16:44.640
<v Speaker 1>So I hated it. I hate not to be be developed

0:16:44.640 --> 0:16:48.600
<v Speaker 1>in this space that I think every actor needs. You

0:16:48.680 --> 0:16:52.600
<v Speaker 1>need that. Okay, I only have one takes. I better

0:16:52.640 --> 0:16:58.600
<v Speaker 1>be on my that now groomed you for the music part.

0:16:58.720 --> 0:17:02.720
<v Speaker 1>I think that's the passion and that's you know, that's

0:17:02.720 --> 0:17:06.640
<v Speaker 1>the love and I think that that was that's probably

0:17:06.720 --> 0:17:09.840
<v Speaker 1>the harder part for you to figure out for sure,

0:17:10.000 --> 0:17:15.760
<v Speaker 1>for sure. And then you move into yeah TV and

0:17:15.840 --> 0:17:21.000
<v Speaker 1>it goes crazy, Yeah, for sure. So how would how

0:17:21.040 --> 0:17:23.200
<v Speaker 1>did you make that transition? Like what was the call?

0:17:23.280 --> 0:17:26.560
<v Speaker 1>Because you at this point you were music music and

0:17:26.560 --> 0:17:29.520
<v Speaker 1>then you have to say, Okay, how'm gonna pay for

0:17:29.520 --> 0:17:32.920
<v Speaker 1>my videos? Let me let me put this you know what.

0:17:34.200 --> 0:17:37.640
<v Speaker 1>That's a great way to gonna pay for music, real

0:17:37.880 --> 0:17:41.480
<v Speaker 1>real music business. Yeah, because when you want to do

0:17:41.520 --> 0:17:44.080
<v Speaker 1>what you want to do, you gotta pay for it.

0:17:44.080 --> 0:17:46.080
<v Speaker 1>You gotta pay for it. And that's the thing, like

0:17:46.119 --> 0:17:48.399
<v Speaker 1>you're saying, because if somebody like we're talking to people

0:17:48.760 --> 0:17:50.600
<v Speaker 1>can pitch all day and if I don't bite, and

0:17:50.640 --> 0:17:52.439
<v Speaker 1>I'm like, hey, that's not the greatest idea. Okay, we're

0:17:52.440 --> 0:17:54.080
<v Speaker 1>gonna go do what you want to do, but we're

0:17:54.119 --> 0:17:55.520
<v Speaker 1>not gonna We're not gonna give you bread for it,

0:17:55.560 --> 0:17:56.960
<v Speaker 1>and we're not gonna push it, and we're not gonna

0:17:56.960 --> 0:17:59.280
<v Speaker 1>market it. But sure, if you want to be creatively free,

0:17:59.280 --> 0:18:01.199
<v Speaker 1>you go do that. And to do that and to

0:18:01.240 --> 0:18:03.119
<v Speaker 1>have the ship I like because I watched it, and

0:18:03.160 --> 0:18:05.359
<v Speaker 1>I'm the most critical person on the planet. I watched

0:18:05.359 --> 0:18:07.359
<v Speaker 1>my own ship like that. So I'm like, I gotta

0:18:07.400 --> 0:18:09.040
<v Speaker 1>make sure that it it's fire. I gotta get the

0:18:09.080 --> 0:18:12.199
<v Speaker 1>hundred camera, I gotta rent it, I gotta get this guy,

0:18:12.240 --> 0:18:13.920
<v Speaker 1>I gotta get the great lighting team. I gotta get

0:18:13.920 --> 0:18:16.040
<v Speaker 1>the people coming in, and it's gotta look good, and

0:18:16.080 --> 0:18:18.160
<v Speaker 1>I gotta have a good story. I've gotta I don't

0:18:18.160 --> 0:18:19.720
<v Speaker 1>want my video to look like every video I've got,

0:18:20.040 --> 0:18:22.320
<v Speaker 1>you know, and to do that you have to have money.

0:18:22.840 --> 0:18:25.359
<v Speaker 1>And so obviously I love acting, and that's I'm not

0:18:25.400 --> 0:18:27.359
<v Speaker 1>I'm not disclaiming that that's a huge part of my

0:18:27.400 --> 0:18:29.960
<v Speaker 1>life and it's saved me many of times just throughout

0:18:29.960 --> 0:18:33.400
<v Speaker 1>the human experience. But definitely a big part of it

0:18:33.440 --> 0:18:34.879
<v Speaker 1>is when I want to make a music video, I

0:18:34.880 --> 0:18:38.720
<v Speaker 1>can make it. And I think that's all I like

0:18:38.720 --> 0:18:40.040
<v Speaker 1>we're talking about. For it is what I have is

0:18:40.080 --> 0:18:41.960
<v Speaker 1>like those are my stories, those are my visuals to

0:18:42.040 --> 0:18:44.199
<v Speaker 1>my stories. That's how I see the world, and I

0:18:44.200 --> 0:18:47.240
<v Speaker 1>want to be able to provide that. So acting has

0:18:48.400 --> 0:18:54.200
<v Speaker 1>financed your music for sure, hundred percent, dude. Oh yeah.

0:18:54.720 --> 0:18:59.800
<v Speaker 1>And I feel like, do you feel like the acting

0:19:00.400 --> 0:19:04.119
<v Speaker 1>help put you in a in a better space for

0:19:04.280 --> 0:19:07.840
<v Speaker 1>your music to be absolutely to be heard? But I think, okay,

0:19:07.920 --> 0:19:10.840
<v Speaker 1>So I think musicians know, like when they hear myself,

0:19:10.880 --> 0:19:12.119
<v Speaker 1>you know what I'm saying, But it's hard for an

0:19:12.160 --> 0:19:14.399
<v Speaker 1>audience when they've seen you as something for a minute,

0:19:14.760 --> 0:19:18.560
<v Speaker 1>you know, And it's yeah, yeah being pigeon home for sure.

0:19:18.600 --> 0:19:20.560
<v Speaker 1>And it's sometimes Rice versus some people don't do music.

0:19:20.600 --> 0:19:21.960
<v Speaker 1>It's like, oh, I didn't know he's on to it.

0:19:22.040 --> 0:19:24.080
<v Speaker 1>You know. It's like whatever you found first, that's what

0:19:24.119 --> 0:19:27.120
<v Speaker 1>you identified with. This is who that is to me. Um.

0:19:27.160 --> 0:19:29.400
<v Speaker 1>But I think that just comes a time in consistency.

0:19:29.560 --> 0:19:31.560
<v Speaker 1>I think if you put out six albums in their

0:19:31.600 --> 0:19:34.159
<v Speaker 1>own toper, you know, people are like, Okay, he's not

0:19:34.200 --> 0:19:37.640
<v Speaker 1>just trying to make music. He makes music. That's because

0:19:37.760 --> 0:19:42.000
<v Speaker 1>I'm not gonna lie to you. It's very interesting to

0:19:42.080 --> 0:19:45.920
<v Speaker 1>me to see every character off of every show drop

0:19:45.960 --> 0:19:48.480
<v Speaker 1>a song. Yeah, I'd be like wait wait wait such

0:19:48.480 --> 0:19:51.679
<v Speaker 1>and such yeah, thing too, and it kind of it

0:19:51.800 --> 0:19:55.760
<v Speaker 1>waddles it down to a certain degree because a lot

0:19:55.800 --> 0:19:59.240
<v Speaker 1>of it isn't good, right, and you wanted to be

0:19:59.240 --> 0:20:01.400
<v Speaker 1>because you like the character they are on the show,

0:20:01.440 --> 0:20:04.240
<v Speaker 1>are they played in this movie? And then that music

0:20:04.320 --> 0:20:08.399
<v Speaker 1>hid and he's like, boy, you ain't who you did.

0:20:14.520 --> 0:20:19.159
<v Speaker 1>And that's tough, especially for artists like yourself, right, who

0:20:20.240 --> 0:20:25.200
<v Speaker 1>just a just a consumer sees you as one thing,

0:20:25.480 --> 0:20:29.879
<v Speaker 1>and now you're judged by almost what other people are doing, right,

0:20:29.920 --> 0:20:32.520
<v Speaker 1>because their song wasn't that good, So they're like, I'm

0:20:32.520 --> 0:20:35.359
<v Speaker 1>not gonna listen to hyeah. Right. So that's why to me,

0:20:35.400 --> 0:20:39.119
<v Speaker 1>it was really it was really important for Drake to

0:20:39.200 --> 0:20:43.480
<v Speaker 1>become Drake because that you can't put that stigma on

0:20:43.560 --> 0:20:47.520
<v Speaker 1>people anymore of the oh he only does right, Like

0:20:47.600 --> 0:20:50.800
<v Speaker 1>obviously Jamie Foxx, who was an anomaly, right, he's just

0:20:51.200 --> 0:20:55.199
<v Speaker 1>he can do anything. He's an alien absolutely, um. But

0:20:55.280 --> 0:20:59.640
<v Speaker 1>when Drake came and did it, it was like Will

0:20:59.680 --> 0:21:03.520
<v Speaker 1>chaired Jimmy right, like nobody expects it will chair Jimmy

0:21:03.520 --> 0:21:07.440
<v Speaker 1>to be the top rapper in the world and maybe

0:21:07.520 --> 0:21:09.359
<v Speaker 1>R and B singer for men too. Like you know,

0:21:09.400 --> 0:21:12.840
<v Speaker 1>I mean like he I mean he did it. He

0:21:12.840 --> 0:21:18.159
<v Speaker 1>did it, and I definitely listen. I was trying not

0:21:18.240 --> 0:21:21.040
<v Speaker 1>to listen, but also still at the same time, I

0:21:21.119 --> 0:21:23.000
<v Speaker 1>don't even really hear what he's doing. I need that

0:21:23.000 --> 0:21:29.959
<v Speaker 1>little steel tolle melody. No no no, no, no no no,

0:21:30.240 --> 0:21:36.360
<v Speaker 1>I don't hear it. But so for someone like yourself,

0:21:37.440 --> 0:21:42.080
<v Speaker 1>was that also inspiring for you to see that that? Okay,

0:21:42.280 --> 0:21:44.960
<v Speaker 1>especially in your age range too. Drake's not for sure

0:21:45.119 --> 0:21:47.240
<v Speaker 1>for sure, I mean funny say that because I have

0:21:47.320 --> 0:21:49.160
<v Speaker 1>a you know, I'm always working on the album seven

0:21:49.200 --> 0:21:51.359
<v Speaker 1>It's night Night. But for one of the intro tractors,

0:21:51.359 --> 0:21:54.159
<v Speaker 1>a bar that kind of alludes to that, UM, just

0:21:54.160 --> 0:21:59.399
<v Speaker 1>saying like, uh, you know, okay, Sorry, I'm kind of

0:21:59.440 --> 0:22:02.840
<v Speaker 1>changing topic. Do you guys think that in some circumstances

0:22:02.880 --> 0:22:05.080
<v Speaker 1>or most you need a co sign or something like that?

0:22:05.840 --> 0:22:10.480
<v Speaker 1>Two certain, because when I think about I think Drake

0:22:10.520 --> 0:22:14.560
<v Speaker 1>needed Wayne. Yeah, yes I do personally, you know, someone

0:22:14.680 --> 0:22:19.080
<v Speaker 1>someone else. I think Drake will say that. Um, Wayne's

0:22:19.119 --> 0:22:23.400
<v Speaker 1>co sign was huge, right, right, And did you kind

0:22:23.400 --> 0:22:25.919
<v Speaker 1>of have or was whiz kind of on his I

0:22:25.960 --> 0:22:28.840
<v Speaker 1>think Wi was was doing his thing, but I think

0:22:28.960 --> 0:22:32.280
<v Speaker 1>his connection to Snoop but that came later. It came later,

0:22:32.359 --> 0:22:35.000
<v Speaker 1>But I think that he had already had cushion orange

0:22:35.040 --> 0:22:38.480
<v Speaker 1>jus before Snoop? Did he have black and yellow before? Yeah,

0:22:38.720 --> 0:22:40.560
<v Speaker 1>you know, he was cracking. He was cracking. But I

0:22:40.600 --> 0:22:44.480
<v Speaker 1>think something about that connection, right, I don't think it

0:22:44.560 --> 0:22:46.760
<v Speaker 1>was a validation maybe let me let me not say

0:22:46.800 --> 0:22:48.840
<v Speaker 1>that because it's it's a different thing. But I think

0:22:48.880 --> 0:22:53.760
<v Speaker 1>somehow that connection, right just took things to a really

0:22:53.840 --> 0:22:57.240
<v Speaker 1>different cool level, you know for sure. But all of

0:22:57.280 --> 0:23:00.000
<v Speaker 1>those things, yeah, all of those things are are really

0:23:00.160 --> 0:23:03.240
<v Speaker 1>in my in my opinion important, and I think that

0:23:03.320 --> 0:23:06.199
<v Speaker 1>we suffer from that in army for sure. There's not

0:23:06.440 --> 0:23:25.000
<v Speaker 1>enough reach back. Right. So to answer a question, yes,

0:23:25.119 --> 0:23:29.720
<v Speaker 1>super inspiring, super inspiring. Um, And I do think one

0:23:29.760 --> 0:23:31.280
<v Speaker 1>thing that I do lean on two is that I

0:23:31.320 --> 0:23:35.560
<v Speaker 1>did I was doing music before I got successful at

0:23:36.320 --> 0:23:39.280
<v Speaker 1>the acting on the level of acting that I'm doing now,

0:23:39.640 --> 0:23:42.240
<v Speaker 1>I was putting out stuff for it. So when people

0:23:42.280 --> 0:23:43.960
<v Speaker 1>see they're like, oh, no, he's not just trying to

0:23:44.640 --> 0:23:46.359
<v Speaker 1>you know, he's been kind of put working out in

0:23:46.359 --> 0:23:50.240
<v Speaker 1>a sense. But dude, I'm I'm really happy with where

0:23:50.240 --> 0:23:53.600
<v Speaker 1>I'm at creatively. And it took all of these years

0:23:53.640 --> 0:23:55.480
<v Speaker 1>and experiences that I've been through and things that I

0:23:55.520 --> 0:23:58.520
<v Speaker 1>pull from and take to really sit back and enjoy.

0:23:58.640 --> 0:24:00.560
<v Speaker 1>I think that's that's my favorite part at end the day.

0:24:00.560 --> 0:24:04.320
<v Speaker 1>I make music for me, um. And then anybody who's

0:24:04.400 --> 0:24:07.000
<v Speaker 1>like me obviously will you know, be attracted to the music,

0:24:07.040 --> 0:24:09.320
<v Speaker 1>but to be able to look at pain or joy

0:24:09.520 --> 0:24:11.560
<v Speaker 1>or any experience and then listen back to it as

0:24:11.560 --> 0:24:15.119
<v Speaker 1>a song and be like, here's a question, what was

0:24:15.280 --> 0:24:18.120
<v Speaker 1>what was I guess what was a turning point? Or

0:24:18.720 --> 0:24:21.879
<v Speaker 1>I guess from what you just said, like being completely

0:24:21.920 --> 0:24:24.399
<v Speaker 1>happy in the space that you are and understanding that

0:24:24.560 --> 0:24:26.639
<v Speaker 1>all things were powerful the course to get you to

0:24:26.760 --> 0:24:30.000
<v Speaker 1>this space. What was the moment or a thing that

0:24:30.119 --> 0:24:35.159
<v Speaker 1>helps you get to that realization. There's been multiple times, um, um.

0:24:35.720 --> 0:24:38.320
<v Speaker 1>So there's been times like, let's say, there's been like

0:24:38.480 --> 0:24:42.359
<v Speaker 1>roles I really wanted or like really bad, Oh God,

0:24:42.440 --> 0:24:49.400
<v Speaker 1>please God, so bad? No, I want to be so bad,

0:24:49.440 --> 0:24:56.720
<v Speaker 1>and then you have a dango unchained somewhere. Please No,

0:24:57.480 --> 0:25:01.000
<v Speaker 1>we're not gonna do this. I just wanted enough. I

0:25:01.040 --> 0:25:05.040
<v Speaker 1>love you. I didn't even the same reason. I just

0:25:05.080 --> 0:25:12.680
<v Speaker 1>asked him. Everybody knows. Everybody Wait, who's don't worry about

0:25:13.920 --> 0:25:19.080
<v Speaker 1>Maybe they won't, but no, then maybe the movie comes

0:25:19.080 --> 0:25:21.240
<v Speaker 1>out and then it's not great. And I just kind

0:25:21.240 --> 0:25:23.800
<v Speaker 1>of like trust in the process of things. Um, but

0:25:23.880 --> 0:25:26.560
<v Speaker 1>even I wish that is. Are you happy when it

0:25:26.640 --> 0:25:29.240
<v Speaker 1>when it's like when it's a weak you know what

0:25:29.280 --> 0:25:37.119
<v Speaker 1>I mean? Hell yeah movie? No? But and sometimes it's

0:25:37.160 --> 0:25:39.159
<v Speaker 1>never an actor's fault, dude. It can be the director,

0:25:39.200 --> 0:25:41.160
<v Speaker 1>can be the light guy, it can be the writer,

0:25:41.760 --> 0:25:44.760
<v Speaker 1>and it ruins. You can ruin the movie, dude. By

0:25:44.800 --> 0:25:46.840
<v Speaker 1>the way, I saw the Elvis movie started to segue

0:25:46.960 --> 0:25:49.439
<v Speaker 1>incredible and they're not paying me to say this, but

0:25:49.480 --> 0:25:51.919
<v Speaker 1>the Elvis movie was great. Well, man, what is your

0:25:51.920 --> 0:25:54.520
<v Speaker 1>thoughts on that? Why are you making that face? Elvis?

0:25:54.520 --> 0:25:59.000
<v Speaker 1>You have thoughts about Elvis? Come on, he was still

0:25:59.080 --> 0:26:05.879
<v Speaker 1>cold and we young girls all night. Wait wait, I

0:26:06.000 --> 0:26:12.880
<v Speaker 1>just want to know. I'm just asking, are we we're

0:26:12.920 --> 0:26:20.399
<v Speaker 1>making movies and saluting bro men? Who No, You're right, okay, sorry,

0:26:20.840 --> 0:26:25.800
<v Speaker 1>As a filmmaker, cinema just pure cinema, pretty great acting,

0:26:25.880 --> 0:26:29.080
<v Speaker 1>great Yeah, it wasn't him. It wasn't he's just acting.

0:26:29.160 --> 0:26:33.040
<v Speaker 1>He was just a just and yeah, but did they

0:26:33.040 --> 0:26:38.639
<v Speaker 1>tell the whole story? Probably not. They never do though, Okay,

0:26:38.680 --> 0:26:44.000
<v Speaker 1>seg waiting back where to say, We're back to the

0:26:44.119 --> 0:26:54.080
<v Speaker 1>arm beat alight right right right past regrets. Um, you

0:26:54.160 --> 0:26:56.920
<v Speaker 1>can't have any can't you can't have it. That's not happy.

0:26:57.080 --> 0:26:59.200
<v Speaker 1>That's not call it a regret. Let's just call it

0:26:59.240 --> 0:27:05.320
<v Speaker 1>a moment where where you've monologue afterwards, which we should

0:27:05.359 --> 0:27:08.360
<v Speaker 1>have put out. Hold up, m that's one and that's

0:27:08.359 --> 0:27:10.000
<v Speaker 1>what I mean, just saying it was weird. I've seen

0:27:10.040 --> 0:27:15.159
<v Speaker 1>that song all the time. Hold Up was a shock

0:27:16.760 --> 0:27:19.040
<v Speaker 1>to me and probably everybody. First, let me tell you so,

0:27:19.040 --> 0:27:21.080
<v Speaker 1>we wrote this song and then he goes in the booth,

0:27:21.280 --> 0:27:23.639
<v Speaker 1>sings the song, leaves and tells me to sing it

0:27:23.720 --> 0:27:26.399
<v Speaker 1>like that and then he'll be back. I said, you, mother,

0:27:27.000 --> 0:27:29.399
<v Speaker 1>I was pined because they get hit it riff at

0:27:29.440 --> 0:27:31.480
<v Speaker 1>the end. It took me at least twenty five takes

0:27:31.520 --> 0:27:34.080
<v Speaker 1>to uh to get it, but I got it. But

0:27:34.200 --> 0:27:38.160
<v Speaker 1>it took me about twenty five. And I'm not saying

0:27:38.160 --> 0:27:39.800
<v Speaker 1>it just because you're here, just because you're a little

0:27:39.800 --> 0:27:43.600
<v Speaker 1>bro killed it thank you. I really do. I still

0:27:43.640 --> 0:27:45.720
<v Speaker 1>I'm telling you that's like gonna be an interest. You

0:27:45.760 --> 0:27:47.480
<v Speaker 1>can get this on camera. There's gonna be an intro

0:27:47.560 --> 0:27:51.919
<v Speaker 1>to an album. Do you have it? It's here. I

0:27:51.960 --> 0:27:53.600
<v Speaker 1>forgot you have forget about me too. I don't have

0:27:53.640 --> 0:27:55.399
<v Speaker 1>my version. I gotta you know what, But I do

0:27:55.480 --> 0:27:59.200
<v Speaker 1>have a computer that I gotta fire up. And it's

0:28:00.000 --> 0:28:03.480
<v Speaker 1>it's easy. We can do. You know what I'm saying.

0:28:03.560 --> 0:28:06.040
<v Speaker 1>That's just it's amazing song though, man. And just because

0:28:06.040 --> 0:28:07.359
<v Speaker 1>I'm talking to R and B. I mean, that's like

0:28:07.400 --> 0:28:09.600
<v Speaker 1>an epitome of it. I think something like that. So

0:28:09.880 --> 0:28:13.640
<v Speaker 1>what does the day look like for you as as

0:28:13.680 --> 0:28:17.600
<v Speaker 1>a music artist? As now? You know it's now, I

0:28:17.600 --> 0:28:21.800
<v Speaker 1>mean one of one of the biggest actors. Like, what

0:28:21.880 --> 0:28:24.560
<v Speaker 1>does today look like for you? What is you're saying?

0:28:24.560 --> 0:28:31.840
<v Speaker 1>Like a regular day? Oh? Right now? For the next

0:28:31.840 --> 0:28:34.360
<v Speaker 1>time out, I'm very excited about it. Rough draft three,

0:28:34.400 --> 0:28:36.240
<v Speaker 1>I have draft one, rough drafts two. This is gonna

0:28:36.240 --> 0:28:38.480
<v Speaker 1>be the third installment of like that little series, and

0:28:39.280 --> 0:28:42.280
<v Speaker 1>I want to put the music out. I've been shooting videos.

0:28:42.680 --> 0:28:44.000
<v Speaker 1>I just had a meeting today before I came here

0:28:44.000 --> 0:28:48.280
<v Speaker 1>about the next video. I'm trying to shoot um potentially

0:28:48.320 --> 0:28:50.959
<v Speaker 1>maybe doing film later in the year with James s Franco,

0:28:52.320 --> 0:28:55.320
<v Speaker 1>so just focusing. Yeah, yeah, yeah, he's a beast man.

0:28:56.000 --> 0:28:58.160
<v Speaker 1>So that was and that kind of like was one

0:28:58.160 --> 0:29:00.720
<v Speaker 1>of one of those moments where you're like, what really, like,

0:29:00.800 --> 0:29:03.240
<v Speaker 1>didn't have to audition anything, just kind of like came. Really,

0:29:04.040 --> 0:29:08.200
<v Speaker 1>that's beautiful that happens. It's scary. It's almost scary because

0:29:08.240 --> 0:29:10.840
<v Speaker 1>like TV one and BT, you know what I'm saying,

0:29:11.320 --> 0:29:14.560
<v Speaker 1>Sometimes they just call me and say, she just called

0:29:14.560 --> 0:29:16.680
<v Speaker 1>the other dad. You just weren't available. They called us,

0:29:16.920 --> 0:29:19.520
<v Speaker 1>They just called let's say, Tank, this is I mean,

0:29:19.560 --> 0:29:23.080
<v Speaker 1>I know yours is as big a level here where

0:29:23.080 --> 0:29:27.360
<v Speaker 1>I'm at. Stop they called me to you were good,

0:29:27.680 --> 0:29:31.200
<v Speaker 1>we got this fift hunting for you, and you know me,

0:29:31.240 --> 0:29:33.760
<v Speaker 1>I just act over at the river, you know what

0:29:33.800 --> 0:29:37.200
<v Speaker 1>I mean? Hey, but that could be crazy. And it's

0:29:37.240 --> 0:29:40.160
<v Speaker 1>things like that that I'm like, yo, because I think

0:29:40.360 --> 0:29:43.560
<v Speaker 1>at the end of the day, God knows your heart

0:29:43.680 --> 0:29:46.800
<v Speaker 1>and things you really want, so I'm like, obviously I

0:29:46.920 --> 0:29:48.640
<v Speaker 1>have to action. That could be an amazing opportunity and

0:29:48.680 --> 0:29:50.360
<v Speaker 1>they could just take them to another level to where

0:29:50.400 --> 0:29:52.240
<v Speaker 1>the music that I want to be heard will be heard,

0:29:52.240 --> 0:29:54.880
<v Speaker 1>and I'm different what I'm saying. How are you How

0:29:54.880 --> 0:29:57.000
<v Speaker 1>are you chasing the music part of it though? Like,

0:29:57.240 --> 0:29:59.880
<v Speaker 1>are you doing it completely independently or are you trying

0:29:59.880 --> 0:30:03.480
<v Speaker 1>to figure out, you know, how to be part of

0:30:03.520 --> 0:30:06.280
<v Speaker 1>the machine of music. I'm definitely trying to do the

0:30:06.320 --> 0:30:10.120
<v Speaker 1>second part. I think I'm doing it independently kind of currently.

0:30:11.200 --> 0:30:12.520
<v Speaker 1>You know, I don't know what I can say and

0:30:12.560 --> 0:30:16.080
<v Speaker 1>what I can't say, but right, right, um, but I

0:30:16.120 --> 0:30:18.800
<v Speaker 1>want to uh yeah, I just think that I need

0:30:19.120 --> 0:30:21.920
<v Speaker 1>as much time and effort I put into music. I

0:30:21.960 --> 0:30:23.880
<v Speaker 1>need that to be putting on the business side of

0:30:23.920 --> 0:30:26.840
<v Speaker 1>things and the marketing side of things. And because I

0:30:26.840 --> 0:30:29.760
<v Speaker 1>feel like there's if I'm put me on stage, I'm performing,

0:30:29.840 --> 0:30:31.480
<v Speaker 1>and if you put me in studio on the record,

0:30:31.520 --> 0:30:33.959
<v Speaker 1>and it's either as good, if not better than things

0:30:34.000 --> 0:30:36.360
<v Speaker 1>in the marketplace, and it just kind of takes the

0:30:36.480 --> 0:30:38.840
<v Speaker 1>eyes and visibility to to see that. So you need

0:30:38.880 --> 0:30:46.800
<v Speaker 1>the right squad, you you. Um, there's certain there's certain

0:30:46.840 --> 0:30:52.720
<v Speaker 1>things that make sense for certain artists. Right. Um. The

0:30:52.840 --> 0:30:57.840
<v Speaker 1>independent R and B is tough, It's really tough, right,

0:30:58.800 --> 0:31:01.560
<v Speaker 1>but it's lucrative. You can make money. You can definitely

0:31:01.560 --> 0:31:03.760
<v Speaker 1>make money off it. But you know when I when

0:31:03.760 --> 0:31:09.520
<v Speaker 1>I look at you as a brand, your brand is

0:31:09.680 --> 0:31:13.959
<v Speaker 1>made for all things major, Right Like, I look at

0:31:14.000 --> 0:31:17.120
<v Speaker 1>you as a five tool athlete. If anybody understands baseball,

0:31:17.200 --> 0:31:19.160
<v Speaker 1>that's the that's the guy that can do all these

0:31:19.200 --> 0:31:21.160
<v Speaker 1>things and don't do them at a really high level

0:31:21.240 --> 0:31:24.680
<v Speaker 1>in baseball. I look at you that way. You're not

0:31:25.320 --> 0:31:28.040
<v Speaker 1>and you know, no disrespect. You know what comes after

0:31:28.080 --> 0:31:33.280
<v Speaker 1>no disrespect, Um, it's a little bit of disrespect. Um.

0:31:33.320 --> 0:31:38.000
<v Speaker 1>You're bigger than independent music because the ancillary things that

0:31:38.040 --> 0:31:41.960
<v Speaker 1>come along with who you are. Right Like, if you

0:31:42.000 --> 0:31:45.400
<v Speaker 1>were looking at music purely from a money play, and

0:31:45.560 --> 0:31:47.240
<v Speaker 1>I can get my money, I get my get I

0:31:47.240 --> 0:31:49.920
<v Speaker 1>get my ship off this way, that would be cool.

0:31:50.120 --> 0:31:53.320
<v Speaker 1>And and that's possible for you because you have these platforms.

0:31:53.400 --> 0:31:56.240
<v Speaker 1>You're on one of the biggest shows on TV. Shout

0:31:56.240 --> 0:31:59.800
<v Speaker 1>out to Growning, Shout out to my brother Kenya. Back

0:32:00.000 --> 0:32:03.600
<v Speaker 1>can embarrass. That's been my partner for many moons. Dude

0:32:03.600 --> 0:32:06.800
<v Speaker 1>though too not just like you know, he's an amazing

0:32:06.880 --> 0:32:10.360
<v Speaker 1>human being, right Um, he did ride by me one

0:32:10.400 --> 0:32:13.680
<v Speaker 1>day in a in a convertible. Oh he doesn't. And

0:32:13.680 --> 0:32:15.840
<v Speaker 1>and and the crazy thing is I was taking a

0:32:15.880 --> 0:32:17.720
<v Speaker 1>walk with my sons. Me and him used to be

0:32:17.760 --> 0:32:21.400
<v Speaker 1>neighbors and I was taking a walk during the pandemic.

0:32:21.440 --> 0:32:23.880
<v Speaker 1>You know, everybody had to figure out their workouts. I'm

0:32:23.920 --> 0:32:28.480
<v Speaker 1>taking a walk and he was. He called me embarrassed

0:32:28.520 --> 0:32:32.080
<v Speaker 1>about driving by and that droptop Ferrari as me and

0:32:32.120 --> 0:32:35.160
<v Speaker 1>my son would walk in the neighborhood. He was like, oh,

0:32:35.240 --> 0:32:39.880
<v Speaker 1>I knew, I don't even really drive this car. Brot

0:32:40.040 --> 0:32:46.280
<v Speaker 1>you up one time that I said, I said, that's

0:32:46.280 --> 0:32:51.040
<v Speaker 1>amazing that the guy. But I say all that to say, bro, like,

0:32:51.680 --> 0:32:54.520
<v Speaker 1>you need a machine because all the other things in

0:32:54.560 --> 0:32:57.720
<v Speaker 1>your career have a machine connected to it. You deserve

0:32:57.760 --> 0:33:03.960
<v Speaker 1>a like a way that's not just breeze over Broadway.

0:33:04.520 --> 0:33:07.840
<v Speaker 1>That is not something that everyone does. That's that's a

0:33:08.000 --> 0:33:11.239
<v Speaker 1>that's an elite group of people. You're a part of

0:33:11.240 --> 0:33:17.560
<v Speaker 1>that major television network TV show Open Up for Tank.

0:33:18.840 --> 0:33:28.800
<v Speaker 1>You definitely pulled up crazy. Yeah you definitely. Yeah, I

0:33:28.800 --> 0:33:31.720
<v Speaker 1>appreciate that. But never forget that. I say all that

0:33:31.800 --> 0:33:34.719
<v Speaker 1>to say, like I said, Bro, like for you in

0:33:34.760 --> 0:33:38.040
<v Speaker 1>your career, and I assess different people's career because I'm

0:33:38.560 --> 0:33:41.520
<v Speaker 1>you know, I've been on both sides, the executive side,

0:33:41.640 --> 0:33:47.960
<v Speaker 1>the your side. Everything ain't for everybody. Independence ain't. It's

0:33:47.960 --> 0:33:49.640
<v Speaker 1>just and I look at it for you, I look

0:33:49.680 --> 0:33:52.120
<v Speaker 1>at a hundred percent of nothing's nothing. That's what I

0:33:52.160 --> 0:33:54.920
<v Speaker 1>look at it as for independent for you, because you know,

0:33:55.160 --> 0:33:57.880
<v Speaker 1>it's not about the money for you at all. Yours

0:33:57.960 --> 0:34:01.520
<v Speaker 1>is taking you to another level. Yours is getting you

0:34:01.600 --> 0:34:04.440
<v Speaker 1>an arenas so that you can do them goddamn backflips,

0:34:05.040 --> 0:34:07.560
<v Speaker 1>really on the stage big enough that you won't flip

0:34:07.600 --> 0:34:09.960
<v Speaker 1>off of it. You know what I'm saying, Lord knows

0:34:10.040 --> 0:34:12.640
<v Speaker 1>I performed on this right now because I know you

0:34:12.680 --> 0:34:15.040
<v Speaker 1>will because you love that. You love the game that

0:34:15.120 --> 0:34:18.680
<v Speaker 1>much in the craft, but you deserve that big stage,

0:34:18.760 --> 0:34:23.600
<v Speaker 1>bro and the and unfortunately, the only way you get

0:34:23.640 --> 0:34:26.680
<v Speaker 1>to that type of stage it is through the majors.

0:34:28.760 --> 0:34:30.200
<v Speaker 1>You know what I'm saying. And people know what I

0:34:30.239 --> 0:34:32.399
<v Speaker 1>mean when I say unfortunately, because there's there's other things

0:34:32.400 --> 0:34:35.400
<v Speaker 1>that come up. Sometimes you gotta give. But that's me

0:34:35.440 --> 0:34:37.239
<v Speaker 1>and him are having this conversation other day and I

0:34:37.280 --> 0:34:38.680
<v Speaker 1>was just like, yo, like you were saying, it's not

0:34:38.680 --> 0:34:40.400
<v Speaker 1>about who's him. They can't see him. My brother I

0:34:40.560 --> 0:34:53.280
<v Speaker 1>and Jackson shut out. Oh yeah, we're having a conversation.

0:34:53.320 --> 0:34:54.719
<v Speaker 1>I was like it's not about the money for me.

0:34:55.239 --> 0:34:58.000
<v Speaker 1>And you know, I was like someone could you know,

0:34:58.160 --> 0:34:59.719
<v Speaker 1>someone could own a part of something that I had.

0:34:59.760 --> 0:35:01.600
<v Speaker 1>But if it gets me to a position to where

0:35:01.600 --> 0:35:06.279
<v Speaker 1>when I talk about life things where there's political or

0:35:06.320 --> 0:35:10.160
<v Speaker 1>just humanity type of things, that there's weight hill getting

0:35:10.200 --> 0:35:11.919
<v Speaker 1>there by doing something you love is what I would

0:35:11.920 --> 0:35:13.840
<v Speaker 1>like to do, which is music and whatever else. But

0:35:13.960 --> 0:35:16.320
<v Speaker 1>that's the ultimate goal, you know, to be able to

0:35:16.360 --> 0:35:17.759
<v Speaker 1>have a voice, because I believe at the end of

0:35:17.760 --> 0:35:21.360
<v Speaker 1>the day, whatever I'm doing, wherever I'm at, I'm always

0:35:21.360 --> 0:35:23.440
<v Speaker 1>on the good side of things. I want the betterment

0:35:23.480 --> 0:35:25.359
<v Speaker 1>for people. I want to help, and there's always other

0:35:25.360 --> 0:35:28.160
<v Speaker 1>people that are trying to destroy the world. And uh

0:35:28.920 --> 0:35:30.839
<v Speaker 1>so you know, being on that side of it is

0:35:30.840 --> 0:35:32.759
<v Speaker 1>is where I'll always be. So that's where I'm That's

0:35:32.760 --> 0:35:35.319
<v Speaker 1>why I'm not stopping because I have to be in

0:35:35.360 --> 0:35:37.960
<v Speaker 1>that seat. I want to be in that seat. Yeah,

0:35:38.000 --> 0:35:41.240
<v Speaker 1>you gotta, you just I mean, you deserve that appreciate

0:35:41.640 --> 0:35:44.120
<v Speaker 1>Like I think, you know, when it comes to the

0:35:44.200 --> 0:35:48.600
<v Speaker 1>music side of it, it's not about um, it's not

0:35:48.640 --> 0:35:51.080
<v Speaker 1>about the ability. It's just about the amount of people

0:35:51.080 --> 0:35:59.640
<v Speaker 1>who know. It's the visibility. M hmm. If you get

0:35:59.760 --> 0:36:02.560
<v Speaker 1>if you give us a percentage of shark be our

0:36:02.640 --> 0:36:12.160
<v Speaker 1>shark foot. It's not the ability the animated dad. I

0:36:12.239 --> 0:36:15.960
<v Speaker 1>just want to wear no crock sign. No we swim

0:36:15.960 --> 0:36:20.160
<v Speaker 1>in this family always sound like that. Have you ever

0:36:20.160 --> 0:36:23.919
<v Speaker 1>done voice over? No? I want you? Could you kill that? Yeah?

0:36:24.000 --> 0:36:25.920
<v Speaker 1>You kill that? You have somebody you can call? Yeah?

0:36:26.480 --> 0:36:29.560
<v Speaker 1>Done you ladies and gentlemen, you just heard that. Serious.

0:36:29.640 --> 0:36:31.480
<v Speaker 1>If you don't see me on the next four weeks

0:36:31.880 --> 0:36:34.399
<v Speaker 1>of the Army Money podcast, because I'm doing voice over,

0:36:35.560 --> 0:36:39.640
<v Speaker 1>give us as a shark dad for Shark Club voiceover,

0:36:40.160 --> 0:36:44.040
<v Speaker 1>bring somebody out to the stage. Listen. You've seen Coconut

0:36:44.320 --> 0:36:47.720
<v Speaker 1>and she's really turned things out. I mean she's popped

0:36:47.719 --> 0:36:50.719
<v Speaker 1>the whole coconut for us right there. It's gotten splashing

0:36:50.840 --> 0:36:54.080
<v Speaker 1>on stage. But now coming to the stage, Jesus went there,

0:36:54.360 --> 0:36:59.759
<v Speaker 1>give it up for Heaven. We've done that. That was

0:37:00.640 --> 0:37:10.759
<v Speaker 1>Jesus with get it up for Yeah, I'm ready. But

0:37:12.800 --> 0:37:15.919
<v Speaker 1>let's get him darnby. Let's let's let's test because because

0:37:15.960 --> 0:37:21.080
<v Speaker 1>that's definitely your past. No, that's what lets gon to

0:37:21.200 --> 0:37:25.319
<v Speaker 1>test this past. I'm gonna see where he's at all. Right,

0:37:27.160 --> 0:37:32.799
<v Speaker 1>Top five R and B artists could be group male

0:37:32.920 --> 0:37:42.520
<v Speaker 1>or female. Your top five. Bryan McKnight, who's man? Thank wow?

0:37:44.600 --> 0:37:51.160
<v Speaker 1>We about two more straight R and B. They can

0:37:51.200 --> 0:37:55.319
<v Speaker 1>be hybrids, amy hybrids. They could be hybrids. There are

0:37:55.360 --> 0:37:59.719
<v Speaker 1>you from? Oh man? Oh man? Oh man? I want

0:37:59.719 --> 0:38:03.760
<v Speaker 1>to I want to put me in condition in there.

0:38:04.280 --> 0:38:07.359
<v Speaker 1>Think it's yours. I wouldn't be mad if you did.

0:38:08.680 --> 0:38:11.719
<v Speaker 1>These guys are amazing. Is that for? That's for? This

0:38:11.760 --> 0:38:13.960
<v Speaker 1>is an unfair This is n free cop right here?

0:38:14.840 --> 0:38:22.520
<v Speaker 1>Mm hmm. Nikki feels say me, I'm flipping this Muther

0:38:22.719 --> 0:38:34.920
<v Speaker 1>the table, he said, send me fake colicator over this

0:38:35.120 --> 0:38:47.560
<v Speaker 1>whole fake it's pigeon? Is this pigeon backy? Know who

0:38:47.560 --> 0:38:52.200
<v Speaker 1>you on the reil? Who who your faith? Bro um?

0:38:52.320 --> 0:38:54.960
<v Speaker 1>Oh dude, come on, come on, come on. This is

0:38:55.000 --> 0:38:58.400
<v Speaker 1>a little more old school. Okay, all right, that's a

0:38:58.520 --> 0:39:00.680
<v Speaker 1>that's a that's a call round out all around them,

0:39:00.960 --> 0:39:07.399
<v Speaker 1>so he said. Brian mcknighten voice him derail uh make

0:39:07.400 --> 0:39:10.000
<v Speaker 1>conditions And Chris Brown, I think I just threw my

0:39:10.040 --> 0:39:12.600
<v Speaker 1>condition if I'm being honest, because I was nervous. No.

0:39:12.760 --> 0:39:15.200
<v Speaker 1>I like men in there, but men is my secret

0:39:15.960 --> 0:39:20.239
<v Speaker 1>ingredient in live performance and vocals. Are you get you're

0:39:20.239 --> 0:39:22.840
<v Speaker 1>giving us some some secrets. That's my secret ingredient. Nobody

0:39:22.920 --> 0:39:27.680
<v Speaker 1>really understands the power what Stokely was doing. The power

0:39:28.719 --> 0:39:35.160
<v Speaker 1>condition the Welcome to the Mint Factory every day, every

0:39:35.239 --> 0:39:39.040
<v Speaker 1>day and in there that's real study. Our church band,

0:39:39.320 --> 0:39:42.439
<v Speaker 1>we would still in church. Yeah, we were still licks

0:39:42.440 --> 0:39:46.319
<v Speaker 1>from condition brown Eyes and absolutely that definitely made it

0:39:46.320 --> 0:39:53.000
<v Speaker 1>to offering. Yeah, absolutely absolutely. All right, here we go

0:39:54.200 --> 0:39:59.960
<v Speaker 1>trying going top five R and B songs or album

0:40:00.000 --> 0:40:01.520
<v Speaker 1>what she wanted? You want to do when the songs

0:40:01.520 --> 0:40:05.120
<v Speaker 1>are album? Oh, I've got to go back. Let's go

0:40:05.160 --> 0:40:08.520
<v Speaker 1>back many conditions out users. Sorry, I don't know what

0:40:08.560 --> 0:40:13.120
<v Speaker 1>I just sorry, sorry because when you and then you

0:40:13.200 --> 0:40:16.359
<v Speaker 1>just said albums, I'm like, I cannot be mad at that. Yeah. Sorry,

0:40:16.640 --> 0:40:19.720
<v Speaker 1>So you can give me five R and B songs

0:40:19.960 --> 0:40:25.759
<v Speaker 1>or albums. You can mix in albums and songs. You

0:40:25.760 --> 0:40:27.839
<v Speaker 1>already said confessions, So we're gonna give you that. Okay,

0:40:28.640 --> 0:40:38.440
<v Speaker 1>album you said confessions. Uh, Ryan McKnight, crazy love m Um.

0:40:38.480 --> 0:40:44.920
<v Speaker 1>I think Donald ben a knee boys some men? Um?

0:40:45.040 --> 0:40:49.319
<v Speaker 1>Is that Jimmy Jammy Terry Lewis's bend knee because that's

0:40:49.320 --> 0:40:53.200
<v Speaker 1>not baby face. I think that's I think that's Jimmy

0:40:53.280 --> 0:40:56.600
<v Speaker 1>Lewis Jimmy. Yeah, I'm not even gonna hold you. One

0:40:56.600 --> 0:41:00.399
<v Speaker 1>of my favorite songs. We can Love for real. Mike

0:41:00.480 --> 0:41:02.960
<v Speaker 1>jameson of my brothers, and he was on that He's

0:41:03.000 --> 0:41:11.040
<v Speaker 1>a monster too. Okay, wait, so we have confessions. Now

0:41:11.080 --> 0:41:12.960
<v Speaker 1>it's gonna seem like I'm just saying stuff because you're here.

0:41:13.000 --> 0:41:18.840
<v Speaker 1>But it's nothing. Always another one. Yeah, Yes, it was good.

0:41:19.520 --> 0:41:21.440
<v Speaker 1>The story about all that was, I don't can't when

0:41:21.440 --> 0:41:25.520
<v Speaker 1>we said that when PSP came out. When it first

0:41:25.600 --> 0:41:28.000
<v Speaker 1>came out, I didn't get the games that came with it.

0:41:28.120 --> 0:41:30.120
<v Speaker 1>You know, my family they just got PSP. That's fine,

0:41:30.440 --> 0:41:32.640
<v Speaker 1>and it came with the demo came at the time

0:41:32.680 --> 0:41:38.160
<v Speaker 1>I do. I'm not so you. There's no games. No,

0:41:38.440 --> 0:41:40.640
<v Speaker 1>I mean there are games. My family do not give me.

0:41:40.920 --> 0:41:42.920
<v Speaker 1>You know, I know there are games. No, don't talking

0:41:42.920 --> 0:41:44.960
<v Speaker 1>about you don't have not a game when you first

0:41:45.000 --> 0:41:46.440
<v Speaker 1>get it, when I first get it, not a game.

0:41:46.560 --> 0:41:49.200
<v Speaker 1>Just the demo district comes within its previews of games,

0:41:49.280 --> 0:41:52.000
<v Speaker 1>and then it's music videos and all the music videos.

0:41:52.040 --> 0:41:56.640
<v Speaker 1>There's a few rock bands and they had oh and

0:41:56.719 --> 0:42:00.399
<v Speaker 1>then the guy lying about having Anintendo but I got one. Yeah,

0:42:00.400 --> 0:42:02.359
<v Speaker 1>I love all the games, play punch Out all the time.

0:42:02.480 --> 0:42:05.800
<v Speaker 1>Level seven's crazy super Mario man like the tunnel and

0:42:05.880 --> 0:42:11.000
<v Speaker 1>then the mustroom. Right, oh man, I think I was

0:42:11.080 --> 0:42:16.200
<v Speaker 1>on level twelve. You got BSP with the demo demo,

0:42:16.880 --> 0:42:19.200
<v Speaker 1>oh Marion, And I remember I just watched that at

0:42:19.280 --> 0:42:22.360
<v Speaker 1>least twenty tho times and uh yeah, it's one of

0:42:22.400 --> 0:42:26.640
<v Speaker 1>my favorite songs. For real? Is that five? That's confessions?

0:42:26.680 --> 0:42:31.759
<v Speaker 1>We said confessions, we said crazy level we can love

0:42:32.000 --> 0:42:34.759
<v Speaker 1>can we can love it? That's fine, that's fine, that's nice.

0:42:35.719 --> 0:42:40.040
<v Speaker 1>Get home later and be like watch you in there. Okay,

0:42:40.120 --> 0:42:42.320
<v Speaker 1>So this is this is this is a new a

0:42:42.400 --> 0:42:48.680
<v Speaker 1>new one R and B voltron. Now you can do

0:42:48.840 --> 0:42:51.640
<v Speaker 1>your house. You can do you can do three pieces

0:42:52.320 --> 0:42:57.000
<v Speaker 1>or five pieces in building an R and B artists?

0:42:57.400 --> 0:42:59.759
<v Speaker 1>What pieces you would take from each R and B

0:43:00.080 --> 0:43:03.040
<v Speaker 1>artists to put into an R and B A one

0:43:03.360 --> 0:43:06.399
<v Speaker 1>super R and B artist, Like you're building an artist

0:43:06.480 --> 0:43:08.640
<v Speaker 1>on two K? What do you get? What do you

0:43:08.680 --> 0:43:13.880
<v Speaker 1>give him? Okay, let's start with I give them Wait wait,

0:43:13.960 --> 0:43:17.319
<v Speaker 1>I want to give the movement of Chris. I'd give

0:43:17.520 --> 0:43:24.719
<v Speaker 1>the range of Brian McKnight controlled tank. Okay, let keep

0:43:25.840 --> 0:43:27.400
<v Speaker 1>you on the list, Bro, I'm gonna give you a

0:43:27.719 --> 0:43:31.080
<v Speaker 1>set this watch. I just know that this is I'm

0:43:31.120 --> 0:43:34.319
<v Speaker 1>gonna say, what the comments gonna say, this is gonna

0:43:34.400 --> 0:43:39.640
<v Speaker 1>name the women. No, no, I already know what the

0:43:39.680 --> 0:43:53.440
<v Speaker 1>comments gonna say. I'm sorry I didn't say male or females,

0:43:53.440 --> 0:43:54.800
<v Speaker 1>so I think we all kind of assumed it was

0:43:54.880 --> 0:44:01.520
<v Speaker 1>just madies, ladies. We love this Javin, that is my favorite. Okay,

0:44:02.320 --> 0:44:05.120
<v Speaker 1>let's go back movement to Chris. Some of the male artists.

0:44:05.120 --> 0:44:11.840
<v Speaker 1>You're building a range of Brian McKnight control tank tone

0:44:11.880 --> 0:44:20.280
<v Speaker 1>of Donny Hathaway. How many is that? His patience? My god,

0:44:20.400 --> 0:44:26.399
<v Speaker 1>he'll make you wait so uh oh ship and maybe

0:44:26.719 --> 0:44:30.200
<v Speaker 1>I mean maybe the harm but this is is one guy,

0:44:30.280 --> 0:44:35.000
<v Speaker 1>but how many arrangement like take six mm hmm. What

0:44:35.080 --> 0:44:36.879
<v Speaker 1>about the aesthetic. I'm gonna give you a six piece.

0:44:40.320 --> 0:44:44.000
<v Speaker 1>I mean, I'm liking the not necessarily current name vibe,

0:44:44.040 --> 0:44:46.360
<v Speaker 1>like not covered face up, but I like the mysteriousness

0:44:47.360 --> 0:44:48.960
<v Speaker 1>I would like the person to be. You want the

0:44:49.040 --> 0:44:55.080
<v Speaker 1>mysterious R and B nigger with on I wanted I

0:44:55.080 --> 0:44:57.360
<v Speaker 1>want you to see him, but maybe like think I

0:44:57.440 --> 0:45:01.680
<v Speaker 1>think Dracula. I'm saying, count Dracula fly Long Trench Coat,

0:45:02.360 --> 0:45:04.800
<v Speaker 1>maybe Fantom of the Opera mass I don't know. You

0:45:04.920 --> 0:45:09.719
<v Speaker 1>just want your character so pretty much. You and super Block.

0:45:09.800 --> 0:45:13.400
<v Speaker 1>You want to what the cape on ship? Listen, you

0:45:13.480 --> 0:45:15.799
<v Speaker 1>know what he wants. He wants somebody that people can

0:45:15.840 --> 0:45:18.879
<v Speaker 1>be for Halloween. Yes, that's your that's your staple. That's

0:45:18.880 --> 0:45:21.120
<v Speaker 1>your staple. No, if you're you're not a star. If

0:45:21.160 --> 0:45:24.000
<v Speaker 1>they can't beat you for Halloween, so they can't be

0:45:24.080 --> 0:45:25.840
<v Speaker 1>Chris Brown. Finally, yes you can. How can you be

0:45:25.960 --> 0:45:28.960
<v Speaker 1>Chris Brown? Finally? Where everything everywhere? Now listen, you can

0:45:29.239 --> 0:45:31.800
<v Speaker 1>because I got kids. If my son says, Dad, I

0:45:31.840 --> 0:45:34.279
<v Speaker 1>want to be Chris Brown for Halloween, probably going to

0:45:34.360 --> 0:45:36.120
<v Speaker 1>give him a little bit of color here, we might go,

0:45:36.320 --> 0:45:40.040
<v Speaker 1>we might go blind blind, We're gonna slip. We're gonna

0:45:40.080 --> 0:45:42.279
<v Speaker 1>give him the little beer thing and the heart to

0:45:42.440 --> 0:45:46.680
<v Speaker 1>the heart. But listen, these are these are specific things

0:45:46.760 --> 0:45:48.719
<v Speaker 1>if you're gonna make it. We want to be Joe

0:45:48.800 --> 0:45:50.400
<v Speaker 1>to see Oh, I'm gonna give him the Joe to

0:45:50.440 --> 0:45:52.960
<v Speaker 1>see Boots. I want to black blanks. I'm an oil

0:45:53.040 --> 0:45:56.520
<v Speaker 1>a little nigg up, me get him some plag muscle

0:45:58.800 --> 0:46:01.960
<v Speaker 1>and look gotye. No, no, no, bro, you have to

0:46:02.719 --> 0:46:07.600
<v Speaker 1>you have to have a call out your visual call out, right,

0:46:07.680 --> 0:46:09.560
<v Speaker 1>So that's what I'm saying to you. Like with Chris Brown,

0:46:09.719 --> 0:46:11.680
<v Speaker 1>put a little put a little Jordan three on the

0:46:11.719 --> 0:46:13.880
<v Speaker 1>side of face. He only got know walking around with

0:46:13.920 --> 0:46:16.200
<v Speaker 1>Jordan three. I think it's a three or four. I

0:46:16.239 --> 0:46:22.400
<v Speaker 1>think it's the three. Yeah, you got three right here? Right? Yeah, no, no, no,

0:46:22.680 --> 0:46:27.239
<v Speaker 1>the shoot, got to shoot. But what I'm saying is

0:46:27.760 --> 0:46:31.840
<v Speaker 1>there are certain characteristics. Yeah, for sure, just translate that

0:46:32.160 --> 0:46:34.719
<v Speaker 1>you just know off the rip, Like when Cisco came

0:46:34.760 --> 0:46:37.479
<v Speaker 1>with the with the platinum blonde, with the silver blonde

0:46:37.480 --> 0:46:39.879
<v Speaker 1>in the book, like you have that in the one

0:46:39.920 --> 0:46:42.239
<v Speaker 1>hand cart wheel, Yeah, the one which I still don't

0:46:42.280 --> 0:46:44.279
<v Speaker 1>really ain't pulling that off. Bro. You know I can

0:46:44.320 --> 0:46:46.000
<v Speaker 1>do the one I've been doing. Don't hand cart will

0:46:46.040 --> 0:46:49.160
<v Speaker 1>since I was kicking he did. It's not you can

0:46:52.840 --> 0:46:54.319
<v Speaker 1>still can't do an area. He was doing a one

0:46:54.360 --> 0:46:56.279
<v Speaker 1>hand cart wool. He also was doing one hand card

0:46:56.280 --> 0:46:59.880
<v Speaker 1>whool and also was on wires. So I mean to us,

0:47:00.440 --> 0:47:03.160
<v Speaker 1>to us gymnasts, gymnast, Yeah, he didn't do an area here.

0:47:03.360 --> 0:47:05.840
<v Speaker 1>It was. It was very weak. No hate the Cisco

0:47:06.120 --> 0:47:10.040
<v Speaker 1>Cisco's dark but the one hand cart wheel cringe. But

0:47:10.200 --> 0:47:12.440
<v Speaker 1>at the time. People loved it. I love that niggers.

0:47:12.480 --> 0:47:14.400
<v Speaker 1>That was grew up flipping on mattress, look at you.

0:47:14.600 --> 0:47:19.760
<v Speaker 1>I grew up flipping off the fix. I flipped off cars, barks, benches.

0:47:20.280 --> 0:47:23.160
<v Speaker 1>I have the record at Sherman Park in Milwaukee, twenty

0:47:23.239 --> 0:47:29.680
<v Speaker 1>hand springs in the rough um on grass, so that

0:47:29.840 --> 0:47:33.360
<v Speaker 1>one hand cart wheel threw me off. Okay, I didn't

0:47:33.400 --> 0:47:50.120
<v Speaker 1>like it all right, doing so much soul, so he

0:47:50.160 --> 0:47:52.160
<v Speaker 1>should have been able to do it that hand. He

0:47:52.360 --> 0:47:57.120
<v Speaker 1>flipped on bitches okay, and walked. He walked, and then

0:47:57.200 --> 0:47:59.000
<v Speaker 1>I think he didn't do the hand. No, but he

0:47:59.080 --> 0:48:01.640
<v Speaker 1>flew on the wires over to the women. Yes he did.

0:48:01.880 --> 0:48:04.640
<v Speaker 1>I like how you like? You wanted to say, you

0:48:04.760 --> 0:48:10.680
<v Speaker 1>know what I'm saying all the music, he said, you know,

0:48:10.800 --> 0:48:16.000
<v Speaker 1>he flew over there women women. Harvey moment when Steve

0:48:16.320 --> 0:48:18.960
<v Speaker 1>was like, you know, I'm a certain TV show. I

0:48:19.000 --> 0:48:26.560
<v Speaker 1>can't be saying over the women. Respect. I respect your control.

0:48:26.640 --> 0:48:30.320
<v Speaker 1>You got more BIXI at the door. I understand you

0:48:30.480 --> 0:48:37.160
<v Speaker 1>be cool. Oh shoot, let Jay do. I'm wild. James

0:48:37.160 --> 0:48:39.920
<v Speaker 1>the smoothest I've ever made my whole life. I appreciate

0:48:40.000 --> 0:48:43.880
<v Speaker 1>that good. James definitely got this is it is how

0:48:43.920 --> 0:48:47.520
<v Speaker 1>smooth Jay is. Jay walks into my closet right where

0:48:47.800 --> 0:48:50.680
<v Speaker 1>right when he starts managing me, it's like, yeah, we're

0:48:50.680 --> 0:48:52.719
<v Speaker 1>gonna have to you know, we're gonna have to really

0:48:53.160 --> 0:48:54.840
<v Speaker 1>look the part now, we're going to really take this

0:48:54.920 --> 0:48:57.720
<v Speaker 1>thing to the next level. And we walked in my closet.

0:48:57.840 --> 0:49:02.000
<v Speaker 1>He's like, he's like, yeah, I think we should I

0:49:02.040 --> 0:49:10.200
<v Speaker 1>think we should get rid of Oh yeah, everything he has,

0:49:10.680 --> 0:49:14.760
<v Speaker 1>everything I performed. Yeah, you shouldn't do that anymore. Wow,

0:49:14.960 --> 0:49:17.279
<v Speaker 1>you should, you should get rid of I said, we're

0:49:17.280 --> 0:49:21.840
<v Speaker 1>just gonna give it. No burn it, burn it. Nobody

0:49:21.880 --> 0:49:26.000
<v Speaker 1>else should have this either. And he said it that soft.

0:49:26.960 --> 0:49:31.280
<v Speaker 1>He was so cool, he said I and I felt

0:49:31.680 --> 0:49:34.480
<v Speaker 1>like he was trying to help. Yeah, I didn't take

0:49:34.520 --> 0:49:38.000
<v Speaker 1>its true about him is like, you know, it's it's

0:49:38.080 --> 0:49:39.960
<v Speaker 1>never that. It's never It's like it's just like and

0:49:40.200 --> 0:49:42.879
<v Speaker 1>and and and to this day, people have a problem

0:49:42.960 --> 0:49:46.600
<v Speaker 1>doing that. Honesty has been the difference. Yeah, yeah, you

0:49:46.640 --> 0:49:48.080
<v Speaker 1>know what I'm saying. So he has a way of

0:49:48.320 --> 0:49:52.080
<v Speaker 1>smoothly telling you you need your bullshit, Yeah, you need

0:49:52.320 --> 0:49:53.680
<v Speaker 1>you need to fix it. Call me like early in

0:49:53.719 --> 0:49:55.919
<v Speaker 1>the morning, you bullshit and cheafe Before he says anything else,

0:49:56.760 --> 0:49:59.040
<v Speaker 1>I'm like, what I do? Listen, you know what you did?

0:49:59.360 --> 0:50:02.600
<v Speaker 1>You know what you did? Hey wait, I want to

0:50:02.640 --> 0:50:04.680
<v Speaker 1>know how you guys met because I do admire, you know,

0:50:04.880 --> 0:50:07.440
<v Speaker 1>two black men really helping, loving and supporting each other.

0:50:07.520 --> 0:50:09.200
<v Speaker 1>We need more of that in the world. Let's put

0:50:09.280 --> 0:50:11.879
<v Speaker 1>that out there some But you guys are a great

0:50:11.920 --> 0:50:13.920
<v Speaker 1>example of that. So how do you guys meet? How

0:50:13.960 --> 0:50:18.120
<v Speaker 1>to happen? Sorry, not the whole thing to interview us? Yeah,

0:50:23.480 --> 0:50:27.719
<v Speaker 1>really really good going somewhere. You're going somewhere. I don't

0:50:27.760 --> 0:50:33.320
<v Speaker 1>know where. I'd love to know. Now we met we

0:50:33.440 --> 0:50:38.279
<v Speaker 1>met through um, we met through the Underdogs. Yeah, so

0:50:38.600 --> 0:50:41.160
<v Speaker 1>I had it was my second stint. It was my

0:50:41.239 --> 0:50:46.400
<v Speaker 1>second stint with the Underdogs because originally Harvey Damon and

0:50:46.520 --> 0:50:52.080
<v Speaker 1>myself we founded the Underdogs together and I ended up

0:50:52.360 --> 0:50:55.040
<v Speaker 1>going and working with some other people. I end up

0:50:55.120 --> 0:50:58.839
<v Speaker 1>leaving over some business stuff. And that's simple thing over there.

0:50:59.600 --> 0:51:01.520
<v Speaker 1>I mean, you know, it's just business. And I was

0:51:01.600 --> 0:51:03.359
<v Speaker 1>a kid. I was really young. They were they were

0:51:03.360 --> 0:51:06.600
<v Speaker 1>a lot older than me. I was a kid. You know,

0:51:06.880 --> 0:51:09.360
<v Speaker 1>what they offered me I didn't like, and you know,

0:51:09.600 --> 0:51:12.000
<v Speaker 1>like we kept our friendship, but it just didn't work

0:51:12.040 --> 0:51:15.600
<v Speaker 1>for me and then when they brought me when they

0:51:15.640 --> 0:51:18.920
<v Speaker 1>we all stayed in contact through our friendship, and a

0:51:19.040 --> 0:51:23.000
<v Speaker 1>selling point of me coming back was them introducing me

0:51:23.080 --> 0:51:25.120
<v Speaker 1>to Tank, who I didn't know at the time. I

0:51:25.200 --> 0:51:27.920
<v Speaker 1>had never met him before. What I'm saying, yeah, I

0:51:28.040 --> 0:51:33.080
<v Speaker 1>knew it. Yeah, no, right, because um the first album

0:51:33.160 --> 0:51:36.120
<v Speaker 1>had come out and it was you know, it did

0:51:36.200 --> 0:51:42.759
<v Speaker 1>a ship. How do we gonna pause? You gotta stop? Yeah, yeah,

0:51:42.760 --> 0:51:57.400
<v Speaker 1>but it's effective where we come back in from we

0:51:57.520 --> 0:52:12.080
<v Speaker 1>are it's gonna um. So, so the selling point was

0:52:12.320 --> 0:52:14.480
<v Speaker 1>them introducing me to Tank, of me coming back and

0:52:14.560 --> 0:52:16.920
<v Speaker 1>working again with them, obviously, you know, our deal structure

0:52:17.000 --> 0:52:19.040
<v Speaker 1>was different when I came back s getting what I

0:52:19.080 --> 0:52:21.839
<v Speaker 1>wanted and I needed to you know, to pull back up.

0:52:22.719 --> 0:52:26.040
<v Speaker 1>But my like I said, meeting Tank over there was like,

0:52:26.200 --> 0:52:29.200
<v Speaker 1>oh this it was like kindred spirits, Like, oh, he's

0:52:29.480 --> 0:52:32.480
<v Speaker 1>my same type of guy. Man like athletes, he likes

0:52:32.520 --> 0:52:34.760
<v Speaker 1>play sports. You don't call no fouls on the basketball

0:52:34.800 --> 0:52:37.320
<v Speaker 1>court like him. Yeah, you know what I mean. That

0:52:37.400 --> 0:52:39.880
<v Speaker 1>really that really was the full thing for me was

0:52:40.520 --> 0:52:42.600
<v Speaker 1>you know with basketball. You know what I mean, everybody

0:52:42.680 --> 0:52:44.759
<v Speaker 1>knows how much I love basketball, and you're pretty good

0:52:45.000 --> 0:52:49.960
<v Speaker 1>I'm okay, I I mean my old age. You know. Yeah,

0:52:51.520 --> 0:52:52.960
<v Speaker 1>we're gonna get through. We're gonna get to because we

0:52:53.000 --> 0:52:55.160
<v Speaker 1>forgot to bring that up. He saw he was. He

0:52:55.280 --> 0:53:01.759
<v Speaker 1>accidentally brought up basketball and never accident accident. I'm sure

0:53:01.800 --> 0:53:02.960
<v Speaker 1>he wants to get to He had a good day.

0:53:03.040 --> 0:53:06.440
<v Speaker 1>He came one time and had a good day. But

0:53:09.000 --> 0:53:12.000
<v Speaker 1>that's how we that's how we connected through, you know,

0:53:12.160 --> 0:53:15.160
<v Speaker 1>meeting through the production team and just locking in and

0:53:15.280 --> 0:53:20.040
<v Speaker 1>just writing for Marion all these other artists that were

0:53:20.120 --> 0:53:22.800
<v Speaker 1>coming through it. Really, I guess probably a Marian was

0:53:23.120 --> 0:53:26.600
<v Speaker 1>our first. Yeah, that was our first replacement together. Yeah.

0:53:27.560 --> 0:53:31.080
<v Speaker 1>And how how long ago was that mans and to

0:53:31.360 --> 0:53:36.200
<v Speaker 1>two three to three? No, because the All Star weekend

0:53:37.239 --> 0:53:41.960
<v Speaker 1>when we was when we did so three yewo three

0:53:42.120 --> 0:53:45.440
<v Speaker 1>Stark in l A. Wow, I'll start week in l A.

0:53:45.840 --> 0:53:47.640
<v Speaker 1>So that's when we did Marian. But we have you know,

0:53:47.680 --> 0:53:50.080
<v Speaker 1>we have been well. I mean I have some of

0:53:50.200 --> 0:53:54.320
<v Speaker 1>the stick around that long. It's good, especially in this business,

0:53:54.920 --> 0:53:59.439
<v Speaker 1>it's hard. It's hard, like I said, sperience minded, yeah

0:53:59.600 --> 0:54:02.680
<v Speaker 1>right right, that one. It was like meeting him was

0:54:02.760 --> 0:54:06.600
<v Speaker 1>like like meeting my cousin, like a long cousin, right,

0:54:07.239 --> 0:54:09.719
<v Speaker 1>now we're in the same family, like, what's your last name?

0:54:10.920 --> 0:54:12.759
<v Speaker 1>And it was it was instant from him from his

0:54:12.840 --> 0:54:16.719
<v Speaker 1>brothers to just yeah, we're just instantly he's like, okay,

0:54:16.719 --> 0:54:18.959
<v Speaker 1>we're family. That's right. Yeah, you know what I'm saying.

0:54:19.480 --> 0:54:20.880
<v Speaker 1>And then we just you know, he's always been my

0:54:20.960 --> 0:54:25.160
<v Speaker 1>point guard, which seguates us into you know, your ability

0:54:25.239 --> 0:54:29.759
<v Speaker 1>to play basketball as well. I'm from Indiana. Who's your

0:54:29.800 --> 0:54:34.040
<v Speaker 1>state were you? Were you a Hoosier? I am as

0:54:34.120 --> 0:54:36.600
<v Speaker 1>because I'm from that's technically with it. When the last

0:54:36.640 --> 0:54:39.320
<v Speaker 1>time y'all want something, Yeah, what do you mean the

0:54:39.400 --> 0:54:44.719
<v Speaker 1>team Pacers? Anything basketball? Because you I mean, you know,

0:54:44.760 --> 0:54:46.759
<v Speaker 1>I'm from the Bay since Reggie, I think we got

0:54:46.840 --> 0:54:53.600
<v Speaker 1>four Reggie from l A, so you know he from

0:54:53.880 --> 0:54:58.360
<v Speaker 1>He's like, yeah, he belonged, he belonged. But you know

0:54:58.600 --> 0:55:00.400
<v Speaker 1>we got four championships in the asked you know what

0:55:00.400 --> 0:55:06.920
<v Speaker 1>I mean, Steph A. Clay and Ramon Dremont huh and Dollar. Oh.

0:55:07.000 --> 0:55:09.160
<v Speaker 1>He came in busting hunt. That was like he hadn't

0:55:09.160 --> 0:55:13.319
<v Speaker 1>played for a little He did that because I was hype.

0:55:13.360 --> 0:55:15.000
<v Speaker 1>I was like, this is first of one moment he said,

0:55:15.680 --> 0:55:18.759
<v Speaker 1>let's just get to what he wants to talk about it.

0:55:18.880 --> 0:55:21.120
<v Speaker 1>Let's get to his good day. My good day is

0:55:21.440 --> 0:55:24.319
<v Speaker 1>you know, uh, since I was very young, since me man,

0:55:24.400 --> 0:55:26.600
<v Speaker 1>I was a kid, and I told him iael hoop

0:55:26.640 --> 0:55:28.200
<v Speaker 1>and we'd always talked it to trying to stud the man.

0:55:28.200 --> 0:55:29.880
<v Speaker 1>You can't hoop. I was like, I can. I'm good.

0:55:29.920 --> 0:55:33.040
<v Speaker 1>Come on, come on, come on swoop man. You know

0:55:33.120 --> 0:55:37.080
<v Speaker 1>I'm good. Never looked good. You know I'm good. This

0:55:37.200 --> 0:55:38.800
<v Speaker 1>is probably was this early this year, or was it

0:55:38.880 --> 0:55:41.160
<v Speaker 1>last year? Maybe probably last year? Probably last year he

0:55:41.200 --> 0:55:45.480
<v Speaker 1>invited me to a run. Yeah, I got to show

0:55:45.560 --> 0:55:48.080
<v Speaker 1>him when I'm about okay, And I had like eight

0:55:48.160 --> 0:55:51.200
<v Speaker 1>of the nine points, had about so we only played

0:55:51.200 --> 0:55:53.440
<v Speaker 1>the seven and then he made his lose asked his

0:55:53.560 --> 0:55:56.160
<v Speaker 1>brother and asked his brother bro, we were gonna win.

0:55:56.440 --> 0:55:59.160
<v Speaker 1>I hit the game winning shot. First of all, you

0:55:59.239 --> 0:56:02.120
<v Speaker 1>tell me how five men playing basketball are looking at

0:56:02.160 --> 0:56:04.399
<v Speaker 1>the clock as well, and know that the time they're

0:56:04.440 --> 0:56:07.799
<v Speaker 1>like it was the second after the deeper didn't count. Okay,

0:56:07.840 --> 0:56:11.359
<v Speaker 1>So do you want to you wantten? Listen? I was hot.

0:56:12.400 --> 0:56:16.360
<v Speaker 1>He was his brothers three like, you know, he was

0:56:16.440 --> 0:56:21.960
<v Speaker 1>good if Bob was on his team. Okay, So okay,

0:56:22.160 --> 0:56:23.759
<v Speaker 1>it's the R and B money have. We have the

0:56:23.880 --> 0:56:26.920
<v Speaker 1>Our Money podcast. We also have the Army Money Run, right,

0:56:27.040 --> 0:56:33.080
<v Speaker 1>which is a mixture of entertainers, business people, and NBA

0:56:33.160 --> 0:56:36.600
<v Speaker 1>players and overseas guys. So it's a mixture of it.

0:56:37.719 --> 0:56:40.040
<v Speaker 1>You got, you got some real basketball going. And I'm

0:56:40.160 --> 0:56:42.360
<v Speaker 1>very selective about who can come on, you know what

0:56:42.400 --> 0:56:47.080
<v Speaker 1>I mean, but the family. So he has the invite

0:56:47.120 --> 0:56:49.360
<v Speaker 1>and that's my guy. And he came, and he showed up,

0:56:49.400 --> 0:56:52.879
<v Speaker 1>and he showed out. He hooped. That's the first time.

0:56:54.680 --> 0:56:57.919
<v Speaker 1>Now the rules of the run. We play shot of course,

0:56:58.040 --> 0:57:01.840
<v Speaker 1>we play shot, We play game clock of course, and

0:57:02.280 --> 0:57:06.640
<v Speaker 1>we also have if your airball it's a negative water, right,

0:57:06.760 --> 0:57:10.080
<v Speaker 1>you got, we're gonna reward this defense because you can't

0:57:10.120 --> 0:57:13.680
<v Speaker 1>get entertainers to play defense, Right's. It's tough to tell

0:57:14.080 --> 0:57:18.480
<v Speaker 1>a nigga who just did ten movies. You gotta guard somebody. Well,

0:57:18.560 --> 0:57:21.360
<v Speaker 1>you gonna lose, nigga if you shoot that dumb mass

0:57:21.440 --> 0:57:23.680
<v Speaker 1>three because the NBA three as far as hell, If

0:57:23.720 --> 0:57:25.880
<v Speaker 1>you shoot that dumb mass three at airball, that's a

0:57:25.920 --> 0:57:28.280
<v Speaker 1>negative one, your team's gonna want to jump you. Right,

0:57:29.080 --> 0:57:32.640
<v Speaker 1>So he hit a big shot, but the clock had,

0:57:33.760 --> 0:57:36.040
<v Speaker 1>first of all, did a little cooking from top. He

0:57:36.160 --> 0:57:40.360
<v Speaker 1>did cooking at the problem. He's young and it was

0:57:40.480 --> 0:57:44.800
<v Speaker 1>too much cooking, and he wasn't paying attention to clock

0:57:45.360 --> 0:57:55.360
<v Speaker 1>man smith man tone on his side, busy making that real.

0:57:57.680 --> 0:58:00.040
<v Speaker 1>I lost my voice doing karaoke the other day. That

0:58:00.160 --> 0:58:04.720
<v Speaker 1>was bullshit. But the cook it made the clock run out.

0:58:05.360 --> 0:58:07.040
<v Speaker 1>It was like they would have said. They were like,

0:58:07.120 --> 0:58:08.840
<v Speaker 1>it was the seventh of the second Office, and you're like,

0:58:08.920 --> 0:58:11.200
<v Speaker 1>that's what are you guys? Kid? And I did the

0:58:11.240 --> 0:58:14.480
<v Speaker 1>Florida came in the middle, gets guys to the pick oh,

0:58:14.560 --> 0:58:23.360
<v Speaker 1>and when it was like they're like, no, no, it's good. Listen,

0:58:23.920 --> 0:58:28.280
<v Speaker 1>it's tight up there. I like that it gets people

0:58:28.320 --> 0:58:31.280
<v Speaker 1>playing this stuff. Listen. You don't play hard, you don't

0:58:31.320 --> 0:58:33.240
<v Speaker 1>get back home right right exactly now you want to

0:58:33.240 --> 0:58:36.160
<v Speaker 1>go home because nobody else invite you but me. Right

0:58:37.640 --> 0:58:40.400
<v Speaker 1>you're coming up, be like how do you get here? Oh?

0:58:40.560 --> 0:58:43.360
<v Speaker 1>You know, yeah, man, sorry man, because you know I

0:58:43.880 --> 0:58:46.000
<v Speaker 1>got my guys, you know what I mean, Like I

0:58:46.440 --> 0:58:50.720
<v Speaker 1>sent out my invites and it's it's it's for the guys.

0:58:50.760 --> 0:58:53.720
<v Speaker 1>And you listen. When I can't tell the Marta Rose

0:58:53.760 --> 0:58:57.520
<v Speaker 1>and he can't tell Martha Rose, can he gonna Kyrie?

0:58:57.880 --> 0:59:01.960
<v Speaker 1>Like they're gonna like they put Kim. I wouldn't want

0:59:01.960 --> 0:59:05.000
<v Speaker 1>to go him. It was it was he just it

0:59:05.080 --> 0:59:08.600
<v Speaker 1>was just it was Halloween. It was it was it

0:59:08.680 --> 0:59:11.120
<v Speaker 1>was hollow and they're going to play. When he showed up,

0:59:11.160 --> 0:59:14.520
<v Speaker 1>it was scary. It's like the mom starts showing up

0:59:15.880 --> 0:59:22.840
<v Speaker 1>its step when you like, is that right right? Be

0:59:23.000 --> 0:59:26.520
<v Speaker 1>fouling because like, like we always say, they're singers and

0:59:26.560 --> 0:59:32.960
<v Speaker 1>their singers and there's hoop presenters what And I'm like

0:59:33.120 --> 0:59:35.360
<v Speaker 1>and I'm like, when when those type of guys come around,

0:59:35.960 --> 0:59:39.720
<v Speaker 1>I'll play my defense, but I don't play the defense

0:59:39.760 --> 0:59:42.040
<v Speaker 1>that I would play on a guy that's not a

0:59:42.120 --> 0:59:46.160
<v Speaker 1>professional hooper, because I really do take into consideration that

0:59:46.760 --> 0:59:50.160
<v Speaker 1>they got they gotta, they gotta really they really it's

0:59:51.680 --> 0:59:54.520
<v Speaker 1>million need that right right right right right right right,

0:59:54.720 --> 0:59:57.440
<v Speaker 1>like me fouling one of those guys hard to prove

0:59:57.520 --> 1:00:02.000
<v Speaker 1>a point in here. I made that mistake. I think

1:00:02.000 --> 1:00:03.280
<v Speaker 1>why I didn't fol him hard, But I remember I

1:00:03.320 --> 1:00:05.479
<v Speaker 1>played Chris Paul when I was like eighteen or something,

1:00:05.520 --> 1:00:07.680
<v Speaker 1>and I felt like I had him in the glove,

1:00:07.760 --> 1:00:09.160
<v Speaker 1>you know what I'm saying. I felt like he wasn't

1:00:09.160 --> 1:00:11.760
<v Speaker 1>really I'm sure he didn't feel that he didn't. But

1:00:11.880 --> 1:00:13.760
<v Speaker 1>at the time, that's that's the story I made. Let's

1:00:14.080 --> 1:00:17.439
<v Speaker 1>that you had Paul Pierce. No, Chris, Chris, Chris felt

1:00:17.480 --> 1:00:19.760
<v Speaker 1>like you had the point guy had him in the glove.

1:00:19.920 --> 1:00:22.280
<v Speaker 1>The point guy. Understand me, he locked up the point guy.

1:00:22.280 --> 1:00:23.960
<v Speaker 1>I had him in the glove. Man. You know, we

1:00:24.040 --> 1:00:27.480
<v Speaker 1>know Chris, right, I know I asked me about this time,

1:00:27.960 --> 1:00:30.080
<v Speaker 1>but he's gonna probably not remember. He's not gonna remember

1:00:30.080 --> 1:00:31.680
<v Speaker 1>it at all. It was a trade. Even he had

1:00:31.680 --> 1:00:33.840
<v Speaker 1>sweatpants on, it doesn't matter. I was fully in my

1:00:33.920 --> 1:00:36.480
<v Speaker 1>shorts and shoes and you know I stretched before the game.

1:00:36.520 --> 1:00:38.800
<v Speaker 1>He was really out there like this. I'm sure there

1:00:38.880 --> 1:00:43.120
<v Speaker 1>any position to see people's in. He was okay with

1:00:43.280 --> 1:00:45.280
<v Speaker 1>being in that position. No, No, he was. He wasn't

1:00:45.320 --> 1:00:48.160
<v Speaker 1>really going hard. But let me just you know, I'm

1:00:48.200 --> 1:00:56.200
<v Speaker 1>living a dream man him in the Glove movie. I

1:00:56.240 --> 1:01:02.040
<v Speaker 1>would say it's on cameras olda any hoops, because there's

1:01:02.080 --> 1:01:04.480
<v Speaker 1>been some guys that you know, just been my They

1:01:04.560 --> 1:01:06.680
<v Speaker 1>talked and I let them come, and then I did

1:01:06.800 --> 1:01:10.080
<v Speaker 1>not invite him ever again. But I'll tell them too though,

1:01:10.120 --> 1:01:15.600
<v Speaker 1>like this ain't for you. Your brother is your grab

1:01:15.800 --> 1:01:21.320
<v Speaker 1>your rebounds I'm going to body somebody. Yeah he's yeah, yeah,

1:01:21.360 --> 1:01:23.640
<v Speaker 1>yeah yeah. They got mules in his college. Yeah yeah,

1:01:23.640 --> 1:01:26.680
<v Speaker 1>he but he came he came on some chill ship. No, no,

1:01:26.760 --> 1:01:28.040
<v Speaker 1>that he was chilling. He was like no, no, no,

1:01:28.160 --> 1:01:31.480
<v Speaker 1>I know because who long enough. I know when guys

1:01:31.560 --> 1:01:34.600
<v Speaker 1>come in and it's like okay. He was like all right, yeah,

1:01:34.760 --> 1:01:37.280
<v Speaker 1>I'm gonna I'm gonna play my role in here. Yeah right,

1:01:37.480 --> 1:01:40.640
<v Speaker 1>I'm gonna play. That's the the family, that's the one. Yeah,

1:01:40.680 --> 1:01:43.480
<v Speaker 1>he's the guy. Yeah, he's really a little retired now,

1:01:43.560 --> 1:01:49.480
<v Speaker 1>you know, he's a little retired. Look look chur Yeah,

1:01:50.480 --> 1:01:53.920
<v Speaker 1>I'm just the guys. He got to handle the business.

1:01:54.640 --> 1:02:00.040
<v Speaker 1>Yeah yeah, yeah, there's some nice slacks. Yeah yeah. You

1:02:00.040 --> 1:02:02.360
<v Speaker 1>know what I'm saying. I grew my hair in meditation

1:02:02.440 --> 1:02:06.760
<v Speaker 1>link from you know, like, I'm just as long as

1:02:06.760 --> 1:02:09.960
<v Speaker 1>you don't break out no watermelons in here. And it's

1:02:10.000 --> 1:02:12.240
<v Speaker 1>my okay because you got dress and ship, you know

1:02:12.560 --> 1:02:15.120
<v Speaker 1>now everything with dress, I think they're gonna break out

1:02:15.120 --> 1:02:21.200
<v Speaker 1>the watermelon. Man, then you got to relax. That's always

1:02:21.280 --> 1:02:28.560
<v Speaker 1>his my I love I love oh. And I just

1:02:28.720 --> 1:02:31.680
<v Speaker 1>want to know who went and got the watermelons like

1:02:32.280 --> 1:02:36.680
<v Speaker 1>the brother did. They post made it him. What was

1:02:36.720 --> 1:02:38.840
<v Speaker 1>it like? What it's like? No, No, he's downstairs. He's

1:02:38.880 --> 1:02:40.560
<v Speaker 1>got the watermelon. I'm just trying to figre out what

1:02:40.600 --> 1:02:43.360
<v Speaker 1>the guys he said, anybody any let him. They're gonna

1:02:43.440 --> 1:02:45.520
<v Speaker 1>let you. Go to the back door. He got the

1:02:45.560 --> 1:02:47.760
<v Speaker 1>watermelons right now. He just can't get in. He can't

1:02:47.760 --> 1:02:50.520
<v Speaker 1>get in. He coming right now, there is Okay, why

1:02:50.600 --> 1:02:54.360
<v Speaker 1>is it wrapping so much? You gotta have the right knife.

1:02:54.560 --> 1:02:57.200
<v Speaker 1>You gotta that's easy. And those looked like they were

1:02:57.240 --> 1:03:02.200
<v Speaker 1>professionally professionally cut, pally hopeful go to Gelson's. Get it.

1:03:03.280 --> 1:03:06.080
<v Speaker 1>You didn't go get it from Gelson's. They got the smaller,

1:03:06.520 --> 1:03:09.880
<v Speaker 1>smaller pieces that pre cut, three cut. You can just

1:03:10.000 --> 1:03:14.680
<v Speaker 1>pull them apart. Bro, we're about to stop, We're about

1:03:14.720 --> 1:03:17.680
<v Speaker 1>to start. Do you want us to win? Come on, man,

1:03:18.200 --> 1:03:26.440
<v Speaker 1>Mario doesn't have watermelons. I know this justice getting this

1:03:28.560 --> 1:03:34.200
<v Speaker 1>his hair make his hair run. Oh that was crazy,

1:03:34.440 --> 1:03:39.040
<v Speaker 1>Brett if runs around too. We go tag teams the

1:03:39.080 --> 1:03:44.760
<v Speaker 1>watermelons because we kind of eat it the same, all right,

1:03:44.960 --> 1:03:46.800
<v Speaker 1>And they I didn't realize. I think I saw him

1:03:46.800 --> 1:03:48.200
<v Speaker 1>for the first time, like last year. I was like

1:03:48.240 --> 1:03:55.880
<v Speaker 1>they three of them though, yeah. Yeah, they're like twins

1:03:56.240 --> 1:04:01.480
<v Speaker 1>bro act like everything. That's crazy. Pray I love him, guys,

1:04:01.760 --> 1:04:04.360
<v Speaker 1>all right, get to the I need to hear his

1:04:05.040 --> 1:04:07.280
<v Speaker 1>I want to say. I already know he got something

1:04:07.640 --> 1:04:12.400
<v Speaker 1>he got Guys. You know you're young fellow man. Listen.

1:04:13.680 --> 1:04:15.200
<v Speaker 1>You know I think the last time I saw you

1:04:15.320 --> 1:04:17.400
<v Speaker 1>put up to your birthday party. Man, you talking too loud.

1:04:19.720 --> 1:04:22.520
<v Speaker 1>You understand that you're streaming right. I got the call

1:04:22.640 --> 1:04:26.760
<v Speaker 1>after your birthday cart Yeah what he said, young ni

1:04:27.080 --> 1:04:30.600
<v Speaker 1>doing it with that face? Hey, I had listen. You

1:04:30.680 --> 1:04:33.120
<v Speaker 1>know one thing we're gonna do it salute you when

1:04:33.120 --> 1:04:36.280
<v Speaker 1>you're doing what you're doing. Man. Yeah, and your birthday party,

1:04:36.440 --> 1:04:38.560
<v Speaker 1>he was doing it. Man, it was fun. It was

1:04:39.280 --> 1:04:47.360
<v Speaker 1>yeah the oh yeah, ok, yeah, my young really living this.

1:04:47.600 --> 1:04:52.920
<v Speaker 1>This this this Hollywood. When you put out the calls,

1:04:55.640 --> 1:04:58.120
<v Speaker 1>they come, they pull up, they come on through. That's

1:04:58.160 --> 1:05:01.840
<v Speaker 1>what I heard. We at This segment of our show

1:05:02.000 --> 1:05:07.680
<v Speaker 1>is called I Ain't saying no names. Yeah it already

1:05:07.840 --> 1:05:12.040
<v Speaker 1>sounds man. Listen, listen. The story can be funny, are

1:05:12.080 --> 1:05:17.080
<v Speaker 1>fucked up? Are both? The only rule? It's got to

1:05:17.120 --> 1:05:19.000
<v Speaker 1>be a good story. You definitely gotta be a good

1:05:19.040 --> 1:05:20.520
<v Speaker 1>story because you want to get that off. You don't

1:05:20.520 --> 1:05:21.920
<v Speaker 1>want to be the guy that comes on here with

1:05:22.000 --> 1:05:26.080
<v Speaker 1>the weak story story right, the comments they're going to

1:05:26.120 --> 1:05:32.800
<v Speaker 1>comment about the comments. Comment pressure is no. The only

1:05:32.920 --> 1:05:36.040
<v Speaker 1>rule of the game is you can't say their name. Okay, easy,

1:05:36.280 --> 1:05:38.920
<v Speaker 1>I don't do that. Hey, you know what I mean?

1:05:39.680 --> 1:05:42.520
<v Speaker 1>I never that he didn't have Yeah, yeah, yeah, yeah,

1:05:43.080 --> 1:05:46.680
<v Speaker 1>I don't do that. I don't have to. Um, so story,

1:05:47.840 --> 1:05:53.600
<v Speaker 1>what's the content? Um? And it's supposed to be use

1:05:53.680 --> 1:05:56.800
<v Speaker 1>no names and give me whatever story you want, whatever

1:05:56.880 --> 1:06:00.600
<v Speaker 1>story and whatever story whoever about moved and you want

1:06:00.640 --> 1:06:13.160
<v Speaker 1>to go viral, just turning the range. Shoot, I don't know.

1:06:14.040 --> 1:06:16.520
<v Speaker 1>I don't really have any crazy stories. Man, man, you're lying.

1:06:16.840 --> 1:06:19.880
<v Speaker 1>You're starting this off as a liar. All right, true,

1:06:19.960 --> 1:06:24.000
<v Speaker 1>I've been called that before. I just pictured it as

1:06:24.280 --> 1:06:27.280
<v Speaker 1>not telling the full true all right, crazy story, you know,

1:06:27.400 --> 1:06:31.640
<v Speaker 1>like a Hollywood story. Whatever, it's your world, brother, Okay,

1:06:31.880 --> 1:06:36.240
<v Speaker 1>here's a good story. Um. I won't say the name,

1:06:36.360 --> 1:06:38.280
<v Speaker 1>but he's a drummer of a famous band. Can I

1:06:38.360 --> 1:06:40.160
<v Speaker 1>say that? You don't have to do that? Already? Did

1:06:40.200 --> 1:06:44.000
<v Speaker 1>it too late? Here? It is? So I did I

1:06:44.160 --> 1:06:50.800
<v Speaker 1>pull up white Man? Okay? Okay? And I pulled up

1:06:52.000 --> 1:06:54.760
<v Speaker 1>I was invited by I knew this guy. Knew the guy,

1:06:54.920 --> 1:06:56.400
<v Speaker 1>and he was like, Yo, come this party. I come in.

1:06:56.480 --> 1:06:58.120
<v Speaker 1>You know how much it was cool? It's cool. And

1:06:58.160 --> 1:07:00.520
<v Speaker 1>I'm always mean guys. I'm nice, Okay, nice guy. That's

1:07:00.520 --> 1:07:02.280
<v Speaker 1>why I hate when people mean to me. It's like,

1:07:02.360 --> 1:07:04.040
<v Speaker 1>how why are you? What? Do You're evil? You must

1:07:04.080 --> 1:07:05.840
<v Speaker 1>have Satan in you? What's going on? Because I'm a

1:07:05.960 --> 1:07:07.920
<v Speaker 1>kind person. So I'm in there, Hey, what's up? Man?

1:07:07.960 --> 1:07:10.600
<v Speaker 1>Blah blah, and already kind of shook his hand and

1:07:10.600 --> 1:07:14.600
<v Speaker 1>he's just like whatever, really shakes my hand, like whatever.

1:07:14.640 --> 1:07:16.800
<v Speaker 1>We're there, were chilling, We're about to leave now. The

1:07:16.920 --> 1:07:18.880
<v Speaker 1>homie that invited me to go there is in the

1:07:18.960 --> 1:07:21.080
<v Speaker 1>car with this dude and some chicks from the car

1:07:21.160 --> 1:07:24.640
<v Speaker 1>or whatever. And I'm with a woman that I'm with

1:07:25.320 --> 1:07:28.160
<v Speaker 1>and she's you know, with me. She's next to me,

1:07:28.240 --> 1:07:29.600
<v Speaker 1>and they're in the car and I'm outside the car

1:07:29.600 --> 1:07:31.520
<v Speaker 1>and I'm like, yo, where you guys going And the

1:07:31.560 --> 1:07:33.080
<v Speaker 1>guys on the front seat of the driver's seat he

1:07:33.160 --> 1:07:35.800
<v Speaker 1>keeps saying, yo, yo, we don't know what we're going.

1:07:35.880 --> 1:07:37.760
<v Speaker 1>I said, hold on, buddy, talking to him in the back.

1:07:37.800 --> 1:07:39.200
<v Speaker 1>I'm trying to figure out where we're going? Where are

1:07:39.200 --> 1:07:40.640
<v Speaker 1>we going? And he was like, yo, man, I don't

1:07:40.640 --> 1:07:42.960
<v Speaker 1>know yet. We're figuring out blah blah. And then she

1:07:43.160 --> 1:07:44.640
<v Speaker 1>comes in and she's like, hey, listen, sorry, we're just

1:07:44.640 --> 1:07:46.640
<v Speaker 1>trying to figure out, like where exactly where going. He's like,

1:07:46.680 --> 1:07:48.600
<v Speaker 1>can you back up from the car please? To her?

1:07:49.120 --> 1:07:50.880
<v Speaker 1>And I walked up to the window. I said, excuse me, sir,

1:07:50.960 --> 1:07:53.480
<v Speaker 1>and I said, I appreciate you know, you're trying to

1:07:53.520 --> 1:07:54.880
<v Speaker 1>figure out. I just don't speak to her like that.

1:07:55.000 --> 1:07:56.800
<v Speaker 1>And he went, who the funk are you like that?

1:07:57.520 --> 1:08:01.439
<v Speaker 1>I just lost and I punched in the face hard. Yeah,

1:08:01.800 --> 1:08:03.800
<v Speaker 1>his nose was bleeding. It was a good time, and

1:08:03.800 --> 1:08:05.160
<v Speaker 1>they scared it off. They were in uber and they

1:08:05.200 --> 1:08:07.840
<v Speaker 1>were scared. They don't start shooting rat the weather. Yeah no,

1:08:07.920 --> 1:08:10.160
<v Speaker 1>I just I'm back in him like that. Wow. And

1:08:10.200 --> 1:08:12.320
<v Speaker 1>then he was like and then they told me that

1:08:12.480 --> 1:08:14.000
<v Speaker 1>we both knew. He was like, dude, he told me,

1:08:14.040 --> 1:08:16.800
<v Speaker 1>you broke his nose. Man, what's going off? I said, bro?

1:08:17.600 --> 1:08:21.400
<v Speaker 1>I said, you're speaking just anytime I'm sorry, says I

1:08:21.479 --> 1:08:23.840
<v Speaker 1>love all people, but anytime, like white people speak to

1:08:23.840 --> 1:08:25.840
<v Speaker 1>me in a certain way, like I just have flashbacks.

1:08:25.920 --> 1:08:27.600
<v Speaker 1>I'm just like slavery. This is no you think you

1:08:27.600 --> 1:08:30.759
<v Speaker 1>can get away this now? No? Sorry, One more story,

1:08:31.960 --> 1:08:35.479
<v Speaker 1>quick kind of story. The first This is the story,

1:08:35.520 --> 1:08:37.360
<v Speaker 1>and it's also about me being aggressive. I'm not gonna

1:08:37.520 --> 1:08:43.479
<v Speaker 1>whoever you are, go fix your nose and your mother mouth.

1:08:43.640 --> 1:08:46.920
<v Speaker 1>But look, you're talking to Trevor Jackson. Okay, but don't

1:08:46.960 --> 1:08:50.479
<v Speaker 1>take this grown this ship. You hear me, You hear me.

1:08:51.080 --> 1:08:53.920
<v Speaker 1>Put them on. You need to hear me. He need notice,

1:08:53.960 --> 1:08:57.640
<v Speaker 1>put them on, notse go fix your face? Hey, go

1:08:57.800 --> 1:08:59.960
<v Speaker 1>do you a little nose, Candy. I'm sure you were

1:09:00.040 --> 1:09:04.280
<v Speaker 1>probably on it. Hey, he woke your gss up. Hey,

1:09:04.360 --> 1:09:06.720
<v Speaker 1>but I didn't know how big of the like. I

1:09:06.760 --> 1:09:09.760
<v Speaker 1>found that out there, I was like, oh fuck stole

1:09:09.800 --> 1:09:13.600
<v Speaker 1>on one the Beatles man. Hey. So I was like,

1:09:13.680 --> 1:09:16.240
<v Speaker 1>oh ship, this nick is okay? Bet, sorry, but just

1:09:16.320 --> 1:09:18.200
<v Speaker 1>don't speak that way. Okay. Last story, I was on

1:09:18.280 --> 1:09:21.800
<v Speaker 1>tour in Chicago. Similar story. Me and this guy right here,

1:09:22.280 --> 1:09:25.439
<v Speaker 1>that guy there's Jackson. That's my brother and my cousin. Um,

1:09:25.720 --> 1:09:28.599
<v Speaker 1>the Jackson's are here. Yeah, so we're at uh, we're

1:09:28.680 --> 1:09:31.519
<v Speaker 1>at the damn uh. Then you go across the street

1:09:31.920 --> 1:09:33.720
<v Speaker 1>and no one's in there, like rapped the show. We're like, yeah,

1:09:33.760 --> 1:09:35.080
<v Speaker 1>let's go somewhere. No one's in here. Cool. We go

1:09:35.120 --> 1:09:37.800
<v Speaker 1>in there, we start d JAN. The DJ booth is

1:09:37.800 --> 1:09:40.240
<v Speaker 1>a little bit like elevated, probably like this this talk.

1:09:40.320 --> 1:09:42.400
<v Speaker 1>And then we're staying up there with DJ. No one's

1:09:42.400 --> 1:09:44.839
<v Speaker 1>in there. We people start walking by and just flooding

1:09:44.840 --> 1:09:47.320
<v Speaker 1>in because we're like playing music. Oh, getting it popping.

1:09:47.800 --> 1:09:49.599
<v Speaker 1>Then this guy comes there's like, yo, what the heck,

1:09:49.680 --> 1:09:51.760
<v Speaker 1>get down bla blah blah blah blah. He climbs up

1:09:51.800 --> 1:09:54.160
<v Speaker 1>the thing and he's like, hey man, what the fun

1:09:54.200 --> 1:09:56.439
<v Speaker 1>you guys don't get off. I was like, sir, I

1:09:56.520 --> 1:09:58.360
<v Speaker 1>have no problem hearing anything you have to say, do

1:09:58.400 --> 1:10:00.479
<v Speaker 1>anything you ask. Just please don't speak to me that way.

1:10:01.280 --> 1:10:03.040
<v Speaker 1>I'll talk to me fucking way I want to talk

1:10:03.080 --> 1:10:08.960
<v Speaker 1>to you. I was like, if like this, bro and

1:10:09.040 --> 1:10:14.479
<v Speaker 1>he felt offs bros Bad. I was like, I don't

1:10:14.479 --> 1:10:16.360
<v Speaker 1>know what. I don't know what I said, but I

1:10:19.960 --> 1:10:23.400
<v Speaker 1>just gathered all the energy. I gathered all the energy

1:10:23.439 --> 1:10:26.519
<v Speaker 1>from the outside of it came in and he felt

1:10:26.520 --> 1:10:28.160
<v Speaker 1>and he felt onnest me because he's crowding there. So

1:10:28.280 --> 1:10:30.479
<v Speaker 1>he's like they're like body surfing. He's like shutting the

1:10:30.640 --> 1:10:38.000
<v Speaker 1>funk out of here while while these bodies slept. I swear, Bro,

1:10:38.960 --> 1:10:40.360
<v Speaker 1>I was like, God, I look at like this. I

1:10:40.439 --> 1:10:42.320
<v Speaker 1>was like, I'm a human being. That's all I want

1:10:42.320 --> 1:10:46.719
<v Speaker 1>to talk. I'm a human being. I'm sorry. I'm sorry.

1:10:51.439 --> 1:10:55.439
<v Speaker 1>Oh dude, my issue. It's just don't be mean man life.

1:10:55.880 --> 1:10:57.400
<v Speaker 1>You know, it's like what you said though you're such

1:10:57.400 --> 1:11:01.360
<v Speaker 1>a nice person. You're like nice and violent you and

1:11:01.479 --> 1:11:03.479
<v Speaker 1>you put out so much good energy. You know what

1:11:03.520 --> 1:11:06.599
<v Speaker 1>I'm saying that once you're back, I was just hurt

1:11:06.600 --> 1:11:08.040
<v Speaker 1>and I'm like, what do you Why are you speaking

1:11:08.120 --> 1:11:09.680
<v Speaker 1>to me like I talked to you. I want to

1:11:09.720 --> 1:11:14.519
<v Speaker 1>talk to who? Do you think that you gottah human?

1:11:14.640 --> 1:11:21.960
<v Speaker 1>The triggers for you? Brother? Yeah, I'm sorry because apparently

1:11:22.080 --> 1:11:26.880
<v Speaker 1>it goes from zero to a hunted man. Um. Listen, man,

1:11:28.200 --> 1:11:31.800
<v Speaker 1>uh a little bro. We celebrate you. I love you, guys. Man,

1:11:31.840 --> 1:11:35.400
<v Speaker 1>thanks for having me. Salute you. Um. We continue to

1:11:35.479 --> 1:11:37.519
<v Speaker 1>hold you in high regard, and we will make sure

1:11:37.600 --> 1:11:40.920
<v Speaker 1>that anybody's speaking on your name does the same. Um,

1:11:41.800 --> 1:11:43.800
<v Speaker 1>thank you for coming to the Harpy Money Podcast. Man,

1:11:43.880 --> 1:11:46.960
<v Speaker 1>my name is Tank, I'm Jay Valentine. This is Trevor Jackson,

1:11:47.439 --> 1:11:56.320
<v Speaker 1>and this has been Treasure, Action Jackson on the Money

1:11:56.360 --> 1:12:11.479
<v Speaker 1>podcast man Trevor Action, R and B Money. R and

1:12:11.560 --> 1:12:14.799
<v Speaker 1>B Money is the production of the Black Effect podcast Network.

1:12:15.080 --> 1:12:18.040
<v Speaker 1>For more podcasts from I Heart Radio, visit the ir

1:12:18.080 --> 1:12:21.160
<v Speaker 1>heart Radio app, Apple podcast, or wherever you listen to

1:12:21.240 --> 1:12:24.599
<v Speaker 1>your favorite shows, don't forget to subscribe to and rate

1:12:24.720 --> 1:12:27.320
<v Speaker 1>our show, and you can connect with us on social

1:12:27.439 --> 1:12:31.120
<v Speaker 1>media via at R and B Money podcast or at

1:12:31.160 --> 1:12:33.280
<v Speaker 1>The Real Tank or at j Valentine