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Speaker 1: Money. Well, we are the authority and ladies and gentlemen,

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Speaker 1: what's going on? I am take and we are the

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Speaker 1: Army Money Podcast, the authorities on all things R and

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Speaker 1: B in the building. Yeah, I'm I'm getting passionate. You

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Speaker 1: know what I'm saying because because sometimes we have family

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Speaker 1: members in the building. You know what I'm saying. You

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Speaker 1: know the guys who who we've watched go from boys

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Speaker 1: to men, saying you shout out to those guys. We've

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Speaker 1: watched them go from boys to men and they've done

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Speaker 1: it with class, they've done it with excellence, and they've

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Speaker 1: been successful at this thing. Ladies and gentleman in the building.

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Speaker 1: A little bro who's not tallering us, hey honed to

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Speaker 1: be here for all seriousness legends. Man, I've looked at

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Speaker 1: you guys like basically my whole life and then being

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Speaker 1: able to work with you guys, like you said, since

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Speaker 1: I was very young and hopefully we can do it again.

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Speaker 1: How that I'm older, But you guys man paved the

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Speaker 1: way many ways, brother, many people, So thank you for

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Speaker 1: having got jury and a kind of ship. No, no,

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Speaker 1: he had no jury. Man lash out of Indiana, like, man,

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Speaker 1: it's crazy, that's what you gotta respect about what Trevor's

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Speaker 1: doing right. Okay, Trevor is doing right? Is I care?

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Speaker 1: But I don't care. But I don't, But I'm gonna

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Speaker 1: go surf. I'm probably surf after this, I don't know.

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Speaker 1: Maybe a little parkore on your fake grass, I don't know,

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Speaker 1: shoot a couple of jumpers on into the pool, backflip

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Speaker 1: into the pool. He's prepared, He's prepared for all things.

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Speaker 1: But then he says, don't get ship twisted. I got ice,

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Speaker 1: I got it, I got it on me. It's very new,

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Speaker 1: it's very new. I just funny thing is I said

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Speaker 1: I would never do it, and then I was like, man,

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Speaker 1: explain that. So this I got this first. This is

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Speaker 1: just a little link to get cuping, a little link.

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Speaker 1: I didn't want it to hang too low because I

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Speaker 1: like to be shirtless. So anyways, you right, you under

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Speaker 1: saying yeah, no, so I wanted that, and then born

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Speaker 1: artists my company. This is like the imblements of sharks.

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Speaker 1: Sharks will die if they stopped moving forward, stop swimming,

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Speaker 1: to literally die. And I feel like that's why I'm

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Speaker 1: with music when it comes to entertainments. Yeah, he's got

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Speaker 1: crocks on. Hey, man because I don't care really but

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Speaker 1: still kind of and he's bodying a paintbrush meaning arts

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Speaker 1: and all things art like we want to suck the

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Speaker 1: art name up in a good way. Wow. So so, Trevor,

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Speaker 1: you're one of those You're one of those rare human beings,

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Speaker 1: um who can do anything. Like everything that I've mean

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Speaker 1: you do or whatever task you've taken on high level,

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Speaker 1: high level, you done it and done it well. Well,

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Speaker 1: we looked at what we love to do on Army

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Speaker 1: Money podcast is we like to start at the beginning,

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Speaker 1: even though we need the people need to understanding back

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Speaker 1: to Indiana. We want on the journey. We want to

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Speaker 1: we want to know the first day you said as

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Speaker 1: somebody said, he got it, and then we want to

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Speaker 1: go from there and get to the shark with crocs

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Speaker 1: on because I didn't always have always You're a first

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Speaker 1: to put crocks on the shark, you know. And if

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Speaker 1: Disney cos your ship, if you niggas make a shark feet,

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Speaker 1: if y'all come out with a shark feet, I know sharks, Dad,

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Speaker 1: I just want to wear shark feet. Were we together? It? Okay?

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Speaker 1: So the beginning. I started tap as when I was

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Speaker 1: three years old, I remember Gregory Hunt alright, alright, see

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Speaker 1: the young man. No, it's history to tap dancing. At

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Speaker 1: three three years old, I remember I was my mom.

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Speaker 1: This is what she claims. She says that I was

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Speaker 1: flipping around and she didn't want to hear myself. She

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Speaker 1: took me to a gymnastics class and I walked by

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Speaker 1: the room and think it was happening. I was like, whoo,

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Speaker 1: so I want to do that. And then I just remember,

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Speaker 1: like anything I want to do. I'm like just trying

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Speaker 1: to study and like who's great? And I just remember

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Speaker 1: seeing Gregory Hinds. And it wasn't just that he was happening.

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Speaker 1: He was just like when he was on screen, everybody

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Speaker 1: else was like, who is that? Why is he The

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Speaker 1: way he walked away, he spoke um, and he's sang

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Speaker 1: and whatever. I saw her. Forget what the movie was,

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Speaker 1: but he was singing in it, he was tapping in it,

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Speaker 1: and you know he was on TV s he was acting.

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Speaker 1: So I was like, I want to do that. Whatever

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Speaker 1: all of these things are I want to have. I

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Speaker 1: want to do all that. That's kind of where it started.

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Speaker 1: I started, like, uh, competing in different places and stuff.

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Speaker 1: And then I remember I went to some workshop in

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Speaker 1: New York and some guy, his name is Lane Napper.

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Speaker 1: He worked for Nickelodeon at the time, and he was like, yo,

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Speaker 1: we know he could dance, but he's got something like

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Speaker 1: just put him into up else, make him do something else.

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Speaker 1: Did a local Broadway show called even Boards Christmas Show,

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Speaker 1: and then from that I did Lion King the Broadway

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Speaker 1: show for like three years, and that that changed my

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Speaker 1: whole life. I told when you when you was eight

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Speaker 1: years old eight to eleven, Simba, I was Smber. Yeah,

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Speaker 1: I was the whole first hour of the show and

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Speaker 1: um at eight at eight, yeah, And I remember I

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Speaker 1: can remember at that time, I never thought about being on.

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Speaker 1: I mean, I was just like, I'm just having a

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Speaker 1: blast from a backflips, I'm singing. Didn't even think about

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Speaker 1: what it was doing. He didn't think about it as

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Speaker 1: work either, No, not at all, not at all. And

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Speaker 1: I remember there was a day and I don't remember

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Speaker 1: what day, but some day I wasn't performing, and I

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Speaker 1: remember just you can only really see the first row

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Speaker 1: when it's like that, Yeah, the life. Yeah, I don't know.

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Speaker 1: I've never done broad Away, you know, No, I don't

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Speaker 1: you know, you know, you can only really see and

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Speaker 1: I only see everything's blacked out in the SUPERCI perform

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Speaker 1: multiple concerts in the right right. Okay, cool? So Mr

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Speaker 1: burns from me. That's so. Yeah. They're in the front

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Speaker 1: row and I just remember them being like like that,

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Speaker 1: and I was just like, why are they smiling? And

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Speaker 1: I looked on stage. I was like, I'm only one

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Speaker 1: up here. So I was like, oh wait wait wait

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Speaker 1: wait wait wait wait wait, completely by yourself. Yeah. Yeah,

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Speaker 1: there's like numbers where I'm just singing it's just me,

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Speaker 1: and I'm like, they're all smiling like happy, And I

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Speaker 1: was like, is that because I'm it's me? I was like,

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Speaker 1: all right, that's what I want for life. If I

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Speaker 1: can do that, and it doesn't have to be just

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Speaker 1: on stage. Is anyway that I can like affect someone's day,

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Speaker 1: make them happier. It's done something, you know what I'm saying.

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Speaker 1: So after that, I told him, I mean, I was like,

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Speaker 1: this is it. I'm I can't go back school. I mean,

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Speaker 1: I gotta I gotta perform. I've gotta dropped out of eight. Yeah,

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Speaker 1: I wish bro The wars that me and my mom

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Speaker 1: had about he dropped out of eight never looked back,

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Speaker 1: never never looked back. Um. Yeah, So then that people

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Speaker 1: were like, okay, so we should go to New York.

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Speaker 1: L A. I'm an l A guy. No respected it

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Speaker 1: in New York. I love New York. I love people

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Speaker 1: from New York. New York as the place is just

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Speaker 1: not my I don't think I would thrive there. So

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Speaker 1: we have a thing when when when you put out

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Speaker 1: the disclaimer of no disrespects, no disrespect, I love New York.

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Speaker 1: Uh yeah, A was just the place that you wanted

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Speaker 1: to be. Yeah, I want to be I like ocean,

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Speaker 1: you know, I like water, and I like I like

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Speaker 1: open you know. Aaron moved out here in two thousand

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Speaker 1: and eight and been shipping away man since then. That's

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Speaker 1: from fifteen years up in the Iron. So but during

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Speaker 1: that time, right from Lion King, I remember when your

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Speaker 1: label Reps came to that's the thing, right, like, no,

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Speaker 1: that that was the thing because people don't understand the

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Speaker 1: music business. You have to have certain bullet points for

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Speaker 1: people to even be interested, right because from the outside,

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Speaker 1: people just like, oh well, if I gotta check you

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Speaker 1: work with me. You know a lot of people gotta

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Speaker 1: check a lot of people, you know what I mean, Like,

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Speaker 1: and you get to a point in a business where

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Speaker 1: you've had enough success where you can pick and choose

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Speaker 1: who you want to work with if it makes sense

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Speaker 1: for you, right, Because one, everybody can't work with kids,

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Speaker 1: and you were a kid, you know what I'm saying,

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Speaker 1: Like you still hyper, but you was even more hyper then, right, Like,

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Speaker 1: so it's like all of those factors. That's why people

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Speaker 1: like Jermaine dupri have the utmost respect for Jermaine Dupris

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Speaker 1: for being able to work with multiple kid acts. That's tough, right,

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Speaker 1: because you gotta write the right record too, right, It

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Speaker 1: can't beat or to that. We've experienced that with you, right, So,

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Speaker 1: and that's that's what that's what I'm getting to. Like,

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Speaker 1: I remember having a conversation and then seeing you in

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Speaker 1: the lobby and of course every as soon as the

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Speaker 1: first thing they do all kids acts. If you can sing,

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Speaker 1: it's a it's a young boy, not even just sing,

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Speaker 1: but it's Michael Jackson. Everybody's Michael jack You're gonna either

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Speaker 1: sing Michael Jackson and Stevie Wonder. So listen, if you

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Speaker 1: guys are watching this, If you sing my Chael Jackson

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Speaker 1: and Stevie Wonder from me I'm kicking you out the studio. Now,

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Speaker 1: I'm putting this this their a legends, their legends. They

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Speaker 1: are who they are, right I am. I think it

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Speaker 1: was Who's loving you might have been it was, but

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Speaker 1: that was years ago. But that break out into that

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Speaker 1: I'm kicking you your mom or your uncle and your

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Speaker 1: daddy out the studio. It's one more song to added

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Speaker 1: to that though, too. Which one is that the kid

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Speaker 1: Alicia Ki? Yes, yes, something. I was like, okay, because

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Speaker 1: they find songs that the kids can push. I've heard

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Speaker 1: at least not kids singing at that point. You're on

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Speaker 1: Atlantic Records. Yeah, okay, Wait, before that, I met with everyone,

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Speaker 1: and you know, everyone says what they say, awesome, cool,

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Speaker 1: Atlantic said the best stuff. So I went with them.

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Speaker 1: Um and yeah, I was fifteen years old. That was crazy,

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Speaker 1: crazy experience, very green at the time, you know, but

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Speaker 1: it's very dope. Um yeah, and then we met right, yeah, yes,

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Speaker 1: what the heck? That was ten years ago. That's at

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Speaker 1: uh yes and yeah yeah yeah dude, And I still

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Speaker 1: remember some of the stuff we did, some craziness. We

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Speaker 1: did some and still needs to come out. I still

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Speaker 1: sing hold up. And we wanted to put you on

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Speaker 1: a level because you had the tools right and and

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Speaker 1: there of course, he said, there has to be a

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Speaker 1: fine balance between you being a kid, you know what

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Speaker 1: I'm saying, and you being an adult and what you

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Speaker 1: can um actually conveyable. That's you know what vocally, no, no, no,

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Speaker 1: we met you at fifteen at UM the studio hard

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Speaker 1: that that. Oh, but but what's the one that I

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Speaker 1: can't think of it, but that's we got you maybe

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Speaker 1: seven maybe around seventeen eighteen, which we felt like was

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Speaker 1: a perfect time because it was like the coming of

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Speaker 1: age thing. Obviously, we spoke about that off camera, like him,

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Speaker 1: you know, us doing a Mario when he's like eighteen,

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Speaker 1: you know what I mean. Like we had already worked

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Speaker 1: with Chris Brown, different artists that we had worked with

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Speaker 1: that were like young men, right, fifteen young boy, seventeen

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Speaker 1: eighteen young man. And for us, we were like, oh,

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Speaker 1: this is the pocket, this is where we're going to.

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Speaker 1: We're gonna, we're gonna, we're gonna give him that ship,

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Speaker 1: you know what I mean, because because you know, you

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Speaker 1: become very aggressive eighteen or will just say eighteen for

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Speaker 1: the for the sake of what I'm gonna say. After that,

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Speaker 1: at the age of eighteen, you were, you know, young lion.

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Speaker 1: Sure man, they know. I remember who was coming by

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Speaker 1: the studio. Yeah, those are those are amazing times for real, honestly,

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Speaker 1: And I remember you guys, uh just like pouring in man,

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Speaker 1: and then you'd be like, Yo're like going there, I'm

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Speaker 1: gonna come back, have the vocals done, and I want

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Speaker 1: him to sound like this was to sound. And I

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Speaker 1: was like, because you at the time, you know, you

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Speaker 1: were still doing a lot of stuff yourself, like you

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Speaker 1: were vocal producing yourself, and so we were very impressed

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Speaker 1: that at seventeen eighteen years old, you were like really

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Speaker 1: tapped into the quality. Yeah, make sure that it's good, man,

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Speaker 1: it's all you have left. I feel like, you know,

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Speaker 1: I'm going like, yo, this record it is um. But

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Speaker 1: it was the fight right like you were like explained

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Speaker 1: that because I mean, obviously we have our side of

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Speaker 1: how we saw it from the outside looking in, but

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Speaker 1: explained being seventeen eighteen years old, coming of age, young man,

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Speaker 1: wanting to get your ship off at that point, you

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Speaker 1: want to get your ship off, Yeah, and it's hard

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Speaker 1: right now, you're trying to tell a label that you've

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Speaker 1: been signed to since you were fifteen that no, no,

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Speaker 1: I'm grown now about to be grown? Right? Um. I

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Speaker 1: think it was you know what, To be honest with you,

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Speaker 1: I think it was partly me. I don't think I

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Speaker 1: understood the beauty of honesty until I got a little older,

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Speaker 1: because even at eighteen, I felt like I was still

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Speaker 1: under I feel like I was still under the mask

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Speaker 1: of like we were just talking about Michael, and I

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Speaker 1: was always like, Michael wouldn't say that, or no, I

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Speaker 1: was like trying to hold myself to pretty sure you

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Speaker 1: said that to us. Yeah, I'm pretty sure I did.

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Speaker 1: They're like, we can say that. I was like, Michael,

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Speaker 1: Michael wouldn't say that. Whoever even met Michael. You met Michael,

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Speaker 1: You're Michael. Look look at it. Look at Michael. Oh,

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Speaker 1: Michael beat up bubbles for him. Hey man, we do

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Speaker 1: a drug. I'm sorry I didn't know that. Wow, But

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Speaker 1: you never told me that everything. Um, I thought you

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Speaker 1: were told me that we're not gonna but no, that

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Speaker 1: was mine. That's where I was at that time, like,

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Speaker 1: oh I got to do this, I do this right. Um.

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Speaker 1: So I think I was partably part of the problem

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Speaker 1: for that too. Um. And like I said, it wasn't

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Speaker 1: til later that I was like, oh man, I just

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Speaker 1: gotta everything feels better when it's real, or at least

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Speaker 1: it's something that you want, you know, um, because people

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Speaker 1: can tell you to do a certain thing and you

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Speaker 1: can do it, but it won't be as good as

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Speaker 1: if you're like, hey, I love that thing and don't

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Speaker 1: want to do it, like yeah, it's it's it's I mean,

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Speaker 1: we can pitch it to pitch it all day, right right,

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Speaker 1: but I think we saw something in you and about

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Speaker 1: you that you knew, probably probably scared of it, probably

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Speaker 1: were like I mean. And then add add to the

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Speaker 1: fact that you know, Mom's is heavily in the so good,

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Speaker 1: so good a spot. Moms was heavily in the building.

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Speaker 1: Yeah you always yeah, right right right in the studio

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Speaker 1: in the Bible right for she's like now traveling, now

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Speaker 1: come on, even now, I'll be playing to it. I'm like,

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Speaker 1: let me let me cook. I understand, I understand it.

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Speaker 1: And then you know, trying to you know, manage it

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Speaker 1: from an image standpoint in terms of where you and

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Speaker 1: what you think, and it's all about and that's what

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Speaker 1: I'm saying like these image things are only from people

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Speaker 1: that have been have existed already, and if you're trying

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Speaker 1: to do something to or create something, you realize that, hey,

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Speaker 1: this path hasn't been made yet, you know, the footprints

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Speaker 1: in the same haven't been made. So maybe I can,

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Speaker 1: you know, but it takes time, you know. I used

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Speaker 1: to have a kind of like a spirit of like,

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Speaker 1: oh I wish, but now I'm just like, everything is purpose,

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Speaker 1: So everything is happening at the time is supposed to happen.

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Speaker 1: It makes sense now, So you you, you're acting was

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Speaker 1: developed in a space that I think, I think most

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Speaker 1: actors should you know, should dabble in at least once

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Speaker 1: or twice. And that's that theater stage, because that theater

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Speaker 1: stage is unforgiving. Yeah, no it is. I just had

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Speaker 1: to go. I just brought away at this beginning of

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Speaker 1: this year the top dance kid. And that was the

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Speaker 1: hardest thing I've ever done in my whole life's ever

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Speaker 1: learned the whole show in eleven days. And then how

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Speaker 1: did how many shows every week? I did well, only

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Speaker 1: it was only like a week long run, but it

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Speaker 1: was every day every day for sure, and Saturday Sunday. Yeah,

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Speaker 1: and you can't can't party, you can't hang out, can't

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Speaker 1: do anything. It's like, if I want my voice to

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Speaker 1: sound good tomorrow, I've got to not talking to anything.

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Speaker 1: So I hated it. I hate not to be be developed

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Speaker 1: in this space that I think every actor needs. You

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Speaker 1: need that. Okay, I only have one takes. I better

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Speaker 1: be on my that now groomed you for the music part.

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Speaker 1: I think that's the passion and that's you know, that's

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Speaker 1: the love and I think that that was that's probably

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Speaker 1: the harder part for you to figure out for sure,

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Speaker 1: for sure. And then you move into yeah TV and

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Speaker 1: it goes crazy, Yeah, for sure. So how would how

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Speaker 1: did you make that transition? Like what was the call?

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Speaker 1: Because you at this point you were music music and

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Speaker 1: then you have to say, Okay, how'm gonna pay for

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Speaker 1: my videos? Let me let me put this you know what.

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Speaker 1: That's a great way to gonna pay for music, real

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Speaker 1: real music business. Yeah, because when you want to do

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Speaker 1: what you want to do, you gotta pay for it.

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Speaker 1: You gotta pay for it. And that's the thing, like

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Speaker 1: you're saying, because if somebody like we're talking to people

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Speaker 1: can pitch all day and if I don't bite, and

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Speaker 1: I'm like, hey, that's not the greatest idea. Okay, we're

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Speaker 1: gonna go do what you want to do, but we're

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Speaker 1: not gonna We're not gonna give you bread for it,

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Speaker 1: and we're not gonna push it, and we're not gonna

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Speaker 1: market it. But sure, if you want to be creatively free,

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Speaker 1: you go do that. And to do that and to

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Speaker 1: have the ship I like because I watched it, and

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Speaker 1: I'm the most critical person on the planet. I watched

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Speaker 1: my own ship like that. So I'm like, I gotta

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Speaker 1: make sure that it it's fire. I gotta get the

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Speaker 1: hundred camera, I gotta rent it, I gotta get this guy,

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Speaker 1: I gotta get the great lighting team. I gotta get

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Speaker 1: the people coming in, and it's gotta look good, and

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Speaker 1: I gotta have a good story. I've gotta I don't

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Speaker 1: want my video to look like every video I've got,

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Speaker 1: you know, and to do that you have to have money.

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Speaker 1: And so obviously I love acting, and that's I'm not

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Speaker 1: I'm not disclaiming that that's a huge part of my

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Speaker 1: life and it's saved me many of times just throughout

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Speaker 1: the human experience. But definitely a big part of it

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Speaker 1: is when I want to make a music video, I

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Speaker 1: can make it. And I think that's all I like

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Speaker 1: we're talking about. For it is what I have is

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Speaker 1: like those are my stories, those are my visuals to

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Speaker 1: my stories. That's how I see the world, and I

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Speaker 1: want to be able to provide that. So acting has

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Speaker 1: financed your music for sure, hundred percent, dude. Oh yeah.

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Speaker 1: And I feel like, do you feel like the acting

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Speaker 1: help put you in a in a better space for

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Speaker 1: your music to be absolutely to be heard? But I think, okay,

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Speaker 1: So I think musicians know, like when they hear myself,

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Speaker 1: you know what I'm saying, But it's hard for an

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Speaker 1: audience when they've seen you as something for a minute,

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Speaker 1: you know, And it's yeah, yeah being pigeon home for sure.

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Speaker 1: And it's sometimes Rice versus some people don't do music.

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Speaker 1: It's like, oh, I didn't know he's on to it.

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Speaker 1: You know. It's like whatever you found first, that's what

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Speaker 1: you identified with. This is who that is to me. Um.

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Speaker 1: But I think that just comes a time in consistency.

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Speaker 1: I think if you put out six albums in their

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Speaker 1: own toper, you know, people are like, Okay, he's not

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Speaker 1: just trying to make music. He makes music. That's because

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Speaker 1: I'm not gonna lie to you. It's very interesting to

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Speaker 1: me to see every character off of every show drop

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Speaker 1: a song. Yeah, I'd be like wait wait wait such

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Speaker 1: and such yeah, thing too, and it kind of it

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Speaker 1: waddles it down to a certain degree because a lot

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Speaker 1: of it isn't good, right, and you wanted to be

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Speaker 1: because you like the character they are on the show,

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Speaker 1: are they played in this movie? And then that music

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Speaker 1: hid and he's like, boy, you ain't who you did.

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Speaker 1: And that's tough, especially for artists like yourself, right, who

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Speaker 1: just a just a consumer sees you as one thing,

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Speaker 1: and now you're judged by almost what other people are doing, right,

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Speaker 1: because their song wasn't that good, So they're like, I'm

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Speaker 1: not gonna listen to hyeah. Right. So that's why to me,

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Speaker 1: it was really it was really important for Drake to

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Speaker 1: become Drake because that you can't put that stigma on

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Speaker 1: people anymore of the oh he only does right, Like

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Speaker 1: obviously Jamie Foxx, who was an anomaly, right, he's just

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Speaker 1: he can do anything. He's an alien absolutely, um. But

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Speaker 1: when Drake came and did it, it was like Will

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Speaker 1: chaired Jimmy right, like nobody expects it will chair Jimmy

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Speaker 1: to be the top rapper in the world and maybe

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Speaker 1: R and B singer for men too. Like you know,

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Speaker 1: I mean like he I mean he did it. He

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Speaker 1: did it, and I definitely listen. I was trying not

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Speaker 1: to listen, but also still at the same time, I

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Speaker 1: don't even really hear what he's doing. I need that

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Speaker 1: little steel tolle melody. No no no, no, no no no,

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Speaker 1: I don't hear it. But so for someone like yourself,

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Speaker 1: was that also inspiring for you to see that that? Okay,

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Speaker 1: especially in your age range too. Drake's not for sure

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Speaker 1: for sure, I mean funny say that because I have

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Speaker 1: a you know, I'm always working on the album seven

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Speaker 1: It's night Night. But for one of the intro tractors,

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Speaker 1: a bar that kind of alludes to that, UM, just

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Speaker 1: saying like, uh, you know, okay, Sorry, I'm kind of

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Speaker 1: changing topic. Do you guys think that in some circumstances

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Speaker 1: or most you need a co sign or something like that?

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Speaker 1: Two certain, because when I think about I think Drake

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Speaker 1: needed Wayne. Yeah, yes I do personally, you know, someone

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Speaker 1: someone else. I think Drake will say that. Um, Wayne's

399
00:22:19,119 --> 00:22:23,400
Speaker 1: co sign was huge, right, right, And did you kind

400
00:22:23,400 --> 00:22:25,919
Speaker 1: of have or was whiz kind of on his I

401
00:22:25,960 --> 00:22:28,840
Speaker 1: think Wi was was doing his thing, but I think

402
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Speaker 1: his connection to Snoop but that came later. It came later,

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Speaker 1: But I think that he had already had cushion orange

404
00:22:35,040 --> 00:22:38,480
Speaker 1: jus before Snoop? Did he have black and yellow before? Yeah,

405
00:22:38,720 --> 00:22:40,560
Speaker 1: you know, he was cracking. He was cracking. But I

406
00:22:40,600 --> 00:22:44,480
Speaker 1: think something about that connection, right, I don't think it

407
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Speaker 1: was a validation maybe let me let me not say

408
00:22:46,800 --> 00:22:48,840
Speaker 1: that because it's it's a different thing. But I think

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Speaker 1: somehow that connection, right just took things to a really

410
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Speaker 1: different cool level, you know for sure. But all of

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Speaker 1: those things, yeah, all of those things are are really

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Speaker 1: in my in my opinion important, and I think that

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Speaker 1: we suffer from that in army for sure. There's not

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Speaker 1: enough reach back. Right. So to answer a question, yes,

415
00:23:25,119 --> 00:23:29,720
Speaker 1: super inspiring, super inspiring. Um, And I do think one

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00:23:29,760 --> 00:23:31,280
Speaker 1: thing that I do lean on two is that I

417
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Speaker 1: did I was doing music before I got successful at

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Speaker 1: the acting on the level of acting that I'm doing now,

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Speaker 1: I was putting out stuff for it. So when people

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Speaker 1: see they're like, oh, no, he's not just trying to

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00:23:44,640 --> 00:23:46,359
Speaker 1: you know, he's been kind of put working out in

422
00:23:46,359 --> 00:23:50,240
Speaker 1: a sense. But dude, I'm I'm really happy with where

423
00:23:50,240 --> 00:23:53,600
Speaker 1: I'm at creatively. And it took all of these years

424
00:23:53,640 --> 00:23:55,480
Speaker 1: and experiences that I've been through and things that I

425
00:23:55,520 --> 00:23:58,520
Speaker 1: pull from and take to really sit back and enjoy.

426
00:23:58,640 --> 00:24:00,560
Speaker 1: I think that's that's my favorite part at end the day.

427
00:24:00,560 --> 00:24:04,320
Speaker 1: I make music for me, um. And then anybody who's

428
00:24:04,400 --> 00:24:07,000
Speaker 1: like me obviously will you know, be attracted to the music,

429
00:24:07,040 --> 00:24:09,320
Speaker 1: but to be able to look at pain or joy

430
00:24:09,520 --> 00:24:11,560
Speaker 1: or any experience and then listen back to it as

431
00:24:11,560 --> 00:24:15,119
Speaker 1: a song and be like, here's a question, what was

432
00:24:15,280 --> 00:24:18,120
Speaker 1: what was I guess what was a turning point? Or

433
00:24:18,720 --> 00:24:21,879
Speaker 1: I guess from what you just said, like being completely

434
00:24:21,920 --> 00:24:24,399
Speaker 1: happy in the space that you are and understanding that

435
00:24:24,560 --> 00:24:26,639
Speaker 1: all things were powerful the course to get you to

436
00:24:26,760 --> 00:24:30,000
Speaker 1: this space. What was the moment or a thing that

437
00:24:30,119 --> 00:24:35,159
Speaker 1: helps you get to that realization. There's been multiple times, um, um.

438
00:24:35,720 --> 00:24:38,320
Speaker 1: So there's been times like, let's say, there's been like

439
00:24:38,480 --> 00:24:42,359
Speaker 1: roles I really wanted or like really bad, Oh God,

440
00:24:42,440 --> 00:24:49,400
Speaker 1: please God, so bad? No, I want to be so bad,

441
00:24:49,440 --> 00:24:56,720
Speaker 1: and then you have a dango unchained somewhere. Please No,

442
00:24:57,480 --> 00:25:01,000
Speaker 1: we're not gonna do this. I just wanted enough. I

443
00:25:01,040 --> 00:25:05,040
Speaker 1: love you. I didn't even the same reason. I just

444
00:25:05,080 --> 00:25:12,680
Speaker 1: asked him. Everybody knows. Everybody Wait, who's don't worry about

445
00:25:13,920 --> 00:25:19,080
Speaker 1: Maybe they won't, but no, then maybe the movie comes

446
00:25:19,080 --> 00:25:21,240
Speaker 1: out and then it's not great. And I just kind

447
00:25:21,240 --> 00:25:23,800
Speaker 1: of like trust in the process of things. Um, but

448
00:25:23,880 --> 00:25:26,560
Speaker 1: even I wish that is. Are you happy when it

449
00:25:26,640 --> 00:25:29,240
Speaker 1: when it's like when it's a weak you know what

450
00:25:29,280 --> 00:25:37,119
Speaker 1: I mean? Hell yeah movie? No? But and sometimes it's

451
00:25:37,160 --> 00:25:39,159
Speaker 1: never an actor's fault, dude. It can be the director,

452
00:25:39,200 --> 00:25:41,160
Speaker 1: can be the light guy, it can be the writer,

453
00:25:41,760 --> 00:25:44,760
Speaker 1: and it ruins. You can ruin the movie, dude. By

454
00:25:44,800 --> 00:25:46,840
Speaker 1: the way, I saw the Elvis movie started to segue

455
00:25:46,960 --> 00:25:49,439
Speaker 1: incredible and they're not paying me to say this, but

456
00:25:49,480 --> 00:25:51,919
Speaker 1: the Elvis movie was great. Well, man, what is your

457
00:25:51,920 --> 00:25:54,520
Speaker 1: thoughts on that? Why are you making that face? Elvis?

458
00:25:54,520 --> 00:25:59,000
Speaker 1: You have thoughts about Elvis? Come on, he was still

459
00:25:59,080 --> 00:26:05,879
Speaker 1: cold and we young girls all night. Wait wait, I

460
00:26:06,000 --> 00:26:12,880
Speaker 1: just want to know. I'm just asking, are we we're

461
00:26:12,920 --> 00:26:20,399
Speaker 1: making movies and saluting bro men? Who No, You're right, okay, sorry,

462
00:26:20,840 --> 00:26:25,800
Speaker 1: As a filmmaker, cinema just pure cinema, pretty great acting,

463
00:26:25,880 --> 00:26:29,080
Speaker 1: great Yeah, it wasn't him. It wasn't he's just acting.

464
00:26:29,160 --> 00:26:33,040
Speaker 1: He was just a just and yeah, but did they

465
00:26:33,040 --> 00:26:38,639
Speaker 1: tell the whole story? Probably not. They never do though, Okay,

466
00:26:38,680 --> 00:26:44,000
Speaker 1: seg waiting back where to say, We're back to the

467
00:26:44,119 --> 00:26:54,080
Speaker 1: arm beat alight right right right past regrets. Um, you

468
00:26:54,160 --> 00:26:56,920
Speaker 1: can't have any can't you can't have it. That's not happy.

469
00:26:57,080 --> 00:26:59,200
Speaker 1: That's not call it a regret. Let's just call it

470
00:26:59,240 --> 00:27:05,320
Speaker 1: a moment where where you've monologue afterwards, which we should

471
00:27:05,359 --> 00:27:08,360
Speaker 1: have put out. Hold up, m that's one and that's

472
00:27:08,359 --> 00:27:10,000
Speaker 1: what I mean, just saying it was weird. I've seen

473
00:27:10,040 --> 00:27:15,159
Speaker 1: that song all the time. Hold Up was a shock

474
00:27:16,760 --> 00:27:19,040
Speaker 1: to me and probably everybody. First, let me tell you so,

475
00:27:19,040 --> 00:27:21,080
Speaker 1: we wrote this song and then he goes in the booth,

476
00:27:21,280 --> 00:27:23,639
Speaker 1: sings the song, leaves and tells me to sing it

477
00:27:23,720 --> 00:27:26,399
Speaker 1: like that and then he'll be back. I said, you, mother,

478
00:27:27,000 --> 00:27:29,399
Speaker 1: I was pined because they get hit it riff at

479
00:27:29,440 --> 00:27:31,480
Speaker 1: the end. It took me at least twenty five takes

480
00:27:31,520 --> 00:27:34,080
Speaker 1: to uh to get it, but I got it. But

481
00:27:34,200 --> 00:27:38,160
Speaker 1: it took me about twenty five. And I'm not saying

482
00:27:38,160 --> 00:27:39,800
Speaker 1: it just because you're here, just because you're a little

483
00:27:39,800 --> 00:27:43,600
Speaker 1: bro killed it thank you. I really do. I still

484
00:27:43,640 --> 00:27:45,720
Speaker 1: I'm telling you that's like gonna be an interest. You

485
00:27:45,760 --> 00:27:47,480
Speaker 1: can get this on camera. There's gonna be an intro

486
00:27:47,560 --> 00:27:51,919
Speaker 1: to an album. Do you have it? It's here. I

487
00:27:51,960 --> 00:27:53,600
Speaker 1: forgot you have forget about me too. I don't have

488
00:27:53,640 --> 00:27:55,399
Speaker 1: my version. I gotta you know what, But I do

489
00:27:55,480 --> 00:27:59,200
Speaker 1: have a computer that I gotta fire up. And it's

490
00:28:00,000 --> 00:28:03,480
Speaker 1: it's easy. We can do. You know what I'm saying.

491
00:28:03,560 --> 00:28:06,040
Speaker 1: That's just it's amazing song though, man. And just because

492
00:28:06,040 --> 00:28:07,359
Speaker 1: I'm talking to R and B. I mean, that's like

493
00:28:07,400 --> 00:28:09,600
Speaker 1: an epitome of it. I think something like that. So

494
00:28:09,880 --> 00:28:13,640
Speaker 1: what does the day look like for you as as

495
00:28:13,680 --> 00:28:17,600
Speaker 1: a music artist? As now? You know it's now, I

496
00:28:17,600 --> 00:28:21,800
Speaker 1: mean one of one of the biggest actors. Like, what

497
00:28:21,880 --> 00:28:24,560
Speaker 1: does today look like for you? What is you're saying?

498
00:28:24,560 --> 00:28:31,840
Speaker 1: Like a regular day? Oh? Right now? For the next

499
00:28:31,840 --> 00:28:34,360
Speaker 1: time out, I'm very excited about it. Rough draft three,

500
00:28:34,400 --> 00:28:36,240
Speaker 1: I have draft one, rough drafts two. This is gonna

501
00:28:36,240 --> 00:28:38,480
Speaker 1: be the third installment of like that little series, and

502
00:28:39,280 --> 00:28:42,280
Speaker 1: I want to put the music out. I've been shooting videos.

503
00:28:42,680 --> 00:28:44,000
Speaker 1: I just had a meeting today before I came here

504
00:28:44,000 --> 00:28:48,280
Speaker 1: about the next video. I'm trying to shoot um potentially

505
00:28:48,320 --> 00:28:50,959
Speaker 1: maybe doing film later in the year with James s Franco,

506
00:28:52,320 --> 00:28:55,320
Speaker 1: so just focusing. Yeah, yeah, yeah, he's a beast man.

507
00:28:56,000 --> 00:28:58,160
Speaker 1: So that was and that kind of like was one

508
00:28:58,160 --> 00:29:00,720
Speaker 1: of one of those moments where you're like, what really, like,

509
00:29:00,800 --> 00:29:03,240
Speaker 1: didn't have to audition anything, just kind of like came. Really,

510
00:29:04,040 --> 00:29:08,200
Speaker 1: that's beautiful that happens. It's scary. It's almost scary because

511
00:29:08,240 --> 00:29:10,840
Speaker 1: like TV one and BT, you know what I'm saying,

512
00:29:11,320 --> 00:29:14,560
Speaker 1: Sometimes they just call me and say, she just called

513
00:29:14,560 --> 00:29:16,680
Speaker 1: the other dad. You just weren't available. They called us,

514
00:29:16,920 --> 00:29:19,520
Speaker 1: They just called let's say, Tank, this is I mean,

515
00:29:19,560 --> 00:29:23,080
Speaker 1: I know yours is as big a level here where

516
00:29:23,080 --> 00:29:27,360
Speaker 1: I'm at. Stop they called me to you were good,

517
00:29:27,680 --> 00:29:31,200
Speaker 1: we got this fift hunting for you, and you know me,

518
00:29:31,240 --> 00:29:33,760
Speaker 1: I just act over at the river, you know what

519
00:29:33,800 --> 00:29:37,200
Speaker 1: I mean? Hey, but that could be crazy. And it's

520
00:29:37,240 --> 00:29:40,160
Speaker 1: things like that that I'm like, yo, because I think

521
00:29:40,360 --> 00:29:43,560
Speaker 1: at the end of the day, God knows your heart

522
00:29:43,680 --> 00:29:46,800
Speaker 1: and things you really want, so I'm like, obviously I

523
00:29:46,920 --> 00:29:48,640
Speaker 1: have to action. That could be an amazing opportunity and

524
00:29:48,680 --> 00:29:50,360
Speaker 1: they could just take them to another level to where

525
00:29:50,400 --> 00:29:52,240
Speaker 1: the music that I want to be heard will be heard,

526
00:29:52,240 --> 00:29:54,880
Speaker 1: and I'm different what I'm saying. How are you How

527
00:29:54,880 --> 00:29:57,000
Speaker 1: are you chasing the music part of it though? Like,

528
00:29:57,240 --> 00:29:59,880
Speaker 1: are you doing it completely independently or are you trying

529
00:29:59,880 --> 00:30:03,480
Speaker 1: to figure out, you know, how to be part of

530
00:30:03,520 --> 00:30:06,280
Speaker 1: the machine of music. I'm definitely trying to do the

531
00:30:06,320 --> 00:30:10,120
Speaker 1: second part. I think I'm doing it independently kind of currently.

532
00:30:11,200 --> 00:30:12,520
Speaker 1: You know, I don't know what I can say and

533
00:30:12,560 --> 00:30:16,080
Speaker 1: what I can't say, but right, right, um, but I

534
00:30:16,120 --> 00:30:18,800
Speaker 1: want to uh yeah, I just think that I need

535
00:30:19,120 --> 00:30:21,920
Speaker 1: as much time and effort I put into music. I

536
00:30:21,960 --> 00:30:23,880
Speaker 1: need that to be putting on the business side of

537
00:30:23,920 --> 00:30:26,840
Speaker 1: things and the marketing side of things. And because I

538
00:30:26,840 --> 00:30:29,760
Speaker 1: feel like there's if I'm put me on stage, I'm performing,

539
00:30:29,840 --> 00:30:31,480
Speaker 1: and if you put me in studio on the record,

540
00:30:31,520 --> 00:30:33,959
Speaker 1: and it's either as good, if not better than things

541
00:30:34,000 --> 00:30:36,360
Speaker 1: in the marketplace, and it just kind of takes the

542
00:30:36,480 --> 00:30:38,840
Speaker 1: eyes and visibility to to see that. So you need

543
00:30:38,880 --> 00:30:46,800
Speaker 1: the right squad, you you. Um, there's certain there's certain

544
00:30:46,840 --> 00:30:52,720
Speaker 1: things that make sense for certain artists. Right. Um. The

545
00:30:52,840 --> 00:30:57,840
Speaker 1: independent R and B is tough, It's really tough, right,

546
00:30:58,800 --> 00:31:01,560
Speaker 1: but it's lucrative. You can make money. You can definitely

547
00:31:01,560 --> 00:31:03,760
Speaker 1: make money off it. But you know when I when

548
00:31:03,760 --> 00:31:09,520
Speaker 1: I look at you as a brand, your brand is

549
00:31:09,680 --> 00:31:13,959
Speaker 1: made for all things major, Right Like, I look at

550
00:31:14,000 --> 00:31:17,120
Speaker 1: you as a five tool athlete. If anybody understands baseball,

551
00:31:17,200 --> 00:31:19,160
Speaker 1: that's the that's the guy that can do all these

552
00:31:19,200 --> 00:31:21,160
Speaker 1: things and don't do them at a really high level

553
00:31:21,240 --> 00:31:24,680
Speaker 1: in baseball. I look at you that way. You're not

554
00:31:25,320 --> 00:31:28,040
Speaker 1: and you know, no disrespect. You know what comes after

555
00:31:28,080 --> 00:31:33,280
Speaker 1: no disrespect, Um, it's a little bit of disrespect. Um.

556
00:31:33,320 --> 00:31:38,000
Speaker 1: You're bigger than independent music because the ancillary things that

557
00:31:38,040 --> 00:31:41,960
Speaker 1: come along with who you are. Right Like, if you

558
00:31:42,000 --> 00:31:45,400
Speaker 1: were looking at music purely from a money play, and

559
00:31:45,560 --> 00:31:47,240
Speaker 1: I can get my money, I get my get I

560
00:31:47,240 --> 00:31:49,920
Speaker 1: get my ship off this way, that would be cool.

561
00:31:50,120 --> 00:31:53,320
Speaker 1: And and that's possible for you because you have these platforms.

562
00:31:53,400 --> 00:31:56,240
Speaker 1: You're on one of the biggest shows on TV. Shout

563
00:31:56,240 --> 00:31:59,800
Speaker 1: out to Growning, Shout out to my brother Kenya. Back

564
00:32:00,000 --> 00:32:03,600
Speaker 1: can embarrass. That's been my partner for many moons. Dude

565
00:32:03,600 --> 00:32:06,800
Speaker 1: though too not just like you know, he's an amazing

566
00:32:06,880 --> 00:32:10,360
Speaker 1: human being, right Um, he did ride by me one

567
00:32:10,400 --> 00:32:13,680
Speaker 1: day in a in a convertible. Oh he doesn't. And

568
00:32:13,680 --> 00:32:15,840
Speaker 1: and and the crazy thing is I was taking a

569
00:32:15,880 --> 00:32:17,720
Speaker 1: walk with my sons. Me and him used to be

570
00:32:17,760 --> 00:32:21,400
Speaker 1: neighbors and I was taking a walk during the pandemic.

571
00:32:21,440 --> 00:32:23,880
Speaker 1: You know, everybody had to figure out their workouts. I'm

572
00:32:23,920 --> 00:32:28,480
Speaker 1: taking a walk and he was. He called me embarrassed

573
00:32:28,520 --> 00:32:32,080
Speaker 1: about driving by and that droptop Ferrari as me and

574
00:32:32,120 --> 00:32:35,160
Speaker 1: my son would walk in the neighborhood. He was like, oh,

575
00:32:35,240 --> 00:32:39,880
Speaker 1: I knew, I don't even really drive this car. Brot

576
00:32:40,040 --> 00:32:46,280
Speaker 1: you up one time that I said, I said, that's

577
00:32:46,280 --> 00:32:51,040
Speaker 1: amazing that the guy. But I say all that to say, bro, like,

578
00:32:51,680 --> 00:32:54,520
Speaker 1: you need a machine because all the other things in

579
00:32:54,560 --> 00:32:57,720
Speaker 1: your career have a machine connected to it. You deserve

580
00:32:57,760 --> 00:33:03,960
Speaker 1: a like a way that's not just breeze over Broadway.

581
00:33:04,520 --> 00:33:07,840
Speaker 1: That is not something that everyone does. That's that's a

582
00:33:08,000 --> 00:33:11,239
Speaker 1: that's an elite group of people. You're a part of

583
00:33:11,240 --> 00:33:17,560
Speaker 1: that major television network TV show Open Up for Tank.

584
00:33:18,840 --> 00:33:28,800
Speaker 1: You definitely pulled up crazy. Yeah you definitely. Yeah, I

585
00:33:28,800 --> 00:33:31,720
Speaker 1: appreciate that. But never forget that. I say all that

586
00:33:31,800 --> 00:33:34,719
Speaker 1: to say, like I said, Bro, like for you in

587
00:33:34,760 --> 00:33:38,040
Speaker 1: your career, and I assess different people's career because I'm

588
00:33:38,560 --> 00:33:41,520
Speaker 1: you know, I've been on both sides, the executive side,

589
00:33:41,640 --> 00:33:47,960
Speaker 1: the your side. Everything ain't for everybody. Independence ain't. It's

590
00:33:47,960 --> 00:33:49,640
Speaker 1: just and I look at it for you, I look

591
00:33:49,680 --> 00:33:52,120
Speaker 1: at a hundred percent of nothing's nothing. That's what I

592
00:33:52,160 --> 00:33:54,920
Speaker 1: look at it as for independent for you, because you know,

593
00:33:55,160 --> 00:33:57,880
Speaker 1: it's not about the money for you at all. Yours

594
00:33:57,960 --> 00:34:01,520
Speaker 1: is taking you to another level. Yours is getting you

595
00:34:01,600 --> 00:34:04,440
Speaker 1: an arenas so that you can do them goddamn backflips,

596
00:34:05,040 --> 00:34:07,560
Speaker 1: really on the stage big enough that you won't flip

597
00:34:07,600 --> 00:34:09,960
Speaker 1: off of it. You know what I'm saying, Lord knows

598
00:34:10,040 --> 00:34:12,640
Speaker 1: I performed on this right now because I know you

599
00:34:12,680 --> 00:34:15,040
Speaker 1: will because you love that. You love the game that

600
00:34:15,120 --> 00:34:18,680
Speaker 1: much in the craft, but you deserve that big stage,

601
00:34:18,760 --> 00:34:23,600
Speaker 1: bro and the and unfortunately, the only way you get

602
00:34:23,640 --> 00:34:26,680
Speaker 1: to that type of stage it is through the majors.

603
00:34:28,760 --> 00:34:30,200
Speaker 1: You know what I'm saying. And people know what I

604
00:34:30,239 --> 00:34:32,399
Speaker 1: mean when I say unfortunately, because there's there's other things

605
00:34:32,400 --> 00:34:35,400
Speaker 1: that come up. Sometimes you gotta give. But that's me

606
00:34:35,440 --> 00:34:37,239
Speaker 1: and him are having this conversation other day and I

607
00:34:37,280 --> 00:34:38,680
Speaker 1: was just like, yo, like you were saying, it's not

608
00:34:38,680 --> 00:34:40,400
Speaker 1: about who's him. They can't see him. My brother I

609
00:34:40,560 --> 00:34:53,280
Speaker 1: and Jackson shut out. Oh yeah, we're having a conversation.

610
00:34:53,320 --> 00:34:54,719
Speaker 1: I was like it's not about the money for me.

611
00:34:55,239 --> 00:34:58,000
Speaker 1: And you know, I was like someone could you know,

612
00:34:58,160 --> 00:34:59,719
Speaker 1: someone could own a part of something that I had.

613
00:34:59,760 --> 00:35:01,600
Speaker 1: But if it gets me to a position to where

614
00:35:01,600 --> 00:35:06,279
Speaker 1: when I talk about life things where there's political or

615
00:35:06,320 --> 00:35:10,160
Speaker 1: just humanity type of things, that there's weight hill getting

616
00:35:10,200 --> 00:35:11,919
Speaker 1: there by doing something you love is what I would

617
00:35:11,920 --> 00:35:13,840
Speaker 1: like to do, which is music and whatever else. But

618
00:35:13,960 --> 00:35:16,320
Speaker 1: that's the ultimate goal, you know, to be able to

619
00:35:16,360 --> 00:35:17,759
Speaker 1: have a voice, because I believe at the end of

620
00:35:17,760 --> 00:35:21,360
Speaker 1: the day, whatever I'm doing, wherever I'm at, I'm always

621
00:35:21,360 --> 00:35:23,440
Speaker 1: on the good side of things. I want the betterment

622
00:35:23,480 --> 00:35:25,359
Speaker 1: for people. I want to help, and there's always other

623
00:35:25,360 --> 00:35:28,160
Speaker 1: people that are trying to destroy the world. And uh

624
00:35:28,920 --> 00:35:30,839
Speaker 1: so you know, being on that side of it is

625
00:35:30,840 --> 00:35:32,759
Speaker 1: is where I'll always be. So that's where I'm That's

626
00:35:32,760 --> 00:35:35,319
Speaker 1: why I'm not stopping because I have to be in

627
00:35:35,360 --> 00:35:37,960
Speaker 1: that seat. I want to be in that seat. Yeah,

628
00:35:38,000 --> 00:35:41,240
Speaker 1: you gotta, you just I mean, you deserve that appreciate

629
00:35:41,640 --> 00:35:44,120
Speaker 1: Like I think, you know, when it comes to the

630
00:35:44,200 --> 00:35:48,600
Speaker 1: music side of it, it's not about um, it's not

631
00:35:48,640 --> 00:35:51,080
Speaker 1: about the ability. It's just about the amount of people

632
00:35:51,080 --> 00:35:59,640
Speaker 1: who know. It's the visibility. M hmm. If you get

633
00:35:59,760 --> 00:36:02,560
Speaker 1: if you give us a percentage of shark be our

634
00:36:02,640 --> 00:36:12,160
Speaker 1: shark foot. It's not the ability the animated dad. I

635
00:36:12,239 --> 00:36:15,960
Speaker 1: just want to wear no crock sign. No we swim

636
00:36:15,960 --> 00:36:20,160
Speaker 1: in this family always sound like that. Have you ever

637
00:36:20,160 --> 00:36:23,919
Speaker 1: done voice over? No? I want you? Could you kill that? Yeah?

638
00:36:24,000 --> 00:36:25,920
Speaker 1: You kill that? You have somebody you can call? Yeah?

639
00:36:26,480 --> 00:36:29,560
Speaker 1: Done you ladies and gentlemen, you just heard that. Serious.

640
00:36:29,640 --> 00:36:31,480
Speaker 1: If you don't see me on the next four weeks

641
00:36:31,880 --> 00:36:34,399
Speaker 1: of the Army Money podcast, because I'm doing voice over,

642
00:36:35,560 --> 00:36:39,640
Speaker 1: give us as a shark dad for Shark Club voiceover,

643
00:36:40,160 --> 00:36:44,040
Speaker 1: bring somebody out to the stage. Listen. You've seen Coconut

644
00:36:44,320 --> 00:36:47,720
Speaker 1: and she's really turned things out. I mean she's popped

645
00:36:47,719 --> 00:36:50,719
Speaker 1: the whole coconut for us right there. It's gotten splashing

646
00:36:50,840 --> 00:36:54,080
Speaker 1: on stage. But now coming to the stage, Jesus went there,

647
00:36:54,360 --> 00:36:59,759
Speaker 1: give it up for Heaven. We've done that. That was

648
00:37:00,640 --> 00:37:10,759
Speaker 1: Jesus with get it up for Yeah, I'm ready. But

649
00:37:12,800 --> 00:37:15,919
Speaker 1: let's get him darnby. Let's let's let's test because because

650
00:37:15,960 --> 00:37:21,080
Speaker 1: that's definitely your past. No, that's what lets gon to

651
00:37:21,200 --> 00:37:25,319
Speaker 1: test this past. I'm gonna see where he's at all. Right,

652
00:37:27,160 --> 00:37:32,799
Speaker 1: Top five R and B artists could be group male

653
00:37:32,920 --> 00:37:42,520
Speaker 1: or female. Your top five. Bryan McKnight, who's man? Thank wow?

654
00:37:44,600 --> 00:37:51,160
Speaker 1: We about two more straight R and B. They can

655
00:37:51,200 --> 00:37:55,319
Speaker 1: be hybrids, amy hybrids. They could be hybrids. There are

656
00:37:55,360 --> 00:37:59,719
Speaker 1: you from? Oh man? Oh man? Oh man? I want

657
00:37:59,719 --> 00:38:03,760
Speaker 1: to I want to put me in condition in there.

658
00:38:04,280 --> 00:38:07,359
Speaker 1: Think it's yours. I wouldn't be mad if you did.

659
00:38:08,680 --> 00:38:11,719
Speaker 1: These guys are amazing. Is that for? That's for? This

660
00:38:11,760 --> 00:38:13,960
Speaker 1: is an unfair This is n free cop right here?

661
00:38:14,840 --> 00:38:22,520
Speaker 1: Mm hmm. Nikki feels say me, I'm flipping this Muther

662
00:38:22,719 --> 00:38:34,920
Speaker 1: the table, he said, send me fake colicator over this

663
00:38:35,120 --> 00:38:47,560
Speaker 1: whole fake it's pigeon? Is this pigeon backy? Know who

664
00:38:47,560 --> 00:38:52,200
Speaker 1: you on the reil? Who who your faith? Bro um?

665
00:38:52,320 --> 00:38:54,960
Speaker 1: Oh dude, come on, come on, come on. This is

666
00:38:55,000 --> 00:38:58,400
Speaker 1: a little more old school. Okay, all right, that's a

667
00:38:58,520 --> 00:39:00,680
Speaker 1: that's a that's a call round out all around them,

668
00:39:00,960 --> 00:39:07,399
Speaker 1: so he said. Brian mcknighten voice him derail uh make

669
00:39:07,400 --> 00:39:10,000
Speaker 1: conditions And Chris Brown, I think I just threw my

670
00:39:10,040 --> 00:39:12,600
Speaker 1: condition if I'm being honest, because I was nervous. No.

671
00:39:12,760 --> 00:39:15,200
Speaker 1: I like men in there, but men is my secret

672
00:39:15,960 --> 00:39:20,239
Speaker 1: ingredient in live performance and vocals. Are you get you're

673
00:39:20,239 --> 00:39:22,840
Speaker 1: giving us some some secrets. That's my secret ingredient. Nobody

674
00:39:22,920 --> 00:39:27,680
Speaker 1: really understands the power what Stokely was doing. The power

675
00:39:28,719 --> 00:39:35,160
Speaker 1: condition the Welcome to the Mint Factory every day, every

676
00:39:35,239 --> 00:39:39,040
Speaker 1: day and in there that's real study. Our church band,

677
00:39:39,320 --> 00:39:42,439
Speaker 1: we would still in church. Yeah, we were still licks

678
00:39:42,440 --> 00:39:46,319
Speaker 1: from condition brown Eyes and absolutely that definitely made it

679
00:39:46,320 --> 00:39:53,000
Speaker 1: to offering. Yeah, absolutely absolutely. All right, here we go

680
00:39:54,200 --> 00:39:59,960
Speaker 1: trying going top five R and B songs or album

681
00:40:00,000 --> 00:40:01,520
Speaker 1: what she wanted? You want to do when the songs

682
00:40:01,520 --> 00:40:05,120
Speaker 1: are album? Oh, I've got to go back. Let's go

683
00:40:05,160 --> 00:40:08,520
Speaker 1: back many conditions out users. Sorry, I don't know what

684
00:40:08,560 --> 00:40:13,120
Speaker 1: I just sorry, sorry because when you and then you

685
00:40:13,200 --> 00:40:16,359
Speaker 1: just said albums, I'm like, I cannot be mad at that. Yeah. Sorry,

686
00:40:16,640 --> 00:40:19,720
Speaker 1: So you can give me five R and B songs

687
00:40:19,960 --> 00:40:25,759
Speaker 1: or albums. You can mix in albums and songs. You

688
00:40:25,760 --> 00:40:27,839
Speaker 1: already said confessions, So we're gonna give you that. Okay,

689
00:40:28,640 --> 00:40:38,440
Speaker 1: album you said confessions. Uh, Ryan McKnight, crazy love m Um.

690
00:40:38,480 --> 00:40:44,920
Speaker 1: I think Donald ben a knee boys some men? Um?

691
00:40:45,040 --> 00:40:49,319
Speaker 1: Is that Jimmy Jammy Terry Lewis's bend knee because that's

692
00:40:49,320 --> 00:40:53,200
Speaker 1: not baby face. I think that's I think that's Jimmy

693
00:40:53,280 --> 00:40:56,600
Speaker 1: Lewis Jimmy. Yeah, I'm not even gonna hold you. One

694
00:40:56,600 --> 00:41:00,399
Speaker 1: of my favorite songs. We can Love for real. Mike

695
00:41:00,480 --> 00:41:02,960
Speaker 1: jameson of my brothers, and he was on that He's

696
00:41:03,000 --> 00:41:11,040
Speaker 1: a monster too. Okay, wait, so we have confessions. Now

697
00:41:11,080 --> 00:41:12,960
Speaker 1: it's gonna seem like I'm just saying stuff because you're here.

698
00:41:13,000 --> 00:41:18,840
Speaker 1: But it's nothing. Always another one. Yeah, Yes, it was good.

699
00:41:19,520 --> 00:41:21,440
Speaker 1: The story about all that was, I don't can't when

700
00:41:21,440 --> 00:41:25,520
Speaker 1: we said that when PSP came out. When it first

701
00:41:25,600 --> 00:41:28,000
Speaker 1: came out, I didn't get the games that came with it.

702
00:41:28,120 --> 00:41:30,120
Speaker 1: You know, my family they just got PSP. That's fine,

703
00:41:30,440 --> 00:41:32,640
Speaker 1: and it came with the demo came at the time

704
00:41:32,680 --> 00:41:38,160
Speaker 1: I do. I'm not so you. There's no games. No,

705
00:41:38,440 --> 00:41:40,640
Speaker 1: I mean there are games. My family do not give me.

706
00:41:40,920 --> 00:41:42,920
Speaker 1: You know, I know there are games. No, don't talking

707
00:41:42,920 --> 00:41:44,960
Speaker 1: about you don't have not a game when you first

708
00:41:45,000 --> 00:41:46,440
Speaker 1: get it, when I first get it, not a game.

709
00:41:46,560 --> 00:41:49,200
Speaker 1: Just the demo district comes within its previews of games,

710
00:41:49,280 --> 00:41:52,000
Speaker 1: and then it's music videos and all the music videos.

711
00:41:52,040 --> 00:41:56,640
Speaker 1: There's a few rock bands and they had oh and

712
00:41:56,719 --> 00:42:00,399
Speaker 1: then the guy lying about having Anintendo but I got one. Yeah,

713
00:42:00,400 --> 00:42:02,359
Speaker 1: I love all the games, play punch Out all the time.

714
00:42:02,480 --> 00:42:05,800
Speaker 1: Level seven's crazy super Mario man like the tunnel and

715
00:42:05,880 --> 00:42:11,000
Speaker 1: then the mustroom. Right, oh man, I think I was

716
00:42:11,080 --> 00:42:16,200
Speaker 1: on level twelve. You got BSP with the demo demo,

717
00:42:16,880 --> 00:42:19,200
Speaker 1: oh Marion, And I remember I just watched that at

718
00:42:19,280 --> 00:42:22,360
Speaker 1: least twenty tho times and uh yeah, it's one of

719
00:42:22,400 --> 00:42:26,640
Speaker 1: my favorite songs. For real? Is that five? That's confessions?

720
00:42:26,680 --> 00:42:31,759
Speaker 1: We said confessions, we said crazy level we can love

721
00:42:32,000 --> 00:42:34,759
Speaker 1: can we can love it? That's fine, that's fine, that's nice.

722
00:42:35,719 --> 00:42:40,040
Speaker 1: Get home later and be like watch you in there. Okay,

723
00:42:40,120 --> 00:42:42,320
Speaker 1: So this is this is this is a new a

724
00:42:42,400 --> 00:42:48,680
Speaker 1: new one R and B voltron. Now you can do

725
00:42:48,840 --> 00:42:51,640
Speaker 1: your house. You can do you can do three pieces

726
00:42:52,320 --> 00:42:57,000
Speaker 1: or five pieces in building an R and B artists?

727
00:42:57,400 --> 00:42:59,759
Speaker 1: What pieces you would take from each R and B

728
00:43:00,080 --> 00:43:03,040
Speaker 1: artists to put into an R and B A one

729
00:43:03,360 --> 00:43:06,399
Speaker 1: super R and B artist, Like you're building an artist

730
00:43:06,480 --> 00:43:08,640
Speaker 1: on two K? What do you get? What do you

731
00:43:08,680 --> 00:43:13,880
Speaker 1: give him? Okay, let's start with I give them Wait wait,

732
00:43:13,960 --> 00:43:17,319
Speaker 1: I want to give the movement of Chris. I'd give

733
00:43:17,520 --> 00:43:24,719
Speaker 1: the range of Brian McKnight controlled tank. Okay, let keep

734
00:43:25,840 --> 00:43:27,400
Speaker 1: you on the list, Bro, I'm gonna give you a

735
00:43:27,719 --> 00:43:31,080
Speaker 1: set this watch. I just know that this is I'm

736
00:43:31,120 --> 00:43:34,319
Speaker 1: gonna say, what the comments gonna say, this is gonna

737
00:43:34,400 --> 00:43:39,640
Speaker 1: name the women. No, no, I already know what the

738
00:43:39,680 --> 00:43:53,440
Speaker 1: comments gonna say. I'm sorry I didn't say male or females,

739
00:43:53,440 --> 00:43:54,800
Speaker 1: so I think we all kind of assumed it was

740
00:43:54,880 --> 00:44:01,520
Speaker 1: just madies, ladies. We love this Javin, that is my favorite. Okay,

741
00:44:02,320 --> 00:44:05,120
Speaker 1: let's go back movement to Chris. Some of the male artists.

742
00:44:05,120 --> 00:44:11,840
Speaker 1: You're building a range of Brian McKnight control tank tone

743
00:44:11,880 --> 00:44:20,280
Speaker 1: of Donny Hathaway. How many is that? His patience? My god,

744
00:44:20,400 --> 00:44:26,399
Speaker 1: he'll make you wait so uh oh ship and maybe

745
00:44:26,719 --> 00:44:30,200
Speaker 1: I mean maybe the harm but this is is one guy,

746
00:44:30,280 --> 00:44:35,000
Speaker 1: but how many arrangement like take six mm hmm. What

747
00:44:35,080 --> 00:44:36,879
Speaker 1: about the aesthetic. I'm gonna give you a six piece.

748
00:44:40,320 --> 00:44:44,000
Speaker 1: I mean, I'm liking the not necessarily current name vibe,

749
00:44:44,040 --> 00:44:46,360
Speaker 1: like not covered face up, but I like the mysteriousness

750
00:44:47,360 --> 00:44:48,960
Speaker 1: I would like the person to be. You want the

751
00:44:49,040 --> 00:44:55,080
Speaker 1: mysterious R and B nigger with on I wanted I

752
00:44:55,080 --> 00:44:57,360
Speaker 1: want you to see him, but maybe like think I

753
00:44:57,440 --> 00:45:01,680
Speaker 1: think Dracula. I'm saying, count Dracula fly Long Trench Coat,

754
00:45:02,360 --> 00:45:04,800
Speaker 1: maybe Fantom of the Opera mass I don't know. You

755
00:45:04,920 --> 00:45:09,719
Speaker 1: just want your character so pretty much. You and super Block.

756
00:45:09,800 --> 00:45:13,400
Speaker 1: You want to what the cape on ship? Listen, you

757
00:45:13,480 --> 00:45:15,799
Speaker 1: know what he wants. He wants somebody that people can

758
00:45:15,840 --> 00:45:18,879
Speaker 1: be for Halloween. Yes, that's your that's your staple. That's

759
00:45:18,880 --> 00:45:21,120
Speaker 1: your staple. No, if you're you're not a star. If

760
00:45:21,160 --> 00:45:24,000
Speaker 1: they can't beat you for Halloween, so they can't be

761
00:45:24,080 --> 00:45:25,840
Speaker 1: Chris Brown. Finally, yes you can. How can you be

762
00:45:25,960 --> 00:45:28,960
Speaker 1: Chris Brown? Finally? Where everything everywhere? Now listen, you can

763
00:45:29,239 --> 00:45:31,800
Speaker 1: because I got kids. If my son says, Dad, I

764
00:45:31,840 --> 00:45:34,279
Speaker 1: want to be Chris Brown for Halloween, probably going to

765
00:45:34,360 --> 00:45:36,120
Speaker 1: give him a little bit of color here, we might go,

766
00:45:36,320 --> 00:45:40,040
Speaker 1: we might go blind blind, We're gonna slip. We're gonna

767
00:45:40,080 --> 00:45:42,279
Speaker 1: give him the little beer thing and the heart to

768
00:45:42,440 --> 00:45:46,680
Speaker 1: the heart. But listen, these are these are specific things

769
00:45:46,760 --> 00:45:48,719
Speaker 1: if you're gonna make it. We want to be Joe

770
00:45:48,800 --> 00:45:50,400
Speaker 1: to see Oh, I'm gonna give him the Joe to

771
00:45:50,440 --> 00:45:52,960
Speaker 1: see Boots. I want to black blanks. I'm an oil

772
00:45:53,040 --> 00:45:56,520
Speaker 1: a little nigg up, me get him some plag muscle

773
00:45:58,800 --> 00:46:01,960
Speaker 1: and look gotye. No, no, no, bro, you have to

774
00:46:02,719 --> 00:46:07,600
Speaker 1: you have to have a call out your visual call out, right,

775
00:46:07,680 --> 00:46:09,560
Speaker 1: So that's what I'm saying to you. Like with Chris Brown,

776
00:46:09,719 --> 00:46:11,680
Speaker 1: put a little put a little Jordan three on the

777
00:46:11,719 --> 00:46:13,880
Speaker 1: side of face. He only got know walking around with

778
00:46:13,920 --> 00:46:16,200
Speaker 1: Jordan three. I think it's a three or four. I

779
00:46:16,239 --> 00:46:22,400
Speaker 1: think it's the three. Yeah, you got three right here? Right? Yeah, no, no, no,

780
00:46:22,680 --> 00:46:27,239
Speaker 1: the shoot, got to shoot. But what I'm saying is

781
00:46:27,760 --> 00:46:31,840
Speaker 1: there are certain characteristics. Yeah, for sure, just translate that

782
00:46:32,160 --> 00:46:34,719
Speaker 1: you just know off the rip, Like when Cisco came

783
00:46:34,760 --> 00:46:37,479
Speaker 1: with the with the platinum blonde, with the silver blonde

784
00:46:37,480 --> 00:46:39,879
Speaker 1: in the book, like you have that in the one

785
00:46:39,920 --> 00:46:42,239
Speaker 1: hand cart wheel, Yeah, the one which I still don't

786
00:46:42,280 --> 00:46:44,279
Speaker 1: really ain't pulling that off. Bro. You know I can

787
00:46:44,320 --> 00:46:46,000
Speaker 1: do the one I've been doing. Don't hand cart will

788
00:46:46,040 --> 00:46:49,160
Speaker 1: since I was kicking he did. It's not you can

789
00:46:52,840 --> 00:46:54,319
Speaker 1: still can't do an area. He was doing a one

790
00:46:54,360 --> 00:46:56,279
Speaker 1: hand cart wool. He also was doing one hand card

791
00:46:56,280 --> 00:46:59,880
Speaker 1: whool and also was on wires. So I mean to us,

792
00:47:00,440 --> 00:47:03,160
Speaker 1: to us gymnasts, gymnast, Yeah, he didn't do an area here.

793
00:47:03,360 --> 00:47:05,840
Speaker 1: It was. It was very weak. No hate the Cisco

794
00:47:06,120 --> 00:47:10,040
Speaker 1: Cisco's dark but the one hand cart wheel cringe. But

795
00:47:10,200 --> 00:47:12,440
Speaker 1: at the time. People loved it. I love that niggers.

796
00:47:12,480 --> 00:47:14,400
Speaker 1: That was grew up flipping on mattress, look at you.

797
00:47:14,600 --> 00:47:19,760
Speaker 1: I grew up flipping off the fix. I flipped off cars, barks, benches.

798
00:47:20,280 --> 00:47:23,160
Speaker 1: I have the record at Sherman Park in Milwaukee, twenty

799
00:47:23,239 --> 00:47:29,680
Speaker 1: hand springs in the rough um on grass, so that

800
00:47:29,840 --> 00:47:33,360
Speaker 1: one hand cart wheel threw me off. Okay, I didn't

801
00:47:33,400 --> 00:47:50,120
Speaker 1: like it all right, doing so much soul, so he

802
00:47:50,160 --> 00:47:52,160
Speaker 1: should have been able to do it that hand. He

803
00:47:52,360 --> 00:47:57,120
Speaker 1: flipped on bitches okay, and walked. He walked, and then

804
00:47:57,200 --> 00:47:59,000
Speaker 1: I think he didn't do the hand. No, but he

805
00:47:59,080 --> 00:48:01,640
Speaker 1: flew on the wires over to the women. Yes he did.

806
00:48:01,880 --> 00:48:04,640
Speaker 1: I like how you like? You wanted to say, you

807
00:48:04,760 --> 00:48:10,680
Speaker 1: know what I'm saying all the music, he said, you know,

808
00:48:10,800 --> 00:48:16,000
Speaker 1: he flew over there women women. Harvey moment when Steve

809
00:48:16,320 --> 00:48:18,960
Speaker 1: was like, you know, I'm a certain TV show. I

810
00:48:19,000 --> 00:48:26,560
Speaker 1: can't be saying over the women. Respect. I respect your control.

811
00:48:26,640 --> 00:48:30,320
Speaker 1: You got more BIXI at the door. I understand you

812
00:48:30,480 --> 00:48:37,160
Speaker 1: be cool. Oh shoot, let Jay do. I'm wild. James

813
00:48:37,160 --> 00:48:39,920
Speaker 1: the smoothest I've ever made my whole life. I appreciate

814
00:48:40,000 --> 00:48:43,880
Speaker 1: that good. James definitely got this is it is how

815
00:48:43,920 --> 00:48:47,520
Speaker 1: smooth Jay is. Jay walks into my closet right where

816
00:48:47,800 --> 00:48:50,680
Speaker 1: right when he starts managing me, it's like, yeah, we're

817
00:48:50,680 --> 00:48:52,719
Speaker 1: gonna have to you know, we're gonna have to really

818
00:48:53,160 --> 00:48:54,840
Speaker 1: look the part now, we're going to really take this

819
00:48:54,920 --> 00:48:57,720
Speaker 1: thing to the next level. And we walked in my closet.

820
00:48:57,840 --> 00:49:02,000
Speaker 1: He's like, he's like, yeah, I think we should I

821
00:49:02,040 --> 00:49:10,200
Speaker 1: think we should get rid of Oh yeah, everything he has,

822
00:49:10,680 --> 00:49:14,760
Speaker 1: everything I performed. Yeah, you shouldn't do that anymore. Wow,

823
00:49:14,960 --> 00:49:17,279
Speaker 1: you should, you should get rid of I said, we're

824
00:49:17,280 --> 00:49:21,840
Speaker 1: just gonna give it. No burn it, burn it. Nobody

825
00:49:21,880 --> 00:49:26,000
Speaker 1: else should have this either. And he said it that soft.

826
00:49:26,960 --> 00:49:31,280
Speaker 1: He was so cool, he said I and I felt

827
00:49:31,680 --> 00:49:34,480
Speaker 1: like he was trying to help. Yeah, I didn't take

828
00:49:34,520 --> 00:49:38,000
Speaker 1: its true about him is like, you know, it's it's

829
00:49:38,080 --> 00:49:39,960
Speaker 1: never that. It's never It's like it's just like and

830
00:49:40,200 --> 00:49:42,879
Speaker 1: and and and to this day, people have a problem

831
00:49:42,960 --> 00:49:46,600
Speaker 1: doing that. Honesty has been the difference. Yeah, yeah, you

832
00:49:46,640 --> 00:49:48,080
Speaker 1: know what I'm saying. So he has a way of

833
00:49:48,320 --> 00:49:52,080
Speaker 1: smoothly telling you you need your bullshit, Yeah, you need

834
00:49:52,320 --> 00:49:53,680
Speaker 1: you need to fix it. Call me like early in

835
00:49:53,719 --> 00:49:55,919
Speaker 1: the morning, you bullshit and cheafe Before he says anything else,

836
00:49:56,760 --> 00:49:59,040
Speaker 1: I'm like, what I do? Listen, you know what you did?

837
00:49:59,360 --> 00:50:02,600
Speaker 1: You know what you did? Hey wait, I want to

838
00:50:02,640 --> 00:50:04,680
Speaker 1: know how you guys met because I do admire, you know,

839
00:50:04,880 --> 00:50:07,440
Speaker 1: two black men really helping, loving and supporting each other.

840
00:50:07,520 --> 00:50:09,200
Speaker 1: We need more of that in the world. Let's put

841
00:50:09,280 --> 00:50:11,879
Speaker 1: that out there some But you guys are a great

842
00:50:11,920 --> 00:50:13,920
Speaker 1: example of that. So how do you guys meet? How

843
00:50:13,960 --> 00:50:18,120
Speaker 1: to happen? Sorry, not the whole thing to interview us? Yeah,

844
00:50:23,480 --> 00:50:27,719
Speaker 1: really really good going somewhere. You're going somewhere. I don't

845
00:50:27,760 --> 00:50:33,320
Speaker 1: know where. I'd love to know. Now we met we

846
00:50:33,440 --> 00:50:38,279
Speaker 1: met through um, we met through the Underdogs. Yeah, so

847
00:50:38,600 --> 00:50:41,160
Speaker 1: I had it was my second stint. It was my

848
00:50:41,239 --> 00:50:46,400
Speaker 1: second stint with the Underdogs because originally Harvey Damon and

849
00:50:46,520 --> 00:50:52,080
Speaker 1: myself we founded the Underdogs together and I ended up

850
00:50:52,360 --> 00:50:55,040
Speaker 1: going and working with some other people. I end up

851
00:50:55,120 --> 00:50:58,839
Speaker 1: leaving over some business stuff. And that's simple thing over there.

852
00:50:59,600 --> 00:51:01,520
Speaker 1: I mean, you know, it's just business. And I was

853
00:51:01,600 --> 00:51:03,359
Speaker 1: a kid. I was really young. They were they were

854
00:51:03,360 --> 00:51:06,600
Speaker 1: a lot older than me. I was a kid. You know,

855
00:51:06,880 --> 00:51:09,360
Speaker 1: what they offered me I didn't like, and you know,

856
00:51:09,600 --> 00:51:12,000
Speaker 1: like we kept our friendship, but it just didn't work

857
00:51:12,040 --> 00:51:15,600
Speaker 1: for me and then when they brought me when they

858
00:51:15,640 --> 00:51:18,920
Speaker 1: we all stayed in contact through our friendship, and a

859
00:51:19,040 --> 00:51:23,000
Speaker 1: selling point of me coming back was them introducing me

860
00:51:23,080 --> 00:51:25,120
Speaker 1: to Tank, who I didn't know at the time. I

861
00:51:25,200 --> 00:51:27,920
Speaker 1: had never met him before. What I'm saying, yeah, I

862
00:51:28,040 --> 00:51:33,080
Speaker 1: knew it. Yeah, no, right, because um the first album

863
00:51:33,160 --> 00:51:36,120
Speaker 1: had come out and it was you know, it did

864
00:51:36,200 --> 00:51:42,759
Speaker 1: a ship. How do we gonna pause? You gotta stop? Yeah, yeah,

865
00:51:42,760 --> 00:51:57,400
Speaker 1: but it's effective where we come back in from we

866
00:51:57,520 --> 00:52:12,080
Speaker 1: are it's gonna um. So, so the selling point was

867
00:52:12,320 --> 00:52:14,480
Speaker 1: them introducing me to Tank, of me coming back and

868
00:52:14,560 --> 00:52:16,920
Speaker 1: working again with them, obviously, you know, our deal structure

869
00:52:17,000 --> 00:52:19,040
Speaker 1: was different when I came back s getting what I

870
00:52:19,080 --> 00:52:21,839
Speaker 1: wanted and I needed to you know, to pull back up.

871
00:52:22,719 --> 00:52:26,040
Speaker 1: But my like I said, meeting Tank over there was like,

872
00:52:26,200 --> 00:52:29,200
Speaker 1: oh this it was like kindred spirits, Like, oh, he's

873
00:52:29,480 --> 00:52:32,480
Speaker 1: my same type of guy. Man like athletes, he likes

874
00:52:32,520 --> 00:52:34,760
Speaker 1: play sports. You don't call no fouls on the basketball

875
00:52:34,800 --> 00:52:37,320
Speaker 1: court like him. Yeah, you know what I mean. That

876
00:52:37,400 --> 00:52:39,880
Speaker 1: really that really was the full thing for me was

877
00:52:40,520 --> 00:52:42,600
Speaker 1: you know with basketball. You know what I mean, everybody

878
00:52:42,680 --> 00:52:44,759
Speaker 1: knows how much I love basketball, and you're pretty good

879
00:52:45,000 --> 00:52:49,960
Speaker 1: I'm okay, I I mean my old age. You know. Yeah,

880
00:52:51,520 --> 00:52:52,960
Speaker 1: we're gonna get through. We're gonna get to because we

881
00:52:53,000 --> 00:52:55,160
Speaker 1: forgot to bring that up. He saw he was. He

882
00:52:55,280 --> 00:53:01,759
Speaker 1: accidentally brought up basketball and never accident accident. I'm sure

883
00:53:01,800 --> 00:53:02,960
Speaker 1: he wants to get to He had a good day.

884
00:53:03,040 --> 00:53:06,440
Speaker 1: He came one time and had a good day. But

885
00:53:09,000 --> 00:53:12,000
Speaker 1: that's how we that's how we connected through, you know,

886
00:53:12,160 --> 00:53:15,160
Speaker 1: meeting through the production team and just locking in and

887
00:53:15,280 --> 00:53:20,040
Speaker 1: just writing for Marion all these other artists that were

888
00:53:20,120 --> 00:53:22,800
Speaker 1: coming through it. Really, I guess probably a Marian was

889
00:53:23,120 --> 00:53:26,600
Speaker 1: our first. Yeah, that was our first replacement together. Yeah.

890
00:53:27,560 --> 00:53:31,080
Speaker 1: And how how long ago was that mans and to

891
00:53:31,360 --> 00:53:36,200
Speaker 1: two three to three? No, because the All Star weekend

892
00:53:37,239 --> 00:53:41,960
Speaker 1: when we was when we did so three yewo three

893
00:53:42,120 --> 00:53:45,440
Speaker 1: Stark in l A. Wow, I'll start week in l A.

894
00:53:45,840 --> 00:53:47,640
Speaker 1: So that's when we did Marian. But we have you know,

895
00:53:47,680 --> 00:53:50,080
Speaker 1: we have been well. I mean I have some of

896
00:53:50,200 --> 00:53:54,320
Speaker 1: the stick around that long. It's good, especially in this business,

897
00:53:54,920 --> 00:53:59,439
Speaker 1: it's hard. It's hard, like I said, sperience minded, yeah

898
00:53:59,600 --> 00:54:02,680
Speaker 1: right right, that one. It was like meeting him was

899
00:54:02,760 --> 00:54:06,600
Speaker 1: like like meeting my cousin, like a long cousin, right,

900
00:54:07,239 --> 00:54:09,719
Speaker 1: now we're in the same family, like, what's your last name?

901
00:54:10,920 --> 00:54:12,759
Speaker 1: And it was it was instant from him from his

902
00:54:12,840 --> 00:54:16,719
Speaker 1: brothers to just yeah, we're just instantly he's like, okay,

903
00:54:16,719 --> 00:54:18,959
Speaker 1: we're family. That's right. Yeah, you know what I'm saying.

904
00:54:19,480 --> 00:54:20,880
Speaker 1: And then we just you know, he's always been my

905
00:54:20,960 --> 00:54:25,160
Speaker 1: point guard, which seguates us into you know, your ability

906
00:54:25,239 --> 00:54:29,759
Speaker 1: to play basketball as well. I'm from Indiana. Who's your

907
00:54:29,800 --> 00:54:34,040
Speaker 1: state were you? Were you a Hoosier? I am as

908
00:54:34,120 --> 00:54:36,600
Speaker 1: because I'm from that's technically with it. When the last

909
00:54:36,640 --> 00:54:39,320
Speaker 1: time y'all want something, Yeah, what do you mean the

910
00:54:39,400 --> 00:54:44,719
Speaker 1: team Pacers? Anything basketball? Because you I mean, you know,

911
00:54:44,760 --> 00:54:46,759
Speaker 1: I'm from the Bay since Reggie, I think we got

912
00:54:46,840 --> 00:54:53,600
Speaker 1: four Reggie from l A, so you know he from

913
00:54:53,880 --> 00:54:58,360
Speaker 1: He's like, yeah, he belonged, he belonged. But you know

914
00:54:58,600 --> 00:55:00,400
Speaker 1: we got four championships in the asked you know what

915
00:55:00,400 --> 00:55:06,920
Speaker 1: I mean, Steph A. Clay and Ramon Dremont huh and Dollar. Oh.

916
00:55:07,000 --> 00:55:09,160
Speaker 1: He came in busting hunt. That was like he hadn't

917
00:55:09,160 --> 00:55:13,319
Speaker 1: played for a little He did that because I was hype.

918
00:55:13,360 --> 00:55:15,000
Speaker 1: I was like, this is first of one moment he said,

919
00:55:15,680 --> 00:55:18,759
Speaker 1: let's just get to what he wants to talk about it.

920
00:55:18,880 --> 00:55:21,120
Speaker 1: Let's get to his good day. My good day is

921
00:55:21,440 --> 00:55:24,319
Speaker 1: you know, uh, since I was very young, since me man,

922
00:55:24,400 --> 00:55:26,600
Speaker 1: I was a kid, and I told him iael hoop

923
00:55:26,640 --> 00:55:28,200
Speaker 1: and we'd always talked it to trying to stud the man.

924
00:55:28,200 --> 00:55:29,880
Speaker 1: You can't hoop. I was like, I can. I'm good.

925
00:55:29,920 --> 00:55:33,040
Speaker 1: Come on, come on, come on swoop man. You know

926
00:55:33,120 --> 00:55:37,080
Speaker 1: I'm good. Never looked good. You know I'm good. This

927
00:55:37,200 --> 00:55:38,800
Speaker 1: is probably was this early this year, or was it

928
00:55:38,880 --> 00:55:41,160
Speaker 1: last year? Maybe probably last year? Probably last year he

929
00:55:41,200 --> 00:55:45,480
Speaker 1: invited me to a run. Yeah, I got to show

930
00:55:45,560 --> 00:55:48,080
Speaker 1: him when I'm about okay, And I had like eight

931
00:55:48,160 --> 00:55:51,200
Speaker 1: of the nine points, had about so we only played

932
00:55:51,200 --> 00:55:53,440
Speaker 1: the seven and then he made his lose asked his

933
00:55:53,560 --> 00:55:56,160
Speaker 1: brother and asked his brother bro, we were gonna win.

934
00:55:56,440 --> 00:55:59,160
Speaker 1: I hit the game winning shot. First of all, you

935
00:55:59,239 --> 00:56:02,120
Speaker 1: tell me how five men playing basketball are looking at

936
00:56:02,160 --> 00:56:04,399
Speaker 1: the clock as well, and know that the time they're

937
00:56:04,440 --> 00:56:07,799
Speaker 1: like it was the second after the deeper didn't count. Okay,

938
00:56:07,840 --> 00:56:11,359
Speaker 1: So do you want to you wantten? Listen? I was hot.

939
00:56:12,400 --> 00:56:16,360
Speaker 1: He was his brothers three like, you know, he was

940
00:56:16,440 --> 00:56:21,960
Speaker 1: good if Bob was on his team. Okay, So okay,

941
00:56:22,160 --> 00:56:23,759
Speaker 1: it's the R and B money have. We have the

942
00:56:23,880 --> 00:56:26,920
Speaker 1: Our Money podcast. We also have the Army Money Run, right,

943
00:56:27,040 --> 00:56:33,080
Speaker 1: which is a mixture of entertainers, business people, and NBA

944
00:56:33,160 --> 00:56:36,600
Speaker 1: players and overseas guys. So it's a mixture of it.

945
00:56:37,719 --> 00:56:40,040
Speaker 1: You got, you got some real basketball going. And I'm

946
00:56:40,160 --> 00:56:42,360
Speaker 1: very selective about who can come on, you know what

947
00:56:42,400 --> 00:56:47,080
Speaker 1: I mean, but the family. So he has the invite

948
00:56:47,120 --> 00:56:49,360
Speaker 1: and that's my guy. And he came, and he showed up,

949
00:56:49,400 --> 00:56:52,879
Speaker 1: and he showed out. He hooped. That's the first time.

950
00:56:54,680 --> 00:56:57,919
Speaker 1: Now the rules of the run. We play shot of course,

951
00:56:58,040 --> 00:57:01,840
Speaker 1: we play shot, We play game clock of course, and

952
00:57:02,280 --> 00:57:06,640
Speaker 1: we also have if your airball it's a negative water, right,

953
00:57:06,760 --> 00:57:10,080
Speaker 1: you got, we're gonna reward this defense because you can't

954
00:57:10,120 --> 00:57:13,680
Speaker 1: get entertainers to play defense, Right's. It's tough to tell

955
00:57:14,080 --> 00:57:18,480
Speaker 1: a nigga who just did ten movies. You gotta guard somebody. Well,

956
00:57:18,560 --> 00:57:21,360
Speaker 1: you gonna lose, nigga if you shoot that dumb mass

957
00:57:21,440 --> 00:57:23,680
Speaker 1: three because the NBA three as far as hell, If

958
00:57:23,720 --> 00:57:25,880
Speaker 1: you shoot that dumb mass three at airball, that's a

959
00:57:25,920 --> 00:57:28,280
Speaker 1: negative one, your team's gonna want to jump you. Right,

960
00:57:29,080 --> 00:57:32,640
Speaker 1: So he hit a big shot, but the clock had,

961
00:57:33,760 --> 00:57:36,040
Speaker 1: first of all, did a little cooking from top. He

962
00:57:36,160 --> 00:57:40,360
Speaker 1: did cooking at the problem. He's young and it was

963
00:57:40,480 --> 00:57:44,800
Speaker 1: too much cooking, and he wasn't paying attention to clock

964
00:57:45,360 --> 00:57:55,360
Speaker 1: man smith man tone on his side, busy making that real.

965
00:57:57,680 --> 00:58:00,040
Speaker 1: I lost my voice doing karaoke the other day. That

966
00:58:00,160 --> 00:58:04,720
Speaker 1: was bullshit. But the cook it made the clock run out.

967
00:58:05,360 --> 00:58:07,040
Speaker 1: It was like they would have said. They were like,

968
00:58:07,120 --> 00:58:08,840
Speaker 1: it was the seventh of the second Office, and you're like,

969
00:58:08,920 --> 00:58:11,200
Speaker 1: that's what are you guys? Kid? And I did the

970
00:58:11,240 --> 00:58:14,480
Speaker 1: Florida came in the middle, gets guys to the pick oh,

971
00:58:14,560 --> 00:58:23,360
Speaker 1: and when it was like they're like, no, no, it's good. Listen,

972
00:58:23,920 --> 00:58:28,280
Speaker 1: it's tight up there. I like that it gets people

973
00:58:28,320 --> 00:58:31,280
Speaker 1: playing this stuff. Listen. You don't play hard, you don't

974
00:58:31,320 --> 00:58:33,240
Speaker 1: get back home right right exactly now you want to

975
00:58:33,240 --> 00:58:36,160
Speaker 1: go home because nobody else invite you but me. Right

976
00:58:37,640 --> 00:58:40,400
Speaker 1: you're coming up, be like how do you get here? Oh?

977
00:58:40,560 --> 00:58:43,360
Speaker 1: You know, yeah, man, sorry man, because you know I

978
00:58:43,880 --> 00:58:46,000
Speaker 1: got my guys, you know what I mean, Like I

979
00:58:46,440 --> 00:58:50,720
Speaker 1: sent out my invites and it's it's it's for the guys.

980
00:58:50,760 --> 00:58:53,720
Speaker 1: And you listen. When I can't tell the Marta Rose

981
00:58:53,760 --> 00:58:57,520
Speaker 1: and he can't tell Martha Rose, can he gonna Kyrie?

982
00:58:57,880 --> 00:59:01,960
Speaker 1: Like they're gonna like they put Kim. I wouldn't want

983
00:59:01,960 --> 00:59:05,000
Speaker 1: to go him. It was it was he just it

984
00:59:05,080 --> 00:59:08,600
Speaker 1: was just it was Halloween. It was it was it

985
00:59:08,680 --> 00:59:11,120
Speaker 1: was hollow and they're going to play. When he showed up,

986
00:59:11,160 --> 00:59:14,520
Speaker 1: it was scary. It's like the mom starts showing up

987
00:59:15,880 --> 00:59:22,840
Speaker 1: its step when you like, is that right right? Be

988
00:59:23,000 --> 00:59:26,520
Speaker 1: fouling because like, like we always say, they're singers and

989
00:59:26,560 --> 00:59:32,960
Speaker 1: their singers and there's hoop presenters what And I'm like

990
00:59:33,120 --> 00:59:35,360
Speaker 1: and I'm like, when when those type of guys come around,

991
00:59:35,960 --> 00:59:39,720
Speaker 1: I'll play my defense, but I don't play the defense

992
00:59:39,760 --> 00:59:42,040
Speaker 1: that I would play on a guy that's not a

993
00:59:42,120 --> 00:59:46,160
Speaker 1: professional hooper, because I really do take into consideration that

994
00:59:46,760 --> 00:59:50,160
Speaker 1: they got they gotta, they gotta really they really it's

995
00:59:51,680 --> 00:59:54,520
Speaker 1: million need that right right right right right right right,

996
00:59:54,720 --> 00:59:57,440
Speaker 1: like me fouling one of those guys hard to prove

997
00:59:57,520 --> 01:00:02,000
Speaker 1: a point in here. I made that mistake. I think

998
01:00:02,000 --> 01:00:03,280
Speaker 1: why I didn't fol him hard, But I remember I

999
01:00:03,320 --> 01:00:05,479
Speaker 1: played Chris Paul when I was like eighteen or something,

1000
01:00:05,520 --> 01:00:07,680
Speaker 1: and I felt like I had him in the glove,

1001
01:00:07,760 --> 01:00:09,160
Speaker 1: you know what I'm saying. I felt like he wasn't

1002
01:00:09,160 --> 01:00:11,760
Speaker 1: really I'm sure he didn't feel that he didn't. But

1003
01:00:11,880 --> 01:00:13,760
Speaker 1: at the time, that's that's the story I made. Let's

1004
01:00:14,080 --> 01:00:17,439
Speaker 1: that you had Paul Pierce. No, Chris, Chris, Chris felt

1005
01:00:17,480 --> 01:00:19,760
Speaker 1: like you had the point guy had him in the glove.

1006
01:00:19,920 --> 01:00:22,280
Speaker 1: The point guy. Understand me, he locked up the point guy.

1007
01:00:22,280 --> 01:00:23,960
Speaker 1: I had him in the glove. Man. You know, we

1008
01:00:24,040 --> 01:00:27,480
Speaker 1: know Chris, right, I know I asked me about this time,

1009
01:00:27,960 --> 01:00:30,080
Speaker 1: but he's gonna probably not remember. He's not gonna remember

1010
01:00:30,080 --> 01:00:31,680
Speaker 1: it at all. It was a trade. Even he had

1011
01:00:31,680 --> 01:00:33,840
Speaker 1: sweatpants on, it doesn't matter. I was fully in my

1012
01:00:33,920 --> 01:00:36,480
Speaker 1: shorts and shoes and you know I stretched before the game.

1013
01:00:36,520 --> 01:00:38,800
Speaker 1: He was really out there like this. I'm sure there

1014
01:00:38,880 --> 01:00:43,120
Speaker 1: any position to see people's in. He was okay with

1015
01:00:43,280 --> 01:00:45,280
Speaker 1: being in that position. No, No, he was. He wasn't

1016
01:00:45,320 --> 01:00:48,160
Speaker 1: really going hard. But let me just you know, I'm

1017
01:00:48,200 --> 01:00:56,200
Speaker 1: living a dream man him in the Glove movie. I

1018
01:00:56,240 --> 01:01:02,040
Speaker 1: would say it's on cameras olda any hoops, because there's

1019
01:01:02,080 --> 01:01:04,480
Speaker 1: been some guys that you know, just been my They

1020
01:01:04,560 --> 01:01:06,680
Speaker 1: talked and I let them come, and then I did

1021
01:01:06,800 --> 01:01:10,080
Speaker 1: not invite him ever again. But I'll tell them too though,

1022
01:01:10,120 --> 01:01:15,600
Speaker 1: like this ain't for you. Your brother is your grab

1023
01:01:15,800 --> 01:01:21,320
Speaker 1: your rebounds I'm going to body somebody. Yeah he's yeah, yeah,

1024
01:01:21,360 --> 01:01:23,640
Speaker 1: yeah yeah. They got mules in his college. Yeah yeah,

1025
01:01:23,640 --> 01:01:26,680
Speaker 1: he but he came he came on some chill ship. No, no,

1026
01:01:26,760 --> 01:01:28,040
Speaker 1: that he was chilling. He was like no, no, no,

1027
01:01:28,160 --> 01:01:31,480
Speaker 1: I know because who long enough. I know when guys

1028
01:01:31,560 --> 01:01:34,600
Speaker 1: come in and it's like okay. He was like all right, yeah,

1029
01:01:34,760 --> 01:01:37,280
Speaker 1: I'm gonna I'm gonna play my role in here. Yeah right,

1030
01:01:37,480 --> 01:01:40,640
Speaker 1: I'm gonna play. That's the the family, that's the one. Yeah,

1031
01:01:40,680 --> 01:01:43,480
Speaker 1: he's the guy. Yeah, he's really a little retired now,

1032
01:01:43,560 --> 01:01:49,480
Speaker 1: you know, he's a little retired. Look look chur Yeah,

1033
01:01:50,480 --> 01:01:53,920
Speaker 1: I'm just the guys. He got to handle the business.

1034
01:01:54,640 --> 01:02:00,040
Speaker 1: Yeah yeah, yeah, there's some nice slacks. Yeah yeah. You

1035
01:02:00,040 --> 01:02:02,360
Speaker 1: know what I'm saying. I grew my hair in meditation

1036
01:02:02,440 --> 01:02:06,760
Speaker 1: link from you know, like, I'm just as long as

1037
01:02:06,760 --> 01:02:09,960
Speaker 1: you don't break out no watermelons in here. And it's

1038
01:02:10,000 --> 01:02:12,240
Speaker 1: my okay because you got dress and ship, you know

1039
01:02:12,560 --> 01:02:15,120
Speaker 1: now everything with dress, I think they're gonna break out

1040
01:02:15,120 --> 01:02:21,200
Speaker 1: the watermelon. Man, then you got to relax. That's always

1041
01:02:21,280 --> 01:02:28,560
Speaker 1: his my I love I love oh. And I just

1042
01:02:28,720 --> 01:02:31,680
Speaker 1: want to know who went and got the watermelons like

1043
01:02:32,280 --> 01:02:36,680
Speaker 1: the brother did. They post made it him. What was

1044
01:02:36,720 --> 01:02:38,840
Speaker 1: it like? What it's like? No, No, he's downstairs. He's

1045
01:02:38,880 --> 01:02:40,560
Speaker 1: got the watermelon. I'm just trying to figre out what

1046
01:02:40,600 --> 01:02:43,360
Speaker 1: the guys he said, anybody any let him. They're gonna

1047
01:02:43,440 --> 01:02:45,520
Speaker 1: let you. Go to the back door. He got the

1048
01:02:45,560 --> 01:02:47,760
Speaker 1: watermelons right now. He just can't get in. He can't

1049
01:02:47,760 --> 01:02:50,520
Speaker 1: get in. He coming right now, there is Okay, why

1050
01:02:50,600 --> 01:02:54,360
Speaker 1: is it wrapping so much? You gotta have the right knife.

1051
01:02:54,560 --> 01:02:57,200
Speaker 1: You gotta that's easy. And those looked like they were

1052
01:02:57,240 --> 01:03:02,200
Speaker 1: professionally professionally cut, pally hopeful go to Gelson's. Get it.

1053
01:03:03,280 --> 01:03:06,080
Speaker 1: You didn't go get it from Gelson's. They got the smaller,

1054
01:03:06,520 --> 01:03:09,880
Speaker 1: smaller pieces that pre cut, three cut. You can just

1055
01:03:10,000 --> 01:03:14,680
Speaker 1: pull them apart. Bro, we're about to stop, We're about

1056
01:03:14,720 --> 01:03:17,680
Speaker 1: to start. Do you want us to win? Come on, man,

1057
01:03:18,200 --> 01:03:26,440
Speaker 1: Mario doesn't have watermelons. I know this justice getting this

1058
01:03:28,560 --> 01:03:34,200
Speaker 1: his hair make his hair run. Oh that was crazy,

1059
01:03:34,440 --> 01:03:39,040
Speaker 1: Brett if runs around too. We go tag teams the

1060
01:03:39,080 --> 01:03:44,760
Speaker 1: watermelons because we kind of eat it the same, all right,

1061
01:03:44,960 --> 01:03:46,800
Speaker 1: And they I didn't realize. I think I saw him

1062
01:03:46,800 --> 01:03:48,200
Speaker 1: for the first time, like last year. I was like

1063
01:03:48,240 --> 01:03:55,880
Speaker 1: they three of them though, yeah. Yeah, they're like twins

1064
01:03:56,240 --> 01:04:01,480
Speaker 1: bro act like everything. That's crazy. Pray I love him, guys,

1065
01:04:01,760 --> 01:04:04,360
Speaker 1: all right, get to the I need to hear his

1066
01:04:05,040 --> 01:04:07,280
Speaker 1: I want to say. I already know he got something

1067
01:04:07,640 --> 01:04:12,400
Speaker 1: he got Guys. You know you're young fellow man. Listen.

1068
01:04:13,680 --> 01:04:15,200
Speaker 1: You know I think the last time I saw you

1069
01:04:15,320 --> 01:04:17,400
Speaker 1: put up to your birthday party. Man, you talking too loud.

1070
01:04:19,720 --> 01:04:22,520
Speaker 1: You understand that you're streaming right. I got the call

1071
01:04:22,640 --> 01:04:26,760
Speaker 1: after your birthday cart Yeah what he said, young ni

1072
01:04:27,080 --> 01:04:30,600
Speaker 1: doing it with that face? Hey, I had listen. You

1073
01:04:30,680 --> 01:04:33,120
Speaker 1: know one thing we're gonna do it salute you when

1074
01:04:33,120 --> 01:04:36,280
Speaker 1: you're doing what you're doing. Man. Yeah, and your birthday party,

1075
01:04:36,440 --> 01:04:38,560
Speaker 1: he was doing it. Man, it was fun. It was

1076
01:04:39,280 --> 01:04:47,360
Speaker 1: yeah the oh yeah, ok, yeah, my young really living this.

1077
01:04:47,600 --> 01:04:52,920
Speaker 1: This this this Hollywood. When you put out the calls,

1078
01:04:55,640 --> 01:04:58,120
Speaker 1: they come, they pull up, they come on through. That's

1079
01:04:58,160 --> 01:05:01,840
Speaker 1: what I heard. We at This segment of our show

1080
01:05:02,000 --> 01:05:07,680
Speaker 1: is called I Ain't saying no names. Yeah it already

1081
01:05:07,840 --> 01:05:12,040
Speaker 1: sounds man. Listen, listen. The story can be funny, are

1082
01:05:12,080 --> 01:05:17,080
Speaker 1: fucked up? Are both? The only rule? It's got to

1083
01:05:17,120 --> 01:05:19,000
Speaker 1: be a good story. You definitely gotta be a good

1084
01:05:19,040 --> 01:05:20,520
Speaker 1: story because you want to get that off. You don't

1085
01:05:20,520 --> 01:05:21,920
Speaker 1: want to be the guy that comes on here with

1086
01:05:22,000 --> 01:05:26,080
Speaker 1: the weak story story right, the comments they're going to

1087
01:05:26,120 --> 01:05:32,800
Speaker 1: comment about the comments. Comment pressure is no. The only

1088
01:05:32,920 --> 01:05:36,040
Speaker 1: rule of the game is you can't say their name. Okay, easy,

1089
01:05:36,280 --> 01:05:38,920
Speaker 1: I don't do that. Hey, you know what I mean?

1090
01:05:39,680 --> 01:05:42,520
Speaker 1: I never that he didn't have Yeah, yeah, yeah, yeah,

1091
01:05:43,080 --> 01:05:46,680
Speaker 1: I don't do that. I don't have to. Um, so story,

1092
01:05:47,840 --> 01:05:53,600
Speaker 1: what's the content? Um? And it's supposed to be use

1093
01:05:53,680 --> 01:05:56,800
Speaker 1: no names and give me whatever story you want, whatever

1094
01:05:56,880 --> 01:06:00,600
Speaker 1: story and whatever story whoever about moved and you want

1095
01:06:00,640 --> 01:06:13,160
Speaker 1: to go viral, just turning the range. Shoot, I don't know.

1096
01:06:14,040 --> 01:06:16,520
Speaker 1: I don't really have any crazy stories. Man, man, you're lying.

1097
01:06:16,840 --> 01:06:19,880
Speaker 1: You're starting this off as a liar. All right, true,

1098
01:06:19,960 --> 01:06:24,000
Speaker 1: I've been called that before. I just pictured it as

1099
01:06:24,280 --> 01:06:27,280
Speaker 1: not telling the full true all right, crazy story, you know,

1100
01:06:27,400 --> 01:06:31,640
Speaker 1: like a Hollywood story. Whatever, it's your world, brother, Okay,

1101
01:06:31,880 --> 01:06:36,240
Speaker 1: here's a good story. Um. I won't say the name,

1102
01:06:36,360 --> 01:06:38,280
Speaker 1: but he's a drummer of a famous band. Can I

1103
01:06:38,360 --> 01:06:40,160
Speaker 1: say that? You don't have to do that? Already? Did

1104
01:06:40,200 --> 01:06:44,000
Speaker 1: it too late? Here? It is? So I did I

1105
01:06:44,160 --> 01:06:50,800
Speaker 1: pull up white Man? Okay? Okay? And I pulled up

1106
01:06:52,000 --> 01:06:54,760
Speaker 1: I was invited by I knew this guy. Knew the guy,

1107
01:06:54,920 --> 01:06:56,400
Speaker 1: and he was like, Yo, come this party. I come in.

1108
01:06:56,480 --> 01:06:58,120
Speaker 1: You know how much it was cool? It's cool. And

1109
01:06:58,160 --> 01:07:00,520
Speaker 1: I'm always mean guys. I'm nice, Okay, nice guy. That's

1110
01:07:00,520 --> 01:07:02,280
Speaker 1: why I hate when people mean to me. It's like,

1111
01:07:02,360 --> 01:07:04,040
Speaker 1: how why are you? What? Do You're evil? You must

1112
01:07:04,080 --> 01:07:05,840
Speaker 1: have Satan in you? What's going on? Because I'm a

1113
01:07:05,960 --> 01:07:07,920
Speaker 1: kind person. So I'm in there, Hey, what's up? Man?

1114
01:07:07,960 --> 01:07:10,600
Speaker 1: Blah blah, and already kind of shook his hand and

1115
01:07:10,600 --> 01:07:14,600
Speaker 1: he's just like whatever, really shakes my hand, like whatever.

1116
01:07:14,640 --> 01:07:16,800
Speaker 1: We're there, were chilling, We're about to leave now. The

1117
01:07:16,920 --> 01:07:18,880
Speaker 1: homie that invited me to go there is in the

1118
01:07:18,960 --> 01:07:21,080
Speaker 1: car with this dude and some chicks from the car

1119
01:07:21,160 --> 01:07:24,640
Speaker 1: or whatever. And I'm with a woman that I'm with

1120
01:07:25,320 --> 01:07:28,160
Speaker 1: and she's you know, with me. She's next to me,

1121
01:07:28,240 --> 01:07:29,600
Speaker 1: and they're in the car and I'm outside the car

1122
01:07:29,600 --> 01:07:31,520
Speaker 1: and I'm like, yo, where you guys going And the

1123
01:07:31,560 --> 01:07:33,080
Speaker 1: guys on the front seat of the driver's seat he

1124
01:07:33,160 --> 01:07:35,800
Speaker 1: keeps saying, yo, yo, we don't know what we're going.

1125
01:07:35,880 --> 01:07:37,760
Speaker 1: I said, hold on, buddy, talking to him in the back.

1126
01:07:37,800 --> 01:07:39,200
Speaker 1: I'm trying to figure out where we're going? Where are

1127
01:07:39,200 --> 01:07:40,640
Speaker 1: we going? And he was like, yo, man, I don't

1128
01:07:40,640 --> 01:07:42,960
Speaker 1: know yet. We're figuring out blah blah. And then she

1129
01:07:43,160 --> 01:07:44,640
Speaker 1: comes in and she's like, hey, listen, sorry, we're just

1130
01:07:44,640 --> 01:07:46,640
Speaker 1: trying to figure out, like where exactly where going. He's like,

1131
01:07:46,680 --> 01:07:48,600
Speaker 1: can you back up from the car please? To her?

1132
01:07:49,120 --> 01:07:50,880
Speaker 1: And I walked up to the window. I said, excuse me, sir,

1133
01:07:50,960 --> 01:07:53,480
Speaker 1: and I said, I appreciate you know, you're trying to

1134
01:07:53,520 --> 01:07:54,880
Speaker 1: figure out. I just don't speak to her like that.

1135
01:07:55,000 --> 01:07:56,800
Speaker 1: And he went, who the funk are you like that?

1136
01:07:57,520 --> 01:08:01,439
Speaker 1: I just lost and I punched in the face hard. Yeah,

1137
01:08:01,800 --> 01:08:03,800
Speaker 1: his nose was bleeding. It was a good time, and

1138
01:08:03,800 --> 01:08:05,160
Speaker 1: they scared it off. They were in uber and they

1139
01:08:05,200 --> 01:08:07,840
Speaker 1: were scared. They don't start shooting rat the weather. Yeah no,

1140
01:08:07,920 --> 01:08:10,160
Speaker 1: I just I'm back in him like that. Wow. And

1141
01:08:10,200 --> 01:08:12,320
Speaker 1: then he was like and then they told me that

1142
01:08:12,480 --> 01:08:14,000
Speaker 1: we both knew. He was like, dude, he told me,

1143
01:08:14,040 --> 01:08:16,800
Speaker 1: you broke his nose. Man, what's going off? I said, bro?

1144
01:08:17,600 --> 01:08:21,400
Speaker 1: I said, you're speaking just anytime I'm sorry, says I

1145
01:08:21,479 --> 01:08:23,840
Speaker 1: love all people, but anytime, like white people speak to

1146
01:08:23,840 --> 01:08:25,840
Speaker 1: me in a certain way, like I just have flashbacks.

1147
01:08:25,920 --> 01:08:27,600
Speaker 1: I'm just like slavery. This is no you think you

1148
01:08:27,600 --> 01:08:30,759
Speaker 1: can get away this now? No? Sorry, One more story,

1149
01:08:31,960 --> 01:08:35,479
Speaker 1: quick kind of story. The first This is the story,

1150
01:08:35,520 --> 01:08:37,360
Speaker 1: and it's also about me being aggressive. I'm not gonna

1151
01:08:37,520 --> 01:08:43,479
Speaker 1: whoever you are, go fix your nose and your mother mouth.

1152
01:08:43,640 --> 01:08:46,920
Speaker 1: But look, you're talking to Trevor Jackson. Okay, but don't

1153
01:08:46,960 --> 01:08:50,479
Speaker 1: take this grown this ship. You hear me, You hear me.

1154
01:08:51,080 --> 01:08:53,920
Speaker 1: Put them on. You need to hear me. He need notice,

1155
01:08:53,960 --> 01:08:57,640
Speaker 1: put them on, notse go fix your face? Hey, go

1156
01:08:57,800 --> 01:08:59,960
Speaker 1: do you a little nose, Candy. I'm sure you were

1157
01:09:00,040 --> 01:09:04,280
Speaker 1: probably on it. Hey, he woke your gss up. Hey,

1158
01:09:04,360 --> 01:09:06,720
Speaker 1: but I didn't know how big of the like. I

1159
01:09:06,760 --> 01:09:09,760
Speaker 1: found that out there, I was like, oh fuck stole

1160
01:09:09,800 --> 01:09:13,600
Speaker 1: on one the Beatles man. Hey. So I was like,

1161
01:09:13,680 --> 01:09:16,240
Speaker 1: oh ship, this nick is okay? Bet, sorry, but just

1162
01:09:16,320 --> 01:09:18,200
Speaker 1: don't speak that way. Okay. Last story, I was on

1163
01:09:18,280 --> 01:09:21,800
Speaker 1: tour in Chicago. Similar story. Me and this guy right here,

1164
01:09:22,280 --> 01:09:25,439
Speaker 1: that guy there's Jackson. That's my brother and my cousin. Um,

1165
01:09:25,720 --> 01:09:28,599
Speaker 1: the Jackson's are here. Yeah, so we're at uh, we're

1166
01:09:28,680 --> 01:09:31,519
Speaker 1: at the damn uh. Then you go across the street

1167
01:09:31,920 --> 01:09:33,720
Speaker 1: and no one's in there, like rapped the show. We're like, yeah,

1168
01:09:33,760 --> 01:09:35,080
Speaker 1: let's go somewhere. No one's in here. Cool. We go

1169
01:09:35,120 --> 01:09:37,800
Speaker 1: in there, we start d JAN. The DJ booth is

1170
01:09:37,800 --> 01:09:40,240
Speaker 1: a little bit like elevated, probably like this this talk.

1171
01:09:40,320 --> 01:09:42,400
Speaker 1: And then we're staying up there with DJ. No one's

1172
01:09:42,400 --> 01:09:44,839
Speaker 1: in there. We people start walking by and just flooding

1173
01:09:44,840 --> 01:09:47,320
Speaker 1: in because we're like playing music. Oh, getting it popping.

1174
01:09:47,800 --> 01:09:49,599
Speaker 1: Then this guy comes there's like, yo, what the heck,

1175
01:09:49,680 --> 01:09:51,760
Speaker 1: get down bla blah blah blah blah. He climbs up

1176
01:09:51,800 --> 01:09:54,160
Speaker 1: the thing and he's like, hey man, what the fun

1177
01:09:54,200 --> 01:09:56,439
Speaker 1: you guys don't get off. I was like, sir, I

1178
01:09:56,520 --> 01:09:58,360
Speaker 1: have no problem hearing anything you have to say, do

1179
01:09:58,400 --> 01:10:00,479
Speaker 1: anything you ask. Just please don't speak to me that way.

1180
01:10:01,280 --> 01:10:03,040
Speaker 1: I'll talk to me fucking way I want to talk

1181
01:10:03,080 --> 01:10:08,960
Speaker 1: to you. I was like, if like this, bro and

1182
01:10:09,040 --> 01:10:14,479
Speaker 1: he felt offs bros Bad. I was like, I don't

1183
01:10:14,479 --> 01:10:16,360
Speaker 1: know what. I don't know what I said, but I

1184
01:10:19,960 --> 01:10:23,400
Speaker 1: just gathered all the energy. I gathered all the energy

1185
01:10:23,439 --> 01:10:26,519
Speaker 1: from the outside of it came in and he felt

1186
01:10:26,520 --> 01:10:28,160
Speaker 1: and he felt onnest me because he's crowding there. So

1187
01:10:28,280 --> 01:10:30,479
Speaker 1: he's like they're like body surfing. He's like shutting the

1188
01:10:30,640 --> 01:10:38,000
Speaker 1: funk out of here while while these bodies slept. I swear, Bro,

1189
01:10:38,960 --> 01:10:40,360
Speaker 1: I was like, God, I look at like this. I

1190
01:10:40,439 --> 01:10:42,320
Speaker 1: was like, I'm a human being. That's all I want

1191
01:10:42,320 --> 01:10:46,719
Speaker 1: to talk. I'm a human being. I'm sorry. I'm sorry.

1192
01:10:51,439 --> 01:10:55,439
Speaker 1: Oh dude, my issue. It's just don't be mean man life.

1193
01:10:55,880 --> 01:10:57,400
Speaker 1: You know, it's like what you said though you're such

1194
01:10:57,400 --> 01:11:01,360
Speaker 1: a nice person. You're like nice and violent you and

1195
01:11:01,479 --> 01:11:03,479
Speaker 1: you put out so much good energy. You know what

1196
01:11:03,520 --> 01:11:06,599
Speaker 1: I'm saying that once you're back, I was just hurt

1197
01:11:06,600 --> 01:11:08,040
Speaker 1: and I'm like, what do you Why are you speaking

1198
01:11:08,120 --> 01:11:09,680
Speaker 1: to me like I talked to you. I want to

1199
01:11:09,720 --> 01:11:14,519
Speaker 1: talk to who? Do you think that you gottah human?

1200
01:11:14,640 --> 01:11:21,960
Speaker 1: The triggers for you? Brother? Yeah, I'm sorry because apparently

1201
01:11:22,080 --> 01:11:26,880
Speaker 1: it goes from zero to a hunted man. Um. Listen, man,

1202
01:11:28,200 --> 01:11:31,800
Speaker 1: uh a little bro. We celebrate you. I love you, guys. Man,

1203
01:11:31,840 --> 01:11:35,400
Speaker 1: thanks for having me. Salute you. Um. We continue to

1204
01:11:35,479 --> 01:11:37,519
Speaker 1: hold you in high regard, and we will make sure

1205
01:11:37,600 --> 01:11:40,920
Speaker 1: that anybody's speaking on your name does the same. Um,

1206
01:11:41,800 --> 01:11:43,800
Speaker 1: thank you for coming to the Harpy Money Podcast. Man,

1207
01:11:43,880 --> 01:11:46,960
Speaker 1: my name is Tank, I'm Jay Valentine. This is Trevor Jackson,

1208
01:11:47,439 --> 01:11:56,320
Speaker 1: and this has been Treasure, Action Jackson on the Money

1209
01:11:56,360 --> 01:12:11,479
Speaker 1: podcast man Trevor Action, R and B Money. R and

1210
01:12:11,560 --> 01:12:14,799
Speaker 1: B Money is the production of the Black Effect podcast Network.

1211
01:12:15,080 --> 01:12:18,040
Speaker 1: For more podcasts from I Heart Radio, visit the ir

1212
01:12:18,080 --> 01:12:21,160
Speaker 1: heart Radio app, Apple podcast, or wherever you listen to

1213
01:12:21,240 --> 01:12:24,599
Speaker 1: your favorite shows, don't forget to subscribe to and rate

1214
01:12:24,720 --> 01:12:27,320
Speaker 1: our show, and you can connect with us on social

1215
01:12:27,439 --> 01:12:31,120
Speaker 1: media via at R and B Money podcast or at

1216
01:12:31,160 --> 01:12:33,280
Speaker 1: The Real Tank or at j Valentine