WEBVTT - Nationwide Manhunt w/ Sarah Storm

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<v Speaker 1>Of the Law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on. These are our stories,

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<v Speaker 2>done done, Yay, that's messed up. An SVU podcast.

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<v Speaker 1>My name is Lisa and I'm Kara, And every week

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<v Speaker 1>we break down an episode of Law and Order SVU

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<v Speaker 1>the true crime it was based on, and talk to

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<v Speaker 1>a guest from the episode. But first we catch up.

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<v Speaker 1>And today is New Year's Eve. It's the last day

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<v Speaker 1>of twenty twenty four. Wow, yeah, let me it all up.

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<v Speaker 2>You don't know when it's all gonna not happen anymore, so.

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<v Speaker 1>We are, yeah, enjoy it could be our final New

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<v Speaker 1>Year's Eve. I don't know what's happening fucking next year.

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<v Speaker 1>I'm nervous. I feel like we're in this like weird.

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<v Speaker 2>Quai terriffs, like the terriffs, the terror problems. But I'm like, yeah,

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<v Speaker 2>I guess I'll just keep going out to eat till

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<v Speaker 2>I can't anymore. Yeah, when tomatoes are gonna be so

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<v Speaker 2>so much? Yeah. Well, I also I obviously need to

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<v Speaker 2>shout out you know, we're in the time Machine. But

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<v Speaker 2>thanks everyone for coming to Cincinnati. It was fun. Someone

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<v Speaker 2>gave me something. I'm just gonna show it to you

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<v Speaker 2>and then your reaction, Okay, gonna be like part of

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<v Speaker 2>I think, the excitement forever. Okay for me and everyone. Okay,

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<v Speaker 2>are you ready? What is it?

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<v Speaker 1>Oh my god? This is amazing. Okay, well I need

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<v Speaker 1>you to take a picture of it and send it

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<v Speaker 1>to me.

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<v Speaker 2>To put up.

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<v Speaker 1>Like basically, it's the Era's Tour, the classic eras tor

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<v Speaker 1>shirt of Tailor, but it's John Munch and it's the

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<v Speaker 1>eras of John Munch and that is so fucking good.

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<v Speaker 2>Wow.

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<v Speaker 1>Yeah, she's always pull out all the stuffs. You have

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<v Speaker 1>really great gifts. It's amazing. Yeah, you're gonna love this one.

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<v Speaker 2>It's a bracelet and it says hogpat Men's top yarn.

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<v Speaker 1>Oh this is the riddle from from the Homeless Man.

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<v Speaker 2>Yeah. Yes, oh my god. Yes. And I don't expect

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<v Speaker 2>any you know, it's always like just come to the show.

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<v Speaker 2>It was like in an abandoned church. It was like

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<v Speaker 2>super fun. I really loved being there and I ate

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<v Speaker 2>the best chicken schnitzer I've ever had in my fucking life.

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<v Speaker 2>At a place called Tuba's like if you were ever,

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<v Speaker 2>I'm the Kentucky Cincinnati border. Holy fucking chip. Oh my god.

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<v Speaker 2>But also someone made me ornaments that are each one

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<v Speaker 2>is a Taylor Swift album. So wow. And she like

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<v Speaker 2>threw it because it was nervous, like ornaments are delicate,

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<v Speaker 2>but it was it was great. Threw it up to

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<v Speaker 2>you like on the stage. No, they're like plastic, like

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<v Speaker 2>she made them unbreakable, Like she's just like you could

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<v Speaker 2>toss them around type of vibes. So it's really exciting.

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<v Speaker 2>Love it.

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<v Speaker 1>Love that, yes, because I every year break a ornament

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<v Speaker 1>that is very dear to me, and this year was

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<v Speaker 1>no exception. Just smashed one by accident. Yeah, when we

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<v Speaker 1>were decorating the tree. It just fell, just fell off

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<v Speaker 1>the tree and it hit a stool and it smashed

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<v Speaker 1>into a million pieces.

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<v Speaker 2>You know, what are we gonna do? What are we

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<v Speaker 2>gonna do? Wait?

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<v Speaker 1>I feel like I know we're in the time machine

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<v Speaker 1>and you guys are gonna think this is so out

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<v Speaker 1>of date, But you also are gonna be like, why

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<v Speaker 1>have it you talked about this and we have to

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<v Speaker 1>talk about Luigi. I mean, I don't buy it, like

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<v Speaker 1>you don't buy what that it's him. Yeah, I think

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<v Speaker 1>it's bigger.

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<v Speaker 2>I like he was doesn't look health and good at everything,

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<v Speaker 2>and then had all the evidence on him in public,

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<v Speaker 2>just in Pennsylvania, Like it makes no sense. Wait, girl, Also, I.

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<v Speaker 1>Don't think the guy they brought in, while he is

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<v Speaker 1>very handsome, looks like the guy in the photos with

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<v Speaker 1>the half the face covered. I don't really see the resemblance.

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<v Speaker 1>And that's what I said yesterday. I go, this guy

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<v Speaker 1>fucking got out of Manhattan. He got out of like

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<v Speaker 1>such a busy city where everybody was looking for him.

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<v Speaker 1>He ditched the backpack full of the monopoly money, he

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<v Speaker 1>had the bullets, he had shit written on the bullets,

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<v Speaker 1>like he was meticulous. And then he's just gonna stroll

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<v Speaker 1>into a McDonald when there's a nationwide man hunt for him,

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<v Speaker 1>like kind of nuts.

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<v Speaker 2>Right, Well, well, see, I don't think it's him. I don't.

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<v Speaker 2>I hope it's not him. I want out more. I

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<v Speaker 2>think I hope it's a decoy. But I wonder it

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<v Speaker 2>is funny to like that you could see people's social

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<v Speaker 2>media and like his Spotify and then he likes Carly

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<v Speaker 2>Ray Jepsy. Yeah he I mean me and him have

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<v Speaker 2>a lot in common. We love a happy meal, so

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<v Speaker 2>it's like it's wild. I don't know. I like the jokes,

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<v Speaker 2>but I guess it's serious. I don't know what's the thing.

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<v Speaker 2>I don't know what I know. I'm all over the place.

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<v Speaker 1>I'm like, oh my god, like he just shot this

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<v Speaker 1>man in broad daylight. But then also like insurance companies

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<v Speaker 1>are evil, Like I don't know.

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<v Speaker 2>But I mean someone told me that their theory is

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<v Speaker 2>that a wife hired a hitman, his wife wants to

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<v Speaker 2>kill him and it's all fick. I was like, I'll

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<v Speaker 2>get it done in New York.

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<v Speaker 1>It'll be wait and the wife is hooking up with Luigi.

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<v Speaker 1>I just I was sad that they caught him because like,

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<v Speaker 1>as we're recording this, they just caught him, And I

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<v Speaker 1>was like, I really could have had this go on

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<v Speaker 1>for a couple more weeks, Like I don't think anybody

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<v Speaker 1>thought they were in danger. He's only going after CEOs,

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<v Speaker 1>Like I you know, I would have loved to have

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<v Speaker 1>seen a few more sightings, a few more high.

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<v Speaker 2>L Tuna Pennsylvania. Like for some reason, I just don't

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<v Speaker 2>buy that he would be so out in the open

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<v Speaker 2>and not like yeah, eleven for a McDonald's. Like, there's

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<v Speaker 2>no fucking way. Yeah.

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<v Speaker 1>I was like, why don't you just put one of

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<v Speaker 1>those like gator things over your face, like and like

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<v Speaker 1>it's cold in Pennsylvania and go through the drive through?

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<v Speaker 1>Like no one would even think about that, you know,

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<v Speaker 1>Like I don't know if someone was like, pluck.

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<v Speaker 2>Your eyebrows, babe, I mean, I don't know. We'll see

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<v Speaker 2>what happens. But also I guess in New Jersey there's

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<v Speaker 2>like drones. There's like some sort of flying saucer things

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<v Speaker 2>flying in the trees, and there's sightings and the government

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<v Speaker 2>has confirmed it's something it might be hostile, like they're

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<v Speaker 2>trying to claim it's aliens. I'm like, no, they're trying

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<v Speaker 2>to see how much they could spy on us. I think,

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<v Speaker 2>I mean the government's sending things. Oh my god, have

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<v Speaker 2>you not seen any of this. There's like, oh, okay, Jersey,

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<v Speaker 2>unidentified drones light up New Jersey skies, baffling residents, bizarre

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<v Speaker 2>phenomenon flying objects, and the government is like, for sure,

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<v Speaker 2>but I think it's them trying to test out waste

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<v Speaker 2>to like us spy on us. Like I think there's

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<v Speaker 2>gonna be what is it called.

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<v Speaker 1>Oh well, they said that the fucking weather balloon that

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<v Speaker 1>they found was China. You think it's like that kind

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<v Speaker 1>of thing, or you think it's like it's coming from

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<v Speaker 1>inside the house. It's like our government's buying.

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<v Speaker 2>I mean, it might be aliens or it's I think

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<v Speaker 2>it's our government figuring out like how to do curfews eventually,

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<v Speaker 2>or spy on people or emit a loud noise. Yeah,

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<v Speaker 2>there was a loud noise. I mean, and Jersey's like

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<v Speaker 2>asking for help.

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<v Speaker 1>New Jersey's like, can somebody help us figure this out? Wow? Wow,

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<v Speaker 1>this is an hour ago. New Jersey senator calls for

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<v Speaker 1>a limited state of emergency.

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<v Speaker 2>Jesus.

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<v Speaker 1>I mean, when this comes out, you guys will all

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<v Speaker 1>know that the aliens have landed or whatever. But like

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<v Speaker 1>I'm experiencing us in the time machine right now.

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<v Speaker 2>I don't want it. I mean, they're like, don't don't

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<v Speaker 2>fuck with it. The aliens can be hostile, but it's like,

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<v Speaker 2>I don't know, why would they just be chilling in

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<v Speaker 2>Jersey in the trees like this so low to the ground,

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<v Speaker 2>And how did no one shoot them down in Jersey?

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<v Speaker 2>No One's like I got it, Like I just yeah,

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<v Speaker 2>I don't get I don't get it. Yeah, did you

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<v Speaker 2>see them at Melissa Gorga has released a line of

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<v Speaker 2>sprinkle cookies. I did see that, lame get an identity

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<v Speaker 2>outside of your sister in law. I know I'm going

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<v Speaker 2>to be Tea Teresa like you want to be away

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<v Speaker 2>from her? You're away from her. It's her quote, She's

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<v Speaker 2>the one that got mad. Why are you doing this?

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<v Speaker 2>And they don't look good. Don't they look good? They

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<v Speaker 2>don't look good. I don't they look dry like I

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<v Speaker 2>don't want one. Oh my god, this reminds me I

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<v Speaker 2>have to order my Italian cookies for Christmas.

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<v Speaker 1>Oh yeah, yeah, yeah yeah. Do you always go to

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<v Speaker 1>the same place of course?

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<v Speaker 2>Yeah? Okay, yeah, yeah, you got a spot. Yeah yeah,

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<v Speaker 2>I'll shot at Circo's pastry shop. And I love them

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<v Speaker 2>so amazing.

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<v Speaker 1>I'm trying to think of like, yeah, Luigi has been

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<v Speaker 1>really taking up a lot of my thoughts.

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<v Speaker 2>Well, I'm thinking fan like erotic fan fiction, like I

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<v Speaker 2>would I bet there are people masturbating for sure, to

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<v Speaker 2>the idea of like seeing him being like I'll hold

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<v Speaker 2>you at the house and like, you know, giving it

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<v Speaker 2>all and then you fall in love. I think there's

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<v Speaker 2>a movie called Labor Day that's totally this. Yeah, I

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<v Speaker 2>think I think that's the movie. Is it Casey it's

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<v Speaker 2>Josh bah okay, and Kate Winslet knows he's a criminal

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<v Speaker 2>and she's housing him and it's hot. Okay, so not

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<v Speaker 2>on original, yeah, but yeah, this is like hot and horny.

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<v Speaker 2>This is awesome. Like everyone likes the way he cocks

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<v Speaker 2>that gun. Wow, Okay, you don't feel like, well, I

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<v Speaker 2>wonder if he's gay or not, Like I just yeah,

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<v Speaker 2>everyone loves his body like it is cool, like you

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<v Speaker 2>get like everyone's.

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<v Speaker 1>Like yes, and immediately everybody's like Ryan Murphy's salivating over this,

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<v Speaker 1>like because he's and like you know, he did like

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<v Speaker 1>the Versace murders.

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<v Speaker 2>It's like, way, I mean, did you see the Kiki

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<v Speaker 2>Palmer thing. She didn't say who it was, but she's

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<v Speaker 2>promoting her book and she did an interview on the

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<v Speaker 2>set of Screen Queen. She's talking about how it's like

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<v Speaker 2>toxic and crazy and how there was like distress on set,

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<v Speaker 2>like people weren't getting along, and she did a thing

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<v Speaker 2>where she was just like, hey, guys, like let's you know,

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<v Speaker 2>like kumbayah kind of thing. You know, she's very inspirational,

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<v Speaker 2>so she was just trying to like get good energy.

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<v Speaker 2>And she does an impression that's someone she doesn't name them,

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<v Speaker 2>but it has to be Leah Michelle or Emma Roberts,

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<v Speaker 2>but I guess they went Kiki, don't who do you

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<v Speaker 2>think you are? Martin fucking Luther King? And Keky Palmer though,

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<v Speaker 2>is like the way she says it. I've watched it

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<v Speaker 2>dozens of times, like her, her cadence, like everything about

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<v Speaker 2>her is like perfection, and I keep watching it, and

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<v Speaker 2>so the way she mouths it, I'm like, it's Leah Michelle,

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<v Speaker 2>but like they both and then she goes, I was gagged.

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<v Speaker 2>She goes, I was gagged. I could not believe. I

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<v Speaker 2>just got like read racially and I had nothing to say.

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<v Speaker 1>I feel like it is her because I feel like,

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<v Speaker 1>when all the cancelation stuff about Liah Michelle came up,

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<v Speaker 1>people were saying that she said microaggressive and aggressive stuff

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<v Speaker 1>to Kiki on the set of Scream Queens, but we

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<v Speaker 1>didn't have anything specific at the time. Yeah, so I

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<v Speaker 1>think it's definitely Liah Michelle, but.

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<v Speaker 2>It's like Kaky don't, like I don't know it's like incredible.

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<v Speaker 2>I'm loving all the press. I need to watch that.

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<v Speaker 1>I need to see that, like that video that hasn't

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<v Speaker 1>come across. I'll be honest. My entire Explore page is wicked.

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<v Speaker 1>It is still wicked. It's like wicked interviews. I'm obsessed

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<v Speaker 1>with both Cynthia and Ariana coming out after and being

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<v Speaker 1>like we didn't know what was going on either, with

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<v Speaker 1>the woman talking about holding space, like I love that

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<v Speaker 1>they're just like embracing how crazy that was them talking

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<v Speaker 1>to this like sassy little girl who's like interviewing them

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<v Speaker 1>and like taking pictures with that.

0:11:52.840 --> 0:11:54.800
<v Speaker 2>I don't know, I just I'm getting all the press. Still.

0:11:54.880 --> 0:11:56.520
<v Speaker 1>It's like it's like the movie's been out for two

0:11:56.559 --> 0:11:59.160
<v Speaker 1>weeks and it's still fully flooding my timeline and I

0:11:59.160 --> 0:12:00.200
<v Speaker 1>don't I'm not mad.

0:12:00.480 --> 0:12:03.880
<v Speaker 2>I love the choreography. I also think I might get

0:12:03.920 --> 0:12:07.120
<v Speaker 2>into Arianna's album that came out this year. I really

0:12:07.120 --> 0:12:10.800
<v Speaker 2>skipped it, but it's on all the top lists, like

0:12:10.840 --> 0:12:13.400
<v Speaker 2>people really love it, so I think I gotta. And

0:12:13.440 --> 0:12:15.840
<v Speaker 2>I've seen her lot. I mean, I love Ariana. The

0:12:15.880 --> 0:12:19.000
<v Speaker 2>Golden Globe nominations came out. I hope she wins. I

0:12:19.080 --> 0:12:22.600
<v Speaker 2>hope Wicked gets or the substance. I mean, there's just

0:12:22.679 --> 0:12:24.760
<v Speaker 2>so much cool stuff here. Yeah.

0:12:24.800 --> 0:12:27.240
<v Speaker 1>I saw a clip of Demi Moore being really excited

0:12:27.280 --> 0:12:29.240
<v Speaker 1>she got her nomination for Golden Globe.

0:12:29.280 --> 0:12:32.439
<v Speaker 2>I think that's so cute. Yeah, it's really a thrill.

0:12:32.480 --> 0:12:34.880
<v Speaker 2>And I'm excited to see Nicki Glazer host. I think

0:12:34.920 --> 0:12:37.720
<v Speaker 2>she's gonna kill it. Like yeah, I think it's like

0:12:37.880 --> 0:12:43.199
<v Speaker 2>decades of prep has hit this moment of hopefully killing it.

0:12:43.280 --> 0:12:47.440
<v Speaker 2>I mean people notoriously bomb, you know.

0:12:47.760 --> 0:12:50.640
<v Speaker 1>Yeah, but I think Nikki also is like you have

0:12:50.760 --> 0:12:53.240
<v Speaker 1>to have that like good line of like self deprecating

0:12:53.280 --> 0:12:55.600
<v Speaker 1>but also confidence, and I think she has that, whereas

0:12:55.679 --> 0:12:57.959
<v Speaker 1>Joe Cooy went in being like I'm one of you,

0:12:58.040 --> 0:12:58.720
<v Speaker 1>I'm awesome.

0:12:59.040 --> 0:13:00.640
<v Speaker 2>Yeah, and I don't think it works out for him.

0:13:01.880 --> 0:13:04.520
<v Speaker 1>And so I think, like, yeah, I think she'll I

0:13:04.520 --> 0:13:07.959
<v Speaker 1>think she'll nail it probably. I mean this is her year, right,

0:13:08.080 --> 0:13:12.559
<v Speaker 1>best year of her life, the Roast, the Globes, it's

0:13:12.600 --> 0:13:13.240
<v Speaker 1>all happening.

0:13:14.120 --> 0:13:20.640
<v Speaker 2>Cool. I can't wait. Yeah, Yeah, I'm into this Award season.

0:13:20.840 --> 0:13:25.320
<v Speaker 2>I saw some I mean, yeah, the songs, we'll see,

0:13:25.640 --> 0:13:28.120
<v Speaker 2>we'll see what goes down. Yeah.

0:13:28.840 --> 0:13:33.440
<v Speaker 1>Should we get started with the episode I can't believe

0:13:33.520 --> 0:13:37.080
<v Speaker 1>that we're doing this episode after a nationwide manhunt just

0:13:37.200 --> 0:13:39.600
<v Speaker 1>started in our area, in our country.

0:13:40.320 --> 0:13:40.600
<v Speaker 3>I know.

0:13:40.760 --> 0:13:42.400
<v Speaker 2>Well. I was talking to someone and they're like, do

0:13:42.400 --> 0:13:44.200
<v Speaker 2>you think this is just like a big deal because

0:13:44.200 --> 0:13:47.160
<v Speaker 2>we're in New York. I go, nah, honey, this isn't

0:13:47.240 --> 0:13:48.000
<v Speaker 2>this is big news.

0:13:48.160 --> 0:13:51.199
<v Speaker 1>No, we're all looking and you know what's crazy too,

0:13:51.320 --> 0:13:55.520
<v Speaker 1>It's like it's bringing people together. Like Ben Shapiro tried

0:13:55.520 --> 0:13:58.400
<v Speaker 1>to release like like an episode of his podcast where

0:13:58.400 --> 0:14:02.720
<v Speaker 1>he was like, the bloodthirsty liberal elite are are like

0:14:03.000 --> 0:14:05.520
<v Speaker 1>celebrating the murder of this man, and all these people

0:14:05.559 --> 0:14:07.960
<v Speaker 1>underneath are like, nope, I'm a conservative and I'm celebrating it.

0:14:08.040 --> 0:14:09.959
<v Speaker 1>Like all these people are like, nope, it's all of us.

0:14:10.000 --> 0:14:14.679
<v Speaker 1>It's all of us. Like so it's yeah, it's sadly,

0:14:14.840 --> 0:14:17.360
<v Speaker 1>it's sadly uniting the country in a lot of ways.

0:14:18.240 --> 0:14:20.720
<v Speaker 2>It it really is. But I was like going off

0:14:20.760 --> 0:14:23.240
<v Speaker 2>on a friend's pot and he was like, you're you're

0:14:23.280 --> 0:14:27.320
<v Speaker 2>having a special come out. Relax. He's like stop talking

0:14:27.400 --> 0:14:32.200
<v Speaker 2>like this. I'm like, I want blood in the streets.

0:14:32.480 --> 0:14:34.680
<v Speaker 2>You're like this has to be after your special.

0:14:34.720 --> 0:14:37.840
<v Speaker 1>Wait are you are you allowed to announce.

0:14:38.080 --> 0:14:41.400
<v Speaker 2>I'm sure it's gonna come out January twenty eighth, So

0:14:41.560 --> 0:14:46.360
<v Speaker 2>put it on your like reminders or notifications and watch it.

0:14:46.400 --> 0:14:48.000
<v Speaker 2>I definitely want people to watch it. But also you

0:14:48.040 --> 0:14:50.200
<v Speaker 2>can put it on as you leave the house, so.

0:14:50.680 --> 0:14:53.080
<v Speaker 1>Yeah, that's the thing. And then as soon as you're

0:14:53.080 --> 0:14:55.720
<v Speaker 1>done watching it, start it up and go out put

0:14:55.760 --> 0:14:58.360
<v Speaker 1>it on you keep it on an app running on

0:14:58.400 --> 0:15:00.200
<v Speaker 1>your phone. We'd love it to get the no we

0:15:00.240 --> 0:15:00.640
<v Speaker 1>wanted to be.

0:15:00.800 --> 0:15:01.320
<v Speaker 2>We want it to.

0:15:01.440 --> 0:15:03.640
<v Speaker 1>Let's let's all rally, let's all watch it. It would be

0:15:03.640 --> 0:15:06.360
<v Speaker 1>awesome for it to, like, you know, be one of

0:15:06.360 --> 0:15:09.440
<v Speaker 1>the hot comedy specials coming out on Netflix. I'm so

0:15:09.560 --> 0:15:12.800
<v Speaker 1>excited to see it. What are you calling it? It's

0:15:12.840 --> 0:15:15.400
<v Speaker 1>called night Owl. Okay, I thought that's what I thought,

0:15:15.400 --> 0:15:17.560
<v Speaker 1>but I didn't want to say the wrong thing. Night Owl,

0:15:18.520 --> 0:15:22.560
<v Speaker 1>Lisa Tragger exciting. I can't wait. So yeah, this comes

0:15:22.600 --> 0:15:24.240
<v Speaker 1>out the thirty first, so it'll be coming out like

0:15:24.320 --> 0:15:27.520
<v Speaker 1>four weeks later. Okay, Well that's so great. All right,

0:15:27.560 --> 0:15:32.600
<v Speaker 1>should we get started? Well, I guess I should say,

0:15:32.640 --> 0:15:34.200
<v Speaker 1>you know, like, happy New Year.

0:15:34.360 --> 0:15:40.440
<v Speaker 2>I hope it's fun, chill, safe, positive and yeah.

0:15:39.680 --> 0:15:42.320
<v Speaker 1>And yeah, hopefully you're listening to this while you get

0:15:42.400 --> 0:15:44.440
<v Speaker 1>ready to go out to a fun party or you

0:15:44.480 --> 0:15:46.680
<v Speaker 1>get ready to sit your ass on the couch and

0:15:46.840 --> 0:15:47.920
<v Speaker 1>just do nothing.

0:15:48.160 --> 0:15:50.680
<v Speaker 2>And uh yeah, thanks.

0:15:50.480 --> 0:15:53.560
<v Speaker 1>For another year of listening to our pod and being

0:15:53.640 --> 0:15:56.880
<v Speaker 1>cool and you guys are the best. I don't know,

0:15:56.920 --> 0:16:01.360
<v Speaker 1>I don't have any resolutions stacked up yet. No, it's

0:16:01.440 --> 0:16:05.680
<v Speaker 1>only surviving. Yeah, yeah, survival, that's all we're trying to do.

0:16:05.960 --> 0:16:08.960
<v Speaker 2>Then getting it in. But happy new Year to all

0:16:09.000 --> 0:16:09.200
<v Speaker 2>of you.

0:16:10.200 --> 0:16:13.760
<v Speaker 1>Yes, done done, Happy New Year to all.

0:16:14.680 --> 0:16:16.560
<v Speaker 2>And then let's get started with today's epp.

0:16:20.760 --> 0:16:27.520
<v Speaker 1>Okay, we are doing today nationwide Manhunt, which is season seventeen,

0:16:27.600 --> 0:16:33.920
<v Speaker 1>episode fourteen, and does connect to two episodes we covered recently,

0:16:34.000 --> 0:16:37.000
<v Speaker 1>Devil's Dissections and criminal Pathology.

0:16:37.160 --> 0:16:40.640
<v Speaker 2>So if you're glad you have those long fucking war enlightenings.

0:16:40.680 --> 0:16:44.680
<v Speaker 2>That's too many words for only three episodes, and they're

0:16:44.680 --> 0:16:46.800
<v Speaker 2>not in a row, right, they like bounced around? No,

0:16:46.880 --> 0:16:49.000
<v Speaker 2>they know, like those are at the beginning of the season,

0:16:49.080 --> 0:16:49.560
<v Speaker 2>I think.

0:16:49.600 --> 0:16:53.240
<v Speaker 1>And then now we're like, you know, like fourteen episode,

0:16:53.240 --> 0:16:57.720
<v Speaker 1>thirteen episodes later or something, and we're following up and yes,

0:16:58.200 --> 0:17:01.440
<v Speaker 1>Lisa did right in our it's Hulu thirteen.

0:17:01.720 --> 0:17:04.000
<v Speaker 2>Ugh, because if you watch on Hulu.

0:17:04.080 --> 0:17:06.960
<v Speaker 1>They make The Devil's dis Sections of Criminal Pathology one episode,

0:17:07.000 --> 0:17:09.560
<v Speaker 1>so these are all off but this is episode fourteen.

0:17:09.680 --> 0:17:12.879
<v Speaker 2>Just check if you're watching on Hulu anyway. We have

0:17:13.080 --> 0:17:16.760
<v Speaker 2>done the episode the next yes, yeah, we have Doank

0:17:16.800 --> 0:17:18.160
<v Speaker 2>Abraham one pip A Coox.

0:17:18.280 --> 0:17:20.320
<v Speaker 1>Oh, and the one after this is also yeah, so

0:17:20.359 --> 0:17:22.000
<v Speaker 1>if you start watching that, you'll be like, they already

0:17:22.040 --> 0:17:22.679
<v Speaker 1>did this one.

0:17:23.320 --> 0:17:27.280
<v Speaker 2>Seventeen has a lot. Wanna say, I've watched this one.

0:17:27.320 --> 0:17:30.240
<v Speaker 2>I feel like so much because I watched it to

0:17:30.280 --> 0:17:35.040
<v Speaker 2>get ready for What's Muggsy Caine? What's Kevin Kane? Yeah,

0:17:35.119 --> 0:17:38.160
<v Speaker 2>so that's like his handle, so like so like I've

0:17:38.160 --> 0:17:39.919
<v Speaker 2>watched it for him, and then we had Rudnick on.

0:17:40.160 --> 0:17:42.359
<v Speaker 2>I watched all of his episodes. So I feel like

0:17:42.560 --> 0:17:44.800
<v Speaker 2>for some reason, I have watched this so much that

0:17:45.240 --> 0:17:47.240
<v Speaker 2>I was second guessing when I put it on. I

0:17:47.320 --> 0:17:49.439
<v Speaker 2>was like, yeah, I already do this, or do we

0:17:49.480 --> 0:17:53.560
<v Speaker 2>make a huge mistake? But that's done. It not so weird.

0:17:53.840 --> 0:17:57.000
<v Speaker 2>We have a great guest too, It's kind of exciting. Yeah,

0:17:57.160 --> 0:18:00.439
<v Speaker 2>I feel like I've zmed with our guests. When the

0:18:00.720 --> 0:18:03.480
<v Speaker 2>like our podcast was episode one or two, Like, yeah,

0:18:03.480 --> 0:18:05.960
<v Speaker 2>one of the first people we talked to online and

0:18:06.000 --> 0:18:07.879
<v Speaker 2>I can't believe the time has come. But yes, the

0:18:07.920 --> 0:18:08.600
<v Speaker 2>time has come.

0:18:08.920 --> 0:18:12.320
<v Speaker 1>But also I feel like there's a weird Mandela effect

0:18:12.440 --> 0:18:15.840
<v Speaker 1>or something with our podcast where people will be like,

0:18:16.520 --> 0:18:18.680
<v Speaker 1>I feel like you've covered this episode. Haven't you covered

0:18:18.720 --> 0:18:21.040
<v Speaker 1>this episode? And I'm like, we haven't. You know, it's

0:18:21.080 --> 0:18:23.480
<v Speaker 1>like when you think you can't believe it's Barren Stain

0:18:23.600 --> 0:18:26.200
<v Speaker 1>Bears instead of Berenstein Bear, you know, like, I don't

0:18:26.200 --> 0:18:29.320
<v Speaker 1>know Mandela effect, but that happens a lot. But this

0:18:29.520 --> 0:18:33.080
<v Speaker 1>is Yeah, this is a good one.

0:18:33.119 --> 0:18:35.960
<v Speaker 2>So a lot of heavy hitters, a lot of crossover.

0:18:36.200 --> 0:18:39.880
<v Speaker 2>I mean, it's really like a busy episode so much.

0:18:39.920 --> 0:18:42.840
<v Speaker 2>In fact, it is a Chicago PD crossover. So I do.

0:18:42.960 --> 0:18:45.359
<v Speaker 1>I will give you guys the full synopsis at the

0:18:45.440 --> 0:18:48.320
<v Speaker 1>end of the Charicago PED episode very quickly. Not a

0:18:48.320 --> 0:18:51.639
<v Speaker 1>full recap, but so this episode, we open on the

0:18:51.720 --> 0:18:54.679
<v Speaker 1>kitchen of someone who has been hard at work. Okay,

0:18:54.720 --> 0:18:57.040
<v Speaker 1>my kitchen does not look like this. The counter is

0:18:57.280 --> 0:19:00.439
<v Speaker 1>covered in an ingredients, sauce is spilled, spices are returned.

0:19:00.720 --> 0:19:04.000
<v Speaker 2>Someone is pulling all my I do have to say,

0:19:04.119 --> 0:19:06.280
<v Speaker 2>you know, how I mentioned the dish podcasts and how

0:19:06.320 --> 0:19:08.200
<v Speaker 2>I was like, love you. We've been getting a lot

0:19:08.200 --> 0:19:10.520
<v Speaker 2>of comments from listeners. I love it. I've been getting

0:19:10.560 --> 0:19:13.720
<v Speaker 2>all these messages. This broadcaster someone wrote to me. They're

0:19:13.760 --> 0:19:15.600
<v Speaker 2>like the way you talked about him. I looked him up.

0:19:15.640 --> 0:19:18.159
<v Speaker 2>He's a national treasure. He has over a million followers.

0:19:18.560 --> 0:19:23.520
<v Speaker 2>He's like Britain's little broadcasting angel with the BBC for decades.

0:19:23.560 --> 0:19:26.159
<v Speaker 2>And I was like, oh, who's this little podcaster? It

0:19:26.480 --> 0:19:29.399
<v Speaker 2>was this guy. I think it's because she has all

0:19:29.400 --> 0:19:32.720
<v Speaker 2>these Michelin stars and she's doing the cooking that and

0:19:32.720 --> 0:19:34.280
<v Speaker 2>and it's because the way he talked about it, but

0:19:34.320 --> 0:19:36.639
<v Speaker 2>it just shows that parents are crazy. But that he

0:19:36.720 --> 0:19:38.520
<v Speaker 2>was just saying on one of the episodes how his

0:19:38.600 --> 0:19:40.760
<v Speaker 2>parents are like when are you gonna get a real job?

0:19:40.920 --> 0:19:42.840
<v Speaker 2>You know you just talking to a mic and so

0:19:42.920 --> 0:19:45.800
<v Speaker 2>I assumed he was like early in his career. But yeah,

0:19:45.840 --> 0:19:49.399
<v Speaker 2>he's like very very well known, very well known. So

0:19:49.520 --> 0:19:50.679
<v Speaker 2>that's embarrassing for me.

0:19:51.000 --> 0:19:53.120
<v Speaker 1>Well, I got to listen to that because or watch

0:19:53.160 --> 0:19:56.880
<v Speaker 1>the shorts. I guess everybody is so into it that has.

0:19:56.800 --> 0:19:57.520
<v Speaker 2>Been writing us.

0:19:57.600 --> 0:20:00.920
<v Speaker 1>But anyway, these people they should have next, they should

0:20:00.920 --> 0:20:03.040
<v Speaker 1>have this next character on their podcast, because she is

0:20:03.080 --> 0:20:06.360
<v Speaker 1>pulling a delicious lasagna out of the oven. And when

0:20:06.400 --> 0:20:08.520
<v Speaker 1>we get a look at her, it is none other

0:20:09.080 --> 0:20:14.720
<v Speaker 1>than Bronwyn Freed, who we you remember her as Bronwin Freed.

0:20:14.960 --> 0:20:17.440
<v Speaker 1>Now she's Bronwin Freed Wilkins. We'll get into it later

0:20:17.640 --> 0:20:19.920
<v Speaker 1>and you may remember her. We met her in season fifteen.

0:20:20.400 --> 0:20:23.359
<v Speaker 1>She was a juror on the William Lewis case. Who

0:20:23.359 --> 0:20:25.280
<v Speaker 1>that who clearly they've done this on us for you

0:20:25.320 --> 0:20:28.600
<v Speaker 1>a bunch of times, but like clearly is entering into

0:20:28.640 --> 0:20:32.560
<v Speaker 1>a flirtation with William Lewis in the courtroom, then corresponds

0:20:32.560 --> 0:20:37.639
<v Speaker 1>with him from in prison, then sneaks him propranolol frosted

0:20:37.720 --> 0:20:41.560
<v Speaker 1>cupcakes which help him escape, and then she later testifies

0:20:41.600 --> 0:20:44.880
<v Speaker 1>against Benson's use of force against William Lewis. Like she's

0:20:44.880 --> 0:20:48.840
<v Speaker 1>a real pick me girl, and she literally, I think,

0:20:48.920 --> 0:20:51.239
<v Speaker 1>is up there with Bing Bang Bong as like one

0:20:51.240 --> 0:20:54.919
<v Speaker 1>of the most hated SCU characters you know, and she

0:20:55.640 --> 0:20:59.040
<v Speaker 1>you will remember that at the end of Criminal Pathology,

0:20:59.200 --> 0:21:01.919
<v Speaker 1>she's just sitting in the courtroom when Rudnick is getting

0:21:01.960 --> 0:21:05.080
<v Speaker 1>his entering his plea or getting his guilty verdict. At

0:21:05.119 --> 0:21:07.560
<v Speaker 1>the very end of this of the episode, she's just

0:21:07.640 --> 0:21:10.320
<v Speaker 1>at the trial as a spectator, like nodding along. So

0:21:10.359 --> 0:21:13.440
<v Speaker 1>you're like, hm, why, like why they're planting a seed

0:21:13.440 --> 0:21:17.960
<v Speaker 1>baby for season episode fourteen. So now she's baking lasagna

0:21:18.320 --> 0:21:21.399
<v Speaker 1>and she's obviously up to no good because this is SBU.

0:21:21.440 --> 0:21:23.159
<v Speaker 1>It's not top chef, Like, we're not just watching a

0:21:23.200 --> 0:21:26.159
<v Speaker 1>woman bake a lasagna for fun. We see her place

0:21:26.480 --> 0:21:28.919
<v Speaker 1>a fat stack of cash in a ziploc bag and

0:21:28.920 --> 0:21:31.360
<v Speaker 1>then tuck it into the lasagna like on the bottom.

0:21:31.720 --> 0:21:34.359
<v Speaker 1>She does the same for a flip phone, some tiny

0:21:34.400 --> 0:21:37.080
<v Speaker 1>little saws, and then paint brushes.

0:21:37.160 --> 0:21:38.320
<v Speaker 2>I mean, this is her whole night.

0:21:38.400 --> 0:21:41.840
<v Speaker 1>This lady is having a time like uh and they

0:21:41.920 --> 0:21:42.639
<v Speaker 1>had an edible.

0:21:43.320 --> 0:21:44.560
<v Speaker 2>Yeah, yeah, she had an edible.

0:21:44.600 --> 0:21:47.159
<v Speaker 1>She's probably got a podcast on, and she is making

0:21:47.160 --> 0:21:50.359
<v Speaker 1>a little lasagna filled with treats. So we cut to

0:21:50.400 --> 0:21:53.080
<v Speaker 1>Benson on the phone with the Chicago PD guy with

0:21:53.160 --> 0:21:55.440
<v Speaker 1>like the insanely gravelly voice named.

0:21:55.320 --> 0:21:57.440
<v Speaker 2>Voight who's always like Benson, you.

0:21:57.400 --> 0:22:01.359
<v Speaker 1>Know, and she's telling him, oh, well, Yates is saying

0:22:01.400 --> 0:22:03.359
<v Speaker 1>he can id some of the bones that we found

0:22:03.359 --> 0:22:06.080
<v Speaker 1>in Pelham Bay, and he's saying that they're Midwestern runaways

0:22:06.600 --> 0:22:09.000
<v Speaker 1>and he wants to talk to Rollins about it, but

0:22:09.040 --> 0:22:11.639
<v Speaker 1>Benson's like, I don't want her my bestie playing Chlorice

0:22:11.680 --> 0:22:14.960
<v Speaker 1>Starling anymore. And basically she's like, so could you send

0:22:15.000 --> 0:22:18.960
<v Speaker 1>your hot detective over here aka Aaron Lindsay who is

0:22:19.080 --> 0:22:22.679
<v Speaker 1>Sophia Bush of One Tree Hill Fame and now Chicago

0:22:22.760 --> 0:22:26.119
<v Speaker 1>p D Fame. I guess, And she still hasn't forgiven

0:22:26.160 --> 0:22:29.960
<v Speaker 1>herself for what Yates did to Nadia. If you'll remember

0:22:30.119 --> 0:22:33.320
<v Speaker 1>from the episode day Dream a lot of yeah, this

0:22:33.520 --> 0:22:36.560
<v Speaker 1>is really yeah. If you guys remember the episode where

0:22:36.600 --> 0:22:39.879
<v Speaker 1>we talked to Dallas Roberts, who plays Gregory Yates, is

0:22:39.880 --> 0:22:43.880
<v Speaker 1>called Daydream Believer, and that was another Chicago ped crossover

0:22:43.920 --> 0:22:46.359
<v Speaker 1>where he takes a Chicago PD gal, drives her to

0:22:46.400 --> 0:22:48.520
<v Speaker 1>New York, murders her, and then we find out that

0:22:48.560 --> 0:22:50.280
<v Speaker 1>he's like killed all these other people in New York

0:22:50.320 --> 0:22:52.560
<v Speaker 1>as well. But he's been this guy's been bopping back

0:22:52.560 --> 0:22:55.320
<v Speaker 1>and forth from Chicago, Chicago to New York, just killing

0:22:55.320 --> 0:22:58.840
<v Speaker 1>people everywhere. And so now he's you know, offering them

0:22:58.840 --> 0:23:01.879
<v Speaker 1>info and Ben's like, Okay, well, why don't you use

0:23:01.920 --> 0:23:04.320
<v Speaker 1>your detective's trauma to get her to talk to Yates

0:23:04.320 --> 0:23:06.280
<v Speaker 1>and see if she can, like you know, use her,

0:23:06.720 --> 0:23:08.640
<v Speaker 1>use her trauma to get more info out of him.

0:23:08.880 --> 0:23:11.320
<v Speaker 1>So now we cut to Lindsay in a cab and

0:23:11.720 --> 0:23:14.720
<v Speaker 1>he wasted no time sending her to New York. And

0:23:15.560 --> 0:23:18.440
<v Speaker 1>don't worry, she is not alone. She's with Detective Antonio

0:23:18.520 --> 0:23:21.600
<v Speaker 1>Dawson as well, and she's having flashbacks the whole time

0:23:21.600 --> 0:23:23.800
<v Speaker 1>about her friendship with Nadia. Just in case you are

0:23:23.800 --> 0:23:26.520
<v Speaker 1>watching and you don't know what's going on. She's like

0:23:26.600 --> 0:23:29.919
<v Speaker 1>remembering how they found Nadia. I think I think Nadia

0:23:29.960 --> 0:23:33.320
<v Speaker 1>has a similar backstory to Lindsay, where she came from

0:23:33.520 --> 0:23:36.119
<v Speaker 1>the street and was brought on to start.

0:23:35.880 --> 0:23:37.000
<v Speaker 2>Working at the police department.

0:23:37.359 --> 0:23:41.160
<v Speaker 1>So anyway, we cut to green Haven Correctional Facility, which

0:23:41.200 --> 0:23:42.280
<v Speaker 1>is a real prison.

0:23:42.440 --> 0:23:44.320
<v Speaker 2>I feel like, yeah, they do use real prisons.

0:23:44.320 --> 0:23:47.080
<v Speaker 1>It's a real prison where Yates is looking at photos

0:23:47.119 --> 0:23:49.960
<v Speaker 1>of bones and you know, obviously looking horny as hell,

0:23:50.040 --> 0:23:52.879
<v Speaker 1>Like as soon as he sees any dead body torture pictures,

0:23:52.880 --> 0:23:55.679
<v Speaker 1>he's like, oh my god, he's so hot for it.

0:23:55.800 --> 0:23:57.840
<v Speaker 1>He says, the girls were driven from Chicago.

0:23:58.160 --> 0:24:00.760
<v Speaker 2>That's actually how he got found Gil right, didn't he

0:24:00.800 --> 0:24:03.080
<v Speaker 2>get too horny on the stand looking at the mountain?

0:24:03.080 --> 0:24:05.960
<v Speaker 1>They basically yeah, they basically.

0:24:05.520 --> 0:24:07.359
<v Speaker 2>Lured him the slam dunk.

0:24:07.680 --> 0:24:10.520
<v Speaker 1>Yeah, they lured his hormone monster out of him with

0:24:10.640 --> 0:24:13.800
<v Speaker 1>like photos of tortured dead girls and he was like, yes,

0:24:14.480 --> 0:24:18.600
<v Speaker 1>so that is the big slim dunk. And he says

0:24:18.600 --> 0:24:20.679
<v Speaker 1>the girls from Chica were driven were you know, the

0:24:20.680 --> 0:24:22.480
<v Speaker 1>way he talks when he's talking to the cops is

0:24:22.520 --> 0:24:24.840
<v Speaker 1>all like hypothetical. He's like, well, yeah, these girls were

0:24:24.840 --> 0:24:29.280
<v Speaker 1>probably driven from Chicago to he says that bleak Bronx boneyard,

0:24:29.400 --> 0:24:31.680
<v Speaker 1>and I like the alliteration. I mean you can say

0:24:31.680 --> 0:24:33.840
<v Speaker 1>that a lot of times fast, like bleak Bronx Boneyard.

0:24:34.480 --> 0:24:37.760
<v Speaker 1>And he's like, isn't that where they found your friend Nadia?

0:24:37.920 --> 0:24:41.760
<v Speaker 1>Like he's immediately trolling Aaron Lindsay. Dawson's like okay, dude,

0:24:41.800 --> 0:24:43.480
<v Speaker 1>like we heard you had info. Cough it up, and

0:24:43.520 --> 0:24:45.679
<v Speaker 1>he's just like fucking with them. He's like, yeah, you

0:24:45.680 --> 0:24:48.080
<v Speaker 1>want to know about bodies, how they get there, what

0:24:48.240 --> 0:24:50.520
<v Speaker 1>happened to them. And then they show him a bunch

0:24:50.560 --> 0:24:53.000
<v Speaker 1>of pictures of young girls, which, of course, as we said,

0:24:53.280 --> 0:24:55.000
<v Speaker 1>the horny, the horniness.

0:24:54.600 --> 0:24:55.399
<v Speaker 2>Rises up again.

0:24:55.840 --> 0:24:57.840
<v Speaker 1>He says, well, they probably didn't look like this when

0:24:57.880 --> 0:25:00.280
<v Speaker 1>their killer met them, when they were at a truck's stop,

0:25:00.320 --> 0:25:03.400
<v Speaker 1>pouring themselves out for cocaine, and I like, I don't

0:25:03.440 --> 0:25:09.000
<v Speaker 1>remember Yates having this like sir vibe. Yeah, exactly, like

0:25:09.040 --> 0:25:11.080
<v Speaker 1>a moral high ground. Like I thought he just kind

0:25:11.080 --> 0:25:13.480
<v Speaker 1>of killed because he was like a lust killer and

0:25:13.800 --> 0:25:15.359
<v Speaker 1>like they compare him to Ted Bundy a lot. I

0:25:15.359 --> 0:25:17.800
<v Speaker 1>didn't think he was, Like I disagree with their lifestyle,

0:25:17.920 --> 0:25:21.600
<v Speaker 1>so I'm gonna kill them. But he talks, he's trolling

0:25:21.680 --> 0:25:23.960
<v Speaker 1>eron again, going you must know the power of addiction,

0:25:24.560 --> 0:25:26.760
<v Speaker 1>and he says, Nadia told me all about you, how

0:25:26.840 --> 0:25:28.959
<v Speaker 1>Voight took you off the street and mentored you. And

0:25:29.000 --> 0:25:31.000
<v Speaker 1>Lindsay's like, okay, fuck this, we're out of here. This

0:25:31.040 --> 0:25:33.840
<v Speaker 1>guy's not giving us anything. And he's like, tell the warrant.

0:25:33.840 --> 0:25:37.000
<v Speaker 1>I'd be much more comfy with Detective Rollins. But they're like,

0:25:37.160 --> 0:25:39.919
<v Speaker 1>he's she's not coming up here, and he goes, she

0:25:40.040 --> 0:25:42.800
<v Speaker 1>must have had her baby by now. I mean the

0:25:42.880 --> 0:25:45.720
<v Speaker 1>way he lights up like it's his own child having

0:25:45.720 --> 0:25:47.040
<v Speaker 1>a baby and he's going to be a grandpa.

0:25:47.119 --> 0:25:49.520
<v Speaker 2>He's like, oh, is it a boy or a girl?

0:25:49.560 --> 0:25:52.480
<v Speaker 1>He's like so excited and it's so creepy how excited

0:25:52.520 --> 0:25:54.600
<v Speaker 1>he is, Like this Dallas Roberts is a great actor,

0:25:54.960 --> 0:25:57.720
<v Speaker 1>and he's like, well, if you want closure for these families,

0:25:57.840 --> 0:26:02.000
<v Speaker 1>get Rollins here by tomorrow. So he's got a deadline. Okay,

0:26:02.040 --> 0:26:07.680
<v Speaker 1>he wants to talk to this new mom bad. Now

0:26:07.680 --> 0:26:11.840
<v Speaker 1>we're at the credits and at the precinct. Rollins is like,

0:26:12.240 --> 0:26:14.200
<v Speaker 1>I told you I should have gone, like, I'm the

0:26:14.280 --> 0:26:17.680
<v Speaker 1>Yates whisperer, and it's the whole gang. It's Rowins, Benson, Careese,

0:26:17.800 --> 0:26:20.960
<v Speaker 1>Baby Dodds, plus our two Chicago PD gal and guy,

0:26:21.240 --> 0:26:24.359
<v Speaker 1>Lindsay and Dawson. They're like, we've got four women. So

0:26:24.520 --> 0:26:27.760
<v Speaker 1>stupid to have another Dawson in television. There's only one

0:26:27.840 --> 0:26:30.440
<v Speaker 1>Dawson and he lives on a creek, you know what

0:26:30.480 --> 0:26:30.800
<v Speaker 1>I mean.

0:26:31.000 --> 0:26:33.880
<v Speaker 2>It's like crazy that they would do this, so true.

0:26:33.960 --> 0:26:38.000
<v Speaker 1>Stop and Aaron. Lindsay is two first names. It's very

0:26:38.240 --> 0:26:39.639
<v Speaker 1>she has a very hot girl. That's a very hot

0:26:39.680 --> 0:26:43.720
<v Speaker 1>girl name, I feel. But we have four women who

0:26:43.760 --> 0:26:47.200
<v Speaker 1>went missing around the time that Yates was living in Chicago,

0:26:47.680 --> 0:26:49.639
<v Speaker 1>and one of the girls was actually a patient at

0:26:49.640 --> 0:26:52.320
<v Speaker 1>his urgent care. And Lindsay's like, well he seemed to

0:26:52.320 --> 0:26:54.120
<v Speaker 1>recognize her. I'm like, I don't know. He was kind

0:26:54.119 --> 0:26:56.320
<v Speaker 1>of getting a mutual boner for all of the women

0:26:56.320 --> 0:26:56.800
<v Speaker 1>in the photos.

0:26:56.840 --> 0:26:58.320
<v Speaker 2>I never really saw any recognition.

0:26:58.359 --> 0:27:01.040
<v Speaker 1>But Dodds is like, but he's a pealing his cases,

0:27:01.080 --> 0:27:02.800
<v Speaker 1>like why would he confess to more crimes?

0:27:03.000 --> 0:27:03.960
<v Speaker 2>And Rollins is like.

0:27:03.920 --> 0:27:07.080
<v Speaker 1>You guys are fucking idiots, Like only I know how

0:27:07.080 --> 0:27:10.159
<v Speaker 1>to handle serial killers. He never confesses. You got to

0:27:10.240 --> 0:27:13.119
<v Speaker 1>keep the conversation hypothetical. And then he fills in the rest.

0:27:13.320 --> 0:27:16.399
<v Speaker 1>I mean, she's acting like it's she's like a full

0:27:16.880 --> 0:27:19.000
<v Speaker 1>like profiler. It's like, I don't really think that's that

0:27:19.320 --> 0:27:22.400
<v Speaker 1>crazy of a tactic. Benson could probably do it too.

0:27:22.720 --> 0:27:25.240
<v Speaker 1>So Benson caves and is like, fine, Rowins can go,

0:27:25.320 --> 0:27:27.720
<v Speaker 1>but Caries you're going with. And Rolinds was like, no,

0:27:27.840 --> 0:27:31.160
<v Speaker 1>let me go alone, and Benson's like no, like we've

0:27:31.200 --> 0:27:33.679
<v Speaker 1>all got like his number. It's fine, we can other

0:27:33.720 --> 0:27:36.119
<v Speaker 1>people can go too. So now we're at green Haven

0:27:36.840 --> 0:27:40.160
<v Speaker 1>and it's actually Rudnik. We see Rudnick and another inmate

0:27:40.600 --> 0:27:42.400
<v Speaker 1>sitting in a and if you'll remember, at the very

0:27:42.440 --> 0:27:45.920
<v Speaker 1>end of Criminal Pathology, Yates walks up to I'm sorry,

0:27:46.000 --> 0:27:48.919
<v Speaker 1>Rudnick walks up to Yates in the cafeteria. So we

0:27:49.000 --> 0:27:52.959
<v Speaker 1>see these two like reconnect. And now Rudnick is sitting

0:27:53.040 --> 0:27:56.040
<v Speaker 1>in with another inmate in a small group therapy session

0:27:56.040 --> 0:27:59.600
<v Speaker 1>and they're talking about navigating interpersonal conflict without anger or violence,

0:28:00.040 --> 0:28:03.920
<v Speaker 1>and uh, look who's leading the fucking group. It's Bronwyn baby.

0:28:04.440 --> 0:28:08.040
<v Speaker 1>She is like quietly therapizing that, like talking in a

0:28:08.119 --> 0:28:11.840
<v Speaker 1>very gentle like everybody turned to your partner, and Rudnick

0:28:11.880 --> 0:28:14.320
<v Speaker 1>and the other inmate, Jose, are talking about how they

0:28:14.359 --> 0:28:16.600
<v Speaker 1>worked through a problem with one another. It's like they're

0:28:16.680 --> 0:28:19.400
<v Speaker 1>kind of making a like at first, I was like forgetting.

0:28:20.119 --> 0:28:22.199
<v Speaker 1>I was forgetting like the plot of this episode, and

0:28:22.280 --> 0:28:24.480
<v Speaker 1>was like are they hooking up? Like why are they

0:28:24.480 --> 0:28:27.679
<v Speaker 1>having this conflict? And then she pairs them off so

0:28:27.720 --> 0:28:30.760
<v Speaker 1>that they can sense one another's emotions, and then Yates

0:28:30.760 --> 0:28:32.560
<v Speaker 1>walks in and he's like, sorry, I'm late. I was

0:28:32.560 --> 0:28:35.240
<v Speaker 1>in the law library. There's just so many inmates here

0:28:35.240 --> 0:28:38.400
<v Speaker 1>who need my help. Like he's this like benefactor at

0:28:38.400 --> 0:28:43.360
<v Speaker 1>the jail, at the prison. And Yates intimidates Jose, the

0:28:43.400 --> 0:28:46.560
<v Speaker 1>other inmate, into skdaddling so that he can be Rudnik's

0:28:46.560 --> 0:28:51.200
<v Speaker 1>empathy partner, and then Yates asks, so is missus Wilkins

0:28:51.200 --> 0:28:54.800
<v Speaker 1>still bringing you those deep lasagna pans and Rudnick's like,

0:28:54.920 --> 0:28:58.280
<v Speaker 1>that's not your concern, and Yeates is like, yes, it is,

0:28:58.320 --> 0:29:01.800
<v Speaker 1>because you just can't beat home cooking. So what's going

0:29:01.840 --> 0:29:05.680
<v Speaker 1>on between these two, let's find out. Now Outside of Greenhaven,

0:29:05.720 --> 0:29:07.760
<v Speaker 1>the cops are meeting with the warden, who is Anna

0:29:07.800 --> 0:29:10.960
<v Speaker 1>Devere Smith, who I love. I think I studied her

0:29:11.000 --> 0:29:14.640
<v Speaker 1>in college because she's like a performance artist. And she

0:29:14.760 --> 0:29:16.880
<v Speaker 1>also people know her from the West Wing. I know

0:29:17.000 --> 0:29:20.400
<v Speaker 1>her as Acolitis in Nurse Jackie. She's like the president

0:29:20.440 --> 0:29:22.440
<v Speaker 1>of the hospital in Nurse Jackie, who's always like a

0:29:22.520 --> 0:29:25.960
<v Speaker 1>thorn in Jackie's side. And she's a member of the Academy.

0:29:26.000 --> 0:29:28.440
<v Speaker 1>Excuse me, she's been voted into the Academy. I just

0:29:28.440 --> 0:29:31.280
<v Speaker 1>saw that when I was glancing at her Wikipedia. So

0:29:31.320 --> 0:29:35.000
<v Speaker 1>she's taking Rollin's and cares to get, like, you know,

0:29:35.080 --> 0:29:37.080
<v Speaker 1>on a little walk and talk and telling them, Yah,

0:29:37.160 --> 0:29:38.960
<v Speaker 1>Yates has been well behaved.

0:29:38.960 --> 0:29:41.000
<v Speaker 2>He volunteers, he's a model inmate.

0:29:41.520 --> 0:29:44.160
<v Speaker 1>And Cariese's like, that's kind of strange for a guy

0:29:44.160 --> 0:29:46.160
<v Speaker 1>who's never getting parole, right, she goes, I don't know.

0:29:46.200 --> 0:29:48.200
<v Speaker 1>Sometimes the lifers get zen and try to make the

0:29:48.200 --> 0:29:50.680
<v Speaker 1>best of it, or they want to get a transfer upstate.

0:29:51.200 --> 0:29:56.160
<v Speaker 1>So now CARESI tells Rolins like see he chomed the Warden,

0:29:56.240 --> 0:29:59.440
<v Speaker 1>classic sociopath classic, and dude, it's like, this is why

0:29:59.480 --> 0:30:01.240
<v Speaker 1>she won't sleep with you, Like she knows you don't

0:30:01.240 --> 0:30:04.200
<v Speaker 1>need to. Man's plain serial killers to this mindhunter bitch,

0:30:04.240 --> 0:30:05.800
<v Speaker 1>you know, like she you don't need to be Like

0:30:05.960 --> 0:30:09.280
<v Speaker 1>see Rollins, here's what you don't get. He's he's charming people.

0:30:09.320 --> 0:30:11.640
<v Speaker 1>It's like, yeah, that's like Ted Bundy one oh one.

0:30:12.200 --> 0:30:17.200
<v Speaker 1>So Yates sees Rollins and immediately says motherhood becomes you

0:30:17.320 --> 0:30:19.680
<v Speaker 1>and ask asks how did you lose the baby weight

0:30:19.800 --> 0:30:21.920
<v Speaker 1>so fast? Like it's gross, And then he's telling her

0:30:22.160 --> 0:30:25.080
<v Speaker 1>you're glowing? Are you breastfeeding? Like why, I don't know.

0:30:25.120 --> 0:30:28.920
<v Speaker 1>It's such an icky, like gross extra thing about him

0:30:28.920 --> 0:30:31.720
<v Speaker 1>that he's obsessed with pregnancy, you know. And because it's

0:30:31.720 --> 0:30:34.560
<v Speaker 1>not like he's yeah, he's not like a pedophile or anything.

0:30:34.600 --> 0:30:37.960
<v Speaker 2>He's just like a perv. And then like he like

0:30:37.960 --> 0:30:41.720
<v Speaker 2>explaining games and so it's like a way to fuck

0:30:41.760 --> 0:30:46.400
<v Speaker 2>with people, and Rollins makes it feel unsafe and uneasy, yeah,

0:30:46.440 --> 0:30:49.560
<v Speaker 2>because they're so vulnerable, like man that he's in tune,

0:30:49.720 --> 0:30:51.920
<v Speaker 2>you know, he's he like felt that she was pregnant

0:30:51.920 --> 0:30:53.120
<v Speaker 2>before she even told anyone.

0:30:53.400 --> 0:30:56.560
<v Speaker 1>Yeah, he could like smell the pheromones or something like

0:30:56.600 --> 0:30:57.320
<v Speaker 1>a little freak.

0:30:57.800 --> 0:30:59.320
<v Speaker 2>Yeah, totally so gross.

0:30:59.760 --> 0:31:02.560
<v Speaker 1>So Carisi interrupts to be her white Knight, but she

0:31:02.760 --> 0:31:05.000
<v Speaker 1>calls him off. She's like, it's okay, Creesy, and then

0:31:05.040 --> 0:31:07.240
<v Speaker 1>she winks at Yates. I had to rewind it like

0:31:07.280 --> 0:31:10.960
<v Speaker 1>three times. She does a full wink at Yates. She's shameless, Okay,

0:31:11.640 --> 0:31:14.640
<v Speaker 1>I know she's using every tool in that slutty little.

0:31:14.480 --> 0:31:15.360
<v Speaker 2>Toolbox of hers.

0:31:15.760 --> 0:31:18.560
<v Speaker 1>And he he was like, I was hurt that you

0:31:18.600 --> 0:31:21.400
<v Speaker 1>tried to send the Chicago detectives in your place. And

0:31:21.440 --> 0:31:25.720
<v Speaker 1>then they give him more photos and again Boner City immediately,

0:31:26.240 --> 0:31:29.440
<v Speaker 1>and one woman he suggests, well, she might be out.

0:31:29.520 --> 0:31:30.400
<v Speaker 2>She's not in New York.

0:31:30.480 --> 0:31:32.600
<v Speaker 1>She might be out near a truck stop near where

0:31:32.640 --> 0:31:36.800
<v Speaker 1>she went missing, quote unquote, waiting in the weeds. So

0:31:37.040 --> 0:31:38.880
<v Speaker 1>this is how he gives his little hints where he

0:31:38.960 --> 0:31:42.320
<v Speaker 1>never confesses, but he gives you information. Others he says,

0:31:42.360 --> 0:31:45.200
<v Speaker 1>are possibly in Pelham Bay, but you know you have

0:31:45.280 --> 0:31:48.000
<v Speaker 1>to get to give It's very Hannibal Lecter Quinn pro

0:31:48.120 --> 0:31:52.520
<v Speaker 1>quot doctor. And he wants to be transferred to Honor Block,

0:31:52.680 --> 0:31:54.600
<v Speaker 1>which is what it sounds like. It's like where all

0:31:54.600 --> 0:31:58.040
<v Speaker 1>the goody goodies get to go in prison, and Dodds

0:31:58.240 --> 0:32:00.480
<v Speaker 1>is now they're talking to the whole gang. Dodds is like,

0:32:00.520 --> 0:32:02.160
<v Speaker 1>there's no way he's going to get honor block. He's

0:32:02.200 --> 0:32:05.160
<v Speaker 1>a serial killer. And Careesy, who they're face timing their

0:32:05.200 --> 0:32:09.000
<v Speaker 1>fast facetiming with Rollins and Creesy from Greenhaven, is like, well, actually,

0:32:09.040 --> 0:32:10.960
<v Speaker 1>once you get in here, like how you got here

0:32:10.960 --> 0:32:13.280
<v Speaker 1>doesn't really matter that much. Like they use honor Block

0:32:13.320 --> 0:32:17.320
<v Speaker 1>as a reward for good behavior, and he made a

0:32:17.360 --> 0:32:19.320
<v Speaker 1>show of good faith and told them about the girl

0:32:19.480 --> 0:32:22.600
<v Speaker 1>near the truck stop. This girl is named Shavon Kelly,

0:32:23.120 --> 0:32:27.680
<v Speaker 1>and he suggests that they check truck stops outside of Gary, Indiana.

0:32:27.840 --> 0:32:31.160
<v Speaker 1>So like, at least he's giving them closure on one victim,

0:32:31.440 --> 0:32:33.360
<v Speaker 1>but he's not going to give them more unless he's transferred.

0:32:33.400 --> 0:32:34.840
<v Speaker 2>So let's see if the warden will approve it.

0:32:35.240 --> 0:32:38.160
<v Speaker 1>And the warden goes, well, we can offer solitary and

0:32:38.160 --> 0:32:40.120
<v Speaker 1>they're like, well, Yanes is afraid he's going to go crazy,

0:32:40.120 --> 0:32:42.800
<v Speaker 1>And I'm like, why would solitary be a reward for anyone,

0:32:42.880 --> 0:32:45.240
<v Speaker 1>Like I think, isn't that where you go when you're

0:32:45.280 --> 0:32:46.680
<v Speaker 1>doing bad and they want you to keep you away

0:32:46.680 --> 0:32:48.320
<v Speaker 1>from everybody and make you go nuts and be friends

0:32:48.360 --> 0:32:50.280
<v Speaker 1>with a cockroach Like I don't know, I don't know

0:32:50.320 --> 0:32:51.960
<v Speaker 1>why they thought that. She thought that would be like

0:32:52.000 --> 0:32:56.120
<v Speaker 1>a counteroffer, but they thought of She's like, we actually

0:32:56.120 --> 0:32:56.440
<v Speaker 1>thought of.

0:32:56.440 --> 0:32:57.640
<v Speaker 2>Transferring him to Honor Block.

0:32:57.680 --> 0:32:59.800
<v Speaker 1>But Rudnick is there, and you know, I've heard they

0:32:59.840 --> 0:33:03.240
<v Speaker 1>have history, and then they start chatting about the history,

0:33:03.240 --> 0:33:05.760
<v Speaker 1>which we all know, and she goes, well, this could

0:33:05.760 --> 0:33:08.720
<v Speaker 1>be a ploy for Yates to get revenge on Rudnick,

0:33:09.280 --> 0:33:13.480
<v Speaker 1>and Rollins is like, listen, babe, if that's what Yates wanted,

0:33:13.600 --> 0:33:15.960
<v Speaker 1>it would have happened already. And the Warden's like, well,

0:33:16.000 --> 0:33:18.920
<v Speaker 1>we'll ask Rudnick about it, and Carsey goes, well, if

0:33:18.960 --> 0:33:21.960
<v Speaker 1>I may. He is my road trip best friend, and

0:33:22.160 --> 0:33:23.680
<v Speaker 1>I would love to talk to him and see if

0:33:23.680 --> 0:33:26.080
<v Speaker 1>I cannot, like you know, chat with him and see

0:33:26.080 --> 0:33:28.160
<v Speaker 1>if he'll go for this. So now we cut to

0:33:28.200 --> 0:33:31.920
<v Speaker 1>Rudnick and Cares strolling inside the prison. Rudnick is unbothered.

0:33:32.000 --> 0:33:34.440
<v Speaker 1>He's like, I'm not worried about Yates. I can handle

0:33:34.480 --> 0:33:38.000
<v Speaker 1>that pedestrian sociopath, which I love the way he talks.

0:33:38.440 --> 0:33:42.040
<v Speaker 1>Friend of the Pad Jefferson mays and cares clocks the

0:33:42.120 --> 0:33:45.240
<v Speaker 1>huge panel lasagna in rudnick cell but you know, doesn't

0:33:45.240 --> 0:33:47.840
<v Speaker 1>really think of anything about it. Like the camera kind

0:33:47.840 --> 0:33:50.320
<v Speaker 1>of finds this poster of Switzerland that's on the wall

0:33:50.360 --> 0:33:54.280
<v Speaker 1>as well, and Rudnick wants to know, like what leverage

0:33:54.280 --> 0:33:58.360
<v Speaker 1>did Yeates use to get his transfer, and Caresee's like, well,

0:33:58.400 --> 0:34:00.880
<v Speaker 1>you know, I can't tell you that, and Reudnick's I

0:34:00.920 --> 0:34:03.280
<v Speaker 1>hope you're not still eating bacon. You saw the World

0:34:03.360 --> 0:34:06.160
<v Speaker 1>Health Organization's study on that, and Careese says he did,

0:34:06.160 --> 0:34:07.760
<v Speaker 1>but there's no way he did. I just don't know

0:34:07.760 --> 0:34:10.880
<v Speaker 1>how Caresy is getting access to World Health Organization studies.

0:34:11.320 --> 0:34:12.759
<v Speaker 2>But he's like, yeah, yeah, I saw that.

0:34:12.840 --> 0:34:16.600
<v Speaker 1>I'm trying to cut back, and they shake hands, like

0:34:16.800 --> 0:34:18.920
<v Speaker 1>they shake hands like this man is not an absolute

0:34:18.960 --> 0:34:21.279
<v Speaker 1>cold blooded killer who I will remind everyone cut a

0:34:21.320 --> 0:34:24.839
<v Speaker 1>woman up while she was alive and thank you for

0:34:24.880 --> 0:34:27.560
<v Speaker 1>the reminder. Yeah, just so you know, it's like, we

0:34:27.640 --> 0:34:29.800
<v Speaker 1>do love the actor. He's very charming and the bacon

0:34:29.800 --> 0:34:32.200
<v Speaker 1>conbo is cute, but he is a cold blooded killer

0:34:32.640 --> 0:34:36.080
<v Speaker 1>and I guess the transfer went through, but it's too

0:34:36.120 --> 0:34:38.200
<v Speaker 1>late for them to talk to Yates again, and so

0:34:38.360 --> 0:34:40.520
<v Speaker 1>Rollins is like, I gotta go relieve my sitter, but

0:34:40.520 --> 0:34:42.480
<v Speaker 1>I'll be back first thing in the morning, and Benson's like,

0:34:42.520 --> 0:34:44.520
<v Speaker 1>no way, bitch, he got to talk to you from

0:34:44.520 --> 0:34:47.680
<v Speaker 1>now on. He talks to Benson and Careese's like, yeah,

0:34:47.680 --> 0:34:50.400
<v Speaker 1>she doesn't want you coming back up here, and Rollins's.

0:34:49.920 --> 0:34:53.240
<v Speaker 2>Like, why not. Why does everyone keep saying that I'm.

0:34:53.080 --> 0:34:56.080
<v Speaker 1>Just flirting and winking at a serial rapist and a brutal,

0:34:56.080 --> 0:35:00.960
<v Speaker 1>blood thirsty murderer, Like what's the problem. And Rollins tries

0:35:01.000 --> 0:35:03.960
<v Speaker 1>to compare like her Yates thing with Cariese's Rudnick thing,

0:35:04.000 --> 0:35:06.160
<v Speaker 1>and Rudnick's like, I just like talking to the guy,

0:35:06.239 --> 0:35:07.600
<v Speaker 1>Like it's a little bit different. I'm not like a

0:35:07.640 --> 0:35:12.200
<v Speaker 1>winking at him, you know, and spraying my pheromones all

0:35:12.200 --> 0:35:16.800
<v Speaker 1>around him for fun. So back inside the prison, Yeates

0:35:16.920 --> 0:35:19.560
<v Speaker 1>says hi to Rudnick on the way to his new cell,

0:35:19.800 --> 0:35:23.920
<v Speaker 1>and he references missus Wilkins again, calling her a miracle worker,

0:35:24.440 --> 0:35:27.600
<v Speaker 1>and Rudnick looks concerned and he's like, just so we're clear,

0:35:28.040 --> 0:35:30.840
<v Speaker 1>Yates says, I'm gonna be there when that miracle happens.

0:35:31.520 --> 0:35:34.040
<v Speaker 1>And I don't know how Yates even knows what's going

0:35:34.040 --> 0:35:35.560
<v Speaker 1>on with Bronwin, but we find that out later.

0:35:35.600 --> 0:35:37.560
<v Speaker 2>What I want to know, I mean, Yates can smell

0:35:37.600 --> 0:35:39.799
<v Speaker 2>if someone's pregnant. I think he could tell if there's

0:35:39.840 --> 0:35:41.719
<v Speaker 2>a plan being something going on.

0:35:41.840 --> 0:35:46.800
<v Speaker 1>That's true, that's true, but he reads Why did Rudnick

0:35:46.920 --> 0:35:50.440
<v Speaker 1>say yes? If Rudnick had just said no, Yates wouldn't

0:35:50.440 --> 0:35:52.480
<v Speaker 1>be bothering him, if he'd been like, oh, I can't no,

0:35:52.960 --> 0:35:54.799
<v Speaker 1>Like they went to Yate Rudnick and they were like,

0:35:54.880 --> 0:35:55.680
<v Speaker 1>is it okay with you?

0:35:55.719 --> 0:35:56.600
<v Speaker 2>If Yates comes here?

0:35:56.600 --> 0:35:59.000
<v Speaker 1>And he goes, yeah, I can handle that pedestrian psychopath

0:35:59.120 --> 0:36:01.399
<v Speaker 1>or whatever, And it's like, if you had just said no,

0:36:02.000 --> 0:36:04.560
<v Speaker 1>he wouldn't be in your grill and bothering you.

0:36:04.560 --> 0:36:04.759
<v Speaker 2>You know.

0:36:05.320 --> 0:36:07.880
<v Speaker 1>Yeah, that's why it's a little confusing. But because I

0:36:07.920 --> 0:36:09.840
<v Speaker 1>thought it was all they were all in on it together.

0:36:09.840 --> 0:36:11.680
<v Speaker 1>But you find out kind of later that it's not that, oh,

0:36:11.680 --> 0:36:14.560
<v Speaker 1>you're right, redneck is like, what you're here? But he

0:36:14.600 --> 0:36:17.960
<v Speaker 1>didn't Yeah, but you did say it was okay. So anyway,

0:36:18.719 --> 0:36:21.240
<v Speaker 1>top of that two, now it's Benson and baby Dodds

0:36:21.320 --> 0:36:23.759
<v Speaker 1>rolling up to green Also, Bronwyn could have just told

0:36:23.840 --> 0:36:28.040
<v Speaker 1>Yates too, well, yes, yes, that's right. We I think

0:36:28.080 --> 0:36:29.960
<v Speaker 1>we find that out later that that is what happened

0:36:29.960 --> 0:36:34.000
<v Speaker 1>because she threatened her or whatever. Yes, but I didn't

0:36:34.000 --> 0:36:36.600
<v Speaker 1>know when I was writing my notes yet how he knew.

0:36:36.719 --> 0:36:40.520
<v Speaker 1>But they so okay, Now it's Benson and baby Dolls

0:36:40.719 --> 0:36:43.120
<v Speaker 1>rolling up to green Haven and Benson's done with the games.

0:36:43.160 --> 0:36:44.920
<v Speaker 2>If Yates wants to stay on a honor block, he

0:36:45.000 --> 0:36:45.800
<v Speaker 2>better spill.

0:36:45.920 --> 0:36:49.600
<v Speaker 1>Okay inside the uh Barba is there as well, and

0:36:49.680 --> 0:36:52.000
<v Speaker 1>Benson goes, I didn't know Uber came to green Haven,

0:36:52.120 --> 0:36:54.200
<v Speaker 1>which is like I feel like it's like a funny dig,

0:36:54.320 --> 0:36:56.360
<v Speaker 1>like he can't drive himself anywhere or whatever.

0:36:56.400 --> 0:37:00.520
<v Speaker 2>But I think maybe Uber was fancy and twenty fifteen,

0:37:00.800 --> 0:37:04.440
<v Speaker 2>Like I yeah, I like, how is that a dig? Really?

0:37:05.320 --> 0:37:07.280
<v Speaker 1>Like I yeah, because I mean it's like he wouldn't

0:37:07.280 --> 0:37:08.880
<v Speaker 1>have taken the train and he wouldn't have driven in

0:37:08.880 --> 0:37:10.760
<v Speaker 1>a police car because he's like too bougie.

0:37:10.800 --> 0:37:11.480
<v Speaker 2>I don't really know.

0:37:11.600 --> 0:37:14.799
<v Speaker 1>I don't really know what's up, but like basically I

0:37:14.840 --> 0:37:16.680
<v Speaker 1>looked up green Haven and it is like an hour

0:37:16.719 --> 0:37:19.080
<v Speaker 1>and a half north of Manhattan, so you know that's

0:37:19.120 --> 0:37:22.800
<v Speaker 1>a that's a pricey uber ride, and Barbara just goes,

0:37:23.040 --> 0:37:25.120
<v Speaker 1>promise me, you won't stop for food until we get

0:37:25.160 --> 0:37:25.920
<v Speaker 1>back to the city.

0:37:26.000 --> 0:37:27.200
<v Speaker 2>Like he's so boogie.

0:37:27.320 --> 0:37:30.480
<v Speaker 1>He's like, how dreadful eating in the Hudson Valley.

0:37:30.640 --> 0:37:32.600
<v Speaker 2>No, but yeah.

0:37:32.680 --> 0:37:34.759
<v Speaker 1>Green Haven is ninety minutes north of the city in

0:37:34.840 --> 0:37:38.919
<v Speaker 1>Duchess County, and Dodds, Barba, and Benson are now all

0:37:38.960 --> 0:37:41.600
<v Speaker 1>waiting to meet with Yates, and the warden says, oh,

0:37:41.640 --> 0:37:44.200
<v Speaker 1>we're just clearing the yard and like that, like and

0:37:44.400 --> 0:37:46.440
<v Speaker 1>you know, the first night on the block with Rudnick

0:37:46.520 --> 0:37:49.560
<v Speaker 1>and Yeates together was all good, no problems. So then

0:37:49.760 --> 0:37:52.080
<v Speaker 1>Dodds attempts to kiss ass by being like, oh, my

0:37:52.160 --> 0:37:54.279
<v Speaker 1>dad says hi like he pulls the daddy cart and

0:37:54.320 --> 0:37:56.319
<v Speaker 1>the warden barely gives a shit. She does not even

0:37:56.320 --> 0:37:58.600
<v Speaker 1>look up. She goes, oh, yeah, I see a resemblance.

0:37:58.640 --> 0:38:01.480
<v Speaker 1>Tell him I said hello. She does, she does not care.

0:38:01.920 --> 0:38:04.799
<v Speaker 1>They radio to escort Yates out, but he's not in

0:38:04.840 --> 0:38:08.640
<v Speaker 1>a cell. Jose the inmate from earlier who's Rudnik cellmate,

0:38:08.760 --> 0:38:11.320
<v Speaker 1>is sitting at a table and he's This whole prison

0:38:11.360 --> 0:38:13.600
<v Speaker 1>area reminds me of where they are and like the

0:38:13.640 --> 0:38:16.879
<v Speaker 1>final season of Orange is the New Black, where they

0:38:16.880 --> 0:38:18.880
<v Speaker 1>have like the tables in the middle and stuff of

0:38:18.960 --> 0:38:22.120
<v Speaker 1>all their cells are around and this guy's just like

0:38:22.239 --> 0:38:25.680
<v Speaker 1>cuddling a sheepskin jacket, like that's like his little his

0:38:25.719 --> 0:38:29.000
<v Speaker 1>little comfort object. And those jackets always remind me of

0:38:29.520 --> 0:38:33.200
<v Speaker 1>Misery the movie Misery, where that sheriff gets like shot

0:38:33.239 --> 0:38:34.960
<v Speaker 1>in the back and he's wearing a sheep skin jacket.

0:38:35.160 --> 0:38:39.840
<v Speaker 1>But the CEO questions him like, hey, where's your where's Yates?

0:38:39.840 --> 0:38:42.000
<v Speaker 1>Where's your cell mate? And he doesn't know where Yates

0:38:42.040 --> 0:38:44.279
<v Speaker 1>is and he thinks that Rudnik is probably volunteering in

0:38:44.320 --> 0:38:47.680
<v Speaker 1>the clinic. So back at the precinct, Rollins is pissed.

0:38:47.719 --> 0:38:50.840
<v Speaker 1>She's kicking a soda machine and Careesy's like, look, I

0:38:50.960 --> 0:38:54.719
<v Speaker 1>have the answer. My sister took melatonin for her postpartum,

0:38:55.400 --> 0:38:59.480
<v Speaker 1>Like what a fucking idiot, Like she's not she's not

0:38:59.560 --> 0:39:02.000
<v Speaker 1>postpar she's pished, she can't go on the trip like

0:39:02.040 --> 0:39:04.880
<v Speaker 1>she's it's and Rollins is like, bitch, I'm not depressed.

0:39:05.120 --> 0:39:06.799
<v Speaker 2>I want to talk to serial killers and no one

0:39:06.800 --> 0:39:07.279
<v Speaker 2>will let me.

0:39:07.880 --> 0:39:11.319
<v Speaker 1>And uh and also like I don't know, I did

0:39:11.320 --> 0:39:13.080
<v Speaker 1>not I never had postpartum. I think it's a little

0:39:13.080 --> 0:39:15.120
<v Speaker 1>bit more serious than taking melowtnin. I don't think you

0:39:15.120 --> 0:39:17.000
<v Speaker 1>can just be like I just need to get some sleep.

0:39:17.000 --> 0:39:19.480
<v Speaker 1>It's like a little bit more like chemical than that.

0:39:20.320 --> 0:39:23.120
<v Speaker 1>And Rollins says Yates is gonna feel ganged up on

0:39:23.239 --> 0:39:26.360
<v Speaker 1>up there, and like he's gonna be mad at me

0:39:26.480 --> 0:39:28.000
<v Speaker 1>for pulling a bait and switch on him, Like she's

0:39:28.080 --> 0:39:31.359
<v Speaker 1>very concerned about Yates's feelings, you know. And then all

0:39:31.400 --> 0:39:33.839
<v Speaker 1>her soda machine kicking actually works and a soda does

0:39:33.920 --> 0:39:36.120
<v Speaker 1>drop out, and Creasy's like, it's great to see how

0:39:36.160 --> 0:39:39.319
<v Speaker 1>motherhood's mellowed you out, and Rollins is like yeah, and

0:39:39.400 --> 0:39:42.160
<v Speaker 1>I hate this shit. I hate being coddled. I have

0:39:42.200 --> 0:39:44.680
<v Speaker 1>a baby, and I can't talk to serial killers anymore,

0:39:44.760 --> 0:39:46.399
<v Speaker 1>Like what the fuck? And I kind of I feel

0:39:46.400 --> 0:39:48.880
<v Speaker 1>her on that. I don't like people shouldn't treat you

0:39:48.960 --> 0:39:51.120
<v Speaker 1>like you're like delicate just because you had a baby,

0:39:51.160 --> 0:39:53.719
<v Speaker 1>you know, if you want to be a badass. So

0:39:53.840 --> 0:39:56.919
<v Speaker 1>back at the prison, Barba's like, oh, so your dad

0:39:56.960 --> 0:39:59.200
<v Speaker 1>knows the warden and Baby Duds is like, yeah, yeah,

0:39:59.200 --> 0:40:02.759
<v Speaker 1>he knows everybody. It's like okay, and then Benson's like,

0:40:03.640 --> 0:40:05.680
<v Speaker 1>hold the fuck up, like what she's looking out the

0:40:05.719 --> 0:40:08.360
<v Speaker 1>window and she's like, are those drones? And then they

0:40:08.440 --> 0:40:11.640
<v Speaker 1>see a drone flying above the prison yard. A guard

0:40:11.840 --> 0:40:14.800
<v Speaker 1>radio starts radioing like code blue, code blue, as the

0:40:14.840 --> 0:40:17.440
<v Speaker 1>prisoners start to like, you know, sort of mob to

0:40:17.480 --> 0:40:20.040
<v Speaker 1>see what's going on with this drone. And then the

0:40:20.080 --> 0:40:22.680
<v Speaker 1>other CEO is still looking for Yates in the library.

0:40:22.760 --> 0:40:25.400
<v Speaker 1>He's not there. Now we're back to Dodds and the drones.

0:40:25.440 --> 0:40:27.520
<v Speaker 1>He's like, yeah, I've heard of people using drones to

0:40:27.600 --> 0:40:30.320
<v Speaker 1>drop guns and drugs. And then the drone drops something

0:40:30.360 --> 0:40:33.560
<v Speaker 1>and the prisoners starts swarming. They start punching each other out.

0:40:33.560 --> 0:40:36.200
<v Speaker 1>It's like a full like riot situation because they're all

0:40:36.239 --> 0:40:38.600
<v Speaker 1>trying to get to whatever packages these drones are dropping.

0:40:38.880 --> 0:40:41.760
<v Speaker 1>And then boom, two more drones are like right coming

0:40:41.840 --> 0:40:45.319
<v Speaker 1>behind them. So Barba is stressing and Dodds is like,

0:40:45.400 --> 0:40:47.480
<v Speaker 1>Barba is like, I am not going to die in

0:40:47.560 --> 0:40:50.279
<v Speaker 1>this prison, no, thank you. I am in an expensive suit,

0:40:50.640 --> 0:40:53.560
<v Speaker 1>and Dodds is like we're fine. And they're getting really

0:40:53.600 --> 0:40:55.960
<v Speaker 1>snappy with each other and Benson is like, boys enough,

0:40:56.120 --> 0:41:00.480
<v Speaker 1>like cut it. And now they're investigating the package and

0:41:00.600 --> 0:41:03.520
<v Speaker 1>the package is filled with drugs, a phone, a tiny

0:41:03.560 --> 0:41:07.480
<v Speaker 1>little gun, like a very little gun. And then this

0:41:07.560 --> 0:41:10.120
<v Speaker 1>one CEO, who I feel bad they gave the skuy

0:41:10.160 --> 0:41:11.839
<v Speaker 1>one line and it is one of the worst line

0:41:11.840 --> 0:41:14.040
<v Speaker 1>readings of all time, Like I'm so obsessed. He goes, now,

0:41:14.080 --> 0:41:15.480
<v Speaker 1>we're going to have to check the spokes in all

0:41:15.520 --> 0:41:17.719
<v Speaker 1>of these waterheads, like he just says it.

0:41:17.719 --> 0:41:19.520
<v Speaker 2>It's such a funny way, like it's.

0:41:19.440 --> 0:41:21.719
<v Speaker 1>You should go back and listen to it, Like he

0:41:21.960 --> 0:41:24.799
<v Speaker 1>just is dead like when he's saying this line. So

0:41:24.840 --> 0:41:26.960
<v Speaker 1>back in Manhattan, Lindsay is hanging up the phone with

0:41:27.040 --> 0:41:29.400
<v Speaker 1>Voight and he's like, She's like, want he wants us

0:41:29.440 --> 0:41:30.160
<v Speaker 1>back in Chicago.

0:41:30.239 --> 0:41:32.239
<v Speaker 2>Our little New York City boondoggle is over.

0:41:32.680 --> 0:41:34.719
<v Speaker 1>And Dawson's like, we should at least wait and find

0:41:34.719 --> 0:41:36.360
<v Speaker 1>out what Yates has to say. It feels like he

0:41:36.360 --> 0:41:38.279
<v Speaker 1>has Hamilton tickets and he does not want to leave.

0:41:38.719 --> 0:41:41.239
<v Speaker 1>So back at the prison, the CEOs are doing a

0:41:41.520 --> 0:41:44.000
<v Speaker 1>very chill check of the cells, like there no one

0:41:44.080 --> 0:41:46.239
<v Speaker 1>is running, no one is like where are they? And

0:41:46.280 --> 0:41:49.040
<v Speaker 1>guess what, Yates and Rudnick are still missing. No one

0:41:49.080 --> 0:41:51.880
<v Speaker 1>has been concerned about it, really, They ask jose the

0:41:51.880 --> 0:41:54.960
<v Speaker 1>guy with the jacket, uh, snuggling the jacket and he's like,

0:41:54.960 --> 0:41:56.400
<v Speaker 1>I don't know anything, and then they get it. They

0:41:56.440 --> 0:41:58.799
<v Speaker 1>grab his jacket and they go, you better tell us

0:41:58.800 --> 0:42:00.239
<v Speaker 1>what's going on, or we're gonna send you to Gen

0:42:00.360 --> 0:42:01.640
<v Speaker 1>Pop without your blankie.

0:42:01.840 --> 0:42:03.160
<v Speaker 2>And then he's like, they'll kill.

0:42:02.960 --> 0:42:06.000
<v Speaker 1>Me if I talk, and he goes, I don't know anything,

0:42:06.040 --> 0:42:08.680
<v Speaker 1>but he clearly does, and then he kind of glances

0:42:08.719 --> 0:42:11.719
<v Speaker 1>towards that Switzerland poster that I mentioned earlier, and then

0:42:11.760 --> 0:42:15.400
<v Speaker 1>the CEO puts his hand through the Switzerland poster in

0:42:15.480 --> 0:42:18.680
<v Speaker 1>a move right out of Shawshank redemption, and there.

0:42:18.600 --> 0:42:20.920
<v Speaker 2>Is a huge hole in the wall.

0:42:21.200 --> 0:42:24.040
<v Speaker 1>And I just think movie posters need to be outlawed

0:42:24.080 --> 0:42:26.160
<v Speaker 1>after a Shawshank redemption, Like you just can't have them

0:42:26.160 --> 0:42:28.560
<v Speaker 1>in jail, like you killed someone, you don't get to core,

0:42:28.760 --> 0:42:31.319
<v Speaker 1>Like that's that has to be the rule, because they

0:42:31.520 --> 0:42:34.800
<v Speaker 1>just keep building holes through the posters. So the warden

0:42:35.120 --> 0:42:38.360
<v Speaker 1>breaks the news to Benson, Barbara, and Baby about Rudnik

0:42:38.719 --> 0:42:41.640
<v Speaker 1>and Yates being missing, and it becomes really quickly clear

0:42:41.680 --> 0:42:42.920
<v Speaker 1>that they have escaped.

0:42:42.760 --> 0:42:44.600
<v Speaker 2>And Dodds is like, well, they must have had help.

0:42:44.880 --> 0:42:47.799
<v Speaker 1>So now Benson's talking to Jose and he's like and

0:42:48.080 --> 0:42:50.560
<v Speaker 1>Jose immediately goes, yo, I heard about what you went

0:42:50.560 --> 0:42:52.919
<v Speaker 1>through with William Lewis. That was fucked up, That wasn't right.

0:42:52.960 --> 0:42:55.319
<v Speaker 1>He was a bad man, and it's like, what did

0:42:55.360 --> 0:42:58.080
<v Speaker 1>Jose do. He's like a little sweetie buye. He's like,

0:42:58.480 --> 0:43:00.960
<v Speaker 1>I'm so sorry about your ordeal with the other serial killer,

0:43:01.080 --> 0:43:02.360
<v Speaker 1>like that was really wrong.

0:43:02.760 --> 0:43:05.680
<v Speaker 2>And then they tell Jose so funny that like they

0:43:05.719 --> 0:43:08.120
<v Speaker 2>have gossip in the prison. I know.

0:43:08.320 --> 0:43:11.480
<v Speaker 1>They're like, you've heard about that, that was fucked Like

0:43:11.719 --> 0:43:14.800
<v Speaker 1>you know you don't do that. So they tell Jose

0:43:15.160 --> 0:43:17.759
<v Speaker 1>like listen, we'll get and she is a gay icon, like.

0:43:17.719 --> 0:43:21.080
<v Speaker 2>I could just see him wanting to butter up Benson. Yes,

0:43:21.800 --> 0:43:22.600
<v Speaker 2>so true.

0:43:23.800 --> 0:43:26.759
<v Speaker 1>But Jose is scared of Yates and Rudnick, like he's

0:43:26.800 --> 0:43:28.920
<v Speaker 1>scared of them, and they're like, listen, we'll get you transferred,

0:43:28.960 --> 0:43:30.760
<v Speaker 1>just like tell us what's going on. And he's like, okay,

0:43:30.800 --> 0:43:31.960
<v Speaker 1>it's been a few months.

0:43:32.239 --> 0:43:32.640
<v Speaker 2>I don't know.

0:43:32.680 --> 0:43:35.080
<v Speaker 1>He must have gotten the tools somehow. He worked at night.

0:43:35.440 --> 0:43:37.000
<v Speaker 1>He told me to shut my eyes and pretend to

0:43:37.000 --> 0:43:38.839
<v Speaker 1>sleep or else he wouldn't take me with him. So

0:43:38.960 --> 0:43:41.799
<v Speaker 1>poor Jose was supposed to be on the ride out

0:43:41.840 --> 0:43:44.440
<v Speaker 1>of the jail, but he got left behind with his blankye,

0:43:44.560 --> 0:43:47.560
<v Speaker 1>and he tells them Rudnick didn't plan on Yates going,

0:43:47.600 --> 0:43:50.200
<v Speaker 1>but Yates insisted that he was going, and Rudnick caved.

0:43:50.520 --> 0:43:52.680
<v Speaker 1>And now they're talking to the warden and Benson's like,

0:43:53.239 --> 0:43:55.960
<v Speaker 1>jose told them that these guys knew how to breach

0:43:56.040 --> 0:43:58.879
<v Speaker 1>the prison walls. And Barba's like, please tell me after

0:43:58.960 --> 0:44:02.279
<v Speaker 1>Dana Mora, you sealed everything up, she said, which I'm

0:44:02.320 --> 0:44:04.640
<v Speaker 1>sure we're going to get into. But the movie escaped

0:44:04.640 --> 0:44:09.120
<v Speaker 1>from Dana Mora starring Patricia Arquette a SVU MVP, I

0:44:09.120 --> 0:44:11.160
<v Speaker 1>would say, one of the best guest stars of all time.

0:44:11.680 --> 0:44:13.000
<v Speaker 2>And uh, the.

0:44:12.960 --> 0:44:15.520
<v Speaker 1>Warden goes, yes, we sealed we we welded up all

0:44:15.520 --> 0:44:17.799
<v Speaker 1>the manholes, we checked all the access points. Like this

0:44:17.920 --> 0:44:23.600
<v Speaker 1>guest who directed that mini series? I think Ben Stiller. Yeah, yes,

0:44:23.880 --> 0:44:25.400
<v Speaker 1>I don't know how I knew that. It was like

0:44:25.440 --> 0:44:27.320
<v Speaker 1>nominated for all these awards.

0:44:27.440 --> 0:44:30.200
<v Speaker 2>And I want to awards. I want a bunch nominated

0:44:30.239 --> 0:44:32.319
<v Speaker 2>for a bunch. I don't know where I've been, never

0:44:32.440 --> 0:44:34.839
<v Speaker 2>even heard of it, Like, oh, did not know it

0:44:34.920 --> 0:44:36.560
<v Speaker 2>was a thing at all? Well, I don't know why

0:44:36.560 --> 0:44:38.839
<v Speaker 2>I was so disconnected. I'm usually it was an.

0:44:38.960 --> 0:44:41.680
<v Speaker 1>HBO movie, like it wasn't like a movie that came

0:44:41.719 --> 0:44:43.800
<v Speaker 1>out in theaters or anything. It was like an HBO

0:44:44.640 --> 0:44:48.520
<v Speaker 1>movie or TV. Is it a series, it's amazing series.

0:44:48.560 --> 0:44:51.160
<v Speaker 1>It's a mini series. Yeah, like like five or six

0:44:51.200 --> 0:44:54.840
<v Speaker 1>episodes or something. Yeah, it was HBO. But I only

0:44:54.840 --> 0:44:56.840
<v Speaker 1>heard about it when it won all the awards, Like

0:44:56.880 --> 0:44:58.000
<v Speaker 1>that was only That's.

0:44:57.800 --> 0:44:59.320
<v Speaker 2>Like the only reason I know about the Stiller parks.

0:44:59.320 --> 0:45:01.560
<v Speaker 2>I think I remember on stage. I just think about

0:45:01.560 --> 0:45:07.080
<v Speaker 2>Patrici shark Head in a the act. Yeah, I haven't

0:45:07.360 --> 0:45:10.600
<v Speaker 2>seen that yet. But she really goes she really takes

0:45:10.719 --> 0:45:13.359
<v Speaker 2>fucked up parts and smashes it.

0:45:14.560 --> 0:45:18.840
<v Speaker 1>Yeah, she's awesome. Oh, Casey's pointing out it was Showtime. Sorry,

0:45:19.320 --> 0:45:21.879
<v Speaker 1>rip Showtime. It was on Showtime. One of the last

0:45:21.920 --> 0:45:24.240
<v Speaker 1>things they squeezed out before they completely collapsed.

0:45:24.280 --> 0:45:24.880
<v Speaker 2>Does a network.

0:45:25.320 --> 0:45:27.759
<v Speaker 1>So yeah, she's telling them everything's sealed up. This is

0:45:27.800 --> 0:45:29.759
<v Speaker 1>a lock box. There's no way they got out of here. Like,

0:45:29.800 --> 0:45:32.399
<v Speaker 1>there's somewhere. She keeps saying there's somewhere in here. They're

0:45:32.400 --> 0:45:36.160
<v Speaker 1>in the interior of the prison somewhere. And then Dodds

0:45:36.200 --> 0:45:38.680
<v Speaker 1>clocks this like steam pipe and he's like, what's this.

0:45:38.800 --> 0:45:40.239
<v Speaker 1>She's like, it's a steam pipe and He's like, well,

0:45:40.239 --> 0:45:42.640
<v Speaker 1>it's not hot. And so it turns out the electric

0:45:42.680 --> 0:45:44.719
<v Speaker 1>company was doing repairs on it last night for a

0:45:44.760 --> 0:45:48.200
<v Speaker 1>few hours. Then Dodds goes around finds a cutout in

0:45:48.280 --> 0:45:50.920
<v Speaker 1>the side of the pipe which leads to the damn street.

0:45:51.120 --> 0:45:54.560
<v Speaker 1>And I will say that the cutout part looks like

0:45:54.920 --> 0:45:56.799
<v Speaker 1>it's in an orange call, Like the whole side of

0:45:56.800 --> 0:45:58.720
<v Speaker 1>the pipe is orange. And I think that's the paint

0:45:58.760 --> 0:46:01.919
<v Speaker 1>she was putting into the lasagna at the beginning, because

0:46:01.920 --> 0:46:03.520
<v Speaker 1>I was like, what she was putting in like a

0:46:03.560 --> 0:46:06.680
<v Speaker 1>little paint can with like little paint brushes, And I

0:46:06.719 --> 0:46:08.759
<v Speaker 1>think that's what it was, so that they could like

0:46:09.160 --> 0:46:11.040
<v Speaker 1>cut that out and then like make it so they

0:46:11.080 --> 0:46:12.960
<v Speaker 1>could get back to it and not have it be

0:46:13.000 --> 0:46:16.880
<v Speaker 1>discovered before the big escape. So they get out to

0:46:16.960 --> 0:46:20.400
<v Speaker 1>the street and the warden is like, I had this sealed,

0:46:20.440 --> 0:46:22.960
<v Speaker 1>Like I had this cover sealed, And Olivia's like, Rudneck

0:46:23.000 --> 0:46:23.960
<v Speaker 1>has family money.

0:46:24.040 --> 0:46:26.319
<v Speaker 2>He probably bribed someone to unseal it.

0:46:26.680 --> 0:46:28.600
<v Speaker 1>And I love the idea of him just being like,

0:46:29.000 --> 0:46:31.400
<v Speaker 1>dear cousin, please go into the bank account and then

0:46:31.400 --> 0:46:33.400
<v Speaker 1>I need you to go unsealed. This great outside my

0:46:33.480 --> 0:46:36.960
<v Speaker 1>prison in Upstate New York, and they find a note

0:46:37.680 --> 0:46:41.200
<v Speaker 1>that says I think I'll miss you most of all, Scarecrow,

0:46:41.480 --> 0:46:44.600
<v Speaker 1>which we didn't even we didn't even choose that in

0:46:44.640 --> 0:46:46.600
<v Speaker 1>the season of Wicked. Right now, but you know, you

0:46:46.600 --> 0:46:49.640
<v Speaker 1>can't escape Wicket at the moment, so a little Wizard

0:46:49.680 --> 0:46:52.520
<v Speaker 1>of Oz reference for you there. And Barba sees that

0:46:52.560 --> 0:46:55.040
<v Speaker 1>it's written in green nail polish, which, if you recall,

0:46:55.239 --> 0:46:59.120
<v Speaker 1>is a Yate signature, like he used to paint his

0:46:59.320 --> 0:47:00.240
<v Speaker 1>victim's nail.

0:47:00.200 --> 0:47:01.120
<v Speaker 2>This green color.

0:47:01.640 --> 0:47:06.360
<v Speaker 1>And just as the warden is like where's the Conell crew, baby,

0:47:06.400 --> 0:47:08.160
<v Speaker 1>Dodds pipes up and he's like, we got a body

0:47:08.200 --> 0:47:11.400
<v Speaker 1>over here, and sadly there is a poor electrical worker

0:47:11.719 --> 0:47:14.200
<v Speaker 1>lying there with a snapneck, and they're like, well, these

0:47:14.200 --> 0:47:18.160
<v Speaker 1>guys work in twos, where's his partner? Meanwhile, the warden

0:47:18.239 --> 0:47:21.160
<v Speaker 1>is suspicious of Rollins. She goes, so he escapes right

0:47:21.200 --> 0:47:23.480
<v Speaker 1>after your detective pushes to get him on honor block.

0:47:23.560 --> 0:47:25.840
<v Speaker 1>Like even the warden is like, something's going on with

0:47:25.880 --> 0:47:29.239
<v Speaker 1>those two, you know, And Benson defends her and is like, no,

0:47:29.440 --> 0:47:32.400
<v Speaker 1>she had nothing to do with this, and Barba's like, look,

0:47:32.440 --> 0:47:34.879
<v Speaker 1>he had outside help, the drones, the drugs, the hole

0:47:34.880 --> 0:47:35.319
<v Speaker 1>in the wall.

0:47:35.400 --> 0:47:36.480
<v Speaker 2>This has been planned for months.

0:47:36.480 --> 0:47:39.839
<v Speaker 1>This says that like Rollins was literally like on maternity leave,

0:47:39.880 --> 0:47:42.160
<v Speaker 1>pushing a baby out while this was being planned, Like,

0:47:42.200 --> 0:47:44.600
<v Speaker 1>she's not the one we're after here. And meanwhile, they've

0:47:44.640 --> 0:47:47.480
<v Speaker 1>been slowly lowering one of those bucket things that electrical

0:47:47.520 --> 0:47:50.600
<v Speaker 1>workers work in, and when they look inside, you guessed

0:47:50.640 --> 0:47:52.560
<v Speaker 1>it another guy with a snapneck who works for the

0:47:52.600 --> 0:47:56.879
<v Speaker 1>electrical company. And then I think, Barbara goes they killed

0:47:56.880 --> 0:47:59.479
<v Speaker 1>the guys who helped them escape, and I'm like, I don't.

0:47:59.600 --> 0:48:01.520
<v Speaker 1>I thought that they just killed two electrical workers, but

0:48:01.600 --> 0:48:04.200
<v Speaker 1>I guess these guys somehow helped them escape. But and

0:48:04.239 --> 0:48:06.120
<v Speaker 1>they will kill again, so they're very dangerous.

0:48:06.120 --> 0:48:06.560
<v Speaker 2>And guess what.

0:48:06.640 --> 0:48:08.560
<v Speaker 1>The last time they were seen was six am, and

0:48:08.560 --> 0:48:10.560
<v Speaker 1>they have a nine hour head start, so they could

0:48:10.560 --> 0:48:13.920
<v Speaker 1>be anywhere. The Warden's like, get Rollins up here. So

0:48:14.080 --> 0:48:15.839
<v Speaker 1>Rollins is gonna get her wish again. She's gonna get

0:48:15.840 --> 0:48:19.680
<v Speaker 1>another trip to green Haven, so, oh my god. Act

0:48:19.680 --> 0:48:23.120
<v Speaker 1>three opens up with New York City Legend. New York

0:48:23.160 --> 0:48:27.400
<v Speaker 1>one News anchor Pat Kiernan. I love this guy so much.

0:48:27.440 --> 0:48:30.359
<v Speaker 1>He's he I think still is but was forever an

0:48:30.440 --> 0:48:33.080
<v Speaker 1>NY one News anchor, which is like York New York

0:48:33.080 --> 0:48:34.960
<v Speaker 1>City's like local news channel.

0:48:35.400 --> 0:48:36.600
<v Speaker 2>And this credit.

0:48:36.640 --> 0:48:38.560
<v Speaker 1>He has so many credits because he plays himself in

0:48:38.600 --> 0:48:41.040
<v Speaker 1>so many TV shows and movies, but this credit's not

0:48:41.120 --> 0:48:43.719
<v Speaker 1>on his IMDb, which is crazy. He also hosted a

0:48:43.719 --> 0:48:45.440
<v Speaker 1>show I was obsessed with called The World Series of

0:48:45.440 --> 0:48:47.359
<v Speaker 1>Pop Culture because I thought I could be on it,

0:48:47.400 --> 0:48:49.080
<v Speaker 1>but I was no way good enough to be on it.

0:48:49.840 --> 0:48:53.200
<v Speaker 1>And he's reporting on the nationwide man hunt. Drink for

0:48:53.239 --> 0:48:56.480
<v Speaker 1>the name of the show of the episode, and it's

0:48:56.640 --> 0:48:58.600
<v Speaker 1>you know. They show pictures of run Nick and Yates

0:48:58.640 --> 0:49:01.320
<v Speaker 1>and he's cautioning the public not interact with them. They're

0:49:01.320 --> 0:49:04.720
<v Speaker 1>like dangerous, they could be armed. And now Benson's updating Voight.

0:49:05.040 --> 0:49:07.759
<v Speaker 1>He's gonna send Lindsay and Dawson back. They were apparently

0:49:07.960 --> 0:49:10.080
<v Speaker 1>about to board a plane back to Chicago, but they

0:49:10.080 --> 0:49:11.480
<v Speaker 1>need all the manpower they can get.

0:49:11.520 --> 0:49:13.080
<v Speaker 2>They need these two Chicago people.

0:49:13.560 --> 0:49:16.200
<v Speaker 1>So now the warden is leading a huge team of

0:49:16.200 --> 0:49:19.719
<v Speaker 1>people made up of like cops, FBI, state troopers. Like

0:49:19.760 --> 0:49:22.480
<v Speaker 1>it's huge. It's like a massive task force or whatever.

0:49:22.800 --> 0:49:24.800
<v Speaker 1>And guess who she turns it over to hit to

0:49:25.360 --> 0:49:28.200
<v Speaker 1>friend of the pod, Kevin Kane, who we talked about before.

0:49:29.239 --> 0:49:32.160
<v Speaker 1>He is the most he I think has the most

0:49:32.239 --> 0:49:33.960
<v Speaker 1>characters ever played on U s for you like, and

0:49:34.000 --> 0:49:37.880
<v Speaker 1>he's some kind of state police captain here and you know,

0:49:38.000 --> 0:49:39.719
<v Speaker 1>now he's a series regular. I wanted to bring this

0:49:39.800 --> 0:49:41.239
<v Speaker 1>up on the intro tomorrow, so I don't know if

0:49:41.280 --> 0:49:43.160
<v Speaker 1>we want to cut this, but he did make it

0:49:43.160 --> 0:49:45.240
<v Speaker 1>into the credits. He's a series regular on the season

0:49:45.480 --> 0:49:49.480
<v Speaker 1>right now, so I'm excited for him. SVU is downloading

0:49:49.560 --> 0:49:52.759
<v Speaker 1>all these law enforcement officers about these guys, like, here's

0:49:52.800 --> 0:49:56.600
<v Speaker 1>their deal, Here's what their m o's are. They're dangerous sociopaths.

0:49:56.640 --> 0:50:00.640
<v Speaker 1>They will not hesitate to kill. And Kevin Kane is like,

0:50:00.760 --> 0:50:03.320
<v Speaker 1>we've got we're searching house to house, we've got infrared

0:50:03.320 --> 0:50:05.640
<v Speaker 1>in the sky. This is like his Tommy Lee Jones

0:50:05.640 --> 0:50:07.400
<v Speaker 1>in the Fugitive Speech. He's like, I want you to

0:50:07.480 --> 0:50:10.200
<v Speaker 1>search every inch of this county, every in house, out house,

0:50:10.239 --> 0:50:14.920
<v Speaker 1>back house, you know, like famous Fugitive speech. Another Chicago movie, right,

0:50:14.920 --> 0:50:16.520
<v Speaker 1>that movie's in Chicago, I think.

0:50:16.440 --> 0:50:19.239
<v Speaker 2>Besides Feris Buehler like that's number two for me? Is

0:50:19.320 --> 0:50:22.719
<v Speaker 2>the Future VI in terms of Chicago? Yeah, yeah, movies,

0:50:23.160 --> 0:50:25.520
<v Speaker 2>those are my top two. Yeah.

0:50:25.600 --> 0:50:27.840
<v Speaker 1>Sure, people like the Dark Night, but I just I

0:50:27.880 --> 0:50:32.399
<v Speaker 1>haven't seen it. So Kevin Kane asks Barbara, how bout

0:50:32.440 --> 0:50:35.040
<v Speaker 1>are these guys? And Barbara goes, think Ted Bundy and

0:50:35.160 --> 0:50:40.000
<v Speaker 1>Robert Durst on the run together, which good one. Now

0:50:40.120 --> 0:50:43.680
<v Speaker 1>Benson and Rollins are grilling jose On like who would

0:50:43.680 --> 0:50:44.200
<v Speaker 1>have helped them?

0:50:44.360 --> 0:50:45.760
<v Speaker 2>Who? How did they get out?

0:50:45.880 --> 0:50:47.719
<v Speaker 1>And he doesn't want to talk, and he goes cause

0:50:47.760 --> 0:50:50.880
<v Speaker 1>I like her, And then obviously we know where this

0:50:51.000 --> 0:50:51.359
<v Speaker 1>is going.

0:50:51.400 --> 0:50:53.200
<v Speaker 2>He gives up bron Win Freed Wilkins.

0:50:53.520 --> 0:50:57.239
<v Speaker 1>She teaches their conflictunt Transformation class, but I think he

0:50:57.360 --> 0:51:01.320
<v Speaker 1>just calls her missus Wilkins. Okay, so I'm about lasagna

0:51:01.360 --> 0:51:03.200
<v Speaker 1>and they're like, what about the CEO's And he's like,

0:51:03.239 --> 0:51:05.720
<v Speaker 1>the CEO's like the lasagna too, And then.

0:51:05.680 --> 0:51:08.520
<v Speaker 2>A CEO is like they're talking to with CEO.

0:51:08.320 --> 0:51:10.560
<v Speaker 1>And he goes, yeah, I just I didn't know there

0:51:10.600 --> 0:51:12.400
<v Speaker 1>was anything in there. I thought it was just lasagna.

0:51:12.520 --> 0:51:14.200
<v Speaker 1>And they're like, you didn't run it through the metal detector,

0:51:14.239 --> 0:51:16.520
<v Speaker 1>and he goes she asked if I could hand check it.

0:51:16.600 --> 0:51:18.680
<v Speaker 1>She didn't want those cancer rays to hit her lunch.

0:51:18.719 --> 0:51:21.960
<v Speaker 1>They give you cancer, like it's like so funny, like

0:51:22.040 --> 0:51:23.759
<v Speaker 1>you walk through a metal detector every day, but your

0:51:23.800 --> 0:51:27.040
<v Speaker 1>lunch can't. Like I don't know. The CEO wants his rep.

0:51:27.120 --> 0:51:29.120
<v Speaker 1>He's like, I'm not talking anymore. I know I fucked

0:51:29.160 --> 0:51:31.759
<v Speaker 1>up here. I want my rep. So now SVU is

0:51:31.760 --> 0:51:33.520
<v Speaker 1>in a walk and talk with the warden who is

0:51:33.600 --> 0:51:36.480
<v Speaker 1>describing Bronwyn. And when Benson.

0:51:36.200 --> 0:51:41.000
<v Speaker 2>Hearsay, do you want to try this LASAGNYA yeah, everybody's

0:51:41.000 --> 0:51:43.879
<v Speaker 2>going gog offer this lasagna. It's letting people completely lose

0:51:43.920 --> 0:51:48.400
<v Speaker 2>their jobs. But Benson, here's the name Bronwyn and is like,

0:51:49.040 --> 0:51:51.720
<v Speaker 2>alarm bells right. She goes, wait, her name is Bronwyn,

0:51:51.920 --> 0:51:55.560
<v Speaker 2>and then the warden goes, yeah, bron Win Wilkins. But

0:51:55.600 --> 0:51:57.840
<v Speaker 2>she got married last month and when she became Wilkins,

0:51:57.920 --> 0:52:02.080
<v Speaker 2>she was Bronwin freed before Benson is like what in

0:52:02.120 --> 0:52:06.160
<v Speaker 2>the fuck? Like she's like, she helps another guy get

0:52:06.200 --> 0:52:08.680
<v Speaker 2>out of jail, like Rollins is like, how did you

0:52:08.719 --> 0:52:12.200
<v Speaker 2>not run a background check? But it turns out Barbara

0:52:12.239 --> 0:52:14.719
<v Speaker 2>reveals to Benson for the first time and to her

0:52:14.880 --> 0:52:19.080
<v Speaker 2>big surprise, that the charges for Bronwyn for aiding William

0:52:19.160 --> 0:52:23.080
<v Speaker 2>Lewis's escape were dropped because of political pressure to cover

0:52:23.200 --> 0:52:26.440
<v Speaker 2>up corruption in the prison system. And Benson's like are.

0:52:26.360 --> 0:52:29.319
<v Speaker 1>You fucking and like they can't Like Rollinson's like, we

0:52:29.360 --> 0:52:32.759
<v Speaker 1>can't even get into this right now. But like she's like,

0:52:32.880 --> 0:52:36.160
<v Speaker 1>isn't she flagged at rikers? And the Warden's like sure,

0:52:36.200 --> 0:52:40.040
<v Speaker 1>but that's city. We're state, so they won't even communicate

0:52:40.080 --> 0:52:40.520
<v Speaker 1>with each other.

0:52:40.560 --> 0:52:43.520
<v Speaker 2>I know how bad the warden is, but doesn't care,

0:52:43.760 --> 0:52:46.279
<v Speaker 2>Like this is like the worst warden we've ever seen.

0:52:46.640 --> 0:52:51.360
<v Speaker 2>She is so on the floor. She's so flighty. Yeah,

0:52:51.440 --> 0:52:56.120
<v Speaker 2>she's like I I mean usually they're like sticklers or asked,

0:52:56.200 --> 0:52:59.640
<v Speaker 2>you know, I'm the warden, and this she's just like, oh,

0:52:59.680 --> 0:53:00.440
<v Speaker 2>come on.

0:53:02.640 --> 0:53:06.040
<v Speaker 1>She doesn't seem upset at all that two fucking serial

0:53:06.120 --> 0:53:08.479
<v Speaker 1>killers have just escaped her prison. I mean, you could

0:53:08.480 --> 0:53:10.279
<v Speaker 1>lose your job, right, isn't that kind of like on

0:53:10.440 --> 0:53:11.800
<v Speaker 1>your watch that this happened?

0:53:11.920 --> 0:53:14.680
<v Speaker 2>Like he does not chill man.

0:53:14.800 --> 0:53:18.040
<v Speaker 1>She took an edible before work, she or she had

0:53:18.040 --> 0:53:19.960
<v Speaker 1>them hand check her bag and she's got her edibles

0:53:19.960 --> 0:53:23.480
<v Speaker 1>in there, okay, because she's not she's not caring, okay,

0:53:24.520 --> 0:53:27.719
<v Speaker 1>And Rollins is like, I'm done playing games and she

0:53:27.840 --> 0:53:29.680
<v Speaker 1>tells the she like yells at the ward and she's like,

0:53:29.719 --> 0:53:32.799
<v Speaker 1>I'm done with this little like ditsy Warden routine cough

0:53:32.880 --> 0:53:36.680
<v Speaker 1>up an address. So now they're at Bronwin's residence, which

0:53:36.719 --> 0:53:39.359
<v Speaker 1>is in Stormville, New York, where green Haven actually is,

0:53:39.760 --> 0:53:43.200
<v Speaker 1>and the cops are swarming it. And like I was

0:53:43.239 --> 0:53:47.160
<v Speaker 1>looking at the timeline, like the Rudnick trial was in June, okay,

0:53:47.239 --> 0:53:51.560
<v Speaker 1>and it's February. So in eight months, this woman relocated

0:53:51.600 --> 0:53:54.840
<v Speaker 1>to Duchess County, got a job at the prison, got married,

0:53:54.920 --> 0:53:57.560
<v Speaker 1>and helped hatch a full jail break. Women really do

0:53:57.600 --> 0:53:59.799
<v Speaker 1>get everything done. I mean they do get shit done.

0:54:00.080 --> 0:54:02.840
<v Speaker 1>Do be getting it done. The cops bust in and

0:54:02.880 --> 0:54:05.560
<v Speaker 1>there's just a dude sitting on the couch watching NASCAR

0:54:05.640 --> 0:54:09.360
<v Speaker 1>and eating you guessed it, lasagna, and he is Kyle.

0:54:09.600 --> 0:54:13.720
<v Speaker 1>He is Bronwy's husband, and he's like, what, I'm her husband.

0:54:14.080 --> 0:54:14.480
<v Speaker 2>She had an.

0:54:14.440 --> 0:54:16.960
<v Speaker 1>Emergency, she took my car. And that's that guy's that's

0:54:17.000 --> 0:54:19.520
<v Speaker 1>a wrap on Bronwin's husband. That's all we see from him.

0:54:19.600 --> 0:54:22.680
<v Speaker 1>We don't get him anymore. They track down the vehicle.

0:54:23.280 --> 0:54:27.200
<v Speaker 1>The dogs picked up the scent, but like they of

0:54:27.239 --> 0:54:30.240
<v Speaker 1>the two guys, but they've ditched the car. Caresy finds

0:54:30.360 --> 0:54:33.160
<v Speaker 1>a prison jumpsuit, a dress and a wig in a dumpster,

0:54:33.719 --> 0:54:36.960
<v Speaker 1>and then liv goes, now, the question is where's Rudnick's body?

0:54:37.000 --> 0:54:39.200
<v Speaker 1>And I'm like, I don't know why you assume Rudnick

0:54:39.320 --> 0:54:42.680
<v Speaker 1>is dead. That's a weird line for me. The dog

0:54:42.719 --> 0:54:45.359
<v Speaker 1>picks up a smell and everybody goes running. They find

0:54:45.400 --> 0:54:49.320
<v Speaker 1>a car nearby with whimpering sounds coming from the trunk,

0:54:49.360 --> 0:54:52.600
<v Speaker 1>and they bust it open and it's Bronwyn. She's tied

0:54:52.680 --> 0:54:55.359
<v Speaker 1>up and she's taped over the mouth. They rip up

0:54:55.800 --> 0:54:58.040
<v Speaker 1>off that duct tape. They don't give a fuck, and

0:54:59.160 --> 0:55:03.320
<v Speaker 1>Lindsay goes, here's Yeates and she was like, I haven't seen.

0:55:03.120 --> 0:55:04.839
<v Speaker 2>Them since before noon. Please help me.

0:55:04.840 --> 0:55:06.879
<v Speaker 1>Please help me, And no one has any fucking love

0:55:06.920 --> 0:55:09.560
<v Speaker 1>for her. Benson snarls. She's like, get her out of here,

0:55:09.719 --> 0:55:13.160
<v Speaker 1>like they don't care about this woman. And now we're

0:55:13.200 --> 0:55:15.680
<v Speaker 1>getting a summary from a different New York One reporter

0:55:15.920 --> 0:55:19.640
<v Speaker 1>Cheryl Wills on TV. She's explaining the two fugitives had

0:55:19.640 --> 0:55:22.920
<v Speaker 1>a female accomplice. At the state Police, Rollins and Barbara

0:55:23.080 --> 0:55:27.320
<v Speaker 1>are questioning Bronwyn and she's like, listen, I was working

0:55:27.360 --> 0:55:30.080
<v Speaker 1>with Rudnick on his impulse issues. He's a sensitive man

0:55:30.160 --> 0:55:33.319
<v Speaker 1>and we grew close, and she's telling them like she

0:55:33.440 --> 0:55:35.840
<v Speaker 1>brought gifts to Rudnick. She's like, you know, the usual

0:55:35.920 --> 0:55:39.560
<v Speaker 1>stuff you bring a prisoner, organic soaps, spices. Benson's like,

0:55:39.600 --> 0:55:43.520
<v Speaker 1>how about hack saws, and Bronwin goes, it might not

0:55:43.600 --> 0:55:44.879
<v Speaker 1>be good for Benson to be here.

0:55:44.920 --> 0:55:49.160
<v Speaker 2>She has a lot of anger towards me. It's like, yes, lol,

0:55:49.280 --> 0:55:49.640
<v Speaker 2>you were.

0:55:49.560 --> 0:55:51.799
<v Speaker 1>Basically in love with the man that gave her like

0:55:51.880 --> 0:55:54.680
<v Speaker 1>the worst drama of her life, so yeah, she doesn't

0:55:54.719 --> 0:55:58.200
<v Speaker 1>love you. And then Benson is arguing with Bronwyn and

0:55:58.280 --> 0:56:01.080
<v Speaker 1>she's like, no, Rudnick is a man and lives like

0:56:01.160 --> 0:56:03.880
<v Speaker 1>he chopped a woman into pieces. And bron Win's like,

0:56:03.960 --> 0:56:05.759
<v Speaker 1>I don't know that Rutnick. I don't know that side

0:56:05.760 --> 0:56:08.360
<v Speaker 1>of him, and Rollin says like, listen, I'm sure he

0:56:08.480 --> 0:56:10.680
<v Speaker 1>was nice to you. But then Benson is like, girl,

0:56:10.840 --> 0:56:12.960
<v Speaker 1>they left you to die in the trunk of a car.

0:56:13.239 --> 0:56:15.839
<v Speaker 1>It's fucking February and upstate New York, by the way,

0:56:15.920 --> 0:56:17.600
<v Speaker 1>like she would have absolutely frozen to death in a

0:56:17.640 --> 0:56:18.360
<v Speaker 1>few more hours.

0:56:19.160 --> 0:56:21.720
<v Speaker 2>Barba tells her, you're looking at felony chargers.

0:56:21.760 --> 0:56:24.480
<v Speaker 1>Girl, just give us everything, okay, So that the squad

0:56:24.680 --> 0:56:28.080
<v Speaker 1>gets some traffic camstills of two little ladies on a

0:56:28.160 --> 0:56:32.560
<v Speaker 1>road trip, and you got it, it's Rudnick and Yates.

0:56:33.640 --> 0:56:36.319
<v Speaker 1>Somebody I think it's Greasi goes, yeah, two women in

0:56:36.320 --> 0:56:38.239
<v Speaker 1>a suber who's not going to raise any flags. And

0:56:38.280 --> 0:56:40.120
<v Speaker 1>I do feel like this is a lesbian joke, like

0:56:40.160 --> 0:56:43.120
<v Speaker 1>a quiet lesbian joke, because you know, it is a

0:56:43.160 --> 0:56:47.000
<v Speaker 1>classic lesbian car. Subaru's So they dumped Brounwin because Yates

0:56:47.040 --> 0:56:50.480
<v Speaker 1>said she's served her purpose, and then Rudnick said he

0:56:50.520 --> 0:56:52.440
<v Speaker 1>would kill her, but he just fired a shot in

0:56:52.440 --> 0:56:53.879
<v Speaker 1>the air and threw her in the trunk. And bron

0:56:53.920 --> 0:56:57.400
<v Speaker 1>Win's like, he's saved my life. Like she's still so like,

0:56:58.080 --> 0:57:01.239
<v Speaker 1>you know, enamored of Rudnick, like he's like guy. So

0:57:01.320 --> 0:57:03.960
<v Speaker 1>Bronwin apparently gave Rudnick a gun and a map of

0:57:04.000 --> 0:57:07.319
<v Speaker 1>Aderondeck Steak Park. Coresian Dodds are rolling out the map

0:57:07.360 --> 0:57:09.279
<v Speaker 1>of the park and Kevin King goes, uh, just so

0:57:09.400 --> 0:57:12.239
<v Speaker 1>you guys know, that's six million acres. And I don't

0:57:12.280 --> 0:57:14.160
<v Speaker 1>really know why we ever talk in acres. Why can't

0:57:14.160 --> 0:57:16.480
<v Speaker 1>we just do miles. I don't understand acreage, but six

0:57:16.520 --> 0:57:20.000
<v Speaker 1>million of anything seems like a lot Rudnick originally tried

0:57:20.000 --> 0:57:22.520
<v Speaker 1>to run for Buffalo in his first case, and Yates

0:57:22.520 --> 0:57:24.560
<v Speaker 1>when he got out one on his killing spree, so

0:57:24.600 --> 0:57:27.080
<v Speaker 1>we can't even be sure that these two are together anymore.

0:57:27.480 --> 0:57:31.800
<v Speaker 1>Bronwyn is now continuing her tale, telling Barbara that Yates

0:57:31.840 --> 0:57:35.000
<v Speaker 1>found out that she and Rudnick were intimate, and Barbara

0:57:35.040 --> 0:57:38.720
<v Speaker 1>goes physically and she goes no spiritually of course, like,

0:57:38.880 --> 0:57:42.160
<v Speaker 1>of course I wouldn't go so far as to fucking inmate.

0:57:42.280 --> 0:57:44.320
<v Speaker 1>I just got him all the tools to get out

0:57:44.360 --> 0:57:47.760
<v Speaker 1>of jail and we had an emotional affair. So it

0:57:47.800 --> 0:57:50.760
<v Speaker 1>turns out Yates found out about the lasagna. She told

0:57:50.840 --> 0:57:53.160
<v Speaker 1>him one more time.

0:57:53.320 --> 0:57:58.080
<v Speaker 2>I know it's crazy, like Garfield's favorite episode, I really

0:58:00.440 --> 0:58:01.760
<v Speaker 2>so true said.

0:58:03.120 --> 0:58:05.120
<v Speaker 1>You have to take a shot of Marnera every time

0:58:05.160 --> 0:58:08.800
<v Speaker 1>I say lasagna in this episode. Okay, So she told

0:58:08.880 --> 0:58:11.439
<v Speaker 1>Yates the Rudnick escape plan and she's like, I had

0:58:11.440 --> 0:58:12.800
<v Speaker 1>to or he said he was going to kill my

0:58:12.920 --> 0:58:17.280
<v Speaker 1>husband and boins him go boints, sorry, I'm like on

0:58:17.360 --> 0:58:22.920
<v Speaker 1>drugs today, Benson points out, is funny.

0:58:21.840 --> 0:58:23.480
<v Speaker 2>Because I was saying Benson points.

0:58:23.480 --> 0:58:26.720
<v Speaker 1>At the same time Boinson points and points out he's

0:58:26.760 --> 0:58:29.520
<v Speaker 1>in prison and your husband is thirty miles away. How

0:58:29.560 --> 0:58:32.520
<v Speaker 1>exactly were you feeling a direct threat to your husband's safety?

0:58:32.800 --> 0:58:35.880
<v Speaker 1>And Bronman goes, you know that when Yates wants something

0:58:36.200 --> 0:58:38.680
<v Speaker 1>violent to happen, he finds a way, and she's not wrong,

0:58:38.760 --> 0:58:41.160
<v Speaker 1>like he does get shit done in terms of U yes,

0:58:41.200 --> 0:58:46.200
<v Speaker 1>but exactly. But I think she was like, I'm looking

0:58:46.280 --> 0:58:48.120
<v Speaker 1>after my husband. I had to get I had to

0:58:48.120 --> 0:58:49.400
<v Speaker 1>give him what he wanted or he was going to

0:58:49.440 --> 0:58:50.560
<v Speaker 1>find a way to kill my husband.

0:58:50.920 --> 0:58:52.400
<v Speaker 2>So it's like, do you even love your husband? You

0:58:52.440 --> 0:58:52.960
<v Speaker 2>love Rudnick?

0:58:52.960 --> 0:58:55.280
<v Speaker 1>Who cares about Kyle. He's at home meeting your lasagna,

0:58:55.320 --> 0:58:59.600
<v Speaker 1>watching fucking Nascar. You love Rudnick. So we cut to

0:58:59.760 --> 0:59:03.320
<v Speaker 1>a nasty crime scene. Okay, a female state trooper is

0:59:03.480 --> 0:59:06.440
<v Speaker 1>on the ground, like you know, underwear around her ankles,

0:59:06.440 --> 0:59:08.960
<v Speaker 1>which obviously is telegraphing the rape.

0:59:09.080 --> 0:59:10.000
<v Speaker 2>And she was murdered.

0:59:10.040 --> 0:59:13.920
<v Speaker 1>She's covered in blood and she'd been called because a

0:59:13.960 --> 0:59:16.320
<v Speaker 1>neighbor saw smoke coming out of the chimney. But the

0:59:16.360 --> 0:59:18.360
<v Speaker 1>owners are never there in the winter, so the neighbor

0:59:18.440 --> 0:59:20.439
<v Speaker 1>you know, called the cops and that this trooper showed

0:59:20.520 --> 0:59:24.200
<v Speaker 1>up and unfortunately Yates was there, or maybe both of them,

0:59:24.520 --> 0:59:26.280
<v Speaker 1>So the call to the police was an hour ago,

0:59:26.360 --> 0:59:27.240
<v Speaker 1>so they must be close.

0:59:27.280 --> 0:59:28.760
<v Speaker 2>They also left a trail of blood.

0:59:29.160 --> 0:59:32.600
<v Speaker 1>Dawson is making sure Lindsey's okay, but she looks very shook,

0:59:32.640 --> 0:59:34.720
<v Speaker 1>and he's like, don't worry, we're gonna get him. So

0:59:34.760 --> 0:59:36.880
<v Speaker 1>they follow the blood trail and it leads to the

0:59:36.920 --> 0:59:39.240
<v Speaker 1>water like a lake, and we're all at this lake.

0:59:39.320 --> 0:59:42.200
<v Speaker 1>Now it's raining, it's dark, it looks cold as fuck,

0:59:42.280 --> 0:59:44.240
<v Speaker 1>like we're in bubble fuck New York. Like this is

0:59:44.280 --> 0:59:46.800
<v Speaker 1>not where anybody wants to be. Right now, they've got

0:59:47.200 --> 0:59:50.480
<v Speaker 1>someone in a parked boat that they've detected on the

0:59:50.520 --> 0:59:53.280
<v Speaker 1>infrared camera and they're like, it's Rudnick. We can see

0:59:53.320 --> 0:59:56.120
<v Speaker 1>him on the infrared, and Kevin Kaine's character is like,

0:59:56.440 --> 0:59:57.560
<v Speaker 1>I'm not risking my guys.

0:59:57.600 --> 0:59:59.800
<v Speaker 2>Everybody shoot at the boat. It's wild.

1:00:00.040 --> 1:00:03.920
<v Speaker 1>CA's like stop, stop, like this man is my best friend.

1:00:04.080 --> 1:00:05.560
<v Speaker 2>I'm going to go talk to him, and he yells

1:00:05.720 --> 1:00:06.680
<v Speaker 2>we have history.

1:00:07.160 --> 1:00:10.280
<v Speaker 1>So he approaches the boat and he tells Rudnick like

1:00:10.320 --> 1:00:12.040
<v Speaker 1>he's approaching the boat, going I want you to live,

1:00:12.080 --> 1:00:13.920
<v Speaker 1>I want you to walk out of here, and then

1:00:13.960 --> 1:00:18.280
<v Speaker 1>he pulls back the tarp and Rudnick is covered in blood. Shaking,

1:00:18.760 --> 1:00:21.320
<v Speaker 1>and then the camera kind of finds his leg and

1:00:21.520 --> 1:00:23.360
<v Speaker 1>it looks bent in a weird way. I couldn't really

1:00:23.400 --> 1:00:26.280
<v Speaker 1>see what was going on, but he's thanking creasy.

1:00:26.320 --> 1:00:27.600
<v Speaker 2>He's like, thank you, caresy.

1:00:27.920 --> 1:00:31.400
<v Speaker 1>So now we're back to New York one and Pat

1:00:31.480 --> 1:00:34.040
<v Speaker 1>Kiernan is telling us that Rudnick has been apprehended and

1:00:34.120 --> 1:00:35.840
<v Speaker 1>has suffered a lot of injuries and was rushed to

1:00:35.840 --> 1:00:38.680
<v Speaker 1>the hospital. Yates is still at large. They show a

1:00:38.760 --> 1:00:41.440
<v Speaker 1>map with this is hilarious. They show a map with

1:00:41.520 --> 1:00:44.000
<v Speaker 1>little red pins for all the sightings that people have

1:00:44.120 --> 1:00:46.200
<v Speaker 1>called in for Yates, and they're all over the country.

1:00:46.400 --> 1:00:49.200
<v Speaker 1>And then they just put a massive question mark over

1:00:49.280 --> 1:00:51.960
<v Speaker 1>the top of the United States and it's like, very

1:00:51.960 --> 1:00:55.320
<v Speaker 1>helpful graphic, very helpful. So they I've never seen anything

1:00:55.360 --> 1:00:57.920
<v Speaker 1>like that on a news report. They cut to them

1:00:57.960 --> 1:01:01.360
<v Speaker 1>at the hospital Yeates. It turns out out hobbled Rudnick,

1:01:01.400 --> 1:01:03.960
<v Speaker 1>which is another term I learned from misery, So two

1:01:03.960 --> 1:01:06.560
<v Speaker 1>misery references in this episode for me, Like, I didn't

1:01:06.560 --> 1:01:09.160
<v Speaker 1>know what hobbling was until Kathy Bates hobbled him in

1:01:09.920 --> 1:01:13.280
<v Speaker 1>that which is where you you know, put a piece

1:01:13.320 --> 1:01:15.040
<v Speaker 1>of wood in between the ankles and then you like

1:01:15.080 --> 1:01:18.080
<v Speaker 1>hammer you break their ankles, and apparently Yates broke his

1:01:18.160 --> 1:01:20.840
<v Speaker 1>knees as well and pierced his ear drum. I don't

1:01:20.840 --> 1:01:23.880
<v Speaker 1>know why that like detail was put in there. It

1:01:23.920 --> 1:01:26.400
<v Speaker 1>sounds terrible, but and then he just left him to

1:01:26.400 --> 1:01:29.000
<v Speaker 1>die in the boat. Benson doesn't give a fuck. She's like,

1:01:29.080 --> 1:01:31.800
<v Speaker 1>oh boohoo, like she could care about what happens to Rudnick.

1:01:32.080 --> 1:01:34.960
<v Speaker 1>He's apparently in and out of consciousness. But Kevin Kane

1:01:35.000 --> 1:01:37.520
<v Speaker 1>tells them that he indicated that the plan was to

1:01:37.520 --> 1:01:40.280
<v Speaker 1>cross the border on this like Saint Lawrence River or something.

1:01:40.360 --> 1:01:45.320
<v Speaker 1>Uh uh so now uh oh bad news. Dawson can't

1:01:45.320 --> 1:01:48.760
<v Speaker 1>find Lindsey. They split up and she went with Dodds. Meanwhile,

1:01:48.840 --> 1:01:52.960
<v Speaker 1>Rudnick is talking to Caresy now he's awake, and Rudnick saying,

1:01:53.000 --> 1:01:54.840
<v Speaker 1>it was never my intention to hurt anyone.

1:01:54.920 --> 1:01:57.000
<v Speaker 2>I just wanted to leave the country and live a life.

1:01:56.760 --> 1:02:00.600
<v Speaker 1>Of peace, and Careese is holding Rudnick's hand and he goes,

1:02:00.720 --> 1:02:03.960
<v Speaker 1>Yates only wanted one thing, revenge. And then he's like, well,

1:02:03.960 --> 1:02:05.919
<v Speaker 1>where were you headed on the river and he goes

1:02:06.000 --> 1:02:10.240
<v Speaker 1>Wellesley Island. Cariesy pulls his hand out of redneck's hand

1:02:10.320 --> 1:02:11.600
<v Speaker 1>so fastive make your head spin.

1:02:11.720 --> 1:02:13.440
<v Speaker 2>He's like, get your hands off of me. We're not

1:02:13.480 --> 1:02:14.320
<v Speaker 2>friends anymore.

1:02:14.800 --> 1:02:17.360
<v Speaker 1>And then Benson finally gets Dodds on the line and

1:02:17.400 --> 1:02:19.240
<v Speaker 1>she's like, all right, we know where they're headed.

1:02:19.280 --> 1:02:21.760
<v Speaker 2>We're headed to Wellesley Island or whatever. You guys come back.

1:02:22.400 --> 1:02:26.360
<v Speaker 1>Lindsay and Dodds are driving in the dark rain on

1:02:26.400 --> 1:02:30.280
<v Speaker 1>some you know, deserted country roads and he's like, all right,

1:02:30.320 --> 1:02:32.560
<v Speaker 1>let's head back and Lindsay's like, no way, dude, I'm

1:02:32.560 --> 1:02:34.360
<v Speaker 1>not doing that. And he's like, come on, like, we

1:02:34.440 --> 1:02:36.240
<v Speaker 1>gotta go back. That's what the boss said. I'm a

1:02:36.280 --> 1:02:38.800
<v Speaker 1>daddy's boy and I do what I'm told. And she goes, well,

1:02:38.840 --> 1:02:40.560
<v Speaker 1>I'll drop your ass at a rest stop because I'm

1:02:40.560 --> 1:02:43.520
<v Speaker 1>not going like her mission is to find yates, you know.

1:02:44.080 --> 1:02:47.480
<v Speaker 1>So then as they're arguing, they passed this little country

1:02:47.560 --> 1:02:51.439
<v Speaker 1>road that goes off of the main road and there's

1:02:51.480 --> 1:02:54.120
<v Speaker 1>a state trooper patrol car just stop there with the

1:02:54.240 --> 1:02:57.960
<v Speaker 1>lights on the door to the car open. But they're like,

1:02:58.000 --> 1:02:59.920
<v Speaker 1>there's not been any radio traffic that we've heard, so

1:03:00.120 --> 1:03:02.960
<v Speaker 1>this is sketchy. So they pull up to the car.

1:03:03.320 --> 1:03:06.479
<v Speaker 1>Dodds calls for backup. They approach the car, nobody's there.

1:03:07.000 --> 1:03:09.120
<v Speaker 1>Then there's a pickup truck in front of it, like

1:03:09.200 --> 1:03:12.439
<v Speaker 1>what the state trooper might have been pulling over. They

1:03:12.440 --> 1:03:15.080
<v Speaker 1>find the state trooper on the ground, shot through the head,

1:03:15.120 --> 1:03:18.200
<v Speaker 1>another body in you know, a trail of bodies behind Yates.

1:03:18.800 --> 1:03:21.400
<v Speaker 1>Lindsey notices, oh, his gun is gone, and just as

1:03:21.400 --> 1:03:24.680
<v Speaker 1>she's telling Dodds, shots ring out. Dodds gets hit. Lindsey

1:03:24.720 --> 1:03:28.240
<v Speaker 1>decides to pursue Yeates like a fucking idiot. Dodds's like

1:03:28.280 --> 1:03:30.560
<v Speaker 1>pistol or He's like stop, don't go, wait for backup.

1:03:30.600 --> 1:03:32.840
<v Speaker 1>And now she's just alone in the woods with a

1:03:32.880 --> 1:03:36.000
<v Speaker 1>serial killer, like I don't know why, Like you think

1:03:36.040 --> 1:03:38.080
<v Speaker 1>that you're just better than this guy and you're gonna

1:03:38.080 --> 1:03:40.680
<v Speaker 1>get him. He's quite good at what he does. She

1:03:40.920 --> 1:03:43.720
<v Speaker 1>falls in the snow, drops her fucking gun. It's very

1:03:43.800 --> 1:03:46.320
<v Speaker 1>terrifying because you're like, get the gun, and then she

1:03:46.400 --> 1:03:49.720
<v Speaker 1>finds it. She then she sees this house in the

1:03:49.720 --> 1:03:52.680
<v Speaker 1>woods with every single light on and she goes into

1:03:52.680 --> 1:03:54.760
<v Speaker 1>the house like gun drawn, and there she sees a

1:03:54.760 --> 1:03:57.880
<v Speaker 1>little girl hiding under a bed and she's like just

1:03:57.960 --> 1:03:59.880
<v Speaker 1>you stay here, and the little girl's like my dad,

1:04:00.120 --> 1:04:02.360
<v Speaker 1>and then she's like, just stay right here. When she

1:04:02.360 --> 1:04:05.920
<v Speaker 1>hears the gunshot, Lindsay goes outside, Yates almost runs her

1:04:05.960 --> 1:04:08.240
<v Speaker 1>over with the truck. She shoots at him in the truck,

1:04:08.320 --> 1:04:10.840
<v Speaker 1>but he gets away, and then she finds sadly the

1:04:10.840 --> 1:04:13.640
<v Speaker 1>little girl's dad dead on the ground outside, and there's

1:04:13.680 --> 1:04:16.760
<v Speaker 1>a note in his mouth and it says see you

1:04:16.840 --> 1:04:20.920
<v Speaker 1>back home, Aaron, and Lindsey looks devastated. Her name is

1:04:20.920 --> 1:04:23.959
<v Speaker 1>Aaron Lindsay just in case this is confusing, and that's

1:04:24.000 --> 1:04:27.440
<v Speaker 1>dick wolf baby off of her devastated face. But of

1:04:27.520 --> 1:04:31.400
<v Speaker 1>course we have to know. This is a fucking Chicago

1:04:31.440 --> 1:04:35.200
<v Speaker 1>ped crossover, which I actually remember watching back in the day,

1:04:35.240 --> 1:04:38.280
<v Speaker 1>because I remember being like on my TV like looking

1:04:38.360 --> 1:04:41.440
<v Speaker 1>up Spectrum like on demand, trying to find Chicago p

1:04:41.560 --> 1:04:44.560
<v Speaker 1>D because I don't really watch it and I just

1:04:44.600 --> 1:04:46.840
<v Speaker 1>really wanted to see what had happened to this motherfucker.

1:04:46.840 --> 1:04:49.000
<v Speaker 1>But I actually remember watching it, but I don't remember

1:04:49.080 --> 1:04:51.400
<v Speaker 1>much of the episode. So the episode, if you want

1:04:51.400 --> 1:04:52.840
<v Speaker 1>to go back and watch it, is called the Song

1:04:52.880 --> 1:04:57.160
<v Speaker 1>of Gregory Yates, and basically, Yates heads back to Chicago

1:04:57.240 --> 1:05:00.160
<v Speaker 1>to find his sister. Okay, he finds her apartment and

1:05:00.240 --> 1:05:02.520
<v Speaker 1>he kills all of her roommates to our nurses, which

1:05:02.560 --> 1:05:05.920
<v Speaker 1>is a clear reference to Ted Bundy, because Ted Bundy

1:05:05.960 --> 1:05:08.120
<v Speaker 1>did kill a bunch of nurses at one point. And

1:05:08.200 --> 1:05:11.760
<v Speaker 1>he eventually finds his sister a kidnaps her. At one point,

1:05:12.120 --> 1:05:14.960
<v Speaker 1>he pays a homeless woman to deliver a box to

1:05:15.040 --> 1:05:17.080
<v Speaker 1>the station which has a hand of one of the

1:05:17.120 --> 1:05:19.880
<v Speaker 1>victims in it, which has another note in hold in

1:05:19.960 --> 1:05:22.680
<v Speaker 1>like the hand of the victim, which is very like seven.

1:05:22.840 --> 1:05:26.600
<v Speaker 1>It's very you know, serial killers taunting the police stuff.

1:05:27.120 --> 1:05:30.920
<v Speaker 1>He breaks into Lindsay's apartment with his kidnapped sister in tow.

1:05:31.440 --> 1:05:35.120
<v Speaker 1>Then he goes and finds his bio. He goes and

1:05:35.160 --> 1:05:38.960
<v Speaker 1>finds his biological dad, attacks him, kidnaps him, lures Lindsay

1:05:39.040 --> 1:05:41.600
<v Speaker 1>to where he is by threatening to kill his own dad.

1:05:41.960 --> 1:05:44.840
<v Speaker 1>When she arrives, Yates has his father in a chair

1:05:44.960 --> 1:05:48.080
<v Speaker 1>perched over the edge of a building, I guess, with

1:05:48.160 --> 1:05:49.360
<v Speaker 1>a noose around his neck.

1:05:49.840 --> 1:05:52.280
<v Speaker 2>And the guy like he honestly just.

1:05:52.320 --> 1:05:55.000
<v Speaker 1>Keeps topping himself like the noose like this, listen like

1:05:55.080 --> 1:05:57.560
<v Speaker 1>the he's like he's like a jigsaw over here with

1:05:57.560 --> 1:06:01.400
<v Speaker 1>these different ideas. He ends up uh. He confesses all

1:06:01.440 --> 1:06:04.000
<v Speaker 1>his crimes to Aaron. He starts taunting her more about

1:06:04.080 --> 1:06:06.920
<v Speaker 1>Nadia than he just kills his dad by pushing him

1:06:06.920 --> 1:06:09.280
<v Speaker 1>over the edge and hanging him, and then he tries

1:06:09.320 --> 1:06:11.240
<v Speaker 1>to go after Lindsay with an ice pick, so he's

1:06:11.320 --> 1:06:13.400
<v Speaker 1>kind of doing like suicide by cop a little bit,

1:06:13.520 --> 1:06:16.160
<v Speaker 1>like he's he's attacking Lindsay because he wants her to

1:06:16.240 --> 1:06:20.720
<v Speaker 1>kill him, and he taunts her like you're gonna be

1:06:20.720 --> 1:06:22.360
<v Speaker 1>the one to tell my story. You're gonna kill me,

1:06:22.400 --> 1:06:24.320
<v Speaker 1>and eventually she does. She kills him and shoots him

1:06:24.320 --> 1:06:28.200
<v Speaker 1>in self defense. And that's the end of Gregory Yates

1:06:28.240 --> 1:06:31.760
<v Speaker 1>in our Lives. So sorry, Rollins, you lost a friend.

1:06:32.480 --> 1:06:34.720
<v Speaker 2>But that is that.

1:06:35.080 --> 1:06:37.560
<v Speaker 1>And I know that you're gonna give us all the

1:06:37.640 --> 1:06:39.880
<v Speaker 1>juice on the true crime because and I'm excited because

1:06:39.920 --> 1:06:48.440
<v Speaker 1>I don't really know that much, all.

1:06:48.400 --> 1:06:54.160
<v Speaker 2>Right, So I mean it's like frame by frame, I

1:06:54.200 --> 1:06:58.120
<v Speaker 2>would say, it is, yeah, so exact, and like I

1:06:58.120 --> 1:07:01.479
<v Speaker 2>can't even believe it, but this, and like you said,

1:07:01.520 --> 1:07:04.680
<v Speaker 2>it was a famous mini series. People talk about this.

1:07:05.760 --> 1:07:07.400
<v Speaker 1>I was in New York when it was happening, so

1:07:07.480 --> 1:07:10.200
<v Speaker 1>it was on the news everywhere, Like I remembering, like, fuck,

1:07:10.240 --> 1:07:11.880
<v Speaker 1>there's these two guys on the loose, Like I didn't

1:07:11.880 --> 1:07:13.160
<v Speaker 1>think they were gonna come to New York City. I

1:07:13.200 --> 1:07:16.760
<v Speaker 1>wasn't like worried really, but I was like, fuck, well

1:07:16.760 --> 1:07:17.440
<v Speaker 1>because I forgot.

1:07:17.440 --> 1:07:19.280
<v Speaker 2>But I was talking to someone and I was like

1:07:19.320 --> 1:07:22.120
<v Speaker 2>talking about the the jail break one that I was

1:07:22.160 --> 1:07:25.600
<v Speaker 2>watching on Netflix or Hulu or whatever, about the woman

1:07:25.880 --> 1:07:28.600
<v Speaker 2>falling in love and driving off and stuff. And someone

1:07:28.680 --> 1:07:30.720
<v Speaker 2>was like, oh, escape from Danamoora. And I was like no,

1:07:30.800 --> 1:07:32.160
<v Speaker 2>and they're like, yeah, it is, and I'm like, no,

1:07:32.240 --> 1:07:36.680
<v Speaker 2>it's not. Stuff I hate. I hate when people argue

1:07:36.720 --> 1:07:38.560
<v Speaker 2>with me about things I know more than them. On

1:07:38.800 --> 1:07:43.120
<v Speaker 2>it it's like, actually, it's fine. Makes me feel good. Anyways,

1:07:43.120 --> 1:07:47.400
<v Speaker 2>the Clinton Correctional Facility escape, So i'll set the scene

1:07:47.560 --> 1:07:51.000
<v Speaker 2>June sixth, twenty fifteen. Yeah, and this episode aired like

1:07:51.120 --> 1:07:53.640
<v Speaker 2>not even a year later, and the New York State

1:07:53.680 --> 1:07:56.840
<v Speaker 2>Police or the lead agency, and this massive manhunt for

1:07:56.920 --> 1:08:01.919
<v Speaker 2>two escaped prisoners. Fifteen hundred law enforcement officers were used

1:08:01.960 --> 1:08:06.360
<v Speaker 2>from twelve different state, local, and federal agencies, and it

1:08:06.400 --> 1:08:09.680
<v Speaker 2>became the largest search in New York state history. And

1:08:10.040 --> 1:08:14.600
<v Speaker 2>so Clinton Correctional Facility is in Dana Mora, which is

1:08:14.640 --> 1:08:18.200
<v Speaker 2>a rural and very forested area and it's just south

1:08:18.240 --> 1:08:21.639
<v Speaker 2>of the Canadian border, which is a crazy place for

1:08:21.720 --> 1:08:24.479
<v Speaker 2>a prison, I would say on a border. But I

1:08:24.479 --> 1:08:26.639
<v Speaker 2>think Canada would bring back the criminals, like I don't

1:08:26.640 --> 1:08:28.400
<v Speaker 2>know why, like we got to get to Canada, like

1:08:28.479 --> 1:08:31.040
<v Speaker 2>Canada would and be like, yeah, we're not helping you.

1:08:31.520 --> 1:08:33.439
<v Speaker 1>I was thinking that same thing when I was like,

1:08:33.439 --> 1:08:35.439
<v Speaker 1>why are all these serial killers and people always trying

1:08:35.439 --> 1:08:37.000
<v Speaker 1>to get to Canada? They're going to give you back,

1:08:37.080 --> 1:08:39.120
<v Speaker 1>Like we're in a good spot with Canada, you know.

1:08:39.320 --> 1:08:41.759
<v Speaker 2>Like yeah, my big thing is like get a boat

1:08:41.880 --> 1:08:43.800
<v Speaker 2>and go to an island, but I guess that's a

1:08:43.800 --> 1:08:47.400
<v Speaker 2>big journey, but like go to international waters. Well, you

1:08:47.439 --> 1:08:48.480
<v Speaker 2>know what's interesting.

1:08:49.320 --> 1:08:51.840
<v Speaker 1>I just caught up on the whole new season of SVU,

1:08:51.880 --> 1:08:53.400
<v Speaker 1>and I don't know if you've heard about the season.

1:08:53.439 --> 1:08:56.680
<v Speaker 1>The fall finale is Careese gets kind of involved in

1:08:56.720 --> 1:09:00.280
<v Speaker 1>a hold up in a bodega and the guy are

1:09:00.360 --> 1:09:02.800
<v Speaker 1>like where can we go? And Kreese's telling them all

1:09:02.800 --> 1:09:05.599
<v Speaker 1>the places they can go that don't have extradition. So

1:09:05.680 --> 1:09:09.160
<v Speaker 1>like these guys were thinking, they were like where can

1:09:09.200 --> 1:09:11.160
<v Speaker 1>we go where we won't get step back? And he's

1:09:11.160 --> 1:09:13.760
<v Speaker 1>like he's telling them the name of like the Solomon Islands,

1:09:13.760 --> 1:09:15.760
<v Speaker 1>like places we've never even fucking heard of that are

1:09:15.760 --> 1:09:17.559
<v Speaker 1>places that won't extradite to the US.

1:09:18.160 --> 1:09:24.599
<v Speaker 2>So so wild. It's like baby Australia's are being born everywhere. Yeah,

1:09:25.200 --> 1:09:29.080
<v Speaker 2>towns of criminals. So the guy's names are Richard Matt

1:09:29.160 --> 1:09:30.320
<v Speaker 2>and David Sweat.

1:09:31.320 --> 1:09:34.080
<v Speaker 1>But oh my god, yes, what I just remember the

1:09:34.160 --> 1:09:35.080
<v Speaker 1>name David Sweat.

1:09:35.120 --> 1:09:37.320
<v Speaker 2>I remember the name David Sweat. It sounds like a

1:09:37.320 --> 1:09:42.200
<v Speaker 2>pop star for in the Substance Universe. Yeah. Yeah. And

1:09:42.200 --> 1:09:45.320
<v Speaker 2>then Richard Matt is confusing because Matt is a first name,

1:09:45.439 --> 1:09:49.920
<v Speaker 2>so it's but whatever, Matt and Sweat they are both

1:09:49.960 --> 1:09:52.720
<v Speaker 2>serving time for murder. So Matt was serving twenty five

1:09:52.800 --> 1:09:54.920
<v Speaker 2>years to life because he kidnapped and beat a man

1:09:54.960 --> 1:09:59.080
<v Speaker 2>to death in nineteen ninety seven. This was his former employer,

1:09:59.320 --> 1:10:03.040
<v Speaker 2>a seventy six year old man, and Matt fucking tortured

1:10:03.120 --> 1:10:05.000
<v Speaker 2>him and chopped up his body with a hack saw.

1:10:05.240 --> 1:10:09.040
<v Speaker 2>So not good. And then Sweat was serving life after

1:10:09.080 --> 1:10:12.200
<v Speaker 2>being convicted of killing a broom. I wonder if it

1:10:12.240 --> 1:10:15.799
<v Speaker 2>was Boom, but Broome County Sheriff's deputy in two thousand

1:10:15.800 --> 1:10:18.479
<v Speaker 2>and two, when he was twenty three years old, and

1:10:18.640 --> 1:10:21.839
<v Speaker 2>it does confuse me, like life and no chancefer pearol

1:10:21.880 --> 1:10:23.800
<v Speaker 2>with chance of Pearl, Like I wonder why Matt got

1:10:23.840 --> 1:10:25.880
<v Speaker 2>twenty five to life and this guy just has life.

1:10:26.240 --> 1:10:29.679
<v Speaker 1>I literally just look this up for the other episode

1:10:29.680 --> 1:10:34.280
<v Speaker 1>that we're about to record. Capital murder is like first

1:10:34.320 --> 1:10:39.840
<v Speaker 1>degree murder, but you capital murder includes killing multiple people, killing,

1:10:39.920 --> 1:10:44.639
<v Speaker 1>law enforcement killing, and with capital murder, there's no chancefer pearl.

1:10:45.000 --> 1:10:49.240
<v Speaker 2>Okay, great, yeah, we got that. We got that answered quick.

1:10:50.120 --> 1:10:54.960
<v Speaker 2>And obviously, you know, him murdering the deputy made me

1:10:55.000 --> 1:10:58.240
<v Speaker 2>think of the Bob Marley song that I don't understand

1:10:58.479 --> 1:11:02.839
<v Speaker 2>never will. Okay, you know you're still serving life, babe.

1:11:02.960 --> 1:11:06.160
<v Speaker 2>So but yeah, they also don't look like friends, like

1:11:06.200 --> 1:11:09.280
<v Speaker 2>if you see their photos, they look very different. And

1:11:09.320 --> 1:11:13.160
<v Speaker 2>so I'm I'm so curious about their relationship. And there

1:11:13.280 --> 1:11:16.120
<v Speaker 2>is a whole report. So it's very the Fox and

1:11:16.160 --> 1:11:21.599
<v Speaker 2>the Hound according to a twenty sixteen report. And I'm

1:11:21.600 --> 1:11:23.719
<v Speaker 2>gonna talk about this report a lot and then I'll

1:11:24.560 --> 1:11:26.080
<v Speaker 2>i'll let you know where to find it. But it

1:11:26.120 --> 1:11:28.200
<v Speaker 2>was like a giant report that had to be made

1:11:28.240 --> 1:11:33.760
<v Speaker 2>because they fuck up so much. I just I'll get

1:11:33.800 --> 1:11:37.639
<v Speaker 2>into it because I also just like there's something about

1:11:37.720 --> 1:11:40.400
<v Speaker 2>a prison escape that we love or I love yeah

1:11:40.479 --> 1:11:45.160
<v Speaker 2>as as a person. And they're bad people, but and

1:11:45.360 --> 1:11:47.360
<v Speaker 2>you know it's risky they you know, what they could

1:11:47.360 --> 1:11:50.160
<v Speaker 2>do to others out and about, but there's always like

1:11:50.160 --> 1:11:53.839
<v Speaker 2>something you cheer for where you're like, get out of there. Yeah, totally.

1:11:54.000 --> 1:11:56.519
<v Speaker 1>Have you ever seen escape from Alcatraz? Like there's like

1:11:57.040 --> 1:12:00.840
<v Speaker 1>so many like just the clever like ways that they

1:12:00.920 --> 1:12:03.040
<v Speaker 1>because they've got nothing but time to think about.

1:12:02.800 --> 1:12:05.559
<v Speaker 2>How to get out, you know. Yeah, it's kind of

1:12:05.600 --> 1:12:07.640
<v Speaker 2>like when you're on Survivor that all they do is

1:12:07.640 --> 1:12:10.160
<v Speaker 2>talk about the foods they want to eat yea when

1:12:10.240 --> 1:12:14.200
<v Speaker 2>they leave. So they are very different. And this report

1:12:15.040 --> 1:12:17.559
<v Speaker 2>was used in all my sources. They used it as

1:12:17.600 --> 1:12:20.160
<v Speaker 2>a source, but this is for ABC News that Sweat

1:12:20.200 --> 1:12:24.160
<v Speaker 2>was very very self sufficient in always and then Matt

1:12:24.240 --> 1:12:28.360
<v Speaker 2>was sociable and gregarious and their friendship blossom between Matt

1:12:28.360 --> 1:12:31.920
<v Speaker 2>and Sweat in about twenty ten when they're housing overlapped

1:12:32.000 --> 1:12:36.080
<v Speaker 2>the prison area on the Honor Block and like in

1:12:36.120 --> 1:12:39.839
<v Speaker 2>the episode, it's a special section for well behaved inmates

1:12:39.880 --> 1:12:43.160
<v Speaker 2>that let prisoners remain out of their cells for most

1:12:43.160 --> 1:12:46.520
<v Speaker 2>of the day and have special jobs like assisting plumbers

1:12:46.560 --> 1:12:51.360
<v Speaker 2>and electricians. And this is from a former inmate as

1:12:51.400 --> 1:12:55.760
<v Speaker 2>a source for ABC News. But it's very odds, you

1:12:55.760 --> 1:12:58.479
<v Speaker 2>know what I mean. Like yeah, and the fact that

1:12:58.520 --> 1:13:01.160
<v Speaker 2>there's pods and they're hanging out in this little community.

1:13:01.360 --> 1:13:03.800
<v Speaker 2>It's like I remember watching Oz being like, well this

1:13:03.880 --> 1:13:08.040
<v Speaker 2>isn't real and it is okay. So and then they

1:13:08.040 --> 1:13:12.160
<v Speaker 2>had differences in age and personality, but they had one

1:13:12.200 --> 1:13:18.480
<v Speaker 2>shared interest art. Yeah, they were painters. They were painters.

1:13:18.680 --> 1:13:22.880
<v Speaker 2>Matt was like an incredible painter. Incredible Matt was the painter,

1:13:23.560 --> 1:13:29.760
<v Speaker 2>and Sweat was very inspired and also began painting. So so, yeah,

1:13:29.760 --> 1:13:31.880
<v Speaker 2>they loved art. And I saw one of the paintings

1:13:31.880 --> 1:13:34.640
<v Speaker 2>and it's two dogs, a Boston Terrier and a Pomeranian

1:13:34.720 --> 1:13:37.960
<v Speaker 2>and they're so fucking cute. I could see myself buying

1:13:37.960 --> 1:13:41.880
<v Speaker 2>these paintings. But I'm gonna be buying a murderer's art,

1:13:41.960 --> 1:13:45.720
<v Speaker 2>like I know it. And then yes, so Sweat was

1:13:45.880 --> 1:13:48.559
<v Speaker 2>very inspired and he took up painting and drawing and

1:13:48.600 --> 1:13:53.559
<v Speaker 2>developed his art skills. And Sweat had a beautiful painting.

1:13:53.920 --> 1:13:56.679
<v Speaker 2>It was a house with trees, the sky and clouds

1:13:56.720 --> 1:13:58.960
<v Speaker 2>are a great color. There's a little bridge, the water

1:13:59.120 --> 1:14:02.360
<v Speaker 2>like inter of art. They really were crushing it. And

1:14:02.400 --> 1:14:04.800
<v Speaker 2>these guys vibed and they were able to use the

1:14:04.840 --> 1:14:08.599
<v Speaker 2>paintings and drawings as prison currency with the prison staff

1:14:08.960 --> 1:14:11.639
<v Speaker 2>and they would give really really cheap prices. So obviously

1:14:11.640 --> 1:14:14.840
<v Speaker 2>they can like use people later for these paintings. And

1:14:14.880 --> 1:14:17.280
<v Speaker 2>then the Simpson this also, well, it reminds me because

1:14:17.320 --> 1:14:19.200
<v Speaker 2>it's like, yeah, some people only do nice things so

1:14:19.240 --> 1:14:22.280
<v Speaker 2>they can like use you later, and that's definitely true

1:14:22.320 --> 1:14:26.000
<v Speaker 2>in prison, and it just reminds me of fat Tony

1:14:26.040 --> 1:14:29.360
<v Speaker 2>in the Mob in the Simpsons and uh the Pretzel episode.

1:14:29.439 --> 1:14:32.439
<v Speaker 2>If anyone wants a fun time, a fun time of

1:14:32.520 --> 1:14:36.400
<v Speaker 2>don't don't take, don't take, uh, don't take things from

1:14:36.520 --> 1:14:40.320
<v Speaker 2>you know, the mob or prisoners, they're gonna they're gonna

1:14:40.320 --> 1:14:44.240
<v Speaker 2>want something. And so it's so but twenty eleven, Matt's

1:14:44.320 --> 1:14:47.680
<v Speaker 2>kicked out of the block and Sweat would send him

1:14:47.720 --> 1:14:51.840
<v Speaker 2>gifts of tobacco, rolling papers, food, and that really solidified

1:14:51.840 --> 1:14:56.160
<v Speaker 2>their friendship in a real way. And uh so now

1:14:56.200 --> 1:15:00.479
<v Speaker 2>it's twenty fifteen, Matt's back on Honor Block and him

1:15:00.479 --> 1:15:04.559
<v Speaker 2>and Sweat are housed in adjacent cells and they use

1:15:04.680 --> 1:15:08.120
<v Speaker 2>power tools to cut through concrete walls steel piping that

1:15:08.200 --> 1:15:11.880
<v Speaker 2>gave them access to underground tunnels. They then followed the

1:15:11.920 --> 1:15:15.479
<v Speaker 2>tunnels under the exterior walls of the prison and to

1:15:15.560 --> 1:15:18.080
<v Speaker 2>the street outside. And of course that had help. Like

1:15:18.120 --> 1:15:20.320
<v Speaker 2>I said, they have their own little Bronwyn. It's a

1:15:20.320 --> 1:15:26.759
<v Speaker 2>prison worker, Joyce Mitchell. And Joyce Mitchell was seduced by Sweat.

1:15:27.200 --> 1:15:30.720
<v Speaker 2>And she was also the and guess what her job was.

1:15:31.040 --> 1:15:34.640
<v Speaker 2>She was the prison tailor. What a twist. They have

1:15:34.680 --> 1:15:37.439
<v Speaker 2>a tailor. They had a whole tailor shop. And there's

1:15:37.479 --> 1:15:39.600
<v Speaker 2>so much about the tailor's shop. I can't wait to

1:15:39.760 --> 1:15:42.800
<v Speaker 2>like fully get into everything. But she loved Sweat. There's

1:15:42.840 --> 1:15:45.600
<v Speaker 2>all these letters she secretly sent to him that were recovered,

1:15:45.720 --> 1:15:47.479
<v Speaker 2>and there's proof that she had sex with him in

1:15:47.520 --> 1:15:50.519
<v Speaker 2>the tailor shop. This is a known thing of you know,

1:15:50.600 --> 1:15:53.280
<v Speaker 2>prisoners grooming prison staff. Like I said, they're not just

1:15:53.400 --> 1:15:57.559
<v Speaker 2>painting you paintings for fun, Like these are criminals. And

1:15:57.600 --> 1:16:00.160
<v Speaker 2>it's and there's a name. There's a hip name for

1:16:00.240 --> 1:16:04.439
<v Speaker 2>it called downing the Duck and it's to get special duck.

1:16:05.240 --> 1:16:10.360
<v Speaker 2>Yeah cool, right, Yeah, Like I wonder, I know, but

1:16:10.400 --> 1:16:12.920
<v Speaker 2>I wonder if we if we like walked into prison

1:16:12.960 --> 1:16:15.080
<v Speaker 2>trying to use it if we'd be like, you know,

1:16:15.120 --> 1:16:18.439
<v Speaker 2>mister Burns pretending to be young, like like, you can't

1:16:18.479 --> 1:16:21.080
<v Speaker 2>just use downing the duck. I think I think they

1:16:21.080 --> 1:16:24.000
<v Speaker 2>would know that were you know, it's not for us

1:16:24.680 --> 1:16:27.120
<v Speaker 2>because of you know, the attention she got, she liked it,

1:16:27.160 --> 1:16:29.559
<v Speaker 2>and the fucking she would give them food in the shop,

1:16:30.000 --> 1:16:32.479
<v Speaker 2>She would make calls to Matt's daughter for him, and

1:16:32.560 --> 1:16:36.800
<v Speaker 2>smuggled in personal items, not just escape materials. And she

1:16:37.000 --> 1:16:39.080
<v Speaker 2>was married to another person who worked at the prison

1:16:39.120 --> 1:16:43.680
<v Speaker 2>this whole time. He was an industrial training supervisor. So

1:16:43.800 --> 1:16:47.160
<v Speaker 2>her husband is there at the prison and she's bringing

1:16:47.200 --> 1:16:52.880
<v Speaker 2>Matt cookies, cakes, prepared meals, venison, biscuits. I mean, if

1:16:52.920 --> 1:16:57.600
<v Speaker 2>my spouse is bringing someone venison, like I have questions. Yeah,

1:16:57.640 --> 1:17:00.679
<v Speaker 2>And then another inmate said to ABC News at one time,

1:17:00.800 --> 1:17:05.040
<v Speaker 2>Mitchell gave Sweat a big Mac from McDonald's. I can't

1:17:05.120 --> 1:17:08.240
<v Speaker 2>even believe how good that tasted on the inside, Like,

1:17:08.320 --> 1:17:12.679
<v Speaker 2>I can't believe what having a loose big mac from

1:17:12.720 --> 1:17:16.320
<v Speaker 2>the outside it feels like when you're in your serving life,

1:17:16.400 --> 1:17:20.400
<v Speaker 2>Like I totally. Yeah. She also did have two children,

1:17:20.560 --> 1:17:22.400
<v Speaker 2>so she really put out a lot on the line,

1:17:22.800 --> 1:17:25.680
<v Speaker 2>and she was having sex with Matt providing Sweat with

1:17:25.800 --> 1:17:29.360
<v Speaker 2>nudes and then Matt led Joyce into believing they were

1:17:29.400 --> 1:17:33.600
<v Speaker 2>in love, but still like she's double timing both of

1:17:33.600 --> 1:17:35.840
<v Speaker 2>them anyways, Like they're both using her. But she's just

1:17:35.840 --> 1:17:38.720
<v Speaker 2>like a giant whore within the prison system too. And

1:17:38.800 --> 1:17:42.080
<v Speaker 2>she told NBC News, I enjoyed the attention, the feeling

1:17:42.120 --> 1:17:44.320
<v Speaker 2>both of them gave me, and the thought of a

1:17:44.360 --> 1:17:48.840
<v Speaker 2>different life like life in prison. It's just it's it's wild.

1:17:48.880 --> 1:17:51.280
<v Speaker 2>So ABC News reports that she agreed to flee with

1:17:51.360 --> 1:17:54.519
<v Speaker 2>Sweat and Matt and help them get guns, ammunition, camping

1:17:54.560 --> 1:17:58.160
<v Speaker 2>gear and a compass, hack, saw blades, chisels and other tools,

1:17:58.200 --> 1:18:01.439
<v Speaker 2>and she snuck them in and frozen hamburger meat, which

1:18:01.439 --> 1:18:05.479
<v Speaker 2>a guard later gave to the inmates, like like, how

1:18:05.520 --> 1:18:07.679
<v Speaker 2>do they hold frozen meat? Do they have to cook

1:18:07.720 --> 1:18:09.080
<v Speaker 2>it right away? Like on a window?

1:18:09.160 --> 1:18:13.479
<v Speaker 1>Like why are we giving a frozen Yeah, but they

1:18:13.520 --> 1:18:15.800
<v Speaker 1>have a sense it's a pre k it's a pre

1:18:15.880 --> 1:18:16.559
<v Speaker 1>cooked item.

1:18:16.640 --> 1:18:21.000
<v Speaker 2>What is frozen meat? Yeah? And they use the tools,

1:18:21.040 --> 1:18:23.200
<v Speaker 2>obviously to cut through the back of their cells, then

1:18:23.200 --> 1:18:26.320
<v Speaker 2>a brick wall into a steam pipe. They slithered through

1:18:26.600 --> 1:18:29.960
<v Speaker 2>and emerged outside the walls through a manhole, so like

1:18:30.200 --> 1:18:31.280
<v Speaker 2>very svo.

1:18:31.080 --> 1:18:32.840
<v Speaker 1>But they must have had to do the same thing

1:18:32.840 --> 1:18:34.720
<v Speaker 1>of like knowing when the steam pipe was going to

1:18:34.760 --> 1:18:36.240
<v Speaker 1>be off or on, because it's like if you get

1:18:36.240 --> 1:18:38.599
<v Speaker 1>caught in a steam pipe, like you're gonna you'll burn

1:18:38.680 --> 1:18:39.400
<v Speaker 1>up like that.

1:18:39.560 --> 1:18:41.680
<v Speaker 2>Yeah, now that like I had that incident with my

1:18:41.800 --> 1:18:44.400
<v Speaker 2>radiator where like the nozzle went off and the steam

1:18:44.479 --> 1:18:47.120
<v Speaker 2>was just pushing through it hurt. It was so hot

1:18:47.160 --> 1:18:53.040
<v Speaker 2>and like intense, Like I did keep thinking about burning, yeah,

1:18:53.200 --> 1:18:55.639
<v Speaker 2>and one of the steam pipes. That was going through

1:18:55.640 --> 1:18:59.120
<v Speaker 2>my mind a lot. And then they left behind clothing

1:18:59.160 --> 1:19:00.960
<v Speaker 2>in their beds, so it look like they were there

1:19:01.040 --> 1:19:06.160
<v Speaker 2>so very tgif very teen sneaking out situation. And I

1:19:06.240 --> 1:19:09.320
<v Speaker 2>saw the photos of the clothing, like the dummies they

1:19:09.360 --> 1:19:12.479
<v Speaker 2>made in the bed and it did you know, it's

1:19:12.560 --> 1:19:15.559
<v Speaker 2>passable enough and they are smart. So at eleven PM

1:19:15.720 --> 1:19:18.760
<v Speaker 2>there's night checks and then they put their dummies. But

1:19:18.800 --> 1:19:22.640
<v Speaker 2>then there's like the whole point of the searches is

1:19:22.720 --> 1:19:25.799
<v Speaker 2>you have to see skin, and none of the people

1:19:25.880 --> 1:19:27.920
<v Speaker 2>saw skin, but they're like, oh, they're in their beds.

1:19:28.479 --> 1:19:32.000
<v Speaker 2>So the casual searches of the episode are the casual

1:19:32.080 --> 1:19:35.760
<v Speaker 2>searches of this case and not today. I can't believe

1:19:35.760 --> 1:19:38.719
<v Speaker 2>we're bringing up Ferris Bueller again, but yes, very Ferris

1:19:38.760 --> 1:19:43.559
<v Speaker 2>Bueller leaving your dummies after the night Watch and to

1:19:43.680 --> 1:19:44.200
<v Speaker 2>plan for the.

1:19:44.560 --> 1:19:47.479
<v Speaker 1>Escape from Alcatraz as well. In escape from Alcatraz, he

1:19:47.600 --> 1:19:50.559
<v Speaker 1>makes a full plaster mold of his head and paints

1:19:50.560 --> 1:19:51.240
<v Speaker 1>it and everything.

1:19:51.680 --> 1:19:54.840
<v Speaker 2>Yeah wow, and like okay, like you said, they have

1:19:54.880 --> 1:19:57.280
<v Speaker 2>to like study all this, So Sweat climbed out of

1:19:57.280 --> 1:20:01.400
<v Speaker 2>his cell over eighty five times to like dig the things,

1:20:01.520 --> 1:20:04.200
<v Speaker 2>do the things that go through it all, and that

1:20:04.439 --> 1:20:06.200
<v Speaker 2>in all of this time, that means there was four

1:20:06.280 --> 1:20:10.640
<v Speaker 2>hundred required checks and no one was ever able to

1:20:10.720 --> 1:20:15.559
<v Speaker 2>catch him. Wrote like Bill, sawing through the prison walls.

1:20:15.600 --> 1:20:19.360
<v Speaker 2>He eighty five times. And so then there's notes. So

1:20:19.360 --> 1:20:22.040
<v Speaker 2>they left little notes. So one of them it said

1:20:22.280 --> 1:20:24.639
<v Speaker 2>have a nice day, exclamation point, and then it had

1:20:24.640 --> 1:20:28.479
<v Speaker 2>a racist caricature of an Asian man. So whatever you're thinking,

1:20:28.600 --> 1:20:31.439
<v Speaker 2>that's what it looked like. And Sweat said that the

1:20:31.560 --> 1:20:33.720
<v Speaker 2>drawing was given to him by another inmate a few

1:20:33.800 --> 1:20:36.320
<v Speaker 2>days before, but he just wrote have a nice day.

1:20:36.680 --> 1:20:39.840
<v Speaker 2>And then Matt left some notes too. One he wrote,

1:20:39.880 --> 1:20:41.960
<v Speaker 2>you left me to no choice but to grow old

1:20:41.960 --> 1:20:44.160
<v Speaker 2>and die in here. I had to do something six

1:20:44.360 --> 1:20:48.799
<v Speaker 2>five fifteen, never changed, stay the same, have a good summer,

1:20:49.040 --> 1:20:53.600
<v Speaker 2>like so funny to date it hags And also a

1:20:53.720 --> 1:20:57.280
<v Speaker 2>note on his painting of Tony Soprano that he did

1:20:57.880 --> 1:21:00.360
<v Speaker 2>and on it he wrote time to Go Kid, six

1:21:00.560 --> 1:21:04.960
<v Speaker 2>five fifteen. The whole escape took an hour, but the

1:21:05.000 --> 1:21:07.640
<v Speaker 2>plan did get drailed. So you're like, okay, Like, so

1:21:07.680 --> 1:21:10.160
<v Speaker 2>you're just gonna run in the wood again the fugitive

1:21:10.200 --> 1:21:12.479
<v Speaker 2>I brought it up, like yeah, so it's like you're

1:21:12.479 --> 1:21:14.200
<v Speaker 2>just gonna run in the woods, Like it doesn't seem

1:21:14.240 --> 1:21:15.680
<v Speaker 2>worth it. Like in my head, I'm like, at least

1:21:15.760 --> 1:21:18.479
<v Speaker 2>you're here on Honor Block, Like is it worth trying

1:21:18.520 --> 1:21:20.679
<v Speaker 2>to escape in the woods? Like that doesn't make sense

1:21:20.720 --> 1:21:24.160
<v Speaker 2>to me, But it is because Joyce Mitchell was supposed

1:21:24.200 --> 1:21:27.519
<v Speaker 2>to meet them with a getaway car. If you don't

1:21:27.520 --> 1:21:30.439
<v Speaker 2>think that's Taylor Swift coated, I don't know what to

1:21:30.479 --> 1:21:34.200
<v Speaker 2>tell you. But she didn't show up. She had cold

1:21:34.200 --> 1:21:36.839
<v Speaker 2>feet and she decided not to. Obviously it's a sliding

1:21:36.840 --> 1:21:39.479
<v Speaker 2>door moment, like what could have happened. But the plan

1:21:39.600 --> 1:21:42.320
<v Speaker 2>was to drive to Mexico, which also seems so hard.

1:21:42.400 --> 1:21:43.559
<v Speaker 2>Get a boat, go to an island.

1:21:43.600 --> 1:21:45.759
<v Speaker 1>See want tona Ho. That's the whole point of shosh

1:21:45.760 --> 1:21:48.879
<v Speaker 1>anng retemption. They want to go to Zeewat Naho in Mexico.

1:21:49.360 --> 1:21:52.599
<v Speaker 1>Oh yeah, and so, but Joyce was safe.

1:21:52.680 --> 1:21:54.840
<v Speaker 2>So she actually checked herself into a hospital with a

1:21:54.840 --> 1:21:57.320
<v Speaker 2>case of the nerves and claiming that she had chest pain.

1:21:57.720 --> 1:22:00.920
<v Speaker 2>And this for sure saved her life. Like they would

1:22:00.960 --> 1:22:04.080
<v Speaker 2>have killed her eventually, you know what I mean. Yeah, Okay,

1:22:04.120 --> 1:22:08.439
<v Speaker 2>so they escape, they are gone for twenty two days.

1:22:10.160 --> 1:22:15.559
<v Speaker 2>That is humiliating. You have fifteen hundred officers and it

1:22:15.600 --> 1:22:18.400
<v Speaker 2>took you that long. I just think that's so embarrassing.

1:22:18.960 --> 1:22:21.960
<v Speaker 2>Like ABC News quoted someone that said it's a portrait

1:22:22.000 --> 1:22:25.040
<v Speaker 2>of a broken prison system, and officials said both men

1:22:25.120 --> 1:22:28.240
<v Speaker 2>took advantage of it to stage this escape. And it's like, no,

1:22:28.320 --> 1:22:31.560
<v Speaker 2>you're bad at your jobs, Like this isn't a systemic

1:22:31.680 --> 1:22:35.000
<v Speaker 2>it like there's issues within the prison system and it's

1:22:35.000 --> 1:22:38.040
<v Speaker 2>mostly how we treat prisoners and like that it's private visites,

1:22:38.200 --> 1:22:41.360
<v Speaker 2>Like I like, this isn't part of a broken prison.

1:22:41.560 --> 1:22:44.040
<v Speaker 2>You guys weren't doing your searches and you let someone

1:22:44.080 --> 1:22:46.800
<v Speaker 2>take let out of their cell eighty five times, like

1:22:46.920 --> 1:22:49.680
<v Speaker 2>it is wild to me that they think it's like

1:22:49.720 --> 1:22:52.800
<v Speaker 2>systemic when it's like, no, your your prison sucks. You

1:22:52.840 --> 1:22:54.080
<v Speaker 2>would think like once.

1:22:53.840 --> 1:22:56.680
<v Speaker 1>A week there'd be like a full sweep of your

1:22:56.720 --> 1:23:00.000
<v Speaker 1>cell to make sure no holes or whatever are being.

1:23:00.080 --> 1:23:01.840
<v Speaker 2>Oh my god, it's gonna get better and better. I

1:23:01.840 --> 1:23:05.160
<v Speaker 2>can't wait. Okay. So, and I think that's why we

1:23:05.439 --> 1:23:08.120
<v Speaker 2>cheer on prison breaks. It's because it is embarrassing to

1:23:08.160 --> 1:23:11.280
<v Speaker 2>the like all to the system. Okay, but you know

1:23:11.320 --> 1:23:13.799
<v Speaker 2>it is a whole community is scared. They're in their homes.

1:23:13.800 --> 1:23:16.560
<v Speaker 2>They're like uh oh, and people are forced out of

1:23:16.560 --> 1:23:18.840
<v Speaker 2>their homes so searches can happen. Also told not to

1:23:18.960 --> 1:23:22.280
<v Speaker 2>leave their house. Also, like what if they're hiding in

1:23:22.320 --> 1:23:25.599
<v Speaker 2>your home? It is all very very cleick. Yeah. It

1:23:25.640 --> 1:23:29.320
<v Speaker 2>costs so the overtime for the cops alone New York State,

1:23:29.360 --> 1:23:33.960
<v Speaker 2>it costs twenty three million dollars. WHOA. And it's like

1:23:34.160 --> 1:23:38.040
<v Speaker 2>it's your own fucking failures. So all the failures. So

1:23:39.000 --> 1:23:43.080
<v Speaker 2>they failed to search bags of employees brought into the facility,

1:23:43.479 --> 1:23:47.639
<v Speaker 2>they skipped prisoner accounts, they skipped cell searches, and even

1:23:47.640 --> 1:23:50.679
<v Speaker 2>when they did search they were hasty. So Matt's cell

1:23:50.840 --> 1:23:54.400
<v Speaker 2>was searched March twenty first, twenty fifteen, and they failed

1:23:54.479 --> 1:23:57.400
<v Speaker 2>to detect an eighteen and a half inch hole in

1:23:57.479 --> 1:24:00.439
<v Speaker 2>the rear wall of the cell. That and the the

1:24:00.439 --> 1:24:03.839
<v Speaker 2>whole cell is only forty eight square feet. Oh my god.

1:24:04.600 --> 1:24:06.600
<v Speaker 2>So there was like a hole during the search and

1:24:06.680 --> 1:24:09.639
<v Speaker 2>no one ever saw it, And supervisors also knew about

1:24:09.640 --> 1:24:12.799
<v Speaker 2>Mitchell's weird relationship with them, and no action was ever taken.

1:24:13.280 --> 1:24:16.640
<v Speaker 2>Like colleagues and supervisors called out Mitchell for her chumminess

1:24:16.680 --> 1:24:19.720
<v Speaker 2>at the start of twenty twelve, like a lot of

1:24:19.720 --> 1:24:21.680
<v Speaker 2>people had to retire. So even after all of this,

1:24:21.880 --> 1:24:25.160
<v Speaker 2>seven other prison employees resigned or retired because they fucking

1:24:25.200 --> 1:24:27.200
<v Speaker 2>knew shit was going down and didn't stop it.

1:24:28.360 --> 1:24:31.599
<v Speaker 1>So she cocked her husband pretty bad, huh, Like at work,

1:24:31.880 --> 1:24:34.000
<v Speaker 1>Come on, man, that's humiliating for him.

1:24:34.000 --> 1:24:37.080
<v Speaker 2>Crazier it gets easier. I'm like' so what I mean?

1:24:37.200 --> 1:24:40.679
<v Speaker 2>I mean, obviously these people are murderers, but it's hard

1:24:40.720 --> 1:24:42.439
<v Speaker 2>not to like, like, I mean, it is an easy

1:24:42.479 --> 1:24:45.400
<v Speaker 2>day in the office for us personally, like in terms

1:24:45.400 --> 1:24:49.360
<v Speaker 2>of cases like this is right nice, you know, yeah,

1:24:49.400 --> 1:24:51.160
<v Speaker 2>so you know, two and a half weeks go by

1:24:51.800 --> 1:24:54.639
<v Speaker 2>June twenty six, police get reports of shots fire near

1:24:55.040 --> 1:24:58.599
<v Speaker 2>Route thirty and a driver of an RVs had bullet

1:24:58.600 --> 1:25:01.439
<v Speaker 2>holes inside of his camper. So then there's a sighting

1:25:01.479 --> 1:25:05.640
<v Speaker 2>of Richard Matt, crazy name. So there's a sighting of

1:25:05.720 --> 1:25:09.160
<v Speaker 2>Richard Matt in the woods and US Customs tactical team

1:25:09.280 --> 1:25:12.639
<v Speaker 2>confront him and there's a shootout and Matt is killed sadly,

1:25:12.760 --> 1:25:15.120
<v Speaker 2>so there is there is death. He was surrounded by

1:25:15.160 --> 1:25:18.759
<v Speaker 2>police near Elephant's Head, about fifty miles from the prison,

1:25:19.200 --> 1:25:21.400
<v Speaker 2>and the day they found him was because okay, so

1:25:22.240 --> 1:25:25.000
<v Speaker 2>you know, they get they get people calling in, they

1:25:25.040 --> 1:25:27.519
<v Speaker 2>know he's around. But he had a gun, and he

1:25:27.640 --> 1:25:29.519
<v Speaker 2>was in a normal position and he could have caught

1:25:29.600 --> 1:25:33.840
<v Speaker 2>but he coughed. He coughed. Oh no, that's what gave

1:25:33.920 --> 1:25:36.760
<v Speaker 2>up his position. He coughed, and there are tons of

1:25:37.479 --> 1:25:40.400
<v Speaker 2>border people. Matt was armed with a twenty gage shotgun,

1:25:40.520 --> 1:25:43.200
<v Speaker 2>laying in the woods, aiming at the agent's post. Cough.

1:25:43.200 --> 1:25:45.040
<v Speaker 2>They're like, put down your weapons, put your hands up.

1:25:45.080 --> 1:25:47.320
<v Speaker 2>He did not comply, so he was shot and killed.

1:25:48.040 --> 1:25:50.479
<v Speaker 2>But from that was set up the perimeter to find

1:25:50.520 --> 1:25:55.120
<v Speaker 2>his friend's Sweat. So once Sweat's friend was dead, like

1:25:55.800 --> 1:25:59.320
<v Speaker 2>Sweat would only travel at night avoid locals, and he

1:25:59.400 --> 1:26:02.400
<v Speaker 2>shaved his face, but he did make a mistake. He

1:26:02.520 --> 1:26:04.559
<v Speaker 2>was becoming anxious, so he decided to move in the

1:26:04.640 --> 1:26:08.240
<v Speaker 2>daylight and then was spotted. So, I mean, who knows

1:26:08.240 --> 1:26:10.719
<v Speaker 2>if you just waited for nighttime what could have happened.

1:26:10.720 --> 1:26:12.760
<v Speaker 2>But the cop I mean fifteen hundred cops were in

1:26:12.760 --> 1:26:16.240
<v Speaker 2>the area and the border Canada US teams too, So

1:26:16.280 --> 1:26:19.240
<v Speaker 2>it's I can't imagine this. They're just like in wilderness

1:26:19.280 --> 1:26:22.839
<v Speaker 2>the whole time. Yeah, well there's towns. I think it's rural,

1:26:22.960 --> 1:26:25.760
<v Speaker 2>you know, but like, yeah, but that's why you can't

1:26:25.760 --> 1:26:28.559
<v Speaker 2>be in there in the day because I'm assuming small

1:26:28.600 --> 1:26:31.840
<v Speaker 2>town where people know of each other, like yeah, even

1:26:32.680 --> 1:26:37.120
<v Speaker 2>my god. Yeah. So two days after Matt finally, June

1:26:37.160 --> 1:26:39.519
<v Speaker 2>twenty eighth, a sergeant with the State Police observes a

1:26:39.600 --> 1:26:42.519
<v Speaker 2>dude walking in a field close to the Canadian border,

1:26:42.520 --> 1:26:44.800
<v Speaker 2>which ended up being David Sweat. He was shot in

1:26:44.840 --> 1:26:47.080
<v Speaker 2>the torso and brought into custody. He was only a

1:26:47.080 --> 1:26:49.720
<v Speaker 2>mile and a half from the Canadian border. Oh, he

1:26:49.760 --> 1:26:53.280
<v Speaker 2>was close. He was. He was not armed when found

1:26:53.360 --> 1:26:55.559
<v Speaker 2>and he did try to run though, and that's why

1:26:55.560 --> 1:27:01.160
<v Speaker 2>he got shot. Joyce aka Bronwin aka the prison Hoe.

1:27:01.720 --> 1:27:05.160
<v Speaker 2>She was convicted for providing material support to the prisoners.

1:27:05.280 --> 1:27:08.000
<v Speaker 2>She was fifty three years old and obviously like she

1:27:08.040 --> 1:27:11.240
<v Speaker 2>was manipulated by these people, Like you know, she's not.

1:27:12.560 --> 1:27:14.599
<v Speaker 2>I mean, I'm making fun of her, but I'm sure

1:27:14.600 --> 1:27:17.080
<v Speaker 2>she's a victim of something. But she fucked up. Sorry,

1:27:17.720 --> 1:27:22.200
<v Speaker 2>she pled guilty. She pled guilty for promoting prison contraband

1:27:22.200 --> 1:27:25.200
<v Speaker 2>in the first degree and then criminal facilitation in the

1:27:25.240 --> 1:27:28.200
<v Speaker 2>fourth degree. She was sentenced to two and a half

1:27:28.280 --> 1:27:31.439
<v Speaker 2>to eight years in September twenty fifteen, an order to

1:27:31.439 --> 1:27:34.799
<v Speaker 2>pay also eighty thousand dollars in restitution for damages incurred

1:27:34.880 --> 1:27:37.600
<v Speaker 2>during the escape. She did tell the judge if she

1:27:37.600 --> 1:27:40.679
<v Speaker 2>could take it all back, she would, so that's staby.

1:27:40.760 --> 1:27:42.960
<v Speaker 2>She news she does regret it. She said it was

1:27:43.080 --> 1:27:46.400
<v Speaker 2>the biggest mistake she's ever made. She was denied parole

1:27:46.479 --> 1:27:48.800
<v Speaker 2>in February twenty seventeen because the board said she was

1:27:48.840 --> 1:27:55.080
<v Speaker 2>emotionally unstable and easily manipulated. Yikes. Mitchell was released from

1:27:55.120 --> 1:27:59.680
<v Speaker 2>prison in February twenty twenty Wow write in time for

1:28:00.200 --> 1:28:04.519
<v Speaker 2>COVID crazy after serving five years at Bedford Hill's correctional

1:28:04.520 --> 1:28:07.360
<v Speaker 2>facility in Westchester County. New this is close to where

1:28:07.360 --> 1:28:07.840
<v Speaker 2>I grew up.

1:28:07.920 --> 1:28:10.559
<v Speaker 1>That's only like twenty five minutes from where I grew

1:28:10.600 --> 1:28:11.880
<v Speaker 1>up twenty or thirty.

1:28:12.240 --> 1:28:14.360
<v Speaker 2>Yeah, we have a lot of prisons, I guess in

1:28:14.400 --> 1:28:19.559
<v Speaker 2>the tri state situation. She was also then supervised in

1:28:19.600 --> 1:28:23.000
<v Speaker 2>Franklin County until June twenty twenty two. She also had

1:28:23.000 --> 1:28:25.439
<v Speaker 2>to give up her teaching certificate. Maybe she was a

1:28:25.479 --> 1:28:29.080
<v Speaker 2>tailor teacher, but the plea deal, she needs to know,

1:28:29.479 --> 1:28:32.920
<v Speaker 2>not teach anyone anything. She went back to her house

1:28:32.960 --> 1:28:37.759
<v Speaker 2>that she shared with her husband, and Lyle Mitchell visited

1:28:37.800 --> 1:28:41.000
<v Speaker 2>his wife every other weekend. Throughout her sentence.

1:28:41.400 --> 1:28:44.320
<v Speaker 1>Oh maybe he like knew that she was just such

1:28:44.360 --> 1:28:46.800
<v Speaker 1>a suggestible person and like felt bad for her, like

1:28:46.840 --> 1:28:49.799
<v Speaker 1>because she got manipulated because she just doesn't have any.

1:28:51.320 --> 1:28:56.439
<v Speaker 2>I don't know. Oh Man anyway, So now Sweat almost

1:28:56.520 --> 1:28:59.479
<v Speaker 2>right away after being captured, started bragging to the cops.

1:28:59.479 --> 1:29:01.800
<v Speaker 2>He's like, this was all my idea. But his friend

1:29:01.880 --> 1:29:06.760
<v Speaker 2>is dead, so we don't actually know anything, Like his

1:29:06.880 --> 1:29:10.360
<v Speaker 2>friend in cohort is dead, and so this gossip he

1:29:10.520 --> 1:29:13.360
<v Speaker 2>just started chatting. So a lot of what comes after

1:29:13.400 --> 1:29:17.200
<v Speaker 2>this is like what he's told us, which I don't

1:29:17.240 --> 1:29:19.000
<v Speaker 2>know if it's true or not. But because he was

1:29:19.040 --> 1:29:22.800
<v Speaker 2>already serving life in prison. Now he's serving life at

1:29:22.800 --> 1:29:27.560
<v Speaker 2>the Five Points Correctional Facility, and you know Max Security

1:29:27.600 --> 1:29:29.599
<v Speaker 2>in Romulus, New York, which is two hundred and eighty

1:29:29.640 --> 1:29:32.679
<v Speaker 2>miles south of Clinton. And it's like you fool. Now

1:29:32.720 --> 1:29:36.439
<v Speaker 2>he's in solitary confinement twenty three hours a day. Like

1:29:36.479 --> 1:29:39.479
<v Speaker 2>you were getting big Max, you were getting nudes. You

1:29:39.520 --> 1:29:45.040
<v Speaker 2>were walking around painting, Like what a fucking idiot? Like yeah,

1:29:45.160 --> 1:29:47.120
<v Speaker 2>even with the car. But I guess freedom, I mean

1:29:47.160 --> 1:29:50.400
<v Speaker 2>I can't. I can't speak for his killers. A spokesperson

1:29:50.439 --> 1:29:52.439
<v Speaker 2>for New York State Department of Correction set in a

1:29:52.479 --> 1:29:55.600
<v Speaker 2>report to the intelligence sir, which is like a New

1:29:55.680 --> 1:29:58.880
<v Speaker 2>York magazine part. The department has put in place a

1:29:58.960 --> 1:30:03.040
<v Speaker 2>number of reforms that Clinton, including installing new cameras, security gates,

1:30:03.120 --> 1:30:05.680
<v Speaker 2>retraining and disciplining staff to make sure this does not

1:30:05.800 --> 1:30:09.080
<v Speaker 2>happen again. The upgrades to the prison and like to

1:30:09.160 --> 1:30:12.160
<v Speaker 2>repair the damage cost five hundred and seventy three thousand dollars.

1:30:12.360 --> 1:30:15.040
<v Speaker 2>But like I said, this report, I mean, this place

1:30:15.200 --> 1:30:17.600
<v Speaker 2>was wild. I don't know what's going down in the

1:30:17.600 --> 1:30:20.320
<v Speaker 2>tailor shop, like I said, But another worker Denise Prow

1:30:20.479 --> 1:30:24.720
<v Speaker 2>was arrested in twenty seventeen for an unlawful romantic relationship

1:30:24.840 --> 1:30:27.680
<v Speaker 2>that included kissing and fondling on at least three occasions.

1:30:28.160 --> 1:30:30.240
<v Speaker 2>So I think, like the tailor shop is just like

1:30:30.439 --> 1:30:33.320
<v Speaker 2>cool women and there's freedom and they're just fucking in there.

1:30:33.880 --> 1:30:37.240
<v Speaker 2>She this woman was making deposits and inmates prison accounts.

1:30:37.680 --> 1:30:40.880
<v Speaker 2>She paid off his debts for him, and she was

1:30:41.200 --> 1:30:44.639
<v Speaker 2>found out. She pled guilty to twenty five misdemeanor counts,

1:30:44.680 --> 1:30:49.040
<v Speaker 2>including promoting prison contraband, sexual abuse, and official misconduct. So

1:30:49.080 --> 1:30:51.880
<v Speaker 2>that you can watch this movie or mini series if

1:30:51.920 --> 1:30:55.599
<v Speaker 2>you want. And so Patricia Kett won the Golden Globe

1:30:55.640 --> 1:31:00.839
<v Speaker 2>SAG and Critics Choice, Stiller won the Director's guilda too,

1:31:01.320 --> 1:31:03.799
<v Speaker 2>And it was nominated for seven Emmys. And it's Benisio

1:31:03.880 --> 1:31:08.400
<v Speaker 2>del Toro and Paul Dano played the other guy, which

1:31:08.439 --> 1:31:10.680
<v Speaker 2>makes sense. Once you see the photos go on her

1:31:10.680 --> 1:31:13.360
<v Speaker 2>instell we'll put it. They'll be photos of them and

1:31:13.520 --> 1:31:18.519
<v Speaker 2>like and sweat is Vanicio? Yeah, Okay, No, I always

1:31:18.520 --> 1:31:21.960
<v Speaker 2>actually fuck it up. They look opposite. It looks it's

1:31:21.960 --> 1:31:24.280
<v Speaker 2>truly the Fox and the Hound. It's like, how were

1:31:24.320 --> 1:31:27.920
<v Speaker 2>they friends? Obviously art brought them together. But and then

1:31:27.960 --> 1:31:30.120
<v Speaker 2>because each time I was like, wait, which one, which

1:31:30.200 --> 1:31:30.719
<v Speaker 2>one's which?

1:31:32.760 --> 1:31:36.080
<v Speaker 1>Oh yeah, it's the opposite. Okay, it's the opposite, And

1:31:37.000 --> 1:31:37.919
<v Speaker 1>is Matt okay?

1:31:38.320 --> 1:31:41.200
<v Speaker 2>Yeah, yes, It's really actually hard for me to keep

1:31:41.240 --> 1:31:42.720
<v Speaker 2>them straight because I was just like, oh, yeah, so

1:31:42.760 --> 1:31:45.200
<v Speaker 2>she was fucking that guy interesting, you know, like.

1:31:45.240 --> 1:31:47.160
<v Speaker 1>But also because you were like saying that, you were

1:31:47.160 --> 1:31:48.960
<v Speaker 1>saying that like Sweat was like the one that's like

1:31:49.000 --> 1:31:51.360
<v Speaker 1>more competent and it's gregarious, and that to me is

1:31:51.360 --> 1:31:53.120
<v Speaker 1>like a Benicio rather than a Paul.

1:31:53.000 --> 1:31:57.040
<v Speaker 2>Dano, you know. Or is that what Matt was? Yeah, yeah,

1:31:57.040 --> 1:31:59.120
<v Speaker 2>that's what I mean. It's like it really like I

1:31:59.160 --> 1:32:01.479
<v Speaker 2>had to keep checking photos and making sure which ones

1:32:01.479 --> 1:32:03.920
<v Speaker 2>witch in my head and mixing them up throughout this

1:32:04.439 --> 1:32:06.920
<v Speaker 2>then direity of this whole thing, like I cannot keep

1:32:06.960 --> 1:32:10.720
<v Speaker 2>it straight. It's a Mandela effect in true action, Like

1:32:12.000 --> 1:32:14.519
<v Speaker 2>I am forgetting their faces and names as I've gone,

1:32:14.600 --> 1:32:17.400
<v Speaker 2>so you can watch more. Never even heard of this show,

1:32:17.560 --> 1:32:20.000
<v Speaker 2>I can't. I don't know where I've been. And so

1:32:20.120 --> 1:32:22.960
<v Speaker 2>oh okay, So the other inmate from the tailor's shop,

1:32:23.000 --> 1:32:27.799
<v Speaker 2>prel actually was hired as an assistant to actress Patricia Arquette,

1:32:28.000 --> 1:32:33.439
<v Speaker 2>who played Joyce in the show whow So she got fired?

1:32:33.520 --> 1:32:36.000
<v Speaker 2>You know, she got charged, but she got a job

1:32:36.040 --> 1:32:42.040
<v Speaker 2>in Hollywood. Also, also the report I keep mentioning is

1:32:42.080 --> 1:32:45.320
<v Speaker 2>from the State of New York Office of the Inspector General.

1:32:45.680 --> 1:32:47.920
<v Speaker 2>And it's one hundred and fifty four pages. It will

1:32:47.960 --> 1:32:49.920
<v Speaker 2>be linked in our sources if you want to get

1:32:49.920 --> 1:32:53.520
<v Speaker 2>in there. Also the New York magazine sorts The Intelligencer

1:32:54.080 --> 1:32:56.640
<v Speaker 2>had so many photos and I really liked it, like

1:32:56.680 --> 1:32:59.320
<v Speaker 2>of the tailor shop and just all the evidence and

1:32:59.680 --> 1:33:03.920
<v Speaker 2>the whole and everything. And obviously we've mentioned Shashank a bunch.

1:33:03.960 --> 1:33:06.559
<v Speaker 2>And if you're thinking that wasn't talked about and on

1:33:06.600 --> 1:33:09.880
<v Speaker 2>the inside, you are wrong. They talked about it. They

1:33:09.880 --> 1:33:12.720
<v Speaker 2>read the novella and they used it as a source,

1:33:12.960 --> 1:33:15.519
<v Speaker 2>like like he learned how not to fuck with certain

1:33:15.600 --> 1:33:18.679
<v Speaker 2>pipes that are filled with shit. Like Sweat is quoted

1:33:18.720 --> 1:33:21.479
<v Speaker 2>in New York Magazine also saying Shawshank ain't got shit

1:33:21.600 --> 1:33:25.599
<v Speaker 2>on me. But it's like, well you got caught or dead.

1:33:25.720 --> 1:33:28.840
<v Speaker 2>I forgot, but you know they actually made Yeah, Shaw

1:33:28.880 --> 1:33:32.120
<v Speaker 2>Shank is different. And because the fun doesn't end with

1:33:32.200 --> 1:33:35.360
<v Speaker 2>the story, just more facts. Is Sweat was like, oh

1:33:35.400 --> 1:33:37.400
<v Speaker 2>my god, I was in the best shape of my life.

1:33:37.520 --> 1:33:40.439
<v Speaker 2>I lost thirty pounds climbing through the tunnels and hacksong

1:33:40.560 --> 1:33:43.240
<v Speaker 2>through pipes. So it's like the coolest workout ever. I

1:33:43.240 --> 1:33:45.760
<v Speaker 2>think is trying to escape from prison like he was,

1:33:45.840 --> 1:33:49.559
<v Speaker 2>just like I was feeling myself. So during all this

1:33:49.600 --> 1:33:51.919
<v Speaker 2>hack song. This is actually interesting because of their friendship

1:33:51.960 --> 1:33:56.679
<v Speaker 2>and how quickly it all dissolved. But through the hack

1:33:56.720 --> 1:34:00.040
<v Speaker 2>song and the planning and the process he did I

1:34:00.080 --> 1:34:03.040
<v Speaker 2>end up opening the manhole and putting his head out

1:34:03.080 --> 1:34:05.519
<v Speaker 2>into freedom. But he did make a promise to Matt

1:34:05.840 --> 1:34:07.559
<v Speaker 2>and he wanted to stick to his words, so he

1:34:07.600 --> 1:34:11.639
<v Speaker 2>went back for his friend wow Or because he thought

1:34:11.640 --> 1:34:13.200
<v Speaker 2>he was gonna have the car with Joyce, but he

1:34:13.240 --> 1:34:15.600
<v Speaker 2>said he did. But again, he could be long like

1:34:15.640 --> 1:34:24.599
<v Speaker 2>we don't know, damn, damn, Amora. That is nuts. Yeah,

1:34:24.720 --> 1:34:26.160
<v Speaker 2>I remember when it was on the news.

1:34:26.200 --> 1:34:28.840
<v Speaker 1>I remember I cannot believe how long they've been gone,

1:34:28.880 --> 1:34:32.479
<v Speaker 1>for like three weeks. Like I just don't get how

1:34:32.520 --> 1:34:34.879
<v Speaker 1>they were, like I guess, yeah, like sneaking into cabins

1:34:34.920 --> 1:34:37.840
<v Speaker 1>and shit, I just don't get how they were like surviving, like.

1:34:37.760 --> 1:34:42.120
<v Speaker 2>They're eating they took stuff with them, so like they

1:34:42.200 --> 1:34:45.880
<v Speaker 2>had I didn't put this in me. They took a

1:34:45.880 --> 1:34:50.320
<v Speaker 2>bunch of pepperoni sticks, they had a bunch of granola bars,

1:34:50.840 --> 1:34:54.280
<v Speaker 2>and there was like one other snack that they they

1:34:54.439 --> 1:34:56.160
<v Speaker 2>had with back piling. Wow.

1:34:56.360 --> 1:35:00.720
<v Speaker 1>Yeah, so they had food with them, and yeah, that's

1:35:00.720 --> 1:35:02.720
<v Speaker 1>such a good question. I really wonder what they were

1:35:02.760 --> 1:35:04.479
<v Speaker 1>saying to each other when they came out and she

1:35:04.640 --> 1:35:07.240
<v Speaker 1>wasn't there, Like your.

1:35:07.160 --> 1:35:11.000
<v Speaker 2>Little girlfriend didn't pick us up? Like fuck, I know,

1:35:11.479 --> 1:35:15.160
<v Speaker 2>such a different Yeah, I so many sliding door moments,

1:35:15.280 --> 1:35:20.280
<v Speaker 2>so interesting, but yeah, you fucked it up. Now you're

1:35:20.320 --> 1:35:23.439
<v Speaker 2>in solitary, Like I don't I mean, I hope I'd

1:35:23.439 --> 1:35:25.559
<v Speaker 2>never have to be in prison, so I don't know.

1:35:25.840 --> 1:35:29.840
<v Speaker 2>It must suck. But this prison seemed pretty good. Yeah, like,

1:35:30.280 --> 1:35:33.840
<v Speaker 2>well good for an inmate, because they that's what I mean. Yeah, yeah,

1:35:33.880 --> 1:35:36.719
<v Speaker 2>like you're getting big max, Like this woman is having

1:35:36.840 --> 1:35:39.519
<v Speaker 2>sex with you. The guards aren't even putting you through

1:35:39.520 --> 1:35:43.680
<v Speaker 2>metal detectors. I don't you. I don't know.

1:35:44.960 --> 1:35:47.080
<v Speaker 1>I saw some video that popped up on my Twitter

1:35:47.160 --> 1:35:51.200
<v Speaker 1>before I quit Twitter that was like literally a female

1:35:51.439 --> 1:35:55.320
<v Speaker 1>corrections officer fucking up uh inmate. Like it's like just

1:35:55.360 --> 1:35:58.120
<v Speaker 1>like a fully pornographic video of them having sex and

1:35:58.760 --> 1:36:01.320
<v Speaker 1>his sound mate is taking the video and she's not

1:36:01.320 --> 1:36:03.960
<v Speaker 1>telling him to stop. But they're in like a room

1:36:04.040 --> 1:36:06.240
<v Speaker 1>that has bunk beds. They have tons of stuff. I

1:36:06.560 --> 1:36:08.240
<v Speaker 1>think maybe they might be in the UK. I don't

1:36:08.240 --> 1:36:11.000
<v Speaker 1>know if jails are different, but like they have a

1:36:11.160 --> 1:36:12.920
<v Speaker 1>kettle they have like it looks like they're in a

1:36:12.920 --> 1:36:15.320
<v Speaker 1>dorm room like they're and they've got so much stuff.

1:36:15.720 --> 1:36:20.160
<v Speaker 2>I think. I think if you're serving that long, like

1:36:20.200 --> 1:36:22.639
<v Speaker 2>with commissary, and then you have jobs and yourn money,

1:36:22.640 --> 1:36:27.240
<v Speaker 2>you can get stuff you can have. Yeah, yeah, because

1:36:27.280 --> 1:36:30.439
<v Speaker 2>I've seen that before, and not just in Oz, like

1:36:31.600 --> 1:36:36.439
<v Speaker 2>because there's TikTok prison prison videos that's bustin' and they'll

1:36:36.479 --> 1:36:39.000
<v Speaker 2>make like recipes and then at the end they'll taste

1:36:39.040 --> 1:36:42.360
<v Speaker 2>sim be like that's bustin' or not bustin', and how bustin'

1:36:42.360 --> 1:36:44.840
<v Speaker 2>it is. But it's like ramen sandwiches and how they

1:36:44.880 --> 1:36:47.600
<v Speaker 2>make sauces and like, oh, and you know I was

1:36:47.640 --> 1:36:50.519
<v Speaker 2>telling you about in Sacramento when I was performing and

1:36:50.520 --> 1:36:52.439
<v Speaker 2>there was like someone that served prison time and he

1:36:52.520 --> 1:36:56.200
<v Speaker 2>made money making sweet and sour sauce that he would sell. Yes,

1:36:56.320 --> 1:36:58.680
<v Speaker 2>I remember so I think at a certain point, when

1:36:58.680 --> 1:37:01.880
<v Speaker 2>you're in there and you know you are living a life,

1:37:01.920 --> 1:37:04.320
<v Speaker 2>you get to have cup of noodles.

1:37:04.880 --> 1:37:10.320
<v Speaker 1>But yeah, I mean like I feel like sweat or wait,

1:37:10.360 --> 1:37:12.200
<v Speaker 1>I'm sorry, which one got killed Mat exactly?

1:37:12.240 --> 1:37:14.599
<v Speaker 2>It's like crazy to kid. Yeah, and I don't know why.

1:37:15.360 --> 1:37:18.080
<v Speaker 1>Matt was probably like, yeah, I'm not putting my hands up,

1:37:18.120 --> 1:37:19.720
<v Speaker 1>like I don't want to go back, just like kill me,

1:37:19.920 --> 1:37:23.320
<v Speaker 1>you know, right, like you knew he wasn't gonna get away.

1:37:24.120 --> 1:37:26.720
<v Speaker 1>But that's kind of I mean, that's kind of like

1:37:26.760 --> 1:37:28.320
<v Speaker 1>what Yates did, I guess in the end of that

1:37:28.400 --> 1:37:32.880
<v Speaker 1>Chicago Pet episode. Anyway, We've got a great guest, so

1:37:33.080 --> 1:37:43.960
<v Speaker 1>don't go anywhere. Our guest this week is an actor

1:37:44.240 --> 1:37:47.639
<v Speaker 1>and podcaster. She most recently starred in the mini series

1:37:47.720 --> 1:37:50.439
<v Speaker 1>Fleischmann Is in Trouble. She can be seen on The

1:37:50.560 --> 1:37:53.640
<v Speaker 1>Deuce the Marvelous Missus Masel. But let's be honest, you

1:37:53.680 --> 1:37:56.080
<v Speaker 1>know her best as one of the most infuriating characters

1:37:56.200 --> 1:38:01.800
<v Speaker 1>in SVU history, prison Groupie Bronwyn Wilkins Nay Freed. Please

1:38:01.920 --> 1:38:08.559
<v Speaker 1>enjoy our chat with Sarah Storm. Hello, I feel like

1:38:08.600 --> 1:38:10.720
<v Speaker 1>we've been corresponding.

1:38:11.320 --> 1:38:13.679
<v Speaker 2>Yeah, we've been corresponding with did I write you when

1:38:13.680 --> 1:38:14.759
<v Speaker 2>you announced your show?

1:38:15.240 --> 1:38:19.000
<v Speaker 1>Well right away to you on the artist formerly known

1:38:19.000 --> 1:38:22.360
<v Speaker 1>as Twitter a lot about us, how we were going

1:38:22.400 --> 1:38:23.479
<v Speaker 1>to have you one day and we.

1:38:23.479 --> 1:38:26.479
<v Speaker 2>Just had for the right moment. Yeah, the fork in

1:38:26.520 --> 1:38:29.759
<v Speaker 2>the road and is we don't want to watch those episodes.

1:38:29.760 --> 1:38:32.600
<v Speaker 2>They're horrifying, So like the William Bullis episodes are the

1:38:32.640 --> 1:38:36.000
<v Speaker 2>most scary. And so it was like, we'll take our time.

1:38:36.520 --> 1:38:38.519
<v Speaker 2>And then because this is kind of a two parter,

1:38:38.720 --> 1:38:42.280
<v Speaker 2>we had to get you know, yeah, like what did

1:38:42.400 --> 1:38:44.760
<v Speaker 2>we get Rednick or Yeah, we got ra first, we

1:38:44.800 --> 1:38:47.280
<v Speaker 2>got Dallas, then we had to get Jefferson Mays, and

1:38:47.320 --> 1:38:49.599
<v Speaker 2>then we got you for Niche. Man, it's what works out,

1:38:49.640 --> 1:38:51.160
<v Speaker 2>you know. It's like there's a lot of amazings.

1:38:51.479 --> 1:38:53.920
<v Speaker 3>People don't know how the sausage is made. But you know,

1:38:54.720 --> 1:38:57.400
<v Speaker 3>I'm like, I'm honored. I'm honored to be considered in

1:38:57.439 --> 1:38:58.040
<v Speaker 3>their company.

1:38:58.040 --> 1:39:02.280
<v Speaker 2>Are you kidding? Yeah, it's I mean, you must get

1:39:02.280 --> 1:39:04.280
<v Speaker 2>stopped on the streets of New York, Like there's no

1:39:04.360 --> 1:39:08.240
<v Speaker 2>way you just go through life with oh mention, I

1:39:08.320 --> 1:39:10.640
<v Speaker 2>just can't imagine. It depends.

1:39:10.720 --> 1:39:12.920
<v Speaker 3>It depends on the glasses I'm wearing and I'm realizing

1:39:12.960 --> 1:39:15.040
<v Speaker 3>these glasses are a little bit like those glasses where

1:39:15.439 --> 1:39:17.599
<v Speaker 3>it depends on like sort of what I look like

1:39:17.760 --> 1:39:20.160
<v Speaker 3>and what it can usually tell when things are airing,

1:39:20.360 --> 1:39:23.640
<v Speaker 3>because then people are like, hey, and yeah.

1:39:23.280 --> 1:39:24.519
<v Speaker 2>This is this is so silly.

1:39:24.560 --> 1:39:26.559
<v Speaker 3>But like I think when I started to have like

1:39:26.560 --> 1:39:29.240
<v Speaker 3>a reasonable understanding of what was possible for me as

1:39:29.240 --> 1:39:30.800
<v Speaker 3>an actor, I was like, I would kind of like

1:39:30.880 --> 1:39:34.080
<v Speaker 3>to be that person you can sort of you can't

1:39:34.120 --> 1:39:36.559
<v Speaker 3>quite place. It's like inscrutable. Did you go to high

1:39:36.560 --> 1:39:38.400
<v Speaker 3>school with them? Yeah, and that is kind of where

1:39:38.439 --> 1:39:41.879
<v Speaker 3>things have landed. So yeah, I remember asking Selene Robinson

1:39:41.920 --> 1:39:43.839
<v Speaker 3>at some point on set, like as I was basically

1:39:43.880 --> 1:39:46.559
<v Speaker 3>profusely thanking them and then as coolly a manner as

1:39:46.600 --> 1:39:50.040
<v Speaker 3>I possibly could as a deeply unchilled person, and they

1:39:50.040 --> 1:39:52.879
<v Speaker 3>were looking for somebody who was kind of like unhinged

1:39:53.000 --> 1:39:55.680
<v Speaker 3>enough to do this, and somebody blessed them brought my

1:39:55.760 --> 1:39:57.920
<v Speaker 3>name up and was like, you know, this is kind

1:39:57.920 --> 1:39:58.880
<v Speaker 3>of Bronwin style.

1:39:59.600 --> 1:40:03.200
<v Speaker 1>Yeah, we've already had She's already let one major guy out.

1:40:03.280 --> 1:40:06.200
<v Speaker 2>Let's let this. I mean there are types that you've

1:40:06.240 --> 1:40:09.439
<v Speaker 2>got hired again at the person, I mean, at a

1:40:09.439 --> 1:40:12.160
<v Speaker 2>person it's like yeah, I know, I know.

1:40:12.360 --> 1:40:15.040
<v Speaker 3>I'm like, man, she got crafty after that after that

1:40:15.080 --> 1:40:15.839
<v Speaker 3>first instance.

1:40:15.920 --> 1:40:17.840
<v Speaker 2>Well, we were on winding it out in the episode too.

1:40:17.840 --> 1:40:20.639
<v Speaker 1>I was like, so when she's in court looking at Rudnick,

1:40:20.720 --> 1:40:22.640
<v Speaker 1>it's like June and then this is all going on

1:40:22.720 --> 1:40:26.479
<v Speaker 1>in February. So in seven months, she's relocated to Upstate,

1:40:26.760 --> 1:40:30.120
<v Speaker 1>got a job at this prison, married some guy, and

1:40:30.200 --> 1:40:34.479
<v Speaker 1>then and then is fully orchestrating a month's long escape

1:40:34.520 --> 1:40:38.200
<v Speaker 1>like it's very you know, Bronwyn she knows how to

1:40:38.200 --> 1:40:39.400
<v Speaker 1>get it done.

1:40:39.680 --> 1:40:43.240
<v Speaker 3>She truly does. I you know, she she uses her

1:40:43.280 --> 1:40:44.760
<v Speaker 3>powers for evil? What can I say?

1:40:46.120 --> 1:40:48.400
<v Speaker 2>Do you well? So the real life case this escape

1:40:48.439 --> 1:40:52.920
<v Speaker 2>for from Dana Mora, she the character like who your

1:40:52.960 --> 1:40:55.040
<v Speaker 2>character is based on, did stay with her husband? And

1:40:55.080 --> 1:40:58.080
<v Speaker 2>I am wondering, do you think Bronwin's husband stayed with her?

1:40:59.720 --> 1:41:02.200
<v Speaker 2>Or was this the final? Was this like a gat

1:41:02.320 --> 1:41:02.720
<v Speaker 2>What do you think?

1:41:02.840 --> 1:41:08.479
<v Speaker 3>I think Kyle Kyle? I think Kyle I rewatched this morning?

1:41:08.520 --> 1:41:11.280
<v Speaker 3>Can you tell I think Kyle Ky? I feel like

1:41:11.320 --> 1:41:14.400
<v Speaker 3>she probably picked him very specifically, I think Kyle probably stayed.

1:41:14.920 --> 1:41:16.840
<v Speaker 3>How interested is Bronwyn from prison?

1:41:16.920 --> 1:41:19.679
<v Speaker 2>Who knows? But like I think he's probably still there

1:41:19.920 --> 1:41:22.280
<v Speaker 2>you know what else not to go too fast, but

1:41:22.520 --> 1:41:25.240
<v Speaker 2>because now I'm thinking about like Benson being like, you're

1:41:25.320 --> 1:41:27.479
<v Speaker 2>lucky he left you in that trunk, you fucking idiot.

1:41:27.520 --> 1:41:31.280
<v Speaker 2>But like you and Benson have a fun relationship, you know.

1:41:31.479 --> 1:41:34.840
<v Speaker 2>I love when you're like she has some energy towards me,

1:41:35.000 --> 1:41:37.840
<v Speaker 2>like I don't want this, Like how was working with

1:41:37.960 --> 1:41:41.880
<v Speaker 2>Marishka and like your guy's fun energy a dream.

1:41:42.760 --> 1:41:47.840
<v Speaker 3>She she's just she's so kind and so thoughtful. And

1:41:47.880 --> 1:41:50.559
<v Speaker 3>this goes back to like my first episode. But I remember,

1:41:50.600 --> 1:41:52.879
<v Speaker 3>like my first episode of SVU was my first episode

1:41:52.880 --> 1:41:55.280
<v Speaker 3>of TV period wow, And so I had like read

1:41:55.280 --> 1:41:58.320
<v Speaker 3>the script like twenty times, applied everything I had ever

1:41:58.400 --> 1:42:01.840
<v Speaker 3>studied in school. And I remember her coming in to

1:42:02.000 --> 1:42:05.000
<v Speaker 3>check if she if I needed her for my eyeline

1:42:05.080 --> 1:42:07.160
<v Speaker 3>for they were going to get some like reaction or something.

1:42:07.600 --> 1:42:09.760
<v Speaker 3>And like I just every time I encounter hurt, it's

1:42:09.800 --> 1:42:12.639
<v Speaker 3>like a masterclass in how to lead that kind of environment.

1:42:13.320 --> 1:42:16.160
<v Speaker 3>She's fun, she's funny. At one point, I feel like

1:42:16.360 --> 1:42:18.519
<v Speaker 3>this was when like planking was really big when we

1:42:18.520 --> 1:42:22.880
<v Speaker 3>were shooting Nationwide Manhood. I'm like, she was planking. I tried,

1:42:23.479 --> 1:42:28.240
<v Speaker 3>I'm not athletic, it was she she's a phenomenal colleague

1:42:28.240 --> 1:42:31.120
<v Speaker 3>and she really I think leads like the spirit of

1:42:31.120 --> 1:42:32.840
<v Speaker 3>her leadership is seen and felt.

1:42:33.680 --> 1:42:37.120
<v Speaker 1>Yeah, so well put Yeah we hear that from a

1:42:37.120 --> 1:42:40.559
<v Speaker 1>lot of people. She's not as as not as beautiful

1:42:40.640 --> 1:42:45.960
<v Speaker 1>as very good. Ye well, and then I have to

1:42:46.240 --> 1:42:49.880
<v Speaker 1>ask about the energy with you know, we we do

1:42:49.960 --> 1:42:53.439
<v Speaker 1>think Pablo Schreiber is a hot guy and talented, but

1:42:53.960 --> 1:42:56.920
<v Speaker 1>truly well what we'd so some for We went on

1:42:56.960 --> 1:43:00.439
<v Speaker 1>tour for Halloween and amazing a West Coast and we

1:43:00.479 --> 1:43:02.720
<v Speaker 1>asked people to dress up in the audience and we

1:43:02.760 --> 1:43:07.080
<v Speaker 1>had a bron win in San Diego, so bat wives listening,

1:43:07.120 --> 1:43:10.880
<v Speaker 1>but I took her, uh the pin oh amazing.

1:43:10.479 --> 1:43:12.960
<v Speaker 2>She was wearing pin. She had like a red wing.

1:43:13.120 --> 1:43:15.400
<v Speaker 2>Yeah we got a card again on like she was

1:43:15.560 --> 1:43:20.639
<v Speaker 2>fully like she was bringing the bron one. I'm I'm

1:43:20.680 --> 1:43:24.439
<v Speaker 2>like genuinely honored. Yeah, we'll get you the photo. It

1:43:24.560 --> 1:43:29.120
<v Speaker 2>was really it was a thrill. But how like is

1:43:29.160 --> 1:43:31.360
<v Speaker 2>he in charactered as you try to be weird or

1:43:31.400 --> 1:43:35.040
<v Speaker 2>is the extra nice on set to like counteract his creepiness,

1:43:35.080 --> 1:43:38.839
<v Speaker 2>Like yeah, what is his what's that like? Super super thoughtful?

1:43:38.880 --> 1:43:40.600
<v Speaker 3>And I feel like the con I think if I

1:43:40.720 --> 1:43:44.479
<v Speaker 3>hadn't met him a couple times before. Like I was

1:43:44.520 --> 1:43:46.879
<v Speaker 3>thinking a lot about this going in and just reflecting

1:43:46.880 --> 1:43:49.280
<v Speaker 3>on all of this. I would have been super terrified

1:43:49.800 --> 1:43:52.320
<v Speaker 3>if I had like watched the episodes available to watch

1:43:52.320 --> 1:43:55.000
<v Speaker 3>and I had not ever encountered Pablo in like the

1:43:55.040 --> 1:43:57.360
<v Speaker 3>wilds of theater. He had done the twenty four hour

1:43:57.400 --> 1:43:59.760
<v Speaker 3>plays a few times, which I've been involved in since

1:43:59.800 --> 1:44:04.439
<v Speaker 3>like twenty twenty two thousand and one, sorry numbers since

1:44:04.479 --> 1:44:07.759
<v Speaker 3>two thousand and one, and so I have this distinct

1:44:07.840 --> 1:44:10.759
<v Speaker 3>memory of like the year that my eldest nephew was born,

1:44:10.840 --> 1:44:12.639
<v Speaker 3>I think was the same year that maybe his eldest

1:44:12.720 --> 1:44:14.960
<v Speaker 3>kid was born. So I have this memory of like

1:44:15.080 --> 1:44:19.040
<v Speaker 3>us trading baby pictures via phone, like early days of

1:44:19.080 --> 1:44:22.400
<v Speaker 3>all of this, and so like that's my core memory

1:44:22.400 --> 1:44:25.320
<v Speaker 3>of Pamlo Schreiber, which gave me a nice base. I

1:44:25.360 --> 1:44:27.439
<v Speaker 3>was like, he is so good at his job. He

1:44:27.520 --> 1:44:31.160
<v Speaker 3>is absolutely terrifying. I'm nervous to walk in. And then

1:44:31.200 --> 1:44:33.599
<v Speaker 3>like I walked into hair and makeup and he teased

1:44:33.640 --> 1:44:36.000
<v Speaker 3>me like something related to the twenty four hour place,

1:44:36.000 --> 1:44:38.439
<v Speaker 3>and I was like, okay, So like he is able

1:44:38.479 --> 1:44:42.640
<v Speaker 3>to occupy that space those courtroom scenes in Psychotherapists, Like

1:44:43.120 --> 1:44:46.880
<v Speaker 3>that day was like thirteen hours and he and Marishka

1:44:47.040 --> 1:44:50.599
<v Speaker 3>every take would just go to go as far and

1:44:50.640 --> 1:44:52.760
<v Speaker 3>farther than they needed to go to get the and

1:44:52.800 --> 1:44:55.280
<v Speaker 3>then took such great care of each other between takes,

1:44:55.400 --> 1:44:58.639
<v Speaker 3>and like they shot some reaction of me, and I realized,

1:44:58.640 --> 1:45:00.400
<v Speaker 3>this isn't about nationwide man hunt, but it doesn't.

1:45:00.400 --> 1:45:03.200
<v Speaker 1>It's okay, wait, we're talking about your whole arc.

1:45:03.360 --> 1:45:07.719
<v Speaker 3>Don't worry, Okay, thank you, and he like they needed

1:45:07.760 --> 1:45:10.519
<v Speaker 3>some reaction shots of me in the jury box and

1:45:10.560 --> 1:45:13.280
<v Speaker 3>like an eighty could have done it somebody. There are

1:45:13.320 --> 1:45:16.000
<v Speaker 3>several options, and this had at that point, I think,

1:45:16.040 --> 1:45:18.599
<v Speaker 3>been like a thirteen some on hour day. And Pablo

1:45:18.640 --> 1:45:20.800
<v Speaker 3>stayed and hung out behind the camera and like fed

1:45:20.840 --> 1:45:22.439
<v Speaker 3>me the stuff that I needed, and I was like,

1:45:22.880 --> 1:45:26.519
<v Speaker 3>dang again, like something about the way that ship is

1:45:26.600 --> 1:45:29.599
<v Speaker 3>run over at SVU, Like I think they bring in

1:45:29.640 --> 1:45:32.120
<v Speaker 3>people who have that sort of ethos and then I

1:45:32.120 --> 1:45:34.120
<v Speaker 3>feel like people lead into that ethos. Like that was

1:45:34.280 --> 1:45:37.920
<v Speaker 3>a real act of generosity. And again my first time

1:45:37.960 --> 1:45:40.839
<v Speaker 3>ever on TV, I was so excited. I was so nervous,

1:45:41.280 --> 1:45:43.920
<v Speaker 3>and like, here is my colleague treating me like a

1:45:43.960 --> 1:45:46.360
<v Speaker 3>colleague and like going the extra mile to make sure

1:45:46.360 --> 1:45:49.320
<v Speaker 3>that I can do my like first ever job.

1:45:49.840 --> 1:45:50.120
<v Speaker 2>Yeah.

1:45:50.439 --> 1:45:53.960
<v Speaker 3>Wow, he's he's a cool. He's a I haven't seen

1:45:54.000 --> 1:45:55.920
<v Speaker 3>him in a long time. He is a cool, good guy.

1:45:56.000 --> 1:45:57.600
<v Speaker 3>And at one point, and I'll try and find this

1:45:57.640 --> 1:46:00.640
<v Speaker 3>photo and send it to you, we were doing the

1:46:00.640 --> 1:46:03.559
<v Speaker 3>twenty four hour plays several years later, and I think

1:46:03.600 --> 1:46:05.519
<v Speaker 3>somebody had brought in cupcakes and I think it was

1:46:05.560 --> 1:46:08.320
<v Speaker 3>for Daniel's birthday and he and I like both like

1:46:08.920 --> 1:46:13.479
<v Speaker 3>peeped the cupcakes and were like troll the fans and like.

1:46:16.000 --> 1:46:16.960
<v Speaker 2>And took a fun photo.

1:46:17.320 --> 1:46:20.680
<v Speaker 1>Oh yes, we would love to see that picture. I

1:46:20.680 --> 1:46:22.360
<v Speaker 1>would be so fun.

1:46:22.680 --> 1:46:27.040
<v Speaker 2>No, he really is the number one villain, I would say, legit,

1:46:27.080 --> 1:46:29.320
<v Speaker 2>And he's so good. He's terrifying. Yeah.

1:46:29.320 --> 1:46:31.680
<v Speaker 1>On a show that literally has a new rapist or

1:46:31.720 --> 1:46:34.519
<v Speaker 1>murderer every week, he is like the standout because he

1:46:34.600 --> 1:46:37.400
<v Speaker 1>goes after you know, our beloved main character of course,

1:46:37.479 --> 1:46:40.360
<v Speaker 1>but he's also burning off the fingertips.

1:46:40.400 --> 1:46:42.920
<v Speaker 2>I mean, like that's your intro ya.

1:46:43.320 --> 1:46:47.000
<v Speaker 3>Right, and and all that stuff in psychotherapist right, Like

1:46:47.160 --> 1:46:50.240
<v Speaker 3>I learned while we were shooting from another one of

1:46:50.280 --> 1:46:53.479
<v Speaker 3>the main characters, like the main cast that like this,

1:46:53.600 --> 1:46:55.120
<v Speaker 3>they get research packets or they were.

1:46:55.080 --> 1:46:55.599
<v Speaker 2>At that time.

1:46:55.680 --> 1:46:59.840
<v Speaker 3>And this is a thing that that rapists often due

1:46:59.840 --> 1:47:02.080
<v Speaker 3>to they're victims when there's a court room involved, Like

1:47:02.760 --> 1:47:06.120
<v Speaker 3>I will I'm a survivor of sexual assault, but I

1:47:06.120 --> 1:47:08.040
<v Speaker 3>have never I was never in a courtroom I was.

1:47:08.080 --> 1:47:11.360
<v Speaker 3>I could not imagine being put in that position. So

1:47:11.439 --> 1:47:14.880
<v Speaker 3>that is some odious, nefarious shit to be putting some

1:47:14.960 --> 1:47:17.000
<v Speaker 3>many through who has been brave enough to try to

1:47:17.000 --> 1:47:19.960
<v Speaker 3>get themselves some justice. And I think the fact that

1:47:20.000 --> 1:47:23.920
<v Speaker 3>they like brought that piece in like it's horrifying. But

1:47:24.040 --> 1:47:26.760
<v Speaker 3>also I never knew that was a thing. I think

1:47:26.800 --> 1:47:28.400
<v Speaker 3>a lot of people probably didn't know that that was

1:47:28.439 --> 1:47:29.360
<v Speaker 3>a thing, and now we do.

1:47:30.160 --> 1:47:35.439
<v Speaker 2>Yeah, will you tell us about Dallas Roberts And why

1:47:35.439 --> 1:47:41.920
<v Speaker 2>am I forgetting rednecks real? Jefferson? Yeah, so I feel

1:47:42.000 --> 1:47:46.800
<v Speaker 2>like the other prisoner too if I go, oh, yeah,

1:47:46.920 --> 1:47:47.719
<v Speaker 2>he was great.

1:47:48.200 --> 1:47:50.840
<v Speaker 3>Oh sorry, Robin that's his character name, that's Robin de

1:47:50.880 --> 1:47:54.160
<v Speaker 3>Hayes Seuss. That is Robin de hayes Sus, breakout star

1:47:54.280 --> 1:47:55.200
<v Speaker 3>of Tick Tick Boom.

1:47:55.240 --> 1:47:56.040
<v Speaker 2>Did you watch Tick Tick?

1:47:56.200 --> 1:47:56.400
<v Speaker 1>Oh?

1:47:56.600 --> 1:47:57.439
<v Speaker 2>I haven't gotten to watch.

1:47:57.479 --> 1:47:59.200
<v Speaker 1>I have, I have a screener of it, and I

1:47:59.240 --> 1:48:02.479
<v Speaker 1>never got a chance to watch it.

1:48:03.120 --> 1:48:04.639
<v Speaker 2>I came out of I came out.

1:48:04.520 --> 1:48:06.120
<v Speaker 3>Of Wicked, and I don't know why this is my

1:48:06.160 --> 1:48:08.200
<v Speaker 3>reaction to coming out of Wicked, Like I came out

1:48:08.200 --> 1:48:10.280
<v Speaker 3>of Wicked, and I'm like, you know, I think I

1:48:10.320 --> 1:48:12.800
<v Speaker 3>maybe want to rewatch Tik Tik boom. I think it's

1:48:12.800 --> 1:48:16.639
<v Speaker 3>something about like seeing theater people do great things on film.

1:48:16.800 --> 1:48:18.520
<v Speaker 2>It's it's a terrific adaptation.

1:48:18.800 --> 1:48:22.559
<v Speaker 3>I could I could turn this into a Robin de

1:48:22.600 --> 1:48:27.040
<v Speaker 3>Haesu's fan podcast. Like he was reading can I like

1:48:27.400 --> 1:48:30.720
<v Speaker 3>he was reading Elizabeth Gilbert's Big Magic. I think when

1:48:30.720 --> 1:48:33.160
<v Speaker 3>we were shooting that, and I just remember talking to

1:48:33.240 --> 1:48:35.519
<v Speaker 3>him a little bit because we've, like, you know, just

1:48:35.600 --> 1:48:37.120
<v Speaker 3>this New York you see people all the time, like

1:48:37.160 --> 1:48:39.479
<v Speaker 3>we had had. We were having a little conversation I

1:48:39.479 --> 1:48:41.880
<v Speaker 3>think about the creativity and the business and whatever, and

1:48:41.880 --> 1:48:44.800
<v Speaker 3>he's like, no, like go read this. He's just everybody's

1:48:44.800 --> 1:48:48.280
<v Speaker 3>super generous. Jefferson Mays is a theater god. I was

1:48:48.320 --> 1:48:51.320
<v Speaker 3>super intimidated to be in his presence and I was like,

1:48:51.479 --> 1:48:53.479
<v Speaker 3>to your job, Sarah, please don't suck today.

1:48:53.680 --> 1:48:53.880
<v Speaker 2>You know.

1:48:53.960 --> 1:48:57.559
<v Speaker 1>It's like, oh, we were so excited to talk to him.

1:48:57.600 --> 1:48:59.640
<v Speaker 1>He was sipping a tiny little white wine on the

1:48:59.680 --> 1:49:04.320
<v Speaker 1>interview with us, like just so like amazing, I love him.

1:49:04.800 --> 1:49:07.320
<v Speaker 2>Ye, I mean Dallas Robert's also a powerhouse.

1:49:07.360 --> 1:49:10.559
<v Speaker 3>But I think it's like Jefferson Mays brings along the

1:49:10.640 --> 1:49:12.400
<v Speaker 3>legend of like I Am my own wife and all

1:49:12.520 --> 1:49:15.960
<v Speaker 3>like just has walked through so many big theater.

1:49:15.840 --> 1:49:19.600
<v Speaker 2>Things in the many years. So like, yeah, Fleishman is

1:49:19.640 --> 1:49:25.720
<v Speaker 2>in trouble. I watched that. I liked it. How is that? Yeah?

1:49:25.760 --> 1:49:27.880
<v Speaker 2>Well yeah, and then of course it's like problem when

1:49:28.080 --> 1:49:31.880
<v Speaker 2>you know it's like the Leonardo DiCaprio meum, but thank you.

1:49:33.560 --> 1:49:36.880
<v Speaker 3>It was the most culturally specific thing I've ever had

1:49:36.920 --> 1:49:39.759
<v Speaker 3>the pleasure of working on. No, but like that's okay,

1:49:39.800 --> 1:49:42.439
<v Speaker 3>And I feel like everything I mentioned, but I can

1:49:42.479 --> 1:49:44.679
<v Speaker 3>only speak about it through the like lens of something else.

1:49:44.760 --> 1:49:47.759
<v Speaker 3>I remember watching Always Be My Maybe Yeah, and watching

1:49:47.840 --> 1:49:50.679
<v Speaker 3>this scene at this house party where kids are coming

1:49:50.680 --> 1:49:52.720
<v Speaker 3>to this birthday party. They tear off their shoes, they

1:49:52.800 --> 1:49:54.680
<v Speaker 3>run through the house, they put on their shoes, they

1:49:54.720 --> 1:49:57.320
<v Speaker 3>put their shoes back on, and they go to the party,

1:49:57.600 --> 1:50:00.599
<v Speaker 3>and like following their POV like you learn a lot,

1:50:00.640 --> 1:50:02.840
<v Speaker 3>like if you are part of that culture, you're probably

1:50:02.840 --> 1:50:05.240
<v Speaker 3>getting a ton of specific references and if you're not,

1:50:05.760 --> 1:50:08.280
<v Speaker 3>you're like you're you're welcome, but they're not going to

1:50:08.320 --> 1:50:10.160
<v Speaker 3>explain it to you. And that's kind of how certain

1:50:10.160 --> 1:50:12.599
<v Speaker 3>aspects of Fleischmann felt like to me. Like since watching

1:50:12.600 --> 1:50:14.479
<v Speaker 3>always be my maybe I was like, God, I want that,

1:50:14.640 --> 1:50:17.800
<v Speaker 3>like I want like I feels like a lot of

1:50:17.800 --> 1:50:20.400
<v Speaker 3>times when we see Jewish people on screen, it's like

1:50:21.160 --> 1:50:25.439
<v Speaker 3>a Hollywood interpretation of Haradi life, which is rarely accurate,

1:50:25.520 --> 1:50:29.280
<v Speaker 3>and like it's there's more like Agatha all along, did

1:50:29.280 --> 1:50:32.200
<v Speaker 3>it really well? Liked did other aspects of Judaism really well?

1:50:32.400 --> 1:50:36.559
<v Speaker 3>But between that and this is Fleischmann, And there is

1:50:36.600 --> 1:50:38.400
<v Speaker 3>no way not to sound nerdy as I tell you

1:50:38.439 --> 1:50:41.440
<v Speaker 3>this story. There's we're sitting around this table. We blockshot

1:50:41.479 --> 1:50:43.639
<v Speaker 3>all three episodes. It was one of the greatest days

1:50:43.640 --> 1:50:46.519
<v Speaker 3>of my life. It was so and like I was

1:50:46.560 --> 1:50:48.600
<v Speaker 3>sitting I was sitting across from Clear Danes, who I

1:50:48.600 --> 1:50:50.840
<v Speaker 3>had grown up watching right on my so called life

1:50:51.120 --> 1:50:53.320
<v Speaker 3>and thinking, God, I want to do that with my life.

1:50:53.600 --> 1:50:55.719
<v Speaker 3>So then to like get a few minutes to actually

1:50:55.760 --> 1:50:58.800
<v Speaker 3>like stare with, like you know, trade eye contact was

1:50:58.880 --> 1:51:02.360
<v Speaker 3>kind of incredible. But it's a shop is dinner scene,

1:51:02.400 --> 1:51:06.760
<v Speaker 3>and so we're rehearsing with one hala and I raise

1:51:06.840 --> 1:51:09.360
<v Speaker 3>my I'm like, I asked to ask Tafia a question.

1:51:09.840 --> 1:51:12.040
<v Speaker 3>I'm like, is this a laham Mishna house? So Laham

1:51:12.080 --> 1:51:15.080
<v Speaker 3>Mishna is like when you make the blessing over Halla,

1:51:15.640 --> 1:51:17.759
<v Speaker 3>you need two loaves and it's sort of symbolic.

1:51:17.800 --> 1:51:18.759
<v Speaker 2>There's a bunch of reasons.

1:51:19.240 --> 1:51:21.800
<v Speaker 3>And she looks at me and she goes, well, of course,

1:51:21.800 --> 1:51:23.800
<v Speaker 3>but I'm not going to burn two loaves in rehearsal.

1:51:24.240 --> 1:51:25.880
<v Speaker 3>And I was like, I will never get to ask

1:51:25.920 --> 1:51:28.600
<v Speaker 3>a question this specific again. And we can also go

1:51:28.720 --> 1:51:31.720
<v Speaker 3>back if you would like a better anecdote for the podcast.

1:51:31.760 --> 1:51:36.720
<v Speaker 3>Like for me, that was a huge I never have

1:51:36.840 --> 1:51:41.439
<v Speaker 3>been in an environment where like we can speak that

1:51:41.560 --> 1:51:44.639
<v Speaker 3>shorthand and be under like she can understand my question

1:51:44.880 --> 1:51:48.280
<v Speaker 3>and give me an answer that gives me levels and

1:51:48.320 --> 1:51:49.120
<v Speaker 3>we can move right on.

1:51:49.640 --> 1:51:51.880
<v Speaker 2>Yeah, like I may never have that again.

1:51:52.400 --> 1:51:56.360
<v Speaker 3>So like the entire process, like it was fittings were

1:51:56.400 --> 1:51:59.720
<v Speaker 3>around porim, there were a humintash and like, yeah, it

1:51:59.760 --> 1:52:01.240
<v Speaker 3>was my Yeah.

1:52:01.000 --> 1:52:02.800
<v Speaker 2>It's reminding me of like we talked to B. D.

1:52:02.960 --> 1:52:05.080
<v Speaker 1>Wong and he was saying that like on Nora from

1:52:05.200 --> 1:52:07.040
<v Speaker 1>Queen's There was like a lot of that like a

1:52:07.080 --> 1:52:10.520
<v Speaker 1>shorthand that they could just use like from cultural upbringing.

1:52:10.640 --> 1:52:13.400
<v Speaker 1>You know, that's really interesting that you have the same

1:52:13.479 --> 1:52:14.400
<v Speaker 1>kind of experience.

1:52:14.840 --> 1:52:17.120
<v Speaker 2>I loved it. It was I loved the novel.

1:52:17.280 --> 1:52:19.160
<v Speaker 3>I loved Taffy, and so like to get to play

1:52:19.160 --> 1:52:21.760
<v Speaker 3>a small role and like telling that story and to

1:52:21.800 --> 1:52:24.000
<v Speaker 3>play somebody like I feel like I knew, we all

1:52:24.080 --> 1:52:25.880
<v Speaker 3>knew somebody who had like gone to Israel and like

1:52:25.880 --> 1:52:28.320
<v Speaker 3>become deeply, deeply religious. It was fun to like step

1:52:28.360 --> 1:52:31.759
<v Speaker 3>into those shoes and like antagonize everyone a little.

1:52:32.560 --> 1:52:35.120
<v Speaker 2>When you're on your IMDb the scene that's playing right

1:52:35.200 --> 1:52:38.479
<v Speaker 2>up next year photo is Benson taking you out of

1:52:38.479 --> 1:52:40.240
<v Speaker 2>the truck and how it's you guys fighting. I mean,

1:52:40.240 --> 1:52:42.840
<v Speaker 2>it's just so much good stuff, really, thank you.

1:52:43.439 --> 1:52:46.840
<v Speaker 3>It was that was that whole episode was so much

1:52:46.880 --> 1:52:50.519
<v Speaker 3>fun to shoot. They I spent like four hours in

1:52:50.560 --> 1:52:54.200
<v Speaker 3>the trunk of that car, and they had props had

1:52:54.240 --> 1:52:57.599
<v Speaker 3>like taken they'd like duct tape over maybe like medical

1:52:57.600 --> 1:52:59.479
<v Speaker 3>tape that they had tried to take the stick off of,

1:53:00.080 --> 1:53:03.240
<v Speaker 3>but Sophia Bush kept having to like rip the tape off. Yes,

1:53:03.880 --> 1:53:06.280
<v Speaker 3>and she's like apologizing after every take, I'm like, I

1:53:06.320 --> 1:53:08.880
<v Speaker 3>signed up for this. I knew this was I but

1:53:09.040 --> 1:53:12.559
<v Speaker 3>like it was lovely there was chicken in my hair. Okay,

1:53:12.800 --> 1:53:14.360
<v Speaker 3>so I have to back I have to back up

1:53:14.400 --> 1:53:15.000
<v Speaker 3>and explain that.

1:53:15.080 --> 1:53:17.519
<v Speaker 2>I think. So they have like that bloodhound that's in

1:53:17.560 --> 1:53:18.040
<v Speaker 2>the scene.

1:53:18.880 --> 1:53:21.040
<v Speaker 3>I believe he was a retired blood He's like a

1:53:21.080 --> 1:53:23.960
<v Speaker 3>retired police dog. So they needed him to chase something

1:53:24.000 --> 1:53:26.280
<v Speaker 3>he was very, very interested in. And it wasn't me

1:53:27.560 --> 1:53:30.080
<v Speaker 3>chicken like many dogs. So like they had put they

1:53:30.120 --> 1:53:32.519
<v Speaker 3>had like scented the trunk with a little bit of

1:53:32.600 --> 1:53:35.920
<v Speaker 3>chicken so that the dog would find it, and then

1:53:35.960 --> 1:53:37.679
<v Speaker 3>you know, once the scene was cute, like a little

1:53:37.720 --> 1:53:40.839
<v Speaker 3>reward of chicken. But the end of like four hours,

1:53:40.880 --> 1:53:43.680
<v Speaker 3>I was definitely like, oh, there's like a piece of chicken.

1:53:43.360 --> 1:53:45.679
<v Speaker 2>In my hair. Was the dog cue.

1:53:46.040 --> 1:53:49.000
<v Speaker 3>He was like an enormous bloodhound. Every I'm a I'm

1:53:49.040 --> 1:53:50.799
<v Speaker 3>a dog person, Every dog is cue.

1:53:51.040 --> 1:53:54.400
<v Speaker 2>I know, he was an enormous blood boy. Is well,

1:53:55.000 --> 1:53:57.599
<v Speaker 2>I mean you got to be a jury for person.

1:53:57.760 --> 1:54:00.400
<v Speaker 2>That's Svu Bingo. I mean that's really fun.

1:54:00.960 --> 1:54:03.120
<v Speaker 3>I had thought a long time that it's like if

1:54:03.120 --> 1:54:04.760
<v Speaker 3>I could manage to be a corpse, I'd really be

1:54:04.840 --> 1:54:07.040
<v Speaker 3>hitting it big, like that could be my moment and like,

1:54:07.120 --> 1:54:10.680
<v Speaker 3>so to actually get to spend a week on that

1:54:10.840 --> 1:54:13.920
<v Speaker 3>set observing all of those people and getting to participate

1:54:14.680 --> 1:54:17.080
<v Speaker 3>in the creation of that episode was like beyond.

1:54:17.200 --> 1:54:19.439
<v Speaker 2>It was incredible. It was so much fun.

1:54:19.479 --> 1:54:22.120
<v Speaker 3>I don't think we recorded my speaking towards the end

1:54:22.200 --> 1:54:23.800
<v Speaker 3>of the week, so I spent a lot of time

1:54:24.680 --> 1:54:28.960
<v Speaker 3>like watching, reacting, learning how how the sausage got.

1:54:28.800 --> 1:54:30.880
<v Speaker 2>Made in the tea and like the actual factual TV

1:54:30.960 --> 1:54:34.320
<v Speaker 2>world love it. I love it.

1:54:34.360 --> 1:54:37.960
<v Speaker 1>And now it's like you're literally beyond Like if you

1:54:38.000 --> 1:54:40.240
<v Speaker 1>just were to like cut out all the main characters

1:54:40.280 --> 1:54:44.080
<v Speaker 1>on the show, top ten side characters.

1:54:45.680 --> 1:54:48.320
<v Speaker 2>Well and I and I mean, it would be fun

1:54:48.400 --> 1:54:50.440
<v Speaker 2>to see you get out of jail in the future

1:54:50.480 --> 1:54:53.880
<v Speaker 2>and come do one more one more thing.

1:54:54.120 --> 1:54:57.040
<v Speaker 3>I'm touched that I'm not dead. One of the makeup

1:54:57.120 --> 1:54:58.880
<v Speaker 3>artists like he would just see me in the hall

1:54:58.920 --> 1:55:00.960
<v Speaker 3>and you'd be like, hey, not yet. And I started

1:55:01.000 --> 1:55:04.520
<v Speaker 3>to feel like it was my nickname it but it's true,

1:55:04.560 --> 1:55:06.760
<v Speaker 3>Like I sometimes wonder, I'm like what I feel like

1:55:06.800 --> 1:55:10.320
<v Speaker 3>bron Win's moment maybe has like passed, like has definitely

1:55:10.360 --> 1:55:12.760
<v Speaker 3>passed by, but like I'm like is she did she

1:55:12.840 --> 1:55:15.160
<v Speaker 3>go to jail. I'm assuming Barbara made sure she went

1:55:15.200 --> 1:55:19.240
<v Speaker 3>to jail, right, Is she still there? What's her racket? Like? Also,

1:55:19.280 --> 1:55:22.080
<v Speaker 3>I think she really did experience trauma in that episode that,

1:55:22.200 --> 1:55:24.920
<v Speaker 3>like everyone around her, I think is too angry at

1:55:24.920 --> 1:55:29.120
<v Speaker 3>her right rightfully so to recognize her care. Yeah, And

1:55:29.160 --> 1:55:32.360
<v Speaker 3>I do sort of wonder what that sort of experience

1:55:32.480 --> 1:55:36.040
<v Speaker 3>with Yates has like done to her. And that's who

1:55:36.080 --> 1:55:39.640
<v Speaker 3>that's made her into, because I think she likes so

1:55:39.920 --> 1:55:42.920
<v Speaker 3>like many people I imagine in that sort of headspace,

1:55:43.120 --> 1:55:46.080
<v Speaker 3>like sees the person she can save, sees the person

1:55:46.160 --> 1:55:50.760
<v Speaker 3>who needs her, and like to be to be assaulted

1:55:50.800 --> 1:55:53.240
<v Speaker 3>and traumatized by the person you're trying to help, like

1:55:54.560 --> 1:55:56.400
<v Speaker 3>to Brek, Like, I wonder what that did to her.

1:55:56.520 --> 1:55:59.920
<v Speaker 1>Yeah, And it's like the hatred from Benson is so

1:56:00.120 --> 1:56:03.720
<v Speaker 1>real because Benson, even when she finds a person, even

1:56:03.720 --> 1:56:05.640
<v Speaker 1>when a person's done something wrong and she finds out

1:56:05.640 --> 1:56:08.680
<v Speaker 1>they're a victim, you usually see her switch to treating

1:56:08.680 --> 1:56:09.480
<v Speaker 1>them like a victim.

1:56:09.600 --> 1:56:11.960
<v Speaker 2>But she just will not do that with you because I.

1:56:11.920 --> 1:56:15.320
<v Speaker 1>Think you, like brought her so much trauma from those

1:56:15.360 --> 1:56:19.880
<v Speaker 1>other the William Lewis situation that it's it's really kind

1:56:19.880 --> 1:56:23.160
<v Speaker 1>of I know it's serious, it's a serious episode, but

1:56:23.240 --> 1:56:25.480
<v Speaker 1>your character brings me a lot of like laughed, like

1:56:25.560 --> 1:56:27.920
<v Speaker 1>I think it's you bring humor to the it, you know,

1:56:27.960 --> 1:56:30.480
<v Speaker 1>where You're like, she has a lot of bad feelings

1:56:30.520 --> 1:56:32.000
<v Speaker 1>towards me. I don't think I should be talking to

1:56:32.040 --> 1:56:32.640
<v Speaker 1>her right now.

1:56:33.160 --> 1:56:36.960
<v Speaker 3>It's really I I'm happy that she's able to bring

1:56:37.000 --> 1:56:40.240
<v Speaker 3>a moment of levity, yeah, or like extranists, so like

1:56:40.320 --> 1:56:45.440
<v Speaker 3>serial killers, you know, truly, it's like she's she's kind

1:56:45.480 --> 1:56:45.960
<v Speaker 3>of the worst.

1:56:46.360 --> 1:56:47.200
<v Speaker 2>She's I loved.

1:56:47.400 --> 1:56:50.160
<v Speaker 3>I loved playing her when I'm when I'm handed a script,

1:56:50.280 --> 1:56:53.360
<v Speaker 3>I go to to bat to defend that character and

1:56:53.520 --> 1:56:55.200
<v Speaker 3>chase after everything they want.

1:56:55.400 --> 1:56:57.200
<v Speaker 2>But man, I'm like, yeah, Bronwyn.

1:56:57.880 --> 1:57:00.720
<v Speaker 3>They despise me in the SPU subreddit and I'm like,

1:57:01.680 --> 1:57:04.400
<v Speaker 3>I did, I've not spent a lot of time. Somebody

1:57:04.440 --> 1:57:06.120
<v Speaker 3>mentioned it to me and I went looking once and

1:57:06.160 --> 1:57:07.720
<v Speaker 3>it's like I was like, oh, I think it was.

1:57:07.720 --> 1:57:09.400
<v Speaker 3>There was a meme going around of like who do

1:57:09.400 --> 1:57:11.960
<v Speaker 3>you hate most? Like like villains, like to your point,

1:57:12.040 --> 1:57:15.040
<v Speaker 3>like not main characters, just like people you really hate,

1:57:15.320 --> 1:57:17.240
<v Speaker 3>and people kept sending it to me because I was

1:57:17.720 --> 1:57:20.880
<v Speaker 3>showing up in some people's like collections of like twelve people.

1:57:21.600 --> 1:57:23.800
<v Speaker 3>And I think that's when somebody mentioned the SVU subreddit

1:57:23.800 --> 1:57:26.160
<v Speaker 3>to me, and so I went and I took a look,

1:57:26.520 --> 1:57:29.360
<v Speaker 3>and I'm like, oh, dang, they hate me, and like

1:57:29.560 --> 1:57:33.240
<v Speaker 3>one person crossed the line into like talking about my body,

1:57:33.280 --> 1:57:34.920
<v Speaker 3>and somebody else like course corrected them.

1:57:35.280 --> 1:57:38.080
<v Speaker 2>It was like no, far no, And I was.

1:57:38.040 --> 1:57:40.800
<v Speaker 3>Like, I'm so glad someone like that is in this subreddit,

1:57:40.800 --> 1:57:42.960
<v Speaker 3>and I think that is my signal to gracefully exit.

1:57:43.480 --> 1:57:46.280
<v Speaker 3>But when I need a pithy like blue sky bio,

1:57:46.480 --> 1:57:48.200
<v Speaker 3>I think it might say that right now, like most

1:57:48.200 --> 1:57:50.320
<v Speaker 3>hated person in the SVU sub Yeah, Like I think

1:57:50.360 --> 1:57:51.920
<v Speaker 3>I wear that as a badge of honor.

1:57:52.080 --> 1:57:53.960
<v Speaker 2>Literally I just googled it really quickly.

1:57:54.000 --> 1:57:56.520
<v Speaker 1>Bronwin as if you read it, and it's like Broadwin

1:57:56.600 --> 1:58:01.080
<v Speaker 1>is so bizarre, fucking Bronwin. I despise bra who is

1:58:01.120 --> 1:58:04.040
<v Speaker 1>the worst small character and why is it Bronwyn like.

1:58:05.680 --> 1:58:08.160
<v Speaker 3>And I'm like, you know, if I'm inspiring that level

1:58:08.160 --> 1:58:09.720
<v Speaker 3>of hatred, then I did something right.

1:58:10.000 --> 1:58:12.120
<v Speaker 1>Yeah, I mean they gave you you you played a

1:58:12.200 --> 1:58:17.720
<v Speaker 1>character who let multiple serial killers go so like the worst, yes, yes, yeah,

1:58:17.760 --> 1:58:21.480
<v Speaker 1>I would love to see a Bronwin out of jail

1:58:22.160 --> 1:58:24.720
<v Speaker 1>in the city. She's a witness to a crime in

1:58:24.760 --> 1:58:26.760
<v Speaker 1>her and Benson cross paths again.

1:58:26.680 --> 1:58:29.680
<v Speaker 2>Yeah, like Benson and Noah are just in the streets,

1:58:29.760 --> 1:58:32.920
<v Speaker 2>and then like she just sees Bronwin standing.

1:58:32.680 --> 1:58:35.640
<v Speaker 1>Because I think Bronwyn, we need Bronwyn to apologize to

1:58:35.680 --> 1:58:39.240
<v Speaker 1>Olivia at some point and be like, I'm sorry, I

1:58:39.360 --> 1:58:42.120
<v Speaker 1>was in a bad place. I was chasing after the

1:58:42.120 --> 1:58:44.480
<v Speaker 1>wrong men in my life. You know, do you think

1:58:44.560 --> 1:58:46.280
<v Speaker 1>do you think that she's reformed? Do you think she's

1:58:46.320 --> 1:58:46.840
<v Speaker 1>grown like that?

1:58:47.840 --> 1:58:52.200
<v Speaker 2>No? In prison? Probably not. Well, I'm also curious at

1:58:52.240 --> 1:58:55.600
<v Speaker 2>what you're what what you do at your job and

1:58:55.680 --> 1:58:57.880
<v Speaker 2>the shows you met here at the studio you say

1:58:58.000 --> 1:59:01.960
<v Speaker 2>you also love it. I am curious about Oh yeah, totally, totally.

1:59:02.080 --> 1:59:02.200
<v Speaker 1>So.

1:59:02.920 --> 1:59:06.240
<v Speaker 3>I am a senior producer on LinkedIn's editorial production team.

1:59:06.440 --> 1:59:08.240
<v Speaker 3>So I work. I work at a tech company. I

1:59:08.240 --> 1:59:10.160
<v Speaker 3>have an arts job at a tech company. Don't let

1:59:10.160 --> 1:59:13.760
<v Speaker 3>that get out too much. So we make several shows

1:59:13.760 --> 1:59:16.160
<v Speaker 3>in house. We partner with a bunch more as part

1:59:16.160 --> 1:59:18.840
<v Speaker 3>of the LinkedIn podcast network. I got to help launch

1:59:18.840 --> 1:59:21.920
<v Speaker 3>that network in twenty twenty two. The thing I realized

1:59:22.000 --> 1:59:24.040
<v Speaker 3>as I was getting ready to sort of pivot away

1:59:24.080 --> 1:59:26.840
<v Speaker 3>from like actor survival jobs. Was I wanted to be

1:59:26.920 --> 1:59:29.800
<v Speaker 3>doing things that I felt were like helpful and additive.

1:59:30.320 --> 1:59:32.160
<v Speaker 3>And I really think that the stuff that we're making

1:59:32.320 --> 1:59:35.360
<v Speaker 3>is helpful and additive to people at various points in

1:59:35.400 --> 1:59:39.480
<v Speaker 3>their careers, sometimes even their job searches. And so I

1:59:39.520 --> 1:59:42.880
<v Speaker 3>love what I do. I work with incredible, incredible people,

1:59:44.240 --> 1:59:46.400
<v Speaker 3>and I love hearing from members who like listen to

1:59:46.480 --> 1:59:48.360
<v Speaker 3>our shows. You do not have to be a LinkedIn

1:59:48.360 --> 1:59:50.280
<v Speaker 3>member to hear any of this. It's wherever you listen

1:59:50.280 --> 1:59:53.520
<v Speaker 3>to podcasts. Oh wow, but yeah cool.

1:59:53.400 --> 1:59:57.240
<v Speaker 1>Yeah, thank you for taking the time to talk to us.

1:59:57.560 --> 2:00:00.360
<v Speaker 2>I was doing shows in Cincinnati this weekend and someone

2:00:00.480 --> 2:00:02.000
<v Speaker 2>I try to give the people that come out to

2:00:02.000 --> 2:00:05.320
<v Speaker 2>see me like tidbits because they're just humans, right. So

2:00:05.320 --> 2:00:07.680
<v Speaker 2>I'm like, bron Win's coming this week, and everyone was

2:00:07.800 --> 2:00:11.320
<v Speaker 2>very excited. I'm like, we're getting Bronwin, baby.

2:00:12.000 --> 2:00:15.720
<v Speaker 3>Thank you, thank you so much. This has been delightful.

2:00:15.920 --> 2:00:17.520
<v Speaker 3>Thank you so much for your nation.

2:00:17.920 --> 2:00:25.880
<v Speaker 2>Yeah you too. Okay. I was like obsessed with Sarah,

2:00:26.160 --> 2:00:30.320
<v Speaker 2>like she remembered so much, so thoughtful, She's such a

2:00:30.400 --> 2:00:33.320
<v Speaker 2>lover of the craft and all the theater and knows

2:00:33.400 --> 2:00:37.240
<v Speaker 2>everything and is so specific in her storytelling and moments

2:00:37.520 --> 2:00:39.880
<v Speaker 2>and yeah, like yes, what she does means a lot

2:00:39.960 --> 2:00:40.280
<v Speaker 2>to her and.

2:00:40.280 --> 2:00:44.720
<v Speaker 1>It's cool totally and so like eloquently putting how she

2:00:44.920 --> 2:00:47.560
<v Speaker 1>found like the vibe on the set and the opportunity

2:00:47.560 --> 2:00:49.080
<v Speaker 1>that she was having and yeah.

2:00:48.880 --> 2:00:51.720
<v Speaker 2>It's like what we want from all the guests. I know.

2:00:52.000 --> 2:00:54.640
<v Speaker 2>I'm like, can you remember every detail and like all

2:00:54.720 --> 2:00:57.840
<v Speaker 2>the people and give us the nuanced answers please?

2:00:58.160 --> 2:01:02.400
<v Speaker 1>Yes, exactly, Like every single moment, every little comment from

2:01:02.440 --> 2:01:03.000
<v Speaker 1>a director.

2:01:03.120 --> 2:01:03.600
<v Speaker 2>I love that.

2:01:04.080 --> 2:01:07.680
<v Speaker 1>We love the specifics that said, if you made an

2:01:07.680 --> 2:01:09.880
<v Speaker 1>episode twenty years ago, we would still like you to

2:01:09.920 --> 2:01:12.040
<v Speaker 1>be on the show. If you don't know, yeah, we'll

2:01:12.080 --> 2:01:12.360
<v Speaker 1>have you.

2:01:13.200 --> 2:01:16.320
<v Speaker 2>Yeah. Oh I wouldn't know about the double Hallas. I

2:01:16.360 --> 2:01:18.000
<v Speaker 2>would be like, can we eat this for real? Like

2:01:18.040 --> 2:01:20.360
<v Speaker 2>I would just be happy there's holla around. Yeah, I

2:01:20.480 --> 2:01:26.600
<v Speaker 2>really that failing my Jewish tests here, but that.

2:01:26.680 --> 2:01:29.560
<v Speaker 1>Was awesome and uh, I guess yeah, we could just

2:01:29.600 --> 2:01:30.280
<v Speaker 1>go right into it.

2:01:30.520 --> 2:01:32.440
<v Speaker 2>Do you know what? I think so much about the

2:01:32.520 --> 2:01:35.560
<v Speaker 2>Camp of Bronwyn and just the sort like there's just

2:01:35.600 --> 2:01:39.080
<v Speaker 2>so much that I do. I did forget that Yeats

2:01:39.200 --> 2:01:42.560
<v Speaker 2>is like an animal, you know what I mean, Like

2:01:42.720 --> 2:01:46.320
<v Speaker 2>he really did fuck her up, and Rednick is the

2:01:46.400 --> 2:01:49.520
<v Speaker 2>sweet soul murder of you know, he did, you know,

2:01:49.680 --> 2:01:53.760
<v Speaker 2>decapitate a woman but somehow let her go. Yeah. Yeah,

2:01:53.800 --> 2:01:56.879
<v Speaker 2>and for being so wealthy. It is weird that Rudnick

2:01:57.120 --> 2:01:59.880
<v Speaker 2>works as a medical examiner like it.

2:02:00.160 --> 2:02:03.000
<v Speaker 1>Ask my question though, do we think Rudnick has killed

2:02:03.000 --> 2:02:05.840
<v Speaker 1>a bunch of times since the killing when he was young,

2:02:06.400 --> 2:02:07.720
<v Speaker 1>like years he gets.

2:02:07.520 --> 2:02:10.880
<v Speaker 2>His jolly is off, like dissecting, just doing.

2:02:10.600 --> 2:02:12.480
<v Speaker 1>This stuff in the morgue, Like do you think he's

2:02:12.560 --> 2:02:15.080
<v Speaker 1>kind of like that's what he figured out was his

2:02:15.280 --> 2:02:18.400
<v Speaker 1>like way to like stop his urges to kill, was

2:02:18.400 --> 2:02:19.480
<v Speaker 1>like working in the morgue.

2:02:19.520 --> 2:02:21.680
<v Speaker 2>And then the next person he kills.

2:02:21.760 --> 2:02:25.800
<v Speaker 1>Yes, of course he murders and like like chops up

2:02:26.280 --> 2:02:31.040
<v Speaker 1>the the Yates's wife or baby mama whatever, but like

2:02:31.160 --> 2:02:33.680
<v Speaker 1>before in between them, do you think he kills.

2:02:33.400 --> 2:02:36.520
<v Speaker 2>The way Yates like has to kill. I don't know.

2:02:38.520 --> 2:02:42.320
<v Speaker 1>Yeah, he's like most conscience if he lets Bronwin go,

2:02:43.160 --> 2:02:46.440
<v Speaker 1>whereas Yates is an animal, like you said, yeah, he

2:02:46.680 --> 2:02:47.160
<v Speaker 1>needs it.

2:02:47.680 --> 2:02:50.760
<v Speaker 2>Yeah. This I mean not to keep talking about Luigi,

2:02:50.800 --> 2:02:53.520
<v Speaker 2>but it is like when you know, we're into murder

2:02:53.560 --> 2:02:56.560
<v Speaker 2>now it's like we're like, listen, Rudnick, he figured it out.

2:02:57.040 --> 2:02:59.960
<v Speaker 1>I just what are the chances that, like we were

2:03:00.200 --> 2:03:03.360
<v Speaker 1>did this interview while a nationwide manhunt was concluding.

2:03:03.440 --> 2:03:06.560
<v Speaker 2>It's just like very you know, it's very coincidental. I

2:03:06.600 --> 2:03:06.960
<v Speaker 2>love it.

2:03:07.200 --> 2:03:09.880
<v Speaker 1>But post mortem on this episode, I mean, I don't

2:03:09.880 --> 2:03:12.240
<v Speaker 1>know how much takeaway there is for the average person.

2:03:12.320 --> 2:03:14.840
<v Speaker 1>Don't start a love affair with a serial killer. Don't

2:03:14.840 --> 2:03:17.080
<v Speaker 1>do it twice. I don't know, Like, don't do it

2:03:17.160 --> 2:03:20.040
<v Speaker 1>two times, like they're going to lock you in the

2:03:20.040 --> 2:03:21.720
<v Speaker 1>trunk of a car and drive away.

2:03:22.760 --> 2:03:26.240
<v Speaker 2>They don't. Yeah, they're they are criminals who got caught

2:03:26.320 --> 2:03:29.480
<v Speaker 2>who want to not be caught. Like stop, stop, it's

2:03:29.560 --> 2:03:34.480
<v Speaker 2>not real. You know, we really drill into opposites. Attract

2:03:34.560 --> 2:03:37.200
<v Speaker 2>or love can find you anywhere. But let's say prison's

2:03:37.240 --> 2:03:38.040
<v Speaker 2>not it prison?

2:03:39.680 --> 2:03:42.120
<v Speaker 1>Do you think, like the guy that didn't die and

2:03:42.200 --> 2:03:45.320
<v Speaker 1>now I'm forgetting because their names are so interchangeable in

2:03:45.360 --> 2:03:48.880
<v Speaker 1>the Dana Mora escape, like he just like sits in

2:03:48.880 --> 2:03:51.520
<v Speaker 1>prison every day and thinks about ways that the plan

2:03:51.600 --> 2:03:56.480
<v Speaker 1>got fucked up because like I mean, wow, because it's

2:03:56.520 --> 2:03:59.000
<v Speaker 1>like you're not gonna the stars are not gonna align

2:03:59.040 --> 2:04:01.000
<v Speaker 1>that way. Again bro, and so they're probably keeping a

2:04:01.120 --> 2:04:03.120
<v Speaker 1>serious watch on you.

2:04:02.640 --> 2:04:04.920
<v Speaker 2>Now when it wasn't fun, like that's the whole thing.

2:04:04.960 --> 2:04:06.240
<v Speaker 2>It's like, well, I don't know what it's like to

2:04:06.240 --> 2:04:09.280
<v Speaker 2>be so captives that Like maybe that was fun, but

2:04:09.360 --> 2:04:12.440
<v Speaker 2>like fighting for your life at night in the woods

2:04:12.480 --> 2:04:16.200
<v Speaker 2>just doesn't even seem that more enjoyable than like getting

2:04:16.280 --> 2:04:18.880
<v Speaker 2>fucked in the tailor room. I don't know.

2:04:20.480 --> 2:04:22.760
<v Speaker 1>Yeah, they kind of walked away from a good situation

2:04:22.880 --> 2:04:23.440
<v Speaker 1>that they had.

2:04:23.680 --> 2:04:26.040
<v Speaker 2>I know, it was life, but it's like this woman

2:04:26.160 --> 2:04:28.720
<v Speaker 2>was paying off debt, Like it seems like people were

2:04:29.120 --> 2:04:31.080
<v Speaker 2>the employees were down to fuck, like.

2:04:31.600 --> 2:04:38.640
<v Speaker 1>Overall, few cheeseburgers, like, come on, like it wasn't that bad. Wow,

2:04:38.960 --> 2:04:43.600
<v Speaker 1>this one wild, I mean, just such a wild episode, uh,

2:04:43.800 --> 2:04:48.960
<v Speaker 1>bringing back Bronwyn, linking together multiple serial killers bringing a

2:04:49.000 --> 2:04:50.920
<v Speaker 1>world c I remember when I watched this when it

2:04:50.960 --> 2:04:53.600
<v Speaker 1>was first on, being like I wonder how much the

2:04:53.600 --> 2:04:57.800
<v Speaker 1>police departments of Chicago and New York actually interface, you know,

2:04:58.000 --> 2:05:00.800
<v Speaker 1>like how much are they actually working on crimes of

2:05:00.880 --> 2:05:03.840
<v Speaker 1>a killer that just works between those two places, like

2:05:03.920 --> 2:05:06.600
<v Speaker 1>dick Wolf makes it seem like they are just side

2:05:06.640 --> 2:05:11.240
<v Speaker 1>by side squads. But you know, maybe maybe a lot

2:05:11.240 --> 2:05:13.640
<v Speaker 1>of people got into Chicago p D from this who knows.

2:05:14.680 --> 2:05:17.360
<v Speaker 2>Yeah, I want to know do crossovers work, like do

2:05:17.440 --> 2:05:18.680
<v Speaker 2>the lead and so I mean, I'll tell you the

2:05:18.680 --> 2:05:20.840
<v Speaker 2>greatest of all time was Beverly Hills Housewives and the

2:05:20.880 --> 2:05:25.520
<v Speaker 2>vander Pump Rules. But I really can't think of any other, like, oh,

2:05:25.680 --> 2:05:29.360
<v Speaker 2>I gotta get into this one that never yeah, has

2:05:29.400 --> 2:05:32.160
<v Speaker 2>a crossover. I'm usually like piss, it didn't even work

2:05:32.200 --> 2:05:35.520
<v Speaker 2>for organized crime and I'm an SBU podcast, Like, yeah,

2:05:35.840 --> 2:05:39.480
<v Speaker 2>you'd think I want Maloney back in my life. Yeah,

2:05:39.640 --> 2:05:40.560
<v Speaker 2>I mean it did for me.

2:05:40.640 --> 2:05:43.840
<v Speaker 1>I'm still a season behind though, so we'll see if

2:05:43.880 --> 2:05:45.560
<v Speaker 1>I catch up. I'm gonna try to catch up up

2:05:45.600 --> 2:05:47.600
<v Speaker 1>with that over the holidays. Actually, just like do a

2:05:47.680 --> 2:05:51.400
<v Speaker 1>day of just watching OC NonStop Maloney in my face

2:05:51.440 --> 2:05:53.080
<v Speaker 1>the whole time, because I do like it.

2:05:52.960 --> 2:05:53.560
<v Speaker 2>It is good.

2:05:53.760 --> 2:05:56.400
<v Speaker 1>But yeah, I got like I was. It depends if

2:05:56.400 --> 2:05:58.920
<v Speaker 1>we're talking about crossover versus spinoff. I mean from nine

2:05:58.960 --> 2:06:01.800
<v Speaker 1>O two one, oh, I went right into melrose Place

2:06:01.840 --> 2:06:04.000
<v Speaker 1>and like all these other like that was a crossover.

2:06:04.240 --> 2:06:07.760
<v Speaker 1>Like there were some crossovers get me sometimes, but yeah,

2:06:07.960 --> 2:06:11.280
<v Speaker 1>vander Pump and Beverly Hills is uh that's a good one.

2:06:11.640 --> 2:06:14.880
<v Speaker 2>I realized that melrose Place and nine O two one

2:06:15.080 --> 2:06:19.080
<v Speaker 2>zero were linked outside of just Aaron spelling, like, I

2:06:19.080 --> 2:06:20.360
<v Speaker 2>didn't realize there was crossover.

2:06:20.840 --> 2:06:24.840
<v Speaker 1>Yes, Jake, the main hottie on melrose Place was like

2:06:25.000 --> 2:06:29.280
<v Speaker 1>in a flirtation with Kelly on Beverly Hills Rid Toto.

2:06:29.400 --> 2:06:30.520
<v Speaker 2>So that's how it's popped off.

2:06:31.040 --> 2:06:35.040
<v Speaker 1>Wow, yeah, yeah, yeah, yeah, Grant Show.

2:06:35.120 --> 2:06:36.440
<v Speaker 2>Oh my god, I used to watch I used to

2:06:36.480 --> 2:06:38.840
<v Speaker 2>watch melrose and Beverly Hills. I loved them so much.

2:06:39.400 --> 2:06:41.880
<v Speaker 2>But what do you think? Should we move on to

2:06:41.880 --> 2:06:44.320
<v Speaker 2>what would Sister Peg Do? Yeah?

2:06:44.600 --> 2:06:46.760
<v Speaker 1>Yeah, so this week, so what would mister Peg Do?

2:06:46.880 --> 2:06:49.600
<v Speaker 1>Our weekly segment where we direct you towards an article,

2:06:49.640 --> 2:06:52.480
<v Speaker 1>a book, an organization, something to give you more info

2:06:52.520 --> 2:06:54.800
<v Speaker 1>about what we talked about in today's episode. We wanted

2:06:54.840 --> 2:06:57.800
<v Speaker 1>to obviously point you to the mini series Escape at

2:06:57.840 --> 2:07:00.400
<v Speaker 1>Dana Mora, like we described it in the episode. It

2:07:00.440 --> 2:07:03.720
<v Speaker 1>stars Paul Dano, Benicio del Toro, and Patricia Arquette.

2:07:03.680 --> 2:07:04.839
<v Speaker 2>It's directed by Ben Siller.

2:07:05.000 --> 2:07:07.320
<v Speaker 1>It like was nominated and I think won a bunch

2:07:07.360 --> 2:07:10.320
<v Speaker 1>of awards, and it's now on Netflix. So if you're

2:07:10.320 --> 2:07:12.880
<v Speaker 1>looking for something to watch in these last few days

2:07:12.920 --> 2:07:15.760
<v Speaker 1>of holiday break escape a Dana Mora give you more

2:07:15.760 --> 2:07:19.200
<v Speaker 1>info on uh that that escape may help you visualize

2:07:19.200 --> 2:07:21.800
<v Speaker 1>the whole escape, and that will be posted the day

2:07:21.840 --> 2:07:24.400
<v Speaker 1>this episode comes out in our stories Saved Forever, in

2:07:24.480 --> 2:07:28.040
<v Speaker 1>our WWSPD highlight on our Instagram page.

2:07:28.200 --> 2:07:30.640
<v Speaker 2>You know, I was talking shit about how I don't

2:07:30.680 --> 2:07:34.800
<v Speaker 2>want another Jean Vine like Ramsey show, you know, but

2:07:34.840 --> 2:07:37.360
<v Speaker 2>I talked to someone who watched and said their opinion

2:07:37.440 --> 2:07:40.160
<v Speaker 2>to change. Interesting.

2:07:41.080 --> 2:07:43.600
<v Speaker 1>So yeah, it's like a lot of people said their

2:07:43.640 --> 2:07:46.120
<v Speaker 1>opinion changed about Casey Anthony when they watched that one,

2:07:46.120 --> 2:07:49.120
<v Speaker 1>and I just I just can't change my opinion.

2:07:49.160 --> 2:07:51.480
<v Speaker 2>I don't think on that one. But maybe I'm wrong. No,

2:07:51.680 --> 2:07:54.600
<v Speaker 2>she did it and she got away with it. And yeah,

2:07:54.640 --> 2:07:56.360
<v Speaker 2>if you commit a crime, I would try to hire

2:07:56.520 --> 2:07:59.720
<v Speaker 2>that lawyer. Like I don't have to tell you. Next

2:07:59.720 --> 2:08:04.200
<v Speaker 2>week we will be doing Prodigy. I'm excited, Season three,

2:08:04.560 --> 2:08:09.120
<v Speaker 2>episode thirteen, and we'll see you in the New Year. Wow.

2:08:09.200 --> 2:08:09.879
<v Speaker 2>How special.

2:08:10.640 --> 2:08:13.960
<v Speaker 1>Happy New Year's Eve everybody, and we'll see you in

2:08:13.960 --> 2:08:14.720
<v Speaker 1>twenty twenty five.

2:08:14.840 --> 2:08:26.400
<v Speaker 2>Bye. That's messed up as an exactly right production.

2:08:26.800 --> 2:08:28.880
<v Speaker 1>If you have compliments you'd like to give us, or

2:08:28.960 --> 2:08:31.200
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:08:31.240 --> 2:08:34.560
<v Speaker 1>it That's Messed uppod at gmail dot com. Follow the

2:08:34.600 --> 2:08:37.840
<v Speaker 1>podcast on Instagram at That's Messed Up Pod and on

2:08:37.880 --> 2:08:41.360
<v Speaker 1>Twitter at Messed Up Pod, and follow us personally at

2:08:41.440 --> 2:08:44.800
<v Speaker 1>Kara Klank and at glitter Cheese. As always, please see

2:08:44.800 --> 2:08:47.040
<v Speaker 1>our show notes for sources and more information.

2:08:47.480 --> 2:08:50.440
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:08:50.600 --> 2:08:54.080
<v Speaker 2>and our associate producer Christina Chamberlain, and to our.

2:08:54.000 --> 2:08:57.360
<v Speaker 1>Mixer John Bradley and our guest booker Patrick Cottner, and.

2:08:57.440 --> 2:09:00.240
<v Speaker 2>To Henry Kaperski for our theme song and Carly Jean

2:09:00.320 --> 2:09:01.480
<v Speaker 2>Andrews for our artwork.

2:09:01.680 --> 2:09:05.480
<v Speaker 1>Thank you to our executive producers Georgia Hardstart, Karen Kilgarriff,

2:09:05.520 --> 2:09:08.120
<v Speaker 1>Daniel Kramer, and everybody at Exactly Right Media.

2:09:09.120 --> 2:09:09.920
<v Speaker 2>Dun dun