1
00:00:20,120 --> 00:00:22,200
Speaker 1: Hello Aby, Hello.

2
00:00:22,480 --> 00:00:25,000
Speaker 2: Okay, so yes, let's get to your star said on

3
00:00:25,000 --> 00:00:29,760
Speaker 2: the last podcast, which we recorded just earlier, that I

4
00:00:29,800 --> 00:00:30,680
Speaker 2: had a story.

5
00:00:30,800 --> 00:00:31,640
Speaker 3: Yeah, I'm glad you say.

6
00:00:31,720 --> 00:00:34,320
Speaker 1: That's what I went to on Saturday Night.

7
00:00:34,440 --> 00:00:39,199
Speaker 2: My friend Josh McBride, who lives in New York and

8
00:00:39,320 --> 00:00:42,240
Speaker 2: worked for like, he does a lot of like brand

9
00:00:42,280 --> 00:00:45,640
Speaker 2: deal stuff, and he's you'll always see him on like

10
00:00:45,720 --> 00:00:47,240
Speaker 2: the Today Show or the view of what I'm like

11
00:00:47,280 --> 00:00:49,920
Speaker 2: talking about different lovely human.

12
00:00:50,800 --> 00:00:53,640
Speaker 1: We have so much fun together. Anyway, he texted me

13
00:00:53,640 --> 00:00:54,120
Speaker 1: a couple.

14
00:00:53,880 --> 00:00:56,760
Speaker 2: Of weeks ago and was like, Hey, would you want

15
00:00:56,800 --> 00:01:01,200
Speaker 2: to go on Saturday night to the the Jaw Rule

16
00:01:01,360 --> 00:01:06,679
Speaker 2: Eve Nelly Jingy concert. And I was like, that is

17
00:01:06,760 --> 00:01:09,399
Speaker 2: my high school era, Absolutely to go.

18
00:01:10,880 --> 00:01:12,440
Speaker 1: So it was like okay.

19
00:01:12,600 --> 00:01:15,080
Speaker 2: So he's like, I'm all fly out then, so he

20
00:01:15,240 --> 00:01:18,280
Speaker 2: flies out from New York for the fun for the show.

21
00:01:18,840 --> 00:01:23,479
Speaker 1: Now he is best friends with Jah Rule and his.

22
00:01:23,400 --> 00:01:27,920
Speaker 2: Wife Aisha who we call Ish, friends with their daughter Brittany,

23
00:01:27,959 --> 00:01:29,200
Speaker 2: who's like thirty.

24
00:01:29,120 --> 00:01:33,200
Speaker 1: Okay, but anyway, so we go back.

25
00:01:33,280 --> 00:01:40,040
Speaker 2: First of all, we get there and we have seats.

26
00:01:37,800 --> 00:01:40,240
Speaker 1: That don't exist. What so.

27
00:01:42,319 --> 00:01:49,040
Speaker 2: Jaw's wife Ish her and and Tina who is a

28
00:01:49,080 --> 00:01:52,880
Speaker 2: record producer who passed away IRV Gotti's sister. She got

29
00:01:52,960 --> 00:01:53,640
Speaker 2: us the tickets.

30
00:01:53,760 --> 00:01:55,480
Speaker 3: Okay, it's in.

31
00:01:55,760 --> 00:01:57,240
Speaker 2: It's like right to the kind of the left of

32
00:01:57,240 --> 00:01:59,720
Speaker 2: the stage and where we go down and it's like, oh,

33
00:01:59,760 --> 00:02:04,000
Speaker 2: here's the row row four seats like six and seven,

34
00:02:04,560 --> 00:02:07,040
Speaker 2: like okay, so we start scooting down in front of people.

35
00:02:07,160 --> 00:02:09,440
Speaker 2: Turns out they were part like part of the family,

36
00:02:10,240 --> 00:02:13,799
Speaker 2: scooting down and then we're like, wait, right after their

37
00:02:13,840 --> 00:02:18,480
Speaker 2: party of like five people, there's a glass partition that

38
00:02:18,639 --> 00:02:21,520
Speaker 2: like hordon's off that area. So we're like, how weird,

39
00:02:21,560 --> 00:02:22,880
Speaker 2: but not one on the.

40
00:02:22,800 --> 00:02:26,440
Speaker 1: Row behind it. Oh okay whatever, So.

41
00:02:26,360 --> 00:02:28,040
Speaker 2: We go up and around and then we're like, well,

42
00:02:28,160 --> 00:02:30,560
Speaker 2: there's another little staircase that goes on the other side

43
00:02:30,560 --> 00:02:32,000
Speaker 2: of the things. We go to go down that and

44
00:02:32,040 --> 00:02:36,120
Speaker 2: there's a thing that blocks that off. Hmm, like what,

45
00:02:36,840 --> 00:02:38,560
Speaker 2: So we start to crawl over the seat.

46
00:02:38,720 --> 00:02:41,200
Speaker 1: That was a big no no. You know.

47
00:02:41,240 --> 00:02:44,320
Speaker 2: I was like, oh, okay, sorry lady, And we tried

48
00:02:44,360 --> 00:02:45,560
Speaker 2: to do that a couple of times so.

49
00:02:45,480 --> 00:02:47,360
Speaker 1: Hopefully she would have noticed, but it was now everything

50
00:02:47,520 --> 00:02:51,119
Speaker 1: she got a leg over. She was like mom face

51
00:02:51,160 --> 00:02:52,440
Speaker 1: and everything. Now we were in trouble.

52
00:02:53,240 --> 00:02:54,280
Speaker 3: You don't want to poke that by her.

53
00:02:54,680 --> 00:02:56,720
Speaker 1: We were like, what the hell, you know, where are

54
00:02:56,720 --> 00:02:57,800
Speaker 1: your seats? Row four?

55
00:02:58,240 --> 00:03:00,839
Speaker 2: Seats six and seven should be on the other side

56
00:03:00,880 --> 00:03:03,200
Speaker 2: of that thing. So then the lady who won't let

57
00:03:03,280 --> 00:03:04,560
Speaker 2: us crawl over the seats is like, you have to

58
00:03:04,600 --> 00:03:06,400
Speaker 2: go around. You have to go around. We're like, okay,

59
00:03:06,800 --> 00:03:08,560
Speaker 2: to the lower level to come up.

60
00:03:09,280 --> 00:03:11,799
Speaker 1: M we can't give them the lower level because that's

61
00:03:11,840 --> 00:03:13,160
Speaker 1: not where our seats were.

62
00:03:13,320 --> 00:03:16,360
Speaker 2: Geez went on the floor levels. We're right, Oh my god.

63
00:03:16,600 --> 00:03:21,720
Speaker 2: So I was like, we're gonna find somebody. So we

64
00:03:21,760 --> 00:03:27,480
Speaker 2: find a lovely human named Justin who was at the

65
00:03:27,560 --> 00:03:32,080
Speaker 2: state like backstage area, and immediately he recognizes me, so

66
00:03:32,120 --> 00:03:34,760
Speaker 2: I was like, maybe maybe we can help.

67
00:03:34,960 --> 00:03:35,120
Speaker 3: Yeah.

68
00:03:35,400 --> 00:03:39,120
Speaker 1: Yeah. So the one of the times when you're like he's.

69
00:03:38,960 --> 00:03:41,040
Speaker 2: Just so sweet though, and like he was like, you're

70
00:03:41,200 --> 00:03:41,960
Speaker 2: a legend.

71
00:03:41,680 --> 00:03:43,360
Speaker 1: By the way, and I love you. That was crazy.

72
00:03:43,640 --> 00:03:45,680
Speaker 2: I was like, great, help me find these seats because

73
00:03:45,680 --> 00:03:48,080
Speaker 2: I don't think they exist. And so he was like, oh,

74
00:03:48,240 --> 00:03:50,880
Speaker 2: some of the family was came down here earlier looking

75
00:03:51,080 --> 00:03:53,480
Speaker 2: for those seats. It's there's a whole complict. He's like,

76
00:03:53,520 --> 00:03:55,840
Speaker 2: I'll help you find them. So I'm like Okay, okay,

77
00:03:56,160 --> 00:03:58,920
Speaker 2: go up there, go back to the thing. He's like,

78
00:03:58,920 --> 00:04:01,080
Speaker 2: here's roe four. We're like, yeah, seats six and seventy.

79
00:04:01,080 --> 00:04:01,840
Speaker 2: Goes yeah, right there.

80
00:04:02,400 --> 00:04:04,080
Speaker 3: Oh they don't exist.

81
00:04:04,880 --> 00:04:06,480
Speaker 1: You can't get there. I'm like right.

82
00:04:06,560 --> 00:04:08,240
Speaker 2: So then we start to go around to the thing

83
00:04:08,320 --> 00:04:10,320
Speaker 2: and he tells the lady like, they're just gonna jump

84
00:04:10,360 --> 00:04:10,840
Speaker 2: over the seats.

85
00:04:10,880 --> 00:04:11,480
Speaker 1: Those are their seats.

86
00:04:12,040 --> 00:04:15,240
Speaker 2: But then it's not because that's a whole different section

87
00:04:15,320 --> 00:04:18,000
Speaker 2: that's part of the floor section and it's not like

88
00:04:18,040 --> 00:04:19,039
Speaker 2: the roser.

89
00:04:18,760 --> 00:04:22,640
Speaker 1: Labeled differently and that little cut out. So she's like

90
00:04:22,680 --> 00:04:25,840
Speaker 1: that that's not their seats. This is at the into

91
00:04:25,880 --> 00:04:26,279
Speaker 1: it film.

92
00:04:26,839 --> 00:04:27,600
Speaker 3: Even so he.

93
00:04:27,600 --> 00:04:30,080
Speaker 1: Goes and finds somebody else. Somebody else comes down. They're

94
00:04:30,080 --> 00:04:34,080
Speaker 1: like yeah, yeah, that's right. Oh did you get them tickets?

95
00:04:35,120 --> 00:04:37,240
Speaker 1: But scop tickets from one of the performers.

96
00:04:37,320 --> 00:04:39,240
Speaker 3: Okay, okay, yeah yeah, so.

97
00:04:39,160 --> 00:04:40,200
Speaker 1: We're like what the hell.

98
00:04:40,800 --> 00:04:45,760
Speaker 2: Well then luckily with the family is uh Tina and

99
00:04:45,839 --> 00:04:49,120
Speaker 2: she who is the one that uh I explained was

100
00:04:49,120 --> 00:04:51,600
Speaker 2: that he's a producer's sister and she was.

101
00:04:51,560 --> 00:04:54,240
Speaker 1: Like, oh my god, Josh, so she's right there. We're

102
00:04:54,240 --> 00:04:55,960
Speaker 1: like finally so we meet him.

103
00:04:56,000 --> 00:04:59,920
Speaker 2: They're like, okay, great, so then our lovely friend Justin,

104
00:05:00,000 --> 00:05:01,560
Speaker 2: who's been trying to helps He's like, I'm so sorry

105
00:05:01,560 --> 00:05:03,159
Speaker 2: I couldn't help you, but those seats don't exist.

106
00:05:03,160 --> 00:05:05,600
Speaker 1: I was like that sounds like an into a dome problem,

107
00:05:06,000 --> 00:05:06,400
Speaker 1: you know what I mean.

108
00:05:07,000 --> 00:05:11,800
Speaker 2: You don't sell anybody else those Yeah, So anyway, we

109
00:05:12,040 --> 00:05:16,080
Speaker 2: go downstairs and like backstage, go to job was dressing room,

110
00:05:16,120 --> 00:05:18,640
Speaker 2: I mean him and why then you know, it was

111
00:05:18,680 --> 00:05:19,320
Speaker 2: literally like.

112
00:05:19,240 --> 00:05:20,680
Speaker 1: The four of us just kind of hanging up for

113
00:05:20,720 --> 00:05:22,880
Speaker 1: the show. I was like, are you sure I should

114
00:05:22,880 --> 00:05:23,279
Speaker 1: be in here?

115
00:05:23,480 --> 00:05:26,120
Speaker 2: And he's like friends with their family. I go like

116
00:05:26,160 --> 00:05:28,919
Speaker 2: I was at her wedding. I was like, I just

117
00:05:29,080 --> 00:05:29,360
Speaker 2: was like.

118
00:05:29,320 --> 00:05:29,960
Speaker 1: I don't want to.

119
00:05:30,040 --> 00:05:31,920
Speaker 2: You know, you know how it is when you're like

120
00:05:32,320 --> 00:05:36,039
Speaker 2: when someone's prepping for a performance and they're in your space,

121
00:05:36,240 --> 00:05:37,800
Speaker 2: You're like, okay, I know you, but.

122
00:05:37,839 --> 00:05:40,160
Speaker 1: I don't know you care.

123
00:05:40,960 --> 00:05:43,520
Speaker 2: I was trying to be like a small and inconspicuous

124
00:05:43,520 --> 00:05:44,400
Speaker 2: as possible.

125
00:05:44,560 --> 00:05:45,200
Speaker 1: Not like they were.

126
00:05:45,279 --> 00:05:47,800
Speaker 2: They were so sweet and so lovely John his wife

127
00:05:47,880 --> 00:05:54,200
Speaker 2: could not have been friendlier and more lovely. So anyway, uh,

128
00:05:55,560 --> 00:05:57,600
Speaker 2: it's time for his set because it's you know, a

129
00:05:57,640 --> 00:05:59,679
Speaker 2: bunch of different acts. So they're like okay, we're gonna.

130
00:05:59,480 --> 00:06:01,080
Speaker 1: Walk to the stage. We're like, oh okay.

131
00:06:01,240 --> 00:06:04,880
Speaker 2: So we're walking the stage with him and uh We're

132
00:06:04,920 --> 00:06:07,880
Speaker 2: like okay. And I used to says, oh there's there's

133
00:06:08,160 --> 00:06:10,880
Speaker 2: uh or asks on the stage managers.

134
00:06:11,040 --> 00:06:12,320
Speaker 1: Where where where can we sit?

135
00:06:12,360 --> 00:06:15,160
Speaker 2: He's like, oh, I put some seats you know, out

136
00:06:15,440 --> 00:06:16,880
Speaker 2: on like on stage right for you.

137
00:06:17,640 --> 00:06:21,880
Speaker 1: And she was like, oh okay. We walked through backstage.

138
00:06:21,920 --> 00:06:24,720
Speaker 2: We get we go over to like stage right and

139
00:06:24,760 --> 00:06:27,680
Speaker 2: they pull open the curtain to where three folding chairs are.

140
00:06:27,760 --> 00:06:30,560
Speaker 1: It's literally that's where you open and.

141
00:06:30,520 --> 00:06:32,760
Speaker 3: Go on to the stage and there's the stage.

142
00:06:33,680 --> 00:06:37,279
Speaker 2: She usually sits there because it's one person in a

143
00:06:37,279 --> 00:06:39,800
Speaker 2: folding chair kind of hides behind one of the speaker

144
00:06:39,839 --> 00:06:43,120
Speaker 2: that's there and to move them like further back so

145
00:06:43,160 --> 00:06:44,800
Speaker 2: we could see.

146
00:06:44,960 --> 00:06:47,000
Speaker 1: And I literally had I stuck my feet out. I

147
00:06:47,040 --> 00:06:47,440
Speaker 1: go to trip.

148
00:06:47,600 --> 00:06:51,760
Speaker 2: Everybody will walk on stage. We're in and but first

149
00:06:51,960 --> 00:06:54,320
Speaker 2: I freak out right. We get out there and they're like,

150
00:06:54,360 --> 00:06:55,440
Speaker 2: here's your seats, and I was.

151
00:06:55,400 --> 00:06:58,600
Speaker 1: Like dang, no, no, no, no, no no no no.

152
00:06:58,680 --> 00:06:59,600
Speaker 1: I was like I don't want to sity.

153
00:06:59,680 --> 00:07:03,279
Speaker 2: I don't this no I am in the way is

154
00:07:03,400 --> 00:07:05,080
Speaker 2: so not who I want I'm.

155
00:07:04,920 --> 00:07:07,160
Speaker 1: Not all those people. They don't say me like. It

156
00:07:07,960 --> 00:07:10,200
Speaker 1: was like it was like to be on stage at

157
00:07:10,200 --> 00:07:13,280
Speaker 1: the end of it doome to crowdfel people. It was

158
00:07:13,480 --> 00:07:16,240
Speaker 1: like everyone and I knew, like the people were.

159
00:07:16,120 --> 00:07:19,080
Speaker 3: Like, why does she look familiar?

160
00:07:19,240 --> 00:07:20,920
Speaker 1: Right? Why is she look fami? And why is she

161
00:07:20,960 --> 00:07:26,120
Speaker 1: on the stage. So I eventually he turns me, she goes, oh,

162
00:07:26,360 --> 00:07:27,800
Speaker 1: sit down, I must sit on your lap.

163
00:07:27,800 --> 00:07:30,200
Speaker 2: I was like, okay, okay, okay, okay, I'm saying like jokingly.

164
00:07:30,320 --> 00:07:31,520
Speaker 1: I was like, okay, I just don't.

165
00:07:31,320 --> 00:07:32,640
Speaker 2: Want to be in the way. She's like, you're not

166
00:07:32,720 --> 00:07:34,880
Speaker 2: in the way. We wouldn't be here if you were

167
00:07:34,880 --> 00:07:38,560
Speaker 2: in the way. You're not in the way with family relaxed, Okay.

168
00:07:38,760 --> 00:07:45,360
Speaker 2: So then awesome concert, like this show so much fun,

169
00:07:45,840 --> 00:07:48,680
Speaker 2: so much music. That was like, I'm fifteen year old me.

170
00:07:48,680 --> 00:07:50,320
Speaker 2: It was dying totally, you know what I mean.

171
00:07:50,360 --> 00:07:52,080
Speaker 1: I was like, these are the songs of my youth.

172
00:07:52,120 --> 00:07:56,160
Speaker 1: Oh so much a yes, so much fun, so much fun.

173
00:07:56,200 --> 00:07:59,240
Speaker 2: But when the camera would be following him like to

174
00:07:59,480 --> 00:08:02,080
Speaker 2: you know, on the screens in the in the into

175
00:08:02,080 --> 00:08:05,280
Speaker 2: a dome, and he'd walk over like kind of stage

176
00:08:05,320 --> 00:08:07,960
Speaker 2: right where we were, and I just see my friend

177
00:08:08,080 --> 00:08:11,360
Speaker 2: Josh's knees because he's real tall, like the spotlight, and

178
00:08:11,400 --> 00:08:14,240
Speaker 2: so I just kept going, hey, your knees are on camera,

179
00:08:14,680 --> 00:08:16,280
Speaker 2: famous knees, and then.

180
00:08:16,240 --> 00:08:19,520
Speaker 1: Just yeah and he's like, oh god, yeah. It was

181
00:08:19,520 --> 00:08:21,560
Speaker 1: really fun and it was amazing. And so then after

182
00:08:21,640 --> 00:08:24,440
Speaker 1: jos set we go backstage back to Jaw's.

183
00:08:24,200 --> 00:08:25,560
Speaker 2: Room, and then you know a bunch of people are

184
00:08:25,560 --> 00:08:28,040
Speaker 2: back there, the people who we were crawling over to

185
00:08:28,080 --> 00:08:29,720
Speaker 2: try and find the seats that didn't exist.

186
00:08:30,160 --> 00:08:32,720
Speaker 1: We're also part of the families. It's you again.

187
00:08:32,880 --> 00:08:34,640
Speaker 3: Yeah, I'm fancy meeting you again.

188
00:08:34,720 --> 00:08:37,120
Speaker 2: Security guy Oh knocks on the door, opens the thing

189
00:08:37,160 --> 00:08:40,320
Speaker 2: and he's like, hey, Liz, owner friend want to come

190
00:08:40,360 --> 00:08:44,160
Speaker 2: and meet you to Jock and he was like, oh yeah, yeah, yeah.

191
00:08:43,960 --> 00:08:44,400
Speaker 1: Bring them in.

192
00:08:44,440 --> 00:08:45,040
Speaker 3: Oh my gosh.

193
00:08:45,160 --> 00:08:45,920
Speaker 1: I was like, oh my god.

194
00:08:46,320 --> 00:08:48,600
Speaker 2: So we're sitting on the couch in the dressing room, like,

195
00:08:48,800 --> 00:08:49,800
Speaker 2: you know, kind of standing around.

196
00:08:49,880 --> 00:08:51,920
Speaker 1: I'm like, can I crawl under the couch?

197
00:08:51,960 --> 00:08:52,560
Speaker 3: Should I be?

198
00:08:52,720 --> 00:08:54,320
Speaker 1: I just want to be out of the way, like

199
00:08:54,360 --> 00:08:56,400
Speaker 1: I felt, you know me, I am not.

200
00:08:56,600 --> 00:08:58,840
Speaker 2: I'm like I don't I don't want like I don't

201
00:08:58,840 --> 00:09:02,080
Speaker 2: want to be special rights men. I am in your way.

202
00:09:02,280 --> 00:09:03,720
Speaker 2: You don't know me if you want me to leave

203
00:09:03,760 --> 00:09:06,400
Speaker 2: the room, and Josh, I will do that, like this

204
00:09:06,480 --> 00:09:08,000
Speaker 2: is your entertainment space whatever.

205
00:09:08,080 --> 00:09:10,280
Speaker 1: Totally yep, yep, was not like that. Everyone was fine.

206
00:09:10,600 --> 00:09:15,680
Speaker 1: So anyway, in walks Lizzo I got she looks super cute,

207
00:09:15,800 --> 00:09:18,800
Speaker 1: her little legs, a little dress on, brad hair, the gorgeous,

208
00:09:18,960 --> 00:09:21,640
Speaker 1: goes around, gives everybody in the room a hug. There's like,

209
00:09:21,800 --> 00:09:24,760
Speaker 1: I don't know, like nine of us in there. Hi,

210
00:09:24,840 --> 00:09:28,400
Speaker 1: I'm Lizzo. Stop hugs me and then looks.

211
00:09:28,160 --> 00:09:30,600
Speaker 2: At me and Josh I was like, oh wait, you

212
00:09:30,640 --> 00:09:31,560
Speaker 2: were the two on stage.

213
00:09:31,640 --> 00:09:34,880
Speaker 3: Huh oh gosh, oh gosh. So it's not even like

214
00:09:34,960 --> 00:09:37,559
Speaker 3: she recognized you from Full House. She recognized you from.

215
00:09:37,520 --> 00:09:41,080
Speaker 1: Stay, she recognized me from full House at all. She

216
00:09:41,240 --> 00:09:45,040
Speaker 1: didn't say a word what she did say I saw

217
00:09:45,080 --> 00:09:47,680
Speaker 1: you on stage and he turned to Josh and I

218
00:09:47,720 --> 00:09:50,040
Speaker 1: was like, you see it better seats a little. I

219
00:09:50,040 --> 00:09:50,760
Speaker 1: think Liz is better.

220
00:09:51,360 --> 00:09:52,959
Speaker 3: She's a little bitter about this a little.

221
00:09:53,080 --> 00:09:53,760
Speaker 1: She's a little bitter.

222
00:09:54,280 --> 00:09:54,439
Speaker 3: Yeah.

223
00:09:54,520 --> 00:09:58,520
Speaker 2: Yeah, anyway, that's a fun time.

224
00:09:58,720 --> 00:09:59,560
Speaker 1: We have the best time.

225
00:10:00,080 --> 00:10:02,560
Speaker 2: We missed the first hour of the show though, because well, yeah,

226
00:10:02,600 --> 00:10:05,560
Speaker 2: you know, raise the tickets that don't exist told us

227
00:10:05,559 --> 00:10:07,720
Speaker 2: that the show started at eight, but it actually starts

228
00:10:07,720 --> 00:10:08,160
Speaker 2: at seven.

229
00:10:08,360 --> 00:10:09,800
Speaker 3: Oh.

230
00:10:09,880 --> 00:10:12,079
Speaker 1: It was like, it's eight o'clock and Jo's like, look

231
00:10:12,080 --> 00:10:13,880
Speaker 1: at the ticket. She's like, it's eight o'clock. We started

232
00:10:13,880 --> 00:10:17,640
Speaker 1: at eight o'clock. Every oh it's seven. Dang it. Oh man,

233
00:10:18,600 --> 00:10:19,320
Speaker 1: But it was so much fry.

234
00:10:19,400 --> 00:10:21,000
Speaker 2: We got to see his set, which was I mean,

235
00:10:21,440 --> 00:10:22,040
Speaker 2: that was kind of.

236
00:10:22,080 --> 00:10:22,840
Speaker 3: That's why you were there.

237
00:10:22,920 --> 00:10:23,920
Speaker 1: Yeah, oh my gosh.

238
00:10:24,080 --> 00:10:25,880
Speaker 2: But I did get to see part of eve set,

239
00:10:26,000 --> 00:10:28,480
Speaker 2: which was amazing, And I worked with her on the

240
00:10:28,480 --> 00:10:31,199
Speaker 2: talk a few times and she's super sweet and lovely.

241
00:10:31,000 --> 00:10:34,320
Speaker 1: And yeah, it was just it was a super fun concert.

242
00:10:34,840 --> 00:10:40,120
Speaker 2: But now when you see pictures from the concert and

243
00:10:40,240 --> 00:10:44,520
Speaker 2: also from Lizzo in jaw Rule, it's on jaw Rules

244
00:10:44,640 --> 00:10:47,000
Speaker 2: like Instagram or whatever, like these pictures of him and

245
00:10:47,000 --> 00:10:50,040
Speaker 2: Lizzo meeting and there in the background is my dumbit,

246
00:10:51,440 --> 00:10:56,200
Speaker 2: you know, just my head, Lizzo's shoulders, and then every

247
00:10:56,280 --> 00:10:59,720
Speaker 2: picture from like one side of the stadium like forward

248
00:11:00,160 --> 00:11:03,559
Speaker 2: that's of drawn, like there's just me and and noveally

249
00:11:03,600 --> 00:11:06,960
Speaker 2: need Josh in the background with you know, it's like

250
00:11:07,000 --> 00:11:12,120
Speaker 2: some twisted where's Waldo games, Where's Joe I inadvertently inserted

251
00:11:12,160 --> 00:11:14,640
Speaker 2: myself and I did not mean to and I am

252
00:11:14,640 --> 00:11:15,360
Speaker 2: not that person.

253
00:11:16,160 --> 00:11:17,480
Speaker 3: You photo bombed everything.

254
00:11:18,320 --> 00:11:20,680
Speaker 1: Yeah, it was just like, oh well, let's just be

255
00:11:20,840 --> 00:11:22,640
Speaker 1: over here. Yeah, it's amazing.

256
00:11:22,920 --> 00:11:25,600
Speaker 2: Anyway, it was amazing and I had so much fun.

257
00:11:25,679 --> 00:11:27,920
Speaker 2: And like Josh has these videos to be dancing. I'm like,

258
00:11:29,480 --> 00:11:32,600
Speaker 2: that was great, great concert. Everyone killed it. And they've

259
00:11:32,600 --> 00:11:35,440
Speaker 2: been they've been grinding. They've been touring the country really

260
00:11:35,520 --> 00:11:36,199
Speaker 2: like nine months.

261
00:11:36,240 --> 00:11:36,480
Speaker 3: Yeah.

262
00:11:36,520 --> 00:11:39,680
Speaker 2: Yeah, they're like on tour tour. Oh wow, Yeah, it's

263
00:11:39,720 --> 00:11:42,200
Speaker 2: a it's a hustle. But each thank you so much.

264
00:11:42,280 --> 00:11:43,800
Speaker 2: I don't know if you listened to the podcast. She's

265
00:11:43,840 --> 00:11:46,840
Speaker 2: a big fan of the show, full and Fuller House. Okay,

266
00:11:47,320 --> 00:11:49,240
Speaker 2: but yeah, if if you're listening, thank you for the

267
00:11:49,280 --> 00:11:51,400
Speaker 2: amazing seats, Tina, thank you for Tina Gotti, Thank you

268
00:11:51,400 --> 00:11:54,880
Speaker 2: for the amazing seats. It didn't exist, but we knew

269
00:11:54,880 --> 00:11:57,680
Speaker 2: your heart was in the right place just an hour later.

270
00:11:58,280 --> 00:12:01,320
Speaker 1: But it was really fun. Again, random series of events

271
00:12:01,320 --> 00:12:03,920
Speaker 1: and then so Josh and I always seem to have

272
00:12:04,000 --> 00:12:04,640
Speaker 1: random events.

273
00:12:04,679 --> 00:12:07,360
Speaker 2: We went out to the abbey a while back and

274
00:12:07,400 --> 00:12:10,720
Speaker 2: had one of the strangest evenings with our friends. You

275
00:12:10,760 --> 00:12:13,480
Speaker 2: attracted in to tell you it's a whole other thing.

276
00:12:13,760 --> 00:12:16,360
Speaker 3: Yes, weird things happened to you when yours.

277
00:12:15,920 --> 00:12:19,280
Speaker 2: Happened to he and I when we're to me, and

278
00:12:19,320 --> 00:12:21,160
Speaker 2: then also when he and I are out.

279
00:12:20,960 --> 00:12:22,880
Speaker 1: Together, it's like, definitely just happened.

280
00:12:22,960 --> 00:12:23,520
Speaker 3: Double trouble.

281
00:12:23,880 --> 00:12:26,880
Speaker 1: So, in addition to the Lizzo and the stage and

282
00:12:26,920 --> 00:12:29,000
Speaker 1: the all of that, he text me and he goes,

283
00:12:29,040 --> 00:12:30,559
Speaker 1: you're never going to guess who I'm sitting next to

284
00:12:30,600 --> 00:12:32,520
Speaker 1: on the flight back to New York. I was like, oh,

285
00:12:32,760 --> 00:12:35,560
Speaker 1: he goes, Jeff Goldbloom. Oh my gosh.

286
00:12:35,679 --> 00:12:38,640
Speaker 2: He was like, we're sitting here chatting it up right now.

287
00:12:38,960 --> 00:12:42,240
Speaker 2: He sends me a picture of Jeff Goldbloom waving.

288
00:12:41,920 --> 00:12:45,120
Speaker 4: To the camera the next and I was like, what

289
00:12:45,200 --> 00:12:47,960
Speaker 4: this is Like he was like, this is the weirdest, Like,

290
00:12:48,040 --> 00:12:50,280
Speaker 4: this is three eight hours of people I just didn't

291
00:12:50,320 --> 00:12:51,959
Speaker 4: that weren't on my list that I thought I was

292
00:12:51,960 --> 00:12:52,560
Speaker 4: gonna meet.

293
00:12:52,400 --> 00:12:53,040
Speaker 1: And here we are.

294
00:12:53,760 --> 00:12:55,040
Speaker 3: He got more than he bargained for.

295
00:12:56,160 --> 00:13:01,640
Speaker 2: It was, you know, will we joined the show for

296
00:13:01,720 --> 00:13:04,400
Speaker 2: the evening and then yeah, it was great.

297
00:13:04,440 --> 00:13:07,040
Speaker 3: That's like the man that talk about an experience that

298
00:13:07,080 --> 00:13:10,080
Speaker 3: you can't buy, you can't arrange, like it just happens,

299
00:13:10,360 --> 00:13:12,640
Speaker 3: you know, it's and.

300
00:13:12,720 --> 00:13:15,760
Speaker 1: Yeah, it just happened, and it was super fun and

301
00:13:15,840 --> 00:13:19,400
Speaker 1: I had a great time. Once I got over the

302
00:13:19,440 --> 00:13:21,640
Speaker 1: fact that I was just in the.

303
00:13:21,600 --> 00:13:25,480
Speaker 3: Way, well yes, because you feel you just the dressing.

304
00:13:25,280 --> 00:13:26,679
Speaker 1: Room and I was still like, are you sure should

305
00:13:26,720 --> 00:13:28,680
Speaker 1: I be in here? She just looked at me. I

306
00:13:28,720 --> 00:13:29,599
Speaker 1: was like, oh, you're gonna sit on me.

307
00:13:29,760 --> 00:13:33,839
Speaker 3: Okay, It's like shut up, Jody, I know, right, but.

308
00:13:33,840 --> 00:13:35,960
Speaker 2: No, it was so much fun. Josh, thank you for

309
00:13:35,960 --> 00:13:37,800
Speaker 2: getting h for flying out here.

310
00:13:37,679 --> 00:13:37,959
Speaker 4: For that.

311
00:13:39,600 --> 00:13:40,600
Speaker 1: So fun. Man.

312
00:13:40,920 --> 00:13:43,320
Speaker 3: See, you two have a social life. You we talked

313
00:13:43,320 --> 00:13:45,240
Speaker 3: about how we're old ladies, but look at you living

314
00:13:45,240 --> 00:13:48,200
Speaker 3: it up with Lizzo on a weekend night like this

315
00:13:48,240 --> 00:13:49,200
Speaker 3: is fantastic.

316
00:13:49,520 --> 00:13:51,800
Speaker 1: But we we like left before the show was over

317
00:13:51,840 --> 00:13:54,400
Speaker 1: and we were like, oh, well you're tired. I journed him.

318
00:13:54,400 --> 00:13:56,479
Speaker 1: I was like, well I'm hungry. He's like me too,

319
00:13:56,840 --> 00:13:59,040
Speaker 1: Let's go drive through somewhere and go home. Like, I

320
00:13:59,040 --> 00:14:00,959
Speaker 1: don't need to stay till the and there's too many people.

321
00:14:01,000 --> 00:14:01,839
Speaker 1: I want to get out of here.

322
00:14:01,920 --> 00:14:03,600
Speaker 3: Yeah, I'm the same way. You don't want to deal

323
00:14:03,640 --> 00:14:07,079
Speaker 3: with the crowds and getting out of the concerts and

324
00:14:07,440 --> 00:14:09,640
Speaker 3: nights out very differently than I did.

325
00:14:09,720 --> 00:14:12,960
Speaker 2: Yes, when I do experience them at all. Yes, anyway,

326
00:14:13,000 --> 00:14:19,920
Speaker 2: that's my random story. If you're listening. First of all, yeah,

327
00:14:20,000 --> 00:14:20,800
Speaker 2: for sure she listens.

328
00:14:20,840 --> 00:14:24,600
Speaker 1: And second of all, lovely to meet you and you

329
00:14:24,640 --> 00:14:27,760
Speaker 1: were super sweet and yeah, and anyway.

330
00:14:27,480 --> 00:14:29,160
Speaker 3: She's probably like, she's like, I don't know what show

331
00:14:29,200 --> 00:14:31,040
Speaker 3: that girl was on, but I know that that's the girl,

332
00:14:31,160 --> 00:14:39,280
Speaker 3: the girl. That's her podcast, right, Girl on Stages Podcastages podcast. Yeah,

333
00:14:39,520 --> 00:14:42,560
Speaker 3: add that to your Instagram bio. Girl on Stage Girl.

334
00:14:42,360 --> 00:14:43,120
Speaker 1: Is right right.

335
00:14:44,040 --> 00:14:47,160
Speaker 2: Added to my IMDb there you go is an uncredited

336
00:14:47,240 --> 00:14:48,920
Speaker 2: role back background dancer.

337
00:14:49,120 --> 00:14:54,520
Speaker 3: And yeah, that's so crazy. What a fun, fun weekend.

338
00:14:54,600 --> 00:14:55,520
Speaker 3: I'm so happy for you.

339
00:14:56,240 --> 00:14:58,640
Speaker 2: It was fun, amazing and I got to go to

340
00:14:58,680 --> 00:15:02,320
Speaker 2: the new into It doome. Yeah, I've been a lot

341
00:15:02,360 --> 00:15:05,520
Speaker 2: more work than I expect. You got to get an

342
00:15:05,600 --> 00:15:08,760
Speaker 2: app and the face thing and now your experience.

343
00:15:08,760 --> 00:15:11,000
Speaker 1: How they know everything about you, your blood type, your

344
00:15:11,040 --> 00:15:11,240
Speaker 1: you know.

345
00:15:11,440 --> 00:15:13,360
Speaker 2: Yeah, they know where you are in the stadium and

346
00:15:13,400 --> 00:15:17,680
Speaker 2: a specific offers depending on what store or restaurant you're

347
00:15:17,720 --> 00:15:18,080
Speaker 2: in front of.

348
00:15:18,200 --> 00:15:18,880
Speaker 3: I didn't know that.

349
00:15:19,360 --> 00:15:20,800
Speaker 1: Don't have to check anything.

350
00:15:20,440 --> 00:15:22,480
Speaker 2: You just walk in and it scans your face like

351
00:15:22,560 --> 00:15:26,880
Speaker 2: in a crowd. Yeah, it's it's both cool and terrifying.

352
00:15:26,920 --> 00:15:30,080
Speaker 3: Yeah, that's that's yeah, part terrifying and cool.

353
00:15:30,480 --> 00:15:31,920
Speaker 1: Yeah, yeah, how do they.

354
00:15:32,080 --> 00:15:34,400
Speaker 3: What are they tracking you with your phone? Like?

355
00:15:34,440 --> 00:15:34,960
Speaker 5: How do they?

356
00:15:35,400 --> 00:15:36,480
Speaker 3: So they you had to put.

357
00:15:36,360 --> 00:15:38,080
Speaker 1: An app on your phone, an app on your phone

358
00:15:38,080 --> 00:15:38,480
Speaker 1: and that that.

359
00:15:38,480 --> 00:15:41,400
Speaker 3: Tracks you in the Into It Dome? Yeah, can you

360
00:15:41,440 --> 00:15:44,400
Speaker 3: like pay for snacks instantly? Like you just walk through

361
00:15:44,840 --> 00:15:47,280
Speaker 3: and just like walk out with your popcorn, your fifteen

362
00:15:47,360 --> 00:15:48,520
Speaker 3: dollars popcorn and.

363
00:15:48,480 --> 00:15:51,360
Speaker 1: Yep, like oh yeah, oh that was cool.

364
00:15:51,440 --> 00:15:53,600
Speaker 3: That does make you feel like you feel like you're choplifting,

365
00:15:53,640 --> 00:15:58,280
Speaker 3: but no, you pay for it eventually. Wow, that's cool.

366
00:15:58,280 --> 00:15:59,880
Speaker 3: I guess I haven't been to the I feel like

367
00:15:59,880 --> 00:16:01,680
Speaker 3: I've been to the Into It Dome, but maybe it

368
00:16:01,720 --> 00:16:02,760
Speaker 3: was an.

369
00:16:02,280 --> 00:16:07,200
Speaker 1: Event just opened like a couple of months ago. It's

370
00:16:07,400 --> 00:16:11,920
Speaker 1: didn't we have the fi right? It's so fi and

371
00:16:11,960 --> 00:16:13,640
Speaker 1: what like is it t mobile?

372
00:16:13,760 --> 00:16:16,440
Speaker 2: Something that's like tucked kind of in one corner of

373
00:16:16,520 --> 00:16:19,240
Speaker 2: so far and then into a dome is like over

374
00:16:19,920 --> 00:16:20,640
Speaker 2: a colisseum.

375
00:16:20,800 --> 00:16:23,720
Speaker 3: It's a separate it's separate from the colisseum, not the

376
00:16:23,760 --> 00:16:28,560
Speaker 3: col that us see what am I thinking of the forum? Yes,

377
00:16:28,760 --> 00:16:32,119
Speaker 3: into from the forum, but in that same the same

378
00:16:32,280 --> 00:16:33,560
Speaker 3: parking lot area.

379
00:16:33,680 --> 00:16:35,480
Speaker 1: Okay, oh cool, all right.

380
00:16:35,320 --> 00:16:37,720
Speaker 3: Well good to know. If you're going to the Into

381
00:16:37,720 --> 00:16:39,840
Speaker 3: It Dome you're gonna have to download an app. Yeah,

382
00:16:39,840 --> 00:16:41,960
Speaker 3: and hopefully your seats exist like.

383
00:16:42,400 --> 00:16:44,160
Speaker 1: Dome replace the form.

384
00:16:44,400 --> 00:16:47,200
Speaker 3: The forum is still there, but it's probably called I

385
00:16:47,200 --> 00:16:52,320
Speaker 3: think it's called the Kia. It's like Kia is a

386
00:16:52,320 --> 00:16:55,880
Speaker 3: business these days, right right, So, yeah, the Into It Dome,

387
00:16:56,680 --> 00:16:57,920
Speaker 3: I feel like I've been there anyways.

388
00:16:58,200 --> 00:17:01,960
Speaker 2: Anyway, it was lovely. Yeah, but it was a really

389
00:17:02,040 --> 00:17:04,800
Speaker 2: fun night. And that's my random story.

390
00:17:05,200 --> 00:17:07,760
Speaker 3: That's much better than my story about the dermatologist and

391
00:17:07,800 --> 00:17:11,679
Speaker 3: the dental cleanings. And you know, it's definitely it's.

392
00:17:11,560 --> 00:17:15,000
Speaker 1: Kind of a better different certainly, you know, more exciting.

393
00:17:15,119 --> 00:17:18,399
Speaker 1: You know, it depends on what your definition of exciting is.

394
00:17:18,440 --> 00:17:20,560
Speaker 1: You said you had an excellent week, and it seemed

395
00:17:20,800 --> 00:17:23,720
Speaker 1: I was thrilled as I was about my Saturday night.

396
00:17:23,880 --> 00:17:26,720
Speaker 3: Yes, dental hygiene is very exciting for me, and so

397
00:17:27,280 --> 00:17:30,760
Speaker 3: you know, that's that's just that I have nothing else

398
00:17:30,880 --> 00:17:32,320
Speaker 3: to say. That was amazing.

399
00:17:33,240 --> 00:17:35,160
Speaker 2: By the way, I asked my I asked my dentist

400
00:17:35,200 --> 00:17:36,479
Speaker 2: about about cocoa.

401
00:17:36,600 --> 00:17:37,280
Speaker 3: What did they say?

402
00:17:38,280 --> 00:17:41,520
Speaker 2: They said, are you using it to flosh your teeth.

403
00:17:41,560 --> 00:17:45,720
Speaker 2: I said, well, yeah, I mean I just technically you would.

404
00:17:45,840 --> 00:17:47,760
Speaker 2: And he was like, great anything that gets people to

405
00:17:47,760 --> 00:17:48,960
Speaker 2: floss their tea yet I don't.

406
00:17:48,800 --> 00:17:49,840
Speaker 3: Care whatever whatever.

407
00:17:50,760 --> 00:17:53,240
Speaker 1: I was like, oh so it's not like better or worse.

408
00:17:53,280 --> 00:17:56,000
Speaker 1: He was like, I think it is better.

409
00:17:56,400 --> 00:18:00,120
Speaker 3: I have you know, Christine Laken was very convincing, and

410
00:18:00,160 --> 00:18:02,640
Speaker 3: so I'm I choose to believe that it's a little

411
00:18:02,640 --> 00:18:05,440
Speaker 3: bit of a thicker fiber and so it really gets

412
00:18:05,480 --> 00:18:09,040
Speaker 3: the the little flossing home runs that you're feeling. Now,

413
00:18:09,720 --> 00:18:11,320
Speaker 3: Oh you don't, I love it?

414
00:18:11,600 --> 00:18:14,760
Speaker 1: No, it hurts. Oh you've got my teeth? Well certain, yeah, yeah,

415
00:18:14,800 --> 00:18:15,200
Speaker 1: my teeth.

416
00:18:15,640 --> 00:18:18,560
Speaker 3: I have one really sensitive tooth. My my would be

417
00:18:18,560 --> 00:18:20,080
Speaker 3: a shark tooth if I had a shark tooth.

418
00:18:20,600 --> 00:18:23,960
Speaker 1: I have to get gum grafting soon, so that'll be fun.

419
00:18:24,560 --> 00:18:25,440
Speaker 3: That sounds painful.

420
00:18:26,000 --> 00:18:26,240
Speaker 1: Yeah.

421
00:18:26,240 --> 00:18:28,040
Speaker 2: They take skin from the top of your mouth and

422
00:18:28,200 --> 00:18:34,840
Speaker 2: stick it elsewhere, either that or udaver tissue, which doesn't

423
00:18:34,880 --> 00:18:35,560
Speaker 2: take as easily.

424
00:18:37,480 --> 00:18:39,159
Speaker 3: You don't have cavities, but you're going to have to

425
00:18:39,200 --> 00:18:40,720
Speaker 3: go through this.

426
00:18:40,800 --> 00:18:44,000
Speaker 2: Is always like you, look, you have great solid teeth,

427
00:18:44,480 --> 00:18:47,879
Speaker 2: terrible gums, You're great beautiful teeth.

428
00:18:47,880 --> 00:18:50,360
Speaker 1: Will just fall right out of your head. Oh right, yeah,

429
00:18:52,359 --> 00:18:54,320
Speaker 1: but no teeth if I don't take care of you.

430
00:18:55,160 --> 00:18:56,200
Speaker 3: Okay, Well, you.

431
00:18:56,160 --> 00:18:59,560
Speaker 1: Know anyway how I went from Lizzo to my desk.

432
00:19:01,800 --> 00:19:05,959
Speaker 2: But I think everyone's like, yeah, well that wasn't as exciting,

433
00:19:06,119 --> 00:19:06,879
Speaker 2: can we.

434
00:19:06,600 --> 00:19:09,000
Speaker 3: We tuned in for a recap and instead we get

435
00:19:09,040 --> 00:19:10,440
Speaker 3: the history of JODI's.

436
00:19:10,160 --> 00:19:11,679
Speaker 1: Until we don't.

437
00:19:12,080 --> 00:19:15,680
Speaker 2: If they're tuning in for the recap, what are they doing?

438
00:19:15,680 --> 00:19:18,440
Speaker 1: They've been with us this long, they know, they know.

439
00:19:18,600 --> 00:19:20,679
Speaker 3: I feel like there's an unconditional love out there that

440
00:19:20,720 --> 00:19:21,600
Speaker 3: they just tolerate us.

441
00:19:21,920 --> 00:19:23,680
Speaker 1: You know, yeah, they do, and.

442
00:19:23,640 --> 00:19:24,520
Speaker 3: We appreciate it.

443
00:19:26,760 --> 00:19:27,440
Speaker 1: Thank you.

444
00:19:27,440 --> 00:19:28,320
Speaker 3: You're so tolerant.

445
00:19:28,640 --> 00:19:30,480
Speaker 1: It gives me a chance to you know, work out

446
00:19:30,520 --> 00:19:32,040
Speaker 1: my material.

447
00:19:33,800 --> 00:19:35,600
Speaker 3: And it gives us a chance to catch up and

448
00:19:35,960 --> 00:19:37,440
Speaker 3: you know, I'll have our little girl chat. I do

449
00:19:37,880 --> 00:19:38,280
Speaker 3: love it.

450
00:19:38,720 --> 00:19:40,640
Speaker 1: Yeah, And it just so happens that like a lot

451
00:19:40,640 --> 00:19:42,720
Speaker 1: of people listen to it, right, which is weird because

452
00:19:42,720 --> 00:19:43,359
Speaker 1: I think I forget that.

453
00:19:43,440 --> 00:19:46,120
Speaker 3: Sometimes I forget it too until like these fan conventions

454
00:19:46,160 --> 00:19:47,160
Speaker 3: and the fans will come up to.

455
00:19:47,119 --> 00:19:49,600
Speaker 2: Me to say something and you're like, oh my god,

456
00:19:49,600 --> 00:19:53,320
Speaker 2: I got you, Like, especially if they have a kid,

457
00:19:53,320 --> 00:19:54,760
Speaker 2: I'm like, oh, God, what else have we said?

458
00:19:55,040 --> 00:19:57,760
Speaker 3: Did we bleep it out? I don't know, yeh, but yeah,

459
00:19:57,920 --> 00:20:01,560
Speaker 3: it's it's we apologize to all of the kids out

460
00:20:01,560 --> 00:20:03,639
Speaker 3: there listening to some other.

461
00:20:04,440 --> 00:20:08,600
Speaker 2: Regret if you grew up with created one word of it.

462
00:20:09,200 --> 00:20:09,480
Speaker 1: Never.

463
00:20:10,280 --> 00:20:14,160
Speaker 2: I stand by every stupid thing I've said on this show.

464
00:20:14,359 --> 00:20:17,919
Speaker 3: Yeah, expos and anything, all.

465
00:20:17,560 --> 00:20:20,320
Speaker 1: All of it. Yeah, we're going to hear it eventually. Yeah,

466
00:20:20,400 --> 00:20:24,080
Speaker 1: you know, it's just you just gotta just gotta hope

467
00:20:24,080 --> 00:20:25,560
Speaker 1: they're funny. That's it's true.

468
00:20:25,720 --> 00:20:29,520
Speaker 3: Yes, that's right. The first time B swore or cursed?

469
00:20:30,119 --> 00:20:31,280
Speaker 1: Oh yeah, she used it?

470
00:20:31,359 --> 00:20:32,879
Speaker 3: Was it B or was it Zo? I don't know

471
00:20:33,000 --> 00:20:33,520
Speaker 3: one of them?

472
00:20:33,640 --> 00:20:37,000
Speaker 1: It was Zo? Yeah. It was the new fing pajamas.

473
00:20:37,119 --> 00:20:38,160
Speaker 1: Why does Bee have new?

474
00:20:38,280 --> 00:20:40,520
Speaker 2: I just have these oldfing pajamas? And I was like,

475
00:20:41,560 --> 00:20:44,000
Speaker 2: proper use the word. I'm not even on that one.

476
00:20:44,040 --> 00:20:45,280
Speaker 1: You're frustrated mad at her?

477
00:20:45,400 --> 00:20:46,639
Speaker 3: She used it perfectly.

478
00:20:46,840 --> 00:20:50,160
Speaker 2: So yeah, she was like, I don't know four or five,

479
00:20:50,560 --> 00:20:51,879
Speaker 2: it's all about context.

480
00:20:52,359 --> 00:21:04,280
Speaker 3: I just love it. Well done, kids, Well, welcome back

481
00:21:04,320 --> 00:21:07,680
Speaker 3: to how Rude Tannerito's I'm Andrea Barber and I'm your

482
00:21:07,760 --> 00:21:12,879
Speaker 3: terrible influence and Jodi Sweeten and today we're discussing season five,

483
00:21:13,280 --> 00:21:20,280
Speaker 3: episode eleven, Nicky and or Alexander. It originally aired November nineteenth,

484
00:21:20,400 --> 00:21:22,880
Speaker 3: nineteen ninety one, and it goes a little something like this,

485
00:21:23,800 --> 00:21:27,480
Speaker 3: back home from the hospital, Jesse can't tell his identical

486
00:21:27,520 --> 00:21:32,000
Speaker 3: twin sons, Nicky and alex apart. Meanwhile, Danny likes his

487
00:21:32,119 --> 00:21:37,719
Speaker 3: new temporary co host, Vicky Larsen. All Right, we are

488
00:21:37,760 --> 00:21:41,439
Speaker 3: injuring the Oh, I am here for this. Yeah, this

489
00:21:41,600 --> 00:21:43,840
Speaker 3: is going to be good. I liked the Vicky, the

490
00:21:43,960 --> 00:21:45,480
Speaker 3: Vicky Vicky years.

491
00:21:45,560 --> 00:21:46,520
Speaker 1: I love when Vicky.

492
00:21:46,800 --> 00:21:49,960
Speaker 2: When Vicky just like shuts Danny down at the end there,

493
00:21:49,960 --> 00:21:50,720
Speaker 2: you're like, oh.

494
00:21:51,359 --> 00:21:54,879
Speaker 3: Everybody needs a Vicky and a Becky, Like everyone needs

495
00:21:54,920 --> 00:21:56,240
Speaker 3: that type of you know.

496
00:21:56,160 --> 00:22:00,640
Speaker 1: Basically an e name on the end of your yeah Vicky. Yeah.

497
00:22:00,800 --> 00:22:03,120
Speaker 3: But they know it's just they're no nonsense. They don't

498
00:22:03,119 --> 00:22:05,080
Speaker 3: take crap from these guys, and they shut them down

499
00:22:05,160 --> 00:22:05,919
Speaker 3: when appropriate.

500
00:22:06,000 --> 00:22:07,959
Speaker 1: So I love it all to be a female journalist.

501
00:22:08,000 --> 00:22:09,520
Speaker 1: I feel like that's kind of part of the Yeah

502
00:22:09,840 --> 00:22:12,560
Speaker 1: she's uh yay Vicky.

503
00:22:12,680 --> 00:22:14,840
Speaker 3: It was directed by joel's Wick, It was written by

504
00:22:14,920 --> 00:22:18,640
Speaker 3: Ellen Guiless and we have wonderful guest stars this week.

505
00:22:18,680 --> 00:22:23,560
Speaker 3: We have Daniel Rentoria and Kevin Rentoria as Nicki and Alex,

506
00:22:24,160 --> 00:22:27,520
Speaker 3: the cute little baby twins. They have no other credits

507
00:22:27,520 --> 00:22:29,200
Speaker 3: to their name, so I imagine they did not stay

508
00:22:29,240 --> 00:22:32,400
Speaker 3: in the business after this their foray into fame here,

509
00:22:33,000 --> 00:22:35,800
Speaker 3: but they were adorable. These are I mentioned this last episode,

510
00:22:35,840 --> 00:22:37,359
Speaker 3: but these are the twins that will be with us

511
00:22:37,359 --> 00:22:40,480
Speaker 3: for the rest of season five before they recast Nicki

512
00:22:40,520 --> 00:22:44,000
Speaker 3: and Alex to the will Hoite Twins. But yeah, they

513
00:22:44,000 --> 00:22:46,840
Speaker 3: were so cute, just little like little Elmer Fudds.

514
00:22:46,840 --> 00:22:49,640
Speaker 1: You know, there's Joey said, little roundheaded babies.

515
00:22:49,760 --> 00:22:52,560
Speaker 3: Yeah, they're and their faces are so expressive, like these.

516
00:22:52,400 --> 00:22:54,639
Speaker 1: Were great babies. Yeah, they were really good babies.

517
00:22:54,640 --> 00:22:58,560
Speaker 3: These were really good babies. Then we have Gail Edwards

518
00:22:58,600 --> 00:23:02,240
Speaker 3: as Vicky Larson. This is her debut on full House,

519
00:23:02,400 --> 00:23:04,240
Speaker 3: and please check out our interview with her if you

520
00:23:04,280 --> 00:23:07,640
Speaker 3: haven't listened to it already. We talk all about full

521
00:23:07,680 --> 00:23:10,119
Speaker 3: House and the Disney World episode and her time on

522
00:23:10,200 --> 00:23:13,120
Speaker 3: Blossom and it's a living and it's a great interview.

523
00:23:13,560 --> 00:23:14,280
Speaker 1: Yeah.

524
00:23:14,320 --> 00:23:16,879
Speaker 3: And last, but certainly not least, we have Michael J.

525
00:23:17,160 --> 00:23:21,600
Speaker 3: Shay returning as the stage manager. And he was our

526
00:23:21,680 --> 00:23:23,320
Speaker 3: real life stage.

527
00:23:23,000 --> 00:23:27,320
Speaker 2: Manager, so again, keeping it in the family and keeping

528
00:23:27,320 --> 00:23:27,720
Speaker 2: it cheap.

529
00:23:27,880 --> 00:23:31,639
Speaker 3: Yes, exactly, it's brilliant. So we start with the teaser.

530
00:23:31,640 --> 00:23:34,520
Speaker 3: In the kitchen, DJ is cracking eggs into a bowl

531
00:23:34,600 --> 00:23:38,240
Speaker 3: and asks Michelle want to help me make breakfast. Michelle

532
00:23:38,240 --> 00:23:41,040
Speaker 3: eagerly nods and grabs an egg to smash it into

533
00:23:41,080 --> 00:23:44,200
Speaker 3: the bowl, but DJ quickly stops her, saying, you don't

534
00:23:44,320 --> 00:23:46,720
Speaker 3: smash them, you crack them on the side of the

535
00:23:46,720 --> 00:23:49,240
Speaker 3: bowl very gently. Do you think you can do that?

536
00:23:49,920 --> 00:23:53,280
Speaker 3: And Michelle rolls her eyes bu and gently cracks an

537
00:23:53,320 --> 00:23:56,480
Speaker 3: egg into the bowl. Then it's time to scramble them up.

538
00:23:56,920 --> 00:24:00,439
Speaker 3: After her impressive egg crack, DJ allows Michelle to handle

539
00:24:00,520 --> 00:24:03,600
Speaker 3: this task too, but Michelle decides to throw the egg

540
00:24:03,640 --> 00:24:07,160
Speaker 3: shell into the bowl and starts whisking, ruining the eggs

541
00:24:07,320 --> 00:24:07,760
Speaker 3: for good.

542
00:24:08,320 --> 00:24:11,639
Speaker 1: Those were the days when you could just waste eggs.

543
00:24:11,880 --> 00:24:14,440
Speaker 3: I know, right, nobody's wasted eggs now.

544
00:24:14,720 --> 00:24:17,760
Speaker 1: But yeah, I know every little piece of that shell out. Yeah,

545
00:24:17,880 --> 00:24:19,960
Speaker 1: the nine dollars eggs right right?

546
00:24:20,320 --> 00:24:23,000
Speaker 3: But oh man, this is uh, this is.

547
00:24:22,960 --> 00:24:23,760
Speaker 1: A strange teaser.

548
00:24:23,760 --> 00:24:26,960
Speaker 3: Though it hadn't it great. It felt a little shoehorned

549
00:24:27,000 --> 00:24:29,280
Speaker 3: in there. It had nothing to do with any shoehorn.

550
00:24:28,920 --> 00:24:31,200
Speaker 1: And it felt yeah, it didn't. There was not really,

551
00:24:31,240 --> 00:24:31,919
Speaker 1: it wasn't.

552
00:24:31,920 --> 00:24:34,520
Speaker 3: What's the point. There wasn't a payoff. The payoff wasn't great.

553
00:24:34,600 --> 00:24:38,240
Speaker 3: But yeah, that's no yeah, no payoff. And it's like,

554
00:24:38,280 --> 00:24:40,480
Speaker 3: we didn't have a teaser last week? Why did we? Like,

555
00:24:40,560 --> 00:24:41,800
Speaker 3: let's just if they're.

556
00:24:41,800 --> 00:24:45,240
Speaker 1: Back to the back to the old teaser things.

557
00:24:45,240 --> 00:24:48,359
Speaker 3: To the old random teasers. That's uh, you know, that

558
00:24:48,359 --> 00:24:50,639
Speaker 3: could be the name of our next band, Random Teasers.

559
00:24:51,720 --> 00:24:54,240
Speaker 3: So next to the living room there's a giant sign

560
00:24:54,480 --> 00:24:59,120
Speaker 3: that reads Welcome home Nikki and Alexander. Then Joey runs

561
00:24:59,160 --> 00:25:01,720
Speaker 3: downstairs and tells everyone that he saw Jesse and Becky

562
00:25:01,760 --> 00:25:05,360
Speaker 3: pull in. They're finally home from the hospital with the twins.

563
00:25:05,920 --> 00:25:07,840
Speaker 3: They open the front door to greet the new parents

564
00:25:07,840 --> 00:25:13,040
Speaker 3: and shout welcome home, but it's Kimmy Gibbler. She beams

565
00:25:13,040 --> 00:25:16,800
Speaker 3: at them and admits I can feel the love. Then

566
00:25:17,000 --> 00:25:20,159
Speaker 3: Becky and Jesse walk in through the kitchen carrying the twins.

567
00:25:20,880 --> 00:25:24,159
Speaker 3: Joey kneels beside the babies and says, Oh, isn't that cute?

568
00:25:24,560 --> 00:25:28,600
Speaker 3: They look like little Elmer fuds, and Becky begins to

569
00:25:28,720 --> 00:25:32,960
Speaker 3: sob as she realizes Joey's right, my babies look like

570
00:25:33,119 --> 00:25:37,879
Speaker 3: Elmer Fudd. Jesse consoles her, saying, honey, honey, it's okay.

571
00:25:38,080 --> 00:25:40,960
Speaker 3: Joey wasn't thinking you know how. He has trouble with that.

572
00:25:41,320 --> 00:25:44,200
Speaker 3: He tells everyone they need to be sensitive to Becky's feelings.

573
00:25:44,440 --> 00:25:46,400
Speaker 3: The doctor says she's going to be a little over

574
00:25:46,480 --> 00:25:50,600
Speaker 3: emotional the next few days as her body adjusts after childbirth.

575
00:25:51,400 --> 00:25:52,400
Speaker 1: Over emotional.

576
00:25:52,760 --> 00:25:53,840
Speaker 3: Oh do you remember this?

577
00:25:53,960 --> 00:25:56,399
Speaker 2: Swee as two humans out of me? Pardon me that

578
00:25:56,480 --> 00:25:59,919
Speaker 2: I'm a little weepy. Well, baby blues are real. They

579
00:26:00,200 --> 00:26:04,720
Speaker 2: hit you like a mad postpartum. It is just it's

580
00:26:05,080 --> 00:26:05,960
Speaker 2: it's like day four.

581
00:26:06,119 --> 00:26:09,359
Speaker 3: It hits and you're just like, oh, what have I done?

582
00:26:09,960 --> 00:26:11,040
Speaker 1: It's all bad.

583
00:26:12,080 --> 00:26:16,119
Speaker 3: Yeah, that's a moment roller coaster. I know. Becky just

584
00:26:16,160 --> 00:26:19,040
Speaker 3: gave birth without an epidural to twins while her useless

585
00:26:19,080 --> 00:26:21,280
Speaker 3: husband sat in a gurney next to her. It's like,

586
00:26:21,320 --> 00:26:22,399
Speaker 3: she's to be emotional.

587
00:26:22,560 --> 00:26:24,160
Speaker 1: So if he just had his appendix out, he should

588
00:26:24,200 --> 00:26:24,840
Speaker 1: not be lifting that.

589
00:26:25,000 --> 00:26:25,920
Speaker 3: Yeah, that's a good point.

590
00:26:25,920 --> 00:26:29,880
Speaker 1: Supposed to lift anything over like two Yeah, yep, anyway.

591
00:26:29,760 --> 00:26:32,920
Speaker 3: That's a good point. They are just ignoring medical advice

592
00:26:33,160 --> 00:26:34,119
Speaker 3: left and right.

593
00:26:35,640 --> 00:26:36,000
Speaker 5: Uh.

594
00:26:36,200 --> 00:26:39,440
Speaker 3: Becky assures everyone this isn't my fault. The doctor says

595
00:26:39,480 --> 00:26:43,040
Speaker 3: this is very common for new mothers. Everyone stares at

596
00:26:43,040 --> 00:26:45,879
Speaker 3: her in response, and her voice gets shaky as she questions,

597
00:26:46,440 --> 00:26:49,320
Speaker 3: why are you all staring at me? And Danny calmly

598
00:26:49,359 --> 00:26:53,119
Speaker 3: responds because you were just talking. She immediately perks up

599
00:26:53,160 --> 00:26:56,359
Speaker 3: and says, oh, well, thanks for listening. Danny whispers to

600
00:26:56,440 --> 00:26:58,800
Speaker 3: Jesse was that a mood swing? And Jesse rates that

601
00:26:58,840 --> 00:27:02,520
Speaker 3: one eight six point two. Then dj and Stuff eerily

602
00:27:02,560 --> 00:27:06,200
Speaker 3: asked if they could hold the babies. Becky says yes,

603
00:27:06,440 --> 00:27:09,439
Speaker 3: but takes some precautions first before she hands them.

604
00:27:09,320 --> 00:27:12,840
Speaker 1: Over hand washing them didn't make anybody.

605
00:27:12,520 --> 00:27:15,200
Speaker 3: Wash, which they make you do that now, like before

606
00:27:15,200 --> 00:27:17,359
Speaker 3: you handle set babies like you have to.

607
00:27:18,440 --> 00:27:21,240
Speaker 1: But we had I'm sure like we had been sanitized.

608
00:27:21,240 --> 00:27:22,480
Speaker 1: But just I thought about it, I.

609
00:27:22,440 --> 00:27:24,439
Speaker 3: Was like, oh, just yeah, beck you should have been like,

610
00:27:24,440 --> 00:27:27,160
Speaker 3: go wash your hands, girls. And then yeah, brand new,

611
00:27:27,280 --> 00:27:30,680
Speaker 3: brand new babies with zero immune systems right, so far,

612
00:27:32,600 --> 00:27:34,800
Speaker 3: And do you remember that? Do you remember holding the babies?

613
00:27:34,960 --> 00:27:37,480
Speaker 3: Was I mean, was that exciting.

614
00:27:37,800 --> 00:27:39,560
Speaker 2: Or were you just kind of like, yeah, no, I

615
00:27:39,600 --> 00:27:41,520
Speaker 2: loved holding babies. I mean I was an only child

616
00:27:41,600 --> 00:27:43,639
Speaker 2: I didn't have and there were no real kids in

617
00:27:43,640 --> 00:27:45,560
Speaker 2: my family, so it wasn't I didn't get a lot

618
00:27:45,600 --> 00:27:47,879
Speaker 2: of experience around younger kids or babies.

619
00:27:48,560 --> 00:27:49,080
Speaker 1: Oh I was.

620
00:27:49,080 --> 00:27:53,359
Speaker 3: Skrilled just so they're just so squishable and so cute.

621
00:27:53,840 --> 00:27:54,280
Speaker 5: No I was.

622
00:27:54,359 --> 00:27:55,879
Speaker 1: I loved it, and I was like, oh, it is

623
00:27:55,960 --> 00:27:58,480
Speaker 1: so cute. I would have been.

624
00:27:58,680 --> 00:28:02,359
Speaker 3: Yeah, babies and puppy That's that's all you need. Was

625
00:28:02,760 --> 00:28:05,359
Speaker 3: everything they say don't work with. That's what you loved

626
00:28:05,400 --> 00:28:08,320
Speaker 3: the most as a child actor, babies and dogs.

627
00:28:08,840 --> 00:28:09,520
Speaker 1: It's true.

628
00:28:10,960 --> 00:28:15,920
Speaker 3: So Michelle declares, I'm next, But Becky Becky, Becky breaks

629
00:28:15,960 --> 00:28:19,600
Speaker 3: the news that she's too little. Michelle argues, in case

630
00:28:19,640 --> 00:28:22,840
Speaker 3: you forgot, I'm five years old. Now that's a whole hand.

631
00:28:23,680 --> 00:28:26,840
Speaker 3: But Danny echoes Becky's concerns and tells Michelle that babies

632
00:28:26,880 --> 00:28:28,320
Speaker 3: are extremely delicate.

633
00:28:29,080 --> 00:28:32,199
Speaker 1: Then chat five, she could sit on the couch and

634
00:28:32,240 --> 00:28:32,680
Speaker 1: hold the.

635
00:28:32,640 --> 00:28:37,320
Speaker 3: Baby, right, I think so too. Just put liked.

636
00:28:36,840 --> 00:28:39,200
Speaker 2: Even sometimes you'd be like okay, let's yeah, like right

637
00:28:40,480 --> 00:28:41,280
Speaker 2: for a second.

638
00:28:40,960 --> 00:28:42,840
Speaker 3: And the parent can sit next to her and kind

639
00:28:42,880 --> 00:28:46,680
Speaker 3: of help. Yeah. Yeah, I thought she was old enough. Like,

640
00:28:46,720 --> 00:28:48,400
Speaker 3: it's not like they're asking her to put the baby

641
00:28:48,400 --> 00:28:50,800
Speaker 3: in a backpack and go hype the appellation.

642
00:28:50,920 --> 00:28:52,360
Speaker 1: You know, like change its diapers.

643
00:28:52,840 --> 00:28:55,520
Speaker 3: Yeah, just sit on the couch like DJ and Stephanie

644
00:28:55,520 --> 00:28:56,960
Speaker 3: did and hold the baby there.

645
00:28:57,400 --> 00:28:59,400
Speaker 1: Actually, in this moment, I felt a little I thought

646
00:28:59,400 --> 00:29:00,719
Speaker 1: they were being alone. Heart on Michelle.

647
00:29:00,760 --> 00:29:05,120
Speaker 3: I agree, I'm tem Michelle in this one instance. So

648
00:29:05,400 --> 00:29:08,720
Speaker 3: DJ then lovingly refers to the babies as the twins,

649
00:29:09,200 --> 00:29:11,680
Speaker 3: but Jesse tells everyone that they can't get into the

650
00:29:11,760 --> 00:29:14,680
Speaker 3: habit of calling them the twins. They are two different

651
00:29:14,680 --> 00:29:19,720
Speaker 3: people with two completely different identities. Jimmy asks him who's who,

652
00:29:19,960 --> 00:29:22,680
Speaker 3: but Jesse doesn't know. He simply says, I know NICKI

653
00:29:22,760 --> 00:29:26,719
Speaker 3: loves Elvis, and Becky chimes in, and Alex loves to burp.

654
00:29:27,880 --> 00:29:30,080
Speaker 3: DJ asks Kimmy for the camera so she can take

655
00:29:30,080 --> 00:29:33,080
Speaker 3: a photo for the god grandparents, but before they can

656
00:29:33,120 --> 00:29:36,520
Speaker 3: do so, Becky grabs the booties her mom made for

657
00:29:36,680 --> 00:29:40,720
Speaker 3: the babies. Jesse has an issue with this, saying, hold on,

658
00:29:40,800 --> 00:29:43,560
Speaker 3: hold on, my boys aren't gonna wear any two d

659
00:29:43,720 --> 00:29:48,719
Speaker 3: fruity booties. All right, Oh boy, there we go. Oh

660
00:29:50,160 --> 00:29:54,000
Speaker 3: Becky Whales, I knew it. You hate my mother, don't you?

661
00:29:54,440 --> 00:29:58,320
Speaker 3: And she starts to sob on his shoulder. Jesse realizes

662
00:29:58,400 --> 00:30:01,800
Speaker 3: it's another mood swing and Cam corrects himself. Did I

663
00:30:01,840 --> 00:30:05,960
Speaker 3: say tooty fruity booties. No, I meant cutie wooty booties.

664
00:30:06,720 --> 00:30:09,960
Speaker 3: Becky doesn't believe him, but everyone assures her they're adorable,

665
00:30:10,320 --> 00:30:12,920
Speaker 3: and even Joey says I would wear them, which I

666
00:30:12,960 --> 00:30:14,600
Speaker 3: feel like that was an ad lib. I feel like

667
00:30:14,640 --> 00:30:17,960
Speaker 3: that was absolutely.

668
00:30:17,000 --> 00:30:18,959
Speaker 1: It was like that Dad was an ad lib that

669
00:30:19,320 --> 00:30:20,160
Speaker 1: Dave just said it.

670
00:30:20,600 --> 00:30:22,800
Speaker 3: Dave said it, He's like, put a camera on me,

671
00:30:22,920 --> 00:30:25,880
Speaker 3: Joel and they singled him out. That was totally a

672
00:30:25,960 --> 00:30:32,320
Speaker 3: Dave comment. And Becky's mood is lifted once again, which

673
00:30:32,360 --> 00:30:34,120
Speaker 3: I don't you know the booties. The only problem I

674
00:30:34,120 --> 00:30:36,240
Speaker 3: have with the booties is they look scratchy, and babies

675
00:30:36,240 --> 00:30:37,440
Speaker 3: do not need scratchy.

676
00:30:37,560 --> 00:30:40,440
Speaker 2: Didn't look scratchy to me because it's you know how

677
00:30:40,480 --> 00:30:42,040
Speaker 2: sometimes it's that like soft kind.

678
00:30:41,880 --> 00:30:44,160
Speaker 1: Of silky yarn that will make yeah about it.

679
00:30:44,400 --> 00:30:45,240
Speaker 3: I would hope it's that.

680
00:30:46,160 --> 00:30:48,720
Speaker 1: It was more so that I was like, why are

681
00:30:48,720 --> 00:30:50,280
Speaker 1: you expecting babies to keep booties? Right?

682
00:30:50,280 --> 00:30:50,440
Speaker 5: They do?

683
00:30:50,520 --> 00:30:51,040
Speaker 3: They kick them off.

684
00:30:51,080 --> 00:30:54,239
Speaker 1: I didn't like, tie around their ankle, you know nothing. No,

685
00:30:54,320 --> 00:30:56,000
Speaker 1: they're not going to stay on babies notorious.

686
00:30:56,160 --> 00:30:56,960
Speaker 3: The fact that they.

687
00:30:56,800 --> 00:30:59,920
Speaker 1: Were using that to tell who was who the terrible.

688
00:31:00,080 --> 00:31:02,280
Speaker 1: It was a gamble in the first place, right, one

689
00:31:02,320 --> 00:31:03,720
Speaker 1: of those booties were coming off.

690
00:31:03,680 --> 00:31:06,680
Speaker 3: So they should have done the red nail polish on

691
00:31:06,760 --> 00:31:09,040
Speaker 3: the back, like like Stephanie.

692
00:31:08,480 --> 00:31:10,640
Speaker 1: Said, you know, on their head with a sharpie. Can't

693
00:31:10,680 --> 00:31:11,160
Speaker 1: be that bad.

694
00:31:12,120 --> 00:31:14,520
Speaker 3: I'm just telling you this whole thing could have been avoided, just.

695
00:31:14,400 --> 00:31:17,760
Speaker 2: Saying I know, not to put sharpies on babies heads.

696
00:31:17,800 --> 00:31:21,120
Speaker 2: You guys, please, before anyone falls in and said freaks

697
00:31:21,160 --> 00:31:24,280
Speaker 2: out for getting fan mail, don't put sharpie dots on

698
00:31:24,320 --> 00:31:25,280
Speaker 2: your baby.

699
00:31:26,560 --> 00:31:29,040
Speaker 3: So up in the attic, Becky and Jesse showed the

700
00:31:29,040 --> 00:31:33,560
Speaker 3: babies their new home. Jesse specifically notes, this is the bed,

701
00:31:33,840 --> 00:31:38,040
Speaker 3: this is where you got started. I just don't I'm

702
00:31:38,080 --> 00:31:39,760
Speaker 3: glad you're laughing because I'm like, eh, we don't need

703
00:31:39,800 --> 00:31:41,240
Speaker 3: we don't need that little detail.

704
00:31:42,440 --> 00:31:44,719
Speaker 2: Well that's always the thing about pregnancy and babies, right,

705
00:31:44,760 --> 00:31:47,200
Speaker 2: You're like, oh, well we know how this started.

706
00:31:47,320 --> 00:31:49,800
Speaker 1: Yeah, yeah, you can't help. But think of it.

707
00:31:49,880 --> 00:31:52,440
Speaker 3: If they were doing their taxes, they were very successful.

708
00:31:53,200 --> 00:31:54,160
Speaker 3: They got two little.

709
00:31:55,960 --> 00:31:57,640
Speaker 1: Yeah, they got double returns.

710
00:31:58,040 --> 00:32:02,960
Speaker 3: Good for you, Kizopolte. Yeah, so as Becky unpacks. Jesse

711
00:32:03,080 --> 00:32:05,240
Speaker 3: brings the babies into the nursery, even though it's not

712
00:32:05,280 --> 00:32:08,440
Speaker 3: done yet. He is talking to the babies, telling them

713
00:32:08,560 --> 00:32:11,080
Speaker 3: the room is going to be a perfect nursery and

714
00:32:11,120 --> 00:32:13,320
Speaker 3: he's going to be the perfect dad.

715
00:32:14,080 --> 00:32:17,000
Speaker 1: Huh.

716
00:32:16,280 --> 00:32:18,960
Speaker 3: He brings up his own dad and says he made

717
00:32:18,960 --> 00:32:21,760
Speaker 3: a few mistakes, like when he bugged him about his hair.

718
00:32:22,680 --> 00:32:24,680
Speaker 3: Jesse makes a promise to his boys that he's going

719
00:32:24,720 --> 00:32:26,840
Speaker 3: to be the best dad in the world, and he

720
00:32:26,880 --> 00:32:29,680
Speaker 3: gives them a high five before tickling and kissing them.

721
00:32:31,040 --> 00:32:34,200
Speaker 3: It was very cute. These babies love to laugh and smile.

722
00:32:34,440 --> 00:32:34,680
Speaker 1: They do.

723
00:32:34,840 --> 00:32:37,600
Speaker 3: Yeah, they're very, very cute, very expressive babies.

724
00:32:37,760 --> 00:32:37,960
Speaker 4: Good.

725
00:32:38,040 --> 00:32:40,600
Speaker 3: It was good casting. I feel like, do you remember this?

726
00:32:40,760 --> 00:32:44,400
Speaker 3: I don't know if my brain is just being you know,

727
00:32:44,600 --> 00:32:46,240
Speaker 3: Spiderwebby and Dusty.

728
00:32:45,880 --> 00:32:48,320
Speaker 1: But you're relying on mine not to die.

729
00:32:48,320 --> 00:32:50,440
Speaker 3: I know, I know this is not I should have oka,

730
00:32:50,440 --> 00:32:51,120
Speaker 3: should have called Jeff.

731
00:32:51,120 --> 00:32:52,680
Speaker 1: But okay, what are we collectively remembering?

732
00:32:52,760 --> 00:32:57,920
Speaker 3: Collectively? Do you remember these these consopolist babies? Originally there

733
00:32:57,920 --> 00:33:02,160
Speaker 3: were triplets. They had hired triplets to play these babies,

734
00:33:02,400 --> 00:33:06,280
Speaker 3: but then for reasons, they got the axe and they

735
00:33:06,280 --> 00:33:09,680
Speaker 3: brought in the rench rheas. Do you remember the triplets

736
00:33:11,040 --> 00:33:13,480
Speaker 3: they looked they just didn't have the right look. I

737
00:33:13,480 --> 00:33:14,880
Speaker 3: guess I don't even know what that means.

738
00:33:14,920 --> 00:33:17,880
Speaker 2: I don't remember. I don't remember there being triplets. I

739
00:33:17,920 --> 00:33:20,000
Speaker 2: remember the time we almost replaced Michelle.

740
00:33:21,240 --> 00:33:25,160
Speaker 3: What, yeah, we almost replaced Michelle.

741
00:33:25,240 --> 00:33:28,640
Speaker 2: We brought in a whole Oh yeah, John wanted John

742
00:33:28,680 --> 00:33:29,280
Speaker 2: wanted to fire.

743
00:33:30,320 --> 00:33:38,440
Speaker 1: John want to fire everybody, right, I love John. I

744
00:33:38,480 --> 00:33:39,760
Speaker 1: didn't even say it, so I don't.

745
00:33:39,920 --> 00:33:41,760
Speaker 3: Yeah, I don't think they they.

746
00:33:41,760 --> 00:33:45,360
Speaker 1: There is I think because Mary Kate cried a bunch. Yeah.

747
00:33:45,600 --> 00:33:47,880
Speaker 2: I think he actually told this on when we interviewed

748
00:33:48,840 --> 00:33:51,720
Speaker 2: that and Jeff too that Yeah, Mary Kate like cried

749
00:33:51,760 --> 00:33:55,160
Speaker 2: a lot, and they were like, well we got on

750
00:33:55,440 --> 00:33:57,200
Speaker 2: really only have one baby. We gotta try and switch

751
00:33:57,200 --> 00:33:59,000
Speaker 2: out the babies. And John was like, yeah, there, you know,

752
00:33:59,040 --> 00:34:01,000
Speaker 2: we'll get them out. And then we brought some other

753
00:34:01,040 --> 00:34:03,480
Speaker 2: ones in, uh and tried shooting with them, I think

754
00:34:03,520 --> 00:34:06,920
Speaker 2: on a Thursday, and it was terrible, or even just

755
00:34:06,920 --> 00:34:09,040
Speaker 2: rehearsed with them one day and they didn't work.

756
00:34:09,040 --> 00:34:11,439
Speaker 1: When John was like, bring the other babies back, bring

757
00:34:11,480 --> 00:34:16,600
Speaker 1: them back in. Just think they yeah, in some other timeline,

758
00:34:16,600 --> 00:34:17,520
Speaker 1: in some other universe.

759
00:34:17,640 --> 00:34:19,359
Speaker 3: I wonder if the Oldsins ever think about that. Man,

760
00:34:19,400 --> 00:34:22,120
Speaker 3: we almost dodged that big bullet, you know, we almost.

761
00:34:23,360 --> 00:34:26,600
Speaker 1: I don't know, well, while they're on their yacht, right, probably.

762
00:34:26,680 --> 00:34:28,680
Speaker 3: Yeah, they probably don't ever think about that.

763
00:34:28,719 --> 00:34:29,040
Speaker 1: I love it.

764
00:34:29,120 --> 00:34:32,320
Speaker 2: I know, I bless, I love them, and I'm got

765
00:34:32,440 --> 00:34:34,879
Speaker 2: so proud of them. But totally I wonder if, yeah,

766
00:34:35,160 --> 00:34:38,560
Speaker 2: I wonder how they feel about that, Like, yeah, you.

767
00:34:38,520 --> 00:34:41,280
Speaker 3: Know, they don't. They really don't think about it, I imagine.

768
00:34:43,040 --> 00:34:45,080
Speaker 3: So next we are on the set of Wake Up

769
00:34:45,080 --> 00:34:48,120
Speaker 3: San Francisco. Danny is telling a story about his blood

770
00:34:48,120 --> 00:34:51,640
Speaker 3: pressure and he's stunned to find out he's out of

771
00:34:51,680 --> 00:34:52,520
Speaker 3: time already.

772
00:34:53,440 --> 00:34:54,520
Speaker 1: He should be on our show.

773
00:34:56,080 --> 00:34:59,640
Speaker 3: Then mister Strowbridge walks over. Mister ste is here, Yeah,

774
00:34:59,680 --> 00:35:02,480
Speaker 3: he's walks over to tell Danny he needs a co host,

775
00:35:02,719 --> 00:35:07,280
Speaker 3: someone to compliment him. Danny joking the response, I compliment myself,

776
00:35:07,400 --> 00:35:10,880
Speaker 3: Good job, Tanner. Mister Strobridge reveals that he brought on

777
00:35:11,280 --> 00:35:16,200
Speaker 3: Vicky Larson and she is starting tomorrow. Vicky walks onto

778
00:35:16,239 --> 00:35:20,680
Speaker 3: the set in that spectacular green outfit, right, and Danny

779
00:35:20,840 --> 00:35:23,239
Speaker 3: quickly perks up, tomorrow works for me.

780
00:35:24,120 --> 00:35:26,560
Speaker 1: Mister Strobridge. That really just throws things at Danny.

781
00:35:26,600 --> 00:35:28,920
Speaker 2: Oh yeah, well he knows the co hosts at the

782
00:35:28,920 --> 00:35:30,160
Speaker 2: spur of the moment every time.

783
00:35:30,440 --> 00:35:33,840
Speaker 3: Oh yeah, no, it's better. It's he knows Danny's psyche,

784
00:35:33,920 --> 00:35:36,359
Speaker 3: and it's like, it's better if Danny think this someone

785
00:35:36,760 --> 00:35:38,799
Speaker 3: off of right, and he's just like, let's spring it

786
00:35:38,800 --> 00:35:41,040
Speaker 3: on Danny before he can argue his way out of this.

787
00:35:42,400 --> 00:35:44,560
Speaker 3: You know, instant, here you go, here's your co host.

788
00:35:44,800 --> 00:35:46,759
Speaker 3: Danny gets no say in this, and that's the way

789
00:35:46,800 --> 00:35:50,719
Speaker 3: it should be. So Danny introduces himself to his new

790
00:35:50,760 --> 00:35:54,480
Speaker 3: co host, and mister Strobridge instructs them to talk, mingle

791
00:35:54,680 --> 00:35:58,600
Speaker 3: and make chemistry. Danny tries to act cool. It comes

792
00:35:58,600 --> 00:36:01,320
Speaker 3: off as a mister no at all when he advises

793
00:36:01,360 --> 00:36:04,560
Speaker 3: her to use the words speaking of as a segue,

794
00:36:05,719 --> 00:36:06,760
Speaker 3: which makes makes.

795
00:36:06,520 --> 00:36:07,560
Speaker 1: Me think of you and our.

796
00:36:11,040 --> 00:36:12,560
Speaker 3: You're lovely segue speaking.

797
00:36:13,760 --> 00:36:15,520
Speaker 2: He should explain to me what a segue is, because

798
00:36:15,560 --> 00:36:21,239
Speaker 2: I obviously don't know. I just from I wanted to

799
00:36:21,280 --> 00:36:24,240
Speaker 2: slap him so for this man's.

800
00:36:23,360 --> 00:36:26,839
Speaker 3: Explaining it's but knowing what's coming, it makes it so

801
00:36:26,920 --> 00:36:28,520
Speaker 3: great that right is so good.

802
00:36:30,520 --> 00:36:31,960
Speaker 1: I don't know, and I also kind of felt like

803
00:36:32,000 --> 00:36:35,239
Speaker 1: I don't know what's that Danny. He's not he's not

804
00:36:35,320 --> 00:36:38,040
Speaker 1: doing it maliciously, but but like he's treating her like

805
00:36:38,080 --> 00:36:42,239
Speaker 1: she's an idiot. Yeah, she's a woman. You've obviously never

806
00:36:42,239 --> 00:36:43,920
Speaker 1: done anything before me, you know what I mean. It

807
00:36:44,000 --> 00:36:44,640
Speaker 1: kind of bothered me.

808
00:36:44,920 --> 00:36:46,560
Speaker 3: And he had a.

809
00:36:46,480 --> 00:36:47,440
Speaker 1: Tone of.

810
00:36:49,200 --> 00:36:54,759
Speaker 2: Like like women are over emotional and crazy and U

811
00:36:55,520 --> 00:36:58,480
Speaker 2: right or right that that the men think that in

812
00:36:58,600 --> 00:37:00,000
Speaker 2: the Interesting universe.

813
00:37:00,320 --> 00:37:02,400
Speaker 3: Yeah, yeah, I never thought of it from that perspective,

814
00:37:02,440 --> 00:37:05,800
Speaker 3: but yeah, this does have quite the view of women

815
00:37:05,880 --> 00:37:07,839
Speaker 3: and how they act in certain situations.

816
00:37:07,920 --> 00:37:12,040
Speaker 2: But yeah, anyway, for Danny, just something I noticed where

817
00:37:12,040 --> 00:37:14,160
Speaker 2: I was like, oh, the guys walk, all three of

818
00:37:14,160 --> 00:37:18,520
Speaker 2: them kind of do that weird was the eighties, nineties.

819
00:37:17,760 --> 00:37:20,920
Speaker 3: Early nineties. I choose to think that Danny was just

820
00:37:21,000 --> 00:37:22,880
Speaker 3: kind of thrown off because he was thinking, this is

821
00:37:22,920 --> 00:37:26,520
Speaker 3: my show now, right, where like here's a he has

822
00:37:26,600 --> 00:37:28,960
Speaker 3: no game. So I think he's just sort of caught

823
00:37:28,960 --> 00:37:30,160
Speaker 3: off guard. He's like, oh, let me show you the

824
00:37:30,239 --> 00:37:33,080
Speaker 3: ropes because I know what I'm doing, and he just

825
00:37:33,120 --> 00:37:35,480
Speaker 3: didn't have the fourth thought to ask Vicky about her

826
00:37:35,560 --> 00:37:36,440
Speaker 3: prior experience.

827
00:37:36,560 --> 00:37:39,319
Speaker 1: Just don't don't do that, Yeah, just don't do that.

828
00:37:39,640 --> 00:37:42,760
Speaker 3: Don't. Man's plain went in doubt, don't man's plain.

829
00:37:42,719 --> 00:37:45,000
Speaker 1: When in doubt ask a question yes?

830
00:37:46,040 --> 00:37:48,759
Speaker 3: So then Wardrobe announces that they need Vicky, so she

831
00:37:48,880 --> 00:37:52,280
Speaker 3: tells him, I guess I'll see you tomorrow. Danny compliments

832
00:37:52,320 --> 00:37:54,360
Speaker 3: her again and tells her that's a good way to

833
00:37:54,520 --> 00:37:57,719
Speaker 3: end a show. See you're catching on already, and she

834
00:37:57,840 --> 00:38:02,000
Speaker 3: awkwardly walks offset, I'm so glad she'd waited to correct him,

835
00:38:02,040 --> 00:38:05,720
Speaker 3: Like it's the tiniest person waited till the next scene.

836
00:38:05,840 --> 00:38:09,040
Speaker 3: I was like, it wouldn't have been as as powerful

837
00:38:09,120 --> 00:38:11,080
Speaker 3: if she had just announced it.

838
00:38:11,080 --> 00:38:21,040
Speaker 1: Right then she made over.

839
00:38:21,080 --> 00:38:24,720
Speaker 3: In the kitchen, Nicky, Alex, stephan DJ are at the table.

840
00:38:24,880 --> 00:38:29,000
Speaker 3: When Becky takes off the boys hospital bracelets. Stephanie asks,

841
00:38:29,160 --> 00:38:31,879
Speaker 3: you're allowed to take them off, and Becky jokes, yeah,

842
00:38:31,880 --> 00:38:36,360
Speaker 3: it's not like their mattress tags. Hmm. DJ wonders, well,

843
00:38:36,719 --> 00:38:39,440
Speaker 3: how do you tell them apart? And Becky assures them

844
00:38:39,480 --> 00:38:42,799
Speaker 3: it's easy. Nicki is in the mint green booties and

845
00:38:42,920 --> 00:38:44,520
Speaker 3: Alex is in the peach ones.

846
00:38:45,120 --> 00:38:52,160
Speaker 5: Oh boyliable system, terrible system, Becky, terrible mom.

847
00:38:52,200 --> 00:38:55,000
Speaker 3: She's learning, She's like, yeah, she she yeah, she's learning.

848
00:38:56,280 --> 00:38:58,759
Speaker 3: Then Becky asks the girls to watch the kids while

849
00:38:58,760 --> 00:39:02,720
Speaker 3: she puts the hospital bracelets in their baby books. Stephan

850
00:39:02,800 --> 00:39:06,040
Speaker 3: DJ continued to make pekaboo faces and cooing sounds at

851
00:39:06,080 --> 00:39:09,080
Speaker 3: the boys while Becky is away, and then Jesse walks in.

852
00:39:09,680 --> 00:39:12,719
Speaker 3: Steph talks to DJ in a baby voice, come on, DJ,

853
00:39:12,920 --> 00:39:16,279
Speaker 3: let's put the laundry away, won't that be fun? And

854
00:39:16,360 --> 00:39:19,759
Speaker 3: DJ glare's Steph, it's me and Steph responds in her

855
00:39:19,640 --> 00:39:24,640
Speaker 3: normal voice, Sorry, I'm better now. Then Michelle walks in

856
00:39:24,680 --> 00:39:28,600
Speaker 3: and sweetly asks, while making a rocking gesture with her arms,

857
00:39:28,920 --> 00:39:33,280
Speaker 3: I'm older now, want me to hold anything. Jesse insists

858
00:39:33,440 --> 00:39:37,640
Speaker 3: that she can't and suggests that she go play. Michelle complains,

859
00:39:37,719 --> 00:39:41,560
Speaker 3: that's all I do is play, play play. I mean,

860
00:39:41,560 --> 00:39:43,440
Speaker 3: she's got a point. They're always telling her to go away,

861
00:39:43,560 --> 00:39:47,160
Speaker 3: and she watch herself, entertain herself, right, you know, she just.

862
00:39:47,120 --> 00:39:49,439
Speaker 1: Like I just want tomber of the family. I don't

863
00:39:49,440 --> 00:39:50,360
Speaker 1: touch them, right.

864
00:39:51,920 --> 00:39:54,680
Speaker 3: Yeah, I disagree with this. I think she's old enough.

865
00:39:54,800 --> 00:39:57,600
Speaker 1: I think certainly old enough to sit on the couch and.

866
00:39:57,880 --> 00:40:01,760
Speaker 3: Yeahah, come on. So Jesse walks back to the boys

867
00:40:01,800 --> 00:40:04,400
Speaker 3: and pretends that they're asking him to take off their

868
00:40:04,600 --> 00:40:08,359
Speaker 3: girly booties and as he does. He tells them, now

869
00:40:08,480 --> 00:40:12,040
Speaker 3: we can go back to being real men. God, this

870
00:40:12,120 --> 00:40:14,760
Speaker 3: is age.

871
00:40:15,800 --> 00:40:19,480
Speaker 2: This episode didn't particularly age well, and it's a treatment of.

872
00:40:21,160 --> 00:40:25,440
Speaker 3: Yeah this gender gender stereotypes.

873
00:40:24,960 --> 00:40:27,440
Speaker 1: Very stereotypically gendered.

874
00:40:27,640 --> 00:40:31,880
Speaker 3: Uh, episode right, and green and Peach aren't even really

875
00:40:32,120 --> 00:40:34,799
Speaker 3: like feminine color.

876
00:40:35,160 --> 00:40:36,160
Speaker 1: That's right.

877
00:40:36,200 --> 00:40:38,239
Speaker 3: If you don't know what baby you're having, you buy things.

878
00:40:43,280 --> 00:40:44,400
Speaker 3: I don't know, I don't know.

879
00:40:44,960 --> 00:40:47,320
Speaker 1: It's people been crouching clothing forever.

880
00:40:47,719 --> 00:40:53,000
Speaker 3: Yeah, I don't know what. Again, we have sweaters, you

881
00:40:53,040 --> 00:40:55,200
Speaker 3: know what I mean, They're just sweaters for your feet.

882
00:40:55,280 --> 00:40:59,360
Speaker 3: Let's blame blame Nick Cazopolis for passing on these.

883
00:40:59,520 --> 00:41:02,120
Speaker 1: Yeah, yeah, you know, talk to trace one of the things.

884
00:41:02,160 --> 00:41:05,080
Speaker 2: When Jesse's like, he screwed up a few things. Yeah,

885
00:41:05,080 --> 00:41:05,759
Speaker 2: this is one.

886
00:41:05,880 --> 00:41:07,680
Speaker 3: This is exhibit A right here.

887
00:41:08,120 --> 00:41:08,400
Speaker 1: Yep.

888
00:41:09,800 --> 00:41:12,840
Speaker 3: So, then Becky asks Jesse to bring Alexander into the

889
00:41:12,880 --> 00:41:16,440
Speaker 3: other room to be nursed. Jesse wonders which is which

890
00:41:16,600 --> 00:41:19,759
Speaker 3: and scans them for their bracelets. He walks into the

891
00:41:19,800 --> 00:41:22,759
Speaker 3: living room and asks Becky where the bracelets went. He

892
00:41:22,840 --> 00:41:25,400
Speaker 3: starts to panic as he wonders how he'll tell them apart,

893
00:41:26,160 --> 00:41:28,320
Speaker 3: and Becky tells him that alex is in the peach

894
00:41:28,360 --> 00:41:32,080
Speaker 3: booties and Nicki is in the mint green ones. Jesse

895
00:41:32,160 --> 00:41:34,600
Speaker 3: admits that those booties are a little too girly for him,

896
00:41:35,040 --> 00:41:37,440
Speaker 3: and Becky starts to have another mood swing and cries,

897
00:41:37,920 --> 00:41:40,760
Speaker 3: my mother made those booties and I want my sons

898
00:41:40,800 --> 00:41:42,759
Speaker 3: to wear them. And I don't think that's too much

899
00:41:42,880 --> 00:41:43,279
Speaker 3: to ask.

900
00:41:43,680 --> 00:41:47,160
Speaker 1: Why are you putting me through this excellent question, Becky?

901
00:41:47,320 --> 00:41:51,239
Speaker 3: Yes, we've been asking that for like four seasons now,

902
00:41:51,440 --> 00:41:51,600
Speaker 3: you know.

903
00:41:52,280 --> 00:41:52,840
Speaker 1: Yeah.

904
00:41:53,239 --> 00:41:56,000
Speaker 3: Jesse calms her down and admits he's wrong. He jokes

905
00:41:56,000 --> 00:41:59,200
Speaker 3: that any good, red blooded American boy would love to

906
00:41:59,239 --> 00:42:02,319
Speaker 3: wear those booties. He goes back into the kitchen and

907
00:42:02,320 --> 00:42:04,240
Speaker 3: tells the boys that they have to put the booties

908
00:42:04,280 --> 00:42:06,520
Speaker 3: back on because their mother is going to lose it,

909
00:42:07,239 --> 00:42:10,160
Speaker 3: but he still can't tell which is which. He realizes

910
00:42:10,280 --> 00:42:14,319
Speaker 3: he's mixed up his own kids, and he sighs, I

911
00:42:14,320 --> 00:42:16,840
Speaker 3: can hear you tell in your shrink now? Oh, I

912
00:42:16,920 --> 00:42:19,080
Speaker 3: was fine until my old man took off my booties.

913
00:42:19,960 --> 00:42:22,240
Speaker 3: Jesse takes a wild guess as to which one Alex

914
00:42:22,360 --> 00:42:25,240
Speaker 3: is and puts the peach booties on him before carrying

915
00:42:25,280 --> 00:42:27,800
Speaker 3: him back to his wife.

916
00:42:27,800 --> 00:42:30,279
Speaker 1: That's the thing, you know, Jesse. The booties you don't

917
00:42:30,320 --> 00:42:31,960
Speaker 1: know what you're doing yourself. I know.

918
00:42:32,360 --> 00:42:35,520
Speaker 3: Yeah, No, they this until the until the baby. One

919
00:42:35,520 --> 00:42:37,759
Speaker 3: of the babies has an identifying mark like a birthmark

920
00:42:37,840 --> 00:42:40,960
Speaker 3: or a freckle or something something right, just do not

921
00:42:41,080 --> 00:42:44,080
Speaker 3: remove their hospital bracelets, you know, just keep those things on.

922
00:42:45,840 --> 00:42:48,520
Speaker 3: So up in the attic, Jesse wakes up and talks

923
00:42:48,560 --> 00:42:51,520
Speaker 3: to the babies in their basinet. He's still trying to

924
00:42:51,520 --> 00:42:54,000
Speaker 3: figure out who is who. He asks for a sign

925
00:42:54,080 --> 00:42:57,840
Speaker 3: from Nikki, who loves Elvis and does mister hunka hunka

926
00:42:57,880 --> 00:43:02,640
Speaker 3: burn and love, but neither baby's budge. Then Becky wakes

927
00:43:02,719 --> 00:43:05,640
Speaker 3: up and asks if the babies are awake? Like she

928
00:43:05,640 --> 00:43:07,200
Speaker 3: she looks well rested.

929
00:43:06,880 --> 00:43:09,680
Speaker 1: For what Becky looks.

930
00:43:10,640 --> 00:43:11,960
Speaker 3: She's had a full night sleep.

931
00:43:12,280 --> 00:43:13,600
Speaker 1: She's a full night's sleep.

932
00:43:13,719 --> 00:43:17,480
Speaker 2: She's wearing cute outfits, she's not leaking all over anything.

933
00:43:18,160 --> 00:43:18,839
Speaker 1: She looks great.

934
00:43:18,920 --> 00:43:21,960
Speaker 2: She's she looks like she never gave had a baby

935
00:43:22,239 --> 00:43:22,680
Speaker 2: at all.

936
00:43:22,840 --> 00:43:26,960
Speaker 1: Like there's not you know, still yeah, oh yeah, handling

937
00:43:27,040 --> 00:43:27,600
Speaker 1: this really well.

938
00:43:27,680 --> 00:43:31,719
Speaker 3: She she looks fantastic and uh yeah, no, I I

939
00:43:32,160 --> 00:43:34,560
Speaker 3: I'm just like, how how are the babies awake but

940
00:43:34,600 --> 00:43:37,360
Speaker 3: the parents are asleep? Like I was instantly like, especially

941
00:43:37,400 --> 00:43:39,640
Speaker 3: in those newborn days. I was instantly awake the minute

942
00:43:39,640 --> 00:43:40,040
Speaker 3: the baby.

943
00:43:40,280 --> 00:43:41,400
Speaker 1: You hear the little sniffling.

944
00:43:41,680 --> 00:43:45,399
Speaker 3: Yeah, yeah, no, it's like, wait, they're awake. I must

945
00:43:45,400 --> 00:43:48,640
Speaker 3: stare at them now. But that's okay. I'm glad that

946
00:43:48,640 --> 00:43:50,799
Speaker 3: Becky got a good night's sleep. I'm not better at all.

947
00:43:50,880 --> 00:43:52,800
Speaker 2: I'm not. I'm yeah, I'm not. I'm just saying that.

948
00:43:52,800 --> 00:43:54,160
Speaker 2: I don't think that's very common.

949
00:43:54,200 --> 00:43:57,800
Speaker 3: But good for her, Good for her. Yes. Jesse jokes

950
00:43:57,920 --> 00:44:01,000
Speaker 3: that the babies are happy, healthy, and confident in who

951
00:44:01,080 --> 00:44:05,480
Speaker 3: they are Alex burps, and Becky says she thought Nicky

952
00:44:05,600 --> 00:44:09,000
Speaker 3: was the king of Burps. Jesse quickly switches the baby's

953
00:44:09,000 --> 00:44:12,040
Speaker 3: booties and their bassinets as Becky is in the bathroom,

954
00:44:12,640 --> 00:44:16,799
Speaker 3: and then Nicky burps. Jesse casually asks Becky as she

955
00:44:16,840 --> 00:44:19,120
Speaker 3: comes out of the bathroom, I was thinking, you know,

956
00:44:19,239 --> 00:44:22,040
Speaker 3: what would be really funny if we actually mixed up

957
00:44:22,080 --> 00:44:24,839
Speaker 3: the kids and we really didn't know who was who.

958
00:44:25,760 --> 00:44:29,800
Speaker 3: Becky scoffs, funny. That would be horrible. That would be

959
00:44:29,840 --> 00:44:32,400
Speaker 3: a tragedy. They would go through life not knowing their

960
00:44:32,440 --> 00:44:37,080
Speaker 3: true identities. So Jesse changes course, and that's why that

961
00:44:37,239 --> 00:44:41,960
Speaker 3: would never happen. Then Michelle walks into the room and announces, Okay,

962
00:44:42,160 --> 00:44:45,240
Speaker 3: I'm another day older. Can I hold the babies now?

963
00:44:46,239 --> 00:44:48,919
Speaker 3: Becky laughs and tells Jesse she isn't going to give

964
00:44:49,040 --> 00:44:51,800
Speaker 3: up on this. They agree to let her hold the baby,

965
00:44:51,840 --> 00:44:56,359
Speaker 3: after taking the necessary precautions once more. They insist, don't

966
00:44:56,440 --> 00:44:59,600
Speaker 3: drop him, don't jostle pretty much, don't move a muscle,

967
00:45:00,360 --> 00:45:04,120
Speaker 3: and Michelle admits, you're making me very nervous. Jesse sets

968
00:45:04,160 --> 00:45:06,640
Speaker 3: the baby into her arms and she grins, look at me,

969
00:45:07,040 --> 00:45:10,800
Speaker 3: I'm holding a baby. Becky points out that he looks

970
00:45:11,000 --> 00:45:13,719
Speaker 3: very happy, and Jesse says he looks up to her,

971
00:45:14,520 --> 00:45:17,719
Speaker 3: and Michelle boasts, if you have any questions, talk to me.

972
00:45:18,120 --> 00:45:23,160
Speaker 3: I love you and kisses therapist. Yes, her future clients.

973
00:45:23,200 --> 00:45:25,160
Speaker 3: You know you're gonna have a lot of unpacking to

974
00:45:25,160 --> 00:45:27,920
Speaker 3: do about this twin mix up. Nonsense.

975
00:45:28,520 --> 00:45:31,080
Speaker 2: Yeah, they're already going to have those first words. They're

976
00:45:31,080 --> 00:45:31,759
Speaker 2: gonna be who am I?

977
00:45:31,880 --> 00:45:35,920
Speaker 3: Who am I? Right? Exactly, No, Michelle is already on

978
00:45:36,000 --> 00:45:38,839
Speaker 3: top of it. She's started their files, already getting their

979
00:45:38,840 --> 00:45:39,840
Speaker 3: insurance information.

980
00:45:39,920 --> 00:45:41,839
Speaker 2: You don't have any friends. I got something going on,

981
00:45:42,160 --> 00:45:43,120
Speaker 2: So come talk to me.

982
00:45:43,400 --> 00:45:46,839
Speaker 3: Come talk to me. Exactly. Back on the Wake Up

983
00:45:46,840 --> 00:45:49,480
Speaker 3: San Francisco set, Vicky and Danny are getting ready to

984
00:45:49,520 --> 00:45:54,040
Speaker 3: go on air. Mister Strobridge gives her flowers and slyly mentions,

985
00:45:54,640 --> 00:45:57,560
Speaker 3: now give me some of that Emmy Award winning style.

986
00:45:58,640 --> 00:46:01,640
Speaker 3: Danny is shocked, and Vicky explains that she won two

987
00:46:01,680 --> 00:46:08,600
Speaker 3: of them in DC for investigative reporting. Danny responds, this

988
00:46:08,680 --> 00:46:11,680
Speaker 3: is so. This was so like a satisfying payoff right here.

989
00:46:13,040 --> 00:46:15,400
Speaker 3: Danny responds, I thought you said you never did a

990
00:46:15,440 --> 00:46:18,880
Speaker 3: talk show before. Vicky tells him that's true, but she

991
00:46:19,000 --> 00:46:24,840
Speaker 3: anchored the Evening News for five years. Danny, embarrassed embarrassedly

992
00:46:25,160 --> 00:46:28,280
Speaker 3: asks why didn't you tell me that? And she responds,

993
00:46:28,520 --> 00:46:32,520
Speaker 3: because you never stopped talking to Jay.

994
00:46:33,280 --> 00:46:35,319
Speaker 1: Yes, this is great. I love this.

995
00:46:35,600 --> 00:46:38,239
Speaker 3: She is just oh she's letting him, not lett him

996
00:46:38,239 --> 00:46:42,120
Speaker 3: have it. But she's just stating facts, facts that are factual,

997
00:46:42,520 --> 00:46:45,239
Speaker 3: and Danny can't argue with it. I'm here for this.

998
00:46:46,600 --> 00:46:49,840
Speaker 3: The stage manager counts them down and Danny introduces Vicky

999
00:46:49,880 --> 00:46:53,480
Speaker 3: to all of the viewers as a temporary host. She

1000
00:46:53,560 --> 00:46:56,279
Speaker 3: takes the liberty of introducing herself as Vicky. I'm going

1001
00:46:56,320 --> 00:46:59,760
Speaker 3: to be here for four weeks. Larsen and then Danny

1002
00:46:59,840 --> 00:47:03,879
Speaker 3: Enter produces Joey for his Ranger Joe segment. Of course,

1003
00:47:03,960 --> 00:47:06,120
Speaker 3: Joey is the guest, Like they.

1004
00:47:05,960 --> 00:47:13,920
Speaker 1: Can't find else the Tanner Show, it really is.

1005
00:47:16,400 --> 00:47:19,440
Speaker 3: So Joey is hosting the cartoon Marathon all week, and

1006
00:47:19,480 --> 00:47:23,680
Speaker 3: so Vicky asks a tough, hitting question about cartoons. Do

1007
00:47:23,760 --> 00:47:26,920
Speaker 3: you think that violence in cartoons today has an adverse

1008
00:47:26,960 --> 00:47:29,280
Speaker 3: effect on our children's social consciousness?

1009
00:47:30,040 --> 00:47:33,439
Speaker 1: If only she would have seen us now, Dan, Vicky,

1010
00:47:33,560 --> 00:47:37,319
Speaker 1: we have greatly disappointed. Yes, we have not evolved in

1011
00:47:37,360 --> 00:47:37,759
Speaker 1: any way.

1012
00:47:38,560 --> 00:47:42,120
Speaker 3: No, it's gone worse. Danny interrupts and tells her that

1013
00:47:42,200 --> 00:47:45,319
Speaker 3: Joey is just a sweet, lovable, goofy guy and she

1014
00:47:45,360 --> 00:47:49,360
Speaker 3: doesn't need to clog his head with controversy. But Joey

1015
00:47:49,360 --> 00:47:52,480
Speaker 3: goes ahead and answers the questions in an intellectual tone,

1016
00:47:52,719 --> 00:47:57,120
Speaker 3: explaining he's only running cartoons where violence is non reality based.

1017
00:47:57,600 --> 00:48:00,560
Speaker 3: So if you see a mouse drop a battleship on cat,

1018
00:48:00,920 --> 00:48:05,480
Speaker 3: a small child can't emulate their act. Vicky likes his

1019
00:48:05,560 --> 00:48:09,359
Speaker 3: answer and calls it a fascinating observation, and Danny rolls

1020
00:48:09,360 --> 00:48:12,200
Speaker 3: his eyes. Yeah, especially from a man who plays jingle

1021
00:48:12,239 --> 00:48:16,720
Speaker 3: bells on his armpit. They sign off for a break,

1022
00:48:16,800 --> 00:48:19,800
Speaker 3: and Joey tells her she is really wonderful. Before Vicky

1023
00:48:19,840 --> 00:48:23,799
Speaker 3: excuses herself off the set. Danny tells Joey that he

1024
00:48:23,840 --> 00:48:28,600
Speaker 3: thinks Vicky is overbearing, abrasive, and arrogant, and Joey corrects him,

1025
00:48:28,680 --> 00:48:33,719
Speaker 3: saying he is so hot for her. Danny agrees and

1026
00:48:33,800 --> 00:48:37,640
Speaker 3: admits it's going to drive him nuts. Then Vicky's back

1027
00:48:37,719 --> 00:48:41,600
Speaker 3: and ready for round two. Danny responds, let's get it on,

1028
00:48:41,960 --> 00:48:46,200
Speaker 3: and it gets extremely embarrassed at what that implies. And

1029
00:48:46,280 --> 00:48:48,640
Speaker 3: this is such an awkward setup. They've got Dave in

1030
00:48:48,680 --> 00:48:50,960
Speaker 3: the middle, Like they're all on the same couch with

1031
00:48:51,080 --> 00:48:52,640
Speaker 3: Dave in the middle, And I'm like, that's not how

1032
00:48:52,680 --> 00:48:55,759
Speaker 3: you do a host segment, Like have him on his

1033
00:48:55,800 --> 00:48:57,560
Speaker 3: own little armchair.

1034
00:48:57,520 --> 00:48:58,879
Speaker 1: That's not how you do any ah.

1035
00:48:59,040 --> 00:49:01,319
Speaker 2: Yeah, ye, Joey wouldn't be the Yeah, joe I mean,

1036
00:49:01,400 --> 00:49:04,040
Speaker 2: you know, I just felt bad that Danny was kind

1037
00:49:04,040 --> 00:49:07,680
Speaker 2: of like, oh, he's an idiot, Like, yes, no, he's.

1038
00:49:07,480 --> 00:49:09,600
Speaker 3: A village idiot. Don't he's a village idiot.

1039
00:49:09,640 --> 00:49:12,240
Speaker 2: Don't ask him questions, don't ask him to spell anything.

1040
00:49:12,360 --> 00:49:17,360
Speaker 3: You know, I'm so glad very episode, Danny's very condescending

1041
00:49:17,400 --> 00:49:20,759
Speaker 3: to like everybody, but that made it so satisfying. When

1042
00:49:21,719 --> 00:49:24,879
Speaker 3: Joey rose to the occasion, it was just like, tell

1043
00:49:24,920 --> 00:49:25,880
Speaker 3: you my opinion, Joe.

1044
00:49:25,840 --> 00:49:28,799
Speaker 1: Both were like, actually, bro I was like, okay, bring.

1045
00:49:28,600 --> 00:49:33,560
Speaker 3: It this, Joey like intellectual Joey like where has he

1046
00:49:33,640 --> 00:49:37,759
Speaker 3: been hiding for five seasons? Because I love it? So

1047
00:49:38,080 --> 00:49:41,600
Speaker 3: next in Stephan Michelle's room, Steph, DJ, Kimmy and the

1048
00:49:41,600 --> 00:49:46,080
Speaker 3: babies are helping Jesse. Steph hands over her junior detective

1049
00:49:46,160 --> 00:49:49,640
Speaker 3: kit and asks why he needs it, but Jesse can't

1050
00:49:49,719 --> 00:49:52,520
Speaker 3: tell her why, so Steph says she can't let him

1051
00:49:52,600 --> 00:49:55,319
Speaker 3: use it. Jesse decides he's going to tell them a

1052
00:49:55,440 --> 00:49:59,279
Speaker 3: secret and he closes the door. He insists that they

1053
00:49:59,360 --> 00:50:03,680
Speaker 3: can't tell Becky because she's been nuts, and he reveals

1054
00:50:03,719 --> 00:50:06,480
Speaker 3: that he mixed the twins up and he can't tell

1055
00:50:06,760 --> 00:50:11,640
Speaker 3: who is who. The girls all shouting Unison, what, and

1056
00:50:11,719 --> 00:50:15,400
Speaker 3: Kimmy points out, they're your own kids. Even bad Boons

1057
00:50:15,480 --> 00:50:16,480
Speaker 3: know their own babies.

1058
00:50:17,200 --> 00:50:22,759
Speaker 2: Your delivery of this line, I remember you saying it.

1059
00:50:22,960 --> 00:50:26,319
Speaker 3: It's the classic line, A classic line.

1060
00:50:26,040 --> 00:50:31,360
Speaker 2: Even bad Boons was Bob babies were popping.

1061
00:50:31,960 --> 00:50:35,680
Speaker 3: It was I had that furrowed brow that was signature

1062
00:50:35,840 --> 00:50:37,160
Speaker 3: for Kimmy brow.

1063
00:50:37,600 --> 00:50:40,799
Speaker 2: It was exactly how it was supposed to be, Thank

1064
00:50:40,800 --> 00:50:41,240
Speaker 2: you funny.

1065
00:50:41,239 --> 00:50:43,440
Speaker 3: One of my all time favorite lines in a in

1066
00:50:43,520 --> 00:50:50,200
Speaker 3: Full House was by babies disgusted Jesse's reaction where he's

1067
00:50:50,280 --> 00:50:52,600
Speaker 3: just staring at her now.

1068
00:50:54,239 --> 00:50:58,160
Speaker 1: Which is, oh who that's a callback to there's an

1069
00:50:58,200 --> 00:51:01,880
Speaker 1: old school actor that Oh yeah, was it Walter mathout?

1070
00:51:01,920 --> 00:51:02,400
Speaker 1: Who did that?

1071
00:51:02,680 --> 00:51:03,000
Speaker 3: In? Uh?

1072
00:51:03,880 --> 00:51:05,400
Speaker 5: Uh? Or?

1073
00:51:05,520 --> 00:51:06,239
Speaker 1: I mean does he?

1074
00:51:07,160 --> 00:51:09,120
Speaker 3: Oh maybe yeah, does to do it?

1075
00:51:09,200 --> 00:51:09,799
Speaker 1: You know? There was?

1076
00:51:09,920 --> 00:51:13,960
Speaker 2: It was, Yeah, it was definitely reminiscent of like old

1077
00:51:14,000 --> 00:51:17,440
Speaker 2: school uh comedy, Yes, silent you know.

1078
00:51:17,680 --> 00:51:21,600
Speaker 3: Oh it's fantastic. It was so great. So Kimmi comments,

1079
00:51:21,680 --> 00:51:25,760
Speaker 3: ooh sore spot, and she exits the room. Jesse shuts

1080
00:51:25,760 --> 00:51:28,319
Speaker 3: the door and explains he's going to take a footprint

1081
00:51:28,400 --> 00:51:30,359
Speaker 3: of one of the babies and compare it to the

1082
00:51:30,400 --> 00:51:33,839
Speaker 3: original birth certificate. He grabs one of the babies and

1083
00:51:33,920 --> 00:51:38,080
Speaker 3: DJ helps ink the foot. Then Becky yells from the hallway,

1084
00:51:38,200 --> 00:51:41,799
Speaker 3: asking where everybody is. Steff yells back, we're in here,

1085
00:51:42,560 --> 00:51:47,640
Speaker 3: Jesse shushes her. She corrects herself, no we're not. Jesse

1086
00:51:47,800 --> 00:51:49,959
Speaker 3: quickly tries to wipe the ink off the baby's foot

1087
00:51:50,040 --> 00:51:52,520
Speaker 3: with his spit so Becky doesn't see what's going on.

1088
00:51:53,120 --> 00:51:55,560
Speaker 3: Then he asks d Day to just put the foot

1089
00:51:55,719 --> 00:52:00,279
Speaker 3: in his pocket, which looks, oh so natural, right, it's

1090
00:52:00,320 --> 00:52:03,520
Speaker 3: poor baby. These babies looked very tolerant. I don't know

1091
00:52:03,520 --> 00:52:07,480
Speaker 3: how long he talked to him. Yes, he seemed very compliant.

1092
00:52:08,880 --> 00:52:10,799
Speaker 3: So Becky walks in and tells them it's time to

1093
00:52:10,840 --> 00:52:14,160
Speaker 3: feed the boys. DJ pretends to hear Danny calling and

1094
00:52:14,239 --> 00:52:17,880
Speaker 3: yells coming, dad, but Steph doesn't catch on to what

1095
00:52:17,960 --> 00:52:21,520
Speaker 3: she's doing and tells her he's at the store, and

1096
00:52:21,640 --> 00:52:23,640
Speaker 3: DJ says, you're not having the best day, are you,

1097
00:52:25,200 --> 00:52:28,080
Speaker 3: and they exit the room together. Steph is just not

1098
00:52:28,280 --> 00:52:33,000
Speaker 3: helping at all in the scene. No, Becky asks Jesse

1099
00:52:33,120 --> 00:52:36,080
Speaker 3: why their son's foot is in his pocket, and he

1100
00:52:36,160 --> 00:52:38,959
Speaker 3: quickly makes something up. Oh, he kicked his booty off

1101
00:52:39,000 --> 00:52:43,279
Speaker 3: and I wanted to keep his foot warm. Then she

1102
00:52:43,400 --> 00:52:46,719
Speaker 3: asks why his foot is covered in ink. Jesse makes

1103
00:52:46,760 --> 00:52:49,080
Speaker 3: up another lie, saying he must have left an ink

1104
00:52:49,200 --> 00:52:55,120
Speaker 3: pen in his pocket. Becky narrows her eyes, Why don't

1105
00:52:55,160 --> 00:52:59,200
Speaker 3: you just tell me the truth. Jesse finally reveals that

1106
00:52:59,280 --> 00:53:01,960
Speaker 3: he took the boot off and now he can't tell

1107
00:53:02,000 --> 00:53:06,640
Speaker 3: the kids apart. Becky is sympathetic and asks why didn't

1108
00:53:06,640 --> 00:53:09,520
Speaker 3: he tell her. He admits he was trying to avoid

1109
00:53:09,680 --> 00:53:13,319
Speaker 3: the mother of all mood swings, and Becky calmly tells him,

1110
00:53:13,719 --> 00:53:16,359
Speaker 3: I know I've been really crazy lately, but if there's

1111
00:53:16,400 --> 00:53:18,920
Speaker 3: a problem with our kids, you have to tell me

1112
00:53:19,080 --> 00:53:23,000
Speaker 3: so we can work it out together. Jesse sighs he

1113
00:53:23,320 --> 00:53:26,879
Speaker 3: just wants to be the perfect dad. Becky reminds him

1114
00:53:27,040 --> 00:53:29,799
Speaker 3: there's no such thing as a perfect dad. But you'll

1115
00:53:29,840 --> 00:53:33,200
Speaker 3: be a great dad. You're already a great husband and

1116
00:53:33,280 --> 00:53:38,120
Speaker 3: I love you. Oh Becky, she's still she's still a

1117
00:53:38,120 --> 00:53:40,520
Speaker 3: little bit loopy from the birth. She's calling him a

1118
00:53:40,520 --> 00:53:43,719
Speaker 3: great husband. You know, really, you do so much for

1119
00:53:43,760 --> 00:53:45,719
Speaker 3: the birth. Do you remember when he was lying on

1120
00:53:45,760 --> 00:53:48,560
Speaker 3: a gurney next to you, being completely helpless?

1121
00:53:48,800 --> 00:53:51,080
Speaker 2: Well that was that was by no fault of his own.

1122
00:53:51,320 --> 00:53:55,360
Speaker 2: That's true. I'm not going to fault him for the appendix,

1123
00:53:55,520 --> 00:53:56,799
Speaker 2: but I will fault him for.

1124
00:53:57,200 --> 00:54:03,680
Speaker 3: All the Yeah. So Jesse responds with a have mercy

1125
00:54:03,880 --> 00:54:06,600
Speaker 3: and kisses her. Then he goes back to his junior

1126
00:54:06,680 --> 00:54:09,960
Speaker 3: detective kit and they look to see which footprint is

1127
00:54:10,000 --> 00:54:14,520
Speaker 3: which Jesse reveals, you with the inky footprint, you are

1128
00:54:14,640 --> 00:54:18,840
Speaker 3: big al and Becky laughs, isn't that great news? Guys?

1129
00:54:19,239 --> 00:54:24,160
Speaker 3: They're so excited they're speechless. Jesse proudly points to each baby, saying,

1130
00:54:24,360 --> 00:54:27,279
Speaker 3: you're al and you're Nikky, and he gives them each

1131
00:54:27,280 --> 00:54:29,800
Speaker 3: a high five. And that's our show.

1132
00:54:30,520 --> 00:54:34,280
Speaker 2: Way, our first show with the new baby.

1133
00:54:35,080 --> 00:54:37,600
Speaker 1: I mean not our first, but like yeah, episode.

1134
00:54:37,280 --> 00:54:41,279
Speaker 3: Full episode with the full babies. And they did great for.

1135
00:54:41,280 --> 00:54:46,719
Speaker 2: Their remember the ins and yeah, they cute little babies.

1136
00:54:46,520 --> 00:54:49,719
Speaker 3: So cute. Yeah, I know they were. They were great.

1137
00:54:50,440 --> 00:54:52,359
Speaker 3: I'm trying to figure out, so how old are they

1138
00:54:52,400 --> 00:54:55,399
Speaker 3: in season six? Do they age them up to age two?

1139
00:54:57,440 --> 00:54:59,960
Speaker 3: So they say two, so they just aged about like

1140
00:55:00,040 --> 00:55:00,920
Speaker 3: a year. I don't know.

1141
00:55:01,120 --> 00:55:02,439
Speaker 1: Yeah, I think it was like maybe a year.

1142
00:55:02,520 --> 00:55:06,400
Speaker 3: We'll have to ask Jeff about that. Yeah, yeah, I know.

1143
00:55:06,480 --> 00:55:08,120
Speaker 3: This is a cute, cute episode.

1144
00:55:08,160 --> 00:55:09,160
Speaker 1: It was a cute episode.

1145
00:55:09,440 --> 00:55:12,080
Speaker 2: We met, we've got babies, We've met VICKI.

1146
00:55:12,440 --> 00:55:15,319
Speaker 5: Yeah, this was a solid episode. Actually, this is a

1147
00:55:15,360 --> 00:55:16,000
Speaker 5: solid episode.

1148
00:55:16,440 --> 00:55:19,680
Speaker 2: Era then get checked a little bit for being you know,

1149
00:55:20,440 --> 00:55:24,760
Speaker 2: condescending in man's plaining, and everyone winds up being happy,

1150
00:55:24,800 --> 00:55:26,960
Speaker 2: and you know what they're supposed to do.

1151
00:55:27,080 --> 00:55:29,319
Speaker 3: The babies are none the wiser. The babies are right, the.

1152
00:55:29,239 --> 00:55:32,480
Speaker 2: Baby none the wiser. They'll never have an identity crisis height.

1153
00:55:32,760 --> 00:55:33,600
Speaker 1: Yeah, so great.

1154
00:55:34,440 --> 00:55:37,000
Speaker 3: That's although we don't love big awl as a like,

1155
00:55:37,040 --> 00:55:39,719
Speaker 3: if you're gonna call him alex you know, like they've

1156
00:55:39,880 --> 00:55:43,000
Speaker 3: forgured as Alexander the whole dang episode and now it's

1157
00:55:43,000 --> 00:55:43,440
Speaker 3: a big.

1158
00:55:43,280 --> 00:55:46,319
Speaker 2: Alick and Nicky doesn't get NICKI doesn't get his full name.

1159
00:55:46,400 --> 00:55:48,640
Speaker 1: No, he noticed. Even on the banner it says Nicki

1160
00:55:48,719 --> 00:55:50,280
Speaker 1: and Alexander. You're right?

1161
00:55:51,040 --> 00:55:52,000
Speaker 3: Yeah, why did you say.

1162
00:55:52,239 --> 00:55:53,360
Speaker 1: Nicholas and Alexander?

1163
00:55:53,520 --> 00:55:56,600
Speaker 3: Some lost little pretentious right, So yeah, let's.

1164
00:55:56,400 --> 00:55:58,640
Speaker 1: Just you give an Alexander the thing if you're not

1165
00:55:58,640 --> 00:55:59,520
Speaker 1: giving Nikki the thing.

1166
00:55:59,640 --> 00:56:03,400
Speaker 3: I don't know, alex I don't know. It seems unfair,

1167
00:56:03,480 --> 00:56:05,799
Speaker 3: but that's okay anyway, it is what it is.

1168
00:56:06,160 --> 00:56:08,200
Speaker 2: Before I take us off on a tan jump about

1169
00:56:08,600 --> 00:56:13,560
Speaker 2: the unfairness of that for whatever ridiculous reason, thank you

1170
00:56:13,600 --> 00:56:15,160
Speaker 2: everybody for listening.

1171
00:56:15,000 --> 00:56:17,600
Speaker 1: To our show, our banter or.

1172
00:56:19,840 --> 00:56:21,120
Speaker 3: Oh do you have an ever? I have an ever?

1173
00:56:21,120 --> 00:56:21,640
Speaker 1: Where you look?

1174
00:56:22,000 --> 00:56:22,560
Speaker 3: Do you have one?

1175
00:56:23,200 --> 00:56:24,160
Speaker 1: I don't I have one?

1176
00:56:24,239 --> 00:56:25,880
Speaker 3: This as good you had one last time. I'll have

1177
00:56:25,880 --> 00:56:29,319
Speaker 3: one this time. Okay, okay, So when they're starting wake

1178
00:56:29,360 --> 00:56:33,080
Speaker 3: up San Francisco. It's Vicky's first episode. She has a

1179
00:56:33,120 --> 00:56:35,520
Speaker 3: coffee cup she's drinking out of. It is the same

1180
00:56:36,200 --> 00:56:40,840
Speaker 3: plastic blue cornflower coffee cup as the Tanners have in

1181
00:56:40,920 --> 00:56:43,640
Speaker 3: their kitchen. Like, I don't know why this is such

1182
00:56:43,640 --> 00:56:45,600
Speaker 3: a prevalent cup, but yeah, it's at the wake Up

1183
00:56:45,600 --> 00:56:47,080
Speaker 3: San Francisco Set's.

1184
00:56:46,960 --> 00:56:50,080
Speaker 1: There's a very blue that that very popular.

1185
00:56:50,280 --> 00:56:53,839
Speaker 2: That cornflower blue is very popular in San Francisco. Yeah,

1186
00:56:54,080 --> 00:56:57,600
Speaker 2: you know, well, so everything in San Francisco has to

1187
00:56:57,640 --> 00:56:58,680
Speaker 2: match the Tanner.

1188
00:56:58,520 --> 00:57:03,040
Speaker 3: Right, everything that's specific shade of blue, to the curtains,

1189
00:57:03,080 --> 00:57:05,880
Speaker 3: the coffee, the phones, everything, it's.

1190
00:57:05,840 --> 00:57:07,880
Speaker 1: Everything, everything has to be that color.

1191
00:57:08,280 --> 00:57:11,640
Speaker 3: Yeah, but I mean it looks plastic. Maybe it wasn't plastic,

1192
00:57:11,680 --> 00:57:12,560
Speaker 3: but it looks plastic.

1193
00:57:12,640 --> 00:57:13,960
Speaker 1: Was plastic, No, there was ceramic.

1194
00:57:13,960 --> 00:57:16,280
Speaker 3: It was ceramic. Okay, so it just looks flimsy. But

1195
00:57:16,320 --> 00:57:18,920
Speaker 3: I'm like, yeah, hot coffee in a plastic You couldn't

1196
00:57:18,960 --> 00:57:20,280
Speaker 3: put a hot you couldn't.

1197
00:57:19,960 --> 00:57:21,200
Speaker 1: Not coffee in plastic.

1198
00:57:21,320 --> 00:57:23,160
Speaker 3: That's what's been throwing me off this whole time.

1199
00:57:23,160 --> 00:57:24,880
Speaker 1: I'm like, wow, you guys, so instead of being so,

1200
00:57:24,880 --> 00:57:26,960
Speaker 1: instead of saying it must be ceramic, you were like,

1201
00:57:27,000 --> 00:57:27,680
Speaker 1: how did they do it?

1202
00:57:28,000 --> 00:57:30,320
Speaker 3: How did they do it, well, I'm thinking props. Maybe

1203
00:57:30,320 --> 00:57:31,520
Speaker 3: they poured cold coffee.

1204
00:57:31,560 --> 00:57:31,960
Speaker 1: I don't know.

1205
00:57:32,200 --> 00:57:34,120
Speaker 3: But no, it's okay, it's ceramic.

1206
00:57:34,120 --> 00:57:36,840
Speaker 1: It's easier to get a mug well of ceramic.

1207
00:57:37,720 --> 00:57:40,760
Speaker 3: Yes, but this is the nineties we're talking about. This

1208
00:57:40,840 --> 00:57:42,960
Speaker 3: is full house. We're there.

1209
00:57:42,960 --> 00:57:44,040
Speaker 1: Weren't any more mugs.

1210
00:57:44,080 --> 00:57:46,919
Speaker 2: They had to go borrow in the kitchen, so they No,

1211
00:57:47,040 --> 00:57:50,680
Speaker 2: it was the great mug Shortage of ninety.

1212
00:57:51,480 --> 00:57:54,200
Speaker 3: Yes, we were on a budget. We had to use mugs.

1213
00:57:54,600 --> 00:57:58,120
Speaker 1: Yeah, eggs were plentiful, but not so much the mugs.

1214
00:57:58,160 --> 00:58:00,640
Speaker 3: Those were the days, man, those were the days.

1215
00:58:00,960 --> 00:58:04,760
Speaker 1: Oh boy, oh, thank you.

1216
00:58:04,800 --> 00:58:07,920
Speaker 2: Thank you Fan Arritos for listening. We love you guys.

1217
00:58:07,960 --> 00:58:10,000
Speaker 2: Super exciting babies are on the show now. So yeah,

1218
00:58:10,040 --> 00:58:12,760
Speaker 2: we are well into We're like, we're in a new era.

1219
00:58:12,880 --> 00:58:14,880
Speaker 2: Smack dab in the middle of season five.

1220
00:58:15,400 --> 00:58:17,200
Speaker 3: We're in a new era. We're in the Nicki and

1221
00:58:17,280 --> 00:58:20,720
Speaker 3: Alex era. It's becoming the Michelle Show. Vicky is here

1222
00:58:20,800 --> 00:58:25,840
Speaker 3: to take Danny's attention elsewhere. Right, I'm excited, happen. It's

1223
00:58:25,840 --> 00:58:28,120
Speaker 3: a new phase. I'm here for It's a new phase.

1224
00:58:28,240 --> 00:58:28,439
Speaker 1: Yeah.

1225
00:58:28,920 --> 00:58:30,760
Speaker 2: Well, we love you guys, thanks for listening, and we

1226
00:58:30,800 --> 00:58:32,760
Speaker 2: will see you next time. In the meantime, if you

1227
00:58:32,760 --> 00:58:34,960
Speaker 2: want to find us on Instagram.

1228
00:58:34,240 --> 00:58:36,520
Speaker 1: Follow at how Rude Podcast.

1229
00:58:36,960 --> 00:58:41,000
Speaker 2: You want to send us an email, you can eat. Yeah,

1230
00:58:41,240 --> 00:58:43,280
Speaker 2: I'm just all of a sudden, my mouth's don to stop.

1231
00:58:44,560 --> 00:58:46,320
Speaker 2: If you want to send us an email, you can

1232
00:58:46,320 --> 00:58:49,280
Speaker 2: send us an email at how Rude Tannertos at gmail

1233
00:58:49,280 --> 00:58:52,480
Speaker 2: dot com. You know the deal, Like, can subscribe check

1234
00:58:52,480 --> 00:58:56,040
Speaker 2: out our merch store, how Rude merch dot com. Uh

1235
00:58:56,440 --> 00:58:59,160
Speaker 2: and and yeah, that's it.

1236
00:58:59,320 --> 00:59:01,720
Speaker 1: And well that's it. We'll see you next time. And

1237
00:59:01,800 --> 00:59:06,120
Speaker 1: remember the world is small. But the house is full

1238
00:59:07,800 --> 00:59:11,720
Speaker 1: of general gender neutral booties. Just just peach and peach

1239
00:59:11,760 --> 00:59:14,680
Speaker 1: and green. Nothing wrong with that. Some little cute little booties.

1240
00:59:14,360 --> 00:59:17,080
Speaker 3: Got to keep their feet warm that a house.

1241
00:59:16,880 --> 00:59:17,840
Speaker 1: Is full of cute booties.

1242
00:59:17,880 --> 00:59:20,920
Speaker 3: Cuteies meaning the food, the whole.

1243
00:59:20,840 --> 00:59:24,600
Speaker 1: Means a whole other thing. San Francisco. Okay, thank you, guys,