WEBVTT - The Max Headroom Incident

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<v Speaker 1>Get in touch with technology with tex Stuff from com Sis. Everyone.

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<v Speaker 1>Welcome to tech Stuff. I'm Jonathan Strickland, and today in

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<v Speaker 1>the studio, I am joined by a special guest host,

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<v Speaker 1>Chuck Bryant Chuff. Welcome to Text Stuff, Jonathan. Hi, Chuck Strickland.

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<v Speaker 1>That's weird calling you Jonathan. Yeah, that's fine, call me Strickland.

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<v Speaker 1>Josh called me strict, so you might as well keep

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<v Speaker 1>it going. Um now. I Chuck, of course, is one

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<v Speaker 1>of the hosts of Stuff you should know, and Josh

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<v Speaker 1>is the other host. We had him on earlier with

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<v Speaker 1>the Humanoid Robot episode. It went well, it went well great.

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<v Speaker 1>You know, Josh had to sit there and and wait

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<v Speaker 1>until I'd let him talk, and I would let him

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<v Speaker 1>and then he would he would talk. It was great.

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<v Speaker 1>I think I may fall into this role a little easier. Well.

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<v Speaker 1>The nice thing is that, you know, I like to

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<v Speaker 1>let my guests kind of pick a topic if they

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<v Speaker 1>if they prefer I mean, if they don't, if they

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<v Speaker 1>want me to pick one, I'm happy to. But I

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<v Speaker 1>gave you that that option, and you came back with

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<v Speaker 1>one of my favorite stories period, not just in tech

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<v Speaker 1>just it's just one of those cool weird things that

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<v Speaker 1>have happened, and I do not want to steal thunder.

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<v Speaker 1>All I wanna ask you is, Chuck, if you were

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<v Speaker 1>in Chicago on November twenty and you were watching h

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<v Speaker 1>w g N at nine pm because you you want

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<v Speaker 1>to check out the news and it's coming up on

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<v Speaker 1>the sports, which I know you're a fan of the sports,

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<v Speaker 1>what happened? Well, I that could have happened because I

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<v Speaker 1>would have been sixteen at the time. Yeah, you and

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<v Speaker 1>I are in this age wheelhouse. Yeah, we we actually

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<v Speaker 1>were alive at this time, and we were we would

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<v Speaker 1>have been aware of at least the entity that appeared

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<v Speaker 1>instead of the sports scores um. But yeah, something weird

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<v Speaker 1>happened at that moment. There was an interruption in normal service. Yeah,

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<v Speaker 1>what they call a broadcast intrusion, and U like all

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<v Speaker 1>classic broadcast intrusions, it started with a little grainy, you know,

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<v Speaker 1>static going on, and they're always a little unsettling when

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<v Speaker 1>you watch them, even if they're goofy. Yeah, this is

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<v Speaker 1>something kind of creepy about it. You know, it's out

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<v Speaker 1>of place. And as soon as something that, especially when

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<v Speaker 1>it's something as ritualistic as the news, you know that

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<v Speaker 1>follows a very specific pattern, and when something goes outside

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<v Speaker 1>that pattern, you know, that upsets our little world balance

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<v Speaker 1>for a moment. So in this case, the there was,

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<v Speaker 1>like you said, there was this this disturbance in the force,

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<v Speaker 1>and a new picture popped up and replaced the sportscaster

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<v Speaker 1>and it was a guy in a disturbing rubber mass

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<v Speaker 1>uh huh. And that mask was of a specific eighties icon,

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<v Speaker 1>which I think a lot of people don't even know

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<v Speaker 1>who this is anymore, but Max Headroom. Yeah, if if

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<v Speaker 1>you're a child of the eighties, Max Max Hedroom loomed

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<v Speaker 1>large for a while. And I know when this intrusion

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<v Speaker 1>came out, this broadcast intrusion, it seemed like about half

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<v Speaker 1>the people even knew who he was trying to imitate,

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<v Speaker 1>and then the other half just had no idea. They

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<v Speaker 1>thought it was just some weirdo with the mask. Yeah. Well,

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<v Speaker 1>and part of that was because, uh, the quality of

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<v Speaker 1>the video was not exactly super high quality. But on

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<v Speaker 1>top of that, yeah, it's kind of a niche thing,

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<v Speaker 1>and he was Max Hedroom was used as sort of

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<v Speaker 1>a spokes thing, I guess, a spokesman for a new coke.

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<v Speaker 1>Sure that that great move by the Coca Cola company. Yeah,

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<v Speaker 1>oh man, I remember that well, remember it with Paine? Yeah, yeah,

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<v Speaker 1>so living living in a land, the whole Coca Cola

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<v Speaker 1>New Coke thing was. It definitely strikes close to home.

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<v Speaker 1>So yeah, he um. He was a spokesman for that

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<v Speaker 1>as well as a kind of a fantasy character who

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<v Speaker 1>appeared on lots of other stuff. But generally speaking, if

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<v Speaker 1>you don't know who Max Headroom is, first, just go

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<v Speaker 1>ahead and do an image search because it'll pop right up.

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<v Speaker 1>But it's a a character that was supposed to look

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<v Speaker 1>like a digital character, right, It was supposed to like

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<v Speaker 1>a computer generated image, and it was kind of a

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<v Speaker 1>guy with a long face and weird, kind of ridged hair.

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<v Speaker 1>He had always had a dynamic c g I background

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<v Speaker 1>behind him that looked like kind of just like Neon

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<v Speaker 1>stripes that were constantly twisting and turning in different ways.

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<v Speaker 1>And he would stutter, yeah, that digital stutter occasionally and

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<v Speaker 1>uh would be very kind of snarky and sarcastic, and

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<v Speaker 1>ultimately got a television series as well as you know

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<v Speaker 1>two a couple of different televis and series, one of

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<v Speaker 1>them which was like a talk show, and one of

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<v Speaker 1>which was more of a like an actual fictional story,

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<v Speaker 1>like with an arc. Yeah, that one was pretty good. Actually,

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<v Speaker 1>the original British show, even though it was a lot

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<v Speaker 1>of American actors, was was pretty cool and definitely ahead

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<v Speaker 1>of its time as far as you know. The whole

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<v Speaker 1>idea was that this uh roving reporter was I think

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<v Speaker 1>Matt Frewer played him as a real dude and his

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<v Speaker 1>Max Headroom, but he was digitally replaced with this character

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<v Speaker 1>Max Headroom, and at the time it just seemed really odd.

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<v Speaker 1>But now when you look back at it and watch it,

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<v Speaker 1>it's like, man, this show was kind of ahead of this. Yeah,

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<v Speaker 1>it was really prescient. Yeah it was. It also revealed

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<v Speaker 1>where the name came from. Where Matt Frewer's character, as

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<v Speaker 1>I recall, is waylaid and the last thing he sees

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<v Speaker 1>before he loses consciousness is a sign on a on

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<v Speaker 1>a a wall that's tells what the Max Headroom for.

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<v Speaker 1>That wall's pretty clad became the character's name. Uh yeah.

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<v Speaker 1>So the person who appeared on this video was wearing

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<v Speaker 1>a Max Headroom mask and had this corrugated metal background

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<v Speaker 1>sort of emulated the digital look. Wore the suit at

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<v Speaker 1>that Max headroom, more like just a dark suit and

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<v Speaker 1>tie and um, yeah, this thing was the metal background.

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<v Speaker 1>It looked like a like a garage door. It was

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<v Speaker 1>just sort of spinning in the background. Yeah, it was.

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<v Speaker 1>It was on some sort of gimbal or something. That's

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<v Speaker 1>what I figured. Yeah, because you can tell it's swinging

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<v Speaker 1>back and forth, so predictably. It can't be held by somebody.

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<v Speaker 1>You had to be on some sort of pivot or something,

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<v Speaker 1>and but it's moving backward and forward, so it kind

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<v Speaker 1>of mimics that that digital line twisting in the background.

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<v Speaker 1>And except for one part, there's a part where there's

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<v Speaker 1>a clear cut in the video. The video itself was

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<v Speaker 1>about or at least what we've seen is about a

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<v Speaker 1>minute and twenty two seconds. Yeah. Well, actually, I don't

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<v Speaker 1>think we differentiated. There were two videos, two intrusions. The

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<v Speaker 1>first one was short and had no audio and was

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<v Speaker 1>on w g N. And then about two hours later

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<v Speaker 1>or they hijacked the PBS affiliate and that's where the

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<v Speaker 1>classic minute and a half, nearly minute and a half

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<v Speaker 1>with audio, really strange audio comes through. That's right, because

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<v Speaker 1>that first one, like you said, I'm glad you pointed

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<v Speaker 1>that out. It was silent. It was the images from

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<v Speaker 1>the and the image and the audio from w g

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<v Speaker 1>N was cut, but there was no audio coming out

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<v Speaker 1>other than that. I think there's like a buzzing noise

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<v Speaker 1>that came in through the first intrusion, and you saw

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<v Speaker 1>this this figure just sitting there and kind of rocking

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<v Speaker 1>back and forth like left and right, which is also disconcerting. Yeah,

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<v Speaker 1>it was definitely like you felt like something is really

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<v Speaker 1>wrong at that moment. And when it came back, the

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<v Speaker 1>sportscaster said, you might be wondering what just happened. I know,

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<v Speaker 1>I am, uh something along those lines. But yes, the

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<v Speaker 1>second one, you had the audio and it played for

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<v Speaker 1>the what we what appeared to be the length of

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<v Speaker 1>the video. The first section had uh, the guy just

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<v Speaker 1>saying odd things and they were all very Chicago specific. Well,

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<v Speaker 1>and and sort of slamming w g N because he

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<v Speaker 1>had slammed the Chuck swart Sky Yeah as a freaking liberal. Yeah,

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<v Speaker 1>he is a sportscast for w g N. Yeah, and

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<v Speaker 1>uh he also talked about the Greatest World Newspaper nerds

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<v Speaker 1>something like that, but w g N stands for World's

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<v Speaker 1>Greatest Newspaper. Yeah, So it turned out that that little know,

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<v Speaker 1>the great, the great World newspaper nerds or whatever however

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<v Speaker 1>he worded it, that was a reference back to w

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<v Speaker 1>g N. So it's very clearly intended for w g NY.

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<v Speaker 1>And the first attack wasn't as effective as as they

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<v Speaker 1>had hoped because, uh, like I said, there was no audio.

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<v Speaker 1>And also the folks at w g N, once they

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<v Speaker 1>figured out something was going on, very quickly changed the

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<v Speaker 1>frequency transmitters. They said, well, I guess yeah, yeah, which

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<v Speaker 1>is interesting. We'll talk more about how that kind of

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<v Speaker 1>helps us know a little more about the attack curs.

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<v Speaker 1>Because here's the other thing. To this day, there there's

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<v Speaker 1>no the public has no idea who did this. Yeah.

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<v Speaker 1>I think that's why this story has lingered, and it's

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<v Speaker 1>so cool is because anytime you have an unsolved mystery,

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<v Speaker 1>even if it's uh just sort of an odd broadcast

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<v Speaker 1>intrusion like this, people are going to be obsessed with it. Like, um,

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<v Speaker 1>we've a lot of the information, uh from that I

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<v Speaker 1>did research on. Came from a motherboard kind of the

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<v Speaker 1>mother of all articles. Had some great research. Yeah, Chris

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<v Speaker 1>middle who Yeah, the article, if you want to look

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<v Speaker 1>for it, is the mystery of the creepiest television hack,

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<v Speaker 1>and I agree this article is fantastic. It really lays

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<v Speaker 1>out not just the incident, but also other things that

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<v Speaker 1>had happened beforehand that kind of laid the groundwork for this,

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<v Speaker 1>as well as just a discussion, although a brief one,

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<v Speaker 1>about the hacker culture that existed at that time and

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<v Speaker 1>how that kind of lends itself to people who maybe

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<v Speaker 1>are cleverer than is good for them, or could be

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<v Speaker 1>very nice way to say it, because as it turns out,

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<v Speaker 1>the f c C here in the United States does

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<v Speaker 1>not take kindly to folks intruding upon established airways. No,

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<v Speaker 1>it's it's a big no no, especially with bare butts,

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<v Speaker 1>which I think you said. Once the camera cuts, we

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<v Speaker 1>didn't continue there. That's when it got really weird because

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<v Speaker 1>there's a camera cut and then you see the mask

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<v Speaker 1>is off, but the guy has his head out of

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<v Speaker 1>frame and it's just sort of holding the mask. Uh.

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<v Speaker 1>He has pantser down showing his his bear Fannie, and

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<v Speaker 1>then yeah, from profile and then a lady on the

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<v Speaker 1>right uh and looks like some sort of Old West

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<v Speaker 1>like Antiochley type Garb spanks him with a fly swatter

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<v Speaker 1>on his butt. Although spanks is really being generous. She's

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<v Speaker 1>very slowly and lightly tapping him on the bottom with

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<v Speaker 1>the flyswater, so to the point where you're you're thinking, like,

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<v Speaker 1>I guess that's supposed to represent spanking. Uh, doesn't look

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<v Speaker 1>like any spanking I ever received as a kid. I

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<v Speaker 1>got you. Anyway, That's pretty much where the video cut off,

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<v Speaker 1>and then it went right back in the Doctor Who,

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<v Speaker 1>and which is really funny to see the transition. Yeah. Yeah,

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<v Speaker 1>he died of an electric shock. Yeah, you've got to

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<v Speaker 1>watch the whole incident on YouTube if you haven't already. Uh.

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<v Speaker 1>And in case you're curious that episode, it's we're talking

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<v Speaker 1>classic Doctor Who. Obviously back in seven. This is not

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<v Speaker 1>the reboot. Uh, it was the Horror of fang Rock.

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<v Speaker 1>So if that's your favorite episode, I'm sorry that was

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<v Speaker 1>interrupted back. So yeah, and like we said, the the

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<v Speaker 1>audio really showed that that the public television station wasn't

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<v Speaker 1>the intended target. It was the it was a target

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<v Speaker 1>of opportunity after the first attempt failed. And uh, we'll

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<v Speaker 1>talk more about the technology behind that and why they

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<v Speaker 1>had to switch from one to the other. Um, it

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<v Speaker 1>turns out it was largely a practical issue, at least

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<v Speaker 1>as far as I can determine, and um, it was.

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<v Speaker 1>There were also references within the Little Weird Diet tribe

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<v Speaker 1>the guy made to Coca Cola because he said catch

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<v Speaker 1>the wave and he had a new coat can that

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<v Speaker 1>he threw down on the ground. Yeah, And also a

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<v Speaker 1>reference to the cult cartoon Clutch Cargo. Yeah, he hummed

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<v Speaker 1>the theme Clutch Cargo. If you've ever seen the movie

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<v Speaker 1>Pulp Fiction, Um, the scene with young Bruce Willis back

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<v Speaker 1>in the nineteen seventies, I guess with Christopher Walkin as

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<v Speaker 1>his guardian. He's watching Clutch Cargo on TV. There that

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<v Speaker 1>with the mouth's cut out. O'Brien has also used that

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<v Speaker 1>same comedic great effect using the live action in order

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<v Speaker 1>because what what the whole point was was it was

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<v Speaker 1>an idea of of reducing the cost of animation big time.

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<v Speaker 1>Because there was no animation. You had to picture, yeah,

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<v Speaker 1>still picture, and then you would superimpose live actors mouths

0:12:57.600 --> 0:13:00.959
<v Speaker 1>on top of it. And if that sounds reap and

0:13:01.120 --> 0:13:04.520
<v Speaker 1>disturbing to you, you you're on the right track. It

0:13:04.600 --> 0:13:06.560
<v Speaker 1>was not the only cartoon to do this. There were

0:13:06.600 --> 0:13:12.920
<v Speaker 1>a few others. Um, thank you, Cambria productions for and

0:13:13.040 --> 0:13:15.400
<v Speaker 1>uh yeah, so he hummed like the whole Clutch Cargo

0:13:15.480 --> 0:13:19.200
<v Speaker 1>theme and made references to actual episodes of Clutch Cargo.

0:13:19.840 --> 0:13:23.200
<v Speaker 1>Uh so it was certainly someone with an odd sense

0:13:23.200 --> 0:13:25.679
<v Speaker 1>of humor who did this. Now there was no other message, right,

0:13:25.720 --> 0:13:28.800
<v Speaker 1>there was no. It wasn't like a political thing. This

0:13:29.080 --> 0:13:31.679
<v Speaker 1>very stream of consciousness kind of weird. He holds up

0:13:32.760 --> 0:13:36.400
<v Speaker 1>I guess what we can cleanly describe as a marital aid, yes,

0:13:36.640 --> 0:13:39.600
<v Speaker 1>at one point, and throws that on the ground, and um,

0:13:39.640 --> 0:13:42.679
<v Speaker 1>it's just once the fly swadding comes in, it's just

0:13:43.040 --> 0:13:45.880
<v Speaker 1>obvious that they're kind of free forming. Although it was

0:13:45.880 --> 0:13:47.599
<v Speaker 1>not live, which is important to know. This is a

0:13:48.280 --> 0:13:50.600
<v Speaker 1>videotape that they made. Yeah, yeah, and it was because

0:13:50.600 --> 0:13:54.280
<v Speaker 1>I mean, in order to do a live intrusion would

0:13:54.280 --> 0:13:57.400
<v Speaker 1>require essentially a studio and you'd have to have some

0:13:57.480 --> 0:14:00.560
<v Speaker 1>sort of linked to a transmitter that all had line

0:14:00.559 --> 0:14:03.840
<v Speaker 1>of sight to the same antenna as whatever target you're

0:14:04.080 --> 0:14:09.000
<v Speaker 1>you're aiming at. So that would have been an astoundingly complicated.

0:14:09.720 --> 0:14:11.920
<v Speaker 1>This is definitely a little easier to pull off. So

0:14:13.800 --> 0:14:16.560
<v Speaker 1>you know, now that we know that this, they've they've

0:14:16.600 --> 0:14:20.280
<v Speaker 1>never been found, they're likely never to be found. I mean,

0:14:20.320 --> 0:14:23.760
<v Speaker 1>it's always possible that someone could come forward and say,

0:14:23.800 --> 0:14:25.640
<v Speaker 1>all right, well here's how it actually happened. I'm the

0:14:25.640 --> 0:14:27.640
<v Speaker 1>guy who did this. I would improve it. I'm surprised

0:14:27.640 --> 0:14:30.480
<v Speaker 1>that hasn't happened by now, because the Statute of Limitations

0:14:30.560 --> 0:14:32.600
<v Speaker 1>is up for Yeah, it's way up, so you can't

0:14:32.640 --> 0:14:35.600
<v Speaker 1>get in trouble and it's um I think they would

0:14:36.440 --> 0:14:38.280
<v Speaker 1>unless they just think it's better left as a mystery

0:14:38.320 --> 0:14:41.480
<v Speaker 1>they would live in like especially nowadays with the Internet

0:14:41.480 --> 0:14:43.520
<v Speaker 1>like it is, it would blow up, you know, it

0:14:43.560 --> 0:14:47.080
<v Speaker 1>would be right. It could possibly be the fact that

0:14:47.520 --> 0:14:49.880
<v Speaker 1>I mean, you know, of course we're just projecting here,

0:14:50.200 --> 0:14:53.440
<v Speaker 1>but could possibly be that they are no longer terribly

0:14:53.520 --> 0:14:56.000
<v Speaker 1>proud of what they did, and or that they've moved

0:14:56.000 --> 0:14:59.120
<v Speaker 1>on in their lives. Yeah, there's there's a significant amount

0:14:59.120 --> 0:15:01.120
<v Speaker 1>of time since THEAD and they might have thought, you know,

0:15:01.280 --> 0:15:03.160
<v Speaker 1>I'm not going to brag about something I did when

0:15:03.160 --> 0:15:06.200
<v Speaker 1>I was younger and dumber, especially now that I'm the

0:15:06.200 --> 0:15:10.440
<v Speaker 1>CEO of ABC, right, that that might end up. By

0:15:10.440 --> 0:15:12.440
<v Speaker 1>the way, we do not actually mean that the CEO

0:15:12.520 --> 0:15:18.440
<v Speaker 1>of ABC ORDNY Disney affiliates are involved. But the other

0:15:18.480 --> 0:15:20.880
<v Speaker 1>interesting thing is that this was not the first time

0:15:21.520 --> 0:15:26.640
<v Speaker 1>that UM I A A an intrusion had happened in

0:15:26.640 --> 0:15:30.280
<v Speaker 1>in broadcast history. The first one, if you want to

0:15:30.280 --> 0:15:33.160
<v Speaker 1>go back, actually didn't happen in the United States. It

0:15:33.240 --> 0:15:37.360
<v Speaker 1>happened back in UH, the UK in nineteen seventies seven,

0:15:38.080 --> 0:15:42.840
<v Speaker 1>and that was when a hoaxer interrupted a Southern television

0:15:42.880 --> 0:15:47.240
<v Speaker 1>broadcast by UH inserting audio. It didn't change the video.

0:15:47.400 --> 0:15:49.280
<v Speaker 1>So this is kind of the opposite of what had

0:15:49.280 --> 0:15:53.080
<v Speaker 1>happened the first time with the Max Hedroum incident. But

0:15:53.360 --> 0:15:56.880
<v Speaker 1>it was an audio stream that came in and carried

0:15:56.880 --> 0:16:00.600
<v Speaker 1>a message from the alien villa on UH. And this

0:16:00.640 --> 0:16:02.680
<v Speaker 1>is in the like I said, in the UK. So

0:16:03.360 --> 0:16:07.760
<v Speaker 1>obviously the alien had an English accent. I guess that's

0:16:07.800 --> 0:16:10.440
<v Speaker 1>only you know, fair like, if you're going to interrupt

0:16:10.520 --> 0:16:12.880
<v Speaker 1>someone's program, you want to make sure you're speaking in

0:16:12.920 --> 0:16:16.960
<v Speaker 1>the dialect, you know it otherwise, right, Yeah, suddenly they

0:16:17.000 --> 0:16:19.840
<v Speaker 1>spoke like like with a French accent. I mean that

0:16:19.880 --> 0:16:25.040
<v Speaker 1>would just be adding. But anyway, so it was a

0:16:25.040 --> 0:16:27.880
<v Speaker 1>message that essentially said that humans should prepare themselves for

0:16:27.920 --> 0:16:30.520
<v Speaker 1>the worst because you know, destruction is a common Yeah,

0:16:30.560 --> 0:16:33.480
<v Speaker 1>that's great, that's what a broadcast intrusion should be some

0:16:33.560 --> 0:16:36.560
<v Speaker 1>creepy warning, not just a random series of images that

0:16:36.640 --> 0:16:38.680
<v Speaker 1>disturb you for things that you can't quite put your

0:16:38.680 --> 0:16:42.160
<v Speaker 1>finger on, although that is more disturbing. Almost. Yeah. And

0:16:42.240 --> 0:16:44.760
<v Speaker 1>then in six we get the first one in the

0:16:44.840 --> 0:16:48.680
<v Speaker 1>United States. Uh, and this was an inside job deal.

0:16:48.760 --> 0:16:52.840
<v Speaker 1>This was happened on April at twelve thirty two am,

0:16:52.880 --> 0:16:57.520
<v Speaker 1>and it involved the East Coast feed of HBO. And Uh,

0:16:57.640 --> 0:17:00.640
<v Speaker 1>what happened was the HBO was showing a movie called

0:17:00.640 --> 0:17:05.400
<v Speaker 1>The Falcon and the Snowman Classic. You know, it certainly

0:17:05.520 --> 0:17:09.520
<v Speaker 1>could not be helped by approximately four minutes of footage

0:17:09.560 --> 0:17:12.800
<v Speaker 1>missing because they've been replaced by a series of colored

0:17:12.840 --> 0:17:16.879
<v Speaker 1>bars that say good evening, HBO from Captain Midnight twelve

0:17:17.600 --> 0:17:21.679
<v Speaker 1>a month, no way Showtime movie Channel Beware. Yeah, that

0:17:21.760 --> 0:17:25.400
<v Speaker 1>had a clear motive. Yeah, And and and actually ironically,

0:17:25.560 --> 0:17:29.080
<v Speaker 1>the um the guy was caught. His name was John R. McDougall,

0:17:29.600 --> 0:17:32.680
<v Speaker 1>and he was an employee of Central Florida Teleport And

0:17:32.760 --> 0:17:35.919
<v Speaker 1>he used what do you use? He the was it

0:17:35.960 --> 0:17:39.280
<v Speaker 1>the text that he used? He? Yeah, So the text

0:17:39.320 --> 0:17:42.320
<v Speaker 1>generators that the companies used in order to put an

0:17:42.359 --> 0:17:44.879
<v Speaker 1>overlay on top of a screen, so like like the

0:17:44.920 --> 0:17:48.480
<v Speaker 1>actual words that were being used there. Well, they're very particular.

0:17:48.680 --> 0:17:52.439
<v Speaker 1>And by measuring things like the height of the the font,

0:17:52.600 --> 0:17:56.240
<v Speaker 1>the how far uh the middle bar of an e

0:17:56.720 --> 0:17:59.920
<v Speaker 1>is according to the other side, how close together the

0:18:00.040 --> 0:18:03.560
<v Speaker 1>his words are, investigators were able to narrow it down

0:18:03.560 --> 0:18:07.520
<v Speaker 1>to a specific machine. Yeah. It's well have had his

0:18:07.560 --> 0:18:10.800
<v Speaker 1>fingerprint up there. Yeah. Yeah, this is like incredible forensics, right.

0:18:10.840 --> 0:18:13.159
<v Speaker 1>It's sort of like if someone gets hold of a

0:18:13.200 --> 0:18:15.840
<v Speaker 1>typewritten sheet of paper and is able to determine the

0:18:15.920 --> 0:18:19.000
<v Speaker 1>model of typewriter that was used to actually make this.

0:18:19.440 --> 0:18:21.720
<v Speaker 1>But in this case it got even more specific because

0:18:21.920 --> 0:18:25.119
<v Speaker 1>these machines aren't everywhere, and that's what led them to

0:18:25.880 --> 0:18:30.199
<v Speaker 1>track down McDougall. Who uh, who have just decided that

0:18:30.240 --> 0:18:34.760
<v Speaker 1>the recent hike in prices for a monthly subscription to

0:18:34.920 --> 0:18:38.920
<v Speaker 1>HBO were unconscionable and he had to make it known. So, yeah,

0:18:38.920 --> 0:18:42.120
<v Speaker 1>he had a side job selling satellite dish service. Yeah,

0:18:42.320 --> 0:18:46.320
<v Speaker 1>so he thought that would nick his business some and

0:18:46.400 --> 0:18:49.040
<v Speaker 1>so he eventually was caught and pled guilty, paid a

0:18:49.119 --> 0:18:52.400
<v Speaker 1>five thousand dollar fine, and served just one year of probation.

0:18:53.000 --> 0:18:57.000
<v Speaker 1>And it was that incident that led, I believe Congress

0:18:57.040 --> 0:19:03.280
<v Speaker 1>to make it a federal violation to it's sudden, yeah,

0:19:03.320 --> 0:19:06.400
<v Speaker 1>because they suddenly said, wait now that people can actually

0:19:06.440 --> 0:19:08.560
<v Speaker 1>do this. Now great, this was someone, like we said,

0:19:08.600 --> 0:19:12.160
<v Speaker 1>an inside job. They had access to a satellite. What

0:19:12.160 --> 0:19:15.240
<v Speaker 1>what he actually did was he pointed the satellite of

0:19:15.480 --> 0:19:21.639
<v Speaker 1>Central Florida Teleport at the HBO satellite. Chuck, you and

0:19:21.720 --> 0:19:25.199
<v Speaker 1>I we wouldn't even know where the heck that satellite is.

0:19:25.880 --> 0:19:29.160
<v Speaker 1>So even if we had the equipment and everything else,

0:19:29.440 --> 0:19:31.800
<v Speaker 1>we'd just beat Well, the sky is a lot bigger

0:19:31.800 --> 0:19:35.119
<v Speaker 1>than I had taken into account. And uh you know,

0:19:35.200 --> 0:19:36.880
<v Speaker 1>of course we'd have to be someplace where we could

0:19:36.880 --> 0:19:38.840
<v Speaker 1>actually get a good clear view of the sky because

0:19:38.880 --> 0:19:42.399
<v Speaker 1>if they're building in the way or something. But uh yeah,

0:19:42.440 --> 0:19:45.080
<v Speaker 1>so he he was a good example of that. And

0:19:45.119 --> 0:19:50.360
<v Speaker 1>then September, so this is just before them the incident

0:19:50.440 --> 0:19:55.440
<v Speaker 1>with the Max Hedgerm incident. Thomas Hainey hijacked a signal

0:19:55.640 --> 0:19:58.080
<v Speaker 1>at on the Playboy channel. I think I remember hearing

0:19:58.080 --> 0:20:01.159
<v Speaker 1>about this one. Yeah. It was where it was sending

0:20:01.200 --> 0:20:04.359
<v Speaker 1>in religious messages essentially saying repent and and you know

0:20:04.440 --> 0:20:08.480
<v Speaker 1>you are the discard your wicked ways that kind of thing, right,

0:20:08.600 --> 0:20:11.240
<v Speaker 1>And it's no surprise because he actually worked for the

0:20:11.320 --> 0:20:14.600
<v Speaker 1>Christian Broadcast Network, so again he had a job. Yeah,

0:20:14.640 --> 0:20:17.920
<v Speaker 1>he had access to the equipment necessary and the knowledge

0:20:17.960 --> 0:20:20.399
<v Speaker 1>necessary to be able to do this. It's not something

0:20:20.400 --> 0:20:23.760
<v Speaker 1>that the average person would be able to do. And

0:20:23.800 --> 0:20:27.200
<v Speaker 1>again it was the character generator, the the font generator

0:20:27.520 --> 0:20:29.840
<v Speaker 1>that kind of led the way. It was the main

0:20:29.920 --> 0:20:33.359
<v Speaker 1>piece of evidence that was leveled against him. Um. I

0:20:33.400 --> 0:20:36.800
<v Speaker 1>remember that Pat Robertson was very upset when the verdict

0:20:36.840 --> 0:20:38.960
<v Speaker 1>was handled handed down. He said that there wasn't enough

0:20:39.000 --> 0:20:42.400
<v Speaker 1>evidence to um to say that Hainey was in fact

0:20:42.440 --> 0:20:45.240
<v Speaker 1>the person who who did this. Well, he was convicted,

0:20:45.320 --> 0:20:49.760
<v Speaker 1>but um, I think just got probation. And the first guy, McDougald,

0:20:49.800 --> 0:20:53.000
<v Speaker 1>is interesting. What he got convicted for was operating without

0:20:53.000 --> 0:20:55.800
<v Speaker 1>a license even though he had a license. So that

0:20:55.840 --> 0:20:58.080
<v Speaker 1>was a bit of a hinky ruling. I think they

0:20:58.119 --> 0:20:59.800
<v Speaker 1>just had to convict him of something because I don't

0:20:59.800 --> 0:21:01.920
<v Speaker 1>know if allows in place at that point. Yeah, yeah,

0:21:02.040 --> 0:21:04.120
<v Speaker 1>I mean it's it's kind of like that deal where

0:21:04.160 --> 0:21:07.000
<v Speaker 1>you realize this is someone that we need to punish,

0:21:07.240 --> 0:21:09.719
<v Speaker 1>but we don't have a law that covers the crime,

0:21:10.560 --> 0:21:12.520
<v Speaker 1>and we haven't defined it as a crime, but we

0:21:12.560 --> 0:21:14.879
<v Speaker 1>know that this is something people really shouldn't be able

0:21:14.880 --> 0:21:18.920
<v Speaker 1>to do, so we have to somehow justify it. Um. Yeah,

0:21:18.960 --> 0:21:23.439
<v Speaker 1>And as it turns out, the every nation, uh, in

0:21:23.520 --> 0:21:28.160
<v Speaker 1>some way or another, ends up regulating the electromagnetic spectrum.

0:21:28.200 --> 0:21:30.680
<v Speaker 1>But it changes from one place to the other. Sure

0:21:30.720 --> 0:21:34.160
<v Speaker 1>there's only so much room, right, yeah, exactly. So electromagetic

0:21:34.240 --> 0:21:37.440
<v Speaker 1>spectrum goes all the way from radio waves, which can

0:21:37.560 --> 0:21:41.000
<v Speaker 1>a radio wave can be kilometers long, right, and then

0:21:41.040 --> 0:21:42.560
<v Speaker 1>you go all the way to the other side to

0:21:42.640 --> 0:21:46.240
<v Speaker 1>like gamma rays we're talking about on the nanoscale and

0:21:46.440 --> 0:21:50.000
<v Speaker 1>everything in between. That's the electromagnetic spectrum. Visible light is

0:21:50.080 --> 0:21:52.000
<v Speaker 1>part of that. You know, visible light is on the

0:21:52.640 --> 0:21:55.359
<v Speaker 1>short side, but radio waves and microwaves are on the

0:21:55.440 --> 0:22:00.119
<v Speaker 1>longer side, and uh not all those radio wave so

0:22:00.160 --> 0:22:02.120
<v Speaker 1>you know, we can't just all use the same ones

0:22:02.200 --> 0:22:05.679
<v Speaker 1>because then we would have interference. Right if if the

0:22:05.840 --> 0:22:09.879
<v Speaker 1>television and your phone used the same frequencies, then you

0:22:09.880 --> 0:22:12.280
<v Speaker 1>would have interference between the two, and that would be terrible.

0:22:12.320 --> 0:22:14.439
<v Speaker 1>Nothing would be usable. Yeah, I don't call it a

0:22:14.520 --> 0:22:17.160
<v Speaker 1>crunch if there's too much activity on one frequency, Yeah,

0:22:17.240 --> 0:22:20.199
<v Speaker 1>that's that's if you've got everyone just using you know

0:22:20.320 --> 0:22:22.919
<v Speaker 1>what they're supposed to. Let's say everyone in the cellular

0:22:23.240 --> 0:22:27.080
<v Speaker 1>network has they're all on their phones that we've seen

0:22:27.119 --> 0:22:32.240
<v Speaker 1>this happen in life events they're posting len couldn't. Yeah,

0:22:32.560 --> 0:22:35.160
<v Speaker 1>or even just going to a big event like any

0:22:35.560 --> 0:22:37.960
<v Speaker 1>like c S or any large event like that, you

0:22:38.000 --> 0:22:40.919
<v Speaker 1>suddenly can't get access to anything. That's where you've got

0:22:40.960 --> 0:22:44.680
<v Speaker 1>more demand for data transmission than there is capacity. Yeah,

0:22:44.680 --> 0:22:46.639
<v Speaker 1>I've tried to get a signal at Comic Con before,

0:22:46.720 --> 0:22:49.240
<v Speaker 1>and ye, no, no, the same thing is true a

0:22:49.359 --> 0:22:52.040
<v Speaker 1>Dragon Con and that's a like a third the size

0:22:52.080 --> 0:22:56.040
<v Speaker 1>of Comic Con. But yeah, it's It's also true that

0:22:56.160 --> 0:23:00.640
<v Speaker 1>there are wavelengths within the electromagnetic spectrum that are really

0:23:00.680 --> 0:23:04.359
<v Speaker 1>good for carrying data and some that aren't. So the

0:23:04.480 --> 0:23:08.920
<v Speaker 1>government has divided up the electromantic spectrum and saying these

0:23:08.920 --> 0:23:11.600
<v Speaker 1>are the sections that can be used for specific purposes.

0:23:11.600 --> 0:23:14.040
<v Speaker 1>So a large part of it is set aside for

0:23:14.080 --> 0:23:17.399
<v Speaker 1>government and military use, a large part of his s

0:23:17.400 --> 0:23:21.440
<v Speaker 1>side for radio so AM and FM UH. And then

0:23:21.480 --> 0:23:25.160
<v Speaker 1>you also have television broadcast that are that are partial

0:23:25.600 --> 0:23:29.480
<v Speaker 1>partitioned off as well cellular data, WiFi. All of these

0:23:29.520 --> 0:23:33.200
<v Speaker 1>things have their specific place that is mandated by the government.

0:23:34.040 --> 0:23:36.600
<v Speaker 1>So if you go in and start messing around with that,

0:23:37.000 --> 0:23:41.080
<v Speaker 1>the government gets pretty upset. Yeah, because I think, you know,

0:23:41.160 --> 0:23:43.159
<v Speaker 1>it's sort of a Nippot in the bud situation, like

0:23:43.320 --> 0:23:46.680
<v Speaker 1>one broadcast intrusion, really no big deal. And that apparently

0:23:46.760 --> 0:23:51.520
<v Speaker 1>is why the lead investigator said that, um, I think

0:23:51.520 --> 0:23:53.879
<v Speaker 1>his name was Marcus. He had a hard time getting

0:23:53.880 --> 0:23:56.680
<v Speaker 1>resources because there was a little egg on the face

0:23:56.760 --> 0:23:59.320
<v Speaker 1>and they've probably just wanted it to go away more

0:23:59.359 --> 0:24:01.919
<v Speaker 1>than anything. And no one's really hurt. There was no

0:24:02.040 --> 0:24:03.879
<v Speaker 1>damage done, so they're not gonna throw a lot of

0:24:03.920 --> 0:24:06.959
<v Speaker 1>money in time trying to find this person. And and

0:24:07.000 --> 0:24:11.360
<v Speaker 1>he also had some fairly harsh words for an fcc

0:24:12.280 --> 0:24:15.520
<v Speaker 1>UH investigator he was actually in Chicago. He didn't name

0:24:15.680 --> 0:24:19.440
<v Speaker 1>the person. Yeah, I said that said that this guy

0:24:19.480 --> 0:24:22.120
<v Speaker 1>wasn't willing to go and knock on doors to actually

0:24:22.160 --> 0:24:25.320
<v Speaker 1>do some investigation. And part of that is probably because

0:24:25.840 --> 0:24:29.600
<v Speaker 1>there was this embarrassment factor. They're also but without the teeth,

0:24:30.160 --> 0:24:32.760
<v Speaker 1>you know, with the authority, it makes it hard for

0:24:32.800 --> 0:24:36.199
<v Speaker 1>someone to go out and say there's a justification for

0:24:36.280 --> 0:24:39.760
<v Speaker 1>spending the time, resources and money necessarily investigating for a

0:24:39.800 --> 0:24:43.040
<v Speaker 1>small fine in probation, even if they do catch the person. Now,

0:24:43.760 --> 0:24:46.760
<v Speaker 1>the maximum fine, although I doubt that we would see

0:24:47.200 --> 0:24:49.439
<v Speaker 1>a maximum fine for something as small as a min

0:24:49.480 --> 0:24:52.720
<v Speaker 1>and a half interruption in Doctor Who, Doctor Who fans,

0:24:52.800 --> 0:24:56.439
<v Speaker 1>Please don't take me to task for that. But the

0:24:56.480 --> 0:24:58.800
<v Speaker 1>maximum fine is a hundred thousand dollars or a year

0:24:58.800 --> 0:25:01.000
<v Speaker 1>in jail or both. Yeah, which they were very big

0:25:01.040 --> 0:25:04.399
<v Speaker 1>on announcing at the time as well as UM. I

0:25:04.400 --> 0:25:07.280
<v Speaker 1>think they had a lot of misinformation they or I

0:25:07.320 --> 0:25:09.240
<v Speaker 1>don't know if it's misinformation or they were trying to

0:25:09.280 --> 0:25:12.840
<v Speaker 1>get out a little misinformation saying how sophisticated of an

0:25:12.920 --> 0:25:15.520
<v Speaker 1>operation it was and how expensive all the equipment must

0:25:15.520 --> 0:25:17.400
<v Speaker 1>have been, which is really not in the case now,

0:25:17.440 --> 0:25:20.520
<v Speaker 1>I think. I think it was a lot of people

0:25:20.600 --> 0:25:26.080
<v Speaker 1>trying to discourage future pranksters from following in there. So

0:25:26.160 --> 0:25:30.359
<v Speaker 1>that means, well, let's make sure we we set the

0:25:30.359 --> 0:25:33.080
<v Speaker 1>the bar very high, saying it's really hard to do

0:25:33.119 --> 0:25:36.280
<v Speaker 1>and it's really expensive. Yeah, and if you do try,

0:25:36.320 --> 0:25:38.239
<v Speaker 1>it's gonna get even more expensive for you, because we're

0:25:38.240 --> 0:25:41.480
<v Speaker 1>gonna find you a hundred thousand dollars. So, now, the

0:25:41.520 --> 0:25:45.399
<v Speaker 1>truth was that the transmission equipment that was that could

0:25:45.400 --> 0:25:48.120
<v Speaker 1>be used to do such a thing while brand new

0:25:48.200 --> 0:25:51.040
<v Speaker 1>would cost maybe you know, a few thousand dollars, which

0:25:51.119 --> 0:25:54.680
<v Speaker 1>is a significant amount of money once it hits the aftermarket.

0:25:54.760 --> 0:25:58.080
<v Speaker 1>Like you know, let's say that you've got a station,

0:25:58.240 --> 0:26:01.520
<v Speaker 1>a small station that upgrading its equipment and it gets

0:26:01.600 --> 0:26:04.200
<v Speaker 1>rid of the old stuff that was on the amateur market.

0:26:04.320 --> 0:26:06.359
<v Speaker 1>So you could go out and buy that stuff and

0:26:06.400 --> 0:26:08.360
<v Speaker 1>it would be much less expensive than if you were

0:26:08.400 --> 0:26:12.879
<v Speaker 1>to buy it brand new. So I mentioned earlier in

0:26:12.880 --> 0:26:17.320
<v Speaker 1>this episode about the the hacker culture. Well have you

0:26:17.359 --> 0:26:22.800
<v Speaker 1>heard about freakers? Okay, so a freaker spelled pH r

0:26:22.880 --> 0:26:26.919
<v Speaker 1>e A K I n G freaking. It's all about

0:26:27.480 --> 0:26:31.160
<v Speaker 1>manipulating the phone system. So Steve Jobs and Steve Wozniac

0:26:31.280 --> 0:26:34.760
<v Speaker 1>were freakers, founders of Apple. Actually Wasniac was really the

0:26:34.800 --> 0:26:37.040
<v Speaker 1>guy who knew how to do it. But there are

0:26:37.240 --> 0:26:39.240
<v Speaker 1>a ton of them. One of the most famous ones

0:26:39.560 --> 0:26:42.680
<v Speaker 1>his name was Captain Crunch, and Captain Crunch was called

0:26:42.680 --> 0:26:46.040
<v Speaker 1>that because he discovered that by using a Captain Crunch

0:26:46.160 --> 0:26:49.320
<v Speaker 1>plastic whistle that came in a box of cereal, he

0:26:49.359 --> 0:26:53.080
<v Speaker 1>could mimic the tone that the telephone company was using

0:26:53.720 --> 0:26:56.879
<v Speaker 1>and allow him to make free long distance phone calls.

0:26:57.880 --> 0:27:00.480
<v Speaker 1>So you had this culture of people who, wait, what's

0:27:00.480 --> 0:27:04.399
<v Speaker 1>a long distance phone call? Yeah? Kids, once upon a time,

0:27:05.080 --> 0:27:07.959
<v Speaker 1>if you wanted to call anyone outside of your area code,

0:27:08.200 --> 0:27:11.320
<v Speaker 1>it cost extra lay. Actually tell me that. The other

0:27:11.400 --> 0:27:13.320
<v Speaker 1>day that was cutting my hair. She got a phone call.

0:27:13.359 --> 0:27:15.280
<v Speaker 1>She said, I'm sorry, it's my daughter long distance. I

0:27:15.280 --> 0:27:17.320
<v Speaker 1>need to step away. And I was sitting there going,

0:27:18.119 --> 0:27:22.080
<v Speaker 1>what's long distance? Yeah? Maybe international? Yeah, that might be it.

0:27:22.280 --> 0:27:25.120
<v Speaker 1>That's about it. Or you can just keep cutting my hair, right, Yeah, yeah,

0:27:25.200 --> 0:27:27.439
<v Speaker 1>you know it's fine. I mean, I'm not gonna know

0:27:27.760 --> 0:27:32.240
<v Speaker 1>her half the conversation, but yeah, the the uh. These

0:27:32.280 --> 0:27:35.600
<v Speaker 1>were people who thought that these huge systems were fascinating,

0:27:35.800 --> 0:27:38.640
<v Speaker 1>but the telephone system was really interesting and learning how

0:27:38.680 --> 0:27:41.000
<v Speaker 1>it worked was fascinating. And then once you know how

0:27:41.000 --> 0:27:44.760
<v Speaker 1>it works, you know how to kind of game the system. Yeah.

0:27:44.800 --> 0:27:48.439
<v Speaker 1>And it's not necessarily the case that they were looking

0:27:48.480 --> 0:27:51.800
<v Speaker 1>to cause trouble or to be pranksters, although there was

0:27:51.840 --> 0:27:54.280
<v Speaker 1>some mischief involved there too, A lot of it was

0:27:54.320 --> 0:27:57.280
<v Speaker 1>more about oh, now I know how this works, and

0:27:57.320 --> 0:27:59.399
<v Speaker 1>that means this works this other way. It was really

0:27:59.440 --> 0:28:03.360
<v Speaker 1>more about learning the system and then negotiating it kind

0:28:03.400 --> 0:28:06.320
<v Speaker 1>of like war, yes, very much like a little mischief,

0:28:06.359 --> 0:28:09.480
<v Speaker 1>a little civil disobedience. But I don't think most of

0:28:09.480 --> 0:28:11.600
<v Speaker 1>these people early on we're trying to cause harm. No,

0:28:11.880 --> 0:28:15.719
<v Speaker 1>it was really more of insatiable curiosity, right, really, I

0:28:15.760 --> 0:28:17.560
<v Speaker 1>can so let me just try it out right and

0:28:17.600 --> 0:28:19.879
<v Speaker 1>see if it works. I think that's exactly what happened

0:28:19.880 --> 0:28:22.520
<v Speaker 1>with this, Max he I totally agree. You had people

0:28:22.520 --> 0:28:25.639
<v Speaker 1>who said, let's you know, we know how radio works.

0:28:25.880 --> 0:28:29.600
<v Speaker 1>Television broadcast is essentially a radio broadcast. So once you

0:28:29.640 --> 0:28:31.720
<v Speaker 1>know how that works, and once you know the basics

0:28:31.760 --> 0:28:33.800
<v Speaker 1>behind it, are there ways where we could end up

0:28:34.359 --> 0:28:37.640
<v Speaker 1>injecting our own signal into this and have a little

0:28:37.680 --> 0:28:40.320
<v Speaker 1>fun and have a little fun exactly. And so it

0:28:40.680 --> 0:28:42.120
<v Speaker 1>was one of those things where you had the people

0:28:42.120 --> 0:28:43.800
<v Speaker 1>who had to know how, and you have the people

0:28:43.800 --> 0:28:46.120
<v Speaker 1>who had the willingness to do it, and they were

0:28:46.120 --> 0:28:50.960
<v Speaker 1>working together to create this prank and uh again aiming

0:28:51.000 --> 0:28:53.000
<v Speaker 1>at a very specific target, and when that didn't work,

0:28:53.120 --> 0:28:55.920
<v Speaker 1>switching to doctor who, Yeah, I appreciate the attitude of

0:28:55.960 --> 0:28:58.200
<v Speaker 1>most of this stuff too. To be honest, um, I

0:28:58.240 --> 0:29:00.960
<v Speaker 1>don't think there's something wrong with a little high jinks

0:29:01.000 --> 0:29:02.600
<v Speaker 1>to thumb your nose at the man if you're not

0:29:02.680 --> 0:29:05.160
<v Speaker 1>hurting anybody. Um, I mean, you don't want to see

0:29:05.160 --> 0:29:06.479
<v Speaker 1>it all the time because then it takes out all

0:29:06.520 --> 0:29:08.680
<v Speaker 1>the teeth out of it. But every now and then,

0:29:08.720 --> 0:29:10.680
<v Speaker 1>I kind of like, you know, when they interviewed people

0:29:10.680 --> 0:29:13.040
<v Speaker 1>in Chicago, some people on the street were really upset

0:29:13.280 --> 0:29:14.680
<v Speaker 1>and some people just kind of laughing. I was like,

0:29:14.800 --> 0:29:17.760
<v Speaker 1>I think it's pretty great. Yeah yeah, because again, like

0:29:17.760 --> 0:29:20.960
<v Speaker 1>like we were saying, there wasn't any lasting harm here, right,

0:29:21.200 --> 0:29:24.840
<v Speaker 1>of course not the actual intrusion didn't cause any damage.

0:29:25.040 --> 0:29:27.880
<v Speaker 1>It wasn't it wasn't something that was going to wreck

0:29:28.200 --> 0:29:31.640
<v Speaker 1>physical equipment. No, you lost eighty seconds of Doctor Who. Yeah,

0:29:31.760 --> 0:29:35.920
<v Speaker 1>which I might say is and some people say it's priceless. Uh,

0:29:36.000 --> 0:29:38.239
<v Speaker 1>you know this is Tom Baker, doctor Who we're talking about. Well,

0:29:38.320 --> 0:29:40.320
<v Speaker 1>especially back then when you just couldn't go look up,

0:29:40.440 --> 0:29:42.040
<v Speaker 1>you know the scene that I missed the night before,

0:29:42.560 --> 0:29:44.840
<v Speaker 1>like that was a true intrusion. Yeah, yeah, I mean

0:29:44.840 --> 0:29:47.800
<v Speaker 1>this is this is obviously pre well. I mean, the

0:29:47.840 --> 0:29:50.880
<v Speaker 1>Internet was around, but nobody was on it except it

0:29:50.920 --> 0:29:53.080
<v Speaker 1>was like bullets and boards and stuff that was That

0:29:53.160 --> 0:29:56.560
<v Speaker 1>was pretty much what most hackers had access to unless

0:29:56.560 --> 0:29:58.680
<v Speaker 1>they were in a university and they had some access

0:29:58.720 --> 0:30:01.760
<v Speaker 1>to the preliminary version of the Internet. Um, but there

0:30:01.840 --> 0:30:04.200
<v Speaker 1>was no worldwide Web. There was no web. There wouldn't

0:30:04.200 --> 0:30:06.120
<v Speaker 1>be another. There wouldn't be a worldwide Web for another

0:30:06.160 --> 0:30:10.480
<v Speaker 1>five years. So there was no way of being able

0:30:10.520 --> 0:30:13.440
<v Speaker 1>to go on and and check something you missed, Nor

0:30:13.560 --> 0:30:15.960
<v Speaker 1>was there a way for you to really easily communicate

0:30:16.680 --> 0:30:19.040
<v Speaker 1>with folks all over the world. Now they could do

0:30:19.080 --> 0:30:21.560
<v Speaker 1>it with local bolton board systems, And in fact, that's

0:30:21.960 --> 0:30:24.800
<v Speaker 1>what we suspect, or at least there there's a lot

0:30:24.800 --> 0:30:27.760
<v Speaker 1>of suspicion that, in fact, one of the local Chicago

0:30:27.880 --> 0:30:31.400
<v Speaker 1>bbs is had people in a forum who were at

0:30:31.480 --> 0:30:36.560
<v Speaker 1>least tangentially involved in this, if not directly responsible, but

0:30:36.720 --> 0:30:39.800
<v Speaker 1>to really understand what was going on, it helps to

0:30:39.880 --> 0:30:46.800
<v Speaker 1>understand how a broadcast television broadcast actually works. So here

0:30:46.840 --> 0:30:49.280
<v Speaker 1>we go. We're gonna going back to the analog days

0:30:49.360 --> 0:30:55.000
<v Speaker 1>of TV broadcast technology. So now, Chuck, you've you've been

0:30:55.040 --> 0:30:58.560
<v Speaker 1>in a television studio too, right, Yeah? You and you

0:30:58.600 --> 0:31:00.120
<v Speaker 1>and Josh I'm sure have done some of this. I've

0:31:00.160 --> 0:31:03.000
<v Speaker 1>done some of this. When you see how a TV

0:31:03.160 --> 0:31:06.400
<v Speaker 1>studio works, it's actually very eye opening. I mean it

0:31:06.560 --> 0:31:10.480
<v Speaker 1>to me, It completely pulled away a lot of misconceptions

0:31:10.520 --> 0:31:14.080
<v Speaker 1>that I had had. For example, you think of like cameramen,

0:31:14.640 --> 0:31:19.120
<v Speaker 1>but in large part camera operation is done remotely, not

0:31:19.520 --> 0:31:23.280
<v Speaker 1>behind a camera. Right. Uh. These cameras that you see

0:31:23.320 --> 0:31:27.600
<v Speaker 1>in the studio are enormous and they're heavy. And this

0:31:27.680 --> 0:31:30.200
<v Speaker 1>is also the reason why I'm explaining this is also

0:31:30.240 --> 0:31:36.360
<v Speaker 1>to to illustrate why doing this live would have been impractical.

0:31:37.280 --> 0:31:41.040
<v Speaker 1>These television cameras are the reason why they're so big

0:31:41.040 --> 0:31:44.600
<v Speaker 1>and heavy is in part so that they're incredibly smooth

0:31:44.640 --> 0:31:48.200
<v Speaker 1>and steady and they aren't going to jitter. If you know,

0:31:48.560 --> 0:31:50.280
<v Speaker 1>you could drop something right next to one, it's not

0:31:50.320 --> 0:31:52.080
<v Speaker 1>going to move at all. Yeah, it's the same reason

0:31:52.280 --> 0:31:55.600
<v Speaker 1>a camera dolly ways you know, a thousand pounds. Yeah. Yeah,

0:31:55.600 --> 0:31:58.440
<v Speaker 1>it's in order to get that that stability that you

0:31:58.520 --> 0:32:01.920
<v Speaker 1>want so that you don't impounds. By the way, they're

0:32:01.960 --> 0:32:04.080
<v Speaker 1>less in that, but they're super heavy for that reason, right,

0:32:04.440 --> 0:32:07.640
<v Speaker 1>you want that stability and that smoothness. Uh. And also

0:32:08.200 --> 0:32:10.880
<v Speaker 1>television camera doesn't pick up sound, it doesn't have a

0:32:10.880 --> 0:32:14.440
<v Speaker 1>microphone on it. It's all about just capturing the image. Yeah,

0:32:14.520 --> 0:32:19.600
<v Speaker 1>the mic the sound is captured separately and together the magic. Yeah,

0:32:19.920 --> 0:32:24.080
<v Speaker 1>so the photons that's the particles of light that are

0:32:24.120 --> 0:32:27.800
<v Speaker 1>coming from a scene and are being captured by a camera.

0:32:28.360 --> 0:32:31.520
<v Speaker 1>The light passes through a lens which goes through a prism.

0:32:31.560 --> 0:32:33.840
<v Speaker 1>The prism is the purpose of a prism is to

0:32:33.880 --> 0:32:37.960
<v Speaker 1>break up light into its component parts. And this case,

0:32:38.000 --> 0:32:40.680
<v Speaker 1>we're talking about a prism that breaks light into red, green,

0:32:40.840 --> 0:32:45.520
<v Speaker 1>and blue. That's all you needed. And each of those

0:32:45.560 --> 0:32:48.920
<v Speaker 1>streams goes and is hit by or it hits a

0:32:49.000 --> 0:32:52.000
<v Speaker 1>c c D a charge couple device. Now a charge

0:32:52.000 --> 0:32:54.160
<v Speaker 1>couple device. What does is when photons hit it, it it

0:32:54.280 --> 0:32:59.120
<v Speaker 1>generates a stream of electricity that essentially reflects the nature

0:32:59.160 --> 0:33:02.520
<v Speaker 1>of the photons that hit it. So you've got these

0:33:02.560 --> 0:33:05.440
<v Speaker 1>three streams coming out the red, green, and blue. Uh.

0:33:05.520 --> 0:33:10.320
<v Speaker 1>They then go into an encoder. Meanwhile, the sound that

0:33:10.360 --> 0:33:12.640
<v Speaker 1>you're creating is also going to head back over towards

0:33:12.720 --> 0:33:16.400
<v Speaker 1>the master control room. The information from the encoder goes

0:33:16.440 --> 0:33:19.680
<v Speaker 1>to the master control room, it gets mixed together. So

0:33:19.760 --> 0:33:23.200
<v Speaker 1>you then have a signal that has both video and sound.

0:33:23.280 --> 0:33:27.640
<v Speaker 1>Now there. If you were to be able to visualize this, uh,

0:33:27.680 --> 0:33:31.360
<v Speaker 1>it would actually be like the the visual data would

0:33:31.440 --> 0:33:35.520
<v Speaker 1>make up most of the a range of frequencies like

0:33:36.360 --> 0:33:41.160
<v Speaker 1>four within four mega hurts, and then the very edge

0:33:41.160 --> 0:33:43.760
<v Speaker 1>of it, like on the far right side, that would

0:33:43.800 --> 0:33:46.520
<v Speaker 1>represent the sound. So it's just a little sliver that's

0:33:46.520 --> 0:33:49.280
<v Speaker 1>the sound. Yeah, and you're either preparing to broadcast this

0:33:49.360 --> 0:33:51.480
<v Speaker 1>out to the masses live or you're just putting it

0:33:51.520 --> 0:33:53.680
<v Speaker 1>to tape to do so later. Yeah, these days we

0:33:53.800 --> 0:33:56.440
<v Speaker 1>put on a STU or both. Yeah, exactly if you

0:33:56.480 --> 0:33:59.160
<v Speaker 1>wanted to to to keep it forever. Now, you may

0:33:59.160 --> 0:34:03.680
<v Speaker 1>have heard that there were times where people were broadcasting

0:34:03.680 --> 0:34:06.360
<v Speaker 1>stuff and never recording it. So there there are things

0:34:06.400 --> 0:34:09.000
<v Speaker 1>that have been created for television that we will never

0:34:09.040 --> 0:34:12.640
<v Speaker 1>see again. It's kind of like in some ways going

0:34:12.680 --> 0:34:15.000
<v Speaker 1>to see a live stage show. If you were there,

0:34:15.200 --> 0:34:19.839
<v Speaker 1>you saw it and weren't that's it. But uh, in

0:34:19.880 --> 0:34:23.560
<v Speaker 1>this case, we're talking about a live newscast, So that's

0:34:23.560 --> 0:34:26.520
<v Speaker 1>being broadcast out from that point. When it's all been

0:34:26.600 --> 0:34:29.879
<v Speaker 1>encoded and you've got this video signal that has all

0:34:29.880 --> 0:34:31.920
<v Speaker 1>the information. It's got the red, the green, the blue,

0:34:32.000 --> 0:34:35.680
<v Speaker 1>and the audio all four things that you need. Yeah,

0:34:35.760 --> 0:34:39.520
<v Speaker 1>it's time to transmit that out and it goes from

0:34:40.080 --> 0:34:44.960
<v Speaker 1>the studio to a transmitter. It's called a studio transmitter link. Now,

0:34:45.000 --> 0:34:49.120
<v Speaker 1>most studios don't have an enormous antenna that's at a

0:34:49.160 --> 0:34:53.280
<v Speaker 1>really high elevation can broadcast to the general area. Cities

0:34:53.360 --> 0:34:56.960
<v Speaker 1>share them. Yeah, and we're talking about an era of

0:34:57.080 --> 0:34:59.880
<v Speaker 1>over the air television, right. You're using your antenna to

0:35:00.000 --> 0:35:03.040
<v Speaker 1>pick up wavelengths. So what what they would do is

0:35:03.040 --> 0:35:07.319
<v Speaker 1>they would use the studio transmitter link to beam this

0:35:07.440 --> 0:35:12.000
<v Speaker 1>information to a nearby antenna on a very tall building. Yeah.

0:35:12.080 --> 0:35:15.040
<v Speaker 1>Usually the tallest buildings in your city will have these,

0:35:15.160 --> 0:35:17.560
<v Speaker 1>and Chicago has a lot of tall building, yes, and

0:35:17.600 --> 0:35:22.440
<v Speaker 1>they use them for that purpose exactly. So if you

0:35:22.520 --> 0:35:24.919
<v Speaker 1>stream that out to the antenna, the antenna then ends

0:35:25.000 --> 0:35:29.560
<v Speaker 1>up broadcasting an electro magnetic signal, and that ends up

0:35:29.560 --> 0:35:33.080
<v Speaker 1>being picked up by the antenna of your television, which

0:35:33.360 --> 0:35:36.560
<v Speaker 1>the electromagnetic signal when it hits the antenna generates an

0:35:36.600 --> 0:35:40.080
<v Speaker 1>electrical current. A tuner in your television is able to

0:35:40.120 --> 0:35:43.239
<v Speaker 1>focus in on a specific channel and thus kind of

0:35:43.280 --> 0:35:47.040
<v Speaker 1>filter the signal from the noise, and then it ends

0:35:47.120 --> 0:35:51.160
<v Speaker 1>up pulling out that video stream, creating the red, green, blue,

0:35:51.200 --> 0:35:53.320
<v Speaker 1>and the audio, and you get your TV that you

0:35:53.360 --> 0:35:58.840
<v Speaker 1>get to watch. It's beautiful. I joked with you earlier

0:35:58.880 --> 0:36:01.880
<v Speaker 1>that we should just give them the explanation from Willy Wonka,

0:36:01.960 --> 0:36:07.120
<v Speaker 1>which is slightly more simplistic but but easier to explain.

0:36:08.120 --> 0:36:12.200
<v Speaker 1>But unfortunately it's not quite that easy. So knowing how

0:36:12.239 --> 0:36:14.680
<v Speaker 1>this works, where you've got the signal coming from the

0:36:14.680 --> 0:36:18.399
<v Speaker 1>studio being transmitted out to a giant antenna and then

0:36:18.440 --> 0:36:22.600
<v Speaker 1>broadcast to an area, there are several areas that could

0:36:22.680 --> 0:36:27.520
<v Speaker 1>be potentially vulnerable to intrusion. If you are working on

0:36:27.560 --> 0:36:31.359
<v Speaker 1>the inside. Then if you're able to intercept and put

0:36:31.400 --> 0:36:34.600
<v Speaker 1>in a new signal to go to the studio transmitter

0:36:34.640 --> 0:36:37.480
<v Speaker 1>link to go out, then you're done. That's all you

0:36:37.600 --> 0:36:39.360
<v Speaker 1>need to do. You need just very easy to do

0:36:39.400 --> 0:36:42.560
<v Speaker 1>and very easy to trace back exactly. Yeah, inside job,

0:36:42.600 --> 0:36:45.400
<v Speaker 1>you're like, well, let's look at the people who have access. Now,

0:36:45.880 --> 0:36:48.319
<v Speaker 1>that's all that could have done this. But as it

0:36:48.360 --> 0:36:53.120
<v Speaker 1>turns out, with a over the air analog transmission, there

0:36:53.200 --> 0:36:55.360
<v Speaker 1>was an easier way of doing this where you didn't

0:36:55.400 --> 0:36:58.120
<v Speaker 1>have to break into the studio to do it. It

0:36:58.200 --> 0:37:00.879
<v Speaker 1>was pretty great. Actually, Yeah, so all you have to do,

0:37:01.600 --> 0:37:03.120
<v Speaker 1>and I say all you have to do this still

0:37:03.200 --> 0:37:06.000
<v Speaker 1>is pretty significant, is you have to have a transmitter

0:37:06.120 --> 0:37:08.319
<v Speaker 1>of your own. You have to be able to have

0:37:08.360 --> 0:37:11.719
<v Speaker 1>a direct line of sight to the antenna that's going

0:37:11.800 --> 0:37:15.719
<v Speaker 1>to pick up the transmission from the studio, and you

0:37:15.719 --> 0:37:19.240
<v Speaker 1>have to transmit on the frequency that the studio uses

0:37:19.640 --> 0:37:22.560
<v Speaker 1>at a higher intensity than what the studio is doing.

0:37:22.640 --> 0:37:25.600
<v Speaker 1>And then the antenna, which is stupid. Yeah, it can't

0:37:25.640 --> 0:37:28.399
<v Speaker 1>differentiate all of noses. That's a bad signal. I don't

0:37:28.400 --> 0:37:30.880
<v Speaker 1>want to broadcast. They don't know if it's the right frequency,

0:37:30.880 --> 0:37:35.320
<v Speaker 1>it's gonna broadcast it. So when you hit the antenna,

0:37:35.400 --> 0:37:37.359
<v Speaker 1>it's gonna go for the strongest signal. I mean, this

0:37:37.400 --> 0:37:40.319
<v Speaker 1>makes sense because if you had two signals that were

0:37:40.360 --> 0:37:43.000
<v Speaker 1>the same frequency and one is stronger than the other,

0:37:43.440 --> 0:37:46.480
<v Speaker 1>chances are the other frequency is coming from a different

0:37:46.520 --> 0:37:49.160
<v Speaker 1>source further away, and that's not the one you want

0:37:49.200 --> 0:37:52.040
<v Speaker 1>to transmit. Yes, so literally all they needed, I mean,

0:37:52.080 --> 0:37:54.240
<v Speaker 1>they didn't need to to blow it out of the water.

0:37:54.719 --> 0:37:57.600
<v Speaker 1>They just needed to be stronger. And to do so,

0:37:57.920 --> 0:38:00.040
<v Speaker 1>you just need to be a little closer, Yeah, to

0:38:00.080 --> 0:38:02.720
<v Speaker 1>be a lot closer in this case. But but yeah, exactly,

0:38:02.800 --> 0:38:05.680
<v Speaker 1>they just had to be somewhere along the pathway from

0:38:05.760 --> 0:38:08.880
<v Speaker 1>the studio to the antenna that was being used. Uh,

0:38:08.920 --> 0:38:11.920
<v Speaker 1>they and they just had to transmit on the right frequency,

0:38:11.960 --> 0:38:14.319
<v Speaker 1>which was that was information they could get. They could

0:38:14.360 --> 0:38:17.719
<v Speaker 1>get the information on what frequency to use. So you've

0:38:17.719 --> 0:38:20.400
<v Speaker 1>got your transmitter, you've got your media, which in this

0:38:20.440 --> 0:38:23.239
<v Speaker 1>case was a tape that they had shot earlier that

0:38:23.320 --> 0:38:25.719
<v Speaker 1>wasn't lying. You're probably on a building, and they've got

0:38:25.719 --> 0:38:27.560
<v Speaker 1>to be somewhere pretty high up. So yeah, likely on

0:38:27.600 --> 0:38:29.600
<v Speaker 1>top of a building or at least on like a

0:38:29.640 --> 0:38:32.040
<v Speaker 1>balcony or fire escape or something where they can have

0:38:32.080 --> 0:38:34.920
<v Speaker 1>a line of sight. Uh, they are, They've got their

0:38:34.920 --> 0:38:38.000
<v Speaker 1>transmitter and geared up to the right amount of power,

0:38:38.239 --> 0:38:40.520
<v Speaker 1>they shoot it off and everything else is taken care

0:38:40.520 --> 0:38:43.160
<v Speaker 1>of for them. They'll try to do anything else. In

0:38:43.160 --> 0:38:45.520
<v Speaker 1>this case, the John Hancock building in the Sears Tower

0:38:45.560 --> 0:38:48.920
<v Speaker 1>with the two towers that had these two receivers. And

0:38:49.239 --> 0:38:51.680
<v Speaker 1>there's been a lot of theories over the years. Um,

0:38:51.920 --> 0:38:54.360
<v Speaker 1>most people believe they were probably high up, but I

0:38:54.400 --> 0:38:57.840
<v Speaker 1>have seen one theory that they were mobile and a van,

0:38:58.760 --> 0:39:02.359
<v Speaker 1>not necessarily high up, just super super close. They Yeah,

0:39:02.440 --> 0:39:05.399
<v Speaker 1>that would also require them to have some way of

0:39:05.560 --> 0:39:10.239
<v Speaker 1>maintaining that line of sight and that that steady transmission,

0:39:10.280 --> 0:39:12.680
<v Speaker 1>because you know, if you if you don't, if you

0:39:12.680 --> 0:39:17.400
<v Speaker 1>don't have your electromagnetic waves directed right at the receiver.

0:39:18.120 --> 0:39:20.200
<v Speaker 1>Then it's point it's not going to be a strong

0:39:20.320 --> 0:39:22.560
<v Speaker 1>enough signal. Yeah, I don't. I don't buy the van theory.

0:39:22.560 --> 0:39:26.000
<v Speaker 1>It would be really really challenging, empowering everything. It's be

0:39:26.000 --> 0:39:29.080
<v Speaker 1>a pretty more sophisticated. It does make me suddenly think

0:39:29.080 --> 0:39:32.480
<v Speaker 1>that the Scooby Gang was responsible for it, because you've

0:39:32.480 --> 0:39:37.279
<v Speaker 1>got the big rubber mask like old Nan Withers so

0:39:37.400 --> 0:39:41.520
<v Speaker 1>channel nine, which was w g N in Chicago. Uh,

0:39:41.680 --> 0:39:43.640
<v Speaker 1>if you look at the channels in the United States,

0:39:43.680 --> 0:39:47.000
<v Speaker 1>they actually have the designated frequencies they have to, you know,

0:39:47.200 --> 0:39:50.120
<v Speaker 1>use at least the range that's around a hundred eight

0:39:50.280 --> 0:39:53.600
<v Speaker 1>seven mega hurts. So you tune your transmitter to that

0:39:53.880 --> 0:39:56.120
<v Speaker 1>signal and you aim it at the you know where

0:39:56.120 --> 0:39:58.600
<v Speaker 1>the antenna is. You've identified that, You've got it all

0:39:58.760 --> 0:40:02.520
<v Speaker 1>lined up, and you're good to go. Well, once w

0:40:02.640 --> 0:40:06.239
<v Speaker 1>g N changed their frequency, that meant that it didn't

0:40:06.280 --> 0:40:09.000
<v Speaker 1>matter how much power they poured into the transact. It's

0:40:09.000 --> 0:40:12.759
<v Speaker 1>like you're speaking the wrong language. So that meant that

0:40:12.840 --> 0:40:15.680
<v Speaker 1>suddenly their their prank didn't really go anywhere. They had

0:40:15.920 --> 0:40:19.360
<v Speaker 1>a brief appearance with no audio. Yeah, so they probably

0:40:19.400 --> 0:40:22.759
<v Speaker 1>did something a little wrong on their end. On their Well,

0:40:22.880 --> 0:40:24.840
<v Speaker 1>probably wasn't a test run. They probably wanted it to

0:40:24.840 --> 0:40:29.759
<v Speaker 1>work right, right right, but then unfortunately for them, unfortunately

0:40:29.760 --> 0:40:32.280
<v Speaker 1>for them, it didn't work with you know, without a hitch.

0:40:32.320 --> 0:40:34.759
<v Speaker 1>So they then say, well, what can we do, how

0:40:34.800 --> 0:40:39.120
<v Speaker 1>can we um save this and maybe get the actual

0:40:39.400 --> 0:40:44.839
<v Speaker 1>video that we shot scene and yeah, if you guys

0:40:44.880 --> 0:40:48.040
<v Speaker 1>haven't watched this video, you really kind of need to.

0:40:48.600 --> 0:40:52.120
<v Speaker 1>But at any rate, so they then decided to do

0:40:52.160 --> 0:40:55.400
<v Speaker 1>their backup plan. They knew the frequency that the local

0:40:55.880 --> 0:40:59.319
<v Speaker 1>public broadcast channel was using, and they knew that that

0:40:59.400 --> 0:41:01.640
<v Speaker 1>antenna was on top of the Sears tower and that

0:41:01.719 --> 0:41:05.560
<v Speaker 1>they could aim at that one. And uh so, whether

0:41:05.680 --> 0:41:08.480
<v Speaker 1>or not they had to relocate, they they probably did

0:41:08.560 --> 0:41:11.160
<v Speaker 1>just to get a good line of sight on the

0:41:11.320 --> 0:41:15.239
<v Speaker 1>on the antenna, but uh it was only a two

0:41:15.239 --> 0:41:18.440
<v Speaker 1>hour time difference between the first attack and the second attack,

0:41:18.960 --> 0:41:23.040
<v Speaker 1>So to retune the transmitter, to prep it to get

0:41:23.040 --> 0:41:26.080
<v Speaker 1>ready to hit the target, and to make sure you

0:41:26.120 --> 0:41:28.600
<v Speaker 1>have a line of sight on it, they probably stayed

0:41:28.640 --> 0:41:34.080
<v Speaker 1>in the same general area, which is northwest part of Chicago. Northwest. Yeah,

0:41:34.120 --> 0:41:37.799
<v Speaker 1>there's actually that that article we were talking about, the

0:41:37.840 --> 0:41:41.680
<v Speaker 1>Motherboard article. They have a great picture that shows the

0:41:41.760 --> 0:41:44.879
<v Speaker 1>location of both studios of both antenna and it kind

0:41:44.880 --> 0:41:47.399
<v Speaker 1>of shows you like an area where where the two

0:41:47.480 --> 0:41:52.160
<v Speaker 1>lines almost crossed, and you figure, I bet, I bet

0:41:52.200 --> 0:41:54.600
<v Speaker 1>they were somewhere in this general area so that they

0:41:54.600 --> 0:41:58.080
<v Speaker 1>could if they didn't have to relocate. Uh, then they

0:41:58.200 --> 0:42:01.719
<v Speaker 1>just you know, shifted position, or maybe they relocated by

0:42:01.719 --> 0:42:05.640
<v Speaker 1>a couple of blocks, which raises the question how they

0:42:05.640 --> 0:42:08.080
<v Speaker 1>get access to a high enough area and still have

0:42:08.120 --> 0:42:10.120
<v Speaker 1>power and all that kind of stuff. Right now they

0:42:10.120 --> 0:42:12.520
<v Speaker 1>were just on their buddies the roof of his apartment

0:42:13.040 --> 0:42:17.440
<v Speaker 1>with an extension quarter. That's probably what happened. Uh. So

0:42:18.040 --> 0:42:21.520
<v Speaker 1>they then did the second attack at eleven o'clock or

0:42:21.520 --> 0:42:26.160
<v Speaker 1>eleven fourteen, and that one worked much better. Um. And

0:42:26.520 --> 0:42:29.880
<v Speaker 1>like we said, the material they had, the equipment they

0:42:29.880 --> 0:42:34.160
<v Speaker 1>had was readily available, wasn't It wasn't as rare as

0:42:34.200 --> 0:42:36.239
<v Speaker 1>you would think it would be. No. Dr Marcus, the

0:42:36.280 --> 0:42:39.720
<v Speaker 1>lead investigator, said that, uh, like a direct TV sized

0:42:39.760 --> 0:42:41.879
<v Speaker 1>antenna these days, it's about all you would have needed.

0:42:41.920 --> 0:42:44.720
<v Speaker 1>It's not like one of those like school bus size

0:42:44.920 --> 0:42:48.279
<v Speaker 1>Satillite used to see in backyards back in the day.

0:42:48.320 --> 0:42:52.480
<v Speaker 1>It's pretty incredible, Uh, the how little you would need

0:42:52.480 --> 0:42:58.160
<v Speaker 1>in order to do it. So fascinating attack, fascinating fact

0:42:58.200 --> 0:43:01.760
<v Speaker 1>that it they were able to do it without being caught. Um.

0:43:01.800 --> 0:43:04.520
<v Speaker 1>And the fact that you know, there weren't a whole

0:43:04.600 --> 0:43:07.839
<v Speaker 1>lot of broadcast intrusions after this point. You've heard about

0:43:07.880 --> 0:43:12.399
<v Speaker 1>maybe one or two. The Disney Channel has infamously been

0:43:12.440 --> 0:43:16.600
<v Speaker 1>the attack, the side of an attack on multiple occasions. Yeah.

0:43:16.640 --> 0:43:19.239
<v Speaker 1>I think the super Bowl was hijacked briefly few years

0:43:19.239 --> 0:43:23.080
<v Speaker 1>ago in one city only though. Yeah. Yeah, Uh, it's

0:43:23.200 --> 0:43:25.480
<v Speaker 1>it's harder and harder to do now because you've got

0:43:25.520 --> 0:43:30.080
<v Speaker 1>things like digital encoding. Yeah, that make it much much

0:43:30.120 --> 0:43:33.320
<v Speaker 1>more difficult for the average hacker to do. I'm surprised

0:43:33.320 --> 0:43:36.239
<v Speaker 1>it didn't happen more often back in those days. With

0:43:36.280 --> 0:43:38.719
<v Speaker 1>those early I think there's sort of the wild West.

0:43:38.840 --> 0:43:41.240
<v Speaker 1>It may very well have been that the scare tactics

0:43:41.480 --> 0:43:44.719
<v Speaker 1>the FCC used. We have totally worried, Like people said like, well,

0:43:44.760 --> 0:43:46.799
<v Speaker 1>I know I can do this, but I'm totally not

0:43:46.840 --> 0:43:50.280
<v Speaker 1>gonna do this. Um. And you know, we we talked

0:43:50.280 --> 0:43:53.640
<v Speaker 1>a little bit. Uh. There are some theories out there

0:43:53.640 --> 0:43:56.319
<v Speaker 1>about who it could have been responsible for this. My

0:43:56.400 --> 0:43:59.640
<v Speaker 1>favorite was the the one that is probably the easiest

0:43:59.680 --> 0:44:04.240
<v Speaker 1>to Smiths, which was Eric Fournier, who was a punk

0:44:04.360 --> 0:44:08.359
<v Speaker 1>rock musician as well as an avant garde artist who

0:44:08.440 --> 0:44:12.680
<v Speaker 1>created a series of videos. Um. It's funny because the

0:44:12.680 --> 0:44:16.080
<v Speaker 1>Motherboard article refers to it as a YouTube channel, but

0:44:16.120 --> 0:44:18.640
<v Speaker 1>in fact the videos pre date YouTube. Oh yeah, I

0:44:18.680 --> 0:44:21.080
<v Speaker 1>guess it is now on a YouTube channel. But they

0:44:21.120 --> 0:44:23.799
<v Speaker 1>were called shay U s h A y E St

0:44:23.920 --> 0:44:26.600
<v Speaker 1>John Sha st John. And if you look at these,

0:44:26.760 --> 0:44:29.839
<v Speaker 1>you you've forced me to earlier. Uh they do have

0:44:30.040 --> 0:44:36.480
<v Speaker 1>similar quality, um, very a similar feel almost absurd, surreal, disturbing.

0:44:36.560 --> 0:44:39.400
<v Speaker 1>Doesn't necessarily make much sense, you know. I think of

0:44:39.400 --> 0:44:41.880
<v Speaker 1>it like you you've seen the horror movies where they

0:44:42.400 --> 0:44:47.799
<v Speaker 1>all um center around like a creepy looking doll. Right,

0:44:47.880 --> 0:44:50.279
<v Speaker 1>that's a that's a genre unto itself. There's a brand

0:44:50.320 --> 0:44:53.960
<v Speaker 1>new one right about a doll Anabelle. Yeah. Yeah, so

0:44:54.320 --> 0:44:56.320
<v Speaker 1>that's the fact that I responded so quickly with that

0:44:56.480 --> 0:45:00.440
<v Speaker 1>is not good for me. But yeah, it's this idea

0:45:00.560 --> 0:45:05.400
<v Speaker 1>of things that look not quite right, and the Saint

0:45:05.480 --> 0:45:08.840
<v Speaker 1>John videos are all about that, and they involve the

0:45:08.960 --> 0:45:14.160
<v Speaker 1>looping of certain phrases over and over again, experiments and

0:45:14.440 --> 0:45:20.080
<v Speaker 1>lighting experiments in uh camera angles as well as digital effects,

0:45:20.320 --> 0:45:23.040
<v Speaker 1>or maybe not even digital effects, but special effects. The

0:45:23.080 --> 0:45:27.640
<v Speaker 1>earlier ones are actually more trippy the ones that are

0:45:27.880 --> 0:45:31.520
<v Speaker 1>on the YouTube channel itself. Um, so you can see

0:45:31.560 --> 0:45:36.799
<v Speaker 1>that the there's some shared uh aesthetics. Yeah, and he

0:45:36.840 --> 0:45:40.920
<v Speaker 1>lived in Indiana, apparently just a few hours from Chicago. Um,

0:45:40.920 --> 0:45:43.120
<v Speaker 1>he passed away in two thousand tens, so we'll never know.

0:45:43.320 --> 0:45:46.640
<v Speaker 1>I read one article that said that he admitted to

0:45:46.719 --> 0:45:49.080
<v Speaker 1>his friends that it was him, but I couldn't find

0:45:49.160 --> 0:45:53.200
<v Speaker 1>anything else to substantiate that. And the Motherboard article goes

0:45:53.239 --> 0:45:55.799
<v Speaker 1>so far as to suggest that that it's not him.

0:45:55.880 --> 0:45:58.600
<v Speaker 1>It's not him because his friends all said he at

0:45:58.600 --> 0:46:01.200
<v Speaker 1>that time, in nineteen seven, he had no knowledge of

0:46:01.280 --> 0:46:05.080
<v Speaker 1>video editing. All the video stuff he did was later on.

0:46:05.200 --> 0:46:08.520
<v Speaker 1>It was in the late nineties, early two thousand's, so

0:46:08.840 --> 0:46:12.480
<v Speaker 1>it would make sense that, um, while it's the same

0:46:12.520 --> 0:46:15.919
<v Speaker 1>sort of kind of humor, it's not the same person. Yeah.

0:46:15.960 --> 0:46:19.359
<v Speaker 1>His old bandmate even said, you know, Eric didn't do this,

0:46:19.400 --> 0:46:21.360
<v Speaker 1>but he would have loved it. Yeah, he would have

0:46:21.400 --> 0:46:24.600
<v Speaker 1>thought it was really funny. Yeah. Yeah, and there's another

0:46:25.400 --> 0:46:28.319
<v Speaker 1>theory that ice per sal And read it. Yeah, that's

0:46:28.360 --> 0:46:32.160
<v Speaker 1>how I saw the link to Motherboard and you sent

0:46:32.239 --> 0:46:33.719
<v Speaker 1>me the link and I saw it and read it

0:46:33.760 --> 0:46:36.239
<v Speaker 1>as well. Yeah, this one holds some water to me.

0:46:36.400 --> 0:46:42.080
<v Speaker 1>Unless this guy Bowie J is that Poe Poagg one

0:46:42.080 --> 0:46:47.319
<v Speaker 1>of the two, Unless he is just making all this

0:46:47.400 --> 0:46:50.960
<v Speaker 1>stuff up. This otherwise this sounds like a pretty decent lead. Yeah,

0:46:51.000 --> 0:46:53.640
<v Speaker 1>I've heard. I've heard some people suggest that that perhaps

0:46:53.719 --> 0:46:55.839
<v Speaker 1>the guy himself is the one who did it, and

0:46:55.880 --> 0:46:59.880
<v Speaker 1>he's invented these personas to be the way of him

0:47:00.000 --> 0:47:02.319
<v Speaker 1>explaining how it was done without actually admitting that he

0:47:02.360 --> 0:47:05.640
<v Speaker 1>did it. But he he maintains his innocence. He says, No,

0:47:05.760 --> 0:47:09.439
<v Speaker 1>I really, all of the evidence I have is purely circumstantial.

0:47:09.480 --> 0:47:12.120
<v Speaker 1>I was thirteen when this happened, which to me suggests

0:47:12.120 --> 0:47:14.120
<v Speaker 1>that it's not him. It does not seem like a

0:47:14.160 --> 0:47:18.799
<v Speaker 1>thirteen year old. The voice in the video is distorted,

0:47:18.920 --> 0:47:21.080
<v Speaker 1>but it does. It definitely seems like it's someone who's

0:47:21.120 --> 0:47:25.520
<v Speaker 1>older than that. Um. But he talks about uh, two

0:47:25.520 --> 0:47:30.160
<v Speaker 1>brothers and one brother he said. He described him as

0:47:30.239 --> 0:47:33.400
<v Speaker 1>seeming to be on the autism spectrum, and that he

0:47:33.440 --> 0:47:39.080
<v Speaker 1>had a very keen interest in broadcast spectrum and broadcast technology,

0:47:39.840 --> 0:47:43.759
<v Speaker 1>but didn't have very many social skills. Yeah, he was

0:47:43.880 --> 0:47:48.520
<v Speaker 1>the Yeah, he was very big as a thirteen year

0:47:48.560 --> 0:47:51.080
<v Speaker 1>old on that in that hacker scene, but trying it

0:47:51.120 --> 0:47:53.239
<v Speaker 1>sounded like really like one of the young ones trying

0:47:53.239 --> 0:47:56.399
<v Speaker 1>to ingratiate himself into the group, into the group. These

0:47:56.400 --> 0:47:59.440
<v Speaker 1>were a little older guys who were more experienced. Um.

0:47:59.480 --> 0:48:01.640
<v Speaker 1>He calls J and K which are not their names,

0:48:02.320 --> 0:48:05.319
<v Speaker 1>to provide their you know, to guard their anonymity. And

0:48:05.360 --> 0:48:08.319
<v Speaker 1>he said that Ja, who was supposedly the autistic one,

0:48:08.440 --> 0:48:10.719
<v Speaker 1>was m He's the one who says that was the

0:48:10.719 --> 0:48:13.799
<v Speaker 1>guy in the mask. They had the same build. He

0:48:13.920 --> 0:48:16.640
<v Speaker 1>references his brother in the video. Yeah, he says that

0:48:16.640 --> 0:48:19.239
<v Speaker 1>because he shows a glove and he says, uh, this

0:48:19.280 --> 0:48:22.440
<v Speaker 1>one is dirty. My brother is wearing the other one. Yeah,

0:48:22.480 --> 0:48:27.000
<v Speaker 1>he apparently. He says, this is from his Reddit. He said, Ah,

0:48:27.200 --> 0:48:30.280
<v Speaker 1>he liked to tell dirty jokes. The dirty jokes were funny,

0:48:30.280 --> 0:48:32.400
<v Speaker 1>at least to me. Is a thirteen year old and

0:48:32.480 --> 0:48:35.479
<v Speaker 1>a woman dressed up as Antioakley swatting someone's bare butt

0:48:35.480 --> 0:48:38.560
<v Speaker 1>with a fly swatter is a perfect reflection of his

0:48:38.640 --> 0:48:42.600
<v Speaker 1>sense of humor. Uh. It was usually childish and sexually deviant.

0:48:43.200 --> 0:48:46.040
<v Speaker 1>And he talked about how he had kind of a

0:48:46.160 --> 0:48:49.600
<v Speaker 1>verbal tick that instead of saying uh, when he was

0:48:49.600 --> 0:48:52.440
<v Speaker 1>trying to think of something, he'd say oh yeah, And

0:48:52.480 --> 0:48:56.279
<v Speaker 1>that if you listen to the video, there's some there's

0:48:56.280 --> 0:48:58.400
<v Speaker 1>a yeah. There's a lot of him kind of making

0:48:58.440 --> 0:49:03.040
<v Speaker 1>oh noises between when he's saying things. So it does

0:49:03.120 --> 0:49:05.120
<v Speaker 1>kind of come across as someone who's trying to think

0:49:05.160 --> 0:49:07.840
<v Speaker 1>of the next thing to say. Like, it didn't feel

0:49:07.840 --> 0:49:09.840
<v Speaker 1>like it certainly does not feel that the Max Headroom

0:49:09.880 --> 0:49:12.960
<v Speaker 1>incident was terribly scripted, Like I think it was a

0:49:13.000 --> 0:49:18.680
<v Speaker 1>lot off the cup. Yeah. So the the other brother,

0:49:18.840 --> 0:49:25.279
<v Speaker 1>Kay was Jay's caretaker uh and also was possibly the

0:49:25.719 --> 0:49:27.920
<v Speaker 1>theory seems to be that Kay was the one working

0:49:27.960 --> 0:49:31.600
<v Speaker 1>the camera, that Ja was the one on camera, and

0:49:31.640 --> 0:49:34.960
<v Speaker 1>that Kay's girlfriend was the one with the fly swatter,

0:49:35.800 --> 0:49:39.120
<v Speaker 1>and again all of this ends up being circumstantial evidence.

0:49:39.360 --> 0:49:42.959
<v Speaker 1>He said that, as Pogue said, as a thirteen year old,

0:49:43.160 --> 0:49:46.759
<v Speaker 1>he went to this apartment that was just filled with equipment.

0:49:47.560 --> 0:49:50.400
<v Speaker 1>He says that there was nothing, you know, no normal

0:49:50.440 --> 0:49:53.120
<v Speaker 1>decorations except like a rainbow kite or something in there.

0:49:53.160 --> 0:49:57.799
<v Speaker 1>Everything else was electronic equipment, and that they were the

0:49:57.840 --> 0:50:01.959
<v Speaker 1>people they were talking about something but not explicitly talking about,

0:50:02.040 --> 0:50:04.319
<v Speaker 1>just saying that something big was gonna happen and that

0:50:04.440 --> 0:50:07.800
<v Speaker 1>he should definitely make sure to be watching channel nine

0:50:08.360 --> 0:50:11.319
<v Speaker 1>at nine pm, Uh like w g N at nine

0:50:11.400 --> 0:50:13.640
<v Speaker 1>pm so he could see the big thing that was

0:50:13.640 --> 0:50:16.640
<v Speaker 1>going to happen, and that he claims he didn't even

0:50:16.719 --> 0:50:18.719
<v Speaker 1>put two and two together. Ye like, he saw the

0:50:18.760 --> 0:50:21.360
<v Speaker 1>incident go down and knew that something big was going

0:50:21.440 --> 0:50:23.839
<v Speaker 1>to happen, which does seem a little hinky to me,

0:50:23.920 --> 0:50:26.440
<v Speaker 1>but he says years later as when it all kind

0:50:26.440 --> 0:50:29.600
<v Speaker 1>of connected for me, Yeah, it seems a little weird.

0:50:29.680 --> 0:50:31.239
<v Speaker 1>That does seem a little weird to me too, but

0:50:31.360 --> 0:50:33.520
<v Speaker 1>he said. He does go on to defend himself a

0:50:33.520 --> 0:50:36.919
<v Speaker 1>bit and say, you know that there were I heard

0:50:37.360 --> 0:50:39.719
<v Speaker 1>a dozen things from them a day that we're just

0:50:39.760 --> 0:50:42.560
<v Speaker 1>sort of weird and out there, and it wouldn't register

0:50:42.600 --> 0:50:44.759
<v Speaker 1>as anything big to me. With they said, you know,

0:50:44.760 --> 0:50:46.600
<v Speaker 1>we're gonna do something big watch the TV tonight. So

0:50:46.640 --> 0:50:48.520
<v Speaker 1>in other words, they were a bunch of big talkers,

0:50:48.560 --> 0:50:51.640
<v Speaker 1>but not Yeah, this is a kid he's trying to

0:50:51.680 --> 0:50:53.560
<v Speaker 1>fit in. He you know, it sounds like he was

0:50:53.600 --> 0:50:55.800
<v Speaker 1>kind of nervous hanging around this crowd, eager to please.

0:50:55.880 --> 0:50:59.120
<v Speaker 1>Yeah exactly. Yeah, Well, at any rate, he's the one

0:50:59.160 --> 0:51:02.560
<v Speaker 1>who on Reddit just laid out the situation and explained

0:51:03.360 --> 0:51:06.800
<v Speaker 1>what he thought had happened based upon circumstantial evidence. Again,

0:51:06.800 --> 0:51:10.320
<v Speaker 1>he never witnessed any of this himself, according to his account,

0:51:10.400 --> 0:51:11.920
<v Speaker 1>and it kind of blew up on Reddit, didn't it?

0:51:11.960 --> 0:51:14.960
<v Speaker 1>I did? It did, And he gave specific updates, and

0:51:14.960 --> 0:51:18.239
<v Speaker 1>in fact, he was interviewed heavily for the Motherboard article. Yeah,

0:51:18.480 --> 0:51:21.200
<v Speaker 1>and he explained that he tried to get in touch

0:51:21.239 --> 0:51:25.759
<v Speaker 1>with j and k Um through multiple media, like he

0:51:25.800 --> 0:51:29.680
<v Speaker 1>knows where they are still, Yep. He sent them Facebook messages,

0:51:29.719 --> 0:51:32.600
<v Speaker 1>he sent an email, and he sent them actual snail

0:51:32.680 --> 0:51:35.160
<v Speaker 1>mail right and didn't get any response. And he says,

0:51:35.239 --> 0:51:38.920
<v Speaker 1>I'm taking that as a indication that they don't want

0:51:39.000 --> 0:51:41.239
<v Speaker 1>to talk about this, and so, out of respect for

0:51:41.280 --> 0:51:45.000
<v Speaker 1>their privacy, I'm dropping it. And so he never revealed

0:51:45.239 --> 0:51:47.719
<v Speaker 1>the identities of the people. Now, he did have other

0:51:47.800 --> 0:51:50.520
<v Speaker 1>people on the Reddit the said they were around that

0:51:50.600 --> 0:51:53.399
<v Speaker 1>same scene back then, and it sort of checks out

0:51:53.440 --> 0:51:55.880
<v Speaker 1>the guy had a similar ability short of shortened squatty

0:51:56.480 --> 0:51:58.400
<v Speaker 1>and um, so he had a little bit of support.

0:51:58.480 --> 0:52:01.960
<v Speaker 1>But it's all sort substantial and conjecture. You know, there's

0:52:02.000 --> 0:52:05.040
<v Speaker 1>obviously no proof, no smoking gun. Right, So we may

0:52:05.200 --> 0:52:08.080
<v Speaker 1>never know for sure who did this. We'll have someone

0:52:08.080 --> 0:52:09.959
<v Speaker 1>will have to come forward, that's the only way. Yeah,

0:52:09.960 --> 0:52:13.120
<v Speaker 1>but it's one of those mysteries that is really interesting

0:52:13.160 --> 0:52:16.400
<v Speaker 1>to read about. To to and the fact that it

0:52:16.400 --> 0:52:18.920
<v Speaker 1>it's still you know, you can you can watch the video.

0:52:19.000 --> 0:52:22.520
<v Speaker 1>You can actually see what happened. It's kind of cool

0:52:22.520 --> 0:52:24.760
<v Speaker 1>because there are a lot of these these weird moments

0:52:24.840 --> 0:52:27.120
<v Speaker 1>you just have second or third hand accounts and you

0:52:27.160 --> 0:52:29.920
<v Speaker 1>can't you can't really experience it for yourself. You have

0:52:29.960 --> 0:52:31.680
<v Speaker 1>to think, oh, what would it have been like? But

0:52:31.719 --> 0:52:33.759
<v Speaker 1>now you can actually see. Yeah, it's a pretty neat

0:52:33.760 --> 0:52:36.759
<v Speaker 1>little time capsule experience, especially if you grew up in

0:52:36.800 --> 0:52:38.759
<v Speaker 1>the eighties. Right, And if you don't know who Max

0:52:38.800 --> 0:52:40.560
<v Speaker 1>Headroom is, then maybe you should do some research on

0:52:40.600 --> 0:52:43.480
<v Speaker 1>that first and then watch the video to understand how

0:52:43.520 --> 0:52:45.400
<v Speaker 1>weird this was. That b B show, I'm telling you

0:52:45.440 --> 0:52:49.240
<v Speaker 1>it's pretty good. People should watch that. Yeah, totally. Well, Chuck,

0:52:49.320 --> 0:52:51.440
<v Speaker 1>I have to thank you for coming on the show

0:52:51.480 --> 0:52:54.840
<v Speaker 1>and for suggesting this. This was a ton of fun too.

0:52:54.960 --> 0:52:56.680
<v Speaker 1>I love on stuff you should know doing our more

0:52:56.760 --> 0:52:59.759
<v Speaker 1>history centric ones and this this is totally a history

0:52:59.800 --> 0:53:03.279
<v Speaker 1>pie podcast. When you think about it for history episode. Yeah, absolutely,

0:53:03.480 --> 0:53:07.000
<v Speaker 1>and uh it was It's one of the weirdest ones

0:53:07.040 --> 0:53:09.400
<v Speaker 1>that I've covered this and Number Stations those would be

0:53:09.440 --> 0:53:12.080
<v Speaker 1>the two big ones. Yeah, man, those are super interesting. Yeah,

0:53:12.320 --> 0:53:15.360
<v Speaker 1>very creepy stuff. If by the way, if you guys

0:53:15.560 --> 0:53:18.440
<v Speaker 1>do love the creepy go back and listen to the

0:53:18.560 --> 0:53:22.000
<v Speaker 1>Number Station episode on Tech Stuff. Go to our RSS

0:53:22.080 --> 0:53:25.080
<v Speaker 1>feed and hunt that one up because that one was

0:53:25.120 --> 0:53:27.279
<v Speaker 1>a lot of fun to talk about. Uh. And if

0:53:27.280 --> 0:53:29.240
<v Speaker 1>you're really into creepy stuff, you know, Stuff you Should

0:53:29.239 --> 0:53:32.560
<v Speaker 1>Know has got quite a few episodes that that cover

0:53:32.680 --> 0:53:35.719
<v Speaker 1>the creepy too, and you guys do an amazing job

0:53:35.760 --> 0:53:39.799
<v Speaker 1>of it. Thanks man. Yeah, it's it's uh a fantastic show.

0:53:39.840 --> 0:53:42.480
<v Speaker 1>If you have not listened to Stuff you Should Know,

0:53:43.600 --> 0:53:46.239
<v Speaker 1>fix that. Come on, well, thanks for having me and dude,

0:53:46.280 --> 0:53:48.360
<v Speaker 1>this has been a it's woody, Allen would say, a

0:53:48.440 --> 0:53:54.480
<v Speaker 1>sincere sensation. Pan. I like that. I like that quote. Alright, So, guys,

0:53:54.480 --> 0:53:57.200
<v Speaker 1>if you have any suggestions for future episodes of Tech Stuff,

0:53:57.480 --> 0:53:58.560
<v Speaker 1>you just want to get in touch with me and

0:53:58.600 --> 0:54:01.239
<v Speaker 1>you want to maybe suggest a topic for me to

0:54:01.280 --> 0:54:03.680
<v Speaker 1>talk about the future, or maybe another guest to have

0:54:03.800 --> 0:54:06.560
<v Speaker 1>on the show. Send me an email. My address is

0:54:06.640 --> 0:54:09.120
<v Speaker 1>tech stuff at how stuff works dot com, or drop

0:54:09.160 --> 0:54:12.239
<v Speaker 1>me a line on Facebook, Twitter or Tumbler to handle it.

0:54:12.360 --> 0:54:15.680
<v Speaker 1>All three is tech Stuff hs W and we'll talk

0:54:15.680 --> 0:54:21.719
<v Speaker 1>to you again really soon for more on this and

0:54:21.800 --> 0:54:24.359
<v Speaker 1>thousands of other topics because it has stuff works dot

0:54:24.360 --> 0:54:34.280
<v Speaker 1>com