WEBVTT - Episode 72: Angry Birds

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<v Speaker 1>Hey, everybody, welcome to another episode. Though very difficent. I

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<v Speaker 1>am your host, if you Waddy Way and sitting across

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<v Speaker 1>from me as own Danny Fernandez. I thought you were

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<v Speaker 1>going to say something now, Oh well I can, I can,

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<v Speaker 1>but you know, it seems so funny, fabulous, so wonderful.

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<v Speaker 1>I know it is. It is a mic drop, just

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<v Speaker 1>saying my own name, just saying my own name. Oh yeah, today,

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<v Speaker 1>it's gonna be a fun episode. We had quite a

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<v Speaker 1>fun time watching we did. It was a good time.

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<v Speaker 1>We were falling, you know, it was. It was a good,

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<v Speaker 1>good one. I thought you were going to pee your pants,

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<v Speaker 1>you were. We sat next to each other during this

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<v Speaker 1>film and it was I think it was oh a

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<v Speaker 1>one thirty Mattinee, which I highly recommend because they're also

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<v Speaker 1>a bunch of kids in there too, and listening to

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<v Speaker 1>them giggle, um like the person behind us, the girl

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<v Speaker 1>behind us, remember, oh my gosh, they just laugh at

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<v Speaker 1>also inappropriate Yeah yeah yeah, and they sing a hut experience. Yeah,

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<v Speaker 1>it was fun. It was fun. So today we are

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<v Speaker 1>talking about angry birds. We almost got it. We almost

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<v Speaker 1>didn't it. I don't know why I thought you should

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<v Speaker 1>try and say today we're joined by the director of

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<v Speaker 1>Angry Birds to throw up Van Orman. Thank you, yeah, thanks, yeah,

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<v Speaker 1>thank thank you for And you also played the seal, right,

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<v Speaker 1>did the seal? I did the worms and um the

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<v Speaker 1>dog most of the time. Okay, both of those killed you.

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<v Speaker 1>I remember your I love a good recurring bit. You know,

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<v Speaker 1>it's it's you know, it plays fun. And that poor

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<v Speaker 1>dog frozen. Oh my gosh. We yeah, we're going to

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<v Speaker 1>hop into the film because, honest to god, I was

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<v Speaker 1>surprised at the I mean, the humor was just so

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<v Speaker 1>some of it. I was like, these kids are gonna

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<v Speaker 1>watch this ten years from now and be like, what

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<v Speaker 1>it was the perfect recipe for kids film where it's like,

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<v Speaker 1>you know, a little something for some kids, a little

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<v Speaker 1>little little light something for the adults if you're paying attention.

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<v Speaker 1>And yeah, it's funny mentioned sitting next to the kids,

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<v Speaker 1>because when I watch it's so fun Like the first

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<v Speaker 1>half of the movie, the kids are like laughing all

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<v Speaker 1>the way through, and then I don't know, fourth the

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<v Speaker 1>third of the way through, then the parents started, and

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<v Speaker 1>then that builds them. By the end of the movie,

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<v Speaker 1>you can't hear the kids at all anymore. Their parents

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<v Speaker 1>are laughing. It's such a good time. Um. But there

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<v Speaker 1>if I wanted to also talk about some of your

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<v Speaker 1>history before we get into the history of Angry Birds,

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<v Speaker 1>because you have such a ginormous is that a word?

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<v Speaker 1>Ginormous history. You were also the storyboard artist for Camp Laslow,

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<v Speaker 1>The power Puff Girls, The Grim Adventures a Billion Mandy.

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<v Speaker 1>This man has worked on essentially our childhood um of

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<v Speaker 1>everyone listening. Um. You were also the creator of the

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<v Speaker 1>Marvelous Misadventures of Flapjack. What drove you to wanting to

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<v Speaker 1>be an animation specifically, Well, I didn't have the Internet

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<v Speaker 1>when I was a kid, so I actually I had

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<v Speaker 1>no idea that you could have a job in animation. UM.

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<v Speaker 1>So like um Simpson's I came on UM when I

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<v Speaker 1>was like thirteen and and it was I loved it,

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<v Speaker 1>but I thought, oh, that's one guy. That's one guy

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<v Speaker 1>who got really lucky and got to make his own show. Um.

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<v Speaker 1>And then, uh, I don't know. I didn't know what

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<v Speaker 1>I was gonna do until I was twenty four. So, UM,

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<v Speaker 1>I stumbled into a job making video games. My friend

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<v Speaker 1>got a job and I was like, what, you can

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<v Speaker 1>have a job just doing cartoon stuff. UM. And so uh,

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<v Speaker 1>I went to cal Arts um because that's where you

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<v Speaker 1>went to school to do animation. Do you feel like

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<v Speaker 1>that's still the same today. Um. I think a lot

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<v Speaker 1>of the creative people out of the directors and show

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<v Speaker 1>creators and stuff do come out of Calerts because you

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<v Speaker 1>do UM. You get a pretty solid foundation there and

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<v Speaker 1>actually probably believe more than anything, it's just because it

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<v Speaker 1>already has that cloud. So when you get there, UM,

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<v Speaker 1>it's like, I'm not the best person I know at

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<v Speaker 1>arts anymore. Everyone is so good um, and and coming

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<v Speaker 1>into it so late and having no idea that existed

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<v Speaker 1>for me, it was like Hogwarts. It was like, oh

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<v Speaker 1>my gosh, this now everything makes sense why I'm a weirdo.

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<v Speaker 1>This is this is what you can do with it.

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<v Speaker 1>But but then you're really you push yourself because you

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<v Speaker 1>feel bad. You feel bad that everyone's so much better

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<v Speaker 1>than you at everything. Um. And everyone's better than you

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<v Speaker 1>at something no matter how good you are UM at CalArts,

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<v Speaker 1>so it really pushes you um to up your work

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<v Speaker 1>ethic um. And you learn things from these people. You

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<v Speaker 1>learned like, oh people really laugh at that joke they do. Oh,

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<v Speaker 1>people really get bored when you make really self indulgent

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<v Speaker 1>student phones. So we aside from the Simpsons, were their

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<v Speaker 1>cartoons that you were really drawn to growing up that

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<v Speaker 1>you feel like influenced you. Um, Renan Stimpy was a

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<v Speaker 1>big and um yeah, I mean all of the cartoons. Um,

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<v Speaker 1>Smurfs was my favorite. I think Smurfs and Hemane. I

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<v Speaker 1>would probably have said to my friend's Hemane was my favorite,

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<v Speaker 1>but totally Smurfs. Was you give off a Smurfs vibe?

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<v Speaker 1>I can see that. Um yeah, So why don't we

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<v Speaker 1>just dive straight in if you didn't want to dive into. Yeah,

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<v Speaker 1>Angry Birds, let's get this nitty gritty out the way.

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<v Speaker 1>How we kick it all off with an explanation like?

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<v Speaker 1>The Angry Birds is a video game franchise created by

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<v Speaker 1>the Finnish company Rovio Entertainment. The series focus on multicolored

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<v Speaker 1>birds which try to save their eggs from green colored

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<v Speaker 1>pigs their enemies. Inspired by Crushed the Castle, the aim

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<v Speaker 1>has been praised for a successful commodation of fun gameplay,

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<v Speaker 1>comical style, and low prize. It's popularity led to many

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<v Speaker 1>spinoffs uh spinoff versions of Angry Birds created for PCs

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<v Speaker 1>and video game consoles, a market for merchandise featuring its characters,

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<v Speaker 1>a televis animated series, and a feature film by Chain

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<v Speaker 1>where two thousand and fourteen, there had been over two

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<v Speaker 1>billion downloads across all platforms, including both regular and special editions.

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<v Speaker 1>By July two thousand fifteen, the series games had been

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<v Speaker 1>downloaded more than three billion times Collection three for Builgon,

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<v Speaker 1>making it the most downloaded freemium game series of all time.

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<v Speaker 1>Eat That Fortnite. The original Angry Birds has been called

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<v Speaker 1>one of the most mainstream games out right now, one

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<v Speaker 1>of the great runaway hits of two thousand ten, and

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<v Speaker 1>the largest mobile apps successes the world has ever seen

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<v Speaker 1>so far. An animated feature film based on the series

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<v Speaker 1>was released by Columbia Pictures on the twenty of the

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<v Speaker 1>May and two thousand sixteen, and the first main series sequel,

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<v Speaker 1>Angry Birds to What It Do was Really East on

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<v Speaker 1>July two thousand fifteen. Is that I don't think that's right?

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<v Speaker 1>Is that right? Um? Now, when you're reading something, Oh

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<v Speaker 1>they're talking about the game, Okay, we're there, the game

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<v Speaker 1>Angry but you're like looking at your friend. Yeah, that

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<v Speaker 1>was wild. So the sequel to the game Angry Birds

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<v Speaker 1>two was released in July. I thought we went back

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<v Speaker 1>in time for a second. I was losing my mind.

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<v Speaker 1>There's something really cool. We had Sam Maggs, who is

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<v Speaker 1>a game developer on and ufer Insomniac Games, and she

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<v Speaker 1>was saying that she talks, she goes and she talks

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<v Speaker 1>to groups of of little girls about gaming and that um,

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<v Speaker 1>she'll be like, how many of you consider yourself a gamer?

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<v Speaker 1>And a lot of them won't raise their hands. And

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<v Speaker 1>she's like, but how many of you plays say Angry

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<v Speaker 1>Birds And they'll all raise their hands. And she was like,

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<v Speaker 1>then you're a gamer. That is a game that you're playing.

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<v Speaker 1>It's just so funny that people have in their head like, oh,

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<v Speaker 1>if it's not Fortnite, if it's not you know, World

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<v Speaker 1>of Warcraft or something like that, they don't consider it

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<v Speaker 1>a game. But she likes to say like, no, this

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<v Speaker 1>is a game. If you look like you have thoughts,

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<v Speaker 1>Oh no, no, I totally agree. And I just think

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<v Speaker 1>it's funny that people are like, oh, if I play

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<v Speaker 1>Angry Birds, I'm not a gamer because it's mechanics are

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<v Speaker 1>very similar to a game I used to play a

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<v Speaker 1>lot called gun Bound, where my gun bound Heads. It

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<v Speaker 1>was this old Naxon game where you were in these

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<v Speaker 1>little gun ships and you you used basically physics to

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<v Speaker 1>aim your shots and they would shoot across the map.

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<v Speaker 1>And it was based off of like an even older game.

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<v Speaker 1>But you can customize the ship, but that's kind of

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<v Speaker 1>the the same kind of a skeleton of angry birds

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<v Speaker 1>as you're aiming the shot to uh to hit it,

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<v Speaker 1>and you have different types of ammunition. So to me,

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<v Speaker 1>it's funny when it's like, oh no, I remember being

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<v Speaker 1>stand up late to one on the phone what my

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<v Speaker 1>friends were strategizing and like ganging up against people, and

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<v Speaker 1>like it's just a simpler like version that you can

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<v Speaker 1>just play on your phone. Yeah, mobile games are games.

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<v Speaker 1>They require a lot of skill and then people get

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<v Speaker 1>really good at them. The speakining you mentioned Fortnite, a

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<v Speaker 1>huge bass plays mobile a lot of the kids. And

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<v Speaker 1>that's what I think. I've said this on an earlier

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<v Speaker 1>episode is the great equalizer because like consoles run for

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<v Speaker 1>like what to three D bucks, a cell phone most

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<v Speaker 1>kids have it, so like if you if you have

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<v Speaker 1>a smartphone, you can play this like triple a game Fortnite,

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<v Speaker 1>which is why, like you know, everyone you know, everyone

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<v Speaker 1>feels some type of way. I remember when I talked

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<v Speaker 1>about the Diablo mobile game and a few of y'all

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<v Speaker 1>slid into the MS and we had, uh, you know,

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<v Speaker 1>some civilized conversation. Uh. But like mobile That's why I

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<v Speaker 1>like am excited by the idea of mobile games because

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<v Speaker 1>I called this five six years ago, back when Infinity

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<v Speaker 1>Infinity Blade came out for the iPhone. Uh. But that's

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<v Speaker 1>just my whole like aside on mobile gaming and like

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<v Speaker 1>it's growth and how much it's impacted like back when

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<v Speaker 1>Infinity Blade. Like the concept of cross platform you can

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<v Speaker 1>literally play Fortnite with someone on a PS four. That

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<v Speaker 1>is crazy. So now you're not you know, like if

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<v Speaker 1>you want to go way back when you're the kid

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<v Speaker 1>who didn't have the Genesis or the S and E

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<v Speaker 1>s and you couldn't play long, Nope, you have a

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<v Speaker 1>cell phone. You can play with your friends whose parents

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<v Speaker 1>were able to get him a PS four or an

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<v Speaker 1>Xbox one. You you're you include Like that is beautiful

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<v Speaker 1>in its own self. I did not realize that Angry

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<v Speaker 1>Birds was breaking down class and economic barriers by allowing

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<v Speaker 1>gameplay to everybody. That's really cool. You learn new things

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<v Speaker 1>on this podcast all the time. So I know that

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<v Speaker 1>you have kids. Were they playing Angry Birds? Like? How

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<v Speaker 1>are you? What was your first introduction to it before

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<v Speaker 1>you tapped onto this as a director. I'm sure that

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<v Speaker 1>you saw it or might have had it on your

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<v Speaker 1>phone or your kid's phones or um. To be totally honest,

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<v Speaker 1>I'd never played the game or watched the movie. That's

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<v Speaker 1>fine asked me to make this one, but I did

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<v Speaker 1>after the research. Yeah, I I Actually I'm not a

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<v Speaker 1>gamer at all. My first job was video games, and

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<v Speaker 1>I realized really quickly if I get into video games,

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<v Speaker 1>like I want to be good at it and I

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<v Speaker 1>will not stop um and it's not really what I

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<v Speaker 1>want to do with all of my time. Um uh.

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<v Speaker 1>So it was all or nothing, and I was like,

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<v Speaker 1>maybe I'll just not I'll make them. I'll play through

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<v Speaker 1>as much as I need to know, um to know

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<v Speaker 1>how it works. But UM, I think one reason that

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<v Speaker 1>I went into storytelling is I like the stories. I

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<v Speaker 1>like I like telling the stories. I like taling a tale. Um.

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<v Speaker 1>And in video games, something that's super cool about video games,

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<v Speaker 1>they say, like the golden rule of making the perfect

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<v Speaker 1>video game as it should take a minute to learn

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<v Speaker 1>in a lifetime to master UM. And so like you

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<v Speaker 1>suck them in quick and then you once you got

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<v Speaker 1>your hooks, and like they're they're just like trying to

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<v Speaker 1>reach a higher, unattainable level. And I think that's super cool. Um.

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<v Speaker 1>It's kind of similar to TV because you don't give

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<v Speaker 1>them too much UM and movies, though, you want to

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<v Speaker 1>wrap it up. You want to give them um uh

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<v Speaker 1>inclusive ending and make them feel like they accomplished something

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<v Speaker 1>and they gained something at the end of the day

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<v Speaker 1>and there's not more out there and have like this unsatisfied.

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<v Speaker 1>I gotta get right back into it. Um. And I

0:12:13.320 --> 0:12:16.640
<v Speaker 1>love that. I love that about TV and movies. UM.

0:12:18.600 --> 0:12:21.560
<v Speaker 1>I guess just the storytelling aspect of it. Yeah, yeah

0:12:21.559 --> 0:12:25.240
<v Speaker 1>in video games that that definitely has a overlap with

0:12:25.360 --> 0:12:28.440
<v Speaker 1>video games as well. I feel like, um and one

0:12:28.440 --> 0:12:30.560
<v Speaker 1>of the reasons why this was so successful, I feel

0:12:30.600 --> 0:12:33.160
<v Speaker 1>like people really latched onto the characters. Well it's funny

0:12:33.280 --> 0:12:36.360
<v Speaker 1>because yeah, like I feel like, you know, Anger Birds one,

0:12:36.840 --> 0:12:40.800
<v Speaker 1>you know kind of like wrote the wave of the

0:12:40.840 --> 0:12:43.839
<v Speaker 1>popularity of the game and too you know, And I'm

0:12:43.840 --> 0:12:46.439
<v Speaker 1>not just saying this because you're in here. I'd say

0:12:46.480 --> 0:12:48.680
<v Speaker 1>it if you weren't in here really kind of like

0:12:49.160 --> 0:12:53.040
<v Speaker 1>the improv term is heightening and and just like blowing

0:12:53.080 --> 0:12:55.199
<v Speaker 1>out the world. And it really did like flash out

0:12:55.240 --> 0:12:57.960
<v Speaker 1>these characters and like I think tackled some very interesting

0:12:58.080 --> 0:13:02.240
<v Speaker 1>themes and just the the aspect of like doing things

0:13:02.280 --> 0:13:05.160
<v Speaker 1>to too for because you want to be wanted and

0:13:05.200 --> 0:13:09.000
<v Speaker 1>not necessary, you know, and just like that was really

0:13:09.080 --> 0:13:11.960
<v Speaker 1>exciting and fun. Yeah. I think also an improv, it's

0:13:12.200 --> 0:13:14.560
<v Speaker 1>playing at the top of your intelligence, and I feel

0:13:14.559 --> 0:13:16.840
<v Speaker 1>like that's what the film did as well. Yeah, So

0:13:16.960 --> 0:13:21.600
<v Speaker 1>just wrapping up about the development. In early two thousand nine,

0:13:21.640 --> 0:13:24.960
<v Speaker 1>Rovio staff began reviewing proposals for potential games. One such

0:13:25.000 --> 0:13:28.640
<v Speaker 1>proposal came from senior game designer Jacko Lislo in form

0:13:28.840 --> 0:13:31.720
<v Speaker 1>of a simulated screenshot for youatweing some angry looking birds

0:13:31.760 --> 0:13:34.680
<v Speaker 1>with no visible legs or wings. While the picture gave

0:13:34.720 --> 0:13:36.760
<v Speaker 1>no clust to what type of game was being played,

0:13:36.800 --> 0:13:39.240
<v Speaker 1>I love that, just like taking it in. Like remember

0:13:39.240 --> 0:13:42.280
<v Speaker 1>that whoever first pitched um Mario, that would have just

0:13:42.360 --> 0:13:46.560
<v Speaker 1>been this plumber who has rescue a princess. Uh, stay

0:13:46.600 --> 0:13:50.040
<v Speaker 1>with me here, everybody again. It was after crushed the castle.

0:13:50.480 --> 0:13:52.640
<v Speaker 1>This is the funniest part to me. At the time,

0:13:52.760 --> 0:13:55.760
<v Speaker 1>the swine flew epidemic was also in the news, so

0:13:55.840 --> 0:13:59.160
<v Speaker 1>the staff made the birds enemies pigs as you do.

0:13:59.800 --> 0:14:03.640
<v Speaker 1>Um and Angry Birds was the studio's fifty second produced

0:14:03.679 --> 0:14:05.720
<v Speaker 1>game and its initial release, and like you said, it

0:14:05.720 --> 0:14:11.200
<v Speaker 1>did huge numbers here, m hmm yeah so yeah when

0:14:11.240 --> 0:14:13.679
<v Speaker 1>it first came out though, it didn't sell that many copies.

0:14:13.720 --> 0:14:17.080
<v Speaker 1>And it was after it was featured uh um. After

0:14:17.120 --> 0:14:19.360
<v Speaker 1>it was a featured app on the UK App Store

0:14:19.640 --> 0:14:22.960
<v Speaker 1>in February two, it quickly reached number one and it

0:14:23.000 --> 0:14:25.520
<v Speaker 1>blew up. It's funny how a little visibility, you know.

0:14:25.520 --> 0:14:28.080
<v Speaker 1>It was like this is tight, y'all, Like that's what

0:14:28.160 --> 0:14:31.240
<v Speaker 1>the app store was like, like, yo, don't sleep on this.

0:14:31.360 --> 0:14:34.560
<v Speaker 1>And being on the front page of Netflix, I feel like, um,

0:14:34.800 --> 0:14:36.520
<v Speaker 1>they always get that huge boost. I would not have

0:14:36.520 --> 0:14:41.480
<v Speaker 1>found ships Creak that way. Yeah, me neither. So good.

0:14:41.600 --> 0:14:45.600
<v Speaker 1>I've rewatched it so many times. Which which character do

0:14:45.640 --> 0:14:52.120
<v Speaker 1>you gravitate towards? Um? It started with David, He's such

0:14:52.120 --> 0:14:54.880
<v Speaker 1>a good character, and then slowly like um, I love

0:14:54.960 --> 0:14:58.680
<v Speaker 1>more and more Alexa and actually the mom who was

0:14:58.760 --> 0:15:02.520
<v Speaker 1>my least favorite character because I was like all right, yeah, yeah,

0:15:02.640 --> 0:15:06.360
<v Speaker 1>Moira her she's the most fascinating now. She just owns

0:15:06.360 --> 0:15:09.200
<v Speaker 1>like characters so much. It's amazing. I just love that

0:15:09.240 --> 0:15:11.800
<v Speaker 1>they let her take whatever risks she wants, Like if

0:15:11.880 --> 0:15:15.280
<v Speaker 1>she's she just like says like baby or whatever. She's

0:15:15.440 --> 0:15:19.120
<v Speaker 1>pronounces things how they shouldn't be pronounced. Um, there's like cool,

0:15:19.160 --> 0:15:22.840
<v Speaker 1>go with it. I love it. We have to take

0:15:22.880 --> 0:15:24.920
<v Speaker 1>a really quick break then we're going to jump into

0:15:24.920 --> 0:15:35.000
<v Speaker 1>the films of Angry Birds right after this. All right,

0:15:35.520 --> 0:15:39.720
<v Speaker 1>and well come back to Nerdificent. We're back and we're

0:15:39.880 --> 0:15:43.840
<v Speaker 1>going to jump right into the movies. Uh yeah, so

0:15:44.000 --> 0:15:47.200
<v Speaker 1>Angry Birds. The first movie was the Angry Birds movie,

0:15:47.240 --> 0:15:50.880
<v Speaker 1>also known simply as Angry Birds is released in the

0:15:50.960 --> 0:15:55.240
<v Speaker 1>UK as such, So the Plant because this is important

0:15:55.240 --> 0:15:58.360
<v Speaker 1>when we talk about two, yeah and one. It was

0:15:58.400 --> 0:16:01.840
<v Speaker 1>about a reclusive, temperamental, outcast bird named Red who lived

0:16:01.840 --> 0:16:04.760
<v Speaker 1>in a village called Bird Island with other flightless birds

0:16:04.920 --> 0:16:09.040
<v Speaker 1>who lead angerless lives. When his temper causes a premature

0:16:09.080 --> 0:16:11.600
<v Speaker 1>hatching of another bird's egg, he is sentenced to attend

0:16:11.640 --> 0:16:15.000
<v Speaker 1>an anger management class, the maximum penalty on the island.

0:16:15.160 --> 0:16:18.720
<v Speaker 1>Red's classmates Chuck, who is hyperactive and can move at

0:16:18.880 --> 0:16:22.200
<v Speaker 1>hyper Velosophy and Bomb, who can cause explosions with his

0:16:22.320 --> 0:16:24.960
<v Speaker 1>anger and fear, try to befriend him, but he avoids

0:16:25.000 --> 0:16:27.640
<v Speaker 1>them because he's angry. One day, a boat docks at

0:16:27.640 --> 0:16:30.200
<v Speaker 1>the island shore, damaging Red's house. The birds agreeded by

0:16:30.200 --> 0:16:33.280
<v Speaker 1>green colored pigs and their captain, Leonard, who claimed to

0:16:33.280 --> 0:16:36.840
<v Speaker 1>be peaceful explorers, bringing offerings of friendship. The pigs ingratiate

0:16:36.880 --> 0:16:40.080
<v Speaker 1>themselves with birds by introducing them to various innovations, notably

0:16:40.120 --> 0:16:42.840
<v Speaker 1>a giant slingshot, but begin to overwhelm the island with

0:16:42.840 --> 0:16:46.640
<v Speaker 1>their numbers. Red becomes suspicious. He recruits Chuck and Bomb

0:16:46.680 --> 0:16:50.000
<v Speaker 1>to find Mighty Eagle, the only flying burden island, who

0:16:50.080 --> 0:16:52.280
<v Speaker 1>has not been seen for many years. They find Mighty

0:16:52.280 --> 0:16:55.240
<v Speaker 1>Eagle on top of Bird Mountain, but he's overweight, self absorbed,

0:16:55.240 --> 0:16:57.640
<v Speaker 1>and leads the life of a slacker is not flowing years,

0:16:57.640 --> 0:17:00.640
<v Speaker 1>and refuses to help them. Red discovers that the pigs

0:17:00.640 --> 0:17:03.800
<v Speaker 1>planting dynamite around the island while other birds are distracted

0:17:03.800 --> 0:17:05.600
<v Speaker 1>with the rave party, but they arrived too late to

0:17:05.680 --> 0:17:08.159
<v Speaker 1>sound of warning. The pigs escape with the eggs and

0:17:08.280 --> 0:17:12.280
<v Speaker 1>activate the dynamite, destroying the village. The other birds apologize

0:17:12.280 --> 0:17:14.399
<v Speaker 1>to Read for not believing him. Under his leadership, they

0:17:14.480 --> 0:17:16.920
<v Speaker 1>organized an army and construct a boat from Rubble Fall

0:17:17.000 --> 0:17:21.160
<v Speaker 1>the Pigs to Pig Islands and the battle ensues. They

0:17:21.160 --> 0:17:24.760
<v Speaker 1>win and Red as a champion. He's a hero. He's

0:17:24.760 --> 0:17:27.720
<v Speaker 1>a hero. Yeah. So we had Jason Sadakis, Josh Gad,

0:17:27.760 --> 0:17:31.119
<v Speaker 1>Jenny McBride, Bill Hater, Maya, Rudolph, Peter Dingli just a

0:17:31.200 --> 0:17:35.160
<v Speaker 1>part of the cast. Um and uh then we hop

0:17:35.280 --> 0:17:40.199
<v Speaker 1>into Angry Birds too, and you so we had we

0:17:40.240 --> 0:17:44.399
<v Speaker 1>had all of the cast returning, right, Um, not most

0:17:44.400 --> 0:17:50.159
<v Speaker 1>of them. I wish that we had Keith McKinnon. She

0:17:50.240 --> 0:17:53.680
<v Speaker 1>is my hero, and boy, we had to make room

0:17:53.720 --> 0:17:57.480
<v Speaker 1>for some new characters and unfortunately she didn't come back,

0:17:57.520 --> 0:17:59.639
<v Speaker 1>but I love her. Yeah. Yeah, So what was it

0:17:59.720 --> 0:18:02.560
<v Speaker 1>like to work with let's say, Jason as Read, I

0:18:02.600 --> 0:18:05.640
<v Speaker 1>mean taking on that role again. Um, it was amazing.

0:18:05.680 --> 0:18:09.280
<v Speaker 1>He's so smart. I mean, most of these actors you

0:18:09.320 --> 0:18:11.399
<v Speaker 1>think they're just reading scripts or whatever, but he is

0:18:11.480 --> 0:18:15.920
<v Speaker 1>so such a smart collaboratorator, such a great improv verb. So, um,

0:18:16.119 --> 0:18:18.040
<v Speaker 1>you throw him a line, he's never seen it before,

0:18:18.080 --> 0:18:22.919
<v Speaker 1>and he has like this catalog of funny lines that

0:18:23.080 --> 0:18:27.160
<v Speaker 1>serve the same purpose, but are like, oh man, that's better. Um,

0:18:27.280 --> 0:18:29.879
<v Speaker 1>um super good, super smart and and actually most of

0:18:29.880 --> 0:18:34.800
<v Speaker 1>this movie was very improv really. Yeah. So we we

0:18:34.840 --> 0:18:39.280
<v Speaker 1>didn't have writers for most of the movie, like for

0:18:39.320 --> 0:18:41.560
<v Speaker 1>a few months at the beginning and then a few

0:18:41.600 --> 0:18:43.919
<v Speaker 1>months like three fourths of the way through. UM. But

0:18:43.960 --> 0:18:46.760
<v Speaker 1>we treated it like like in TV UM we do

0:18:46.880 --> 0:18:50.560
<v Speaker 1>board story driven shows, UM where you have an outline

0:18:50.560 --> 0:18:52.480
<v Speaker 1>and we figured out like the backbone of the movie

0:18:52.560 --> 0:18:54.840
<v Speaker 1>and then we improv. So with the storyboard artist it

0:18:54.880 --> 0:18:57.000
<v Speaker 1>was a very yes and oh and then we could

0:18:57.000 --> 0:18:59.040
<v Speaker 1>do this this, then we could do this UM. And

0:18:59.119 --> 0:19:01.200
<v Speaker 1>with the actors we did the same thing. So we

0:19:01.600 --> 0:19:04.439
<v Speaker 1>and we tried a lot of ideas up front. We

0:19:04.520 --> 0:19:07.920
<v Speaker 1>had like you know, basic idea of what the movie was,

0:19:08.520 --> 0:19:10.520
<v Speaker 1>um and where we needed to get to, but we

0:19:10.560 --> 0:19:12.240
<v Speaker 1>did a lot of playing around with the actors and

0:19:12.359 --> 0:19:14.360
<v Speaker 1>with all of the artists. It was fun. Yeah. Yeah,

0:19:14.480 --> 0:19:17.640
<v Speaker 1>So that's what I wanted to say, is like, well,

0:19:17.680 --> 0:19:20.840
<v Speaker 1>so you know, Anger Birds one comes out, was there

0:19:20.880 --> 0:19:23.600
<v Speaker 1>anything from one that kind of like where that you

0:19:23.640 --> 0:19:25.520
<v Speaker 1>were like, okay, I want to take it this way,

0:19:25.960 --> 0:19:29.159
<v Speaker 1>Like how was the baton handed off to you on

0:19:29.240 --> 0:19:32.600
<v Speaker 1>the first movie they had. Their job was to sell

0:19:32.800 --> 0:19:36.080
<v Speaker 1>why they're why they're making a movie based on the game,

0:19:36.440 --> 0:19:39.119
<v Speaker 1>um and it's Angry Birds. It has to be about anger,

0:19:39.160 --> 0:19:43.359
<v Speaker 1>and that is such a hard thing to tackle, like

0:19:43.440 --> 0:19:47.280
<v Speaker 1>this is why anger is really good? Um, which maybe

0:19:47.280 --> 0:19:51.720
<v Speaker 1>it is, but it's still hard to do a story

0:19:51.720 --> 0:19:57.199
<v Speaker 1>about that. UM so uh So in this movie, we

0:19:57.280 --> 0:20:00.000
<v Speaker 1>didn't really have to do that. I mean, we could

0:20:00.320 --> 0:20:03.119
<v Speaker 1>delve deeper into his issues, but it's not just about

0:20:03.160 --> 0:20:07.679
<v Speaker 1>anger issues. And that was very nice um to just

0:20:07.720 --> 0:20:10.000
<v Speaker 1>be able to get into like more real emotions and

0:20:10.240 --> 0:20:12.679
<v Speaker 1>why he's vulnerable. And then as far as like this

0:20:12.920 --> 0:20:17.560
<v Speaker 1>storytelling that we got to explore on this movie, we

0:20:17.600 --> 0:20:20.040
<v Speaker 1>didn't have to have them enemies, And I think that's

0:20:20.119 --> 0:20:22.520
<v Speaker 1>that's really hard and I think it's hard to like

0:20:22.840 --> 0:20:25.199
<v Speaker 1>feel good about making this movie, Like, yeah, we were

0:20:25.240 --> 0:20:28.560
<v Speaker 1>justified hating these guys what they had to do in

0:20:28.600 --> 0:20:31.000
<v Speaker 1>the first movie, and and this one we could like, Okay,

0:20:31.119 --> 0:20:33.800
<v Speaker 1>they hated each other at the end of the first movie.

0:20:34.040 --> 0:20:36.880
<v Speaker 1>Let's pare him up. Let's force them to work with

0:20:36.960 --> 0:20:39.480
<v Speaker 1>the people they don't I'm not people birds and pigs

0:20:39.480 --> 0:20:42.800
<v Speaker 1>that they didn't want to work with. Um and and

0:20:42.880 --> 0:20:47.160
<v Speaker 1>that's hard. Um. And it's hard even amongst Red's friends

0:20:47.440 --> 0:20:51.320
<v Speaker 1>and his friend's sister. Like he's got some issues, he's

0:20:51.359 --> 0:20:56.080
<v Speaker 1>got some trust issues to work out, and I think, UM,

0:20:56.400 --> 0:20:59.720
<v Speaker 1>working working on a movie, UM with a bunch of

0:20:59.720 --> 0:21:03.359
<v Speaker 1>other people. It was kind of the metaphor for working

0:21:03.359 --> 0:21:08.080
<v Speaker 1>on the movie. The movie Uh metaphor was also the

0:21:08.760 --> 0:21:12.760
<v Speaker 1>behind the scenes metaphor. It's it's definitely harder to work

0:21:12.760 --> 0:21:15.639
<v Speaker 1>with a bunch of other people and to collaborate, and

0:21:15.680 --> 0:21:17.720
<v Speaker 1>everyone has their own ideas that they're trying to cram

0:21:17.720 --> 0:21:19.800
<v Speaker 1>in there, um, and they don't know what you say.

0:21:19.840 --> 0:21:26.720
<v Speaker 1>There's too many hens in the henhouse. I did want

0:21:26.760 --> 0:21:28.800
<v Speaker 1>to say that kind of One of my favorite movies

0:21:28.880 --> 0:21:32.720
<v Speaker 1>is a Nightmare before Christmas, But like, essentially the messages

0:21:32.760 --> 0:21:36.960
<v Speaker 1>stay in your lane. I still think it's fabulous and

0:21:37.000 --> 0:21:38.919
<v Speaker 1>I love it. I love so many things about it.

0:21:38.960 --> 0:21:40.600
<v Speaker 1>But it's like at the end, people are like, so

0:21:40.800 --> 0:21:47.720
<v Speaker 1>don't venture out and try just do what you're good. UM,

0:21:47.760 --> 0:21:49.880
<v Speaker 1>So we did. It was so funny. If he leaned

0:21:49.920 --> 0:21:51.840
<v Speaker 1>over to me, was like, who is that? Uh? And

0:21:52.000 --> 0:21:55.040
<v Speaker 1>for Zada and it was Leslie Jones. Yeah, what was

0:21:55.040 --> 0:21:57.240
<v Speaker 1>it like getting to work with her? Um? It was amazing.

0:21:57.320 --> 0:21:59.960
<v Speaker 1>She'd worked on one thing before an animation, and I've

0:22:00.040 --> 0:22:02.240
<v Speaker 1>think it wasn't the best experience for it was a

0:22:02.280 --> 0:22:05.000
<v Speaker 1>smaller role, and I think she came in like nervous,

0:22:05.080 --> 0:22:07.400
<v Speaker 1>which was so weird for me because I wasn't nervous.

0:22:08.040 --> 0:22:10.520
<v Speaker 1>Um but um, but I love Leslie Jones and I

0:22:10.560 --> 0:22:12.919
<v Speaker 1>was just like, it was weird going into this, like

0:22:12.960 --> 0:22:15.840
<v Speaker 1>these famous people are nervous and I'm not because I

0:22:15.840 --> 0:22:19.040
<v Speaker 1>should be the one. But she was a freaking hoot.

0:22:19.160 --> 0:22:22.440
<v Speaker 1>I think within like five minutes she was like, we're

0:22:22.480 --> 0:22:24.639
<v Speaker 1>laughing at each other's jokes. I'm playing around and she

0:22:24.720 --> 0:22:26.639
<v Speaker 1>saw like, oh I can just be myself. Okay, I

0:22:26.680 --> 0:22:30.239
<v Speaker 1>can do that. Um. And so I would feed her

0:22:30.359 --> 0:22:34.480
<v Speaker 1>lines like okay um and and she was comfortable, like

0:22:34.840 --> 0:22:36.640
<v Speaker 1>just like reading the script. But I was like, hey,

0:22:36.680 --> 0:22:38.520
<v Speaker 1>we don't have to do exactly that. Here's here's what's

0:22:38.520 --> 0:22:41.879
<v Speaker 1>happening in the scene. Um uh, this is how you're feeling,

0:22:42.240 --> 0:22:43.880
<v Speaker 1>this is where we need to get to. And then

0:22:43.920 --> 0:22:47.080
<v Speaker 1>she would riff, and by far that's the best stuff. Yeah,

0:22:47.400 --> 0:22:51.000
<v Speaker 1>just allowing the artist, like allowing the comedians to take

0:22:51.119 --> 0:22:54.399
<v Speaker 1>risks and be themselves. Yeah, now that that it was

0:22:54.480 --> 0:22:57.680
<v Speaker 1>real fun having her play and stuff. And I think

0:22:57.880 --> 0:23:00.840
<v Speaker 1>just you know, just because we keep bouncing and talking

0:23:00.840 --> 0:23:04.040
<v Speaker 1>about the comedy in this film, is was was super fun.

0:23:04.520 --> 0:23:07.240
<v Speaker 1>Uh you know, I'm gonna keep it like all the

0:23:07.240 --> 0:23:09.440
<v Speaker 1>way real and I don't feel bad because you didn't

0:23:09.440 --> 0:23:11.080
<v Speaker 1>work on it. But I didn't see the first one,

0:23:11.160 --> 0:23:13.760
<v Speaker 1>so I came in with two and I really regretted

0:23:13.760 --> 0:23:16.359
<v Speaker 1>didn't bring my daughter because the there was like a

0:23:16.400 --> 0:23:21.159
<v Speaker 1>little baby shark nod and I knew that, but yeah, no,

0:23:21.280 --> 0:23:25.040
<v Speaker 1>that's it really, Uh like it's so funny because we're

0:23:25.119 --> 0:23:27.240
<v Speaker 1>raving about it online and people were like really and

0:23:27.280 --> 0:23:30.520
<v Speaker 1>I'm like, please just go see it be And it

0:23:30.560 --> 0:23:33.199
<v Speaker 1>seemed like if I had to, like, you know, do

0:23:33.359 --> 0:23:36.160
<v Speaker 1>like an armchair analysis, and I think it was kind

0:23:36.160 --> 0:23:38.520
<v Speaker 1>of like they the first movie had the hard task

0:23:38.600 --> 0:23:41.359
<v Speaker 1>of kind of being more of an adaptation of us

0:23:41.520 --> 0:23:44.359
<v Speaker 1>of a mobile app, and y'all have to have fun

0:23:44.480 --> 0:23:48.000
<v Speaker 1>with just telling a story using a character that they

0:23:48.040 --> 0:23:50.840
<v Speaker 1>introduced in the first movie, and that's what. It's such

0:23:50.840 --> 0:23:55.680
<v Speaker 1>a fun, fun story. I mean, yeah, Les Lake Tiffany

0:23:55.800 --> 0:23:59.199
<v Speaker 1>uh is great and just even you know the eagle,

0:24:00.040 --> 0:24:02.679
<v Speaker 1>you know, you guys picked up the torch from the

0:24:02.760 --> 0:24:05.200
<v Speaker 1>arc that they kind of like introduced from the first

0:24:05.200 --> 0:24:08.879
<v Speaker 1>one and like dunked it in such a fun way. Um,

0:24:08.920 --> 0:24:13.040
<v Speaker 1>you know, I feel it's it's like, look y'all, I

0:24:13.080 --> 0:24:14.600
<v Speaker 1>know you're gonna be like if he's over, you're being

0:24:14.600 --> 0:24:16.240
<v Speaker 1>on a shell. I'm like, look, go see it. Go

0:24:16.320 --> 0:24:17.760
<v Speaker 1>see it and tell me what you think. You're in

0:24:17.800 --> 0:24:20.199
<v Speaker 1>the Discord. You can tell me what you think. Thorape

0:24:20.200 --> 0:24:22.199
<v Speaker 1>won't be in there, so you can be honest. But

0:24:22.280 --> 0:24:25.160
<v Speaker 1>I'm sure you're gonna love it. There's no Yeah, it's

0:24:25.160 --> 0:24:27.000
<v Speaker 1>actually the Discord. I don't want to kick you out

0:24:27.000 --> 0:24:29.639
<v Speaker 1>the Discord. You can be in it. But it's actually

0:24:29.680 --> 0:24:34.880
<v Speaker 1>the highest rated video game adaptation movie. Right yeah, right

0:24:34.880 --> 0:24:37.480
<v Speaker 1>now it is taking the throne as the highest rated

0:24:37.560 --> 0:24:41.840
<v Speaker 1>video game movie, and it deserves that praise because residels

0:24:42.920 --> 0:24:46.639
<v Speaker 1>An experience the first one started off real good. Uh,

0:24:47.480 --> 0:24:49.600
<v Speaker 1>And that's what I'll say I wanted. Before we wrap

0:24:49.680 --> 0:24:52.160
<v Speaker 1>up on Leslie Jones, is Zata what can you tell

0:24:52.200 --> 0:24:57.480
<v Speaker 1>people about essentially that new character that was introduced. Um yeah, um, yes,

0:24:57.560 --> 0:25:00.960
<v Speaker 1>so Zada um is the villain in this movie. She um.

0:25:01.840 --> 0:25:03.399
<v Speaker 1>When we were trying to figure out who the villain

0:25:03.480 --> 0:25:07.159
<v Speaker 1>is and what her personality was. Um, we saw an

0:25:07.160 --> 0:25:09.119
<v Speaker 1>old I don't remember if it was Jimmy Kimmel, but

0:25:09.160 --> 0:25:11.440
<v Speaker 1>she was on a toxic show and said, you know

0:25:11.480 --> 0:25:12.960
<v Speaker 1>what I've always wanted to do. I've always wanted to

0:25:12.960 --> 0:25:14.959
<v Speaker 1>be a villain in a movie. And so we're like, oh,

0:25:15.520 --> 0:25:26.239
<v Speaker 1>huh m, maybe we got to get first. Okay, So

0:25:26.280 --> 0:25:28.280
<v Speaker 1>you saw her and you were like wow, So the

0:25:28.359 --> 0:25:31.560
<v Speaker 1>character was made for her. Yep, Oh my gosh, that

0:25:31.680 --> 0:25:35.000
<v Speaker 1>is so cool. Yeah, totally, and so um we we

0:25:35.119 --> 0:25:39.720
<v Speaker 1>designed the character um after her, I think personality wise,

0:25:39.880 --> 0:25:45.480
<v Speaker 1>especially um and we tried to write for Leslie Jones

0:25:45.760 --> 0:25:51.160
<v Speaker 1>and tried to um anticipate what her real character would

0:25:51.200 --> 0:25:54.320
<v Speaker 1>be feeling or whatever. Um. And it kind of worked

0:25:54.400 --> 0:25:56.679
<v Speaker 1>before we had her recorded, but it was kind of

0:25:56.720 --> 0:25:59.800
<v Speaker 1>like flat and dry and it's like mustache poorly villain.

0:26:00.080 --> 0:26:02.119
<v Speaker 1>And then she came in and really put her personality

0:26:02.160 --> 0:26:03.760
<v Speaker 1>into it, and then it was like, oh my god,

0:26:03.800 --> 0:26:07.639
<v Speaker 1>this is the best character. Um. Yeah, she really she

0:26:07.760 --> 0:26:09.400
<v Speaker 1>really had fun with it and really put a lot

0:26:09.440 --> 0:26:11.879
<v Speaker 1>of a lot of herself into it, which was amazing.

0:26:12.280 --> 0:26:17.440
<v Speaker 1>So here's my big question, because it's always interesting working

0:26:17.520 --> 0:26:23.600
<v Speaker 1>with like an already established I p was Rovio precious

0:26:23.640 --> 0:26:26.719
<v Speaker 1>with you know the I piano where they you know,

0:26:26.800 --> 0:26:29.480
<v Speaker 1>nervous about any like new characters, where they kind of

0:26:29.600 --> 0:26:32.960
<v Speaker 1>gave you like they're they're great, good gracisms like we

0:26:33.000 --> 0:26:36.600
<v Speaker 1>trust you do what do what you do? Um for

0:26:36.640 --> 0:26:40.680
<v Speaker 1>the almost a million percent, that's what they did. The

0:26:41.080 --> 0:26:43.479
<v Speaker 1>only thing that they threw out there was like, just

0:26:43.560 --> 0:26:45.159
<v Speaker 1>to the end, could you have them go back to

0:26:45.440 --> 0:26:49.680
<v Speaker 1>the pigs and the birds going back to fighting. That's

0:26:49.720 --> 0:26:55.480
<v Speaker 1>not really but we'll we'll throw in a few like

0:26:55.720 --> 0:26:58.240
<v Speaker 1>jokey jabs that And they were totally cool with that.

0:26:58.280 --> 0:27:02.840
<v Speaker 1>They were they were amazing. Um all though, um, the fans, Uh,

0:27:03.240 --> 0:27:05.639
<v Speaker 1>some of the fans have had the hardest time because

0:27:05.680 --> 0:27:09.240
<v Speaker 1>we weren't precious about the video games at all. And

0:27:09.640 --> 0:27:12.159
<v Speaker 1>uh and there's a new character and the video and

0:27:12.440 --> 0:27:18.199
<v Speaker 1>the video games. Uh Silver um was a character and

0:27:18.200 --> 0:27:21.640
<v Speaker 1>we I never even played the game. Yeah, I didn't

0:27:21.680 --> 0:27:23.080
<v Speaker 1>look at it. I was like, no, we're gonna do

0:27:23.160 --> 0:27:25.560
<v Speaker 1>her own thing. She's gonna be really cute and really

0:27:25.600 --> 0:27:30.840
<v Speaker 1>smart and really fun. Uh. And actually I've got maybe

0:27:31.200 --> 0:27:35.720
<v Speaker 1>a hundred what a hundred d ms today from fans

0:27:35.720 --> 0:27:40.120
<v Speaker 1>are like I hate this new Silver alone y'all leave

0:27:40.200 --> 0:27:45.080
<v Speaker 1>this man alone? Was a great what is there? Wait? Okay,

0:27:45.080 --> 0:27:48.000
<v Speaker 1>so what is their complaints about her? Or that she's

0:27:48.000 --> 0:27:52.280
<v Speaker 1>just not like the game? To two different things, She's

0:27:52.320 --> 0:27:54.400
<v Speaker 1>not like the game, so her character is different. Most

0:27:54.440 --> 0:27:57.439
<v Speaker 1>of those have kind of died away. The whole world

0:27:57.480 --> 0:28:03.000
<v Speaker 1>that I didn't know existed was Angry Birds, um fan fiction,

0:28:03.440 --> 0:28:08.080
<v Speaker 1>and so a lot of them are like, yeah, you know,

0:28:08.359 --> 0:28:11.399
<v Speaker 1>my OC is dating Red, so he can't like this

0:28:11.480 --> 0:28:20.640
<v Speaker 1>other girl. Yes, the fan fiction comming. I mean, I'm

0:28:20.680 --> 0:28:23.480
<v Speaker 1>not gonna lie. I have been on those boards. Um,

0:28:23.520 --> 0:28:25.880
<v Speaker 1>not in the Angry Birds level, but definitely on the

0:28:25.960 --> 0:28:28.560
<v Speaker 1>anime level. I felt like she was done in such

0:28:28.600 --> 0:28:31.200
<v Speaker 1>a it was perfect because it was like, yeah, I'm

0:28:31.240 --> 0:28:34.280
<v Speaker 1>so used to being the girl that has the answers

0:28:34.280 --> 0:28:36.320
<v Speaker 1>and she's smart, and it's like she's kind of looked

0:28:36.320 --> 0:28:38.000
<v Speaker 1>over and people don't trust her and she has to

0:28:38.040 --> 0:28:39.920
<v Speaker 1>prove herself twice as much. And it was like such

0:28:39.960 --> 0:28:43.680
<v Speaker 1>a great commentary and and and especially for you know,

0:28:43.800 --> 0:28:47.120
<v Speaker 1>young girls to see. Um, I just I love that

0:28:47.200 --> 0:28:50.200
<v Speaker 1>aspect of it and kind of read I think I said,

0:28:50.200 --> 0:28:53.520
<v Speaker 1>I tweeted this out that it was something that did

0:28:53.560 --> 0:28:58.360
<v Speaker 1>tackle like toxic masculinity and and this feeling of identity

0:28:58.440 --> 0:29:02.480
<v Speaker 1>and insecurity that he has um where he feels like

0:29:02.520 --> 0:29:04.640
<v Speaker 1>he has to be in control or else people won't

0:29:04.680 --> 0:29:06.400
<v Speaker 1>or he has to be the center of the hero,

0:29:06.560 --> 0:29:09.040
<v Speaker 1>or people won't love him as he is. But just

0:29:09.080 --> 0:29:12.640
<v Speaker 1>the fact that she is brilliant and that kind of

0:29:12.680 --> 0:29:15.239
<v Speaker 1>gets you know, pushed aside for a while. I just

0:29:15.320 --> 0:29:20.080
<v Speaker 1>I loved that that was done. So I I just

0:29:20.120 --> 0:29:22.560
<v Speaker 1>did a quick because I wanted to see what the

0:29:22.600 --> 0:29:25.840
<v Speaker 1>Angry Birds Silver was. I'm in the Angry Birds, wicky.

0:29:26.120 --> 0:29:30.080
<v Speaker 1>They are detailed, they are strong. You can't underrest me

0:29:30.120 --> 0:29:32.520
<v Speaker 1>how many communities there are around there and there will

0:29:32.560 --> 0:29:34.760
<v Speaker 1>be someone who's like um, actually, and let me know,

0:29:34.880 --> 0:29:36.720
<v Speaker 1>nerd fam, do we have any nerd fam who's like

0:29:36.760 --> 0:29:40.280
<v Speaker 1>our our Angry Birds stand because I'm sure you will

0:29:40.320 --> 0:29:43.560
<v Speaker 1>have more than a few choice words for us. But yeah, no,

0:29:43.680 --> 0:29:46.960
<v Speaker 1>it's I think thought Silver was super fun and great

0:29:47.040 --> 0:29:49.720
<v Speaker 1>and now played by Rachel Bloom. I know, good friend

0:29:50.160 --> 0:29:54.400
<v Speaker 1>also a fellow l A native like me. Hey, Rachel,

0:29:54.800 --> 0:29:57.440
<v Speaker 1>do you listen? I don't know, I doubt it. She

0:29:57.600 --> 0:30:03.800
<v Speaker 1>just follow me. I'm I should say back back to Rachel.

0:30:03.800 --> 0:30:07.080
<v Speaker 1>And but there are maybe five people who are mad

0:30:07.120 --> 0:30:11.760
<v Speaker 1>about the suffers, like don't worry, yeah, you know, and

0:30:11.760 --> 0:30:13.640
<v Speaker 1>and sometimes those people are really loud. And I would

0:30:13.680 --> 0:30:16.520
<v Speaker 1>say the majority of people have been super supportive. And

0:30:16.680 --> 0:30:19.160
<v Speaker 1>I've seen it on my Twitter. And that's not just

0:30:19.200 --> 0:30:22.480
<v Speaker 1>because I follow you and Matthew Cherry. I can see

0:30:22.480 --> 0:30:25.600
<v Speaker 1>everything you guys are retweeting UM. But I have seen

0:30:25.640 --> 0:30:29.000
<v Speaker 1>so many people that have really praised this film. I

0:30:29.040 --> 0:30:31.320
<v Speaker 1>do want to talk about Rachel Bloom though, and the

0:30:31.360 --> 0:30:33.959
<v Speaker 1>rest of the cast, including Sturley Kay Brown, but we

0:30:34.040 --> 0:30:36.320
<v Speaker 1>have to take a really quick break, so we're hop

0:30:36.360 --> 0:30:44.440
<v Speaker 1>back in right after this and we're back. One thing

0:30:44.440 --> 0:30:46.360
<v Speaker 1>that I wanted to say about Rachel Bloom. My favorite

0:30:46.400 --> 0:30:48.520
<v Speaker 1>thing that I always tell people is that she she

0:30:48.560 --> 0:30:50.800
<v Speaker 1>talks about how she got rejected like six times in

0:30:50.880 --> 0:30:54.080
<v Speaker 1>one day when she was pitching crazy ex girlfriend. On

0:30:54.080 --> 0:30:56.200
<v Speaker 1>one single day, she went out and she had, you know,

0:30:56.240 --> 0:30:58.000
<v Speaker 1>throughout the weeks, had pitched to a bunch of networks

0:30:58.000 --> 0:30:59.560
<v Speaker 1>and they all called her back on the same day.

0:30:59.640 --> 0:31:02.080
<v Speaker 1>She got like six rejections, one after the other after

0:31:02.120 --> 0:31:05.720
<v Speaker 1>the other, and UM c W was the only one

0:31:05.720 --> 0:31:08.560
<v Speaker 1>that gave her a chance, and that totally paid off

0:31:08.600 --> 0:31:11.440
<v Speaker 1>for them. UM taking a risk on her. But I

0:31:11.520 --> 0:31:14.800
<v Speaker 1>just remind my friends of that whenever they're having a

0:31:14.840 --> 0:31:17.400
<v Speaker 1>hard time that it's like, you know, you can get

0:31:17.440 --> 0:31:19.520
<v Speaker 1>rejected that many times. It just takes that one yes

0:31:19.720 --> 0:31:22.680
<v Speaker 1>to pop in there. That's it takes. What was your

0:31:22.720 --> 0:31:25.520
<v Speaker 1>first yes? Or like when when did you feel like

0:31:25.560 --> 0:31:28.200
<v Speaker 1>that was your a moment that it was like, yes,

0:31:28.440 --> 0:31:32.720
<v Speaker 1>I have made it in Um it was slow. It

0:31:32.840 --> 0:31:36.400
<v Speaker 1>wasn't a moment. Because I pitched UM when I was

0:31:36.440 --> 0:31:39.760
<v Speaker 1>at cal Arts. Um, I knew, all right, I have

0:31:39.840 --> 0:31:42.040
<v Speaker 1>to bust my ask because for the rest of my

0:31:42.080 --> 0:31:44.240
<v Speaker 1>life I could work at a coffee shop and probably

0:31:44.680 --> 0:31:48.240
<v Speaker 1>either fire to get quit, either get fired or quit

0:31:48.320 --> 0:31:52.040
<v Speaker 1>every couple of months because what I want to do

0:31:52.120 --> 0:31:54.120
<v Speaker 1>is be an artist. Or I can bust ask now

0:31:54.360 --> 0:31:58.280
<v Speaker 1>and um make something happen for myself and then have

0:31:58.440 --> 0:32:02.280
<v Speaker 1>a decent job as an artists. Um. So I developed

0:32:02.280 --> 0:32:04.360
<v Speaker 1>Flapjack while I was at cal Arts, and I pitched

0:32:04.400 --> 0:32:07.320
<v Speaker 1>it UM, and I was so stoked to get in like, wow,

0:32:07.360 --> 0:32:08.880
<v Speaker 1>I did it, I made it. I'm gonna pitch this

0:32:08.880 --> 0:32:11.040
<v Speaker 1>and they're gonna love It's gonna be their favorite show.

0:32:11.160 --> 0:32:14.640
<v Speaker 1>And then well I was pitching it. The lady I

0:32:14.680 --> 0:32:16.760
<v Speaker 1>was pitching too. Was like waving two people out her

0:32:16.800 --> 0:32:19.840
<v Speaker 1>door and like reading stuff on her desk, UM and

0:32:19.880 --> 0:32:22.760
<v Speaker 1>walk looking out the window. And it was like very clear, Okay,

0:32:22.760 --> 0:32:26.640
<v Speaker 1>I get it. Yeah, you're you're just waiting for me

0:32:26.720 --> 0:32:28.640
<v Speaker 1>to finish, so you can say no because I'm a

0:32:28.720 --> 0:32:33.520
<v Speaker 1>kid and I'm a student at school. UM. And and

0:32:33.560 --> 0:32:36.080
<v Speaker 1>she gave me a few notes and feedback or whatever

0:32:36.120 --> 0:32:38.120
<v Speaker 1>after and then I came back like Okay, so I

0:32:38.160 --> 0:32:40.480
<v Speaker 1>addressed those notes and I want to pitch to you again,

0:32:40.520 --> 0:32:45.280
<v Speaker 1>and she's like, oh, you know, UM, I kind of

0:32:45.280 --> 0:32:47.840
<v Speaker 1>just thought of that as a student pitch UM, come

0:32:47.880 --> 0:32:49.960
<v Speaker 1>back when you have some experience and already. And it

0:32:50.040 --> 0:32:53.120
<v Speaker 1>was like so so heartbreaking UM for me, and I

0:32:53.160 --> 0:32:57.160
<v Speaker 1>like kept taking tests to do storyboards on different shows UM.

0:32:57.280 --> 0:33:01.120
<v Speaker 1>And then eventually only got in UM Cartoon Network because

0:33:01.480 --> 0:33:04.080
<v Speaker 1>I kept pushing them to start a free internship program

0:33:04.080 --> 0:33:07.200
<v Speaker 1>and then I came in on the free intern UM

0:33:07.280 --> 0:33:09.440
<v Speaker 1>And then once you're in, it's like it's so much

0:33:09.440 --> 0:33:12.320
<v Speaker 1>easier and and I'm not advocating work for free, but

0:33:12.400 --> 0:33:14.840
<v Speaker 1>that's totally the only thing that has worked for me

0:33:15.640 --> 0:33:18.880
<v Speaker 1>because I was like paying tuition, which was a ton

0:33:18.960 --> 0:33:21.240
<v Speaker 1>of money and I couldn't afford school anymore, but okay,

0:33:21.240 --> 0:33:23.240
<v Speaker 1>I'll pay tuition so that I can go work this

0:33:23.320 --> 0:33:26.840
<v Speaker 1>free job. And then UM, and then I think I

0:33:26.920 --> 0:33:28.720
<v Speaker 1>think it was the first day, at least within the

0:33:28.720 --> 0:33:31.080
<v Speaker 1>first couple of days. UM, I was on powerpuff Girl,

0:33:31.160 --> 0:33:34.760
<v Speaker 1>which is a show that I loved, and UM, and

0:33:34.800 --> 0:33:36.280
<v Speaker 1>I was in the writer's room. They let me go

0:33:36.280 --> 0:33:38.280
<v Speaker 1>on the writer's room and they're like, well, we're out

0:33:38.280 --> 0:33:41.080
<v Speaker 1>of ideas, We've already done everything, and so UM, I

0:33:41.160 --> 0:33:43.080
<v Speaker 1>was like, Okay, this is my chance, and I can

0:33:43.160 --> 0:33:45.680
<v Speaker 1>do it. So I went home and wrote uh six

0:33:45.720 --> 0:33:47.640
<v Speaker 1>episodes and I brought them in the next day they

0:33:47.640 --> 0:33:49.880
<v Speaker 1>bought them, and then they let me storyboard. UM. And

0:33:49.920 --> 0:33:54.400
<v Speaker 1>then when I started storyboarding, UM, people would compliment me

0:33:54.400 --> 0:33:56.440
<v Speaker 1>and say, oh my gosh, that was so funny or whatever.

0:33:56.880 --> 0:33:59.040
<v Speaker 1>And every one of those people, I was like, Hey,

0:33:59.080 --> 0:34:01.920
<v Speaker 1>could you go tell the development exact um that you

0:34:01.960 --> 0:34:04.920
<v Speaker 1>thought it was really UM. So that next time I

0:34:04.960 --> 0:34:07.000
<v Speaker 1>went in to pitch my show. I mean, this was

0:34:07.080 --> 0:34:09.840
<v Speaker 1>my plan was they were looking for a reason to

0:34:09.880 --> 0:34:11.960
<v Speaker 1>say yes instead of a reason to say no. They'd

0:34:11.960 --> 0:34:14.600
<v Speaker 1>already heard from ten people say oh, you know, the

0:34:14.640 --> 0:34:16.239
<v Speaker 1>next person who should have a show, you should have

0:34:16.239 --> 0:34:18.839
<v Speaker 1>thorough pitch. Um. So the next time I went into pitch,

0:34:18.920 --> 0:34:22.040
<v Speaker 1>they already went in with that confidence like this guy

0:34:22.239 --> 0:34:26.920
<v Speaker 1>knows what he's doing. Um so uh. And then they

0:34:26.920 --> 0:34:32.319
<v Speaker 1>picked up Flapapa. Yeah, I love Bubby. Bubby is like

0:34:32.440 --> 0:34:36.600
<v Speaker 1>just comedically so funny in the hard action, all the

0:34:36.640 --> 0:34:41.160
<v Speaker 1>wild stuff Flapjack gets into. I love Flapjack. Thanks. Actually,

0:34:41.239 --> 0:34:45.200
<v Speaker 1>ros Ryan and I have almost exactly that relationship. She

0:34:45.239 --> 0:34:48.560
<v Speaker 1>treats me like and I love her. She is so

0:34:49.160 --> 0:34:51.640
<v Speaker 1>like a motherly figure to me. And still like every

0:34:51.680 --> 0:34:54.439
<v Speaker 1>time I talked to her she gives me a big hug.

0:34:54.480 --> 0:34:57.879
<v Speaker 1>Oh the baby, how are you doing then? Like exactly

0:34:57.960 --> 0:35:02.279
<v Speaker 1>exactly the relationship of flab Jack and Bubby And actually, um,

0:35:02.280 --> 0:35:07.160
<v Speaker 1>Brian del Murray and I very similar relationship. Or he's

0:35:07.160 --> 0:35:13.080
<v Speaker 1>just like alright, shut up, that's done. See people, it

0:35:13.120 --> 0:35:17.680
<v Speaker 1>takes some rejection. Are you don't give up? Yeah, that's

0:35:17.719 --> 0:35:21.760
<v Speaker 1>the grind is Like I always say, um, people always

0:35:21.760 --> 0:35:24.319
<v Speaker 1>think it's like a shot and it's really more so

0:35:24.440 --> 0:35:27.560
<v Speaker 1>just a battle of attrition. Like it it feels like

0:35:27.640 --> 0:35:30.960
<v Speaker 1>every everyone who you know, it was like I didn't work.

0:35:31.320 --> 0:35:34.120
<v Speaker 1>It was because they just got done and everyone like

0:35:34.239 --> 0:35:37.200
<v Speaker 1>you know, if you just here, eventually, eventually they got

0:35:37.200 --> 0:35:41.279
<v Speaker 1>to say yes, yeah, a million percent. Everything that I've

0:35:41.320 --> 0:35:45.440
<v Speaker 1>pitched has gotten rejected so many times, and then I

0:35:45.480 --> 0:35:47.680
<v Speaker 1>rework it and I figure out like, okay, and I

0:35:47.800 --> 0:35:52.040
<v Speaker 1>still believe in this um what is working for me

0:35:52.600 --> 0:35:54.800
<v Speaker 1>and isn't working for them? How do I find the

0:35:54.840 --> 0:35:58.239
<v Speaker 1>way into everyone so that they this resonates with them

0:35:58.280 --> 0:36:00.640
<v Speaker 1>the same same way that it does with me. Yeah,

0:36:00.719 --> 0:36:03.080
<v Speaker 1>But do you ever just like for me, I wrote

0:36:03.120 --> 0:36:07.120
<v Speaker 1>something that like some really respected people just loved and adored,

0:36:07.160 --> 0:36:09.120
<v Speaker 1>and some other people just didn't like. And I just

0:36:09.280 --> 0:36:12.680
<v Speaker 1>was like, I think I gotta let that go a

0:36:12.719 --> 0:36:15.439
<v Speaker 1>part of me at least, I you know, I guess

0:36:15.480 --> 0:36:17.840
<v Speaker 1>I I thought like, maybe it's not going to resonate

0:36:18.680 --> 0:36:21.759
<v Speaker 1>with everyone. Yeah, And I think it really is. Just

0:36:21.880 --> 0:36:26.239
<v Speaker 1>like you, they're there are people who are going to

0:36:26.360 --> 0:36:28.480
<v Speaker 1>be fans of you, and there's people who you're not

0:36:28.520 --> 0:36:30.520
<v Speaker 1>gonna be for And if you're as long as you

0:36:30.560 --> 0:36:32.520
<v Speaker 1>don't hang up on that and just make sure you

0:36:32.560 --> 0:36:35.920
<v Speaker 1>find your people, that's who you want anyway, you know,

0:36:35.960 --> 0:36:39.320
<v Speaker 1>I oftentimes see a lot of people fighting for people

0:36:40.280 --> 0:36:42.560
<v Speaker 1>to be there people when they're not, And then you

0:36:42.640 --> 0:36:45.439
<v Speaker 1>see like they eventually do get them, and then they're

0:36:45.480 --> 0:36:50.400
<v Speaker 1>kind of almost beholden to what this like fringe group

0:36:50.480 --> 0:36:52.960
<v Speaker 1>of their fan base likes because they don't want to

0:36:53.000 --> 0:36:56.440
<v Speaker 1>lose them, not realizing that the fan base at large,

0:36:56.600 --> 0:36:59.799
<v Speaker 1>you know, is there for them, are a fan of

0:37:00.000 --> 0:37:03.879
<v Speaker 1>that they create, So let that, Yeah, just make like

0:37:03.960 --> 0:37:06.680
<v Speaker 1>and that's that's kind of like the basis of I

0:37:06.719 --> 0:37:09.120
<v Speaker 1>think a lot of creative stuff, because I think when

0:37:09.560 --> 0:37:15.520
<v Speaker 1>the creative growth process in my like weird mind is

0:37:15.600 --> 0:37:20.680
<v Speaker 1>like you start off doing what you what you like,

0:37:21.600 --> 0:37:23.600
<v Speaker 1>and by what I mean what you like, you like

0:37:23.680 --> 0:37:26.760
<v Speaker 1>that you're kind of be making homages to the things

0:37:26.800 --> 0:37:30.279
<v Speaker 1>that inspire you, and then you start to venture more

0:37:30.280 --> 0:37:32.359
<v Speaker 1>into professional stuff, and then you start to try and

0:37:32.360 --> 0:37:35.359
<v Speaker 1>make things you think that people will want. Well that

0:37:35.480 --> 0:37:37.600
<v Speaker 1>you try and make things that you think people will like,

0:37:38.239 --> 0:37:41.040
<v Speaker 1>and then eventually you mature and then you just go

0:37:41.120 --> 0:37:43.319
<v Speaker 1>back to right making the stuff you like, but the

0:37:43.360 --> 0:37:46.920
<v Speaker 1>stuff that really you your voice you like, and then

0:37:46.960 --> 0:37:49.560
<v Speaker 1>that's when you really find the most success, Yeah, because

0:37:49.560 --> 0:37:51.919
<v Speaker 1>you're the most passionate about it. Yeah, And I think

0:37:52.040 --> 0:37:54.560
<v Speaker 1>like within the last few years, there's so much more

0:37:54.600 --> 0:37:56.880
<v Speaker 1>of a market for that because you don't have to

0:37:56.920 --> 0:37:58.759
<v Speaker 1>appeal to everyone anymore. You don't have to peel to

0:37:58.960 --> 0:38:01.640
<v Speaker 1>like every seven to twelve year old kids. You can

0:38:01.680 --> 0:38:03.920
<v Speaker 1>just make something you love and the audience will find it.

0:38:03.960 --> 0:38:07.279
<v Speaker 1>With with streaming because you don't have to uh aim

0:38:07.400 --> 0:38:10.800
<v Speaker 1>commercials at them. Yeah, you can only sell a show

0:38:10.920 --> 0:38:13.359
<v Speaker 1>or a movie or whatever. Um. If you can sell

0:38:13.400 --> 0:38:16.160
<v Speaker 1>the commercial time to this age demographic and that's gone

0:38:16.200 --> 0:38:18.680
<v Speaker 1>out the window, it's amazing. It's such a cool time

0:38:18.719 --> 0:38:23.000
<v Speaker 1>to be making TV shows. Yeah. So we did tease

0:38:23.080 --> 0:38:26.560
<v Speaker 1>Sterley kay Brown. Uh he is a new character, Gary

0:38:26.640 --> 0:38:30.960
<v Speaker 1>pig Um. I didn't even realize that that was him.

0:38:33.440 --> 0:38:36.799
<v Speaker 1>I was trying to I was like, man, almost has

0:38:36.800 --> 0:38:39.200
<v Speaker 1>a tinge of Idris in there. But I was like

0:38:39.640 --> 0:38:42.600
<v Speaker 1>I would know like Idris, I would have locked in

0:38:42.680 --> 0:38:45.720
<v Speaker 1>also because I just saw Hobbs and Shaw, so he's

0:38:45.760 --> 0:38:48.200
<v Speaker 1>but I was like, who is it? And when I

0:38:48.239 --> 0:38:50.680
<v Speaker 1>saw Sterling at the end, I was like, oh yeah,

0:38:50.719 --> 0:38:53.719
<v Speaker 1>how did that combo come together? Like picking him for

0:38:53.800 --> 0:38:59.799
<v Speaker 1>that particular character. I think that we just loved him. Um.

0:39:00.080 --> 0:39:06.880
<v Speaker 1>I think he was on Saturday Night Live and stick

0:39:07.000 --> 0:39:09.000
<v Speaker 1>was that he would just start crying all the time,

0:39:09.680 --> 0:39:11.959
<v Speaker 1>because that's what he does on this is us. Yeah,

0:39:12.200 --> 0:39:14.160
<v Speaker 1>he's like such a good crier and like you're like

0:39:14.400 --> 0:39:16.960
<v Speaker 1>emotionally with him all the time. And so um they

0:39:17.040 --> 0:39:18.880
<v Speaker 1>ran that as a bit and so we're like, all right,

0:39:18.880 --> 0:39:20.560
<v Speaker 1>this guy is getting upset all the time. That'd be

0:39:20.560 --> 0:39:23.799
<v Speaker 1>really funny if he was Sterling K. Brown. Um, but

0:39:23.840 --> 0:39:29.799
<v Speaker 1>we didn't want to do that exact bit. Um. So uh.

0:39:29.840 --> 0:39:33.600
<v Speaker 1>And it's funny because most of the characters, um, we

0:39:33.760 --> 0:39:36.840
<v Speaker 1>just drew so much from their personality and they became

0:39:37.080 --> 0:39:41.000
<v Speaker 1>their character because of the personality of the actor. Sterling K.

0:39:41.160 --> 0:39:46.040
<v Speaker 1>Brown is the least like Gary you could possibly these

0:39:46.120 --> 0:39:50.720
<v Speaker 1>that like the nicest, most sincere, like down for whatever

0:39:51.000 --> 0:39:54.480
<v Speaker 1>person and and maybe that's why, um we ended up

0:39:54.920 --> 0:39:57.600
<v Speaker 1>um making his character the opposite because we thought that

0:39:57.680 --> 0:40:01.600
<v Speaker 1>was funny, like it's like this guy an asshole. Um.

0:40:01.800 --> 0:40:04.360
<v Speaker 1>And then uh, he just started playing around with the

0:40:04.360 --> 0:40:08.399
<v Speaker 1>British accent and yeah, that's funny, that works, let's do it. Um.

0:40:08.440 --> 0:40:11.759
<v Speaker 1>So so he just rolled with it. We'll start wrapping up.

0:40:11.760 --> 0:40:13.319
<v Speaker 1>But what I did want to say is that I

0:40:13.360 --> 0:40:15.399
<v Speaker 1>saw your tweet that you said there's no better place

0:40:15.440 --> 0:40:17.880
<v Speaker 1>to be right now than at Sony Animation. It sounds

0:40:17.880 --> 0:40:21.160
<v Speaker 1>like they're really allowing filmmakers to take the risks. We

0:40:21.400 --> 0:40:24.160
<v Speaker 1>definitely saw that with a lot of not only the

0:40:24.160 --> 0:40:27.759
<v Speaker 1>heart but also the humor that you were allowed to

0:40:27.800 --> 0:40:30.839
<v Speaker 1>do in this film, which I love that. Yeah. UM.

0:40:30.920 --> 0:40:34.640
<v Speaker 1>Christine Bilson, who's the head of the studio, is amazing

0:40:34.719 --> 0:40:38.240
<v Speaker 1>and I think, UM, I've worked with some really amazing

0:40:38.760 --> 0:40:42.920
<v Speaker 1>UM execs, and I've worked with some who are less amazing.

0:40:43.000 --> 0:40:47.399
<v Speaker 1>And usually the reason they're less amazing is because there's

0:40:47.560 --> 0:40:50.719
<v Speaker 1>really self conscious and they give you a note and

0:40:50.760 --> 0:40:52.439
<v Speaker 1>they just want you to do it and they don't

0:40:52.480 --> 0:40:55.640
<v Speaker 1>want to talk about it. And someone like Christine, who

0:40:56.080 --> 0:40:57.880
<v Speaker 1>if you didn't know better, it might seem like the

0:40:57.920 --> 0:41:00.479
<v Speaker 1>opposite because she always says, I don't know, maybe something

0:41:00.480 --> 0:41:03.400
<v Speaker 1>like this. She knows exactly what she's talking about, but

0:41:03.480 --> 0:41:06.239
<v Speaker 1>she's giving you freedom. That's that's you're out to not

0:41:06.360 --> 0:41:10.240
<v Speaker 1>have to do exactly what I just said. But along

0:41:10.320 --> 0:41:12.239
<v Speaker 1>these lines, this is what we need and that's the

0:41:12.280 --> 0:41:15.759
<v Speaker 1>best UM, the best creative note that you can give

0:41:15.880 --> 0:41:19.880
<v Speaker 1>like it's missing this thing and somewhere around here, just

0:41:19.960 --> 0:41:22.680
<v Speaker 1>think about a better way to do it. And that's

0:41:23.280 --> 0:41:27.759
<v Speaker 1>that's everything. UM. And I think she really sees the

0:41:27.840 --> 0:41:32.839
<v Speaker 1>value in UM more original ideas. I think the new

0:41:33.320 --> 0:41:35.600
<v Speaker 1>UM Sony lineup is going to be a lot more

0:41:35.719 --> 0:41:40.240
<v Speaker 1>original movies, which is amazing, a lot more like creator

0:41:40.400 --> 0:41:43.680
<v Speaker 1>driven ideas, which is amazing. They're not all I p

0:41:43.880 --> 0:41:47.520
<v Speaker 1>s that are not all um uh, these well known

0:41:47.640 --> 0:41:50.439
<v Speaker 1>entities that you already know what it is. It's like

0:41:50.600 --> 0:41:52.759
<v Speaker 1>it's exciting because it's like the new stuff. All right,

0:41:52.800 --> 0:41:55.520
<v Speaker 1>let's see a bunch of new stuff, um by people

0:41:55.560 --> 0:41:58.880
<v Speaker 1>who know how to tell a story. And that's super

0:41:58.920 --> 0:42:02.000
<v Speaker 1>exciting to me. Yeah, that's what a lot of people

0:42:02.040 --> 0:42:04.040
<v Speaker 1>have been asking for too, So it's cool that they're

0:42:04.080 --> 0:42:06.560
<v Speaker 1>doing that. Um. I guess just to wrap it up,

0:42:06.600 --> 0:42:09.600
<v Speaker 1>what what do you hope that audiences take away from

0:42:09.600 --> 0:42:13.840
<v Speaker 1>Angry Birds too? Um? I think I think the movie

0:42:13.880 --> 0:42:16.080
<v Speaker 1>is really a metaphor for life. I think it's a

0:42:16.080 --> 0:42:21.640
<v Speaker 1>metaphor for every everyone. It's about working together with others

0:42:21.680 --> 0:42:23.759
<v Speaker 1>who are different than you, went together, being able to

0:42:23.800 --> 0:42:26.320
<v Speaker 1>do something you could do on your own. It's not easier,

0:42:27.040 --> 0:42:30.320
<v Speaker 1>it's almost always harder, but it's way more fulfilling and

0:42:30.880 --> 0:42:34.880
<v Speaker 1>at the um in the long run, you get something better.

0:42:35.239 --> 0:42:41.200
<v Speaker 1>Yeah whin than uh? Where can people find you? Um?

0:42:41.280 --> 0:42:50.560
<v Speaker 1>Literally just google thorop Twitter. Just type in up, just

0:42:50.640 --> 0:42:52.440
<v Speaker 1>type in Thorp. Yeah, I think so. You don't have

0:42:52.440 --> 0:42:55.479
<v Speaker 1>to take your your screen name from someone else. There's

0:42:55.480 --> 0:42:59.240
<v Speaker 1>like forty Danny Fernances, and there's a very big soccer

0:42:59.280 --> 0:43:03.520
<v Speaker 1>player finally beat on Google and a magician who I'm not.

0:43:03.560 --> 0:43:05.239
<v Speaker 1>He actually has a show on Netflix, so he and

0:43:05.280 --> 0:43:08.520
<v Speaker 1>I are really going. I'm just waiting. Um actually, um,

0:43:08.920 --> 0:43:11.480
<v Speaker 1>I think it's a little thro up on Instagram because

0:43:11.520 --> 0:43:14.720
<v Speaker 1>I created a throup and then I forgot my past.

0:43:16.719 --> 0:43:21.520
<v Speaker 1>We have both I love it and Angry Birds is

0:43:21.520 --> 0:43:24.800
<v Speaker 1>out and Your Birds Too is out right now in theaters.

0:43:25.080 --> 0:43:27.200
<v Speaker 1>Check it out. And also our friend Matthew Cherry has

0:43:27.560 --> 0:43:30.920
<v Speaker 1>hair Love the short that he directed is also before

0:43:30.920 --> 0:43:35.319
<v Speaker 1>it so both awesome, Uh pieces that you can see

0:43:35.520 --> 0:43:40.240
<v Speaker 1>you will cry and growing like a baby before anything

0:43:40.360 --> 0:43:42.960
<v Speaker 1>even happened. Just when the dread Dad came, I was like,

0:43:43.040 --> 0:43:47.719
<v Speaker 1>I'm a dread Dad. I knew it was going to

0:43:47.800 --> 0:43:51.239
<v Speaker 1>get you. Yeah it was who boy? But yeah, and

0:43:51.320 --> 0:43:52.840
<v Speaker 1>you know me, if you want to wait on Twitter

0:43:52.880 --> 0:43:54.880
<v Speaker 1>and Instagram, if d's on Twitch, if you want to

0:43:54.880 --> 0:43:58.440
<v Speaker 1>see me playing video games, uh, and uh, you know,

0:43:59.200 --> 0:44:03.280
<v Speaker 1>check Twitter for upcoming show dates. I'm at miss Danny Fernandez.

0:44:03.280 --> 0:44:05.879
<v Speaker 1>I'm gonna be at New York Comic Con. How did

0:44:05.880 --> 0:44:08.439
<v Speaker 1>I say that? New York. I'm gonna be at New

0:44:09.680 --> 0:44:14.239
<v Speaker 1>York Comic Con. I will be posting my panel, so

0:44:14.400 --> 0:44:17.080
<v Speaker 1>check me out on Twitter and Instagram. I'll definitely have

0:44:17.400 --> 0:44:20.239
<v Speaker 1>the dates and rooms you know, in the next week

0:44:20.320 --> 0:44:23.200
<v Speaker 1>of those so but I will see you there New York.

0:44:23.320 --> 0:44:30.600
<v Speaker 1>And as we always say, stay neardy, Stay neardy.