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Speaker 1: Hey there, fan of Rito's. Welcome to part two of

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Speaker 1: our interview with Keith Richmond. He was with us from

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Speaker 1: seasons one through eight as our stage manager and first

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Speaker 1: assistant director, so his memory of Full House is honestly

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Speaker 1: better than ours. Please welcome back, Keith. Was it harder

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Speaker 1: to manage the kids on the show or the adults?

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Speaker 2: Like?

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Speaker 1: Was it harder to manage the babies the crying baby

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Speaker 1: and the non crying baby or Bob and Dave?

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Speaker 2: What was more difficult? Yeah? You know that was that

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Speaker 2: was always a challenge.

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Speaker 3: Yes, No, we had enough help with with Mary Kay Nashley,

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Speaker 3: and also.

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Speaker 4: We needed Bob ring is what we needed. We had

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Speaker 4: a baby wrangler, We needed a Bob a day. That

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Speaker 4: was your job.

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Speaker 2: I tried to do. So.

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Speaker 3: I would go home Monday, we'd have a rehearsal. I

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Speaker 3: would go home and the phone would ring and it

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Speaker 3: was mister second. It was Bob, and he go this,

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Speaker 3: that and the other. I won't go into specifics, but

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Speaker 3: and it would go on and on, and I would listen.

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Speaker 3: I go, hey, Bob, isn't it great to have your

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Speaker 3: own show? Is it great to be honest?

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Speaker 5: Thing?

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Speaker 2: I'bout that paycheck.

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Speaker 6: You got right, and he go, oh man, thanks Keith,

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Speaker 6: thank you so much that you thanks for bringing me back. Okay,

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Speaker 6: and then click and then we'd go in the next day,

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Speaker 6: we'd have a rehearsal.

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Speaker 3: I'd get home after rehearself. When I finally was able

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Speaker 3: to get home and the phone would bring it was

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Speaker 3: a Monday Tuesday thing. Right Wednesday, we were cool and

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Speaker 3: we you know, we.

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Speaker 4: Go Monday Tuesday. Bob was like, I don't want to

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Speaker 4: do the show anymore. I just made a mistake.

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Speaker 2: It was fine.

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Speaker 4: Well, speaking of Bob, you did America's Funniest Home Videos too,

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Speaker 4: didn't you did?

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Speaker 2: Isn't that crazy?

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Speaker 3: I was able to do that, and so I would go,

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Speaker 3: uh for Friday night after the show, we would I

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Speaker 3: don't know if we did one Friday night, but I

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Speaker 3: would know I would do Saturday and Sunday.

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Speaker 2: So I was working a week.

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Speaker 3: Sevent did America's Funniest People.

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Speaker 2: I did that as well.

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Speaker 4: Oh my gosh, you know, thank goodness.

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Speaker 3: These guys wanted to have me why and the producers

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Speaker 3: were great. I did in America's Plenty of Home Videos

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Speaker 3: for twenty seven years and run after Bob, I did Tom. Yeah, wow,

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Speaker 3: I mean I didn't do every episode that they would

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Speaker 3: call me when they needed me, and yeah, it was.

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Speaker 3: It was a world blessing.

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Speaker 4: Yeah, I forgot that that show was on that long.

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Speaker 1: That's right, that's a long run.

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Speaker 4: It's still on it is Yeah, Oh my god.

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Speaker 1: Is that a difficult show? Was it difficult to manage

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Speaker 1: that show? Or its full house harder?

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Speaker 2: You mean when Bob was hosting or.

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Speaker 1: Oh well, yeah, I should say yeah, when Bob was

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Speaker 1: hosting home videos, Like, I'm just thinking of the logistics

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Speaker 1: and the call sheets and the amount of people you

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Speaker 1: have to manage on.

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Speaker 3: America's Fridays Home Videos. It was real stage manager. So

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Speaker 3: I was able to just step in and help Flora.

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Speaker 4: Because there's no real script writing. It's introing and outro

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Speaker 4: and videos that was in.

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Speaker 3: And outs mostly, And then we'd watch the videos and

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Speaker 3: have fun and he.

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Speaker 2: Would okay, it was it was great fun. Yeah, it

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Speaker 2: was great fun.

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Speaker 3: And then we do America's Funny People and sometimes we

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Speaker 3: would take both the shows to Florida.

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Speaker 4: Oh that's right, God, I remember that.

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Speaker 2: Luckily, we'd have a hightus ever every couple of weeks.

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Speaker 4: So yeah, yeah, three on one off, always a nice schedule.

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Speaker 2: I've been very fortunate.

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Speaker 3: I can't I you know, all I can do is

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Speaker 3: be grateful for that. Because also when then when I

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Speaker 3: went on to the Drew Carrey show, we did Who's Line?

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Speaker 4: That is one of my favorite shows. Whose Line? I

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Speaker 4: had no idea idea that I love that show so much.

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Speaker 1: It's it's just brilliant.

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Speaker 4: It was so brilliant, great fun, and we did Oh

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Speaker 4: I bet that show must have been ridiculously fun.

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Speaker 2: It was just fun.

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Speaker 3: And I did everyone Withdrew, and it was the same

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Speaker 3: kind of thing where there was an opportunity and Drew said, hey,

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Speaker 3: can you come over there and that show I would

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Speaker 3: definitely like leave her because we didn't mind.

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Speaker 2: A Tuesday shoot.

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Speaker 7: Okay, Yeah, we would stop rehearsal after run through and

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Speaker 7: I jump in the car and drive into the next

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Speaker 7: studio in Hollywood, right, and we would do a show

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Speaker 7: that night.

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Speaker 3: And then we do a couple over the weekend. And

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Speaker 3: so again, such a blessing.

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Speaker 2: I don't know.

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Speaker 3: If there were a whole lot of other guys that

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Speaker 3: had that, you know, that have those opportunities, And I'm

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Speaker 3: so grateful that I would do that. But yeah, definitely

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Speaker 3: working seven days a week, you know, when you're freelance,

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Speaker 3: even though even though I was on staff.

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Speaker 4: And doing, you got to take the work when it comes.

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Speaker 4: You never say that's that's this business. Right, You're like, oh,

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Speaker 4: I have so much work. I don't know what to

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Speaker 4: do with it. And then you're like crickets you know exactly?

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Speaker 4: You know, yeah, faster famine, Yeah, and you and it is.

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Speaker 4: It's addicting you on set. It's insane and there's something

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Speaker 4: about that fast pays insanity whatever. You're like, this is crazy,

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Speaker 4: and I kind of love it.

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Speaker 3: So the challenge is when you retire.

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Speaker 2: Right, what do you do? I don't know.

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Speaker 4: I haven't done so yet, right, you guys have a

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Speaker 4: long way to go.

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Speaker 3: But so the interesting thing is, you know, if you're

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Speaker 3: not type A, you become Type.

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Speaker 2: A as a first ad right, right, Yeah, So.

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Speaker 3: Every morning I have to walk the house and make

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Speaker 3: sure everything's in place.

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Speaker 4: Right do you count five? Four, three twos? You walk

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Speaker 4: out the door and then just go.

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Speaker 3: Trying to manage it, you know, micromanage everyone in my family.

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Speaker 3: If the kids are if the kids are cooking in

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Speaker 3: the kitchen, and I would walk in and they would

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Speaker 3: start screaming get out of here, because they know I

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Speaker 3: would start cleaning up.

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Speaker 4: That's all I see. I do that, I am. I

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Speaker 4: have that same energy. I get it where you're like,

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Speaker 4: oh no, this isn't right. You just can't. You can

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Speaker 4: now do this right, let me do it.

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Speaker 2: Yes, I had come to terms with the fact that

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Speaker 2: OCD is a real thing.

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Speaker 4: Yeah, and I mean yeah, but it's kind of what

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Speaker 4: who you need for stage managing a D. You need

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Speaker 4: somebody that's like yep soup that is detail oriented and

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Speaker 4: also big picture orient like that can deal with the

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Speaker 4: minutia and.

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Speaker 2: The big that's right, exactly right and linear. Well, you

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Speaker 2: guys are both directed, so you know what I direct?

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Speaker 4: Yeah, Andrew died.

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Speaker 3: Oh that's fabulous, you know. I mean, I'm always You're

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Speaker 3: always two days ahead and right and you at the

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Speaker 3: same time, you better be ready for camera.

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Speaker 4: Yeah, you're next week and today and tomorrow's shoot.

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Speaker 2: Camera doesn't wait.

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Speaker 3: And I also better be ready again, especially on a

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Speaker 3: Monday Tuesday show. I would get right Friday night, I

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Speaker 3: have to redo the schedule. That's what my Saturday was.

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Speaker 4: Right.

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Speaker 2: Then we're starting a new episode on Wednesday.

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Speaker 4: Yeah, that's the Monday Tuesday shoots always seemed weird to me.

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Speaker 3: Yeah, after Sunday, after break down the show and create

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Speaker 3: a schedule so that when I do that production meeting

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Speaker 3: Wednesday morning, I have something to tell people at least

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Speaker 3: to give them an overview.

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Speaker 2: And I don't have time to do it on Monday

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Speaker 2: or Tuesday.

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Speaker 3: Right, the camera's there, So that would be Sunday, Saturday

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Speaker 3: and Sunday, and that's what I have to do every week,

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Speaker 3: and so there was no day off.

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Speaker 2: Really, wow, it would takes six hours to break break

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Speaker 2: down the script.

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Speaker 3: Yeah, sure, you know because I put in every element

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Speaker 3: on the schedule and right, and then by Wednesday, you know,

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Speaker 3: you're in there doing the pressure meeting and then all

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Speaker 3: the departments, would you know, surround you and go that's

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Speaker 3: not going to work.

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Speaker 4: I need right, I need this, don't do right?

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Speaker 2: You got there? And can you do that? Oh? I

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Speaker 2: love it?

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Speaker 4: Yeah, yeah it is. There's nothing like the chaos of it.

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Speaker 4: It's really it's like your fight. It's like a being

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Speaker 4: in a street fight with twenty different people. You like,

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Speaker 4: I got to be ready for anything.

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Speaker 3: So when you do, uh, I think retirement.

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Speaker 2: And my my wife taught me this because.

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Speaker 3: Her fathers to say it that when you need to

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Speaker 3: have something, to do something to look forward to the

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Speaker 3: love I have those three things you can you can.

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Speaker 4: Survive or hi, right, that's actually that is really yeah, yeah,

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Speaker 4: that is great advice because it does. I remember when

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Speaker 4: my dad retired from his first job before he started

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Speaker 4: his like handyman business, my mom was like, you need

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Speaker 4: to go do something because he went from working all

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Speaker 4: the time for forty seven years at the same place

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Speaker 4: to like sitting around and you know, driving my mom nuts.

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Speaker 4: So it's like it is hard when you're I know,

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Speaker 4: even when we're off of work, it's like I get scorely,

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Speaker 4: you know on that one what am I doing?

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Speaker 2: You know, you really got to work hard. And I

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Speaker 2: know that both of you guys probably are really have

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Speaker 2: refined it. You need self care.

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Speaker 3: You need yeah, make sure that you allow yourself that

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Speaker 3: time that you drive yourself crazy and.

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Speaker 2: You really yeah, fashion with it. You're battling with yourself.

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Speaker 4: Oh it's the hardest battle I fight.

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Speaker 1: Yeah.

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Speaker 2: I have a lot of respect for both of you

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Speaker 2: guys and what you've been through.

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Speaker 4: And thank you.

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Speaker 3: You're fabulous, Thank you.

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Speaker 4: It is it is pretty fabulous. And to be able

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Speaker 4: to walk through it all again and do this show

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Speaker 4: and like revisit stuff, you know.

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Speaker 1: Yeah, well it's brand new for Jody and I. We

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Speaker 1: didn't see most watch the episode, so we're watching these

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Speaker 1: episodes for the first time.

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Speaker 2: Show.

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Speaker 3: Oh that's why, because you're rekepting each thing on them.

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Speaker 4: Yeah, we're so. We're we started at the very beginning

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Speaker 4: and are watching the series all the way through in

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Speaker 4: chronological order, and we've never seen most of these episodes.

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Speaker 4: Like I remember the pilot, I remember, you know, but

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Speaker 4: like some of these I'm like, what were we doing

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Speaker 4: was that? I don't remember that storyline, you know, And

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Speaker 4: it's yeah, it's like all of these sort of memories

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Speaker 4: coming back of things that.

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Speaker 2: How many episodes as you guys do.

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Speaker 1: On Fuller We did seventy five? Yeah, we did five seasons,

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Speaker 1: sometimes thirteen episodes, sometimes eighteen.

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Speaker 4: Oh wow, yeah yeah, yeah, I think three was three

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Speaker 4: was our three and five were our eighteens, weren't they? Yeah?

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Speaker 1: I think those were the eighteens.

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Speaker 3: Yeah, once you go over thirteen and it comes home.

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Speaker 2: Right right, dang, you know what do we do now?

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Speaker 3: Right?

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Speaker 4: Well, especially now god, you know, we talk about it

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Speaker 4: all the time. Like the schedule of the old school sitcom,

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Speaker 4: the you know, the running You had nine months of work.

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Speaker 4: You're like, oh, I'm going to be working for the

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Speaker 4: whole year. This is great. And I feel like every

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Speaker 4: time you start a streaming show now you're like, okay,

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Speaker 4: so this is going to work for now, But what

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Speaker 4: am I doing in two months?

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Speaker 3: Right?

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Speaker 4: You know, it does make it really hard.

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Speaker 3: It doesn't make it hard freelance, it's hard. And yeah, yeah,

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Speaker 3: well you guys did one hundred and ninety two full houses.

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Speaker 4: Yeah, just shy of two hundred. We were looking through

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Speaker 4: stuff and I didn't realize that the Drew Carrey Show

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Speaker 4: had two hundred and thirty two episodes.

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Speaker 2: That's true, we did.

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Speaker 3: So I did eight years on Full House, you know,

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Speaker 3: not counting the one accounting the one, right, but I'm

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Speaker 3: still working in there.

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Speaker 2: But nine years on their car show.

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Speaker 1: I had ida ran for that long. That's amazing.

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Speaker 2: Yeah, yeah, really it was great. And we did a

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Speaker 2: lot of.

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Speaker 4: Dance and yes, I do remember that a lot of

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Speaker 4: dance numbers on that.

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Speaker 2: Yeah, so adience. Yeah, it was really good.

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Speaker 3: So I mean, basically, besides all the other stuff, I mean,

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Speaker 3: that's a career, right, there.

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Speaker 4: I was gonna say, that's yeah, the Natalie, you know,

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Speaker 4: seventeen years' worth of a career. You'd be like, all right,

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Speaker 4: good done, thank you, you know.

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Speaker 2: Yeah, But then they kept coming out.

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Speaker 5: Man.

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Speaker 2: I went over to Disney and ended up doing a

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Speaker 2: lot of their you know, kid shows.

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Speaker 4: Yeah, as a matter of fact, they I feel like, I

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Speaker 4: remember when you went over to Disney, or we're talking

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Speaker 4: about it, like in the end of eighth season, or

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Speaker 4: maybe you were already working on some of it or something,

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Speaker 4: but I do remember that you were heading more into

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Speaker 4: Disney territory Disney.

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Speaker 2: Yeah. Yeah, so we did Good Luck Charlie, which.

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Speaker 4: Oh okay, oh yeah, okay, okay, I did. Yeah, I

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Speaker 4: remember that show.

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Speaker 2: I actually took over. I was becaming a baby.

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Speaker 4: Whisperer, really, Charlie no Way.

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Speaker 3: Yeah. Yeah, with Mia Tillery and thing, I had learned

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Speaker 3: a full house I transfer and I was able to

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Speaker 3: get her to do all kinds of behavior and also

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Speaker 3: having my own girls.

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Speaker 4: Right, yeah, you had your two daughter. Yeah.

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Speaker 2: I was able to transfer that.

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Speaker 4: Yeah.

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Speaker 3: And so when she came on the set, they basically

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Speaker 3: handed her over to me. This is what we need,

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Speaker 3: is what we need out of her? So I get

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Speaker 3: her to say what she needed to say, and I

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Speaker 3: also would get her to behave the way she needed

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Speaker 3: to do. So we did have one scene where she

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Speaker 3: was supposed to pull on a curtain and it was

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Speaker 3: like a Rube Goldberg. Everything would fall. No, it's special

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Speaker 3: if I said it on. So how do we get

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Speaker 3: her to do that? And what happened was she used

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Speaker 3: to come out and you know, you know, I.

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Speaker 4: Had my lanyard and I kept my pen there.

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Speaker 2: She'd always play with my pen.

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Speaker 3: So I took my pen and I taped it behind

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Speaker 3: the curtain and I showed her that it was there

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Speaker 3: over and reached for it and we had.

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Speaker 2: The shop.

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Speaker 4: Perfect. So yeah, it's I mean, it's like working, you know,

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Speaker 4: and not everybody works with kids, not every you know,

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Speaker 4: it's working with kids is its own unique? Uh sort

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Speaker 4: of hell?

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Speaker 2: And I yes it is.

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Speaker 3: So I have my training and all my experience with

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Speaker 3: you guys, and then I was able to translate it.

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Speaker 3: And then of course you know again it's like, oh

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Speaker 3: he did.

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Speaker 1: Four whiles, right, it's your street grid.

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Speaker 7: Yeah, so that's part of why I kept working well.

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Speaker 4: And yeah, but once you kind of have that reputation

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Speaker 4: where people are like, oh no, he's really great with

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Speaker 4: like kids family sitcoms, Like you need somebody like that,

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Speaker 4: because it is you don't need a screaming a d

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Speaker 4: or someone who's super stretched like you that can't be

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Speaker 4: around kids and a kids show. It just is not

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Speaker 4: it's not going to work. And like I remember even

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Speaker 4: when like directing, when I directed the episode of Fuller,

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Speaker 4: there's just such an interesting thing when you have been

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Speaker 4: in it as a kid or you know, you just

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Speaker 4: get all of these experiences and then you step on

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Speaker 4: the other side of it and you're like, oh, okay, I.

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Speaker 2: Must have been really a great experience.

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Speaker 4: Oh it was amazing. I loved it. I loved it,

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Speaker 4: and I want to do a lot more of it.

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Speaker 4: But yeah, it was a good opportunity.

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Speaker 2: It's a real good time, I think for you.

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Speaker 4: I mean maybe I don't know, but you know, the

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Speaker 4: industry is right now.

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Speaker 2: Page but you know it's it's it's opened up to

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Speaker 2: you know, women.

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Speaker 4: That's true, that's true. A lot more female directors in here,

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Speaker 4: we have a lot better shot.

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Speaker 2: Yeah.

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Speaker 3: And also and writing, Andrea think there is if you

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Speaker 3: don't have that.

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Speaker 1: You don't have anything right at the words on a page.

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Speaker 4: Yeah, and Andrea is an amazing writer, just an incredible writer.

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Speaker 4: You really are.

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Speaker 3: You also have the most power as a writer because

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Speaker 3: you know, you really do, because if you if if

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Speaker 3: if you don't have if those words aren't on the paper,

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Speaker 3: they don't have anything to work with, you know, so

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Speaker 3: you can actually kind of call your shots more I

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Speaker 3: think than right, and you know, and I mean, directing

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Speaker 3: is great, but it became a producers.

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Speaker 4: Media, the TV especially it's yeah, TV is the producers.

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Speaker 3: Joel was talking about that and his you know, I

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Speaker 3: was listening to him and what he was talking about

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Speaker 3: is what happened was once the producers could see what

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Speaker 3: was going on because back in the day.

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Speaker 4: Once there was village monitors, right, you know, they.

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Speaker 3: Had to go with what the director was talking to

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Speaker 3: the cameras about.

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Speaker 4: Right now, it's like, wait, I have some thoughts, exactly,

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Speaker 4: I have ideas now.

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Speaker 6: Great.

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Speaker 3: More so you have to be collaborative with yeah, for sure,

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Speaker 3: and they have to trust to you.

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Speaker 2: So you know that's great.

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Speaker 5: Yeah, Halloween is around the corner and your favorite podcasters

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Speaker 5: serving up episodes that are so good it's actually scary.

362
00:17:11,040 --> 00:17:13,680
Speaker 5: Sex and the City meet Severance when Adam Scott joins

363
00:17:13,720 --> 00:17:17,080
Speaker 5: Kristin Davis to discuss the haunting relationship between Big and

364
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Speaker 5: Natasha on Are You a Charlotte? And nine one one

365
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Speaker 5: What's Your Emergency? The new episode of Call It What

366
00:17:22,920 --> 00:17:25,320
Speaker 5: It Is? Of course nine to one one Nashville co

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Speaker 5: star Kimberly Williams Paisley joins Jessica Kapshaw and Camilla Leddington

368
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Speaker 5: to talk about her health scare, her superstar Hubby Brad Paisley,

369
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Speaker 5: and her memories on the set of Father of the

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Speaker 5: Bride with the legendary Diane Keaton. Oscar winner Bree Larsen

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Speaker 5: is a work in progress, Sophia Bush finds out why,

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Speaker 5: and Walt's right over to daniel With because Danielle Fischel

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Speaker 5: has fellow Dancing with the Stars contestant Dylan Effron on

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Speaker 5: to talk about the ballroom, the leaderboard and more. Listen

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Speaker 5: now on the iHeartRadio app, Apple Podcasts, or wherever you

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Speaker 5: get your podcast.

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Speaker 2: Now.

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Speaker 4: I'm speaking of writing. We heard that you wrote a book.

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Speaker 2: I did. I do have a book on Amazon.

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Speaker 1: What happened to tell us about it?

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Speaker 3: Well, when I met when I met my wife Kathleen,

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Speaker 3: and I've been married a couple of times before, although I.

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Speaker 4: Joined the club Athlete. Yes I haven't we all well

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Speaker 4: maybe not all of us.

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Speaker 3: Here I started writing poetry. It's crazy, okay. The guy

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Speaker 3: on the stage was yelling and screaming at everyone, then

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Speaker 3: goes home and makes words rhyme and also about it's

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Speaker 3: all about romance, because it was really a journal of

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Speaker 3: what I was feeling.

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Speaker 2: And so I do have.

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Speaker 3: I put the first fifty into a book and it's

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Speaker 3: on Amazon. What's it called Prince of the Garden of

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Speaker 3: the Heart, and it's available on Amazon. And I also

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Speaker 3: have a Facebook page called Prince of the Garden and

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Speaker 3: I have thirteen thousand fans from.

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Speaker 2: All over the world.

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Speaker 4: Oh my god.

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Speaker 2: What happened was when I started writing.

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Speaker 3: Alison, who is a director of a marketing Okay, they

400
00:19:18,400 --> 00:19:20,439
Speaker 3: said to me early on, she goes, Dad, you know

401
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Speaker 3: you have to get a Facebook page.

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Speaker 2: So you have your book. You'll have a place for

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Speaker 2: people you know, you.

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Speaker 4: Can right to come find you build.

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Speaker 2: It, you know.

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Speaker 3: So that's that story. And I wrote every day.

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Speaker 4: That's incredible.

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Speaker 3: Oh I don't know how many years, and enough to

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Speaker 3: make six hundred poems. And again it was a journal.

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Speaker 3: You know, I have to think of all the poetry

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Speaker 3: as a journal. Yeah, when I was feeling at any

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Speaker 3: given time with the working, you know, wasn't always able

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Speaker 3: to be you know, close with Kathleen. And but she's great,

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Speaker 3: She's wonderful. Uh, she's she's it.

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Speaker 4: And that's such a great story.

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Speaker 1: I love that.

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Speaker 2: It's pretty great.

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Speaker 3: And she yeah, she was a hospice nurse and she

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Speaker 3: really has a huge heart.

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Speaker 4: And as I say, she must have a very very

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Speaker 4: big heart, a lot of love.

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Speaker 1: Yeah.

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Speaker 3: So yeah, so that's the Princes of the Garden.

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Speaker 4: Oh my god, look at you writer poet, congratulating manager

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Speaker 4: first a d multiicam. Yeah, what can't you do? This

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Speaker 4: is right?

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Speaker 3: Yeah. And I also one of my hobby could do

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Speaker 3: a lot of cooking and baking.

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Speaker 4: Oh, Andrew was just telling us about her baking exploits

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Speaker 4: this morning.

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Speaker 1: Ba I made her cimon bread yesterday, per cimon.

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Speaker 4: Bread, cinnamon bread.

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Speaker 2: Bread.

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Speaker 4: Wow, it was delicious.

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Speaker 1: I put some chocolate chips in there, so it was

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Speaker 1: delicious regardless, but.

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00:20:54,600 --> 00:20:57,120
Speaker 4: Right taste, the chocolate was great.

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Speaker 2: It's healthy, right, yeah, its banana bread.

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00:21:01,760 --> 00:21:05,720
Speaker 3: Uh. There's a place on Malay called Aunt Sandy's.

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00:21:06,040 --> 00:21:10,160
Speaker 4: Yes, I've been at Sandy's when we did the We

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Speaker 4: did the whole drive all the way around with the kids.

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Speaker 4: When I had an eight hour car ride with two

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Speaker 4: children and I almost threatened to leave them in Hannah

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Speaker 4: because I was like, this is I can't do any

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Speaker 4: more with this car ride with you. But we did.

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Speaker 4: We stopped yea road to Hannah. Yeah, we got to

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Speaker 4: Hannah and then our guide got out and I turned around.

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Speaker 4: I was like, you need to stop it. They were just.

449
00:21:34,880 --> 00:21:36,679
Speaker 2: Recipe for aunt Sandy's, so.

450
00:21:36,920 --> 00:21:41,359
Speaker 4: Really please do Yeah, that was we stopped at. It

451
00:21:41,400 --> 00:21:44,919
Speaker 4: was so delicious, So Andrew, you would do it.

452
00:21:45,200 --> 00:21:46,359
Speaker 2: I'm sure you do well with it.

453
00:21:48,960 --> 00:21:50,160
Speaker 4: She's in her fall baking mode.

454
00:21:50,240 --> 00:21:51,400
Speaker 1: Let's go for all baking mode.

455
00:21:51,480 --> 00:21:57,400
Speaker 4: Yes, yes, oh I love it well. Keith, this has

456
00:21:57,440 --> 00:21:59,679
Speaker 4: been such an awesome interview. First of all, was just

457
00:21:59,680 --> 00:22:02,080
Speaker 4: so good to see your face and I look the same,

458
00:22:02,280 --> 00:22:05,760
Speaker 4: and like that thing has changed. The glasses.

459
00:22:05,920 --> 00:22:08,120
Speaker 1: The voice, the voice is bringing me back.

460
00:22:08,560 --> 00:22:10,840
Speaker 4: Yeah, I know. I feel like I need to go

461
00:22:11,080 --> 00:22:16,800
Speaker 4: on a mark somewhere. Where's my mark? And Keith? No,

462
00:22:17,080 --> 00:22:19,360
Speaker 4: thank you so much? Huh.

463
00:22:19,480 --> 00:22:21,000
Speaker 2: I need you guys on the set right now.

464
00:22:21,359 --> 00:22:27,520
Speaker 4: Yeah, guys, back to one, Back to one back to one. No,

465
00:22:27,720 --> 00:22:29,439
Speaker 4: thank you so much for coming on the show. This

466
00:22:29,520 --> 00:22:31,720
Speaker 4: is incredible and like like I said, it's so much

467
00:22:31,760 --> 00:22:35,080
Speaker 4: fun to get to really talk to and get to

468
00:22:35,119 --> 00:22:37,760
Speaker 4: know all of these incredible artists and people that we

469
00:22:37,880 --> 00:22:40,399
Speaker 4: grew up with and grew up around that we I

470
00:22:40,400 --> 00:22:44,760
Speaker 4: don't think ever, really we're realized as kids that how

471
00:22:44,920 --> 00:22:47,600
Speaker 4: just how gifted everyone around us really was, and that

472
00:22:47,840 --> 00:22:49,840
Speaker 4: it's really cool to be surrounded by that.

473
00:22:50,000 --> 00:22:50,320
Speaker 2: It was.

474
00:22:50,440 --> 00:22:52,440
Speaker 3: We've all been very lucky, I think, and there's a

475
00:22:52,480 --> 00:22:55,720
Speaker 3: lot to be grateful for. It's great to see you, guys.

476
00:22:55,720 --> 00:22:56,480
Speaker 3: I can't believe that.

477
00:22:56,600 --> 00:22:58,680
Speaker 4: It's like, I know, so good to see you. To

478
00:22:58,760 --> 00:23:03,040
Speaker 4: please tell your girls I said hello and my love yeah.

479
00:23:02,840 --> 00:23:07,520
Speaker 1: And Brian Kale to see you next week.

480
00:23:08,080 --> 00:23:12,359
Speaker 4: Amazing. I love that. Thank you so much for joining us.

481
00:23:12,720 --> 00:23:15,200
Speaker 4: It's been really really lovely and it was so good

482
00:23:15,200 --> 00:23:16,560
Speaker 4: to fun.

483
00:23:17,280 --> 00:23:20,320
Speaker 1: Absolutely, thank you, We love you, Love you so much.

484
00:23:20,520 --> 00:23:25,320
Speaker 4: Good to see you to you later bye bye. Oh

485
00:23:26,160 --> 00:23:27,159
Speaker 4: it was so great.

486
00:23:27,600 --> 00:23:29,280
Speaker 1: I'm smiling so big right now.

487
00:23:30,160 --> 00:23:32,159
Speaker 4: Every time we finished an interview with somebody that we

488
00:23:32,200 --> 00:23:34,840
Speaker 4: worked with, his kids, it's like, yeah.

489
00:23:34,840 --> 00:23:38,960
Speaker 1: It's so visceral, like just again, the glasses, the voice

490
00:23:39,200 --> 00:23:42,200
Speaker 1: the demeanor like he's got that a D demeanor where

491
00:23:42,200 --> 00:23:46,320
Speaker 1: it's completely calm on the outside and going inside.

492
00:23:46,400 --> 00:23:46,560
Speaker 2: Yeah.

493
00:23:47,160 --> 00:23:49,960
Speaker 4: No, just it was really great and such a again,

494
00:23:50,000 --> 00:23:51,600
Speaker 4: such a big part of our lives.

495
00:23:51,840 --> 00:23:55,280
Speaker 1: Yeah yeah, well he did. He did so many episodes

496
00:23:55,280 --> 00:23:58,120
Speaker 1: of Full House. He was there episode the very beginning, so.

497
00:23:58,160 --> 00:24:00,840
Speaker 4: I will never forget. So I had a birthday party

498
00:24:01,840 --> 00:24:06,639
Speaker 4: down at Bullwinkles of all places in Orange County, like

499
00:24:06,720 --> 00:24:10,080
Speaker 4: Fullerton or something, and you know, you and and I

500
00:24:10,200 --> 00:24:13,879
Speaker 4: and our families were kind of the only Orange County

501
00:24:13,920 --> 00:24:17,879
Speaker 4: people right right, And it was pouring down rain, and

502
00:24:17,920 --> 00:24:20,879
Speaker 4: I believe Keith lived in like Woodland Hills or something,

503
00:24:21,640 --> 00:24:24,080
Speaker 4: and he and Alison and his and his wife at

504
00:24:24,119 --> 00:24:25,600
Speaker 4: the time and other kids like showed up for the

505
00:24:25,600 --> 00:24:27,879
Speaker 4: word and it just, like literally to this day, it

506
00:24:27,880 --> 00:24:31,159
Speaker 4: stuck with me because I was like, wow, like that

507
00:24:31,160 --> 00:24:34,520
Speaker 4: that it obviously was important, you know, and like that,

508
00:24:34,720 --> 00:24:37,960
Speaker 4: and just how much of that we had amongst each

509
00:24:37,960 --> 00:24:40,520
Speaker 4: other of showing up and being there, you know.

510
00:24:41,320 --> 00:24:45,520
Speaker 1: That's just That's what I hope the faner itos understand

511
00:24:45,920 --> 00:24:48,320
Speaker 1: from listening to all these interviews that we do. I know,

512
00:24:48,400 --> 00:24:50,879
Speaker 1: I know everybody loves when we interview the celebrities and

513
00:24:50,920 --> 00:24:53,240
Speaker 1: the way round names. But for us, like, it's so

514
00:24:53,440 --> 00:24:58,080
Speaker 1: cool to interview and get to know better the people

515
00:24:58,119 --> 00:25:00,520
Speaker 1: we grew up with behind the scenes, behind the camera

516
00:25:00,960 --> 00:25:02,560
Speaker 1: because they were just as important to us.

517
00:25:02,920 --> 00:25:03,120
Speaker 2: Yeah.

518
00:25:03,200 --> 00:25:06,520
Speaker 1: Again, all those videos that John Stamos has of his

519
00:25:07,280 --> 00:25:08,960
Speaker 1: barbecues and his pool party.

520
00:25:08,880 --> 00:25:09,840
Speaker 4: Many great videos.

521
00:25:10,000 --> 00:25:13,080
Speaker 1: There's they were all there. You know, Keith was there

522
00:25:13,200 --> 00:25:14,000
Speaker 1: and all of the.

523
00:25:14,119 --> 00:25:18,080
Speaker 4: Everybody's parents, you know, and the adults parents, you know.

524
00:25:18,240 --> 00:25:19,640
Speaker 4: Bill was on the grill and.

525
00:25:20,560 --> 00:25:24,240
Speaker 1: Yeah, no, there was no like hierarchy between cast and crew,

526
00:25:24,320 --> 00:25:26,399
Speaker 1: Like no, it's like everybody was one big family, like

527
00:25:26,440 --> 00:25:27,240
Speaker 1: he said, and.

528
00:25:27,359 --> 00:25:30,919
Speaker 4: Yeah, and that is that is rare and not always

529
00:25:30,960 --> 00:25:33,679
Speaker 4: the case. So I'm so glad we got to do that.

530
00:25:33,680 --> 00:25:36,040
Speaker 4: What an awesome uh, what an awesome interview.

531
00:25:36,440 --> 00:25:39,200
Speaker 1: Yeah, I love that. He's so great. He's so great.

532
00:25:39,720 --> 00:25:42,680
Speaker 4: Well, everyone, that was an amazing interviewer. We're so glad

533
00:25:42,680 --> 00:25:44,800
Speaker 4: that you got to listen to our interview with the

534
00:25:45,040 --> 00:25:49,160
Speaker 4: wonderful Keith Richmond, who is just so talented poet and

535
00:25:49,240 --> 00:25:51,600
Speaker 4: listening to him talk about working seven days a week.

536
00:25:51,880 --> 00:25:54,120
Speaker 4: Oh yeah, I don't know how he did it. It's incredible,

537
00:25:54,280 --> 00:25:54,480
Speaker 4: I know.

538
00:25:54,520 --> 00:25:56,080
Speaker 1: And he looks the same too. It doesn't look like

539
00:25:56,400 --> 00:25:58,320
Speaker 1: as not at all.

540
00:25:59,600 --> 00:26:01,400
Speaker 4: But thank thank you guys so much for listening. We

541
00:26:01,560 --> 00:26:03,840
Speaker 4: absolutely love doing these interviews and we hope that you're

542
00:26:03,920 --> 00:26:06,160
Speaker 4: enjoying them. And it's just so much fun for us

543
00:26:06,200 --> 00:26:10,880
Speaker 4: to get to introduce you to our extended full house family.

544
00:26:11,080 --> 00:26:13,040
Speaker 4: So this has been great. Uh, And if you want

545
00:26:13,040 --> 00:26:14,920
Speaker 4: to check out more, you can find us on Instagram

546
00:26:14,960 --> 00:26:17,360
Speaker 4: at how Rude podcast, or you can send us emails

547
00:26:17,400 --> 00:26:20,560
Speaker 4: at how Rude Tanner Ritos at gmail dot com. You

548
00:26:20,560 --> 00:26:24,399
Speaker 4: can visit our merch store, Howarude merch dot com, and uh,

549
00:26:24,480 --> 00:26:27,040
Speaker 4: you can see us or hear us next time because

550
00:26:27,080 --> 00:26:31,480
Speaker 4: we'll be back. Because the world is small, but the

551
00:26:31,520 --> 00:26:36,359
Speaker 4: house is full of call sheets, of call sheets, so

552
00:26:36,520 --> 00:26:42,080
Speaker 4: many call sheets for so many different shows. We got Jeopardy,

553
00:26:42,280 --> 00:26:45,480
Speaker 4: we got Solid Goal, we got Your Car, Full House,

554
00:26:45,560 --> 00:26:46,520
Speaker 4: Drew Care all at once.

555
00:26:46,680 --> 00:26:47,560
Speaker 1: Line, is it anyway?

556
00:26:47,560 --> 00:26:52,640
Speaker 4: All the videos, call sheets just coming out everywhere? Yeah, yeah, yeah, nightmare.

557
00:26:52,760 --> 00:26:55,600
Speaker 4: I love it all right, Y'll see you next time.

558
00:27:00,840 --> 00:27:02,359
Speaker 3: I wish