WEBVTT - Unchallengable Power

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television,

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<v Speaker 1>and Crypto TV in association with Wolf at the Door.

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<v Speaker 1>My father used to tell me most people live their

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<v Speaker 1>lives following the long, unremarkable road to the middle. To

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<v Speaker 1>be something more, to be remarkable, you have to be

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<v Speaker 1>willing to make hard choices. This is a steak, Quiet, Ashley,

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<v Speaker 1>don't look. God, damn myself. They hear us. We die

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<v Speaker 1>and I understand. Get now what are those things? Just

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<v Speaker 1>stay long? Oh, don't breathe. They're gonna kill us. We

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<v Speaker 1>have to get out of here. We stay in cover

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<v Speaker 1>until it's clear. I Sam. His boats were coming out

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<v Speaker 1>of his skin. There are horns, no aislers coming out

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<v Speaker 1>of his school. His blood was everywhere, and he was screaming,

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<v Speaker 1>Oh good, screaming what is he? They're called the Mordeo,

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<v Speaker 1>Immortal creatures of death, predators damned for eternity to an

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<v Speaker 1>insatiable hunger for flesh. What you saw on that footage,

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<v Speaker 1>Michel Reid, was nothing short of a monster. Where did

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<v Speaker 1>they come from? They've been living in the shadows of

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<v Speaker 1>the Monongahela for centuries, luring the unsuspected and praying on

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<v Speaker 1>the weak of spirit. I don't understand, Missus Marshall, how

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<v Speaker 1>is Isaiah Williams. The Mordeo were borne from a curse,

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<v Speaker 1>an eternal punishment for humans who spill blood on their

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<v Speaker 1>land and consume the flesh of those they kill. Consume

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<v Speaker 1>you're talking cannibalism. Yes, so this whole time I was

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<v Speaker 1>right about Gabe. Isaiah murdered him in those woods. In

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<v Speaker 1>my experience, the path to the Mordo is never as

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<v Speaker 1>simple as murder. But it is that simple. He killed

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<v Speaker 1>his own brother. He, Oh Jesus, he ate him. Whomever

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<v Speaker 1>he killed, whomever's flesh he took, is no longer our concern.

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<v Speaker 1>He is what he is now. He must be stopped.

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<v Speaker 1>Calm what's down there publicly the basement of the historical

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<v Speaker 1>society Wing, But for the chosen this leads to the

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<v Speaker 1>sanctuary of the Ward the Lord. Yes, the Ward is

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<v Speaker 1>a collective that has pledged to protect the living against

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<v Speaker 1>the Mordo. Wait, is that the skull of the us

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<v Speaker 1>more day oh ever, killed by our first Warden. It's unbelievable,

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<v Speaker 1>those teeth. I've never seen anything like it. This skull

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<v Speaker 1>not only symbolizes our cause, it's one of our greatest tools.

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<v Speaker 1>We've discovered they have a certain interconnectivity. The skull called

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<v Speaker 1>to Isaiah, causing him to transform into his more day,

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<v Speaker 1>in form and confirming our suspicions. Paul Douglas, he was

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<v Speaker 1>one of you, the journals, the coordinates he was hunting Isaiah. Yes,

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<v Speaker 1>you knew when you took me to his home. You

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<v Speaker 1>knew i'd find them. Each time we lose one of

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<v Speaker 1>our own, it is my duty as mother to choose

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<v Speaker 1>a replacement. These things are dangerous. People should know they're

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<v Speaker 1>out there, and what if they did. Knowledge is a

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<v Speaker 1>double edged sword. However, many may take up the fight

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<v Speaker 1>against the Mordeo, there would be as many sacrifice in

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<v Speaker 1>others to join them. For immortality, for limitless strength, for

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<v Speaker 1>almost unchallengeable power. Our fight to preserve life would only

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<v Speaker 1>grow if they're immortal. How can you possibly stop them?

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<v Speaker 1>You'll learn all that once you're inducted. The question is

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<v Speaker 1>are you willing to make that kind of sacrifice? Yes,

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<v Speaker 1>I took a vow to serve and protect. Isn't that

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<v Speaker 1>why you chose me. Let's not get ahead of ourselves.

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<v Speaker 1>Your offer to join us is conditional, conditional on what

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<v Speaker 1>there's another we are interested in along with you, like

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<v Speaker 1>a partner from our intel. This recruit has seen Isaiah's

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<v Speaker 1>true self by now and has a personal reason to

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<v Speaker 1>fight alongside us. Who Ashley Williams Ashley, she'll never agree

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<v Speaker 1>for your sake. I pray she does. Those who know

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<v Speaker 1>of the ward must become members of our family. A

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<v Speaker 1>refusal would render you both defectors, for which the penalty

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<v Speaker 1>is death. Ashley, are you the witney? Yeah? How long

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<v Speaker 1>have you known? How long has he been whatever he is?

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<v Speaker 1>Since he came back, since he lost game and the gape?

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<v Speaker 1>I don't know. I'm sorry as I think it's Isaiah.

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<v Speaker 1>He's turning back. This is what chance? There's still another

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<v Speaker 1>one him? There's always been another. Who knows how many

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<v Speaker 1>really are out there? Why you're not coming with me?

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<v Speaker 1>I you have to go after him. I can't just

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<v Speaker 1>leave you out here. Go home to your daughter, but go.

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<v Speaker 1>I'll be right behind you. Thank you for coming after me.

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<v Speaker 1>You saved my life. If you're the person isaias as

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<v Speaker 1>you are, you'd have done the same. I'm coming. Is this?

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<v Speaker 1>I call this Poppies Frozen Pizza Special. The secret is

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<v Speaker 1>add one more layer cheese. You need to eat, Jocelyn,

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<v Speaker 1>I'm not hungry. Your mom must just run a little late.

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<v Speaker 1>I'm sure she's fine. That's what my mom said about

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<v Speaker 1>my dad too. Someone's in the driveway. See I told

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<v Speaker 1>you she'd be back. It's a cop car. Wait at Jocelyn.

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<v Speaker 1>Detective read did you find my mom? Is she okay?

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<v Speaker 1>She heard bow? Slow down? What are you talking about,

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<v Speaker 1>Joscelyn whold on a minute. She hasn't been home all night.

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<v Speaker 1>Her phone s did go on to voicemail. Okay. I

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<v Speaker 1>was actually talking about to have a word with Ashley.

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<v Speaker 1>She's not home. Wow, you listening to me? Something is wrong.

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<v Speaker 1>She's just running late from She's over and Randa at

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<v Speaker 1>a family constant group that's not going there for a

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<v Speaker 1>few weeks. And where's Isaiah. This doesn't concern you, Michelle.

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<v Speaker 1>You're not welcome here. Just have her call me. It's important.

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<v Speaker 1>But let's go on back inside. M Hm, you're a lie, John.

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<v Speaker 1>Something happened to her. I won't forgive you. I'll hate

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<v Speaker 1>you like all the rest of them. Do I sah Jesus, Yeah,

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<v Speaker 1>I say, hey, you're awake, you're with me. Good. It'll

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<v Speaker 1>be easier this way. I'm sorry, but I have to

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<v Speaker 1>you tell me to do it. You said, good soldier

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<v Speaker 1>knows when he's down. I can't. I can't kill you.

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<v Speaker 1>I can't see you being my dad. Idea this time, Mom, Mom,

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<v Speaker 1>Hi baby, where you sleeping? Where were you? Okay, listen

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<v Speaker 1>to me, Jocelyn. I need you to go upstairs and

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<v Speaker 1>pack up some things. Okay, but why tell me what's

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<v Speaker 1>going on? Just do this okay for me? Okay, Ashley,

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<v Speaker 1>Michelle came by looking for you. Good. I have to

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<v Speaker 1>talk to her. Keep your eyes on, Jocelyn. Got it.

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<v Speaker 1>New poon UK translate death death man. I tush the

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<v Speaker 1>devil and all those meant for death failed to the

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<v Speaker 1>mercy of the devil. Ashley. I tried to call you

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<v Speaker 1>stop by your house. You don't look good. You were

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<v Speaker 1>right about Isaiah, about everything. Maybe you should sit down.

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<v Speaker 1>You're shaken too. Let me get you a blanket. I

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<v Speaker 1>don't need a fucking blanket, all right? Maybe this will help.

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<v Speaker 1>Whiskey always calms my nerves. Thanks. Yeah, what I'm about

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<v Speaker 1>to tell you. I wish there was anyone else who

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<v Speaker 1>might listen. But you have always hated him, and that's

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<v Speaker 1>why I know you'll believe me. I'm listening Isaiah, he's

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<v Speaker 1>he's Jesus. How do I I know he killed Gabe?

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<v Speaker 1>I saw what he's become. I don't mean that metaphorically.

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<v Speaker 1>I saw it. I saw him. I Oh. I don't

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<v Speaker 1>even know how to explain it. I must be fucking crazy, right.

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<v Speaker 1>I finally lost it. They're called the Mordo and Isaiah.

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<v Speaker 1>It's just the tip of the asperg Hey, it's Cat.

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<v Speaker 1>Not answering because I don't want to talk. Text Cat,

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<v Speaker 1>answer the phone. I need to know you're okay. I

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<v Speaker 1>have the truck. You wan't at the hotel. I'm I'm

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<v Speaker 1>back at the house now. Please be his life. You

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<v Speaker 1>have to be alive, Ashley, Jocelyn you? Oh, Cat? Are

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<v Speaker 1>you here? Cat? Ashley, Josh Ashley, Jesus, they're not here.

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<v Speaker 1>What happened here? Is someone break in? No looks like

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<v Speaker 1>the place being ran. They packed in a hurry. I'm

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<v Speaker 1>here for the last of their thing. They're staying with you.

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<v Speaker 1>I can't say. What do you mean? You can't say?

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<v Speaker 1>Ashley was insistent, said they weren't safe here anymore, that

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<v Speaker 1>we needed to get Jocelyn out as soon as possible.

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<v Speaker 1>She said that what about me. I know I have

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<v Speaker 1>no place to lecture you. I was never much of

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<v Speaker 1>a father after your mother died. But no matter what

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<v Speaker 1>kind of choices you made, I always thought it was

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<v Speaker 1>for the good of your family, even if misguided. I

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<v Speaker 1>never thought you'd do anything to put anyone in danger.

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<v Speaker 1>Your mother raised you better than that. Now, whatever trouble

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<v Speaker 1>you've gotten yourself into, you can make it right. No

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<v Speaker 1>I can't. That's just right, and it isn't safe, not

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<v Speaker 1>with me around. I say, I can help you. You're

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<v Speaker 1>not alone. Yes I am, and I have to be.

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<v Speaker 1>Where are you going? I can't stay here, I say,

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<v Speaker 1>don't run, trust me. Your demons only follow you. Yeah,

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<v Speaker 1>that's exactly what I'm making on. This can't be right.

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<v Speaker 1>You saw the proof with your own eyes, Ashley. But

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<v Speaker 1>why what would drive I say here to do something

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<v Speaker 1>like that? To kill Gabe eat He would be surprised

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<v Speaker 1>what people are capable of here and this Ward group,

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<v Speaker 1>they go after the creatures, the Moredo. Yes, they kill them.

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<v Speaker 1>From what I understand, they try. From what you understand,

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<v Speaker 1>something of a new recruit that's just perfect. Look the Ward,

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<v Speaker 1>it's not something you just joined. They hand picked their members.

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<v Speaker 1>I was chosen with one stipulation. To prove my commitment

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<v Speaker 1>to the cause, I have to recruit someone else, you me,

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<v Speaker 1>Why me? What would I have to offer? Ashley? You

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<v Speaker 1>lost so much, you know what the Mordo can do.

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<v Speaker 1>Fuck that. No, I didn't ask to be a part

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<v Speaker 1>of any of this. I just want to keep my

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<v Speaker 1>daughter safe. What about just just for Gabe, for yourself.

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<v Speaker 1>Isaiah took something from you, and in return he was

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<v Speaker 1>rewarded for it. Think about it, Isaiah kills your husband

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<v Speaker 1>and becomes a predator unrivaled by anything in nature. It's

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<v Speaker 1>not right or fair, and you deserve justice. No, I

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<v Speaker 1>can't risk putting Jocelyn in that kind of danger. She's

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<v Speaker 1>already in danger. Isaiah would never hurt her, just like

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<v Speaker 1>you would never have heard Gabe. We'll move, We'll We'll

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<v Speaker 1>just get in the car and drive south. Maybe Georgia, Florida.

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<v Speaker 1>I can get a job. Listen to me. You can't

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<v Speaker 1>run all right. You're in their world now. The more

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<v Speaker 1>dao and the wards, whether you like it or not,

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<v Speaker 1>no one gets to walk away after they've crossed that threshold.

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<v Speaker 1>Once you know their secret, you either live by it

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<v Speaker 1>or you die. By It is that a threat? No,

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<v Speaker 1>it's just reality. If you try to leave, if you

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<v Speaker 1>try to resist, they will kill you to protect their secret.

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<v Speaker 1>They'll kill both of us. Damn it because Swan. That

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<v Speaker 1>was a station off one of these exits. Hello, okay,

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<v Speaker 1>cat on closet, Jocelyn, my mom took my phone. I'm

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<v Speaker 1>calling from the pay phone down the block from Poppies.

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<v Speaker 1>What's up my mom? She's acting weird. She's not letting

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<v Speaker 1>me go home. She's keeping me locked away at Poppies.

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<v Speaker 1>I say, I'm scared. Where are you, Canny? Come give

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<v Speaker 1>me unclast? Are you there? Sorry, Jocelyn? Sorry for there.

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<v Speaker 1>It is exit four y evening. What can I do

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<v Speaker 1>for you? You got a gas can? We're all out?

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<v Speaker 1>Sorry shit, yeah, manager has been slacking. We've been out

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<v Speaker 1>for weeks. Give me one of these all right, thirty

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<v Speaker 1>two episode? Did that would be three forty nine, and

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<v Speaker 1>you fill it up yourself over there, give me three

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<v Speaker 1>dollars on pump two, three bucks on two. You got it?

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<v Speaker 1>That's sixty nine, all right, I'm twenty. I got some matches. No,

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<v Speaker 1>I'm sorry, I can't give away matches no more? All right? Thanks? Hey,

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<v Speaker 1>excuse me. Can I borrow you a ladder? Sure thing

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<v Speaker 1>you know smoking will kill you? Ah? I bring it

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<v Speaker 1>right back and just keep it. I got a spear. Thanks.

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<v Speaker 1>You have been chosen for something beyond yourself, beyond the

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<v Speaker 1>lives you came from, beyond even the ones you hold

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<v Speaker 1>most year. You have been chosen to take up arms

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<v Speaker 1>in the fight between life and death. We as one

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<v Speaker 1>and as many act as guardians, protecting and preserving life

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<v Speaker 1>at all costs, seeking to destroy the unnatural forces of

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<v Speaker 1>this world by whatever means necessary. Sister Read, Sister Williams,

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<v Speaker 1>do you hear, under the watchful eye of God and

0:19:57.800 --> 0:20:02.080
<v Speaker 1>nature accept the duty you have been called upon to serve?

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<v Speaker 1>A Sister Read promised to serve and uppop I Sister Williams,

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<v Speaker 1>do you accept our great honor? A Sister Williams, promise

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<v Speaker 1>to serve and uphold? Bring forth the ions what on

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<v Speaker 1>the souls of our feet. We wear the symbol of

0:20:29.600 --> 0:20:33.800
<v Speaker 1>the Ward's skull to signify each step we take under

0:20:33.880 --> 0:20:39.719
<v Speaker 1>our sacred white No, we must all understand pain in

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<v Speaker 1>order to rise above it, in order to do what

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<v Speaker 1>is asked of us. Please no doubt. Welcome to the Ward.

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<v Speaker 1>H H You can do this. You need to do this. Okay,

0:21:06.280 --> 0:21:15.199
<v Speaker 1>here we go, one two, serving the gasoline coming up. Okay,

0:21:15.880 --> 0:21:19.679
<v Speaker 1>this is it, This is it. I wouldn't like that

0:21:19.720 --> 0:21:23.719
<v Speaker 1>if I were you you. I saw you filling up

0:21:23.720 --> 0:21:26.399
<v Speaker 1>that cup of gasoline, and since you borrowed my lighter,

0:21:27.000 --> 0:21:28.679
<v Speaker 1>I decided I wanted to see what you're up to.

0:21:29.760 --> 0:21:34.639
<v Speaker 1>This is way more intense than I expected. You don't understand,

0:21:35.200 --> 0:21:37.280
<v Speaker 1>probably don't, but I gotta say, of all the ways

0:21:37.280 --> 0:21:40.639
<v Speaker 1>to off yourself, lighting yourself on fire is kind of melodramatic,

0:21:41.200 --> 0:21:44.200
<v Speaker 1>not to mention painful. I deserve the painful what I've done.

0:21:44.920 --> 0:21:48.520
<v Speaker 1>Oh yeah, self loathing? Yeah, I feel you on that.

0:21:49.320 --> 0:21:52.760
<v Speaker 1>Please let me do this in peace. You won't get

0:21:52.800 --> 0:21:56.720
<v Speaker 1>what you want. You'll feel every second, and you'll wake

0:21:56.800 --> 0:22:01.679
<v Speaker 1>up wishing you hadn't. Who are you. I'm a friend

0:22:01.880 --> 0:22:05.040
<v Speaker 1>trying to save you from yourself. You don't know me,

0:22:05.560 --> 0:22:30.960
<v Speaker 1>and I'm not worth saving. H They never listen here, ash,

0:22:31.720 --> 0:22:36.720
<v Speaker 1>This will keep it cool. I'm sorry. I had no

0:22:36.840 --> 0:22:41.720
<v Speaker 1>idea getting branded would be a part of it. Are

0:22:41.760 --> 0:22:47.639
<v Speaker 1>you all right? All right? Uh? I thought I understood

0:22:47.640 --> 0:22:50.320
<v Speaker 1>the world, but it was luck. I was living a lie.

0:22:51.160 --> 0:22:55.480
<v Speaker 1>I know what you mean. But looking back, I always

0:22:55.560 --> 0:23:01.320
<v Speaker 1>felt like something was missing, this tangible thing that was

0:23:01.680 --> 0:23:05.320
<v Speaker 1>somehow being kept from me. Now I know what it was.

0:23:06.520 --> 0:23:11.040
<v Speaker 1>I wish I didn't. I have to go careful without

0:23:11.040 --> 0:23:17.520
<v Speaker 1>foot for what it's worth. I'm glad to be in

0:23:17.560 --> 0:23:20.680
<v Speaker 1>this with someone, and who knows, Maybe this is our

0:23:20.800 --> 0:23:26.240
<v Speaker 1>chance to leave the past and the past. Good night, Michelle,

0:23:27.520 --> 0:23:42.480
<v Speaker 1>right gone. No one is born exceptional. Everything comes with

0:23:42.560 --> 0:23:52.880
<v Speaker 1>the price. Wealth, strength, immortal and unchallengeable power all require

0:23:52.920 --> 0:24:15.960
<v Speaker 1>a sacrifice, And minds already headed to the slaughter. Next

0:24:16.000 --> 0:24:20.159
<v Speaker 1>time on more dal if that's the only window they

0:24:20.200 --> 0:24:22.320
<v Speaker 1>can be killed. We need to make those seconds count.

0:24:22.960 --> 0:24:26.760
<v Speaker 1>So what's next? I must admit. And all the time

0:24:26.800 --> 0:24:30.000
<v Speaker 1>we've been watching you, I never suspected you'd be of

0:24:30.119 --> 0:24:33.720
<v Speaker 1>use to us. So you're saying I shouldn't trust see you. No,

0:24:34.320 --> 0:24:51.760
<v Speaker 1>you shouldn't. It's up wrong, flush I Heart Radio. Loomhouse

0:24:51.880 --> 0:24:57.200
<v Speaker 1>Television and Crypt TV in association with Wolf at the

0:24:57.280 --> 0:25:04.200
<v Speaker 1>Door Present Moredo. Executive produced by Jack Davis, Kate Krantz,

0:25:04.760 --> 0:25:12.000
<v Speaker 1>Darren Brandel, Jason Blum, Chris Dickey, Matt Frederick, and Alex Williams.

0:25:12.040 --> 0:25:18.840
<v Speaker 1>Written by Caitlin Crabbe, directed, by Alex Kemp, Produced by

0:25:18.880 --> 0:25:25.359
<v Speaker 1>Toby Lawless, Winnie Kemp, Daniel Parsons, Co producers ben So Tack,

0:25:26.040 --> 0:25:34.000
<v Speaker 1>Anthony Magnolo, Associate producer Federico Torado. Starring j L. Fahns,

0:25:34.119 --> 0:25:41.760
<v Speaker 1>Nicholson as Isaiah, Ashley Platts as Ashley, Olivia Lott as Jocelyn,

0:25:42.600 --> 0:25:50.440
<v Speaker 1>Ivonne Ngoulo as Michelle, with performances by Tacy Adams, Ariella

0:25:50.520 --> 0:25:59.200
<v Speaker 1>Amar Jamie, Joseph Keim, Estes, Patty Wilkins, Butch Klein. Sound

0:25:59.200 --> 0:26:05.040
<v Speaker 1>designed by Dean Hovey. Original score by Christopher Kemp, Mixing

0:26:05.240 --> 0:26:12.479
<v Speaker 1>by Mark Scarce, Edited by Fernando Diaz, Assistant engineer Noah's Sour.

0:26:13.600 --> 0:26:19.639
<v Speaker 1>Recorded at Wolf at the Door Studios. Casting consultant Michelle LeWitt,

0:26:20.280 --> 0:26:27.320
<v Speaker 1>Production assistants Hayley mckeckney and Sophia gilberta studio teacher Pearl Hika.

0:26:28.240 --> 0:26:34.240
<v Speaker 1>Writing assistant Bill Hanson. This podcast was recorded under a

0:26:34.280 --> 0:26:39.480
<v Speaker 1>SAG after collective bargaining agreement. Mordeo is a production of

0:26:39.520 --> 0:26:45.240
<v Speaker 1>I Heart Radio Blumhouse Television crypt TV. For more podcasts

0:26:45.280 --> 0:26:48.560
<v Speaker 1>from I Heart Radio, visit the I Heart Radio app,

0:26:48.960 --> 0:27:04.159
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.