1 00:00:00,120 --> 00:00:04,600 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television, 2 00:00:05,040 --> 00:00:09,000 Speaker 1: and Crypto TV in association with Wolf at the Door. 3 00:00:13,840 --> 00:00:17,880 Speaker 1: My father used to tell me most people live their 4 00:00:17,920 --> 00:00:24,880 Speaker 1: lives following the long, unremarkable road to the middle. To 5 00:00:25,000 --> 00:00:29,159 Speaker 1: be something more, to be remarkable, you have to be 6 00:00:29,240 --> 00:01:04,120 Speaker 1: willing to make hard choices. This is a steak, Quiet, Ashley, 7 00:01:05,319 --> 00:01:10,120 Speaker 1: don't look. God, damn myself. They hear us. We die 8 00:01:10,160 --> 00:01:19,240 Speaker 1: and I understand. Get now what are those things? Just 9 00:01:19,440 --> 00:01:34,880 Speaker 1: stay long? Oh, don't breathe. They're gonna kill us. We 10 00:01:34,959 --> 00:01:37,679 Speaker 1: have to get out of here. We stay in cover 11 00:01:37,920 --> 00:01:44,160 Speaker 1: until it's clear. I Sam. His boats were coming out 12 00:01:44,160 --> 00:01:51,600 Speaker 1: of his skin. There are horns, no aislers coming out 13 00:01:51,600 --> 00:01:58,240 Speaker 1: of his school. His blood was everywhere, and he was screaming, 14 00:01:58,920 --> 00:02:11,520 Speaker 1: Oh good, screaming what is he? They're called the Mordeo, 15 00:02:12,280 --> 00:02:16,840 Speaker 1: Immortal creatures of death, predators damned for eternity to an 16 00:02:16,880 --> 00:02:21,480 Speaker 1: insatiable hunger for flesh. What you saw on that footage, 17 00:02:21,480 --> 00:02:25,880 Speaker 1: Michel Reid, was nothing short of a monster. Where did 18 00:02:25,880 --> 00:02:28,920 Speaker 1: they come from? They've been living in the shadows of 19 00:02:28,960 --> 00:02:34,480 Speaker 1: the Monongahela for centuries, luring the unsuspected and praying on 20 00:02:34,520 --> 00:02:39,040 Speaker 1: the weak of spirit. I don't understand, Missus Marshall, how 21 00:02:39,120 --> 00:02:42,440 Speaker 1: is Isaiah Williams. The Mordeo were borne from a curse, 22 00:02:43,000 --> 00:02:46,720 Speaker 1: an eternal punishment for humans who spill blood on their 23 00:02:46,840 --> 00:02:52,480 Speaker 1: land and consume the flesh of those they kill. Consume 24 00:02:54,240 --> 00:03:00,360 Speaker 1: you're talking cannibalism. Yes, so this whole time I was 25 00:03:00,520 --> 00:03:05,680 Speaker 1: right about Gabe. Isaiah murdered him in those woods. In 26 00:03:05,760 --> 00:03:09,680 Speaker 1: my experience, the path to the Mordo is never as 27 00:03:09,840 --> 00:03:14,000 Speaker 1: simple as murder. But it is that simple. He killed 28 00:03:14,120 --> 00:03:20,200 Speaker 1: his own brother. He, Oh Jesus, he ate him. Whomever 29 00:03:20,280 --> 00:03:24,560 Speaker 1: he killed, whomever's flesh he took, is no longer our concern. 30 00:03:25,000 --> 00:03:29,160 Speaker 1: He is what he is now. He must be stopped. 31 00:03:30,440 --> 00:03:41,920 Speaker 1: Calm what's down there publicly the basement of the historical 32 00:03:42,000 --> 00:03:46,120 Speaker 1: society Wing, But for the chosen this leads to the 33 00:03:46,200 --> 00:03:52,280 Speaker 1: sanctuary of the Ward the Lord. Yes, the Ward is 34 00:03:52,320 --> 00:03:55,960 Speaker 1: a collective that has pledged to protect the living against 35 00:03:56,040 --> 00:04:00,160 Speaker 1: the Mordo. Wait, is that the skull of the us 36 00:04:00,200 --> 00:04:06,400 Speaker 1: more day oh ever, killed by our first Warden. It's unbelievable, 37 00:04:07,560 --> 00:04:12,800 Speaker 1: those teeth. I've never seen anything like it. This skull 38 00:04:12,920 --> 00:04:17,080 Speaker 1: not only symbolizes our cause, it's one of our greatest tools. 39 00:04:18,080 --> 00:04:22,679 Speaker 1: We've discovered they have a certain interconnectivity. The skull called 40 00:04:22,839 --> 00:04:26,800 Speaker 1: to Isaiah, causing him to transform into his more day, 41 00:04:26,839 --> 00:04:33,680 Speaker 1: in form and confirming our suspicions. Paul Douglas, he was 42 00:04:33,720 --> 00:04:39,120 Speaker 1: one of you, the journals, the coordinates he was hunting Isaiah. Yes, 43 00:04:39,920 --> 00:04:42,480 Speaker 1: you knew when you took me to his home. You 44 00:04:42,560 --> 00:04:45,720 Speaker 1: knew i'd find them. Each time we lose one of 45 00:04:45,720 --> 00:04:49,599 Speaker 1: our own, it is my duty as mother to choose 46 00:04:49,600 --> 00:04:53,680 Speaker 1: a replacement. These things are dangerous. People should know they're 47 00:04:53,680 --> 00:04:56,960 Speaker 1: out there, and what if they did. Knowledge is a 48 00:04:57,000 --> 00:05:01,080 Speaker 1: double edged sword. However, many may take up the fight 49 00:05:01,200 --> 00:05:05,440 Speaker 1: against the Mordeo, there would be as many sacrifice in 50 00:05:05,520 --> 00:05:10,800 Speaker 1: others to join them. For immortality, for limitless strength, for 51 00:05:10,880 --> 00:05:16,520 Speaker 1: almost unchallengeable power. Our fight to preserve life would only 52 00:05:16,600 --> 00:05:21,960 Speaker 1: grow if they're immortal. How can you possibly stop them? 53 00:05:22,080 --> 00:05:25,920 Speaker 1: You'll learn all that once you're inducted. The question is 54 00:05:26,800 --> 00:05:32,479 Speaker 1: are you willing to make that kind of sacrifice? Yes, 55 00:05:33,120 --> 00:05:36,080 Speaker 1: I took a vow to serve and protect. Isn't that 56 00:05:36,080 --> 00:05:39,159 Speaker 1: why you chose me. Let's not get ahead of ourselves. 57 00:05:39,200 --> 00:05:45,120 Speaker 1: Your offer to join us is conditional, conditional on what 58 00:05:46,040 --> 00:05:50,080 Speaker 1: there's another we are interested in along with you, like 59 00:05:50,160 --> 00:05:54,760 Speaker 1: a partner from our intel. This recruit has seen Isaiah's 60 00:05:54,760 --> 00:05:58,400 Speaker 1: true self by now and has a personal reason to 61 00:05:58,480 --> 00:06:05,479 Speaker 1: fight alongside us. Who Ashley Williams Ashley, she'll never agree 62 00:06:06,120 --> 00:06:10,359 Speaker 1: for your sake. I pray she does. Those who know 63 00:06:10,560 --> 00:06:14,200 Speaker 1: of the ward must become members of our family. A 64 00:06:14,400 --> 00:06:18,839 Speaker 1: refusal would render you both defectors, for which the penalty 65 00:06:20,080 --> 00:06:35,480 Speaker 1: is death. Ashley, are you the witney? Yeah? How long 66 00:06:35,520 --> 00:06:41,480 Speaker 1: have you known? How long has he been whatever he is? 67 00:06:43,040 --> 00:06:48,400 Speaker 1: Since he came back, since he lost game and the gape? 68 00:06:48,720 --> 00:06:58,000 Speaker 1: I don't know. I'm sorry as I think it's Isaiah. 69 00:06:58,960 --> 00:07:03,240 Speaker 1: He's turning back. This is what chance? There's still another 70 00:07:03,240 --> 00:07:06,440 Speaker 1: one him? There's always been another. Who knows how many 71 00:07:06,480 --> 00:07:13,120 Speaker 1: really are out there? Why you're not coming with me? 72 00:07:13,880 --> 00:07:17,320 Speaker 1: I you have to go after him. I can't just 73 00:07:17,440 --> 00:07:21,000 Speaker 1: leave you out here. Go home to your daughter, but go. 74 00:07:22,360 --> 00:07:26,080 Speaker 1: I'll be right behind you. Thank you for coming after me. 75 00:07:27,160 --> 00:07:30,240 Speaker 1: You saved my life. If you're the person isaias as 76 00:07:30,280 --> 00:07:36,160 Speaker 1: you are, you'd have done the same. I'm coming. Is this? 77 00:07:46,760 --> 00:07:50,560 Speaker 1: I call this Poppies Frozen Pizza Special. The secret is 78 00:07:50,560 --> 00:07:55,760 Speaker 1: add one more layer cheese. You need to eat, Jocelyn, 79 00:07:56,200 --> 00:07:59,160 Speaker 1: I'm not hungry. Your mom must just run a little late. 80 00:07:59,840 --> 00:08:02,840 Speaker 1: I'm sure she's fine. That's what my mom said about 81 00:08:02,840 --> 00:08:08,040 Speaker 1: my dad too. Someone's in the driveway. See I told 82 00:08:08,040 --> 00:08:12,520 Speaker 1: you she'd be back. It's a cop car. Wait at Jocelyn. 83 00:08:16,720 --> 00:08:19,680 Speaker 1: Detective read did you find my mom? Is she okay? 84 00:08:19,800 --> 00:08:22,680 Speaker 1: She heard bow? Slow down? What are you talking about, 85 00:08:23,280 --> 00:08:26,400 Speaker 1: Joscelyn whold on a minute. She hasn't been home all night. 86 00:08:26,760 --> 00:08:31,360 Speaker 1: Her phone s did go on to voicemail. Okay. I 87 00:08:31,440 --> 00:08:33,439 Speaker 1: was actually talking about to have a word with Ashley. 88 00:08:33,760 --> 00:08:37,880 Speaker 1: She's not home. Wow, you listening to me? Something is wrong. 89 00:08:38,320 --> 00:08:42,760 Speaker 1: She's just running late from She's over and Randa at 90 00:08:42,760 --> 00:08:45,680 Speaker 1: a family constant group that's not going there for a 91 00:08:45,720 --> 00:08:49,559 Speaker 1: few weeks. And where's Isaiah. This doesn't concern you, Michelle. 92 00:08:50,280 --> 00:08:56,800 Speaker 1: You're not welcome here. Just have her call me. It's important. 93 00:08:57,640 --> 00:09:03,880 Speaker 1: But let's go on back inside. M Hm, you're a lie, John. 94 00:09:04,440 --> 00:09:07,920 Speaker 1: Something happened to her. I won't forgive you. I'll hate 95 00:09:07,960 --> 00:09:33,560 Speaker 1: you like all the rest of them. Do I sah Jesus, Yeah, 96 00:09:34,000 --> 00:09:43,280 Speaker 1: I say, hey, you're awake, you're with me. Good. It'll 97 00:09:43,320 --> 00:09:48,000 Speaker 1: be easier this way. I'm sorry, but I have to 98 00:09:48,920 --> 00:09:51,560 Speaker 1: you tell me to do it. You said, good soldier 99 00:09:51,600 --> 00:10:01,480 Speaker 1: knows when he's down. I can't. I can't kill you. 100 00:10:02,520 --> 00:10:25,800 Speaker 1: I can't see you being my dad. Idea this time, Mom, Mom, 101 00:10:25,920 --> 00:10:31,640 Speaker 1: Hi baby, where you sleeping? Where were you? Okay, listen 102 00:10:31,640 --> 00:10:33,640 Speaker 1: to me, Jocelyn. I need you to go upstairs and 103 00:10:33,640 --> 00:10:37,120 Speaker 1: pack up some things. Okay, but why tell me what's 104 00:10:37,120 --> 00:10:44,200 Speaker 1: going on? Just do this okay for me? Okay, Ashley, 105 00:10:44,640 --> 00:10:48,160 Speaker 1: Michelle came by looking for you. Good. I have to 106 00:10:48,200 --> 00:10:50,960 Speaker 1: talk to her. Keep your eyes on, Jocelyn. Got it. 107 00:11:00,760 --> 00:11:16,680 Speaker 1: New poon UK translate death death man. I tush the 108 00:11:16,800 --> 00:11:21,240 Speaker 1: devil and all those meant for death failed to the 109 00:11:21,320 --> 00:11:27,200 Speaker 1: mercy of the devil. Ashley. I tried to call you 110 00:11:27,480 --> 00:11:30,320 Speaker 1: stop by your house. You don't look good. You were 111 00:11:30,400 --> 00:11:34,280 Speaker 1: right about Isaiah, about everything. Maybe you should sit down. 112 00:11:35,760 --> 00:11:38,040 Speaker 1: You're shaken too. Let me get you a blanket. I 113 00:11:38,080 --> 00:11:43,120 Speaker 1: don't need a fucking blanket, all right? Maybe this will help. 114 00:11:46,400 --> 00:11:54,319 Speaker 1: Whiskey always calms my nerves. Thanks. Yeah, what I'm about 115 00:11:54,360 --> 00:11:57,560 Speaker 1: to tell you. I wish there was anyone else who 116 00:11:57,640 --> 00:12:01,640 Speaker 1: might listen. But you have always hated him, and that's 117 00:12:01,640 --> 00:12:08,559 Speaker 1: why I know you'll believe me. I'm listening Isaiah, he's 118 00:12:08,600 --> 00:12:12,240 Speaker 1: he's Jesus. How do I I know he killed Gabe? 119 00:12:12,920 --> 00:12:16,479 Speaker 1: I saw what he's become. I don't mean that metaphorically. 120 00:12:16,559 --> 00:12:22,440 Speaker 1: I saw it. I saw him. I Oh. I don't 121 00:12:22,480 --> 00:12:25,960 Speaker 1: even know how to explain it. I must be fucking crazy, right. 122 00:12:26,200 --> 00:12:31,920 Speaker 1: I finally lost it. They're called the Mordo and Isaiah. 123 00:12:32,400 --> 00:12:46,320 Speaker 1: It's just the tip of the asperg Hey, it's Cat. 124 00:12:46,720 --> 00:12:50,560 Speaker 1: Not answering because I don't want to talk. Text Cat, 125 00:12:50,679 --> 00:12:53,160 Speaker 1: answer the phone. I need to know you're okay. I 126 00:12:53,200 --> 00:12:56,640 Speaker 1: have the truck. You wan't at the hotel. I'm I'm 127 00:12:56,640 --> 00:13:01,400 Speaker 1: back at the house now. Please be his life. You 128 00:13:01,480 --> 00:13:10,160 Speaker 1: have to be alive, Ashley, Jocelyn you? Oh, Cat? Are 129 00:13:10,160 --> 00:13:24,920 Speaker 1: you here? Cat? Ashley, Josh Ashley, Jesus, they're not here. 130 00:13:25,440 --> 00:13:28,400 Speaker 1: What happened here? Is someone break in? No looks like 131 00:13:28,440 --> 00:13:31,080 Speaker 1: the place being ran. They packed in a hurry. I'm 132 00:13:31,120 --> 00:13:33,160 Speaker 1: here for the last of their thing. They're staying with you. 133 00:13:33,400 --> 00:13:35,440 Speaker 1: I can't say. What do you mean? You can't say? 134 00:13:35,640 --> 00:13:39,040 Speaker 1: Ashley was insistent, said they weren't safe here anymore, that 135 00:13:39,120 --> 00:13:41,440 Speaker 1: we needed to get Jocelyn out as soon as possible. 136 00:13:41,960 --> 00:13:45,160 Speaker 1: She said that what about me. I know I have 137 00:13:45,280 --> 00:13:48,040 Speaker 1: no place to lecture you. I was never much of 138 00:13:48,040 --> 00:13:50,560 Speaker 1: a father after your mother died. But no matter what 139 00:13:50,640 --> 00:13:52,600 Speaker 1: kind of choices you made, I always thought it was 140 00:13:52,679 --> 00:13:55,720 Speaker 1: for the good of your family, even if misguided. I 141 00:13:55,760 --> 00:13:58,000 Speaker 1: never thought you'd do anything to put anyone in danger. 142 00:13:58,320 --> 00:14:02,800 Speaker 1: Your mother raised you better than that. Now, whatever trouble 143 00:14:02,840 --> 00:14:06,000 Speaker 1: you've gotten yourself into, you can make it right. No 144 00:14:07,480 --> 00:14:10,160 Speaker 1: I can't. That's just right, and it isn't safe, not 145 00:14:10,280 --> 00:14:13,080 Speaker 1: with me around. I say, I can help you. You're 146 00:14:13,120 --> 00:14:16,600 Speaker 1: not alone. Yes I am, and I have to be. 147 00:14:18,160 --> 00:14:21,840 Speaker 1: Where are you going? I can't stay here, I say, 148 00:14:22,520 --> 00:14:26,560 Speaker 1: don't run, trust me. Your demons only follow you. Yeah, 149 00:14:27,040 --> 00:14:37,520 Speaker 1: that's exactly what I'm making on. This can't be right. 150 00:14:37,880 --> 00:14:40,480 Speaker 1: You saw the proof with your own eyes, Ashley. But 151 00:14:40,960 --> 00:14:43,920 Speaker 1: why what would drive I say here to do something 152 00:14:44,000 --> 00:14:48,960 Speaker 1: like that? To kill Gabe eat He would be surprised 153 00:14:49,000 --> 00:15:08,200 Speaker 1: what people are capable of here and this Ward group, 154 00:15:08,280 --> 00:15:15,280 Speaker 1: they go after the creatures, the Moredo. Yes, they kill them. 155 00:15:15,280 --> 00:15:19,239 Speaker 1: From what I understand, they try. From what you understand, 156 00:15:20,280 --> 00:15:25,760 Speaker 1: something of a new recruit that's just perfect. Look the Ward, 157 00:15:26,360 --> 00:15:30,200 Speaker 1: it's not something you just joined. They hand picked their members. 158 00:15:31,520 --> 00:15:37,280 Speaker 1: I was chosen with one stipulation. To prove my commitment 159 00:15:37,320 --> 00:15:42,520 Speaker 1: to the cause, I have to recruit someone else, you me, 160 00:15:43,240 --> 00:15:47,560 Speaker 1: Why me? What would I have to offer? Ashley? You 161 00:15:47,720 --> 00:15:51,360 Speaker 1: lost so much, you know what the Mordo can do. 162 00:15:52,240 --> 00:15:56,160 Speaker 1: Fuck that. No, I didn't ask to be a part 163 00:15:56,200 --> 00:15:57,920 Speaker 1: of any of this. I just want to keep my 164 00:15:58,000 --> 00:16:02,160 Speaker 1: daughter safe. What about just just for Gabe, for yourself. 165 00:16:02,840 --> 00:16:06,520 Speaker 1: Isaiah took something from you, and in return he was 166 00:16:06,600 --> 00:16:10,920 Speaker 1: rewarded for it. Think about it, Isaiah kills your husband 167 00:16:11,080 --> 00:16:15,560 Speaker 1: and becomes a predator unrivaled by anything in nature. It's 168 00:16:15,600 --> 00:16:19,600 Speaker 1: not right or fair, and you deserve justice. No, I 169 00:16:19,760 --> 00:16:22,400 Speaker 1: can't risk putting Jocelyn in that kind of danger. She's 170 00:16:22,440 --> 00:16:26,240 Speaker 1: already in danger. Isaiah would never hurt her, just like 171 00:16:26,280 --> 00:16:29,800 Speaker 1: you would never have heard Gabe. We'll move, We'll We'll 172 00:16:29,840 --> 00:16:32,800 Speaker 1: just get in the car and drive south. Maybe Georgia, Florida. 173 00:16:32,840 --> 00:16:35,720 Speaker 1: I can get a job. Listen to me. You can't 174 00:16:35,800 --> 00:16:39,560 Speaker 1: run all right. You're in their world now. The more 175 00:16:39,640 --> 00:16:42,360 Speaker 1: dao and the wards, whether you like it or not, 176 00:16:42,840 --> 00:16:45,800 Speaker 1: no one gets to walk away after they've crossed that threshold. 177 00:16:46,400 --> 00:16:49,600 Speaker 1: Once you know their secret, you either live by it 178 00:16:49,960 --> 00:16:53,160 Speaker 1: or you die. By It is that a threat? No, 179 00:16:53,760 --> 00:16:57,800 Speaker 1: it's just reality. If you try to leave, if you 180 00:16:57,920 --> 00:17:02,600 Speaker 1: try to resist, they will kill you to protect their secret. 181 00:17:03,520 --> 00:17:21,040 Speaker 1: They'll kill both of us. Damn it because Swan. That 182 00:17:21,160 --> 00:17:28,520 Speaker 1: was a station off one of these exits. Hello, okay, 183 00:17:29,240 --> 00:17:34,800 Speaker 1: cat on closet, Jocelyn, my mom took my phone. I'm 184 00:17:34,840 --> 00:17:36,960 Speaker 1: calling from the pay phone down the block from Poppies. 185 00:17:37,280 --> 00:17:42,480 Speaker 1: What's up my mom? She's acting weird. She's not letting 186 00:17:42,480 --> 00:17:44,960 Speaker 1: me go home. She's keeping me locked away at Poppies. 187 00:17:45,359 --> 00:17:48,840 Speaker 1: I say, I'm scared. Where are you, Canny? Come give 188 00:17:48,920 --> 00:17:58,880 Speaker 1: me unclast? Are you there? Sorry, Jocelyn? Sorry for there. 189 00:17:58,880 --> 00:18:09,080 Speaker 1: It is exit four y evening. What can I do 190 00:18:09,200 --> 00:18:11,960 Speaker 1: for you? You got a gas can? We're all out? 191 00:18:12,160 --> 00:18:16,880 Speaker 1: Sorry shit, yeah, manager has been slacking. We've been out 192 00:18:16,920 --> 00:18:22,000 Speaker 1: for weeks. Give me one of these all right, thirty 193 00:18:22,040 --> 00:18:25,159 Speaker 1: two episode? Did that would be three forty nine, and 194 00:18:25,200 --> 00:18:28,040 Speaker 1: you fill it up yourself over there, give me three 195 00:18:28,040 --> 00:18:32,679 Speaker 1: dollars on pump two, three bucks on two. You got it? 196 00:18:32,880 --> 00:18:40,960 Speaker 1: That's sixty nine, all right, I'm twenty. I got some matches. No, 197 00:18:41,560 --> 00:18:55,000 Speaker 1: I'm sorry, I can't give away matches no more? All right? Thanks? Hey, 198 00:18:55,840 --> 00:18:58,360 Speaker 1: excuse me. Can I borrow you a ladder? Sure thing 199 00:18:59,440 --> 00:19:04,199 Speaker 1: you know smoking will kill you? Ah? I bring it 200 00:19:04,280 --> 00:19:08,840 Speaker 1: right back and just keep it. I got a spear. Thanks. 201 00:19:16,800 --> 00:19:22,399 Speaker 1: You have been chosen for something beyond yourself, beyond the 202 00:19:22,520 --> 00:19:26,680 Speaker 1: lives you came from, beyond even the ones you hold 203 00:19:26,800 --> 00:19:30,840 Speaker 1: most year. You have been chosen to take up arms 204 00:19:30,880 --> 00:19:35,280 Speaker 1: in the fight between life and death. We as one 205 00:19:35,720 --> 00:19:40,639 Speaker 1: and as many act as guardians, protecting and preserving life 206 00:19:40,680 --> 00:19:45,199 Speaker 1: at all costs, seeking to destroy the unnatural forces of 207 00:19:45,240 --> 00:19:52,359 Speaker 1: this world by whatever means necessary. Sister Read, Sister Williams, 208 00:19:53,800 --> 00:19:57,520 Speaker 1: do you hear, under the watchful eye of God and 209 00:19:57,800 --> 00:20:02,080 Speaker 1: nature accept the duty you have been called upon to serve? 210 00:20:03,560 --> 00:20:13,440 Speaker 1: A Sister Read promised to serve and uppop I Sister Williams, 211 00:20:13,840 --> 00:20:21,240 Speaker 1: do you accept our great honor? A Sister Williams, promise 212 00:20:21,359 --> 00:20:27,199 Speaker 1: to serve and uphold? Bring forth the ions what on 213 00:20:27,280 --> 00:20:29,520 Speaker 1: the souls of our feet. We wear the symbol of 214 00:20:29,600 --> 00:20:33,800 Speaker 1: the Ward's skull to signify each step we take under 215 00:20:33,880 --> 00:20:39,719 Speaker 1: our sacred white No, we must all understand pain in 216 00:20:39,880 --> 00:20:42,840 Speaker 1: order to rise above it, in order to do what 217 00:20:43,080 --> 00:20:52,040 Speaker 1: is asked of us. Please no doubt. Welcome to the Ward. 218 00:20:59,800 --> 00:21:06,240 Speaker 1: H H You can do this. You need to do this. Okay, 219 00:21:06,280 --> 00:21:15,199 Speaker 1: here we go, one two, serving the gasoline coming up. Okay, 220 00:21:15,880 --> 00:21:19,679 Speaker 1: this is it, This is it. I wouldn't like that 221 00:21:19,720 --> 00:21:23,719 Speaker 1: if I were you you. I saw you filling up 222 00:21:23,720 --> 00:21:26,399 Speaker 1: that cup of gasoline, and since you borrowed my lighter, 223 00:21:27,000 --> 00:21:28,679 Speaker 1: I decided I wanted to see what you're up to. 224 00:21:29,760 --> 00:21:34,639 Speaker 1: This is way more intense than I expected. You don't understand, 225 00:21:35,200 --> 00:21:37,280 Speaker 1: probably don't, but I gotta say, of all the ways 226 00:21:37,280 --> 00:21:40,639 Speaker 1: to off yourself, lighting yourself on fire is kind of melodramatic, 227 00:21:41,200 --> 00:21:44,200 Speaker 1: not to mention painful. I deserve the painful what I've done. 228 00:21:44,920 --> 00:21:48,520 Speaker 1: Oh yeah, self loathing? Yeah, I feel you on that. 229 00:21:49,320 --> 00:21:52,760 Speaker 1: Please let me do this in peace. You won't get 230 00:21:52,800 --> 00:21:56,720 Speaker 1: what you want. You'll feel every second, and you'll wake 231 00:21:56,800 --> 00:22:01,679 Speaker 1: up wishing you hadn't. Who are you. I'm a friend 232 00:22:01,880 --> 00:22:05,040 Speaker 1: trying to save you from yourself. You don't know me, 233 00:22:05,560 --> 00:22:30,960 Speaker 1: and I'm not worth saving. H They never listen here, ash, 234 00:22:31,720 --> 00:22:36,720 Speaker 1: This will keep it cool. I'm sorry. I had no 235 00:22:36,840 --> 00:22:41,720 Speaker 1: idea getting branded would be a part of it. Are 236 00:22:41,760 --> 00:22:47,639 Speaker 1: you all right? All right? Uh? I thought I understood 237 00:22:47,640 --> 00:22:50,320 Speaker 1: the world, but it was luck. I was living a lie. 238 00:22:51,160 --> 00:22:55,480 Speaker 1: I know what you mean. But looking back, I always 239 00:22:55,560 --> 00:23:01,320 Speaker 1: felt like something was missing, this tangible thing that was 240 00:23:01,680 --> 00:23:05,320 Speaker 1: somehow being kept from me. Now I know what it was. 241 00:23:06,520 --> 00:23:11,040 Speaker 1: I wish I didn't. I have to go careful without 242 00:23:11,040 --> 00:23:17,520 Speaker 1: foot for what it's worth. I'm glad to be in 243 00:23:17,560 --> 00:23:20,680 Speaker 1: this with someone, and who knows, Maybe this is our 244 00:23:20,800 --> 00:23:26,240 Speaker 1: chance to leave the past and the past. Good night, Michelle, 245 00:23:27,520 --> 00:23:42,480 Speaker 1: right gone. No one is born exceptional. Everything comes with 246 00:23:42,560 --> 00:23:52,880 Speaker 1: the price. Wealth, strength, immortal and unchallengeable power all require 247 00:23:52,920 --> 00:24:15,960 Speaker 1: a sacrifice, And minds already headed to the slaughter. Next 248 00:24:16,000 --> 00:24:20,159 Speaker 1: time on more dal if that's the only window they 249 00:24:20,200 --> 00:24:22,320 Speaker 1: can be killed. We need to make those seconds count. 250 00:24:22,960 --> 00:24:26,760 Speaker 1: So what's next? I must admit. And all the time 251 00:24:26,800 --> 00:24:30,000 Speaker 1: we've been watching you, I never suspected you'd be of 252 00:24:30,119 --> 00:24:33,720 Speaker 1: use to us. So you're saying I shouldn't trust see you. No, 253 00:24:34,320 --> 00:24:51,760 Speaker 1: you shouldn't. It's up wrong, flush I Heart Radio. Loomhouse 254 00:24:51,880 --> 00:24:57,200 Speaker 1: Television and Crypt TV in association with Wolf at the 255 00:24:57,280 --> 00:25:04,200 Speaker 1: Door Present Moredo. Executive produced by Jack Davis, Kate Krantz, 256 00:25:04,760 --> 00:25:12,000 Speaker 1: Darren Brandel, Jason Blum, Chris Dickey, Matt Frederick, and Alex Williams. 257 00:25:12,040 --> 00:25:18,840 Speaker 1: Written by Caitlin Crabbe, directed, by Alex Kemp, Produced by 258 00:25:18,880 --> 00:25:25,359 Speaker 1: Toby Lawless, Winnie Kemp, Daniel Parsons, Co producers ben So Tack, 259 00:25:26,040 --> 00:25:34,000 Speaker 1: Anthony Magnolo, Associate producer Federico Torado. Starring j L. Fahns, 260 00:25:34,119 --> 00:25:41,760 Speaker 1: Nicholson as Isaiah, Ashley Platts as Ashley, Olivia Lott as Jocelyn, 261 00:25:42,600 --> 00:25:50,440 Speaker 1: Ivonne Ngoulo as Michelle, with performances by Tacy Adams, Ariella 262 00:25:50,520 --> 00:25:59,200 Speaker 1: Amar Jamie, Joseph Keim, Estes, Patty Wilkins, Butch Klein. Sound 263 00:25:59,200 --> 00:26:05,040 Speaker 1: designed by Dean Hovey. Original score by Christopher Kemp, Mixing 264 00:26:05,240 --> 00:26:12,479 Speaker 1: by Mark Scarce, Edited by Fernando Diaz, Assistant engineer Noah's Sour. 265 00:26:13,600 --> 00:26:19,639 Speaker 1: Recorded at Wolf at the Door Studios. Casting consultant Michelle LeWitt, 266 00:26:20,280 --> 00:26:27,320 Speaker 1: Production assistants Hayley mckeckney and Sophia gilberta studio teacher Pearl Hika. 267 00:26:28,240 --> 00:26:34,240 Speaker 1: Writing assistant Bill Hanson. This podcast was recorded under a 268 00:26:34,280 --> 00:26:39,480 Speaker 1: SAG after collective bargaining agreement. Mordeo is a production of 269 00:26:39,520 --> 00:26:45,240 Speaker 1: I Heart Radio Blumhouse Television crypt TV. For more podcasts 270 00:26:45,280 --> 00:26:48,560 Speaker 1: from I Heart Radio, visit the I Heart Radio app, 271 00:26:48,960 --> 00:27:04,159 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.