WEBVTT - All Mermaid Stories Are Trans

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<v Speaker 1>Did you win any money? No, of course not. I

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<v Speaker 1>can't play any games to save my life. Did you

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<v Speaker 1>lose any money? I mean yes, I lost twenty dollars

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<v Speaker 1>at the Sex in the City slot machine of Oh

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<v Speaker 1>my god, I lost twenty dollars of the Sex of

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<v Speaker 1>the City slot machine too. Welcome to the first like

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<v Speaker 1>a virgin of I'm ros damn you, I'm fan Toronto.

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<v Speaker 1>How were your holidays? I mean I kind of know already,

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<v Speaker 1>but I think you um your trials and tribulations should

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<v Speaker 1>be shared with the listeners. You know. I honestly, I

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<v Speaker 1>won't detail that the saga that was trying to make

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<v Speaker 1>Adele on Christmas Eve happen for Justin and I, but

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<v Speaker 1>I will say it required planes, trains, automobiles, cancelations, rebookings,

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<v Speaker 1>entire flights just not happening for us, and ended up

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<v Speaker 1>with me and Justin getting in touch with a mutual

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<v Speaker 1>friend of ours who knows Adele in order to see

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<v Speaker 1>her on New Year's Eve, which we did, and it

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<v Speaker 1>was so HOWE tell tell me about the show? I wish,

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<v Speaker 1>I wish there were words that I could put to

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<v Speaker 1>what it feels like to do the New Year's countdown

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<v Speaker 1>with Adele, it makes perfect sense to me why she

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<v Speaker 1>is one of the most, if not the most universally

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<v Speaker 1>beloved celebrities in like the culture, point blank period, like

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<v Speaker 1>next to Tom Hanks and Dolly Parton, But like she

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<v Speaker 1>really is perfect. How did she sound? Obviously she sounds

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<v Speaker 1>better than the recording somehow, like she busts her gut.

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<v Speaker 1>And beyond that, her voice is so emotional and she's

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<v Speaker 1>so expressive, and I'm like, how do you do the

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<v Speaker 1>show over and over again? But this like mega camp

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<v Speaker 1>that's on your face as you're performing is like the

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<v Speaker 1>most emotive thing I've ever seen, Like it's as if

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<v Speaker 1>you're performing it for the first time. Like she's so

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<v Speaker 1>in her feelings when she performs. And she also is

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<v Speaker 1>obviously amazing at crowd banter and did tons of it

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<v Speaker 1>and has so much fun with it. And she cried,

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<v Speaker 1>so she does a lot of vampang and vamping. She

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<v Speaker 1>goes into the audience, she vamps. She did all of

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<v Speaker 1>her hits, like she cried while talking to the audience,

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<v Speaker 1>like she's just herself, and she does it all without

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<v Speaker 1>shoes on because she's got psiotica and she's like, I'm sorry,

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<v Speaker 1>I got I got real bad. That's like that's like,

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<v Speaker 1>that's like, you know, that's saying where it's like anything

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<v Speaker 1>a man can do, a woman can do and in

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<v Speaker 1>heals like not me, not me, No, I'm there foot Yeah, god,

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<v Speaker 1>it was it was. It was gorgeous. I mean, like

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<v Speaker 1>I feel like I mean a one glass of champagne

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<v Speaker 1>did cost fifty dollars, but that's not surprising. What were

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<v Speaker 1>some of the standout songs she performs? Okay, so I

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<v Speaker 1>am just context for the virgins, Um I am like

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<v Speaker 1>not an o g Adele stand. Justin is very much

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<v Speaker 1>so an o g l Adele stand. I hopped onto

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<v Speaker 1>the Adele train in her thirty era and have now

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<v Speaker 1>gone back and started to love her previous catalog and

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<v Speaker 1>her her songs from twenty one were the best songs

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<v Speaker 1>like she did Take It All One and Only and

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<v Speaker 1>someone like You Obviously and she did Rumor has It

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<v Speaker 1>and Rolling in the Deep and set Fire to the

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<v Speaker 1>Rain and don't You Remember, which are all bangers. Every

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<v Speaker 1>single song on the album is such a fucking banger.

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<v Speaker 1>Did she do Hometown Glory? I actually can't remember. I

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<v Speaker 1>like blacked out for like some one of my Adelais.

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<v Speaker 1>Oh god, yeah, what other what other adel phaves do

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<v Speaker 1>you have? I love the River leah Um. It's one

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<v Speaker 1>of my favorite adult songs because Charlene once performed at

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<v Speaker 1>this party that I used to throw and as she

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<v Speaker 1>lip synced it, she pissed into our friends. Now, well,

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<v Speaker 1>I'm sure Adele would love that. She would live, I

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<v Speaker 1>honestly was. I went. We went to a nightclub after

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<v Speaker 1>we went to Piranha, and I half expected her to

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<v Speaker 1>be there because you know she's known for hitting up

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<v Speaker 1>the gay Yeah yeah, yeah, her and Jennifer Lawrence loved

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<v Speaker 1>the gaze. Oh my god. Um. Anyways, long story, Shart,

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<v Speaker 1>it was perfect. What did you do for New Year's?

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<v Speaker 1>I rented a house in the cat Skills with some

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<v Speaker 1>friends and we drove up there on Saturday, made a

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<v Speaker 1>really lovely dinner. Um. My friend's boyfriend cooked ham um,

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<v Speaker 1>which was delicious, and then we we watched Miley cyrus

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<v Speaker 1>her little you know New Year's Special, which was dumb.

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<v Speaker 1>Oh it was It looked good, no, I mean her

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<v Speaker 1>her performance with Dolly obviously was incredible, but her Paris

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<v Speaker 1>performance was bad. No, no, it wasn't her that was bad.

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<v Speaker 1>It was just the whole thing, and all these musical

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<v Speaker 1>act who were not Miley Cyrus or Dolly Parton, who

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<v Speaker 1>was like, please get off the stage. And there were

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<v Speaker 1>some little sketches that were cute, but there were just

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<v Speaker 1>like a lot of commercials and we were watching it

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<v Speaker 1>on Peacock and it was like every commercial break was

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<v Speaker 1>the same three commercials over and over again. It was excruciating. Yeah,

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<v Speaker 1>But then we were just in the Catskills for for

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<v Speaker 1>two nights and did a lot of sitting by the fire.

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<v Speaker 1>I took a lot of baths. We had a hot tub.

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<v Speaker 1>It was really beautiful now and now it's January. Honestly,

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<v Speaker 1>it is early January. We pretty much had like the

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<v Speaker 1>opposite New Year's. Like I was in Vegas. Have you

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<v Speaker 1>ever been to Vegas. I've been to Vegas a few times.

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<v Speaker 1>I had never really done Vegas before, and like it

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<v Speaker 1>is a theme park like it is. I I joked

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<v Speaker 1>that it was like Berlin for heterosexuals, because it's kind

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<v Speaker 1>of this like sin city that feels like it would

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<v Speaker 1>be something culturally important to like heterosexual people where they

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<v Speaker 1>can be like godless heathens and like. But it's like

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<v Speaker 1>it was truly bizarre. Um, but I loved it. I

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<v Speaker 1>love casinos. I so I'm I don't care about gambling.

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<v Speaker 1>I think it's very dumb. I think it's very dumb.

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<v Speaker 1>But every time I've gone to Vegas, I've you know,

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<v Speaker 1>said like okay, like I'll go waste in a slot

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<v Speaker 1>machine just for the experience of doing it, and once

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<v Speaker 1>the money runs out, I'm just like done, I disengage.

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<v Speaker 1>I don't care, like I'm not. I don't I don't

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<v Speaker 1>want to get lucky. I'm you know, even if I

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<v Speaker 1>won money, I would like I would stop once, you know,

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<v Speaker 1>once that twenty was up. Um casinos are fascinating and

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<v Speaker 1>terrifying to me, like the fact that like you get

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<v Speaker 1>free booze while you gamble, and like that they like

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<v Speaker 1>pump like like pure oxygen into the casino like routinely

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<v Speaker 1>to like keep you awake, and like the fact that

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<v Speaker 1>like there are no clocks in any casinos and they

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<v Speaker 1>keep the lights on at the same time the whole

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<v Speaker 1>day because they don't want you to like know what

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<v Speaker 1>time of day it is, which is so fun it's gross.

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<v Speaker 1>And so I do, like I do like to smoke

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<v Speaker 1>a cigarette and because I did the last time I

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<v Speaker 1>was in vegasigarettes. I smoked a cigarette while playing the

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<v Speaker 1>Sex in the City slot machine, and you know, I

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<v Speaker 1>loved that little fantasy. And then I went and saw Gaga.

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<v Speaker 1>The girl behind me was smoking smoking a a capri?

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<v Speaker 1>Is that are the thin ones? A capri? With the

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<v Speaker 1>Sex in the City slot machine. Um, I also have

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<v Speaker 1>to say, like sex casino security are so fucking scary. Like,

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<v Speaker 1>we we had so much Justin had so much fun

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<v Speaker 1>playing blackjack with this like one dealer and we were

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<v Speaker 1>building building a little bit of a rapport with her,

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<v Speaker 1>and we were like, oh, we have to go get cash.

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<v Speaker 1>We'll be right back. And when we came back, they

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<v Speaker 1>had reassigned her to a new table and she was

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<v Speaker 1>gone because the manager had saw that we were like

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<v Speaker 1>getting chummy with her, and so they were like, we

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<v Speaker 1>don't want them to keep winning money, Like she needs

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<v Speaker 1>to be moved. Isn't that scary? That's evil? It's evil

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<v Speaker 1>and weird. And also like also maybe she just didn't

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<v Speaker 1>like you. Maybe she was aer pubbic and she was like,

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<v Speaker 1>I got to get out of here while they're gone.

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<v Speaker 1>She's like, please reassign me. Oh that's so funny. Um. Yeah,

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<v Speaker 1>and she met the thebel singular and plural. Also, like

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<v Speaker 1>casinos are like I forgot that. Like casinos are like

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<v Speaker 1>intentionally designed to be confusing, like labyrinthine and like covered

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<v Speaker 1>like hall of mirrors, like getting out in and out

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<v Speaker 1>of every casino and they're all connected, which is crazy,

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<v Speaker 1>Like it was like solving a Swedish puzzle box. Like

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<v Speaker 1>I really could not. Um, but we should go together.

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<v Speaker 1>We would, I'm sure we would have. I'm not going

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<v Speaker 1>back to Vegas unless it's for a very good reason.

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<v Speaker 1>I'm like, and I'm being flew out for Katie Perry. Yeah, um,

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<v Speaker 1>well that's I'm so glad you had a good time

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<v Speaker 1>at Adele. So we both have seen two movies that

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<v Speaker 1>we have very different takes on, and you know, we're

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<v Speaker 1>going to try a little experiment today and I think

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<v Speaker 1>instead of duking it out over our you know, differing opinions,

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<v Speaker 1>we're going to each talk about the things that we

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<v Speaker 1>liked about these films while the other person um sits

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<v Speaker 1>and judges silently, and maybe maybe one of us will

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<v Speaker 1>convince the other one that that where they're wrong. Maybe,

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<v Speaker 1>but probably not, probably not. So the two films, the

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<v Speaker 1>two films in question are Glass Onion and Knives Out,

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<v Speaker 1>Mystery and Roll Dolls, Matilda the Musical arguably the only

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<v Speaker 1>two films that were really during the winter break like

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<v Speaker 1>this is like they felt like a kind of slow

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<v Speaker 1>rollout for it felt like streaming didn't really do that

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<v Speaker 1>much releases. I also think even theatrically, there weren't a

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<v Speaker 1>lot of big Christmas movies this year. So if you

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<v Speaker 1>haven't seen either of these, they're both available to stream

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<v Speaker 1>on Netflix. Obviously, big spoilers for the movies. I can

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<v Speaker 1>go first and talk about Matilda. Um So, I did

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<v Speaker 1>mention Matilda briefly in our best of episode, which if

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<v Speaker 1>you haven't listened to go check out now. So I

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<v Speaker 1>saw it a while ago and I loved it. You know,

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<v Speaker 1>obviously I have a big place in my heart for

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<v Speaker 1>the original Matilda. It was such an important movie to

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<v Speaker 1>me as a kid. It was such an important book.

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<v Speaker 1>And I've never engaged with the musical at all. I've

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<v Speaker 1>never seen it, didn't know any of the music. I

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<v Speaker 1>was very not even skeptical about it. I just was

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<v Speaker 1>like almost a little bit apathetic going into it, and

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<v Speaker 1>I was shocked by how much I enjoyed it. I

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<v Speaker 1>thought it was such a fun movie, and it was

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<v Speaker 1>such a beautiful movie to look at. I thought the

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<v Speaker 1>production design was really incredible. The choreography was incredible. It

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<v Speaker 1>looked expensive. It looked like a big blockbuster musical that

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<v Speaker 1>like was going to be released for Christmas. It was

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<v Speaker 1>the kind of thing that I like, I think kids

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<v Speaker 1>will love and like watch over and over again. I

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<v Speaker 1>thought the performances were incredible, especially Lashawna Lynch who plays

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<v Speaker 1>Miss Honey. She had me weeping anytime she had like

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<v Speaker 1>a song or like a tender moment with Matilda. At

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<v Speaker 1>the end of the movie, when Matilda runs into her

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<v Speaker 1>arms and they hug, I even I lost it even

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<v Speaker 1>thinking about it now, I'm like getting emotional. Um. I

0:11:35.160 --> 0:11:39.240
<v Speaker 1>thought Emma Thompson was great. Um. I mean those kids.

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<v Speaker 1>Those kids were dancing like their parents was standing behind

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<v Speaker 1>the camera with a knife to their Teddy Bears throat.

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<v Speaker 1>Those kids were dancing like their birthday party was about

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<v Speaker 1>to get canceled. They brought it all on the floor.

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<v Speaker 1>And I like that it didn't try to, like one

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<v Speaker 1>for one be the original film. It really established itself

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<v Speaker 1>as its own separate thing, and I think it's a

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<v Speaker 1>story that like is um magical enough to have this

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<v Speaker 1>new life breathed into it and exists as its own

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<v Speaker 1>separate thing. Is it my time to speak? It's your time?

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<v Speaker 1>Did I convince you? Did I change your mind? Honestly,

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<v Speaker 1>you you kind of did. I. I kind of have

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<v Speaker 1>to agree with you on almost all of almost all

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<v Speaker 1>of your points here. I think the production value was stunning.

0:12:33.160 --> 0:12:38.000
<v Speaker 1>I thought Lashaunda Lynch and Emma Thompson were sublime. I

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<v Speaker 1>adored the allegiance to roll dolls Matilda and how this

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<v Speaker 1>story was darker and weirder and you know, had so

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<v Speaker 1>much more um kind of rolled dollion qualities to it um.

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<v Speaker 1>And I felt like that was like kind of one

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<v Speaker 1>of my favorite things about this adaptation. And I also

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<v Speaker 1>think the kids dance numbers or inarguably like awards worthy

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<v Speaker 1>and so much fun to watch. I definitely had more

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<v Speaker 1>fun watching this movie than my dear friend Justin, who

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<v Speaker 1>adores the original Matilda starring bi Con Marrow Wilson, and

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<v Speaker 1>I do love the Marra Wilson version, But like Justin,

0:13:20.840 --> 0:13:23.520
<v Speaker 1>I don't think ever read the original Matilda, and so

0:13:23.679 --> 0:13:27.320
<v Speaker 1>like doesn't know how the original movie is like really

0:13:27.360 --> 0:13:30.440
<v Speaker 1>really not in line with like how the book kind

0:13:30.480 --> 0:13:33.800
<v Speaker 1>of slurts through um Matilda's powers and all the different stuff.

0:13:34.640 --> 0:13:41.000
<v Speaker 1>That said, I think that when children sing in groups

0:13:41.679 --> 0:13:47.520
<v Speaker 1>that it is unlistenable and uncanny and cloying, lee sweet,

0:13:47.760 --> 0:13:52.400
<v Speaker 1>and like just really really not fun. And I think

0:13:52.440 --> 0:13:57.800
<v Speaker 1>that every single song in this musical just sounds like

0:13:58.480 --> 0:14:02.120
<v Speaker 1>a kind of child old marching band kind of like

0:14:02.160 --> 0:14:05.000
<v Speaker 1>every single song is kind of like I'm in offense

0:14:05.160 --> 0:14:07.480
<v Speaker 1>and this is what I'm going to do, here's what

0:14:07.640 --> 0:14:09.880
<v Speaker 1>I'm set. And it's like it has this like bright

0:14:09.960 --> 0:14:12.440
<v Speaker 1>like marching band beat to it, and like every song

0:14:12.600 --> 0:14:15.560
<v Speaker 1>sounded like that, and it was so annoying and like,

0:14:15.600 --> 0:14:17.839
<v Speaker 1>I feel like I could have watched a version of

0:14:17.840 --> 0:14:21.760
<v Speaker 1>this where there was no music in it, or where

0:14:21.800 --> 0:14:24.880
<v Speaker 1>the music was like yeah, that's just Matilda, or more

0:14:24.920 --> 0:14:29.120
<v Speaker 1>than the music is like just better. But I didn't

0:14:29.160 --> 0:14:35.040
<v Speaker 1>think that the music created emotional steaks or added much

0:14:35.120 --> 0:14:38.680
<v Speaker 1>to the performance. I thought Lashawna Lynch and I thought

0:14:39.000 --> 0:14:42.520
<v Speaker 1>um Emma Thompson's songs were awesome, and I thought their

0:14:42.560 --> 0:14:44.840
<v Speaker 1>performance of it was great, But the majority of the

0:14:44.920 --> 0:14:49.800
<v Speaker 1>musical is children singing and they all sound haunted. And

0:14:50.080 --> 0:14:54.120
<v Speaker 1>you are the trunch bowl. You are the trunch bowl

0:14:54.200 --> 0:14:59.280
<v Speaker 1>is trans period. Um all okay. Also Bruce bog Trotter

0:15:00.000 --> 0:15:09.240
<v Speaker 1>in that fat suit, Mama, no unforgivable that I've Let's also,

0:15:09.360 --> 0:15:11.800
<v Speaker 1>I think that you'll agree with me on this. Mr

0:15:11.800 --> 0:15:16.000
<v Speaker 1>and Mrs Wormwood compared to the o G Mama just

0:15:16.080 --> 0:15:18.720
<v Speaker 1>did not do it. They did not. I don't agree.

0:15:18.720 --> 0:15:21.040
<v Speaker 1>I don't agree with you. I loved them. I thought

0:15:21.040 --> 0:15:23.440
<v Speaker 1>they were amazing and their house was so beautiful. I

0:15:23.480 --> 0:15:25.600
<v Speaker 1>love their house. I love I did not think that

0:15:25.640 --> 0:15:28.160
<v Speaker 1>they're costuming was amazing, but I love the house. I

0:15:28.200 --> 0:15:31.400
<v Speaker 1>love the production design. The whole movie. Um, I just

0:15:31.480 --> 0:15:34.440
<v Speaker 1>felt like because Danny DeVito and the other woman like

0:15:34.760 --> 0:15:39.600
<v Speaker 1>just really fucking nail the other woman. Yes, I don't,

0:15:39.600 --> 0:15:42.000
<v Speaker 1>I don't know her. I'm sorry, I'm sorry, but they're

0:15:42.040 --> 0:15:44.560
<v Speaker 1>gonna kill you. I know, I know. But they literally,

0:15:44.800 --> 0:15:49.000
<v Speaker 1>you chose books. I chose that. Literally, you're That's what

0:15:49.080 --> 0:15:51.080
<v Speaker 1>I'm saying. You chose books, I chose looks is like

0:15:51.240 --> 0:15:54.520
<v Speaker 1>that if they're saying those performances are singed in our

0:15:54.560 --> 0:15:57.120
<v Speaker 1>memories as childhood, and so when you come in and

0:15:57.160 --> 0:16:00.200
<v Speaker 1>you reboot a performance, it's like you have to ring

0:16:00.280 --> 0:16:03.520
<v Speaker 1>something new. And all I saw was a watered down

0:16:03.640 --> 0:16:06.840
<v Speaker 1>version of what the previous iteration had done, and I

0:16:06.840 --> 0:16:09.760
<v Speaker 1>wish they had just done something like what Emma Thompson

0:16:09.800 --> 0:16:12.680
<v Speaker 1>did or what LASHAWNA Lynch did, which were just like

0:16:12.840 --> 0:16:16.560
<v Speaker 1>make completely different characters. Okay, well I don't agree, but

0:16:16.680 --> 0:16:20.680
<v Speaker 1>I respect your point of view. Thank you, thank you.

0:16:21.480 --> 0:16:25.400
<v Speaker 1>Um Okay, now we're moving on. Yeah, let's talk about well,

0:16:25.520 --> 0:16:29.520
<v Speaker 1>you talk about Glass Onion. I must say I did

0:16:29.520 --> 0:16:33.240
<v Speaker 1>not like Knives Out, the original murder mystery that came out,

0:16:33.280 --> 0:16:35.920
<v Speaker 1>and this is the sequel to Knives Out. I felt

0:16:36.000 --> 0:16:40.840
<v Speaker 1>like Glass Onion was a substantially better in movie on

0:16:40.880 --> 0:16:43.680
<v Speaker 1>the casting level, on the writing level, on what it

0:16:43.720 --> 0:16:47.800
<v Speaker 1>pulled off in the last third, in the twist, and

0:16:48.000 --> 0:16:55.840
<v Speaker 1>in its primary performances. Janelle mone cells this movie so

0:16:55.960 --> 0:17:02.320
<v Speaker 1>hard and is such an incredible Lynch pen to Leshana

0:17:02.400 --> 0:17:07.680
<v Speaker 1>Lynchpin to be the crucial beating heart and like I think,

0:17:07.840 --> 0:17:11.600
<v Speaker 1>main character of the franchise. It was so smart and

0:17:11.680 --> 0:17:16.360
<v Speaker 1>so interesting, and she made Daniel Craig's character so much

0:17:16.359 --> 0:17:19.080
<v Speaker 1>more fun to watch. The biggest issue that I had

0:17:19.119 --> 0:17:22.040
<v Speaker 1>with like the original Knives Out, I had a lot

0:17:22.080 --> 0:17:24.000
<v Speaker 1>to do with Like I felt like how the movie

0:17:24.040 --> 0:17:26.320
<v Speaker 1>thought Daniel Craig was the most interesting character, but he

0:17:26.359 --> 0:17:28.240
<v Speaker 1>was like literally so boring and was just this like

0:17:28.359 --> 0:17:31.720
<v Speaker 1>narrator Cipher. And I felt like the way Daniel Craig's

0:17:31.760 --> 0:17:36.520
<v Speaker 1>character was written for Glass Onion was so much more gay, funny,

0:17:36.560 --> 0:17:41.240
<v Speaker 1>fun like made mistakes, like was a fully fledged character

0:17:41.320 --> 0:17:44.680
<v Speaker 1>that was interesting and participating in the humanity around him.

0:17:44.720 --> 0:17:47.040
<v Speaker 1>And I thought that that just like hooked me in

0:17:47.160 --> 0:17:50.200
<v Speaker 1>so much further. And when I first started watching glass

0:17:50.200 --> 0:17:52.479
<v Speaker 1>Onion and I actually didn't like I felt like I

0:17:52.480 --> 0:17:56.000
<v Speaker 1>wasn't gonna like it because I think the hyper contemporary

0:17:56.119 --> 0:17:59.960
<v Speaker 1>like name drop of humor is like very I rolls

0:18:00.040 --> 0:18:03.040
<v Speaker 1>sometimes but by you know, no spoilers, But by the

0:18:03.040 --> 0:18:07.520
<v Speaker 1>twist at the midpoint, I was in Mama, and I

0:18:07.560 --> 0:18:10.760
<v Speaker 1>felt like it did something that was a lot better

0:18:10.920 --> 0:18:14.040
<v Speaker 1>than what Knives Out did, which was instead of being

0:18:14.160 --> 0:18:16.119
<v Speaker 1>who done it, right, they tell you who did it

0:18:16.160 --> 0:18:19.119
<v Speaker 1>in the first third of the movie, and so the

0:18:19.200 --> 0:18:21.479
<v Speaker 1>rest of the movie is a why done it? And

0:18:21.520 --> 0:18:24.000
<v Speaker 1>how done it? And I think that that made Glass

0:18:24.040 --> 0:18:28.359
<v Speaker 1>Onion I felt a really substantive and windy action movie

0:18:28.880 --> 0:18:34.360
<v Speaker 1>that um grounded itself in great casting, great performances, a

0:18:34.440 --> 0:18:41.120
<v Speaker 1>super duper silly but satisfying maximalist ending that had I

0:18:41.160 --> 0:18:45.320
<v Speaker 1>felt brilliant. Thematic commentary that I thought was I thought

0:18:45.400 --> 0:18:47.960
<v Speaker 1>that the commentary about like you know, commentary about billionaires

0:18:48.000 --> 0:18:49.520
<v Speaker 1>can be very I roll. And when you we have

0:18:49.680 --> 0:18:52.400
<v Speaker 1>this like Jeff Bezozi kind of like CEO character that's

0:18:52.400 --> 0:18:54.800
<v Speaker 1>been written to death, I was like, I don't know

0:18:54.840 --> 0:18:57.800
<v Speaker 1>if I'm gonna love this. But the way it kind

0:18:57.840 --> 0:19:02.080
<v Speaker 1>of talked about this eruption theory and the way it

0:19:02.119 --> 0:19:05.680
<v Speaker 1>talked about the truth and like modes of justice were

0:19:05.760 --> 0:19:10.040
<v Speaker 1>like exactly what a modern who done it should be. Um,

0:19:10.080 --> 0:19:14.720
<v Speaker 1>And so yeah, I loved glass Onions. Surprisingly, that's great.

0:19:14.800 --> 0:19:18.159
<v Speaker 1>I'm so happy for you, Love. I thank you for

0:19:18.200 --> 0:19:26.639
<v Speaker 1>supporting me. Rose. I thought Kate Hudson was fabulous and

0:19:26.720 --> 0:19:32.200
<v Speaker 1>that's it. Okay, Well what did you not like about?

0:19:33.280 --> 0:19:35.119
<v Speaker 1>As my mother said, as my mother told me, if

0:19:35.119 --> 0:19:37.560
<v Speaker 1>you don't have anything nice to say, don't say anything

0:19:37.560 --> 0:19:39.240
<v Speaker 1>at all. Well, this is a podcast, and I think

0:19:39.240 --> 0:19:42.400
<v Speaker 1>the virgins will actually be like dying to hear why

0:19:42.440 --> 0:19:45.200
<v Speaker 1>you didn't like it. I just thought it was dumb.

0:19:45.320 --> 0:19:47.400
<v Speaker 1>I liked the first movie so much better. I thought

0:19:47.400 --> 0:19:50.000
<v Speaker 1>it was dumb. It's a completely different movie. It's a

0:19:50.040 --> 0:19:52.479
<v Speaker 1>completely different movie. I do think it comes down to taste.

0:19:52.520 --> 0:19:54.439
<v Speaker 1>I think the mystery of the first film is so

0:19:54.520 --> 0:19:56.400
<v Speaker 1>much tighter. I thought it was so much more interesting.

0:19:56.480 --> 0:19:58.560
<v Speaker 1>I like to the family dynamics of it. I thought

0:19:58.560 --> 0:20:01.120
<v Speaker 1>this movie was dumb. I thought Janelle Manet was horrible.

0:20:01.840 --> 0:20:05.720
<v Speaker 1>I thought the twists were stupid. I liked Kate Hudson,

0:20:05.880 --> 0:20:10.439
<v Speaker 1>and I liked Hugh Grant as Daniel Craig's husband. And

0:20:11.119 --> 0:20:15.399
<v Speaker 1>that's it. Hugh Grant is Daniel Craig's husband. I forgot

0:20:15.400 --> 0:20:20.280
<v Speaker 1>that cameo is so fast. Oh my god. All the

0:20:20.280 --> 0:20:23.000
<v Speaker 1>cameos were so gaggy. I mean two of them are

0:20:23.080 --> 0:20:27.400
<v Speaker 1>literally dead, which was a kind of whack. Yeah. Well,

0:20:27.440 --> 0:20:31.520
<v Speaker 1>this is apparently a thing that like Ryan Johnson, all

0:20:31.560 --> 0:20:35.000
<v Speaker 1>these actors like that his films are the last films

0:20:35.000 --> 0:20:38.360
<v Speaker 1>they appear in. Who else. It happened with Carrie Fisher,

0:20:38.720 --> 0:20:44.280
<v Speaker 1>with UM Star Wars, and it happened with um Christopher

0:20:44.359 --> 0:20:47.560
<v Speaker 1>Plummer and the First Nimes Out, And now it's happened

0:20:47.560 --> 0:20:51.960
<v Speaker 1>with Angela Landsberry and Stephen Sondheim. I guess so I

0:20:52.040 --> 0:20:56.320
<v Speaker 1>have to say, like, I really hate like movies about billionaires,

0:20:56.400 --> 0:20:58.679
<v Speaker 1>and I did not actually love like kind of the

0:20:59.320 --> 0:21:02.560
<v Speaker 1>Google play setting of glass Onion, And I feel like

0:21:02.640 --> 0:21:06.240
<v Speaker 1>that's maybe some of what you were responding to at

0:21:06.240 --> 0:21:09.080
<v Speaker 1>the end of the day, like it's glass Onion doesn't

0:21:09.119 --> 0:21:11.639
<v Speaker 1>really okay, so maybe not glass Onion doesn't really have

0:21:11.760 --> 0:21:14.600
<v Speaker 1>the components of a movie I usually enjoy, which is

0:21:14.720 --> 0:21:17.200
<v Speaker 1>kind of why I was really surprised by it. But

0:21:17.640 --> 0:21:19.879
<v Speaker 1>if you will indulge me on like what I liked

0:21:19.880 --> 0:21:23.800
<v Speaker 1>about what the movie taught, it's like it actually I

0:21:23.880 --> 0:21:28.879
<v Speaker 1>felt had a really like incisive critique about what tech

0:21:29.000 --> 0:21:33.240
<v Speaker 1>billionaires think disruption theory is and what someone like Janelle

0:21:33.240 --> 0:21:36.840
<v Speaker 1>Monet things disruption theory is right, And I felt like

0:21:37.080 --> 0:21:41.080
<v Speaker 1>that was so smart because when billionaires and you know,

0:21:41.200 --> 0:21:44.679
<v Speaker 1>rich people and all these different like girl bosses become

0:21:44.760 --> 0:21:51.359
<v Speaker 1>really rich by essentially adopting ideas and organizing methods and

0:21:51.520 --> 0:21:54.280
<v Speaker 1>like you know, being like woke or whatever and using

0:21:54.320 --> 0:21:56.400
<v Speaker 1>that to like climb to the top, they think that

0:21:56.400 --> 0:21:59.840
<v Speaker 1>that's disruption when all they're doing is assimilating into capital

0:22:00.080 --> 0:22:02.960
<v Speaker 1>is um and protecting like guarding themselves further and further

0:22:03.040 --> 0:22:06.760
<v Speaker 1>from real people. But when Janelle Money comes into this

0:22:06.800 --> 0:22:11.479
<v Speaker 1>like Pole debacle, her idea of what disruption is, and

0:22:11.480 --> 0:22:14.840
<v Speaker 1>how she kind of tears it all down is what

0:22:14.920 --> 0:22:18.760
<v Speaker 1>true organizing disruption is. It's about destruction, like volatility, it's

0:22:18.800 --> 0:22:22.320
<v Speaker 1>about demanding what is owed to you. And I felt

0:22:22.359 --> 0:22:24.520
<v Speaker 1>like when there's a kind of critical mass at the

0:22:24.640 --> 0:22:29.880
<v Speaker 1>end that um, I guess provides a path to justice

0:22:29.920 --> 0:22:32.560
<v Speaker 1>that does not involve the police or the carcetral system

0:22:32.600 --> 0:22:36.680
<v Speaker 1>at all. I was like, that is like very radical,

0:22:37.000 --> 0:22:39.720
<v Speaker 1>And I honestly, I'm not the kind of girl to

0:22:39.840 --> 0:22:42.280
<v Speaker 1>give Netflix credit, to give Rihan Johnson credit, to give

0:22:42.280 --> 0:22:44.879
<v Speaker 1>big blockbusters like this credit, but like I was just like, damn,

0:22:44.920 --> 0:22:47.880
<v Speaker 1>Like I really loved what the movie did with its

0:22:47.880 --> 0:22:51.399
<v Speaker 1>like prospects of justice, even though it was really silly

0:22:51.440 --> 0:22:55.040
<v Speaker 1>and maximalist at times. I think that is I'm not

0:22:55.080 --> 0:22:57.360
<v Speaker 1>saying this is like a patronizing way. I think that's

0:22:57.359 --> 0:23:00.440
<v Speaker 1>a very generous, right it is. It is. It's a

0:23:00.520 --> 0:23:03.240
<v Speaker 1>very and and like I think it's really cool that

0:23:03.280 --> 0:23:07.080
<v Speaker 1>you can look at that and and pick that out

0:23:07.200 --> 0:23:10.440
<v Speaker 1>and like, yes, that is those are very good things

0:23:10.520 --> 0:23:12.959
<v Speaker 1>for a mainstream movie to be saying. I don't know

0:23:13.000 --> 0:23:15.359
<v Speaker 1>that I agree that that movie is saying those things,

0:23:15.440 --> 0:23:18.280
<v Speaker 1>but I do think it's it's lovely that you can

0:23:18.960 --> 0:23:20.960
<v Speaker 1>see that in that film. I think it's about as

0:23:21.000 --> 0:23:23.240
<v Speaker 1>generous of a reading as when I said that Taylor

0:23:23.320 --> 0:23:28.920
<v Speaker 1>Swift's karma, you know, mirrored Buddhist ideologies with karma, which

0:23:28.960 --> 0:23:30.760
<v Speaker 1>I that that's the thing, is like, that's what I

0:23:30.920 --> 0:23:32.720
<v Speaker 1>that's what I like to do, and I don't. I don't.

0:23:32.720 --> 0:23:34.639
<v Speaker 1>I'm not here to give credit to the artist, but

0:23:34.680 --> 0:23:36.919
<v Speaker 1>I'm here to give credit to how it was interpreted.

0:23:37.400 --> 0:23:42.919
<v Speaker 1>And um, yeah, listen, stories are powerful. Stories. Stories are

0:23:45.520 --> 0:23:48.280
<v Speaker 1>just like just like fairy tales, which is what we're

0:23:48.320 --> 0:23:51.600
<v Speaker 1>talking about today later in the episode, I hope you

0:23:51.640 --> 0:23:56.000
<v Speaker 1>stick around for that stories are so powerful. Although friend

0:23:56.040 --> 0:23:58.439
<v Speaker 1>and I have decided, I think we've said this, we

0:23:58.520 --> 0:24:03.240
<v Speaker 1>are so over so we're so over media about the

0:24:03.280 --> 0:24:07.000
<v Speaker 1>power of stories. I never want to see that ship again.

0:24:07.200 --> 0:24:11.000
<v Speaker 1>Which that is kind of the lesson of Matilda when

0:24:11.040 --> 0:24:14.399
<v Speaker 1>she's telling this fucking story about circus performers in like

0:24:14.440 --> 0:24:18.199
<v Speaker 1>the most boring b B plot ever. Sorry, um, but

0:24:18.240 --> 0:24:20.560
<v Speaker 1>we should sell a hat that says stories are so powerful.

0:24:22.119 --> 0:24:24.760
<v Speaker 1>We should. We should let us know if you if

0:24:24.760 --> 0:24:27.040
<v Speaker 1>you would buy a hat that said stories are so

0:24:27.160 --> 0:24:29.320
<v Speaker 1>poul and tell us what color, what color you think

0:24:29.320 --> 0:24:32.359
<v Speaker 1>it should beat. Yeah. Also just tell us like signed

0:24:32.359 --> 0:24:34.320
<v Speaker 1>to our dems, and tell us what merch you you

0:24:34.520 --> 0:24:37.800
<v Speaker 1>want from us, because we definitely will be selling some

0:24:37.960 --> 0:24:59.080
<v Speaker 1>merch this year. Once upon a time there were two

0:24:59.160 --> 0:25:05.239
<v Speaker 1>little dull and they lived on two different sides of

0:25:05.280 --> 0:25:10.280
<v Speaker 1>the same kingdom queendom, because this says this takes place

0:25:10.280 --> 0:25:14.440
<v Speaker 1>in a matriarchy. Of course, one of them had dark

0:25:14.480 --> 0:25:23.080
<v Speaker 1>hair and one of them had red hair. Sometimes sometimes

0:25:23.240 --> 0:25:25.120
<v Speaker 1>depending kind of on what time of year it was,

0:25:25.560 --> 0:25:29.760
<v Speaker 1>the one with dark hair was loved to go to

0:25:29.800 --> 0:25:35.840
<v Speaker 1>the ball, and the one with red hair did not anymore,

0:25:36.200 --> 0:25:40.680
<v Speaker 1>and however to stay at home. And um, the more

0:25:41.520 --> 0:25:45.160
<v Speaker 1>hermit like she became, the more the evil in her

0:25:45.160 --> 0:25:49.399
<v Speaker 1>heart festered. And instead of you know, kind of being

0:25:49.680 --> 0:25:55.560
<v Speaker 1>like happy, happy, go lucky, um little girl, she became

0:25:55.600 --> 0:26:00.760
<v Speaker 1>a witch. Um she said, if my stress out here,

0:26:00.800 --> 0:26:04.040
<v Speaker 1>bring it to every ball? What if there were no ball? Exactly?

0:26:04.200 --> 0:26:08.320
<v Speaker 1>So she decided to place a curse on the kingdom.

0:26:08.520 --> 0:26:14.679
<v Speaker 1>So and it was called COVID nineteen. Okay, Okay, this

0:26:14.760 --> 0:26:17.760
<v Speaker 1>is this is fun out. This is as far as

0:26:18.400 --> 0:26:21.480
<v Speaker 1>a little far um. Wait, wait, you're saying that you,

0:26:21.680 --> 0:26:24.159
<v Speaker 1>as a witch created COVID nineteen so that we wouldn't

0:26:24.200 --> 0:26:28.080
<v Speaker 1>have to go to parties. Yeah, well, I mean, you know,

0:26:28.160 --> 0:26:32.280
<v Speaker 1>it's um, it's fairy tales are things that help us,

0:26:32.320 --> 0:26:35.000
<v Speaker 1>like like myths make us, help us make sense of

0:26:35.000 --> 0:26:37.680
<v Speaker 1>the world around us. So this is which is why

0:26:37.960 --> 0:26:40.959
<v Speaker 1>we're talking about it today, all about myth making in

0:26:41.080 --> 0:26:44.399
<v Speaker 1>the kind of um fairy tale world. I guess. Yeah,

0:26:44.480 --> 0:26:49.000
<v Speaker 1>we you know, have touched before on mythology, Greek mythology

0:26:49.119 --> 0:26:52.960
<v Speaker 1>specifically UM as one of as for both of us,

0:26:53.000 --> 0:26:57.120
<v Speaker 1>you know, one of the things that really, um, we're

0:26:57.240 --> 0:27:01.600
<v Speaker 1>very integral to our you know, childhood and formation of

0:27:01.640 --> 0:27:06.879
<v Speaker 1>like what we liked culturally and and not to mention,

0:27:07.040 --> 0:27:10.840
<v Speaker 1>it was one of the most liked episodes from the

0:27:10.880 --> 0:27:13.679
<v Speaker 1>listeners according to our listeners survey. And you're not going

0:27:13.720 --> 0:27:16.800
<v Speaker 1>to keep bringing up that damn survey. No, no, no,

0:27:16.960 --> 0:27:20.200
<v Speaker 1>that's all I was gonna say. But you know, and

0:27:20.200 --> 0:27:22.800
<v Speaker 1>and I guess if we're thinking about, you know, the

0:27:22.880 --> 0:27:27.280
<v Speaker 1>more western canon, not that fairy tales are exclusive to

0:27:27.320 --> 0:27:30.600
<v Speaker 1>the West, obviously they're not, UM, but we what we

0:27:30.680 --> 0:27:33.640
<v Speaker 1>think about is, you know, the canon of fairy tales

0:27:34.200 --> 0:27:38.080
<v Speaker 1>are very much sort of the the like I wouldn't

0:27:38.080 --> 0:27:40.639
<v Speaker 1>say modern because they're like hundreds of years old, but

0:27:40.680 --> 0:27:45.280
<v Speaker 1>they're like the more modern equivalent of myths. They are

0:27:45.359 --> 0:27:49.400
<v Speaker 1>these you know, like stories for children that like often

0:27:49.560 --> 0:27:54.000
<v Speaker 1>teach lessons um or you know, a lot of fairy

0:27:54.000 --> 0:27:57.200
<v Speaker 1>tales like appear in many different cultures, so they're sort

0:27:57.200 --> 0:28:03.080
<v Speaker 1>of like the collective unconscious aid conscious through um, a

0:28:03.200 --> 0:28:08.000
<v Speaker 1>sort of fantastical story. And you know, in the world

0:28:08.040 --> 0:28:12.000
<v Speaker 1>we live in, fairy tales are because because um, the

0:28:12.080 --> 0:28:15.160
<v Speaker 1>world is all about I p UM and fairy tales

0:28:15.160 --> 0:28:18.160
<v Speaker 1>are public domain. UM. We live in a world where

0:28:18.200 --> 0:28:23.719
<v Speaker 1>fairy tales are recycled, rebooted, um retold, reinterpreted time and

0:28:23.760 --> 0:28:27.280
<v Speaker 1>time again. And they are like some of the most

0:28:27.359 --> 0:28:31.000
<v Speaker 1>universal stories we have truly, and a lot of them

0:28:31.040 --> 0:28:34.199
<v Speaker 1>honestly have not been like fully tapped. I feel like

0:28:34.640 --> 0:28:37.439
<v Speaker 1>like we know the ones that Disney did, but the

0:28:37.480 --> 0:28:43.160
<v Speaker 1>way Disney doesn't is like pretty much completely like refreshed adaptation,

0:28:43.280 --> 0:28:45.720
<v Speaker 1>like so much as a race from the original. And

0:28:45.760 --> 0:28:47.960
<v Speaker 1>then there's also this like whole other terrain of fairy

0:28:48.000 --> 0:28:50.760
<v Speaker 1>tales that have never been touched because they're too dark

0:28:50.840 --> 0:28:55.080
<v Speaker 1>or weird or like or like American audiences wouldn't understand them, right, Um,

0:28:55.080 --> 0:29:02.560
<v Speaker 1>what's your favorite fairytale Rose, hmm, that is or maybe

0:29:02.600 --> 0:29:05.200
<v Speaker 1>one of if you like the first one that comes

0:29:05.200 --> 0:29:09.080
<v Speaker 1>to well, I actually know, so I know what it is,

0:29:09.320 --> 0:29:13.720
<v Speaker 1>and it's you know, I think that the term fairy

0:29:13.720 --> 0:29:19.600
<v Speaker 1>tale is is kind of a loose term, but probably

0:29:19.800 --> 0:29:23.440
<v Speaker 1>blue Beard. What happens in that one refreshed me. So

0:29:23.520 --> 0:29:26.320
<v Speaker 1>blue Beard is about this woman who marries this guy

0:29:26.680 --> 0:29:30.440
<v Speaker 1>and she like goes to his castle and he tells

0:29:30.440 --> 0:29:34.440
<v Speaker 1>her there's this like specific room that she's not allowed into,

0:29:35.120 --> 0:29:37.560
<v Speaker 1>and he's like there's this thing where he's like really

0:29:38.000 --> 0:29:40.240
<v Speaker 1>like nice to her, but then also he sometimes really

0:29:40.280 --> 0:29:42.440
<v Speaker 1>mean to her. And then she eventually goes into the

0:29:42.520 --> 0:29:45.880
<v Speaker 1>room and finds like the corpses of all his dead wives,

0:29:48.360 --> 0:29:53.479
<v Speaker 1>and um, this as we're talking about retelling. My my

0:29:53.600 --> 0:29:57.960
<v Speaker 1>favorite retelling of of blue Beard's wife is in the

0:29:58.320 --> 0:30:01.560
<v Speaker 1>Angela Carter novella The Letty Chamber. It's one of my

0:30:01.640 --> 0:30:05.440
<v Speaker 1>favorite books. I love Angela Carter. I'm an Angela Carter stand.

0:30:06.280 --> 0:30:08.480
<v Speaker 1>That's one of my favorites and one of I think

0:30:09.320 --> 0:30:14.280
<v Speaker 1>it's it's it is a tale that turns up in

0:30:14.520 --> 0:30:18.280
<v Speaker 1>a lot. It hasn't had like a like literal adaptation,

0:30:18.920 --> 0:30:23.440
<v Speaker 1>but it's a kind of story that finds its way

0:30:23.560 --> 0:30:27.200
<v Speaker 1>into a lot of media. It's like referenced in a

0:30:27.200 --> 0:30:29.720
<v Speaker 1>lot of media. I I remember Season one of You

0:30:29.960 --> 0:30:33.240
<v Speaker 1>kind of referenced blue Beard a little bit, and it's

0:30:33.280 --> 0:30:37.560
<v Speaker 1>it definitely is a motif that is visited a lot

0:30:37.640 --> 0:30:43.000
<v Speaker 1>in in stories. Um, what's your favorite fairy tale? I

0:30:43.040 --> 0:30:45.440
<v Speaker 1>feel like I vaguely heard of blue Beard, like it's

0:30:45.480 --> 0:30:47.800
<v Speaker 1>been like it's been mentioned or something and something that

0:30:47.840 --> 0:30:50.080
<v Speaker 1>I watched. I was trying to google real quick. But

0:30:50.120 --> 0:30:53.400
<v Speaker 1>apparently there's a rumor that that Disney will returned to

0:30:53.440 --> 0:30:56.880
<v Speaker 1>hand drawn animation with an adaptation of that would be

0:30:57.360 --> 0:31:01.160
<v Speaker 1>they would have to really sanitize it. I will say. Also,

0:31:01.480 --> 0:31:05.520
<v Speaker 1>did always really like the Snow Queen fairy tale, which

0:31:06.160 --> 0:31:11.480
<v Speaker 1>most famously is known as Frozen. Um, oh wait, there

0:31:11.560 --> 0:31:14.920
<v Speaker 1>the wait. Frozen is an adaptation of a fairy tale.

0:31:15.320 --> 0:31:18.880
<v Speaker 1>Frozen is an adaptation of the Snow Queen, and originally,

0:31:19.720 --> 0:31:24.600
<v Speaker 1>Elsa in Frozen was supposed to be much more explicitly

0:31:25.320 --> 0:31:28.280
<v Speaker 1>the antagonist because the Snow Queen is the villain of

0:31:28.320 --> 0:31:30.880
<v Speaker 1>the Snow Queen, and then you know, they decided to

0:31:30.920 --> 0:31:35.280
<v Speaker 1>make it about sisterhood blah blah blah. Um. It's it's

0:31:35.280 --> 0:31:38.280
<v Speaker 1>still a gag to me that they called it frozen. Like,

0:31:38.520 --> 0:31:40.560
<v Speaker 1>you know, they have this like these, they have a

0:31:40.600 --> 0:31:43.760
<v Speaker 1>whole generation of stories where it's like Aladdin, the Little

0:31:43.800 --> 0:31:46.760
<v Speaker 1>mermaid snow White, like just like plain and simple, like

0:31:46.880 --> 0:31:48.800
<v Speaker 1>what the thing is. And then and then they moved

0:31:48.840 --> 0:31:53.880
<v Speaker 1>on and they were like Tangled, Frozen, Brave. Like it's

0:31:53.920 --> 0:31:57.080
<v Speaker 1>like these just these are just adjectives. Um. Anyways, I

0:31:57.080 --> 0:31:59.960
<v Speaker 1>don't even remember. I've seen Frozen once and I don't

0:32:00.080 --> 0:32:02.120
<v Speaker 1>remember any of the plot. All I remember is the

0:32:02.200 --> 0:32:05.320
<v Speaker 1>end of Frozen is so good. Also, Frozen two is

0:32:05.360 --> 0:32:08.440
<v Speaker 1>really good. I've heard, I've heard, I've heard, I've heard it.

0:32:08.680 --> 0:32:11.720
<v Speaker 1>I've heard its laps um. It's funny. See, I don't

0:32:11.720 --> 0:32:15.040
<v Speaker 1>think I don't have the depth of knowledge on like

0:32:15.320 --> 0:32:18.200
<v Speaker 1>non adapted fairy tales that I think you have have.

0:32:18.280 --> 0:32:21.240
<v Speaker 1>I actually really want to read that blue Beard adaptation.

0:32:21.280 --> 0:32:25.160
<v Speaker 1>What's the author's name again? Angela Carter Virgins out there,

0:32:25.240 --> 0:32:28.920
<v Speaker 1>if you've never read any Angela Carter truly, please read

0:32:28.920 --> 0:32:33.960
<v Speaker 1>The Bloody Chamber. Read Nights at the Circus. She is

0:32:34.720 --> 0:32:38.680
<v Speaker 1>the dividul herself. Love. Yeah, I mean my my boring

0:32:38.720 --> 0:32:42.160
<v Speaker 1>answer is Little Mermaid. I will always, always, always love

0:32:42.280 --> 0:32:44.760
<v Speaker 1>that story. I will love the original version of that

0:32:44.880 --> 0:32:49.840
<v Speaker 1>story that is like darker and like, do you wanna

0:32:50.040 --> 0:32:52.520
<v Speaker 1>do you wanna? Do you want to hear some tea

0:32:52.840 --> 0:32:57.520
<v Speaker 1>spilled on the secret gay life of Christian Anderson? Yes? Please?

0:32:57.680 --> 0:32:59.880
<v Speaker 1>So yeah, I mean I kind of know it, but

0:33:00.080 --> 0:33:03.680
<v Speaker 1>wanting so. We all know that the original you know,

0:33:04.240 --> 0:33:08.400
<v Speaker 1>version of the Little Mermaid is much darker than the

0:33:08.440 --> 0:33:12.400
<v Speaker 1>Disney version we all have seen. Um In the original story,

0:33:12.920 --> 0:33:16.320
<v Speaker 1>the Little Mermaid when she trades her voice to the sea,

0:33:16.320 --> 0:33:20.040
<v Speaker 1>which for legs, every step she takes it feels like

0:33:20.040 --> 0:33:24.240
<v Speaker 1>like knives are like being stabbed into her feet. Um.

0:33:24.320 --> 0:33:26.800
<v Speaker 1>She at the end of the story is told by

0:33:26.800 --> 0:33:29.840
<v Speaker 1>her sisters that if she kills the Prince, well the

0:33:29.880 --> 0:33:32.760
<v Speaker 1>prince marries another woman, like he's fully not in love

0:33:32.800 --> 0:33:35.600
<v Speaker 1>with the Little Mermaid, And she's told that if she's

0:33:35.600 --> 0:33:37.440
<v Speaker 1>on the Little Mermaid is like, I'm going to be

0:33:37.480 --> 0:33:41.320
<v Speaker 1>a lesbian now She's like, I'm pivoting. Wait, Actually, the

0:33:41.360 --> 0:33:45.720
<v Speaker 1>reason that her feet feels like knives is because no,

0:33:45.880 --> 0:33:49.960
<v Speaker 1>a fresh paradox. They have not been broken in yet. Okay,

0:33:50.120 --> 0:33:53.760
<v Speaker 1>they have not been broken in and she is dying. Um.

0:33:53.840 --> 0:33:58.160
<v Speaker 1>So she's told by her sisters that if she kills

0:33:58.560 --> 0:34:00.960
<v Speaker 1>the prince and his wife that she will be able

0:34:01.000 --> 0:34:04.840
<v Speaker 1>to become a mermaid again, but she refuses to do it.

0:34:04.920 --> 0:34:07.280
<v Speaker 1>So she jumps into the ocean and kills herself and

0:34:07.320 --> 0:34:11.800
<v Speaker 1>gets turned into sea foam and she like has to

0:34:11.840 --> 0:34:14.919
<v Speaker 1>spend like a hundred years in purgatory before she can

0:34:15.440 --> 0:34:18.320
<v Speaker 1>before she can go to heaven because mermaids don't have souls.

0:34:18.600 --> 0:34:22.600
<v Speaker 1>So anyway, Hans Christian Anderson was a huge fag and

0:34:22.960 --> 0:34:27.400
<v Speaker 1>The Little Mermaid was actually a story that he wrote

0:34:27.520 --> 0:34:32.280
<v Speaker 1>and sent to this guy who had spurned his gay advances,

0:34:33.200 --> 0:34:37.799
<v Speaker 1>his lover, his forbidden lover, and the Little Mermaid was

0:34:37.960 --> 0:34:41.839
<v Speaker 1>his avatar. Yeah, and he was just like being very

0:34:41.880 --> 0:34:44.440
<v Speaker 1>cunty and he sent the guy this story and was like,

0:34:45.239 --> 0:34:47.360
<v Speaker 1>fuck you, I want to suck your dick and you

0:34:47.400 --> 0:34:51.080
<v Speaker 1>won't let me. So here's this story about a mermaid

0:34:51.080 --> 0:34:56.000
<v Speaker 1>who's walking on knives and kills herself. Wow, honestly, the

0:34:56.040 --> 0:34:59.680
<v Speaker 1>way that gays you know, you like like when we

0:34:59.719 --> 0:35:02.160
<v Speaker 1>watched something like Dynasty or Golden Golden Girls, like the

0:35:02.480 --> 0:35:04.719
<v Speaker 1>or like um Sex in the City, right, like the

0:35:04.760 --> 0:35:07.400
<v Speaker 1>way that gay men use like white women as like

0:35:07.440 --> 0:35:11.120
<v Speaker 1>avatars for like their own love stories. It's just something

0:35:11.120 --> 0:35:15.040
<v Speaker 1>that has spanned for centuries, except you know, um Hans

0:35:15.120 --> 0:35:17.279
<v Speaker 1>Christian understand was like we're going to do it like

0:35:17.560 --> 0:35:20.719
<v Speaker 1>on the interspecies level, like I'm a mermaid now, and

0:35:20.960 --> 0:35:23.000
<v Speaker 1>that does that make it kind of transmits? Well, I

0:35:23.040 --> 0:35:28.920
<v Speaker 1>mean all mermaid stories are trans um but yeah, I

0:35:28.960 --> 0:35:32.400
<v Speaker 1>mean I would say actually all Mermaids stories are queer,

0:35:32.680 --> 0:35:38.480
<v Speaker 1>and like The Little Mermaids specifically is about you know, um,

0:35:38.520 --> 0:35:45.279
<v Speaker 1>transforming yourself for a forbidden love and having that love rejected.

0:35:45.680 --> 0:35:49.440
<v Speaker 1>I mean it's you know all, I mean, all fairy

0:35:49.440 --> 0:35:52.440
<v Speaker 1>tales are queer and that they can all have some

0:35:52.520 --> 0:35:57.200
<v Speaker 1>sort of like queerness plucked from them. I have to say,

0:35:57.320 --> 0:36:00.680
<v Speaker 1>like I my entry point into like fairy tale is

0:36:00.760 --> 0:36:03.000
<v Speaker 1>like loose, like I can't quite pin what it was,

0:36:03.080 --> 0:36:07.719
<v Speaker 1>but I can say that like kind of adjacent to

0:36:07.760 --> 0:36:11.480
<v Speaker 1>this genre, which was maybe my truest first entry point

0:36:11.719 --> 0:36:15.480
<v Speaker 1>was the Fables of Aesop. Did you ever read the

0:36:15.480 --> 0:36:24.720
<v Speaker 1>Fables of Aesop Fables A slaps fables? Yeahs ASoP skincarees Fables.

0:36:24.760 --> 0:36:27.960
<v Speaker 1>It's like these rabbits and like you know Woodland, creatures

0:36:28.000 --> 0:36:31.880
<v Speaker 1>that like put on body bombs. What what are asops? Fables?

0:36:31.920 --> 0:36:35.120
<v Speaker 1>Can you name some of the like big hitters for me? Okay,

0:36:35.239 --> 0:36:37.600
<v Speaker 1>there's the Tortoise and the hair, but yeah, of course

0:36:38.239 --> 0:36:40.239
<v Speaker 1>we know her, we know her. There's the Fox and

0:36:40.320 --> 0:36:45.279
<v Speaker 1>the Grapes. They're town in Country the Fox and the Grapes. Yeah,

0:36:45.280 --> 0:36:47.480
<v Speaker 1>when the Fox is like I want to it's like, okay,

0:36:47.560 --> 0:36:49.319
<v Speaker 1>the box in the Grapes, the story of the Fox.

0:36:49.400 --> 0:36:52.160
<v Speaker 1>It's not like the Fox on the Hound, which is no. No,

0:36:52.239 --> 0:36:55.520
<v Speaker 1>it's the first, the first movie to ever make me cry.

0:36:56.200 --> 0:37:01.600
<v Speaker 1>The first is not the last. The first, the first

0:37:01.600 --> 0:37:03.839
<v Speaker 1>Disney movie to ever be like death is real and

0:37:03.920 --> 0:37:06.719
<v Speaker 1>you will experience it in your life. Actually that was

0:37:06.760 --> 0:37:10.719
<v Speaker 1>probably Bambi, unless that came first. I didn't remember come

0:37:10.760 --> 0:37:14.360
<v Speaker 1>first Bambies. Like one of the oldest Disney movies the

0:37:14.400 --> 0:37:18.080
<v Speaker 1>o g Um, you know, Town of Country mouse Um.

0:37:18.120 --> 0:37:20.200
<v Speaker 1>There are things like I don't know that basically, like

0:37:20.440 --> 0:37:22.320
<v Speaker 1>I don't even know if they were like religious. I

0:37:22.360 --> 0:37:24.319
<v Speaker 1>think they were like developed an ancient they I think

0:37:24.320 --> 0:37:26.600
<v Speaker 1>they were in ancient Greece. They were written in ancient Greece,

0:37:26.880 --> 0:37:30.520
<v Speaker 1>but like they still had this like weird Christian appeal

0:37:30.560 --> 0:37:32.959
<v Speaker 1>that like my dad loved and so he would read

0:37:33.200 --> 0:37:36.720
<v Speaker 1>Esop's Fables. Long story short is, these fables are pretty boring,

0:37:36.840 --> 0:37:40.560
<v Speaker 1>like they're very morally like, they're driven by morals. The

0:37:40.600 --> 0:37:44.319
<v Speaker 1>fables are boring. But the soap slaps. The soap slaps,

0:37:45.120 --> 0:37:47.640
<v Speaker 1>the soap slaps. But this is like, honestly, what I'm

0:37:47.640 --> 0:37:49.840
<v Speaker 1>trying to say is like the water down very sanitized,

0:37:49.920 --> 0:37:53.560
<v Speaker 1>very like morality conscious version of fairy tales that I

0:37:53.600 --> 0:37:57.280
<v Speaker 1>grew up with and that were encouraged strongly well, because

0:37:57.280 --> 0:37:59.759
<v Speaker 1>we have all these different iterations of kind of the

0:37:59.760 --> 0:38:03.120
<v Speaker 1>same thing. You know. We have fairy tales which are

0:38:03.200 --> 0:38:10.120
<v Speaker 1>like these specifically fantastical like bedtime stories that are like fabulous. Um.

0:38:10.160 --> 0:38:14.400
<v Speaker 1>We have fables, which like are like truly like stories

0:38:14.440 --> 0:38:18.600
<v Speaker 1>that are meant to teach lessons specifically. And then we

0:38:18.680 --> 0:38:22.160
<v Speaker 1>have folk tales, which are things like Paul Bunyan and

0:38:22.640 --> 0:38:28.600
<v Speaker 1>you know, um like like sort of like shared cultural

0:38:28.920 --> 0:38:33.480
<v Speaker 1>and like I think specifically like national like have sort

0:38:33.480 --> 0:38:37.279
<v Speaker 1>of like a geographic specificity of like things that like

0:38:37.440 --> 0:38:42.320
<v Speaker 1>maybe we're true but have like sort of um transcended

0:38:42.360 --> 0:38:48.880
<v Speaker 1>into legend and they all serve different purposes, god, I

0:38:48.920 --> 0:38:52.040
<v Speaker 1>would love to like adapt one. Would you adapt blue Beard?

0:38:52.040 --> 0:38:54.120
<v Speaker 1>Blue Beard if you could? Or is there something else

0:38:54.239 --> 0:38:56.719
<v Speaker 1>like in the kind of like fairy tale realm where

0:38:56.719 --> 0:39:00.000
<v Speaker 1>you're like that like really should be a movie. Um,

0:39:00.200 --> 0:39:03.839
<v Speaker 1>you love the Swan Queen, I do. I do love

0:39:03.840 --> 0:39:08.560
<v Speaker 1>the Swan Princess, But that's a fairy tale. Yes, um,

0:39:08.560 --> 0:39:11.279
<v Speaker 1>this one princess is a fairy tale. It has you know,

0:39:11.640 --> 0:39:16.000
<v Speaker 1>has been adopted many times into Swan Lake, um, and

0:39:16.000 --> 0:39:19.400
<v Speaker 1>then Swan Lake into Black Swan. Um. There was the

0:39:19.960 --> 0:39:27.719
<v Speaker 1>like incredible nineties UM animated film The Swan Princess. Oh

0:39:27.760 --> 0:39:31.719
<v Speaker 1>my god, I was so gagged every time she transformed

0:39:31.760 --> 0:39:33.799
<v Speaker 1>into a swan and then back into a princess like.

0:39:33.840 --> 0:39:36.719
<v Speaker 1>I like the like the way that the water like

0:39:36.920 --> 0:39:39.560
<v Speaker 1>swirled up around her was so great and then her

0:39:39.640 --> 0:39:44.000
<v Speaker 1>fair of faucet like blowout moment and also the opening

0:39:44.040 --> 0:39:46.319
<v Speaker 1>song about how she and the prince hated each other

0:39:46.520 --> 0:39:50.400
<v Speaker 1>and then eventually fell in love. So good. Um. And

0:39:50.400 --> 0:39:55.280
<v Speaker 1>it had several UM direct to VHS sequels that were

0:39:56.080 --> 0:40:00.000
<v Speaker 1>not quite as good. I don't even remember the first

0:40:00.000 --> 0:40:02.920
<v Speaker 1>swe Maybe we're due for a rewatch here, um of

0:40:03.080 --> 0:40:06.560
<v Speaker 1>the what is it called the Princess Swan, the Swan Princess,

0:40:06.719 --> 0:40:10.080
<v Speaker 1>the Swan Princess. The fairy tales always have the most

0:40:10.200 --> 0:40:14.799
<v Speaker 1>obvious titles possible. It's like the Thing, thing, the thing,

0:40:14.840 --> 0:40:18.400
<v Speaker 1>and the thing and the thing, unless it's frozen. But

0:40:18.480 --> 0:40:20.560
<v Speaker 1>but that's not that's not a fairy tale. That's a

0:40:20.560 --> 0:40:24.200
<v Speaker 1>disney that's a disneyfied movie. But it's based on a

0:40:24.280 --> 0:40:28.359
<v Speaker 1>fairy tale. But the fairy tale itself is the Snow

0:40:28.440 --> 0:40:36.840
<v Speaker 1>Queen or Rapunzel, Rapunzel. I never really cared too much about.

0:40:37.280 --> 0:40:42.440
<v Speaker 1>What I did love was rumble Stiltskin because rumble Stiltskin

0:40:42.840 --> 0:40:50.000
<v Speaker 1>is fucking weird, weird, gross, weird, gross, powerful, weird, like

0:40:50.680 --> 0:40:55.399
<v Speaker 1>on so many levels because it's like this bitch her

0:40:55.440 --> 0:40:58.879
<v Speaker 1>father is like bragging about how she can turn straw

0:40:58.920 --> 0:41:02.200
<v Speaker 1>into gold, and so he gives her up to the

0:41:02.320 --> 0:41:06.320
<v Speaker 1>king because he's been out just out here lying um.

0:41:06.360 --> 0:41:09.279
<v Speaker 1>And then she gets trapped in the castle and has

0:41:09.360 --> 0:41:11.640
<v Speaker 1>to spin straw into gold. And then this weird little

0:41:11.640 --> 0:41:15.240
<v Speaker 1>man shows up and she promises him her firstborn child

0:41:15.360 --> 0:41:17.400
<v Speaker 1>if he'll help her spin the straw into gold. And

0:41:17.440 --> 0:41:21.319
<v Speaker 1>also like she basically is like kidnapped, enslaved, and then

0:41:21.360 --> 0:41:23.640
<v Speaker 1>they're like, wait, you're so good at turning straw into gold.

0:41:23.960 --> 0:41:26.480
<v Speaker 1>We're going to marry you off to the prince and

0:41:26.520 --> 0:41:28.920
<v Speaker 1>you'll be the queen and then you will rule over

0:41:28.960 --> 0:41:32.359
<v Speaker 1>the kingdom that kidnapped and enslaved you. Um, it's just

0:41:32.680 --> 0:41:36.799
<v Speaker 1>very strange and then like and also like every adaptation

0:41:37.040 --> 0:41:40.640
<v Speaker 1>of like Rapunzel, like Rumple steel Skin, like he gets

0:41:40.680 --> 0:41:44.440
<v Speaker 1>like very horny around riddle guessing, Like it's kind of

0:41:44.480 --> 0:41:47.360
<v Speaker 1>like his kink is like the riddles or not the riddles,

0:41:47.400 --> 0:41:49.520
<v Speaker 1>like the thing about guessing his name, you know, where

0:41:50.200 --> 0:41:54.000
<v Speaker 1>she has to guess his name right, Well, yeah, that's

0:41:54.040 --> 0:41:57.200
<v Speaker 1>that's something I think that's like a sort of recurring

0:41:57.400 --> 0:42:01.480
<v Speaker 1>motif and a lot of fairy king is that names

0:42:01.520 --> 0:42:08.760
<v Speaker 1>are powerful and also that often villains um Ghoule's, ghosts,

0:42:08.800 --> 0:42:12.120
<v Speaker 1>demons and stuff are always like kind of bound by

0:42:12.160 --> 0:42:15.480
<v Speaker 1>these rules, and rules are very absolute and fairy tales,

0:42:15.520 --> 0:42:19.839
<v Speaker 1>you know, there's like they wouldn't function without them. It's

0:42:19.880 --> 0:42:23.200
<v Speaker 1>like sure rumpel Stiltskin when she guessed his name could

0:42:23.239 --> 0:42:25.200
<v Speaker 1>have been like fuck you and then killed her. But

0:42:25.280 --> 0:42:27.520
<v Speaker 1>also it's kind of like his own hubris because it's

0:42:27.520 --> 0:42:30.520
<v Speaker 1>not like she says his name and he like, you know,

0:42:30.600 --> 0:42:32.360
<v Speaker 1>melts like the Wicked Witch of the West. It's like

0:42:32.400 --> 0:42:34.719
<v Speaker 1>she says his name and he gets so mad. He's

0:42:34.800 --> 0:42:38.719
<v Speaker 1>so pressed, he's so plucked by it that he stomps

0:42:38.840 --> 0:42:58.040
<v Speaker 1>into the floor and disappears. Did you ever watch the

0:42:58.120 --> 0:43:02.839
<v Speaker 1>ABC television show Once Upon a Time? No, but I've

0:43:02.840 --> 0:43:06.200
<v Speaker 1>heard amazing things. Can you kind of overview it for

0:43:06.200 --> 0:43:08.440
<v Speaker 1>the Virgins? Yeah? I didn't watch much of it. I

0:43:08.480 --> 0:43:16.160
<v Speaker 1>watched maybe the first two seasons. It's um uh. It's

0:43:16.200 --> 0:43:22.520
<v Speaker 1>about like literally every fairy tale coexisting um coexists in

0:43:22.600 --> 0:43:26.000
<v Speaker 1>like this same like magical realm, and because of a

0:43:26.160 --> 0:43:31.279
<v Speaker 1>curse by the evil Queen, they're all transported to this

0:43:31.440 --> 0:43:36.440
<v Speaker 1>like small northeastern town with no memories of their you know,

0:43:36.520 --> 0:43:44.600
<v Speaker 1>sort of magical selves, and um um Goblin's like Goblin

0:43:44.640 --> 0:43:48.160
<v Speaker 1>Egouli characters that are really heavily gross faces. Well, there's

0:43:48.239 --> 0:43:51.200
<v Speaker 1>rumble Stiltskin, who's like one of the main antagonists, and

0:43:51.280 --> 0:43:55.799
<v Speaker 1>he he in the original like fairytale world, has a

0:43:55.840 --> 0:43:59.400
<v Speaker 1>sort of creepy face, and then in the normal world

0:43:59.520 --> 0:44:03.880
<v Speaker 1>he's up pawn broker. He owns a pawn shop, and

0:44:04.000 --> 0:44:07.719
<v Speaker 1>he's he's also as it turns out, the Beast and

0:44:07.800 --> 0:44:10.560
<v Speaker 1>Beauty and the Beast, and he's in love with Belle,

0:44:11.080 --> 0:44:14.880
<v Speaker 1>who's played by the girl from Lost with the Baby.

0:44:15.560 --> 0:44:18.680
<v Speaker 1>I'm looking. He's playing the girl from Lost with the Baby.

0:44:18.719 --> 0:44:21.160
<v Speaker 1>I'm looking, and I don't recognize any of the cast,

0:44:22.040 --> 0:44:24.800
<v Speaker 1>but this is but I feel like the memory of

0:44:24.840 --> 0:44:27.880
<v Speaker 1>seen commercials on like ABC or something, Well, Jennifer Goodwin

0:44:28.600 --> 0:44:35.960
<v Speaker 1>is snow white and um her, I don't know. It's

0:44:36.040 --> 0:44:39.080
<v Speaker 1>it's not worth going, Like going into Once upon a

0:44:39.120 --> 0:44:41.319
<v Speaker 1>Time is not worth it because I know that there's

0:44:41.360 --> 0:44:43.760
<v Speaker 1>a huge fan base around the show, but I didn't

0:44:43.760 --> 0:44:48.000
<v Speaker 1>watch past two seasons, and they did like as the

0:44:48.000 --> 0:44:50.680
<v Speaker 1>show went on. I just know from like cultural osmosis

0:44:50.719 --> 0:44:54.160
<v Speaker 1>that they eventually brought in like literally every fairy tale

0:44:54.160 --> 0:44:56.919
<v Speaker 1>like Elsa from Frozen was in it, the Wicked Witch

0:44:57.000 --> 0:44:59.959
<v Speaker 1>of the West was in it. It was like they

0:45:00.000 --> 0:45:02.319
<v Speaker 1>a really just kind of they took sort of the

0:45:02.440 --> 0:45:10.520
<v Speaker 1>Kingdom Hearts approach to inclusion. UM diversity d n I

0:45:10.840 --> 0:45:15.200
<v Speaker 1>d n I for Disney is actually just combining fairy tales. Um.

0:45:15.480 --> 0:45:18.400
<v Speaker 1>You know what else does this um that did actually

0:45:18.440 --> 0:45:21.040
<v Speaker 1>permeate the culture that we must discuss it must be

0:45:21.120 --> 0:45:29.000
<v Speaker 1>discussed was Shrek, right, listen, Shrek sh Shrek is Shrek

0:45:29.120 --> 0:45:33.919
<v Speaker 1>probably is like one of the first examples we have

0:45:34.239 --> 0:45:40.040
<v Speaker 1>of like meta commentary on the disnification of culture. I

0:45:40.040 --> 0:45:43.840
<v Speaker 1>mean that's what the whole first movie is really about,

0:45:43.960 --> 0:45:48.399
<v Speaker 1>like the like Kingdom of do Lock is it? That's

0:45:48.400 --> 0:45:51.880
<v Speaker 1>what's it's called. Is literally supposed to Like there's that

0:45:51.960 --> 0:45:57.000
<v Speaker 1>sort of like small It's a small world esque moment um. Yeah,

0:45:57.000 --> 0:46:00.920
<v Speaker 1>it's it's really like the deconstruction of of a fairy tale.

0:46:01.080 --> 0:46:05.520
<v Speaker 1>That's what Shrek is. Yeah, because this proceeded enchanted, right,

0:46:05.560 --> 0:46:08.200
<v Speaker 1>and this is I thought it was after but I'm

0:46:08.239 --> 0:46:11.480
<v Speaker 1>googling and it's actually one year before Lee Loan Stitch.

0:46:11.680 --> 0:46:15.360
<v Speaker 1>And do you remember the kind of like advertising campaign

0:46:15.400 --> 0:46:17.799
<v Speaker 1>for Leland Stitch and how it like made fun of

0:46:18.040 --> 0:46:22.560
<v Speaker 1>other Disney I do vaguely that we're like Stitch would

0:46:22.600 --> 0:46:25.200
<v Speaker 1>come in and ruin like the banquet Hall of the

0:46:25.239 --> 0:46:27.880
<v Speaker 1>Beauty and the Beast or whatever like, but that like

0:46:27.920 --> 0:46:30.919
<v Speaker 1>Shrek was like doing that before. Like I mean, this

0:46:30.960 --> 0:46:33.080
<v Speaker 1>is was that this was not Disney and Streamworks, but

0:46:33.120 --> 0:46:36.240
<v Speaker 1>it really was like breaking apart like just like things

0:46:36.280 --> 0:46:40.360
<v Speaker 1>that we love um, and it was genius, Like it

0:46:40.440 --> 0:46:42.200
<v Speaker 1>was so ahead of its time when it came out.

0:46:42.200 --> 0:46:44.720
<v Speaker 1>I feel like Shrek is like kind of a weird

0:46:44.840 --> 0:46:47.319
<v Speaker 1>part of like meme culture now, Like it's this thing

0:46:47.400 --> 0:46:49.960
<v Speaker 1>that we like all kind of joke about because like

0:46:50.160 --> 0:46:53.319
<v Speaker 1>he's so disgusting, and like talking about Shrek is kind

0:46:53.320 --> 0:46:57.560
<v Speaker 1>of like it has this weird like early ods nostalgia

0:46:57.600 --> 0:47:01.279
<v Speaker 1>attached to it that is like universally like recognize. Yeah,

0:47:01.280 --> 0:47:07.080
<v Speaker 1>there's a whole like Shrek core fashion movement. For I

0:47:07.239 --> 0:47:10.680
<v Speaker 1>feel like maybe once or twice a month in Brooklyn

0:47:10.840 --> 0:47:13.440
<v Speaker 1>someone does like a Shrek drag show or like a

0:47:13.520 --> 0:47:16.760
<v Speaker 1>Shrek club night or yeah, there was a Shrek always

0:47:16.760 --> 0:47:19.040
<v Speaker 1>in the culture. Yes, there was a Shrek rave like

0:47:19.160 --> 0:47:23.080
<v Speaker 1>pretty recently, I think very recently there's like a meme

0:47:23.200 --> 0:47:26.040
<v Speaker 1>of Shrek wearing these kind of like balenc Yaga asked,

0:47:26.320 --> 0:47:31.200
<v Speaker 1>since I know the one you also seen so much

0:47:31.520 --> 0:47:36.040
<v Speaker 1>shreks Dick so many times? Rose, Why why have you

0:47:36.040 --> 0:47:39.799
<v Speaker 1>seen shreks Because I exist on the internet. You're like,

0:47:39.840 --> 0:47:44.279
<v Speaker 1>how have you not seen shreks um? But Fiona, I

0:47:44.320 --> 0:47:48.880
<v Speaker 1>mean Cameron Diaz some of her best work. Listen, I

0:47:48.880 --> 0:47:52.239
<v Speaker 1>wouldn't say some of her best work, but because just

0:47:52.280 --> 0:47:54.319
<v Speaker 1>because I think there's work that's better. But you know,

0:47:54.400 --> 0:47:56.880
<v Speaker 1>I'm I'm happy if she was there, And yes, that

0:47:57.080 --> 0:48:00.560
<v Speaker 1>is like it's the perfect subversion of a retailed the

0:48:00.640 --> 0:48:04.239
<v Speaker 1>damsel in distress. Like the curse that's placed on her

0:48:04.640 --> 0:48:07.800
<v Speaker 1>is like turns her into an ogre, but that's actually

0:48:07.840 --> 0:48:11.600
<v Speaker 1>like what leads to her happily ever after in this

0:48:11.760 --> 0:48:18.880
<v Speaker 1>very you know, like smart ugly is beautiful way and

0:48:18.920 --> 0:48:23.439
<v Speaker 1>the sequel, um, Shrek Too is incredible and I think

0:48:23.719 --> 0:48:26.279
<v Speaker 1>I think better than Trek one. Well do you just

0:48:26.280 --> 0:48:28.160
<v Speaker 1>say that because of the fairy queen the ad fat

0:48:28.160 --> 0:48:33.719
<v Speaker 1>what's the girl's name again? Jennifer Saunders, Thank you Jennifer Saunders. God,

0:48:33.800 --> 0:48:37.720
<v Speaker 1>you need to learn these things. Friend, I didn't watch

0:48:37.800 --> 0:48:40.400
<v Speaker 1>that's the ad bad woman right, yes, holding up her

0:48:41.840 --> 0:48:44.520
<v Speaker 1>holding up her hero still not available to listen to

0:48:44.680 --> 0:48:48.439
<v Speaker 1>on any streaming platform, which is a crime against humanity.

0:48:48.800 --> 0:48:54.560
<v Speaker 1>That's crazy. She's so amazing in that movie. God, um,

0:48:54.600 --> 0:48:58.040
<v Speaker 1>but yeah, it's a Shrek was the culture my parents

0:48:58.120 --> 0:49:01.440
<v Speaker 1>took me to that like it we were allowed, Yeah,

0:49:01.520 --> 0:49:03.840
<v Speaker 1>we were allowed. And I you know that some of

0:49:03.880 --> 0:49:06.920
<v Speaker 1>those jokes are very some of the like there's sex

0:49:07.000 --> 0:49:10.080
<v Speaker 1>jokes in that in the first one, kind of and

0:49:10.160 --> 0:49:14.160
<v Speaker 1>my parents just like pretended like they didn't exist. Well,

0:49:14.200 --> 0:49:18.520
<v Speaker 1>that's so many, so many kids movies. I think, especially

0:49:18.560 --> 0:49:22.080
<v Speaker 1>around that period in the early two thousand's are when

0:49:23.280 --> 0:49:27.520
<v Speaker 1>when there was this boom in mainstream kids entertainment. I

0:49:27.560 --> 0:49:31.200
<v Speaker 1>think when they realized that they had to start sneaking

0:49:31.239 --> 0:49:35.480
<v Speaker 1>in jokes that the adults could appreciate into kids movies.

0:49:35.719 --> 0:49:38.000
<v Speaker 1>But also really around the time, like we were seeing

0:49:38.440 --> 0:49:42.799
<v Speaker 1>so much um fairy tale remakes and I think we

0:49:42.960 --> 0:49:45.720
<v Speaker 1>we will be forever just because, like as I said earlier,

0:49:45.840 --> 0:49:50.359
<v Speaker 1>their public domain like they are, everyone has this, They

0:49:50.360 --> 0:49:53.839
<v Speaker 1>have this like universal like buy in. We all have

0:49:54.160 --> 0:49:59.239
<v Speaker 1>this like um like connotation for them. Um like what

0:49:59.440 --> 0:50:01.160
<v Speaker 1>like one that I think of a lot. Also from

0:50:01.160 --> 0:50:05.480
<v Speaker 1>around that same time as Ella Enchanted starring and Hathaway,

0:50:05.520 --> 0:50:10.920
<v Speaker 1>based on the book, which I mean so formative. Listen,

0:50:11.120 --> 0:50:14.239
<v Speaker 1>the book was very important to me, the film less

0:50:14.280 --> 0:50:19.480
<v Speaker 1>so because it's it's like not good um but um

0:50:19.600 --> 0:50:21.839
<v Speaker 1>for anyone who hasn't read it. Ella Enchanted is like

0:50:21.960 --> 0:50:27.400
<v Speaker 1>a kind of Cinderella retelling in which um, the Cinderella

0:50:27.440 --> 0:50:31.319
<v Speaker 1>in question, Ella has this gift given to her by

0:50:31.320 --> 0:50:35.840
<v Speaker 1>a fairy godmother that she must obey anything someone asks

0:50:35.880 --> 0:50:38.400
<v Speaker 1>of her. And that's what leads to her being a

0:50:38.440 --> 0:50:42.160
<v Speaker 1>servant UM and she you know, like falls in the

0:50:42.400 --> 0:50:44.399
<v Speaker 1>like plays out like Cinderella, You don't you don't need

0:50:44.480 --> 0:50:48.160
<v Speaker 1>more than that, um. But it's such a good like

0:50:48.160 --> 0:50:51.239
<v Speaker 1>like like middle grade book, and it was turned into

0:50:51.280 --> 0:50:55.719
<v Speaker 1>a film starring and Hathaway, And I actually said recently

0:50:56.000 --> 0:51:01.840
<v Speaker 1>the Taylor Swift's Bejeweled video is very enchanted for it

0:51:02.040 --> 0:51:05.640
<v Speaker 1>is it is? Yeah. I actually rewatched ellen Chanted on

0:51:05.680 --> 0:51:07.920
<v Speaker 1>a plane recently and I was like, Wow, this movie

0:51:08.239 --> 0:51:12.000
<v Speaker 1>is bad. But but Anne Hathaway does a really great

0:51:12.200 --> 0:51:16.359
<v Speaker 1>version of Somebody to Love in it. She does, and

0:51:16.400 --> 0:51:19.120
<v Speaker 1>she's perfect for the role. I'm not gonna lie. And

0:51:19.160 --> 0:51:21.960
<v Speaker 1>I love the blonde British actress who plays one of

0:51:21.960 --> 0:51:24.600
<v Speaker 1>her step sisters who like turns up in a lot

0:51:24.640 --> 0:51:27.920
<v Speaker 1>of those kind of movies from the early two thousand's

0:51:27.920 --> 0:51:32.080
<v Speaker 1>and also was in Netflix's A Series of Unfortunate Events

0:51:32.360 --> 0:51:35.560
<v Speaker 1>TV show and it's so good. I don't know what

0:51:35.640 --> 0:51:38.759
<v Speaker 1>her name is, it doesn't matter. One of the like

0:51:38.920 --> 0:51:43.080
<v Speaker 1>my earliest memories of these kind of like adaptations that

0:51:43.120 --> 0:51:46.600
<v Speaker 1>you're talking about that had to straddle adult audiences and

0:51:46.680 --> 0:51:49.680
<v Speaker 1>jokes with like the fact that it's a kids movie

0:51:50.120 --> 0:51:52.880
<v Speaker 1>was Aladdin based on you know, one thousand and one

0:51:53.000 --> 0:51:57.360
<v Speaker 1>Nights and not a Western fairytale. But um my, mom,

0:51:57.560 --> 0:52:00.360
<v Speaker 1>like when we bought this like VHS tape, would just

0:52:00.360 --> 0:52:02.840
<v Speaker 1>sat home and watch it over and over again because

0:52:02.840 --> 0:52:06.799
<v Speaker 1>they were like jokes for adults and kids. And I

0:52:06.840 --> 0:52:08.880
<v Speaker 1>know that like a lot of what like Robin Williams

0:52:08.920 --> 0:52:12.239
<v Speaker 1>did with that role was like ad libbed, and like,

0:52:12.680 --> 0:52:14.920
<v Speaker 1>you know, there's like stuff in there that's just like

0:52:15.440 --> 0:52:19.239
<v Speaker 1>stuff that I would never ever understand as a child. Um.

0:52:19.320 --> 0:52:22.719
<v Speaker 1>But I mean, damn, did did Aladdin win an Oscar? No?

0:52:22.800 --> 0:52:24.520
<v Speaker 1>That was Beauty and the Beast. Beauty and the Beast

0:52:24.640 --> 0:52:28.839
<v Speaker 1>was the first animated film to ever be UM nominated

0:52:29.000 --> 0:52:32.560
<v Speaker 1>for an Oscar for Best Picture and is the reason

0:52:32.719 --> 0:52:39.960
<v Speaker 1>why the Best Animated Feature category was created. Oh wow,

0:52:40.000 --> 0:52:43.880
<v Speaker 1>I did not know that the Disney change in the game. Um.

0:52:43.920 --> 0:52:47.800
<v Speaker 1>You know, there are so many film adaptations of fairy tales.

0:52:47.880 --> 0:52:50.960
<v Speaker 1>I also love book adaptations of fairy tales, and there

0:52:50.960 --> 0:52:56.440
<v Speaker 1>have been so many great especially short story collections, UM

0:52:56.560 --> 0:53:00.040
<v Speaker 1>over the years. Um there's one short story collection that

0:53:01.080 --> 0:53:02.839
<v Speaker 1>I don't have a copy of it anymore. I don't

0:53:02.880 --> 0:53:05.960
<v Speaker 1>know why, but I need to to get a new one. UM.

0:53:06.000 --> 0:53:08.759
<v Speaker 1>It's called My Mother She killed me, My father he

0:53:09.080 --> 0:53:12.880
<v Speaker 1>ate me. UM. That is definitely one that I recommend. UM.

0:53:12.960 --> 0:53:16.560
<v Speaker 1>One of my favorite short story adaptations of a fairy

0:53:16.600 --> 0:53:21.160
<v Speaker 1>tale that I believe I've mentioned on this podcast before

0:53:22.080 --> 0:53:25.799
<v Speaker 1>is snow Glass Apples by Neil Gaiman. UM. It's a

0:53:25.800 --> 0:53:27.880
<v Speaker 1>short story that he wrote, I think maybe back in

0:53:27.920 --> 0:53:32.080
<v Speaker 1>the nineties, and it is a very very dark retelling

0:53:32.200 --> 0:53:35.319
<v Speaker 1>a snow White in which snow White is kind of

0:53:35.320 --> 0:53:41.880
<v Speaker 1>a zombie vampire monster and the evil queen is actually

0:53:41.920 --> 0:53:46.399
<v Speaker 1>the hero of the story. There's I believe a oh

0:53:46.440 --> 0:53:49.600
<v Speaker 1>I think I have it. There's a a graphic novel

0:53:50.080 --> 0:53:54.520
<v Speaker 1>um adaptation of it that's really beautiful. UM. I would

0:53:54.520 --> 0:53:58.520
<v Speaker 1>definitely recommend that. Also, have you heard I mean you're

0:53:58.560 --> 0:54:02.560
<v Speaker 1>not as like active of on book talk as I am,

0:54:02.600 --> 0:54:05.400
<v Speaker 1>but have you have you heard of? Do you know

0:54:05.440 --> 0:54:10.640
<v Speaker 1>who Sarah J. Mass is? No? No, tell me? Okay, alright,

0:54:10.760 --> 0:54:15.560
<v Speaker 1>Strap in Virgence Okay. So Sarah J. Mass writes in

0:54:15.640 --> 0:54:21.759
<v Speaker 1>this like cross section of like romance fantasy, UM, and

0:54:21.880 --> 0:54:25.479
<v Speaker 1>she has this very popular series UM called a Court

0:54:25.520 --> 0:54:29.600
<v Speaker 1>of Thorn and Roses. And the first book actually like

0:54:29.920 --> 0:54:34.040
<v Speaker 1>is basically a Beauty and the Beast retelling, but then

0:54:34.080 --> 0:54:40.040
<v Speaker 1>it becomes something else. Um, and it is. It's like

0:54:40.239 --> 0:54:44.480
<v Speaker 1>I read most of the books earlier this year, like

0:54:44.560 --> 0:54:48.040
<v Speaker 1>the end of last year. They're really bad. It's like

0:54:48.080 --> 0:54:54.800
<v Speaker 1>the most like kind of pathetic self insertion like um

0:54:54.960 --> 0:55:00.080
<v Speaker 1>like like character x reader, like Mary Sue Vibes. Like

0:55:00.440 --> 0:55:04.720
<v Speaker 1>there's this girl who gets kidnapped by a fairy lord

0:55:04.800 --> 0:55:06.759
<v Speaker 1>and like he falls in love with her, and then

0:55:06.800 --> 0:55:08.759
<v Speaker 1>she gets turned into a fairy and it turns out

0:55:08.800 --> 0:55:12.520
<v Speaker 1>she has the most incredible powers and like it learns

0:55:12.520 --> 0:55:14.680
<v Speaker 1>how to use them immediately. And then there's this other

0:55:14.719 --> 0:55:17.440
<v Speaker 1>fairy who falls in love with her and they're destined

0:55:17.480 --> 0:55:20.479
<v Speaker 1>to be together. And he's like a thousand years old

0:55:20.520 --> 0:55:22.600
<v Speaker 1>and is in love with a seventeen year old girl.

0:55:22.680 --> 0:55:27.480
<v Speaker 1>And it's just like it sounds like Twilight. It is.

0:55:27.760 --> 0:55:31.960
<v Speaker 1>It is Twilight in a way. UM. I don't recommend

0:55:32.000 --> 0:55:36.319
<v Speaker 1>reading it unless you are really bored, but you know,

0:55:36.520 --> 0:55:41.000
<v Speaker 1>go off if you do, go off, if you do. Um, Okay, look,

0:55:41.080 --> 0:55:44.080
<v Speaker 1>we would be remiss not to mention, even though we've

0:55:44.120 --> 0:55:47.640
<v Speaker 1>already discussed it on the pod. One of your favorite

0:55:47.719 --> 0:55:51.200
<v Speaker 1>musicals of all time, which is Into the Woods, an

0:55:51.200 --> 0:55:55.799
<v Speaker 1>amalgamation of multiple fairy tales. You know, we've chatted about it,

0:55:55.840 --> 0:55:57.839
<v Speaker 1>but like you know, walk the virgins through, Like how

0:55:57.960 --> 0:56:00.640
<v Speaker 1>you feel about like this? What the what this musical

0:56:00.719 --> 0:56:03.200
<v Speaker 1>did for you when you first watched it? Well, what

0:56:03.239 --> 0:56:06.719
<v Speaker 1>I love about Into the Woods is that it is,

0:56:07.760 --> 0:56:10.280
<v Speaker 1>much like some of the other things we've talked about,

0:56:10.600 --> 0:56:14.480
<v Speaker 1>is a musical that puts all of these different fairy

0:56:14.480 --> 0:56:20.640
<v Speaker 1>tales together. Um. And the you know, first half of

0:56:20.680 --> 0:56:25.759
<v Speaker 1>Into the Woods is about like the thing that is

0:56:25.880 --> 0:56:29.280
<v Speaker 1>at the crux of every fairy tale, which is um

0:56:29.440 --> 0:56:33.600
<v Speaker 1>wishing for something. The musical both starts and ends with

0:56:34.120 --> 0:56:40.440
<v Speaker 1>someone saying the words I wish um. And then the

0:56:41.120 --> 0:56:45.360
<v Speaker 1>second act of the musical is about what happens after

0:56:45.520 --> 0:56:48.359
<v Speaker 1>happily ever after, what happens after you get the thing

0:56:48.480 --> 0:56:51.799
<v Speaker 1>that you want um and you realize that you don't

0:56:51.800 --> 0:56:55.600
<v Speaker 1>want it anymore, or it doesn't make you happy, or

0:56:55.680 --> 0:56:59.279
<v Speaker 1>it just leads to a whole new set of problems, um.

0:57:00.160 --> 0:57:03.840
<v Speaker 1>And Into the Woods is you know, tells that story

0:57:03.920 --> 0:57:06.239
<v Speaker 1>in such a beautiful way. Into the Woods is also

0:57:06.320 --> 0:57:09.960
<v Speaker 1>so much about the relationships between parents and children. Um.

0:57:10.000 --> 0:57:13.120
<v Speaker 1>You know, like the the I think most beautiful and

0:57:13.160 --> 0:57:18.680
<v Speaker 1>like emotionally affecting song in the show is children Will Listen, um,

0:57:18.760 --> 0:57:22.840
<v Speaker 1>which is also the song that closes the show um.

0:57:23.320 --> 0:57:32.160
<v Speaker 1>And it is I think Sondheime's most accessible work, probably

0:57:32.280 --> 0:57:37.160
<v Speaker 1>because of the fairy tale of it all, because these

0:57:37.200 --> 0:57:41.360
<v Speaker 1>are characters who loom large in our cultural consciousness. And

0:57:41.680 --> 0:57:44.320
<v Speaker 1>this is I think, like the reason that all fairytale

0:57:44.760 --> 0:57:49.320
<v Speaker 1>retellings work on some level is because you have that

0:57:49.480 --> 0:57:52.600
<v Speaker 1>narrative shorthand of the reader or the watcher or the

0:57:52.640 --> 0:57:58.919
<v Speaker 1>listener whatever it is already um knowing so much through

0:57:59.040 --> 0:58:03.400
<v Speaker 1>using the these characters that you're able to use them

0:58:03.440 --> 0:58:08.280
<v Speaker 1>to tell a much more effective story that way. And

0:58:08.360 --> 0:58:12.080
<v Speaker 1>so like we we already know that that the things

0:58:12.160 --> 0:58:16.200
<v Speaker 1>that these different characters symbolize, like Red Little Red riding

0:58:16.200 --> 0:58:19.400
<v Speaker 1>Hood and Jack and the Mean Stock are about straying

0:58:19.440 --> 0:58:22.440
<v Speaker 1>from the path and like you know, like not not

0:58:22.560 --> 0:58:25.640
<v Speaker 1>like going looking for adventure because like you you just

0:58:25.720 --> 0:58:28.200
<v Speaker 1>might find it and like it might kill you or

0:58:28.240 --> 0:58:34.480
<v Speaker 1>like whatever. Um, And through through those stories they're then

0:58:34.560 --> 0:58:37.280
<v Speaker 1>able to tell I guess, like the you know, like

0:58:37.400 --> 0:58:41.560
<v Speaker 1>the next the you know, those fairy tales are like

0:58:41.600 --> 0:58:45.280
<v Speaker 1>the one oh one lessons and like then into the

0:58:45.280 --> 0:58:47.480
<v Speaker 1>woods it's like, okay, well we're going to now teach

0:58:47.520 --> 0:58:52.000
<v Speaker 1>the two or two lessons or like the three oh three.

0:58:52.160 --> 0:58:56.280
<v Speaker 1>This is lesson, This is a p this is pre

0:58:56.480 --> 0:59:18.840
<v Speaker 1>prestat tests. Yes, I really love fairy tales. I actually like,

0:59:19.120 --> 0:59:22.640
<v Speaker 1>I don't know, maybe in some in some like alternative world,

0:59:22.760 --> 0:59:26.880
<v Speaker 1>I like, you know, um, like got my masters and

0:59:26.920 --> 0:59:30.720
<v Speaker 1>I'm like a professor of like folklore or something l

0:59:30.960 --> 0:59:35.840
<v Speaker 1>L folks ll L folklore by Taylor Swift. Cur I

0:59:35.880 --> 0:59:38.959
<v Speaker 1>currently am a professor of folklore. Wait wait wait wait

0:59:38.960 --> 0:59:42.320
<v Speaker 1>wait wait wait wait, there's a there's a jukebox musical

0:59:42.520 --> 0:59:48.080
<v Speaker 1>adaptation of folk tales that is set to folklore. Absolutely,

0:59:48.320 --> 0:59:52.000
<v Speaker 1>maybe it's folklore and Evermore I elect songs from folklore. Oh,

0:59:52.080 --> 0:59:55.480
<v Speaker 1>I absolutely could see like a Taylor Swift jukebox musical

0:59:55.520 --> 0:59:58.400
<v Speaker 1>where the first act is all folklore songs and the

0:59:58.400 --> 1:00:01.600
<v Speaker 1>second act is all Evermore song. I mean, listen, she

1:00:01.880 --> 1:00:05.400
<v Speaker 1>is already, you know, doing her directorial debut. She's making

1:00:05.400 --> 1:00:08.720
<v Speaker 1>her directorial debut soon, um, making a movie or whatever.

1:00:08.760 --> 1:00:11.520
<v Speaker 1>So maybe this is like project too. You should and

1:00:11.560 --> 1:00:14.240
<v Speaker 1>you're going to write it. No, she's going to write it.

1:00:14.440 --> 1:00:17.920
<v Speaker 1>She's gonna She's not handing creative control over she's gonna

1:00:18.080 --> 1:00:21.800
<v Speaker 1>write Tree Pain. Tree Pain would only need to do

1:00:21.840 --> 1:00:25.240
<v Speaker 1>a very cursory Google search of me to get me

1:00:25.400 --> 1:00:28.160
<v Speaker 1>kicked off the project or not even not even in

1:00:28.480 --> 1:00:31.320
<v Speaker 1>not kicked out of a meeting. She's probably listening to

1:00:31.400 --> 1:00:35.280
<v Speaker 1>this podcast right now, Tree Pain, We love you, We

1:00:35.360 --> 1:00:39.400
<v Speaker 1>love you. Um Okay, if I ever adapted something, I mean,

1:00:40.320 --> 1:00:42.120
<v Speaker 1>I mean obviously I would want to do Little Mermaid,

1:00:42.160 --> 1:00:44.160
<v Speaker 1>but like it's it's already being done, and if like

1:00:44.200 --> 1:00:46.680
<v Speaker 1>Sofia Coppola couldn't do her version, then like I probably

1:00:46.720 --> 1:00:51.600
<v Speaker 1>can't do want the Sofia version. I honestly think it

1:00:51.600 --> 1:00:53.880
<v Speaker 1>would be boring. I think it would be boring, like

1:00:53.960 --> 1:00:56.920
<v Speaker 1>that's what that's my that's my take. Um. But I

1:00:57.240 --> 1:00:59.320
<v Speaker 1>but it would be beautiful. It would It would be

1:00:59.360 --> 1:01:01.120
<v Speaker 1>so gorgeous still look at it would be and the

1:01:01.240 --> 1:01:05.600
<v Speaker 1>soundtrack would slap and it would be so angsty like

1:01:05.680 --> 1:01:09.360
<v Speaker 1>so teen angst Um. I would love to adapt Sleeping

1:01:09.360 --> 1:01:14.440
<v Speaker 1>Beauty because these maleficent adaptations are these maleficent like you know,

1:01:14.480 --> 1:01:17.680
<v Speaker 1>movies are like in my in my opinion, like total garbage,

1:01:17.720 --> 1:01:19.640
<v Speaker 1>Like I just like it's all c g I and

1:01:19.720 --> 1:01:24.320
<v Speaker 1>like there's a no like real imagination, and it like

1:01:24.360 --> 1:01:29.080
<v Speaker 1>there's no like there's no invention within the story and

1:01:29.240 --> 1:01:32.880
<v Speaker 1>like the original Sleeping Beauty like it's just completely like

1:01:32.920 --> 1:01:35.920
<v Speaker 1>there's so many different versions of it that are completely

1:01:35.960 --> 1:01:39.479
<v Speaker 1>different from the Disney version, with the Disney version which

1:01:39.560 --> 1:01:43.040
<v Speaker 1>took a lot of creative liberties. So what would your

1:01:43.080 --> 1:01:47.360
<v Speaker 1>take on Sleeping Beauty be. I don't know, I have

1:01:47.520 --> 1:01:53.160
<v Speaker 1>probably like it would. Yeah. The whole thing is she

1:01:53.280 --> 1:01:57.080
<v Speaker 1>like picks herself on a needle, right, So I actually

1:01:57.080 --> 1:02:00.960
<v Speaker 1>think there's I think there is a Sleeping Beauty retelling

1:02:01.080 --> 1:02:04.480
<v Speaker 1>that's like kind of about No, maybe it's not. Maybe

1:02:04.520 --> 1:02:06.320
<v Speaker 1>she does an O D. I think that's too dark

1:02:06.400 --> 1:02:09.240
<v Speaker 1>to like queer cultural commentary. Like maybe it's like she's

1:02:09.280 --> 1:02:13.720
<v Speaker 1>getting a tattoo and um, the needles not clean, and

1:02:13.720 --> 1:02:16.240
<v Speaker 1>she gets an infection, maybe a topic she gets a

1:02:16.280 --> 1:02:19.440
<v Speaker 1>topical infection. Maybe it's basically like my year of rest

1:02:19.480 --> 1:02:23.160
<v Speaker 1>and relaxation, but it's kind of sleep it's kind of

1:02:23.200 --> 1:02:28.240
<v Speaker 1>Sleeping Beauty esque, and she wakes she went yeah, but

1:02:28.280 --> 1:02:30.919
<v Speaker 1>she wakes up after one year and she realizes that,

1:02:31.200 --> 1:02:33.280
<v Speaker 1>you know, the invention of the workforce is like the

1:02:33.320 --> 1:02:37.360
<v Speaker 1>destruction of like our our our world and that, like

1:02:37.400 --> 1:02:40.320
<v Speaker 1>we have to fight capitalism, Like that's like the No,

1:02:40.400 --> 1:02:42.560
<v Speaker 1>I'm just kidding, that would be so boring, but like

1:02:42.760 --> 1:02:45.520
<v Speaker 1>literally she's had like I think the original, in the original,

1:02:45.560 --> 1:02:49.240
<v Speaker 1>her name is like Talia or something like that, which

1:02:49.280 --> 1:02:52.800
<v Speaker 1>is a name is Aurora. No, I'm saying in the

1:02:52.800 --> 1:02:58.560
<v Speaker 1>original her name is Talia. Like, yeah, it's it's little Briar,

1:02:58.800 --> 1:03:00.920
<v Speaker 1>they say, like little Briar Rose and like in some

1:03:00.960 --> 1:03:05.520
<v Speaker 1>of the earliest appearances of this story, which I think

1:03:06.720 --> 1:03:12.120
<v Speaker 1>date back to like fifteen fifteen hundreds, Yeah, the sleeping

1:03:12.160 --> 1:03:15.040
<v Speaker 1>beauty is named Talia, which is kind of that's a

1:03:15.160 --> 1:03:19.800
<v Speaker 1>very chosen name totally. I might actually know a trans

1:03:19.800 --> 1:03:24.360
<v Speaker 1>woman named Talia. I might know a Talia. Um. Yeah, no,

1:03:24.440 --> 1:03:27.160
<v Speaker 1>I'll have to think on my adaptation, Okay, I I

1:03:27.240 --> 1:03:29.960
<v Speaker 1>have mine. Yeah, what would it be? I was We've

1:03:30.000 --> 1:03:32.680
<v Speaker 1>already we've been throwing so many ideas into the pot here.

1:03:32.720 --> 1:03:35.880
<v Speaker 1>What was so a weird fairy tale that I always

1:03:35.920 --> 1:03:41.400
<v Speaker 1>really liked is the twelve Dancing Princesses. Are you familiar? No? Okay,

1:03:41.400 --> 1:03:45.160
<v Speaker 1>So the to Dancing Princesses is like it's kind of lame.

1:03:45.360 --> 1:03:47.520
<v Speaker 1>It's like one of those fairy tales that has like

1:03:47.600 --> 1:03:52.600
<v Speaker 1>a very interesting setup but doesn't conclude in a satisfying way.

1:03:52.800 --> 1:03:58.000
<v Speaker 1>So there's this king and he has twelve daughters and um,

1:03:58.120 --> 1:04:00.360
<v Speaker 1>they're like not allowed to get married for some reason.

1:04:00.840 --> 1:04:04.560
<v Speaker 1>And every night he locks them into their room. Um,

1:04:04.560 --> 1:04:08.800
<v Speaker 1>but every morning the twelve princesses are exhausted and their

1:04:08.880 --> 1:04:11.280
<v Speaker 1>shoes are like all beat up, as if they've been

1:04:11.360 --> 1:04:14.040
<v Speaker 1>dancing all night. And so the king is like, Okay,

1:04:14.080 --> 1:04:16.400
<v Speaker 1>if anyone can figure out what the funk my daughters

1:04:16.400 --> 1:04:21.240
<v Speaker 1>are doing at night to these shoes, they you know,

1:04:21.640 --> 1:04:24.000
<v Speaker 1>they will get like whatever they want, Like I'll get

1:04:24.080 --> 1:04:29.440
<v Speaker 1>grant them anything they want. And so this guy is

1:04:29.560 --> 1:04:34.200
<v Speaker 1>like gets some kind of like cloak that makes him unseeable.

1:04:34.240 --> 1:04:37.680
<v Speaker 1>It's like the invisibility cloak from Harry Potter, and he

1:04:38.600 --> 1:04:42.440
<v Speaker 1>um sneaks into the princess's room, which is inappropriate, um

1:04:42.480 --> 1:04:46.720
<v Speaker 1>and finds out that at night they open a trapdoor

1:04:47.160 --> 1:04:50.720
<v Speaker 1>in their bedroom and go out to like a lake

1:04:50.880 --> 1:04:54.320
<v Speaker 1>behind the castle or whatever, and these twelve boats come

1:04:54.360 --> 1:04:57.240
<v Speaker 1>and pick them up and take them to a castle

1:04:57.400 --> 1:05:00.760
<v Speaker 1>where they dance with twelve princes all night and then

1:05:00.800 --> 1:05:05.680
<v Speaker 1>come back in the morning. And um, like the guy

1:05:05.800 --> 1:05:09.360
<v Speaker 1>who's following them. He there's these three trees that they

1:05:09.360 --> 1:05:11.640
<v Speaker 1>walk by. One of them is gold, one of them silver,

1:05:11.720 --> 1:05:13.640
<v Speaker 1>I think, the other one is bronze, and he like

1:05:14.200 --> 1:05:16.600
<v Speaker 1>picks these suits. He like picks leaves from them to

1:05:16.680 --> 1:05:20.360
<v Speaker 1>show the king, like for proof. Um. And so the

1:05:20.440 --> 1:05:22.960
<v Speaker 1>story ends in this very unsatisfying way, which is just

1:05:23.000 --> 1:05:25.720
<v Speaker 1>that he like tells on the princesses to the king

1:05:25.840 --> 1:05:28.120
<v Speaker 1>and the King's like, okay, well you can have whatever

1:05:28.160 --> 1:05:31.240
<v Speaker 1>you want. So the guy marries the eldest princess and

1:05:31.280 --> 1:05:34.720
<v Speaker 1>then becomes the next king. And it's like such a

1:05:34.800 --> 1:05:39.320
<v Speaker 1>lame version of story. Okay, So here's my adoptation. Okay, love.

1:05:39.560 --> 1:05:42.960
<v Speaker 1>So the twelve dancing princesses, they're like, they live in

1:05:43.000 --> 1:05:48.760
<v Speaker 1>a punk squad and I'm in continue, they live in

1:05:48.760 --> 1:05:53.840
<v Speaker 1>a punk squat um and um they the punk squad

1:05:53.920 --> 1:05:58.080
<v Speaker 1>gets bought, okay, but they won't leave. So they're like,

1:05:58.280 --> 1:06:01.760
<v Speaker 1>actually they're actually squat ing. And so this sort of

1:06:01.800 --> 1:06:07.840
<v Speaker 1>like yuppie developer um Is decides to like infiltrate their

1:06:09.200 --> 1:06:13.960
<v Speaker 1>the squat to like get them out. What about squatters, right, Well,

1:06:14.120 --> 1:06:17.440
<v Speaker 1>I mean that's why he has to use you know, subterfuge.

1:06:18.080 --> 1:06:21.880
<v Speaker 1>Uh So he you know, starts he like moves, he

1:06:21.960 --> 1:06:25.200
<v Speaker 1>like starts hanging around, and he's like, what are these

1:06:25.200 --> 1:06:27.520
<v Speaker 1>girls doing every night? Because like I can't find a

1:06:27.600 --> 1:06:31.080
<v Speaker 1>reason to actually kick them out. And then it turns

1:06:31.120 --> 1:06:33.080
<v Speaker 1>out that there's a secret basement at the bottom of

1:06:33.080 --> 1:06:35.760
<v Speaker 1>the house where they throw raves and they're like raising

1:06:35.800 --> 1:06:41.400
<v Speaker 1>money to buy the house back from the developer. And

1:06:42.480 --> 1:06:45.200
<v Speaker 1>the shoe thing is like they're all wearing tabbies. I

1:06:45.200 --> 1:06:47.960
<v Speaker 1>don't know, yeah, the shoes. I was like kind of

1:06:47.960 --> 1:06:50.400
<v Speaker 1>waiting for the shoe spin. I was thinking, like maybe

1:06:50.440 --> 1:06:53.400
<v Speaker 1>they all work at like Aldo, or you know, they

1:06:53.400 --> 1:06:57.000
<v Speaker 1>don't work at Aldo. They work they don't have jobs,

1:06:57.000 --> 1:07:01.360
<v Speaker 1>starting anti capitalist. So the shoe thing is they go

1:07:01.520 --> 1:07:03.760
<v Speaker 1>thrifting every day to buy new shoes because they like

1:07:03.800 --> 1:07:06.840
<v Speaker 1>wear their shoes out dancing all night. Um. But so

1:07:06.960 --> 1:07:09.680
<v Speaker 1>this this guy is like, oh, and they're not all

1:07:09.880 --> 1:07:12.200
<v Speaker 1>they're not they're not all girls, like they're all like

1:07:12.280 --> 1:07:15.920
<v Speaker 1>a gender, they're all nine mine areas. And so the

1:07:16.360 --> 1:07:18.800
<v Speaker 1>developer guy like he starts going to the raves with

1:07:18.880 --> 1:07:21.040
<v Speaker 1>them and he's actually like really into it and he

1:07:21.160 --> 1:07:24.960
<v Speaker 1>becomes a dj um and I don't know, this is

1:07:25.040 --> 1:07:27.320
<v Speaker 1>kind of spinning away from me a little bit. I

1:07:27.360 --> 1:07:28.840
<v Speaker 1>think I think no, no, no no, I think we need

1:07:28.880 --> 1:07:32.880
<v Speaker 1>to focus on the shoes, shoes. So it's about the shoes, right,

1:07:32.920 --> 1:07:36.440
<v Speaker 1>And so maybe they're all maybe they're an organized crime

1:07:36.800 --> 1:07:41.440
<v Speaker 1>group of like punk squatters that that collectively steal shoes

1:07:41.520 --> 1:07:45.840
<v Speaker 1>from Steve Madden as a kind of transtor no, because

1:07:45.840 --> 1:07:48.040
<v Speaker 1>it has to be Steve Madden, because Steve Maddon is

1:07:48.040 --> 1:07:50.800
<v Speaker 1>the only one that makes, you know, shoes for girls

1:07:50.840 --> 1:07:53.520
<v Speaker 1>like me, you know what I mean, Like they're like

1:07:53.520 --> 1:07:58.480
<v Speaker 1>like Dillard's, Dillard's Steve Madden. I'm not going to fucking

1:07:58.520 --> 1:08:01.560
<v Speaker 1>like Heavenly Heals dot Com or whatever, you know, I'm

1:08:01.560 --> 1:08:03.800
<v Speaker 1>not gonna go get some Here's what it is is

1:08:03.840 --> 1:08:07.040
<v Speaker 1>these girls sneak out at night and steal people's Essence packages.

1:08:09.320 --> 1:08:12.880
<v Speaker 1>Except except Essence does not have very inclusive sizing unless

1:08:12.880 --> 1:08:14.840
<v Speaker 1>you're doing you know, the Tommy Dorfman for a Simon

1:08:14.880 --> 1:08:18.000
<v Speaker 1>Miller collection. This needs a little more work, but I

1:08:18.040 --> 1:08:21.120
<v Speaker 1>think that there's something there. I think there's something. There's

1:08:21.120 --> 1:08:23.920
<v Speaker 1>something with Ray. I. I do think the basement rave

1:08:24.080 --> 1:08:26.479
<v Speaker 1>is an integral part of the story. But we can't

1:08:26.520 --> 1:08:30.640
<v Speaker 1>forget about the shoes. Roses important it's like, you know,

1:08:31.160 --> 1:08:34.000
<v Speaker 1>someone will help us put it together. We're gonna we're

1:08:34.040 --> 1:08:36.519
<v Speaker 1>gonna need to develop. Maybe there's a foot fetish thing

1:08:36.520 --> 1:08:40.000
<v Speaker 1>in there somewhere. What is it about fairy tales and feet,

1:08:40.000 --> 1:08:43.040
<v Speaker 1>because like that's the thing with the original Cinderella, is

1:08:43.520 --> 1:08:47.640
<v Speaker 1>that the step sisters in the original story, when the

1:08:47.880 --> 1:08:50.920
<v Speaker 1>prince comes with the glass slipper to have them try

1:08:50.920 --> 1:08:53.800
<v Speaker 1>it on, the first one cuts off her toes so

1:08:53.880 --> 1:08:56.599
<v Speaker 1>her foot can fit into the shoe, and then the

1:08:56.760 --> 1:08:59.160
<v Speaker 1>birds are like, look at the shoe, look at the shoe,

1:08:59.280 --> 1:09:01.639
<v Speaker 1>and like the looks and season it's full of blood.

1:09:01.880 --> 1:09:03.960
<v Speaker 1>And then the other step sister cuts off her heel

1:09:04.439 --> 1:09:05.760
<v Speaker 1>and puts in the shoe, and the birds are like,

1:09:05.920 --> 1:09:07.400
<v Speaker 1>look at the shoe, look at the shoe, and the

1:09:07.439 --> 1:09:09.120
<v Speaker 1>prince looks at the shoe and it's full of blood,

1:09:09.320 --> 1:09:11.200
<v Speaker 1>and then the birds peck out the eyes of the

1:09:11.200 --> 1:09:16.040
<v Speaker 1>two stepsisters. It's really fucking dark. Um Okay, between that

1:09:16.400 --> 1:09:19.040
<v Speaker 1>and the fairy tale you were just talking about and

1:09:19.240 --> 1:09:22.040
<v Speaker 1>little mermaid with like the knives and her feet, the

1:09:22.080 --> 1:09:25.040
<v Speaker 1>knives in her feet and like, you know, the little

1:09:25.040 --> 1:09:27.920
<v Speaker 1>red shoes, little shoes. I'm sure the beast from Beauty

1:09:27.960 --> 1:09:30.320
<v Speaker 1>and the Beast had a foot fetish too. Yeah, that's

1:09:30.320 --> 1:09:32.599
<v Speaker 1>the thing is like maybe Hans, maybe the brothers Graham

1:09:32.640 --> 1:09:36.479
<v Speaker 1>had like Ash Anderson had like a foot fetter. Also,

1:09:36.520 --> 1:09:38.120
<v Speaker 1>when you think about Beauty and the Beast, like, it's

1:09:38.120 --> 1:09:42.639
<v Speaker 1>so funked up because all that happened was the Bell's

1:09:42.720 --> 1:09:46.599
<v Speaker 1>father stole in the original story, plucked a rose from

1:09:46.800 --> 1:09:50.839
<v Speaker 1>the garden of the castle, and then the Beast was like, okay,

1:09:50.880 --> 1:09:54.200
<v Speaker 1>well you're my slave for all eternity now. And then

1:09:54.320 --> 1:09:57.040
<v Speaker 1>Belle comes and treats herself for her father's place because

1:09:57.520 --> 1:09:59.280
<v Speaker 1>she was the one who wanted the roads. So it's like,

1:09:59.360 --> 1:10:02.599
<v Speaker 1>actually her her fault, and she gets stuck with him

1:10:02.600 --> 1:10:04.960
<v Speaker 1>for all altern and he gets Stockholm syndrome and then

1:10:05.080 --> 1:10:09.320
<v Speaker 1>falls in love with him and she doesn't. Well, okay,

1:10:09.560 --> 1:10:12.040
<v Speaker 1>I think we've talked about this. So in the Disney version,

1:10:12.320 --> 1:10:14.320
<v Speaker 1>you know, he has to transform back into a human

1:10:14.360 --> 1:10:16.799
<v Speaker 1>before she falls in love with him. But in the original,

1:10:16.920 --> 1:10:18.960
<v Speaker 1>she falls in love with the beat. She falls she

1:10:19.040 --> 1:10:22.280
<v Speaker 1>falls in love with the Beast. In the movie, she says,

1:10:22.320 --> 1:10:24.719
<v Speaker 1>I love you before he turns back into the prince

1:10:25.160 --> 1:10:27.040
<v Speaker 1>Church or churcher. True. What I mean is that she

1:10:27.120 --> 1:10:30.200
<v Speaker 1>doesn't commit to him as a like only until he

1:10:30.240 --> 1:10:33.960
<v Speaker 1>transforms into human? Is it like a happy ending so

1:10:34.040 --> 1:10:37.640
<v Speaker 1>to speak? And there's there right, but well, I'm what

1:10:37.680 --> 1:10:39.800
<v Speaker 1>I'm saying is like in the original, I'm pretty sure

1:10:39.800 --> 1:10:42.200
<v Speaker 1>there's an iteration where he stays the beast and they

1:10:42.320 --> 1:10:45.200
<v Speaker 1>stay in love. I would love to see that version.

1:10:45.320 --> 1:10:49.759
<v Speaker 1>I think I think bell if if after the camera

1:10:49.840 --> 1:10:53.400
<v Speaker 1>stopped rolling, I think she's like I kind of missed

1:10:53.439 --> 1:10:56.000
<v Speaker 1>it when you were I think she's a monster fucker.

1:10:56.640 --> 1:10:59.920
<v Speaker 1>And actually in the in the Emma Watson remake, which

1:11:00.240 --> 1:11:03.479
<v Speaker 1>you know I did. I did cry when I saw

1:11:03.560 --> 1:11:06.840
<v Speaker 1>in theaters. But um, there's a little there's a little

1:11:06.840 --> 1:11:09.479
<v Speaker 1>moment at the end where like at the ball at

1:11:09.520 --> 1:11:12.040
<v Speaker 1>the end when they're dancing where the prince who is

1:11:12.280 --> 1:11:16.439
<v Speaker 1>um Lord Matthew from Downtown Abbey, where he like growls

1:11:16.479 --> 1:11:19.120
<v Speaker 1>at her, which is to suggest that he's retained some

1:11:19.200 --> 1:11:22.759
<v Speaker 1>of his like beastly tendencies, and I would hope that

1:11:23.280 --> 1:11:28.120
<v Speaker 1>um he still has like a huge monster cock um.

1:11:28.160 --> 1:11:30.639
<v Speaker 1>Speaking of beastly, have you ever heard of the movie

1:11:30.640 --> 1:11:35.639
<v Speaker 1>Beastly starring Vanessa Hudgens. No, is that an adaptation? Okay, yes,

1:11:35.680 --> 1:11:39.439
<v Speaker 1>it's a Beauty and the Beast m retelling that sort

1:11:39.479 --> 1:11:44.320
<v Speaker 1>of came with Vanessa Hudgens. It came out post Twilight

1:11:44.439 --> 1:11:49.919
<v Speaker 1>and is very clearly trying to capitalize off of Twilight

1:11:49.960 --> 1:11:52.519
<v Speaker 1>Mania as a lot of immediate as a lot of

1:11:52.560 --> 1:11:55.639
<v Speaker 1>culture was trying to do at that time. And it's

1:11:55.840 --> 1:12:00.920
<v Speaker 1>it's also stars Mary kay Olson who playst who played Okay.

1:12:00.960 --> 1:12:03.719
<v Speaker 1>So it's about this like rich kid in high school

1:12:03.760 --> 1:12:06.920
<v Speaker 1>who's like very mean, um, and he's very mean to

1:12:06.920 --> 1:12:09.360
<v Speaker 1>to marry Kate Olsen, who's just like a witch who

1:12:09.360 --> 1:12:12.120
<v Speaker 1>goes to the high school and she can and she

1:12:12.280 --> 1:12:15.760
<v Speaker 1>curses him to be ugly and like he doesn't turn

1:12:15.760 --> 1:12:18.680
<v Speaker 1>into a literal beast. He just like has like a

1:12:18.720 --> 1:12:21.840
<v Speaker 1>weird tattoos and scars and like a staple in his nose.

1:12:22.360 --> 1:12:27.479
<v Speaker 1>Oh my god, I know. And his rich dad sends

1:12:27.600 --> 1:12:31.200
<v Speaker 1>him like sends him away to an apartment downtown and

1:12:31.400 --> 1:12:37.839
<v Speaker 1>they're the like Loomier and Cogsworth are an older um

1:12:38.200 --> 1:12:43.880
<v Speaker 1>like Haitian woman who's um not stuck as a clock,

1:12:44.040 --> 1:12:48.200
<v Speaker 1>but her like children are are like back where she's

1:12:48.240 --> 1:12:51.080
<v Speaker 1>from and she can't get them. And then like the

1:12:51.200 --> 1:12:56.479
<v Speaker 1>Loomier is played by Neil Patrick Harris who's blind, who

1:12:56.520 --> 1:13:00.479
<v Speaker 1>plays blind which is not appropriate, and like he's and

1:13:00.600 --> 1:13:03.120
<v Speaker 1>like he at several points in the movie is like, yeah,

1:13:03.160 --> 1:13:05.559
<v Speaker 1>I mean you might be a beast, but I am blind,

1:13:05.680 --> 1:13:10.200
<v Speaker 1>which is like my curse and it's so awful. And

1:13:10.280 --> 1:13:13.880
<v Speaker 1>so then Vanessa Hudgens, who is Bell, her dad is

1:13:13.880 --> 1:13:18.600
<v Speaker 1>a drug dealer, and the Beast quote unquote like witnesses

1:13:19.080 --> 1:13:21.920
<v Speaker 1>some kind of shady drug deal and he's like, I'll

1:13:22.000 --> 1:13:24.920
<v Speaker 1>keep your daughter safe. And so that's how she comes

1:13:24.960 --> 1:13:27.360
<v Speaker 1>to be like trapped in his apartment with him, and

1:13:27.400 --> 1:13:30.720
<v Speaker 1>then they fall in love. And at the end of

1:13:30.760 --> 1:13:34.240
<v Speaker 1>the movie when she like says she loves him after

1:13:34.280 --> 1:13:37.599
<v Speaker 1>her dad dies, I believe um he transforms back into

1:13:37.680 --> 1:13:43.880
<v Speaker 1>being hot again. Neil Patrick. Harris's blindness is um cured

1:13:44.280 --> 1:13:48.639
<v Speaker 1>so he can see um and they go to Machu Picchu.

1:13:51.360 --> 1:13:57.080
<v Speaker 1>It's a very weird movie. Nothing that you said in

1:13:57.120 --> 1:14:00.640
<v Speaker 1>that sentence I could have predicted, like the word afterward.

1:14:01.520 --> 1:14:05.040
<v Speaker 1>Absolutely never. I'm looking also now at like photos of

1:14:05.080 --> 1:14:11.000
<v Speaker 1>Mary kay Olsen with this like and this eyeshadow. Mama,

1:14:11.880 --> 1:14:16.599
<v Speaker 1>she was kind of serving. But let's let's let's say something.

1:14:16.760 --> 1:14:20.360
<v Speaker 1>This guy as the Beast quote unquote he looks like

1:14:20.439 --> 1:14:23.439
<v Speaker 1>he's just going to battle him, like he really he

1:14:23.520 --> 1:14:26.400
<v Speaker 1>looks like he's going to un Yeah, he looks like

1:14:26.520 --> 1:14:29.439
<v Speaker 1>he's going to under Like he looks like a normal

1:14:30.000 --> 1:14:35.080
<v Speaker 1>guy with like alt face tattoos and piercings, like just giving,

1:14:35.160 --> 1:14:37.439
<v Speaker 1>like one of like he's giving. It's giving. He literally

1:14:37.479 --> 1:14:40.559
<v Speaker 1>could be like an editorial assistant at Simon and Schuster.

1:14:40.960 --> 1:14:45.040
<v Speaker 1>You know, it's giving Susanne Barsh's follies, like you know

1:14:45.080 --> 1:14:48.400
<v Speaker 1>what I mean. It's giving like I have like a

1:14:48.479 --> 1:14:51.439
<v Speaker 1>residency at the Mikittrick Hotel, you know. Like he also

1:14:51.520 --> 1:14:54.960
<v Speaker 1>definitely has a Prince Albert for sure. Yeah, oh for sure,

1:14:55.000 --> 1:14:58.600
<v Speaker 1>and in only fans that like rich I would. I

1:14:58.600 --> 1:15:00.759
<v Speaker 1>wouldn't subscribe to it, but I would. I would certainly

1:15:00.760 --> 1:15:03.600
<v Speaker 1>watch clips of it on Important Tube. I know you

1:15:03.680 --> 1:15:06.360
<v Speaker 1>and I are already working on like another um you know,

1:15:07.120 --> 1:15:10.360
<v Speaker 1>fairy Us adaptation thingy. But like, honestly, The Beauty and

1:15:10.400 --> 1:15:13.680
<v Speaker 1>the Beast is really good for an adaptation, like I think,

1:15:13.680 --> 1:15:18.240
<v Speaker 1>but so done to death. No it's not. It's only

1:15:18.280 --> 1:15:20.800
<v Speaker 1>been done by Disney, like no one knows what and

1:15:20.960 --> 1:15:25.400
<v Speaker 1>by Beastly. No one knows what Beastly is. People know

1:15:25.479 --> 1:15:28.559
<v Speaker 1>what beastly is. We'll see, We'll let the virgins speak

1:15:28.600 --> 1:15:32.000
<v Speaker 1>on that. There was also the Beautician and the Beast story,

1:15:34.040 --> 1:15:39.000
<v Speaker 1>which I've never seen why it was not good. I

1:15:39.040 --> 1:15:41.760
<v Speaker 1>don't remember literally anything about it, but I remember that

1:15:41.840 --> 1:15:44.559
<v Speaker 1>it's not good. Okay, well I think we should watch

1:15:44.600 --> 1:15:47.280
<v Speaker 1>it because honestly, it's fran Dresser and we don't have

1:15:47.360 --> 1:15:49.920
<v Speaker 1>enough friend Dresser content. Before she came out as an

1:15:49.920 --> 1:15:53.479
<v Speaker 1>anti vaccent she did come out as an anti vaxer.

1:15:53.560 --> 1:15:57.240
<v Speaker 1>That's so unfortunate, but like a really yes, she came

1:15:57.240 --> 1:15:59.080
<v Speaker 1>out as an anti vaccer, but like kind of a

1:15:59.160 --> 1:16:01.800
<v Speaker 1>really nice one because her whole thing is about like

1:16:01.840 --> 1:16:04.320
<v Speaker 1>can't she has like the cancer shmancer, She has the

1:16:04.320 --> 1:16:08.040
<v Speaker 1>Cancer Shmancer Organization, and like her primary concern is like

1:16:08.080 --> 1:16:10.439
<v Speaker 1>making sure people don't get cancer, and so she looks

1:16:10.479 --> 1:16:13.439
<v Speaker 1>at like, you know whatever. Anyways, well, no, it was

1:16:13.600 --> 1:16:17.839
<v Speaker 1>it's more about people. She was like celebrating that sets

1:16:17.960 --> 1:16:20.960
<v Speaker 1>because she's the sack after president, and she made a

1:16:21.040 --> 1:16:23.760
<v Speaker 1>video where she was like, yeah, now people don't have

1:16:23.840 --> 1:16:28.000
<v Speaker 1>to be vaccinated to work on film and TV sets. Yes, finally,

1:16:28.360 --> 1:16:34.200
<v Speaker 1>finally inclusion for us again, Inclusions, Inclusion iniversity and Disney

1:16:34.280 --> 1:16:38.920
<v Speaker 1>is so important. Okay, well, I'm so sorry to end

1:16:38.960 --> 1:16:41.800
<v Speaker 1>on on the fact that friend dresser I know and

1:16:41.840 --> 1:16:53.679
<v Speaker 1>they all lived happily ever after and unvaccinated. Slide into

1:16:53.680 --> 1:16:58.640
<v Speaker 1>our dms. Like Like a Virgin. Please rate us on Spotify,

1:16:58.680 --> 1:17:01.680
<v Speaker 1>review on Apple podcast Us. You can also follow us

1:17:01.680 --> 1:17:05.360
<v Speaker 1>at Like a Virgin. I'm your co host Rose Damn You.

1:17:05.360 --> 1:17:08.680
<v Speaker 1>You can follow me anywhere online at Rose Damn You,

1:17:09.080 --> 1:17:11.240
<v Speaker 1>and I'm Fran Toronto. You can find me at France,

1:17:11.280 --> 1:17:14.120
<v Speaker 1>Squish Coo anywhere you like. Leg a Virgin is the

1:17:14.200 --> 1:17:17.960
<v Speaker 1>I Heart Radio production. Our producer is Phoebe Owner, with

1:17:18.120 --> 1:17:22.320
<v Speaker 1>support from Lindsay Hoffman, Julian Weller, Jess Crane, Chitch and

1:17:22.400 --> 1:17:26.000
<v Speaker 1>Nikki Eatur. Until next week See Later Virgins Chow