WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2 0:00:01.400 --> 0:00:05.200 It's the Best Bits of the Week with Morgan. Number two. 0:00:06.440 --> 0:00:09.879 What's up, y'all? Happy weekend? It's the Best Bits podcast. 0:00:10.039 --> 0:00:12.920 I'm Morgan and this is just the Bits. If you 0:00:13.039 --> 0:00:15.280 listen to part one, I had Ray Mundo on with 0:00:15.320 --> 0:00:17.400 me and we talked about a lot of life, some 0:00:17.520 --> 0:00:20.200 fun food world stories. He's shooting his music video for 0:00:20.280 --> 0:00:22.759 Vacation Part two, so if you haven't listened to it, 0:00:22.840 --> 0:00:25.200 make sure you go listen to part one. Fun interview. 0:00:25.400 --> 0:00:27.200 Just give it a chance. If you've never listened to 0:00:27.200 --> 0:00:29.280 that before, I'm telling you the interviews with the cast 0:00:29.760 --> 0:00:32.160 are my favorite part of doing the Best Bits. Now 0:00:32.200 --> 0:00:33.960 we do just the Bits for anybody who wants to 0:00:33.960 --> 0:00:35.960 get caught up on the show or re listen to 0:00:35.960 --> 0:00:38.520 the bits that happened this week. So coming in hot, 0:00:38.520 --> 0:00:43.080 we got number seven. Everyone shared a musical obsession, somebody 0:00:43.120 --> 0:00:46.800 that they just can't stop listening to. Minus Teddy Swims, 0:00:47.040 --> 0:00:49.960 Eddie had been Rector, Bobby loved Jillian Jacqueline, We talked 0:00:49.960 --> 0:00:52.319 about him, all played some songs. So if you need 0:00:52.400 --> 0:00:55.360 some new additions to your playlist, this is the bit 0:00:55.400 --> 0:00:58.320 to listen to. Number seven. In the past twenty four hours, 0:00:58.320 --> 0:01:00.440 two different people in the show. I said, hey, I'm 0:01:00.480 --> 0:01:03.480 just obsessed with this certain artist, different artists, but Morgan 0:01:03.800 --> 0:01:06.640 yours is Teddy Swims. Yes, Like I can listen to 0:01:06.680 --> 0:01:08.760 every song he puts out and every time I'm just 0:01:08.840 --> 0:01:11.640 more amazed with his talent. Here is Teddy Swims with 0:01:11.800 --> 0:01:24.959 Megan Trainer. This is called bad for me. Teddy Swims 0:01:24.959 --> 0:01:28.240 interesting because he doesn't look like a polished pop star. No, 0:01:28.360 --> 0:01:30.440 he's kind of like a post malone but like of 0:01:30.520 --> 0:01:34.039 all genre, like Zach Bryan has that where he doesn't 0:01:34.080 --> 0:01:38.119 look like somebody that's been put in a record label 0:01:38.160 --> 0:01:40.720 machine and spit out. And you know, we listen to 0:01:40.720 --> 0:01:42.520 a lot of Zach Bryant at the house, but here 0:01:42.600 --> 0:01:47.360 is something in the orange from Zach Bryan just to me. 0:01:50.280 --> 0:01:51.520 I like, go when people don't look like what they're 0:01:51.520 --> 0:01:53.920 supposed to look like. When Luke Combs blew up people like, 0:01:54.440 --> 0:01:57.840 he doesn't look like the rest of what Nashville's putting 0:01:57.880 --> 0:02:00.240 out there, looks more like a normal person. So I 0:02:00.320 --> 0:02:02.960 like it when artists kind of blow up before a 0:02:03.040 --> 0:02:05.200 label can get a hold of them, because then labels 0:02:05.240 --> 0:02:07.520 can't really change him. I always like that Eddie White 0:02:07.600 --> 0:02:09.400 right now, what are you obsessed with Well, thanks to you. 0:02:09.480 --> 0:02:11.640 I'm on the Ben Rector train. I mean, dude, this 0:02:11.680 --> 0:02:13.760 whole new album that he has is so so good. 0:02:13.760 --> 0:02:15.480 I just listen to a NonStop. And then I was 0:02:15.520 --> 0:02:18.040 watching the All Star Game the other day and it 0:02:18.080 --> 0:02:20.840 was like Ben Rectors on everywhere. I feel like everywhere 0:02:20.840 --> 0:02:22.639 I go there's been Rectors. So I don't know even 0:02:22.680 --> 0:02:24.520 though he's there or no, no, they were playing his 0:02:24.600 --> 0:02:26.440 music like going to commercial break. I don't know if 0:02:26.440 --> 0:02:28.480 he's big or famous or what, but he's been in 0:02:28.520 --> 0:02:31.880 the studio and I feel like he's everywhere, grocery store, everywhere. 0:02:31.960 --> 0:02:37.080 This is steady law from Ben Rector gets tired of 0:02:40.840 --> 0:02:49.000 my God, find you some. He's played this song in 0:02:49.040 --> 0:02:52.440 here too. Yeah, it's not repeat. I was like, hey, 0:02:52.600 --> 0:02:54.400 play this one. He's got one song at the end 0:02:54.400 --> 0:02:56.080 of his album where he's thanks people, all of his 0:02:56.120 --> 0:02:58.480 friends stuff. I called him. I don't know if I 0:02:58.480 --> 0:02:59.960 said this on the here, but I was like, hey, man, 0:03:00.120 --> 0:03:01.320 you do that song where you think all your family 0:03:01.320 --> 0:03:04.280 and stuff at the very ends, because it's like twenty people. 0:03:04.320 --> 0:03:05.880 It's like a at the end of a book when 0:03:05.880 --> 0:03:07.280 you write all your thank you lines. You're like, hey, 0:03:07.280 --> 0:03:08.680 I want to think, but he does a whole song 0:03:08.680 --> 0:03:09.760 at the end he goes, how much want to thank 0:03:09.800 --> 0:03:11.519 people they help move this record? And he thought I 0:03:11.560 --> 0:03:14.160 was serious, so he started trying to remember all the 0:03:14.160 --> 0:03:15.840 people in order, and then I was like, dude, I'm 0:03:15.840 --> 0:03:18.840 totally playing no one's ever as that was like, oh good, 0:03:19.520 --> 0:03:23.079 So all right, Scuba Steve, who I think this is 0:03:23.120 --> 0:03:26.880 where this segment started? Is you constantly talking about Cody Johnson? Oh, 0:03:27.160 --> 0:03:29.560 Eddie told you that, Yes, that's where this started. So 0:03:29.600 --> 0:03:31.399 what's the deal here? I don't know. I just think 0:03:31.440 --> 0:03:33.959 I've always had a crush on Kenny Chesney as a 0:03:34.000 --> 0:03:35.920 country artist. Like when I say that, I mean like 0:03:35.960 --> 0:03:39.400 the music island vibe. I'm from Florida, originally lived in California, 0:03:39.480 --> 0:03:41.080 like that kind of style. But recently, man, I just 0:03:41.120 --> 0:03:43.520 love the heck out of Cody Johnson. There's something about 0:03:43.600 --> 0:03:46.000 his vocals, the way he sings. He has that old 0:03:46.000 --> 0:03:49.080 school country sound from the nineties. I just love till 0:03:49.120 --> 0:03:52.000 you can't anything he does. I'm all about it. So, Eddie, 0:03:52.000 --> 0:03:53.920 he's all the time Cody Johnson. Yes, And I think 0:03:53.960 --> 0:03:56.560 Cody's doing some like in town label thing. He's emailed 0:03:56.560 --> 0:03:59.320 me twice. Are you going? Do you want to go? Steve? Yeah? 0:03:59.440 --> 0:04:05.080 Cody john no Scuba? Are you going? Yeah? Are you 0:04:05.120 --> 0:04:08.640 gonna go? What's up? Yeah? No, no, no, are you going? 0:04:09.400 --> 0:04:11.040 It's during the week. I'll try, but I don't know 0:04:11.040 --> 0:04:12.600 if I can make it. Are you listening to more 0:04:12.640 --> 0:04:14.480 than just that song? You listened to all Cody Johnson 0:04:14.480 --> 0:04:16.040 all the time? A newer song because we're trying to 0:04:16.080 --> 0:04:17.840 book him for the show Human, I believe. I don't 0:04:17.880 --> 0:04:20.000 know if it's out yet, but he played that at 0:04:20.080 --> 0:04:23.000 iHeart Country Festival. That's maybe where I first heard it. Yeah, 0:04:23.000 --> 0:04:24.840 that's another really good song too. Is that where you 0:04:24.880 --> 0:04:26.440 fell in love? I think I fell in love and 0:04:26.440 --> 0:04:28.160 I saw him on stage with those thick calves just 0:04:28.279 --> 0:04:31.680 sing Yeah. I mean he is really good live, Like 0:04:31.760 --> 0:04:33.919 he's really really good. Like I mean, even for me 0:04:33.960 --> 0:04:36.400 to watch him live, I was like, yeah, he's like 0:04:37.200 --> 0:04:40.200 a really great singer. He's very powerful. Yeah, I'm not 0:04:40.240 --> 0:04:42.040 saying that he's of the guard. Suba keeps going to 0:04:42.120 --> 0:04:44.920 like the power though, you know, I always need the 0:04:45.000 --> 0:04:47.000 next Garth, and I feel like he could fill those shoes. 0:04:47.520 --> 0:04:50.240 I don't know there'll ever be another Garth because the 0:04:50.320 --> 0:04:52.880 times are different and that allow I think, if anything, 0:04:52.960 --> 0:04:56.159 Luke Combs is probably the closest thing that we have 0:04:56.360 --> 0:05:00.520 seen to a meteoric rise and pop charity and then 0:05:00.560 --> 0:05:03.119 also just staying there. But yeah, Cody Johnson is awesome. 0:05:03.120 --> 0:05:05.159 I agree with that. But I looked at just what 0:05:05.200 --> 0:05:07.640 I've been listening to a whole lot, Jilly and Jacqueline. 0:05:07.880 --> 0:05:13.239 Here you go, this is iconic from Jillian Jackeline Brok. 0:05:14.560 --> 0:05:16.480 I like my song sad, and I like him slow 0:05:16.520 --> 0:05:20.039 and sad, and she does a lot of slow, sad songs. 0:05:20.680 --> 0:05:22.880 And I will just set on an album anymore. You know, 0:05:22.920 --> 0:05:24.719 I'm not always searching for music like I used to, 0:05:25.040 --> 0:05:28.600 so right now this is the album. Here's Jillian Jacqueline compliment. 0:05:28.920 --> 0:05:32.760 I should say thank you. I should be glad we're talking. 0:05:35.320 --> 0:05:41.320 I should be counting every word with music. Now. I'm 0:05:41.360 --> 0:05:42.960 almost to the point of I just don't want to 0:05:43.000 --> 0:05:46.320 be bothered while listening to something meaning like TV shows 0:05:46.360 --> 0:05:47.720 when I go to sleep, I kind of already want 0:05:47.720 --> 0:05:49.039 to know it, so it doesn't I'm not trying to 0:05:49.040 --> 0:05:50.720 figure it out. I just want to listen to something 0:05:50.800 --> 0:05:53.440 I'm comfortable. I want to listen to stuff that I 0:05:53.480 --> 0:05:56.760 already know the words too, or I know how it's 0:05:56.760 --> 0:05:58.760 gonna make me feel. I'm not trying to experiment as 0:05:58.800 --> 0:06:01.080 much anymore. Prey, once in a while I'll get a 0:06:01.080 --> 0:06:03.200 wild here and I'll go traveling down that road and 0:06:03.200 --> 0:06:04.360 be like, all right, let me see what's good. And 0:06:04.360 --> 0:06:06.080 then I'm like nothing, and then I go back to 0:06:07.560 --> 0:06:10.240 what I already am good with and comfortable with. Um, Amy, 0:06:10.800 --> 0:06:14.719 Ingrid and Dress with Sam Hunt, wishful drinking. Maybe So 0:06:14.800 --> 0:06:17.159 this is a song a song? Oh yeah, just well? 0:06:17.200 --> 0:06:19.400 I mean I love Ingrid and Dress, but this is 0:06:19.520 --> 0:06:34.960 this is a song that Yes, I'm listening to Rikie much. 0:06:35.160 --> 0:06:39.680 You haven't seen Sam Hunt walking around lately? No? No, no, no, no, no, 0:06:39.800 --> 0:06:45.520 but no comment. I can't say anything. What do you 0:06:45.560 --> 0:06:51.080 mean you can't say anything. I've seen other people walking around. Huh. 0:06:52.120 --> 0:06:54.040 You asked me if I've seen Sam Hunt walking around? 0:06:54.080 --> 0:06:56.360 Like I said no, But you've seen other people walking 0:06:56.360 --> 0:07:00.520 around up like other famously, you've seen a lot, like 0:07:01.320 --> 0:07:05.000 have you seen that again? I'm seeing part of it? 0:07:07.279 --> 0:07:09.000 Oh my god. Okay, this is like Ray with the 0:07:09.160 --> 0:07:11.680 mlone when he's got a secret. Um, you know what 0:07:11.720 --> 0:07:16.000 I'm saying, Amy, I know what you're saying. Thank you, 0:07:15.640 --> 0:07:20.880 he has seen Sam's other half walking around? Yeah? Cool, Okay, 0:07:20.880 --> 0:07:22.840 then say I've seen Sam's wife walking around? It up, 0:07:23.080 --> 0:07:26.640 seen the baby? Okay. I don't know if I was 0:07:26.640 --> 0:07:28.280 allowed to say that I've seen the baby before. We 0:07:28.320 --> 0:07:29.920 know the baby exists, I know, but not a lot 0:07:29.960 --> 0:07:33.160 of people have seen the baby. Take it. Okay, yes, 0:07:33.920 --> 0:07:35.480 if you took a picture of the baby, I'm gonna 0:07:35.520 --> 0:07:38.360 be mad. Did you take a picture baby? No comment, 0:07:38.760 --> 0:07:40.840 You didn't take a picture of the baby. Let's just 0:07:40.880 --> 0:07:43.280 say that. No, no, no no, let's just say okay, we're 0:07:43.280 --> 0:07:45.920 out of here. Listen quick, yes, go ahead, go ahead, 0:07:46.120 --> 0:07:48.400 real quick. Let's just say that the baby was at 0:07:48.400 --> 0:07:51.680 a park. Okay, I'm done laying on a blanket. So 0:07:51.840 --> 0:07:54.120 our mayor took the kids for a walk and let 0:07:54.160 --> 0:07:57.240 it walk by the baby a couple times and try 0:07:57.280 --> 0:07:59.760 to start a conversation. Then you tried to start a 0:07:59.840 --> 0:08:03.680 conversation with the baby Hunts wife or the baby the wife, 0:08:03.800 --> 0:08:07.240 and that didn't work. No, no in the world did 0:08:07.240 --> 0:08:12.840 you say segment. I just was walking. I was like, oh, 0:08:12.920 --> 0:08:15.440 Sam Hunt's baby, let's go check it out. You said 0:08:15.480 --> 0:08:19.160 that's Sam huns baby. Let's go check it out to 0:08:19.200 --> 0:08:20.640 your kids or did you say it in your own head? 0:08:20.680 --> 0:08:22.720 In my head? Okay, go in my head. And so 0:08:23.240 --> 0:08:25.640 we went to the park and we saw the you know, 0:08:25.680 --> 0:08:28.120 the baby on the blanket, and I went by, Oh, 0:08:28.160 --> 0:08:29.920 how's it going there? You know you started one? At 0:08:29.960 --> 0:08:34.120 least listen. Okay, so you said it starts with one. 0:08:34.960 --> 0:08:36.640 You just say, I have all three of my kids 0:08:36.679 --> 0:08:39.200 with me, and they had starts with one. Yeah, you 0:08:39.240 --> 0:08:40.920 start with one, because they had the one. She had 0:08:40.920 --> 0:08:43.080 the one. What did you want her to do? Be like, oh, 0:08:43.120 --> 0:08:45.480 you know, it's exciting, that's crazy, you know, And then 0:08:45.559 --> 0:08:47.160 I don't know, we kind of go into it. But 0:08:47.360 --> 0:08:50.320 in going into it, there's like conversations like how's it, 0:08:50.520 --> 0:08:55.560 how's it going? How's it's the best bits of the 0:08:55.600 --> 0:09:00.160 week with Morgan Number two, it's a good time when Iver, 0:09:00.320 --> 0:09:02.640 Dan and Shay stop by the show. But not only 0:09:02.679 --> 0:09:05.520 did they stop by for an interview, they also played 0:09:05.559 --> 0:09:08.240 some of their big hits and gosh, they are just 0:09:08.280 --> 0:09:12.240 so talented, the best performers. I've loved them since the 0:09:12.320 --> 0:09:15.559 very beginning and they just keep getting better. So if 0:09:15.559 --> 0:09:17.600 you want to listen to the interview here, make sure 0:09:17.600 --> 0:09:19.960 you go and check out their performance at Bobby Bones 0:09:20.040 --> 0:09:22.559 dot com. I promise you'll have it on repeat all week. 0:09:22.600 --> 0:09:25.400 And long number six Dan, I'll start with you. I 0:09:25.520 --> 0:09:28.720 was looking at your Instagram and maybe your wife's Instagram both, 0:09:28.720 --> 0:09:31.000 and did you guys just celebrate a five years? Yeah? Man, 0:09:31.080 --> 0:09:34.359 that's awesome. Thank you dude. Yea, yeah, it's great. What's 0:09:34.400 --> 0:09:39.679 been you guys's secret of success? Just I would say, 0:09:39.840 --> 0:09:42.200 I don't know. Open communication. You know, like, if if 0:09:42.200 --> 0:09:44.200 there's something, if there's an issue, talk about it in 0:09:44.280 --> 0:09:47.000 real time. Don't let things fester up. I feel like 0:09:47.000 --> 0:09:48.840 you need to talk every day about things, you know, 0:09:48.960 --> 0:09:51.000 don't go to bed Matt if there's if there's an issue, 0:09:51.160 --> 0:09:53.280 if there's something, just talk about it, you know, say 0:09:53.320 --> 0:09:55.640 I love you as much as possible. But uh, you know, 0:09:55.679 --> 0:09:57.640 I feel like that's a that's a big part of it, 0:09:57.640 --> 0:09:59.880 because if you just harbor things and let things build 0:09:59.920 --> 0:10:02.240 up up instead of talking and being open about things. 0:10:02.400 --> 0:10:04.960 I feel like that's a that's with any relationship, you know, 0:10:05.000 --> 0:10:06.920 with Shaye and I are, with friends or whatever it 0:10:06.920 --> 0:10:09.959 may be. It's like something's going on, talk about it, 0:10:10.080 --> 0:10:12.840 be open about it, rather than like, you know, letting 0:10:12.880 --> 0:10:14.320 things build up and build up and then it's just 0:10:14.360 --> 0:10:16.559 a disaster. So yeah, it's been it's been awesome. We've 0:10:16.600 --> 0:10:18.800 got such a great relationship, Abbie and I, Shay and 0:10:18.800 --> 0:10:21.160 I have a great relationship. It's all good man. Yea. 0:10:22.240 --> 0:10:25.559 So two things. One, let's write that down. I think 0:10:25.559 --> 0:10:27.800 that's a song and we'll just sing it. Oh perfect, yeah, yeah, 0:10:27.920 --> 0:10:31.760 communication do we give him credit? Though I read to 0:10:31.840 --> 0:10:33.880 call it Fester. Don't let things fester, you know what 0:10:33.880 --> 0:10:35.480 I mean, make it a little weird, you know, but 0:10:35.520 --> 0:10:38.800 we could do don't let things fester. But it's also 0:10:38.840 --> 0:10:40.800 a sore, like we go to different ways and then 0:10:40.800 --> 0:10:43.040 it's Uncle Fester at the end. You've got three ways 0:10:43.040 --> 0:10:44.840 to do. That's Nashville. But you know the twist at 0:10:44.840 --> 0:10:46.320 the end. You play that at the Bluebird and people 0:10:46.360 --> 0:10:48.080 give you the standing and then all of a sudden, 0:10:48.080 --> 0:10:50.160 the actor from the Adams family Uncle Fester comes out, 0:10:50.160 --> 0:10:52.480 and I was like, hey, everybody, so I think that 0:10:52.480 --> 0:10:55.120 guy's still around. I don't actually should be a really 0:10:55.160 --> 0:10:59.520 weird yeah yeah, Shay, with you and your wife obviously 0:10:59.520 --> 0:11:02.600 having chill during as a whole new dynamic in a marriage, 0:11:02.679 --> 0:11:08.120 like how how do you keep a relationship solid between 0:11:08.120 --> 0:11:11.080 the two when you have two other younger ones. Yeah, 0:11:11.120 --> 0:11:14.400 I mean it's definitely an interesting dance because it's at 0:11:14.440 --> 0:11:17.200 the beginning you're just kind of holding on hoping that 0:11:17.280 --> 0:11:20.480 every you know, nothing goes too chaotic. But uh, and 0:11:20.600 --> 0:11:22.960 it's it creates this kind of special bond where you 0:11:23.000 --> 0:11:26.240 have these two amazing lives that you're trying to just 0:11:26.360 --> 0:11:28.000 keep alive. And for a while it was just kind 0:11:28.000 --> 0:11:29.360 of like, all right, we got to just kind of 0:11:29.400 --> 0:11:31.840 hold on. But like Dan said, I think open communication 0:11:31.880 --> 0:11:33.760 and making sure that I think the biggest thing for 0:11:33.840 --> 0:11:36.680 us is setting aside, you know, time for ourselves. Because 0:11:36.720 --> 0:11:39.520 as much as you want to every living, waking second 0:11:39.559 --> 0:11:41.840 spend with your kids, you do need to have those 0:11:41.880 --> 0:11:44.160 moments where you go away as parents so when you 0:11:44.200 --> 0:11:45.920 do come back here in a healthier place, because I 0:11:45.920 --> 0:11:48.400 think you can run yourself into the ground, you know, 0:11:48.440 --> 0:11:50.480 trying to be a great parent, but then you're exhausted 0:11:50.760 --> 0:11:53.240 and you're not really spending any quality time with your 0:11:53.320 --> 0:11:55.400 with your kids. So Hannah and I try to do 0:11:55.440 --> 0:11:57.959 like a once a week date night, and not that 0:11:58.040 --> 0:12:00.400 we always get to do that. Which to do that, 0:12:00.440 --> 0:12:02.000 I think it's important to set aside a little bit 0:12:02.000 --> 0:12:04.960 of time, and that usually kind of helps alleviate a 0:12:04.960 --> 0:12:06.880 lot of the stress, you know, throughout the week. I 0:12:06.880 --> 0:12:09.240 think for any relationship, I bet because on this show 0:12:09.240 --> 0:12:10.559 we have breaks where we just we have to get 0:12:10.559 --> 0:12:12.640 away from each other. We're together all the time. I 0:12:12.679 --> 0:12:15.520 assume with you guys, there are probably after you tour, 0:12:15.559 --> 0:12:17.560 when you're on the road and or you're recording, you're like, hey, 0:12:17.600 --> 0:12:19.200 we're just gonna take some time away to make sure 0:12:19.240 --> 0:12:21.640 we're healthy. You guys do that too, absolutely for sure. 0:12:21.800 --> 0:12:23.920 I feel like the national touring system is such a 0:12:23.920 --> 0:12:25.440 healthy way to do it. It's like, you know, you 0:12:25.480 --> 0:12:27.720 do three or four shows a weekend versus being gone 0:12:27.760 --> 0:12:29.640 for six months. You know when you go to Europe, 0:12:29.640 --> 0:12:31.440 when you go overseas, it's a little different. It's like 0:12:31.480 --> 0:12:33.360 we go out on a Thursday night, come back Sunday, 0:12:33.600 --> 0:12:35.120 spend a little time with the family. I'm out there 0:12:35.160 --> 0:12:37.120 mowing the grass, you know, doing the thing, and then 0:12:37.120 --> 0:12:39.000 it's like, before you know it, you're back on the road. 0:12:39.000 --> 0:12:41.360 I feel like those intermittent breaks like that keep it, 0:12:41.679 --> 0:12:45.040 keep it healthy. But yeah, it COVID was crazy where 0:12:45.080 --> 0:12:46.600 we didn't see each other for the longest time, and 0:12:46.600 --> 0:12:49.080 it was like, start going a little stir crazy. Are 0:12:49.080 --> 0:12:50.560 we still a band? Are we still doing this? And 0:12:50.600 --> 0:12:52.959 then we got back together and the first time we 0:12:53.080 --> 0:12:54.880 got back together we wrote, I should probably go to bed. 0:12:54.960 --> 0:12:57.559 So maybe that little break there was healthy. It's healthy, 0:12:57.600 --> 0:13:00.400 but we're enjoying the momentum right now. It's Dan and 0:13:00.440 --> 0:13:02.920 Shayer here. They have a new song that it's been 0:13:02.960 --> 0:13:05.280 on the record, but it's the new single, and Scoop 0:13:05.360 --> 0:13:06.959 was like, their new song you, and I'm like, already 0:13:07.040 --> 0:13:09.040 know that song. It ain't that. It ain't that. It's like, well, 0:13:09.080 --> 0:13:11.480 it's new because it's now they're single, And I was like, okay, 0:13:11.600 --> 0:13:13.920 and so we're gonna call it new because a lot 0:13:13.960 --> 0:13:15.800 of our audience probably hasn't heard it yet. Yeah, probably 0:13:15.800 --> 0:13:17.280 cause they don't invest in Danish like I do and 0:13:17.320 --> 0:13:20.280 listen to every song on the album every guy, yeah 0:13:20.320 --> 0:13:25.760 before the album comes out. So, uh, this song you? Uh? Dan, 0:13:25.840 --> 0:13:26.960 you wrote it with a couple of people that I 0:13:26.960 --> 0:13:29.480 really like, Who's Day Barnes love them and Jordan Reynolds. 0:13:29.480 --> 0:13:32.120 You've worked with a lot in the past. So when 0:13:32.120 --> 0:13:34.720 you go into a room and you you're writing this song, 0:13:34.800 --> 0:13:38.000 you like, what who spits out because you itself as 0:13:38.040 --> 0:13:39.760 a word, you know, not that new. There's a lot 0:13:39.800 --> 0:13:43.200 of songs called you. Yeah, right, search engine, you know. 0:13:43.280 --> 0:13:45.440 Kind of how this song started. I think the original 0:13:45.440 --> 0:13:47.680 hook was you and only You, which I think is cool, 0:13:47.760 --> 0:13:49.679 like you know something right down on the phone, it's like, hey, 0:13:49.760 --> 0:13:51.280 what about that title? And we threw that out and 0:13:51.280 --> 0:13:53.480 it was like, you know, we didn't reinvent the wheels, 0:13:53.559 --> 0:13:55.520 Dan and Jay. We do love songs. That's kind of 0:13:55.520 --> 0:13:57.520 all we do, you know. And uh, we've been fortunate 0:13:57.600 --> 0:13:58.960 enough to have a bunch of songs that have become 0:13:58.960 --> 0:14:01.600 people's wedding songs. Speechless from the ground up, that kind 0:14:01.640 --> 0:14:03.600 of thing, and that's just what works for us. That's 0:14:03.640 --> 0:14:05.320 kind of our lane. That's what we do. And and 0:14:05.400 --> 0:14:07.160 that hook, you and only You, is you know how 0:14:07.160 --> 0:14:08.920 it started. And it was like that's cool. And that 0:14:09.000 --> 0:14:11.120 became like a you know, the post chorus, you know, 0:14:11.200 --> 0:14:12.839 right after the chorus, and it was a it was 0:14:12.840 --> 0:14:13.920 a big part of the song, and it was like, 0:14:13.960 --> 0:14:15.720 we want to make this song about a moment, and 0:14:15.800 --> 0:14:17.920 the whole song I feel like it's just that moment 0:14:17.960 --> 0:14:20.160 you're standing there with somebody, you're dancing it's just the 0:14:20.160 --> 0:14:22.280 two of you, and I feel like this song is 0:14:22.320 --> 0:14:23.840 has kind of been that for us, and we're seeing 0:14:23.840 --> 0:14:26.240 that on social media. That's kind of why we decided 0:14:26.280 --> 0:14:27.640 to make this as single. You know, we put this 0:14:27.640 --> 0:14:30.240 song out and it's been a fan favorite since day one, 0:14:30.440 --> 0:14:33.360 and we decided to listen to our fans for once, 0:14:33.400 --> 0:14:35.000 you know, and here we are. One's all, you guys 0:14:35.000 --> 0:14:38.240 just listen to your fans. That's yeah. I love you guys. Well, 0:14:38.320 --> 0:14:41.160 my favorite two guys are here, and so Danna Shay 0:14:41.200 --> 0:14:45.160 is also Dadya Lunchbox as well. Yeah, yeah, you guys 0:14:45.160 --> 0:14:48.560 are also here, which is pretty cool. Um. So, you know, 0:14:48.680 --> 0:14:50.760 I just love so many of your songs, but I 0:14:50.760 --> 0:14:52.800 think they are a song from people when they go, oh, 0:14:52.880 --> 0:14:56.400 Dan and Shay, I love Tequila or I love but 0:14:56.440 --> 0:14:57.840 I was thinking about it, someone said, what are your 0:14:57.840 --> 0:15:00.960 favorite Dan and Shay songs? You know, from the ground 0:15:01.040 --> 0:15:04.160 up was like the first time that I felt like 0:15:04.560 --> 0:15:06.640 you guys weren't just going to be a success, but 0:15:06.720 --> 0:15:10.000 you guys were going to be a monster that people 0:15:10.080 --> 0:15:11.640 had to look out for. I don't know if you 0:15:11.640 --> 0:15:13.080 guys felt like that. Did you feel like that song 0:15:13.160 --> 0:15:15.440 was your first massive momentum song instead of just like 0:15:15.440 --> 0:15:17.400 a big song. I feel like that one was very 0:15:17.560 --> 0:15:19.520 special and it was also very you know, close to 0:15:19.520 --> 0:15:21.600 our hearts. It was very personal song, and I think 0:15:21.720 --> 0:15:24.080 just watching the reaction when we first kind of started 0:15:24.080 --> 0:15:25.800 playing that song, it was like, Okay, I think this 0:15:25.840 --> 0:15:28.160 is there's some real substance to this song. And it 0:15:28.200 --> 0:15:30.200 was the first one that I feel like we really 0:15:30.240 --> 0:15:32.680 started kind of seeing people, you know, drawn to not 0:15:32.720 --> 0:15:34.920 that you know, people didn't like songs like Nothing Like 0:15:34.960 --> 0:15:36.720 You or nineteen Year Made. I love those songs, but 0:15:36.840 --> 0:15:38.920 from the ground up was definitely a moment and it 0:15:38.960 --> 0:15:40.840 was like, Okay, I think that we're here to stay 0:15:40.880 --> 0:15:42.280 for a little while. Yeah. I feel like it was 0:15:42.320 --> 0:15:45.200 a tear changer for you guys, because as with the 0:15:45.280 --> 0:15:48.600 first album, you really can only achieve so much for 0:15:48.640 --> 0:15:50.680 people are like, let's see if they can do it again. Yeah, 0:15:50.720 --> 0:15:52.480 and then you guys did it again. And I don't know, 0:15:52.520 --> 0:15:54.200 I'm just trying to remember it was there like a 0:15:54.280 --> 0:15:56.360 video in a church or video in like an old 0:15:56.360 --> 0:15:59.120 building when you guys were releasing this song, and it 0:15:59.160 --> 0:16:01.080 was like we're listening to the cold. I don't know, 0:16:01.320 --> 0:16:02.720 but I just remember maybe I made it up on 0:16:02.760 --> 0:16:04.120 my I think it was when we were recording it 0:16:04.160 --> 0:16:06.080 at Oceanway. We did that, we cut strings there and 0:16:06.080 --> 0:16:07.560 as a whole deal. Maybe that's what it was. John 0:16:07.640 --> 0:16:10.080 Esposito that had our record label warn of Music Nashville. 0:16:10.240 --> 0:16:12.120 He did a whole thing. He flew everybody in. Everybody 0:16:12.160 --> 0:16:14.040 at the label felt like this song was so special, 0:16:14.240 --> 0:16:16.160 even though the demo is like the worst demo ever, 0:16:16.360 --> 0:16:18.920 so bad. But I don't know people saw through it. 0:16:18.960 --> 0:16:20.320 I think it was just the words, the feeling of 0:16:20.320 --> 0:16:22.640 the song, and he flew everybody in, and you guys 0:16:22.680 --> 0:16:24.640 know Spo. He gave the whole speech and set it 0:16:24.720 --> 0:16:26.920 up and it was amazing and everybody was inspired and 0:16:26.960 --> 0:16:29.200 we all knew it was a special song and you 0:16:29.240 --> 0:16:31.240 guys played the heck out of it so crazy. It's 0:16:31.240 --> 0:16:33.640 still a big one in our show from our group here, 0:16:33.640 --> 0:16:36.080 would you mind playing just a verse and a chorus 0:16:36.400 --> 0:16:46.040 of from the ground up? Gramm on Grandpa Paint at 0:16:46.040 --> 0:16:53.160 a pict sixty five. Yes, one little house, more than 0:16:53.360 --> 0:17:00.160 a man singing a dude, kiss you good night, I 0:17:00.600 --> 0:17:06.440 love you, mean you baby, will walk in a foot 0:17:06.440 --> 0:17:11.480 fish build our own family. One day, had a time 0:17:12.400 --> 0:17:18.119 tell little TOAs a pin and pink room. A beautiful 0:17:18.520 --> 0:17:27.120 baby looks just like you and will be this from 0:17:27.160 --> 0:17:33.920 the crown now to forever. It's all of me, all 0:17:34.040 --> 0:17:38.600 of you. Just take my hand and die beating man 0:17:39.200 --> 0:17:47.280 Dad ho bad, I being will be this look from 0:17:47.280 --> 0:17:53.040 the crown, the worst off a better hand. I will 0:17:53.119 --> 0:17:57.399 be all you need beside you out stand through the 0:17:57.560 --> 0:18:02.399 good and the bad, will give oh that we haven't 0:18:03.280 --> 0:18:17.080 this from the God. Here's a real question I need, 0:18:17.400 --> 0:18:19.679 like an honest answer. Do you guys still like to 0:18:19.720 --> 0:18:22.360 be told, hey, who you're really good? Because you are 0:18:22.440 --> 0:18:24.040 and obviously you know that, or you wouldn't be to 0:18:24.080 --> 0:18:26.399 this stage and you have so much success. But if 0:18:26.520 --> 0:18:29.120 we're like, wow, that was really good, do you like duh? 0:18:29.200 --> 0:18:32.159 Or like the absolute human you know feeling just to 0:18:32.280 --> 0:18:34.080 be never take it for granted, because I feel like 0:18:34.119 --> 0:18:36.120 there's you know, you do, especially the more you get 0:18:36.160 --> 0:18:37.600 into it, you know, the less and less we get 0:18:37.600 --> 0:18:40.199 to do things like this acoustic which first on, like 0:18:40.240 --> 0:18:43.160 when we first started, that was really what got people like, oh, 0:18:43.200 --> 0:18:45.199 these guys are like they can sit down and do 0:18:45.240 --> 0:18:47.520 this with an acoustic guitar, and anyone can kind of 0:18:47.680 --> 0:18:49.879