1 00:00:01,400 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan. Number two. 2 00:00:06,440 --> 00:00:09,879 Speaker 1: What's up, y'all? Happy weekend? It's the Best Bits podcast. 3 00:00:10,039 --> 00:00:12,920 Speaker 1: I'm Morgan and this is just the Bits. If you 4 00:00:13,039 --> 00:00:15,280 Speaker 1: listen to part one, I had Ray Mundo on with 5 00:00:15,320 --> 00:00:17,400 Speaker 1: me and we talked about a lot of life, some 6 00:00:17,520 --> 00:00:20,200 Speaker 1: fun food world stories. He's shooting his music video for 7 00:00:20,280 --> 00:00:22,759 Speaker 1: Vacation Part two, so if you haven't listened to it, 8 00:00:22,840 --> 00:00:25,200 Speaker 1: make sure you go listen to part one. Fun interview. 9 00:00:25,400 --> 00:00:27,200 Speaker 1: Just give it a chance. If you've never listened to 10 00:00:27,200 --> 00:00:29,280 Speaker 1: that before, I'm telling you the interviews with the cast 11 00:00:29,760 --> 00:00:32,160 Speaker 1: are my favorite part of doing the Best Bits. Now 12 00:00:32,200 --> 00:00:33,960 Speaker 1: we do just the Bits for anybody who wants to 13 00:00:33,960 --> 00:00:35,960 Speaker 1: get caught up on the show or re listen to 14 00:00:35,960 --> 00:00:38,520 Speaker 1: the bits that happened this week. So coming in hot, 15 00:00:38,520 --> 00:00:43,080 Speaker 1: we got number seven. Everyone shared a musical obsession, somebody 16 00:00:43,120 --> 00:00:46,800 Speaker 1: that they just can't stop listening to. Minus Teddy Swims, 17 00:00:47,040 --> 00:00:49,960 Speaker 1: Eddie had been Rector, Bobby loved Jillian Jacqueline, We talked 18 00:00:49,960 --> 00:00:52,319 Speaker 1: about him, all played some songs. So if you need 19 00:00:52,400 --> 00:00:55,360 Speaker 1: some new additions to your playlist, this is the bit 20 00:00:55,400 --> 00:00:58,320 Speaker 1: to listen to. Number seven. In the past twenty four hours, 21 00:00:58,320 --> 00:01:00,440 Speaker 1: two different people in the show. I said, hey, I'm 22 00:01:00,480 --> 00:01:03,480 Speaker 1: just obsessed with this certain artist, different artists, but Morgan 23 00:01:03,800 --> 00:01:06,640 Speaker 1: yours is Teddy Swims. Yes, Like I can listen to 24 00:01:06,680 --> 00:01:08,760 Speaker 1: every song he puts out and every time I'm just 25 00:01:08,840 --> 00:01:11,640 Speaker 1: more amazed with his talent. Here is Teddy Swims with 26 00:01:11,800 --> 00:01:24,959 Speaker 1: Megan Trainer. This is called bad for me. Teddy Swims 27 00:01:24,959 --> 00:01:28,240 Speaker 1: interesting because he doesn't look like a polished pop star. No, 28 00:01:28,360 --> 00:01:30,440 Speaker 1: he's kind of like a post malone but like of 29 00:01:30,520 --> 00:01:34,039 Speaker 1: all genre, like Zach Bryan has that where he doesn't 30 00:01:34,080 --> 00:01:38,119 Speaker 1: look like somebody that's been put in a record label 31 00:01:38,160 --> 00:01:40,720 Speaker 1: machine and spit out. And you know, we listen to 32 00:01:40,720 --> 00:01:42,520 Speaker 1: a lot of Zach Bryant at the house, but here 33 00:01:42,600 --> 00:01:47,360 Speaker 1: is something in the orange from Zach Bryan just to me. 34 00:01:50,280 --> 00:01:51,520 Speaker 1: I like, go when people don't look like what they're 35 00:01:51,520 --> 00:01:53,920 Speaker 1: supposed to look like. When Luke Combs blew up people like, 36 00:01:54,440 --> 00:01:57,840 Speaker 1: he doesn't look like the rest of what Nashville's putting 37 00:01:57,880 --> 00:02:00,240 Speaker 1: out there, looks more like a normal person. So I 38 00:02:00,320 --> 00:02:02,960 Speaker 1: like it when artists kind of blow up before a 39 00:02:03,040 --> 00:02:05,200 Speaker 1: label can get a hold of them, because then labels 40 00:02:05,240 --> 00:02:07,520 Speaker 1: can't really change him. I always like that Eddie White 41 00:02:07,600 --> 00:02:09,400 Speaker 1: right now, what are you obsessed with Well, thanks to you. 42 00:02:09,480 --> 00:02:11,640 Speaker 1: I'm on the Ben Rector train. I mean, dude, this 43 00:02:11,680 --> 00:02:13,760 Speaker 1: whole new album that he has is so so good. 44 00:02:13,760 --> 00:02:15,480 Speaker 1: I just listen to a NonStop. And then I was 45 00:02:15,520 --> 00:02:18,040 Speaker 1: watching the All Star Game the other day and it 46 00:02:18,080 --> 00:02:20,840 Speaker 1: was like Ben Rectors on everywhere. I feel like everywhere 47 00:02:20,840 --> 00:02:22,639 Speaker 1: I go there's been Rectors. So I don't know even 48 00:02:22,680 --> 00:02:24,520 Speaker 1: though he's there or no, no, they were playing his 49 00:02:24,600 --> 00:02:26,440 Speaker 1: music like going to commercial break. I don't know if 50 00:02:26,440 --> 00:02:28,480 Speaker 1: he's big or famous or what, but he's been in 51 00:02:28,520 --> 00:02:31,880 Speaker 1: the studio and I feel like he's everywhere, grocery store, everywhere. 52 00:02:31,960 --> 00:02:37,080 Speaker 1: This is steady law from Ben Rector gets tired of 53 00:02:40,840 --> 00:02:49,000 Speaker 1: my God, find you some. He's played this song in 54 00:02:49,040 --> 00:02:52,440 Speaker 1: here too. Yeah, it's not repeat. I was like, hey, 55 00:02:52,600 --> 00:02:54,400 Speaker 1: play this one. He's got one song at the end 56 00:02:54,400 --> 00:02:56,080 Speaker 1: of his album where he's thanks people, all of his 57 00:02:56,120 --> 00:02:58,480 Speaker 1: friends stuff. I called him. I don't know if I 58 00:02:58,480 --> 00:02:59,960 Speaker 1: said this on the here, but I was like, hey, man, 59 00:03:00,120 --> 00:03:01,320 Speaker 1: you do that song where you think all your family 60 00:03:01,320 --> 00:03:04,280 Speaker 1: and stuff at the very ends, because it's like twenty people. 61 00:03:04,320 --> 00:03:05,880 Speaker 1: It's like a at the end of a book when 62 00:03:05,880 --> 00:03:07,280 Speaker 1: you write all your thank you lines. You're like, hey, 63 00:03:07,280 --> 00:03:08,680 Speaker 1: I want to think, but he does a whole song 64 00:03:08,680 --> 00:03:09,760 Speaker 1: at the end he goes, how much want to thank 65 00:03:09,800 --> 00:03:11,519 Speaker 1: people they help move this record? And he thought I 66 00:03:11,560 --> 00:03:14,160 Speaker 1: was serious, so he started trying to remember all the 67 00:03:14,160 --> 00:03:15,840 Speaker 1: people in order, and then I was like, dude, I'm 68 00:03:15,840 --> 00:03:18,840 Speaker 1: totally playing no one's ever as that was like, oh good, 69 00:03:19,520 --> 00:03:23,079 Speaker 1: So all right, Scuba Steve, who I think this is 70 00:03:23,120 --> 00:03:26,880 Speaker 1: where this segment started? Is you constantly talking about Cody Johnson? Oh, 71 00:03:27,160 --> 00:03:29,560 Speaker 1: Eddie told you that, Yes, that's where this started. So 72 00:03:29,600 --> 00:03:31,399 Speaker 1: what's the deal here? I don't know. I just think 73 00:03:31,440 --> 00:03:33,959 Speaker 1: I've always had a crush on Kenny Chesney as a 74 00:03:34,000 --> 00:03:35,920 Speaker 1: country artist. Like when I say that, I mean like 75 00:03:35,960 --> 00:03:39,400 Speaker 1: the music island vibe. I'm from Florida, originally lived in California, 76 00:03:39,480 --> 00:03:41,080 Speaker 1: like that kind of style. But recently, man, I just 77 00:03:41,120 --> 00:03:43,520 Speaker 1: love the heck out of Cody Johnson. There's something about 78 00:03:43,600 --> 00:03:46,000 Speaker 1: his vocals, the way he sings. He has that old 79 00:03:46,000 --> 00:03:49,080 Speaker 1: school country sound from the nineties. I just love till 80 00:03:49,120 --> 00:03:52,000 Speaker 1: you can't anything he does. I'm all about it. So, Eddie, 81 00:03:52,000 --> 00:03:53,920 Speaker 1: he's all the time Cody Johnson. Yes, And I think 82 00:03:53,960 --> 00:03:56,560 Speaker 1: Cody's doing some like in town label thing. He's emailed 83 00:03:56,560 --> 00:03:59,320 Speaker 1: me twice. Are you going? Do you want to go? Steve? Yeah? 84 00:03:59,440 --> 00:04:05,080 Speaker 1: Cody john no Scuba? Are you going? Yeah? Are you 85 00:04:05,120 --> 00:04:08,640 Speaker 1: gonna go? What's up? Yeah? No, no, no, are you going? 86 00:04:09,400 --> 00:04:11,040 Speaker 1: It's during the week. I'll try, but I don't know 87 00:04:11,040 --> 00:04:12,600 Speaker 1: if I can make it. Are you listening to more 88 00:04:12,640 --> 00:04:14,480 Speaker 1: than just that song? You listened to all Cody Johnson 89 00:04:14,480 --> 00:04:16,040 Speaker 1: all the time? A newer song because we're trying to 90 00:04:16,080 --> 00:04:17,840 Speaker 1: book him for the show Human, I believe. I don't 91 00:04:17,880 --> 00:04:20,000 Speaker 1: know if it's out yet, but he played that at 92 00:04:20,080 --> 00:04:23,000 Speaker 1: iHeart Country Festival. That's maybe where I first heard it. Yeah, 93 00:04:23,000 --> 00:04:24,840 Speaker 1: that's another really good song too. Is that where you 94 00:04:24,880 --> 00:04:26,440 Speaker 1: fell in love? I think I fell in love and 95 00:04:26,440 --> 00:04:28,160 Speaker 1: I saw him on stage with those thick calves just 96 00:04:28,279 --> 00:04:31,680 Speaker 1: sing Yeah. I mean he is really good live, Like 97 00:04:31,760 --> 00:04:33,919 Speaker 1: he's really really good. Like I mean, even for me 98 00:04:33,960 --> 00:04:36,400 Speaker 1: to watch him live, I was like, yeah, he's like 99 00:04:37,200 --> 00:04:40,200 Speaker 1: a really great singer. He's very powerful. Yeah, I'm not 100 00:04:40,240 --> 00:04:42,040 Speaker 1: saying that he's of the guard. Suba keeps going to 101 00:04:42,120 --> 00:04:44,920 Speaker 1: like the power though, you know, I always need the 102 00:04:45,000 --> 00:04:47,000 Speaker 1: next Garth, and I feel like he could fill those shoes. 103 00:04:47,520 --> 00:04:50,240 Speaker 1: I don't know there'll ever be another Garth because the 104 00:04:50,320 --> 00:04:52,880 Speaker 1: times are different and that allow I think, if anything, 105 00:04:52,960 --> 00:04:56,159 Speaker 1: Luke Combs is probably the closest thing that we have 106 00:04:56,360 --> 00:05:00,520 Speaker 1: seen to a meteoric rise and pop charity and then 107 00:05:00,560 --> 00:05:03,119 Speaker 1: also just staying there. But yeah, Cody Johnson is awesome. 108 00:05:03,120 --> 00:05:05,159 Speaker 1: I agree with that. But I looked at just what 109 00:05:05,200 --> 00:05:07,640 Speaker 1: I've been listening to a whole lot, Jilly and Jacqueline. 110 00:05:07,880 --> 00:05:13,239 Speaker 1: Here you go, this is iconic from Jillian Jackeline Brok. 111 00:05:14,560 --> 00:05:16,480 Speaker 1: I like my song sad, and I like him slow 112 00:05:16,520 --> 00:05:20,039 Speaker 1: and sad, and she does a lot of slow, sad songs. 113 00:05:20,680 --> 00:05:22,880 Speaker 1: And I will just set on an album anymore. You know, 114 00:05:22,920 --> 00:05:24,719 Speaker 1: I'm not always searching for music like I used to, 115 00:05:25,040 --> 00:05:28,600 Speaker 1: so right now this is the album. Here's Jillian Jacqueline compliment. 116 00:05:28,920 --> 00:05:32,760 Speaker 1: I should say thank you. I should be glad we're talking. 117 00:05:35,320 --> 00:05:41,320 Speaker 1: I should be counting every word with music. Now. I'm 118 00:05:41,360 --> 00:05:42,960 Speaker 1: almost to the point of I just don't want to 119 00:05:43,000 --> 00:05:46,320 Speaker 1: be bothered while listening to something meaning like TV shows 120 00:05:46,360 --> 00:05:47,720 Speaker 1: when I go to sleep, I kind of already want 121 00:05:47,720 --> 00:05:49,039 Speaker 1: to know it, so it doesn't I'm not trying to 122 00:05:49,040 --> 00:05:50,720 Speaker 1: figure it out. I just want to listen to something 123 00:05:50,800 --> 00:05:53,440 Speaker 1: I'm comfortable. I want to listen to stuff that I 124 00:05:53,480 --> 00:05:56,760 Speaker 1: already know the words too, or I know how it's 125 00:05:56,760 --> 00:05:58,760 Speaker 1: gonna make me feel. I'm not trying to experiment as 126 00:05:58,800 --> 00:06:01,080 Speaker 1: much anymore. Prey, once in a while I'll get a 127 00:06:01,080 --> 00:06:03,200 Speaker 1: wild here and I'll go traveling down that road and 128 00:06:03,200 --> 00:06:04,360 Speaker 1: be like, all right, let me see what's good. And 129 00:06:04,360 --> 00:06:06,080 Speaker 1: then I'm like nothing, and then I go back to 130 00:06:07,560 --> 00:06:10,240 Speaker 1: what I already am good with and comfortable with. Um, Amy, 131 00:06:10,800 --> 00:06:14,719 Speaker 1: Ingrid and Dress with Sam Hunt, wishful drinking. Maybe So 132 00:06:14,800 --> 00:06:17,159 Speaker 1: this is a song a song? Oh yeah, just well? 133 00:06:17,200 --> 00:06:19,400 Speaker 1: I mean I love Ingrid and Dress, but this is 134 00:06:19,520 --> 00:06:34,960 Speaker 1: this is a song that Yes, I'm listening to Rikie much. 135 00:06:35,160 --> 00:06:39,680 Speaker 1: You haven't seen Sam Hunt walking around lately? No? No, no, no, no, no, 136 00:06:39,800 --> 00:06:45,520 Speaker 1: but no comment. I can't say anything. What do you 137 00:06:45,560 --> 00:06:51,080 Speaker 1: mean you can't say anything. I've seen other people walking around. Huh. 138 00:06:52,120 --> 00:06:54,040 Speaker 1: You asked me if I've seen Sam Hunt walking around? 139 00:06:54,080 --> 00:06:56,360 Speaker 1: Like I said no, But you've seen other people walking 140 00:06:56,360 --> 00:07:00,520 Speaker 1: around up like other famously, you've seen a lot, like 141 00:07:01,320 --> 00:07:05,000 Speaker 1: have you seen that again? I'm seeing part of it? 142 00:07:07,279 --> 00:07:09,000 Speaker 1: Oh my god. Okay, this is like Ray with the 143 00:07:09,160 --> 00:07:11,680 Speaker 1: mlone when he's got a secret. Um, you know what 144 00:07:11,720 --> 00:07:16,000 Speaker 1: I'm saying, Amy, I know what you're saying. Thank you, 145 00:07:15,640 --> 00:07:20,880 Speaker 1: he has seen Sam's other half walking around? Yeah? Cool, Okay, 146 00:07:20,880 --> 00:07:22,840 Speaker 1: then say I've seen Sam's wife walking around? It up, 147 00:07:23,080 --> 00:07:26,640 Speaker 1: seen the baby? Okay. I don't know if I was 148 00:07:26,640 --> 00:07:28,280 Speaker 1: allowed to say that I've seen the baby before. We 149 00:07:28,320 --> 00:07:29,920 Speaker 1: know the baby exists, I know, but not a lot 150 00:07:29,960 --> 00:07:33,160 Speaker 1: of people have seen the baby. Take it. Okay, yes, 151 00:07:33,920 --> 00:07:35,480 Speaker 1: if you took a picture of the baby, I'm gonna 152 00:07:35,520 --> 00:07:38,360 Speaker 1: be mad. Did you take a picture baby? No comment, 153 00:07:38,760 --> 00:07:40,840 Speaker 1: You didn't take a picture of the baby. Let's just 154 00:07:40,880 --> 00:07:43,280 Speaker 1: say that. No, no, no no, let's just say okay, we're 155 00:07:43,280 --> 00:07:45,920 Speaker 1: out of here. Listen quick, yes, go ahead, go ahead, 156 00:07:46,120 --> 00:07:48,400 Speaker 1: real quick. Let's just say that the baby was at 157 00:07:48,400 --> 00:07:51,680 Speaker 1: a park. Okay, I'm done laying on a blanket. So 158 00:07:51,840 --> 00:07:54,120 Speaker 1: our mayor took the kids for a walk and let 159 00:07:54,160 --> 00:07:57,240 Speaker 1: it walk by the baby a couple times and try 160 00:07:57,280 --> 00:07:59,760 Speaker 1: to start a conversation. Then you tried to start a 161 00:07:59,840 --> 00:08:03,680 Speaker 1: conversation with the baby Hunts wife or the baby the wife, 162 00:08:03,800 --> 00:08:07,240 Speaker 1: and that didn't work. No, no in the world did 163 00:08:07,240 --> 00:08:12,840 Speaker 1: you say segment. I just was walking. I was like, oh, 164 00:08:12,920 --> 00:08:15,440 Speaker 1: Sam Hunt's baby, let's go check it out. You said 165 00:08:15,480 --> 00:08:19,160 Speaker 1: that's Sam huns baby. Let's go check it out to 166 00:08:19,200 --> 00:08:20,640 Speaker 1: your kids or did you say it in your own head? 167 00:08:20,680 --> 00:08:22,720 Speaker 1: In my head? Okay, go in my head. And so 168 00:08:23,240 --> 00:08:25,640 Speaker 1: we went to the park and we saw the you know, 169 00:08:25,680 --> 00:08:28,120 Speaker 1: the baby on the blanket, and I went by, Oh, 170 00:08:28,160 --> 00:08:29,920 Speaker 1: how's it going there? You know you started one? At 171 00:08:29,960 --> 00:08:34,120 Speaker 1: least listen. Okay, so you said it starts with one. 172 00:08:34,960 --> 00:08:36,640 Speaker 1: You just say, I have all three of my kids 173 00:08:36,679 --> 00:08:39,200 Speaker 1: with me, and they had starts with one. Yeah, you 174 00:08:39,240 --> 00:08:40,920 Speaker 1: start with one, because they had the one. She had 175 00:08:40,920 --> 00:08:43,080 Speaker 1: the one. What did you want her to do? Be like, oh, 176 00:08:43,120 --> 00:08:45,480 Speaker 1: you know, it's exciting, that's crazy, you know, And then 177 00:08:45,559 --> 00:08:47,160 Speaker 1: I don't know, we kind of go into it. But 178 00:08:47,360 --> 00:08:50,320 Speaker 1: in going into it, there's like conversations like how's it, 179 00:08:50,520 --> 00:08:55,560 Speaker 1: how's it going? How's it's the best bits of the 180 00:08:55,600 --> 00:09:00,160 Speaker 1: week with Morgan Number two, it's a good time when Iver, 181 00:09:00,320 --> 00:09:02,640 Speaker 1: Dan and Shay stop by the show. But not only 182 00:09:02,679 --> 00:09:05,520 Speaker 1: did they stop by for an interview, they also played 183 00:09:05,559 --> 00:09:08,240 Speaker 1: some of their big hits and gosh, they are just 184 00:09:08,280 --> 00:09:12,240 Speaker 1: so talented, the best performers. I've loved them since the 185 00:09:12,320 --> 00:09:15,559 Speaker 1: very beginning and they just keep getting better. So if 186 00:09:15,559 --> 00:09:17,600 Speaker 1: you want to listen to the interview here, make sure 187 00:09:17,600 --> 00:09:19,960 Speaker 1: you go and check out their performance at Bobby Bones 188 00:09:20,040 --> 00:09:22,559 Speaker 1: dot com. I promise you'll have it on repeat all week. 189 00:09:22,600 --> 00:09:25,400 Speaker 1: And long number six Dan, I'll start with you. I 190 00:09:25,520 --> 00:09:28,720 Speaker 1: was looking at your Instagram and maybe your wife's Instagram both, 191 00:09:28,720 --> 00:09:31,000 Speaker 1: and did you guys just celebrate a five years? Yeah? Man, 192 00:09:31,080 --> 00:09:34,359 Speaker 1: that's awesome. Thank you dude. Yea, yeah, it's great. What's 193 00:09:34,400 --> 00:09:39,679 Speaker 1: been you guys's secret of success? Just I would say, 194 00:09:39,840 --> 00:09:42,200 Speaker 1: I don't know. Open communication. You know, like, if if 195 00:09:42,200 --> 00:09:44,200 Speaker 1: there's something, if there's an issue, talk about it in 196 00:09:44,280 --> 00:09:47,000 Speaker 1: real time. Don't let things fester up. I feel like 197 00:09:47,000 --> 00:09:48,840 Speaker 1: you need to talk every day about things, you know, 198 00:09:48,960 --> 00:09:51,000 Speaker 1: don't go to bed Matt if there's if there's an issue, 199 00:09:51,160 --> 00:09:53,280 Speaker 1: if there's something, just talk about it, you know, say 200 00:09:53,320 --> 00:09:55,640 Speaker 1: I love you as much as possible. But uh, you know, 201 00:09:55,679 --> 00:09:57,640 Speaker 1: I feel like that's a that's a big part of it, 202 00:09:57,640 --> 00:09:59,880 Speaker 1: because if you just harbor things and let things build 203 00:09:59,920 --> 00:10:02,240 Speaker 1: up up instead of talking and being open about things. 204 00:10:02,400 --> 00:10:04,960 Speaker 1: I feel like that's a that's with any relationship, you know, 205 00:10:05,000 --> 00:10:06,920 Speaker 1: with Shaye and I are, with friends or whatever it 206 00:10:06,920 --> 00:10:09,959 Speaker 1: may be. It's like something's going on, talk about it, 207 00:10:10,080 --> 00:10:12,840 Speaker 1: be open about it, rather than like, you know, letting 208 00:10:12,880 --> 00:10:14,320 Speaker 1: things build up and build up and then it's just 209 00:10:14,360 --> 00:10:16,559 Speaker 1: a disaster. So yeah, it's been it's been awesome. We've 210 00:10:16,600 --> 00:10:18,800 Speaker 1: got such a great relationship, Abbie and I, Shay and 211 00:10:18,800 --> 00:10:21,160 Speaker 1: I have a great relationship. It's all good man. Yea. 212 00:10:22,240 --> 00:10:25,559 Speaker 1: So two things. One, let's write that down. I think 213 00:10:25,559 --> 00:10:27,800 Speaker 1: that's a song and we'll just sing it. Oh perfect, yeah, yeah, 214 00:10:27,920 --> 00:10:31,760 Speaker 1: communication do we give him credit? Though I read to 215 00:10:31,840 --> 00:10:33,880 Speaker 1: call it Fester. Don't let things fester, you know what 216 00:10:33,880 --> 00:10:35,480 Speaker 1: I mean, make it a little weird, you know, but 217 00:10:35,520 --> 00:10:38,800 Speaker 1: we could do don't let things fester. But it's also 218 00:10:38,840 --> 00:10:40,800 Speaker 1: a sore, like we go to different ways and then 219 00:10:40,800 --> 00:10:43,040 Speaker 1: it's Uncle Fester at the end. You've got three ways 220 00:10:43,040 --> 00:10:44,840 Speaker 1: to do. That's Nashville. But you know the twist at 221 00:10:44,840 --> 00:10:46,320 Speaker 1: the end. You play that at the Bluebird and people 222 00:10:46,360 --> 00:10:48,080 Speaker 1: give you the standing and then all of a sudden, 223 00:10:48,080 --> 00:10:50,160 Speaker 1: the actor from the Adams family Uncle Fester comes out, 224 00:10:50,160 --> 00:10:52,480 Speaker 1: and I was like, hey, everybody, so I think that 225 00:10:52,480 --> 00:10:55,120 Speaker 1: guy's still around. I don't actually should be a really 226 00:10:55,160 --> 00:10:59,520 Speaker 1: weird yeah yeah, Shay, with you and your wife obviously 227 00:10:59,520 --> 00:11:02,600 Speaker 1: having chill during as a whole new dynamic in a marriage, 228 00:11:02,679 --> 00:11:08,120 Speaker 1: like how how do you keep a relationship solid between 229 00:11:08,120 --> 00:11:11,080 Speaker 1: the two when you have two other younger ones. Yeah, 230 00:11:11,120 --> 00:11:14,400 Speaker 1: I mean it's definitely an interesting dance because it's at 231 00:11:14,440 --> 00:11:17,200 Speaker 1: the beginning you're just kind of holding on hoping that 232 00:11:17,280 --> 00:11:20,480 Speaker 1: every you know, nothing goes too chaotic. But uh, and 233 00:11:20,600 --> 00:11:22,960 Speaker 1: it's it creates this kind of special bond where you 234 00:11:23,000 --> 00:11:26,240 Speaker 1: have these two amazing lives that you're trying to just 235 00:11:26,360 --> 00:11:28,000 Speaker 1: keep alive. And for a while it was just kind 236 00:11:28,000 --> 00:11:29,360 Speaker 1: of like, all right, we got to just kind of 237 00:11:29,400 --> 00:11:31,840 Speaker 1: hold on. But like Dan said, I think open communication 238 00:11:31,880 --> 00:11:33,760 Speaker 1: and making sure that I think the biggest thing for 239 00:11:33,840 --> 00:11:36,680 Speaker 1: us is setting aside, you know, time for ourselves. Because 240 00:11:36,720 --> 00:11:39,520 Speaker 1: as much as you want to every living, waking second 241 00:11:39,559 --> 00:11:41,840 Speaker 1: spend with your kids, you do need to have those 242 00:11:41,880 --> 00:11:44,160 Speaker 1: moments where you go away as parents so when you 243 00:11:44,200 --> 00:11:45,920 Speaker 1: do come back here in a healthier place, because I 244 00:11:45,920 --> 00:11:48,400 Speaker 1: think you can run yourself into the ground, you know, 245 00:11:48,440 --> 00:11:50,480 Speaker 1: trying to be a great parent, but then you're exhausted 246 00:11:50,760 --> 00:11:53,240 Speaker 1: and you're not really spending any quality time with your 247 00:11:53,320 --> 00:11:55,400 Speaker 1: with your kids. So Hannah and I try to do 248 00:11:55,440 --> 00:11:57,959 Speaker 1: like a once a week date night, and not that 249 00:11:58,040 --> 00:12:00,400 Speaker 1: we always get to do that. Which to do that, 250 00:12:00,440 --> 00:12:02,000 Speaker 1: I think it's important to set aside a little bit 251 00:12:02,000 --> 00:12:04,960 Speaker 1: of time, and that usually kind of helps alleviate a 252 00:12:04,960 --> 00:12:06,880 Speaker 1: lot of the stress, you know, throughout the week. I 253 00:12:06,880 --> 00:12:09,240 Speaker 1: think for any relationship, I bet because on this show 254 00:12:09,240 --> 00:12:10,559 Speaker 1: we have breaks where we just we have to get 255 00:12:10,559 --> 00:12:12,640 Speaker 1: away from each other. We're together all the time. I 256 00:12:12,679 --> 00:12:15,520 Speaker 1: assume with you guys, there are probably after you tour, 257 00:12:15,559 --> 00:12:17,560 Speaker 1: when you're on the road and or you're recording, you're like, hey, 258 00:12:17,600 --> 00:12:19,200 Speaker 1: we're just gonna take some time away to make sure 259 00:12:19,240 --> 00:12:21,640 Speaker 1: we're healthy. You guys do that too, absolutely for sure. 260 00:12:21,800 --> 00:12:23,920 Speaker 1: I feel like the national touring system is such a 261 00:12:23,920 --> 00:12:25,440 Speaker 1: healthy way to do it. It's like, you know, you 262 00:12:25,480 --> 00:12:27,720 Speaker 1: do three or four shows a weekend versus being gone 263 00:12:27,760 --> 00:12:29,640 Speaker 1: for six months. You know when you go to Europe, 264 00:12:29,640 --> 00:12:31,440 Speaker 1: when you go overseas, it's a little different. It's like 265 00:12:31,480 --> 00:12:33,360 Speaker 1: we go out on a Thursday night, come back Sunday, 266 00:12:33,600 --> 00:12:35,120 Speaker 1: spend a little time with the family. I'm out there 267 00:12:35,160 --> 00:12:37,120 Speaker 1: mowing the grass, you know, doing the thing, and then 268 00:12:37,120 --> 00:12:39,000 Speaker 1: it's like, before you know it, you're back on the road. 269 00:12:39,000 --> 00:12:41,360 Speaker 1: I feel like those intermittent breaks like that keep it, 270 00:12:41,679 --> 00:12:45,040 Speaker 1: keep it healthy. But yeah, it COVID was crazy where 271 00:12:45,080 --> 00:12:46,600 Speaker 1: we didn't see each other for the longest time, and 272 00:12:46,600 --> 00:12:49,080 Speaker 1: it was like, start going a little stir crazy. Are 273 00:12:49,080 --> 00:12:50,560 Speaker 1: we still a band? Are we still doing this? And 274 00:12:50,600 --> 00:12:52,959 Speaker 1: then we got back together and the first time we 275 00:12:53,080 --> 00:12:54,880 Speaker 1: got back together we wrote, I should probably go to bed. 276 00:12:54,960 --> 00:12:57,559 Speaker 1: So maybe that little break there was healthy. It's healthy, 277 00:12:57,600 --> 00:13:00,400 Speaker 1: but we're enjoying the momentum right now. It's Dan and 278 00:13:00,440 --> 00:13:02,920 Speaker 1: Shayer here. They have a new song that it's been 279 00:13:02,960 --> 00:13:05,280 Speaker 1: on the record, but it's the new single, and Scoop 280 00:13:05,360 --> 00:13:06,959 Speaker 1: was like, their new song you, and I'm like, already 281 00:13:07,040 --> 00:13:09,040 Speaker 1: know that song. It ain't that. It ain't that. It's like, well, 282 00:13:09,080 --> 00:13:11,480 Speaker 1: it's new because it's now they're single, And I was like, okay, 283 00:13:11,600 --> 00:13:13,920 Speaker 1: and so we're gonna call it new because a lot 284 00:13:13,960 --> 00:13:15,800 Speaker 1: of our audience probably hasn't heard it yet. Yeah, probably 285 00:13:15,800 --> 00:13:17,280 Speaker 1: cause they don't invest in Danish like I do and 286 00:13:17,320 --> 00:13:20,280 Speaker 1: listen to every song on the album every guy, yeah 287 00:13:20,320 --> 00:13:25,760 Speaker 1: before the album comes out. So, uh, this song you? Uh? Dan, 288 00:13:25,840 --> 00:13:26,960 Speaker 1: you wrote it with a couple of people that I 289 00:13:26,960 --> 00:13:29,480 Speaker 1: really like, Who's Day Barnes love them and Jordan Reynolds. 290 00:13:29,480 --> 00:13:32,120 Speaker 1: You've worked with a lot in the past. So when 291 00:13:32,120 --> 00:13:34,720 Speaker 1: you go into a room and you you're writing this song, 292 00:13:34,800 --> 00:13:38,000 Speaker 1: you like, what who spits out because you itself as 293 00:13:38,040 --> 00:13:39,760 Speaker 1: a word, you know, not that new. There's a lot 294 00:13:39,800 --> 00:13:43,200 Speaker 1: of songs called you. Yeah, right, search engine, you know. 295 00:13:43,280 --> 00:13:45,440 Speaker 1: Kind of how this song started. I think the original 296 00:13:45,440 --> 00:13:47,680 Speaker 1: hook was you and only You, which I think is cool, 297 00:13:47,760 --> 00:13:49,679 Speaker 1: like you know something right down on the phone, it's like, hey, 298 00:13:49,760 --> 00:13:51,280 Speaker 1: what about that title? And we threw that out and 299 00:13:51,280 --> 00:13:53,480 Speaker 1: it was like, you know, we didn't reinvent the wheels, 300 00:13:53,559 --> 00:13:55,520 Speaker 1: Dan and Jay. We do love songs. That's kind of 301 00:13:55,520 --> 00:13:57,520 Speaker 1: all we do, you know. And uh, we've been fortunate 302 00:13:57,600 --> 00:13:58,960 Speaker 1: enough to have a bunch of songs that have become 303 00:13:58,960 --> 00:14:01,600 Speaker 1: people's wedding songs. Speechless from the ground up, that kind 304 00:14:01,640 --> 00:14:03,600 Speaker 1: of thing, and that's just what works for us. That's 305 00:14:03,640 --> 00:14:05,320 Speaker 1: kind of our lane. That's what we do. And and 306 00:14:05,400 --> 00:14:07,160 Speaker 1: that hook, you and only You, is you know how 307 00:14:07,160 --> 00:14:08,920 Speaker 1: it started. And it was like that's cool. And that 308 00:14:09,000 --> 00:14:11,120 Speaker 1: became like a you know, the post chorus, you know, 309 00:14:11,200 --> 00:14:12,839 Speaker 1: right after the chorus, and it was a it was 310 00:14:12,840 --> 00:14:13,920 Speaker 1: a big part of the song, and it was like, 311 00:14:13,960 --> 00:14:15,720 Speaker 1: we want to make this song about a moment, and 312 00:14:15,800 --> 00:14:17,920 Speaker 1: the whole song I feel like it's just that moment 313 00:14:17,960 --> 00:14:20,160 Speaker 1: you're standing there with somebody, you're dancing it's just the 314 00:14:20,160 --> 00:14:22,280 Speaker 1: two of you, and I feel like this song is 315 00:14:22,320 --> 00:14:23,840 Speaker 1: has kind of been that for us, and we're seeing 316 00:14:23,840 --> 00:14:26,240 Speaker 1: that on social media. That's kind of why we decided 317 00:14:26,280 --> 00:14:27,640 Speaker 1: to make this as single. You know, we put this 318 00:14:27,640 --> 00:14:30,240 Speaker 1: song out and it's been a fan favorite since day one, 319 00:14:30,440 --> 00:14:33,360 Speaker 1: and we decided to listen to our fans for once, 320 00:14:33,400 --> 00:14:35,000 Speaker 1: you know, and here we are. One's all, you guys 321 00:14:35,000 --> 00:14:38,240 Speaker 1: just listen to your fans. That's yeah. I love you guys. Well, 322 00:14:38,320 --> 00:14:41,160 Speaker 1: my favorite two guys are here, and so Danna Shay 323 00:14:41,200 --> 00:14:45,160 Speaker 1: is also Dadya Lunchbox as well. Yeah, yeah, you guys 324 00:14:45,160 --> 00:14:48,560 Speaker 1: are also here, which is pretty cool. Um. So, you know, 325 00:14:48,680 --> 00:14:50,760 Speaker 1: I just love so many of your songs, but I 326 00:14:50,760 --> 00:14:52,800 Speaker 1: think they are a song from people when they go, oh, 327 00:14:52,880 --> 00:14:56,400 Speaker 1: Dan and Shay, I love Tequila or I love but 328 00:14:56,440 --> 00:14:57,840 Speaker 1: I was thinking about it, someone said, what are your 329 00:14:57,840 --> 00:15:00,960 Speaker 1: favorite Dan and Shay songs? You know, from the ground 330 00:15:01,040 --> 00:15:04,160 Speaker 1: up was like the first time that I felt like 331 00:15:04,560 --> 00:15:06,640 Speaker 1: you guys weren't just going to be a success, but 332 00:15:06,720 --> 00:15:10,000 Speaker 1: you guys were going to be a monster that people 333 00:15:10,080 --> 00:15:11,640 Speaker 1: had to look out for. I don't know if you 334 00:15:11,640 --> 00:15:13,080 Speaker 1: guys felt like that. Did you feel like that song 335 00:15:13,160 --> 00:15:15,440 Speaker 1: was your first massive momentum song instead of just like 336 00:15:15,440 --> 00:15:17,400 Speaker 1: a big song. I feel like that one was very 337 00:15:17,560 --> 00:15:19,520 Speaker 1: special and it was also very you know, close to 338 00:15:19,520 --> 00:15:21,600 Speaker 1: our hearts. It was very personal song, and I think 339 00:15:21,720 --> 00:15:24,080 Speaker 1: just watching the reaction when we first kind of started 340 00:15:24,080 --> 00:15:25,800 Speaker 1: playing that song, it was like, Okay, I think this 341 00:15:25,840 --> 00:15:28,160 Speaker 1: is there's some real substance to this song. And it 342 00:15:28,200 --> 00:15:30,200 Speaker 1: was the first one that I feel like we really 343 00:15:30,240 --> 00:15:32,680 Speaker 1: started kind of seeing people, you know, drawn to not 344 00:15:32,720 --> 00:15:34,920 Speaker 1: that you know, people didn't like songs like Nothing Like 345 00:15:34,960 --> 00:15:36,720 Speaker 1: You or nineteen Year Made. I love those songs, but 346 00:15:36,840 --> 00:15:38,920 Speaker 1: from the ground up was definitely a moment and it 347 00:15:38,960 --> 00:15:40,840 Speaker 1: was like, Okay, I think that we're here to stay 348 00:15:40,880 --> 00:15:42,280 Speaker 1: for a little while. Yeah. I feel like it was 349 00:15:42,320 --> 00:15:45,200 Speaker 1: a tear changer for you guys, because as with the 350 00:15:45,280 --> 00:15:48,600 Speaker 1: first album, you really can only achieve so much for 351 00:15:48,640 --> 00:15:50,680 Speaker 1: people are like, let's see if they can do it again. Yeah, 352 00:15:50,720 --> 00:15:52,480 Speaker 1: and then you guys did it again. And I don't know, 353 00:15:52,520 --> 00:15:54,200 Speaker 1: I'm just trying to remember it was there like a 354 00:15:54,280 --> 00:15:56,360 Speaker 1: video in a church or video in like an old 355 00:15:56,360 --> 00:15:59,120 Speaker 1: building when you guys were releasing this song, and it 356 00:15:59,160 --> 00:16:01,080 Speaker 1: was like we're listening to the cold. I don't know, 357 00:16:01,320 --> 00:16:02,720 Speaker 1: but I just remember maybe I made it up on 358 00:16:02,760 --> 00:16:04,120 Speaker 1: my I think it was when we were recording it 359 00:16:04,160 --> 00:16:06,080 Speaker 1: at Oceanway. We did that, we cut strings there and 360 00:16:06,080 --> 00:16:07,560 Speaker 1: as a whole deal. Maybe that's what it was. John 361 00:16:07,640 --> 00:16:10,080 Speaker 1: Esposito that had our record label warn of Music Nashville. 362 00:16:10,240 --> 00:16:12,120 Speaker 1: He did a whole thing. He flew everybody in. Everybody 363 00:16:12,160 --> 00:16:14,040 Speaker 1: at the label felt like this song was so special, 364 00:16:14,240 --> 00:16:16,160 Speaker 1: even though the demo is like the worst demo ever, 365 00:16:16,360 --> 00:16:18,920 Speaker 1: so bad. But I don't know people saw through it. 366 00:16:18,960 --> 00:16:20,320 Speaker 1: I think it was just the words, the feeling of 367 00:16:20,320 --> 00:16:22,640 Speaker 1: the song, and he flew everybody in, and you guys 368 00:16:22,680 --> 00:16:24,640 Speaker 1: know Spo. He gave the whole speech and set it 369 00:16:24,720 --> 00:16:26,920 Speaker 1: up and it was amazing and everybody was inspired and 370 00:16:26,960 --> 00:16:29,200 Speaker 1: we all knew it was a special song and you 371 00:16:29,240 --> 00:16:31,240 Speaker 1: guys played the heck out of it so crazy. It's 372 00:16:31,240 --> 00:16:33,640 Speaker 1: still a big one in our show from our group here, 373 00:16:33,640 --> 00:16:36,080 Speaker 1: would you mind playing just a verse and a chorus 374 00:16:36,400 --> 00:16:46,040 Speaker 1: of from the ground up? Gramm on Grandpa Paint at 375 00:16:46,040 --> 00:16:53,160 Speaker 1: a pict sixty five. Yes, one little house, more than 376 00:16:53,360 --> 00:17:00,160 Speaker 1: a man singing a dude, kiss you good night, I 377 00:17:00,600 --> 00:17:06,440 Speaker 1: love you, mean you baby, will walk in a foot 378 00:17:06,440 --> 00:17:11,480 Speaker 1: fish build our own family. One day, had a time 379 00:17:12,400 --> 00:17:18,119 Speaker 1: tell little TOAs a pin and pink room. A beautiful 380 00:17:18,520 --> 00:17:27,120 Speaker 1: baby looks just like you and will be this from 381 00:17:27,160 --> 00:17:33,920 Speaker 1: the crown now to forever. It's all of me, all 382 00:17:34,040 --> 00:17:38,600 Speaker 1: of you. Just take my hand and die beating man 383 00:17:39,200 --> 00:17:47,280 Speaker 1: Dad ho bad, I being will be this look from 384 00:17:47,280 --> 00:17:53,040 Speaker 1: the crown, the worst off a better hand. I will 385 00:17:53,119 --> 00:17:57,399 Speaker 1: be all you need beside you out stand through the 386 00:17:57,560 --> 00:18:02,399 Speaker 1: good and the bad, will give oh that we haven't 387 00:18:03,280 --> 00:18:17,080 Speaker 1: this from the God. Here's a real question I need, 388 00:18:17,400 --> 00:18:19,679 Speaker 1: like an honest answer. Do you guys still like to 389 00:18:19,720 --> 00:18:22,360 Speaker 1: be told, hey, who you're really good? Because you are 390 00:18:22,440 --> 00:18:24,040 Speaker 1: and obviously you know that, or you wouldn't be to 391 00:18:24,080 --> 00:18:26,399 Speaker 1: this stage and you have so much success. But if 392 00:18:26,520 --> 00:18:29,120 Speaker 1: we're like, wow, that was really good, do you like duh? 393 00:18:29,200 --> 00:18:32,159 Speaker 1: Or like the absolute human you know feeling just to 394 00:18:32,280 --> 00:18:34,080 Speaker 1: be never take it for granted, because I feel like 395 00:18:34,119 --> 00:18:36,120 Speaker 1: there's you know, you do, especially the more you get 396 00:18:36,160 --> 00:18:37,600 Speaker 1: into it, you know, the less and less we get 397 00:18:37,600 --> 00:18:40,199 Speaker 1: to do things like this acoustic which first on, like 398 00:18:40,240 --> 00:18:43,160 Speaker 1: when we first started, that was really what got people like, oh, 399 00:18:43,200 --> 00:18:45,199 Speaker 1: these guys are like they can sit down and do 400 00:18:45,240 --> 00:18:47,520 Speaker 1: this with an acoustic guitar, and anyone can kind of 401 00:18:47,680 --> 00:18:49,879 Speaker 1: not anyone can go into the studio and sound amazing. 402 00:18:49,920 --> 00:18:51,480 Speaker 1: But I mean there's a lot of people. If the 403 00:18:51,520 --> 00:18:53,960 Speaker 1: song is amazing, you know, it doesn't mean that you're 404 00:18:54,040 --> 00:18:56,000 Speaker 1: very good live. And so that was we always really 405 00:18:56,040 --> 00:18:58,199 Speaker 1: prided ourselves on, you know, trying to put together a 406 00:18:58,240 --> 00:19:00,399 Speaker 1: good live show, and especially when it's like this, like 407 00:19:00,560 --> 00:19:02,760 Speaker 1: to have someone say, you guys sound really good, that 408 00:19:02,760 --> 00:19:04,720 Speaker 1: means a lot to us because that's there's no you know, 409 00:19:04,760 --> 00:19:07,040 Speaker 1: there's nothing covering us up right now. You're so good 410 00:19:07,080 --> 00:19:08,960 Speaker 1: that it's intimidating to tell you that you're good, because 411 00:19:08,960 --> 00:19:11,200 Speaker 1: it almost feels like we're insulting you by going, hey, 412 00:19:11,200 --> 00:19:13,240 Speaker 1: you guys are really good. It's a weird thing because 413 00:19:13,240 --> 00:19:17,560 Speaker 1: you've crossed that line of it's just so elite that 414 00:19:17,600 --> 00:19:20,200 Speaker 1: if I tell you you're good, you're like, yeah, I 415 00:19:20,600 --> 00:19:22,280 Speaker 1: don't know, it's weird. You don't feel that way. I 416 00:19:22,680 --> 00:19:25,320 Speaker 1: feel like it's you'd be surprised. I mean, it's we're 417 00:19:25,359 --> 00:19:27,520 Speaker 1: so grateful that we're getting we're opening for Kenny Chesney 418 00:19:27,640 --> 00:19:30,119 Speaker 1: right now and stadiums, which is dream come true. We 419 00:19:30,119 --> 00:19:32,000 Speaker 1: grew up going to that show for you know, ten years, 420 00:19:32,040 --> 00:19:34,480 Speaker 1: Like we know every single word. We're fanboying in the 421 00:19:34,480 --> 00:19:36,360 Speaker 1: crowd a minute we get off stage, it's a whole thing. 422 00:19:36,840 --> 00:19:38,480 Speaker 1: But when you're on that level, when you're playing in 423 00:19:38,480 --> 00:19:41,119 Speaker 1: a stadium, yes, it's incredible. You know, we played in 424 00:19:41,200 --> 00:19:44,399 Speaker 1: my hometown Pittsburgh. We played at Hinesfield. Dream Come True. 425 00:19:44,680 --> 00:19:47,200 Speaker 1: You're playing a sixty five thousand people, which is amazing 426 00:19:47,480 --> 00:19:50,120 Speaker 1: hearing them sing the words back, but it's not as 427 00:19:50,240 --> 00:19:52,760 Speaker 1: much of that personal connection is when you're maybe going 428 00:19:52,800 --> 00:19:55,240 Speaker 1: out on radio tour or doing clubs or doing theaters 429 00:19:55,280 --> 00:19:57,920 Speaker 1: where you can talk to every fan. You're literally right 430 00:19:57,960 --> 00:20:00,600 Speaker 1: there in a stadium. It's it's incredible, but it's a 431 00:20:00,600 --> 00:20:02,480 Speaker 1: little bit different. You know, there's so many people. You 432 00:20:02,480 --> 00:20:05,120 Speaker 1: don't have as much of that personal connection where you're 433 00:20:05,160 --> 00:20:08,080 Speaker 1: not as often hearing people say like that was really good, 434 00:20:08,240 --> 00:20:10,919 Speaker 1: that was incredible. You're feeling it on a massive scale, 435 00:20:10,920 --> 00:20:12,919 Speaker 1: but it's not that personal thing. So when we can 436 00:20:12,960 --> 00:20:15,360 Speaker 1: come in here, you guys see so many people come 437 00:20:15,359 --> 00:20:16,879 Speaker 1: through here. When you guys say that or when you 438 00:20:16,920 --> 00:20:19,119 Speaker 1: compliment us, it means a lot. It really does. Well. 439 00:20:19,119 --> 00:20:21,400 Speaker 1: We clap for everybody, regardless how good they are the show. 440 00:20:21,400 --> 00:20:24,080 Speaker 1: It would be nice, but you have a clap for like, 441 00:20:24,080 --> 00:20:26,360 Speaker 1: what's the vibe. We'll talk about it off the air. Well. 442 00:20:26,359 --> 00:20:30,640 Speaker 1: The honest answer to that is you can basically tell 443 00:20:30,720 --> 00:20:35,320 Speaker 1: by what I say after a performance. Sometimes I'm like, 444 00:20:35,520 --> 00:20:41,480 Speaker 1: how about that, or or man, that's great because I 445 00:20:41,520 --> 00:20:42,760 Speaker 1: know it's hard to get up early in the morning 446 00:20:42,760 --> 00:20:45,040 Speaker 1: and come in here perform. That's me trying to give 447 00:20:45,200 --> 00:20:49,240 Speaker 1: like a paddy because sometimes it is sometimes people, so 448 00:20:49,600 --> 00:20:52,159 Speaker 1: there are different responses. But the only other person I 449 00:20:52,280 --> 00:20:54,080 Speaker 1: felt kind of dumb it going while that was really 450 00:20:54,080 --> 00:20:56,080 Speaker 1: good was Carry because we were doing anything together at 451 00:20:56,080 --> 00:20:57,320 Speaker 1: the operation. She came out and your crust and I 452 00:20:57,359 --> 00:20:58,600 Speaker 1: was like, dang, that was so good. And then I'm like, 453 00:20:59,320 --> 00:21:02,480 Speaker 1: she knows she's so good that maybe it's insulting for 454 00:21:02,520 --> 00:21:04,800 Speaker 1: someone to act like it was so good they were surprised. 455 00:21:04,800 --> 00:21:07,080 Speaker 1: I going, so, anyway, that's my question. You're so good 456 00:21:07,080 --> 00:21:08,760 Speaker 1: that I feel bad about telling you we're good. That's 457 00:21:08,840 --> 00:21:12,040 Speaker 1: very kind. But even Carry, anyone who does anything professionally, 458 00:21:12,080 --> 00:21:14,960 Speaker 1: having someone that you care about their opinion, or even 459 00:21:15,080 --> 00:21:17,600 Speaker 1: a random person having them say like, hey, man, that 460 00:21:17,680 --> 00:21:19,639 Speaker 1: was really really good. I think till the day that 461 00:21:19,680 --> 00:21:21,760 Speaker 1: you die, I think that still feels good. It's just 462 00:21:21,800 --> 00:21:24,120 Speaker 1: a human thing because I think the more successfully become 463 00:21:24,160 --> 00:21:25,840 Speaker 1: the less you hear it, And I think, I mean, 464 00:21:25,880 --> 00:21:27,840 Speaker 1: you look at these very successful people will start to 465 00:21:27,840 --> 00:21:30,200 Speaker 1: get kind of insecure, and you know, they have all 466 00:21:30,240 --> 00:21:32,639 Speaker 1: these these kind of problems that happens because it's like 467 00:21:32,840 --> 00:21:35,359 Speaker 1: probably because people stop telling them that they were good. 468 00:21:35,440 --> 00:21:37,080 Speaker 1: You know, there's a point where you can you think 469 00:21:37,119 --> 00:21:39,320 Speaker 1: that you're you know, your craft don't stink at some point. 470 00:21:39,359 --> 00:21:42,800 Speaker 1: But I feel like, still as far along in your 471 00:21:42,800 --> 00:21:45,760 Speaker 1: career as you are, hearing that still is like thank you. 472 00:21:45,800 --> 00:21:47,800 Speaker 1: I need I needed to hear that. That's a real thing. 473 00:21:47,840 --> 00:21:49,640 Speaker 1: I bet listen, what do I know? But I bet 474 00:21:49,720 --> 00:21:52,520 Speaker 1: Garth people don't tell him, hey man, that was really good, 475 00:21:52,680 --> 00:21:55,159 Speaker 1: because yeah, he's a legend and he know and everybody knows, 476 00:21:55,200 --> 00:21:56,919 Speaker 1: and he's always been really good. But a guy like 477 00:21:56,960 --> 00:21:58,840 Speaker 1: Garth probably needs to be told, hey man, that was 478 00:21:58,840 --> 00:22:01,520 Speaker 1: really good. We should get what should call? Yeah? Yeah, 479 00:22:02,040 --> 00:22:05,080 Speaker 1: I just want to say it back in What's Your Showing? 480 00:22:05,119 --> 00:22:07,439 Speaker 1: A seven? I use it amazing and I've been holding 481 00:22:07,440 --> 00:22:09,720 Speaker 1: that for all this time. I want to go back again. 482 00:22:09,800 --> 00:22:11,840 Speaker 1: I want to go back to the first record. Nothing 483 00:22:11,880 --> 00:22:13,119 Speaker 1: on you was on the nothing like he was in 484 00:22:13,119 --> 00:22:15,880 Speaker 1: the first record, right, yeah, short short hair Dan. I say, 485 00:22:15,920 --> 00:22:19,040 Speaker 1: if I remember this right, short haired Dan standing up 486 00:22:20,000 --> 00:22:23,520 Speaker 1: in slightly ahead of a sitting down shay. Is that 487 00:22:23,640 --> 00:22:26,119 Speaker 1: right on the Yeah? Ye oh yeah, that's kind of 488 00:22:26,119 --> 00:22:28,840 Speaker 1: how it usually goes right. Yeah. Yeah, I had brown boots, 489 00:22:29,000 --> 00:22:30,399 Speaker 1: still wearing the kind of the same clothes I got, 490 00:22:30,400 --> 00:22:31,560 Speaker 1: like we got a bunch of cloth at the beginning. 491 00:22:31,560 --> 00:22:34,280 Speaker 1: I've been wearing a mouth for the first week. Yeah, 492 00:22:35,040 --> 00:22:37,920 Speaker 1: I have underwear from high school, maybe college. That's high school. 493 00:22:37,920 --> 00:22:40,080 Speaker 1: I finally gone away. Yeah, would you guys mind going 494 00:22:40,119 --> 00:22:43,359 Speaker 1: back and playing nothing like you? Yeah? For sure, absolutely no, 495 00:22:43,520 --> 00:23:00,960 Speaker 1: we have not. I remember when first Matthew stipping coffee 496 00:23:00,960 --> 00:23:04,679 Speaker 1: in a corner book. He was sweeing your hair, and 497 00:23:04,760 --> 00:23:09,320 Speaker 1: I just had to stay for a minute. I was 498 00:23:09,440 --> 00:23:12,680 Speaker 1: laughing that you stack of books, and then he shot 499 00:23:12,720 --> 00:23:17,960 Speaker 1: me that smile. He beautiful girl in your own little world, 500 00:23:18,040 --> 00:23:24,640 Speaker 1: and in it you got on my sension. And you 501 00:23:24,680 --> 00:23:30,000 Speaker 1: ain't even try my kind of difference. You ain't ever 502 00:23:30,000 --> 00:23:35,159 Speaker 1: seen nothing like you. Shades all spinning in the stommar 503 00:23:35,280 --> 00:23:39,880 Speaker 1: ray tencing w There ain't no umusic, just the right 504 00:23:40,040 --> 00:23:46,520 Speaker 1: kind of crazy baby something bound you rocking arching roule 505 00:23:46,640 --> 00:23:50,359 Speaker 1: T shirt the whole party, Jess to bunk. You just 506 00:23:51,119 --> 00:24:04,400 Speaker 1: doing a thing. Ain't nobody ever seen nothing like You've 507 00:24:04,480 --> 00:24:14,040 Speaker 1: never seen seen you? Hey't iver seen like you? Baby, 508 00:24:18,200 --> 00:24:31,320 Speaker 1: I never seen you? How about that? Those guys? About that? 509 00:24:31,640 --> 00:24:35,760 Speaker 1: About that? About that? I just I'm still blown away. 510 00:24:35,840 --> 00:24:37,920 Speaker 1: Listen to this guy. Like the first time I heard 511 00:24:37,960 --> 00:24:40,159 Speaker 1: you sing, I was completely It's still the same thing 512 00:24:40,160 --> 00:24:42,480 Speaker 1: every time I'm sitting there like looking at you, geeking out. 513 00:24:42,520 --> 00:24:44,680 Speaker 1: This guy is good. What would you tell those two 514 00:24:44,680 --> 00:24:46,560 Speaker 1: guys like right now if you I brought him in 515 00:24:46,640 --> 00:24:49,320 Speaker 1: because I could be wrong on this, but nineteen you 516 00:24:49,400 --> 00:24:50,920 Speaker 1: and me, I think it was a but it wasn't 517 00:24:50,920 --> 00:24:52,960 Speaker 1: a number one song? Right? Did it hit number eleven? 518 00:24:53,400 --> 00:24:57,320 Speaker 1: Is that? Wow? Top ten? Okay? Keep crazy cop card 519 00:24:57,440 --> 00:24:59,560 Speaker 1: kind of stiffarmed us out of there that that was 520 00:24:59,560 --> 00:25:01,800 Speaker 1: your number first number one? Right? Yeah, nothing like you? Yep? 521 00:25:01,960 --> 00:25:03,639 Speaker 1: What would you tell those two guys if I were 522 00:25:03,680 --> 00:25:05,960 Speaker 1: able to sit you too with those other two? Like, 523 00:25:06,000 --> 00:25:09,040 Speaker 1: what if would you tell them where they are there? 524 00:25:09,240 --> 00:25:11,040 Speaker 1: And where you are now? I like, first of all, 525 00:25:11,119 --> 00:25:13,119 Speaker 1: what are you wearing? And you've been wearing that jacket 526 00:25:13,160 --> 00:25:15,879 Speaker 1: for months now? I was disgusting. I don't know, man, 527 00:25:15,920 --> 00:25:18,359 Speaker 1: I would just say it's so hard to be like, 528 00:25:18,400 --> 00:25:20,680 Speaker 1: all right, what would I tell myself? Because I feel 529 00:25:20,680 --> 00:25:23,000 Speaker 1: like the biggest thing and the biggest growth for us 530 00:25:23,119 --> 00:25:25,560 Speaker 1: is like going through the trials that we went through. 531 00:25:25,880 --> 00:25:27,800 Speaker 1: And I don't know that i'd tell myself anything because 532 00:25:27,840 --> 00:25:29,520 Speaker 1: I made a lot of stupid mistakes. But where I'm 533 00:25:29,560 --> 00:25:32,720 Speaker 1: at right now, I'm very thankful for those mistakes. Obviously 534 00:25:32,760 --> 00:25:34,760 Speaker 1: you don't want to have to go through some of 535 00:25:34,760 --> 00:25:36,920 Speaker 1: those things. But I don't know what i'd tell myself. 536 00:25:36,920 --> 00:25:38,640 Speaker 1: I'm so grateful for where we're at and the fact 537 00:25:38,680 --> 00:25:40,560 Speaker 1: that we're still doing it, and I would just tell 538 00:25:40,600 --> 00:25:42,679 Speaker 1: myself to just hold on. You just did the Genie 539 00:25:42,760 --> 00:25:44,639 Speaker 1: more Wishes thing, and I don't I don't love it, 540 00:25:44,680 --> 00:25:46,720 Speaker 1: but I'm gonna accept it. Like if I got you 541 00:25:46,760 --> 00:25:49,199 Speaker 1: have three wishes, I would like more wishes, Gene more wishes. Yes, 542 00:25:49,280 --> 00:25:51,679 Speaker 1: so I do understand it now. I was looking for 543 00:25:51,680 --> 00:25:55,560 Speaker 1: something a little more silacious and controversial. But okay, say 544 00:25:55,600 --> 00:25:57,560 Speaker 1: what about all Dan, what about you, buddy? I would say, 545 00:25:57,640 --> 00:25:59,720 Speaker 1: just enjoy it, enjoy every minute of it. I mean, 546 00:25:59,720 --> 00:26:01,480 Speaker 1: when we were first starting to get some hits, I 547 00:26:01,520 --> 00:26:03,800 Speaker 1: remember Charles Kelly told us he's like because they had 548 00:26:03,800 --> 00:26:05,760 Speaker 1: just had needs you now and like just the biggest 549 00:26:05,800 --> 00:26:08,000 Speaker 1: songs ever. And he was like, dude, it goes by fast. 550 00:26:08,320 --> 00:26:10,160 Speaker 1: When you're in it. You don't realize you're in it, 551 00:26:10,200 --> 00:26:12,600 Speaker 1: So just enjoy it. Appreciate those moments, you know, whether 552 00:26:12,600 --> 00:26:15,000 Speaker 1: you're winning or losing it an award show, just enjoy 553 00:26:15,080 --> 00:26:16,560 Speaker 1: the fact that you got invited to be there, to 554 00:26:16,560 --> 00:26:18,280 Speaker 1: be sitting in those seats, because there was one point 555 00:26:18,280 --> 00:26:20,359 Speaker 1: in your life where you would have given up everything 556 00:26:20,400 --> 00:26:22,840 Speaker 1: to be in those seats. And we had that kind 557 00:26:22,840 --> 00:26:25,040 Speaker 1: of stretch with Tequilo speech, just ten thousand hours, all 558 00:26:25,080 --> 00:26:28,239 Speaker 1: those songs, and we did enjoy it. That's beautiful thing 559 00:26:28,240 --> 00:26:30,000 Speaker 1: about our friendship and us being in a duo. We're 560 00:26:30,000 --> 00:26:31,439 Speaker 1: able to keep each other in check and be like 561 00:26:31,800 --> 00:26:33,719 Speaker 1: this is crazy, dude, we just want a Grammy, or 562 00:26:33,720 --> 00:26:36,400 Speaker 1: like we're performing, Oh my gosh, Beyonce's right, this is insane. 563 00:26:36,760 --> 00:26:38,760 Speaker 1: But it does go by fast. And when it's happening 564 00:26:38,800 --> 00:26:42,320 Speaker 1: and you're having unprecedented success or whatever, you don't realize 565 00:26:42,320 --> 00:26:44,040 Speaker 1: that's happening when you're in it and you look back 566 00:26:44,080 --> 00:26:46,200 Speaker 1: on it and it's like, wow, that's insane. What we did. 567 00:26:46,240 --> 00:26:48,199 Speaker 1: You know, when you get to feel that COVID was 568 00:26:48,200 --> 00:26:49,840 Speaker 1: tough because you didn't get to feel it in real time. 569 00:26:49,880 --> 00:26:51,040 Speaker 1: But you get to feel that when you go out 570 00:26:51,040 --> 00:26:52,520 Speaker 1: on the road and hear people sing the words back 571 00:26:52,520 --> 00:26:55,200 Speaker 1: to you. That's a tangible proof that those songs connected 572 00:26:55,200 --> 00:26:57,359 Speaker 1: with people. But when it's happening, I feel like it 573 00:26:57,400 --> 00:27:00,119 Speaker 1: passes you by pretty quickly. Because we're all competitive. We 574 00:27:00,119 --> 00:27:01,960 Speaker 1: wouldn't be where we are if we weren't. And you're 575 00:27:02,000 --> 00:27:04,199 Speaker 1: looking towards the next thing. You're hustling, your grinding your 576 00:27:04,200 --> 00:27:06,280 Speaker 1: head down. You're staying focused, which you should, but I 577 00:27:06,320 --> 00:27:08,359 Speaker 1: think that causes you to miss some of the good moments. 578 00:27:08,359 --> 00:27:10,639 Speaker 1: And I would say, you know, all things considered, if 579 00:27:10,640 --> 00:27:12,840 Speaker 1: I could guarantee that we're would end up where we 580 00:27:12,880 --> 00:27:14,679 Speaker 1: are today, i'd say, just you know, enjoy every bit 581 00:27:14,720 --> 00:27:17,120 Speaker 1: of it. Look around, take it all in and uh yeah, 582 00:27:17,160 --> 00:27:19,360 Speaker 1: it goes by fast, so got to appreciate it. There 583 00:27:19,359 --> 00:27:21,480 Speaker 1: they are, Dan and Shade. The new song for radio, 584 00:27:21,560 --> 00:27:24,359 Speaker 1: the new single is You. We played it earlier, we'll 585 00:27:24,400 --> 00:27:26,560 Speaker 1: play it again later on. The album is called Good Things. 586 00:27:27,280 --> 00:27:31,000 Speaker 1: It's been almost a year since that record came out, 587 00:27:31,040 --> 00:27:33,320 Speaker 1: so I'm not even at I'm just assuming you don't 588 00:27:33,320 --> 00:27:35,960 Speaker 1: working on stuff you can just nod or something. I've 589 00:27:36,000 --> 00:27:39,760 Speaker 1: got a lot, all right, good, all right, yeah, And 590 00:27:39,840 --> 00:27:41,560 Speaker 1: I will say this. I will I will say thank 591 00:27:41,600 --> 00:27:45,639 Speaker 1: you to YouTube because thank you to your loyalty to 592 00:27:45,800 --> 00:27:50,439 Speaker 1: this format, because you've had such unprecedented success that you 593 00:27:50,640 --> 00:27:54,560 Speaker 1: guys easily could have have been offered. You could have 594 00:27:54,600 --> 00:27:57,720 Speaker 1: easily said, you know what, we can actually go and 595 00:27:57,800 --> 00:28:00,280 Speaker 1: just stay in the pop world and make more money, 596 00:28:00,960 --> 00:28:03,199 Speaker 1: but you didn't, Like, you're loyal to country music, and 597 00:28:03,240 --> 00:28:05,919 Speaker 1: I don't think you get the credit for kind of 598 00:28:05,960 --> 00:28:07,399 Speaker 1: digging in and going, this is who we are and 599 00:28:07,440 --> 00:28:10,040 Speaker 1: what we're doing. And songs may cross over because they're 600 00:28:10,080 --> 00:28:12,720 Speaker 1: so successful. You can't really help that. But you guys 601 00:28:12,840 --> 00:28:16,920 Speaker 1: chose to stay in this because they you were dragged out. 602 00:28:16,960 --> 00:28:19,560 Speaker 1: People were like, come on, move over here, go more, 603 00:28:19,640 --> 00:28:21,800 Speaker 1: but you didn't. And so I would just like to 604 00:28:21,840 --> 00:28:24,240 Speaker 1: say thanks from the entire format to you guys, because 605 00:28:24,280 --> 00:28:27,159 Speaker 1: I appreciate the effort and what you guys do for 606 00:28:27,200 --> 00:28:30,200 Speaker 1: country music. Thank you for saying that means a lot, seriously, 607 00:28:30,240 --> 00:28:32,840 Speaker 1: because that is uh, We're loyal to this format because 608 00:28:32,840 --> 00:28:34,320 Speaker 1: they've been loyal to us, and we have so many 609 00:28:34,359 --> 00:28:37,920 Speaker 1: incredible fans that I mean, we're here right now because 610 00:28:37,920 --> 00:28:40,600 Speaker 1: of country music, and you know, we'll we'll always be 611 00:28:40,640 --> 00:28:43,360 Speaker 1: appreciative of that, and we'll stay as long as as 612 00:28:43,440 --> 00:28:45,560 Speaker 1: long as people keep listening to our music, we'll be 613 00:28:45,600 --> 00:28:48,360 Speaker 1: We'll be here and be very grateful, guys, So thank 614 00:28:48,400 --> 00:28:49,640 Speaker 1: you for saying that. Man. All right, there they are, 615 00:28:49,720 --> 00:28:53,400 Speaker 1: Dan and Shade, Thank you guys. All right, it's the 616 00:28:53,440 --> 00:29:00,720 Speaker 1: best bits of the week with Morgan. Number two. Y'all 617 00:29:00,760 --> 00:29:02,800 Speaker 1: love when we do a draft, So coming in at 618 00:29:02,920 --> 00:29:05,840 Speaker 1: number five, we draft at the country artists who we 619 00:29:05,920 --> 00:29:09,000 Speaker 1: think live the most normal lives. And you know, I'm 620 00:29:09,040 --> 00:29:11,960 Speaker 1: not gonna spoil anything, but you know I am, actually 621 00:29:12,000 --> 00:29:15,920 Speaker 1: so just cover your ears for a moment. I won 622 00:29:15,960 --> 00:29:19,480 Speaker 1: this weekend, and it was amazing because I didn't anticipate winning. 623 00:29:19,480 --> 00:29:21,160 Speaker 1: I didn't really know how this draft was going to go, 624 00:29:21,160 --> 00:29:22,600 Speaker 1: and the fact that I want to feel pretty good 625 00:29:22,600 --> 00:29:24,280 Speaker 1: about it. But let me know, if you think I 626 00:29:24,320 --> 00:29:26,200 Speaker 1: should have won, you can hear who I picked for 627 00:29:26,240 --> 00:29:28,080 Speaker 1: my team, who everybody picked for their team. See if 628 00:29:28,080 --> 00:29:30,000 Speaker 1: you agree with us. But it was a pretty good 629 00:29:30,000 --> 00:29:32,920 Speaker 1: time to just, you know, imagine the country stars that 630 00:29:32,960 --> 00:29:36,480 Speaker 1: we think actually live pretty normal lives. Number five, we're 631 00:29:36,480 --> 00:29:39,920 Speaker 1: gonna draft the country artist who we think lives the 632 00:29:39,960 --> 00:29:44,600 Speaker 1: most normal life. By the way, whomever finishes last has 633 00:29:44,640 --> 00:29:46,720 Speaker 1: to hand feed the winner at breakfast during the show. 634 00:29:47,160 --> 00:29:48,720 Speaker 1: The whole shows like I'd like a bout of that 635 00:29:48,720 --> 00:29:52,720 Speaker 1: waffle piece. Rever finished his last has to feed the 636 00:29:52,800 --> 00:29:54,760 Speaker 1: number one person. By the way, when we put it 637 00:29:54,800 --> 00:29:56,400 Speaker 1: up online, we won't know whose team is too. You 638 00:29:56,400 --> 00:29:58,800 Speaker 1: you're voting blindly on team. That's really funny. All right, 639 00:29:58,840 --> 00:30:02,000 Speaker 1: So here we go, Morgan, we rolled the dice backstage 640 00:30:02,080 --> 00:30:05,120 Speaker 1: or number one? Who are you drafting as the artist 641 00:30:05,240 --> 00:30:08,520 Speaker 1: you think lives the most normal life. I feel like 642 00:30:09,040 --> 00:30:11,160 Speaker 1: he's a massive star, but like his you know, his 643 00:30:11,280 --> 00:30:15,440 Speaker 1: outfits haven't changed. He's pretty low key. You don't see 644 00:30:15,520 --> 00:30:17,640 Speaker 1: him spending a lot of money on big things. So 645 00:30:18,320 --> 00:30:21,440 Speaker 1: I'm going Luke Hombs. That's a good one. It's really good. 646 00:30:21,680 --> 00:30:24,240 Speaker 1: I didn't even have him my list. That's a good one. Yeah, 647 00:30:24,280 --> 00:30:27,560 Speaker 1: he does have quite a big rolex though. Yeah, I'm 648 00:30:27,560 --> 00:30:29,200 Speaker 1: trying to knocked hers down. It's a good one, you 649 00:30:29,200 --> 00:30:31,000 Speaker 1: know what I mean, It's just a good one. I'm 650 00:30:31,000 --> 00:30:33,080 Speaker 1: being a competitor right now. I mean the office he's 651 00:30:33,080 --> 00:30:41,120 Speaker 1: paid to wear point bone now, Ray you're up. What 652 00:30:41,320 --> 00:30:44,920 Speaker 1: artists do you think loves the most normal life? Gee? 653 00:30:45,760 --> 00:30:49,360 Speaker 1: Say his name Garth Brooks. He played stadiums on the 654 00:30:49,360 --> 00:30:51,200 Speaker 1: weekends during the week I know for a fact he 655 00:30:51,280 --> 00:30:54,200 Speaker 1: works on the farm. We get it, family friends, we 656 00:30:54,320 --> 00:31:00,760 Speaker 1: get it, all right, Gee, I don't know about I'm 657 00:31:00,760 --> 00:31:04,960 Speaker 1: gonna go Thomas Rhett Well ye like yeah. If you 658 00:31:05,000 --> 00:31:08,160 Speaker 1: follow on Instagram, you know it's all the normal dad 659 00:31:08,200 --> 00:31:11,000 Speaker 1: things and his songs are like, Hey, I'm a normal guy. 660 00:31:11,040 --> 00:31:13,600 Speaker 1: I'm just doing normal things. All I do is normal, normal, normal, 661 00:31:13,640 --> 00:31:16,200 Speaker 1: normal normal. When the phone rings, I answered, like normal, Hello, 662 00:31:16,440 --> 00:31:19,720 Speaker 1: that's his that's his last single. So I'm going Thomas 663 00:31:19,800 --> 00:31:23,240 Speaker 1: Rhett Amy, I'm going Dirk spent Ley to hang it. 664 00:31:23,840 --> 00:31:27,880 Speaker 1: That's good. It's a good one. Yeah. Why Dirk's because 665 00:31:28,560 --> 00:31:32,760 Speaker 1: I just I don't know. He like lives in a 666 00:31:32,840 --> 00:31:35,680 Speaker 1: normal neighborhood. Like he's talking about. His kids just go 667 00:31:35,720 --> 00:31:38,920 Speaker 1: out and play like they hang out. Nothing extravagant. I 668 00:31:38,920 --> 00:31:42,400 Speaker 1: mean he has extravat things like airplane, but you know 669 00:31:42,480 --> 00:31:44,920 Speaker 1: he just like live. He rides his bike. Lunchbox song 670 00:31:44,960 --> 00:31:46,960 Speaker 1: him riding his bike in the street, you know stuff 671 00:31:47,000 --> 00:31:49,200 Speaker 1: like that. All right, Lunchbox, You're the last pick of 672 00:31:49,240 --> 00:31:52,120 Speaker 1: this first round. Who is the country superstar you think 673 00:31:52,160 --> 00:31:57,640 Speaker 1: lives the most normal life. Jake going, Jake going, just chills. 674 00:31:57,680 --> 00:32:00,800 Speaker 1: He hangs out the golf course. He lives on a land. 675 00:32:00,840 --> 00:32:03,960 Speaker 1: He doesn't do anything. He doesn't buy anything. He's not flashy, 676 00:32:04,280 --> 00:32:06,200 Speaker 1: he doesn't buy anything. He got lots of trucks. He's 677 00:32:06,200 --> 00:32:09,960 Speaker 1: like an awesome trust a boat. He didn't have a 678 00:32:09,960 --> 00:32:15,000 Speaker 1: tiny house though, building up big out. Oh so you're 679 00:32:15,000 --> 00:32:17,240 Speaker 1: telling me these people have big houses. No, no, we're 680 00:32:17,240 --> 00:32:19,440 Speaker 1: just you brought up tiny house. So we were just 681 00:32:19,480 --> 00:32:20,920 Speaker 1: saying no, no, no no, I'm trying to knock him on. 682 00:32:21,040 --> 00:32:23,800 Speaker 1: Jake going, Okay, I likes I like it. I like it. 683 00:32:23,840 --> 00:32:27,440 Speaker 1: He didn't buy anything. Jake's a pretty normal dude. Normal dude. Yeah, 684 00:32:27,480 --> 00:32:29,200 Speaker 1: I'm with you, all right. So we all have our 685 00:32:29,280 --> 00:32:32,040 Speaker 1: round one. Yeah, now, since we went this way round 686 00:32:32,080 --> 00:32:33,640 Speaker 1: one to kind of even in doubt, we go backward 687 00:32:33,680 --> 00:32:36,080 Speaker 1: on round two. Lunchbox. That means you get to pick 688 00:32:36,160 --> 00:32:40,760 Speaker 1: first this round. Yeah, easy, Chris Stapleton, that's a good one. 689 00:32:40,880 --> 00:32:44,560 Speaker 1: Boom huge Arenas makes millions of dollars. And you know what, 690 00:32:44,920 --> 00:32:47,520 Speaker 1: you don't see him doing anything flashy, just whatever, hanging 691 00:32:47,520 --> 00:32:50,720 Speaker 1: out with the family. You don't see him doing anything nothing. Yeah, 692 00:32:51,040 --> 00:32:53,320 Speaker 1: I'm not sure he's real. I think he just shows up, 693 00:32:53,360 --> 00:32:56,480 Speaker 1: plays awesome music and goes back away. It gets put 694 00:32:56,520 --> 00:33:00,400 Speaker 1: back in, all right. Amy Maranda Lambert. I feel like 695 00:33:00,400 --> 00:33:02,400 Speaker 1: she has so much success and she's just like out 696 00:33:02,400 --> 00:33:05,000 Speaker 1: and saving dogs, like working on the farm too, doing 697 00:33:05,040 --> 00:33:07,720 Speaker 1: her thing. Yeah, I guess I just don't. I don't 698 00:33:07,760 --> 00:33:13,000 Speaker 1: see her ever do anything. Yeah. Like Chris Stapleton. Yeah, um, okay, 699 00:33:13,040 --> 00:33:14,840 Speaker 1: I gotta go next. I've only got one more on 700 00:33:14,880 --> 00:33:21,040 Speaker 1: my list. Really well, I've got two on my list. Okay, 701 00:33:21,200 --> 00:33:26,160 Speaker 1: I'm gonna go. Boy. This one's tough because he's actually normal, 702 00:33:26,200 --> 00:33:31,640 Speaker 1: but I think people think he's not normal. Okay, I'm 703 00:33:31,680 --> 00:33:42,080 Speaker 1: gonna go with m I'm gonna go with Kane Brown. 704 00:33:42,800 --> 00:33:44,960 Speaker 1: I had that. That wasn't who I was thinking about 705 00:33:45,080 --> 00:33:46,640 Speaker 1: my other one up here. I'm gonna go Kane Brown. 706 00:33:46,760 --> 00:33:48,280 Speaker 1: He shows you a lot of his life, his house, 707 00:33:48,320 --> 00:33:53,400 Speaker 1: as kids, I had him. I'm gonna cross. Yeah, I'm 708 00:33:53,400 --> 00:33:55,120 Speaker 1: gonna go Kane Brown. What country start? Do you think 709 00:33:55,120 --> 00:33:57,120 Speaker 1: it was the most normal life? Also, like a really 710 00:33:57,160 --> 00:33:59,240 Speaker 1: good dude. I think that should count for something too. 711 00:34:00,080 --> 00:34:03,520 Speaker 1: And he plays video games. That's pretty normal. Okay, back 712 00:34:03,560 --> 00:34:07,120 Speaker 1: over to Ray Mundo, gotta do my boy Sam hunt. 713 00:34:07,160 --> 00:34:08,480 Speaker 1: I mean, I haven't seen him at a bar. I 714 00:34:08,480 --> 00:34:12,720 Speaker 1: haven't seen him on the town all down for sure. 715 00:34:14,360 --> 00:34:16,040 Speaker 1: Just gets a bow and arrow and he gets his 716 00:34:16,120 --> 00:34:18,040 Speaker 1: fishing pull and he just goes and hunts the land. 717 00:34:18,080 --> 00:34:20,480 Speaker 1: I like it. I like it right now, very normal. 718 00:34:20,640 --> 00:34:24,800 Speaker 1: I like it. Ray. All right, Morgan, what country superstar 719 00:34:24,920 --> 00:34:27,279 Speaker 1: your second pick? Do you think lives the most normal life? 720 00:34:27,440 --> 00:34:30,839 Speaker 1: Talk about working on a farm and just being going 721 00:34:30,840 --> 00:34:35,520 Speaker 1: out and partying and doing whatever. It's John Party Party. Yea. Yeah, 722 00:34:35,640 --> 00:34:38,240 Speaker 1: he's got a lot of land, and that guy doesn't. 723 00:34:38,400 --> 00:34:41,720 Speaker 1: His fun is working on land. And I'm not kidding 724 00:34:41,760 --> 00:34:43,640 Speaker 1: that's what he does for fun. John and I are friends. 725 00:34:43,719 --> 00:34:46,120 Speaker 1: What are you doing today working on a land? Why 726 00:34:46,120 --> 00:34:48,040 Speaker 1: don't you hire somebody? Why would I? Do you hire 727 00:34:48,040 --> 00:34:52,279 Speaker 1: somebody to play golf? Oh? Wow, that's a good point. Okay, 728 00:34:52,320 --> 00:34:55,880 Speaker 1: all right, all right, we have one more around Morgan. 729 00:34:56,000 --> 00:34:58,600 Speaker 1: You have Luke Combs and John Party. That's a pretty 730 00:34:58,640 --> 00:35:01,759 Speaker 1: solid team. Yeah, I feel good. Yeah, So who's your 731 00:35:01,760 --> 00:35:03,880 Speaker 1: final pick? And I'm gonna add one more guys to 732 00:35:03,960 --> 00:35:07,160 Speaker 1: that list because he lives off the radar. Talk about 733 00:35:07,200 --> 00:35:09,160 Speaker 1: never knowing what he's gonna do. And he really hates 734 00:35:09,200 --> 00:35:11,080 Speaker 1: TikTok even though he just got on. It's Kip More. 735 00:35:11,719 --> 00:35:14,319 Speaker 1: Oh that's so good. I had kept written in ink 736 00:35:14,440 --> 00:35:16,040 Speaker 1: after all my other ones, so I put him up 737 00:35:16,040 --> 00:35:19,440 Speaker 1: there just in case. Yeah, but Kip More. Okay, But 738 00:35:19,600 --> 00:35:22,120 Speaker 1: is he normal because I say he lives an abnormal 739 00:35:22,120 --> 00:35:24,359 Speaker 1: life if he's off the right, like he lives on 740 00:35:24,400 --> 00:35:29,359 Speaker 1: the land, he's like gone, like no cell phone, no address. Yeah, 741 00:35:29,480 --> 00:35:32,680 Speaker 1: he only eats what he can graze, so that might 742 00:35:32,719 --> 00:35:36,640 Speaker 1: not be very normal. That's above normal. Okay, Okay, Raymundo 743 00:35:36,719 --> 00:35:38,880 Speaker 1: your final pick. You have Garth Brooks and Sam Hunt 744 00:35:39,400 --> 00:35:42,080 Speaker 1: dustin Land. She even said there's no uber eats at 745 00:35:42,080 --> 00:35:45,319 Speaker 1: his house, so I guess he just has to cook good. Yeah, 746 00:35:45,400 --> 00:35:46,960 Speaker 1: he does a lot of tractor stuffs. He feels like 747 00:35:47,239 --> 00:35:49,440 Speaker 1: either he's got a good photographer or a fake tractor 748 00:35:49,520 --> 00:35:51,719 Speaker 1: or he does that. But I think he does. I'm 749 00:35:51,880 --> 00:35:57,080 Speaker 1: have Thomas Rtton Kane Brown. This third pick is risky. 750 00:35:57,080 --> 00:36:00,880 Speaker 1: Why because he's a massive super You know what, I'm 751 00:36:00,920 --> 00:36:04,040 Speaker 1: gonna go, Luke Brian. I'm gonna go Luke Brian fishes 752 00:36:04,360 --> 00:36:08,239 Speaker 1: hunts every day. Yeah, I got all the kids. I'm 753 00:36:08,239 --> 00:36:09,920 Speaker 1: going to Luke Brian and I'll tell you who I 754 00:36:09,960 --> 00:36:11,759 Speaker 1: didn't pick and wine a minute. I didn't even have 755 00:36:11,760 --> 00:36:13,000 Speaker 1: a Luke Bryan on my list, but he came to 756 00:36:13,000 --> 00:36:15,480 Speaker 1: me because he lives. He lives a really normal life 757 00:36:15,480 --> 00:36:20,719 Speaker 1: when he's not an absolute superstar. But yeah, so there 758 00:36:20,760 --> 00:36:24,240 Speaker 1: you go. Um that's mine. Amy, Oh, I don't even 759 00:36:24,280 --> 00:36:27,400 Speaker 1: know there's nobody left. It's hard now I got I 760 00:36:27,480 --> 00:36:29,160 Speaker 1: got a few pretty good ones. Okay. I was thinking 761 00:36:29,239 --> 00:36:35,000 Speaker 1: about George Straight because he doesn't like live in Nashville, 762 00:36:35,000 --> 00:36:37,839 Speaker 1: its Roots or San Antonio. He works on the ranch. 763 00:36:37,920 --> 00:36:41,239 Speaker 1: We like it, you hate it? You do sell like 764 00:36:41,280 --> 00:36:44,160 Speaker 1: a mansion recently. So what these all these people? You 765 00:36:44,239 --> 00:36:47,120 Speaker 1: tell me Luke Brian doesn't have a massive house. Yeah, 766 00:36:47,160 --> 00:36:48,799 Speaker 1: Luke Brian has earned a lot and he's rich, but 767 00:36:48,880 --> 00:36:50,440 Speaker 1: so has Doorg. But it's like when they're not a 768 00:36:50,440 --> 00:36:52,520 Speaker 1: superstar who lives a normal life. It could be George Straight, 769 00:36:52,960 --> 00:37:01,160 Speaker 1: go for it. Yeah, but I don't like it. Okay, Okay, hmm, shoot, okay, 770 00:37:01,239 --> 00:37:03,680 Speaker 1: George Tray, George Strait. I think it's fine. I think 771 00:37:03,719 --> 00:37:05,160 Speaker 1: some people are gonna think it's a great because he 772 00:37:05,200 --> 00:37:09,040 Speaker 1: does live right, He's not in the Slight Lunchbox final pick. 773 00:37:09,080 --> 00:37:12,080 Speaker 1: You have Jaco and Chris Stapleton. Who or Man? I 774 00:37:12,080 --> 00:37:14,080 Speaker 1: have a couple that I'm thinking about. Like, I mean 775 00:37:14,440 --> 00:37:17,439 Speaker 1: Tim mcgrawl talks about taking the kids to school? Did 776 00:37:17,520 --> 00:37:21,200 Speaker 1: kids go to normal school? But I don't know anything. 777 00:37:21,239 --> 00:37:28,040 Speaker 1: They're all like thirty now. But but he lives he did, man, 778 00:37:28,080 --> 00:37:31,879 Speaker 1: I don't know, but like don't they all? I don't 779 00:37:31,880 --> 00:37:35,399 Speaker 1: think they all take their kids to school. So I mean, 780 00:37:35,440 --> 00:37:37,600 Speaker 1: I'm not gonna go Tim mcgrawl. You guys are scaring me. 781 00:37:38,040 --> 00:37:45,080 Speaker 1: I'm gonna go Kelsey Ballerini. Okay, Yeah, she's a big star. 782 00:37:45,560 --> 00:37:48,040 Speaker 1: Quiet what are you laughing at? It's an interesting pick. 783 00:37:48,440 --> 00:37:50,200 Speaker 1: I mean, I don't know. I think she kind of 784 00:37:50,239 --> 00:37:52,680 Speaker 1: lives a superstar life a little bit right now? What 785 00:37:52,719 --> 00:37:55,160 Speaker 1: do you mean? How does she live a superstar life? Here? 786 00:37:55,160 --> 00:37:57,799 Speaker 1: See her shoes on her bus? Pretty cool? I think 787 00:37:57,880 --> 00:37:59,799 Speaker 1: she travels a lot a lot of that. Yeah, she's 788 00:37:59,800 --> 00:38:01,040 Speaker 1: like young and like live it. She didn't have to 789 00:38:01,040 --> 00:38:03,400 Speaker 1: be normal yet she's like young. Not a lot to 790 00:38:03,440 --> 00:38:05,040 Speaker 1: think she has tied down for she's a husband, but 791 00:38:05,040 --> 00:38:06,399 Speaker 1: he's touring down. I don't know. It's a good pick. 792 00:38:06,440 --> 00:38:09,400 Speaker 1: I like it she travels means she's that's not a 793 00:38:09,600 --> 00:38:13,120 Speaker 1: lot of people. A lot of people travel. They're all 794 00:38:13,239 --> 00:38:15,719 Speaker 1: or all of these third rounds tops saying I just 795 00:38:15,719 --> 00:38:16,960 Speaker 1: thought of one, but I don't know if they count 796 00:38:17,000 --> 00:38:22,239 Speaker 1: as country. Who curl anybody's country? You know what you 797 00:38:22,280 --> 00:38:26,600 Speaker 1: could have said, we'd been like, all right, superstar normal. 798 00:38:26,760 --> 00:38:29,839 Speaker 1: I almost picked Hillary Scott from lady A, Oh yeah, sorry, 799 00:38:29,920 --> 00:38:32,520 Speaker 1: Target at Target. But the one I was like really 800 00:38:32,560 --> 00:38:36,080 Speaker 1: torn on was Keith Urban because it's such a normal 801 00:38:36,160 --> 00:38:38,600 Speaker 1: life when he's at home, Like I've been there and 802 00:38:39,080 --> 00:38:40,520 Speaker 1: I've seen his wife call and be like, hey, did 803 00:38:40,520 --> 00:38:42,319 Speaker 1: you pick up there? It's a grocery store and he's 804 00:38:42,360 --> 00:38:44,520 Speaker 1: like dang it. And I've seen him walking around the mall. 805 00:38:44,600 --> 00:38:48,360 Speaker 1: So you guys are sitting at normal titles at restaurants. 806 00:38:48,440 --> 00:38:50,600 Speaker 1: So but I think he's too big of a star 807 00:38:50,600 --> 00:38:52,319 Speaker 1: where people would have been like, I don't know about that. 808 00:38:52,680 --> 00:38:54,040 Speaker 1: But I didn't pick Keith Urb. I don't want to 809 00:38:54,040 --> 00:38:56,759 Speaker 1: look Brian this deead All right, our teams are up. 810 00:38:57,719 --> 00:39:00,160 Speaker 1: Who's the worst team. We'll see if Morgan has Luke 811 00:39:00,160 --> 00:39:02,239 Speaker 1: coombs John Party and kept more. Her weak link is 812 00:39:02,280 --> 00:39:06,400 Speaker 1: kept more. But that's not that weak Strong, rais Is, 813 00:39:06,440 --> 00:39:08,480 Speaker 1: Garth Brooks, Sam Hunt, and Dustin Lynch. I'm gonna put 814 00:39:08,480 --> 00:39:10,560 Speaker 1: that on the side. It could be a week team. 815 00:39:10,800 --> 00:39:12,719 Speaker 1: I have Thomas Hrett, Kane Brown, Luke Bryan, I like. 816 00:39:12,760 --> 00:39:15,520 Speaker 1: I like my team, Derek spent Lee, Rand Lambert, George Straight. 817 00:39:15,520 --> 00:39:18,840 Speaker 1: The George Straight was good. Probably Bier in the butt Um, Jacoll, 818 00:39:20,080 --> 00:39:24,799 Speaker 1: Kelsey Ballerini. I don't know. I think probably ray Or 819 00:39:24,880 --> 00:39:29,359 Speaker 1: Amy is a week one there. I don't know. I mean, 820 00:39:29,400 --> 00:39:32,080 Speaker 1: I'm blind on straight? Is it? Cowboy? Yeah? Hear? You 821 00:39:32,400 --> 00:39:36,400 Speaker 1: are rich? Hey, so is Jeff Bezos. You have going 822 00:39:36,400 --> 00:39:40,480 Speaker 1: on the rocket with a hat on us? Yeah? Help it? 823 00:39:41,080 --> 00:39:43,680 Speaker 1: He has money? Oh he can. No, I'm not. It's 824 00:39:43,680 --> 00:39:45,360 Speaker 1: not that. It's who just seems to live a pretty 825 00:39:45,360 --> 00:39:48,960 Speaker 1: normal life. Yeah yeah, all right, there you go. It's 826 00:39:49,040 --> 00:39:52,520 Speaker 1: the best bits of the week with Morgan number two. 827 00:39:53,840 --> 00:39:56,560 Speaker 1: It's a good time for everyone. When I review a 828 00:39:56,719 --> 00:39:59,320 Speaker 1: show from the past or a movie from the past, 829 00:39:59,600 --> 00:40:02,240 Speaker 1: I mean good time for everyone but me, because somehow 830 00:40:02,280 --> 00:40:04,800 Speaker 1: it always ends up by getting trolled on the Internet 831 00:40:04,800 --> 00:40:08,040 Speaker 1: for my reviews. But not this one. I reviewed Beavis 832 00:40:08,080 --> 00:40:10,719 Speaker 1: and butt Head after I watched five episodes of the 833 00:40:10,760 --> 00:40:14,600 Speaker 1: first season and I had a pretty similar review to 834 00:40:14,880 --> 00:40:17,319 Speaker 1: most of the people in the world, though the guys 835 00:40:17,320 --> 00:40:20,000 Speaker 1: on the show were disappointed that I didn't quite like 836 00:40:20,040 --> 00:40:22,000 Speaker 1: it as much as they probably wished I would have. 837 00:40:23,080 --> 00:40:25,080 Speaker 1: That's all I'm gonna say. You can listen to my review. 838 00:40:25,160 --> 00:40:27,920 Speaker 1: My next one up that I have to watch is 839 00:40:27,960 --> 00:40:30,960 Speaker 1: a movie. This time it's Bill and Ted's Excellent Adventure. 840 00:40:31,080 --> 00:40:33,719 Speaker 1: So that is what I'm on if anybody wants to 841 00:40:34,120 --> 00:40:36,520 Speaker 1: review and watch old movies with me. I've never seen 842 00:40:36,760 --> 00:40:38,879 Speaker 1: any of these, so this is the first time I'm 843 00:40:38,880 --> 00:40:41,200 Speaker 1: seeing them in my entire life, and I'm reviewing them 844 00:40:41,200 --> 00:40:44,280 Speaker 1: from this standpoint right now. So I'm sorry if things 845 00:40:44,400 --> 00:40:47,319 Speaker 1: are nostalgic for you. But some of these, watching them now, 846 00:40:47,360 --> 00:40:49,600 Speaker 1: like you know, twenty eight years after they've come out, 847 00:40:49,719 --> 00:40:52,680 Speaker 1: or twenty eight years of my life, they're not very good. 848 00:40:52,800 --> 00:40:54,600 Speaker 1: And that's how I felt about Beavis and butt Head. 849 00:40:54,600 --> 00:40:56,920 Speaker 1: But listen now, you can tell me if your review 850 00:40:57,080 --> 00:40:59,880 Speaker 1: is the same number four. Looking back at some of 851 00:40:59,840 --> 00:41:02,879 Speaker 1: them Morgan's reviews, she gives Steinfeld a two point five 852 00:41:02,920 --> 00:41:06,680 Speaker 1: out of five score two point five jackets and we 853 00:41:06,800 --> 00:41:09,560 Speaker 1: make Morgan go back and watch older shows. Because Morgan 854 00:41:09,680 --> 00:41:14,080 Speaker 1: was born in nineteen ninety Yeah, back to the Future. 855 00:41:14,120 --> 00:41:16,600 Speaker 1: She gave a high score four out of five Deloreans, 856 00:41:17,239 --> 00:41:21,520 Speaker 1: The Karate Kid, four point five out of five, Cobra Kives, 857 00:41:21,600 --> 00:41:24,000 Speaker 1: and only one thing she's ever reviewed got a five 858 00:41:24,040 --> 00:41:26,640 Speaker 1: out of five, and that was Shawshank Redemption. But Austin 859 00:41:26,680 --> 00:41:29,160 Speaker 1: Power's terrible review. The Goonies got a bad review, say 860 00:41:29,239 --> 00:41:31,440 Speaker 1: by the Bell just an okay review. But we had 861 00:41:31,480 --> 00:41:35,680 Speaker 1: her watch Beavis and Butthead, which it's an old cartoon 862 00:41:35,719 --> 00:41:39,480 Speaker 1: from the nineties too idiots. They're like stoner kids, but 863 00:41:39,520 --> 00:41:43,000 Speaker 1: they're not really STI like teenagers. Yeah, but you don't 864 00:41:43,000 --> 00:41:45,600 Speaker 1: really imposers. Really, I don't even think they do any 865 00:41:45,680 --> 00:41:48,880 Speaker 1: bad stuff. We loved it. Like, if you were a 866 00:41:48,920 --> 00:41:52,279 Speaker 1: guy in the late nineties, this was your show. Yeah, 867 00:41:52,280 --> 00:41:55,000 Speaker 1: so moregan, what did you watch this on? Okay, so 868 00:41:55,120 --> 00:41:57,799 Speaker 1: I had to rent it on YouTube or buy it, 869 00:41:57,960 --> 00:42:00,960 Speaker 1: buy the episodes on YouTube YouTube TV. I had to 870 00:42:01,000 --> 00:42:03,799 Speaker 1: go on to YouTube and buy episodes on YouTube own 871 00:42:03,880 --> 00:42:08,600 Speaker 1: them well, yeah for an hour. So you couldn't find 872 00:42:08,680 --> 00:42:10,600 Speaker 1: them on a streaming services. No, like they have them 873 00:42:10,640 --> 00:42:13,080 Speaker 1: on Peacock. But it's only season four through eleven. And 874 00:42:13,120 --> 00:42:15,279 Speaker 1: I started watching that. I was like this doesn't make sense. 875 00:42:15,320 --> 00:42:17,680 Speaker 1: I'm confused, and then I had to do research as 876 00:42:17,719 --> 00:42:20,080 Speaker 1: a whole thing. Okay, so give me your Beavis and 877 00:42:20,120 --> 00:42:22,440 Speaker 1: butthead review. I'm glad that you said it was a 878 00:42:22,480 --> 00:42:24,960 Speaker 1: guy show, because it's very much a guy show. I 879 00:42:25,000 --> 00:42:26,880 Speaker 1: was watching this and I was like, you've got to 880 00:42:26,920 --> 00:42:33,759 Speaker 1: be kidding me. Arguably even more stupid than Austin Powers. Like, 881 00:42:33,960 --> 00:42:35,480 Speaker 1: I was like, is there going to be a point 882 00:42:35,480 --> 00:42:37,440 Speaker 1: to this? And they would have moments where there was 883 00:42:37,480 --> 00:42:40,040 Speaker 1: a point, but seriously, you're just sitting there watching them, 884 00:42:40,040 --> 00:42:45,000 Speaker 1: and I'm like, there's really thirty minutes of them like this. 885 00:42:45,160 --> 00:42:48,800 Speaker 1: The entire time, I couldn't even fathomed that this was 886 00:42:48,840 --> 00:42:50,799 Speaker 1: actually a show on tea, not just a show. It 887 00:42:50,880 --> 00:42:52,399 Speaker 1: was like the best show. We wait for it every 888 00:42:52,440 --> 00:42:55,160 Speaker 1: week to come on. I get that you guys waited 889 00:42:55,200 --> 00:42:56,560 Speaker 1: for it. I would love to know if there are 890 00:42:56,600 --> 00:42:58,720 Speaker 1: any women out there that really love the show, because 891 00:42:58,719 --> 00:43:01,360 Speaker 1: every time I was like, how understand why Bobby and 892 00:43:01,520 --> 00:43:03,920 Speaker 1: Eddie and lunch Rocks and Mike d love the show 893 00:43:03,960 --> 00:43:06,479 Speaker 1: because it's so it's for dudes, so you can laugh 894 00:43:06,920 --> 00:43:10,879 Speaker 1: at very majure things and you have somebody agreeing with you. Yeah, Yeah, 895 00:43:11,239 --> 00:43:15,319 Speaker 1: that's what it was. Yeah, oh gosh, point five out 896 00:43:15,320 --> 00:43:22,399 Speaker 1: of five? What was the unit of measure? That's all 897 00:43:22,440 --> 00:43:27,200 Speaker 1: they did the whole time. And I feel like they 898 00:43:27,239 --> 00:43:30,279 Speaker 1: even encouraged more like bad behavior, like these dudes were 899 00:43:30,280 --> 00:43:33,080 Speaker 1: hanging out with serial killers, why they were painting? How 900 00:43:33,200 --> 00:43:35,719 Speaker 1: Like I'm watching this in real time, and I'm like you, 901 00:43:35,920 --> 00:43:41,879 Speaker 1: they were teaching some really bad lessons. Yeah, I know who. 902 00:43:42,080 --> 00:43:43,960 Speaker 1: You know, they're idiots, so you go, well, they're doing 903 00:43:44,000 --> 00:43:46,560 Speaker 1: idiotic things. Yeah, we'll look at them and go those 904 00:43:46,600 --> 00:43:48,680 Speaker 1: they're real inspirations. I want to be like them. I 905 00:43:48,760 --> 00:43:50,239 Speaker 1: don't know. I feel like people could watch them and 906 00:43:50,320 --> 00:43:51,799 Speaker 1: be like, this is funny. I'm going to do that. 907 00:43:51,800 --> 00:43:55,080 Speaker 1: That's what all the parents said to like allowed to 908 00:43:55,160 --> 00:43:58,439 Speaker 1: a point five? Yeah, that's a new low. Okay, well, 909 00:43:58,560 --> 00:44:00,600 Speaker 1: next up, you'll have a month to watch. Have you 910 00:44:00,640 --> 00:44:04,200 Speaker 1: ever seen Bill and Ted's Excellent Adventure? I have not. Yeah, 911 00:44:04,200 --> 00:44:05,680 Speaker 1: it's one of my favorite movies of all time. It 912 00:44:05,760 --> 00:44:07,680 Speaker 1: was my number one favorite movie from most of my 913 00:44:08,160 --> 00:44:11,440 Speaker 1: life up until like thirty, So that will be next up. 914 00:44:11,560 --> 00:44:14,399 Speaker 1: That is Keano Reeves his first major role, and this 915 00:44:14,520 --> 00:44:17,239 Speaker 1: is from when probably like ninety two or ninety three. 916 00:44:17,320 --> 00:44:21,560 Speaker 1: If I'm going my eighties maybe, oh wown, dang, it's 917 00:44:21,600 --> 00:44:23,759 Speaker 1: not a long time ago. So good though, Morgan, you're 918 00:44:23,800 --> 00:44:25,640 Speaker 1: gonna love it. This is out before she was born. 919 00:44:26,600 --> 00:44:29,080 Speaker 1: It's like four years. Yeah. Next up, Bill and Ted's 920 00:44:29,080 --> 00:44:31,520 Speaker 1: excellent adventure. All right, Morgan, thank you. I do think 921 00:44:31,520 --> 00:44:33,440 Speaker 1: anything's gonna be better than Beavis and By though, I 922 00:44:33,480 --> 00:44:35,200 Speaker 1: really yeah, it's pretty good. I put it a good 923 00:44:35,200 --> 00:44:38,480 Speaker 1: spot to get a good review. It's the best bits 924 00:44:38,520 --> 00:44:43,160 Speaker 1: of the week with Morgan. Number two. I'm throwing in 925 00:44:43,239 --> 00:44:45,920 Speaker 1: two right here because these were big segments on the 926 00:44:45,960 --> 00:44:49,040 Speaker 1: show this week, and it's all about the scamming. Okay, 927 00:44:49,040 --> 00:44:52,560 Speaker 1: Amy almost got scammed again by something that happened on 928 00:44:52,600 --> 00:44:56,040 Speaker 1: the internet, and Eddie likely got scammed in person out 929 00:44:56,040 --> 00:44:58,800 Speaker 1: of gas station. And I don't know what's going around 930 00:44:58,800 --> 00:45:00,520 Speaker 1: in the water here, but I am not drinking it 931 00:45:00,600 --> 00:45:03,720 Speaker 1: because why is everybody getting scammed? You know? I mentioned 932 00:45:03,719 --> 00:45:06,239 Speaker 1: when I was talking to Ray on the part one 933 00:45:06,280 --> 00:45:08,359 Speaker 1: of best bits how I get it though, I don't 934 00:45:08,400 --> 00:45:11,799 Speaker 1: fault anybody for getting scammed besides the artist ones. Listen, 935 00:45:11,800 --> 00:45:13,840 Speaker 1: if we're still getting scammed by artists, we got to 936 00:45:13,840 --> 00:45:16,120 Speaker 1: work something through because there's been messages for like five 937 00:45:16,239 --> 00:45:19,040 Speaker 1: years now that you should not trust people on the 938 00:45:19,080 --> 00:45:22,799 Speaker 1: internet claiming their artists and asking for money. Okay, verification 939 00:45:22,880 --> 00:45:26,000 Speaker 1: is key there, ladies and gentlemen. But the other scams 940 00:45:26,040 --> 00:45:28,760 Speaker 1: I don't fault people for because they have gotten so 941 00:45:28,800 --> 00:45:32,600 Speaker 1: good and they're so tricky. But you know Amy and 942 00:45:32,719 --> 00:45:36,400 Speaker 1: Eddie this week they potentially got scammed, almost got scammed. 943 00:45:36,400 --> 00:45:38,200 Speaker 1: There's just a lot happening here, and I need you 944 00:45:38,239 --> 00:45:41,440 Speaker 1: to hear both of them. Number three, the question is 945 00:45:41,440 --> 00:45:45,200 Speaker 1: is Amy being scammed? She's been scammed a lot. Kid 946 00:45:45,280 --> 00:45:49,000 Speaker 1: get clicking on stuff, im Peter gets shut down, all 947 00:45:49,040 --> 00:45:50,759 Speaker 1: kinds of stuff. You get scam. They came to your 948 00:45:50,760 --> 00:45:52,520 Speaker 1: door and knocked and you gave him some money. And 949 00:45:53,360 --> 00:45:55,879 Speaker 1: yet what day is it? Does it? And why? Yep? 950 00:45:55,920 --> 00:45:57,960 Speaker 1: Amy's being scammed. Well, the guy at my door, to 951 00:45:58,000 --> 00:46:01,200 Speaker 1: be fair, we shared an emotional moment. The guy, to 952 00:46:01,320 --> 00:46:04,360 Speaker 1: be fair, was faking an emotional moment to scam you. 953 00:46:04,520 --> 00:46:07,879 Speaker 1: He was good, Yeah, anyone good? All right? So what 954 00:46:08,000 --> 00:46:10,000 Speaker 1: is the new thing you're wondering if you're being scammed? 955 00:46:10,120 --> 00:46:13,440 Speaker 1: So I was searching up something on my phone on Google, 956 00:46:14,040 --> 00:46:15,960 Speaker 1: and then all of a sudden, it took me not 957 00:46:16,000 --> 00:46:17,839 Speaker 1: to where I was searching, but a website that said 958 00:46:18,000 --> 00:46:21,839 Speaker 1: you've made the fifth billion search. Confetti was falling down 959 00:46:21,880 --> 00:46:24,439 Speaker 1: the page. That's cool. Then it gave me three to film. 960 00:46:24,520 --> 00:46:29,680 Speaker 1: That's cool. It gave me three different presents to choose from, 961 00:46:30,040 --> 00:46:32,239 Speaker 1: and that I had fifteen minutes to click on a 962 00:46:32,280 --> 00:46:35,840 Speaker 1: prize below, and it took everything in me not to 963 00:46:35,880 --> 00:46:41,120 Speaker 1: click because I thought it's crazy. Google is just it 964 00:46:41,200 --> 00:46:45,000 Speaker 1: says here that every fifth billion search, whoever it is, 965 00:46:45,800 --> 00:46:48,520 Speaker 1: they send this too. And Garth did like give the 966 00:46:48,560 --> 00:46:51,560 Speaker 1: one million ticket? Yes, trip and a car. Do you 967 00:46:51,600 --> 00:46:54,200 Speaker 1: see this confetti? Grocery stores do that all the time 968 00:46:55,560 --> 00:46:58,920 Speaker 1: the time. When have you ever seen I probably missed 969 00:46:58,920 --> 00:47:01,040 Speaker 1: out on something, but we'll never no, because I didn't 970 00:47:01,080 --> 00:47:04,000 Speaker 1: have any way to find out if it was credible, 971 00:47:04,080 --> 00:47:06,520 Speaker 1: and I was too nervous to press a box. Well 972 00:47:06,560 --> 00:47:09,319 Speaker 1: you made the right decision. I haven't looked it up. 973 00:47:09,360 --> 00:47:11,839 Speaker 1: But that's a scam. That's absolutely a scam. But how 974 00:47:11,840 --> 00:47:15,839 Speaker 1: did it enter? How do you know billion search? I'm 975 00:47:15,840 --> 00:47:18,960 Speaker 1: sure they have data, but you're sure they have data. 976 00:47:19,000 --> 00:47:20,799 Speaker 1: I'm sure they have data. They have you going to 977 00:47:20,880 --> 00:47:25,440 Speaker 1: whatever little page that is Google. So you just went 978 00:47:25,480 --> 00:47:28,120 Speaker 1: to straight No, I went to Google and go ahead. 979 00:47:28,280 --> 00:47:30,799 Speaker 1: You were talking about someone and I didn't know who 980 00:47:30,800 --> 00:47:34,760 Speaker 1: he was, so I googled him and then I clicked 981 00:47:34,800 --> 00:47:37,480 Speaker 1: on a page about him and this is what popped up. 982 00:47:37,560 --> 00:47:38,839 Speaker 1: Do you want to say who it is? Is Is something 983 00:47:38,880 --> 00:47:40,359 Speaker 1: off the air? I don't want to say. You haven't 984 00:47:40,400 --> 00:47:43,120 Speaker 1: said it on air. Okay, you were just talking about him. Okay, Well, 985 00:47:43,160 --> 00:47:46,759 Speaker 1: here's is the Safari five billion search prize reel. The 986 00:47:46,800 --> 00:47:51,000 Speaker 1: answer is no, it's a scam. Safari not Google, I guess, 987 00:47:51,040 --> 00:47:53,680 Speaker 1: not Safari Google or not the same company. Now I know, 988 00:47:53,840 --> 00:47:56,720 Speaker 1: but I thought, you know. If you see the congratulations 989 00:47:56,719 --> 00:47:58,879 Speaker 1: you've made the five billion search, click here to claim 990 00:47:58,920 --> 00:48:01,919 Speaker 1: your prize. Don't fall for it. It's a trap. It's 991 00:48:01,920 --> 00:48:04,399 Speaker 1: one of the hackers deceptive schemes to lure your credit 992 00:48:04,400 --> 00:48:08,160 Speaker 1: card details and other sensitive info. Dang, see why do 993 00:48:08,200 --> 00:48:12,839 Speaker 1: you still have it up though? Screenshots? No? No, no, 994 00:48:13,440 --> 00:48:17,000 Speaker 1: she's waiting it because it expired in fifteen minutes. So 995 00:48:17,040 --> 00:48:18,799 Speaker 1: I knew I was gonna miss if I missed out, 996 00:48:18,800 --> 00:48:20,640 Speaker 1: I'm missed out. But it didn't expire in fifteen minutes. 997 00:48:20,680 --> 00:48:25,920 Speaker 1: It's it's what it says you. Okay that for technical reasons, 998 00:48:26,239 --> 00:48:28,640 Speaker 1: we are not allowed to keep your invitation open for 999 00:48:28,719 --> 00:48:33,200 Speaker 1: more than fifteen minutes. Technical reason to sign Mike Google. Yah, 1000 00:48:34,280 --> 00:48:36,840 Speaker 1: but I got one and I'm gonna show this. It 1001 00:48:37,000 --> 00:48:39,600 Speaker 1: was a scam. It said bank Mobile Alert, it's who 1002 00:48:39,600 --> 00:48:41,680 Speaker 1: it's from as a text, and then it said call 1003 00:48:41,760 --> 00:48:46,040 Speaker 1: this number. Your visa has been temporary locked. Visa is 1004 00:48:46,160 --> 00:48:49,440 Speaker 1: probably the most widely used credit card. I'm assuming visas, 1005 00:48:49,760 --> 00:48:51,359 Speaker 1: So if you're just playing a numbers game, is sending 1006 00:48:51,360 --> 00:48:53,520 Speaker 1: this to a lot of people Because I have a visa, 1007 00:48:54,000 --> 00:48:57,160 Speaker 1: I thought, and I didn't push it. But for a 1008 00:48:57,200 --> 00:49:01,640 Speaker 1: split second, see no, no, not se and not see 1009 00:49:01,840 --> 00:49:04,839 Speaker 1: For one second, I go, I'm not going to click 1010 00:49:04,840 --> 00:49:06,480 Speaker 1: anything that's sent to me if I don't for sure 1011 00:49:06,520 --> 00:49:08,600 Speaker 1: know it's coming. So you called them and I guess 1012 00:49:08,600 --> 00:49:10,279 Speaker 1: they You got to give them your credit card number 1013 00:49:10,280 --> 00:49:13,000 Speaker 1: for them to unlock it, quote unquote yes, like what's 1014 00:49:13,000 --> 00:49:18,200 Speaker 1: your number? Yeah? Wow, so so good. You just can't. 1015 00:49:18,280 --> 00:49:20,279 Speaker 1: You can't trust anybody anymore. Now. If I get a 1016 00:49:20,280 --> 00:49:22,000 Speaker 1: text matches from my friend, straight up, I don't even read. 1017 00:49:22,000 --> 00:49:24,160 Speaker 1: It's a scam. I don't believe it. Don't trust anything 1018 00:49:24,200 --> 00:49:25,840 Speaker 1: anybody send to me at all. It's all unless you 1019 00:49:25,840 --> 00:49:27,480 Speaker 1: come and knock on my door into It's like back 1020 00:49:27,520 --> 00:49:29,919 Speaker 1: to the twenties again. I don't trust anything except human 1021 00:49:30,040 --> 00:49:32,560 Speaker 1: human contact. But yes, Amy, you did right by not 1022 00:49:32,560 --> 00:49:35,200 Speaker 1: clicking the good job Amy, then we've shared with listeners. 1023 00:49:35,239 --> 00:49:37,560 Speaker 1: Don't fall for that because you're not the fifteenth billion 1024 00:49:37,719 --> 00:49:41,480 Speaker 1: on Safari or anything, anything or anything. You didn't win 1025 00:49:41,520 --> 00:49:44,080 Speaker 1: anything by just logging on. Yeah, and your friend or 1026 00:49:44,080 --> 00:49:46,360 Speaker 1: whomever I was searching. I don't know what's up with 1027 00:49:46,400 --> 00:49:50,360 Speaker 1: his name? Is it attached to certain people I don't remember? 1028 00:49:52,400 --> 00:49:55,920 Speaker 1: Tell you later? So I don't know how to answer that. Okay, Um, 1029 00:49:56,000 --> 00:49:58,080 Speaker 1: Amy didn't get scammed, and that is a small victory. 1030 00:49:58,080 --> 00:50:03,440 Speaker 1: We're teach children, Well, maybe they won't click on the 1031 00:50:03,520 --> 00:50:05,919 Speaker 1: scam accounts. I do want to go over to Eddie 1032 00:50:05,920 --> 00:50:08,040 Speaker 1: for a second, because this is a scam story that 1033 00:50:08,120 --> 00:50:11,680 Speaker 1: I can't figure out. And we get they're attempted scams 1034 00:50:11,680 --> 00:50:13,879 Speaker 1: every day, their text message, people knocking on name the door. 1035 00:50:13,880 --> 00:50:15,440 Speaker 1: I'm getting things. I'm like, should I click it? I 1036 00:50:15,440 --> 00:50:18,239 Speaker 1: don't know different kind of scam here or maybe not 1037 00:50:18,280 --> 00:50:19,920 Speaker 1: at all. What happened it was weird. I was at 1038 00:50:19,960 --> 00:50:22,359 Speaker 1: the gas pump and a lady comes up to me 1039 00:50:22,719 --> 00:50:25,080 Speaker 1: and she has forty dollars in cash. Just can they 1040 00:50:25,160 --> 00:50:28,520 Speaker 1: please help me out? Can I use your credit card 1041 00:50:28,800 --> 00:50:31,319 Speaker 1: to pump gas? I'll give you the cash here it 1042 00:50:31,400 --> 00:50:33,799 Speaker 1: is right here, and you can put your credit card 1043 00:50:33,800 --> 00:50:36,480 Speaker 1: in my machine and I'll pump gas. And I go, 1044 00:50:36,719 --> 00:50:39,279 Speaker 1: why don't you just give them cash inside? They're not 1045 00:50:39,320 --> 00:50:41,960 Speaker 1: accepting cash? I don't know, is that true? I don't know, 1046 00:50:42,000 --> 00:50:44,319 Speaker 1: I said, how, I said, how are they not accepting cash? 1047 00:50:44,320 --> 00:50:46,960 Speaker 1: It's usually the other way around. That's strange. I said, 1048 00:50:46,960 --> 00:50:49,080 Speaker 1: all right, well, you know what, there's really I'm thinking 1049 00:50:49,080 --> 00:50:51,359 Speaker 1: in my head, there's no way I can get scammed here. 1050 00:50:51,760 --> 00:50:54,920 Speaker 1: I'm gonna watch her pump and I'll just make sure 1051 00:50:54,960 --> 00:50:56,520 Speaker 1: she doesn't go over the forty dollars. You never handed 1052 00:50:56,560 --> 00:50:58,360 Speaker 1: her your card, No, I went you put it in, 1053 00:50:58,360 --> 00:51:00,000 Speaker 1: then you stayed on watch. I went in put it up. 1054 00:51:00,080 --> 00:51:01,879 Speaker 1: Let me let me just draw this out John Madden 1055 00:51:01,920 --> 00:51:05,640 Speaker 1: on the TV with the lines. Okay, so you're at 1056 00:51:05,640 --> 00:51:08,680 Speaker 1: the gas station, you have credit card, you pump in 1057 00:51:08,680 --> 00:51:10,960 Speaker 1: your own gas. Lady says I only have cash. Can 1058 00:51:11,120 --> 00:51:13,000 Speaker 1: use your credit card and give she gives you the cash, 1059 00:51:13,160 --> 00:51:14,279 Speaker 1: gives it to me. You have a lot of links 1060 00:51:14,280 --> 00:51:16,520 Speaker 1: appeared on what happened to you, Eddie, Are you serious? 1061 00:51:16,880 --> 00:51:20,239 Speaker 1: I do? I yes, I would I get scammed. I 1062 00:51:20,239 --> 00:51:24,640 Speaker 1: would say, I'm a reader on the it's a skimmer, 1063 00:51:24,680 --> 00:51:27,359 Speaker 1: probably credit card. I have your credit card, simm you. 1064 00:51:29,160 --> 00:51:31,319 Speaker 1: Are you sure? No, I'm not sure because I wasn't there, 1065 00:51:31,440 --> 00:51:33,720 Speaker 1: But that's most likely. What I would assume is that 1066 00:51:33,800 --> 00:51:35,680 Speaker 1: she wants you to put her your credit card on 1067 00:51:35,719 --> 00:51:39,080 Speaker 1: the machine because she just put it up. They just 1068 00:51:39,080 --> 00:51:40,640 Speaker 1: put it up there and got your credit card and 1069 00:51:40,640 --> 00:51:42,200 Speaker 1: then they take it down, move to the next gas state. 1070 00:51:42,280 --> 00:51:44,960 Speaker 1: This is not good. Well, so you do it. You leave. 1071 00:51:45,000 --> 00:51:46,879 Speaker 1: Have you looked at your credit card statements since? Yeah, 1072 00:51:46,880 --> 00:51:49,720 Speaker 1: this was like just yesterday, So I'm I haven't gotten 1073 00:51:49,920 --> 00:51:52,040 Speaker 1: charged yet. Well, it takes a day though, sometimes at 1074 00:51:52,080 --> 00:51:54,200 Speaker 1: least I'm mine for things to hit. Oh I thought 1075 00:51:54,239 --> 00:51:56,000 Speaker 1: you get I thought you meant to get scammed. No, 1076 00:51:56,080 --> 00:51:59,839 Speaker 1: I'm saying if I buy something, it pops up yes day. Yeah. Really. 1077 00:52:00,920 --> 00:52:04,240 Speaker 1: How to spot a card skimmer at gas pumps. External 1078 00:52:04,280 --> 00:52:06,680 Speaker 1: skimmers and devices that theeves attach over a real credit 1079 00:52:06,680 --> 00:52:08,799 Speaker 1: card slot at a gas station pop as customers swipe 1080 00:52:08,840 --> 00:52:10,960 Speaker 1: their card in this swipe their cards into the skimmer, 1081 00:52:11,000 --> 00:52:14,880 Speaker 1: that device saves and stores card information immediately. Well do 1082 00:52:14,920 --> 00:52:18,480 Speaker 1: you think because she literally could have been struggling and 1083 00:52:18,520 --> 00:52:21,080 Speaker 1: they maybe didn't take cash. She looked like she was 1084 00:52:21,080 --> 00:52:24,359 Speaker 1: in a hurry. Well, yeah, that's probably that. That's that's sense. 1085 00:52:24,440 --> 00:52:27,000 Speaker 1: The urgency got me kind of in the help mode. 1086 00:52:27,840 --> 00:52:29,360 Speaker 1: I don't know, man, I mean, I thought I was 1087 00:52:29,400 --> 00:52:32,520 Speaker 1: being smart by like watching every single number go on 1088 00:52:32,560 --> 00:52:34,480 Speaker 1: the met I'm like, don't go over that forty, don't 1089 00:52:34,480 --> 00:52:36,239 Speaker 1: go over that forty. And so when she didn't, she goes, 1090 00:52:36,239 --> 00:52:37,440 Speaker 1: I look, hey, you can even look at it. I 1091 00:52:37,480 --> 00:52:38,960 Speaker 1: didn't go over the forty. I was like, okay, good, 1092 00:52:39,120 --> 00:52:41,919 Speaker 1: we're good here. I would have fallen for this one, 1093 00:52:42,480 --> 00:52:45,080 Speaker 1: I think, man. Or maybe I would have walked inside 1094 00:52:45,080 --> 00:52:47,040 Speaker 1: and said, hey, you guys taken cash. But I would 1095 00:52:47,120 --> 00:52:51,160 Speaker 1: have seen someone in need and in a hurry and 1096 00:52:51,160 --> 00:52:54,399 Speaker 1: thought I can help. Dang, I felt for it. Maybe, Hey, 1097 00:52:54,480 --> 00:52:56,279 Speaker 1: so you did good. So what do I do now? 1098 00:52:56,320 --> 00:52:59,240 Speaker 1: Should I just cancel my credit card before anything happens? Well, 1099 00:52:59,280 --> 00:53:00,920 Speaker 1: we want to see a lot of charges. I don't know, 1100 00:53:02,560 --> 00:53:04,880 Speaker 1: So we want to we want to actually follow up 1101 00:53:04,920 --> 00:53:08,720 Speaker 1: and be like wowsed up? Man us distressed scammers standing 1102 00:53:08,719 --> 00:53:11,080 Speaker 1: around while your gas tank refills makes you a sitting 1103 00:53:11,120 --> 00:53:14,200 Speaker 1: target for people who are hanging around pumps with a 1104 00:53:14,239 --> 00:53:16,440 Speaker 1: sob story for anyone who will listen. Usually they say 1105 00:53:16,480 --> 00:53:18,400 Speaker 1: that any money for gas? We know this one, or 1106 00:53:18,480 --> 00:53:21,560 Speaker 1: they come up sure. The more sophisticated crooks might might 1107 00:53:21,560 --> 00:53:23,440 Speaker 1: point to a car with kids in the back and 1108 00:53:23,520 --> 00:53:27,040 Speaker 1: you know hey, or they say hey, they're not accepting cash. 1109 00:53:27,080 --> 00:53:29,400 Speaker 1: It says that, yeah, well, so what are we supposed 1110 00:53:29,400 --> 00:53:31,640 Speaker 1: to do while we're pumping? I closed my eyes and 1111 00:53:31,719 --> 00:53:35,640 Speaker 1: ears Ago, I can't hear you pumps too loud. I 1112 00:53:35,640 --> 00:53:38,640 Speaker 1: don't know. I don't know because it's always something new. Wow, 1113 00:53:39,200 --> 00:53:42,000 Speaker 1: go sit inside and act like you're talking on the phone. Man. 1114 00:53:42,040 --> 00:53:44,279 Speaker 1: I knew this was weird, but I just kind of 1115 00:53:44,600 --> 00:53:46,120 Speaker 1: ran through it in my head. I'm like, there's no 1116 00:53:46,280 --> 00:53:48,200 Speaker 1: I can't figure out a way how I can get 1117 00:53:48,280 --> 00:53:50,319 Speaker 1: scammed here. I couldn't either. When you told me, I 1118 00:53:50,360 --> 00:53:52,719 Speaker 1: was like, I don't know. And then a little bit 1119 00:53:52,719 --> 00:53:56,080 Speaker 1: ago Mike said it's probably a skimmer scammers. I feel 1120 00:53:56,080 --> 00:53:58,640 Speaker 1: like Eddie's getting a pass on getting scammed. Yeah, because 1121 00:53:58,680 --> 00:54:01,120 Speaker 1: this one's I would have fallen. You wouldn't afford the 1122 00:54:01,160 --> 00:54:03,520 Speaker 1: guy that came to my door. This is next level 1123 00:54:03,680 --> 00:54:06,719 Speaker 1: Eddie's was next level. It was smart. Well, but I mean, 1124 00:54:06,760 --> 00:54:09,000 Speaker 1: I would be so suspicious when someone tells me they're 1125 00:54:09,000 --> 00:54:12,160 Speaker 1: not taking cash. Yeah, everywhere takes cash. Not true. We 1126 00:54:12,200 --> 00:54:13,520 Speaker 1: went to ashcreen places the day and they're like, we 1127 00:54:13,520 --> 00:54:15,839 Speaker 1: don't accept cash. It's only cards only. So that's not true. 1128 00:54:16,400 --> 00:54:19,120 Speaker 1: Um so, but I would think a gas station would, 1129 00:54:19,800 --> 00:54:22,680 Speaker 1: but not everywhere takes cash. Amy, you're the difference in 1130 00:54:22,719 --> 00:54:24,160 Speaker 1: yours is the guy came to your door and he knocked. 1131 00:54:24,320 --> 00:54:26,719 Speaker 1: He said, hello, mam, I'm here to scam. Sorry, I'm 1132 00:54:26,719 --> 00:54:30,920 Speaker 1: here to help. You know, he had laminated Binder on 1133 00:54:30,960 --> 00:54:32,719 Speaker 1: the one side, I said scammer, but others said please 1134 00:54:32,760 --> 00:54:34,400 Speaker 1: help me, and he had the wrong He had that 1135 00:54:34,520 --> 00:54:37,880 Speaker 1: side clipped right. And you gave him a lot of money. 1136 00:54:38,080 --> 00:54:40,279 Speaker 1: You gave him money. Edie thought he was getting money back. 1137 00:54:41,400 --> 00:54:43,880 Speaker 1: He ran my credit card that I entered into his 1138 00:54:43,920 --> 00:54:46,400 Speaker 1: cell phone. Someone says, I don't know. We got a 1139 00:54:46,440 --> 00:54:48,480 Speaker 1: jump bray. But let me take Devin to Kentucky real quick. 1140 00:54:49,680 --> 00:54:53,520 Speaker 1: This is an interesting idea. Devin. You're on. What do 1141 00:54:53,560 --> 00:54:56,880 Speaker 1: you think happened? Bobby Bones? How you guys doing in 1142 00:54:56,920 --> 00:55:00,319 Speaker 1: the foodio? Pretty good, buddy, you heard the story your 1143 00:55:00,360 --> 00:55:04,520 Speaker 1: idea is I believe it could have been counterfeit money. 1144 00:55:04,680 --> 00:55:08,200 Speaker 1: Maybe have it checked out or just spend it real quick. Oh, 1145 00:55:08,520 --> 00:55:11,399 Speaker 1: hold it up to the light. Oh look here's something. 1146 00:55:11,719 --> 00:55:15,080 Speaker 1: Oh wow, look it's Steve Carrell on it said at 1147 00:55:15,080 --> 00:55:18,200 Speaker 1: George Washington. It's uh, where is it? Remember I might 1148 00:55:18,200 --> 00:55:19,759 Speaker 1: have left this at the house. Here. Here it's the 1149 00:55:19,800 --> 00:55:22,239 Speaker 1: purple one. Here you go. I think here's one of them. 1150 00:55:22,600 --> 00:55:27,200 Speaker 1: Hold it up in the light. That's probably real money. Huh, 1151 00:55:27,239 --> 00:55:29,239 Speaker 1: that's one of them. Lunchboy should keep that and do 1152 00:55:29,320 --> 00:55:34,640 Speaker 1: some investigation. We'll check it out. Thank you for your 1153 00:55:34,640 --> 00:55:39,239 Speaker 1: called Devin. It's the Best Bits of the Week with 1154 00:55:39,280 --> 00:55:47,160 Speaker 1: Morgan number two. Some incredibly exciting news Scooba. Steve announced 1155 00:55:47,160 --> 00:55:49,640 Speaker 1: that he and his wife are expecting another baby on 1156 00:55:49,680 --> 00:55:51,880 Speaker 1: the show this week. But it was a twofold kind 1157 00:55:51,920 --> 00:55:55,000 Speaker 1: of situation when he announced this because it wasn't just 1158 00:55:55,120 --> 00:55:58,480 Speaker 1: an announcement. He also revealed that his wife wants him 1159 00:55:58,480 --> 00:56:00,839 Speaker 1: to get a vasectomy and he does not want to, 1160 00:56:00,920 --> 00:56:02,920 Speaker 1: like at all, like ever in his life, he does 1161 00:56:02,920 --> 00:56:05,400 Speaker 1: not want it to happen, and so we talked about that. 1162 00:56:05,440 --> 00:56:08,200 Speaker 1: It was it was a hot, heated topic in the studio. 1163 00:56:08,320 --> 00:56:10,759 Speaker 1: Some people believe he should do what he wants, and 1164 00:56:10,840 --> 00:56:12,520 Speaker 1: others believed he should get it done, and it was 1165 00:56:12,560 --> 00:56:15,200 Speaker 1: just a whole situation. So I'm gonna let you listen 1166 00:56:15,239 --> 00:56:17,280 Speaker 1: to this and you can decide for yourself, but definitely 1167 00:56:17,320 --> 00:56:21,440 Speaker 1: send your congratulations to Scuba. Steve and his wife super 1168 00:56:21,480 --> 00:56:25,360 Speaker 1: exciting that they are having another baby number two. You know, 1169 00:56:25,400 --> 00:56:29,239 Speaker 1: the Musk's just kind of a bizarre family. I mean, 1170 00:56:29,480 --> 00:56:32,799 Speaker 1: Elon he's having He's had a bunch of kids, right, 1171 00:56:32,840 --> 00:56:35,319 Speaker 1: but then he had I think twins with one of 1172 00:56:35,320 --> 00:56:38,399 Speaker 1: his executives at Tesla, and that just kind of came 1173 00:56:38,400 --> 00:56:41,160 Speaker 1: out that the twins were already born. And then his dad, 1174 00:56:41,520 --> 00:56:44,200 Speaker 1: which we talked about yesterday, he's seventy six and he 1175 00:56:44,280 --> 00:56:47,520 Speaker 1: just had a second child, not a second child overall, 1176 00:56:47,560 --> 00:56:49,759 Speaker 1: but a second child with his thirty five year old stepdaughter. 1177 00:56:50,880 --> 00:56:55,520 Speaker 1: So that's weird. I mean, Elon's described his dad as 1178 00:56:55,560 --> 00:56:57,799 Speaker 1: evil and a terrible human being. Is dad as an 1179 00:56:57,840 --> 00:56:59,640 Speaker 1: engineer though, So we got that, okay, but it's just 1180 00:57:01,120 --> 00:57:04,600 Speaker 1: and Elon is like, the biggest threat to Earth is 1181 00:57:04,719 --> 00:57:07,360 Speaker 1: under population, That's what he is saying. So he's like, 1182 00:57:07,440 --> 00:57:10,279 Speaker 1: have a lot of kids. Well, I was thinking about 1183 00:57:10,280 --> 00:57:13,120 Speaker 1: Scuba Steve, because sco your wife is just telling you 1184 00:57:13,160 --> 00:57:15,200 Speaker 1: to get a v sect to me constantly, and when 1185 00:57:15,200 --> 00:57:18,080 Speaker 1: I hear that word, I just I absolutely cringe. So 1186 00:57:18,120 --> 00:57:19,680 Speaker 1: you don't want to get one. I do not want 1187 00:57:19,680 --> 00:57:22,040 Speaker 1: to get one. No, do you want to have more kids? 1188 00:57:23,080 --> 00:57:25,480 Speaker 1: That's the debate we're having because we haven't revealed this 1189 00:57:25,520 --> 00:57:27,320 Speaker 1: too much on the show. I think you know, but 1190 00:57:27,440 --> 00:57:30,280 Speaker 1: we have our third child coming and once we found 1191 00:57:30,280 --> 00:57:32,120 Speaker 1: that album, Life's like, you're done. That's a three and 1192 00:57:32,240 --> 00:57:34,360 Speaker 1: three were no more? You mean to get a sect? 1193 00:57:34,560 --> 00:57:39,000 Speaker 1: I came in saying I can't do it. So okay, 1194 00:57:39,120 --> 00:57:42,120 Speaker 1: let's say that you could just say the word gibble 1195 00:57:42,160 --> 00:57:45,080 Speaker 1: gobble and then you're not. You wouldn't have kids anymore, Okay, 1196 00:57:45,120 --> 00:57:46,640 Speaker 1: you would stop at three. If you just said the 1197 00:57:46,640 --> 00:57:49,840 Speaker 1: word gibblegobble three times? Would you say gibblegobble three times? Ago? Okay, 1198 00:57:49,840 --> 00:57:51,919 Speaker 1: I'm done having kids? No, because gibble gobble is still 1199 00:57:51,920 --> 00:57:53,960 Speaker 1: related to me doing this Silgrey, you have to do 1200 00:57:53,960 --> 00:57:56,080 Speaker 1: no surgery, just all of a sudden, It's like beetlejuice. 1201 00:57:56,080 --> 00:57:58,280 Speaker 1: He shows up. Say it three times, gibble say GiB 1202 00:57:58,560 --> 00:58:00,400 Speaker 1: no, no no, no, it's not a real thing. But if 1203 00:58:00,440 --> 00:58:03,320 Speaker 1: you could just say those words, there's no surgery, there's nothing, 1204 00:58:03,600 --> 00:58:06,800 Speaker 1: and then you no more kids? Would you do that? 1205 00:58:06,800 --> 00:58:08,520 Speaker 1: That's part of it. The other part of it is 1206 00:58:08,520 --> 00:58:10,760 Speaker 1: is I still want to be able to have children 1207 00:58:10,800 --> 00:58:12,480 Speaker 1: at some point, like it might change my mind and 1208 00:58:12,560 --> 00:58:14,800 Speaker 1: she changes her mind in three or four years. Isn't 1209 00:58:14,800 --> 00:58:17,080 Speaker 1: it reversible? Yeah, but you have to go through surgery again, 1210 00:58:17,080 --> 00:58:19,919 Speaker 1: and that's pain. You're scared of the cutting. I'm scared 1211 00:58:19,960 --> 00:58:22,640 Speaker 1: of any any kind of surgery, needles, all that, and no, 1212 00:58:22,760 --> 00:58:25,320 Speaker 1: thank you. Is it surgery or needles or is it 1213 00:58:25,360 --> 00:58:29,040 Speaker 1: surgery and needles down there? Surgery and needles in general, 1214 00:58:29,080 --> 00:58:31,959 Speaker 1: but down there is a great way to really freak 1215 00:58:32,000 --> 00:58:33,480 Speaker 1: me out. You know, there have been millions of men 1216 00:58:33,480 --> 00:58:35,920 Speaker 1: who've had it done. That's fine, no, no no, no, no, 1217 00:58:35,960 --> 00:58:38,520 Speaker 1: But I'm just saying, yes, it's scary. Yeah. I when 1218 00:58:38,560 --> 00:58:41,840 Speaker 1: I went to get a colonoscopy in an endoscopy because 1219 00:58:41,840 --> 00:58:44,080 Speaker 1: I have digestion issues and not the same. But I thought, 1220 00:58:44,520 --> 00:58:47,400 Speaker 1: oh no, I'm scared because they're sticking a tube up 1221 00:58:47,480 --> 00:58:49,640 Speaker 1: my butt but also into my body and they have 1222 00:58:49,640 --> 00:58:51,160 Speaker 1: to put me under. And then I'm like, they do 1223 00:58:51,200 --> 00:58:53,439 Speaker 1: this every day with old people, young people, same thing. 1224 00:58:54,120 --> 00:58:59,760 Speaker 1: There are men a lot more manlier than you. Okay, 1225 00:58:59,520 --> 00:59:02,680 Speaker 1: I'm gotten it done in the world right now, someone's 1226 00:59:02,680 --> 00:59:06,439 Speaker 1: getting it done, so you shouldn't be scared of it. 1227 00:59:07,360 --> 00:59:09,680 Speaker 1: I also understand that you think you might want to 1228 00:59:09,720 --> 00:59:12,200 Speaker 1: have kids again later thing, but she doesn't want you to. 1229 00:59:12,600 --> 00:59:14,760 Speaker 1: She that's what we always in the moment, we have 1230 00:59:14,840 --> 00:59:16,760 Speaker 1: these thoughts, but then years go by and you change 1231 00:59:16,760 --> 00:59:18,680 Speaker 1: your mind. But in the moment, okay, that's a different thought. 1232 00:59:18,840 --> 00:59:21,880 Speaker 1: In the moment thought, the whole different thought is that 1233 00:59:21,960 --> 00:59:24,000 Speaker 1: we want to have a kid, or we're in the moment, 1234 00:59:24,000 --> 00:59:26,760 Speaker 1: we're just what happens happens. Well, I mean, that's what 1235 00:59:26,760 --> 00:59:28,960 Speaker 1: happened when we got our third kid. Just what happens happens. 1236 00:59:29,280 --> 00:59:31,800 Speaker 1: So she's afraid that's going to continue to happen because 1237 00:59:31,840 --> 00:59:35,160 Speaker 1: we're both really good at making kids, and she's afraid 1238 00:59:35,160 --> 00:59:36,720 Speaker 1: that will continue to have more and more kids and 1239 00:59:36,800 --> 00:59:38,520 Speaker 1: she won't be able to handle the stress of having 1240 00:59:38,520 --> 00:59:40,840 Speaker 1: more and more children and you and she doesn't want anymore. 1241 00:59:40,880 --> 00:59:43,760 Speaker 1: You're good, she's good, she's she would be fine with 1242 00:59:43,840 --> 00:59:45,680 Speaker 1: three and done. But I feel like there would still 1243 00:59:45,680 --> 00:59:47,000 Speaker 1: be the inkling in the back of her head, what 1244 00:59:47,040 --> 00:59:49,200 Speaker 1: if we could have one more why can't you just 1245 00:59:49,320 --> 00:59:52,680 Speaker 1: get the vasectomy and then if you don't want it anymore? 1246 00:59:52,760 --> 00:59:56,680 Speaker 1: Hab it reversed and she let her still go surgery 1247 00:59:56,720 --> 00:59:59,240 Speaker 1: less because why can't we just not have the vasectomy 1248 00:59:59,280 --> 01:00:01,880 Speaker 1: because you may have another kid? Well, then that happens, 1249 01:00:01,920 --> 01:00:03,400 Speaker 1: then that's just part of life. But she doesn't want 1250 01:00:03,440 --> 01:00:05,280 Speaker 1: to have another kid. I know, I know that that's 1251 01:00:05,280 --> 01:00:07,480 Speaker 1: where that's where I I can't figure out what to 1252 01:00:07,520 --> 01:00:09,040 Speaker 1: do because I want to please her and I wanted 1253 01:00:09,080 --> 01:00:15,800 Speaker 1: to be happy. If I roll this dice spot and 1254 01:00:15,800 --> 01:00:17,680 Speaker 1: you don't have to do it it lands on seven, 1255 01:00:18,160 --> 01:00:21,040 Speaker 1: this is a sign from above. Okay. That's saying Scuba 1256 01:00:21,080 --> 01:00:23,640 Speaker 1: Steve should get a basectomy. Oh my gosh, I'm gonna roll. 1257 01:00:23,640 --> 01:00:26,400 Speaker 1: I'll even roll it up front if it lands on seven. 1258 01:00:26,560 --> 01:00:30,520 Speaker 1: This is divine dice intervention. Okay. Is this a hundred 1259 01:00:30,520 --> 01:00:33,120 Speaker 1: tided to die or no, it's a ten sided shot. 1260 01:00:33,600 --> 01:00:39,800 Speaker 1: It lines on seven. Shutop it, Come on, come on. 1261 01:00:41,160 --> 01:00:44,400 Speaker 1: That's the face of a snots walking over. No, it's 1262 01:00:44,440 --> 01:00:49,120 Speaker 1: not shut up, come on not six? Okay, thank you, 1263 01:00:49,920 --> 01:00:53,640 Speaker 1: it was next door. I was knocking on it. Here's 1264 01:00:53,680 --> 01:00:56,800 Speaker 1: my sign to not do it. Okay, So would you 1265 01:00:56,920 --> 01:01:01,080 Speaker 1: rather have another kid in a year, or get a vasectomy. 1266 01:01:01,160 --> 01:01:02,840 Speaker 1: I had right up, another kid in the year for sure? 1267 01:01:02,920 --> 01:01:05,240 Speaker 1: Would okay, god, yeah, but what about her? What would 1268 01:01:05,240 --> 01:01:08,960 Speaker 1: she rather do the vasectomy? Yeah? Why not? Let her 1269 01:01:08,960 --> 01:01:11,280 Speaker 1: win one? Because I feel like she wins a lot 1270 01:01:11,360 --> 01:01:14,840 Speaker 1: and I want to and she like, does your ironed 1271 01:01:14,840 --> 01:01:19,240 Speaker 1: your underwear? Let him talk? Let'm talking if I want 1272 01:01:19,240 --> 01:01:22,200 Speaker 1: to hear this. I don't want to put myself in 1273 01:01:22,200 --> 01:01:24,160 Speaker 1: a position where I will get what I what I'm 1274 01:01:24,160 --> 01:01:26,840 Speaker 1: going to say, but I just I can't do it. 1275 01:01:26,880 --> 01:01:29,880 Speaker 1: And it hasn't du You can. I'm sure that I can, 1276 01:01:29,920 --> 01:01:31,800 Speaker 1: but I don't want to. Okay, one more role, one 1277 01:01:31,840 --> 01:01:34,640 Speaker 1: hundred side of dies. Okay, Filan's on seven. That's a 1278 01:01:34,720 --> 01:01:37,040 Speaker 1: real side. That's a real yeah. But if one and 1279 01:01:37,120 --> 01:01:38,920 Speaker 1: a hundred like that, then then I'm doing it to 1280 01:01:38,920 --> 01:01:43,040 Speaker 1: tomorrow thirteen Okay, good, pretty close though. Okay, Well, let 1281 01:01:43,080 --> 01:01:45,160 Speaker 1: us know how this goes. I vote. Let's let's vote 1282 01:01:45,360 --> 01:01:49,680 Speaker 1: vote vasectomy, vaseectomy. Never get a vasectomy. Don't get a vasectomy. 1283 01:01:49,800 --> 01:01:53,080 Speaker 1: Oh wow, all right, there we go. Okay, to do it, Morgan, 1284 01:01:53,400 --> 01:01:57,120 Speaker 1: Oh get the vaseectomy. She's had she's now having three children, 1285 01:01:57,200 --> 01:01:59,160 Speaker 1: Like it's get it. If she were to say, hey, 1286 01:01:59,200 --> 01:02:00,760 Speaker 1: I'm going to get my two tubes side, would you 1287 01:02:00,840 --> 01:02:02,560 Speaker 1: let would you be like, okay, cool, No, I would 1288 01:02:02,680 --> 01:02:04,400 Speaker 1: want that either, because then it takes with a chance 1289 01:02:04,400 --> 01:02:06,919 Speaker 1: of having kids. Three ladies were spoken, get up a second, 1290 01:02:09,320 --> 01:02:11,880 Speaker 1: all three of them. Let us know how it goes, 1291 01:02:12,040 --> 01:02:15,920 Speaker 1: and that that conversation. Congratulations on your third baby. Thank you. 1292 01:02:15,960 --> 01:02:18,400 Speaker 1: I can't wait for It's gonna be amazing. But I 1293 01:02:18,440 --> 01:02:20,760 Speaker 1: think you should if she would like you to get it. 1294 01:02:20,920 --> 01:02:26,240 Speaker 1: Eddie doesn't have one. I don't sounds like people start 1295 01:02:26,320 --> 01:02:28,480 Speaker 1: thinking things. We were doing a c section of the 1296 01:02:28,520 --> 01:02:31,240 Speaker 1: doctor said, hey, we're already in there. If you want 1297 01:02:31,480 --> 01:02:33,760 Speaker 1: what do you call that one? Tups tide? Yeah, you 1298 01:02:33,800 --> 01:02:35,480 Speaker 1: want that done? You can get it done. And this 1299 01:02:35,600 --> 01:02:38,480 Speaker 1: number line's on sixty nine. You have to get one. Okay, 1300 01:02:38,880 --> 01:02:46,920 Speaker 1: let's play what eighty nine? We have a doctor right 1301 01:02:46,920 --> 01:02:51,680 Speaker 1: outside the door. It's on sixty nine. Here you go, 1302 01:02:52,600 --> 01:02:55,840 Speaker 1: thirty nine. A lot of nines though, Boynes Okay, school 1303 01:02:55,840 --> 01:02:57,960 Speaker 1: with Steve keep us updated. Okay, all right, all right, 1304 01:02:59,280 --> 01:03:02,880 Speaker 1: it's the Best Bits of the Week with Morgan number 1305 01:03:02,880 --> 01:03:06,640 Speaker 1: two and Hot, Hot, Hot in the number one spot. 1306 01:03:06,680 --> 01:03:11,560 Speaker 1: Because Lunchbox has an acting opportunity, but not just anyone, 1307 01:03:11,720 --> 01:03:13,600 Speaker 1: and we don't really know much of the details yet. 1308 01:03:13,640 --> 01:03:16,000 Speaker 1: Bobby and Scuba Steve have been working on this for 1309 01:03:16,040 --> 01:03:18,800 Speaker 1: a while. They finally announced on the show this week 1310 01:03:18,960 --> 01:03:22,600 Speaker 1: that they have an acting audition for a Lunchbox. It's 1311 01:03:22,640 --> 01:03:24,880 Speaker 1: not a guaranteed role, but he has to go to 1312 01:03:25,000 --> 01:03:28,560 Speaker 1: the acting audition. See what happens, and yeah, it's pretty exciting, 1313 01:03:28,600 --> 01:03:30,600 Speaker 1: but he's already freaking out. He already you know, wanted 1314 01:03:30,600 --> 01:03:32,600 Speaker 1: to detect his wife and say he got it. You 1315 01:03:32,640 --> 01:03:34,800 Speaker 1: know how it goes with Lunchbox when we tell him 1316 01:03:34,840 --> 01:03:37,320 Speaker 1: something exciting. So just listen to this. This was a 1317 01:03:37,360 --> 01:03:40,120 Speaker 1: really fun moment on the show this week because if 1318 01:03:40,120 --> 01:03:42,320 Speaker 1: you've been listening for a while, you know Lunchbox has 1319 01:03:42,360 --> 01:03:45,600 Speaker 1: been taking acting lessons. He was really disappointed when Amy 1320 01:03:45,720 --> 01:03:47,880 Speaker 1: was the one going to Hollywood for an acting role 1321 01:03:48,800 --> 01:03:50,680 Speaker 1: a few months ago. Wow, last year, it feels like 1322 01:03:50,680 --> 01:03:53,880 Speaker 1: it's been so many months. But when she went and 1323 01:03:53,920 --> 01:03:55,960 Speaker 1: did that in Hollywood, and he was super disappointed. So 1324 01:03:56,080 --> 01:03:59,040 Speaker 1: this was exciting for him. And but yeah, we won't 1325 01:03:59,080 --> 01:04:01,160 Speaker 1: get details for a little but so this is just 1326 01:04:01,680 --> 01:04:04,800 Speaker 1: the announcement number one. I'm gonna change someone's life You're 1327 01:04:04,800 --> 01:04:07,920 Speaker 1: gonna have an opportunity here, a big opportunity. So the 1328 01:04:08,000 --> 01:04:12,479 Speaker 1: people up for grabs and in this are Ray and Morgan, Eddie. Okay, 1329 01:04:12,560 --> 01:04:15,000 Speaker 1: so all five of you are, let's go. The first 1330 01:04:15,000 --> 01:04:19,200 Speaker 1: person I'm eliminating is Eddie. Eddie what I'm already? Yeah, 1331 01:04:19,560 --> 01:04:21,760 Speaker 1: just like that, Just like that, My life is just 1332 01:04:21,800 --> 01:04:25,360 Speaker 1: the same now. Yes, this is an dumb This is 1333 01:04:25,400 --> 01:04:28,520 Speaker 1: an opportunity that you will not get right now, Lunchbox, 1334 01:04:29,080 --> 01:04:34,040 Speaker 1: you are still in it? Yes, okay, what nothing is 1335 01:04:34,040 --> 01:04:35,840 Speaker 1: this is lunch is going to get mad at the person. 1336 01:04:35,960 --> 01:04:38,120 Speaker 1: I don't know, we'll see no, because it's gonna be 1337 01:04:38,120 --> 01:04:47,200 Speaker 1: me Amy. You're out. Ray you're in the finals. Morgan, 1338 01:04:47,240 --> 01:04:50,240 Speaker 1: you're out. I'm sorry. All right, Lunchbox and Ray wanting 1339 01:04:50,520 --> 01:04:54,240 Speaker 1: an opportunity for one of you. Wow, And it's going 1340 01:04:54,320 --> 01:04:56,439 Speaker 1: to change your life if you take advantage this opportunity. 1341 01:04:56,600 --> 01:04:59,000 Speaker 1: And here's what I want to tell you about the opportunity, 1342 01:04:59,120 --> 01:05:04,960 Speaker 1: because both of you you are performers in your own ways. Absolutely, Lunchbox, 1343 01:05:04,960 --> 01:05:07,960 Speaker 1: what's your strengthen as a performer? Oh? Stage presence. I 1344 01:05:08,000 --> 01:05:10,120 Speaker 1: know how to interact with the crowd. I mean, I 1345 01:05:10,160 --> 01:05:12,840 Speaker 1: am not nervous. I don't get shy. I know how 1346 01:05:12,840 --> 01:05:16,360 Speaker 1: to own a room. Ray, What is your whenever it 1347 01:05:16,400 --> 01:05:18,240 Speaker 1: comes to performing, what you're like go to? What are 1348 01:05:18,240 --> 01:05:19,640 Speaker 1: you good at? Yeah, I don't know if it's a 1349 01:05:19,680 --> 01:05:22,080 Speaker 1: hosting position or something. I'm good at reading the tele prompter, 1350 01:05:22,320 --> 01:05:25,320 Speaker 1: thinking on my feet, being funny, spontaneous, A lot of 1351 01:05:25,560 --> 01:05:28,040 Speaker 1: stuff that most people could never do in a million years. 1352 01:05:28,240 --> 01:05:32,360 Speaker 1: Well for one of you, I have an audition. Whoa, 1353 01:05:34,040 --> 01:05:39,080 Speaker 1: oh yeah, let's go auditioning la A real life, a 1354 01:05:39,560 --> 01:05:42,880 Speaker 1: real deal deal. Oh. The opportunity is you got to 1355 01:05:43,000 --> 01:05:46,080 Speaker 1: nail the audition. That's fine. But if you nail the audition, 1356 01:05:48,440 --> 01:05:51,720 Speaker 1: there will be a gig gig and I like it, 1357 01:05:51,840 --> 01:05:54,960 Speaker 1: and you will go to the city with a lot 1358 01:05:55,000 --> 01:06:03,200 Speaker 1: of people. Okay, I'm West West. Oh yeah, babies. So 1359 01:06:03,200 --> 01:06:05,720 Speaker 1: it's either Ray or Lunchbox. Man, I need to get 1360 01:06:05,720 --> 01:06:11,400 Speaker 1: a stylist. Could be Reno hut your hair anyway, maybe 1361 01:06:11,520 --> 01:06:14,120 Speaker 1: we're held on the planet lunch Box. Here. I'm gonna 1362 01:06:14,160 --> 01:06:17,200 Speaker 1: tell you the person that gets to do this audition, 1363 01:06:17,240 --> 01:06:20,120 Speaker 1: if they nail it, they're gonna get a roll a gig, 1364 01:06:20,520 --> 01:06:28,680 Speaker 1: a gig gig. The person is hey lunch box, Hey, hey, hey, hey, 1365 01:06:28,800 --> 01:06:46,560 Speaker 1: let's go it's you what everyone, Okay, here's the nail. 1366 01:06:48,600 --> 01:06:51,240 Speaker 1: Try to text my wife is this is good? Like 1367 01:06:51,280 --> 01:06:53,320 Speaker 1: I text my wife about the TV show and it 1368 01:06:53,360 --> 01:06:56,080 Speaker 1: never came through. Well, we're still working on that. That's 1369 01:06:56,080 --> 01:06:59,560 Speaker 1: a long play there. Yeah. But here, this is what 1370 01:06:59,600 --> 01:07:02,200 Speaker 1: I can tell you right now. Go ahead, man, if 1371 01:07:02,440 --> 01:07:07,160 Speaker 1: you nail the audition boo, you will get the gig 1372 01:07:08,240 --> 01:07:10,480 Speaker 1: and you will have to be allowed off of work 1373 01:07:10,640 --> 01:07:15,880 Speaker 1: to go do the gig. Yeah. And it's a place 1374 01:07:16,000 --> 01:07:19,480 Speaker 1: that you've been before. It's a big city where they 1375 01:07:19,520 --> 01:07:23,200 Speaker 1: have productions and stuff. That's all I can say. God, 1376 01:07:23,280 --> 01:07:25,160 Speaker 1: they don't have production and Reno. It's a real Yeah, 1377 01:07:25,160 --> 01:07:27,880 Speaker 1: it's not a joke. It's I'm bad because you're not 1378 01:07:28,280 --> 01:07:31,880 Speaker 1: sending a little bit of Tucson or Reno or who'll 1379 01:07:32,160 --> 01:07:33,840 Speaker 1: love it. I'm just saying I'm not sending him West, 1380 01:07:33,960 --> 01:07:37,120 Speaker 1: not shrinking him. It's not that. Okay, it's not Odessa. Okay, 1381 01:07:37,400 --> 01:07:40,160 Speaker 1: I mean so that's what I'm gonna tell you for 1382 01:07:40,240 --> 01:07:43,040 Speaker 1: right now. That you that's it. It's all I can 1383 01:07:43,040 --> 01:07:45,720 Speaker 1: tell you right now. When when is this going down? School? 1384 01:07:45,720 --> 01:07:47,280 Speaker 1: But when can I give them more information? Swoop? But 1385 01:07:47,280 --> 01:07:48,880 Speaker 1: I'm talking about this for weeks we've been working on 1386 01:07:48,920 --> 01:07:50,560 Speaker 1: it for you. Well, what can I tell? What do 1387 01:07:50,560 --> 01:07:52,560 Speaker 1: I need to practice? Hold? Well, so at the end 1388 01:07:52,600 --> 01:07:54,480 Speaker 1: of the month, we should have we should be we 1389 01:07:54,480 --> 01:07:58,160 Speaker 1: can tell them what it is stuff, so kind a week. Yeah, okay, 1390 01:07:58,360 --> 01:07:59,720 Speaker 1: So I just want to let you know, Hey, your 1391 01:07:59,720 --> 01:08:03,960 Speaker 1: life be a change in Oh my god, maybe forever? Yeah, 1392 01:08:04,000 --> 01:08:06,640 Speaker 1: maybe forever. Okay, what am I going? I mean, it'll 1393 01:08:06,680 --> 01:08:13,160 Speaker 1: be acting. I can't tell him that, I guess at acting. 1394 01:08:11,560 --> 01:08:18,400 Speaker 1: So maybe this is you've been working so hard for this, 1395 01:08:18,760 --> 01:08:21,799 Speaker 1: maybe before we can run over a couple of scripts 1396 01:08:21,800 --> 01:08:25,800 Speaker 1: in here bill practicing? Yeah, okay, that's all I can 1397 01:08:25,880 --> 01:08:28,200 Speaker 1: say from now. I probably wasn't supposed to tell you that, 1398 01:08:28,200 --> 01:08:31,519 Speaker 1: but I wanted this ending of this question. Okay, go ahead, 1399 01:08:31,520 --> 01:08:32,840 Speaker 1: all right? Can you just tell me if it's a 1400 01:08:32,880 --> 01:08:34,519 Speaker 1: movie or a TV show, I tell you anything else 1401 01:08:34,600 --> 01:08:37,080 Speaker 1: right now? Okay, that's all I'm gonna say. It's not 1402 01:08:37,120 --> 01:08:41,799 Speaker 1: a commercial, okay, so, but oh a national commercial wouldn't 1403 01:08:41,800 --> 01:08:43,000 Speaker 1: be bad though, I know, but it's not. I'm just 1404 01:08:43,040 --> 01:08:44,960 Speaker 1: telling you it's it's a real thing, okay. Is it 1405 01:08:45,000 --> 01:08:51,000 Speaker 1: with like Hanks or Vinzel both? All right? So it 1406 01:08:51,080 --> 01:08:56,439 Speaker 1: is with kind of somebody famous? Oh, my goodness, he's 1407 01:08:56,479 --> 01:09:00,320 Speaker 1: not gonna say I've already said too much. Someone miss. 1408 01:09:02,880 --> 01:09:07,720 Speaker 1: That's all. We're down over Lawrence. We're done. I'm gonna 1409 01:09:07,720 --> 01:09:09,960 Speaker 1: play Jordan Davis singles. You up. We'll not talk about 1410 01:09:10,000 --> 01:09:13,120 Speaker 1: this again until probably early next week. Okay, but now 1411 01:09:13,160 --> 01:09:16,240 Speaker 1: you know got it. I'm teking my wife your acting coach. 1412 01:09:16,320 --> 01:09:20,960 Speaker 1: Now it's the Best Bits of the Week with Morgan 1413 01:09:21,080 --> 01:09:25,200 Speaker 1: number two. Thanks y'all for listening this weekend. Whatever you're 1414 01:09:25,200 --> 01:09:27,800 Speaker 1: doing out there, I hope you're having a fabulous one 1415 01:09:27,840 --> 01:09:31,160 Speaker 1: and staying cool. I know there's crazy temperatures all over 1416 01:09:31,200 --> 01:09:35,320 Speaker 1: the country right now, so please stay hydrated, maybe stay 1417 01:09:35,320 --> 01:09:38,080 Speaker 1: inside a little bit more than usual, and just you know, 1418 01:09:38,120 --> 01:09:41,400 Speaker 1: watch the movies. We gave some good suggestions of shows 1419 01:09:41,439 --> 01:09:44,320 Speaker 1: and movies on the Best Bits Part one with right 1420 01:09:44,680 --> 01:09:47,080 Speaker 1: kind of he's a passive watcher on watching things with 1421 01:09:47,120 --> 01:09:49,400 Speaker 1: his wife. Um, but we gave you some suggestions. So 1422 01:09:49,400 --> 01:09:51,439 Speaker 1: if you're trying to stay cool and stay in then 1423 01:09:51,600 --> 01:09:53,760 Speaker 1: you can do that. But just stay hydrated. Thank you 1424 01:09:53,800 --> 01:09:56,360 Speaker 1: guys for listening to this show. I love y'all have 1425 01:09:56,400 --> 01:09:59,120 Speaker 1: a fabulous weekend. I'm web girl Morgan on all the 1426 01:09:59,160 --> 01:10:01,040 Speaker 1: things on social medi Yeah, if you want to follow 1427 01:10:01,120 --> 01:10:10,720 Speaker 1: and hang out with me. Bye, Bobby, uh huh h