WEBVTT - INTERVIEW 2: Chris Carter

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<v Speaker 1>Strange Arrivals is a production of I Heart three D

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<v Speaker 1>audio for full exposure, listen with headphones. Do I really

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<v Speaker 1>need to tell you who Chris Carter is. He's the

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<v Speaker 1>creator of The X Files, which is one of the

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<v Speaker 1>iconic TV shows and probably the best known piece of

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<v Speaker 1>popular culture to deal with the paranormal and issues of

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<v Speaker 1>skepticism and belief. I talked to him in December of

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<v Speaker 1>a quick note Chris mentions Bud Hopkins, David Jacobs, and

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<v Speaker 1>John Mack. The end of season one of Strange Arrivals

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<v Speaker 1>looks at their work, particularly Hopkins. In addition, I interviewed

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<v Speaker 1>Carol Rainey, who is Bud hopkins ex wife and former

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<v Speaker 1>research partner, about him and his research. That interview is

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<v Speaker 1>a bonus episode from season one. So with that in mind,

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<v Speaker 1>here's my chat with Chris Carter. Could you introduce yourself

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<v Speaker 1>Chris Carter, best known as creator of The X Files.

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<v Speaker 1>Let's talk a little bit about the origin of the

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<v Speaker 1>X Files. How did you come up with that idea

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<v Speaker 1>or who did you work with? I had an idea

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<v Speaker 1>way back in the nighties. There was a show on

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<v Speaker 1>that I loved when I was a kid called Cold Check.

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<v Speaker 1>The night Stalker. It was the scariest thing I've ever

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<v Speaker 1>seen on TV. So I thought, there's nothing scary on TV.

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<v Speaker 1>Why don't I try to do a show that is

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<v Speaker 1>as scary as that one. I pitched the idea to

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<v Speaker 1>Brandon Chartikoff when I was at NBC, and he passed

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<v Speaker 1>on it. And then I was hired by twenty Century

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<v Speaker 1>Fox to create TV shows, and I pitched the same

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<v Speaker 1>idea to Peter Roth, and he said he had been

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<v Speaker 1>thinking about the same thing. So I sat down and

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<v Speaker 1>came up with the characters of Moldern Scully FBI agents.

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<v Speaker 1>I was inspired, especially you can see Scully's red hair

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<v Speaker 1>by Silence of the Lambs. That was an early inspiration.

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<v Speaker 1>So I came up with these two characters, and I

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<v Speaker 1>kind of turned the tables on what would be the

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<v Speaker 1>stereotypical believer in skeptic Maiden Molder the male, the believer

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<v Speaker 1>in Scully the female the skeptic. I wanted to make

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<v Speaker 1>her not only a doctor, but a scientist, so she

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<v Speaker 1>could refute Molders claims with her hard science. So you

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<v Speaker 1>had this idea for a series that would be scary,

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<v Speaker 1>and how did you know? How did UFOs come to

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<v Speaker 1>be serve a central part of that. There were two

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<v Speaker 1>things I've been reading about UFOs and alien abductions. But

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<v Speaker 1>also I was given, just by chance, a survey called

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<v Speaker 1>the Roper Survey, which was done by Dr John Mack,

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<v Speaker 1>who any UFO afficionado will know well, and it said

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<v Speaker 1>that millions of Americans believed in the UFO phenomenon, some

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<v Speaker 1>millions less believed they had actually seen a UFO, some

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<v Speaker 1>millions less believed they had had contact, but that there

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<v Speaker 1>was interest in the phenomenon. And so I thought the

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<v Speaker 1>first thing and I would like to do is play

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<v Speaker 1>with that in a personal way, making molder Sister an abducte,

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<v Speaker 1>which is what his entry was into the world of

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<v Speaker 1>the paranormal. What what kind of source material you're looking at?

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<v Speaker 1>And yet you were, as you were thinking about the

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<v Speaker 1>particularly the UFO component of the X Files, I had

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<v Speaker 1>kind of three go to guys was Dr John mac,

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<v Speaker 1>David Jacobs, and Bud Hopkins. Those were the three people

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<v Speaker 1>that I read mostly and I had I really developed

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<v Speaker 1>my uh sense of all things UFOs and and abductions

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<v Speaker 1>through reading their books. Yeah, I would say that those

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<v Speaker 1>are my go to guys. You know, I know that

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<v Speaker 1>those three were really sort of involved in in the

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<v Speaker 1>sort of abduction movement, I guess in the in the

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<v Speaker 1>eighties and nineties. But it seems like there's also these

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<v Speaker 1>other components two the X files UFO sort of mythos um,

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<v Speaker 1>one of which is, you know, the government conspiracy. The

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<v Speaker 1>government knows more than they're letting on. They're doing a

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<v Speaker 1>lot to try and cover it up. What were some

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<v Speaker 1>of the source material or the inspiration or whatever for that,

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<v Speaker 1>you know, that's part of the literature. But I've always

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<v Speaker 1>been interested in conspiracies, I think because I was a

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<v Speaker 1>child of the Watergate era. You know, I was a

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<v Speaker 1>disbeliever in what our government was telling us and a

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<v Speaker 1>believer that they were keeping things from us. So they

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<v Speaker 1>fit in perfect with the UFO literature, which is all

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<v Speaker 1>about government, you know, black budget, secret operations and all

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<v Speaker 1>the reasons there are for the government to keep the

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<v Speaker 1>truth about extraterrestrial life from the American public, and those

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<v Speaker 1>would you know, things that are you know, scientific, cultural, religious,

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<v Speaker 1>It would upend a lot of the institutions, uh in society.

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<v Speaker 1>And when you were looking at I guess particularly the

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<v Speaker 1>Jacobs Hopkins mac stuff, like what was your what was

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<v Speaker 1>your assessment of what they were coming up with. Did

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<v Speaker 1>this seem more like sort of ideas for fictional storylines,

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<v Speaker 1>or did it at the time seem sort of compelling

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<v Speaker 1>as a possible um description of of things that were

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<v Speaker 1>actually happening. And I asked partly because you know, I've

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<v Speaker 1>talked to um people have made, you know, certainly less

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<v Speaker 1>influential things about UFOs, and you know, for the large part,

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<v Speaker 1>they seem to be really looking at sort of these

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<v Speaker 1>fictional representations as a way of getting out something that

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<v Speaker 1>they feel is at some level, you know, true or

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<v Speaker 1>at least like highly possibly true. And I was kind

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<v Speaker 1>of interested because it does seem like other than other

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<v Speaker 1>you know, there's other things like if you're doing a

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<v Speaker 1>Western and you're in you're and you're doing research into

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<v Speaker 1>what was it like in the in the Western the

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<v Speaker 1>eteen eighties and nineties or or what have you, that

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<v Speaker 1>there's certain sort of you know, kind of undisputable facts

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<v Speaker 1>or things that are I think, are you quote unquote

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<v Speaker 1>true to whereas most of the ting about UFOs really

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<v Speaker 1>seems in dispute. So it seems like that's a slightly

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<v Speaker 1>different thing in figuring out what you want to use

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<v Speaker 1>and how you want to use it. Am I Am

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<v Speaker 1>I thinking too much about this? No? I mean I

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<v Speaker 1>think even the believers, guys like David Jacobs and Bud

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<v Speaker 1>Hopkins and John Matt they doubted certain accounts, and they

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<v Speaker 1>doubted certain individuals, and they doubted themselves sometimes. But when

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<v Speaker 1>three smart people do the kind of research that they

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<v Speaker 1>did and come up with as a bottom line, I

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<v Speaker 1>believe in the phenomenon. It's powerful, smart people doing investigative

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<v Speaker 1>science on the subject. That was for me that was very,

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<v Speaker 1>very powerful. They were the ones to help paint the

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<v Speaker 1>picture that became the backdrop for the X Files Alien Mythology.

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<v Speaker 1>Could you talk a little bit about the development of

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<v Speaker 1>the mythology as as a series progress, because um, it

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<v Speaker 1>sounds like you didn't have that altogether when the series started. No.

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<v Speaker 1>I had what I would consider to be the kind

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<v Speaker 1>of foundation of the mythology that was based in things

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<v Speaker 1>that anybody could read about alien abductions and kind of

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<v Speaker 1>classic scoopmark stars, the triangular shapes, it kind of shape

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<v Speaker 1>that appeared on Scully's back and the pilot episode. So

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<v Speaker 1>I had the ideas that I had taken from all

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<v Speaker 1>of the accumulated science and background on alien abductions, and

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<v Speaker 1>I created a world with the episode. Actually, if you

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<v Speaker 1>watch the first and second episode of The X Files

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<v Speaker 1>and the season finale, which is called The erlen Meyer Flask,

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<v Speaker 1>you will really get a foundational view of the X

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<v Speaker 1>Files mythology. Now, there's this idea that the government has

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<v Speaker 1>been keeping all this stuff quiet secret for their own purposes,

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<v Speaker 1>and that one day somebody will get them to disclose,

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<v Speaker 1>or there will be reason to disclose the truth. I

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<v Speaker 1>think that's where the X Files mythology took flight from

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<v Speaker 1>the accepted Expiles mythology, and so we were imagining the

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<v Speaker 1>world before disclosure and modern Scully as the people seeking

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<v Speaker 1>to learn the truth. So you mentioned the Arlan Meyer Flask,

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<v Speaker 1>which I watched recently with my daughter. You know that

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<v Speaker 1>there's so many sort of iconic figures, I guess, and

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<v Speaker 1>things that happen. You know, the smoking Man, he serve

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<v Speaker 1>an iconic figure now, and there's a there's a deep

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<v Speaker 1>throat figure, and you know the erlan Meyer Flask. There's

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<v Speaker 1>they go to a warehouse sort of out of the way,

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<v Speaker 1>sort of rundown warehouse and find, you know, what appeared

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<v Speaker 1>to be Men Underwater being developed, or what have you.

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<v Speaker 1>What sort of assumptions were you making about people's understanding

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<v Speaker 1>of these issues or thoughts about these issues that kind

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<v Speaker 1>of went in into creating the storyline. You know, I'm

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<v Speaker 1>thinking also to U two episodes that morgana. Wong did.

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<v Speaker 1>I'll preface that by saying, when we started out the show,

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<v Speaker 1>I told this staff that I didn't want to I

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<v Speaker 1>didn't want to see aliens for five years. I wanted

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<v Speaker 1>to keep them in the shadows and the deep background.

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<v Speaker 1>That lasted all of about a year. Glenn Morgan and

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<v Speaker 1>James Wong did two great episodes, one called e B

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<v Speaker 1>and another one called Little Green Men, and we actually

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<v Speaker 1>did see an alien and Little Green Men, which was

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<v Speaker 1>the season opener for season two. So we took a

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<v Speaker 1>lot of what people knew about aliens or believed about

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<v Speaker 1>aliens and UFOs, extraterrestrials and the government conspiracy. And there

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<v Speaker 1>was a certain fascination with Roswell with the area one

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<v Speaker 1>and I would call them not tropes, but they were

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<v Speaker 1>part of the X file. I'm sorry, the extraterrestrial alien

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<v Speaker 1>abduction UFO lore. You know, I think Bolder, Molder and

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<v Speaker 1>Scully are I think of the iconic duos in uh

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<v Speaker 1>in television history, at least in what I've watched. I

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<v Speaker 1>think I think it's them in Kirk and Spock are

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<v Speaker 1>sort of closest to my heart, and I think a

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<v Speaker 1>lot of people's hearts. You know, there's clearly this interesting

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<v Speaker 1>play between you know, skepticism and belief, And how did

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<v Speaker 1>you see the arc across the seasons as far their

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<v Speaker 1>relationship and they're edging each other towards their own beliefs.

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<v Speaker 1>How do you see that that playing out? Well? I

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<v Speaker 1>can speak to the structure of the way we did

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<v Speaker 1>the seasons. We did I think six mythology episodes typically

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<v Speaker 1>per season, three two parters actually, and that kind of

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<v Speaker 1>became our formula. The way Molder and Scully approached the other,

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<v Speaker 1>typically h sixteen to nineteen cases was by taking positions,

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<v Speaker 1>by taking hard edged science versus a obdurate and determined

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<v Speaker 1>belief in the paranormal on Molder side. And it became

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<v Speaker 1>kind of competitive, and it became a really a long

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<v Speaker 1>nine year flirtation between the two characters and a seduction

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<v Speaker 1>of sorts. It's funny when you are selling your position,

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<v Speaker 1>and this is something I always find interesting with Mulder

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<v Speaker 1>and Scully. When you are selling your beliefs in your

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<v Speaker 1>position and your your side to your to the other

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<v Speaker 1>side to the opposition, which would if Mueller is selling

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<v Speaker 1>to Scully, there's something seductive about it. It just became

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<v Speaker 1>kind of the nature of the show. So when it ends,

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<v Speaker 1>do you feel like Mulder has been more brought towards

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<v Speaker 1>skepticism or Scully has been brought more towards belief or

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<v Speaker 1>do you think they fight to a fight to a standstill? Well,

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<v Speaker 1>you know, someone said, how can Scully go for nine

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<v Speaker 1>years and still be a disbeliever with all she's seen?

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<v Speaker 1>And so we played with that a little bit. We

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<v Speaker 1>actually had her witness things and she came to the

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<v Speaker 1>other side and Mulder went to skepticism. So we did

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<v Speaker 1>play with that idea through the course of this show.

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<v Speaker 1>But it's a fair argument that Scully uh seeing so

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<v Speaker 1>much that she could had no answers for because science

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<v Speaker 1>does not have answers for these things, that she would

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<v Speaker 1>come to mother's side more readily than Mud would go

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<v Speaker 1>to her side. When we first started this show, there

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<v Speaker 1>was something interesting that happened. Fox had bought my pitch.

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<v Speaker 1>They had liked my outline. They had liked the pilot script.

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<v Speaker 1>We had begun casting and we had filmed the pilot.

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<v Speaker 1>We had shown the pilot to the network. They were

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<v Speaker 1>very happy with it, but they wanted me to put

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<v Speaker 1>a disclaimer up before the show, saying that for the viewer,

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<v Speaker 1>that these are all based on actual events. It was

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<v Speaker 1>as if we were creating a kind of documentary in

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<v Speaker 1>the network's mind. And I went along with it. But

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<v Speaker 1>then it's like, for the pilot episode, I went along

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<v Speaker 1>with it, but then it's like, I realized, that's not

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<v Speaker 1>what the show is. The show is fictionalized, scripted storytelling

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<v Speaker 1>vehicle for these characters Molder and Scully looking for the truth.

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<v Speaker 1>And I said to them, you know, they wanted to

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<v Speaker 1>wrap up the episodes at the end, kind of in

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<v Speaker 1>a neat bow, with an explanation for what Malder and

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<v Speaker 1>Scully had seen. And I said, that's exactly what you

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<v Speaker 1>don't want. You don't want to have the answers. You

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<v Speaker 1>want to be left with wonder, you want to be

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<v Speaker 1>left with ah, you want to be left with your

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<v Speaker 1>own opinions at the end. And it took me a

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<v Speaker 1>real hard sales pitch to get them to understand that. Yeah,

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<v Speaker 1>well that seems critical. Uh. You know, I think I

0:15:45.280 --> 0:15:47.720
<v Speaker 1>feel like that's that's such a big part of the

0:15:47.880 --> 0:15:51.160
<v Speaker 1>X Files, and I think part of what really captured

0:15:51.240 --> 0:15:57.720
<v Speaker 1>people's imagination, even people talking about it today. Is there

0:15:57.800 --> 0:16:00.120
<v Speaker 1>something that you're trying to get across, Especially in the

0:16:00.360 --> 0:16:04.600
<v Speaker 1>in the Mythos episodes, I was trying to create a

0:16:04.640 --> 0:16:07.160
<v Speaker 1>sense of awe and the idea that science doesn't have

0:16:07.240 --> 0:16:11.800
<v Speaker 1>all the answers, and that religion doesn't have all the answers,

0:16:11.880 --> 0:16:15.760
<v Speaker 1>and that there are things beyond the pale. I liked

0:16:15.800 --> 0:16:18.480
<v Speaker 1>all that, but I also have to say I come

0:16:18.520 --> 0:16:23.320
<v Speaker 1>at this from more Scully side than Molder's side, with

0:16:23.400 --> 0:16:26.760
<v Speaker 1>a science bias, and it's I really have a kind

0:16:26.760 --> 0:16:32.040
<v Speaker 1>of prove it to me philosophy. And so really it

0:16:32.120 --> 0:16:38.840
<v Speaker 1>was me. The thesis was my own troubled perspective on

0:16:39.880 --> 0:16:42.280
<v Speaker 1>what is true and what is not. I want to

0:16:42.320 --> 0:16:46.080
<v Speaker 1>see an alien, I want to see a UFO. These

0:16:46.120 --> 0:16:49.840
<v Speaker 1>are things that I want to believe in. But thus

0:16:49.920 --> 0:16:54.080
<v Speaker 1>the poster on Molder's wall, I want to have my

0:16:54.960 --> 0:17:02.000
<v Speaker 1>hopes confirmed. I want that experience, uh, and I'm longing

0:17:02.080 --> 0:17:06.600
<v Speaker 1>for it as his Molder, But I'm also doubtful of

0:17:06.640 --> 0:17:08.480
<v Speaker 1>it that I will ever have it, which is skilling.

0:17:09.200 --> 0:17:12.719
<v Speaker 1>And so you know, in the course of you know,

0:17:12.760 --> 0:17:16.480
<v Speaker 1>the research for the X files, and I'm sure you

0:17:16.560 --> 0:17:18.720
<v Speaker 1>must have had zillions and sillions of people getting in

0:17:18.760 --> 0:17:22.560
<v Speaker 1>touch with you about their experiences, how did you find

0:17:23.119 --> 0:17:28.240
<v Speaker 1>or did you find that your thoughts about UFOs changed?

0:17:30.040 --> 0:17:32.320
<v Speaker 1>You know, people ask me if I'm a believer or

0:17:32.320 --> 0:17:34.199
<v Speaker 1>a skeptic, and I say, I'm a skeptic, but I

0:17:34.240 --> 0:17:39.160
<v Speaker 1>have to say that with a asterisk because I've met

0:17:39.920 --> 0:17:46.040
<v Speaker 1>so many people who tell so many believable stories, stories

0:17:46.080 --> 0:17:49.040
<v Speaker 1>that they absolutely believe in that who am I to

0:17:49.119 --> 0:17:54.560
<v Speaker 1>doubt them? So while I am skeptical because there isn't

0:17:54.600 --> 0:17:58.600
<v Speaker 1>a lot of hard, hard evidence, There isn't a lot

0:17:58.640 --> 0:18:04.200
<v Speaker 1>of come helling testimony that leads to the heart evidence.

0:18:04.880 --> 0:18:08.160
<v Speaker 1>Uh there is, there are, just there are a lot

0:18:08.240 --> 0:18:12.800
<v Speaker 1>of personal accounts that one can take with a grain

0:18:12.840 --> 0:18:17.399
<v Speaker 1>of salt. So you didn't find I mean, did you

0:18:17.440 --> 0:18:21.240
<v Speaker 1>ever feel like you were led on to something that

0:18:21.240 --> 0:18:25.280
<v Speaker 1>that most people or just about everybody wouldn't have known

0:18:25.359 --> 0:18:28.120
<v Speaker 1>in the course of this stuff. It clearly wasn't something

0:18:28.160 --> 0:18:32.359
<v Speaker 1>that would have changed your mind. I didn't find anything

0:18:32.359 --> 0:18:35.359
<v Speaker 1>that necessarily changed my mind. There was something interesting that

0:18:35.440 --> 0:18:38.600
<v Speaker 1>I did that I had a chance to do, and

0:18:40.160 --> 0:18:46.600
<v Speaker 1>and I had written about regression hypnosis, and this is

0:18:46.600 --> 0:18:50.879
<v Speaker 1>the way Bud Hopkins worked and John mac worked, taking

0:18:50.920 --> 0:18:55.520
<v Speaker 1>people back through their memories, maybe removing the screen memories

0:18:55.520 --> 0:18:59.359
<v Speaker 1>that the aliens had implanted them with. And I actually

0:18:59.359 --> 0:19:03.000
<v Speaker 1>got to sit in on a regression hypnosis went. I

0:19:03.080 --> 0:19:08.440
<v Speaker 1>flew to Boston while the show was being produced and

0:19:08.680 --> 0:19:11.919
<v Speaker 1>sat in on one of these events. And it was

0:19:11.960 --> 0:19:15.639
<v Speaker 1>powerful to be sitting next to someone who is going

0:19:15.680 --> 0:19:19.800
<v Speaker 1>through the abduction experience. In this case, it was someone

0:19:19.800 --> 0:19:24.040
<v Speaker 1>who was taken from a campground. So who am I

0:19:24.080 --> 0:19:27.280
<v Speaker 1>to say that it's not true when it seemed so

0:19:27.960 --> 0:19:50.160
<v Speaker 1>vivid and powerful in this in this person's mind. Can

0:19:50.200 --> 0:19:53.159
<v Speaker 1>you talk a little bit about the dynamic of the

0:19:53.040 --> 0:19:56.760
<v Speaker 1>of the writing of the X Files and and you

0:19:56.800 --> 0:20:00.000
<v Speaker 1>know the other things that kind of went into create

0:20:00.000 --> 0:20:02.959
<v Speaker 1>eating the storyline and sort of the look and feel.

0:20:03.800 --> 0:20:09.359
<v Speaker 1>They are very very strong. Yeah. I was really lucky

0:20:09.480 --> 0:20:14.200
<v Speaker 1>to hire two teams of smart guys, and that would

0:20:14.240 --> 0:20:17.800
<v Speaker 1>be people have mentioned already. Glenn Morgan and James Wong

0:20:18.040 --> 0:20:22.040
<v Speaker 1>were a writing team, uh, and then a writing team

0:20:22.200 --> 0:20:26.160
<v Speaker 1>of Howard Gordon and Alex Gonza, who were also too

0:20:26.160 --> 0:20:31.440
<v Speaker 1>smart guys who went on to create Homeland together. So

0:20:31.720 --> 0:20:35.800
<v Speaker 1>I had these capable people, and the way we began

0:20:35.880 --> 0:20:40.480
<v Speaker 1>to work was we would gather together and people would

0:20:40.480 --> 0:20:44.320
<v Speaker 1>pitch their ideas for episodes, and if the ideas were good,

0:20:44.840 --> 0:20:48.280
<v Speaker 1>and they almost always were, that person would go and

0:20:48.640 --> 0:20:52.480
<v Speaker 1>create a plot, so basically go to the drawing board

0:20:53.000 --> 0:20:56.720
<v Speaker 1>and create the plot for the story. They would bring

0:20:56.760 --> 0:21:00.919
<v Speaker 1>that plot, which was done on three buy five cards

0:21:00.920 --> 0:21:04.000
<v Speaker 1>on a bulletin board, to the group and we would

0:21:04.040 --> 0:21:07.080
<v Speaker 1>go through it and listen, and once again I got

0:21:07.160 --> 0:21:10.560
<v Speaker 1>very lucky. People had very good ideas of how to

0:21:10.880 --> 0:21:18.679
<v Speaker 1>develop the modern Scully storyline through horror, thriller, suspense, and

0:21:20.320 --> 0:21:24.840
<v Speaker 1>paranormal episodes. So the X Files from the very beginning

0:21:25.119 --> 0:21:27.720
<v Speaker 1>was not just going to be a UFO alien show.

0:21:28.119 --> 0:21:31.360
<v Speaker 1>It was going to be more than that. And uh,

0:21:31.520 --> 0:21:35.320
<v Speaker 1>I had actually created a marketing package before any of

0:21:35.359 --> 0:21:38.199
<v Speaker 1>these people came on, when I turned the pilot and

0:21:38.280 --> 0:21:42.400
<v Speaker 1>originally into twenty Century Fox, spelling out what the show was.

0:21:42.960 --> 0:21:48.240
<v Speaker 1>So it just happened that I was able to pair

0:21:48.600 --> 0:21:52.320
<v Speaker 1>with the right people to bring the idea of making

0:21:52.359 --> 0:21:56.439
<v Speaker 1>it a horror show, a suspense show, a thriller, what

0:21:56.600 --> 0:22:00.560
<v Speaker 1>have you. That it became really three fifths of the

0:22:00.600 --> 0:22:04.160
<v Speaker 1>time it was something other than alien and aliens and UFOs.

0:22:04.840 --> 0:22:07.800
<v Speaker 1>I'm really interested in this idea of working with other

0:22:07.840 --> 0:22:13.119
<v Speaker 1>people on something that's essentially, you know, your brainchild. Was

0:22:13.160 --> 0:22:17.000
<v Speaker 1>everybody sort of on the same page, particularly with Moulder

0:22:17.080 --> 0:22:20.840
<v Speaker 1>and Scully and how they would react to certain things

0:22:21.119 --> 0:22:24.280
<v Speaker 1>or was askedly that that was hashed out over the

0:22:24.320 --> 0:22:28.520
<v Speaker 1>course of of meetings. You know, I have to say

0:22:28.680 --> 0:22:34.439
<v Speaker 1>that the characters were they developed over time, that people

0:22:35.280 --> 0:22:40.879
<v Speaker 1>added to them, that people created and created nuances for

0:22:40.920 --> 0:22:44.280
<v Speaker 1>the characters. But the idea that they were the believer

0:22:44.359 --> 0:22:47.840
<v Speaker 1>in the skeptic and their personalities were really came from

0:22:47.880 --> 0:22:52.720
<v Speaker 1>the pilot. And so while everyone added to the creation

0:22:53.119 --> 0:22:56.320
<v Speaker 1>in the most amazing ways, and the show wouldn't be

0:22:56.359 --> 0:23:00.199
<v Speaker 1>the same without those additions. Modern Scully, I think, or

0:23:00.320 --> 0:23:07.160
<v Speaker 1>Modern Scully from the beginning, and they just uh their

0:23:07.240 --> 0:23:11.360
<v Speaker 1>characters and their stories and their backgrounds and their attitudes

0:23:12.320 --> 0:23:15.439
<v Speaker 1>changed with time because that's the nature of producing a

0:23:15.480 --> 0:23:22.439
<v Speaker 1>television show, right. Interesting, So what is it about UFOs

0:23:22.520 --> 0:23:29.040
<v Speaker 1>that you think makes for good and compelling TV or movies?

0:23:30.200 --> 0:23:33.320
<v Speaker 1>I think it's interesting because I think people look up

0:23:33.320 --> 0:23:36.280
<v Speaker 1>into the sky at night and wonder if the truth

0:23:36.359 --> 0:23:39.920
<v Speaker 1>is out there, if the if there are other civilizations.

0:23:39.920 --> 0:23:44.000
<v Speaker 1>So it has a kind of human component to it,

0:23:44.160 --> 0:23:49.240
<v Speaker 1>and the idea that the aliens have in many cases

0:23:49.560 --> 0:23:53.080
<v Speaker 1>humanoid qualities, and that they actually seem to have some

0:23:53.280 --> 0:23:58.679
<v Speaker 1>steak and humanity and they have some either good or

0:23:58.720 --> 0:24:02.320
<v Speaker 1>bad purposes for being year it's our fear of the

0:24:02.359 --> 0:24:06.680
<v Speaker 1>other that is natural, and in this case, I think

0:24:06.720 --> 0:24:11.200
<v Speaker 1>it's the fear of a another that has either a

0:24:11.200 --> 0:24:16.119
<v Speaker 1>good or evil intent. Have you been have you been

0:24:16.160 --> 0:24:19.520
<v Speaker 1>following what's been going on recently, you know, in the

0:24:19.600 --> 0:24:26.440
<v Speaker 1>last couple of years, the revelations that the Pentagon continued

0:24:26.480 --> 0:24:31.359
<v Speaker 1>to have a quote unquote UFO program up until very recently.

0:24:32.119 --> 0:24:36.560
<v Speaker 1>You know, you have Marco Rubio, Senator Marco Rubio asking

0:24:37.040 --> 0:24:42.119
<v Speaker 1>the Department of Defense to give him unclassified report of

0:24:42.560 --> 0:24:47.399
<v Speaker 1>what they've been doing and what they potentially know. Do

0:24:47.440 --> 0:24:50.399
<v Speaker 1>you have thoughts? Yeah? I do. I mean Obama asked

0:24:50.840 --> 0:24:56.720
<v Speaker 1>the Defense Department for any files. Hillary Clinton, who with

0:24:56.920 --> 0:25:01.359
<v Speaker 1>John Fodesta on her staff, we're avid believers, or I

0:25:01.400 --> 0:25:05.680
<v Speaker 1>should say want to believers, and the phenomenon were had

0:25:05.840 --> 0:25:08.760
<v Speaker 1>even said during our campaign that they were going to

0:25:08.800 --> 0:25:11.359
<v Speaker 1>get to the bottom of it. So you know, this

0:25:11.480 --> 0:25:13.720
<v Speaker 1>has been going on for quite a while. People want

0:25:13.760 --> 0:25:17.399
<v Speaker 1>to know. I think Bill Clinton wanted to know, and

0:25:17.800 --> 0:25:21.240
<v Speaker 1>so Marco Rubio is just the latest in a long line.

0:25:21.680 --> 0:25:23.680
<v Speaker 1>I think. I thought it was interesting that Harry Reid

0:25:23.760 --> 0:25:30.320
<v Speaker 1>basically did have a secret alien project UFO project that

0:25:30.640 --> 0:25:35.879
<v Speaker 1>he financed with taxpayer dollars, which was not I was

0:25:35.920 --> 0:25:39.520
<v Speaker 1>not unsurprised. How do you how do you look at

0:25:39.560 --> 0:25:44.040
<v Speaker 1>the legacy of the X Files. That's a big question,

0:25:46.600 --> 0:25:49.359
<v Speaker 1>you know. I hope that it was nine years of

0:25:50.480 --> 0:25:55.160
<v Speaker 1>quality entertainment. Two put a big stamp on the whole thing.

0:25:55.640 --> 0:25:59.919
<v Speaker 1>But I think that what as you say, modern skelling

0:26:00.160 --> 0:26:04.000
<v Speaker 1>the iconic duo, I think this show was always While

0:26:04.200 --> 0:26:08.440
<v Speaker 1>it was about a group of or I should say,

0:26:08.480 --> 0:26:12.520
<v Speaker 1>a file cabinet full of spiles of the unknown, it

0:26:12.640 --> 0:26:15.359
<v Speaker 1>really was a show about Molder and Scully in their relationship.

0:26:15.440 --> 0:26:18.600
<v Speaker 1>So I think the legacy is those two characters. It's

0:26:18.600 --> 0:26:21.080
<v Speaker 1>funny the way Molder and Scully now kind of rolls

0:26:21.160 --> 0:26:24.320
<v Speaker 1>off the tongue and you know exactly what you know

0:26:24.480 --> 0:26:27.720
<v Speaker 1>that means the believer in the skeptic and that I

0:26:27.760 --> 0:26:31.080
<v Speaker 1>would take you know, that name Molder, which isn't the

0:26:31.119 --> 0:26:36.680
<v Speaker 1>most poetic, malifluous name, and parrot with Scully and somehow

0:26:36.840 --> 0:26:41.520
<v Speaker 1>Mulder and Scully sounds as if the two characters have

0:26:41.640 --> 0:26:47.160
<v Speaker 1>existed forever. Yeah. Absolutely, What if I missed? Is are

0:26:47.160 --> 0:26:51.280
<v Speaker 1>there other? Is there something else that people should know? Now?

0:26:51.359 --> 0:26:53.680
<v Speaker 1>You know, it's funny when you when I think about

0:26:53.680 --> 0:26:56.879
<v Speaker 1>the show, I think about you know, it was always

0:26:56.880 --> 0:27:00.159
<v Speaker 1>surprising to me. I was mentioning the writers and what

0:27:00.240 --> 0:27:03.320
<v Speaker 1>people would bring in was always interesting to me and

0:27:04.160 --> 0:27:07.040
<v Speaker 1>things I hadn't imagined, takes on the show that I

0:27:07.040 --> 0:27:10.840
<v Speaker 1>haven't imagined. But once those scripts were written, you are

0:27:10.880 --> 0:27:14.720
<v Speaker 1>our first audience was always the crew, and you knew

0:27:14.760 --> 0:27:17.320
<v Speaker 1>that if the crew liked an episode, it was a

0:27:17.359 --> 0:27:21.800
<v Speaker 1>good episode. They were our toughest critics and they really

0:27:21.840 --> 0:27:24.639
<v Speaker 1>invested themselves in the show because they liked the show.

0:27:25.119 --> 0:27:29.359
<v Speaker 1>But I think about taking a script and handing it

0:27:29.440 --> 0:27:36.040
<v Speaker 1>over to the people like the production designers and seeing

0:27:36.920 --> 0:27:40.400
<v Speaker 1>what they came up with, what their visions were, and

0:27:41.400 --> 0:27:43.720
<v Speaker 1>it seems like every episode they always came up with

0:27:43.880 --> 0:27:46.560
<v Speaker 1>something that none of us quite imagined, or a way

0:27:46.600 --> 0:27:49.919
<v Speaker 1>to do something that none of us quite imagined. I

0:27:49.960 --> 0:27:53.480
<v Speaker 1>think the pilot episode was done by Michael Namursky, and

0:27:53.520 --> 0:27:59.480
<v Speaker 1>then the five seasons. The next five seasons were Graham Murray,

0:28:00.119 --> 0:28:03.840
<v Speaker 1>Uh these people, Uh she speak to a case in point,

0:28:04.560 --> 0:28:08.400
<v Speaker 1>Dwayne Berry. What Graham Murray came up with for an

0:28:08.400 --> 0:28:13.120
<v Speaker 1>examination table of this character? Dwayne Berry, surrounded by Gray

0:28:13.200 --> 0:28:19.520
<v Speaker 1>Aliens was production design costume, said Deck. You know, all

0:28:19.640 --> 0:28:22.880
<v Speaker 1>these people came together and created something that was better

0:28:22.920 --> 0:28:26.520
<v Speaker 1>than I ever imagined. Yeah, did you did you know

0:28:26.600 --> 0:28:29.320
<v Speaker 1>at the time, well you're working at this on this

0:28:29.480 --> 0:28:33.280
<v Speaker 1>that this would have like a very long life beyond

0:28:33.359 --> 0:28:38.320
<v Speaker 1>its initial run. No, there are so many pitfalls that

0:28:38.680 --> 0:28:43.520
<v Speaker 1>are you try to avoid through the process, and they

0:28:43.520 --> 0:28:47.320
<v Speaker 1>are They could be one bad note from a studio

0:28:47.360 --> 0:28:50.800
<v Speaker 1>executive could change the course of the show, much like

0:28:50.920 --> 0:28:54.560
<v Speaker 1>I was. You know, there was something that Jillian Anderson

0:28:54.640 --> 0:28:58.000
<v Speaker 1>became pregnant during the first season of the show, and

0:28:58.160 --> 0:29:00.800
<v Speaker 1>we scrambled because we didn't know what to do, how

0:29:00.880 --> 0:29:03.360
<v Speaker 1>to uh if she was going to be pregnant for

0:29:03.440 --> 0:29:08.040
<v Speaker 1>the whole first part of the second season, how we

0:29:08.040 --> 0:29:11.320
<v Speaker 1>were going to do Molder and Scully. And we figured

0:29:11.360 --> 0:29:13.800
<v Speaker 1>out a clever way to do that, a way that

0:29:13.880 --> 0:29:17.760
<v Speaker 1>actually played into the larger storyline. But I actually had

0:29:17.800 --> 0:29:19.880
<v Speaker 1>a network executive say to me, you've got to get

0:29:19.960 --> 0:29:23.240
<v Speaker 1>rid of her, and he was, you know, in no

0:29:23.360 --> 0:29:27.160
<v Speaker 1>uncertain terms, And so you have to fight against that.

0:29:27.320 --> 0:29:29.920
<v Speaker 1>You know, you can't establish these two characters and then

0:29:30.000 --> 0:29:33.760
<v Speaker 1>just break them up because he uh doesn't want a

0:29:33.840 --> 0:29:38.640
<v Speaker 1>pregnant woman working on the show. It worked out that

0:29:38.720 --> 0:29:41.720
<v Speaker 1>we were able to film Scully and I think it

0:29:41.840 --> 0:29:46.600
<v Speaker 1>was episode five of season two, and she is taken

0:29:46.600 --> 0:29:49.160
<v Speaker 1>away by it. I just mentioned Dwyane Berry. She is

0:29:49.200 --> 0:29:52.880
<v Speaker 1>abducted by this character, Dwayne Berry, which leads to what

0:29:53.120 --> 0:29:57.960
<v Speaker 1>is supposed by Mother as an alien abduction. You know,

0:29:58.040 --> 0:30:00.360
<v Speaker 1>there's actually one other thing I'd like to say about Sure.

0:30:00.680 --> 0:30:03.800
<v Speaker 1>They talked about its origins, and I talked about Silence

0:30:03.800 --> 0:30:07.560
<v Speaker 1>Phil Lambs, and you know, it was loomed huge in

0:30:07.600 --> 0:30:11.160
<v Speaker 1>my mind. I loved the movie, and it's really that

0:30:11.600 --> 0:30:13.840
<v Speaker 1>I was inspired by that Jodie Foster character to a

0:30:13.920 --> 0:30:17.160
<v Speaker 1>large part. But I think that also and this actually

0:30:17.200 --> 0:30:21.000
<v Speaker 1>plays out in an episode called Fire on the series

0:30:21.640 --> 0:30:25.280
<v Speaker 1>UH in the first season, where Malder is paired with

0:30:25.320 --> 0:30:30.520
<v Speaker 1>the British woman who refers to Sherlock Holmes. I read everything.

0:30:30.840 --> 0:30:32.959
<v Speaker 1>I read all of Sherlock Holmes as a kid, and

0:30:33.000 --> 0:30:36.560
<v Speaker 1>I loved that kind of storytelling. I loved Sherlock and

0:30:36.560 --> 0:30:41.480
<v Speaker 1>and Watson's interplay, and I think that is a big

0:30:41.840 --> 0:30:45.360
<v Speaker 1>for me, was a big part of the dynamic between

0:30:45.400 --> 0:30:48.840
<v Speaker 1>Mother and Scully as well. People are gonna be really

0:30:48.920 --> 0:30:51.640
<v Speaker 1>excited to hear this as I was excited to hear

0:30:51.680 --> 0:31:00.000
<v Speaker 1>it myself. Thanks Kobe, Okay, thanks so much, Chris. Strange

0:31:00.160 --> 0:31:02.760
<v Speaker 1>Arrivals is a production of I Heart three D Audio

0:31:03.080 --> 0:31:06.200
<v Speaker 1>and Grim and Mild from Aaron Mankey. This episode was

0:31:06.200 --> 0:31:09.200
<v Speaker 1>written and hosted by Toby Ball and produced by Miranda

0:31:09.240 --> 0:31:14.200
<v Speaker 1>Hawkins and Josh Say, with executive producers Alex Williams, Matt Frederick,

0:31:14.520 --> 0:31:18.760
<v Speaker 1>and Aaron Mankey. Learn more about Strange Rivals over at

0:31:18.800 --> 0:31:22.640
<v Speaker 1>Grimm and Mild dot com, and find more podcasts from

0:31:22.640 --> 0:31:25.280
<v Speaker 1>my Heart Radio by visiting the I Heart Radio app,

0:31:25.640 --> 0:31:29.000
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.