1 00:00:00,560 --> 00:00:03,760 Speaker 1: Welcome to Stuff You Missed in History Class from how 2 00:00:03,800 --> 00:00:13,760 Speaker 1: Stuff Works dot com. Hello, and welcome to the podcast. 3 00:00:13,920 --> 00:00:17,360 Speaker 1: I'm Sarah Dowdy and I'm depleted druk reboarding, and I 4 00:00:17,600 --> 00:00:20,440 Speaker 1: really like shipwrecks. I don't know if I mentioned this 5 00:00:20,520 --> 00:00:22,960 Speaker 1: to you before. I have not. I know I mentioned 6 00:00:23,000 --> 00:00:25,800 Speaker 1: it at Dragon Con and people kind of laughed because 7 00:00:25,960 --> 00:00:28,680 Speaker 1: it's a weird thing to say that you really like. 8 00:00:28,800 --> 00:00:31,440 Speaker 1: But they're just so interesting. I mean, there's so much 9 00:00:31,480 --> 00:00:36,000 Speaker 1: to discover. They are fascinating. I mean window into the past, 10 00:00:36,159 --> 00:00:39,000 Speaker 1: and things are preserved that might not be otherwise, things 11 00:00:39,040 --> 00:00:41,480 Speaker 1: that definitely would not have made it if they had 12 00:00:41,960 --> 00:00:45,600 Speaker 1: been above the surface this whole time. So people like 13 00:00:45,720 --> 00:00:48,960 Speaker 1: me who really like shipwrecks got pretty excited back in 14 00:00:49,000 --> 00:00:50,920 Speaker 1: the summer of two thousand nine when there was all 15 00:00:50,960 --> 00:00:55,640 Speaker 1: this news about archaeologists finding the untouched remains of five 16 00:00:55,960 --> 00:00:59,840 Speaker 1: Roman ships, and then there was a PBS show Secrets 17 00:00:59,840 --> 00:01:04,120 Speaker 1: of the Dead recently profiling this expedition, So, I mean, 18 00:01:04,160 --> 00:01:08,360 Speaker 1: pretty interesting stuff. Five untouched remain definitely back in two 19 00:01:08,400 --> 00:01:12,520 Speaker 1: thousand nine, the lead archaeologist on this expedition, Timmy Gambon. 20 00:01:13,040 --> 00:01:16,600 Speaker 1: He described the area as a graveyard of ships, which 21 00:01:16,640 --> 00:01:20,640 Speaker 1: sounds very menacing, spooky. Yeah. Yeah, so it makes us 22 00:01:20,680 --> 00:01:25,240 Speaker 1: wonder what is in these ships and where were they going, 23 00:01:25,880 --> 00:01:29,280 Speaker 1: why did they all wreck so close together, and why 24 00:01:29,319 --> 00:01:32,319 Speaker 1: did they think in the first place. These are some 25 00:01:32,400 --> 00:01:34,560 Speaker 1: of the questions, some of the many questions we will 26 00:01:34,600 --> 00:01:39,080 Speaker 1: be answering in today's podcast. Yep, But this whole thing 27 00:01:39,080 --> 00:01:41,479 Speaker 1: started in two thousand eight, right, Yeah, the news broken 28 00:01:41,480 --> 00:01:44,880 Speaker 1: two thousand nine, but the whole research project really started 29 00:01:44,880 --> 00:01:47,560 Speaker 1: in two thousand eight. Yep. At that time, a group 30 00:01:47,600 --> 00:01:51,200 Speaker 1: of marine archaeologists and ocean scientists that make up the 31 00:01:51,240 --> 00:01:55,120 Speaker 1: Aurora Trust, they began a survey of the area around 32 00:01:55,280 --> 00:01:59,520 Speaker 1: vent To Tene and the Tyrannean Sea off of Naples. Yeah, 33 00:01:59,600 --> 00:02:02,760 Speaker 1: and then to TenneT is a pretty interesting island itself. 34 00:02:02,800 --> 00:02:05,800 Speaker 1: I mean, it's definitely worth discussing its history a little 35 00:02:05,800 --> 00:02:08,480 Speaker 1: bit before we get into the shipwrecks. But it's this 36 00:02:08,639 --> 00:02:13,120 Speaker 1: volcanic tiny island and today it's a tourist spot. I 37 00:02:13,240 --> 00:02:16,800 Speaker 1: sent to Bilina a picture. It looked pretty picture fu Um. 38 00:02:16,840 --> 00:02:21,280 Speaker 1: It only has five permanent residents. But back in ancient 39 00:02:21,480 --> 00:02:24,920 Speaker 1: Roman times it was this grand Emperor's retreat and it 40 00:02:24,960 --> 00:02:29,680 Speaker 1: was called Pantataria, and it also conveniently was a pretty 41 00:02:29,760 --> 00:02:34,120 Speaker 1: nice place to exile nobles and imperial family members. But 42 00:02:34,440 --> 00:02:37,239 Speaker 1: we're gonna be talking about that on a later podcast, 43 00:02:37,440 --> 00:02:42,520 Speaker 1: so listen up. Then, So Augustus he transformed to this island. 44 00:02:42,720 --> 00:02:45,840 Speaker 1: He built a villa in a complex system of cisterns 45 00:02:45,880 --> 00:02:49,400 Speaker 1: there to collect rainwater since there were no natural springs 46 00:02:49,440 --> 00:02:53,360 Speaker 1: to get water from. And more importantly, he had this 47 00:02:53,480 --> 00:02:56,639 Speaker 1: harbor built basically dug out of the rock instead of 48 00:02:56,680 --> 00:02:59,679 Speaker 1: building out of sea walls, and somehow it all still worked. Yeah, 49 00:03:00,040 --> 00:03:03,320 Speaker 1: that's pretty amazing to me. Um, But the island didn't 50 00:03:03,440 --> 00:03:08,560 Speaker 1: remain this bustling, uh stop on trade routes for that long. 51 00:03:08,639 --> 00:03:12,520 Speaker 1: The emperors eventually abandoned it and hermits were the only 52 00:03:12,560 --> 00:03:16,160 Speaker 1: people who remained. And eventually it became a pirate's den 53 00:03:16,639 --> 00:03:19,400 Speaker 1: because it was convenient enough to the mainland that you 54 00:03:19,440 --> 00:03:23,760 Speaker 1: could go raid um, raid other ships, raid port towns, 55 00:03:23,840 --> 00:03:26,040 Speaker 1: and then come back to your den with all your loot. 56 00:03:26,600 --> 00:03:30,560 Speaker 1: And by the eighteenth century, the Bourbon kings decided that 57 00:03:30,600 --> 00:03:33,840 Speaker 1: they wanted to start redeveloping the area a little bit, 58 00:03:33,840 --> 00:03:37,560 Speaker 1: redeveloping then to Tenne, and partly that was to support 59 00:03:37,640 --> 00:03:41,040 Speaker 1: this prison that they had built on an even tinier 60 00:03:41,080 --> 00:03:44,240 Speaker 1: island that's right next to vent to Tenney Santo Stefano. 61 00:03:44,680 --> 00:03:49,120 Speaker 1: And interesting, this, this whole island's history is just so weird. 62 00:03:49,200 --> 00:03:53,040 Speaker 1: But this Tinier island is where Mussolini kept a lot 63 00:03:53,080 --> 00:03:55,800 Speaker 1: of his political prisoners, so this has always been a 64 00:03:55,840 --> 00:03:59,160 Speaker 1: good spot for exiling people you never want to hear 65 00:03:59,200 --> 00:04:03,040 Speaker 1: from again. Pretty grim, sort of eerie place. So there 66 00:04:03,080 --> 00:04:07,280 Speaker 1: are basically two takeaways here. Vent Atenne was remote enough 67 00:04:07,320 --> 00:04:10,600 Speaker 1: to be perfect retreat for a perfect prison depending on 68 00:04:10,680 --> 00:04:12,680 Speaker 1: who you are, depending on who you are and who 69 00:04:12,680 --> 00:04:15,920 Speaker 1: you're dealing with. And it's also convenient enough to be 70 00:04:15,960 --> 00:04:18,960 Speaker 1: a halfway point, a kind of rest stop or a 71 00:04:19,040 --> 00:04:22,680 Speaker 1: layer when traveling through the often treacherous and bustling Mediterranean. 72 00:04:22,960 --> 00:04:26,680 Speaker 1: Whether you're a Roman merchant or a Barbary pirate, it's 73 00:04:26,720 --> 00:04:31,120 Speaker 1: a good place to stop. So due to this geographical 74 00:04:31,240 --> 00:04:36,080 Speaker 1: importance and um it's proximity to all these ancient shipping 75 00:04:36,120 --> 00:04:39,000 Speaker 1: lines that are of course racing back and forth across 76 00:04:39,040 --> 00:04:42,479 Speaker 1: the Mediterranean, it makes sense that there would have been 77 00:04:42,560 --> 00:04:44,760 Speaker 1: a few shipwrecks in the area. It would be the 78 00:04:44,839 --> 00:04:48,039 Speaker 1: last port of call for more than one ship but 79 00:04:48,360 --> 00:04:50,719 Speaker 1: a graveyard. I think that was a little bit of 80 00:04:50,720 --> 00:04:53,839 Speaker 1: a surprise. But in two thousand eight, the Aurora Trust 81 00:04:53,839 --> 00:04:57,719 Speaker 1: started to survey the seabed around vent Atenna and Santa 82 00:04:57,880 --> 00:05:04,320 Speaker 1: Santo Stefano and they use their client system side skin sonars. 83 00:05:04,360 --> 00:05:07,160 Speaker 1: So cool to me, and I mean it is. I 84 00:05:07,480 --> 00:05:10,560 Speaker 1: just imagine it's so neat and clean on paper. But 85 00:05:10,680 --> 00:05:14,320 Speaker 1: they essentially established a grid surrounding the island, like a 86 00:05:14,320 --> 00:05:19,120 Speaker 1: triangular grid, and then trailed the sonar behind a boat 87 00:05:19,560 --> 00:05:23,799 Speaker 1: to make sure that they got an absolutely complete picture 88 00:05:24,080 --> 00:05:26,880 Speaker 1: of the sea bed. It is really cool. Yeah, they 89 00:05:26,880 --> 00:05:29,760 Speaker 1: were basically creating underwater map so they could check for 90 00:05:29,800 --> 00:05:33,080 Speaker 1: any abnormalities and that's what they call them, to abnormalities. 91 00:05:33,080 --> 00:05:36,159 Speaker 1: So it could be anything from an ancient shipwreck or 92 00:05:36,400 --> 00:05:39,479 Speaker 1: presumably just some junk on the bottom of the ocean. 93 00:05:39,520 --> 00:05:41,520 Speaker 1: I guess it depends on when it's from whether you 94 00:05:41,560 --> 00:05:45,440 Speaker 1: consider it junk or something worth checking out. Um. And 95 00:05:45,880 --> 00:05:49,720 Speaker 1: it's a surprisingly fruitful mapping effort. I mean, I guess 96 00:05:49,720 --> 00:05:53,360 Speaker 1: they thought they would find something, but um, they find 97 00:05:53,440 --> 00:05:55,720 Speaker 1: quite a lot. They find piles of what looked like 98 00:05:55,800 --> 00:05:58,680 Speaker 1: in four I, which are ancient Roman shipping vessels and 99 00:05:58,720 --> 00:06:00,680 Speaker 1: we're going to talk a little bit more about them 100 00:06:00,760 --> 00:06:04,680 Speaker 1: later because they're pretty interesting. And a few other just 101 00:06:04,880 --> 00:06:08,200 Speaker 1: abnormal blips on the c floor maybe Rex, maybe not, 102 00:06:08,360 --> 00:06:11,080 Speaker 1: just things worth checking out later. And then this isn't 103 00:06:11,240 --> 00:06:13,560 Speaker 1: terribly related to this episode, but they find the wreck 104 00:06:13,720 --> 00:06:17,279 Speaker 1: of a famous sunken ship from World War Two. Um, 105 00:06:17,400 --> 00:06:19,560 Speaker 1: but there's more work to be done, yea. The sonar 106 00:06:19,800 --> 00:06:22,920 Speaker 1: isn't quite gonna cut it, So the team plans to 107 00:06:22,920 --> 00:06:24,960 Speaker 1: to return to the area in the summer of two 108 00:06:24,960 --> 00:06:28,360 Speaker 1: thousand nine for a closer look at things. Yeah, so 109 00:06:28,400 --> 00:06:31,880 Speaker 1: they come back in two thousand nine. The two thousand 110 00:06:31,880 --> 00:06:36,440 Speaker 1: eight scan head showed three potential ancient shipwrecks, and in 111 00:06:36,480 --> 00:06:39,719 Speaker 1: two thousand nine they extend the range of that scan 112 00:06:39,800 --> 00:06:42,240 Speaker 1: a little bit more and they find two more wrecks 113 00:06:42,360 --> 00:06:45,240 Speaker 1: that they decide are definitely worth checking out with. There 114 00:06:45,279 --> 00:06:49,200 Speaker 1: are the camera because sonar just lets you know there's 115 00:06:49,200 --> 00:06:52,080 Speaker 1: an abnormality, it doesn't really let you know exactly what 116 00:06:52,120 --> 00:06:56,039 Speaker 1: it is. So we're gonna give you a rundown a profile, 117 00:06:56,080 --> 00:07:00,880 Speaker 1: if you will. Of these five ancient recks they find. Yeah, 118 00:07:01,120 --> 00:07:04,080 Speaker 1: the first one is well preserved and it's from the 119 00:07:04,120 --> 00:07:08,479 Speaker 1: first century a d. It's filled with cargo of Spanish 120 00:07:08,480 --> 00:07:12,400 Speaker 1: amphoe from Batica. And yeah, the this is probably the 121 00:07:12,440 --> 00:07:15,600 Speaker 1: best time to tell you what the and for I 122 00:07:15,640 --> 00:07:18,400 Speaker 1: want to know. Um, if you've ever seen just like 123 00:07:18,480 --> 00:07:22,520 Speaker 1: a statue of a pedestal with this surn type of 124 00:07:22,560 --> 00:07:26,400 Speaker 1: thing on top, very well might have been a dedication 125 00:07:26,520 --> 00:07:31,120 Speaker 1: to an amphora or two mphor e the plural um. 126 00:07:31,160 --> 00:07:34,760 Speaker 1: And they're these ancient Roman shipping containers. And usually they're 127 00:07:34,760 --> 00:07:38,960 Speaker 1: really pointy on the bottom and they look um almost 128 00:07:38,960 --> 00:07:42,480 Speaker 1: like if you've ever seen handmade lace. They look kind 129 00:07:42,480 --> 00:07:46,920 Speaker 1: of like Bobbin's, those big wooden bobbins to compare it to. Yeah, 130 00:07:47,000 --> 00:07:49,160 Speaker 1: and so they can't stand up on their own because 131 00:07:49,160 --> 00:07:52,080 Speaker 1: they're pointy. But when you line them all up in 132 00:07:52,120 --> 00:07:55,679 Speaker 1: a row, you can also stack them. The points fit 133 00:07:55,760 --> 00:07:59,760 Speaker 1: in exactly um between the other ones, so you can 134 00:08:00,200 --> 00:08:02,640 Speaker 1: a cargo hold of a ship to make the best 135 00:08:02,680 --> 00:08:05,720 Speaker 1: available use of your space. And when they all fit 136 00:08:05,760 --> 00:08:08,560 Speaker 1: together like that, they kind of form just a lock 137 00:08:08,680 --> 00:08:11,080 Speaker 1: like a puzzle. I'll put together. Yep. And these M 138 00:08:11,120 --> 00:08:14,600 Speaker 1: four I would have held garum right, which is a 139 00:08:14,640 --> 00:08:18,640 Speaker 1: type of fermented fish sauce that you could literally douse 140 00:08:18,680 --> 00:08:21,080 Speaker 1: on any meal yeah, I think the Romans were pretty 141 00:08:21,200 --> 00:08:24,520 Speaker 1: fond of it too, which I know, fermented fish sauce 142 00:08:24,560 --> 00:08:28,240 Speaker 1: sounds like kind of something that wouldn't be very good, 143 00:08:28,240 --> 00:08:31,640 Speaker 1: but I mean, if you've ever had Thai food, it's 144 00:08:31,920 --> 00:08:35,719 Speaker 1: good as long as you balance it out with other things. Um. So. 145 00:08:35,760 --> 00:08:39,840 Speaker 1: The second rack is also really well preserved. It also 146 00:08:40,000 --> 00:08:42,600 Speaker 1: carries M. Four I. It's from the first century BC, 147 00:08:42,960 --> 00:08:46,200 Speaker 1: so a bit older. And uh, these M four I 148 00:08:46,320 --> 00:08:51,280 Speaker 1: carried wine from Campania. And you'll find a lot of 149 00:08:51,320 --> 00:08:53,880 Speaker 1: these ships carried wine. It just gives you a little 150 00:08:53,920 --> 00:08:58,520 Speaker 1: taste of how how important the trade in wine was 151 00:08:58,640 --> 00:09:02,160 Speaker 1: in the Roman Empire. The third wreck is from the 152 00:09:02,240 --> 00:09:05,160 Speaker 1: first century a D. And it broke into two at 153 00:09:05,200 --> 00:09:07,880 Speaker 1: some point, so it may have had a more violent 154 00:09:07,880 --> 00:09:10,400 Speaker 1: wreck than some of the other ships that were involved. Here. 155 00:09:10,640 --> 00:09:14,280 Speaker 1: They carried more taria, which is basically the mortar part 156 00:09:14,280 --> 00:09:17,959 Speaker 1: of a mortar, and pestle and Italian wine am for 157 00:09:18,120 --> 00:09:21,200 Speaker 1: I from Campania. Again they've gotta have their their wine. 158 00:09:21,640 --> 00:09:24,160 Speaker 1: The fourth reck is from the first century a D. 159 00:09:24,400 --> 00:09:27,720 Speaker 1: And it's not quite as well preserved, but in some 160 00:09:27,760 --> 00:09:30,920 Speaker 1: ways it has the most interesting cargo. So it's got 161 00:09:30,960 --> 00:09:33,679 Speaker 1: those wine and four I again but it also has 162 00:09:33,760 --> 00:09:36,560 Speaker 1: glass frit which I had to look up what this 163 00:09:36,800 --> 00:09:40,400 Speaker 1: was UM from the Aurora Trust site, which actually I 164 00:09:40,440 --> 00:09:42,800 Speaker 1: should mention this now you can find pictures of all 165 00:09:42,840 --> 00:09:46,000 Speaker 1: of these wrecks at the site, should I definitely recommend. 166 00:09:46,240 --> 00:09:50,000 Speaker 1: But you can use this glass to make real glass 167 00:09:50,040 --> 00:09:52,480 Speaker 1: like what you would think of, or to make pigments 168 00:09:52,600 --> 00:09:54,920 Speaker 1: or just all sorts of things. And the ship also 169 00:09:54,960 --> 00:09:59,000 Speaker 1: carried metal bars which may have been UM destined to 170 00:09:59,080 --> 00:10:01,280 Speaker 1: be part of some step at you or some kind 171 00:10:01,320 --> 00:10:06,679 Speaker 1: of weapons. And then it carried these huge, incredibly heavy 172 00:10:06,720 --> 00:10:10,280 Speaker 1: metal cylinders and the archaeologist still aren't quite sure what 173 00:10:10,360 --> 00:10:13,800 Speaker 1: those may have been used for. The fifth reck was 174 00:10:13,880 --> 00:10:16,520 Speaker 1: from a little bit later. It was from the fifth 175 00:10:16,520 --> 00:10:19,120 Speaker 1: century a d. And it carried more of this fish 176 00:10:19,120 --> 00:10:23,600 Speaker 1: sauce and um, and the fish slauce was in North 177 00:10:23,640 --> 00:10:27,480 Speaker 1: African MP. I. Yeah, so again kind of showing how 178 00:10:27,480 --> 00:10:31,080 Speaker 1: why this trading range was UM. But it would be 179 00:10:31,200 --> 00:10:33,760 Speaker 1: really bad to lose your shipment of garam. I mean 180 00:10:33,880 --> 00:10:36,120 Speaker 1: you might think that the wine would be the most 181 00:10:36,360 --> 00:10:40,280 Speaker 1: precious shipment. We mentioned here that garam, if it was 182 00:10:40,760 --> 00:10:44,839 Speaker 1: high quality, garam could go for the Roman equivalent of 183 00:10:45,040 --> 00:10:48,600 Speaker 1: one dollars for two pints, so having a whole ship 184 00:10:48,640 --> 00:10:53,400 Speaker 1: of it go down would be pretty bad news. Yeah. Um, 185 00:10:53,440 --> 00:10:57,599 Speaker 1: So the Aurora Trust decided that the r o V 186 00:10:57,840 --> 00:11:00,640 Speaker 1: pictures were nice, you know, they kind of give them 187 00:11:00,640 --> 00:11:03,200 Speaker 1: a good idea of what's on there, but the human 188 00:11:03,280 --> 00:11:06,920 Speaker 1: eye is better, and so they picked a few sites 189 00:11:07,000 --> 00:11:10,080 Speaker 1: to send divers to, just three of them. And the 190 00:11:10,120 --> 00:11:12,640 Speaker 1: issue here is that the sites are really really deep, 191 00:11:12,800 --> 00:11:16,120 Speaker 1: and they're deeper than three feet and that's part of 192 00:11:16,160 --> 00:11:19,640 Speaker 1: the reason why these wrecks are still preserved, because if 193 00:11:19,679 --> 00:11:24,080 Speaker 1: they were shallower depths, recreational divers would have found them 194 00:11:24,160 --> 00:11:28,160 Speaker 1: long ago and presumably pilfered them mess them up. Um. 195 00:11:28,200 --> 00:11:31,400 Speaker 1: It's because they're out of range for most fos that 196 00:11:31,440 --> 00:11:35,080 Speaker 1: they're still so pristine. Yep. Even the research divers could 197 00:11:35,160 --> 00:11:37,600 Speaker 1: only spend a few minutes down there before they had 198 00:11:37,640 --> 00:11:40,880 Speaker 1: to start the lengthy decompression process and come back up. 199 00:11:41,520 --> 00:11:45,480 Speaker 1: So they pick their most highly trained divers to go 200 00:11:45,600 --> 00:11:48,600 Speaker 1: on these expeditions, and they send them in not just 201 00:11:48,679 --> 00:11:50,640 Speaker 1: to kind of look at what's there, but also to 202 00:11:50,679 --> 00:11:53,600 Speaker 1: bring stuff back up whatever they can bring with them 203 00:11:53,640 --> 00:11:57,079 Speaker 1: to analyze later. Yeah, hopefully get some museum specimens out 204 00:11:57,120 --> 00:12:00,960 Speaker 1: of it. Um. So at the second wreck, which is 205 00:12:01,000 --> 00:12:04,760 Speaker 1: that one from the first century BC, the divers find 206 00:12:04,800 --> 00:12:07,679 Speaker 1: these stacks of perfect and for it. I mean, it 207 00:12:07,920 --> 00:12:10,880 Speaker 1: looks like the day they were loaded. And of course 208 00:12:11,280 --> 00:12:14,680 Speaker 1: these don't look like shipwrecks that I mean you probably 209 00:12:14,679 --> 00:12:17,880 Speaker 1: you're probably used to pictures of the Titanic or something 210 00:12:17,920 --> 00:12:21,679 Speaker 1: like that, where clearly there is a ship underwater, of course, 211 00:12:22,120 --> 00:12:24,880 Speaker 1: being two thousand years old, in this case more than 212 00:12:24,880 --> 00:12:28,080 Speaker 1: two thousand years old. The ship is gone, all the 213 00:12:28,080 --> 00:12:32,320 Speaker 1: wooden parts are gone. It's just the cargo that remains. Um. 214 00:12:32,400 --> 00:12:35,400 Speaker 1: But they're able to bring up one and Phora from 215 00:12:35,520 --> 00:12:38,760 Speaker 1: that wreck. And uh, if you check out the Secrets 216 00:12:38,800 --> 00:12:41,880 Speaker 1: of the Dead video on this one, it's it's funny. 217 00:12:42,120 --> 00:12:44,480 Speaker 1: They bring it up and put it into a little 218 00:12:44,520 --> 00:12:47,080 Speaker 1: on deck pool to you know, keep it. It's been 219 00:12:47,160 --> 00:12:49,600 Speaker 1: underwater for so many years. If it's up in the air, 220 00:12:49,679 --> 00:12:52,600 Speaker 1: it's not going to weather well. Um. And then they 221 00:12:52,679 --> 00:12:55,720 Speaker 1: use a database to help them match the shape of 222 00:12:55,800 --> 00:12:59,720 Speaker 1: it to a like Emphora from the same period. It 223 00:12:59,800 --> 00:13:02,640 Speaker 1: kind reminded me of C. S I or bones or 224 00:13:02,679 --> 00:13:07,240 Speaker 1: something for and for because it's just blipping past all 225 00:13:07,280 --> 00:13:10,679 Speaker 1: the silhouettes until finally they have a match which helps 226 00:13:10,720 --> 00:13:14,040 Speaker 1: identify the age, which is the first century BC, and 227 00:13:14,080 --> 00:13:19,400 Speaker 1: the contents which we're probably wine and for forensics exactly. 228 00:13:20,040 --> 00:13:23,319 Speaker 1: So then the divers are able to also obtain samples 229 00:13:23,320 --> 00:13:26,560 Speaker 1: from rexite number three and that one was the one 230 00:13:26,559 --> 00:13:29,600 Speaker 1: that was split in half. From there they can carry 231 00:13:29,600 --> 00:13:33,600 Speaker 1: off four mortaria and these are all identical. So it's 232 00:13:33,640 --> 00:13:37,079 Speaker 1: like an example of Roman mass production. Yeah, everybody had 233 00:13:37,120 --> 00:13:40,920 Speaker 1: to get their mortaria and France or Spain or wherever 234 00:13:41,280 --> 00:13:45,359 Speaker 1: they were because it was the best Roman tool available. 235 00:13:45,960 --> 00:13:48,880 Speaker 1: And from the fourth sight, the one that has that 236 00:13:49,080 --> 00:13:52,640 Speaker 1: mysterious metal cargo there, unfortunately not able to bring any 237 00:13:52,720 --> 00:13:55,120 Speaker 1: samples to the surface, but they take a lot of 238 00:13:55,160 --> 00:13:59,320 Speaker 1: photos um. That one is deeper than the others even 239 00:13:59,360 --> 00:14:02,600 Speaker 1: it's at four hundred and eighty feet UM. So that's 240 00:14:02,679 --> 00:14:06,760 Speaker 1: two thousand nine, definitely accomplishing a few more goals with 241 00:14:06,840 --> 00:14:09,640 Speaker 1: this project. And then in two thousand and ten, just 242 00:14:09,840 --> 00:14:14,600 Speaker 1: this past summer, they went back for another look. Yeah. Again, 243 00:14:14,640 --> 00:14:17,920 Speaker 1: they extend the scan range and they sent down the 244 00:14:18,080 --> 00:14:21,280 Speaker 1: r o V for more Hira's images of the area, 245 00:14:21,520 --> 00:14:24,080 Speaker 1: and they were focusing mainly on places that didn't get 246 00:14:24,080 --> 00:14:28,400 Speaker 1: documented in two thousand nine, and they also recover another amphora. Yeah, 247 00:14:28,480 --> 00:14:31,840 Speaker 1: and I think a National geographic crew may have accompanied 248 00:14:31,880 --> 00:14:35,200 Speaker 1: them that year. So maybe we'll get another documentary with 249 00:14:35,280 --> 00:14:39,880 Speaker 1: cool underwater photography next year. Um. But okay, we still 250 00:14:39,880 --> 00:14:43,720 Speaker 1: have our our questions that we raised in the introduction, 251 00:14:43,840 --> 00:14:46,840 Speaker 1: which was why is this a graveyard? Why are there 252 00:14:46,880 --> 00:14:50,800 Speaker 1: so many ships here? And there are a few reasons why, 253 00:14:50,880 --> 00:14:54,000 Speaker 1: and one of them is just volume. I mean, Rome 254 00:14:54,320 --> 00:14:58,400 Speaker 1: is a huge global exporter and importer during this time, 255 00:14:58,560 --> 00:15:01,880 Speaker 1: and that's at the on the land by all the 256 00:15:01,960 --> 00:15:05,960 Speaker 1: roads they build to you know, to transport merchants and 257 00:15:06,200 --> 00:15:09,920 Speaker 1: goods and the army of course, um, but there were 258 00:15:09,960 --> 00:15:12,280 Speaker 1: also lots of shipping lines and it was very important 259 00:15:12,720 --> 00:15:16,240 Speaker 1: for the Empire for these shipping lines to be relatively safe, 260 00:15:16,240 --> 00:15:18,680 Speaker 1: as safe as they could be, so that merchants could 261 00:15:18,720 --> 00:15:22,920 Speaker 1: trade goods with a certain amount of confidence. And they 262 00:15:23,040 --> 00:15:26,080 Speaker 1: just criss crossed across the Mediterranean between Greece and North 263 00:15:26,120 --> 00:15:29,400 Speaker 1: Africa and France and Spain. They go across the Black 264 00:15:29,440 --> 00:15:32,800 Speaker 1: Sea between the Channel you know, in England and France, 265 00:15:33,160 --> 00:15:35,600 Speaker 1: so I mean just everywhere you can imagine there are 266 00:15:35,720 --> 00:15:40,920 Speaker 1: Roman ships trading goods, high traffic area, right, So do 267 00:15:41,160 --> 00:15:45,320 Speaker 1: another reason behind this was that due to volume and markup, 268 00:15:45,760 --> 00:15:47,960 Speaker 1: the Empire could afford to lose the ship or two 269 00:15:48,000 --> 00:15:50,160 Speaker 1: now and then yeah, definitely, I mean it's kind of 270 00:15:50,480 --> 00:15:54,040 Speaker 1: sad but true, yep, especially since some things like wine, 271 00:15:54,560 --> 00:15:56,680 Speaker 1: which Rome had a lock on. I mean, we talked 272 00:15:56,680 --> 00:15:58,400 Speaker 1: about all the wine that we saw, but they were 273 00:15:58,440 --> 00:16:01,920 Speaker 1: the ones mainly response well for distributing this. Provinces like 274 00:16:02,000 --> 00:16:06,080 Speaker 1: Spain and France that we're perfectly capable of growing their 275 00:16:06,080 --> 00:16:08,680 Speaker 1: own and making their own line had to buy from 276 00:16:08,800 --> 00:16:12,080 Speaker 1: Roman merchants out the mark of course, oh of course, 277 00:16:13,680 --> 00:16:16,280 Speaker 1: and in some other cases items were mass produced on 278 00:16:16,320 --> 00:16:20,600 Speaker 1: the cheap and exported. So yeah, if you want to 279 00:16:20,640 --> 00:16:23,120 Speaker 1: do is the Romans do have to buy now you 280 00:16:23,200 --> 00:16:25,960 Speaker 1: have to pay a little bit. And then, I mean 281 00:16:26,200 --> 00:16:30,040 Speaker 1: the other main reason aside from volume here is location. 282 00:16:30,120 --> 00:16:34,960 Speaker 1: So Ventatenne, as we mentioned, is a really great stopping point. 283 00:16:35,040 --> 00:16:38,240 Speaker 1: It's very convenient and it has that nice harbor that 284 00:16:38,320 --> 00:16:41,760 Speaker 1: was built by Augustus and so it makes a nice 285 00:16:41,800 --> 00:16:45,600 Speaker 1: place for an outbound ship to rest for a day, 286 00:16:45,680 --> 00:16:49,200 Speaker 1: to get new supplies and to take shelter from bad weather. 287 00:16:49,720 --> 00:16:53,320 Speaker 1: But unfortunately, what you know, the same reasons that make 288 00:16:53,360 --> 00:16:57,560 Speaker 1: it such a convenient rest stop also make it potentially 289 00:16:57,680 --> 00:17:02,440 Speaker 1: very dangerous. And that's because despite that nice sloping harbor, 290 00:17:02,960 --> 00:17:06,080 Speaker 1: most of the island has these very steep sea walls, 291 00:17:06,480 --> 00:17:09,800 Speaker 1: high rock cliffs, And if you're in a storm and 292 00:17:10,000 --> 00:17:12,360 Speaker 1: it hits when you're pretty near the island, you're not 293 00:17:12,440 --> 00:17:15,119 Speaker 1: just going to be getting the waves from the wind 294 00:17:15,200 --> 00:17:17,199 Speaker 1: and the storm. You're gonna be getting the waves that 295 00:17:17,240 --> 00:17:20,880 Speaker 1: are bouncing off of the rock walls, and they're pitching 296 00:17:20,880 --> 00:17:23,520 Speaker 1: you back and forth. So this could basically toss the 297 00:17:23,560 --> 00:17:27,240 Speaker 1: ship around. And then the stacked and four eye that 298 00:17:27,320 --> 00:17:33,639 Speaker 1: they found that could have shifted, and if those shift, 299 00:17:33,760 --> 00:17:36,399 Speaker 1: then the ship kind of lists to one side. Yeah, 300 00:17:36,440 --> 00:17:39,800 Speaker 1: the the and four I will shift, and a few 301 00:17:39,880 --> 00:17:41,760 Speaker 1: that are supporting the way it'll start to break. And 302 00:17:41,760 --> 00:17:45,120 Speaker 1: then suddenly you're nice interlocking puzzle that fits the hold 303 00:17:45,200 --> 00:17:48,960 Speaker 1: so perfectly doesn't fit right anymore, and they all kind 304 00:17:48,960 --> 00:17:51,879 Speaker 1: of lean to one side. And with a listing ship, 305 00:17:52,520 --> 00:17:54,400 Speaker 1: it's pretty easy for a wave to take it down. 306 00:17:54,480 --> 00:17:58,040 Speaker 1: I mean, it's notable that the majority of these wrecks 307 00:17:58,520 --> 00:18:02,919 Speaker 1: look like they sung intact. Yeah, most of the M 308 00:18:02,920 --> 00:18:05,240 Speaker 1: four I were still intact, right, Yeah, And and they're 309 00:18:05,280 --> 00:18:08,920 Speaker 1: just in a in a ship shape. Sorry she used 310 00:18:08,960 --> 00:18:12,160 Speaker 1: out an way that I mean they're They don't look 311 00:18:12,240 --> 00:18:14,920 Speaker 1: like they were torn to pieces and broken up on 312 00:18:14,960 --> 00:18:17,560 Speaker 1: the waves. They look like they just souncle all of 313 00:18:17,600 --> 00:18:19,840 Speaker 1: a sudden. So it's still a bit of a mystery too. 314 00:18:20,359 --> 00:18:22,480 Speaker 1: So I guess that's all we know from now on 315 00:18:22,520 --> 00:18:25,080 Speaker 1: these five room and shipwrecks, although it definitely looks like 316 00:18:25,119 --> 00:18:28,040 Speaker 1: we'll be finding out more in the near future, hopefully 317 00:18:28,240 --> 00:18:30,680 Speaker 1: so there may be another podcast on a different aspect 318 00:18:30,680 --> 00:18:33,760 Speaker 1: of this soon. Perfect Fall Up, And we actually do 319 00:18:33,840 --> 00:18:36,960 Speaker 1: have another podcast coming now. As we mentioned this one 320 00:18:37,040 --> 00:18:39,480 Speaker 1: is going to be more focused on Bent to Chenne 321 00:18:39,680 --> 00:18:43,879 Speaker 1: in that exiled prisoner reputation that it has um But 322 00:18:44,119 --> 00:18:50,399 Speaker 1: first we're gonna do some listener mail. So this email 323 00:18:50,520 --> 00:18:53,360 Speaker 1: is from Hannah and she was writing in response to 324 00:18:53,400 --> 00:18:55,760 Speaker 1: an episode Candice and I recorded a few weeks ago 325 00:18:56,040 --> 00:19:00,360 Speaker 1: on five famous historical weddings, and Kid and I were 326 00:19:00,359 --> 00:19:04,919 Speaker 1: a little skeptical of this rumor that wild horses on 327 00:19:04,960 --> 00:19:09,080 Speaker 1: Cumberland Island came up to Caroline Bassette Kennedy and nibbled 328 00:19:09,160 --> 00:19:11,439 Speaker 1: on her Lily of the Valley bouquet. We were just 329 00:19:11,480 --> 00:19:14,600 Speaker 1: like we've both been to Cumberland, and know that those 330 00:19:14,600 --> 00:19:18,120 Speaker 1: horses are very much wild. I've never seen one come 331 00:19:18,200 --> 00:19:21,160 Speaker 1: up to a person and snack on. Yeah, and so, 332 00:19:21,880 --> 00:19:25,400 Speaker 1: Hannah wrote, You're absolutely right in your skepticism. It's very 333 00:19:25,440 --> 00:19:28,159 Speaker 1: unlikely that a wild horse would approach her, and in 334 00:19:28,240 --> 00:19:30,840 Speaker 1: the off chance that it did, it certainly wouldn't chomp 335 00:19:30,840 --> 00:19:34,000 Speaker 1: on her bouquet. Like fox glove, lily of the Valley 336 00:19:34,040 --> 00:19:38,720 Speaker 1: contains opponents and other toxic substances. These toxins are there 337 00:19:38,760 --> 00:19:41,639 Speaker 1: to discourage animals like horses from grazing on the sweet 338 00:19:41,640 --> 00:19:44,359 Speaker 1: smelling plant. All part of the Lily of the valley 339 00:19:44,400 --> 00:19:47,160 Speaker 1: plant are quite poisonous and should be handled with care. 340 00:19:47,640 --> 00:19:50,399 Speaker 1: Wild horses may nibble on many things, but they certainly 341 00:19:50,480 --> 00:19:53,640 Speaker 1: won't dine on the lily of the valley. Let's hope, 342 00:19:53,680 --> 00:19:56,040 Speaker 1: for the horse of sake, that this story, while sweet, 343 00:19:56,359 --> 00:19:59,640 Speaker 1: is just a rumor. So what a cute letter. It's 344 00:19:59,640 --> 00:20:03,119 Speaker 1: really cute, and I I think it's good to know. 345 00:20:03,440 --> 00:20:07,199 Speaker 1: I meanly the best formative for poisonous. It seems like 346 00:20:07,440 --> 00:20:10,920 Speaker 1: maybe not the best flower to put in your bouquet. 347 00:20:11,160 --> 00:20:13,000 Speaker 1: I don't know. I don't not if you have animals 348 00:20:13,000 --> 00:20:16,880 Speaker 1: at your wedding, for having a barn yard themed wedding 349 00:20:17,320 --> 00:20:20,280 Speaker 1: boyd Lily the Valley. Um So, I guess that's our 350 00:20:20,400 --> 00:20:23,480 Speaker 1: advice for the day. And if you have any more 351 00:20:24,760 --> 00:20:28,120 Speaker 1: I don't know stories from shipwrecks to horses, feel free 352 00:20:28,160 --> 00:20:31,600 Speaker 1: to email us where at History podcast at how stuff Works. 353 00:20:31,880 --> 00:20:34,639 Speaker 1: We also have a Twitter account at Miston History and 354 00:20:34,680 --> 00:20:37,720 Speaker 1: a Facebook fan page. And if you want to learn 355 00:20:37,760 --> 00:20:41,600 Speaker 1: a little more about underwater photography, we have an article 356 00:20:41,760 --> 00:20:45,239 Speaker 1: called how underwater Photography Works. You can search for it 357 00:20:45,760 --> 00:20:50,560 Speaker 1: by typing in underwater photography on our homepage at www 358 00:20:50,600 --> 00:20:56,800 Speaker 1: dot how stuff works dot com. For more on this 359 00:20:57,000 --> 00:21:00,000 Speaker 1: and thousands of other topics, visit how stuff works dot com. 360 00:21:00,119 --> 00:21:02,680 Speaker 1: To learn more about the podcast, click on the podcast 361 00:21:02,880 --> 00:21:05,840 Speaker 1: icon in the upper right corner of our homepage. The 362 00:21:05,880 --> 00:21:08,520 Speaker 1: House stuff Works iPhone app has a rise. Download it 363 00:21:08,560 --> 00:21:14,960 Speaker 1: today on iTunes, m M