WEBVTT - Hannah Montana: The Movie

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<v Speaker 1>So Sabrina, we always start our shows with this little

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<v Speaker 1>chit chat at the beginning and just kind of asking

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<v Speaker 1>random questions. But with this movie and with this franchise,

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<v Speaker 1>I think we just have to jump right in. I

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<v Speaker 1>think we've got to jump in two feet. There's no

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<v Speaker 1>pre show. There's no need, there's no there's no need,

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<v Speaker 1>there's no need. So I'm gonna start by saying, welcome

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<v Speaker 1>back to Magical Rewind, the show that makes you want

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<v Speaker 1>to grab your friends, your PJS, and your popcorn. Go

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<v Speaker 1>back to time when all the houses are smart, the

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<v Speaker 1>way tsunamis in the high school musicals. That out of

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<v Speaker 1>the way. Okay, we got a special one this week.

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<v Speaker 1>I'm just gonna jump into it, and then and then

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<v Speaker 1>we'll and then we'll get into the bigger picture, because

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<v Speaker 1>we got a special one this week. We are tackling

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<v Speaker 1>a franchise that helped define modern day Disney Channel. That

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<v Speaker 1>is not high herbally, that is not overreach, that is

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<v Speaker 1>absolutely the truth, and some could argue it affected pop

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<v Speaker 1>culture as a whole. And we are talking two thousand

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<v Speaker 1>and nine's Hannah Montana, the movie, a family musical extension

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<v Speaker 1>of the hit TV show We're just gonna start with

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<v Speaker 1>a very brief history of how we got to the movie. So,

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<v Speaker 1>Hannah Montana the TV show ran for four seasons on

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<v Speaker 1>the Channel two thousand and six to twenty eleven, and

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<v Speaker 1>it's centered around Miley Stewart, played by a young Miley Cyrus,

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<v Speaker 1>known at the time as a one hit wonder country star.

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<v Speaker 1>Billy Ray Cyrus's daughter, and he also played her dad

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<v Speaker 1>on the show. Her mom passed away in Hannah Montana,

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<v Speaker 1>but of course, in real life, her mom is alive

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<v Speaker 1>and well and even has a podcast now. Miley Stewart

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<v Speaker 1>is a fourteen year old girl living at double life

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<v Speaker 1>as a typical middle schooler. Then she graduates to high

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<v Speaker 1>school starting in season two. The whole premise is she

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<v Speaker 1>is anonymously experiencing a suburban existence, but also moonlighting as

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<v Speaker 1>Hannah Montana, an internationally famous pop singer. The difference between

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<v Speaker 1>the two wig a wig. That's it. That's the difference.

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<v Speaker 1>Same face, longer blonde hair, Sabrina. How are we supposed to?

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<v Speaker 1>I mean, are you? Are you okay with this? Is

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<v Speaker 1>my question?

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<v Speaker 2>Look, I got to be at the the the big

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<v Speaker 2>you know, the big conference where they go and they

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<v Speaker 2>do all of the new shows that are coming. I

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<v Speaker 2>was there when they the upfronts, thank you. I was

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<v Speaker 2>there when they exposed Hannah Montana like that what we

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<v Speaker 2>were doing the Cheetah Girls right at that time. And yeah,

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<v Speaker 2>of course you're going, I mean, it's a wig, right,

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<v Speaker 2>it's a it's a wig. But when you watch the show,

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<v Speaker 2>for some reason, at least for me, it works.

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<v Speaker 1>Okay, it works.

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<v Speaker 2>In the the age range of the demo that's going

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<v Speaker 2>for it works will and it doesn't.

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<v Speaker 1>It doesn't at all. No, No, I don't. No, I don't,

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<v Speaker 1>nor will I. No, I don't. It's the same reason

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<v Speaker 1>I don't like Superman is because you have to be

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<v Speaker 1>an idiot to live in the world of Superman. You're

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<v Speaker 1>a reporter. He's your best friend, but you put on

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<v Speaker 1>a pair of glasses and you don't recognize him. You

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<v Speaker 1>have to, you're literally a reporter. It's the same thing

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<v Speaker 1>with her best friend. You're telling me that that that

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<v Speaker 1>Taylor Swift is your best friend, and she's sitting here

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<v Speaker 1>across from you, but she has red hair. You don't

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<v Speaker 1>know it's Taylor Swift. Miley Cyrus, the person with the

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<v Speaker 1>most like her nose and her mouth are so distinct.

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<v Speaker 3>Her voice is so distinct, so true, but even her

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<v Speaker 3>best friend doesn't recognize her because because she goes from

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<v Speaker 3>brown to blonde, and that's the whole change. Oh, it

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<v Speaker 3>hurt my feelings and it made me feel bad for

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<v Speaker 3>the up and coming generations.

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<v Speaker 1>It did so okay. I mean, I know, I know

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<v Speaker 1>for a fact that I'm supposed to watch these things

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<v Speaker 1>as a kid. I get that I'm supposed to put

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<v Speaker 1>myself in the mindset of the children. I totally children.

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<v Speaker 1>I totally get that. I got a wonderful chuckle out

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<v Speaker 1>of looking at my wife yesterday and saying, well, I'm

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<v Speaker 1>a forty eight year old man, it's noon on a Thursday.

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<v Speaker 1>I've got to go watch Hannah Montana. I get that

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<v Speaker 1>it's ridiculous and it's crazy. I totally understand that I do.

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<v Speaker 1>But come on, that's the whole thing.

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<v Speaker 2>I know. I get it as far as the disguise

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<v Speaker 2>and you, especially in the worlds that you love to

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<v Speaker 2>live in, with the magic and the rules, and I

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<v Speaker 2>get it. It's it definitely breaks all of that. However,

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<v Speaker 2>I think the main point of it is this idea

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<v Speaker 2>of being a to have this second life that no

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<v Speaker 2>one really knows about I get kids buy into. I

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<v Speaker 2>don't think kids looked and went I don't think they

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<v Speaker 2>didn't ask themselves, how does their best friends not know?

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<v Speaker 2>How did? I don't think that that was not actual

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<v Speaker 2>reality for viewers. I think what was more of a

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<v Speaker 2>thing for them was this magical idea of having this

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<v Speaker 2>second life that no one else knew. And not only

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<v Speaker 2>is it a second life no one else knew, but

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<v Speaker 2>you're a pop star like you are famous, all the claws,

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<v Speaker 2>all the things. You're dancing and singing on its stage like.

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<v Speaker 1>You couldn't you couldn't do a Lady Gaga thing. You

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<v Speaker 1>couldn't do it? Was it? See it? Whatever? You can't

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<v Speaker 1>do the thing where it's like half their face is covered.

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<v Speaker 1>You can't wear a mask that I can't wear. Just

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<v Speaker 1>can't do something that might have been.

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<v Speaker 2>And it's weird that Disney didn't think of that before

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<v Speaker 2>these artists, right, because usually Disney's ahead of the head

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<v Speaker 2>of the head of the world. But I just, I mean, honestly,

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<v Speaker 2>and listen, I think they banked on kids not carring

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<v Speaker 2>and guess what they won because kids didn't care.

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<v Speaker 1>I know that. Well, again, you have to be a kid.

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<v Speaker 1>This is where I as I could not get into

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<v Speaker 1>the mindset of a kid in this one. I could not.

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<v Speaker 1>I did not buy the basic premise, and so since

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<v Speaker 1>I did not buy the basic premise, everything afterwards, I like,

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<v Speaker 1>I will buy the premise of the whole family is wizards.

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<v Speaker 1>I'll buy that all day long. Right if you set

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<v Speaker 1>it up that that you're hiding the fact that they're wizards,

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<v Speaker 1>and oh my god, but if the whole thing is

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<v Speaker 1>you've got to hide in plain sight, so your hair

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<v Speaker 1>slightly changes color and now Noah, like, can you tell

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<v Speaker 1>this is me? Can you? I'm not, but I don't

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<v Speaker 1>have my headphones on. How do you know it's me?

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<v Speaker 1>I'm jack.

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<v Speaker 2>Oh my god, this is gonna be hurt anywhere it.

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<v Speaker 1>Hurts me, Sabrina. Now that being said, some of the

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<v Speaker 1>music was okay, okay, that's what I would say. It

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<v Speaker 1>just not I. Again, I didn't buy the premise. I

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<v Speaker 1>could not get into the mindset, and so because of that,

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<v Speaker 1>that's my fault. I get it. I get that it's on.

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<v Speaker 2>So we were told or it was, you know, a

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<v Speaker 2>good suggestion for us to watch the first episode of

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<v Speaker 2>the first.

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<v Speaker 1>Season, which I did like Disney. All the acting was good. Yeah,

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<v Speaker 1>you know, you get the synergy with them. It was

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<v Speaker 1>a very grand movie. It was very pretty. I had

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<v Speaker 1>no problem that the guest cast that they brought in phenomenal.

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<v Speaker 1>They had great people. Holy hell, I don't I don't

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<v Speaker 1>buy it.

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<v Speaker 2>All the guest cast they have.

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<v Speaker 1>I need to know great.

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<v Speaker 2>I mean, oh my god, I want to go into

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<v Speaker 2>the black hole of the internet to figure out what

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<v Speaker 2>were all they got sidebar reasons that these celebrities joined

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<v Speaker 2>this movie because this guest cast was unreal.

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<v Speaker 1>Oh, it was great.

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<v Speaker 2>It was and they kept popping up the entire movie

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<v Speaker 2>and you're going, oh, oh my god. And then what,

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<v Speaker 2>oh my god, oh my god.

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<v Speaker 1>Now did you recognize did you know that that was

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<v Speaker 1>Tyra Banks? Because she was wearing a different shirt than

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<v Speaker 1>on her regular show, So were you able to tell

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<v Speaker 1>that was her? Because that could throw you?

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<v Speaker 2>Oh my god.

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<v Speaker 4>Okay, I'm good.

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<v Speaker 2>If you can tell you this podcast with.

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<v Speaker 1>This man, that's all right. You can do it with Jack.

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<v Speaker 1>Now we can get through it.

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<v Speaker 2>Come on, Sabrina, all right, let's do it.

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<v Speaker 1>Here we go. All right. The show itself deals with

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<v Speaker 1>all the normal personal issues a teenager would face, but

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<v Speaker 1>throw in the fear that a secret pop star identity

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<v Speaker 1>could be exposed at any moment, and you never know

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<v Speaker 1>what's gonna happen again. All this because she is wearing

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<v Speaker 1>a wig now with the help of her family and

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<v Speaker 1>best friends Lillian Oliver, who all know the secret after

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<v Speaker 1>she had to tell them, not like they went, hey,

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<v Speaker 1>that's you, You're just in a wig. She manages to

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<v Speaker 1>balance the duality of a personalities while dealing with the

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<v Speaker 1>theme of staying true to oneself.

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<v Speaker 5>Now.

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<v Speaker 1>After the success of Say the Cheetah Girls and High

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<v Speaker 1>School Musical, Disney wanted to keep the streak alive for

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<v Speaker 1>pop music TV, and so this was a course of

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<v Speaker 1>logical next step. And remember we even get a small

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<v Speaker 1>pre superstart of Miley. Cyrus cameo at the end of

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<v Speaker 1>High School Musical two We went back, She was dancing

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<v Speaker 1>at the thing. Totally bought High school music. A whole

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<v Speaker 1>bunch of people getting together for the summer and dancing

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<v Speaker 1>and singing to songs that they had not any possible

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<v Speaker 1>way they could all know and choreograph bought that more

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<v Speaker 1>than this. The show debuted in March of two thousand

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<v Speaker 1>and six and was a very quick hit in its time,

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<v Speaker 1>with five point four million viewers, it was the most

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<v Speaker 1>watched premiere episode in Disney history. Amazing, and this made Miley,

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<v Speaker 1>of course an instant face for the brand. One episode

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<v Speaker 1>Me and mister Jonas and mister Jonas and mister Jonas

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<v Speaker 1>great title which I'll let you guess. The pop act

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<v Speaker 1>that made a cameo had a whopping ten point seven

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<v Speaker 1>million viewers. That is not just good for Disney Channel,

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<v Speaker 1>that's good for anything, really impressive. So naturally, in two

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<v Speaker 1>thousand and eight, the show spawned a concert film, Hannah

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<v Speaker 1>Montana and Miley Cyrus Best of Both Worlds, where Miley

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<v Speaker 1>performed as both herself and Hannah Montana. Wait, so Miley

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<v Speaker 1>and Hannah are the same person. I couldn't tell because

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<v Speaker 1>of the hair color. A duo that had at this

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<v Speaker 1>point locked itself to the front of popular culture. So

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<v Speaker 1>of course this was a big thing, and so the

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<v Speaker 1>following year, in two thousand and eight, they released this movie,

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<v Speaker 1>and then the show concluded in twenty eleven. So this

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<v Speaker 1>film is of course at the height of Hannah Mania,

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<v Speaker 1>or what I like to call Hannah Montana. Thank you

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<v Speaker 1>very much. Tons of merchandise was released like jewelry, toys,

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<v Speaker 1>soundtracks and yes the wig. Oh these parents must have

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<v Speaker 1>woke it up and been like, where's my child and

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<v Speaker 1>what is this blonde person doing in her bed? They

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<v Speaker 1>were all sold its stores nationwide and she even sold

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<v Speaker 1>out many a tour MSNBC. This is amazing. Estimated the

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<v Speaker 1>Hannah Montana franchise was worth one billion dollars by the

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<v Speaker 1>end of two thousand and eight. That's billion with a beefolks.

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<v Speaker 2>Wow.

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<v Speaker 1>The show was created by Michael Pores, who had already

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<v Speaker 1>found success for Disney Channel with the show That's So Raven,

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<v Speaker 1>which he also created. Talk about a one two punch

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<v Speaker 1>for the Disney Channel. And here is some very good news.

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<v Speaker 1>We're gonna be able to talk to him about how

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<v Speaker 1>he did all of this stuff because he will be

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<v Speaker 1>joining us. Yes, Michael will be joining us for our

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<v Speaker 1>Park Copper episode this week, so please make sure to

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<v Speaker 1>listen to that because he is a true Disney icon.

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<v Speaker 6>God.

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<v Speaker 1>Now I can't wait. Oh, I can't seriously, and I

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<v Speaker 1>can tell you we are we are recording this before

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<v Speaker 1>we record talking to him. I have a number of questions,

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<v Speaker 1>most of them about the wig. I'm kidding you. I

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<v Speaker 1>can't wait that way.

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<v Speaker 2>For more than two seconds. Will I'm gonna drive over.

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<v Speaker 1>Just make sure you don't change your hair color so

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<v Speaker 1>I know who you are when you knock on my door. Okay,

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<v Speaker 1>so let's get into the movie, and I'm trying. I'm

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<v Speaker 1>just gonna put myself right into the movie and for

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<v Speaker 1>get that none of this makes sense. So one big

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<v Speaker 1>difference when compared to other dcoms, and it's more obvious

0:12:05.360 --> 0:12:08.800
<v Speaker 1>than just the wig. It debuted on April tenth, two

0:12:08.800 --> 0:12:12.160
<v Speaker 1>thousand and nine, in theaters. Yes, that's right. It eventually

0:12:12.240 --> 0:12:13.960
<v Speaker 1>ended up on the Channel in November of that year,

0:12:13.960 --> 0:12:17.160
<v Speaker 1>but it started out at your local multiplex. Remember that, everybody,

0:12:17.160 --> 0:12:19.800
<v Speaker 1>when we go to movie theaters. Not technically a dcom,

0:12:19.840 --> 0:12:21.880
<v Speaker 1>I guess if you take that into consideration. But it's

0:12:21.880 --> 0:12:24.440
<v Speaker 1>a spinoff of a Disney Channel TV show and was

0:12:24.520 --> 0:12:27.400
<v Speaker 1>funded by Disney Pictures, so we're gonna let it slide.

0:12:27.440 --> 0:12:27.600
<v Speaker 2>Oh.

0:12:27.640 --> 0:12:30.480
<v Speaker 1>Speaking of Disney Pictures, the budget for the Hannah Montana

0:12:30.520 --> 0:12:34.920
<v Speaker 1>movie was wait for it, thirty million dollars and a

0:12:35.000 --> 0:12:38.480
<v Speaker 1>big reason why they had much higher hopes and theater

0:12:38.559 --> 0:12:41.320
<v Speaker 1>dreams for this film. At the end. Ready for This,

0:12:41.480 --> 0:12:45.640
<v Speaker 1>it grossed one hundred and fifty five million dollars worldwide. Wow,

0:12:45.800 --> 0:12:48.439
<v Speaker 1>that's a lot of money, and that does not include

0:12:48.800 --> 0:12:51.040
<v Speaker 1>the sixty one million it made to date from the

0:12:51.120 --> 0:12:53.800
<v Speaker 1>DVD and Blu Ray sales. This was just a juggernaut.

0:12:54.000 --> 0:12:56.000
<v Speaker 1>There were also, and this was one of my favorite

0:12:56.080 --> 0:13:00.040
<v Speaker 1>favorite things ever, there were seven video games based on

0:13:00.120 --> 0:13:02.920
<v Speaker 1>Hannah Montana, one even for this movie. It involved mini

0:13:02.960 --> 0:13:06.000
<v Speaker 1>games like horse riding and bottle toss, and the Xbox

0:13:06.080 --> 0:13:09.080
<v Speaker 1>version got a dismal twenty five out of one hundred

0:13:09.120 --> 0:13:12.760
<v Speaker 1>score on Metacritic. Maybe they realized the wig wasn't enough.

0:13:12.760 --> 0:13:17.000
<v Speaker 1>Filming of the movie took place between Los Angeles and Nashville, Tennessee,

0:13:17.000 --> 0:13:20.120
<v Speaker 1>where the Cyrus family lived, and took three months to film.

0:13:20.240 --> 0:13:22.480
<v Speaker 1>Long time to do this movie. If you know anything

0:13:22.480 --> 0:13:24.560
<v Speaker 1>about the Disney Channel at the time of this movie's release,

0:13:24.880 --> 0:13:28.280
<v Speaker 1>you know they really really cared about soundtracks and this

0:13:28.320 --> 0:13:31.040
<v Speaker 1>one did not let them down. The Hannah Montana Movie

0:13:31.040 --> 0:13:34.320
<v Speaker 1>Soundtrack was a number one album in the US and

0:13:34.360 --> 0:13:37.840
<v Speaker 1>went certified platinum. Wow. The songs all play a big

0:13:37.880 --> 0:13:39.600
<v Speaker 1>part of the movie, with tons of tracks by both

0:13:39.679 --> 0:13:43.720
<v Speaker 1>Miley and Hannah Montana, which again putting all the ridiculousness aside,

0:13:44.120 --> 0:13:47.199
<v Speaker 1>it's seriously a brilliant move by Disney and the Channel

0:13:47.200 --> 0:13:50.480
<v Speaker 1>because essentially you get two pop stars for the price

0:13:50.720 --> 0:13:52.640
<v Speaker 1>of a nine dollars wig very impressive, and.

0:13:52.600 --> 0:13:55.520
<v Speaker 2>It's an easy show to do. It's an easy show

0:13:55.559 --> 0:14:00.280
<v Speaker 2>to do quickly. I mean it honestly is brilliant. I

0:14:00.600 --> 0:14:02.880
<v Speaker 2>have just that like I mean, because it was there

0:14:02.960 --> 0:14:07.000
<v Speaker 2>right in front of me watching them. You're just going, Holy.

0:14:06.720 --> 0:14:10.000
<v Speaker 1>Cow, it's brilliant. It's a huge swing and a miss

0:14:10.000 --> 0:14:12.760
<v Speaker 1>if no one buys it. But when everybody does, oh

0:14:12.800 --> 0:14:16.800
<v Speaker 1>my god, you're a genius. And everyone did. Everyone did

0:14:16.920 --> 0:14:19.800
<v Speaker 1>one hundred percent. So yes, the songs all play a

0:14:19.880 --> 0:14:21.600
<v Speaker 1>very big part in the movie, with tons of tracks,

0:14:21.600 --> 0:14:23.640
<v Speaker 1>like I said, by both Miley and Hannah weaving in

0:14:23.720 --> 0:14:26.080
<v Speaker 1>and out of their identities, but it also includes songs

0:14:26.120 --> 0:14:29.280
<v Speaker 1>by her dad Rascal Flats. Okay, I want to make

0:14:29.320 --> 0:14:30.800
<v Speaker 1>sure there's a comment in between there. I don't want

0:14:30.800 --> 0:14:33.240
<v Speaker 1>people to think Miley Cyrus's dad is Rascal Flats, because

0:14:33.280 --> 0:14:36.600
<v Speaker 1>that's a bunch of different people. By her dad, Comma

0:14:36.880 --> 0:14:40.560
<v Speaker 1>and then Rascal Flats and two songs from Taylor Swift,

0:14:40.560 --> 0:14:42.560
<v Speaker 1>who also appeared in the movie. Did you remember that

0:14:42.600 --> 0:14:45.280
<v Speaker 1>she was in the movie. Yes, oh you did.

0:14:45.880 --> 0:14:48.880
<v Speaker 2>No, I mean when I watched it this time. Yes,

0:14:49.040 --> 0:14:51.880
<v Speaker 2>I had not really seen the movie, I know. Okay,

0:14:51.960 --> 0:14:55.000
<v Speaker 2>this was my first time actually seeing this movie.

0:14:55.400 --> 0:14:57.440
<v Speaker 1>Okay, yeah, can I tell.

0:14:57.320 --> 0:15:00.640
<v Speaker 2>You every when Rascal Flats came on, I went, oh my,

0:15:00.680 --> 0:15:04.360
<v Speaker 2>because Rascal Flats at that time was giant. They were

0:15:04.560 --> 0:15:09.000
<v Speaker 2>like a huge group bringing country music really into the mainstream.

0:15:09.280 --> 0:15:11.440
<v Speaker 1>They were on the soundtrack for Cars too, for like

0:15:11.480 --> 0:15:12.880
<v Speaker 1>this highway Life is a.

0:15:12.880 --> 0:15:16.560
<v Speaker 2>Highway was a giant move, a giant song, the song

0:15:16.680 --> 0:15:19.920
<v Speaker 2>Broken Road. I mean, it just was like and then

0:15:20.120 --> 0:15:22.800
<v Speaker 2>te Swift comes on stage and you're I'm like going,

0:15:23.480 --> 0:15:27.120
<v Speaker 2>holy cow. I mean I was good with Vanessa Williams

0:15:27.600 --> 0:15:30.680
<v Speaker 2>was with her, and Tyra Bank's coming on. That was good,

0:15:30.680 --> 0:15:32.520
<v Speaker 2>and then I just kept coming. Well.

0:15:32.560 --> 0:15:34.960
<v Speaker 1>It showed how popular the show was where I'm sure

0:15:35.000 --> 0:15:39.640
<v Speaker 1>your kids loved it or and this was just a juggernaut.

0:15:39.640 --> 0:15:43.800
<v Speaker 1>It was me again, Superman most popular superhero of all time.

0:15:43.960 --> 0:15:45.560
<v Speaker 1>That's so, I mean, it is I'm saying it is

0:15:45.600 --> 0:15:48.880
<v Speaker 1>what it is. If you buy the premise, it's great.

0:15:49.720 --> 0:15:51.800
<v Speaker 1>If you don't, then you just kind of sit there

0:15:51.800 --> 0:15:54.000
<v Speaker 1>and going, I don't get it, and again, I'm watching

0:15:54.040 --> 0:15:56.360
<v Speaker 1>as a forty eight year old man, so tough for

0:15:56.400 --> 0:15:59.320
<v Speaker 1>me to get the premise, but I got where everybody

0:15:59.360 --> 0:16:03.600
<v Speaker 1>was coming from. Anyway. The best known song from the

0:16:03.920 --> 0:16:06.880
<v Speaker 1>movie is most likely The Climb, which was my Lea's

0:16:06.960 --> 0:16:09.560
<v Speaker 1>lead single from the album, which also charted. Did you

0:16:09.600 --> 0:16:11.280
<v Speaker 1>own the soundtrack? Was this something that you listened to

0:16:11.400 --> 0:16:11.800
<v Speaker 1>quite a bit?

0:16:11.960 --> 0:16:15.600
<v Speaker 2>No, I was in my mid twenties, right, Yeah, that's

0:16:15.600 --> 0:16:17.840
<v Speaker 2>what I figured. She when she was first coming out,

0:16:18.520 --> 0:16:21.560
<v Speaker 2>she actually toured with us. She was an opening act,

0:16:21.640 --> 0:16:23.560
<v Speaker 2>so I knew all her songs because when I was

0:16:23.560 --> 0:16:26.200
<v Speaker 2>getting ready, I was hearing them every night for a while.

0:16:26.720 --> 0:16:29.280
<v Speaker 2>So and I loved her songs. But when you know,

0:16:29.360 --> 0:16:32.240
<v Speaker 2>this movie came out was a little bit after, and

0:16:32.360 --> 0:16:33.640
<v Speaker 2>I didn't own the soundtrack.

0:16:33.720 --> 0:16:36.520
<v Speaker 1>But I mean, was she nice to tour with?

0:16:36.840 --> 0:16:37.320
<v Speaker 4>She was?

0:16:37.360 --> 0:16:40.080
<v Speaker 2>She was so cute. She was awesome, and her family

0:16:40.200 --> 0:16:43.360
<v Speaker 2>was all there, you know, it was it was really,

0:16:43.480 --> 0:16:46.400
<v Speaker 2>it was awesome. It was like a family a family gig,

0:16:46.600 --> 0:16:47.480
<v Speaker 2>you know, And it was really.

0:16:47.440 --> 0:16:49.800
<v Speaker 1>That's not really her brother, is it. That's not?

0:16:49.840 --> 0:16:49.880
<v Speaker 3>No?

0:16:50.120 --> 0:16:52.600
<v Speaker 2>No, no, no no no, I should look at the

0:16:52.600 --> 0:16:53.680
<v Speaker 2>credits more closely.

0:16:54.680 --> 0:16:56.520
<v Speaker 1>I was just I was so focused. She did.

0:16:56.920 --> 0:16:59.520
<v Speaker 2>It caught me after because she did. She did have

0:16:59.600 --> 0:17:01.760
<v Speaker 2>a little brother and he was on he was in

0:17:01.960 --> 0:17:03.040
<v Speaker 2>on tour with us.

0:17:03.120 --> 0:17:05.840
<v Speaker 1>Oh yeah, that's cool though. Yeah, okay, So yes, the

0:17:05.880 --> 0:17:07.960
<v Speaker 1>Hannah Montana Show and this movie were two of Disney

0:17:08.000 --> 0:17:10.800
<v Speaker 1>Channel's most popular launch titles, so you best believe that

0:17:10.840 --> 0:17:12.719
<v Speaker 1>they are still there. So you can go check out

0:17:12.760 --> 0:17:14.600
<v Speaker 1>the movie now before you dive into the podcast, or

0:17:14.640 --> 0:17:16.720
<v Speaker 1>you can watch it later, but make sure you wear

0:17:16.720 --> 0:17:18.840
<v Speaker 1>a wig while you're doing it or everyone will find

0:17:18.880 --> 0:17:21.920
<v Speaker 1>out your secret. All right, let's get into it. We've

0:17:21.920 --> 0:17:24.480
<v Speaker 1>talked about it, your history of Hannah Montana. You hadn't

0:17:24.480 --> 0:17:27.280
<v Speaker 1>seen the movie. Did you watch the show? No?

0:17:27.760 --> 0:17:31.960
<v Speaker 2>Okay, I mean honestly, I just I felt like I did.

0:17:32.119 --> 0:17:35.640
<v Speaker 2>I honestly could have if you convinced me, probably easily.

0:17:35.680 --> 0:17:38.240
<v Speaker 2>I could have been convinced, but because it was around

0:17:38.320 --> 0:17:40.960
<v Speaker 2>me so much, but it was just not at that time,

0:17:41.080 --> 0:17:43.199
<v Speaker 2>Like I wasn't watching the channel a lot, right, you know?

0:17:43.320 --> 0:17:43.439
<v Speaker 5>Right?

0:17:43.480 --> 0:17:44.359
<v Speaker 1>Yeah, no, that makes sense.

0:17:46.119 --> 0:17:49.280
<v Speaker 2>But I knew the premise, I knew all the actors.

0:17:49.280 --> 0:17:51.480
<v Speaker 2>That the person that caught me off guard the most,

0:17:51.480 --> 0:17:53.800
<v Speaker 2>and I remember him saying this when we interviewed him

0:17:54.080 --> 0:17:57.240
<v Speaker 2>Corbyn Blues showing up right on that first episode.

0:17:57.280 --> 0:18:00.560
<v Speaker 1>I was like, hey, friend of the podcast, corn it Is.

0:18:00.600 --> 0:18:02.959
<v Speaker 2>And he talked about it in our interview, but I

0:18:03.000 --> 0:18:05.680
<v Speaker 2>totally didn't realize it was honest, he was great.

0:18:06.720 --> 0:18:10.160
<v Speaker 1>It did look like he was twenty when they were eleven,

0:18:10.480 --> 0:18:13.080
<v Speaker 1>But yeah, he did look a lot old, which I

0:18:13.080 --> 0:18:15.359
<v Speaker 1>don't think he was necessarily maybe a couple of years,

0:18:15.600 --> 0:18:18.040
<v Speaker 1>but it shows you the difference between being like actually

0:18:18.080 --> 0:18:20.840
<v Speaker 1>sixteen and being thirteen or whatever they were. It's a

0:18:20.880 --> 0:18:23.560
<v Speaker 1>big difference at that age. He did just look like

0:18:23.720 --> 0:18:25.800
<v Speaker 1>he was three grades ahead of them. But anyway he.

0:18:25.800 --> 0:18:28.399
<v Speaker 2>Looked he looked beefy because all of them were so

0:18:28.520 --> 0:18:29.320
<v Speaker 2>little inscribed.

0:18:29.359 --> 0:18:33.160
<v Speaker 1>Ye beef he did. He did from growing up dancing

0:18:33.200 --> 0:18:35.920
<v Speaker 1>your whole life to good XU guy. Okay, so obviously

0:18:35.960 --> 0:18:38.199
<v Speaker 1>I won't even get into what I knew about Hannah Montana.

0:18:38.359 --> 0:18:40.600
<v Speaker 1>I knew what everybody knew. You knew it was a juggernaut.

0:18:41.000 --> 0:18:43.200
<v Speaker 1>You knew that it was in the Zeitgeis. It's like

0:18:43.280 --> 0:18:45.880
<v Speaker 1>high school musical. It was. It was ubiquitous in that

0:18:46.280 --> 0:18:49.480
<v Speaker 1>everyone had heard of it, but I had never seen

0:18:49.520 --> 0:18:52.120
<v Speaker 1>it or knew anything. But I knew it was Miley Cyrus. Obviously,

0:18:52.600 --> 0:18:55.680
<v Speaker 1>I think I knew that Miley Cyrus and Hannah Montana

0:18:55.680 --> 0:18:58.320
<v Speaker 1>were two characters, like she played both characters. I think

0:18:58.359 --> 0:19:01.200
<v Speaker 1>I knew that. But other than that, nothing.

0:19:01.000 --> 0:19:03.000
<v Speaker 2>Yeah, you just were really thrown off that.

0:19:03.240 --> 0:19:05.840
<v Speaker 1>Well again, I wig I was thirty when it started

0:19:05.960 --> 0:19:06.600
<v Speaker 1>or something like that.

0:19:06.760 --> 0:19:11.480
<v Speaker 2>So and yeah, really, honestly, it was definitely later on.

0:19:12.560 --> 0:19:15.520
<v Speaker 1>And in all fairness, had I watched this, especially the pilot,

0:19:15.560 --> 0:19:19.480
<v Speaker 1>when I was ten or eleven, I would have definitely said,

0:19:19.840 --> 0:19:22.639
<v Speaker 1>it's just a wig. How does nobody see? So anyway,

0:19:22.720 --> 0:19:26.960
<v Speaker 1>let's get into the synopsis. Miley Stuart return. By the way,

0:19:27.080 --> 0:19:29.520
<v Speaker 1>I think other people auditioned for this part. I imagine

0:19:29.560 --> 0:19:31.800
<v Speaker 1>the character was not named Miley as they were starting,

0:19:31.800 --> 0:19:35.040
<v Speaker 1>but we'll get into that down the line. So Miley

0:19:35.080 --> 0:19:37.680
<v Speaker 1>Stewart returns to her hometown of Tennessee to reconnect with

0:19:37.720 --> 0:19:40.159
<v Speaker 1>her roots. After her double life as pop star Hannah

0:19:40.160 --> 0:19:44.000
<v Speaker 1>Montana spirals out of control. Through self discovery and love,

0:19:44.080 --> 0:19:46.760
<v Speaker 1>she must decide whether to embrace her true identity or

0:19:46.760 --> 0:19:51.440
<v Speaker 1>succumb to the allure of celebrity. Okay, early thoughts, Sabrina,

0:19:51.680 --> 0:19:52.679
<v Speaker 1>how much did you love it?

0:19:53.080 --> 0:19:53.159
<v Speaker 3>So?

0:19:53.200 --> 0:19:59.280
<v Speaker 2>I did watch the pilot me too, right, I'm getting

0:19:59.359 --> 0:20:01.639
<v Speaker 2>lunch ready, I'm getting the pilot going, so you know,

0:20:01.680 --> 0:20:03.480
<v Speaker 2>I know, I'm not having to really really watch it.

0:20:03.520 --> 0:20:05.720
<v Speaker 2>I'm just trying to get a little bit more reference

0:20:06.320 --> 0:20:12.199
<v Speaker 2>Monroe's home will I damn did it to myself? I

0:20:12.280 --> 0:20:15.600
<v Speaker 2>want to watch now five episodes of the first season.

0:20:15.680 --> 0:20:16.920
<v Speaker 2>Monroe was hooked.

0:20:16.760 --> 0:20:19.480
<v Speaker 1>Like that, okay, hooked like.

0:20:19.760 --> 0:20:25.520
<v Speaker 2>That now she is four okay, and she loved every aspect.

0:20:25.560 --> 0:20:29.040
<v Speaker 2>It was just enough dance and just enough song. The

0:20:29.160 --> 0:20:32.960
<v Speaker 2>characters are big, they're comical, they're throwing themselves. There's a

0:20:33.040 --> 0:20:34.879
<v Speaker 2>lot of you know what I mean, Like all of it.

0:20:35.160 --> 0:20:38.280
<v Speaker 2>Monroe was hooked. I wanted to watch just the pilot

0:20:38.320 --> 0:20:40.600
<v Speaker 2>and then be able to after lunch, sit down and

0:20:40.600 --> 0:20:42.800
<v Speaker 2>get what I had to get done. And that was

0:20:42.840 --> 0:20:46.240
<v Speaker 2>not in my future. So I had to wait to

0:20:46.359 --> 0:20:51.480
<v Speaker 2>do the movie. And honestly, I think because I don't know. Again,

0:20:51.560 --> 0:20:53.000
<v Speaker 2>I don't know if it was like I was in

0:20:53.040 --> 0:20:55.280
<v Speaker 2>the right mindset. I don't know if it's because I'm

0:20:55.400 --> 0:20:58.480
<v Speaker 2>the pilot, was watching it, watching my little one fall

0:20:58.520 --> 0:21:02.560
<v Speaker 2>in love with her. I was in from the start.

0:21:02.640 --> 0:21:05.040
<v Speaker 2>I had to go, oh, I gotta I gotta do

0:21:05.240 --> 0:21:09.160
<v Speaker 2>seas let's rewind it, because I was just in from

0:21:09.200 --> 0:21:11.439
<v Speaker 2>the start. I really was. It was a movie that

0:21:11.520 --> 0:21:13.640
<v Speaker 2>I felt like I literally could just kick back, put

0:21:13.640 --> 0:21:16.800
<v Speaker 2>my feet up, and just watch as it was supposed

0:21:16.800 --> 0:21:20.560
<v Speaker 2>to be seen. So I loved it and and it it.

0:21:20.640 --> 0:21:23.280
<v Speaker 2>There was only maybe a few moments that I dropped

0:21:23.680 --> 0:21:27.399
<v Speaker 2>out a little bit. They were towards the end, but

0:21:27.440 --> 0:21:30.760
<v Speaker 2>I finished off strong and loved it. Okay, and I

0:21:30.800 --> 0:21:32.800
<v Speaker 2>that's what I said. I'm like, I'm ready. I remember

0:21:32.840 --> 0:21:36.680
<v Speaker 2>saying I am ready for the whole down showdown, mister,

0:21:37.000 --> 0:21:39.679
<v Speaker 2>because there is no way he is going to be

0:21:39.880 --> 0:21:44.439
<v Speaker 2>on the level I have been watching this movie. We're

0:21:44.520 --> 0:21:49.119
<v Speaker 2>going to fight until the end when I'm ready. I didn't.

0:21:49.359 --> 0:21:53.600
<v Speaker 1>Okay, First of all, the pilot, it's obviously a tough

0:21:53.640 --> 0:21:55.840
<v Speaker 1>watch for me again as an older man.

0:21:56.320 --> 0:22:00.160
<v Speaker 2>That it is Disney Disney young, y young.

0:22:00.320 --> 0:22:04.639
<v Speaker 1>Great Disney Channel show. It is good Disney Channel actors,

0:22:05.200 --> 0:22:10.240
<v Speaker 1>good young, a lot of physical comedy. They're all good.

0:22:10.720 --> 0:22:13.760
<v Speaker 1>Like I said, the kids are great. You got the

0:22:13.840 --> 0:22:16.320
<v Speaker 1>dad being there, the good dad making sandwiches. No, you

0:22:16.320 --> 0:22:18.800
<v Speaker 1>can't have money, and I get it all worked as

0:22:18.800 --> 0:22:22.160
<v Speaker 1>a pilot as a Disney Channel totally understand that the

0:22:22.160 --> 0:22:26.520
<v Speaker 1>movie better than the pilot. Even I thought, oh, it's beautiful.

0:22:27.080 --> 0:22:29.560
<v Speaker 1>The cast really knows what they're doing. You get the

0:22:29.600 --> 0:22:32.240
<v Speaker 1>little love story, I get all of it. I was

0:22:32.359 --> 0:22:35.000
<v Speaker 1>fine with all that. Malaura Harden. I'm a big Malaura

0:22:35.000 --> 0:22:39.480
<v Speaker 1>Harden fan. I always have been. She's great. The cameos

0:22:39.520 --> 0:22:43.320
<v Speaker 1>were fantastic, some of the music was good. But if

0:22:43.359 --> 0:22:47.080
<v Speaker 1>you don't buy the premise, yeah, then the rest of

0:22:47.080 --> 0:22:49.159
<v Speaker 1>it doesn't work. And there was a lot of this

0:22:49.320 --> 0:22:52.720
<v Speaker 1>movie where it was like wait, even premise aside like

0:22:52.760 --> 0:22:58.240
<v Speaker 1>wait what wait huh yeah, so, yes, it was. It was.

0:22:58.480 --> 0:23:00.800
<v Speaker 1>I wish I had seen it young and I could

0:23:00.840 --> 0:23:03.439
<v Speaker 1>buy the premise because then I think it's something that

0:23:03.560 --> 0:23:05.880
<v Speaker 1>I would maybe have enjoyed a lot more than I did.

0:23:06.320 --> 0:23:09.000
<v Speaker 1>But the idea that you change your hair and no

0:23:09.080 --> 0:23:12.640
<v Speaker 1>one in the world gets who you are always throws me. Again.

0:23:12.680 --> 0:23:15.159
<v Speaker 1>It's the Clark Kent thing, and I've had people So

0:23:15.240 --> 0:23:18.080
<v Speaker 1>I had a really interesting conversation with one of my

0:23:18.160 --> 0:23:22.080
<v Speaker 1>gay friends who said to me that Superman was his

0:23:22.240 --> 0:23:26.399
<v Speaker 1>favorite character growing up, specifically because of Clark Kent, because

0:23:26.440 --> 0:23:29.080
<v Speaker 1>he said as a kid, he always felt like he

0:23:29.160 --> 0:23:32.680
<v Speaker 1>was hiding in plain sight because before he came out.

0:23:33.040 --> 0:23:34.800
<v Speaker 1>He was just hiding the whole time, and he said,

0:23:34.840 --> 0:23:36.720
<v Speaker 1>the idea of being able to put on a pair

0:23:36.720 --> 0:23:40.679
<v Speaker 1>of glasses and get through my day was hugely important

0:23:40.720 --> 0:23:42.800
<v Speaker 1>to me, and that's why Superman was important to me.

0:23:42.840 --> 0:23:46.240
<v Speaker 1>So I was trying to remember stuff like that as

0:23:46.240 --> 0:23:49.760
<v Speaker 1>I was watching the movie, because again I have that

0:23:49.920 --> 0:23:54.439
<v Speaker 1>fantasy literary mind of I need the rules to make sense,

0:23:54.640 --> 0:23:57.120
<v Speaker 1>I need them to work. I need to buy the premise.

0:23:57.880 --> 0:24:00.320
<v Speaker 1>So when I buy the premise, then I'm in. But

0:24:00.400 --> 0:24:02.320
<v Speaker 1>then I tried to remember the things like my friend

0:24:02.359 --> 0:24:04.399
<v Speaker 1>told me. I was like, okay, man, let it go

0:24:04.440 --> 0:24:04.960
<v Speaker 1>a little bit.

0:24:05.040 --> 0:24:08.679
<v Speaker 2>But yes, And I think that's so true in the

0:24:09.080 --> 0:24:12.160
<v Speaker 2>and this story is a coming of age story, yep.

0:24:12.200 --> 0:24:15.280
<v Speaker 2>And I think that right there is so true, like

0:24:16.880 --> 0:24:19.840
<v Speaker 2>trying to find that person and the courage to be

0:24:20.080 --> 0:24:24.720
<v Speaker 2>that person instead of under this whether it's whether it

0:24:24.800 --> 0:24:28.120
<v Speaker 2>is makeup and close that you know, whatever it is,

0:24:28.800 --> 0:24:32.399
<v Speaker 2>that is truly what that that whole preface is. And

0:24:32.440 --> 0:24:35.840
<v Speaker 2>I think so many people can relate to that, and

0:24:36.480 --> 0:24:39.760
<v Speaker 2>especially with young kids that are trying to find themselves

0:24:40.000 --> 0:24:42.960
<v Speaker 2>and whatever it is, whatever obstacle they're going through, you know.

0:24:43.640 --> 0:24:46.720
<v Speaker 2>And I just think that's why they bought. And when

0:24:46.720 --> 0:24:49.280
<v Speaker 2>I'm telling you, I was there. I watched it happen.

0:24:49.320 --> 0:24:51.919
<v Speaker 2>I was at the concerts. There was like, it's just

0:24:52.119 --> 0:24:52.520
<v Speaker 2>it was.

0:24:52.800 --> 0:24:55.920
<v Speaker 1>Well, you saw with your daughter, you saw it yesterday.

0:24:56.000 --> 0:24:58.840
<v Speaker 2>Yeah, again, I saw it happen. I mean she just

0:24:59.040 --> 0:25:01.199
<v Speaker 2>her eyes were just big the whole time. She was

0:25:01.320 --> 0:25:04.520
<v Speaker 2>dancing when the music was going, she was cracking up

0:25:04.560 --> 0:25:07.119
<v Speaker 2>with the physical comedy. And she loved it.

0:25:07.359 --> 0:25:10.440
<v Speaker 1>Yeah. Absolutely, Now I get it, I get it, I understand.

0:25:10.600 --> 0:25:14.560
<v Speaker 2>But it is a young, young, young, young audience.

0:25:14.280 --> 0:25:16.640
<v Speaker 1>That, yeah, it was. It has to be. It has

0:25:16.720 --> 0:25:16.919
<v Speaker 1>to be.

0:25:17.160 --> 0:25:20.280
<v Speaker 2>It's not to me this this wasn't, especially watching the

0:25:20.640 --> 0:25:23.879
<v Speaker 2>the pilot, and I love to see the movie after

0:25:23.960 --> 0:25:27.080
<v Speaker 2>because within that time you saw the growth, right, not

0:25:27.160 --> 0:25:29.960
<v Speaker 2>just within the kids getting older, but you saw the

0:25:30.000 --> 0:25:34.440
<v Speaker 2>growth of the entire brand. And but when it started off,

0:25:34.800 --> 0:25:36.840
<v Speaker 2>it had to have been like a young I feel

0:25:36.880 --> 0:25:39.040
<v Speaker 2>like younger than that's so raven, Like it was like

0:25:39.080 --> 0:25:40.080
<v Speaker 2>a younger.

0:25:40.119 --> 0:25:42.280
<v Speaker 1>And they had to grow up with it. Now I guess, Yeah,

0:25:42.520 --> 0:25:45.719
<v Speaker 1>so okay, Hannah Montana. The movie is directed by Peter Chelseam,

0:25:45.760 --> 0:25:48.640
<v Speaker 1>who had directed some well known theatrical movies like Town

0:25:48.680 --> 0:25:51.560
<v Speaker 1>and Country with Warren Baty and Diane Keaton, Saren Dippitty

0:25:51.560 --> 0:25:53.359
<v Speaker 1>which is a great rom com with John Cusseck and

0:25:53.440 --> 0:25:56.280
<v Speaker 1>Kate Beckinsale, and Shall We Dance with Richard Gear. He

0:25:56.440 --> 0:25:58.560
<v Speaker 1>is still working a ton too. He wrote and directed

0:25:58.640 --> 0:26:01.960
<v Speaker 1>last year's Festive, A Sudden Case of Christmas, starring Danny DeVito,

0:26:02.040 --> 0:26:06.679
<v Speaker 1>Andy McDowell and Wilmer Valderrama. Big Shaker Here the movie

0:26:06.680 --> 0:26:09.800
<v Speaker 1>stars Miley Cyrus. Hannah Montana was a role she originally

0:26:09.840 --> 0:26:12.520
<v Speaker 1>did not get because she was considered too young, even

0:26:12.560 --> 0:26:15.720
<v Speaker 1>first getting rejected for the role of BFF Lily, But

0:26:15.760 --> 0:26:17.919
<v Speaker 1>after months of searching, they couldn't find anyone better and

0:26:18.000 --> 0:26:20.679
<v Speaker 1>will they came crawling back some others who reported the

0:26:20.680 --> 0:26:25.359
<v Speaker 1>audition for the role, Taylor Momson, Daniella Monet, and singer Jojo.

0:26:26.320 --> 0:26:28.480
<v Speaker 1>Miley Cyrus has since, of course, become one of the

0:26:28.520 --> 0:26:31.200
<v Speaker 1>premier names in all of music and a legit pop icon,

0:26:31.320 --> 0:26:35.080
<v Speaker 1>while shedding and sometimes even openly battling her Disney roots.

0:26:35.400 --> 0:26:37.920
<v Speaker 1>She has two Grammys and a total of nine nominations,

0:26:37.920 --> 0:26:41.040
<v Speaker 1>with two Billboard Hot one hundred number ones, Wrecking Ball

0:26:41.280 --> 0:26:44.040
<v Speaker 1>and her biggest song yet, Flowers from twenty twenty three.

0:26:44.160 --> 0:26:46.480
<v Speaker 1>It's safe to say that the entire pop music genre

0:26:46.520 --> 0:26:49.280
<v Speaker 1>in twenty twenty five has been influenced by Miley Cyrus.

0:26:49.320 --> 0:26:52.200
<v Speaker 1>She's a juggernaut now. Infamously a fifteen year old Miley

0:26:52.240 --> 0:26:56.359
<v Speaker 1>Cyrus pose for legendary photographer Annie Leibowitz and Vanity Fair,

0:26:56.400 --> 0:26:59.199
<v Speaker 1>wearing only a white sheet and red lipstick, creating a

0:26:59.440 --> 0:27:03.760
<v Speaker 1>massive problem for Disney pr Though she wasn't technically nude,

0:27:03.800 --> 0:27:06.360
<v Speaker 1>it was suggestive enough, and religious groups and parents were

0:27:06.440 --> 0:27:08.960
<v Speaker 1>up in arms. Miley ended up fulfilling a final season

0:27:09.000 --> 0:27:12.000
<v Speaker 1>four based on some Walmart existing contracts. Then she bounced

0:27:12.000 --> 0:27:15.159
<v Speaker 1>from the channel, and as we said earlier, Billy Ray Cyrus,

0:27:15.200 --> 0:27:17.680
<v Speaker 1>her real life dad, is the creatively named Robbie Ray,

0:27:17.840 --> 0:27:19.600
<v Speaker 1>her father on the show and in the movie, he

0:27:19.640 --> 0:27:21.920
<v Speaker 1>plays a widow taking care of his pop star daughter,

0:27:21.960 --> 0:27:24.440
<v Speaker 1>while in real life he's a country musician, best known

0:27:24.480 --> 0:27:27.080
<v Speaker 1>for the song Achy Breaky Heart and a recent appearance

0:27:27.080 --> 0:27:30.360
<v Speaker 1>on Little Naz Ex Old Town Road Remix. He also

0:27:30.440 --> 0:27:35.040
<v Speaker 1>appeared in David Lynch's Maulholland Drive and Sharknado two. The

0:27:35.080 --> 0:27:37.679
<v Speaker 1>second one that's really the title. I've never seen it,

0:27:37.720 --> 0:27:41.479
<v Speaker 1>but god, that sounds amazing. Emily Osmitt is best friend

0:27:41.640 --> 0:27:44.760
<v Speaker 1>Lily Truscott. She is best known as Gerdi Giggles and

0:27:44.760 --> 0:27:47.760
<v Speaker 1>Spy Kids two and three and Mandy on Young Sheldon,

0:27:47.960 --> 0:27:50.320
<v Speaker 1>but she also became a little pop star as well

0:27:50.680 --> 0:27:53.760
<v Speaker 1>on Disney with the album Fight or Flight in twenty ten,

0:27:54.000 --> 0:27:56.639
<v Speaker 1>and she is the sister of Haley Joe Osmitt and

0:27:56.720 --> 0:28:01.399
<v Speaker 1>He Sees Dead People. Jason Earls is Jackson. Earls is

0:28:01.480 --> 0:28:04.199
<v Speaker 1>a frequent Disney collaborator, with appearances on Phil of the Future,

0:28:04.520 --> 0:28:07.040
<v Speaker 1>Just Roll with It, high school musical, the series, and

0:28:07.320 --> 0:28:10.040
<v Speaker 1>starred on the show Kicking It. He also has another

0:28:10.080 --> 0:28:12.280
<v Speaker 1>dcom under his belt that we are yet to tackle,

0:28:12.600 --> 0:28:15.399
<v Speaker 1>Dad Napped, and I'm sure we will get there. Another

0:28:15.400 --> 0:28:19.320
<v Speaker 1>familiar face, one of our favorites, Mitchell Musso from Life

0:28:19.400 --> 0:28:22.679
<v Speaker 1>is Rough and of course also from Hatching Pete. He

0:28:22.720 --> 0:28:25.919
<v Speaker 1>plays Oliver and was also a Disney pop star, releasing

0:28:26.000 --> 0:28:27.840
<v Speaker 1>music of his own through their channel Plus. He is

0:28:27.880 --> 0:28:30.400
<v Speaker 1>the voice of Jeremy Johnson on Phineas and Ferb and

0:28:30.440 --> 0:28:34.200
<v Speaker 1>We Love this Dude and that of course a young

0:28:34.359 --> 0:28:37.920
<v Speaker 1>Natalia Dyer as Clarissa. This was her first job ever.

0:28:38.080 --> 0:28:40.760
<v Speaker 1>She has since gone on to play Nancy Wheeler on

0:28:40.800 --> 0:28:44.719
<v Speaker 1>the Global Phenomenon stranger things, and here we get this

0:28:44.760 --> 0:28:47.120
<v Speaker 1>is where we keep just getting crazier and crazier. We've

0:28:47.160 --> 0:28:50.760
<v Speaker 1>now got Vanessa Williams's publicist, Vita Vanessa Williams was the

0:28:50.760 --> 0:28:52.520
<v Speaker 1>first black woman to ever win the title of Miss

0:28:52.640 --> 0:28:54.760
<v Speaker 1>Universe in nineteen eighty four, but would later resign the

0:28:54.800 --> 0:28:58.280
<v Speaker 1>title after her nude photographs ran in Penthouse thirty two

0:28:58.320 --> 0:29:01.280
<v Speaker 1>years later. Williams was offered a publick apology rightfully so

0:29:01.640 --> 0:29:04.479
<v Speaker 1>during the twenty sixteen Miss America pageant for the events,

0:29:04.600 --> 0:29:07.320
<v Speaker 1>but don't worry, she ended up getting the last laugh.

0:29:07.600 --> 0:29:10.600
<v Speaker 1>She became a very successful singer, with multiple Grammy nominations,

0:29:10.760 --> 0:29:12.760
<v Speaker 1>and she'd win a Tony Award for her role in

0:29:12.800 --> 0:29:15.640
<v Speaker 1>two thousand and two's revival of Into the Woods. But

0:29:16.040 --> 0:29:19.920
<v Speaker 1>you probably know her best as Villemina Slater on Ugly Betty,

0:29:20.120 --> 0:29:23.360
<v Speaker 1>a role she received three Emmy nominations for. It was

0:29:23.440 --> 0:29:25.120
<v Speaker 1>so great to see her in this. I love her.

0:29:25.200 --> 0:29:28.600
<v Speaker 1>She was also in one of my favorite really kind

0:29:28.600 --> 0:29:33.480
<v Speaker 1>of bad Arnold Schwarzenegger movies, Eraser Great. Now we've got

0:29:33.480 --> 0:29:35.480
<v Speaker 1>to mention some other very familiar faces. That's why we

0:29:35.520 --> 0:29:38.160
<v Speaker 1>don't have a Coleman Reynolds chair. This week because there'd

0:29:38.200 --> 0:29:41.040
<v Speaker 1>be too many people sitting in it. We've got Taylor Swift,

0:29:41.640 --> 0:29:46.800
<v Speaker 1>Margot Martindale, Barry Bostwick, Tyra Banks, and Brooks Shields, all

0:29:46.840 --> 0:29:49.720
<v Speaker 1>amazingly fun to see. Again. We mentioned Malaura Harden, who

0:29:49.720 --> 0:29:51.720
<v Speaker 1>I love. I mean it is just one kind of

0:29:52.680 --> 0:29:53.840
<v Speaker 1>famous face after.

0:29:53.720 --> 0:29:55.400
<v Speaker 2>Their famous unreal yeah, unreel.

0:29:55.840 --> 0:30:01.400
<v Speaker 1>The movie is one hundred and five men, which is tragic.

0:30:01.520 --> 0:30:03.840
<v Speaker 1>We can officially announce that this movie is say it with.

0:30:03.840 --> 0:30:05.760
<v Speaker 2>Me too long?

0:30:06.040 --> 0:30:09.080
<v Speaker 1>Yes, it is way off target. What were they thinking? Well,

0:30:09.160 --> 0:30:11.920
<v Speaker 1>let's blame the writer, Dan Berenson. We're not gonna blame him.

0:30:11.920 --> 0:30:13.800
<v Speaker 1>It's just it's just too long. But he is a

0:30:13.840 --> 0:30:16.760
<v Speaker 1>decom legend who we've mentioned so many times before on

0:30:16.840 --> 0:30:19.920
<v Speaker 1>Magical rewind Get Ready for this I love this list.

0:30:20.200 --> 0:30:24.280
<v Speaker 1>He's got Stuck in the Suburbs, Halloween Town, High, Eddie's

0:30:24.280 --> 0:30:27.280
<v Speaker 1>Million Dollar Cookoff, The Cutting Edge, Going for Gold, Camp

0:30:27.360 --> 0:30:30.680
<v Speaker 1>Rock two, The Wizards of Waverley Place Movie, Teen Beach two,

0:30:31.040 --> 0:30:34.600
<v Speaker 1>and Cheetah Girls One World, all on his impressive resume,

0:30:35.240 --> 0:30:37.840
<v Speaker 1>just one banger after another. In this case, though, he

0:30:37.880 --> 0:30:41.320
<v Speaker 1>shared credit with the Hannah Montana EPs, including our guest

0:30:41.320 --> 0:30:46.400
<v Speaker 1>this week, Michael poris for the characters and the story idea.

0:30:52.520 --> 0:30:55.400
<v Speaker 1>All right, don't walk away, Let's take the stage and

0:30:55.400 --> 0:30:57.280
<v Speaker 1>get crazy. It's time to dive into the hand of

0:30:57.320 --> 0:31:03.080
<v Speaker 1>Montana movie, because what's not to like. We open on

0:31:03.200 --> 0:31:06.440
<v Speaker 1>busloads of screaming girls running to the Great Western Forum

0:31:06.440 --> 0:31:09.560
<v Speaker 1>for the Hannah Montana concert and impressive shot of lots

0:31:09.600 --> 0:31:12.840
<v Speaker 1>of actual Miley Cyrus fans used here as extras packing

0:31:12.880 --> 0:31:15.680
<v Speaker 1>into the show. Inside the arena, the crowd is screaming

0:31:15.720 --> 0:31:18.880
<v Speaker 1>for Hannah and her father, Robbie Ray aka Billy Ray Cyrus,

0:31:18.920 --> 0:31:21.720
<v Speaker 1>is backstage. He is staring at a mannequin's head wearing

0:31:21.720 --> 0:31:26.200
<v Speaker 1>a long blonde wig. Robbie Ray is definitely stressed. Outside

0:31:26.200 --> 0:31:28.320
<v Speaker 1>two young girls, Miley Stewart and a best friend, Lily,

0:31:28.360 --> 0:31:30.200
<v Speaker 1>are trying to get their will call tickets but are

0:31:30.240 --> 0:31:33.240
<v Speaker 1>being pushed by rabid fans. They are denied and Lily

0:31:33.280 --> 0:31:36.760
<v Speaker 1>can't believe Miley is shutout of her own concert, and

0:31:36.800 --> 0:31:40.400
<v Speaker 1>that's when they notice an unarmed security golf cart. We

0:31:40.480 --> 0:31:42.600
<v Speaker 1>cut to a security guard chasing them in the gulf

0:31:42.640 --> 0:31:45.680
<v Speaker 1>cart backstage and Miley can't stop it. They eventually come

0:31:45.680 --> 0:31:47.800
<v Speaker 1>to a screeching halt right in front of Robbie Ray,

0:31:48.160 --> 0:31:50.400
<v Speaker 1>he says they're with him, and he rushes them into

0:31:50.440 --> 0:31:52.680
<v Speaker 1>the wig room, and just like that we get the

0:31:52.680 --> 0:31:56.560
<v Speaker 1>sparkling title treatment for Hannah Montana the movie. What are

0:31:56.600 --> 0:31:59.760
<v Speaker 1>you thinking already with this semi car chase to start

0:31:59.800 --> 0:32:00.560
<v Speaker 1>the the film?

0:32:00.680 --> 0:32:02.640
<v Speaker 2>Well, I didn't understand why they needed to go to

0:32:02.680 --> 0:32:05.040
<v Speaker 2>will call. Why didn't she have her badge? I didn't

0:32:05.120 --> 0:32:08.360
<v Speaker 2>understand that at first time. Wait what they didn't explain

0:32:08.440 --> 0:32:11.600
<v Speaker 2>it how she was like locked out and didn't have

0:32:12.280 --> 0:32:14.200
<v Speaker 2>what she needed to get into it. So that was

0:32:14.240 --> 0:32:16.000
<v Speaker 2>a little did I miss something? Do I need to

0:32:16.040 --> 0:32:21.720
<v Speaker 2>rewind this already? But for me because there were sometimes

0:32:21.800 --> 0:32:27.400
<v Speaker 2>those unarmed or unmanned carts, yeah, in the arenas, and

0:32:27.440 --> 0:32:29.040
<v Speaker 2>they were it was that.

0:32:29.200 --> 0:32:31.040
<v Speaker 1>Do you ever steal a car? Did you ever steal

0:32:31.040 --> 0:32:33.360
<v Speaker 1>a cart? Did you ever steal a cart? Come on beyond?

0:32:35.200 --> 0:32:38.920
<v Speaker 2>Yes? Yes, yes, But it was just I mean that

0:32:39.040 --> 0:32:41.680
<v Speaker 2>whole life of living in an arena while you're on

0:32:41.760 --> 0:32:43.840
<v Speaker 2>tour is like you, first of all, you have to

0:32:43.840 --> 0:32:47.320
<v Speaker 2>find your fun because it is Groundhog's Day pretty much

0:32:47.720 --> 0:32:49.920
<v Speaker 2>in a different arena. And now the walls aren't blue,

0:32:49.920 --> 0:32:53.560
<v Speaker 2>their red, the green, you know whatever. But it was

0:32:53.600 --> 0:32:55.640
<v Speaker 2>fun and it was cool for me. I instantly got

0:32:55.640 --> 0:32:58.080
<v Speaker 2>into the zone because I had been in arenas with Miley,

0:32:58.160 --> 0:32:58.440
<v Speaker 2>so it.

0:32:58.400 --> 0:33:00.000
<v Speaker 4>Was like, oh, this is cool.

0:33:00.160 --> 0:33:03.600
<v Speaker 2>I did love the running through the face with her

0:33:02.920 --> 0:33:07.160
<v Speaker 2>or poster with their face, you know. So it was

0:33:07.360 --> 0:33:10.479
<v Speaker 2>it was. It definitely brought a lot of energy right

0:33:10.520 --> 0:33:12.760
<v Speaker 2>from the start, which I agree obviously what you needed,

0:33:13.040 --> 0:33:15.040
<v Speaker 2>you would think. I thought it was going to start

0:33:15.120 --> 0:33:17.680
<v Speaker 2>right away like the credits do in the movie of

0:33:17.720 --> 0:33:20.840
<v Speaker 2>a concert, and it wasn't her on stage right away.

0:33:20.960 --> 0:33:23.600
<v Speaker 2>It was something before she got this to stage. So

0:33:23.640 --> 0:33:26.880
<v Speaker 2>I did like that energy. And then of course I'm

0:33:26.920 --> 0:33:29.520
<v Speaker 2>in my head, I'm going, you know, think about the

0:33:29.520 --> 0:33:32.880
<v Speaker 2>fans at this point of the Miley craze. Oh yeah,

0:33:32.920 --> 0:33:36.080
<v Speaker 2>that got to be in that rabbit we're filming for

0:33:36.320 --> 0:33:39.840
<v Speaker 2>her movie coming up. What a great moment that those

0:33:39.880 --> 0:33:42.480
<v Speaker 2>fans will carry with them for the rest of their lives,

0:33:42.520 --> 0:33:43.840
<v Speaker 2>you know. So that was pretty cool too.

0:33:44.560 --> 0:33:46.080
<v Speaker 1>I agree one hundred percent it was. It was a

0:33:46.200 --> 0:33:48.520
<v Speaker 1>very energetic way to start the movie. And speaking at

0:33:48.520 --> 0:33:49.960
<v Speaker 1>the start of the movie, the credits are rolling and

0:33:49.960 --> 0:33:52.760
<v Speaker 1>we see Miley getting ready transforming into the pop star

0:33:53.120 --> 0:33:56.640
<v Speaker 1>Hannah Montana. Eventually, Miley places the magical wig on her

0:33:56.680 --> 0:33:59.960
<v Speaker 1>head and the transformation is complete. Literally all she does.

0:34:00.240 --> 0:34:02.560
<v Speaker 1>Hannah takes her place on the stage, and before she

0:34:02.640 --> 0:34:04.719
<v Speaker 1>is lifted onto the stage from this cool little mechanical

0:34:04.760 --> 0:34:07.000
<v Speaker 1>thing underneath, her dad reminds her it's her night to

0:34:07.080 --> 0:34:10.040
<v Speaker 1>do the dishes. She complains, but he tells her quote

0:34:10.239 --> 0:34:12.440
<v Speaker 1>she's the one that wanted the best of both worlds.

0:34:12.520 --> 0:34:15.399
<v Speaker 1>And then the song Best of Both Worlds kicks in.

0:34:15.840 --> 0:34:18.040
<v Speaker 1>We jump right into the first big Hannah Montana number,

0:34:18.040 --> 0:34:21.840
<v Speaker 1>complete with seventeen thousand real life fans brought in for

0:34:21.880 --> 0:34:23.799
<v Speaker 1>the audience, which is a rare feat for any movie,

0:34:23.840 --> 0:34:26.080
<v Speaker 1>let alone a Disney one. We also get a glimpse

0:34:26.080 --> 0:34:28.160
<v Speaker 1>into the song's music video, with Hannah on the beach

0:34:28.200 --> 0:34:30.759
<v Speaker 1>surrounded by a group of teen beach movie dancers. The

0:34:30.800 --> 0:34:33.920
<v Speaker 1>director yells cut and that is a rap. Hannah is

0:34:33.920 --> 0:34:36.480
<v Speaker 1>suddenly whisked off the beach, avoiding the paparazzi and back

0:34:36.520 --> 0:34:39.600
<v Speaker 1>into her dressing room, where she's startled by a dorky

0:34:39.680 --> 0:34:42.720
<v Speaker 1>english Man hiding behind her clothes rack, which gave really

0:34:42.760 --> 0:34:44.080
<v Speaker 1>creepy vibes right off the start.

0:34:44.160 --> 0:34:45.399
<v Speaker 2>Reap creep creep yep.

0:34:45.640 --> 0:34:47.440
<v Speaker 1>He promises little girls, he would meet her for them,

0:34:47.640 --> 0:34:50.279
<v Speaker 1>and Hannah is rightfully of course taken back. He's got

0:34:50.360 --> 0:34:52.960
<v Speaker 1>questions for them. But just as Oswald is about to

0:34:52.960 --> 0:34:55.759
<v Speaker 1>ask question number one, publicist Vita runs into him. She

0:34:55.800 --> 0:34:58.680
<v Speaker 1>sees right through his charade. He's the editor of Britain's

0:34:58.680 --> 0:35:01.799
<v Speaker 1>most sleazy tabloid bon Chic. He wants to do a

0:35:01.800 --> 0:35:04.239
<v Speaker 1>cover feature story on her, but Vida knows it'll just

0:35:04.280 --> 0:35:06.920
<v Speaker 1>be a trash takedown. She escorts him out, but we

0:35:06.960 --> 0:35:09.920
<v Speaker 1>see he sneakily left a digital camera on the couch,

0:35:10.280 --> 0:35:13.520
<v Speaker 1>still recording. Uh oh, now alone. Vida reminds her don't

0:35:13.520 --> 0:35:15.520
<v Speaker 1>talk to anyone without her. It's her job to make

0:35:15.520 --> 0:35:18.400
<v Speaker 1>sure her little secret stays a secret, and then Vida

0:35:18.520 --> 0:35:21.759
<v Speaker 1>sits down on the camera. Hannah then leaves the ten

0:35:21.800 --> 0:35:24.120
<v Speaker 1>hounded by press, giving Oswald the second chance to slide

0:35:24.120 --> 0:35:26.920
<v Speaker 1>in and recover his camera again. Creepy ceperson, What a slimeball.

0:35:27.280 --> 0:35:30.680
<v Speaker 1>Oswald then gets a call from his very impatient editor

0:35:30.920 --> 0:35:33.520
<v Speaker 1>played by Jane Carr, also from Boy Meets World. She

0:35:33.520 --> 0:35:35.799
<v Speaker 1>played a fun part. She wants to know how the

0:35:35.880 --> 0:35:38.960
<v Speaker 1>juicy Hannah Montana cover story is going, and now he

0:35:39.040 --> 0:35:42.359
<v Speaker 1>knows there's a quote unquote secret so he's gonna stay

0:35:42.400 --> 0:35:44.560
<v Speaker 1>on it until he can find out what that secret is.

0:35:45.080 --> 0:35:48.000
<v Speaker 1>We cut to Miley's other life, a high schooler in

0:35:48.080 --> 0:35:50.640
<v Speaker 1>jim class, where she is quickly pelted with a volleyball

0:35:50.719 --> 0:35:53.680
<v Speaker 1>and basically left four dead. It's a far cry from

0:35:53.680 --> 0:35:57.120
<v Speaker 1>the luxurious video shoot we just saw. Just then, Vida

0:35:57.160 --> 0:35:59.520
<v Speaker 1>pops up and pulls her out of school. Turns out

0:35:59.520 --> 0:36:02.680
<v Speaker 1>Beyond has got double pneumonia yikes, and had to drop

0:36:02.760 --> 0:36:05.560
<v Speaker 1>all the New York Music Awards. Hannah has been asked

0:36:05.600 --> 0:36:09.600
<v Speaker 1>to replace her. Now, her publicist shows up in the

0:36:09.600 --> 0:36:13.680
<v Speaker 1>middle of high school and starts yelling that their's stuff

0:36:13.719 --> 0:36:15.520
<v Speaker 1>going on she needs to be there for. I get

0:36:15.520 --> 0:36:18.080
<v Speaker 1>it's an empty hallway, but this doesn't seem like it's

0:36:18.200 --> 0:36:21.000
<v Speaker 1>very a tightly kept secret at all. Why would the

0:36:21.000 --> 0:36:23.200
<v Speaker 1>publicist even be on campus at all? Why not just

0:36:23.600 --> 0:36:25.160
<v Speaker 1>have her dad go pick her up, like it's a

0:36:25.239 --> 0:36:27.560
<v Speaker 1>dentist appointment or something. We never I don't know what's

0:36:27.600 --> 0:36:32.040
<v Speaker 1>going on. It doesn't make any sense. Vida is rushing

0:36:32.040 --> 0:36:34.560
<v Speaker 1>to get Hannah ready to go to New York, but

0:36:34.640 --> 0:36:37.160
<v Speaker 1>then Lily catches them on their way out. She asked

0:36:37.160 --> 0:36:40.520
<v Speaker 1>about her birthday party, and Miley again yells back to

0:36:40.560 --> 0:36:42.960
<v Speaker 1>anyone that could hear in any of the things minor

0:36:43.040 --> 0:36:46.680
<v Speaker 1>Hannah emergency then promises she will make it to the party,

0:36:46.719 --> 0:36:51.279
<v Speaker 1>but of course nobody knows because she's a brunette. Now

0:36:51.280 --> 0:36:53.960
<v Speaker 1>with Vida and Hannah on rodeo drive getting free designer

0:36:53.960 --> 0:36:56.400
<v Speaker 1>stuff to wear, Robbie Ray is outside the school pacing

0:36:56.400 --> 0:36:59.120
<v Speaker 1>in front of his truck. Miley's older brother, Jackson, is

0:36:59.120 --> 0:37:00.759
<v Speaker 1>going to miss his plane to college if she doesn't

0:37:00.800 --> 0:37:03.680
<v Speaker 1>hurry up. Robbie Ray has no idea where his daughter is.

0:37:03.719 --> 0:37:05.200
<v Speaker 1>So it just turned this publicist just showed up at

0:37:05.200 --> 0:37:06.839
<v Speaker 1>school and just yanked he out of school, which doesn't

0:37:06.840 --> 0:37:09.359
<v Speaker 1>seem right. And I thought this was going to lead

0:37:09.400 --> 0:37:11.680
<v Speaker 1>to something where it's like, we don't need this publicist

0:37:11.840 --> 0:37:14.799
<v Speaker 1>in our life. She was going to be the bad guy,

0:37:15.440 --> 0:37:18.600
<v Speaker 1>the publicist, like she was leading Miley down the wrong.

0:37:18.480 --> 0:37:21.359
<v Speaker 2>Path, and it goes that way for a while.

0:37:21.480 --> 0:37:23.360
<v Speaker 1>You thought that's where it was kind of headed, and

0:37:23.400 --> 0:37:25.240
<v Speaker 1>then they this is one of the problems I started.

0:37:25.239 --> 0:37:27.440
<v Speaker 2>I mean that you knew the shady reporter was like

0:37:27.520 --> 0:37:29.239
<v Speaker 2>going to be the main one, but I feel like,

0:37:29.800 --> 0:37:31.719
<v Speaker 2>was she going to end up working with him type

0:37:31.719 --> 0:37:32.040
<v Speaker 2>of thing?

0:37:32.239 --> 0:37:32.799
<v Speaker 1>Right there?

0:37:32.920 --> 0:37:34.560
<v Speaker 2>Was a number of like it was going.

0:37:34.840 --> 0:37:37.239
<v Speaker 1>There's a number of storylines that went one way and

0:37:37.239 --> 0:37:41.279
<v Speaker 1>then either ended abruptly with no end to it whatsoever,

0:37:42.000 --> 0:37:46.080
<v Speaker 1>or went off in a direction that was not expected. Okay,

0:37:46.120 --> 0:37:48.840
<v Speaker 1>so now we see Hannah in a store. She's surrounded

0:37:48.840 --> 0:37:51.399
<v Speaker 1>by sunglasses and bracelets and watches, all of these being

0:37:51.440 --> 0:37:54.160
<v Speaker 1>offered to her for free. But then she notices how

0:37:54.239 --> 0:37:57.680
<v Speaker 1>late she is and the eleven miss calls from her brother.

0:37:57.880 --> 0:37:59.839
<v Speaker 1>She's got to go, but then she sees one last

0:38:00.200 --> 0:38:02.240
<v Speaker 1>shoes she needs to get Lily for her birthday present,

0:38:02.440 --> 0:38:05.000
<v Speaker 1>and as she goes to grab the second shoe, uh oh,

0:38:05.440 --> 0:38:09.640
<v Speaker 1>Tyra Banks playing herself, says they're hers, and she steals

0:38:09.640 --> 0:38:11.960
<v Speaker 1>the second one right now from under her. Did you

0:38:12.000 --> 0:38:14.239
<v Speaker 1>think Tyra Bank's playing herself was cool? Yes?

0:38:14.440 --> 0:38:18.040
<v Speaker 2>I mean, I find her so funny when she commits

0:38:18.080 --> 0:38:21.160
<v Speaker 2>two characters, and she was great. To me, I thought

0:38:21.239 --> 0:38:22.279
<v Speaker 2>she did a great job.

0:38:22.440 --> 0:38:24.200
<v Speaker 1>I did too, I thought she was very very good.

0:38:24.360 --> 0:38:27.120
<v Speaker 2>Really, it went on for too long, it did. I

0:38:27.160 --> 0:38:30.160
<v Speaker 2>thought the scene was too long, honestly, but it was

0:38:30.640 --> 0:38:33.759
<v Speaker 2>fun to see all of the comedy that they did

0:38:33.800 --> 0:38:34.120
<v Speaker 2>with it.

0:38:34.160 --> 0:38:37.120
<v Speaker 1>I agree. Tyra pulls the quote, do you know who

0:38:37.160 --> 0:38:40.120
<v Speaker 1>I am unquote thing and Hannah parrots it back. Each

0:38:40.200 --> 0:38:42.000
<v Speaker 1>are holding one of the shoes. When they get into

0:38:42.040 --> 0:38:44.720
<v Speaker 1>a tense wrestling match, Tyra throws Hannah over a couch.

0:38:44.840 --> 0:38:48.560
<v Speaker 1>Hannah jumps on Tyra's back. It's total chaos. Shoes are flying,

0:38:49.040 --> 0:38:52.240
<v Speaker 1>Miley fully suffocates Tyra with a bag. Staff is running

0:38:52.239 --> 0:38:55.440
<v Speaker 1>for their lives. In nearby, we see tabloid rider Oswald

0:38:55.800 --> 0:38:59.520
<v Speaker 1>the Slimeball, snapping photos. Now without the shoes, Hannah is

0:38:59.600 --> 0:39:01.880
<v Speaker 1>rushed out side by Vita into a waiting limousine to

0:39:01.880 --> 0:39:04.760
<v Speaker 1>get to Lily's party, but Oswald is still close behind,

0:39:04.800 --> 0:39:07.040
<v Speaker 1>following for a scoop. This means she can't get out

0:39:07.040 --> 0:39:09.000
<v Speaker 1>of the car as Hannah for the party or get

0:39:09.000 --> 0:39:13.640
<v Speaker 1>out of the car as Miley because of Oswald. This

0:39:13.680 --> 0:39:15.400
<v Speaker 1>is where the dilemma starts. She can't even pull off

0:39:15.400 --> 0:39:18.759
<v Speaker 1>her wig. We see Lily's party, which is a I

0:39:18.760 --> 0:39:21.399
<v Speaker 1>would say a half a million to million dollar party

0:39:21.840 --> 0:39:23.239
<v Speaker 1>at the Cintamnica pear.

0:39:24.800 --> 0:39:28.600
<v Speaker 2>What is the occupation of parents? Parents created the color

0:39:28.960 --> 0:39:32.480
<v Speaker 2>an entire ramp? What is the what are those called

0:39:32.560 --> 0:39:36.600
<v Speaker 2>the the ones that are on both sides that that's cute?

0:39:36.600 --> 0:39:38.920
<v Speaker 1>Oh, a half pipe? I have, and the half pipe

0:39:38.960 --> 0:39:40.960
<v Speaker 1>was added to the Santa Monica peer for her. She

0:39:41.000 --> 0:39:42.319
<v Speaker 1>had the entire peer as well.

0:39:42.360 --> 0:39:45.040
<v Speaker 2>It was oh my god, Sanda and a full blown

0:39:45.080 --> 0:39:48.040
<v Speaker 2>stage with the full blown sound system. Holy hell, this

0:39:48.120 --> 0:39:53.919
<v Speaker 2>is the craziest sweet sixteen I've ever seen in my life.

0:39:54.239 --> 0:39:56.800
<v Speaker 1>Here you go. It's a five hundred thousand dollars party,

0:39:56.880 --> 0:40:00.879
<v Speaker 1>every bit of it. It was crazy, just not so.

0:40:01.600 --> 0:40:05.040
<v Speaker 1>We see Mitchell Musso as Oliver, and we meet Rico Suave,

0:40:05.680 --> 0:40:08.680
<v Speaker 1>a reoccurring character from the show played by Moyes's Arius.

0:40:08.840 --> 0:40:11.200
<v Speaker 1>He is a really eccentric schemer and is putting the

0:40:11.200 --> 0:40:15.160
<v Speaker 1>final touches on a fireworks ready massive birthday cake. Hannah

0:40:15.200 --> 0:40:17.000
<v Speaker 1>jumps out of a limo and rushes to the party, trying

0:40:17.040 --> 0:40:20.200
<v Speaker 1>to ditch Oswald, but her arrival causes massesteria on the pier,

0:40:20.640 --> 0:40:24.319
<v Speaker 1>even having to call Lily her number one fan, just

0:40:24.360 --> 0:40:27.120
<v Speaker 1>to cover the fact that she's there. Lily is rightfully furious,

0:40:27.400 --> 0:40:29.680
<v Speaker 1>especially when Hannah is carried like Rudy at the end

0:40:29.680 --> 0:40:31.880
<v Speaker 1>of the Notre Dame game straight to the stage to

0:40:31.920 --> 0:40:35.280
<v Speaker 1>play a song with the band. Lily is again furious.

0:40:35.480 --> 0:40:37.720
<v Speaker 1>No one even cares that it's her party. A defeated,

0:40:37.760 --> 0:40:40.520
<v Speaker 1>Lily finally walks out and is approached by Oswald for

0:40:40.680 --> 0:40:43.480
<v Speaker 1>any type of Hannah scoop he can get. She casually

0:40:43.520 --> 0:40:47.120
<v Speaker 1>mentions Miley's real hometown and Oswald finally has a lead.

0:40:47.200 --> 0:40:50.000
<v Speaker 1>She says it in passing, probably because she was just

0:40:50.080 --> 0:40:53.359
<v Speaker 1>crushed again by her best friend. Then Rico lights the

0:40:53.360 --> 0:40:57.480
<v Speaker 1>cake and bam, it explodes all over everyone, even Vanessa Williams.

0:40:58.440 --> 0:41:00.680
<v Speaker 1>Later that day, Robbie race the front page of the

0:41:00.680 --> 0:41:03.200
<v Speaker 1>paper with the photo of Tyra Banks shoe fight, and

0:41:03.280 --> 0:41:06.080
<v Speaker 1>he has had enough. He tells his daughter and Vita

0:41:06.239 --> 0:41:08.560
<v Speaker 1>that New York isn't happening. She's going to Tennessee with

0:41:08.600 --> 0:41:11.000
<v Speaker 1>the family for her grandma's birthday, and that is it

0:41:11.239 --> 0:41:14.520
<v Speaker 1>good parenting. You're right, I love that you're a big superstar,

0:41:14.840 --> 0:41:16.880
<v Speaker 1>but this is not gonna happen. This again goes back

0:41:16.920 --> 0:41:18.640
<v Speaker 1>to me saying one bad thing to my brother's One

0:41:18.640 --> 0:41:20.160
<v Speaker 1>time when I was on boy Mes World, I think

0:41:20.200 --> 0:41:21.800
<v Speaker 1>I was seventeen. I was in front of my girlfriend

0:41:21.880 --> 0:41:23.279
<v Speaker 1>and they picked me up and they duck my head

0:41:23.280 --> 0:41:24.960
<v Speaker 1>in the toilet and they gave me a swirly that

0:41:25.040 --> 0:41:27.040
<v Speaker 1>stuff ain't gonna fly in our house, and it wasn't

0:41:27.040 --> 0:41:28.839
<v Speaker 1>gonna fly in Miley Cyrus's house either.

0:41:28.960 --> 0:41:30.600
<v Speaker 2>Wait that happened to you for real?

0:41:31.120 --> 0:41:36.600
<v Speaker 1>Yeah? Yeah, I was seventeen. I did from both my

0:41:36.600 --> 0:41:38.839
<v Speaker 1>brothers because I said something that came off as egotisticals

0:41:38.880 --> 0:41:40.720
<v Speaker 1>I was on Boy Met World and they were like, uhuh,

0:41:40.760 --> 0:41:43.680
<v Speaker 1>that's not gonna that's not gonna work. Oh right in

0:41:43.719 --> 0:41:46.920
<v Speaker 1>the toilet with the flush, Uh, that's not gonna happen.

0:41:47.040 --> 0:41:49.040
<v Speaker 1>I think I was in front of my girlfriend, JENNEVINOI

0:41:49.120 --> 0:41:50.920
<v Speaker 1>at the time, from Blossom, and they were like, no,

0:41:51.040 --> 0:41:53.799
<v Speaker 1>this is not that's that's not not gonna work. And

0:41:53.960 --> 0:41:59.279
<v Speaker 1>never happened again. Always good to have two big older brothers. Yes,

0:41:59.480 --> 0:42:01.439
<v Speaker 1>so he was, so he wasn't buying it. She's gonna

0:42:01.440 --> 0:42:04.040
<v Speaker 1>go to Tennessee with the family to visit her grandmother's birthday,

0:42:04.040 --> 0:42:06.399
<v Speaker 1>and that is just it. Vida explains. They can't miss

0:42:06.440 --> 0:42:09.240
<v Speaker 1>New York, but a private jet can make both happen.

0:42:09.640 --> 0:42:12.160
<v Speaker 1>Robbie Ray gives in and next thing you know, we're

0:42:12.239 --> 0:42:14.760
<v Speaker 1>on a jet. Did you think this was too fast

0:42:14.760 --> 0:42:16.800
<v Speaker 1>for him to give in? Were you kind of figuring

0:42:16.880 --> 0:42:19.839
<v Speaker 1>something was gonna go on at this point or no?

0:42:19.960 --> 0:42:23.200
<v Speaker 2>I mean I didn't either I honestly, I mean because

0:42:23.239 --> 0:42:25.200
<v Speaker 2>I just you know, I think probably because we're in

0:42:25.239 --> 0:42:28.319
<v Speaker 2>the business and it's like, you're contractually buying to do this,

0:42:28.400 --> 0:42:30.280
<v Speaker 2>so we've got to do it. We'll figure out whatever.

0:42:30.360 --> 0:42:32.359
<v Speaker 1>Yeah, I thought it was more him like, I'm gonna

0:42:32.400 --> 0:42:33.960
<v Speaker 1>let you make the choice of what you want to do.

0:42:34.040 --> 0:42:35.680
<v Speaker 1>Are you gonna go to your grandmother's? Are you gonna

0:42:35.680 --> 0:42:37.279
<v Speaker 1>go take a jet to thing? That's where I thought

0:42:37.280 --> 0:42:38.600
<v Speaker 1>he was going with it, Like I thought it was

0:42:38.640 --> 0:42:40.840
<v Speaker 1>gonna be more of a learning lesson. But no, we

0:42:40.920 --> 0:42:44.200
<v Speaker 1>were all given a twist. Miley is now dressed his

0:42:44.200 --> 0:42:45.640
<v Speaker 1>hand on and you could tell her dad is getting

0:42:45.640 --> 0:42:48.759
<v Speaker 1>sick of her diva ways, so that when she deplanes,

0:42:49.360 --> 0:42:51.879
<v Speaker 1>she is surprised to realize she's not in New York.

0:42:51.960 --> 0:42:54.799
<v Speaker 1>She is in a Tennessee cowfield, and her brother's there

0:42:54.800 --> 0:42:56.960
<v Speaker 1>to pick her up in a beat up pickup truck.

0:42:57.200 --> 0:42:59.200
<v Speaker 1>How did Robbie Ray pull this off? I think he

0:42:59.239 --> 0:43:01.959
<v Speaker 1>paid off the pilot, or he booked it behind her back,

0:43:02.080 --> 0:43:05.160
<v Speaker 1>or he forcibly hijacked the plane. It's one of those things.

0:43:05.480 --> 0:43:08.200
<v Speaker 1>But Miley is of course furious. She's supposed to be

0:43:08.320 --> 0:43:10.560
<v Speaker 1>on a red carpet in New York. Her dad says

0:43:10.600 --> 0:43:12.399
<v Speaker 1>she has lost her focus and a bite the time

0:43:12.440 --> 0:43:16.839
<v Speaker 1>to retire Hannah Montana forever. Oohoo. Miley says he can't

0:43:16.880 --> 0:43:18.920
<v Speaker 1>take Hannah from her, but he says, oh, yes, I

0:43:19.000 --> 0:43:22.080
<v Speaker 1>definitely can. Miley forces him to stop the truck. She's

0:43:22.120 --> 0:43:24.800
<v Speaker 1>gonna walk to New York if he has to. Robbie

0:43:24.840 --> 0:43:27.600
<v Speaker 1>Ray proposes a deal. They're gonna see how these two

0:43:27.680 --> 0:43:30.120
<v Speaker 1>weeks in Tennessee go and see if the country girl

0:43:30.239 --> 0:43:33.000
<v Speaker 1>still exists in there. She can go back. It's a

0:43:33.080 --> 0:43:37.239
<v Speaker 1>Hannah Montana detox. And just as she's ready to argue

0:43:37.280 --> 0:43:39.799
<v Speaker 1>some more, a horse eats the wig right off her head.

0:43:39.800 --> 0:43:41.960
<v Speaker 1>And it's not just any horse, it's her old horse,

0:43:42.000 --> 0:43:44.880
<v Speaker 1>Blue Jeans. They just randomly stopped right in front of

0:43:44.880 --> 0:43:47.360
<v Speaker 1>her old horse when she forced her brother to pull over.

0:43:47.520 --> 0:43:50.360
<v Speaker 1>What luck that is? Now she has a moment with

0:43:50.400 --> 0:43:52.840
<v Speaker 1>her old pal, packs away her wig and tries to

0:43:52.960 --> 0:43:55.839
<v Speaker 1>ride Blue Jeans, but she's quickly bucked off, and her

0:43:55.920 --> 0:43:59.399
<v Speaker 1>old country roots seem a little bit dusty, especially when

0:43:59.440 --> 0:44:02.560
<v Speaker 1>Blue Jeans gets loose and all of a sudden boom,

0:44:02.680 --> 0:44:06.359
<v Speaker 1>a mysterious and yes, dare I say, incredibly sexy young

0:44:06.440 --> 0:44:11.520
<v Speaker 1>cowboy has to go retrieve blue jeans for her. It

0:44:11.640 --> 0:44:14.560
<v Speaker 1>is Travis Brodie from the first grade. He has all

0:44:14.600 --> 0:44:17.880
<v Speaker 1>grown up working for her grandmother and hunky as hell.

0:44:19.760 --> 0:44:23.080
<v Speaker 1>My god, let's be honest, people, Come on, he's a

0:44:23.120 --> 0:44:25.840
<v Speaker 1>honky cowboy who happens that perfect hair and teeth.

0:44:26.200 --> 0:44:31.240
<v Speaker 2>I will say from all of the like romantic.

0:44:30.920 --> 0:44:33.160
<v Speaker 1>I thought about you the second he popped on screen.

0:44:33.560 --> 0:44:37.719
<v Speaker 2>He is definitely the most like rustic, more of like

0:44:37.760 --> 0:44:42.120
<v Speaker 2>a like a manly looking kid versus the perfect the

0:44:43.080 --> 0:44:45.680
<v Speaker 2>perfect nose and the team, you know, the jaw line

0:44:45.719 --> 0:44:48.279
<v Speaker 2>and all that. He definitely looks a lot more like

0:44:48.960 --> 0:44:50.920
<v Speaker 2>what you would think a cowboy would look like.

0:44:51.080 --> 0:44:53.080
<v Speaker 1>Right when he stopped and smiled and had the hat

0:44:53.080 --> 0:44:54.840
<v Speaker 1>on and caught the horse, I was like, we found

0:44:54.840 --> 0:44:58.959
<v Speaker 1>Sabrina's guy. Finally got this is the one Sabrina's gonna

0:44:58.960 --> 0:45:01.120
<v Speaker 1>be like. This is the guy I now, finally I

0:45:01.160 --> 0:45:03.640
<v Speaker 1>don't mind the shirt off, I don't mind that, I

0:45:03.680 --> 0:45:08.799
<v Speaker 1>don't mind that. Finally found and it's Travis Brody. Travis

0:45:08.160 --> 0:45:09.640
<v Speaker 1>sitting in a tree.

0:45:09.800 --> 0:45:11.959
<v Speaker 2>Oh my god, no, no, yes.

0:45:14.680 --> 0:45:17.400
<v Speaker 1>So it turns out that he had a crush on

0:45:17.440 --> 0:45:20.399
<v Speaker 1>Miley back in the day, but jokes he's over it now.

0:45:20.800 --> 0:45:22.640
<v Speaker 1>She rides back to the house on his horse like

0:45:22.680 --> 0:45:25.400
<v Speaker 1>you do, and they briefly chat about Hollywood and celebrities.

0:45:25.640 --> 0:45:28.480
<v Speaker 1>She says she knows Hannah Montana, avoiding the fact that

0:45:28.520 --> 0:45:32.479
<v Speaker 1>she looks just like her, but luckily she has brown hair.

0:45:32.600 --> 0:45:36.720
<v Speaker 2>So okay, we gotta pause, pause, because this is when

0:45:37.480 --> 0:45:42.960
<v Speaker 2>I went, wait a minute, Okay, So this town that

0:45:43.000 --> 0:45:45.920
<v Speaker 2>she grew up with, now we've set this. Now we've

0:45:45.960 --> 0:45:48.600
<v Speaker 2>set this, this whole plot line that she grew up

0:45:48.640 --> 0:45:50.919
<v Speaker 2>with these kids, she was in first grade with this guy,

0:45:51.280 --> 0:45:56.239
<v Speaker 2>uh huh, and they didn't catch the wig part. Like

0:45:56.320 --> 0:45:59.520
<v Speaker 2>That's when I went, wait a minute, okay, that I

0:45:59.640 --> 0:46:03.839
<v Speaker 2>thought this whole town would have known her story and

0:46:03.960 --> 0:46:05.759
<v Speaker 2>they don't. And that's when I.

0:46:05.760 --> 0:46:08.920
<v Speaker 1>Was like, that's what. Yes.

0:46:09.000 --> 0:46:13.120
<v Speaker 2>I got kind of went into the no because I

0:46:13.160 --> 0:46:17.080
<v Speaker 2>felt like her La life was La life like she

0:46:17.200 --> 0:46:23.840
<v Speaker 2>was already living this like life in La home home people.

0:46:23.880 --> 0:46:25.520
<v Speaker 2>So then I'm going, wait, does her And then it

0:46:25.560 --> 0:46:28.680
<v Speaker 2>gets worse as we see family. You can tell family

0:46:28.719 --> 0:46:32.480
<v Speaker 2>members don't even know only a few of them, and

0:46:32.520 --> 0:46:36.440
<v Speaker 2>you're going, now, now you're losing me a little bit.

0:46:38.400 --> 0:46:41.680
<v Speaker 1>Then I thought.

0:46:43.560 --> 0:46:47.360
<v Speaker 2>The whole storyline in my head of the LA people

0:46:47.440 --> 0:46:50.279
<v Speaker 2>and why because that kind of was my life. I

0:46:50.400 --> 0:46:54.799
<v Speaker 2>was here in George County doing playing, soccer, dancing, doing

0:46:54.840 --> 0:46:56.680
<v Speaker 2>all of that, and then I'd have my you know,

0:46:56.719 --> 0:46:58.840
<v Speaker 2>the commercials that I would do and whatever, and I

0:46:58.920 --> 0:47:02.160
<v Speaker 2>kind of had a different group of friends, not saying

0:47:02.200 --> 0:47:04.480
<v Speaker 2>I had a wig or anything like that, you know,

0:47:04.600 --> 0:47:07.439
<v Speaker 2>trying to be a different but it was a different light, right,

0:47:07.880 --> 0:47:11.480
<v Speaker 2>So they knew me as an industry person, and I

0:47:11.520 --> 0:47:13.560
<v Speaker 2>could relate to them in different ways than I could

0:47:13.600 --> 0:47:15.959
<v Speaker 2>relate to the kids that I was I was up with.

0:47:16.480 --> 0:47:17.839
<v Speaker 1>Connecticut and California were.

0:47:17.960 --> 0:47:19.839
<v Speaker 2>The kids that I was growing up with really new

0:47:20.120 --> 0:47:24.400
<v Speaker 2>certain things, not my not my on screen personality, you know,

0:47:24.480 --> 0:47:27.880
<v Speaker 2>that I'd put into my work. This is this is

0:47:27.880 --> 0:47:31.839
<v Speaker 2>when they lost me. Well for just even I'm not

0:47:31.880 --> 0:47:33.279
<v Speaker 2>going to give you a lot, but this is a

0:47:33.320 --> 0:47:33.799
<v Speaker 2>tidy but.

0:47:33.760 --> 0:47:37.520
<v Speaker 1>When I went he doesn't know you looked into Travis

0:47:37.560 --> 0:47:40.600
<v Speaker 1>Brodie's eyes and you you gave, you forgave the whole thing.

0:47:40.640 --> 0:47:46.680
<v Speaker 2>You know. Listen, you actual husband, not guy, stands up

0:47:46.680 --> 0:47:49.880
<v Speaker 2>to this. This this man that I actually got some marry.

0:47:49.800 --> 0:47:53.600
<v Speaker 1>You know, on somebody and it's a TV crush it's

0:47:53.680 --> 0:47:54.839
<v Speaker 1>not the same.

0:47:54.560 --> 0:47:57.120
<v Speaker 2>As I know, but I'm just saying like, I don't know,

0:47:57.200 --> 0:47:59.880
<v Speaker 2>I've not ever seen one yet. He was more of

0:48:00.040 --> 0:48:03.200
<v Speaker 2>a manly or look, or the rustic kind of look,

0:48:03.480 --> 0:48:06.719
<v Speaker 2>but still not yet. Okay, well, I'll let you know

0:48:06.760 --> 0:48:09.440
<v Speaker 2>when I go. Okay, wow, Jordan and I'll talk about this.

0:48:09.480 --> 0:48:20.600
<v Speaker 1>It's fine. So she eventually gets to her grandmother's house,

0:48:20.920 --> 0:48:23.320
<v Speaker 1>where a jug band is performing. Her Grandma's excited to

0:48:23.320 --> 0:48:26.160
<v Speaker 1>see her. Miley did bring an Elvis commemorative plate for

0:48:26.160 --> 0:48:28.440
<v Speaker 1>her grandma's collection, which of course is very nice. She

0:48:28.480 --> 0:48:31.200
<v Speaker 1>also meets her cousin Derek, who's a weirdo holding a ferret.

0:48:31.440 --> 0:48:35.240
<v Speaker 1>She is not in Hollywood anymore, toto. Grandma also points

0:48:35.239 --> 0:48:38.839
<v Speaker 1>out a new girl to Robbie Ray Laura la It's

0:48:38.960 --> 0:48:41.279
<v Speaker 1>a little matchmaking move that's going on here, and he

0:48:41.360 --> 0:48:44.120
<v Speaker 1>decides to approach Laurali picking up dirty dinner plates as

0:48:44.120 --> 0:48:47.719
<v Speaker 1>an excuse, and then they have what is certainly the

0:48:48.040 --> 0:48:51.879
<v Speaker 1>horniest conversation in dcom history. Let's check out a little

0:48:51.880 --> 0:48:52.600
<v Speaker 1>clip fit right here.

0:48:52.600 --> 0:48:53.520
<v Speaker 5>You got anything for me?

0:48:55.120 --> 0:48:57.080
<v Speaker 2>I don't know. Am you sure you can handle it?

0:48:57.440 --> 0:48:59.120
<v Speaker 2>You'd be amazed when I could handle.

0:48:59.360 --> 0:49:04.560
<v Speaker 1>Oh oh, snap, he'd be amazed what I can handle? Wow,

0:49:05.360 --> 0:49:07.880
<v Speaker 1>And in the process of trying to be smooth, he

0:49:07.920 --> 0:49:09.799
<v Speaker 1>then has a great comedy bit where he knocks over

0:49:09.840 --> 0:49:12.960
<v Speaker 1>Grandma's china shelf and all of her beloved commemorative plates

0:49:13.000 --> 0:49:15.400
<v Speaker 1>go flying, breaking one hundreds of pieces. He thinks he

0:49:15.480 --> 0:49:17.520
<v Speaker 1>saves the Elvis one at the very end and lings

0:49:17.560 --> 0:49:19.800
<v Speaker 1>it up, goes hey Elvis is still alive and smash

0:49:19.880 --> 0:49:23.799
<v Speaker 1>breaks it in by accident on the fan bummer. It

0:49:23.800 --> 0:49:25.960
<v Speaker 1>doesn't stop the party though. Later that night, everyone is

0:49:26.000 --> 0:49:29.239
<v Speaker 1>still singing downstairs and it's actually Rascal Flats playing their

0:49:29.280 --> 0:49:31.600
<v Speaker 1>song from the soundtrack, which was a ton of fun.

0:49:32.200 --> 0:49:35.040
<v Speaker 1>Miley is upstairs looking at a picture of her deceased mom.

0:49:35.080 --> 0:49:40.160
<v Speaker 1>Who is Brooke Shields? Just a photo of brook Shields.

0:49:40.640 --> 0:49:45.040
<v Speaker 2>Like, oh my gosh, I mean, I just I'm going

0:49:45.400 --> 0:49:48.720
<v Speaker 2>At this point, after Rascal Flats doing an acoustic version,

0:49:49.000 --> 0:49:51.960
<v Speaker 2>which is one of my favorite songs, then they have

0:49:52.280 --> 0:49:54.400
<v Speaker 2>a picture of brook Shields, I'm like, who else is

0:49:54.480 --> 0:49:57.440
<v Speaker 2>going to come? Don't worry, guys, it gets better.

0:49:57.560 --> 0:49:59.279
<v Speaker 1>But it's also the only time we ever see her.

0:49:59.280 --> 0:50:00.879
<v Speaker 1>We don't ever see her again, and I'm not sure

0:50:00.920 --> 0:50:04.120
<v Speaker 1>Brookshields even though she was in this movie. Oh apparently,

0:50:04.120 --> 0:50:06.200
<v Speaker 1>according to producer Lisa, she was the mom in the

0:50:06.239 --> 0:50:10.320
<v Speaker 1>TV show too in a flashback episode. Okay, oh okay,

0:50:10.040 --> 0:50:13.120
<v Speaker 1>So people were expecting Brookshields, Okay, got it.

0:50:13.200 --> 0:50:15.600
<v Speaker 2>I was not. I was thrown and I loved it.

0:50:15.960 --> 0:50:17.960
<v Speaker 1>I thought it was great. Me too. I didn't know,

0:50:18.000 --> 0:50:21.080
<v Speaker 1>but thank you producer Lisa. By the way, all of

0:50:21.080 --> 0:50:23.959
<v Speaker 1>the producers so far, I'm sure sending me hate mail.

0:50:24.320 --> 0:50:27.399
<v Speaker 1>I'm gonna have hate emails from everything going on for

0:50:27.680 --> 0:50:30.759
<v Speaker 1>how much I'm bashing the wig thing because I know

0:50:30.840 --> 0:50:34.640
<v Speaker 1>that this is a very important movie in the seitgeist

0:50:34.800 --> 0:50:39.520
<v Speaker 1>of magical rewind producers. But anyway, the next morning, Miley

0:50:39.560 --> 0:50:43.560
<v Speaker 1>wakes up with a plan, Operation Hannah Montana. She enthusiastically

0:50:43.560 --> 0:50:46.960
<v Speaker 1>sprints downstairs and overalls and pigtails. The full Southern accent

0:50:47.000 --> 0:50:49.200
<v Speaker 1>is back. She's going to go ten to the chickens

0:50:49.400 --> 0:50:51.840
<v Speaker 1>and this Shock's Robbie Ray and Grandma. But the excitement

0:50:51.960 --> 0:50:55.000
<v Speaker 1>quickly disappears when she's attacked by hungry chickens and covered

0:50:55.000 --> 0:50:58.040
<v Speaker 1>in yoke. I still don't understand what the plan was.

0:50:59.120 --> 0:51:00.160
<v Speaker 1>What was the plan.

0:51:01.680 --> 0:51:04.440
<v Speaker 2>For her? She was just trying to get into like

0:51:04.480 --> 0:51:07.560
<v Speaker 2>the mourning chores that you do on a farm when

0:51:07.560 --> 0:51:08.320
<v Speaker 2>you see.

0:51:08.160 --> 0:51:10.120
<v Speaker 1>I don't want to what she was doing. I think

0:51:10.160 --> 0:51:13.000
<v Speaker 1>she was trying to do something to prove something to them,

0:51:13.400 --> 0:51:15.920
<v Speaker 1>which did like this was like, here's my plan, but

0:51:16.000 --> 0:51:17.600
<v Speaker 1>I didn't understand what the plan was.

0:51:18.080 --> 0:51:20.439
<v Speaker 2>Yeah, the chores that she was doing are mourning chores

0:51:20.480 --> 0:51:22.280
<v Speaker 2>that you would do on the farm. But I feel

0:51:22.280 --> 0:51:24.239
<v Speaker 2>like she was doing that to be like, oh, you

0:51:24.239 --> 0:51:26.480
<v Speaker 2>want me to be country, here we go. And she

0:51:26.600 --> 0:51:30.279
<v Speaker 2>was doing like an over the top situation. But it

0:51:30.320 --> 0:51:31.440
<v Speaker 2>backfired on her.

0:51:31.400 --> 0:51:34.120
<v Speaker 1>Because Okay, get maybe that's what Okay, that's what I

0:51:34.360 --> 0:51:37.799
<v Speaker 1>took it as. Okay, fair enough. Once done, Grandma takes

0:51:37.800 --> 0:51:40.000
<v Speaker 1>Miley to the farmer's market I love a good farmer's

0:51:40.000 --> 0:51:41.680
<v Speaker 1>market and asks Robbie Ray to stay at home and

0:51:41.719 --> 0:51:45.160
<v Speaker 1>help the foreman. And guess who the foreman is. It's

0:51:45.520 --> 0:51:47.279
<v Speaker 1>Laura l She lives on the ground and works with

0:51:47.320 --> 0:51:49.839
<v Speaker 1>the grandma just like Travis. How convenient both their love

0:51:49.880 --> 0:51:54.000
<v Speaker 1>interests are actually employed. Love it. On their way to

0:51:54.040 --> 0:51:57.080
<v Speaker 1>the farmer's market, Miley's grandmother tells her that developers are

0:51:57.080 --> 0:51:59.319
<v Speaker 1>threatened to buy the town and replace it with a mall.

0:51:59.600 --> 0:52:02.120
<v Speaker 1>He is tiresly trying to raise money to stop it.

0:52:02.320 --> 0:52:04.640
<v Speaker 1>Miley's actually excited about the prospect. She wants to know

0:52:04.640 --> 0:52:06.520
<v Speaker 1>if there's going to be at Bloomingdale's. This leads to

0:52:06.560 --> 0:52:09.200
<v Speaker 1>an ultimatum from her grandmother. Either live the country life

0:52:09.200 --> 0:52:11.760
<v Speaker 1>and be thankful, or just go back to Hollywood because

0:52:11.760 --> 0:52:14.520
<v Speaker 1>being in the middle isn't enjoyable for anyone. She gets

0:52:14.560 --> 0:52:15.840
<v Speaker 1>a little smack down there in the middle of the

0:52:15.880 --> 0:52:19.480
<v Speaker 1>street from Grandma. I me too. Miley apologizes, but then

0:52:19.560 --> 0:52:24.480
<v Speaker 1>notices Oswald. No Oswald, he's snooping around and thanks to

0:52:24.560 --> 0:52:28.280
<v Speaker 1>Lily snitches trying to find Hannah Montana at the market.

0:52:30.520 --> 0:52:37.080
<v Speaker 1>That's right, that's true. Snitches get up, Snitches get ditches Lily.

0:52:37.880 --> 0:52:41.880
<v Speaker 1>But when Oswald samples too spicy of salsa and Miley

0:52:41.920 --> 0:52:45.319
<v Speaker 1>releases hundreds of walnuts into the street, absolutely destroying what

0:52:45.360 --> 0:52:48.160
<v Speaker 1>some farmer has spent months and months working on, Oswald

0:52:48.320 --> 0:52:52.359
<v Speaker 1>falls on his butt and destroys the entire model of

0:52:52.360 --> 0:52:54.120
<v Speaker 1>what the new town is going to be. Now keep

0:52:54.120 --> 0:52:56.480
<v Speaker 1>this in mind, because that town and that guy are

0:52:56.520 --> 0:52:58.120
<v Speaker 1>going to really have not that much left to do

0:52:58.160 --> 0:52:59.520
<v Speaker 1>with the story, and they're really not going to have

0:52:59.680 --> 0:53:00.640
<v Speaker 1>anything else to do, and.

0:53:01.000 --> 0:53:04.759
<v Speaker 2>They have a good ninety five seconds left. That's yes

0:53:04.800 --> 0:53:07.279
<v Speaker 2>show to show everything he's got exactly.

0:53:07.760 --> 0:53:10.319
<v Speaker 1>Oswald notices Miley and asks her, hey, do you know

0:53:10.360 --> 0:53:13.160
<v Speaker 1>Hannah Montana? And this again has put a Cark Kent

0:53:13.200 --> 0:53:17.280
<v Speaker 1>Forsu superman vibe in action. The newspaper editor is probably

0:53:17.320 --> 0:53:20.160
<v Speaker 1>based on Piers Morgan. Back at the farm, Hannah is

0:53:20.160 --> 0:53:22.080
<v Speaker 1>playing guitar and writing a new song in the barn

0:53:22.080 --> 0:53:24.520
<v Speaker 1>when Travis walks in. He said she always wanted to

0:53:24.520 --> 0:53:26.960
<v Speaker 1>be a singer and brushes off the new song as

0:53:27.400 --> 0:53:30.160
<v Speaker 1>just good. Hannah presses him, why don't you think it's great?

0:53:30.360 --> 0:53:32.760
<v Speaker 1>He says it just doesn't have any substance. It didn't

0:53:32.760 --> 0:53:35.239
<v Speaker 1>tell him anything about her. He also announces that he's

0:53:35.239 --> 0:53:37.560
<v Speaker 1>starting an egg business. They jump on their horses and

0:53:37.640 --> 0:53:40.359
<v Speaker 1>we get a montage. Miley and Travis have a nice

0:53:40.440 --> 0:53:42.640
<v Speaker 1>day at the nearby waterfall. Robbie Ray and Laura Lei

0:53:42.680 --> 0:53:45.640
<v Speaker 1>are also getting closer, and Jackson is playing with an

0:53:45.680 --> 0:53:47.560
<v Speaker 1>Ostrich And I'm not kidding when I say that. Miley

0:53:47.600 --> 0:53:50.719
<v Speaker 1>and Travis then build an entire chicken coop in twenty seconds.

0:53:52.080 --> 0:53:55.799
<v Speaker 1>I also have a question about the chicken coop. Okay,

0:53:55.840 --> 0:54:00.640
<v Speaker 1>He's going to start an egg business, correct, right, that's

0:54:00.719 --> 0:54:05.640
<v Speaker 1>that's a great idea. Who doesn't love farm fresh eggs

0:54:07.080 --> 0:54:12.000
<v Speaker 1>eggs recently, I know, ridiculous. I love so great idea.

0:54:12.120 --> 0:54:18.040
<v Speaker 1>But is he selling Hannah Montana or Miley's grandmother's eggs.

0:54:18.120 --> 0:54:22.040
<v Speaker 1>He doesn't own those eggs. No, so he's selling someone

0:54:22.040 --> 0:54:24.160
<v Speaker 1>else's product. Are they going to split the money or

0:54:24.200 --> 0:54:26.200
<v Speaker 1>is he just keeping all the cash from all the

0:54:26.280 --> 0:54:27.120
<v Speaker 1>Grandma would.

0:54:26.880 --> 0:54:30.840
<v Speaker 2>Get into the specifics of their business deal, and I

0:54:31.480 --> 0:54:34.480
<v Speaker 2>like that. That was Yeah, it was a good question

0:54:34.600 --> 0:54:37.480
<v Speaker 2>to ask. But I think the grandma, what she seems

0:54:37.600 --> 0:54:40.160
<v Speaker 2>like is she's a little nosy and she's kind of

0:54:40.200 --> 0:54:43.359
<v Speaker 2>in everyone's business. And she's seeing this kid giving him

0:54:43.400 --> 0:54:46.239
<v Speaker 2>a job and pushing him to start a business on

0:54:46.280 --> 0:54:48.239
<v Speaker 2>his own, and this is her way that she's going

0:54:48.320 --> 0:54:49.200
<v Speaker 2>to help fund it for.

0:54:49.200 --> 0:54:50.839
<v Speaker 1>It's a great idea. When I was seventeen, I should

0:54:50.880 --> 0:54:53.560
<v Speaker 1>have just started selling all my grandparents to make money, Like, hey,

0:54:53.600 --> 0:54:55.160
<v Speaker 1>what do you mean? I needed a job? So I

0:54:55.200 --> 0:54:59.319
<v Speaker 1>sold everything in your garage. I found this very strange.

0:55:00.120 --> 0:55:02.080
<v Speaker 1>Oh wait, I'm sorry, he said. Grandma said, if he

0:55:02.120 --> 0:55:04.200
<v Speaker 1>fixes the chicken coop, then he can sell the eggs. No,

0:55:04.239 --> 0:55:07.799
<v Speaker 1>I get it, But he's selling her eggs. It's like,

0:55:07.840 --> 0:55:10.440
<v Speaker 1>if you fix my garage, you can sell the car inside.

0:55:10.480 --> 0:55:11.759
<v Speaker 1>That doesn't make any sense to me.

0:55:11.840 --> 0:55:13.960
<v Speaker 2>So yeah, well, and truly, what you end up doing

0:55:14.080 --> 0:55:18.520
<v Speaker 2>is you also the eggs that become chickens. You raise

0:55:18.640 --> 0:55:21.319
<v Speaker 2>them so that they can So maybe you know there's

0:55:21.360 --> 0:55:24.080
<v Speaker 2>ways that, Yeah, there's ways to business model.

0:55:24.840 --> 0:55:28.319
<v Speaker 1>What's gonna be amazing when we do the sequel when

0:55:28.360 --> 0:55:31.080
<v Speaker 1>we find out that eggs is just code word for

0:55:31.160 --> 0:55:32.759
<v Speaker 1>drugs and he's got like a meth lab in that

0:55:32.800 --> 0:55:36.120
<v Speaker 1>little little thing they're making. Yeah, just wait, why does.

0:55:36.000 --> 0:55:37.640
<v Speaker 2>She always have to go so dark?

0:55:37.719 --> 0:55:40.560
<v Speaker 1>Well that's a great question. Why do the sequels always

0:55:40.600 --> 0:55:42.480
<v Speaker 1>have to go so dark? We're definitely going to figure

0:55:42.520 --> 0:55:44.440
<v Speaker 1>that out. I want to find out when we get

0:55:44.480 --> 0:55:45.240
<v Speaker 1>to the second.

0:55:45.640 --> 0:55:49.839
<v Speaker 2>The second in the first one reels here's the reality.

0:55:49.280 --> 0:55:54.560
<v Speaker 1>Guys awful anyway exactly. So this is also where we

0:55:54.640 --> 0:55:57.080
<v Speaker 1>learn of an upcoming event, a music festival to save

0:55:57.120 --> 0:56:00.000
<v Speaker 1>the town. We quickly find ourselves at the small music

0:56:00.120 --> 0:56:04.200
<v Speaker 1>venue with Billy Ray Cyrus aka Robbie Ray performing. It

0:56:04.280 --> 0:56:06.040
<v Speaker 1>is much better than his recent train wreck at the

0:56:06.040 --> 0:56:09.600
<v Speaker 1>Liberty Ball in Washington, d C. And Laura Lai loves it,

0:56:09.680 --> 0:56:12.680
<v Speaker 1>so that is very cool. And then the one and

0:56:12.719 --> 0:56:15.759
<v Speaker 1>only Taylor Swift takes the stage and performs the song,

0:56:15.920 --> 0:56:17.719
<v Speaker 1>just steps up and it's like, oh wow, and now

0:56:17.719 --> 0:56:20.080
<v Speaker 1>there's Taylor Swift. And let it be known that although

0:56:20.080 --> 0:56:22.560
<v Speaker 1>Taylor looks young here, she was very much already on

0:56:22.600 --> 0:56:26.359
<v Speaker 1>her meteoric rise, releasing Fearless and touring. And it would

0:56:26.360 --> 0:56:29.920
<v Speaker 1>be the very next year that Kanye would interrupt her

0:56:29.960 --> 0:56:32.440
<v Speaker 1>at the VMA's. So this was right at the beginning,

0:56:32.520 --> 0:56:34.880
<v Speaker 1>believe it or not, but what would be the biggest

0:56:34.920 --> 0:56:39.279
<v Speaker 1>pop music career in history. So I think she did

0:56:39.280 --> 0:56:41.160
<v Speaker 1>this not only for the synergy, because I know she

0:56:41.200 --> 0:56:43.200
<v Speaker 1>loved Disney Channel, but I think she was just a fan.

0:56:43.880 --> 0:56:45.120
<v Speaker 2>Yeah, I do, Oh for sure.

0:56:45.320 --> 0:56:46.880
<v Speaker 1>She was a Boy Meets World fan too. I mean

0:56:46.920 --> 0:56:49.400
<v Speaker 1>I know that she loved Disney stuff. I'm guessing she

0:56:49.440 --> 0:56:52.080
<v Speaker 1>was a Cheetah Girls fan. I mean, like, she loved

0:56:52.120 --> 0:56:54.720
<v Speaker 1>Disney stuff. So you get to be on Hannah Montana

0:56:54.760 --> 0:56:56.239
<v Speaker 1>in the movie. I bet you she jumped at the

0:56:56.320 --> 0:56:56.719
<v Speaker 1>chance to do.

0:56:57.000 --> 0:56:58.600
<v Speaker 2>Of course, absolutely.

0:56:59.200 --> 0:57:02.439
<v Speaker 1>And so now while Taylor sings Travis and Miley's Slow Dance,

0:57:02.680 --> 0:57:05.279
<v Speaker 1>and once Taylor is done, Travis convinces Miley to take

0:57:05.280 --> 0:57:07.920
<v Speaker 1>the stage for open mic, and even though she says no,

0:57:08.400 --> 0:57:11.040
<v Speaker 1>he pushes her onto the stage. She meagerly says she's

0:57:11.080 --> 0:57:15.440
<v Speaker 1>bringing some hip hop to this hoe down, and that

0:57:15.560 --> 0:57:18.280
<v Speaker 1>leads the audience in a boom boom clap to start

0:57:18.320 --> 0:57:20.720
<v Speaker 1>her new song, which is just as much hip hop

0:57:20.760 --> 0:57:23.280
<v Speaker 1>as it is death metal. So here is a small

0:57:23.320 --> 0:57:25.520
<v Speaker 1>clip of that song, pop It, knock.

0:57:25.360 --> 0:57:27.840
<v Speaker 4>It, Poka, don it cut your fabin and.

0:57:29.960 --> 0:57:32.920
<v Speaker 2>Side to side jump to the net, stick it.

0:57:33.440 --> 0:57:34.160
<v Speaker 1>Oh god?

0:57:34.560 --> 0:57:34.880
<v Speaker 2>Oh?

0:57:35.000 --> 0:57:36.760
<v Speaker 1>Can we agree it's the worst song in the movie.

0:57:36.960 --> 0:57:40.960
<v Speaker 2>Absolutely not Will I'm not agreeing with you. It's so

0:57:41.440 --> 0:57:46.560
<v Speaker 2>freaking way I thought this part was okay. First of all,

0:57:47.400 --> 0:57:49.520
<v Speaker 2>I agree with you in the sense that I don't

0:57:49.720 --> 0:57:51.960
<v Speaker 2>hear any sense of hip hop in this.

0:57:52.520 --> 0:57:53.800
<v Speaker 1>She says, hip hop doesn't.

0:57:53.840 --> 0:57:57.480
<v Speaker 2>I know, it's more poppy. But this part to me

0:57:57.960 --> 0:58:02.120
<v Speaker 2>was again Disney beans super smart. Now we gotta dance.

0:58:02.720 --> 0:58:05.160
<v Speaker 2>Now we got a dance that's easy to learn, and

0:58:05.240 --> 0:58:07.720
<v Speaker 2>now we got an anthem. Now we got now we

0:58:07.720 --> 0:58:10.960
<v Speaker 2>got can make it better? Climb is the actual anthem

0:58:11.000 --> 0:58:14.480
<v Speaker 2>of it. But this this song, they don't. That's the thing, though,

0:58:14.520 --> 0:58:18.080
<v Speaker 2>Will this demo that was following. Hannah didn't need any

0:58:18.120 --> 0:58:24.560
<v Speaker 2>more than this. They didn't ask ask everyone. They do

0:58:24.760 --> 0:58:28.200
<v Speaker 2>not need any more than this. This was enough to

0:58:28.240 --> 0:58:31.680
<v Speaker 2>give them a dance to learn, a dance to throw

0:58:31.760 --> 0:58:34.120
<v Speaker 2>on at the next slumber party where they all do

0:58:34.200 --> 0:58:37.560
<v Speaker 2>it together. Okay, this is the same as like in

0:58:37.720 --> 0:58:39.640
<v Speaker 2>syncs bye bye bye.

0:58:39.200 --> 0:58:43.200
<v Speaker 1>No no, no, no, not the same ang.

0:58:44.360 --> 0:58:47.400
<v Speaker 2>Yes, okay, but it's the same idea. Is something that

0:58:47.440 --> 0:58:51.120
<v Speaker 2>they can learn and mimic. This is probably one of

0:58:51.200 --> 0:58:55.280
<v Speaker 2>the best songs in the best like major crash songs

0:58:55.320 --> 0:58:59.360
<v Speaker 2>at there at her touring shows when she did it

0:58:59.400 --> 0:59:02.920
<v Speaker 2>the hodown slide all that I can't even imagine how

0:59:03.000 --> 0:59:04.440
<v Speaker 2>kids went bonkers.

0:59:04.600 --> 0:59:06.360
<v Speaker 1>Well, all the producers of course agree with you.

0:59:06.520 --> 0:59:09.440
<v Speaker 2>Yes, they just said, forget the Cha cha slide. How

0:59:09.520 --> 0:59:12.400
<v Speaker 2>dumb is that song? But it's the easiest thing it

0:59:12.440 --> 0:59:14.960
<v Speaker 2>comes on. Yeah, sure I know it. I don't know

0:59:15.000 --> 0:59:18.640
<v Speaker 2>a lick a dancing, but I definitely can do that. Absolutely.

0:59:18.680 --> 0:59:21.640
<v Speaker 2>This was so freaking smart. I didn't know what they were.

0:59:21.960 --> 0:59:24.160
<v Speaker 1>We've had producer Lisa said, where I used to work,

0:59:24.200 --> 0:59:26.960
<v Speaker 1>Disney gave us the tutorial to upload and it was

0:59:27.000 --> 0:59:31.040
<v Speaker 1>our number one video for years with millions of views.

0:59:31.960 --> 0:59:35.760
<v Speaker 2>I'm telling you this, This was so smart for Disney

0:59:35.800 --> 0:59:39.320
<v Speaker 2>to do, because again it's I'm not gonna say it's

0:59:39.320 --> 0:59:42.920
<v Speaker 2>a great song. I'm just gonna say it's the smartest

0:59:42.920 --> 0:59:46.440
<v Speaker 2>song I get. It's so smart. And it was like

0:59:46.480 --> 0:59:48.480
<v Speaker 2>when I was watching it because I didn't know what

0:59:48.520 --> 0:59:51.000
<v Speaker 2>they were talking right in our text thread leading up

0:59:51.040 --> 0:59:53.240
<v Speaker 2>to this, I had no idea what they were talking about.

0:59:53.640 --> 0:59:55.200
<v Speaker 2>I had no idea, and I'm like, I can't wait

0:59:55.280 --> 0:59:58.160
<v Speaker 2>for this. When it came on, I was like, Disney

0:59:58.160 --> 1:00:01.560
<v Speaker 2>does it again. I'm telling you I was ready for

1:00:01.640 --> 1:00:04.480
<v Speaker 2>a holdout shout down with you, mister will I.

1:00:04.880 --> 1:00:05.800
<v Speaker 4>We're gonna hate this.

1:00:05.840 --> 1:00:10.520
<v Speaker 1>And I like, it's a bad song. It's a bad song.

1:00:10.880 --> 1:00:12.880
<v Speaker 1>So here's what we're gonna do. We are gonna write

1:00:12.880 --> 1:00:15.360
<v Speaker 1>the Magical rewind Dance song. You're gonna come up with

1:00:15.400 --> 1:00:17.160
<v Speaker 1>the dance and we're gonna it's like and then rewind

1:00:17.200 --> 1:00:19.160
<v Speaker 1>it and slide it and to the left. You're gonna

1:00:19.160 --> 1:00:20.640
<v Speaker 1>come up with that and we're gonna do.

1:00:20.640 --> 1:00:22.920
<v Speaker 2>You have never sound more smart in your own.

1:00:22.800 --> 1:00:25.200
<v Speaker 1>Then we're gonna do it. We're doing the Magical rewind Dance.

1:00:25.800 --> 1:00:28.080
<v Speaker 2>It is really sinking in. It is watch and We're

1:00:28.120 --> 1:00:32.160
<v Speaker 2>gonna get Paul Owen to come back. He's gonna I

1:00:32.240 --> 1:00:33.680
<v Speaker 2>love the music video.

1:00:34.080 --> 1:00:37.400
<v Speaker 1>I love it. Who's gonna who's gonna choreograph?

1:00:37.600 --> 1:00:38.400
<v Speaker 2>I'm gonna do it?

1:00:38.520 --> 1:00:39.480
<v Speaker 1>Thank you.

1:00:39.520 --> 1:00:43.920
<v Speaker 2>Probably we gotta pull in some like Let's ask the

1:00:43.960 --> 1:00:47.280
<v Speaker 2>one that come that is on Zombies. Let's ask that choreographer. Well,

1:00:47.280 --> 1:00:49.800
<v Speaker 2>we're also gonna Chucky clay Bow, it's got to be

1:00:49.800 --> 1:00:50.240
<v Speaker 2>one of them.

1:00:50.400 --> 1:00:53.000
<v Speaker 1>We're also gonna be getting all of our friends of

1:00:53.000 --> 1:00:55.760
<v Speaker 1>the podcast back to do the dance with us. Casey

1:00:55.760 --> 1:00:58.520
<v Speaker 1>stro Everybody's gonna come back and do the Magical Rewind

1:00:58.560 --> 1:01:01.400
<v Speaker 1>dance with us. So that so we better. You better

1:01:01.400 --> 1:01:04.920
<v Speaker 1>start thinking, because if Hodown Showdown's gonna make it, then

1:01:05.000 --> 1:01:09.080
<v Speaker 1>so will Magical Rewind. That's what I'm telling you, do

1:01:09.200 --> 1:01:11.120
<v Speaker 1>the Rewind? How can you not? Anyway?

1:01:11.080 --> 1:01:12.880
<v Speaker 2>Yeah, I love it much.

1:01:12.720 --> 1:01:15.120
<v Speaker 1>Like all of our producers. The crowd of course goes nuts.

1:01:15.160 --> 1:01:17.840
<v Speaker 1>They love it until the evil real estate agent developer

1:01:17.880 --> 1:01:21.520
<v Speaker 1>shows up. This angers Grandma. He's the man threatening to

1:01:21.560 --> 1:01:25.120
<v Speaker 1>exterminate her town. He arrogantly ridicules the fundraiser and says

1:01:25.160 --> 1:01:27.600
<v Speaker 1>there's no amount of money that can stop him, and

1:01:27.640 --> 1:01:30.640
<v Speaker 1>then Travis grabs the Mic and blurts out, Miley knows

1:01:30.640 --> 1:01:35.600
<v Speaker 1>Hannah Montana Travis. I know, dude Travis, well how but

1:01:35.720 --> 1:01:38.320
<v Speaker 1>he doesn't know. I mean Hannah Montana's three thousand miles

1:01:38.320 --> 1:01:45.160
<v Speaker 1>away and blonde Sabrina come on, so Travis. Travis suggests

1:01:45.200 --> 1:01:47.720
<v Speaker 1>a concert to help the city, and this jerk sure

1:01:47.800 --> 1:01:50.320
<v Speaker 1>is pompous. Thanks a lot, dude. Miley is now completely

1:01:50.360 --> 1:01:53.640
<v Speaker 1>pressured and says she will give Hannah a Calloo boo boop,

1:01:53.720 --> 1:01:57.959
<v Speaker 1>Hi Me, Robbie Ray and family. They obviously look concerned

1:01:58.320 --> 1:02:00.760
<v Speaker 1>but have no fear Hannah is here, or at least

1:02:01.040 --> 1:02:10.600
<v Speaker 1>you know who the town thinks is Hannah. A limo

1:02:10.720 --> 1:02:13.240
<v Speaker 1>arrives with Lily wearing the wig inside and waving out

1:02:13.240 --> 1:02:15.680
<v Speaker 1>the window. Oswald's so happy to see this. His story

1:02:15.680 --> 1:02:19.320
<v Speaker 1>can finally happen. And here's where I was like liter

1:02:19.600 --> 1:02:23.840
<v Speaker 1>That was Bath Lily, but also Lily Lily and Miley.

1:02:24.200 --> 1:02:24.960
<v Speaker 1>She hated her.

1:02:25.440 --> 1:02:29.000
<v Speaker 2>There was no resolution, There was no resolution, no call,

1:02:29.160 --> 1:02:32.600
<v Speaker 2>no nothing. She literally said, you can never would she

1:02:32.680 --> 1:02:35.640
<v Speaker 2>say I'll make it up to you or something or

1:02:35.760 --> 1:02:36.480
<v Speaker 2>I'm sorry.

1:02:36.720 --> 1:02:37.960
<v Speaker 1>Yeah, they have one quaked.

1:02:38.160 --> 1:02:42.720
<v Speaker 2>She's Tennessee, my god, I ruined my five hundred thousand

1:02:42.720 --> 1:02:44.240
<v Speaker 2>dollars sixteenth birthday.

1:02:44.400 --> 1:02:49.240
<v Speaker 1>Yes, sold our house just to have this birthday party.

1:02:49.480 --> 1:02:52.360
<v Speaker 2>But then sure, I'll show up to Tennessee and she just.

1:02:52.360 --> 1:02:55.240
<v Speaker 1>Shows up, so yeah, it was it was weird that

1:02:55.320 --> 1:02:59.000
<v Speaker 1>there was no okay anyway, Vita has also made the

1:02:59.040 --> 1:03:02.520
<v Speaker 1>trip with Lily, and she and Miley hug. They don't

1:03:02.520 --> 1:03:04.960
<v Speaker 1>talk about any of their problems, of course, because Lily

1:03:04.960 --> 1:03:06.880
<v Speaker 1>announced that her loose lips were the one that got

1:03:06.880 --> 1:03:08.640
<v Speaker 1>Oswald to come to Tennessee in the first place, so

1:03:09.120 --> 1:03:12.080
<v Speaker 1>she kind of blames herself. But anyway, Yeah, but before

1:03:12.080 --> 1:03:14.320
<v Speaker 1>Miley can even take that in, Laura I knocks in

1:03:14.360 --> 1:03:16.920
<v Speaker 1>the door. She wants to talk to Hannah and Miley.

1:03:17.680 --> 1:03:17.800
<v Speaker 3>Uh.

1:03:17.920 --> 1:03:20.720
<v Speaker 1>Oh, problems. So Lily gets back in the wig and

1:03:20.800 --> 1:03:22.640
<v Speaker 1>hides her face with a towel, pretending she needs a

1:03:22.680 --> 1:03:26.000
<v Speaker 1>foot massage. In bed, Laura I announces that the mayor

1:03:26.040 --> 1:03:27.960
<v Speaker 1>wants to throw Hannah a big bash for her tonight,

1:03:28.200 --> 1:03:30.520
<v Speaker 1>and since Lily can't speak for her, she takes her

1:03:30.560 --> 1:03:33.560
<v Speaker 1>silence as a yes. This creates a problem, especially since

1:03:33.640 --> 1:03:35.440
<v Speaker 1>Laura I will be the one in charge of the

1:03:35.480 --> 1:03:39.480
<v Speaker 1>welcoming event. Lily then spots Travis and is impressed. Oh

1:03:39.520 --> 1:03:42.920
<v Speaker 1>of course, because as Sabrina the same thing. Sabrina saw

1:03:43.000 --> 1:03:44.680
<v Speaker 1>him and was like, what, I'll take me into the

1:03:44.720 --> 1:03:47.840
<v Speaker 1>slice of that cowboy. Miley thinks he may just want

1:03:47.840 --> 1:03:50.080
<v Speaker 1>to be friends, but she should try to win him over.

1:03:50.760 --> 1:03:54.320
<v Speaker 1>She brings out the real Hannah because she's like, hey,

1:03:54.840 --> 1:03:58.000
<v Speaker 1>he's met Miley, but he's never met Hannah. So Hannah

1:03:58.040 --> 1:04:00.400
<v Speaker 1>has to come say hi. But Travis, because he's a

1:04:00.400 --> 1:04:04.000
<v Speaker 1>real guy, is not impressed by the superstar or the wig.

1:04:04.240 --> 1:04:07.040
<v Speaker 1>He just likes regular old Miley and he wants to

1:04:07.080 --> 1:04:09.200
<v Speaker 1>ask her out right now, so Hannah has to rush

1:04:09.200 --> 1:04:11.840
<v Speaker 1>to the coop and change back into Miley. She makes

1:04:11.840 --> 1:04:14.520
<v Speaker 1>it just in time to play it cool while painting horribly.

1:04:14.560 --> 1:04:16.320
<v Speaker 1>I don't know if you noticed, but she got red

1:04:16.400 --> 1:04:18.640
<v Speaker 1>all over.

1:04:20.560 --> 1:04:24.520
<v Speaker 2>It's not even a hard job. The panels are quite wide.

1:04:25.080 --> 1:04:27.240
<v Speaker 1>She had the green on the red, and it was

1:04:27.280 --> 1:04:30.320
<v Speaker 1>like color in the lines, Miley, slash Hannah, color in

1:04:30.400 --> 1:04:37.400
<v Speaker 1>the lines, Miley. It's true, man. But she rushes there

1:04:37.600 --> 1:04:39.480
<v Speaker 1>and she makes it just in time, plays it cool,

1:04:39.520 --> 1:04:42.600
<v Speaker 1>nonchalantly saying yes to being asked out by him. But

1:04:42.640 --> 1:04:44.560
<v Speaker 1>wait a minute, she can't go on this date. Hannah

1:04:44.560 --> 1:04:47.040
<v Speaker 1>is supposed to be going to Lauralei's big mayor party.

1:04:47.640 --> 1:04:49.600
<v Speaker 1>Robbie Ray leaves it up to Miley to pick, and

1:04:49.640 --> 1:04:52.160
<v Speaker 1>in the end she stands up Travis to meet the mayor.

1:04:52.560 --> 1:04:54.680
<v Speaker 1>Laura I does notice Miley isn't there at the event,

1:04:54.800 --> 1:04:58.400
<v Speaker 1>so she starts putting two and two together. The mayor

1:04:58.440 --> 1:05:00.880
<v Speaker 1>praises Hannah for her charitable action because she does go

1:05:01.240 --> 1:05:04.280
<v Speaker 1>and cousin Derek has lost his ferret. Oh I hate that.

1:05:04.800 --> 1:05:07.840
<v Speaker 1>Hannah abruptly dismisses herself and quickly changes into Miley so

1:05:07.880 --> 1:05:09.840
<v Speaker 1>she can save her date. She's gonna do that thing

1:05:09.880 --> 1:05:11.560
<v Speaker 1>where someone is in a movie or TV show and

1:05:11.600 --> 1:05:13.000
<v Speaker 1>has to do things at the same time, so they

1:05:13.080 --> 1:05:15.520
<v Speaker 1>keep running back and forth between them. So she gets

1:05:15.520 --> 1:05:18.160
<v Speaker 1>into the restaurant apologizes for being late, but Travis has

1:05:18.200 --> 1:05:21.680
<v Speaker 1>brought her some flowers. He notices immediately something that all

1:05:21.800 --> 1:05:25.280
<v Speaker 1>guys notice on a date. She's only wearing one earring.

1:05:25.520 --> 1:05:30.320
<v Speaker 1>I mean, who doesn't notice that? No one. She brushes

1:05:30.360 --> 1:05:32.880
<v Speaker 1>it off as a trendy LA thing. He avoids small

1:05:32.920 --> 1:05:35.440
<v Speaker 1>talk and goes right for the juggular. He wants her

1:05:35.480 --> 1:05:38.680
<v Speaker 1>to know before she returns to La how he feels

1:05:38.720 --> 1:05:41.360
<v Speaker 1>about her, and right as he's about to spill the beans.

1:05:41.440 --> 1:05:44.160
<v Speaker 1>Miley's phone rings. She sprints out of the date and

1:05:44.240 --> 1:05:47.920
<v Speaker 1>back in with the mayor, now with massive lobsters on

1:05:48.000 --> 1:05:51.120
<v Speaker 1>everybody's plate, but the wheels are really starting to fall off.

1:05:51.240 --> 1:05:54.400
<v Speaker 1>The ferret gets loose and Miley runs back to Travis,

1:05:54.400 --> 1:05:56.880
<v Speaker 1>still with her lobster bib on. I hope everybody's keeping up.

1:05:57.000 --> 1:05:59.440
<v Speaker 1>This is starting to get very messy and everyone's starting

1:05:59.480 --> 1:06:03.640
<v Speaker 1>to get suspence, even Travis. Eventually, Robbie Ray says enough

1:06:03.680 --> 1:06:06.240
<v Speaker 1>is enough, forcing Hannah to stay for the flombay, the

1:06:06.320 --> 1:06:09.680
<v Speaker 1>Tennessee Flombay, which frankly sounds very very good. The mayor

1:06:09.720 --> 1:06:12.080
<v Speaker 1>begins with the speech and midway through is bitten by

1:06:12.120 --> 1:06:15.240
<v Speaker 1>the ferret. The melee ends up with the table catching fire,

1:06:15.520 --> 1:06:18.280
<v Speaker 1>two customers wigs being switched. Seems to be a lot

1:06:18.280 --> 1:06:21.040
<v Speaker 1>going on with this movie in wigs and everything fails

1:06:21.320 --> 1:06:24.320
<v Speaker 1>in front of Robbie Ray, Laurali and the Mayor. Hannah

1:06:24.400 --> 1:06:27.040
<v Speaker 1>runs out of the building holding her Miley stuff, and

1:06:27.080 --> 1:06:29.880
<v Speaker 1>an example of just terrible timing, runs into a young

1:06:29.920 --> 1:06:33.960
<v Speaker 1>fan just as she's taking off the wig again. This

1:06:34.320 --> 1:06:36.920
<v Speaker 1>seems like this is not so top secret. Everything is

1:06:37.000 --> 1:06:39.640
<v Speaker 1>just so careless and then the young girl sees the transition,

1:06:39.840 --> 1:06:44.560
<v Speaker 1>and so does Travis. What worst case scenario? Wait, it

1:06:44.600 --> 1:06:47.080
<v Speaker 1>was a wig. Miley runs after him. She just wants

1:06:47.160 --> 1:06:49.320
<v Speaker 1>to explain, but he can't believe she's been lying this

1:06:49.520 --> 1:06:52.240
<v Speaker 1>entire time. He says they are over and he leaves.

1:06:52.680 --> 1:06:55.200
<v Speaker 1>A distraught Miley runs back to her dad, who saw everything.

1:06:55.560 --> 1:06:58.000
<v Speaker 1>Lauraai pops up, mad that Hannah ruined her big night.

1:06:58.200 --> 1:07:01.040
<v Speaker 1>When Robbie Ray stands up for the pop star, Laura

1:07:01.080 --> 1:07:03.880
<v Speaker 1>Lai then knows something's up. She can't be dating someone lying,

1:07:03.920 --> 1:07:06.560
<v Speaker 1>but instead of telling the truth, he breaks up with her.

1:07:06.720 --> 1:07:10.640
<v Speaker 1>This is terrible. We all just miss the lobster times.

1:07:12.560 --> 1:07:15.360
<v Speaker 1>Miley cries as a group of fans outside begin to

1:07:15.440 --> 1:07:18.320
<v Speaker 1>chant her name. It's now raining, of course, cause rain,

1:07:18.640 --> 1:07:22.360
<v Speaker 1>and both Miley and Travis are sad. In gazebos, Miley

1:07:22.480 --> 1:07:24.760
<v Speaker 1>is comfortably writing music when her dad walks up. He

1:07:24.760 --> 1:07:27.600
<v Speaker 1>also seems pretty sad. Miley says the new song that

1:07:27.640 --> 1:07:29.720
<v Speaker 1>she's written is about her and her dad, and she

1:07:29.760 --> 1:07:33.880
<v Speaker 1>starts to acoustically play Butterfly Fly Away, and she says, Dad,

1:07:34.120 --> 1:07:38.320
<v Speaker 1>sing with me, and he does. He sings the song

1:07:38.960 --> 1:07:42.880
<v Speaker 1>she just wrote and has never heard but knows all

1:07:42.880 --> 1:07:43.920
<v Speaker 1>the lyrics.

1:07:43.480 --> 1:07:47.800
<v Speaker 2>To attention shoppers, and she in fact had willed up

1:07:47.840 --> 1:07:50.400
<v Speaker 2>to this point. We have now lost him.

1:07:50.760 --> 1:07:54.360
<v Speaker 4>Out of the Billow.

1:07:54.040 --> 1:07:58.880
<v Speaker 1>Do you know the song? She says, Can I hear it?

1:07:59.040 --> 1:08:01.840
<v Speaker 1>And she says sure, and she starts playing the songs

1:08:02.840 --> 1:08:06.280
<v Speaker 1>and they start singing together. How do you know the song?

1:08:06.440 --> 1:08:10.520
<v Speaker 2>Okay? Well, he would know the lyrics because this was

1:08:10.560 --> 1:08:13.960
<v Speaker 2>a book that he had read to her the attack,

1:08:14.120 --> 1:08:16.759
<v Speaker 2>the grandma says it, so he would get that lyrics.

1:08:16.840 --> 1:08:19.080
<v Speaker 1>I get that, And right now all the producers are

1:08:19.120 --> 1:08:21.760
<v Speaker 1>furiously typing, I'm sure to put something on our chain.

1:08:22.880 --> 1:08:23.360
<v Speaker 1>But he.

1:08:25.479 --> 1:08:27.000
<v Speaker 2>Would not know the melody though.

1:08:27.120 --> 1:08:30.519
<v Speaker 1>No, it's no, he'd be chasing if he was.

1:08:30.840 --> 1:08:32.479
<v Speaker 2>You know, when they should do what they should do

1:08:32.520 --> 1:08:36.320
<v Speaker 2>with things like this is when she sings and he repeats.

1:08:36.040 --> 1:08:36.800
<v Speaker 5>Here he do that?

1:08:37.160 --> 1:08:40.439
<v Speaker 2>He comes in the second verse, Yes, yeah, How.

1:08:40.280 --> 1:08:40.880
<v Speaker 1>Hard is that?

1:08:41.360 --> 1:08:42.080
<v Speaker 2>He started with?

1:08:42.760 --> 1:08:43.040
<v Speaker 1>Yes?

1:08:43.160 --> 1:08:44.360
<v Speaker 2>Okay, I loved this song.

1:08:44.520 --> 1:08:47.599
<v Speaker 1>It's a great song. It's the best song in the movie,

1:08:47.600 --> 1:08:49.400
<v Speaker 1>in my opinion, it's the best song in the movie.

1:08:49.640 --> 1:08:54.759
<v Speaker 2>Again, I'm back watching this on the couch, absolutely falling

1:08:54.800 --> 1:08:57.200
<v Speaker 2>asleep by this time. But that's okay. She's at least

1:08:57.200 --> 1:09:01.160
<v Speaker 2>there still, and it's like you're you know the moments

1:09:01.160 --> 1:09:03.599
<v Speaker 2>of you tucking in and you know those moments of going.

1:09:03.680 --> 1:09:04.719
<v Speaker 1>It's a beautiful song.

1:09:04.960 --> 1:09:06.599
<v Speaker 2>It is such a good song.

1:09:06.680 --> 1:09:09.360
<v Speaker 1>I don't have car and it's a beautiful song. I

1:09:10.520 --> 1:09:13.320
<v Speaker 1>song the best song of the movie. I just hated

1:09:13.320 --> 1:09:15.960
<v Speaker 1>the fact that he somehow knew it.

1:09:15.439 --> 1:09:18.840
<v Speaker 2>I right, well, he still had him.

1:09:18.960 --> 1:09:21.920
<v Speaker 1>We have lost you might have lost Will, but Jack's

1:09:21.920 --> 1:09:28.360
<v Speaker 1>still here here. Okay. So anyway, that night, of course,

1:09:28.400 --> 1:09:30.920
<v Speaker 1>Miley can't sleep, and then first thing in the morning, Lily,

1:09:31.040 --> 1:09:33.880
<v Speaker 1>still in her robe, goes to the now finished chicken coop,

1:09:34.160 --> 1:09:38.360
<v Speaker 1>magically painted and decorated like clown pants. But Miley fell

1:09:38.400 --> 1:09:40.400
<v Speaker 1>asleep while painting it, so Lily wakes her and make

1:09:40.439 --> 1:09:42.639
<v Speaker 1>sure she's on time for the big Hannah Montana benefit

1:09:42.720 --> 1:09:45.240
<v Speaker 1>concert she needs to help save her town. We get

1:09:45.280 --> 1:09:47.919
<v Speaker 1>to the huge fairgrounds and so many people and donations

1:09:47.920 --> 1:09:50.559
<v Speaker 1>are rolling in. Again, a ton of extras. You just

1:09:50.560 --> 1:09:53.320
<v Speaker 1>saw the scope of this film. Uh, they really used

1:09:53.360 --> 1:09:55.559
<v Speaker 1>every penny well because it looked beautiful. There's a ton

1:09:55.600 --> 1:09:58.080
<v Speaker 1>of people around, really great, a lot of production value.

1:09:58.240 --> 1:10:00.880
<v Speaker 1>It's even got a ferris wheel. Elly's grandma makes her

1:10:00.880 --> 1:10:03.160
<v Speaker 1>way to Hannah's bus, shocked by how crazy things are.

1:10:03.360 --> 1:10:05.720
<v Speaker 1>She is proud of her granddaughter for the concert and

1:10:05.800 --> 1:10:09.840
<v Speaker 1>hands over one of Miley's dead mom's necklaces. Travis's his

1:10:09.960 --> 1:10:14.639
<v Speaker 1>new ugliest sin chicken coop for the first time. Frast

1:10:14.760 --> 1:10:16.800
<v Speaker 1>Miley did it all, even though I'd be offended. She

1:10:16.800 --> 1:10:19.200
<v Speaker 1>thinks that's his taste. He hops on his horse and

1:10:19.240 --> 1:10:22.840
<v Speaker 1>gallops away on a mission. Nothing can stop him. At

1:10:22.840 --> 1:10:25.639
<v Speaker 1>the concert, Hannah is already performing her first song, Rockstar,

1:10:25.680 --> 1:10:28.639
<v Speaker 1>when she spots Travis and the crowd. Wow, fast horse

1:10:29.360 --> 1:10:33.040
<v Speaker 1>as Tennessee. I would have loved if he pulled up

1:10:33.120 --> 1:10:34.800
<v Speaker 1>and jumped off his horse and someone handed him a

1:10:34.880 --> 1:10:36.439
<v Speaker 1>valet ticket. That would have been the best. And then

1:10:36.439 --> 1:10:39.400
<v Speaker 1>they parked the horse. Oh, it would have been worth it,

1:10:39.479 --> 1:10:41.920
<v Speaker 1>just for their one comedy bet. She also sees her

1:10:42.000 --> 1:10:45.200
<v Speaker 1>dad and her grandmother and her brother and Lily. Everybody's

1:10:45.200 --> 1:10:47.840
<v Speaker 1>in the crowd, Laura Eliah's being sad by herself on

1:10:47.880 --> 1:10:49.719
<v Speaker 1>the other side of the fairgrounds. This is an awful

1:10:49.720 --> 1:10:52.240
<v Speaker 1>lot to take in. And then Hannah has stopped dead

1:10:52.240 --> 1:10:54.280
<v Speaker 1>in her tracks. She's starting to have a panic attack.

1:10:54.439 --> 1:10:56.320
<v Speaker 1>She says, I can't do this into the mic and

1:10:56.360 --> 1:10:59.679
<v Speaker 1>the audience goes silent. She just can't be Hannah anymore,

1:11:00.000 --> 1:11:02.280
<v Speaker 1>at least not in her own hometown. She admits this

1:11:02.320 --> 1:11:06.200
<v Speaker 1>is where her family is. Then she reveals she's just

1:11:06.320 --> 1:11:10.639
<v Speaker 1>Miley and takes off the wig, and the whole town Holy,

1:11:12.600 --> 1:11:16.439
<v Speaker 1>that's Miley Stewart. How did we not notice her face

1:11:16.479 --> 1:11:19.360
<v Speaker 1>and body and voice and family are exactly the same.

1:11:21.920 --> 1:11:26.240
<v Speaker 1>What crazy? Miley just wants a second chance. She is

1:11:26.320 --> 1:11:29.679
<v Speaker 1>joined by a high school philharmonic of sorts and says

1:11:29.680 --> 1:11:32.200
<v Speaker 1>she's going to sing something very personal. She repeats a

1:11:32.240 --> 1:11:35.160
<v Speaker 1>catchphrase she's been using to appreciate her life's journey, something

1:11:35.200 --> 1:11:39.160
<v Speaker 1>that your boyfriend Travis has said to her, which is

1:11:40.080 --> 1:11:43.400
<v Speaker 1>life is a climb, but the view is great. Great line,

1:11:43.720 --> 1:11:45.479
<v Speaker 1>and then we get the movie's first single and the

1:11:45.479 --> 1:11:48.200
<v Speaker 1>movie's big final scene, the Climb. The crowd in her

1:11:48.200 --> 1:11:51.080
<v Speaker 1>family love it, and most importantly, Travis is giving that

1:11:51.160 --> 1:11:54.720
<v Speaker 1>cute cowboy smile. Miley is back and everyone loves her.

1:11:55.160 --> 1:11:57.200
<v Speaker 1>As she's leaving the stage, that young girl from earlier,

1:11:57.200 --> 1:12:00.599
<v Speaker 1>the one who saw her take off her wig, meagerly begs, please, Hannah,

1:12:00.640 --> 1:12:03.679
<v Speaker 1>we'll keep your secret. Very sweet. Miley says, it's not possible.

1:12:03.840 --> 1:12:06.120
<v Speaker 1>But then Travis yells out, it's just a wig. We

1:12:06.160 --> 1:12:08.679
<v Speaker 1>should have noticed. No, I'm kidding. What he actually yells

1:12:08.720 --> 1:12:11.240
<v Speaker 1>out because he likes yelling his thoughts out loud, is

1:12:11.320 --> 1:12:12.880
<v Speaker 1>sure you can he does.

1:12:13.000 --> 1:12:13.599
<v Speaker 2>He has no.

1:12:13.600 --> 1:12:16.960
<v Speaker 1>Filter, none whatsoever. Even her family wants her to put

1:12:16.960 --> 1:12:19.240
<v Speaker 1>the wig back on, because she looks better as a blonde.

1:12:19.400 --> 1:12:23.439
<v Speaker 1>She deserves that stardom. They start chanting Hannah, Hannah, and

1:12:23.479 --> 1:12:26.000
<v Speaker 1>the wig goes back on, but Oswald has been there

1:12:26.000 --> 1:12:30.080
<v Speaker 1>the whole time. He snaps a picture and runs away. Lily,

1:12:30.120 --> 1:12:32.200
<v Speaker 1>Travis and her family stay hot in his tail, eventually

1:12:32.240 --> 1:12:35.000
<v Speaker 1>catching up to him, and the entire town kills him.

1:12:36.080 --> 1:12:37.760
<v Speaker 1>I'm kidding, I was just seeing if you're all still

1:12:37.760 --> 1:12:41.479
<v Speaker 1>with me. No, what happens is he threatens.

1:12:40.920 --> 1:12:42.240
<v Speaker 2>A massive slaughter.

1:12:42.439 --> 1:12:45.120
<v Speaker 1>It's a massive slaughter. They kill him and the town

1:12:45.240 --> 1:12:50.439
<v Speaker 1>is saved. He threatens to press send on his new photo.

1:12:50.600 --> 1:12:52.800
<v Speaker 1>There's nothing that can stop him. But that's when his

1:12:53.000 --> 1:12:55.839
<v Speaker 1>daughters come running up, who are somehow flown in from England.

1:12:55.960 --> 1:12:59.040
<v Speaker 1>They're so excited to meet Hannah. Vita got them both tickets,

1:12:59.120 --> 1:13:03.519
<v Speaker 1>knowing it would soften that piece of Oswald. Nice move, Vanessa, Williams.

1:13:04.320 --> 1:13:06.479
<v Speaker 1>His kids freak out when they see Hannah, and Oswald

1:13:06.479 --> 1:13:09.880
<v Speaker 1>decides to keep the secret. See he understands the magic

1:13:09.920 --> 1:13:13.800
<v Speaker 1>now even if I don't. Oswald tells his editor off

1:13:14.200 --> 1:13:17.080
<v Speaker 1>and quits the tabloid now before running back to stage,

1:13:17.160 --> 1:13:20.040
<v Speaker 1>Travis admits to Miley he's never been over the crush

1:13:20.120 --> 1:13:22.920
<v Speaker 1>and they kiss. Hannah. Now back on stage, singing You'll

1:13:22.920 --> 1:13:25.439
<v Speaker 1>always find your way back home. Robbie, Ray and Loralai

1:13:25.520 --> 1:13:29.400
<v Speaker 1>also reunite and French kiss. The fundraiser has made hundreds

1:13:29.400 --> 1:13:31.080
<v Speaker 1>of thousands of dollars. But the thing that I thought

1:13:31.120 --> 1:13:33.680
<v Speaker 1>was funny is they still hadn't reached their goal. They

1:13:33.760 --> 1:13:35.240
<v Speaker 1>cut to the guy who puts it up to four

1:13:35.320 --> 1:13:37.400
<v Speaker 1>hundred grand when the goal was five hundred grand. They

1:13:37.400 --> 1:13:40.519
<v Speaker 1>don't actually reach their goal. Uh so it was very

1:13:40.520 --> 1:13:44.320
<v Speaker 1>fun Anyway, the city is saved, apparently. Hannah and her

1:13:44.400 --> 1:13:46.559
<v Speaker 1>dancers now sit in a big tractor trailer truck as

1:13:46.560 --> 1:13:49.400
<v Speaker 1>it barrels through the massive gathering at fans. We pull away,

1:13:49.600 --> 1:13:52.400
<v Speaker 1>and that's our movie. Over the credits, we get to

1:13:52.439 --> 1:13:55.760
<v Speaker 1>see all of our characters doing that amazing.

1:13:56.840 --> 1:13:59.320
<v Speaker 2>Mind Dance does not say amazing in this script and

1:13:59.439 --> 1:14:01.559
<v Speaker 2>says dance don't.

1:14:02.520 --> 1:14:06.960
<v Speaker 1>That incredibly amazing line? Dance to the movie's worst song,

1:14:07.640 --> 1:14:20.040
<v Speaker 1>the fake hip Hop one, and we are done. We

1:14:20.160 --> 1:14:23.280
<v Speaker 1>know what we think about it. Let's do real reviews, Sabrina.

1:14:24.040 --> 1:14:27.160
<v Speaker 1>I'm so happy that you had one star review, and

1:14:27.200 --> 1:14:28.320
<v Speaker 1>I'd like you to read it for me.

1:14:29.720 --> 1:14:31.559
<v Speaker 2>Please try to get through it.

1:14:32.600 --> 1:14:35.440
<v Speaker 1>Here's the one star review. Take it away, Sabrine.

1:14:35.680 --> 1:14:39.120
<v Speaker 2>This one star is from Murray m. It was so boring.

1:14:39.640 --> 1:14:49.720
<v Speaker 4>I would you can do it? Come on, you can

1:14:50.800 --> 1:14:52.240
<v Speaker 4>forced to do stuff like this?

1:14:52.280 --> 1:14:54.280
<v Speaker 2>All right, here we go. It was so boring. I

1:14:54.280 --> 1:14:57.839
<v Speaker 2>would rather staple my balls to the ceiling and dangle

1:14:57.920 --> 1:15:01.400
<v Speaker 2>like a French chandelier than watch it again, just so

1:15:01.439 --> 1:15:08.640
<v Speaker 2>I can actually feel something. Holy hel Mariy, I just

1:15:08.720 --> 1:15:11.439
<v Speaker 2>don't know what to say that that you would be

1:15:11.520 --> 1:15:15.439
<v Speaker 2>so extreme dayple your ball to the ceiling.

1:15:17.240 --> 1:15:21.400
<v Speaker 1>Okay, that was wonderful. I have the five star review,

1:15:21.680 --> 1:15:22.920
<v Speaker 1>but it's not gonna be as good as that. This

1:15:22.960 --> 1:15:26.639
<v Speaker 1>is from Joscelyn c actual five star review. Miley Cyrus.

1:15:26.720 --> 1:15:28.439
<v Speaker 1>If you ever see this, come to this address in

1:15:28.479 --> 1:15:31.479
<v Speaker 1>your limo singing Nobody's perfect two six to six State

1:15:31.520 --> 1:15:35.960
<v Speaker 1>Route East on Monday at ten thirty am, five stars.

1:15:38.640 --> 1:15:39.960
<v Speaker 2>That was a good five star.

1:15:40.080 --> 1:15:41.280
<v Speaker 1>I mean, you're a great guys.

1:15:41.479 --> 1:15:46.240
<v Speaker 2>And Blast your address showed up. I'm gonna tell you

1:15:47.160 --> 1:15:48.240
<v Speaker 2>spoiler alert she did.

1:15:48.400 --> 1:15:48.720
<v Speaker 3>She did.

1:15:49.320 --> 1:15:51.639
<v Speaker 1>We are now going to do our feature presentation here people.

1:15:51.720 --> 1:15:54.400
<v Speaker 1>This is of course Sabrina's favorite uh and my favorite too.

1:15:54.920 --> 1:15:59.200
<v Speaker 1>We've got the feature this week from producer Jensen is entire.

1:15:59.200 --> 1:16:01.519
<v Speaker 5>No producers and it's Jason. This is Jason.

1:16:03.680 --> 1:16:05.080
<v Speaker 1>I don't even recognize him.

1:16:05.479 --> 1:16:08.760
<v Speaker 5>Jasone who I'm new I'm working heart.

1:16:08.920 --> 1:16:12.240
<v Speaker 1>Thank you so much for joining us. Producer Jason, I

1:16:12.280 --> 1:16:13.559
<v Speaker 1>didn't recognize you at all.

1:16:13.400 --> 1:16:15.000
<v Speaker 5>Full name wyoming O.

1:16:15.920 --> 1:16:18.360
<v Speaker 1>I love it, so Jason Wiling, your feature this week

1:16:18.439 --> 1:16:23.000
<v Speaker 1>is Miley cy yes or Miley cy no? Can you

1:16:23.040 --> 1:16:24.479
<v Speaker 1>can you explain it to us? Jason?

1:16:25.920 --> 1:16:28.280
<v Speaker 5>You know what, don't have the notes in front of

1:16:28.320 --> 1:16:28.960
<v Speaker 5>me because.

1:16:31.120 --> 1:16:34.320
<v Speaker 1>He never does, So here you go. He's a that

1:16:34.360 --> 1:16:37.000
<v Speaker 1>he's a trickster. So that Jensen. All right, Jason, here's

1:16:37.000 --> 1:16:39.720
<v Speaker 1>what it is. When you're an international superstar, you end

1:16:39.840 --> 1:16:41.720
<v Speaker 1>up doing a lot of interviews and telling people a

1:16:41.760 --> 1:16:46.000
<v Speaker 1>lot about yourself. So we will get five possible weirdo

1:16:46.160 --> 1:16:49.639
<v Speaker 1>facts that megastar Miley Cyrus has revealed about herself over

1:16:49.640 --> 1:16:52.120
<v Speaker 1>the years, and we have to decide if they are

1:16:52.200 --> 1:16:56.240
<v Speaker 1>real or just stuff. Producer Jensen not Jason. Producer Jensen

1:16:56.240 --> 1:16:58.639
<v Speaker 1>has made up to make himself laugh if we get

1:16:58.720 --> 1:17:01.280
<v Speaker 1>three out of five? Right, So are you ready? Did

1:17:01.320 --> 1:17:03.479
<v Speaker 1>he send you enough Jason to where you know the answers?

1:17:03.720 --> 1:17:03.920
<v Speaker 5>Yeah?

1:17:03.960 --> 1:17:06.680
<v Speaker 7>Okay, great, as you know, I'm a pop star, so

1:17:07.040 --> 1:17:08.600
<v Speaker 7>you are. I don't have a ton of time, but

1:17:08.600 --> 1:17:09.679
<v Speaker 7>he did send me the answers.

1:17:09.760 --> 1:17:13.320
<v Speaker 1>Okay, So here you go. Number one, true or false.

1:17:13.720 --> 1:17:18.280
<v Speaker 1>Miley's real name is wish false, but I'm going to

1:17:18.320 --> 1:17:22.000
<v Speaker 1>say crazy false. It is something because it's Tennessee. I

1:17:22.040 --> 1:17:23.000
<v Speaker 1>don't think he named her.

1:17:22.920 --> 1:17:26.120
<v Speaker 5>Wish Well, it's false. Her real name is Destiny.

1:17:26.479 --> 1:17:27.000
<v Speaker 2>Destiny.

1:17:27.160 --> 1:17:29.560
<v Speaker 5>Yeah, oh so he doesn't look he doesn't look like

1:17:29.600 --> 1:17:30.080
<v Speaker 5>a Destiny.

1:17:30.200 --> 1:17:32.639
<v Speaker 2>She doesn't know. That's why I say it's it's not

1:17:32.880 --> 1:17:35.360
<v Speaker 2>you just you just know her as Miley. So it's

1:17:35.439 --> 1:17:36.240
<v Speaker 2>crazy to think.

1:17:36.680 --> 1:17:38.919
<v Speaker 1>Is Miley her middle name or is it just Destiny.

1:17:39.479 --> 1:17:41.599
<v Speaker 5>No, it's like she has another weird middle name too.

1:17:41.680 --> 1:17:43.160
<v Speaker 2>It's a long it's a long name.

1:17:43.320 --> 1:17:45.760
<v Speaker 1>Oh okay, gotcha. Number two, and I hope this is

1:17:45.800 --> 1:17:46.920
<v Speaker 1>right because it's one of my favorites.

1:17:46.960 --> 1:17:47.120
<v Speaker 2>Too.

1:17:47.280 --> 1:17:51.160
<v Speaker 1>Her favorite food is peanut butter. I'm gonna say, I'm

1:17:51.200 --> 1:17:52.280
<v Speaker 1>going to say that's true.

1:17:52.840 --> 1:17:57.759
<v Speaker 5>Yeah, Wow, Jason should be here more often too. It's true.

1:17:57.880 --> 1:18:01.600
<v Speaker 1>Yeah, peanut butter is the best, and everybody knows. It

1:18:01.600 --> 1:18:03.439
<v Speaker 1>doesn't matter what kind of color hair you got, peanut

1:18:03.439 --> 1:18:08.880
<v Speaker 1>Butter's amazing. Number three she collects dental molds.

1:18:10.680 --> 1:18:13.240
<v Speaker 2>I feel like this could actually be true.

1:18:13.560 --> 1:18:15.559
<v Speaker 1>I feel like we talked about something like this on

1:18:15.640 --> 1:18:18.000
<v Speaker 1>Pod Meets World. I think it's true.

1:18:18.120 --> 1:18:19.280
<v Speaker 2>I think it's true too.

1:18:19.200 --> 1:18:22.360
<v Speaker 1>And if it's not, then someone else famous does. I think.

1:18:22.439 --> 1:18:25.120
<v Speaker 2>I feel like she's gone through a lot of stuff

1:18:25.160 --> 1:18:25.680
<v Speaker 2>with her.

1:18:25.960 --> 1:18:28.720
<v Speaker 1>Yeah, I'm gonna say. I'm gonna say true, true.

1:18:29.520 --> 1:18:32.360
<v Speaker 5>It's true.

1:18:33.160 --> 1:18:34.320
<v Speaker 1>Are other people?

1:18:35.080 --> 1:18:38.400
<v Speaker 5>No? No, it just said dental molds. She just collects dental.

1:18:38.520 --> 1:18:40.519
<v Speaker 2>I thought it had been like she keeps all of

1:18:40.560 --> 1:18:43.000
<v Speaker 2>the ones that for the record, we.

1:18:43.040 --> 1:18:45.920
<v Speaker 1>Just want Jason. We just wanted to tell Jensen that

1:18:45.960 --> 1:18:51.000
<v Speaker 1>he didn't get us this time. Number four she has

1:18:51.040 --> 1:18:53.200
<v Speaker 1>a mongoose named Kenny Chesney.

1:18:57.240 --> 1:18:57.599
<v Speaker 5>False.

1:18:57.960 --> 1:18:59.880
<v Speaker 1>I'm gonna say false. I don't think but.

1:19:01.680 --> 1:19:03.920
<v Speaker 2>She might. I'm gonna say true.

1:19:04.160 --> 1:19:05.040
<v Speaker 1>I'm gonna say false.

1:19:06.040 --> 1:19:07.439
<v Speaker 5>She does not have a moment.

1:19:07.600 --> 1:19:12.799
<v Speaker 1>Ah, she has a Kenny Chesney named Mongoose. That's the difference.

1:19:14.720 --> 1:19:18.160
<v Speaker 1>And finally, number five, Miley was once under investigation for

1:19:18.240 --> 1:19:22.000
<v Speaker 1>running a secret celebrity casino in her garage. Oh god,

1:19:22.080 --> 1:19:23.600
<v Speaker 1>I hope this is true.

1:19:23.520 --> 1:19:30.480
<v Speaker 2>Jason, that's just like so absurd.

1:19:30.880 --> 1:19:31.120
<v Speaker 3>True.

1:19:31.200 --> 1:19:32.040
<v Speaker 1>I'm gonna say true.

1:19:32.320 --> 1:19:34.400
<v Speaker 2>Yeah. I mean I feel like she's you know.

1:19:34.479 --> 1:19:38.040
<v Speaker 5>I can't do this, guys, she's the guy.

1:19:38.120 --> 1:19:39.400
<v Speaker 1>Yeah, it's me Shensen.

1:19:39.800 --> 1:19:44.599
<v Speaker 5>Yeah, I can't do it anymore. You're here the whole Yeah,

1:19:44.720 --> 1:19:47.960
<v Speaker 5>not on my favorite podcast here. No, I can't do it.

1:19:48.120 --> 1:19:51.960
<v Speaker 1>Oh my god. We should have known. Was that true

1:19:52.000 --> 1:19:53.080
<v Speaker 1>or false? Then, Jensen?

1:19:53.200 --> 1:19:53.799
<v Speaker 5>That was false?

1:19:55.000 --> 1:19:55.920
<v Speaker 1>I went four for five.

1:19:56.000 --> 1:19:56.360
<v Speaker 5>All right.

1:19:56.600 --> 1:19:58.880
<v Speaker 1>Yeah, Well, thank you so much for joining.

1:19:58.640 --> 1:20:04.840
<v Speaker 5>Us U Gentsen Genten The Life of a Pop Star

1:20:04.880 --> 1:20:06.080
<v Speaker 5>and podcast producers toward.

1:20:06.240 --> 1:20:07.600
<v Speaker 1>I can thank you.

1:20:07.600 --> 1:20:10.320
<v Speaker 2>I can imagine. I can only imagine.

1:20:10.439 --> 1:20:15.320
<v Speaker 1>Can we please do Sabrina sees.

1:20:16.040 --> 1:20:22.120
<v Speaker 2>Sab I mean we talked about it so all of them.

1:20:22.280 --> 1:20:24.600
<v Speaker 2>I just I have so many. We talked about a

1:20:24.600 --> 1:20:27.040
<v Speaker 2>lot of them during it, because, like I told you,

1:20:27.080 --> 1:20:30.640
<v Speaker 2>this was a movie that I actually got to just

1:20:30.920 --> 1:20:34.080
<v Speaker 2>I couldn't help it but just sit back and fully

1:20:34.200 --> 1:20:36.800
<v Speaker 2>just enjoy as I was you know, as it's meant

1:20:36.880 --> 1:20:44.040
<v Speaker 2>to be. Yeah, of course I meant. I mean right away,

1:20:44.080 --> 1:20:47.559
<v Speaker 2>I'm going teen beach. At the very beginning, I literally

1:20:47.760 --> 1:20:51.840
<v Speaker 2>was like, oh my gosh, we'll talk about it with

1:20:52.080 --> 1:20:56.920
<v Speaker 2>our interview. But the wig in the episode was absolutely

1:20:57.000 --> 1:20:59.080
<v Speaker 2>god awful. It was so bad, and I was so

1:20:59.240 --> 1:21:03.640
<v Speaker 2>thankful that when we were gonna watch this longer than

1:21:03.760 --> 1:21:06.360
<v Speaker 2>ninety minute movie, I did not have to see that

1:21:06.400 --> 1:21:08.680
<v Speaker 2>wig for that amount of time, and the wig was

1:21:08.760 --> 1:21:13.400
<v Speaker 2>so much better and looked great on Miley. One thing

1:21:13.400 --> 1:21:15.120
<v Speaker 2>we didn't talk about was, and I thought you were

1:21:15.120 --> 1:21:17.519
<v Speaker 2>gonna make a little funny bart about it, could we

1:21:17.560 --> 1:21:19.200
<v Speaker 2>get some security in that tent.

1:21:19.160 --> 1:21:20.759
<v Speaker 1>After Oh, there's security anywhere?

1:21:21.240 --> 1:21:25.040
<v Speaker 2>Let that guy anywhere in this movie. She's a giant.

1:21:25.080 --> 1:21:26.880
<v Speaker 2>I mean, I would have thought that would have been

1:21:26.960 --> 1:21:31.440
<v Speaker 2>some kind of sidebar character of this person who's undercover

1:21:31.840 --> 1:21:36.120
<v Speaker 2>for her but is like a security guard just because nothing.

1:21:36.000 --> 1:21:38.080
<v Speaker 1>Anybody can approach her, grab her, do whatever.

1:21:38.120 --> 1:21:41.559
<v Speaker 2>It's really could have been kidnapped like that because Billy

1:21:41.640 --> 1:21:44.360
<v Speaker 2>Ray or sorry Bobby Ray was nowhere to be seen

1:21:44.439 --> 1:21:47.040
<v Speaker 2>for most of the movie with her. He had this

1:21:47.520 --> 1:21:51.679
<v Speaker 2>relationship which I had such a problem with the whole movie.

1:21:51.720 --> 1:21:54.160
<v Speaker 2>That's the one thing that I disliked about the movie.

1:21:54.240 --> 1:21:56.120
<v Speaker 2>I didn't think it was needed. Why do we have

1:21:56.200 --> 1:21:58.920
<v Speaker 2>two romantic relationships blooming I.

1:21:58.960 --> 1:22:01.080
<v Speaker 1>Just, oh, always, so you're saying you didn't like you

1:22:01.120 --> 1:22:03.240
<v Speaker 1>didn't like his relationship with Laura Harden.

1:22:03.479 --> 1:22:08.040
<v Speaker 2>Right, this this romantic I didn't feel like it was necessary.

1:22:08.080 --> 1:22:11.960
<v Speaker 2>It didn't really go anywhere. It didn't because if you watch,

1:22:13.000 --> 1:22:15.559
<v Speaker 2>I don't it wasn't in the pilot. But again, like

1:22:15.600 --> 1:22:20.400
<v Speaker 2>I told you, Monroe and I sat and watched five

1:22:20.439 --> 1:22:23.519
<v Speaker 2>episode the first half season of the first she does

1:22:24.520 --> 1:22:27.080
<v Speaker 2>start talking about and he has a love interest within

1:22:27.120 --> 1:22:29.759
<v Speaker 2>the first couple episodes, and she has an issue because

1:22:29.880 --> 1:22:32.240
<v Speaker 2>her mom has passed away. That's when they start explaining

1:22:32.280 --> 1:22:35.280
<v Speaker 2>the relationship of where the mom is, she's passed away,

1:22:35.600 --> 1:22:38.519
<v Speaker 2>and her getting over her dad starting to date. So

1:22:38.560 --> 1:22:41.759
<v Speaker 2>that's already been done and he has already dated, so gotcha.

1:22:42.000 --> 1:22:44.040
<v Speaker 2>There was nowhere for it to really be And I

1:22:44.160 --> 1:22:45.840
<v Speaker 2>just didn't like it. I just didn't see it was

1:22:45.880 --> 1:22:49.799
<v Speaker 2>necessary except for Billy Ray getting to kiss a gorgeous

1:22:49.800 --> 1:22:53.639
<v Speaker 2>woman and you know, do that that was really all

1:22:53.680 --> 1:22:58.559
<v Speaker 2>it was. And then again I said, what the hell?

1:22:59.040 --> 1:23:02.759
<v Speaker 2>Oh my te Swift. Oh my T Swift she's on stage.

1:23:03.560 --> 1:23:04.840
<v Speaker 4>Really what like I?

1:23:04.960 --> 1:23:07.360
<v Speaker 1>And then again she's all of our T Swift, She's

1:23:07.400 --> 1:23:09.840
<v Speaker 1>not just your T Swift Sabrina, but it was long

1:23:10.000 --> 1:23:10.839
<v Speaker 1>to all of us.

1:23:11.080 --> 1:23:15.000
<v Speaker 2>Oh my gosh, she's there, and holy Ca all amazing

1:23:15.040 --> 1:23:18.599
<v Speaker 2>for this movie. And then again, I can't wait again,

1:23:18.680 --> 1:23:20.840
<v Speaker 2>it's right here in my notes. I can't wait for

1:23:20.960 --> 1:23:28.679
<v Speaker 2>my hoe down showdown with Will and and oh my well.

1:23:28.600 --> 1:23:31.640
<v Speaker 1>Those are good. And now, of course we come to

1:23:31.680 --> 1:23:33.800
<v Speaker 1>the time in our program when we have to rate

1:23:34.120 --> 1:23:37.240
<v Speaker 1>our film, as we always do every week, we're rating

1:23:37.280 --> 1:23:39.040
<v Speaker 1>it one out of ten. This time, I think I'm

1:23:39.040 --> 1:23:41.280
<v Speaker 1>gonna make one the worst and ten the best, as

1:23:41.320 --> 1:23:44.000
<v Speaker 1>opposed to all the other times. I'm kidding. That's always

1:23:44.040 --> 1:23:46.839
<v Speaker 1>how we've done it. Here are options for this week, Serena.

1:23:46.840 --> 1:23:50.360
<v Speaker 1>We got one out of ten wigs, one out of ten,

1:23:50.520 --> 1:23:54.800
<v Speaker 1>loosely kept secrets, one out of ten Beyonce Double Pneumonia's

1:23:56.479 --> 1:24:03.599
<v Speaker 1>Robbie Ray hijacking planes, Dadagers, that's a good one. One

1:24:03.640 --> 1:24:07.479
<v Speaker 1>out of ten, missing earrings, one out of ten, lobster times,

1:24:08.320 --> 1:24:11.720
<v Speaker 1>one out of ten, clown pants, or finally, one out

1:24:11.760 --> 1:24:15.519
<v Speaker 1>of ten Brookshields cameos, Uh, I think you picked last time,

1:24:15.520 --> 1:24:17.080
<v Speaker 1>didn't you? I can't remember, or did I?

1:24:17.160 --> 1:24:20.559
<v Speaker 2>You can pick this one because I think you should

1:24:20.560 --> 1:24:21.120
<v Speaker 2>pick this one.

1:24:22.760 --> 1:24:25.640
<v Speaker 1>These are I kind of like, hey, just because I

1:24:25.680 --> 1:24:27.040
<v Speaker 1>had a problem with it. We're gonna go wigs. We're

1:24:27.040 --> 1:24:29.200
<v Speaker 1>gonna keep it simple, all right, I keep it very simple.

1:24:29.240 --> 1:24:30.360
<v Speaker 1>We're gonna go one score.

1:24:30.479 --> 1:24:32.519
<v Speaker 7>Well, can I ask you a question that I think

1:24:32.680 --> 1:24:34.920
<v Speaker 7>might affect your scoring that I just together that you

1:24:35.040 --> 1:24:42.360
<v Speaker 7>probably realized earlier. Okay, if Robbie Ray is Hannah Montana's manager,

1:24:43.360 --> 1:24:46.760
<v Speaker 7>does that mean that people see him managing Hannah Montana

1:24:46.880 --> 1:24:49.160
<v Speaker 7>and still aren't able to put together that his real

1:24:49.240 --> 1:24:49.800
<v Speaker 7>daughter is hand.

1:24:50.080 --> 1:24:52.800
<v Speaker 2>No, so let me let you in on what I

1:24:52.920 --> 1:24:56.920
<v Speaker 2>found out in my five episodes he had. He has

1:24:57.120 --> 1:24:59.680
<v Speaker 2>also an undercover like.

1:25:00.439 --> 1:25:02.160
<v Speaker 1>Look, it's like another wig.

1:25:02.600 --> 1:25:05.479
<v Speaker 2>Yes, it's a mullet her hat.

1:25:06.280 --> 1:25:08.960
<v Speaker 1>He's not the guard he has. He's the guard where

1:25:08.960 --> 1:25:09.960
<v Speaker 1>he pulls off his thing.

1:25:10.200 --> 1:25:14.040
<v Speaker 2>No, backstage, that's what they didn't keep seamless within the movie.

1:25:14.160 --> 1:25:16.800
<v Speaker 2>It's not in the movie, but in the show he

1:25:16.960 --> 1:25:19.920
<v Speaker 2>like looks like some truck her hat with a you know,

1:25:19.960 --> 1:25:22.360
<v Speaker 2>which I thought was funny that he had a mullet

1:25:22.400 --> 1:25:25.719
<v Speaker 2>because that's what he has. He's famous for his mullet,

1:25:25.960 --> 1:25:28.080
<v Speaker 2>so he had that and then a trucker hat. He

1:25:28.120 --> 1:25:32.040
<v Speaker 2>has an outfit. Her best friend when she was she

1:25:32.120 --> 1:25:34.080
<v Speaker 2>has like a purple wig. She has like a full

1:25:34.120 --> 1:25:35.920
<v Speaker 2>blown Descendants.

1:25:35.320 --> 1:25:38.439
<v Speaker 5>Looking got it? Okay, Well now I mean I'm expecting

1:25:38.439 --> 1:25:39.280
<v Speaker 5>a ten. That made sense.

1:25:40.000 --> 1:25:43.440
<v Speaker 2>Yes, you're welcome. I've learned a lot in my five episodes.

1:25:43.479 --> 1:25:44.519
<v Speaker 1>Thank you, and Rod.

1:25:46.479 --> 1:25:49.160
<v Speaker 2>Iron named Anna Montana expert at.

1:25:49.000 --> 1:25:52.120
<v Speaker 3>This point, do you want me to go first?

1:25:51.800 --> 1:25:52.400
<v Speaker 2>Went the way?

1:25:54.120 --> 1:25:57.479
<v Speaker 1>All right, here's the thing.

1:25:58.439 --> 1:25:59.880
<v Speaker 4>The way.

1:26:01.160 --> 1:26:06.639
<v Speaker 1>If if we're talking premise, it's a two, it's two

1:26:06.640 --> 1:26:09.200
<v Speaker 1>wigs for me because I don't buy it. I don't

1:26:09.200 --> 1:26:12.320
<v Speaker 1>buy that you put on a wig and nobody, nobody's nobody.

1:26:12.439 --> 1:26:14.320
<v Speaker 1>I just I couldn't get over it. I know that's

1:26:14.400 --> 1:26:16.120
<v Speaker 1>me and it's just me, and I just have to

1:26:16.200 --> 1:26:19.400
<v Speaker 1>let it go. I get that it's a two. That

1:26:19.560 --> 1:26:24.280
<v Speaker 1>being said, as an actual movie for Disney, it was pretty.

1:26:25.080 --> 1:26:28.920
<v Speaker 1>It was that. The cast was good, some of the

1:26:29.040 --> 1:26:30.559
<v Speaker 1>music was great as long as you have to go

1:26:30.560 --> 1:26:33.479
<v Speaker 1>to a hoe down showdown like every everything else was good.

1:26:34.160 --> 1:26:37.479
<v Speaker 1>So as just a movie, had it not been a

1:26:37.520 --> 1:26:39.760
<v Speaker 1>premise of just the Wig, I could have seen it

1:26:39.840 --> 1:26:42.559
<v Speaker 1>being like a seven or an eight, really really could have.

1:26:43.080 --> 1:26:45.280
<v Speaker 1>But with the wig thing, it threw me. So I'm

1:26:45.320 --> 1:26:47.320
<v Speaker 1>gonna and I think I'm being generous with this, with

1:26:47.360 --> 1:26:50.799
<v Speaker 1>my with my wig assessment. I'm giving this five point

1:26:50.920 --> 1:26:54.400
<v Speaker 1>five wigs because I couldn't get into the premise. I

1:26:54.400 --> 1:26:56.640
<v Speaker 1>couldn't get into the premise. I just and that's on me.

1:26:57.200 --> 1:27:00.320
<v Speaker 1>I get it, but I just it's so absurd that

1:27:00.360 --> 1:27:02.679
<v Speaker 1>you're sitting there with like the guy you're in love

1:27:02.720 --> 1:27:04.920
<v Speaker 1>with and the guys staring at your face all day,

1:27:05.280 --> 1:27:07.719
<v Speaker 1>but now you're blonde and he doesn't under he doesn't

1:27:07.720 --> 1:27:10.600
<v Speaker 1>see you. So I again, same problem with Superman and

1:27:10.640 --> 1:27:13.040
<v Speaker 1>Clark Kent. This is not just for this movie. I

1:27:13.080 --> 1:27:16.320
<v Speaker 1>didn't get that either. So I'm gonna go with five

1:27:16.360 --> 1:27:19.879
<v Speaker 1>and a half based purely on me not buying the premise.

1:27:19.920 --> 1:27:20.240
<v Speaker 5>That's it.

1:27:20.880 --> 1:27:23.599
<v Speaker 2>Yeah, Okay, great, I mean I think that's fair. I

1:27:23.960 --> 1:27:28.519
<v Speaker 2>as as our listeners know, you need rules. This went

1:27:28.560 --> 1:27:30.719
<v Speaker 2>against everything there. This did not give.

1:27:30.560 --> 1:27:34.439
<v Speaker 4>You the needs for Will's HI rating.

1:27:34.520 --> 1:27:36.720
<v Speaker 2>It just wasn't gonna happen. I called it as I

1:27:36.760 --> 1:27:39.519
<v Speaker 2>was watching it. I knew, oh we were just oh

1:27:39.560 --> 1:27:43.920
<v Speaker 2>another point, well, another half point another half point.

1:27:45.120 --> 1:27:45.840
<v Speaker 1>So I get it.

1:27:45.920 --> 1:27:48.880
<v Speaker 2>I think that, you know, as we all get to

1:27:49.000 --> 1:27:53.120
<v Speaker 2>love and hate these movies, sure different to us, right, yes, yes,

1:27:53.160 --> 1:27:56.320
<v Speaker 2>for me, like I told you, I was all in,

1:27:56.560 --> 1:27:59.640
<v Speaker 2>and I think it partially was because I experienced it

1:27:59.680 --> 1:28:04.320
<v Speaker 2>with me, my own daughter. But bumps in the road

1:28:04.400 --> 1:28:08.040
<v Speaker 2>for me, when the hometown didn't know who she was,

1:28:08.160 --> 1:28:10.400
<v Speaker 2>that was kind of just jarring.

1:28:10.920 --> 1:28:11.160
<v Speaker 1>Again.

1:28:11.200 --> 1:28:13.200
<v Speaker 2>I didn't love the love interest. I felt like that

1:28:13.360 --> 1:28:16.120
<v Speaker 2>was just I don't know, I guess a need to

1:28:16.160 --> 1:28:19.240
<v Speaker 2>give Billy raymore screen time. I'm not really sure what

1:28:19.320 --> 1:28:23.320
<v Speaker 2>it was for. And then there wasn't really a big

1:28:23.439 --> 1:28:26.519
<v Speaker 2>like hump in the road in the story besides her

1:28:27.000 --> 1:28:27.920
<v Speaker 2>getting called.

1:28:27.680 --> 1:28:30.080
<v Speaker 1>Out for being that's the whole premise is.

1:28:30.280 --> 1:28:32.960
<v Speaker 2>That was the premise. Instead, there wasn't as much of like,

1:28:33.280 --> 1:28:35.759
<v Speaker 2>you know, like we had this thing of the town

1:28:35.840 --> 1:28:37.519
<v Speaker 2>that was gonna be taken over and then it was

1:28:37.560 --> 1:28:41.840
<v Speaker 2>like boop, we got a concert. We're good, Yeah, boop done.

1:28:42.160 --> 1:28:46.719
<v Speaker 2>But I still loved it, I really did it. Still,

1:28:46.760 --> 1:28:49.840
<v Speaker 2>it brought the notches down a tiny bit. I gave

1:28:49.920 --> 1:28:51.280
<v Speaker 2>it an eight point five.

1:28:51.560 --> 1:28:54.599
<v Speaker 1>Wow, that's a very high scoring wig.

1:28:55.120 --> 1:28:57.519
<v Speaker 2>It would if there was a few things that it

1:28:57.640 --> 1:29:00.360
<v Speaker 2>probably would have been between that nine and ten. For me,

1:29:00.600 --> 1:29:03.960
<v Speaker 2>I felt like, again, and I know you disagree, but

1:29:04.760 --> 1:29:09.080
<v Speaker 2>Disney was brilliant. If this is a yes the mind

1:29:10.000 --> 1:29:15.200
<v Speaker 2>idea that they executed for their audience. And I was

1:29:15.280 --> 1:29:21.120
<v Speaker 2>around when this fandom was insane. It was insanity being

1:29:21.439 --> 1:29:24.120
<v Speaker 2>at one of her concerts. I got to be at

1:29:24.200 --> 1:29:28.439
<v Speaker 2>the we we did together collectively, we did the Houston

1:29:28.520 --> 1:29:29.880
<v Speaker 2>Rodeo and it.

1:29:29.920 --> 1:29:31.160
<v Speaker 1>Was that was the big one that you loved.

1:29:31.240 --> 1:29:34.360
<v Speaker 2>Yeah, yes, and it was amazing, It was awesome. And

1:29:34.439 --> 1:29:37.040
<v Speaker 2>so I just feel like this movie was what the

1:29:37.120 --> 1:29:40.200
<v Speaker 2>fans needed, what they wanted, and Disney gave it to

1:29:40.280 --> 1:29:41.880
<v Speaker 2>him and kicked it out of the park.

1:29:42.080 --> 1:29:45.280
<v Speaker 1>I will say this, I will bet you many more

1:29:45.320 --> 1:29:48.599
<v Speaker 1>people agree with you and your score than agree with me. Yes,

1:29:48.640 --> 1:29:50.160
<v Speaker 1>And I totally understand that.

1:29:50.280 --> 1:29:54.160
<v Speaker 2>I get that might be looking to replace you at

1:29:54.200 --> 1:29:54.639
<v Speaker 2>this point.

1:29:56.200 --> 1:29:57.360
<v Speaker 1>They should to Jack.

1:29:58.320 --> 1:30:01.920
<v Speaker 4>They need Jack, they need I loved this movie.

1:30:02.200 --> 1:30:03.880
<v Speaker 1>It was the best movie ever know.

1:30:04.120 --> 1:30:07.280
<v Speaker 2>But honestly, truly, when you break it down like that,

1:30:07.520 --> 1:30:09.720
<v Speaker 2>I feel like that you have to be able to

1:30:09.760 --> 1:30:12.280
<v Speaker 2>at least respect that idea. And for the people that

1:30:12.400 --> 1:30:14.400
<v Speaker 2>said that doesn't matter, that's okay too.

1:30:14.439 --> 1:30:17.519
<v Speaker 1>Yeah. No, I get No, I definitely believe way more

1:30:17.520 --> 1:30:22.640
<v Speaker 1>people are going to agree with you about this. I absolutely,

1:30:23.160 --> 1:30:25.840
<v Speaker 1>but I think that again, I'm just not into the

1:30:25.840 --> 1:30:27.719
<v Speaker 1>whole Clark Kent thing. I don't get it. It's okay,

1:30:27.840 --> 1:30:29.120
<v Speaker 1>I don't get it. I didn't know that.

1:30:29.160 --> 1:30:32.280
<v Speaker 2>I honestly, if someone had asked me, do you think

1:30:32.320 --> 1:30:35.439
<v Speaker 2>that will like Superman? I'd be like, absolutely. He loves all.

1:30:35.360 --> 1:30:39.240
<v Speaker 1>Things like that. Batman even changes his voice because he

1:30:39.320 --> 1:30:41.640
<v Speaker 1>knows you don't want to be recognized. That's part of

1:30:41.680 --> 1:30:44.920
<v Speaker 1>the point. So yeah, no, I get it. But hey,

1:30:45.120 --> 1:30:46.880
<v Speaker 1>this is why we're here, and I've also been it's

1:30:46.920 --> 1:30:49.800
<v Speaker 1>been pointed out, this is our biggest difference between scores ever,

1:30:49.880 --> 1:30:52.519
<v Speaker 1>between you and I. This is the biggest one so far.

1:30:52.640 --> 1:30:55.320
<v Speaker 1>So I don't like you anymore. Is what's going on.

1:30:55.600 --> 1:30:56.880
<v Speaker 1>That's just the way it is.

1:30:57.880 --> 1:30:59.559
<v Speaker 2>Also, I want to say things I don't like all

1:30:59.600 --> 1:30:59.920
<v Speaker 2>the time.

1:31:00.720 --> 1:31:02.920
<v Speaker 1>That's good. And Also, if you get a knock at

1:31:02.920 --> 1:31:05.519
<v Speaker 1>the door later today, I had a full size Travis

1:31:05.520 --> 1:31:09.599
<v Speaker 1>Brody Standy sent to you for your Cowboy Guy. So

1:31:10.280 --> 1:31:14.000
<v Speaker 1>you're gonna love it. You're gonna love it. Thank you

1:31:14.120 --> 1:31:17.800
<v Speaker 1>all so much for joining us. I really really appreciate it,

1:31:17.800 --> 1:31:20.720
<v Speaker 1>and as the Sabrina, I know she's right and I'm not.

1:31:20.880 --> 1:31:23.120
<v Speaker 1>I'm still just the old man who cannot get over

1:31:23.160 --> 1:31:25.439
<v Speaker 1>the fact that all she did was change colorver hair,

1:31:25.479 --> 1:31:27.400
<v Speaker 1>and I know that's on me and it always will be.

1:31:27.760 --> 1:31:30.080
<v Speaker 1>So send all your hate mails right to Sabrina because

1:31:30.080 --> 1:31:32.839
<v Speaker 1>I don't need to read them. But thank you everybody.

1:31:32.920 --> 1:31:34.800
<v Speaker 1>Our next movie is considered by some to be the

1:31:34.840 --> 1:31:38.640
<v Speaker 1>first dcom ever, but that record has a real asterisk

1:31:38.640 --> 1:31:42.719
<v Speaker 1>next to it. It's nineteen ninety seven's Northern Lights, starring

1:31:42.720 --> 1:31:45.280
<v Speaker 1>the legendary Diane Keaton. And we're all gonna have to

1:31:45.320 --> 1:31:48.439
<v Speaker 1>learn about that asterisk next week and it's an important one.

1:31:48.840 --> 1:31:50.400
<v Speaker 1>And we already let this count of the bag. But

1:31:50.520 --> 1:31:53.160
<v Speaker 1>this week's park Opper episode, we chatted with the creator

1:31:53.200 --> 1:31:56.840
<v Speaker 1>of Hannah Montana and that's so raven a Disney power player.

1:31:56.880 --> 1:32:00.679
<v Speaker 1>It is Michael Poyer's. He was on the front lines

1:32:00.720 --> 1:32:03.599
<v Speaker 1>for all this mania that Sabrina has been talking about

1:32:03.840 --> 1:32:06.320
<v Speaker 1>that surrounded the show. He has a ton to tell us.

1:32:06.360 --> 1:32:08.920
<v Speaker 1>Here's a little preview of this amazing interview.

1:32:09.800 --> 1:32:12.720
<v Speaker 6>We don't want Achy Breaky Heart to be the dad, right,

1:32:13.120 --> 1:32:16.479
<v Speaker 6>We're gonna be able to act you know, and we

1:32:16.520 --> 1:32:19.640
<v Speaker 6>said sure, shared delighted, and he came in and, to

1:32:19.760 --> 1:32:21.720
<v Speaker 6>our surprise, absolutely nailed it.

1:32:22.280 --> 1:32:22.599
<v Speaker 2>Wow.

1:32:22.960 --> 1:32:26.240
<v Speaker 6>But even more than that, he got Mildy from here to.

1:32:26.240 --> 1:32:29.480
<v Speaker 5>Here, oh right, because you can't buy that chemistry.

1:32:29.600 --> 1:32:33.519
<v Speaker 1>No, you can't. Don't miss that one. You're gonna love it.

1:32:33.560 --> 1:32:36.719
<v Speaker 1>And remember to subscribe to our feed, Magical Rewind wherever

1:32:36.720 --> 1:32:38.640
<v Speaker 1>you get your podcasts, And if you could do me

1:32:38.640 --> 1:32:40.840
<v Speaker 1>a favor, if you could subscribe as yourself and then

1:32:40.880 --> 1:32:43.080
<v Speaker 1>put on a wig and subscribe as somebody else too,

1:32:43.840 --> 1:32:46.080
<v Speaker 1>we won't recognize that it's two different people and we'll

1:32:46.080 --> 1:32:49.640
<v Speaker 1>get twice the view. I'm so excited. Never miss an

1:32:49.680 --> 1:32:52.040
<v Speaker 1>episode over there, and you can follow us, of course

1:32:52.360 --> 1:32:56.120
<v Speaker 1>at Magical Rewind Pod on the Instagram machine. Buy from

1:32:56.120 --> 1:33:05.160
<v Speaker 1>the three of us Sabrina, myself and Jack Bye.