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Speaker 1: So Sabrina, we always start our shows with this little

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Speaker 1: chit chat at the beginning and just kind of asking

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Speaker 1: random questions. But with this movie and with this franchise,

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Speaker 1: I think we just have to jump right in. I

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Speaker 1: think we've got to jump in two feet. There's no

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Speaker 1: pre show. There's no need, there's no there's no need,

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Speaker 1: there's no need. So I'm gonna start by saying, welcome

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Speaker 1: back to Magical Rewind, the show that makes you want

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Speaker 1: to grab your friends, your PJS, and your popcorn. Go

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Speaker 1: back to time when all the houses are smart, the

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Speaker 1: way tsunamis in the high school musicals. That out of

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Speaker 1: the way. Okay, we got a special one this week.

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Speaker 1: I'm just gonna jump into it, and then and then

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Speaker 1: we'll and then we'll get into the bigger picture, because

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Speaker 1: we got a special one this week. We are tackling

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Speaker 1: a franchise that helped define modern day Disney Channel. That

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Speaker 1: is not high herbally, that is not overreach, that is

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Speaker 1: absolutely the truth, and some could argue it affected pop

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Speaker 1: culture as a whole. And we are talking two thousand

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Speaker 1: and nine's Hannah Montana, the movie, a family musical extension

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Speaker 1: of the hit TV show We're just gonna start with

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Speaker 1: a very brief history of how we got to the movie. So,

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Speaker 1: Hannah Montana the TV show ran for four seasons on

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Speaker 1: the Channel two thousand and six to twenty eleven, and

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Speaker 1: it's centered around Miley Stewart, played by a young Miley Cyrus,

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Speaker 1: known at the time as a one hit wonder country star.

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Speaker 1: Billy Ray Cyrus's daughter, and he also played her dad

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Speaker 1: on the show. Her mom passed away in Hannah Montana,

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Speaker 1: but of course, in real life, her mom is alive

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Speaker 1: and well and even has a podcast now. Miley Stewart

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Speaker 1: is a fourteen year old girl living at double life

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Speaker 1: as a typical middle schooler. Then she graduates to high

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Speaker 1: school starting in season two. The whole premise is she

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Speaker 1: is anonymously experiencing a suburban existence, but also moonlighting as

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Speaker 1: Hannah Montana, an internationally famous pop singer. The difference between

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Speaker 1: the two wig a wig. That's it. That's the difference.

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Speaker 1: Same face, longer blonde hair, Sabrina. How are we supposed to?

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Speaker 1: I mean, are you? Are you okay with this? Is

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Speaker 1: my question?

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Speaker 2: Look, I got to be at the the the big

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Speaker 2: you know, the big conference where they go and they

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Speaker 2: do all of the new shows that are coming. I

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Speaker 2: was there when they the upfronts, thank you. I was

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Speaker 2: there when they exposed Hannah Montana like that what we

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Speaker 2: were doing the Cheetah Girls right at that time. And yeah,

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Speaker 2: of course you're going, I mean, it's a wig, right,

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Speaker 2: it's a it's a wig. But when you watch the show,

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Speaker 2: for some reason, at least for me, it works.

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Speaker 1: Okay, it works.

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Speaker 2: In the the age range of the demo that's going

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Speaker 2: for it works will and it doesn't.

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Speaker 1: It doesn't at all. No, No, I don't. No, I don't,

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Speaker 1: nor will I. No, I don't. It's the same reason

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Speaker 1: I don't like Superman is because you have to be

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Speaker 1: an idiot to live in the world of Superman. You're

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Speaker 1: a reporter. He's your best friend, but you put on

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Speaker 1: a pair of glasses and you don't recognize him. You

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Speaker 1: have to, you're literally a reporter. It's the same thing

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Speaker 1: with her best friend. You're telling me that that that

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Speaker 1: Taylor Swift is your best friend, and she's sitting here

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Speaker 1: across from you, but she has red hair. You don't

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Speaker 1: know it's Taylor Swift. Miley Cyrus, the person with the

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Speaker 1: most like her nose and her mouth are so distinct.

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Speaker 3: Her voice is so distinct, so true, but even her

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Speaker 3: best friend doesn't recognize her because because she goes from

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Speaker 3: brown to blonde, and that's the whole change. Oh, it

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Speaker 3: hurt my feelings and it made me feel bad for

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Speaker 3: the up and coming generations.

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Speaker 1: It did so okay. I mean, I know, I know

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Speaker 1: for a fact that I'm supposed to watch these things

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Speaker 1: as a kid. I get that I'm supposed to put

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Speaker 1: myself in the mindset of the children. I totally children.

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Speaker 1: I totally get that. I got a wonderful chuckle out

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Speaker 1: of looking at my wife yesterday and saying, well, I'm

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Speaker 1: a forty eight year old man, it's noon on a Thursday.

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Speaker 1: I've got to go watch Hannah Montana. I get that

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Speaker 1: it's ridiculous and it's crazy. I totally understand that I do.

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Speaker 1: But come on, that's the whole thing.

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Speaker 2: I know. I get it as far as the disguise

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Speaker 2: and you, especially in the worlds that you love to

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Speaker 2: live in, with the magic and the rules, and I

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Speaker 2: get it. It's it definitely breaks all of that. However,

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Speaker 2: I think the main point of it is this idea

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Speaker 2: of being a to have this second life that no

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Speaker 2: one really knows about I get kids buy into. I

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Speaker 2: don't think kids looked and went I don't think they

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Speaker 2: didn't ask themselves, how does their best friends not know?

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Speaker 2: How did? I don't think that that was not actual

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Speaker 2: reality for viewers. I think what was more of a

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Speaker 2: thing for them was this magical idea of having this

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Speaker 2: second life that no one else knew. And not only

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Speaker 2: is it a second life no one else knew, but

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Speaker 2: you're a pop star like you are famous, all the claws,

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Speaker 2: all the things. You're dancing and singing on its stage like.

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Speaker 1: You couldn't you couldn't do a Lady Gaga thing. You

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Speaker 1: couldn't do it? Was it? See it? Whatever? You can't

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Speaker 1: do the thing where it's like half their face is covered.

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Speaker 1: You can't wear a mask that I can't wear. Just

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Speaker 1: can't do something that might have been.

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Speaker 2: And it's weird that Disney didn't think of that before

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Speaker 2: these artists, right, because usually Disney's ahead of the head

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Speaker 2: of the head of the world. But I just, I mean, honestly,

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Speaker 2: and listen, I think they banked on kids not carring

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Speaker 2: and guess what they won because kids didn't care.

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Speaker 1: I know that. Well, again, you have to be a kid.

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Speaker 1: This is where I as I could not get into

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Speaker 1: the mindset of a kid in this one. I could not.

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Speaker 1: I did not buy the basic premise, and so since

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Speaker 1: I did not buy the basic premise, everything afterwards, I like,

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Speaker 1: I will buy the premise of the whole family is wizards.

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Speaker 1: I'll buy that all day long. Right if you set

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Speaker 1: it up that that you're hiding the fact that they're wizards,

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Speaker 1: and oh my god, but if the whole thing is

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Speaker 1: you've got to hide in plain sight, so your hair

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Speaker 1: slightly changes color and now Noah, like, can you tell

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Speaker 1: this is me? Can you? I'm not, but I don't

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Speaker 1: have my headphones on. How do you know it's me?

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Speaker 1: I'm jack.

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Speaker 2: Oh my god, this is gonna be hurt anywhere it.

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Speaker 1: Hurts me, Sabrina. Now that being said, some of the

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Speaker 1: music was okay, okay, that's what I would say. It

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Speaker 1: just not I. Again, I didn't buy the premise. I

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Speaker 1: could not get into the mindset, and so because of that,

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Speaker 1: that's my fault. I get it. I get that it's on.

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Speaker 2: So we were told or it was, you know, a

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Speaker 2: good suggestion for us to watch the first episode of

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Speaker 2: the first.

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Speaker 1: Season, which I did like Disney. All the acting was good. Yeah,

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Speaker 1: you know, you get the synergy with them. It was

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Speaker 1: a very grand movie. It was very pretty. I had

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Speaker 1: no problem that the guest cast that they brought in phenomenal.

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Speaker 1: They had great people. Holy hell, I don't I don't

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Speaker 1: buy it.

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Speaker 2: All the guest cast they have.

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Speaker 1: I need to know great.

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Speaker 2: I mean, oh my god, I want to go into

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Speaker 2: the black hole of the internet to figure out what

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Speaker 2: were all they got sidebar reasons that these celebrities joined

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Speaker 2: this movie because this guest cast was unreal.

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Speaker 1: Oh, it was great.

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Speaker 2: It was and they kept popping up the entire movie

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Speaker 2: and you're going, oh, oh my god. And then what,

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Speaker 2: oh my god, oh my god.

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Speaker 1: Now did you recognize did you know that that was

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Speaker 1: Tyra Banks? Because she was wearing a different shirt than

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Speaker 1: on her regular show, So were you able to tell

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Speaker 1: that was her? Because that could throw you?

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Speaker 2: Oh my god.

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Speaker 4: Okay, I'm good.

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Speaker 2: If you can tell you this podcast with.

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Speaker 1: This man, that's all right. You can do it with Jack.

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Speaker 1: Now we can get through it.

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Speaker 2: Come on, Sabrina, all right, let's do it.

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Speaker 1: Here we go. All right. The show itself deals with

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Speaker 1: all the normal personal issues a teenager would face, but

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Speaker 1: throw in the fear that a secret pop star identity

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Speaker 1: could be exposed at any moment, and you never know

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Speaker 1: what's gonna happen again. All this because she is wearing

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Speaker 1: a wig now with the help of her family and

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Speaker 1: best friends Lillian Oliver, who all know the secret after

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Speaker 1: she had to tell them, not like they went, hey,

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Speaker 1: that's you, You're just in a wig. She manages to

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Speaker 1: balance the duality of a personalities while dealing with the

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Speaker 1: theme of staying true to oneself.

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Speaker 5: Now.

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Speaker 1: After the success of Say the Cheetah Girls and High

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Speaker 1: School Musical, Disney wanted to keep the streak alive for

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Speaker 1: pop music TV, and so this was a course of

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Speaker 1: logical next step. And remember we even get a small

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Speaker 1: pre superstart of Miley. Cyrus cameo at the end of

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Speaker 1: High School Musical two We went back, She was dancing

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Speaker 1: at the thing. Totally bought High school music. A whole

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Speaker 1: bunch of people getting together for the summer and dancing

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Speaker 1: and singing to songs that they had not any possible

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Speaker 1: way they could all know and choreograph bought that more

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Speaker 1: than this. The show debuted in March of two thousand

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Speaker 1: and six and was a very quick hit in its time,

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Speaker 1: with five point four million viewers, it was the most

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Speaker 1: watched premiere episode in Disney history. Amazing, and this made Miley,

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Speaker 1: of course an instant face for the brand. One episode

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Speaker 1: Me and mister Jonas and mister Jonas and mister Jonas

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Speaker 1: great title which I'll let you guess. The pop act

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Speaker 1: that made a cameo had a whopping ten point seven

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Speaker 1: million viewers. That is not just good for Disney Channel,

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Speaker 1: that's good for anything, really impressive. So naturally, in two

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Speaker 1: thousand and eight, the show spawned a concert film, Hannah

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Speaker 1: Montana and Miley Cyrus Best of Both Worlds, where Miley

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Speaker 1: performed as both herself and Hannah Montana. Wait, so Miley

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Speaker 1: and Hannah are the same person. I couldn't tell because

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Speaker 1: of the hair color. A duo that had at this

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Speaker 1: point locked itself to the front of popular culture. So

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Speaker 1: of course this was a big thing, and so the

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Speaker 1: following year, in two thousand and eight, they released this movie,

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Speaker 1: and then the show concluded in twenty eleven. So this

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Speaker 1: film is of course at the height of Hannah Mania,

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Speaker 1: or what I like to call Hannah Montana. Thank you

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Speaker 1: very much. Tons of merchandise was released like jewelry, toys,

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Speaker 1: soundtracks and yes the wig. Oh these parents must have

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Speaker 1: woke it up and been like, where's my child and

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Speaker 1: what is this blonde person doing in her bed? They

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Speaker 1: were all sold its stores nationwide and she even sold

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Speaker 1: out many a tour MSNBC. This is amazing. Estimated the

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Speaker 1: Hannah Montana franchise was worth one billion dollars by the

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Speaker 1: end of two thousand and eight. That's billion with a beefolks.

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Speaker 2: Wow.

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Speaker 1: The show was created by Michael Pores, who had already

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Speaker 1: found success for Disney Channel with the show That's So Raven,

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Speaker 1: which he also created. Talk about a one two punch

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Speaker 1: for the Disney Channel. And here is some very good news.

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Speaker 1: We're gonna be able to talk to him about how

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Speaker 1: he did all of this stuff because he will be

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Speaker 1: joining us. Yes, Michael will be joining us for our

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Speaker 1: Park Copper episode this week, so please make sure to

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Speaker 1: listen to that because he is a true Disney icon.

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Speaker 6: God.

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Speaker 1: Now I can't wait. Oh, I can't seriously, and I

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Speaker 1: can tell you we are we are recording this before

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Speaker 1: we record talking to him. I have a number of questions,

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Speaker 1: most of them about the wig. I'm kidding you. I

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Speaker 1: can't wait that way.

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Speaker 2: For more than two seconds. Will I'm gonna drive over.

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Speaker 1: Just make sure you don't change your hair color so

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Speaker 1: I know who you are when you knock on my door. Okay,

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Speaker 1: so let's get into the movie, and I'm trying. I'm

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Speaker 1: just gonna put myself right into the movie and for

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Speaker 1: get that none of this makes sense. So one big

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Speaker 1: difference when compared to other dcoms, and it's more obvious

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Speaker 1: than just the wig. It debuted on April tenth, two

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Speaker 1: thousand and nine, in theaters. Yes, that's right. It eventually

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Speaker 1: ended up on the Channel in November of that year,

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Speaker 1: but it started out at your local multiplex. Remember that, everybody,

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Speaker 1: when we go to movie theaters. Not technically a dcom,

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Speaker 1: I guess if you take that into consideration. But it's

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Speaker 1: a spinoff of a Disney Channel TV show and was

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Speaker 1: funded by Disney Pictures, so we're gonna let it slide.

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Speaker 2: Oh.

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Speaker 1: Speaking of Disney Pictures, the budget for the Hannah Montana

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Speaker 1: movie was wait for it, thirty million dollars and a

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Speaker 1: big reason why they had much higher hopes and theater

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Speaker 1: dreams for this film. At the end. Ready for This,

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Speaker 1: it grossed one hundred and fifty five million dollars worldwide. Wow,

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Speaker 1: that's a lot of money, and that does not include

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Speaker 1: the sixty one million it made to date from the

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Speaker 1: DVD and Blu Ray sales. This was just a juggernaut.

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Speaker 1: There were also, and this was one of my favorite

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Speaker 1: favorite things ever, there were seven video games based on

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Speaker 1: Hannah Montana, one even for this movie. It involved mini

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Speaker 1: games like horse riding and bottle toss, and the Xbox

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Speaker 1: version got a dismal twenty five out of one hundred

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Speaker 1: score on Metacritic. Maybe they realized the wig wasn't enough.

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Speaker 1: Filming of the movie took place between Los Angeles and Nashville, Tennessee,

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Speaker 1: where the Cyrus family lived, and took three months to film.

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Speaker 1: Long time to do this movie. If you know anything

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Speaker 1: about the Disney Channel at the time of this movie's release,

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Speaker 1: you know they really really cared about soundtracks and this

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Speaker 1: one did not let them down. The Hannah Montana Movie

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Speaker 1: Soundtrack was a number one album in the US and

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Speaker 1: went certified platinum. Wow. The songs all play a big

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Speaker 1: part of the movie, with tons of tracks by both

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Speaker 1: Miley and Hannah Montana, which again putting all the ridiculousness aside,

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Speaker 1: it's seriously a brilliant move by Disney and the Channel

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Speaker 1: because essentially you get two pop stars for the price

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Speaker 1: of a nine dollars wig very impressive, and.

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Speaker 2: It's an easy show to do. It's an easy show

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Speaker 2: to do quickly. I mean it honestly is brilliant. I

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Speaker 2: have just that like I mean, because it was there

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Speaker 2: right in front of me watching them. You're just going, Holy.

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Speaker 1: Cow, it's brilliant. It's a huge swing and a miss

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Speaker 1: if no one buys it. But when everybody does, oh

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Speaker 1: my god, you're a genius. And everyone did. Everyone did

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Speaker 1: one hundred percent. So yes, the songs all play a

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Speaker 1: very big part in the movie, with tons of tracks,

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Speaker 1: like I said, by both Miley and Hannah weaving in

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Speaker 1: and out of their identities, but it also includes songs

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Speaker 1: by her dad Rascal Flats. Okay, I want to make

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Speaker 1: sure there's a comment in between there. I don't want

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Speaker 1: people to think Miley Cyrus's dad is Rascal Flats, because

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Speaker 1: that's a bunch of different people. By her dad, Comma

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Speaker 1: and then Rascal Flats and two songs from Taylor Swift,

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Speaker 1: who also appeared in the movie. Did you remember that

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Speaker 1: she was in the movie. Yes, oh you did.

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Speaker 2: No, I mean when I watched it this time. Yes,

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Speaker 2: I had not really seen the movie, I know. Okay,

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Speaker 2: this was my first time actually seeing this movie.

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Speaker 1: Okay, yeah, can I tell.

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Speaker 2: You every when Rascal Flats came on, I went, oh my,

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Speaker 2: because Rascal Flats at that time was giant. They were

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Speaker 2: like a huge group bringing country music really into the mainstream.

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Speaker 1: They were on the soundtrack for Cars too, for like

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Speaker 1: this highway Life is a.

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Speaker 2: Highway was a giant move, a giant song, the song

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Speaker 2: Broken Road. I mean, it just was like and then

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Speaker 2: te Swift comes on stage and you're I'm like going,

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Speaker 2: holy cow. I mean I was good with Vanessa Williams

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Speaker 2: was with her, and Tyra Bank's coming on. That was good,

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Speaker 2: and then I just kept coming. Well.

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Speaker 1: It showed how popular the show was where I'm sure

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Speaker 1: your kids loved it or and this was just a juggernaut.

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Speaker 1: It was me again, Superman most popular superhero of all time.

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Speaker 1: That's so, I mean, it is I'm saying it is

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Speaker 1: what it is. If you buy the premise, it's great.

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Speaker 1: If you don't, then you just kind of sit there

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Speaker 1: and going, I don't get it, and again, I'm watching

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Speaker 1: as a forty eight year old man, so tough for

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Speaker 1: me to get the premise, but I got where everybody

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Speaker 1: was coming from. Anyway. The best known song from the

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Speaker 1: movie is most likely The Climb, which was my Lea's

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Speaker 1: lead single from the album, which also charted. Did you

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Speaker 1: own the soundtrack? Was this something that you listened to

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Speaker 1: quite a bit?

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Speaker 2: No, I was in my mid twenties, right, Yeah, that's

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Speaker 2: what I figured. She when she was first coming out,

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Speaker 2: she actually toured with us. She was an opening act,

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Speaker 2: so I knew all her songs because when I was

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Speaker 2: getting ready, I was hearing them every night for a while.

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Speaker 2: So and I loved her songs. But when you know,

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Speaker 2: this movie came out was a little bit after, and

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Speaker 2: I didn't own the soundtrack.

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Speaker 1: But I mean, was she nice to tour with?

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Speaker 4: She was?

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Speaker 2: She was so cute. She was awesome, and her family

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Speaker 2: was all there, you know, it was it was really,

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Speaker 2: it was awesome. It was like a family a family gig,

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Speaker 2: you know, And it was really.

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Speaker 1: That's not really her brother, is it. That's not?

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Speaker 3: No?

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Speaker 2: No, no, no no no, I should look at the

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Speaker 2: credits more closely.

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Speaker 1: I was just I was so focused. She did.

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Speaker 2: It caught me after because she did. She did have

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Speaker 2: a little brother and he was on he was in

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Speaker 2: on tour with us.

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Speaker 1: Oh yeah, that's cool though. Yeah, okay, So yes, the

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Speaker 1: Hannah Montana Show and this movie were two of Disney

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Speaker 1: Channel's most popular launch titles, so you best believe that

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Speaker 1: they are still there. So you can go check out

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Speaker 1: the movie now before you dive into the podcast, or

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Speaker 1: you can watch it later, but make sure you wear

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Speaker 1: a wig while you're doing it or everyone will find

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Speaker 1: out your secret. All right, let's get into it. We've

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Speaker 1: talked about it, your history of Hannah Montana. You hadn't

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Speaker 1: seen the movie. Did you watch the show? No?

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Speaker 2: Okay, I mean honestly, I just I felt like I did.

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Speaker 2: I honestly could have if you convinced me, probably easily.

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Speaker 2: I could have been convinced, but because it was around

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Speaker 2: me so much, but it was just not at that time,

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Speaker 2: Like I wasn't watching the channel a lot, right, you know?

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Speaker 5: Right?

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Speaker 1: Yeah, no, that makes sense.

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Speaker 2: But I knew the premise, I knew all the actors.

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Speaker 2: That the person that caught me off guard the most,

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Speaker 2: and I remember him saying this when we interviewed him

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Speaker 2: Corbyn Blues showing up right on that first episode.

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Speaker 1: I was like, hey, friend of the podcast, corn it Is.

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Speaker 2: And he talked about it in our interview, but I

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Speaker 2: totally didn't realize it was honest, he was great.

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Speaker 1: It did look like he was twenty when they were eleven,

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Speaker 1: But yeah, he did look a lot old, which I

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Speaker 1: don't think he was necessarily maybe a couple of years,

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Speaker 1: but it shows you the difference between being like actually

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Speaker 1: sixteen and being thirteen or whatever they were. It's a

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Speaker 1: big difference at that age. He did just look like

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Speaker 1: he was three grades ahead of them. But anyway he.

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Speaker 2: Looked he looked beefy because all of them were so

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Speaker 2: little inscribed.

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Speaker 1: Ye beef he did. He did from growing up dancing

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Speaker 1: your whole life to good XU guy. Okay, so obviously

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Speaker 1: I won't even get into what I knew about Hannah Montana.

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Speaker 1: I knew what everybody knew. You knew it was a juggernaut.

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Speaker 1: You knew that it was in the Zeitgeis. It's like

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Speaker 1: high school musical. It was. It was ubiquitous in that

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Speaker 1: everyone had heard of it, but I had never seen

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Speaker 1: it or knew anything. But I knew it was Miley Cyrus. Obviously,

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Speaker 1: I think I knew that Miley Cyrus and Hannah Montana

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Speaker 1: were two characters, like she played both characters. I think

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Speaker 1: I knew that. But other than that, nothing.

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Speaker 2: Yeah, you just were really thrown off that.

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Speaker 1: Well again, I wig I was thirty when it started

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Speaker 1: or something like that.

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Speaker 2: So and yeah, really, honestly, it was definitely later on.

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Speaker 1: And in all fairness, had I watched this, especially the pilot,

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Speaker 1: when I was ten or eleven, I would have definitely said,

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Speaker 1: it's just a wig. How does nobody see? So anyway,

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Speaker 1: let's get into the synopsis. Miley Stuart return. By the way,

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Speaker 1: I think other people auditioned for this part. I imagine

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Speaker 1: the character was not named Miley as they were starting,

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Speaker 1: but we'll get into that down the line. So Miley

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Speaker 1: Stewart returns to her hometown of Tennessee to reconnect with

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Speaker 1: her roots. After her double life as pop star Hannah

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Speaker 1: Montana spirals out of control. Through self discovery and love,

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Speaker 1: she must decide whether to embrace her true identity or

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Speaker 1: succumb to the allure of celebrity. Okay, early thoughts, Sabrina,

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Speaker 1: how much did you love it?

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Speaker 3: So?

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Speaker 2: I did watch the pilot me too, right, I'm getting

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Speaker 2: lunch ready, I'm getting the pilot going, so you know,

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Speaker 2: I know, I'm not having to really really watch it.

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Speaker 2: I'm just trying to get a little bit more reference

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Speaker 2: Monroe's home will I damn did it to myself? I

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Speaker 2: want to watch now five episodes of the first season.

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Speaker 2: Monroe was hooked.

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Speaker 1: Like that, okay, hooked like.

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Speaker 2: That now she is four okay, and she loved every aspect.

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00:20:25,560 --> 00:20:29,040
Speaker 2: It was just enough dance and just enough song. The

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Speaker 2: characters are big, they're comical, they're throwing themselves. There's a

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Speaker 2: lot of you know what I mean, Like all of it.

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Speaker 2: Monroe was hooked. I wanted to watch just the pilot

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Speaker 2: and then be able to after lunch, sit down and

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Speaker 2: get what I had to get done. And that was

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Speaker 2: not in my future. So I had to wait to

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Speaker 2: do the movie. And honestly, I think because I don't know. Again,

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Speaker 2: I don't know if it was like I was in

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Speaker 2: the right mindset. I don't know if it's because I'm

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Speaker 2: the pilot, was watching it, watching my little one fall

415
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Speaker 2: in love with her. I was in from the start.

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Speaker 2: I had to go, oh, I gotta I gotta do

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Speaker 2: seas let's rewind it, because I was just in from

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Speaker 2: the start. I really was. It was a movie that

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Speaker 2: I felt like I literally could just kick back, put

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Speaker 2: my feet up, and just watch as it was supposed

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Speaker 2: to be seen. So I loved it and and it it.

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Speaker 2: There was only maybe a few moments that I dropped

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Speaker 2: out a little bit. They were towards the end, but

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Speaker 2: I finished off strong and loved it. Okay, and I

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Speaker 2: that's what I said. I'm like, I'm ready. I remember

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Speaker 2: saying I am ready for the whole down showdown, mister,

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Speaker 2: because there is no way he is going to be

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Speaker 2: on the level I have been watching this movie. We're

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Speaker 2: going to fight until the end when I'm ready. I didn't.

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Speaker 1: Okay, First of all, the pilot, it's obviously a tough

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Speaker 1: watch for me again as an older man.

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Speaker 2: That it is Disney Disney young, y young.

433
00:22:00,320 --> 00:22:04,639
Speaker 1: Great Disney Channel show. It is good Disney Channel actors,

434
00:22:05,200 --> 00:22:10,240
Speaker 1: good young, a lot of physical comedy. They're all good.

435
00:22:10,720 --> 00:22:13,760
Speaker 1: Like I said, the kids are great. You got the

436
00:22:13,840 --> 00:22:16,320
Speaker 1: dad being there, the good dad making sandwiches. No, you

437
00:22:16,320 --> 00:22:18,800
Speaker 1: can't have money, and I get it all worked as

438
00:22:18,800 --> 00:22:22,160
Speaker 1: a pilot as a Disney Channel totally understand that the

439
00:22:22,160 --> 00:22:26,520
Speaker 1: movie better than the pilot. Even I thought, oh, it's beautiful.

440
00:22:27,080 --> 00:22:29,560
Speaker 1: The cast really knows what they're doing. You get the

441
00:22:29,600 --> 00:22:32,240
Speaker 1: little love story, I get all of it. I was

442
00:22:32,359 --> 00:22:35,000
Speaker 1: fine with all that. Malaura Harden. I'm a big Malaura

443
00:22:35,000 --> 00:22:39,480
Speaker 1: Harden fan. I always have been. She's great. The cameos

444
00:22:39,520 --> 00:22:43,320
Speaker 1: were fantastic, some of the music was good. But if

445
00:22:43,359 --> 00:22:47,080
Speaker 1: you don't buy the premise, yeah, then the rest of

446
00:22:47,080 --> 00:22:49,159
Speaker 1: it doesn't work. And there was a lot of this

447
00:22:49,320 --> 00:22:52,720
Speaker 1: movie where it was like wait, even premise aside like

448
00:22:52,760 --> 00:22:58,240
Speaker 1: wait what wait huh yeah, so, yes, it was. It was.

449
00:22:58,480 --> 00:23:00,800
Speaker 1: I wish I had seen it young and I could

450
00:23:00,840 --> 00:23:03,439
Speaker 1: buy the premise because then I think it's something that

451
00:23:03,560 --> 00:23:05,880
Speaker 1: I would maybe have enjoyed a lot more than I did.

452
00:23:06,320 --> 00:23:09,000
Speaker 1: But the idea that you change your hair and no

453
00:23:09,080 --> 00:23:12,640
Speaker 1: one in the world gets who you are always throws me. Again.

454
00:23:12,680 --> 00:23:15,159
Speaker 1: It's the Clark Kent thing, and I've had people So

455
00:23:15,240 --> 00:23:18,080
Speaker 1: I had a really interesting conversation with one of my

456
00:23:18,160 --> 00:23:22,080
Speaker 1: gay friends who said to me that Superman was his

457
00:23:22,240 --> 00:23:26,399
Speaker 1: favorite character growing up, specifically because of Clark Kent, because

458
00:23:26,440 --> 00:23:29,080
Speaker 1: he said as a kid, he always felt like he

459
00:23:29,160 --> 00:23:32,680
Speaker 1: was hiding in plain sight because before he came out.

460
00:23:33,040 --> 00:23:34,800
Speaker 1: He was just hiding the whole time, and he said,

461
00:23:34,840 --> 00:23:36,720
Speaker 1: the idea of being able to put on a pair

462
00:23:36,720 --> 00:23:40,679
Speaker 1: of glasses and get through my day was hugely important

463
00:23:40,720 --> 00:23:42,800
Speaker 1: to me, and that's why Superman was important to me.

464
00:23:42,840 --> 00:23:46,240
Speaker 1: So I was trying to remember stuff like that as

465
00:23:46,240 --> 00:23:49,760
Speaker 1: I was watching the movie, because again I have that

466
00:23:49,920 --> 00:23:54,439
Speaker 1: fantasy literary mind of I need the rules to make sense,

467
00:23:54,640 --> 00:23:57,120
Speaker 1: I need them to work. I need to buy the premise.

468
00:23:57,880 --> 00:24:00,320
Speaker 1: So when I buy the premise, then I'm in. But

469
00:24:00,400 --> 00:24:02,320
Speaker 1: then I tried to remember the things like my friend

470
00:24:02,359 --> 00:24:04,399
Speaker 1: told me. I was like, okay, man, let it go

471
00:24:04,440 --> 00:24:04,960
Speaker 1: a little bit.

472
00:24:05,040 --> 00:24:08,679
Speaker 2: But yes, And I think that's so true in the

473
00:24:09,080 --> 00:24:12,160
Speaker 2: and this story is a coming of age story, yep.

474
00:24:12,200 --> 00:24:15,280
Speaker 2: And I think that right there is so true, like

475
00:24:16,880 --> 00:24:19,840
Speaker 2: trying to find that person and the courage to be

476
00:24:20,080 --> 00:24:24,720
Speaker 2: that person instead of under this whether it's whether it

477
00:24:24,800 --> 00:24:28,120
Speaker 2: is makeup and close that you know, whatever it is,

478
00:24:28,800 --> 00:24:32,399
Speaker 2: that is truly what that that whole preface is. And

479
00:24:32,440 --> 00:24:35,840
Speaker 2: I think so many people can relate to that, and

480
00:24:36,480 --> 00:24:39,760
Speaker 2: especially with young kids that are trying to find themselves

481
00:24:40,000 --> 00:24:42,960
Speaker 2: and whatever it is, whatever obstacle they're going through, you know.

482
00:24:43,640 --> 00:24:46,720
Speaker 2: And I just think that's why they bought. And when

483
00:24:46,720 --> 00:24:49,280
Speaker 2: I'm telling you, I was there. I watched it happen.

484
00:24:49,320 --> 00:24:51,919
Speaker 2: I was at the concerts. There was like, it's just

485
00:24:52,119 --> 00:24:52,520
Speaker 2: it was.

486
00:24:52,800 --> 00:24:55,920
Speaker 1: Well, you saw with your daughter, you saw it yesterday.

487
00:24:56,000 --> 00:24:58,840
Speaker 2: Yeah, again, I saw it happen. I mean she just

488
00:24:59,040 --> 00:25:01,199
Speaker 2: her eyes were just big the whole time. She was

489
00:25:01,320 --> 00:25:04,520
Speaker 2: dancing when the music was going, she was cracking up

490
00:25:04,560 --> 00:25:07,119
Speaker 2: with the physical comedy. And she loved it.

491
00:25:07,359 --> 00:25:10,440
Speaker 1: Yeah. Absolutely, Now I get it, I get it, I understand.

492
00:25:10,600 --> 00:25:14,560
Speaker 2: But it is a young, young, young, young audience.

493
00:25:14,280 --> 00:25:16,640
Speaker 1: That, yeah, it was. It has to be. It has

494
00:25:16,720 --> 00:25:16,919
Speaker 1: to be.

495
00:25:17,160 --> 00:25:20,280
Speaker 2: It's not to me this this wasn't, especially watching the

496
00:25:20,640 --> 00:25:23,879
Speaker 2: the pilot, and I love to see the movie after

497
00:25:23,960 --> 00:25:27,080
Speaker 2: because within that time you saw the growth, right, not

498
00:25:27,160 --> 00:25:29,960
Speaker 2: just within the kids getting older, but you saw the

499
00:25:30,000 --> 00:25:34,440
Speaker 2: growth of the entire brand. And but when it started off,

500
00:25:34,800 --> 00:25:36,840
Speaker 2: it had to have been like a young I feel

501
00:25:36,880 --> 00:25:39,040
Speaker 2: like younger than that's so raven, Like it was like

502
00:25:39,080 --> 00:25:40,080
Speaker 2: a younger.

503
00:25:40,119 --> 00:25:42,280
Speaker 1: And they had to grow up with it. Now I guess, Yeah,

504
00:25:42,520 --> 00:25:45,719
Speaker 1: so okay, Hannah Montana. The movie is directed by Peter Chelseam,

505
00:25:45,760 --> 00:25:48,640
Speaker 1: who had directed some well known theatrical movies like Town

506
00:25:48,680 --> 00:25:51,560
Speaker 1: and Country with Warren Baty and Diane Keaton, Saren Dippitty

507
00:25:51,560 --> 00:25:53,359
Speaker 1: which is a great rom com with John Cusseck and

508
00:25:53,440 --> 00:25:56,280
Speaker 1: Kate Beckinsale, and Shall We Dance with Richard Gear. He

509
00:25:56,440 --> 00:25:58,560
Speaker 1: is still working a ton too. He wrote and directed

510
00:25:58,640 --> 00:26:01,960
Speaker 1: last year's Festive, A Sudden Case of Christmas, starring Danny DeVito,

511
00:26:02,040 --> 00:26:06,679
Speaker 1: Andy McDowell and Wilmer Valderrama. Big Shaker Here the movie

512
00:26:06,680 --> 00:26:09,800
Speaker 1: stars Miley Cyrus. Hannah Montana was a role she originally

513
00:26:09,840 --> 00:26:12,520
Speaker 1: did not get because she was considered too young, even

514
00:26:12,560 --> 00:26:15,720
Speaker 1: first getting rejected for the role of BFF Lily, But

515
00:26:15,760 --> 00:26:17,919
Speaker 1: after months of searching, they couldn't find anyone better and

516
00:26:18,000 --> 00:26:20,679
Speaker 1: will they came crawling back some others who reported the

517
00:26:20,680 --> 00:26:25,359
Speaker 1: audition for the role, Taylor Momson, Daniella Monet, and singer Jojo.

518
00:26:26,320 --> 00:26:28,480
Speaker 1: Miley Cyrus has since, of course, become one of the

519
00:26:28,520 --> 00:26:31,200
Speaker 1: premier names in all of music and a legit pop icon,

520
00:26:31,320 --> 00:26:35,080
Speaker 1: while shedding and sometimes even openly battling her Disney roots.

521
00:26:35,400 --> 00:26:37,920
Speaker 1: She has two Grammys and a total of nine nominations,

522
00:26:37,920 --> 00:26:41,040
Speaker 1: with two Billboard Hot one hundred number ones, Wrecking Ball

523
00:26:41,280 --> 00:26:44,040
Speaker 1: and her biggest song yet, Flowers from twenty twenty three.

524
00:26:44,160 --> 00:26:46,480
Speaker 1: It's safe to say that the entire pop music genre

525
00:26:46,520 --> 00:26:49,280
Speaker 1: in twenty twenty five has been influenced by Miley Cyrus.

526
00:26:49,320 --> 00:26:52,200
Speaker 1: She's a juggernaut now. Infamously a fifteen year old Miley

527
00:26:52,240 --> 00:26:56,359
Speaker 1: Cyrus pose for legendary photographer Annie Leibowitz and Vanity Fair,

528
00:26:56,400 --> 00:26:59,199
Speaker 1: wearing only a white sheet and red lipstick, creating a

529
00:26:59,440 --> 00:27:03,760
Speaker 1: massive problem for Disney pr Though she wasn't technically nude,

530
00:27:03,800 --> 00:27:06,360
Speaker 1: it was suggestive enough, and religious groups and parents were

531
00:27:06,440 --> 00:27:08,960
Speaker 1: up in arms. Miley ended up fulfilling a final season

532
00:27:09,000 --> 00:27:12,000
Speaker 1: four based on some Walmart existing contracts. Then she bounced

533
00:27:12,000 --> 00:27:15,159
Speaker 1: from the channel, and as we said earlier, Billy Ray Cyrus,

534
00:27:15,200 --> 00:27:17,680
Speaker 1: her real life dad, is the creatively named Robbie Ray,

535
00:27:17,840 --> 00:27:19,600
Speaker 1: her father on the show and in the movie, he

536
00:27:19,640 --> 00:27:21,920
Speaker 1: plays a widow taking care of his pop star daughter,

537
00:27:21,960 --> 00:27:24,440
Speaker 1: while in real life he's a country musician, best known

538
00:27:24,480 --> 00:27:27,080
Speaker 1: for the song Achy Breaky Heart and a recent appearance

539
00:27:27,080 --> 00:27:30,360
Speaker 1: on Little Naz Ex Old Town Road Remix. He also

540
00:27:30,440 --> 00:27:35,040
Speaker 1: appeared in David Lynch's Maulholland Drive and Sharknado two. The

541
00:27:35,080 --> 00:27:37,679
Speaker 1: second one that's really the title. I've never seen it,

542
00:27:37,720 --> 00:27:41,479
Speaker 1: but god, that sounds amazing. Emily Osmitt is best friend

543
00:27:41,640 --> 00:27:44,760
Speaker 1: Lily Truscott. She is best known as Gerdi Giggles and

544
00:27:44,760 --> 00:27:47,760
Speaker 1: Spy Kids two and three and Mandy on Young Sheldon,

545
00:27:47,960 --> 00:27:50,320
Speaker 1: but she also became a little pop star as well

546
00:27:50,680 --> 00:27:53,760
Speaker 1: on Disney with the album Fight or Flight in twenty ten,

547
00:27:54,000 --> 00:27:56,639
Speaker 1: and she is the sister of Haley Joe Osmitt and

548
00:27:56,720 --> 00:28:01,399
Speaker 1: He Sees Dead People. Jason Earls is Jackson. Earls is

549
00:28:01,480 --> 00:28:04,199
Speaker 1: a frequent Disney collaborator, with appearances on Phil of the Future,

550
00:28:04,520 --> 00:28:07,040
Speaker 1: Just Roll with It, high school musical, the series, and

551
00:28:07,320 --> 00:28:10,040
Speaker 1: starred on the show Kicking It. He also has another

552
00:28:10,080 --> 00:28:12,280
Speaker 1: dcom under his belt that we are yet to tackle,

553
00:28:12,600 --> 00:28:15,399
Speaker 1: Dad Napped, and I'm sure we will get there. Another

554
00:28:15,400 --> 00:28:19,320
Speaker 1: familiar face, one of our favorites, Mitchell Musso from Life

555
00:28:19,400 --> 00:28:22,679
Speaker 1: is Rough and of course also from Hatching Pete. He

556
00:28:22,720 --> 00:28:25,919
Speaker 1: plays Oliver and was also a Disney pop star, releasing

557
00:28:26,000 --> 00:28:27,840
Speaker 1: music of his own through their channel Plus. He is

558
00:28:27,880 --> 00:28:30,400
Speaker 1: the voice of Jeremy Johnson on Phineas and Ferb and

559
00:28:30,440 --> 00:28:34,200
Speaker 1: We Love this Dude and that of course a young

560
00:28:34,359 --> 00:28:37,920
Speaker 1: Natalia Dyer as Clarissa. This was her first job ever.

561
00:28:38,080 --> 00:28:40,760
Speaker 1: She has since gone on to play Nancy Wheeler on

562
00:28:40,800 --> 00:28:44,719
Speaker 1: the Global Phenomenon stranger things, and here we get this

563
00:28:44,760 --> 00:28:47,120
Speaker 1: is where we keep just getting crazier and crazier. We've

564
00:28:47,160 --> 00:28:50,760
Speaker 1: now got Vanessa Williams's publicist, Vita Vanessa Williams was the

565
00:28:50,760 --> 00:28:52,520
Speaker 1: first black woman to ever win the title of Miss

566
00:28:52,640 --> 00:28:54,760
Speaker 1: Universe in nineteen eighty four, but would later resign the

567
00:28:54,800 --> 00:28:58,280
Speaker 1: title after her nude photographs ran in Penthouse thirty two

568
00:28:58,320 --> 00:29:01,280
Speaker 1: years later. Williams was offered a publick apology rightfully so

569
00:29:01,640 --> 00:29:04,479
Speaker 1: during the twenty sixteen Miss America pageant for the events,

570
00:29:04,600 --> 00:29:07,320
Speaker 1: but don't worry, she ended up getting the last laugh.

571
00:29:07,600 --> 00:29:10,600
Speaker 1: She became a very successful singer, with multiple Grammy nominations,

572
00:29:10,760 --> 00:29:12,760
Speaker 1: and she'd win a Tony Award for her role in

573
00:29:12,800 --> 00:29:15,640
Speaker 1: two thousand and two's revival of Into the Woods. But

574
00:29:16,040 --> 00:29:19,920
Speaker 1: you probably know her best as Villemina Slater on Ugly Betty,

575
00:29:20,120 --> 00:29:23,360
Speaker 1: a role she received three Emmy nominations for. It was

576
00:29:23,440 --> 00:29:25,120
Speaker 1: so great to see her in this. I love her.

577
00:29:25,200 --> 00:29:28,600
Speaker 1: She was also in one of my favorite really kind

578
00:29:28,600 --> 00:29:33,480
Speaker 1: of bad Arnold Schwarzenegger movies, Eraser Great. Now we've got

579
00:29:33,480 --> 00:29:35,480
Speaker 1: to mention some other very familiar faces. That's why we

580
00:29:35,520 --> 00:29:38,160
Speaker 1: don't have a Coleman Reynolds chair. This week because there'd

581
00:29:38,200 --> 00:29:41,040
Speaker 1: be too many people sitting in it. We've got Taylor Swift,

582
00:29:41,640 --> 00:29:46,800
Speaker 1: Margot Martindale, Barry Bostwick, Tyra Banks, and Brooks Shields, all

583
00:29:46,840 --> 00:29:49,720
Speaker 1: amazingly fun to see. Again. We mentioned Malaura Harden, who

584
00:29:49,720 --> 00:29:51,720
Speaker 1: I love. I mean it is just one kind of

585
00:29:52,680 --> 00:29:53,840
Speaker 1: famous face after.

586
00:29:53,720 --> 00:29:55,400
Speaker 2: Their famous unreal yeah, unreel.

587
00:29:55,840 --> 00:30:01,400
Speaker 1: The movie is one hundred and five men, which is tragic.

588
00:30:01,520 --> 00:30:03,840
Speaker 1: We can officially announce that this movie is say it with.

589
00:30:03,840 --> 00:30:05,760
Speaker 2: Me too long?

590
00:30:06,040 --> 00:30:09,080
Speaker 1: Yes, it is way off target. What were they thinking? Well,

591
00:30:09,160 --> 00:30:11,920
Speaker 1: let's blame the writer, Dan Berenson. We're not gonna blame him.

592
00:30:11,920 --> 00:30:13,800
Speaker 1: It's just it's just too long. But he is a

593
00:30:13,840 --> 00:30:16,760
Speaker 1: decom legend who we've mentioned so many times before on

594
00:30:16,840 --> 00:30:19,920
Speaker 1: Magical rewind Get Ready for this I love this list.

595
00:30:20,200 --> 00:30:24,280
Speaker 1: He's got Stuck in the Suburbs, Halloween Town, High, Eddie's

596
00:30:24,280 --> 00:30:27,280
Speaker 1: Million Dollar Cookoff, The Cutting Edge, Going for Gold, Camp

597
00:30:27,360 --> 00:30:30,680
Speaker 1: Rock two, The Wizards of Waverley Place Movie, Teen Beach two,

598
00:30:31,040 --> 00:30:34,600
Speaker 1: and Cheetah Girls One World, all on his impressive resume,

599
00:30:35,240 --> 00:30:37,840
Speaker 1: just one banger after another. In this case, though, he

600
00:30:37,880 --> 00:30:41,320
Speaker 1: shared credit with the Hannah Montana EPs, including our guest

601
00:30:41,320 --> 00:30:46,400
Speaker 1: this week, Michael poris for the characters and the story idea.

602
00:30:52,520 --> 00:30:55,400
Speaker 1: All right, don't walk away, Let's take the stage and

603
00:30:55,400 --> 00:30:57,280
Speaker 1: get crazy. It's time to dive into the hand of

604
00:30:57,320 --> 00:31:03,080
Speaker 1: Montana movie, because what's not to like. We open on

605
00:31:03,200 --> 00:31:06,440
Speaker 1: busloads of screaming girls running to the Great Western Forum

606
00:31:06,440 --> 00:31:09,560
Speaker 1: for the Hannah Montana concert and impressive shot of lots

607
00:31:09,600 --> 00:31:12,840
Speaker 1: of actual Miley Cyrus fans used here as extras packing

608
00:31:12,880 --> 00:31:15,680
Speaker 1: into the show. Inside the arena, the crowd is screaming

609
00:31:15,720 --> 00:31:18,880
Speaker 1: for Hannah and her father, Robbie Ray aka Billy Ray Cyrus,

610
00:31:18,920 --> 00:31:21,720
Speaker 1: is backstage. He is staring at a mannequin's head wearing

611
00:31:21,720 --> 00:31:26,200
Speaker 1: a long blonde wig. Robbie Ray is definitely stressed. Outside

612
00:31:26,200 --> 00:31:28,320
Speaker 1: two young girls, Miley Stewart and a best friend, Lily,

613
00:31:28,360 --> 00:31:30,200
Speaker 1: are trying to get their will call tickets but are

614
00:31:30,240 --> 00:31:33,240
Speaker 1: being pushed by rabid fans. They are denied and Lily

615
00:31:33,280 --> 00:31:36,760
Speaker 1: can't believe Miley is shutout of her own concert, and

616
00:31:36,800 --> 00:31:40,400
Speaker 1: that's when they notice an unarmed security golf cart. We

617
00:31:40,480 --> 00:31:42,600
Speaker 1: cut to a security guard chasing them in the gulf

618
00:31:42,640 --> 00:31:45,680
Speaker 1: cart backstage and Miley can't stop it. They eventually come

619
00:31:45,680 --> 00:31:47,800
Speaker 1: to a screeching halt right in front of Robbie Ray,

620
00:31:48,160 --> 00:31:50,400
Speaker 1: he says they're with him, and he rushes them into

621
00:31:50,440 --> 00:31:52,680
Speaker 1: the wig room, and just like that we get the

622
00:31:52,680 --> 00:31:56,560
Speaker 1: sparkling title treatment for Hannah Montana the movie. What are

623
00:31:56,600 --> 00:31:59,760
Speaker 1: you thinking already with this semi car chase to start

624
00:31:59,800 --> 00:32:00,560
Speaker 1: the the film?

625
00:32:00,680 --> 00:32:02,640
Speaker 2: Well, I didn't understand why they needed to go to

626
00:32:02,680 --> 00:32:05,040
Speaker 2: will call. Why didn't she have her badge? I didn't

627
00:32:05,120 --> 00:32:08,360
Speaker 2: understand that at first time. Wait what they didn't explain

628
00:32:08,440 --> 00:32:11,600
Speaker 2: it how she was like locked out and didn't have

629
00:32:12,280 --> 00:32:14,200
Speaker 2: what she needed to get into it. So that was

630
00:32:14,240 --> 00:32:16,000
Speaker 2: a little did I miss something? Do I need to

631
00:32:16,040 --> 00:32:21,720
Speaker 2: rewind this already? But for me because there were sometimes

632
00:32:21,800 --> 00:32:27,400
Speaker 2: those unarmed or unmanned carts, yeah, in the arenas, and

633
00:32:27,440 --> 00:32:29,040
Speaker 2: they were it was that.

634
00:32:29,200 --> 00:32:31,040
Speaker 1: Do you ever steal a car? Did you ever steal

635
00:32:31,040 --> 00:32:33,360
Speaker 1: a cart? Did you ever steal a cart? Come on beyond?

636
00:32:35,200 --> 00:32:38,920
Speaker 2: Yes? Yes, yes, But it was just I mean that

637
00:32:39,040 --> 00:32:41,680
Speaker 2: whole life of living in an arena while you're on

638
00:32:41,760 --> 00:32:43,840
Speaker 2: tour is like you, first of all, you have to

639
00:32:43,840 --> 00:32:47,320
Speaker 2: find your fun because it is Groundhog's Day pretty much

640
00:32:47,720 --> 00:32:49,920
Speaker 2: in a different arena. And now the walls aren't blue,

641
00:32:49,920 --> 00:32:53,560
Speaker 2: their red, the green, you know whatever. But it was

642
00:32:53,600 --> 00:32:55,640
Speaker 2: fun and it was cool for me. I instantly got

643
00:32:55,640 --> 00:32:58,080
Speaker 2: into the zone because I had been in arenas with Miley,

644
00:32:58,160 --> 00:32:58,440
Speaker 2: so it.

645
00:32:58,400 --> 00:33:00,000
Speaker 4: Was like, oh, this is cool.

646
00:33:00,160 --> 00:33:03,600
Speaker 2: I did love the running through the face with her

647
00:33:02,920 --> 00:33:07,160
Speaker 2: or poster with their face, you know. So it was

648
00:33:07,360 --> 00:33:10,479
Speaker 2: it was. It definitely brought a lot of energy right

649
00:33:10,520 --> 00:33:12,760
Speaker 2: from the start, which I agree obviously what you needed,

650
00:33:13,040 --> 00:33:15,040
Speaker 2: you would think. I thought it was going to start

651
00:33:15,120 --> 00:33:17,680
Speaker 2: right away like the credits do in the movie of

652
00:33:17,720 --> 00:33:20,840
Speaker 2: a concert, and it wasn't her on stage right away.

653
00:33:20,960 --> 00:33:23,600
Speaker 2: It was something before she got this to stage. So

654
00:33:23,640 --> 00:33:26,880
Speaker 2: I did like that energy. And then of course I'm

655
00:33:26,920 --> 00:33:29,520
Speaker 2: in my head, I'm going, you know, think about the

656
00:33:29,520 --> 00:33:32,880
Speaker 2: fans at this point of the Miley craze. Oh yeah,

657
00:33:32,920 --> 00:33:36,080
Speaker 2: that got to be in that rabbit we're filming for

658
00:33:36,320 --> 00:33:39,840
Speaker 2: her movie coming up. What a great moment that those

659
00:33:39,880 --> 00:33:42,480
Speaker 2: fans will carry with them for the rest of their lives,

660
00:33:42,520 --> 00:33:43,840
Speaker 2: you know. So that was pretty cool too.

661
00:33:44,560 --> 00:33:46,080
Speaker 1: I agree one hundred percent it was. It was a

662
00:33:46,200 --> 00:33:48,520
Speaker 1: very energetic way to start the movie. And speaking at

663
00:33:48,520 --> 00:33:49,960
Speaker 1: the start of the movie, the credits are rolling and

664
00:33:49,960 --> 00:33:52,760
Speaker 1: we see Miley getting ready transforming into the pop star

665
00:33:53,120 --> 00:33:56,640
Speaker 1: Hannah Montana. Eventually, Miley places the magical wig on her

666
00:33:56,680 --> 00:33:59,960
Speaker 1: head and the transformation is complete. Literally all she does.

667
00:34:00,240 --> 00:34:02,560
Speaker 1: Hannah takes her place on the stage, and before she

668
00:34:02,640 --> 00:34:04,719
Speaker 1: is lifted onto the stage from this cool little mechanical

669
00:34:04,760 --> 00:34:07,000
Speaker 1: thing underneath, her dad reminds her it's her night to

670
00:34:07,080 --> 00:34:10,040
Speaker 1: do the dishes. She complains, but he tells her quote

671
00:34:10,239 --> 00:34:12,440
Speaker 1: she's the one that wanted the best of both worlds.

672
00:34:12,520 --> 00:34:15,399
Speaker 1: And then the song Best of Both Worlds kicks in.

673
00:34:15,840 --> 00:34:18,040
Speaker 1: We jump right into the first big Hannah Montana number,

674
00:34:18,040 --> 00:34:21,840
Speaker 1: complete with seventeen thousand real life fans brought in for

675
00:34:21,880 --> 00:34:23,799
Speaker 1: the audience, which is a rare feat for any movie,

676
00:34:23,840 --> 00:34:26,080
Speaker 1: let alone a Disney one. We also get a glimpse

677
00:34:26,080 --> 00:34:28,160
Speaker 1: into the song's music video, with Hannah on the beach

678
00:34:28,200 --> 00:34:30,759
Speaker 1: surrounded by a group of teen beach movie dancers. The

679
00:34:30,800 --> 00:34:33,920
Speaker 1: director yells cut and that is a rap. Hannah is

680
00:34:33,920 --> 00:34:36,480
Speaker 1: suddenly whisked off the beach, avoiding the paparazzi and back

681
00:34:36,520 --> 00:34:39,600
Speaker 1: into her dressing room, where she's startled by a dorky

682
00:34:39,680 --> 00:34:42,720
Speaker 1: english Man hiding behind her clothes rack, which gave really

683
00:34:42,760 --> 00:34:44,080
Speaker 1: creepy vibes right off the start.

684
00:34:44,160 --> 00:34:45,399
Speaker 2: Reap creep creep yep.

685
00:34:45,640 --> 00:34:47,440
Speaker 1: He promises little girls, he would meet her for them,

686
00:34:47,640 --> 00:34:50,279
Speaker 1: and Hannah is rightfully of course taken back. He's got

687
00:34:50,360 --> 00:34:52,960
Speaker 1: questions for them. But just as Oswald is about to

688
00:34:52,960 --> 00:34:55,759
Speaker 1: ask question number one, publicist Vita runs into him. She

689
00:34:55,800 --> 00:34:58,680
Speaker 1: sees right through his charade. He's the editor of Britain's

690
00:34:58,680 --> 00:35:01,799
Speaker 1: most sleazy tabloid bon Chic. He wants to do a

691
00:35:01,800 --> 00:35:04,239
Speaker 1: cover feature story on her, but Vida knows it'll just

692
00:35:04,280 --> 00:35:06,920
Speaker 1: be a trash takedown. She escorts him out, but we

693
00:35:06,960 --> 00:35:09,920
Speaker 1: see he sneakily left a digital camera on the couch,

694
00:35:10,280 --> 00:35:13,520
Speaker 1: still recording. Uh oh, now alone. Vida reminds her don't

695
00:35:13,520 --> 00:35:15,520
Speaker 1: talk to anyone without her. It's her job to make

696
00:35:15,520 --> 00:35:18,400
Speaker 1: sure her little secret stays a secret, and then Vida

697
00:35:18,520 --> 00:35:21,759
Speaker 1: sits down on the camera. Hannah then leaves the ten

698
00:35:21,800 --> 00:35:24,120
Speaker 1: hounded by press, giving Oswald the second chance to slide

699
00:35:24,120 --> 00:35:26,920
Speaker 1: in and recover his camera again. Creepy ceperson, What a slimeball.

700
00:35:27,280 --> 00:35:30,680
Speaker 1: Oswald then gets a call from his very impatient editor

701
00:35:30,920 --> 00:35:33,520
Speaker 1: played by Jane Carr, also from Boy Meets World. She

702
00:35:33,520 --> 00:35:35,799
Speaker 1: played a fun part. She wants to know how the

703
00:35:35,880 --> 00:35:38,960
Speaker 1: juicy Hannah Montana cover story is going, and now he

704
00:35:39,040 --> 00:35:42,359
Speaker 1: knows there's a quote unquote secret so he's gonna stay

705
00:35:42,400 --> 00:35:44,560
Speaker 1: on it until he can find out what that secret is.

706
00:35:45,080 --> 00:35:48,000
Speaker 1: We cut to Miley's other life, a high schooler in

707
00:35:48,080 --> 00:35:50,640
Speaker 1: jim class, where she is quickly pelted with a volleyball

708
00:35:50,719 --> 00:35:53,680
Speaker 1: and basically left four dead. It's a far cry from

709
00:35:53,680 --> 00:35:57,120
Speaker 1: the luxurious video shoot we just saw. Just then, Vida

710
00:35:57,160 --> 00:35:59,520
Speaker 1: pops up and pulls her out of school. Turns out

711
00:35:59,520 --> 00:36:02,680
Speaker 1: Beyond has got double pneumonia yikes, and had to drop

712
00:36:02,760 --> 00:36:05,560
Speaker 1: all the New York Music Awards. Hannah has been asked

713
00:36:05,600 --> 00:36:09,600
Speaker 1: to replace her. Now, her publicist shows up in the

714
00:36:09,600 --> 00:36:13,680
Speaker 1: middle of high school and starts yelling that their's stuff

715
00:36:13,719 --> 00:36:15,520
Speaker 1: going on she needs to be there for. I get

716
00:36:15,520 --> 00:36:18,080
Speaker 1: it's an empty hallway, but this doesn't seem like it's

717
00:36:18,200 --> 00:36:21,000
Speaker 1: very a tightly kept secret at all. Why would the

718
00:36:21,000 --> 00:36:23,200
Speaker 1: publicist even be on campus at all? Why not just

719
00:36:23,600 --> 00:36:25,160
Speaker 1: have her dad go pick her up, like it's a

720
00:36:25,239 --> 00:36:27,560
Speaker 1: dentist appointment or something. We never I don't know what's

721
00:36:27,600 --> 00:36:32,040
Speaker 1: going on. It doesn't make any sense. Vida is rushing

722
00:36:32,040 --> 00:36:34,560
Speaker 1: to get Hannah ready to go to New York, but

723
00:36:34,640 --> 00:36:37,160
Speaker 1: then Lily catches them on their way out. She asked

724
00:36:37,160 --> 00:36:40,520
Speaker 1: about her birthday party, and Miley again yells back to

725
00:36:40,560 --> 00:36:42,960
Speaker 1: anyone that could hear in any of the things minor

726
00:36:43,040 --> 00:36:46,680
Speaker 1: Hannah emergency then promises she will make it to the party,

727
00:36:46,719 --> 00:36:51,279
Speaker 1: but of course nobody knows because she's a brunette. Now

728
00:36:51,280 --> 00:36:53,960
Speaker 1: with Vida and Hannah on rodeo drive getting free designer

729
00:36:53,960 --> 00:36:56,400
Speaker 1: stuff to wear, Robbie Ray is outside the school pacing

730
00:36:56,400 --> 00:36:59,120
Speaker 1: in front of his truck. Miley's older brother, Jackson, is

731
00:36:59,120 --> 00:37:00,759
Speaker 1: going to miss his plane to college if she doesn't

732
00:37:00,800 --> 00:37:03,680
Speaker 1: hurry up. Robbie Ray has no idea where his daughter is.

733
00:37:03,719 --> 00:37:05,200
Speaker 1: So it just turned this publicist just showed up at

734
00:37:05,200 --> 00:37:06,839
Speaker 1: school and just yanked he out of school, which doesn't

735
00:37:06,840 --> 00:37:09,359
Speaker 1: seem right. And I thought this was going to lead

736
00:37:09,400 --> 00:37:11,680
Speaker 1: to something where it's like, we don't need this publicist

737
00:37:11,840 --> 00:37:14,799
Speaker 1: in our life. She was going to be the bad guy,

738
00:37:15,440 --> 00:37:18,600
Speaker 1: the publicist, like she was leading Miley down the wrong.

739
00:37:18,480 --> 00:37:21,359
Speaker 2: Path, and it goes that way for a while.

740
00:37:21,480 --> 00:37:23,360
Speaker 1: You thought that's where it was kind of headed, and

741
00:37:23,400 --> 00:37:25,240
Speaker 1: then they this is one of the problems I started.

742
00:37:25,239 --> 00:37:27,440
Speaker 2: I mean that you knew the shady reporter was like

743
00:37:27,520 --> 00:37:29,239
Speaker 2: going to be the main one, but I feel like,

744
00:37:29,800 --> 00:37:31,719
Speaker 2: was she going to end up working with him type

745
00:37:31,719 --> 00:37:32,040
Speaker 2: of thing?

746
00:37:32,239 --> 00:37:32,799
Speaker 1: Right there?

747
00:37:32,920 --> 00:37:34,560
Speaker 2: Was a number of like it was going.

748
00:37:34,840 --> 00:37:37,239
Speaker 1: There's a number of storylines that went one way and

749
00:37:37,239 --> 00:37:41,279
Speaker 1: then either ended abruptly with no end to it whatsoever,

750
00:37:42,000 --> 00:37:46,080
Speaker 1: or went off in a direction that was not expected. Okay,

751
00:37:46,120 --> 00:37:48,840
Speaker 1: so now we see Hannah in a store. She's surrounded

752
00:37:48,840 --> 00:37:51,399
Speaker 1: by sunglasses and bracelets and watches, all of these being

753
00:37:51,440 --> 00:37:54,160
Speaker 1: offered to her for free. But then she notices how

754
00:37:54,239 --> 00:37:57,680
Speaker 1: late she is and the eleven miss calls from her brother.

755
00:37:57,880 --> 00:37:59,839
Speaker 1: She's got to go, but then she sees one last

756
00:38:00,200 --> 00:38:02,240
Speaker 1: shoes she needs to get Lily for her birthday present,

757
00:38:02,440 --> 00:38:05,000
Speaker 1: and as she goes to grab the second shoe, uh oh,

758
00:38:05,440 --> 00:38:09,640
Speaker 1: Tyra Banks playing herself, says they're hers, and she steals

759
00:38:09,640 --> 00:38:11,960
Speaker 1: the second one right now from under her. Did you

760
00:38:12,000 --> 00:38:14,239
Speaker 1: think Tyra Bank's playing herself was cool? Yes?

761
00:38:14,440 --> 00:38:18,040
Speaker 2: I mean, I find her so funny when she commits

762
00:38:18,080 --> 00:38:21,160
Speaker 2: two characters, and she was great. To me, I thought

763
00:38:21,239 --> 00:38:22,279
Speaker 2: she did a great job.

764
00:38:22,440 --> 00:38:24,200
Speaker 1: I did too, I thought she was very very good.

765
00:38:24,360 --> 00:38:27,120
Speaker 2: Really, it went on for too long, it did. I

766
00:38:27,160 --> 00:38:30,160
Speaker 2: thought the scene was too long, honestly, but it was

767
00:38:30,640 --> 00:38:33,759
Speaker 2: fun to see all of the comedy that they did

768
00:38:33,800 --> 00:38:34,120
Speaker 2: with it.

769
00:38:34,160 --> 00:38:37,120
Speaker 1: I agree. Tyra pulls the quote, do you know who

770
00:38:37,160 --> 00:38:40,120
Speaker 1: I am unquote thing and Hannah parrots it back. Each

771
00:38:40,200 --> 00:38:42,000
Speaker 1: are holding one of the shoes. When they get into

772
00:38:42,040 --> 00:38:44,720
Speaker 1: a tense wrestling match, Tyra throws Hannah over a couch.

773
00:38:44,840 --> 00:38:48,560
Speaker 1: Hannah jumps on Tyra's back. It's total chaos. Shoes are flying,

774
00:38:49,040 --> 00:38:52,240
Speaker 1: Miley fully suffocates Tyra with a bag. Staff is running

775
00:38:52,239 --> 00:38:55,440
Speaker 1: for their lives. In nearby, we see tabloid rider Oswald

776
00:38:55,800 --> 00:38:59,520
Speaker 1: the Slimeball, snapping photos. Now without the shoes, Hannah is

777
00:38:59,600 --> 00:39:01,880
Speaker 1: rushed out side by Vita into a waiting limousine to

778
00:39:01,880 --> 00:39:04,760
Speaker 1: get to Lily's party, but Oswald is still close behind,

779
00:39:04,800 --> 00:39:07,040
Speaker 1: following for a scoop. This means she can't get out

780
00:39:07,040 --> 00:39:09,000
Speaker 1: of the car as Hannah for the party or get

781
00:39:09,000 --> 00:39:13,640
Speaker 1: out of the car as Miley because of Oswald. This

782
00:39:13,680 --> 00:39:15,400
Speaker 1: is where the dilemma starts. She can't even pull off

783
00:39:15,400 --> 00:39:18,759
Speaker 1: her wig. We see Lily's party, which is a I

784
00:39:18,760 --> 00:39:21,399
Speaker 1: would say a half a million to million dollar party

785
00:39:21,840 --> 00:39:23,239
Speaker 1: at the Cintamnica pear.

786
00:39:24,800 --> 00:39:28,600
Speaker 2: What is the occupation of parents? Parents created the color

787
00:39:28,960 --> 00:39:32,480
Speaker 2: an entire ramp? What is the what are those called

788
00:39:32,560 --> 00:39:36,600
Speaker 2: the the ones that are on both sides that that's cute?

789
00:39:36,600 --> 00:39:38,920
Speaker 1: Oh, a half pipe? I have, and the half pipe

790
00:39:38,960 --> 00:39:40,960
Speaker 1: was added to the Santa Monica peer for her. She

791
00:39:41,000 --> 00:39:42,319
Speaker 1: had the entire peer as well.

792
00:39:42,360 --> 00:39:45,040
Speaker 2: It was oh my god, Sanda and a full blown

793
00:39:45,080 --> 00:39:48,040
Speaker 2: stage with the full blown sound system. Holy hell, this

794
00:39:48,120 --> 00:39:53,919
Speaker 2: is the craziest sweet sixteen I've ever seen in my life.

795
00:39:54,239 --> 00:39:56,800
Speaker 1: Here you go. It's a five hundred thousand dollars party,

796
00:39:56,880 --> 00:40:00,879
Speaker 1: every bit of it. It was crazy, just not so.

797
00:40:01,600 --> 00:40:05,040
Speaker 1: We see Mitchell Musso as Oliver, and we meet Rico Suave,

798
00:40:05,680 --> 00:40:08,680
Speaker 1: a reoccurring character from the show played by Moyes's Arius.

799
00:40:08,840 --> 00:40:11,200
Speaker 1: He is a really eccentric schemer and is putting the

800
00:40:11,200 --> 00:40:15,160
Speaker 1: final touches on a fireworks ready massive birthday cake. Hannah

801
00:40:15,200 --> 00:40:17,000
Speaker 1: jumps out of a limo and rushes to the party, trying

802
00:40:17,040 --> 00:40:20,200
Speaker 1: to ditch Oswald, but her arrival causes massesteria on the pier,

803
00:40:20,640 --> 00:40:24,319
Speaker 1: even having to call Lily her number one fan, just

804
00:40:24,360 --> 00:40:27,120
Speaker 1: to cover the fact that she's there. Lily is rightfully furious,

805
00:40:27,400 --> 00:40:29,680
Speaker 1: especially when Hannah is carried like Rudy at the end

806
00:40:29,680 --> 00:40:31,880
Speaker 1: of the Notre Dame game straight to the stage to

807
00:40:31,920 --> 00:40:35,280
Speaker 1: play a song with the band. Lily is again furious.

808
00:40:35,480 --> 00:40:37,720
Speaker 1: No one even cares that it's her party. A defeated,

809
00:40:37,760 --> 00:40:40,520
Speaker 1: Lily finally walks out and is approached by Oswald for

810
00:40:40,680 --> 00:40:43,480
Speaker 1: any type of Hannah scoop he can get. She casually

811
00:40:43,520 --> 00:40:47,120
Speaker 1: mentions Miley's real hometown and Oswald finally has a lead.

812
00:40:47,200 --> 00:40:50,000
Speaker 1: She says it in passing, probably because she was just

813
00:40:50,080 --> 00:40:53,359
Speaker 1: crushed again by her best friend. Then Rico lights the

814
00:40:53,360 --> 00:40:57,480
Speaker 1: cake and bam, it explodes all over everyone, even Vanessa Williams.

815
00:40:58,440 --> 00:41:00,680
Speaker 1: Later that day, Robbie race the front page of the

816
00:41:00,680 --> 00:41:03,200
Speaker 1: paper with the photo of Tyra Banks shoe fight, and

817
00:41:03,280 --> 00:41:06,080
Speaker 1: he has had enough. He tells his daughter and Vita

818
00:41:06,239 --> 00:41:08,560
Speaker 1: that New York isn't happening. She's going to Tennessee with

819
00:41:08,600 --> 00:41:11,000
Speaker 1: the family for her grandma's birthday, and that is it

820
00:41:11,239 --> 00:41:14,520
Speaker 1: good parenting. You're right, I love that you're a big superstar,

821
00:41:14,840 --> 00:41:16,880
Speaker 1: but this is not gonna happen. This again goes back

822
00:41:16,920 --> 00:41:18,640
Speaker 1: to me saying one bad thing to my brother's One

823
00:41:18,640 --> 00:41:20,160
Speaker 1: time when I was on boy Mes World, I think

824
00:41:20,200 --> 00:41:21,800
Speaker 1: I was seventeen. I was in front of my girlfriend

825
00:41:21,880 --> 00:41:23,279
Speaker 1: and they picked me up and they duck my head

826
00:41:23,280 --> 00:41:24,960
Speaker 1: in the toilet and they gave me a swirly that

827
00:41:25,040 --> 00:41:27,040
Speaker 1: stuff ain't gonna fly in our house, and it wasn't

828
00:41:27,040 --> 00:41:28,839
Speaker 1: gonna fly in Miley Cyrus's house either.

829
00:41:28,960 --> 00:41:30,600
Speaker 2: Wait that happened to you for real?

830
00:41:31,120 --> 00:41:36,600
Speaker 1: Yeah? Yeah, I was seventeen. I did from both my

831
00:41:36,600 --> 00:41:38,839
Speaker 1: brothers because I said something that came off as egotisticals

832
00:41:38,880 --> 00:41:40,720
Speaker 1: I was on Boy Met World and they were like, uhuh,

833
00:41:40,760 --> 00:41:43,680
Speaker 1: that's not gonna that's not gonna work. Oh right in

834
00:41:43,719 --> 00:41:46,920
Speaker 1: the toilet with the flush, Uh, that's not gonna happen.

835
00:41:47,040 --> 00:41:49,040
Speaker 1: I think I was in front of my girlfriend, JENNEVINOI

836
00:41:49,120 --> 00:41:50,920
Speaker 1: at the time, from Blossom, and they were like, no,

837
00:41:51,040 --> 00:41:53,799
Speaker 1: this is not that's that's not not gonna work. And

838
00:41:53,960 --> 00:41:59,279
Speaker 1: never happened again. Always good to have two big older brothers. Yes,

839
00:41:59,480 --> 00:42:01,439
Speaker 1: so he was, so he wasn't buying it. She's gonna

840
00:42:01,440 --> 00:42:04,040
Speaker 1: go to Tennessee with the family to visit her grandmother's birthday,

841
00:42:04,040 --> 00:42:06,399
Speaker 1: and that is just it. Vida explains. They can't miss

842
00:42:06,440 --> 00:42:09,240
Speaker 1: New York, but a private jet can make both happen.

843
00:42:09,640 --> 00:42:12,160
Speaker 1: Robbie Ray gives in and next thing you know, we're

844
00:42:12,239 --> 00:42:14,760
Speaker 1: on a jet. Did you think this was too fast

845
00:42:14,760 --> 00:42:16,800
Speaker 1: for him to give in? Were you kind of figuring

846
00:42:16,880 --> 00:42:19,839
Speaker 1: something was gonna go on at this point or no?

847
00:42:19,960 --> 00:42:23,200
Speaker 2: I mean I didn't either I honestly, I mean because

848
00:42:23,239 --> 00:42:25,200
Speaker 2: I just you know, I think probably because we're in

849
00:42:25,239 --> 00:42:28,319
Speaker 2: the business and it's like, you're contractually buying to do this,

850
00:42:28,400 --> 00:42:30,280
Speaker 2: so we've got to do it. We'll figure out whatever.

851
00:42:30,360 --> 00:42:32,359
Speaker 1: Yeah, I thought it was more him like, I'm gonna

852
00:42:32,400 --> 00:42:33,960
Speaker 1: let you make the choice of what you want to do.

853
00:42:34,040 --> 00:42:35,680
Speaker 1: Are you gonna go to your grandmother's? Are you gonna

854
00:42:35,680 --> 00:42:37,279
Speaker 1: go take a jet to thing? That's where I thought

855
00:42:37,280 --> 00:42:38,600
Speaker 1: he was going with it, Like I thought it was

856
00:42:38,640 --> 00:42:40,840
Speaker 1: gonna be more of a learning lesson. But no, we

857
00:42:40,920 --> 00:42:44,200
Speaker 1: were all given a twist. Miley is now dressed his

858
00:42:44,200 --> 00:42:45,640
Speaker 1: hand on and you could tell her dad is getting

859
00:42:45,640 --> 00:42:48,759
Speaker 1: sick of her diva ways, so that when she deplanes,

860
00:42:49,360 --> 00:42:51,879
Speaker 1: she is surprised to realize she's not in New York.

861
00:42:51,960 --> 00:42:54,799
Speaker 1: She is in a Tennessee cowfield, and her brother's there

862
00:42:54,800 --> 00:42:56,960
Speaker 1: to pick her up in a beat up pickup truck.

863
00:42:57,200 --> 00:42:59,200
Speaker 1: How did Robbie Ray pull this off? I think he

864
00:42:59,239 --> 00:43:01,959
Speaker 1: paid off the pilot, or he booked it behind her back,

865
00:43:02,080 --> 00:43:05,160
Speaker 1: or he forcibly hijacked the plane. It's one of those things.

866
00:43:05,480 --> 00:43:08,200
Speaker 1: But Miley is of course furious. She's supposed to be

867
00:43:08,320 --> 00:43:10,560
Speaker 1: on a red carpet in New York. Her dad says

868
00:43:10,600 --> 00:43:12,399
Speaker 1: she has lost her focus and a bite the time

869
00:43:12,440 --> 00:43:16,839
Speaker 1: to retire Hannah Montana forever. Oohoo. Miley says he can't

870
00:43:16,880 --> 00:43:18,920
Speaker 1: take Hannah from her, but he says, oh, yes, I

871
00:43:19,000 --> 00:43:22,080
Speaker 1: definitely can. Miley forces him to stop the truck. She's

872
00:43:22,120 --> 00:43:24,800
Speaker 1: gonna walk to New York if he has to. Robbie

873
00:43:24,840 --> 00:43:27,600
Speaker 1: Ray proposes a deal. They're gonna see how these two

874
00:43:27,680 --> 00:43:30,120
Speaker 1: weeks in Tennessee go and see if the country girl

875
00:43:30,239 --> 00:43:33,000
Speaker 1: still exists in there. She can go back. It's a

876
00:43:33,080 --> 00:43:37,239
Speaker 1: Hannah Montana detox. And just as she's ready to argue

877
00:43:37,280 --> 00:43:39,799
Speaker 1: some more, a horse eats the wig right off her head.

878
00:43:39,800 --> 00:43:41,960
Speaker 1: And it's not just any horse, it's her old horse,

879
00:43:42,000 --> 00:43:44,880
Speaker 1: Blue Jeans. They just randomly stopped right in front of

880
00:43:44,880 --> 00:43:47,360
Speaker 1: her old horse when she forced her brother to pull over.

881
00:43:47,520 --> 00:43:50,360
Speaker 1: What luck that is? Now she has a moment with

882
00:43:50,400 --> 00:43:52,840
Speaker 1: her old pal, packs away her wig and tries to

883
00:43:52,960 --> 00:43:55,839
Speaker 1: ride Blue Jeans, but she's quickly bucked off, and her

884
00:43:55,920 --> 00:43:59,399
Speaker 1: old country roots seem a little bit dusty, especially when

885
00:43:59,440 --> 00:44:02,560
Speaker 1: Blue Jeans gets loose and all of a sudden boom,

886
00:44:02,680 --> 00:44:06,359
Speaker 1: a mysterious and yes, dare I say, incredibly sexy young

887
00:44:06,440 --> 00:44:11,520
Speaker 1: cowboy has to go retrieve blue jeans for her. It

888
00:44:11,640 --> 00:44:14,560
Speaker 1: is Travis Brodie from the first grade. He has all

889
00:44:14,600 --> 00:44:17,880
Speaker 1: grown up working for her grandmother and hunky as hell.

890
00:44:19,760 --> 00:44:23,080
Speaker 1: My god, let's be honest, people, Come on, he's a

891
00:44:23,120 --> 00:44:25,840
Speaker 1: honky cowboy who happens that perfect hair and teeth.

892
00:44:26,200 --> 00:44:31,240
Speaker 2: I will say from all of the like romantic.

893
00:44:30,920 --> 00:44:33,160
Speaker 1: I thought about you the second he popped on screen.

894
00:44:33,560 --> 00:44:37,719
Speaker 2: He is definitely the most like rustic, more of like

895
00:44:37,760 --> 00:44:42,120
Speaker 2: a like a manly looking kid versus the perfect the

896
00:44:43,080 --> 00:44:45,680
Speaker 2: perfect nose and the team, you know, the jaw line

897
00:44:45,719 --> 00:44:48,279
Speaker 2: and all that. He definitely looks a lot more like

898
00:44:48,960 --> 00:44:50,920
Speaker 2: what you would think a cowboy would look like.

899
00:44:51,080 --> 00:44:53,080
Speaker 1: Right when he stopped and smiled and had the hat

900
00:44:53,080 --> 00:44:54,840
Speaker 1: on and caught the horse, I was like, we found

901
00:44:54,840 --> 00:44:58,959
Speaker 1: Sabrina's guy. Finally got this is the one Sabrina's gonna

902
00:44:58,960 --> 00:45:01,120
Speaker 1: be like. This is the guy I now, finally I

903
00:45:01,160 --> 00:45:03,640
Speaker 1: don't mind the shirt off, I don't mind that, I

904
00:45:03,680 --> 00:45:08,799
Speaker 1: don't mind that. Finally found and it's Travis Brody. Travis

905
00:45:08,160 --> 00:45:09,640
Speaker 1: sitting in a tree.

906
00:45:09,800 --> 00:45:11,959
Speaker 2: Oh my god, no, no, yes.

907
00:45:14,680 --> 00:45:17,400
Speaker 1: So it turns out that he had a crush on

908
00:45:17,440 --> 00:45:20,399
Speaker 1: Miley back in the day, but jokes he's over it now.

909
00:45:20,800 --> 00:45:22,640
Speaker 1: She rides back to the house on his horse like

910
00:45:22,680 --> 00:45:25,400
Speaker 1: you do, and they briefly chat about Hollywood and celebrities.

911
00:45:25,640 --> 00:45:28,480
Speaker 1: She says she knows Hannah Montana, avoiding the fact that

912
00:45:28,520 --> 00:45:32,479
Speaker 1: she looks just like her, but luckily she has brown hair.

913
00:45:32,600 --> 00:45:36,720
Speaker 2: So okay, we gotta pause, pause, because this is when

914
00:45:37,480 --> 00:45:42,960
Speaker 2: I went, wait a minute, Okay, So this town that

915
00:45:43,000 --> 00:45:45,920
Speaker 2: she grew up with, now we've set this. Now we've

916
00:45:45,960 --> 00:45:48,600
Speaker 2: set this, this whole plot line that she grew up

917
00:45:48,640 --> 00:45:50,919
Speaker 2: with these kids, she was in first grade with this guy,

918
00:45:51,280 --> 00:45:56,239
Speaker 2: uh huh, and they didn't catch the wig part. Like

919
00:45:56,320 --> 00:45:59,520
Speaker 2: That's when I went, wait a minute, okay, that I

920
00:45:59,640 --> 00:46:03,839
Speaker 2: thought this whole town would have known her story and

921
00:46:03,960 --> 00:46:05,759
Speaker 2: they don't. And that's when I.

922
00:46:05,760 --> 00:46:08,920
Speaker 1: Was like, that's what. Yes.

923
00:46:09,000 --> 00:46:13,120
Speaker 2: I got kind of went into the no because I

924
00:46:13,160 --> 00:46:17,080
Speaker 2: felt like her La life was La life like she

925
00:46:17,200 --> 00:46:23,840
Speaker 2: was already living this like life in La home home people.

926
00:46:23,880 --> 00:46:25,520
Speaker 2: So then I'm going, wait, does her And then it

927
00:46:25,560 --> 00:46:28,680
Speaker 2: gets worse as we see family. You can tell family

928
00:46:28,719 --> 00:46:32,480
Speaker 2: members don't even know only a few of them, and

929
00:46:32,520 --> 00:46:36,440
Speaker 2: you're going, now, now you're losing me a little bit.

930
00:46:38,400 --> 00:46:41,680
Speaker 1: Then I thought.

931
00:46:43,560 --> 00:46:47,360
Speaker 2: The whole storyline in my head of the LA people

932
00:46:47,440 --> 00:46:50,279
Speaker 2: and why because that kind of was my life. I

933
00:46:50,400 --> 00:46:54,799
Speaker 2: was here in George County doing playing, soccer, dancing, doing

934
00:46:54,840 --> 00:46:56,680
Speaker 2: all of that, and then I'd have my you know,

935
00:46:56,719 --> 00:46:58,840
Speaker 2: the commercials that I would do and whatever, and I

936
00:46:58,920 --> 00:47:02,160
Speaker 2: kind of had a different group of friends, not saying

937
00:47:02,200 --> 00:47:04,480
Speaker 2: I had a wig or anything like that, you know,

938
00:47:04,600 --> 00:47:07,439
Speaker 2: trying to be a different but it was a different light, right,

939
00:47:07,880 --> 00:47:11,480
Speaker 2: So they knew me as an industry person, and I

940
00:47:11,520 --> 00:47:13,560
Speaker 2: could relate to them in different ways than I could

941
00:47:13,600 --> 00:47:15,959
Speaker 2: relate to the kids that I was I was up with.

942
00:47:16,480 --> 00:47:17,839
Speaker 1: Connecticut and California were.

943
00:47:17,960 --> 00:47:19,839
Speaker 2: The kids that I was growing up with really new

944
00:47:20,120 --> 00:47:24,400
Speaker 2: certain things, not my not my on screen personality, you know,

945
00:47:24,480 --> 00:47:27,880
Speaker 2: that I'd put into my work. This is this is

946
00:47:27,880 --> 00:47:31,839
Speaker 2: when they lost me. Well for just even I'm not

947
00:47:31,880 --> 00:47:33,279
Speaker 2: going to give you a lot, but this is a

948
00:47:33,320 --> 00:47:33,799
Speaker 2: tidy but.

949
00:47:33,760 --> 00:47:37,520
Speaker 1: When I went he doesn't know you looked into Travis

950
00:47:37,560 --> 00:47:40,600
Speaker 1: Brodie's eyes and you you gave, you forgave the whole thing.

951
00:47:40,640 --> 00:47:46,680
Speaker 2: You know. Listen, you actual husband, not guy, stands up

952
00:47:46,680 --> 00:47:49,880
Speaker 2: to this. This this man that I actually got some marry.

953
00:47:49,800 --> 00:47:53,600
Speaker 1: You know, on somebody and it's a TV crush it's

954
00:47:53,680 --> 00:47:54,839
Speaker 1: not the same.

955
00:47:54,560 --> 00:47:57,120
Speaker 2: As I know, but I'm just saying like, I don't know,

956
00:47:57,200 --> 00:47:59,880
Speaker 2: I've not ever seen one yet. He was more of

957
00:48:00,040 --> 00:48:03,200
Speaker 2: a manly or look, or the rustic kind of look,

958
00:48:03,480 --> 00:48:06,719
Speaker 2: but still not yet. Okay, well, I'll let you know

959
00:48:06,760 --> 00:48:09,440
Speaker 2: when I go. Okay, wow, Jordan and I'll talk about this.

960
00:48:09,480 --> 00:48:20,600
Speaker 1: It's fine. So she eventually gets to her grandmother's house,

961
00:48:20,920 --> 00:48:23,320
Speaker 1: where a jug band is performing. Her Grandma's excited to

962
00:48:23,320 --> 00:48:26,160
Speaker 1: see her. Miley did bring an Elvis commemorative plate for

963
00:48:26,160 --> 00:48:28,440
Speaker 1: her grandma's collection, which of course is very nice. She

964
00:48:28,480 --> 00:48:31,200
Speaker 1: also meets her cousin Derek, who's a weirdo holding a ferret.

965
00:48:31,440 --> 00:48:35,240
Speaker 1: She is not in Hollywood anymore, toto. Grandma also points

966
00:48:35,239 --> 00:48:38,839
Speaker 1: out a new girl to Robbie Ray Laura la It's

967
00:48:38,960 --> 00:48:41,279
Speaker 1: a little matchmaking move that's going on here, and he

968
00:48:41,360 --> 00:48:44,120
Speaker 1: decides to approach Laurali picking up dirty dinner plates as

969
00:48:44,120 --> 00:48:47,719
Speaker 1: an excuse, and then they have what is certainly the

970
00:48:48,040 --> 00:48:51,879
Speaker 1: horniest conversation in dcom history. Let's check out a little

971
00:48:51,880 --> 00:48:52,600
Speaker 1: clip fit right here.

972
00:48:52,600 --> 00:48:53,520
Speaker 5: You got anything for me?

973
00:48:55,120 --> 00:48:57,080
Speaker 2: I don't know. Am you sure you can handle it?

974
00:48:57,440 --> 00:48:59,120
Speaker 2: You'd be amazed when I could handle.

975
00:48:59,360 --> 00:49:04,560
Speaker 1: Oh oh, snap, he'd be amazed what I can handle? Wow,

976
00:49:05,360 --> 00:49:07,880
Speaker 1: And in the process of trying to be smooth, he

977
00:49:07,920 --> 00:49:09,799
Speaker 1: then has a great comedy bit where he knocks over

978
00:49:09,840 --> 00:49:12,960
Speaker 1: Grandma's china shelf and all of her beloved commemorative plates

979
00:49:13,000 --> 00:49:15,400
Speaker 1: go flying, breaking one hundreds of pieces. He thinks he

980
00:49:15,480 --> 00:49:17,520
Speaker 1: saves the Elvis one at the very end and lings

981
00:49:17,560 --> 00:49:19,800
Speaker 1: it up, goes hey Elvis is still alive and smash

982
00:49:19,880 --> 00:49:23,799
Speaker 1: breaks it in by accident on the fan bummer. It

983
00:49:23,800 --> 00:49:25,960
Speaker 1: doesn't stop the party though. Later that night, everyone is

984
00:49:26,000 --> 00:49:29,239
Speaker 1: still singing downstairs and it's actually Rascal Flats playing their

985
00:49:29,280 --> 00:49:31,600
Speaker 1: song from the soundtrack, which was a ton of fun.

986
00:49:32,200 --> 00:49:35,040
Speaker 1: Miley is upstairs looking at a picture of her deceased mom.

987
00:49:35,080 --> 00:49:40,160
Speaker 1: Who is Brooke Shields? Just a photo of brook Shields.

988
00:49:40,640 --> 00:49:45,040
Speaker 2: Like, oh my gosh, I mean, I just I'm going

989
00:49:45,400 --> 00:49:48,720
Speaker 2: At this point, after Rascal Flats doing an acoustic version,

990
00:49:49,000 --> 00:49:51,960
Speaker 2: which is one of my favorite songs, then they have

991
00:49:52,280 --> 00:49:54,400
Speaker 2: a picture of brook Shields, I'm like, who else is

992
00:49:54,480 --> 00:49:57,440
Speaker 2: going to come? Don't worry, guys, it gets better.

993
00:49:57,560 --> 00:49:59,279
Speaker 1: But it's also the only time we ever see her.

994
00:49:59,280 --> 00:50:00,879
Speaker 1: We don't ever see her again, and I'm not sure

995
00:50:00,920 --> 00:50:04,120
Speaker 1: Brookshields even though she was in this movie. Oh apparently,

996
00:50:04,120 --> 00:50:06,200
Speaker 1: according to producer Lisa, she was the mom in the

997
00:50:06,239 --> 00:50:10,320
Speaker 1: TV show too in a flashback episode. Okay, oh okay,

998
00:50:10,040 --> 00:50:13,120
Speaker 1: So people were expecting Brookshields, Okay, got it.

999
00:50:13,200 --> 00:50:15,600
Speaker 2: I was not. I was thrown and I loved it.

1000
00:50:15,960 --> 00:50:17,960
Speaker 1: I thought it was great. Me too. I didn't know,

1001
00:50:18,000 --> 00:50:21,080
Speaker 1: but thank you producer Lisa. By the way, all of

1002
00:50:21,080 --> 00:50:23,959
Speaker 1: the producers so far, I'm sure sending me hate mail.

1003
00:50:24,320 --> 00:50:27,399
Speaker 1: I'm gonna have hate emails from everything going on for

1004
00:50:27,680 --> 00:50:30,759
Speaker 1: how much I'm bashing the wig thing because I know

1005
00:50:30,840 --> 00:50:34,640
Speaker 1: that this is a very important movie in the seitgeist

1006
00:50:34,800 --> 00:50:39,520
Speaker 1: of magical rewind producers. But anyway, the next morning, Miley

1007
00:50:39,560 --> 00:50:43,560
Speaker 1: wakes up with a plan, Operation Hannah Montana. She enthusiastically

1008
00:50:43,560 --> 00:50:46,960
Speaker 1: sprints downstairs and overalls and pigtails. The full Southern accent

1009
00:50:47,000 --> 00:50:49,200
Speaker 1: is back. She's going to go ten to the chickens

1010
00:50:49,400 --> 00:50:51,840
Speaker 1: and this Shock's Robbie Ray and Grandma. But the excitement

1011
00:50:51,960 --> 00:50:55,000
Speaker 1: quickly disappears when she's attacked by hungry chickens and covered

1012
00:50:55,000 --> 00:50:58,040
Speaker 1: in yoke. I still don't understand what the plan was.

1013
00:50:59,120 --> 00:51:00,160
Speaker 1: What was the plan.

1014
00:51:01,680 --> 00:51:04,440
Speaker 2: For her? She was just trying to get into like

1015
00:51:04,480 --> 00:51:07,560
Speaker 2: the mourning chores that you do on a farm when

1016
00:51:07,560 --> 00:51:08,320
Speaker 2: you see.

1017
00:51:08,160 --> 00:51:10,120
Speaker 1: I don't want to what she was doing. I think

1018
00:51:10,160 --> 00:51:13,000
Speaker 1: she was trying to do something to prove something to them,

1019
00:51:13,400 --> 00:51:15,920
Speaker 1: which did like this was like, here's my plan, but

1020
00:51:16,000 --> 00:51:17,600
Speaker 1: I didn't understand what the plan was.

1021
00:51:18,080 --> 00:51:20,439
Speaker 2: Yeah, the chores that she was doing are mourning chores

1022
00:51:20,480 --> 00:51:22,280
Speaker 2: that you would do on the farm. But I feel

1023
00:51:22,280 --> 00:51:24,239
Speaker 2: like she was doing that to be like, oh, you

1024
00:51:24,239 --> 00:51:26,480
Speaker 2: want me to be country, here we go. And she

1025
00:51:26,600 --> 00:51:30,279
Speaker 2: was doing like an over the top situation. But it

1026
00:51:30,320 --> 00:51:31,440
Speaker 2: backfired on her.

1027
00:51:31,400 --> 00:51:34,120
Speaker 1: Because Okay, get maybe that's what Okay, that's what I

1028
00:51:34,360 --> 00:51:37,799
Speaker 1: took it as. Okay, fair enough. Once done, Grandma takes

1029
00:51:37,800 --> 00:51:40,000
Speaker 1: Miley to the farmer's market I love a good farmer's

1030
00:51:40,000 --> 00:51:41,680
Speaker 1: market and asks Robbie Ray to stay at home and

1031
00:51:41,719 --> 00:51:45,160
Speaker 1: help the foreman. And guess who the foreman is. It's

1032
00:51:45,520 --> 00:51:47,279
Speaker 1: Laura l She lives on the ground and works with

1033
00:51:47,320 --> 00:51:49,839
Speaker 1: the grandma just like Travis. How convenient both their love

1034
00:51:49,880 --> 00:51:54,000
Speaker 1: interests are actually employed. Love it. On their way to

1035
00:51:54,040 --> 00:51:57,080
Speaker 1: the farmer's market, Miley's grandmother tells her that developers are

1036
00:51:57,080 --> 00:51:59,319
Speaker 1: threatened to buy the town and replace it with a mall.

1037
00:51:59,600 --> 00:52:02,120
Speaker 1: He is tiresly trying to raise money to stop it.

1038
00:52:02,320 --> 00:52:04,640
Speaker 1: Miley's actually excited about the prospect. She wants to know

1039
00:52:04,640 --> 00:52:06,520
Speaker 1: if there's going to be at Bloomingdale's. This leads to

1040
00:52:06,560 --> 00:52:09,200
Speaker 1: an ultimatum from her grandmother. Either live the country life

1041
00:52:09,200 --> 00:52:11,760
Speaker 1: and be thankful, or just go back to Hollywood because

1042
00:52:11,760 --> 00:52:14,520
Speaker 1: being in the middle isn't enjoyable for anyone. She gets

1043
00:52:14,560 --> 00:52:15,840
Speaker 1: a little smack down there in the middle of the

1044
00:52:15,880 --> 00:52:19,480
Speaker 1: street from Grandma. I me too. Miley apologizes, but then

1045
00:52:19,560 --> 00:52:24,480
Speaker 1: notices Oswald. No Oswald, he's snooping around and thanks to

1046
00:52:24,560 --> 00:52:28,280
Speaker 1: Lily snitches trying to find Hannah Montana at the market.

1047
00:52:30,520 --> 00:52:37,080
Speaker 1: That's right, that's true. Snitches get up, Snitches get ditches Lily.

1048
00:52:37,880 --> 00:52:41,880
Speaker 1: But when Oswald samples too spicy of salsa and Miley

1049
00:52:41,920 --> 00:52:45,319
Speaker 1: releases hundreds of walnuts into the street, absolutely destroying what

1050
00:52:45,360 --> 00:52:48,160
Speaker 1: some farmer has spent months and months working on, Oswald

1051
00:52:48,320 --> 00:52:52,359
Speaker 1: falls on his butt and destroys the entire model of

1052
00:52:52,360 --> 00:52:54,120
Speaker 1: what the new town is going to be. Now keep

1053
00:52:54,120 --> 00:52:56,480
Speaker 1: this in mind, because that town and that guy are

1054
00:52:56,520 --> 00:52:58,120
Speaker 1: going to really have not that much left to do

1055
00:52:58,160 --> 00:52:59,520
Speaker 1: with the story, and they're really not going to have

1056
00:52:59,680 --> 00:53:00,640
Speaker 1: anything else to do, and.

1057
00:53:01,000 --> 00:53:04,759
Speaker 2: They have a good ninety five seconds left. That's yes

1058
00:53:04,800 --> 00:53:07,279
Speaker 2: show to show everything he's got exactly.

1059
00:53:07,760 --> 00:53:10,319
Speaker 1: Oswald notices Miley and asks her, hey, do you know

1060
00:53:10,360 --> 00:53:13,160
Speaker 1: Hannah Montana? And this again has put a Cark Kent

1061
00:53:13,200 --> 00:53:17,280
Speaker 1: Forsu superman vibe in action. The newspaper editor is probably

1062
00:53:17,320 --> 00:53:20,160
Speaker 1: based on Piers Morgan. Back at the farm, Hannah is

1063
00:53:20,160 --> 00:53:22,080
Speaker 1: playing guitar and writing a new song in the barn

1064
00:53:22,080 --> 00:53:24,520
Speaker 1: when Travis walks in. He said she always wanted to

1065
00:53:24,520 --> 00:53:26,960
Speaker 1: be a singer and brushes off the new song as

1066
00:53:27,400 --> 00:53:30,160
Speaker 1: just good. Hannah presses him, why don't you think it's great?

1067
00:53:30,360 --> 00:53:32,760
Speaker 1: He says it just doesn't have any substance. It didn't

1068
00:53:32,760 --> 00:53:35,239
Speaker 1: tell him anything about her. He also announces that he's

1069
00:53:35,239 --> 00:53:37,560
Speaker 1: starting an egg business. They jump on their horses and

1070
00:53:37,640 --> 00:53:40,359
Speaker 1: we get a montage. Miley and Travis have a nice

1071
00:53:40,440 --> 00:53:42,640
Speaker 1: day at the nearby waterfall. Robbie Ray and Laura Lei

1072
00:53:42,680 --> 00:53:45,640
Speaker 1: are also getting closer, and Jackson is playing with an

1073
00:53:45,680 --> 00:53:47,560
Speaker 1: Ostrich And I'm not kidding when I say that. Miley

1074
00:53:47,600 --> 00:53:50,719
Speaker 1: and Travis then build an entire chicken coop in twenty seconds.

1075
00:53:52,080 --> 00:53:55,799
Speaker 1: I also have a question about the chicken coop. Okay,

1076
00:53:55,840 --> 00:54:00,640
Speaker 1: He's going to start an egg business, correct, right, that's

1077
00:54:00,719 --> 00:54:05,640
Speaker 1: that's a great idea. Who doesn't love farm fresh eggs

1078
00:54:07,080 --> 00:54:12,000
Speaker 1: eggs recently, I know, ridiculous. I love so great idea.

1079
00:54:12,120 --> 00:54:18,040
Speaker 1: But is he selling Hannah Montana or Miley's grandmother's eggs.

1080
00:54:18,120 --> 00:54:22,040
Speaker 1: He doesn't own those eggs. No, so he's selling someone

1081
00:54:22,040 --> 00:54:24,160
Speaker 1: else's product. Are they going to split the money or

1082
00:54:24,200 --> 00:54:26,200
Speaker 1: is he just keeping all the cash from all the

1083
00:54:26,280 --> 00:54:27,120
Speaker 1: Grandma would.

1084
00:54:26,880 --> 00:54:30,840
Speaker 2: Get into the specifics of their business deal, and I

1085
00:54:31,480 --> 00:54:34,480
Speaker 2: like that. That was Yeah, it was a good question

1086
00:54:34,600 --> 00:54:37,480
Speaker 2: to ask. But I think the grandma, what she seems

1087
00:54:37,600 --> 00:54:40,160
Speaker 2: like is she's a little nosy and she's kind of

1088
00:54:40,200 --> 00:54:43,359
Speaker 2: in everyone's business. And she's seeing this kid giving him

1089
00:54:43,400 --> 00:54:46,239
Speaker 2: a job and pushing him to start a business on

1090
00:54:46,280 --> 00:54:48,239
Speaker 2: his own, and this is her way that she's going

1091
00:54:48,320 --> 00:54:49,200
Speaker 2: to help fund it for.

1092
00:54:49,200 --> 00:54:50,839
Speaker 1: It's a great idea. When I was seventeen, I should

1093
00:54:50,880 --> 00:54:53,560
Speaker 1: have just started selling all my grandparents to make money, Like, hey,

1094
00:54:53,600 --> 00:54:55,160
Speaker 1: what do you mean? I needed a job? So I

1095
00:54:55,200 --> 00:54:59,319
Speaker 1: sold everything in your garage. I found this very strange.

1096
00:55:00,120 --> 00:55:02,080
Speaker 1: Oh wait, I'm sorry, he said. Grandma said, if he

1097
00:55:02,120 --> 00:55:04,200
Speaker 1: fixes the chicken coop, then he can sell the eggs. No,

1098
00:55:04,239 --> 00:55:07,799
Speaker 1: I get it, But he's selling her eggs. It's like,

1099
00:55:07,840 --> 00:55:10,440
Speaker 1: if you fix my garage, you can sell the car inside.

1100
00:55:10,480 --> 00:55:11,759
Speaker 1: That doesn't make any sense to me.

1101
00:55:11,840 --> 00:55:13,960
Speaker 2: So yeah, well, and truly, what you end up doing

1102
00:55:14,080 --> 00:55:18,520
Speaker 2: is you also the eggs that become chickens. You raise

1103
00:55:18,640 --> 00:55:21,319
Speaker 2: them so that they can So maybe you know there's

1104
00:55:21,360 --> 00:55:24,080
Speaker 2: ways that, Yeah, there's ways to business model.

1105
00:55:24,840 --> 00:55:28,319
Speaker 1: What's gonna be amazing when we do the sequel when

1106
00:55:28,360 --> 00:55:31,080
Speaker 1: we find out that eggs is just code word for

1107
00:55:31,160 --> 00:55:32,759
Speaker 1: drugs and he's got like a meth lab in that

1108
00:55:32,800 --> 00:55:36,120
Speaker 1: little little thing they're making. Yeah, just wait, why does.

1109
00:55:36,000 --> 00:55:37,640
Speaker 2: She always have to go so dark?

1110
00:55:37,719 --> 00:55:40,560
Speaker 1: Well that's a great question. Why do the sequels always

1111
00:55:40,600 --> 00:55:42,480
Speaker 1: have to go so dark? We're definitely going to figure

1112
00:55:42,520 --> 00:55:44,440
Speaker 1: that out. I want to find out when we get

1113
00:55:44,480 --> 00:55:45,240
Speaker 1: to the second.

1114
00:55:45,640 --> 00:55:49,839
Speaker 2: The second in the first one reels here's the reality.

1115
00:55:49,280 --> 00:55:54,560
Speaker 1: Guys awful anyway exactly. So this is also where we

1116
00:55:54,640 --> 00:55:57,080
Speaker 1: learn of an upcoming event, a music festival to save

1117
00:55:57,120 --> 00:56:00,000
Speaker 1: the town. We quickly find ourselves at the small music

1118
00:56:00,120 --> 00:56:04,200
Speaker 1: venue with Billy Ray Cyrus aka Robbie Ray performing. It

1119
00:56:04,280 --> 00:56:06,040
Speaker 1: is much better than his recent train wreck at the

1120
00:56:06,040 --> 00:56:09,600
Speaker 1: Liberty Ball in Washington, d C. And Laura Lai loves it,

1121
00:56:09,680 --> 00:56:12,680
Speaker 1: so that is very cool. And then the one and

1122
00:56:12,719 --> 00:56:15,759
Speaker 1: only Taylor Swift takes the stage and performs the song,

1123
00:56:15,920 --> 00:56:17,719
Speaker 1: just steps up and it's like, oh wow, and now

1124
00:56:17,719 --> 00:56:20,080
Speaker 1: there's Taylor Swift. And let it be known that although

1125
00:56:20,080 --> 00:56:22,560
Speaker 1: Taylor looks young here, she was very much already on

1126
00:56:22,600 --> 00:56:26,359
Speaker 1: her meteoric rise, releasing Fearless and touring. And it would

1127
00:56:26,360 --> 00:56:29,920
Speaker 1: be the very next year that Kanye would interrupt her

1128
00:56:29,960 --> 00:56:32,440
Speaker 1: at the VMA's. So this was right at the beginning,

1129
00:56:32,520 --> 00:56:34,880
Speaker 1: believe it or not, but what would be the biggest

1130
00:56:34,920 --> 00:56:39,279
Speaker 1: pop music career in history. So I think she did

1131
00:56:39,280 --> 00:56:41,160
Speaker 1: this not only for the synergy, because I know she

1132
00:56:41,200 --> 00:56:43,200
Speaker 1: loved Disney Channel, but I think she was just a fan.

1133
00:56:43,880 --> 00:56:45,120
Speaker 2: Yeah, I do, Oh for sure.

1134
00:56:45,320 --> 00:56:46,880
Speaker 1: She was a Boy Meets World fan too. I mean

1135
00:56:46,920 --> 00:56:49,400
Speaker 1: I know that she loved Disney stuff. I'm guessing she

1136
00:56:49,440 --> 00:56:52,080
Speaker 1: was a Cheetah Girls fan. I mean, like, she loved

1137
00:56:52,120 --> 00:56:54,720
Speaker 1: Disney stuff. So you get to be on Hannah Montana

1138
00:56:54,760 --> 00:56:56,239
Speaker 1: in the movie. I bet you she jumped at the

1139
00:56:56,320 --> 00:56:56,719
Speaker 1: chance to do.

1140
00:56:57,000 --> 00:56:58,600
Speaker 2: Of course, absolutely.

1141
00:56:59,200 --> 00:57:02,439
Speaker 1: And so now while Taylor sings Travis and Miley's Slow Dance,

1142
00:57:02,680 --> 00:57:05,279
Speaker 1: and once Taylor is done, Travis convinces Miley to take

1143
00:57:05,280 --> 00:57:07,920
Speaker 1: the stage for open mic, and even though she says no,

1144
00:57:08,400 --> 00:57:11,040
Speaker 1: he pushes her onto the stage. She meagerly says she's

1145
00:57:11,080 --> 00:57:15,440
Speaker 1: bringing some hip hop to this hoe down, and that

1146
00:57:15,560 --> 00:57:18,280
Speaker 1: leads the audience in a boom boom clap to start

1147
00:57:18,320 --> 00:57:20,720
Speaker 1: her new song, which is just as much hip hop

1148
00:57:20,760 --> 00:57:23,280
Speaker 1: as it is death metal. So here is a small

1149
00:57:23,320 --> 00:57:25,520
Speaker 1: clip of that song, pop It, knock.

1150
00:57:25,360 --> 00:57:27,840
Speaker 4: It, Poka, don it cut your fabin and.

1151
00:57:29,960 --> 00:57:32,920
Speaker 2: Side to side jump to the net, stick it.

1152
00:57:33,440 --> 00:57:34,160
Speaker 1: Oh god?

1153
00:57:34,560 --> 00:57:34,880
Speaker 2: Oh?

1154
00:57:35,000 --> 00:57:36,760
Speaker 1: Can we agree it's the worst song in the movie.

1155
00:57:36,960 --> 00:57:40,960
Speaker 2: Absolutely not Will I'm not agreeing with you. It's so

1156
00:57:41,440 --> 00:57:46,560
Speaker 2: freaking way I thought this part was okay. First of all,

1157
00:57:47,400 --> 00:57:49,520
Speaker 2: I agree with you in the sense that I don't

1158
00:57:49,720 --> 00:57:51,960
Speaker 2: hear any sense of hip hop in this.

1159
00:57:52,520 --> 00:57:53,800
Speaker 1: She says, hip hop doesn't.

1160
00:57:53,840 --> 00:57:57,480
Speaker 2: I know, it's more poppy. But this part to me

1161
00:57:57,960 --> 00:58:02,120
Speaker 2: was again Disney beans super smart. Now we gotta dance.

1162
00:58:02,720 --> 00:58:05,160
Speaker 2: Now we got a dance that's easy to learn, and

1163
00:58:05,240 --> 00:58:07,720
Speaker 2: now we got an anthem. Now we got now we

1164
00:58:07,720 --> 00:58:10,960
Speaker 2: got can make it better? Climb is the actual anthem

1165
00:58:11,000 --> 00:58:14,480
Speaker 2: of it. But this this song, they don't. That's the thing, though,

1166
00:58:14,520 --> 00:58:18,080
Speaker 2: Will this demo that was following. Hannah didn't need any

1167
00:58:18,120 --> 00:58:24,560
Speaker 2: more than this. They didn't ask ask everyone. They do

1168
00:58:24,760 --> 00:58:28,200
Speaker 2: not need any more than this. This was enough to

1169
00:58:28,240 --> 00:58:31,680
Speaker 2: give them a dance to learn, a dance to throw

1170
00:58:31,760 --> 00:58:34,120
Speaker 2: on at the next slumber party where they all do

1171
00:58:34,200 --> 00:58:37,560
Speaker 2: it together. Okay, this is the same as like in

1172
00:58:37,720 --> 00:58:39,640
Speaker 2: syncs bye bye bye.

1173
00:58:39,200 --> 00:58:43,200
Speaker 1: No no, no, no, not the same ang.

1174
00:58:44,360 --> 00:58:47,400
Speaker 2: Yes, okay, but it's the same idea. Is something that

1175
00:58:47,440 --> 00:58:51,120
Speaker 2: they can learn and mimic. This is probably one of

1176
00:58:51,200 --> 00:58:55,280
Speaker 2: the best songs in the best like major crash songs

1177
00:58:55,320 --> 00:58:59,360
Speaker 2: at there at her touring shows when she did it

1178
00:58:59,400 --> 00:59:02,920
Speaker 2: the hodown slide all that I can't even imagine how

1179
00:59:03,000 --> 00:59:04,440
Speaker 2: kids went bonkers.

1180
00:59:04,600 --> 00:59:06,360
Speaker 1: Well, all the producers of course agree with you.

1181
00:59:06,520 --> 00:59:09,440
Speaker 2: Yes, they just said, forget the Cha cha slide. How

1182
00:59:09,520 --> 00:59:12,400
Speaker 2: dumb is that song? But it's the easiest thing it

1183
00:59:12,440 --> 00:59:14,960
Speaker 2: comes on. Yeah, sure I know it. I don't know

1184
00:59:15,000 --> 00:59:18,640
Speaker 2: a lick a dancing, but I definitely can do that. Absolutely.

1185
00:59:18,680 --> 00:59:21,640
Speaker 2: This was so freaking smart. I didn't know what they were.

1186
00:59:21,960 --> 00:59:24,160
Speaker 1: We've had producer Lisa said, where I used to work,

1187
00:59:24,200 --> 00:59:26,960
Speaker 1: Disney gave us the tutorial to upload and it was

1188
00:59:27,000 --> 00:59:31,040
Speaker 1: our number one video for years with millions of views.

1189
00:59:31,960 --> 00:59:35,760
Speaker 2: I'm telling you this, This was so smart for Disney

1190
00:59:35,800 --> 00:59:39,320
Speaker 2: to do, because again it's I'm not gonna say it's

1191
00:59:39,320 --> 00:59:42,920
Speaker 2: a great song. I'm just gonna say it's the smartest

1192
00:59:42,920 --> 00:59:46,440
Speaker 2: song I get. It's so smart. And it was like

1193
00:59:46,480 --> 00:59:48,480
Speaker 2: when I was watching it because I didn't know what

1194
00:59:48,520 --> 00:59:51,000
Speaker 2: they were talking right in our text thread leading up

1195
00:59:51,040 --> 00:59:53,240
Speaker 2: to this, I had no idea what they were talking about.

1196
00:59:53,640 --> 00:59:55,200
Speaker 2: I had no idea, and I'm like, I can't wait

1197
00:59:55,280 --> 00:59:58,160
Speaker 2: for this. When it came on, I was like, Disney

1198
00:59:58,160 --> 01:00:01,560
Speaker 2: does it again. I'm telling you I was ready for

1199
01:00:01,640 --> 01:00:04,480
Speaker 2: a holdout shout down with you, mister will I.

1200
01:00:04,880 --> 01:00:05,800
Speaker 4: We're gonna hate this.

1201
01:00:05,840 --> 01:00:10,520
Speaker 1: And I like, it's a bad song. It's a bad song.

1202
01:00:10,880 --> 01:00:12,880
Speaker 1: So here's what we're gonna do. We are gonna write

1203
01:00:12,880 --> 01:00:15,360
Speaker 1: the Magical rewind Dance song. You're gonna come up with

1204
01:00:15,400 --> 01:00:17,160
Speaker 1: the dance and we're gonna it's like and then rewind

1205
01:00:17,200 --> 01:00:19,160
Speaker 1: it and slide it and to the left. You're gonna

1206
01:00:19,160 --> 01:00:20,640
Speaker 1: come up with that and we're gonna do.

1207
01:00:20,640 --> 01:00:22,920
Speaker 2: You have never sound more smart in your own.

1208
01:00:22,800 --> 01:00:25,200
Speaker 1: Then we're gonna do it. We're doing the Magical rewind Dance.

1209
01:00:25,800 --> 01:00:28,080
Speaker 2: It is really sinking in. It is watch and We're

1210
01:00:28,120 --> 01:00:32,160
Speaker 2: gonna get Paul Owen to come back. He's gonna I

1211
01:00:32,240 --> 01:00:33,680
Speaker 2: love the music video.

1212
01:00:34,080 --> 01:00:37,400
Speaker 1: I love it. Who's gonna who's gonna choreograph?

1213
01:00:37,600 --> 01:00:38,400
Speaker 2: I'm gonna do it?

1214
01:00:38,520 --> 01:00:39,480
Speaker 1: Thank you.

1215
01:00:39,520 --> 01:00:43,920
Speaker 2: Probably we gotta pull in some like Let's ask the

1216
01:00:43,960 --> 01:00:47,280
Speaker 2: one that come that is on Zombies. Let's ask that choreographer. Well,

1217
01:00:47,280 --> 01:00:49,800
Speaker 2: we're also gonna Chucky clay Bow, it's got to be

1218
01:00:49,800 --> 01:00:50,240
Speaker 2: one of them.

1219
01:00:50,400 --> 01:00:53,000
Speaker 1: We're also gonna be getting all of our friends of

1220
01:00:53,000 --> 01:00:55,760
Speaker 1: the podcast back to do the dance with us. Casey

1221
01:00:55,760 --> 01:00:58,520
Speaker 1: stro Everybody's gonna come back and do the Magical Rewind

1222
01:00:58,560 --> 01:01:01,400
Speaker 1: dance with us. So that so we better. You better

1223
01:01:01,400 --> 01:01:04,920
Speaker 1: start thinking, because if Hodown Showdown's gonna make it, then

1224
01:01:05,000 --> 01:01:09,080
Speaker 1: so will Magical Rewind. That's what I'm telling you, do

1225
01:01:09,200 --> 01:01:11,120
Speaker 1: the Rewind? How can you not? Anyway?

1226
01:01:11,080 --> 01:01:12,880
Speaker 2: Yeah, I love it much.

1227
01:01:12,720 --> 01:01:15,120
Speaker 1: Like all of our producers. The crowd of course goes nuts.

1228
01:01:15,160 --> 01:01:17,840
Speaker 1: They love it until the evil real estate agent developer

1229
01:01:17,880 --> 01:01:21,520
Speaker 1: shows up. This angers Grandma. He's the man threatening to

1230
01:01:21,560 --> 01:01:25,120
Speaker 1: exterminate her town. He arrogantly ridicules the fundraiser and says

1231
01:01:25,160 --> 01:01:27,600
Speaker 1: there's no amount of money that can stop him, and

1232
01:01:27,640 --> 01:01:30,640
Speaker 1: then Travis grabs the Mic and blurts out, Miley knows

1233
01:01:30,640 --> 01:01:35,600
Speaker 1: Hannah Montana Travis. I know, dude Travis, well how but

1234
01:01:35,720 --> 01:01:38,320
Speaker 1: he doesn't know. I mean Hannah Montana's three thousand miles

1235
01:01:38,320 --> 01:01:45,160
Speaker 1: away and blonde Sabrina come on, so Travis. Travis suggests

1236
01:01:45,200 --> 01:01:47,720
Speaker 1: a concert to help the city, and this jerk sure

1237
01:01:47,800 --> 01:01:50,320
Speaker 1: is pompous. Thanks a lot, dude. Miley is now completely

1238
01:01:50,360 --> 01:01:53,640
Speaker 1: pressured and says she will give Hannah a Calloo boo boop,

1239
01:01:53,720 --> 01:01:57,959
Speaker 1: Hi Me, Robbie Ray and family. They obviously look concerned

1240
01:01:58,320 --> 01:02:00,760
Speaker 1: but have no fear Hannah is here, or at least

1241
01:02:01,040 --> 01:02:10,600
Speaker 1: you know who the town thinks is Hannah. A limo

1242
01:02:10,720 --> 01:02:13,240
Speaker 1: arrives with Lily wearing the wig inside and waving out

1243
01:02:13,240 --> 01:02:15,680
Speaker 1: the window. Oswald's so happy to see this. His story

1244
01:02:15,680 --> 01:02:19,320
Speaker 1: can finally happen. And here's where I was like liter

1245
01:02:19,600 --> 01:02:23,840
Speaker 1: That was Bath Lily, but also Lily Lily and Miley.

1246
01:02:24,200 --> 01:02:24,960
Speaker 1: She hated her.

1247
01:02:25,440 --> 01:02:29,000
Speaker 2: There was no resolution, There was no resolution, no call,

1248
01:02:29,160 --> 01:02:32,600
Speaker 2: no nothing. She literally said, you can never would she

1249
01:02:32,680 --> 01:02:35,640
Speaker 2: say I'll make it up to you or something or

1250
01:02:35,760 --> 01:02:36,480
Speaker 2: I'm sorry.

1251
01:02:36,720 --> 01:02:37,960
Speaker 1: Yeah, they have one quaked.

1252
01:02:38,160 --> 01:02:42,720
Speaker 2: She's Tennessee, my god, I ruined my five hundred thousand

1253
01:02:42,720 --> 01:02:44,240
Speaker 2: dollars sixteenth birthday.

1254
01:02:44,400 --> 01:02:49,240
Speaker 1: Yes, sold our house just to have this birthday party.

1255
01:02:49,480 --> 01:02:52,360
Speaker 2: But then sure, I'll show up to Tennessee and she just.

1256
01:02:52,360 --> 01:02:55,240
Speaker 1: Shows up, so yeah, it was it was weird that

1257
01:02:55,320 --> 01:02:59,000
Speaker 1: there was no okay anyway, Vita has also made the

1258
01:02:59,040 --> 01:03:02,520
Speaker 1: trip with Lily, and she and Miley hug. They don't

1259
01:03:02,520 --> 01:03:04,960
Speaker 1: talk about any of their problems, of course, because Lily

1260
01:03:04,960 --> 01:03:06,880
Speaker 1: announced that her loose lips were the one that got

1261
01:03:06,880 --> 01:03:08,640
Speaker 1: Oswald to come to Tennessee in the first place, so

1262
01:03:09,120 --> 01:03:12,080
Speaker 1: she kind of blames herself. But anyway, Yeah, but before

1263
01:03:12,080 --> 01:03:14,320
Speaker 1: Miley can even take that in, Laura I knocks in

1264
01:03:14,360 --> 01:03:16,920
Speaker 1: the door. She wants to talk to Hannah and Miley.

1265
01:03:17,680 --> 01:03:17,800
Speaker 3: Uh.

1266
01:03:17,920 --> 01:03:20,720
Speaker 1: Oh, problems. So Lily gets back in the wig and

1267
01:03:20,800 --> 01:03:22,640
Speaker 1: hides her face with a towel, pretending she needs a

1268
01:03:22,680 --> 01:03:26,000
Speaker 1: foot massage. In bed, Laura I announces that the mayor

1269
01:03:26,040 --> 01:03:27,960
Speaker 1: wants to throw Hannah a big bash for her tonight,

1270
01:03:28,200 --> 01:03:30,520
Speaker 1: and since Lily can't speak for her, she takes her

1271
01:03:30,560 --> 01:03:33,560
Speaker 1: silence as a yes. This creates a problem, especially since

1272
01:03:33,640 --> 01:03:35,440
Speaker 1: Laura I will be the one in charge of the

1273
01:03:35,480 --> 01:03:39,480
Speaker 1: welcoming event. Lily then spots Travis and is impressed. Oh

1274
01:03:39,520 --> 01:03:42,920
Speaker 1: of course, because as Sabrina the same thing. Sabrina saw

1275
01:03:43,000 --> 01:03:44,680
Speaker 1: him and was like, what, I'll take me into the

1276
01:03:44,720 --> 01:03:47,840
Speaker 1: slice of that cowboy. Miley thinks he may just want

1277
01:03:47,840 --> 01:03:50,080
Speaker 1: to be friends, but she should try to win him over.

1278
01:03:50,760 --> 01:03:54,320
Speaker 1: She brings out the real Hannah because she's like, hey,

1279
01:03:54,840 --> 01:03:58,000
Speaker 1: he's met Miley, but he's never met Hannah. So Hannah

1280
01:03:58,040 --> 01:04:00,400
Speaker 1: has to come say hi. But Travis, because he's a

1281
01:04:00,400 --> 01:04:04,000
Speaker 1: real guy, is not impressed by the superstar or the wig.

1282
01:04:04,240 --> 01:04:07,040
Speaker 1: He just likes regular old Miley and he wants to

1283
01:04:07,080 --> 01:04:09,200
Speaker 1: ask her out right now, so Hannah has to rush

1284
01:04:09,200 --> 01:04:11,840
Speaker 1: to the coop and change back into Miley. She makes

1285
01:04:11,840 --> 01:04:14,520
Speaker 1: it just in time to play it cool while painting horribly.

1286
01:04:14,560 --> 01:04:16,320
Speaker 1: I don't know if you noticed, but she got red

1287
01:04:16,400 --> 01:04:18,640
Speaker 1: all over.

1288
01:04:20,560 --> 01:04:24,520
Speaker 2: It's not even a hard job. The panels are quite wide.

1289
01:04:25,080 --> 01:04:27,240
Speaker 1: She had the green on the red, and it was

1290
01:04:27,280 --> 01:04:30,320
Speaker 1: like color in the lines, Miley, slash Hannah, color in

1291
01:04:30,400 --> 01:04:37,400
Speaker 1: the lines, Miley. It's true, man. But she rushes there

1292
01:04:37,600 --> 01:04:39,480
Speaker 1: and she makes it just in time, plays it cool,

1293
01:04:39,520 --> 01:04:42,600
Speaker 1: nonchalantly saying yes to being asked out by him. But

1294
01:04:42,640 --> 01:04:44,560
Speaker 1: wait a minute, she can't go on this date. Hannah

1295
01:04:44,560 --> 01:04:47,040
Speaker 1: is supposed to be going to Lauralei's big mayor party.

1296
01:04:47,640 --> 01:04:49,600
Speaker 1: Robbie Ray leaves it up to Miley to pick, and

1297
01:04:49,640 --> 01:04:52,160
Speaker 1: in the end she stands up Travis to meet the mayor.

1298
01:04:52,560 --> 01:04:54,680
Speaker 1: Laura I does notice Miley isn't there at the event,

1299
01:04:54,800 --> 01:04:58,400
Speaker 1: so she starts putting two and two together. The mayor

1300
01:04:58,440 --> 01:05:00,880
Speaker 1: praises Hannah for her charitable action because she does go

1301
01:05:01,240 --> 01:05:04,280
Speaker 1: and cousin Derek has lost his ferret. Oh I hate that.

1302
01:05:04,800 --> 01:05:07,840
Speaker 1: Hannah abruptly dismisses herself and quickly changes into Miley so

1303
01:05:07,880 --> 01:05:09,840
Speaker 1: she can save her date. She's gonna do that thing

1304
01:05:09,880 --> 01:05:11,560
Speaker 1: where someone is in a movie or TV show and

1305
01:05:11,600 --> 01:05:13,000
Speaker 1: has to do things at the same time, so they

1306
01:05:13,080 --> 01:05:15,520
Speaker 1: keep running back and forth between them. So she gets

1307
01:05:15,520 --> 01:05:18,160
Speaker 1: into the restaurant apologizes for being late, but Travis has

1308
01:05:18,200 --> 01:05:21,680
Speaker 1: brought her some flowers. He notices immediately something that all

1309
01:05:21,800 --> 01:05:25,280
Speaker 1: guys notice on a date. She's only wearing one earring.

1310
01:05:25,520 --> 01:05:30,320
Speaker 1: I mean, who doesn't notice that? No one. She brushes

1311
01:05:30,360 --> 01:05:32,880
Speaker 1: it off as a trendy LA thing. He avoids small

1312
01:05:32,920 --> 01:05:35,440
Speaker 1: talk and goes right for the juggular. He wants her

1313
01:05:35,480 --> 01:05:38,680
Speaker 1: to know before she returns to La how he feels

1314
01:05:38,720 --> 01:05:41,360
Speaker 1: about her, and right as he's about to spill the beans.

1315
01:05:41,440 --> 01:05:44,160
Speaker 1: Miley's phone rings. She sprints out of the date and

1316
01:05:44,240 --> 01:05:47,920
Speaker 1: back in with the mayor, now with massive lobsters on

1317
01:05:48,000 --> 01:05:51,120
Speaker 1: everybody's plate, but the wheels are really starting to fall off.

1318
01:05:51,240 --> 01:05:54,400
Speaker 1: The ferret gets loose and Miley runs back to Travis,

1319
01:05:54,400 --> 01:05:56,880
Speaker 1: still with her lobster bib on. I hope everybody's keeping up.

1320
01:05:57,000 --> 01:05:59,440
Speaker 1: This is starting to get very messy and everyone's starting

1321
01:05:59,480 --> 01:06:03,640
Speaker 1: to get suspence, even Travis. Eventually, Robbie Ray says enough

1322
01:06:03,680 --> 01:06:06,240
Speaker 1: is enough, forcing Hannah to stay for the flombay, the

1323
01:06:06,320 --> 01:06:09,680
Speaker 1: Tennessee Flombay, which frankly sounds very very good. The mayor

1324
01:06:09,720 --> 01:06:12,080
Speaker 1: begins with the speech and midway through is bitten by

1325
01:06:12,120 --> 01:06:15,240
Speaker 1: the ferret. The melee ends up with the table catching fire,

1326
01:06:15,520 --> 01:06:18,280
Speaker 1: two customers wigs being switched. Seems to be a lot

1327
01:06:18,280 --> 01:06:21,040
Speaker 1: going on with this movie in wigs and everything fails

1328
01:06:21,320 --> 01:06:24,320
Speaker 1: in front of Robbie Ray, Laurali and the Mayor. Hannah

1329
01:06:24,400 --> 01:06:27,040
Speaker 1: runs out of the building holding her Miley stuff, and

1330
01:06:27,080 --> 01:06:29,880
Speaker 1: an example of just terrible timing, runs into a young

1331
01:06:29,920 --> 01:06:33,960
Speaker 1: fan just as she's taking off the wig again. This

1332
01:06:34,320 --> 01:06:36,920
Speaker 1: seems like this is not so top secret. Everything is

1333
01:06:37,000 --> 01:06:39,640
Speaker 1: just so careless and then the young girl sees the transition,

1334
01:06:39,840 --> 01:06:44,560
Speaker 1: and so does Travis. What worst case scenario? Wait, it

1335
01:06:44,600 --> 01:06:47,080
Speaker 1: was a wig. Miley runs after him. She just wants

1336
01:06:47,160 --> 01:06:49,320
Speaker 1: to explain, but he can't believe she's been lying this

1337
01:06:49,520 --> 01:06:52,240
Speaker 1: entire time. He says they are over and he leaves.

1338
01:06:52,680 --> 01:06:55,200
Speaker 1: A distraught Miley runs back to her dad, who saw everything.

1339
01:06:55,560 --> 01:06:58,000
Speaker 1: Lauraai pops up, mad that Hannah ruined her big night.

1340
01:06:58,200 --> 01:07:01,040
Speaker 1: When Robbie Ray stands up for the pop star, Laura

1341
01:07:01,080 --> 01:07:03,880
Speaker 1: Lai then knows something's up. She can't be dating someone lying,

1342
01:07:03,920 --> 01:07:06,560
Speaker 1: but instead of telling the truth, he breaks up with her.

1343
01:07:06,720 --> 01:07:10,640
Speaker 1: This is terrible. We all just miss the lobster times.

1344
01:07:12,560 --> 01:07:15,360
Speaker 1: Miley cries as a group of fans outside begin to

1345
01:07:15,440 --> 01:07:18,320
Speaker 1: chant her name. It's now raining, of course, cause rain,

1346
01:07:18,640 --> 01:07:22,360
Speaker 1: and both Miley and Travis are sad. In gazebos, Miley

1347
01:07:22,480 --> 01:07:24,760
Speaker 1: is comfortably writing music when her dad walks up. He

1348
01:07:24,760 --> 01:07:27,600
Speaker 1: also seems pretty sad. Miley says the new song that

1349
01:07:27,640 --> 01:07:29,720
Speaker 1: she's written is about her and her dad, and she

1350
01:07:29,760 --> 01:07:33,880
Speaker 1: starts to acoustically play Butterfly Fly Away, and she says, Dad,

1351
01:07:34,120 --> 01:07:38,320
Speaker 1: sing with me, and he does. He sings the song

1352
01:07:38,960 --> 01:07:42,880
Speaker 1: she just wrote and has never heard but knows all

1353
01:07:42,880 --> 01:07:43,920
Speaker 1: the lyrics.

1354
01:07:43,480 --> 01:07:47,800
Speaker 2: To attention shoppers, and she in fact had willed up

1355
01:07:47,840 --> 01:07:50,400
Speaker 2: to this point. We have now lost him.

1356
01:07:50,760 --> 01:07:54,360
Speaker 4: Out of the Billow.

1357
01:07:54,040 --> 01:07:58,880
Speaker 1: Do you know the song? She says, Can I hear it?

1358
01:07:59,040 --> 01:08:01,840
Speaker 1: And she says sure, and she starts playing the songs

1359
01:08:02,840 --> 01:08:06,280
Speaker 1: and they start singing together. How do you know the song?

1360
01:08:06,440 --> 01:08:10,520
Speaker 2: Okay? Well, he would know the lyrics because this was

1361
01:08:10,560 --> 01:08:13,960
Speaker 2: a book that he had read to her the attack,

1362
01:08:14,120 --> 01:08:16,759
Speaker 2: the grandma says it, so he would get that lyrics.

1363
01:08:16,840 --> 01:08:19,080
Speaker 1: I get that, And right now all the producers are

1364
01:08:19,120 --> 01:08:21,760
Speaker 1: furiously typing, I'm sure to put something on our chain.

1365
01:08:22,880 --> 01:08:23,360
Speaker 1: But he.

1366
01:08:25,479 --> 01:08:27,000
Speaker 2: Would not know the melody though.

1367
01:08:27,120 --> 01:08:30,519
Speaker 1: No, it's no, he'd be chasing if he was.

1368
01:08:30,840 --> 01:08:32,479
Speaker 2: You know, when they should do what they should do

1369
01:08:32,520 --> 01:08:36,320
Speaker 2: with things like this is when she sings and he repeats.

1370
01:08:36,040 --> 01:08:36,800
Speaker 5: Here he do that?

1371
01:08:37,160 --> 01:08:40,439
Speaker 2: He comes in the second verse, Yes, yeah, How.

1372
01:08:40,280 --> 01:08:40,880
Speaker 1: Hard is that?

1373
01:08:41,360 --> 01:08:42,080
Speaker 2: He started with?

1374
01:08:42,760 --> 01:08:43,040
Speaker 1: Yes?

1375
01:08:43,160 --> 01:08:44,360
Speaker 2: Okay, I loved this song.

1376
01:08:44,520 --> 01:08:47,599
Speaker 1: It's a great song. It's the best song in the movie,

1377
01:08:47,600 --> 01:08:49,400
Speaker 1: in my opinion, it's the best song in the movie.

1378
01:08:49,640 --> 01:08:54,759
Speaker 2: Again, I'm back watching this on the couch, absolutely falling

1379
01:08:54,800 --> 01:08:57,200
Speaker 2: asleep by this time. But that's okay. She's at least

1380
01:08:57,200 --> 01:09:01,160
Speaker 2: there still, and it's like you're you know the moments

1381
01:09:01,160 --> 01:09:03,599
Speaker 2: of you tucking in and you know those moments of going.

1382
01:09:03,680 --> 01:09:04,719
Speaker 1: It's a beautiful song.

1383
01:09:04,960 --> 01:09:06,599
Speaker 2: It is such a good song.

1384
01:09:06,680 --> 01:09:09,360
Speaker 1: I don't have car and it's a beautiful song. I

1385
01:09:10,520 --> 01:09:13,320
Speaker 1: song the best song of the movie. I just hated

1386
01:09:13,320 --> 01:09:15,960
Speaker 1: the fact that he somehow knew it.

1387
01:09:15,439 --> 01:09:18,840
Speaker 2: I right, well, he still had him.

1388
01:09:18,960 --> 01:09:21,920
Speaker 1: We have lost you might have lost Will, but Jack's

1389
01:09:21,920 --> 01:09:28,360
Speaker 1: still here here. Okay. So anyway, that night, of course,

1390
01:09:28,400 --> 01:09:30,920
Speaker 1: Miley can't sleep, and then first thing in the morning, Lily,

1391
01:09:31,040 --> 01:09:33,880
Speaker 1: still in her robe, goes to the now finished chicken coop,

1392
01:09:34,160 --> 01:09:38,360
Speaker 1: magically painted and decorated like clown pants. But Miley fell

1393
01:09:38,400 --> 01:09:40,400
Speaker 1: asleep while painting it, so Lily wakes her and make

1394
01:09:40,439 --> 01:09:42,639
Speaker 1: sure she's on time for the big Hannah Montana benefit

1395
01:09:42,720 --> 01:09:45,240
Speaker 1: concert she needs to help save her town. We get

1396
01:09:45,280 --> 01:09:47,919
Speaker 1: to the huge fairgrounds and so many people and donations

1397
01:09:47,920 --> 01:09:50,559
Speaker 1: are rolling in. Again, a ton of extras. You just

1398
01:09:50,560 --> 01:09:53,320
Speaker 1: saw the scope of this film. Uh, they really used

1399
01:09:53,360 --> 01:09:55,559
Speaker 1: every penny well because it looked beautiful. There's a ton

1400
01:09:55,600 --> 01:09:58,080
Speaker 1: of people around, really great, a lot of production value.

1401
01:09:58,240 --> 01:10:00,880
Speaker 1: It's even got a ferris wheel. Elly's grandma makes her

1402
01:10:00,880 --> 01:10:03,160
Speaker 1: way to Hannah's bus, shocked by how crazy things are.

1403
01:10:03,360 --> 01:10:05,720
Speaker 1: She is proud of her granddaughter for the concert and

1404
01:10:05,800 --> 01:10:09,840
Speaker 1: hands over one of Miley's dead mom's necklaces. Travis's his

1405
01:10:09,960 --> 01:10:14,639
Speaker 1: new ugliest sin chicken coop for the first time. Frast

1406
01:10:14,760 --> 01:10:16,800
Speaker 1: Miley did it all, even though I'd be offended. She

1407
01:10:16,800 --> 01:10:19,200
Speaker 1: thinks that's his taste. He hops on his horse and

1408
01:10:19,240 --> 01:10:22,840
Speaker 1: gallops away on a mission. Nothing can stop him. At

1409
01:10:22,840 --> 01:10:25,639
Speaker 1: the concert, Hannah is already performing her first song, Rockstar,

1410
01:10:25,680 --> 01:10:28,639
Speaker 1: when she spots Travis and the crowd. Wow, fast horse

1411
01:10:29,360 --> 01:10:33,040
Speaker 1: as Tennessee. I would have loved if he pulled up

1412
01:10:33,120 --> 01:10:34,800
Speaker 1: and jumped off his horse and someone handed him a

1413
01:10:34,880 --> 01:10:36,439
Speaker 1: valet ticket. That would have been the best. And then

1414
01:10:36,439 --> 01:10:39,400
Speaker 1: they parked the horse. Oh, it would have been worth it,

1415
01:10:39,479 --> 01:10:41,920
Speaker 1: just for their one comedy bet. She also sees her

1416
01:10:42,000 --> 01:10:45,200
Speaker 1: dad and her grandmother and her brother and Lily. Everybody's

1417
01:10:45,200 --> 01:10:47,840
Speaker 1: in the crowd, Laura Eliah's being sad by herself on

1418
01:10:47,880 --> 01:10:49,719
Speaker 1: the other side of the fairgrounds. This is an awful

1419
01:10:49,720 --> 01:10:52,240
Speaker 1: lot to take in. And then Hannah has stopped dead

1420
01:10:52,240 --> 01:10:54,280
Speaker 1: in her tracks. She's starting to have a panic attack.

1421
01:10:54,439 --> 01:10:56,320
Speaker 1: She says, I can't do this into the mic and

1422
01:10:56,360 --> 01:10:59,679
Speaker 1: the audience goes silent. She just can't be Hannah anymore,

1423
01:11:00,000 --> 01:11:02,280
Speaker 1: at least not in her own hometown. She admits this

1424
01:11:02,320 --> 01:11:06,200
Speaker 1: is where her family is. Then she reveals she's just

1425
01:11:06,320 --> 01:11:10,639
Speaker 1: Miley and takes off the wig, and the whole town Holy,

1426
01:11:12,600 --> 01:11:16,439
Speaker 1: that's Miley Stewart. How did we not notice her face

1427
01:11:16,479 --> 01:11:19,360
Speaker 1: and body and voice and family are exactly the same.

1428
01:11:21,920 --> 01:11:26,240
Speaker 1: What crazy? Miley just wants a second chance. She is

1429
01:11:26,320 --> 01:11:29,679
Speaker 1: joined by a high school philharmonic of sorts and says

1430
01:11:29,680 --> 01:11:32,200
Speaker 1: she's going to sing something very personal. She repeats a

1431
01:11:32,240 --> 01:11:35,160
Speaker 1: catchphrase she's been using to appreciate her life's journey, something

1432
01:11:35,200 --> 01:11:39,160
Speaker 1: that your boyfriend Travis has said to her, which is

1433
01:11:40,080 --> 01:11:43,400
Speaker 1: life is a climb, but the view is great. Great line,

1434
01:11:43,720 --> 01:11:45,479
Speaker 1: and then we get the movie's first single and the

1435
01:11:45,479 --> 01:11:48,200
Speaker 1: movie's big final scene, the Climb. The crowd in her

1436
01:11:48,200 --> 01:11:51,080
Speaker 1: family love it, and most importantly, Travis is giving that

1437
01:11:51,160 --> 01:11:54,720
Speaker 1: cute cowboy smile. Miley is back and everyone loves her.

1438
01:11:55,160 --> 01:11:57,200
Speaker 1: As she's leaving the stage, that young girl from earlier,

1439
01:11:57,200 --> 01:12:00,599
Speaker 1: the one who saw her take off her wig, meagerly begs, please, Hannah,

1440
01:12:00,640 --> 01:12:03,679
Speaker 1: we'll keep your secret. Very sweet. Miley says, it's not possible.

1441
01:12:03,840 --> 01:12:06,120
Speaker 1: But then Travis yells out, it's just a wig. We

1442
01:12:06,160 --> 01:12:08,679
Speaker 1: should have noticed. No, I'm kidding. What he actually yells

1443
01:12:08,720 --> 01:12:11,240
Speaker 1: out because he likes yelling his thoughts out loud, is

1444
01:12:11,320 --> 01:12:12,880
Speaker 1: sure you can he does.

1445
01:12:13,000 --> 01:12:13,599
Speaker 2: He has no.

1446
01:12:13,600 --> 01:12:16,960
Speaker 1: Filter, none whatsoever. Even her family wants her to put

1447
01:12:16,960 --> 01:12:19,240
Speaker 1: the wig back on, because she looks better as a blonde.

1448
01:12:19,400 --> 01:12:23,439
Speaker 1: She deserves that stardom. They start chanting Hannah, Hannah, and

1449
01:12:23,479 --> 01:12:26,000
Speaker 1: the wig goes back on, but Oswald has been there

1450
01:12:26,000 --> 01:12:30,080
Speaker 1: the whole time. He snaps a picture and runs away. Lily,

1451
01:12:30,120 --> 01:12:32,200
Speaker 1: Travis and her family stay hot in his tail, eventually

1452
01:12:32,240 --> 01:12:35,000
Speaker 1: catching up to him, and the entire town kills him.

1453
01:12:36,080 --> 01:12:37,760
Speaker 1: I'm kidding, I was just seeing if you're all still

1454
01:12:37,760 --> 01:12:41,479
Speaker 1: with me. No, what happens is he threatens.

1455
01:12:40,920 --> 01:12:42,240
Speaker 2: A massive slaughter.

1456
01:12:42,439 --> 01:12:45,120
Speaker 1: It's a massive slaughter. They kill him and the town

1457
01:12:45,240 --> 01:12:50,439
Speaker 1: is saved. He threatens to press send on his new photo.

1458
01:12:50,600 --> 01:12:52,800
Speaker 1: There's nothing that can stop him. But that's when his

1459
01:12:53,000 --> 01:12:55,839
Speaker 1: daughters come running up, who are somehow flown in from England.

1460
01:12:55,960 --> 01:12:59,040
Speaker 1: They're so excited to meet Hannah. Vita got them both tickets,

1461
01:12:59,120 --> 01:13:03,519
Speaker 1: knowing it would soften that piece of Oswald. Nice move, Vanessa, Williams.

1462
01:13:04,320 --> 01:13:06,479
Speaker 1: His kids freak out when they see Hannah, and Oswald

1463
01:13:06,479 --> 01:13:09,880
Speaker 1: decides to keep the secret. See he understands the magic

1464
01:13:09,920 --> 01:13:13,800
Speaker 1: now even if I don't. Oswald tells his editor off

1465
01:13:14,200 --> 01:13:17,080
Speaker 1: and quits the tabloid now before running back to stage,

1466
01:13:17,160 --> 01:13:20,040
Speaker 1: Travis admits to Miley he's never been over the crush

1467
01:13:20,120 --> 01:13:22,920
Speaker 1: and they kiss. Hannah. Now back on stage, singing You'll

1468
01:13:22,920 --> 01:13:25,439
Speaker 1: always find your way back home. Robbie, Ray and Loralai

1469
01:13:25,520 --> 01:13:29,400
Speaker 1: also reunite and French kiss. The fundraiser has made hundreds

1470
01:13:29,400 --> 01:13:31,080
Speaker 1: of thousands of dollars. But the thing that I thought

1471
01:13:31,120 --> 01:13:33,680
Speaker 1: was funny is they still hadn't reached their goal. They

1472
01:13:33,760 --> 01:13:35,240
Speaker 1: cut to the guy who puts it up to four

1473
01:13:35,320 --> 01:13:37,400
Speaker 1: hundred grand when the goal was five hundred grand. They

1474
01:13:37,400 --> 01:13:40,519
Speaker 1: don't actually reach their goal. Uh so it was very

1475
01:13:40,520 --> 01:13:44,320
Speaker 1: fun Anyway, the city is saved, apparently. Hannah and her

1476
01:13:44,400 --> 01:13:46,559
Speaker 1: dancers now sit in a big tractor trailer truck as

1477
01:13:46,560 --> 01:13:49,400
Speaker 1: it barrels through the massive gathering at fans. We pull away,

1478
01:13:49,600 --> 01:13:52,400
Speaker 1: and that's our movie. Over the credits, we get to

1479
01:13:52,439 --> 01:13:55,760
Speaker 1: see all of our characters doing that amazing.

1480
01:13:56,840 --> 01:13:59,320
Speaker 2: Mind Dance does not say amazing in this script and

1481
01:13:59,439 --> 01:14:01,559
Speaker 2: says dance don't.

1482
01:14:02,520 --> 01:14:06,960
Speaker 1: That incredibly amazing line? Dance to the movie's worst song,

1483
01:14:07,640 --> 01:14:20,040
Speaker 1: the fake hip Hop one, and we are done. We

1484
01:14:20,160 --> 01:14:23,280
Speaker 1: know what we think about it. Let's do real reviews, Sabrina.

1485
01:14:24,040 --> 01:14:27,160
Speaker 1: I'm so happy that you had one star review, and

1486
01:14:27,200 --> 01:14:28,320
Speaker 1: I'd like you to read it for me.

1487
01:14:29,720 --> 01:14:31,559
Speaker 2: Please try to get through it.

1488
01:14:32,600 --> 01:14:35,440
Speaker 1: Here's the one star review. Take it away, Sabrine.

1489
01:14:35,680 --> 01:14:39,120
Speaker 2: This one star is from Murray m. It was so boring.

1490
01:14:39,640 --> 01:14:49,720
Speaker 4: I would you can do it? Come on, you can

1491
01:14:50,800 --> 01:14:52,240
Speaker 4: forced to do stuff like this?

1492
01:14:52,280 --> 01:14:54,280
Speaker 2: All right, here we go. It was so boring. I

1493
01:14:54,280 --> 01:14:57,839
Speaker 2: would rather staple my balls to the ceiling and dangle

1494
01:14:57,920 --> 01:15:01,400
Speaker 2: like a French chandelier than watch it again, just so

1495
01:15:01,439 --> 01:15:08,640
Speaker 2: I can actually feel something. Holy hel Mariy, I just

1496
01:15:08,720 --> 01:15:11,439
Speaker 2: don't know what to say that that you would be

1497
01:15:11,520 --> 01:15:15,439
Speaker 2: so extreme dayple your ball to the ceiling.

1498
01:15:17,240 --> 01:15:21,400
Speaker 1: Okay, that was wonderful. I have the five star review,

1499
01:15:21,680 --> 01:15:22,920
Speaker 1: but it's not gonna be as good as that. This

1500
01:15:22,960 --> 01:15:26,639
Speaker 1: is from Joscelyn c actual five star review. Miley Cyrus.

1501
01:15:26,720 --> 01:15:28,439
Speaker 1: If you ever see this, come to this address in

1502
01:15:28,479 --> 01:15:31,479
Speaker 1: your limo singing Nobody's perfect two six to six State

1503
01:15:31,520 --> 01:15:35,960
Speaker 1: Route East on Monday at ten thirty am, five stars.

1504
01:15:38,640 --> 01:15:39,960
Speaker 2: That was a good five star.

1505
01:15:40,080 --> 01:15:41,280
Speaker 1: I mean, you're a great guys.

1506
01:15:41,479 --> 01:15:46,240
Speaker 2: And Blast your address showed up. I'm gonna tell you

1507
01:15:47,160 --> 01:15:48,240
Speaker 2: spoiler alert she did.

1508
01:15:48,400 --> 01:15:48,720
Speaker 3: She did.

1509
01:15:49,320 --> 01:15:51,639
Speaker 1: We are now going to do our feature presentation here people.

1510
01:15:51,720 --> 01:15:54,400
Speaker 1: This is of course Sabrina's favorite uh and my favorite too.

1511
01:15:54,920 --> 01:15:59,200
Speaker 1: We've got the feature this week from producer Jensen is entire.

1512
01:15:59,200 --> 01:16:01,519
Speaker 5: No producers and it's Jason. This is Jason.

1513
01:16:03,680 --> 01:16:05,080
Speaker 1: I don't even recognize him.

1514
01:16:05,479 --> 01:16:08,760
Speaker 5: Jasone who I'm new I'm working heart.

1515
01:16:08,920 --> 01:16:12,240
Speaker 1: Thank you so much for joining us. Producer Jason, I

1516
01:16:12,280 --> 01:16:13,559
Speaker 1: didn't recognize you at all.

1517
01:16:13,400 --> 01:16:15,000
Speaker 5: Full name wyoming O.

1518
01:16:15,920 --> 01:16:18,360
Speaker 1: I love it, so Jason Wiling, your feature this week

1519
01:16:18,439 --> 01:16:23,000
Speaker 1: is Miley cy yes or Miley cy no? Can you

1520
01:16:23,040 --> 01:16:24,479
Speaker 1: can you explain it to us? Jason?

1521
01:16:25,920 --> 01:16:28,280
Speaker 5: You know what, don't have the notes in front of

1522
01:16:28,320 --> 01:16:28,960
Speaker 5: me because.

1523
01:16:31,120 --> 01:16:34,320
Speaker 1: He never does, So here you go. He's a that

1524
01:16:34,360 --> 01:16:37,000
Speaker 1: he's a trickster. So that Jensen. All right, Jason, here's

1525
01:16:37,000 --> 01:16:39,720
Speaker 1: what it is. When you're an international superstar, you end

1526
01:16:39,840 --> 01:16:41,720
Speaker 1: up doing a lot of interviews and telling people a

1527
01:16:41,760 --> 01:16:46,000
Speaker 1: lot about yourself. So we will get five possible weirdo

1528
01:16:46,160 --> 01:16:49,639
Speaker 1: facts that megastar Miley Cyrus has revealed about herself over

1529
01:16:49,640 --> 01:16:52,120
Speaker 1: the years, and we have to decide if they are

1530
01:16:52,200 --> 01:16:56,240
Speaker 1: real or just stuff. Producer Jensen not Jason. Producer Jensen

1531
01:16:56,240 --> 01:16:58,639
Speaker 1: has made up to make himself laugh if we get

1532
01:16:58,720 --> 01:17:01,280
Speaker 1: three out of five? Right, So are you ready? Did

1533
01:17:01,320 --> 01:17:03,479
Speaker 1: he send you enough Jason to where you know the answers?

1534
01:17:03,720 --> 01:17:03,920
Speaker 5: Yeah?

1535
01:17:03,960 --> 01:17:06,680
Speaker 7: Okay, great, as you know, I'm a pop star, so

1536
01:17:07,040 --> 01:17:08,600
Speaker 7: you are. I don't have a ton of time, but

1537
01:17:08,600 --> 01:17:09,679
Speaker 7: he did send me the answers.

1538
01:17:09,760 --> 01:17:13,320
Speaker 1: Okay, So here you go. Number one, true or false.

1539
01:17:13,720 --> 01:17:18,280
Speaker 1: Miley's real name is wish false, but I'm going to

1540
01:17:18,320 --> 01:17:22,000
Speaker 1: say crazy false. It is something because it's Tennessee. I

1541
01:17:22,040 --> 01:17:23,000
Speaker 1: don't think he named her.

1542
01:17:22,920 --> 01:17:26,120
Speaker 5: Wish Well, it's false. Her real name is Destiny.

1543
01:17:26,479 --> 01:17:27,000
Speaker 2: Destiny.

1544
01:17:27,160 --> 01:17:29,560
Speaker 5: Yeah, oh so he doesn't look he doesn't look like

1545
01:17:29,600 --> 01:17:30,080
Speaker 5: a Destiny.

1546
01:17:30,200 --> 01:17:32,639
Speaker 2: She doesn't know. That's why I say it's it's not

1547
01:17:32,880 --> 01:17:35,360
Speaker 2: you just you just know her as Miley. So it's

1548
01:17:35,439 --> 01:17:36,240
Speaker 2: crazy to think.

1549
01:17:36,680 --> 01:17:38,919
Speaker 1: Is Miley her middle name or is it just Destiny.

1550
01:17:39,479 --> 01:17:41,599
Speaker 5: No, it's like she has another weird middle name too.

1551
01:17:41,680 --> 01:17:43,160
Speaker 2: It's a long it's a long name.

1552
01:17:43,320 --> 01:17:45,760
Speaker 1: Oh okay, gotcha. Number two, and I hope this is

1553
01:17:45,800 --> 01:17:46,920
Speaker 1: right because it's one of my favorites.

1554
01:17:46,960 --> 01:17:47,120
Speaker 2: Too.

1555
01:17:47,280 --> 01:17:51,160
Speaker 1: Her favorite food is peanut butter. I'm gonna say, I'm

1556
01:17:51,200 --> 01:17:52,280
Speaker 1: going to say that's true.

1557
01:17:52,840 --> 01:17:57,759
Speaker 5: Yeah, Wow, Jason should be here more often too. It's true.

1558
01:17:57,880 --> 01:18:01,600
Speaker 1: Yeah, peanut butter is the best, and everybody knows. It

1559
01:18:01,600 --> 01:18:03,439
Speaker 1: doesn't matter what kind of color hair you got, peanut

1560
01:18:03,439 --> 01:18:08,880
Speaker 1: Butter's amazing. Number three she collects dental molds.

1561
01:18:10,680 --> 01:18:13,240
Speaker 2: I feel like this could actually be true.

1562
01:18:13,560 --> 01:18:15,559
Speaker 1: I feel like we talked about something like this on

1563
01:18:15,640 --> 01:18:18,000
Speaker 1: Pod Meets World. I think it's true.

1564
01:18:18,120 --> 01:18:19,280
Speaker 2: I think it's true too.

1565
01:18:19,200 --> 01:18:22,360
Speaker 1: And if it's not, then someone else famous does. I think.

1566
01:18:22,439 --> 01:18:25,120
Speaker 2: I feel like she's gone through a lot of stuff

1567
01:18:25,160 --> 01:18:25,680
Speaker 2: with her.

1568
01:18:25,960 --> 01:18:28,720
Speaker 1: Yeah, I'm gonna say. I'm gonna say true, true.

1569
01:18:29,520 --> 01:18:32,360
Speaker 5: It's true.

1570
01:18:33,160 --> 01:18:34,320
Speaker 1: Are other people?

1571
01:18:35,080 --> 01:18:38,400
Speaker 5: No? No, it just said dental molds. She just collects dental.

1572
01:18:38,520 --> 01:18:40,519
Speaker 2: I thought it had been like she keeps all of

1573
01:18:40,560 --> 01:18:43,000
Speaker 2: the ones that for the record, we.

1574
01:18:43,040 --> 01:18:45,920
Speaker 1: Just want Jason. We just wanted to tell Jensen that

1575
01:18:45,960 --> 01:18:51,000
Speaker 1: he didn't get us this time. Number four she has

1576
01:18:51,040 --> 01:18:53,200
Speaker 1: a mongoose named Kenny Chesney.

1577
01:18:57,240 --> 01:18:57,599
Speaker 5: False.

1578
01:18:57,960 --> 01:18:59,880
Speaker 1: I'm gonna say false. I don't think but.

1579
01:19:01,680 --> 01:19:03,920
Speaker 2: She might. I'm gonna say true.

1580
01:19:04,160 --> 01:19:05,040
Speaker 1: I'm gonna say false.

1581
01:19:06,040 --> 01:19:07,439
Speaker 5: She does not have a moment.

1582
01:19:07,600 --> 01:19:12,799
Speaker 1: Ah, she has a Kenny Chesney named Mongoose. That's the difference.

1583
01:19:14,720 --> 01:19:18,160
Speaker 1: And finally, number five, Miley was once under investigation for

1584
01:19:18,240 --> 01:19:22,000
Speaker 1: running a secret celebrity casino in her garage. Oh god,

1585
01:19:22,080 --> 01:19:23,600
Speaker 1: I hope this is true.

1586
01:19:23,520 --> 01:19:30,480
Speaker 2: Jason, that's just like so absurd.

1587
01:19:30,880 --> 01:19:31,120
Speaker 3: True.

1588
01:19:31,200 --> 01:19:32,040
Speaker 1: I'm gonna say true.

1589
01:19:32,320 --> 01:19:34,400
Speaker 2: Yeah. I mean I feel like she's you know.

1590
01:19:34,479 --> 01:19:38,040
Speaker 5: I can't do this, guys, she's the guy.

1591
01:19:38,120 --> 01:19:39,400
Speaker 1: Yeah, it's me Shensen.

1592
01:19:39,800 --> 01:19:44,599
Speaker 5: Yeah, I can't do it anymore. You're here the whole Yeah,

1593
01:19:44,720 --> 01:19:47,960
Speaker 5: not on my favorite podcast here. No, I can't do it.

1594
01:19:48,120 --> 01:19:51,960
Speaker 1: Oh my god. We should have known. Was that true

1595
01:19:52,000 --> 01:19:53,080
Speaker 1: or false? Then, Jensen?

1596
01:19:53,200 --> 01:19:53,799
Speaker 5: That was false?

1597
01:19:55,000 --> 01:19:55,920
Speaker 1: I went four for five.

1598
01:19:56,000 --> 01:19:56,360
Speaker 5: All right.

1599
01:19:56,600 --> 01:19:58,880
Speaker 1: Yeah, Well, thank you so much for joining.

1600
01:19:58,640 --> 01:20:04,840
Speaker 5: Us U Gentsen Genten The Life of a Pop Star

1601
01:20:04,880 --> 01:20:06,080
Speaker 5: and podcast producers toward.

1602
01:20:06,240 --> 01:20:07,600
Speaker 1: I can thank you.

1603
01:20:07,600 --> 01:20:10,320
Speaker 2: I can imagine. I can only imagine.

1604
01:20:10,439 --> 01:20:15,320
Speaker 1: Can we please do Sabrina sees.

1605
01:20:16,040 --> 01:20:22,120
Speaker 2: Sab I mean we talked about it so all of them.

1606
01:20:22,280 --> 01:20:24,600
Speaker 2: I just I have so many. We talked about a

1607
01:20:24,600 --> 01:20:27,040
Speaker 2: lot of them during it, because, like I told you,

1608
01:20:27,080 --> 01:20:30,640
Speaker 2: this was a movie that I actually got to just

1609
01:20:30,920 --> 01:20:34,080
Speaker 2: I couldn't help it but just sit back and fully

1610
01:20:34,200 --> 01:20:36,800
Speaker 2: just enjoy as I was you know, as it's meant

1611
01:20:36,880 --> 01:20:44,040
Speaker 2: to be. Yeah, of course I meant. I mean right away,

1612
01:20:44,080 --> 01:20:47,559
Speaker 2: I'm going teen beach. At the very beginning, I literally

1613
01:20:47,760 --> 01:20:51,840
Speaker 2: was like, oh my gosh, we'll talk about it with

1614
01:20:52,080 --> 01:20:56,920
Speaker 2: our interview. But the wig in the episode was absolutely

1615
01:20:57,000 --> 01:20:59,080
Speaker 2: god awful. It was so bad, and I was so

1616
01:20:59,240 --> 01:21:03,640
Speaker 2: thankful that when we were gonna watch this longer than

1617
01:21:03,760 --> 01:21:06,360
Speaker 2: ninety minute movie, I did not have to see that

1618
01:21:06,400 --> 01:21:08,680
Speaker 2: wig for that amount of time, and the wig was

1619
01:21:08,760 --> 01:21:13,400
Speaker 2: so much better and looked great on Miley. One thing

1620
01:21:13,400 --> 01:21:15,120
Speaker 2: we didn't talk about was, and I thought you were

1621
01:21:15,120 --> 01:21:17,519
Speaker 2: gonna make a little funny bart about it, could we

1622
01:21:17,560 --> 01:21:19,200
Speaker 2: get some security in that tent.

1623
01:21:19,160 --> 01:21:20,759
Speaker 1: After Oh, there's security anywhere?

1624
01:21:21,240 --> 01:21:25,040
Speaker 2: Let that guy anywhere in this movie. She's a giant.

1625
01:21:25,080 --> 01:21:26,880
Speaker 2: I mean, I would have thought that would have been

1626
01:21:26,960 --> 01:21:31,440
Speaker 2: some kind of sidebar character of this person who's undercover

1627
01:21:31,840 --> 01:21:36,120
Speaker 2: for her but is like a security guard just because nothing.

1628
01:21:36,000 --> 01:21:38,080
Speaker 1: Anybody can approach her, grab her, do whatever.

1629
01:21:38,120 --> 01:21:41,559
Speaker 2: It's really could have been kidnapped like that because Billy

1630
01:21:41,640 --> 01:21:44,360
Speaker 2: Ray or sorry Bobby Ray was nowhere to be seen

1631
01:21:44,439 --> 01:21:47,040
Speaker 2: for most of the movie with her. He had this

1632
01:21:47,520 --> 01:21:51,679
Speaker 2: relationship which I had such a problem with the whole movie.

1633
01:21:51,720 --> 01:21:54,160
Speaker 2: That's the one thing that I disliked about the movie.

1634
01:21:54,240 --> 01:21:56,120
Speaker 2: I didn't think it was needed. Why do we have

1635
01:21:56,200 --> 01:21:58,920
Speaker 2: two romantic relationships blooming I.

1636
01:21:58,960 --> 01:22:01,080
Speaker 1: Just, oh, always, so you're saying you didn't like you

1637
01:22:01,120 --> 01:22:03,240
Speaker 1: didn't like his relationship with Laura Harden.

1638
01:22:03,479 --> 01:22:08,040
Speaker 2: Right, this this romantic I didn't feel like it was necessary.

1639
01:22:08,080 --> 01:22:11,960
Speaker 2: It didn't really go anywhere. It didn't because if you watch,

1640
01:22:13,000 --> 01:22:15,559
Speaker 2: I don't it wasn't in the pilot. But again, like

1641
01:22:15,600 --> 01:22:20,400
Speaker 2: I told you, Monroe and I sat and watched five

1642
01:22:20,439 --> 01:22:23,519
Speaker 2: episode the first half season of the first she does

1643
01:22:24,520 --> 01:22:27,080
Speaker 2: start talking about and he has a love interest within

1644
01:22:27,120 --> 01:22:29,759
Speaker 2: the first couple episodes, and she has an issue because

1645
01:22:29,880 --> 01:22:32,240
Speaker 2: her mom has passed away. That's when they start explaining

1646
01:22:32,280 --> 01:22:35,280
Speaker 2: the relationship of where the mom is, she's passed away,

1647
01:22:35,600 --> 01:22:38,519
Speaker 2: and her getting over her dad starting to date. So

1648
01:22:38,560 --> 01:22:41,759
Speaker 2: that's already been done and he has already dated, so gotcha.

1649
01:22:42,000 --> 01:22:44,040
Speaker 2: There was nowhere for it to really be And I

1650
01:22:44,160 --> 01:22:45,840
Speaker 2: just didn't like it. I just didn't see it was

1651
01:22:45,880 --> 01:22:49,799
Speaker 2: necessary except for Billy Ray getting to kiss a gorgeous

1652
01:22:49,800 --> 01:22:53,639
Speaker 2: woman and you know, do that that was really all

1653
01:22:53,680 --> 01:22:58,559
Speaker 2: it was. And then again I said, what the hell?

1654
01:22:59,040 --> 01:23:02,759
Speaker 2: Oh my te Swift. Oh my T Swift she's on stage.

1655
01:23:03,560 --> 01:23:04,840
Speaker 4: Really what like I?

1656
01:23:04,960 --> 01:23:07,360
Speaker 1: And then again she's all of our T Swift, She's

1657
01:23:07,400 --> 01:23:09,840
Speaker 1: not just your T Swift Sabrina, but it was long

1658
01:23:10,000 --> 01:23:10,839
Speaker 1: to all of us.

1659
01:23:11,080 --> 01:23:15,000
Speaker 2: Oh my gosh, she's there, and holy Ca all amazing

1660
01:23:15,040 --> 01:23:18,599
Speaker 2: for this movie. And then again, I can't wait again,

1661
01:23:18,680 --> 01:23:20,840
Speaker 2: it's right here in my notes. I can't wait for

1662
01:23:20,960 --> 01:23:28,679
Speaker 2: my hoe down showdown with Will and and oh my well.

1663
01:23:28,600 --> 01:23:31,640
Speaker 1: Those are good. And now, of course we come to

1664
01:23:31,680 --> 01:23:33,800
Speaker 1: the time in our program when we have to rate

1665
01:23:34,120 --> 01:23:37,240
Speaker 1: our film, as we always do every week, we're rating

1666
01:23:37,280 --> 01:23:39,040
Speaker 1: it one out of ten. This time, I think I'm

1667
01:23:39,040 --> 01:23:41,280
Speaker 1: gonna make one the worst and ten the best, as

1668
01:23:41,320 --> 01:23:44,000
Speaker 1: opposed to all the other times. I'm kidding. That's always

1669
01:23:44,040 --> 01:23:46,839
Speaker 1: how we've done it. Here are options for this week, Serena.

1670
01:23:46,840 --> 01:23:50,360
Speaker 1: We got one out of ten wigs, one out of ten,

1671
01:23:50,520 --> 01:23:54,800
Speaker 1: loosely kept secrets, one out of ten Beyonce Double Pneumonia's

1672
01:23:56,479 --> 01:24:03,599
Speaker 1: Robbie Ray hijacking planes, Dadagers, that's a good one. One

1673
01:24:03,640 --> 01:24:07,479
Speaker 1: out of ten, missing earrings, one out of ten, lobster times,

1674
01:24:08,320 --> 01:24:11,720
Speaker 1: one out of ten, clown pants, or finally, one out

1675
01:24:11,760 --> 01:24:15,519
Speaker 1: of ten Brookshields cameos, Uh, I think you picked last time,

1676
01:24:15,520 --> 01:24:17,080
Speaker 1: didn't you? I can't remember, or did I?

1677
01:24:17,160 --> 01:24:20,559
Speaker 2: You can pick this one because I think you should

1678
01:24:20,560 --> 01:24:21,120
Speaker 2: pick this one.

1679
01:24:22,760 --> 01:24:25,640
Speaker 1: These are I kind of like, hey, just because I

1680
01:24:25,680 --> 01:24:27,040
Speaker 1: had a problem with it. We're gonna go wigs. We're

1681
01:24:27,040 --> 01:24:29,200
Speaker 1: gonna keep it simple, all right, I keep it very simple.

1682
01:24:29,240 --> 01:24:30,360
Speaker 1: We're gonna go one score.

1683
01:24:30,479 --> 01:24:32,519
Speaker 7: Well, can I ask you a question that I think

1684
01:24:32,680 --> 01:24:34,920
Speaker 7: might affect your scoring that I just together that you

1685
01:24:35,040 --> 01:24:42,360
Speaker 7: probably realized earlier. Okay, if Robbie Ray is Hannah Montana's manager,

1686
01:24:43,360 --> 01:24:46,760
Speaker 7: does that mean that people see him managing Hannah Montana

1687
01:24:46,880 --> 01:24:49,160
Speaker 7: and still aren't able to put together that his real

1688
01:24:49,240 --> 01:24:49,800
Speaker 7: daughter is hand.

1689
01:24:50,080 --> 01:24:52,800
Speaker 2: No, so let me let you in on what I

1690
01:24:52,920 --> 01:24:56,920
Speaker 2: found out in my five episodes he had. He has

1691
01:24:57,120 --> 01:24:59,680
Speaker 2: also an undercover like.

1692
01:25:00,439 --> 01:25:02,160
Speaker 1: Look, it's like another wig.

1693
01:25:02,600 --> 01:25:05,479
Speaker 2: Yes, it's a mullet her hat.

1694
01:25:06,280 --> 01:25:08,960
Speaker 1: He's not the guard he has. He's the guard where

1695
01:25:08,960 --> 01:25:09,960
Speaker 1: he pulls off his thing.

1696
01:25:10,200 --> 01:25:14,040
Speaker 2: No, backstage, that's what they didn't keep seamless within the movie.

1697
01:25:14,160 --> 01:25:16,800
Speaker 2: It's not in the movie, but in the show he

1698
01:25:16,960 --> 01:25:19,920
Speaker 2: like looks like some truck her hat with a you know,

1699
01:25:19,960 --> 01:25:22,360
Speaker 2: which I thought was funny that he had a mullet

1700
01:25:22,400 --> 01:25:25,719
Speaker 2: because that's what he has. He's famous for his mullet,

1701
01:25:25,960 --> 01:25:28,080
Speaker 2: so he had that and then a trucker hat. He

1702
01:25:28,120 --> 01:25:32,040
Speaker 2: has an outfit. Her best friend when she was she

1703
01:25:32,120 --> 01:25:34,080
Speaker 2: has like a purple wig. She has like a full

1704
01:25:34,120 --> 01:25:35,920
Speaker 2: blown Descendants.

1705
01:25:35,320 --> 01:25:38,439
Speaker 5: Looking got it? Okay, Well now I mean I'm expecting

1706
01:25:38,439 --> 01:25:39,280
Speaker 5: a ten. That made sense.

1707
01:25:40,000 --> 01:25:43,440
Speaker 2: Yes, you're welcome. I've learned a lot in my five episodes.

1708
01:25:43,479 --> 01:25:44,519
Speaker 1: Thank you, and Rod.

1709
01:25:46,479 --> 01:25:49,160
Speaker 2: Iron named Anna Montana expert at.

1710
01:25:49,000 --> 01:25:52,120
Speaker 3: This point, do you want me to go first?

1711
01:25:51,800 --> 01:25:52,400
Speaker 2: Went the way?

1712
01:25:54,120 --> 01:25:57,479
Speaker 1: All right, here's the thing.

1713
01:25:58,439 --> 01:25:59,880
Speaker 4: The way.

1714
01:26:01,160 --> 01:26:06,639
Speaker 1: If if we're talking premise, it's a two, it's two

1715
01:26:06,640 --> 01:26:09,200
Speaker 1: wigs for me because I don't buy it. I don't

1716
01:26:09,200 --> 01:26:12,320
Speaker 1: buy that you put on a wig and nobody, nobody's nobody.

1717
01:26:12,439 --> 01:26:14,320
Speaker 1: I just I couldn't get over it. I know that's

1718
01:26:14,400 --> 01:26:16,120
Speaker 1: me and it's just me, and I just have to

1719
01:26:16,200 --> 01:26:19,400
Speaker 1: let it go. I get that it's a two. That

1720
01:26:19,560 --> 01:26:24,280
Speaker 1: being said, as an actual movie for Disney, it was pretty.

1721
01:26:25,080 --> 01:26:28,920
Speaker 1: It was that. The cast was good, some of the

1722
01:26:29,040 --> 01:26:30,559
Speaker 1: music was great as long as you have to go

1723
01:26:30,560 --> 01:26:33,479
Speaker 1: to a hoe down showdown like every everything else was good.

1724
01:26:34,160 --> 01:26:37,479
Speaker 1: So as just a movie, had it not been a

1725
01:26:37,520 --> 01:26:39,760
Speaker 1: premise of just the Wig, I could have seen it

1726
01:26:39,840 --> 01:26:42,559
Speaker 1: being like a seven or an eight, really really could have.

1727
01:26:43,080 --> 01:26:45,280
Speaker 1: But with the wig thing, it threw me. So I'm

1728
01:26:45,320 --> 01:26:47,320
Speaker 1: gonna and I think I'm being generous with this, with

1729
01:26:47,360 --> 01:26:50,799
Speaker 1: my with my wig assessment. I'm giving this five point

1730
01:26:50,920 --> 01:26:54,400
Speaker 1: five wigs because I couldn't get into the premise. I

1731
01:26:54,400 --> 01:26:56,640
Speaker 1: couldn't get into the premise. I just and that's on me.

1732
01:26:57,200 --> 01:27:00,320
Speaker 1: I get it, but I just it's so absurd that

1733
01:27:00,360 --> 01:27:02,679
Speaker 1: you're sitting there with like the guy you're in love

1734
01:27:02,720 --> 01:27:04,920
Speaker 1: with and the guys staring at your face all day,

1735
01:27:05,280 --> 01:27:07,719
Speaker 1: but now you're blonde and he doesn't under he doesn't

1736
01:27:07,720 --> 01:27:10,600
Speaker 1: see you. So I again, same problem with Superman and

1737
01:27:10,640 --> 01:27:13,040
Speaker 1: Clark Kent. This is not just for this movie. I

1738
01:27:13,080 --> 01:27:16,320
Speaker 1: didn't get that either. So I'm gonna go with five

1739
01:27:16,360 --> 01:27:19,879
Speaker 1: and a half based purely on me not buying the premise.

1740
01:27:19,920 --> 01:27:20,240
Speaker 5: That's it.

1741
01:27:20,880 --> 01:27:23,599
Speaker 2: Yeah, Okay, great, I mean I think that's fair. I

1742
01:27:23,960 --> 01:27:28,519
Speaker 2: as as our listeners know, you need rules. This went

1743
01:27:28,560 --> 01:27:30,719
Speaker 2: against everything there. This did not give.

1744
01:27:30,560 --> 01:27:34,439
Speaker 4: You the needs for Will's HI rating.

1745
01:27:34,520 --> 01:27:36,720
Speaker 2: It just wasn't gonna happen. I called it as I

1746
01:27:36,760 --> 01:27:39,519
Speaker 2: was watching it. I knew, oh we were just oh

1747
01:27:39,560 --> 01:27:43,920
Speaker 2: another point, well, another half point another half point.

1748
01:27:45,120 --> 01:27:45,840
Speaker 1: So I get it.

1749
01:27:45,920 --> 01:27:48,880
Speaker 2: I think that, you know, as we all get to

1750
01:27:49,000 --> 01:27:53,120
Speaker 2: love and hate these movies, sure different to us, right, yes, yes,

1751
01:27:53,160 --> 01:27:56,320
Speaker 2: for me, like I told you, I was all in,

1752
01:27:56,560 --> 01:27:59,640
Speaker 2: and I think it partially was because I experienced it

1753
01:27:59,680 --> 01:28:04,320
Speaker 2: with me, my own daughter. But bumps in the road

1754
01:28:04,400 --> 01:28:08,040
Speaker 2: for me, when the hometown didn't know who she was,

1755
01:28:08,160 --> 01:28:10,400
Speaker 2: that was kind of just jarring.

1756
01:28:10,920 --> 01:28:11,160
Speaker 1: Again.

1757
01:28:11,200 --> 01:28:13,200
Speaker 2: I didn't love the love interest. I felt like that

1758
01:28:13,360 --> 01:28:16,120
Speaker 2: was just I don't know, I guess a need to

1759
01:28:16,160 --> 01:28:19,240
Speaker 2: give Billy raymore screen time. I'm not really sure what

1760
01:28:19,320 --> 01:28:23,320
Speaker 2: it was for. And then there wasn't really a big

1761
01:28:23,439 --> 01:28:26,519
Speaker 2: like hump in the road in the story besides her

1762
01:28:27,000 --> 01:28:27,920
Speaker 2: getting called.

1763
01:28:27,680 --> 01:28:30,080
Speaker 1: Out for being that's the whole premise is.

1764
01:28:30,280 --> 01:28:32,960
Speaker 2: That was the premise. Instead, there wasn't as much of like,

1765
01:28:33,280 --> 01:28:35,759
Speaker 2: you know, like we had this thing of the town

1766
01:28:35,840 --> 01:28:37,519
Speaker 2: that was gonna be taken over and then it was

1767
01:28:37,560 --> 01:28:41,840
Speaker 2: like boop, we got a concert. We're good, Yeah, boop done.

1768
01:28:42,160 --> 01:28:46,719
Speaker 2: But I still loved it, I really did it. Still,

1769
01:28:46,760 --> 01:28:49,840
Speaker 2: it brought the notches down a tiny bit. I gave

1770
01:28:49,920 --> 01:28:51,280
Speaker 2: it an eight point five.

1771
01:28:51,560 --> 01:28:54,599
Speaker 1: Wow, that's a very high scoring wig.

1772
01:28:55,120 --> 01:28:57,519
Speaker 2: It would if there was a few things that it

1773
01:28:57,640 --> 01:29:00,360
Speaker 2: probably would have been between that nine and ten. For me,

1774
01:29:00,600 --> 01:29:03,960
Speaker 2: I felt like, again, and I know you disagree, but

1775
01:29:04,760 --> 01:29:09,080
Speaker 2: Disney was brilliant. If this is a yes the mind

1776
01:29:10,000 --> 01:29:15,200
Speaker 2: idea that they executed for their audience. And I was

1777
01:29:15,280 --> 01:29:21,120
Speaker 2: around when this fandom was insane. It was insanity being

1778
01:29:21,439 --> 01:29:24,120
Speaker 2: at one of her concerts. I got to be at

1779
01:29:24,200 --> 01:29:28,439
Speaker 2: the we we did together collectively, we did the Houston

1780
01:29:28,520 --> 01:29:29,880
Speaker 2: Rodeo and it.

1781
01:29:29,920 --> 01:29:31,160
Speaker 1: Was that was the big one that you loved.

1782
01:29:31,240 --> 01:29:34,360
Speaker 2: Yeah, yes, and it was amazing, It was awesome. And

1783
01:29:34,439 --> 01:29:37,040
Speaker 2: so I just feel like this movie was what the

1784
01:29:37,120 --> 01:29:40,200
Speaker 2: fans needed, what they wanted, and Disney gave it to

1785
01:29:40,280 --> 01:29:41,880
Speaker 2: him and kicked it out of the park.

1786
01:29:42,080 --> 01:29:45,280
Speaker 1: I will say this, I will bet you many more

1787
01:29:45,320 --> 01:29:48,599
Speaker 1: people agree with you and your score than agree with me. Yes,

1788
01:29:48,640 --> 01:29:50,160
Speaker 1: And I totally understand that.

1789
01:29:50,280 --> 01:29:54,160
Speaker 2: I get that might be looking to replace you at

1790
01:29:54,200 --> 01:29:54,639
Speaker 2: this point.

1791
01:29:56,200 --> 01:29:57,360
Speaker 1: They should to Jack.

1792
01:29:58,320 --> 01:30:01,920
Speaker 4: They need Jack, they need I loved this movie.

1793
01:30:02,200 --> 01:30:03,880
Speaker 1: It was the best movie ever know.

1794
01:30:04,120 --> 01:30:07,280
Speaker 2: But honestly, truly, when you break it down like that,

1795
01:30:07,520 --> 01:30:09,720
Speaker 2: I feel like that you have to be able to

1796
01:30:09,760 --> 01:30:12,280
Speaker 2: at least respect that idea. And for the people that

1797
01:30:12,400 --> 01:30:14,400
Speaker 2: said that doesn't matter, that's okay too.

1798
01:30:14,439 --> 01:30:17,519
Speaker 1: Yeah. No, I get No, I definitely believe way more

1799
01:30:17,520 --> 01:30:22,640
Speaker 1: people are going to agree with you about this. I absolutely,

1800
01:30:23,160 --> 01:30:25,840
Speaker 1: but I think that again, I'm just not into the

1801
01:30:25,840 --> 01:30:27,719
Speaker 1: whole Clark Kent thing. I don't get it. It's okay,

1802
01:30:27,840 --> 01:30:29,120
Speaker 1: I don't get it. I didn't know that.

1803
01:30:29,160 --> 01:30:32,280
Speaker 2: I honestly, if someone had asked me, do you think

1804
01:30:32,320 --> 01:30:35,439
Speaker 2: that will like Superman? I'd be like, absolutely. He loves all.

1805
01:30:35,360 --> 01:30:39,240
Speaker 1: Things like that. Batman even changes his voice because he

1806
01:30:39,320 --> 01:30:41,640
Speaker 1: knows you don't want to be recognized. That's part of

1807
01:30:41,680 --> 01:30:44,920
Speaker 1: the point. So yeah, no, I get it. But hey,

1808
01:30:45,120 --> 01:30:46,880
Speaker 1: this is why we're here, and I've also been it's

1809
01:30:46,920 --> 01:30:49,800
Speaker 1: been pointed out, this is our biggest difference between scores ever,

1810
01:30:49,880 --> 01:30:52,519
Speaker 1: between you and I. This is the biggest one so far.

1811
01:30:52,640 --> 01:30:55,320
Speaker 1: So I don't like you anymore. Is what's going on.

1812
01:30:55,600 --> 01:30:56,880
Speaker 1: That's just the way it is.

1813
01:30:57,880 --> 01:30:59,559
Speaker 2: Also, I want to say things I don't like all

1814
01:30:59,600 --> 01:30:59,920
Speaker 2: the time.

1815
01:31:00,720 --> 01:31:02,920
Speaker 1: That's good. And Also, if you get a knock at

1816
01:31:02,920 --> 01:31:05,519
Speaker 1: the door later today, I had a full size Travis

1817
01:31:05,520 --> 01:31:09,599
Speaker 1: Brody Standy sent to you for your Cowboy Guy. So

1818
01:31:10,280 --> 01:31:14,000
Speaker 1: you're gonna love it. You're gonna love it. Thank you

1819
01:31:14,120 --> 01:31:17,800
Speaker 1: all so much for joining us. I really really appreciate it,

1820
01:31:17,800 --> 01:31:20,720
Speaker 1: and as the Sabrina, I know she's right and I'm not.

1821
01:31:20,880 --> 01:31:23,120
Speaker 1: I'm still just the old man who cannot get over

1822
01:31:23,160 --> 01:31:25,439
Speaker 1: the fact that all she did was change colorver hair,

1823
01:31:25,479 --> 01:31:27,400
Speaker 1: and I know that's on me and it always will be.

1824
01:31:27,760 --> 01:31:30,080
Speaker 1: So send all your hate mails right to Sabrina because

1825
01:31:30,080 --> 01:31:32,839
Speaker 1: I don't need to read them. But thank you everybody.

1826
01:31:32,920 --> 01:31:34,800
Speaker 1: Our next movie is considered by some to be the

1827
01:31:34,840 --> 01:31:38,640
Speaker 1: first dcom ever, but that record has a real asterisk

1828
01:31:38,640 --> 01:31:42,719
Speaker 1: next to it. It's nineteen ninety seven's Northern Lights, starring

1829
01:31:42,720 --> 01:31:45,280
Speaker 1: the legendary Diane Keaton. And we're all gonna have to

1830
01:31:45,320 --> 01:31:48,439
Speaker 1: learn about that asterisk next week and it's an important one.

1831
01:31:48,840 --> 01:31:50,400
Speaker 1: And we already let this count of the bag. But

1832
01:31:50,520 --> 01:31:53,160
Speaker 1: this week's park Opper episode, we chatted with the creator

1833
01:31:53,200 --> 01:31:56,840
Speaker 1: of Hannah Montana and that's so raven a Disney power player.

1834
01:31:56,880 --> 01:32:00,679
Speaker 1: It is Michael Poyer's. He was on the front lines

1835
01:32:00,720 --> 01:32:03,599
Speaker 1: for all this mania that Sabrina has been talking about

1836
01:32:03,840 --> 01:32:06,320
Speaker 1: that surrounded the show. He has a ton to tell us.

1837
01:32:06,360 --> 01:32:08,920
Speaker 1: Here's a little preview of this amazing interview.

1838
01:32:09,800 --> 01:32:12,720
Speaker 6: We don't want Achy Breaky Heart to be the dad, right,

1839
01:32:13,120 --> 01:32:16,479
Speaker 6: We're gonna be able to act you know, and we

1840
01:32:16,520 --> 01:32:19,640
Speaker 6: said sure, shared delighted, and he came in and, to

1841
01:32:19,760 --> 01:32:21,720
Speaker 6: our surprise, absolutely nailed it.

1842
01:32:22,280 --> 01:32:22,599
Speaker 2: Wow.

1843
01:32:22,960 --> 01:32:26,240
Speaker 6: But even more than that, he got Mildy from here to.

1844
01:32:26,240 --> 01:32:29,480
Speaker 5: Here, oh right, because you can't buy that chemistry.

1845
01:32:29,600 --> 01:32:33,519
Speaker 1: No, you can't. Don't miss that one. You're gonna love it.

1846
01:32:33,560 --> 01:32:36,719
Speaker 1: And remember to subscribe to our feed, Magical Rewind wherever

1847
01:32:36,720 --> 01:32:38,640
Speaker 1: you get your podcasts, And if you could do me

1848
01:32:38,640 --> 01:32:40,840
Speaker 1: a favor, if you could subscribe as yourself and then

1849
01:32:40,880 --> 01:32:43,080
Speaker 1: put on a wig and subscribe as somebody else too,

1850
01:32:43,840 --> 01:32:46,080
Speaker 1: we won't recognize that it's two different people and we'll

1851
01:32:46,080 --> 01:32:49,640
Speaker 1: get twice the view. I'm so excited. Never miss an

1852
01:32:49,680 --> 01:32:52,040
Speaker 1: episode over there, and you can follow us, of course

1853
01:32:52,360 --> 01:32:56,120
Speaker 1: at Magical Rewind Pod on the Instagram machine. Buy from

1854
01:32:56,120 --> 01:33:05,160
Speaker 1: the three of us Sabrina, myself and Jack Bye.