WEBVTT - The Great Unknown ("Funeral" S2 EP 21)

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<v Speaker 1>And That's what you really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what You Really Missed podcast. Very

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<v Speaker 1>sad it is, but we are almost at the end

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<v Speaker 1>of season two, can you believe it?

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<v Speaker 2>Which is also sad.

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<v Speaker 1>I am excited for season three.

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<v Speaker 2>I am too.

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<v Speaker 1>I need to get the tones as quickly as possible

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<v Speaker 1>this season. Yes, but you get to Vanessa Enj's in

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<v Speaker 1>this yeast season. That's right, Okay, cool, awesome.

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<v Speaker 2>And I'm also excited for the next episode. I'm sorry

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<v Speaker 2>for the season two finale, which when I finished watching

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<v Speaker 2>this week's episode Funeral, did I keep going to watch Nationals?

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<v Speaker 1>I thought about it?

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<v Speaker 2>I did?

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<v Speaker 1>Oh man, So I thought about it and then I

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<v Speaker 1>was like, no, no, just get give it a second.

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<v Speaker 1>Let Funeral stink in and then go to Nationals. But

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<v Speaker 1>I also like, don't know what to expect again. Am

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<v Speaker 1>I going to be disappointed in the next episode because

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<v Speaker 1>my expectations are so high? Or is it going to

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<v Speaker 1>live up?

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<v Speaker 2>I think?

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<v Speaker 1>But the memories are so good that I don't think

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<v Speaker 1>it matters.

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<v Speaker 2>Yes. I think what we've if we've learned nothing else

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<v Speaker 2>from doing this, is more than objectively watching an episode.

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<v Speaker 2>What you and I attached to are the memories going

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<v Speaker 2>into these things, so many memories and so the episode,

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<v Speaker 2>while I didn't necessarily remember specifics of the scenes that

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<v Speaker 2>actually made it in, all I can think about is,

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<v Speaker 2>you know the fun we had filming is Yeah, so

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<v Speaker 2>that that's going to be special.

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<v Speaker 1>The four minutes that we filmed and the five days

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<v Speaker 1>that we were there. Okay, okay, cool, Well let's get

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<v Speaker 1>to funeral. Yeah.

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<v Speaker 2>Filming Funeral was also that last week of school. You know,

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<v Speaker 2>you have to do your exams and you know, like

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<v Speaker 2>you hear it is it's a second to last week

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<v Speaker 2>of school. This is exam week sort of. And the

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<v Speaker 2>next week, you know, all the tests are going to

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<v Speaker 2>be done. You just have to show up. That was

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<v Speaker 2>going to New York, that's right, And so before we

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<v Speaker 2>were going to leave, like, hey, let's give you this

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<v Speaker 2>really heavy, sad episode, which I'm glad that. You know,

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<v Speaker 2>Jane had her incredible she has the range acting moments,

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<v Speaker 2>but it was so sad.

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<v Speaker 1>Why can't a lot of it was sad? Yeah, a

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<v Speaker 1>lot of it.

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<v Speaker 2>Was just there was a breakup, a death, There's a

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<v Speaker 2>lot of happening.

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<v Speaker 1>Yeah, Becky gets kicked off.

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<v Speaker 2>Oh my god.

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<v Speaker 1>It was a lot. It was a lot, But there's

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<v Speaker 1>some good music in this one. And I liked how

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<v Speaker 1>insular it felt with the high school of us, like

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<v Speaker 1>competing and performing on the stage. It felt like high

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<v Speaker 1>school again, like we were back in. Yeah, you know,

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<v Speaker 1>just star our little bubbles. And what we learned it

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<v Speaker 1>prom is that I do like a little back to

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<v Speaker 1>back to back numbers. So the additions that happen here

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<v Speaker 1>are very satisfying. Yeah, very If you can't tell, we're

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<v Speaker 1>talking about season two, episode twenty one, Funeral that originally

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<v Speaker 1>aired May seventeenth, two thousand and one. Jenna, what was

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<v Speaker 1>the number one song in the country? Then rolling in

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<v Speaker 1>the Deep hull? That's not the melody. I was gonna

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<v Speaker 1>do it and then it didn't do it. But okay,

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<v Speaker 1>it was Rolling in the Deep.

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<v Speaker 2>Which, by the way, have you seen videos of her

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<v Speaker 2>talking at her Vegas show about what inspired some of

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<v Speaker 2>her biggest hits. No, Rolling, you have to go find it.

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<v Speaker 2>It's hilarious because they're the most mundane things that have

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<v Speaker 2>nothing to do. Yeah, go do it.

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<v Speaker 1>I don't know the soul in which she sings with

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<v Speaker 1>these songs with yes, Okay, the number one movie is

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<v Speaker 1>thora again exciting. I have thought again, what was happening?

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<v Speaker 1>There's a lot of Glee stuff going on. Kevin So.

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<v Speaker 2>On May twentieth, a couple of days after the episode

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<v Speaker 2>first air, Matt Corey, Chris, Leah, Heather Night, and Amber

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<v Speaker 2>everyone but us, We're featured on the cover of The

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<v Speaker 2>Hollywood Reporter to promote the finale of season two, which

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<v Speaker 2>is in New York. And on May twenty first, the

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<v Speaker 2>second leg of Glee Live in Concert began at the

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<v Speaker 2>Mandalaid Bay in Las Vegas. So when this episode aired,

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<v Speaker 2>we had just gotten to Vegas to start our three

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<v Speaker 2>day prep for our arena tour, which was absolutely insane.

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<v Speaker 2>We had three days. Actually, you know what, Jenna, we'll

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<v Speaker 2>do another episode talking about maybe the logistics of this

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<v Speaker 2>tour wed a couple of weeks.

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<v Speaker 1>We should because this is there's so much that happened,

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<v Speaker 1>and I think this episode would be two days long.

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<v Speaker 1>So yeah, yeah, agreed. We'll get to say that this

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<v Speaker 1>episode was directed by the one and only Bradweaker.

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<v Speaker 2>Beautiful job.

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<v Speaker 1>You'll hear his name quite a lot. And uh some

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<v Speaker 1>of the songs, oh yeah, some of the best songs

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<v Speaker 1>we've ever done Back to Black. There's a handful of

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<v Speaker 1>songs that I probably would say were better than potentially

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<v Speaker 1>better than the original. And look, I'm not trying to

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<v Speaker 1>disregrect a wine House because she's wow a legend, but

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<v Speaker 1>this number definitely could live up to the standard of

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<v Speaker 1>the original Back to Black that Santana does.

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<v Speaker 2>Having Naya do amy wine House songs was really the

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<v Speaker 2>correct qualifying.

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<v Speaker 1>Yeah, everybody was in their pocket in this episode. Yes,

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<v Speaker 1>so Kurt did. Some people from Gypsy Mercedes did try

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<v Speaker 1>a little tenderness by Otis reading once again another roof

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<v Speaker 1>top belower that was going back in the rotation. I know,

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<v Speaker 1>I know, I know. And then my Man by Rachel

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<v Speaker 1>from Funny Girl.

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<v Speaker 2>Which was also very and then we did our sad,

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<v Speaker 2>sad version of Pure Imagination. Yees, Okay, I think we

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<v Speaker 2>should just preface this. I watched this episode with my

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<v Speaker 2>boyfriend last night and I just kept saying, this episode

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<v Speaker 2>feels so weird in my memory, like Irksome agreed, And

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<v Speaker 2>when you get to the funeral, I believe that is

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<v Speaker 2>why this song I can't listen to the song.

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<v Speaker 1>I also just want to know it was also a

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<v Speaker 1>weird day of shooting, Like off the lot, we were

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<v Speaker 1>like at a church I think it was. It wasn't

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<v Speaker 1>a funeral home. And I also want to know why

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<v Speaker 1>we all were wearing white, Like, why was Tina wearing

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<v Speaker 1>white at a funeral? Very inappropriate? Well, why weren't we

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<v Speaker 1>all wearing black? It was intentionally a different type of

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<v Speaker 1>h whatever. Okay, I just felt it was really weird

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<v Speaker 1>that Quinn was wearing like white and rad and I

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<v Speaker 1>was like, this is strange.

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<v Speaker 2>There's some good fun facts about this episode, Okay, tell me. So.

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<v Speaker 2>This is the episode that Jane rightfully so submitted for

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<v Speaker 2>the Emmys and she was nominated to not win, but

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<v Speaker 2>she was nominated, and it's an honors to be nominies.

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<v Speaker 2>It is the last time we see Jesslyn as Terry

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<v Speaker 2>Schuster as a main character. She comes back three more

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<v Speaker 2>times for the two part finale, and then she comes

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<v Speaker 2>back in season.

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<v Speaker 1>Four for not Enough, Not Enough.

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<v Speaker 2>Okay, it was sad. I was sad. You can tell

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<v Speaker 2>they wrap her story up moving to Miami. I was like,

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<v Speaker 2>oh no, she'ts and things, yeah for real. In the

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<v Speaker 2>promo for this episode that aired on Fox, there is

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<v Speaker 2>a scene where there's a conversation between Quinn and Finn

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<v Speaker 2>about quitting glee club, but it didn't make the final

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<v Speaker 2>cute of the episode and end of the episode, Finn

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<v Speaker 2>actually references that scene.

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<v Speaker 1>Yeah, I don't remember that scene reading that scene in

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<v Speaker 1>the script either.

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<v Speaker 2>Yeah, I don't either. So some happened, okay, cutting room floor,

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<v Speaker 2>but they shot it. This is also I feel like

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<v Speaker 2>this is a good one for like Trivia night Trivia.

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<v Speaker 2>This is the second time Sue is seen in something

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<v Speaker 2>other than a tracksuit or something tracksuit related, right right, Okay,

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<v Speaker 2>forty three episodes in and only the second. Wow, Wow,

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<v Speaker 2>she had it good. And my favorite, My favorite bit

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<v Speaker 2>is that the Figgins email getting figure with it at

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<v Speaker 2>aol dot com for years. If you emailed it actually

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<v Speaker 2>replied to you and said, greeting students and well wishers.

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<v Speaker 2>I'll be out of the office until Friday. It's ending

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<v Speaker 2>a seminar on mail enhancement at the Bob Jones University.

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<v Speaker 2>Until then, I will not be taking emails because I

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<v Speaker 2>do not understand how computers seem alive but aren't. Sincerely,

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<v Speaker 2>Principal Figgins, McKinley High School where Wings take dream.

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<v Speaker 1>That was definitely ian.

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<v Speaker 2>Yeah, it doesn't work anymore, but it did for a

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<v Speaker 2>very long time. I love those.

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<v Speaker 1>It's really funny.

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<v Speaker 3>I didn't know that that's really funny. Okay, let's break

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<v Speaker 3>it down for you.

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<v Speaker 1>Sue. Sue has lost her her beloved sweet sister, Jean.

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<v Speaker 1>Jean passes away, and Kurt and Finn take on the

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<v Speaker 1>responsibility of planning her funeral because Sue cannot plan it herself.

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<v Speaker 1>Nationals are just one week away, and we bring in

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<v Speaker 1>surprise guests Jesse Think James, who has been hired as

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<v Speaker 1>co captain or show choir consultant to help them prepare,

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<v Speaker 1>and he convinces Will to organize these solo auditions to

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<v Speaker 1>decide who we're going to revolve the setlist around. And

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<v Speaker 1>Will seems to be hiding a secret from the glee club.

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<v Speaker 1>What's going on?

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<v Speaker 2>Secrets always come out, Will, It's high school.

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<v Speaker 1>Yeah.

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<v Speaker 2>So the episode starts off with Sue is a little

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<v Speaker 2>extra angry, like real angry, you know. It's not like

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<v Speaker 2>the farcical, whimsical anger that we've grown to know and love.

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<v Speaker 2>It's a little different this week. And so she's talking

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<v Speaker 2>to Terry and she wants Howard Bamboo to hack into

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<v Speaker 2>Principal Fagan's computer to get the glee clubs fight information

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<v Speaker 2>to nationals to reroute them through Libya. Now there's a

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<v Speaker 2>joke in here about do you want them to get murdered?

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<v Speaker 2>And she goes kidnapped and murdered if we could, which,

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<v Speaker 2>you know, I don't know if there's every situation in

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<v Speaker 2>which an educator should be saying that, right, right, not

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<v Speaker 2>so good? Wild and here we are, Yeah, here we are.

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<v Speaker 2>And then the thing that happens right after is Becky

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<v Speaker 2>comes up asking Will if she can join the glee

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<v Speaker 2>club because Sue unexpectedly kicked her off and she just

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<v Speaker 2>wants to belong somewhere, and understandably, I think we'll actually

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<v Speaker 2>handle this like there's only a week left they have nationals,

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<v Speaker 2>but next year she can join, right, Yeah, that was

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<v Speaker 2>so sad, though I know sweet Becky, and I do

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<v Speaker 2>have to say I think Jane's acting. I want to

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<v Speaker 2>talk about a lot in this, okay, because when she

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<v Speaker 2>kicks Becky off the Cheerios, she's doing this thing where

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<v Speaker 2>she is fully removed, Yes, which is a lot of

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<v Speaker 2>the episode. Yeah, where it is so good and so subtle,

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<v Speaker 2>like we used to her as being mean she's saying

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<v Speaker 2>the mean thing, but it's but she's putting up this wall. Yeah,

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<v Speaker 2>and you can physically feel it and see it. Yes,

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<v Speaker 2>and I yes, you know a lot of the times

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<v Speaker 2>of like we were on a different show, Like we're

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<v Speaker 2>still doing the same teen things, getting ready for Nationals

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<v Speaker 2>jokeshoke jokes, everyone's cooking up with each other, stealing each

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<v Speaker 2>other's boy friends and girlfriends, right, and then and then

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<v Speaker 2>Jane's giving sort of a master class and grief, you know,

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<v Speaker 2>on the.

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<v Speaker 1>Other on the other show.

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<v Speaker 2>Yeah, So I was really just sort of struck by

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<v Speaker 2>that because every scene she's doing a little something different

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<v Speaker 2>and depending on her relationship with the person she is

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<v Speaker 2>talking to, right, and I think where she has a

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<v Speaker 2>different relationship with every single character she interacts with on

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<v Speaker 2>this show. Seeing that was just very impressive. And I

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<v Speaker 2>don't I definitely did not catch that, you know, the

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<v Speaker 2>first time around.

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<v Speaker 1>Yeah, it's nuanced, m M.

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<v Speaker 2>Yeah, so good.

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<v Speaker 1>So we find out, well, it confronts Sue about him,

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<v Speaker 1>you know, her kicking back off the cheerios, and Sue

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<v Speaker 1>then decides to divulge the information that Gene has passed

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<v Speaker 1>away and before really sad. Also that scene I thought

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<v Speaker 1>it was a really well written scene. Yes, you know

0:13:23.480 --> 0:13:26.640
<v Speaker 1>the bit about you know, her life expectancy, and then

0:13:26.640 --> 0:13:28.880
<v Speaker 1>she's getting older and older, and I thought we'd, you know,

0:13:29.280 --> 0:13:34.320
<v Speaker 1>have her forever. But then Kurr and Finn find out

0:13:34.600 --> 0:13:41.400
<v Speaker 1>and they go and bring Sue her flowers because they

0:13:41.400 --> 0:13:44.000
<v Speaker 1>both have lost somebody very close to them. So I

0:13:44.040 --> 0:13:49.360
<v Speaker 1>thought that was a really very well thought out plan

0:13:49.640 --> 0:13:51.080
<v Speaker 1>to have the two of them go.

0:13:51.200 --> 0:13:53.400
<v Speaker 2>I mean, and that's what happens. I think it's reflective

0:13:53.440 --> 0:13:54.280
<v Speaker 2>of real life.

0:13:54.040 --> 0:13:58.080
<v Speaker 1>Too, where right you cling to people who have been

0:13:58.080 --> 0:14:00.520
<v Speaker 1>through it or will be there for you you because

0:14:00.559 --> 0:14:08.880
<v Speaker 1>of shared experience. And this scene also heartbreaker where she

0:14:08.920 --> 0:14:12.280
<v Speaker 1>says she wants to know why she's the one alive

0:14:12.320 --> 0:14:15.880
<v Speaker 1>and you know Genes not the wie, or like why

0:14:16.040 --> 0:14:17.959
<v Speaker 1>they didn't take Sue instead of being because Jane is

0:14:18.000 --> 0:14:20.880
<v Speaker 1>the nicest person that she ever met, and that she

0:14:20.880 --> 0:14:22.560
<v Speaker 1>can't go to the funeral and she can't go sort

0:14:22.640 --> 0:14:29.160
<v Speaker 1>through the things, which is totally makes sense, and and

0:14:29.280 --> 0:14:31.680
<v Speaker 1>so they decided they're going to help Sue and they

0:14:31.680 --> 0:14:40.080
<v Speaker 1>are going to plan for the the funeral. Meanwhile, Jesse's saying,

0:14:40.280 --> 0:14:42.920
<v Speaker 1>we shouldn't plan a funeral, we'll get to more Jesse

0:14:43.080 --> 0:14:47.680
<v Speaker 1>of this whole thing, but because we're getting ready for nationals,

0:14:47.680 --> 0:14:49.200
<v Speaker 1>it should be the only thing we're focusing, which is

0:14:49.320 --> 0:14:55.120
<v Speaker 1>very Vocal Adrenaline focused and aligned with But okay, so

0:14:55.200 --> 0:14:57.440
<v Speaker 1>Finn finally steps up and says, well, I'm the leader

0:14:57.480 --> 0:15:00.600
<v Speaker 1>of this crew and so we're definitely going to plan funeral.

0:15:03.200 --> 0:15:07.000
<v Speaker 1>There was also a very funny line for Jesse saying like,

0:15:07.000 --> 0:15:08.720
<v Speaker 1>do you know what Vocal Adrenaline is doing right now?

0:15:08.720 --> 0:15:11.760
<v Speaker 1>They're having twenty four hour rehearsals, so do you know

0:15:11.800 --> 0:15:14.440
<v Speaker 1>what happens? There's somebody ties in a number, we use

0:15:14.480 --> 0:15:20.360
<v Speaker 1>them like a prop like weekend. It's very good, it's funny.

0:15:20.880 --> 0:15:23.440
<v Speaker 2>I do love that this storyline too, you know, like

0:15:23.520 --> 0:15:26.560
<v Speaker 2>curtain Finn didn't go and help clear out Jean's room

0:15:26.560 --> 0:15:30.720
<v Speaker 2>at the nursing home and seeing them work together in

0:15:30.760 --> 0:15:33.040
<v Speaker 2>a way that's you know, there's been a lot of

0:15:33.760 --> 0:15:37.120
<v Speaker 2>conflict conflict between them and there's no conflict between them

0:15:37.160 --> 0:15:40.680
<v Speaker 2>and they're doing something good through their you know, shared trauma,

0:15:41.160 --> 0:15:43.200
<v Speaker 2>a grief for somebody else who has been nothing but

0:15:43.480 --> 0:15:48.560
<v Speaker 2>terrible to them, which is as family, as brothers, as friends, teammates.

0:15:48.560 --> 0:15:51.680
<v Speaker 2>So it was really sweet and that's when they discover

0:15:52.800 --> 0:15:57.440
<v Speaker 2>the Willy Wonka tape and that it was Jean's favorite

0:15:57.160 --> 0:15:59.200
<v Speaker 2>movie and she'd watch it three times a week. In

0:15:59.320 --> 0:16:05.360
<v Speaker 2>light Bulb Woo, it happens, the light Bulb happens at

0:16:05.400 --> 0:16:08.960
<v Speaker 2>the same time that Suit admits that the only reason

0:16:09.040 --> 0:16:12.360
<v Speaker 2>she even agreed to Letnic click up Helper is because

0:16:12.400 --> 0:16:14.400
<v Speaker 2>she didn't think anyone wud show up to Jean's funeral,

0:16:14.440 --> 0:16:17.640
<v Speaker 2>and so she wanted the place to be full, which

0:16:17.680 --> 0:16:23.080
<v Speaker 2>was also just so she's so broken this episode.

0:16:22.480 --> 0:16:23.960
<v Speaker 1>We're not We're not used to seeing her like this.

0:16:24.080 --> 0:16:26.440
<v Speaker 1>I think that's what threw me a little bit. Yeah,

0:16:26.480 --> 0:16:29.080
<v Speaker 1>and every time, and it's every time she opens her mouth.

0:16:29.120 --> 0:16:34.520
<v Speaker 1>It's this little piece of wisdom, of perspective of when

0:16:34.560 --> 0:16:36.040
<v Speaker 1>you do lose someone in real life.

0:16:36.840 --> 0:16:40.320
<v Speaker 2>I do think Brad Feuchuk is really good at summing

0:16:40.400 --> 0:16:44.240
<v Speaker 2>up life experiences that way, And if I had to guess,

0:16:44.240 --> 0:16:47.120
<v Speaker 2>I would think he wrote some of these scenes interesting.

0:16:47.160 --> 0:16:48.960
<v Speaker 2>The other day he was talking to me about marriage,

0:16:49.080 --> 0:16:52.400
<v Speaker 2>trying to convince me to get married, and the way

0:16:52.440 --> 0:16:55.960
<v Speaker 2>he made it sound was beautiful and poetic and just

0:16:56.000 --> 0:16:59.120
<v Speaker 2>so romantic. And he has what I mean, he's a writer.

0:16:59.320 --> 0:17:03.800
<v Speaker 2>You know and so hearing these conversations surrounding loss and

0:17:04.119 --> 0:17:08.560
<v Speaker 2>I'm familiar, Yeah and interesting. It was also just a

0:17:08.600 --> 0:17:12.280
<v Speaker 2>testament to their team teamwork, Ryan, Brad and Ian or

0:17:13.160 --> 0:17:16.480
<v Speaker 2>their powers combined they could create a really well rounded

0:17:16.560 --> 0:17:17.439
<v Speaker 2>show like that.

0:17:17.680 --> 0:17:20.800
<v Speaker 1>Yeah. Yes, well, if you meet them all, which you've

0:17:20.800 --> 0:17:24.840
<v Speaker 1>meant two of them so far, Brad and obviously most

0:17:24.880 --> 0:17:26.400
<v Speaker 1>of you guys know Brad, I'll truck at this point,

0:17:26.520 --> 0:17:32.200
<v Speaker 1>but like, yes, they're all so different and so complimentary,

0:17:32.359 --> 0:17:34.520
<v Speaker 1>and they all have their strengths. But like, of course,

0:17:34.600 --> 0:17:37.639
<v Speaker 1>like with Ian, you know, his strength is the those

0:17:37.760 --> 0:17:41.960
<v Speaker 1>like cunning one liners that like the funniest person or

0:17:41.960 --> 0:17:45.560
<v Speaker 1>the monologues. But yes, it sounds like maybe Brad took

0:17:45.600 --> 0:17:49.760
<v Speaker 1>on this or helped with this this side of Sue.

0:17:51.080 --> 0:17:52.119
<v Speaker 2>You gonna talk about the funeral?

0:17:53.000 --> 0:17:56.320
<v Speaker 1>Ugh, okay, well all right, let's talk about the funeral first.

0:17:56.359 --> 0:17:57.960
<v Speaker 1>I was going to talk about Finn and Quinn breaking up,

0:17:58.000 --> 0:18:00.280
<v Speaker 1>but we should talk about the funeral first. Yes, was

0:18:00.320 --> 0:18:04.399
<v Speaker 1>worried that nobody is going to show up to Jean's funeral,

0:18:04.840 --> 0:18:08.320
<v Speaker 1>but to her surprise, it's a full house. People from

0:18:08.400 --> 0:18:13.560
<v Speaker 1>the nursing home, people from her life, the glee club, school,

0:18:14.200 --> 0:18:23.320
<v Speaker 1>people are showing up for Jean and it's it's all, okay,

0:18:24.080 --> 0:18:31.720
<v Speaker 1>it's weird. This this funeral scene is weird. Mushrooms at

0:18:31.720 --> 0:18:34.320
<v Speaker 1>the base of her coffin. But again, she loved Willi Wanka,

0:18:34.400 --> 0:18:37.680
<v Speaker 1>so Finn and Kurt did them right.

0:18:37.880 --> 0:18:39.399
<v Speaker 2>But it's high schoolers doing this.

0:18:40.480 --> 0:18:42.720
<v Speaker 1>I'm just upset that we didn't all wear black. It

0:18:42.800 --> 0:18:44.800
<v Speaker 1>just looked weird to me, and I think that might

0:18:44.840 --> 0:18:46.680
<v Speaker 1>have been part of it. It's like the aesthetic was wrong.

0:18:48.000 --> 0:18:51.760
<v Speaker 1>But also shooting that, I think it was really dark

0:18:51.840 --> 0:18:54.960
<v Speaker 1>and maybe it was a funeral home, but the feeling,

0:18:55.160 --> 0:18:58.960
<v Speaker 1>the vibe crazy off. The vibe was off, like in

0:18:59.000 --> 0:18:59.840
<v Speaker 1>that in that.

0:19:00.560 --> 0:19:01.840
<v Speaker 2>Room, is that what it was?

0:19:02.000 --> 0:19:06.760
<v Speaker 1>The ceiling was really low, And I remember popping in

0:19:07.800 --> 0:19:12.000
<v Speaker 1>and yes, okay, and then walking into this set which

0:19:12.000 --> 0:19:14.240
<v Speaker 1>we had been waiting all day to shoot, and then

0:19:14.280 --> 0:19:16.720
<v Speaker 1>we come in and we do the scene of the song,

0:19:16.760 --> 0:19:18.840
<v Speaker 1>and then that's it, right, like that's all we're in

0:19:19.920 --> 0:19:23.840
<v Speaker 1>of this episode. We walk in to shoot it, and

0:19:23.880 --> 0:19:26.240
<v Speaker 1>I remember seeing the chocolate.

0:19:25.840 --> 0:19:27.919
<v Speaker 2>Fountain, the smell of the chocolate fountain.

0:19:28.000 --> 0:19:31.160
<v Speaker 1>It was so freakin gnarly. I was like, I gotta

0:19:31.240 --> 0:19:34.800
<v Speaker 1>get out of here. I gotta get out of here.

0:19:36.240 --> 0:19:39.600
<v Speaker 1>It was a choice, as our producer said, a choice.

0:19:39.920 --> 0:19:44.679
<v Speaker 1>But it was weird. It was really weird, and I

0:19:44.720 --> 0:19:47.280
<v Speaker 1>think just the combo Kevin of like what you said,

0:19:47.400 --> 0:19:50.880
<v Speaker 1>not seeing Sue like that in the show, and then

0:19:50.880 --> 0:19:53.320
<v Speaker 1>seeing not seeing Jane have to do that kind of

0:19:53.359 --> 0:19:58.280
<v Speaker 1>acting at a funeral, and then us being there in

0:19:58.320 --> 0:20:03.800
<v Speaker 1>this very it was like dystopian. It was like very strange.

0:20:04.920 --> 0:20:07.840
<v Speaker 1>It was a weird, weird, weird section.

0:20:08.119 --> 0:20:10.959
<v Speaker 2>I would also like to address this state of mind

0:20:11.760 --> 0:20:13.760
<v Speaker 2>of all of us at this time in real life,

0:20:14.960 --> 0:20:18.359
<v Speaker 2>because at the end of the season, the wheels have

0:20:18.400 --> 0:20:23.960
<v Speaker 2>come off. The wheels are fully off. Yeah, so much

0:20:24.000 --> 0:20:27.800
<v Speaker 2>so that like we started to rehearse. We should have

0:20:28.520 --> 0:20:31.680
<v Speaker 2>been rehearsing for New York, but there was no script.

0:20:32.480 --> 0:20:34.480
<v Speaker 2>Oh god, do you remember, And so like we went

0:20:34.480 --> 0:20:38.000
<v Speaker 2>to New York following shooting this episode and started shooting

0:20:38.680 --> 0:20:41.639
<v Speaker 2>the episode and there was only like half the script written.

0:20:42.000 --> 0:20:43.639
<v Speaker 1>I think we had like I Love New York or

0:20:43.640 --> 0:20:44.880
<v Speaker 1>whatever that song was.

0:20:44.880 --> 0:20:48.960
<v Speaker 2>And so it was a three of them writing this thing.

0:20:49.920 --> 0:20:53.040
<v Speaker 2>I think it had finally caught up to them. Understandably,

0:20:53.520 --> 0:20:57.680
<v Speaker 2>it caught up to us because we needed to rehearse

0:20:58.280 --> 0:21:00.440
<v Speaker 2>and we're sort of showing up and shooting the pure

0:21:00.480 --> 0:21:04.639
<v Speaker 2>imagination thing that we're sort of disconnected from what's actually

0:21:04.720 --> 0:21:09.080
<v Speaker 2>happening in the episode anyway, and we're starting to panic

0:21:09.119 --> 0:21:11.560
<v Speaker 2>about New York and learning what we can what we

0:21:11.600 --> 0:21:14.080
<v Speaker 2>do know about it, and so there's all the like

0:21:14.200 --> 0:21:18.439
<v Speaker 2>logistical things going on at the same time, and then

0:21:18.480 --> 0:21:22.120
<v Speaker 2>you're thrown into chocolate fountain mushroom carry over.

0:21:23.800 --> 0:21:24.320
<v Speaker 1>Karaoke.

0:21:26.720 --> 0:21:30.600
<v Speaker 2>You sounded great on the song, by the way, what, Yeah.

0:21:30.480 --> 0:21:31.320
<v Speaker 1>I don't think I.

0:21:31.320 --> 0:21:34.840
<v Speaker 2>I think it's a hard song to sing, really, I do,

0:21:34.920 --> 0:21:38.879
<v Speaker 2>because it's there's nowhere to go. Yeah, you just it's long,

0:21:39.040 --> 0:21:44.680
<v Speaker 2>sustainable notes, and I think that's very revealing. I can't

0:21:44.720 --> 0:21:48.480
<v Speaker 2>personally do that, but I think you theater trained people

0:21:48.520 --> 0:21:49.920
<v Speaker 2>can and it was it was nice.

0:21:49.960 --> 0:21:52.760
<v Speaker 1>That's funny, that's really funny. I didn't. I don't see

0:21:52.760 --> 0:21:55.879
<v Speaker 1>it that way. But I don't think I this just

0:21:55.920 --> 0:21:58.320
<v Speaker 1>the context of this song makes it hard for me

0:21:58.400 --> 0:22:00.880
<v Speaker 1>to like attach to the song at all.

0:22:01.520 --> 0:22:03.520
<v Speaker 2>I have to avoid this song harder than I avoid

0:22:03.520 --> 0:22:04.560
<v Speaker 2>don't stop believing.

0:22:06.800 --> 0:22:08.600
<v Speaker 1>This one doesn't play all over exactly.

0:22:09.400 --> 0:22:12.680
<v Speaker 2>When I do hear it, I get so irk. I'm

0:22:12.680 --> 0:22:14.960
<v Speaker 2>glad that you share the same thing though, because I

0:22:15.000 --> 0:22:15.679
<v Speaker 2>feel crazy.

0:22:15.840 --> 0:22:17.919
<v Speaker 1>It's just a weird feeling. It's a weird feeling, it's

0:22:18.040 --> 0:22:19.760
<v Speaker 1>nick feeling. Yeah. Yeah.

0:22:19.800 --> 0:22:24.480
<v Speaker 2>So Sue gets have to, you know, to her eulogy. Yeah,

0:22:24.560 --> 0:22:28.760
<v Speaker 2>and it's such a beautiful and beautifully sad speech and

0:22:28.800 --> 0:22:31.520
<v Speaker 2>she has to stop and Will comes up and finishes

0:22:31.520 --> 0:22:35.840
<v Speaker 2>the speech for her. Cut in with all these videos

0:22:36.040 --> 0:22:43.000
<v Speaker 2>of Jane and Sue together. Oh my god, that was beautiful.

0:22:43.080 --> 0:22:44.240
<v Speaker 2>Do you think that was a beaker call?

0:22:45.200 --> 0:22:51.920
<v Speaker 1>Definitely, definitely, definitely, definitely a beaker A Ryan, I mean,

0:22:51.960 --> 0:22:52.800
<v Speaker 1>neither one, you know.

0:22:53.040 --> 0:22:55.160
<v Speaker 2>I feel like that was an editor an editing choice.

0:22:55.240 --> 0:22:57.600
<v Speaker 1>Yeah, yeah, yeah, Yeah, it was good. It was really good.

0:22:58.600 --> 0:23:02.520
<v Speaker 1>And honestly, I could have done with that and without

0:23:02.560 --> 0:23:04.480
<v Speaker 1>the funeral, and I would have been a much happier person. Yeah.

0:23:04.480 --> 0:23:07.600
<v Speaker 2>I think that was Sue's speech, and those videos were

0:23:08.200 --> 0:23:09.480
<v Speaker 2>yeah enough the best.

0:23:09.640 --> 0:23:15.120
<v Speaker 1>Yeah, Will helps her finish the speech. That got me.

0:23:15.880 --> 0:23:18.640
<v Speaker 2>And he got everyone. Everyone was losing it in that audience.

0:23:19.200 --> 0:23:24.600
<v Speaker 2>Mm hmmmmm, which leads to yeah, a lot of feelings,

0:23:24.640 --> 0:23:26.040
<v Speaker 2>which bleeds into the next scene.

0:23:26.560 --> 0:23:28.800
<v Speaker 1>So Finn is in the car and Quinn gets in

0:23:28.960 --> 0:23:34.960
<v Speaker 1>and and Finn's crying and she says nice crying and

0:23:35.040 --> 0:23:38.639
<v Speaker 1>he's gonna break up with her, and it is sad.

0:23:40.400 --> 0:23:43.679
<v Speaker 1>Quinn's like, is this obviously because of Rachel, and Finn's like,

0:23:43.960 --> 0:23:47.080
<v Speaker 1>I mean, I just I feel tethered to her in

0:23:47.160 --> 0:23:51.160
<v Speaker 1>so many words, he said that, and then Quinn is

0:23:51.440 --> 0:23:53.880
<v Speaker 1>basically saying like, I'll stay with you and we'll get

0:23:53.920 --> 0:23:59.639
<v Speaker 1>through this, which is so weird. It's weird, but it's

0:23:59.680 --> 0:24:02.080
<v Speaker 1>also very high school like, it's a very high school

0:24:02.080 --> 0:24:04.280
<v Speaker 1>thing to do, to be like it's okay, we'll get

0:24:04.280 --> 0:24:09.560
<v Speaker 1>through it and we'll push through. But the climax of

0:24:09.600 --> 0:24:12.280
<v Speaker 1>this scene when Finn is like, who are you and

0:24:12.640 --> 0:24:19.560
<v Speaker 1>don't you feel anything? It was just a really well

0:24:19.680 --> 0:24:23.280
<v Speaker 1>acted scene. I'll always love watching Corey and Diana together.

0:24:23.440 --> 0:24:28.119
<v Speaker 1>They have a lot of chemistry. Their dynamic works really well.

0:24:30.400 --> 0:24:33.560
<v Speaker 1>And then you know the script, like you know, they

0:24:33.560 --> 0:24:38.680
<v Speaker 1>flip the script a little bit, and and so now

0:24:38.800 --> 0:24:41.760
<v Speaker 1>Quinn is very upset at Finn for yelling at her

0:24:41.840 --> 0:24:45.520
<v Speaker 1>and asking her if she's feeling any emotion, and that's

0:24:45.760 --> 0:24:48.200
<v Speaker 1>the end of Finn and Quinn. They shouldn't have done

0:24:48.200 --> 0:24:49.040
<v Speaker 1>this to begin with.

0:24:49.280 --> 0:24:53.720
<v Speaker 2>Also, just to let's put too fine a point on this,

0:24:53.720 --> 0:24:56.800
<v Speaker 2>this is their twenty first episode they've written this season

0:24:56.960 --> 0:24:59.280
<v Speaker 2>and they're still turning out scenes like that.

0:24:59.760 --> 0:25:05.040
<v Speaker 1>Yeah, that's crazy. Yeah, it is crazy.

0:25:06.160 --> 0:25:10.280
<v Speaker 2>I don't know how excellence. Yeah it must be nice,

0:25:10.880 --> 0:25:12.440
<v Speaker 2>all right, jeez.

0:25:13.880 --> 0:25:16.840
<v Speaker 1>Yeah some honestly, it's just very clear when they like

0:25:16.960 --> 0:25:22.760
<v Speaker 1>have a clear yeah intent and you know direction in

0:25:22.760 --> 0:25:23.520
<v Speaker 1>which they're going.

0:25:24.480 --> 0:25:27.760
<v Speaker 2>You know, you talked about chemistry between them, Corey and

0:25:28.160 --> 0:25:31.280
<v Speaker 2>Diana m and I do have to say to Pat

0:25:31.359 --> 0:25:33.919
<v Speaker 2>our show on the back, I think there was so

0:25:34.040 --> 0:25:39.879
<v Speaker 2>much chemistry between all these characters that you miss it

0:25:39.920 --> 0:25:43.320
<v Speaker 2>when you see a show that doesn't necessarily have chemistry.

0:25:43.880 --> 0:25:47.200
<v Speaker 2>I watch a lot of teen shows and it's missing that.

0:25:47.520 --> 0:25:51.879
<v Speaker 2>And there are so many shows that you have people

0:25:51.880 --> 0:25:56.520
<v Speaker 2>that are friends or love interests and there's no chemistry

0:25:56.640 --> 0:25:58.679
<v Speaker 2>or like one of them is trying really hard to

0:25:58.680 --> 0:26:00.800
<v Speaker 2>make something happen, the other ones up pulling their weight.

0:26:01.119 --> 0:26:04.680
<v Speaker 2>There's something that chemistry you can't really fake, No, you can't,

0:26:04.760 --> 0:26:07.280
<v Speaker 2>and so it just it's there or there's not. And

0:26:07.320 --> 0:26:09.959
<v Speaker 2>I think maybe because we were all so close in

0:26:10.000 --> 0:26:13.320
<v Speaker 2>real life and we all did and do love each other,

0:26:13.800 --> 0:26:21.200
<v Speaker 2>that I think that came through and shouldn't be neglected

0:26:21.359 --> 0:26:24.800
<v Speaker 2>because that was that was a big thing. I I

0:26:24.840 --> 0:26:26.960
<v Speaker 2>won't name names, but there are some teen shows on

0:26:27.040 --> 0:26:30.600
<v Speaker 2>currently that could stand to do with a little more chemistry.

0:26:32.600 --> 0:26:36.359
<v Speaker 1>I wonder if I had anything to do with age. Yeah,

0:26:36.600 --> 0:26:38.720
<v Speaker 1>that could I mean maybe not, but maybe part of

0:26:38.760 --> 0:26:39.320
<v Speaker 1>it could be.

0:26:39.320 --> 0:26:42.119
<v Speaker 2>That, Like that could be thirty fully, Oh yeah, you know,

0:26:42.200 --> 0:26:46.439
<v Speaker 2>you're more comfortable with being open with people, and I

0:26:46.440 --> 0:26:49.760
<v Speaker 2>think when you are younger, playing the actual age, I

0:26:49.760 --> 0:26:52.680
<v Speaker 2>think that's fair point. Fine, you win.

0:26:53.440 --> 0:27:01.879
<v Speaker 1>So then Sue, Sue doesn't. One eight puts Becky back

0:27:01.960 --> 0:27:05.040
<v Speaker 1>on the cheerios. I think she's gotten her closure. I

0:27:05.040 --> 0:27:08.080
<v Speaker 1>think hug it was really sweet. She's like, can I'm

0:27:08.080 --> 0:27:10.440
<v Speaker 1>gonna ask you to hug me now? I also love

0:27:10.440 --> 0:27:13.400
<v Speaker 1>when Stu says, I'm gonna stop you right there always Yeah,

0:27:13.600 --> 0:27:20.160
<v Speaker 1>I just missed that music. And yes, Becky is back

0:27:20.200 --> 0:27:25.080
<v Speaker 1>on the cheerios, back where she belongs. And then Sue

0:27:25.080 --> 0:27:28.119
<v Speaker 1>also reveals that she's got bigger fish to fry. She

0:27:28.160 --> 0:27:32.720
<v Speaker 1>apologizes to Will that she has been a bad friend.

0:27:32.720 --> 0:27:35.359
<v Speaker 1>He's been such a loyal, wonderful friend to her, and

0:27:35.760 --> 0:27:38.840
<v Speaker 1>she's she's no longer going after the Glee Club because

0:27:38.880 --> 0:27:43.679
<v Speaker 1>she is going to run for the US House of Representatives.

0:27:43.720 --> 0:27:47.800
<v Speaker 2>His reaction was priceless, choking on his drink. I was like, yeah,

0:27:47.840 --> 0:27:49.440
<v Speaker 2>that's fair.

0:27:49.240 --> 0:27:50.320
<v Speaker 1>Right, just about right.

0:27:50.800 --> 0:27:56.480
<v Speaker 2>Yeah, But telling him that he's like her sister, that

0:27:56.520 --> 0:27:58.800
<v Speaker 2>they're both just nice people was really sweet.

0:27:59.359 --> 0:28:02.480
<v Speaker 1>Yeah. Nice when they get along for like a minute.

0:28:02.960 --> 0:28:04.480
<v Speaker 2>Yeah, I'll see how long it lasts.

0:28:04.760 --> 0:28:13.560
<v Speaker 1>Yeah.

0:28:13.600 --> 0:28:18.600
<v Speaker 2>This next bit, Terry comes back because Sue says, look,

0:28:18.600 --> 0:28:20.840
<v Speaker 2>there's a little problem with the tickets. I was doing

0:28:20.880 --> 0:28:27.359
<v Speaker 2>this thing, re routed them to Libya, but Terry stepped

0:28:27.400 --> 0:28:32.520
<v Speaker 2>in to fix it and talks about these old school

0:28:32.560 --> 0:28:35.520
<v Speaker 2>preprinted American Airlines tickets that I haven't I feel like

0:28:35.520 --> 0:28:36.720
<v Speaker 2>I haven't seen since the nineties.

0:28:37.320 --> 0:28:40.560
<v Speaker 1>Oh god, no, Kevin, we have them, really, yes, we

0:28:40.640 --> 0:28:43.720
<v Speaker 1>had them flying the cardboard ones.

0:28:43.880 --> 0:28:46.160
<v Speaker 2>No, but not just the cardboard. But you know, when

0:28:46.160 --> 0:28:49.120
<v Speaker 2>you would get your ticket in the mail beforehand, it

0:28:49.120 --> 0:28:52.720
<v Speaker 2>would come to those little paper things that they have. Yeah,

0:28:52.880 --> 0:28:54.400
<v Speaker 2>I don't. I mean you can go to the airport

0:28:54.440 --> 0:28:57.680
<v Speaker 2>now and have your cardboard like like the little paper

0:28:57.760 --> 0:29:01.360
<v Speaker 2>envelopes that Yeah. Oh I haven't seen those, and I

0:29:01.400 --> 0:29:06.440
<v Speaker 2>can't tell you how long. Maybe I'm just older, old school.

0:29:06.840 --> 0:29:09.640
<v Speaker 1>Yeah yeah, okay, but yes, you're right, they are very

0:29:09.680 --> 0:29:12.520
<v Speaker 1>old school, and that very much dates our show.

0:29:12.440 --> 0:29:14.040
<v Speaker 2>And I'm wondering if we had to deal with American

0:29:14.080 --> 0:29:18.400
<v Speaker 2>Airlines because in the next episode, remember this when you

0:29:18.440 --> 0:29:21.120
<v Speaker 2>watch it, Jenna, there's a shot of a taxi cab

0:29:21.200 --> 0:29:23.280
<v Speaker 2>and on the at on top of the taxi is

0:29:23.280 --> 0:29:24.280
<v Speaker 2>for American Airlines.

0:29:24.600 --> 0:29:25.440
<v Speaker 1>We flew American.

0:29:25.880 --> 0:29:27.720
<v Speaker 2>Yeah. So Fox had a deal with American.

0:29:28.440 --> 0:29:29.320
<v Speaker 1>Yeah.

0:29:29.360 --> 0:29:31.840
<v Speaker 2>And then Terry says she's moving to Miami to open

0:29:31.880 --> 0:29:35.000
<v Speaker 2>a new sheets and things and see you later.

0:29:36.280 --> 0:29:36.520
<v Speaker 1>Good.

0:29:36.600 --> 0:29:43.520
<v Speaker 2>So sad, oh god? Okay. So Jesse St. James shows

0:29:43.600 --> 0:29:48.720
<v Speaker 2>up and New Directions hire him as a consultant, and

0:29:48.760 --> 0:29:50.560
<v Speaker 2>he's trying to whip people into shape and says, we

0:29:50.600 --> 0:29:55.040
<v Speaker 2>need to build the performance around the star performer, just

0:29:55.080 --> 0:29:57.680
<v Speaker 2>like Vocal Adrenaline would do. And so they decide to

0:29:57.680 --> 0:30:03.880
<v Speaker 2>hold auditions to identify who that person is. And there's

0:30:03.920 --> 0:30:06.040
<v Speaker 2>some pushback as fins like, I don't think we should

0:30:06.080 --> 0:30:08.960
<v Speaker 2>do this, even Sam's like, you know, normally I believe you,

0:30:09.080 --> 0:30:14.760
<v Speaker 2>but it's Nationals. We've worked really hard to get here. Also,

0:30:15.480 --> 0:30:17.480
<v Speaker 2>they're a week away and don't have a set list.

0:30:20.440 --> 0:30:22.479
<v Speaker 2>We'll shoot here. You were not a serious person?

0:30:23.000 --> 0:30:23.960
<v Speaker 1>Is this new news?

0:30:24.160 --> 0:30:24.400
<v Speaker 3>Do you?

0:30:24.680 --> 0:30:28.720
<v Speaker 2>I just I will never get over it. It's like,

0:30:28.800 --> 0:30:31.680
<v Speaker 2>you also don't have a budget to do anything, but

0:30:31.720 --> 0:30:34.320
<v Speaker 2>you can get a chocolate fountain and mushrooms to decorate

0:30:34.320 --> 0:30:43.560
<v Speaker 2>a funeral. Granted, obviously funeral is more important than a competition,

0:30:43.920 --> 0:30:47.640
<v Speaker 2>but you know, yeah, yeah, yeah, yeah. I do like

0:30:47.680 --> 0:30:50.760
<v Speaker 2>this sort of callback to the pilot of Rachel talking

0:30:50.760 --> 0:30:55.200
<v Speaker 2>about the sign up. It was really sweet and they

0:30:55.200 --> 0:30:59.600
<v Speaker 2>all sign up. Finn's not auditioning yep, and Rachel's like,

0:30:59.640 --> 0:31:02.320
<v Speaker 2>you need to step up times, it's not time to

0:31:02.320 --> 0:31:05.000
<v Speaker 2>be a leader. But Finn's like, I can't because Jesse

0:31:05.080 --> 0:31:10.320
<v Speaker 2>wiped out all my confidence in ten seconds, which is

0:31:10.400 --> 0:31:12.720
<v Speaker 2>very real. He feels like he's LIMA good but not

0:31:13.120 --> 0:31:18.600
<v Speaker 2>NYC good, which again flagged that for next episode. And

0:31:18.680 --> 0:31:23.080
<v Speaker 2>Rachel was talking about moving to New York. So even

0:31:23.120 --> 0:31:24.840
<v Speaker 2>though Will doesn't think the auditions are great to diet,

0:31:24.880 --> 0:31:27.240
<v Speaker 2>they go through with them, which I'm love they did

0:31:27.480 --> 0:31:31.480
<v Speaker 2>me too selfishly. Santana goes in with back to block.

0:31:33.320 --> 0:31:36.240
<v Speaker 2>I mean, so unfortunately we weren't there for any of these.

0:31:37.480 --> 0:31:44.240
<v Speaker 2>I remember being there and watching Amber's performance. Really, we

0:31:44.320 --> 0:31:46.880
<v Speaker 2>must have been on the lot doing something or there

0:31:46.920 --> 0:31:49.800
<v Speaker 2>for something rehearsal or I don't know what it was.

0:31:49.880 --> 0:31:54.280
<v Speaker 2>But yeah, I was. I watched her performance of it,

0:31:54.320 --> 0:31:55.680
<v Speaker 2>and I was like, oh my, I didn't know she was.

0:31:55.720 --> 0:31:58.560
<v Speaker 2>I hadn't heard the song yet, and I just sat

0:31:58.560 --> 0:32:01.160
<v Speaker 2>there and obviously was losing my mind. I watched a

0:32:01.200 --> 0:32:01.880
<v Speaker 2>couple of takes of it.

0:32:02.840 --> 0:32:07.400
<v Speaker 1>Oh I'm jealous. And then Kurt sings well, and then

0:32:07.480 --> 0:32:10.640
<v Speaker 1>Jesse says that Santana didn't dive into the emotional depth

0:32:10.640 --> 0:32:16.880
<v Speaker 1>of the song, which I disagree with. Kurt also does

0:32:17.120 --> 0:32:23.040
<v Speaker 1>some people uh from Gypsy and is compared to like

0:32:23.520 --> 0:32:27.720
<v Speaker 1>Bernadette and all these like Broadway legends.

0:32:27.720 --> 0:32:31.280
<v Speaker 2>He was singing for his life. He didn't but he

0:32:31.360 --> 0:32:34.960
<v Speaker 2>was actually singing. But the nie slides his profend.

0:32:35.840 --> 0:32:42.680
<v Speaker 1>So good, so good. And and then Mercedes we talked

0:32:42.680 --> 0:32:47.600
<v Speaker 1>about God, that song, it's so good, it's so good,

0:32:47.640 --> 0:32:51.880
<v Speaker 1>and lazy bones, but it's all. It's all.

0:32:52.040 --> 0:32:52.280
<v Speaker 2>Yeah.

0:32:52.320 --> 0:32:56.080
<v Speaker 1>Their their plan to have Jesse bring them down or

0:32:56.240 --> 0:32:59.720
<v Speaker 1>like criticize them didn't backfired when we saw how good

0:32:59.720 --> 0:33:00.680
<v Speaker 1>these four weeks.

0:33:00.720 --> 0:33:06.760
<v Speaker 2>Actually, Yeah, I get you're trying to be a reality show.

0:33:06.840 --> 0:33:11.120
<v Speaker 1>But bro, sorry sorry. And then Rachel who does my

0:33:11.240 --> 0:33:16.240
<v Speaker 1>Man from Funny Girl, which was also in her element.

0:33:16.600 --> 0:33:19.480
<v Speaker 2>And that slow most shot of Finn in the hallway.

0:33:20.000 --> 0:33:24.200
<v Speaker 2>Oh so that's always like heartbreaking. I was like, okay,

0:33:26.040 --> 0:33:28.040
<v Speaker 2>I'm gonna turn off my emotions.

0:33:28.440 --> 0:33:32.080
<v Speaker 1>And then Chris's reaction to her also, I think that

0:33:32.240 --> 0:33:39.840
<v Speaker 1>those were real tears. Yeah, and so yeah, so we

0:33:39.880 --> 0:33:42.520
<v Speaker 1>think Rachel's going to be the winner, but everybody's kind

0:33:42.520 --> 0:33:50.040
<v Speaker 1>of in this like jockeying. Yeah yeah, and and Will's like,

0:33:50.120 --> 0:33:53.440
<v Speaker 1>I have the final say, so give me a sack.

0:33:53.520 --> 0:33:55.120
<v Speaker 2>I'll let you know on Friday. I do have to

0:33:55.160 --> 0:33:57.719
<v Speaker 2>say one of my favorite scenes in this episode is

0:33:57.760 --> 0:34:01.560
<v Speaker 2>this short little scene when Kurt goes back into the

0:34:01.600 --> 0:34:06.720
<v Speaker 2>room or is it Santana while they're all auditioning, and

0:34:06.760 --> 0:34:10.400
<v Speaker 2>they go back into the room and they're all talking

0:34:10.440 --> 0:34:14.560
<v Speaker 2>shit to each other, and then when Mercedes storms out.

0:34:16.600 --> 0:34:18.640
<v Speaker 2>I thought it was so good. It was cute little

0:34:18.960 --> 0:34:22.080
<v Speaker 2>you know, when we get these little groups together, yes,

0:34:22.239 --> 0:34:25.400
<v Speaker 2>and everyone's just fiery competitive about the thing they're all

0:34:25.400 --> 0:34:27.360
<v Speaker 2>obsessed with is my favorite.

0:34:27.600 --> 0:34:30.600
<v Speaker 1>I also thought you were talking about this the scene

0:34:30.640 --> 0:34:33.040
<v Speaker 1>where Jesse and Will are discussing who should win and

0:34:33.239 --> 0:34:34.759
<v Speaker 1>Brittany is filming it.

0:34:34.800 --> 0:34:35.400
<v Speaker 2>I also love that.

0:34:37.000 --> 0:34:38.600
<v Speaker 1>And then ask them to come on BONDI for two

0:34:41.560 --> 0:34:45.040
<v Speaker 1>and Jesse basically reveals that he's you know, Rachel, Rachel's

0:34:45.080 --> 0:34:47.560
<v Speaker 1>the one and if we win, if we go with Rachel,

0:34:47.640 --> 0:34:48.960
<v Speaker 1>we'll beat Local Adrenaline.

0:34:49.080 --> 0:34:56.160
<v Speaker 2>But look, my crush on John Graff like all of us, yeah,

0:34:56.600 --> 0:34:59.160
<v Speaker 2>peak hit during this epod. But he's so cute.

0:34:59.719 --> 0:35:02.239
<v Speaker 1>I know, I remember that little vest he wore when

0:35:02.239 --> 0:35:04.280
<v Speaker 1>he was shooting with us. I'll never forget that outfit.

0:35:04.400 --> 0:35:09.080
<v Speaker 1>See yeah, yeah, looks great. He looks great. There, such

0:35:09.320 --> 0:35:18.000
<v Speaker 1>such a cutie. So Finn sees Rachel and Jesse together.

0:35:18.640 --> 0:35:21.600
<v Speaker 1>Jesse's telling Rachel that she's gonna win or they're going

0:35:21.680 --> 0:35:24.200
<v Speaker 1>to do it, and you know, she's going to be

0:35:24.280 --> 0:35:28.720
<v Speaker 1>the lead soloist, and Finn walks in and he's burned,

0:35:29.600 --> 0:35:33.160
<v Speaker 1>burned when he sees them kissing. He showed up with

0:35:33.200 --> 0:35:37.520
<v Speaker 1>a flower, sweet little nugget. But they're not gonna We can't.

0:35:37.520 --> 0:35:38.879
<v Speaker 1>We can't see them get together yet.

0:35:39.080 --> 0:35:39.600
<v Speaker 2>No, we can't.

0:35:39.600 --> 0:35:45.520
<v Speaker 1>We have a finale some time soon. And and then

0:35:45.560 --> 0:35:51.279
<v Speaker 1>there's an emergency Glee meeting and the h the announcement

0:35:51.520 --> 0:35:55.600
<v Speaker 1>is not what they were expecting or the contenders were expecting,

0:35:57.840 --> 0:36:00.040
<v Speaker 1>and we're going to do two original songs, which I

0:36:00.040 --> 0:36:01.080
<v Speaker 1>don't know how we're going to do that in this

0:36:01.200 --> 0:36:04.120
<v Speaker 1>short amount of time, literally on the plane, right.

0:36:04.080 --> 0:36:09.160
<v Speaker 2>Songs, rehearse the songs, compete and perform the songs right.

0:36:11.360 --> 0:36:14.200
<v Speaker 1>But then it turns out to work out because everybody

0:36:14.239 --> 0:36:18.840
<v Speaker 1>starts to to compliment each other, and we get the

0:36:18.840 --> 0:36:20.960
<v Speaker 1>best line of the episode, which is Santana saying that

0:36:21.000 --> 0:36:27.560
<v Speaker 1>she smokes cigars to get her Raspina. Finn's like asking

0:36:27.640 --> 0:36:31.200
<v Speaker 1>Quinn in the scene also like he's glad that she

0:36:31.239 --> 0:36:35.520
<v Speaker 1>didn't quit because they broke up. And I guess you

0:36:35.520 --> 0:36:38.360
<v Speaker 1>don't need it though, because without the promo, Like I

0:36:38.360 --> 0:36:41.319
<v Speaker 1>watched the promo after, it didn't matter, like I thought.

0:36:41.360 --> 0:36:42.920
<v Speaker 1>I figured that they were just she didn't quit the

0:36:42.920 --> 0:36:46.479
<v Speaker 1>glee club because they broke up, was what I thought

0:36:46.480 --> 0:36:47.400
<v Speaker 1>he was referring to.

0:36:47.680 --> 0:36:49.399
<v Speaker 2>I did too, but it still felt weird. I still

0:36:49.400 --> 0:36:52.080
<v Speaker 2>a little arm Oh and I didn't even know about it.

0:36:52.360 --> 0:36:55.080
<v Speaker 2>Oh interesting, Okay, I just assumed maybe I was texting

0:36:55.120 --> 0:36:55.880
<v Speaker 2>and missed something.

0:36:58.040 --> 0:37:00.959
<v Speaker 1>But Quinn says that if she quit, her big plans

0:37:00.960 --> 0:37:02.880
<v Speaker 1>from New York would be around. We don't know what

0:37:02.920 --> 0:37:05.880
<v Speaker 1>those are. But Quentin's back at it. She's back at it.

0:37:06.600 --> 0:37:10.920
<v Speaker 2>She sure is. There's also something going on underneath the

0:37:10.920 --> 0:37:14.640
<v Speaker 2>surface here, what this whole episode where Will is in

0:37:14.680 --> 0:37:21.400
<v Speaker 2>fact doing ables musical. The rumors are true, right and Emma.

0:37:21.920 --> 0:37:24.880
<v Speaker 2>We find out because Emma's helping Will pack and he

0:37:24.960 --> 0:37:26.440
<v Speaker 2>keeps saying it's not going to be for long. I'm

0:37:26.480 --> 0:37:28.799
<v Speaker 2>assuming it's we're going to do the opening night and

0:37:28.840 --> 0:37:31.719
<v Speaker 2>then it's going to shut down immediately, and she's being

0:37:31.760 --> 0:37:33.920
<v Speaker 2>more encouraging, like, no, this is your dream, need to

0:37:33.920 --> 0:37:36.160
<v Speaker 2>go do it. And he hasn't hold the glee club

0:37:36.200 --> 0:37:41.759
<v Speaker 2>because he doesn't want anything to distract them. But we

0:37:42.160 --> 0:37:44.080
<v Speaker 2>still have time to have auditions and plant of funeral.

0:37:44.280 --> 0:37:49.200
<v Speaker 2>No big deal, this is a little inconsistencies. And plus

0:37:49.200 --> 0:37:52.359
<v Speaker 2>he'll be back after summer break, so no big It's

0:37:52.360 --> 0:37:56.560
<v Speaker 2>going to be fine. But what was really cute was

0:37:56.640 --> 0:38:02.360
<v Speaker 2>after Terry and Will have their goodbye in the hallway

0:38:02.480 --> 0:38:05.920
<v Speaker 2>because during the packing, you know, Emma and Will are

0:38:05.920 --> 0:38:07.680
<v Speaker 2>getting rid of some of these vests that he has.

0:38:07.719 --> 0:38:13.120
<v Speaker 2>He has eight thousand vests. And after Will says goodbye

0:38:13.160 --> 0:38:15.960
<v Speaker 2>to Terry, Emma and Will meet up in the hallway

0:38:16.000 --> 0:38:17.600
<v Speaker 2>and Emma's wearing one of his vests.

0:38:17.760 --> 0:38:19.360
<v Speaker 1>It's cute. It looks so cute on her.

0:38:19.360 --> 0:38:24.000
<v Speaker 2>And she wishes him good luck and goodbye seemingly forever.

0:38:25.440 --> 0:38:27.960
<v Speaker 2>She says, don't be a stranger, and it's so sweet.

0:38:29.360 --> 0:38:31.080
<v Speaker 1>I feel like Will's always leaving at the end of

0:38:31.080 --> 0:38:33.160
<v Speaker 1>the seasons, whether it's the school.

0:38:33.239 --> 0:38:38.319
<v Speaker 2>Or the Sue is always having a redemption arc, and

0:38:38.440 --> 0:38:45.400
<v Speaker 2>Will's always leaving. That's what's happening thus far. Well, Nationals,

0:38:45.400 --> 0:38:47.640
<v Speaker 2>Here we come. Are you excited for Nationals?

0:38:47.920 --> 0:38:50.399
<v Speaker 1>I am. I'm just trying to keep my expectations low

0:38:50.440 --> 0:38:53.920
<v Speaker 1>because I can't. I don't fully remember like the arc

0:38:53.960 --> 0:38:57.440
<v Speaker 1>of this episode, and so I'm just I don't want

0:38:57.480 --> 0:39:01.319
<v Speaker 1>to be disappointed. I don't think I will be, but

0:39:02.160 --> 0:39:07.919
<v Speaker 1>no intrigued, I know, But I'm invested in the show

0:39:08.000 --> 0:39:09.920
<v Speaker 1>now too. I know. You know.

0:39:10.480 --> 0:39:12.200
<v Speaker 2>I said last week that I was worried that this

0:39:12.239 --> 0:39:15.239
<v Speaker 2>episode may be like a funk situation of last year.

0:39:15.239 --> 0:39:16.359
<v Speaker 1>You did, you did?

0:39:16.400 --> 0:39:21.120
<v Speaker 2>We were, And I have to say, upon watching again,

0:39:21.400 --> 0:39:23.040
<v Speaker 2>I don't think we have that. I think this is

0:39:23.080 --> 0:39:26.000
<v Speaker 2>a very solid episode, even though the funeral irks me

0:39:27.200 --> 0:39:31.399
<v Speaker 2>pure imagination. Specifically, it's just that that one scene. Yeah,

0:39:31.400 --> 0:39:33.880
<v Speaker 2>it's just that one scene. Everything else is really good.

0:39:34.320 --> 0:39:37.640
<v Speaker 2>People are acting, people were writing, people were singing.

0:39:39.920 --> 0:39:43.480
<v Speaker 1>Right, It's very like, yeah, it was good all around.

0:39:43.520 --> 0:39:45.760
<v Speaker 2>It's a very solid episode.

0:39:46.080 --> 0:39:47.440
<v Speaker 1>Yeah, it was fun to watch.

0:39:48.440 --> 0:39:51.960
<v Speaker 2>I also have to say shout out to Lauren Potter

0:39:52.320 --> 0:39:55.400
<v Speaker 2>acting sound. I thought she was great. Becky had some

0:39:55.440 --> 0:39:58.640
<v Speaker 2>great moments this episode. Yes, okay, should we get into

0:39:58.640 --> 0:40:01.480
<v Speaker 2>some Auchi's let's do it. I feel like this is

0:40:01.480 --> 0:40:02.120
<v Speaker 2>pretty easy.

0:40:02.680 --> 0:40:13.520
<v Speaker 1>Yeah, well, the Howard bamboo yes express and the food

0:40:13.560 --> 0:40:14.280
<v Speaker 1>not really being.

0:40:15.200 --> 0:40:18.080
<v Speaker 2>She's he says I'm not Chinese, and then Sue goes

0:40:18.400 --> 0:40:19.040
<v Speaker 2>will neither.

0:40:19.120 --> 0:40:23.319
<v Speaker 1>Food, which it's kind of true.

0:40:23.560 --> 0:40:24.200
<v Speaker 2>That's funny.

0:40:24.360 --> 0:40:29.839
<v Speaker 1>However, let's not the setup best dance move.

0:40:31.440 --> 0:40:32.279
<v Speaker 2>There's not a lot of dance.

0:40:32.280 --> 0:40:38.920
<v Speaker 1>There wasn't a lot of dancing, so there's not dancing. No.

0:40:39.840 --> 0:40:41.160
<v Speaker 2>I did think it was funny, and I think it

0:40:41.160 --> 0:40:46.680
<v Speaker 2>was probably intentional to give John Groff something to say

0:40:47.400 --> 0:40:52.000
<v Speaker 2>for Nya's performance about the emotional depth where she just

0:40:52.000 --> 0:40:55.120
<v Speaker 2>starts sort of walking around and like rubbing people's back

0:40:55.760 --> 0:40:59.439
<v Speaker 2>during this really sort of serious song. It's true, which

0:40:59.560 --> 0:41:03.640
<v Speaker 2>just feels connected. But obviously I think that's intentional. I

0:41:03.680 --> 0:41:07.480
<v Speaker 2>did sort of like that because it was hilarious. But

0:41:07.640 --> 0:41:12.800
<v Speaker 2>I think Kurtsny slide is pretty impressive. Oh yeah, that's true,

0:41:13.239 --> 0:41:16.840
<v Speaker 2>So maybe we just do that. Yeah, okay, I'll go

0:41:16.920 --> 0:41:18.600
<v Speaker 2>with that one best song.

0:41:20.120 --> 0:41:20.200
<v Speaker 3>O.

0:41:21.080 --> 0:41:27.240
<v Speaker 1>Man oh man, I'm going back to black.

0:41:27.120 --> 0:41:31.920
<v Speaker 2>Yeah, back to black. Okay, no, no, I take it back.

0:41:31.960 --> 0:41:33.040
<v Speaker 2>Try a little tenderness.

0:41:33.360 --> 0:41:34.760
<v Speaker 1>See that's what I was saying.

0:41:35.000 --> 0:41:38.640
<v Speaker 2>Yeah, yeah, try a little tenderness because some of those

0:41:38.760 --> 0:41:40.960
<v Speaker 2>runs were the stupidest things I've ever heard.

0:41:41.600 --> 0:41:44.400
<v Speaker 1>Oh it's so good. That's why I was struggling. I

0:41:44.440 --> 0:41:50.920
<v Speaker 1>was struggling. Okay, best performance by a prop the Chocolate Fountain,

0:41:52.400 --> 0:42:00.279
<v Speaker 1>it's not the best performance us in this episode. Uh,

0:42:04.040 --> 0:42:08.360
<v Speaker 1>that's good. Or the wily Wanka tape the VHS that's

0:42:08.400 --> 0:42:15.799
<v Speaker 1>actually the real Yeah, the best line. I like Santana's

0:42:15.800 --> 0:42:18.560
<v Speaker 1>cigar line so nice. I smoke cigars.

0:42:18.840 --> 0:42:22.600
<v Speaker 2>I love that line. I also love Jesse's line he says,

0:42:22.640 --> 0:42:25.840
<v Speaker 2>that's sweet. You remember the masculine click of my designer boots.

0:42:28.719 --> 0:42:36.720
<v Speaker 1>He has really good one liners. Performance MVP Jane Jane Lynch.

0:42:37.960 --> 0:42:40.279
<v Speaker 2>Jane's got it. She may have not won the Emmy.

0:42:40.520 --> 0:42:43.960
<v Speaker 1>But she's got our m VP. And that's what you really.

0:42:43.840 --> 0:42:47.279
<v Speaker 2>Mean, which is almost just as good if you have

0:42:47.480 --> 0:42:51.360
<v Speaker 2>no other life goals. Okay, should we found on TikTok

0:42:51.400 --> 0:42:58.680
<v Speaker 2>this week? Tell me it's really great so eb beetle

0:42:58.800 --> 0:43:03.560
<v Speaker 2>dot mcbug on TikTok. She is forcing animals at the

0:43:03.600 --> 0:43:08.520
<v Speaker 2>aquarium to watch Glee. These poor fish, this marine life

0:43:09.760 --> 0:43:13.600
<v Speaker 2>is having to watch Glee performances. And they come up

0:43:13.640 --> 0:43:17.160
<v Speaker 2>to the screen and it looks like they're actually watching it,

0:43:17.239 --> 0:43:21.919
<v Speaker 2>and you know, at least they're they're getting given some y. Yeah,

0:43:21.920 --> 0:43:24.080
<v Speaker 2>they look into it. They look more into it than

0:43:24.120 --> 0:43:28.439
<v Speaker 2>some of my friends were when it was on. That's fine,

0:43:28.480 --> 0:43:31.040
<v Speaker 2>I love that. Thanks for that one. That is so

0:43:31.239 --> 0:43:34.640
<v Speaker 2>cute and hilarious. Fish to Gleek pipeline, I love that.

0:43:37.800 --> 0:43:40.319
<v Speaker 2>Oh so just the Dallas Aquarium, Well that was my

0:43:40.880 --> 0:43:41.439
<v Speaker 2>growing up.

0:43:42.120 --> 0:43:42.920
<v Speaker 3>That's weird.

0:43:43.800 --> 0:43:44.600
<v Speaker 2>How funny?

0:43:44.920 --> 0:43:45.680
<v Speaker 1>That is funny?

0:43:46.120 --> 0:43:48.320
<v Speaker 2>Even better, I know. I love One of the comments

0:43:48.440 --> 0:43:51.440
<v Speaker 2>is the first fish is taking notes. Yeah, some of

0:43:51.440 --> 0:43:54.239
<v Speaker 2>them looked very into it. Well, thank you for that

0:43:54.320 --> 0:43:57.200
<v Speaker 2>one again per usual. Thanks for tagging us, keep doing it.

0:43:57.320 --> 0:44:03.120
<v Speaker 2>We love it. Ship we found on the TikTok Talk TikTok.

0:44:04.000 --> 0:44:10.560
<v Speaker 1>Thanks for recapping Funeral with us this strange, wacky, yet

0:44:11.080 --> 0:44:12.239
<v Speaker 1>excellent episode.

0:44:12.440 --> 0:44:14.239
<v Speaker 2>Okay, and also like, let us know how you feel

0:44:14.280 --> 0:44:17.160
<v Speaker 2>about the scene that we feel irked by. Does it

0:44:17.160 --> 0:44:19.719
<v Speaker 2>feel weird to watch the funeral or was it just

0:44:19.760 --> 0:44:22.200
<v Speaker 2>because we shot it like that? I mean it felt weird,

0:44:22.600 --> 0:44:24.560
<v Speaker 2>like was that place haunted? It was something like.

0:44:24.560 --> 0:44:26.359
<v Speaker 1>That, something irky about that.

0:44:26.680 --> 0:44:27.520
<v Speaker 2>Y is not right?

0:44:28.000 --> 0:44:31.480
<v Speaker 1>Yes, agreed? Oh you're right? What was it?

0:44:31.560 --> 0:44:34.080
<v Speaker 2>I don't know, but now I feel irked again?

0:44:34.800 --> 0:44:35.960
<v Speaker 1>I know me too well.

0:44:36.040 --> 0:44:37.520
<v Speaker 2>Let us never speak about it again.

0:44:37.760 --> 0:44:41.279
<v Speaker 1>Okay, sounds good. Thanks for recapping with us. Come back

0:44:41.280 --> 0:44:44.320
<v Speaker 1>next week for season two finale.

0:44:45.600 --> 0:44:48.880
<v Speaker 2>And That's what you Really missed. Thanks for listening and

0:44:49.000 --> 0:44:51.600
<v Speaker 2>follow us on Instagram at and That's what you Really

0:44:51.640 --> 0:44:53.799
<v Speaker 2>miss pod. Make sure to write us a review and

0:44:53.920 --> 0:44:55.839
<v Speaker 2>leave us five stars. See you next time,