1
00:00:01,800 --> 00:00:04,479
Speaker 1: And That's what you really missed with Jenna.

2
00:00:04,519 --> 00:00:07,160
Speaker 2: And Kevin An iHeartRadio podcast.

3
00:00:09,440 --> 00:00:13,440
Speaker 1: Welcome to and That's what You Really Missed podcast. Very

4
00:00:13,480 --> 00:00:20,760
Speaker 1: sad it is, but we are almost at the end

5
00:00:20,760 --> 00:00:22,040
Speaker 1: of season two, can you believe it?

6
00:00:22,079 --> 00:00:23,080
Speaker 2: Which is also sad.

7
00:00:24,520 --> 00:00:26,240
Speaker 1: I am excited for season three.

8
00:00:26,880 --> 00:00:27,400
Speaker 2: I am too.

9
00:00:28,000 --> 00:00:31,360
Speaker 1: I need to get the tones as quickly as possible

10
00:00:31,520 --> 00:00:35,360
Speaker 1: this season. Yes, but you get to Vanessa Enj's in

11
00:00:35,400 --> 00:00:38,680
Speaker 1: this yeast season. That's right, Okay, cool, awesome.

12
00:00:39,360 --> 00:00:42,800
Speaker 2: And I'm also excited for the next episode. I'm sorry

13
00:00:42,800 --> 00:00:46,120
Speaker 2: for the season two finale, which when I finished watching

14
00:00:46,680 --> 00:00:50,280
Speaker 2: this week's episode Funeral, did I keep going to watch Nationals?

15
00:00:50,360 --> 00:00:51,240
Speaker 1: I thought about it?

16
00:00:51,440 --> 00:00:51,960
Speaker 2: I did?

17
00:00:52,440 --> 00:00:54,560
Speaker 1: Oh man, So I thought about it and then I

18
00:00:54,600 --> 00:00:56,360
Speaker 1: was like, no, no, just get give it a second.

19
00:00:56,640 --> 00:00:59,040
Speaker 1: Let Funeral stink in and then go to Nationals. But

20
00:00:59,080 --> 00:01:01,279
Speaker 1: I also like, don't know what to expect again. Am

21
00:01:01,320 --> 00:01:03,480
Speaker 1: I going to be disappointed in the next episode because

22
00:01:03,640 --> 00:01:05,720
Speaker 1: my expectations are so high? Or is it going to

23
00:01:05,760 --> 00:01:06,160
Speaker 1: live up?

24
00:01:06,959 --> 00:01:07,280
Speaker 2: I think?

25
00:01:07,319 --> 00:01:09,480
Speaker 1: But the memories are so good that I don't think

26
00:01:09,480 --> 00:01:10,080
Speaker 1: it matters.

27
00:01:10,319 --> 00:01:12,800
Speaker 2: Yes. I think what we've if we've learned nothing else

28
00:01:12,800 --> 00:01:18,840
Speaker 2: from doing this, is more than objectively watching an episode.

29
00:01:18,880 --> 00:01:20,960
Speaker 2: What you and I attached to are the memories going

30
00:01:20,959 --> 00:01:25,440
Speaker 2: into these things, so many memories and so the episode,

31
00:01:25,760 --> 00:01:29,120
Speaker 2: while I didn't necessarily remember specifics of the scenes that

32
00:01:29,200 --> 00:01:32,399
Speaker 2: actually made it in, all I can think about is,

33
00:01:32,720 --> 00:01:35,440
Speaker 2: you know the fun we had filming is Yeah, so

34
00:01:35,520 --> 00:01:36,840
Speaker 2: that that's going to be special.

35
00:01:37,160 --> 00:01:40,640
Speaker 1: The four minutes that we filmed and the five days

36
00:01:40,640 --> 00:01:45,080
Speaker 1: that we were there. Okay, okay, cool, Well let's get

37
00:01:45,120 --> 00:01:46,000
Speaker 1: to funeral. Yeah.

38
00:01:46,080 --> 00:01:50,840
Speaker 2: Filming Funeral was also that last week of school. You know,

39
00:01:51,040 --> 00:01:53,320
Speaker 2: you have to do your exams and you know, like

40
00:01:54,000 --> 00:01:56,080
Speaker 2: you hear it is it's a second to last week

41
00:01:56,080 --> 00:01:58,440
Speaker 2: of school. This is exam week sort of. And the

42
00:01:58,600 --> 00:02:00,720
Speaker 2: next week, you know, all the tests are going to

43
00:02:00,760 --> 00:02:02,320
Speaker 2: be done. You just have to show up. That was

44
00:02:02,480 --> 00:02:04,920
Speaker 2: going to New York, that's right, And so before we

45
00:02:04,920 --> 00:02:06,560
Speaker 2: were going to leave, like, hey, let's give you this

46
00:02:06,680 --> 00:02:14,880
Speaker 2: really heavy, sad episode, which I'm glad that. You know,

47
00:02:15,120 --> 00:02:18,800
Speaker 2: Jane had her incredible she has the range acting moments,

48
00:02:19,800 --> 00:02:20,799
Speaker 2: but it was so sad.

49
00:02:21,000 --> 00:02:23,160
Speaker 1: Why can't a lot of it was sad? Yeah, a

50
00:02:23,160 --> 00:02:23,640
Speaker 1: lot of it.

51
00:02:23,560 --> 00:02:28,120
Speaker 2: Was just there was a breakup, a death, There's a

52
00:02:28,160 --> 00:02:28,800
Speaker 2: lot of happening.

53
00:02:29,160 --> 00:02:31,280
Speaker 1: Yeah, Becky gets kicked off.

54
00:02:31,480 --> 00:02:32,000
Speaker 2: Oh my god.

55
00:02:32,160 --> 00:02:34,760
Speaker 1: It was a lot. It was a lot, But there's

56
00:02:34,800 --> 00:02:37,040
Speaker 1: some good music in this one. And I liked how

57
00:02:37,680 --> 00:02:40,720
Speaker 1: insular it felt with the high school of us, like

58
00:02:41,800 --> 00:02:44,960
Speaker 1: competing and performing on the stage. It felt like high

59
00:02:45,000 --> 00:02:47,120
Speaker 1: school again, like we were back in. Yeah, you know,

60
00:02:47,720 --> 00:02:49,720
Speaker 1: just star our little bubbles. And what we learned it

61
00:02:49,760 --> 00:02:51,280
Speaker 1: prom is that I do like a little back to

62
00:02:51,320 --> 00:02:54,200
Speaker 1: back to back numbers. So the additions that happen here

63
00:02:54,280 --> 00:02:57,440
Speaker 1: are very satisfying. Yeah, very If you can't tell, we're

64
00:02:57,480 --> 00:03:01,960
Speaker 1: talking about season two, episode twenty one, Funeral that originally

65
00:03:02,000 --> 00:03:06,040
Speaker 1: aired May seventeenth, two thousand and one. Jenna, what was

66
00:03:06,040 --> 00:03:09,400
Speaker 1: the number one song in the country? Then rolling in

67
00:03:09,480 --> 00:03:13,840
Speaker 1: the Deep hull? That's not the melody. I was gonna

68
00:03:13,840 --> 00:03:15,840
Speaker 1: do it and then it didn't do it. But okay,

69
00:03:16,360 --> 00:03:19,480
Speaker 1: it was Rolling in the Deep.

70
00:03:19,400 --> 00:03:21,280
Speaker 2: Which, by the way, have you seen videos of her

71
00:03:21,320 --> 00:03:23,720
Speaker 2: talking at her Vegas show about what inspired some of

72
00:03:23,760 --> 00:03:27,160
Speaker 2: her biggest hits. No, Rolling, you have to go find it.

73
00:03:27,160 --> 00:03:31,160
Speaker 2: It's hilarious because they're the most mundane things that have

74
00:03:31,240 --> 00:03:32,680
Speaker 2: nothing to do. Yeah, go do it.

75
00:03:32,880 --> 00:03:35,240
Speaker 1: I don't know the soul in which she sings with

76
00:03:35,360 --> 00:03:38,760
Speaker 1: these songs with yes, Okay, the number one movie is

77
00:03:38,800 --> 00:03:43,400
Speaker 1: thora again exciting. I have thought again, what was happening?

78
00:03:43,480 --> 00:03:46,240
Speaker 1: There's a lot of Glee stuff going on. Kevin So.

79
00:03:46,680 --> 00:03:48,840
Speaker 2: On May twentieth, a couple of days after the episode

80
00:03:48,840 --> 00:03:52,400
Speaker 2: first air, Matt Corey, Chris, Leah, Heather Night, and Amber

81
00:03:53,400 --> 00:03:57,200
Speaker 2: everyone but us, We're featured on the cover of The

82
00:03:57,240 --> 00:04:02,000
Speaker 2: Hollywood Reporter to promote the finale of season two, which

83
00:04:02,040 --> 00:04:05,920
Speaker 2: is in New York. And on May twenty first, the

84
00:04:06,000 --> 00:04:09,240
Speaker 2: second leg of Glee Live in Concert began at the

85
00:04:09,280 --> 00:04:14,440
Speaker 2: Mandalaid Bay in Las Vegas. So when this episode aired,

86
00:04:14,920 --> 00:04:18,320
Speaker 2: we had just gotten to Vegas to start our three

87
00:04:18,400 --> 00:04:24,160
Speaker 2: day prep for our arena tour, which was absolutely insane.

88
00:04:24,480 --> 00:04:28,080
Speaker 2: We had three days. Actually, you know what, Jenna, we'll

89
00:04:28,080 --> 00:04:31,480
Speaker 2: do another episode talking about maybe the logistics of this

90
00:04:31,560 --> 00:04:33,640
Speaker 2: tour wed a couple of weeks.

91
00:04:33,960 --> 00:04:36,400
Speaker 1: We should because this is there's so much that happened,

92
00:04:36,600 --> 00:04:39,360
Speaker 1: and I think this episode would be two days long.

93
00:04:39,440 --> 00:04:44,000
Speaker 1: So yeah, yeah, agreed. We'll get to say that this

94
00:04:44,040 --> 00:04:46,680
Speaker 1: episode was directed by the one and only Bradweaker.

95
00:04:46,720 --> 00:04:47,400
Speaker 2: Beautiful job.

96
00:04:47,440 --> 00:04:53,000
Speaker 1: You'll hear his name quite a lot. And uh some

97
00:04:53,080 --> 00:04:56,640
Speaker 1: of the songs, oh yeah, some of the best songs

98
00:04:56,880 --> 00:05:01,680
Speaker 1: we've ever done Back to Black. There's a handful of

99
00:05:01,720 --> 00:05:05,760
Speaker 1: songs that I probably would say were better than potentially

100
00:05:05,800 --> 00:05:08,080
Speaker 1: better than the original. And look, I'm not trying to

101
00:05:08,080 --> 00:05:12,120
Speaker 1: disregrect a wine House because she's wow a legend, but

102
00:05:12,279 --> 00:05:23,480
Speaker 1: this number definitely could live up to the standard of

103
00:05:23,520 --> 00:05:25,800
Speaker 1: the original Back to Black that Santana does.

104
00:05:25,920 --> 00:05:29,719
Speaker 2: Having Naya do amy wine House songs was really the

105
00:05:29,800 --> 00:05:31,320
Speaker 2: correct qualifying.

106
00:05:31,120 --> 00:05:35,800
Speaker 1: Yeah, everybody was in their pocket in this episode. Yes,

107
00:05:36,160 --> 00:05:42,160
Speaker 1: so Kurt did. Some people from Gypsy Mercedes did try

108
00:05:42,160 --> 00:05:47,440
Speaker 1: a little tenderness by Otis reading once again another roof

109
00:05:47,760 --> 00:05:51,920
Speaker 1: top belower that was going back in the rotation. I know,

110
00:05:53,040 --> 00:05:56,360
Speaker 1: I know, I know. And then my Man by Rachel

111
00:05:56,640 --> 00:05:57,760
Speaker 1: from Funny Girl.

112
00:05:57,560 --> 00:06:04,360
Speaker 2: Which was also very and then we did our sad,

113
00:06:04,640 --> 00:06:12,880
Speaker 2: sad version of Pure Imagination. Yees, Okay, I think we

114
00:06:12,880 --> 00:06:15,960
Speaker 2: should just preface this. I watched this episode with my

115
00:06:16,000 --> 00:06:19,960
Speaker 2: boyfriend last night and I just kept saying, this episode

116
00:06:20,080 --> 00:06:25,240
Speaker 2: feels so weird in my memory, like Irksome agreed, And

117
00:06:25,320 --> 00:06:28,960
Speaker 2: when you get to the funeral, I believe that is

118
00:06:29,000 --> 00:06:31,599
Speaker 2: why this song I can't listen to the song.

119
00:06:33,240 --> 00:06:35,960
Speaker 1: I also just want to know it was also a

120
00:06:35,960 --> 00:06:38,440
Speaker 1: weird day of shooting, Like off the lot, we were

121
00:06:38,480 --> 00:06:41,680
Speaker 1: like at a church I think it was. It wasn't

122
00:06:41,680 --> 00:06:45,000
Speaker 1: a funeral home. And I also want to know why

123
00:06:45,040 --> 00:06:47,680
Speaker 1: we all were wearing white, Like, why was Tina wearing

124
00:06:47,680 --> 00:06:52,080
Speaker 1: white at a funeral? Very inappropriate? Well, why weren't we

125
00:06:52,120 --> 00:06:55,719
Speaker 1: all wearing black? It was intentionally a different type of

126
00:06:56,200 --> 00:06:59,119
Speaker 1: h whatever. Okay, I just felt it was really weird

127
00:06:59,120 --> 00:07:01,400
Speaker 1: that Quinn was wearing like white and rad and I

128
00:07:01,440 --> 00:07:02,640
Speaker 1: was like, this is strange.

129
00:07:03,400 --> 00:07:07,040
Speaker 2: There's some good fun facts about this episode, Okay, tell me. So.

130
00:07:08,040 --> 00:07:11,480
Speaker 2: This is the episode that Jane rightfully so submitted for

131
00:07:11,880 --> 00:07:14,920
Speaker 2: the Emmys and she was nominated to not win, but

132
00:07:15,000 --> 00:07:17,080
Speaker 2: she was nominated, and it's an honors to be nominies.

133
00:07:17,800 --> 00:07:21,720
Speaker 2: It is the last time we see Jesslyn as Terry

134
00:07:21,720 --> 00:07:26,120
Speaker 2: Schuster as a main character. She comes back three more

135
00:07:26,160 --> 00:07:28,040
Speaker 2: times for the two part finale, and then she comes

136
00:07:28,080 --> 00:07:28,840
Speaker 2: back in season.

137
00:07:28,600 --> 00:07:30,559
Speaker 1: Four for not Enough, Not Enough.

138
00:07:30,760 --> 00:07:33,400
Speaker 2: Okay, it was sad. I was sad. You can tell

139
00:07:33,440 --> 00:07:35,960
Speaker 2: they wrap her story up moving to Miami. I was like,

140
00:07:36,000 --> 00:07:39,600
Speaker 2: oh no, she'ts and things, yeah for real. In the

141
00:07:39,680 --> 00:07:42,640
Speaker 2: promo for this episode that aired on Fox, there is

142
00:07:42,680 --> 00:07:44,960
Speaker 2: a scene where there's a conversation between Quinn and Finn

143
00:07:45,000 --> 00:07:48,000
Speaker 2: about quitting glee club, but it didn't make the final

144
00:07:48,080 --> 00:07:50,360
Speaker 2: cute of the episode and end of the episode, Finn

145
00:07:50,360 --> 00:07:53,120
Speaker 2: actually references that scene.

146
00:07:53,640 --> 00:07:57,320
Speaker 1: Yeah, I don't remember that scene reading that scene in

147
00:07:57,320 --> 00:07:58,040
Speaker 1: the script either.

148
00:07:58,280 --> 00:08:02,800
Speaker 2: Yeah, I don't either. So some happened, okay, cutting room floor,

149
00:08:02,960 --> 00:08:06,520
Speaker 2: but they shot it. This is also I feel like

150
00:08:06,520 --> 00:08:08,720
Speaker 2: this is a good one for like Trivia night Trivia.

151
00:08:09,360 --> 00:08:12,000
Speaker 2: This is the second time Sue is seen in something

152
00:08:12,040 --> 00:08:16,400
Speaker 2: other than a tracksuit or something tracksuit related, right right, Okay,

153
00:08:17,520 --> 00:08:21,440
Speaker 2: forty three episodes in and only the second. Wow, Wow,

154
00:08:22,160 --> 00:08:25,320
Speaker 2: she had it good. And my favorite, My favorite bit

155
00:08:26,360 --> 00:08:30,520
Speaker 2: is that the Figgins email getting figure with it at

156
00:08:30,760 --> 00:08:34,920
Speaker 2: aol dot com for years. If you emailed it actually

157
00:08:35,240 --> 00:08:37,840
Speaker 2: replied to you and said, greeting students and well wishers.

158
00:08:37,880 --> 00:08:39,680
Speaker 2: I'll be out of the office until Friday. It's ending

159
00:08:39,720 --> 00:08:43,319
Speaker 2: a seminar on mail enhancement at the Bob Jones University.

160
00:08:43,960 --> 00:08:45,880
Speaker 2: Until then, I will not be taking emails because I

161
00:08:45,920 --> 00:08:48,960
Speaker 2: do not understand how computers seem alive but aren't. Sincerely,

162
00:08:49,000 --> 00:08:53,720
Speaker 2: Principal Figgins, McKinley High School where Wings take dream.

163
00:08:53,800 --> 00:08:54,720
Speaker 1: That was definitely ian.

164
00:08:55,160 --> 00:08:57,520
Speaker 2: Yeah, it doesn't work anymore, but it did for a

165
00:08:57,600 --> 00:08:59,800
Speaker 2: very long time. I love those.

166
00:09:00,040 --> 00:09:01,400
Speaker 1: It's really funny.

167
00:09:01,440 --> 00:09:16,160
Speaker 3: I didn't know that that's really funny. Okay, let's break

168
00:09:16,200 --> 00:09:16,800
Speaker 3: it down for you.

169
00:09:18,120 --> 00:09:22,440
Speaker 1: Sue. Sue has lost her her beloved sweet sister, Jean.

170
00:09:23,679 --> 00:09:30,000
Speaker 1: Jean passes away, and Kurt and Finn take on the

171
00:09:30,000 --> 00:09:35,800
Speaker 1: responsibility of planning her funeral because Sue cannot plan it herself.

172
00:09:36,960 --> 00:09:40,720
Speaker 1: Nationals are just one week away, and we bring in

173
00:09:40,840 --> 00:09:44,679
Speaker 1: surprise guests Jesse Think James, who has been hired as

174
00:09:44,720 --> 00:09:50,320
Speaker 1: co captain or show choir consultant to help them prepare,

175
00:09:51,800 --> 00:09:57,680
Speaker 1: and he convinces Will to organize these solo auditions to

176
00:09:57,720 --> 00:10:04,600
Speaker 1: decide who we're going to revolve the setlist around. And

177
00:10:05,240 --> 00:10:07,560
Speaker 1: Will seems to be hiding a secret from the glee club.

178
00:10:09,960 --> 00:10:10,560
Speaker 1: What's going on?

179
00:10:10,760 --> 00:10:12,640
Speaker 2: Secrets always come out, Will, It's high school.

180
00:10:13,360 --> 00:10:13,760
Speaker 1: Yeah.

181
00:10:13,920 --> 00:10:16,520
Speaker 2: So the episode starts off with Sue is a little

182
00:10:16,559 --> 00:10:22,200
Speaker 2: extra angry, like real angry, you know. It's not like

183
00:10:22,280 --> 00:10:25,679
Speaker 2: the farcical, whimsical anger that we've grown to know and love.

184
00:10:25,800 --> 00:10:28,840
Speaker 2: It's a little different this week. And so she's talking

185
00:10:28,880 --> 00:10:35,439
Speaker 2: to Terry and she wants Howard Bamboo to hack into

186
00:10:35,480 --> 00:10:39,120
Speaker 2: Principal Fagan's computer to get the glee clubs fight information

187
00:10:39,440 --> 00:10:48,080
Speaker 2: to nationals to reroute them through Libya. Now there's a

188
00:10:48,160 --> 00:10:51,640
Speaker 2: joke in here about do you want them to get murdered?

189
00:10:52,280 --> 00:10:58,240
Speaker 2: And she goes kidnapped and murdered if we could, which,

190
00:10:58,280 --> 00:11:01,040
Speaker 2: you know, I don't know if there's every situation in

191
00:11:01,040 --> 00:11:05,480
Speaker 2: which an educator should be saying that, right, right, not

192
00:11:05,800 --> 00:11:08,719
Speaker 2: so good? Wild and here we are, Yeah, here we are.

193
00:11:10,080 --> 00:11:13,320
Speaker 2: And then the thing that happens right after is Becky

194
00:11:13,400 --> 00:11:17,280
Speaker 2: comes up asking Will if she can join the glee

195
00:11:17,280 --> 00:11:21,320
Speaker 2: club because Sue unexpectedly kicked her off and she just

196
00:11:21,360 --> 00:11:25,800
Speaker 2: wants to belong somewhere, and understandably, I think we'll actually

197
00:11:25,840 --> 00:11:28,160
Speaker 2: handle this like there's only a week left they have nationals,

198
00:11:28,200 --> 00:11:30,960
Speaker 2: but next year she can join, right, Yeah, that was

199
00:11:31,040 --> 00:11:34,240
Speaker 2: so sad, though I know sweet Becky, and I do

200
00:11:34,320 --> 00:11:36,920
Speaker 2: have to say I think Jane's acting. I want to

201
00:11:36,960 --> 00:11:42,120
Speaker 2: talk about a lot in this, okay, because when she

202
00:11:42,400 --> 00:11:48,240
Speaker 2: kicks Becky off the Cheerios, she's doing this thing where

203
00:11:48,440 --> 00:11:52,160
Speaker 2: she is fully removed, Yes, which is a lot of

204
00:11:52,200 --> 00:11:55,880
Speaker 2: the episode. Yeah, where it is so good and so subtle,

205
00:11:56,200 --> 00:11:58,199
Speaker 2: like we used to her as being mean she's saying

206
00:11:58,240 --> 00:12:03,720
Speaker 2: the mean thing, but it's but she's putting up this wall. Yeah,

207
00:12:03,760 --> 00:12:07,000
Speaker 2: and you can physically feel it and see it. Yes,

208
00:12:07,080 --> 00:12:09,959
Speaker 2: and I yes, you know a lot of the times

209
00:12:10,000 --> 00:12:12,120
Speaker 2: of like we were on a different show, Like we're

210
00:12:12,120 --> 00:12:14,640
Speaker 2: still doing the same teen things, getting ready for Nationals

211
00:12:14,720 --> 00:12:18,000
Speaker 2: jokeshoke jokes, everyone's cooking up with each other, stealing each

212
00:12:18,000 --> 00:12:21,760
Speaker 2: other's boy friends and girlfriends, right, and then and then

213
00:12:21,840 --> 00:12:26,440
Speaker 2: Jane's giving sort of a master class and grief, you know,

214
00:12:26,559 --> 00:12:26,839
Speaker 2: on the.

215
00:12:26,800 --> 00:12:29,280
Speaker 1: Other on the other show.

216
00:12:29,559 --> 00:12:34,680
Speaker 2: Yeah, So I was really just sort of struck by

217
00:12:35,640 --> 00:12:38,760
Speaker 2: that because every scene she's doing a little something different

218
00:12:40,679 --> 00:12:44,240
Speaker 2: and depending on her relationship with the person she is

219
00:12:44,280 --> 00:12:48,800
Speaker 2: talking to, right, and I think where she has a

220
00:12:48,800 --> 00:12:51,560
Speaker 2: different relationship with every single character she interacts with on

221
00:12:51,600 --> 00:12:54,560
Speaker 2: this show. Seeing that was just very impressive. And I

222
00:12:54,640 --> 00:12:57,120
Speaker 2: don't I definitely did not catch that, you know, the

223
00:12:57,120 --> 00:12:57,880
Speaker 2: first time around.

224
00:12:58,200 --> 00:12:59,559
Speaker 1: Yeah, it's nuanced, m M.

225
00:13:00,360 --> 00:13:01,480
Speaker 2: Yeah, so good.

226
00:13:02,679 --> 00:13:07,200
Speaker 1: So we find out, well, it confronts Sue about him,

227
00:13:07,360 --> 00:13:11,080
Speaker 1: you know, her kicking back off the cheerios, and Sue

228
00:13:11,120 --> 00:13:15,000
Speaker 1: then decides to divulge the information that Gene has passed

229
00:13:15,000 --> 00:13:21,040
Speaker 1: away and before really sad. Also that scene I thought

230
00:13:21,040 --> 00:13:23,400
Speaker 1: it was a really well written scene. Yes, you know

231
00:13:23,480 --> 00:13:26,640
Speaker 1: the bit about you know, her life expectancy, and then

232
00:13:26,640 --> 00:13:28,880
Speaker 1: she's getting older and older, and I thought we'd, you know,

233
00:13:29,280 --> 00:13:34,320
Speaker 1: have her forever. But then Kurr and Finn find out

234
00:13:34,600 --> 00:13:41,400
Speaker 1: and they go and bring Sue her flowers because they

235
00:13:41,400 --> 00:13:44,000
Speaker 1: both have lost somebody very close to them. So I

236
00:13:44,040 --> 00:13:49,360
Speaker 1: thought that was a really very well thought out plan

237
00:13:49,640 --> 00:13:51,080
Speaker 1: to have the two of them go.

238
00:13:51,200 --> 00:13:53,400
Speaker 2: I mean, and that's what happens. I think it's reflective

239
00:13:53,440 --> 00:13:54,280
Speaker 2: of real life.

240
00:13:54,040 --> 00:13:58,080
Speaker 1: Too, where right you cling to people who have been

241
00:13:58,080 --> 00:14:00,520
Speaker 1: through it or will be there for you you because

242
00:14:00,559 --> 00:14:08,880
Speaker 1: of shared experience. And this scene also heartbreaker where she

243
00:14:08,920 --> 00:14:12,280
Speaker 1: says she wants to know why she's the one alive

244
00:14:12,320 --> 00:14:15,880
Speaker 1: and you know Genes not the wie, or like why

245
00:14:16,040 --> 00:14:17,959
Speaker 1: they didn't take Sue instead of being because Jane is

246
00:14:18,000 --> 00:14:20,880
Speaker 1: the nicest person that she ever met, and that she

247
00:14:20,880 --> 00:14:22,560
Speaker 1: can't go to the funeral and she can't go sort

248
00:14:22,640 --> 00:14:29,160
Speaker 1: through the things, which is totally makes sense, and and

249
00:14:29,280 --> 00:14:31,680
Speaker 1: so they decided they're going to help Sue and they

250
00:14:31,680 --> 00:14:40,080
Speaker 1: are going to plan for the the funeral. Meanwhile, Jesse's saying,

251
00:14:40,280 --> 00:14:42,920
Speaker 1: we shouldn't plan a funeral, we'll get to more Jesse

252
00:14:43,080 --> 00:14:47,680
Speaker 1: of this whole thing, but because we're getting ready for nationals,

253
00:14:47,680 --> 00:14:49,200
Speaker 1: it should be the only thing we're focusing, which is

254
00:14:49,320 --> 00:14:55,120
Speaker 1: very Vocal Adrenaline focused and aligned with But okay, so

255
00:14:55,200 --> 00:14:57,440
Speaker 1: Finn finally steps up and says, well, I'm the leader

256
00:14:57,480 --> 00:15:00,600
Speaker 1: of this crew and so we're definitely going to plan funeral.

257
00:15:03,200 --> 00:15:07,000
Speaker 1: There was also a very funny line for Jesse saying like,

258
00:15:07,000 --> 00:15:08,720
Speaker 1: do you know what Vocal Adrenaline is doing right now?

259
00:15:08,720 --> 00:15:11,760
Speaker 1: They're having twenty four hour rehearsals, so do you know

260
00:15:11,800 --> 00:15:14,440
Speaker 1: what happens? There's somebody ties in a number, we use

261
00:15:14,480 --> 00:15:20,360
Speaker 1: them like a prop like weekend. It's very good, it's funny.

262
00:15:20,880 --> 00:15:23,440
Speaker 2: I do love that this storyline too, you know, like

263
00:15:23,520 --> 00:15:26,560
Speaker 2: curtain Finn didn't go and help clear out Jean's room

264
00:15:26,560 --> 00:15:30,720
Speaker 2: at the nursing home and seeing them work together in

265
00:15:30,760 --> 00:15:33,040
Speaker 2: a way that's you know, there's been a lot of

266
00:15:33,760 --> 00:15:37,120
Speaker 2: conflict conflict between them and there's no conflict between them

267
00:15:37,160 --> 00:15:40,680
Speaker 2: and they're doing something good through their you know, shared trauma,

268
00:15:41,160 --> 00:15:43,200
Speaker 2: a grief for somebody else who has been nothing but

269
00:15:43,480 --> 00:15:48,560
Speaker 2: terrible to them, which is as family, as brothers, as friends, teammates.

270
00:15:48,560 --> 00:15:51,680
Speaker 2: So it was really sweet and that's when they discover

271
00:15:52,800 --> 00:15:57,440
Speaker 2: the Willy Wonka tape and that it was Jean's favorite

272
00:15:57,160 --> 00:15:59,200
Speaker 2: movie and she'd watch it three times a week. In

273
00:15:59,320 --> 00:16:05,360
Speaker 2: light Bulb Woo, it happens, the light Bulb happens at

274
00:16:05,400 --> 00:16:08,960
Speaker 2: the same time that Suit admits that the only reason

275
00:16:09,040 --> 00:16:12,360
Speaker 2: she even agreed to Letnic click up Helper is because

276
00:16:12,400 --> 00:16:14,400
Speaker 2: she didn't think anyone wud show up to Jean's funeral,

277
00:16:14,440 --> 00:16:17,640
Speaker 2: and so she wanted the place to be full, which

278
00:16:17,680 --> 00:16:23,080
Speaker 2: was also just so she's so broken this episode.

279
00:16:22,480 --> 00:16:23,960
Speaker 1: We're not We're not used to seeing her like this.

280
00:16:24,080 --> 00:16:26,440
Speaker 1: I think that's what threw me a little bit. Yeah,

281
00:16:26,480 --> 00:16:29,080
Speaker 1: and every time, and it's every time she opens her mouth.

282
00:16:29,120 --> 00:16:34,520
Speaker 1: It's this little piece of wisdom, of perspective of when

283
00:16:34,560 --> 00:16:36,040
Speaker 1: you do lose someone in real life.

284
00:16:36,840 --> 00:16:40,320
Speaker 2: I do think Brad Feuchuk is really good at summing

285
00:16:40,400 --> 00:16:44,240
Speaker 2: up life experiences that way, And if I had to guess,

286
00:16:44,240 --> 00:16:47,120
Speaker 2: I would think he wrote some of these scenes interesting.

287
00:16:47,160 --> 00:16:48,960
Speaker 2: The other day he was talking to me about marriage,

288
00:16:49,080 --> 00:16:52,400
Speaker 2: trying to convince me to get married, and the way

289
00:16:52,440 --> 00:16:55,960
Speaker 2: he made it sound was beautiful and poetic and just

290
00:16:56,000 --> 00:16:59,120
Speaker 2: so romantic. And he has what I mean, he's a writer.

291
00:16:59,320 --> 00:17:03,800
Speaker 2: You know and so hearing these conversations surrounding loss and

292
00:17:04,119 --> 00:17:08,560
Speaker 2: I'm familiar, Yeah and interesting. It was also just a

293
00:17:08,600 --> 00:17:12,280
Speaker 2: testament to their team teamwork, Ryan, Brad and Ian or

294
00:17:13,160 --> 00:17:16,480
Speaker 2: their powers combined they could create a really well rounded

295
00:17:16,560 --> 00:17:17,439
Speaker 2: show like that.

296
00:17:17,680 --> 00:17:20,800
Speaker 1: Yeah. Yes, well, if you meet them all, which you've

297
00:17:20,800 --> 00:17:24,840
Speaker 1: meant two of them so far, Brad and obviously most

298
00:17:24,880 --> 00:17:26,400
Speaker 1: of you guys know Brad, I'll truck at this point,

299
00:17:26,520 --> 00:17:32,200
Speaker 1: but like, yes, they're all so different and so complimentary,

300
00:17:32,359 --> 00:17:34,520
Speaker 1: and they all have their strengths. But like, of course,

301
00:17:34,600 --> 00:17:37,639
Speaker 1: like with Ian, you know, his strength is the those

302
00:17:37,760 --> 00:17:41,960
Speaker 1: like cunning one liners that like the funniest person or

303
00:17:41,960 --> 00:17:45,560
Speaker 1: the monologues. But yes, it sounds like maybe Brad took

304
00:17:45,600 --> 00:17:49,760
Speaker 1: on this or helped with this this side of Sue.

305
00:17:51,080 --> 00:17:52,119
Speaker 2: You gonna talk about the funeral?

306
00:17:53,000 --> 00:17:56,320
Speaker 1: Ugh, okay, well all right, let's talk about the funeral first.

307
00:17:56,359 --> 00:17:57,960
Speaker 1: I was going to talk about Finn and Quinn breaking up,

308
00:17:58,000 --> 00:18:00,280
Speaker 1: but we should talk about the funeral first. Yes, was

309
00:18:00,320 --> 00:18:04,399
Speaker 1: worried that nobody is going to show up to Jean's funeral,

310
00:18:04,840 --> 00:18:08,320
Speaker 1: but to her surprise, it's a full house. People from

311
00:18:08,400 --> 00:18:13,560
Speaker 1: the nursing home, people from her life, the glee club, school,

312
00:18:14,200 --> 00:18:23,320
Speaker 1: people are showing up for Jean and it's it's all, okay,

313
00:18:24,080 --> 00:18:31,720
Speaker 1: it's weird. This this funeral scene is weird. Mushrooms at

314
00:18:31,720 --> 00:18:34,320
Speaker 1: the base of her coffin. But again, she loved Willi Wanka,

315
00:18:34,400 --> 00:18:37,680
Speaker 1: so Finn and Kurt did them right.

316
00:18:37,880 --> 00:18:39,399
Speaker 2: But it's high schoolers doing this.

317
00:18:40,480 --> 00:18:42,720
Speaker 1: I'm just upset that we didn't all wear black. It

318
00:18:42,800 --> 00:18:44,800
Speaker 1: just looked weird to me, and I think that might

319
00:18:44,840 --> 00:18:46,680
Speaker 1: have been part of it. It's like the aesthetic was wrong.

320
00:18:48,000 --> 00:18:51,760
Speaker 1: But also shooting that, I think it was really dark

321
00:18:51,840 --> 00:18:54,960
Speaker 1: and maybe it was a funeral home, but the feeling,

322
00:18:55,160 --> 00:18:58,960
Speaker 1: the vibe crazy off. The vibe was off, like in

323
00:18:59,000 --> 00:18:59,840
Speaker 1: that in that.

324
00:19:00,560 --> 00:19:01,840
Speaker 2: Room, is that what it was?

325
00:19:02,000 --> 00:19:06,760
Speaker 1: The ceiling was really low, And I remember popping in

326
00:19:07,800 --> 00:19:12,000
Speaker 1: and yes, okay, and then walking into this set which

327
00:19:12,000 --> 00:19:14,240
Speaker 1: we had been waiting all day to shoot, and then

328
00:19:14,280 --> 00:19:16,720
Speaker 1: we come in and we do the scene of the song,

329
00:19:16,760 --> 00:19:18,840
Speaker 1: and then that's it, right, like that's all we're in

330
00:19:19,920 --> 00:19:23,840
Speaker 1: of this episode. We walk in to shoot it, and

331
00:19:23,880 --> 00:19:26,240
Speaker 1: I remember seeing the chocolate.

332
00:19:25,840 --> 00:19:27,919
Speaker 2: Fountain, the smell of the chocolate fountain.

333
00:19:28,000 --> 00:19:31,160
Speaker 1: It was so freakin gnarly. I was like, I gotta

334
00:19:31,240 --> 00:19:34,800
Speaker 1: get out of here. I gotta get out of here.

335
00:19:36,240 --> 00:19:39,600
Speaker 1: It was a choice, as our producer said, a choice.

336
00:19:39,920 --> 00:19:44,679
Speaker 1: But it was weird. It was really weird, and I

337
00:19:44,720 --> 00:19:47,280
Speaker 1: think just the combo Kevin of like what you said,

338
00:19:47,400 --> 00:19:50,880
Speaker 1: not seeing Sue like that in the show, and then

339
00:19:50,880 --> 00:19:53,320
Speaker 1: seeing not seeing Jane have to do that kind of

340
00:19:53,359 --> 00:19:58,280
Speaker 1: acting at a funeral, and then us being there in

341
00:19:58,320 --> 00:20:03,800
Speaker 1: this very it was like dystopian. It was like very strange.

342
00:20:04,920 --> 00:20:07,840
Speaker 1: It was a weird, weird, weird section.

343
00:20:08,119 --> 00:20:10,959
Speaker 2: I would also like to address this state of mind

344
00:20:11,760 --> 00:20:13,760
Speaker 2: of all of us at this time in real life,

345
00:20:14,960 --> 00:20:18,359
Speaker 2: because at the end of the season, the wheels have

346
00:20:18,400 --> 00:20:23,960
Speaker 2: come off. The wheels are fully off. Yeah, so much

347
00:20:24,000 --> 00:20:27,800
Speaker 2: so that like we started to rehearse. We should have

348
00:20:28,520 --> 00:20:31,680
Speaker 2: been rehearsing for New York, but there was no script.

349
00:20:32,480 --> 00:20:34,480
Speaker 2: Oh god, do you remember, And so like we went

350
00:20:34,480 --> 00:20:38,000
Speaker 2: to New York following shooting this episode and started shooting

351
00:20:38,680 --> 00:20:41,639
Speaker 2: the episode and there was only like half the script written.

352
00:20:42,000 --> 00:20:43,639
Speaker 1: I think we had like I Love New York or

353
00:20:43,640 --> 00:20:44,880
Speaker 1: whatever that song was.

354
00:20:44,880 --> 00:20:48,960
Speaker 2: And so it was a three of them writing this thing.

355
00:20:49,920 --> 00:20:53,040
Speaker 2: I think it had finally caught up to them. Understandably,

356
00:20:53,520 --> 00:20:57,680
Speaker 2: it caught up to us because we needed to rehearse

357
00:20:58,280 --> 00:21:00,440
Speaker 2: and we're sort of showing up and shooting the pure

358
00:21:00,480 --> 00:21:04,639
Speaker 2: imagination thing that we're sort of disconnected from what's actually

359
00:21:04,720 --> 00:21:09,080
Speaker 2: happening in the episode anyway, and we're starting to panic

360
00:21:09,119 --> 00:21:11,560
Speaker 2: about New York and learning what we can what we

361
00:21:11,600 --> 00:21:14,080
Speaker 2: do know about it, and so there's all the like

362
00:21:14,200 --> 00:21:18,439
Speaker 2: logistical things going on at the same time, and then

363
00:21:18,480 --> 00:21:22,120
Speaker 2: you're thrown into chocolate fountain mushroom carry over.

364
00:21:23,800 --> 00:21:24,320
Speaker 1: Karaoke.

365
00:21:26,720 --> 00:21:30,600
Speaker 2: You sounded great on the song, by the way, what, Yeah.

366
00:21:30,480 --> 00:21:31,320
Speaker 1: I don't think I.

367
00:21:31,320 --> 00:21:34,840
Speaker 2: I think it's a hard song to sing, really, I do,

368
00:21:34,920 --> 00:21:38,879
Speaker 2: because it's there's nowhere to go. Yeah, you just it's long,

369
00:21:39,040 --> 00:21:44,680
Speaker 2: sustainable notes, and I think that's very revealing. I can't

370
00:21:44,720 --> 00:21:48,480
Speaker 2: personally do that, but I think you theater trained people

371
00:21:48,520 --> 00:21:49,920
Speaker 2: can and it was it was nice.

372
00:21:49,960 --> 00:21:52,760
Speaker 1: That's funny, that's really funny. I didn't. I don't see

373
00:21:52,760 --> 00:21:55,879
Speaker 1: it that way. But I don't think I this just

374
00:21:55,920 --> 00:21:58,320
Speaker 1: the context of this song makes it hard for me

375
00:21:58,400 --> 00:22:00,880
Speaker 1: to like attach to the song at all.

376
00:22:01,520 --> 00:22:03,520
Speaker 2: I have to avoid this song harder than I avoid

377
00:22:03,520 --> 00:22:04,560
Speaker 2: don't stop believing.

378
00:22:06,800 --> 00:22:08,600
Speaker 1: This one doesn't play all over exactly.

379
00:22:09,400 --> 00:22:12,680
Speaker 2: When I do hear it, I get so irk. I'm

380
00:22:12,680 --> 00:22:14,960
Speaker 2: glad that you share the same thing though, because I

381
00:22:15,000 --> 00:22:15,679
Speaker 2: feel crazy.

382
00:22:15,840 --> 00:22:17,919
Speaker 1: It's just a weird feeling. It's a weird feeling, it's

383
00:22:18,040 --> 00:22:19,760
Speaker 1: nick feeling. Yeah. Yeah.

384
00:22:19,800 --> 00:22:24,480
Speaker 2: So Sue gets have to, you know, to her eulogy. Yeah,

385
00:22:24,560 --> 00:22:28,760
Speaker 2: and it's such a beautiful and beautifully sad speech and

386
00:22:28,800 --> 00:22:31,520
Speaker 2: she has to stop and Will comes up and finishes

387
00:22:31,520 --> 00:22:35,840
Speaker 2: the speech for her. Cut in with all these videos

388
00:22:36,040 --> 00:22:43,000
Speaker 2: of Jane and Sue together. Oh my god, that was beautiful.

389
00:22:43,080 --> 00:22:44,240
Speaker 2: Do you think that was a beaker call?

390
00:22:45,200 --> 00:22:51,920
Speaker 1: Definitely, definitely, definitely, definitely a beaker A Ryan, I mean,

391
00:22:51,960 --> 00:22:52,800
Speaker 1: neither one, you know.

392
00:22:53,040 --> 00:22:55,160
Speaker 2: I feel like that was an editor an editing choice.

393
00:22:55,240 --> 00:22:57,600
Speaker 1: Yeah, yeah, yeah, Yeah, it was good. It was really good.

394
00:22:58,600 --> 00:23:02,520
Speaker 1: And honestly, I could have done with that and without

395
00:23:02,560 --> 00:23:04,480
Speaker 1: the funeral, and I would have been a much happier person. Yeah.

396
00:23:04,480 --> 00:23:07,600
Speaker 2: I think that was Sue's speech, and those videos were

397
00:23:08,200 --> 00:23:09,480
Speaker 2: yeah enough the best.

398
00:23:09,640 --> 00:23:15,120
Speaker 1: Yeah, Will helps her finish the speech. That got me.

399
00:23:15,880 --> 00:23:18,640
Speaker 2: And he got everyone. Everyone was losing it in that audience.

400
00:23:19,200 --> 00:23:24,600
Speaker 2: Mm hmmmmm, which leads to yeah, a lot of feelings,

401
00:23:24,640 --> 00:23:26,040
Speaker 2: which bleeds into the next scene.

402
00:23:26,560 --> 00:23:28,800
Speaker 1: So Finn is in the car and Quinn gets in

403
00:23:28,960 --> 00:23:34,960
Speaker 1: and and Finn's crying and she says nice crying and

404
00:23:35,040 --> 00:23:38,639
Speaker 1: he's gonna break up with her, and it is sad.

405
00:23:40,400 --> 00:23:43,679
Speaker 1: Quinn's like, is this obviously because of Rachel, and Finn's like,

406
00:23:43,960 --> 00:23:47,080
Speaker 1: I mean, I just I feel tethered to her in

407
00:23:47,160 --> 00:23:51,160
Speaker 1: so many words, he said that, and then Quinn is

408
00:23:51,440 --> 00:23:53,880
Speaker 1: basically saying like, I'll stay with you and we'll get

409
00:23:53,920 --> 00:23:59,639
Speaker 1: through this, which is so weird. It's weird, but it's

410
00:23:59,680 --> 00:24:02,080
Speaker 1: also very high school like, it's a very high school

411
00:24:02,080 --> 00:24:04,280
Speaker 1: thing to do, to be like it's okay, we'll get

412
00:24:04,280 --> 00:24:09,560
Speaker 1: through it and we'll push through. But the climax of

413
00:24:09,600 --> 00:24:12,280
Speaker 1: this scene when Finn is like, who are you and

414
00:24:12,640 --> 00:24:19,560
Speaker 1: don't you feel anything? It was just a really well

415
00:24:19,680 --> 00:24:23,280
Speaker 1: acted scene. I'll always love watching Corey and Diana together.

416
00:24:23,440 --> 00:24:28,119
Speaker 1: They have a lot of chemistry. Their dynamic works really well.

417
00:24:30,400 --> 00:24:33,560
Speaker 1: And then you know the script, like you know, they

418
00:24:33,560 --> 00:24:38,680
Speaker 1: flip the script a little bit, and and so now

419
00:24:38,800 --> 00:24:41,760
Speaker 1: Quinn is very upset at Finn for yelling at her

420
00:24:41,840 --> 00:24:45,520
Speaker 1: and asking her if she's feeling any emotion, and that's

421
00:24:45,760 --> 00:24:48,200
Speaker 1: the end of Finn and Quinn. They shouldn't have done

422
00:24:48,200 --> 00:24:49,040
Speaker 1: this to begin with.

423
00:24:49,280 --> 00:24:53,720
Speaker 2: Also, just to let's put too fine a point on this,

424
00:24:53,720 --> 00:24:56,800
Speaker 2: this is their twenty first episode they've written this season

425
00:24:56,960 --> 00:24:59,280
Speaker 2: and they're still turning out scenes like that.

426
00:24:59,760 --> 00:25:05,040
Speaker 1: Yeah, that's crazy. Yeah, it is crazy.

427
00:25:06,160 --> 00:25:10,280
Speaker 2: I don't know how excellence. Yeah it must be nice,

428
00:25:10,880 --> 00:25:12,440
Speaker 2: all right, jeez.

429
00:25:13,880 --> 00:25:16,840
Speaker 1: Yeah some honestly, it's just very clear when they like

430
00:25:16,960 --> 00:25:22,760
Speaker 1: have a clear yeah intent and you know direction in

431
00:25:22,760 --> 00:25:23,520
Speaker 1: which they're going.

432
00:25:24,480 --> 00:25:27,760
Speaker 2: You know, you talked about chemistry between them, Corey and

433
00:25:28,160 --> 00:25:31,280
Speaker 2: Diana m and I do have to say to Pat

434
00:25:31,359 --> 00:25:33,919
Speaker 2: our show on the back, I think there was so

435
00:25:34,040 --> 00:25:39,879
Speaker 2: much chemistry between all these characters that you miss it

436
00:25:39,920 --> 00:25:43,320
Speaker 2: when you see a show that doesn't necessarily have chemistry.

437
00:25:43,880 --> 00:25:47,200
Speaker 2: I watch a lot of teen shows and it's missing that.

438
00:25:47,520 --> 00:25:51,879
Speaker 2: And there are so many shows that you have people

439
00:25:51,880 --> 00:25:56,520
Speaker 2: that are friends or love interests and there's no chemistry

440
00:25:56,640 --> 00:25:58,679
Speaker 2: or like one of them is trying really hard to

441
00:25:58,680 --> 00:26:00,800
Speaker 2: make something happen, the other ones up pulling their weight.

442
00:26:01,119 --> 00:26:04,680
Speaker 2: There's something that chemistry you can't really fake, No, you can't,

443
00:26:04,760 --> 00:26:07,280
Speaker 2: and so it just it's there or there's not. And

444
00:26:07,320 --> 00:26:09,959
Speaker 2: I think maybe because we were all so close in

445
00:26:10,000 --> 00:26:13,320
Speaker 2: real life and we all did and do love each other,

446
00:26:13,800 --> 00:26:21,200
Speaker 2: that I think that came through and shouldn't be neglected

447
00:26:21,359 --> 00:26:24,800
Speaker 2: because that was that was a big thing. I I

448
00:26:24,840 --> 00:26:26,960
Speaker 2: won't name names, but there are some teen shows on

449
00:26:27,040 --> 00:26:30,600
Speaker 2: currently that could stand to do with a little more chemistry.

450
00:26:32,600 --> 00:26:36,359
Speaker 1: I wonder if I had anything to do with age. Yeah,

451
00:26:36,600 --> 00:26:38,720
Speaker 1: that could I mean maybe not, but maybe part of

452
00:26:38,760 --> 00:26:39,320
Speaker 1: it could be.

453
00:26:39,320 --> 00:26:42,119
Speaker 2: That, Like that could be thirty fully, Oh yeah, you know,

454
00:26:42,200 --> 00:26:46,439
Speaker 2: you're more comfortable with being open with people, and I

455
00:26:46,440 --> 00:26:49,760
Speaker 2: think when you are younger, playing the actual age, I

456
00:26:49,760 --> 00:26:52,680
Speaker 2: think that's fair point. Fine, you win.

457
00:26:53,440 --> 00:27:01,879
Speaker 1: So then Sue, Sue doesn't. One eight puts Becky back

458
00:27:01,960 --> 00:27:05,040
Speaker 1: on the cheerios. I think she's gotten her closure. I

459
00:27:05,040 --> 00:27:08,080
Speaker 1: think hug it was really sweet. She's like, can I'm

460
00:27:08,080 --> 00:27:10,440
Speaker 1: gonna ask you to hug me now? I also love

461
00:27:10,440 --> 00:27:13,400
Speaker 1: when Stu says, I'm gonna stop you right there always Yeah,

462
00:27:13,600 --> 00:27:20,160
Speaker 1: I just missed that music. And yes, Becky is back

463
00:27:20,200 --> 00:27:25,080
Speaker 1: on the cheerios, back where she belongs. And then Sue

464
00:27:25,080 --> 00:27:28,119
Speaker 1: also reveals that she's got bigger fish to fry. She

465
00:27:28,160 --> 00:27:32,720
Speaker 1: apologizes to Will that she has been a bad friend.

466
00:27:32,720 --> 00:27:35,359
Speaker 1: He's been such a loyal, wonderful friend to her, and

467
00:27:35,760 --> 00:27:38,840
Speaker 1: she's she's no longer going after the Glee Club because

468
00:27:38,880 --> 00:27:43,679
Speaker 1: she is going to run for the US House of Representatives.

469
00:27:43,720 --> 00:27:47,800
Speaker 2: His reaction was priceless, choking on his drink. I was like, yeah,

470
00:27:47,840 --> 00:27:49,440
Speaker 2: that's fair.

471
00:27:49,240 --> 00:27:50,320
Speaker 1: Right, just about right.

472
00:27:50,800 --> 00:27:56,480
Speaker 2: Yeah, But telling him that he's like her sister, that

473
00:27:56,520 --> 00:27:58,800
Speaker 2: they're both just nice people was really sweet.

474
00:27:59,359 --> 00:28:02,480
Speaker 1: Yeah. Nice when they get along for like a minute.

475
00:28:02,960 --> 00:28:04,480
Speaker 2: Yeah, I'll see how long it lasts.

476
00:28:04,760 --> 00:28:13,560
Speaker 1: Yeah.

477
00:28:13,600 --> 00:28:18,600
Speaker 2: This next bit, Terry comes back because Sue says, look,

478
00:28:18,600 --> 00:28:20,840
Speaker 2: there's a little problem with the tickets. I was doing

479
00:28:20,880 --> 00:28:27,359
Speaker 2: this thing, re routed them to Libya, but Terry stepped

480
00:28:27,400 --> 00:28:32,520
Speaker 2: in to fix it and talks about these old school

481
00:28:32,560 --> 00:28:35,520
Speaker 2: preprinted American Airlines tickets that I haven't I feel like

482
00:28:35,520 --> 00:28:36,720
Speaker 2: I haven't seen since the nineties.

483
00:28:37,320 --> 00:28:40,560
Speaker 1: Oh god, no, Kevin, we have them, really, yes, we

484
00:28:40,640 --> 00:28:43,720
Speaker 1: had them flying the cardboard ones.

485
00:28:43,880 --> 00:28:46,160
Speaker 2: No, but not just the cardboard. But you know, when

486
00:28:46,160 --> 00:28:49,120
Speaker 2: you would get your ticket in the mail beforehand, it

487
00:28:49,120 --> 00:28:52,720
Speaker 2: would come to those little paper things that they have. Yeah,

488
00:28:52,880 --> 00:28:54,400
Speaker 2: I don't. I mean you can go to the airport

489
00:28:54,440 --> 00:28:57,680
Speaker 2: now and have your cardboard like like the little paper

490
00:28:57,760 --> 00:29:01,360
Speaker 2: envelopes that Yeah. Oh I haven't seen those, and I

491
00:29:01,400 --> 00:29:06,440
Speaker 2: can't tell you how long. Maybe I'm just older, old school.

492
00:29:06,840 --> 00:29:09,640
Speaker 1: Yeah yeah, okay, but yes, you're right, they are very

493
00:29:09,680 --> 00:29:12,520
Speaker 1: old school, and that very much dates our show.

494
00:29:12,440 --> 00:29:14,040
Speaker 2: And I'm wondering if we had to deal with American

495
00:29:14,080 --> 00:29:18,400
Speaker 2: Airlines because in the next episode, remember this when you

496
00:29:18,440 --> 00:29:21,120
Speaker 2: watch it, Jenna, there's a shot of a taxi cab

497
00:29:21,200 --> 00:29:23,280
Speaker 2: and on the at on top of the taxi is

498
00:29:23,280 --> 00:29:24,280
Speaker 2: for American Airlines.

499
00:29:24,600 --> 00:29:25,440
Speaker 1: We flew American.

500
00:29:25,880 --> 00:29:27,720
Speaker 2: Yeah. So Fox had a deal with American.

501
00:29:28,440 --> 00:29:29,320
Speaker 1: Yeah.

502
00:29:29,360 --> 00:29:31,840
Speaker 2: And then Terry says she's moving to Miami to open

503
00:29:31,880 --> 00:29:35,000
Speaker 2: a new sheets and things and see you later.

504
00:29:36,280 --> 00:29:36,520
Speaker 1: Good.

505
00:29:36,600 --> 00:29:43,520
Speaker 2: So sad, oh god? Okay. So Jesse St. James shows

506
00:29:43,600 --> 00:29:48,720
Speaker 2: up and New Directions hire him as a consultant, and

507
00:29:48,760 --> 00:29:50,560
Speaker 2: he's trying to whip people into shape and says, we

508
00:29:50,600 --> 00:29:55,040
Speaker 2: need to build the performance around the star performer, just

509
00:29:55,080 --> 00:29:57,680
Speaker 2: like Vocal Adrenaline would do. And so they decide to

510
00:29:57,680 --> 00:30:03,880
Speaker 2: hold auditions to identify who that person is. And there's

511
00:30:03,920 --> 00:30:06,040
Speaker 2: some pushback as fins like, I don't think we should

512
00:30:06,080 --> 00:30:08,960
Speaker 2: do this, even Sam's like, you know, normally I believe you,

513
00:30:09,080 --> 00:30:14,760
Speaker 2: but it's Nationals. We've worked really hard to get here. Also,

514
00:30:15,480 --> 00:30:17,480
Speaker 2: they're a week away and don't have a set list.

515
00:30:20,440 --> 00:30:22,479
Speaker 2: We'll shoot here. You were not a serious person?

516
00:30:23,000 --> 00:30:23,960
Speaker 1: Is this new news?

517
00:30:24,160 --> 00:30:24,400
Speaker 3: Do you?

518
00:30:24,680 --> 00:30:28,720
Speaker 2: I just I will never get over it. It's like,

519
00:30:28,800 --> 00:30:31,680
Speaker 2: you also don't have a budget to do anything, but

520
00:30:31,720 --> 00:30:34,320
Speaker 2: you can get a chocolate fountain and mushrooms to decorate

521
00:30:34,320 --> 00:30:43,560
Speaker 2: a funeral. Granted, obviously funeral is more important than a competition,

522
00:30:43,920 --> 00:30:47,640
Speaker 2: but you know, yeah, yeah, yeah, yeah. I do like

523
00:30:47,680 --> 00:30:50,760
Speaker 2: this sort of callback to the pilot of Rachel talking

524
00:30:50,760 --> 00:30:55,200
Speaker 2: about the sign up. It was really sweet and they

525
00:30:55,200 --> 00:30:59,600
Speaker 2: all sign up. Finn's not auditioning yep, and Rachel's like,

526
00:30:59,640 --> 00:31:02,320
Speaker 2: you need to step up times, it's not time to

527
00:31:02,320 --> 00:31:05,000
Speaker 2: be a leader. But Finn's like, I can't because Jesse

528
00:31:05,080 --> 00:31:10,320
Speaker 2: wiped out all my confidence in ten seconds, which is

529
00:31:10,400 --> 00:31:12,720
Speaker 2: very real. He feels like he's LIMA good but not

530
00:31:13,120 --> 00:31:18,600
Speaker 2: NYC good, which again flagged that for next episode. And

531
00:31:18,680 --> 00:31:23,080
Speaker 2: Rachel was talking about moving to New York. So even

532
00:31:23,120 --> 00:31:24,840
Speaker 2: though Will doesn't think the auditions are great to diet,

533
00:31:24,880 --> 00:31:27,240
Speaker 2: they go through with them, which I'm love they did

534
00:31:27,480 --> 00:31:31,480
Speaker 2: me too selfishly. Santana goes in with back to block.

535
00:31:33,320 --> 00:31:36,240
Speaker 2: I mean, so unfortunately we weren't there for any of these.

536
00:31:37,480 --> 00:31:44,240
Speaker 2: I remember being there and watching Amber's performance. Really, we

537
00:31:44,320 --> 00:31:46,880
Speaker 2: must have been on the lot doing something or there

538
00:31:46,920 --> 00:31:49,800
Speaker 2: for something rehearsal or I don't know what it was.

539
00:31:49,880 --> 00:31:54,280
Speaker 2: But yeah, I was. I watched her performance of it,

540
00:31:54,320 --> 00:31:55,680
Speaker 2: and I was like, oh my, I didn't know she was.

541
00:31:55,720 --> 00:31:58,560
Speaker 2: I hadn't heard the song yet, and I just sat

542
00:31:58,560 --> 00:32:01,160
Speaker 2: there and obviously was losing my mind. I watched a

543
00:32:01,200 --> 00:32:01,880
Speaker 2: couple of takes of it.

544
00:32:02,840 --> 00:32:07,400
Speaker 1: Oh I'm jealous. And then Kurt sings well, and then

545
00:32:07,480 --> 00:32:10,640
Speaker 1: Jesse says that Santana didn't dive into the emotional depth

546
00:32:10,640 --> 00:32:16,880
Speaker 1: of the song, which I disagree with. Kurt also does

547
00:32:17,120 --> 00:32:23,040
Speaker 1: some people uh from Gypsy and is compared to like

548
00:32:23,520 --> 00:32:27,720
Speaker 1: Bernadette and all these like Broadway legends.

549
00:32:27,720 --> 00:32:31,280
Speaker 2: He was singing for his life. He didn't but he

550
00:32:31,360 --> 00:32:34,960
Speaker 2: was actually singing. But the nie slides his profend.

551
00:32:35,840 --> 00:32:42,680
Speaker 1: So good, so good. And and then Mercedes we talked

552
00:32:42,680 --> 00:32:47,600
Speaker 1: about God, that song, it's so good, it's so good,

553
00:32:47,640 --> 00:32:51,880
Speaker 1: and lazy bones, but it's all. It's all.

554
00:32:52,040 --> 00:32:52,280
Speaker 2: Yeah.

555
00:32:52,320 --> 00:32:56,080
Speaker 1: Their their plan to have Jesse bring them down or

556
00:32:56,240 --> 00:32:59,720
Speaker 1: like criticize them didn't backfired when we saw how good

557
00:32:59,720 --> 00:33:00,680
Speaker 1: these four weeks.

558
00:33:00,720 --> 00:33:06,760
Speaker 2: Actually, Yeah, I get you're trying to be a reality show.

559
00:33:06,840 --> 00:33:11,120
Speaker 1: But bro, sorry sorry. And then Rachel who does my

560
00:33:11,240 --> 00:33:16,240
Speaker 1: Man from Funny Girl, which was also in her element.

561
00:33:16,600 --> 00:33:19,480
Speaker 2: And that slow most shot of Finn in the hallway.

562
00:33:20,000 --> 00:33:24,200
Speaker 2: Oh so that's always like heartbreaking. I was like, okay,

563
00:33:26,040 --> 00:33:28,040
Speaker 2: I'm gonna turn off my emotions.

564
00:33:28,440 --> 00:33:32,080
Speaker 1: And then Chris's reaction to her also, I think that

565
00:33:32,240 --> 00:33:39,840
Speaker 1: those were real tears. Yeah, and so yeah, so we

566
00:33:39,880 --> 00:33:42,520
Speaker 1: think Rachel's going to be the winner, but everybody's kind

567
00:33:42,520 --> 00:33:50,040
Speaker 1: of in this like jockeying. Yeah yeah, and and Will's like,

568
00:33:50,120 --> 00:33:53,440
Speaker 1: I have the final say, so give me a sack.

569
00:33:53,520 --> 00:33:55,120
Speaker 2: I'll let you know on Friday. I do have to

570
00:33:55,160 --> 00:33:57,719
Speaker 2: say one of my favorite scenes in this episode is

571
00:33:57,760 --> 00:34:01,560
Speaker 2: this short little scene when Kurt goes back into the

572
00:34:01,600 --> 00:34:06,720
Speaker 2: room or is it Santana while they're all auditioning, and

573
00:34:06,760 --> 00:34:10,400
Speaker 2: they go back into the room and they're all talking

574
00:34:10,440 --> 00:34:14,560
Speaker 2: shit to each other, and then when Mercedes storms out.

575
00:34:16,600 --> 00:34:18,640
Speaker 2: I thought it was so good. It was cute little

576
00:34:18,960 --> 00:34:22,080
Speaker 2: you know, when we get these little groups together, yes,

577
00:34:22,239 --> 00:34:25,400
Speaker 2: and everyone's just fiery competitive about the thing they're all

578
00:34:25,400 --> 00:34:27,360
Speaker 2: obsessed with is my favorite.

579
00:34:27,600 --> 00:34:30,600
Speaker 1: I also thought you were talking about this the scene

580
00:34:30,640 --> 00:34:33,040
Speaker 1: where Jesse and Will are discussing who should win and

581
00:34:33,239 --> 00:34:34,759
Speaker 1: Brittany is filming it.

582
00:34:34,800 --> 00:34:35,400
Speaker 2: I also love that.

583
00:34:37,000 --> 00:34:38,600
Speaker 1: And then ask them to come on BONDI for two

584
00:34:41,560 --> 00:34:45,040
Speaker 1: and Jesse basically reveals that he's you know, Rachel, Rachel's

585
00:34:45,080 --> 00:34:47,560
Speaker 1: the one and if we win, if we go with Rachel,

586
00:34:47,640 --> 00:34:48,960
Speaker 1: we'll beat Local Adrenaline.

587
00:34:49,080 --> 00:34:56,160
Speaker 2: But look, my crush on John Graff like all of us, yeah,

588
00:34:56,600 --> 00:34:59,160
Speaker 2: peak hit during this epod. But he's so cute.

589
00:34:59,719 --> 00:35:02,239
Speaker 1: I know, I remember that little vest he wore when

590
00:35:02,239 --> 00:35:04,280
Speaker 1: he was shooting with us. I'll never forget that outfit.

591
00:35:04,400 --> 00:35:09,080
Speaker 1: See yeah, yeah, looks great. He looks great. There, such

592
00:35:09,320 --> 00:35:18,000
Speaker 1: such a cutie. So Finn sees Rachel and Jesse together.

593
00:35:18,640 --> 00:35:21,600
Speaker 1: Jesse's telling Rachel that she's gonna win or they're going

594
00:35:21,680 --> 00:35:24,200
Speaker 1: to do it, and you know, she's going to be

595
00:35:24,280 --> 00:35:28,720
Speaker 1: the lead soloist, and Finn walks in and he's burned,

596
00:35:29,600 --> 00:35:33,160
Speaker 1: burned when he sees them kissing. He showed up with

597
00:35:33,200 --> 00:35:37,520
Speaker 1: a flower, sweet little nugget. But they're not gonna We can't.

598
00:35:37,520 --> 00:35:38,879
Speaker 1: We can't see them get together yet.

599
00:35:39,080 --> 00:35:39,600
Speaker 2: No, we can't.

600
00:35:39,600 --> 00:35:45,520
Speaker 1: We have a finale some time soon. And and then

601
00:35:45,560 --> 00:35:51,279
Speaker 1: there's an emergency Glee meeting and the h the announcement

602
00:35:51,520 --> 00:35:55,600
Speaker 1: is not what they were expecting or the contenders were expecting,

603
00:35:57,840 --> 00:36:00,040
Speaker 1: and we're going to do two original songs, which I

604
00:36:00,040 --> 00:36:01,080
Speaker 1: don't know how we're going to do that in this

605
00:36:01,200 --> 00:36:04,120
Speaker 1: short amount of time, literally on the plane, right.

606
00:36:04,080 --> 00:36:09,160
Speaker 2: Songs, rehearse the songs, compete and perform the songs right.

607
00:36:11,360 --> 00:36:14,200
Speaker 1: But then it turns out to work out because everybody

608
00:36:14,239 --> 00:36:18,840
Speaker 1: starts to to compliment each other, and we get the

609
00:36:18,840 --> 00:36:20,960
Speaker 1: best line of the episode, which is Santana saying that

610
00:36:21,000 --> 00:36:27,560
Speaker 1: she smokes cigars to get her Raspina. Finn's like asking

611
00:36:27,640 --> 00:36:31,200
Speaker 1: Quinn in the scene also like he's glad that she

612
00:36:31,239 --> 00:36:35,520
Speaker 1: didn't quit because they broke up. And I guess you

613
00:36:35,520 --> 00:36:38,360
Speaker 1: don't need it though, because without the promo, Like I

614
00:36:38,360 --> 00:36:41,319
Speaker 1: watched the promo after, it didn't matter, like I thought.

615
00:36:41,360 --> 00:36:42,920
Speaker 1: I figured that they were just she didn't quit the

616
00:36:42,920 --> 00:36:46,479
Speaker 1: glee club because they broke up, was what I thought

617
00:36:46,480 --> 00:36:47,400
Speaker 1: he was referring to.

618
00:36:47,680 --> 00:36:49,399
Speaker 2: I did too, but it still felt weird. I still

619
00:36:49,400 --> 00:36:52,080
Speaker 2: a little arm Oh and I didn't even know about it.

620
00:36:52,360 --> 00:36:55,080
Speaker 2: Oh interesting, Okay, I just assumed maybe I was texting

621
00:36:55,120 --> 00:36:55,880
Speaker 2: and missed something.

622
00:36:58,040 --> 00:37:00,959
Speaker 1: But Quinn says that if she quit, her big plans

623
00:37:00,960 --> 00:37:02,880
Speaker 1: from New York would be around. We don't know what

624
00:37:02,920 --> 00:37:05,880
Speaker 1: those are. But Quentin's back at it. She's back at it.

625
00:37:06,600 --> 00:37:10,920
Speaker 2: She sure is. There's also something going on underneath the

626
00:37:10,920 --> 00:37:14,640
Speaker 2: surface here, what this whole episode where Will is in

627
00:37:14,680 --> 00:37:21,400
Speaker 2: fact doing ables musical. The rumors are true, right and Emma.

628
00:37:21,920 --> 00:37:24,880
Speaker 2: We find out because Emma's helping Will pack and he

629
00:37:24,960 --> 00:37:26,440
Speaker 2: keeps saying it's not going to be for long. I'm

630
00:37:26,480 --> 00:37:28,799
Speaker 2: assuming it's we're going to do the opening night and

631
00:37:28,840 --> 00:37:31,719
Speaker 2: then it's going to shut down immediately, and she's being

632
00:37:31,760 --> 00:37:33,920
Speaker 2: more encouraging, like, no, this is your dream, need to

633
00:37:33,920 --> 00:37:36,160
Speaker 2: go do it. And he hasn't hold the glee club

634
00:37:36,200 --> 00:37:41,759
Speaker 2: because he doesn't want anything to distract them. But we

635
00:37:42,160 --> 00:37:44,080
Speaker 2: still have time to have auditions and plant of funeral.

636
00:37:44,280 --> 00:37:49,200
Speaker 2: No big deal, this is a little inconsistencies. And plus

637
00:37:49,200 --> 00:37:52,359
Speaker 2: he'll be back after summer break, so no big It's

638
00:37:52,360 --> 00:37:56,560
Speaker 2: going to be fine. But what was really cute was

639
00:37:56,640 --> 00:38:02,360
Speaker 2: after Terry and Will have their goodbye in the hallway

640
00:38:02,480 --> 00:38:05,920
Speaker 2: because during the packing, you know, Emma and Will are

641
00:38:05,920 --> 00:38:07,680
Speaker 2: getting rid of some of these vests that he has.

642
00:38:07,719 --> 00:38:13,120
Speaker 2: He has eight thousand vests. And after Will says goodbye

643
00:38:13,160 --> 00:38:15,960
Speaker 2: to Terry, Emma and Will meet up in the hallway

644
00:38:16,000 --> 00:38:17,600
Speaker 2: and Emma's wearing one of his vests.

645
00:38:17,760 --> 00:38:19,360
Speaker 1: It's cute. It looks so cute on her.

646
00:38:19,360 --> 00:38:24,000
Speaker 2: And she wishes him good luck and goodbye seemingly forever.

647
00:38:25,440 --> 00:38:27,960
Speaker 2: She says, don't be a stranger, and it's so sweet.

648
00:38:29,360 --> 00:38:31,080
Speaker 1: I feel like Will's always leaving at the end of

649
00:38:31,080 --> 00:38:33,160
Speaker 1: the seasons, whether it's the school.

650
00:38:33,239 --> 00:38:38,319
Speaker 2: Or the Sue is always having a redemption arc, and

651
00:38:38,440 --> 00:38:45,400
Speaker 2: Will's always leaving. That's what's happening thus far. Well, Nationals,

652
00:38:45,400 --> 00:38:47,640
Speaker 2: Here we come. Are you excited for Nationals?

653
00:38:47,920 --> 00:38:50,399
Speaker 1: I am. I'm just trying to keep my expectations low

654
00:38:50,440 --> 00:38:53,920
Speaker 1: because I can't. I don't fully remember like the arc

655
00:38:53,960 --> 00:38:57,440
Speaker 1: of this episode, and so I'm just I don't want

656
00:38:57,480 --> 00:39:01,319
Speaker 1: to be disappointed. I don't think I will be, but

657
00:39:02,160 --> 00:39:07,919
Speaker 1: no intrigued, I know, But I'm invested in the show

658
00:39:08,000 --> 00:39:09,920
Speaker 1: now too. I know. You know.

659
00:39:10,480 --> 00:39:12,200
Speaker 2: I said last week that I was worried that this

660
00:39:12,239 --> 00:39:15,239
Speaker 2: episode may be like a funk situation of last year.

661
00:39:15,239 --> 00:39:16,359
Speaker 1: You did, you did?

662
00:39:16,400 --> 00:39:21,120
Speaker 2: We were, And I have to say, upon watching again,

663
00:39:21,400 --> 00:39:23,040
Speaker 2: I don't think we have that. I think this is

664
00:39:23,080 --> 00:39:26,000
Speaker 2: a very solid episode, even though the funeral irks me

665
00:39:27,200 --> 00:39:31,399
Speaker 2: pure imagination. Specifically, it's just that that one scene. Yeah,

666
00:39:31,400 --> 00:39:33,880
Speaker 2: it's just that one scene. Everything else is really good.

667
00:39:34,320 --> 00:39:37,640
Speaker 2: People are acting, people were writing, people were singing.

668
00:39:39,920 --> 00:39:43,480
Speaker 1: Right, It's very like, yeah, it was good all around.

669
00:39:43,520 --> 00:39:45,760
Speaker 2: It's a very solid episode.

670
00:39:46,080 --> 00:39:47,440
Speaker 1: Yeah, it was fun to watch.

671
00:39:48,440 --> 00:39:51,960
Speaker 2: I also have to say shout out to Lauren Potter

672
00:39:52,320 --> 00:39:55,400
Speaker 2: acting sound. I thought she was great. Becky had some

673
00:39:55,440 --> 00:39:58,640
Speaker 2: great moments this episode. Yes, okay, should we get into

674
00:39:58,640 --> 00:40:01,480
Speaker 2: some Auchi's let's do it. I feel like this is

675
00:40:01,480 --> 00:40:02,120
Speaker 2: pretty easy.

676
00:40:02,680 --> 00:40:13,520
Speaker 1: Yeah, well, the Howard bamboo yes express and the food

677
00:40:13,560 --> 00:40:14,280
Speaker 1: not really being.

678
00:40:15,200 --> 00:40:18,080
Speaker 2: She's he says I'm not Chinese, and then Sue goes

679
00:40:18,400 --> 00:40:19,040
Speaker 2: will neither.

680
00:40:19,120 --> 00:40:23,319
Speaker 1: Food, which it's kind of true.

681
00:40:23,560 --> 00:40:24,200
Speaker 2: That's funny.

682
00:40:24,360 --> 00:40:29,839
Speaker 1: However, let's not the setup best dance move.

683
00:40:31,440 --> 00:40:32,279
Speaker 2: There's not a lot of dance.

684
00:40:32,280 --> 00:40:38,920
Speaker 1: There wasn't a lot of dancing, so there's not dancing. No.

685
00:40:39,840 --> 00:40:41,160
Speaker 2: I did think it was funny, and I think it

686
00:40:41,160 --> 00:40:46,680
Speaker 2: was probably intentional to give John Groff something to say

687
00:40:47,400 --> 00:40:52,000
Speaker 2: for Nya's performance about the emotional depth where she just

688
00:40:52,000 --> 00:40:55,120
Speaker 2: starts sort of walking around and like rubbing people's back

689
00:40:55,760 --> 00:40:59,439
Speaker 2: during this really sort of serious song. It's true, which

690
00:40:59,560 --> 00:41:03,640
Speaker 2: just feels connected. But obviously I think that's intentional. I

691
00:41:03,680 --> 00:41:07,480
Speaker 2: did sort of like that because it was hilarious. But

692
00:41:07,640 --> 00:41:12,800
Speaker 2: I think Kurtsny slide is pretty impressive. Oh yeah, that's true,

693
00:41:13,239 --> 00:41:16,840
Speaker 2: So maybe we just do that. Yeah, okay, I'll go

694
00:41:16,920 --> 00:41:18,600
Speaker 2: with that one best song.

695
00:41:20,120 --> 00:41:20,200
Speaker 3: O.

696
00:41:21,080 --> 00:41:27,240
Speaker 1: Man oh man, I'm going back to black.

697
00:41:27,120 --> 00:41:31,920
Speaker 2: Yeah, back to black. Okay, no, no, I take it back.

698
00:41:31,960 --> 00:41:33,040
Speaker 2: Try a little tenderness.

699
00:41:33,360 --> 00:41:34,760
Speaker 1: See that's what I was saying.

700
00:41:35,000 --> 00:41:38,640
Speaker 2: Yeah, yeah, try a little tenderness because some of those

701
00:41:38,760 --> 00:41:40,960
Speaker 2: runs were the stupidest things I've ever heard.

702
00:41:41,600 --> 00:41:44,400
Speaker 1: Oh it's so good. That's why I was struggling. I

703
00:41:44,440 --> 00:41:50,920
Speaker 1: was struggling. Okay, best performance by a prop the Chocolate Fountain,

704
00:41:52,400 --> 00:42:00,279
Speaker 1: it's not the best performance us in this episode. Uh,

705
00:42:04,040 --> 00:42:08,360
Speaker 1: that's good. Or the wily Wanka tape the VHS that's

706
00:42:08,400 --> 00:42:15,799
Speaker 1: actually the real Yeah, the best line. I like Santana's

707
00:42:15,800 --> 00:42:18,560
Speaker 1: cigar line so nice. I smoke cigars.

708
00:42:18,840 --> 00:42:22,600
Speaker 2: I love that line. I also love Jesse's line he says,

709
00:42:22,640 --> 00:42:25,840
Speaker 2: that's sweet. You remember the masculine click of my designer boots.

710
00:42:28,719 --> 00:42:36,720
Speaker 1: He has really good one liners. Performance MVP Jane Jane Lynch.

711
00:42:37,960 --> 00:42:40,279
Speaker 2: Jane's got it. She may have not won the Emmy.

712
00:42:40,520 --> 00:42:43,960
Speaker 1: But she's got our m VP. And that's what you really.

713
00:42:43,840 --> 00:42:47,279
Speaker 2: Mean, which is almost just as good if you have

714
00:42:47,480 --> 00:42:51,360
Speaker 2: no other life goals. Okay, should we found on TikTok

715
00:42:51,400 --> 00:42:58,680
Speaker 2: this week? Tell me it's really great so eb beetle

716
00:42:58,800 --> 00:43:03,560
Speaker 2: dot mcbug on TikTok. She is forcing animals at the

717
00:43:03,600 --> 00:43:08,520
Speaker 2: aquarium to watch Glee. These poor fish, this marine life

718
00:43:09,760 --> 00:43:13,600
Speaker 2: is having to watch Glee performances. And they come up

719
00:43:13,640 --> 00:43:17,160
Speaker 2: to the screen and it looks like they're actually watching it,

720
00:43:17,239 --> 00:43:21,919
Speaker 2: and you know, at least they're they're getting given some y. Yeah,

721
00:43:21,920 --> 00:43:24,080
Speaker 2: they look into it. They look more into it than

722
00:43:24,120 --> 00:43:28,439
Speaker 2: some of my friends were when it was on. That's fine,

723
00:43:28,480 --> 00:43:31,040
Speaker 2: I love that. Thanks for that one. That is so

724
00:43:31,239 --> 00:43:34,640
Speaker 2: cute and hilarious. Fish to Gleek pipeline, I love that.

725
00:43:37,800 --> 00:43:40,319
Speaker 2: Oh so just the Dallas Aquarium, Well that was my

726
00:43:40,880 --> 00:43:41,439
Speaker 2: growing up.

727
00:43:42,120 --> 00:43:42,920
Speaker 3: That's weird.

728
00:43:43,800 --> 00:43:44,600
Speaker 2: How funny?

729
00:43:44,920 --> 00:43:45,680
Speaker 1: That is funny?

730
00:43:46,120 --> 00:43:48,320
Speaker 2: Even better, I know. I love One of the comments

731
00:43:48,440 --> 00:43:51,440
Speaker 2: is the first fish is taking notes. Yeah, some of

732
00:43:51,440 --> 00:43:54,239
Speaker 2: them looked very into it. Well, thank you for that

733
00:43:54,320 --> 00:43:57,200
Speaker 2: one again per usual. Thanks for tagging us, keep doing it.

734
00:43:57,320 --> 00:44:03,120
Speaker 2: We love it. Ship we found on the TikTok Talk TikTok.

735
00:44:04,000 --> 00:44:10,560
Speaker 1: Thanks for recapping Funeral with us this strange, wacky, yet

736
00:44:11,080 --> 00:44:12,239
Speaker 1: excellent episode.

737
00:44:12,440 --> 00:44:14,239
Speaker 2: Okay, and also like, let us know how you feel

738
00:44:14,280 --> 00:44:17,160
Speaker 2: about the scene that we feel irked by. Does it

739
00:44:17,160 --> 00:44:19,719
Speaker 2: feel weird to watch the funeral or was it just

740
00:44:19,760 --> 00:44:22,200
Speaker 2: because we shot it like that? I mean it felt weird,

741
00:44:22,600 --> 00:44:24,560
Speaker 2: like was that place haunted? It was something like.

742
00:44:24,560 --> 00:44:26,359
Speaker 1: That, something irky about that.

743
00:44:26,680 --> 00:44:27,520
Speaker 2: Y is not right?

744
00:44:28,000 --> 00:44:31,480
Speaker 1: Yes, agreed? Oh you're right? What was it?

745
00:44:31,560 --> 00:44:34,080
Speaker 2: I don't know, but now I feel irked again?

746
00:44:34,800 --> 00:44:35,960
Speaker 1: I know me too well.

747
00:44:36,040 --> 00:44:37,520
Speaker 2: Let us never speak about it again.

748
00:44:37,760 --> 00:44:41,279
Speaker 1: Okay, sounds good. Thanks for recapping with us. Come back

749
00:44:41,280 --> 00:44:44,320
Speaker 1: next week for season two finale.

750
00:44:45,600 --> 00:44:48,880
Speaker 2: And That's what you Really missed. Thanks for listening and

751
00:44:49,000 --> 00:44:51,600
Speaker 2: follow us on Instagram at and That's what you Really

752
00:44:51,640 --> 00:44:53,799
Speaker 2: miss pod. Make sure to write us a review and

753
00:44:53,920 --> 00:44:55,839
Speaker 2: leave us five stars. See you next time,