WEBVTT - StarStruck

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<v Speaker 1>Sabrina. Yes, We'll get into why you're laughing later, because

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<v Speaker 1>I'm laughing for the same reason. However, I did want

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<v Speaker 1>to ask, Okay, who was the first celebrity you ever met?

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<v Speaker 1>Oh my gosh, even a local celebrity.

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<v Speaker 2>No, I know exactly who it was. I did.

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<v Speaker 3>Like a telethon that Tony Danza was hosting Angela and

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<v Speaker 3>I I walked into a like it was like the CBS,

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<v Speaker 3>like we're We're Dancing with the Stars films, right, And

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<v Speaker 3>it's in one of those old elevators. You know, the

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<v Speaker 3>smells come back do you instantly, like just being in

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<v Speaker 3>those rooms or those buildings. And I was doing a

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<v Speaker 3>telethon and I was doing a tap dance solo, and

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<v Speaker 3>I knew he was going to be their hosting, but

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<v Speaker 3>I didn't. I just like walked into the elevator and

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<v Speaker 3>there he was. And it was one of those moments

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<v Speaker 3>where I was little. I was probably like eleven or twelve,

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<v Speaker 3>and I kind of got starstruck because I hadn't I

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<v Speaker 3>had never seen a celebrity before, like in real life,

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<v Speaker 3>and I just looked at him and me probably like

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<v Speaker 3>four ten. I was so small for so long, was

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<v Speaker 3>like you're taller than I thought you'd be.

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<v Speaker 2>And he's like, you're shorter than I thought you'd be.

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<v Speaker 2>And I was like, fair, that's fair.

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<v Speaker 1>Okay, Oh that was it.

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<v Speaker 2>And the doors opened and right.

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<v Speaker 3>But I just like, that's the only thing that came

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<v Speaker 3>out of my mouth. I was literally just sitting there

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<v Speaker 3>because I had watched him obviously on TV for so long.

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<v Speaker 3>I knew he was going to be there, Like it was.

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<v Speaker 3>I just got star starstruck like that, And I don't

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<v Speaker 3>think I've literally really ever gotten starstruck very much since.

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<v Speaker 1>I think, Wow, I've been starstruck before. Yeah, I think

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<v Speaker 1>my two biggest starstrucks were because I've ever asked. Well,

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<v Speaker 1>my first one ever, you would not know because it

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<v Speaker 1>was he was a local guy. The first one was

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<v Speaker 1>Don Lark, Channel three News, Connecticut got and so I

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<v Speaker 1>was doing a play in Connecticut with his son, Jumper,

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<v Speaker 1>who they named Jumper because I guess when he was

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<v Speaker 1>in the womb he kicked and shut a door, so

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<v Speaker 1>they called him Jumper. And his dad was Don Lark

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<v Speaker 1>Channel three News, and so he came to the play

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<v Speaker 1>and I was like, that's Don Lark. But I've only

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<v Speaker 1>asked for autographs from two people and it was Tony

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<v Speaker 1>Hawk signed signed my Tony Hawk video game because I

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<v Speaker 1>also did the voice in it. I'm the character you

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<v Speaker 1>can play no way. Oh dude, it's the coolest thing.

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<v Speaker 1>So when you go to Talk American Ways, Hey.

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<v Speaker 3>You know, I'm a big fan of you, and all

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<v Speaker 3>the voice over I called you was God, right, like

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<v Speaker 3>the voice over God, but.

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<v Speaker 2>The Tony Hawk. Are you kidding me?

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<v Speaker 1>Oh? It gets even cooler because the first thing you

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<v Speaker 1>do is you build your character. So it's just called

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<v Speaker 1>you the character, and you can make it look like

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<v Speaker 1>however you want. So I'm the only person in the

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<v Speaker 1>world that can make the character look just like me.

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<v Speaker 1>And it's my voice.

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<v Speaker 3>I thought my girlfriend Erica had a flex because Talk

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<v Speaker 3>Tony Hawk's her godfather, her Dado.

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<v Speaker 2>Yeah, but to say you're the voice her dad.

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<v Speaker 3>Jerry Madrid Madrid Boards was Tony's first sponsor Tony since

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<v Speaker 3>he was little and when he started that, we met

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<v Speaker 3>in college and.

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<v Speaker 2>She was like, oh yeah, my, she like, I forget

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<v Speaker 2>what we were doing.

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<v Speaker 3>We were trying to get like like find things to do,

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<v Speaker 3>like a like a silent auction thing, and she's like, oh,

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<v Speaker 3>I can get Tony Hawk, like she talked about all

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<v Speaker 3>these things and we're.

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<v Speaker 2>Like, Okay, that's cool, but like kind of weird. How

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<v Speaker 2>do you know all the time she's like, oh, he's

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<v Speaker 2>my godfather.

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<v Speaker 1>Yeah, that's pretty cool. That's a good one. That's a

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<v Speaker 1>good one.

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<v Speaker 3>That's a big saying you're the actual because everyone knows

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<v Speaker 3>your voice.

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<v Speaker 2>Yeah instantly when.

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<v Speaker 1>That starts, fun too. Yeah. But then the second person

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<v Speaker 1>is the second man ever walked in the moon. Buzz

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<v Speaker 1>Aldron second, the second two people I asked for autographs from, so.

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<v Speaker 2>I, wow, way where did you get that one?

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<v Speaker 1>At Disney Disneyland because he you know, he was the

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<v Speaker 1>inspiration for buzz light Year, right, So he was there

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<v Speaker 1>at one of the events and I walked up and

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<v Speaker 1>no one was around him, and I was like, that's buzz.

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<v Speaker 1>I'm a huge fan of space, so the fact that

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<v Speaker 1>Artem is two right now is like going to the

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<v Speaker 1>dark side of I'm freaking out. So I was like,

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<v Speaker 1>oh my god, that's buzz Aldron. And then I went

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<v Speaker 1>up and I asked him like, can you please sign

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<v Speaker 1>this for me? He was very very nice to me,

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<v Speaker 1>So yeah, it was uh, it was cool. Those are

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<v Speaker 1>my two autographs.

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<v Speaker 2>Was he on Dancing with the Stars?

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<v Speaker 1>Buzz Aldron, I don't you're asking me? I don't know.

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<v Speaker 3>I know when I do that, it's like I'm asking, actually, Lisa.

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<v Speaker 1>Who's okay exactly because I know you're not asking.

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<v Speaker 3>There was an astronaut that was like a big one

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<v Speaker 3>that was on Dancing with Stars.

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<v Speaker 2>He was paired with yea, it was with Cheryl burt

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<v Speaker 2>here At.

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<v Speaker 1>Cheryl Burke bys Aldrin. Well, the man walked on the

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<v Speaker 1>Moon in one six gravity. So if you can do that,

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<v Speaker 1>you can dance with anybody. Well, welcome to Magical Rewind,

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<v Speaker 1>my friends, the show that makes you want to grab

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<v Speaker 1>your friends, your pjs and your popcorning back to a

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<v Speaker 1>time when all the houses were smart, the waves tsunamis,

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<v Speaker 1>and some of the movies were better than this one.

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<v Speaker 2>I'm Wilfredell and I am Sabrina Bryan.

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<v Speaker 1>Well, this week, it's time for another normal run of

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<v Speaker 1>the mill girl brush up with Hollywood superstardom, Way out

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<v Speaker 1>of our League, a dcom world's collide trope that we

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<v Speaker 1>all love. Yes, it's time for twenty ten's musical teen

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<v Speaker 1>drama Starstruck, and I think it does have a exclamation point.

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<v Speaker 1>I'm not sure, but I'm gonna say it as if

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<v Speaker 1>it does. Yes. Starstruck premiered on February fourteenth, twenty ten. Yes,

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<v Speaker 1>Saint Valentine's Day, a perfect holiday for this love story

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<v Speaker 1>to be tied with. We may have seen this plot before,

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<v Speaker 1>but this one was shot in Los Angeles, which is

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<v Speaker 1>a very rare occurrence when it comes to these Disney

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<v Speaker 1>Channel original movies. Another crazy difference for Starstruck is that,

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<v Speaker 1>because they aimed for a Valentine's Day debut, it aired

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<v Speaker 1>on a Sunday night, the first ever to claim that

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<v Speaker 1>day of the week. Wow, and you might be wondering, Hey,

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<v Speaker 1>will Sabrina, I'm wondering did that decision affect its viewership?

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<v Speaker 1>Here to tell you the answer is astounding.

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<v Speaker 4>No.

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<v Speaker 1>It pulled in six million viewers on a Sunday night,

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<v Speaker 1>a large enough number to become the channel's most watched

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<v Speaker 1>February original movie premiere in total viewers kids seven to

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<v Speaker 1>eleven and with teens. This was a big number, even

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<v Speaker 1>just in the overall picture of d COM's in a

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<v Speaker 1>year like twenty ten, and still very impressive to this day.

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<v Speaker 1>Considering at the end of the day, it really lacked

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<v Speaker 1>any true star power. I guess it's a good time now, Sabrina.

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<v Speaker 1>Before it ended up on our schedule and this was

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<v Speaker 1>required reading. Did you know about Starstruck? No?

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<v Speaker 2>I think today is gonna be quick.

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<v Speaker 1>It's gonna be a rough one, isn't it. Today's gonna

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<v Speaker 1>be a rough one.

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<v Speaker 2>Is it gonna be quick?

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<v Speaker 3>Answers for me? And I have anxiety about it because

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<v Speaker 3>just a.

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<v Speaker 1>Little bit of adjida, what the fans are gonna think? Yes,

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<v Speaker 1>you kind of let it go? You can't. I don't

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<v Speaker 1>want to go.

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<v Speaker 2>I don't.

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<v Speaker 3>The thing is, this was twenty ten, so right out

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<v Speaker 3>of my radar of really doing like Disney stuff, just

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<v Speaker 3>like right out of that little like you know, pigeonhole

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<v Speaker 3>thing that I was in, and I don't. I don't

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<v Speaker 3>recognize either of the kids, like I didn't. Again, I

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<v Speaker 3>don't know. I don't think I ever met them. I don't,

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<v Speaker 3>you know, So I don't know were they big stars,

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<v Speaker 3>have no idea. I it was just a complete unknown

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<v Speaker 3>for me.

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<v Speaker 1>Yeah, me too, and me too. I didn't obviously didn't

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<v Speaker 1>know anything about this, But that's par for the course. Well,

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<v Speaker 1>let's get into it. Some may recognize at least the

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<v Speaker 1>synopsis thanks to another movie we recapped, which, if memory serves,

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<v Speaker 1>we kind of liked the two thousand and four's exploition

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<v Speaker 1>into another pop star stuck in the suburbs, which I

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<v Speaker 1>think we liked, didn't we We did? But also maybe

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<v Speaker 1>even My Date with the President's Daughter had the same

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<v Speaker 1>kind of plot but with the gender flips. But Mars

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<v Speaker 1>was better, and Starstruck, being a film based in the

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<v Speaker 1>world of music, had a soundtrack with a cast singing

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<v Speaker 1>sort of. The album was released earlier in February and

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<v Speaker 1>ended up peaking at number twenty three on the Billboard Charts,

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<v Speaker 1>but did hit number one for US Kids albums once

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<v Speaker 1>the movie premiered. I was number two that year with

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<v Speaker 1>Hey Kids, What's up? I'm kidding? I never never did that.

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<v Speaker 1>Only one quote unquote Christopher Wild song, however, is actually

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<v Speaker 1>sung by the cast member who played the pop star,

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<v Speaker 1>and that's the title track Starstruck. The rest are voice

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<v Speaker 1>by Drew Ryan Scott, a member of the Hollywood Records

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<v Speaker 1>signed group Varsity Fan Club. And that's because actor Sterling

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<v Speaker 1>Knight joined the cast late when Cody Linley, known to

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<v Speaker 1>Disney viewers for his reoccurring role on Hannah Montana as

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<v Speaker 1>boyfriend Jake Ryan, which is absolutely just a nod to

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<v Speaker 1>sixteen Candles. I've never seen that Hannah Montana. I don't

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<v Speaker 1>know who that is, but Jake Ryan is the name

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<v Speaker 1>of Molly Ringwald's boyfriend in sixteen Candles. He was replaced

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<v Speaker 1>during pre production. Now, there's two rumors that were spread

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<v Speaker 1>about the reason for his dismissal. One he booked another

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<v Speaker 1>job and had a scheduling conflict. But to hold some

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<v Speaker 1>real weight, Linley did have a wild night out partying

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<v Speaker 1>and photos were ablish in a magazine. He appeared drunk

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<v Speaker 1>kissing girls in his underwear. And the timeline does add

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<v Speaker 1>up because shortly after he was replaced in this movie,

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<v Speaker 1>which is ironics in something like that scenario is exactly

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<v Speaker 1>part of the Starstruck plot. The scandal has never been

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<v Speaker 1>confirmed or denied for the record, it is just a rumor.

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<v Speaker 1>But the fact that people say his vocals are still

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<v Speaker 1>blended into the soundtrack, yet they brought in someone else

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<v Speaker 1>to top line, it feels like maybe there was some

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<v Speaker 1>sort of a conflict. So, Cody, it's been what fifteen

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<v Speaker 1>sixteen years now, If you're out there com on magical

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<v Speaker 1>rewind or the show. We just call Murr and let's

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<v Speaker 1>talk about it because we want to hear from you.

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<v Speaker 1>You can let everybody know what really happened. The soundtrack

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<v Speaker 1>also features music from decom regular Mitchell Musso and a

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<v Speaker 1>Radio Disney constant at the time, Jazzmine Saginario. Per usual,

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<v Speaker 1>Starstruck is available to watch right now in Disney. Plus,

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<v Speaker 1>you have no excuse not to check it out before

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<v Speaker 1>or after our recap. That is, unless you dog ate it.

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<v Speaker 1>That's fair excuse, and no one lies about that, so

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<v Speaker 1>I'd accept that. Now. You may not be Superman, but

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<v Speaker 1>you can't be my hero. The synopsis, small town girl

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<v Speaker 1>Jessica Olsen, who might be the meanest person we've ever

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<v Speaker 1>seen the d com, visits her grandma in Los Angeles

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<v Speaker 1>after two years, and unexpectedly meets and clashes with teen

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<v Speaker 1>pop star Christopher Wilde. As their world's collide, they're both

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<v Speaker 1>forced to decide what matters more, authenticity or popularity. Sabrina,

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<v Speaker 1>hit me right in the face with your early thoughts

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<v Speaker 1>on this tried and true formula. It's the d com Starstruck.

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<v Speaker 1>Punch me in the jaw. What did you think?

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<v Speaker 2>Okay?

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<v Speaker 3>Well, thoughts on the formula. I'm down for this kind

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<v Speaker 3>of storyline.

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<v Speaker 2>I love it.

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<v Speaker 1>I love that you're dodging the question.

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<v Speaker 2>I'm going to dodge, that's what the question.

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<v Speaker 3>I'm reading the question right here, and I'm answering the question.

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<v Speaker 2>As far as this d com not my favor, not even.

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<v Speaker 1>Close like this, I have no problem saying I didn't.

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<v Speaker 2>I you know, but I'm right and shiny one though.

0:10:59.760 --> 0:11:02.880
<v Speaker 2>That's that's my part. And when I can't when I

0:11:03.000 --> 0:11:03.800
<v Speaker 2>use when I'm.

0:11:04.200 --> 0:11:04.680
<v Speaker 1>Dole and.

0:11:06.920 --> 0:11:11.040
<v Speaker 3>We got a freaking problem here because it's like I

0:11:11.160 --> 0:11:14.680
<v Speaker 3>just I I know, it's so many things, and it

0:11:14.800 --> 0:11:19.600
<v Speaker 3>honestly was the writing, like the the storyline just there's

0:11:19.600 --> 0:11:22.600
<v Speaker 3>so many like what the f just happened?

0:11:22.600 --> 0:11:24.640
<v Speaker 2>Wait, oh, no one's going to talk about that.

0:11:24.840 --> 0:11:28.560
<v Speaker 3>A graduation like it just was so far out for me,

0:11:28.600 --> 0:11:31.000
<v Speaker 3>and I had a really hard time watching it and

0:11:31.080 --> 0:11:33.280
<v Speaker 3>I just unfortunately did not like it.

0:11:33.320 --> 0:11:34.280
<v Speaker 2>That's my early thoughts.

0:11:34.280 --> 0:11:36.800
<v Speaker 3>We'll get into it to them much so much that

0:11:36.840 --> 0:11:39.640
<v Speaker 3>I'm I like, don't really even have spreena seas.

0:11:39.400 --> 0:11:44.760
<v Speaker 1>Because we didn't want to see any anymore. Sabrina stop watching,

0:11:45.880 --> 0:11:47.880
<v Speaker 1>Yeah exactly.

0:11:49.240 --> 0:11:51.480
<v Speaker 2>I mean I was like twenty minutes in and I

0:11:51.520 --> 0:11:52.480
<v Speaker 2>was like, I'm out.

0:11:52.760 --> 0:11:55.439
<v Speaker 1>Yeah, no, I tap it out? What about it? It

0:11:55.520 --> 0:11:58.840
<v Speaker 1>will No, I can't agree with you more. Hey, we've

0:11:58.880 --> 0:12:01.200
<v Speaker 1>had a run here of a bunch of really good

0:12:01.200 --> 0:12:03.439
<v Speaker 1>ones in a row that we've liked quite a bit.

0:12:03.480 --> 0:12:07.240
<v Speaker 1>There needed to be one. And again I hate to

0:12:07.280 --> 0:12:08.880
<v Speaker 1>have to couch you by saying this is our opinion,

0:12:08.880 --> 0:12:12.120
<v Speaker 1>but this is I was reading about this movie where

0:12:12.120 --> 0:12:13.760
<v Speaker 1>it was like it was so popular and it got

0:12:13.760 --> 0:12:16.320
<v Speaker 1>six million viewers and you know all that, and again

0:12:16.559 --> 0:12:17.200
<v Speaker 1>I didn't get it.

0:12:17.400 --> 0:12:19.360
<v Speaker 2>I don't know if it was because this was like

0:12:19.440 --> 0:12:21.560
<v Speaker 2>out of like my realm of watching the channel.

0:12:21.600 --> 0:12:23.200
<v Speaker 3>So I don't know if these were like two really

0:12:23.200 --> 0:12:27.520
<v Speaker 3>big stars that everyone was so excited listen, an up

0:12:27.559 --> 0:12:30.400
<v Speaker 3>and coming like pop star that I don't remember with

0:12:30.559 --> 0:12:32.320
<v Speaker 3>you know, the main character. Like I was kind of

0:12:32.360 --> 0:12:34.360
<v Speaker 3>going like, this is just I felt like I was

0:12:35.640 --> 0:12:36.720
<v Speaker 3>just I don't know it was.

0:12:36.760 --> 0:12:38.960
<v Speaker 2>It was hard for me, especially like you said, I've

0:12:39.040 --> 0:12:43.680
<v Speaker 2>just been enjoying myself. Again.

0:12:44.200 --> 0:12:46.400
<v Speaker 3>I also tried to say, you know what, we just

0:12:46.520 --> 0:12:47.960
<v Speaker 3>watched High School Musical three.

0:12:48.400 --> 0:12:51.600
<v Speaker 1>Yeah, it than Tiger Cruse.

0:12:53.800 --> 0:12:57.360
<v Speaker 3>Had such great ones at it's heart wasn't necessarily comparing them,

0:12:57.679 --> 0:13:00.839
<v Speaker 3>it just was there was no comparison this often.

0:13:01.000 --> 0:13:04.480
<v Speaker 1>I agree with you one thousand percent. So Starstrek was

0:13:04.520 --> 0:13:07.640
<v Speaker 1>directed by Michael Grossman. Grossman is a veteran TV director

0:13:07.760 --> 0:13:11.000
<v Speaker 1>who worked on shows like RLS, Pretty Little Liars, Gray's Anatomy, Dropped,

0:13:11.000 --> 0:13:15.640
<v Speaker 1>Dead Diva, and more recently Cobra Kai Finish Him Sorry. This, however,

0:13:15.800 --> 0:13:17.760
<v Speaker 1>is his only Disney movie, but he did work with

0:13:17.840 --> 0:13:20.640
<v Speaker 1>Nickelodeon on two films, Merry Christmas, Drake and Josh and

0:13:20.800 --> 0:13:24.240
<v Speaker 1>One Crazy Cruise. The movie stars that briefly mentioned Sterling

0:13:24.280 --> 0:13:27.000
<v Speaker 1>Knight as pop star Christopher Wilde. Knight is best known

0:13:27.080 --> 0:13:29.200
<v Speaker 1>as one of the stars of Disney's Sonny with the Chance,

0:13:29.280 --> 0:13:31.200
<v Speaker 1>and he played Alex in the two thousand and nine

0:13:31.320 --> 0:13:34.600
<v Speaker 1>zach Efron movie seventeen Again. He appeared on the Disney

0:13:34.600 --> 0:13:37.400
<v Speaker 1>show So Random as I Guess where he was on

0:13:37.440 --> 0:13:41.160
<v Speaker 1>the channel and Danielle Campbell plays small town girl Jessica Olsen.

0:13:41.320 --> 0:13:43.680
<v Speaker 1>This was very early in her career. She had really

0:13:43.679 --> 0:13:45.680
<v Speaker 1>only been on four episodes of prison Break. She would

0:13:45.720 --> 0:13:48.200
<v Speaker 1>later show up on Zeke and Luther and six episodes

0:13:48.200 --> 0:13:51.079
<v Speaker 1>of the Marvel show Runaways. She most recently appeared on

0:13:51.120 --> 0:13:54.280
<v Speaker 1>The Rookie and Netflix's The Waterfront. It's also worth noting

0:13:54.360 --> 0:13:56.760
<v Speaker 1>she was in a movie called Prom in twenty eleven

0:13:56.800 --> 0:13:59.440
<v Speaker 1>and another one called f The Prom in twenty seventeen.

0:13:59.679 --> 0:14:02.040
<v Speaker 1>Soke up your mind, Jessica. Is it a good place

0:14:02.040 --> 0:14:04.080
<v Speaker 1>to be or a bad place to be? Please let

0:14:04.120 --> 0:14:08.000
<v Speaker 1>me know, because I'm having one in August. Now, these

0:14:08.040 --> 0:14:10.040
<v Speaker 1>two leads don't kiss in the movie, and that is

0:14:10.040 --> 0:14:12.640
<v Speaker 1>not just a creative decision. Wild was twenty years old

0:14:12.679 --> 0:14:16.240
<v Speaker 1>when they shot Starstruck. Campbell was fourteen, so not only

0:14:16.280 --> 0:14:19.280
<v Speaker 1>would have been inappropriate, but highly illegal. We've seen this

0:14:19.320 --> 0:14:21.880
<v Speaker 1>once before in a d com and no they can't

0:14:21.880 --> 0:14:24.480
<v Speaker 1>get that close. That's some great progress in Hollywood, though,

0:14:24.480 --> 0:14:26.520
<v Speaker 1>because you can just ask my good friend Ryder Strong

0:14:26.720 --> 0:14:28.520
<v Speaker 1>about the set of Boy Meets World when he was

0:14:28.560 --> 0:14:31.560
<v Speaker 1>working with Trina McGee Brandon Michael Smith as Stubby. He'd

0:14:31.560 --> 0:14:33.680
<v Speaker 1>appeared on That So Raven and ten episodes of Fill

0:14:33.720 --> 0:14:35.720
<v Speaker 1>in the Future. But the roles that mean something to

0:14:35.800 --> 0:14:39.440
<v Speaker 1>Magical Rewinders is his star turn in Sonny with a Chance,

0:14:39.480 --> 0:14:42.760
<v Speaker 1>where he played Nico. So he and Sterling knew each

0:14:42.760 --> 0:14:44.960
<v Speaker 1>other well and they were co stars. But us cool

0:14:45.000 --> 0:14:47.600
<v Speaker 1>kids know him as Lord of to Bling from another

0:14:47.680 --> 0:14:50.880
<v Speaker 1>dcom we watched Let It Shine. And then we've got

0:14:50.920 --> 0:14:54.680
<v Speaker 1>another familiar face. Chelsea Stubb plays Alexis Bender. She now

0:14:54.680 --> 0:14:56.960
<v Speaker 1>goes by Chelsea Kine, but she was in the Brats

0:14:57.000 --> 0:14:59.240
<v Speaker 1>movie and an episode of Wizard's Waverley Place. But we

0:14:59.320 --> 0:15:01.600
<v Speaker 1>will never forget here. But we will never forget her

0:15:01.600 --> 0:15:04.240
<v Speaker 1>from the dcom Minute Men. She's now a very busy

0:15:04.320 --> 0:15:08.120
<v Speaker 1>voice actress, most notably playing be on Fishhooks. But get

0:15:08.120 --> 0:15:10.520
<v Speaker 1>into it here we go. How long is this movie?

0:15:11.000 --> 0:15:13.200
<v Speaker 1>It's too long. Even if it's too short, that's what

0:15:13.240 --> 0:15:16.560
<v Speaker 1>we care about here on magical reline. Well, Starstruck comes

0:15:16.560 --> 0:15:19.520
<v Speaker 1>in at just eighty one minutes. All right, well off

0:15:19.560 --> 0:15:21.360
<v Speaker 1>the target by nine minutes, but we applaud the effort

0:15:21.360 --> 0:15:23.040
<v Speaker 1>since it's on the right side of history. So thank

0:15:23.080 --> 0:15:26.280
<v Speaker 1>you time gods. It was mercifully short. And again, I'm

0:15:26.320 --> 0:15:27.800
<v Speaker 1>gonna try to be funny as I can, but we're

0:15:27.800 --> 0:15:29.720
<v Speaker 1>probably gonna bash this movie a little bit, I know.

0:15:30.920 --> 0:15:32.400
<v Speaker 1>And when it comes to the names on the cover

0:15:32.480 --> 0:15:34.560
<v Speaker 1>page of the script, we've got two writers. First up

0:15:34.560 --> 0:15:37.760
<v Speaker 1>story in teleplay from Barbara John's. Her only credits are

0:15:37.840 --> 0:15:40.080
<v Speaker 1>this movie and then a decade later episodes of the

0:15:40.160 --> 0:15:44.320
<v Speaker 1>Catherine Heigel Sarah Chalk Netflix show Firefly Lane. So I'm

0:15:44.440 --> 0:15:46.320
<v Speaker 1>very curious what her story is because she took a

0:15:46.360 --> 0:15:49.600
<v Speaker 1>decade off. And then we've got any DeYoung she chipped

0:15:49.600 --> 0:15:51.360
<v Speaker 1>in on the teleplay, and so again we see a

0:15:51.440 --> 0:15:53.800
<v Speaker 1>new green writer paired up with a dcom regular. Here,

0:15:54.160 --> 0:15:56.920
<v Speaker 1>Dejung is the writer behind Return to Halloween Town, Princess

0:15:56.960 --> 0:16:00.320
<v Speaker 1>Protection Program, Girl Versus Monster, sixteen Wishes, and the recently

0:16:00.320 --> 0:16:12.080
<v Speaker 1>recapped Johnny Coppahala back on board. Okay, let's not waste

0:16:12.080 --> 0:16:14.200
<v Speaker 1>any more time. There's a line outside the Under twenty

0:16:14.200 --> 0:16:16.560
<v Speaker 1>one club and it's not getting any shorter, so let's

0:16:16.600 --> 0:16:19.640
<v Speaker 1>dive into Starstruck. We open at a sold out Staple

0:16:19.680 --> 0:16:22.360
<v Speaker 1>Center with pop star Christopher Wilde performing on stage. And

0:16:22.400 --> 0:16:24.160
<v Speaker 1>something I notice here in the opening credits the movie

0:16:24.160 --> 0:16:27.720
<v Speaker 1>is produced by someone named Jane Bieber, and yes, there

0:16:27.800 --> 0:16:32.320
<v Speaker 1>is no relation whatsoever. So small World fans are screaming

0:16:32.360 --> 0:16:34.040
<v Speaker 1>the place is going nuts. And then we see a girl,

0:16:34.120 --> 0:16:36.320
<v Speaker 1>Sarah Olsen is watching from home, sitting on her sofa,

0:16:36.400 --> 0:16:39.200
<v Speaker 1>giddy and excited. Suddenly the TV is blocked by another girl,

0:16:39.240 --> 0:16:42.320
<v Speaker 1>her sister, Jessica Olsen. She's clearly not as big a

0:16:42.400 --> 0:16:45.240
<v Speaker 1>Christopher Wild fan as they argue. Her parents walk in.

0:16:45.480 --> 0:16:47.280
<v Speaker 1>The girls better get packing because they leave for the

0:16:47.320 --> 0:16:49.120
<v Speaker 1>airport in twenty four hours. They're going to see their

0:16:49.160 --> 0:16:53.120
<v Speaker 1>grandmother in Hollywood after two years. They mentioned they have not,

0:16:53.200 --> 0:16:55.800
<v Speaker 1>for some reason, gone and visited this woman for two years,

0:16:55.800 --> 0:16:58.840
<v Speaker 1>which I found to be weird. And that excites Sarah

0:16:58.880 --> 0:17:02.200
<v Speaker 1>because there it's all so where Christopher Wild lives. She

0:17:02.240 --> 0:17:04.400
<v Speaker 1>wonders what's gonna happen if he picks them up at

0:17:04.400 --> 0:17:07.720
<v Speaker 1>the airport, which is certainly something a murderer would ask. Jessica, though,

0:17:07.760 --> 0:17:09.600
<v Speaker 1>is a bit of a buzzkill. She doesn't really want

0:17:09.600 --> 0:17:11.480
<v Speaker 1>to go to La And this is just the start

0:17:11.920 --> 0:17:16.720
<v Speaker 1>of I'm sorry. Two of arguably the most annoying characters

0:17:16.760 --> 0:17:19.959
<v Speaker 1>we've ever seen into d coom the main girl who's

0:17:21.400 --> 0:17:25.000
<v Speaker 1>unnecessarily mean through most of this movie, rude and then

0:17:25.119 --> 0:17:28.240
<v Speaker 1>instantly changes her thing and then mean again and then crying.

0:17:28.280 --> 0:17:31.399
<v Speaker 1>It's really strange. And the sister, who might be one

0:17:31.400 --> 0:17:33.120
<v Speaker 1>of the most annoying characters we've ever seen in.

0:17:33.040 --> 0:17:36.080
<v Speaker 3>A decom definitely would be up for the ranking, and

0:17:36.320 --> 0:17:40.480
<v Speaker 3>were sisters of the dcom like she was such an she.

0:17:40.520 --> 0:17:42.679
<v Speaker 1>Was, And I don't necessarily blame the actress though she

0:17:42.720 --> 0:17:44.800
<v Speaker 1>played it big, but it was it. Yeah, it was

0:17:44.880 --> 0:17:46.359
<v Speaker 1>just a character's annoying.

0:17:46.160 --> 0:17:48.399
<v Speaker 3>The character, the way the character was written, and like

0:17:48.520 --> 0:17:50.879
<v Speaker 3>even in the end, and I know what we'll get there,

0:17:50.960 --> 0:17:53.760
<v Speaker 3>Like her like saving grace of I'm a nice sister

0:17:54.080 --> 0:17:56.320
<v Speaker 3>was the most efed up thing I think.

0:17:56.160 --> 0:17:57.400
<v Speaker 1>I've ever heard.

0:17:57.440 --> 0:18:00.000
<v Speaker 2>Like I would legitimately have punched her in the face.

0:17:59.840 --> 0:18:02.280
<v Speaker 1>Of that point. Yeah, none of this made sense. Yeah,

0:18:02.320 --> 0:18:05.320
<v Speaker 1>in it, I agree, And that was just a start too,

0:18:05.359 --> 0:18:07.600
<v Speaker 1>because there's other things where I was like, wait, what

0:18:07.800 --> 0:18:10.679
<v Speaker 1>so Yeah, Sarah tells everyone will be quiet. There's an

0:18:10.720 --> 0:18:12.960
<v Speaker 1>interview with Christopher on TV. He thanks his fans, and

0:18:13.000 --> 0:18:15.040
<v Speaker 1>the sisters argue over if this musician is actually a

0:18:15.080 --> 0:18:17.920
<v Speaker 1>great person or not. Jessica argues that her sister doesn't

0:18:17.920 --> 0:18:20.600
<v Speaker 1>actually know him, even though they live in Michigan. Sarah

0:18:20.640 --> 0:18:23.679
<v Speaker 1>feels like she knows everything about him, where he works,

0:18:23.760 --> 0:18:26.520
<v Speaker 1>what he eats apparently pinks hot dogs, and where he parties.

0:18:26.560 --> 0:18:29.800
<v Speaker 1>And this is where the serious stalkers behavior starts. And

0:18:29.840 --> 0:18:32.320
<v Speaker 1>so he cut to Los Angeles, Christopher and his pal Stubby.

0:18:32.400 --> 0:18:34.639
<v Speaker 1>It's pulled up a beautiful convertible and get ready for

0:18:34.760 --> 0:18:37.440
<v Speaker 1>lots of really beautiful cars. Best part of the movie.

0:18:38.080 --> 0:18:40.399
<v Speaker 1>Ready for a night of clubbing and what was actually

0:18:40.440 --> 0:18:43.160
<v Speaker 1>the old Billboard Live on Sunset, but here it's called

0:18:43.200 --> 0:18:45.800
<v Speaker 1>the Under twenty one Club, just so Disney can make

0:18:45.800 --> 0:18:48.480
<v Speaker 1>sure you know, there's no drinking or drugs allowed in here.

0:18:49.200 --> 0:18:51.600
<v Speaker 1>It's not that they're not hanging out at the Viper Room, right.

0:18:51.800 --> 0:18:54.840
<v Speaker 3>There was also two at this point, I think a

0:18:54.840 --> 0:18:57.439
<v Speaker 3>actual club like kiss E Fem owned it or something.

0:18:57.480 --> 0:18:59.919
<v Speaker 2>It was called like seventeen, like there was like a

0:19:00.080 --> 0:19:03.199
<v Speaker 2>oh no, there was some I know it was up it.

0:19:02.760 --> 0:19:07.040
<v Speaker 3>Was across from in that like little Summer dev eight. Okay, yeah,

0:19:07.080 --> 0:19:09.200
<v Speaker 3>it was in the I think right like across from

0:19:09.640 --> 0:19:12.240
<v Speaker 3>or next to like the Man's Chinese that little center,

0:19:12.320 --> 0:19:13.960
<v Speaker 3>that little on Hollywood.

0:19:13.520 --> 0:19:14.760
<v Speaker 1>Boulevard, Hollywood Vine.

0:19:17.720 --> 0:19:18.240
<v Speaker 2>Yeah it was.

0:19:18.359 --> 0:19:19.880
<v Speaker 1>And by the way, you'll have way more fun.

0:19:21.200 --> 0:19:21.800
<v Speaker 2>Side note.

0:19:21.840 --> 0:19:24.760
<v Speaker 3>That was like the first night me Adrian, Raven and

0:19:24.800 --> 0:19:27.040
<v Speaker 3>Keeley all hung out. Our producer Debor was like, you

0:19:27.040 --> 0:19:29.280
<v Speaker 3>guys should go out and do something fun, and Raven's like,

0:19:29.320 --> 0:19:30.000
<v Speaker 3>do you want to go to this.

0:19:30.000 --> 0:19:30.680
<v Speaker 2>DV eight club?

0:19:30.720 --> 0:19:33.159
<v Speaker 3>And We're like sure, So we all went there and

0:19:33.200 --> 0:19:36.439
<v Speaker 3>we all wore juicy couturevelor suits.

0:19:36.520 --> 0:19:38.320
<v Speaker 2>I swear to god, that's a real story.

0:19:38.400 --> 0:19:40.639
<v Speaker 1>Oh my god, if there's a picture of that anywhere,

0:19:40.720 --> 0:19:41.879
<v Speaker 1>someone please send it in.

0:19:41.920 --> 0:19:45.119
<v Speaker 3>It would break the raven drove us like, oh my gosh,

0:19:45.320 --> 0:19:47.119
<v Speaker 3>I will never forget that. So I was like sitting

0:19:47.160 --> 0:19:48.960
<v Speaker 3>there in the car. Of course, remember I was so green.

0:19:49.160 --> 0:19:51.760
<v Speaker 3>Like I'm saying, like, I'm with two three l W

0:19:51.920 --> 0:19:56.000
<v Speaker 3>girls in raven Bone going to go to a club

0:19:56.119 --> 0:19:57.480
<v Speaker 3>eighteen and underclub.

0:19:58.320 --> 0:19:58.880
<v Speaker 1>Good for you?

0:19:59.359 --> 0:20:01.520
<v Speaker 2>What is hi? I have made it.

0:20:02.080 --> 0:20:05.520
<v Speaker 1>I here people, I have arrived. Good for you.

0:20:05.960 --> 0:20:09.159
<v Speaker 3>I have borrowed a juicy gadoor outfit from Adrian.

0:20:09.880 --> 0:20:10.879
<v Speaker 2>I'm killing lively.

0:20:11.359 --> 0:20:14.639
<v Speaker 1>Good for you. I kill it at David Busters. I

0:20:14.640 --> 0:20:16.240
<v Speaker 1>can put down more food than anybody.

0:20:16.440 --> 0:20:19.959
<v Speaker 2>Oh anyway, that's the real story that just popped out.

0:20:20.000 --> 0:20:22.160
<v Speaker 1>I love that though. That's how I love that. That's

0:20:22.160 --> 0:20:25.320
<v Speaker 1>better than the movie. As they walked to the door,

0:20:25.320 --> 0:20:29.440
<v Speaker 1>they run into Christopher's girlfriend, famous actress Alexis Bender. The

0:20:29.520 --> 0:20:33.240
<v Speaker 1>complicated to exchange pleasantries and Chris realizes tomorrow is her birthday.

0:20:33.480 --> 0:20:35.920
<v Speaker 1>He promised he would sing it her party, but doesn't

0:20:35.960 --> 0:20:38.639
<v Speaker 1>look very excited about it. Stubby's bombed is supposed to

0:20:38.640 --> 0:20:40.040
<v Speaker 1>be a guy's night out and now he has to

0:20:40.040 --> 0:20:42.520
<v Speaker 1>deal with Alexis. A lot of blog talk here too.

0:20:42.560 --> 0:20:44.560
<v Speaker 1>It's a real sign of being a celebrity in twenty

0:20:44.760 --> 0:20:47.720
<v Speaker 1>ten's and having to worry about bloggers that were kind

0:20:47.760 --> 0:20:50.639
<v Speaker 1>of the new tabloid, you know, Prince Hilton was coming out,

0:20:50.840 --> 0:20:52.200
<v Speaker 1>and a bunch of people like that, and they had

0:20:52.280 --> 0:20:54.959
<v Speaker 1>websites that were spreading gossip and actually just basically kind

0:20:54.960 --> 0:20:58.600
<v Speaker 1>of hatred. This was all in the social media boom. Yeah,

0:20:58.600 --> 0:21:01.720
<v Speaker 1>it was. It was not cool. And then right on cue,

0:21:01.800 --> 0:21:05.359
<v Speaker 1>Christopher and Alexis are bum rushed by paparazzi, clearly tipped

0:21:05.359 --> 0:21:08.040
<v Speaker 1>off by Alexis. Christopher fights back because he feels attacked

0:21:08.080 --> 0:21:11.240
<v Speaker 1>and the photographer's snap away. And the next morning we're

0:21:11.240 --> 0:21:13.680
<v Speaker 1>at McKinley High School back in Michigan. A school dance

0:21:13.720 --> 0:21:16.200
<v Speaker 1>is approaching and Sarah's excited to attend, but Jessica, again

0:21:16.200 --> 0:21:18.720
<v Speaker 1>a total downer, hates it, but is forced to go

0:21:18.760 --> 0:21:21.320
<v Speaker 1>for the school paper. Sarah's decided to bring her camera

0:21:21.400 --> 0:21:23.719
<v Speaker 1>to Hollywood since she needs pictures of Christopher for her

0:21:23.760 --> 0:21:25.920
<v Speaker 1>photo album, which is also filled with their plans on

0:21:25.960 --> 0:21:27.359
<v Speaker 1>how she's going to run into him. She has it

0:21:27.440 --> 0:21:30.960
<v Speaker 1>all figured out, because that's absolutely something a serial killer

0:21:30.960 --> 0:21:35.000
<v Speaker 1>would do. Crazy Back at La, Christopher arrives late and

0:21:35.040 --> 0:21:38.440
<v Speaker 1>his manager's aka his parents are already excited about a

0:21:38.480 --> 0:21:40.400
<v Speaker 1>new opportunity for their son to become a movie star.

0:21:40.840 --> 0:21:44.159
<v Speaker 1>And when big Hollywood director Alan Smith arrives, the possibility

0:21:44.160 --> 0:21:46.479
<v Speaker 1>becomes even more likely. And for everybody out there, this

0:21:46.560 --> 0:21:50.600
<v Speaker 1>is a fun mcguffin and a fun little Hollywood side note.

0:21:50.920 --> 0:21:54.200
<v Speaker 1>Whenever you see Alan Smith or it's actually Alan Smithy,

0:21:54.720 --> 0:21:57.360
<v Speaker 1>you'll see either a director or a writer called Alan

0:21:57.440 --> 0:22:00.600
<v Speaker 1>Smithy or Alan Smith. And that's a famous director who

0:22:00.640 --> 0:22:03.040
<v Speaker 1>didn't like the project and doesn't want their name on it.

0:22:03.400 --> 0:22:06.359
<v Speaker 1>So anytime you see something Alan smith Ead or Alan Smith,

0:22:06.680 --> 0:22:09.240
<v Speaker 1>it's somebody who went, I hate this, take my name off,

0:22:09.280 --> 0:22:10.600
<v Speaker 1>and that's the name they put on.

0:22:11.160 --> 0:22:11.600
<v Speaker 2>Wowow.

0:22:12.040 --> 0:22:15.320
<v Speaker 1>Alan Smith arrives, the possibility becomes even more likely that

0:22:15.440 --> 0:22:17.040
<v Speaker 1>he's going to become a movie star. He gets right

0:22:17.040 --> 0:22:19.000
<v Speaker 1>to the point. He likes what he sees. He wants

0:22:19.040 --> 0:22:20.800
<v Speaker 1>Christopher to be in the movie, but the studio isn't

0:22:20.800 --> 0:22:22.920
<v Speaker 1>on board yet. They saw pictures of Christopher tangling with

0:22:22.960 --> 0:22:27.080
<v Speaker 1>paparazzi and have concerns because the one thing studios hate

0:22:28.080 --> 0:22:32.040
<v Speaker 1>is famous people in their movies. This is where I

0:22:32.080 --> 0:22:37.200
<v Speaker 1>was like, this storyline makes no sense. Hey man, you're

0:22:37.240 --> 0:22:40.680
<v Speaker 1>really famous and the press is following you everywhere. You

0:22:40.720 --> 0:22:43.840
<v Speaker 1>can't be in a big movie, huh, or.

0:22:43.880 --> 0:22:46.960
<v Speaker 3>In general, like you can't have a girlfriend, you can't

0:22:47.000 --> 0:22:51.240
<v Speaker 3>be seen, you cannot be seen with a girlfriend.

0:22:51.400 --> 0:22:53.680
<v Speaker 1>Yeah, I get, I mean, I get that girl. That's

0:22:53.720 --> 0:22:56.080
<v Speaker 1>how it was in so I mean in like the

0:22:56.160 --> 0:22:57.960
<v Speaker 1>seventies and eighties, it was kind of like that, Like

0:22:58.000 --> 0:23:00.280
<v Speaker 1>I get you know, I know that Dan he All

0:23:00.320 --> 0:23:02.040
<v Speaker 1>told me when she was dating Lance. It was like

0:23:02.080 --> 0:23:04.320
<v Speaker 1>they didn't want anybody to know that they were dating

0:23:04.320 --> 0:23:06.440
<v Speaker 1>because all the ensync boys needed to seem like they

0:23:06.440 --> 0:23:07.080
<v Speaker 1>were available.

0:23:07.119 --> 0:23:07.679
<v Speaker 2>Available.

0:23:07.760 --> 0:23:10.360
<v Speaker 1>Yeah, that's the same thing, like the the Begi's and

0:23:10.359 --> 0:23:11.680
<v Speaker 1>Andy Gibb when he was the biggest thing in the

0:23:11.680 --> 0:23:13.720
<v Speaker 1>world and he GiB was actually married and the record

0:23:13.720 --> 0:23:16.080
<v Speaker 1>company buried his marriage because you have to seem available.

0:23:16.119 --> 0:23:18.199
<v Speaker 1>So I get that. I get when it comes to

0:23:18.359 --> 0:23:22.080
<v Speaker 1>like girls and wanting to seem like you're single. What

0:23:22.119 --> 0:23:25.600
<v Speaker 1>I don't get is a studio going, hey, paparazzi follows

0:23:25.640 --> 0:23:27.560
<v Speaker 1>him everywhere because he's famous, he can't be in a

0:23:27.560 --> 0:23:30.800
<v Speaker 1>big movie, like yeah, nope, nope, that doesn't make any sense.

0:23:31.119 --> 0:23:33.960
<v Speaker 3>But with the girlfriend he had one like that was there,

0:23:34.440 --> 0:23:37.720
<v Speaker 3>that was like celebrity girlfriend. This it made zero.

0:23:37.520 --> 0:23:39.680
<v Speaker 2>Sense to me, and he didn't They shouldn't.

0:23:39.680 --> 0:23:41.840
<v Speaker 1>Know what they were trying to do, and they couldn't

0:23:41.840 --> 0:23:44.160
<v Speaker 1>do is obviously they needed him to do something bad

0:23:44.280 --> 0:23:45.680
<v Speaker 1>at paparazzi caught.

0:23:45.560 --> 0:23:46.080
<v Speaker 2>Get caught.

0:23:46.200 --> 0:23:48.639
<v Speaker 1>He was drinking, he was smashing up a car, he

0:23:50.119 --> 0:23:52.800
<v Speaker 1>something like that, and what I would have done would

0:23:52.800 --> 0:23:55.240
<v Speaker 1>have been again ridiculous, but what I would have done

0:23:55.240 --> 0:23:57.240
<v Speaker 1>would have been something exactly like what we were talking

0:23:57.240 --> 0:24:00.280
<v Speaker 1>about earlier today for a whole different reason. But he

0:24:00.640 --> 0:24:03.200
<v Speaker 1>ate something terrible and was feeling sick on the way

0:24:03.200 --> 0:24:04.879
<v Speaker 1>to the club, and when he gets out, he starts

0:24:04.920 --> 0:24:07.400
<v Speaker 1>throwing up, and they take pictures like wild night Out

0:24:07.440 --> 0:24:10.719
<v Speaker 1>and it's like that bad sushi, so something like that,

0:24:10.760 --> 0:24:12.920
<v Speaker 1>but instead it's just they're taking pictures of a meta

0:24:12.920 --> 0:24:15.439
<v Speaker 1>club with another famous actress, and because of that, he

0:24:15.560 --> 0:24:18.520
<v Speaker 1>can't be in a big movie, which just makes no

0:24:18.880 --> 0:24:19.560
<v Speaker 1>zero sense.

0:24:19.760 --> 0:24:25.000
<v Speaker 3>Like Zo also, I already hate his parents. Of course happened,

0:24:25.760 --> 0:24:27.160
<v Speaker 3>I know, but I hated them.

0:24:27.359 --> 0:24:28.199
<v Speaker 2>I hated them.

0:24:28.320 --> 0:24:31.240
<v Speaker 1>And there's no real kind of resolution to it. He

0:24:31.280 --> 0:24:34.000
<v Speaker 1>has some no quick thing at the end with one

0:24:34.160 --> 0:24:38.720
<v Speaker 1>one line, but it's kind of like, dude, this is yeah,

0:24:38.760 --> 0:24:39.760
<v Speaker 1>but it but at.

0:24:39.640 --> 0:24:43.959
<v Speaker 2>This time too though, this was like relatively.

0:24:43.359 --> 0:24:47.639
<v Speaker 3>Around like Britney Spears like this, Britney Spears drama, a

0:24:47.640 --> 0:24:51.720
<v Speaker 3>lot of the like uh, Lindsay Lohan drama with her family,

0:24:51.880 --> 0:24:54.120
<v Speaker 3>Like there was a lot, so I understand like they were,

0:24:54.200 --> 0:24:55.800
<v Speaker 3>I mean, it was it made sense.

0:24:55.960 --> 0:24:59.960
<v Speaker 1>It just was like they tried to disney fi a real,

0:25:00.240 --> 0:25:03.080
<v Speaker 1>a real important and dangerous bad thing that was happening

0:25:03.119 --> 0:25:06.359
<v Speaker 1>in Hollywood actually, and that doesn't work. You can't disnify it.

0:25:05.920 --> 0:25:08.600
<v Speaker 1>You gotta show what it was really like when Britney

0:25:08.600 --> 0:25:11.760
<v Speaker 1>Spears is clearly having a mental breakdown beings being hounded

0:25:11.760 --> 0:25:14.320
<v Speaker 1>by these paparazzi. Yeah, this was I mean again, you

0:25:14.359 --> 0:25:17.040
<v Speaker 1>know it was ten years later, fifteen years later, but

0:25:17.480 --> 0:25:20.600
<v Speaker 1>you know, Princess die was essentially killed because she was

0:25:20.800 --> 0:25:24.520
<v Speaker 1>hounded by the paparazzis. It's a very dangerous time to

0:25:24.560 --> 0:25:27.840
<v Speaker 1>be a quote unquote celebrity, a big celebrity like this.

0:25:27.880 --> 0:25:30.879
<v Speaker 1>How they're supposed to make him and they tried to

0:25:30.880 --> 0:25:34.360
<v Speaker 1>disnefy it. It just didn't work. So he has to prove

0:25:34.400 --> 0:25:36.800
<v Speaker 1>that he's a serious and dedicated actor by Monday, when

0:25:36.880 --> 0:25:38.879
<v Speaker 1>Allan has a meeting with producers to sell them on

0:25:38.920 --> 0:25:41.600
<v Speaker 1>his casting choice. But in the meanwhile, Christopher must stay

0:25:41.640 --> 0:25:44.199
<v Speaker 1>out of the tabloids, good or bad. Christopher says he

0:25:44.200 --> 0:25:46.160
<v Speaker 1>can do that, and they shake hands like Hollywood big

0:25:46.200 --> 0:25:48.960
<v Speaker 1>wigs do. Now we're back at lax The Olsens have

0:25:49.040 --> 0:25:51.320
<v Speaker 1>arrived and Sarah can't wait to use her parents' rental

0:25:51.359 --> 0:25:53.520
<v Speaker 1>car to find Christopher. And this is where I loved

0:25:53.560 --> 0:25:56.080
<v Speaker 1>all the generic things they have. The place is literally

0:25:56.080 --> 0:26:01.200
<v Speaker 1>called lax La rental Cars. It's like rental car place

0:26:01.240 --> 0:26:04.360
<v Speaker 1>in Los Angeles. But Jessica points out she can't drive

0:26:04.400 --> 0:26:06.879
<v Speaker 1>a rental car until she's twenty five. This puts a

0:26:06.920 --> 0:26:08.679
<v Speaker 1>real by the way, that's not actually true. I had

0:26:08.680 --> 0:26:10.520
<v Speaker 1>to rent cars when I was a teenager, and you

0:26:10.640 --> 0:26:13.000
<v Speaker 1>just have to pay a lot more and have massive insurance.

0:26:13.040 --> 0:26:16.680
<v Speaker 2>But I thought that was actually an actual rule.

0:26:16.960 --> 0:26:20.119
<v Speaker 1>There are there are exceptions, because like I was working

0:26:20.160 --> 0:26:22.280
<v Speaker 1>and at seventeen eighteen, I'd need to rent a car somewhere,

0:26:22.320 --> 0:26:24.040
<v Speaker 1>and there's there's ways to do it, so you can

0:26:24.160 --> 0:26:24.480
<v Speaker 1>do it, but.

0:26:24.720 --> 0:26:27.359
<v Speaker 2>It's just incredibly more expensive.

0:26:27.480 --> 0:26:30.639
<v Speaker 1>It is. Yeah, this puts a real wrench in Sarah's plans.

0:26:30.640 --> 0:26:33.119
<v Speaker 1>By the way, her dad suggests that maybe Grandma will

0:26:33.160 --> 0:26:34.840
<v Speaker 1>let her borrow her car, and so when they arrive

0:26:34.880 --> 0:26:37.320
<v Speaker 1>at Grandma's she's up there doing housework with some older

0:26:37.320 --> 0:26:39.760
<v Speaker 1>guy named Howard who was a wonderful actor who was

0:26:39.800 --> 0:26:41.560
<v Speaker 1>not only on the Office but on Boy Me's World,

0:26:42.359 --> 0:26:45.160
<v Speaker 1>who apparently they think might be dating her. So good

0:26:45.240 --> 0:26:47.480
<v Speaker 1>for you, Grandma, go get it. Now. This storyline is

0:26:47.520 --> 0:26:50.400
<v Speaker 1>really cool because nothing happens with it and you never

0:26:50.480 --> 0:26:55.119
<v Speaker 1>see it again. I'm sorry, but it's just like this

0:26:55.400 --> 0:26:59.080
<v Speaker 1>at the end, barely the grandmother had nothing to do

0:26:59.160 --> 0:27:02.680
<v Speaker 1>in this movie. She made no sense. And then they

0:27:02.760 --> 0:27:04.399
<v Speaker 1>try to do a thing at the end where the

0:27:04.440 --> 0:27:06.680
<v Speaker 1>grandma's talking you were giving your life advice. This was

0:27:06.720 --> 0:27:07.800
<v Speaker 1>set up not at all.

0:27:08.359 --> 0:27:12.040
<v Speaker 3>Yeah, So every a lot of that stuff was just

0:27:12.080 --> 0:27:15.760
<v Speaker 3>like so random. Yes, it was okay, it was like,

0:27:15.800 --> 0:27:18.280
<v Speaker 3>we're just good. It's like how I would imagine like

0:27:18.320 --> 0:27:20.320
<v Speaker 3>Monroe would do cooking, Like I'm just gonna put some

0:27:20.560 --> 0:27:21.760
<v Speaker 3>like what is this garlic?

0:27:22.320 --> 0:27:23.920
<v Speaker 2>What is this chocolat?

0:27:24.480 --> 0:27:24.920
<v Speaker 1>Chocolate?

0:27:25.440 --> 0:27:27.680
<v Speaker 2>Some sprinkles. I want to put some jelly beans in it,

0:27:27.760 --> 0:27:29.639
<v Speaker 2>like just the most random.

0:27:29.720 --> 0:27:32.920
<v Speaker 1>And much like whatever Monroe would have cooked. We would

0:27:32.920 --> 0:27:35.000
<v Speaker 1>have taken a bite and gone, it's really good, and

0:27:35.040 --> 0:27:36.960
<v Speaker 1>then walked out and spit it out, which is I

0:27:36.960 --> 0:27:39.800
<v Speaker 1>think what I did with this film. So Jessica is

0:27:39.840 --> 0:27:42.040
<v Speaker 1>so excited to see her grandma, and when they finally embrace,

0:27:42.160 --> 0:27:45.159
<v Speaker 1>it brings a smile to that sour puss face. Finally Jessica.

0:27:45.720 --> 0:27:47.720
<v Speaker 1>And at the same time, Sarah sees her grandmother's car,

0:27:47.840 --> 0:27:51.800
<v Speaker 1>a plum colored Pinto, which is bad and awesome.

0:27:52.560 --> 0:27:54.520
<v Speaker 2>And I got such a cool looking car.

0:27:54.480 --> 0:27:58.520
<v Speaker 1>Such a cool car.

0:27:57.840 --> 0:28:02.640
<v Speaker 3>I wouldn't want it. I would especially down pH in Malibu.

0:28:02.359 --> 0:28:06.080
<v Speaker 1>That I would drive that car every day with the

0:28:06.119 --> 0:28:09.159
<v Speaker 1>biggest smile on my face. But of course this is

0:28:09.600 --> 0:28:11.480
<v Speaker 1>what she wasn't hoping for, a car like this to

0:28:11.480 --> 0:28:13.200
<v Speaker 1>go stock a pop star, which is what she's about

0:28:13.200 --> 0:28:16.040
<v Speaker 1>to do. That night, Sarah gets a call from aj

0:28:16.200 --> 0:28:19.400
<v Speaker 1>back home, a fellow Christopher wild Stand. She reads online

0:28:19.560 --> 0:28:22.000
<v Speaker 1>probably a blog that Christopher's supposed to be performing at

0:28:22.040 --> 0:28:25.280
<v Speaker 1>Alexis Bender's birthday, and now she has to go. Sarah

0:28:25.320 --> 0:28:27.360
<v Speaker 1>knows her parents will only let her go off. Jessica

0:28:27.400 --> 0:28:30.440
<v Speaker 1>tags along, but Jessica is hardly interested in meeting a celebrity,

0:28:30.640 --> 0:28:34.080
<v Speaker 1>especially Christopher Wild. But Sarah has an offer she can't refuse.

0:28:34.160 --> 0:28:37.120
<v Speaker 1>If Jessica goes with her, she'll stop incessantly talking about

0:28:37.160 --> 0:28:39.280
<v Speaker 1>Christopher for at least the rest of the trip. And

0:28:39.320 --> 0:28:40.760
<v Speaker 1>I was like, go, I don't want to hear her

0:28:40.760 --> 0:28:43.720
<v Speaker 1>talk about him either. So now back at the under

0:28:43.760 --> 0:28:45.640
<v Speaker 1>twenty one club, there's a line around the block. When

0:28:45.640 --> 0:28:48.200
<v Speaker 1>the Olsen sisters arrive in their Pinto, I would pull

0:28:48.240 --> 0:28:50.560
<v Speaker 1>that right up in front of a club. They stop

0:28:50.560 --> 0:28:52.760
<v Speaker 1>in a no parking zone across the street and Sarah

0:28:52.760 --> 0:28:55.080
<v Speaker 1>gets changed in the back seat, while nearby, Christopher and

0:28:55.080 --> 0:28:57.960
<v Speaker 1>Stubby are arguing if they should even be there. Christopher

0:28:58.000 --> 0:28:59.959
<v Speaker 1>swears it's fine, but Stubby is very much over Alexis

0:29:00.080 --> 0:29:02.320
<v Speaker 1>and his pal as his friend since the fourth grade,

0:29:02.320 --> 0:29:04.480
<v Speaker 1>it's Stubby's job to let Christopher know when he's doing

0:29:04.520 --> 0:29:06.600
<v Speaker 1>the wrong thing, and they're also in a beautiful Ferrari.

0:29:07.120 --> 0:29:09.080
<v Speaker 1>Their car eventually does arrive at the club, so Sarah

0:29:09.120 --> 0:29:11.320
<v Speaker 1>jumps out of the Pinto to greek Christopher, now leaving

0:29:11.360 --> 0:29:14.480
<v Speaker 1>Jessica behind the wheel. But bad news it's just Stubby.

0:29:14.720 --> 0:29:17.360
<v Speaker 1>Alexis isn't happy, but Sarah may just be the most

0:29:17.400 --> 0:29:19.240
<v Speaker 1>confident human in the world. As she runs over and

0:29:19.240 --> 0:29:21.920
<v Speaker 1>pretends to know him, she poses for the paparazzi, and

0:29:21.920 --> 0:29:23.360
<v Speaker 1>I think this is all the proof we need to

0:29:23.400 --> 0:29:27.480
<v Speaker 1>know that she's actually a real cycle path. I mean,

0:29:27.480 --> 0:29:30.120
<v Speaker 1>that was so I was like, oh, weird. Yes, Stubby

0:29:30.160 --> 0:29:31.800
<v Speaker 1>isn't mad about it, though, because Sarah's a cute girl

0:29:31.800 --> 0:29:33.560
<v Speaker 1>in his arm, and I mean she could technically only

0:29:33.600 --> 0:29:36.240
<v Speaker 1>kill him once, right. All the while, Jessica is just

0:29:36.280 --> 0:29:38.600
<v Speaker 1>waiting in the car. Christopher does arrive, but through the

0:29:38.640 --> 0:29:40.640
<v Speaker 1>back door where Stubby lets him in, avoiding the big

0:29:40.680 --> 0:29:42.920
<v Speaker 1>scene out front. And then it's a big surprise for

0:29:42.960 --> 0:29:45.280
<v Speaker 1>Alexis when he walks on stage and fulfills his promise

0:29:45.320 --> 0:29:47.800
<v Speaker 1>to perform. And Sarah, of all people, can't believe what

0:29:47.800 --> 0:29:49.680
<v Speaker 1>she's seeing. Her idol is singing at the club right

0:29:49.680 --> 0:29:54.000
<v Speaker 1>in front of her. Okay, Sabrina, this is our second song, hear. Okay. First,

0:29:54.040 --> 0:29:57.360
<v Speaker 1>I want to say this, I didn't like this movie.

0:29:57.360 --> 0:29:58.760
<v Speaker 1>I didn't hate it. It's not the worst me I've

0:29:58.760 --> 0:30:00.720
<v Speaker 1>ever seen in my life, but I didn't like this movie. No,

0:30:01.160 --> 0:30:05.040
<v Speaker 1>But The fact that it was a musical didn't factor

0:30:05.080 --> 0:30:07.320
<v Speaker 1>into me not liking at all, because, again we talk

0:30:07.360 --> 0:30:10.200
<v Speaker 1>about appropriate singing. He sung when he was on stage

0:30:10.280 --> 0:30:12.000
<v Speaker 1>or when they handed him a guitar, like it made sense,

0:30:12.040 --> 0:30:13.440
<v Speaker 1>So that didn't bother me at all. What did you

0:30:13.440 --> 0:30:14.600
<v Speaker 1>actually think of the music?

0:30:14.680 --> 0:30:18.040
<v Speaker 3>Though I actually liked the music, The music was probably

0:30:18.120 --> 0:30:20.280
<v Speaker 3>like the best part of it for me. I thought

0:30:20.320 --> 0:30:24.080
<v Speaker 3>it was you know, I kept trying to I didn't know,

0:30:25.760 --> 0:30:28.360
<v Speaker 3>you know, obviously without like like looking into it, whether

0:30:28.440 --> 0:30:31.160
<v Speaker 3>or not it was the actor's voice or not. And

0:30:31.240 --> 0:30:35.360
<v Speaker 3>I kept going, who does that voice sound like to me?

0:30:35.560 --> 0:30:39.080
<v Speaker 3>And I kept thinking his voice sounded similar to a

0:30:39.120 --> 0:30:43.000
<v Speaker 3>young Nick Jonas, So I thought his voice was great,

0:30:43.000 --> 0:30:45.240
<v Speaker 3>and I thought the music was like Okay, I wasn't

0:30:45.280 --> 0:30:47.840
<v Speaker 3>and I'm going, like, I just couldn't plays. I couldn't

0:30:47.840 --> 0:30:50.440
<v Speaker 3>figure out if again I didn't know this kid, so

0:30:50.480 --> 0:30:53.160
<v Speaker 3>I wasn't sure if he was somebody who was like

0:30:53.280 --> 0:30:56.040
<v Speaker 3>on the Channel up and coming like new Channel Star,

0:30:56.560 --> 0:30:57.800
<v Speaker 3>if it was his voice or not.

0:30:57.960 --> 0:31:00.400
<v Speaker 2>But I liked the music. It was it was fine

0:31:00.400 --> 0:31:02.160
<v Speaker 2>for me. There's one part.

0:31:01.960 --> 0:31:03.800
<v Speaker 3>When we'll and I'll bring it up when we get

0:31:03.920 --> 0:31:08.040
<v Speaker 3>that part of the movie where I'm like that time

0:31:08.240 --> 0:31:09.440
<v Speaker 3>part doesn't make sense.

0:31:09.440 --> 0:31:10.520
<v Speaker 2>It's not fallowing the rules.

0:31:10.600 --> 0:31:13.719
<v Speaker 1>It's not falls no rules people.

0:31:14.000 --> 0:31:15.680
<v Speaker 2>But I'll bring it up when the time is ready.

0:31:15.760 --> 0:31:19.320
<v Speaker 1>Yeah, so what about you? They were never fine? They

0:31:19.320 --> 0:31:21.400
<v Speaker 1>were fine. I remember none of them, but I know

0:31:21.640 --> 0:31:24.520
<v Speaker 1>I don't. I didn't hate them. I thought, whoever singing them,

0:31:24.560 --> 0:31:26.960
<v Speaker 1>the voice is very nice. Again, I'm always up for

0:31:27.040 --> 0:31:30.400
<v Speaker 1>appropriate singing. He's a singer, but he's on stage. It's

0:31:30.440 --> 0:31:32.160
<v Speaker 1>not like, you know, I was waiting for them to

0:31:32.240 --> 0:31:33.760
<v Speaker 1>just start singing to each other. So the fact that

0:31:33.920 --> 0:31:37.080
<v Speaker 1>never happened is a breath of fresh air. It is

0:31:37.120 --> 0:31:38.360
<v Speaker 1>for me. That's right.

0:31:38.600 --> 0:31:41.200
<v Speaker 2>Well, because this was not a musical like that that

0:31:41.200 --> 0:31:42.800
<v Speaker 2>would have been so it would have been like that

0:31:42.840 --> 0:31:45.920
<v Speaker 2>one movie that we just recently rewatched that they like

0:31:46.000 --> 0:31:48.760
<v Speaker 2>sang in the park out of Nowhere and we're like, yeah,

0:31:49.040 --> 0:31:50.880
<v Speaker 2>why why.

0:31:50.680 --> 0:31:52.160
<v Speaker 1>Did you do that? That was exactly.

0:31:52.280 --> 0:31:55.960
<v Speaker 3>It wasn't a just one scene didn't make sense. So

0:31:55.960 --> 0:31:57.680
<v Speaker 3>it never did that for us, which was great.

0:31:57.840 --> 0:31:58.960
<v Speaker 1>And yeah, it didn't bother me.

0:31:59.520 --> 0:32:01.760
<v Speaker 2>Check there we go, check on the positive side, check

0:32:01.800 --> 0:32:02.120
<v Speaker 2>on the bye.

0:32:02.160 --> 0:32:05.160
<v Speaker 1>Yeah, there we go, and then boom out of nowhere.

0:32:05.160 --> 0:32:06.840
<v Speaker 1>The best part of the song, Stubby joins in for

0:32:06.880 --> 0:32:09.120
<v Speaker 1>a fun little rap interlude, all while Sarah pushes her

0:32:09.160 --> 0:32:11.400
<v Speaker 1>way to the front. Jessica's still parked across the street.

0:32:11.440 --> 0:32:13.680
<v Speaker 1>She's watching the action unfold on the big screens outside,

0:32:13.720 --> 0:32:16.640
<v Speaker 1>but she has had enough. As Christopher finishes the song,

0:32:16.720 --> 0:32:19.040
<v Speaker 1>she finally decides she's going into the club, but the

0:32:19.080 --> 0:32:21.000
<v Speaker 1>line and scene is just too much, so she does

0:32:21.000 --> 0:32:23.080
<v Speaker 1>what every young girl walking by herself at night in

0:32:23.120 --> 0:32:25.800
<v Speaker 1>Los Angeles does, goes to the back alley all by

0:32:25.800 --> 0:32:29.200
<v Speaker 1>herself at night, and his boom slammed in the face

0:32:29.280 --> 0:32:32.600
<v Speaker 1>by a stage door. It's Christopher Wilde making a getaway.

0:32:32.720 --> 0:32:34.280
<v Speaker 1>He rushes to help her and freaks out about the

0:32:34.280 --> 0:32:37.479
<v Speaker 1>possible repercussions from the impact. He promises her front row

0:32:37.520 --> 0:32:40.080
<v Speaker 1>concert tickets if she just keeps quiet, and then she

0:32:40.120 --> 0:32:42.680
<v Speaker 1>finally realizes who he is, and before they can even

0:32:42.680 --> 0:32:45.720
<v Speaker 1>get into details, Stubby's car pulls up. Well it's actually

0:32:45.920 --> 0:32:48.920
<v Speaker 1>the famous guy's car, Christopher Wild's car. She has then

0:32:49.000 --> 0:32:50.920
<v Speaker 1>rushed into the passenger seat to go and see the doctor,

0:32:50.920 --> 0:32:53.520
<v Speaker 1>which of course is the right idea because she starts puking'

0:32:53.920 --> 0:32:56.400
<v Speaker 1>possibly from head trauma. Anytime you throw up after her

0:32:56.440 --> 0:32:59.520
<v Speaker 1>head wound it usually means a concussion. Stubby is left behind.

0:32:59.560 --> 0:33:02.240
<v Speaker 1>He'll make Sarah's sister is safe without telling her anything.

0:33:02.400 --> 0:33:13.840
<v Speaker 1>This is a phenomenal wing man. And now we are

0:33:13.960 --> 0:33:16.680
<v Speaker 1>at the office of doctor Sanjay, who is coincidentally the

0:33:16.720 --> 0:33:19.280
<v Speaker 1>singer's brother in law, which I thought it was a

0:33:19.320 --> 0:33:21.760
<v Speaker 1>funny dynamic. This guy was great and the future scenes

0:33:21.760 --> 0:33:25.200
<v Speaker 1>with him also didn't happen because this never comes back

0:33:25.240 --> 0:33:25.880
<v Speaker 1>ever again.

0:33:26.920 --> 0:33:28.800
<v Speaker 2>It's like a one and done.

0:33:28.480 --> 0:33:29.920
<v Speaker 1>And he and it was the best part, one of

0:33:29.960 --> 0:33:32.680
<v Speaker 1>the best movie for that guy. Guy is like, you

0:33:32.680 --> 0:33:34.840
<v Speaker 1>know this is a curtain. I can I can hear

0:33:34.880 --> 0:33:37.440
<v Speaker 1>you all that very funny. I was like, please, let's

0:33:37.440 --> 0:33:38.200
<v Speaker 1>see the brother in law.

0:33:38.200 --> 0:33:39.400
<v Speaker 2>Oh yeah, I thought he was funny.

0:33:39.600 --> 0:33:42.600
<v Speaker 1>I'd me too. All the tests of turnout fine. Finally

0:33:42.600 --> 0:33:45.240
<v Speaker 1>common Christopher, whose mom calls with an emergency he needs

0:33:45.240 --> 0:33:48.120
<v Speaker 1>to get home asap. Alan Smith, the director, is there

0:33:48.120 --> 0:33:50.440
<v Speaker 1>with his daughters, who are big fans, but as he's

0:33:50.480 --> 0:33:52.480
<v Speaker 1>ready to run out, doctor Sanjay alerts him that they

0:33:52.520 --> 0:33:54.480
<v Speaker 1>are a paparazzi in the waiting room, which seems like

0:33:54.480 --> 0:33:58.240
<v Speaker 1>a real hip of violation. How about some privacy, brother

0:33:58.280 --> 0:34:00.960
<v Speaker 1>in law? Thank you so much, so Christopher decides to

0:34:00.960 --> 0:34:03.760
<v Speaker 1>trade in his fancy convertible for the doctor's beater old Mercedes,

0:34:03.760 --> 0:34:06.680
<v Speaker 1>because you know doctors have terrible cars. We all know

0:34:07.000 --> 0:34:07.920
<v Speaker 1>they don't make any money.

0:34:08.120 --> 0:34:10.160
<v Speaker 2>Well, he did say he's paying off, is h.

0:34:10.480 --> 0:34:12.600
<v Speaker 1>Yeah, they tried to solve it, but it's still it's

0:34:12.680 --> 0:34:15.640
<v Speaker 1>like he was in a nine dollars car as a resident.

0:34:15.719 --> 0:34:18.600
<v Speaker 1>So I don't know. It could be totally accurate. There's

0:34:18.600 --> 0:34:21.000
<v Speaker 1>a doctor's out there listening to this right now. I'm kidding.

0:34:21.000 --> 0:34:23.000
<v Speaker 1>No doctors listen to or podcast, but if they did,

0:34:23.680 --> 0:34:26.480
<v Speaker 1>they're listening going like, I drive an eighty two Selica.

0:34:26.480 --> 0:34:27.879
<v Speaker 1>I'm trying to pay everything off. Give me ready.

0:34:28.040 --> 0:34:28.719
<v Speaker 2>Yeah.

0:34:28.840 --> 0:34:31.600
<v Speaker 1>Christopher safely drives away with Jessica, and they're now bickering

0:34:31.640 --> 0:34:34.279
<v Speaker 1>with each one about the predicament. They can't get along,

0:34:34.360 --> 0:34:36.880
<v Speaker 1>especially since Christopher has a stop to make on the

0:34:36.920 --> 0:34:40.439
<v Speaker 1>way before dropping her off back at her grandmother's house.

0:34:40.600 --> 0:34:42.799
<v Speaker 1>He arrives back at his house and Jessica's blown away

0:34:42.840 --> 0:34:45.960
<v Speaker 1>by the mansion, but it's quickly rushed upstairs by Christopher. Again.

0:34:46.040 --> 0:34:48.759
<v Speaker 1>Now he isn't taking to his grandmother's house at her

0:34:48.760 --> 0:34:50.719
<v Speaker 1>grandmother's house, and now rushing upstairs. I was like, this

0:34:50.760 --> 0:34:53.200
<v Speaker 1>is getting really weird. Dude, he doesn't want any rumors

0:34:53.200 --> 0:34:55.279
<v Speaker 1>to get out. She's forced to stay upstairs as he

0:34:55.520 --> 0:35:01.280
<v Speaker 1>and they did something very clever here. Okay, very very clever,

0:35:01.320 --> 0:35:03.520
<v Speaker 1>because I was starting to get creeped out, like he's

0:35:03.520 --> 0:35:05.439
<v Speaker 1>not bringing her back to her grandmother's house. He brings

0:35:05.480 --> 0:35:08.240
<v Speaker 1>him to his home. Now he's rushing upstairs. He leaves

0:35:08.280 --> 0:35:11.960
<v Speaker 1>her in the guest room. Ah, and that is was

0:35:12.040 --> 0:35:14.840
<v Speaker 1>done very specifically. He did not run in and be like,

0:35:14.920 --> 0:35:18.600
<v Speaker 1>here's my bedroom, which is would have made it even creepier.

0:35:18.600 --> 0:35:21.200
<v Speaker 1>It's like, stay in the guest room. Very clever that

0:35:21.200 --> 0:35:23.360
<v Speaker 1>they added that line, because they took it from what

0:35:23.400 --> 0:35:27.640
<v Speaker 1>could have been super creepy to just slightly creepy. So yeah,

0:35:27.640 --> 0:35:30.680
<v Speaker 1>but it's like okay that, yes, just but it did it.

0:35:30.960 --> 0:35:33.160
<v Speaker 1>That made a big difference. I was like, ooh, clever

0:35:33.239 --> 0:35:35.160
<v Speaker 1>that they said, I'm leaving you in the astroom.

0:35:35.239 --> 0:35:36.239
<v Speaker 2>No, yeah, that's yeah.

0:35:37.040 --> 0:35:39.440
<v Speaker 1>So she's forced to stay upstairs as he rushes downstairs

0:35:39.480 --> 0:35:41.719
<v Speaker 1>to mingle with his parents' party guests, eventually landing on

0:35:41.760 --> 0:35:44.520
<v Speaker 1>Allan and his two daughters. Upon their request, he grabs

0:35:44.520 --> 0:35:46.719
<v Speaker 1>a stool and guitar and decides to play a song

0:35:46.760 --> 0:35:50.200
<v Speaker 1>he's been working on for well, the whole party, apparently, Sabrina,

0:35:50.880 --> 0:35:52.480
<v Speaker 1>can we admit that no one really likes the guy

0:35:52.480 --> 0:35:54.759
<v Speaker 1>with the guitar at the party, even if they're celebrities.

0:35:57.160 --> 0:35:58.759
<v Speaker 1>Do you not want to admit that you like you

0:35:58.840 --> 0:36:00.480
<v Speaker 1>like the guy? Is it? Really? Is it just dudes

0:36:00.480 --> 0:36:02.880
<v Speaker 1>that are like, really, Keith grabbed a guitar again?

0:36:03.640 --> 0:36:07.520
<v Speaker 2>No, I know, I I don't. I don't favor that.

0:36:07.840 --> 0:36:10.840
<v Speaker 1>Okay, good you especially like it was a weird pause.

0:36:11.200 --> 0:36:15.080
<v Speaker 1>Well because yeah, I mean, I just you know, it

0:36:15.200 --> 0:36:16.840
<v Speaker 1>just seems like the college kid at the party is like,

0:36:16.880 --> 0:36:18.600
<v Speaker 1>hey man, I'm just gonna grab my guitar and.

0:36:18.600 --> 0:36:21.920
<v Speaker 2>Play some tunes that and it, and they think I

0:36:22.200 --> 0:36:22.600
<v Speaker 2>think it.

0:36:23.040 --> 0:36:25.279
<v Speaker 3>Guys hate it, because there's a lot of girls that

0:36:25.400 --> 0:36:26.480
<v Speaker 3>do think like, oh.

0:36:26.360 --> 0:36:28.960
<v Speaker 2>He plays the guitar so dreamy. I don't know I did.

0:36:29.360 --> 0:36:31.440
<v Speaker 3>I dated someone who did that and would like just

0:36:31.480 --> 0:36:33.360
<v Speaker 3>bust it out all the time, and I was just like, okay,

0:36:34.280 --> 0:36:37.399
<v Speaker 3>like I listened to you for like three hours last night.

0:36:37.520 --> 0:36:41.600
<v Speaker 3>Oh I can't take a break. Okay, we're gonna go again. Yeah,

0:36:41.640 --> 0:36:43.719
<v Speaker 3>all right, We're just here we go again, Like it's

0:36:43.760 --> 0:36:46.200
<v Speaker 3>just it's it does get super annoying.

0:36:46.280 --> 0:36:48.520
<v Speaker 1>I think even more annoying is I did that but

0:36:48.560 --> 0:36:51.920
<v Speaker 1>with the trumpet. So that was like at the.

0:36:51.920 --> 0:36:56.080
<v Speaker 2>Party, was playing my banjo exactly.

0:36:58.200 --> 0:37:00.120
<v Speaker 1>We're at a party. Air and an air.

0:37:01.600 --> 0:37:04.719
<v Speaker 3>Or no, there were there was like a fad for

0:37:04.760 --> 0:37:09.440
<v Speaker 3>a while where people had harmonicas on their like like

0:37:09.520 --> 0:37:10.280
<v Speaker 3>they would have.

0:37:10.280 --> 0:37:12.359
<v Speaker 2>It on their like key chain or whatever, and like.

0:37:12.440 --> 0:37:16.319
<v Speaker 3>Yeah, people are the harmonica was the worst. It's not

0:37:16.360 --> 0:37:19.239
<v Speaker 3>a cool party trick, guys. No, no, don't try to.

0:37:19.200 --> 0:37:22.759
<v Speaker 2>Make it cool. You can't make pink pink. It's not

0:37:22.800 --> 0:37:23.279
<v Speaker 2>the same thing.

0:37:23.320 --> 0:37:28.480
<v Speaker 1>Stops Dick to keg stands. This one is finally a

0:37:28.480 --> 0:37:31.000
<v Speaker 1>more grounded song with romantic lyrics about how he may

0:37:31.040 --> 0:37:33.239
<v Speaker 1>not be a superhero, but he can be what you need.

0:37:33.480 --> 0:37:35.440
<v Speaker 1>Jessica's still in hiding over here is the lyrics in

0:37:35.480 --> 0:37:38.240
<v Speaker 1>the balcony. It seems like maybe, just maybe she's starting

0:37:38.280 --> 0:37:40.799
<v Speaker 1>to understand the appeal of this pop star stripped down.

0:37:40.840 --> 0:37:42.759
<v Speaker 1>He's more talented and thoughtful than she assumed. And my

0:37:42.800 --> 0:37:45.480
<v Speaker 1>favorite part is he's sitting there playing the guitar acoustic

0:37:45.520 --> 0:37:48.719
<v Speaker 1>guitar by himself, and somehow drums are also there. Do

0:37:48.760 --> 0:37:50.440
<v Speaker 1>you hear the guy there's like a symbol going off

0:37:50.440 --> 0:37:55.200
<v Speaker 1>in the back. I'm like, who the playing that? So yeah,

0:37:55.200 --> 0:37:59.080
<v Speaker 1>it's like, what's happening? And now, while guests are leaving,

0:37:59.120 --> 0:38:01.280
<v Speaker 1>Jessica ses oportus, you need to leave, So she sneaks

0:38:01.280 --> 0:38:03.399
<v Speaker 1>into the garage amongst all his fancy cars best seen

0:38:03.520 --> 0:38:05.880
<v Speaker 1>because they're just great cars. But Christopher catches up with

0:38:05.920 --> 0:38:08.239
<v Speaker 1>her and wonders what she's doing. She just wants to

0:38:08.239 --> 0:38:11.319
<v Speaker 1>get home, obviously, and is willing to walk, but he

0:38:11.400 --> 0:38:14.680
<v Speaker 1>reminds her Hollywood would be months away by foot. She

0:38:14.760 --> 0:38:16.640
<v Speaker 1>says he can drive her straight home and nothing else,

0:38:16.719 --> 0:38:19.279
<v Speaker 1>So they drive off in a classic blue Chevy and god,

0:38:19.320 --> 0:38:20.799
<v Speaker 1>this movie loves cars as much as I do.

0:38:21.120 --> 0:38:21.359
<v Speaker 2>Yeah.

0:38:21.400 --> 0:38:23.200
<v Speaker 1>Okay, so even though they don't detect it, we can

0:38:23.239 --> 0:38:27.319
<v Speaker 1>see that they're being followed by a paparazzi van uh oh.

0:38:26.920 --> 0:38:31.000
<v Speaker 2>Signature black suv suburban.

0:38:31.239 --> 0:38:33.719
<v Speaker 1>Yeah, no, it was a van, a black prob. I

0:38:33.719 --> 0:38:34.399
<v Speaker 1>think it's a van.

0:38:35.000 --> 0:38:35.360
<v Speaker 2>Oh.

0:38:35.440 --> 0:38:39.040
<v Speaker 3>The majority of the time they were they were followed

0:38:39.040 --> 0:38:40.560
<v Speaker 3>by like the like suburban.

0:38:42.280 --> 0:38:44.759
<v Speaker 1>It was just like which we'll get into the fact

0:38:44.800 --> 0:38:46.520
<v Speaker 1>that none of that makes sense, but we'll get into that.

0:38:46.560 --> 0:38:49.200
<v Speaker 1>So anyway, the two drive in silence, only broken up

0:38:49.200 --> 0:38:51.440
<v Speaker 1>by him singing along with the radio, which is coincidentally

0:38:51.440 --> 0:38:54.040
<v Speaker 1>playing one of his own songs. She quickly stops him.

0:38:54.080 --> 0:38:56.320
<v Speaker 1>She doesn't care that he's Christopher Wild. He seems hurt

0:38:56.440 --> 0:38:58.800
<v Speaker 1>that she doesn't love his music. She just quote unquote

0:38:58.880 --> 0:39:01.440
<v Speaker 1>likes it. He says, if she got to know him,

0:39:01.480 --> 0:39:03.600
<v Speaker 1>she'd like him more, but she clearly just focused on

0:39:03.640 --> 0:39:06.120
<v Speaker 1>getting home. And then luckily they ditched the van at

0:39:06.120 --> 0:39:08.239
<v Speaker 1>the red light without even knowing that they've done that.

0:39:08.320 --> 0:39:11.879
<v Speaker 1>Now outside Jessica's grandmother's house, she thanks Christopher for the ride,

0:39:11.920 --> 0:39:13.520
<v Speaker 1>and he tries to say sorry, but she hurries to

0:39:13.520 --> 0:39:15.640
<v Speaker 1>the front door, and now is Christopher's in his car

0:39:15.840 --> 0:39:18.839
<v Speaker 1>taking in everything that's happened. The paparazzi van once again

0:39:18.880 --> 0:39:21.680
<v Speaker 1>cruise by. Okay, now we're in her grandmother's house. Jesska,

0:39:21.680 --> 0:39:23.520
<v Speaker 1>here's it tapping out the window. It's Christopher. He's offering

0:39:23.560 --> 0:39:25.399
<v Speaker 1>her five thousand dollars for a favor. And so far

0:39:25.520 --> 0:39:30.680
<v Speaker 1>nobody has noticed, cared, said anything about the fact that

0:39:30.719 --> 0:39:33.520
<v Speaker 1>these two girls have been missing for the night. Yep,

0:39:34.719 --> 0:39:37.080
<v Speaker 1>we don't know if the sister's gotten back safe and sound,

0:39:37.600 --> 0:39:40.799
<v Speaker 1>nobody's mentioned anything about Jessica being gone. The parents are

0:39:40.800 --> 0:39:43.319
<v Speaker 1>nowhere to be found. Grandparents are here.

0:39:43.440 --> 0:39:47.279
<v Speaker 3>Never seems to notice that her sister is gone in

0:39:47.360 --> 0:39:50.799
<v Speaker 3>the club. Isn't calling her like she's not going to crap,

0:39:50.840 --> 0:39:51.959
<v Speaker 3>my sister's calling me again?

0:39:52.040 --> 0:39:54.480
<v Speaker 1>And they have in this movie.

0:39:54.560 --> 0:39:58.479
<v Speaker 2>No, none of that has been seen. This is where

0:39:58.520 --> 0:40:00.400
<v Speaker 2>I've already now tapped out because I'm.

0:40:00.160 --> 0:40:04.440
<v Speaker 1>Just like, nobody's checking in to make sure we're.

0:40:04.360 --> 0:40:06.840
<v Speaker 2>Just pretending like yep, things aren't happening.

0:40:06.600 --> 0:40:08.839
<v Speaker 1>Yep, and that's it, and they just didn't care. So

0:40:09.719 --> 0:40:12.040
<v Speaker 1>Christopher's offering her five thousand dollars for a favor. We

0:40:12.080 --> 0:40:13.879
<v Speaker 1>cut to the two of them pushing his car into

0:40:13.920 --> 0:40:17.400
<v Speaker 1>their garage where he's gonna sleep overnight to ditch the photogs.

0:40:17.640 --> 0:40:19.160
<v Speaker 1>He asks if he can borrow some clothes for the

0:40:19.200 --> 0:40:22.080
<v Speaker 1>morning so he can secretly leaves, and she wonders if

0:40:22.080 --> 0:40:24.080
<v Speaker 1>all that is necessary. He swears it is, but she

0:40:24.080 --> 0:40:26.440
<v Speaker 1>thinks he's just being paranoid. She also calls him out

0:40:26.440 --> 0:40:29.280
<v Speaker 1>for trying to be flirty, something she's just not gonna

0:40:29.280 --> 0:40:31.680
<v Speaker 1>fall for. She also ends up giving him her her

0:40:31.719 --> 0:40:34.759
<v Speaker 1>grandfather's hat, which she then says looks good. On him,

0:40:34.760 --> 0:40:36.600
<v Speaker 1>and then they kind of look like they're starting to flirt,

0:40:36.640 --> 0:40:39.680
<v Speaker 1>but it's just weird. The next morning, Jessica wakes up

0:40:39.680 --> 0:40:41.680
<v Speaker 1>and her family is already eating breakfast again. They don't

0:40:41.680 --> 0:40:43.920
<v Speaker 1>care that she's been out clubbing all night long. Nope,

0:40:44.320 --> 0:40:47.400
<v Speaker 1>they need some syrup, so they go to where everyone

0:40:47.520 --> 0:40:52.360
<v Speaker 1>keeps the syrup, the garage. So when she's like that, oh,

0:40:52.400 --> 0:40:56.719
<v Speaker 1>I've got extra syrup in the garage, it's like, what, okay.

0:40:56.560 --> 0:41:00.960
<v Speaker 3>Extra syrup, and how much syrup are you using that

0:41:01.000 --> 0:41:02.960
<v Speaker 3>you need to have like extra syrup.

0:41:03.440 --> 0:41:05.480
<v Speaker 1>I'm sorry, that's a dumb question. Have you checked the

0:41:05.640 --> 0:41:09.279
<v Speaker 1>syrup garage canisters? They're obviously out there.

0:41:09.560 --> 0:41:12.320
<v Speaker 3>Well, I actually do have a cabinet that I keep

0:41:12.440 --> 0:41:15.640
<v Speaker 3>like extra syrup, like if I get like pasta, and

0:41:15.719 --> 0:41:18.880
<v Speaker 3>I realized that my cabinet cabinet already have box of pasta,

0:41:19.040 --> 0:41:20.000
<v Speaker 3>Like I'll take it out there.

0:41:20.040 --> 0:41:24.600
<v Speaker 2>And that's like a storage room. I don't know, it's weird.

0:41:24.640 --> 0:41:28.320
<v Speaker 1>I'm sorry, it's weird. It's also a detached garage. Yeah,

0:41:28.360 --> 0:41:30.879
<v Speaker 1>you don't keep syrup in a detached garage. Come on,

0:41:31.920 --> 0:41:34.600
<v Speaker 1>So Sarah volunteers to go get some from the garage,

0:41:34.600 --> 0:41:36.560
<v Speaker 1>but then Jessica realizes this could be a problem. She

0:41:36.640 --> 0:41:38.400
<v Speaker 1>rushes to stop her, but instead they get into an

0:41:38.480 --> 0:41:40.480
<v Speaker 1>argument about ditching her at the club last night. Oh

0:41:40.520 --> 0:41:40.920
<v Speaker 1>so they do it.

0:41:41.120 --> 0:41:42.319
<v Speaker 2>Okay, so we do.

0:41:42.800 --> 0:41:44.719
<v Speaker 1>But she still has no clue about anything that went

0:41:44.800 --> 0:41:47.480
<v Speaker 1>down with Christopher wild But eventually their dad interrupts the fight.

0:41:47.800 --> 0:41:49.480
<v Speaker 1>He wants to see what's so important in the garage.

0:41:49.480 --> 0:41:52.839
<v Speaker 1>When he finally opens it up, Christopher and the car

0:41:52.880 --> 0:41:55.960
<v Speaker 1>actually gone. Jessica wonders where he went, but is relieved

0:41:55.960 --> 0:41:57.960
<v Speaker 1>to be safe. But back in the house, a story

0:41:57.960 --> 0:42:00.719
<v Speaker 1>about Christopher's on TV. It's about Alexis birthday party and

0:42:00.760 --> 0:42:04.200
<v Speaker 1>how he left with a mystery girl. Jessica's now terrified

0:42:04.200 --> 0:42:05.719
<v Speaker 1>she's going to be out it and turns off the TV.

0:42:05.880 --> 0:42:08.400
<v Speaker 1>The sisters argue until Grandma offers her car for a

0:42:08.440 --> 0:42:11.360
<v Speaker 1>relaxing drive to the beach. Sarah jumps at the opportunity,

0:42:11.400 --> 0:42:13.359
<v Speaker 1>but is forced to take Jessica with her yet again.

0:42:13.960 --> 0:42:16.439
<v Speaker 1>Now cruising down pH and the plum Pinto, they park

0:42:16.440 --> 0:42:18.640
<v Speaker 1>at Malibu Beach, a place Sarah pick because she knows

0:42:18.680 --> 0:42:21.640
<v Speaker 1>Christopher SERTs there. Jessica still keeps her secret close to

0:42:21.680 --> 0:42:23.399
<v Speaker 1>their heart, as her sister roams the beach to find

0:42:23.400 --> 0:42:26.520
<v Speaker 1>her celebrity crush, and then Jessica spots him hiding in

0:42:26.520 --> 0:42:28.640
<v Speaker 1>a hoodie and her grandpa's fisherman's hat, the one they

0:42:28.640 --> 0:42:31.160
<v Speaker 1>found in the garage, and now without her sister, Jessica

0:42:31.200 --> 0:42:34.319
<v Speaker 1>pops down beside him and immediately starts needling them. It's like,

0:42:34.400 --> 0:42:37.799
<v Speaker 1>now they're friends. She went from absolutely hating them to

0:42:37.840 --> 0:42:39.760
<v Speaker 1>then giving them a hat, and now they're kind of friends.

0:42:39.760 --> 0:42:43.800
<v Speaker 1>So okay. She wonders what he's doing there, and he

0:42:43.840 --> 0:42:46.280
<v Speaker 1>explains that he has ten paparazzi outside of his house.

0:42:46.840 --> 0:42:49.120
<v Speaker 1>This is how he has to get away. Now here's

0:42:49.160 --> 0:42:52.640
<v Speaker 1>the other thing the sister's stocking him, because obviously he

0:42:52.680 --> 0:42:54.600
<v Speaker 1>only comes to this beach, so why wouldn't the paparazzi

0:42:54.600 --> 0:42:56.120
<v Speaker 1>also know that he also comes to this beach, which

0:42:56.200 --> 0:42:58.520
<v Speaker 1>later they do, so why not just have people out

0:42:58.600 --> 0:43:02.239
<v Speaker 1>there as well? But okay, Jessica shows absolutely no care

0:43:02.239 --> 0:43:04.400
<v Speaker 1>for his problems. Then he realizes something. He could maybe

0:43:04.480 --> 0:43:07.560
<v Speaker 1>use her car to sneak back home, which again, you'd

0:43:07.560 --> 0:43:08.560
<v Speaker 1>still have to sneak.

0:43:08.280 --> 0:43:10.840
<v Speaker 2>Into your house. Yea, and now you're in like a

0:43:11.000 --> 0:43:13.040
<v Speaker 2>bright purple car.

0:43:13.120 --> 0:43:14.840
<v Speaker 1>Yeah, but he doesn't know that I guess at the time,

0:43:15.280 --> 0:43:17.240
<v Speaker 1>but it still doesn't make a whole lot of sense.

0:43:17.400 --> 0:43:19.360
<v Speaker 1>They decide to trade vehicles for a little, giving the

0:43:19.400 --> 0:43:22.280
<v Speaker 1>sisters a muscle car instead of the Pinto. Again Movie

0:43:22.280 --> 0:43:25.120
<v Speaker 1>Loves Cars, but this also makes no sense. Jessica sneaks

0:43:25.120 --> 0:43:27.240
<v Speaker 1>the new keys into her sister's bag and walks Christopher

0:43:27.280 --> 0:43:29.560
<v Speaker 1>to their grandma's car, but before they can leave, the

0:43:29.600 --> 0:43:32.319
<v Speaker 1>paparazzi arrives, and it's hilarious because two dozen of them

0:43:32.360 --> 0:43:35.160
<v Speaker 1>they share these two vans, and the entire goal of

0:43:35.239 --> 0:43:38.239
<v Speaker 1>paparazzi is to get the first exclusive shot. They're not

0:43:38.280 --> 0:43:41.080
<v Speaker 1>going to be there driving altogether. It defeats the purpose.

0:43:41.480 --> 0:43:43.840
<v Speaker 1>But now they're swarmed again. Christopher sneaks into the Pinto

0:43:43.840 --> 0:43:46.319
<v Speaker 1>and accidentally smashes Jessica's head with the door, again, which

0:43:46.360 --> 0:43:49.439
<v Speaker 1>was funny. They eventually drive off together while Jessica hides

0:43:49.440 --> 0:43:52.239
<v Speaker 1>her face with a scarf, so she jumps in her

0:43:52.239 --> 0:44:00.279
<v Speaker 1>grandmother's car leaves her sister keys to another random vehicle somehow, uh,

0:44:01.560 --> 0:44:05.440
<v Speaker 1>which is again I don't I don't understand.

0:44:06.160 --> 0:44:09.680
<v Speaker 3>Yeah, So like you're you're really honestly gonna go oh

0:44:11.040 --> 0:44:13.399
<v Speaker 3>different set of keys, and then you're gonna start trying to.

0:44:13.360 --> 0:44:15.960
<v Speaker 1>Like, I'll go open this car and just drive this

0:44:16.080 --> 0:44:18.799
<v Speaker 1>car back to the house in the Yeah, no, none

0:44:18.840 --> 0:44:19.000
<v Speaker 1>of it.

0:44:19.040 --> 0:44:21.440
<v Speaker 2>Maybe you would be so creeped out you'd be freaking

0:44:21.480 --> 0:44:22.600
<v Speaker 2>out calling going.

0:44:22.600 --> 0:44:25.120
<v Speaker 1>And your car was still someone trying to, like.

0:44:25.480 --> 0:44:27.480
<v Speaker 2>I think someone's trying to like kidnap me.

0:44:27.719 --> 0:44:31.560
<v Speaker 1>Yes, something very weird is happening, but they don't. But Yeah,

0:44:31.640 --> 0:44:34.279
<v Speaker 1>Jessica and Christopher drive off together while Jessica hides her

0:44:34.320 --> 0:44:37.200
<v Speaker 1>face with a scarf. They think the photographers thinks maybe

0:44:37.239 --> 0:44:39.520
<v Speaker 1>something's up, but realize it's just to random kids completely

0:44:39.640 --> 0:44:42.760
<v Speaker 1>hiding their faces, trying to act inconspicuous but clearly hiding something.

0:44:43.239 --> 0:44:45.080
<v Speaker 1>Back on the PCCh the du will laugh about how

0:44:45.160 --> 0:44:46.880
<v Speaker 1>ridiculous this whole thing is, and now they need to

0:44:46.920 --> 0:44:49.440
<v Speaker 1>drive around until the paparazzi leave the beach. Truth is,

0:44:49.520 --> 0:44:52.000
<v Speaker 1>Jessica seems a little less aggravated by Christopher now, so

0:44:52.000 --> 0:44:53.879
<v Speaker 1>they decide to take a little tour of la which

0:44:53.920 --> 0:44:56.120
<v Speaker 1>he calls the greatest city in the world. His song

0:44:56.160 --> 0:44:58.520
<v Speaker 1>is once again on the radio, and we enter a montage,

0:44:58.680 --> 0:45:01.360
<v Speaker 1>Love a montage. They swing by Venice Beach for some

0:45:01.400 --> 0:45:04.000
<v Speaker 1>boardwalk shopping and we get a cameo from the legendary

0:45:04.080 --> 0:45:07.120
<v Speaker 1>Harry Perry. Do you know who Harry Perry is? No?

0:45:07.680 --> 0:45:10.600
<v Speaker 1>Okay so? Also known as hibib or the Cosmic Crusader,

0:45:10.960 --> 0:45:13.880
<v Speaker 1>Perry was a turban wearing musician famous for playing electric

0:45:13.880 --> 0:45:16.680
<v Speaker 1>guitar and rollerblades at the Venice Beach Boardwalk. He actually

0:45:16.680 --> 0:45:19.320
<v Speaker 1>played with Jane's Addiction and The Grateful Dead. He appeared

0:45:19.320 --> 0:45:21.200
<v Speaker 1>in movies like White Men Can Jump and Fletch and

0:45:21.280 --> 0:45:23.400
<v Speaker 1>crazily enough perform with the Blue Man Group at the

0:45:23.440 --> 0:45:25.640
<v Speaker 1>Hollywood Bowl in twenty thirteen. He is now seventy four

0:45:25.719 --> 0:45:30.160
<v Speaker 1>years old and can still be seen performing in La Oh,

0:45:30.239 --> 0:45:32.400
<v Speaker 1>Isn't that cool? Then they're off to the most disappointing

0:45:32.400 --> 0:45:34.879
<v Speaker 1>Hollywood landmark ever, which is Hollywood Boulevard at the Man's

0:45:34.960 --> 0:45:36.719
<v Speaker 1>Chinese Theater. It's fine, you should go see it and

0:45:36.760 --> 0:45:38.279
<v Speaker 1>put your hands in the thing, but it's it's a

0:45:38.280 --> 0:45:41.200
<v Speaker 1>big letdown where Christopher takes a picture in front of

0:45:41.200 --> 0:45:43.960
<v Speaker 1>his own billboard. They arrive at the Griffith Observatory in

0:45:43.960 --> 0:45:46.160
<v Speaker 1>the Hollywood Sign, which is a great stop for tourists,

0:45:46.200 --> 0:45:48.960
<v Speaker 1>so it can definitely go there, and along the way

0:45:49.000 --> 0:45:51.319
<v Speaker 1>it seems like she's starting to like Christopher's music too,

0:45:51.360 --> 0:45:54.000
<v Speaker 1>which apparently is the only thing this guy listens to

0:45:54.040 --> 0:45:58.279
<v Speaker 1>as he's driving anywhere is his own music. Eventually, they

0:45:58.280 --> 0:46:00.000
<v Speaker 1>do make it back to the pch and then Christopher

0:46:00.200 --> 0:46:02.560
<v Speaker 1>realizes they're being followed again, which makes sense since they've

0:46:02.600 --> 0:46:05.680
<v Speaker 1>been walking around the city's most populated tourist areas all day.

0:46:06.160 --> 0:46:08.400
<v Speaker 1>Either way, he needs to lose the van, so Jessica

0:46:08.520 --> 0:46:10.759
<v Speaker 1>uses a star map she picked up earlier to find

0:46:10.760 --> 0:46:13.759
<v Speaker 1>a turnout. They're successful, but now they're suddenly lost in

0:46:13.800 --> 0:46:16.279
<v Speaker 1>the hills. The confusion quickly sends the two of them

0:46:16.320 --> 0:46:18.120
<v Speaker 1>into a fight. He calls her a know it all.

0:46:18.160 --> 0:46:20.040
<v Speaker 1>But more importantly, they are now stuck in the mud

0:46:20.040 --> 0:46:23.000
<v Speaker 1>and slowly sinking. They immediately jump out the windows, stranding

0:46:23.040 --> 0:46:25.360
<v Speaker 1>themselves on the roof. As the vehicle sinks lower and lower,

0:46:25.480 --> 0:46:27.880
<v Speaker 1>they have to jump, and although they make it oftentime,

0:46:27.920 --> 0:46:29.920
<v Speaker 1>they both fall into a swamp, which a lot of

0:46:29.960 --> 0:46:33.319
<v Speaker 1>people know right off the freeways here very swampy area

0:46:33.360 --> 0:46:37.680
<v Speaker 1>in La I'm lying never happens, completely submerge themselves into

0:46:37.680 --> 0:46:40.480
<v Speaker 1>dirty water. Now drenched, they watches the plumb pinto completely

0:46:40.520 --> 0:46:43.240
<v Speaker 1>sinks to the bottom of whatever weird pit they suddenly

0:46:43.239 --> 0:46:47.920
<v Speaker 1>find themselves in. Okay, Jessica realizes her backpack was in

0:46:47.920 --> 0:46:51.879
<v Speaker 1>the car and starts frantically reaching into water. That's all

0:46:51.920 --> 0:46:54.680
<v Speaker 1>you could say. Okay, her parents are gonna kill her.

0:46:54.880 --> 0:46:57.480
<v Speaker 1>Just then, Christopher's phone is ringing too. It's his parents again.

0:46:57.760 --> 0:46:59.720
<v Speaker 1>They're very word and need him home, but he's barely

0:46:59.719 --> 0:47:03.040
<v Speaker 1>any service and it eventually cuts out. Jessica does actually

0:47:03.120 --> 0:47:05.560
<v Speaker 1>retrieve her bag, but it's ruined. She walks off, furious.

0:47:05.600 --> 0:47:07.359
<v Speaker 1>She needs to get back to her sister at the beach.

0:47:07.760 --> 0:47:10.799
<v Speaker 1>Christopher shows her the way, following closely behind. I'd like,

0:47:10.920 --> 0:47:13.279
<v Speaker 1>just mental note they are covered head to toe in

0:47:13.480 --> 0:47:17.960
<v Speaker 1>mud and crap and awfulness, so keep that in mind.

0:47:18.120 --> 0:47:20.000
<v Speaker 1>But back to the beach, Sarah can't find her car,

0:47:20.480 --> 0:47:22.160
<v Speaker 1>of course, not it's been taken. I guess she doesn't

0:47:22.200 --> 0:47:24.080
<v Speaker 1>notice that she's been using a key chain that's not

0:47:24.120 --> 0:47:27.359
<v Speaker 1>hers to trigger the alarm, something a Pinto definitely wouldn't need.

0:47:27.400 --> 0:47:30.000
<v Speaker 1>But she does figure out the classic car somehow is

0:47:30.080 --> 0:47:31.200
<v Speaker 1>now hers.

0:47:33.520 --> 0:47:34.839
<v Speaker 2>She can't believe it's with it.

0:47:35.239 --> 0:47:37.960
<v Speaker 1>Yep, can't believe it. When she finds a car's registration,

0:47:38.680 --> 0:47:41.280
<v Speaker 1>she sees the order is another none other than Christopher,

0:47:41.360 --> 0:47:43.520
<v Speaker 1>John Wild is she being punked? Which is a cool

0:47:43.560 --> 0:47:46.200
<v Speaker 1>twenty ten reference, but it was still like, what in

0:47:46.280 --> 0:47:51.200
<v Speaker 1>the actual is happening now? Back on the walk, Christopher's

0:47:51.239 --> 0:47:53.280
<v Speaker 1>trying his hardest to talk to Jessica, but she's shutting

0:47:53.320 --> 0:47:55.520
<v Speaker 1>him out. She wants to be reunited with her family.

0:47:55.800 --> 0:47:58.359
<v Speaker 1>She's been separated from her family like nine times this movie.

0:47:58.360 --> 0:48:00.560
<v Speaker 1>This guy doesn't seem to care, but Chris never been

0:48:00.600 --> 0:48:02.919
<v Speaker 1>free like this before. He's not letting her grumpiness ruin

0:48:02.960 --> 0:48:05.400
<v Speaker 1>the day. This leads yet another fight between the two,

0:48:05.560 --> 0:48:09.000
<v Speaker 1>Jessica calling him entitled and pretentious, Christopher calling her a brat,

0:48:09.120 --> 0:48:10.799
<v Speaker 1>but he admits all he's done in the last two

0:48:10.880 --> 0:48:13.480
<v Speaker 1>days was think about her. She says she'd rather go

0:48:13.560 --> 0:48:15.920
<v Speaker 1>down in the pinto than be his friend. He doesn't

0:48:15.920 --> 0:48:17.839
<v Speaker 1>get it. He thought she was starting to like him,

0:48:17.840 --> 0:48:20.080
<v Speaker 1>but she says he was wrong. His fame makes it

0:48:20.080 --> 0:48:22.319
<v Speaker 1>impossible to know if people are actually his friend or not.

0:48:22.840 --> 0:48:24.879
<v Speaker 1>He lives in a hotel and has employees helping him.

0:48:24.880 --> 0:48:27.920
<v Speaker 1>Twenty four to seven, Christopher promises he is a real person.

0:48:28.120 --> 0:48:30.560
<v Speaker 1>He'll even tell her something he hasn't told anyone when

0:48:30.560 --> 0:48:34.000
<v Speaker 1>he first met her, and then he slips and falls

0:48:34.000 --> 0:48:38.239
<v Speaker 1>into a lake, because again, right off the freeways in

0:48:38.360 --> 0:48:40.080
<v Speaker 1>La are these beautiful.

0:48:40.280 --> 0:48:45.600
<v Speaker 4>Where are awhere are we if there are any of

0:48:45.640 --> 0:48:48.600
<v Speaker 4>these bodies of water, even small bodies of water off

0:48:48.640 --> 0:48:50.799
<v Speaker 4>the sides of the freeways in La, they're filled.

0:48:50.560 --> 0:48:56.359
<v Speaker 1>With needles and dead people and diseases. And so these

0:48:56.400 --> 0:49:01.040
<v Speaker 1>people somehow stumble upon an oasis and he falls into

0:49:01.040 --> 0:49:03.520
<v Speaker 1>the lake, taking Jessica with them, and they're once again

0:49:03.560 --> 0:49:06.480
<v Speaker 1>swimming in gross La water. So yeah, they fell in love,

0:49:06.640 --> 0:49:10.040
<v Speaker 1>but they've got hepatitis. But this time they're laughing and

0:49:10.040 --> 0:49:12.960
<v Speaker 1>they're splashing each other. These two are super weird. Now

0:49:13.560 --> 0:49:16.520
<v Speaker 1>they're completely dry in the La sun. Their clothes do

0:49:16.600 --> 0:49:19.600
<v Speaker 1>not have a stitch of mud on them. They are

0:49:19.760 --> 0:49:22.239
<v Speaker 1>brand new yet again, which was weird. Christopher admits he

0:49:22.280 --> 0:49:24.480
<v Speaker 1>wishes he could stay there all day long when nobody

0:49:24.480 --> 0:49:26.960
<v Speaker 1>notices him. Everyone wants something from him, even his parents,

0:49:27.320 --> 0:49:29.200
<v Speaker 1>who only talked to him about his new movie deal,

0:49:29.400 --> 0:49:31.680
<v Speaker 1>which could mess with his upcoming tour, the world tour,

0:49:31.960 --> 0:49:33.680
<v Speaker 1>And he says he doesn't have a choice. He doesn't

0:49:33.719 --> 0:49:35.759
<v Speaker 1>want to disappoint his fans, so he'll just never say

0:49:35.800 --> 0:49:38.480
<v Speaker 1>no and always over extends himself. This is real by

0:49:38.520 --> 0:49:41.680
<v Speaker 1>the way, not for me, but I mean again, I've

0:49:41.800 --> 0:49:43.640
<v Speaker 1>never been in this situation of fame, but I've known

0:49:43.680 --> 0:49:47.040
<v Speaker 1>many people that were up and coming famous or this

0:49:47.160 --> 0:49:50.960
<v Speaker 1>level of fame who exhausts themselves because they're like, I'm

0:49:51.120 --> 0:49:53.040
<v Speaker 1>just not going to say no to anybody right now.

0:49:53.600 --> 0:49:56.320
<v Speaker 1>It'll disappoint the fans, it'll disappoint my managers. Maybe I

0:49:56.360 --> 0:49:58.440
<v Speaker 1>won't work tomorrow. That's the other problem in this industry

0:49:58.480 --> 0:50:01.040
<v Speaker 1>is it's usually you're doing a thousand miles an hour

0:50:01.120 --> 0:50:03.759
<v Speaker 1>or you're doing zero. Very rarely are you just kind

0:50:03.800 --> 0:50:06.239
<v Speaker 1>of working. You're either doing a ton of work to

0:50:06.239 --> 0:50:09.120
<v Speaker 1>where you have no free time, or you're looking for

0:50:09.160 --> 0:50:11.760
<v Speaker 1>your next job and you're hustling well exactly.

0:50:12.200 --> 0:50:15.240
<v Speaker 3>There is that stigmatism too, like if you slow down,

0:50:16.120 --> 0:50:19.359
<v Speaker 3>the chances of you like you can't guarantee.

0:50:18.760 --> 0:50:20.000
<v Speaker 2>That it'll like go up again.

0:50:20.160 --> 0:50:23.960
<v Speaker 3>I remember being on tour and our tour manager was

0:50:24.040 --> 0:50:28.359
<v Speaker 3>Kylie Minogue's tour manager, and he was like, we kept

0:50:28.400 --> 0:50:31.480
<v Speaker 3>selling out and we were starting to get tired, and

0:50:31.520 --> 0:50:34.360
<v Speaker 3>he goes, I don't recommend you, ladies stop because you

0:50:34.440 --> 0:50:37.399
<v Speaker 3>never know like what the next tour, if there will

0:50:37.440 --> 0:50:39.879
<v Speaker 3>be another tour. You just never know, and we were

0:50:39.920 --> 0:50:42.200
<v Speaker 3>just kind of like, of course still will be well.

0:50:42.239 --> 0:50:45.320
<v Speaker 3>When we came back out at that point, the Jonas

0:50:45.400 --> 0:50:48.919
<v Speaker 3>brothers were out, our ticket sales were not the same,

0:50:49.160 --> 0:50:52.160
<v Speaker 3>and it's so it's so true with the industry.

0:50:51.760 --> 0:50:54.360
<v Speaker 2>Like so that's why people just never stop.

0:50:54.440 --> 0:50:57.480
<v Speaker 3>They just keep going and they say yes to everything

0:50:57.560 --> 0:51:00.839
<v Speaker 3>because you just are so scared that that be your

0:51:00.920 --> 0:51:01.880
<v Speaker 3>last opportunity.

0:51:02.000 --> 0:51:04.640
<v Speaker 1>Yeah. I've known so many people that their careers were

0:51:04.680 --> 0:51:06.960
<v Speaker 1>skyrocketing that then went well, now I'm going to college.

0:51:07.000 --> 0:51:08.319
<v Speaker 1>So I'm gonna take four years off and go to

0:51:08.320 --> 0:51:11.080
<v Speaker 1>college and then I'll come back. And it's like, unless

0:51:11.120 --> 0:51:14.320
<v Speaker 1>you're an A list superstar that they ain't gonna wait.

0:51:14.719 --> 0:51:16.839
<v Speaker 1>Hollywood's moving on without you, and it's gonna be you're

0:51:16.880 --> 0:51:18.560
<v Speaker 1>gonna have to start over again when you get back,

0:51:18.560 --> 0:51:20.360
<v Speaker 1>and it's it's tough. So that's a real thing.

0:51:20.360 --> 0:51:22.919
<v Speaker 3>And it's hard because it's like, especially in college, it's

0:51:23.000 --> 0:51:25.560
<v Speaker 3>like yeah, but like you'll have that foundation of college,

0:51:25.600 --> 0:51:27.360
<v Speaker 3>and it's like, yeah, but you might be doing a

0:51:27.360 --> 0:51:28.360
<v Speaker 3>whole career change.

0:51:28.440 --> 0:51:31.480
<v Speaker 1>But that's the difference is you can do college anytime.

0:51:31.920 --> 0:51:33.319
<v Speaker 1>I can go back to I didn't get I didn't

0:51:33.320 --> 0:51:34.839
<v Speaker 1>go to college I was doing boymans roll that was doing.

0:51:34.880 --> 0:51:36.239
<v Speaker 1>I was working all the time, So I was like,

0:51:36.280 --> 0:51:37.759
<v Speaker 1>I'm not going to college now. I'm not gonna take

0:51:37.760 --> 0:51:39.399
<v Speaker 1>I'm not gonna pause to go to college right now.

0:51:39.760 --> 0:51:42.400
<v Speaker 1>I'm fifty. I can go back to college tomorrow if

0:51:42.400 --> 0:51:44.360
<v Speaker 1>I want to go to college. I can't. I couldn't

0:51:44.400 --> 0:51:46.480
<v Speaker 1>have just picked up my career and started over again.

0:51:46.960 --> 0:51:48.440
<v Speaker 1>So it's yeah, that's a real thing.

0:51:49.200 --> 0:51:49.359
<v Speaker 3>Uh.

0:51:49.560 --> 0:51:51.680
<v Speaker 1>Jessica just doesn't get any of this though her life

0:51:51.760 --> 0:51:54.000
<v Speaker 1>is so different. Christopher says he's just happy he can

0:51:54.040 --> 0:51:57.040
<v Speaker 1>be himself around her, and then Jessica finally admits it. Yes,

0:51:57.239 --> 0:51:59.480
<v Speaker 1>she likes it too. She calls him out for being

0:51:59.480 --> 0:52:01.720
<v Speaker 1>flirty again, but now gives him a little push, marking

0:52:01.719 --> 0:52:05.239
<v Speaker 1>their first actual contact in the awkwardness. Because again, they

0:52:05.280 --> 0:52:07.880
<v Speaker 1>cannot kiss in this movie, they decide they should just

0:52:08.000 --> 0:52:10.799
<v Speaker 1>keep moving. Back at Christopher's house, Stubby is getting things

0:52:10.800 --> 0:52:13.200
<v Speaker 1>in order when Sarah arrives, catching him totally off guard.

0:52:13.520 --> 0:52:16.320
<v Speaker 1>She reveals she has Christopher's keys and looks absolutely starstruck

0:52:16.360 --> 0:52:17.400
<v Speaker 1>to be in the house. So she drove all the

0:52:17.440 --> 0:52:20.920
<v Speaker 1>way to this guy's house and then use the keys

0:52:21.320 --> 0:52:27.040
<v Speaker 1>to go inside this dude's house super creepy anyway. Now,

0:52:27.160 --> 0:52:29.520
<v Speaker 1>walking on the beach, Christopher and Jessica are still connecting,

0:52:29.560 --> 0:52:32.400
<v Speaker 1>and now they're holding hands. He really likes her and

0:52:32.440 --> 0:52:34.279
<v Speaker 1>loves that she treats him like a human. She calls

0:52:34.360 --> 0:52:37.200
<v Speaker 1>him amazing, and when they go to kiss, they're legally

0:52:37.200 --> 0:52:40.000
<v Speaker 1>interrupted by some surfers because they can't kiss, sending Chrisopher

0:52:40.040 --> 0:52:42.560
<v Speaker 1>back into the real world. He instantly pulls a one eighty,

0:52:42.600 --> 0:52:44.879
<v Speaker 1>saying their relationship has to end here and boy, those

0:52:44.880 --> 0:52:48.280
<v Speaker 1>surfers really ruined everything. He tells her she can't tell anyone,

0:52:48.400 --> 0:52:51.120
<v Speaker 1>even her parents. If people find out, it'll get crazy

0:52:51.120 --> 0:52:53.040
<v Speaker 1>and he won't get the movie deal. He explains he's

0:52:53.120 --> 0:53:00.279
<v Speaker 1>Christopher Wilde and she's just an ordinary girl. Oh that

0:53:00.440 --> 0:53:02.960
<v Speaker 1>was wrong, and he switched on a dime. It was

0:53:02.960 --> 0:53:04.440
<v Speaker 1>like now I am.

0:53:04.719 --> 0:53:09.360
<v Speaker 3>It was like the co wickest snap of a finger,

0:53:09.600 --> 0:53:15.000
<v Speaker 3>and holy god, and just like getting just just punching

0:53:15.040 --> 0:53:17.960
<v Speaker 3>her in the jugular too, like the word choice was

0:53:18.080 --> 0:53:20.840
<v Speaker 3>just like it was rough.

0:53:21.000 --> 0:53:25.920
<v Speaker 1>Yep, I agree. She's properly offended, obviously, and leaves. He

0:53:25.960 --> 0:53:28.279
<v Speaker 1>tries some damage control, but she's clearly hurt and he

0:53:28.320 --> 0:53:30.319
<v Speaker 1>has one last request. He asks if he can have

0:53:30.400 --> 0:53:33.160
<v Speaker 1>her disposable camera to have the photos just in case

0:53:33.520 --> 0:53:35.279
<v Speaker 1>he doesn't want them to get out, which is just

0:53:35.360 --> 0:53:38.279
<v Speaker 1>one last final insult. She responds by throwing the camera

0:53:38.280 --> 0:53:40.200
<v Speaker 1>in the sand and storming off, But then she realizes

0:53:40.280 --> 0:53:42.440
<v Speaker 1>she needs cab feir to get home, and he hands

0:53:42.440 --> 0:53:46.160
<v Speaker 1>her like five grand, saying it's the same money that

0:53:46.200 --> 0:53:47.680
<v Speaker 1>he owed her for staying in the garage, and she

0:53:47.719 --> 0:53:51.120
<v Speaker 1>promises to never talk about him again. He says she

0:53:51.200 --> 0:53:52.839
<v Speaker 1>doesn't know what his life is like. The press would

0:53:52.880 --> 0:53:54.880
<v Speaker 1>ruin everything, and she's a very cool little line here

0:53:54.920 --> 0:53:56.680
<v Speaker 1>when she says, the press doesn't have to ruin it.

0:53:56.880 --> 0:54:08.400
<v Speaker 1>You already did. We're back at the beach now. Jessica

0:54:08.440 --> 0:54:10.400
<v Speaker 1>cries in a phone booth. Phone booth, kids was a

0:54:10.440 --> 0:54:12.760
<v Speaker 1>booth that literally on a phone in it, and Christopher

0:54:12.840 --> 0:54:15.399
<v Speaker 1>is finally recognized and sworn by girls wanting pictures with him,

0:54:15.680 --> 0:54:18.200
<v Speaker 1>and the paparazzi gets pictures of him. But as Jessica leaves,

0:54:18.239 --> 0:54:21.959
<v Speaker 1>one photographer catches her crying and wonders, huh, maybe she's

0:54:22.000 --> 0:54:25.279
<v Speaker 1>involved with Christopher. Two, we get a brief montage of

0:54:25.360 --> 0:54:27.680
<v Speaker 1>jess Gotta love a montage of Jessica with her family.

0:54:27.960 --> 0:54:30.560
<v Speaker 1>Now sadly poking salad and pining for her new love

0:54:30.600 --> 0:54:33.359
<v Speaker 1>while Christopher records in the studio. Once the song is done,

0:54:33.400 --> 0:54:35.520
<v Speaker 1>Christopher runs off to his laptop, where he skims through

0:54:35.520 --> 0:54:38.080
<v Speaker 1>the pictures from Jessica's camera. He clearly misses and can't

0:54:38.080 --> 0:54:40.480
<v Speaker 1>stop thinking about her. He confides in Stubby, telling him

0:54:40.480 --> 0:54:42.200
<v Speaker 1>he really likes this girl. But guess who else is

0:54:42.239 --> 0:54:45.720
<v Speaker 1>listening in? Alexis and she's very interested in who exactly

0:54:45.760 --> 0:54:48.440
<v Speaker 1>this girl is. He tells her she's not a famous actress.

0:54:48.520 --> 0:54:50.760
<v Speaker 1>Alexis doesn't believe it. She says that stuff only happens

0:54:50.800 --> 0:54:52.880
<v Speaker 1>in the movies. And then she says she looks at

0:54:52.880 --> 0:54:54.960
<v Speaker 1>her phone and says, Ooh, I've got a date with Zach.

0:54:55.400 --> 0:54:58.160
<v Speaker 1>And since the caption spelled the name z Ac, I

0:54:58.160 --> 0:55:01.279
<v Speaker 1>think we can guess who she means. Zach Posen, the

0:55:01.280 --> 0:55:04.719
<v Speaker 1>clothing designer. By the way, producer Jensen put that in

0:55:04.880 --> 0:55:05.839
<v Speaker 1>No Idea, Who that is?

0:55:05.960 --> 0:55:06.560
<v Speaker 2>What swimmer?

0:55:08.000 --> 0:55:10.160
<v Speaker 1>The two decide to be friend. The dude doesn't sell

0:55:10.160 --> 0:55:11.480
<v Speaker 1>this stuff at Target. I'm not gonna know.

0:55:11.640 --> 0:55:16.759
<v Speaker 3>Seriously, obviously we're talking about Zach front Nah, yeah, no,

0:55:17.120 --> 0:55:19.520
<v Speaker 3>or his brother who will famously be on Dancy with

0:55:19.520 --> 0:55:19.920
<v Speaker 3>the Stars.

0:55:20.000 --> 0:55:24.279
<v Speaker 1>Years later, right exactly, the two decide to be friends,

0:55:24.320 --> 0:55:27.759
<v Speaker 1>finally calling off their situationship and Stubby is thrilled. Christopher

0:55:27.920 --> 0:55:30.719
<v Speaker 1>is finally free, and now the Olsens are leaving La

0:55:30.800 --> 0:55:32.560
<v Speaker 1>to go back to Michigan. They bid farewell with their

0:55:32.560 --> 0:55:36.080
<v Speaker 1>grandma and her new piece of Jessica says goodbye tiery

0:55:36.080 --> 0:55:39.040
<v Speaker 1>eyed while getting advice from her grandmother, which again, none

0:55:39.040 --> 0:55:40.919
<v Speaker 1>of this was earned. There hasn't been a single scene

0:55:40.960 --> 0:55:43.080
<v Speaker 1>with just the two of them and the grandmother. Now

0:55:43.080 --> 0:55:45.719
<v Speaker 1>you're giving me advice. I literally don't even know your name.

0:55:46.280 --> 0:55:49.440
<v Speaker 1>So it was just like, let me tell you about life. Really,

0:55:49.560 --> 0:55:53.560
<v Speaker 1>you haven't earned this even slightly. Yeah, She promises that

0:55:53.640 --> 0:55:55.799
<v Speaker 1>life has a way of working itself out. Look how

0:55:56.120 --> 0:55:58.839
<v Speaker 1>she's been doing since Grandpa died. She then thrust her

0:55:58.880 --> 0:56:01.839
<v Speaker 1>hips and points to her boyfriend and crotch. No, none

0:56:01.880 --> 0:56:03.239
<v Speaker 1>of that happened, but I wanted to see if you

0:56:03.239 --> 0:56:03.960
<v Speaker 1>are all still with me.

0:56:04.080 --> 0:56:04.239
<v Speaker 2>Yeah.

0:56:04.239 --> 0:56:05.799
<v Speaker 1>Would have been pretty great if it did, because then

0:56:05.800 --> 0:56:07.920
<v Speaker 1>at least it would have given her character something to do.

0:56:11.719 --> 0:56:13.120
<v Speaker 2>Ell is that wrong?

0:56:13.320 --> 0:56:17.520
<v Speaker 1>No? Yeah, okay, what it is? But justice Jessica's about

0:56:17.520 --> 0:56:19.960
<v Speaker 1>to leave. Paparazzi gets the photo they've been hoping for,

0:56:20.040 --> 0:56:22.560
<v Speaker 1>and we cut to director Alan Smith, who's having some

0:56:22.600 --> 0:56:24.920
<v Speaker 1>sort of a twenty ten version of a zoom meeting

0:56:24.960 --> 0:56:28.840
<v Speaker 1>with the family. He is furious, who is this Jessica Olsen.

0:56:29.160 --> 0:56:31.520
<v Speaker 1>Paparazzi exposed her and this is what he was worried

0:56:31.520 --> 0:56:33.840
<v Speaker 1>about with cast and Christopher. He seems too young and

0:56:33.920 --> 0:56:37.120
<v Speaker 1>not serious enough. None of this makes sense. His parents

0:56:37.120 --> 0:56:39.400
<v Speaker 1>beg for another chance, and they get one. They have

0:56:39.480 --> 0:56:42.759
<v Speaker 1>to convince gossip colonist Libby Lamb from Starstruck to kill

0:56:42.760 --> 0:56:46.000
<v Speaker 1>the story by offering another exclusive. In exchange, he says

0:56:46.040 --> 0:56:48.359
<v Speaker 1>to lie to her and call Jessica just a fan,

0:56:48.480 --> 0:56:51.640
<v Speaker 1>which feels wildly rude. But either this girl goes away

0:56:52.239 --> 0:56:54.960
<v Speaker 1>or the movie does, which, again from a story point,

0:56:55.640 --> 0:57:00.719
<v Speaker 1>maga fend And so next thing, we see Christopher on

0:57:00.760 --> 0:57:03.239
<v Speaker 1>the set of Starstruck being interviewed by Libby. He's asked

0:57:03.239 --> 0:57:05.880
<v Speaker 1>about Jessica and by the way, okay, I'm sorry, this

0:57:05.960 --> 0:57:10.239
<v Speaker 1>is just my mind going. Do you know how much

0:57:11.520 --> 0:57:14.520
<v Speaker 1>a studio would love the idea of being able to

0:57:14.560 --> 0:57:17.120
<v Speaker 1>sell a young pop star in a relationship with a

0:57:17.200 --> 0:57:21.160
<v Speaker 1>quote unquote ordinary girl, making every quote unquote ordinary girl

0:57:21.160 --> 0:57:22.880
<v Speaker 1>out there feeling like they had a chance with all

0:57:22.880 --> 0:57:26.280
<v Speaker 1>these huge pop stars, like they would eat that up

0:57:26.360 --> 0:57:28.840
<v Speaker 1>with a spoon and ask for seconds and third. So

0:57:28.920 --> 0:57:31.440
<v Speaker 1>the idea that this is what's holding them back from

0:57:31.440 --> 0:57:36.840
<v Speaker 1>getting the movie made no sense as a story point

0:57:36.960 --> 0:57:38.840
<v Speaker 1>in this film. It was just like you're and they

0:57:38.920 --> 0:57:42.440
<v Speaker 1>kept feeding into this thing that made no sense anyway.

0:57:43.440 --> 0:57:45.320
<v Speaker 3>Well, it was like the whole, like what was on

0:57:45.400 --> 0:57:48.760
<v Speaker 3>the line, Like the whole, This is the thing that's

0:57:48.800 --> 0:57:50.200
<v Speaker 3>on the line your career.

0:57:50.760 --> 0:57:54.360
<v Speaker 2>Yeah, to not date this girl, not date this girl? Yeah. Yes.

0:57:55.320 --> 0:57:57.160
<v Speaker 1>And so the next thing we see is Christopher on

0:57:57.200 --> 0:57:59.520
<v Speaker 1>the set of Starstruck being interviewed by Libby. He's asked

0:57:59.520 --> 0:58:01.920
<v Speaker 1>about jess and he does indeed lie, calling her just

0:58:02.000 --> 0:58:05.120
<v Speaker 1>some fan back in Michigan. Jessica, now hounded by photographers

0:58:05.160 --> 0:58:07.280
<v Speaker 1>outside of her house, is clearly hurt. I also want

0:58:07.320 --> 0:58:09.480
<v Speaker 1>to point out that the Olsen's house is anything but normal.

0:58:09.520 --> 0:58:12.720
<v Speaker 1>It's actually very very very nice and beautiful. It's hardly

0:58:12.720 --> 0:58:15.120
<v Speaker 1>lower class or something that would leave her shocked when

0:58:15.120 --> 0:58:17.720
<v Speaker 1>she saw a mansion. But she was shocked like, oh

0:58:17.720 --> 0:58:22.120
<v Speaker 1>my god, you've got a roof, Richie and now her

0:58:22.160 --> 0:58:26.120
<v Speaker 1>parents she said, it's just like come on, and now

0:58:26.240 --> 0:58:29.280
<v Speaker 1>her parents are did you not used to do that?

0:58:29.800 --> 0:58:33.920
<v Speaker 1>And or plumbing Richie? And now her parents are concerned

0:58:34.320 --> 0:58:36.280
<v Speaker 1>what went on in California that caused the media to

0:58:36.280 --> 0:58:38.960
<v Speaker 1>follow her around. She promises it's nothing bad, but you

0:58:39.080 --> 0:58:41.160
<v Speaker 1>just can't talk about it. And then Sarah runs in.

0:58:41.560 --> 0:58:44.920
<v Speaker 1>Christopher's talking about Jessica on TV. They tune into Starstruck

0:58:45.000 --> 0:58:46.720
<v Speaker 1>just in time to see him saying he doesn't know

0:58:46.760 --> 0:58:53.000
<v Speaker 1>her at all. Okay, so she hasn't told her parents

0:58:53.720 --> 0:58:55.840
<v Speaker 1>she spent the day with Christopher wild because she promised

0:58:55.840 --> 0:58:58.600
<v Speaker 1>that she wouldn't. Her sister doesn't know she spent the

0:58:58.680 --> 0:59:01.840
<v Speaker 1>day with Christopher wild because she's hasn't told anybody, but

0:59:01.920 --> 0:59:05.960
<v Speaker 1>the paparazzi are following her all over the place. The

0:59:06.040 --> 0:59:08.440
<v Speaker 1>sister then comes in and says, Christopher Wilde's going to

0:59:08.520 --> 0:59:12.560
<v Speaker 1>talk about you on TV. But the sister who spent

0:59:12.800 --> 0:59:18.040
<v Speaker 1>the entire movie thing on her sister and in love

0:59:18.080 --> 0:59:21.280
<v Speaker 1>with this guy to the point of stalking, isn't upset

0:59:21.400 --> 0:59:25.040
<v Speaker 1>that her sister has spent the time with Christopher while

0:59:25.400 --> 0:59:26.480
<v Speaker 1>in any way, shape.

0:59:26.320 --> 0:59:30.240
<v Speaker 2>Or form, does it even like acknowledge it? No, doesn't

0:59:30.240 --> 0:59:34.760
<v Speaker 2>even acknowledge it, Like you went to his house without me?

0:59:35.240 --> 0:59:37.080
<v Speaker 2>Are you like what you know?

0:59:37.560 --> 0:59:39.920
<v Speaker 1>You went on a date with him, you were whatever happened?

0:59:39.920 --> 0:59:42.480
<v Speaker 1>What he he took you to the hot anything? So

0:59:42.640 --> 0:59:46.440
<v Speaker 1>either she doesn't know which, then why are there all

0:59:46.440 --> 0:59:50.680
<v Speaker 1>this paparazzi. Nobody's questioning why, Hey, we've got seventy reporters

0:59:50.680 --> 0:59:52.680
<v Speaker 1>on our lawn. Can we talk about that? Mate?

0:59:52.800 --> 0:59:53.280
<v Speaker 2>Yeah?

0:59:53.920 --> 0:59:57.600
<v Speaker 1>None of you with the parents to it.

0:59:57.600 --> 0:59:59.920
<v Speaker 2>It made no you werewhere when you were supposed to

0:59:59.920 --> 1:00:00.840
<v Speaker 2>be with your sister.

1:00:01.200 --> 1:00:05.040
<v Speaker 1>There's been no repercussions for this girl running away, losing

1:00:05.080 --> 1:00:08.880
<v Speaker 1>the grandmother's car. This is where it's so pitching people

1:00:08.880 --> 1:00:11.479
<v Speaker 1>at a club, Like none of the parents don't even

1:00:11.640 --> 1:00:12.160
<v Speaker 1>mention it.

1:00:12.360 --> 1:00:14.720
<v Speaker 2>They weren't even supposed to go to the club eventually,

1:00:14.720 --> 1:00:19.840
<v Speaker 2>Like originally there's nothing, it's nothing.

1:00:20.440 --> 1:00:24.200
<v Speaker 3>That's when I'm starting, like when I'm like literally basically

1:00:24.240 --> 1:00:25.680
<v Speaker 3>feeling like I'm like yelling at.

1:00:25.520 --> 1:00:28.200
<v Speaker 2>The TV like this is so just ridiculous.

1:00:28.200 --> 1:00:31.400
<v Speaker 1>Okay, So question, is this the first dcom we've ever

1:00:31.480 --> 1:00:36.000
<v Speaker 1>had without a single good parent? There's not one?

1:00:36.680 --> 1:00:41.080
<v Speaker 3>Right, Yeah, there's usually at least like one redeeming someone dad.

1:00:41.920 --> 1:00:44.640
<v Speaker 1>But the mom's cool, the mom's distant. But the dad's

1:00:44.640 --> 1:00:48.040
<v Speaker 1>a great dad something. We've got the two managers and

1:00:48.880 --> 1:00:51.280
<v Speaker 1>of Christopher Wild who are awful, and the two parents

1:00:51.440 --> 1:00:55.360
<v Speaker 1>don't about.

1:00:53.800 --> 1:00:56.760
<v Speaker 2>Their kids, don't know where the hell they are or

1:00:56.800 --> 1:01:01.360
<v Speaker 2>don't don't give it, they don't. It's no weirdest it is.

1:01:01.440 --> 1:01:03.640
<v Speaker 3>D COM's are just this is this to me? This

1:01:03.720 --> 1:01:05.560
<v Speaker 3>is when it felt like this was not a DCM.

1:01:05.600 --> 1:01:07.960
<v Speaker 3>This felt like I started to think, you know how,

1:01:08.000 --> 1:01:10.240
<v Speaker 3>there's always a big difference when there's a different like

1:01:10.280 --> 1:01:13.120
<v Speaker 3>when a d COM bought a movie from a different

1:01:13.120 --> 1:01:13.800
<v Speaker 3>production comes.

1:01:14.000 --> 1:01:17.400
<v Speaker 1>Yes, it's right, that's.

1:01:17.240 --> 1:01:19.480
<v Speaker 3>What That's what I started feeling like, Like there's been

1:01:19.520 --> 1:01:21.600
<v Speaker 3>a couple of movies where we're like, it just doesn't

1:01:21.720 --> 1:01:23.480
<v Speaker 3>it's not filmed like a d COM.

1:01:24.000 --> 1:01:26.480
<v Speaker 2>The storylines not like a d coom. That's what this

1:01:26.520 --> 1:01:26.920
<v Speaker 2>felt like.

1:01:27.040 --> 1:01:28.120
<v Speaker 1>This felt I agree, there is.

1:01:28.200 --> 1:01:30.800
<v Speaker 2>I learned to realize I do not like those movies.

1:01:30.920 --> 1:01:36.440
<v Speaker 1>No, I don't need so grandmother, Yeah exactly exactly other

1:01:36.520 --> 1:01:41.919
<v Speaker 1>than the grandmother and her her nice new piece who

1:01:41.960 --> 1:01:45.120
<v Speaker 1>don't get don't get any sort of character developed whatsoever.

1:01:45.160 --> 1:01:47.120
<v Speaker 1>There isn't a good adult in the movie.

1:01:47.400 --> 1:01:50.920
<v Speaker 3>No, the director, the parents, the boyfriend is really only

1:01:51.000 --> 1:01:54.560
<v Speaker 3>to show, like I moved on from Grandpa passing. I

1:01:54.600 --> 1:01:57.920
<v Speaker 3>guess that's his storyline is supposed to be for like

1:01:57.960 --> 1:01:58.520
<v Speaker 3>the purpose.

1:01:58.920 --> 1:02:04.000
<v Speaker 1>Guess Yeah, it's weird, okay, But now now her parents

1:02:04.000 --> 1:02:07.600
<v Speaker 1>are concerned. I don't get Later okay, So later she's

1:02:07.640 --> 1:02:09.000
<v Speaker 1>looking out the window at all the press on her

1:02:09.040 --> 1:02:11.400
<v Speaker 1>front lawn. Even Sarah is sick of this. Jessica admits

1:02:11.480 --> 1:02:13.800
<v Speaker 1>Christopher said it would be like this, but she doesn't

1:02:13.840 --> 1:02:16.760
<v Speaker 1>have to deal with what the celebrities do. She walks

1:02:16.760 --> 1:02:18.680
<v Speaker 1>outside and gives Libya a peace of her mind. She

1:02:18.760 --> 1:02:21.040
<v Speaker 1>calls them sick for building up celebrities only to tear

1:02:21.080 --> 1:02:23.520
<v Speaker 1>them down to sell magazines and TV shows. She says

1:02:23.560 --> 1:02:27.080
<v Speaker 1>Christopher has given up his freedom, privacy, and honesty. They

1:02:27.120 --> 1:02:30.000
<v Speaker 1>wreck the human being and should be ashamed. The press

1:02:30.040 --> 1:02:32.320
<v Speaker 1>is hardly affected at all by her combination, so Jessica

1:02:32.320 --> 1:02:35.360
<v Speaker 1>gives up. She says she's never met the Christopher they're

1:02:35.400 --> 1:02:39.320
<v Speaker 1>all obsessed with. And I still don't get what this

1:02:39.360 --> 1:02:43.640
<v Speaker 1>movie is about. Is it about condemnation of the paparazzi?

1:02:43.760 --> 1:02:46.280
<v Speaker 1>Is it about a little bit?

1:02:46.360 --> 1:02:49.760
<v Speaker 3>I think that this celebrity life of it being are

1:02:50.320 --> 1:02:53.000
<v Speaker 3>to be yeah, not to and it makes it so

1:02:53.080 --> 1:02:56.600
<v Speaker 3>hard to be like your own person within that world. Sure,

1:02:57.760 --> 1:03:00.520
<v Speaker 3>pushed into doing things you don't want because you're a

1:03:00.560 --> 1:03:04.200
<v Speaker 3>celebrity and you've got the you know, adult life when

1:03:04.240 --> 1:03:05.560
<v Speaker 3>you're supposed to be a kid.

1:03:06.920 --> 1:03:10.640
<v Speaker 1>Okay, yeah, okay, again with an occasional bop thrown in there,

1:03:12.280 --> 1:03:14.840
<v Speaker 1>we cut to Christopher and Stubby, which again I'm putting

1:03:14.840 --> 1:03:17.040
<v Speaker 1>Stubby on the list of better names.

1:03:17.240 --> 1:03:19.400
<v Speaker 2>The names snow, Jackal Johnson.

1:03:19.600 --> 1:03:22.880
<v Speaker 1>It's no Jackal Johnson. But from now on, I forget

1:03:22.880 --> 1:03:24.560
<v Speaker 1>what the last nickname was that I had, But I

1:03:24.600 --> 1:03:26.200
<v Speaker 1>think Stubby is gonna be the one. I'm gonna watch

1:03:26.200 --> 1:03:29.840
<v Speaker 1>you to call me from now on. They they're watching

1:03:29.840 --> 1:03:32.000
<v Speaker 1>her response on TV, and Stubby is disgusted at how

1:03:32.040 --> 1:03:34.600
<v Speaker 1>his best friend is acting. He says it's Christopher's life

1:03:34.640 --> 1:03:37.120
<v Speaker 1>to live, but he's disappointed. Stubby's words seem to really

1:03:37.120 --> 1:03:39.920
<v Speaker 1>get to him, and now he's questioning his actions. We

1:03:39.960 --> 1:03:41.840
<v Speaker 1>cut to a movie set over at Griffith Park. Alan

1:03:41.880 --> 1:03:44.120
<v Speaker 1>Smith is directing and Christopher is shown up to talk

1:03:44.400 --> 1:03:46.919
<v Speaker 1>just a few days before his movie starts. He lets

1:03:46.920 --> 1:03:49.400
<v Speaker 1>Smith know that he's no longer available. Alan offers to

1:03:49.400 --> 1:03:51.600
<v Speaker 1>push back the start date, but Christopher says if he

1:03:51.640 --> 1:03:53.880
<v Speaker 1>has to lie to join the club. He's not interested.

1:03:53.960 --> 1:03:57.160
<v Speaker 1>He walks away, and now Alan is oddly impressed. And

1:03:57.200 --> 1:03:59.120
<v Speaker 1>again the cool thing is how this comes back at

1:03:59.160 --> 1:04:03.760
<v Speaker 1>the end, not at all. Oh. Christopher returns home to tell

1:04:03.760 --> 1:04:05.800
<v Speaker 1>his parents he's not doing the movie. They claim it's

1:04:05.800 --> 1:04:08.960
<v Speaker 1>not his decision, but he promises it is. He's seventeen

1:04:09.000 --> 1:04:10.600
<v Speaker 1>years old and just and that's when I was like, oh,

1:04:10.640 --> 1:04:12.840
<v Speaker 1>he's playing seventeen like he seems to be playing older

1:04:12.840 --> 1:04:15.560
<v Speaker 1>to me. But I was like, okay, seventeen and just

1:04:15.560 --> 1:04:17.600
<v Speaker 1>wants to play music and have fun. His parents promised

1:04:17.600 --> 1:04:19.240
<v Speaker 1>toy'll handle it, but he takes control of his life

1:04:19.280 --> 1:04:21.640
<v Speaker 1>and fires them and says he needs his parents back,

1:04:21.720 --> 1:04:25.040
<v Speaker 1>and that was it. There was no anything after that.

1:04:25.080 --> 1:04:27.200
<v Speaker 1>They weren't like, you know, you're right, but you're right.

1:04:27.360 --> 1:04:28.439
<v Speaker 2>Yeah, we've been.

1:04:28.720 --> 1:04:31.440
<v Speaker 3>We've gotten caught up in the business aspect of it.

1:04:31.600 --> 1:04:32.680
<v Speaker 2>You shall be a kid.

1:04:33.320 --> 1:04:36.360
<v Speaker 1>They're just like fired, They're fired. That's it.

1:04:36.920 --> 1:04:41.040
<v Speaker 3>Uh yeah, man, I will say, though it is hard,

1:04:41.080 --> 1:04:42.960
<v Speaker 3>but I have you I'm sure as well.

1:04:43.160 --> 1:04:44.400
<v Speaker 2>Obviously have been.

1:04:44.280 --> 1:04:48.120
<v Speaker 3>Around what they call like momagers or whatever on set.

1:04:48.400 --> 1:04:49.919
<v Speaker 1>Some of them can be off, some of them are great.

1:04:50.240 --> 1:04:52.120
<v Speaker 1>Some of them and are just there to just there

1:04:52.160 --> 1:04:54.280
<v Speaker 1>to look out for their kids. And some of them

1:04:54.320 --> 1:04:58.880
<v Speaker 1>are really horrible people. Yeah, men and women, dads and

1:04:59.000 --> 1:05:02.960
<v Speaker 1>moms have their kids in it for all the wrong reasons.

1:05:02.960 --> 1:05:05.240
<v Speaker 1>The kids don't want to be there, are milking all

1:05:05.240 --> 1:05:05.960
<v Speaker 1>the money away.

1:05:06.200 --> 1:05:11.640
<v Speaker 5>It's awful, yeah, yes, and it does something to kids

1:05:11.640 --> 1:05:14.320
<v Speaker 5>psyche to be like the one that is like putting

1:05:14.320 --> 1:05:16.400
<v Speaker 5>the roof over the head of your family.

1:05:16.560 --> 1:05:19.360
<v Speaker 1>Well, Gary Coleman is is well, you know, one of

1:05:19.400 --> 1:05:20.880
<v Speaker 1>the most famous of those of all time. He was

1:05:21.160 --> 1:05:23.520
<v Speaker 1>one of the massive influences for me. And the reason

1:05:23.520 --> 1:05:25.360
<v Speaker 1>I got into this business is growing up watching Gary

1:05:25.360 --> 1:05:28.400
<v Speaker 1>Coleman on different strokes and seeing how at you know,

1:05:28.520 --> 1:05:30.600
<v Speaker 1>eight nine, ten, eleven years old, he was commanding the

1:05:30.600 --> 1:05:32.560
<v Speaker 1>screen and he was amazing. And then to find out

1:05:32.560 --> 1:05:34.680
<v Speaker 1>his actual life where his parents squandered all his money.

1:05:34.680 --> 1:05:36.040
<v Speaker 1>He had to sue them to get it back, he

1:05:36.080 --> 1:05:38.800
<v Speaker 1>had to divorce his parents. I mean, just one awfulness

1:05:38.840 --> 1:05:41.280
<v Speaker 1>after another. And it's just you see all the work

1:05:41.320 --> 1:05:43.800
<v Speaker 1>he was forced into doing and for almost no money.

1:05:44.000 --> 1:05:46.400
<v Speaker 1>It's just Yet it's terrible. So it can be. It

1:05:46.440 --> 1:05:48.959
<v Speaker 1>can be a very disgusting, awful business. It can also

1:05:49.000 --> 1:05:52.120
<v Speaker 1>be a very wonderful and credible, fulfilling business. So it's

1:05:52.720 --> 1:05:55.160
<v Speaker 1>like anything else. I imagine, it's got its good points and

1:05:55.200 --> 1:05:58.760
<v Speaker 1>it's bad. Right back in Michigan, Jessica's trying on dresses

1:05:58.800 --> 1:06:01.800
<v Speaker 1>for her sister, and it's the night of that big dance,

1:06:01.800 --> 1:06:04.000
<v Speaker 1>remember that one from way at the beginning of the

1:06:04.000 --> 1:06:05.320
<v Speaker 1>movie that everybody's forgotten about.

1:06:05.760 --> 1:06:08.400
<v Speaker 2>School also completely forgot about it. I was like, what,

1:06:09.120 --> 1:06:11.560
<v Speaker 2>there's a prom? Like, what's happening?

1:06:11.760 --> 1:06:12.760
<v Speaker 1>We're at a dance? Now?

1:06:12.840 --> 1:06:14.920
<v Speaker 2>What china on dresses? And why are you trying to

1:06:15.000 --> 1:06:17.280
<v Speaker 2>want for your sister? This is so stupid. I was

1:06:17.360 --> 1:06:18.080
<v Speaker 2>so done.

1:06:18.880 --> 1:06:21.000
<v Speaker 1>Yeah I didn't done it. Yeah, by this point I

1:06:21.120 --> 1:06:25.160
<v Speaker 1>was too u The school also now thinks Jessica as

1:06:25.200 --> 1:06:27.360
<v Speaker 1>a wacko, since Christopher claimed he didn't know her at all,

1:06:28.080 --> 1:06:28.680
<v Speaker 1>So then.

1:06:30.280 --> 1:06:35.720
<v Speaker 6>She told people she knew him, but she didn't tell

1:06:35.720 --> 1:06:39.360
<v Speaker 6>anybody she knew him, So how did they How did

1:06:39.360 --> 1:06:42.439
<v Speaker 6>the story get out that she knew him and then

1:06:42.520 --> 1:06:43.960
<v Speaker 6>he lied about knowing her?

1:06:45.960 --> 1:06:47.960
<v Speaker 2>Can anyone explain no idea?

1:06:48.240 --> 1:06:52.720
<v Speaker 1>I none of this made sense, so did she because

1:06:52.880 --> 1:06:54.480
<v Speaker 1>she would have to have said, I spent the day

1:06:54.520 --> 1:06:56.680
<v Speaker 1>with Christopher wild I loved him so much. We got

1:06:56.720 --> 1:06:58.280
<v Speaker 1>along and he wasn't who I thought he was. And

1:06:58.280 --> 1:06:59.960
<v Speaker 1>then he comes out ands like I've never met her,

1:07:00.720 --> 1:07:04.400
<v Speaker 1>but she didn't tell anyone, So how did some did

1:07:04.480 --> 1:07:05.160
<v Speaker 1>somebody else?

1:07:06.400 --> 1:07:07.400
<v Speaker 2>I think it was it.

1:07:08.280 --> 1:07:11.640
<v Speaker 3>It's supposed to be because of like whatever that director saw,

1:07:11.960 --> 1:07:12.920
<v Speaker 3>like this girl.

1:07:13.000 --> 1:07:14.040
<v Speaker 2>Who is this girl?

1:07:14.800 --> 1:07:16.960
<v Speaker 1>Okay, yeah, that's.

1:07:16.680 --> 1:07:18.640
<v Speaker 3>What I feel like you were supposed to stem from.

1:07:18.680 --> 1:07:21.280
<v Speaker 3>But I'm telling you, at this point I was so disconnected.

1:07:21.560 --> 1:07:23.520
<v Speaker 1>Yeah, and just sense.

1:07:23.960 --> 1:07:26.400
<v Speaker 3>Yeah, it doesn't make sense. And when there's too many

1:07:26.520 --> 1:07:28.480
<v Speaker 3>questions and there are no rules, I'm out.

1:07:28.760 --> 1:07:31.360
<v Speaker 1>I agree by the way, I will say, and we

1:07:31.360 --> 1:07:33.959
<v Speaker 1>we we touched on this very briefly, but we should. Again,

1:07:34.960 --> 1:07:37.360
<v Speaker 1>I don't blame any of the actors. No, the acting

1:07:37.480 --> 1:07:39.120
<v Speaker 1>is fine. The act of this movie was fine.

1:07:39.680 --> 1:07:40.840
<v Speaker 2>Yeah, it was not.

1:07:41.400 --> 1:07:44.440
<v Speaker 3>I mean the characters themselves, Like she was you know,

1:07:44.480 --> 1:07:47.080
<v Speaker 3>our main character was very.

1:07:46.600 --> 1:07:49.320
<v Speaker 1>She was mean and annoying, and the sister is mean annoying.

1:07:49.320 --> 1:07:51.040
<v Speaker 1>But I don't play that's not because of how she

1:07:51.120 --> 1:07:51.560
<v Speaker 1>played it.

1:07:51.560 --> 1:07:53.360
<v Speaker 2>It's it's how it was written for sure.

1:07:53.400 --> 1:07:57.320
<v Speaker 1>Correct. So yeah, correct? Okay, So the school thinks that

1:07:57.320 --> 1:07:59.200
<v Speaker 1>she's a whacko since Christopher claimed he didn't know her

1:07:59.200 --> 1:08:01.680
<v Speaker 1>at all. H he calls her pathetic, just as Jessica

1:08:01.680 --> 1:08:04.360
<v Speaker 1>walks back into the room. Finally, Sarah steps up as

1:08:04.360 --> 1:08:06.200
<v Speaker 1>the sister to console her and begs her to go

1:08:06.240 --> 1:08:09.680
<v Speaker 1>to the dance to get her mind off of things okay,

1:08:10.040 --> 1:08:11.720
<v Speaker 1>and she was successful because now at the dance, the

1:08:11.760 --> 1:08:14.360
<v Speaker 1>Olsen's sisters arrive. Sarah encourages her to be herself, and

1:08:14.360 --> 1:08:16.800
<v Speaker 1>then finally they have a heartfelt moment. That's until Sarah

1:08:16.840 --> 1:08:18.679
<v Speaker 1>acts like she doesn't know her at all and walks

1:08:18.680 --> 1:08:22.000
<v Speaker 1>off again. It was like they were like, we need

1:08:22.000 --> 1:08:22.880
<v Speaker 1>an ending to this movie.

1:08:22.920 --> 1:08:27.479
<v Speaker 2>Let's just end it, I know, and justice let's go.

1:08:27.560 --> 1:08:29.320
<v Speaker 1>Yeah exactly, I'm doing the same thing as a come

1:08:29.360 --> 1:08:34.080
<v Speaker 1>out credits, roll them credits, and I was seriously like

1:08:34.120 --> 1:08:36.679
<v Speaker 1>to see in my head going like I might watch

1:08:37.040 --> 1:08:40.560
<v Speaker 1>might watch High School Musical again after this, because that

1:08:41.400 --> 1:08:44.960
<v Speaker 1>make me happy, doctor Chivago compared to this. And just

1:08:45.040 --> 1:08:46.760
<v Speaker 1>as some mean girl start to laugh at Jessica, the

1:08:46.840 --> 1:08:51.080
<v Speaker 1>lights go out and guess who walks on stage? Madonna, No,

1:08:51.120 --> 1:08:53.840
<v Speaker 1>I'm kidding, none other than Christopher Wilde. He calls out

1:08:53.880 --> 1:08:56.200
<v Speaker 1>to Jessica Olsen and the schools in shock. She walks

1:08:56.280 --> 1:08:57.960
<v Speaker 1>up to the stage as he explains there are some

1:08:58.000 --> 1:08:59.920
<v Speaker 1>things he didn't get a chance to stay in California,

1:09:00.120 --> 1:09:02.080
<v Speaker 1>and then he sings his newest ballad, all about how

1:09:02.120 --> 1:09:03.960
<v Speaker 1>he tried to walk away from her, but nothing's ever

1:09:03.960 --> 1:09:06.559
<v Speaker 1>felt so wrong. He thought he was protecting her, got

1:09:06.600 --> 1:09:11.120
<v Speaker 1>lost along the way, and uh, okay, he's here now

1:09:11.160 --> 1:09:13.000
<v Speaker 1>to tell her his true feelings. Okay, it's a very

1:09:13.000 --> 1:09:15.639
<v Speaker 1>literal song. He might as well have just mentioned Michigan

1:09:15.640 --> 1:09:18.040
<v Speaker 1>and her name, like it's because of you, Jessica and

1:09:18.080 --> 1:09:22.519
<v Speaker 1>Michigan plumb Pinto. You're plum Pinto and I'm actual school

1:09:22.640 --> 1:09:25.680
<v Speaker 1>dance that we all forgot about. The song ends with

1:09:25.720 --> 1:09:27.840
<v Speaker 1>them now face to face and the school's applauding. She

1:09:27.880 --> 1:09:30.280
<v Speaker 1>wonders what he thought would happen, that he just walked

1:09:30.280 --> 1:09:31.880
<v Speaker 1>back into her life and everything can be okay. He

1:09:31.920 --> 1:09:35.360
<v Speaker 1>apologizes again, but she's not sold. She was humiliated, and

1:09:35.400 --> 1:09:38.920
<v Speaker 1>then of course Libby from Starstruck and her cameraman walk in.

1:09:39.560 --> 1:09:42.759
<v Speaker 1>What They ask Christopher if he was lying about Jessica,

1:09:42.800 --> 1:09:44.840
<v Speaker 1>and he looks directly into her camera and admits he

1:09:44.880 --> 1:09:47.479
<v Speaker 1>did lie. The truth is, Jessica understands him like no

1:09:47.479 --> 1:09:50.040
<v Speaker 1>one else can, and he's crazy about her. He promises

1:09:50.040 --> 1:09:52.280
<v Speaker 1>he's never gonna hurt her again and ask for her forgiveness.

1:09:52.360 --> 1:09:53.920
<v Speaker 1>She shakes her head yes, and they go in for

1:09:53.960 --> 1:09:56.120
<v Speaker 1>a kiss, but before they do, forever tainting the movie

1:09:56.240 --> 1:09:59.120
<v Speaker 1>is problematic. Sarah cuts in. She wants to meet Christopher

1:09:59.160 --> 1:10:01.240
<v Speaker 1>Wilde and is super weird about it. Then she fades

1:10:01.240 --> 1:10:03.400
<v Speaker 1>because of course she's not at all jealous that her

1:10:03.400 --> 1:10:05.320
<v Speaker 1>sister is now dating the guy she's been in love

1:10:05.320 --> 1:10:08.200
<v Speaker 1>with forever. Christopher aske Jessica to go on a real date.

1:10:08.240 --> 1:10:10.520
<v Speaker 1>She makes sure neither of them have to wear disguises,

1:10:10.920 --> 1:10:13.880
<v Speaker 1>then accepts the invite. They put on some cool guys sunglasses,

1:10:13.880 --> 1:10:15.519
<v Speaker 1>and I have one more dance, this time with Stubby

1:10:15.560 --> 1:10:17.799
<v Speaker 1>on stage wrapping his heart out. We get our credits

1:10:17.800 --> 1:10:22.479
<v Speaker 1>over the students going wild, and that's thankfully the end

1:10:22.600 --> 1:10:23.639
<v Speaker 1>of our movies.

1:10:23.840 --> 1:10:26.200
<v Speaker 2>Eighty one minutes, eight minutes.

1:10:26.600 --> 1:10:28.360
<v Speaker 1>That's shows you how eighty one minutes can feel like

1:10:28.400 --> 1:10:42.519
<v Speaker 1>an awfully long time. Sabrina, you get the five star

1:10:42.600 --> 1:10:44.600
<v Speaker 1>reviews because we're going to do real reviews. Now, what

1:10:44.640 --> 1:10:45.640
<v Speaker 1>do you got?

1:10:46.000 --> 1:10:49.639
<v Speaker 2>I mean, I'm already stumped on this user name.

1:10:49.720 --> 1:10:56.559
<v Speaker 1>Fazy cool Catspots, cool Cats, box Catbots, Cool Catbots Wow,

1:10:56.760 --> 1:10:59.560
<v Speaker 1>I've been cool cat bots, cool cat.

1:10:59.479 --> 1:11:03.559
<v Speaker 2>Cool cool cat boys. Oh, cool cat bots.

1:11:03.800 --> 1:11:05.840
<v Speaker 1>I'd a cat baz, cool cat bas.

1:11:05.880 --> 1:11:10.519
<v Speaker 2>All right, wild for wild. He's the Prince of twenty

1:11:10.640 --> 1:11:15.519
<v Speaker 2>ten Disney, directly after King Troy Bolton. Something about the

1:11:15.520 --> 1:11:18.320
<v Speaker 2>sunshine pave the way for music as we know it.

1:11:18.680 --> 1:11:22.519
<v Speaker 2>As far as songs, this movie has a ton of

1:11:22.720 --> 1:11:23.600
<v Speaker 2>iconic classics.

1:11:24.160 --> 1:11:27.720
<v Speaker 1>Wow, name one, fight stars, cool cat's bots, name one.

1:11:29.080 --> 1:11:30.840
<v Speaker 1>I have the one star review and this is from

1:11:31.120 --> 1:11:35.719
<v Speaker 1>random Spontaneity. Okay, this is one of my favorite reviews.

1:11:36.000 --> 1:11:38.760
<v Speaker 1>If you do visit Michigan, please do not let this

1:11:38.840 --> 1:11:41.680
<v Speaker 1>piece of fail ruin your impression of us. We are,

1:11:41.800 --> 1:11:44.160
<v Speaker 1>on the whole a generally nice and friendly group of people.

1:11:44.479 --> 1:11:46.320
<v Speaker 1>I can guarantee you that none of us will treat

1:11:46.360 --> 1:11:48.719
<v Speaker 1>you as terribly as the Michigan teens in this film

1:11:48.760 --> 1:11:53.439
<v Speaker 1>treat each other. One star. Oh my, okay, Well, let's

1:11:53.439 --> 1:11:55.840
<v Speaker 1>go to our favorite portion of the program right now,

1:11:55.880 --> 1:11:58.040
<v Speaker 1>and it is our feature program, which is called a

1:11:58.160 --> 1:12:04.320
<v Speaker 1>dormy enormy clever. I love it, very good title. So

1:12:04.439 --> 1:12:07.439
<v Speaker 1>in Starstruck, Alexis Bender can't believe Christopher fell in love

1:12:07.479 --> 1:12:10.360
<v Speaker 1>with someone who isn't famous. She says that only happens

1:12:10.400 --> 1:12:12.800
<v Speaker 1>in movies, but that's just not true. It happens all

1:12:12.840 --> 1:12:15.200
<v Speaker 1>the time. I mean, both of us married not famous normies.

1:12:15.640 --> 1:12:17.600
<v Speaker 1>So we will be given a profession and we have

1:12:17.680 --> 1:12:21.000
<v Speaker 1>to pick which celebrity married that normy? Can we just

1:12:21.040 --> 1:12:23.960
<v Speaker 1>call the muggles? I don't like that word normy. Uh,

1:12:23.960 --> 1:12:25.840
<v Speaker 1>but here we go. Who are we playing with today?

1:12:26.600 --> 1:12:28.200
<v Speaker 7>You get Lisa Hey?

1:12:29.800 --> 1:12:33.400
<v Speaker 1>All right? So number one, I guess we're gonna tell

1:12:33.479 --> 1:12:35.519
<v Speaker 1>say what the profession is and then the people will

1:12:35.520 --> 1:12:37.919
<v Speaker 1>see who married them. So number one an interior designer?

1:12:37.960 --> 1:12:41.680
<v Speaker 1>Was that Don Johnson? B Joel McHale, see Robert de

1:12:41.760 --> 1:12:45.160
<v Speaker 1>Niro or B Matt Damon? What do you got, Sabrina?

1:12:45.520 --> 1:12:46.599
<v Speaker 2>D Matt Damon.

1:12:47.200 --> 1:12:50.519
<v Speaker 1>I think Matt Damon married a bartender famously. So I

1:12:50.600 --> 1:12:52.440
<v Speaker 1>think I'm gonna say B Joel.

1:12:52.240 --> 1:12:56.360
<v Speaker 7>McHale in a weird way. You're kind of right, Will,

1:12:56.400 --> 1:12:59.439
<v Speaker 7>but uh, Sabrina takes this. It is D Matt Damon

1:13:00.160 --> 1:13:02.920
<v Speaker 7>Lucyanna Barossa and it says when they met, she actually

1:13:03.000 --> 1:13:03.639
<v Speaker 7>was a bartender.

1:13:03.640 --> 1:13:06.160
<v Speaker 1>Oh thank you, Yeah, okay, so that's the then that's wrong,

1:13:06.520 --> 1:13:08.960
<v Speaker 1>Thank you very much. She was a bartender. That's the

1:13:08.960 --> 1:13:11.280
<v Speaker 1>famous thing about him. He loved her for years, so

1:13:11.600 --> 1:13:15.000
<v Speaker 1>I'm wrong. I'm counting that a win for me. One

1:13:15.080 --> 1:13:17.040
<v Speaker 1>for me too. We both got that correct because if

1:13:17.080 --> 1:13:19.639
<v Speaker 1>it said which one was married a bartender, I would

1:13:19.680 --> 1:13:23.240
<v Speaker 1>have known exactly what it was. Fake question Number two

1:13:23.439 --> 1:13:26.920
<v Speaker 1>the makeup artist A Patrick Dempsey, B Steve BUSCEMI, C

1:13:27.160 --> 1:13:31.400
<v Speaker 1>John c Riley or D Keegan Michael Key. A Patrick

1:13:31.439 --> 1:13:34.559
<v Speaker 1>Dempsey say D Keegan, Michael Key.

1:13:35.320 --> 1:13:36.280
<v Speaker 7>Sabrina's on a role.

1:13:36.320 --> 1:13:40.479
<v Speaker 1>It's a you know all these damn I don't know

1:13:40.520 --> 1:13:44.720
<v Speaker 1>any of these. Number three jewelry designers at A and Hathaway, B,

1:13:44.960 --> 1:13:48.400
<v Speaker 1>Margot Robbie, C, Emma Roberts or D Shania Twain.

1:13:52.479 --> 1:13:57.840
<v Speaker 2>C Emma Roberts, C Ema Roberts.

1:13:56.439 --> 1:13:58.799
<v Speaker 7>A and haf Adam Schulman.

1:13:59.360 --> 1:14:01.840
<v Speaker 2>Okay, George, that's it.

1:14:03.880 --> 1:14:07.800
<v Speaker 1>I have officially lost, Thank you exactly. Sabrina loves that.

1:14:09.760 --> 1:14:13.639
<v Speaker 1>Number four of vet Tech. Is that A Jason Moraz,

1:14:13.760 --> 1:14:17.599
<v Speaker 1>B Samuel L. Jackson, C. John Stewart or D. Wolf Blitzer.

1:14:19.160 --> 1:14:20.719
<v Speaker 1>I don't think Jason raz is married?

1:14:20.800 --> 1:14:22.800
<v Speaker 2>Is he? I have no idea.

1:14:22.960 --> 1:14:24.000
<v Speaker 1>I'm gonna say, B.

1:14:24.400 --> 1:14:27.920
<v Speaker 2>Samuel, I'm gonna go with that too. It is C.

1:14:29.640 --> 1:14:31.960
<v Speaker 7>Mary Tracy McShane.

1:14:32.080 --> 1:14:37.839
<v Speaker 1>Doctor Tracy McShane, doctor uh and see an art gallery

1:14:37.880 --> 1:14:42.479
<v Speaker 1>curator is at A Warren Buffett see Christian Slater or

1:14:42.560 --> 1:14:46.200
<v Speaker 1>B Christian Slater see Larry David or D. Jesse Eisenberg.

1:14:48.240 --> 1:14:52.480
<v Speaker 2>B Christian Slater see Larry David.

1:14:53.200 --> 1:14:55.599
<v Speaker 7>I have it as B, so that means Sabrina win

1:14:55.920 --> 1:14:56.840
<v Speaker 7>you one.

1:14:56.880 --> 1:15:01.960
<v Speaker 1>Congratulations. Wow, that's a big Do you have any Sabrina

1:15:01.960 --> 1:15:07.439
<v Speaker 1>seas or do you just want to skip them?

1:15:08.200 --> 1:15:10.599
<v Speaker 3>The only one that we didn't kind of cover, and

1:15:10.640 --> 1:15:14.200
<v Speaker 3>it was more so like Sabrina's irritations.

1:15:13.880 --> 1:15:15.640
<v Speaker 2>Is that we were doing today.

1:15:16.080 --> 1:15:18.840
<v Speaker 3>My biggest thing is about this, and we talked about

1:15:18.880 --> 1:15:21.639
<v Speaker 3>a lot of them, was the just not talking about

1:15:21.680 --> 1:15:25.200
<v Speaker 3>things that happened the club, the this, the that the

1:15:25.240 --> 1:15:29.360
<v Speaker 3>biggest one was the loss of a freaking awesome.

1:15:29.160 --> 1:15:30.559
<v Speaker 1>Car, like nobody cared.

1:15:30.920 --> 1:15:33.920
<v Speaker 3>First of all, the way it happened was so ridiculous,

1:15:33.960 --> 1:15:37.599
<v Speaker 3>and they're all sudden was just this like sandpit or mud,

1:15:37.640 --> 1:15:43.240
<v Speaker 3>and then they were like searching it, say.

1:15:43.760 --> 1:15:44.599
<v Speaker 2>Was so stupid.

1:15:44.800 --> 1:15:48.280
<v Speaker 3>But the fact that the car was gone, never returned,

1:15:48.400 --> 1:15:52.240
<v Speaker 3>and never spoke about was the most ridiculous thing I

1:15:52.280 --> 1:15:55.280
<v Speaker 3>think we have ever seen in a DCM like, I

1:15:55.360 --> 1:15:57.040
<v Speaker 3>think that is right up there.

1:15:57.000 --> 1:15:59.800
<v Speaker 2>And that's the last one. Oh no, sorry, they'll sorry.

1:15:59.840 --> 1:16:02.880
<v Speaker 3>The last one was her sister and I talked about

1:16:02.880 --> 1:16:06.439
<v Speaker 3>this earlier in the episode, her sister saying, now, let's

1:16:06.439 --> 1:16:08.599
<v Speaker 3>get you pretty enough to be my sister to go

1:16:08.640 --> 1:16:10.960
<v Speaker 3>to the dance. I would have been like you, I'm not.

1:16:10.960 --> 1:16:13.639
<v Speaker 2>Going the dance.

1:16:13.640 --> 1:16:14.680
<v Speaker 1>We didn't even remember we had.

1:16:14.760 --> 1:16:16.519
<v Speaker 3>We didn't even First of all, I forgot about it.

1:16:16.520 --> 1:16:19.200
<v Speaker 3>Second of all, like, no, I'm not going. Let's make

1:16:19.240 --> 1:16:21.320
<v Speaker 3>me pretty enough. How about I'm prettier than you.

1:16:21.360 --> 1:16:23.840
<v Speaker 2>So kicks Shelby.

1:16:23.560 --> 1:16:28.080
<v Speaker 1>Or whatever your name is, Sarah, I think get out.

1:16:30.080 --> 1:16:31.440
<v Speaker 1>I like it.

1:16:31.720 --> 1:16:32.200
<v Speaker 2>Good.

1:16:32.439 --> 1:16:35.200
<v Speaker 1>Well, now let's score our film. This should be fun.

1:16:35.360 --> 1:16:37.160
<v Speaker 1>Our options for this week we're doing one out of ten.

1:16:37.160 --> 1:16:39.680
<v Speaker 1>I'm not even make a joke out of it. The

1:16:39.720 --> 1:16:43.280
<v Speaker 1>options for this week are confusing prom opinions one out

1:16:43.280 --> 1:16:46.880
<v Speaker 1>of ten, unrelated beebers one out of ten, Hollywood handshakes

1:16:47.240 --> 1:16:51.719
<v Speaker 1>one out of ten, Plump Pinto's awful doctor cars, guys

1:16:51.720 --> 1:16:55.360
<v Speaker 1>with guitars at parties, Paparazzi's in the same van one

1:16:55.400 --> 1:16:57.960
<v Speaker 1>out of ten, Harry Perry's one out of ten, Sad

1:16:58.000 --> 1:17:00.760
<v Speaker 1>salad pokes, which sounds like a weird thing one out

1:17:00.760 --> 1:17:04.519
<v Speaker 1>of ten Zach Posen's or one out of ten Stubbies,

1:17:04.560 --> 1:17:06.080
<v Speaker 1>which also sounds like a weird sex thing.

1:17:06.120 --> 1:17:08.720
<v Speaker 2>Sabrina, you pick, I'm gonna go with plumb pintos.

1:17:08.840 --> 1:17:13.719
<v Speaker 1>You got it? I think I'm I go first this time.

1:17:14.280 --> 1:17:16.960
<v Speaker 1>Let's just get this over with. I did not like

1:17:17.000 --> 1:17:22.280
<v Speaker 1>this movie. Again. The acting was fine, it looked okay.

1:17:22.439 --> 1:17:24.960
<v Speaker 1>This story was all over the place. It made no sense.

1:17:25.000 --> 1:17:26.479
<v Speaker 1>I don't know what this movie was supposed to be

1:17:26.560 --> 1:17:29.000
<v Speaker 1>or what it was supposed to be about. It wasn't

1:17:29.080 --> 1:17:32.800
<v Speaker 1>really romantic. It wasn't really a comedy. It wasn't it

1:17:32.840 --> 1:17:35.720
<v Speaker 1>wasn't really a musical. I don't know what this movie is.

1:17:36.200 --> 1:17:38.200
<v Speaker 1>You can come at me all you want to. I

1:17:38.200 --> 1:17:41.280
<v Speaker 1>will stand by this all day long. I'm gonna give

1:17:41.320 --> 1:17:46.320
<v Speaker 1>this four point five plumb pintos. This movie was just

1:17:46.360 --> 1:17:47.840
<v Speaker 1>all over the place. I didn't get it. And it's

1:17:47.840 --> 1:17:49.560
<v Speaker 1>also we're coming off of two or three in a

1:17:49.680 --> 1:17:51.519
<v Speaker 1>row that we really liked, so we can see what

1:17:51.640 --> 1:17:54.000
<v Speaker 1>can be done so to go from. We've even seen

1:17:54.120 --> 1:17:56.120
<v Speaker 1>a better version of this with Stuck in the Suburbs.

1:17:56.120 --> 1:17:58.920
<v Speaker 1>I mean, you've seen this already seen this movie done better.

1:17:59.400 --> 1:18:02.000
<v Speaker 1>So this was not a good movie. What do you got?

1:18:02.240 --> 1:18:04.960
<v Speaker 3>This was a miss for me through and through and

1:18:05.000 --> 1:18:07.439
<v Speaker 3>it frustrates me and I hate it because you know

1:18:07.479 --> 1:18:09.960
<v Speaker 3>how much I love being bright and shiny on this podcast.

1:18:10.040 --> 1:18:13.519
<v Speaker 2>This was a dull and dim day for Sabrain and Brian.

1:18:14.240 --> 1:18:17.240
<v Speaker 2>I'm sorry. I'm sorry for those of the people that

1:18:17.240 --> 1:18:18.439
<v Speaker 2>that actually loved this.

1:18:18.760 --> 1:18:21.839
<v Speaker 3>I can literally I don't say this about many dcoms.

1:18:21.920 --> 1:18:26.479
<v Speaker 3>I did not like it at all, and it hurts

1:18:26.520 --> 1:18:29.880
<v Speaker 3>to do that. I'm going to give it for rest

1:18:29.960 --> 1:18:37.519
<v Speaker 3>in peace plum pintos, because I yes, that never happens.

1:18:37.600 --> 1:18:40.880
<v Speaker 3>I literally would never ever want to ever watch this again.

1:18:40.920 --> 1:18:43.840
<v Speaker 3>I know, and it's completely I feel terrible being that

1:18:43.920 --> 1:18:45.479
<v Speaker 3>strong feeling about it.

1:18:46.920 --> 1:18:50.439
<v Speaker 2>But the holes were too big.

1:18:50.640 --> 1:18:54.080
<v Speaker 3>There was nothing talked about this was, which made it

1:18:54.200 --> 1:18:55.880
<v Speaker 3>just not real like it was.

1:18:56.479 --> 1:18:59.120
<v Speaker 2>This is a real thing. I love this storyline.

1:18:59.200 --> 1:18:59.519
<v Speaker 1>I do.

1:18:59.680 --> 1:19:04.080
<v Speaker 3>This idea of a celebrity finding not just a regular

1:19:04.160 --> 1:19:07.720
<v Speaker 3>person totally up my alley, completely missed the mark for me.

1:19:07.800 --> 1:19:09.559
<v Speaker 1>One hundred percent agree with you. All right, Well, thank

1:19:09.640 --> 1:19:11.679
<v Speaker 1>you everybody for joining us. Our next movie is putting

1:19:11.720 --> 1:19:13.759
<v Speaker 1>us back in the saddle and hopefully back on Track.

1:19:14.240 --> 1:19:17.800
<v Speaker 1>It's two thousands horse riding drama ready to run. It's

1:19:17.840 --> 1:19:19.920
<v Speaker 1>currently available to stream on Disney Plus. I don't miss

1:19:19.960 --> 1:19:21.720
<v Speaker 1>your chance to get a little pregame in before we

1:19:21.800 --> 1:19:24.320
<v Speaker 1>recap it, and don't forget to always go over and

1:19:24.400 --> 1:19:27.360
<v Speaker 1>check out our park Hopper episodes on our Magical Rewind feed.

1:19:27.640 --> 1:19:30.880
<v Speaker 1>We interview some great people talking about incredible movies and

1:19:30.960 --> 1:19:32.720
<v Speaker 1>some movies and aren't the best in the world. So

1:19:32.960 --> 1:19:35.519
<v Speaker 1>just search for Magical Rewind wherever you get your podcasts

1:19:35.520 --> 1:19:38.599
<v Speaker 1>and subscribe to make sure every new episodes end up

1:19:38.640 --> 1:19:42.200
<v Speaker 1>in your library. Who It was a rough ending the way,

1:19:42.240 --> 1:19:43.519
<v Speaker 1>It was a rough beginning the rate, It was a

1:19:43.560 --> 1:19:45.840
<v Speaker 1>rough middle. It was a rough movie. But thanks everybody.

1:19:45.880 --> 1:19:48.160
<v Speaker 1>By the way, send all your hate to Sabrina Bryan.

1:19:49.479 --> 1:19:52.280
<v Speaker 1>She loves to read it. I hate it, don't do it.

1:19:52.800 --> 1:19:56.240
<v Speaker 2>By bye, everybody,