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Speaker 1: Sabrina. Yes, We'll get into why you're laughing later, because

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Speaker 1: I'm laughing for the same reason. However, I did want

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Speaker 1: to ask, Okay, who was the first celebrity you ever met?

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Speaker 1: Oh my gosh, even a local celebrity.

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Speaker 2: No, I know exactly who it was. I did.

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Speaker 3: Like a telethon that Tony Danza was hosting Angela and

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Speaker 3: I I walked into a like it was like the CBS,

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Speaker 3: like we're We're Dancing with the Stars films, right, And

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Speaker 3: it's in one of those old elevators. You know, the

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Speaker 3: smells come back do you instantly, like just being in

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Speaker 3: those rooms or those buildings. And I was doing a

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Speaker 3: telethon and I was doing a tap dance solo, and

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Speaker 3: I knew he was going to be their hosting, but

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Speaker 3: I didn't. I just like walked into the elevator and

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Speaker 3: there he was. And it was one of those moments

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Speaker 3: where I was little. I was probably like eleven or twelve,

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Speaker 3: and I kind of got starstruck because I hadn't I

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Speaker 3: had never seen a celebrity before, like in real life,

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Speaker 3: and I just looked at him and me probably like

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Speaker 3: four ten. I was so small for so long, was

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Speaker 3: like you're taller than I thought you'd be.

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Speaker 2: And he's like, you're shorter than I thought you'd be.

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Speaker 2: And I was like, fair, that's fair.

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Speaker 1: Okay, Oh that was it.

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Speaker 2: And the doors opened and right.

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Speaker 3: But I just like, that's the only thing that came

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Speaker 3: out of my mouth. I was literally just sitting there

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Speaker 3: because I had watched him obviously on TV for so long.

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Speaker 3: I knew he was going to be there, Like it was.

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Speaker 3: I just got star starstruck like that, And I don't

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Speaker 3: think I've literally really ever gotten starstruck very much since.

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Speaker 1: I think, Wow, I've been starstruck before. Yeah, I think

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Speaker 1: my two biggest starstrucks were because I've ever asked. Well,

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Speaker 1: my first one ever, you would not know because it

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Speaker 1: was he was a local guy. The first one was

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Speaker 1: Don Lark, Channel three News, Connecticut got and so I

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Speaker 1: was doing a play in Connecticut with his son, Jumper,

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Speaker 1: who they named Jumper because I guess when he was

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Speaker 1: in the womb he kicked and shut a door, so

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Speaker 1: they called him Jumper. And his dad was Don Lark

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Speaker 1: Channel three News, and so he came to the play

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Speaker 1: and I was like, that's Don Lark. But I've only

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Speaker 1: asked for autographs from two people and it was Tony

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Speaker 1: Hawk signed signed my Tony Hawk video game because I

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Speaker 1: also did the voice in it. I'm the character you

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Speaker 1: can play no way. Oh dude, it's the coolest thing.

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Speaker 1: So when you go to Talk American Ways, Hey.

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Speaker 3: You know, I'm a big fan of you, and all

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Speaker 3: the voice over I called you was God, right, like

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Speaker 3: the voice over God, but.

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Speaker 2: The Tony Hawk. Are you kidding me?

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Speaker 1: Oh? It gets even cooler because the first thing you

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Speaker 1: do is you build your character. So it's just called

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Speaker 1: you the character, and you can make it look like

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Speaker 1: however you want. So I'm the only person in the

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Speaker 1: world that can make the character look just like me.

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Speaker 1: And it's my voice.

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Speaker 3: I thought my girlfriend Erica had a flex because Talk

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Speaker 3: Tony Hawk's her godfather, her Dado.

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Speaker 2: Yeah, but to say you're the voice her dad.

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Speaker 3: Jerry Madrid Madrid Boards was Tony's first sponsor Tony since

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Speaker 3: he was little and when he started that, we met

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Speaker 3: in college and.

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Speaker 2: She was like, oh yeah, my, she like, I forget

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Speaker 2: what we were doing.

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Speaker 3: We were trying to get like like find things to do,

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Speaker 3: like a like a silent auction thing, and she's like, oh,

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Speaker 3: I can get Tony Hawk, like she talked about all

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Speaker 3: these things and we're.

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Speaker 2: Like, Okay, that's cool, but like kind of weird. How

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Speaker 2: do you know all the time she's like, oh, he's

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Speaker 2: my godfather.

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Speaker 1: Yeah, that's pretty cool. That's a good one. That's a

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Speaker 1: good one.

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Speaker 3: That's a big saying you're the actual because everyone knows

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Speaker 3: your voice.

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Speaker 2: Yeah instantly when.

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Speaker 1: That starts, fun too. Yeah. But then the second person

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Speaker 1: is the second man ever walked in the moon. Buzz

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Speaker 1: Aldron second, the second two people I asked for autographs from, so.

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Speaker 2: I, wow, way where did you get that one?

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Speaker 1: At Disney Disneyland because he you know, he was the

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Speaker 1: inspiration for buzz light Year, right, So he was there

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Speaker 1: at one of the events and I walked up and

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Speaker 1: no one was around him, and I was like, that's buzz.

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Speaker 1: I'm a huge fan of space, so the fact that

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Speaker 1: Artem is two right now is like going to the

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Speaker 1: dark side of I'm freaking out. So I was like,

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Speaker 1: oh my god, that's buzz Aldron. And then I went

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Speaker 1: up and I asked him like, can you please sign

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Speaker 1: this for me? He was very very nice to me,

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Speaker 1: So yeah, it was uh, it was cool. Those are

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Speaker 1: my two autographs.

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Speaker 2: Was he on Dancing with the Stars?

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Speaker 1: Buzz Aldron, I don't you're asking me? I don't know.

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Speaker 3: I know when I do that, it's like I'm asking, actually, Lisa.

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Speaker 1: Who's okay exactly because I know you're not asking.

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Speaker 3: There was an astronaut that was like a big one

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Speaker 3: that was on Dancing with Stars.

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Speaker 2: He was paired with yea, it was with Cheryl burt

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Speaker 2: here At.

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Speaker 1: Cheryl Burke bys Aldrin. Well, the man walked on the

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Speaker 1: Moon in one six gravity. So if you can do that,

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Speaker 1: you can dance with anybody. Well, welcome to Magical Rewind,

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Speaker 1: my friends, the show that makes you want to grab

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Speaker 1: your friends, your pjs and your popcorning back to a

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Speaker 1: time when all the houses were smart, the waves tsunamis,

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Speaker 1: and some of the movies were better than this one.

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Speaker 2: I'm Wilfredell and I am Sabrina Bryan.

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Speaker 1: Well, this week, it's time for another normal run of

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Speaker 1: the mill girl brush up with Hollywood superstardom, Way out

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Speaker 1: of our League, a dcom world's collide trope that we

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Speaker 1: all love. Yes, it's time for twenty ten's musical teen

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Speaker 1: drama Starstruck, and I think it does have a exclamation point.

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Speaker 1: I'm not sure, but I'm gonna say it as if

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Speaker 1: it does. Yes. Starstruck premiered on February fourteenth, twenty ten. Yes,

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Speaker 1: Saint Valentine's Day, a perfect holiday for this love story

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Speaker 1: to be tied with. We may have seen this plot before,

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Speaker 1: but this one was shot in Los Angeles, which is

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Speaker 1: a very rare occurrence when it comes to these Disney

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Speaker 1: Channel original movies. Another crazy difference for Starstruck is that,

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Speaker 1: because they aimed for a Valentine's Day debut, it aired

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Speaker 1: on a Sunday night, the first ever to claim that

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Speaker 1: day of the week. Wow, and you might be wondering, Hey,

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Speaker 1: will Sabrina, I'm wondering did that decision affect its viewership?

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Speaker 1: Here to tell you the answer is astounding.

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Speaker 4: No.

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Speaker 1: It pulled in six million viewers on a Sunday night,

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Speaker 1: a large enough number to become the channel's most watched

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Speaker 1: February original movie premiere in total viewers kids seven to

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Speaker 1: eleven and with teens. This was a big number, even

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Speaker 1: just in the overall picture of d COM's in a

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Speaker 1: year like twenty ten, and still very impressive to this day.

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Speaker 1: Considering at the end of the day, it really lacked

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Speaker 1: any true star power. I guess it's a good time now, Sabrina.

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Speaker 1: Before it ended up on our schedule and this was

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Speaker 1: required reading. Did you know about Starstruck? No?

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Speaker 2: I think today is gonna be quick.

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Speaker 1: It's gonna be a rough one, isn't it. Today's gonna

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Speaker 1: be a rough one.

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Speaker 2: Is it gonna be quick?

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Speaker 3: Answers for me? And I have anxiety about it because

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Speaker 3: just a.

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Speaker 1: Little bit of adjida, what the fans are gonna think? Yes,

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Speaker 1: you kind of let it go? You can't. I don't

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Speaker 1: want to go.

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Speaker 2: I don't.

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Speaker 3: The thing is, this was twenty ten, so right out

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Speaker 3: of my radar of really doing like Disney stuff, just

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Speaker 3: like right out of that little like you know, pigeonhole

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Speaker 3: thing that I was in, and I don't. I don't

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Speaker 3: recognize either of the kids, like I didn't. Again, I

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Speaker 3: don't know. I don't think I ever met them. I don't,

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Speaker 3: you know, So I don't know were they big stars,

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Speaker 3: have no idea. I it was just a complete unknown

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Speaker 3: for me.

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Speaker 1: Yeah, me too, and me too. I didn't obviously didn't

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Speaker 1: know anything about this, But that's par for the course. Well,

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Speaker 1: let's get into it. Some may recognize at least the

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Speaker 1: synopsis thanks to another movie we recapped, which, if memory serves,

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Speaker 1: we kind of liked the two thousand and four's exploition

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Speaker 1: into another pop star stuck in the suburbs, which I

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Speaker 1: think we liked, didn't we We did? But also maybe

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Speaker 1: even My Date with the President's Daughter had the same

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Speaker 1: kind of plot but with the gender flips. But Mars

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Speaker 1: was better, and Starstruck, being a film based in the

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Speaker 1: world of music, had a soundtrack with a cast singing

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Speaker 1: sort of. The album was released earlier in February and

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Speaker 1: ended up peaking at number twenty three on the Billboard Charts,

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Speaker 1: but did hit number one for US Kids albums once

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Speaker 1: the movie premiered. I was number two that year with

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Speaker 1: Hey Kids, What's up? I'm kidding? I never never did that.

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Speaker 1: Only one quote unquote Christopher Wild song, however, is actually

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Speaker 1: sung by the cast member who played the pop star,

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Speaker 1: and that's the title track Starstruck. The rest are voice

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Speaker 1: by Drew Ryan Scott, a member of the Hollywood Records

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Speaker 1: signed group Varsity Fan Club. And that's because actor Sterling

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Speaker 1: Knight joined the cast late when Cody Linley, known to

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Speaker 1: Disney viewers for his reoccurring role on Hannah Montana as

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Speaker 1: boyfriend Jake Ryan, which is absolutely just a nod to

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Speaker 1: sixteen Candles. I've never seen that Hannah Montana. I don't

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Speaker 1: know who that is, but Jake Ryan is the name

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Speaker 1: of Molly Ringwald's boyfriend in sixteen Candles. He was replaced

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Speaker 1: during pre production. Now, there's two rumors that were spread

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Speaker 1: about the reason for his dismissal. One he booked another

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Speaker 1: job and had a scheduling conflict. But to hold some

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Speaker 1: real weight, Linley did have a wild night out partying

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Speaker 1: and photos were ablish in a magazine. He appeared drunk

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Speaker 1: kissing girls in his underwear. And the timeline does add

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Speaker 1: up because shortly after he was replaced in this movie,

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Speaker 1: which is ironics in something like that scenario is exactly

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Speaker 1: part of the Starstruck plot. The scandal has never been

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Speaker 1: confirmed or denied for the record, it is just a rumor.

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Speaker 1: But the fact that people say his vocals are still

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Speaker 1: blended into the soundtrack, yet they brought in someone else

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Speaker 1: to top line, it feels like maybe there was some

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Speaker 1: sort of a conflict. So, Cody, it's been what fifteen

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Speaker 1: sixteen years now, If you're out there com on magical

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Speaker 1: rewind or the show. We just call Murr and let's

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Speaker 1: talk about it because we want to hear from you.

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Speaker 1: You can let everybody know what really happened. The soundtrack

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Speaker 1: also features music from decom regular Mitchell Musso and a

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Speaker 1: Radio Disney constant at the time, Jazzmine Saginario. Per usual,

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Speaker 1: Starstruck is available to watch right now in Disney. Plus,

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Speaker 1: you have no excuse not to check it out before

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Speaker 1: or after our recap. That is, unless you dog ate it.

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Speaker 1: That's fair excuse, and no one lies about that, so

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Speaker 1: I'd accept that. Now. You may not be Superman, but

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Speaker 1: you can't be my hero. The synopsis, small town girl

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Speaker 1: Jessica Olsen, who might be the meanest person we've ever

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Speaker 1: seen the d com, visits her grandma in Los Angeles

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Speaker 1: after two years, and unexpectedly meets and clashes with teen

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Speaker 1: pop star Christopher Wilde. As their world's collide, they're both

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Speaker 1: forced to decide what matters more, authenticity or popularity. Sabrina,

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Speaker 1: hit me right in the face with your early thoughts

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Speaker 1: on this tried and true formula. It's the d com Starstruck.

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Speaker 1: Punch me in the jaw. What did you think?

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Speaker 2: Okay?

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Speaker 3: Well, thoughts on the formula. I'm down for this kind

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Speaker 3: of storyline.

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Speaker 2: I love it.

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Speaker 1: I love that you're dodging the question.

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Speaker 2: I'm going to dodge, that's what the question.

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Speaker 3: I'm reading the question right here, and I'm answering the question.

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Speaker 2: As far as this d com not my favor, not even.

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Speaker 1: Close like this, I have no problem saying I didn't.

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Speaker 2: I you know, but I'm right and shiny one though.

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Speaker 2: That's that's my part. And when I can't when I

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Speaker 2: use when I'm.

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Speaker 1: Dole and.

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Speaker 3: We got a freaking problem here because it's like I

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Speaker 3: just I I know, it's so many things, and it

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Speaker 3: honestly was the writing, like the the storyline just there's

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Speaker 3: so many like what the f just happened?

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Speaker 2: Wait, oh, no one's going to talk about that.

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Speaker 3: A graduation like it just was so far out for me,

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Speaker 3: and I had a really hard time watching it and

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Speaker 3: I just unfortunately did not like it.

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Speaker 2: That's my early thoughts.

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Speaker 3: We'll get into it to them much so much that

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Speaker 3: I'm I like, don't really even have spreena seas.

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Speaker 1: Because we didn't want to see any anymore. Sabrina stop watching,

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Speaker 1: Yeah exactly.

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Speaker 2: I mean I was like twenty minutes in and I

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Speaker 2: was like, I'm out.

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Speaker 1: Yeah, no, I tap it out? What about it? It

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Speaker 1: will No, I can't agree with you more. Hey, we've

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Speaker 1: had a run here of a bunch of really good

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Speaker 1: ones in a row that we've liked quite a bit.

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Speaker 1: There needed to be one. And again I hate to

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Speaker 1: have to couch you by saying this is our opinion,

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Speaker 1: but this is I was reading about this movie where

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Speaker 1: it was like it was so popular and it got

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Speaker 1: six million viewers and you know all that, and again

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Speaker 1: I didn't get it.

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Speaker 2: I don't know if it was because this was like

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Speaker 2: out of like my realm of watching the channel.

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Speaker 3: So I don't know if these were like two really

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Speaker 3: big stars that everyone was so excited listen, an up

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Speaker 3: and coming like pop star that I don't remember with

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Speaker 3: you know, the main character. Like I was kind of

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Speaker 3: going like, this is just I felt like I was

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Speaker 3: just I don't know it was.

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Speaker 2: It was hard for me, especially like you said, I've

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Speaker 2: just been enjoying myself. Again.

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Speaker 3: I also tried to say, you know what, we just

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Speaker 3: watched High School Musical three.

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Speaker 1: Yeah, it than Tiger Cruse.

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Speaker 3: Had such great ones at it's heart wasn't necessarily comparing them,

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Speaker 3: it just was there was no comparison this often.

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Speaker 1: I agree with you one thousand percent. So Starstrek was

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Speaker 1: directed by Michael Grossman. Grossman is a veteran TV director

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Speaker 1: who worked on shows like RLS, Pretty Little Liars, Gray's Anatomy, Dropped,

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Speaker 1: Dead Diva, and more recently Cobra Kai Finish Him Sorry. This, however,

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Speaker 1: is his only Disney movie, but he did work with

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Speaker 1: Nickelodeon on two films, Merry Christmas, Drake and Josh and

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Speaker 1: One Crazy Cruise. The movie stars that briefly mentioned Sterling

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Speaker 1: Knight as pop star Christopher Wilde. Knight is best known

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Speaker 1: as one of the stars of Disney's Sonny with the Chance,

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Speaker 1: and he played Alex in the two thousand and nine

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Speaker 1: zach Efron movie seventeen Again. He appeared on the Disney

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Speaker 1: show So Random as I Guess where he was on

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Speaker 1: the channel and Danielle Campbell plays small town girl Jessica Olsen.

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Speaker 1: This was very early in her career. She had really

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Speaker 1: only been on four episodes of prison Break. She would

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Speaker 1: later show up on Zeke and Luther and six episodes

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Speaker 1: of the Marvel show Runaways. She most recently appeared on

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Speaker 1: The Rookie and Netflix's The Waterfront. It's also worth noting

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Speaker 1: she was in a movie called Prom in twenty eleven

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Speaker 1: and another one called f The Prom in twenty seventeen.

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Speaker 1: Soke up your mind, Jessica. Is it a good place

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Speaker 1: to be or a bad place to be? Please let

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Speaker 1: me know, because I'm having one in August. Now, these

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Speaker 1: two leads don't kiss in the movie, and that is

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Speaker 1: not just a creative decision. Wild was twenty years old

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Speaker 1: when they shot Starstruck. Campbell was fourteen, so not only

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Speaker 1: would have been inappropriate, but highly illegal. We've seen this

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Speaker 1: once before in a d com and no they can't

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Speaker 1: get that close. That's some great progress in Hollywood, though,

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Speaker 1: because you can just ask my good friend Ryder Strong

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Speaker 1: about the set of Boy Meets World when he was

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Speaker 1: working with Trina McGee Brandon Michael Smith as Stubby. He'd

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Speaker 1: appeared on That So Raven and ten episodes of Fill

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Speaker 1: in the Future. But the roles that mean something to

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Speaker 1: Magical Rewinders is his star turn in Sonny with a Chance,

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Speaker 1: where he played Nico. So he and Sterling knew each

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Speaker 1: other well and they were co stars. But us cool

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Speaker 1: kids know him as Lord of to Bling from another

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Speaker 1: dcom we watched Let It Shine. And then we've got

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Speaker 1: another familiar face. Chelsea Stubb plays Alexis Bender. She now

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Speaker 1: goes by Chelsea Kine, but she was in the Brats

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Speaker 1: movie and an episode of Wizard's Waverley Place. But we

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Speaker 1: will never forget here. But we will never forget her

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Speaker 1: from the dcom Minute Men. She's now a very busy

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Speaker 1: voice actress, most notably playing be on Fishhooks. But get

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Speaker 1: into it here we go. How long is this movie?

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Speaker 1: It's too long. Even if it's too short, that's what

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Speaker 1: we care about here on magical reline. Well, Starstruck comes

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Speaker 1: in at just eighty one minutes. All right, well off

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Speaker 1: the target by nine minutes, but we applaud the effort

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Speaker 1: since it's on the right side of history. So thank

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Speaker 1: you time gods. It was mercifully short. And again, I'm

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Speaker 1: gonna try to be funny as I can, but we're

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Speaker 1: probably gonna bash this movie a little bit, I know.

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Speaker 1: And when it comes to the names on the cover

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Speaker 1: page of the script, we've got two writers. First up

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Speaker 1: story in teleplay from Barbara John's. Her only credits are

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Speaker 1: this movie and then a decade later episodes of the

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Speaker 1: Catherine Heigel Sarah Chalk Netflix show Firefly Lane. So I'm

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Speaker 1: very curious what her story is because she took a

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Speaker 1: decade off. And then we've got any DeYoung she chipped

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Speaker 1: in on the teleplay, and so again we see a

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Speaker 1: new green writer paired up with a dcom regular. Here,

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Speaker 1: Dejung is the writer behind Return to Halloween Town, Princess

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Speaker 1: Protection Program, Girl Versus Monster, sixteen Wishes, and the recently

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Speaker 1: recapped Johnny Coppahala back on board. Okay, let's not waste

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Speaker 1: any more time. There's a line outside the Under twenty

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Speaker 1: one club and it's not getting any shorter, so let's

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Speaker 1: dive into Starstruck. We open at a sold out Staple

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Speaker 1: Center with pop star Christopher Wilde performing on stage. And

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Speaker 1: something I notice here in the opening credits the movie

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Speaker 1: is produced by someone named Jane Bieber, and yes, there

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Speaker 1: is no relation whatsoever. So small World fans are screaming

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Speaker 1: the place is going nuts. And then we see a girl,

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Speaker 1: Sarah Olsen is watching from home, sitting on her sofa,

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Speaker 1: giddy and excited. Suddenly the TV is blocked by another girl,

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Speaker 1: her sister, Jessica Olsen. She's clearly not as big a

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Speaker 1: Christopher Wild fan as they argue. Her parents walk in.

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Speaker 1: The girls better get packing because they leave for the

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Speaker 1: airport in twenty four hours. They're going to see their

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Speaker 1: grandmother in Hollywood after two years. They mentioned they have not,

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Speaker 1: for some reason, gone and visited this woman for two years,

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Speaker 1: which I found to be weird. And that excites Sarah

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Speaker 1: because there it's all so where Christopher Wild lives. She

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Speaker 1: wonders what's gonna happen if he picks them up at

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Speaker 1: the airport, which is certainly something a murderer would ask. Jessica, though,

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Speaker 1: is a bit of a buzzkill. She doesn't really want

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Speaker 1: to go to La And this is just the start

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Speaker 1: of I'm sorry. Two of arguably the most annoying characters

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Speaker 1: we've ever seen into d coom the main girl who's

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Speaker 1: unnecessarily mean through most of this movie, rude and then

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Speaker 1: instantly changes her thing and then mean again and then crying.

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Speaker 1: It's really strange. And the sister, who might be one

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Speaker 1: of the most annoying characters we've ever seen in.

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Speaker 3: A decom definitely would be up for the ranking, and

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Speaker 3: were sisters of the dcom like she was such an she.

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Speaker 1: Was, And I don't necessarily blame the actress though she

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Speaker 1: played it big, but it was it. Yeah, it was

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Speaker 1: just a character's annoying.

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Speaker 3: The character, the way the character was written, and like

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Speaker 3: even in the end, and I know what we'll get there,

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Speaker 3: Like her like saving grace of I'm a nice sister

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Speaker 3: was the most efed up thing I think.

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Speaker 1: I've ever heard.

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Speaker 2: Like I would legitimately have punched her in the face.

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Speaker 1: Of that point. Yeah, none of this made sense. Yeah,

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Speaker 1: in it, I agree, And that was just a start too,

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Speaker 1: because there's other things where I was like, wait, what

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Speaker 1: so Yeah, Sarah tells everyone will be quiet. There's an

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Speaker 1: interview with Christopher on TV. He thanks his fans, and

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Speaker 1: the sisters argue over if this musician is actually a

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Speaker 1: great person or not. Jessica argues that her sister doesn't

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Speaker 1: actually know him, even though they live in Michigan. Sarah

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Speaker 1: feels like she knows everything about him, where he works,

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Speaker 1: what he eats apparently pinks hot dogs, and where he parties.

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Speaker 1: And this is where the serious stalkers behavior starts. And

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Speaker 1: so he cut to Los Angeles, Christopher and his pal Stubby.

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Speaker 1: It's pulled up a beautiful convertible and get ready for

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Speaker 1: lots of really beautiful cars. Best part of the movie.

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Speaker 1: Ready for a night of clubbing and what was actually

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Speaker 1: the old Billboard Live on Sunset, but here it's called

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Speaker 1: the Under twenty one Club, just so Disney can make

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Speaker 1: sure you know, there's no drinking or drugs allowed in here.

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Speaker 1: It's not that they're not hanging out at the Viper Room, right.

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Speaker 3: There was also two at this point, I think a

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Speaker 3: actual club like kiss E Fem owned it or something.

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Speaker 2: It was called like seventeen, like there was like a

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Speaker 2: oh no, there was some I know it was up it.

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Speaker 3: Was across from in that like little Summer dev eight. Okay, yeah,

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Speaker 3: it was in the I think right like across from

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Speaker 3: or next to like the Man's Chinese that little center,

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Speaker 3: that little on Hollywood.

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Speaker 1: Boulevard, Hollywood Vine.

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Speaker 2: Yeah it was.

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Speaker 1: And by the way, you'll have way more fun.

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Speaker 2: Side note.

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Speaker 3: That was like the first night me Adrian, Raven and

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Speaker 3: Keeley all hung out. Our producer Debor was like, you

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Speaker 3: guys should go out and do something fun, and Raven's like,

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Speaker 3: do you want to go to this.

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Speaker 2: DV eight club?

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Speaker 3: And We're like sure, So we all went there and

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Speaker 3: we all wore juicy couturevelor suits.

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Speaker 2: I swear to god, that's a real story.

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Speaker 1: Oh my god, if there's a picture of that anywhere,

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Speaker 1: someone please send it in.

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Speaker 3: It would break the raven drove us like, oh my gosh,

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Speaker 3: I will never forget that. So I was like sitting

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Speaker 3: there in the car. Of course, remember I was so green.

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Speaker 3: Like I'm saying, like, I'm with two three l W

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Speaker 3: girls in raven Bone going to go to a club

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Speaker 3: eighteen and underclub.

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Speaker 1: Good for you?

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Speaker 2: What is hi? I have made it.

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Speaker 1: I here people, I have arrived. Good for you.

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Speaker 3: I have borrowed a juicy gadoor outfit from Adrian.

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Speaker 2: I'm killing lively.

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Speaker 1: Good for you. I kill it at David Busters. I

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Speaker 1: can put down more food than anybody.

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Speaker 2: Oh anyway, that's the real story that just popped out.

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Speaker 1: I love that though. That's how I love that. That's

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Speaker 1: better than the movie. As they walked to the door,

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Speaker 1: they run into Christopher's girlfriend, famous actress Alexis Bender. The

434
00:20:29,520 --> 00:20:33,240
Speaker 1: complicated to exchange pleasantries and Chris realizes tomorrow is her birthday.

435
00:20:33,480 --> 00:20:35,920
Speaker 1: He promised he would sing it her party, but doesn't

436
00:20:35,960 --> 00:20:38,639
Speaker 1: look very excited about it. Stubby's bombed is supposed to

437
00:20:38,640 --> 00:20:40,040
Speaker 1: be a guy's night out and now he has to

438
00:20:40,040 --> 00:20:42,520
Speaker 1: deal with Alexis. A lot of blog talk here too.

439
00:20:42,560 --> 00:20:44,560
Speaker 1: It's a real sign of being a celebrity in twenty

440
00:20:44,760 --> 00:20:47,720
Speaker 1: ten's and having to worry about bloggers that were kind

441
00:20:47,760 --> 00:20:50,639
Speaker 1: of the new tabloid, you know, Prince Hilton was coming out,

442
00:20:50,840 --> 00:20:52,200
Speaker 1: and a bunch of people like that, and they had

443
00:20:52,280 --> 00:20:54,959
Speaker 1: websites that were spreading gossip and actually just basically kind

444
00:20:54,960 --> 00:20:58,600
Speaker 1: of hatred. This was all in the social media boom. Yeah,

445
00:20:58,600 --> 00:21:01,720
Speaker 1: it was. It was not cool. And then right on cue,

446
00:21:01,800 --> 00:21:05,359
Speaker 1: Christopher and Alexis are bum rushed by paparazzi, clearly tipped

447
00:21:05,359 --> 00:21:08,040
Speaker 1: off by Alexis. Christopher fights back because he feels attacked

448
00:21:08,080 --> 00:21:11,240
Speaker 1: and the photographer's snap away. And the next morning we're

449
00:21:11,240 --> 00:21:13,680
Speaker 1: at McKinley High School back in Michigan. A school dance

450
00:21:13,720 --> 00:21:16,200
Speaker 1: is approaching and Sarah's excited to attend, but Jessica, again

451
00:21:16,200 --> 00:21:18,720
Speaker 1: a total downer, hates it, but is forced to go

452
00:21:18,760 --> 00:21:21,320
Speaker 1: for the school paper. Sarah's decided to bring her camera

453
00:21:21,400 --> 00:21:23,719
Speaker 1: to Hollywood since she needs pictures of Christopher for her

454
00:21:23,760 --> 00:21:25,920
Speaker 1: photo album, which is also filled with their plans on

455
00:21:25,960 --> 00:21:27,359
Speaker 1: how she's going to run into him. She has it

456
00:21:27,440 --> 00:21:30,960
Speaker 1: all figured out, because that's absolutely something a serial killer

457
00:21:30,960 --> 00:21:35,000
Speaker 1: would do. Crazy Back at La, Christopher arrives late and

458
00:21:35,040 --> 00:21:38,440
Speaker 1: his manager's aka his parents are already excited about a

459
00:21:38,480 --> 00:21:40,400
Speaker 1: new opportunity for their son to become a movie star.

460
00:21:40,840 --> 00:21:44,159
Speaker 1: And when big Hollywood director Alan Smith arrives, the possibility

461
00:21:44,160 --> 00:21:46,479
Speaker 1: becomes even more likely. And for everybody out there, this

462
00:21:46,560 --> 00:21:50,600
Speaker 1: is a fun mcguffin and a fun little Hollywood side note.

463
00:21:50,920 --> 00:21:54,200
Speaker 1: Whenever you see Alan Smith or it's actually Alan Smithy,

464
00:21:54,720 --> 00:21:57,360
Speaker 1: you'll see either a director or a writer called Alan

465
00:21:57,440 --> 00:22:00,600
Speaker 1: Smithy or Alan Smith. And that's a famous director who

466
00:22:00,640 --> 00:22:03,040
Speaker 1: didn't like the project and doesn't want their name on it.

467
00:22:03,400 --> 00:22:06,359
Speaker 1: So anytime you see something Alan smith Ead or Alan Smith,

468
00:22:06,680 --> 00:22:09,240
Speaker 1: it's somebody who went, I hate this, take my name off,

469
00:22:09,280 --> 00:22:10,600
Speaker 1: and that's the name they put on.

470
00:22:11,160 --> 00:22:11,600
Speaker 2: Wowow.

471
00:22:12,040 --> 00:22:15,320
Speaker 1: Alan Smith arrives, the possibility becomes even more likely that

472
00:22:15,440 --> 00:22:17,040
Speaker 1: he's going to become a movie star. He gets right

473
00:22:17,040 --> 00:22:19,000
Speaker 1: to the point. He likes what he sees. He wants

474
00:22:19,040 --> 00:22:20,800
Speaker 1: Christopher to be in the movie, but the studio isn't

475
00:22:20,800 --> 00:22:22,920
Speaker 1: on board yet. They saw pictures of Christopher tangling with

476
00:22:22,960 --> 00:22:27,080
Speaker 1: paparazzi and have concerns because the one thing studios hate

477
00:22:28,080 --> 00:22:32,040
Speaker 1: is famous people in their movies. This is where I

478
00:22:32,080 --> 00:22:37,200
Speaker 1: was like, this storyline makes no sense. Hey man, you're

479
00:22:37,240 --> 00:22:40,680
Speaker 1: really famous and the press is following you everywhere. You

480
00:22:40,720 --> 00:22:43,840
Speaker 1: can't be in a big movie, huh, or.

481
00:22:43,880 --> 00:22:46,960
Speaker 3: In general, like you can't have a girlfriend, you can't

482
00:22:47,000 --> 00:22:51,240
Speaker 3: be seen, you cannot be seen with a girlfriend.

483
00:22:51,400 --> 00:22:53,680
Speaker 1: Yeah, I get, I mean, I get that girl. That's

484
00:22:53,720 --> 00:22:56,080
Speaker 1: how it was in so I mean in like the

485
00:22:56,160 --> 00:22:57,960
Speaker 1: seventies and eighties, it was kind of like that, Like

486
00:22:58,000 --> 00:23:00,280
Speaker 1: I get you know, I know that Dan he All

487
00:23:00,320 --> 00:23:02,040
Speaker 1: told me when she was dating Lance. It was like

488
00:23:02,080 --> 00:23:04,320
Speaker 1: they didn't want anybody to know that they were dating

489
00:23:04,320 --> 00:23:06,440
Speaker 1: because all the ensync boys needed to seem like they

490
00:23:06,440 --> 00:23:07,080
Speaker 1: were available.

491
00:23:07,119 --> 00:23:07,679
Speaker 2: Available.

492
00:23:07,760 --> 00:23:10,360
Speaker 1: Yeah, that's the same thing, like the the Begi's and

493
00:23:10,359 --> 00:23:11,680
Speaker 1: Andy Gibb when he was the biggest thing in the

494
00:23:11,680 --> 00:23:13,720
Speaker 1: world and he GiB was actually married and the record

495
00:23:13,720 --> 00:23:16,080
Speaker 1: company buried his marriage because you have to seem available.

496
00:23:16,119 --> 00:23:18,199
Speaker 1: So I get that. I get when it comes to

497
00:23:18,359 --> 00:23:22,080
Speaker 1: like girls and wanting to seem like you're single. What

498
00:23:22,119 --> 00:23:25,600
Speaker 1: I don't get is a studio going, hey, paparazzi follows

499
00:23:25,640 --> 00:23:27,560
Speaker 1: him everywhere because he's famous, he can't be in a

500
00:23:27,560 --> 00:23:30,800
Speaker 1: big movie, like yeah, nope, nope, that doesn't make any sense.

501
00:23:31,119 --> 00:23:33,960
Speaker 3: But with the girlfriend he had one like that was there,

502
00:23:34,440 --> 00:23:37,720
Speaker 3: that was like celebrity girlfriend. This it made zero.

503
00:23:37,520 --> 00:23:39,680
Speaker 2: Sense to me, and he didn't They shouldn't.

504
00:23:39,680 --> 00:23:41,840
Speaker 1: Know what they were trying to do, and they couldn't

505
00:23:41,840 --> 00:23:44,160
Speaker 1: do is obviously they needed him to do something bad

506
00:23:44,280 --> 00:23:45,680
Speaker 1: at paparazzi caught.

507
00:23:45,560 --> 00:23:46,080
Speaker 2: Get caught.

508
00:23:46,200 --> 00:23:48,639
Speaker 1: He was drinking, he was smashing up a car, he

509
00:23:50,119 --> 00:23:52,800
Speaker 1: something like that, and what I would have done would

510
00:23:52,800 --> 00:23:55,240
Speaker 1: have been again ridiculous, but what I would have done

511
00:23:55,240 --> 00:23:57,240
Speaker 1: would have been something exactly like what we were talking

512
00:23:57,240 --> 00:24:00,280
Speaker 1: about earlier today for a whole different reason. But he

513
00:24:00,640 --> 00:24:03,200
Speaker 1: ate something terrible and was feeling sick on the way

514
00:24:03,200 --> 00:24:04,879
Speaker 1: to the club, and when he gets out, he starts

515
00:24:04,920 --> 00:24:07,400
Speaker 1: throwing up, and they take pictures like wild night Out

516
00:24:07,440 --> 00:24:10,719
Speaker 1: and it's like that bad sushi, so something like that,

517
00:24:10,760 --> 00:24:12,920
Speaker 1: but instead it's just they're taking pictures of a meta

518
00:24:12,920 --> 00:24:15,439
Speaker 1: club with another famous actress, and because of that, he

519
00:24:15,560 --> 00:24:18,520
Speaker 1: can't be in a big movie, which just makes no

520
00:24:18,880 --> 00:24:19,560
Speaker 1: zero sense.

521
00:24:19,760 --> 00:24:25,000
Speaker 3: Like Zo also, I already hate his parents. Of course happened,

522
00:24:25,760 --> 00:24:27,160
Speaker 3: I know, but I hated them.

523
00:24:27,359 --> 00:24:28,199
Speaker 2: I hated them.

524
00:24:28,320 --> 00:24:31,240
Speaker 1: And there's no real kind of resolution to it. He

525
00:24:31,280 --> 00:24:34,000
Speaker 1: has some no quick thing at the end with one

526
00:24:34,160 --> 00:24:38,720
Speaker 1: one line, but it's kind of like, dude, this is yeah,

527
00:24:38,760 --> 00:24:39,760
Speaker 1: but it but at.

528
00:24:39,640 --> 00:24:43,959
Speaker 2: This time too though, this was like relatively.

529
00:24:43,359 --> 00:24:47,639
Speaker 3: Around like Britney Spears like this, Britney Spears drama, a

530
00:24:47,640 --> 00:24:51,720
Speaker 3: lot of the like uh, Lindsay Lohan drama with her family,

531
00:24:51,880 --> 00:24:54,120
Speaker 3: Like there was a lot, so I understand like they were,

532
00:24:54,200 --> 00:24:55,800
Speaker 3: I mean, it was it made sense.

533
00:24:55,960 --> 00:24:59,960
Speaker 1: It just was like they tried to disney fi a real,

534
00:25:00,240 --> 00:25:03,080
Speaker 1: a real important and dangerous bad thing that was happening

535
00:25:03,119 --> 00:25:06,359
Speaker 1: in Hollywood actually, and that doesn't work. You can't disnify it.

536
00:25:05,920 --> 00:25:08,600
Speaker 1: You gotta show what it was really like when Britney

537
00:25:08,600 --> 00:25:11,760
Speaker 1: Spears is clearly having a mental breakdown beings being hounded

538
00:25:11,760 --> 00:25:14,320
Speaker 1: by these paparazzi. Yeah, this was I mean again, you

539
00:25:14,359 --> 00:25:17,040
Speaker 1: know it was ten years later, fifteen years later, but

540
00:25:17,480 --> 00:25:20,600
Speaker 1: you know, Princess die was essentially killed because she was

541
00:25:20,800 --> 00:25:24,520
Speaker 1: hounded by the paparazzis. It's a very dangerous time to

542
00:25:24,560 --> 00:25:27,840
Speaker 1: be a quote unquote celebrity, a big celebrity like this.

543
00:25:27,880 --> 00:25:30,879
Speaker 1: How they're supposed to make him and they tried to

544
00:25:30,880 --> 00:25:34,360
Speaker 1: disnefy it. It just didn't work. So he has to prove

545
00:25:34,400 --> 00:25:36,800
Speaker 1: that he's a serious and dedicated actor by Monday, when

546
00:25:36,880 --> 00:25:38,879
Speaker 1: Allan has a meeting with producers to sell them on

547
00:25:38,920 --> 00:25:41,600
Speaker 1: his casting choice. But in the meanwhile, Christopher must stay

548
00:25:41,640 --> 00:25:44,199
Speaker 1: out of the tabloids, good or bad. Christopher says he

549
00:25:44,200 --> 00:25:46,160
Speaker 1: can do that, and they shake hands like Hollywood big

550
00:25:46,200 --> 00:25:48,960
Speaker 1: wigs do. Now we're back at lax The Olsens have

551
00:25:49,040 --> 00:25:51,320
Speaker 1: arrived and Sarah can't wait to use her parents' rental

552
00:25:51,359 --> 00:25:53,520
Speaker 1: car to find Christopher. And this is where I loved

553
00:25:53,560 --> 00:25:56,080
Speaker 1: all the generic things they have. The place is literally

554
00:25:56,080 --> 00:26:01,200
Speaker 1: called lax La rental Cars. It's like rental car place

555
00:26:01,240 --> 00:26:04,360
Speaker 1: in Los Angeles. But Jessica points out she can't drive

556
00:26:04,400 --> 00:26:06,879
Speaker 1: a rental car until she's twenty five. This puts a

557
00:26:06,920 --> 00:26:08,679
Speaker 1: real by the way, that's not actually true. I had

558
00:26:08,680 --> 00:26:10,520
Speaker 1: to rent cars when I was a teenager, and you

559
00:26:10,640 --> 00:26:13,000
Speaker 1: just have to pay a lot more and have massive insurance.

560
00:26:13,040 --> 00:26:16,680
Speaker 2: But I thought that was actually an actual rule.

561
00:26:16,960 --> 00:26:20,119
Speaker 1: There are there are exceptions, because like I was working

562
00:26:20,160 --> 00:26:22,280
Speaker 1: and at seventeen eighteen, I'd need to rent a car somewhere,

563
00:26:22,320 --> 00:26:24,040
Speaker 1: and there's there's ways to do it, so you can

564
00:26:24,160 --> 00:26:24,480
Speaker 1: do it, but.

565
00:26:24,720 --> 00:26:27,359
Speaker 2: It's just incredibly more expensive.

566
00:26:27,480 --> 00:26:30,639
Speaker 1: It is. Yeah, this puts a real wrench in Sarah's plans.

567
00:26:30,640 --> 00:26:33,119
Speaker 1: By the way, her dad suggests that maybe Grandma will

568
00:26:33,160 --> 00:26:34,840
Speaker 1: let her borrow her car, and so when they arrive

569
00:26:34,880 --> 00:26:37,320
Speaker 1: at Grandma's she's up there doing housework with some older

570
00:26:37,320 --> 00:26:39,760
Speaker 1: guy named Howard who was a wonderful actor who was

571
00:26:39,800 --> 00:26:41,560
Speaker 1: not only on the Office but on Boy Me's World,

572
00:26:42,359 --> 00:26:45,160
Speaker 1: who apparently they think might be dating her. So good

573
00:26:45,240 --> 00:26:47,480
Speaker 1: for you, Grandma, go get it. Now. This storyline is

574
00:26:47,520 --> 00:26:50,400
Speaker 1: really cool because nothing happens with it and you never

575
00:26:50,480 --> 00:26:55,119
Speaker 1: see it again. I'm sorry, but it's just like this

576
00:26:55,400 --> 00:26:59,080
Speaker 1: at the end, barely the grandmother had nothing to do

577
00:26:59,160 --> 00:27:02,680
Speaker 1: in this movie. She made no sense. And then they

578
00:27:02,760 --> 00:27:04,399
Speaker 1: try to do a thing at the end where the

579
00:27:04,440 --> 00:27:06,680
Speaker 1: grandma's talking you were giving your life advice. This was

580
00:27:06,720 --> 00:27:07,800
Speaker 1: set up not at all.

581
00:27:08,359 --> 00:27:12,040
Speaker 3: Yeah, So every a lot of that stuff was just

582
00:27:12,080 --> 00:27:15,760
Speaker 3: like so random. Yes, it was okay, it was like,

583
00:27:15,800 --> 00:27:18,280
Speaker 3: we're just good. It's like how I would imagine like

584
00:27:18,320 --> 00:27:20,320
Speaker 3: Monroe would do cooking, Like I'm just gonna put some

585
00:27:20,560 --> 00:27:21,760
Speaker 3: like what is this garlic?

586
00:27:22,320 --> 00:27:23,920
Speaker 2: What is this chocolat?

587
00:27:24,480 --> 00:27:24,920
Speaker 1: Chocolate?

588
00:27:25,440 --> 00:27:27,680
Speaker 2: Some sprinkles. I want to put some jelly beans in it,

589
00:27:27,760 --> 00:27:29,639
Speaker 2: like just the most random.

590
00:27:29,720 --> 00:27:32,920
Speaker 1: And much like whatever Monroe would have cooked. We would

591
00:27:32,920 --> 00:27:35,000
Speaker 1: have taken a bite and gone, it's really good, and

592
00:27:35,040 --> 00:27:36,960
Speaker 1: then walked out and spit it out, which is I

593
00:27:36,960 --> 00:27:39,800
Speaker 1: think what I did with this film. So Jessica is

594
00:27:39,840 --> 00:27:42,040
Speaker 1: so excited to see her grandma, and when they finally embrace,

595
00:27:42,160 --> 00:27:45,159
Speaker 1: it brings a smile to that sour puss face. Finally Jessica.

596
00:27:45,720 --> 00:27:47,720
Speaker 1: And at the same time, Sarah sees her grandmother's car,

597
00:27:47,840 --> 00:27:51,800
Speaker 1: a plum colored Pinto, which is bad and awesome.

598
00:27:52,560 --> 00:27:54,520
Speaker 2: And I got such a cool looking car.

599
00:27:54,480 --> 00:27:58,520
Speaker 1: Such a cool car.

600
00:27:57,840 --> 00:28:02,640
Speaker 3: I wouldn't want it. I would especially down pH in Malibu.

601
00:28:02,359 --> 00:28:06,080
Speaker 1: That I would drive that car every day with the

602
00:28:06,119 --> 00:28:09,159
Speaker 1: biggest smile on my face. But of course this is

603
00:28:09,600 --> 00:28:11,480
Speaker 1: what she wasn't hoping for, a car like this to

604
00:28:11,480 --> 00:28:13,200
Speaker 1: go stock a pop star, which is what she's about

605
00:28:13,200 --> 00:28:16,040
Speaker 1: to do. That night, Sarah gets a call from aj

606
00:28:16,200 --> 00:28:19,400
Speaker 1: back home, a fellow Christopher wild Stand. She reads online

607
00:28:19,560 --> 00:28:22,000
Speaker 1: probably a blog that Christopher's supposed to be performing at

608
00:28:22,040 --> 00:28:25,280
Speaker 1: Alexis Bender's birthday, and now she has to go. Sarah

609
00:28:25,320 --> 00:28:27,360
Speaker 1: knows her parents will only let her go off. Jessica

610
00:28:27,400 --> 00:28:30,440
Speaker 1: tags along, but Jessica is hardly interested in meeting a celebrity,

611
00:28:30,640 --> 00:28:34,080
Speaker 1: especially Christopher Wild. But Sarah has an offer she can't refuse.

612
00:28:34,160 --> 00:28:37,120
Speaker 1: If Jessica goes with her, she'll stop incessantly talking about

613
00:28:37,160 --> 00:28:39,280
Speaker 1: Christopher for at least the rest of the trip. And

614
00:28:39,320 --> 00:28:40,760
Speaker 1: I was like, go, I don't want to hear her

615
00:28:40,760 --> 00:28:43,720
Speaker 1: talk about him either. So now back at the under

616
00:28:43,760 --> 00:28:45,640
Speaker 1: twenty one club, there's a line around the block. When

617
00:28:45,640 --> 00:28:48,200
Speaker 1: the Olsen sisters arrive in their Pinto, I would pull

618
00:28:48,240 --> 00:28:50,560
Speaker 1: that right up in front of a club. They stop

619
00:28:50,560 --> 00:28:52,760
Speaker 1: in a no parking zone across the street and Sarah

620
00:28:52,760 --> 00:28:55,080
Speaker 1: gets changed in the back seat, while nearby, Christopher and

621
00:28:55,080 --> 00:28:57,960
Speaker 1: Stubby are arguing if they should even be there. Christopher

622
00:28:58,000 --> 00:28:59,959
Speaker 1: swears it's fine, but Stubby is very much over Alexis

623
00:29:00,080 --> 00:29:02,320
Speaker 1: and his pal as his friend since the fourth grade,

624
00:29:02,320 --> 00:29:04,480
Speaker 1: it's Stubby's job to let Christopher know when he's doing

625
00:29:04,520 --> 00:29:06,600
Speaker 1: the wrong thing, and they're also in a beautiful Ferrari.

626
00:29:07,120 --> 00:29:09,080
Speaker 1: Their car eventually does arrive at the club, so Sarah

627
00:29:09,120 --> 00:29:11,320
Speaker 1: jumps out of the Pinto to greek Christopher, now leaving

628
00:29:11,360 --> 00:29:14,480
Speaker 1: Jessica behind the wheel. But bad news it's just Stubby.

629
00:29:14,720 --> 00:29:17,360
Speaker 1: Alexis isn't happy, but Sarah may just be the most

630
00:29:17,400 --> 00:29:19,240
Speaker 1: confident human in the world. As she runs over and

631
00:29:19,240 --> 00:29:21,920
Speaker 1: pretends to know him, she poses for the paparazzi, and

632
00:29:21,920 --> 00:29:23,360
Speaker 1: I think this is all the proof we need to

633
00:29:23,400 --> 00:29:27,480
Speaker 1: know that she's actually a real cycle path. I mean,

634
00:29:27,480 --> 00:29:30,120
Speaker 1: that was so I was like, oh, weird. Yes, Stubby

635
00:29:30,160 --> 00:29:31,800
Speaker 1: isn't mad about it, though, because Sarah's a cute girl

636
00:29:31,800 --> 00:29:33,560
Speaker 1: in his arm, and I mean she could technically only

637
00:29:33,600 --> 00:29:36,240
Speaker 1: kill him once, right. All the while, Jessica is just

638
00:29:36,280 --> 00:29:38,600
Speaker 1: waiting in the car. Christopher does arrive, but through the

639
00:29:38,640 --> 00:29:40,640
Speaker 1: back door where Stubby lets him in, avoiding the big

640
00:29:40,680 --> 00:29:42,920
Speaker 1: scene out front. And then it's a big surprise for

641
00:29:42,960 --> 00:29:45,280
Speaker 1: Alexis when he walks on stage and fulfills his promise

642
00:29:45,320 --> 00:29:47,800
Speaker 1: to perform. And Sarah, of all people, can't believe what

643
00:29:47,800 --> 00:29:49,680
Speaker 1: she's seeing. Her idol is singing at the club right

644
00:29:49,680 --> 00:29:54,000
Speaker 1: in front of her. Okay, Sabrina, this is our second song, hear. Okay. First,

645
00:29:54,040 --> 00:29:57,360
Speaker 1: I want to say this, I didn't like this movie.

646
00:29:57,360 --> 00:29:58,760
Speaker 1: I didn't hate it. It's not the worst me I've

647
00:29:58,760 --> 00:30:00,720
Speaker 1: ever seen in my life, but I didn't like this movie. No,

648
00:30:01,160 --> 00:30:05,040
Speaker 1: But The fact that it was a musical didn't factor

649
00:30:05,080 --> 00:30:07,320
Speaker 1: into me not liking at all, because, again we talk

650
00:30:07,360 --> 00:30:10,200
Speaker 1: about appropriate singing. He sung when he was on stage

651
00:30:10,280 --> 00:30:12,000
Speaker 1: or when they handed him a guitar, like it made sense,

652
00:30:12,040 --> 00:30:13,440
Speaker 1: So that didn't bother me at all. What did you

653
00:30:13,440 --> 00:30:14,600
Speaker 1: actually think of the music?

654
00:30:14,680 --> 00:30:18,040
Speaker 3: Though I actually liked the music, The music was probably

655
00:30:18,120 --> 00:30:20,280
Speaker 3: like the best part of it for me. I thought

656
00:30:20,320 --> 00:30:24,080
Speaker 3: it was you know, I kept trying to I didn't know,

657
00:30:25,760 --> 00:30:28,360
Speaker 3: you know, obviously without like like looking into it, whether

658
00:30:28,440 --> 00:30:31,160
Speaker 3: or not it was the actor's voice or not. And

659
00:30:31,240 --> 00:30:35,360
Speaker 3: I kept going, who does that voice sound like to me?

660
00:30:35,560 --> 00:30:39,080
Speaker 3: And I kept thinking his voice sounded similar to a

661
00:30:39,120 --> 00:30:43,000
Speaker 3: young Nick Jonas, So I thought his voice was great,

662
00:30:43,000 --> 00:30:45,240
Speaker 3: and I thought the music was like Okay, I wasn't

663
00:30:45,280 --> 00:30:47,840
Speaker 3: and I'm going, like, I just couldn't plays. I couldn't

664
00:30:47,840 --> 00:30:50,440
Speaker 3: figure out if again I didn't know this kid, so

665
00:30:50,480 --> 00:30:53,160
Speaker 3: I wasn't sure if he was somebody who was like

666
00:30:53,280 --> 00:30:56,040
Speaker 3: on the Channel up and coming like new Channel Star,

667
00:30:56,560 --> 00:30:57,800
Speaker 3: if it was his voice or not.

668
00:30:57,960 --> 00:31:00,400
Speaker 2: But I liked the music. It was it was fine

669
00:31:00,400 --> 00:31:02,160
Speaker 2: for me. There's one part.

670
00:31:01,960 --> 00:31:03,800
Speaker 3: When we'll and I'll bring it up when we get

671
00:31:03,920 --> 00:31:08,040
Speaker 3: that part of the movie where I'm like that time

672
00:31:08,240 --> 00:31:09,440
Speaker 3: part doesn't make sense.

673
00:31:09,440 --> 00:31:10,520
Speaker 2: It's not fallowing the rules.

674
00:31:10,600 --> 00:31:13,719
Speaker 1: It's not falls no rules people.

675
00:31:14,000 --> 00:31:15,680
Speaker 2: But I'll bring it up when the time is ready.

676
00:31:15,760 --> 00:31:19,320
Speaker 1: Yeah, so what about you? They were never fine? They

677
00:31:19,320 --> 00:31:21,400
Speaker 1: were fine. I remember none of them, but I know

678
00:31:21,640 --> 00:31:24,520
Speaker 1: I don't. I didn't hate them. I thought, whoever singing them,

679
00:31:24,560 --> 00:31:26,960
Speaker 1: the voice is very nice. Again, I'm always up for

680
00:31:27,040 --> 00:31:30,400
Speaker 1: appropriate singing. He's a singer, but he's on stage. It's

681
00:31:30,440 --> 00:31:32,160
Speaker 1: not like, you know, I was waiting for them to

682
00:31:32,240 --> 00:31:33,760
Speaker 1: just start singing to each other. So the fact that

683
00:31:33,920 --> 00:31:37,080
Speaker 1: never happened is a breath of fresh air. It is

684
00:31:37,120 --> 00:31:38,360
Speaker 1: for me. That's right.

685
00:31:38,600 --> 00:31:41,200
Speaker 2: Well, because this was not a musical like that that

686
00:31:41,200 --> 00:31:42,800
Speaker 2: would have been so it would have been like that

687
00:31:42,840 --> 00:31:45,920
Speaker 2: one movie that we just recently rewatched that they like

688
00:31:46,000 --> 00:31:48,760
Speaker 2: sang in the park out of Nowhere and we're like, yeah,

689
00:31:49,040 --> 00:31:50,880
Speaker 2: why why.

690
00:31:50,680 --> 00:31:52,160
Speaker 1: Did you do that? That was exactly.

691
00:31:52,280 --> 00:31:55,960
Speaker 3: It wasn't a just one scene didn't make sense. So

692
00:31:55,960 --> 00:31:57,680
Speaker 3: it never did that for us, which was great.

693
00:31:57,840 --> 00:31:58,960
Speaker 1: And yeah, it didn't bother me.

694
00:31:59,520 --> 00:32:01,760
Speaker 2: Check there we go, check on the positive side, check

695
00:32:01,800 --> 00:32:02,120
Speaker 2: on the bye.

696
00:32:02,160 --> 00:32:05,160
Speaker 1: Yeah, there we go, and then boom out of nowhere.

697
00:32:05,160 --> 00:32:06,840
Speaker 1: The best part of the song, Stubby joins in for

698
00:32:06,880 --> 00:32:09,120
Speaker 1: a fun little rap interlude, all while Sarah pushes her

699
00:32:09,160 --> 00:32:11,400
Speaker 1: way to the front. Jessica's still parked across the street.

700
00:32:11,440 --> 00:32:13,680
Speaker 1: She's watching the action unfold on the big screens outside,

701
00:32:13,720 --> 00:32:16,640
Speaker 1: but she has had enough. As Christopher finishes the song,

702
00:32:16,720 --> 00:32:19,040
Speaker 1: she finally decides she's going into the club, but the

703
00:32:19,080 --> 00:32:21,000
Speaker 1: line and scene is just too much, so she does

704
00:32:21,000 --> 00:32:23,080
Speaker 1: what every young girl walking by herself at night in

705
00:32:23,120 --> 00:32:25,800
Speaker 1: Los Angeles does, goes to the back alley all by

706
00:32:25,800 --> 00:32:29,200
Speaker 1: herself at night, and his boom slammed in the face

707
00:32:29,280 --> 00:32:32,600
Speaker 1: by a stage door. It's Christopher Wilde making a getaway.

708
00:32:32,720 --> 00:32:34,280
Speaker 1: He rushes to help her and freaks out about the

709
00:32:34,280 --> 00:32:37,479
Speaker 1: possible repercussions from the impact. He promises her front row

710
00:32:37,520 --> 00:32:40,080
Speaker 1: concert tickets if she just keeps quiet, and then she

711
00:32:40,120 --> 00:32:42,680
Speaker 1: finally realizes who he is, and before they can even

712
00:32:42,680 --> 00:32:45,720
Speaker 1: get into details, Stubby's car pulls up. Well it's actually

713
00:32:45,920 --> 00:32:48,920
Speaker 1: the famous guy's car, Christopher Wild's car. She has then

714
00:32:49,000 --> 00:32:50,920
Speaker 1: rushed into the passenger seat to go and see the doctor,

715
00:32:50,920 --> 00:32:53,520
Speaker 1: which of course is the right idea because she starts puking'

716
00:32:53,920 --> 00:32:56,400
Speaker 1: possibly from head trauma. Anytime you throw up after her

717
00:32:56,440 --> 00:32:59,520
Speaker 1: head wound it usually means a concussion. Stubby is left behind.

718
00:32:59,560 --> 00:33:02,240
Speaker 1: He'll make Sarah's sister is safe without telling her anything.

719
00:33:02,400 --> 00:33:13,840
Speaker 1: This is a phenomenal wing man. And now we are

720
00:33:13,960 --> 00:33:16,680
Speaker 1: at the office of doctor Sanjay, who is coincidentally the

721
00:33:16,720 --> 00:33:19,280
Speaker 1: singer's brother in law, which I thought it was a

722
00:33:19,320 --> 00:33:21,760
Speaker 1: funny dynamic. This guy was great and the future scenes

723
00:33:21,760 --> 00:33:25,200
Speaker 1: with him also didn't happen because this never comes back

724
00:33:25,240 --> 00:33:25,880
Speaker 1: ever again.

725
00:33:26,920 --> 00:33:28,800
Speaker 2: It's like a one and done.

726
00:33:28,480 --> 00:33:29,920
Speaker 1: And he and it was the best part, one of

727
00:33:29,960 --> 00:33:32,680
Speaker 1: the best movie for that guy. Guy is like, you

728
00:33:32,680 --> 00:33:34,840
Speaker 1: know this is a curtain. I can I can hear

729
00:33:34,880 --> 00:33:37,440
Speaker 1: you all that very funny. I was like, please, let's

730
00:33:37,440 --> 00:33:38,200
Speaker 1: see the brother in law.

731
00:33:38,200 --> 00:33:39,400
Speaker 2: Oh yeah, I thought he was funny.

732
00:33:39,600 --> 00:33:42,600
Speaker 1: I'd me too. All the tests of turnout fine. Finally

733
00:33:42,600 --> 00:33:45,240
Speaker 1: common Christopher, whose mom calls with an emergency he needs

734
00:33:45,240 --> 00:33:48,120
Speaker 1: to get home asap. Alan Smith, the director, is there

735
00:33:48,120 --> 00:33:50,440
Speaker 1: with his daughters, who are big fans, but as he's

736
00:33:50,480 --> 00:33:52,480
Speaker 1: ready to run out, doctor Sanjay alerts him that they

737
00:33:52,520 --> 00:33:54,480
Speaker 1: are a paparazzi in the waiting room, which seems like

738
00:33:54,480 --> 00:33:58,240
Speaker 1: a real hip of violation. How about some privacy, brother

739
00:33:58,280 --> 00:34:00,960
Speaker 1: in law? Thank you so much, so Christopher decides to

740
00:34:00,960 --> 00:34:03,760
Speaker 1: trade in his fancy convertible for the doctor's beater old Mercedes,

741
00:34:03,760 --> 00:34:06,680
Speaker 1: because you know doctors have terrible cars. We all know

742
00:34:07,000 --> 00:34:07,920
Speaker 1: they don't make any money.

743
00:34:08,120 --> 00:34:10,160
Speaker 2: Well, he did say he's paying off, is h.

744
00:34:10,480 --> 00:34:12,600
Speaker 1: Yeah, they tried to solve it, but it's still it's

745
00:34:12,680 --> 00:34:15,640
Speaker 1: like he was in a nine dollars car as a resident.

746
00:34:15,719 --> 00:34:18,600
Speaker 1: So I don't know. It could be totally accurate. There's

747
00:34:18,600 --> 00:34:21,000
Speaker 1: a doctor's out there listening to this right now. I'm kidding.

748
00:34:21,000 --> 00:34:23,000
Speaker 1: No doctors listen to or podcast, but if they did,

749
00:34:23,680 --> 00:34:26,480
Speaker 1: they're listening going like, I drive an eighty two Selica.

750
00:34:26,480 --> 00:34:27,879
Speaker 1: I'm trying to pay everything off. Give me ready.

751
00:34:28,040 --> 00:34:28,719
Speaker 2: Yeah.

752
00:34:28,840 --> 00:34:31,600
Speaker 1: Christopher safely drives away with Jessica, and they're now bickering

753
00:34:31,640 --> 00:34:34,279
Speaker 1: with each one about the predicament. They can't get along,

754
00:34:34,360 --> 00:34:36,880
Speaker 1: especially since Christopher has a stop to make on the

755
00:34:36,920 --> 00:34:40,439
Speaker 1: way before dropping her off back at her grandmother's house.

756
00:34:40,600 --> 00:34:42,799
Speaker 1: He arrives back at his house and Jessica's blown away

757
00:34:42,840 --> 00:34:45,960
Speaker 1: by the mansion, but it's quickly rushed upstairs by Christopher. Again.

758
00:34:46,040 --> 00:34:48,759
Speaker 1: Now he isn't taking to his grandmother's house at her

759
00:34:48,760 --> 00:34:50,719
Speaker 1: grandmother's house, and now rushing upstairs. I was like, this

760
00:34:50,760 --> 00:34:53,200
Speaker 1: is getting really weird. Dude, he doesn't want any rumors

761
00:34:53,200 --> 00:34:55,279
Speaker 1: to get out. She's forced to stay upstairs as he

762
00:34:55,520 --> 00:35:01,280
Speaker 1: and they did something very clever here. Okay, very very clever,

763
00:35:01,320 --> 00:35:03,520
Speaker 1: because I was starting to get creeped out, like he's

764
00:35:03,520 --> 00:35:05,439
Speaker 1: not bringing her back to her grandmother's house. He brings

765
00:35:05,480 --> 00:35:08,240
Speaker 1: him to his home. Now he's rushing upstairs. He leaves

766
00:35:08,280 --> 00:35:11,960
Speaker 1: her in the guest room. Ah, and that is was

767
00:35:12,040 --> 00:35:14,840
Speaker 1: done very specifically. He did not run in and be like,

768
00:35:14,920 --> 00:35:18,600
Speaker 1: here's my bedroom, which is would have made it even creepier.

769
00:35:18,600 --> 00:35:21,200
Speaker 1: It's like, stay in the guest room. Very clever that

770
00:35:21,200 --> 00:35:23,360
Speaker 1: they added that line, because they took it from what

771
00:35:23,400 --> 00:35:27,640
Speaker 1: could have been super creepy to just slightly creepy. So yeah,

772
00:35:27,640 --> 00:35:30,680
Speaker 1: but it's like okay that, yes, just but it did it.

773
00:35:30,960 --> 00:35:33,160
Speaker 1: That made a big difference. I was like, ooh, clever

774
00:35:33,239 --> 00:35:35,160
Speaker 1: that they said, I'm leaving you in the astroom.

775
00:35:35,239 --> 00:35:36,239
Speaker 2: No, yeah, that's yeah.

776
00:35:37,040 --> 00:35:39,440
Speaker 1: So she's forced to stay upstairs as he rushes downstairs

777
00:35:39,480 --> 00:35:41,719
Speaker 1: to mingle with his parents' party guests, eventually landing on

778
00:35:41,760 --> 00:35:44,520
Speaker 1: Allan and his two daughters. Upon their request, he grabs

779
00:35:44,520 --> 00:35:46,719
Speaker 1: a stool and guitar and decides to play a song

780
00:35:46,760 --> 00:35:50,200
Speaker 1: he's been working on for well, the whole party, apparently, Sabrina,

781
00:35:50,880 --> 00:35:52,480
Speaker 1: can we admit that no one really likes the guy

782
00:35:52,480 --> 00:35:54,759
Speaker 1: with the guitar at the party, even if they're celebrities.

783
00:35:57,160 --> 00:35:58,759
Speaker 1: Do you not want to admit that you like you

784
00:35:58,840 --> 00:36:00,480
Speaker 1: like the guy? Is it? Really? Is it just dudes

785
00:36:00,480 --> 00:36:02,880
Speaker 1: that are like, really, Keith grabbed a guitar again?

786
00:36:03,640 --> 00:36:07,520
Speaker 2: No, I know, I I don't. I don't favor that.

787
00:36:07,840 --> 00:36:10,840
Speaker 1: Okay, good you especially like it was a weird pause.

788
00:36:11,200 --> 00:36:15,080
Speaker 1: Well because yeah, I mean, I just you know, it

789
00:36:15,200 --> 00:36:16,840
Speaker 1: just seems like the college kid at the party is like,

790
00:36:16,880 --> 00:36:18,600
Speaker 1: hey man, I'm just gonna grab my guitar and.

791
00:36:18,600 --> 00:36:21,920
Speaker 2: Play some tunes that and it, and they think I

792
00:36:22,200 --> 00:36:22,600
Speaker 2: think it.

793
00:36:23,040 --> 00:36:25,279
Speaker 3: Guys hate it, because there's a lot of girls that

794
00:36:25,400 --> 00:36:26,480
Speaker 3: do think like, oh.

795
00:36:26,360 --> 00:36:28,960
Speaker 2: He plays the guitar so dreamy. I don't know I did.

796
00:36:29,360 --> 00:36:31,440
Speaker 3: I dated someone who did that and would like just

797
00:36:31,480 --> 00:36:33,360
Speaker 3: bust it out all the time, and I was just like, okay,

798
00:36:34,280 --> 00:36:37,399
Speaker 3: like I listened to you for like three hours last night.

799
00:36:37,520 --> 00:36:41,600
Speaker 3: Oh I can't take a break. Okay, we're gonna go again. Yeah,

800
00:36:41,640 --> 00:36:43,719
Speaker 3: all right, We're just here we go again, Like it's

801
00:36:43,760 --> 00:36:46,200
Speaker 3: just it's it does get super annoying.

802
00:36:46,280 --> 00:36:48,520
Speaker 1: I think even more annoying is I did that but

803
00:36:48,560 --> 00:36:51,920
Speaker 1: with the trumpet. So that was like at the.

804
00:36:51,920 --> 00:36:56,080
Speaker 2: Party, was playing my banjo exactly.

805
00:36:58,200 --> 00:37:00,120
Speaker 1: We're at a party. Air and an air.

806
00:37:01,600 --> 00:37:04,719
Speaker 3: Or no, there were there was like a fad for

807
00:37:04,760 --> 00:37:09,440
Speaker 3: a while where people had harmonicas on their like like

808
00:37:09,520 --> 00:37:10,280
Speaker 3: they would have.

809
00:37:10,280 --> 00:37:12,359
Speaker 2: It on their like key chain or whatever, and like.

810
00:37:12,440 --> 00:37:16,319
Speaker 3: Yeah, people are the harmonica was the worst. It's not

811
00:37:16,360 --> 00:37:19,239
Speaker 3: a cool party trick, guys. No, no, don't try to.

812
00:37:19,200 --> 00:37:22,759
Speaker 2: Make it cool. You can't make pink pink. It's not

813
00:37:22,800 --> 00:37:23,279
Speaker 2: the same thing.

814
00:37:23,320 --> 00:37:28,480
Speaker 1: Stops Dick to keg stands. This one is finally a

815
00:37:28,480 --> 00:37:31,000
Speaker 1: more grounded song with romantic lyrics about how he may

816
00:37:31,040 --> 00:37:33,239
Speaker 1: not be a superhero, but he can be what you need.

817
00:37:33,480 --> 00:37:35,440
Speaker 1: Jessica's still in hiding over here is the lyrics in

818
00:37:35,480 --> 00:37:38,240
Speaker 1: the balcony. It seems like maybe, just maybe she's starting

819
00:37:38,280 --> 00:37:40,799
Speaker 1: to understand the appeal of this pop star stripped down.

820
00:37:40,840 --> 00:37:42,759
Speaker 1: He's more talented and thoughtful than she assumed. And my

821
00:37:42,800 --> 00:37:45,480
Speaker 1: favorite part is he's sitting there playing the guitar acoustic

822
00:37:45,520 --> 00:37:48,719
Speaker 1: guitar by himself, and somehow drums are also there. Do

823
00:37:48,760 --> 00:37:50,440
Speaker 1: you hear the guy there's like a symbol going off

824
00:37:50,440 --> 00:37:55,200
Speaker 1: in the back. I'm like, who the playing that? So yeah,

825
00:37:55,200 --> 00:37:59,080
Speaker 1: it's like, what's happening? And now, while guests are leaving,

826
00:37:59,120 --> 00:38:01,280
Speaker 1: Jessica ses oportus, you need to leave, So she sneaks

827
00:38:01,280 --> 00:38:03,399
Speaker 1: into the garage amongst all his fancy cars best seen

828
00:38:03,520 --> 00:38:05,880
Speaker 1: because they're just great cars. But Christopher catches up with

829
00:38:05,920 --> 00:38:08,239
Speaker 1: her and wonders what she's doing. She just wants to

830
00:38:08,239 --> 00:38:11,319
Speaker 1: get home, obviously, and is willing to walk, but he

831
00:38:11,400 --> 00:38:14,680
Speaker 1: reminds her Hollywood would be months away by foot. She

832
00:38:14,760 --> 00:38:16,640
Speaker 1: says he can drive her straight home and nothing else,

833
00:38:16,719 --> 00:38:19,279
Speaker 1: So they drive off in a classic blue Chevy and god,

834
00:38:19,320 --> 00:38:20,799
Speaker 1: this movie loves cars as much as I do.

835
00:38:21,120 --> 00:38:21,359
Speaker 2: Yeah.

836
00:38:21,400 --> 00:38:23,200
Speaker 1: Okay, so even though they don't detect it, we can

837
00:38:23,239 --> 00:38:27,319
Speaker 1: see that they're being followed by a paparazzi van uh oh.

838
00:38:26,920 --> 00:38:31,000
Speaker 2: Signature black suv suburban.

839
00:38:31,239 --> 00:38:33,719
Speaker 1: Yeah, no, it was a van, a black prob. I

840
00:38:33,719 --> 00:38:34,399
Speaker 1: think it's a van.

841
00:38:35,000 --> 00:38:35,360
Speaker 2: Oh.

842
00:38:35,440 --> 00:38:39,040
Speaker 3: The majority of the time they were they were followed

843
00:38:39,040 --> 00:38:40,560
Speaker 3: by like the like suburban.

844
00:38:42,280 --> 00:38:44,759
Speaker 1: It was just like which we'll get into the fact

845
00:38:44,800 --> 00:38:46,520
Speaker 1: that none of that makes sense, but we'll get into that.

846
00:38:46,560 --> 00:38:49,200
Speaker 1: So anyway, the two drive in silence, only broken up

847
00:38:49,200 --> 00:38:51,440
Speaker 1: by him singing along with the radio, which is coincidentally

848
00:38:51,440 --> 00:38:54,040
Speaker 1: playing one of his own songs. She quickly stops him.

849
00:38:54,080 --> 00:38:56,320
Speaker 1: She doesn't care that he's Christopher Wild. He seems hurt

850
00:38:56,440 --> 00:38:58,800
Speaker 1: that she doesn't love his music. She just quote unquote

851
00:38:58,880 --> 00:39:01,440
Speaker 1: likes it. He says, if she got to know him,

852
00:39:01,480 --> 00:39:03,600
Speaker 1: she'd like him more, but she clearly just focused on

853
00:39:03,640 --> 00:39:06,120
Speaker 1: getting home. And then luckily they ditched the van at

854
00:39:06,120 --> 00:39:08,239
Speaker 1: the red light without even knowing that they've done that.

855
00:39:08,320 --> 00:39:11,879
Speaker 1: Now outside Jessica's grandmother's house, she thanks Christopher for the ride,

856
00:39:11,920 --> 00:39:13,520
Speaker 1: and he tries to say sorry, but she hurries to

857
00:39:13,520 --> 00:39:15,640
Speaker 1: the front door, and now is Christopher's in his car

858
00:39:15,840 --> 00:39:18,839
Speaker 1: taking in everything that's happened. The paparazzi van once again

859
00:39:18,880 --> 00:39:21,680
Speaker 1: cruise by. Okay, now we're in her grandmother's house. Jesska,

860
00:39:21,680 --> 00:39:23,520
Speaker 1: here's it tapping out the window. It's Christopher. He's offering

861
00:39:23,560 --> 00:39:25,399
Speaker 1: her five thousand dollars for a favor. And so far

862
00:39:25,520 --> 00:39:30,680
Speaker 1: nobody has noticed, cared, said anything about the fact that

863
00:39:30,719 --> 00:39:33,520
Speaker 1: these two girls have been missing for the night. Yep,

864
00:39:34,719 --> 00:39:37,080
Speaker 1: we don't know if the sister's gotten back safe and sound,

865
00:39:37,600 --> 00:39:40,799
Speaker 1: nobody's mentioned anything about Jessica being gone. The parents are

866
00:39:40,800 --> 00:39:43,319
Speaker 1: nowhere to be found. Grandparents are here.

867
00:39:43,440 --> 00:39:47,279
Speaker 3: Never seems to notice that her sister is gone in

868
00:39:47,360 --> 00:39:50,799
Speaker 3: the club. Isn't calling her like she's not going to crap,

869
00:39:50,840 --> 00:39:51,959
Speaker 3: my sister's calling me again?

870
00:39:52,040 --> 00:39:54,480
Speaker 1: And they have in this movie.

871
00:39:54,560 --> 00:39:58,479
Speaker 2: No, none of that has been seen. This is where

872
00:39:58,520 --> 00:40:00,400
Speaker 2: I've already now tapped out because I'm.

873
00:40:00,160 --> 00:40:04,440
Speaker 1: Just like, nobody's checking in to make sure we're.

874
00:40:04,360 --> 00:40:06,840
Speaker 2: Just pretending like yep, things aren't happening.

875
00:40:06,600 --> 00:40:08,839
Speaker 1: Yep, and that's it, and they just didn't care. So

876
00:40:09,719 --> 00:40:12,040
Speaker 1: Christopher's offering her five thousand dollars for a favor. We

877
00:40:12,080 --> 00:40:13,879
Speaker 1: cut to the two of them pushing his car into

878
00:40:13,920 --> 00:40:17,400
Speaker 1: their garage where he's gonna sleep overnight to ditch the photogs.

879
00:40:17,640 --> 00:40:19,160
Speaker 1: He asks if he can borrow some clothes for the

880
00:40:19,200 --> 00:40:22,080
Speaker 1: morning so he can secretly leaves, and she wonders if

881
00:40:22,080 --> 00:40:24,080
Speaker 1: all that is necessary. He swears it is, but she

882
00:40:24,080 --> 00:40:26,440
Speaker 1: thinks he's just being paranoid. She also calls him out

883
00:40:26,440 --> 00:40:29,280
Speaker 1: for trying to be flirty, something she's just not gonna

884
00:40:29,280 --> 00:40:31,680
Speaker 1: fall for. She also ends up giving him her her

885
00:40:31,719 --> 00:40:34,759
Speaker 1: grandfather's hat, which she then says looks good. On him,

886
00:40:34,760 --> 00:40:36,600
Speaker 1: and then they kind of look like they're starting to flirt,

887
00:40:36,640 --> 00:40:39,680
Speaker 1: but it's just weird. The next morning, Jessica wakes up

888
00:40:39,680 --> 00:40:41,680
Speaker 1: and her family is already eating breakfast again. They don't

889
00:40:41,680 --> 00:40:43,920
Speaker 1: care that she's been out clubbing all night long. Nope,

890
00:40:44,320 --> 00:40:47,400
Speaker 1: they need some syrup, so they go to where everyone

891
00:40:47,520 --> 00:40:52,360
Speaker 1: keeps the syrup, the garage. So when she's like that, oh,

892
00:40:52,400 --> 00:40:56,719
Speaker 1: I've got extra syrup in the garage, it's like, what, okay.

893
00:40:56,560 --> 00:41:00,960
Speaker 3: Extra syrup, and how much syrup are you using that

894
00:41:01,000 --> 00:41:02,960
Speaker 3: you need to have like extra syrup.

895
00:41:03,440 --> 00:41:05,480
Speaker 1: I'm sorry, that's a dumb question. Have you checked the

896
00:41:05,640 --> 00:41:09,279
Speaker 1: syrup garage canisters? They're obviously out there.

897
00:41:09,560 --> 00:41:12,320
Speaker 3: Well, I actually do have a cabinet that I keep

898
00:41:12,440 --> 00:41:15,640
Speaker 3: like extra syrup, like if I get like pasta, and

899
00:41:15,719 --> 00:41:18,880
Speaker 3: I realized that my cabinet cabinet already have box of pasta,

900
00:41:19,040 --> 00:41:20,000
Speaker 3: Like I'll take it out there.

901
00:41:20,040 --> 00:41:24,600
Speaker 2: And that's like a storage room. I don't know, it's weird.

902
00:41:24,640 --> 00:41:28,320
Speaker 1: I'm sorry, it's weird. It's also a detached garage. Yeah,

903
00:41:28,360 --> 00:41:30,879
Speaker 1: you don't keep syrup in a detached garage. Come on,

904
00:41:31,920 --> 00:41:34,600
Speaker 1: So Sarah volunteers to go get some from the garage,

905
00:41:34,600 --> 00:41:36,560
Speaker 1: but then Jessica realizes this could be a problem. She

906
00:41:36,640 --> 00:41:38,400
Speaker 1: rushes to stop her, but instead they get into an

907
00:41:38,480 --> 00:41:40,480
Speaker 1: argument about ditching her at the club last night. Oh

908
00:41:40,520 --> 00:41:40,920
Speaker 1: so they do it.

909
00:41:41,120 --> 00:41:42,319
Speaker 2: Okay, so we do.

910
00:41:42,800 --> 00:41:44,719
Speaker 1: But she still has no clue about anything that went

911
00:41:44,800 --> 00:41:47,480
Speaker 1: down with Christopher wild But eventually their dad interrupts the fight.

912
00:41:47,800 --> 00:41:49,480
Speaker 1: He wants to see what's so important in the garage.

913
00:41:49,480 --> 00:41:52,839
Speaker 1: When he finally opens it up, Christopher and the car

914
00:41:52,880 --> 00:41:55,960
Speaker 1: actually gone. Jessica wonders where he went, but is relieved

915
00:41:55,960 --> 00:41:57,960
Speaker 1: to be safe. But back in the house, a story

916
00:41:57,960 --> 00:42:00,719
Speaker 1: about Christopher's on TV. It's about Alexis birthday party and

917
00:42:00,760 --> 00:42:04,200
Speaker 1: how he left with a mystery girl. Jessica's now terrified

918
00:42:04,200 --> 00:42:05,719
Speaker 1: she's going to be out it and turns off the TV.

919
00:42:05,880 --> 00:42:08,400
Speaker 1: The sisters argue until Grandma offers her car for a

920
00:42:08,440 --> 00:42:11,360
Speaker 1: relaxing drive to the beach. Sarah jumps at the opportunity,

921
00:42:11,400 --> 00:42:13,359
Speaker 1: but is forced to take Jessica with her yet again.

922
00:42:13,960 --> 00:42:16,439
Speaker 1: Now cruising down pH and the plum Pinto, they park

923
00:42:16,440 --> 00:42:18,640
Speaker 1: at Malibu Beach, a place Sarah pick because she knows

924
00:42:18,680 --> 00:42:21,640
Speaker 1: Christopher SERTs there. Jessica still keeps her secret close to

925
00:42:21,680 --> 00:42:23,399
Speaker 1: their heart, as her sister roams the beach to find

926
00:42:23,400 --> 00:42:26,520
Speaker 1: her celebrity crush, and then Jessica spots him hiding in

927
00:42:26,520 --> 00:42:28,640
Speaker 1: a hoodie and her grandpa's fisherman's hat, the one they

928
00:42:28,640 --> 00:42:31,160
Speaker 1: found in the garage, and now without her sister, Jessica

929
00:42:31,200 --> 00:42:34,319
Speaker 1: pops down beside him and immediately starts needling them. It's like,

930
00:42:34,400 --> 00:42:37,799
Speaker 1: now they're friends. She went from absolutely hating them to

931
00:42:37,840 --> 00:42:39,760
Speaker 1: then giving them a hat, and now they're kind of friends.

932
00:42:39,760 --> 00:42:43,800
Speaker 1: So okay. She wonders what he's doing there, and he

933
00:42:43,840 --> 00:42:46,280
Speaker 1: explains that he has ten paparazzi outside of his house.

934
00:42:46,840 --> 00:42:49,120
Speaker 1: This is how he has to get away. Now here's

935
00:42:49,160 --> 00:42:52,640
Speaker 1: the other thing the sister's stocking him, because obviously he

936
00:42:52,680 --> 00:42:54,600
Speaker 1: only comes to this beach, so why wouldn't the paparazzi

937
00:42:54,600 --> 00:42:56,120
Speaker 1: also know that he also comes to this beach, which

938
00:42:56,200 --> 00:42:58,520
Speaker 1: later they do, so why not just have people out

939
00:42:58,600 --> 00:43:02,239
Speaker 1: there as well? But okay, Jessica shows absolutely no care

940
00:43:02,239 --> 00:43:04,400
Speaker 1: for his problems. Then he realizes something. He could maybe

941
00:43:04,480 --> 00:43:07,560
Speaker 1: use her car to sneak back home, which again, you'd

942
00:43:07,560 --> 00:43:08,560
Speaker 1: still have to sneak.

943
00:43:08,280 --> 00:43:10,840
Speaker 2: Into your house. Yea, and now you're in like a

944
00:43:11,000 --> 00:43:13,040
Speaker 2: bright purple car.

945
00:43:13,120 --> 00:43:14,840
Speaker 1: Yeah, but he doesn't know that I guess at the time,

946
00:43:15,280 --> 00:43:17,240
Speaker 1: but it still doesn't make a whole lot of sense.

947
00:43:17,400 --> 00:43:19,360
Speaker 1: They decide to trade vehicles for a little, giving the

948
00:43:19,400 --> 00:43:22,280
Speaker 1: sisters a muscle car instead of the Pinto. Again Movie

949
00:43:22,280 --> 00:43:25,120
Speaker 1: Loves Cars, but this also makes no sense. Jessica sneaks

950
00:43:25,120 --> 00:43:27,240
Speaker 1: the new keys into her sister's bag and walks Christopher

951
00:43:27,280 --> 00:43:29,560
Speaker 1: to their grandma's car, but before they can leave, the

952
00:43:29,600 --> 00:43:32,319
Speaker 1: paparazzi arrives, and it's hilarious because two dozen of them

953
00:43:32,360 --> 00:43:35,160
Speaker 1: they share these two vans, and the entire goal of

954
00:43:35,239 --> 00:43:38,239
Speaker 1: paparazzi is to get the first exclusive shot. They're not

955
00:43:38,280 --> 00:43:41,080
Speaker 1: going to be there driving altogether. It defeats the purpose.

956
00:43:41,480 --> 00:43:43,840
Speaker 1: But now they're swarmed again. Christopher sneaks into the Pinto

957
00:43:43,840 --> 00:43:46,319
Speaker 1: and accidentally smashes Jessica's head with the door, again, which

958
00:43:46,360 --> 00:43:49,439
Speaker 1: was funny. They eventually drive off together while Jessica hides

959
00:43:49,440 --> 00:43:52,239
Speaker 1: her face with a scarf, so she jumps in her

960
00:43:52,239 --> 00:44:00,279
Speaker 1: grandmother's car leaves her sister keys to another random vehicle somehow, uh,

961
00:44:01,560 --> 00:44:05,440
Speaker 1: which is again I don't I don't understand.

962
00:44:06,160 --> 00:44:09,680
Speaker 3: Yeah, So like you're you're really honestly gonna go oh

963
00:44:11,040 --> 00:44:13,399
Speaker 3: different set of keys, and then you're gonna start trying to.

964
00:44:13,360 --> 00:44:15,960
Speaker 1: Like, I'll go open this car and just drive this

965
00:44:16,080 --> 00:44:18,799
Speaker 1: car back to the house in the Yeah, no, none

966
00:44:18,840 --> 00:44:19,000
Speaker 1: of it.

967
00:44:19,040 --> 00:44:21,440
Speaker 2: Maybe you would be so creeped out you'd be freaking

968
00:44:21,480 --> 00:44:22,600
Speaker 2: out calling going.

969
00:44:22,600 --> 00:44:25,120
Speaker 1: And your car was still someone trying to, like.

970
00:44:25,480 --> 00:44:27,480
Speaker 2: I think someone's trying to like kidnap me.

971
00:44:27,719 --> 00:44:31,560
Speaker 1: Yes, something very weird is happening, but they don't. But Yeah,

972
00:44:31,640 --> 00:44:34,279
Speaker 1: Jessica and Christopher drive off together while Jessica hides her

973
00:44:34,320 --> 00:44:37,200
Speaker 1: face with a scarf. They think the photographers thinks maybe

974
00:44:37,239 --> 00:44:39,520
Speaker 1: something's up, but realize it's just to random kids completely

975
00:44:39,640 --> 00:44:42,760
Speaker 1: hiding their faces, trying to act inconspicuous but clearly hiding something.

976
00:44:43,239 --> 00:44:45,080
Speaker 1: Back on the PCCh the du will laugh about how

977
00:44:45,160 --> 00:44:46,880
Speaker 1: ridiculous this whole thing is, and now they need to

978
00:44:46,920 --> 00:44:49,440
Speaker 1: drive around until the paparazzi leave the beach. Truth is,

979
00:44:49,520 --> 00:44:52,000
Speaker 1: Jessica seems a little less aggravated by Christopher now, so

980
00:44:52,000 --> 00:44:53,879
Speaker 1: they decide to take a little tour of la which

981
00:44:53,920 --> 00:44:56,120
Speaker 1: he calls the greatest city in the world. His song

982
00:44:56,160 --> 00:44:58,520
Speaker 1: is once again on the radio, and we enter a montage,

983
00:44:58,680 --> 00:45:01,360
Speaker 1: Love a montage. They swing by Venice Beach for some

984
00:45:01,400 --> 00:45:04,000
Speaker 1: boardwalk shopping and we get a cameo from the legendary

985
00:45:04,080 --> 00:45:07,120
Speaker 1: Harry Perry. Do you know who Harry Perry is? No?

986
00:45:07,680 --> 00:45:10,600
Speaker 1: Okay so? Also known as hibib or the Cosmic Crusader,

987
00:45:10,960 --> 00:45:13,880
Speaker 1: Perry was a turban wearing musician famous for playing electric

988
00:45:13,880 --> 00:45:16,680
Speaker 1: guitar and rollerblades at the Venice Beach Boardwalk. He actually

989
00:45:16,680 --> 00:45:19,320
Speaker 1: played with Jane's Addiction and The Grateful Dead. He appeared

990
00:45:19,320 --> 00:45:21,200
Speaker 1: in movies like White Men Can Jump and Fletch and

991
00:45:21,280 --> 00:45:23,400
Speaker 1: crazily enough perform with the Blue Man Group at the

992
00:45:23,440 --> 00:45:25,640
Speaker 1: Hollywood Bowl in twenty thirteen. He is now seventy four

993
00:45:25,719 --> 00:45:30,160
Speaker 1: years old and can still be seen performing in La Oh,

994
00:45:30,239 --> 00:45:32,400
Speaker 1: Isn't that cool? Then they're off to the most disappointing

995
00:45:32,400 --> 00:45:34,879
Speaker 1: Hollywood landmark ever, which is Hollywood Boulevard at the Man's

996
00:45:34,960 --> 00:45:36,719
Speaker 1: Chinese Theater. It's fine, you should go see it and

997
00:45:36,760 --> 00:45:38,279
Speaker 1: put your hands in the thing, but it's it's a

998
00:45:38,280 --> 00:45:41,200
Speaker 1: big letdown where Christopher takes a picture in front of

999
00:45:41,200 --> 00:45:43,960
Speaker 1: his own billboard. They arrive at the Griffith Observatory in

1000
00:45:43,960 --> 00:45:46,160
Speaker 1: the Hollywood Sign, which is a great stop for tourists,

1001
00:45:46,200 --> 00:45:48,960
Speaker 1: so it can definitely go there, and along the way

1002
00:45:49,000 --> 00:45:51,319
Speaker 1: it seems like she's starting to like Christopher's music too,

1003
00:45:51,360 --> 00:45:54,000
Speaker 1: which apparently is the only thing this guy listens to

1004
00:45:54,040 --> 00:45:58,279
Speaker 1: as he's driving anywhere is his own music. Eventually, they

1005
00:45:58,280 --> 00:46:00,000
Speaker 1: do make it back to the pch and then Christopher

1006
00:46:00,200 --> 00:46:02,560
Speaker 1: realizes they're being followed again, which makes sense since they've

1007
00:46:02,600 --> 00:46:05,680
Speaker 1: been walking around the city's most populated tourist areas all day.

1008
00:46:06,160 --> 00:46:08,400
Speaker 1: Either way, he needs to lose the van, so Jessica

1009
00:46:08,520 --> 00:46:10,759
Speaker 1: uses a star map she picked up earlier to find

1010
00:46:10,760 --> 00:46:13,759
Speaker 1: a turnout. They're successful, but now they're suddenly lost in

1011
00:46:13,800 --> 00:46:16,279
Speaker 1: the hills. The confusion quickly sends the two of them

1012
00:46:16,320 --> 00:46:18,120
Speaker 1: into a fight. He calls her a know it all.

1013
00:46:18,160 --> 00:46:20,040
Speaker 1: But more importantly, they are now stuck in the mud

1014
00:46:20,040 --> 00:46:23,000
Speaker 1: and slowly sinking. They immediately jump out the windows, stranding

1015
00:46:23,040 --> 00:46:25,360
Speaker 1: themselves on the roof. As the vehicle sinks lower and lower,

1016
00:46:25,480 --> 00:46:27,880
Speaker 1: they have to jump, and although they make it oftentime,

1017
00:46:27,920 --> 00:46:29,920
Speaker 1: they both fall into a swamp, which a lot of

1018
00:46:29,960 --> 00:46:33,319
Speaker 1: people know right off the freeways here very swampy area

1019
00:46:33,360 --> 00:46:37,680
Speaker 1: in La I'm lying never happens, completely submerge themselves into

1020
00:46:37,680 --> 00:46:40,480
Speaker 1: dirty water. Now drenched, they watches the plumb pinto completely

1021
00:46:40,520 --> 00:46:43,240
Speaker 1: sinks to the bottom of whatever weird pit they suddenly

1022
00:46:43,239 --> 00:46:47,920
Speaker 1: find themselves in. Okay, Jessica realizes her backpack was in

1023
00:46:47,920 --> 00:46:51,879
Speaker 1: the car and starts frantically reaching into water. That's all

1024
00:46:51,920 --> 00:46:54,680
Speaker 1: you could say. Okay, her parents are gonna kill her.

1025
00:46:54,880 --> 00:46:57,480
Speaker 1: Just then, Christopher's phone is ringing too. It's his parents again.

1026
00:46:57,760 --> 00:46:59,720
Speaker 1: They're very word and need him home, but he's barely

1027
00:46:59,719 --> 00:47:03,040
Speaker 1: any service and it eventually cuts out. Jessica does actually

1028
00:47:03,120 --> 00:47:05,560
Speaker 1: retrieve her bag, but it's ruined. She walks off, furious.

1029
00:47:05,600 --> 00:47:07,359
Speaker 1: She needs to get back to her sister at the beach.

1030
00:47:07,760 --> 00:47:10,799
Speaker 1: Christopher shows her the way, following closely behind. I'd like,

1031
00:47:10,920 --> 00:47:13,279
Speaker 1: just mental note they are covered head to toe in

1032
00:47:13,480 --> 00:47:17,960
Speaker 1: mud and crap and awfulness, so keep that in mind.

1033
00:47:18,120 --> 00:47:20,000
Speaker 1: But back to the beach, Sarah can't find her car,

1034
00:47:20,480 --> 00:47:22,160
Speaker 1: of course, not it's been taken. I guess she doesn't

1035
00:47:22,200 --> 00:47:24,080
Speaker 1: notice that she's been using a key chain that's not

1036
00:47:24,120 --> 00:47:27,359
Speaker 1: hers to trigger the alarm, something a Pinto definitely wouldn't need.

1037
00:47:27,400 --> 00:47:30,000
Speaker 1: But she does figure out the classic car somehow is

1038
00:47:30,080 --> 00:47:31,200
Speaker 1: now hers.

1039
00:47:33,520 --> 00:47:34,839
Speaker 2: She can't believe it's with it.

1040
00:47:35,239 --> 00:47:37,960
Speaker 1: Yep, can't believe it. When she finds a car's registration,

1041
00:47:38,680 --> 00:47:41,280
Speaker 1: she sees the order is another none other than Christopher,

1042
00:47:41,360 --> 00:47:43,520
Speaker 1: John Wild is she being punked? Which is a cool

1043
00:47:43,560 --> 00:47:46,200
Speaker 1: twenty ten reference, but it was still like, what in

1044
00:47:46,280 --> 00:47:51,200
Speaker 1: the actual is happening now? Back on the walk, Christopher's

1045
00:47:51,239 --> 00:47:53,280
Speaker 1: trying his hardest to talk to Jessica, but she's shutting

1046
00:47:53,320 --> 00:47:55,520
Speaker 1: him out. She wants to be reunited with her family.

1047
00:47:55,800 --> 00:47:58,359
Speaker 1: She's been separated from her family like nine times this movie.

1048
00:47:58,360 --> 00:48:00,560
Speaker 1: This guy doesn't seem to care, but Chris never been

1049
00:48:00,600 --> 00:48:02,919
Speaker 1: free like this before. He's not letting her grumpiness ruin

1050
00:48:02,960 --> 00:48:05,400
Speaker 1: the day. This leads yet another fight between the two,

1051
00:48:05,560 --> 00:48:09,000
Speaker 1: Jessica calling him entitled and pretentious, Christopher calling her a brat,

1052
00:48:09,120 --> 00:48:10,799
Speaker 1: but he admits all he's done in the last two

1053
00:48:10,880 --> 00:48:13,480
Speaker 1: days was think about her. She says she'd rather go

1054
00:48:13,560 --> 00:48:15,920
Speaker 1: down in the pinto than be his friend. He doesn't

1055
00:48:15,920 --> 00:48:17,839
Speaker 1: get it. He thought she was starting to like him,

1056
00:48:17,840 --> 00:48:20,080
Speaker 1: but she says he was wrong. His fame makes it

1057
00:48:20,080 --> 00:48:22,319
Speaker 1: impossible to know if people are actually his friend or not.

1058
00:48:22,840 --> 00:48:24,879
Speaker 1: He lives in a hotel and has employees helping him.

1059
00:48:24,880 --> 00:48:27,920
Speaker 1: Twenty four to seven, Christopher promises he is a real person.

1060
00:48:28,120 --> 00:48:30,560
Speaker 1: He'll even tell her something he hasn't told anyone when

1061
00:48:30,560 --> 00:48:34,000
Speaker 1: he first met her, and then he slips and falls

1062
00:48:34,000 --> 00:48:38,239
Speaker 1: into a lake, because again, right off the freeways in

1063
00:48:38,360 --> 00:48:40,080
Speaker 1: La are these beautiful.

1064
00:48:40,280 --> 00:48:45,600
Speaker 4: Where are awhere are we if there are any of

1065
00:48:45,640 --> 00:48:48,600
Speaker 4: these bodies of water, even small bodies of water off

1066
00:48:48,640 --> 00:48:50,799
Speaker 4: the sides of the freeways in La, they're filled.

1067
00:48:50,560 --> 00:48:56,359
Speaker 1: With needles and dead people and diseases. And so these

1068
00:48:56,400 --> 00:49:01,040
Speaker 1: people somehow stumble upon an oasis and he falls into

1069
00:49:01,040 --> 00:49:03,520
Speaker 1: the lake, taking Jessica with them, and they're once again

1070
00:49:03,560 --> 00:49:06,480
Speaker 1: swimming in gross La water. So yeah, they fell in love,

1071
00:49:06,640 --> 00:49:10,040
Speaker 1: but they've got hepatitis. But this time they're laughing and

1072
00:49:10,040 --> 00:49:12,960
Speaker 1: they're splashing each other. These two are super weird. Now

1073
00:49:13,560 --> 00:49:16,520
Speaker 1: they're completely dry in the La sun. Their clothes do

1074
00:49:16,600 --> 00:49:19,600
Speaker 1: not have a stitch of mud on them. They are

1075
00:49:19,760 --> 00:49:22,239
Speaker 1: brand new yet again, which was weird. Christopher admits he

1076
00:49:22,280 --> 00:49:24,480
Speaker 1: wishes he could stay there all day long when nobody

1077
00:49:24,480 --> 00:49:26,960
Speaker 1: notices him. Everyone wants something from him, even his parents,

1078
00:49:27,320 --> 00:49:29,200
Speaker 1: who only talked to him about his new movie deal,

1079
00:49:29,400 --> 00:49:31,680
Speaker 1: which could mess with his upcoming tour, the world tour,

1080
00:49:31,960 --> 00:49:33,680
Speaker 1: And he says he doesn't have a choice. He doesn't

1081
00:49:33,719 --> 00:49:35,759
Speaker 1: want to disappoint his fans, so he'll just never say

1082
00:49:35,800 --> 00:49:38,480
Speaker 1: no and always over extends himself. This is real by

1083
00:49:38,520 --> 00:49:41,680
Speaker 1: the way, not for me, but I mean again, I've

1084
00:49:41,800 --> 00:49:43,640
Speaker 1: never been in this situation of fame, but I've known

1085
00:49:43,680 --> 00:49:47,040
Speaker 1: many people that were up and coming famous or this

1086
00:49:47,160 --> 00:49:50,960
Speaker 1: level of fame who exhausts themselves because they're like, I'm

1087
00:49:51,120 --> 00:49:53,040
Speaker 1: just not going to say no to anybody right now.

1088
00:49:53,600 --> 00:49:56,320
Speaker 1: It'll disappoint the fans, it'll disappoint my managers. Maybe I

1089
00:49:56,360 --> 00:49:58,440
Speaker 1: won't work tomorrow. That's the other problem in this industry

1090
00:49:58,480 --> 00:50:01,040
Speaker 1: is it's usually you're doing a thousand miles an hour

1091
00:50:01,120 --> 00:50:03,759
Speaker 1: or you're doing zero. Very rarely are you just kind

1092
00:50:03,800 --> 00:50:06,239
Speaker 1: of working. You're either doing a ton of work to

1093
00:50:06,239 --> 00:50:09,120
Speaker 1: where you have no free time, or you're looking for

1094
00:50:09,160 --> 00:50:11,760
Speaker 1: your next job and you're hustling well exactly.

1095
00:50:12,200 --> 00:50:15,240
Speaker 3: There is that stigmatism too, like if you slow down,

1096
00:50:16,120 --> 00:50:19,359
Speaker 3: the chances of you like you can't guarantee.

1097
00:50:18,760 --> 00:50:20,000
Speaker 2: That it'll like go up again.

1098
00:50:20,160 --> 00:50:23,960
Speaker 3: I remember being on tour and our tour manager was

1099
00:50:24,040 --> 00:50:28,359
Speaker 3: Kylie Minogue's tour manager, and he was like, we kept

1100
00:50:28,400 --> 00:50:31,480
Speaker 3: selling out and we were starting to get tired, and

1101
00:50:31,520 --> 00:50:34,360
Speaker 3: he goes, I don't recommend you, ladies stop because you

1102
00:50:34,440 --> 00:50:37,399
Speaker 3: never know like what the next tour, if there will

1103
00:50:37,440 --> 00:50:39,879
Speaker 3: be another tour. You just never know, and we were

1104
00:50:39,920 --> 00:50:42,200
Speaker 3: just kind of like, of course still will be well.

1105
00:50:42,239 --> 00:50:45,320
Speaker 3: When we came back out at that point, the Jonas

1106
00:50:45,400 --> 00:50:48,919
Speaker 3: brothers were out, our ticket sales were not the same,

1107
00:50:49,160 --> 00:50:52,160
Speaker 3: and it's so it's so true with the industry.

1108
00:50:51,760 --> 00:50:54,360
Speaker 2: Like so that's why people just never stop.

1109
00:50:54,440 --> 00:50:57,480
Speaker 3: They just keep going and they say yes to everything

1110
00:50:57,560 --> 00:51:00,839
Speaker 3: because you just are so scared that that be your

1111
00:51:00,920 --> 00:51:01,880
Speaker 3: last opportunity.

1112
00:51:02,000 --> 00:51:04,640
Speaker 1: Yeah. I've known so many people that their careers were

1113
00:51:04,680 --> 00:51:06,960
Speaker 1: skyrocketing that then went well, now I'm going to college.

1114
00:51:07,000 --> 00:51:08,319
Speaker 1: So I'm gonna take four years off and go to

1115
00:51:08,320 --> 00:51:11,080
Speaker 1: college and then I'll come back. And it's like, unless

1116
00:51:11,120 --> 00:51:14,320
Speaker 1: you're an A list superstar that they ain't gonna wait.

1117
00:51:14,719 --> 00:51:16,839
Speaker 1: Hollywood's moving on without you, and it's gonna be you're

1118
00:51:16,880 --> 00:51:18,560
Speaker 1: gonna have to start over again when you get back,

1119
00:51:18,560 --> 00:51:20,360
Speaker 1: and it's it's tough. So that's a real thing.

1120
00:51:20,360 --> 00:51:22,919
Speaker 3: And it's hard because it's like, especially in college, it's

1121
00:51:23,000 --> 00:51:25,560
Speaker 3: like yeah, but like you'll have that foundation of college,

1122
00:51:25,600 --> 00:51:27,360
Speaker 3: and it's like, yeah, but you might be doing a

1123
00:51:27,360 --> 00:51:28,360
Speaker 3: whole career change.

1124
00:51:28,440 --> 00:51:31,480
Speaker 1: But that's the difference is you can do college anytime.

1125
00:51:31,920 --> 00:51:33,319
Speaker 1: I can go back to I didn't get I didn't

1126
00:51:33,320 --> 00:51:34,839
Speaker 1: go to college I was doing boymans roll that was doing.

1127
00:51:34,880 --> 00:51:36,239
Speaker 1: I was working all the time, So I was like,

1128
00:51:36,280 --> 00:51:37,759
Speaker 1: I'm not going to college now. I'm not gonna take

1129
00:51:37,760 --> 00:51:39,399
Speaker 1: I'm not gonna pause to go to college right now.

1130
00:51:39,760 --> 00:51:42,400
Speaker 1: I'm fifty. I can go back to college tomorrow if

1131
00:51:42,400 --> 00:51:44,360
Speaker 1: I want to go to college. I can't. I couldn't

1132
00:51:44,400 --> 00:51:46,480
Speaker 1: have just picked up my career and started over again.

1133
00:51:46,960 --> 00:51:48,440
Speaker 1: So it's yeah, that's a real thing.

1134
00:51:49,200 --> 00:51:49,359
Speaker 3: Uh.

1135
00:51:49,560 --> 00:51:51,680
Speaker 1: Jessica just doesn't get any of this though her life

1136
00:51:51,760 --> 00:51:54,000
Speaker 1: is so different. Christopher says he's just happy he can

1137
00:51:54,040 --> 00:51:57,040
Speaker 1: be himself around her, and then Jessica finally admits it. Yes,

1138
00:51:57,239 --> 00:51:59,480
Speaker 1: she likes it too. She calls him out for being

1139
00:51:59,480 --> 00:52:01,720
Speaker 1: flirty again, but now gives him a little push, marking

1140
00:52:01,719 --> 00:52:05,239
Speaker 1: their first actual contact in the awkwardness. Because again, they

1141
00:52:05,280 --> 00:52:07,880
Speaker 1: cannot kiss in this movie, they decide they should just

1142
00:52:08,000 --> 00:52:10,799
Speaker 1: keep moving. Back at Christopher's house, Stubby is getting things

1143
00:52:10,800 --> 00:52:13,200
Speaker 1: in order when Sarah arrives, catching him totally off guard.

1144
00:52:13,520 --> 00:52:16,320
Speaker 1: She reveals she has Christopher's keys and looks absolutely starstruck

1145
00:52:16,360 --> 00:52:17,400
Speaker 1: to be in the house. So she drove all the

1146
00:52:17,440 --> 00:52:20,920
Speaker 1: way to this guy's house and then use the keys

1147
00:52:21,320 --> 00:52:27,040
Speaker 1: to go inside this dude's house super creepy anyway. Now,

1148
00:52:27,160 --> 00:52:29,520
Speaker 1: walking on the beach, Christopher and Jessica are still connecting,

1149
00:52:29,560 --> 00:52:32,400
Speaker 1: and now they're holding hands. He really likes her and

1150
00:52:32,440 --> 00:52:34,279
Speaker 1: loves that she treats him like a human. She calls

1151
00:52:34,360 --> 00:52:37,200
Speaker 1: him amazing, and when they go to kiss, they're legally

1152
00:52:37,200 --> 00:52:40,000
Speaker 1: interrupted by some surfers because they can't kiss, sending Chrisopher

1153
00:52:40,040 --> 00:52:42,560
Speaker 1: back into the real world. He instantly pulls a one eighty,

1154
00:52:42,600 --> 00:52:44,879
Speaker 1: saying their relationship has to end here and boy, those

1155
00:52:44,880 --> 00:52:48,280
Speaker 1: surfers really ruined everything. He tells her she can't tell anyone,

1156
00:52:48,400 --> 00:52:51,120
Speaker 1: even her parents. If people find out, it'll get crazy

1157
00:52:51,120 --> 00:52:53,040
Speaker 1: and he won't get the movie deal. He explains he's

1158
00:52:53,120 --> 00:53:00,279
Speaker 1: Christopher Wilde and she's just an ordinary girl. Oh that

1159
00:53:00,440 --> 00:53:02,960
Speaker 1: was wrong, and he switched on a dime. It was

1160
00:53:02,960 --> 00:53:04,440
Speaker 1: like now I am.

1161
00:53:04,719 --> 00:53:09,360
Speaker 3: It was like the co wickest snap of a finger,

1162
00:53:09,600 --> 00:53:15,000
Speaker 3: and holy god, and just like getting just just punching

1163
00:53:15,040 --> 00:53:17,960
Speaker 3: her in the jugular too, like the word choice was

1164
00:53:18,080 --> 00:53:20,840
Speaker 3: just like it was rough.

1165
00:53:21,000 --> 00:53:25,920
Speaker 1: Yep, I agree. She's properly offended, obviously, and leaves. He

1166
00:53:25,960 --> 00:53:28,279
Speaker 1: tries some damage control, but she's clearly hurt and he

1167
00:53:28,320 --> 00:53:30,319
Speaker 1: has one last request. He asks if he can have

1168
00:53:30,400 --> 00:53:33,160
Speaker 1: her disposable camera to have the photos just in case

1169
00:53:33,520 --> 00:53:35,279
Speaker 1: he doesn't want them to get out, which is just

1170
00:53:35,360 --> 00:53:38,279
Speaker 1: one last final insult. She responds by throwing the camera

1171
00:53:38,280 --> 00:53:40,200
Speaker 1: in the sand and storming off, But then she realizes

1172
00:53:40,280 --> 00:53:42,440
Speaker 1: she needs cab feir to get home, and he hands

1173
00:53:42,440 --> 00:53:46,160
Speaker 1: her like five grand, saying it's the same money that

1174
00:53:46,200 --> 00:53:47,680
Speaker 1: he owed her for staying in the garage, and she

1175
00:53:47,719 --> 00:53:51,120
Speaker 1: promises to never talk about him again. He says she

1176
00:53:51,200 --> 00:53:52,839
Speaker 1: doesn't know what his life is like. The press would

1177
00:53:52,880 --> 00:53:54,880
Speaker 1: ruin everything, and she's a very cool little line here

1178
00:53:54,920 --> 00:53:56,680
Speaker 1: when she says, the press doesn't have to ruin it.

1179
00:53:56,880 --> 00:54:08,400
Speaker 1: You already did. We're back at the beach now. Jessica

1180
00:54:08,440 --> 00:54:10,400
Speaker 1: cries in a phone booth. Phone booth, kids was a

1181
00:54:10,440 --> 00:54:12,760
Speaker 1: booth that literally on a phone in it, and Christopher

1182
00:54:12,840 --> 00:54:15,399
Speaker 1: is finally recognized and sworn by girls wanting pictures with him,

1183
00:54:15,680 --> 00:54:18,200
Speaker 1: and the paparazzi gets pictures of him. But as Jessica leaves,

1184
00:54:18,239 --> 00:54:21,959
Speaker 1: one photographer catches her crying and wonders, huh, maybe she's

1185
00:54:22,000 --> 00:54:25,279
Speaker 1: involved with Christopher. Two, we get a brief montage of

1186
00:54:25,360 --> 00:54:27,680
Speaker 1: jess Gotta love a montage of Jessica with her family.

1187
00:54:27,960 --> 00:54:30,560
Speaker 1: Now sadly poking salad and pining for her new love

1188
00:54:30,600 --> 00:54:33,359
Speaker 1: while Christopher records in the studio. Once the song is done,

1189
00:54:33,400 --> 00:54:35,520
Speaker 1: Christopher runs off to his laptop, where he skims through

1190
00:54:35,520 --> 00:54:38,080
Speaker 1: the pictures from Jessica's camera. He clearly misses and can't

1191
00:54:38,080 --> 00:54:40,480
Speaker 1: stop thinking about her. He confides in Stubby, telling him

1192
00:54:40,480 --> 00:54:42,200
Speaker 1: he really likes this girl. But guess who else is

1193
00:54:42,239 --> 00:54:45,720
Speaker 1: listening in? Alexis and she's very interested in who exactly

1194
00:54:45,760 --> 00:54:48,440
Speaker 1: this girl is. He tells her she's not a famous actress.

1195
00:54:48,520 --> 00:54:50,760
Speaker 1: Alexis doesn't believe it. She says that stuff only happens

1196
00:54:50,800 --> 00:54:52,880
Speaker 1: in the movies. And then she says she looks at

1197
00:54:52,880 --> 00:54:54,960
Speaker 1: her phone and says, Ooh, I've got a date with Zach.

1198
00:54:55,400 --> 00:54:58,160
Speaker 1: And since the caption spelled the name z Ac, I

1199
00:54:58,160 --> 00:55:01,279
Speaker 1: think we can guess who she means. Zach Posen, the

1200
00:55:01,280 --> 00:55:04,719
Speaker 1: clothing designer. By the way, producer Jensen put that in

1201
00:55:04,880 --> 00:55:05,839
Speaker 1: No Idea, Who that is?

1202
00:55:05,960 --> 00:55:06,560
Speaker 2: What swimmer?

1203
00:55:08,000 --> 00:55:10,160
Speaker 1: The two decide to be friend. The dude doesn't sell

1204
00:55:10,160 --> 00:55:11,480
Speaker 1: this stuff at Target. I'm not gonna know.

1205
00:55:11,640 --> 00:55:16,759
Speaker 3: Seriously, obviously we're talking about Zach front Nah, yeah, no,

1206
00:55:17,120 --> 00:55:19,520
Speaker 3: or his brother who will famously be on Dancy with

1207
00:55:19,520 --> 00:55:19,920
Speaker 3: the Stars.

1208
00:55:20,000 --> 00:55:24,279
Speaker 1: Years later, right exactly, the two decide to be friends,

1209
00:55:24,320 --> 00:55:27,759
Speaker 1: finally calling off their situationship and Stubby is thrilled. Christopher

1210
00:55:27,920 --> 00:55:30,719
Speaker 1: is finally free, and now the Olsens are leaving La

1211
00:55:30,800 --> 00:55:32,560
Speaker 1: to go back to Michigan. They bid farewell with their

1212
00:55:32,560 --> 00:55:36,080
Speaker 1: grandma and her new piece of Jessica says goodbye tiery

1213
00:55:36,080 --> 00:55:39,040
Speaker 1: eyed while getting advice from her grandmother, which again, none

1214
00:55:39,040 --> 00:55:40,919
Speaker 1: of this was earned. There hasn't been a single scene

1215
00:55:40,960 --> 00:55:43,080
Speaker 1: with just the two of them and the grandmother. Now

1216
00:55:43,080 --> 00:55:45,719
Speaker 1: you're giving me advice. I literally don't even know your name.

1217
00:55:46,280 --> 00:55:49,440
Speaker 1: So it was just like, let me tell you about life. Really,

1218
00:55:49,560 --> 00:55:53,560
Speaker 1: you haven't earned this even slightly. Yeah, She promises that

1219
00:55:53,640 --> 00:55:55,799
Speaker 1: life has a way of working itself out. Look how

1220
00:55:56,120 --> 00:55:58,839
Speaker 1: she's been doing since Grandpa died. She then thrust her

1221
00:55:58,880 --> 00:56:01,839
Speaker 1: hips and points to her boyfriend and crotch. No, none

1222
00:56:01,880 --> 00:56:03,239
Speaker 1: of that happened, but I wanted to see if you

1223
00:56:03,239 --> 00:56:03,960
Speaker 1: are all still with me.

1224
00:56:04,080 --> 00:56:04,239
Speaker 2: Yeah.

1225
00:56:04,239 --> 00:56:05,799
Speaker 1: Would have been pretty great if it did, because then

1226
00:56:05,800 --> 00:56:07,920
Speaker 1: at least it would have given her character something to do.

1227
00:56:11,719 --> 00:56:13,120
Speaker 2: Ell is that wrong?

1228
00:56:13,320 --> 00:56:17,520
Speaker 1: No? Yeah, okay, what it is? But justice Jessica's about

1229
00:56:17,520 --> 00:56:19,960
Speaker 1: to leave. Paparazzi gets the photo they've been hoping for,

1230
00:56:20,040 --> 00:56:22,560
Speaker 1: and we cut to director Alan Smith, who's having some

1231
00:56:22,600 --> 00:56:24,920
Speaker 1: sort of a twenty ten version of a zoom meeting

1232
00:56:24,960 --> 00:56:28,840
Speaker 1: with the family. He is furious, who is this Jessica Olsen.

1233
00:56:29,160 --> 00:56:31,520
Speaker 1: Paparazzi exposed her and this is what he was worried

1234
00:56:31,520 --> 00:56:33,840
Speaker 1: about with cast and Christopher. He seems too young and

1235
00:56:33,920 --> 00:56:37,120
Speaker 1: not serious enough. None of this makes sense. His parents

1236
00:56:37,120 --> 00:56:39,400
Speaker 1: beg for another chance, and they get one. They have

1237
00:56:39,480 --> 00:56:42,759
Speaker 1: to convince gossip colonist Libby Lamb from Starstruck to kill

1238
00:56:42,760 --> 00:56:46,000
Speaker 1: the story by offering another exclusive. In exchange, he says

1239
00:56:46,040 --> 00:56:48,359
Speaker 1: to lie to her and call Jessica just a fan,

1240
00:56:48,480 --> 00:56:51,640
Speaker 1: which feels wildly rude. But either this girl goes away

1241
00:56:52,239 --> 00:56:54,960
Speaker 1: or the movie does, which, again from a story point,

1242
00:56:55,640 --> 00:57:00,719
Speaker 1: maga fend And so next thing, we see Christopher on

1243
00:57:00,760 --> 00:57:03,239
Speaker 1: the set of Starstruck being interviewed by Libby. He's asked

1244
00:57:03,239 --> 00:57:05,880
Speaker 1: about Jessica and by the way, okay, I'm sorry, this

1245
00:57:05,960 --> 00:57:10,239
Speaker 1: is just my mind going. Do you know how much

1246
00:57:11,520 --> 00:57:14,520
Speaker 1: a studio would love the idea of being able to

1247
00:57:14,560 --> 00:57:17,120
Speaker 1: sell a young pop star in a relationship with a

1248
00:57:17,200 --> 00:57:21,160
Speaker 1: quote unquote ordinary girl, making every quote unquote ordinary girl

1249
00:57:21,160 --> 00:57:22,880
Speaker 1: out there feeling like they had a chance with all

1250
00:57:22,880 --> 00:57:26,280
Speaker 1: these huge pop stars, like they would eat that up

1251
00:57:26,360 --> 00:57:28,840
Speaker 1: with a spoon and ask for seconds and third. So

1252
00:57:28,920 --> 00:57:31,440
Speaker 1: the idea that this is what's holding them back from

1253
00:57:31,440 --> 00:57:36,840
Speaker 1: getting the movie made no sense as a story point

1254
00:57:36,960 --> 00:57:38,840
Speaker 1: in this film. It was just like you're and they

1255
00:57:38,920 --> 00:57:42,440
Speaker 1: kept feeding into this thing that made no sense anyway.

1256
00:57:43,440 --> 00:57:45,320
Speaker 3: Well, it was like the whole, like what was on

1257
00:57:45,400 --> 00:57:48,760
Speaker 3: the line, Like the whole, This is the thing that's

1258
00:57:48,800 --> 00:57:50,200
Speaker 3: on the line your career.

1259
00:57:50,760 --> 00:57:54,360
Speaker 2: Yeah, to not date this girl, not date this girl? Yeah. Yes.

1260
00:57:55,320 --> 00:57:57,160
Speaker 1: And so the next thing we see is Christopher on

1261
00:57:57,200 --> 00:57:59,520
Speaker 1: the set of Starstruck being interviewed by Libby. He's asked

1262
00:57:59,520 --> 00:58:01,920
Speaker 1: about jess and he does indeed lie, calling her just

1263
00:58:02,000 --> 00:58:05,120
Speaker 1: some fan back in Michigan. Jessica, now hounded by photographers

1264
00:58:05,160 --> 00:58:07,280
Speaker 1: outside of her house, is clearly hurt. I also want

1265
00:58:07,320 --> 00:58:09,480
Speaker 1: to point out that the Olsen's house is anything but normal.

1266
00:58:09,520 --> 00:58:12,720
Speaker 1: It's actually very very very nice and beautiful. It's hardly

1267
00:58:12,720 --> 00:58:15,120
Speaker 1: lower class or something that would leave her shocked when

1268
00:58:15,120 --> 00:58:17,720
Speaker 1: she saw a mansion. But she was shocked like, oh

1269
00:58:17,720 --> 00:58:22,120
Speaker 1: my god, you've got a roof, Richie and now her

1270
00:58:22,160 --> 00:58:26,120
Speaker 1: parents she said, it's just like come on, and now

1271
00:58:26,240 --> 00:58:29,280
Speaker 1: her parents are did you not used to do that?

1272
00:58:29,800 --> 00:58:33,920
Speaker 1: And or plumbing Richie? And now her parents are concerned

1273
00:58:34,320 --> 00:58:36,280
Speaker 1: what went on in California that caused the media to

1274
00:58:36,280 --> 00:58:38,960
Speaker 1: follow her around. She promises it's nothing bad, but you

1275
00:58:39,080 --> 00:58:41,160
Speaker 1: just can't talk about it. And then Sarah runs in.

1276
00:58:41,560 --> 00:58:44,920
Speaker 1: Christopher's talking about Jessica on TV. They tune into Starstruck

1277
00:58:45,000 --> 00:58:46,720
Speaker 1: just in time to see him saying he doesn't know

1278
00:58:46,760 --> 00:58:53,000
Speaker 1: her at all. Okay, so she hasn't told her parents

1279
00:58:53,720 --> 00:58:55,840
Speaker 1: she spent the day with Christopher wild because she promised

1280
00:58:55,840 --> 00:58:58,600
Speaker 1: that she wouldn't. Her sister doesn't know she spent the

1281
00:58:58,680 --> 00:59:01,840
Speaker 1: day with Christopher wild because she's hasn't told anybody, but

1282
00:59:01,920 --> 00:59:05,960
Speaker 1: the paparazzi are following her all over the place. The

1283
00:59:06,040 --> 00:59:08,440
Speaker 1: sister then comes in and says, Christopher Wilde's going to

1284
00:59:08,520 --> 00:59:12,560
Speaker 1: talk about you on TV. But the sister who spent

1285
00:59:12,800 --> 00:59:18,040
Speaker 1: the entire movie thing on her sister and in love

1286
00:59:18,080 --> 00:59:21,280
Speaker 1: with this guy to the point of stalking, isn't upset

1287
00:59:21,400 --> 00:59:25,040
Speaker 1: that her sister has spent the time with Christopher while

1288
00:59:25,400 --> 00:59:26,480
Speaker 1: in any way, shape.

1289
00:59:26,320 --> 00:59:30,240
Speaker 2: Or form, does it even like acknowledge it? No, doesn't

1290
00:59:30,240 --> 00:59:34,760
Speaker 2: even acknowledge it, Like you went to his house without me?

1291
00:59:35,240 --> 00:59:37,080
Speaker 2: Are you like what you know?

1292
00:59:37,560 --> 00:59:39,920
Speaker 1: You went on a date with him, you were whatever happened?

1293
00:59:39,920 --> 00:59:42,480
Speaker 1: What he he took you to the hot anything? So

1294
00:59:42,640 --> 00:59:46,440
Speaker 1: either she doesn't know which, then why are there all

1295
00:59:46,440 --> 00:59:50,680
Speaker 1: this paparazzi. Nobody's questioning why, Hey, we've got seventy reporters

1296
00:59:50,680 --> 00:59:52,680
Speaker 1: on our lawn. Can we talk about that? Mate?

1297
00:59:52,800 --> 00:59:53,280
Speaker 2: Yeah?

1298
00:59:53,920 --> 00:59:57,600
Speaker 1: None of you with the parents to it.

1299
00:59:57,600 --> 00:59:59,920
Speaker 2: It made no you werewhere when you were supposed to

1300
00:59:59,920 --> 01:00:00,840
Speaker 2: be with your sister.

1301
01:00:01,200 --> 01:00:05,040
Speaker 1: There's been no repercussions for this girl running away, losing

1302
01:00:05,080 --> 01:00:08,880
Speaker 1: the grandmother's car. This is where it's so pitching people

1303
01:00:08,880 --> 01:00:11,479
Speaker 1: at a club, Like none of the parents don't even

1304
01:00:11,640 --> 01:00:12,160
Speaker 1: mention it.

1305
01:00:12,360 --> 01:00:14,720
Speaker 2: They weren't even supposed to go to the club eventually,

1306
01:00:14,720 --> 01:00:19,840
Speaker 2: Like originally there's nothing, it's nothing.

1307
01:00:20,440 --> 01:00:24,200
Speaker 3: That's when I'm starting, like when I'm like literally basically

1308
01:00:24,240 --> 01:00:25,680
Speaker 3: feeling like I'm like yelling at.

1309
01:00:25,520 --> 01:00:28,200
Speaker 2: The TV like this is so just ridiculous.

1310
01:00:28,200 --> 01:00:31,400
Speaker 1: Okay, So question, is this the first dcom we've ever

1311
01:00:31,480 --> 01:00:36,000
Speaker 1: had without a single good parent? There's not one?

1312
01:00:36,680 --> 01:00:41,080
Speaker 3: Right, Yeah, there's usually at least like one redeeming someone dad.

1313
01:00:41,920 --> 01:00:44,640
Speaker 1: But the mom's cool, the mom's distant. But the dad's

1314
01:00:44,640 --> 01:00:48,040
Speaker 1: a great dad something. We've got the two managers and

1315
01:00:48,880 --> 01:00:51,280
Speaker 1: of Christopher Wild who are awful, and the two parents

1316
01:00:51,440 --> 01:00:55,360
Speaker 1: don't about.

1317
01:00:53,800 --> 01:00:56,760
Speaker 2: Their kids, don't know where the hell they are or

1318
01:00:56,800 --> 01:01:01,360
Speaker 2: don't don't give it, they don't. It's no weirdest it is.

1319
01:01:01,440 --> 01:01:03,640
Speaker 3: D COM's are just this is this to me? This

1320
01:01:03,720 --> 01:01:05,560
Speaker 3: is when it felt like this was not a DCM.

1321
01:01:05,600 --> 01:01:07,960
Speaker 3: This felt like I started to think, you know how,

1322
01:01:08,000 --> 01:01:10,240
Speaker 3: there's always a big difference when there's a different like

1323
01:01:10,280 --> 01:01:13,120
Speaker 3: when a d COM bought a movie from a different

1324
01:01:13,120 --> 01:01:13,800
Speaker 3: production comes.

1325
01:01:14,000 --> 01:01:17,400
Speaker 1: Yes, it's right, that's.

1326
01:01:17,240 --> 01:01:19,480
Speaker 3: What That's what I started feeling like, Like there's been

1327
01:01:19,520 --> 01:01:21,600
Speaker 3: a couple of movies where we're like, it just doesn't

1328
01:01:21,720 --> 01:01:23,480
Speaker 3: it's not filmed like a d COM.

1329
01:01:24,000 --> 01:01:26,480
Speaker 2: The storylines not like a d coom. That's what this

1330
01:01:26,520 --> 01:01:26,920
Speaker 2: felt like.

1331
01:01:27,040 --> 01:01:28,120
Speaker 1: This felt I agree, there is.

1332
01:01:28,200 --> 01:01:30,800
Speaker 2: I learned to realize I do not like those movies.

1333
01:01:30,920 --> 01:01:36,440
Speaker 1: No, I don't need so grandmother, Yeah exactly exactly other

1334
01:01:36,520 --> 01:01:41,919
Speaker 1: than the grandmother and her her nice new piece who

1335
01:01:41,960 --> 01:01:45,120
Speaker 1: don't get don't get any sort of character developed whatsoever.

1336
01:01:45,160 --> 01:01:47,120
Speaker 1: There isn't a good adult in the movie.

1337
01:01:47,400 --> 01:01:50,920
Speaker 3: No, the director, the parents, the boyfriend is really only

1338
01:01:51,000 --> 01:01:54,560
Speaker 3: to show, like I moved on from Grandpa passing. I

1339
01:01:54,600 --> 01:01:57,920
Speaker 3: guess that's his storyline is supposed to be for like

1340
01:01:57,960 --> 01:01:58,520
Speaker 3: the purpose.

1341
01:01:58,920 --> 01:02:04,000
Speaker 1: Guess Yeah, it's weird, okay, But now now her parents

1342
01:02:04,000 --> 01:02:07,600
Speaker 1: are concerned. I don't get Later okay, So later she's

1343
01:02:07,640 --> 01:02:09,000
Speaker 1: looking out the window at all the press on her

1344
01:02:09,040 --> 01:02:11,400
Speaker 1: front lawn. Even Sarah is sick of this. Jessica admits

1345
01:02:11,480 --> 01:02:13,800
Speaker 1: Christopher said it would be like this, but she doesn't

1346
01:02:13,840 --> 01:02:16,760
Speaker 1: have to deal with what the celebrities do. She walks

1347
01:02:16,760 --> 01:02:18,680
Speaker 1: outside and gives Libya a peace of her mind. She

1348
01:02:18,760 --> 01:02:21,040
Speaker 1: calls them sick for building up celebrities only to tear

1349
01:02:21,080 --> 01:02:23,520
Speaker 1: them down to sell magazines and TV shows. She says

1350
01:02:23,560 --> 01:02:27,080
Speaker 1: Christopher has given up his freedom, privacy, and honesty. They

1351
01:02:27,120 --> 01:02:30,000
Speaker 1: wreck the human being and should be ashamed. The press

1352
01:02:30,040 --> 01:02:32,320
Speaker 1: is hardly affected at all by her combination, so Jessica

1353
01:02:32,320 --> 01:02:35,360
Speaker 1: gives up. She says she's never met the Christopher they're

1354
01:02:35,400 --> 01:02:39,320
Speaker 1: all obsessed with. And I still don't get what this

1355
01:02:39,360 --> 01:02:43,640
Speaker 1: movie is about. Is it about condemnation of the paparazzi?

1356
01:02:43,760 --> 01:02:46,280
Speaker 1: Is it about a little bit?

1357
01:02:46,360 --> 01:02:49,760
Speaker 3: I think that this celebrity life of it being are

1358
01:02:50,320 --> 01:02:53,000
Speaker 3: to be yeah, not to and it makes it so

1359
01:02:53,080 --> 01:02:56,600
Speaker 3: hard to be like your own person within that world. Sure,

1360
01:02:57,760 --> 01:03:00,520
Speaker 3: pushed into doing things you don't want because you're a

1361
01:03:00,560 --> 01:03:04,200
Speaker 3: celebrity and you've got the you know, adult life when

1362
01:03:04,240 --> 01:03:05,560
Speaker 3: you're supposed to be a kid.

1363
01:03:06,920 --> 01:03:10,640
Speaker 1: Okay, yeah, okay, again with an occasional bop thrown in there,

1364
01:03:12,280 --> 01:03:14,840
Speaker 1: we cut to Christopher and Stubby, which again I'm putting

1365
01:03:14,840 --> 01:03:17,040
Speaker 1: Stubby on the list of better names.

1366
01:03:17,240 --> 01:03:19,400
Speaker 2: The names snow, Jackal Johnson.

1367
01:03:19,600 --> 01:03:22,880
Speaker 1: It's no Jackal Johnson. But from now on, I forget

1368
01:03:22,880 --> 01:03:24,560
Speaker 1: what the last nickname was that I had, But I

1369
01:03:24,600 --> 01:03:26,200
Speaker 1: think Stubby is gonna be the one. I'm gonna watch

1370
01:03:26,200 --> 01:03:29,840
Speaker 1: you to call me from now on. They they're watching

1371
01:03:29,840 --> 01:03:32,000
Speaker 1: her response on TV, and Stubby is disgusted at how

1372
01:03:32,040 --> 01:03:34,600
Speaker 1: his best friend is acting. He says it's Christopher's life

1373
01:03:34,640 --> 01:03:37,120
Speaker 1: to live, but he's disappointed. Stubby's words seem to really

1374
01:03:37,120 --> 01:03:39,920
Speaker 1: get to him, and now he's questioning his actions. We

1375
01:03:39,960 --> 01:03:41,840
Speaker 1: cut to a movie set over at Griffith Park. Alan

1376
01:03:41,880 --> 01:03:44,120
Speaker 1: Smith is directing and Christopher is shown up to talk

1377
01:03:44,400 --> 01:03:46,919
Speaker 1: just a few days before his movie starts. He lets

1378
01:03:46,920 --> 01:03:49,400
Speaker 1: Smith know that he's no longer available. Alan offers to

1379
01:03:49,400 --> 01:03:51,600
Speaker 1: push back the start date, but Christopher says if he

1380
01:03:51,640 --> 01:03:53,880
Speaker 1: has to lie to join the club. He's not interested.

1381
01:03:53,960 --> 01:03:57,160
Speaker 1: He walks away, and now Alan is oddly impressed. And

1382
01:03:57,200 --> 01:03:59,120
Speaker 1: again the cool thing is how this comes back at

1383
01:03:59,160 --> 01:04:03,760
Speaker 1: the end, not at all. Oh. Christopher returns home to tell

1384
01:04:03,760 --> 01:04:05,800
Speaker 1: his parents he's not doing the movie. They claim it's

1385
01:04:05,800 --> 01:04:08,960
Speaker 1: not his decision, but he promises it is. He's seventeen

1386
01:04:09,000 --> 01:04:10,600
Speaker 1: years old and just and that's when I was like, oh,

1387
01:04:10,640 --> 01:04:12,840
Speaker 1: he's playing seventeen like he seems to be playing older

1388
01:04:12,840 --> 01:04:15,560
Speaker 1: to me. But I was like, okay, seventeen and just

1389
01:04:15,560 --> 01:04:17,600
Speaker 1: wants to play music and have fun. His parents promised

1390
01:04:17,600 --> 01:04:19,240
Speaker 1: toy'll handle it, but he takes control of his life

1391
01:04:19,280 --> 01:04:21,640
Speaker 1: and fires them and says he needs his parents back,

1392
01:04:21,720 --> 01:04:25,040
Speaker 1: and that was it. There was no anything after that.

1393
01:04:25,080 --> 01:04:27,200
Speaker 1: They weren't like, you know, you're right, but you're right.

1394
01:04:27,360 --> 01:04:28,439
Speaker 2: Yeah, we've been.

1395
01:04:28,720 --> 01:04:31,440
Speaker 3: We've gotten caught up in the business aspect of it.

1396
01:04:31,600 --> 01:04:32,680
Speaker 2: You shall be a kid.

1397
01:04:33,320 --> 01:04:36,360
Speaker 1: They're just like fired, They're fired. That's it.

1398
01:04:36,920 --> 01:04:41,040
Speaker 3: Uh yeah, man, I will say, though it is hard,

1399
01:04:41,080 --> 01:04:42,960
Speaker 3: but I have you I'm sure as well.

1400
01:04:43,160 --> 01:04:44,400
Speaker 2: Obviously have been.

1401
01:04:44,280 --> 01:04:48,120
Speaker 3: Around what they call like momagers or whatever on set.

1402
01:04:48,400 --> 01:04:49,919
Speaker 1: Some of them can be off, some of them are great.

1403
01:04:50,240 --> 01:04:52,120
Speaker 1: Some of them and are just there to just there

1404
01:04:52,160 --> 01:04:54,280
Speaker 1: to look out for their kids. And some of them

1405
01:04:54,320 --> 01:04:58,880
Speaker 1: are really horrible people. Yeah, men and women, dads and

1406
01:04:59,000 --> 01:05:02,960
Speaker 1: moms have their kids in it for all the wrong reasons.

1407
01:05:02,960 --> 01:05:05,240
Speaker 1: The kids don't want to be there, are milking all

1408
01:05:05,240 --> 01:05:05,960
Speaker 1: the money away.

1409
01:05:06,200 --> 01:05:11,640
Speaker 5: It's awful, yeah, yes, and it does something to kids

1410
01:05:11,640 --> 01:05:14,320
Speaker 5: psyche to be like the one that is like putting

1411
01:05:14,320 --> 01:05:16,400
Speaker 5: the roof over the head of your family.

1412
01:05:16,560 --> 01:05:19,360
Speaker 1: Well, Gary Coleman is is well, you know, one of

1413
01:05:19,400 --> 01:05:20,880
Speaker 1: the most famous of those of all time. He was

1414
01:05:21,160 --> 01:05:23,520
Speaker 1: one of the massive influences for me. And the reason

1415
01:05:23,520 --> 01:05:25,360
Speaker 1: I got into this business is growing up watching Gary

1416
01:05:25,360 --> 01:05:28,400
Speaker 1: Coleman on different strokes and seeing how at you know,

1417
01:05:28,520 --> 01:05:30,600
Speaker 1: eight nine, ten, eleven years old, he was commanding the

1418
01:05:30,600 --> 01:05:32,560
Speaker 1: screen and he was amazing. And then to find out

1419
01:05:32,560 --> 01:05:34,680
Speaker 1: his actual life where his parents squandered all his money.

1420
01:05:34,680 --> 01:05:36,040
Speaker 1: He had to sue them to get it back, he

1421
01:05:36,080 --> 01:05:38,800
Speaker 1: had to divorce his parents. I mean, just one awfulness

1422
01:05:38,840 --> 01:05:41,280
Speaker 1: after another. And it's just you see all the work

1423
01:05:41,320 --> 01:05:43,800
Speaker 1: he was forced into doing and for almost no money.

1424
01:05:44,000 --> 01:05:46,400
Speaker 1: It's just Yet it's terrible. So it can be. It

1425
01:05:46,440 --> 01:05:48,959
Speaker 1: can be a very disgusting, awful business. It can also

1426
01:05:49,000 --> 01:05:52,120
Speaker 1: be a very wonderful and credible, fulfilling business. So it's

1427
01:05:52,720 --> 01:05:55,160
Speaker 1: like anything else. I imagine, it's got its good points and

1428
01:05:55,200 --> 01:05:58,760
Speaker 1: it's bad. Right back in Michigan, Jessica's trying on dresses

1429
01:05:58,800 --> 01:06:01,800
Speaker 1: for her sister, and it's the night of that big dance,

1430
01:06:01,800 --> 01:06:04,000
Speaker 1: remember that one from way at the beginning of the

1431
01:06:04,000 --> 01:06:05,320
Speaker 1: movie that everybody's forgotten about.

1432
01:06:05,760 --> 01:06:08,400
Speaker 2: School also completely forgot about it. I was like, what,

1433
01:06:09,120 --> 01:06:11,560
Speaker 2: there's a prom? Like, what's happening?

1434
01:06:11,760 --> 01:06:12,760
Speaker 1: We're at a dance? Now?

1435
01:06:12,840 --> 01:06:14,920
Speaker 2: What china on dresses? And why are you trying to

1436
01:06:15,000 --> 01:06:17,280
Speaker 2: want for your sister? This is so stupid. I was

1437
01:06:17,360 --> 01:06:18,080
Speaker 2: so done.

1438
01:06:18,880 --> 01:06:21,000
Speaker 1: Yeah I didn't done it. Yeah, by this point I

1439
01:06:21,120 --> 01:06:25,160
Speaker 1: was too u The school also now thinks Jessica as

1440
01:06:25,200 --> 01:06:27,360
Speaker 1: a wacko, since Christopher claimed he didn't know her at all,

1441
01:06:28,080 --> 01:06:28,680
Speaker 1: So then.

1442
01:06:30,280 --> 01:06:35,720
Speaker 6: She told people she knew him, but she didn't tell

1443
01:06:35,720 --> 01:06:39,360
Speaker 6: anybody she knew him, So how did they How did

1444
01:06:39,360 --> 01:06:42,439
Speaker 6: the story get out that she knew him and then

1445
01:06:42,520 --> 01:06:43,960
Speaker 6: he lied about knowing her?

1446
01:06:45,960 --> 01:06:47,960
Speaker 2: Can anyone explain no idea?

1447
01:06:48,240 --> 01:06:52,720
Speaker 1: I none of this made sense, so did she because

1448
01:06:52,880 --> 01:06:54,480
Speaker 1: she would have to have said, I spent the day

1449
01:06:54,520 --> 01:06:56,680
Speaker 1: with Christopher wild I loved him so much. We got

1450
01:06:56,720 --> 01:06:58,280
Speaker 1: along and he wasn't who I thought he was. And

1451
01:06:58,280 --> 01:06:59,960
Speaker 1: then he comes out ands like I've never met her,

1452
01:07:00,720 --> 01:07:04,400
Speaker 1: but she didn't tell anyone, So how did some did

1453
01:07:04,480 --> 01:07:05,160
Speaker 1: somebody else?

1454
01:07:06,400 --> 01:07:07,400
Speaker 2: I think it was it.

1455
01:07:08,280 --> 01:07:11,640
Speaker 3: It's supposed to be because of like whatever that director saw,

1456
01:07:11,960 --> 01:07:12,920
Speaker 3: like this girl.

1457
01:07:13,000 --> 01:07:14,040
Speaker 2: Who is this girl?

1458
01:07:14,800 --> 01:07:16,960
Speaker 1: Okay, yeah, that's.

1459
01:07:16,680 --> 01:07:18,640
Speaker 3: What I feel like you were supposed to stem from.

1460
01:07:18,680 --> 01:07:21,280
Speaker 3: But I'm telling you, at this point I was so disconnected.

1461
01:07:21,560 --> 01:07:23,520
Speaker 1: Yeah, and just sense.

1462
01:07:23,960 --> 01:07:26,400
Speaker 3: Yeah, it doesn't make sense. And when there's too many

1463
01:07:26,520 --> 01:07:28,480
Speaker 3: questions and there are no rules, I'm out.

1464
01:07:28,760 --> 01:07:31,360
Speaker 1: I agree by the way, I will say, and we

1465
01:07:31,360 --> 01:07:33,959
Speaker 1: we we touched on this very briefly, but we should. Again,

1466
01:07:34,960 --> 01:07:37,360
Speaker 1: I don't blame any of the actors. No, the acting

1467
01:07:37,480 --> 01:07:39,120
Speaker 1: is fine. The act of this movie was fine.

1468
01:07:39,680 --> 01:07:40,840
Speaker 2: Yeah, it was not.

1469
01:07:41,400 --> 01:07:44,440
Speaker 3: I mean the characters themselves, Like she was you know,

1470
01:07:44,480 --> 01:07:47,080
Speaker 3: our main character was very.

1471
01:07:46,600 --> 01:07:49,320
Speaker 1: She was mean and annoying, and the sister is mean annoying.

1472
01:07:49,320 --> 01:07:51,040
Speaker 1: But I don't play that's not because of how she

1473
01:07:51,120 --> 01:07:51,560
Speaker 1: played it.

1474
01:07:51,560 --> 01:07:53,360
Speaker 2: It's it's how it was written for sure.

1475
01:07:53,400 --> 01:07:57,320
Speaker 1: Correct. So yeah, correct? Okay, So the school thinks that

1476
01:07:57,320 --> 01:07:59,200
Speaker 1: she's a whacko since Christopher claimed he didn't know her

1477
01:07:59,200 --> 01:08:01,680
Speaker 1: at all. H he calls her pathetic, just as Jessica

1478
01:08:01,680 --> 01:08:04,360
Speaker 1: walks back into the room. Finally, Sarah steps up as

1479
01:08:04,360 --> 01:08:06,200
Speaker 1: the sister to console her and begs her to go

1480
01:08:06,240 --> 01:08:09,680
Speaker 1: to the dance to get her mind off of things okay,

1481
01:08:10,040 --> 01:08:11,720
Speaker 1: and she was successful because now at the dance, the

1482
01:08:11,760 --> 01:08:14,360
Speaker 1: Olsen's sisters arrive. Sarah encourages her to be herself, and

1483
01:08:14,360 --> 01:08:16,800
Speaker 1: then finally they have a heartfelt moment. That's until Sarah

1484
01:08:16,840 --> 01:08:18,679
Speaker 1: acts like she doesn't know her at all and walks

1485
01:08:18,680 --> 01:08:22,000
Speaker 1: off again. It was like they were like, we need

1486
01:08:22,000 --> 01:08:22,880
Speaker 1: an ending to this movie.

1487
01:08:22,920 --> 01:08:27,479
Speaker 2: Let's just end it, I know, and justice let's go.

1488
01:08:27,560 --> 01:08:29,320
Speaker 1: Yeah exactly, I'm doing the same thing as a come

1489
01:08:29,360 --> 01:08:34,080
Speaker 1: out credits, roll them credits, and I was seriously like

1490
01:08:34,120 --> 01:08:36,679
Speaker 1: to see in my head going like I might watch

1491
01:08:37,040 --> 01:08:40,560
Speaker 1: might watch High School Musical again after this, because that

1492
01:08:41,400 --> 01:08:44,960
Speaker 1: make me happy, doctor Chivago compared to this. And just

1493
01:08:45,040 --> 01:08:46,760
Speaker 1: as some mean girl start to laugh at Jessica, the

1494
01:08:46,840 --> 01:08:51,080
Speaker 1: lights go out and guess who walks on stage? Madonna, No,

1495
01:08:51,120 --> 01:08:53,840
Speaker 1: I'm kidding, none other than Christopher Wilde. He calls out

1496
01:08:53,880 --> 01:08:56,200
Speaker 1: to Jessica Olsen and the schools in shock. She walks

1497
01:08:56,280 --> 01:08:57,960
Speaker 1: up to the stage as he explains there are some

1498
01:08:58,000 --> 01:08:59,920
Speaker 1: things he didn't get a chance to stay in California,

1499
01:09:00,120 --> 01:09:02,080
Speaker 1: and then he sings his newest ballad, all about how

1500
01:09:02,120 --> 01:09:03,960
Speaker 1: he tried to walk away from her, but nothing's ever

1501
01:09:03,960 --> 01:09:06,559
Speaker 1: felt so wrong. He thought he was protecting her, got

1502
01:09:06,600 --> 01:09:11,120
Speaker 1: lost along the way, and uh, okay, he's here now

1503
01:09:11,160 --> 01:09:13,000
Speaker 1: to tell her his true feelings. Okay, it's a very

1504
01:09:13,000 --> 01:09:15,639
Speaker 1: literal song. He might as well have just mentioned Michigan

1505
01:09:15,640 --> 01:09:18,040
Speaker 1: and her name, like it's because of you, Jessica and

1506
01:09:18,080 --> 01:09:22,519
Speaker 1: Michigan plumb Pinto. You're plum Pinto and I'm actual school

1507
01:09:22,640 --> 01:09:25,680
Speaker 1: dance that we all forgot about. The song ends with

1508
01:09:25,720 --> 01:09:27,840
Speaker 1: them now face to face and the school's applauding. She

1509
01:09:27,880 --> 01:09:30,280
Speaker 1: wonders what he thought would happen, that he just walked

1510
01:09:30,280 --> 01:09:31,880
Speaker 1: back into her life and everything can be okay. He

1511
01:09:31,920 --> 01:09:35,360
Speaker 1: apologizes again, but she's not sold. She was humiliated, and

1512
01:09:35,400 --> 01:09:38,920
Speaker 1: then of course Libby from Starstruck and her cameraman walk in.

1513
01:09:39,560 --> 01:09:42,759
Speaker 1: What They ask Christopher if he was lying about Jessica,

1514
01:09:42,800 --> 01:09:44,840
Speaker 1: and he looks directly into her camera and admits he

1515
01:09:44,880 --> 01:09:47,479
Speaker 1: did lie. The truth is, Jessica understands him like no

1516
01:09:47,479 --> 01:09:50,040
Speaker 1: one else can, and he's crazy about her. He promises

1517
01:09:50,040 --> 01:09:52,280
Speaker 1: he's never gonna hurt her again and ask for her forgiveness.

1518
01:09:52,360 --> 01:09:53,920
Speaker 1: She shakes her head yes, and they go in for

1519
01:09:53,960 --> 01:09:56,120
Speaker 1: a kiss, but before they do, forever tainting the movie

1520
01:09:56,240 --> 01:09:59,120
Speaker 1: is problematic. Sarah cuts in. She wants to meet Christopher

1521
01:09:59,160 --> 01:10:01,240
Speaker 1: Wilde and is super weird about it. Then she fades

1522
01:10:01,240 --> 01:10:03,400
Speaker 1: because of course she's not at all jealous that her

1523
01:10:03,400 --> 01:10:05,320
Speaker 1: sister is now dating the guy she's been in love

1524
01:10:05,320 --> 01:10:08,200
Speaker 1: with forever. Christopher aske Jessica to go on a real date.

1525
01:10:08,240 --> 01:10:10,520
Speaker 1: She makes sure neither of them have to wear disguises,

1526
01:10:10,920 --> 01:10:13,880
Speaker 1: then accepts the invite. They put on some cool guys sunglasses,

1527
01:10:13,880 --> 01:10:15,519
Speaker 1: and I have one more dance, this time with Stubby

1528
01:10:15,560 --> 01:10:17,799
Speaker 1: on stage wrapping his heart out. We get our credits

1529
01:10:17,800 --> 01:10:22,479
Speaker 1: over the students going wild, and that's thankfully the end

1530
01:10:22,600 --> 01:10:23,639
Speaker 1: of our movies.

1531
01:10:23,840 --> 01:10:26,200
Speaker 2: Eighty one minutes, eight minutes.

1532
01:10:26,600 --> 01:10:28,360
Speaker 1: That's shows you how eighty one minutes can feel like

1533
01:10:28,400 --> 01:10:42,519
Speaker 1: an awfully long time. Sabrina, you get the five star

1534
01:10:42,600 --> 01:10:44,600
Speaker 1: reviews because we're going to do real reviews. Now, what

1535
01:10:44,640 --> 01:10:45,640
Speaker 1: do you got?

1536
01:10:46,000 --> 01:10:49,639
Speaker 2: I mean, I'm already stumped on this user name.

1537
01:10:49,720 --> 01:10:56,559
Speaker 1: Fazy cool Catspots, cool Cats, box Catbots, Cool Catbots Wow,

1538
01:10:56,760 --> 01:10:59,560
Speaker 1: I've been cool cat bots, cool cat.

1539
01:10:59,479 --> 01:11:03,559
Speaker 2: Cool cool cat boys. Oh, cool cat bots.

1540
01:11:03,800 --> 01:11:05,840
Speaker 1: I'd a cat baz, cool cat bas.

1541
01:11:05,880 --> 01:11:10,519
Speaker 2: All right, wild for wild. He's the Prince of twenty

1542
01:11:10,640 --> 01:11:15,519
Speaker 2: ten Disney, directly after King Troy Bolton. Something about the

1543
01:11:15,520 --> 01:11:18,320
Speaker 2: sunshine pave the way for music as we know it.

1544
01:11:18,680 --> 01:11:22,519
Speaker 2: As far as songs, this movie has a ton of

1545
01:11:22,720 --> 01:11:23,600
Speaker 2: iconic classics.

1546
01:11:24,160 --> 01:11:27,720
Speaker 1: Wow, name one, fight stars, cool cat's bots, name one.

1547
01:11:29,080 --> 01:11:30,840
Speaker 1: I have the one star review and this is from

1548
01:11:31,120 --> 01:11:35,719
Speaker 1: random Spontaneity. Okay, this is one of my favorite reviews.

1549
01:11:36,000 --> 01:11:38,760
Speaker 1: If you do visit Michigan, please do not let this

1550
01:11:38,840 --> 01:11:41,680
Speaker 1: piece of fail ruin your impression of us. We are,

1551
01:11:41,800 --> 01:11:44,160
Speaker 1: on the whole a generally nice and friendly group of people.

1552
01:11:44,479 --> 01:11:46,320
Speaker 1: I can guarantee you that none of us will treat

1553
01:11:46,360 --> 01:11:48,719
Speaker 1: you as terribly as the Michigan teens in this film

1554
01:11:48,760 --> 01:11:53,439
Speaker 1: treat each other. One star. Oh my, okay, Well, let's

1555
01:11:53,439 --> 01:11:55,840
Speaker 1: go to our favorite portion of the program right now,

1556
01:11:55,880 --> 01:11:58,040
Speaker 1: and it is our feature program, which is called a

1557
01:11:58,160 --> 01:12:04,320
Speaker 1: dormy enormy clever. I love it, very good title. So

1558
01:12:04,439 --> 01:12:07,439
Speaker 1: in Starstruck, Alexis Bender can't believe Christopher fell in love

1559
01:12:07,479 --> 01:12:10,360
Speaker 1: with someone who isn't famous. She says that only happens

1560
01:12:10,400 --> 01:12:12,800
Speaker 1: in movies, but that's just not true. It happens all

1561
01:12:12,840 --> 01:12:15,200
Speaker 1: the time. I mean, both of us married not famous normies.

1562
01:12:15,640 --> 01:12:17,600
Speaker 1: So we will be given a profession and we have

1563
01:12:17,680 --> 01:12:21,000
Speaker 1: to pick which celebrity married that normy? Can we just

1564
01:12:21,040 --> 01:12:23,960
Speaker 1: call the muggles? I don't like that word normy. Uh,

1565
01:12:23,960 --> 01:12:25,840
Speaker 1: but here we go. Who are we playing with today?

1566
01:12:26,600 --> 01:12:28,200
Speaker 7: You get Lisa Hey?

1567
01:12:29,800 --> 01:12:33,400
Speaker 1: All right? So number one, I guess we're gonna tell

1568
01:12:33,479 --> 01:12:35,519
Speaker 1: say what the profession is and then the people will

1569
01:12:35,520 --> 01:12:37,919
Speaker 1: see who married them. So number one an interior designer?

1570
01:12:37,960 --> 01:12:41,680
Speaker 1: Was that Don Johnson? B Joel McHale, see Robert de

1571
01:12:41,760 --> 01:12:45,160
Speaker 1: Niro or B Matt Damon? What do you got, Sabrina?

1572
01:12:45,520 --> 01:12:46,599
Speaker 2: D Matt Damon.

1573
01:12:47,200 --> 01:12:50,519
Speaker 1: I think Matt Damon married a bartender famously. So I

1574
01:12:50,600 --> 01:12:52,440
Speaker 1: think I'm gonna say B Joel.

1575
01:12:52,240 --> 01:12:56,360
Speaker 7: McHale in a weird way. You're kind of right, Will,

1576
01:12:56,400 --> 01:12:59,439
Speaker 7: but uh, Sabrina takes this. It is D Matt Damon

1577
01:13:00,160 --> 01:13:02,920
Speaker 7: Lucyanna Barossa and it says when they met, she actually

1578
01:13:03,000 --> 01:13:03,639
Speaker 7: was a bartender.

1579
01:13:03,640 --> 01:13:06,160
Speaker 1: Oh thank you, Yeah, okay, so that's the then that's wrong,

1580
01:13:06,520 --> 01:13:08,960
Speaker 1: Thank you very much. She was a bartender. That's the

1581
01:13:08,960 --> 01:13:11,280
Speaker 1: famous thing about him. He loved her for years, so

1582
01:13:11,600 --> 01:13:15,000
Speaker 1: I'm wrong. I'm counting that a win for me. One

1583
01:13:15,080 --> 01:13:17,040
Speaker 1: for me too. We both got that correct because if

1584
01:13:17,080 --> 01:13:19,639
Speaker 1: it said which one was married a bartender, I would

1585
01:13:19,680 --> 01:13:23,240
Speaker 1: have known exactly what it was. Fake question Number two

1586
01:13:23,439 --> 01:13:26,920
Speaker 1: the makeup artist A Patrick Dempsey, B Steve BUSCEMI, C

1587
01:13:27,160 --> 01:13:31,400
Speaker 1: John c Riley or D Keegan Michael Key. A Patrick

1588
01:13:31,439 --> 01:13:34,559
Speaker 1: Dempsey say D Keegan, Michael Key.

1589
01:13:35,320 --> 01:13:36,280
Speaker 7: Sabrina's on a role.

1590
01:13:36,320 --> 01:13:40,479
Speaker 1: It's a you know all these damn I don't know

1591
01:13:40,520 --> 01:13:44,720
Speaker 1: any of these. Number three jewelry designers at A and Hathaway, B,

1592
01:13:44,960 --> 01:13:48,400
Speaker 1: Margot Robbie, C, Emma Roberts or D Shania Twain.

1593
01:13:52,479 --> 01:13:57,840
Speaker 2: C Emma Roberts, C Ema Roberts.

1594
01:13:56,439 --> 01:13:58,799
Speaker 7: A and haf Adam Schulman.

1595
01:13:59,360 --> 01:14:01,840
Speaker 2: Okay, George, that's it.

1596
01:14:03,880 --> 01:14:07,800
Speaker 1: I have officially lost, Thank you exactly. Sabrina loves that.

1597
01:14:09,760 --> 01:14:13,639
Speaker 1: Number four of vet Tech. Is that A Jason Moraz,

1598
01:14:13,760 --> 01:14:17,599
Speaker 1: B Samuel L. Jackson, C. John Stewart or D. Wolf Blitzer.

1599
01:14:19,160 --> 01:14:20,719
Speaker 1: I don't think Jason raz is married?

1600
01:14:20,800 --> 01:14:22,800
Speaker 2: Is he? I have no idea.

1601
01:14:22,960 --> 01:14:24,000
Speaker 1: I'm gonna say, B.

1602
01:14:24,400 --> 01:14:27,920
Speaker 2: Samuel, I'm gonna go with that too. It is C.

1603
01:14:29,640 --> 01:14:31,960
Speaker 7: Mary Tracy McShane.

1604
01:14:32,080 --> 01:14:37,839
Speaker 1: Doctor Tracy McShane, doctor uh and see an art gallery

1605
01:14:37,880 --> 01:14:42,479
Speaker 1: curator is at A Warren Buffett see Christian Slater or

1606
01:14:42,560 --> 01:14:46,200
Speaker 1: B Christian Slater see Larry David or D. Jesse Eisenberg.

1607
01:14:48,240 --> 01:14:52,480
Speaker 2: B Christian Slater see Larry David.

1608
01:14:53,200 --> 01:14:55,599
Speaker 7: I have it as B, so that means Sabrina win

1609
01:14:55,920 --> 01:14:56,840
Speaker 7: you one.

1610
01:14:56,880 --> 01:15:01,960
Speaker 1: Congratulations. Wow, that's a big Do you have any Sabrina

1611
01:15:01,960 --> 01:15:07,439
Speaker 1: seas or do you just want to skip them?

1612
01:15:08,200 --> 01:15:10,599
Speaker 3: The only one that we didn't kind of cover, and

1613
01:15:10,640 --> 01:15:14,200
Speaker 3: it was more so like Sabrina's irritations.

1614
01:15:13,880 --> 01:15:15,640
Speaker 2: Is that we were doing today.

1615
01:15:16,080 --> 01:15:18,840
Speaker 3: My biggest thing is about this, and we talked about

1616
01:15:18,880 --> 01:15:21,639
Speaker 3: a lot of them, was the just not talking about

1617
01:15:21,680 --> 01:15:25,200
Speaker 3: things that happened the club, the this, the that the

1618
01:15:25,240 --> 01:15:29,360
Speaker 3: biggest one was the loss of a freaking awesome.

1619
01:15:29,160 --> 01:15:30,559
Speaker 1: Car, like nobody cared.

1620
01:15:30,920 --> 01:15:33,920
Speaker 3: First of all, the way it happened was so ridiculous,

1621
01:15:33,960 --> 01:15:37,599
Speaker 3: and they're all sudden was just this like sandpit or mud,

1622
01:15:37,640 --> 01:15:43,240
Speaker 3: and then they were like searching it, say.

1623
01:15:43,760 --> 01:15:44,599
Speaker 2: Was so stupid.

1624
01:15:44,800 --> 01:15:48,280
Speaker 3: But the fact that the car was gone, never returned,

1625
01:15:48,400 --> 01:15:52,240
Speaker 3: and never spoke about was the most ridiculous thing I

1626
01:15:52,280 --> 01:15:55,280
Speaker 3: think we have ever seen in a DCM like, I

1627
01:15:55,360 --> 01:15:57,040
Speaker 3: think that is right up there.

1628
01:15:57,000 --> 01:15:59,800
Speaker 2: And that's the last one. Oh no, sorry, they'll sorry.

1629
01:15:59,840 --> 01:16:02,880
Speaker 3: The last one was her sister and I talked about

1630
01:16:02,880 --> 01:16:06,439
Speaker 3: this earlier in the episode, her sister saying, now, let's

1631
01:16:06,439 --> 01:16:08,599
Speaker 3: get you pretty enough to be my sister to go

1632
01:16:08,640 --> 01:16:10,960
Speaker 3: to the dance. I would have been like you, I'm not.

1633
01:16:10,960 --> 01:16:13,639
Speaker 2: Going the dance.

1634
01:16:13,640 --> 01:16:14,680
Speaker 1: We didn't even remember we had.

1635
01:16:14,760 --> 01:16:16,519
Speaker 3: We didn't even First of all, I forgot about it.

1636
01:16:16,520 --> 01:16:19,200
Speaker 3: Second of all, like, no, I'm not going. Let's make

1637
01:16:19,240 --> 01:16:21,320
Speaker 3: me pretty enough. How about I'm prettier than you.

1638
01:16:21,360 --> 01:16:23,840
Speaker 2: So kicks Shelby.

1639
01:16:23,560 --> 01:16:28,080
Speaker 1: Or whatever your name is, Sarah, I think get out.

1640
01:16:30,080 --> 01:16:31,440
Speaker 1: I like it.

1641
01:16:31,720 --> 01:16:32,200
Speaker 2: Good.

1642
01:16:32,439 --> 01:16:35,200
Speaker 1: Well, now let's score our film. This should be fun.

1643
01:16:35,360 --> 01:16:37,160
Speaker 1: Our options for this week we're doing one out of ten.

1644
01:16:37,160 --> 01:16:39,680
Speaker 1: I'm not even make a joke out of it. The

1645
01:16:39,720 --> 01:16:43,280
Speaker 1: options for this week are confusing prom opinions one out

1646
01:16:43,280 --> 01:16:46,880
Speaker 1: of ten, unrelated beebers one out of ten, Hollywood handshakes

1647
01:16:47,240 --> 01:16:51,719
Speaker 1: one out of ten, Plump Pinto's awful doctor cars, guys

1648
01:16:51,720 --> 01:16:55,360
Speaker 1: with guitars at parties, Paparazzi's in the same van one

1649
01:16:55,400 --> 01:16:57,960
Speaker 1: out of ten, Harry Perry's one out of ten, Sad

1650
01:16:58,000 --> 01:17:00,760
Speaker 1: salad pokes, which sounds like a weird thing one out

1651
01:17:00,760 --> 01:17:04,519
Speaker 1: of ten Zach Posen's or one out of ten Stubbies,

1652
01:17:04,560 --> 01:17:06,080
Speaker 1: which also sounds like a weird sex thing.

1653
01:17:06,120 --> 01:17:08,720
Speaker 2: Sabrina, you pick, I'm gonna go with plumb pintos.

1654
01:17:08,840 --> 01:17:13,719
Speaker 1: You got it? I think I'm I go first this time.

1655
01:17:14,280 --> 01:17:16,960
Speaker 1: Let's just get this over with. I did not like

1656
01:17:17,000 --> 01:17:22,280
Speaker 1: this movie. Again. The acting was fine, it looked okay.

1657
01:17:22,439 --> 01:17:24,960
Speaker 1: This story was all over the place. It made no sense.

1658
01:17:25,000 --> 01:17:26,479
Speaker 1: I don't know what this movie was supposed to be

1659
01:17:26,560 --> 01:17:29,000
Speaker 1: or what it was supposed to be about. It wasn't

1660
01:17:29,080 --> 01:17:32,800
Speaker 1: really romantic. It wasn't really a comedy. It wasn't it

1661
01:17:32,840 --> 01:17:35,720
Speaker 1: wasn't really a musical. I don't know what this movie is.

1662
01:17:36,200 --> 01:17:38,200
Speaker 1: You can come at me all you want to. I

1663
01:17:38,200 --> 01:17:41,280
Speaker 1: will stand by this all day long. I'm gonna give

1664
01:17:41,320 --> 01:17:46,320
Speaker 1: this four point five plumb pintos. This movie was just

1665
01:17:46,360 --> 01:17:47,840
Speaker 1: all over the place. I didn't get it. And it's

1666
01:17:47,840 --> 01:17:49,560
Speaker 1: also we're coming off of two or three in a

1667
01:17:49,680 --> 01:17:51,519
Speaker 1: row that we really liked, so we can see what

1668
01:17:51,640 --> 01:17:54,000
Speaker 1: can be done so to go from. We've even seen

1669
01:17:54,120 --> 01:17:56,120
Speaker 1: a better version of this with Stuck in the Suburbs.

1670
01:17:56,120 --> 01:17:58,920
Speaker 1: I mean, you've seen this already seen this movie done better.

1671
01:17:59,400 --> 01:18:02,000
Speaker 1: So this was not a good movie. What do you got?

1672
01:18:02,240 --> 01:18:04,960
Speaker 3: This was a miss for me through and through and

1673
01:18:05,000 --> 01:18:07,439
Speaker 3: it frustrates me and I hate it because you know

1674
01:18:07,479 --> 01:18:09,960
Speaker 3: how much I love being bright and shiny on this podcast.

1675
01:18:10,040 --> 01:18:13,519
Speaker 2: This was a dull and dim day for Sabrain and Brian.

1676
01:18:14,240 --> 01:18:17,240
Speaker 2: I'm sorry. I'm sorry for those of the people that

1677
01:18:17,240 --> 01:18:18,439
Speaker 2: that actually loved this.

1678
01:18:18,760 --> 01:18:21,839
Speaker 3: I can literally I don't say this about many dcoms.

1679
01:18:21,920 --> 01:18:26,479
Speaker 3: I did not like it at all, and it hurts

1680
01:18:26,520 --> 01:18:29,880
Speaker 3: to do that. I'm going to give it for rest

1681
01:18:29,960 --> 01:18:37,519
Speaker 3: in peace plum pintos, because I yes, that never happens.

1682
01:18:37,600 --> 01:18:40,880
Speaker 3: I literally would never ever want to ever watch this again.

1683
01:18:40,920 --> 01:18:43,840
Speaker 3: I know, and it's completely I feel terrible being that

1684
01:18:43,920 --> 01:18:45,479
Speaker 3: strong feeling about it.

1685
01:18:46,920 --> 01:18:50,439
Speaker 2: But the holes were too big.

1686
01:18:50,640 --> 01:18:54,080
Speaker 3: There was nothing talked about this was, which made it

1687
01:18:54,200 --> 01:18:55,880
Speaker 3: just not real like it was.

1688
01:18:56,479 --> 01:18:59,120
Speaker 2: This is a real thing. I love this storyline.

1689
01:18:59,200 --> 01:18:59,519
Speaker 1: I do.

1690
01:18:59,680 --> 01:19:04,080
Speaker 3: This idea of a celebrity finding not just a regular

1691
01:19:04,160 --> 01:19:07,720
Speaker 3: person totally up my alley, completely missed the mark for me.

1692
01:19:07,800 --> 01:19:09,559
Speaker 1: One hundred percent agree with you. All right, Well, thank

1693
01:19:09,640 --> 01:19:11,679
Speaker 1: you everybody for joining us. Our next movie is putting

1694
01:19:11,720 --> 01:19:13,759
Speaker 1: us back in the saddle and hopefully back on Track.

1695
01:19:14,240 --> 01:19:17,800
Speaker 1: It's two thousands horse riding drama ready to run. It's

1696
01:19:17,840 --> 01:19:19,920
Speaker 1: currently available to stream on Disney Plus. I don't miss

1697
01:19:19,960 --> 01:19:21,720
Speaker 1: your chance to get a little pregame in before we

1698
01:19:21,800 --> 01:19:24,320
Speaker 1: recap it, and don't forget to always go over and

1699
01:19:24,400 --> 01:19:27,360
Speaker 1: check out our park Hopper episodes on our Magical Rewind feed.

1700
01:19:27,640 --> 01:19:30,880
Speaker 1: We interview some great people talking about incredible movies and

1701
01:19:30,960 --> 01:19:32,720
Speaker 1: some movies and aren't the best in the world. So

1702
01:19:32,960 --> 01:19:35,519
Speaker 1: just search for Magical Rewind wherever you get your podcasts

1703
01:19:35,520 --> 01:19:38,599
Speaker 1: and subscribe to make sure every new episodes end up

1704
01:19:38,640 --> 01:19:42,200
Speaker 1: in your library. Who It was a rough ending the way,

1705
01:19:42,240 --> 01:19:43,519
Speaker 1: It was a rough beginning the rate, It was a

1706
01:19:43,560 --> 01:19:45,840
Speaker 1: rough middle. It was a rough movie. But thanks everybody.

1707
01:19:45,880 --> 01:19:48,160
Speaker 1: By the way, send all your hate to Sabrina Bryan.

1708
01:19:49,479 --> 01:19:52,280
Speaker 1: She loves to read it. I hate it, don't do it.

1709
01:19:52,800 --> 01:19:56,240
Speaker 2: By bye, everybody,