WEBVTT - Dick Cavett

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<v Speaker 1>I'm Alec Baldwin, and here's the thing. Dick Cavitt's career

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<v Speaker 1>in television spans nearly five decades. During that time, he's

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<v Speaker 1>also acted in movies and on Broadway, hosted a radio show,

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<v Speaker 1>and written several books. His latest, a memoir called Talk Show,

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<v Speaker 1>came out last year. The Dick Cavott Show debuted in

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<v Speaker 1>nineteen sixty eight. Here was a small town Nebraska boy

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<v Speaker 1>with a Yale education. Cultured yet unintimidating, thoughtful, honestly, curious,

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<v Speaker 1>and funny. He had a knack for gently driving the

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<v Speaker 1>conversation to the heart of the matter while keeping his

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<v Speaker 1>guests comfortable. Again, Oh my goodness, wouldn't it be ridiculous

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<v Speaker 1>if you didn't. Cabot show could book the brightest and

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<v Speaker 1>often the most reclusive celebrities of that time, Katherine Hepburn,

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<v Speaker 1>John and Yoko, Groucho, Marks Orson, Wells, Truman, Capote. Cavitt

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<v Speaker 1>himself was as admired as his guests. Robert, if one

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<v Speaker 1>more person at told me how many times you've terrified interviewers,

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<v Speaker 1>I wouldn't been able to do this. I don't feel

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<v Speaker 1>it I terrify interviewers more or less terrifying me. W Renald,

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<v Speaker 1>you don't mind my asking. It's that rude in Hollywood asks. Really,

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<v Speaker 1>it's all right now you can ask me, you know,

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<v Speaker 1>I mean, I mean my hair off, my teeth will

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<v Speaker 1>come out. I couldn't didn't kiss me then when you

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<v Speaker 1>came out. If I'm so well, let's see this is

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<v Speaker 1>the third show. By the fifth show, we'll go to

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<v Speaker 1>other A hell of a kiss when I come out.

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<v Speaker 1>I've known Cabot for several years as a neighbor on

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<v Speaker 1>Long Island. I visited him at his house. They're a

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<v Speaker 1>place called tick Hall. You might take in the Cabot's

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<v Speaker 1>house sits on a beautiful remote cliff overlooking the Atlantics.

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<v Speaker 1>Riley a little neurotic. He Cabot has lived here for

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<v Speaker 1>forty three years. For our listeners, that's hound you're hearing

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<v Speaker 1>is the rattle of the ice tea being delivered into

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<v Speaker 1>the parlor. Very attractive employee. Yeah, that's actually his wife, Martha.

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<v Speaker 1>His first wife, Carrie Ny, died in two thousand and six.

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<v Speaker 1>With the house Eddie and Puffy, Cabot got his start

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<v Speaker 1>in show business writing for the Grates of early television.

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<v Speaker 1>Jack Parr MERV Griffin and Johnny Carson. After a few

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<v Speaker 1>years of this, he decided to start writing for himself,

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<v Speaker 1>but first he had to figure out who he was.

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<v Speaker 1>And there's a breakthrough point I had when I got

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<v Speaker 1>what you might call a premise, and I've just refound

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<v Speaker 1>thank god it lost letter from Grautchow saying I saw

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<v Speaker 1>you on the MERV Griffin Show the other night and

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<v Speaker 1>got that old feeling. Seriously, he may have said, I

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<v Speaker 1>think you've struck a mother load with your idea of

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<v Speaker 1>being the Nebraska yokol at yea, and that's the card

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<v Speaker 1>you played. Well, yes, I started thinking, what you know?

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<v Speaker 1>Always you here writers right, what they know? Well, what's

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<v Speaker 1>my life? What do I know? I don't have any

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<v Speaker 1>usual large nose. I don't have fund him that short

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<v Speaker 1>and fat. I can't play off that attic him. But

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<v Speaker 1>I did come from the Midwest and go to the

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<v Speaker 1>Ivy League, totally contrasting worlds. There was no Ivy League

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<v Speaker 1>in your family. None. All three of my parents I

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<v Speaker 1>also had a stepmother were teachers and my dad taught

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<v Speaker 1>high school. And and as he always reminded me, when

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<v Speaker 1>I was going to spend some money on something, your

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<v Speaker 1>mother and I in the depression had to decide whether

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<v Speaker 1>it has spend a dime on a loaf of bread

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<v Speaker 1>or if we could go to a movie with it.

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<v Speaker 1>I can't believe that, But that's a depression there. That

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<v Speaker 1>was my dad. Was it a semi rural or rural community?

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<v Speaker 1>Quite quite? We're all yes, you walk the edge of

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<v Speaker 1>town was a few feet in every direction. I think

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<v Speaker 1>every time I go to comstock, I tried to picture

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<v Speaker 1>where my dad maybe lived and taught, and but he

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<v Speaker 1>was rewarded with nine hundred dollars a year. Now, what

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<v Speaker 1>what was your relationship to conversation? Meaning, have you've always

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<v Speaker 1>been the conversationalist back home in Nebraska? And then when

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<v Speaker 1>you went to Yale and a month ago, on this

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<v Speaker 1>table and I was going through old envelopes of stuff,

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<v Speaker 1>I found three what do you call report cards from third,

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<v Speaker 1>fourth and fifth grade Miss Gabus, Ms. Fuchs and Mrs Graham,

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<v Speaker 1>And all three of them said, one might imagine how

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<v Speaker 1>far Dick would get if he'd stopped talking. In glass,

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<v Speaker 1>you've hit it. Dicks learned to control his talking is

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<v Speaker 1>on two of them, and Dick mis learned to let

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<v Speaker 1>others talk occasionally. One of the wittier ones put down.

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<v Speaker 1>But you were always someone who was a gift you had, apparently.

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<v Speaker 1>And did you go to Yale undergrad? You do graduate

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<v Speaker 1>school as well, No, undergrad only. Sometimes I referred to

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<v Speaker 1>as a drama school graduate. I wasn't. I took three

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<v Speaker 1>courses in the drama school while I was an undergraduate,

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<v Speaker 1>directing Miss Welch's speech class, Stage speaking its theory and practice,

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<v Speaker 1>and a theater history class taught by a humorless German.

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<v Speaker 1>If that isn't too reding. You mentioned his name when

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<v Speaker 1>I saw what was the name? Alois Nuggler it was

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<v Speaker 1>it was kind of good. He looked like Rex Harrison

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<v Speaker 1>but spoke like Himmler. Who was my other favorite name?

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<v Speaker 1>You told me the other day, Oh lah oh Orson Wells. Beautiful,

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<v Speaker 1>beautiful girlfriend. I met in the right in that part

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<v Speaker 1>of the plaza lobby that carry Grant pauses at in

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<v Speaker 1>the beginning of North Benworthwest and Essential, And he said, Dick,

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<v Speaker 1>this is my friend Aia Palin Casha Palin Cash. And

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<v Speaker 1>I thought, I'm gonna remember that name as long as

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<v Speaker 1>I can. God, I'd love to know the details of

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<v Speaker 1>his life in all those years when he'd make a film,

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<v Speaker 1>not quite finish it, move on, live off some countess somewhere,

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<v Speaker 1>and then his next address would be in Spain, and

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<v Speaker 1>the next one would be in Dunkirk, and God, what

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<v Speaker 1>a life. Mad Strange wasted gigantic amount of talent. Obviously

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<v Speaker 1>not totally wasted, because he did a lot of films.

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<v Speaker 1>But in a doctor's office, I picked up a national,

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<v Speaker 1>a New Republic, and it was an article that began.

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<v Speaker 1>Someday theater historians will have to deal with the problem

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<v Speaker 1>of what Marlon Brando and Orrison Wells did to their bodies.

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<v Speaker 1>Any parallels their two careers, the wastedness, the bad choices,

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<v Speaker 1>contempt for the business that they loved to express. When

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<v Speaker 1>I was going to do a television show, I was

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<v Speaker 1>ten years too old for the part. I was forty,

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<v Speaker 1>and they want me to do Brick in Cantadahun Tim Roof.

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<v Speaker 1>You were ten years too old to forty and bricks

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<v Speaker 1>should be you know, hovering around thirty late twenties. So

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<v Speaker 1>they wanted me to do this for CBS and have

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<v Speaker 1>Brando played Big Daddy. So I contacted him and he says,

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<v Speaker 1>when would you like to get together? I said, I'd

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<v Speaker 1>like to get together with you this week, quite frankly,

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<v Speaker 1>because I'm leaving for Africa, And he said, sure, come

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<v Speaker 1>over the house on Thursday at one o'clock. I went

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<v Speaker 1>to his house and I went to Mulholland Drive and

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<v Speaker 1>had lunch with him for nearly four hours at his house.

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<v Speaker 1>Talk about people who talk, and he talked about his

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<v Speaker 1>weight gain and his physical problems. He talked about it

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<v Speaker 1>like it was an air bag, like it just like

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<v Speaker 1>one day, and it wasn't until he was morbidly obese

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<v Speaker 1>did he say, well, maybe I'm not doing so well.

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<v Speaker 1>But when you did the show with him, because I

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<v Speaker 1>watched so many of your shows, he wasn't very terribly

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<v Speaker 1>fat there. He had a gut. Yeah, he was a

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<v Speaker 1>little blocky. But the funny think about him is there's

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<v Speaker 1>later Brando, you know, the very end, and there's him

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<v Speaker 1>with Larry King, and he's very playful and he's very childlike.

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<v Speaker 1>But with you when he was on, he seemed very

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<v Speaker 1>fueral on the show. Was he that way off camera?

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<v Speaker 1>He seemed like he was going to throw a punch

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<v Speaker 1>any minute now I know, And and the alternating with

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<v Speaker 1>that million dollar grin that admitted he couldn't cut away

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<v Speaker 1>from to do a reaction shop. Evenso in typnotized by

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<v Speaker 1>that fabulous grand is uh, he seemed to other people

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<v Speaker 1>said the show it seems like pulling teeth, and how

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<v Speaker 1>do you bring the dreary Indians one forward? And all

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<v Speaker 1>the stuff. It was a very difficult evening. And if

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<v Speaker 1>I had it to do again, I didn't resist him

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<v Speaker 1>any except at one point, well, I got a laugh

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<v Speaker 1>that he didn't get until he heard the audience laugh.

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<v Speaker 1>It looks like when I've seen it back, which was

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<v Speaker 1>what about the success of the movie Godfather? And and

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<v Speaker 1>he said, uh, we'll talk about movies, and the audience laughed.

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<v Speaker 1>That's one thing he would talk to a big movie star.

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<v Speaker 1>But he said, and then he grinned. He gave through

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<v Speaker 1>that anomalous grin, like I know what that's must mean

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<v Speaker 1>to you. So then I said, how about the book

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<v Speaker 1>The god Father? And he knew to laugh before. And

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<v Speaker 1>the other one was his belittling ice tea rattling belittling

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<v Speaker 1>ever the of the art of acting. And now you

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<v Speaker 1>know anybody can do it. You know, once he said

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<v Speaker 1>to me, you know your mom said, who pete on

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<v Speaker 1>the toilet seat? And you said I didn't do it.

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<v Speaker 1>You're acting then. Yeah. I come into his house and

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<v Speaker 1>he says, he says, and we're sitting there and I'm

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<v Speaker 1>completely Numbah. He comes in the first you are. He

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<v Speaker 1>comes in in a mumu and we're in his house.

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<v Speaker 1>It's a very host senatory moment for me. He looks

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<v Speaker 1>me and says, uh, you and I are like two

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<v Speaker 1>dogs sniffing each other right now. And he says, I'd

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<v Speaker 1>like to make an arrangement with you, in agreement with you,

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<v Speaker 1>where you say whatever you want to say and ask

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<v Speaker 1>me whatever you want to ask me, and I'll say

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<v Speaker 1>whatever I want to say, and I'll ask you whatever

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<v Speaker 1>I want to ask. You will just talk about whatever

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<v Speaker 1>we want to talk about. Little make us feel that

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<v Speaker 1>that is so him. Did he ever do any of

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<v Speaker 1>his little upsmanship things like saying, why are you holding

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<v Speaker 1>your left hand and your right hand like that? I say,

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<v Speaker 1>I don't know, well, why did you move your head

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<v Speaker 1>and to the side of your head like that? But

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<v Speaker 1>I know what you mean. When you first mate him,

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<v Speaker 1>if you can stop the voice in your head saying,

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<v Speaker 1>Jesus Christ, this is Marlon Brando that I'm sitting with

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<v Speaker 1>and he's so aware that my first talk with him

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<v Speaker 1>was on the phone where we are now. In fact,

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<v Speaker 1>he called I've told you what at a certain time,

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<v Speaker 1>and we talked with the sun about fifteen degrees above

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<v Speaker 1>the horizon until well after the moon had risen. With

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<v Speaker 1>him as an example, who are the ones who you

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<v Speaker 1>were surprised the way it went? Oh? Good or bad? Yeah?

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<v Speaker 1>The bad. The good was of course always welcome. And

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<v Speaker 1>I had no reason to think that James Mason would

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<v Speaker 1>be the first person I ever had on the show

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<v Speaker 1>in my daytime show who was so enchantingly charming, talking

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<v Speaker 1>without any sense of putting on the charm that I

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<v Speaker 1>missed all signals to go to commercial. And it was

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<v Speaker 1>the first time that I broke through reading my notes

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<v Speaker 1>off to the guest, barely able to hear what they

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<v Speaker 1>were saying for reasons of nerves and signals that I

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<v Speaker 1>just missed over their shoulder, And oh my god, someone

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<v Speaker 1>led her to card and took it back, and oh god,

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<v Speaker 1>the guests lips have stopped moving. Um, do you have

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<v Speaker 1>any hobbies? When it goes badly, it goes. The ones

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<v Speaker 1>who went badly were invariably not manny, fortunately, and nobody

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<v Speaker 1>just died on me, except whoever the lout was, who

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<v Speaker 1>was the male lead in the movies A Brisky Point

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<v Speaker 1>and his non verbal girlfriend who were inflicted on me

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<v Speaker 1>once however, many years ago. As a brisky Point came out,

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<v Speaker 1>he was monosyllabic and maybe thought it was funny. So

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<v Speaker 1>I don't know if it's a good movie or not.

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<v Speaker 1>Probably funny. Getting desperate and I said, I said, wait,

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<v Speaker 1>I read that you've got in a fight backstage with somebody,

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<v Speaker 1>first fight in a television studio. Yeah, we do you

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<v Speaker 1>want to know about? I said, details, forcing him to

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<v Speaker 1>talk a little later. Now, when this sort of thing

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<v Speaker 1>happens is one thing he must always do. Be sure

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<v Speaker 1>you have mel Brooks sitting there. Brooks was here and

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<v Speaker 1>it was uh. One day we were we found a

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<v Speaker 1>uh the guy says, we found a a bread box something. No, Melaniell.

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<v Speaker 1>The disappointing guests were writers. Now I loved having writers on.

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<v Speaker 1>I did Boys dream Some boys dreams up taken Chiever

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<v Speaker 1>on the same show, Chiever separately, Updike separately, saw Bellow.

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<v Speaker 1>I had them, I started to say, I had them

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<v Speaker 1>all who didn't cut it as a talk show, but

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<v Speaker 1>The thing was that, Yeah, you couldn't believe that this

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<v Speaker 1>semi articulate person having trouble with vocabulary, seemingly and just outlandish,

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<v Speaker 1>unbelievable thing had written that glorious prize winning prose that

0:14:25.880 --> 0:14:30.760
<v Speaker 1>you read. Now. The exceptions were, of course, Manny and Truman, Capodi,

0:14:31.520 --> 0:14:36.880
<v Speaker 1>questionably accurate but entertaining guests. At all times. You had

0:14:36.920 --> 0:14:40.080
<v Speaker 1>Olivia on the show. Correct. Yes, it was a ninety

0:14:40.080 --> 0:14:44.600
<v Speaker 1>minutes show in London. And then I did him again

0:14:45.320 --> 0:14:49.840
<v Speaker 1>in New York, um in the Windham Hotel with with

0:14:49.960 --> 0:14:55.000
<v Speaker 1>lady Olivier John playwright, and so I got two with Olivier. Um,

0:14:55.360 --> 0:15:00.200
<v Speaker 1>I was that well it was it was fine. He

0:15:00.440 --> 0:15:04.360
<v Speaker 1>what was so interesting about meeting was fine. It was

0:15:04.400 --> 0:15:06.680
<v Speaker 1>the opposite of bad, I think was what I was drinking.

0:15:07.720 --> 0:15:11.720
<v Speaker 1>He can't pick on a guy's choice of words. I

0:15:11.800 --> 0:15:14.320
<v Speaker 1>swore to God recently that I would never say the

0:15:14.320 --> 0:15:17.400
<v Speaker 1>word awesome in my life. And if we could only

0:15:17.440 --> 0:15:21.000
<v Speaker 1>make that true everyone in the world, that would be swell.

0:15:21.440 --> 0:15:27.760
<v Speaker 1>That can go along with iconic and um closure and

0:15:28.120 --> 0:15:32.560
<v Speaker 1>like of course and a few others. Amazing. We all

0:15:32.600 --> 0:15:35.080
<v Speaker 1>are saying amazing all the time. Now I got five

0:15:35.120 --> 0:15:40.520
<v Speaker 1>amazings and watching morning television for about forty minutes the

0:15:40.560 --> 0:15:45.160
<v Speaker 1>other day. Amazing guests, amazing guest we have, It's amazing script.

0:15:45.200 --> 0:15:50.000
<v Speaker 1>It's just amazing. I was amazed. But but Olivia was terrific,

0:15:50.040 --> 0:15:54.080
<v Speaker 1>and he was such a clown afterwards, not on the air.

0:15:54.160 --> 0:15:56.560
<v Speaker 1>He could have done so more on the air and

0:15:56.600 --> 0:15:59.040
<v Speaker 1>it would have been wonderful. I think I was probably

0:15:59.080 --> 0:16:02.240
<v Speaker 1>a little too in. I didn't say awesome to get

0:16:02.240 --> 0:16:04.320
<v Speaker 1>all the fun out of him that I later learned

0:16:04.400 --> 0:16:20.360
<v Speaker 1>is in there. This is Alec Baldwin, and you're listening

0:16:20.360 --> 0:16:23.800
<v Speaker 1>to here's the Thing coming up more from my conversation

0:16:24.000 --> 0:16:46.440
<v Speaker 1>with Dick Cavitt. I'm Alec Baldwin and you're listening to

0:16:46.560 --> 0:16:50.200
<v Speaker 1>Here's the Thing. I'm sipping iced tea and chatting with

0:16:50.280 --> 0:16:52.600
<v Speaker 1>Dick Kevin. Who were the people today that you sit

0:16:52.640 --> 0:16:54.640
<v Speaker 1>there and say, God, if I was doing it now,

0:16:55.360 --> 0:16:57.520
<v Speaker 1>that seemed like it could be fun. I almost wish

0:16:57.520 --> 0:17:01.680
<v Speaker 1>you hadn't asked me there, because here's how that thought

0:17:01.840 --> 0:17:06.080
<v Speaker 1>occurred to me. I was on a radio show plugging

0:17:06.080 --> 0:17:10.280
<v Speaker 1>the Book of It was Mark Simon, and he said this,

0:17:10.800 --> 0:17:16.240
<v Speaker 1>you must get cabots DVDs. Uh, there's one called Hollywood

0:17:16.280 --> 0:17:18.439
<v Speaker 1>Grates and and may he may have said, tell us

0:17:18.480 --> 0:17:21.800
<v Speaker 1>who's on it? And I thought, put a dirty trick.

0:17:21.840 --> 0:17:23.960
<v Speaker 1>I won't be able to think of two of them now.

0:17:24.600 --> 0:17:27.120
<v Speaker 1>But I had it sitting there on my messy table,

0:17:27.920 --> 0:17:31.880
<v Speaker 1>and here's who's on it. It has all of Katherine Hepburn,

0:17:32.119 --> 0:17:41.760
<v Speaker 1>Betty Davis, fred As Stair, Kirk Douglas, Lucille Ball, Frank Capra.

0:17:42.480 --> 0:17:46.360
<v Speaker 1>No coward, coward isn't on that one. Damnit? That needs

0:17:46.359 --> 0:17:51.959
<v Speaker 1>a zeppelin to Robert mitchum Orson Wells, John Houston and

0:17:52.000 --> 0:17:56.760
<v Speaker 1>Marlon Brando. And I looked at this that I mentioned

0:17:56.800 --> 0:18:02.680
<v Speaker 1>Lucille Ball, and I thought two things. Um ay am

0:18:02.720 --> 0:18:06.520
<v Speaker 1>I the only one in this cover of this box

0:18:06.560 --> 0:18:12.600
<v Speaker 1>who's alive? No Kirk Douglas is. But what I really

0:18:12.640 --> 0:18:16.800
<v Speaker 1>thought was who are their counterparts? Now? What list of

0:18:16.960 --> 0:18:22.399
<v Speaker 1>today's grades would include that many redwoods? Even in politics,

0:18:22.520 --> 0:18:25.359
<v Speaker 1>politics writing? Are there anybody authors? And I think we

0:18:25.440 --> 0:18:29.120
<v Speaker 1>live in an age of increasing mediocrity? So you don't

0:18:29.119 --> 0:18:30.720
<v Speaker 1>sit there and say, I would love to have Richard

0:18:30.760 --> 0:18:33.159
<v Speaker 1>Holbrook on. I'd love to have Oh there are some,

0:18:33.359 --> 0:18:37.879
<v Speaker 1>There are plenty of people. Yeah, God, yes, Meryl Streep

0:18:38.840 --> 0:18:42.639
<v Speaker 1>belongs to anybody's list of grades soon and and and,

0:18:45.000 --> 0:18:50.919
<v Speaker 1>but I don't think quite so many achieve. Maybe you

0:18:50.960 --> 0:18:54.080
<v Speaker 1>can't be big in the way those people were, these

0:18:54.320 --> 0:18:57.720
<v Speaker 1>giant people, who are do they grow redwoods anymore? Do

0:18:57.800 --> 0:19:05.640
<v Speaker 1>they just grow with smaller Sequali is the finest cobas converse. Yeah. Well,

0:19:05.640 --> 0:19:07.199
<v Speaker 1>the media is like a train, you know. I mean

0:19:07.240 --> 0:19:09.480
<v Speaker 1>it used to be a train was a glamorous, gleaming

0:19:09.520 --> 0:19:12.399
<v Speaker 1>thing that wasn't up. Now a train is a filthy

0:19:12.400 --> 0:19:15.760
<v Speaker 1>That's when you get in when you can't raise the

0:19:15.880 --> 0:19:18.600
<v Speaker 1>question completely outside show business. But when I was a

0:19:18.680 --> 0:19:22.240
<v Speaker 1>kid at marveled that Japan had a two hundred mile

0:19:22.320 --> 0:19:26.400
<v Speaker 1>an hour the Shinkuns and bullet train, and we still

0:19:26.480 --> 0:19:30.119
<v Speaker 1>have the Long Island Railroad. And I'm fifty years older. Yeah,

0:19:30.160 --> 0:19:36.159
<v Speaker 1>it's a great country though, wasn't it otherwise? America? Yes, you, um,

0:19:36.240 --> 0:19:40.680
<v Speaker 1>you obviously have had your difficulties and you've talked about

0:19:40.680 --> 0:19:43.560
<v Speaker 1>I know we're looking over your shows like that's somebody else.

0:19:44.080 --> 0:19:46.560
<v Speaker 1>And I know for me, when I was getting divorced

0:19:46.600 --> 0:19:49.720
<v Speaker 1>and I was in the the real native of the

0:19:49.720 --> 0:19:54.360
<v Speaker 1>whole experience, I feel horrible. Everybody gets down, everybody has

0:19:54.400 --> 0:19:57.280
<v Speaker 1>the blues. Everybody suffers losses. You can not only have

0:19:57.320 --> 0:20:00.480
<v Speaker 1>a bad game, you can have a bad season. But

0:20:00.520 --> 0:20:04.240
<v Speaker 1>then when do you decide that you need help from

0:20:04.280 --> 0:20:09.399
<v Speaker 1>someone clinically? Since memory is affected by depression, there are

0:20:09.440 --> 0:20:11.720
<v Speaker 1>details like that. They're not absolutely sure, but I know.

0:20:11.800 --> 0:20:14.760
<v Speaker 1>The one time I knew was that when I boarded

0:20:14.760 --> 0:20:17.159
<v Speaker 1>the concorde and realized I'm not going to be this

0:20:17.280 --> 0:20:21.040
<v Speaker 1>sick in another country and got off and I called

0:20:21.119 --> 0:20:24.320
<v Speaker 1>my shrink and he said, well, you can either get

0:20:24.359 --> 0:20:28.600
<v Speaker 1>on the next plane or go to Colombia. And my

0:20:28.680 --> 0:20:31.600
<v Speaker 1>staff was already over there, and I just said, I

0:20:31.640 --> 0:20:36.920
<v Speaker 1>can't go away feeling this horrible. A stewardess took one

0:20:36.960 --> 0:20:38.640
<v Speaker 1>look at me and said you want to get off,

0:20:39.800 --> 0:20:43.879
<v Speaker 1>and I said yeah, I mean she saw whatever it was,

0:20:43.960 --> 0:20:46.240
<v Speaker 1>it was clear that'll bring it. Me ask you this,

0:20:46.680 --> 0:20:49.520
<v Speaker 1>Did you work during any of this? Were you able

0:20:49.520 --> 0:20:54.320
<v Speaker 1>to work? I had to work to work. And I

0:20:54.359 --> 0:20:56.920
<v Speaker 1>can tell you a quickie that involves two people we've

0:20:56.960 --> 0:21:01.240
<v Speaker 1>already named. I was at the Brand Residents you might

0:21:01.280 --> 0:21:07.560
<v Speaker 1>have just left one day and I told him about

0:21:08.160 --> 0:21:11.520
<v Speaker 1>taking a show with Olivier in the Window hotel or PBS,

0:21:12.600 --> 0:21:17.040
<v Speaker 1>and I said, I was so depressed while doing it,

0:21:18.359 --> 0:21:22.679
<v Speaker 1>and it's being Olivier made me realize how depressed I was,

0:21:23.400 --> 0:21:25.560
<v Speaker 1>because when I got to the hotel and they took

0:21:25.600 --> 0:21:27.920
<v Speaker 1>me to a room and we were going to tap

0:21:28.000 --> 0:21:31.119
<v Speaker 1>in the room up above, I thought, Laurence Olivier is

0:21:31.200 --> 0:21:34.080
<v Speaker 1>one story above me, and I don't give a damn.

0:21:34.920 --> 0:21:37.679
<v Speaker 1>I just want to go home and get under the rug.

0:21:39.160 --> 0:21:42.720
<v Speaker 1>And there are some cue cards. What do they say,

0:21:43.160 --> 0:21:46.240
<v Speaker 1>I'll start it over again? How can they be so

0:21:46.400 --> 0:21:48.760
<v Speaker 1>cruel to get me out of bed and to do this?

0:21:50.040 --> 0:21:53.720
<v Speaker 1>And sitting there with the Olivier's having read it Pumpter

0:21:54.880 --> 0:22:01.320
<v Speaker 1>cue card introduction, the chat started and I had some

0:22:01.520 --> 0:22:06.040
<v Speaker 1>notes off him, but I thought, this is awful. They're

0:22:06.040 --> 0:22:08.080
<v Speaker 1>going to come over any moment and say, Dick, it's

0:22:08.080 --> 0:22:11.640
<v Speaker 1>all right. We'll send them home, or we will send

0:22:11.640 --> 0:22:14.199
<v Speaker 1>you home and their home. You know, we'll get them

0:22:14.200 --> 0:22:16.160
<v Speaker 1>back on another day. This is obviously not a good

0:22:16.240 --> 0:22:18.959
<v Speaker 1>day for you. They thought. Rushing through my head was

0:22:19.200 --> 0:22:23.600
<v Speaker 1>they can see I am nuts. My brain is cracked.

0:22:23.760 --> 0:22:26.760
<v Speaker 1>They can see it. I must be taking twenty second

0:22:26.840 --> 0:22:30.919
<v Speaker 1>pauses and when they speak until I do, and I

0:22:31.000 --> 0:22:34.080
<v Speaker 1>must be just hanging there my head A better lips

0:22:34.160 --> 0:22:38.000
<v Speaker 1>raised my head a little and Olivier is quite quite

0:22:38.080 --> 0:22:41.320
<v Speaker 1>smart enough in the psychology of performing and so on

0:22:41.480 --> 0:22:44.600
<v Speaker 1>to know that he's kind of ding bad on his hands,

0:22:45.320 --> 0:22:50.600
<v Speaker 1>and this is just yeah. I hope Rob and my

0:22:51.640 --> 0:22:54.560
<v Speaker 1>my producer, will come over and say it's all right.

0:22:55.359 --> 0:22:59.000
<v Speaker 1>But I realized I had finished it, and I was

0:22:59.040 --> 0:23:02.840
<v Speaker 1>telling Brando that, and he said, I said, how awful

0:23:02.960 --> 0:23:04.640
<v Speaker 1>was And he said, to the genter sly that show.

0:23:06.040 --> 0:23:09.800
<v Speaker 1>I said, oh god, you're kidding. No, dont me a favor,

0:23:10.560 --> 0:23:15.040
<v Speaker 1>go home and look at it, Saffy year later, well longer.

0:23:15.080 --> 0:23:18.840
<v Speaker 1>I was well then, So I went home and looked

0:23:18.840 --> 0:23:22.359
<v Speaker 1>at it, and I was fine. There were no pauses.

0:23:22.800 --> 0:23:26.439
<v Speaker 1>And I saw him again and reported that to him.

0:23:26.640 --> 0:23:29.000
<v Speaker 1>I said, how did you know what is that? I

0:23:29.040 --> 0:23:32.480
<v Speaker 1>didn't have hesitations. I came right in. I looked interested,

0:23:32.640 --> 0:23:36.360
<v Speaker 1>which I wasn't. My eyes were sparkling, which I were

0:23:36.400 --> 0:23:38.960
<v Speaker 1>no reason. And I looked like I was having the

0:23:39.000 --> 0:23:42.280
<v Speaker 1>best time with the Olivier's anyone could have with anybody.

0:23:42.640 --> 0:23:46.199
<v Speaker 1>He said, the automatic pilot. I've heard the resort to

0:23:46.280 --> 0:23:51.800
<v Speaker 1>it A lot takes over. So had I stayed at

0:23:51.840 --> 0:23:54.359
<v Speaker 1>home that day and not taped the Olivier's, I would

0:23:54.359 --> 0:23:59.159
<v Speaker 1>have stayed in bed and could not. If I had

0:23:59.160 --> 0:24:03.320
<v Speaker 1>been taped there, I have looked good. But some part

0:24:03.359 --> 0:24:07.919
<v Speaker 1>of us who are in the business something won't let you,

0:24:08.280 --> 0:24:12.399
<v Speaker 1>some crazy way be a total mess while you're working. Well,

0:24:12.400 --> 0:24:14.560
<v Speaker 1>there's two of us, Yeah, we have too, so those

0:24:14.560 --> 0:24:18.080
<v Speaker 1>two sides. I saw it with Judy Garland, who was

0:24:18.240 --> 0:24:22.359
<v Speaker 1>I think on my show for her last television appearance,

0:24:22.840 --> 0:24:26.600
<v Speaker 1>the sixty eight daytime show. ABC erased them all used

0:24:26.600 --> 0:24:28.960
<v Speaker 1>them to tape. Let's make a deal. It might be

0:24:29.080 --> 0:24:32.840
<v Speaker 1>there's somebody has a bumpy home tape of that. She

0:24:33.160 --> 0:24:35.959
<v Speaker 1>was so wonderful. You talk about these tapes, by the way,

0:24:35.960 --> 0:24:37.720
<v Speaker 1>I want to get back to the you know whatever.

0:24:37.760 --> 0:24:39.760
<v Speaker 1>You talk about these tapes and you got the rights

0:24:39.760 --> 0:24:44.359
<v Speaker 1>to the ABC. There's some several versions of what really happened.

0:24:44.359 --> 0:24:50.760
<v Speaker 1>I just remember being told one day, Dick, they they're

0:24:50.800 --> 0:24:55.399
<v Speaker 1>going to either reuse the tapes or erase them or

0:24:55.600 --> 0:25:00.080
<v Speaker 1>dump them. When you see what tapes that once to the

0:25:00.040 --> 0:25:04.199
<v Speaker 1>the ABC show and you can have them if you

0:25:04.280 --> 0:25:09.080
<v Speaker 1>want to, for sixty dollars each. And I thought, well,

0:25:09.119 --> 0:25:13.159
<v Speaker 1>that's a ludicrous amount of money. And a guy on

0:25:13.280 --> 0:25:17.240
<v Speaker 1>my staff unfortunately, but he did it quite well. I

0:25:17.359 --> 0:25:19.720
<v Speaker 1>went through them and eliminated those he thought would never

0:25:19.760 --> 0:25:21.840
<v Speaker 1>be of any interest again. And it turned out some

0:25:21.920 --> 0:25:25.240
<v Speaker 1>of them would have been. But I have most all

0:25:25.280 --> 0:25:27.560
<v Speaker 1>of them. Thank god he didn't rely on you for

0:25:27.600 --> 0:25:29.159
<v Speaker 1>that choice, because you would have said him, well, you

0:25:29.160 --> 0:25:32.320
<v Speaker 1>can get rid of the Olivier because I was zunks throughout. Yeah,

0:25:32.960 --> 0:25:35.159
<v Speaker 1>the throw out that one I was fine for the

0:25:35.200 --> 0:25:39.320
<v Speaker 1>first they be able. When you talk about those ABC tapes,

0:25:39.960 --> 0:25:44.080
<v Speaker 1>I in my mind visualize the guys throwing the sled

0:25:44.160 --> 0:25:47.440
<v Speaker 1>on the fire, you know, burning. I see these guys

0:25:47.480 --> 0:25:48.800
<v Speaker 1>with a box attempt. What are we supposed to do

0:25:48.840 --> 0:25:51.399
<v Speaker 1>with these tapes? Charlie? Yeah, somebody said, I don't know

0:25:51.480 --> 0:25:54.000
<v Speaker 1>that the Cabin show. I mean, what the hell is that?

0:25:54.920 --> 0:26:02.119
<v Speaker 1>Ray said, throw it in the fire. You're too realistic? Loss,

0:26:02.680 --> 0:26:05.800
<v Speaker 1>you know, the Cent of Bitches erased most of Johnny

0:26:05.800 --> 0:26:09.480
<v Speaker 1>Carson's New York shows years of the number which I

0:26:09.520 --> 0:26:13.480
<v Speaker 1>was on. I'd love to see them. What's your relationship

0:26:13.640 --> 0:26:15.639
<v Speaker 1>to television now we really have it? You watch is

0:26:15.760 --> 0:26:21.000
<v Speaker 1>real than you like? Yeah, and so I don't associate

0:26:21.560 --> 0:26:28.760
<v Speaker 1>television with entertainment very much. Um and total three hundred

0:26:28.800 --> 0:26:35.840
<v Speaker 1>and sixty degrees. When we got television in Nebraska. I

0:26:35.880 --> 0:26:40.439
<v Speaker 1>watched it every evening. I could tell you now CBS,

0:26:40.560 --> 0:26:43.840
<v Speaker 1>NBC and ABC schedules for every night of the week.

0:26:43.960 --> 0:26:46.960
<v Speaker 1>Back then, I watched everything, and a lot of it

0:26:47.000 --> 0:26:51.280
<v Speaker 1>was good. I wasn't just watching crap. I watched Studio One,

0:26:51.320 --> 0:26:56.480
<v Speaker 1>I watched Robert Montgomery, Philco Theater, the Web, of course,

0:26:56.520 --> 0:27:03.840
<v Speaker 1>Gleason and variety shows that in his orchestru Les Brown

0:27:03.880 --> 0:27:05.960
<v Speaker 1>and his band of renown, and now here's the star

0:27:06.040 --> 0:27:10.920
<v Speaker 1>of our show, Bob ho Bad and I got Goose

0:27:10.920 --> 0:27:14.760
<v Speaker 1>pumples even now. But then, not only did I watch it,

0:27:15.000 --> 0:27:19.720
<v Speaker 1>I from Nebraska, but I got to a l and

0:27:19.800 --> 0:27:21.639
<v Speaker 1>I went down to New York and every all the

0:27:21.680 --> 0:27:26.240
<v Speaker 1>other man went to Vassar, Smith and Wellesley. On weekends,

0:27:26.800 --> 0:27:29.720
<v Speaker 1>I went to TV and theaters and studios in New York,

0:27:30.440 --> 0:27:34.520
<v Speaker 1>and I took a CBS envelope that I pulled off

0:27:34.560 --> 0:27:40.440
<v Speaker 1>a CBS truck. Some guy left the CBS high on it,

0:27:41.000 --> 0:27:43.439
<v Speaker 1>and I put something in that. And I walked into

0:27:43.480 --> 0:27:46.400
<v Speaker 1>the stage door of the Jackie Gleason Show and said,

0:27:46.440 --> 0:27:50.320
<v Speaker 1>how's it going today? Okay? And got into the theater

0:27:50.440 --> 0:27:54.640
<v Speaker 1>and hid in there until showtime and watched And when

0:27:54.640 --> 0:27:57.800
<v Speaker 1>the June Taylor dancers performed a v up to the

0:27:58.119 --> 0:28:02.080
<v Speaker 1>upstage and Jackie came down through it. I know my

0:28:02.160 --> 0:28:12.760
<v Speaker 1>hair stood up. You can read Dick Cavitt's blog A

0:28:12.880 --> 0:28:14.919
<v Speaker 1>word he admits he had to look up before he

0:28:14.960 --> 0:28:18.439
<v Speaker 1>started writing one on the New York Times website. How

0:28:18.440 --> 0:28:20.160
<v Speaker 1>would you rank me so far? How am I doing?

0:28:20.280 --> 0:28:23.240
<v Speaker 1>If you had to use one word, what would it be? Wow?

0:28:23.880 --> 0:28:27.560
<v Speaker 1>Thank you you wo w. I thought you were gonna

0:28:27.560 --> 0:28:30.520
<v Speaker 1>say awesome. No, I would. I would not say awesome

0:28:30.640 --> 0:28:35.520
<v Speaker 1>for anybody in any prize. This is Alec Baldwin and

0:28:35.560 --> 0:28:37.360
<v Speaker 1>you're listening to here's the thing