WEBVTT - Episode 9

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<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

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<v Speaker 1>and Realm.

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<v Speaker 2>For the record, I think this is stupid.

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<v Speaker 3>What's your plan?

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<v Speaker 2>Then?

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<v Speaker 4>That's what I thought.

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<v Speaker 2>There has to be another way. There isn't going to

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<v Speaker 2>get yourself killed. It called me out directly. Now I

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<v Speaker 2>have to reply directly. What do you think? This is

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<v Speaker 2>a fight at a frat party.

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<v Speaker 3>I need to do this.

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<v Speaker 2>I just got you back.

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<v Speaker 3>I'm not going anywhere.

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<v Speaker 2>What are you even going to do? How can you

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<v Speaker 2>stop it? I'm going to play it by ear, play

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<v Speaker 2>it by ear. There's something she's not telling me.

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<v Speaker 4>Isn't that always?

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<v Speaker 2>This time is different.

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<v Speaker 4>She's ready for this, She's been training for years. As

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<v Speaker 4>long as she has her watch, she'd be okay.

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<v Speaker 2>I don't know. I just feel like something bad is

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<v Speaker 2>going to happen.

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<v Speaker 4>Why are you talking to me right now?

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<v Speaker 2>Because I want someone to talk her.

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<v Speaker 3>Out of it?

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<v Speaker 4>And do you think that person is me?

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<v Speaker 2>Morgan? I'm not wrong. This is insane, right.

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<v Speaker 5>Insane passes by a long time ago. Now we're just

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<v Speaker 5>catching up.

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<v Speaker 2>Why does it seem like I'm the only person who

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<v Speaker 2>cares that my sister is risking her life?

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<v Speaker 5>This is Sadie's decision, not any of ours.

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<v Speaker 2>Yeah, but if you talk to her.

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<v Speaker 5>I've already talked to her, and and I didn't try

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<v Speaker 5>to talk her out of it. Why not, because I'm

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<v Speaker 5>a believer. Get your nerves out. We have a long

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<v Speaker 5>night ahead of us.

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<v Speaker 2>Let me be honest. I don't know why I'm talking

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<v Speaker 2>to you.

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<v Speaker 6>Maybe you were craving someone sane.

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<v Speaker 2>There has to be some part of you that believes

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<v Speaker 2>that's maybe even a little frightened.

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<v Speaker 1>I'm definitely frightened.

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<v Speaker 6>But for my career, if you had one, you would

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<v Speaker 6>be too.

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<v Speaker 4>I take that back.

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<v Speaker 2>Did you just apologize to me?

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<v Speaker 4>Sort of?

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<v Speaker 2>I'll take it.

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<v Speaker 6>You are aware just how bad everything is here?

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<v Speaker 7>Right?

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<v Speaker 2>Yeah, but I'm not sure we're talking about the same thing.

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<v Speaker 4>Morgan didn't tell you.

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<v Speaker 2>Tell me what I guess this is happening. So let's

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<v Speaker 2>sum it all up. Tell me your name to date,

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<v Speaker 2>what you're doing tonight.

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<v Speaker 3>My name is Sadiecraft. It is the night of May fifteenth,

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<v Speaker 3>two days prior to Monifold suicide. Note threat. I'm going

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<v Speaker 3>to sleep of my own free will. What is the

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<v Speaker 3>stupid thing to say?

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<v Speaker 2>Just keep going, Say how you're feeling.

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<v Speaker 3>I'm hoping to achieve lucidity and control over my dream

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<v Speaker 3>environment where I believe a malicious entity resides. I am

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<v Speaker 3>to find it and kill it. I'm feeling why do

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<v Speaker 3>you want me to make a statement like I'm this

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<v Speaker 3>my last will and testament?

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<v Speaker 2>I don't know. I mean it seems like a good

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<v Speaker 2>idea at the time. Is this the best you can do?

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<v Speaker 3>You're blaming me for your bad idea.

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<v Speaker 2>You're making it look like a bad idea.

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<v Speaker 3>I'm supposed to be asleep in an hour. I don't

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<v Speaker 3>need this.

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<v Speaker 2>Let me ask some questions instead. Why are you doing this.

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<v Speaker 3>Because Manifold threatened to hurt people in two days? Innocent people,

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<v Speaker 3>people like our parents. It's possible I'll die tonight. It's

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<v Speaker 3>possible I'll die in two days. Anyway, might as well

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<v Speaker 3>strike first?

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<v Speaker 2>Can men of Old be killed?

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<v Speaker 3>I wouldn't be doing this if I didn't think so?

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<v Speaker 2>What would you say to someone who doesn't believe in

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<v Speaker 2>any of this?

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<v Speaker 3>Don't care?

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<v Speaker 2>Are you scared?

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<v Speaker 7>Not?

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<v Speaker 5>Really?

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<v Speaker 2>Bullshit? When we see your vitals, I bet your heart,

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<v Speaker 2>people will be like a jackhamra We'll see one other

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<v Speaker 2>quick question? Did you fake documents and lie to your

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<v Speaker 2>best friend? All your colleagues and your sister to be

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<v Speaker 2>able to run this experiment.

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<v Speaker 3>That's only half true.

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<v Speaker 2>Why did you want me here? I mean really, I

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<v Speaker 2>didn't lie to you about that, just everything else. This lie,

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<v Speaker 2>this one lie started before I said I'd tell you

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<v Speaker 2>the truth. It was grandfathered in. I've been truthful ever since.

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<v Speaker 2>Why does it even matter. I'm the only one in trouble.

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<v Speaker 2>Josie is dead, Sadie, so are seven others. Maybe there's

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<v Speaker 2>a reason why experiments are vetted. Do not get that?

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<v Speaker 2>You tell me you've changed, and you do this same shit.

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<v Speaker 3>This is why I didn't want to answer your questions.

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<v Speaker 3>You're putting me in a bad space for I have

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<v Speaker 3>the most important night of my life.

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<v Speaker 2>You're right, I shouldn't have asked. You don't even seem

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<v Speaker 2>that just disappointed about pulling that card on me. It's

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<v Speaker 2>not you. I'm disappointed and it's me. Okay, what, I

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<v Speaker 2>love you?

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<v Speaker 3>Good luck tonight. I'm not very popular today, yeah, even

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<v Speaker 3>less so than usual, even though I'm trying to save

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<v Speaker 3>all your lives.

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<v Speaker 5>That might mean a little more if you weren't trying

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<v Speaker 5>to save your own. Two there, move to the right.

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<v Speaker 5>I need to get this sensor on.

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<v Speaker 3>I want to appolo to you for what everything, Morgan,

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<v Speaker 3>thanks for putting up with me.

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<v Speaker 5>You're a strange mood.

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<v Speaker 3>It's a strange day. I guess it is. No matter what.

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<v Speaker 3>Don't wake me up if things go south, don't wake

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<v Speaker 3>me up.

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<v Speaker 5>I am not having another death on my watch.

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<v Speaker 3>The stakes are too high. Promise me, please, okay, I promise,

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<v Speaker 3>thank you?

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<v Speaker 2>You ready?

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<v Speaker 3>You know how I feel about now?

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<v Speaker 2>How she looking.

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<v Speaker 5>Steady, heartbeat, not nervous whatsoever. Looks like she's not having

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<v Speaker 5>any is sshes falling asleep. Shit, it's a good thing,

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<v Speaker 5>I know.

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<v Speaker 2>Just means I'm wrong.

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<v Speaker 5>Delta in coming, turning up dream volume?

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<v Speaker 4>Do you need to leave?

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<v Speaker 5>Only Sadie and I know how to do this. I'm

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<v Speaker 5>not leaving.

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<v Speaker 6>Do you feel okay?

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<v Speaker 2>Stop?

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<v Speaker 5>Thank you, but stop.

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<v Speaker 3>It's twelve seventeen pm.

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<v Speaker 6>Ain't supposed to talk about time out here. Just enjoy

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<v Speaker 6>the sea.

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<v Speaker 3>It is pretty. It's four thirty pm. Now what did

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<v Speaker 3>four hours pass like that without the sun moving?

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<v Speaker 6>I'm going to being out here is not thinking about

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<v Speaker 6>the time?

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<v Speaker 3>Storm coming?

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<v Speaker 6>Hi, Well, there's beauty in the storm too.

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<v Speaker 3>Why is the water red?

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<v Speaker 6>It's always red? Where we are?

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<v Speaker 3>Where are we?

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<v Speaker 6>You know where we are? Home?

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<v Speaker 2>Home?

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<v Speaker 3>It's two am.

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<v Speaker 6>Take off the watch, be at peace?

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<v Speaker 3>No, shoot yourself, mis see I'm sorry?

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<v Speaker 6>What do you mean?

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<v Speaker 3>Nothing? That makes fifteen for my account?

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<v Speaker 6>Fifteen?

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<v Speaker 3>What dead bodies washed up on the shore? Hey, this

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<v Speaker 3>one looks like me. I'm asleep, aren't I?

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<v Speaker 6>You are very much awake. You've never been more awake

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<v Speaker 6>in your life.

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<v Speaker 3>Who are you?

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<v Speaker 6>You know who I am? But it doesn't matter, not

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<v Speaker 6>right now?

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<v Speaker 2>Why not?

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<v Speaker 6>Because for some reason, deep in the back of your mind,

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<v Speaker 6>you're thinking about something that's coming to the fore.

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<v Speaker 8>What is it?

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<v Speaker 6>Got it?

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<v Speaker 4>It's a ball?

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<v Speaker 9>Is everything going to be okay?

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<v Speaker 3>How do we get here?

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<v Speaker 9>Mommy? Are you okay?

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<v Speaker 3>Where are we?

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<v Speaker 9>We're in a bomb shelter?

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<v Speaker 3>Why are we in a bomb shelter?

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<v Speaker 9>Because you're being bombed.

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<v Speaker 3>I'm being bombed.

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<v Speaker 9>Daddy's inside with us, but you can't see him, not yet.

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<v Speaker 3>What the hell is going on?

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<v Speaker 9>You don't remember? You started the war, your machine, the marinat.

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<v Speaker 3>It's four am. I can't see the sun. I'm underground

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<v Speaker 3>with my dog.

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<v Speaker 9>You unleash something, and now everyone hates you even more

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<v Speaker 9>than they used to. You fed the beast.

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<v Speaker 3>I didn't feed the beast.

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<v Speaker 9>He did. That's why we're here.

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<v Speaker 2>Now.

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<v Speaker 3>What did I feed it?

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<v Speaker 1>Me?

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<v Speaker 2>And me and me?

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<v Speaker 9>Do you think you are immune to the consequences?

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<v Speaker 7>Look at us?

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<v Speaker 3>No, I won't look at us.

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<v Speaker 2>Fuck. Fuck, that's right.

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<v Speaker 3>What did it do to you?

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<v Speaker 4>It made your victims whole.

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<v Speaker 3>This isn't real.

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<v Speaker 2>It's real.

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<v Speaker 9>Sooner or later you'll all be here. You'll call it home.

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<v Speaker 3>I don't have a daughter. I don't know who you are.

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<v Speaker 3>You're not real.

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<v Speaker 9>You are the mother, You're my mother.

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<v Speaker 3>It's twelve or two am. Seven hours have passed in

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<v Speaker 3>five minutes.

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<v Speaker 2>Star of the bomb shelters like buddy.

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<v Speaker 3>I dreaming. This is a nightmare. Alcon he wake up, city,

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<v Speaker 3>Wake up? Where am I?

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<v Speaker 2>Are you?

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<v Speaker 5>Okay?

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<v Speaker 4>What happened?

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<v Speaker 5>You were fighting with Manifold for control of the dream

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<v Speaker 5>and then you woke up. I didn't wake you up.

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<v Speaker 5>Don't get mad at me. It's okay. You're okay.

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<v Speaker 3>Manifold still alive?

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<v Speaker 2>Yes, that's not okay.

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<v Speaker 3>How long have I been asleep? Four hours felt like

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<v Speaker 3>four minutes. I know.

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<v Speaker 5>Excuse me, sir, we're in the middle of Morgan.

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<v Speaker 3>It's okay. Give us a minute.

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<v Speaker 7>Does your sister have a recording device in this room?

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<v Speaker 3>No?

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<v Speaker 7>What have you been doing with my money? I mean,

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<v Speaker 7>besides making innocent people kill themselves?

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<v Speaker 3>Mister Kingship. I'll explain all of this later, but right

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<v Speaker 3>now I need to go back to sleep.

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<v Speaker 7>I'm sure you do, just as I'm sure you have

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<v Speaker 7>time for me and always will.

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<v Speaker 3>I'm not sure you have always left.

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<v Speaker 7>Don't let the cough fool you. I'm not going anywhere,

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<v Speaker 7>miss Kraft, and if I did, I would haunt you.

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<v Speaker 7>You will never be rid of me.

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<v Speaker 3>What do you want?

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<v Speaker 7>I want to know why we had to remove a

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<v Speaker 7>body with his head half sliced off from the premises

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<v Speaker 7>of a sleep center.

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<v Speaker 3>I already told you about.

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<v Speaker 7>Yes, yes, Manifold, that's what you were doing to night

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<v Speaker 7>I hear you are killing him. How'd that go?

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<v Speaker 3>It's still alive thanks to you, to this stupid conversation

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<v Speaker 3>we're having.

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<v Speaker 7>You're one of my more interesting investments. Seven years ago,

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<v Speaker 7>you tell me you're going to cure Alzheimer's and make

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<v Speaker 7>us both billionaires. Then you tell me you're going to

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<v Speaker 7>cure sleep disorders. And then you tell me about a

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<v Speaker 7>nightmare figure in the dream world being as real as

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<v Speaker 7>you or me? And I thought, well, that is the

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<v Speaker 7>end of that.

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<v Speaker 3>You've seen that, haven't you?

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<v Speaker 7>I have? You are everything I hope you be, Misscraft,

0:12:50.679 --> 0:12:56.960
<v Speaker 7>and more. Me and you, we will kill this matter,

0:12:57.040 --> 0:13:04.120
<v Speaker 7>fold this organ, and then we will both sleep again.

0:13:05.440 --> 0:13:07.319
<v Speaker 3>If you believe it, then why did you?

0:13:07.320 --> 0:13:11.559
<v Speaker 7>Because you're going about everything all wrong? Do you think

0:13:11.600 --> 0:13:15.240
<v Speaker 7>you're the only person who has discovered this creature? No miscraft,

0:13:17.360 --> 0:13:21.320
<v Speaker 7>next tech, next tack. They have their own theory and

0:13:21.320 --> 0:13:25.000
<v Speaker 7>their evidence is compelling. What do you have for me?

0:13:26.200 --> 0:13:27.240
<v Speaker 7>How are you gonna kill it?

0:13:28.559 --> 0:13:31.200
<v Speaker 3>I can lose ad dream, I can take control of

0:13:31.200 --> 0:13:32.760
<v Speaker 3>the dream space, and once I have that, I.

0:13:32.840 --> 0:13:39.520
<v Speaker 7>See your plan. Misscraft? Tell me now?

0:13:41.640 --> 0:13:43.400
<v Speaker 2>Is my voice being patched through the intercom?

0:13:43.480 --> 0:13:45.200
<v Speaker 5>Yes? And it just came through in her dream.

0:13:45.440 --> 0:13:49.640
<v Speaker 4>She's not tracking time anymore. She's lost. Is Harlan Kingship

0:13:49.640 --> 0:13:50.400
<v Speaker 4>a real person?

0:13:50.720 --> 0:13:51.000
<v Speaker 9>Yep?

0:13:51.320 --> 0:13:53.480
<v Speaker 5>He was our first investor. He's the reason we have

0:13:53.520 --> 0:13:53.880
<v Speaker 5>any of this?

0:13:54.360 --> 0:13:56.760
<v Speaker 6>Is that his personality like in the dream.

0:13:57.040 --> 0:13:59.800
<v Speaker 5>No, he's worse. He's the only person I've ever seen

0:13:59.840 --> 0:14:00.960
<v Speaker 5>see to be afraid.

0:14:00.640 --> 0:14:13.040
<v Speaker 8>Of fuck this, he says, it's me, kay. This thing

0:14:13.120 --> 0:14:14.680
<v Speaker 8>is trying to fool you, and I hope you didn't

0:14:14.720 --> 0:14:17.560
<v Speaker 8>fall for that bush leak bullshit. It's trying to figure

0:14:17.559 --> 0:14:19.560
<v Speaker 8>out what your plan is, and that means it's scared

0:14:19.600 --> 0:14:24.080
<v Speaker 8>of you. Don't tell him jack shit. Together, right now,

0:14:24.120 --> 0:14:26.000
<v Speaker 8>we're going to kill this fucking thing.

0:14:57.120 --> 0:15:00.560
<v Speaker 1>You're listening to. Dream Sequence written and created by Andrew

0:15:00.600 --> 0:15:05.720
<v Speaker 1>Martin Robinson, directed by Dave Beasley and John Brooks. Executive

0:15:05.760 --> 0:15:09.560
<v Speaker 1>producers are Molly Barton, John Brooks, Dave Beasley and Marcy

0:15:09.600 --> 0:15:13.920
<v Speaker 1>Wiseman for realm Alex Williams, Matt Frederick and Trevor Young

0:15:13.960 --> 0:15:18.200
<v Speaker 1>for iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television,

0:15:18.800 --> 0:15:23.080
<v Speaker 1>starring Jesse Case and Alice Kremelberg, with performances by Shalinie

0:15:23.080 --> 0:15:29.080
<v Speaker 1>Bethina Einer, Gunn, Nick Osborne, Winifred, Anne Kincannon, Tara Brown,

0:15:29.520 --> 0:15:37.160
<v Speaker 1>Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson,

0:15:37.560 --> 0:15:43.600
<v Speaker 1>Joel Haberley, Simaj Miller, Dean Simone, and Brian Finney. Additional

0:15:43.640 --> 0:15:48.320
<v Speaker 1>voices by Patrick Higney, Fred Greenholg, John Brooks, Christina Teleska,

0:15:48.440 --> 0:15:52.760
<v Speaker 1>and Kaylan West. Casting by Sunday Bowling. Kennedy CSA and

0:15:52.840 --> 0:15:57.760
<v Speaker 1>Meg Mormon CSA. Producers for Realm are Fred Greenholge, Marcus Thorne,

0:15:57.760 --> 0:16:03.720
<v Speaker 1>Magala and Rhoda Bayessa. Associate producer Michael Coulter, Production manager

0:16:03.800 --> 0:16:09.000
<v Speaker 1>Devin Shepherd, Production coordinator Angela Yee. Dialogue editing by Corey Barton,

0:16:09.560 --> 0:16:13.280
<v Speaker 1>sound design by roy O'sha, Dan Powell and Kaylan West.

0:16:13.880 --> 0:16:17.680
<v Speaker 1>Final mixed by Kaylan West. Original score composed by Marcus

0:16:17.720 --> 0:16:21.760
<v Speaker 1>Thorne Pagala. Songs for Josie by Kaylan West. Recorded at

0:16:21.800 --> 0:16:25.240
<v Speaker 1>Real Voice Los Angeles and Citybox, New York City. This

0:16:25.360 --> 0:16:28.800
<v Speaker 1>podcast was recorded under a SAG after collective bargaining agreement.

0:16:29.480 --> 0:16:33.200
<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television

0:16:33.240 --> 0:16:37.280
<v Speaker 1>and Realm. Find more great podcasts by visiting the iHeartRadio app,

0:16:37.480 --> 0:16:40.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite show.