1 00:00:00,320 --> 00:00:04,439 Speaker 1: Dream Sequence is a production of iHeart Podcasts, Blumhouse Television, 2 00:00:04,559 --> 00:00:13,560 Speaker 1: and Realm. 3 00:00:13,760 --> 00:00:15,680 Speaker 2: For the record, I think this is stupid. 4 00:00:16,520 --> 00:00:17,160 Speaker 3: What's your plan? 5 00:00:17,239 --> 00:00:17,400 Speaker 2: Then? 6 00:00:19,400 --> 00:00:20,120 Speaker 4: That's what I thought. 7 00:00:20,800 --> 00:00:23,640 Speaker 2: There has to be another way. There isn't going to 8 00:00:23,720 --> 00:00:27,360 Speaker 2: get yourself killed. It called me out directly. Now I 9 00:00:27,400 --> 00:00:29,600 Speaker 2: have to reply directly. What do you think? This is 10 00:00:29,640 --> 00:00:31,040 Speaker 2: a fight at a frat party. 11 00:00:31,120 --> 00:00:31,880 Speaker 3: I need to do this. 12 00:00:32,280 --> 00:00:33,480 Speaker 2: I just got you back. 13 00:00:36,760 --> 00:00:38,120 Speaker 3: I'm not going anywhere. 14 00:00:39,640 --> 00:00:42,000 Speaker 2: What are you even going to do? How can you 15 00:00:42,080 --> 00:00:46,120 Speaker 2: stop it? I'm going to play it by ear, play 16 00:00:46,159 --> 00:00:50,159 Speaker 2: it by ear. There's something she's not telling me. 17 00:00:50,840 --> 00:00:51,720 Speaker 4: Isn't that always? 18 00:00:52,000 --> 00:00:52,960 Speaker 2: This time is different. 19 00:00:53,920 --> 00:00:57,280 Speaker 4: She's ready for this, She's been training for years. As 20 00:00:57,320 --> 00:00:59,440 Speaker 4: long as she has her watch, she'd be okay. 21 00:01:00,440 --> 00:01:02,120 Speaker 2: I don't know. I just feel like something bad is 22 00:01:02,160 --> 00:01:02,800 Speaker 2: going to happen. 23 00:01:03,960 --> 00:01:05,679 Speaker 4: Why are you talking to me right now? 24 00:01:06,040 --> 00:01:07,399 Speaker 2: Because I want someone to talk her. 25 00:01:07,280 --> 00:01:07,680 Speaker 3: Out of it? 26 00:01:08,360 --> 00:01:09,880 Speaker 4: And do you think that person is me? 27 00:01:12,160 --> 00:01:15,200 Speaker 2: Morgan? I'm not wrong. This is insane, right. 28 00:01:15,319 --> 00:01:18,000 Speaker 5: Insane passes by a long time ago. Now we're just 29 00:01:18,040 --> 00:01:18,600 Speaker 5: catching up. 30 00:01:19,240 --> 00:01:21,080 Speaker 2: Why does it seem like I'm the only person who 31 00:01:21,120 --> 00:01:23,160 Speaker 2: cares that my sister is risking her life? 32 00:01:23,200 --> 00:01:25,360 Speaker 5: This is Sadie's decision, not any of ours. 33 00:01:25,480 --> 00:01:26,760 Speaker 2: Yeah, but if you talk to her. 34 00:01:26,840 --> 00:01:30,160 Speaker 5: I've already talked to her, and and I didn't try 35 00:01:30,160 --> 00:01:34,000 Speaker 5: to talk her out of it. Why not, because I'm 36 00:01:34,040 --> 00:01:37,480 Speaker 5: a believer. Get your nerves out. We have a long 37 00:01:37,560 --> 00:01:40,760 Speaker 5: night ahead of us. 38 00:01:41,480 --> 00:01:43,880 Speaker 2: Let me be honest. I don't know why I'm talking 39 00:01:43,880 --> 00:01:44,080 Speaker 2: to you. 40 00:01:44,600 --> 00:01:46,319 Speaker 6: Maybe you were craving someone sane. 41 00:01:47,440 --> 00:01:49,400 Speaker 2: There has to be some part of you that believes 42 00:01:49,680 --> 00:01:51,080 Speaker 2: that's maybe even a little frightened. 43 00:01:51,240 --> 00:01:52,360 Speaker 1: I'm definitely frightened. 44 00:01:52,960 --> 00:01:55,240 Speaker 6: But for my career, if you had one, you would 45 00:01:55,240 --> 00:01:55,600 Speaker 6: be too. 46 00:01:57,040 --> 00:01:57,760 Speaker 4: I take that back. 47 00:01:58,200 --> 00:01:59,600 Speaker 2: Did you just apologize to me? 48 00:02:00,160 --> 00:02:00,480 Speaker 4: Sort of? 49 00:02:01,040 --> 00:02:01,680 Speaker 2: I'll take it. 50 00:02:02,880 --> 00:02:05,000 Speaker 6: You are aware just how bad everything is here? 51 00:02:05,400 --> 00:02:05,600 Speaker 7: Right? 52 00:02:06,160 --> 00:02:09,760 Speaker 2: Yeah, but I'm not sure we're talking about the same thing. 53 00:02:10,400 --> 00:02:11,320 Speaker 4: Morgan didn't tell you. 54 00:02:12,560 --> 00:02:18,520 Speaker 2: Tell me what I guess this is happening. So let's 55 00:02:18,520 --> 00:02:21,200 Speaker 2: sum it all up. Tell me your name to date, 56 00:02:21,760 --> 00:02:22,639 Speaker 2: what you're doing tonight. 57 00:02:25,200 --> 00:02:28,200 Speaker 3: My name is Sadiecraft. It is the night of May fifteenth, 58 00:02:28,280 --> 00:02:31,160 Speaker 3: two days prior to Monifold suicide. Note threat. I'm going 59 00:02:31,160 --> 00:02:34,079 Speaker 3: to sleep of my own free will. What is the 60 00:02:34,120 --> 00:02:34,919 Speaker 3: stupid thing to say? 61 00:02:35,120 --> 00:02:36,640 Speaker 2: Just keep going, Say how you're feeling. 62 00:02:37,919 --> 00:02:40,440 Speaker 3: I'm hoping to achieve lucidity and control over my dream 63 00:02:40,560 --> 00:02:43,919 Speaker 3: environment where I believe a malicious entity resides. I am 64 00:02:43,960 --> 00:02:47,200 Speaker 3: to find it and kill it. I'm feeling why do 65 00:02:47,200 --> 00:02:48,600 Speaker 3: you want me to make a statement like I'm this 66 00:02:48,720 --> 00:02:49,960 Speaker 3: my last will and testament? 67 00:02:50,080 --> 00:02:51,720 Speaker 2: I don't know. I mean it seems like a good 68 00:02:51,720 --> 00:02:54,160 Speaker 2: idea at the time. Is this the best you can do? 69 00:02:54,280 --> 00:02:56,040 Speaker 3: You're blaming me for your bad idea. 70 00:02:56,160 --> 00:02:57,720 Speaker 2: You're making it look like a bad idea. 71 00:02:57,720 --> 00:02:59,320 Speaker 3: I'm supposed to be asleep in an hour. I don't 72 00:02:59,360 --> 00:02:59,680 Speaker 3: need this. 73 00:03:00,720 --> 00:03:03,200 Speaker 2: Let me ask some questions instead. Why are you doing this. 74 00:03:03,440 --> 00:03:06,400 Speaker 3: Because Manifold threatened to hurt people in two days? Innocent people, 75 00:03:06,480 --> 00:03:09,280 Speaker 3: people like our parents. It's possible I'll die tonight. It's 76 00:03:09,320 --> 00:03:11,359 Speaker 3: possible I'll die in two days. Anyway, might as well 77 00:03:11,400 --> 00:03:12,079 Speaker 3: strike first? 78 00:03:12,600 --> 00:03:13,840 Speaker 2: Can men of Old be killed? 79 00:03:14,120 --> 00:03:15,720 Speaker 3: I wouldn't be doing this if I didn't think so? 80 00:03:16,440 --> 00:03:18,200 Speaker 2: What would you say to someone who doesn't believe in 81 00:03:18,240 --> 00:03:18,640 Speaker 2: any of this? 82 00:03:18,840 --> 00:03:19,320 Speaker 3: Don't care? 83 00:03:19,960 --> 00:03:20,640 Speaker 2: Are you scared? 84 00:03:20,760 --> 00:03:20,880 Speaker 7: Not? 85 00:03:20,960 --> 00:03:21,280 Speaker 5: Really? 86 00:03:21,480 --> 00:03:23,520 Speaker 2: Bullshit? When we see your vitals, I bet your heart, 87 00:03:23,520 --> 00:03:26,440 Speaker 2: people will be like a jackhamra We'll see one other 88 00:03:26,520 --> 00:03:29,800 Speaker 2: quick question? Did you fake documents and lie to your 89 00:03:29,800 --> 00:03:32,000 Speaker 2: best friend? All your colleagues and your sister to be 90 00:03:32,000 --> 00:03:33,160 Speaker 2: able to run this experiment. 91 00:03:36,080 --> 00:03:37,080 Speaker 3: That's only half true. 92 00:03:37,680 --> 00:03:40,320 Speaker 2: Why did you want me here? I mean really, I 93 00:03:40,360 --> 00:03:43,640 Speaker 2: didn't lie to you about that, just everything else. This lie, 94 00:03:43,680 --> 00:03:46,120 Speaker 2: this one lie started before I said I'd tell you 95 00:03:46,160 --> 00:03:49,000 Speaker 2: the truth. It was grandfathered in. I've been truthful ever since. 96 00:03:49,680 --> 00:03:52,080 Speaker 2: Why does it even matter. I'm the only one in trouble. 97 00:03:52,200 --> 00:03:55,520 Speaker 2: Josie is dead, Sadie, so are seven others. Maybe there's 98 00:03:55,560 --> 00:03:58,280 Speaker 2: a reason why experiments are vetted. Do not get that? 99 00:03:58,360 --> 00:04:00,440 Speaker 2: You tell me you've changed, and you do this same shit. 100 00:04:00,560 --> 00:04:02,040 Speaker 3: This is why I didn't want to answer your questions. 101 00:04:02,040 --> 00:04:03,360 Speaker 3: You're putting me in a bad space for I have 102 00:04:03,440 --> 00:04:05,360 Speaker 3: the most important night of my life. 103 00:04:05,520 --> 00:04:08,800 Speaker 2: You're right, I shouldn't have asked. You don't even seem 104 00:04:08,800 --> 00:04:12,160 Speaker 2: that just disappointed about pulling that card on me. It's 105 00:04:12,200 --> 00:04:18,839 Speaker 2: not you. I'm disappointed and it's me. Okay, what, I 106 00:04:18,920 --> 00:04:19,280 Speaker 2: love you? 107 00:04:22,520 --> 00:04:43,960 Speaker 3: Good luck tonight. I'm not very popular today, yeah, even 108 00:04:44,040 --> 00:04:46,880 Speaker 3: less so than usual, even though I'm trying to save 109 00:04:46,920 --> 00:04:47,599 Speaker 3: all your lives. 110 00:04:47,920 --> 00:04:49,680 Speaker 5: That might mean a little more if you weren't trying 111 00:04:49,680 --> 00:04:52,920 Speaker 5: to save your own. Two there, move to the right. 112 00:04:53,400 --> 00:04:54,480 Speaker 5: I need to get this sensor on. 113 00:04:58,920 --> 00:05:05,400 Speaker 3: I want to appolo to you for what everything, Morgan, 114 00:05:07,640 --> 00:05:08,800 Speaker 3: thanks for putting up with me. 115 00:05:10,279 --> 00:05:11,359 Speaker 5: You're a strange mood. 116 00:05:12,040 --> 00:05:17,360 Speaker 3: It's a strange day. I guess it is. No matter what. 117 00:05:18,440 --> 00:05:21,760 Speaker 3: Don't wake me up if things go south, don't wake 118 00:05:21,800 --> 00:05:22,159 Speaker 3: me up. 119 00:05:22,839 --> 00:05:25,000 Speaker 5: I am not having another death on my watch. 120 00:05:25,000 --> 00:05:33,599 Speaker 3: The stakes are too high. Promise me, please, okay, I promise, 121 00:05:34,960 --> 00:05:37,480 Speaker 3: thank you? 122 00:05:37,480 --> 00:05:38,719 Speaker 2: You ready? 123 00:05:39,120 --> 00:05:40,279 Speaker 3: You know how I feel about now? 124 00:05:49,440 --> 00:05:50,479 Speaker 2: How she looking. 125 00:05:50,480 --> 00:05:54,520 Speaker 5: Steady, heartbeat, not nervous whatsoever. Looks like she's not having 126 00:05:54,520 --> 00:05:57,880 Speaker 5: any is sshes falling asleep. Shit, it's a good thing, 127 00:05:58,120 --> 00:05:58,359 Speaker 5: I know. 128 00:05:58,839 --> 00:05:59,680 Speaker 2: Just means I'm wrong. 129 00:06:02,839 --> 00:06:05,600 Speaker 5: Delta in coming, turning up dream volume? 130 00:06:08,200 --> 00:06:08,920 Speaker 4: Do you need to leave? 131 00:06:09,360 --> 00:06:11,720 Speaker 5: Only Sadie and I know how to do this. I'm 132 00:06:11,760 --> 00:06:12,240 Speaker 5: not leaving. 133 00:06:15,000 --> 00:06:15,719 Speaker 6: Do you feel okay? 134 00:06:15,760 --> 00:06:16,080 Speaker 2: Stop? 135 00:06:17,120 --> 00:06:18,200 Speaker 5: Thank you, but stop. 136 00:06:28,160 --> 00:06:31,440 Speaker 3: It's twelve seventeen pm. 137 00:06:31,720 --> 00:06:34,840 Speaker 6: Ain't supposed to talk about time out here. Just enjoy 138 00:06:35,000 --> 00:06:35,400 Speaker 6: the sea. 139 00:06:37,240 --> 00:06:50,000 Speaker 3: It is pretty. It's four thirty pm. Now what did 140 00:06:50,040 --> 00:06:52,279 Speaker 3: four hours pass like that without the sun moving? 141 00:06:52,480 --> 00:06:54,520 Speaker 6: I'm going to being out here is not thinking about 142 00:06:54,520 --> 00:06:54,960 Speaker 6: the time? 143 00:06:56,480 --> 00:06:57,159 Speaker 3: Storm coming? 144 00:06:57,920 --> 00:07:03,880 Speaker 6: Hi, Well, there's beauty in the storm too. 145 00:07:05,560 --> 00:07:06,640 Speaker 3: Why is the water red? 146 00:07:07,040 --> 00:07:08,599 Speaker 6: It's always red? Where we are? 147 00:07:09,520 --> 00:07:10,080 Speaker 3: Where are we? 148 00:07:10,920 --> 00:07:13,520 Speaker 6: You know where we are? Home? 149 00:07:15,200 --> 00:07:15,480 Speaker 2: Home? 150 00:07:19,480 --> 00:07:20,239 Speaker 3: It's two am. 151 00:07:20,440 --> 00:07:22,800 Speaker 6: Take off the watch, be at peace? 152 00:07:24,720 --> 00:07:29,840 Speaker 3: No, shoot yourself, mis see I'm sorry? 153 00:07:30,680 --> 00:07:31,280 Speaker 6: What do you mean? 154 00:07:33,680 --> 00:07:39,480 Speaker 3: Nothing? That makes fifteen for my account? 155 00:07:40,160 --> 00:07:40,680 Speaker 6: Fifteen? 156 00:07:40,760 --> 00:07:47,320 Speaker 3: What dead bodies washed up on the shore? Hey, this 157 00:07:47,400 --> 00:07:53,400 Speaker 3: one looks like me. I'm asleep, aren't I? 158 00:07:54,360 --> 00:07:57,960 Speaker 6: You are very much awake. You've never been more awake 159 00:07:58,000 --> 00:07:58,640 Speaker 6: in your life. 160 00:08:02,240 --> 00:08:04,000 Speaker 3: Who are you? 161 00:08:04,000 --> 00:08:07,880 Speaker 6: You know who I am? But it doesn't matter, not 162 00:08:08,040 --> 00:08:08,600 Speaker 6: right now? 163 00:08:09,320 --> 00:08:09,760 Speaker 2: Why not? 164 00:08:10,120 --> 00:08:12,679 Speaker 6: Because for some reason, deep in the back of your mind, 165 00:08:13,280 --> 00:08:16,280 Speaker 6: you're thinking about something that's coming to the fore. 166 00:08:16,640 --> 00:08:17,240 Speaker 8: What is it? 167 00:08:18,640 --> 00:08:20,680 Speaker 6: Got it? 168 00:08:20,680 --> 00:08:21,280 Speaker 4: It's a ball? 169 00:08:28,000 --> 00:08:29,160 Speaker 9: Is everything going to be okay? 170 00:08:31,440 --> 00:08:32,320 Speaker 3: How do we get here? 171 00:08:32,679 --> 00:08:33,560 Speaker 9: Mommy? Are you okay? 172 00:08:34,360 --> 00:08:35,640 Speaker 3: Where are we? 173 00:08:35,640 --> 00:08:36,680 Speaker 9: We're in a bomb shelter? 174 00:08:37,480 --> 00:08:38,720 Speaker 3: Why are we in a bomb shelter? 175 00:08:39,360 --> 00:08:40,520 Speaker 9: Because you're being bombed. 176 00:08:41,240 --> 00:08:42,120 Speaker 3: I'm being bombed. 177 00:08:42,360 --> 00:08:45,319 Speaker 9: Daddy's inside with us, but you can't see him, not yet. 178 00:08:46,120 --> 00:08:47,200 Speaker 3: What the hell is going on? 179 00:08:47,880 --> 00:08:55,840 Speaker 9: You don't remember? You started the war, your machine, the marinat. 180 00:08:56,800 --> 00:08:59,560 Speaker 3: It's four am. I can't see the sun. I'm underground 181 00:08:59,600 --> 00:08:59,960 Speaker 3: with my dog. 182 00:09:00,400 --> 00:09:04,760 Speaker 9: You unleash something, and now everyone hates you even more 183 00:09:04,800 --> 00:09:08,560 Speaker 9: than they used to. You fed the beast. 184 00:09:09,120 --> 00:09:10,079 Speaker 3: I didn't feed the beast. 185 00:09:10,600 --> 00:09:12,959 Speaker 9: He did. That's why we're here. 186 00:09:13,000 --> 00:09:13,240 Speaker 2: Now. 187 00:09:14,559 --> 00:09:16,440 Speaker 3: What did I feed it? 188 00:09:16,520 --> 00:09:16,600 Speaker 1: Me? 189 00:09:17,440 --> 00:09:19,080 Speaker 2: And me and me? 190 00:09:19,960 --> 00:09:21,920 Speaker 9: Do you think you are immune to the consequences? 191 00:09:21,960 --> 00:09:22,520 Speaker 7: Look at us? 192 00:09:23,440 --> 00:09:26,360 Speaker 3: No, I won't look at us. 193 00:09:29,920 --> 00:09:34,240 Speaker 2: Fuck. Fuck, that's right. 194 00:09:36,040 --> 00:09:36,960 Speaker 3: What did it do to you? 195 00:09:37,400 --> 00:09:38,680 Speaker 4: It made your victims whole. 196 00:09:39,800 --> 00:09:40,520 Speaker 3: This isn't real. 197 00:09:41,480 --> 00:09:42,120 Speaker 2: It's real. 198 00:09:46,240 --> 00:09:49,160 Speaker 9: Sooner or later you'll all be here. You'll call it home. 199 00:09:49,559 --> 00:09:51,720 Speaker 3: I don't have a daughter. I don't know who you are. 200 00:09:52,040 --> 00:09:52,720 Speaker 3: You're not real. 201 00:09:52,920 --> 00:09:55,000 Speaker 9: You are the mother, You're my mother. 202 00:09:55,240 --> 00:09:57,839 Speaker 3: It's twelve or two am. Seven hours have passed in 203 00:09:57,920 --> 00:09:58,480 Speaker 3: five minutes. 204 00:10:00,040 --> 00:10:02,040 Speaker 2: Star of the bomb shelters like buddy. 205 00:10:02,400 --> 00:10:10,600 Speaker 3: I dreaming. This is a nightmare. Alcon he wake up, city, 206 00:10:12,640 --> 00:10:21,440 Speaker 3: Wake up? Where am I? 207 00:10:22,200 --> 00:10:22,440 Speaker 2: Are you? 208 00:10:22,440 --> 00:10:22,760 Speaker 5: Okay? 209 00:10:23,800 --> 00:10:24,520 Speaker 4: What happened? 210 00:10:25,600 --> 00:10:27,800 Speaker 5: You were fighting with Manifold for control of the dream 211 00:10:27,840 --> 00:10:30,000 Speaker 5: and then you woke up. I didn't wake you up. 212 00:10:30,120 --> 00:10:32,840 Speaker 5: Don't get mad at me. It's okay. You're okay. 213 00:10:33,440 --> 00:10:34,520 Speaker 3: Manifold still alive? 214 00:10:35,040 --> 00:10:36,520 Speaker 2: Yes, that's not okay. 215 00:10:37,679 --> 00:10:40,600 Speaker 3: How long have I been asleep? Four hours felt like 216 00:10:40,640 --> 00:10:41,720 Speaker 3: four minutes. I know. 217 00:10:43,400 --> 00:10:45,839 Speaker 5: Excuse me, sir, we're in the middle of Morgan. 218 00:10:45,960 --> 00:10:47,160 Speaker 3: It's okay. Give us a minute. 219 00:10:53,080 --> 00:10:56,400 Speaker 7: Does your sister have a recording device in this room? 220 00:10:56,440 --> 00:10:56,520 Speaker 3: No? 221 00:11:00,360 --> 00:11:03,839 Speaker 7: What have you been doing with my money? I mean, 222 00:11:03,880 --> 00:11:06,280 Speaker 7: besides making innocent people kill themselves? 223 00:11:06,520 --> 00:11:08,920 Speaker 3: Mister Kingship. I'll explain all of this later, but right 224 00:11:08,960 --> 00:11:10,440 Speaker 3: now I need to go back to sleep. 225 00:11:10,559 --> 00:11:14,240 Speaker 7: I'm sure you do, just as I'm sure you have 226 00:11:14,280 --> 00:11:17,240 Speaker 7: time for me and always will. 227 00:11:25,480 --> 00:11:27,400 Speaker 3: I'm not sure you have always left. 228 00:11:29,960 --> 00:11:34,480 Speaker 7: Don't let the cough fool you. I'm not going anywhere, 229 00:11:34,480 --> 00:11:40,160 Speaker 7: miss Kraft, and if I did, I would haunt you. 230 00:11:40,160 --> 00:11:41,360 Speaker 7: You will never be rid of me. 231 00:11:41,440 --> 00:11:42,120 Speaker 3: What do you want? 232 00:11:43,080 --> 00:11:44,719 Speaker 7: I want to know why we had to remove a 233 00:11:44,800 --> 00:11:48,040 Speaker 7: body with his head half sliced off from the premises 234 00:11:48,080 --> 00:11:49,240 Speaker 7: of a sleep center. 235 00:11:49,480 --> 00:11:50,840 Speaker 3: I already told you about. 236 00:11:51,080 --> 00:11:54,120 Speaker 7: Yes, yes, Manifold, that's what you were doing to night 237 00:11:54,200 --> 00:11:57,480 Speaker 7: I hear you are killing him. How'd that go? 238 00:11:58,040 --> 00:12:01,160 Speaker 3: It's still alive thanks to you, to this stupid conversation 239 00:12:01,200 --> 00:12:01,640 Speaker 3: we're having. 240 00:12:04,080 --> 00:12:10,320 Speaker 7: You're one of my more interesting investments. Seven years ago, 241 00:12:10,400 --> 00:12:13,320 Speaker 7: you tell me you're going to cure Alzheimer's and make 242 00:12:13,440 --> 00:12:19,839 Speaker 7: us both billionaires. Then you tell me you're going to 243 00:12:19,920 --> 00:12:26,000 Speaker 7: cure sleep disorders. And then you tell me about a 244 00:12:26,120 --> 00:12:29,280 Speaker 7: nightmare figure in the dream world being as real as 245 00:12:29,320 --> 00:12:34,520 Speaker 7: you or me? And I thought, well, that is the 246 00:12:34,640 --> 00:12:35,280 Speaker 7: end of that. 247 00:12:40,240 --> 00:12:41,720 Speaker 3: You've seen that, haven't you? 248 00:12:44,720 --> 00:12:50,600 Speaker 7: I have? You are everything I hope you be, Misscraft, 249 00:12:50,679 --> 00:12:56,960 Speaker 7: and more. Me and you, we will kill this matter, 250 00:12:57,040 --> 00:13:04,120 Speaker 7: fold this organ, and then we will both sleep again. 251 00:13:05,440 --> 00:13:07,319 Speaker 3: If you believe it, then why did you? 252 00:13:07,320 --> 00:13:11,559 Speaker 7: Because you're going about everything all wrong? Do you think 253 00:13:11,600 --> 00:13:15,240 Speaker 7: you're the only person who has discovered this creature? No miscraft, 254 00:13:17,360 --> 00:13:21,320 Speaker 7: next tech, next tack. They have their own theory and 255 00:13:21,320 --> 00:13:25,000 Speaker 7: their evidence is compelling. What do you have for me? 256 00:13:26,200 --> 00:13:27,240 Speaker 7: How are you gonna kill it? 257 00:13:28,559 --> 00:13:31,200 Speaker 3: I can lose ad dream, I can take control of 258 00:13:31,200 --> 00:13:32,760 Speaker 3: the dream space, and once I have that, I. 259 00:13:32,840 --> 00:13:39,520 Speaker 7: See your plan. Misscraft? Tell me now? 260 00:13:41,640 --> 00:13:43,400 Speaker 2: Is my voice being patched through the intercom? 261 00:13:43,480 --> 00:13:45,200 Speaker 5: Yes? And it just came through in her dream. 262 00:13:45,440 --> 00:13:49,640 Speaker 4: She's not tracking time anymore. She's lost. Is Harlan Kingship 263 00:13:49,640 --> 00:13:50,400 Speaker 4: a real person? 264 00:13:50,720 --> 00:13:51,000 Speaker 9: Yep? 265 00:13:51,320 --> 00:13:53,480 Speaker 5: He was our first investor. He's the reason we have 266 00:13:53,520 --> 00:13:53,880 Speaker 5: any of this? 267 00:13:54,360 --> 00:13:56,760 Speaker 6: Is that his personality like in the dream. 268 00:13:57,040 --> 00:13:59,800 Speaker 5: No, he's worse. He's the only person I've ever seen 269 00:13:59,840 --> 00:14:00,960 Speaker 5: see to be afraid. 270 00:14:00,640 --> 00:14:13,040 Speaker 8: Of fuck this, he says, it's me, kay. This thing 271 00:14:13,120 --> 00:14:14,680 Speaker 8: is trying to fool you, and I hope you didn't 272 00:14:14,720 --> 00:14:17,560 Speaker 8: fall for that bush leak bullshit. It's trying to figure 273 00:14:17,559 --> 00:14:19,560 Speaker 8: out what your plan is, and that means it's scared 274 00:14:19,600 --> 00:14:24,080 Speaker 8: of you. Don't tell him jack shit. Together, right now, 275 00:14:24,120 --> 00:14:26,000 Speaker 8: we're going to kill this fucking thing. 276 00:14:57,120 --> 00:15:00,560 Speaker 1: You're listening to. Dream Sequence written and created by Andrew 277 00:15:00,600 --> 00:15:05,720 Speaker 1: Martin Robinson, directed by Dave Beasley and John Brooks. Executive 278 00:15:05,760 --> 00:15:09,560 Speaker 1: producers are Molly Barton, John Brooks, Dave Beasley and Marcy 279 00:15:09,600 --> 00:15:13,920 Speaker 1: Wiseman for realm Alex Williams, Matt Frederick and Trevor Young 280 00:15:13,960 --> 00:15:18,200 Speaker 1: for iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television, 281 00:15:18,800 --> 00:15:23,080 Speaker 1: starring Jesse Case and Alice Kremelberg, with performances by Shalinie 282 00:15:23,080 --> 00:15:29,080 Speaker 1: Bethina Einer, Gunn, Nick Osborne, Winifred, Anne Kincannon, Tara Brown, 283 00:15:29,520 --> 00:15:37,160 Speaker 1: Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson, 284 00:15:37,560 --> 00:15:43,600 Speaker 1: Joel Haberley, Simaj Miller, Dean Simone, and Brian Finney. Additional 285 00:15:43,640 --> 00:15:48,320 Speaker 1: voices by Patrick Higney, Fred Greenholg, John Brooks, Christina Teleska, 286 00:15:48,440 --> 00:15:52,760 Speaker 1: and Kaylan West. Casting by Sunday Bowling. Kennedy CSA and 287 00:15:52,840 --> 00:15:57,760 Speaker 1: Meg Mormon CSA. Producers for Realm are Fred Greenholge, Marcus Thorne, 288 00:15:57,760 --> 00:16:03,720 Speaker 1: Magala and Rhoda Bayessa. Associate producer Michael Coulter, Production manager 289 00:16:03,800 --> 00:16:09,000 Speaker 1: Devin Shepherd, Production coordinator Angela Yee. Dialogue editing by Corey Barton, 290 00:16:09,560 --> 00:16:13,280 Speaker 1: sound design by roy O'sha, Dan Powell and Kaylan West. 291 00:16:13,880 --> 00:16:17,680 Speaker 1: Final mixed by Kaylan West. Original score composed by Marcus 292 00:16:17,720 --> 00:16:21,760 Speaker 1: Thorne Pagala. Songs for Josie by Kaylan West. Recorded at 293 00:16:21,800 --> 00:16:25,240 Speaker 1: Real Voice Los Angeles and Citybox, New York City. This 294 00:16:25,360 --> 00:16:28,800 Speaker 1: podcast was recorded under a SAG after collective bargaining agreement. 295 00:16:29,480 --> 00:16:33,200 Speaker 1: Dream Sequence is a production of iHeart Podcasts, Blumhouse Television 296 00:16:33,240 --> 00:16:37,280 Speaker 1: and Realm. Find more great podcasts by visiting the iHeartRadio app, 297 00:16:37,480 --> 00:16:40,560 Speaker 1: Apple Podcasts, or wherever you listen to your favorite show.