WEBVTT - Anthology of Horror, Volume 3

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<v Speaker 1>Welcome Stuff to Blow Your Mind, a production of I

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<v Speaker 1>Heart Radios How Stuff Works. Hello, and welcome to Stuff

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<v Speaker 1>to Blow Your Mind. And my name is Robert Gooley Lamb.

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<v Speaker 1>I forgot we were doing the voices. Let's see, I

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<v Speaker 1>am what's my name? Also, I'm Corrosive Joseph McCormick exactly.

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<v Speaker 1>And we're here with our excellent audio producer Death Nicholas Johnson.

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<v Speaker 1>It is Halloween. It is Halloween itself, I believe. Yeah,

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<v Speaker 1>And so we are presenting Anthology of Horror Volume three.

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<v Speaker 1>So this will be a sequel to our two previous

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<v Speaker 1>Anthology of Horror episodes, where we look at old episodes

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<v Speaker 1>of horror anthology TV shows and figure out how they

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<v Speaker 1>might often be deeper than they seem. Yeah, I mean,

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<v Speaker 1>and also sometimes they're not very deep, but we we

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<v Speaker 1>have a knack for finding some hidden depth in horror

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<v Speaker 1>and science fiction. Now, in the last episode, which should

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<v Speaker 1>have been just a couple of days ago, we talk

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<v Speaker 1>about an episode of the Twilight Zone concerning how you

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<v Speaker 1>can know whether or not you are in a dream

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<v Speaker 1>or whether you are someone else's dream. And we talked

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<v Speaker 1>about an episode of the old horror anthology Monsters that

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<v Speaker 1>featured a story about ghoules called down Below and related

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<v Speaker 1>to that to cities dealing with rat problems. Uh So,

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<v Speaker 1>today I think we were going to start by looking

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<v Speaker 1>at an episode of The Outer Limits, right, yes, the

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<v Speaker 1>sixth Finger. This is the fifth episode of the first

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<v Speaker 1>season of ABC sci fi anthology series legendary sci fi

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<v Speaker 1>anthology series The Outer Limits, which originally ran from nine

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<v Speaker 1>through nine. It was created by Leslie Stevens, and unlike

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<v Speaker 1>a lot of these shows, he didn't have a true

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<v Speaker 1>horror or sci fi host. It didn't have like a

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<v Speaker 1>puppet or an actor that spoke to you and introduced everything.

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<v Speaker 1>But it did have the control voice, which in and

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<v Speaker 1>of itself is pretty classic. Explain the control voice. So

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<v Speaker 1>we will control the vertical, we will control the horizontal.

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<v Speaker 1>You know, it's like this, this disembodied voice that is

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<v Speaker 1>taking over your television set and presenting you with some

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<v Speaker 1>sort of cosmic transmission from the Outer Limits. I see,

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<v Speaker 1>Is this the one that's there's no need to adjust

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<v Speaker 1>your television exactly? Okay? I think I for some reason

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<v Speaker 1>confused that I thought that was like an alternate opening

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<v Speaker 1>to the Twilight Zone. Uh no, no, no, that Twilight

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<v Speaker 1>zone is always like Rod Serling being like you were

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<v Speaker 1>entering another dimension, yeah, etcetera. Um, Yeah, The Outer Limits

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<v Speaker 1>was definitely more in the in the science fiction domain.

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<v Speaker 1>It was in many ways kind of like the sci

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<v Speaker 1>fi side of the coin to the Twilight Zones horror.

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<v Speaker 1>But it also got a little spooky, a little scary

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<v Speaker 1>at times. Uh, and certainly falls under the domain of

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<v Speaker 1>our our mission statement here. Now wait a second, sorry,

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<v Speaker 1>I just realized that the Outer Limits introduction you're doing here,

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<v Speaker 1>that this might be the first sort of hint or

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<v Speaker 1>attempt at doing a kind of found footage thing. Right,

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<v Speaker 1>it's saying like you are receiving a TRANSMISSI shin. It's

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<v Speaker 1>like implying that you're part of the narrative because your

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<v Speaker 1>TV set is is something's being beamed from another place

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<v Speaker 1>to Yeah, to a limited extent. I mean, once the

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<v Speaker 1>episode starts, it's pretty clear you're still safely in television land,

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<v Speaker 1>but you're also in in a place that still feels

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<v Speaker 1>a little less safe. But this ain't I Love Lucy exactly.

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<v Speaker 1>So The Outer Limits went two seasons and produced forty

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<v Speaker 1>nine episodes. Again, it's just always amazing just how robust

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<v Speaker 1>these some of these older seasons television were not all

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<v Speaker 1>of the episodes are classics, but some stand out amid

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<v Speaker 1>the all time greatest achievements in science fiction television even

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<v Speaker 1>today in this sort of golden age of television and

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<v Speaker 1>television options. Some of the most famous episodes include, uh,

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<v Speaker 1>for instance, Demon with a Glass Hand, which was scripted

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<v Speaker 1>by Harlan Ellison. But The Sixth Finger is also rather iconic.

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<v Speaker 1>Like a lot of the episodes, it features some alien

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<v Speaker 1>makeup effects that that are pretty astounding. A lot of

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<v Speaker 1>the alien designs on the Outer Limits uh kind of

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<v Speaker 1>you know, leaned into old school ideas of what an

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<v Speaker 1>extraterrestrial might look like. You know, there are a lot

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<v Speaker 1>of oversized heads and long ears and whatnot, like the

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<v Speaker 1>brain mutant from the Silent Earth. Yeah. Yeah, so some

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<v Speaker 1>of them are a little bit dated, but but they

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<v Speaker 1>were still pulled off exceptionally well, shot in black and

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<v Speaker 1>white and and and you know, sometimes with an almost

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<v Speaker 1>avant garde kind of style. That being said, there are

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<v Speaker 1>some effects that they pulled off on that show that

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<v Speaker 1>stand up I think really well today. Um, The Galaxy Being,

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<v Speaker 1>I think is an exception where we had like this

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<v Speaker 1>kind of sharp contrast of black and white where it

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<v Speaker 1>seems to be just radiating on the screen. But The

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<v Speaker 1>six Finger was directed by James Goldstone, who also directed

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<v Speaker 1>the pilot for a little show called Star Trek Okay,

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<v Speaker 1>So that's before Kirk is the Captain, right right, Yeah,

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<v Speaker 1>And it was written by Ellis St. Joseph, who did

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<v Speaker 1>a lot of TV work in his career, and it

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<v Speaker 1>also started British American actor David McCallum, who starred opposite

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<v Speaker 1>Robert Vaughan in The Man from Uncle. So McCollum stars

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<v Speaker 1>in this episode as the character Griffiths, a Welsh miner

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<v Speaker 1>who agrees to let a rogue scientist named Professor Mathers

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<v Speaker 1>experiment on him, which is of course always a solid

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<v Speaker 1>life choice. Mathers played a role, we're told, in the

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<v Speaker 1>development of atomic weaponry, and he wants to aid humanity instead,

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<v Speaker 1>and so he has invented of means of speeding up

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<v Speaker 1>evolutionary development and he wants to try it out on

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<v Speaker 1>a human being. Now I can say, in the early

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<v Speaker 1>nineteen sixties this would actually be not that far fetched

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<v Speaker 1>of a scenario. I mean, I think there were a

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<v Speaker 1>number of scientists who were known at the time to

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<v Speaker 1>have worked on the creation of atomic weaponry who were

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<v Speaker 1>deeply publicly regretful of their work even Oh yeah, absolutely, Uh,

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<v Speaker 1>I mean to typified for the most part by the

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<v Speaker 1>heavily quoted a bit from from Oppenheimer now and become death,

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<v Speaker 1>where he himself is of course to quoting Vedic scriptures. Yeah,

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<v Speaker 1>because certainly the atomic bomb is this uh, you know,

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<v Speaker 1>continues to loom over us as this uh, the symbol

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<v Speaker 1>of of of of great human achievements that are put

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<v Speaker 1>to work in in the name of like our worst

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<v Speaker 1>impulses as as a species, as a civilization. Totally and

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<v Speaker 1>uh and yes, so the idea of someone involved with

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<v Speaker 1>that wanting to do something that that you know, that

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<v Speaker 1>it saves us, that changes us, that does you know,

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<v Speaker 1>that puts us in a different direction. I think that

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<v Speaker 1>that makes perfect sense. And I think a lot of

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<v Speaker 1>people would would agree that. You know, this, this period

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<v Speaker 1>of of of nuclear power, you know, is something we

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<v Speaker 1>hope it's it's kind of a bottleneck, right, It's like

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<v Speaker 1>it's a period of extreme danger to the species that

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<v Speaker 1>we hope to move past, we hope to evolve through.

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<v Speaker 1>And and certainly, you know, we tend to think of

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<v Speaker 1>that evolution as more or less biological and more cultural,

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<v Speaker 1>more political. But in a science fiction story, you know,

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<v Speaker 1>it makes sense to go with the more literal interpretation

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<v Speaker 1>of that, Like, human beings need to evolve beyond this

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<v Speaker 1>point of extreme danger. So I'm going to put a

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<v Speaker 1>human being inside of a crazy sci fi contraption and

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<v Speaker 1>see what kind of you know, peaceful being comes out

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<v Speaker 1>the other side. Right as you increase our ability to

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<v Speaker 1>destroy ourselves in one another, it seems like every year

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<v Speaker 1>that goes by, we're just sort of like barely eking.

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<v Speaker 1>You know, we're just making it if we don't use

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<v Speaker 1>that power unless you change us somehow, that it would

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<v Speaker 1>be inconceivable to us to use it right now. To

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<v Speaker 1>be clear, evolution, as we've discussed plenty of times on

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<v Speaker 1>the show, is a process of mutation and natural selection

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<v Speaker 1>that takes place across the vast periods of time due

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<v Speaker 1>to various environmental stressors. Would you agree with that You're

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<v Speaker 1>more Darwin's bulldog on this show than I am. I mean,

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<v Speaker 1>our modern picture of evolution I think has become a

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<v Speaker 1>little bit more nuanced, and that we we learn more

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<v Speaker 1>and more things that uh that affected like epigenetic factors

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<v Speaker 1>possibly and things like that. But yeah, basically, I mean

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<v Speaker 1>the standard model is that there is variation and then

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<v Speaker 1>there is selection by the environment. And yeah, the big thing,

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<v Speaker 1>of course, the way this happens in nature is it

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<v Speaker 1>happens over many generations. The way evolution is often conceived

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<v Speaker 1>of in stories like this is it basically just means

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<v Speaker 1>like changing somebody, like changing an individual's body in their lifetime,

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<v Speaker 1>which would be different from biological evolution that would be

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<v Speaker 1>more like that I don't know, bioengineering of the body. Yeah.

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<v Speaker 1>And and also I mean the other thing too, is

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<v Speaker 1>this this model in this science fiction story it has

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<v Speaker 1>this it kind of implies that there's an exact map

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<v Speaker 1>of our evolution inside of our bodies, inside of our genes.

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<v Speaker 1>You know. Is if like we're a Pokemon and you

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<v Speaker 1>can look at a chart saying like how it advances

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<v Speaker 1>to its final form if I have my Pokemon reference

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<v Speaker 1>is correct, I don't know my Pokemon all that well.

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<v Speaker 1>But but still yet it implies that there's like a

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<v Speaker 1>certain path that an organism should take and it's all

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<v Speaker 1>written in the genes, as opposed to being this process,

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<v Speaker 1>uh you know, being you know, driven by this process

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<v Speaker 1>of natural selection that depends so heavily upon environment. So

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<v Speaker 1>on one hand, it's a tad silly to think that

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<v Speaker 1>some manner of mad science process could simply speed up

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<v Speaker 1>human evolution. But again they're trying to make a statement here,

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<v Speaker 1>so we'll roll with it. Okay. So as Griffith evolves

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<v Speaker 1>and there there, this is a this is a real

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<v Speaker 1>talky by the way, as far as um you know,

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<v Speaker 1>anthology shows Go and Outer Limits tended to be I

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<v Speaker 1>think a little more cerebral than the many of the

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<v Speaker 1>other anthology and you know shows that would come in

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<v Speaker 1>its wake. There's a lot of discussing what this means

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<v Speaker 1>and discussing, uh, you know, how we might apply it

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<v Speaker 1>to our understanding of the world. And so Griffith's you know,

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<v Speaker 1>he goes through these problems like a I guess, a

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<v Speaker 1>treatment of evolution. Then he comes back out and he's changed,

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<v Speaker 1>and he talks about it, and he goes back in,

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<v Speaker 1>he gets another treatment, he comes back he's even different.

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<v Speaker 1>But basically these are the changes biological and mental that

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<v Speaker 1>take place. Okay, First of all, he gets an extremely

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<v Speaker 1>over developed cortex like a giant alien melon head, which

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<v Speaker 1>again is very impressive makeup effects, but at the same

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<v Speaker 1>time it's kind of a dated look for our idea

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<v Speaker 1>of like a far future being Okay, So just to clarify,

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<v Speaker 1>basically is the idea that this is naturally how humans

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<v Speaker 1>would evolve if we were allowed to just you know,

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<v Speaker 1>keep living for thousands of years. But the scientist has

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<v Speaker 1>figured out a way to get us there down the

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<v Speaker 1>already mapped path ahead of time, right. I think that's

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<v Speaker 1>what the model is here. We just have to sort of,

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<v Speaker 1>you know, take their word for it on the sci

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<v Speaker 1>fi process that's getting it to us. Sure, so huge

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<v Speaker 1>yet great now, as the title implies, one of the

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<v Speaker 1>other major changes is that there is a sixth finger

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<v Speaker 1>on each hand, so a total of twelve digits on

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<v Speaker 1>the hands. Now better to press nuclear launch buttons with

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<v Speaker 1>yeah uh. In addition, long L fears, which you know

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<v Speaker 1>isn't I don't really have a good discussion lined up

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<v Speaker 1>for that, but there are L fears mental powers such

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<v Speaker 1>as telekinesis, vastly enhanced intelligence and ultimately enhanced empathy and understanding,

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<v Speaker 1>And in the original script, he also eventually develops a

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<v Speaker 1>means of photosynthitus and lives on pure light and kind

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<v Speaker 1>of transcends into a being of light. In the show, however,

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<v Speaker 1>he attempts to push himself even further in evolution, but

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<v Speaker 1>his wife betrays him out of love and turns him

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<v Speaker 1>back into his original self, you know, turns back the

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<v Speaker 1>dial on the evolution machine to try and get the

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<v Speaker 1>you know, the man that she loves back in the room,

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<v Speaker 1>but the process ends up killing him. It's just too

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<v Speaker 1>much for him. So it all makes for a great

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<v Speaker 1>mad science tale and one that I think works well thematically.

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<v Speaker 1>Plus McCallum has that kind of like old school Leslie

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<v Speaker 1>Howard Delivery you know which show, which I really love

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<v Speaker 1>because if you're watching a show like The Outer Limits

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<v Speaker 1>of the Twilight Zone, you do have to you find

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<v Speaker 1>a reason to love some of the more you know,

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<v Speaker 1>by today's standards antiquated uh aspects of say acting or

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<v Speaker 1>pacing or even the effects. And Joe, I have a

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<v Speaker 1>picture of of the being here for you and it

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<v Speaker 1>certainly anybody wants to see this. Just look up The

0:12:04.520 --> 0:12:07.760
<v Speaker 1>Outer Limits the Sixth Finger. You can also find it

0:12:07.800 --> 0:12:10.439
<v Speaker 1>on like Hulu or Netflix, streaming pretty much everywhere, but

0:12:10.480 --> 0:12:12.120
<v Speaker 1>you can also find lots of images of this. It's

0:12:12.240 --> 0:12:14.960
<v Speaker 1>very iconic cost him. Okay, so first of all, I

0:12:14.960 --> 0:12:17.080
<v Speaker 1>see the giant melon head and that look that looks

0:12:17.080 --> 0:12:19.560
<v Speaker 1>great because you get so much brain in there. I

0:12:19.600 --> 0:12:23.640
<v Speaker 1>am immediately imagining some problems having to do with birth,

0:12:24.640 --> 0:12:26.920
<v Speaker 1>like the size of the human birth canal, which you

0:12:26.920 --> 0:12:31.240
<v Speaker 1>would have to assume it would also evolve to be

0:12:31.400 --> 0:12:33.840
<v Speaker 1>much bigger to allow a birth of that kind of creature.

0:12:34.280 --> 0:12:37.000
<v Speaker 1>Though I believe it's it's widely thought that we're already

0:12:37.000 --> 0:12:39.160
<v Speaker 1>pretty much it's sort of the limits of what our

0:12:39.200 --> 0:12:42.440
<v Speaker 1>bodies will allow in terms of cranial size, right. I mean,

0:12:42.480 --> 0:12:44.200
<v Speaker 1>the the other thing that comes to mind is our

0:12:44.200 --> 0:12:48.120
<v Speaker 1>discussions in our episode on brain soup and liquefied brains. Uh,

0:12:48.160 --> 0:12:51.240
<v Speaker 1>the actual size of the brain would not be as

0:12:51.280 --> 0:12:53.840
<v Speaker 1>important as the number of neurons within it. So I

0:12:53.840 --> 0:12:56.920
<v Speaker 1>think by our modern understanding, it was kind of it

0:12:57.000 --> 0:12:59.600
<v Speaker 1>was very much in vogue at the time to to see,

0:12:59.640 --> 0:13:02.480
<v Speaker 1>like you know, outside craniums as being a sign of

0:13:02.720 --> 0:13:05.920
<v Speaker 1>super intelligence and your fictional creatures. But I think nowadays

0:13:05.920 --> 0:13:08.800
<v Speaker 1>we realize that that would not be necessary. But I mean,

0:13:09.040 --> 0:13:11.200
<v Speaker 1>like I already mentioned, this island Earth. It shows up

0:13:11.200 --> 0:13:13.040
<v Speaker 1>in a lot of sci fi from the mid century

0:13:13.080 --> 0:13:15.520
<v Speaker 1>that you've got aliens with huge old heads. I guess

0:13:15.520 --> 0:13:18.040
<v Speaker 1>because they're very smart. But also I like how he's

0:13:18.040 --> 0:13:22.959
<v Speaker 1>got extremely defined facial bone structure, Like this guy has

0:13:23.040 --> 0:13:26.160
<v Speaker 1>cheekbones to die for. He does, yes. And then of

0:13:26.160 --> 0:13:28.920
<v Speaker 1>course there are the lf ears, which again we don't

0:13:28.920 --> 0:13:30.680
<v Speaker 1>really have anything to say about them. I'm not sure

0:13:30.760 --> 0:13:35.200
<v Speaker 1>what point of ears would really accomplish evolutionarily. Oh man,

0:13:35.320 --> 0:13:38.319
<v Speaker 1>this seems like something that has to have been explored

0:13:38.360 --> 0:13:41.000
<v Speaker 1>in a kind of speculative paper, like somebody who's an

0:13:41.000 --> 0:13:43.559
<v Speaker 1>expert on the morphology of the ears and how they

0:13:43.559 --> 0:13:45.760
<v Speaker 1>help you here, how would you hear differently if you

0:13:45.840 --> 0:13:47.959
<v Speaker 1>had l f ears. I don't know. We should come

0:13:48.120 --> 0:13:50.160
<v Speaker 1>I bet we should come back to that, because there

0:13:50.280 --> 0:13:52.640
<v Speaker 1>is a good answer for it. Uh. You know, there's

0:13:52.640 --> 0:13:55.120
<v Speaker 1>a whole world of of elve and ear structure that

0:13:55.120 --> 0:13:57.240
<v Speaker 1>we could discuss in the future. But what I want

0:13:57.240 --> 0:14:00.880
<v Speaker 1>to talk about is that extra finger. So we're gonna

0:14:00.880 --> 0:14:02.560
<v Speaker 1>take a quick break, but when we come back, we

0:14:02.600 --> 0:14:06.839
<v Speaker 1>will get into the the five digit rule invertebrate evolution

0:14:07.240 --> 0:14:11.040
<v Speaker 1>and we'll discuss the possibility of a sixth finger coming

0:14:11.040 --> 0:14:15.760
<v Speaker 1>into play. Than all right, we're back. So we've been

0:14:15.800 --> 0:14:19.640
<v Speaker 1>talking about the classic Outer Limits episode The sixth Finger,

0:14:19.720 --> 0:14:22.920
<v Speaker 1>about a man who speeds up his own evolution within

0:14:23.080 --> 0:14:25.920
<v Speaker 1>his own lifetime, and he gets a gigantic melon head,

0:14:26.200 --> 0:14:29.960
<v Speaker 1>he gets really defined facial bones, beautiful cheekbones, he gets

0:14:29.960 --> 0:14:34.440
<v Speaker 1>elf ears, but he also grows a sixth finger. And so, Robert,

0:14:34.480 --> 0:14:37.120
<v Speaker 1>you looked into what it would mean to grow a

0:14:37.160 --> 0:14:39.920
<v Speaker 1>six finger? Is that kind of thing possible? Why or

0:14:39.960 --> 0:14:42.280
<v Speaker 1>why would not we? Why wouldn't we see that in

0:14:42.720 --> 0:14:45.960
<v Speaker 1>human evolution or primate evolution? Yeah, it's really it's really

0:14:46.000 --> 0:14:48.320
<v Speaker 1>fascinating because, first of all, the five digit rule does

0:14:48.400 --> 0:14:52.720
<v Speaker 1>run pretty deep invertebrate evolution. According to Michael Coates, Associate

0:14:52.760 --> 0:14:56.600
<v Speaker 1>professor in the Department of Organismal Biology and Anatomy at

0:14:56.600 --> 0:14:59.080
<v Speaker 1>the University of Chicago and co editor of Evolution and

0:14:59.120 --> 0:15:03.040
<v Speaker 1>Development fighting for Scientific American, the condition of having no

0:15:03.160 --> 0:15:06.600
<v Speaker 1>more than five fingers and toes probably goes back before

0:15:06.720 --> 0:15:11.680
<v Speaker 1>the evolutionary divergence of amphibians and amniots, birds, mammals, reptiles.

0:15:12.000 --> 0:15:14.720
<v Speaker 1>We were talking three hundred and forty million years ago,

0:15:15.400 --> 0:15:17.760
<v Speaker 1>go back three hundred sixty million years ago, and there's

0:15:17.800 --> 0:15:22.440
<v Speaker 1>evidence of tetrapods with six, seven, eight, digits. Uh, the

0:15:22.440 --> 0:15:26.600
<v Speaker 1>the decrease to five or fewer came about alongside the

0:15:26.600 --> 0:15:31.880
<v Speaker 1>development of sophisticated wrist and ankle joints. So basically, the

0:15:32.200 --> 0:15:37.320
<v Speaker 1>creatures with more digits had simpler skeletons and simpler limb mobility,

0:15:37.360 --> 0:15:39.920
<v Speaker 1>and they were generally, you know, something along the line

0:15:39.920 --> 0:15:43.200
<v Speaker 1>of flippers, because we're talking about creatures of the water here.

0:15:43.800 --> 0:15:46.920
<v Speaker 1>But as these limbs evolved to allow certain organisms to

0:15:47.000 --> 0:15:52.000
<v Speaker 1>stand or to push off with those limbs essentially, or

0:15:52.200 --> 0:15:56.120
<v Speaker 1>you know, as they moved towards being land creatures, we

0:15:56.200 --> 0:15:58.440
<v Speaker 1>see the reduction of digits, and indeed we tend to

0:15:58.440 --> 0:16:01.240
<v Speaker 1>see you know, the further reduct of digits because the

0:16:01.480 --> 0:16:04.000
<v Speaker 1>rule of evolutionary thumb here is that it's easier to

0:16:04.040 --> 0:16:06.760
<v Speaker 1>lose something than it is to gain something. Absolutely. I

0:16:06.760 --> 0:16:09.640
<v Speaker 1>mean you can see that with many tetrapod mammals today.

0:16:09.680 --> 0:16:12.560
<v Speaker 1>For example, look at a dog's paw. I mean, they

0:16:12.560 --> 0:16:16.320
<v Speaker 1>have a sort of vestigial other thumb type thing up

0:16:16.400 --> 0:16:19.360
<v Speaker 1>there on the on the leg, but basically they got

0:16:19.360 --> 0:16:21.680
<v Speaker 1>four toes that go go down on the ground. It's

0:16:21.720 --> 0:16:24.720
<v Speaker 1>the what the do claw? Yeah yeah, up there, or

0:16:24.760 --> 0:16:28.040
<v Speaker 1>I mean even look at the feet of ungulates. Yeah,

0:16:28.120 --> 0:16:30.480
<v Speaker 1>I mean, horses are a great place to look because

0:16:31.360 --> 0:16:34.480
<v Speaker 1>we see how far it's reduced now. But you know,

0:16:34.560 --> 0:16:38.080
<v Speaker 1>various prehistoric courses had three or four toes. And when

0:16:38.120 --> 0:16:42.120
<v Speaker 1>animals actually do gain digits, well, uh Coats points out

0:16:42.160 --> 0:16:44.960
<v Speaker 1>that the lack of true six toed or six fingered

0:16:45.000 --> 0:16:48.480
<v Speaker 1>creatures in today's fauna quote highlights some sort of constraint.

0:16:49.320 --> 0:16:52.240
<v Speaker 1>For instance, one of the rare cases we see of

0:16:52.640 --> 0:16:56.080
<v Speaker 1>you know, a creature gaining digits is the marine reptile

0:16:56.480 --> 0:17:00.040
<v Speaker 1>uh Ethosaurus. This is the these sixty years ago. We

0:17:00.080 --> 0:17:02.280
<v Speaker 1>talked about about them on the show before. They essentially

0:17:02.320 --> 0:17:05.080
<v Speaker 1>are dolphin like creatures, they have that same sort of shape,

0:17:05.960 --> 0:17:09.680
<v Speaker 1>but they they are reptiles um and as a result

0:17:09.680 --> 0:17:12.480
<v Speaker 1>of returning to the sea, they eventually developed paddles that

0:17:12.600 --> 0:17:15.600
<v Speaker 1>sometimes had you know, quite a number of digits in there. Okay,

0:17:15.600 --> 0:17:18.480
<v Speaker 1>so the atheosaurs, like the marine mammals of today, in

0:17:18.520 --> 0:17:21.639
<v Speaker 1>their evolutionary history, went to land and then went back

0:17:21.680 --> 0:17:25.639
<v Speaker 1>to water, right. Yeah, So, which again lines up nicely

0:17:25.680 --> 0:17:27.320
<v Speaker 1>with this idea of of as long as you're a

0:17:27.320 --> 0:17:30.679
<v Speaker 1>sea creature, you can have multiple digits within that paddle,

0:17:31.000 --> 0:17:34.360
<v Speaker 1>but when you start using that paddle increasingly again over

0:17:34.600 --> 0:17:37.919
<v Speaker 1>you know, generation after generation after generation. If it's used

0:17:38.040 --> 0:17:40.400
<v Speaker 1>to push off, if it's new used even to hold

0:17:40.480 --> 0:17:45.560
<v Speaker 1>up your weight, it becomes increasingly um more beneficial to

0:17:45.720 --> 0:17:49.560
<v Speaker 1>have fewer digits in that at the end of that limb. However,

0:17:49.640 --> 0:17:52.680
<v Speaker 1>we do see creatures like the mole and the panda,

0:17:53.160 --> 0:17:57.360
<v Speaker 1>both of which benefit from remodeled wrist bones that essentially

0:17:57.440 --> 0:18:00.960
<v Speaker 1>serve as a sixth finger, but which are not true fingers.

0:18:01.920 --> 0:18:03.760
<v Speaker 1>And if you haven't seen a picture of this, I

0:18:04.040 --> 0:18:07.800
<v Speaker 1>encourage everyone to look up pictures of panda's paw or

0:18:08.080 --> 0:18:12.080
<v Speaker 1>the the claws of a mole, and you will, you know,

0:18:12.080 --> 0:18:14.080
<v Speaker 1>if you start doing some counting, you'll be like, okay,

0:18:14.119 --> 0:18:17.280
<v Speaker 1>one to three, four, five, and oh, kind of six

0:18:18.000 --> 0:18:21.280
<v Speaker 1>again not a true thumb. But for the panda, for instance,

0:18:21.440 --> 0:18:23.800
<v Speaker 1>it serves as a thumb. It has like the roll

0:18:23.920 --> 0:18:26.920
<v Speaker 1>of a thumb in helping them handle food. The panda,

0:18:27.000 --> 0:18:31.120
<v Speaker 1>of course, is the herbivore of the bare world, and

0:18:31.119 --> 0:18:34.160
<v Speaker 1>and the end it has to eat constantly, and therefore

0:18:34.280 --> 0:18:36.399
<v Speaker 1>it has eventually used the point where it needs a

0:18:36.400 --> 0:18:40.480
<v Speaker 1>little extra thumblike appendage to get the job done. Meanwhile,

0:18:41.000 --> 0:18:45.040
<v Speaker 1>for moles, uh, this extra little thumblike appendage. It helps

0:18:45.080 --> 0:18:48.000
<v Speaker 1>them tunnel through the earth, so being almost more like

0:18:48.040 --> 0:18:52.040
<v Speaker 1>a flipper, Yeah, help it swim through the earth. Yeah.

0:18:52.040 --> 0:18:56.000
<v Speaker 1>These are, in Coats's words quote, rather baroque solutions to

0:18:56.040 --> 0:18:59.800
<v Speaker 1>the apparently straightforward task of growing an extra finger. So,

0:19:00.359 --> 0:19:01.800
<v Speaker 1>you know, if we're going to think back to our

0:19:01.840 --> 0:19:05.159
<v Speaker 1>outer limits example here, it would be far more likely

0:19:05.200 --> 0:19:07.760
<v Speaker 1>that one would grow some sort of a you know,

0:19:08.240 --> 0:19:11.320
<v Speaker 1>you know, a paddle of a pseudo finger, as opposed

0:19:11.320 --> 0:19:14.960
<v Speaker 1>to growing a full finger, no matter how many keyboards

0:19:14.960 --> 0:19:17.320
<v Speaker 1>you're having to use, no matter you know, how many

0:19:17.600 --> 0:19:19.840
<v Speaker 1>you know, you know, mad science gadgets you're having to

0:19:20.080 --> 0:19:22.680
<v Speaker 1>manipulate with your far future digits. But I want to

0:19:22.720 --> 0:19:28.359
<v Speaker 1>talk about another even more amazing example from real world biology,

0:19:28.440 --> 0:19:29.960
<v Speaker 1>and for this we have to turn to the world

0:19:29.960 --> 0:19:33.879
<v Speaker 1>of the Lemur. As recently reported in Smithsonian, the I

0:19:34.160 --> 0:19:38.119
<v Speaker 1>I Lemur known for its weird looks and its elongated

0:19:38.160 --> 0:19:42.439
<v Speaker 1>middle finger, which it uses to fish grubs out of trees.

0:19:42.960 --> 0:19:45.760
<v Speaker 1>You may have seen this in various documentaries before. It

0:19:45.800 --> 0:19:48.480
<v Speaker 1>looks like a tree goblin and it's I think it

0:19:48.600 --> 0:19:53.320
<v Speaker 1>has unfortunately suffered from like superstitious killings in the past,

0:19:53.640 --> 0:19:56.640
<v Speaker 1>but it has this. It's nocturnal and has this fabulous

0:19:56.680 --> 0:20:00.360
<v Speaker 1>super elongated in some people's eyes and man think it's

0:20:00.359 --> 0:20:02.879
<v Speaker 1>creepy middle finger which it uses. You have to fish

0:20:02.880 --> 0:20:05.960
<v Speaker 1>out a grub and uh and then it's it's you know,

0:20:06.000 --> 0:20:09.399
<v Speaker 1>it's this highly specialized digit. And once it gets the

0:20:09.400 --> 0:20:11.120
<v Speaker 1>grub out. I was reading that it will also like

0:20:11.359 --> 0:20:13.520
<v Speaker 1>pluck the top of the grub off and like suck

0:20:13.600 --> 0:20:15.760
<v Speaker 1>the inside of the grub out, like it is just

0:20:15.800 --> 0:20:19.080
<v Speaker 1>a highly evolved grub eater. But in addition to this,

0:20:19.359 --> 0:20:23.240
<v Speaker 1>it also boasts an extra tiny thumb or pseudo thumb,

0:20:23.480 --> 0:20:27.880
<v Speaker 1>complete with a fingerprint. This according to Adam Hearthstone Rose,

0:20:27.920 --> 0:20:33.159
<v Speaker 1>Associate Professor of Biological Sciences at North Carolina State University,

0:20:33.200 --> 0:20:36.040
<v Speaker 1>It's a pseudo thumb made of bone and cartilage, but

0:20:36.080 --> 0:20:38.720
<v Speaker 1>it can be moved in three directions, much like a

0:20:38.800 --> 0:20:42.119
<v Speaker 1>human thumb. Now you might wonder, why, why why is

0:20:42.160 --> 0:20:45.880
<v Speaker 1>this creature so greedy for crazy digits? It already has

0:20:45.920 --> 0:20:49.320
<v Speaker 1>this super elongated specialized digit. What does it need an

0:20:49.480 --> 0:20:52.240
<v Speaker 1>extra digit for? You know what? I realized the II

0:20:52.280 --> 0:20:54.040
<v Speaker 1>hand reminds me of I just looked it up to

0:20:54.040 --> 0:20:58.320
<v Speaker 1>see it again. It reminds me of the of klaus

0:20:58.359 --> 0:21:02.120
<v Speaker 1>Kinsky's hands in Werner Song's nose fur aw too, he's

0:21:02.160 --> 0:21:06.120
<v Speaker 1>got the long nails and the creepy fingers. Yeah, it does.

0:21:06.280 --> 0:21:08.440
<v Speaker 1>It does seem like a true creature of the night,

0:21:08.680 --> 0:21:13.720
<v Speaker 1>doesn't it. But yeah, basically it seems to have developed

0:21:13.760 --> 0:21:18.560
<v Speaker 1>this this additional pseudo thumb because the other fingers are

0:21:18.560 --> 0:21:21.960
<v Speaker 1>elongated and specialized. Like essentially it's lost that middle finger

0:21:22.040 --> 0:21:25.320
<v Speaker 1>to specialized usage, and so it has had to develop

0:21:25.320 --> 0:21:28.879
<v Speaker 1>a pseudo thumb to make up for that special specialization.

0:21:29.160 --> 0:21:31.640
<v Speaker 1>And to be clear, you'll you'll sometimes find a six

0:21:31.760 --> 0:21:34.880
<v Speaker 1>finger occurring on a human as a as a birth

0:21:34.920 --> 0:21:37.600
<v Speaker 1>to fact, and in fact, since we're celebrating Halloween, it's

0:21:37.600 --> 0:21:41.560
<v Speaker 1>worth noting that Hannibal Lecter in the books um has

0:21:41.600 --> 0:21:45.360
<v Speaker 1>an extra digit on his left hand like that that occurs,

0:21:45.359 --> 0:21:47.800
<v Speaker 1>but it is not, you know, it's not a naturally

0:21:49.359 --> 0:21:53.600
<v Speaker 1>you know, evolved feature. So you're probably wondering where does

0:21:53.640 --> 0:21:56.399
<v Speaker 1>this leave our six fingered man in the outer limits.

0:21:56.400 --> 0:21:59.639
<v Speaker 1>So Griffith kind of essentially dodges the question when at

0:21:59.640 --> 0:22:02.280
<v Speaker 1>one point a scientists actually asked him about the six finger, like,

0:22:02.280 --> 0:22:04.119
<v Speaker 1>what's what's up with that extra finger? And he just

0:22:04.160 --> 0:22:07.320
<v Speaker 1>kind of starts talking about something else. But but it's implied,

0:22:07.400 --> 0:22:10.480
<v Speaker 1>especially given the prior scene in which he plays a piano,

0:22:10.600 --> 0:22:14.560
<v Speaker 1>that it enables the better manipulation of interface tools like

0:22:14.680 --> 0:22:18.600
<v Speaker 1>the keys of a piano or the keys of a computer, etcetera. Now,

0:22:18.720 --> 0:22:21.840
<v Speaker 1>if again, this is suggesting this would be selected for

0:22:22.000 --> 0:22:25.760
<v Speaker 1>an evolution, that would imply that at some point people

0:22:25.800 --> 0:22:29.200
<v Speaker 1>are like dying or not reproducing as much because they

0:22:29.200 --> 0:22:32.720
<v Speaker 1>can't type as fast. Yeah. Yeah, that's that's where we

0:22:32.800 --> 0:22:35.320
<v Speaker 1>get into some some problems with this this model if

0:22:35.320 --> 0:22:38.000
<v Speaker 1>you look at it too closely. Um. I also had

0:22:38.040 --> 0:22:40.160
<v Speaker 1>to realize as I was typing up notes for this,

0:22:40.480 --> 0:22:43.320
<v Speaker 1>I was hyper conscious of how little I actually use

0:22:43.400 --> 0:22:47.200
<v Speaker 1>my pinky fingers while typing. Now, ultimately I'm probably using

0:22:47.200 --> 0:22:50.240
<v Speaker 1>some sort of weird hybrid of of actual typing with

0:22:50.280 --> 0:22:53.120
<v Speaker 1>a little hunt and peck thrown in there. But yeah,

0:22:53.160 --> 0:22:55.600
<v Speaker 1>I don't know that I use my pinkies all that much,

0:22:56.000 --> 0:22:57.880
<v Speaker 1>if at all, unless I'm doing some sort of weird

0:22:57.920 --> 0:23:01.880
<v Speaker 1>hot key. I definitely is mine. Yeah, yeah, yeah, yeah,

0:23:01.880 --> 0:23:06.920
<v Speaker 1>it's that's semicolon, you know, for sentences. No, yeah, I wait,

0:23:06.960 --> 0:23:10.320
<v Speaker 1>I've gotta think of it. Okay, yeah, okay, yeah, I

0:23:10.359 --> 0:23:14.320
<v Speaker 1>do it, okay, all right to each Sorry, I'm not bragging.

0:23:14.359 --> 0:23:16.680
<v Speaker 1>I mean no, no, I mean I thought just because

0:23:16.720 --> 0:23:19.000
<v Speaker 1>my pinky fingers are way better than yours, well you

0:23:19.040 --> 0:23:21.520
<v Speaker 1>know they're not. They're not holding me back. I'm just

0:23:21.560 --> 0:23:23.840
<v Speaker 1>saying that, Like, you know, when I catch myself typing,

0:23:23.840 --> 0:23:25.560
<v Speaker 1>I'm like, oh, I don't think the pinkies are really

0:23:25.600 --> 0:23:30.560
<v Speaker 1>carrying their weight here. So um, it's kind of silly

0:23:30.600 --> 0:23:34.520
<v Speaker 1>to imagine a scenario in which being able to type

0:23:34.520 --> 0:23:37.920
<v Speaker 1>extra hard and be able to hit like crazier hot

0:23:37.960 --> 0:23:40.800
<v Speaker 1>keys on a keyboard would would have this kind of

0:23:40.880 --> 0:23:44.239
<v Speaker 1>impact on human evolution. At the same time, maybe it's

0:23:44.280 --> 0:23:48.000
<v Speaker 1>for the next level of PC gaming. Yeah, that's but

0:23:48.000 --> 0:23:50.359
<v Speaker 1>But on the other hand, it is true that habitual

0:23:50.400 --> 0:23:53.280
<v Speaker 1>tool use has led to the evolved state of the

0:23:53.320 --> 0:23:57.200
<v Speaker 1>modern human hand, including thumb length. So tool use has

0:23:57.240 --> 0:24:00.399
<v Speaker 1>shaped our bodies, it has shaped our hand in the past,

0:24:00.840 --> 0:24:04.680
<v Speaker 1>so it's not ridiculous to say that the future human

0:24:04.680 --> 0:24:07.879
<v Speaker 1>evolution would continue to reshape the human hand. Sure, but

0:24:07.920 --> 0:24:09.800
<v Speaker 1>there you would be contending with the fact that I

0:24:09.800 --> 0:24:12.439
<v Speaker 1>think there's you know, in the environments that we mostly

0:24:12.480 --> 0:24:15.480
<v Speaker 1>live in today, not being able to use a tool

0:24:15.560 --> 0:24:18.359
<v Speaker 1>as well doesn't usually mean that you're going to, you know,

0:24:18.440 --> 0:24:21.479
<v Speaker 1>on average, have fewer children than the people next door.

0:24:21.480 --> 0:24:22.959
<v Speaker 1>That that seems like a thing that would be more

0:24:23.040 --> 0:24:27.720
<v Speaker 1>the case in like a hunter gatherers survival scenario. Exactly. Yeah,

0:24:27.840 --> 0:24:30.480
<v Speaker 1>And ultimately we have to remember that you were no

0:24:30.520 --> 0:24:34.200
<v Speaker 1>longer subject to purely natural selection at this stage of

0:24:34.280 --> 0:24:36.399
<v Speaker 1>the human experience. You know, it's it's more of an

0:24:36.440 --> 0:24:39.480
<v Speaker 1>unnatural selection. We also have to consider the potential of

0:24:39.520 --> 0:24:43.520
<v Speaker 1>directed evolution that we will, in the future continue to

0:24:43.520 --> 0:24:47.600
<v Speaker 1>figure out ways to manipulate our own genes, which brings

0:24:47.640 --> 0:24:50.399
<v Speaker 1>up the possibility that perhaps our far future selves have

0:24:50.480 --> 0:24:53.520
<v Speaker 1>simply added on an extra finger. Rightly, it's not a

0:24:53.560 --> 0:24:56.679
<v Speaker 1>situation where we evolved when but we realized, hey, having

0:24:57.119 --> 0:25:00.240
<v Speaker 1>two pinkies on each hand would be nice, let's wit

0:25:00.680 --> 0:25:02.560
<v Speaker 1>and then we just we just do it. We just

0:25:02.680 --> 0:25:06.320
<v Speaker 1>check it off on the menu of g manipulation, which

0:25:06.480 --> 0:25:10.399
<v Speaker 1>which reminds me of Less Grossman's The Magicians and the

0:25:10.440 --> 0:25:13.560
<v Speaker 1>sci fi uh TV series that's based on it. There's

0:25:13.600 --> 0:25:16.719
<v Speaker 1>a there's a dark wizard in the show called the Beast,

0:25:17.400 --> 0:25:20.720
<v Speaker 1>and he has an extra finger on each hand because

0:25:20.720 --> 0:25:24.119
<v Speaker 1>in the in The Magicians, casting spells involves a lot

0:25:24.160 --> 0:25:26.679
<v Speaker 1>of like fine manipulation of your digits, like sort of

0:25:26.720 --> 0:25:30.120
<v Speaker 1>like the the use of mood ras and whatnot. Uh So,

0:25:30.240 --> 0:25:32.320
<v Speaker 1>if you had an extra digit on each hand, you'd

0:25:32.359 --> 0:25:35.879
<v Speaker 1>be able to cast improve variations of spells. You'd be

0:25:35.920 --> 0:25:38.840
<v Speaker 1>able to cast spells that a normal individual with five

0:25:38.880 --> 0:25:41.440
<v Speaker 1>digits would be incapable of. Well, that makes me wonder

0:25:41.480 --> 0:25:44.040
<v Speaker 1>who invented those spells then, I mean, I guess they're

0:25:44.080 --> 0:25:46.439
<v Speaker 1>of his own creation. Well, yes, and of course there

0:25:46.480 --> 0:25:49.080
<v Speaker 1>are a lot of inhuman being entities in this world

0:25:49.119 --> 0:25:54.920
<v Speaker 1>as well. He could be going to them for such spells. However, uh,

0:25:55.520 --> 0:25:57.800
<v Speaker 1>you know, discussing this idea of like, you know, growing

0:25:57.800 --> 0:26:01.679
<v Speaker 1>extra fingers to manipulate technology, It's said, as Peter Ward

0:26:01.800 --> 0:26:05.000
<v Speaker 1>pointed out in his Scientific American article The Future of Man,

0:26:05.080 --> 0:26:08.080
<v Speaker 1>how will evolution change humans? We also have to consider,

0:26:08.480 --> 0:26:12.320
<v Speaker 1>you know, not only like computer interfaces like keyboards, but

0:26:12.800 --> 0:26:16.359
<v Speaker 1>more drastic interfaces, some of the sort of futuristic mind

0:26:16.480 --> 0:26:20.399
<v Speaker 1>computer interfaces that we've discussed in the show before. Um.

0:26:20.480 --> 0:26:22.919
<v Speaker 1>He points to a quote from George Dyson in his

0:26:23.000 --> 0:26:28.040
<v Speaker 1>nine book Darwin among the Machines. Quote, everything that human

0:26:28.080 --> 0:26:30.720
<v Speaker 1>beings are doing to make it easier to operate computer

0:26:30.840 --> 0:26:33.720
<v Speaker 1>networks is at the same time, but for different reasons,

0:26:33.760 --> 0:26:37.080
<v Speaker 1>making it easier from computer networks to operate human being

0:26:37.720 --> 0:26:41.879
<v Speaker 1>Darwinian evolution, in one of those paradoxes with which life abounds,

0:26:41.920 --> 0:26:44.040
<v Speaker 1>may be a victim of his own success, unable to

0:26:44.119 --> 0:26:47.240
<v Speaker 1>keep up with non Darwinian processes that it has spawned.

0:26:47.920 --> 0:26:49.800
<v Speaker 1>I think there's a lot to that. I mean, I

0:26:49.800 --> 0:26:51.960
<v Speaker 1>would say, I mean, this is in the nineteen nineties,

0:26:52.000 --> 0:26:54.000
<v Speaker 1>before you could anticipate a lot of the stuff that's

0:26:54.040 --> 0:26:56.480
<v Speaker 1>going on now with say social media, in the many

0:26:56.480 --> 0:27:00.399
<v Speaker 1>ways that our our technology is influencing us. But just

0:27:00.920 --> 0:27:03.320
<v Speaker 1>one thing I would say here is that this person

0:27:03.440 --> 0:27:07.359
<v Speaker 1>probably lived through the transition from command line computers to

0:27:07.480 --> 0:27:12.440
<v Speaker 1>graphical user interfaces, and so obviously having a graphical user

0:27:12.480 --> 0:27:14.959
<v Speaker 1>interface makes it way easier for people who don't know

0:27:15.080 --> 0:27:18.159
<v Speaker 1>much about how the computer works or understanding directories and

0:27:18.280 --> 0:27:21.040
<v Speaker 1>commands and all that stuff to use it because it's intuitive.

0:27:21.040 --> 0:27:23.439
<v Speaker 1>It's easy. You just look at the thing, you recognize

0:27:23.440 --> 0:27:25.800
<v Speaker 1>that you click on it. All that, but also those

0:27:25.800 --> 0:27:28.480
<v Speaker 1>graphical user interfaces I think led to all of the

0:27:28.480 --> 0:27:34.040
<v Speaker 1>ways that computers are now just completely attention monopolizing devices.

0:27:34.560 --> 0:27:38.119
<v Speaker 1>Absolutely so Ward basically concludes that we'll have to go

0:27:38.280 --> 0:27:42.439
<v Speaker 1>one of three different ways as humans continuitive to evolve. Uh.

0:27:42.480 --> 0:27:45.240
<v Speaker 1>There's these There's the stasis direction, where we mainly just

0:27:45.280 --> 0:27:48.439
<v Speaker 1>stay the same but with minor tweaks, and also a

0:27:48.520 --> 0:27:52.919
<v Speaker 1>kind of merging of races. There's also a speciation in

0:27:52.960 --> 0:27:55.840
<v Speaker 1>which we break off into different species. Uh, you know,

0:27:55.840 --> 0:27:58.160
<v Speaker 1>and hopefully none of them are are more locks. Because

0:27:58.240 --> 0:28:01.040
<v Speaker 1>ultimately a speciation is the maw that H. G. Wells

0:28:01.840 --> 0:28:06.280
<v Speaker 1>explores in the Time Machine, and then he also talks

0:28:06.320 --> 0:28:11.399
<v Speaker 1>about the board grout, which is symbiosis with machines. I

0:28:11.440 --> 0:28:13.320
<v Speaker 1>find it kind of hard to believe that there could

0:28:13.359 --> 0:28:19.639
<v Speaker 1>be human speciation unless you're talking about space colonization, like

0:28:19.880 --> 0:28:23.800
<v Speaker 1>fully separating human populations from one another so that they

0:28:23.840 --> 0:28:27.320
<v Speaker 1>cannot physically come together at all for you know, hundreds

0:28:27.359 --> 0:28:29.600
<v Speaker 1>of hundreds of years. Even if you sent some of

0:28:29.640 --> 0:28:32.840
<v Speaker 1>them below ground to man all the machines and keep

0:28:32.880 --> 0:28:35.040
<v Speaker 1>the surface world running. Well, I guess it would depend

0:28:35.040 --> 0:28:37.440
<v Speaker 1>on whether you could go back and forth between I mean,

0:28:38.000 --> 0:28:40.640
<v Speaker 1>I think as long as humans stay in physical contact

0:28:40.680 --> 0:28:42.400
<v Speaker 1>with each other, I find it hard to believe that

0:28:42.440 --> 0:28:45.360
<v Speaker 1>there will be actual human speciation. But then, yeah, space

0:28:45.360 --> 0:28:48.520
<v Speaker 1>colonization does seem like that creates a kind of like

0:28:48.560 --> 0:28:51.200
<v Speaker 1>a certain hard divide. It is it is the equivalent

0:28:51.200 --> 0:28:53.520
<v Speaker 1>of having a species wind up on an island and

0:28:53.800 --> 0:28:57.880
<v Speaker 1>uh and and coeval. So Ward doesn't specifically chime in

0:28:57.920 --> 0:29:00.480
<v Speaker 1>on the six finger thing, It doesn't refto that, but

0:29:00.520 --> 0:29:06.160
<v Speaker 1>he does dismiss the idea of giant brained, futurized humans

0:29:06.160 --> 0:29:08.680
<v Speaker 1>like we see in the sixth Finger. He says, quote,

0:29:08.840 --> 0:29:11.480
<v Speaker 1>the big brain vision has no real scientific basis. The

0:29:11.520 --> 0:29:14.520
<v Speaker 1>fossil record of skull sizes over the past several thousand

0:29:14.520 --> 0:29:17.440
<v Speaker 1>generations shows that our days of rapid increase in brain

0:29:17.520 --> 0:29:21.160
<v Speaker 1>size are long over. Yeah. In fact, we we already peaked, right,

0:29:21.200 --> 0:29:24.120
<v Speaker 1>We're we're Our average brain sizes in the modern world

0:29:24.160 --> 0:29:26.720
<v Speaker 1>are smaller than they used to be. Yeah. But ultimately,

0:29:26.800 --> 0:29:29.400
<v Speaker 1>this episode of Outer Limits is not just about biological evolution.

0:29:29.480 --> 0:29:31.520
<v Speaker 1>Is about the evolution of of what it means to

0:29:31.560 --> 0:29:34.200
<v Speaker 1>be human. You know, can is there a potential for

0:29:34.280 --> 0:29:37.320
<v Speaker 1>us to change in a more meaningful way? Can we become,

0:29:37.360 --> 0:29:40.400
<v Speaker 1>for instance, more empathetic? Can we become more present as

0:29:40.400 --> 0:29:44.160
<v Speaker 1>a species kinder? Uh? This is the idea that the

0:29:44.200 --> 0:29:47.160
<v Speaker 1>episode is playing with and hoping for and and ultimately,

0:29:47.520 --> 0:29:50.080
<v Speaker 1>like that's where it gets to. At the end with this,

0:29:50.520 --> 0:29:55.280
<v Speaker 1>he the character, while he's still more human, is you know,

0:29:55.320 --> 0:29:58.560
<v Speaker 1>possessed by this this quest for vengeance against the people

0:29:58.560 --> 0:30:02.000
<v Speaker 1>who operate the MO and in which he works. And

0:30:02.040 --> 0:30:04.360
<v Speaker 1>by the end of it, he has evolved beyond these

0:30:04.440 --> 0:30:06.760
<v Speaker 1>feelings of vengeance. Like there's a period in the in

0:30:06.800 --> 0:30:09.640
<v Speaker 1>the episode where he wants to use his crazy uh

0:30:09.800 --> 0:30:12.120
<v Speaker 1>you know, future brain powers to go you know, wreak

0:30:12.160 --> 0:30:15.040
<v Speaker 1>havoc on them, but by the end of it he realizes, no,

0:30:15.200 --> 0:30:18.760
<v Speaker 1>that is not the way. Well, I would say, I

0:30:18.760 --> 0:30:22.240
<v Speaker 1>think it certainly is possible for us to become more empathetic,

0:30:22.400 --> 0:30:25.360
<v Speaker 1>um uh you know, less vengeful and violent and all

0:30:25.360 --> 0:30:27.640
<v Speaker 1>that kind of stuff. But I don't think you necessarily

0:30:27.680 --> 0:30:30.680
<v Speaker 1>need biological changes for that to happen. I mean, I

0:30:30.720 --> 0:30:33.760
<v Speaker 1>think we've seen massive changes in the levels of like

0:30:33.920 --> 0:30:36.760
<v Speaker 1>violence and vengefulness you see in the average person across

0:30:36.760 --> 0:30:40.000
<v Speaker 1>different societies through time, and the main changes are through

0:30:40.120 --> 0:30:45.000
<v Speaker 1>like culture, like like social norms, how children are educated,

0:30:45.200 --> 0:30:49.200
<v Speaker 1>what's acceptable socially within your friend groups, and the culture. Right,

0:30:49.240 --> 0:30:52.120
<v Speaker 1>so changes in the software as opposed to the hardware. Yeah,

0:30:52.440 --> 0:30:53.880
<v Speaker 1>but then of course we have to we have to

0:30:54.040 --> 0:30:57.040
<v Speaker 1>consider like the rate which software can change, at the

0:30:57.120 --> 0:30:59.960
<v Speaker 1>rate of which it may evolve. Uh, you know how

0:31:00.640 --> 0:31:06.560
<v Speaker 1>no matter how pleasant uh human civilization's current software, maybe

0:31:07.800 --> 0:31:11.239
<v Speaker 1>how much has to happen to it to make it

0:31:11.560 --> 0:31:14.200
<v Speaker 1>well to to use a naughty word on this show,

0:31:14.440 --> 0:31:17.440
<v Speaker 1>devolve into some lesser state. Well, yeah, I mean, I

0:31:17.440 --> 0:31:20.960
<v Speaker 1>guess that's the danger. I mean, yeah, cultural changes can

0:31:21.160 --> 0:31:23.720
<v Speaker 1>can be undone, maybe as quickly as they can be done,

0:31:23.800 --> 0:31:26.720
<v Speaker 1>or even quicker. By the way, I was reading about

0:31:26.720 --> 0:31:29.840
<v Speaker 1>the original script and the production of this episode of

0:31:29.840 --> 0:31:32.880
<v Speaker 1>The Outer Limits, and according to the Outer Limits companion

0:31:32.920 --> 0:31:37.040
<v Speaker 1>by David J. Scoe, Uh, Dorothy Brown, the ABC sensor

0:31:37.080 --> 0:31:41.280
<v Speaker 1>at the time, had objected to the Darwinism and promotion

0:31:41.320 --> 0:31:45.840
<v Speaker 1>of evolution inherent in the sixth finger so one. In fact,

0:31:45.920 --> 0:31:48.400
<v Speaker 1>one of the early deletions from the script was a

0:31:48.440 --> 0:31:51.640
<v Speaker 1>speech on the topic of evolution. Well that's funny, I

0:31:51.680 --> 0:31:55.320
<v Speaker 1>mean again, like to really explore the what's happening to

0:31:55.360 --> 0:31:59.480
<v Speaker 1>the character in the episode is not actually Darwinian evolution.

0:31:59.640 --> 0:32:01.560
<v Speaker 1>But but that's funny. Yeah, I mean, I guess it

0:32:01.600 --> 0:32:03.760
<v Speaker 1>does rely on the idea that there's like a roadmap

0:32:03.840 --> 0:32:07.120
<v Speaker 1>for our species generally, which also is not part of

0:32:07.360 --> 0:32:10.200
<v Speaker 1>Darwinian evolution. So it's not like they're not really hitting

0:32:10.200 --> 0:32:12.960
<v Speaker 1>the viewer over the head with you know, a hardcore

0:32:13.880 --> 0:32:16.040
<v Speaker 1>speech on evolution. But I think just the mere fact

0:32:16.280 --> 0:32:21.080
<v Speaker 1>that they were citing evolution and speaking speaking of evolution um,

0:32:21.120 --> 0:32:23.400
<v Speaker 1>and the works of Darwin as being you know, something

0:32:23.440 --> 0:32:26.920
<v Speaker 1>that we can actually you know, hang our scientific hat

0:32:27.000 --> 0:32:29.960
<v Speaker 1>on um. They were afraid it was going to offend people.

0:32:30.240 --> 0:32:32.880
<v Speaker 1>Well yeah, I mean I I grew up surrounded by

0:32:32.920 --> 0:32:37.640
<v Speaker 1>that kind of opposition and and sensitivity to ideas about evolution.

0:32:37.720 --> 0:32:40.400
<v Speaker 1>But I I don't know, despite that, I'm kind of

0:32:40.440 --> 0:32:45.080
<v Speaker 1>surprised that it made ABC censorship priorities, especially in a

0:32:45.080 --> 0:32:47.360
<v Speaker 1>show like this, which you know, ultimately is you know,

0:32:47.440 --> 0:32:49.840
<v Speaker 1>kind of high minded and stuffy. Well, I guess also

0:32:50.040 --> 0:32:52.720
<v Speaker 1>trading and science fiction, which would have had a you

0:32:52.760 --> 0:32:55.080
<v Speaker 1>know a certain amount of appeal to younger audiences as well.

0:32:55.720 --> 0:32:58.960
<v Speaker 1>But still say, this is a pretty solid episode of

0:32:59.000 --> 0:33:01.440
<v Speaker 1>The Outer Limits. I think it stands up really well today.

0:33:02.040 --> 0:33:03.760
<v Speaker 1>Uh you have to go into it knowing you're not

0:33:03.800 --> 0:33:07.680
<v Speaker 1>going to get an action packed, um you know episode here.

0:33:07.720 --> 0:33:10.840
<v Speaker 1>This is this is a very talky episode, but it's

0:33:10.880 --> 0:33:14.600
<v Speaker 1>it's really solid, well shot, well acted, um worth checking out.

0:33:14.920 --> 0:33:17.120
<v Speaker 1>I think a lot of the best anthology sci fi

0:33:17.160 --> 0:33:20.680
<v Speaker 1>and horror episodes are not actually action packed. Uh. They

0:33:20.760 --> 0:33:24.400
<v Speaker 1>often tend to be rather subdued, just dealing with a

0:33:24.520 --> 0:33:28.560
<v Speaker 1>strange idea as discussed by a handful of characters. Yeah,

0:33:28.640 --> 0:33:30.880
<v Speaker 1>and you know, sometimes you do see this kind of

0:33:30.960 --> 0:33:34.440
<v Speaker 1>unevenness to perceived budget of a show, Like you know

0:33:34.520 --> 0:33:36.720
<v Speaker 1>that some of those anthology episodes maybe they had a

0:33:37.400 --> 0:33:39.160
<v Speaker 1>had a few more bucks to spend on the cast,

0:33:39.240 --> 0:33:41.520
<v Speaker 1>on the locations, and some are essentially kind of bottle

0:33:41.560 --> 0:33:44.160
<v Speaker 1>episodes where there's just like one set or it's it's

0:33:44.200 --> 0:33:46.960
<v Speaker 1>almost kind of a stage piece, but there's you know

0:33:46.960 --> 0:33:49.040
<v Speaker 1>when it when it's really well done, you know, that

0:33:49.080 --> 0:33:51.600
<v Speaker 1>will certainly get you there to serve man, is an

0:33:51.640 --> 0:33:54.320
<v Speaker 1>action packed either is? Yeah, it's just And that's the

0:33:54.320 --> 0:33:57.560
<v Speaker 1>one that we talked about last year. Right, Speaking of Joe,

0:33:58.080 --> 0:34:02.400
<v Speaker 1>what is your selection your final selection for this year's

0:34:02.720 --> 0:34:07.080
<v Speaker 1>Anthology of Horror Episodes? Well, I wanted to talk about

0:34:07.280 --> 0:34:13.400
<v Speaker 1>my favorite all time Simpson's Treehouse of Horror episode, Citizen Kang.

0:34:14.160 --> 0:34:16.640
<v Speaker 1>This is from Simpson's tree House of Horror seven. It

0:34:16.680 --> 0:34:22.560
<v Speaker 1>originally aired October n and I think this is this

0:34:22.640 --> 0:34:27.080
<v Speaker 1>is not only one of my favorite uh Simpson's bits, ever,

0:34:27.480 --> 0:34:30.400
<v Speaker 1>I think it is some of the best political satire

0:34:30.480 --> 0:34:34.040
<v Speaker 1>in American media history. Yeah. This this is just a

0:34:34.080 --> 0:34:37.440
<v Speaker 1>great tree House episode period. I rewatched it the other

0:34:37.560 --> 0:34:40.239
<v Speaker 1>night with the family, and I must have seen it

0:34:40.280 --> 0:34:41.960
<v Speaker 1>a dozen times in the in the past, because, in

0:34:41.960 --> 0:34:45.520
<v Speaker 1>addition to Citizen Kang, it also contains the genesis tub.

0:34:45.840 --> 0:34:48.719
<v Speaker 1>This is where Lise's tooth grows the civil of civilization

0:34:49.480 --> 0:34:52.640
<v Speaker 1>after it gets a little static shock from Bart, which

0:34:52.680 --> 0:34:54.880
<v Speaker 1>is very similar to a tale by George R. Martin

0:34:55.280 --> 0:34:58.960
<v Speaker 1>that was adapted by the ninety nineties revival of The

0:34:58.960 --> 0:35:02.200
<v Speaker 1>Outer Limits more or less along the same time. And

0:35:02.200 --> 0:35:05.120
<v Speaker 1>then this episode also has The Thing and I, which

0:35:05.160 --> 0:35:07.600
<v Speaker 1>is a great more of sort of a straight up

0:35:07.640 --> 0:35:11.080
<v Speaker 1>horror piece, which contains a twist ending that I have

0:35:11.160 --> 0:35:13.880
<v Speaker 1>to say is nearly identical to the twist ending of

0:35:13.920 --> 0:35:17.640
<v Speaker 1>a certain top twenty nineteen horror film. Okay, well, let's

0:35:17.680 --> 0:35:19.040
<v Speaker 1>not say any more than that. I think you know

0:35:19.120 --> 0:35:21.520
<v Speaker 1>the one, right, I know exactly what you're talking about,

0:35:21.520 --> 0:35:23.160
<v Speaker 1>but I don't want to spoil it for anybody else.

0:35:23.480 --> 0:35:25.920
<v Speaker 1>All Right, we need to take a quick commercial break,

0:35:25.920 --> 0:35:31.239
<v Speaker 1>but we will be right back. Okay. So this Simpson's

0:35:31.280 --> 0:35:34.000
<v Speaker 1>Tree House of Horror again. It aired at the end

0:35:34.040 --> 0:35:37.640
<v Speaker 1>of October nineteen and at the time it actually aired,

0:35:37.760 --> 0:35:40.960
<v Speaker 1>the United States was right in the final days of

0:35:41.000 --> 0:35:45.040
<v Speaker 1>a presidential election that was pitting incumbent Democratic President Bill

0:35:45.040 --> 0:35:49.600
<v Speaker 1>Clinton against Republican Senator Bob Dole from Kansas. And in

0:35:49.680 --> 0:35:54.160
<v Speaker 1>this Tree House of Horror segment, alien invaders Kang and Kodos,

0:35:54.520 --> 0:35:57.120
<v Speaker 1>who are from a certain ringed planet who they prefer

0:35:57.239 --> 0:36:00.200
<v Speaker 1>not to mention um. They plot to take of the

0:36:00.200 --> 0:36:04.480
<v Speaker 1>world by body snatching both Clinton and Dole and taking

0:36:04.520 --> 0:36:08.480
<v Speaker 1>their places in the election as lookalikes, and the idea

0:36:08.560 --> 0:36:11.360
<v Speaker 1>is stated pretty directly by Kang. In the Guys of

0:36:11.400 --> 0:36:15.239
<v Speaker 1>Bob Dole, a reporter asks the Kang Dole Senator Dole,

0:36:15.600 --> 0:36:18.400
<v Speaker 1>why should people vote for you instead of President Clinton?

0:36:18.800 --> 0:36:22.279
<v Speaker 1>And Kang Dole responds, it makes no difference which one

0:36:22.320 --> 0:36:26.239
<v Speaker 1>of us you vote for. Either way, your planet is doomed.

0:36:26.760 --> 0:36:31.279
<v Speaker 1>Doomed replacing both. That's a good idea, right, Yeah, then

0:36:31.320 --> 0:36:33.920
<v Speaker 1>there's no risk, right either way, they're gonna win. Yeah.

0:36:34.040 --> 0:36:36.960
<v Speaker 1>So in this uh, in this little plot, Homer becomes

0:36:36.960 --> 0:36:39.719
<v Speaker 1>aware of the alien takeover plot because he happened to

0:36:39.760 --> 0:36:43.160
<v Speaker 1>be on the alien ship when Clinton and Dole were replicated.

0:36:43.440 --> 0:36:46.200
<v Speaker 1>So he decides he's got to reveal Kang and Kodos

0:36:46.239 --> 0:36:49.000
<v Speaker 1>for what they are, So he runs on stage at

0:36:49.000 --> 0:36:51.200
<v Speaker 1>an event I think at the Capitol Building where both

0:36:51.239 --> 0:36:54.840
<v Speaker 1>candidates are speaking, and he rips off their disguises, revealing

0:36:54.880 --> 0:36:59.520
<v Speaker 1>them both as hideous space reptiles. But Kangan Kodos seem

0:36:59.640 --> 0:37:03.160
<v Speaker 1>unfair as to declaring, It's true we are aliens, but

0:37:03.320 --> 0:37:05.160
<v Speaker 1>what are you going to do about it? It's a

0:37:05.239 --> 0:37:08.239
<v Speaker 1>two party system. You have to vote for one of us.

0:37:08.920 --> 0:37:11.279
<v Speaker 1>And then somebody in the crowd suggests voting for a

0:37:11.360 --> 0:37:15.399
<v Speaker 1>third party candidate, and Kodo says, go ahead, throw your

0:37:15.480 --> 0:37:19.840
<v Speaker 1>vote away. So the Americans, of course, end up electing Kang,

0:37:19.960 --> 0:37:23.600
<v Speaker 1>who immediately enslaves all humans and he puts them to

0:37:23.600 --> 0:37:26.880
<v Speaker 1>work constructing a giant laser to aim at some third,

0:37:26.960 --> 0:37:31.160
<v Speaker 1>unspecify unspecified planet. And then Marge laments the state of

0:37:31.520 --> 0:37:34.480
<v Speaker 1>affairs that they're they're suffering under right now, and Homer

0:37:34.560 --> 0:37:40.600
<v Speaker 1>smugly declares, don't blame me. I voted for Kodos. I

0:37:40.640 --> 0:37:43.120
<v Speaker 1>think this this might be the best nine minutes of

0:37:43.160 --> 0:37:47.319
<v Speaker 1>political science, satire, and American pop culture history. Uh, and

0:37:47.440 --> 0:37:50.360
<v Speaker 1>I don't want to be misunderstood there based on some

0:37:50.480 --> 0:37:53.040
<v Speaker 1>of the themes in the episode, because, of course, a

0:37:53.120 --> 0:37:56.680
<v Speaker 1>major theme here is the pointlessness and futility of some

0:37:56.840 --> 0:37:59.560
<v Speaker 1>parts of the democratic process. I don't want to be

0:37:59.640 --> 0:38:02.240
<v Speaker 1>mistake and for saying I think it makes no difference

0:38:02.239 --> 0:38:05.239
<v Speaker 1>who you vote for for president, or that all politicians

0:38:05.239 --> 0:38:07.000
<v Speaker 1>are the same. You know, I think that's the kind

0:38:07.000 --> 0:38:09.120
<v Speaker 1>of thing that it's like easy to say and feel

0:38:09.200 --> 0:38:11.520
<v Speaker 1>superior about saying when you don't want to put in

0:38:11.560 --> 0:38:15.120
<v Speaker 1>the work to learn what's going on and what's at stake. Right.

0:38:15.400 --> 0:38:17.480
<v Speaker 1>It was the kind of statement I would have found

0:38:17.560 --> 0:38:20.720
<v Speaker 1>very attractive when I was like a first year college student,

0:38:20.840 --> 0:38:24.879
<v Speaker 1>kind of intellectually lazy but wanting to stake ammorl claim. Yeah,

0:38:24.880 --> 0:38:28.759
<v Speaker 1>are wanting to to differentiate yourself from you know, the

0:38:28.800 --> 0:38:31.440
<v Speaker 1>politics that you might have been born into. It's easier

0:38:31.560 --> 0:38:33.960
<v Speaker 1>instead of saying, actually, I disagree with you completely and

0:38:34.000 --> 0:38:35.279
<v Speaker 1>I go to this side, you can just say, oh,

0:38:35.320 --> 0:38:37.279
<v Speaker 1>I think I don't sorry, I don't go for any

0:38:37.400 --> 0:38:40.160
<v Speaker 1>of it, right, Yeah, you know I can remember being

0:38:40.200 --> 0:38:42.640
<v Speaker 1>like that. I wanted to have a strong opinion without

0:38:42.680 --> 0:38:45.359
<v Speaker 1>having to do the work to earn an opinion. So

0:38:45.400 --> 0:38:47.640
<v Speaker 1>I don't think that way anymore. But at the same time,

0:38:48.120 --> 0:38:50.799
<v Speaker 1>while I don't generally feel the field that's always true

0:38:50.800 --> 0:38:53.560
<v Speaker 1>about elections, I think there is some real cutting wisdom

0:38:53.600 --> 0:38:56.200
<v Speaker 1>in that satire, because even though it's not the case

0:38:56.239 --> 0:38:59.000
<v Speaker 1>that all politicians are the same in elections don't matter,

0:38:59.280 --> 0:39:03.560
<v Speaker 1>people often overestimate how much their democratic choice will make

0:39:03.600 --> 0:39:07.680
<v Speaker 1>a difference to particular issues they really care about. Uh.

0:39:07.920 --> 0:39:10.800
<v Speaker 1>I mean, there's so many big problems that you thought

0:39:10.880 --> 0:39:14.000
<v Speaker 1>electing the right person might solve, and then that person

0:39:14.040 --> 0:39:17.040
<v Speaker 1>was elected and the problem stayed the same or got worse.

0:39:17.520 --> 0:39:19.840
<v Speaker 1>But even more than that, I think this episode is

0:39:19.880 --> 0:39:25.440
<v Speaker 1>brilliant at highlighting the absurd and nonsensical conclusions often reached

0:39:25.520 --> 0:39:29.520
<v Speaker 1>by group choice algorithms that we follow in our politics.

0:39:29.800 --> 0:39:31.440
<v Speaker 1>And that's sort of what I wanted to look at

0:39:31.480 --> 0:39:34.920
<v Speaker 1>here in relation to this episode. In that vein, I

0:39:34.960 --> 0:39:37.040
<v Speaker 1>want to explore the question of whether or not the

0:39:37.080 --> 0:39:42.760
<v Speaker 1>election of Kang is an example of the Abilene paradox. Robert,

0:39:42.760 --> 0:39:45.000
<v Speaker 1>had you ever come across this concept before? I don't

0:39:45.000 --> 0:39:48.839
<v Speaker 1>believe I had. Yeah, I I think this is very

0:39:49.000 --> 0:39:51.960
<v Speaker 1>useful to have in your tool kit of of concepts

0:39:52.000 --> 0:39:55.520
<v Speaker 1>to apply to the world, because it's absolutely something that

0:39:55.640 --> 0:40:00.319
<v Speaker 1>explains many unfortunate group behaviors in politics, in business, even

0:40:00.320 --> 0:40:04.160
<v Speaker 1>in like family vacations and and hang outs with your friends.

0:40:04.880 --> 0:40:07.920
<v Speaker 1>Uh So, this paradox was explained in a nineteen seventy

0:40:07.960 --> 0:40:12.320
<v Speaker 1>four paper by the George Washington University scholar Jerry B. Harvey,

0:40:12.400 --> 0:40:16.160
<v Speaker 1>which was published in the journal Organizational Dynamics. And I'm

0:40:16.160 --> 0:40:18.799
<v Speaker 1>going to give a kind of updated scenario here for

0:40:18.840 --> 0:40:22.279
<v Speaker 1>you to consider. So imagine the following scenario. You are

0:40:22.320 --> 0:40:25.120
<v Speaker 1>hanging out with your friends p J, Nancy, and Jamie Lee.

0:40:25.800 --> 0:40:29.400
<v Speaker 1>It's October, You're all just finished babysitting. You're at Nancy's

0:40:29.440 --> 0:40:31.920
<v Speaker 1>house carving a pumpkin, and you're watching an old Howard

0:40:31.920 --> 0:40:35.160
<v Speaker 1>Hawks movie on TV, The Thing from Another World. You're

0:40:35.160 --> 0:40:37.720
<v Speaker 1>hanging out, You're having an okay time. But then suddenly

0:40:37.840 --> 0:40:40.560
<v Speaker 1>Nancy says, hey, does anybody want to go out and

0:40:40.600 --> 0:40:44.040
<v Speaker 1>see a movie? And PJ says, yeah, that could be cool.

0:40:44.120 --> 0:40:46.840
<v Speaker 1>Let's see what's playing. So you look up show times

0:40:46.880 --> 0:40:49.600
<v Speaker 1>at the local theater and the only show left tonight

0:40:49.680 --> 0:40:52.560
<v Speaker 1>is a midnight showing of The Purge seventeen as the

0:40:52.560 --> 0:40:55.960
<v Speaker 1>World purges. Uh. So, PJ says, yeah, we could see

0:40:55.960 --> 0:40:59.000
<v Speaker 1>that if you guys want, and Nancy says, yeah, okay,

0:40:59.000 --> 0:41:00.520
<v Speaker 1>I could be down to go to the urge and

0:41:00.600 --> 0:41:02.680
<v Speaker 1>Jamie Lee says, sure, if you two want to see it,

0:41:02.719 --> 0:41:05.400
<v Speaker 1>I'm in. So since all of your friends agreed, you

0:41:05.440 --> 0:41:08.960
<v Speaker 1>resign yourself. You say, okay, let's see it. Tickets are

0:41:09.000 --> 0:41:12.200
<v Speaker 1>fourteen dollars a piece. Uh. The movie stars Fred Durst

0:41:12.280 --> 0:41:14.640
<v Speaker 1>and Tim Allen. It's three and a half hours long.

0:41:15.040 --> 0:41:17.640
<v Speaker 1>At multiple moments, you consider leaving the theater, but you

0:41:17.640 --> 0:41:19.960
<v Speaker 1>don't want to go out alone and leave your friends behind.

0:41:20.280 --> 0:41:22.799
<v Speaker 1>So you sit through this whole terrible movie, and when

0:41:22.840 --> 0:41:25.560
<v Speaker 1>the credits finally roll, you leave the theater with a

0:41:25.680 --> 0:41:29.399
<v Speaker 1>throbbing headache, and you immediately ask why did we do

0:41:29.440 --> 0:41:33.000
<v Speaker 1>that to ourselves? And Jamie Lee says, I don't know.

0:41:33.120 --> 0:41:35.000
<v Speaker 1>It sounded pretty bad to me, but I thought the

0:41:35.040 --> 0:41:38.000
<v Speaker 1>rest of you wanted to see it, and Nancy says, well,

0:41:38.040 --> 0:41:39.560
<v Speaker 1>I didn't want to see it. I just thought the

0:41:39.560 --> 0:41:42.160
<v Speaker 1>rest of you did, and p J says, well, don't

0:41:42.200 --> 0:41:43.920
<v Speaker 1>look at me. I just said I was okay with

0:41:43.960 --> 0:41:45.719
<v Speaker 1>it if you guys wanted to go. Weren't you the

0:41:45.719 --> 0:41:48.480
<v Speaker 1>one who suggested it? And Nancy, the one who did

0:41:48.560 --> 0:41:51.040
<v Speaker 1>suggest going to a movie, finally says, well, I just

0:41:51.080 --> 0:41:53.640
<v Speaker 1>thought you guys might be bored hanging out at the house.

0:41:54.800 --> 0:41:57.279
<v Speaker 1>So it turns out that none of the four of

0:41:57.320 --> 0:42:00.520
<v Speaker 1>you actually wanted to see this movie, and yet somehow

0:42:00.600 --> 0:42:03.319
<v Speaker 1>you collectively decided it would be the best thing to

0:42:03.400 --> 0:42:07.000
<v Speaker 1>do with your time together. Everybody agreed on a course

0:42:07.000 --> 0:42:11.400
<v Speaker 1>of action that nobody individually wanted. Robert, Can I assume

0:42:11.719 --> 0:42:17.480
<v Speaker 1>this experience is somewhat familiar to you? Yeah? Maybe from

0:42:17.920 --> 0:42:21.040
<v Speaker 1>I think probably the best example I can think of

0:42:21.120 --> 0:42:23.239
<v Speaker 1>is like when as a family when I was a kid,

0:42:23.320 --> 0:42:26.400
<v Speaker 1>sometimes we would agree on what to watch, and you know,

0:42:26.440 --> 0:42:28.720
<v Speaker 1>sometimes it's something that one of us had a definite

0:42:28.719 --> 0:42:30.760
<v Speaker 1>steak in, but other times it it kind of felt

0:42:30.760 --> 0:42:33.080
<v Speaker 1>like this, where we ended up agreeing to watch a

0:42:33.120 --> 0:42:35.600
<v Speaker 1>movie just because it was it was a major film

0:42:35.640 --> 0:42:38.040
<v Speaker 1>that came out, and we're like, okay, I guess we're

0:42:38.040 --> 0:42:41.319
<v Speaker 1>watching Oh uh God. I can't even think of a

0:42:41.320 --> 0:42:43.200
<v Speaker 1>good example of just something, you know, whatever the big

0:42:43.239 --> 0:42:47.040
<v Speaker 1>mainstream family film was that had hit theaters and was

0:42:47.160 --> 0:42:51.120
<v Speaker 1>now on VHS. Christmas with the Cranks well, maybe not

0:42:51.160 --> 0:42:55.239
<v Speaker 1>that bad, but but stuff stuff like that. Yeah, yeah,

0:42:55.280 --> 0:42:57.960
<v Speaker 1>So this would be a prime example of what Harvey

0:42:58.000 --> 0:43:01.719
<v Speaker 1>calls the Abeleean paradox, and the Abilene paradox comes from

0:43:02.000 --> 0:43:04.920
<v Speaker 1>the story Jerry Harvey tells to open his paper. It's

0:43:04.960 --> 0:43:06.719
<v Speaker 1>similar to the story I told, but it's about a

0:43:06.760 --> 0:43:10.400
<v Speaker 1>family in Texas making a long drive to Abilene in

0:43:10.440 --> 0:43:13.319
<v Speaker 1>a non air conditioned car in hot weather. It's a

0:43:13.320 --> 0:43:16.640
<v Speaker 1>completely miserable experience, as you would expect, and it turns

0:43:16.640 --> 0:43:19.719
<v Speaker 1>out nobody actually wanted to go to Abilene in the

0:43:19.760 --> 0:43:22.960
<v Speaker 1>first place. Every member of the family just thought the

0:43:23.040 --> 0:43:25.759
<v Speaker 1>other family members wanted to go and then failed to

0:43:25.800 --> 0:43:29.440
<v Speaker 1>communicate their actual preferences. And as Harvey puts it in

0:43:29.480 --> 0:43:32.360
<v Speaker 1>his article, the Abilene paradox is the fact that quote

0:43:32.560 --> 0:43:37.520
<v Speaker 1>organizations frequently take actions in contradiction to what they really

0:43:37.560 --> 0:43:40.960
<v Speaker 1>want to do and therefore defeat the very purposes they're

0:43:41.000 --> 0:43:45.840
<v Speaker 1>trying to achieve. And any characterizes the Abilene paradox, says,

0:43:45.880 --> 0:43:49.360
<v Speaker 1>not a failure to manage disagreement, but a failure to

0:43:49.520 --> 0:43:53.160
<v Speaker 1>manage agreement. Uh So, when I first read about this

0:43:53.239 --> 0:43:55.000
<v Speaker 1>at some point in the past couple of years, I

0:43:55.040 --> 0:43:57.560
<v Speaker 1>was like, oh, my God, this kind of thing. I

0:43:57.640 --> 0:44:00.319
<v Speaker 1>recognize so much of this in the world. How have

0:44:00.360 --> 0:44:03.319
<v Speaker 1>I gone this long without a name for it? It

0:44:03.360 --> 0:44:05.760
<v Speaker 1>seems to me to be a problem for group choice

0:44:05.800 --> 0:44:08.239
<v Speaker 1>at all kinds of levels. Again, you mentioned you know

0:44:08.280 --> 0:44:11.560
<v Speaker 1>a family trying to decide what movie to see, but

0:44:11.880 --> 0:44:13.719
<v Speaker 1>you know a group of friends trying to decide what

0:44:13.800 --> 0:44:16.560
<v Speaker 1>to do how to spend their Sunday, or a democratic

0:44:16.640 --> 0:44:19.880
<v Speaker 1>society trying to elect their leaders. Many kinds of group

0:44:20.080 --> 0:44:23.800
<v Speaker 1>choice problems I think arise, of course, from the inability

0:44:23.840 --> 0:44:26.640
<v Speaker 1>to manage conflict. But this is the opposite. Har Harvey

0:44:26.760 --> 0:44:30.440
<v Speaker 1>argues that even more group choice problems arise from the

0:44:30.480 --> 0:44:35.040
<v Speaker 1>inability to manage agreement. And another real world example that

0:44:35.120 --> 0:44:38.600
<v Speaker 1>Harvey gives in his paper is the Watergate scandal. He

0:44:38.600 --> 0:44:41.880
<v Speaker 1>he quotes a number of people who involved in Nixon's

0:44:41.960 --> 0:44:45.760
<v Speaker 1>came the Nixon campaign's dirty Tricks team, who all claimed

0:44:45.840 --> 0:44:49.520
<v Speaker 1>privately that they had doubts not only about the morality

0:44:49.600 --> 0:44:52.960
<v Speaker 1>about but about the practical wisdom of their scheme that

0:44:53.000 --> 0:44:55.960
<v Speaker 1>to each of them privately, seemed like the payoffs were

0:44:56.000 --> 0:44:59.040
<v Speaker 1>not really worth the risks, But they each assumed they

0:44:59.040 --> 0:45:01.880
<v Speaker 1>were the only one with such doubts and thus acted

0:45:01.920 --> 0:45:03.879
<v Speaker 1>along with the rest of the group in a way

0:45:03.920 --> 0:45:07.680
<v Speaker 1>that hurt all of them, even though they privately, most

0:45:07.800 --> 0:45:10.319
<v Speaker 1>or all thought it was a bad idea. So it's

0:45:10.360 --> 0:45:13.799
<v Speaker 1>like Nixon wants to purge, Lily wants to purge. So

0:45:14.160 --> 0:45:16.040
<v Speaker 1>I guess, I mean, I don't really want to purge,

0:45:16.040 --> 0:45:17.680
<v Speaker 1>But if everybody's in the mood to purge, I guess

0:45:17.680 --> 0:45:21.080
<v Speaker 1>I'm in right and Uh. In a lot of his paper,

0:45:21.120 --> 0:45:24.279
<v Speaker 1>Harvey just analyzes what he sees, or like the he

0:45:24.280 --> 0:45:29.320
<v Speaker 1>he thinks the common organizational symptoms of the Abilene paradox.

0:45:29.360 --> 0:45:32.839
<v Speaker 1>For example, he talks about the idea of action anxiety. Yeah.

0:45:32.880 --> 0:45:36.000
<v Speaker 1>He explains this by quoting Shakespeare's Hamlet. He says, action

0:45:36.080 --> 0:45:39.520
<v Speaker 1>anxiety is that which quote makes us rather bear those

0:45:39.560 --> 0:45:42.080
<v Speaker 1>ills we have than fly to others we know not,

0:45:42.280 --> 0:45:45.359
<v Speaker 1>of which, of course, is what you know. Hamlet talks

0:45:45.400 --> 0:45:48.680
<v Speaker 1>about the idea of going on through pain rather than

0:45:48.880 --> 0:45:51.640
<v Speaker 1>like ending it and going on to see what undiscovered

0:45:51.680 --> 0:45:55.479
<v Speaker 1>country lies beyond the grave. Um. But it's a fear

0:45:55.520 --> 0:45:59.239
<v Speaker 1>of acting on your actual preferences an environment that makes

0:45:59.280 --> 0:46:02.080
<v Speaker 1>pursuing the path that you don't want seem like the

0:46:02.200 --> 0:46:05.480
<v Speaker 1>less scary option. Than asking for the path that you

0:46:05.560 --> 0:46:07.880
<v Speaker 1>do want. Well, that's also touched on a little bit

0:46:07.880 --> 0:46:10.960
<v Speaker 1>in Macbeth, right, the idea about it having waited so

0:46:11.000 --> 0:46:13.480
<v Speaker 1>far through the blood that it's better to just go

0:46:13.520 --> 0:46:15.920
<v Speaker 1>on through to the other side of this this blood

0:46:16.000 --> 0:46:18.960
<v Speaker 1>lake than to turn back around, even if turning back

0:46:19.000 --> 0:46:21.160
<v Speaker 1>around is what you really want to do. Yeah, and

0:46:21.239 --> 0:46:23.640
<v Speaker 1>he and Harvey roots a lot of this actually and

0:46:23.680 --> 0:46:26.440
<v Speaker 1>appeals to human psychology, says, you know, some of our

0:46:26.760 --> 0:46:32.120
<v Speaker 1>greatest fears are expressed as negative fantasies about fear, about

0:46:32.160 --> 0:46:36.560
<v Speaker 1>fears of separation and ostracization. You know, it's like terrifying

0:46:36.920 --> 0:46:40.000
<v Speaker 1>to be the one to step out and say I'm

0:46:40.040 --> 0:46:44.200
<v Speaker 1>going to challenge the momentum of this group that you know, that, like,

0:46:44.280 --> 0:46:46.560
<v Speaker 1>whether it's even in simple things like going out to

0:46:46.600 --> 0:46:49.240
<v Speaker 1>a movie, Like you're going out to a movie with friends.

0:46:49.239 --> 0:46:51.680
<v Speaker 1>I mean, maybe you're comfortable enough with the friends to

0:46:51.719 --> 0:46:53.919
<v Speaker 1>say no, actually, I don't want to do this. But

0:46:53.960 --> 0:46:56.359
<v Speaker 1>like a lot of times, especially if you don't know

0:46:56.440 --> 0:46:59.000
<v Speaker 1>people as well, you'd rather just not be thought of

0:46:59.080 --> 0:47:01.919
<v Speaker 1>as the jerk who who said let's not do it. Yeah,

0:47:01.920 --> 0:47:04.160
<v Speaker 1>because you're engaging and you're you're kind of engaging in

0:47:04.160 --> 0:47:06.000
<v Speaker 1>this group. Think you know, I think it's something as

0:47:06.000 --> 0:47:09.000
<v Speaker 1>simple as say, like a group of friends getting together

0:47:09.040 --> 0:47:11.319
<v Speaker 1>to to play Dungeons and Dragons. You know you're not,

0:47:11.600 --> 0:47:15.200
<v Speaker 1>you know, you're not a dirty tricks UH counsel or whatever.

0:47:15.800 --> 0:47:17.680
<v Speaker 1>You know you're not. All you're doing is just trying

0:47:17.680 --> 0:47:20.160
<v Speaker 1>to hang out and play a game. But you know,

0:47:20.239 --> 0:47:22.279
<v Speaker 1>still don't want to shake the boat if somebody wants

0:47:22.280 --> 0:47:25.120
<v Speaker 1>to get fried pickles, you know, um, even if you

0:47:25.200 --> 0:47:28.000
<v Speaker 1>really don't care for fried pickles all that much, right,

0:47:28.600 --> 0:47:31.080
<v Speaker 1>But maybe the person who suggested it doesn't either, and

0:47:31.120 --> 0:47:33.719
<v Speaker 1>they're just saying because they thought somebody else did. Yeah,

0:47:33.719 --> 0:47:35.840
<v Speaker 1>and so you reach a point where every week you

0:47:35.960 --> 0:47:39.160
<v Speaker 1>order fried pickles, even though nobody's really crazy about fried pickles,

0:47:39.200 --> 0:47:41.600
<v Speaker 1>and everybody probably feels a little bad about eating them

0:47:41.600 --> 0:47:44.520
<v Speaker 1>every week. Yeah. So in the end, Harvey comes up

0:47:44.520 --> 0:47:47.560
<v Speaker 1>with a couple of recommendations for diagnosing and dealing with

0:47:47.760 --> 0:47:52.279
<v Speaker 1>UH with abilene paradox is in a business context. Unfortunately,

0:47:52.320 --> 0:47:55.520
<v Speaker 1>there's no special magic trick. Basically, he says he thinks

0:47:55.560 --> 0:47:58.040
<v Speaker 1>the best way to deal with it is for an

0:47:58.080 --> 0:48:00.880
<v Speaker 1>authority figure who detects they sit uation like this to

0:48:00.920 --> 0:48:04.240
<v Speaker 1>call a meeting, frankly articulate their doubts in a group

0:48:04.280 --> 0:48:06.840
<v Speaker 1>setting and then ask others to share their honest thoughts.

0:48:07.120 --> 0:48:09.919
<v Speaker 1>If you're an authority figure, you have you know, it's

0:48:09.920 --> 0:48:11.920
<v Speaker 1>safer for you to go out on a limb and

0:48:12.000 --> 0:48:14.719
<v Speaker 1>question the direction that you're going in, all right, I mean,

0:48:14.760 --> 0:48:17.280
<v Speaker 1>that's that's why they make the big bucks, right this,

0:48:17.280 --> 0:48:18.839
<v Speaker 1>this is the this is the moment when they can

0:48:18.880 --> 0:48:22.040
<v Speaker 1>really earn that higher pay that the higher pay grade,

0:48:22.120 --> 0:48:24.640
<v Speaker 1>right right, be the authority figure that comes in and

0:48:24.800 --> 0:48:28.000
<v Speaker 1>shuts down, uh, you know, things that nobody really wants

0:48:28.040 --> 0:48:31.400
<v Speaker 1>to do, or that there's no real advantage to doing

0:48:31.440 --> 0:48:34.719
<v Speaker 1>from a business standpoint. Yeah. Now, in the political context,

0:48:34.800 --> 0:48:38.600
<v Speaker 1>I think the Kang in Kodos situation kind of highlights

0:48:38.960 --> 0:48:43.319
<v Speaker 1>a satirical absurd version of this, with the idea that uh,

0:48:43.360 --> 0:48:47.080
<v Speaker 1>you know, obviously humans would all recognize like, okay, we

0:48:47.080 --> 0:48:49.319
<v Speaker 1>we are all in agreement. We're in agreement. We don't

0:48:49.320 --> 0:48:52.719
<v Speaker 1>want either Kang or Kodos. That's the position shared by

0:48:52.719 --> 0:48:56.280
<v Speaker 1>everybody voting at this point. But they're able to cause

0:48:56.400 --> 0:48:59.960
<v Speaker 1>this action anxiety about organizing any kind of third option

0:49:00.000 --> 0:49:02.080
<v Speaker 1>and the idea of throwing your vote away on any

0:49:02.120 --> 0:49:04.720
<v Speaker 1>kind of third party candidate. When you've got kang in Kodos,

0:49:04.760 --> 0:49:07.800
<v Speaker 1>there is going out on a limb. You fear ostracization,

0:49:07.920 --> 0:49:11.359
<v Speaker 1>you fear being separated, you fear being different, And so

0:49:11.400 --> 0:49:14.040
<v Speaker 1>eventually they just kind of decide, well, which one will

0:49:14.040 --> 0:49:18.720
<v Speaker 1>I take? Kanger Kodos, And despite everybody agreeing that neither

0:49:18.840 --> 0:49:23.160
<v Speaker 1>option is wanted, but it keeps everybody together. I mean,

0:49:23.239 --> 0:49:26.520
<v Speaker 1>humanity is united at the end in their enslavement to

0:49:26.680 --> 0:49:29.719
<v Speaker 1>these uh, these terrible alien overlords. No they're not. They're

0:49:29.719 --> 0:49:34.800
<v Speaker 1>still bickering. Don't blame me. That's genius of it is there.

0:49:34.840 --> 0:49:37.719
<v Speaker 1>I mean, they're essentially unified, but they still have the

0:49:37.760 --> 0:49:41.080
<v Speaker 1>mindset of division. Uh uh yeah. And so I think

0:49:41.080 --> 0:49:43.200
<v Speaker 1>the way around that, of course, would be that it

0:49:43.239 --> 0:49:47.280
<v Speaker 1>requires some kind of uh risk of leadership for somebody

0:49:47.280 --> 0:49:49.279
<v Speaker 1>to say, hey, wait a minute, can we try to

0:49:49.440 --> 0:49:52.480
<v Speaker 1>organize some way to get around this too? You know,

0:49:52.520 --> 0:49:55.120
<v Speaker 1>the two options we've got here that we all agree

0:49:55.160 --> 0:49:57.920
<v Speaker 1>we don't want it sounds like a really wicked problem

0:49:57.960 --> 0:49:59.719
<v Speaker 1>to deal with. Well, yeah, I mean, I think the

0:49:59.760 --> 0:50:02.040
<v Speaker 1>point the writers are making there is that we're just

0:50:02.160 --> 0:50:06.319
<v Speaker 1>not good at organizing that kind of agreement effectively. Now

0:50:06.360 --> 0:50:08.520
<v Speaker 1>what do we do about the fact that we're often

0:50:08.640 --> 0:50:11.600
<v Speaker 1>not good at managing agreement and this leads to repeated

0:50:11.600 --> 0:50:14.640
<v Speaker 1>absurdities like the kang and like the election of kang

0:50:15.120 --> 0:50:18.640
<v Speaker 1>Um Well he actually, Harvey ends his paper with a

0:50:18.719 --> 0:50:23.400
<v Speaker 1>strangely philosophical note for an organizational dynamics paper. Uh. He

0:50:23.440 --> 0:50:27.080
<v Speaker 1>says that, you know, sometimes these situations simply cannot be resolved,

0:50:27.560 --> 0:50:29.960
<v Speaker 1>and he calls to mind the myth of Sysyphus, the

0:50:30.040 --> 0:50:33.440
<v Speaker 1>character from Greek mythology who was condemned to forever repeat

0:50:33.480 --> 0:50:36.399
<v Speaker 1>the task of pushing a boulder up a hill, only

0:50:36.440 --> 0:50:38.359
<v Speaker 1>for it to fall back down to the bottom again,

0:50:38.400 --> 0:50:41.160
<v Speaker 1>making a mockery of his efforts, says not only painful

0:50:41.200 --> 0:50:45.040
<v Speaker 1>but pointless. Uh. And in Albert Camus version of the myth,

0:50:45.040 --> 0:50:48.600
<v Speaker 1>he adds a detail that sometimes, in his endless loop

0:50:48.640 --> 0:50:52.120
<v Speaker 1>of absurd toil, Sisyphus would get near the top of

0:50:52.160 --> 0:50:56.200
<v Speaker 1>the hill, but then release the boulder of his own accord,

0:50:56.600 --> 0:50:59.160
<v Speaker 1>letting it roll back down to the bottom on purpose

0:50:59.600 --> 0:51:02.360
<v Speaker 1>and her he says, in this act he could transcend

0:51:02.480 --> 0:51:05.520
<v Speaker 1>the absurdity of his struggle. Uh. And I think this

0:51:05.600 --> 0:51:08.200
<v Speaker 1>is sort of the bull's eye of existential philosophy. Right,

0:51:08.280 --> 0:51:12.400
<v Speaker 1>life is absurd, and you transcend that absurdity by recognizing

0:51:12.440 --> 0:51:16.520
<v Speaker 1>your radical freedom and acting authentically, which means basically without

0:51:16.640 --> 0:51:20.200
<v Speaker 1>lying to yourself about the absurdity of life. Like this

0:51:20.239 --> 0:51:22.680
<v Speaker 1>is when you write in a third candidate. Now, I

0:51:22.719 --> 0:51:24.560
<v Speaker 1>think actually, in this case it might be more like

0:51:24.719 --> 0:51:27.840
<v Speaker 1>voting for Kang or not voting or something while while

0:51:27.920 --> 0:51:32.360
<v Speaker 1>recognizing the absurdity and unwinnable nous of the scenario. So

0:51:32.400 --> 0:51:33.759
<v Speaker 1>I don't know if that's the best thing to do

0:51:33.800 --> 0:51:37.000
<v Speaker 1>in the alien election. I would say, actually try to

0:51:37.120 --> 0:51:42.000
<v Speaker 1>organize the third party. But I think the uh, this

0:51:42.000 --> 0:51:45.200
<v Speaker 1>whole discussion actually does bring us back to real questions

0:51:45.239 --> 0:51:48.880
<v Speaker 1>about the field of astro politics. I mean, this is

0:51:48.920 --> 0:51:52.120
<v Speaker 1>something I think we could devote whole episodes to in

0:51:52.120 --> 0:51:54.600
<v Speaker 1>the future. There's actually a field of study and people

0:51:54.640 --> 0:51:57.880
<v Speaker 1>have written about like what would happen if aliens arrived

0:51:57.880 --> 0:52:00.400
<v Speaker 1>on Earth, Like what would be the political response to that?

0:52:00.440 --> 0:52:05.240
<v Speaker 1>How would different world economic and military powers behave? Uh,

0:52:05.280 --> 0:52:07.400
<v Speaker 1>you know, would we all band together, would we put

0:52:07.440 --> 0:52:10.880
<v Speaker 1>aside our differences and our self interest and say we

0:52:10.920 --> 0:52:14.439
<v Speaker 1>need to organize an act together as Earth? Or would

0:52:14.520 --> 0:52:18.480
<v Speaker 1>aliens be able to exploit our petty grievances and our

0:52:18.480 --> 0:52:22.880
<v Speaker 1>differences and turn us against one another. And I think, unfortunately,

0:52:22.920 --> 0:52:25.320
<v Speaker 1>I think there are some pretty good signs pointing towards

0:52:25.320 --> 0:52:28.000
<v Speaker 1>the ladder. Yeah, I mean, our only model for intelligent

0:52:28.120 --> 0:52:31.800
<v Speaker 1>life in the cosmos is is our model of intelligent

0:52:31.920 --> 0:52:35.080
<v Speaker 1>life of of a technologically advanced civilization. And when we

0:52:35.120 --> 0:52:38.000
<v Speaker 1>look at the way that uh, you know, certainly the

0:52:38.000 --> 0:52:41.560
<v Speaker 1>way civilizations have interacted with each other, and I certainly

0:52:41.560 --> 0:52:45.879
<v Speaker 1>look at the way that you know, Western colonization, how

0:52:45.920 --> 0:52:48.440
<v Speaker 1>that transpired, and we see time and time again of

0:52:48.520 --> 0:52:52.640
<v Speaker 1>basically the Kyan Kodos model manipulate their their leaders and

0:52:52.680 --> 0:52:56.319
<v Speaker 1>their leadership, corrupt their uh, their their rule, and work

0:52:56.360 --> 0:53:01.160
<v Speaker 1>one side against the other, ultimately overpower and bring enslavement

0:53:01.200 --> 0:53:05.040
<v Speaker 1>and death. I mean, that's that is the story of

0:53:05.040 --> 0:53:08.160
<v Speaker 1>of human history, sadly. And so when we look to

0:53:08.239 --> 0:53:11.080
<v Speaker 1>the stars, you know, there are plenty of people have said, well,

0:53:11.120 --> 0:53:13.960
<v Speaker 1>that's basically what we can expect based on our models,

0:53:14.000 --> 0:53:17.279
<v Speaker 1>based on our knowledge of our self, knowledge of how

0:53:17.360 --> 0:53:20.160
<v Speaker 1>we work, that is what we can expect from a

0:53:20.200 --> 0:53:24.640
<v Speaker 1>superior technological force. Like we want to imagine the independence

0:53:24.719 --> 0:53:27.520
<v Speaker 1>day scenario where we all come together and join forces,

0:53:27.560 --> 0:53:31.719
<v Speaker 1>but I don't know. I don't want to be overly optimistic. Yeah,

0:53:31.800 --> 0:53:33.960
<v Speaker 1>I mean, you know, unless we look to our optimism

0:53:34.080 --> 0:53:35.799
<v Speaker 1>in the sixth finger. And I think a lot of

0:53:35.800 --> 0:53:38.840
<v Speaker 1>people have, I mean a lot of certainly the various

0:53:39.000 --> 0:53:42.480
<v Speaker 1>um New Age religions that have popped up around the

0:53:42.520 --> 0:53:45.640
<v Speaker 1>idea of aliens, you know, that they look to aliens

0:53:45.760 --> 0:53:49.120
<v Speaker 1>as a possibly we're all we're all messed up in

0:53:49.120 --> 0:53:51.680
<v Speaker 1>this world and we're you know, we we have just

0:53:51.760 --> 0:53:54.960
<v Speaker 1>committed crime after crime, and we're shackled to the terror

0:53:55.000 --> 0:53:58.399
<v Speaker 1>of history. Maybe something will come down from above that

0:53:58.480 --> 0:54:02.319
<v Speaker 1>has evolved beyond the state and that can guide us,

0:54:02.360 --> 0:54:04.840
<v Speaker 1>that can help us find this new uh, you know,

0:54:04.960 --> 0:54:08.359
<v Speaker 1>shape of being uh. And you know, maybe that's the case.

0:54:08.560 --> 0:54:11.520
<v Speaker 1>But again, if we're looking at our own example of

0:54:11.520 --> 0:54:14.320
<v Speaker 1>intelligent life, I'm not sure that that's going to happen.

0:54:14.600 --> 0:54:18.040
<v Speaker 1>I wouldn't put hope in aliens being being a good

0:54:18.080 --> 0:54:21.200
<v Speaker 1>influence on us. I wouldn't put hope in us biologically

0:54:21.280 --> 0:54:24.640
<v Speaker 1>evolving beyond our our petty grievances and all that. I

0:54:24.680 --> 0:54:28.080
<v Speaker 1>think the hope lies in culture, unfortunately, and thus it

0:54:28.160 --> 0:54:32.240
<v Speaker 1>is up to people like writers and political leaders and

0:54:32.719 --> 0:54:36.080
<v Speaker 1>those kinds of figures to help shape human culture in

0:54:36.120 --> 0:54:38.839
<v Speaker 1>a way that that allows us to to act collectively

0:54:38.840 --> 0:54:41.120
<v Speaker 1>in our own best interest. I know that's not the

0:54:41.160 --> 0:54:43.520
<v Speaker 1>easiest thing to put hope in, but I think that

0:54:43.600 --> 0:54:47.000
<v Speaker 1>might be the only hope personally. Yeah. I mean, well,

0:54:47.000 --> 0:54:49.600
<v Speaker 1>that's that's that's the hard answer, that's the difficult answer.

0:54:49.719 --> 0:54:53.200
<v Speaker 1>But it's that's that's the one that requires us to work.

0:54:53.360 --> 0:54:55.880
<v Speaker 1>That's the one that requires us to do the heavy

0:54:55.920 --> 0:54:58.440
<v Speaker 1>lifting here. Yeah, we've got to fix our own problems

0:54:58.520 --> 0:55:03.879
<v Speaker 1>mostly using word Yeah, alright, I'm sure we'll come back

0:55:03.920 --> 0:55:06.760
<v Speaker 1>to this topic in the future because oh, I definitely

0:55:06.800 --> 0:55:10.520
<v Speaker 1>I think we could do some stuff on astro politics absolutely, Yeah, yeah,

0:55:10.520 --> 0:55:14.040
<v Speaker 1>I would be down for that, absolutely. But there you

0:55:14.080 --> 0:55:16.759
<v Speaker 1>have it. This is gonna be our third installment of

0:55:17.520 --> 0:55:21.359
<v Speaker 1>the Anthology of Horror uh Kangan kodos Willing we will

0:55:21.400 --> 0:55:25.560
<v Speaker 1>return next October with at least one at least a

0:55:25.640 --> 0:55:28.080
<v Speaker 1>volume four, if not a volume four and five, And

0:55:28.120 --> 0:55:31.279
<v Speaker 1>of course, ironically that'll be pretty much just uh you know,

0:55:31.520 --> 0:55:36.440
<v Speaker 1>right before the like the peak moment of American politics

0:55:36.480 --> 0:55:39.720
<v Speaker 1>heading into the next presidential election. Probably won't do politics

0:55:39.800 --> 0:55:45.000
<v Speaker 1>when then probably not all right, in the meantime, if

0:55:45.000 --> 0:55:46.680
<v Speaker 1>you want to check out other episodes of Stuff to

0:55:46.680 --> 0:55:48.279
<v Speaker 1>Blow your Mind, head on over to stuff to Blow

0:55:48.360 --> 0:55:50.600
<v Speaker 1>your Mind dot com. That's where you'll find them. You

0:55:50.600 --> 0:55:53.239
<v Speaker 1>can also find the podcast wherever you get your podcasts.

0:55:53.239 --> 0:55:56.359
<v Speaker 1>But again, this was how our Anthology of Horror Volume three,

0:55:56.640 --> 0:55:59.719
<v Speaker 1>Volume two came out Tuesday, and we reran volume one

0:56:00.080 --> 0:56:02.399
<v Speaker 1>for the weekend. Also, if you want to check out

0:56:02.400 --> 0:56:05.240
<v Speaker 1>our other show, Invention, you can find that at invention

0:56:05.280 --> 0:56:08.319
<v Speaker 1>pod dot com and that's available everywhere you get your podcasts.

0:56:08.800 --> 0:56:11.880
<v Speaker 1>Oh and also the fiction podcast the Second oil Age

0:56:12.400 --> 0:56:14.560
<v Speaker 1>launched as well. The first three episodes of that are

0:56:14.640 --> 0:56:18.480
<v Speaker 1>live wherever you get your podcasts. Hey, congratulations man, Well,

0:56:18.560 --> 0:56:21.520
<v Speaker 1>thank you, thank you. Alright, uh so that's it for

0:56:21.560 --> 0:56:24.640
<v Speaker 1>this episode. Certainly we have not seen all of the

0:56:24.680 --> 0:56:28.200
<v Speaker 1>Horror Anthology episodes out there. Uh, we are not familiar

0:56:28.239 --> 0:56:32.080
<v Speaker 1>with all the shows. So from now until next October,

0:56:32.719 --> 0:56:37.120
<v Speaker 1>if you have specific episodes of various anthology shows you

0:56:37.120 --> 0:56:39.640
<v Speaker 1>would like us to consider for next time, let us know.

0:56:39.719 --> 0:56:42.960
<v Speaker 1>If they're just whole shows, whole buckets of content that

0:56:43.000 --> 0:56:46.040
<v Speaker 1>we're not aware of, please enlighten us. One of the

0:56:46.040 --> 0:56:48.480
<v Speaker 1>cool places you can find us for that, uh is

0:56:48.800 --> 0:56:51.399
<v Speaker 1>our our Facebook discussion group. That is the stuff Doable

0:56:51.440 --> 0:56:55.000
<v Speaker 1>your Mind discussion module. Go check that out huge. Thanks

0:56:55.040 --> 0:56:58.360
<v Speaker 1>as always to our excellent audio producer, Seth Nicholas Johnson.

0:56:58.360 --> 0:57:01.800
<v Speaker 1>No wait, death, Nicholas Johnson. That's right. If you would

0:57:01.800 --> 0:57:04.080
<v Speaker 1>like to get in touch with us directly with feedback

0:57:04.120 --> 0:57:06.440
<v Speaker 1>on this episode or any other, to suggest a topic

0:57:06.480 --> 0:57:08.680
<v Speaker 1>for the future, or just to say hello, you can

0:57:08.719 --> 0:57:11.959
<v Speaker 1>email us at contact at stuff to Blow your Mind

0:57:12.160 --> 0:57:21.800
<v Speaker 1>dot com. Stuff to Blow Your Mind is a production

0:57:21.800 --> 0:57:24.320
<v Speaker 1>of iHeart Radios. How Stuff Works. For more podcasts from

0:57:24.320 --> 0:57:27.160
<v Speaker 1>my heart Radio is the iHeart Radio app, Apple Podcasts,

0:57:27.240 --> 0:57:38.160
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