1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:09,520 Speaker 1: new and final season, on Max. 4 00:00:09,720 --> 00:00:10,800 Speaker 2: You can also watch the. 5 00:00:10,840 --> 00:00:14,200 Speaker 1: Video version of the History of Curby Your Enthusiasm podcast 6 00:00:14,280 --> 00:00:17,439 Speaker 1: on Max and YouTube as well. Links available in the 7 00:00:17,480 --> 00:00:28,840 Speaker 1: episode description. Hi everyone, then you are who who are you? 8 00:00:29,040 --> 00:00:34,199 Speaker 3: I'm Jeff gar and we're the host of the History 9 00:00:33,040 --> 00:00:35,560 Speaker 3: of Enthusiasm. 10 00:00:35,040 --> 00:00:39,479 Speaker 1: And this is episode five Interior Decorator. Yes, and just 11 00:00:39,600 --> 00:00:41,280 Speaker 1: for those of you who don't know, these were all 12 00:00:41,320 --> 00:00:44,720 Speaker 1: shot way back in the Paleolithic era in the year 13 00:00:44,760 --> 00:00:45,440 Speaker 1: two thousand. 14 00:00:45,560 --> 00:00:46,360 Speaker 2: I believe you are. 15 00:00:46,280 --> 00:00:47,600 Speaker 3: Shot in two thousand. Yeah. 16 00:00:47,600 --> 00:00:50,000 Speaker 2: I think we went to believe yeah, two thousand. 17 00:00:50,440 --> 00:00:50,839 Speaker 3: Yeah. 18 00:00:50,880 --> 00:00:55,560 Speaker 1: So we open with Larry's theme of life, no good deed, 19 00:00:55,600 --> 00:00:56,280 Speaker 1: goes on planning. 20 00:00:56,400 --> 00:00:58,680 Speaker 3: Yeah, but it's it's just the innocence of him going 21 00:00:58,720 --> 00:01:01,640 Speaker 3: into an elevator. Some one asked to stop, which is 22 00:01:01,680 --> 00:01:05,000 Speaker 3: the proper behavior is to hold the door open for them, 23 00:01:05,400 --> 00:01:09,600 Speaker 3: and he goes into the doctor, the doctor's office. 24 00:01:09,680 --> 00:01:13,680 Speaker 1: He called the elevator for Marissa Jarrett Winnaker, Yes. 25 00:01:13,520 --> 00:01:16,440 Speaker 3: Who, by the way, been a dear friend of mine 26 00:01:16,480 --> 00:01:19,120 Speaker 3: ever since. And I don't know if we cast her. 27 00:01:19,160 --> 00:01:21,280 Speaker 3: We cast her for the show. By we, I mean 28 00:01:21,360 --> 00:01:23,759 Speaker 3: Marla and I Oh, I say we used to cast 29 00:01:23,800 --> 00:01:26,319 Speaker 3: the show without the casting director at the time. 30 00:01:26,600 --> 00:01:27,559 Speaker 2: Was she in Hairspray? 31 00:01:27,800 --> 00:01:28,600 Speaker 4: Or No? 32 00:01:28,800 --> 00:01:32,880 Speaker 3: No, here's how much you hadn't accomplished anything yet except 33 00:01:32,880 --> 00:01:34,920 Speaker 3: for being a nice human being, which I think is 34 00:01:34,959 --> 00:01:38,559 Speaker 3: a greater company very talented. No, I'm sitting at lunch. 35 00:01:38,920 --> 00:01:40,520 Speaker 3: She said to me, do you want to hear this 36 00:01:40,600 --> 00:01:42,600 Speaker 3: tape I have. I think we're gonna do Hairspray on 37 00:01:42,680 --> 00:01:45,560 Speaker 3: Broadway because she was work shopping it. She was work 38 00:01:45,600 --> 00:01:48,000 Speaker 3: shopping hairspray. She played it for me, Go, oh, that 39 00:01:48,080 --> 00:01:51,640 Speaker 3: sounds great. Little I know she'd won a Tony Yeah. 40 00:01:52,640 --> 00:01:56,160 Speaker 1: And interestingly that was written by Mark Shaman and Scott Whitman, 41 00:01:56,800 --> 00:01:59,720 Speaker 1: and I saw Friday night. I saw a preview of 42 00:02:00,160 --> 00:02:02,120 Speaker 1: Some Like It Hot, which they also wrote, which I 43 00:02:02,160 --> 00:02:02,960 Speaker 1: thought was terrific. 44 00:02:03,160 --> 00:02:04,600 Speaker 3: Oh, I'm completely confused. 45 00:02:04,720 --> 00:02:07,760 Speaker 1: There's a musical now, yes in New York. 46 00:02:09,160 --> 00:02:09,440 Speaker 3: Wow. 47 00:02:09,560 --> 00:02:11,480 Speaker 1: And I went to see the preview on Friday, and 48 00:02:11,480 --> 00:02:15,120 Speaker 1: I thought it was terrific. I was suspect because you 49 00:02:15,120 --> 00:02:16,640 Speaker 1: know you're making a musical. 50 00:02:16,360 --> 00:02:17,680 Speaker 3: Come on, Billy Wilder movie. 51 00:02:17,680 --> 00:02:21,200 Speaker 1: It's classic Billy Wilder, Malon Monroe, Tony Curtis, John Lemon. Yeah, 52 00:02:21,240 --> 00:02:23,240 Speaker 1: but they really updated it, and I thought they did 53 00:02:23,240 --> 00:02:23,760 Speaker 1: a great job. 54 00:02:23,840 --> 00:02:27,520 Speaker 3: The music is gorgeous in the lobby at intermission. 55 00:02:27,639 --> 00:02:31,839 Speaker 2: I didn't, but Mark the composer is he's great. Way 56 00:02:31,919 --> 00:02:32,200 Speaker 2: up there. 57 00:02:32,360 --> 00:02:37,639 Speaker 3: I remember from broadcast news singing the news theme. No 58 00:02:37,760 --> 00:02:41,080 Speaker 3: I do okay, you brought up Mark Shaman. I didn't. 59 00:02:41,480 --> 00:02:43,600 Speaker 3: You didn't let me finish. But go ahead, Marissa Winaker, 60 00:02:43,639 --> 00:02:44,239 Speaker 3: what do you have to say? 61 00:02:44,240 --> 00:02:46,880 Speaker 1: So she gets in the elevator with Larry and you 62 00:02:46,919 --> 00:02:49,480 Speaker 1: know it's not going to be pretty, no the minute 63 00:02:49,480 --> 00:02:50,000 Speaker 1: she gets in. 64 00:02:50,280 --> 00:02:53,160 Speaker 3: But the fact that she signs in before him and 65 00:02:53,200 --> 00:02:57,440 Speaker 3: he's a bit frustrated. The minutia of life is that 66 00:02:57,560 --> 00:03:01,000 Speaker 3: life is truly unfair. But all so, I'll use this word, 67 00:03:01,080 --> 00:03:04,840 Speaker 3: it's stupid. Life is stupid. It's just that things happen 68 00:03:04,919 --> 00:03:08,399 Speaker 3: and you go, that is ridiculous. Forget the unfair. It's 69 00:03:08,480 --> 00:03:12,040 Speaker 3: unfair to everyone all the time. Sometimes you get a break, 70 00:03:12,120 --> 00:03:16,040 Speaker 3: sometimes you don't. But this is the minutia of stupid. 71 00:03:16,320 --> 00:03:17,160 Speaker 3: It's just stupid. 72 00:03:17,280 --> 00:03:19,160 Speaker 1: I mean the fact that she signed in before him, 73 00:03:19,680 --> 00:03:24,080 Speaker 1: and then yes, yes, yes, and I love that Larry 74 00:03:24,120 --> 00:03:28,200 Speaker 1: can't sign his name. They call him mister Dobbs, which 75 00:03:28,240 --> 00:03:30,600 Speaker 1: reminds me of that scene and take the money and 76 00:03:30,680 --> 00:03:34,680 Speaker 1: run where he's robbing the bank and they're like, gubb, 77 00:03:35,040 --> 00:03:36,320 Speaker 1: I have a gub. 78 00:03:38,200 --> 00:03:40,440 Speaker 3: By the way. I love Lisa and Walter, by the way, 79 00:03:40,480 --> 00:03:43,440 Speaker 3: plays the receptionist and she is a big ball of 80 00:03:43,520 --> 00:03:48,240 Speaker 3: fantastic Lisa and Walter, who I love. The best line 81 00:03:48,280 --> 00:03:50,920 Speaker 3: that I think of the episode is. 82 00:03:51,040 --> 00:03:53,160 Speaker 2: Please don't talk to her, she's busy. 83 00:03:52,760 --> 00:03:54,720 Speaker 3: Because he starts to talk to the other person. Ever, 84 00:03:55,240 --> 00:03:57,640 Speaker 3: please don't talk to her, she's busy. I just thought 85 00:03:57,800 --> 00:03:58,839 Speaker 3: that was hilarious. Yeah. 86 00:03:58,880 --> 00:04:00,920 Speaker 1: But another line that I loved when Larry says. 87 00:04:00,840 --> 00:04:03,200 Speaker 3: What is it like a bakery? You pick a number? 88 00:04:03,200 --> 00:04:05,840 Speaker 1: And so this is another example of just you know, 89 00:04:05,920 --> 00:04:07,720 Speaker 1: all the injustices of life. 90 00:04:07,800 --> 00:04:11,240 Speaker 3: There was a mistake made. Oh no, not in this scene, 91 00:04:11,320 --> 00:04:15,040 Speaker 3: my mistake. But I do love Larry talking to the 92 00:04:15,080 --> 00:04:18,080 Speaker 3: extra the other don't you, by the way, the number 93 00:04:18,160 --> 00:04:21,760 Speaker 3: of times that has happened to me where some injustice 94 00:04:21,760 --> 00:04:25,240 Speaker 3: has happened, usually minor. The major people would speak up, 95 00:04:25,279 --> 00:04:28,479 Speaker 3: but a minor injustice that should affect them, And I'll 96 00:04:28,520 --> 00:04:32,039 Speaker 3: start talking to everyone and then I get nothing, get nothing. 97 00:04:32,240 --> 00:04:35,680 Speaker 3: People are funny with this, as though he's talking to extras, 98 00:04:35,920 --> 00:04:37,159 Speaker 3: so they're gonna say nothing. 99 00:04:37,279 --> 00:04:39,839 Speaker 1: They had to, they're not allowed to say anything, but 100 00:04:39,880 --> 00:04:42,520 Speaker 1: they just stare at him, and it's just, you know, 101 00:04:42,600 --> 00:04:45,920 Speaker 1: it's it's the indignity. It's all the indignities just put 102 00:04:46,000 --> 00:04:48,120 Speaker 1: upon him. I love that him lecturing other patients. 103 00:04:48,360 --> 00:04:48,840 Speaker 3: He was a. 104 00:04:48,800 --> 00:04:51,280 Speaker 1: Gentleman and he let you know all of that. And 105 00:04:51,320 --> 00:04:56,280 Speaker 1: then he confronts the doctor, Jack Gallagher, doctor in several by. 106 00:04:56,360 --> 00:04:58,960 Speaker 3: I'm surprised he still doesn't. I think it just fell 107 00:04:59,000 --> 00:05:01,880 Speaker 3: between the cracks at one time where they hired another doctor, 108 00:05:02,040 --> 00:05:04,800 Speaker 3: because he's had forty different doctors since then. 109 00:05:05,000 --> 00:05:05,240 Speaker 4: Yeah. 110 00:05:05,279 --> 00:05:08,440 Speaker 3: And Jack Gallagher, who a stand up comedian. Yeah, for 111 00:05:08,520 --> 00:05:12,960 Speaker 3: many years. I did a series with him called Bringing 112 00:05:13,000 --> 00:05:15,200 Speaker 3: Up Jack. I think was that I don't remember, but 113 00:05:15,279 --> 00:05:17,080 Speaker 3: he was the star of it and I was his sidekick. 114 00:05:17,240 --> 00:05:21,000 Speaker 3: It was a series for ABC, and they dumped it 115 00:05:21,040 --> 00:05:25,120 Speaker 3: off in the summer, and he was wonderful right away. 116 00:05:25,839 --> 00:05:28,760 Speaker 3: You know, you know a show is doomed and basically 117 00:05:28,800 --> 00:05:35,520 Speaker 3: because of the network or producers. This guy vibrant Yeah, yes, yeah, 118 00:05:35,600 --> 00:05:38,760 Speaker 3: always has said gray hair since his twenties. He does 119 00:05:38,760 --> 00:05:41,719 Speaker 3: the show after it's all been signed and done and 120 00:05:41,760 --> 00:05:44,920 Speaker 3: we're doing it. Their first request was we want him 121 00:05:44,920 --> 00:05:48,080 Speaker 3: to color his hair, and they colored it jet black. 122 00:05:48,640 --> 00:05:52,520 Speaker 3: They're basically saying, we want the show to fail, so 123 00:05:52,560 --> 00:05:55,479 Speaker 3: can we take something that it's inherent in the lead 124 00:05:55,600 --> 00:05:56,960 Speaker 3: character and change it. 125 00:05:57,040 --> 00:05:58,800 Speaker 1: And you would have thought if they if they wanted that, 126 00:05:58,839 --> 00:06:00,440 Speaker 1: they would have said something of time. 127 00:06:00,600 --> 00:06:02,599 Speaker 3: By the way, if I ever write an autobiography of 128 00:06:02,640 --> 00:06:05,239 Speaker 3: my time in Hollywood, it's going to be called you Think, 129 00:06:05,640 --> 00:06:06,599 Speaker 3: You think, You think? 130 00:06:06,640 --> 00:06:07,080 Speaker 2: You thank you? 131 00:06:07,160 --> 00:06:09,520 Speaker 3: Yeah. And by the way, Jack is a great listener 132 00:06:10,080 --> 00:06:13,080 Speaker 3: for a comedian, not time, all times. Comedians are great listeners. 133 00:06:13,279 --> 00:06:17,680 Speaker 3: He's a great listener. So any time that Larry says anything, 134 00:06:18,360 --> 00:06:22,480 Speaker 3: Jack agrees with it, or I forget the work, he 135 00:06:22,520 --> 00:06:23,440 Speaker 3: doesn't deny him. 136 00:06:23,640 --> 00:06:26,560 Speaker 2: Yes and yeah, yes, and which is an important technique. 137 00:06:26,680 --> 00:06:30,000 Speaker 3: He doesn't yes, and to take it to another level, 138 00:06:30,320 --> 00:06:34,800 Speaker 3: he yes, AND's for Larry to do his sick you know. 139 00:06:34,880 --> 00:06:37,160 Speaker 2: He stays in the scene. He stays in the scene 140 00:06:36,839 --> 00:06:37,360 Speaker 2: the scene, and. 141 00:06:37,320 --> 00:06:38,760 Speaker 1: That's what a good improviser does. 142 00:06:40,120 --> 00:06:42,840 Speaker 3: So wonderful. I'm going to check and see if our 143 00:06:42,880 --> 00:06:44,119 Speaker 3: new season, if there's a doctor. 144 00:06:44,200 --> 00:06:45,080 Speaker 2: He's always a doctor. 145 00:06:45,800 --> 00:06:48,080 Speaker 3: There's a new one, and I'm gonna try and. 146 00:06:48,000 --> 00:06:49,920 Speaker 1: Get Jack, the other doctor that I love. Will get 147 00:06:49,920 --> 00:06:52,599 Speaker 1: to him when the shoes just died. What's his name? 148 00:06:52,640 --> 00:06:56,000 Speaker 3: Not the arithotics, the no yeah, And there's his neighbor 149 00:06:56,040 --> 00:06:56,600 Speaker 3: and he goes to. 150 00:06:56,560 --> 00:06:59,320 Speaker 1: A no no, no, no, no no no. 151 00:06:59,560 --> 00:07:02,560 Speaker 3: Character actor. He was in Paul Thomas Anderson's. 152 00:07:02,120 --> 00:07:05,000 Speaker 1: First Yes, yes, I know, such a great actor. 153 00:07:04,760 --> 00:07:07,240 Speaker 3: He was on He's on the Goldbergs too. I know 154 00:07:07,760 --> 00:07:09,080 Speaker 3: Philip Baker Hall. 155 00:07:09,200 --> 00:07:12,120 Speaker 1: Philip Baker Hall a remarkable actor. 156 00:07:11,800 --> 00:07:13,440 Speaker 2: And we'll get to him when we get to his episode. 157 00:07:14,400 --> 00:07:18,480 Speaker 3: Remarkable. I was in awe. By the way, sometimes I 158 00:07:18,560 --> 00:07:21,040 Speaker 3: work with somebody who's not a star, but I'm in 159 00:07:21,120 --> 00:07:23,880 Speaker 3: awe of him. I was in awe of Philip Baker Hall. 160 00:07:24,120 --> 00:07:27,080 Speaker 1: Well, he was an example of a working character actor 161 00:07:27,280 --> 00:07:28,960 Speaker 1: who worked all the time. 162 00:07:28,960 --> 00:07:32,200 Speaker 3: But who was great working character actors. 163 00:07:32,400 --> 00:07:35,200 Speaker 2: But he was jas of his generation. 164 00:07:35,240 --> 00:07:37,680 Speaker 1: I don't know what Jason Yes to do Cuddles who 165 00:07:37,720 --> 00:07:39,520 Speaker 1: played from Casa Blanco. 166 00:07:39,680 --> 00:07:41,880 Speaker 3: Oh, I know that guy. Okay, see, I don't know. 167 00:07:42,160 --> 00:07:44,920 Speaker 3: I know most of the names from old movies. By 168 00:07:44,920 --> 00:07:46,880 Speaker 3: the way, can I also make just one quick comment, 169 00:07:47,320 --> 00:07:50,080 Speaker 3: I'm looking now, look at the way I write, and 170 00:07:50,120 --> 00:07:52,360 Speaker 3: look at the way you write on our notes. Her 171 00:07:52,400 --> 00:07:54,640 Speaker 3: notes like a beautiful letter that she might write to 172 00:07:54,720 --> 00:08:00,680 Speaker 3: a president, you know, handwriting, cursive obviously minus printed chaos. 173 00:08:00,720 --> 00:08:03,560 Speaker 3: That's your brain. This is my brain. My brain's cast. 174 00:08:03,680 --> 00:08:05,960 Speaker 1: It's also part of my learning disability because I have 175 00:08:06,000 --> 00:08:08,000 Speaker 1: all kinds of problems, so I have to do it 176 00:08:08,040 --> 00:08:09,840 Speaker 1: neatly otherwise I can't know what it is. 177 00:08:09,960 --> 00:08:12,480 Speaker 3: And this is part of my learning disability and putting 178 00:08:12,520 --> 00:08:13,400 Speaker 3: no effort into it. 179 00:08:13,400 --> 00:08:15,400 Speaker 1: Do you think that all comics have some form of 180 00:08:15,480 --> 00:08:16,480 Speaker 1: learning disability. 181 00:08:16,600 --> 00:08:20,160 Speaker 3: I think that all comics are fucked one way or another. 182 00:08:20,640 --> 00:08:22,800 Speaker 3: You know. I used to think when I first started 183 00:08:22,800 --> 00:08:25,760 Speaker 3: in comedy, because they always talked about what trauma are you? 184 00:08:26,200 --> 00:08:28,680 Speaker 3: And I was like, my child it was beautiful, which 185 00:08:28,720 --> 00:08:32,280 Speaker 3: it was, But I'm just a traumatic individual. It's just 186 00:08:32,440 --> 00:08:34,160 Speaker 3: trauma follows me right and left. 187 00:08:34,360 --> 00:08:37,520 Speaker 1: You know what, Jeff, you could have a beautiful childhood 188 00:08:37,600 --> 00:08:40,640 Speaker 1: and yet there can be trauma. Nobody has a perfect child. 189 00:08:40,960 --> 00:08:44,400 Speaker 1: Things happen, and as a child, you're so vulnerable. You know, 190 00:08:45,840 --> 00:08:58,640 Speaker 1: we'll be right back. Stay tuned, and we're back. So 191 00:08:58,840 --> 00:09:01,640 Speaker 1: Larry confronts the doctor about the policy. Is it whose 192 00:09:01,679 --> 00:09:06,679 Speaker 1: appointment is first, or is it who signs in first? 193 00:09:06,800 --> 00:09:09,040 Speaker 1: And this whole confrontation of the fact that he's late 194 00:09:09,080 --> 00:09:11,640 Speaker 1: and that Marissa Jarrett Winnaker went before him and took 195 00:09:11,679 --> 00:09:14,319 Speaker 1: so long causes him to be late for his appointment 196 00:09:14,360 --> 00:09:16,200 Speaker 1: with Diane Keaton, who is going to. 197 00:09:16,200 --> 00:09:22,079 Speaker 3: Do his costs Marissa as she's leaving them. I think 198 00:09:22,120 --> 00:09:24,000 Speaker 3: that's what the thing that killed me. Were you chatting? 199 00:09:24,640 --> 00:09:26,840 Speaker 3: You know, no one should do that, even if they've 200 00:09:26,880 --> 00:09:28,840 Speaker 3: been that. That's actually scary. 201 00:09:28,960 --> 00:09:31,320 Speaker 2: Well she's rude, yeah, not her personally. 202 00:09:31,840 --> 00:09:34,480 Speaker 1: And also there's so many things that I'm watching that 203 00:09:34,520 --> 00:09:37,200 Speaker 1: are signs of the times, like now to get a 204 00:09:37,240 --> 00:09:39,640 Speaker 1: doctor to spend more than ten minutes with you, right, 205 00:09:39,880 --> 00:09:40,800 Speaker 1: it's a different time. 206 00:09:41,160 --> 00:09:42,920 Speaker 3: By the way, here's what I wrote down it because 207 00:09:42,960 --> 00:09:46,400 Speaker 3: I realized that it never happens. I wrote down, never happens. 208 00:09:47,080 --> 00:09:52,280 Speaker 3: Larry and Marissa twice enter the office, and they're called in. 209 00:09:52,720 --> 00:09:55,680 Speaker 3: Ones called in right away. Larry's not called in right away, 210 00:09:55,800 --> 00:09:58,120 Speaker 3: but there's a bunch of extras. But we would never 211 00:09:58,200 --> 00:09:59,160 Speaker 3: make that mistake now. 212 00:09:59,240 --> 00:10:02,560 Speaker 1: But the assumption I made was because this does frequently happen, 213 00:10:02,720 --> 00:10:04,800 Speaker 1: there's another doctor in that office. 214 00:10:04,840 --> 00:10:08,720 Speaker 2: Comment exactly yeah, doctor, Schevaga, that does happen. 215 00:10:08,920 --> 00:10:11,480 Speaker 3: But by the way, look at you for justifying. And 216 00:10:11,559 --> 00:10:13,560 Speaker 3: I did not see that. I was closed minded. 217 00:10:13,720 --> 00:10:15,280 Speaker 1: I thought of it, but it occurred to me. 218 00:10:15,280 --> 00:10:18,200 Speaker 3: It's like other people, yes, yes, whatever. 219 00:10:18,520 --> 00:10:21,439 Speaker 1: So the doctor tells him that his wife, who happens 220 00:10:21,440 --> 00:10:24,480 Speaker 1: to be Larry's lawyer, read his script. And then this 221 00:10:24,559 --> 00:10:27,880 Speaker 1: is another pet peeve. Oh my wife read the script. Silence. 222 00:10:28,000 --> 00:10:31,040 Speaker 3: Oh no, don't forget even script. Uh so and so 223 00:10:31,120 --> 00:10:34,160 Speaker 3: saw your show silent. By the way, I've had people 224 00:10:34,240 --> 00:10:39,000 Speaker 3: come backstage after I perform nothing, no, no big ball 225 00:10:39,040 --> 00:10:42,040 Speaker 3: of nothing. And by the way, that happens to me 226 00:10:42,160 --> 00:10:45,040 Speaker 3: all the time. Now that's not I had actually someone 227 00:10:45,679 --> 00:10:49,200 Speaker 3: relatively close to me come with me, come with me 228 00:10:49,280 --> 00:10:52,240 Speaker 3: to my gig, I perform. I think I had a 229 00:10:52,280 --> 00:10:56,080 Speaker 3: great show. We're driving home, never mentions the show, doesn't 230 00:10:56,080 --> 00:10:58,079 Speaker 3: even mention that he would just came from a show. 231 00:10:58,280 --> 00:11:00,680 Speaker 1: You know, my mother did that to me when I 232 00:11:00,760 --> 00:11:03,360 Speaker 1: did Last of the Red Hot Lovers at Williamstown, right, 233 00:11:03,480 --> 00:11:06,080 Speaker 1: I was live theater and she came to the show 234 00:11:06,120 --> 00:11:07,960 Speaker 1: and then we drove back to my house when I 235 00:11:08,000 --> 00:11:09,839 Speaker 1: had a house upstate, like an hour drive. 236 00:11:10,160 --> 00:11:11,520 Speaker 2: Did not say one. 237 00:11:11,559 --> 00:11:14,240 Speaker 3: Word By the way, big bull of trauma. That's all 238 00:11:14,280 --> 00:11:16,440 Speaker 3: I'm saying to you. That is just so. 239 00:11:16,440 --> 00:11:18,480 Speaker 1: So he doesn't say whether she liked the script. She 240 00:11:18,520 --> 00:11:22,760 Speaker 1: read the script, and Larry's a nonplused right, and then 241 00:11:22,800 --> 00:11:24,920 Speaker 1: he leaves and he doesn't have money for the garage. 242 00:11:25,600 --> 00:11:25,880 Speaker 3: Right. 243 00:11:26,160 --> 00:11:29,840 Speaker 1: Here's an interesting thing. Becca asked me, did someone rob 244 00:11:29,960 --> 00:11:32,840 Speaker 1: Larry's wallet? He looked so confused as to how he 245 00:11:32,840 --> 00:11:35,840 Speaker 1: didn't have cash. This tells me she's a New York girl, 246 00:11:36,240 --> 00:11:39,319 Speaker 1: because rich people don't carry cash. 247 00:11:39,400 --> 00:11:42,840 Speaker 3: Even before the whole phone scanning thing. A couple things 248 00:11:42,880 --> 00:11:46,160 Speaker 3: I want to say. First off, that is based in reality. 249 00:11:46,679 --> 00:11:49,439 Speaker 3: I have been with Larry David at Valet Parking US 250 00:11:49,480 --> 00:11:52,880 Speaker 3: getting our cars at the same time at least twenty times. 251 00:11:53,280 --> 00:11:56,200 Speaker 3: I have paid every time, not out of generosity, but 252 00:11:56,320 --> 00:12:00,840 Speaker 3: out of Yes. Now, the other thing that's interest the 253 00:12:00,920 --> 00:12:03,520 Speaker 3: young lady who plays the woman at the. 254 00:12:04,120 --> 00:12:07,400 Speaker 1: Who oh yeah, the attendant, Yeah, the attention. 255 00:12:07,559 --> 00:12:08,680 Speaker 2: Yes, she's very funny. 256 00:12:08,760 --> 00:12:11,920 Speaker 3: Okay, but here's the thing I knew her. She talked 257 00:12:12,320 --> 00:12:16,360 Speaker 3: with her American accent, and they gave, oh, you got 258 00:12:16,400 --> 00:12:16,959 Speaker 3: to pay me. 259 00:12:17,280 --> 00:12:19,120 Speaker 2: Yeah, that would not fly right now. 260 00:12:19,320 --> 00:12:22,679 Speaker 3: Not only would it not fly, we didn't notice it 261 00:12:22,760 --> 00:12:25,640 Speaker 3: back then, Larry didn't notice it, and Larry would be 262 00:12:25,720 --> 00:12:29,040 Speaker 3: the first one now, yeah, to say that was. 263 00:12:29,040 --> 00:12:31,199 Speaker 1: Another example of what I'm saying. When we look back 264 00:12:31,240 --> 00:12:32,560 Speaker 1: and it's twenty two years. 265 00:12:32,320 --> 00:12:35,240 Speaker 3: Ago, it's a different time. And by the way, I 266 00:12:35,360 --> 00:12:38,400 Speaker 3: learned this at the same exact time we were filming this, 267 00:12:38,480 --> 00:12:41,080 Speaker 3: or right after. I know it was a few years after. 268 00:12:41,360 --> 00:12:43,680 Speaker 3: But I filmed the movie called I Want Someone to 269 00:12:43,720 --> 00:12:47,360 Speaker 3: Eat Cheese With and in the first draft there was 270 00:12:47,800 --> 00:12:49,920 Speaker 3: an Asian character. I don't know if it even made 271 00:12:49,920 --> 00:12:51,680 Speaker 3: the movie. I can't remember the movie that I made, 272 00:12:52,600 --> 00:12:54,520 Speaker 3: so that really prompts none of you to watch it, 273 00:12:54,720 --> 00:12:56,920 Speaker 3: although I do think it's flawed but very charming. 274 00:12:57,000 --> 00:12:58,080 Speaker 1: What the movie is adorable. 275 00:12:58,440 --> 00:12:59,920 Speaker 2: It is a very charming movie. 276 00:13:00,000 --> 00:13:01,760 Speaker 3: Audrey Ebert said, I must see. 277 00:13:02,160 --> 00:13:04,360 Speaker 1: Okay, it's a very free star movie or. 278 00:13:04,320 --> 00:13:07,320 Speaker 3: A musty tooth. I don't remember all right. Anyhow, I 279 00:13:07,360 --> 00:13:10,440 Speaker 3: wrote the part and I wrote on paper that's why 280 00:13:10,559 --> 00:13:14,680 Speaker 3: I write longhand the stupid accent of a Chinese person. 281 00:13:15,080 --> 00:13:19,120 Speaker 3: And a friend of mine, Susie Nakamora, said, that's not 282 00:13:19,240 --> 00:13:21,560 Speaker 3: good and this is before what we're living. 283 00:13:21,360 --> 00:13:23,520 Speaker 1: With now, let me ask a question about that, and 284 00:13:23,559 --> 00:13:27,520 Speaker 1: I was embarrassed this character that she was cast the 285 00:13:27,640 --> 00:13:30,760 Speaker 1: character of Joanna the garage attendant, and she really had 286 00:13:30,800 --> 00:13:31,360 Speaker 1: an accent. 287 00:13:31,600 --> 00:13:35,360 Speaker 3: Great, that's not a problem. No, I'm saying, if you're 288 00:13:35,400 --> 00:13:38,559 Speaker 3: looking for that accent, you hire someone who. 289 00:13:38,440 --> 00:13:41,240 Speaker 1: Has that accent, even though she was Asian. 290 00:13:41,080 --> 00:13:43,640 Speaker 3: Right, even though she was Asian, by the way, that's 291 00:13:43,640 --> 00:13:46,760 Speaker 3: one step away from the step and fetch at times, 292 00:13:47,240 --> 00:13:50,160 Speaker 3: you know, oh mister or whatever you know, And so 293 00:13:50,720 --> 00:13:54,440 Speaker 3: it's a stereotype. Yeah, and it's not appropriate. But we 294 00:13:54,520 --> 00:13:57,280 Speaker 3: had no idea, and she was very funny. 295 00:13:57,480 --> 00:14:00,559 Speaker 1: She is funny, and so you were she have been 296 00:14:00,600 --> 00:14:03,200 Speaker 1: as funny without the accent, Yes. 297 00:14:03,160 --> 00:14:05,680 Speaker 3: I don't think. Probably, Yes, I know her. I saw 298 00:14:05,720 --> 00:14:09,960 Speaker 3: the part. If she had spoken with an American access, 299 00:14:10,440 --> 00:14:13,720 Speaker 3: she would have been just as funny. Karen Mayuma, Yeah, 300 00:14:13,760 --> 00:14:18,360 Speaker 3: she was in the groundlings really talented actress, and I 301 00:14:18,400 --> 00:14:21,680 Speaker 3: had performed with her and really thought the world of her. 302 00:14:22,240 --> 00:14:23,960 Speaker 3: It never occurred to me where I would go. 303 00:14:24,160 --> 00:14:26,280 Speaker 1: You know that we don't have the same consciousness. 304 00:14:26,280 --> 00:14:29,920 Speaker 3: Then yeah, but now we're over condus exactly. 305 00:14:29,160 --> 00:14:30,240 Speaker 2: But then. 306 00:14:31,760 --> 00:14:33,680 Speaker 3: Yeah, you know someone, yes, put the difference all right, 307 00:14:33,760 --> 00:14:34,160 Speaker 3: here we go. 308 00:14:34,240 --> 00:14:35,800 Speaker 1: So Larry doesn't have the money for the garage. She 309 00:14:35,840 --> 00:14:37,960 Speaker 1: owes her three dollars. He'll give her five dollars. He'll 310 00:14:37,960 --> 00:14:40,640 Speaker 1: pay her back on Friday. Okay. Then he goes to 311 00:14:40,720 --> 00:14:44,120 Speaker 1: meet you, yes, at the restaurant. Diane left. He was 312 00:14:44,160 --> 00:14:45,080 Speaker 1: supposed to meet Diane. 313 00:14:45,760 --> 00:14:46,520 Speaker 2: Diane left. 314 00:14:46,800 --> 00:14:49,440 Speaker 3: You know, I watched that scene, and there are two things. 315 00:14:49,480 --> 00:14:51,160 Speaker 3: One's joyful, ones not joyful. 316 00:14:51,320 --> 00:14:51,640 Speaker 2: Okay. 317 00:14:52,000 --> 00:14:56,840 Speaker 3: The joyful part is how easy Larry and I work together. 318 00:14:57,120 --> 00:15:02,320 Speaker 3: It's effortless, unequivocally, and we make it their laugh in scenes. However, 319 00:15:03,320 --> 00:15:05,920 Speaker 3: I look at that and I'm disgusted. I hate looking 320 00:15:06,000 --> 00:15:06,840 Speaker 3: at myself now. 321 00:15:07,680 --> 00:15:09,360 Speaker 1: I can't stand looking at myself on screen. 322 00:15:09,440 --> 00:15:10,920 Speaker 3: Well, no, by the way, a lot of actors. But 323 00:15:11,000 --> 00:15:13,280 Speaker 3: I won't go like I'll go to the premiere of 324 00:15:13,320 --> 00:15:16,000 Speaker 3: this movie and I'll work the red carpet. I will 325 00:15:16,040 --> 00:15:18,080 Speaker 3: not watch the movie. I'll never see the movie. 326 00:15:18,160 --> 00:15:20,000 Speaker 1: Although I do have to say, and I probably have 327 00:15:20,040 --> 00:15:21,920 Speaker 1: said this before, Carve is the one thing that I watch. 328 00:15:22,000 --> 00:15:23,640 Speaker 3: Well, I have to watch because i'm a producer. 329 00:15:23,800 --> 00:15:25,560 Speaker 2: Yeah, but it's so funny it tickles me. 330 00:15:25,720 --> 00:15:27,920 Speaker 3: No, no, I'm not saying it's not. But it's the 331 00:15:27,960 --> 00:15:32,000 Speaker 3: only uncomfortable. However, here, I love how easy we worked together. 332 00:15:32,080 --> 00:15:34,920 Speaker 3: But also not only do I like looking at myself, 333 00:15:35,320 --> 00:15:36,920 Speaker 3: but I just look at myself. I look like the 334 00:15:36,960 --> 00:15:37,720 Speaker 3: michelin man. 335 00:15:37,840 --> 00:15:39,920 Speaker 1: Well, you were very overweight at that point. 336 00:15:40,160 --> 00:15:42,680 Speaker 3: Very's the key word. And not only that, but I 337 00:15:42,680 --> 00:15:46,240 Speaker 3: had had a stroke. Yeah, and I just felt so 338 00:15:46,560 --> 00:15:52,680 Speaker 3: bad for the guy me, really super super bad. And 339 00:15:52,760 --> 00:15:56,080 Speaker 3: there was a lot of trauma to come for this guy. 340 00:15:56,200 --> 00:15:59,040 Speaker 1: But you see, that's what you see. The audience doesn't 341 00:15:59,040 --> 00:15:59,760 Speaker 1: see any of that. 342 00:16:00,800 --> 00:16:02,600 Speaker 3: You know, Well, in the time, that just thought I 343 00:16:02,680 --> 00:16:04,960 Speaker 3: was Jeff. But if you look at that episode now 344 00:16:05,040 --> 00:16:07,760 Speaker 3: or any of these first season episodes, you go, holy shit, 345 00:16:07,880 --> 00:16:08,600 Speaker 3: he was fat. 346 00:16:08,680 --> 00:16:09,960 Speaker 2: Yeah, yeah, I was. 347 00:16:10,040 --> 00:16:12,120 Speaker 1: Actually when I went back and looked, I was a 348 00:16:12,160 --> 00:16:13,640 Speaker 1: little shocked at how fat you were. 349 00:16:15,840 --> 00:16:19,080 Speaker 3: It is based, but you know you're not. Yeah, by 350 00:16:19,120 --> 00:16:20,960 Speaker 3: the way, I am so glad. I am not. 351 00:16:21,160 --> 00:16:23,280 Speaker 2: It is it is and you work very hard. 352 00:16:23,400 --> 00:16:25,320 Speaker 3: I actually feel that I look the best I've ever 353 00:16:25,360 --> 00:16:28,160 Speaker 3: looked now at sixty, you do, which is weird, better 354 00:16:28,200 --> 00:16:31,600 Speaker 3: than teenager, better than college, better than any point in 355 00:16:31,600 --> 00:16:32,880 Speaker 3: my life, which is weird. 356 00:16:33,160 --> 00:16:34,200 Speaker 1: Well, it's how you feel. 357 00:16:34,480 --> 00:16:37,440 Speaker 3: No, I feel nauseous and I feel loathing. 358 00:16:38,960 --> 00:16:49,800 Speaker 4: Will be right back, stay tuned, Okay, we're back. 359 00:16:50,120 --> 00:16:53,120 Speaker 1: So then he goes home and Cheryl comes in with 360 00:16:53,240 --> 00:16:56,120 Speaker 1: her interior decorator Carmen. 361 00:16:56,240 --> 00:16:59,080 Speaker 3: Played by Rose Abdoo, who I was in Second City. 362 00:16:59,400 --> 00:17:04,720 Speaker 1: I actually just worked with Rose right, yes, yes, she 363 00:17:04,800 --> 00:17:09,000 Speaker 1: plays Joseph j by the way, the housekeeper to Debora 364 00:17:09,080 --> 00:17:13,440 Speaker 1: Vance Gene Smart's character, and she is lovely, lovely love. 365 00:17:15,480 --> 00:17:18,640 Speaker 3: I want someone to cheese with. And I know I've 366 00:17:18,640 --> 00:17:20,680 Speaker 3: worked with him more. And also she did the show. 367 00:17:21,160 --> 00:17:24,280 Speaker 1: Yeah, and she was terrific in that part. So Carmen 368 00:17:24,320 --> 00:17:27,200 Speaker 1: comes in earth tones are over. I love that, and 369 00:17:27,359 --> 00:17:31,399 Speaker 1: Diane Keaton is also Carmen's client. Now, Diane leaves a 370 00:17:31,400 --> 00:17:34,400 Speaker 1: message on Larry's phone and the phone number is garbled, 371 00:17:34,720 --> 00:17:38,520 Speaker 1: and Larry asks Carmen for Diane Keaton's phone number. Carmen 372 00:17:38,560 --> 00:17:41,639 Speaker 1: won't give it to him unequickly, which is hilarious because 373 00:17:41,960 --> 00:17:42,600 Speaker 1: Larry's right. 374 00:17:43,160 --> 00:17:44,480 Speaker 2: Larry's almost always. 375 00:17:44,240 --> 00:17:46,399 Speaker 3: Right, oh, by the way. That's the point of the show. 376 00:17:46,480 --> 00:17:50,679 Speaker 3: It's almost through him, and every once in a while 377 00:17:50,800 --> 00:17:53,399 Speaker 3: it's the oh no, don't do that. That's why I 378 00:17:53,440 --> 00:17:57,560 Speaker 3: thought the best season, in my opinion, was the Spike 379 00:17:57,640 --> 00:18:00,520 Speaker 3: Store with the coffee because everyone is going into a 380 00:18:00,560 --> 00:18:05,000 Speaker 3: coffee what did I say you have been number But 381 00:18:05,080 --> 00:18:08,840 Speaker 3: everyone's gone into a shop, whether it's coffee, anything treated 382 00:18:08,960 --> 00:18:11,679 Speaker 3: like shit and goes, man, I wish I could close 383 00:18:11,720 --> 00:18:13,119 Speaker 3: you down. I wish anything. 384 00:18:13,119 --> 00:18:15,440 Speaker 1: I'll never come backs. 385 00:18:15,520 --> 00:18:18,960 Speaker 3: I know. But he's acting on his own fantasy. 386 00:18:19,119 --> 00:18:20,480 Speaker 2: The reason why people. 387 00:18:20,240 --> 00:18:23,600 Speaker 1: Contend why they like it so much is he saying 388 00:18:23,600 --> 00:18:24,320 Speaker 1: what they want to say. 389 00:18:24,520 --> 00:18:26,480 Speaker 3: I know, but Larry doesn't write it because of it. 390 00:18:27,080 --> 00:18:28,960 Speaker 3: He writes it because that's how he feels. But the 391 00:18:29,000 --> 00:18:31,920 Speaker 3: idea to come outside of a coffee shop, look at 392 00:18:31,960 --> 00:18:35,000 Speaker 3: a space available and come up with the idea you're 393 00:18:35,040 --> 00:18:38,000 Speaker 3: going to open the same exact store with lower prices 394 00:18:38,000 --> 00:18:40,920 Speaker 3: and better things, he of course goes crazy with it. 395 00:18:41,119 --> 00:18:41,359 Speaker 3: You know. 396 00:18:41,600 --> 00:18:46,400 Speaker 1: So so Larry's it's not a question of loyalty. She's saying, 397 00:18:46,440 --> 00:18:50,399 Speaker 1: have to be Lloyd in my clients. I love that exchange. 398 00:18:50,400 --> 00:18:50,919 Speaker 1: I just think that. 399 00:18:51,359 --> 00:18:55,200 Speaker 3: By the way, a little fun fact is that we 400 00:18:55,200 --> 00:18:58,000 Speaker 3: were in our first season. It wasn't like we've gotten 401 00:18:58,640 --> 00:19:02,919 Speaker 3: so many amazing guests. Diane didn't really want to do it. 402 00:19:02,920 --> 00:19:07,560 Speaker 3: She's like, what's this? So she agreed to record voiceover. 403 00:19:08,119 --> 00:19:11,520 Speaker 3: So in this scene phone message easy voiceover. But the 404 00:19:11,560 --> 00:19:15,080 Speaker 3: only other scene she appears, in which we'll get to voiceover. 405 00:19:15,160 --> 00:19:16,160 Speaker 2: Voiceover, you see. 406 00:19:15,960 --> 00:19:17,880 Speaker 3: Her ankles, they're not her ankle. 407 00:19:17,760 --> 00:19:18,680 Speaker 2: Yeah, I could tell they weren't. 408 00:19:18,920 --> 00:19:20,760 Speaker 3: I hope she liked the ankles we try, and. 409 00:19:21,080 --> 00:19:25,200 Speaker 1: Larry then fires Carmen for this incident. Yes, and then 410 00:19:25,240 --> 00:19:27,679 Speaker 1: he goes back to the parking lot to see his 411 00:19:27,760 --> 00:19:31,240 Speaker 1: lawyer and again the guy Oscar Nunez. 412 00:19:31,160 --> 00:19:35,200 Speaker 3: So Oscarunaz character does not speak that way. 413 00:19:35,520 --> 00:19:38,080 Speaker 1: No, but a terrific and you know him from the office, 414 00:19:38,200 --> 00:19:39,160 Speaker 1: Probably most. 415 00:19:39,040 --> 00:19:43,600 Speaker 3: People don't guy who I have always loved when I 416 00:19:43,720 --> 00:19:45,560 Speaker 3: just see him at the ground wings. He just the 417 00:19:45,720 --> 00:19:46,600 Speaker 3: nicest man. 418 00:19:46,520 --> 00:19:50,560 Speaker 1: And terrifically funny and terrific actor. And he will not 419 00:19:50,600 --> 00:19:53,359 Speaker 1: take Larry's money. Larry gives him ten. Nobody wants to 420 00:19:53,400 --> 00:19:55,600 Speaker 1: take his money. And then I love the next scene 421 00:19:55,600 --> 00:19:59,840 Speaker 1: where Joanna, the original Asian parking attendant. 422 00:20:00,200 --> 00:20:02,720 Speaker 2: Larry goes into the slow motion movement. 423 00:20:02,480 --> 00:20:05,320 Speaker 3: And then he realizes who it is. Who it is 424 00:20:05,520 --> 00:20:06,359 Speaker 3: I didn't meet too. 425 00:20:06,520 --> 00:20:08,359 Speaker 1: But I can't tell you how many times I've been 426 00:20:08,359 --> 00:20:12,360 Speaker 1: in an elevator and I've thought of that slow motioning 427 00:20:12,359 --> 00:20:12,760 Speaker 1: the door. 428 00:20:12,920 --> 00:20:15,160 Speaker 3: I don't think I've ever done it, but it's been 429 00:20:15,200 --> 00:20:15,679 Speaker 3: done to me. 430 00:20:16,960 --> 00:20:19,360 Speaker 2: You can just see his face going slowly. 431 00:20:19,960 --> 00:20:22,600 Speaker 3: My reply on the first floor is I hope you're happy. 432 00:20:23,160 --> 00:20:24,520 Speaker 3: I hope you're in a big rush. 433 00:20:24,560 --> 00:20:27,639 Speaker 1: So now he's at the lawyer. Yeah, this is so great. 434 00:20:27,720 --> 00:20:32,080 Speaker 1: The lawyer wants to charge and it's Nea of Vardallas. 435 00:20:32,440 --> 00:20:37,040 Speaker 3: Neo bar Dallas. Yes, I know her for years. Yes, 436 00:20:37,119 --> 00:20:40,600 Speaker 3: we also were in Second City Writers. 437 00:20:40,640 --> 00:20:42,359 Speaker 2: She created my big that Greek wedding. 438 00:20:42,440 --> 00:20:43,359 Speaker 3: Yeah, this is before that. 439 00:20:43,720 --> 00:20:44,400 Speaker 2: Was it before that? 440 00:20:44,400 --> 00:20:48,120 Speaker 3: That's how we got her. Actually, I do think that 441 00:20:48,200 --> 00:20:50,280 Speaker 3: she would have done it after. 442 00:20:51,400 --> 00:20:55,360 Speaker 1: As you said about Diane, first season was a completely 443 00:20:55,400 --> 00:20:58,200 Speaker 1: different thing. Now we have I can't tell you every 444 00:20:58,240 --> 00:21:01,000 Speaker 1: celebrity I meet beg me to be on the show, 445 00:21:01,040 --> 00:21:02,600 Speaker 1: and of course I have no power to put them on. 446 00:21:02,880 --> 00:21:05,480 Speaker 1: But now everyone wants to developing. 447 00:21:05,000 --> 00:21:09,160 Speaker 3: A new show that will allow celebrities to do what 448 00:21:09,240 --> 00:21:11,040 Speaker 3: we do. And it's not a game show because it 449 00:21:11,080 --> 00:21:13,159 Speaker 3: sounds like that. I'm not going to talk about it 450 00:21:13,160 --> 00:21:16,800 Speaker 3: now screen and we filmed an episode. If we're still 451 00:21:16,800 --> 00:21:17,280 Speaker 3: doing well. 452 00:21:17,200 --> 00:21:21,479 Speaker 1: Price, do you know that now everybody wants to first season, 453 00:21:23,040 --> 00:21:24,880 Speaker 1: even second season, you know what I mean? 454 00:21:25,359 --> 00:21:26,520 Speaker 3: No, no, no, it took a while. 455 00:21:26,720 --> 00:21:30,639 Speaker 1: Yeah, and the lawyer wants to charge Larry fifteen hundred 456 00:21:30,720 --> 00:21:33,800 Speaker 1: dollars for reading his script. Is that something they really do? 457 00:21:35,000 --> 00:21:39,640 Speaker 3: I imagine because everything's been done, okay, But I imagine 458 00:21:39,720 --> 00:21:44,439 Speaker 3: that it's not been done when someone didn't ask you 459 00:21:44,480 --> 00:21:44,959 Speaker 3: to read it. 460 00:21:45,119 --> 00:21:47,000 Speaker 1: That's okay, because he says he didn't ask and he 461 00:21:47,040 --> 00:21:47,840 Speaker 1: doesn't want her notes. 462 00:21:47,880 --> 00:21:50,520 Speaker 3: He's that interested. I believe this, and I also believe 463 00:21:50,560 --> 00:21:52,400 Speaker 3: this is true. Okay, this is based on. 464 00:21:52,920 --> 00:21:55,520 Speaker 1: He's not interested in her creative input and he fires her. 465 00:21:55,760 --> 00:21:58,000 Speaker 1: So that's two people he's fired already in a day. 466 00:21:58,400 --> 00:22:02,000 Speaker 1: Then he goes into the underground garage and he sees Joanna, 467 00:22:02,040 --> 00:22:03,080 Speaker 1: and she confronts him. 468 00:22:03,359 --> 00:22:04,760 Speaker 2: She knows the face of Alayah. 469 00:22:05,160 --> 00:22:07,440 Speaker 1: She's funny, she was very, very funny, and he gives 470 00:22:07,440 --> 00:22:09,520 Speaker 1: her a twenty. So then he goes out to the 471 00:22:09,560 --> 00:22:11,719 Speaker 1: garage and he owes two dollars and twenty cents. He 472 00:22:11,760 --> 00:22:14,240 Speaker 1: gave thirty dollars away. He doesn't have any more cash 473 00:22:14,280 --> 00:22:17,480 Speaker 1: than thirty dollars. And the lawyer pulls up behind him, 474 00:22:17,480 --> 00:22:20,000 Speaker 1: of course, of course, and it's just disgusted. 475 00:22:20,280 --> 00:22:23,280 Speaker 3: Yeah, well she should be because he just fired her. Yeah, 476 00:22:23,480 --> 00:22:28,119 Speaker 3: and she thinks that charging fifteen hundred dollars to rediscript is. 477 00:22:27,480 --> 00:22:28,200 Speaker 2: Is David good? 478 00:22:28,520 --> 00:22:28,840 Speaker 3: Yeah? 479 00:22:29,040 --> 00:22:31,520 Speaker 2: Really standard that, Larry says. 480 00:22:31,560 --> 00:22:34,840 Speaker 3: Here's the thing, though, Larry doesn't even hesitant when he 481 00:22:34,880 --> 00:22:37,320 Speaker 3: doesn't have the money to go back to her car. 482 00:22:37,760 --> 00:22:39,600 Speaker 3: As soon as he commits to it, he goes back 483 00:22:40,040 --> 00:22:42,440 Speaker 3: and he asks her for three dollars. She gives him 484 00:22:42,480 --> 00:22:44,880 Speaker 3: three dollars, and he goes, I'll give you a ten back. 485 00:22:45,160 --> 00:22:47,400 Speaker 3: It pro'll be the best money you ever made. It's 486 00:22:47,560 --> 00:22:51,800 Speaker 3: just it's real because it's Larry David in the scenario. 487 00:22:52,160 --> 00:22:54,159 Speaker 3: I think other people playing that role. You go, this 488 00:22:54,200 --> 00:22:57,040 Speaker 3: is too ridiculously, but I believe it from the moment 489 00:22:57,080 --> 00:22:57,919 Speaker 3: he gets out of his car. 490 00:22:58,160 --> 00:23:01,800 Speaker 1: Anything he gets into believe. And now he's late for 491 00:23:01,920 --> 00:23:05,480 Speaker 1: a Diane meeting again. He's going over to Diane's house. 492 00:23:05,880 --> 00:23:07,440 Speaker 1: The assistant answers the door. 493 00:23:08,280 --> 00:23:09,239 Speaker 2: Both you both go over there. 494 00:23:09,280 --> 00:23:11,639 Speaker 3: Yeah, and the houses and I remember exactly where it is. 495 00:23:11,640 --> 00:23:14,160 Speaker 3: It's it's off Wiltshire Boulevard and Hancock Park. 496 00:23:14,560 --> 00:23:16,919 Speaker 1: Now we should tell people none of these houses are 497 00:23:16,960 --> 00:23:20,000 Speaker 1: our real houses. There are houses that are rented for. 498 00:23:19,960 --> 00:23:21,000 Speaker 3: Pretty their location. 499 00:23:21,280 --> 00:23:23,680 Speaker 2: People know that because how many. 500 00:23:23,480 --> 00:23:25,200 Speaker 1: Times I've been asked, is that really your house? 501 00:23:25,520 --> 00:23:28,560 Speaker 3: Well, by the way, we've been on a sound stage. 502 00:23:28,920 --> 00:23:31,320 Speaker 3: I would guess in all the years we've been doing it, 503 00:23:31,440 --> 00:23:35,360 Speaker 3: maybe five times, maybe five. We are always on location, 504 00:23:36,240 --> 00:23:36,800 Speaker 3: you know, the. 505 00:23:36,680 --> 00:23:38,359 Speaker 1: Only time we were on sound stage a lot was 506 00:23:38,400 --> 00:23:39,399 Speaker 1: in the Seinfeld season. 507 00:23:39,600 --> 00:23:41,440 Speaker 3: Well, by the way that that was, let's even take 508 00:23:41,440 --> 00:23:44,960 Speaker 3: a step. Yes, No, that's if you're on a sound stage, 509 00:23:45,040 --> 00:23:50,480 Speaker 3: playing a sound stage. I'm talking about courtroom scens like different. 510 00:23:50,520 --> 00:23:52,879 Speaker 3: I'm talking about when it's not on a sound stage, 511 00:23:52,960 --> 00:23:54,440 Speaker 3: just supposed to be someplace else. 512 00:23:55,240 --> 00:23:57,680 Speaker 2: That's maybe five six times account. 513 00:23:57,320 --> 00:23:59,280 Speaker 3: When we're standing on a set, no, no. 514 00:23:59,080 --> 00:24:03,280 Speaker 1: No, Okay has an attitude and he says, the lamp 515 00:24:03,320 --> 00:24:07,360 Speaker 1: looks familiar. Why was the lamp familiar? Was that the 516 00:24:07,400 --> 00:24:10,760 Speaker 1: same lamp that he broke in pornogill? I don't think so. 517 00:24:11,480 --> 00:24:14,399 Speaker 2: Well, that being said, maybe it was. 518 00:24:14,920 --> 00:24:19,520 Speaker 3: You know what, there's a callback to the bracelet. Yes, yes, 519 00:24:19,720 --> 00:24:22,160 Speaker 3: how he hurt his finger, Yes, he explains, I heard 520 00:24:22,200 --> 00:24:25,480 Speaker 3: him finger. I can count on one hand, same with 521 00:24:25,600 --> 00:24:28,840 Speaker 3: sound stages that we use for different settings kind on 522 00:24:28,840 --> 00:24:32,160 Speaker 3: one hand, that we do any callbacks to previous episodes. 523 00:24:32,480 --> 00:24:36,080 Speaker 3: It's like a fresh late unless it's the storyline of Yeah. 524 00:24:36,280 --> 00:24:40,359 Speaker 1: Which was later seasons. We got more into the arcs then, 525 00:24:40,680 --> 00:24:43,440 Speaker 1: but even in the next episode there's a callback to 526 00:24:43,520 --> 00:24:46,480 Speaker 1: talk about that. We'll talk about that next episode. So yeah, 527 00:24:46,520 --> 00:24:48,840 Speaker 1: I don't know if that lamp looks familiar or if 528 00:24:48,840 --> 00:24:51,600 Speaker 1: it's because maybe Carmen brought it to their house when 529 00:24:51,760 --> 00:24:52,879 Speaker 1: she was hired as a decora. 530 00:24:53,000 --> 00:24:53,399 Speaker 2: I don't know. 531 00:24:53,600 --> 00:24:56,600 Speaker 3: No, it has to be from Pornogill. I'm just guessing. 532 00:24:56,840 --> 00:24:58,800 Speaker 3: Maybe I would guess that that's what's from. It's a 533 00:24:58,800 --> 00:25:02,960 Speaker 3: call back to Pornogill. And for those of who like continuity, 534 00:25:03,240 --> 00:25:03,800 Speaker 3: look at you. 535 00:25:03,800 --> 00:25:06,400 Speaker 1: You get said it and Carmen is at Diane's house. 536 00:25:06,400 --> 00:25:08,919 Speaker 1: They're waiting for Diane in her living room and Carmen 537 00:25:09,000 --> 00:25:11,480 Speaker 1: walks in and Carmen wants to get paid and she 538 00:25:11,600 --> 00:25:14,840 Speaker 1: and Larry get into a physical altercation which ends up 539 00:25:15,040 --> 00:25:20,719 Speaker 1: being eroticized. Yeah, by the way, was that in the outline? 540 00:25:21,119 --> 00:25:23,080 Speaker 3: I don't remember it being in the outline. I think 541 00:25:23,080 --> 00:25:25,360 Speaker 3: it was thought of on set. It might have been. 542 00:25:25,560 --> 00:25:27,560 Speaker 1: It wasn't something they improvised, something that was. 543 00:25:27,760 --> 00:25:29,320 Speaker 3: I couldn't know. It could have gone either way. I 544 00:25:29,359 --> 00:25:31,440 Speaker 3: really don't have to go back and look at the outline, 545 00:25:31,880 --> 00:25:35,640 Speaker 3: but I think it's really funny them wrestling, but when 546 00:25:35,680 --> 00:25:38,360 Speaker 3: she goes to kiss him and she's overwhelmed with passion. 547 00:25:39,040 --> 00:25:39,600 Speaker 1: Hilarious. 548 00:25:39,960 --> 00:25:42,360 Speaker 3: I don't it took. It's just so funny. I don't 549 00:25:42,400 --> 00:25:43,000 Speaker 3: know what this was. 550 00:25:43,080 --> 00:25:45,840 Speaker 1: Also, because there's such you know, that's the reality of 551 00:25:45,880 --> 00:25:48,800 Speaker 1: the eroticism of anger. We've all been in with our 552 00:25:48,840 --> 00:25:51,160 Speaker 1: partners and had huge fights and then you have sex. 553 00:25:51,000 --> 00:25:54,239 Speaker 3: Right, makeup sex, sure, But I also remember when I 554 00:25:54,440 --> 00:25:58,680 Speaker 3: was this is younger. You know, I'm talking about high school, college. 555 00:25:58,760 --> 00:25:59,960 Speaker 2: I'm not even talking about makeup. 556 00:26:00,400 --> 00:26:03,879 Speaker 1: I'm talking about hot, erotic sex when you're angry right 557 00:26:03,920 --> 00:26:04,640 Speaker 1: with your partner. 558 00:26:04,760 --> 00:26:07,040 Speaker 3: One of the things I am not comfortable with you 559 00:26:07,200 --> 00:26:10,040 Speaker 3: is using the terms hot and erotic. I don't look 560 00:26:10,040 --> 00:26:12,880 Speaker 3: to you for that. You're like my sister. Please don't 561 00:26:12,920 --> 00:26:15,440 Speaker 3: say hot erotic anymore around me. But by the way, 562 00:26:15,440 --> 00:26:18,600 Speaker 3: when I was younger, I used to be really attracted 563 00:26:18,640 --> 00:26:21,760 Speaker 3: to women I couldn't stand and I was gladly no 564 00:26:21,800 --> 00:26:25,280 Speaker 3: matter how much hatred I had, I would have loved 565 00:26:25,320 --> 00:26:25,960 Speaker 3: to have had sex. 566 00:26:26,320 --> 00:26:27,119 Speaker 2: Well, that's what that was. 567 00:26:27,160 --> 00:26:29,880 Speaker 3: Well that goes away for me, that really went away 568 00:26:29,880 --> 00:26:30,440 Speaker 3: when I got old. 569 00:26:30,520 --> 00:26:31,760 Speaker 2: That was that was youth. 570 00:26:32,040 --> 00:26:32,240 Speaker 3: Youth. 571 00:26:32,720 --> 00:26:36,360 Speaker 1: So they start making out and that was hilarious. Then 572 00:26:36,680 --> 00:26:38,879 Speaker 1: he goes to the doctor's office and he parks on 573 00:26:38,920 --> 00:26:41,640 Speaker 1: the street because he sees Joanna and he just knows 574 00:26:41,640 --> 00:26:43,240 Speaker 1: he's got a park on the street. He can't even 575 00:26:43,280 --> 00:26:45,199 Speaker 1: deal with that. But he doesn't have any money for 576 00:26:45,280 --> 00:26:47,639 Speaker 1: the meter. That was pre when we could do with 577 00:26:47,640 --> 00:26:48,960 Speaker 1: our credit card, right. 578 00:26:49,119 --> 00:26:52,320 Speaker 3: So I want to say something here, which is amazing. 579 00:26:52,880 --> 00:26:56,280 Speaker 3: This is a great lesson in comedy. So I watched 580 00:26:56,280 --> 00:26:58,680 Speaker 3: that and I think, and I haven't seen it in years. Oh, 581 00:26:58,800 --> 00:27:01,399 Speaker 3: we know, I wrote down. We know he's going to 582 00:27:01,440 --> 00:27:05,679 Speaker 3: get a ticket. Not Larry David. Larry David is approaching people. 583 00:27:06,080 --> 00:27:08,159 Speaker 3: The only one I would have cut out it was 584 00:27:08,200 --> 00:27:11,560 Speaker 3: the last guy who walked by, who, like Larry, almost said, 585 00:27:11,640 --> 00:27:13,480 Speaker 3: would you eat this pile of shit? That's the way 586 00:27:13,520 --> 00:27:16,080 Speaker 3: the guy reacted. Yeah, I know he's asking for change. 587 00:27:16,200 --> 00:27:20,280 Speaker 3: But the beauty and the punch is his lawyer, Neovardilos 588 00:27:20,359 --> 00:27:23,440 Speaker 3: watching him deal with asking for money, and she just 589 00:27:23,560 --> 00:27:27,199 Speaker 3: does to say a word. Her look is perfect, and 590 00:27:27,240 --> 00:27:28,679 Speaker 3: her look, by the way, when she was in the 591 00:27:28,720 --> 00:27:31,160 Speaker 3: car behind him. You know, that's a lot of acting 592 00:27:31,240 --> 00:27:36,280 Speaker 3: to hold back and make a look say a thousand words. 593 00:27:36,760 --> 00:27:38,919 Speaker 3: But see, that's the point of when I said a 594 00:27:39,000 --> 00:27:42,040 Speaker 3: lesson in comedy. You think he's going to get a ticket. 595 00:27:42,200 --> 00:27:45,400 Speaker 3: That's what everybody thought. I thought it when I watched him. No, no, no, 596 00:27:45,760 --> 00:27:48,640 Speaker 3: Larry's got bigger plans and it's all about a conference. 597 00:27:48,920 --> 00:27:51,679 Speaker 3: Him looking stupid in front of his lawyer for that 598 00:27:51,840 --> 00:27:54,399 Speaker 3: reason is what it built up to. Didn't expect it. 599 00:27:54,720 --> 00:27:56,840 Speaker 1: So then he goes, I'm. 600 00:27:56,720 --> 00:27:59,280 Speaker 3: Sorry, by the way, for anyone listening if you feel 601 00:27:59,280 --> 00:28:03,439 Speaker 3: I'm condesce by saying a lesson in comedy understanding not 602 00:28:03,480 --> 00:28:05,600 Speaker 3: to me, no, no, no, but I'm saying to them, 603 00:28:05,800 --> 00:28:07,680 Speaker 3: I have great respect for our listeners, and I never 604 00:28:07,720 --> 00:28:09,520 Speaker 3: want to go I never want to be mister Noah 605 00:28:09,600 --> 00:28:10,360 Speaker 3: All in comedy. 606 00:28:10,480 --> 00:28:12,960 Speaker 1: So then Larry shows up Vanessa, by. 607 00:28:12,880 --> 00:28:17,720 Speaker 3: The way, I'm mister some in comedy. I'm not no 608 00:28:17,840 --> 00:28:20,199 Speaker 3: at all, I'm some Okay. 609 00:28:20,880 --> 00:28:24,560 Speaker 1: He shows up, goes to the doctor, and Marissa won't 610 00:28:24,560 --> 00:28:27,600 Speaker 1: hold she will not hold the elevator, and Larry runs 611 00:28:27,680 --> 00:28:31,399 Speaker 1: up the stairs to her. And then again there's a 612 00:28:31,520 --> 00:28:33,280 Speaker 1: fight in the hallway, and this is. 613 00:28:33,840 --> 00:28:36,719 Speaker 3: Like magical in the hallway, this fighting. 614 00:28:36,840 --> 00:28:39,720 Speaker 1: Yeah, are the physical fights written into the outline or 615 00:28:39,800 --> 00:28:41,360 Speaker 1: improvised during the shoot. 616 00:28:42,000 --> 00:28:44,560 Speaker 3: For the most part, they're written outline. 617 00:28:44,520 --> 00:28:46,120 Speaker 1: Not exactly how they're played out. 618 00:28:45,960 --> 00:28:48,880 Speaker 3: But it's really nothing how it's played out, because the 619 00:28:48,880 --> 00:28:52,520 Speaker 3: show is improvised. But that's what Larry David wants. 620 00:28:52,640 --> 00:28:55,560 Speaker 1: He enjoys a physical fight. I've had several with him, Yes, 621 00:28:55,880 --> 00:28:58,720 Speaker 1: have been really fun. So Larry wins in the hallway. 622 00:28:58,920 --> 00:29:00,920 Speaker 2: Yeah, but he can't write his name again. 623 00:29:02,440 --> 00:29:04,960 Speaker 1: These are the kinds of things that make me laugh. 624 00:29:05,000 --> 00:29:07,240 Speaker 1: When he can't write his name again because of his finger. 625 00:29:07,480 --> 00:29:10,760 Speaker 1: And then again he talks to the other patients, but 626 00:29:10,880 --> 00:29:13,920 Speaker 1: Marissa goes in first because they changed the policy. Yep, 627 00:29:14,320 --> 00:29:16,520 Speaker 1: because Larry requested the policy to be changed. 628 00:29:16,600 --> 00:29:17,640 Speaker 2: So he gets fucked together. 629 00:29:17,720 --> 00:29:19,320 Speaker 3: Bite him in, they asked. And by the way, that's 630 00:29:19,320 --> 00:29:23,080 Speaker 3: the thing that people can associate with. You complain about something, 631 00:29:23,120 --> 00:29:24,880 Speaker 3: they change it, and somehow it fucks you. 632 00:29:25,000 --> 00:29:27,480 Speaker 1: And then Lisa Ann Walter says the whole policy should 633 00:29:27,480 --> 00:29:29,640 Speaker 1: be about you first, which is. 634 00:29:30,120 --> 00:29:33,960 Speaker 3: Ann Walter the mispronunciation of Larry's name, Lassie Maxon, I 635 00:29:34,000 --> 00:29:37,280 Speaker 3: think she said last. The first one, mister chitt was 636 00:29:37,360 --> 00:29:40,719 Speaker 3: legit because of his handwritting. The second one she knew 637 00:29:40,840 --> 00:29:43,080 Speaker 3: who it was and she fucked with. That's why she 638 00:29:43,120 --> 00:29:46,600 Speaker 3: has a smile when she walks to the counter afterwards, So. 639 00:29:46,520 --> 00:29:48,720 Speaker 1: It turns out that he goes to the doctor. The 640 00:29:48,720 --> 00:29:50,920 Speaker 1: doctor tells him he has a fracture, but he won't 641 00:29:50,920 --> 00:29:54,640 Speaker 1: do anything until Larry pays his wife the fifteen hundred 642 00:29:54,640 --> 00:29:57,360 Speaker 1: dollars he owes her and pays the doctor his fee 643 00:29:57,600 --> 00:29:58,040 Speaker 1: up front. 644 00:29:58,240 --> 00:30:00,479 Speaker 3: And Jack, the way he asked for that and did it, 645 00:30:00,760 --> 00:30:03,239 Speaker 3: you kind of didn't blame him. No, you know, he's 646 00:30:03,240 --> 00:30:05,760 Speaker 3: sticking up for his wife and he's talking about it. 647 00:30:06,280 --> 00:30:07,960 Speaker 3: I love that again, I love that. 648 00:30:07,920 --> 00:30:11,000 Speaker 1: Perform It's very understated Jack, which is what makes him 649 00:30:11,040 --> 00:30:11,640 Speaker 1: so terrific. 650 00:30:11,640 --> 00:30:14,760 Speaker 3: I know, he's really wonderful. But my favorite thing is 651 00:30:14,760 --> 00:30:16,720 Speaker 3: when he takes the card. He looks at Larry and says, 652 00:30:16,920 --> 00:30:19,880 Speaker 3: gonna get miles. He looks at You're gonna get miles. 653 00:30:19,880 --> 00:30:22,480 Speaker 1: See. Now, that's an improvised kind of a thing that 654 00:30:22,600 --> 00:30:24,400 Speaker 1: you would never be written in. 655 00:30:24,320 --> 00:30:25,880 Speaker 2: And it's just one of those things that. 656 00:30:26,040 --> 00:30:29,200 Speaker 3: Just, oh, it's beautiful. And the way he says yeah, 657 00:30:29,240 --> 00:30:30,920 Speaker 3: and I believe that's where the episode ends. 658 00:30:31,200 --> 00:30:33,680 Speaker 1: It does yeah, and we'll be back next time. 659 00:30:33,800 --> 00:30:35,800 Speaker 3: Yeah, And thank you all for listening. 660 00:30:43,520 --> 00:30:46,120 Speaker 2: The History of Carbon Enthusiasm is a production. 661 00:30:45,840 --> 00:30:48,120 Speaker 4: Of iHeart Radio for more podcasts 662 00:30:48,120 --> 00:30:52,120 Speaker 1: From iHeart Radio, visit the iHeart Radio app, Apple podcasts, 663 00:30:52,200 --> 00:30:54,000 Speaker 1: or wherever you listen to your favorite shows.