WEBVTT - Diane Warren

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<v Speaker 1>Welcome, Welcome, Welcome. You're listening to the Bob Left Sets podcast.

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<v Speaker 1>My guest this week is songwriter Extraordinary Diane Warren. Diane, Hi,

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<v Speaker 1>good to be here. We're in your building. It's got

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<v Speaker 1>a big R on the side of it, right here

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<v Speaker 1>on Cowenda Boulevard. And I can reveal this information because

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<v Speaker 1>security is very tight. And actually your security guy pulled

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<v Speaker 1>me the park Parking Street, which is unbelievable. But the

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<v Speaker 1>amazing thing is he says, people try to get into

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<v Speaker 1>the building every day, which is really crazy. But it's

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<v Speaker 1>got a big ARE on the side for real songs.

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<v Speaker 1>Why is your publishing company known as Real Songs? Well,

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<v Speaker 1>I like to think that I write real songs, so

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<v Speaker 1>there you go. But I thought it was a cool

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<v Speaker 1>name for a publishing company at first. I want I

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<v Speaker 1>was trying from the name Warren Peace to you a

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<v Speaker 1>R R N right, I E c um And someone

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<v Speaker 1>had that like you know, which is kind of but

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<v Speaker 1>no one you think you try to buy it from him? No, no, no,

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<v Speaker 1>I just when I that's a long story. When I

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<v Speaker 1>started my own publishing company years ago, I had to

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<v Speaker 1>come up with a name, and you know, I didn't

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<v Speaker 1>try to buy that. But I liked real songs and

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<v Speaker 1>thinking that there's no way that someone doesn't have that,

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<v Speaker 1>you know, even even a film company is publishing coming

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<v Speaker 1>with R E. L. But no one had it. I

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<v Speaker 1>mean I grabbed it and it just it's kind of

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<v Speaker 1>kind of fits, kind of fits me. Also, you famously

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<v Speaker 1>had a studio that you didn't clean for seventeen years.

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<v Speaker 1>Oh you tught what you're thinking about. It's like try

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<v Speaker 1>thirty two and it's still there. It's still there. You

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<v Speaker 1>ever go in there anymore? I work in there all

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<v Speaker 1>the time. You do. But now we're in a building

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<v Speaker 1>on Kwanga that you own. How did you decide to

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<v Speaker 1>buy a building? Well, my business manager thought, you know,

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<v Speaker 1>it would be a good investment. He goes, why are

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<v Speaker 1>you spending all that money on rent there? I go,

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<v Speaker 1>I like it. I've been there forever and I've been

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<v Speaker 1>there again. And I said, but there's this building I

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<v Speaker 1>really like that I've recorded out. It's some Atlantic Atlantic

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<v Speaker 1>Records studios are in there now and it's on con

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<v Speaker 1>It used to be Baby Faces place and sold our

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<v Speaker 1>records in the past. Death Row also was here. Um,

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<v Speaker 1>I think the studio on the back is where I

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<v Speaker 1>shood night held a gun. Easy's head, no loom in

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<v Speaker 1>all in that room. Who knows what was done here?

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<v Speaker 1>But anyways, and so I told I told my business

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<v Speaker 1>managers a building I love, and I said, check out

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<v Speaker 1>if it's available, if it's if someone's a celt and

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<v Speaker 1>they did, and I came here and I looked around him, like, yeah,

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<v Speaker 1>this I remember. I love this place. I went to

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<v Speaker 1>the top floor, which reminds me of the place I

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<v Speaker 1>am now, and I, you know, basically put a bit in.

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<v Speaker 1>I think someone was trying to buy it, so I

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<v Speaker 1>put it a little more and I bought it. But

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<v Speaker 1>I've had it for two and a half years. And

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<v Speaker 1>I still really work out of my other place. Man, Yeah,

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<v Speaker 1>I still have my other place. So I'm still paying

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<v Speaker 1>a shipload of rent at at my opposite you know,

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<v Speaker 1>I've been at forever since I'm five. But I have

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<v Speaker 1>a writing room here and I have all the studios.

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<v Speaker 1>And then eventually I'm supposed to move to the top floor.

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<v Speaker 1>My company supposed to move here. But we've already been

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<v Speaker 1>here for two and a half years. Well know, it's

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<v Speaker 1>taken time, Like we've had to get the student like

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<v Speaker 1>Atlantic at the studios until like the beginning of the year. Um,

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<v Speaker 1>so we've had to fix them up and um. And

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<v Speaker 1>then they have to build out the top floor. So

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<v Speaker 1>that's taken time. Okay, so you're supposed to move to

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<v Speaker 1>the top floor. Yeah, eventually, I'm supposed to move to

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<v Speaker 1>the top what's on the top floor now? Like the

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<v Speaker 1>office buildings, you know, rooms, you know, it was there

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<v Speaker 1>was nothing up there, so we just had to kind

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<v Speaker 1>of do it from scratch. So someone had to design it.

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<v Speaker 1>And but like where I am, I've never cleaned my rooms.

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<v Speaker 1>I have two rooms there. I don't know. At first

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<v Speaker 1>I thought it was maybe you know, you know, superstition,

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<v Speaker 1>But I think I'm just lazy and I don't like anybody.

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<v Speaker 1>Probably if we went to your house, is your house?

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<v Speaker 1>My house is a mess too, but not like my

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<v Speaker 1>my room, you know, I mean, like is it a

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<v Speaker 1>mess because you want to know where everything is? Okay,

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<v Speaker 1>the stuff of my house, I kind of know where

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<v Speaker 1>everything is. The stuff stuff in my office, I don't

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<v Speaker 1>really know. You let someone come in and clean your house, yeah,

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<v Speaker 1>but this stuff, I won't let her touch the whole rooms.

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<v Speaker 1>You won't let her. I don't. I don't live in

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<v Speaker 1>a big house. You know. I have a couple of

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<v Speaker 1>few rooms, you know, but you know, no, it's just

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<v Speaker 1>but my office. It's very comfortable for me. Like you

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<v Speaker 1>were talking about, you have a place you don't funny

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<v Speaker 1>big work. I move off. They're just gonna light a

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<v Speaker 1>match with burden me too. They're gonna I want them

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<v Speaker 1>to literally cut that room out and bring it here

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<v Speaker 1>to the top floor. I think it's just really ridiculous.

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<v Speaker 1>I know where everything is, but I must admit there's

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<v Speaker 1>certain stuff that hasn't been moved in years. I could

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<v Speaker 1>find messing. I could pick up a piece of paper

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<v Speaker 1>and if it doesn't disintegrate in my hand, it could

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<v Speaker 1>say from someone so and so called. Right, I feel comfortable.

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<v Speaker 1>I like these people who answer every email every day

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<v Speaker 1>and clean their desk every day. I don't get it neither,

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<v Speaker 1>you know. I like to answer my emails if I can,

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<v Speaker 1>but I don't. I don't like the clean desk clean

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<v Speaker 1>I like it. There's something wrong with you when it

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<v Speaker 1>is too clean. And trust people. The other question, I

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<v Speaker 1>go through various phases on the email. Do I want

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<v Speaker 1>to answer every email? But then I find what I'm

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<v Speaker 1>not in the mood I give the wrong answer. So

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<v Speaker 1>there's certain emails I should say I get. I get

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<v Speaker 1>to all of them, but I don't go to inbox zero.

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<v Speaker 1>What about like someone something? This what happens to me.

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<v Speaker 1>I try to be nice even if I don't like

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<v Speaker 1>and then I'm like, oh shoot, and then get ten

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<v Speaker 1>more emails back from them like uh, well, we were

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<v Speaker 1>talking talk about this a little bit off, Mike. I

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<v Speaker 1>sort of solved that that I don't respond. You don't

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<v Speaker 1>respond because ten percent of the public is insane and

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<v Speaker 1>I don't know which ten percent it is, so people

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<v Speaker 1>seem totally reasonable. I had a bad experience with my

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<v Speaker 1>Space about God that is about ten years ago, and

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<v Speaker 1>should be the guy told me. The guy started bugging me,

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<v Speaker 1>I'm in a radio contest and you have to tell

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<v Speaker 1>all your followers to vote for me, which is something

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<v Speaker 1>I would never do. So what I said, No, he

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<v Speaker 1>had all his followers emailed me my inbox just you

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<v Speaker 1>could watch it, just going berserk. And that's when I realized,

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<v Speaker 1>just can't respond to people well. And then no good deed,

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<v Speaker 1>right yea, yeah, no good deed goes unpunished. You know, listen,

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<v Speaker 1>I sort of understand it. In that success is hard

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<v Speaker 1>to achieve and it is a club. And if you're

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<v Speaker 1>an outsider, I can understand how you have contempt. There

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<v Speaker 1>are a lot of people who are just fans, you

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<v Speaker 1>know what, like like for all the people that have contempt,

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<v Speaker 1>for people that have done well with your lives, that

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<v Speaker 1>will go do well with your own life. Why why

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<v Speaker 1>are you gonna be why why would you have contempt

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<v Speaker 1>for someone that looks really hard? It's too hard to

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<v Speaker 1>be successful, you know, I always I always the analogy

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<v Speaker 1>I always using, but it's too hard for them. I remember,

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<v Speaker 1>you know they have the TV show Friends, So there's

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<v Speaker 1>three guys and three girls. That's really where it's the

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<v Speaker 1>second time today someone's brought up that TV show. What

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<v Speaker 1>was the context of the first time? Someone with without ours?

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<v Speaker 1>That was in earlier and I've never even seen the show?

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<v Speaker 1>Is that weird? Started off good? You know in England

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<v Speaker 1>the show's in here, they run until no one's watching anymore.

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<v Speaker 1>But anybody's sitting at home, gay, straight or otherwise. Six

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<v Speaker 1>people on the show. You could find someone you're interested in.

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<v Speaker 1>And if you're not living in Los Angeles where the

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<v Speaker 1>show is filmed, you can sit there and say Hey,

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<v Speaker 1>you know, if I moved to Los Angeles, I could

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<v Speaker 1>funk one of those people. But the difference is they

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<v Speaker 1>don't move someone like me. I grew up in Connecticut,

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<v Speaker 1>moved to l A. It takes two years just to

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<v Speaker 1>find out who's full of ship. Okay, takes longer than that.

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<v Speaker 1>I'm still trying to figure it out. So it's like,

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<v Speaker 1>most people don't want to do the work, so they

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<v Speaker 1>get angry that you have done the work. The irony,

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<v Speaker 1>of course, you know what, that's their problem. I mean,

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<v Speaker 1>the thing is like, speaking for myself, I work my

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<v Speaker 1>ass off, you know, I always have. I get to

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<v Speaker 1>work early, I work really hard. I you know, someone's

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<v Speaker 1>gonna get angry. Like, if someone's gonna get contemptuous of that,

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<v Speaker 1>that's their problem, you know. Like I've always admired people

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<v Speaker 1>that make something in themselves. I've never had contempt for them. Well,

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<v Speaker 1>there's two things now. Used to be prior to the Internet,

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<v Speaker 1>people couldn't actually reach you. So they were saying these

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<v Speaker 1>things and you never heard them. But now everyone's got

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<v Speaker 1>a voice online and if you see Okay, so let's

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<v Speaker 1>let's go back at the beginning. You were from l A.

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<v Speaker 1>I'm from Van Eyes. Yeah, Vienna, I mean literally Vane.

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<v Speaker 1>I'm from the valley. For people who don't know. There's

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<v Speaker 1>a row of mountains, the Hollywood Hills, and one side

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<v Speaker 1>is the West Side and Hollywood. The other side is

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<v Speaker 1>the Vali's a million miles away from Hollywood. Yeah, but

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<v Speaker 1>now not as much it used to be. But like,

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<v Speaker 1>wouldn't know me growing up and my friends and the

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<v Speaker 1>Vali Ali that you know, Van Nuys and North rich areas,

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<v Speaker 1>Like we my friends with hitchhike to Sunset Boulevard were

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<v Speaker 1>kids and stuff, and you know, it was a million

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<v Speaker 1>miles away. Okay, so you're growing up, how often would

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<v Speaker 1>you come to Hollywood or Westwood or something like that?

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<v Speaker 1>You know, not super often. I didn't, you know. I

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<v Speaker 1>mean we did crazy things, Me and my friends. You know,

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<v Speaker 1>we're glad, we're lucky, we're alive. Like we hitchhike. Can

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<v Speaker 1>you imagine getting in a car? Was I got to

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<v Speaker 1>stop for a second. My parents met hitchhiking, seriously, seriously.

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<v Speaker 1>They both went to Tanglewood and my mother was working

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<v Speaker 1>in a camp. My father my mother was getting camp

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<v Speaker 1>just over the New York line, and my father is

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<v Speaker 1>living in Connecticut and he picked up my mother hitchhiking

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<v Speaker 1>and they got married. When married for forty years till

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<v Speaker 1>my father passed away. So during the heyday of hitchhiking,

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<v Speaker 1>they could never say don't hitchhike right each other exactly.

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<v Speaker 1>But I remember because it worked both ways. You both

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<v Speaker 1>hitchhiking and you felt an obligation to pick somebody up.

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<v Speaker 1>And it was the mid seventies. I think it was

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<v Speaker 1>like seventy four, and I was at the intersection of

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<v Speaker 1>will Shure and Sanvaseny in Brentwood, and I picked a

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<v Speaker 1>couple of people up and they started bossing me around

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<v Speaker 1>one wait wait recently, No, this is in the mid seventies.

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<v Speaker 1>That's the last time. That's the last time I picked somebody.

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<v Speaker 1>You don't know, someone pulls out a gun or something,

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<v Speaker 1>you know, I mean, you don't want that, but I

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<v Speaker 1>was justin. It was also picked up hitchhiking running away

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<v Speaker 1>from home to visit my friend in Cape cod was

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<v Speaker 1>once picked up with a guy to rolls Royce. Well,

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<v Speaker 1>that's different. Although I read about a serial killer one

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<v Speaker 1>time that I think he had a role. Really okay, okay,

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<v Speaker 1>off topic, off topic. This is so you're in vien nice.

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<v Speaker 1>What did your father do for a living? My dad

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<v Speaker 1>was a prudential life insurance salesman. How successful I think

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<v Speaker 1>he did pretty well, you know, I mean not super six,

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<v Speaker 1>like probably middle class, you know. Okay, and you have

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<v Speaker 1>two sisters. Yeah, they're a lot older than me, a

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<v Speaker 1>lot older, eleven years older. Okay, so you're that's a

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<v Speaker 1>cool thing about that is I got taken to a

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<v Speaker 1>Beatle concert when I was little. I don't have experience.

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<v Speaker 1>That's a cooling him twice Dodger Stadium in Hollywood Bowl. Wow,

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<v Speaker 1>that was pretty cool. Okay you were there? Could you

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<v Speaker 1>hear him? There was a lot of screaming. I still remember.

0:10:05.320 --> 0:10:07.959
<v Speaker 1>It was a lot of screaming. So you're in v

0:10:08.120 --> 0:10:12.199
<v Speaker 1>M I and you grow up. When did you get

0:10:12.240 --> 0:10:16.120
<v Speaker 1>into music? You know? I just liked to I It's weird.

0:10:16.160 --> 0:10:17.680
<v Speaker 1>I was so into music. So I grew up listening

0:10:17.679 --> 0:10:19.960
<v Speaker 1>to the radio we had, like the local stations. Was

0:10:20.280 --> 0:10:24.559
<v Speaker 1>h J before your ten okay before the Beatles hit?

0:10:25.120 --> 0:10:27.959
<v Speaker 1>Are you listening to the transistor? I was younger? Actually,

0:10:28.120 --> 0:10:29.560
<v Speaker 1>Um yeah, I did. I listen to had a little

0:10:29.559 --> 0:10:32.560
<v Speaker 1>transistor radio. I grew up and my mom and dad

0:10:32.559 --> 0:10:34.880
<v Speaker 1>had show tunes, So I got to hear like La

0:10:34.960 --> 0:10:38.040
<v Speaker 1>Mancha on the Sound of Music, but I think the

0:10:38.120 --> 0:10:40.720
<v Speaker 1>best songs ever West Side Story Come. So I got

0:10:40.760 --> 0:10:42.920
<v Speaker 1>to hear and I remember, I honestly remember. The first

0:10:42.920 --> 0:10:44.760
<v Speaker 1>song I remember hearing was probably when I was like

0:10:44.760 --> 0:10:47.800
<v Speaker 1>like like a baby, was like like a Buddy Holly

0:10:47.880 --> 0:10:50.360
<v Speaker 1>or something that my sisters were playing. So and I

0:10:50.400 --> 0:10:53.040
<v Speaker 1>got to grow up hearing the music that my sisters

0:10:53.080 --> 0:10:54.559
<v Speaker 1>had and my parents had, and I listened to the

0:10:54.640 --> 0:10:57.400
<v Speaker 1>radio constantly, and the radio when I grew up, you know,

0:10:57.480 --> 0:10:59.800
<v Speaker 1>when we you know, was was everything. Like you could

0:10:59.800 --> 0:11:04.000
<v Speaker 1>hear Motown, you could hear the Beatles, Thank Sinatra or something.

0:11:04.080 --> 0:11:06.160
<v Speaker 1>I always say, I can ever sing every lick of

0:11:06.200 --> 0:11:08.599
<v Speaker 1>Hello Dolly by Louis Armstrong, because I was waiting for

0:11:08.640 --> 0:11:11.800
<v Speaker 1>the Beatles. Well, you know, they're all songs. We would

0:11:11.840 --> 0:11:13.560
<v Speaker 1>not know King of the Road, which is like a

0:11:13.559 --> 0:11:16.320
<v Speaker 1>great song. I wouldn't know, did I knew? How did

0:11:16.480 --> 0:11:17.839
<v Speaker 1>How did we hear that? How did I hear that?

0:11:17.880 --> 0:11:20.520
<v Speaker 1>In Van eye? We must have been one on the

0:11:20.520 --> 0:11:23.520
<v Speaker 1>top forty radio because it was supposedly the best of everything.

0:11:23.920 --> 0:11:25.959
<v Speaker 1>So I missed that. That was cool cause you got

0:11:25.960 --> 0:11:28.480
<v Speaker 1>to hear everything you know, yeah, I list you know

0:11:28.720 --> 0:11:31.760
<v Speaker 1>today it's it's so hard to know what's going I

0:11:31.760 --> 0:11:34.079
<v Speaker 1>mean it's very fragmented, you know. It's like, Okay, it

0:11:34.120 --> 0:11:36.120
<v Speaker 1>sounds like the same track on this song. I mean,

0:11:36.360 --> 0:11:38.320
<v Speaker 1>you know, but I mean it was It's fun, you know.

0:11:38.760 --> 0:11:41.120
<v Speaker 1>That's the cool thing about you know, you can go

0:11:41.160 --> 0:11:43.120
<v Speaker 1>and hear everything anything you want though. Yeah, but I

0:11:43.120 --> 0:11:45.439
<v Speaker 1>guess there's a sense of community. Like when we sit

0:11:45.480 --> 0:11:47.680
<v Speaker 1>here and talk about these old records, we go, yeah,

0:11:47.880 --> 0:11:51.600
<v Speaker 1>like did you see that Wayne Cochrane died? Okay, Wayne Cochrane,

0:11:51.640 --> 0:11:53.800
<v Speaker 1>the guy with a big blonde here. What I've forgotten

0:11:54.400 --> 0:11:56.960
<v Speaker 1>is he wrote the song last Kiss You didn't have

0:11:56.960 --> 0:11:59.000
<v Speaker 1>to hit first? You remember that song? Yeah, I was

0:11:59.120 --> 0:12:01.920
<v Speaker 1>on on a date. We can sit here and do Yeah,

0:12:01.960 --> 0:12:06.280
<v Speaker 1>who did that song? Uh? Somebody J and whatever. I

0:12:06.280 --> 0:12:09.319
<v Speaker 1>can't remember. It's like sixty four and Leaven Pearl. It's

0:12:09.320 --> 0:12:13.960
<v Speaker 1>about like a like an accident and there's a lot

0:12:14.000 --> 0:12:16.480
<v Speaker 1>of like tragic love songs exactly. But we can talk

0:12:16.520 --> 0:12:19.400
<v Speaker 1>about that word the pack then they always end up dying,

0:12:19.840 --> 0:12:23.520
<v Speaker 1>right exactly. Okay, So you were listening to the radio

0:12:23.600 --> 0:12:25.920
<v Speaker 1>before the Beatles hit. Yeah, I was listening to radio like,

0:12:25.920 --> 0:12:27.599
<v Speaker 1>I think I grew up like my ear on a

0:12:27.679 --> 0:12:32.000
<v Speaker 1>radio and you loved music. Are you buying records? The

0:12:32.000 --> 0:12:34.920
<v Speaker 1>first record I ever bought was Meet the Beatles. Okay,

0:12:35.040 --> 0:12:38.400
<v Speaker 1>so I mean I'm trying to think. Yeah, I bought records.

0:12:38.400 --> 0:12:40.360
<v Speaker 1>I my parents bought me records and stuff that I

0:12:40.360 --> 0:12:42.440
<v Speaker 1>Then I got a little guitar. It was about like

0:12:42.480 --> 0:12:44.760
<v Speaker 1>nine or ten that my dad brought me from Mexico.

0:12:46.400 --> 0:12:48.199
<v Speaker 1>I wanted it. You wanted it? Yeah, it was a

0:12:48.280 --> 0:12:49.839
<v Speaker 1>teeny little I wish I had it still, But I

0:12:49.880 --> 0:12:51.640
<v Speaker 1>had my twelve string that I brought my dad to

0:12:51.679 --> 0:12:53.360
<v Speaker 1>get me. That's there if I did that was such

0:12:53.400 --> 0:12:56.000
<v Speaker 1>a bad student. I got kicked out of two junior

0:12:56.080 --> 0:13:02.240
<v Speaker 1>highs regular public school. Yeah, why did you get kicked out? Well,

0:13:02.360 --> 0:13:06.400
<v Speaker 1>let's see the first time forging my parents signature, smoking weed.

0:13:06.440 --> 0:13:08.120
<v Speaker 1>But they didn't really catch me for smoking weed, but

0:13:08.160 --> 0:13:10.560
<v Speaker 1>they saw me smoking something. I was just a bad kids,

0:13:10.600 --> 0:13:12.920
<v Speaker 1>Like I kicked out a mallhole in junior high. Right then,

0:13:12.960 --> 0:13:14.400
<v Speaker 1>which when did you go to? But I got my

0:13:14.440 --> 0:13:17.040
<v Speaker 1>guitar first, I believe. Well. Then I went to north

0:13:17.080 --> 0:13:19.320
<v Speaker 1>Rough Junior High and I got kicked out because I

0:13:19.320 --> 0:13:21.400
<v Speaker 1>had this one of my teachers was such a bit

0:13:21.920 --> 0:13:23.400
<v Speaker 1>and I was flipping her off. I was about to

0:13:23.400 --> 0:13:25.320
<v Speaker 1>say fah, and I had my finger up, but the

0:13:25.679 --> 0:13:27.760
<v Speaker 1>didn't even come out, and my finger was up, and

0:13:27.800 --> 0:13:29.839
<v Speaker 1>she saw me and she sent me the This was

0:13:29.880 --> 0:13:32.040
<v Speaker 1>like a long this is crazy ship. So she sent

0:13:32.080 --> 0:13:34.440
<v Speaker 1>me the principle's office. But instead of going to principle's office,

0:13:34.480 --> 0:13:36.040
<v Speaker 1>I went with a friend of mine and stayed and

0:13:36.120 --> 0:13:39.800
<v Speaker 1>ran away from home and stayed with fugitive bank robbers

0:13:39.800 --> 0:13:42.800
<v Speaker 1>that were junkies for two weeks. I went hung beause

0:13:42.800 --> 0:13:45.520
<v Speaker 1>I missed my cat. For real? What did your parents

0:13:45.520 --> 0:13:48.120
<v Speaker 1>say about all this? They were looking I wish I

0:13:48.120 --> 0:13:49.360
<v Speaker 1>was if I was at my other place, I could

0:13:49.360 --> 0:13:50.680
<v Speaker 1>show you the actual thing that was in the paper

0:13:50.720 --> 0:13:53.200
<v Speaker 1>about Mr and Mrs Warren looking for their daughter Diane.

0:13:53.600 --> 0:13:56.120
<v Speaker 1>Really yeah, okay, so you get a hold and what

0:13:56.160 --> 0:13:57.839
<v Speaker 1>did they say? Well, no, they were happy I was

0:13:57.880 --> 0:13:59.679
<v Speaker 1>back and I was happy to see my cat. They

0:13:59.720 --> 0:14:02.439
<v Speaker 1>didn't they didn't they didn't hit you or anything. No, No,

0:14:02.600 --> 0:14:04.360
<v Speaker 1>they were happy I was alive. You know, the funniest

0:14:04.400 --> 0:14:06.440
<v Speaker 1>thing for my today's standard, I was an abused kid.

0:14:06.679 --> 0:14:10.000
<v Speaker 1>My father used day with a hair bra No, that's terrible.

0:14:10.520 --> 0:14:13.120
<v Speaker 1>That's terrible, but that's what happened. That's what it was.

0:14:13.160 --> 0:14:15.440
<v Speaker 1>The parents yelled at me a lot, you know. Okay,

0:14:15.520 --> 0:14:17.240
<v Speaker 1>so but now you come back, aren't they afraid you're

0:14:17.240 --> 0:14:19.200
<v Speaker 1>gonna run away again? No? I was cool. Then. I'm

0:14:19.200 --> 0:14:21.520
<v Speaker 1>trying to think of, well, maybe I went to Juvele

0:14:21.560 --> 0:14:23.360
<v Speaker 1>after that one time. I can't remember that before. And

0:14:23.480 --> 0:14:24.920
<v Speaker 1>I was like, I was kind of a rebel. I

0:14:24.960 --> 0:14:26.800
<v Speaker 1>was like, okay, you went to juvenile hall a couple

0:14:26.800 --> 0:14:29.160
<v Speaker 1>of times, and how long were you there? For? Two

0:14:29.200 --> 0:14:31.520
<v Speaker 1>weeks each? Okay, you go for two weeks. You're a

0:14:31.560 --> 0:14:34.240
<v Speaker 1>middle class of bourbon night. The people in Julie. My

0:14:34.280 --> 0:14:36.480
<v Speaker 1>parents turned me in. They found pot in my room. Okay,

0:14:36.520 --> 0:14:38.600
<v Speaker 1>but you'd go to juvenile there must be some rough

0:14:38.680 --> 0:14:40.800
<v Speaker 1>women there. It was it silmar. It was like like

0:14:40.840 --> 0:14:43.960
<v Speaker 1>I remember one girl had like what's it called sideburns?

0:14:44.600 --> 0:14:46.440
<v Speaker 1>And remember the guard when I came. When I was

0:14:46.480 --> 0:14:48.800
<v Speaker 1>like going through, they had roach clip earrings on. I'm like, well,

0:14:49.080 --> 0:14:52.160
<v Speaker 1>I appreciate it, irony. Even then, that's a roach clip

0:14:52.160 --> 0:14:56.280
<v Speaker 1>earrings on them, which I wait, was I bought from

0:14:56.280 --> 0:14:59.240
<v Speaker 1>the from the ice cream man. It's all weird, isn't it. Okay,

0:14:59.800 --> 0:15:02.240
<v Speaker 1>but were you scared when you were in drew the Hall. Yeah,

0:15:02.240 --> 0:15:04.680
<v Speaker 1>I was kind of like, kind of freaked out. Yeah,

0:15:04.840 --> 0:15:06.720
<v Speaker 1>I tried to hide and then yeah, I kind of

0:15:06.720 --> 0:15:08.920
<v Speaker 1>remember one time I had to sell and another time

0:15:08.960 --> 0:15:10.800
<v Speaker 1>it was a big room with a bunch of people.

0:15:11.480 --> 0:15:13.520
<v Speaker 1>I was like, see, I'm like, I got my street cred.

0:15:14.040 --> 0:15:16.480
<v Speaker 1>You really could be a rapper, you really do. But

0:15:16.480 --> 0:15:18.800
<v Speaker 1>but you do go you graduate from high school right,

0:15:19.000 --> 0:15:22.200
<v Speaker 1>barely barely? Yeah, and then you went to junior college.

0:15:22.200 --> 0:15:24.920
<v Speaker 1>I went to Pierce Junior College for two years, two years.

0:15:25.120 --> 0:15:26.920
<v Speaker 1>My dad said, as long as I went to college,

0:15:27.520 --> 0:15:29.680
<v Speaker 1>I'll support you. So I went to Pierce and you

0:15:29.720 --> 0:15:32.640
<v Speaker 1>were living at home. Yeah, well I lived at yeah,

0:15:32.680 --> 0:15:34.400
<v Speaker 1>at home most of the time. That for about six months,

0:15:34.440 --> 0:15:37.400
<v Speaker 1>I lived in an apartment, but someone kicked in my

0:15:37.600 --> 0:15:40.080
<v Speaker 1>walls in my I mean broke through my apartment and

0:15:41.080 --> 0:15:44.040
<v Speaker 1>long story, Okay, So then and I went back to

0:15:44.080 --> 0:15:45.360
<v Speaker 1>my mom and dad's house and I went to c

0:15:45.600 --> 0:15:48.680
<v Speaker 1>s un for two years. And I did then, which

0:15:48.680 --> 0:15:50.880
<v Speaker 1>is interesting. I took a lot of film kind of

0:15:50.920 --> 0:15:54.200
<v Speaker 1>classes to watch history and movies just so I didn't

0:15:54.200 --> 0:15:56.880
<v Speaker 1>have to do ship. So but but from that I

0:15:56.920 --> 0:15:58.600
<v Speaker 1>was like watching a lot of movies, and you know,

0:15:58.800 --> 0:16:01.040
<v Speaker 1>I probably learned how to two songs from movies from that.

0:16:01.280 --> 0:16:04.080
<v Speaker 1>And did you graduate? No, of course not. So let's

0:16:04.080 --> 0:16:06.600
<v Speaker 1>still have you wanted to go back? Now? I know

0:16:06.920 --> 0:16:09.080
<v Speaker 1>they did give me a special honor when I got it.

0:16:09.120 --> 0:16:11.040
<v Speaker 1>The c Sun gave me some I don't know what's

0:16:11.040 --> 0:16:13.720
<v Speaker 1>called distinguished alumni kind of thing, and I was like, hey,

0:16:13.760 --> 0:16:15.640
<v Speaker 1>you guys, I used to break into the practice rooms,

0:16:15.800 --> 0:16:18.000
<v Speaker 1>but thank you. But if you wanted to go back

0:16:18.000 --> 0:16:20.320
<v Speaker 1>and stop, you don't. How long would you have to

0:16:20.320 --> 0:16:24.440
<v Speaker 1>go back to college to graduate? Me? Ten years? Okay,

0:16:24.480 --> 0:16:27.880
<v Speaker 1>so your father buys you this guitar. Yeah, that's my

0:16:27.920 --> 0:16:29.720
<v Speaker 1>first guitar. But you want to know the story of

0:16:29.760 --> 0:16:31.480
<v Speaker 1>my second guitar. Let's start with the first guitar. You

0:16:31.520 --> 0:16:33.520
<v Speaker 1>get the first guitar when you're how old, I think,

0:16:33.560 --> 0:16:36.600
<v Speaker 1>like ten? Did you take lessons? Oh? This is a

0:16:36.600 --> 0:16:38.320
<v Speaker 1>good story. So my dad took me to somewhere to

0:16:38.320 --> 0:16:42.360
<v Speaker 1>take lessons, right somewhere in god what street was it.

0:16:42.360 --> 0:16:45.600
<v Speaker 1>It's like Devonshire and Balbo or somewhere around there, you know,

0:16:45.680 --> 0:16:48.440
<v Speaker 1>the area of valley. I had one guitar lesson and

0:16:48.440 --> 0:16:50.560
<v Speaker 1>I came back the next week and the guitar teacher

0:16:50.600 --> 0:16:52.640
<v Speaker 1>told my dad, Mr. Warren, don't bring your daughter back.

0:16:52.680 --> 0:16:54.960
<v Speaker 1>She has no future in music because I didn't want

0:16:54.960 --> 0:16:57.880
<v Speaker 1>to do stupid scales. Gave me these scales and ships.

0:16:59.600 --> 0:17:00.880
<v Speaker 1>I don't know what it was, but I'm like, I

0:17:00.920 --> 0:17:03.880
<v Speaker 1>want to make up my own songs. The guy said

0:17:03.880 --> 0:17:06.600
<v Speaker 1>you had no future of music. Were you discouraged? No?

0:17:06.960 --> 0:17:09.000
<v Speaker 1>But that's that's me. Whenever someone says ship like that,

0:17:09.040 --> 0:17:12.080
<v Speaker 1>it kind of gets me going, Okay, so you have

0:17:12.160 --> 0:17:15.159
<v Speaker 1>that guitar, you you have one lesson? Then do you

0:17:15.520 --> 0:17:17.960
<v Speaker 1>started making up my own songs? I started writing. You know,

0:17:18.080 --> 0:17:20.199
<v Speaker 1>I'm sure they were the really horrible songs. Right. So

0:17:20.240 --> 0:17:23.560
<v Speaker 1>I'm like ten years old and time goes on. Um,

0:17:23.600 --> 0:17:24.920
<v Speaker 1>you know there was a twelve I wanted a twelve

0:17:24.920 --> 0:17:29.680
<v Speaker 1>string Martin guitar. Why, I love? How did you even

0:17:29.680 --> 0:17:31.600
<v Speaker 1>know what a Martin guitar was? I don't know. I

0:17:31.640 --> 0:17:33.320
<v Speaker 1>somehow I knew, and I knew what a twelve string was.

0:17:33.359 --> 0:17:36.240
<v Speaker 1>I don't know. Um, And so my dad said, if

0:17:36.280 --> 0:17:39.080
<v Speaker 1>you get nothing less than a B now, I all

0:17:39.119 --> 0:17:41.879
<v Speaker 1>I had was D S. F. Sence's. I hated school.

0:17:42.160 --> 0:17:43.960
<v Speaker 1>I hated and I don't even know what I don't know.

0:17:44.000 --> 0:17:45.640
<v Speaker 1>I never took math. I don't know how I even

0:17:45.760 --> 0:17:48.720
<v Speaker 1>I don't. I can barely add the subtract and whatever.

0:17:49.359 --> 0:17:52.159
<v Speaker 1>Thank God for calculators. Um, And my dad said, if

0:17:52.200 --> 0:17:54.280
<v Speaker 1>I if you don't get anything less than a B.

0:17:55.080 --> 0:17:58.840
<v Speaker 1>So one semester, no a's but kind of bees And

0:17:58.920 --> 0:18:01.200
<v Speaker 1>I got the twelve string of our next semester back

0:18:01.240 --> 0:18:03.760
<v Speaker 1>to the FS. Okay, how old were you when you

0:18:03.760 --> 0:18:07.000
<v Speaker 1>got the twelve string guitar? Okay? How did you know

0:18:07.000 --> 0:18:09.520
<v Speaker 1>how to tune it? And I still barely know to

0:18:09.560 --> 0:18:13.160
<v Speaker 1>tune it? You know, I figured it out. Okay, So

0:18:13.480 --> 0:18:15.480
<v Speaker 1>when you got the twelve string guitar? Did you get

0:18:15.520 --> 0:18:18.200
<v Speaker 1>more serious about writing songs? When I was about fourteen

0:18:18.240 --> 0:18:20.320
<v Speaker 1>or fifty and I got super serious, like obsessed. But

0:18:20.320 --> 0:18:22.639
<v Speaker 1>I'm still like that now, Like I'm just as obsessed

0:18:22.920 --> 0:18:25.560
<v Speaker 1>today as I was when I was like fifteen years song.

0:18:25.760 --> 0:18:28.640
<v Speaker 1>Let's talk. We'll talk about the genesis. So you're writing

0:18:28.800 --> 0:18:33.080
<v Speaker 1>songs believing? What what did you say? I thought it

0:18:33.080 --> 0:18:35.480
<v Speaker 1>was great? You thought you were great? So you thought

0:18:35.480 --> 0:18:37.200
<v Speaker 1>you were gonna make it? I did. I knew I

0:18:37.200 --> 0:18:39.080
<v Speaker 1>was gonna make it. Okay, but wait some but my dad,

0:18:39.119 --> 0:18:41.160
<v Speaker 1>I would take me to publishers. Not a little slower,

0:18:41.200 --> 0:18:44.800
<v Speaker 1>A little slower. So you get between eight and fourteen,

0:18:44.840 --> 0:18:48.160
<v Speaker 1>you got the Mexican guitar and you're writing songs. You're

0:18:48.200 --> 0:18:51.199
<v Speaker 1>writing songs, but you're not trying to exploit those songs. No,

0:18:51.400 --> 0:18:53.960
<v Speaker 1>not when I was twelve. Okay, once you get the

0:18:53.960 --> 0:18:57.679
<v Speaker 1>Martin guitar, yeah, I started. Yeah, I started getting really serious,

0:18:57.720 --> 0:19:00.560
<v Speaker 1>like really obsessed, and I started writing a lot of songs. Okay,

0:19:00.600 --> 0:19:02.680
<v Speaker 1>let's stop for a second. Did you have any friends,

0:19:03.480 --> 0:19:07.040
<v Speaker 1>have friends? I'm more anti social. My friends that were

0:19:07.080 --> 0:19:09.240
<v Speaker 1>like all going out and boy crazy you and all

0:19:09.280 --> 0:19:12.080
<v Speaker 1>this ship. All I cared about was music. And so

0:19:12.119 --> 0:19:15.240
<v Speaker 1>you're there playing the guitar. What did your friends think

0:19:15.240 --> 0:19:17.720
<v Speaker 1>about you and the guitar and you're writing songs. Some

0:19:17.720 --> 0:19:19.399
<v Speaker 1>some of my friends were really cool about it. Some

0:19:19.480 --> 0:19:22.560
<v Speaker 1>were like, you know, you know fun. You know, I'd

0:19:22.560 --> 0:19:25.120
<v Speaker 1>be sitting in the bathroom because bathrooms have really good acoustics,

0:19:25.560 --> 0:19:27.760
<v Speaker 1>so I'd be sitting there with my guitar, and then, um,

0:19:27.800 --> 0:19:33.000
<v Speaker 1>you know, then my dad took me. Supposedly, Dwayne Allman

0:19:33.080 --> 0:19:35.640
<v Speaker 1>used to pick his guitar to the bathroom. It's great,

0:19:35.920 --> 0:19:38.080
<v Speaker 1>but in any event, so your sounds are great. I

0:19:38.080 --> 0:19:40.560
<v Speaker 1>mean is the acoustics. You would come home from school

0:19:40.720 --> 0:19:44.320
<v Speaker 1>every day and you would practice. I would write songs.

0:19:44.359 --> 0:19:46.199
<v Speaker 1>My dad got me a shed in the backroom the

0:19:46.240 --> 0:19:48.240
<v Speaker 1>house where I could go. So it's like one of

0:19:48.240 --> 0:19:50.760
<v Speaker 1>those sheds you buy somewhere or even like at home depot.

0:19:51.359 --> 0:19:53.440
<v Speaker 1>I had one. It's it's still there at my mom

0:19:53.440 --> 0:19:55.359
<v Speaker 1>and dad's house. Well they're not there, but that the

0:19:55.359 --> 0:19:57.800
<v Speaker 1>shed still is. And my dad would get me a

0:19:57.880 --> 0:20:00.239
<v Speaker 1>heater for the winter, one of those little hit heater, right,

0:20:00.400 --> 0:20:02.439
<v Speaker 1>So I just go there after school and I'd be

0:20:02.480 --> 0:20:05.359
<v Speaker 1>there like day and night. And when did you decide? Okay,

0:20:05.400 --> 0:20:08.000
<v Speaker 1>I'm ready. I always thought I was ready when I

0:20:08.040 --> 0:20:09.960
<v Speaker 1>was about fifteen. Okay, when I was fifteen, do you

0:20:10.000 --> 0:20:12.840
<v Speaker 1>know something called the Songwriters Showcase. I've heard that. It

0:20:12.920 --> 0:20:15.040
<v Speaker 1>was like, I don't think it's around him, but John

0:20:15.040 --> 0:20:17.960
<v Speaker 1>Braheenian Lynch. So they had this thing at the time,

0:20:18.040 --> 0:20:20.520
<v Speaker 1>was like Capitol Records, and it was I don't remember

0:20:20.520 --> 0:20:22.919
<v Speaker 1>where it was art Let Bows or something like that,

0:20:23.000 --> 0:20:24.800
<v Speaker 1>but I but when I came, it was at that

0:20:24.840 --> 0:20:27.000
<v Speaker 1>place that turned into a club on the second floor

0:20:27.040 --> 0:20:30.199
<v Speaker 1>on Robertson whatever. But this was before I was in

0:20:30.359 --> 0:20:32.760
<v Speaker 1>l a so well. I was like the youngest person

0:20:32.760 --> 0:20:35.360
<v Speaker 1>that came in there. They dodge edition you and they'd

0:20:35.359 --> 0:20:37.600
<v Speaker 1>always say, you know you're not ready yet, come back,

0:20:37.640 --> 0:20:39.399
<v Speaker 1>and then I go, yeah, I know, I'm ready. I

0:20:39.440 --> 0:20:41.680
<v Speaker 1>was an arrogant, little asshole. And then my dad would

0:20:41.680 --> 0:20:44.440
<v Speaker 1>go listen to them, you know, and they'd go, Mr Warren,

0:20:44.440 --> 0:20:47.240
<v Speaker 1>wait in the other room. Because you had to audition

0:20:47.320 --> 0:20:49.439
<v Speaker 1>to be on the main shop, just to and it

0:20:49.480 --> 0:20:51.600
<v Speaker 1>wasn't to be a performance to have your songs heard,

0:20:52.040 --> 0:20:54.560
<v Speaker 1>you know, so we wait, wait, wait, someone else would

0:20:54.560 --> 0:20:56.800
<v Speaker 1>perform your song. You know, you'd prefer yourself and I'm

0:20:56.800 --> 0:20:58.879
<v Speaker 1>not not but it's not a bopping, you know. For me,

0:20:58.920 --> 0:21:00.960
<v Speaker 1>it wasn't abouping. A performed was about I never wanted

0:21:01.000 --> 0:21:03.560
<v Speaker 1>to be a performer. So finally they let me on.

0:21:03.600 --> 0:21:05.919
<v Speaker 1>I was I was a little maybe almost sixteen and

0:21:05.960 --> 0:21:08.440
<v Speaker 1>stuff and and so that was like cool, but you know,

0:21:08.520 --> 0:21:11.919
<v Speaker 1>nothing happened, and then you know, something to happen, you know,

0:21:13.080 --> 0:21:15.280
<v Speaker 1>I always expected something happened. But then at the same time,

0:21:15.320 --> 0:21:17.800
<v Speaker 1>my dad was taking me to publishers and things like that. Okay,

0:21:17.880 --> 0:21:21.199
<v Speaker 1>so I like I I'd have meetings with publishers and

0:21:21.200 --> 0:21:23.680
<v Speaker 1>they'd go, you have a lot of talent, and and

0:21:24.040 --> 0:21:25.680
<v Speaker 1>my dad would say, well, if you think she has talent,

0:21:25.680 --> 0:21:28.880
<v Speaker 1>why don't you paying this stuff? And it was kind

0:21:28.880 --> 0:21:31.440
<v Speaker 1>of funny, and I'd be I'd be I was a

0:21:31.440 --> 0:21:33.760
<v Speaker 1>little like, that's really arrogant, and I'd be like, you're

0:21:33.760 --> 0:21:36.320
<v Speaker 1>gonna be sorry someday that you didn't sign me. Well,

0:21:36.320 --> 0:21:38.880
<v Speaker 1>that's probably why you made it. But I'm really good

0:21:38.920 --> 0:21:41.679
<v Speaker 1>with with um, what's the what's the word you know

0:21:41.720 --> 0:21:45.359
<v Speaker 1>when fighting against something? Okay, but um, how did you

0:21:45.400 --> 0:21:47.280
<v Speaker 1>decide you didn't want to be a performer. I never

0:21:47.280 --> 0:21:48.960
<v Speaker 1>wanted to be a performer. I would see a little

0:21:49.000 --> 0:21:51.240
<v Speaker 1>i'd see the name on a record. The first one

0:21:51.280 --> 0:21:53.520
<v Speaker 1>that I noticed I ever saw was up on the roof.

0:21:53.440 --> 0:21:56.080
<v Speaker 1>I saw Gotham King. I go, I want to be that.

0:21:56.160 --> 0:21:57.840
<v Speaker 1>And that's before I even was a songwriter, which is

0:21:57.880 --> 0:22:00.560
<v Speaker 1>really weird. Okay, so your dad is taking you to

0:22:00.600 --> 0:22:04.359
<v Speaker 1>publishers anybody bite No? I mean they all said like,

0:22:04.400 --> 0:22:06.399
<v Speaker 1>you have a lot of talent and blah blah blah

0:22:06.400 --> 0:22:09.760
<v Speaker 1>blah blah blah. You know. Yeah, nothing really happened. And

0:22:09.760 --> 0:22:11.760
<v Speaker 1>then I met a friend. Through a friend, I had

0:22:11.760 --> 0:22:14.120
<v Speaker 1>my first song published, but nothing happened there and then

0:22:14.240 --> 0:22:17.000
<v Speaker 1>you know, later on I met this guy, that producer,

0:22:17.080 --> 0:22:19.440
<v Speaker 1>Laura Brown again and I signed with him, and Laura

0:22:19.520 --> 0:22:20.560
<v Speaker 1>was kind of big and that was kind of the

0:22:20.600 --> 0:22:23.480
<v Speaker 1>first artist. Okay. So how long did you How old

0:22:23.480 --> 0:22:26.800
<v Speaker 1>were you when you made the Laura Brannigan deal funk

0:22:26.840 --> 0:22:32.960
<v Speaker 1>with Jack Um? Eighties like twenty three? Okay, So you

0:22:32.960 --> 0:22:35.840
<v Speaker 1>thought this was gonna be your one big break? Yeah,

0:22:35.880 --> 0:22:38.520
<v Speaker 1>you know, I just I've always had I've always believed

0:22:38.520 --> 0:22:40.879
<v Speaker 1>in myself, like I never I mean, I might not

0:22:41.000 --> 0:22:44.800
<v Speaker 1>have foreseen this level of success, but I always knew,

0:22:45.040 --> 0:22:47.800
<v Speaker 1>like there wasn't a plan B. It was this a

0:22:47.800 --> 0:22:50.640
<v Speaker 1>homeless person probably. Okay, So how did you how did

0:22:50.680 --> 0:22:52.800
<v Speaker 1>you convince? Tell us a little bit slower, how it

0:22:52.840 --> 0:22:56.000
<v Speaker 1>came together with that guy and Laura Brannigan. I you know,

0:22:56.560 --> 0:22:59.200
<v Speaker 1>I had a co manager, My friend was co managing,

0:22:59.520 --> 0:23:02.000
<v Speaker 1>you know, working with the manager, and she played my

0:23:02.080 --> 0:23:04.400
<v Speaker 1>song for her and she gave it to the guy

0:23:04.440 --> 0:23:07.080
<v Speaker 1>named Jack White, not the White stripes, Jack right Um,

0:23:07.359 --> 0:23:10.080
<v Speaker 1>German record producer, and he signed me. It was a

0:23:10.119 --> 0:23:12.479
<v Speaker 1>horrible deal, but you know it was a start. Okay.

0:23:12.560 --> 0:23:15.320
<v Speaker 1>How long was the deal supposed to run? Supposed to

0:23:15.320 --> 0:23:16.560
<v Speaker 1>be a five year deal, but it was a hundred

0:23:16.600 --> 0:23:19.560
<v Speaker 1>percent publishing. There were things that weren't right about the deal,

0:23:19.720 --> 0:23:22.560
<v Speaker 1>and I decided to leave, and he decided to sue me.

0:23:23.280 --> 0:23:24.960
<v Speaker 1>And that's why I had to start my own publishing

0:23:24.960 --> 0:23:27.200
<v Speaker 1>company because that's when that's when i'd had Rhythm of

0:23:27.200 --> 0:23:29.280
<v Speaker 1>the Night. I had some stuff like that. But the

0:23:29.280 --> 0:23:31.600
<v Speaker 1>first hit with Laura Brannigan is I didn't write well.

0:23:31.640 --> 0:23:33.720
<v Speaker 1>I wrote lyrics to Solidaire that doesn't even count in

0:23:33.720 --> 0:23:36.080
<v Speaker 1>my mind. But I also wrote a song called Rhythm

0:23:36.080 --> 0:23:38.159
<v Speaker 1>of the Night right, which was a really big hit,

0:23:38.160 --> 0:23:40.359
<v Speaker 1>which recoup me, you know, five hundred times over. But

0:23:40.440 --> 0:23:41.919
<v Speaker 1>that was when you were still with him. I was

0:23:41.960 --> 0:23:45.680
<v Speaker 1>with him. Oh, I didn't realize that yourself a couple,

0:23:45.840 --> 0:23:48.320
<v Speaker 1>that it was around there where where I left him,

0:23:48.359 --> 0:23:50.560
<v Speaker 1>and you know, it was how did you get it?

0:23:51.080 --> 0:23:55.400
<v Speaker 1>How did that all happen? Because Arista Publishing in America

0:23:55.520 --> 0:23:57.960
<v Speaker 1>worked his songs and they put that together. So that

0:23:58.040 --> 0:23:59.920
<v Speaker 1>was great. So you had totally written the song. You

0:24:00.000 --> 0:24:02.600
<v Speaker 1>didn't know who, I didn't know. The bars was for

0:24:02.640 --> 0:24:06.439
<v Speaker 1>a movie and you know, so it was for Last Dragon, Okay,

0:24:06.640 --> 0:24:11.400
<v Speaker 1>very the record hit that was a gigantic record put

0:24:11.400 --> 0:24:12.760
<v Speaker 1>me on the map. That was cool. I brove it

0:24:12.800 --> 0:24:15.600
<v Speaker 1>by myself. That was really cool. How did you um?

0:24:15.680 --> 0:24:17.400
<v Speaker 1>What was it like hearing the song on the radio

0:24:17.440 --> 0:24:19.359
<v Speaker 1>for the first awesome? By the way, it still is,

0:24:20.280 --> 0:24:22.680
<v Speaker 1>you know it still is. I was listening to that.

0:24:22.800 --> 0:24:24.320
<v Speaker 1>I just bought a new car. The first song I

0:24:24.359 --> 0:24:28.600
<v Speaker 1>heard was stand Up for Something. That's a recent song

0:24:28.720 --> 0:24:31.200
<v Speaker 1>the Diane Road for a movie about Third Good Marshall

0:24:31.560 --> 0:24:34.040
<v Speaker 1>that we hope will be nominated and win an oscar.

0:24:34.880 --> 0:24:41.679
<v Speaker 1>But the nominated for a Grammy, Right, the Grammys. That's

0:24:41.720 --> 0:24:43.960
<v Speaker 1>a whole another thing. Let's say on one subject at

0:24:44.040 --> 0:24:47.040
<v Speaker 1>one time. But did the reversion of Rhythm of the

0:24:47.160 --> 0:24:51.000
<v Speaker 1>Night correspond with your demo and your vision of the song?

0:24:51.359 --> 0:24:54.359
<v Speaker 1>The version? Yeah, it was a great record. Yeah, it

0:24:54.359 --> 0:24:56.280
<v Speaker 1>was pretty close to the demo. So if you ever

0:24:56.320 --> 0:24:59.000
<v Speaker 1>had a situation where you have a demo and someone's

0:24:59.000 --> 0:25:02.160
<v Speaker 1>totally changed it in your unhappy Yeah, and then there's

0:25:02.160 --> 0:25:03.560
<v Speaker 1>been a couple of those. But then if it becomes

0:25:03.560 --> 0:25:06.600
<v Speaker 1>a hit, I'm really happy, really really quickly. I really

0:25:06.640 --> 0:25:10.919
<v Speaker 1>changed my mind. Hey that's great. Okay, So how do

0:25:10.960 --> 0:25:14.160
<v Speaker 1>you decide you want to get out of the deal? Well,

0:25:14.160 --> 0:25:18.320
<v Speaker 1>it was a horrible deal. Um, and I guess he

0:25:18.320 --> 0:25:21.359
<v Speaker 1>he hadn't given me you know what, what's that? I'm

0:25:21.400 --> 0:25:23.800
<v Speaker 1>I'm so non artific, don't know. He gave me advance,

0:25:23.880 --> 0:25:27.480
<v Speaker 1>but he wasn't keeping track of wasn't Yeah, it wasn't

0:25:27.720 --> 0:25:30.760
<v Speaker 1>stuff like that. UM. And my lawyer and I just

0:25:30.800 --> 0:25:34.280
<v Speaker 1>didn't like the situation. And I I figured he should

0:25:34.280 --> 0:25:36.960
<v Speaker 1>have probably you know, changed the deal a little bit,

0:25:37.160 --> 0:25:39.800
<v Speaker 1>you know, when I recouped it a thousand million times

0:25:39.800 --> 0:25:43.280
<v Speaker 1>over UM. And so I kind of my my lawyer said, well,

0:25:43.320 --> 0:25:44.800
<v Speaker 1>you know what, he hasn't you know, given you your

0:25:44.840 --> 0:25:47.480
<v Speaker 1>latest statement. You know, you probably couldn't leave if you want.

0:25:47.520 --> 0:25:50.880
<v Speaker 1>So I did, and he sued me. And and that's

0:25:50.880 --> 0:25:52.240
<v Speaker 1>when a lot of people are trying to sign me.

0:25:52.240 --> 0:25:54.320
<v Speaker 1>And I like, I couldn't remember, like telling my lawyer,

0:25:54.359 --> 0:25:57.120
<v Speaker 1>like everybody's trying to sign me. All these companies says,

0:25:57.200 --> 0:25:59.919
<v Speaker 1>you can't signs, it will be collusion or whatever. Um,

0:26:00.320 --> 0:26:02.280
<v Speaker 1>and she goes, you need a meat for your company.

0:26:02.520 --> 0:26:04.040
<v Speaker 1>You know, you have to start your own company. I'm like,

0:26:04.080 --> 0:26:06.159
<v Speaker 1>but I don't want to start a monk. So you

0:26:06.280 --> 0:26:07.800
<v Speaker 1>know what, it kind of worked out right, I started,

0:26:09.119 --> 0:26:10.560
<v Speaker 1>and I don't want to start your own company. I

0:26:10.600 --> 0:26:12.479
<v Speaker 1>wanted at that time, I wanted to sign, you know,

0:26:12.520 --> 0:26:14.760
<v Speaker 1>with Chapel or Warner Brothers or whoever, all these other

0:26:14.760 --> 0:26:16.840
<v Speaker 1>people that were coming, because you thought they would actually

0:26:16.840 --> 0:26:18.239
<v Speaker 1>work your record. Yeah, but now I knew no one

0:26:18.240 --> 0:26:20.080
<v Speaker 1>could work my records like me. I mean, I still

0:26:20.119 --> 0:26:23.040
<v Speaker 1>you know, this is still the same way now. But

0:26:23.040 --> 0:26:25.400
<v Speaker 1>but so I so I I left him. He sued me.

0:26:25.480 --> 0:26:26.760
<v Speaker 1>You know a lot of my all my money got

0:26:26.760 --> 0:26:28.720
<v Speaker 1>tied up for for a bit. How long did it

0:26:28.760 --> 0:26:31.840
<v Speaker 1>take to resolve that? I think about a year. But

0:26:31.880 --> 0:26:33.679
<v Speaker 1>I resolved at myself with them because we had to

0:26:33.680 --> 0:26:36.080
<v Speaker 1>go to a court thing before. There was some kind

0:26:36.080 --> 0:26:37.399
<v Speaker 1>of I don't know what that is. So basically you

0:26:37.400 --> 0:26:39.639
<v Speaker 1>had to pay him. No, No, I saw him at

0:26:39.680 --> 0:26:42.159
<v Speaker 1>the what's what was it? Before you go to trial?

0:26:42.200 --> 0:26:43.440
<v Speaker 1>You have to go to there was some kind of

0:26:43.480 --> 0:26:46.000
<v Speaker 1>thing we had to go to me. It wasn't a mediation,

0:26:46.000 --> 0:26:47.720
<v Speaker 1>but it was like we had a meeting court whatever

0:26:47.760 --> 0:26:49.239
<v Speaker 1>it was. And I said to him, why are we

0:26:49.400 --> 0:26:50.840
<v Speaker 1>letting the lawyers get rich? Why don't you? And I

0:26:50.920 --> 0:26:54.359
<v Speaker 1>just settled ourselves literally next day I settle it with him. Wow,

0:26:54.560 --> 0:26:57.600
<v Speaker 1>And just that, just that fast, you started your own

0:26:57.720 --> 0:26:59.320
<v Speaker 1>I had started my own company. But just that faster

0:26:59.400 --> 0:27:03.439
<v Speaker 1>everything got w don't hey, it's Bob left Sets. I

0:27:03.440 --> 0:27:06.360
<v Speaker 1>thank you for your time. Welcome to my new podcast,

0:27:06.480 --> 0:27:10.640
<v Speaker 1>the Bob left Sets Podcast. Remember to subscribe on tune in,

0:27:10.760 --> 0:27:16.600
<v Speaker 1>iTunes or wherever you get your podcasts. So you said

0:27:16.600 --> 0:27:19.480
<v Speaker 1>you're the best promoter of your own song. I've always been.

0:27:19.800 --> 0:27:21.720
<v Speaker 1>You've always been, So tell her what does you know

0:27:21.720 --> 0:27:25.000
<v Speaker 1>what it is? Because I really believe in them. Like, Okay,

0:27:25.040 --> 0:27:28.040
<v Speaker 1>so when you were writing a song, and you famously

0:27:28.080 --> 0:27:31.680
<v Speaker 1>write six days a week, right, yeah, you what percentage

0:27:31.680 --> 0:27:34.080
<v Speaker 1>of the time are you writing for a specific artist?

0:27:34.400 --> 0:27:36.280
<v Speaker 1>What's the time now? I'm just writing songs. A song

0:27:36.320 --> 0:27:38.880
<v Speaker 1>I want to write, That's why I do it. Let's

0:27:38.880 --> 0:27:40.640
<v Speaker 1>get back to the inspiration a second. But let's say

0:27:40.680 --> 0:27:43.480
<v Speaker 1>the song is now finished. How do you work it?

0:27:43.800 --> 0:27:46.120
<v Speaker 1>S moms, I forget to even demo it. Some some moms,

0:27:46.119 --> 0:27:48.080
<v Speaker 1>I just go on to the next song. But if

0:27:48.080 --> 0:27:50.080
<v Speaker 1>I demo it and I maybe maybe I demo and

0:27:50.080 --> 0:27:51.320
<v Speaker 1>I have somebody in mind. I know I'm going to

0:27:51.400 --> 0:27:53.919
<v Speaker 1>work with somebody. Okay, maybe it's time to denmload that

0:27:53.960 --> 0:27:55.959
<v Speaker 1>song and let's let's work that work on that. You know,

0:27:56.240 --> 0:27:59.040
<v Speaker 1>so it's at let's say you have a demo song,

0:28:00.200 --> 0:28:02.160
<v Speaker 1>call us the nuts and bolts of how you actually

0:28:02.160 --> 0:28:06.000
<v Speaker 1>work it. It could be somebody calling me for something

0:28:06.040 --> 0:28:08.680
<v Speaker 1>that that I know, like you now you're an icon,

0:28:09.520 --> 0:28:12.160
<v Speaker 1>when you we're still hustling. I still you know what

0:28:12.320 --> 0:28:15.000
<v Speaker 1>everybody has to hustle. I hustle, I still hustle. I

0:28:15.000 --> 0:28:18.080
<v Speaker 1>would say, we'll give us an example of that. I mean,

0:28:18.400 --> 0:28:20.560
<v Speaker 1>I'll call people up and I'll and I'll you know,

0:28:21.119 --> 0:28:23.359
<v Speaker 1>with the songs right for them. I don't have you know,

0:28:23.440 --> 0:28:26.199
<v Speaker 1>any ego about it remotely. Okay, let's say I'm an

0:28:26.240 --> 0:28:28.919
<v Speaker 1>act and you have a song you things for pitch me.

0:28:29.720 --> 0:28:31.800
<v Speaker 1>I'll say, let's let's meet up. Let's talk about what

0:28:31.920 --> 0:28:33.679
<v Speaker 1>kind of record you're making, and let me play you

0:28:33.720 --> 0:28:36.000
<v Speaker 1>a song that I think is right for you. And

0:28:36.240 --> 0:28:38.360
<v Speaker 1>what if I say no, I write my own songs,

0:28:39.440 --> 0:28:41.840
<v Speaker 1>I'll see you probably shouldn't be now. But usually but

0:28:41.880 --> 0:28:45.040
<v Speaker 1>like okay, like today, you know unnamed artist, you know

0:28:45.080 --> 0:28:47.040
<v Speaker 1>that that I that I worked with and a great

0:28:47.120 --> 0:28:48.960
<v Speaker 1>artist someone who had who had a monster head a

0:28:49.000 --> 0:28:52.880
<v Speaker 1>couple of years ago. Um, never never done an outside song.

0:28:53.000 --> 0:28:54.640
<v Speaker 1>And you know we were meeting up and I go, look,

0:28:54.680 --> 0:28:56.840
<v Speaker 1>I'm gonna play something. I think it's great for you,

0:28:56.880 --> 0:28:59.320
<v Speaker 1>and there's no pressure. I had two songs in mine

0:28:59.840 --> 0:29:02.600
<v Speaker 1>the one song it didn't fit, but I kind of knew.

0:29:03.040 --> 0:29:05.080
<v Speaker 1>So as I was walking here from the other office,

0:29:05.720 --> 0:29:08.440
<v Speaker 1>I had like this, you know, kind of thing came

0:29:08.480 --> 0:29:10.880
<v Speaker 1>to my mind, and now this is the song. I

0:29:10.880 --> 0:29:12.600
<v Speaker 1>played it for him and I just saw the smile

0:29:12.640 --> 0:29:14.840
<v Speaker 1>on his face and he started singing with me, and

0:29:14.880 --> 0:29:16.600
<v Speaker 1>it was just like the way he was singing this song,

0:29:16.880 --> 0:29:18.840
<v Speaker 1>and he goes, how did you know this is something

0:29:18.880 --> 0:29:21.080
<v Speaker 1>I'm going on in my life right now? It's just weird.

0:29:21.120 --> 0:29:23.800
<v Speaker 1>So it's like, you know, I'm like the song Whisperer, right.

0:29:23.920 --> 0:29:26.600
<v Speaker 1>You know. So now you told me earlier today that

0:29:26.760 --> 0:29:29.080
<v Speaker 1>you met this artist at a party. Yeah, yeah, yeah,

0:29:29.120 --> 0:29:31.280
<v Speaker 1>so you met the artist at a party. How did

0:29:31.400 --> 0:29:34.000
<v Speaker 1>you make it so you ultimately got together so you

0:29:34.120 --> 0:29:36.400
<v Speaker 1>could play him the song? You know? We were talking

0:29:36.400 --> 0:29:38.720
<v Speaker 1>and stuff and that I talked to his manager, his manager,

0:29:38.760 --> 0:29:40.200
<v Speaker 1>I think his manager was with him, and I just

0:29:40.280 --> 0:29:42.240
<v Speaker 1>I stayed in touch and I said, you know, let's

0:29:42.320 --> 0:29:44.320
<v Speaker 1>let's maybe we can do something. I'd love to do something,

0:29:44.400 --> 0:29:48.360
<v Speaker 1>so you are not worried about appearing too aggressive or

0:29:48.400 --> 0:29:51.400
<v Speaker 1>working in whatever. You'll call anybody. I don't I don't care,

0:29:51.480 --> 0:29:55.800
<v Speaker 1>you know, really it's all about the song. Okay, So

0:29:55.800 --> 0:29:58.520
<v Speaker 1>to what degree do you believe you're I mean, no

0:29:58.560 --> 0:30:01.400
<v Speaker 1>one ever says, hey, you know you're working it too hard,

0:30:01.480 --> 0:30:04.560
<v Speaker 1>stay away from me. Some people think I'm working too

0:30:04.560 --> 0:30:06.760
<v Speaker 1>hard sometimes, you know, I think I can tend to

0:30:06.760 --> 0:30:08.760
<v Speaker 1>be that way. You know what it's It's like you're

0:30:08.760 --> 0:30:11.080
<v Speaker 1>a pain in the ass until until you're not until

0:30:11.120 --> 0:30:13.520
<v Speaker 1>they and then you're like, I love your passion. Okay,

0:30:13.920 --> 0:30:16.720
<v Speaker 1>you know this is you know, this is the contradiction

0:30:16.760 --> 0:30:21.320
<v Speaker 1>I can't understand, okay, in that you are very aggressive

0:30:21.720 --> 0:30:24.920
<v Speaker 1>with your songs and very successful, but in your personal

0:30:24.960 --> 0:30:27.480
<v Speaker 1>life you're not that way. No, I don't really have

0:30:27.480 --> 0:30:29.680
<v Speaker 1>a personal life. I have my friends and stuff, but

0:30:29.720 --> 0:30:31.120
<v Speaker 1>I have my own personal I mean, I don't know.

0:30:31.120 --> 0:30:34.400
<v Speaker 1>I just but but as I say, you were very

0:30:34.400 --> 0:30:38.479
<v Speaker 1>aggressive in business. Look, look, I called you we we

0:30:38.600 --> 0:30:41.040
<v Speaker 1>you know, because I was excited about this song, right,

0:30:41.360 --> 0:30:42.800
<v Speaker 1>you know, and that could have gone either way. What

0:30:42.880 --> 0:30:44.680
<v Speaker 1>if you didn't like else you could have written something something.

0:30:44.720 --> 0:30:47.400
<v Speaker 1>I took a chance, you know, but I believed in

0:30:47.440 --> 0:30:50.720
<v Speaker 1>it so much. But I'll make it sort of myself.

0:30:51.360 --> 0:30:54.480
<v Speaker 1>I love like being here now talking to you. Or

0:30:54.560 --> 0:30:56.280
<v Speaker 1>sometimes you go to an event you have a really

0:30:56.280 --> 0:30:58.880
<v Speaker 1>good time. But for me to sit at home and

0:30:58.920 --> 0:31:02.040
<v Speaker 1>say I'm gonna start creating action, it did. I just

0:31:02.080 --> 0:31:03.960
<v Speaker 1>would never do that. Like, if you put me in

0:31:04.000 --> 0:31:07.960
<v Speaker 1>this situation, I'm good, okay, but I won't aggressively try

0:31:08.000 --> 0:31:09.960
<v Speaker 1>to make it happen. I do. I like to make

0:31:10.000 --> 0:31:13.040
<v Speaker 1>things happen, and I like just to But when I

0:31:13.080 --> 0:31:15.680
<v Speaker 1>really believe you can't stop me, I could be annoying.

0:31:15.680 --> 0:31:17.200
<v Speaker 1>I guess, I mean, I guess some people like you

0:31:17.200 --> 0:31:19.280
<v Speaker 1>know well as I say, it's just the it's just

0:31:19.520 --> 0:31:22.400
<v Speaker 1>the you know, the opposite side of your personality. When

0:31:22.400 --> 0:31:24.200
<v Speaker 1>it comes to you pushing the song. In your career,

0:31:24.240 --> 0:31:27.680
<v Speaker 1>you're very straightforward, whereas when you're in your personal life

0:31:27.720 --> 0:31:31.920
<v Speaker 1>you're more doubting, more shy. Yeah, yeah, that is just fascinating.

0:31:32.000 --> 0:31:34.600
<v Speaker 1>It is weird because in real life I'm a shy person, right,

0:31:34.680 --> 0:31:38.960
<v Speaker 1>like totally shy and totally insecure. So okay, after el DeBarge,

0:31:38.960 --> 0:31:43.160
<v Speaker 1>what was the next hit? Uh? Maybe nothing's gonna stop

0:31:43.240 --> 0:31:46.040
<v Speaker 1>us now I get weak. I don't know one of those.

0:31:46.240 --> 0:31:47.840
<v Speaker 1>So how did you end up working. You end up

0:31:47.840 --> 0:31:50.240
<v Speaker 1>working with a who's who of artists. I kind of

0:31:50.280 --> 0:31:52.760
<v Speaker 1>probably almost worked with everybody, and so okay, at the

0:31:52.800 --> 0:31:55.880
<v Speaker 1>beginning of that, as I say before, you're so well known,

0:31:56.840 --> 0:31:59.920
<v Speaker 1>you just approach these people like, how did you end up?

0:32:00.320 --> 0:32:03.600
<v Speaker 1>How do you end up working with Aerosmith? That was

0:32:03.720 --> 0:32:06.760
<v Speaker 1>I've done the song for Armageddon, And that was Kathy Nelson.

0:32:07.160 --> 0:32:11.240
<v Speaker 1>You know, you know Kathy, She's an interesting person. She's

0:32:11.240 --> 0:32:14.640
<v Speaker 1>been behind some of the biggest soundtracks and soundtrack hits

0:32:14.680 --> 0:32:16.840
<v Speaker 1>ever like, and she kind of almost created the whole

0:32:16.840 --> 0:32:20.960
<v Speaker 1>soundtrack thing. You should talk to her. She's fascinating actually, um,

0:32:21.120 --> 0:32:23.480
<v Speaker 1>And it was Kathy. Kathy could couldn't get any she

0:32:23.520 --> 0:32:25.520
<v Speaker 1>could get any artists to do anything. I remember writing

0:32:25.520 --> 0:32:27.520
<v Speaker 1>the song and I thought it was a girls song

0:32:27.680 --> 0:32:30.240
<v Speaker 1>and Kathy's Kathy goes, no, we're getting Erroosmith. They're not

0:32:30.280 --> 0:32:32.560
<v Speaker 1>gonna do my song. You know, Steven Tyler is not

0:32:32.600 --> 0:32:34.360
<v Speaker 1>going to do a song again, you know, a song

0:32:34.360 --> 0:32:36.560
<v Speaker 1>he didn't write. I didn't wouldn't think Erroosmith would, and

0:32:36.600 --> 0:32:38.640
<v Speaker 1>they did. It was the biggest hit hit ever and

0:32:38.680 --> 0:32:42.440
<v Speaker 1>they're okay, So you wrote the song because Kathy wanted

0:32:42.480 --> 0:32:43.960
<v Speaker 1>you to write. You know, I wrote the song for

0:32:43.960 --> 0:32:45.640
<v Speaker 1>the movie. That's what I'm trying to say. You had

0:32:45.680 --> 0:32:48.000
<v Speaker 1>no connection with Aerosmith. She had the connection. She had

0:32:48.000 --> 0:32:50.080
<v Speaker 1>the connection with I mean, I had met Aerosmith before

0:32:50.080 --> 0:32:52.920
<v Speaker 1>I worked with him, But I mean it wasn't me

0:32:53.000 --> 0:32:55.880
<v Speaker 1>that got them the song. How often is it like that?

0:32:55.960 --> 0:32:58.000
<v Speaker 1>And how often is you personally? Most of the time

0:32:58.040 --> 0:33:00.040
<v Speaker 1>I get I get the artist, you know, with a

0:33:00.080 --> 0:33:02.080
<v Speaker 1>Degaga wountil it happens to you. I called her on

0:33:02.080 --> 0:33:06.840
<v Speaker 1>the phone, played it for her Andre Common you know, Okay, okay,

0:33:06.840 --> 0:33:09.840
<v Speaker 1>all that stuff everything. How often do you call somebody

0:33:09.840 --> 0:33:15.160
<v Speaker 1>pitching a song? Um, I do it? I mean every day. Well,

0:33:15.160 --> 0:33:17.560
<v Speaker 1>it depends on the songs. It's always situational, you know.

0:33:18.000 --> 0:33:20.280
<v Speaker 1>But I'm just talking in a week in your word,

0:33:20.360 --> 0:33:21.640
<v Speaker 1>I don't know if I do it in a week,

0:33:21.680 --> 0:33:24.560
<v Speaker 1>you know, calling artists or something. But I'm pitching something,

0:33:25.080 --> 0:33:26.920
<v Speaker 1>you know, or they're pitching me. You know. It's like

0:33:26.960 --> 0:33:28.640
<v Speaker 1>it's something's going on. Well, how much time do you

0:33:28.720 --> 0:33:32.160
<v Speaker 1>have to spend doing that? I don't know. It's fine,

0:33:32.320 --> 0:33:34.240
<v Speaker 1>I'm fine that that's part of the process. Well, I

0:33:34.240 --> 0:33:36.680
<v Speaker 1>guess for me, it's like like it's it's another side

0:33:36.680 --> 0:33:38.720
<v Speaker 1>of it. It's just another side of my brain. But

0:33:38.800 --> 0:33:41.200
<v Speaker 1>in a perfect world, I'll wake up at noon and

0:33:41.240 --> 0:33:42.720
<v Speaker 1>go to bed at four am. And one of the

0:33:42.720 --> 0:33:45.320
<v Speaker 1>things I say, I don't do it. I don't get

0:33:45.360 --> 0:33:48.040
<v Speaker 1>up that late anymore. I get up now about okay,

0:33:48.040 --> 0:33:51.160
<v Speaker 1>I get up at like six. What I hate about

0:33:51.280 --> 0:33:54.400
<v Speaker 1>the business day is people are looking for me all

0:33:54.480 --> 0:33:59.040
<v Speaker 1>day long, so it's very hard to be creative. Okay.

0:33:59.040 --> 0:34:01.880
<v Speaker 1>Whereas after or seven or eight, before you start hearing

0:34:01.920 --> 0:34:04.640
<v Speaker 1>from the UK at one one am or so, can't

0:34:04.640 --> 0:34:09.719
<v Speaker 1>you just turn your phone off? Theoretically I can turn something, yes,

0:34:09.840 --> 0:34:12.239
<v Speaker 1>or they don't want to miss a exactly. And there's

0:34:12.239 --> 0:34:14.000
<v Speaker 1>so many things going on. You're waiting to hear about

0:34:14.000 --> 0:34:16.480
<v Speaker 1>a doctor's appointment, or you leave your phone off and

0:34:16.520 --> 0:34:20.160
<v Speaker 1>you miss something. You know, it's hard to totally disconnect

0:34:20.160 --> 0:34:21.239
<v Speaker 1>and get in there. I can do it, So I

0:34:21.280 --> 0:34:23.520
<v Speaker 1>just say don't. I'm in my room. Don't let me

0:34:23.560 --> 0:34:25.960
<v Speaker 1>know about anything for a few hours. Okay. So if

0:34:25.960 --> 0:34:28.000
<v Speaker 1>you get up at six, I check my phone. Someone

0:34:28.000 --> 0:34:30.480
<v Speaker 1>really wants to find me sometimes. Okay, if you get

0:34:30.520 --> 0:34:32.399
<v Speaker 1>up at six, what do you do? Like six fift

0:34:32.840 --> 0:34:35.239
<v Speaker 1>I like watch the news all the insanity for about

0:34:35.280 --> 0:34:38.280
<v Speaker 1>a half hour. It's about quarter seven. I just get ready.

0:34:38.360 --> 0:34:40.440
<v Speaker 1>I leave the house at seven, leave the house at

0:34:40.440 --> 0:34:42.799
<v Speaker 1>seven thirty, and you come to the office. I go go,

0:34:42.920 --> 0:34:45.360
<v Speaker 1>I go get my coffee, my ice blend and mochus.

0:34:45.520 --> 0:34:50.320
<v Speaker 1>It's Starbucks aware coffee Bean, coffee bean and uh coffee

0:34:50.320 --> 0:34:53.799
<v Speaker 1>being predated Starbucks in Los Angeles. Did I've been going

0:34:53.880 --> 0:34:55.839
<v Speaker 1>I've been going seven at that office. I've been going

0:34:55.880 --> 0:34:58.600
<v Speaker 1>to coffee and they know you there obviously, now they

0:34:58.600 --> 0:35:00.480
<v Speaker 1>know what I know. I kind of walk, you know,

0:35:00.560 --> 0:35:05.799
<v Speaker 1>and get ready. So you get your coffee and then

0:35:05.840 --> 0:35:09.840
<v Speaker 1>what I read the paper, you know, which get the

0:35:10.040 --> 0:35:12.319
<v Speaker 1>l A times can I go online? And then I

0:35:12.360 --> 0:35:14.960
<v Speaker 1>try to be alone, but somehow someone tries to talk

0:35:14.960 --> 0:35:17.759
<v Speaker 1>to me. Okay, what are you looking for when you're

0:35:17.800 --> 0:35:20.600
<v Speaker 1>reading the paper or going on, like looking for inspiration

0:35:20.719 --> 0:35:24.720
<v Speaker 1>or just just reading the insanity of the world. Okay, yeah,

0:35:24.840 --> 0:35:26.799
<v Speaker 1>And then you say people start looking for you, you know,

0:35:26.920 --> 0:35:29.360
<v Speaker 1>just sometimes people know me that are over there, and

0:35:29.400 --> 0:35:31.520
<v Speaker 1>they like come and talk to me. So you're actually

0:35:31.600 --> 0:35:37.440
<v Speaker 1>at the coffee bean cats in my caring piece in

0:35:37.480 --> 0:35:39.880
<v Speaker 1>my car. And then how when do you leave the coffee?

0:35:39.880 --> 0:35:42.960
<v Speaker 1>Being how long do you get the coffee being minutes? Okay?

0:35:43.120 --> 0:35:46.040
<v Speaker 1>And then what happens, Let's go to work? No, No,

0:35:46.200 --> 0:35:48.000
<v Speaker 1>you go to your office. I go to my office.

0:35:48.040 --> 0:35:50.320
<v Speaker 1>I let my cat out of the cock, out of

0:35:50.360 --> 0:35:52.680
<v Speaker 1>the bag because she's been had to get her back

0:35:52.719 --> 0:35:53.879
<v Speaker 1>in the back. She gets out of the bag while

0:35:53.880 --> 0:35:55.359
<v Speaker 1>I'm getting coffee and peas in my car. But that's

0:35:55.360 --> 0:35:57.720
<v Speaker 1>a whole other story. Then I just go and start,

0:35:58.239 --> 0:36:00.960
<v Speaker 1>I mean literally just start writing us I don't know,

0:36:01.239 --> 0:36:03.360
<v Speaker 1>start working on what I'm working on, Okay, So I

0:36:03.360 --> 0:36:04.920
<v Speaker 1>mean I don't write a song a day, and I'm

0:36:04.920 --> 0:36:07.360
<v Speaker 1>just usually working on a song. So are you do

0:36:07.400 --> 0:36:09.520
<v Speaker 1>you work at more than one song at one time?

0:36:10.480 --> 0:36:12.040
<v Speaker 1>I try to work on one, but I kind of

0:36:12.120 --> 0:36:14.160
<v Speaker 1>end up working on more than one. And do you

0:36:14.320 --> 0:36:16.960
<v Speaker 1>ever not finish the song? I try not to know,

0:36:17.400 --> 0:36:20.440
<v Speaker 1>very very rarely try not to do something that I

0:36:20.520 --> 0:36:22.479
<v Speaker 1>don't love, so I have to When I love something,

0:36:22.480 --> 0:36:24.919
<v Speaker 1>I finish it. Well, how about things you don't love,

0:36:25.400 --> 0:36:28.719
<v Speaker 1>I try not to start them because I found you,

0:36:29.600 --> 0:36:32.560
<v Speaker 1>so I mean I always finished because you really sometimes

0:36:32.800 --> 0:36:35.200
<v Speaker 1>you're not the best judge of your own material, and

0:36:35.280 --> 0:36:37.160
<v Speaker 1>sometimes you go back and look at the starts and

0:36:37.160 --> 0:36:39.400
<v Speaker 1>you know I should have finished when the drugs were off, right.

0:36:39.600 --> 0:36:43.880
<v Speaker 1>I finish everything I start, so I try to. Okay,

0:36:43.920 --> 0:36:46.480
<v Speaker 1>So how long does it take you to write a song?

0:36:47.360 --> 0:36:50.440
<v Speaker 1>Um like, I work a week on a song sometimes, Okay,

0:36:50.800 --> 0:36:53.200
<v Speaker 1>lyrics take me a long time. What's the inspiration? I

0:36:53.200 --> 0:36:55.120
<v Speaker 1>don't know. You're asking about my process. I don't know

0:36:55.160 --> 0:36:58.560
<v Speaker 1>what ideas? You know what the inspiration ideas? I come

0:36:58.600 --> 0:37:01.080
<v Speaker 1>up with ideas like okay, but the idea, It's like

0:37:01.120 --> 0:37:03.480
<v Speaker 1>some of my best ideas come in the shower or

0:37:03.520 --> 0:37:07.000
<v Speaker 1>when I'm not paying attention to some of that. Or

0:37:07.040 --> 0:37:09.120
<v Speaker 1>do you sit there in the in the studio say

0:37:09.280 --> 0:37:11.000
<v Speaker 1>I'm going to a noodle on the piano until an

0:37:11.000 --> 0:37:12.799
<v Speaker 1>idea comes to me. I don't know. I don't I

0:37:12.800 --> 0:37:14.560
<v Speaker 1>don't even think about it. It's like so magical to

0:37:14.600 --> 0:37:16.880
<v Speaker 1>me that, you know, I just play. I play piano,

0:37:16.880 --> 0:37:19.399
<v Speaker 1>I play guitar, I might play some chords. I might

0:37:19.560 --> 0:37:22.360
<v Speaker 1>have a lyric idea. You know, I just see what happens.

0:37:22.400 --> 0:37:26.760
<v Speaker 1>It's not it's hard to describe it. I just do it. Okay.

0:37:27.080 --> 0:37:30.600
<v Speaker 1>I show up. People go, what's your process? I show up? Okay?

0:37:30.760 --> 0:37:32.799
<v Speaker 1>So you view it like a job. You show up

0:37:32.880 --> 0:37:37.080
<v Speaker 1>and you're working and seeing what's happening. Okay, and it

0:37:37.200 --> 0:37:41.680
<v Speaker 1>is a job? What's the job? I love? It's my life. What? Um?

0:37:42.520 --> 0:37:45.319
<v Speaker 1>What are your favorite topics to write about? I tend

0:37:45.320 --> 0:37:48.000
<v Speaker 1>to write a lot of love songs, which is ironic. Um,

0:37:48.080 --> 0:37:50.440
<v Speaker 1>But no, I don't know. I just like to write

0:37:51.600 --> 0:37:56.640
<v Speaker 1>because I've never been in love with Psycho. I'm in

0:37:56.640 --> 0:37:58.360
<v Speaker 1>love with my cat. I really am in love. Is

0:37:58.360 --> 0:38:00.279
<v Speaker 1>that weird? I'm like so in love with my How

0:38:00.280 --> 0:38:04.000
<v Speaker 1>old is your Cat's? Her name's mouse? Wow? Why is

0:38:04.000 --> 0:38:06.319
<v Speaker 1>she named mouse? Actually? When I first got her, she's

0:38:06.360 --> 0:38:08.279
<v Speaker 1>this weird looking cat, and I go, what the fund

0:38:08.320 --> 0:38:11.040
<v Speaker 1>is that looks like a mouse? So I became her name?

0:38:11.360 --> 0:38:13.959
<v Speaker 1>How what's the life expectancy of this? Help forever? Because

0:38:14.080 --> 0:38:19.120
<v Speaker 1>off to die when she died? So, um, do you

0:38:19.200 --> 0:38:21.719
<v Speaker 1>think I don't want to be the armchair psychologist? But

0:38:21.760 --> 0:38:24.160
<v Speaker 1>do you think you're writing about a perfect world that

0:38:24.200 --> 0:38:26.239
<v Speaker 1>you would like to inhabit yourself? No? You think I

0:38:26.239 --> 0:38:36.400
<v Speaker 1>want to hear someone breathetical breathing? Yeah? Really? Okay? Okay,

0:38:36.440 --> 0:38:39.440
<v Speaker 1>so but it's bebelievable. No, And I believe it when

0:38:39.440 --> 0:38:42.440
<v Speaker 1>I'm writing it, But I wouldn't want to live it. Okay,

0:38:42.560 --> 0:38:46.480
<v Speaker 1>that doesn't make it like not you know, a beautiful thing. Okay,

0:38:46.480 --> 0:38:48.680
<v Speaker 1>so you so you start. You have to listen to

0:38:48.680 --> 0:38:51.160
<v Speaker 1>my cat prayer said the same thing. I could stay

0:38:51.160 --> 0:38:54.160
<v Speaker 1>away and listen to her prayer. I guess that works.

0:38:54.200 --> 0:38:58.120
<v Speaker 1>I guess for me, you get the unconditional love with animals,

0:38:58.440 --> 0:39:01.879
<v Speaker 1>but you don't get the feed back. And I must

0:39:01.960 --> 0:39:05.120
<v Speaker 1>admit I'm the type of person who needs feedback. You know,

0:39:05.160 --> 0:39:07.879
<v Speaker 1>I get feedback from people, like with my music or life,

0:39:07.920 --> 0:39:09.920
<v Speaker 1>well just in life. I mean it's great, you know.

0:39:09.960 --> 0:39:12.360
<v Speaker 1>It's like I get feedback from my writing. And believe me,

0:39:12.400 --> 0:39:15.160
<v Speaker 1>I live for that feedback. That. Yeah, you get instant feedback, right,

0:39:15.160 --> 0:39:19.640
<v Speaker 1>and it's asshole reason I do it. But it's you know,

0:39:19.680 --> 0:39:21.680
<v Speaker 1>it's an irony. What do you think when someone do

0:39:21.680 --> 0:39:23.799
<v Speaker 1>do you like live for the when when someone like

0:39:23.920 --> 0:39:25.439
<v Speaker 1>you know, do you like does that get something going?

0:39:25.480 --> 0:39:29.080
<v Speaker 1>When someone's you know, it's an asshole to you and like,

0:39:29.280 --> 0:39:31.920
<v Speaker 1>you know, do you like that or is it kind

0:39:31.920 --> 0:39:37.040
<v Speaker 1>of you know? I I don't feelings, I think Okay,

0:39:37.080 --> 0:39:40.720
<v Speaker 1>everyone has different theories about this. I want to read

0:39:40.920 --> 0:39:43.239
<v Speaker 1>all the press. You're pretty fearless, right, I want to

0:39:43.239 --> 0:39:45.319
<v Speaker 1>read all the press, and I want to read all

0:39:45.360 --> 0:39:47.399
<v Speaker 1>the interviews because I want to be inoculated. I want

0:39:47.400 --> 0:39:49.120
<v Speaker 1>to go. People say they don't read their own reviews,

0:39:49.280 --> 0:39:51.080
<v Speaker 1>you're living in a bubble. I don't believe they don't

0:39:51.080 --> 0:39:53.080
<v Speaker 1>read their own reviews. I don't believe that. I don't

0:39:53.080 --> 0:39:55.440
<v Speaker 1>believe they just don't like to say they read, Like

0:39:55.440 --> 0:39:58.560
<v Speaker 1>who doesn't read their reviews? So, you know, then there's

0:39:58.600 --> 0:40:01.799
<v Speaker 1>a cliche. You know that you're you know, you're as

0:40:01.840 --> 0:40:04.360
<v Speaker 1>good as your good reviews and your bad reviews whatever.

0:40:04.960 --> 0:40:09.520
<v Speaker 1>But when someone you know or someone writes a particular

0:40:09.600 --> 0:40:12.880
<v Speaker 1>email or someone you trust, I have people that believe me.

0:40:12.880 --> 0:40:14.360
<v Speaker 1>When I'm working on songs, I have I have a

0:40:14.360 --> 0:40:16.839
<v Speaker 1>few people I try them out on. You know, they're

0:40:16.880 --> 0:40:19.879
<v Speaker 1>going to be really honest and you've written better you know? Okay,

0:40:19.880 --> 0:40:22.960
<v Speaker 1>wait do you try out everything? Yeah? Really? Yeah? When

0:40:22.960 --> 0:40:24.680
<v Speaker 1>I come up with a start, I love those people

0:40:24.680 --> 0:40:26.319
<v Speaker 1>in my office that I definitely go, so what do

0:40:26.320 --> 0:40:30.440
<v Speaker 1>you think? You know? Wow? Yeah, I want and I

0:40:30.480 --> 0:40:33.160
<v Speaker 1>want constructive Christism. I want people to be honest. I

0:40:33.200 --> 0:40:36.120
<v Speaker 1>have producers. I'll here, I'll play stuff. Could that be better?

0:40:36.320 --> 0:40:39.680
<v Speaker 1>You know? Okay? How often do they say something and

0:40:39.719 --> 0:40:41.800
<v Speaker 1>you say no, but they say something you say, I

0:40:41.840 --> 0:40:44.319
<v Speaker 1>don't want to change it. It happens if I really

0:40:44.320 --> 0:40:45.920
<v Speaker 1>believe in it. But I'm I'm I don't have an

0:40:45.960 --> 0:40:48.319
<v Speaker 1>ego about it. So if someone shows me something that's better,

0:40:48.920 --> 0:40:51.480
<v Speaker 1>thank you. But generally speaking, don't you write all your

0:40:51.520 --> 0:40:53.560
<v Speaker 1>songs by yourself? I do, But someone can say, like

0:40:53.600 --> 0:40:56.000
<v Speaker 1>what about if you put that like, change that chord

0:40:56.200 --> 0:40:58.879
<v Speaker 1>to major a minor? Here voice it this way. That's

0:40:59.000 --> 0:41:02.239
<v Speaker 1>still right. I'm still writing songs, you know, but you

0:41:02.320 --> 0:41:05.800
<v Speaker 1>have written songs with other people. Yeah, it's not not

0:41:05.760 --> 0:41:08.719
<v Speaker 1>not many, and so what's that experience, like, I mean,

0:41:08.920 --> 0:41:11.200
<v Speaker 1>it's it could be fun. I just prefer you know

0:41:11.320 --> 0:41:14.000
<v Speaker 1>my own process. I'm the same way. I mean, like

0:41:14.080 --> 0:41:18.400
<v Speaker 1>you don't want to co write you. The other thing

0:41:18.400 --> 0:41:20.160
<v Speaker 1>about it is, I don't know, you know, I can't

0:41:20.160 --> 0:41:23.359
<v Speaker 1>even be interrupted. Like if I'm working at my girlfriend's house,

0:41:23.400 --> 0:41:24.960
<v Speaker 1>I have to be she has one of these houses

0:41:25.000 --> 0:41:30.640
<v Speaker 1>with their no doors and exactly through the skylight and

0:41:33.440 --> 0:41:36.120
<v Speaker 1>you know it's an electric for uh, you're really sharp.

0:41:36.400 --> 0:41:37.480
<v Speaker 1>I don't know, my guy, I don't know if I

0:41:37.480 --> 0:41:39.800
<v Speaker 1>could go this fast with you, but it's an electric

0:41:40.080 --> 0:41:43.680
<v Speaker 1>fire you can't go through. So there's no chimney. Once

0:41:43.760 --> 0:41:45.200
<v Speaker 1>upon a time it was a real fire, but it

0:41:45.239 --> 0:41:48.080
<v Speaker 1>hasn't been for a long time. But I cannot be

0:41:48.120 --> 0:41:50.840
<v Speaker 1>interrupted when I read about these people who work in Hollywood,

0:41:51.239 --> 0:41:53.959
<v Speaker 1>multiple people in an office, and if I just can't

0:41:53.960 --> 0:41:55.920
<v Speaker 1>imagine that, I just can't be interrupted. I have to

0:41:55.920 --> 0:41:59.239
<v Speaker 1>get my own zone. I hide my room, right and

0:41:59.280 --> 0:42:02.440
<v Speaker 1>I can't be in erupted. But yes, you want to

0:42:02.480 --> 0:42:04.560
<v Speaker 1>know that you're on the right track, and it's a

0:42:04.600 --> 0:42:09.000
<v Speaker 1>great residence. But I will must admit, even the best

0:42:09.160 --> 0:42:12.560
<v Speaker 1>feeling doesn't last. I know, even if I could write

0:42:12.600 --> 0:42:15.319
<v Speaker 1>the best song and then the next day, fuck am

0:42:15.320 --> 0:42:17.480
<v Speaker 1>I doing now? No? Exactly like I hate myself to

0:42:18.080 --> 0:42:19.880
<v Speaker 1>even you have a success and you get all this

0:42:20.000 --> 0:42:22.880
<v Speaker 1>positive feedback, they could be worse. The higher up you are,

0:42:22.920 --> 0:42:25.120
<v Speaker 1>like the varred you fall right sometimes right, Well, then

0:42:25.120 --> 0:42:28.000
<v Speaker 1>you say I could never replicate that, and then you

0:42:28.040 --> 0:42:31.000
<v Speaker 1>know you're yeah, but it's like sisyphus, you know you're

0:42:31.040 --> 0:42:33.440
<v Speaker 1>pushing the stone up the hill. Let you know how

0:42:33.480 --> 0:42:34.799
<v Speaker 1>I look at it. I look at like sometimes like

0:42:35.120 --> 0:42:38.319
<v Speaker 1>the waves crash over like and they throw you. You

0:42:38.400 --> 0:42:40.880
<v Speaker 1>swim out and they come and they throw you against

0:42:40.920 --> 0:42:42.440
<v Speaker 1>the rocks. Then you know what, You wake up the

0:42:42.440 --> 0:42:44.839
<v Speaker 1>next day and all right, I worked out. Now I'm

0:42:44.840 --> 0:42:46.800
<v Speaker 1>gonna swim again and just try to get out farther.

0:42:46.960 --> 0:42:50.040
<v Speaker 1>I have another beach analogy, okay. I you have a

0:42:50.160 --> 0:42:56.200
<v Speaker 1>theory that the waves come in and then the waves

0:42:56.239 --> 0:42:58.080
<v Speaker 1>go out and certain people are left on the beach.

0:42:58.440 --> 0:43:00.680
<v Speaker 1>So in the fifties the wave is beat Nick. We

0:43:00.719 --> 0:43:02.880
<v Speaker 1>even had a beat Nick on tv MA Energy Crabs

0:43:02.920 --> 0:43:06.640
<v Speaker 1>on Dobe Gillis. Okay, So the waves come in and

0:43:06.640 --> 0:43:09.040
<v Speaker 1>then certain people are left there, Alan Ginsberg. All those

0:43:09.040 --> 0:43:10.440
<v Speaker 1>people they live the rest of their lives, but they

0:43:10.440 --> 0:43:13.759
<v Speaker 1>were left in the fifties. You always have to you guys,

0:43:13.800 --> 0:43:15.520
<v Speaker 1>have to change with the times. You have to. I'm

0:43:15.520 --> 0:43:17.799
<v Speaker 1>not sure about that. So in what I do you

0:43:17.800 --> 0:43:20.920
<v Speaker 1>have to? Well, you know, I I feel that I,

0:43:21.080 --> 0:43:23.000
<v Speaker 1>you know, the wave came in and I was left

0:43:23.040 --> 0:43:25.480
<v Speaker 1>on the beach somewhere in the late sixties and early seventies.

0:43:25.480 --> 0:43:28.239
<v Speaker 1>I'll give you a few examples. It's like, you know,

0:43:28.320 --> 0:43:31.759
<v Speaker 1>all this greed and stuff that happened in the eighties,

0:43:32.160 --> 0:43:34.680
<v Speaker 1>it just it was never me. And a lot of

0:43:34.719 --> 0:43:37.880
<v Speaker 1>the accoutre monts, you know, the clothing, etcetera. I understand

0:43:37.960 --> 0:43:41.839
<v Speaker 1>and there's certain values like selling out. You know, I

0:43:41.920 --> 0:43:44.359
<v Speaker 1>just don't understand it. Yeah, I would rather have an

0:43:44.440 --> 0:43:47.359
<v Speaker 1>artist who says no, as opposed to an artist makes

0:43:47.360 --> 0:43:52.279
<v Speaker 1>a big deal because I'm believing. And that's what you

0:43:52.320 --> 0:43:56.000
<v Speaker 1>know about, like really fighting for your art right exactly?

0:43:56.080 --> 0:43:58.400
<v Speaker 1>You know that. And I'm sure even being the songwriter,

0:43:58.400 --> 0:44:00.680
<v Speaker 1>we've gotten these lyrics. I gotten these or from people

0:44:00.680 --> 0:44:02.839
<v Speaker 1>saying I was going to commit suicide, but I listen

0:44:02.840 --> 0:44:04.759
<v Speaker 1>to your record all night and it got me through.

0:44:04.800 --> 0:44:05.800
<v Speaker 1>You know, I've got a bunch of those. You know

0:44:05.840 --> 0:44:07.640
<v Speaker 1>what else I get? I get letters, some really weird

0:44:07.640 --> 0:44:10.960
<v Speaker 1>one from prison. Here's one I just song a long

0:44:10.960 --> 0:44:12.480
<v Speaker 1>time ago, call when I'm back on my feet again,

0:44:12.480 --> 0:44:14.319
<v Speaker 1>and knew whose favorite song it was? What's the guy

0:44:14.360 --> 0:44:18.800
<v Speaker 1>that killed his family? The marine guy? Jeffrey McDonald, Jeffrey Dalmer, No,

0:44:18.920 --> 0:44:23.160
<v Speaker 1>Jeffrey McDonald. You the marine guy that remember that one?

0:44:23.160 --> 0:44:24.719
<v Speaker 1>It was like a famous thing and it was a

0:44:24.719 --> 0:44:27.440
<v Speaker 1>book written about it. And he got he got, he

0:44:27.560 --> 0:44:30.080
<v Speaker 1>got let off, and then they then he got arrested again.

0:44:30.160 --> 0:44:32.480
<v Speaker 1>He was an army, he was a Green Beret doc

0:44:32.600 --> 0:44:34.239
<v Speaker 1>killed his family. I guess his favorite song was one

0:44:34.239 --> 0:44:36.680
<v Speaker 1>of my songs and then I get these letters like

0:44:37.040 --> 0:44:38.960
<v Speaker 1>you know your songs saying you know I'm in prison,

0:44:39.040 --> 0:44:40.480
<v Speaker 1>and I go, I wonder who he's in prison for.

0:44:40.560 --> 0:44:44.520
<v Speaker 1>I come out in two thousand eighties, I get I

0:44:44.560 --> 0:44:46.719
<v Speaker 1>get the ones I haven't been getting him recently but

0:44:46.960 --> 0:44:49.200
<v Speaker 1>I used to get them, but no, but be get

0:44:49.239 --> 0:44:50.719
<v Speaker 1>the ones that like. And you know, the cool thing

0:44:50.800 --> 0:44:52.520
<v Speaker 1>is like I meet people now like a lot, and

0:44:52.560 --> 0:44:55.160
<v Speaker 1>people go, you know that Lady Gaga song, you know

0:44:55.239 --> 0:44:57.680
<v Speaker 1>got me through like that song. I got a lot

0:44:57.680 --> 0:45:00.759
<v Speaker 1>of feedback with guests from the I feel it's a

0:45:00.840 --> 0:45:03.759
<v Speaker 1>disservice to the audience if you're being an artist. I

0:45:03.800 --> 0:45:05.760
<v Speaker 1>don't mean you, I just mean a person being an artist,

0:45:05.920 --> 0:45:08.879
<v Speaker 1>and they resonate for me to then wore myself out

0:45:08.920 --> 0:45:10.439
<v Speaker 1>to the corporate I mean, you're living the life because

0:45:10.440 --> 0:45:12.480
<v Speaker 1>you're writing songs every day. But there are a lot

0:45:12.520 --> 0:45:14.320
<v Speaker 1>of people who are artists today, very different from the

0:45:14.360 --> 0:45:17.680
<v Speaker 1>sixties and seventies, where the music is just a stepping

0:45:17.719 --> 0:45:20.759
<v Speaker 1>stone to some greater fame. It's kind of weird, right,

0:45:20.800 --> 0:45:23.359
<v Speaker 1>Sometimes I see some stuff and like it's like like,

0:45:23.719 --> 0:45:25.400
<v Speaker 1>I guess there's no such thing as selling out. Like

0:45:25.719 --> 0:45:28.520
<v Speaker 1>it's like it's gone so far beyond sellout. Now, it's

0:45:28.520 --> 0:45:31.200
<v Speaker 1>just crazy, you know. And every everybody with any success

0:45:31.200 --> 0:45:34.239
<v Speaker 1>in Los Angeles or anybody, they all have an incubator

0:45:34.280 --> 0:45:36.720
<v Speaker 1>and they're investing in tech stuff. You know, what about

0:45:36.760 --> 0:45:39.200
<v Speaker 1>the music. I'm not investing in tech stuff. What do

0:45:39.280 --> 0:45:41.040
<v Speaker 1>you do other than your real estate to invest in

0:45:41.080 --> 0:45:45.000
<v Speaker 1>anything only animal friendly stuff? What would be an animal

0:45:45.040 --> 0:45:47.120
<v Speaker 1>friendly thing that you invested in. Well, one of the

0:45:47.160 --> 0:45:51.200
<v Speaker 1>animal friendly things invested in was I bought a ranch. Okay, um,

0:45:51.239 --> 0:45:54.040
<v Speaker 1>and I with the idea of saving animals. I just

0:45:54.080 --> 0:45:56.680
<v Speaker 1>saved a cow and its baby from Okay. Well, where's

0:45:56.680 --> 0:45:59.560
<v Speaker 1>the ranch in Malibu? Okay? So when you say a ranch,

0:45:59.680 --> 0:46:02.360
<v Speaker 1>how to places? It's like seven acres and there's like

0:46:02.400 --> 0:46:05.120
<v Speaker 1>the stables, there's areas. It's really gonna be, it's really

0:46:05.120 --> 0:46:07.879
<v Speaker 1>gonna be mainly for rescue. But there's a house. Okay.

0:46:07.880 --> 0:46:09.719
<v Speaker 1>But is anybody there when you're not there? Yeah, there's

0:46:09.719 --> 0:46:11.640
<v Speaker 1>somebody that takes care of the animals. So how many

0:46:11.680 --> 0:46:14.040
<v Speaker 1>animals are there at one time? Well? I saved a

0:46:14.080 --> 0:46:17.719
<v Speaker 1>horse and his baby from When you say rescued, how

0:46:17.760 --> 0:46:19.680
<v Speaker 1>did that give it? Walk me a little? Someone told

0:46:19.719 --> 0:46:21.840
<v Speaker 1>me about it at night? And where was the horse.

0:46:22.280 --> 0:46:24.719
<v Speaker 1>The horse was at a slaughterhouse basically, and a bunch

0:46:24.760 --> 0:46:27.120
<v Speaker 1>of horses got saved, and I paid for a bunch

0:46:27.160 --> 0:46:29.839
<v Speaker 1>of them to find homes. And these two needed a place,

0:46:29.880 --> 0:46:32.520
<v Speaker 1>so I just bought the place. So I brought them out.

0:46:33.280 --> 0:46:34.839
<v Speaker 1>So you have the horses, what else do you have?

0:46:35.040 --> 0:46:38.520
<v Speaker 1>I have three pigmy goats. They're really cute. Yeah, and

0:46:40.520 --> 0:46:44.080
<v Speaker 1>these are all rescues. The ghosts aren't. But the horses

0:46:44.120 --> 0:46:46.480
<v Speaker 1>are in the cows and you go there every Sunday.

0:46:47.000 --> 0:46:49.160
<v Speaker 1>You have to come out there. It's magical there are

0:46:49.200 --> 0:46:51.520
<v Speaker 1>You're good with the animals, Yeah, I love them because

0:46:51.680 --> 0:46:54.640
<v Speaker 1>I prefer them to people, don't you I'm free to animals.

0:46:54.680 --> 0:46:57.440
<v Speaker 1>Don't be afraid. They're wonderful. I guess you know you

0:46:57.480 --> 0:47:00.560
<v Speaker 1>shouldn't eat them. Okay, but there I've been bitten by

0:47:00.600 --> 0:47:02.319
<v Speaker 1>dogs too many times. I got bit by a dog

0:47:02.320 --> 0:47:04.640
<v Speaker 1>when I was a little kid. Big I got bitten

0:47:04.760 --> 0:47:08.600
<v Speaker 1>twice in one year, once hiking up in the stuff

0:47:08.640 --> 0:47:12.359
<v Speaker 1>about it and you call him no, no, I mean

0:47:12.719 --> 0:47:14.239
<v Speaker 1>you know it was one of my was walking to

0:47:14.239 --> 0:47:16.960
<v Speaker 1>the burrito place. Dog got loose, went straight for me

0:47:17.000 --> 0:47:19.560
<v Speaker 1>and just bit me. Why I didn't want the barrito? No,

0:47:19.920 --> 0:47:25.080
<v Speaker 1>I was walking to the Burrito Blaze. Another one was

0:47:25.120 --> 0:47:27.040
<v Speaker 1>really fucked up. This is a high in the hills

0:47:27.080 --> 0:47:30.200
<v Speaker 1>above Malibu, and so I'm hiking in one direction. Somebody's

0:47:30.200 --> 0:47:34.960
<v Speaker 1>on there were hiking it? Were you hiking by the waterfalls? No? No,

0:47:35.080 --> 0:47:37.200
<v Speaker 1>this is much much higher up. I suddenly can't remember

0:47:37.200 --> 0:47:40.160
<v Speaker 1>the name of it. And I'm walking along and somebody's

0:47:40.160 --> 0:47:43.799
<v Speaker 1>coming on a horse in the other direction, okay, which

0:47:43.880 --> 0:47:47.040
<v Speaker 1>is very strange. Normally there's not somebody there, and they

0:47:47.080 --> 0:47:50.200
<v Speaker 1>have a dog following them, and the dog the horse

0:47:50.239 --> 0:47:52.319
<v Speaker 1>buys me, and the dog comes comes behind me and

0:47:52.320 --> 0:47:55.160
<v Speaker 1>bites me. It's this person's dog. And You're like, I'm

0:47:55.200 --> 0:47:57.960
<v Speaker 1>in the middle of nowhere, so you know all these people?

0:47:59.400 --> 0:48:01.920
<v Speaker 1>I didn't. I talked to my doctor about it, but uh,

0:48:02.400 --> 0:48:05.520
<v Speaker 1>you know, it's like I'm just and I had I

0:48:05.560 --> 0:48:07.360
<v Speaker 1>was at a dude ranch. Do you have any animals?

0:48:07.680 --> 0:48:09.400
<v Speaker 1>I don't have any. First of all, I traveled too

0:48:09.440 --> 0:48:11.840
<v Speaker 1>much to have animals. I mean, if you've traveled, you

0:48:12.920 --> 0:48:15.120
<v Speaker 1>an you got to do something with them. Well, if

0:48:15.120 --> 0:48:16.960
<v Speaker 1>you get two cats, they could keep each other company.

0:48:17.160 --> 0:48:20.200
<v Speaker 1>I guess to rescue them. But it's also a lot

0:48:20.239 --> 0:48:23.719
<v Speaker 1>of responsibility. What if what if the animal dies or

0:48:23.760 --> 0:48:26.400
<v Speaker 1>something happens, It's not gonna die. Just give them food

0:48:26.440 --> 0:48:28.720
<v Speaker 1>in a litter. Cats are cool. Cats are pretty indie.

0:48:29.239 --> 0:48:31.200
<v Speaker 1>So you only have so at home. You have cats,

0:48:31.200 --> 0:48:33.200
<v Speaker 1>but not dogs at home. You don't have any dogs.

0:48:33.200 --> 0:48:35.239
<v Speaker 1>I have one cat mouse. She comes to work with

0:48:35.280 --> 0:48:38.040
<v Speaker 1>me and she goes home with me. Cat issue. She's teeny,

0:48:38.120 --> 0:48:40.200
<v Speaker 1>but she's cute. But I take funny pictures over I

0:48:40.200 --> 0:48:43.239
<v Speaker 1>have to show you. I make her look giant. I

0:48:43.280 --> 0:48:45.160
<v Speaker 1>make her look like she's gonna like. We both yawned

0:48:45.160 --> 0:48:46.840
<v Speaker 1>at the same time, so it looks like we're like.

0:48:47.120 --> 0:48:50.560
<v Speaker 1>It's cute. Okay. So in the time you have left,

0:48:51.239 --> 0:48:54.120
<v Speaker 1>have you achieved your dream or is there anything else

0:48:54.120 --> 0:48:56.000
<v Speaker 1>you would like to do. I just want to do

0:48:56.040 --> 0:48:57.560
<v Speaker 1>what I do. I want to keep doing what I

0:48:57.600 --> 0:48:59.880
<v Speaker 1>do to be honest, you know. I mean, it's not

0:49:00.000 --> 0:49:02.760
<v Speaker 1>one dream. I haven't you know? Okay, you're writing songs?

0:49:02.840 --> 0:49:06.280
<v Speaker 1>Is there something cool? It's like Oscar, that'd be cool. Okay,

0:49:06.280 --> 0:49:08.680
<v Speaker 1>But is there somebody you haven't worked with you'd like

0:49:08.760 --> 0:49:13.279
<v Speaker 1>to work with? No work to so many people, But

0:49:13.360 --> 0:49:14.880
<v Speaker 1>there's probably someone I don't even know I want to

0:49:14.880 --> 0:49:16.480
<v Speaker 1>work with that it's not like I mean, if I

0:49:16.520 --> 0:49:18.319
<v Speaker 1>can only work with some I don't know. Okay, Is

0:49:18.360 --> 0:49:22.040
<v Speaker 1>there a song you haven't written that you want to write? Yeah,

0:49:22.040 --> 0:49:23.439
<v Speaker 1>I just don't know what it is, but of course

0:49:23.440 --> 0:49:25.600
<v Speaker 1>there is. What I'm trying to say, is you do work.

0:49:25.640 --> 0:49:27.680
<v Speaker 1>I mean, yes, you want to get inspired on a

0:49:27.680 --> 0:49:30.400
<v Speaker 1>regular basis, you want to write songs. But in your mind,

0:49:30.560 --> 0:49:33.239
<v Speaker 1>is there like an iconic song that you want to

0:49:33.239 --> 0:49:36.080
<v Speaker 1>write that you haven't written yet? Not that I know of,

0:49:36.200 --> 0:49:38.319
<v Speaker 1>but I'm sure there will be. I'm not not being

0:49:38.320 --> 0:49:42.440
<v Speaker 1>evative saying you know. I mean, yeah, there's gonna be

0:49:42.440 --> 0:49:44.160
<v Speaker 1>a lot of great songs I write. Well. I guess

0:49:44.200 --> 0:49:45.880
<v Speaker 1>what I'm trying to say is, at this stage of

0:49:45.880 --> 0:49:47.839
<v Speaker 1>the game, do you have any goals? At the stage

0:49:47.880 --> 0:49:49.400
<v Speaker 1>of the game, I want to get better and better

0:49:49.600 --> 0:49:51.799
<v Speaker 1>and do more and more. I mean, I feel like,

0:49:52.040 --> 0:49:53.319
<v Speaker 1>even I've been doing this a long time, I feel

0:49:53.360 --> 0:49:55.000
<v Speaker 1>like I'm just beginning in a way, like I don't

0:49:55.239 --> 0:49:57.480
<v Speaker 1>feel like I don't feel like a veteran, even though

0:49:57.520 --> 0:49:59.879
<v Speaker 1>I am a veteran. Okay, many people would say all

0:50:00.040 --> 0:50:03.640
<v Speaker 1>this change in technology, which has disrupted music since the

0:50:03.680 --> 0:50:07.200
<v Speaker 1>beginning of the century, has really heard songwriters. How do

0:50:07.280 --> 0:50:09.160
<v Speaker 1>you feel about that? I mean, I think it has

0:50:09.280 --> 0:50:11.520
<v Speaker 1>because I don't understand if someone comes up now and

0:50:11.560 --> 0:50:14.160
<v Speaker 1>it's just streaming, I don't know how people make a

0:50:14.200 --> 0:50:17.360
<v Speaker 1>living at that. Well, that's where that you're writing songs.

0:50:17.360 --> 0:50:19.319
<v Speaker 1>Streaming is winning, you know, No, I know, I know.

0:50:19.400 --> 0:50:21.160
<v Speaker 1>I mean, I'm I still make a lot of money

0:50:21.160 --> 0:50:23.239
<v Speaker 1>and my songs still do well, and there's a lot

0:50:23.280 --> 0:50:25.719
<v Speaker 1>of licensing. So I'm talking about like someone coming up now,

0:50:25.960 --> 0:50:29.279
<v Speaker 1>right So if someone like the me of now, if

0:50:29.280 --> 0:50:31.360
<v Speaker 1>I just came up, you know, if I just wrote

0:50:31.360 --> 0:50:34.960
<v Speaker 1>songs for people, that's a tough way right now, with

0:50:34.960 --> 0:50:36.960
<v Speaker 1>with with streaming being what it is, to be honest,

0:50:37.080 --> 0:50:39.440
<v Speaker 1>because the writers and the publishers, you know, and we

0:50:39.480 --> 0:50:41.520
<v Speaker 1>live in a hip hop world right now, is that

0:50:41.600 --> 0:50:45.080
<v Speaker 1>music that you appreciate want to be involved? And it

0:50:45.120 --> 0:50:47.200
<v Speaker 1>was all right, I write for a lot of urban artists,

0:50:47.760 --> 0:50:49.680
<v Speaker 1>you know, so I don't. I don't do a lot

0:50:49.719 --> 0:50:51.919
<v Speaker 1>of wrap. So I did work with Snoop a couple

0:50:51.920 --> 0:50:56.880
<v Speaker 1>of years ago, so that awesome really happened. He had

0:50:56.960 --> 0:51:00.160
<v Speaker 1>really good weed and I got really stone and whole

0:51:00.160 --> 0:51:04.640
<v Speaker 1>pizza by myself, you know. But when I met him

0:51:04.719 --> 0:51:06.400
<v Speaker 1>and we talked about doing something again. That's when he

0:51:06.440 --> 0:51:08.759
<v Speaker 1>was Snoop lyon right and I go, I want you

0:51:08.800 --> 0:51:10.920
<v Speaker 1>to sing. I I wrote the song called the Good Ship.

0:51:11.760 --> 0:51:13.640
<v Speaker 1>It's this really cool song like kind of like like

0:51:13.640 --> 0:51:16.799
<v Speaker 1>like comparing a relationship to to weed. Basically, I thought, well,

0:51:16.880 --> 0:51:19.279
<v Speaker 1>if anybody's going to do that song, that's Snoop. And

0:51:19.320 --> 0:51:21.040
<v Speaker 1>so I called him on the phone and I played

0:51:21.040 --> 0:51:23.239
<v Speaker 1>it for him on the phone and he like loved it,

0:51:23.280 --> 0:51:25.200
<v Speaker 1>and he came over the next day and we started

0:51:25.200 --> 0:51:27.880
<v Speaker 1>recording it and he's sang it and he and then

0:51:27.920 --> 0:51:29.680
<v Speaker 1>he goes, he goes, you know what, I can't sing

0:51:29.719 --> 0:51:31.879
<v Speaker 1>the word ship. I have to say the good good

0:51:31.880 --> 0:51:34.520
<v Speaker 1>which I guess means weed as well. I go, like,

0:51:34.560 --> 0:51:37.719
<v Speaker 1>I really I'm being I'm being censored by the fun

0:51:37.840 --> 0:51:41.480
<v Speaker 1>the police guy. I loved it. You know, it's yougonization.

0:51:41.920 --> 0:51:44.759
<v Speaker 1>But I loved working with him. He's great and he's

0:51:44.760 --> 0:51:46.400
<v Speaker 1>saying it was a really cool record. Then it was

0:51:46.480 --> 0:51:48.680
<v Speaker 1>used an overstocked commercial and it was kind of so

0:51:48.760 --> 0:51:52.959
<v Speaker 1>subversive the weed a weed song, like you know, stock

0:51:53.040 --> 0:51:55.399
<v Speaker 1>dot com. So it was kind of funny, but yeah,

0:51:55.440 --> 0:51:57.239
<v Speaker 1>it was. It was great to work with him. Any

0:51:57.280 --> 0:52:00.560
<v Speaker 1>other stories like that, I have to say, think about him.

0:52:00.600 --> 0:52:02.120
<v Speaker 1>I have like so many funny stories, but I have

0:52:02.160 --> 0:52:03.719
<v Speaker 1>to look like I don't know how we got to

0:52:04.040 --> 0:52:07.879
<v Speaker 1>we got to we got to urban music, right, Yeah,

0:52:07.920 --> 0:52:10.359
<v Speaker 1>a lot of urban stuff in the grounds this year,

0:52:10.400 --> 0:52:12.680
<v Speaker 1>a lot of hip hop stuff. I think that's reflective

0:52:12.719 --> 0:52:14.600
<v Speaker 1>of society at large. I mean, this is a much

0:52:14.600 --> 0:52:17.480
<v Speaker 1>bigger topic. You know, people have been bitching that the

0:52:17.520 --> 0:52:21.040
<v Speaker 1>Grammys have been under representing the urban sound for years,

0:52:21.719 --> 0:52:26.000
<v Speaker 1>but the acknowledgement of hip hop and urban now is

0:52:26.000 --> 0:52:28.480
<v Speaker 1>a reflection of what people are actually listening to. It's

0:52:28.520 --> 0:52:31.920
<v Speaker 1>the end of our era. It's like, I don't know.

0:52:31.920 --> 0:52:33.239
<v Speaker 1>I don't look at it like that because I think

0:52:33.360 --> 0:52:36.200
<v Speaker 1>like songs always work. I mean, in my I'm doing

0:52:36.200 --> 0:52:38.120
<v Speaker 1>it from a different thing. You're absolutely right, a great

0:52:38.160 --> 0:52:41.600
<v Speaker 1>song can be covered forty years later. But I guess that,

0:52:41.719 --> 0:52:43.600
<v Speaker 1>you know, I hear as far as rappers, I have

0:52:43.640 --> 0:52:46.520
<v Speaker 1>common on my record, right, you know, right. But I'm saying,

0:52:46.520 --> 0:52:49.440
<v Speaker 1>if I if I work the theory out music drove

0:52:49.480 --> 0:52:51.759
<v Speaker 1>the culture in the sixties and seventies and then in

0:52:51.800 --> 0:52:54.520
<v Speaker 1>the eighties with the MTV, music does not drive the

0:52:54.560 --> 0:52:57.080
<v Speaker 1>culture at this particular point in time. So there's a

0:52:57.080 --> 0:53:00.400
<v Speaker 1>lot of baby boomers who reminisce about when and they

0:53:00.440 --> 0:53:03.240
<v Speaker 1>go to see the old acts and they bitch about

0:53:03.360 --> 0:53:06.319
<v Speaker 1>streaming and the bitch about hip hop. They're now in

0:53:06.320 --> 0:53:10.240
<v Speaker 1>the rear view mirror hip hop one. How about country?

0:53:10.640 --> 0:53:13.279
<v Speaker 1>Everything's by the way, everything cyclical, Well, the funny thing

0:53:13.400 --> 0:53:16.040
<v Speaker 1>is cyclical. No, it is cyclical, but it hasn't been

0:53:16.560 --> 0:53:20.680
<v Speaker 1>prior to the twenty one century. Every three or four

0:53:20.719 --> 0:53:22.840
<v Speaker 1>years would be a whole new sound. It's weird, you know.

0:53:22.840 --> 0:53:24.800
<v Speaker 1>It's like the same thing with fashion and how people

0:53:24.840 --> 0:53:26.520
<v Speaker 1>look when you if you look in a movie from

0:53:26.560 --> 0:53:29.320
<v Speaker 1>twenty years ago, they're wearing This isn't weird. Like remember

0:53:29.360 --> 0:53:32.000
<v Speaker 1>like in the seventies and like everything was different, like

0:53:32.120 --> 0:53:34.800
<v Speaker 1>the air styles and the horrible clothes. But it was horrible,

0:53:34.840 --> 0:53:36.759
<v Speaker 1>but it was different. Right right now, if you see

0:53:36.760 --> 0:53:38.879
<v Speaker 1>a movie twenty years or even twenty five years ago,

0:53:39.080 --> 0:53:41.239
<v Speaker 1>everything looks the same. It's really weird. I don't know

0:53:41.280 --> 0:53:43.360
<v Speaker 1>why that is or whether it's you know, because culture

0:53:43.360 --> 0:53:47.200
<v Speaker 1>has been one one music, Like exactly when somebody comes,

0:53:47.200 --> 0:53:49.919
<v Speaker 1>like when Elvis came into Beatles came or Prince or

0:53:49.960 --> 0:53:52.279
<v Speaker 1>you know, right or even Elton John the same something

0:53:52.320 --> 0:53:54.279
<v Speaker 1>you heard on the radio and go this is it.

0:53:54.400 --> 0:53:57.160
<v Speaker 1>I specifically remember where I heard I Want to Hold

0:53:57.200 --> 0:53:59.320
<v Speaker 1>your Hand the first time, sitting in my mother's falcon

0:53:59.560 --> 0:54:03.800
<v Speaker 1>in the dry I've waited from falcon. My father bought

0:54:03.840 --> 0:54:06.480
<v Speaker 1>the falcon used and he didn't know and was angry

0:54:06.520 --> 0:54:08.680
<v Speaker 1>to find out that it was a Hurts rental car

0:54:08.880 --> 0:54:10.840
<v Speaker 1>and it was the best car we ever owned, never broke.

0:54:12.239 --> 0:54:15.280
<v Speaker 1>But um. But in terms of what how about country

0:54:15.280 --> 0:54:16.759
<v Speaker 1>you ever right with a country artist? I've written a

0:54:16.760 --> 0:54:20.000
<v Speaker 1>lot of country hits actually, okay, like like give me

0:54:20.040 --> 0:54:22.160
<v Speaker 1>a couple how Do I Live? Which was a number

0:54:22.200 --> 0:54:25.520
<v Speaker 1>of Bammy winning country song for Tricio and Leon Rhymes

0:54:25.520 --> 0:54:28.120
<v Speaker 1>had a you know, worldwide hit with it, probably my

0:54:28.120 --> 0:54:31.080
<v Speaker 1>biggest hit. Actually, I've written songs for hits for Faith

0:54:31.120 --> 0:54:33.200
<v Speaker 1>Hill and Tim McGraw just to say that you Love

0:54:33.239 --> 0:54:36.680
<v Speaker 1>Me from um Sarah Evans a bunch of Tim because

0:54:36.680 --> 0:54:40.320
<v Speaker 1>they're still using real songs, yeah, whereas the urban world.

0:54:40.320 --> 0:54:43.799
<v Speaker 1>It's two different things. More poetry than regular songs, not

0:54:43.920 --> 0:54:46.319
<v Speaker 1>much melody, not a lot, you know. But then I

0:54:46.320 --> 0:54:48.520
<v Speaker 1>could do, you know, do a hook for somebody you

0:54:48.560 --> 0:54:50.360
<v Speaker 1>know too? You know, they could wrap in the verses

0:54:52.160 --> 0:54:55.440
<v Speaker 1>you still want you still want a good solid chorus hopefully,

0:54:55.719 --> 0:54:58.480
<v Speaker 1>So you have this song that you know, we can

0:54:58.480 --> 0:55:00.960
<v Speaker 1>only you know, hope and pray that will probably be

0:55:00.960 --> 0:55:03.520
<v Speaker 1>nominated for an Oscar and hopefully we'll win. I want

0:55:03.560 --> 0:55:06.279
<v Speaker 1>you tell us the back story of that. Um. It's

0:55:06.280 --> 0:55:09.080
<v Speaker 1>a song called stand Up for Something. Um. I wrote

0:55:09.080 --> 0:55:10.640
<v Speaker 1>it from a movie called Marshall, which is coming out

0:55:10.719 --> 0:55:13.560
<v Speaker 1>this weekend. Again. They're putting it out, yeah, because because

0:55:13.600 --> 0:55:16.000
<v Speaker 1>the song got nominated and they got eight A a

0:55:16.120 --> 0:55:20.759
<v Speaker 1>CP awards and nomination, so there's some heat, you know. Um.

0:55:21.320 --> 0:55:23.920
<v Speaker 1>And I met Reggie Hussling, the director, during when I

0:55:24.000 --> 0:55:26.279
<v Speaker 1>wrote The Lady Caugus Until It Happens to You. I

0:55:26.280 --> 0:55:28.160
<v Speaker 1>met he was producing the Oscars and I met him.

0:55:28.320 --> 0:55:29.760
<v Speaker 1>I happened to be out with a friend of mine

0:55:30.200 --> 0:55:33.359
<v Speaker 1>at lunch and she or dinner and he was and

0:55:33.719 --> 0:55:35.799
<v Speaker 1>she said, oh my cousin wrote this movie on through

0:55:35.840 --> 0:55:38.480
<v Speaker 1>good Marshall that Reggie Hudlin's directing. Oh my god, I

0:55:38.520 --> 0:55:40.239
<v Speaker 1>want to write a song for that. You know. That's

0:55:40.239 --> 0:55:44.040
<v Speaker 1>the whole Oscar is so white time and stuffing good. Um.

0:55:44.160 --> 0:55:47.560
<v Speaker 1>And so I I knew Reggie, so I called him.

0:55:47.600 --> 0:55:49.840
<v Speaker 1>I said, you know again, see it's me making the

0:55:49.840 --> 0:55:51.680
<v Speaker 1>move so I called him. I said, look, I you know,

0:55:51.760 --> 0:55:54.560
<v Speaker 1>i'd love to read the script, and you know, he goes, yeah,

0:55:54.560 --> 0:55:55.799
<v Speaker 1>we're shooting it now, and he was, I'd love you

0:55:55.840 --> 0:55:57.600
<v Speaker 1>to do the song if you'd got inspired. So he

0:55:57.640 --> 0:55:59.680
<v Speaker 1>sent me the script and I wrote down on the

0:55:59.719 --> 0:56:02.239
<v Speaker 1>on the script, I was done. It all means nothing

0:56:02.280 --> 0:56:04.160
<v Speaker 1>if you don't stand up for something. And to me

0:56:04.200 --> 0:56:06.400
<v Speaker 1>it was so simple but profound, you know, because it

0:56:06.440 --> 0:56:08.920
<v Speaker 1>really is the truth, you know. And I came to

0:56:09.280 --> 0:56:10.960
<v Speaker 1>the office, I say, I listened to Change is Going

0:56:11.000 --> 0:56:13.719
<v Speaker 1>to Come? You know, how often do you do that?

0:56:15.120 --> 0:56:16.840
<v Speaker 1>Not that I mean, not that often. But I wanted

0:56:16.840 --> 0:56:19.239
<v Speaker 1>to capture something. I wanted that song to capture, like

0:56:19.280 --> 0:56:22.319
<v Speaker 1>what we're talking about, when music could drive the conversation,

0:56:22.680 --> 0:56:25.399
<v Speaker 1>when you'd hear change is gonna come, or people get

0:56:25.400 --> 0:56:28.759
<v Speaker 1>ready or what's going on? You know where these were

0:56:28.800 --> 0:56:32.080
<v Speaker 1>all like great urban records, and but they were like

0:56:32.280 --> 0:56:34.759
<v Speaker 1>and they weren't. They were inspiring because you'd hear a

0:56:34.840 --> 0:56:37.399
<v Speaker 1>change is gonna come. You want to make that change right?

0:56:37.520 --> 0:56:39.480
<v Speaker 1>You like hear that ship and it's like, man, it's

0:56:39.480 --> 0:56:41.359
<v Speaker 1>like I feel like I could change the world. So

0:56:41.400 --> 0:56:43.880
<v Speaker 1>I want to capture that. I want to write and

0:56:44.080 --> 0:56:45.680
<v Speaker 1>I already had the title, I had the idea, and

0:56:45.719 --> 0:56:48.880
<v Speaker 1>I just that chorus wrote itself just like that. It

0:56:48.960 --> 0:56:51.719
<v Speaker 1>was like in one take. I was like, oh shit,

0:56:52.360 --> 0:56:54.759
<v Speaker 1>is this as good as I think it is? And I,

0:56:55.239 --> 0:56:57.120
<v Speaker 1>you know Julie in my office, I played it for her.

0:56:57.160 --> 0:56:58.480
<v Speaker 1>I said, come and tell me if this is great,

0:56:58.520 --> 0:57:00.759
<v Speaker 1>and she goes, oh my god, I have chills. I go, oh,

0:57:00.800 --> 0:57:03.319
<v Speaker 1>it's it is. And I thought maybe I'm stealing this

0:57:03.360 --> 0:57:05.399
<v Speaker 1>because it was it sounded like it was always there.

0:57:05.800 --> 0:57:07.840
<v Speaker 1>But but but I didn't, and I came up with

0:57:07.880 --> 0:57:10.319
<v Speaker 1>the verse, and I came up with a great verse

0:57:10.760 --> 0:57:14.520
<v Speaker 1>really quickly, and then the second verse was like really tough,

0:57:14.880 --> 0:57:16.320
<v Speaker 1>and I had the idea of why I wanted what

0:57:16.320 --> 0:57:18.040
<v Speaker 1>I wanted to say, and it just took me all

0:57:18.120 --> 0:57:20.640
<v Speaker 1>day to come up with one with you know, um,

0:57:20.960 --> 0:57:22.320
<v Speaker 1>you do the best, to do the best that you

0:57:22.400 --> 0:57:24.040
<v Speaker 1>can do. Then you can look in the mirror proud

0:57:24.080 --> 0:57:26.000
<v Speaker 1>of who's looking back at you. To me, that's the

0:57:26.040 --> 0:57:28.200
<v Speaker 1>best line in the song. That took like a day

0:57:28.320 --> 0:57:30.320
<v Speaker 1>just to come up with that, you know. And then

0:57:30.520 --> 0:57:33.680
<v Speaker 1>so I finished the song. I called Reggie played it

0:57:33.720 --> 0:57:35.600
<v Speaker 1>from I go with you know Me on the piano

0:57:35.640 --> 0:57:38.480
<v Speaker 1>sounding like ship, and he goes, I are you kidding me?

0:57:38.600 --> 0:57:41.200
<v Speaker 1>I have chills all over my body, goes, this is

0:57:41.320 --> 0:57:43.480
<v Speaker 1>like I this is one of the best names I've

0:57:43.480 --> 0:57:46.680
<v Speaker 1>ever heard. So I demoed the song and um he

0:57:46.760 --> 0:57:49.200
<v Speaker 1>came over the studio here he loved it. And then

0:57:49.200 --> 0:57:50.760
<v Speaker 1>I thought, you know, I go, you know, let's get

0:57:50.760 --> 0:57:55.360
<v Speaker 1>Andrew day that. I thought she'd be the right thing.

0:57:55.360 --> 0:57:57.080
<v Speaker 1>I wasn't even thinking she she had rise up, I

0:57:57.080 --> 0:57:58.800
<v Speaker 1>would stand up. But it wasn't even that. I just thought,

0:57:58.800 --> 0:58:00.840
<v Speaker 1>because I just think she's one of the best singers

0:58:00.920 --> 0:58:03.280
<v Speaker 1>like on the planet right now. And I thought, you

0:58:03.280 --> 0:58:06.080
<v Speaker 1>know what, this song with would be so great for her.

0:58:06.080 --> 0:58:08.800
<v Speaker 1>And her manager and I were talking and we were

0:58:08.840 --> 0:58:10.440
<v Speaker 1>I think he brought up let's get a wrapper on there.

0:58:10.440 --> 0:58:12.040
<v Speaker 1>I go, I don't know. One of us said common.

0:58:12.400 --> 0:58:14.760
<v Speaker 1>I'm like, all right, let's let's try for Common. A

0:58:14.760 --> 0:58:18.720
<v Speaker 1>week later, I'm going to um Sundance and writing back

0:58:18.720 --> 0:58:21.680
<v Speaker 1>in the Commons, sitting on the plane, so I started singing.

0:58:21.680 --> 0:58:23.200
<v Speaker 1>I started singing it to him. I told him about

0:58:23.200 --> 0:58:26.720
<v Speaker 1>the song. I sang him the chorus again again, you know, horribly,

0:58:26.760 --> 0:58:29.440
<v Speaker 1>singing horribly, and he goes, oh my God, you guys

0:58:29.480 --> 0:58:31.280
<v Speaker 1>send me the song. So I sent it Santo him

0:58:31.280 --> 0:58:33.040
<v Speaker 1>the next day he was like, I had like ten

0:58:33.080 --> 0:58:34.880
<v Speaker 1>missed calls from him, and he goes, I have to

0:58:34.960 --> 0:58:37.480
<v Speaker 1>be on this song. Please find find an area where

0:58:37.480 --> 0:58:39.919
<v Speaker 1>I could just you know write a rap on there.

0:58:40.120 --> 0:58:42.320
<v Speaker 1>So we we put that in. And then so I saw,

0:58:42.440 --> 0:58:44.160
<v Speaker 1>this is a really weird thing. So when I saw

0:58:44.160 --> 0:58:46.000
<v Speaker 1>the movie with the demo in it, I didn't know

0:58:46.080 --> 0:58:48.520
<v Speaker 1>and Andrew was actually in the movie. She plays like

0:58:48.560 --> 0:58:51.800
<v Speaker 1>a Billy Holiday character. Isn't that weird? So the whole

0:58:51.840 --> 0:58:54.400
<v Speaker 1>thing was meant to be that Andrew and then Common

0:58:54.480 --> 0:58:56.560
<v Speaker 1>sitting next to me, you know, and behind right behind

0:58:56.560 --> 0:58:59.600
<v Speaker 1>me on the flight. So it just kind of happened,

0:58:59.680 --> 0:59:03.520
<v Speaker 1>and you know, and then you know, the record came

0:59:03.520 --> 0:59:05.600
<v Speaker 1>out and and it's it's getting a life of its own,

0:59:05.640 --> 0:59:07.720
<v Speaker 1>you know, right now CNN is using it, All these

0:59:07.720 --> 0:59:10.560
<v Speaker 1>different people are using it, you know. Besides, you know,

0:59:10.680 --> 0:59:13.160
<v Speaker 1>it's it just got nomine for an Oscar Grammy, got

0:59:13.160 --> 0:59:16.240
<v Speaker 1>nominatee for a Grammy. Um, you know, and that was cool.

0:59:16.360 --> 0:59:18.400
<v Speaker 1>That was unexpected. So I wasn't even saying anything, like

0:59:18.440 --> 0:59:20.680
<v Speaker 1>I kind of knew the Grammy nominations were coming. In like,

0:59:21.000 --> 0:59:23.000
<v Speaker 1>I guess if my phone rings early, that's a good sign.

0:59:23.360 --> 0:59:28.280
<v Speaker 1>It did, but I was awake. It was like my publicist, Um,

0:59:28.320 --> 0:59:30.280
<v Speaker 1>but you girls, yeah, I've got good news, like wow,

0:59:30.360 --> 0:59:32.560
<v Speaker 1>you know, because you know, you never know with any

0:59:32.600 --> 0:59:34.440
<v Speaker 1>of that stuff. And there were only two songs from

0:59:34.440 --> 0:59:37.040
<v Speaker 1>this year nominated in that category. It was the Taylor

0:59:37.120 --> 0:59:39.680
<v Speaker 1>Swift song and stuff from last year like La La

0:59:39.760 --> 0:59:43.760
<v Speaker 1>Land stuff like that. I forgot what else? So then

0:59:45.040 --> 0:59:47.360
<v Speaker 1>it's cool. How many times you've been nominated for an oscar?

0:59:47.760 --> 0:59:50.520
<v Speaker 1>Eight times? How many times have you want an Oscar?

0:59:51.000 --> 0:59:54.680
<v Speaker 1>No times? Did you prepare a speech those eight times?

0:59:54.880 --> 0:59:57.440
<v Speaker 1>I prepared a speech last time, and you know what,

0:59:57.520 --> 1:00:00.000
<v Speaker 1>it was really bad? Okay, so because everybody really thought,

1:00:00.040 --> 1:00:02.000
<v Speaker 1>until it happens to you was gonna win, including me,

1:00:02.040 --> 1:00:04.040
<v Speaker 1>and it's the only time. Well no, because you loved

1:00:04.040 --> 1:00:05.360
<v Speaker 1>me a long time about I kind of thought so,

1:00:05.680 --> 1:00:08.200
<v Speaker 1>but not like this time because when everybody's telling you

1:00:08.400 --> 1:00:10.400
<v Speaker 1>and my friend Frances Fisher, she's an actress, so she

1:00:10.440 --> 1:00:12.080
<v Speaker 1>came to my hat. I'm gonna go over your speech

1:00:12.120 --> 1:00:14.080
<v Speaker 1>to you. I'm gonna put it all over your house,

1:00:14.480 --> 1:00:16.000
<v Speaker 1>like on the mirrors and stuff. You have to like

1:00:16.080 --> 1:00:17.680
<v Speaker 1>learn it because I I kind of wrote, I wrote

1:00:17.680 --> 1:00:19.080
<v Speaker 1>my own speech, was a little speech. It was a

1:00:19.080 --> 1:00:21.200
<v Speaker 1>really nice speech, and um, so she got she put

1:00:21.240 --> 1:00:23.600
<v Speaker 1>it in every mirror and everything. So the Oscars the

1:00:23.600 --> 1:00:26.080
<v Speaker 1>next you know, this is on a Saturday, is Sunday

1:00:26.080 --> 1:00:27.240
<v Speaker 1>when she put them all over the house, I was

1:00:27.240 --> 1:00:30.040
<v Speaker 1>like on the Sunday morning, like looking, you know, Sunday night.

1:00:30.080 --> 1:00:32.440
<v Speaker 1>And then and and then you see that amazing. I mean,

1:00:32.440 --> 1:00:35.040
<v Speaker 1>Gaga's performance was one for the ages that was was

1:00:35.080 --> 1:00:37.840
<v Speaker 1>fantastic with those kids with the writing on their arms,

1:00:37.880 --> 1:00:40.360
<v Speaker 1>I mean, and and her performance was it was insane,

1:00:40.360 --> 1:00:43.520
<v Speaker 1>and Joe Biden introducing it and then everything was great

1:00:43.560 --> 1:00:47.440
<v Speaker 1>until and the winner is that part wasn't great? And

1:00:47.480 --> 1:00:48.800
<v Speaker 1>then I have to go home to see all those

1:00:48.800 --> 1:00:51.840
<v Speaker 1>things all over the mirrors and everything. Fuck that right,

1:00:52.360 --> 1:00:56.440
<v Speaker 1>So what's it like hearing somebody else's name in that circumstances.

1:00:57.280 --> 1:00:59.280
<v Speaker 1>I mean, I'm not gonna be like, oh, it's okay,

1:00:59.320 --> 1:01:02.280
<v Speaker 1>it's fine. Now, don't know, I'm sure it sucks, but

1:01:02.600 --> 1:01:05.120
<v Speaker 1>usually but usually look, usually I don't expect it. So

1:01:05.480 --> 1:01:08.040
<v Speaker 1>you know, at that time, I kind of did you know,

1:01:08.120 --> 1:01:10.000
<v Speaker 1>and a lot of other people, everybody. My phone was

1:01:10.000 --> 1:01:12.240
<v Speaker 1>blowing up people were like when I was walking, you know,

1:01:12.240 --> 1:01:15.240
<v Speaker 1>I was sitting back, like Steven Spielberg was writing back

1:01:15.280 --> 1:01:17.400
<v Speaker 1>at me like that, and he goes like like, what

1:01:17.440 --> 1:01:18.720
<v Speaker 1>how did that not win? You know what I mean?

1:01:18.800 --> 1:01:22.080
<v Speaker 1>So people like everybody thought that was gonna win. And

1:01:22.120 --> 1:01:24.439
<v Speaker 1>if you do win an oscar, what will that mean

1:01:24.480 --> 1:01:28.919
<v Speaker 1>to you? It will be really great? And and yeah,

1:01:28.960 --> 1:01:31.560
<v Speaker 1>it'll be amazing, It will be amazing. It'd be really

1:01:31.560 --> 1:01:33.200
<v Speaker 1>cool if it was this song. I think this is

1:01:33.200 --> 1:01:40.560
<v Speaker 1>the best thing I've ever done. Hi, this is Bob

1:01:40.640 --> 1:01:42.080
<v Speaker 1>left Sets. I don't want to thank you for being

1:01:42.080 --> 1:01:45.840
<v Speaker 1>a fan of my podcast. You can email me at

1:01:45.840 --> 1:01:48.760
<v Speaker 1>Bob at left sets dot com and let us know

1:01:48.800 --> 1:01:51.640
<v Speaker 1>what you think and suggestions were open to all ideas.

1:01:51.840 --> 1:01:55.560
<v Speaker 1>Be sure to subscribe it tune in iTunes or your

1:01:55.880 --> 1:02:00.120
<v Speaker 1>podcast player of choice. Next, we have Eric Brazilian, the

1:02:00.200 --> 1:02:04.280
<v Speaker 1>genius behind so many Hooter songs and he also wrote

1:02:04.560 --> 1:02:06.800
<v Speaker 1>one of us by Joan Osborne. You know that you

1:02:06.840 --> 1:02:09.480
<v Speaker 1>really love it. Tune in to hear those stories and

1:02:09.560 --> 1:02:12.080
<v Speaker 1>the story of the making of the first Cyndi Law

1:02:12.120 --> 1:02:18.640
<v Speaker 1>pre album. I guarantee you you'll be intrigued. Must be

1:02:19.640 --> 1:02:20.440
<v Speaker 1>out out