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Speaker 1: So I can't see the dancing. And I can't see

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Speaker 1: the dancing. Then I'm Theo's circus, so they love.

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Speaker 2: Tickets are really expensive, so I'm like getting pissed.

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Speaker 1: Yeah, and I go and I go.

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Speaker 2: Hey, mister, take that big stone pipe hat off. The

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Speaker 2: hat comes off, turns around. It's Anna Gun, Hollywood.

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Speaker 1: It's a man's hat. Strange. Well she I guess you know.

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Speaker 2: I talked to her afterwards. We're friends little and she's

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Speaker 2: doing like the whole like mystery pickup artist thing. She

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Speaker 2: was peacocking. She's single now, and I guess I was

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Speaker 2: trying to pick up Hanka's area.

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Speaker 1: Hey, welcome to Hollywood.

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Speaker 3: Hammoo and Insider's guy you kicking button the red carpet

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Speaker 3: lineback hallways of this industry we call show bez Listen.

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Speaker 3: When we see a show that we like, we like

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Speaker 3: to come on here and we and we talk about

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Speaker 3: the show.

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Speaker 2: Especially when they're flying under the raid and they haven't

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Speaker 2: really gotten the attention they deserve because it's on one

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Speaker 2: of these fringe, small stations. What's the name of the station.

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Speaker 1: It's NBC.

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Speaker 3: Okay, there's there's a few shows out there now that

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Speaker 3: we're that we're getting very excited about. And this is

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Speaker 3: a segment we should name it where we talk about.

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Speaker 1: Good shows, good shows that we like.

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Speaker 2: Well, I mean, I thought we might call it Welcome

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Speaker 2: to Welcome to Sweden, et cetera.

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Speaker 1: Et cetera.

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Speaker 3: As the other shows, yes, that we talk about good

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Speaker 3: but I feel like we'll always open with this one

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Speaker 3: when we do this segment.

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Speaker 1: And we've done it in the past and we've called

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Speaker 1: it that too.

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Speaker 3: But the show that we like, yes, is this show

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Speaker 3: Welcome to Sweden. It's about a man who moves to

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Speaker 3: Sweden and his experience there is it's very weird. It

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Speaker 3: actually turns out to be very strange. Well, yeah, it's

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Speaker 3: totally cuckoo, and because you're thinking Sweden's country, right, and

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Speaker 3: yes it is, but once you actually go there, it's

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Speaker 3: something else.

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Speaker 1: Entirely.

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Speaker 2: It's so rare for me to connect to a new

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Speaker 2: show because, as you know, I don't own a television

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Speaker 2: and so I'm going out to a fancy restaurant and

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Speaker 2: I don't want to waste my money learning new characters,

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Speaker 2: and so generally I'll watch Coach or something like Coach.

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Speaker 1: But this time, what's like, what is that that's like

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Speaker 1: Coach the film Devil's Advocate, and what's how is that?

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Speaker 1: Like Coach, it's got the guy I like.

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Speaker 2: So anyway, I'm out there and I'm thinking, I don't

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Speaker 2: want to waste this.

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Speaker 1: I just paid all this money for this vial scillapini And.

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Speaker 2: Anyways, I wind up just saying, oh f it, I'm

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Speaker 2: gonna watch Welcome to Sweden.

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Speaker 1: I loved it. And this guy I loved it.

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Speaker 3: This guy who's in it, I'm watching him and I'm thinking,

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Speaker 3: who is this?

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Speaker 1: What is this? I want to know all about it?

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Speaker 1: How the hell it's this guy, Greg Poehler so raw?

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Speaker 3: And I'm looking up him and I'm looking about him,

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Speaker 3: and I'm finding out all these things. And it turns

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Speaker 3: out that his sister is acting at the same time,

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Speaker 3: and she's in the show. She's at the beginning of

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Speaker 3: the show.

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Speaker 2: Yes, and so his sister is a famous actress because

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Speaker 2: she's in the beginning of his show. So they're both actors,

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Speaker 2: they're both on this show, and.

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Speaker 3: She is also an executive producer on it. She's very

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Speaker 3: early in the credits, which I heard was not because

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Speaker 3: of there being relationship at all, but she saw the

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Speaker 3: script with the first page torn off and didn't even

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Speaker 3: see what the name was. And she loved it so

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Speaker 3: much that she said, I make this TV show now,

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Speaker 3: And so now it's on TV and she finds out

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Speaker 3: showing up on the first day, this is her brother.

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Speaker 3: This is a guy that she knew when she was

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Speaker 3: a little baby.

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Speaker 2: Yeah, that's exciting to me. The idea to show up

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Speaker 2: at a script you never found out who it's by.

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Speaker 1: Yeah it's your brother, what an interesting story, or your

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Speaker 1: dad or anything.

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Speaker 2: And so that's part of I think what makes the

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Speaker 2: show so exciting.

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Speaker 1: M M.

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Speaker 2: And it is weird when you're in another country and

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Speaker 2: I remember once because sometimes for work I have to travel,

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Speaker 2: and I remember once I'm going and I'm being in uh.

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Speaker 1: Vienna and I'm at an amusement.

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Speaker 2: Park and the front dough there just tasted so crazy

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Speaker 2: to me.

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Speaker 1: Now whine all day. And also.

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Speaker 2: I just was sleepy. So that's part of it, I'm sure,

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Speaker 2: But yeah, it's the sausages or it's something, but the

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Speaker 2: fried dough just tasted like.

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Speaker 1: Aliens are the sausages. That's the fried dough.

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Speaker 2: Yes, okay, so and that's language barrier stuff and they

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Speaker 2: cover some of that too on the show, but it

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Speaker 2: really was an experience that made me think this could

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Speaker 2: be a TV show.

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Speaker 1: I didn't have time to do it. Greg did.

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Speaker 3: So that's one show that we really love whether some

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Speaker 3: of the other shows that.

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Speaker 2: We well, you were saying that you really love this show.

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Speaker 2: It's Emil Hirsch's uncle. Yeah, and he plays this guy

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Speaker 2: who's only ever had Hamburger sandwich to eat, and he

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Speaker 2: eats Japanese food sushi's, and he.

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Speaker 1: Hates it, but he has to keep eating it because

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Speaker 1: of his new job.

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Speaker 3: Yes, it's a it's Emil Hirsch's uncle was buzz His

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Speaker 3: name is buzzersh and.

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Speaker 1: He had this strange experience.

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Speaker 3: Where he, you know, he grows up in America where

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Speaker 3: he eats Hamburger sandwich because it's their favorite food.

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Speaker 1: But then.

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Speaker 3: It's time to go to this job and he meets

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Speaker 3: his boss, this Javanese guy played by Emil Hirsch.

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Speaker 1: Who's supposed to be old in the thing. Like it

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Speaker 1: was so exciting to see him in it. Yes, and

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Speaker 1: well what I hat his uncle's show.

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Speaker 3: Yes, and that they what I heard was they actually

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Speaker 3: hate each.

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Speaker 1: Other and swore that they would never do anything together.

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Speaker 3: But it's only because of this show being so good

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Speaker 3: that they decided, you know, for.

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Speaker 1: The show, for doing the show, we'll decide to hang

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Speaker 1: out together again. And it's and it's true.

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Speaker 2: I think that Emil has been wanting to play an

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Speaker 2: old Japanese man for quite some time.

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Speaker 1: Yes, so it's a little bit of kismet fate.

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Speaker 3: And so he plays old Japanese man and he's the

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Speaker 3: boss of the company that makes its miss it's missubishim

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Speaker 3: and when you go in to Missubishi, it's in America,

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Speaker 3: but it's part of Japan.

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Speaker 1: It's technically part of Japan.

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Speaker 2: One time I took an ecstasy pill with the Mitsubishi

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Speaker 2: logo on it and I rolled my fucking tits off.

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Speaker 1: Go ahead, keep talking, so they go.

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Speaker 3: The way it works is he goes to work and

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Speaker 3: he's in Japan and he has to eat a big

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Speaker 3: lunch at work and it's all this Japanese food. But

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Speaker 3: then he goes home and he's in America again. So

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Speaker 3: you'll have these weird situations where he's eating two different

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Speaker 3: kinds of food, but he has to do it all

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Speaker 3: in one day. That's a pilot. He has to figure

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Speaker 3: out a way to wake up, have Hamburger sandwich for breakfast,

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Speaker 3: go to work, eat a big Japanese food, then go

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Speaker 3: home and have to remember whether which what he's supposed

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Speaker 3: to eat.

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Speaker 1: Well, there's that scene where he goes and he sticks

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Speaker 1: a chopstick in a Hamburger sandwich.

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Speaker 3: Yeah, he gets hurt. Oh yeah, he tries to he

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Speaker 3: tries to eat.

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Speaker 1: It like that.

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Speaker 2: I seapill stories just to say Mitsu Beach is a

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Speaker 2: good product.

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Speaker 1: It's just a saying.

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Speaker 2: It's just to say that to let you know like

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Speaker 2: that's a quality product, because I'm engineering Japanese engineering.

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Speaker 3: Yes, what's that show that you loved? You were starting

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Speaker 3: to text me about it. This is the show that

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Speaker 3: the tom Brady's mom was doing, the sitcom on the

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Speaker 3: on the NFL network.

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Speaker 2: Oh yes, finally the NFL is doing scripted because they've

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Speaker 2: been trying to dip their toes in these waters for

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Speaker 2: a while.

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Speaker 1: I'm sorry, I forgot what that last show is called.

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Speaker 1: It's called Welcome to Hamburgers.

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Speaker 2: So this is a show now. Tom Brady's mom plays

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Speaker 2: a retired Japanese geisha who no longer can use her

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Speaker 2: feminine wiles to sort of please businessmen and needs to

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Speaker 2: find some new kind of work. So she goes to

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Speaker 2: her new job and it is having a Hamburger sandwich.

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Speaker 1: And so.

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Speaker 2: When she's doing and this is in Germany. When she's

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Speaker 2: doing this, you know, she's also like getting all these

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Speaker 2: phone calls and she can't stand it because she's They explain,

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Speaker 2: it's complicated. They explain early and during the credits kind

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Speaker 2: of that she has a disease where the phone ringing

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Speaker 2: makes her very scared.

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Speaker 1: But she keeps getting these.

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Speaker 2: Phone calls and she's eating the hamburger sandwich. She's never

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Speaker 2: had it before because she only eats like octopus, fish

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Speaker 2: and all.

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Speaker 1: The squid and all this. So she is very sort

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Speaker 1: of out of sorts. But whenever her German boss comes by,

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Speaker 1: that's Tom Brady. He's in it. They got him for it,

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Speaker 1: and I heard he didn't want to do it and

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Speaker 1: he didn't want to do any acting. And then when

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Speaker 1: you were saying, lots of football guys is in it.

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Speaker 2: Oh yes, yeah, Michael Peterson is that someone Michael Sam

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Speaker 2: plays like the you know bus boy?

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Speaker 1: Yeah, and who's Michael Peter said? Just catch me? I know,

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Speaker 1: you know, you're much more of a football guy than

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Speaker 1: I have.

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Speaker 2: Well, he's on the Minneapolis Vikings, and he does touchdowns

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Speaker 2: like madness.

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Speaker 1: And so.

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Speaker 2: Some of the guy and if you haven't seen the sport,

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Speaker 2: some of the guys stop touchdowns and some of the

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Speaker 2: guys does touchdowns, and Michael is one of the ones

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Speaker 2: who just really does big touchdowns.

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Speaker 1: And it is a thrill and a half.

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Speaker 2: Anyway, Tom Brady plays her boss, Ernst, And when Ernst

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Speaker 2: comes in, if he catches you with the ketchup, you're

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Speaker 2: gonna get really really punched.

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Speaker 1: They don't like to eat ketchup over there.

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Speaker 2: Well, and then you're not allowed and that you are

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Speaker 2: allowed to punch an old woman who works for you,

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Speaker 2: And so it's a cool dynamic it sets up. And

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Speaker 2: so between that and the phone ringing and all the

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Speaker 2: football guys, whether they're the touchdown guys or not, you

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Speaker 2: really got a recipe for success. And that's what I texted.

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Speaker 1: You and Michael Sam, isn't it?

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Speaker 2: You said, Yeah, he's the bus boy and he's clearing

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Speaker 2: the plates. But at the same time he's got kind

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Speaker 2: of his own story going on where whenever there's a

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Speaker 2: full moon, he pisses it.

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Speaker 1: He pisses himself. Oh so.

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Speaker 2: You know, and that's you can't really control what shift

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Speaker 2: you get if you get a shift during the full moon.

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Speaker 1: Yeah, and you piss yourself, but you're wearing that big apron.

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Speaker 2: Yeah, but he pissed right through the apron the episode

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Speaker 2: I saw, he pissed clean through it. It actually made

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Speaker 2: a hole through it. Yeah, like it made a stain

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Speaker 2: and then the stain melted a hole. So I don't

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Speaker 2: know what they're trying to say about his diet or what,

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Speaker 2: but something.

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Speaker 3: Like they're trying to say something about I don't know

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Speaker 3: if I'm reading it into it too much, but it

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Speaker 3: seems like something about his sexual orientation.

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Speaker 4: Does that imply it at all with his Oh he's gay,

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Speaker 4: he's gay? Yeah, okay, that's okay with you.

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Speaker 1: I mean, what do you want me to get into it? Now?

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Speaker 2: It's fine, you can't you. I just can't have a kid.

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Speaker 2: I mean you literally can't.

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Speaker 1: You show you can have one.

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Speaker 2: But when people are like my family, my kid, I'm like, well,

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Speaker 2: it's not fucking yours. And I know that because you're

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Speaker 2: straight up a gay dude.

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Speaker 1: And you told me that. And it's so it's like

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Speaker 1: it's that aspect of it. It's fake.

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Speaker 2: Yeah, that's fake and well and they're lying, and so

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Speaker 2: that kind of pretending is not okay with me. Just

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Speaker 2: like just say what you did? You bought it, you

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Speaker 2: know what I mean, I mean, it's yours, like in

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Speaker 2: the way that like.

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Speaker 1: My canoe is my canoe. But when I'm out and

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Speaker 1: it's not like that because anyway, I don't want to

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Speaker 1: get into it.

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Speaker 2: But I but as far as them being people, or

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Speaker 2: doing football, or being on this great show which was

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Speaker 2: you know, almost funny as Welcome to Sweden, as far

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Speaker 2: as any of that, I think it's great.

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Speaker 3: I guess that's because you said you liked it, and

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Speaker 3: I know that you just have a low tolerance for

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Speaker 3: people being fake that way.

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Speaker 1: I so maybe fake hate fake. Maybe maybe it is

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Speaker 1: hate when people are fake all the details.

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Speaker 2: Yeah, yeah, no, I don't like when people are fake,

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Speaker 2: that's true.

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Speaker 1: And I think it.

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Speaker 2: Goes back to when I, you know, had that I mean,

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Speaker 2: I accidentally had sex with the doll that I thought

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Speaker 2: was the person.

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Speaker 1: Mm hmmm.

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Speaker 3: Yeah, and that sort of raised your awareness about fake stof.

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Speaker 1: Well, how dangerous it can be not knowing what's real.

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Speaker 1: And yeah, and.

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Speaker 2: Some of the science now where they're trying to do

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Speaker 2: these simulators and these hologram and the three D printing

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Speaker 2: and all of it, and I'm like, well, slippery slow.

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Speaker 1: It's like they're yeah, they're trying to trick you. Yeah,

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Speaker 1: m hmm. It does feel that way.

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Speaker 3: We have a great guest today and Nick Wiger is here.

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Speaker 3: He you know him from Funnier Die.

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Speaker 1: The doll was a girl. It looked like a girl.

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Speaker 1: I'm not.

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Speaker 2: Saying no, no, I just said I'm fine with the

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Speaker 2: Michael Sam and I am if he really is that

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Speaker 2: or I don't know if you're trying to trick me.

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Speaker 1: But when I had sex with the doll, yeah, it

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Speaker 1: was a you know, it's had big.

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Speaker 2: Well and for people who don't know the whole story,

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Speaker 2: somebody had put a radio right behind its head, so

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Speaker 2: you think so I did think it was talking to me?

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Speaker 1: What what?

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Speaker 5: What?

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Speaker 1: What song? So raise your glass?

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Speaker 3: If you nitty gritty, you never be, never being. It's

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Speaker 3: a very strong signal. You hear that, You think, what

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Speaker 3: else are you going to think? You hear something? You

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Speaker 3: know someone is looking right at you singing that song.

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Speaker 1: Yeah, so.

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Speaker 3: Anyway you were going to do the guests, Yes, we

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Speaker 3: have a great guest today, Nick Wiger is here and

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Speaker 3: he's done Funnier Die and now he writes for at

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Speaker 3: Midnight and he's a he's a writer performer and he's

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Speaker 3: very good.

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Speaker 1: And he's going to talk to us.

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Speaker 3: All about viral content and technology very soon, coming right

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Speaker 3: up on Hollywood Handbook.

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Speaker 1: Were you making fun of me when the whole thing

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Speaker 1: just now? It just feels like you're like laughing at

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Speaker 1: me or something.

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Speaker 3: The fact that you would say that to me now

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Speaker 3: after all, you know, after you went through that whole thing,

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Speaker 3: and that I you know, I put a fair amount

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Speaker 3: of time into into working with you about that, didn't

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Speaker 3: I do. I have so much time that I you know,

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Speaker 3: I can like come to your house right away when

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Speaker 3: you're like thinking about it too much.

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Speaker 2: Well, that's what made me scared about it, is like

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Speaker 2: as if you're like this sort of you know, and

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Speaker 2: I don't see as this kind of person, but for you,

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Speaker 2: this sort of ghoulish sort of figure who just seizes

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Speaker 2: on the fact that I'm vulnerable because you know, when

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Speaker 2: I learned it, as you know, I got pretty scared

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Speaker 2: and got pretty violent with myself.

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Speaker 1: I mean, you know, and I don't want to take

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Speaker 1: this back at you.

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Speaker 3: But the fact that you would make that assumption about

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Speaker 3: me that I that this is something I.

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Speaker 1: Would do with my you know, I have things going on.

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Speaker 1: I can't just take you know, we took a trip.

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Speaker 1: I know that. You know, we took a trip together

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Speaker 1: about this. Yeah, to the factory. Yeah, we had to

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Speaker 1: go so you could see how they make the this

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Speaker 1: is just a doll feel.

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Speaker 2: Yeah, and that there are several of the kind that I.

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Speaker 1: Yes, was with that and it's not and there's no

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Speaker 1: attachment there and that's what they're for.

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Speaker 3: Yeah, and they and they and they don't love anybody. Yes, no, Yes,

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Speaker 3: remember we had.

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Speaker 2: To Yeah, we talked to the all the employees. H.

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Speaker 1: Yes, No, I know. Uh.

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Speaker 2: I feel so self conscious around it. And the fact

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Speaker 2: that you know so much I know that makes me

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Speaker 2: almost scared that I am going to get you know,

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Speaker 2: pow surprised you're getting recorded. I mean, I know this

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Speaker 2: is recorded, but in all the things I'm doing that

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Speaker 2: you're trying to somehow do like a Jamie Kennedy experiment

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Speaker 2: thing with me mm hmm or something like this.

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Speaker 3: But I'm getting it at both ends because when we go,

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Speaker 3: when we went to the factory, you were saying that

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Speaker 3: was a Jimmie Kennedy experiment as well. Remember that, yes, yes,

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Speaker 3: saying that you know that it was a real thing, now.

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Speaker 2: That it wasn't that it wasn't a real factory and

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Speaker 2: it was Kennedy style thing where you'd set up the.

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Speaker 3: Factory and I had set up the factory to x you. Yes,

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00:19:28,000 --> 00:19:30,959
Speaker 3: but and and now that you know now that it's

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Speaker 3: not that anymore, it seems like I'm one way or another,

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Speaker 3: I'm Jamie Kennedy experimenting you. There's nothing I can do.

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Speaker 2: I hope that you're not. No, you're doing it right now,

354
00:19:41,200 --> 00:19:43,320
Speaker 2: you're just being honest. But I can't ask. I mean,

355
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Speaker 2: it's pretty scary to get xed. Like that's a real

356
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Speaker 2: fear that people have in this town, specifically.

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Speaker 3: You can I mean, there's a difference between asking, you know,

358
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Speaker 3: and I know you're just like your your your awareness

359
00:19:58,080 --> 00:20:00,800
Speaker 3: is so heightened and you're in you know, you're very

360
00:20:00,840 --> 00:20:03,600
Speaker 3: skittish now after sort of what's happening.

361
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Speaker 2: And Manuel told me that you're the one who put

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00:20:05,280 --> 00:20:07,199
Speaker 2: the radio there, and that's what and that's what I

363
00:20:07,200 --> 00:20:09,840
Speaker 2: haven't told you, and that's why who told you that?

364
00:20:09,920 --> 00:20:11,640
Speaker 1: Emanuel told me that you are the one who put

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Speaker 1: the radio there.

366
00:20:13,480 --> 00:20:16,040
Speaker 2: And that that's and so that's why I'm nervous, because

367
00:20:16,280 --> 00:20:18,880
Speaker 2: it's a very convenient placene where it really does make

368
00:20:18,920 --> 00:20:21,920
Speaker 2: it seem like the the head is talking or singing.

369
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Speaker 1: That I put it behind the doll and.

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Speaker 2: She saw you put the radio, which was an odd

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Speaker 2: place for the radio, you know, because it was on

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Speaker 2: a windowsill.

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Speaker 3: And I played a song that I know you find provocative,

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Speaker 3: pretty sentual.

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Speaker 1: Okay, say it started as one thing, an xinge, an xing, Okay.

376
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Speaker 3: What it became and like, what you did is not

377
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Speaker 3: what I anticipated what would happen, Just like the degree of.

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00:21:00,640 --> 00:21:11,359
Speaker 1: It, the proposing and no everything before that to agree,

379
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Speaker 1: just the aggressive nature of them, just the way it

380
00:21:14,920 --> 00:21:20,040
Speaker 1: went down them because it was I did it in

381
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Speaker 1: the mean way. It was a little mean. Yeah, all

382
00:21:24,880 --> 00:21:26,480
Speaker 1: of that. It Uh.

383
00:21:27,560 --> 00:21:30,680
Speaker 3: As it was happening, you know, I'm watching this thinking

384
00:21:30,720 --> 00:21:33,520
Speaker 3: like should I you know, now, do I go stop it?

385
00:21:34,080 --> 00:21:34,280
Speaker 2: Yeah?

386
00:21:37,000 --> 00:21:38,919
Speaker 1: You know, and I just I don't feel like I

387
00:21:38,960 --> 00:21:41,000
Speaker 1: can because Freddy lose your hand.

388
00:21:41,080 --> 00:21:46,520
Speaker 3: Yeah, And so after that, you know, I'm I'm yes,

389
00:21:47,000 --> 00:21:49,160
Speaker 3: it did it started as an xt thing.

390
00:21:49,240 --> 00:21:49,480
Speaker 1: Yes.

391
00:21:50,280 --> 00:21:52,879
Speaker 3: Ever since then, I feel like I've been trying to,

392
00:21:53,359 --> 00:21:55,280
Speaker 3: you know, to make it something else.

393
00:21:56,920 --> 00:21:58,800
Speaker 2: Well, and I think that what we both found out

394
00:21:58,840 --> 00:22:02,520
Speaker 2: is that maybe what I had some stuff that I

395
00:22:02,560 --> 00:22:04,800
Speaker 2: did need to work through. Whether we get a doll

396
00:22:04,920 --> 00:22:06,800
Speaker 2: factory or yeah, we did it on our trip.

397
00:22:07,320 --> 00:22:10,600
Speaker 3: It ended up being a nice thing, yes, and I

398
00:22:10,640 --> 00:22:12,720
Speaker 3: feel closer to you, But I did want to know

399
00:22:12,800 --> 00:22:15,440
Speaker 3: because I did think it was an xing right well

400
00:22:15,480 --> 00:22:16,480
Speaker 3: you seem and.

401
00:22:16,400 --> 00:22:18,320
Speaker 2: Now I'm not so nervous that you're trying to do

402
00:22:18,359 --> 00:22:20,920
Speaker 2: it still do it to me? I think I nicked

403
00:22:20,960 --> 00:22:21,639
Speaker 2: it out.

404
00:22:21,400 --> 00:22:23,639
Speaker 3: Well, yes, because the sense that you had is that

405
00:22:23,960 --> 00:22:27,199
Speaker 3: somewhere at some point an xing was happening to you.

406
00:22:27,320 --> 00:22:32,520
Speaker 3: I was getting xed since it happened until now, You've

407
00:22:32,560 --> 00:22:36,879
Speaker 3: just been trying to basically find the ex that in

408
00:22:36,920 --> 00:22:40,159
Speaker 3: your life history. And doesn't it feel better now that

409
00:22:40,240 --> 00:22:40,880
Speaker 3: you found it?

410
00:22:40,920 --> 00:22:43,400
Speaker 2: And I do feel better, And thank you for admitting that.

411
00:22:44,320 --> 00:22:48,919
Speaker 2: And I know that wasn't easy, and I love you.

412
00:22:49,480 --> 00:22:50,000
Speaker 1: I love you too.

413
00:22:50,000 --> 00:22:52,720
Speaker 3: We have a great guest today, Nick Nick Quiger's here

414
00:22:52,720 --> 00:22:56,320
Speaker 3: and he's from Fun your Dad coming right up on

415
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Speaker 3: Hollywood Handbook.

416
00:23:01,920 --> 00:23:05,040
Speaker 2: I'm not the Air and Space Museum with Jenna.

417
00:23:06,760 --> 00:23:08,360
Speaker 1: And we're in that little feet are they have there?

418
00:23:08,359 --> 00:23:10,760
Speaker 1: And he watched like the plane movie about planes or whatever.

419
00:23:11,880 --> 00:23:14,280
Speaker 1: She's like, I want my overhauls for you. What do

420
00:23:14,280 --> 00:23:17,679
Speaker 1: you mean She's like to make it easier to finger

421
00:23:19,400 --> 00:23:22,000
Speaker 1: Does that make any sense to you? Does she?

422
00:23:22,359 --> 00:23:22,520
Speaker 3: Well?

423
00:23:22,560 --> 00:23:24,919
Speaker 1: What does she think that? What is she think fingering?

424
00:23:25,119 --> 00:23:27,520
Speaker 1: That seems like it would make it much harder? Well?

425
00:23:27,600 --> 00:23:29,520
Speaker 2: Yeah, and this was the conversation we're having.

426
00:23:29,600 --> 00:23:29,760
Speaker 3: You know.

427
00:23:30,880 --> 00:23:33,119
Speaker 1: Ultimately, some kids shushed us. He was like on his

428
00:23:33,160 --> 00:23:35,520
Speaker 1: eighth grade Washington, d C. Trip and he shushed us,

429
00:23:35,520 --> 00:23:38,440
Speaker 1: but bailed me out in a way.

430
00:23:38,960 --> 00:23:43,280
Speaker 3: Eh, what would handboken Insider's Guide to kicking button dropping

431
00:23:43,359 --> 00:23:45,800
Speaker 3: names in the red carpet lineback hallways of this industry

432
00:23:45,840 --> 00:23:49,159
Speaker 3: we call showbiz Welcome and what up?

433
00:23:49,160 --> 00:23:49,560
Speaker 1: What up?

434
00:23:49,600 --> 00:23:53,800
Speaker 3: To Nick Wiger, our guest today. We've been excited to

435
00:23:53,880 --> 00:23:56,400
Speaker 3: have someone from the viral space.

436
00:23:56,119 --> 00:23:56,679
Speaker 1: For a while.

437
00:23:58,320 --> 00:24:00,560
Speaker 3: We I mean to get you for some like that

438
00:24:00,760 --> 00:24:02,919
Speaker 3: is is a real thrill, So thank you, thank you

439
00:24:03,119 --> 00:24:03,960
Speaker 3: so much for being here.

440
00:24:04,000 --> 00:24:05,600
Speaker 6: It's I mean, it's a thrill to be here and

441
00:24:06,080 --> 00:24:09,760
Speaker 6: discuss this aspect of the entertainment industry that I feel

442
00:24:09,760 --> 00:24:13,000
Speaker 6: like kind of gets I feel like it gets some guff.

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00:24:13,040 --> 00:24:14,960
Speaker 1: It gets kind of the short does get it actually

444
00:24:15,000 --> 00:24:15,360
Speaker 1: does get.

445
00:24:15,440 --> 00:24:18,399
Speaker 2: Yes, it's taking on guff and it gets second billing

446
00:24:18,400 --> 00:24:20,200
Speaker 2: when for me it's actually tops.

447
00:24:20,400 --> 00:24:23,480
Speaker 6: Well, how are you spending your your time and being

448
00:24:23,640 --> 00:24:26,440
Speaker 6: entertained these days? We are in the entertainment industry, right,

449
00:24:26,640 --> 00:24:29,959
Speaker 6: You're spending it online. You're watching viral content. You know

450
00:24:30,200 --> 00:24:33,200
Speaker 6: you're not going to the cineplex every night, but you're

451
00:24:33,280 --> 00:24:35,240
Speaker 6: maybe six hours a day at your job when you

452
00:24:35,280 --> 00:24:38,560
Speaker 6: should be working. You're checking out what's on, what's on

453
00:24:38,600 --> 00:24:40,240
Speaker 6: the top websites.

454
00:24:39,800 --> 00:24:42,520
Speaker 1: And it's and it's tiny movies is really all? Is it?

455
00:24:42,520 --> 00:24:44,760
Speaker 1: Really is? It really is? And it is for free.

456
00:24:45,280 --> 00:24:48,440
Speaker 2: It is for free, and it is the most intimate

457
00:24:48,800 --> 00:24:52,679
Speaker 2: entertainment experience because you can, unlike other forms of entertainment,

458
00:24:52,720 --> 00:24:54,399
Speaker 2: you can have it in your home orright or.

459
00:24:54,440 --> 00:24:55,359
Speaker 1: Just flying in bed.

460
00:24:55,520 --> 00:24:59,159
Speaker 6: Yes, I'm so glad you guys mentioned that, because the

461
00:24:59,200 --> 00:25:01,919
Speaker 6: idea of it being intimate, of it, like connecting to

462
00:25:02,000 --> 00:25:05,400
Speaker 6: an audience so directly, is what appeals to me about

463
00:25:05,440 --> 00:25:06,080
Speaker 6: viral content.

464
00:25:06,119 --> 00:25:07,000
Speaker 1: I could make movies.

465
00:25:07,520 --> 00:25:10,000
Speaker 6: I could go, I could write a screenplay and sell

466
00:25:10,040 --> 00:25:10,600
Speaker 6: it tomorrow.

467
00:25:11,200 --> 00:25:11,720
Speaker 1: I could go.

468
00:25:11,800 --> 00:25:13,720
Speaker 6: I've been off for TV shows, they've just said, Hey, Nick,

469
00:25:13,760 --> 00:25:14,600
Speaker 6: you want a TV show?

470
00:25:15,560 --> 00:25:16,080
Speaker 1: I'd buy it.

471
00:25:16,160 --> 00:25:18,080
Speaker 6: Yeah, of course you got you guys would anyone would

472
00:25:18,440 --> 00:25:22,720
Speaker 6: because but I don't. I'm not interested in that. I'm

473
00:25:22,760 --> 00:25:27,640
Speaker 6: interested in the Internet. This is the new frontier of cinema.

474
00:25:27,680 --> 00:25:30,200
Speaker 6: This is the new frontier of pop culture.

475
00:25:31,119 --> 00:25:31,359
Speaker 1: I am.

476
00:25:31,440 --> 00:25:35,240
Speaker 6: I'm trying to blaze a trail alongside my fellow viners,

477
00:25:35,560 --> 00:25:40,919
Speaker 6: my fellow YouTubers, my fellow viral content engineers. I call

478
00:25:41,000 --> 00:25:43,680
Speaker 6: them viral content engineers or viral engineers.

479
00:25:43,800 --> 00:25:47,879
Speaker 3: What's backtrack A little bit? Sure you, it starts for you.

480
00:25:48,000 --> 00:25:51,040
Speaker 3: I guess with Funnier Die is where you're sort of

481
00:25:51,040 --> 00:25:55,040
Speaker 3: coming from. Where people know Will Sure, and they know

482
00:25:55,560 --> 00:26:00,480
Speaker 3: Chris Henchy, and they know Adam McKay. But who's who

483
00:26:00,480 --> 00:26:06,680
Speaker 3: Where Where does Nick hench sorry the Henchman? Yeah, the Henchman, Yeah,

484
00:26:07,760 --> 00:26:08,560
Speaker 3: Wicked Henchman.

485
00:26:08,680 --> 00:26:10,160
Speaker 1: He's the best. He's the best.

486
00:26:10,480 --> 00:26:13,200
Speaker 6: Yeah, Yeah, I mean, I guess the way to think

487
00:26:13,240 --> 00:26:16,400
Speaker 6: of it is, you know, those three names are kind

488
00:26:16,440 --> 00:26:20,719
Speaker 6: of like a triangle, and I'm at the center of

489
00:26:20,760 --> 00:26:26,000
Speaker 6: that triangle, like as its core, holding up basically holding

490
00:26:26,000 --> 00:26:28,119
Speaker 6: it all together. Yeah, it's kind of like kind of

491
00:26:28,160 --> 00:26:30,840
Speaker 6: like you know, how Atlas has the earth on his back.

492
00:26:31,400 --> 00:26:33,560
Speaker 6: I'm kind of like that, except I'm holding up all

493
00:26:33,720 --> 00:26:36,960
Speaker 6: three sides of the company.

494
00:26:36,040 --> 00:26:38,320
Speaker 2: And mind, body, and spirit on his Yes. Yeah, you know,

495
00:26:38,400 --> 00:26:42,320
Speaker 2: and you yes, and you're sort of the uniting factor.

496
00:26:42,880 --> 00:26:45,240
Speaker 6: Yeah, that's how I like to think of it anyway,

497
00:26:45,320 --> 00:26:46,840
Speaker 6: and how they think of it. I mean, I am

498
00:26:46,880 --> 00:26:48,920
Speaker 6: speaking for them, and I have their permission to speak

499
00:26:48,960 --> 00:26:52,960
Speaker 6: for them, so uh yeah, I mean, you know, the

500
00:26:53,040 --> 00:26:56,800
Speaker 6: idea of the company is to again getting back to

501
00:26:56,800 --> 00:26:59,520
Speaker 6: what you guys were saying earlier, it's it's about engaging

502
00:26:59,520 --> 00:27:02,080
Speaker 6: with the audio and how better to engage with the audience.

503
00:27:02,080 --> 00:27:04,800
Speaker 6: But let them decide the fate of the content you

504
00:27:04,840 --> 00:27:08,120
Speaker 6: put out there. Sure, is it funny? Does it die?

505
00:27:08,440 --> 00:27:10,720
Speaker 1: Yeah? Which is? Which is it? You know this that's

506
00:27:10,800 --> 00:27:11,440
Speaker 1: up to you.

507
00:27:11,359 --> 00:27:13,199
Speaker 3: And let's explain, I guess to people who don't know

508
00:27:13,240 --> 00:27:16,280
Speaker 3: sort of how to do it, how to do fund

509
00:27:16,280 --> 00:27:19,160
Speaker 3: your die? Where like sure, if I'm if I want

510
00:27:19,160 --> 00:27:22,640
Speaker 3: to look at it, and I show up and I'm

511
00:27:22,680 --> 00:27:25,800
Speaker 3: saying let's go, and I and now I want it.

512
00:27:26,160 --> 00:27:29,119
Speaker 2: I can't wait to see it. In this scenario, I'm like,

513
00:27:29,359 --> 00:27:30,520
Speaker 2: let's go, let's see.

514
00:27:30,359 --> 00:27:33,439
Speaker 6: It, and now what Yeah, and now what am I

515
00:27:33,520 --> 00:27:35,679
Speaker 6: doing so you're looking to see you want to see

516
00:27:36,240 --> 00:27:39,800
Speaker 6: what fun of your dye is even further back for the.

517
00:27:39,840 --> 00:27:45,280
Speaker 2: Day, Yeah, just from it, just from a direction of like, so,

518
00:27:45,600 --> 00:27:48,199
Speaker 2: I I would love to see it.

519
00:27:48,280 --> 00:27:53,520
Speaker 1: I can't wait. I've carved out some time. I'm not hungry,

520
00:27:53,600 --> 00:27:55,520
Speaker 1: I'm not sleepy. I'm ready to watch.

521
00:27:55,560 --> 00:27:57,280
Speaker 2: You know, I don't need to take care of any

522
00:27:57,320 --> 00:28:00,600
Speaker 2: other physical needs. Breathe easily, you know, I don't have

523
00:28:00,760 --> 00:28:03,879
Speaker 2: Sometimes I get these sort of asthma episodes.

524
00:28:04,200 --> 00:28:05,439
Speaker 1: It's not one of those days.

525
00:28:05,480 --> 00:28:08,240
Speaker 6: As far as your Maslow's hierarchy of needs, all the

526
00:28:08,280 --> 00:28:09,560
Speaker 6: basic ones are provided for.

527
00:28:09,680 --> 00:28:12,880
Speaker 3: Except for funnier die except for funnier.

528
00:28:13,240 --> 00:28:16,840
Speaker 6: Okay, so you're you're getting to that that tear and

529
00:28:16,880 --> 00:28:21,560
Speaker 6: you're wondering what that experience is. What I would say is,

530
00:28:24,080 --> 00:28:27,200
Speaker 6: just make sure your sides are in a state where

531
00:28:27,200 --> 00:28:33,040
Speaker 6: they can handle being split. If you have some socks on,

532
00:28:33,720 --> 00:28:35,119
Speaker 6: just make sure you're in a room where you can

533
00:28:35,160 --> 00:28:39,520
Speaker 6: easily find them once they get knocked off. And then

534
00:28:40,120 --> 00:28:43,360
Speaker 6: if you're wearing a bow tie, h just don't be

535
00:28:43,440 --> 00:28:45,560
Speaker 6: lying on your back because you might lift off like

536
00:28:45,600 --> 00:28:48,920
Speaker 6: a helicopter when it starts spinning. Because you are about

537
00:28:49,000 --> 00:28:50,600
Speaker 6: to experience something.

538
00:28:50,520 --> 00:28:53,240
Speaker 1: And doing that when that happens from the neck and

539
00:28:53,280 --> 00:28:53,760
Speaker 1: it lifts you.

540
00:28:53,840 --> 00:28:57,080
Speaker 6: Up like that, very dangerous, Yeah, very dangerous, really bad

541
00:28:57,120 --> 00:29:00,760
Speaker 6: for your back. Yeah, so but yeah, I'm that's basically

542
00:29:00,800 --> 00:29:03,480
Speaker 6: it just like just strap yourself in, enjoy the ride.

543
00:29:03,600 --> 00:29:06,000
Speaker 2: It happened to an uncle of mine that he did

544
00:29:06,000 --> 00:29:09,440
Speaker 2: get lifted off by from his neck and it's.

545
00:29:09,360 --> 00:29:12,400
Speaker 1: Really bad for your back. What happened?

546
00:29:12,400 --> 00:29:16,120
Speaker 2: Did he Well, he's well, he's okay now, thank god,

547
00:29:16,200 --> 00:29:17,320
Speaker 2: but he's in a wheelchair for the.

548
00:29:17,320 --> 00:29:20,080
Speaker 1: Rest of his life. Jesus. Yeah.

549
00:29:20,120 --> 00:29:23,000
Speaker 2: And because he had a ceiling fan above him, and

550
00:29:23,040 --> 00:29:25,760
Speaker 2: so the two spinners got caught together, like the spinning

551
00:29:25,800 --> 00:29:28,520
Speaker 2: bow tie and the spinning ceiling fan were spinning it

552
00:29:28,560 --> 00:29:32,719
Speaker 2: opposite angles, and it wound up like flinging him, and

553
00:29:32,800 --> 00:29:37,480
Speaker 2: it flinged him really hard, like honestly legitimately hard.

554
00:29:37,520 --> 00:29:39,600
Speaker 6: And we are we talking like was he in like a parlor,

555
00:29:39,640 --> 00:29:41,880
Speaker 6: like some sort of big room with some distant walls

556
00:29:41,880 --> 00:29:44,360
Speaker 6: where he was really able to get some momentum and

557
00:29:44,400 --> 00:29:46,640
Speaker 6: fly or was it a morking packed room or.

558
00:29:46,680 --> 00:29:48,720
Speaker 2: If I told you this story before, because it was

559
00:29:48,760 --> 00:29:52,680
Speaker 2: a parlor and it had very like very distant walls

560
00:29:53,400 --> 00:29:55,440
Speaker 2: is how I always explain it because you're you know,

561
00:29:55,640 --> 00:29:59,000
Speaker 2: because to get the trajectory to do what happened to him,

562
00:29:59,520 --> 00:30:05,320
Speaker 2: which was you know that his legs, you know, disintegrated essentially, wouldn't.

563
00:30:04,960 --> 00:30:05,640
Speaker 1: He hit the wall?

564
00:30:05,960 --> 00:30:09,720
Speaker 2: Yeah, geez it was and it was a marble wall

565
00:30:09,800 --> 00:30:11,479
Speaker 2: because it was a fancy parlor.

566
00:30:12,560 --> 00:30:15,760
Speaker 1: So the side we're talking about the site like split Sider.

567
00:30:16,240 --> 00:30:20,040
Speaker 6: It's it's like split Sider in the sense that it

568
00:30:20,160 --> 00:30:24,240
Speaker 6: is on the Internet. From that standpoint, you can access

569
00:30:24,280 --> 00:30:27,480
Speaker 6: it by going through your browser window, and that in

570
00:30:27,480 --> 00:30:30,160
Speaker 6: that aspect is very true. Split side Yeah through yeah,

571
00:30:30,240 --> 00:30:33,760
Speaker 6: via your browser window. But it's a little different. And

572
00:30:33,800 --> 00:30:36,280
Speaker 6: then I feel like split Sider is more analyzing the

573
00:30:36,280 --> 00:30:38,479
Speaker 6: content that's out there, and that's great. That's content and

574
00:30:38,520 --> 00:30:41,680
Speaker 6: of itself. They're creating content. They're they're you know, connecting

575
00:30:41,880 --> 00:30:42,720
Speaker 6: people with.

576
00:30:43,040 --> 00:30:45,880
Speaker 1: Short lived SNL stars, not talking about the experience on your.

577
00:30:47,400 --> 00:30:49,960
Speaker 6: It's it's less about that and it's more about it's

578
00:30:49,960 --> 00:30:52,640
Speaker 6: more about skits. Some people call them sketches, but we

579
00:30:52,680 --> 00:30:54,360
Speaker 6: call them in the industry. You call them skits.

580
00:30:54,520 --> 00:30:56,760
Speaker 2: SNL Stars of tomorrow perhaps.

581
00:30:56,240 --> 00:30:58,720
Speaker 6: Well possibly, you know, but again, you know, like what

582
00:30:58,920 --> 00:31:03,400
Speaker 6: like SNL the Internet that the line has blurred these days,

583
00:31:03,400 --> 00:31:05,600
Speaker 6: and it's the same like being on TV is literally

584
00:31:05,680 --> 00:31:08,120
Speaker 6: the same as being on YouTube. As far as I'm concerned,

585
00:31:08,120 --> 00:31:09,000
Speaker 6: it is the same thing.

586
00:31:09,080 --> 00:31:14,600
Speaker 1: And so the skits is that stuff really happened. Sometimes

587
00:31:14,640 --> 00:31:15,000
Speaker 1: it does.

588
00:31:15,600 --> 00:31:17,560
Speaker 6: I mean it really happens in the sense that it

589
00:31:17,680 --> 00:31:22,800
Speaker 6: is documented on camera and put together into a video.

590
00:31:22,840 --> 00:31:24,920
Speaker 6: And once that happens, it's happened.

591
00:31:25,080 --> 00:31:27,320
Speaker 1: It's not it's happened. It's not computers. It's not going

592
00:31:27,520 --> 00:31:28,200
Speaker 1: well some you know.

593
00:31:28,160 --> 00:31:29,880
Speaker 6: I mean, computers are everywhere, they say, I mean, how

594
00:31:29,880 --> 00:31:30,800
Speaker 6: do you avoid computers?

595
00:31:31,240 --> 00:31:33,480
Speaker 1: You know, I mean you use you probably use touch

596
00:31:33,480 --> 00:31:35,120
Speaker 1: a bash. That can be a skit.

597
00:31:36,280 --> 00:31:38,640
Speaker 2: I know I don't work there, but that's that can

598
00:31:38,680 --> 00:31:41,480
Speaker 2: be a skit actually, because computers is everywhere. So you know,

599
00:31:42,520 --> 00:31:45,400
Speaker 2: what if like what if you know, there are no

600
00:31:45,520 --> 00:31:46,560
Speaker 2: birds nests or something.

601
00:31:46,600 --> 00:31:49,200
Speaker 1: But it's like you for real, it's not like bugs life.

602
00:31:50,320 --> 00:31:53,200
Speaker 1: It well yeah, it's not exactly like bugs life. I mean,

603
00:31:53,200 --> 00:31:55,120
Speaker 1: that's it. It's really happened. It has happened.

604
00:31:55,120 --> 00:31:57,680
Speaker 6: I mean, in a sense Bugs life has happened because

605
00:31:57,760 --> 00:31:59,840
Speaker 6: it's a you know, it's been made into a movie.

606
00:32:00,080 --> 00:32:03,600
Speaker 6: Now that's a fictional thing that's in the zeitgeist all

607
00:32:03,600 --> 00:32:03,840
Speaker 6: the time.

608
00:32:03,840 --> 00:32:04,480
Speaker 1: That happened to me.

609
00:32:04,600 --> 00:32:07,520
Speaker 6: That's your story. Bugs, life is your story. You're the

610
00:32:07,520 --> 00:32:08,840
Speaker 6: inspiration for Flick.

611
00:32:09,000 --> 00:32:12,760
Speaker 1: In many way. Yeah. One thing I like when I'm

612
00:32:12,800 --> 00:32:17,400
Speaker 1: on my computer is, uh, if I'm gonna watch, you know,

613
00:32:18,880 --> 00:32:21,040
Speaker 1: see a little bit of cleavage.

614
00:32:21,520 --> 00:32:24,920
Speaker 6: Oh yeah, so some Yeah, there's some some some TNA

615
00:32:25,120 --> 00:32:26,760
Speaker 6: mm hmm. I mean we're not shy about that on

616
00:32:26,800 --> 00:32:28,840
Speaker 6: the site. You know, you put, you put it's talking

617
00:32:28,840 --> 00:32:33,000
Speaker 6: about U. TNT is the acronym we use tit in

618
00:32:33,040 --> 00:32:33,760
Speaker 6: the thumbnail.

619
00:32:34,080 --> 00:32:35,480
Speaker 1: Yeah, when I did it that one time.

620
00:32:35,520 --> 00:32:39,840
Speaker 3: It's a site of little pictures of decoltage.

621
00:32:40,000 --> 00:32:42,600
Speaker 6: Yeah, no, you put you put a busty woman in

622
00:32:42,640 --> 00:32:45,640
Speaker 6: your thumbnail. Whatever the content is, it's gonna get more clicks.

623
00:32:45,680 --> 00:32:47,680
Speaker 6: It's it's got a better chance of going viral. And

624
00:32:47,760 --> 00:32:49,560
Speaker 6: so that's you know, that's a calculated thing we make,

625
00:32:49,640 --> 00:32:51,800
Speaker 6: is it. Little crass is a little commercial? Yeah, so

626
00:32:52,000 --> 00:32:54,920
Speaker 6: is fucking hiring Michael Bay as your director.

627
00:32:55,040 --> 00:32:59,560
Speaker 1: All right, oh my god, Michael, you know what a

628
00:32:59,640 --> 00:33:00,680
Speaker 1: grow man.

629
00:33:01,520 --> 00:33:03,720
Speaker 6: So so don't look down on me for using little

630
00:33:03,720 --> 00:33:05,600
Speaker 6: TNA to get people to watch my skits. I mean,

631
00:33:05,640 --> 00:33:07,680
Speaker 6: that's just the game. That's that's hollywood.

632
00:33:07,760 --> 00:33:10,200
Speaker 3: I find if you if you want to click it,

633
00:33:10,240 --> 00:33:14,000
Speaker 3: you have to cover it up with the arrow.

634
00:33:14,680 --> 00:33:16,200
Speaker 1: Yeah, I mean that was a problem.

635
00:33:16,400 --> 00:33:17,840
Speaker 6: I feel like this more of a web one point

636
00:33:17,880 --> 00:33:20,160
Speaker 6: zero problem that people were having for a while, and

637
00:33:20,240 --> 00:33:21,760
Speaker 6: so that they would click on the video and they'd

638
00:33:21,800 --> 00:33:24,520
Speaker 6: be like, what's this arrow, this floating arrow in space

639
00:33:24,560 --> 00:33:25,040
Speaker 6: have to do with?

640
00:33:25,160 --> 00:33:27,000
Speaker 1: I can't see it. I can't see it anyway, I

641
00:33:27,040 --> 00:33:27,680
Speaker 1: can't see it.

642
00:33:27,720 --> 00:33:30,280
Speaker 6: I don't is it a character? Like is this like

643
00:33:30,320 --> 00:33:32,080
Speaker 6: a part of the scene, Like what's going on? Why

644
00:33:32,080 --> 00:33:34,760
Speaker 6: aren't the people in the world acknowledging this little, you know,

645
00:33:35,240 --> 00:33:37,880
Speaker 6: arrow or sometimes like a kind of a Mickey mouse hand,

646
00:33:38,040 --> 00:33:41,560
Speaker 6: like why aren't they talking about that? Then overtime audience

647
00:33:41,600 --> 00:33:45,120
Speaker 6: has got more sophisticated. Things like tablets and phones which

648
00:33:45,160 --> 00:33:47,560
Speaker 6: don't have a cursor came about and it became less

649
00:33:47,560 --> 00:33:48,200
Speaker 6: of an issue.

650
00:33:48,280 --> 00:33:53,080
Speaker 2: My little cousin sim is crazy with computers, a total whiz,

651
00:33:53,520 --> 00:33:56,520
Speaker 2: and he can make the hand look as if it

652
00:33:56,600 --> 00:33:58,200
Speaker 2: is picking a person's nose.

653
00:33:58,320 --> 00:33:59,880
Speaker 1: Oh my god, that is great.

654
00:34:01,360 --> 00:34:05,920
Speaker 2: It's another layer to the video because the person, you know,

655
00:34:06,600 --> 00:34:08,799
Speaker 2: it's out their hand, their hand can be doing something else.

656
00:34:08,840 --> 00:34:12,640
Speaker 2: Funny whatever it is, you know, or die. Yeah, but

657
00:34:12,640 --> 00:34:15,920
Speaker 2: but he makes it do it and it's been pretty

658
00:34:15,920 --> 00:34:17,360
Speaker 2: good at Thanksgiving and stuff.

659
00:34:17,440 --> 00:34:18,120
Speaker 1: We all like it.

660
00:34:18,280 --> 00:34:21,000
Speaker 6: Would say he said his name was Sam, Sam. Does

661
00:34:21,040 --> 00:34:22,280
Speaker 6: does Sam listen to the podcast?

662
00:34:23,680 --> 00:34:25,520
Speaker 1: Well? Unfortunately, sometimes he's here for it.

663
00:34:25,600 --> 00:34:28,040
Speaker 3: Sometimes it seems like he's the engineer, he's one of

664
00:34:28,040 --> 00:34:31,080
Speaker 3: the engineers. Sometimes sometimes I wonder, though the answer to

665
00:34:31,080 --> 00:34:33,359
Speaker 3: that question, is he actually listening or is he just

666
00:34:33,400 --> 00:34:36,000
Speaker 3: off in his own world or is he jeffing off?

667
00:34:36,440 --> 00:34:38,520
Speaker 6: Well, you know, if I could just say a little

668
00:34:38,520 --> 00:34:42,000
Speaker 6: thing to Sam, because what you just described sounds like

669
00:34:42,520 --> 00:34:45,560
Speaker 6: that sounds like textbook viral content. That's the kind of

670
00:34:45,640 --> 00:34:47,840
Speaker 6: thing that if he's not vining that, he should be

671
00:34:47,920 --> 00:34:50,360
Speaker 6: vining that. If he's not he's not doing that and

672
00:34:50,440 --> 00:34:54,120
Speaker 6: uploading that regularly, then I, frankly, I don't know what

673
00:34:54,160 --> 00:34:54,520
Speaker 6: he's doing.

674
00:34:54,800 --> 00:34:55,160
Speaker 2: Is he in.

675
00:34:55,080 --> 00:34:59,960
Speaker 1: School since he I don't know he found your uncle?

676
00:35:01,360 --> 00:35:03,440
Speaker 1: I guess when he goes.

677
00:35:03,400 --> 00:35:05,239
Speaker 6: Oh he found his uncle in aftermath of the party,

678
00:35:07,320 --> 00:35:07,640
Speaker 6: of course.

679
00:35:07,680 --> 00:35:10,680
Speaker 3: Yeah, and I think he's taking a little time off school.

680
00:35:11,160 --> 00:35:15,760
Speaker 6: Okay, Well, in any event, if he's got whatever he's doing,

681
00:35:15,800 --> 00:35:18,200
Speaker 6: this should take priority, because that sounds like the kind

682
00:35:18,239 --> 00:35:21,200
Speaker 6: of thing using a cursor to pick someone's nose. Every

683
00:35:21,320 --> 00:35:22,959
Speaker 6: every brand is going to want to turn that into

684
00:35:23,000 --> 00:35:25,719
Speaker 6: a branded video, So that that's the sort of thing

685
00:35:25,719 --> 00:35:28,000
Speaker 6: that he could be. You know, maybe he's paying for

686
00:35:28,040 --> 00:35:30,680
Speaker 6: your for his father, your uncle's medical bills via his

687
00:35:31,320 --> 00:35:32,360
Speaker 6: his viral success.

688
00:35:32,600 --> 00:35:39,040
Speaker 1: Nick you mentioned vine, is surprise is important of Vine?

689
00:35:39,880 --> 00:35:41,359
Speaker 1: Is surprise important of mine?

690
00:35:41,480 --> 00:35:41,680
Speaker 2: Yeah?

691
00:35:41,880 --> 00:35:45,080
Speaker 6: Yeah, I mean I think so. I think you want

692
00:35:45,080 --> 00:35:48,840
Speaker 6: to subvert expectations, speak on that, but you also want

693
00:35:48,880 --> 00:35:53,840
Speaker 6: to subvert those expectations by living up to people's expectations,

694
00:35:53,920 --> 00:35:56,239
Speaker 6: you know, because if you go on expecting one thing

695
00:35:57,000 --> 00:35:59,480
Speaker 6: and you get something else, part of you is a

696
00:35:59,480 --> 00:36:01,440
Speaker 6: little pee you know. So you kind of want what

697
00:36:01,480 --> 00:36:03,960
Speaker 6: you got in there for in the first place, but

698
00:36:04,080 --> 00:36:06,000
Speaker 6: you also don't want what you got in there for,

699
00:36:06,160 --> 00:36:07,960
Speaker 6: because if you get that, then it's predictable.

700
00:36:08,000 --> 00:36:10,239
Speaker 1: You're like one of my dorms. It's funny, how mad

701
00:36:10,280 --> 00:36:12,360
Speaker 1: I am that get what I wanted it for.

702
00:36:12,520 --> 00:36:14,600
Speaker 6: That might be that might be something you vote die on,

703
00:36:14,719 --> 00:36:17,120
Speaker 6: you know, and you don't want to do that, or

704
00:36:17,280 --> 00:36:19,520
Speaker 6: actually your content creator doesn't want you to do that.

705
00:36:20,160 --> 00:36:21,560
Speaker 6: Whether if you want to do that, that's up to you,

706
00:36:21,560 --> 00:36:25,279
Speaker 6: you know, that's that's the choice. But yeah, we you know,

707
00:36:26,440 --> 00:36:29,440
Speaker 6: you want to subvert but also live up to expectations.

708
00:36:29,440 --> 00:36:31,279
Speaker 6: You want to pay off on two levels. You want

709
00:36:31,280 --> 00:36:33,960
Speaker 6: it to be exactly what the audience is expecting, but

710
00:36:34,120 --> 00:36:38,319
Speaker 6: also completely different from what they could possibly be looking for.

711
00:36:38,719 --> 00:36:44,520
Speaker 6: And not scary, not scary, except if they're expecting scary

712
00:36:44,920 --> 00:36:47,160
Speaker 6: and you don't deliver scary, they're going to be a

713
00:36:47,160 --> 00:36:50,319
Speaker 6: little peeved. But if they're not expecting scary and you

714
00:36:50,480 --> 00:36:53,520
Speaker 6: scare them, they're going to be like whoa, and you

715
00:36:53,600 --> 00:36:54,720
Speaker 6: might get a bigger reaction.

716
00:36:55,280 --> 00:36:58,080
Speaker 1: So all these things a reaction from me.

717
00:36:58,160 --> 00:37:02,000
Speaker 3: All right, talk about scary. That mad baby in that one,

718
00:37:02,360 --> 00:37:07,920
Speaker 3: Oh God is mad. She's mad at it will Feral

719
00:37:08,040 --> 00:37:09,280
Speaker 3: in the scary movie.

720
00:37:09,480 --> 00:37:12,120
Speaker 6: Oh yeah, well you know what, that's that's the story.

721
00:37:12,280 --> 00:37:14,080
Speaker 6: The idea was that was in the early days of

722
00:37:14,120 --> 00:37:17,880
Speaker 6: the site, and they weren't. Really I've just seen it

723
00:37:17,920 --> 00:37:21,000
Speaker 6: the other day. Yeah, well okay, maybe you can't. I mean,

724
00:37:21,000 --> 00:37:23,279
Speaker 6: that's the beauty of content is it lives on the

725
00:37:23,320 --> 00:37:26,520
Speaker 6: Internet forever. You might see it at any point. But yeah,

726
00:37:26,760 --> 00:37:28,759
Speaker 6: this actually was released in the early days of the site.

727
00:37:28,800 --> 00:37:30,440
Speaker 6: It was part of its early viral success.

728
00:37:30,520 --> 00:37:30,759
Speaker 1: That's it.

729
00:37:30,880 --> 00:37:33,359
Speaker 2: That's a good answer that actually explains it.

730
00:37:34,600 --> 00:37:34,960
Speaker 1: That it was.

731
00:37:35,160 --> 00:37:36,760
Speaker 6: They came out in the early days of the site.

732
00:37:37,239 --> 00:37:40,759
Speaker 2: Well, yeah, but I just seen it, so I got you.

733
00:37:41,680 --> 00:37:44,400
Speaker 2: And sometimes you give somebody, you know, you tell somebody

734
00:37:44,440 --> 00:37:47,560
Speaker 2: that and they think I'm lying or whatever, or they go,

735
00:37:47,600 --> 00:37:51,359
Speaker 2: well it's old. It's like, oh really, because I just

736
00:37:51,920 --> 00:37:55,200
Speaker 2: have seen it, gotcha. So anyway, that's a good answer.

737
00:37:55,239 --> 00:37:58,759
Speaker 2: You actually did answer it. Go ahead, I'm sorry, Oh no,

738
00:37:58,840 --> 00:38:01,360
Speaker 2: I was just what happened with the why did you

739
00:38:01,440 --> 00:38:02,040
Speaker 2: do the baby?

740
00:38:02,760 --> 00:38:04,759
Speaker 6: Well, the idea was it was like, let's hey, we

741
00:38:04,760 --> 00:38:06,799
Speaker 6: don't know if this the Funnier Dye thing is going

742
00:38:06,840 --> 00:38:09,919
Speaker 6: to be about. It's about is comedy the the goal

743
00:38:09,960 --> 00:38:12,160
Speaker 6: every time? Or sometimes are we looking for dies? From

744
00:38:12,160 --> 00:38:14,800
Speaker 6: a standpoint, if we've really we've really spooked our audience,

745
00:38:14,960 --> 00:38:16,960
Speaker 6: we've really given them a chill, and they're like a die,

746
00:38:17,160 --> 00:38:19,200
Speaker 6: you know, in the sense of I want this to

747
00:38:19,200 --> 00:38:21,840
Speaker 6: go away because I got so scared. Yes, So I

748
00:38:21,880 --> 00:38:25,000
Speaker 6: mean that was in the early days. We're kind of experimenting. Uh,

749
00:38:25,120 --> 00:38:27,320
Speaker 6: you know, it was a big viral success, so in

750
00:38:27,520 --> 00:38:30,920
Speaker 6: some sense it was that was great, But in another sense,

751
00:38:31,520 --> 00:38:34,000
Speaker 6: from from the standpoint of like, hey, we don't want

752
00:38:34,000 --> 00:38:36,279
Speaker 6: to give our audience thrills and chills. We want to

753
00:38:36,280 --> 00:38:40,640
Speaker 6: give them, you know, a chuckles and guffaws. From that standpoint,

754
00:38:40,640 --> 00:38:42,439
Speaker 6: we we sort of went in a different direction after

755
00:38:42,440 --> 00:38:43,719
Speaker 6: that point.

756
00:38:43,440 --> 00:38:46,320
Speaker 3: People I guess sending it around to their friends, hoping

757
00:38:46,480 --> 00:38:50,480
Speaker 3: to to to spook them and make them soil their drawers.

758
00:38:50,520 --> 00:38:53,000
Speaker 6: And we got a lot of uploads around that time

759
00:38:53,040 --> 00:38:55,160
Speaker 6: of people's like like they were they were getting their

760
00:38:55,200 --> 00:38:56,400
Speaker 6: friends reaction videos.

761
00:38:56,440 --> 00:38:57,520
Speaker 1: They're like, hey, check out this.

762
00:38:57,680 --> 00:38:59,560
Speaker 6: We're going to show you this spooky piece of content,

763
00:38:59,600 --> 00:39:01,279
Speaker 6: and we're to be you know, over their shoulder, and

764
00:39:01,320 --> 00:39:04,719
Speaker 6: people get crazy. They'd knock over their cubicle walls, or

765
00:39:05,160 --> 00:39:09,040
Speaker 6: you know, they'd soil themselves or they break their computer monitors,

766
00:39:09,080 --> 00:39:11,680
Speaker 6: and and you know that that was a source of laughs,

767
00:39:12,520 --> 00:39:14,839
Speaker 6: but also it was just, you know, there's so many

768
00:39:14,880 --> 00:39:19,680
Speaker 6: lawsuits people claiming damages and injuries as a result.

769
00:39:19,760 --> 00:39:22,880
Speaker 2: So and that's the ugly side of the internet sometimes,

770
00:39:23,000 --> 00:39:26,880
Speaker 2: isn't it That it can be used for a nasty trick.

771
00:39:27,840 --> 00:39:31,840
Speaker 2: And you can have me click on something and say whatever,

772
00:39:31,960 --> 00:39:35,719
Speaker 2: here's your prize, and then when I click it, it's

773
00:39:35,760 --> 00:39:37,360
Speaker 2: a nasty trick.

774
00:39:37,400 --> 00:39:38,440
Speaker 1: A nasty surprise.

775
00:39:38,640 --> 00:39:40,680
Speaker 6: Yeah, you think you're getting a free iPod. You're like

776
00:39:40,760 --> 00:39:43,200
Speaker 6: lucky me, I want a free iPod and you click

777
00:39:43,239 --> 00:39:44,120
Speaker 6: on it and it takes you.

778
00:39:44,360 --> 00:39:50,160
Speaker 2: I've correctly identified the bosom or buttocks of what particular celebrity,

779
00:39:50,239 --> 00:39:54,200
Speaker 2: and I've clicked it, and I am pleased with myself,

780
00:39:54,239 --> 00:39:56,040
Speaker 2: and then suddenly I'm punished for it.

781
00:39:56,239 --> 00:40:00,200
Speaker 3: Yeah, when I do, when I'm on the site, I

782
00:40:00,280 --> 00:40:04,560
Speaker 3: always think when I if I hit die, that's not me.

783
00:40:04,880 --> 00:40:07,800
Speaker 1: Right, Do you have a cult? Yeah, you took a

784
00:40:07,840 --> 00:40:08,680
Speaker 1: big sniff just now.

785
00:40:08,719 --> 00:40:13,720
Speaker 3: I was thinking about viruses. Okay, if I hit die,

786
00:40:14,960 --> 00:40:16,200
Speaker 3: that's not me, right.

787
00:40:17,160 --> 00:40:19,960
Speaker 6: No, I mean you're that's not unless it's your own

788
00:40:19,960 --> 00:40:23,240
Speaker 6: piece of content. You know, you're not voting die on yourself.

789
00:40:23,360 --> 00:40:26,359
Speaker 6: But it's not me die. No, it's not that you die.

790
00:40:27,120 --> 00:40:30,919
Speaker 6: I mean, you know, yeah, let's let's hope. Not let's

791
00:40:31,080 --> 00:40:33,040
Speaker 6: let's hope. If you do die, it's it's because you

792
00:40:33,040 --> 00:40:35,399
Speaker 6: you laugh so hard that you're your lungs jumped out

793
00:40:35,400 --> 00:40:35,799
Speaker 6: of your mouth.

794
00:40:37,080 --> 00:40:39,960
Speaker 1: Yeah, right down the street. Sure, Yeah, it's the guy

795
00:40:40,000 --> 00:40:40,959
Speaker 1: who made it. He died.

796
00:40:41,800 --> 00:40:44,680
Speaker 6: Yeah, you're saying that the kid that that the uploader

797
00:40:44,719 --> 00:40:46,600
Speaker 6: of the video, The upload of the piece of content.

798
00:40:46,880 --> 00:40:49,279
Speaker 1: Should is is gonna.

799
00:40:49,200 --> 00:40:51,399
Speaker 6: Well yeah, I mean they're I mean, yes, they are

800
00:40:51,400 --> 00:40:54,560
Speaker 6: going to die at some point. But mostly what you're

801
00:40:54,560 --> 00:40:57,000
Speaker 6: individually saying is that I dislike this piece of content.

802
00:40:57,760 --> 00:41:06,080
Speaker 2: Ah, we love the Internet. One other Internet thing that

803
00:41:06,640 --> 00:41:09,800
Speaker 2: I feel like you do, and you've told me so much.

804
00:41:11,000 --> 00:41:11,160
Speaker 6: Is.

805
00:41:12,880 --> 00:41:16,320
Speaker 1: You are on Twitter doing tweets.

806
00:41:16,239 --> 00:41:19,880
Speaker 3: And people talk about how to how to monetize Twitter, Like,

807
00:41:20,480 --> 00:41:24,080
Speaker 3: how how do I turn this as a free website?

808
00:41:24,120 --> 00:41:27,320
Speaker 3: The whole thing is free and it's just typing words.

809
00:41:27,760 --> 00:41:30,520
Speaker 3: How do you turn that into something where you may.

810
00:41:30,600 --> 00:41:34,719
Speaker 2: Without you know, without being a Kardashian, you know which.

811
00:41:34,800 --> 00:41:36,799
Speaker 2: I'm so glad they wouldn't let her get a star

812
00:41:36,840 --> 00:41:40,600
Speaker 2: on the Walk of Fame. I'm so glad the whole

813
00:41:40,640 --> 00:41:43,080
Speaker 2: Walk of Fame, the whole thing would mean nothing. Then

814
00:41:43,920 --> 00:41:46,560
Speaker 2: I'm so glad they stopped that because she tried to

815
00:41:46,600 --> 00:41:50,080
Speaker 2: buy it. They all buy it, but she tried to

816
00:41:50,120 --> 00:41:51,160
Speaker 2: do it and they stopped her.

817
00:41:51,239 --> 00:41:53,280
Speaker 1: Imagine her being next to Cheryl Hines.

818
00:41:53,840 --> 00:41:57,440
Speaker 2: Oh that makes my skin crawl.

819
00:41:58,440 --> 00:42:01,120
Speaker 6: As far as I'm concerned. As far as I'm concerned,

820
00:42:01,520 --> 00:42:05,439
Speaker 6: the Walk of Fame is for superstars like makeup artist

821
00:42:05,560 --> 00:42:08,280
Speaker 6: Max Factor, that's Those are the kind of people who

822
00:42:08,320 --> 00:42:13,480
Speaker 6: should have their names in those stone those stone stars

823
00:42:14,040 --> 00:42:21,640
Speaker 6: that people walk over and take pictures next to im. Whoa,

824
00:42:22,760 --> 00:42:25,200
Speaker 6: I don't think. Yeah, let's let's avoid that.

825
00:42:25,239 --> 00:42:29,280
Speaker 2: Well, well she is, well, Hayes, that's neither here nor there.

826
00:42:29,880 --> 00:42:33,359
Speaker 1: Well, I think she is okay? And what makes her

827
00:42:33,440 --> 00:42:36,120
Speaker 1: that you really want to talk about it? Let's get

828
00:42:36,160 --> 00:42:37,200
Speaker 1: into it. Well, I've seen.

829
00:42:37,280 --> 00:42:41,520
Speaker 3: It's the way she looks on the show, and and

830
00:42:41,560 --> 00:42:46,719
Speaker 3: I've seen I've seen how she is with men. I've

831
00:42:46,760 --> 00:42:50,040
Speaker 3: seen things, and.

832
00:42:50,040 --> 00:42:51,279
Speaker 1: Nick, what do you have to say to that?

833
00:42:51,400 --> 00:42:53,359
Speaker 6: I you know, I don't. I mean, this isn't a

834
00:42:53,400 --> 00:42:56,239
Speaker 6: line of conversation I'm comfortable with. I think that you

835
00:42:56,280 --> 00:42:57,080
Speaker 6: know she is.

836
00:42:57,440 --> 00:42:59,000
Speaker 1: I think a few of us are uncomfortable.

837
00:42:59,080 --> 00:43:01,040
Speaker 6: Yeah, whatever, whatever I want to say about her. She

838
00:43:01,160 --> 00:43:03,600
Speaker 6: has made a name for herself and we're talking about

839
00:43:03,640 --> 00:43:04,000
Speaker 6: her right now.

840
00:43:04,080 --> 00:43:04,520
Speaker 1: Huh.

841
00:43:04,600 --> 00:43:06,719
Speaker 2: You know, well, I do wish Sara's got some good

842
00:43:06,760 --> 00:43:10,040
Speaker 2: family values to it, and so it's not all negative,

843
00:43:10,080 --> 00:43:10,359
Speaker 2: but it.

844
00:43:10,280 --> 00:43:12,799
Speaker 1: Doesn't make her a star, not a superstar.

845
00:43:12,320 --> 00:43:15,560
Speaker 2: On the level of you know the guy who wrote

846
00:43:15,600 --> 00:43:21,320
Speaker 2: a song, which is the one the guy Frankie Valley,

847
00:43:21,440 --> 00:43:24,239
Speaker 2: So you know it's there's different things that you know

848
00:43:24,320 --> 00:43:26,239
Speaker 2: that qualify you for the Walk of Fame. But we

849
00:43:26,280 --> 00:43:28,080
Speaker 2: don't have to call her word like that.

850
00:43:28,200 --> 00:43:31,319
Speaker 6: If you're a world class clarinetist like Artie Shaw, of

851
00:43:31,400 --> 00:43:33,920
Speaker 6: course you belong on the Walk of Fame, all right.

852
00:43:33,960 --> 00:43:36,360
Speaker 6: But Kim Kardashian, what she's got a reality show. But

853
00:43:36,400 --> 00:43:38,320
Speaker 6: I'm not going to go so far as to impune

854
00:43:38,320 --> 00:43:38,759
Speaker 6: her character.

855
00:43:38,880 --> 00:43:39,600
Speaker 1: I'm just that's not me.

856
00:43:40,000 --> 00:43:41,560
Speaker 3: You want to wish I hadn't said it, and I

857
00:43:41,600 --> 00:43:43,680
Speaker 3: do wish I could take it back, But that is

858
00:43:43,719 --> 00:43:45,359
Speaker 3: how I secretly think about her.

859
00:43:45,840 --> 00:43:47,799
Speaker 2: Well, she's doing and I hate to say this, but

860
00:43:47,880 --> 00:43:52,040
Speaker 2: she's just doing something in those videos that it seems

861
00:43:52,080 --> 00:43:55,440
Speaker 2: like you watched that your own parents. Did maybe think

862
00:43:55,440 --> 00:43:57,319
Speaker 2: about that before you call someone a name like that.

863
00:43:57,360 --> 00:43:59,279
Speaker 1: Well, you were saying you didn't like her the first time,

864
00:43:59,320 --> 00:43:59,880
Speaker 1: so why don't you.

865
00:44:00,719 --> 00:44:02,600
Speaker 2: I don't think she belongs on the Walk of Fame now.

866
00:44:02,640 --> 00:44:06,160
Speaker 2: One of the many dogs that played rentintin that's famous,

867
00:44:06,400 --> 00:44:07,160
Speaker 2: that's a star.

868
00:44:07,680 --> 00:44:10,000
Speaker 1: But I don't think that she should be allowed in there.

869
00:44:11,400 --> 00:44:19,120
Speaker 1: But why because because Dick sex.

870
00:44:21,120 --> 00:44:23,000
Speaker 6: It sounds like Sean. It sounds like you have a similar,

871
00:44:23,520 --> 00:44:26,040
Speaker 6: similar problem. You have a similar issue with her. You're

872
00:44:26,080 --> 00:44:27,520
Speaker 6: just you're just being more coy about it.

873
00:44:30,000 --> 00:44:31,880
Speaker 1: Well, a lot everyone wants, you know, wants to.

874
00:44:33,480 --> 00:44:36,359
Speaker 2: Not everyone's so comfortable just talking about, you know, all

875
00:44:36,400 --> 00:44:39,799
Speaker 2: this stuff that we sometimes see that I just feel

876
00:44:39,840 --> 00:44:42,080
Speaker 2: like we shouldn't be seeing and you can't unsee it.

877
00:44:42,719 --> 00:44:45,439
Speaker 2: And the way that you feel sometimes is like as

878
00:44:45,520 --> 00:44:49,440
Speaker 2: a lot of things, you know, like you're jealous, and

879
00:44:49,600 --> 00:44:54,640
Speaker 2: you also you're confused, and you are excited. I mean

880
00:44:54,640 --> 00:44:58,759
Speaker 2: it's exciting and so yeah, I got a lot of

881
00:44:59,760 --> 00:45:02,320
Speaker 2: star off around it. And I don't necessarily think it

882
00:45:02,520 --> 00:45:05,719
Speaker 2: doesn't make you you know, it doesn't make you a

883
00:45:05,800 --> 00:45:09,560
Speaker 2: movie star, and it doesn't make you famous director. It

884
00:45:09,680 --> 00:45:12,200
Speaker 2: just makes you famous for just making me feel all

885
00:45:12,200 --> 00:45:13,360
Speaker 2: this crazy stuff.

886
00:45:16,239 --> 00:45:20,640
Speaker 1: Twitter, Twitter, Twitter, Sure, Yeah, I mean how did you how?

887
00:45:20,920 --> 00:45:24,040
Speaker 1: How how to have money?

888
00:45:24,719 --> 00:45:27,920
Speaker 6: It's an excellent question. It's a really good question because

889
00:45:27,920 --> 00:45:29,880
Speaker 6: that's the you know, Twitter, it's free. I mean, some

890
00:45:29,880 --> 00:45:32,120
Speaker 6: people are asking how does the company itself make money?

891
00:45:32,239 --> 00:45:35,400
Speaker 6: You know, and because it's just it's just content being.

892
00:45:35,440 --> 00:45:38,520
Speaker 1: But it must it's online. M Yeah.

893
00:45:38,560 --> 00:45:42,640
Speaker 6: Well the way that I make my big viral bucks

894
00:45:44,600 --> 00:45:49,960
Speaker 6: via Twitter is I am a professional troll. I am

895
00:45:49,960 --> 00:45:55,440
Speaker 6: a professional roaster of brands. So you know, if someone

896
00:45:56,920 --> 00:46:00,680
Speaker 6: needs a rival taken down, they'll come to me because

897
00:46:00,680 --> 00:46:02,640
Speaker 6: they know I'm the king at it. They know that that.

898
00:46:02,760 --> 00:46:06,759
Speaker 6: You know, Freedo Lays is like, hey, yeah, Tostitos, they're

899
00:46:06,760 --> 00:46:08,719
Speaker 6: eating up too much market share. This is this is

900
00:46:08,719 --> 00:46:12,759
Speaker 6: Freedo Lays. You know our Dorito's brand is suffering. We

901
00:46:12,800 --> 00:46:15,040
Speaker 6: need you to take down Tostitos.

902
00:46:14,960 --> 00:46:17,120
Speaker 1: And do you pone them? I will pone them.

903
00:46:17,280 --> 00:46:19,600
Speaker 6: I will go ahead and go online and I will

904
00:46:19,640 --> 00:46:24,200
Speaker 6: tweet at Tostitos and I will let them know exactly

905
00:46:24,239 --> 00:46:27,080
Speaker 6: what I think about them in a comedic way. That

906
00:46:27,160 --> 00:46:30,040
Speaker 6: will really take them down to size. And you know,

907
00:46:30,200 --> 00:46:32,719
Speaker 6: a lot of times just torpedo their brand. That's that's

908
00:46:33,000 --> 00:46:34,239
Speaker 6: it's very tough to recover for.

909
00:46:34,360 --> 00:46:37,600
Speaker 2: At the hint of lime or the mini scoops or

910
00:46:37,719 --> 00:46:39,920
Speaker 2: there's so many avenues, you know, Like I'll give you

911
00:46:39,960 --> 00:46:42,239
Speaker 2: an example because this is I'm saying Tostitos because this

912
00:46:42,320 --> 00:46:42,920
Speaker 2: was a real thing.

913
00:46:43,000 --> 00:46:45,960
Speaker 6: This is the real thing I was commissioned for. So uh,

914
00:46:46,480 --> 00:46:48,960
Speaker 6: you know, Freedola came to me. They said, hey, Nick

915
00:46:49,040 --> 00:46:52,960
Speaker 6: at Nick Wiger, you and your legions of followers. You

916
00:46:52,960 --> 00:46:55,680
Speaker 6: know you have a lot of influence over them. They're

917
00:46:55,719 --> 00:46:58,680
Speaker 6: the younger generation. They're going tostitos like we don't know,

918
00:46:58,760 --> 00:47:00,839
Speaker 6: like like they think they think ritos are for their

919
00:47:00,880 --> 00:47:04,640
Speaker 6: their their grandparents for you know, lib tards. Like that's

920
00:47:04,680 --> 00:47:06,560
Speaker 6: another thing I don't even want to get into. But

921
00:47:06,800 --> 00:47:08,400
Speaker 6: you know that will save that for that'll have to

922
00:47:08,400 --> 00:47:09,920
Speaker 6: be a special two part podcast, I think.

923
00:47:09,920 --> 00:47:10,560
Speaker 1: Can we get into that.

924
00:47:11,880 --> 00:47:16,280
Speaker 6: Uh anyway, politics aside for now, even though same page,

925
00:47:16,640 --> 00:47:20,400
Speaker 6: same page. Yeah, they they're like, we need to go

926
00:47:20,440 --> 00:47:22,719
Speaker 6: after the younger guys. Can you get some of your

927
00:47:22,760 --> 00:47:26,520
Speaker 6: younger followers. Uh, can you you know, convince them that

928
00:47:26,520 --> 00:47:29,680
Speaker 6: that tostitos or weak sauce, you know, to use the

929
00:47:29,719 --> 00:47:32,680
Speaker 6: parlance that they are, that they are, that they are fail.

930
00:47:32,800 --> 00:47:36,720
Speaker 2: Oh I hope nobody said that about me weak sauce?

931
00:47:36,920 --> 00:47:38,080
Speaker 1: Was it weak sauce? Yeah?

932
00:47:38,120 --> 00:47:42,960
Speaker 2: Oh, I hope nobody said that about me. Yikes, that's

933
00:47:43,000 --> 00:47:43,799
Speaker 2: a vicious one.

934
00:47:44,080 --> 00:47:46,320
Speaker 6: You use that on them, Well, just don't get in

935
00:47:46,360 --> 00:47:49,600
Speaker 6: my crossairs. And uh, yeah, rather, because That's.

936
00:47:49,440 --> 00:47:51,120
Speaker 1: What I'm gonna go to. And so then can they

937
00:47:51,160 --> 00:47:57,279
Speaker 1: be a company anymore? Tostitos is no longer Dositos is

938
00:47:57,400 --> 00:47:58,320
Speaker 1: no longer a company.

939
00:47:58,960 --> 00:48:01,640
Speaker 6: I didn't. I'll tell you exactly what he did. I said,

940
00:48:02,280 --> 00:48:03,960
Speaker 6: I put a dot in front of my at reply,

941
00:48:04,280 --> 00:48:06,359
Speaker 6: which means that everyone can see it.

942
00:48:05,840 --> 00:48:09,800
Speaker 1: Oh wow, it's like a secret little bomb.

943
00:48:10,000 --> 00:48:11,800
Speaker 6: If you just put the at reply and you start

944
00:48:11,800 --> 00:48:13,279
Speaker 6: with that, the only people who can see are people

945
00:48:13,280 --> 00:48:15,840
Speaker 6: who are already following whatever brand you're roasting. So you

946
00:48:15,840 --> 00:48:17,920
Speaker 6: gotta put that dot there so every one of your

947
00:48:17,920 --> 00:48:18,759
Speaker 6: followers sees it.

948
00:48:18,800 --> 00:48:21,520
Speaker 1: That weaponizes the tweet, the chips and the salsa.

949
00:48:22,000 --> 00:48:29,680
Speaker 6: Yeah, absolutely so I go dot at tostitos. Hey, these

950
00:48:29,719 --> 00:48:33,920
Speaker 6: are good chips. If I want something to feed to

951
00:48:34,000 --> 00:48:39,800
Speaker 6: someone who's got no taste buds, hashtag oh fail, hashtag

952
00:48:40,000 --> 00:48:40,560
Speaker 6: weak sauce.

953
00:48:40,719 --> 00:48:42,279
Speaker 1: Oh no, both of them.

954
00:48:42,480 --> 00:48:45,080
Speaker 3: So then now anyone who wants to read about fails

955
00:48:45,680 --> 00:48:50,160
Speaker 3: Ken is clicking that hashtag and now they're associating tostitos

956
00:48:50,200 --> 00:48:50,760
Speaker 3: with fail.

957
00:48:50,880 --> 00:48:53,560
Speaker 6: That's like that comes up. You click on the hashtag fail.

958
00:48:53,960 --> 00:48:58,600
Speaker 6: First tweet at Nick Wiger roasting tostitos. Oh my god,

959
00:48:59,080 --> 00:49:02,960
Speaker 6: thousands upon thousands of retweets and faves, you know, top

960
00:49:03,000 --> 00:49:05,560
Speaker 6: of my fave star consistently, and you know they just

961
00:49:05,560 --> 00:49:08,080
Speaker 6: Tostitos is just like we don't, you know, it's it's

962
00:49:08,120 --> 00:49:11,520
Speaker 6: it's it's it's chaos, the chaos, and they're done.

963
00:49:11,760 --> 00:49:12,759
Speaker 1: They're done, off.

964
00:49:14,160 --> 00:49:17,280
Speaker 2: Off the record, and we'll let it this out. Sure,

965
00:49:18,120 --> 00:49:18,720
Speaker 2: do you miss?

966
00:49:18,880 --> 00:49:22,919
Speaker 1: Do you knit? Do you miss tostitos? Do? I? Yeah?

967
00:49:23,080 --> 00:49:25,359
Speaker 6: I mean, look, I all all they're good. They will

968
00:49:25,400 --> 00:49:28,319
Speaker 6: openly admit it. I am a mercenary, all right, I

969
00:49:28,360 --> 00:49:31,080
Speaker 6: am a uh you know, I am a hired gun.

970
00:49:31,440 --> 00:49:32,839
Speaker 6: I will I you know, I don't care.

971
00:49:32,920 --> 00:49:33,080
Speaker 2: You know.

972
00:49:33,239 --> 00:49:35,839
Speaker 6: It's like it's like a political consultant who will work

973
00:49:35,880 --> 00:49:37,840
Speaker 6: both sides, will work for the Republicans, will work for

974
00:49:37,840 --> 00:49:38,520
Speaker 6: the democrats.

975
00:49:38,520 --> 00:49:39,600
Speaker 1: You know, he'll go work.

976
00:49:39,400 --> 00:49:43,040
Speaker 6: In a republic creeps. Oh you don't democrap. Don't get

977
00:49:43,080 --> 00:49:46,360
Speaker 6: me started. Don't get me started. You know, both sides.

978
00:49:46,400 --> 00:49:48,520
Speaker 6: It's like, what is this even a choice?

979
00:49:48,760 --> 00:49:51,640
Speaker 2: It's only one that it's only one that has liberty

980
00:49:51,640 --> 00:49:52,160
Speaker 2: in the name.

981
00:49:53,239 --> 00:49:53,720
Speaker 1: Mm hmmm.

982
00:49:54,520 --> 00:49:56,040
Speaker 6: Again, we're gonna have this aught to be a special

983
00:49:56,080 --> 00:49:58,840
Speaker 6: podcast with you. No, I know, we don't get into.

984
00:49:58,680 --> 00:50:01,200
Speaker 1: That on this show. But there's but there's you know

985
00:50:02,680 --> 00:50:07,960
Speaker 1: this Anthony Cuba thing. Oh yes, you could go to

986
00:50:08,080 --> 00:50:09,240
Speaker 1: jail just for talking.

987
00:50:09,320 --> 00:50:12,120
Speaker 3: Now, Yeah, I'm sorry that what it just correct me

988
00:50:12,120 --> 00:50:15,720
Speaker 3: if I thought I thought it's I thought talking is fine.

989
00:50:15,880 --> 00:50:16,840
Speaker 1: Is talking not okay?

990
00:50:16,880 --> 00:50:17,000
Speaker 3: Now?

991
00:50:17,000 --> 00:50:19,520
Speaker 1: And go to jail and you get stuck in jail. Now.

992
00:50:20,480 --> 00:50:22,000
Speaker 6: I don't know. I mean, I just you know, I

993
00:50:22,040 --> 00:50:24,520
Speaker 6: haven't read all the Constitution, but I certainly read the

994
00:50:24,520 --> 00:50:25,080
Speaker 6: First Amendment.

995
00:50:25,600 --> 00:50:29,200
Speaker 1: It's first there. Yeah, usually the number one.

996
00:50:29,239 --> 00:50:31,880
Speaker 6: They make it something pretty import important when they do that.

997
00:50:32,120 --> 00:50:34,239
Speaker 6: And I didn't read all of the First Amendment. I

998
00:50:34,280 --> 00:50:35,759
Speaker 6: don't know all of it, but I know that the

999
00:50:35,800 --> 00:50:37,959
Speaker 6: first thing it mentions is freedom of speech.

1000
00:50:39,360 --> 00:50:42,200
Speaker 1: A few other things. Lot of times you lead with

1001
00:50:42,280 --> 00:50:42,960
Speaker 1: something that's.

1002
00:50:42,840 --> 00:50:46,960
Speaker 3: Pretty important and speech that's talking, right mm hmm oh okay,

1003
00:50:47,000 --> 00:50:49,040
Speaker 3: Well then it seems like you shouldn't go to jail.

1004
00:50:49,160 --> 00:50:49,880
Speaker 1: Seems like it to me.

1005
00:50:50,000 --> 00:50:53,520
Speaker 6: Yeah, yeah, he's a yeah, It's just I don't I

1006
00:50:53,520 --> 00:50:56,680
Speaker 6: don't even know what's going on. If someone can say,

1007
00:50:57,480 --> 00:51:00,200
Speaker 6: you know, on their on their radio version of a

1008
00:51:00,239 --> 00:51:03,880
Speaker 6: podcast whatever you call that, if they're saying, they say something,

1009
00:51:03,920 --> 00:51:06,160
Speaker 6: and then they can be led away in handcuffs and

1010
00:51:06,280 --> 00:51:09,759
Speaker 6: be serving prison time. Yeah, that's that's what America is.

1011
00:51:09,719 --> 00:51:11,160
Speaker 1: Now, trapped stuck there.

1012
00:51:11,200 --> 00:51:13,719
Speaker 3: I took my serious box and I chipped it out

1013
00:51:13,760 --> 00:51:16,279
Speaker 3: of my console. Good for you with the back of

1014
00:51:16,280 --> 00:51:18,560
Speaker 3: a hammer and now it's all sparking.

1015
00:51:20,400 --> 00:51:22,440
Speaker 1: Yeah, but that showed them.

1016
00:51:22,400 --> 00:51:24,360
Speaker 2: And I couldn't I couldn't get mine out. But I

1017
00:51:24,440 --> 00:51:27,440
Speaker 2: just put a bunch of tape over it so you

1018
00:51:27,520 --> 00:51:31,040
Speaker 2: can't see it. You can hear it, but it's unclear. Sure,

1019
00:51:31,560 --> 00:51:33,680
Speaker 2: and I covered it, and I think they are getting

1020
00:51:33,719 --> 00:51:34,839
Speaker 2: the message that showed them.

1021
00:51:35,360 --> 00:51:40,200
Speaker 6: I still have my serious box, but I just I

1022
00:51:40,320 --> 00:51:42,759
Speaker 6: just wrote, I just like like got like a some

1023
00:51:42,920 --> 00:51:45,840
Speaker 6: stencils and in front of it I put.

1024
00:51:46,000 --> 00:51:54,880
Speaker 1: Not so yeah, that's but there was a roast that

1025
00:51:54,960 --> 00:51:57,880
Speaker 1: was on the house. I truly, Oh, I do not

1026
00:51:58,280 --> 00:51:59,839
Speaker 1: want to cross this man.

1027
00:52:01,840 --> 00:52:04,440
Speaker 3: I do want to play the Popcorn Gallery themes song

1028
00:52:04,520 --> 00:52:06,840
Speaker 3: real quick. We don't have any questions. We forgot to

1029
00:52:06,840 --> 00:52:09,120
Speaker 3: solicit questions for the Popcorn Gallery, but I think we

1030
00:52:09,160 --> 00:52:10,399
Speaker 3: probably should play the song.

1031
00:52:10,840 --> 00:52:12,919
Speaker 1: Do we want to play the Popcorn Gallery theme song? Yeah?

1032
00:52:12,920 --> 00:52:16,719
Speaker 3: Because well because we bought the rights to it from

1033
00:52:16,760 --> 00:52:20,279
Speaker 3: the person who wrote the song, and so now every

1034
00:52:20,280 --> 00:52:23,840
Speaker 3: time we play it on the podcast, we get a

1035
00:52:23,880 --> 00:52:25,880
Speaker 3: little bit of cash, a little cash because we have

1036
00:52:25,960 --> 00:52:29,200
Speaker 3: the publishing and that stuff, so we can I just

1037
00:52:29,239 --> 00:52:32,040
Speaker 3: figured we play the song and not do not do

1038
00:52:32,120 --> 00:52:33,120
Speaker 3: the questions.

1039
00:52:32,880 --> 00:52:38,360
Speaker 1: Okay, let's do it. Have you seen Welcome to Sweden? Nick, No,

1040
00:52:40,239 --> 00:52:40,920
Speaker 1: n we did see it.

1041
00:52:41,600 --> 00:52:42,040
Speaker 2: Do you like it?

1042
00:52:42,120 --> 00:52:44,160
Speaker 1: Yeah, we liked it and we thought it was good.

1043
00:52:44,680 --> 00:52:46,600
Speaker 1: What do you see? Romeo Must Die?

1044
00:52:47,160 --> 00:52:50,439
Speaker 6: Romeo Must Die? The Uh it's it's an older film,

1045
00:52:50,480 --> 00:52:51,279
Speaker 6: it's been out for a while.

1046
00:52:51,400 --> 00:52:52,480
Speaker 1: Yeah, what happened in that?

1047
00:52:53,800 --> 00:52:56,160
Speaker 6: I can't you know, I can't remember. I feel like

1048
00:52:56,239 --> 00:52:59,040
Speaker 6: Romeo must Die. I just I can, like remember the

1049
00:52:59,080 --> 00:52:59,800
Speaker 6: font from the poster.

1050
00:53:00,600 --> 00:53:02,160
Speaker 1: Yeah, me too, it was.

1051
00:53:03,960 --> 00:53:04,160
Speaker 3: In that.

1052
00:53:04,400 --> 00:53:05,560
Speaker 1: Yeah, what happened in that?

1053
00:53:05,920 --> 00:53:10,320
Speaker 2: Oh he's kicking everybody. He's so frigging pissed. Oh god,

1054
00:53:10,800 --> 00:53:11,640
Speaker 2: you didn't see it.

1055
00:53:12,360 --> 00:53:14,720
Speaker 1: I did see it, but I forgot. Is that what happens?

1056
00:53:14,840 --> 00:53:17,760
Speaker 2: Oh he's kicking everybody, kicking him in the stomach.

1057
00:53:19,160 --> 00:53:23,480
Speaker 1: Unreal. Nick, Thank you so much for joining us today.

1058
00:53:23,719 --> 00:53:25,840
Speaker 6: A pleasure and absolute pleasure, I mean, thank you for

1059
00:53:26,120 --> 00:53:28,040
Speaker 6: you know, letting me to speak about viral content.

1060
00:53:28,160 --> 00:53:30,200
Speaker 1: Thank you for giving the.

1061
00:53:30,080 --> 00:53:34,239
Speaker 6: Internet the respect it deserves as an artistic medium.

1062
00:53:34,680 --> 00:53:36,680
Speaker 3: And well, we want you guys to tick over shit,

1063
00:53:36,719 --> 00:53:38,640
Speaker 3: and we like you guys being in the being in

1064
00:53:38,680 --> 00:53:40,759
Speaker 3: the club, and it's a big tent.

1065
00:53:40,880 --> 00:53:41,840
Speaker 1: You've got our support.

1066
00:53:42,239 --> 00:53:44,319
Speaker 6: Let me say this let me say this right here

1067
00:53:44,360 --> 00:53:47,600
Speaker 6: and now, and this is on the record. The internet

1068
00:53:47,640 --> 00:53:48,719
Speaker 6: is here to stay.

1069
00:53:49,920 --> 00:53:52,600
Speaker 1: And mark it down. Mark it down. We really, you know,

1070
00:53:52,680 --> 00:53:56,359
Speaker 1: And that's a that's the attitude, isn't it. Damn right?

1071
00:53:57,120 --> 00:53:59,560
Speaker 1: Did anybody by the provision this week? Yeah? I think

1072
00:53:59,560 --> 00:54:03,880
Speaker 1: a bunch of people did. But let's choose one.

1073
00:54:04,400 --> 00:54:07,120
Speaker 3: Well, first, will you ask our listeners to rate us

1074
00:54:07,120 --> 00:54:09,440
Speaker 3: on iTunes while we well, I just do this.

1075
00:54:10,160 --> 00:54:16,000
Speaker 6: Yeah, anyone out there listening, thanks, and make sure to

1076
00:54:16,320 --> 00:54:21,480
Speaker 6: go ahead and rate the podcast on iTunes. Uh, whatever

1077
00:54:21,600 --> 00:54:24,480
Speaker 6: sort of you know, star rating you want to give it,

1078
00:54:24,520 --> 00:54:27,160
Speaker 6: I mean, be honest, be honest. Push the five I

1079
00:54:27,160 --> 00:54:29,319
Speaker 6: think I think I would say five. I would give

1080
00:54:29,320 --> 00:54:31,319
Speaker 6: it five stars. I think if you're giving less than

1081
00:54:31,360 --> 00:54:33,360
Speaker 6: five stars, your no.

1082
00:54:33,239 --> 00:54:37,680
Speaker 1: That's pretty sure. Also one is bad, I would say.

1083
00:54:37,719 --> 00:54:39,480
Speaker 6: I would say, if you think, if you're considering it

1084
00:54:39,560 --> 00:54:43,160
Speaker 6: giving it one star, I would say, don't even vote.

1085
00:54:43,239 --> 00:54:45,480
Speaker 6: Just just just get out of there, Just go take

1086
00:54:45,520 --> 00:54:48,239
Speaker 6: a long walk, come back when you're when you're you know,

1087
00:54:48,320 --> 00:54:50,919
Speaker 6: you got your senses back and you're as should vote.

1088
00:54:51,120 --> 00:54:53,160
Speaker 1: You should vote for five. Yeah.

1089
00:54:53,360 --> 00:54:59,480
Speaker 3: Tartan, Tartan, Uh, yes, Tartan. About the pro version this week,

1090
00:55:00,719 --> 00:55:07,600
Speaker 3: and uh, unfortunately, unfortunately it was a negative prize this week.

1091
00:55:07,800 --> 00:55:09,560
Speaker 1: You know, we like to we.

1092
00:55:09,520 --> 00:55:12,719
Speaker 2: Try to give them something positive that they can enjoy.

1093
00:55:12,480 --> 00:55:14,120
Speaker 1: But this most of the time. But this one is

1094
00:55:14,239 --> 00:55:15,640
Speaker 1: something of a booby prize.

1095
00:55:15,719 --> 00:55:18,719
Speaker 2: Tartan is going to get about to get owned, and

1096
00:55:18,760 --> 00:55:21,760
Speaker 2: you will be owned and ponned by one nick lagger.

1097
00:55:22,040 --> 00:55:26,120
Speaker 1: This is Tartan t rt An. That's the name, you know,

1098
00:55:26,480 --> 00:55:28,520
Speaker 1: t A R t N. That's what I'm going after.

1099
00:55:28,800 --> 00:55:30,720
Speaker 1: Mm hmmmm, gotcha.

1100
00:55:31,880 --> 00:55:36,719
Speaker 6: Hey Tartan out there, if you're listening, uh, in whatever

1101
00:55:36,800 --> 00:55:41,080
Speaker 6: heap of garbage you live, I assume a burned out car.

1102
00:55:42,600 --> 00:55:45,120
Speaker 6: I assume, uh, you know, you've been subsisting on a

1103
00:55:45,560 --> 00:55:48,520
Speaker 6: gutter water and meal worms because you don't.

1104
00:55:48,320 --> 00:55:49,200
Speaker 1: Have a source of income.

1105
00:55:52,760 --> 00:55:57,719
Speaker 6: Let me just say this, Tartan, Uh, you're like Tarzan,

1106
00:56:00,520 --> 00:56:03,719
Speaker 6: only I would instead of the Z being in your name,

1107
00:56:04,880 --> 00:56:10,000
Speaker 6: the Z is what's in my thought bubble because when

1108
00:56:10,040 --> 00:56:12,440
Speaker 6: I'm around you, you make me want to go to sleep.

1109
00:56:15,320 --> 00:56:20,839
Speaker 6: Hashtag week size, Bye bye.

1110
00:56:27,000 --> 00:56:29,959
Speaker 5: This has been an Earwolf Media production executive producers Jeff

1111
00:56:30,000 --> 00:56:42,560
Speaker 5: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1112
00:56:37,719 --> 00:56:48,440
Speaker 1: Ear Warf Radio Boom dot com, The worf Dead