WEBVTT - EP 114: DJ BattleCat: Past Present & Future

0:00:00.800 --> 0:00:05.760
<v Speaker 1>When I wrote, y'all all across the USC conton Motts

0:00:06.360 --> 0:00:10.719
<v Speaker 1>Bay to l A, come on the California around the valley.

0:00:11.280 --> 0:00:14.320
<v Speaker 1>We represent that Kelly County. So if you're keeping it

0:00:14.400 --> 0:00:17.160
<v Speaker 1>real on your side of your town, you tune into

0:00:17.200 --> 0:00:22.919
<v Speaker 1>Gangster Chronicles the goals. He's gonna tell you how we go.

0:00:24.040 --> 0:00:26.440
<v Speaker 1>If I like my nose, a girl like Pinocchio, We're

0:00:26.440 --> 0:00:29.200
<v Speaker 1>gonna tell you to choose and nothing but the Gangster

0:00:29.440 --> 0:00:33.760
<v Speaker 1>chronic goals. This is not your average show. You're now

0:00:33.920 --> 0:00:37.199
<v Speaker 1>tuned into the real m. C A. Bick, James and

0:00:37.280 --> 0:00:52.560
<v Speaker 1>Bi Staires from the streets. Hello, five three two one.

0:00:53.240 --> 0:00:55.640
<v Speaker 1>We'd like to welcome you to another episode Against the

0:00:55.680 --> 0:01:01.920
<v Speaker 1>Chronicles podcast now with my homeboys, Jill Man, it's night man.

0:01:02.000 --> 0:01:04.640
<v Speaker 1>We have um, I don't want to say special guests. Man,

0:01:04.680 --> 0:01:07.560
<v Speaker 1>we have a legend of them this month. You know,

0:01:07.800 --> 0:01:10.440
<v Speaker 1>DJ battle Cat Man. You know it ain't too many

0:01:10.440 --> 0:01:12.840
<v Speaker 1>people that can say they spanned three decades and some

0:01:12.880 --> 0:01:17.200
<v Speaker 1>ship no forth so forth. Do you realize, Dog, that

0:01:17.240 --> 0:01:19.520
<v Speaker 1>you've been making music more than some of our listeners

0:01:19.560 --> 0:01:21.639
<v Speaker 1>been alive longer than some of our listeners been alive.

0:01:22.480 --> 0:01:25.360
<v Speaker 1>I mean, I know now, but I can I definitely haven't.

0:01:26.360 --> 0:01:28.520
<v Speaker 1>I have that thought in mind from time to time.

0:01:28.560 --> 0:01:33.679
<v Speaker 1>But I've just been appreciating the fact that that they

0:01:33.880 --> 0:01:36.399
<v Speaker 1>they're still passionate about what I do, and they want

0:01:36.400 --> 0:01:38.080
<v Speaker 1>to be involved, and they want me to finish what

0:01:38.120 --> 0:01:40.800
<v Speaker 1>I started. So you know, it gives me gasoline to

0:01:40.880 --> 0:01:44.480
<v Speaker 1>keep going, all right, you know, because that's just what

0:01:44.600 --> 0:01:47.480
<v Speaker 1>it is. That's the vibe. Yeah, you know, let me

0:01:47.480 --> 0:01:53.000
<v Speaker 1>give this proper introduction, DC Powder. You know what I'm saying,

0:01:53.040 --> 0:01:56.280
<v Speaker 1>BC Powder Official With DJ battle Cat, I would hit

0:01:56.280 --> 0:02:01.240
<v Speaker 1>the applause, put the little pause through the little clause

0:02:01.280 --> 0:02:14.000
<v Speaker 1>affects me everything. Yeahlause too across the board. That's real ship, though,

0:02:14.280 --> 0:02:17.480
<v Speaker 1>And that's one thing about games, the chronicles. We bring

0:02:17.520 --> 0:02:20.880
<v Speaker 1>brothers on their positive brothers. I'm talking about for real,

0:02:20.919 --> 0:02:24.280
<v Speaker 1>for real, that's doing the thing. You got cats out

0:02:24.280 --> 0:02:27.760
<v Speaker 1>there that say, you know, you come from here, you

0:02:27.800 --> 0:02:31.000
<v Speaker 1>come from there, you're never amounted nothing. They get this

0:02:31.120 --> 0:02:36.000
<v Speaker 1>table here, that ship, and that's crazy that reality. They

0:02:36.040 --> 0:02:38.800
<v Speaker 1>gotta they gotta wake up because you know, divine order's

0:02:38.840 --> 0:02:41.320
<v Speaker 1>a beautiful thing once you understand what it is and

0:02:41.360 --> 0:02:43.560
<v Speaker 1>your purpose, you know. So this is the kind of

0:02:43.600 --> 0:02:46.040
<v Speaker 1>table I'd like to be at. This indeed. You know,

0:02:46.160 --> 0:02:49.880
<v Speaker 1>especially you're coming from the area that you come from,

0:02:49.880 --> 0:02:52.440
<v Speaker 1>you know, choices are limited. You could easily became a

0:02:52.560 --> 0:02:55.440
<v Speaker 1>victim to your circumstances around the community, but you use

0:02:55.520 --> 0:02:58.959
<v Speaker 1>your gifts and talents to elevate. Man, it wasn't even

0:02:59.000 --> 0:03:01.200
<v Speaker 1>so much the darkness. I've seen a lot of light

0:03:01.520 --> 0:03:03.680
<v Speaker 1>that could have brung me in. You know, because I've

0:03:03.720 --> 0:03:07.400
<v Speaker 1>seen some guys from my from my soulio, our neighborhood,

0:03:07.480 --> 0:03:11.200
<v Speaker 1>you want to call it tribe. They was more they

0:03:11.240 --> 0:03:13.400
<v Speaker 1>were there was more like heroes in the sense. And

0:03:13.480 --> 0:03:17.160
<v Speaker 1>I see that they still respect that their family, their

0:03:17.200 --> 0:03:20.160
<v Speaker 1>mothers and fathers. So when I've seen that, you know,

0:03:20.320 --> 0:03:22.320
<v Speaker 1>and I've seen the fun that they was having through

0:03:22.320 --> 0:03:25.839
<v Speaker 1>the the culture and the lifestyle of of doing their thing.

0:03:26.280 --> 0:03:29.440
<v Speaker 1>It that was the part that drew me in. But

0:03:29.680 --> 0:03:32.799
<v Speaker 1>you know, once you spend some time a little bit

0:03:32.800 --> 0:03:35.320
<v Speaker 1>more in debt with them, when you see the other

0:03:35.920 --> 0:03:38.480
<v Speaker 1>other activities that go on, you know, you you know

0:03:38.600 --> 0:03:41.800
<v Speaker 1>your curiosity. You know, if you ain't schooled right, you know,

0:03:41.880 --> 0:03:44.720
<v Speaker 1>you you could be drawn in and you never know

0:03:45.000 --> 0:03:46.880
<v Speaker 1>and you don't you don't know what how you built.

0:03:47.080 --> 0:03:48.960
<v Speaker 1>But some of it has been a blessing. I ain't

0:03:48.960 --> 0:03:51.720
<v Speaker 1>gonna lie to some of the glad of you're to school, said,

0:03:51.720 --> 0:03:53.960
<v Speaker 1>I haven't seen with how to you don't be a

0:03:53.960 --> 0:03:56.080
<v Speaker 1>stand up guy and don't let no one just walk

0:03:56.200 --> 0:03:59.440
<v Speaker 1>over you and stuff like that. You know, I haven't

0:03:59.480 --> 0:04:01.320
<v Speaker 1>had a few means on the block that was like, look,

0:04:01.360 --> 0:04:03.280
<v Speaker 1>if you can't keep your own bike, win't gonna keep

0:04:03.320 --> 0:04:06.200
<v Speaker 1>saving you. You know, we're gonna whoop your ass if

0:04:06.240 --> 0:04:08.520
<v Speaker 1>you ain't uh a standing up guy for your bike.

0:04:08.600 --> 0:04:09.840
<v Speaker 1>You know what I'm saying. We don't do all the

0:04:09.880 --> 0:04:12.480
<v Speaker 1>captains say we will be a big brother, but we

0:04:12.480 --> 0:04:14.360
<v Speaker 1>we can't do this all the time because that ain't

0:04:14.160 --> 0:04:16.160
<v Speaker 1>our get down doing that all the time. We want

0:04:16.160 --> 0:04:18.000
<v Speaker 1>to see some dudes who can stand on their own.

0:04:18.040 --> 0:04:21.520
<v Speaker 1>So next time that situation came around, just toughen up

0:04:21.520 --> 0:04:24.720
<v Speaker 1>and just you know, still still still still strong, do

0:04:24.839 --> 0:04:27.479
<v Speaker 1>the battling. He ran off and I was able to

0:04:27.480 --> 0:04:31.240
<v Speaker 1>go home with my fucking bike. I was very respected

0:04:31.240 --> 0:04:32.800
<v Speaker 1>more that way, and I was like cool, that was

0:04:33.000 --> 0:04:35.880
<v Speaker 1>what iut even being quoted on. But I was quoted

0:04:35.920 --> 0:04:37.880
<v Speaker 1>on in their heart because they see that I had

0:04:37.920 --> 0:04:40.960
<v Speaker 1>heart right exactly exactly. It was all I think it

0:04:41.080 --> 0:04:46.080
<v Speaker 1>was all the path of of living where we grew

0:04:46.160 --> 0:04:52.920
<v Speaker 1>up as young kids, as young adolescence, you know, eleven twelve, um,

0:04:53.080 --> 0:04:56.800
<v Speaker 1>watching the Big Homies was was intriguing to really was

0:04:57.400 --> 0:05:00.800
<v Speaker 1>that was our neighborhood hero so to speak. I mean,

0:05:00.839 --> 0:05:03.200
<v Speaker 1>I know you were taught in school, you know, the

0:05:03.279 --> 0:05:06.560
<v Speaker 1>Malcolm's and the Martins and get you a positive role model.

0:05:06.600 --> 0:05:09.880
<v Speaker 1>But you know, I looked at the big Old Jesus

0:05:09.920 --> 0:05:13.760
<v Speaker 1>and then they was protecting the neighborhood. You know. Uh,

0:05:13.880 --> 0:05:16.040
<v Speaker 1>some of them would school us and then telling us

0:05:16.080 --> 0:05:18.880
<v Speaker 1>what we should and shouldn't be doing or if we

0:05:19.000 --> 0:05:22.280
<v Speaker 1>had since enough to venture off in the music orld,

0:05:22.279 --> 0:05:24.760
<v Speaker 1>do whatever. A lot of the Homies would tell us.

0:05:24.800 --> 0:05:27.320
<v Speaker 1>You know, you should that should be your thing. You

0:05:27.360 --> 0:05:29.120
<v Speaker 1>know what I'm saying. I get it. You want to

0:05:29.120 --> 0:05:32.480
<v Speaker 1>represent the neighborhood. But you got you have choices, you

0:05:32.520 --> 0:05:36.040
<v Speaker 1>know that a lot of dudes didn't have. So it's

0:05:36.120 --> 0:05:40.640
<v Speaker 1>like you said, it was sort of like a teaching

0:05:40.720 --> 0:05:44.120
<v Speaker 1>lesson or those were are heroes so to speak. Kind

0:05:44.120 --> 0:05:47.720
<v Speaker 1>of you You you're basically lucky because in the sixties, seventies,

0:05:47.760 --> 0:05:52.680
<v Speaker 1>and the eighties, the Big Homies were totally different than

0:05:52.720 --> 0:05:55.480
<v Speaker 1>the Big Homies. You had today exactly what I'm saying.

0:05:55.880 --> 0:05:59.040
<v Speaker 1>Some of them that grew up in the sixties and seventies,

0:05:59.400 --> 0:06:02.080
<v Speaker 1>now you know, they went off to prison or you know,

0:06:02.120 --> 0:06:04.520
<v Speaker 1>the crack every sucked us up and we lost a

0:06:04.520 --> 0:06:09.000
<v Speaker 1>lot of good big homies. But back then, like my uncle's,

0:06:09.200 --> 0:06:11.880
<v Speaker 1>they were there to teach the little homies, the little cats.

0:06:11.920 --> 0:06:15.000
<v Speaker 1>They wanted to hang around them. So in the backyard

0:06:15.040 --> 0:06:17.600
<v Speaker 1>did show you how to play basketball? They was they

0:06:17.680 --> 0:06:19.480
<v Speaker 1>was teaching you if you if you don't know how

0:06:19.480 --> 0:06:23.680
<v Speaker 1>to fight, then we'll go home. You know, my cousins,

0:06:23.760 --> 0:06:29.080
<v Speaker 1>the Duffies. If I lost the fight over there, sat Pedro,

0:06:29.480 --> 0:06:33.320
<v Speaker 1>the motherfucker's made me dirt. You got the fight, you

0:06:33.360 --> 0:06:37.119
<v Speaker 1>know what I'm saying. But but in today, these kids,

0:06:37.120 --> 0:06:40.000
<v Speaker 1>some of these dudes ain't never had a fight. They

0:06:40.080 --> 0:06:42.240
<v Speaker 1>never had to get down like that. And then you

0:06:42.279 --> 0:06:44.720
<v Speaker 1>know the majority of them are bullies. You know what

0:06:44.720 --> 0:06:48.039
<v Speaker 1>I'm saying. They never had to fighting, didn't here you go, yeah, yeah,

0:06:48.320 --> 0:06:51.479
<v Speaker 1>I seen that hands on and and that's one thing

0:06:52.000 --> 0:06:56.280
<v Speaker 1>that I didn't wanna h add to my repertoire on

0:06:56.400 --> 0:07:00.240
<v Speaker 1>my personality, and you know, and being a young kid

0:07:00.279 --> 0:07:02.839
<v Speaker 1>coming coming into a younger del because I really didn't

0:07:02.880 --> 0:07:06.720
<v Speaker 1>like the feeling afterwards. You know what I'm saying. It

0:07:06.800 --> 0:07:10.200
<v Speaker 1>left an ugly feeling, and you know you will go

0:07:10.280 --> 0:07:13.120
<v Speaker 1>home flashing out on your brother or something you know,

0:07:13.240 --> 0:07:16.480
<v Speaker 1>or family member behind it, you know, because they don't

0:07:16.560 --> 0:07:20.400
<v Speaker 1>understand that that outside world, you know, it's like it is,

0:07:20.520 --> 0:07:22.520
<v Speaker 1>and so you you don't have no one for me.

0:07:22.680 --> 0:07:24.880
<v Speaker 1>For me, I was the oldest, so I still needed

0:07:24.880 --> 0:07:27.280
<v Speaker 1>a big brother even though I was the oldest. So

0:07:27.640 --> 0:07:29.720
<v Speaker 1>you know a lot of my big brothers was the

0:07:30.240 --> 0:07:33.119
<v Speaker 1>brothers on the block. So I get what you're saying.

0:07:33.320 --> 0:07:38.160
<v Speaker 1>I appreciate that for the fullest exactly. You know, you've

0:07:38.200 --> 0:07:40.160
<v Speaker 1>been making rigors for a long time. Like I said

0:07:40.160 --> 0:07:43.720
<v Speaker 1>it before, Right, you come in the studio with Reppert.

0:07:44.200 --> 0:07:46.679
<v Speaker 1>Nowaday you're coming there with a repper Do you already

0:07:46.760 --> 0:07:48.720
<v Speaker 1>kind of have in your mind what you want to

0:07:48.760 --> 0:07:51.480
<v Speaker 1>do with that artist when you come in. Uh, that

0:07:51.560 --> 0:07:55.320
<v Speaker 1>depends on the relationship. Early on, I didn't have they

0:07:55.320 --> 0:07:57.160
<v Speaker 1>didn't have any records out. You know, I was dealing

0:07:57.160 --> 0:08:00.200
<v Speaker 1>with people who was brought into it like I would us.

0:08:00.760 --> 0:08:05.440
<v Speaker 1>So excuse me. All I had was this word of mouth. Uh,

0:08:05.840 --> 0:08:10.720
<v Speaker 1>sometimes of that invitation to to to to make music

0:08:10.760 --> 0:08:14.680
<v Speaker 1>for some for someone. So when they get there, um,

0:08:14.720 --> 0:08:16.240
<v Speaker 1>of course I want to hear where they had, if

0:08:16.240 --> 0:08:18.680
<v Speaker 1>they got some previous work, you know, cassettes or something,

0:08:18.680 --> 0:08:21.760
<v Speaker 1>because that's when when the cassette days was our here's something.

0:08:21.760 --> 0:08:23.560
<v Speaker 1>And if they didn't hand the material, they was just

0:08:23.600 --> 0:08:26.600
<v Speaker 1>wrong on this bus, get down acapella, or I'll put

0:08:26.600 --> 0:08:29.840
<v Speaker 1>an instrumental on. Being a DJ, I would put some

0:08:29.880 --> 0:08:33.880
<v Speaker 1>instrumentals on and just just here their skill setting voice,

0:08:34.480 --> 0:08:36.800
<v Speaker 1>you know, and um, I would just go from there.

0:08:36.840 --> 0:08:40.560
<v Speaker 1>And then one thing about me with words, I was

0:08:41.320 --> 0:08:45.440
<v Speaker 1>like to bring the backdrop to words, you know from

0:08:45.440 --> 0:08:49.720
<v Speaker 1>watching movies, you know, television and going to certain things

0:08:49.800 --> 0:08:52.800
<v Speaker 1>and seeing people speak, or even growing up on records

0:08:52.840 --> 0:08:56.400
<v Speaker 1>like the Last Ports and Ports and the Watts Profits

0:08:56.480 --> 0:08:59.240
<v Speaker 1>and you know, Mom had that plan so that I

0:08:59.280 --> 0:09:05.520
<v Speaker 1>got a chance to appreciate word play early on. So

0:09:05.600 --> 0:09:09.000
<v Speaker 1>by time this hip hop thing came, we're talking about

0:09:09.000 --> 0:09:13.160
<v Speaker 1>eight eight two, you know, I didn't really start getting

0:09:13.200 --> 0:09:19.880
<v Speaker 1>down to about maybe I want to say, uh, eight

0:09:20.280 --> 0:09:25.280
<v Speaker 1>eight eight. So but yeah, that's that's that's my initial thing.

0:09:25.360 --> 0:09:27.240
<v Speaker 1>You know, it's just handing a voice, and then I

0:09:27.400 --> 0:09:30.559
<v Speaker 1>just go from mind. Either they're coming with a specification

0:09:31.400 --> 0:09:34.720
<v Speaker 1>if they're really good with hearing music, you know, knowing

0:09:34.720 --> 0:09:37.640
<v Speaker 1>what they want. Yeah, got this sample. That's that's what

0:09:37.720 --> 0:09:41.040
<v Speaker 1>the hip hop game was when they first started, you know. Um,

0:09:41.080 --> 0:09:44.520
<v Speaker 1>so they were bringing their little twelve inches or forty

0:09:44.559 --> 0:09:47.880
<v Speaker 1>fives or concessing. I played, and you want you want

0:09:47.880 --> 0:09:50.200
<v Speaker 1>to chop up? You want this part right here, chop it,

0:09:50.320 --> 0:09:54.920
<v Speaker 1>loop it and just arrange it. So they sung that

0:09:54.920 --> 0:09:57.280
<v Speaker 1>that song structure to their lyrics and then next thing,

0:09:57.320 --> 0:10:00.480
<v Speaker 1>you know, week we're rocking and rolling. Yeah, because one

0:10:00.480 --> 0:10:04.760
<v Speaker 1>thing I noticed that you do really really well is like,

0:10:04.880 --> 0:10:08.120
<v Speaker 1>let's say you're making the track for eight M. You're

0:10:08.120 --> 0:10:10.840
<v Speaker 1>specifying it to him, but you still got your signature

0:10:10.880 --> 0:10:13.120
<v Speaker 1>battle Cat sound. You can still tell that's a battle

0:10:13.160 --> 0:10:15.199
<v Speaker 1>Cat track. That's a BC Pounder track, you know what

0:10:15.240 --> 0:10:19.040
<v Speaker 1>I mean? That's about. And to get to it and

0:10:19.559 --> 0:10:23.320
<v Speaker 1>for those who are polished I do and already have

0:10:23.600 --> 0:10:27.000
<v Speaker 1>a track record a good material out there. Of course

0:10:27.040 --> 0:10:29.280
<v Speaker 1>I listened to it because the thing is just supposed

0:10:29.240 --> 0:10:32.840
<v Speaker 1>topos to bringing things to the table where it feels

0:10:32.880 --> 0:10:36.640
<v Speaker 1>like it's relevant but it's still new and it's and

0:10:36.679 --> 0:10:40.080
<v Speaker 1>it's and you're putting their sound and your sound together.

0:10:40.240 --> 0:10:45.760
<v Speaker 1>So what I would do was incorporate uh certain instrumentations

0:10:47.160 --> 0:10:52.359
<v Speaker 1>uh uh, meaning from their previous records. I would incorporate

0:10:52.440 --> 0:10:55.000
<v Speaker 1>some of it. I know that like with eight, he

0:10:55.120 --> 0:10:57.480
<v Speaker 1>like jazz, she's like hip hop, he like R and B,

0:10:57.640 --> 0:11:01.240
<v Speaker 1>and he like funk. So and you know, to work

0:11:01.240 --> 0:11:03.560
<v Speaker 1>with him, I'll just make sure that I got maybe

0:11:03.920 --> 0:11:08.000
<v Speaker 1>two or three of every genre, so I won't I

0:11:08.040 --> 0:11:10.880
<v Speaker 1>won't miss you know what I'm saying. To cover the

0:11:11.000 --> 0:11:14.640
<v Speaker 1>different temples and moves swing, it could be laid back

0:11:14.679 --> 0:11:19.240
<v Speaker 1>and don't want uh our energy jazz track. You might

0:11:19.280 --> 0:11:21.360
<v Speaker 1>want to lay back jazz track. So I would do

0:11:21.480 --> 0:11:24.520
<v Speaker 1>one mid temple smooth and one kind of up temple,

0:11:24.720 --> 0:11:27.320
<v Speaker 1>because that's what you're supposed to do. You gotta go

0:11:27.400 --> 0:11:31.040
<v Speaker 1>outside the box. If he never been on something in

0:11:31.120 --> 0:11:34.360
<v Speaker 1>another style in the vein that he likes, that's that's

0:11:34.360 --> 0:11:37.400
<v Speaker 1>what a producer needs to do to challenge so on

0:11:38.080 --> 0:11:41.880
<v Speaker 1>and show diversity in their in their creativity. That's what

0:11:42.200 --> 0:11:47.240
<v Speaker 1>really creates a longevity relationship with producers and writers in

0:11:47.280 --> 0:11:51.640
<v Speaker 1>this thing called you know, entertainment. I think it's producers

0:11:51.720 --> 0:11:57.880
<v Speaker 1>who are crafted and know they work. Basically, you get

0:11:57.960 --> 0:12:01.520
<v Speaker 1>producers sometimes who just throw you in anything. But then

0:12:01.559 --> 0:12:05.120
<v Speaker 1>there are producers who know the artists, like like like

0:12:05.120 --> 0:12:09.720
<v Speaker 1>like he said, I know what dog raps two, know

0:12:09.760 --> 0:12:12.680
<v Speaker 1>what they eight wraps too. So it ain't like you

0:12:12.760 --> 0:12:16.160
<v Speaker 1>gotta like to build a bear bullshit, like let me

0:12:16.200 --> 0:12:18.320
<v Speaker 1>try to figure out what he likes, or I'm gonna

0:12:18.360 --> 0:12:20.679
<v Speaker 1>come to the studio with this all kind of ship.

0:12:21.240 --> 0:12:23.840
<v Speaker 1>He already know the direction. So that's a good producer

0:12:23.880 --> 0:12:25.640
<v Speaker 1>to me because I don't have to sit up and

0:12:25.679 --> 0:12:29.680
<v Speaker 1>tell him motherfucker life, Well, uh, you should listen to this,

0:12:29.960 --> 0:12:32.040
<v Speaker 1>or you should listen to this, or you should listen

0:12:32.040 --> 0:12:34.680
<v Speaker 1>to that. Then you're kind of get my flavor. Good

0:12:34.679 --> 0:12:38.320
<v Speaker 1>producers already know the artists. Stay working with so off

0:12:38.320 --> 0:12:41.120
<v Speaker 1>the gate. Or if I'm working with this cat, already

0:12:41.200 --> 0:12:43.320
<v Speaker 1>know what type of beat to make him, you give

0:12:43.400 --> 0:12:46.800
<v Speaker 1>me because that's his track record. So just say you're

0:12:46.800 --> 0:12:51.000
<v Speaker 1>walking into the door, you would have expectations of battle Cat.

0:12:51.200 --> 0:12:54.560
<v Speaker 1>You already know what I would have expectations of. He

0:12:54.600 --> 0:12:56.800
<v Speaker 1>already know what I like, So he ain't gonna come

0:12:56.840 --> 0:12:59.400
<v Speaker 1>with no ship that I'd be like, Oh, that's some

0:12:59.520 --> 0:13:02.360
<v Speaker 1>ship that so and so will wrap two or that's

0:13:02.400 --> 0:13:06.040
<v Speaker 1>something that that cat would wrap two and everything he

0:13:06.160 --> 0:13:08.679
<v Speaker 1>probably wore. And and then it's like he said, it's

0:13:08.679 --> 0:13:12.200
<v Speaker 1>good to be diverse. Let you try something different. See

0:13:12.240 --> 0:13:14.920
<v Speaker 1>if he liked that. You get me. You know, I

0:13:14.960 --> 0:13:19.199
<v Speaker 1>ain't just want to mention I'm coming with my bag

0:13:19.320 --> 0:13:24.480
<v Speaker 1>because if his past relationships or anyone, you know, he

0:13:24.559 --> 0:13:27.480
<v Speaker 1>still got his his relationship with us with his jeez,

0:13:27.520 --> 0:13:30.520
<v Speaker 1>are you know whoever he's getting down with. But sometimes

0:13:30.559 --> 0:13:34.760
<v Speaker 1>when you live life, sometimes different things happened to you

0:13:34.800 --> 0:13:38.080
<v Speaker 1>in the inside about your taste of music, and you

0:13:38.160 --> 0:13:42.080
<v Speaker 1>be needing a sound that that is transparent with what

0:13:42.160 --> 0:13:45.920
<v Speaker 1>you're feeling. So you know, you mentioned a couple of

0:13:45.920 --> 0:13:49.320
<v Speaker 1>things that was key now with me being successful, I

0:13:49.440 --> 0:13:53.880
<v Speaker 1>have had these talks with certain artists who really know

0:13:54.080 --> 0:13:56.880
<v Speaker 1>music without composing it and challenged me and said, hey,

0:13:57.080 --> 0:13:59.040
<v Speaker 1>can't you should get back in your bag or let

0:13:59.080 --> 0:14:02.080
<v Speaker 1>me give you this. If they'll say this is what

0:14:02.080 --> 0:14:05.040
<v Speaker 1>what else I've been listening to? And I like that

0:14:05.160 --> 0:14:07.800
<v Speaker 1>because they know I'm gonna know about it once I

0:14:07.880 --> 0:14:11.640
<v Speaker 1>hear it. Because of my instrumentation, I'm gonna musician first

0:14:12.160 --> 0:14:16.160
<v Speaker 1>before the title of a beatmaker. My my first passion's

0:14:16.280 --> 0:14:21.200
<v Speaker 1>drums and percussion, then keys, so I understand rhythm all

0:14:21.240 --> 0:14:23.360
<v Speaker 1>away across. Plus I used to pop blocks, so I

0:14:23.440 --> 0:14:26.800
<v Speaker 1>understand rhythm and dancing. And you know, when you're making

0:14:26.920 --> 0:14:28.920
<v Speaker 1>music and you be and as you being a DJ,

0:14:29.120 --> 0:14:32.560
<v Speaker 1>you know, you really know how to captivate a crowd

0:14:32.640 --> 0:14:35.400
<v Speaker 1>and the audience. And you must be open minded. Because

0:14:35.400 --> 0:14:38.160
<v Speaker 1>when I wasn't open minded, I see where that got me.

0:14:38.680 --> 0:14:41.640
<v Speaker 1>But when I start opening my mind about the different audience,

0:14:41.960 --> 0:14:46.360
<v Speaker 1>I think, I think, uh, Greg mckin uh and Roger

0:14:46.400 --> 0:14:49.440
<v Speaker 1>Clayton from Minchael James on me and k they by

0:14:49.520 --> 0:14:53.000
<v Speaker 1>them being up on the both of those entities, it

0:14:53.120 --> 0:14:56.880
<v Speaker 1>showed me a lot about how to not lose your crowd,

0:14:56.960 --> 0:15:01.640
<v Speaker 1>your audience, you know. And so m once I start

0:15:01.720 --> 0:15:07.080
<v Speaker 1>understanding people as a young kid, they move swings, where

0:15:07.080 --> 0:15:09.560
<v Speaker 1>they come from and what they're looking to do once

0:15:09.600 --> 0:15:12.760
<v Speaker 1>they're getting in a place like a club or or

0:15:12.880 --> 0:15:17.000
<v Speaker 1>house party. Your thing is is to build the momentum

0:15:17.080 --> 0:15:20.800
<v Speaker 1>of of a good time, and so you must listen

0:15:20.840 --> 0:15:24.840
<v Speaker 1>to records that can really captivate and and really move

0:15:24.920 --> 0:15:29.320
<v Speaker 1>the crowd. You have a responsibility to command the audience

0:15:30.040 --> 0:15:33.000
<v Speaker 1>and take them someplace where it feels like an adventure.

0:15:33.120 --> 0:15:35.440
<v Speaker 1>So when they go back home. They're not really thinking

0:15:35.480 --> 0:15:40.360
<v Speaker 1>about their problems. They really more motivated to do something about,

0:15:41.120 --> 0:15:44.000
<v Speaker 1>you know, the situation at hand, and music does that.

0:15:44.080 --> 0:15:47.800
<v Speaker 1>They really bring a lot of you know, different views

0:15:47.880 --> 0:15:52.000
<v Speaker 1>and perspective where you you know you you're you have

0:15:52.040 --> 0:15:54.520
<v Speaker 1>a better chance in life. You know, we heard let

0:15:54.560 --> 0:15:57.680
<v Speaker 1>the Curtis Mayfields. You know when those who say they

0:15:57.800 --> 0:16:01.400
<v Speaker 1>live with this type of music, it's also a lifestyle

0:16:01.480 --> 0:16:05.520
<v Speaker 1>that goes with the music. So you have a responsibility

0:16:05.600 --> 0:16:08.240
<v Speaker 1>to be that. You know, if this if this music

0:16:08.400 --> 0:16:11.280
<v Speaker 1>is your it's the soundtrack to your day. And whether

0:16:11.320 --> 0:16:13.240
<v Speaker 1>you're going to pay a bill or going to see

0:16:13.240 --> 0:16:16.600
<v Speaker 1>a girl or see a family member. You know that

0:16:16.760 --> 0:16:19.400
<v Speaker 1>music and the message in it can set the tone.

0:16:19.800 --> 0:16:23.480
<v Speaker 1>And that's what I always understood early owners as a

0:16:23.600 --> 0:16:27.240
<v Speaker 1>kid being a musician to a world were now producer

0:16:27.480 --> 0:16:30.120
<v Speaker 1>and he was a DJ too, because I noticed all

0:16:30.160 --> 0:16:33.480
<v Speaker 1>the great producers are DJs as well, even the ones

0:16:33.520 --> 0:16:35.480
<v Speaker 1>that don't got DJ in front of the you know,

0:16:35.640 --> 0:16:38.600
<v Speaker 1>in front of the in front of their name, or

0:16:38.720 --> 0:16:40.600
<v Speaker 1>you go back to the day and you find out

0:16:40.600 --> 0:16:43.040
<v Speaker 1>that they did have a DJ at one time, like

0:16:43.040 --> 0:16:46.920
<v Speaker 1>like when I got an invitation to see Jimmy Jammy

0:16:47.040 --> 0:16:49.360
<v Speaker 1>Terry Lewis. Come to find out Jimmy jam was a

0:16:49.440 --> 0:16:53.520
<v Speaker 1>DJ first before he was a full fledged music musician,

0:16:53.560 --> 0:16:56.600
<v Speaker 1>and and and and uh it made so much sense

0:16:56.920 --> 0:17:00.400
<v Speaker 1>abhout his rhythms. It's like it was like they work.

0:17:00.520 --> 0:17:03.840
<v Speaker 1>You know, that's the West Bend, you know, Alexander O'Neil

0:17:03.920 --> 0:17:08.800
<v Speaker 1>sarell or even with the rap uh Homie from Long

0:17:08.880 --> 0:17:12.600
<v Speaker 1>Beach Bad Times that yeah, you know he that's Jimmy

0:17:12.640 --> 0:17:15.560
<v Speaker 1>jam and Terry Lewis early on with hip hop and

0:17:15.800 --> 0:17:19.600
<v Speaker 1>R and B. So you're right. And all the DJs

0:17:19.680 --> 0:17:22.399
<v Speaker 1>that was in the late seventies that I knew that

0:17:22.520 --> 0:17:27.359
<v Speaker 1>was producers. Dre is one of them, uh, Greg Royals

0:17:27.359 --> 0:17:32.439
<v Speaker 1>rest in Peace, Uh, Sidney Thomas, d J. Redge, you know,

0:17:32.600 --> 0:17:36.960
<v Speaker 1>Egypts and Love and Roger dam guys uh and then

0:17:37.000 --> 0:17:38.919
<v Speaker 1>the rest of our crew, you know, the rest of

0:17:38.920 --> 0:17:41.960
<v Speaker 1>my Kady Mixed Masters are end up being producers as well,

0:17:42.080 --> 0:17:48.200
<v Speaker 1>Joe Cooley, uh, Ralph M. Trasky, Romeo, Jam and James.

0:17:48.840 --> 0:17:51.159
<v Speaker 1>There's something in the name, you know. And and and

0:17:51.200 --> 0:17:54.560
<v Speaker 1>it pays It paid off for us doing that. You know,

0:17:54.640 --> 0:17:59.080
<v Speaker 1>we had a sense of responsibility of getting into the

0:17:59.080 --> 0:18:01.640
<v Speaker 1>production world. You know what I'm saying, because we we

0:18:01.680 --> 0:18:04.720
<v Speaker 1>was it was in the man. We needed music that

0:18:04.840 --> 0:18:09.800
<v Speaker 1>was relevant to where we from because we didn't have that.

0:18:10.359 --> 0:18:12.920
<v Speaker 1>My music was kind of all over the place before

0:18:12.960 --> 0:18:17.040
<v Speaker 1>we found an yea and purpose. Yeah, let's pay some

0:18:17.119 --> 0:18:21.960
<v Speaker 1>bills real quick and checking in with our sponsors. Do

0:18:22.000 --> 0:18:23.280
<v Speaker 1>you know what I want to go back to. I

0:18:23.320 --> 0:18:27.199
<v Speaker 1>want to go back to the eighties. Oh okay, we

0:18:27.240 --> 0:18:29.960
<v Speaker 1>can go back to the eighties kind of right. Yes,

0:18:30.359 --> 0:18:33.520
<v Speaker 1>you remember the California Kick. Yes, I was a kid

0:18:33.560 --> 0:18:37.920
<v Speaker 1>they mixed Master as well as um uh California Cat

0:18:38.000 --> 0:18:42.080
<v Speaker 1>Crew remember. And what it was for me is because

0:18:42.119 --> 0:18:43.760
<v Speaker 1>I always always wanted to be a part of a

0:18:43.840 --> 0:18:46.760
<v Speaker 1>crew because, like I said, I was the oldest. So

0:18:47.000 --> 0:18:50.640
<v Speaker 1>if I was blessed not have the hood like E was, say,

0:18:50.720 --> 0:18:53.360
<v Speaker 1>take me under. They really encouraged me to get out

0:18:53.359 --> 0:18:56.040
<v Speaker 1>and do my thing. You know. I was already DJ

0:18:56.200 --> 0:18:59.719
<v Speaker 1>and the host parties and and black tie affairs and

0:18:59.760 --> 0:19:04.440
<v Speaker 1>all of that type of stuff and birthdays, but being

0:19:04.440 --> 0:19:07.160
<v Speaker 1>in the California Cat Crew was gonna I thought would

0:19:07.200 --> 0:19:12.399
<v Speaker 1>be the next best thing to earn Roger Clayton of

0:19:12.600 --> 0:19:15.000
<v Speaker 1>uncle Jim ormaner one of the finals. I would be

0:19:15.080 --> 0:19:18.280
<v Speaker 1>able to earn his trust and respect with a reputation

0:19:18.359 --> 0:19:22.280
<v Speaker 1>because he wasn't really letting people in and he knew

0:19:22.359 --> 0:19:25.600
<v Speaker 1>that certain backgrounds of the neighborhoods we was found to

0:19:25.800 --> 0:19:29.080
<v Speaker 1>come with consequences. And so that's one thing he tried

0:19:29.160 --> 0:19:32.879
<v Speaker 1>to do was not alienate people who come from you know,

0:19:32.960 --> 0:19:36.560
<v Speaker 1>the different parts of the neighborhood. But you know, sometimes

0:19:36.640 --> 0:19:40.840
<v Speaker 1>it's it's a given if they're uh cheerleading your your

0:19:40.960 --> 0:19:44.400
<v Speaker 1>your your craft and your reputation, you know, of course

0:19:44.440 --> 0:19:47.280
<v Speaker 1>they want to come and support, you know, and uh

0:19:47.560 --> 0:19:52.720
<v Speaker 1>having people's skills. But that California Cat crew was me, Bobcat,

0:19:53.640 --> 0:20:02.000
<v Speaker 1>uh kid cat Um scratch Cat, and uh of course

0:20:02.040 --> 0:20:05.000
<v Speaker 1>Bob himself, you know, so you got you know, Pooky

0:20:05.160 --> 0:20:09.480
<v Speaker 1>Pooky uh and Bob was definitely not right down the

0:20:09.520 --> 0:20:11.240
<v Speaker 1>street from me. You know, it was a skip in

0:20:11.280 --> 0:20:14.119
<v Speaker 1>the hop, you know, traveling from the sixties to the fifties,

0:20:14.720 --> 0:20:16.520
<v Speaker 1>you know, we got the ben g s they blood,

0:20:16.640 --> 0:20:19.439
<v Speaker 1>you know, and I used to walk from my hood

0:20:19.600 --> 0:20:21.639
<v Speaker 1>through their hood to get to Bob. You know what

0:20:21.680 --> 0:20:27.480
<v Speaker 1>I'm saying. Because his professional approach and hunger and passion

0:20:27.520 --> 0:20:30.400
<v Speaker 1>for Dejing was at an all time high. I mean,

0:20:31.280 --> 0:20:34.800
<v Speaker 1>and and uh that that was the closest guy I

0:20:34.840 --> 0:20:39.080
<v Speaker 1>could get to to to, you know, to to be

0:20:39.160 --> 0:20:43.600
<v Speaker 1>able to hand this message over to egyps and Lover

0:20:43.680 --> 0:20:45.439
<v Speaker 1>and Roger said, Hey, I got a little you know,

0:20:45.480 --> 0:20:49.760
<v Speaker 1>a little homie. You know, he's on time, he dressed right,

0:20:50.600 --> 0:20:53.800
<v Speaker 1>his records is up to date, and he knew how

0:20:53.840 --> 0:20:56.439
<v Speaker 1>to play. I put him on. I gave him a

0:20:56.520 --> 0:20:59.920
<v Speaker 1>platform to play, and he didn't run the audience you know,

0:21:00.040 --> 0:21:01.959
<v Speaker 1>on the fan, you know, or what not, you know,

0:21:02.080 --> 0:21:04.160
<v Speaker 1>off the floor. He kept him on the dance floor

0:21:04.240 --> 0:21:07.920
<v Speaker 1>his transition and time and was superb because that's one

0:21:07.960 --> 0:21:11.639
<v Speaker 1>thing about the art of DJ, and you still had

0:21:11.960 --> 0:21:15.240
<v Speaker 1>had to represent in a way where you look like business,

0:21:15.480 --> 0:21:17.359
<v Speaker 1>you look like a DJ, and you look like you

0:21:17.760 --> 0:21:22.480
<v Speaker 1>come to captivate, you know, uh, invitation to a club

0:21:22.640 --> 0:21:25.760
<v Speaker 1>or a concert. So that that helped me tremendously to

0:21:25.960 --> 0:21:28.880
<v Speaker 1>be up under his his his crew, and it gave

0:21:28.920 --> 0:21:31.560
<v Speaker 1>me so much game because we end up going I

0:21:31.680 --> 0:21:33.760
<v Speaker 1>end up going to the same high school that he

0:21:33.840 --> 0:21:36.720
<v Speaker 1>went to. Well, I could see him hands on and

0:21:36.800 --> 0:21:39.120
<v Speaker 1>when I seen him play with the Gypsy and Love

0:21:39.200 --> 0:21:42.719
<v Speaker 1>and Roger, it was it was it was incredible, you know,

0:21:42.800 --> 0:21:47.480
<v Speaker 1>because we got principles grown adults there, Jona Church, you

0:21:47.520 --> 0:21:51.119
<v Speaker 1>know that new vibe. So I'm watching the whole demographic

0:21:51.160 --> 0:21:55.120
<v Speaker 1>and demonstration of how they had to take another look

0:21:55.119 --> 0:21:56.800
<v Speaker 1>at Bob and go, you know what, it's not just

0:21:56.880 --> 0:22:01.280
<v Speaker 1>the food for mother, the photos, cripping and acting. Then asshole,

0:22:01.400 --> 0:22:05.639
<v Speaker 1>he really have a skill set that doesn't exist in

0:22:05.720 --> 0:22:08.000
<v Speaker 1>the school because we didn't have that kind of academic

0:22:08.119 --> 0:22:10.920
<v Speaker 1>or whatever in our class, you know, far as DJ.

0:22:11.160 --> 0:22:16.840
<v Speaker 1>But you know, it was something to appreciate, and uh yeah,

0:22:16.880 --> 0:22:20.240
<v Speaker 1>I just followed his footsteps. I filed shout out to

0:22:20.280 --> 0:22:26.280
<v Speaker 1>my big brother, DJ Bob, Big Bob, I'm on you.

0:22:27.640 --> 0:22:29.920
<v Speaker 1>I want to stay during this time period because this

0:22:30.000 --> 0:22:32.679
<v Speaker 1>is important. What was the streets of l a Like?

0:22:32.680 --> 0:22:35.040
<v Speaker 1>Because because one thing about Los Ange, there's one thing

0:22:35.119 --> 0:22:39.200
<v Speaker 1>about music. Period of music pretty much mirrors the community.

0:22:39.840 --> 0:22:41.600
<v Speaker 1>What's going on in the community at that time. What

0:22:41.800 --> 0:22:43.480
<v Speaker 1>was the streets of l a Like during that time?

0:22:43.520 --> 0:22:45.159
<v Speaker 1>We can all y'all can all the left right on

0:22:45.240 --> 0:22:52.879
<v Speaker 1>that um Man during the head during that for years

0:22:53.320 --> 0:22:56.840
<v Speaker 1>we're talking about like you know, eighty nine, I'm talking

0:22:56.880 --> 0:23:05.359
<v Speaker 1>about five through like that. That's understand. The streets was vicious,

0:23:06.119 --> 0:23:10.840
<v Speaker 1>um gang Dangan was vicious. Uh drive by New drive

0:23:10.920 --> 0:23:13.840
<v Speaker 1>By was that? I mean, Ship Niggas was getting smoked

0:23:13.920 --> 0:23:17.919
<v Speaker 1>like every every day. I mean especially in content. I

0:23:17.960 --> 0:23:21.240
<v Speaker 1>know Niggas was shoot crazy. So the music to me,

0:23:22.080 --> 0:23:28.240
<v Speaker 1>um and it was all Parliament and George Clinton and

0:23:28.240 --> 0:23:32.080
<v Speaker 1>and you know the wrap Wrap for us was kind

0:23:32.080 --> 0:23:35.160
<v Speaker 1>of off, man, I mean, hood Niggas was used listening

0:23:35.200 --> 0:23:38.439
<v Speaker 1>to or Bounce and motherfucking I heard it through the

0:23:38.520 --> 0:23:41.639
<v Speaker 1>grape vine. Well that was the Gamester rep that was

0:23:41.760 --> 0:23:43.919
<v Speaker 1>there before Rep. That was kind of like the music

0:23:44.000 --> 0:23:46.920
<v Speaker 1>that was. And then you know, you had like you said,

0:23:47.080 --> 0:23:50.639
<v Speaker 1>we had Egyptian Lover, We had l a dream team

0:23:51.040 --> 0:23:54.240
<v Speaker 1>Bobby Jimmy and the Critters and ship like that. Are

0:23:54.359 --> 0:24:00.560
<v Speaker 1>wrapp didn't show neighborhood substance until Todd in Space came

0:24:00.560 --> 0:24:03.880
<v Speaker 1>with the t v K takes and they started they

0:24:03.920 --> 0:24:07.359
<v Speaker 1>started doing the parodies off of like you know, where

0:24:07.400 --> 0:24:10.479
<v Speaker 1>the Al Yankovic would do. He would take motherfucker's music

0:24:10.560 --> 0:24:13.240
<v Speaker 1>and make his own songs. So thus we had the

0:24:13.320 --> 0:24:16.960
<v Speaker 1>battle Ram off the Wrapping Duke. We had motherfucking the

0:24:17.040 --> 0:24:19.800
<v Speaker 1>Clucks come Out at Night off of Whodini's Freaks Come

0:24:19.840 --> 0:24:24.800
<v Speaker 1>Out at Night. You know, we had motherfucking you know,

0:24:25.000 --> 0:24:28.520
<v Speaker 1>just say no and Spade with the Compton posse and

0:24:29.640 --> 0:24:34.080
<v Speaker 1>rapping off the genius of love and um. That was

0:24:34.200 --> 0:24:40.600
<v Speaker 1>our introduction to the neighborhood rap, introduction to nigga selling dope,

0:24:40.880 --> 0:24:43.960
<v Speaker 1>you know in the neighborhoods Our introduction to the battle

0:24:44.080 --> 0:24:46.520
<v Speaker 1>Ram and Darryl Gates and the fund Up l ap

0:24:46.760 --> 0:24:49.960
<v Speaker 1>D and Mayor Tom Bradley and all that ship. That's

0:24:49.960 --> 0:24:52.480
<v Speaker 1>where I learned about all that ship listening to time

0:24:52.560 --> 0:24:55.840
<v Speaker 1>tapes because they talked about all that ship. Ship that

0:24:56.000 --> 0:24:59.920
<v Speaker 1>wasn't being broadcasted or seen. They was giving you the

0:25:00.160 --> 0:25:03.439
<v Speaker 1>information about what was going on in the neighborhood. So

0:25:03.520 --> 0:25:07.520
<v Speaker 1>that was my introduction to ship. You need to bring

0:25:07.520 --> 0:25:14.520
<v Speaker 1>your ass up your another another. That's then that's with

0:25:14.640 --> 0:25:17.960
<v Speaker 1>that transition, we started getting the banging on wax, battle

0:25:18.040 --> 0:25:20.439
<v Speaker 1>Cat and them came along with my nigga Domino and

0:25:20.520 --> 0:25:25.600
<v Speaker 1>all hips. That's what that was. That's that was our

0:25:25.720 --> 0:25:29.840
<v Speaker 1>era of music. It started to transition. I loved I

0:25:30.000 --> 0:25:33.720
<v Speaker 1>like how you put that because all I could do

0:25:33.760 --> 0:25:36.720
<v Speaker 1>is just give you the West side of South Central perspective.

0:25:36.760 --> 0:25:41.520
<v Speaker 1>It was that and then something because uh, the record

0:25:41.560 --> 0:25:46.919
<v Speaker 1>stores and the DJs UH existed existed a lot in

0:25:46.960 --> 0:25:49.159
<v Speaker 1>a lot of the South central areas. We had to

0:25:49.200 --> 0:25:52.440
<v Speaker 1>sloss in the Western DJO down the street right across

0:25:52.480 --> 0:25:56.720
<v Speaker 1>the street from the Slash and Swape met um we had.

0:25:57.119 --> 0:26:00.800
<v Speaker 1>Even in Guardina. It was a couple of other locations

0:26:00.840 --> 0:26:04.159
<v Speaker 1>where we were a lot of the DJs are homies

0:26:04.200 --> 0:26:06.439
<v Speaker 1>from the streets will actually go to these v I

0:26:06.480 --> 0:26:11.040
<v Speaker 1>P and record stores to go get they uh the

0:26:11.160 --> 0:26:14.280
<v Speaker 1>go get their music. But then the mix tape game

0:26:14.440 --> 0:26:17.479
<v Speaker 1>for us UH paid off because I was able to

0:26:17.800 --> 0:26:23.600
<v Speaker 1>start hearing other different neighborhoods uh farther from me, you

0:26:23.640 --> 0:26:27.640
<v Speaker 1>know what I'm saying, like Compton, Long Beach and and Guarden.

0:26:27.680 --> 0:26:35.280
<v Speaker 1>I started hearing people's uh expressions of their experiences of

0:26:35.359 --> 0:26:37.320
<v Speaker 1>life through music. I was all of them tapes was

0:26:37.359 --> 0:26:40.879
<v Speaker 1>coming across. And you know which kind of prepared me

0:26:40.960 --> 0:26:43.679
<v Speaker 1>forebanging on wax, you know, because you had Quick making

0:26:43.760 --> 0:26:46.879
<v Speaker 1>his mix tapes and and and and it was Crypts

0:26:46.920 --> 0:26:49.520
<v Speaker 1>actually playing his tapes. I didn't hear from a blood.

0:26:49.560 --> 0:26:54.120
<v Speaker 1>That was another thing they ignored what you know, wasn't

0:26:54.160 --> 0:26:56.600
<v Speaker 1>the customed to they is because of the where they

0:26:56.720 --> 0:27:01.120
<v Speaker 1>was from. But they saw his gift beyond at and

0:27:01.160 --> 0:27:06.320
<v Speaker 1>so well, now I just incorporated all what was happening

0:27:06.359 --> 0:27:08.560
<v Speaker 1>in the streets and it just groomed me. So when

0:27:09.080 --> 0:27:12.280
<v Speaker 1>Teddy not Teddy, but the homio tweety Bird from Compton

0:27:12.960 --> 0:27:16.960
<v Speaker 1>and U my other boy Red Rum, you know from

0:27:16.960 --> 0:27:19.919
<v Speaker 1>from Inglewood. You know, when them two came together with

0:27:19.960 --> 0:27:25.960
<v Speaker 1>their unique idea to start voicing, uh, the big homies

0:27:26.400 --> 0:27:30.639
<v Speaker 1>who was more in depth what the real things that

0:27:30.760 --> 0:27:35.680
<v Speaker 1>was happening without given too much uh you know insight.

0:27:36.359 --> 0:27:40.159
<v Speaker 1>You know, they was very good. We're talking about the layers,

0:27:40.280 --> 0:27:44.000
<v Speaker 1>light layers or the first layers of the greedy, the

0:27:44.040 --> 0:27:49.119
<v Speaker 1>greediness of cripping and blood and and and uh tribes

0:27:49.119 --> 0:27:52.760
<v Speaker 1>and tripulations and adversities are broken homes and the police

0:27:52.760 --> 0:27:55.440
<v Speaker 1>in the whole nine yards. So it groomed me and

0:27:55.760 --> 0:27:59.520
<v Speaker 1>it prepared me for that. And I think Leon Heywood

0:27:59.680 --> 0:28:03.240
<v Speaker 1>and a couple of other individuals for that opportunity because

0:28:03.880 --> 0:28:06.480
<v Speaker 1>I didn't see that coming. That was like a shock,

0:28:06.800 --> 0:28:10.240
<v Speaker 1>a shock value to my to my craft and what

0:28:10.240 --> 0:28:12.680
<v Speaker 1>I'm gonna do better before you doing it? Because you

0:28:12.760 --> 0:28:14.600
<v Speaker 1>want to hold another subject now, because I was gonna

0:28:14.600 --> 0:28:17.880
<v Speaker 1>speak on banging on wax. It's connected to all that

0:28:18.119 --> 0:28:22.080
<v Speaker 1>when he when he said eight, it got close and

0:28:22.240 --> 0:28:24.359
<v Speaker 1>got real super close. That's the only reason why I

0:28:24.400 --> 0:28:26.680
<v Speaker 1>gave you that gym. Yeah, And what I'm gonna do

0:28:26.800 --> 0:28:28.280
<v Speaker 1>is I'm gonna tell y'all a lot there for you'all

0:28:28.359 --> 0:28:30.880
<v Speaker 1>youngsters to go do your research and for the ogs

0:28:30.920 --> 0:28:34.280
<v Speaker 1>to know to know when Banging on Wax hit, it

0:28:34.440 --> 0:28:37.919
<v Speaker 1>was like atomic bomb in the streets that hit because

0:28:37.960 --> 0:28:41.280
<v Speaker 1>you for the first time you had every card that

0:28:41.360 --> 0:28:44.160
<v Speaker 1>you heard go by, whether there was a blood or

0:28:44.200 --> 0:28:47.320
<v Speaker 1>a crypt, it was playing the same music and it

0:28:47.400 --> 0:28:50.200
<v Speaker 1>kind of brought something. And um, that album wouldn't go

0:28:51.120 --> 0:28:56.560
<v Speaker 1>a lot of people radio play. And you know, you

0:28:56.600 --> 0:29:00.000
<v Speaker 1>know how Scandler Ship was back then. If it wind't

0:29:00.040 --> 0:29:02.000
<v Speaker 1>go here to the United States, you know they probably

0:29:02.040 --> 0:29:05.360
<v Speaker 1>sold West Coast music, especially back then at that time.

0:29:05.960 --> 0:29:08.440
<v Speaker 1>Anything West Coast. You go to Japan, it was on.

0:29:09.480 --> 0:29:11.680
<v Speaker 1>We was out there getting We took as Big eight,

0:29:11.720 --> 0:29:13.920
<v Speaker 1>We took we took dads out there. We took me

0:29:13.960 --> 0:29:16.600
<v Speaker 1>and Coke. He took dads and glasses out there they

0:29:16.640 --> 0:29:19.560
<v Speaker 1>first time in Japan. And we was out there setting

0:29:19.600 --> 0:29:22.880
<v Speaker 1>CDs four hundred and fifty dollars dog and in fifty

0:29:22.880 --> 0:29:24.920
<v Speaker 1>dollars so ain't no telling what they sold out there.

0:29:24.960 --> 0:29:27.320
<v Speaker 1>But not to cut you off, I want to get

0:29:27.320 --> 0:29:29.520
<v Speaker 1>back to it. I just wanted to drop the significance

0:29:29.520 --> 0:29:38.000
<v Speaker 1>of that that CD carry. Um excuse but um, you

0:29:38.000 --> 0:29:42.760
<v Speaker 1>know when that happened, you know, it was some question

0:29:42.840 --> 0:29:47.400
<v Speaker 1>marks definitely going across my head because I know these

0:29:48.320 --> 0:29:52.040
<v Speaker 1>it's a it's a g code and how much information

0:29:52.200 --> 0:29:56.040
<v Speaker 1>is going to be you know, expressed over this music. Yeah,

0:29:56.960 --> 0:30:00.640
<v Speaker 1>the thing about it was if we could change the narrative,

0:30:02.520 --> 0:30:04.520
<v Speaker 1>we had to do it first about keeping it raw

0:30:05.720 --> 0:30:09.760
<v Speaker 1>and express why this attitude, why this language, why this

0:30:10.240 --> 0:30:14.960
<v Speaker 1>lifestyle and cultures like it is? Uh? And definitely it

0:30:15.000 --> 0:30:19.880
<v Speaker 1>comes from poverty, stricken in those situations or father not

0:30:20.040 --> 0:30:23.560
<v Speaker 1>there or mother not there and and the block hugging

0:30:23.600 --> 0:30:28.200
<v Speaker 1>you and this is what they're you know, adolescent or

0:30:28.400 --> 0:30:33.600
<v Speaker 1>rules or lifestyle is going to be. So. But if

0:30:33.640 --> 0:30:37.840
<v Speaker 1>the thing was is that that's just embrace it. So

0:30:38.680 --> 0:30:43.000
<v Speaker 1>it felt weird to to perpetuate the genocide aspect of it,

0:30:43.480 --> 0:30:46.960
<v Speaker 1>meaning what we've seen, what we're talking, what we lived

0:30:48.200 --> 0:30:51.320
<v Speaker 1>on the streets, it's now, but to be amplified ten

0:30:51.400 --> 0:30:55.200
<v Speaker 1>times more because it's another thing, you know, how it

0:30:55.240 --> 0:30:57.360
<v Speaker 1>is you take a song, you put your own spin

0:30:57.440 --> 0:31:01.520
<v Speaker 1>on it. But now we're do in the video and

0:31:01.560 --> 0:31:05.680
<v Speaker 1>now we're putting it on cassette for distribution and the

0:31:05.800 --> 0:31:11.320
<v Speaker 1>corporation behind this culture, it's gonna be looked at all

0:31:11.440 --> 0:31:14.320
<v Speaker 1>kind of ways. So I had to find a name

0:31:14.440 --> 0:31:19.840
<v Speaker 1>for myself, and it was Sea Rider. I'm more of

0:31:19.840 --> 0:31:23.680
<v Speaker 1>a rider than a banger. I knew better, you know,

0:31:24.240 --> 0:31:28.840
<v Speaker 1>And I really wanted to be that for numerous of

0:31:28.960 --> 0:31:33.320
<v Speaker 1>reasons because I didn't want to uh tarnish a real

0:31:33.440 --> 0:31:38.280
<v Speaker 1>name that I earned, uh through some heroes and in

0:31:38.400 --> 0:31:41.240
<v Speaker 1>the in the music industry, and that was battle Cat.

0:31:41.240 --> 0:31:44.440
<v Speaker 1>I didn't want to be battle Cat from sixties. I

0:31:44.520 --> 0:31:48.040
<v Speaker 1>wanted to be Sea Riders from sixties. So when people

0:31:48.080 --> 0:31:50.560
<v Speaker 1>see that, they're gonna have their own spending perspective. Oh,

0:31:50.680 --> 0:31:52.720
<v Speaker 1>kid from out of the sixties are over there from

0:31:52.720 --> 0:31:56.480
<v Speaker 1>the sixties. It's okay. Because one thing I wanted to

0:31:56.520 --> 0:31:59.320
<v Speaker 1>do was make sure that my own identity personally and

0:31:59.360 --> 0:32:03.200
<v Speaker 1>professional it was was embraced. Like That's one thing I

0:32:03.240 --> 0:32:06.760
<v Speaker 1>did level about I still do about the g from

0:32:06.800 --> 0:32:11.360
<v Speaker 1>my hood day. They they let me be me, and uh,

0:32:11.520 --> 0:32:13.760
<v Speaker 1>that was a beautiful thing to have that so I

0:32:13.800 --> 0:32:17.760
<v Speaker 1>could uh bring that into making the record. But at

0:32:17.800 --> 0:32:20.000
<v Speaker 1>first you know and you know how it is in

0:32:20.000 --> 0:32:24.920
<v Speaker 1>the pind if you going to take uh a name

0:32:25.040 --> 0:32:27.960
<v Speaker 1>that is not on the platform of music and not

0:32:28.080 --> 0:32:30.760
<v Speaker 1>appreciate it at at all, and you and you and

0:32:30.840 --> 0:32:34.520
<v Speaker 1>you say rolling sixty r SC who is this dude

0:32:34.560 --> 0:32:38.000
<v Speaker 1>that's representing us? And when would he win? So it

0:32:38.040 --> 0:32:41.560
<v Speaker 1>got to the top that and this this is it's

0:32:41.560 --> 0:32:44.680
<v Speaker 1>a nigger perpetrating us. And then when they found out

0:32:44.720 --> 0:32:46.800
<v Speaker 1>I was off to a g C and it was

0:32:46.840 --> 0:32:50.320
<v Speaker 1>actually me and my reasons it's because I wasn't the

0:32:50.360 --> 0:32:53.520
<v Speaker 1>one from my hood really rapping. But we had a

0:32:53.560 --> 0:32:55.960
<v Speaker 1>big hooman from my hood who had a brother named

0:32:57.560 --> 0:33:03.080
<v Speaker 1>Banded uh uh. He was He was real good and

0:33:03.200 --> 0:33:06.160
<v Speaker 1>the auto rapping, but he went and did time. So

0:33:06.320 --> 0:33:07.920
<v Speaker 1>I didn't have no one from my hood to be

0:33:07.960 --> 0:33:12.040
<v Speaker 1>a voice. So that's when I became that artist for

0:33:12.080 --> 0:33:15.320
<v Speaker 1>that movement, and the success of it was to really

0:33:15.840 --> 0:33:18.960
<v Speaker 1>like like when it got to ghetto boy, I mean

0:33:18.960 --> 0:33:20.880
<v Speaker 1>not ghetto boy, but I would say that the ghetto

0:33:20.920 --> 0:33:25.240
<v Speaker 1>boys are what the chronic was. I was looking for

0:33:26.040 --> 0:33:28.840
<v Speaker 1>the maturity of cripping and blood and to go to

0:33:28.880 --> 0:33:32.080
<v Speaker 1>another level where We're now not talking about knocking each

0:33:32.120 --> 0:33:36.480
<v Speaker 1>other's all off, because we already got cousins, brothers, sister's

0:33:36.600 --> 0:33:41.360
<v Speaker 1>wife's husband from you know, from that perspective going into it.

0:33:41.480 --> 0:33:44.040
<v Speaker 1>So and then I was looking at it being another

0:33:44.080 --> 0:33:49.400
<v Speaker 1>opportunity to introduce different other barrels or ghettos or tribes

0:33:50.000 --> 0:33:53.360
<v Speaker 1>to another neighborhood. You know what I'm saying, Because in

0:33:53.400 --> 0:33:56.000
<v Speaker 1>the art of Dijon, that's I always had to dress

0:33:56.120 --> 0:33:58.720
<v Speaker 1>neutral and make sure that whoever I was bringing with

0:33:58.840 --> 0:34:03.080
<v Speaker 1>me had an open mind and and didn't bring fear

0:34:03.120 --> 0:34:05.760
<v Speaker 1>to the table by going with me to these different neighborhoods.

0:34:05.760 --> 0:34:09.359
<v Speaker 1>So that was my contribution. They wanted to do this

0:34:09.440 --> 0:34:13.440
<v Speaker 1>thing called banging on wax so we can re educate

0:34:14.000 --> 0:34:17.480
<v Speaker 1>people and uh and get people to know who's who,

0:34:17.480 --> 0:34:21.440
<v Speaker 1>because if you ever go back going across Compton, you

0:34:21.480 --> 0:34:25.120
<v Speaker 1>know you I didn't have no one until I actually

0:34:25.120 --> 0:34:27.279
<v Speaker 1>did banging on banging the wax. It was I was

0:34:27.320 --> 0:34:29.640
<v Speaker 1>able to get someone to help me identify what was

0:34:29.680 --> 0:34:33.000
<v Speaker 1>the lochest dollar or the language or culture of of

0:34:33.280 --> 0:34:37.600
<v Speaker 1>of Compton. And so that helped me tremendously. I thought

0:34:37.680 --> 0:34:41.040
<v Speaker 1>banging on wax when I listened to it it was

0:34:41.760 --> 0:34:47.000
<v Speaker 1>us banging against them and the crips doing them. But

0:34:47.120 --> 0:34:51.240
<v Speaker 1>the way you putting it is like trying to change

0:34:51.239 --> 0:34:55.440
<v Speaker 1>it through music. Um to get to put a different

0:34:55.440 --> 0:34:58.839
<v Speaker 1>spin on it through music. And I didn't look at

0:34:58.840 --> 0:35:02.840
<v Speaker 1>it by listening to uh yeah when yeah. I didn't

0:35:02.880 --> 0:35:05.240
<v Speaker 1>look at it like that like they're trying to change

0:35:05.280 --> 0:35:07.879
<v Speaker 1>something like like but it was just wrong. And let

0:35:07.880 --> 0:35:09.919
<v Speaker 1>me let me I'm glad you jumped in and say that,

0:35:10.520 --> 0:35:13.799
<v Speaker 1>because see, for me, that's why a domino came out

0:35:13.840 --> 0:35:17.560
<v Speaker 1>of it. Feel me. We I don't want I didn't

0:35:17.560 --> 0:35:22.040
<v Speaker 1>want us to be looked at as just that because

0:35:22.480 --> 0:35:25.680
<v Speaker 1>if you take the pillars of it off, you got

0:35:26.040 --> 0:35:30.040
<v Speaker 1>some incredible human beings and we always looked at as

0:35:30.040 --> 0:35:34.080
<v Speaker 1>a fucking animal. So why look at that image as

0:35:34.120 --> 0:35:38.440
<v Speaker 1>a career. See, because a lot of those brothers wasn't

0:35:38.480 --> 0:35:45.040
<v Speaker 1>really active our shot callers from their from their hood.

0:35:45.760 --> 0:35:49.640
<v Speaker 1>They were just being in a sense like what what

0:35:49.640 --> 0:35:53.560
<v Speaker 1>what what? What? What? What? What? What? Um uh Cube

0:35:53.920 --> 0:35:58.759
<v Speaker 1>in a sense was a messenger and vood for the

0:35:58.760 --> 0:36:02.399
<v Speaker 1>neighborhood and not really active member like me. I wasn't

0:36:02.400 --> 0:36:06.160
<v Speaker 1>an active member. Drake was an active member. You know,

0:36:06.160 --> 0:36:07.920
<v Speaker 1>it's a lot of us in this game. We're not

0:36:08.000 --> 0:36:11.400
<v Speaker 1>active members, but we held a connected understanding the culture

0:36:11.400 --> 0:36:16.480
<v Speaker 1>of the movement. I mean, but listen, I ain't gonna

0:36:16.520 --> 0:36:19.880
<v Speaker 1>say I'm not gonna say that that didn't exist, you know,

0:36:20.080 --> 0:36:24.920
<v Speaker 1>but um, that was my intent. But yeah, that was

0:36:25.000 --> 0:36:28.520
<v Speaker 1>my intent, and and and it worked and in more

0:36:28.560 --> 0:36:32.399
<v Speaker 1>ways than one because I wasn't there to change no one,

0:36:32.480 --> 0:36:36.680
<v Speaker 1>but it would have been incredible to hear what if

0:36:36.680 --> 0:36:40.080
<v Speaker 1>the second one had to be that same level of

0:36:40.280 --> 0:36:44.600
<v Speaker 1>you know this and each other. I still wanted the

0:36:44.880 --> 0:36:50.160
<v Speaker 1>conversation to open up, to show some maturity from both

0:36:50.360 --> 0:36:53.640
<v Speaker 1>both sides, you know what I'm saying. And so when

0:36:53.680 --> 0:36:55.680
<v Speaker 1>you do that, then people can go and say, Okay,

0:36:55.719 --> 0:36:58.439
<v Speaker 1>that's that's the story, and they really who they are,

0:36:58.800 --> 0:37:02.560
<v Speaker 1>but they really human beings underneath all that. Because we're

0:37:02.560 --> 0:37:05.960
<v Speaker 1>dealing with the mayors, the government, we're dealing with police,

0:37:06.040 --> 0:37:09.040
<v Speaker 1>we're dining with sheriffs, were dealing with judge. You know,

0:37:09.160 --> 0:37:11.520
<v Speaker 1>when they heard that music, they're just like, oh ship,

0:37:11.680 --> 0:37:14.640
<v Speaker 1>they're gone wild. They they not for the become nothing

0:37:14.640 --> 0:37:18.520
<v Speaker 1>out of this. So don't you think, uh another you

0:37:18.560 --> 0:37:21.400
<v Speaker 1>have y'all should do this again, because now and everything

0:37:21.520 --> 0:37:25.600
<v Speaker 1>is different than the eighties the nineties, with with all

0:37:25.640 --> 0:37:29.440
<v Speaker 1>this ship that's going on today and and gang members

0:37:29.480 --> 0:37:32.160
<v Speaker 1>crossing over, you know, able to shoot at the table

0:37:32.239 --> 0:37:34.520
<v Speaker 1>with each other. You know what I'm saying. From all

0:37:34.600 --> 0:37:38.279
<v Speaker 1>walks aside now here we are on some total different ship.

0:37:38.360 --> 0:37:40.920
<v Speaker 1>Now we can speak that. Man if I didn't know

0:37:41.000 --> 0:37:45.120
<v Speaker 1>this brother from from from being from Tragnew have been

0:37:45.160 --> 0:37:47.399
<v Speaker 1>working with him a long time ago. Now we can

0:37:47.440 --> 0:37:49.640
<v Speaker 1>write about that ship. You can get your bloods, you

0:37:49.680 --> 0:37:51.480
<v Speaker 1>can get them on the same page and do it.

0:37:51.760 --> 0:37:54.200
<v Speaker 1>And that would be some cold ship, Big James. I

0:37:54.200 --> 0:37:56.160
<v Speaker 1>think it got a lot to do with you know,

0:37:56.400 --> 0:37:58.600
<v Speaker 1>Like I said, the budget that I've seen in the

0:37:58.640 --> 0:38:01.680
<v Speaker 1>maturity of the Brothers. I've seen early on in the

0:38:01.680 --> 0:38:03.600
<v Speaker 1>eighties that was crippling and blood. And they still have

0:38:03.719 --> 0:38:08.880
<v Speaker 1>some morals and principles. But when you got jeeves that

0:38:09.040 --> 0:38:13.279
<v Speaker 1>are ignorant and on the dark side and changing a

0:38:13.440 --> 0:38:18.160
<v Speaker 1>code or whatever that it is, and the perpetuating something

0:38:18.200 --> 0:38:24.040
<v Speaker 1>that doesn't bring value to the lifestyle of crippling and blood,

0:38:24.040 --> 0:38:27.920
<v Speaker 1>and then you got them going uh in the circle

0:38:27.960 --> 0:38:30.160
<v Speaker 1>that they confused. They're like, come on, become me. I

0:38:30.200 --> 0:38:34.640
<v Speaker 1>see you doing good and I see you providing this

0:38:34.800 --> 0:38:37.600
<v Speaker 1>and this in from you, But why won't you bring

0:38:37.640 --> 0:38:42.000
<v Speaker 1>it all the way out across the board. And it's

0:38:42.040 --> 0:38:44.000
<v Speaker 1>just like putting the laundry on the table that the

0:38:44.160 --> 0:38:47.520
<v Speaker 1>ends and the outs of how to will and deal?

0:38:47.600 --> 0:38:51.360
<v Speaker 1>How when when when do I turn this off? You

0:38:51.400 --> 0:38:53.000
<v Speaker 1>know what I'm saying. And and a lot of a

0:38:53.080 --> 0:38:55.120
<v Speaker 1>lot of different neighborhoods, a lot of them didn't want

0:38:55.120 --> 0:38:58.920
<v Speaker 1>to turn it off because they glorified it. You know,

0:38:59.040 --> 0:39:01.480
<v Speaker 1>it wasn't you know, I didn't. I didn't. I wouldn't

0:39:01.480 --> 0:39:04.200
<v Speaker 1>privy to see those meetings. And even if I was,

0:39:04.320 --> 0:39:07.400
<v Speaker 1>I know, for me, I didn't want to be in

0:39:07.480 --> 0:39:10.280
<v Speaker 1>the room and I'm not active and that's not my lifestyle.

0:39:10.360 --> 0:39:12.640
<v Speaker 1>And I hear this, and then when ship go wrong,

0:39:12.719 --> 0:39:16.080
<v Speaker 1>then they're looking at who was the who was all

0:39:16.120 --> 0:39:19.040
<v Speaker 1>in the room when this was being talked about. So

0:39:19.080 --> 0:39:21.600
<v Speaker 1>I knew then early on, I didn't really want that.

0:39:21.719 --> 0:39:26.319
<v Speaker 1>I didn't want to be the the what what you

0:39:26.320 --> 0:39:28.520
<v Speaker 1>know the title that they you didn't want to be

0:39:28.560 --> 0:39:32.320
<v Speaker 1>the pup, Yeah, exactly. And there's a lot of brothers

0:39:32.320 --> 0:39:35.759
<v Speaker 1>who who didn't mean to be there, but they was

0:39:35.800 --> 0:39:38.080
<v Speaker 1>there because of certain things that they saw them made

0:39:38.080 --> 0:39:41.000
<v Speaker 1>them comfortable to be there because they wasn't safe at

0:39:41.040 --> 0:39:43.239
<v Speaker 1>their own crib. They just felt like with them, if

0:39:43.239 --> 0:39:45.400
<v Speaker 1>I'm getting this love and he's giving me attention and

0:39:45.520 --> 0:39:47.920
<v Speaker 1>my dad ain't here, on my uncle in here, I

0:39:48.000 --> 0:39:50.319
<v Speaker 1>want to be here. So then you got a lot

0:39:50.360 --> 0:39:55.640
<v Speaker 1>of artists who get inspired to say, funk that I'm

0:39:55.719 --> 0:39:58.200
<v Speaker 1>carpeting the hard rock and you know, on the wall,

0:39:58.760 --> 0:40:02.080
<v Speaker 1>but ain't the one even me enough to value what

0:40:02.160 --> 0:40:05.240
<v Speaker 1>I'm thinking about? So if if that all those pieces

0:40:05.280 --> 0:40:07.399
<v Speaker 1>not there, fucking I'm just gonna go all the way

0:40:07.440 --> 0:40:09.160
<v Speaker 1>this way. And then you've got a lot of g's

0:40:09.280 --> 0:40:13.279
<v Speaker 1>that would laugh at that and think it's entertainment and

0:40:13.320 --> 0:40:16.600
<v Speaker 1>think it's the ship, but really you're sucking up someone

0:40:16.719 --> 0:40:22.040
<v Speaker 1>who could be especial or brilliant or successful to to life.

0:40:22.080 --> 0:40:25.040
<v Speaker 1>So so when when you when Drey was doing records

0:40:25.040 --> 0:40:28.480
<v Speaker 1>like a little gettle boy, I was so fucking happy

0:40:28.600 --> 0:40:33.440
<v Speaker 1>because he spoke from a perspective that the b g

0:40:33.719 --> 0:40:37.239
<v Speaker 1>S are a little homies always wanted to hear was

0:40:37.320 --> 0:40:41.320
<v Speaker 1>a U O G take accountability for the bully ship

0:40:41.480 --> 0:40:46.040
<v Speaker 1>or the destructive ship. He inspired his homie. So when

0:40:46.040 --> 0:40:49.359
<v Speaker 1>he said, uh, I'm bigger than you. What you want

0:40:49.400 --> 0:40:52.880
<v Speaker 1>to do. Didn't know he had you. I cried like

0:40:52.960 --> 0:40:56.680
<v Speaker 1>a kid because I actually seen those scenarios and that's

0:40:56.719 --> 0:41:00.239
<v Speaker 1>when I knew Dre was You know, this is this

0:41:00.280 --> 0:41:02.560
<v Speaker 1>is the type of ship that made even Wonta hug

0:41:02.719 --> 0:41:05.840
<v Speaker 1>him even that much more. You know what I'm saying,

0:41:05.880 --> 0:41:08.560
<v Speaker 1>because that's what was going on, big homies was getting

0:41:08.560 --> 0:41:12.479
<v Speaker 1>out of penitentiary, uh, bullying the little homies in the game,

0:41:13.000 --> 0:41:15.840
<v Speaker 1>taking their little sacks, doing all these different types of

0:41:16.600 --> 0:41:20.279
<v Speaker 1>So when the little homies, I'm here to show you

0:41:20.320 --> 0:41:23.200
<v Speaker 1>I'm with it. I'm here to say I'm I'm keep

0:41:23.200 --> 0:41:25.319
<v Speaker 1>funking on day and this is what you're gonna do

0:41:25.360 --> 0:41:27.640
<v Speaker 1>to me being on me. I ain't trying to fight you,

0:41:28.040 --> 0:41:30.200
<v Speaker 1>but to fight back and for everybody else not to

0:41:30.239 --> 0:41:33.399
<v Speaker 1>see you as a punk. Pa pa, Pa pa. That's

0:41:33.400 --> 0:41:36.200
<v Speaker 1>all little ghetto Boys was and and he told it

0:41:36.840 --> 0:41:39.640
<v Speaker 1>the right way and and how this ship actually go down,

0:41:40.200 --> 0:41:42.120
<v Speaker 1>you know what I'm saying. And that's why I say,

0:41:42.280 --> 0:41:45.600
<v Speaker 1>if you did another banging on Wax and and of

0:41:45.719 --> 0:41:49.520
<v Speaker 1>the of the gangsters today, the concept to be way

0:41:49.600 --> 0:41:51.840
<v Speaker 1>wider than what it was at the first time, because

0:41:52.120 --> 0:41:55.000
<v Speaker 1>now you've got the older cats and the younger cats

0:41:55.080 --> 0:41:57.880
<v Speaker 1>kind of linking up and they understand each other, you

0:41:57.880 --> 0:42:00.560
<v Speaker 1>know what I'm saying, because the world is really up now.

0:42:01.040 --> 0:42:04.520
<v Speaker 1>The hoods are not the same no more. Once you

0:42:04.640 --> 0:42:06.759
<v Speaker 1>change the concept of what it was the first time,

0:42:07.040 --> 0:42:10.600
<v Speaker 1>you see what it is now, it's totally different. It's

0:42:10.440 --> 0:42:15.040
<v Speaker 1>it's and and uh, we're quick can wrap together and

0:42:15.040 --> 0:42:17.719
<v Speaker 1>talk about this ship. Yeah. That that that blew my

0:42:17.760 --> 0:42:21.279
<v Speaker 1>mind because I actually witnessed at Snoopy's function. I think

0:42:21.320 --> 0:42:24.319
<v Speaker 1>it was for his birthday or or his wife. And

0:42:24.440 --> 0:42:29.760
<v Speaker 1>I've seen eight until and quick there, and I cheered

0:42:29.840 --> 0:42:32.640
<v Speaker 1>up a little bit because you know, it's not from

0:42:32.640 --> 0:42:34.799
<v Speaker 1>a soft point of view. It's just like I know

0:42:34.920 --> 0:42:39.040
<v Speaker 1>him both, you know, you know, when we don't do

0:42:39.120 --> 0:42:41.240
<v Speaker 1>nothing about it and we don't look outside the box

0:42:41.280 --> 0:42:44.959
<v Speaker 1>about how to be bigger, bigger than these scenarios and situations,

0:42:45.560 --> 0:42:48.399
<v Speaker 1>then all leaders and ship you know, they never get

0:42:49.080 --> 0:42:52.040
<v Speaker 1>uh get going, they never get off the ground and

0:42:52.160 --> 0:42:56.279
<v Speaker 1>never you know, get past it in the first situation.

0:42:56.560 --> 0:42:58.680
<v Speaker 1>So when I seen that, I was like, damn it.

0:42:58.719 --> 0:43:00.839
<v Speaker 1>Then I seen chill with eight and then I seeing

0:43:00.880 --> 0:43:02.920
<v Speaker 1>how humble see this is what it what it is

0:43:02.960 --> 0:43:05.280
<v Speaker 1>when you can see like my real name is Kevin.

0:43:06.320 --> 0:43:09.800
<v Speaker 1>Battle Cat is a brand. Battle Cat can't be two people.

0:43:10.320 --> 0:43:14.800
<v Speaker 1>And when you try to put human perspective with another

0:43:14.960 --> 0:43:18.480
<v Speaker 1>name that ain't really who you are as a person.

0:43:19.680 --> 0:43:22.240
<v Speaker 1>People really don't know the difference. So when you're trying

0:43:22.280 --> 0:43:26.480
<v Speaker 1>to turn off your brand or your name, industry name,

0:43:26.920 --> 0:43:30.080
<v Speaker 1>it's hard to do that because you didn't really from

0:43:30.120 --> 0:43:34.399
<v Speaker 1>the gate, uh separate the two. And sometimes you know what,

0:43:34.440 --> 0:43:36.279
<v Speaker 1>the public is gonna allow you to separate the two

0:43:36.360 --> 0:43:38.919
<v Speaker 1>because you would have like instance like this, like let's say,

0:43:38.960 --> 0:43:47.680
<v Speaker 1>for example, you have eight You just said James mother

0:43:48.160 --> 0:43:53.239
<v Speaker 1>McDonald for ship. Everybody keeps Mom James a brand and

0:43:53.640 --> 0:43:55.319
<v Speaker 1>who But I'm here to bed I'm here to beg

0:43:55.400 --> 0:43:59.200
<v Speaker 1>the different. I'm James McDonald was born James McDonald. Mom

0:43:59.280 --> 0:44:02.440
<v Speaker 1>James was a actor. Mom James, I played a role

0:44:02.480 --> 0:44:05.040
<v Speaker 1>in the neighborhood to be that guy. Ain't that guy

0:44:05.080 --> 0:44:07.880
<v Speaker 1>no more? Because I took myself about the neighborhood. So

0:44:07.920 --> 0:44:11.279
<v Speaker 1>when I why should I continue to be him? If

0:44:11.320 --> 0:44:13.719
<v Speaker 1>I continue to be Mom James, I glorified what I

0:44:13.760 --> 0:44:17.520
<v Speaker 1>did exactly and I can't quit. I'm not there no more.

0:44:17.840 --> 0:44:21.720
<v Speaker 1>So man, you said it, man, You people just people

0:44:21.800 --> 0:44:25.480
<v Speaker 1>just want. It's just sometimes people just don't want to

0:44:25.520 --> 0:44:29.399
<v Speaker 1>get over the fact that you can mature. It's like

0:44:29.480 --> 0:44:34.279
<v Speaker 1>people want to reminisce on on that character. And like

0:44:34.360 --> 0:44:36.560
<v Speaker 1>I said, I hear it every day. Why don't you

0:44:36.600 --> 0:44:39.719
<v Speaker 1>wrap like you did thirty years ago? I come, you

0:44:39.719 --> 0:44:43.120
<v Speaker 1>don't talk about the dry byes? And I'm like, dude,

0:44:43.760 --> 0:44:47.080
<v Speaker 1>I'm not on the block, no more selling crack. What

0:44:47.160 --> 0:44:50.279
<v Speaker 1>the dudes due in my pocket? Trying to you know

0:44:50.280 --> 0:44:53.440
<v Speaker 1>what I'm saying, like, I don't do that ship anymore?

0:44:53.680 --> 0:44:58.000
<v Speaker 1>What about this? The things we're doing the neighborhood. I'm

0:44:58.000 --> 0:45:00.520
<v Speaker 1>gonna just say on eight the things that they did

0:45:00.560 --> 0:45:04.000
<v Speaker 1>in the neighborhood and accomplishments that he made from Track. Now,

0:45:04.320 --> 0:45:06.480
<v Speaker 1>the little homies from Track now look up to you.

0:45:07.440 --> 0:45:09.880
<v Speaker 1>They don't look at John Wayne and see John Wayne

0:45:09.880 --> 0:45:12.719
<v Speaker 1>as the hero. They're looking at you as being a hero.

0:45:13.480 --> 0:45:16.399
<v Speaker 1>And in the coldest part about the little homies that

0:45:16.840 --> 0:45:21.200
<v Speaker 1>respect us, they don't understand the change, That's all it is.

0:45:21.280 --> 0:45:25.719
<v Speaker 1>They don't understand how can you change? You're supposed to be?

0:45:25.920 --> 0:45:28.480
<v Speaker 1>This is what I what I learned to love, to glorify.

0:45:29.600 --> 0:45:31.640
<v Speaker 1>And then and they don't think you're supposed to grow up.

0:45:31.960 --> 0:45:34.680
<v Speaker 1>But and then at the end of the day, we

0:45:34.760 --> 0:45:37.359
<v Speaker 1>all got to grow up. This man, we gotta grow

0:45:37.440 --> 0:45:39.319
<v Speaker 1>up and we gotta learn how to be man. But

0:45:39.560 --> 0:45:42.239
<v Speaker 1>the little homies and the people in the neighborhood look

0:45:42.280 --> 0:45:45.799
<v Speaker 1>at us as hero The only heroes they know, the

0:45:45.880 --> 0:45:49.600
<v Speaker 1>only real motherfucker's they see, the only fathers that they

0:45:49.640 --> 0:45:51.759
<v Speaker 1>can ever get close to, is the big Homies sitting

0:45:51.800 --> 0:45:53.839
<v Speaker 1>there on the curt would him on the break walk

0:45:53.920 --> 0:45:56.200
<v Speaker 1>telling them the homie, this is how you do this,

0:45:56.239 --> 0:45:58.839
<v Speaker 1>and this is how you do that. But they never

0:45:58.880 --> 0:46:02.920
<v Speaker 1>had that change. Me ask you this, and he mixed

0:46:02.920 --> 0:46:05.960
<v Speaker 1>it earlier that we all go back to this. The

0:46:06.040 --> 0:46:08.640
<v Speaker 1>Big Homie at one point literally took the place of

0:46:08.680 --> 0:46:12.280
<v Speaker 1>the father in the house old huh. Yeah, the homies

0:46:12.320 --> 0:46:16.719
<v Speaker 1>I took. And I can say this from the hood.

0:46:16.760 --> 0:46:20.719
<v Speaker 1>The homies took, not one specific that one individual. The

0:46:20.800 --> 0:46:25.719
<v Speaker 1>homies the hood took pops position. Yeah, you know what

0:46:25.800 --> 0:46:28.719
<v Speaker 1>I'm saying, because once Pops decided to move out of

0:46:28.719 --> 0:46:32.080
<v Speaker 1>the house, now we can do what the funk we

0:46:32.120 --> 0:46:34.120
<v Speaker 1>want to do, how we want to do it. Now

0:46:34.160 --> 0:46:35.920
<v Speaker 1>we can have the homies, and now we can do

0:46:36.000 --> 0:46:38.880
<v Speaker 1>this now that I ain't gotta be questioned or told

0:46:38.920 --> 0:46:41.919
<v Speaker 1>to come home. You know what I'm saying. So once

0:46:42.239 --> 0:46:45.080
<v Speaker 1>Pops was gone, this is the only motherfucker that you're

0:46:45.120 --> 0:46:49.279
<v Speaker 1>supposed to fear. It's Pops, nobody in the streets. But

0:46:49.360 --> 0:46:52.759
<v Speaker 1>once that was gone, these niggas are dude, this is

0:46:52.880 --> 0:46:55.600
<v Speaker 1>just easy right here. I can do the hood. I ain't.

0:46:55.760 --> 0:46:57.640
<v Speaker 1>I've never been a follower that because it's one thing

0:46:57.680 --> 0:47:01.040
<v Speaker 1>I've learned. I'm not gonna follow you just because I

0:47:01.080 --> 0:47:03.319
<v Speaker 1>don't hear that type of ship. We're gonna do it

0:47:03.360 --> 0:47:05.839
<v Speaker 1>this way. And if they don't want to do it

0:47:05.880 --> 0:47:07.560
<v Speaker 1>this way, I learned I know how to go my

0:47:07.640 --> 0:47:11.400
<v Speaker 1>way and do my thing. But without all of that, yeah,

0:47:11.440 --> 0:47:15.920
<v Speaker 1>man uh, the hood became family, especially for a lot

0:47:15.960 --> 0:47:19.360
<v Speaker 1>of young a lot of young brothers who fathers was

0:47:19.440 --> 0:47:21.600
<v Speaker 1>in in the house hall. I'm talking about being deep

0:47:21.600 --> 0:47:24.680
<v Speaker 1>in the hood. And and Mama say them boys ain't

0:47:24.719 --> 0:47:28.280
<v Speaker 1>your friends. And I can honestly say this, Mama's listed

0:47:28.280 --> 0:47:31.799
<v Speaker 1>in peace. And since all the way until the day

0:47:31.840 --> 0:47:35.400
<v Speaker 1>she died, I took care of her. And and because

0:47:35.440 --> 0:47:38.880
<v Speaker 1>I felt older, because I used to tell my mom

0:47:38.880 --> 0:47:42.120
<v Speaker 1>shut the funk up. These the homies get the funk

0:47:42.160 --> 0:47:44.839
<v Speaker 1>out of here. I mean, very disrespectful to my mother.

0:47:45.480 --> 0:47:48.120
<v Speaker 1>And it wasn't until I went to prison when a

0:47:48.239 --> 0:47:52.480
<v Speaker 1>man told me, when you know your mama everything, and

0:47:52.560 --> 0:47:55.560
<v Speaker 1>you're gonna learn to appreciate. If you don't appreciate now,

0:47:55.640 --> 0:47:58.799
<v Speaker 1>you're gonna appreciate one day. And I appreciate my mother

0:47:58.920 --> 0:48:01.279
<v Speaker 1>more than anything, Yeah, I ever did, since she's been

0:48:01.320 --> 0:48:07.360
<v Speaker 1>going real ship. So but I was just that ignorant

0:48:07.719 --> 0:48:11.040
<v Speaker 1>into believing that the homies had my back, that the

0:48:11.080 --> 0:48:14.000
<v Speaker 1>homies loved me, that the homies gonna make sure everything

0:48:14.160 --> 0:48:16.560
<v Speaker 1>is good. When I sucked up, They're gonna be there.

0:48:16.880 --> 0:48:19.359
<v Speaker 1>If I get kicked out the house, I'm a I'm

0:48:19.400 --> 0:48:22.160
<v Speaker 1>at the Homie house. I got somewhere to sleep. But

0:48:22.239 --> 0:48:24.600
<v Speaker 1>then at the end of the day, it just blew

0:48:24.640 --> 0:48:26.920
<v Speaker 1>me away when I found that that all of it

0:48:27.000 --> 0:48:30.359
<v Speaker 1>was just a fucking game. It was a joke. Yeah,

0:48:30.400 --> 0:48:34.120
<v Speaker 1>because like you said, when the father left, they put

0:48:34.160 --> 0:48:38.240
<v Speaker 1>their own spin and definition and rules, but didn't understand

0:48:38.280 --> 0:48:43.920
<v Speaker 1>that people that they was putting on, you know, they

0:48:44.000 --> 0:48:46.440
<v Speaker 1>wasn't built for that. They didn't think about the mental

0:48:46.520 --> 0:48:48.960
<v Speaker 1>state of mind. They didn't think about a spirit, that

0:48:49.000 --> 0:48:53.920
<v Speaker 1>there's a spirit in that body. And and when you uh,

0:48:54.640 --> 0:48:58.800
<v Speaker 1>putting your own spin on it, and it's it's cold custody.

0:48:58.920 --> 0:49:04.239
<v Speaker 1>See they caught between seeing glory and successive finances and

0:49:04.600 --> 0:49:08.120
<v Speaker 1>parties and a girl getting sicked on them or giving

0:49:08.160 --> 0:49:12.000
<v Speaker 1>them some some bread. You know, everything is not really

0:49:12.120 --> 0:49:16.799
<v Speaker 1>earned and understood with some sense of rules that that

0:49:17.040 --> 0:49:20.600
<v Speaker 1>that they can use for corporate America, Right you feel me?

0:49:20.680 --> 0:49:24.760
<v Speaker 1>So what happens when that mentality come to a dead

0:49:24.920 --> 0:49:27.200
<v Speaker 1>end and you try to sure this is I've been

0:49:27.239 --> 0:49:31.280
<v Speaker 1>seeing how they burned the streets to the to the sweets.

0:49:31.719 --> 0:49:36.279
<v Speaker 1>It started early on and uh like that's why I

0:49:36.320 --> 0:49:39.879
<v Speaker 1>was asking earlier about when the big homes that never

0:49:39.960 --> 0:49:43.680
<v Speaker 1>teach us when to turn it off and not it

0:49:43.840 --> 0:49:47.560
<v Speaker 1>being looked at, its being soft, like just don't belong

0:49:47.640 --> 0:49:50.920
<v Speaker 1>here because cripping and blood and it is not in

0:49:51.000 --> 0:49:54.040
<v Speaker 1>corporate America, but really it is. When you look at

0:49:54.320 --> 0:49:57.480
<v Speaker 1>the job description they gotta do. That's a lot of

0:49:57.560 --> 0:50:03.960
<v Speaker 1>them that crypton blood had good ass jobs at uh

0:50:04.000 --> 0:50:07.000
<v Speaker 1>something a lot of places, so they knew they had

0:50:07.040 --> 0:50:08.799
<v Speaker 1>to put a suit on. I've seen a few of

0:50:08.800 --> 0:50:11.799
<v Speaker 1>my g's come home with soups and ship on our

0:50:11.920 --> 0:50:15.960
<v Speaker 1>janitorial outfits on some ship. So it was it was.

0:50:16.080 --> 0:50:18.839
<v Speaker 1>It was confusing in the sense and some of it wasn't.

0:50:18.880 --> 0:50:22.359
<v Speaker 1>Some of it was like wow, uh looked at him

0:50:22.400 --> 0:50:25.160
<v Speaker 1>this way, but you didn't know he had a responsibility

0:50:25.200 --> 0:50:30.320
<v Speaker 1>outside that where he was still respected but not soft.

0:50:30.760 --> 0:50:33.279
<v Speaker 1>But he knew when to bring the the g G

0:50:33.560 --> 0:50:36.920
<v Speaker 1>hand to a certain situation. Because we've got a lot

0:50:36.920 --> 0:50:39.760
<v Speaker 1>of people in corporate America who don't have street skills,

0:50:40.239 --> 0:50:44.040
<v Speaker 1>reality skills, and know how to talk and learn how

0:50:44.040 --> 0:50:46.680
<v Speaker 1>to read body language, you know what I'm saying. So

0:50:46.760 --> 0:50:49.840
<v Speaker 1>that's why for me, I was really fortunate and blessed

0:50:49.840 --> 0:50:53.320
<v Speaker 1>to have some gs that wasn't demonic trying to pull

0:50:53.400 --> 0:50:56.480
<v Speaker 1>me in. But it was challenging a lot of times,

0:50:56.640 --> 0:51:02.239
<v Speaker 1>especially seeing certain homies get killed that love that it

0:51:02.360 --> 0:51:05.440
<v Speaker 1>was built like that and something that wasn't built like that.

0:51:05.680 --> 0:51:10.440
<v Speaker 1>You know how that the total package I'm I know

0:51:10.560 --> 0:51:12.400
<v Speaker 1>the streets, I know how to talk with this, I

0:51:12.440 --> 0:51:15.680
<v Speaker 1>know how to talk and then corporate American, I know

0:51:15.680 --> 0:51:17.960
<v Speaker 1>how to talk to you whomever it was in front

0:51:18.000 --> 0:51:19.920
<v Speaker 1>of me, and I know how to talk to the the

0:51:20.000 --> 0:51:23.279
<v Speaker 1>street ship. I know to talk to the package dog.

0:51:23.680 --> 0:51:25.919
<v Speaker 1>All right, Phyllis, let's pay some bills real quick. We'll

0:51:25.920 --> 0:51:32.760
<v Speaker 1>be right back. So when you talk about the artists

0:51:32.800 --> 0:51:37.600
<v Speaker 1>today and when we you know, I mean our gis

0:51:37.680 --> 0:51:41.840
<v Speaker 1>that built this ship, when they have to step away

0:51:41.920 --> 0:51:44.560
<v Speaker 1>because that's not what they get down is and the

0:51:44.640 --> 0:51:47.320
<v Speaker 1>benefits is not there and none of that. It's still

0:51:47.680 --> 0:51:51.000
<v Speaker 1>being looked at like, oh, you ain't sure your buster.

0:51:51.120 --> 0:51:53.399
<v Speaker 1>You just left us and you won't give us no

0:51:53.760 --> 0:51:57.440
<v Speaker 1>next level what it is. You know, it's because a

0:51:57.480 --> 0:52:02.440
<v Speaker 1>lot of the Gez did so much ship without turning

0:52:02.480 --> 0:52:05.960
<v Speaker 1>it around that by the time you do want to

0:52:06.000 --> 0:52:10.160
<v Speaker 1>say something that makes sense because you can see yourself

0:52:10.200 --> 0:52:14.680
<v Speaker 1>in them. They just just got a whole different outlook

0:52:14.719 --> 0:52:18.840
<v Speaker 1>on life and a mentals and spirit and perspective of

0:52:18.960 --> 0:52:22.560
<v Speaker 1>life is com bro so. But the thing is, I'm

0:52:22.680 --> 0:52:25.960
<v Speaker 1>understanding that I see eight everyone is here. They just

0:52:26.120 --> 0:52:28.000
<v Speaker 1>grab a few. You ain't gonna be able to get them.

0:52:28.040 --> 0:52:31.120
<v Speaker 1>All the ones who wanted to get them make a difference,

0:52:31.520 --> 0:52:33.360
<v Speaker 1>and that and and and the rest is gonna do

0:52:33.440 --> 0:52:35.360
<v Speaker 1>what it's gonna do, because that good book is the

0:52:35.400 --> 0:52:38.600
<v Speaker 1>same way. Everybody ain't going. Okay, I can honestly say

0:52:39.280 --> 0:52:41.879
<v Speaker 1>I'm trying like a mug to grab all the ones

0:52:42.040 --> 0:52:45.560
<v Speaker 1>I can and help all the ones I can, and

0:52:45.440 --> 0:52:48.959
<v Speaker 1>I tell you I've been doing it. Uh. I ain't

0:52:48.960 --> 0:52:50.560
<v Speaker 1>even want to bring that up. But I had a

0:52:50.640 --> 0:52:52.600
<v Speaker 1>cat that really felt like he didn't want to be

0:52:52.680 --> 0:52:56.840
<v Speaker 1>here no more. I had to call norm. I be

0:52:57.000 --> 0:52:59.959
<v Speaker 1>in the position I'm in and it's easy to talk

0:53:00.080 --> 0:53:04.120
<v Speaker 1>to somebody, but if I say something fun up down,

0:53:04.160 --> 0:53:08.239
<v Speaker 1>it's on a different level. And I talked to his well,

0:53:08.280 --> 0:53:11.560
<v Speaker 1>his uncle pray from me. Once his uncle said that

0:53:11.640 --> 0:53:15.279
<v Speaker 1>prayer from me. He blessed my words to come out

0:53:15.320 --> 0:53:17.799
<v Speaker 1>of my mouth for this man to receive it. That's

0:53:17.840 --> 0:53:22.640
<v Speaker 1>what I asked for, and it was good, and not

0:53:22.800 --> 0:53:25.560
<v Speaker 1>only him, but quite an other few. I had a

0:53:25.640 --> 0:53:28.640
<v Speaker 1>brother sent me a picture of his son with it

0:53:28.760 --> 0:53:32.240
<v Speaker 1>with a cap and he graduated. And he said, because

0:53:32.280 --> 0:53:35.400
<v Speaker 1>of you, my son graduated. And I didn't bury it

0:53:36.120 --> 0:53:40.239
<v Speaker 1>that I knew. I'm I'm doing good exactly. So just

0:53:40.280 --> 0:53:43.319
<v Speaker 1>like you said, we can't take everybody because everybody don't

0:53:43.320 --> 0:53:47.560
<v Speaker 1>want to go. And now they gotta a calling that's

0:53:48.480 --> 0:53:52.880
<v Speaker 1>beyond our control because of what they feel that's important

0:53:52.920 --> 0:53:55.520
<v Speaker 1>that they want to stand on. They married day day rules,

0:53:55.560 --> 0:53:58.759
<v Speaker 1>they go, they see something totally different. So all you

0:53:58.760 --> 0:54:04.360
<v Speaker 1>can do is, you know, be there for him but

0:54:04.520 --> 0:54:08.239
<v Speaker 1>don't totally alienate yourself from it, because so you'll be

0:54:08.280 --> 0:54:12.720
<v Speaker 1>surprised another over talking of you, James, you'll be surprised

0:54:13.560 --> 0:54:19.680
<v Speaker 1>what your your your influence or another period of time

0:54:19.719 --> 0:54:22.239
<v Speaker 1>in your life where you're gonna play something that you

0:54:22.280 --> 0:54:26.279
<v Speaker 1>can't even imagine or you really you know you have

0:54:26.520 --> 0:54:29.240
<v Speaker 1>something about yourself, but you never know you're gonna play

0:54:29.320 --> 0:54:32.360
<v Speaker 1>this role. So when you start to look at life

0:54:32.360 --> 0:54:35.239
<v Speaker 1>on a whole, another spectrum, a whole, another frequency, a whole,

0:54:35.239 --> 0:54:38.400
<v Speaker 1>another purpose than than than than what you've been doing,

0:54:39.080 --> 0:54:43.719
<v Speaker 1>that's amazing to see. Who are the faces one? This

0:54:45.239 --> 0:54:49.040
<v Speaker 1>miraculous thing happened? Was this miracle thing happened? I hadn't

0:54:49.080 --> 0:54:51.719
<v Speaker 1>been in. I hadn't been in some crazy things like

0:54:55.680 --> 0:55:00.080
<v Speaker 1>I should I say this? I was very instant a

0:55:00.120 --> 0:55:06.400
<v Speaker 1>mental and conveying the message for Mr Harris Harry y'all,

0:55:07.800 --> 0:55:10.440
<v Speaker 1>for me being who I am as a producer and

0:55:10.480 --> 0:55:12.439
<v Speaker 1>the man and the father and the husband. I never

0:55:12.480 --> 0:55:17.480
<v Speaker 1>thought that my input, in my tone of voice and

0:55:17.560 --> 0:55:22.760
<v Speaker 1>everything about me would help someone else take it serious

0:55:24.000 --> 0:55:26.720
<v Speaker 1>and do their part to make sure that this message

0:55:26.760 --> 0:55:29.520
<v Speaker 1>got you know, delivered, and and it had an effected

0:55:29.600 --> 0:55:32.839
<v Speaker 1>him coming home a man God is good all the time,

0:55:33.040 --> 0:55:34.520
<v Speaker 1>you know. And let me ask you this because we're

0:55:34.520 --> 0:55:38.040
<v Speaker 1>talking about help from people, right, Yes, you can answer

0:55:38.080 --> 0:55:40.520
<v Speaker 1>this to eight. You can answer this, James. You all

0:55:40.600 --> 0:55:42.440
<v Speaker 1>kind of feel it, you know, being people. Anytimes you

0:55:42.480 --> 0:55:46.200
<v Speaker 1>get in the public eye, how do you tell because

0:55:46.880 --> 0:55:48.960
<v Speaker 1>one thing about the homies, you could tell him yeah

0:55:49.040 --> 0:55:52.200
<v Speaker 1>fifty million times, but one time you say no, they

0:55:52.239 --> 0:55:55.160
<v Speaker 1>forget about the other fifty million times. When do you

0:55:55.200 --> 0:55:59.319
<v Speaker 1>eventually just say? When do you eventually cut it off?

0:56:00.320 --> 0:56:03.160
<v Speaker 1>You know, I think what it is when you for

0:56:03.280 --> 0:56:16.280
<v Speaker 1>me um, if you're support and your contribution to saying

0:56:16.320 --> 0:56:19.319
<v Speaker 1>something to him. I guess when they see it as

0:56:21.280 --> 0:56:26.840
<v Speaker 1>like Dracula, you know he can't stand the light. You

0:56:26.920 --> 0:56:30.920
<v Speaker 1>feel me. So when you see them like wanting to

0:56:30.960 --> 0:56:35.640
<v Speaker 1>be real dark and don't want to value you on

0:56:35.719 --> 0:56:37.799
<v Speaker 1>a whole another level where they're talking to you in

0:56:37.840 --> 0:56:42.600
<v Speaker 1>a very disrespectful way, you know what I'm saying, then, Dan,

0:56:42.760 --> 0:56:45.960
<v Speaker 1>then you just gotta just smile and go Okay, that's

0:56:45.960 --> 0:56:47.960
<v Speaker 1>where he that's where he had ain't gonna make you weak.

0:56:48.200 --> 0:56:50.920
<v Speaker 1>It's you know you're keen. You're a man if you

0:56:50.960 --> 0:56:53.480
<v Speaker 1>can really pay attention to knowing that you know what

0:56:54.480 --> 0:56:57.040
<v Speaker 1>even if he's disrespecting me and from the others that

0:56:57.160 --> 0:57:01.000
<v Speaker 1>respect me, I still know the difference without being looked

0:57:01.000 --> 0:57:04.719
<v Speaker 1>at as a wheenie, you know what I'm saying. So

0:57:05.040 --> 0:57:07.000
<v Speaker 1>I know I know how to walk away and just

0:57:07.120 --> 0:57:09.960
<v Speaker 1>smile about it and go on. But some people feel

0:57:10.000 --> 0:57:12.839
<v Speaker 1>like if they're in front of their peers and you're

0:57:12.880 --> 0:57:19.240
<v Speaker 1>trying to give someone something, you know, and the little

0:57:19.240 --> 0:57:21.120
<v Speaker 1>homie or whatever you know, act like you want to

0:57:21.120 --> 0:57:24.920
<v Speaker 1>get off on you because he don't feel nothing about you.

0:57:25.120 --> 0:57:27.480
<v Speaker 1>He just was for some reason to day you just

0:57:27.960 --> 0:57:30.680
<v Speaker 1>he was the strong that broke the camel's back, you

0:57:30.720 --> 0:57:32.520
<v Speaker 1>know what I'm saying, And you're in front of your

0:57:32.560 --> 0:57:37.040
<v Speaker 1>peers when this is happening. Sometimes you know, some guys

0:57:37.120 --> 0:57:41.000
<v Speaker 1>gotta just go there. But it really don't. It doesn't

0:57:41.040 --> 0:57:44.080
<v Speaker 1>answer the situation, you know what I'm saying. You know,

0:57:44.440 --> 0:57:47.400
<v Speaker 1>it's just I hope, I'm hope I'm getting to it.

0:57:47.480 --> 0:57:49.880
<v Speaker 1>You know, I just know when I've been in situations

0:57:49.920 --> 0:57:51.680
<v Speaker 1>like that, I just know, you know, when I see

0:57:51.680 --> 0:57:54.680
<v Speaker 1>it and it's overbearing and it's gonna take you, it's

0:57:54.720 --> 0:57:56.880
<v Speaker 1>about to take you out of character, and you feel like,

0:57:57.360 --> 0:58:00.720
<v Speaker 1>you know, you gotta just sit back and just small

0:58:00.840 --> 0:58:03.600
<v Speaker 1>sometimes when I smiled, because the first thing the motherfucker

0:58:03.600 --> 0:58:05.560
<v Speaker 1>gonna do is tell you if they really know you

0:58:05.640 --> 0:58:07.640
<v Speaker 1>and know the type of person you are, the first

0:58:07.640 --> 0:58:09.479
<v Speaker 1>thing you do was gonna tell you, man, don't trip

0:58:09.480 --> 0:58:12.440
<v Speaker 1>off that ship. Yeah, I mean, because if you are

0:58:12.480 --> 0:58:15.840
<v Speaker 1>that changed person that the motherfucker has seen, then no,

0:58:16.160 --> 0:58:19.640
<v Speaker 1>because if they know what you come from, they respect

0:58:19.680 --> 0:58:23.240
<v Speaker 1>you more for being that motherfucker. Go just smile and

0:58:23.280 --> 0:58:25.920
<v Speaker 1>be like you know something. It shows that you have

0:58:26.080 --> 0:58:29.120
<v Speaker 1>changed your character and not that motherfucker you give me

0:58:29.360 --> 0:58:31.760
<v Speaker 1>and a lot of maturity comes with that for deeper,

0:58:32.000 --> 0:58:37.080
<v Speaker 1>they respect you more. Hang around just taking my kind

0:58:37.120 --> 0:58:40.280
<v Speaker 1>of weakness. And I'm telling you all right down against chronics,

0:58:40.320 --> 0:58:42.560
<v Speaker 1>I ain't appreciating that ship. And I'm gonna slapping the

0:58:42.560 --> 0:58:44.800
<v Speaker 1>funk out of one of your motherfucker's that keep playing

0:58:44.840 --> 0:58:48.040
<v Speaker 1>with James funck Mom, James. I keep telling you all that,

0:58:48.560 --> 0:58:52.280
<v Speaker 1>but mess with James. James McDonald's gonna slap your ship out,

0:58:52.320 --> 0:58:54.840
<v Speaker 1>you ja. And you know I think that is when

0:58:54.840 --> 0:58:56.560
<v Speaker 1>I hear you reach out like that, you know what

0:58:56.560 --> 0:58:58.600
<v Speaker 1>I'm saying. I'm not going to just laugh and stay

0:58:58.720 --> 0:59:01.240
<v Speaker 1>to the sun like and say that's James. I think

0:59:01.480 --> 0:59:06.120
<v Speaker 1>for me, when I hear you speak like that, it's

0:59:06.120 --> 0:59:09.680
<v Speaker 1>just say just remove yourself, stay in the name that

0:59:09.760 --> 0:59:12.160
<v Speaker 1>you've been in. And because it don't matter if you've

0:59:12.200 --> 0:59:14.600
<v Speaker 1>got a good thing or a bad thing, they're still

0:59:14.600 --> 0:59:20.000
<v Speaker 1>gonna say fuck fuck James because we're seeing that well Park,

0:59:20.080 --> 0:59:23.640
<v Speaker 1>that's not here, Biggie or anyone who's been here, uh,

0:59:23.840 --> 0:59:29.480
<v Speaker 1>Nipsy the whole nine yards, you know. So it's like, um,

0:59:29.600 --> 0:59:31.919
<v Speaker 1>it's almost like giving them a sense you're giving them

0:59:32.000 --> 0:59:36.880
<v Speaker 1>power that it touches you that much and that words

0:59:37.040 --> 0:59:41.640
<v Speaker 1>can affect you, you know. Um, And I ain't gonna

0:59:41.680 --> 0:59:44.000
<v Speaker 1>say that's that makes you soft at all because it

0:59:44.040 --> 0:59:46.560
<v Speaker 1>touched you because see, really you have a heart and

0:59:46.680 --> 0:59:48.640
<v Speaker 1>you really just want them to look at the light

0:59:48.760 --> 0:59:50.600
<v Speaker 1>of what you didn't put out and what it and

0:59:50.760 --> 0:59:53.280
<v Speaker 1>and the benefits that can come with it. So for

0:59:53.400 --> 0:59:57.400
<v Speaker 1>those who is on the opposite, it is what it is.

0:59:57.440 --> 1:00:00.800
<v Speaker 1>It's like them showing you they left from their right. Okay, cool,

1:00:01.080 --> 1:00:03.320
<v Speaker 1>that's where you at. Good. I didn't have to spend

1:00:03.320 --> 1:00:05.000
<v Speaker 1>a lot of time with you to find out that's

1:00:05.000 --> 1:00:07.440
<v Speaker 1>where you're at, and that's that's what you want. Good Now,

1:00:07.520 --> 1:00:09.960
<v Speaker 1>I have the upp a hand and how to move

1:00:10.440 --> 1:00:14.120
<v Speaker 1>for my define order in life, like how you are today.

1:00:14.160 --> 1:00:16.280
<v Speaker 1>I didn't know what it takes for James, Big James

1:00:16.280 --> 1:00:19.560
<v Speaker 1>to get here. But whatever James did, he didn't value

1:00:19.600 --> 1:00:22.480
<v Speaker 1>the opposite. He didn't give him He didn't give light

1:00:22.880 --> 1:00:25.840
<v Speaker 1>life to it at all enough to get here. So

1:00:26.240 --> 1:00:28.840
<v Speaker 1>I salute you for whatever process you had to take

1:00:28.880 --> 1:00:31.520
<v Speaker 1>to get And that's the thing, man, you know what,

1:00:31.640 --> 1:00:34.400
<v Speaker 1>I look at it like this. I don't give my

1:00:34.440 --> 1:00:36.400
<v Speaker 1>emotions to somebody. I don't care about it. If you're

1:00:36.400 --> 1:00:38.640
<v Speaker 1>sitting up there telling me you know you feed me this,

1:00:38.800 --> 1:00:42.440
<v Speaker 1>I'm just go now. If me and this man have

1:00:42.520 --> 1:00:44.920
<v Speaker 1>a disagreement, that's go bother because he's a friend of U.

1:00:45.120 --> 1:00:47.840
<v Speaker 1>Yeah he me and let me have a disagreement and

1:00:47.920 --> 1:00:50.000
<v Speaker 1>you have a disagreement. If I'm in the wrong, I'm

1:00:50.000 --> 1:00:52.600
<v Speaker 1>gonna reach out and apologize about it because somebody that's

1:00:52.600 --> 1:00:54.720
<v Speaker 1>not edifying to me or whatever, it's like, good, I'm

1:00:54.760 --> 1:00:57.160
<v Speaker 1>glad you're shooting your heads now. That way, I don't

1:00:57.160 --> 1:00:59.040
<v Speaker 1>have to mess with you at all. I try to

1:00:59.320 --> 1:01:02.800
<v Speaker 1>show everybody that I am human and there's multiple size

1:01:02.880 --> 1:01:08.000
<v Speaker 1>to all of us. Regardless if I announced mym James H.

1:01:08.160 --> 1:01:11.360
<v Speaker 1>James McDonald still carries some of those traits that dude had.

1:01:11.960 --> 1:01:14.240
<v Speaker 1>You know what I'm saying, which is I can go

1:01:14.320 --> 1:01:17.160
<v Speaker 1>from zero to a huntred and be violent at any

1:01:17.160 --> 1:01:19.840
<v Speaker 1>time because that's something I learned in the hood, in

1:01:19.880 --> 1:01:22.880
<v Speaker 1>the streets. I know how to do that, so and

1:01:23.160 --> 1:01:25.360
<v Speaker 1>I can't throw that away. So that's one of the

1:01:26.600 --> 1:01:31.439
<v Speaker 1>that's very valuable to me. But just being on a

1:01:31.480 --> 1:01:35.840
<v Speaker 1>different level, you know, I thought people should would appreciate

1:01:35.880 --> 1:01:37.600
<v Speaker 1>the fact that I'm not there. I'm not in the

1:01:37.640 --> 1:01:41.640
<v Speaker 1>street being self destruction, self destructive, but I'm I'm sitting

1:01:41.840 --> 1:01:44.960
<v Speaker 1>at a table talking to men, you know, on some

1:01:45.080 --> 1:01:49.040
<v Speaker 1>productive ship, you know, teaching these young cats that we

1:01:49.080 --> 1:01:52.520
<v Speaker 1>don't have to be fools and stupid and ignorant. We

1:01:52.560 --> 1:01:56.439
<v Speaker 1>can We can grow up at fourteen. We can learn

1:01:56.440 --> 1:01:59.439
<v Speaker 1>the difference and know the difference at fourteen fifteen years old.

1:01:59.800 --> 1:02:02.240
<v Speaker 1>We don't have to wait and say if I knew

1:02:02.240 --> 1:02:04.320
<v Speaker 1>what I know now at the age of thirty five,

1:02:05.040 --> 1:02:08.480
<v Speaker 1>if I knew what I knew then at I would

1:02:08.480 --> 1:02:12.360
<v Speaker 1>have been a better person. That's funny that because see,

1:02:13.120 --> 1:02:17.160
<v Speaker 1>if you you we all know the demonstration is in

1:02:17.200 --> 1:02:19.800
<v Speaker 1>front of the world and then and it should be

1:02:19.920 --> 1:02:23.320
<v Speaker 1>enough to see the dudes and the dumps. But because

1:02:23.440 --> 1:02:28.080
<v Speaker 1>they doesn't they I guess they don't see enough for

1:02:28.120 --> 1:02:32.080
<v Speaker 1>them to want to be right and appreciate that that

1:02:32.200 --> 1:02:35.160
<v Speaker 1>they saw that they feel it's it's it's only pure

1:02:35.160 --> 1:02:37.960
<v Speaker 1>pressure if you're weak, that's what I'm looking I'm looking

1:02:38.000 --> 1:02:40.680
<v Speaker 1>at it. It's only pure pressure when you don't really

1:02:40.720 --> 1:02:44.920
<v Speaker 1>want to value anything that's gonna take you and yours

1:02:44.960 --> 1:02:48.600
<v Speaker 1>to that next level. So and we've seen that before us.

1:02:48.600 --> 1:02:50.360
<v Speaker 1>It's a choice at the end of the day and

1:02:50.440 --> 1:02:54.520
<v Speaker 1>the beginning of the day, that's where you're at. That's cool. Uh.

1:02:54.560 --> 1:02:56.520
<v Speaker 1>If I come and see you, I see you, but

1:02:56.600 --> 1:02:59.120
<v Speaker 1>don't be mad if I'm not there. But then I

1:02:59.320 --> 1:03:01.440
<v Speaker 1>learned not even tell them that because they're gonna do

1:03:01.480 --> 1:03:04.280
<v Speaker 1>what whatever they want to do regardless. But my thing

1:03:04.360 --> 1:03:07.080
<v Speaker 1>is just learning not to put myself in the situation

1:03:07.080 --> 1:03:10.280
<v Speaker 1>where I have to be approached. You know, if I

1:03:10.320 --> 1:03:14.080
<v Speaker 1>don't want that serenity and peace, I know where not

1:03:14.160 --> 1:03:18.040
<v Speaker 1>to be. And sometimes it's just hard because when you

1:03:18.120 --> 1:03:20.880
<v Speaker 1>come from a place where you love you, it's almost

1:03:20.880 --> 1:03:24.880
<v Speaker 1>like you you become a fucking uh tourist. Now you're

1:03:24.880 --> 1:03:29.479
<v Speaker 1>going to visit where you used to be and and damn,

1:03:29.560 --> 1:03:32.640
<v Speaker 1>I'm motherfucker that's gotta say something about it. But I'm

1:03:32.720 --> 1:03:35.240
<v Speaker 1>learning a lot. Just let it be. If there's nothing

1:03:35.280 --> 1:03:37.320
<v Speaker 1>there and your mom ain't there, you're unto, your brother

1:03:37.320 --> 1:03:41.200
<v Speaker 1>ain't there, don't go. Don't let it be, because you

1:03:41.680 --> 1:03:44.920
<v Speaker 1>the mink should inherit the earth. It's can't be just

1:03:45.520 --> 1:03:48.320
<v Speaker 1>the block of tract. Knew where I started at. If

1:03:48.360 --> 1:03:52.040
<v Speaker 1>I got a passport, if I got folks who I know,

1:03:52.120 --> 1:03:56.680
<v Speaker 1>they got property and in a different life oversees him.

1:03:56.920 --> 1:04:00.640
<v Speaker 1>How is my only uh purpose? It's it's just to

1:04:00.760 --> 1:04:05.600
<v Speaker 1>be right here, right it's crew. Yes, that's being a

1:04:05.640 --> 1:04:09.400
<v Speaker 1>grown man because there's no benefits. We don't know a

1:04:09.400 --> 1:04:11.840
<v Speaker 1>lot of people who are really winning. Yeah, this is

1:04:11.840 --> 1:04:14.440
<v Speaker 1>our in the city where we come from, where people

1:04:14.520 --> 1:04:18.480
<v Speaker 1>really have to understand the other agenda at him, politics,

1:04:18.760 --> 1:04:22.880
<v Speaker 1>everything they want us out, okay, well the ones they

1:04:22.880 --> 1:04:25.400
<v Speaker 1>want to be here and you want to buy up

1:04:25.400 --> 1:04:28.520
<v Speaker 1>the block. It's a certain thing that has to go on,

1:04:28.600 --> 1:04:31.479
<v Speaker 1>and you have to really know yourself and you really

1:04:31.520 --> 1:04:34.320
<v Speaker 1>got to know the people that's in your community and

1:04:34.400 --> 1:04:38.880
<v Speaker 1>really try to help provide something where they are really

1:04:38.960 --> 1:04:42.720
<v Speaker 1>strong mentally, physically, the whole nine yards, so they can

1:04:42.880 --> 1:04:46.680
<v Speaker 1>maintain if we're conceiving kids and bringing them into the earth.

1:04:47.360 --> 1:04:50.560
<v Speaker 1>I don't know, minds all the minds. They love where

1:04:50.560 --> 1:04:52.960
<v Speaker 1>they come from, but they want to get out exactly.

1:04:53.400 --> 1:04:56.600
<v Speaker 1>I love the fact that I've seen that them, you

1:04:56.600 --> 1:04:58.920
<v Speaker 1>know that in them when they turn into television on

1:04:59.000 --> 1:05:02.480
<v Speaker 1>looking at geographic channels, looking at mechanics and the other

1:05:02.520 --> 1:05:06.280
<v Speaker 1>different ships that these networks provided, and then seeing that damn, oh,

1:05:06.360 --> 1:05:09.320
<v Speaker 1>that's just what they they they they they they passion

1:05:09.480 --> 1:05:12.400
<v Speaker 1>is what ship. If this music ship don't go all

1:05:12.440 --> 1:05:14.080
<v Speaker 1>the way, then I'm for to take the best of

1:05:14.120 --> 1:05:16.440
<v Speaker 1>what I do got and put that in there them

1:05:16.520 --> 1:05:20.120
<v Speaker 1>and just live with them and live through them. I'm

1:05:20.120 --> 1:05:22.640
<v Speaker 1>gonna do that then, And that's why my adults who

1:05:23.440 --> 1:05:26.360
<v Speaker 1>step outside the box, you know you no Snoop is

1:05:26.400 --> 1:05:29.080
<v Speaker 1>one of them. I mean I see him creating jobs

1:05:29.080 --> 1:05:33.480
<v Speaker 1>and opportunities from different walks of life. Um. Only only

1:05:33.560 --> 1:05:36.360
<v Speaker 1>I have to say the entertainment aspect of who these

1:05:36.400 --> 1:05:38.400
<v Speaker 1>people are, it is because I hadn't seen them with

1:05:38.440 --> 1:05:41.120
<v Speaker 1>my own eyes, not because I'm friends with them. It's

1:05:41.160 --> 1:05:45.880
<v Speaker 1>just the stuff that come across my radar without even asking,

1:05:46.080 --> 1:05:48.880
<v Speaker 1>and I'm gonna tell you what Snoop man. No, you

1:05:48.920 --> 1:05:51.160
<v Speaker 1>can't come up to Snoop on those Snoop Dogs ship

1:05:51.360 --> 1:05:53.800
<v Speaker 1>or eight on the m C eight ship when they're

1:05:53.880 --> 1:05:56.720
<v Speaker 1>doing the football field with them kids. You're wrong to

1:05:56.760 --> 1:05:59.800
<v Speaker 1>get rolled about that. Motherfucker'xactly that this is this is

1:06:00.040 --> 1:06:02.120
<v Speaker 1>says a man that non this, this is what I'm

1:06:02.160 --> 1:06:05.840
<v Speaker 1>talking about, Jams. Now we're seeing like the platform that

1:06:05.920 --> 1:06:09.040
<v Speaker 1>you have right here. I never heard and never seen

1:06:09.080 --> 1:06:13.400
<v Speaker 1>your voice until the day that that You've decided to

1:06:13.440 --> 1:06:19.160
<v Speaker 1>bring Chames to this platform. It was very very intriguing

1:06:19.680 --> 1:06:25.600
<v Speaker 1>to hear. Jeez from that perspective, right A wrong because

1:06:25.640 --> 1:06:29.120
<v Speaker 1>you hear so much talk. I don't hear no one

1:06:29.280 --> 1:06:33.280
<v Speaker 1>trying to challenge you and say that these things it's

1:06:33.320 --> 1:06:37.200
<v Speaker 1>not solid and not real. I And then it goes

1:06:37.280 --> 1:06:41.160
<v Speaker 1>hand in hand. If your lifestyle, meaning the fruits of

1:06:41.200 --> 1:06:44.560
<v Speaker 1>your labor, is solid and consistent and you're bearing the

1:06:44.600 --> 1:06:47.560
<v Speaker 1>fruits of what you putting into it, now, who in

1:06:47.600 --> 1:06:50.600
<v Speaker 1>the hill is going to doubt that? Now? They don't

1:06:50.640 --> 1:06:53.320
<v Speaker 1>have no weight, you know what I'm saying. So that's

1:06:53.360 --> 1:06:57.240
<v Speaker 1>another thing that made me respect, you know, against the chronicles.

1:06:58.000 --> 1:07:00.600
<v Speaker 1>You know what I'm saying because it's hero is that

1:07:00.600 --> 1:07:04.840
<v Speaker 1>that are gainst us that's been killers, that's been murderous.

1:07:05.320 --> 1:07:10.919
<v Speaker 1>You know what I'm saying, Because I don't condone all

1:07:11.040 --> 1:07:15.080
<v Speaker 1>is the circumstances of it. But it's just amazing because

1:07:15.080 --> 1:07:18.200
<v Speaker 1>when you look at that good book and it's it's

1:07:18.360 --> 1:07:21.560
<v Speaker 1>killing and has been some kind of way rewarded. You

1:07:21.600 --> 1:07:24.440
<v Speaker 1>know what I'm saying, When you're doing it for righteousness,

1:07:25.400 --> 1:07:27.959
<v Speaker 1>you know what I'm saying. So it's not to be glorified.

1:07:28.080 --> 1:07:31.160
<v Speaker 1>But you know, just like when we we when we

1:07:31.240 --> 1:07:35.959
<v Speaker 1>watched certain Italians and they got a bad blood that's

1:07:36.000 --> 1:07:39.200
<v Speaker 1>sucking up the organization and the structure of how it is.

1:07:39.240 --> 1:07:41.720
<v Speaker 1>And then they gotta go grab one of the members

1:07:41.800 --> 1:07:44.160
<v Speaker 1>and send him off and knock him off. You know,

1:07:44.240 --> 1:07:49.760
<v Speaker 1>we kind of embrace that, but it got took him

1:07:49.840 --> 1:07:52.720
<v Speaker 1>the wrong way. It's another way where they can live

1:07:52.760 --> 1:07:55.400
<v Speaker 1>where it's like it's like if we could use that

1:07:55.520 --> 1:07:59.960
<v Speaker 1>power that's so hard and so dark and and dominic demanded,

1:08:00.520 --> 1:08:02.840
<v Speaker 1>and and and and and say, nigga, you're going to

1:08:02.880 --> 1:08:06.360
<v Speaker 1>school today, Nigga you for to learn something? Are you

1:08:06.360 --> 1:08:09.280
<v Speaker 1>for the get beat the funk up? I never had,

1:08:09.600 --> 1:08:12.720
<v Speaker 1>I never seen enough of that perspective, like taking that

1:08:12.920 --> 1:08:16.080
<v Speaker 1>power and saying no, nigga, nigga, you're gonna dress right

1:08:16.120 --> 1:08:18.120
<v Speaker 1>to that nigga or you can't even be from the

1:08:18.200 --> 1:08:23.320
<v Speaker 1>set everything that we did, yes, and now now we're

1:08:23.320 --> 1:08:27.599
<v Speaker 1>talking about some some gritty ship. Now we could do that.

1:08:27.680 --> 1:08:29.320
<v Speaker 1>We could do that. We if we want to bring

1:08:29.360 --> 1:08:32.599
<v Speaker 1>the upper excellence of our hood that we love so much.

1:08:34.479 --> 1:08:36.960
<v Speaker 1>What you know, how what goes with that? You know

1:08:37.080 --> 1:08:39.120
<v Speaker 1>you're gonna be it's gonna be some rebellion us and

1:08:39.160 --> 1:08:42.559
<v Speaker 1>it's gonna be possibly some darkness and something if you'll

1:08:42.600 --> 1:08:44.559
<v Speaker 1>tell you something happy. What are you seeing is powerful

1:08:44.600 --> 1:08:47.640
<v Speaker 1>because what we're doing right here, we ain't supposed to

1:08:47.640 --> 1:08:50.080
<v Speaker 1>be popular. You know what's supposed to be properly, We're

1:08:50.080 --> 1:08:53.800
<v Speaker 1>supposed to be on here this and something some nine

1:08:53.880 --> 1:08:57.080
<v Speaker 1>times bigger than you know what I'm saying, biggest we

1:08:57.080 --> 1:08:59.600
<v Speaker 1>we kind of have the amount of people listening to

1:08:59.640 --> 1:09:02.080
<v Speaker 1>this show wherevery we that we have is actually amazing.

1:09:02.120 --> 1:09:04.120
<v Speaker 1>It shows that people still want to hear real ship.

1:09:04.200 --> 1:09:07.519
<v Speaker 1>Because my thing is this, I have brothers sometimes in

1:09:07.640 --> 1:09:10.080
<v Speaker 1>box met oh man, I know this about such a sex.

1:09:11.360 --> 1:09:13.439
<v Speaker 1>I know this about sex because we're not here to

1:09:13.680 --> 1:09:16.760
<v Speaker 1>put down no other person. Yeah we're not here just

1:09:16.800 --> 1:09:21.080
<v Speaker 1>like what America is doing. But we just one of them.

1:09:21.120 --> 1:09:23.320
<v Speaker 1>We couldn't then, we couldn't say ship. We better not

1:09:23.439 --> 1:09:30.879
<v Speaker 1>have it in our mothers our thing is the uplift

1:09:30.960 --> 1:09:33.240
<v Speaker 1>ningggers who have been through struggle and who have been

1:09:33.240 --> 1:09:38.439
<v Speaker 1>through those those transitions of changing themselves, like like James saying,

1:09:38.479 --> 1:09:42.559
<v Speaker 1>I'm not mile, James, don't warm James McDonald. So respect

1:09:42.680 --> 1:09:45.280
<v Speaker 1>that transition of who I am Now. You just think

1:09:45.320 --> 1:09:50.320
<v Speaker 1>about the last time Snoop seen this man. He was

1:09:50.360 --> 1:09:52.960
<v Speaker 1>at the trial with him. So just imagining that transition

1:09:53.000 --> 1:09:54.840
<v Speaker 1>that somebody would have came in both of their ears

1:09:54.840 --> 1:09:58.439
<v Speaker 1>back then and say, hey man, Snoop James Mark James,

1:09:58.479 --> 1:10:00.439
<v Speaker 1>we have a podcast. One day He'd I'm like, what

1:10:00.520 --> 1:10:03.720
<v Speaker 1>the hell not that you know what I'm saying. Just

1:10:03.720 --> 1:10:06.840
<v Speaker 1>think And you would have told Snoop back then, hey man,

1:10:06.880 --> 1:10:09.639
<v Speaker 1>you can be the biggest rapper, the most recognized rapper

1:10:09.680 --> 1:10:11.880
<v Speaker 1>in the world. One day they both have been like,

1:10:13.880 --> 1:10:16.240
<v Speaker 1>don't do something. Look at it though, mask the way

1:10:16.240 --> 1:10:19.320
<v Speaker 1>the universe work In's funny that you said. And and

1:10:19.479 --> 1:10:21.479
<v Speaker 1>a lot of people have a lot of complaints about

1:10:21.600 --> 1:10:25.080
<v Speaker 1>why artists are magnified and big like they are or whatever.

1:10:25.800 --> 1:10:29.479
<v Speaker 1>It's only temporarily. But one thing I do admire about them,

1:10:30.080 --> 1:10:33.439
<v Speaker 1>they believe in themselves. Even if the ship is off

1:10:34.360 --> 1:10:37.280
<v Speaker 1>and it will make a lot of sense, it's still

1:10:37.360 --> 1:10:42.040
<v Speaker 1>the word integrity, integrity, it's still trust, it's still confidence,

1:10:42.080 --> 1:10:45.760
<v Speaker 1>it's still something. They turned that into something. Now the

1:10:45.840 --> 1:10:49.240
<v Speaker 1>content it's another thing. Like I was remember what Dre

1:10:49.439 --> 1:10:52.000
<v Speaker 1>was saying, like, look, I get it what the content is.

1:10:52.160 --> 1:10:54.640
<v Speaker 1>That's because he lived it two this and't bit just

1:10:54.800 --> 1:10:57.800
<v Speaker 1>orgies the whole nine yards. He didn't done it already,

1:10:57.840 --> 1:11:02.639
<v Speaker 1>but he wants some ship with some substance. And to him,

1:11:02.760 --> 1:11:06.600
<v Speaker 1>that's what longevity is. Because we really ain't doing a

1:11:06.680 --> 1:11:10.840
<v Speaker 1>service to the people we say we preach. We if

1:11:10.920 --> 1:11:13.000
<v Speaker 1>you say you grew up on the al Greens and

1:11:13.040 --> 1:11:15.519
<v Speaker 1>the Curtis Man and the Dotty half the Ways and

1:11:16.960 --> 1:11:19.719
<v Speaker 1>or even the Parliament, I mean, listen, even with the phone,

1:11:20.200 --> 1:11:22.719
<v Speaker 1>at least Roger was saying on so rugh, so tough,

1:11:22.800 --> 1:11:26.160
<v Speaker 1>don't worry about your troubles, just get on down. So

1:11:26.280 --> 1:11:29.240
<v Speaker 1>it's always been a message with the phone. That's why

1:11:29.560 --> 1:11:32.400
<v Speaker 1>I gravitated to the phone. They wasn't talking about no

1:11:32.520 --> 1:11:35.320
<v Speaker 1>genocide and fucking their own home me up and taking

1:11:35.320 --> 1:11:38.599
<v Speaker 1>their own bitches or wives and cousins and nieces and daughters.

1:11:38.640 --> 1:11:42.000
<v Speaker 1>They weren't doing that with the music, so I know

1:11:42.080 --> 1:11:45.400
<v Speaker 1>they had so many challenges and like, damn, letok listen

1:11:45.400 --> 1:11:49.960
<v Speaker 1>to this content. But then we need the money, you know.

1:11:50.240 --> 1:11:53.479
<v Speaker 1>I'm pretty sure Legends has been in those those kind

1:11:53.479 --> 1:11:57.000
<v Speaker 1>of scenarios and had to allow it to go. But

1:11:57.160 --> 1:12:01.160
<v Speaker 1>the ones that didn't clear it, I understand. It's because

1:12:01.200 --> 1:12:03.519
<v Speaker 1>if you're gonna do us as this is our skin,

1:12:03.640 --> 1:12:07.479
<v Speaker 1>this is us So why are we gonna depreciate all

1:12:07.560 --> 1:12:11.360
<v Speaker 1>this great message and music that they did? So once

1:12:11.400 --> 1:12:14.320
<v Speaker 1>you changed to perspective, that's like when when you did

1:12:14.360 --> 1:12:16.639
<v Speaker 1>Growing Up in the Hood over more Box of the Ounds,

1:12:16.640 --> 1:12:21.840
<v Speaker 1>it was, man, we loved it. Everything that you blong

1:12:21.960 --> 1:12:25.160
<v Speaker 1>to the table. Y'all you did was give us a

1:12:25.200 --> 1:12:30.640
<v Speaker 1>perspective from Compton, how women can be, our niggers can be.

1:12:32.240 --> 1:12:36.160
<v Speaker 1>What was challenging and how you got through it. That's

1:12:36.200 --> 1:12:38.840
<v Speaker 1>why I don't like to hear a song where it's

1:12:38.880 --> 1:12:42.120
<v Speaker 1>the first and second third verse. It's like, can we

1:12:42.200 --> 1:12:44.639
<v Speaker 1>get a song where if you if you come from

1:12:44.640 --> 1:12:48.640
<v Speaker 1>a dark place, speak on it now? What was the

1:12:48.640 --> 1:12:52.240
<v Speaker 1>the changing point? That could be the second verse? Okay,

1:12:52.240 --> 1:12:56.320
<v Speaker 1>the third versus another perspective you got, So you don't

1:12:56.320 --> 1:13:00.280
<v Speaker 1>have to continue where you was on the first verse.

1:13:00.479 --> 1:13:02.120
<v Speaker 1>That's what we gotta do it now. Don't do a

1:13:02.160 --> 1:13:07.160
<v Speaker 1>whole song where you just this nigga did me wrong

1:13:07.320 --> 1:13:09.920
<v Speaker 1>and I sucked him over, and this and this and

1:13:09.920 --> 1:13:12.479
<v Speaker 1>that he got to me. You okay, you let your

1:13:12.479 --> 1:13:15.400
<v Speaker 1>guards down? Can you take accountability? Can you say in

1:13:15.479 --> 1:13:19.880
<v Speaker 1>that verse that I understand now why that energy was

1:13:19.960 --> 1:13:23.240
<v Speaker 1>in my circle because I allowed it. My perspective of

1:13:23.400 --> 1:13:27.519
<v Speaker 1>perception about it was was was cloudy. I put my

1:13:27.560 --> 1:13:31.439
<v Speaker 1>own spin on what I thought this relationship was. Yeah,

1:13:31.479 --> 1:13:34.360
<v Speaker 1>he gave me the body language like he was with

1:13:34.520 --> 1:13:37.400
<v Speaker 1>it and he understood me, and then we departed from

1:13:37.400 --> 1:13:39.760
<v Speaker 1>each other. But really he didn't look at it like

1:13:39.800 --> 1:13:42.800
<v Speaker 1>I did. He just got alone to get alone. But

1:13:42.880 --> 1:13:46.040
<v Speaker 1>really he had a hit and agenda. So what is

1:13:46.080 --> 1:13:50.640
<v Speaker 1>that call? You know? And what those those titles you got, conrads,

1:13:50.680 --> 1:13:54.920
<v Speaker 1>you got, uh, you got uh you know, uh, all

1:13:54.960 --> 1:13:59.840
<v Speaker 1>those different titles A confidant, you know, you know, it

1:14:00.200 --> 1:14:02.040
<v Speaker 1>really makes you want to pick up a book and

1:14:02.080 --> 1:14:04.439
<v Speaker 1>go back and look at the true definition of what

1:14:04.520 --> 1:14:07.640
<v Speaker 1>the words is, so you can understand, you can understand

1:14:08.000 --> 1:14:11.080
<v Speaker 1>the body language when you see it without putting your

1:14:11.120 --> 1:14:14.120
<v Speaker 1>emotions all the time on the front line with things.

1:14:14.240 --> 1:14:16.600
<v Speaker 1>But if we're gonna go on our own understanding and

1:14:16.640 --> 1:14:20.800
<v Speaker 1>putting definitions into words that don't really mean anything, then

1:14:20.880 --> 1:14:23.719
<v Speaker 1>you can't be mad at the person on the other

1:14:23.960 --> 1:14:27.320
<v Speaker 1>end that is gonna, you know, not really get where

1:14:27.360 --> 1:14:30.840
<v Speaker 1>you're coming from, because you really the access has got

1:14:30.840 --> 1:14:33.240
<v Speaker 1>to show that they really can can appreciate and they

1:14:33.280 --> 1:14:37.479
<v Speaker 1>understood where you was coming from. Hold that thought, brother,

1:14:37.560 --> 1:14:43.120
<v Speaker 1>We'll be right back, And I got one question, one

1:14:43.160 --> 1:14:46.160
<v Speaker 1>more question for you, bro, And I appreciate you being here.

1:14:46.320 --> 1:14:49.639
<v Speaker 1>It's long. You've been working with Dr Drake for over

1:14:49.680 --> 1:14:53.760
<v Speaker 1>twenty five years, right, that's personally and profession personally, professionally, right,

1:14:54.520 --> 1:14:56.640
<v Speaker 1>what is it about him? I know what it is.

1:14:56.680 --> 1:14:58.320
<v Speaker 1>I got an idea what it is. But what did

1:14:58.320 --> 1:15:02.320
<v Speaker 1>you think about him? It makes him so special? The

1:15:02.560 --> 1:15:06.320
<v Speaker 1>upper extra. I would take the special outum, even though

1:15:06.360 --> 1:15:09.400
<v Speaker 1>I looked at the definition of what it is. I

1:15:09.439 --> 1:15:11.920
<v Speaker 1>think the special part though, if I had to keep

1:15:11.920 --> 1:15:15.000
<v Speaker 1>it in there, knowing what the definition is is when

1:15:15.160 --> 1:15:22.240
<v Speaker 1>he's not thinking for self and he's uh, unpredictable and

1:15:22.320 --> 1:15:26.920
<v Speaker 1>how he wants to give with no intentions. That's the

1:15:27.000 --> 1:15:35.080
<v Speaker 1>special part. Then the other part is he's not I

1:15:35.160 --> 1:15:39.840
<v Speaker 1>wasn't raised with him, so I have to have an

1:15:39.840 --> 1:15:43.639
<v Speaker 1>open mind every time I come across him, and it's

1:15:43.720 --> 1:15:47.600
<v Speaker 1>always positive energy. I think, what it is? What what

1:15:47.760 --> 1:15:51.880
<v Speaker 1>my bro is? If you bring something to the table

1:15:53.360 --> 1:15:56.800
<v Speaker 1>and you put it in you put it in that

1:15:56.880 --> 1:16:01.200
<v Speaker 1>circle into a conversation, you really have to be about it,

1:16:02.240 --> 1:16:06.599
<v Speaker 1>know about it, and bring the history of how relevant

1:16:06.640 --> 1:16:11.160
<v Speaker 1>and powerful it is that you're putting meaning information in

1:16:11.240 --> 1:16:14.360
<v Speaker 1>his in his presence, because if you're saying some ship

1:16:14.920 --> 1:16:18.680
<v Speaker 1>that can't stand the test of time, let alone for

1:16:18.760 --> 1:16:21.720
<v Speaker 1>yourself and it's nothing, it's you know, how could you

1:16:23.439 --> 1:16:27.960
<v Speaker 1>put this into his his presence? Like it holds value?

1:16:28.600 --> 1:16:31.679
<v Speaker 1>You know, So know what you're saying and and live

1:16:31.840 --> 1:16:35.920
<v Speaker 1>what you you know what you know you know, and

1:16:36.000 --> 1:16:44.880
<v Speaker 1>so if you don't, then he's not really enthused. Yeah. Yeah,

1:16:45.439 --> 1:16:47.320
<v Speaker 1>that's why you get a little ghetto boy because he

1:16:47.400 --> 1:16:50.640
<v Speaker 1>was so detailed and so descriptive with it. It's like

1:16:50.640 --> 1:16:52.200
<v Speaker 1>you watch the movie when you listen to some of

1:16:52.280 --> 1:16:57.680
<v Speaker 1>them songs, listen I admire the fact that you know

1:16:57.760 --> 1:17:01.360
<v Speaker 1>your ego and pride can act like I'm with this

1:17:01.600 --> 1:17:05.400
<v Speaker 1>that I don't come from. But once you recognize that

1:17:05.439 --> 1:17:07.559
<v Speaker 1>it's not your cup of tea and that's really not

1:17:07.640 --> 1:17:11.640
<v Speaker 1>how you made up and now you're tired of manifesting

1:17:11.680 --> 1:17:16.000
<v Speaker 1>that personality or vibal whatnot. You know, when you don't

1:17:16.640 --> 1:17:19.600
<v Speaker 1>uh find when you don't find a way, you know,

1:17:19.640 --> 1:17:21.920
<v Speaker 1>I guess with dre like I don't, I'm not he

1:17:21.920 --> 1:17:24.519
<v Speaker 1>He's not going to do a lot of explaining why

1:17:24.560 --> 1:17:27.639
<v Speaker 1>this and why that and why this unless it's something

1:17:27.680 --> 1:17:30.640
<v Speaker 1>about you where he would bring something special to the

1:17:30.680 --> 1:17:34.720
<v Speaker 1>table or something personal from the table, or you know,

1:17:34.760 --> 1:17:38.760
<v Speaker 1>from his perspective, where cat this and this and this

1:17:38.800 --> 1:17:41.280
<v Speaker 1>and this happened And this is why I was inspired,

1:17:41.760 --> 1:17:45.360
<v Speaker 1>This is why I did this. I get those gems

1:17:45.400 --> 1:17:48.440
<v Speaker 1>every once in a while without having a long conversation.

1:17:48.520 --> 1:17:52.080
<v Speaker 1>It's just the right energy and the right situation. Would

1:17:52.120 --> 1:17:54.040
<v Speaker 1>you be surprised how it's going to come out? And

1:17:54.080 --> 1:17:57.519
<v Speaker 1>if he feels in his heart that you trustworthy, I think,

1:17:57.520 --> 1:18:00.360
<v Speaker 1>because you know he's in his own lane. But you know,

1:18:00.960 --> 1:18:02.559
<v Speaker 1>you know how it is like I don't see eight

1:18:02.560 --> 1:18:04.280
<v Speaker 1>all the time. I don't see James all the time.

1:18:04.560 --> 1:18:07.519
<v Speaker 1>But whatever you're doing to not be on the funk

1:18:07.600 --> 1:18:13.599
<v Speaker 1>up radar says a lot about how I could confining

1:18:13.160 --> 1:18:17.800
<v Speaker 1>you and give you a jeweler two. And that's that's

1:18:17.880 --> 1:18:19.920
<v Speaker 1>that's kind of like what I see with him right now.

1:18:19.960 --> 1:18:24.120
<v Speaker 1>He just he's still fine tuning him. That's because you're successful.

1:18:24.160 --> 1:18:27.200
<v Speaker 1>Don't mean you still are you through with learning all

1:18:27.240 --> 1:18:29.280
<v Speaker 1>you threw We're going through ship, And he was. He

1:18:29.360 --> 1:18:32.599
<v Speaker 1>was smart enough to walk away from certain things in

1:18:32.640 --> 1:18:35.920
<v Speaker 1>his life. Like you said, he knew wasn't right. He

1:18:36.920 --> 1:18:40.040
<v Speaker 1>got to that point where he had to think about

1:18:41.400 --> 1:18:45.680
<v Speaker 1>at the beginning, it is all good because this this, this,

1:18:45.680 --> 1:18:49.800
<v Speaker 1>this platform, this just print out that you put in

1:18:49.840 --> 1:18:52.920
<v Speaker 1>front of me sound like we've been making. We're there.

1:18:53.840 --> 1:18:57.280
<v Speaker 1>So you drew out the right ship. But then at

1:18:57.320 --> 1:18:59.400
<v Speaker 1>the end of the day, when I see your true colors,

1:18:59.439 --> 1:19:02.280
<v Speaker 1>I see what ship is. Damn it's just really for me,

1:19:03.240 --> 1:19:05.680
<v Speaker 1>it's just kind of ship I want to be. I'm

1:19:05.720 --> 1:19:08.640
<v Speaker 1>going down with you, goddamn ship. I don't want to

1:19:08.680 --> 1:19:11.840
<v Speaker 1>be a part of this ship. And and because he

1:19:11.960 --> 1:19:14.559
<v Speaker 1>wanted to be a human being without saying that the ego,

1:19:14.680 --> 1:19:17.960
<v Speaker 1>the ego and pride, the ego, and pride is thrown

1:19:18.000 --> 1:19:23.240
<v Speaker 1>out the wonder the dumb ship. I can give you

1:19:23.280 --> 1:19:25.600
<v Speaker 1>an example, and I can say that because I'm just

1:19:25.760 --> 1:19:27.519
<v Speaker 1>I'm just saying if I'm a consumer point of view,

1:19:27.840 --> 1:19:31.120
<v Speaker 1>just like when Uh at the Source of Wars, I've

1:19:31.160 --> 1:19:35.360
<v Speaker 1>seen how the audience was of that entourage was responded

1:19:35.400 --> 1:19:38.560
<v Speaker 1>when he said what he had to say. Yeah, a

1:19:38.720 --> 1:19:44.480
<v Speaker 1>few that could and shoot or would spoke their perspective

1:19:44.840 --> 1:19:48.040
<v Speaker 1>about Damn. I didn't understand what it was and why

1:19:48.120 --> 1:19:51.920
<v Speaker 1>it had to be that when I heard the young man.

1:19:52.080 --> 1:19:53.679
<v Speaker 1>I mean, you know the brothers said what he said

1:19:53.720 --> 1:19:55.120
<v Speaker 1>on the stage. You know, they didn't know that was

1:19:55.120 --> 1:19:56.599
<v Speaker 1>gonna come with it. They thought he was gonna get

1:19:56.640 --> 1:19:59.120
<v Speaker 1>his award and go a different route. So when that

1:19:59.240 --> 1:20:01.400
<v Speaker 1>was said, and then I watched the cameras to be

1:20:01.560 --> 1:20:05.760
<v Speaker 1>put on the entourage, I'll sing what that is, and

1:20:05.880 --> 1:20:08.920
<v Speaker 1>it's not me judging. We know what that is. It's pride,

1:20:09.240 --> 1:20:12.600
<v Speaker 1>It's funny, it's it's the same ship what I was

1:20:12.640 --> 1:20:14.439
<v Speaker 1>saying with the gang Bang. You know the same thing.

1:20:14.520 --> 1:20:17.840
<v Speaker 1>When we don't want to point it out, ain't no

1:20:18.000 --> 1:20:22.160
<v Speaker 1>men in the room. Everybody just gonna roll because if

1:20:22.160 --> 1:20:26.920
<v Speaker 1>it's an expression being seen like you you don't you

1:20:26.960 --> 1:20:30.559
<v Speaker 1>don't like that, and you got something to say about it? Dan,

1:20:31.240 --> 1:20:33.479
<v Speaker 1>you you you feel to be done in the way

1:20:33.560 --> 1:20:35.639
<v Speaker 1>you can't even imagine. You know what kind of ship

1:20:35.800 --> 1:20:37.479
<v Speaker 1>is that you know? And and and and in the

1:20:37.560 --> 1:20:41.240
<v Speaker 1>corporate America or just as a people we looked at like, damn,

1:20:42.120 --> 1:20:46.080
<v Speaker 1>where's the values, Who's a man? Who's a stand up guy?

1:20:47.640 --> 1:20:52.760
<v Speaker 1>It isn't as somebody got to be So imagine how

1:20:52.840 --> 1:20:56.040
<v Speaker 1>many years that was, and the and the and the

1:20:56.240 --> 1:20:58.320
<v Speaker 1>and the first man we've seen that needed that had

1:20:58.400 --> 1:21:01.840
<v Speaker 1>to be a man was Andrea Young. And I heard

1:21:01.880 --> 1:21:04.280
<v Speaker 1>he was in an easy situation when he when he

1:21:04.560 --> 1:21:09.680
<v Speaker 1>made this decision, but he survived. And you gotta understand

1:21:09.920 --> 1:21:12.240
<v Speaker 1>that man is a is a big brother to me

1:21:12.400 --> 1:21:15.519
<v Speaker 1>because the O G s of and big brothers of

1:21:15.680 --> 1:21:19.000
<v Speaker 1>this music game and as a producer is the Sleps,

1:21:19.400 --> 1:21:22.519
<v Speaker 1>is the Pools, is the dres is the Egyptian Lover,

1:21:22.920 --> 1:21:25.160
<v Speaker 1>is the Bob Cat and is the l A Posse

1:21:26.760 --> 1:21:30.320
<v Speaker 1>l A Posse, did l L Cool J Ship Muffler,

1:21:30.520 --> 1:21:35.599
<v Speaker 1>Durroll Pool and Bob and name Niggas is still here

1:21:35.640 --> 1:21:38.880
<v Speaker 1>to this day. And they got a better perspective for life.

1:21:40.520 --> 1:21:43.240
<v Speaker 1>So when I could have been encouraged to go the

1:21:43.400 --> 1:21:46.000
<v Speaker 1>same way exactly what Drey was going. When I seen

1:21:46.120 --> 1:21:48.719
<v Speaker 1>him doing all that, I was just like, I couldn't judge,

1:21:48.920 --> 1:21:51.200
<v Speaker 1>and I think got some black a bits talking about

1:21:52.080 --> 1:21:54.960
<v Speaker 1>my perspective or my appreciation that I had for him,

1:21:54.960 --> 1:21:56.960
<v Speaker 1>and then I've seen this and then this ain't him.

1:21:57.240 --> 1:22:00.800
<v Speaker 1>That's one thing I learned is to keep my perspective

1:22:01.040 --> 1:22:05.000
<v Speaker 1>to myself. Now I did have loose lips, but thank

1:22:05.040 --> 1:22:07.880
<v Speaker 1>god it didn't sink sink my boat. You know what

1:22:07.960 --> 1:22:10.120
<v Speaker 1>I'm saying. I have to say that I had to

1:22:10.400 --> 1:22:13.439
<v Speaker 1>look at it a different perspective because someone can take

1:22:13.520 --> 1:22:16.000
<v Speaker 1>what I say and if they got a strong enough

1:22:16.040 --> 1:22:18.960
<v Speaker 1>reputation with the person that I love, that can go

1:22:19.160 --> 1:22:22.640
<v Speaker 1>and turn that turn that ship around, and then next thing,

1:22:22.720 --> 1:22:25.720
<v Speaker 1>you know, he ain't feeling me. But one thing I

1:22:25.800 --> 1:22:28.920
<v Speaker 1>do know, man, No man is my savior. You know

1:22:28.960 --> 1:22:31.960
<v Speaker 1>what I'm saying, You're not my God. You know, if

1:22:32.000 --> 1:22:36.080
<v Speaker 1>I bring something life altering and disrespectful where you feel

1:22:36.120 --> 1:22:37.960
<v Speaker 1>like you gotta take me out and I was the

1:22:38.080 --> 1:22:40.439
<v Speaker 1>cause of it, so be it. But if it's not,

1:22:40.840 --> 1:22:43.200
<v Speaker 1>I'm really ain't gonna feel you fear you for Ship,

1:22:43.760 --> 1:22:46.080
<v Speaker 1>I'm not gonna do that, you know. And that's one

1:22:46.160 --> 1:22:48.519
<v Speaker 1>thing I think it is with Dre. Just to sum

1:22:48.640 --> 1:22:51.120
<v Speaker 1>it up, he can't stand yes or no, sir niggers

1:22:52.080 --> 1:22:53.920
<v Speaker 1>and he and you might get talked to in a

1:22:54.040 --> 1:22:57.439
<v Speaker 1>way if you don't know what you're talking about that way,

1:22:58.080 --> 1:23:01.679
<v Speaker 1>you know what I'm saying, because if you study someone

1:23:02.200 --> 1:23:05.000
<v Speaker 1>outside looking in, it should be enough for you to go.

1:23:05.160 --> 1:23:08.680
<v Speaker 1>You know what. I only need to brain what is

1:23:08.720 --> 1:23:11.120
<v Speaker 1>needed in this in this room. If I get a

1:23:11.160 --> 1:23:14.479
<v Speaker 1>phone call or if I come across the path, you

1:23:14.560 --> 1:23:16.839
<v Speaker 1>know what I'm saying this, do that and keep it pushing.

1:23:16.880 --> 1:23:20.280
<v Speaker 1>Other than that, don't be having a question mark really

1:23:20.320 --> 1:23:23.680
<v Speaker 1>with him like that. It's called the vine order. So

1:23:23.720 --> 1:23:26.160
<v Speaker 1>the only thing I bring to anyone eight y'ard when

1:23:26.160 --> 1:23:28.120
<v Speaker 1>I see y'alls that that's like when I pulled up

1:23:28.160 --> 1:23:31.840
<v Speaker 1>with him, my personality and my vibe was so free spirit.

1:23:31.960 --> 1:23:33.760
<v Speaker 1>That's the first thing I said, Ship, I'm yeah, I

1:23:33.760 --> 1:23:35.560
<v Speaker 1>ain't gonna let you'll put an ap be on me.

1:23:36.439 --> 1:23:39.920
<v Speaker 1>That was an atonement thing or endearing, daring thing to

1:23:40.000 --> 1:23:43.360
<v Speaker 1>say that. I appreciate the time y'all here, and y'all

1:23:43.360 --> 1:23:45.479
<v Speaker 1>were sitting outside. So I'm like, damn, and I'm so

1:23:45.760 --> 1:23:47.719
<v Speaker 1>super late. I knew I wasn't because it was seven

1:23:47.760 --> 1:23:52.120
<v Speaker 1>thirt so so, but I wanted to show that as

1:23:52.200 --> 1:23:55.880
<v Speaker 1>a form of greeting my brothers who are really taking

1:23:56.000 --> 1:23:58.720
<v Speaker 1>time out for the individual's lives to talk with me,

1:23:59.600 --> 1:24:01.880
<v Speaker 1>you know what, saying, We're gonna make sure. I always

1:24:01.920 --> 1:24:04.800
<v Speaker 1>want to make sure that at least one of us

1:24:04.920 --> 1:24:08.320
<v Speaker 1>is here before the guests get here. You know, asked them,

1:24:08.600 --> 1:24:11.200
<v Speaker 1>and I always asked them, do you have any particular

1:24:11.280 --> 1:24:13.840
<v Speaker 1>needs or wants? Do you have anything? Do you want?

1:24:14.120 --> 1:24:16.040
<v Speaker 1>Some people might want water, you know what I'm saying,

1:24:16.040 --> 1:24:18.120
<v Speaker 1>Some people might need you know what I mean. So

1:24:18.360 --> 1:24:21.120
<v Speaker 1>you know that's what I love about now besides the

1:24:21.200 --> 1:24:25.600
<v Speaker 1>title of being gangster. Chronicles, Well, I'm sitting at the

1:24:25.640 --> 1:24:29.519
<v Speaker 1>table with men who are passionate with principles and morals.

1:24:30.479 --> 1:24:34.519
<v Speaker 1>So that should be the new evolution of the gangster

1:24:34.600 --> 1:24:38.719
<v Speaker 1>is to have a chronicle, have chronicle things to share

1:24:39.160 --> 1:24:41.880
<v Speaker 1>with the world. You feeling, That's what it is right there,

1:24:42.000 --> 1:24:44.880
<v Speaker 1>that part right, You hit it right in the head. Man.

1:24:45.320 --> 1:24:47.559
<v Speaker 1>But before we go, we can't leave without you talking

1:24:47.600 --> 1:24:49.680
<v Speaker 1>about this man. The word in the streets seals man

1:24:49.760 --> 1:24:51.599
<v Speaker 1>that you're working on the album right now. Man, it's

1:24:51.640 --> 1:24:56.200
<v Speaker 1>gonna be out towards it one. I heard it everybody

1:24:56.320 --> 1:24:58.639
<v Speaker 1>on their dog. So what's the news, and we break

1:24:58.680 --> 1:25:01.360
<v Speaker 1>some news on this mother, Yes we can. I have

1:25:01.520 --> 1:25:06.680
<v Speaker 1>a song called I'm from Around the Way. And when

1:25:06.720 --> 1:25:08.960
<v Speaker 1>you look at your purpose and your gift is bigger

1:25:09.000 --> 1:25:13.000
<v Speaker 1>than the block. And the fact that I seen early

1:25:13.120 --> 1:25:17.400
<v Speaker 1>on in my career royalty statements from records being distributed

1:25:17.439 --> 1:25:20.560
<v Speaker 1>and sold and played on all different platforms that you

1:25:20.640 --> 1:25:24.080
<v Speaker 1>can never imagine. When I started seeing that I was

1:25:24.200 --> 1:25:29.599
<v Speaker 1>being appreciated from South central California and Japan, Canada, Detroit,

1:25:29.760 --> 1:25:33.040
<v Speaker 1>It's like, Okay, now, this must be a gift that

1:25:33.200 --> 1:25:37.120
<v Speaker 1>guy gave me that my mother and father didn't see coming,

1:25:37.680 --> 1:25:40.799
<v Speaker 1>that I would have the ability to touch the masses

1:25:41.000 --> 1:25:44.400
<v Speaker 1>of the world. Now, how can I continue that? Well,

1:25:44.560 --> 1:25:47.880
<v Speaker 1>first of all, I understood what this thing was, It's

1:25:47.920 --> 1:25:51.400
<v Speaker 1>called hip hop. Then I understood the entertainment business. Then

1:25:51.439 --> 1:25:56.400
<v Speaker 1>I understood that it's life, hardships and good that goes

1:25:56.520 --> 1:25:59.320
<v Speaker 1>with it that can really be appreciated, like in the

1:25:59.439 --> 1:26:01.920
<v Speaker 1>form of a movie or anything. So I said, you

1:26:02.000 --> 1:26:05.439
<v Speaker 1>know what, I gotta tell my story because everyone got

1:26:05.520 --> 1:26:10.160
<v Speaker 1>there um stories about battle Cat, but they really don't

1:26:10.200 --> 1:26:12.680
<v Speaker 1>know how battle Cat came about. So they need to

1:26:12.800 --> 1:26:16.120
<v Speaker 1>introduce to the world through battle Cat who Kevin is

1:26:17.040 --> 1:26:19.640
<v Speaker 1>that helped battle Cat become who he is, which is

1:26:19.720 --> 1:26:24.200
<v Speaker 1>a voice for the on song and heard of life

1:26:24.400 --> 1:26:28.400
<v Speaker 1>not just entertainment. So I got a single call I'm

1:26:28.439 --> 1:26:31.360
<v Speaker 1>from around the way because I'm from everywhere, you know

1:26:31.400 --> 1:26:36.600
<v Speaker 1>what I'm saying. And Uh, I did a EP. I

1:26:36.680 --> 1:26:38.280
<v Speaker 1>have an album and to have, but I got an

1:26:38.320 --> 1:26:41.680
<v Speaker 1>EP where I think everyone is gonna be able to

1:26:41.760 --> 1:26:46.280
<v Speaker 1>appreciate my story. Uh. The song is being mixed now.

1:26:47.479 --> 1:26:50.479
<v Speaker 1>Um the singles should be out maybe U sometime the

1:26:50.600 --> 1:26:56.040
<v Speaker 1>first two weeks uh of July. Um, I get a

1:26:56.120 --> 1:27:00.639
<v Speaker 1>chance to this give the world my perspective as a man,

1:27:00.880 --> 1:27:03.160
<v Speaker 1>as a father, as a husband, as a musician, as

1:27:03.160 --> 1:27:07.479
<v Speaker 1>a producer. Uh and uh and and and someone who's

1:27:07.520 --> 1:27:10.120
<v Speaker 1>who's loved you know, I even speaking on the things

1:27:10.160 --> 1:27:13.080
<v Speaker 1>A little bit of people not appreciate me. But one

1:27:13.120 --> 1:27:16.040
<v Speaker 1>thing I did bring was accountability, so it won't be

1:27:16.160 --> 1:27:18.920
<v Speaker 1>looking like I'm just trying to be bigger than someone

1:27:19.760 --> 1:27:22.360
<v Speaker 1>or you know, my life was just perfect like that. No,

1:27:22.640 --> 1:27:26.040
<v Speaker 1>I took the imperfection and turning into perfection. So I

1:27:26.080 --> 1:27:28.639
<v Speaker 1>ain't here to judge. I'm here to just love. I'm

1:27:28.840 --> 1:27:31.160
<v Speaker 1>here to bring some good music. I'm here to finish

1:27:31.200 --> 1:27:36.160
<v Speaker 1>what I started. You know. Um having my brothers on

1:27:36.240 --> 1:27:39.240
<v Speaker 1>the West Coast that are producers slash artists like Quick

1:27:39.320 --> 1:27:42.920
<v Speaker 1>and Dre, They've both been such an inspiration to us all,

1:27:43.560 --> 1:27:46.600
<v Speaker 1>but they don't have to be the only two remaining

1:27:46.920 --> 1:27:52.479
<v Speaker 1>that could uh fulfill being a voice for their coast

1:27:52.600 --> 1:27:56.519
<v Speaker 1>in the world. So that's what I'm doing. And uh yeah,

1:27:57.320 --> 1:28:00.360
<v Speaker 1>we we can't wait to play some of them records

1:28:00.360 --> 1:28:02.880
<v Speaker 1>because you know, we got the radio show man. You know,

1:28:03.360 --> 1:28:07.160
<v Speaker 1>wake your punk ass up, man, Let's go. Let's gonna

1:28:07.160 --> 1:28:10.400
<v Speaker 1>be on. Let's gonna be on every Friday nights, you know,

1:28:10.560 --> 1:28:14.439
<v Speaker 1>every Friday nights. Luck, every Friday night. On that note,

1:28:14.520 --> 1:28:19.160
<v Speaker 1>I did leave y'all, uh uh, I think about thirty

1:28:19.280 --> 1:28:21.920
<v Speaker 1>to thirty five minutes, not forty five minutes of my

1:28:22.080 --> 1:28:25.719
<v Speaker 1>classic hits. Uh. I just need to get your email

1:28:25.760 --> 1:28:28.040
<v Speaker 1>and forward. That makes I did that before I got here,

1:28:28.360 --> 1:28:30.840
<v Speaker 1>for sure. I got so much ship. Yeah, I'm gonna

1:28:30.880 --> 1:28:33.120
<v Speaker 1>have to do part two, three and four and give

1:28:33.520 --> 1:28:37.880
<v Speaker 1>a whole catalog of records and from artists independent to

1:28:38.000 --> 1:28:40.840
<v Speaker 1>the majors that I ever worked with. I never did

1:28:40.920 --> 1:28:43.639
<v Speaker 1>that for anyone, but gainst the Chronicle seemed like it's

1:28:44.040 --> 1:28:47.840
<v Speaker 1>one of the homes I can plant that seed. And

1:28:47.880 --> 1:28:49.360
<v Speaker 1>I'm gonna tell you, and I'm gonna tell you one

1:28:49.360 --> 1:28:50.920
<v Speaker 1>of the things that we're doing. I promise you wanta

1:28:50.960 --> 1:28:54.360
<v Speaker 1>lect you bouty here. You know, I got the battle

1:28:54.560 --> 1:28:58.560
<v Speaker 1>up in there, so you know I'm spoiler right, Let's

1:28:59.640 --> 1:29:02.200
<v Speaker 1>time is wasted. One thing I'm gonna say is this man,

1:29:02.800 --> 1:29:06.200
<v Speaker 1>we gotta call it wy up for the you know,

1:29:06.560 --> 1:29:08.080
<v Speaker 1>for the thing you know, but it's what your punk

1:29:08.120 --> 1:29:10.040
<v Speaker 1>asked up radio. One of the things we are gonna

1:29:10.040 --> 1:29:13.400
<v Speaker 1>do is you can hear those classic Battlect records, but

1:29:13.479 --> 1:29:17.920
<v Speaker 1>you go hear the new heat the battle Cat. Yeah,

1:29:17.920 --> 1:29:21.000
<v Speaker 1>because my thing is this and I love the other

1:29:21.160 --> 1:29:23.479
<v Speaker 1>radio stations to play the old stuff. My thing is this.

1:29:24.080 --> 1:29:28.000
<v Speaker 1>Eight didn't stop making records. He's still got stuff that

1:29:28.160 --> 1:29:29.639
<v Speaker 1>like to meet. The stuff he putting out the day

1:29:29.640 --> 1:29:31.840
<v Speaker 1>it's killing the stuff he used to put up. Wow,

1:29:32.120 --> 1:29:34.439
<v Speaker 1>you know what I'm saying. He's making that music. Back then,

1:29:34.520 --> 1:29:36.600
<v Speaker 1>we know what that was. It was great music. But

1:29:36.760 --> 1:29:39.080
<v Speaker 1>this new stuff is even more positive than the time

1:29:39.160 --> 1:29:41.360
<v Speaker 1>of where he is right now exactly. So that's what

1:29:41.479 --> 1:29:44.400
<v Speaker 1>I want to show. Yeah, we're playing as far as

1:29:44.439 --> 1:29:46.680
<v Speaker 1>the music person to show that brothers are still out here.

1:29:46.680 --> 1:29:48.800
<v Speaker 1>Actor and if you were on the West Coast and

1:29:48.840 --> 1:29:51.280
<v Speaker 1>you got a home, we're looking off for home first,

1:29:51.360 --> 1:29:54.880
<v Speaker 1>not no, no, officially nobody else, but we been with it.

1:29:54.960 --> 1:29:57.599
<v Speaker 1>I was told that my age is the same around

1:29:57.640 --> 1:30:00.639
<v Speaker 1>the same time when Quenche Jones did the did the Thriller.

1:30:00.680 --> 1:30:02.280
<v Speaker 1>So I feel like when I'm at now, I'm in

1:30:02.360 --> 1:30:04.960
<v Speaker 1>my thriller moment right now exactly. You know what I'm saying.

1:30:05.080 --> 1:30:06.800
<v Speaker 1>So I got something to say. Big shout out to

1:30:06.880 --> 1:30:11.320
<v Speaker 1>stand Shepherd, big shout out to postar Entertainment, big shout

1:30:11.360 --> 1:30:15.840
<v Speaker 1>out to me and wife is get down new shoes entertainment.

1:30:16.600 --> 1:30:18.880
<v Speaker 1>And um, I just got a bunch of beautiful things

1:30:18.960 --> 1:30:22.880
<v Speaker 1>happening that really involved y'all too as well. So don't

1:30:22.920 --> 1:30:25.519
<v Speaker 1>be don't be surprised when I I get to hitting

1:30:25.560 --> 1:30:29.320
<v Speaker 1>y'all doorbell for something that's that's out of your comfort zone.

1:30:29.760 --> 1:30:32.360
<v Speaker 1>But it's gonna be definitely something that I think is

1:30:32.400 --> 1:30:36.400
<v Speaker 1>rewarding to such a platform called against the chronicles, you know,

1:30:36.520 --> 1:30:39.000
<v Speaker 1>And that's one thing when you do these interviews, you

1:30:39.040 --> 1:30:42.080
<v Speaker 1>know a lot of people you know, need they status,

1:30:42.160 --> 1:30:45.040
<v Speaker 1>core rep or you don't need to be validated. I

1:30:45.080 --> 1:30:46.960
<v Speaker 1>don't need none of those in the above. I'm here

1:30:47.040 --> 1:30:50.720
<v Speaker 1>to give. I came with my with my hand uh

1:30:51.040 --> 1:30:54.040
<v Speaker 1>to bear gifts, not when my hands open looking to receive.

1:30:54.840 --> 1:30:58.000
<v Speaker 1>You know. So y'all already did that by creating this platform.

1:30:58.040 --> 1:31:01.960
<v Speaker 1>I think the world it's gonna really appreciate you guys

1:31:02.400 --> 1:31:04.680
<v Speaker 1>twenty thirty years from now from having us because this

1:31:04.760 --> 1:31:07.960
<v Speaker 1>we never had this before and have people for these

1:31:08.160 --> 1:31:11.120
<v Speaker 1>from these authentic walks of life. It's just amazing. So

1:31:11.800 --> 1:31:14.400
<v Speaker 1>you know, um, we ain't tripping to what the numbers is.

1:31:14.479 --> 1:31:16.920
<v Speaker 1>They're gonna climb anyway, because when people get tired of

1:31:17.000 --> 1:31:20.240
<v Speaker 1>the boys shit like preatures behind the pool kit and

1:31:20.280 --> 1:31:22.920
<v Speaker 1>they want something real that's gonna stand the test of time,

1:31:22.960 --> 1:31:26.400
<v Speaker 1>they're gonna they're gonna say, damn, thanks the Chronicles. It

1:31:26.560 --> 1:31:29.719
<v Speaker 1>was this. Damn that was that was something we didn't

1:31:29.720 --> 1:31:32.639
<v Speaker 1>see coming, you know, And so I'm glad we're putting

1:31:32.720 --> 1:31:34.439
<v Speaker 1>y'all putting the work in and having me a part

1:31:34.479 --> 1:31:37.760
<v Speaker 1>of this. Man, Thank you, again a time. Man. It's

1:31:37.800 --> 1:31:43.320
<v Speaker 1>so when they have no fellers another way before we

1:31:43.439 --> 1:31:48.120
<v Speaker 1>go out of here, man, I wanna I want to say, uh,

1:31:48.600 --> 1:31:53.080
<v Speaker 1>I'm you know, share prayer from my uncle Malcolm. But Dad, yes, sir,

1:31:54.320 --> 1:31:57.080
<v Speaker 1>right down, and we're going through it every day. But

1:31:57.200 --> 1:32:01.120
<v Speaker 1>we're there as family. Yes, and uh, we're gonna give

1:32:01.160 --> 1:32:06.640
<v Speaker 1>a shout outs to Monster Cody. Wow, you know, and

1:32:06.840 --> 1:32:09.320
<v Speaker 1>it wouldn't be Gangster Chronicles if you didn't do that right.

1:32:09.360 --> 1:32:11.240
<v Speaker 1>And I gotta give a shout out to my whole girl,

1:32:11.320 --> 1:32:16.320
<v Speaker 1>big Mama Backstreet. You know, she just passed away. She's

1:32:16.360 --> 1:32:18.800
<v Speaker 1>a right to die. And I'm with a big time

1:32:19.360 --> 1:32:23.439
<v Speaker 1>and uh that was my girls show man, love your

1:32:23.439 --> 1:32:25.599
<v Speaker 1>family while they're here, and let's not fight each other

1:32:26.080 --> 1:32:30.600
<v Speaker 1>and let's embraced each other a piece of positivity. We

1:32:30.680 --> 1:32:35.600
<v Speaker 1>gotta here. Well. That concludes another episode of Against the

1:32:35.680 --> 1:32:38.840
<v Speaker 1>Chronicles podcast. Be sure to download the I Heard Happen.

1:32:38.880 --> 1:32:42.439
<v Speaker 1>Subscribe to The Gangster Chronicles podcast for Apple users. Find

1:32:42.479 --> 1:32:45.160
<v Speaker 1>that Purple Michael the front screening your phone. Subscribe to

1:32:45.200 --> 1:32:48.240
<v Speaker 1>the show, leave for comment and a rating. Executive producers

1:32:48.280 --> 1:32:51.800
<v Speaker 1>for The Gangster Chronicles of Norm Steele, James McDonald and

1:32:51.920 --> 1:32:56.160
<v Speaker 1>Aaron M. C taylor, our visual media directors Brian Watt, shows,

1:32:56.160 --> 1:32:59.599
<v Speaker 1>audio editors Taylor Hayes. The Gangster Chronicles here's the production

1:32:59.640 --> 1:33:02.280
<v Speaker 1>of the Black Affect podcast Network and I Heart Media.

1:33:02.560 --> 1:33:05.280
<v Speaker 1>Any questions to comments hit us up The Gangster Chronicles

1:33:05.360 --> 1:33:09.599
<v Speaker 1>Podcasts at gmail dot com. Peace be safe out there.