WEBVTT - “Smash Club” Season 7 Ep6 

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<v Speaker 1>Ready, I am ready ready.

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<v Speaker 2>Who's that he's up?

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<v Speaker 1>Hi?

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<v Speaker 2>I don't know, I don't know. I have made some

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<v Speaker 2>coffee because I'm like, I think I need some coffee.

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<v Speaker 3>I am drinking some Cafe Dumont coffee. That my my

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<v Speaker 3>makeup artist that I was working with recently back east.

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<v Speaker 3>She's from New Orleans and she kind of goes back

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<v Speaker 3>and forth all the time, like on weekends, and so

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<v Speaker 3>she went back and she picked me up some of

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<v Speaker 3>the original og only available in New Orleans at Cafe Dumont.

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<v Speaker 1>Well, there's like a different blend.

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<v Speaker 3>That they sell in the stores than the one that

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<v Speaker 3>you actually can get really delicious.

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<v Speaker 1>Do you have you ever had their It's coffee and chickory.

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<v Speaker 3>No?

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<v Speaker 2>Oh no, no, then I have.

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<v Speaker 3>So it's chickery is like it's a root, but it's

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<v Speaker 3>like almost a little peppery smelling a little and gives them.

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<v Speaker 1>A little something, not even a zinc.

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<v Speaker 3>It just I don't know, it adds something to it,

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<v Speaker 3>but I love it and it's delicious.

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<v Speaker 1>That I am missing a beignet.

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<v Speaker 2>That's worth the mess all over your face and your hands,

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<v Speaker 2>like that was.

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<v Speaker 3>I got some really good bignets at the farmer's market

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<v Speaker 3>the other day. Yeah, what is it five five frogs

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<v Speaker 3>Bakery or something.

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<v Speaker 1>Oh here in the in the valley and uh they're French.

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<v Speaker 3>And I had a three pack of bignets on It

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<v Speaker 3>was Nitella vanilla and chocolate and it was and I

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<v Speaker 3>had it yesterday or Sunday with a cup of my

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<v Speaker 3>Cafe du Mont. I was like, Okay, this feels this

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<v Speaker 3>feels original. That is the perfect breakfast, right.

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<v Speaker 1>Oh it was great and they were little, not too big,

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<v Speaker 1>you know.

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<v Speaker 2>Yeah, yeah, now I'm hungry again. Dang it. I well

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<v Speaker 2>that I have so yeah, I've been busy watching all

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<v Speaker 2>these disaster and survival like documentaries, podcast like, all of

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<v Speaker 2>like my algorithm is filled with what I.

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<v Speaker 3>Mean, planning ahead, no take notes, pas them on you

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<v Speaker 3>know what I mean.

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<v Speaker 1>No, Well, it.

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<v Speaker 2>Started because there's that new documentary on Netflix called Shipwrecked

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<v Speaker 2>about the cruise ship the that saying capsize.

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<v Speaker 1>Yeah it was pretty good.

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<v Speaker 2>It wasn't. It wasn't as comprehensive as I was hoping

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<v Speaker 2>it was a cruise but no, no it's not. The

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<v Speaker 2>which is another one that I was watched with.

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<v Speaker 1>Yes, I watched that.

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<v Speaker 2>One too, pop those poor people poor people. Yeah, I've

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<v Speaker 2>but all of I'm never going on a cruise again.

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<v Speaker 2>I've been all right because the new kids on the block.

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<v Speaker 2>But that was for new kids on the block tested

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<v Speaker 2>the cruise.

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<v Speaker 3>Right, but you but imagine new kids on the block

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<v Speaker 3>capsizes out to.

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<v Speaker 2>See well, you know what, that's not the worst.

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<v Speaker 3>Go down, You go down, and yeah, if there's somebody

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<v Speaker 3>to capsize.

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<v Speaker 2>With, I hope it's Joey McIntyre.

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<v Speaker 3>Absolutely, you and he will recreate the scene from Titanic,

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<v Speaker 3>except you'll let him on the door this time.

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<v Speaker 1>Absolutely, which you're both You're both you know, Yeah, another

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<v Speaker 1>one of you would take up too much face. You

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<v Speaker 1>can easily fit maybe even one more new kid.

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<v Speaker 2>Sure, yeah, so you could pick two, I'll pick Then

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<v Speaker 2>I will pick John Joe.

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<v Speaker 1>Okay, how did you know I was gonna pick John?

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<v Speaker 2>You just picked the name out of your out of

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<v Speaker 2>the air, didn't.

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<v Speaker 1>Those were the two names that I easily remembered off

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<v Speaker 1>the top of my head. Yes, I would say another one.

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<v Speaker 2>Jordan's another one done, my third pick my fourth, don

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<v Speaker 2>and Danny. Danny's the last one, very good. Danny Donny

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<v Speaker 2>Donnie is one and then Danny is another one.

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<v Speaker 1>Oh right, okay, yes, your education to change your name.

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<v Speaker 1>That's too close, it's too confusing.

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<v Speaker 2>Oh my goodness. But no, these disaster, these disasters felt

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<v Speaker 2>like it's just it's insane. And now I'm listening to

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<v Speaker 2>a podcast what is it called uh Wild Things about

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<v Speaker 2>the Sigfried and Roy the Tiger the Tiger issue, but

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<v Speaker 2>it's not just about the incident. It's about like their

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<v Speaker 2>whole lives and how they came and how they grew up.

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<v Speaker 1>Fascinating, stick fascinating, fascinating if you like stuff like that.

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<v Speaker 3>There is a podcast called Is This Actually Happening? And

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<v Speaker 3>every episode is what if you were blah blah blah

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<v Speaker 3>blah blah blah some crazy that What if you if

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<v Speaker 3>you're a military coup and you had to you know whatever,

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<v Speaker 3>What if you were kidnapped and uh, you know, taken.

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<v Speaker 1>Hostage for three days and you escape?

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<v Speaker 3>Like it's there are stories there where I listen and

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<v Speaker 3>I'm just.

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<v Speaker 1>Like what, oh my gosh, But it makes you know

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<v Speaker 1>there's something about it.

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<v Speaker 2>You're like, okay, okay, You're like now I know what,

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<v Speaker 2>Now I know what I'll do.

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<v Speaker 3>Well, not even now I know what I'll do, but like, okay,

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<v Speaker 3>I get you know what, I would try that hard,

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<v Speaker 3>you know what I mean?

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<v Speaker 2>I would like, okay, yes, yes, because you're okay. You're

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<v Speaker 2>learning about the testing the limits of humans, right, so yeah,

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<v Speaker 2>when you think, oh, I'm not strong enough, I couldn't

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<v Speaker 2>do that, well maybe you could. I don't know. You

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<v Speaker 2>don't know until you're faced with that situation. Fascinating, fascinating.

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<v Speaker 1>Yeah, I uh uh. I forgot what I was going.

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<v Speaker 3>To say, what I was going to say, because I

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<v Speaker 3>started looking at the notes on our thing, and then

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<v Speaker 3>I was like, dang, Sick Freedo.

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<v Speaker 2>And roy talking about white tigers.

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<v Speaker 1>Yes, do you.

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<v Speaker 3>Remember going to see Sick freedon the tigers at the

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<v Speaker 3>Mirage when we were shooting in Las Vegas.

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<v Speaker 2>I don't know if I was there.

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<v Speaker 1>That was the time I got lost in a casino.

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<v Speaker 2>Oh yeah, I don't think I was in that episode,

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<v Speaker 2>but I've been. I've been to the the White Tigers

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<v Speaker 2>in a cage, I know, not even a cage of

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<v Speaker 2>glass enclosure of people gawking at him. Yeah, I know.

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<v Speaker 2>I very mixed feeling because I know that secret and

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<v Speaker 2>royd like they loved those animals, like their family, like

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<v Speaker 2>those people.

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<v Speaker 3>So it was like the lady who had the champ

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<v Speaker 3>in her basement, you know what I mean, Like, I

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<v Speaker 3>don't know she wasn't trying to harm it.

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<v Speaker 1>But at the same time.

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<v Speaker 2>Is that it's that moral dilemma about using animals for

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<v Speaker 2>entertainment and conception. That's that's a hard thing to swallow.

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<v Speaker 2>But they did really love they did.

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<v Speaker 1>There wasn't abuse per se. It's just, uh, I don't know.

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<v Speaker 3>How much a tiger wants to be roaming around the

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<v Speaker 3>same like forty feet of space.

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<v Speaker 2>Yeah, true, but they didn't.

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<v Speaker 3>They had like crazy uh like property in Vegas, right.

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<v Speaker 2>That was like they had like the jungle sanctuary for that.

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<v Speaker 1>That's where they.

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<v Speaker 2>Lived with the animals and you know, let them roam around.

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<v Speaker 2>It was it was wild. And when Roy got bit

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<v Speaker 2>by one of the tigers, it was on his fifty

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<v Speaker 2>ninth birthday. I did not know that, like one of

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<v Speaker 2>the first things he said. He was still pretty lucid afterwards,

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<v Speaker 2>and he's just said, don't do anything to the tiger, like.

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<v Speaker 1>Don't don't the tired didn't do anything.

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<v Speaker 2>It's not the tiger's fault, Like, just don't do anything

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<v Speaker 2>to tigre. That's my family it's it wasn't his fault,

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<v Speaker 2>he was he was trying to protect me, or it

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<v Speaker 2>was a miscommunication. I don't know, it was right, So yeah,

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<v Speaker 2>fascinating fast. So anyway, Yes, has any other disaster or

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<v Speaker 2>survival stories podcast documentaries?

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<v Speaker 1>He sent them.

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<v Speaker 3>This is actually happening is a is a really good

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<v Speaker 3>one because every week there's just some thing where you're like,

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<v Speaker 3>oh my what, wow.

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<v Speaker 2>Love it?

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<v Speaker 1>Love it.

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<v Speaker 2>Yeah. I could consume those all daily, and.

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<v Speaker 3>You know what, I listened to those because it reminds

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<v Speaker 3>me of like the strength and the good in people

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<v Speaker 3>of like, yes, getting through adversity and whatever. So they're

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<v Speaker 3>still pretty crazy and kind of dark, but it but

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<v Speaker 3>in a way that feels, I don't know, it encourages

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<v Speaker 3>like resiliency, you.

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<v Speaker 2>Know, yeah, because it's not like we're watching things about

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<v Speaker 2>you puppies and rainbows. No, it's like these are really serious,

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<v Speaker 2>traumatic things, but it's about overcoming that race.

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<v Speaker 3>And I love like the stories that they tell sometimes

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<v Speaker 3>don't have a perfect and you know, most of the

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<v Speaker 3>time don't have some sort of perfect ending. It's like,

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<v Speaker 3>but this is this is now a story that I

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<v Speaker 3>have to live with, And here's how it affects my life,

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<v Speaker 3>and you know, it's just.

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<v Speaker 2>Really interesting, amazing, amazing.

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<v Speaker 1>It's like the audio equivalent of people watching, but deeper.

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<v Speaker 2>Ooh yeah, you know.

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<v Speaker 1>Observing, observing, just listening.

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<v Speaker 3>I'll sit there and look at people and be like,

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<v Speaker 3>what what have you gone through?

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<v Speaker 1>What is your story? I wonder, so this is kind

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<v Speaker 1>of a little peak kind of that same thing.

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<v Speaker 2>Yeah, very satisfying.

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<v Speaker 3>I gotta say, why don't we take a peek into, uh,

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<v Speaker 3>into our little show.

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<v Speaker 2>Let's let's take a peek into Jesse's psychology of.

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<v Speaker 1>Is this actually happening?

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<v Speaker 2>Yes, yes it is. Welcome back to Howard tanneritos. I'm

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<v Speaker 2>Andrea Barber.

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<v Speaker 3>And I'm Jody Sweeten, who timed her sip of coffee

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<v Speaker 3>quite well that time.

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<v Speaker 2>Thank you, well done, well done. Today we're discussing season seven,

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<v Speaker 2>episode six, Smash Club the Next Generation. It originally aired

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<v Speaker 2>on October nineteenth, nineteen ninety three, and it goes a

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<v Speaker 2>little something like this.

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<v Speaker 3>Is by the way, is the title like sort of

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<v Speaker 3>a call to star trek our generation that came out

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<v Speaker 3>around this time?

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<v Speaker 1>I thought I wondered that too.

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<v Speaker 3>I bet you I don't remember when that show came

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<v Speaker 3>out but my dad loved it.

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<v Speaker 1>My dad's a big Star Trek fan.

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<v Speaker 3>Yeah, I think there's a defintion, but I think it

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<v Speaker 3>was early nineties. Yeah, it's definitely.

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<v Speaker 2>I think it's definitely a nod to the to Star Trek. Absolutely. So,

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<v Speaker 2>Jesse is surprised to learn that he has inherited an

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<v Speaker 2>old nightclub where his band used to play. Wait, why

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<v Speaker 2>are you already laughing?

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<v Speaker 1>Because of course he did. You know what I mean

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<v Speaker 1>of surprise, inherited the Smash Club. You know what I mean?

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<v Speaker 1>I just I love it. I love it. It's so full

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<v Speaker 1>of how sick like. It's just great.

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<v Speaker 2>I love It's so great. But Jesse soon learns that

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<v Speaker 2>reopening the Rundown building for a new generation takes more

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<v Speaker 2>than just good ideas. It was directed by John Tracy,

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<v Speaker 2>it was written by carolynmi Ominie.

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<v Speaker 1>Your guess is as good as mine?

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<v Speaker 2>That one mine?

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<v Speaker 1>Mine? Oh mine?

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<v Speaker 2>Well, min that's two writers in a row now that

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<v Speaker 2>we don't remember.

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<v Speaker 1>Yeah, we're very sorry, Carolyn. I don't I don't remember.

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<v Speaker 1>I don't. Maybe you were only with us for like

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<v Speaker 1>one season.

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<v Speaker 2>Yeah, that's why we that's why we don't remember how

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<v Speaker 2>to say your name because maybe we probably never met her,

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<v Speaker 2>to be honest, because it was one off.

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<v Speaker 1>Anyway, let's just just not take any Yeah, I'm not

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<v Speaker 1>taking it out.

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<v Speaker 2>Not my problem.

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<v Speaker 1>I can't see it. Yeah we even even met you.

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<v Speaker 1>Say your name, I don't even know you.

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<v Speaker 2>We have one guest star this week, Julie Payne. She

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<v Speaker 2>plays Miss Cook and she played Cheryl's mother in seven

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<v Speaker 2>episodes of Curby Your Enthusiasm.

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<v Speaker 3>Yes, that's where I recognize her.

0:11:21.440 --> 0:11:23.080
<v Speaker 1>Yes, I have seen you. Yeah, my god.

0:11:23.120 --> 0:11:26.240
<v Speaker 2>I loved this woman so much. She voiced many, many

0:11:26.320 --> 0:11:30.480
<v Speaker 2>characters on Garfield and Friends, The Garfield Show. All of

0:11:30.520 --> 0:11:34.160
<v Speaker 2>the iterations of the Garfield was animated series.

0:11:34.760 --> 0:11:35.079
<v Speaker 1>She did.

0:11:35.240 --> 0:11:37.440
<v Speaker 2>It's multiple characters. I don't think she was Garfield, but

0:11:37.480 --> 0:11:39.280
<v Speaker 2>she did a lot, did a lot of characters, a

0:11:39.280 --> 0:11:41.080
<v Speaker 2>lot of lot of voices. So I'm just like, she's

0:11:41.120 --> 0:11:44.000
<v Speaker 2>a huge list of credits. Go look her up, because

0:11:44.400 --> 0:11:45.719
<v Speaker 2>this woman is talented.

0:11:45.880 --> 0:11:48.000
<v Speaker 1>Beyond that, she had a face.

0:11:48.000 --> 0:11:50.800
<v Speaker 3>I'm like, oh, I've seen you in a bunch of stuff.

0:11:51.160 --> 0:11:53.080
<v Speaker 3>She's kind of like it was like seeing Edie mclug

0:11:53.120 --> 0:11:55.080
<v Speaker 3>when you're like, oh yeah, yeah, you were on a

0:11:55.120 --> 0:11:57.120
<v Speaker 3>bunch of things and in a bunch of movies at

0:11:57.160 --> 0:11:58.600
<v Speaker 3>this time, like you were, and you had a very

0:11:58.640 --> 0:12:00.280
<v Speaker 3>specific type of care.

0:12:00.640 --> 0:12:03.280
<v Speaker 2>Yes, definitely a character actor where you're like, I don't

0:12:03.320 --> 0:12:07.280
<v Speaker 2>remember your name, but I know your face anywhere. Yep. Right,

0:12:08.040 --> 0:12:11.000
<v Speaker 2>So we start to with the teaser. Steph is lying

0:12:11.040 --> 0:12:14.080
<v Speaker 2>on the backyard watching the clouds and I love this

0:12:14.200 --> 0:12:17.560
<v Speaker 2>camera angle. It's like the bird's eye view from her glove,

0:12:17.679 --> 0:12:21.040
<v Speaker 2>Like we ever never never done that, never done it

0:12:21.120 --> 0:12:23.760
<v Speaker 2>brand great, well done, John Tracy, Like that's a great

0:12:23.840 --> 0:12:28.280
<v Speaker 2>creative choice there. Michelle comes outside, Hi, Steph, what are

0:12:28.320 --> 0:12:31.000
<v Speaker 2>you doing? And Steph says, looking at the shapes and

0:12:31.040 --> 0:12:36.880
<v Speaker 2>the clouds, it's relaxing. Michelle lies down beside her. Steph says,

0:12:36.920 --> 0:12:39.400
<v Speaker 2>doesn't that look like a kangaroo in a baseball cap?

0:12:39.920 --> 0:12:43.200
<v Speaker 2>And Michelle says nope, and Stuff says it's right there

0:12:43.360 --> 0:12:47.600
<v Speaker 2>next to the horse eating the taco. Michelle says, horses

0:12:47.640 --> 0:12:50.920
<v Speaker 2>don't eat tacos, and Stuff says, it's not a real horse,

0:12:50.960 --> 0:12:54.200
<v Speaker 2>it's just a cloud. Clouds don't eat tacos either.

0:12:54.960 --> 0:12:59.240
<v Speaker 3>Stuff shows up, She's a real you know, she's just

0:12:59.360 --> 0:13:00.680
<v Speaker 3>being an annoying little sisters.

0:13:00.720 --> 0:13:01.200
<v Speaker 1>What I think?

0:13:01.320 --> 0:13:04.320
<v Speaker 3>Yeah, it's one of the things like, yeah, just everything

0:13:04.360 --> 0:13:04.840
<v Speaker 3>you say.

0:13:04.679 --> 0:13:06.920
<v Speaker 1>Is that you're wrong. You're wrong. That's true.

0:13:07.080 --> 0:13:09.280
<v Speaker 2>I think that's what we're going with this. She's just

0:13:09.400 --> 0:13:11.720
<v Speaker 2>she's just gonna be a contrariant.

0:13:12.320 --> 0:13:16.520
<v Speaker 1>What you see that? Nope? Nope, Yeah.

0:13:16.559 --> 0:13:19.760
<v Speaker 2>So steph finally gives up. Fine, there's no horse, there's

0:13:19.760 --> 0:13:23.160
<v Speaker 2>no tacos, there's no kangaroos. And Michelle says, told you so.

0:13:24.800 --> 0:13:27.320
<v Speaker 2>Stephanie says, you really know how to suck the fun

0:13:27.320 --> 0:13:30.720
<v Speaker 2>out of cloud watching, and she goes inside, slamming the

0:13:30.760 --> 0:13:35.000
<v Speaker 2>door behind her. Left alone, Michelle looks up and says, oh,

0:13:35.040 --> 0:13:40.959
<v Speaker 2>there's the horse. This is relaxing, cute again. We have

0:13:41.000 --> 0:13:43.920
<v Speaker 2>eliminated adults from teasers. Now the kids are carrying the

0:13:43.960 --> 0:13:44.800
<v Speaker 2>teasers and.

0:13:44.920 --> 0:13:48.079
<v Speaker 3>They're old enough now they don't need someone supervising.

0:13:48.280 --> 0:13:51.760
<v Speaker 2>Yeah, yeah, supervision that hasn't been visioned yet. Yeah. Whatever,

0:13:51.960 --> 0:13:55.520
<v Speaker 2>We don't do that in full outs never so. In

0:13:55.559 --> 0:13:58.880
<v Speaker 2>the living room, Becky tells Danny Monday is going to

0:13:58.920 --> 0:14:01.000
<v Speaker 2>be a big day on a make up San Francisco.

0:14:01.280 --> 0:14:05.200
<v Speaker 2>Our first guest is famous sumo wrestler Bozo Yashi.

0:14:06.120 --> 0:14:10.400
<v Speaker 3>Danny read such a strange storyline.

0:14:12.160 --> 0:14:16.120
<v Speaker 2>This this is peak full House season seven. They're out

0:14:16.120 --> 0:14:18.640
<v Speaker 2>of ideas, right, it's mad libs now, they're like just

0:14:18.679 --> 0:14:21.240
<v Speaker 2>grab like different ideas and just throw them all into

0:14:21.280 --> 0:14:23.240
<v Speaker 2>one pot. Like it doesn't have to make sense, doesn't

0:14:23.240 --> 0:14:27.000
<v Speaker 2>have to make sense. This is very season seven h

0:14:27.120 --> 0:14:31.320
<v Speaker 2>So Danny reads this bio and he says, he says

0:14:31.320 --> 0:14:36.000
<v Speaker 2>here he's known for his flab fling and Becky smiles,

0:14:36.240 --> 0:14:41.800
<v Speaker 2>guess who's flab he's gonna be flinging? And Danny retorts, well, first,

0:14:41.800 --> 0:14:43.960
<v Speaker 2>I have no flab, and even if I did, I

0:14:43.960 --> 0:14:46.400
<v Speaker 2>wouldn't want it flung around by a seven hundred pound

0:14:46.400 --> 0:14:50.880
<v Speaker 2>guy in a diaper. Danny says, I don't know how

0:14:50.920 --> 0:14:52.120
<v Speaker 2>I feel about this, but okay.

0:14:51.960 --> 0:14:54.360
<v Speaker 1>Yes, well you know it was the early nineties.

0:14:54.400 --> 0:14:58.000
<v Speaker 3>This now you'd be like that seems a little first

0:14:58.040 --> 0:15:02.080
<v Speaker 3>and like a little just like a just like a

0:15:02.200 --> 0:15:03.280
<v Speaker 3>sprinkle of.

0:15:05.200 --> 0:15:05.680
<v Speaker 1>Racism.

0:15:05.920 --> 0:15:09.680
<v Speaker 2>Yeah, it's I mean, this is a real sport, you know.

0:15:10.160 --> 0:15:12.680
<v Speaker 1>And we were in Japan. Somebody went saw some wrestling.

0:15:12.880 --> 0:15:15.360
<v Speaker 2>Yeah, oh that's right, that's right, he did.

0:15:15.560 --> 0:15:16.640
<v Speaker 1>I wasn't. I didn't go see it.

0:15:16.680 --> 0:15:19.760
<v Speaker 2>Who went and saw? I don't remember JP May Scott, oh,

0:15:19.800 --> 0:15:22.440
<v Speaker 2>probably Scott right on his way to sushi for breakfast,

0:15:22.720 --> 0:15:26.680
<v Speaker 2>stop off at the sumo wrestling place. Uh. So, then

0:15:26.760 --> 0:15:29.680
<v Speaker 2>Jesse and Joey walk in, and they walk in in

0:15:29.720 --> 0:15:31.960
<v Speaker 2>the middle of this conversation, and Joey says, I get

0:15:32.000 --> 0:15:36.600
<v Speaker 2>the feeling we missed a very interesting conversation. Jesse interrupts

0:15:36.600 --> 0:15:39.560
<v Speaker 2>with his news. You're not gonna believe this, remember Buzz

0:15:39.640 --> 0:15:43.800
<v Speaker 2>Markle and Danny and Becky say sure. Danny jokes I

0:15:43.800 --> 0:15:47.640
<v Speaker 2>felt guilty for having so much fun at his funeral, Jesse.

0:15:48.040 --> 0:15:50.080
<v Speaker 3>Such a great thing for Bob to say, because that

0:15:50.160 --> 0:15:51.520
<v Speaker 3>absolutely would be Bob.

0:15:51.760 --> 0:15:54.600
<v Speaker 2>Yeah, oh yeah, he'd be doing a full set a funeral.

0:15:55.160 --> 0:15:56.080
<v Speaker 2>He totally would.

0:15:56.200 --> 0:15:59.120
<v Speaker 1>Yeah. Yeah.

0:15:59.200 --> 0:16:01.880
<v Speaker 2>So Jesse and now says, well, they finally settled his

0:16:02.000 --> 0:16:04.640
<v Speaker 2>will and he left me the Smash Club.

0:16:05.080 --> 0:16:11.320
<v Speaker 3>Why me, Because you're the only family here, obviously, otherwise

0:16:11.400 --> 0:16:12.080
<v Speaker 3>we wouldn't.

0:16:11.760 --> 0:16:16.080
<v Speaker 2>Have a storyline, Jesse. That's why. So Becky and uh,

0:16:16.760 --> 0:16:20.920
<v Speaker 2>Danny and Joey are stunned. So Becky offers a suggestion,

0:16:21.240 --> 0:16:23.880
<v Speaker 2>you and the Rippers played the Smash Club more than anyone,

0:16:24.880 --> 0:16:27.800
<v Speaker 2>Jesse adds, and Buzz loved me like a son, and

0:16:27.880 --> 0:16:31.760
<v Speaker 2>I never made fun of his twope. Joey replies, come on,

0:16:32.240 --> 0:16:35.040
<v Speaker 2>you called him ruggsy Joey Dave.

0:16:35.160 --> 0:16:38.320
<v Speaker 3>Actually there was someone that Dave actually called Ruggsy, Yes

0:16:38.400 --> 0:16:44.200
<v Speaker 3>who I can't remember who, but there was somebody.

0:16:43.960 --> 0:16:46.320
<v Speaker 2>That I think that he called Rugsy, which he does

0:16:46.360 --> 0:16:48.200
<v Speaker 2>it to get a rise out of us, Like he'll

0:16:48.200 --> 0:16:51.400
<v Speaker 2>do that, like you know, he'll like say something funny

0:16:51.440 --> 0:16:53.120
<v Speaker 2>to make us laugh in the middle of a scene

0:16:53.200 --> 0:16:54.680
<v Speaker 2>or something that's so.

0:16:54.680 --> 0:16:57.520
<v Speaker 3>Different thing I would never ever do because it is

0:16:57.680 --> 0:17:03.200
<v Speaker 3>highly unprofessional focused. You're getting a scene with people, you

0:17:03.280 --> 0:17:10.159
<v Speaker 3>tell him, Jeff, Yeah.

0:17:07.280 --> 0:17:10.159
<v Speaker 2>So, Jesse reflects, I was thirteen the first time I

0:17:10.200 --> 0:17:14.000
<v Speaker 2>snuck in hearing Live rock and roll changed my life.

0:17:14.600 --> 0:17:19.280
<v Speaker 2>I own the Smash Club. Danny points out one condition, Well,

0:17:19.280 --> 0:17:21.720
<v Speaker 2>the club's been closed for two years. If you don't

0:17:21.800 --> 0:17:24.479
<v Speaker 2>reopen it, it goes back to the estate and becomes

0:17:24.520 --> 0:17:29.560
<v Speaker 2>a parking lot. Jesse says, that's not gonna happen. Becky asks,

0:17:29.720 --> 0:17:32.720
<v Speaker 2>what do you know about running a club man? Jesse

0:17:32.840 --> 0:17:35.840
<v Speaker 2>responds in a word, nothing, But I owe it to

0:17:35.880 --> 0:17:39.000
<v Speaker 2>Buzz to do the right thing. Jesse heads out, I

0:17:39.040 --> 0:17:41.480
<v Speaker 2>need a place to think. Where's a good place to think?

0:17:42.160 --> 0:17:46.160
<v Speaker 2>And Joey responds Harvard, and Jesse replies, look who I'm

0:17:46.160 --> 0:17:49.719
<v Speaker 2>asking David is just a matter of fact in this

0:17:49.760 --> 0:17:51.360
<v Speaker 2>He's Harvard. That's a good place to think.

0:17:51.400 --> 0:17:52.159
<v Speaker 1>He's not wrong.

0:17:52.240 --> 0:17:54.119
<v Speaker 2>He's not wrong, right, He's not wrong.

0:17:54.480 --> 0:17:56.879
<v Speaker 3>Yeah, Jesse knows as much about running a club. I

0:17:56.880 --> 0:17:59.119
<v Speaker 3>would actually say he would know more about this than

0:17:59.720 --> 0:18:01.720
<v Speaker 3>about running an ad agency.

0:18:01.440 --> 0:18:05.080
<v Speaker 2>Or radio stage, radio DJ, or even extermination.

0:18:05.200 --> 0:18:05.360
<v Speaker 1>Yeah.

0:18:05.400 --> 0:18:08.679
<v Speaker 2>I think this is his most qualified job for sure.

0:18:09.760 --> 0:18:12.639
<v Speaker 2>This is a really great fit for him. Up in

0:18:12.680 --> 0:18:15.359
<v Speaker 2>the girls room, Michelle is making her bed when Nicky

0:18:15.359 --> 0:18:19.679
<v Speaker 2>and Alex walk in. Hi Michelle. Michelle responds, sorry, guys,

0:18:19.840 --> 0:18:21.639
<v Speaker 2>I can't play right now. I need to clean up

0:18:21.680 --> 0:18:24.800
<v Speaker 2>my room. Nicky starts to put away one of her

0:18:24.800 --> 0:18:28.880
<v Speaker 2>stuffed animals. Oh, you don't have to do, and Michelle pauses,

0:18:29.640 --> 0:18:33.080
<v Speaker 2>Unless you really want to, don't forget that stuff over there,

0:18:33.680 --> 0:18:37.119
<v Speaker 2>Alex says, okay. Michelle climbs onto her bed while the

0:18:37.160 --> 0:18:40.880
<v Speaker 2>twins finish cleaning up her room, and she smiles. This

0:18:40.960 --> 0:18:46.520
<v Speaker 2>has definite possibilities. Okay, she's figured it out. She's figured

0:18:46.560 --> 0:18:48.879
<v Speaker 2>it out how to make this system work to her advantage.

0:18:50.160 --> 0:18:52.879
<v Speaker 2>Next in the kitchen, Steph is at the kitchen table

0:18:52.920 --> 0:18:57.320
<v Speaker 2>when DJ, Kimmy and Steve enter the kitchen and exclaim yes,

0:18:57.400 --> 0:19:01.919
<v Speaker 2>it's Friday, we're free at last weekend begin and then

0:19:01.920 --> 0:19:03.520
<v Speaker 2>they all high five and say, what.

0:19:03.680 --> 0:19:06.080
<v Speaker 1>Y'all, is that a thing that you did? Was that

0:19:06.119 --> 0:19:08.040
<v Speaker 1>a pop? What was that thing? Why was that thing?

0:19:08.240 --> 0:19:09.200
<v Speaker 1>I don't know. I can't.

0:19:09.240 --> 0:19:11.560
<v Speaker 2>I don't remember it being a thing. But we say

0:19:11.600 --> 0:19:13.600
<v Speaker 2>it later in the episode too, So why is it

0:19:14.040 --> 0:19:14.840
<v Speaker 2>a nineties thing?

0:19:14.880 --> 0:19:18.440
<v Speaker 3>I make it a group catchphrase?

0:19:18.680 --> 0:19:21.119
<v Speaker 2>I don't, I don't. It struck me as odd because

0:19:21.200 --> 0:19:23.159
<v Speaker 2>I don't remember it from the nineties. It didn't ring

0:19:23.200 --> 0:19:25.240
<v Speaker 2>a bell at the time. I was just like, wat chaw,

0:19:25.320 --> 0:19:29.040
<v Speaker 2>I don't chaw. I don't know. So Steph asks big

0:19:29.080 --> 0:19:32.040
<v Speaker 2>plans tonight, and DJ and Kimy and Steve look at

0:19:32.080 --> 0:19:37.200
<v Speaker 2>each other stumped. They mutter, nah, we got nothing. Steve

0:19:37.240 --> 0:19:40.000
<v Speaker 2>has a suggestion, I know we could go to the mall,

0:19:40.880 --> 0:19:43.600
<v Speaker 2>and DJ replies, no, I've been there so much. My

0:19:43.680 --> 0:19:49.480
<v Speaker 2>hair is starting to smell like orange Julius. A orange Julius.

0:19:49.760 --> 0:19:55.320
<v Speaker 2>Are there still orange Juliuses? I don't know, those of you.

0:19:54.520 --> 0:19:55.840
<v Speaker 1>Youth that don't know.

0:19:56.760 --> 0:20:01.040
<v Speaker 3>Orange Julius used to be in every mall, every and yeah,

0:20:01.080 --> 0:20:05.440
<v Speaker 3>and it was like this frothy, creamy orange juice drink

0:20:06.000 --> 0:20:10.000
<v Speaker 3>that had it was oj ice, sweetener, milk, vanilla, and

0:20:10.200 --> 0:20:13.119
<v Speaker 3>powdered egg whites, so it was like fluff, like a meringue.

0:20:12.800 --> 0:20:14.240
<v Speaker 1>Almost on top of Yeah.

0:20:14.320 --> 0:20:19.879
<v Speaker 3>Yeah, they were delicious, delicious. But now with the dying

0:20:19.920 --> 0:20:24.720
<v Speaker 3>off of oranges domestically, it would probably cost you about thirty.

0:20:24.480 --> 0:20:26.359
<v Speaker 1>Four dollars for sure.

0:20:26.400 --> 0:20:28.600
<v Speaker 3>So yeah, I imagine there's probably not a whole ton

0:20:28.600 --> 0:20:29.439
<v Speaker 3>of them around anymore.

0:20:29.480 --> 0:20:31.560
<v Speaker 1>Yeah, but they were standing in malls.

0:20:31.720 --> 0:20:33.840
<v Speaker 2>They were always in the food court at the first

0:20:34.119 --> 0:20:35.760
<v Speaker 2>the first store in a food court.

0:20:36.160 --> 0:20:38.720
<v Speaker 1>That's the way that where they were would smell them.

0:20:39.000 --> 0:20:45.000
<v Speaker 3>They had like that sweet orange sugary smell delicious.

0:20:44.480 --> 0:20:47.159
<v Speaker 2>So good, so good. I'm not that's my mission. I

0:20:47.160 --> 0:20:48.840
<v Speaker 2>gotta go find an orange. Julius.

0:20:48.960 --> 0:20:50.919
<v Speaker 1>Yeah, Orange Julius. Are you still out there?

0:20:52.880 --> 0:20:57.359
<v Speaker 2>Jesse walks in, Hey, kids. Stephanie gets up, Hey, uncle Jesse, congrats.

0:20:57.480 --> 0:21:01.280
<v Speaker 2>I heard some guy left you the Smash Club. Steve asks,

0:21:01.400 --> 0:21:04.200
<v Speaker 2>the Smash Club? You mean that empty old dive over

0:21:04.280 --> 0:21:08.399
<v Speaker 2>on Green Street. Jesse says, bite your tongue, Steven, That

0:21:08.520 --> 0:21:11.760
<v Speaker 2>empty old dive turned me on to music. It's a

0:21:11.760 --> 0:21:14.280
<v Speaker 2>piece of rock and roll history. A lot of big

0:21:14.280 --> 0:21:17.520
<v Speaker 2>bands came out of that dive. Ever heard of Jefferson airplane.

0:21:18.640 --> 0:21:22.000
<v Speaker 2>Kimmy and Stuff look at each other, confused, Mama's and papa's,

0:21:22.200 --> 0:21:25.840
<v Speaker 2>Jesse asks. Steve and DJ look at each other, confused.

0:21:25.920 --> 0:21:26.880
<v Speaker 1>Sonny and Cher.

0:21:27.040 --> 0:21:31.360
<v Speaker 2>Jesse tries, and DJ says, oh, the woman from the infomercial.

0:21:31.480 --> 0:21:38.520
<v Speaker 2>I know her. Oh my gosh. So finally Kimmy Steven

0:21:38.560 --> 0:21:42.639
<v Speaker 2>staff realize who Jesse is talking about, but Jesse is exasperated.

0:21:42.960 --> 0:21:45.200
<v Speaker 2>The point is that I got to keep the Smash

0:21:45.280 --> 0:21:49.919
<v Speaker 2>Club alive somehow. Steve responds, I wish it was alive tonight.

0:21:50.240 --> 0:21:53.119
<v Speaker 2>We'd have something to do. DJ tells them, well, it

0:21:53.119 --> 0:21:55.560
<v Speaker 2>wouldn't matter anyway. You have to be twenty one or

0:21:55.600 --> 0:21:58.639
<v Speaker 2>over to get in. Steve says, yeah, it's like that

0:21:58.720 --> 0:22:01.520
<v Speaker 2>in all the cool places. It's not fair. There's so

0:22:01.600 --> 0:22:03.960
<v Speaker 2>many cool new bands out and we never get to

0:22:04.000 --> 0:22:04.920
<v Speaker 2>hear any of them.

0:22:05.720 --> 0:22:11.760
<v Speaker 1>Get a fake ID. It's full out the rest of

0:22:11.760 --> 0:22:15.959
<v Speaker 1>the kids. Yeah, no, that's far too simple.

0:22:16.119 --> 0:22:18.840
<v Speaker 3>Jesse comes up with better mine, finds some shady person

0:22:18.920 --> 0:22:21.320
<v Speaker 3>and just get your bike ID, you know, call it

0:22:21.400 --> 0:22:29.040
<v Speaker 3>a day, just hiding that if there's children listening, that

0:22:29.080 --> 0:22:32.560
<v Speaker 3>would be a bad idea. And uh, don't take advice

0:22:32.600 --> 0:22:35.399
<v Speaker 3>from me. No, don't parents, If your kid does that,

0:22:35.400 --> 0:22:36.040
<v Speaker 3>it's not my fault.

0:22:37.280 --> 0:22:42.800
<v Speaker 2>We deny all responsibility for them. So Jesse suddenly comes

0:22:42.880 --> 0:22:45.639
<v Speaker 2>up with this idea. You know what, what would you

0:22:45.640 --> 0:22:47.719
<v Speaker 2>say if there was a place where you could go

0:22:47.800 --> 0:22:52.359
<v Speaker 2>hear new music, no age limit, no alcohol, big dance floor,

0:22:52.480 --> 0:22:55.040
<v Speaker 2>good food. Would you guys hang out at a place

0:22:55.160 --> 0:22:58.639
<v Speaker 2>like that? The kids love it? Kimmy says, what are

0:22:58.640 --> 0:23:01.159
<v Speaker 2>we waiting for? Let's go, and the kids get up

0:23:01.160 --> 0:23:04.080
<v Speaker 2>and start to leave. Jesse says, hold it, it doesn't

0:23:04.119 --> 0:23:07.760
<v Speaker 2>exist yet, and Kimmy replies, why do men toy with me?

0:23:08.920 --> 0:23:12.080
<v Speaker 2>Jesse says, it doesn't exist yet, but it's going to

0:23:12.720 --> 0:23:15.159
<v Speaker 2>the new Smash Club. You guys just gave me some

0:23:15.240 --> 0:23:17.800
<v Speaker 2>great ideas. Thanks, I have a million things to do,

0:23:18.000 --> 0:23:23.600
<v Speaker 2>and he runs upstairs. Next we are at the Smash Club.

0:23:23.800 --> 0:23:28.479
<v Speaker 2>Oh my goodness, did bring back? Since we've seen the

0:23:28.560 --> 0:23:33.680
<v Speaker 2>Smash Club? And is it dirty and dusty and hot mess?

0:23:33.800 --> 0:23:36.520
<v Speaker 3>I mean to be fair, it's actually in relatively decent

0:23:36.640 --> 0:23:38.879
<v Speaker 3>condition for an abandoned building.

0:23:39.320 --> 0:23:40.800
<v Speaker 1>I was impressed. That's true.

0:23:40.800 --> 0:23:46.600
<v Speaker 2>Well, yes, it has issues. It has it needs some work.

0:23:46.640 --> 0:23:50.760
<v Speaker 2>It needs a little bit of work. Joey points, Oh no, joe.

0:23:50.920 --> 0:23:52.959
<v Speaker 2>Jesse and Joey are at the Smash Club cleaning up

0:23:53.000 --> 0:23:56.919
<v Speaker 2>before meeting with the bank for the loan. Joey points

0:23:56.960 --> 0:23:59.800
<v Speaker 2>at a large portrait on the wall. Would you look

0:23:59.800 --> 0:24:02.840
<v Speaker 2>at the wig on old buzz. He's got more carpet

0:24:02.880 --> 0:24:04.280
<v Speaker 2>on his head than the floor.

0:24:06.240 --> 0:24:07.720
<v Speaker 1>Also, oh, everywhere you look.

0:24:07.880 --> 0:24:10.360
<v Speaker 2>Yes, we'll save it. Yep, you thought it too, Okay, yes,

0:24:10.359 --> 0:24:12.920
<v Speaker 2>that's it everywhere you look. We will get to that later.

0:24:14.040 --> 0:24:16.320
<v Speaker 2>Jesse tells him, come on, I gotta clean this place

0:24:16.400 --> 0:24:18.159
<v Speaker 2>up if I'm gonna get a loan from the bank.

0:24:18.840 --> 0:24:20.800
<v Speaker 2>Jesse picks up one side of a trash can and

0:24:20.840 --> 0:24:23.359
<v Speaker 2>he says, grab this. Joey grabs the other side, but

0:24:23.400 --> 0:24:25.600
<v Speaker 2>when they lift it, the bottom falls out and the

0:24:25.640 --> 0:24:29.919
<v Speaker 2>trash spills all over the floor. Frustrated, Jesse says, this

0:24:30.040 --> 0:24:32.480
<v Speaker 2>place is a mess. Try to find a dustpant. The

0:24:32.560 --> 0:24:34.560
<v Speaker 2>lady from the bank is going to be here any minute.

0:24:35.400 --> 0:24:38.280
<v Speaker 2>Joey starts looking around. Let's see what do we have? Corkscrew,

0:24:38.520 --> 0:24:42.480
<v Speaker 2>a bucket, a rat. Joey screams and smashes his head

0:24:42.600 --> 0:24:46.520
<v Speaker 2>right up through the bar. Jess, get it. It was big, gray,

0:24:46.600 --> 0:24:50.000
<v Speaker 2>dirty and awful. Oh god, get it. Jesse runs behind

0:24:50.040 --> 0:24:52.720
<v Speaker 2>the bar and picks up a ripped bar rag.

0:24:53.520 --> 0:24:54.080
<v Speaker 1>Is this it?

0:24:54.760 --> 0:24:57.359
<v Speaker 2>And Joey's who has his eyes closed, says yes, just

0:24:57.400 --> 0:25:00.680
<v Speaker 2>get it away from me, and Jesse reveals it's a

0:25:00.720 --> 0:25:04.159
<v Speaker 2>bar rag, and Joey jokes, well, maybe you want to

0:25:04.200 --> 0:25:05.679
<v Speaker 2>get that smudge then right.

0:25:05.560 --> 0:25:09.639
<v Speaker 3>Over there reminded me of my incident with the small

0:25:09.720 --> 0:25:13.879
<v Speaker 3>fan freaking out over something that was not actually anything

0:25:13.920 --> 0:25:15.959
<v Speaker 3>to freak out over relatable.

0:25:18.080 --> 0:25:20.720
<v Speaker 2>Jesse swats him with the rag. Stop it, Get your

0:25:20.720 --> 0:25:22.840
<v Speaker 2>fat head out of there. She's gonna be here any minute.

0:25:23.600 --> 0:25:27.040
<v Speaker 2>Jesse tries to pull Joey free ow Joey says, I

0:25:27.080 --> 0:25:32.040
<v Speaker 2>can't move, I'm stuck. Someone knocks at the door, mister Kozopolis.

0:25:32.080 --> 0:25:36.399
<v Speaker 2>You who? Jesse quickly puts a bucket over Joey's head,

0:25:36.880 --> 0:25:41.880
<v Speaker 2>coens the door, and welcomes her in. The woman walks

0:25:41.920 --> 0:25:46.520
<v Speaker 2>in and introduces herself. I'm Eleanor Cook from Embarked Arrow Bank,

0:25:47.280 --> 0:25:51.560
<v Speaker 2>and Jesse says, hi, I'm a Jesse Katzopolis. Then Joey sneezes.

0:25:52.320 --> 0:25:56.439
<v Speaker 2>Eleanor stares at the bucket. What was that? Jesse replies, Well,

0:25:56.480 --> 0:26:00.320
<v Speaker 2>could be anything, and Joey sneezes again an old bar

0:26:00.560 --> 0:26:05.280
<v Speaker 2>rag a rat. Eleanor lifts the bucket and finds Joey underneath.

0:26:05.520 --> 0:26:10.720
<v Speaker 2>She screams startled. Jesse finishes a freak under a bucket.

0:26:11.240 --> 0:26:13.560
<v Speaker 2>Joey says, can somebody hold my nose? I gotta pop

0:26:13.600 --> 0:26:16.320
<v Speaker 2>my ears. So Jesse hits him on the head and

0:26:16.400 --> 0:26:19.560
<v Speaker 2>introduces him. Oh, how terribly rude of me. This is

0:26:19.720 --> 0:26:23.119
<v Speaker 2>Joseph Gladstone, our head waiter.

0:26:23.720 --> 0:26:24.800
<v Speaker 1>Ha ha ha ah.

0:26:25.000 --> 0:26:27.800
<v Speaker 2>And the audience loves it, like the audience is clearing.

0:26:28.960 --> 0:26:30.119
<v Speaker 1>Bad puns, and all.

0:26:31.480 --> 0:26:35.000
<v Speaker 2>The audience loves the dad jokes, you know. Eleanor just

0:26:35.040 --> 0:26:38.679
<v Speaker 2>stares at them. Jesse says, anyway, we used to be

0:26:38.760 --> 0:26:42.320
<v Speaker 2>in advertising together, so we've cooked up this little presentation.

0:26:42.920 --> 0:26:46.879
<v Speaker 2>Picture it, if you will, Jesse and Joey teenagers walking

0:26:46.960 --> 0:26:49.239
<v Speaker 2>down the street, but in this case one of us

0:26:49.240 --> 0:26:52.080
<v Speaker 2>has a bar on his shoulders, and Joey laughs me.

0:26:53.000 --> 0:26:56.639
<v Speaker 2>So Jesse and Joey pretend to walk in place. Joey asks, Jess,

0:26:56.720 --> 0:26:59.320
<v Speaker 2>what do you want to do tonight? Maul did it movie?

0:26:59.440 --> 0:27:03.680
<v Speaker 2>Seeing it? Burger ate it bowling, and Eleanor cuts them off.

0:27:03.720 --> 0:27:07.399
<v Speaker 2>Hold it, Jesse says, oh no, actually bowling was roll it,

0:27:07.520 --> 0:27:11.439
<v Speaker 2>but you get the idea. It's a rhyming thing. Eleanor clarifies, no,

0:27:11.560 --> 0:27:14.760
<v Speaker 2>I mean hold it, as in, please go no further.

0:27:15.320 --> 0:27:18.879
<v Speaker 2>I have some specific questions we need to discuss. But

0:27:19.119 --> 0:27:21.120
<v Speaker 2>I like this woman. You know, she's getting to the point.

0:27:21.200 --> 0:27:25.880
<v Speaker 3>She's like, stop with the bucket, man, I haven't even

0:27:25.960 --> 0:27:27.040
<v Speaker 3>told you what I need yet.

0:27:27.040 --> 0:27:28.439
<v Speaker 1>I don't need this right.

0:27:28.560 --> 0:27:31.520
<v Speaker 2>She doesn't need a presentation, she's gone. She needs answers

0:27:31.560 --> 0:27:35.080
<v Speaker 2>to her questions. Jesse says, that's no problem. We can

0:27:35.119 --> 0:27:38.359
<v Speaker 2>handle that, right, little buddy. Eleanor says, we need to

0:27:38.400 --> 0:27:42.880
<v Speaker 2>talk about what kind of loan you want, and Jesse celebrates,

0:27:43.200 --> 0:27:46.080
<v Speaker 2>way too early, we got the loan, Joseph high five.

0:27:46.920 --> 0:27:49.439
<v Speaker 2>Jesse holds up his hand, but Joey sticks out his

0:27:49.600 --> 0:27:51.960
<v Speaker 2>tongue instead, and Jesse slaps it.

0:27:52.000 --> 0:27:55.720
<v Speaker 1>By mistake, Dave's gigantically long.

0:27:56.359 --> 0:28:00.480
<v Speaker 2>Freakishly long, like that was that's that's a no thing

0:28:00.720 --> 0:28:03.080
<v Speaker 2>like his tongue is freekishly long.

0:28:03.640 --> 0:28:06.560
<v Speaker 3>I'm surprised he actually couldn't extend it fully and slap

0:28:06.600 --> 0:28:08.200
<v Speaker 3>John's handback for a high five.

0:28:10.200 --> 0:28:10.320
<v Speaker 1>Mm.

0:28:11.480 --> 0:28:16.600
<v Speaker 2>Eleanor looks disgusted. I meant we haven't discussed the amount,

0:28:16.880 --> 0:28:21.200
<v Speaker 2>the terms whether you want adjustable or fixed, and Jesse

0:28:21.280 --> 0:28:24.040
<v Speaker 2>and Joey laugh awkwardly. Oh you lend it, We'll spend

0:28:24.040 --> 0:28:27.439
<v Speaker 2>it right. Eleanor adds, I also need to know if

0:28:27.480 --> 0:28:30.720
<v Speaker 2>the club is up to code health codes, fire codes,

0:28:30.760 --> 0:28:35.040
<v Speaker 2>building codes. How are your footing and bearing walls? Eleanor

0:28:35.080 --> 0:28:40.000
<v Speaker 2>asks Jesse. Joke's fine, thanks and yours. Eleanor asks, I mean,

0:28:40.200 --> 0:28:44.960
<v Speaker 2>has the foundation been inspected? And Jesse knocks on the wall. Well,

0:28:45.040 --> 0:28:49.240
<v Speaker 2>it hasn't been inspected, per se, but I've checked the foundation,

0:28:49.400 --> 0:28:52.520
<v Speaker 2>and you know it's really holding up, And just then

0:28:52.560 --> 0:28:56.640
<v Speaker 2>a shelf falls off the wall. Jesse nervously says, the

0:28:56.680 --> 0:29:00.840
<v Speaker 2>place is like a rock. Eleanor says, mister Kitts, it's

0:29:00.880 --> 0:29:04.520
<v Speaker 2>obvious you're unprepared. I'm afraid I have no choice but

0:29:04.600 --> 0:29:07.640
<v Speaker 2>to deny your loan request, and she starts to leave.

0:29:08.400 --> 0:29:11.280
<v Speaker 2>Jesse follows her. Miss Cook, you can't. They're gonna turn

0:29:11.280 --> 0:29:14.880
<v Speaker 2>this place into a parking lot. I'm very sorry. Goodbye,

0:29:14.920 --> 0:29:19.240
<v Speaker 2>mister Kitzopolis, mister Gladstone. Eleanor offers to shake Joey's hand,

0:29:19.280 --> 0:29:22.400
<v Speaker 2>but he sticks out his tongue instead, and she pulls away.

0:29:23.600 --> 0:29:26.800
<v Speaker 2>Jesse chases after her, Miss Cook, give us a second chance,

0:29:26.840 --> 0:29:29.480
<v Speaker 2>won't you? Did I mention your hair looks nice today?

0:29:29.520 --> 0:29:33.480
<v Speaker 2>Because it really does. Joey, who's now all alone in

0:29:33.520 --> 0:29:37.200
<v Speaker 2>the smash club, calls after him, Jess hello, and just

0:29:37.200 --> 0:29:40.680
<v Speaker 2>then a mouse appears in front of Joey, and Joey

0:29:40.680 --> 0:29:48.000
<v Speaker 2>starts stammering, however, you yeah so good? Like this whole

0:29:48.000 --> 0:29:49.960
<v Speaker 2>scene is a masterclass in physical comedy.

0:29:50.000 --> 0:29:52.440
<v Speaker 3>Like it was a ridiculous physical comedy when they're walking

0:29:52.440 --> 0:29:54.600
<v Speaker 3>down the street and Dave's just bobbing his head.

0:29:55.360 --> 0:29:56.960
<v Speaker 1>But I felt I was confused.

0:29:57.000 --> 0:29:59.520
<v Speaker 3>I was like, why, why does the place have to

0:29:59.560 --> 0:30:01.560
<v Speaker 3>be in good shape to get the loan? Aren't you

0:30:01.600 --> 0:30:03.640
<v Speaker 3>getting the loan to get the place in good shape?

0:30:03.760 --> 0:30:04.800
<v Speaker 1>Yeah, that's true.

0:30:05.640 --> 0:30:09.720
<v Speaker 3>From the bank worrying about her footings and bearing walls.

0:30:09.760 --> 0:30:10.880
<v Speaker 1>That's the inspector's job.

0:30:10.960 --> 0:30:14.520
<v Speaker 3>You just need to know, you know me, if you gotta,

0:30:15.200 --> 0:30:16.520
<v Speaker 3>I don't know, just hand me the money and I'm

0:30:16.520 --> 0:30:17.320
<v Speaker 3>gonna figure out what.

0:30:17.240 --> 0:30:17.719
<v Speaker 1>To do with this.

0:30:18.040 --> 0:30:20.560
<v Speaker 2>She should be more concerned that they have a lack

0:30:20.600 --> 0:30:24.480
<v Speaker 2>of W two's and income seven years tax return, Like

0:30:24.520 --> 0:30:25.080
<v Speaker 2>that's what she.

0:30:25.000 --> 0:30:29.160
<v Speaker 3>Should be concerned, you know, as the only radio DJs

0:30:29.160 --> 0:30:31.000
<v Speaker 3>and advertisers in all of San Francisco.

0:30:31.080 --> 0:30:32.200
<v Speaker 1>They did quite well.

0:30:32.000 --> 0:30:36.120
<v Speaker 3>For themselves, so uh, apparently they shocking they even need

0:30:36.160 --> 0:30:37.200
<v Speaker 3>the loan, really.

0:30:37.200 --> 0:30:39.160
<v Speaker 2>And why don't they just get the bank of Danny

0:30:39.280 --> 0:30:43.720
<v Speaker 2>Like Danny's got right, Like I just would do one

0:30:43.760 --> 0:30:46.720
<v Speaker 2>less renovation at the Tanner House and put that in.

0:30:46.480 --> 0:30:49.720
<v Speaker 3>The last car or thing through the kitchen wall, and

0:30:50.240 --> 0:30:51.200
<v Speaker 3>it pays for itself.

0:30:51.640 --> 0:31:03.440
<v Speaker 2>See, we're problem solvers. We could have handled this. Next

0:31:03.480 --> 0:31:06.080
<v Speaker 2>we're in the kitchen it's the next day, and Danny

0:31:06.120 --> 0:31:09.080
<v Speaker 2>walks in with a box. How you doing? The station

0:31:09.240 --> 0:31:12.200
<v Speaker 2>just sent over my outfit for the Sumo wrestler segment,

0:31:12.280 --> 0:31:14.800
<v Speaker 2>he tells Becky, and Becky says, great, let's see it.

0:31:15.480 --> 0:31:19.440
<v Speaker 2>Danny opens the box and freezes and slowly pulls out

0:31:19.440 --> 0:31:25.520
<v Speaker 2>his teeny tiny mawashee aka loincloth, and he's afraid. He says,

0:31:25.600 --> 0:31:28.280
<v Speaker 2>there's gotta be more than this. I'm gonna need a

0:31:28.280 --> 0:31:31.720
<v Speaker 2>tanning booth and a full body wax and Becky jokes

0:31:31.760 --> 0:31:36.440
<v Speaker 2>fashion tip, don't wear black socks. Danny asks, so, how's

0:31:36.600 --> 0:31:41.960
<v Speaker 2>just doing? And Becky says not good. He's really depressed. Michelle,

0:31:41.960 --> 0:31:45.080
<v Speaker 2>who is sitting with Becky asks, what does depressed mean.

0:31:45.800 --> 0:31:51.200
<v Speaker 3>Which is a horrifying question coming from your therapist. I

0:31:51.200 --> 0:31:52.920
<v Speaker 3>would hope that at least she would know that.

0:31:53.200 --> 0:31:57.040
<v Speaker 2>Yeah, you would think, but maybe she's had a lapse.

0:31:57.160 --> 0:32:03.600
<v Speaker 2>She's had a lapsing. Danny explains, depressed means sad, unhappy.

0:32:04.160 --> 0:32:05.760
<v Speaker 2>You know how you felt when you found out that

0:32:05.880 --> 0:32:09.640
<v Speaker 2>Gumby wasn't microwave safe, and Michelle understands.

0:32:09.680 --> 0:32:10.800
<v Speaker 1>Gotcha.

0:32:10.920 --> 0:32:13.440
<v Speaker 2>Becky tells her, let's all try to be extra nice

0:32:13.480 --> 0:32:16.920
<v Speaker 2>to Uncle Jesse today. Okay, Michelle says, I'll give him

0:32:16.920 --> 0:32:19.920
<v Speaker 2>my last sweet roll and she puts her sweet roll

0:32:20.000 --> 0:32:24.680
<v Speaker 2>on Jesse's plate. Jesse then comes downstairs surprisingly in a

0:32:24.800 --> 0:32:28.280
<v Speaker 2>great mood. Good morning, my beautiful family. It's nice to

0:32:28.280 --> 0:32:31.280
<v Speaker 2>see you all. I love you all in a very

0:32:31.440 --> 0:32:38.640
<v Speaker 2>special way individually that is. Michelle asks, you're depressed. Jesse replies, depressed.

0:32:39.360 --> 0:32:42.000
<v Speaker 2>I don't know the meaning of the word. Michelle says,

0:32:42.040 --> 0:32:46.880
<v Speaker 2>I don't think Daddy does either. Jesse tells everyone, get this,

0:32:47.160 --> 0:32:49.400
<v Speaker 2>I just talked to the lady from the bank, miss Cook,

0:32:50.080 --> 0:32:52.520
<v Speaker 2>and he tells them that after a little begging, she's

0:32:52.560 --> 0:32:57.120
<v Speaker 2>agreed to another interview. Jesse vows to get prepared to

0:32:57.240 --> 0:33:00.880
<v Speaker 2>find a book on every code, building code, health code,

0:33:01.000 --> 0:33:02.240
<v Speaker 2>municipal code.

0:33:02.120 --> 0:33:02.920
<v Speaker 1>Area code.

0:33:03.000 --> 0:33:05.160
<v Speaker 2>If there's a code out there, I'm going to crack it.

0:33:06.280 --> 0:33:09.680
<v Speaker 2>Michelle says, I'm glad you're happy again, Uncle Jesse. Jesse

0:33:09.720 --> 0:33:13.760
<v Speaker 2>gives Michelle a hug. She quietly takes her sweet roll back.

0:33:14.000 --> 0:33:15.960
<v Speaker 1>Yeah, he doesn't need one now, he doesn't need it.

0:33:16.040 --> 0:33:17.560
<v Speaker 2>He doesn't need it. It was super cute.

0:33:17.600 --> 0:33:20.280
<v Speaker 1>That was y have really good timing on it. It

0:33:20.360 --> 0:33:23.400
<v Speaker 1>was funny. Great, So glad you're happy.

0:33:23.520 --> 0:33:26.200
<v Speaker 2>That was a great moment. She's got some good singers, like.

0:33:27.160 --> 0:33:29.800
<v Speaker 3>Learned that ashal Merkater getting a little older and can

0:33:29.880 --> 0:33:33.800
<v Speaker 3>like you know, they are timing, yes, how to land

0:33:33.840 --> 0:33:35.520
<v Speaker 3>a joke, how to time it just right.

0:33:35.920 --> 0:33:38.120
<v Speaker 2>I'm very much enjoying them this season.

0:33:38.440 --> 0:33:39.640
<v Speaker 1>Oh yeah, absolutely.

0:33:39.800 --> 0:33:42.200
<v Speaker 3>I mean I feel like to get prepared, he should

0:33:42.200 --> 0:33:45.520
<v Speaker 3>also get in addition to books on all of these codes.

0:33:45.720 --> 0:33:48.920
<v Speaker 1>Uh an accountant, you know what I mean?

0:33:49.960 --> 0:33:53.200
<v Speaker 3>Some financial security guard.

0:33:53.320 --> 0:33:53.760
<v Speaker 1>I don't know.

0:33:54.080 --> 0:33:58.040
<v Speaker 2>Yeah, there's a lot that's not just building codes. He's

0:33:58.480 --> 0:34:02.400
<v Speaker 2>got a tall order. Next, we're back in the backyard.

0:34:02.600 --> 0:34:07.760
<v Speaker 2>Michelle is relaxing on a lounger wearing star sunglasses while

0:34:07.840 --> 0:34:12.320
<v Speaker 2>Alex hands her a nectarine. This is the life, she says,

0:34:12.360 --> 0:34:14.960
<v Speaker 2>and she looks at the fruit. Wait a second, this

0:34:15.000 --> 0:34:18.560
<v Speaker 2>is a nectarine. I asked for a peach. This is bald.

0:34:18.719 --> 0:34:21.200
<v Speaker 2>Try again, she says, and she shows him away.

0:34:21.600 --> 0:34:23.279
<v Speaker 3>I did not know that they were the same thing,

0:34:24.360 --> 0:34:26.120
<v Speaker 3>except one has fuzz and one doesn't.

0:34:26.520 --> 0:34:29.640
<v Speaker 2>I'd never actually thought about that before. Each has fuzzs,

0:34:29.719 --> 0:34:34.320
<v Speaker 2>nectrine doesn't the same inside, well more or less the

0:34:34.360 --> 0:34:39.640
<v Speaker 2>same family interesting, learn some seaful houses, educational, learn something

0:34:39.640 --> 0:34:43.520
<v Speaker 2>new every day. So then she turns to Nicky. Did

0:34:43.560 --> 0:34:48.240
<v Speaker 2>you find Waldo for me yet? As he's scanning a book. No, Waldo,

0:34:48.400 --> 0:34:52.280
<v Speaker 2>he replies, Michelle says, keep looking, he's in there. Michelle

0:34:52.320 --> 0:34:57.279
<v Speaker 2>puts her sunglasses back on and relaxes in her lounge chair. Boy,

0:34:57.320 --> 0:35:02.120
<v Speaker 2>she is just really just riding them hard, taking advantage

0:35:02.120 --> 0:35:04.080
<v Speaker 2>of a situation, the age difference.

0:35:04.080 --> 0:35:07.640
<v Speaker 3>He's just finally happy that there's someone younger than her. Yes,

0:35:07.680 --> 0:35:10.040
<v Speaker 3>which is kind of what always happens, right, Like, if

0:35:10.040 --> 0:35:12.520
<v Speaker 3>you're the youngest, you're just looking for somebody.

0:35:12.120 --> 0:35:14.320
<v Speaker 1>Else to bother.

0:35:14.719 --> 0:35:17.960
<v Speaker 2>Right, She's been bossed around for seven years after Now

0:35:18.200 --> 0:35:22.680
<v Speaker 2>I get to boss you around. Back in the kitchen,

0:35:23.640 --> 0:35:27.200
<v Speaker 2>Danny is walking into the kitchen with Becky holding his back.

0:35:27.800 --> 0:35:30.520
<v Speaker 2>He says, oh, Becky, that sumo wrestler really did a

0:35:30.600 --> 0:35:33.040
<v Speaker 2>number on my back. Could you get me an ice

0:35:33.120 --> 0:35:37.440
<v Speaker 2>pack or something. Becky says, come on, Danny, ozo Yash,

0:35:37.440 --> 0:35:40.880
<v Speaker 2>she didn't sit on you that hard, and Danny replies, Becky,

0:35:41.000 --> 0:35:43.239
<v Speaker 2>the only way a seven hundred pound guy sits on

0:35:43.280 --> 0:35:47.279
<v Speaker 2>you is hard. So Becky checks the freezer. We're out

0:35:47.280 --> 0:35:50.040
<v Speaker 2>of ice. We have waffles, a pint of Rocky Road,

0:35:50.239 --> 0:35:53.200
<v Speaker 2>and a rump roast. Danny says, bring me the rump

0:35:53.320 --> 0:35:57.239
<v Speaker 2>roast and Becky says, Danny, this is our dinner, and

0:35:57.320 --> 0:36:00.000
<v Speaker 2>Danny says, I'm going to defrost it anyway, any places

0:36:00.120 --> 0:36:03.400
<v Speaker 2>is it on his back? After a beat, Becky says,

0:36:03.640 --> 0:36:09.279
<v Speaker 2>let's eat out tonight, and Danny sighs and relief. Oh yeah,

0:36:09.280 --> 0:36:14.319
<v Speaker 2>he did the he did the stupid Yeah, this is yeah.

0:36:14.400 --> 0:36:18.040
<v Speaker 2>Bob and Dave did this all the time, just in

0:36:18.239 --> 0:36:19.440
<v Speaker 2>all situations.

0:36:19.640 --> 0:36:23.160
<v Speaker 1>Just made that like and like eyes rolled back on it.

0:36:23.160 --> 0:36:25.319
<v Speaker 2>It was yeah, it was the thing. It was a bit.

0:36:25.520 --> 0:36:25.960
<v Speaker 2>It was a bit.

0:36:26.200 --> 0:36:28.200
<v Speaker 1>It was a bit. And they would try to get

0:36:28.239 --> 0:36:29.600
<v Speaker 1>it in there anytime they could.

0:36:29.840 --> 0:36:33.680
<v Speaker 2>Oh yeah always yep uh And thank you sweet baby. Jesus,

0:36:33.719 --> 0:36:35.799
<v Speaker 2>they did not show us a scene of Bob in

0:36:35.840 --> 0:36:38.399
<v Speaker 2>a loin cloth with a Suma wrestler. I'm just glad

0:36:39.000 --> 0:36:39.600
<v Speaker 2>that got left.

0:36:39.880 --> 0:36:42.720
<v Speaker 3>I wonder if that was ever even on the table

0:36:42.760 --> 0:36:43.400
<v Speaker 3>as an idea.

0:36:43.520 --> 0:36:47.839
<v Speaker 2>Yeah, I'm like they were was probably like the absolutely

0:36:47.920 --> 0:36:53.640
<v Speaker 2>the heck no no. Back in the backyard, Michelle asks,

0:36:53.680 --> 0:36:57.759
<v Speaker 2>I'm thirsty, where's that water? And Alex says mean Michelle.

0:36:58.480 --> 0:37:01.440
<v Speaker 2>Michelle says, come on, I'm really and she lays her

0:37:01.480 --> 0:37:05.640
<v Speaker 2>head back. Nicky adds mean. So the Twins grab the

0:37:05.640 --> 0:37:10.360
<v Speaker 2>hose and spray Michelle my hair, my shirt. I'm sogged,

0:37:10.520 --> 0:37:13.879
<v Speaker 2>she says. Becky and Danny come running outside. What's going

0:37:13.920 --> 0:37:16.759
<v Speaker 2>on out here? Michelle says, Nicky and Alex got me

0:37:16.840 --> 0:37:20.520
<v Speaker 2>all wet. Becky tells the Twins boys that was not

0:37:20.719 --> 0:37:24.319
<v Speaker 2>very nice. Michelle adds it gets worse. They brought me

0:37:24.360 --> 0:37:27.520
<v Speaker 2>the wrong fruit, they cleaned my room wrong, they brushed

0:37:27.600 --> 0:37:31.600
<v Speaker 2>my hair wrong. Danny cuts her off. She's like a

0:37:31.640 --> 0:37:33.080
<v Speaker 2>little dictator right now, right.

0:37:33.520 --> 0:37:36.280
<v Speaker 3>I mean she leans towards this occasionally anyway.

0:37:36.360 --> 0:37:39.440
<v Speaker 1>Now she's just found foot soldiers.

0:37:40.560 --> 0:37:45.680
<v Speaker 2>Exactly right. Danny cuts her off. Michelle, Honey, you know

0:37:45.719 --> 0:37:48.840
<v Speaker 2>what it sounds like you're trying to turn your little

0:37:48.880 --> 0:37:53.719
<v Speaker 2>cousins into your own personal servants. And Michelle replies, is

0:37:53.760 --> 0:37:57.719
<v Speaker 2>that how it sounds? Maybe I said it wrong. Becky says,

0:37:57.760 --> 0:38:00.400
<v Speaker 2>you know, Michelle, even though Nicky and Alex are little,

0:38:00.719 --> 0:38:03.880
<v Speaker 2>there's still people and we need to treat them with respect.

0:38:05.080 --> 0:38:07.400
<v Speaker 2>I know, but it was so easy. I'm sorry for

0:38:07.440 --> 0:38:10.560
<v Speaker 2>being so bossy. Are you mad at me? And Nicki

0:38:10.600 --> 0:38:12.600
<v Speaker 2>and Alex? Go give Michelle a hug.

0:38:14.160 --> 0:38:18.399
<v Speaker 3>I loved Speaking's line about they're little, but there's still

0:38:18.400 --> 0:38:20.319
<v Speaker 3>people and we need to treat them with respect, because

0:38:20.360 --> 0:38:23.480
<v Speaker 3>I bet that there were a lot of kids watching

0:38:23.520 --> 0:38:27.040
<v Speaker 3>who are around Michelle's age or you know, older, younger.

0:38:26.840 --> 0:38:29.680
<v Speaker 1>Slightly that have a baby, brother, sister.

0:38:29.600 --> 0:38:34.200
<v Speaker 3>Cousin something, and you know you have to remind them like, hey,

0:38:34.480 --> 0:38:38.239
<v Speaker 3>they're you know, they're people too, they have feelings.

0:38:38.280 --> 0:38:43.759
<v Speaker 2>So yeah, there was a great lesson. Yeah the way

0:38:43.800 --> 0:38:46.239
<v Speaker 2>to go, Becky, thank you for clarifying that, because that

0:38:46.320 --> 0:38:50.680
<v Speaker 2>is a really important lesson. Cute, little, cute, little storyline.

0:38:50.719 --> 0:38:53.040
<v Speaker 2>These scenes are so short. I've noticed like they're just

0:38:53.040 --> 0:38:55.919
<v Speaker 2>like quick little scene scene. Seeing there's none of these long.

0:38:56.680 --> 0:38:59.160
<v Speaker 1>She just looked at the next one and it seems.

0:38:59.200 --> 0:38:59.840
<v Speaker 2>The health coach.

0:39:00.320 --> 0:39:03.880
<v Speaker 3>Yeah, yeah, we're in the living room forever. Now, this

0:39:04.000 --> 0:39:06.319
<v Speaker 3>is we literally we're going into the living room and

0:39:06.360 --> 0:39:06.799
<v Speaker 3>we don't leave.

0:39:06.840 --> 0:39:09.920
<v Speaker 2>It's likely yeah, yeah, yeah, that's why all the other

0:39:09.960 --> 0:39:12.239
<v Speaker 2>seeds are so short, because we spend the rest of

0:39:12.239 --> 0:39:15.520
<v Speaker 2>it in the living room. So dj is quizzing. Jesse

0:39:16.400 --> 0:39:19.880
<v Speaker 2>next section two seven six three five of the Health Code,

0:39:20.080 --> 0:39:22.359
<v Speaker 2>and Jesse thinks for a minute. Section two seven six

0:39:22.440 --> 0:39:25.759
<v Speaker 2>three five Health Code. Oh, that's all restrooms must have

0:39:25.840 --> 0:39:29.320
<v Speaker 2>self closing doors. Am I right? And Steph says close

0:39:30.120 --> 0:39:33.960
<v Speaker 2>Food preparation areas must be lit to a minimum brightness

0:39:34.000 --> 0:39:37.440
<v Speaker 2>of twenty foot candles of light, and Jesse asks, how

0:39:37.480 --> 0:39:40.360
<v Speaker 2>is that close? And Stuff shrugs it's not. I was

0:39:40.400 --> 0:39:43.920
<v Speaker 2>just trying to be nice. And John looks fantastic in

0:39:43.960 --> 0:39:47.879
<v Speaker 2>this burgundy suit, Like it looks great, looks I feel like.

0:39:47.880 --> 0:39:51.160
<v Speaker 3>Really each scene though, the crosses on his neck a multiplying.

0:39:53.600 --> 0:39:56.120
<v Speaker 1>I mean like it was just one and we had two.

0:39:56.320 --> 0:39:58.200
<v Speaker 2>I think we're now out to three. It's like another

0:39:58.280 --> 0:40:01.839
<v Speaker 2>notch on the bed. It's like another cross around the neck. Yep,

0:40:02.040 --> 0:40:06.040
<v Speaker 2>I didn't notice that. That's funny. So Michelle jumps in

0:40:06.160 --> 0:40:09.600
<v Speaker 2>I've got one two seven six two six, and Jesse

0:40:09.680 --> 0:40:13.760
<v Speaker 2>thinks two seven six two six that would be portable

0:40:13.800 --> 0:40:16.880
<v Speaker 2>water supply. And I think he means pottable has to

0:40:16.920 --> 0:40:19.759
<v Speaker 2>be consistent with the nineteen eighty nine standard. Am I right?

0:40:21.000 --> 0:40:24.160
<v Speaker 2>I don't know. I just made up a number, Michelle admits. Michelle,

0:40:24.320 --> 0:40:28.319
<v Speaker 2>Jesse says, throwing his hands up in frustration. Just then

0:40:28.400 --> 0:40:31.560
<v Speaker 2>the doorbell rings and Jesse shoes everyone out there, she is,

0:40:31.640 --> 0:40:35.040
<v Speaker 2>everybody out. Thank you guys for helping out out out

0:40:35.280 --> 0:40:39.120
<v Speaker 2>and DJ Stephan Michelle hurry out of the room. Steph asks,

0:40:39.160 --> 0:40:41.759
<v Speaker 2>are you sure you don't need any help? No, no,

0:40:41.800 --> 0:40:44.080
<v Speaker 2>it's too late. Now it's just me and her mono

0:40:44.480 --> 0:40:48.839
<v Speaker 2>woman WOMANO. Jesse says that he answers the door.

0:40:51.520 --> 0:40:54.319
<v Speaker 3>It's personal service, you know, the loan officer are coming

0:40:54.360 --> 0:40:54.920
<v Speaker 3>to your home.

0:40:55.800 --> 0:40:58.640
<v Speaker 2>This woman has tolerated a lot, you know now, Yeah,

0:40:58.640 --> 0:41:00.880
<v Speaker 2>you're right, a personal service. Yeah, this is you know,

0:41:00.880 --> 0:41:01.480
<v Speaker 2>we have a.

0:41:01.440 --> 0:41:04.840
<v Speaker 3>Small bank, embarcad Are. They're very good to their customers,

0:41:04.880 --> 0:41:06.759
<v Speaker 3>you know. So they don't even charge ATM fees.

0:41:06.920 --> 0:41:11.439
<v Speaker 2>Yeah, yeah, they don't. And we couldn't afford another set

0:41:11.440 --> 0:41:12.919
<v Speaker 2>that week, so it takes place.

0:41:14.520 --> 0:41:16.239
<v Speaker 1>Yeah, we are so.

0:41:16.320 --> 0:41:20.399
<v Speaker 2>Eleanor says, good afternoon, and Jesse welcomes her inside. Nice

0:41:20.440 --> 0:41:22.680
<v Speaker 2>to see you again. Won't you sit down? Can I

0:41:22.719 --> 0:41:27.840
<v Speaker 2>get you something to eat? Drink? Approve? Eleanor says, we'll see.

0:41:28.960 --> 0:41:31.600
<v Speaker 2>Jesse says, listen. I've done some research and found that

0:41:31.680 --> 0:41:34.719
<v Speaker 2>the last major renovation done to the Smash Club was

0:41:34.760 --> 0:41:38.879
<v Speaker 2>in nineteen eighty six. Eleanor tells him, Oh, then you'll

0:41:38.880 --> 0:41:44.080
<v Speaker 2>have to upgrade the food preparation areas to code. Jesse says, right, right,

0:41:44.239 --> 0:41:47.839
<v Speaker 2>food preparation areas, and then he starts to stall. We

0:41:47.840 --> 0:41:50.239
<v Speaker 2>were just going over that code earlier. It's actually one

0:41:50.239 --> 0:41:52.400
<v Speaker 2>of my favorite codes. Don't tell me I know it

0:41:52.520 --> 0:41:56.360
<v Speaker 2>like I know my address, and Jesse freezes, trying to remember.

0:41:57.080 --> 0:42:00.560
<v Speaker 2>Michelle walks in, Uncle Jesse, and Jesse asks, yeah, what

0:42:01.480 --> 0:42:04.920
<v Speaker 2>DJ said? I don't have a belly button, And Jesse says, what,

0:42:05.239 --> 0:42:07.160
<v Speaker 2>of course you have a belly button. Can't you see

0:42:07.239 --> 0:42:11.919
<v Speaker 2>I'm busy here? Could you check? Michelle asks, winking as

0:42:11.960 --> 0:42:15.719
<v Speaker 2>she lifts her shirt to reveal the code written on

0:42:15.800 --> 0:42:20.600
<v Speaker 2>a piece of paper. Brilliant, brilliant. These girls caught on quick.

0:42:20.680 --> 0:42:25.080
<v Speaker 2>They were like, ah, we're to the rescue. Yeah, Jesse says, Oh, yes,

0:42:25.239 --> 0:42:26.520
<v Speaker 2>you do have a belly button.

0:42:26.719 --> 0:42:27.320
<v Speaker 1>Very good.

0:42:27.640 --> 0:42:30.120
<v Speaker 2>You go back and tell DJ that you have the

0:42:30.120 --> 0:42:34.800
<v Speaker 2>belly button of an angel. Jesse quickly adds to Eleanor,

0:42:35.280 --> 0:42:37.919
<v Speaker 2>the code you were wondering about was two seven six

0:42:38.040 --> 0:42:43.239
<v Speaker 2>three five. Eleanor replies, I'm sure it was. She doesn't care,

0:42:43.400 --> 0:42:47.040
<v Speaker 2>she doesn't care, she doesn't care about numbers. Right, this isn't.

0:42:47.040 --> 0:42:50.840
<v Speaker 1>Yet again, Jesse is plowed right into something without asking any.

0:42:50.719 --> 0:42:55.840
<v Speaker 3>Questions, and Ben like ah, and then comes in and

0:42:55.880 --> 0:42:58.160
<v Speaker 3>you're like, wait, we didn't that wasn't even anything that

0:42:58.200 --> 0:42:58.640
<v Speaker 3>we needed.

0:42:58.640 --> 0:42:58.839
<v Speaker 1>Sir.

0:42:59.080 --> 0:43:03.680
<v Speaker 2>He's going full stea ahead with the wrong things, you know, yeah,

0:43:04.000 --> 0:43:17.960
<v Speaker 2>Jesse Jesse. Eleanor continues, Now, let's talk maximum capacity. Jesse replies,

0:43:18.000 --> 0:43:18.960
<v Speaker 2>maximum capacity.

0:43:19.000 --> 0:43:19.560
<v Speaker 1>Good. Good.

0:43:19.800 --> 0:43:23.799
<v Speaker 2>That would be under the fire codes, which are you know,

0:43:23.960 --> 0:43:26.240
<v Speaker 2>it's funny because I was just reading about the fire

0:43:26.280 --> 0:43:29.280
<v Speaker 2>codes today in the Big Red Book, he says, loudly,

0:43:29.400 --> 0:43:32.279
<v Speaker 2>toward the kitchen and in the kitchen, stuff says, Big

0:43:32.320 --> 0:43:35.440
<v Speaker 2>Red Book. As she, DJ and Michelle begin searching a

0:43:35.520 --> 0:43:40.640
<v Speaker 2>scrambling Jesse continues stalling. Hey, speaking of codes in general,

0:43:40.880 --> 0:43:43.240
<v Speaker 2>one of my favorite codes of all time is zero

0:43:43.280 --> 0:43:46.840
<v Speaker 2>seven four seven zero, which, as we all know, is

0:43:46.880 --> 0:43:48.880
<v Speaker 2>the zip code of Wayne, New Jersey.

0:43:49.360 --> 0:43:51.400
<v Speaker 3>But you can't remember that, but not a code that

0:43:51.440 --> 0:43:52.759
<v Speaker 3>he was looking at his afternoon.

0:43:53.600 --> 0:43:54.680
<v Speaker 1>Well, it's so random.

0:43:54.760 --> 0:43:58.520
<v Speaker 2>It's not like the birthplace of Elvis or something.

0:43:57.560 --> 0:44:05.359
<v Speaker 3>Yeah, it's definitely and Elvis tie in Wayne Newton is

0:44:05.400 --> 0:44:08.040
<v Speaker 3>from Wayne, New Jersey.

0:44:08.239 --> 0:44:10.480
<v Speaker 2>What wait, are we getting a note? I don't see

0:44:10.520 --> 0:44:10.799
<v Speaker 2>that note.

0:44:10.840 --> 0:44:16.320
<v Speaker 3>No, that was me making up something stupid because New Jersey,

0:44:16.719 --> 0:44:18.200
<v Speaker 3>Wayne new Ted.

0:44:18.800 --> 0:44:22.400
<v Speaker 2>Okay, I'm gullible.

0:44:23.600 --> 0:44:25.239
<v Speaker 1>I should have gone with it.

0:44:25.360 --> 0:44:28.879
<v Speaker 2>But this is a real zip code and that zero

0:44:28.960 --> 0:44:32.000
<v Speaker 2>seven four seven zero is the actual zip code for Wayne,

0:44:32.360 --> 0:44:36.560
<v Speaker 2>New Jersey. Is the thing. So there we go, Michelle, Wayne,

0:44:37.120 --> 0:44:38.840
<v Speaker 2>shout out Wayne, New Jersey. I'm sure we had a

0:44:38.840 --> 0:44:39.760
<v Speaker 2>lot of fan ritos.

0:44:40.160 --> 0:44:43.120
<v Speaker 3>Maybe if there's anyone out there from Wayne, New Jersey,

0:44:43.239 --> 0:44:44.280
<v Speaker 3>raise your hand and.

0:44:44.239 --> 0:44:44.960
<v Speaker 1>Send us an email.

0:44:46.840 --> 0:44:50.799
<v Speaker 2>Michelle barges in baloney sandwich time, would you look at

0:44:50.800 --> 0:44:53.600
<v Speaker 2>the time? By god, it is doctor's orders. I have

0:44:53.719 --> 0:44:57.200
<v Speaker 2>low blood fat. Let me inspect that sandwich immediately, please.

0:44:57.840 --> 0:45:02.560
<v Speaker 2>Jesse opens the sandwich and finds another code written inside. Michelle,

0:45:02.760 --> 0:45:06.040
<v Speaker 2>you know that I love brown mustard on my belooney sandwiches.

0:45:06.480 --> 0:45:10.280
<v Speaker 2>And Michelle says, sorry, I'll get it right tomorrow. Jesse

0:45:10.360 --> 0:45:13.000
<v Speaker 2>turns back to Eleanor. By the way, that code just

0:45:13.040 --> 0:45:15.919
<v Speaker 2>popped into my head. It was seven four seven six two.

0:45:16.840 --> 0:45:20.400
<v Speaker 2>Eleanor says, mister Chenzopolis. Let's talk about things that are

0:45:20.440 --> 0:45:23.560
<v Speaker 2>a bit more basic, like your financial statement.

0:45:23.840 --> 0:45:28.759
<v Speaker 1>There weird point. We found it once he let her

0:45:28.760 --> 0:45:30.719
<v Speaker 1>get an entire sentence out of her mouth.

0:45:30.960 --> 0:45:33.600
<v Speaker 2>Once he stopped making up things about codes.

0:45:33.719 --> 0:45:37.759
<v Speaker 1>Yes, Eleanor, I love Jesse just gets in his own way.

0:45:38.120 --> 0:45:42.040
<v Speaker 2>He really does, He really really does. Jesse hands her

0:45:42.080 --> 0:45:45.680
<v Speaker 2>a folder. Here's my financial statement, some basic floor plans

0:45:45.960 --> 0:45:49.520
<v Speaker 2>and a basic perspective which I think you'll basically enjoy.

0:45:50.160 --> 0:45:53.760
<v Speaker 2>Eleanor looks through it. I'm very impressed you've done your homework.

0:45:54.520 --> 0:45:58.160
<v Speaker 2>Now the most important question, why do you want to

0:45:58.320 --> 0:46:02.440
<v Speaker 2>reopen the smash club? Jesse repeats, Why do I want

0:46:02.440 --> 0:46:05.440
<v Speaker 2>to reopen the smash club? He calls towards the kitchen. Well,

0:46:05.440 --> 0:46:07.440
<v Speaker 2>that's a good question. Why do I want to reopen

0:46:07.480 --> 0:46:10.399
<v Speaker 2>the smash club? Michelle pokes her head in what kind

0:46:10.400 --> 0:46:14.600
<v Speaker 2>of bread do you want? Eleanor stops him, mister Kitsopolis,

0:46:14.840 --> 0:46:18.000
<v Speaker 2>I'm afraid the answer to this one won't be found

0:46:18.080 --> 0:46:21.640
<v Speaker 2>in a sandwich. Michelle turns to DJ and Steph hold

0:46:21.719 --> 0:46:26.279
<v Speaker 2>the mayo. We're busted. Jesse thinks, for a moment, don't

0:46:26.280 --> 0:46:27.560
<v Speaker 2>tell me I know this one. I know this one

0:46:27.640 --> 0:46:33.520
<v Speaker 2>a profit margins franchising. Eleanor says, I don't think you understand.

0:46:33.960 --> 0:46:35.080
<v Speaker 1>I don't think you do either.

0:46:36.840 --> 0:46:39.440
<v Speaker 2>Eleanor has a firm grasp of this situation.

0:46:39.880 --> 0:46:43.439
<v Speaker 1>Sir, that is not what I'm asking for.

0:46:43.640 --> 0:46:47.040
<v Speaker 2>Yeah, Jesse still doesn't get it. Give me the first

0:46:47.080 --> 0:46:52.920
<v Speaker 2>two letters, and Eleanor finally replies, mister Kitsopolis, I can't

0:46:52.960 --> 0:46:57.319
<v Speaker 2>help you. Jesse finally says, missus cook, what do you

0:46:57.360 --> 0:47:00.279
<v Speaker 2>want from me? You know I'm not a businessman and

0:47:00.360 --> 0:47:02.960
<v Speaker 2>I'm not a suit and tie kind of guy. The

0:47:03.000 --> 0:47:05.640
<v Speaker 2>Smash Club just fell in my lap. It's a place

0:47:05.640 --> 0:47:07.960
<v Speaker 2>where I grew up. It's a place that's very close

0:47:08.000 --> 0:47:10.200
<v Speaker 2>to my heart, and I don't want to see it die.

0:47:10.760 --> 0:47:13.399
<v Speaker 2>My place is to fix it up, introduce a whole

0:47:13.440 --> 0:47:16.720
<v Speaker 2>new generation to great music. Don't you think a family

0:47:16.719 --> 0:47:18.799
<v Speaker 2>and their kids deserve a better place to hang out

0:47:18.800 --> 0:47:20.120
<v Speaker 2>than behind a kitchen door?

0:47:20.719 --> 0:47:24.759
<v Speaker 1>Yeah, and goodies never say die? Like that's like, you

0:47:24.800 --> 0:47:26.919
<v Speaker 1>know what I mean it's like the rally. I feel

0:47:26.960 --> 0:47:28.160
<v Speaker 1>like Rudy's gonna come.

0:47:28.120 --> 0:47:31.520
<v Speaker 2>Running the rally cry, the rallying cry.

0:47:31.640 --> 0:47:31.839
<v Speaker 3>Right.

0:47:32.160 --> 0:47:34.960
<v Speaker 1>All of a sudden, there's a slow clap that follows.

0:47:34.680 --> 0:47:38.040
<v Speaker 2>Oh yeah yeah. Jesse opens the door and of course

0:47:38.080 --> 0:47:41.840
<v Speaker 2>finds Danny, Joey, Becky, dj Steph and Michelle all listening.

0:47:42.600 --> 0:47:45.080
<v Speaker 1>This family a family, of course they are.

0:47:46.719 --> 0:47:48.959
<v Speaker 2>Nobody's like working upstairs, nobody's in the bath.

0:47:49.040 --> 0:47:51.080
<v Speaker 1>Nobody's easier to.

0:47:51.040 --> 0:47:52.799
<v Speaker 3>Just go to the alcove and hide in there. Yeah,

0:47:52.800 --> 0:47:55.080
<v Speaker 3>that's the other way around the kitchen.

0:47:55.200 --> 0:47:59.800
<v Speaker 2>They should have done that. Uh so, he continues, listen,

0:48:00.080 --> 0:48:02.960
<v Speaker 2>miss Cook, I don't have all the answers, so just

0:48:03.000 --> 0:48:05.520
<v Speaker 2>go ahead and turn me down. But I promise you

0:48:05.719 --> 0:48:08.200
<v Speaker 2>I'm gonna find a way to keep the Smash Club open.

0:48:09.239 --> 0:48:12.520
<v Speaker 2>Eleanor smiles. I know you will, and that's why I'm

0:48:12.560 --> 0:48:17.520
<v Speaker 2>approving your loan and the audience applot. This was such

0:48:17.520 --> 0:48:22.280
<v Speaker 2>a great moment. Jesse's excited, really thank you, and Eleanor

0:48:22.360 --> 0:48:25.959
<v Speaker 2>tells him your answer was exactly what I wanted to hear.

0:48:26.400 --> 0:48:30.000
<v Speaker 2>It came from your heart. Jesse says, I got the

0:48:30.000 --> 0:48:33.959
<v Speaker 2>big one, right. Eleanor adds, you got another thing right too.

0:48:34.560 --> 0:48:37.360
<v Speaker 2>You're really not the suit and tie type. I prefer

0:48:37.400 --> 0:48:38.320
<v Speaker 2>you in a leather vest.

0:48:38.680 --> 0:48:43.799
<v Speaker 1>Ah, there's the catch for the loan. There, it is there,

0:48:43.840 --> 0:48:44.560
<v Speaker 1>It is there.

0:48:44.600 --> 0:48:45.359
<v Speaker 2>It is yea.

0:48:45.480 --> 0:48:46.880
<v Speaker 1>Yeah, she's gonna give him a loan, but.

0:48:48.680 --> 0:48:52.000
<v Speaker 2>The price, Jesse. Jesse's confused. Hot, do you know I

0:48:52.040 --> 0:48:55.320
<v Speaker 2>have a leather vest? And she says, I've seen you perform.

0:48:55.760 --> 0:48:59.480
<v Speaker 2>I used to work at the Smash club. Jesse asks,

0:48:59.560 --> 0:49:04.759
<v Speaker 2>you were away matress. Eleanor replies cage dancer, and Jesse

0:49:05.000 --> 0:49:09.120
<v Speaker 2>is speechless, and so was I. Frankly, Eleanor lets out

0:49:09.120 --> 0:49:12.799
<v Speaker 2>a whoo and does a little shimmy dance. All right,

0:49:13.360 --> 0:49:17.640
<v Speaker 2>this actress. Man love this actress, like she just like.

0:49:17.640 --> 0:49:19.920
<v Speaker 1>She went from zero to sixty, zero to.

0:49:19.880 --> 0:49:23.520
<v Speaker 2>Sixty and she nailed it. Like, oh my gosh, love her.

0:49:24.360 --> 0:49:28.160
<v Speaker 2>Jesse points at her, ginger snap, it's good to see

0:49:28.160 --> 0:49:32.000
<v Speaker 2>you again, Jesse. Nice to see you. Take good care

0:49:32.040 --> 0:49:34.960
<v Speaker 2>of the place. Jesse thinks her. I loved when you

0:49:35.040 --> 0:49:38.760
<v Speaker 2>did that the whole woo, and he imitates her shimmy

0:49:39.000 --> 0:49:41.920
<v Speaker 2>and Eleanor joins in one more time before he walks

0:49:41.960 --> 0:49:46.480
<v Speaker 2>her to the door. Yeah, Steph, says uncle Jesse. We

0:49:46.480 --> 0:49:47.839
<v Speaker 2>couldn't help overhearing.

0:49:48.360 --> 0:49:53.360
<v Speaker 1>We couldn't. We literally couldn't couldn't hear physically.

0:49:53.360 --> 0:49:54.920
<v Speaker 2>We were not helping it physically.

0:49:54.960 --> 0:49:57.240
<v Speaker 1>Yeah, we were like almost in the room.

0:49:58.760 --> 0:50:05.920
<v Speaker 2>With A and Dave had like the Jesse cheers, Yes,

0:50:06.200 --> 0:50:10.479
<v Speaker 2>thanks you guys, and DJ Stephan Michelle celebrate, Uncle Jesse.

0:50:10.600 --> 0:50:13.240
<v Speaker 2>I want to be a waitress. Yeah, let me decorate.

0:50:13.600 --> 0:50:17.360
<v Speaker 2>I can make Blooney sandwiches. Jesse laughs. Hold that thought.

0:50:17.719 --> 0:50:19.920
<v Speaker 2>I'm never gonna hear the end of it from these kids.

0:50:20.840 --> 0:50:25.560
<v Speaker 2>Becky says, Honey, you know what you need? A karaoke night? Ooh,

0:50:25.600 --> 0:50:27.319
<v Speaker 2>and Joe, he says, and I could work on some

0:50:27.400 --> 0:50:30.359
<v Speaker 2>new stand up and he pretends to be an alien. Look,

0:50:30.360 --> 0:50:32.040
<v Speaker 2>I'm a martian from another planet.

0:50:32.280 --> 0:50:33.040
<v Speaker 1>You keep working.

0:50:33.880 --> 0:50:36.400
<v Speaker 2>Danny grabs his guitar. Do you need a singer? I

0:50:36.400 --> 0:50:39.160
<v Speaker 2>got my axe right here, before he starts singing, play

0:50:39.200 --> 0:50:42.040
<v Speaker 2>that funky music? Why boy? Oh?

0:50:42.640 --> 0:50:44.239
<v Speaker 3>I mean he's gonna have to pick one of them

0:50:44.239 --> 0:50:46.440
<v Speaker 3>because the Tanner family is the only people that can

0:50:46.480 --> 0:50:47.120
<v Speaker 3>perform though.

0:50:47.400 --> 0:50:49.760
<v Speaker 2>He's gonna have to hire the entire family.

0:50:50.000 --> 0:50:53.120
<v Speaker 3>I bet you someone from the Tanners is gonna make

0:50:53.160 --> 0:50:54.080
<v Speaker 3>it on stage.

0:50:54.880 --> 0:50:57.000
<v Speaker 1>Just wait, yep, the.

0:50:57.000 --> 0:50:59.640
<v Speaker 2>Entire family follows Jesse up the stairs and that is

0:50:59.680 --> 0:51:04.120
<v Speaker 2>our sure yeay, I loved it all right. It was

0:51:04.160 --> 0:51:06.360
<v Speaker 2>a great episode. That was a great.

0:51:06.239 --> 0:51:09.120
<v Speaker 1>Episode bringing the Smash Club back, finally.

0:51:09.000 --> 0:51:11.600
<v Speaker 2>Bringing it back. This is a good project for Jesse, like,

0:51:11.680 --> 0:51:14.799
<v Speaker 2>this is something that actually really makes sense and so.

0:51:15.600 --> 0:51:17.640
<v Speaker 3>And I forgot I forgot that for some reason, I

0:51:17.680 --> 0:51:20.240
<v Speaker 3>thought it happened in season eight, but it's season seven

0:51:20.280 --> 0:51:20.719
<v Speaker 3>and eight.

0:51:21.280 --> 0:51:23.400
<v Speaker 1>Yeah sas coming.

0:51:23.160 --> 0:51:26.880
<v Speaker 3>Up, we have uh, we have girl talk playing at

0:51:26.880 --> 0:51:27.520
<v Speaker 3>the Smash Club.

0:51:27.520 --> 0:51:29.799
<v Speaker 2>That's right, we have girls Talk. There's a few big

0:51:29.840 --> 0:51:32.120
<v Speaker 2>episodes in the several in the in the smell I

0:51:32.120 --> 0:51:32.560
<v Speaker 2>can't wait.

0:51:32.719 --> 0:51:35.040
<v Speaker 1>Yeah, but no, this was this was a fun one.

0:51:35.160 --> 0:51:37.759
<v Speaker 3>I mean, I am gonna walk into a bank and

0:51:37.800 --> 0:51:40.439
<v Speaker 3>give a really heartfelt, motivated speech and see if they'll

0:51:40.440 --> 0:51:43.160
<v Speaker 3>hand me money, and.

0:51:43.080 --> 0:51:44.200
<v Speaker 1>If not, I'm gonna be like, well they did it

0:51:44.239 --> 0:51:45.879
<v Speaker 1>on Full House, and why you're.

0:51:45.800 --> 0:51:49.200
<v Speaker 2>Not give them that VHS and be like, look it

0:51:49.239 --> 0:51:49.719
<v Speaker 2>happens and.

0:51:49.840 --> 0:51:53.879
<v Speaker 3>How obviously no one asked questions. There's no paperwork design.

0:51:54.320 --> 0:51:56.560
<v Speaker 2>And just bring your baloney. Sandwich has a cheese sheet

0:51:56.640 --> 0:51:58.320
<v Speaker 2>for any questions they may ask.

0:51:58.680 --> 0:51:59.680
<v Speaker 1>Oh, no, I loved it.

0:51:59.680 --> 0:52:02.359
<v Speaker 3>It was full House, the silly the funny, the yeah,

0:52:02.400 --> 0:52:04.160
<v Speaker 3>the hiding, the numbers, all of that stuff.

0:52:04.719 --> 0:52:05.680
<v Speaker 1>Great. It was great.

0:52:06.120 --> 0:52:08.200
<v Speaker 3>This was a This was a fun, cute episode and

0:52:08.239 --> 0:52:11.440
<v Speaker 3>it also like it sets up a lot of exciting

0:52:11.480 --> 0:52:13.719
<v Speaker 3>stuff to come with the Smash Club, Like now they

0:52:13.760 --> 0:52:16.200
<v Speaker 3>have a and it's an all ages club, so you

0:52:16.280 --> 0:52:18.239
<v Speaker 3>know that the teens are going to have a place

0:52:18.280 --> 0:52:18.440
<v Speaker 3>to be.

0:52:18.760 --> 0:52:21.640
<v Speaker 2>And that's actually a great idea because that is something

0:52:21.680 --> 0:52:24.680
<v Speaker 2>that's genuinely missing in Front, like we need more spaces.

0:52:24.719 --> 0:52:28.120
<v Speaker 3>Everybody can participate in it. The kids can be their

0:52:28.280 --> 0:52:29.480
<v Speaker 3>work there, perform there.

0:52:30.200 --> 0:52:33.279
<v Speaker 2>This was a great idea by Jesse. Props to Jesse

0:52:34.080 --> 0:52:36.680
<v Speaker 2>h it. I like it and are everywhere you look,

0:52:37.680 --> 0:52:38.760
<v Speaker 2>are everywhere you look.

0:52:38.920 --> 0:52:40.399
<v Speaker 1>The portrait in.

0:52:40.600 --> 0:52:44.600
<v Speaker 2>The Smash Club is the mother than Ye Buzz, none

0:52:44.640 --> 0:52:49.400
<v Speaker 2>other than our producer Miles Christman wearing a peh.

0:52:49.600 --> 0:52:51.640
<v Speaker 1>Yeah, the glasses were his.

0:52:51.920 --> 0:52:55.560
<v Speaker 3>Those are his glasses and the necklace and all of that.

0:52:55.680 --> 0:52:55.919
<v Speaker 1>Yeah.

0:52:56.160 --> 0:52:58.320
<v Speaker 2>I was like, how did they get him to pose for? That?

0:52:58.480 --> 0:53:01.560
<v Speaker 3>Was right because Miles, at least to me was always

0:53:01.560 --> 0:53:03.680
<v Speaker 3>really he was what was he our line producer?

0:53:03.760 --> 0:53:04.560
<v Speaker 1>I think something like that.

0:53:05.000 --> 0:53:06.040
<v Speaker 2>It was our line producer.

0:53:06.480 --> 0:53:09.480
<v Speaker 3>He took over maybe for Phyllis, Yes, so I think

0:53:09.480 --> 0:53:11.200
<v Speaker 3>he was our line producer, which is usually the person

0:53:11.239 --> 0:53:14.800
<v Speaker 3>that's like in charge of money, and like, no person

0:53:14.800 --> 0:53:18.399
<v Speaker 3>he said, he's the one we can't afford that, So

0:53:18.480 --> 0:53:20.319
<v Speaker 3>he was kind of always what I thought of, like

0:53:20.440 --> 0:53:23.040
<v Speaker 3>more buttoned up and you know, straight serious and right.

0:53:23.080 --> 0:53:25.760
<v Speaker 3>Because again, no one like you know, Miles is coming

0:53:25.880 --> 0:53:28.400
<v Speaker 3>usually to tell you that what you just asked for

0:53:28.480 --> 0:53:30.480
<v Speaker 3>and your department is not going to happen exactly.

0:53:31.360 --> 0:53:32.560
<v Speaker 1>But that was hilarious.

0:53:32.760 --> 0:53:35.600
<v Speaker 2>Oh my gosh, he looks so funny. And I don't

0:53:35.600 --> 0:53:37.480
<v Speaker 2>know if I I hadn't seen that. We weren't in

0:53:37.480 --> 0:53:38.920
<v Speaker 2>that scene, so I didn't know that.

0:53:38.760 --> 0:53:39.839
<v Speaker 1>That portrait didn't either.

0:53:39.960 --> 0:53:43.520
<v Speaker 2>I was like, yeah, that was so great.

0:53:43.960 --> 0:53:46.400
<v Speaker 3>Yeah, I do love when they throw a you know,

0:53:47.320 --> 0:53:49.920
<v Speaker 3>I love them on the show in there as a

0:53:50.480 --> 0:53:51.200
<v Speaker 3>ridiculous thing.

0:53:51.640 --> 0:53:53.279
<v Speaker 2>It's great, love it, love it.

0:53:53.600 --> 0:53:56.480
<v Speaker 1>Yeah, only everywhere you look though. That was all I had.

0:53:56.640 --> 0:53:58.600
<v Speaker 2>Yeah, I'm sure there's gonna be many more coming up.

0:53:58.600 --> 0:54:00.400
<v Speaker 2>If there's Smash Club episodes.

0:54:00.400 --> 0:54:02.319
<v Speaker 1>For sure, we're going to start seeing people all over

0:54:02.360 --> 0:54:02.760
<v Speaker 1>the place.

0:54:02.880 --> 0:54:03.840
<v Speaker 2>Yeah, definitely.

0:54:06.200 --> 0:54:08.880
<v Speaker 1>Well that is our show. Everybody.

0:54:08.920 --> 0:54:11.000
<v Speaker 3>Thank you so much for joining us. If you want

0:54:11.000 --> 0:54:12.759
<v Speaker 3>to find us on Instagram, you can check us out

0:54:12.760 --> 0:54:15.000
<v Speaker 3>at how Read Podcast, or you can send us an

0:54:15.000 --> 0:54:20.080
<v Speaker 3>email with your questions, comments, corrections, anything else that starts

0:54:20.080 --> 0:54:20.400
<v Speaker 3>with us.

0:54:20.640 --> 0:54:21.920
<v Speaker 1>Now, maybe that, don't.

0:54:21.760 --> 0:54:25.040
<v Speaker 2>You know, don't if you're from Wayne, New Jersey.

0:54:25.239 --> 0:54:28.560
<v Speaker 1>If you're from Wayne, New Jersey, please let us know.

0:54:30.000 --> 0:54:33.560
<v Speaker 3>If you're named Wayne and you're from New Jersey, please

0:54:33.640 --> 0:54:34.080
<v Speaker 3>let us know.

0:54:34.320 --> 0:54:38.120
<v Speaker 2>That would be cool, that would be super cool. Yeah.

0:54:38.160 --> 0:54:40.320
<v Speaker 3>Well, anyway, you guys, thank you for tuning in. And

0:54:40.640 --> 0:54:43.520
<v Speaker 3>uh and that's it, so we will see you next time.

0:54:44.080 --> 0:54:47.560
<v Speaker 3>And remember the world is small, but the.

0:54:47.520 --> 0:54:52.839
<v Speaker 1>House is full of buzzes, bag two pays. It's just

0:54:52.840 --> 0:54:54.600
<v Speaker 1>just just rugs.

0:54:54.320 --> 0:54:57.960
<v Speaker 3>Everywhere, just rug there, you don't even Yeah, it's a

0:54:58.040 --> 0:54:59.920
<v Speaker 3>shag carpeting of rugs.

0:55:00.000 --> 0:55:00.880
<v Speaker 1>It's seventies.

0:55:01.200 --> 0:55:03.719
<v Speaker 3>Yeah, the shag carpeting made entirely out of two pasts

0:55:03.719 --> 0:55:04.240
<v Speaker 3>sewn together.

0:55:04.360 --> 0:55:08.160
<v Speaker 1>That's it everywhere. Oh, I'm all that muz he's off though.

0:55:08.360 --> 0:55:10.520
<v Speaker 1>It feels nice to walk on with your feet. Okay,

0:55:10.560 --> 0:55:10.920
<v Speaker 1>that's it.

0:55:11.120 --> 0:55:13.000
<v Speaker 2>Bye bye