WEBVTT - SYSK Selects: How The Moonwalk Works

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<v Speaker 1>Hi, everybody, Are you moonwalking right now? Well, it's Saturday,

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<v Speaker 1>so you know I'm moonwalking and this is my Saturday

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<v Speaker 1>select PI from July one, two thousand sixteen. How the

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<v Speaker 1>Moonwalk Works. Give it a listen right now. Welcome to

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<v Speaker 1>Stuff you should know, a production of I Heart Radios.

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<v Speaker 1>How Stuff Works. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark. There's Charles w Chuck Bryant, and Jerry. So

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<v Speaker 1>it's just moonwalk right in this joint. Can you moonwalk? Now?

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<v Speaker 1>I think everybody at the Bellhouse on June knows I

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<v Speaker 1>can moonwalk. Okaynot I didn't moonwalk, but I think you

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<v Speaker 1>could just based based on my moves, you could. You

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<v Speaker 1>could make the assumption that I'm an awesome moonwalker. I've

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<v Speaker 1>seen your moonwalk. It's you know, herky jerky, you know.

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<v Speaker 1>It's that kind of moonwalk that guys like us do.

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<v Speaker 1>I don't understand, you know, he kind of it kind

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<v Speaker 1>of simulates the moonwalk. I see, you know what I mean.

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<v Speaker 1>It's a it's an echo of a moonwalk. I wouldn't

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<v Speaker 1>call it smooth and floaty, oh I would. Yeah, now

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<v Speaker 1>I know, And it's not a great moonwalk. It's right.

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<v Speaker 1>I never learned the moonwalk because I didn't try to

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<v Speaker 1>practice the moonwalk more than like once, and I was like,

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<v Speaker 1>I can't do that. Oh yeah, I just bailed on

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<v Speaker 1>it like my brother practiced and got okay at it.

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<v Speaker 1>I'm surprised he didn't, like, Yes, teach it as a

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<v Speaker 1>class for free to children in need. No, he got uh,

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<v Speaker 1>he got okay at it. Um. But I just I

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<v Speaker 1>don't know if I think I bail on things that

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<v Speaker 1>aren't easy for me. Well, that's definitely a candidate for that. Um. Yeah,

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<v Speaker 1>I think that's a trait I have. I don't like

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<v Speaker 1>to spend a lot of time on something that I

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<v Speaker 1>don't think i'm good at. I'm not one of those like, no, man,

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<v Speaker 1>I'm gonna try the moonwalk until I learned it. I see.

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<v Speaker 1>I was like, maybe I just im not a moonwalker.

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<v Speaker 1>Didn't you? Didn't you say you bail on books too

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<v Speaker 1>that don't like capture your attention at this point in

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<v Speaker 1>your life? Was that you? I don't think I said that,

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<v Speaker 1>but I I didn't say that. Okay, but will you

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<v Speaker 1>work your way through a book? Well, I'll give it

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<v Speaker 1>a fair shot. It's been a while since I bailed

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<v Speaker 1>on a book though, because I usually just pick good

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<v Speaker 1>books like that. I know we're really good. Uh. I

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<v Speaker 1>don't know how long I give a book. How long

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<v Speaker 1>do you give a book? I will give a book

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<v Speaker 1>two pages, yeah, but like three or four times? Right? Like,

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<v Speaker 1>what am I missing? Let me try that again. Yeah, yeah,

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<v Speaker 1>that's fair. I just write a book called Headful of Ghosts,

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<v Speaker 1>which is pretty neat. It's like a psychological thriller. Huh.

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<v Speaker 1>I haven't read a fiction booking forever, and then right

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<v Speaker 1>now either I'm reading the right stuff, the classic and

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<v Speaker 1>it's so that I think Tom Wolf might be the

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<v Speaker 1>greatest reporter of all time. Oh yeah, oh yeah, I

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<v Speaker 1>don't think there's anybody better our buddy Joe Randazzoh oh yeah.

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<v Speaker 1>Of at midnight Fame people are like, wait a minute,

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<v Speaker 1>I thought he was at the Onion. Now he's at

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<v Speaker 1>at midnight. He used to work at the Onion. Uh.

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<v Speaker 1>He just recommended a book which I'm really interested in

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<v Speaker 1>that I wanted to tell you about because it sounds

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<v Speaker 1>like it's right up your alley, called Sapiens, A Brief

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<v Speaker 1>History of Humankind by you've all Noah Harari and the

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<v Speaker 1>it has has a pretty remarkable thesis, which is that

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<v Speaker 1>humans can Humans didn't kill each other off because they

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<v Speaker 1>can cooperate in large numbers because we have an ability,

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<v Speaker 1>a unique ability animals don't have two believe in things

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<v Speaker 1>that exist only in our imagination, huh, like government and

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<v Speaker 1>money and god. And he said, all of these things

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<v Speaker 1>allow us to cooperate. Like we talked about in our

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<v Speaker 1>money episode, it's like money has that paper has no value.

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<v Speaker 1>We just all agreed. So it's essentially fiction, the cold

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<v Speaker 1>concept of money. It's just something we've all agreed on.

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<v Speaker 1>And he said, is it's this cooperation by believing in

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<v Speaker 1>these fictional things that is the only reason that humans

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<v Speaker 1>didn't kill each other off like you know, any other

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<v Speaker 1>weird species. Yeah, I've got to check that out. They said,

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<v Speaker 1>it sounds super interesting, and he said it was amazing,

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<v Speaker 1>So and thank you for relating that. Yeah, I want to.

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<v Speaker 1>Maybe you should read it and just tell me about it,

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<v Speaker 1>because I'm still have never read four Man. I'm a

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<v Speaker 1>fiction reader. I try to. I try to read nonfiction

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<v Speaker 1>in it. I don't know, I just like a good

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<v Speaker 1>fictional yarn more. I'm I'm quite the opposite. Like I

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<v Speaker 1>told you, I want to be a civil War buff.

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<v Speaker 1>I got one of those huge books that's supposed to

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<v Speaker 1>be great and I just can't do it. Like The Moonwalk,

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<v Speaker 1>you don't like fiction. I do like it, it's just

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<v Speaker 1>for the so much of the time I'm reading for

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<v Speaker 1>work that see. I think he would enjoy fiction as

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<v Speaker 1>a break. Well, that's why I read Headfellow Ghosts. I

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<v Speaker 1>was like, I'm reading a fiction book. I need to

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<v Speaker 1>just like read something different and use my imagination again.

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<v Speaker 1>And um it worked. It was like it had an

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<v Speaker 1>effect on me. What was that? What was it? Yeah?

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<v Speaker 1>What was it about? It was about a girl who

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<v Speaker 1>may or may not be possessed and like how our

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<v Speaker 1>family unravels around her. Is it like poplit? I don't

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<v Speaker 1>know that. It's you know, like easy to read. Dean

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<v Speaker 1>Kountz and oh no, no it was. It was a

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<v Speaker 1>little more literary than that, and I wish I'm sorry

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<v Speaker 1>to the author who who wrote the book. I don't

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<v Speaker 1>remember the dude's name, but yeah, he does a good job.

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<v Speaker 1>I'm sorry to Dean Koons and John Grisham. All of

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<v Speaker 1>a sudden, Uh, they know, they know what they are.

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<v Speaker 1>Let's guys know what they are. Oh, Dean Kontz Man,

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<v Speaker 1>that guy's imagination is fantastic. Jan I always assumed that

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<v Speaker 1>he was better than Stephen King because he could finish

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<v Speaker 1>the story. I've never read a Stephen King book, Chuck, what,

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<v Speaker 1>I don't read a lot of that stuff. Okay. I

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<v Speaker 1>read one Dean Kunt's book in my early twenties and

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<v Speaker 1>one night. That's the only time I've ever done that. Well, yeah,

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<v Speaker 1>that was a good thing about it. Kuon's bookcase. You

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<v Speaker 1>can go through it like crazy. Started reading it like

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<v Speaker 1>eight or nine and I stopped at like five in

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<v Speaker 1>the morning. But each one is way different than the others,

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<v Speaker 1>I mean, really differently. The guy's got a great imagination.

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<v Speaker 1>You should read some of Stephen King's work, Like I

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<v Speaker 1>know he is. He's he's so unfairly I was actually

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<v Speaker 1>talking to Hodgman about this the other day. He's like,

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<v Speaker 1>very unfairly criticized as a hack, but he's actually, oh yeah,

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<v Speaker 1>a lot of people are student could sucks. But if

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<v Speaker 1>you just because he's so prolific and because he very

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<v Speaker 1>famously has trouble finishing a story, yeah, but he's like

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<v Speaker 1>nobody can get inside the mind, like the dark side

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<v Speaker 1>of a person's the average person's mind better than Stephen King.

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<v Speaker 1>He's just a he's a great storyteller, aside from the

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<v Speaker 1>ending part. So what's the Shining is probably the one

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<v Speaker 1>I should read? Probably not because you're so used to

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<v Speaker 1>Kubrick's shining and it's just so radically that's the big one, right,

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<v Speaker 1>that's a big one. I've never read the stand I

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<v Speaker 1>would start with the short stories. They're fantastic. Those he

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<v Speaker 1>can finish. It's the largest what do you mean not finish?

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<v Speaker 1>Like just amazing build up, and then the resolutions, like,

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<v Speaker 1>so he finishes, you just mean it's okay, right, it's

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<v Speaker 1>it's not left unfinished. It's the resolution is um the

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<v Speaker 1>payoff is not so great. Yeah, interesting, and it's still fine,

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<v Speaker 1>but it's he's so good at building things up that

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<v Speaker 1>it's almost it would be almost impossible to finish it.

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<v Speaker 1>I don't know if we should call this beginning book

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<v Speaker 1>talk with Josh and Chuck or patting the episode you

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<v Speaker 1>want to talk a moonwalk? Yeah, we needed a little something.

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<v Speaker 1>This is a short one. Well, you were saying that

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<v Speaker 1>you were like you just couldn't do it because this

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<v Speaker 1>is Let me let me tell you how I approached

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<v Speaker 1>the moonwalk. All right, my left hand was covered in

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<v Speaker 1>a white glove was sequence sewn on that my mom

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<v Speaker 1>made for me. Did you really wearing the thriller jacket

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<v Speaker 1>a little black pants. Yeah, that's how my moon walked.

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<v Speaker 1>I was still not that great at it. You were,

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<v Speaker 1>you were in man, this is so in my wheelhouse. Yeah, yeah,

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<v Speaker 1>I wasn't. I mean I listened to pop music, but

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<v Speaker 1>I was also the influenced by my well he's now

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<v Speaker 1>my brother in law, but the General. The General started

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<v Speaker 1>dating my sister when I was twelve, okay, so like

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<v Speaker 1>he was always around and he was like, you're twelve

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<v Speaker 1>years old old. You need to listen to the Almond

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<v Speaker 1>Brothers and Leonard Skinnered and Molly Hatchett and Blackfoot in

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<v Speaker 1>the Atlanta Rhythm section back the Doobie Brothers, like heck yeah.

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<v Speaker 1>But I also listened to the American Top forty every week. So,

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<v Speaker 1>I mean I was an MTV. I was glued to

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<v Speaker 1>So you can't be glued to MTV and not like

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<v Speaker 1>digest ing some of that stuff. But I was never

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<v Speaker 1>never owned parachute pants or anything. But so that was

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<v Speaker 1>the only sequence thing I ever owned. But that's very

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<v Speaker 1>sweet that your mom did that. I think so too.

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<v Speaker 1>It was a very sweet gesture. Um. But I think

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<v Speaker 1>one of the other reasons the moonwalk spoke to me

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<v Speaker 1>and I didn't realize it until researching this article chuck

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<v Speaker 1>that I was also super into break dancing at the time,

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<v Speaker 1>and the moonwalk is actually not a breaking move. It's

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<v Speaker 1>a popping move. But for all but actual breaking and

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<v Speaker 1>popping dancers, it was the same thing. Yeah, I don't

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<v Speaker 1>I don't see how it's a popping move. I saw

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<v Speaker 1>that in the article and I couldn't put it together.

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<v Speaker 1>Becoming is so herky jerky, and a good moonwalk is

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<v Speaker 1>so smooth and buttery. Well, so locking is herky jerky? Right, Well, no,

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<v Speaker 1>popping is too popping? Is that? Like? Yeah, but it's

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<v Speaker 1>also I wish this is really not good for audio,

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<v Speaker 1>but it's also so you know, the one where you

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<v Speaker 1>hold out one hand and make a wave the wave

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<v Speaker 1>goes through your body to the other hand. The class

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<v Speaker 1>of popping is it? Yeah? And I was like, okay,

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<v Speaker 1>all but the worms popping wrong? The worms are breaking move.

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<v Speaker 1>I clearly don't know, but the average person who's who's

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<v Speaker 1>doing these dances is probably popping, locking and breaking. Yeah,

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<v Speaker 1>it all kind of worked out at the same time. Yeah.

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<v Speaker 1>And and I know we covered breakdancing some in the

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<v Speaker 1>hip hop episode, but we should do it total breakdance,

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<v Speaker 1>like give it its full do okay, and we're gonna

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<v Speaker 1>call it the total Breakdance episode. But we I mean,

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<v Speaker 1>we gotta cover some of it here because there's there's

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<v Speaker 1>there's such a basis of it in the Moonwalk, or

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<v Speaker 1>the Moonwalk cast such a basis in it. But the

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<v Speaker 1>Moonwalk goes even further back then popping and locking, which

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<v Speaker 1>we'll talk about in a minute. It goes all the

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<v Speaker 1>way back to the thirties. Should we take a break?

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<v Speaker 1>Oh man? Yes, you know, stop all right. Josh just

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<v Speaker 1>taught me how a moonwalking. Now I'm great at it. Yeah.

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<v Speaker 1>And this I can't remember what that's called. The wave

0:11:43.840 --> 0:11:45.920
<v Speaker 1>the waves where you stand up at a baseball game.

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<v Speaker 1>So what is this? I don't know. I mean, people

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<v Speaker 1>that don't know what Josh is doing right now are

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<v Speaker 1>probably frustrated. But it's that you know that move you

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<v Speaker 1>do where you wave the one arm and it goes

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<v Speaker 1>to your body and the other arm waves and then

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<v Speaker 1>you to your friend. Yes, that's a popping move. Is

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<v Speaker 1>it body popping? Clearly doesn't. I don't know what popping means.

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<v Speaker 1>I think the name is a bit of a misnomer. Yeah,

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<v Speaker 1>probably all right, And by the way, people, you might

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<v Speaker 1>as well get to this. I'm not gonna be able

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<v Speaker 1>to gush much about Michael Jackson because I'm one of

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<v Speaker 1>the people who thinks he'd did bad things in his

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<v Speaker 1>private life. So if you don't hear me talking about

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<v Speaker 1>how awesome he is, that's why I have a hard

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<v Speaker 1>time separating the art from the artist. Well you want

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<v Speaker 1>to throw it out there, man, if you believe that,

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<v Speaker 1>how could you? I'm unconvinced at this point. All right,

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<v Speaker 1>But I mean seeing my own a. Yeah, that's a

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<v Speaker 1>good one, good one. A bunch of people are like,

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<v Speaker 1>that's what c o am covering my own a. Speaking

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<v Speaker 1>for myself anyway, if you hear a little bit of

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<v Speaker 1>like callousness in my voice, that's that's why. So uh,

0:13:02.520 --> 0:13:06.600
<v Speaker 1>going back in time, Uh, it was not invented by

0:13:06.640 --> 0:13:09.200
<v Speaker 1>that man. It was like you said, it goes back

0:13:09.240 --> 0:13:11.839
<v Speaker 1>to the nineteen thirties. If you look on the YouTube's

0:13:11.880 --> 0:13:15.640
<v Speaker 1>they're like history of the Moonwalk, you will see a

0:13:15.800 --> 0:13:20.800
<v Speaker 1>nice video that shows the evolution of this dance, starting

0:13:20.840 --> 0:13:24.520
<v Speaker 1>with Cab Callaway in the nineteen thirties doing something called

0:13:24.559 --> 0:13:28.240
<v Speaker 1>the Buzz. The Great band Leader Jazz big band Leader.

0:13:28.320 --> 0:13:32.520
<v Speaker 1>He remains unaccused of anything. He was also awesome in

0:13:32.559 --> 0:13:35.839
<v Speaker 1>the Blues Brothers. Oh yeah, wow, he was still around

0:13:35.840 --> 0:13:38.160
<v Speaker 1>for that. That's right. I forgot about that about fifty

0:13:38.240 --> 0:13:41.120
<v Speaker 1>years on. Yeah. Uh so in the nineteen thirties he

0:13:41.160 --> 0:13:43.080
<v Speaker 1>did something called the Buzz and it was a little

0:13:43.160 --> 0:13:46.839
<v Speaker 1>more herky jerky and not as smooth. Then there was

0:13:46.920 --> 0:13:50.240
<v Speaker 1>something that this article mentions called the camel walk, which

0:13:50.280 --> 0:13:53.960
<v Speaker 1>I looked into, or the collegiate walk that like Sammy

0:13:54.040 --> 0:13:56.280
<v Speaker 1>Davis Jr. Did in this video. I don't think it

0:13:56.280 --> 0:14:00.240
<v Speaker 1>looks anything like the moonwalk, not really. I think going

0:14:00.320 --> 0:14:02.640
<v Speaker 1>forward first of all, right, which is a big one,

0:14:02.720 --> 0:14:06.280
<v Speaker 1>and it's cool. It's a cool move. Sure, James Brown

0:14:06.360 --> 0:14:08.440
<v Speaker 1>dares Sammy to do it. Sam He's like, all right,

0:14:08.480 --> 0:14:12.800
<v Speaker 1>I'll do it and awesome. So, boy, could you imagine

0:14:12.840 --> 0:14:16.040
<v Speaker 1>being in that audience, man, Sammy Davis Jr. And James

0:14:16.080 --> 0:14:17.560
<v Speaker 1>Brown on the same stage. I know, who do we

0:14:17.600 --> 0:14:23.400
<v Speaker 1>have now? Bieber and whoever else? I don't even know

0:14:24.440 --> 0:14:32.400
<v Speaker 1>him Bieber and Bieber it's a nightmare group. Yeah, so uh, sorry, man,

0:14:32.440 --> 0:14:35.680
<v Speaker 1>we saw old. You're you're not old because we're trash

0:14:35.680 --> 0:14:40.600
<v Speaker 1>and Justin Bieber, you're just saying it's a jerk. You know,

0:14:40.720 --> 0:14:42.480
<v Speaker 1>he really has done a lot of stuff to say

0:14:42.560 --> 0:14:44.800
<v Speaker 1>to earn that. Yeah, it's not like he's some like

0:14:44.840 --> 0:14:47.920
<v Speaker 1>super nice guy. People are just unfair to like look

0:14:47.960 --> 0:14:50.600
<v Speaker 1>at some of the videos and like peeing in a

0:14:50.600 --> 0:14:53.240
<v Speaker 1>bucket in a restaurant. Did you ever see that one? No?

0:14:53.400 --> 0:14:56.800
<v Speaker 1>I heard about that one though. That's wrong with Well.

0:14:56.880 --> 0:14:59.280
<v Speaker 1>I think he's just too much wealth and not enough

0:14:59.320 --> 0:15:02.440
<v Speaker 1>guidance end and probably too much booze and stuff. I

0:15:02.480 --> 0:15:05.360
<v Speaker 1>think maybe he might be somewhat reformed now, but really

0:15:05.800 --> 0:15:07.680
<v Speaker 1>I think he's grown up a little bit. But I

0:15:07.720 --> 0:15:10.560
<v Speaker 1>don't follow it that closely. I see just the p

0:15:10.720 --> 0:15:13.120
<v Speaker 1>and the bucket thing. Yeah, I mean that was enough

0:15:13.160 --> 0:15:17.000
<v Speaker 1>to turn me off forever. Win him back, Justin went

0:15:17.080 --> 0:15:22.480
<v Speaker 1>him back, good luck. So we're talking about the walk

0:15:22.560 --> 0:15:25.400
<v Speaker 1>or the camel walk, right, so, um, you were saying

0:15:25.400 --> 0:15:27.360
<v Speaker 1>it doesn't look like a moonwalk. In fact, it looks

0:15:27.400 --> 0:15:29.960
<v Speaker 1>kind of like a reverse moonwalk sort of. But the

0:15:31.040 --> 0:15:35.119
<v Speaker 1>point is it was it's somebody Sammy Davis Jr. Floating.

0:15:35.560 --> 0:15:37.880
<v Speaker 1>Their feet are floating a little bit. They appear to

0:15:37.880 --> 0:15:41.760
<v Speaker 1>be floating while they move. All right, So it's related

0:15:41.800 --> 0:15:44.360
<v Speaker 1>to the moonwalk, right, I'll give you that. The one

0:15:44.400 --> 0:15:47.800
<v Speaker 1>that's like dead on though, is Bill Bailey in nineteen

0:15:47.880 --> 0:15:51.120
<v Speaker 1>fifty five full on moonwalks off the stage. Yeah, in

0:15:51.240 --> 0:15:54.520
<v Speaker 1>nineteen at the Apollo. Yeah. And there's a great video,

0:15:54.760 --> 0:15:57.240
<v Speaker 1>and it's at the very end of the video, but

0:15:57.320 --> 0:15:59.680
<v Speaker 1>I urge you to not just skip to the end,

0:16:00.240 --> 0:16:04.440
<v Speaker 1>because you've got two or three minutes of some sweet,

0:16:04.520 --> 0:16:07.840
<v Speaker 1>sweet tap dancing, which I didn't realize how much I

0:16:07.880 --> 0:16:11.400
<v Speaker 1>loved until I saw this guy and he was supposedly

0:16:11.440 --> 0:16:14.800
<v Speaker 1>trained by Mr bo Jangles himself. Really, Ye, that was

0:16:14.840 --> 0:16:16.880
<v Speaker 1>a real person. Yeah. I don't remember his name, but

0:16:16.960 --> 0:16:19.720
<v Speaker 1>it was bow Jangles. Yeah. I love tap dancing. I

0:16:19.720 --> 0:16:21.320
<v Speaker 1>didn't know it, and I watched this sounds like, Man,

0:16:21.360 --> 0:16:24.640
<v Speaker 1>that's amazing. You should go see Gregory Hines. Is he

0:16:24.720 --> 0:16:28.800
<v Speaker 1>still doing it? Probably there's no way. He's just like

0:16:28.880 --> 0:16:33.240
<v Speaker 1>I'm done tapping. Yeah, tap was life for that guy. Yeah,

0:16:33.280 --> 0:16:35.520
<v Speaker 1>I mean that stuff is amazing. And what's the guy's name?

0:16:36.320 --> 0:16:42.120
<v Speaker 1>I can't remember? Well, I did see that movie. Um,

0:16:42.520 --> 0:16:46.800
<v Speaker 1>there was a guy uh savvyon Glover. Oh I know

0:16:46.920 --> 0:16:49.640
<v Speaker 1>you're talking about like much more recent Yeah, like mean

0:16:49.800 --> 0:16:53.040
<v Speaker 1>mean tap dancer. Yeah, like he just shouted insults while

0:16:53.080 --> 0:17:02.680
<v Speaker 1>he was He looks stupid. But watch me dance. So

0:17:02.760 --> 0:17:08.119
<v Speaker 1>Bill Bailey in nineteen fifty five, like legit moonwalked, and um,

0:17:08.160 --> 0:17:10.719
<v Speaker 1>it's hard to say like he's the guy that invented it,

0:17:11.080 --> 0:17:14.639
<v Speaker 1>because dance, like any art form, is just borrowed and

0:17:14.760 --> 0:17:18.600
<v Speaker 1>changed and morphs along the years to where I don't

0:17:18.600 --> 0:17:21.560
<v Speaker 1>know that anyone can specifically say, like Bill Bailey might

0:17:21.560 --> 0:17:23.800
<v Speaker 1>have seen it from someone else. I've been like, that's

0:17:23.800 --> 0:17:27.680
<v Speaker 1>a hot move. Yeah, he seems like the type of

0:17:27.800 --> 0:17:31.760
<v Speaker 1>um talent that he could have come up within himself. Yeah. Sure.

0:17:32.040 --> 0:17:37.399
<v Speaker 1>But what's weird, Chuck, is that that's apparently where it

0:17:37.440 --> 0:17:41.240
<v Speaker 1>went and died. Like he created the moonwalk and it's

0:17:41.240 --> 0:17:44.800
<v Speaker 1>stopped with him for a while. Sure. No, if you

0:17:44.840 --> 0:17:47.200
<v Speaker 1>go back in the history of it, the people who

0:17:47.240 --> 0:17:50.119
<v Speaker 1>popularized the moonwalk didn't know that he had done that.

0:17:50.240 --> 0:17:52.960
<v Speaker 1>Oh yeah, yeah, I see what you mean. So simultaneously,

0:17:53.040 --> 0:17:56.720
<v Speaker 1>there's also some movement that's similar called the air walk,

0:17:56.800 --> 0:18:00.679
<v Speaker 1>but it's mine. Yeah, like Marcel mars I was walking

0:18:00.720 --> 0:18:04.120
<v Speaker 1>against the wind, very famous mime routine where his feet

0:18:04.160 --> 0:18:08.120
<v Speaker 1>are floating. It's called air walking, and it's strictly mine, right. Yeah.

0:18:08.160 --> 0:18:10.240
<v Speaker 1>The difference between that and the moonwalk is that they're

0:18:10.320 --> 0:18:15.120
<v Speaker 1>stationary and acting like they're walking forward and the wind

0:18:15.200 --> 0:18:17.679
<v Speaker 1>is blowing them, but they're not going backwards. It's but

0:18:17.760 --> 0:18:21.439
<v Speaker 1>it's also not part of a dance either, correct, some

0:18:22.280 --> 0:18:24.520
<v Speaker 1>don't dance. This is but this is a weird little

0:18:24.520 --> 0:18:27.879
<v Speaker 1>thing that I didn't realize. There was apparently a mime.

0:18:29.200 --> 0:18:32.200
<v Speaker 1>There's a period of the seventies where mimes were cool.

0:18:33.480 --> 0:18:35.639
<v Speaker 1>Did you know that? Yeah, I mean that was I

0:18:35.640 --> 0:18:38.359
<v Speaker 1>remember watching Childs and Yarnell as a kid on television

0:18:38.440 --> 0:18:41.159
<v Speaker 1>on major network TV. I was all brainstem at the

0:18:41.200 --> 0:18:44.280
<v Speaker 1>time because I was totally unaware of that. Yeah, miming

0:18:44.320 --> 0:18:47.880
<v Speaker 1>was a big deal and that like I would practice that. Okay,

0:18:47.880 --> 0:18:51.320
<v Speaker 1>okay a little bit so not for years, but yeah,

0:18:51.320 --> 0:18:55.360
<v Speaker 1>I practice miming. Well, a bizarre period of American pop culture.

0:18:55.600 --> 0:18:59.200
<v Speaker 1>Oh yeah, Shields and Yard. Now this mime couple had

0:18:59.320 --> 0:19:02.359
<v Speaker 1>a or they two dudes are a man and a woman.

0:19:02.560 --> 0:19:05.840
<v Speaker 1>I think they were married. Um that they they had

0:19:05.880 --> 0:19:09.280
<v Speaker 1>their own TV show. Yeah, Shields and Yardell was watched

0:19:09.320 --> 0:19:12.320
<v Speaker 1>apparently by a lot of people, including you. It was

0:19:12.400 --> 0:19:16.320
<v Speaker 1>also watched by a dude named Jeffrey Daniel. Yeah, man,

0:19:16.920 --> 0:19:22.280
<v Speaker 1>Jeffrey Daniel was a great dancer, probably still is he is? Uh.

0:19:22.400 --> 0:19:25.600
<v Speaker 1>Not only was he on Solid Gold, he was in

0:19:25.640 --> 0:19:30.400
<v Speaker 1>the band Shalomar with Jody Whatley. Yeah, Jody Whatley and um.

0:19:30.640 --> 0:19:33.680
<v Speaker 1>Shalomar was created by the great Don Cornelius of Soul

0:19:33.720 --> 0:19:36.560
<v Speaker 1>Train h R I P I believe did he die

0:19:36.560 --> 0:19:39.960
<v Speaker 1>a few years ago? And uh, Gary Mumford was the

0:19:39.960 --> 0:19:42.160
<v Speaker 1>original singer and then on album number two, Gerald Brown

0:19:42.200 --> 0:19:47.879
<v Speaker 1>took over, like you said, with Jody Whatley of Shaalomar

0:19:47.960 --> 0:19:50.560
<v Speaker 1>Fame I guess and then later on her own Fame.

0:19:50.760 --> 0:19:52.679
<v Speaker 1>Yeah she was. She had her own solo career, right

0:19:53.480 --> 0:19:57.399
<v Speaker 1>and uh and this guy Jeffrey Daniel, Right, So Jeffrey

0:19:57.480 --> 0:20:01.159
<v Speaker 1>Danielson in the Sheets remember that hit, Yes, this great

0:20:01.200 --> 0:20:05.960
<v Speaker 1>Footloose soundtrack song Dancing in the Sheets, dude, dude, and

0:20:06.000 --> 0:20:08.560
<v Speaker 1>that that was the eighties. The eighties stuff they you know,

0:20:08.600 --> 0:20:10.520
<v Speaker 1>came around in the seventies with more disco. It was

0:20:10.560 --> 0:20:15.080
<v Speaker 1>super disco e to start with. Um, but this dude

0:20:15.119 --> 0:20:17.560
<v Speaker 1>Jeffrey Daniels, who was in Shelamore, who's also a solid

0:20:17.560 --> 0:20:21.960
<v Speaker 1>Gold dancer. He had a pretty awesome move called the backslide,

0:20:22.160 --> 0:20:26.119
<v Speaker 1>and when you watch him backslide, uh, he's he's moonwalking.

0:20:26.280 --> 0:20:29.960
<v Speaker 1>It's total total moonwalk. It totally is and um. Later

0:20:30.000 --> 0:20:32.359
<v Speaker 1>on he was interviewed like where did you get this?

0:20:32.400 --> 0:20:35.560
<v Speaker 1>Where you know where? Where you know where did you

0:20:35.560 --> 0:20:37.639
<v Speaker 1>come up with the idea? He's like, I was super

0:20:37.680 --> 0:20:42.000
<v Speaker 1>into Shields and Yarnelle at the time, So miming influenced

0:20:42.080 --> 0:20:44.639
<v Speaker 1>the backslide, which, as we'll find out in a second,

0:20:45.080 --> 0:20:47.640
<v Speaker 1>directly led to the moonwalk. And we'll get to that

0:20:48.000 --> 0:21:07.919
<v Speaker 1>finally after this. Alright, Chuck, we're back. Yes, Jeffrey daniel

0:21:08.560 --> 0:21:10.560
<v Speaker 1>I watched that interview that's on the YouTube. It was

0:21:10.600 --> 0:21:14.160
<v Speaker 1>on a British talk show called Soccer a m of

0:21:14.240 --> 0:21:17.040
<v Speaker 1>the two thousand seven Things. Yeah, they had him on

0:21:17.119 --> 0:21:20.399
<v Speaker 1>Soccer Am. Apparently it's not just about sports, but they

0:21:20.400 --> 0:21:25.680
<v Speaker 1>have like comedy bits and pop culture stuff. Uh. So

0:21:25.840 --> 0:21:28.520
<v Speaker 1>he was surprised. On that show. They showed the clip

0:21:28.840 --> 0:21:33.040
<v Speaker 1>of of Bailey in the in the fifties and he

0:21:33.119 --> 0:21:36.040
<v Speaker 1>was like, what's that. He's like, I've never even seen

0:21:36.119 --> 0:21:40.040
<v Speaker 1>that he was surprised to see that someone was legit moonwalking,

0:21:40.560 --> 0:21:44.480
<v Speaker 1>you know whatever, fifties something years earlier. Yeah, the same move.

0:21:45.160 --> 0:21:47.639
<v Speaker 1>It's not like, oh, that's kind of close, like maybe

0:21:47.640 --> 0:21:50.800
<v Speaker 1>the camel walk or um, the buzz like Cab calloway.

0:21:50.960 --> 0:21:53.120
<v Speaker 1>It was a moonwalk. It was the moonwalk. But that's

0:21:53.119 --> 0:21:56.040
<v Speaker 1>what I'm saying, That's what's so bizarre is that this

0:21:56.080 --> 0:21:59.280
<v Speaker 1>guy invented the moonwalk in ve and it began and

0:21:59.400 --> 0:22:03.840
<v Speaker 1>ended with him. Um, and it took mimes getting a

0:22:03.880 --> 0:22:07.960
<v Speaker 1>TV show to create the moonwalk as we understand it today,

0:22:08.680 --> 0:22:12.320
<v Speaker 1>different about it. Talk about chaos theory, you know what

0:22:12.320 --> 0:22:14.879
<v Speaker 1>I'm saying though, like other people could have influenced the

0:22:14.960 --> 0:22:17.440
<v Speaker 1>mimes that knew about Bill Bailey like it. Guess, I

0:22:17.480 --> 0:22:20.680
<v Speaker 1>guess that's entirely possible. But Marcel Marceau was doing the

0:22:20.720 --> 0:22:24.000
<v Speaker 1>air walk as far back as the thirties before Bill Bailey.

0:22:25.880 --> 0:22:29.080
<v Speaker 1>Was he around in the thirties from what I understand, Okay,

0:22:29.119 --> 0:22:31.280
<v Speaker 1>which is weird because well, he was pretty old when

0:22:31.320 --> 0:22:33.680
<v Speaker 1>in the seventies when he hit it big. So yeah,

0:22:33.720 --> 0:22:35.439
<v Speaker 1>I think then he was doing it in the thirties

0:22:35.440 --> 0:22:38.840
<v Speaker 1>because that's what this article says in it. I didn't

0:22:38.840 --> 0:22:43.080
<v Speaker 1>find anything. I didn't find any footage of him from

0:22:43.080 --> 0:22:44.760
<v Speaker 1>the thirties, like all of it seemed to be from

0:22:44.760 --> 0:22:48.280
<v Speaker 1>the seventies or early eighties, well, the heyday of mimes. Also,

0:22:48.840 --> 0:22:51.840
<v Speaker 1>I was curious why people hate mimes and did little

0:22:51.840 --> 0:22:54.480
<v Speaker 1>research and of course there's no no like definitive thing.

0:22:54.880 --> 0:22:58.240
<v Speaker 1>It's not like a phobia now. But everything I saw

0:22:58.320 --> 0:23:00.159
<v Speaker 1>I came down to a few things. They look like

0:23:00.200 --> 0:23:02.760
<v Speaker 1>clowns in clowns. We did a whole episode on that,

0:23:04.080 --> 0:23:08.520
<v Speaker 1>and uh, the silent thing seems to bug people. And

0:23:08.560 --> 0:23:12.160
<v Speaker 1>then just the notion that there, you know, they'll get

0:23:12.200 --> 0:23:14.880
<v Speaker 1>up all in your face in the park. You're out

0:23:14.920 --> 0:23:16.800
<v Speaker 1>just enjoying your day and a mom will come up

0:23:16.840 --> 0:23:20.240
<v Speaker 1>and be like, you know, to start doing their like

0:23:20.320 --> 0:23:22.960
<v Speaker 1>intruding upon you to do their act, which I don't

0:23:22.960 --> 0:23:24.919
<v Speaker 1>even know is I don't even know if that's the

0:23:24.960 --> 0:23:29.080
<v Speaker 1>case over there. Oh it is, believe me. Yeah, mine's

0:23:29.160 --> 0:23:35.240
<v Speaker 1>very intrusive, like to start static and finish it. Uh

0:23:35.480 --> 0:23:38.040
<v Speaker 1>So back to Jeffrey Daniel, He's dancing on Soul Train,

0:23:38.080 --> 0:23:40.560
<v Speaker 1>He's dancing on Solid Gold. There's another couple of dancers

0:23:40.680 --> 0:23:46.000
<v Speaker 1>name Jeron Casper, candidate Great name and Derek Cooley Jackson

0:23:46.200 --> 0:23:50.119
<v Speaker 1>j A X s O N another cool name, and

0:23:50.160 --> 0:23:55.000
<v Speaker 1>they were moon walking around or backsliding around, and so

0:23:55.119 --> 0:23:59.000
<v Speaker 1>all these dudes were basically kind of laying the foundation

0:24:00.080 --> 0:24:02.200
<v Speaker 1>for what the moonwalk would come to be. It got

0:24:02.200 --> 0:24:04.960
<v Speaker 1>real like even if you watch Bailey's it's a legit moonwalk,

0:24:05.040 --> 0:24:08.919
<v Speaker 1>but it's not as smooth as Daniel ended up doing it.

0:24:10.280 --> 0:24:13.040
<v Speaker 1>You know, like when you see him on Solid Gold,

0:24:14.040 --> 0:24:16.879
<v Speaker 1>he like, that's one of the smoother moonwalks you'll ever see.

0:24:17.040 --> 0:24:20.560
<v Speaker 1>And he probably debuted it for the first time in

0:24:20.840 --> 0:24:26.920
<v Speaker 1>American history on TV on Top of the Pops. That's

0:24:26.960 --> 0:24:28.920
<v Speaker 1>what I was talking about. Yeah, yeah, that's so smooth.

0:24:29.080 --> 0:24:31.679
<v Speaker 1>So um people thought he was cheating. Yeah, They're like,

0:24:31.880 --> 0:24:34.199
<v Speaker 1>this is the floor oiled or something like what is

0:24:34.240 --> 0:24:37.240
<v Speaker 1>that kind of witchcraft? Are we watching? Right? It blew

0:24:37.280 --> 0:24:42.159
<v Speaker 1>everybody away, right, but everybody's no one knew who this

0:24:42.200 --> 0:24:44.399
<v Speaker 1>guy was really it was a Solid Gold dancer at

0:24:44.400 --> 0:24:48.560
<v Speaker 1>the time, everybody knew who Michael Jackson was. So in

0:24:49.040 --> 0:24:53.320
<v Speaker 1>about a year later, almost exactly a year later, UM

0:24:53.520 --> 0:25:00.199
<v Speaker 1>NBC broadcast this special called Motown Big Retrospective, and it

0:25:00.280 --> 0:25:04.080
<v Speaker 1>was a huge, huge thing. Um Diana Ross did her

0:25:04.119 --> 0:25:07.760
<v Speaker 1>first appearance with the Supreme since nineteen sixty nine. Marvin

0:25:07.800 --> 0:25:11.679
<v Speaker 1>Gaye played um that there was a battle of the

0:25:11.720 --> 0:25:16.280
<v Speaker 1>bands between the Temptations and the Four Tops Stevie Wonder, Um,

0:25:16.600 --> 0:25:20.720
<v Speaker 1>I'm sure everybody wanted like a soccer game. Um, And

0:25:21.760 --> 0:25:24.800
<v Speaker 1>Michael Jackson comes out right, and people like, who's he?

0:25:25.520 --> 0:25:27.560
<v Speaker 1>I mean, he was pretty big at the time. Of

0:25:27.640 --> 0:25:29.959
<v Speaker 1>course he was. He was huge, but so was Marvin

0:25:30.000 --> 0:25:32.960
<v Speaker 1>Gaye and the Four Tops and Stevie Wonder. Right, Michael

0:25:33.040 --> 0:25:36.840
<v Speaker 1>Jackson comes out and brings the house down. And one

0:25:36.840 --> 0:25:38.760
<v Speaker 1>of the reasons he brought the house down was because

0:25:39.040 --> 0:25:41.840
<v Speaker 1>he was doing Billy Jean, which when the thing came out,

0:25:41.920 --> 0:25:44.560
<v Speaker 1>was the number one song in America. But during the

0:25:44.680 --> 0:25:47.560
<v Speaker 1>dance he did the moonwalk, and it was the first

0:25:47.600 --> 0:25:51.880
<v Speaker 1>time basically anybody who had seen uh had ever seen

0:25:51.920 --> 0:25:56.520
<v Speaker 1>the moonwalk. Yeah, like, like no one in America watching

0:25:56.560 --> 0:26:00.119
<v Speaker 1>this NBC special had been watching Top of the Pops.

0:26:00.119 --> 0:26:02.240
<v Speaker 1>They made a scene stuff on solid gold here and there,

0:26:02.280 --> 0:26:05.760
<v Speaker 1>But it was definitely like a mind blower for because

0:26:05.800 --> 0:26:13.240
<v Speaker 1>it was such a widely watched special for sure. Um, well,

0:26:13.280 --> 0:26:17.119
<v Speaker 1>here's the deal. He was taught the moonwalk depends on

0:26:17.119 --> 0:26:20.359
<v Speaker 1>who you asked. Some people say he sought out Daniel

0:26:20.520 --> 0:26:23.520
<v Speaker 1>said you teach me. Other people say no, it was

0:26:24.640 --> 0:26:29.720
<v Speaker 1>Casper Candidate or Coolie Jackson. But from what I gather it,

0:26:29.720 --> 0:26:32.400
<v Speaker 1>it sounds like all those guys eventually worked with him

0:26:32.440 --> 0:26:37.320
<v Speaker 1>over the years as like either choreographers or choreographer slash

0:26:37.440 --> 0:26:42.240
<v Speaker 1>backup dancers. So he he learned it from some or

0:26:42.280 --> 0:26:47.440
<v Speaker 1>all of those people. Yeah, Like um Daniel choreographed like

0:26:47.640 --> 0:26:53.760
<v Speaker 1>his Smooth Criminal video, and Coolie and Casper are the

0:26:53.840 --> 0:26:57.040
<v Speaker 1>dudes who like lean with him on other that very

0:26:57.040 --> 0:27:00.840
<v Speaker 1>famous like crazy side lean that did in the video.

0:27:01.480 --> 0:27:03.560
<v Speaker 1>Does he do one of those the lean move? Yes,

0:27:04.280 --> 0:27:07.080
<v Speaker 1>the crazy side lean, I think is what it's called.

0:27:07.720 --> 0:27:10.160
<v Speaker 1>Can I say what happened to me yesterday? What did

0:27:10.160 --> 0:27:13.040
<v Speaker 1>you do a lean? Well? I was looking at videos

0:27:13.040 --> 0:27:16.840
<v Speaker 1>on how to moonwalk tutorials, uh to see if I

0:27:16.880 --> 0:27:18.720
<v Speaker 1>could get it, And when you watch it slowed down

0:27:18.760 --> 0:27:21.360
<v Speaker 1>and broken down, it's like, oh, well, I get it.

0:27:21.359 --> 0:27:24.000
<v Speaker 1>It's not that complex, but it's hard to master. And

0:27:24.040 --> 0:27:27.000
<v Speaker 1>we'll get to all that coming up. Like I'm sure

0:27:27.000 --> 0:27:29.920
<v Speaker 1>we're gonna bumble our way through a description about a moonwalk.

0:27:30.000 --> 0:27:32.359
<v Speaker 1>We always do, but we're gonna try. But then I

0:27:32.359 --> 0:27:37.879
<v Speaker 1>started following into that local YouTube vortex of videos, and

0:27:37.920 --> 0:27:41.160
<v Speaker 1>I saw this guy saying, here's how you do the lean,

0:27:41.840 --> 0:27:43.280
<v Speaker 1>and I was like, I want to know how to

0:27:43.320 --> 0:27:45.840
<v Speaker 1>do that because it's cool. It is it's like an illusion.

0:27:46.200 --> 0:27:50.760
<v Speaker 1>It is like at the obviously, well it's not. It's

0:27:50.840 --> 0:27:54.520
<v Speaker 1>real strong ankles, right, And there's a guy that well,

0:27:54.600 --> 0:27:57.680
<v Speaker 1>I don't And there's a guy named Robert Hoffman who

0:27:57.720 --> 0:27:59.760
<v Speaker 1>it turns out this guy is great. He does He's

0:27:59.800 --> 0:28:03.880
<v Speaker 1>day It's tutorials, and he's kind of funny and and

0:28:03.960 --> 0:28:06.080
<v Speaker 1>does it in such a way that it's interesting to watch.

0:28:06.640 --> 0:28:08.959
<v Speaker 1>And so I encourage everyone to go watch Robert Hoffman's

0:28:09.000 --> 0:28:11.400
<v Speaker 1>tutorial on how to do the lean, and he kind

0:28:11.400 --> 0:28:14.480
<v Speaker 1>of explains, He fully explains the illusion and how to

0:28:14.600 --> 0:28:15.960
<v Speaker 1>how to do it well, and I look at it

0:28:15.920 --> 0:28:17.720
<v Speaker 1>and I'm like, oh man, you're about to fall over.

0:28:18.320 --> 0:28:19.920
<v Speaker 1>And then he pulls it back, and I thought, I'm

0:28:19.920 --> 0:28:23.600
<v Speaker 1>gonna practice the lean because that'll be like I've always

0:28:23.640 --> 0:28:26.200
<v Speaker 1>wanted to know how to dance, but I'm just not

0:28:26.280 --> 0:28:28.119
<v Speaker 1>good at it. But I want to get like the

0:28:28.240 --> 0:28:29.920
<v Speaker 1>lean down at least so I can bust that out

0:28:30.400 --> 0:28:33.600
<v Speaker 1>at the party. Just like standing in place. Yeah, but

0:28:33.680 --> 0:28:35.200
<v Speaker 1>you know you shouldn't even do it on a dance

0:28:35.240 --> 0:28:39.800
<v Speaker 1>floors while you're having a conversation with somebody, like slowly, slowly,

0:28:39.880 --> 0:28:43.800
<v Speaker 1>just start to leave, so they you're about to go over,

0:28:44.120 --> 0:28:46.200
<v Speaker 1>snap back into place and be like, what if You're

0:28:46.240 --> 0:28:49.040
<v Speaker 1>totally right? Because I don't go to dance parties anymore anyway,

0:28:49.040 --> 0:28:51.800
<v Speaker 1>what am I talking about? Yeah, I would be in

0:28:51.840 --> 0:28:54.800
<v Speaker 1>the office one day in the kitchen and I'll just

0:28:54.840 --> 0:28:57.040
<v Speaker 1>do my lean. He's gonna go, oh my god, you

0:28:57.080 --> 0:29:01.280
<v Speaker 1>didn't go over? He stood back up. Oh man, um,

0:29:01.320 --> 0:29:03.640
<v Speaker 1>all right, So where are we? So we were talking

0:29:03.680 --> 0:29:06.680
<v Speaker 1>about how there's a there's a discrepancy over who taught

0:29:06.720 --> 0:29:09.320
<v Speaker 1>Michael Jackson the moonwalk. Correct. The thing is is Michael

0:29:09.400 --> 0:29:12.320
<v Speaker 1>Jackson never claimed to have invented the moonwalk. People just

0:29:12.360 --> 0:29:15.120
<v Speaker 1>assumed he had because he was huge at the time.

0:29:15.520 --> 0:29:18.480
<v Speaker 1>And he also later said that he didn't know what

0:29:18.560 --> 0:29:21.200
<v Speaker 1>he what his dance routine was going to be for

0:29:21.360 --> 0:29:24.160
<v Speaker 1>Billy Jean for this Motown special. I don't know if

0:29:24.160 --> 0:29:26.800
<v Speaker 1>I buy that. So a lot of people say, well,

0:29:27.120 --> 0:29:29.960
<v Speaker 1>obviously he just did the spur of the moment or whatever. No,

0:29:30.200 --> 0:29:34.120
<v Speaker 1>totally untrue. He employed choreographers and including those three guys,

0:29:34.160 --> 0:29:36.720
<v Speaker 1>like you said, all three of them worked with him

0:29:36.760 --> 0:29:41.280
<v Speaker 1>as choreographers. And he also, as far as his sister

0:29:41.680 --> 0:29:45.479
<v Speaker 1>Janet I think, says, they went to see Shalamar at

0:29:45.520 --> 0:29:50.960
<v Speaker 1>Disneyland before this and saw um Jeffrey Daniel doing the

0:29:51.000 --> 0:29:53.960
<v Speaker 1>backslide and said, dude, you gotta teach me that. Here's

0:29:54.000 --> 0:29:57.600
<v Speaker 1>some money. Teach me the moonwalk. Oh wait, it's not

0:29:57.640 --> 0:29:59.720
<v Speaker 1>called the moonwalk yet. And he also said that he

0:30:00.040 --> 0:30:02.160
<v Speaker 1>he called it the moonwalk, that it was actually the

0:30:02.200 --> 0:30:05.320
<v Speaker 1>media that came up with that, but he adopted name.

0:30:05.440 --> 0:30:09.040
<v Speaker 1>Surely some I mean obviously someone named it some Yeah,

0:30:09.080 --> 0:30:14.000
<v Speaker 1>some ap reporters. Yeah, there's me, uh, for what it's worth,

0:30:14.120 --> 0:30:18.080
<v Speaker 1>Daniel said, besides she Shields and Yard now that the

0:30:18.080 --> 0:30:21.840
<v Speaker 1>the Electric Boogaloos, yes, is who inspired him as well.

0:30:22.000 --> 0:30:24.920
<v Speaker 1>And I looked up those guys. They're the ones who

0:30:24.920 --> 0:30:27.920
<v Speaker 1>originated body popping. Yeah, And they were a dance group

0:30:28.000 --> 0:30:29.280
<v Speaker 1>and I was looking at one of them and I

0:30:29.320 --> 0:30:33.920
<v Speaker 1>was like, let's rerun. Okay, you're talking about locking, Yes,

0:30:34.240 --> 0:30:37.280
<v Speaker 1>it is rerun. Yes, he was huge. He was a

0:30:37.280 --> 0:30:39.800
<v Speaker 1>member of the Lockers, which was at one point the

0:30:39.840 --> 0:30:43.280
<v Speaker 1>Electric boogaloos. No, those are two different well, no, at

0:30:43.320 --> 0:30:45.920
<v Speaker 1>one point they were. They were merged, okay, and then

0:30:46.080 --> 0:30:48.920
<v Speaker 1>then that's where popping and locking came from, because popping

0:30:49.440 --> 0:30:51.520
<v Speaker 1>and lock and are two different types of day. Originally

0:30:51.520 --> 0:30:55.200
<v Speaker 1>they were the electric boogaloo lockers and then I guess

0:30:55.240 --> 0:30:57.800
<v Speaker 1>they diverged at one point. Okay, maybe they were like

0:30:57.840 --> 0:30:59.920
<v Speaker 1>I want to lock, I want to pop. Well they

0:31:00.080 --> 0:31:03.560
<v Speaker 1>dude who invented locking. It was good Friends with Rerun

0:31:04.280 --> 0:31:06.720
<v Speaker 1>and like, if you think of Rerun dancing, like those

0:31:06.800 --> 0:31:10.040
<v Speaker 1>wrist twists and the jumps and the suspender stuff, that's

0:31:10.080 --> 0:31:13.280
<v Speaker 1>lock and it totally and they were on that dance squad,

0:31:13.640 --> 0:31:17.280
<v Speaker 1>the Lockers. It was Don Campbell who invented locking Rerun

0:31:17.480 --> 0:31:22.160
<v Speaker 1>and then Tony Basil, the girl who sang Mickey. So

0:31:23.040 --> 0:31:24.720
<v Speaker 1>if you don't know who rerun as, you're like, what

0:31:24.800 --> 0:31:28.640
<v Speaker 1>in the world are you guys talking about? What? You oldsters? Um?

0:31:28.640 --> 0:31:31.240
<v Speaker 1>Oh yeah, it's a It was a TV show called

0:31:31.280 --> 0:31:36.160
<v Speaker 1>What's Happening About These Three Friends in South Central l

0:31:36.200 --> 0:31:40.640
<v Speaker 1>A In the seventies, great show, very funny, uh and

0:31:40.720 --> 0:31:43.200
<v Speaker 1>Rerun was one of the characters played by the Great

0:31:43.200 --> 0:31:46.840
<v Speaker 1>Fred Barry, who was in the lockers in the electric

0:31:46.840 --> 0:31:50.920
<v Speaker 1>googlue lockers and just go watch go type rerun dancing.

0:31:51.440 --> 0:31:55.800
<v Speaker 1>What's happening and uh, what you're watching is pure locking

0:31:56.160 --> 0:31:58.240
<v Speaker 1>one of the great TV theme songs of all time too.

0:31:58.440 --> 0:32:01.720
<v Speaker 1>Now if you throw what he's really is what instrument

0:32:01.920 --> 0:32:04.200
<v Speaker 1>was that like a klesmer or something? I have no idea,

0:32:04.880 --> 0:32:09.440
<v Speaker 1>So it's weird, but it's a great one. Um. The

0:32:09.920 --> 0:32:14.080
<v Speaker 1>if you throw in that that our movement, that wave

0:32:14.880 --> 0:32:19.000
<v Speaker 1>and the worm, you've got popping locking and breaking. Yeah,

0:32:19.200 --> 0:32:23.240
<v Speaker 1>what people think of as breakdancing, that's right. Like we've

0:32:23.720 --> 0:32:25.480
<v Speaker 1>I was thinking the other day about how how in

0:32:25.560 --> 0:32:28.720
<v Speaker 1>our lifetime is people our age and there's a range,

0:32:29.240 --> 0:32:33.680
<v Speaker 1>but we've seen like a complete like two complete at

0:32:33.720 --> 0:32:37.440
<v Speaker 1>least two new complete art forms created in hip hop

0:32:37.560 --> 0:32:42.400
<v Speaker 1>music and that and breakdancing created out of whole cloth.

0:32:44.800 --> 0:32:50.640
<v Speaker 1>It's amazing. And the new sports like what like you

0:32:50.680 --> 0:32:54.040
<v Speaker 1>know X games and snowboarding and skateboarding, Like we've like

0:32:54.120 --> 0:32:57.400
<v Speaker 1>seen these new things created and you always think that, well,

0:32:57.480 --> 0:33:00.560
<v Speaker 1>music is what else can you do well under this time?

0:33:00.640 --> 0:33:02.720
<v Speaker 1>I guess techno and all that stuff that was created

0:33:02.760 --> 0:33:08.000
<v Speaker 1>as well, Um, jazz, well that was before us a

0:33:08.000 --> 0:33:11.400
<v Speaker 1>little but no it's true. I just think it's pretty

0:33:11.400 --> 0:33:13.080
<v Speaker 1>neat to look around. No, I know what you're talking about.

0:33:13.080 --> 0:33:15.160
<v Speaker 1>Two you you're like, well, there's grunge. Well grunge is

0:33:15.240 --> 0:33:17.960
<v Speaker 1>an offshoot of like rock and roll or whatever. But yeah, no,

0:33:18.000 --> 0:33:20.360
<v Speaker 1>I mean these were completely new art forms that some

0:33:20.400 --> 0:33:23.920
<v Speaker 1>people still think are a fad, which is funny. Really well,

0:33:23.960 --> 0:33:26.720
<v Speaker 1>you know, you hear like older mudgeons like rap is

0:33:26.720 --> 0:33:29.640
<v Speaker 1>going to be a fad. No, wrap is a brand

0:33:29.640 --> 0:33:32.360
<v Speaker 1>new art form and he's here forever, and it changes

0:33:32.360 --> 0:33:35.080
<v Speaker 1>in morphs and is you know, it's amazing, it's neat.

0:33:35.680 --> 0:33:38.480
<v Speaker 1>So we did a hip hop episode. You mentioned that, Yeah,

0:33:38.480 --> 0:33:41.320
<v Speaker 1>it was good. I thought for you know, a couple

0:33:41.320 --> 0:33:43.040
<v Speaker 1>of shamos like us. I think we did a pretty

0:33:43.080 --> 0:33:45.920
<v Speaker 1>decent job. Agreed. Um, all right, so do we need

0:33:45.960 --> 0:33:48.800
<v Speaker 1>to explain how to break dance? I want to hear

0:33:48.840 --> 0:33:52.560
<v Speaker 1>you explain it? No, I can't you mean moonwalk? Yea,

0:33:52.560 --> 0:33:54.520
<v Speaker 1>I want to say break dance break? Yeah, yeah, we

0:33:54.560 --> 0:33:57.800
<v Speaker 1>need to say how to moonwalk? Okay, so go ahead

0:33:57.920 --> 0:33:59.640
<v Speaker 1>take it away. Well you're the one who does it

0:33:59.680 --> 0:34:03.120
<v Speaker 1>so well. Alright, alright, are you ready? So you start?

0:34:03.760 --> 0:34:05.600
<v Speaker 1>First of all, you want to take off your shoes

0:34:05.600 --> 0:34:08.720
<v Speaker 1>and put on some socks on a nice slick floor.

0:34:09.480 --> 0:34:14.200
<v Speaker 1>Don't try to do it on like um uh pine bark. No.

0:34:14.680 --> 0:34:18.279
<v Speaker 1>Maybe pour yourself a vodka gimlet. Yeah, well that's the

0:34:18.560 --> 0:34:22.839
<v Speaker 1>that's the drink of the moonwalker. So um. You you

0:34:23.080 --> 0:34:26.960
<v Speaker 1>are on a slick floor, wearing socks, and you stand

0:34:27.000 --> 0:34:31.000
<v Speaker 1>straight up and down right, and you take your right

0:34:31.040 --> 0:34:33.279
<v Speaker 1>foot and you put it out in front of you

0:34:33.480 --> 0:34:37.399
<v Speaker 1>with your foot flat on the floor. Okay, bend your

0:34:37.480 --> 0:34:39.960
<v Speaker 1>left knee and go up on the ball of your

0:34:40.040 --> 0:34:46.160
<v Speaker 1>left foot. Okay, now holding yourself in place with just

0:34:46.320 --> 0:34:48.640
<v Speaker 1>your the ball of your foot. All of everything is

0:34:48.719 --> 0:34:52.600
<v Speaker 1>on whatever foot you have up, the ball of whatever

0:34:52.600 --> 0:34:55.000
<v Speaker 1>foot you have up. Take a sip of that gimlet, right,

0:34:55.160 --> 0:34:58.319
<v Speaker 1>maybe another one too, I need one now, And then

0:34:58.360 --> 0:35:01.760
<v Speaker 1>you drag your foot back the foot that's on the floor.

0:35:02.200 --> 0:35:05.160
<v Speaker 1>And as you drag your right foot back past your left,

0:35:05.800 --> 0:35:09.200
<v Speaker 1>you drop your left and you drop your left heel

0:35:09.360 --> 0:35:11.920
<v Speaker 1>and raise your right that's right, and then you repeat

0:35:11.960 --> 0:35:17.200
<v Speaker 1>the same process and you're floating. There's the moonwalk, a

0:35:17.360 --> 0:35:19.759
<v Speaker 1>k the backslide. You're pretty square if you call it

0:35:19.800 --> 0:35:22.480
<v Speaker 1>the moonwalk. These days, we had to title this episode

0:35:22.520 --> 0:35:25.239
<v Speaker 1>moonwalk because we wanted everybody to know what we were

0:35:25.280 --> 0:35:30.280
<v Speaker 1>talking about. But it's called the backslide. Okay, that is correct.

0:35:30.360 --> 0:35:32.719
<v Speaker 1>And I watched the tutorial which the guy who did

0:35:32.719 --> 0:35:36.520
<v Speaker 1>the tutorial actually wasn't great at it. Um, like he

0:35:36.520 --> 0:35:38.480
<v Speaker 1>he had it down like how to teach you. But

0:35:38.520 --> 0:35:40.439
<v Speaker 1>when he did it, I was going, yeah, it's not great.

0:35:40.560 --> 0:35:44.200
<v Speaker 1>Was Steve Brule? No, God, that would be great. I

0:35:44.280 --> 0:35:46.120
<v Speaker 1>just think the guy had the wrong shoes on personally,

0:35:47.160 --> 0:35:49.160
<v Speaker 1>but um, I'll bet that's what he blames it onto.

0:35:49.200 --> 0:35:52.840
<v Speaker 1>The thing he stressed for a good moonwalk is a

0:35:52.880 --> 0:35:57.399
<v Speaker 1>long stride, which is where you're lacking. If I can

0:35:57.400 --> 0:36:01.520
<v Speaker 1>be honest. Oh am I doing it to you? Short? Yeah? Okay,

0:36:01.800 --> 0:36:06.080
<v Speaker 1>long stride, Josh, Okay, Um, I didn't realize you've had

0:36:06.120 --> 0:36:12.160
<v Speaker 1>so many formed opinions about my moon wall. Uh. That

0:36:12.200 --> 0:36:15.440
<v Speaker 1>foot that you're keeping flat needs to be so so

0:36:15.560 --> 0:36:19.640
<v Speaker 1>flat to create the illusion. Right, What what am I doing?

0:36:19.840 --> 0:36:22.000
<v Speaker 1>I'm not talking about you know your foot was pretty

0:36:22.000 --> 0:36:25.840
<v Speaker 1>good and flat. That's your stride. I pretend like it's dead,

0:36:26.040 --> 0:36:29.520
<v Speaker 1>like my foot is dead when I drag it. Uh.

0:36:29.560 --> 0:36:31.480
<v Speaker 1>And then when you when you go to switch feet,

0:36:31.880 --> 0:36:34.479
<v Speaker 1>he said, you really just snap them both real hard

0:36:35.040 --> 0:36:39.640
<v Speaker 1>to create that illusion like a good completely synchronized simultaneous

0:36:40.239 --> 0:36:43.560
<v Speaker 1>snap up and down with those two feet. You're long stride,

0:36:43.840 --> 0:36:47.920
<v Speaker 1>keep that foot flat, keep that vodka gimlet flowing, and

0:36:47.960 --> 0:36:50.480
<v Speaker 1>you're gonna be moonwalking in no time. And then you

0:36:50.480 --> 0:36:53.160
<v Speaker 1>can also because what you're doing is it's supposed to

0:36:53.200 --> 0:36:56.320
<v Speaker 1>look like you're walking while you're moving backward. You're walking

0:36:56.360 --> 0:36:58.920
<v Speaker 1>forward but moving backwards. That's the definition of the moonwald.

0:36:59.040 --> 0:37:02.480
<v Speaker 1>So you can um, you can like add your arms swinging,

0:37:03.120 --> 0:37:06.160
<v Speaker 1>lean like your till till your body forward a little

0:37:06.160 --> 0:37:08.040
<v Speaker 1>bit if you're real good. Michael Jackson used to like

0:37:08.120 --> 0:37:10.560
<v Speaker 1>move his head up and down in rhythm to his

0:37:10.640 --> 0:37:17.239
<v Speaker 1>walking or whatever, and it adds to the effect. Totes Shalamar,

0:37:17.719 --> 0:37:20.520
<v Speaker 1>I feel like I kind of should try it, try

0:37:20.560 --> 0:37:22.200
<v Speaker 1>it right now. Well, I'm not gonna do it now.

0:37:22.640 --> 0:37:25.560
<v Speaker 1>You don't have a vodka gimlet, Nope, Are you got

0:37:25.560 --> 0:37:28.799
<v Speaker 1>anything else? And you go get some cocktail onions. Those

0:37:28.800 --> 0:37:31.520
<v Speaker 1>are great Gibson onions. Oh is that a Gibson and

0:37:31.520 --> 0:37:33.640
<v Speaker 1>I'm thinking of yeah, but that's it. It is the

0:37:33.680 --> 0:37:40.120
<v Speaker 1>lime juice, yes, roses lime, yeah, yeah. Uh. If you

0:37:40.120 --> 0:37:42.320
<v Speaker 1>want to know more, about vodka gimlets. You can type

0:37:42.320 --> 0:37:44.479
<v Speaker 1>that word in the search part how stuff works dot com.

0:37:44.480 --> 0:37:46.759
<v Speaker 1>And since I said gimlet, it's time for listener mail.

0:37:49.640 --> 0:37:53.080
<v Speaker 1>Before listener mail, this is ah, I'm gonna call this

0:37:53.280 --> 0:37:58.440
<v Speaker 1>correction time. Okay, we need like a Lila by music.

0:37:58.520 --> 0:38:01.279
<v Speaker 1>We do so you know, we have corrections on the

0:38:01.320 --> 0:38:02.759
<v Speaker 1>show from time to time. This was sort of a

0:38:02.800 --> 0:38:08.240
<v Speaker 1>big one because we really goofed on the Gettysburg Address episode. Um,

0:38:08.280 --> 0:38:11.000
<v Speaker 1>and boy did we hear about it. Remember how I

0:38:11.040 --> 0:38:13.360
<v Speaker 1>said I wanted to be a civil war buff. I

0:38:13.400 --> 0:38:16.359
<v Speaker 1>don't anymore. You know, you had to start to your

0:38:16.400 --> 0:38:18.600
<v Speaker 1>career as a civil war buff. They're not nice people,

0:38:18.640 --> 0:38:20.680
<v Speaker 1>as it turns out, no one on the internet it's

0:38:20.680 --> 0:38:23.040
<v Speaker 1>a nice person. No I was. I was just very

0:38:23.040 --> 0:38:26.279
<v Speaker 1>surprised if people got angry that we messed something up?

0:38:26.560 --> 0:38:28.160
<v Speaker 1>Did I just like, so, what did we mess up?

0:38:28.160 --> 0:38:31.839
<v Speaker 1>We said fifty thou dead. It was fifty total casualties.

0:38:31.880 --> 0:38:33.520
<v Speaker 1>Is that what it was? So we messed up and

0:38:33.560 --> 0:38:38.319
<v Speaker 1>said mistaked casualties for dead, when in fact casualties is dead,

0:38:38.480 --> 0:38:42.560
<v Speaker 1>missing or wounded. Um. And then we also said that

0:38:44.719 --> 0:38:46.759
<v Speaker 1>what we were talking about the percentage of the army

0:38:46.920 --> 0:38:50.120
<v Speaker 1>like it was this much a percentage of of the

0:38:50.200 --> 0:38:53.520
<v Speaker 1>Union army and a third of Lee's army. But it

0:38:53.600 --> 0:38:56.200
<v Speaker 1>was just for the army fighting in that battle, not

0:38:56.280 --> 0:39:00.560
<v Speaker 1>the total Union army and the total confess or An army.

0:39:01.760 --> 0:39:05.160
<v Speaker 1>And we very specifically were like, this is for the

0:39:05.320 --> 0:39:08.480
<v Speaker 1>entire army. So we got a little excited and a

0:39:08.520 --> 0:39:11.320
<v Speaker 1>little ahead of ourselves. Well, clearly we're the most evil

0:39:11.360 --> 0:39:14.239
<v Speaker 1>people of the century. Yeah, so very sorry about that.

0:39:15.239 --> 0:39:18.640
<v Speaker 1>Civil War buffs you know, now, don't have a contact

0:39:18.680 --> 0:39:24.680
<v Speaker 1>Chuck again. Please all right, listener mail now. Yeah, um,

0:39:24.800 --> 0:39:26.960
<v Speaker 1>I'm just gonna read this one. Hey, guys, great podcast,

0:39:27.600 --> 0:39:30.919
<v Speaker 1>especially like how you pointed out, uh, here's some about

0:39:30.960 --> 0:39:34.960
<v Speaker 1>the bogus studies, how to do good research, especially like

0:39:35.000 --> 0:39:37.319
<v Speaker 1>how you guys pointed out the pressure when you're an

0:39:37.400 --> 0:39:39.920
<v Speaker 1>understudy to do studies that support the current theories of

0:39:39.960 --> 0:39:42.600
<v Speaker 1>your employer without getting into a ton of detail. I've

0:39:42.640 --> 0:39:45.879
<v Speaker 1>been there, and I left research altogether because I became

0:39:45.880 --> 0:39:48.360
<v Speaker 1>pretty disillusioned with it all. One thing you did not

0:39:48.440 --> 0:39:52.759
<v Speaker 1>mention is that entire industries get erected based on the

0:39:52.840 --> 0:39:56.360
<v Speaker 1>results of a few initial studies. Uh, the sexiness of

0:39:56.360 --> 0:39:58.920
<v Speaker 1>the studies aside, which is what you talked about the

0:39:59.040 --> 0:40:01.400
<v Speaker 1>research or does a good job and does not show

0:40:01.440 --> 0:40:04.360
<v Speaker 1>anything or has a negative study, their funding is often

0:40:04.440 --> 0:40:08.320
<v Speaker 1>at stake. For my personal experiences, is the largest basis

0:40:08.719 --> 0:40:11.800
<v Speaker 1>for bias. WHOA, that was a mouthful. It's hard to

0:40:11.800 --> 0:40:16.480
<v Speaker 1>say when you're missing the tooth um research. Researchers become

0:40:16.520 --> 0:40:20.239
<v Speaker 1>heavily vested and being right from a face perspective if

0:40:20.280 --> 0:40:24.640
<v Speaker 1>a c in a monetary perspective. We don't really recognize

0:40:25.000 --> 0:40:27.239
<v Speaker 1>realize this because the scope of the impact of the

0:40:27.239 --> 0:40:30.879
<v Speaker 1>studies are usually small. But that researcher who suddenly lost

0:40:30.920 --> 0:40:33.480
<v Speaker 1>all their grants is a pretty high price to pay

0:40:33.520 --> 0:40:35.960
<v Speaker 1>for being ethical. I don't really have any answers to

0:40:35.960 --> 0:40:39.120
<v Speaker 1>how clean it up, but science is contrarian and by

0:40:39.200 --> 0:40:42.880
<v Speaker 1>nature anti consensus. Instead, we have a system that rewards

0:40:43.120 --> 0:40:46.759
<v Speaker 1>only rewards reinforcement. Good researchers have to be allowed to

0:40:46.840 --> 0:40:49.880
<v Speaker 1>say you did this great study and found nothing without

0:40:49.880 --> 0:40:53.840
<v Speaker 1>the fear of losing grant money. Amen. That's from Trevor.

0:40:54.040 --> 0:40:58.200
<v Speaker 1>Thanks Trevor. That was very illuminating. Yeah, an enlightening, very

0:40:58.400 --> 0:41:05.480
<v Speaker 1>very aditt Can you say that, Rudy, really, I don't know. Okay,

0:41:06.120 --> 0:41:08.160
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0:41:08.200 --> 0:41:10.400
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