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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Sunday's too.

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Speaker 3: My father got up early and put his clothes on

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Speaker 3: in the blue black cold, then with cracked hands that

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Speaker 3: ached from laboring. The weekday weather made bank fires blaze.

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Speaker 3: No one ever thanked them. I'd a wake and hear

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Speaker 3: the cold splintering breaking. When the rooms were warm, he called,

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Speaker 3: and slowly I would rise and dress, fearing the chronic

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Speaker 3: angers of that house, speaking indifferently to him who had

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Speaker 3: driven out the cold and polished my good shoes as well.

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Speaker 2: What did I know? What did I know of Love's

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Speaker 2: austere and lonely offices?

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Speaker 3: Hey, welcome to the Black Autils podcast, your host Rod

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Speaker 3: and Carying.

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Speaker 2: We're in the house on a Saturday. Ready do some feedback? Yes,

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Speaker 2: Happy Irish Day, Oh St Patrick's Day. That's what it is.

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Speaker 3: Intensions people if they're not wearing green okay, without consent,

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Speaker 3: that is apparently what we like to call a.

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Speaker 2: Holiday these days. Touching people's bodies, that's white folks holiday.

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Speaker 4: I remember when I was working at the restaurant and

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Speaker 4: they was doing that shit. I got real nasty with

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Speaker 4: some of white coworkers. I'm like, don't pinch me, damn

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Speaker 4: touch me.

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Speaker 3: Great day to show up at bars and realize that

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Speaker 3: all the drunk white people are.

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Speaker 2: Two sheets to the wind and then it's time to go.

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Speaker 4: Come on. They read it, don't give a funk about

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Speaker 4: what they celebrating is the reason to get drunk.

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Speaker 2: At any rate. Guys, we all live and we appreciate y'all.

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Speaker 2: Turning end for our feedback show.

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Speaker 3: Yes, of course, feedback is for people who send us

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Speaker 3: stuff about the stuff that we talked about. So we're

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Speaker 3: gonna do uh, We're gonna read your five star reviews.

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Speaker 3: All you guys who took the time out to sending

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Speaker 3: five star reviews on iTunes and Stitcher, We're gonna read

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Speaker 3: those on the air and as long as a nice

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Speaker 3: We're going to take the time out to read your emails,

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Speaker 3: the ones you send to the Blackout tips at gmail

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Speaker 3: dot com. We're gonna read your comments on the Blackout

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Speaker 3: hootils dot com. We didn't get any voicemails, but if

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Speaker 3: we had voicemails that were two minutes or less, we

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Speaker 3: would have checked those out. You can always leave voicemails

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Speaker 3: seven oh four five five seven zero, one, a six,

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Speaker 3: And I think I think that's everything that we do. Karen,

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Speaker 3: what were we gonna say?

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Speaker 4: You're saying you think that's everything. Yep, that's it as

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Speaker 4: far as I know. We still send the T shirts.

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Speaker 4: You can always go get those.

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Speaker 3: Yeah, te Public has to sell everything's like thirty off

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Speaker 3: right now. So if you go to te Public right

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Speaker 3: now and just put in TBGWT in the search and

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Speaker 3: our store will come up and all that stuff is

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Speaker 3: on sale right now.

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Speaker 2: I know.

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Speaker 3: I always go out there when it's fourteen dollars tas

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Speaker 3: and just take a break a look. And if you

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Speaker 3: go to our store and buy something and click around

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Speaker 3: it by other shirts that aren't even in our store,

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Speaker 3: we still get some money from that.

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Speaker 2: Okay, So you're helping us out no matter what. So

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Speaker 2: you are. Thank you guys who take the time out

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Speaker 2: to do that.

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Speaker 3: We always get an email every time one of y'all

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Speaker 3: buy something and they they love working.

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Speaker 2: With us, So thank you.

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Speaker 3: And we're still constantly on the lookout for people. You know,

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Speaker 3: if you want to send it art if it's good

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Speaker 3: and uh, you know, I think someone's sending one for

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Speaker 3: black Twitter say that's how we already got something for it.

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Speaker 3: But like you know, if it's good idea you heard

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Speaker 3: from the show, they send it in. Man, we do

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Speaker 3: pay people who do the art and stuff like that.

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Speaker 4: Yeah, and that's if you know, if we choose uh

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Speaker 4: to work with you, that's what we'll do. Yeah, don't

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Speaker 4: be scared, don't be ashamed, you know about your work,

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Speaker 4: because we know out of all the downloads we see,

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Speaker 4: we have a lot of very, very very talented people

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Speaker 4: out there.

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Speaker 2: Yeah. So Uh.

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Speaker 3: The official webinar of the show is an unofficial sports

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Speaker 3: a Bulletball Extreme and today's podcast is brought to you

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Speaker 3: by our listeners just like you.

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Speaker 4: Come on, just like you.

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Speaker 3: It's time to uh to talk about the people who

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Speaker 3: donate to the show. You can donate by going to

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Speaker 3: the blackoutils dot com on the right on the opening

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Speaker 3: page on the front page in the right hand there's

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Speaker 3: a column that's like, would you like to become a

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Speaker 3: recurrent donator? One time donator? You can throw some money

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Speaker 3: at us. Okay, we take the time out to read

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Speaker 3: all those people's names. Doesn't matter what the denomination of

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Speaker 3: money is, We don't care. We will read your name

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Speaker 3: on the air and play a little gospel song for you.

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Speaker 5: That's what we're about to do.

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Speaker 6: Depression.

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Speaker 5: Today's a new day.

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Speaker 2: Conrad L. Thank you so much for hooking us up.

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Speaker 3: We'll appreciate you do. Brianna F. Thank you so much.

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Speaker 3: Tabitha M. Well appreciate you coming through. Corey the Tickler.

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Speaker 3: Thank you after all these years, still hooking us up.

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Speaker 2: April G. Thank you very much. April. Alexis H. Recurrent donator.

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Speaker 3: June from Harlem, Thank you, Ray Sony writer on the

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Speaker 3: Good Place. Okay, uh uh you know, move it on

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Speaker 3: up here, girl, Tanya AS thank you so much, keep

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Speaker 3: it all. Thank you, Keeving, Samuel H. Junior, Thank you, Samuel,

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Speaker 3: Regina G.

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Speaker 2: Thank you.

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Speaker 3: Virginia as Dwanga from down Under, Australia.

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Speaker 2: Mate, Dana W. Thank you very much.

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Speaker 4: Chance H.

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Speaker 2: Thank you, Chance. Billy M. Recurrent donator. Sherlawong Es squad

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Speaker 2: please say.

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Speaker 3: To every time she earned the squad, didn't go to

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Speaker 3: school and get them longs for nothing come.

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Speaker 2: Ashia B. Thank you, Ashia Yes, Kelly C. Thank you. Kelly.

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Speaker 2: Will appreciate you.

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Speaker 3: Tiffany B. Thank you, Tiffany Jane M. Appreciate you. Lisa

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Speaker 3: Danon naz Or Cone d I don't know if I'm

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Speaker 3: saying it right.

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Speaker 2: Uh.

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Speaker 3: We got our one time donation from Doretta, who says,

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Speaker 3: Dear Roding Karen, thank you for make it's such a

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Speaker 3: fantastic podcast The twil you bring a lot of joy

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Speaker 3: into my life best.

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Speaker 2: Doretta, Thank you, Doretta, Thank you. We appreciate you. Y'all

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Speaker 2: bring joy in our lives.

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Speaker 3: Do design T thank you, Design, Alfonzo M, thank you, Alfonzo.

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Speaker 2: My brother Rodney hooking us up.

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Speaker 3: Thank you, Rodney, Autumn W thank you, Autumn.

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Speaker 2: Celeste M. Appreciate your Celeste. Damian Jackson, I am for real.

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Speaker 3: Thank you, Damion Joy M, thank you, Joy Cayle Okay,

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Speaker 3: I appreciate you Cale.

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Speaker 2: And that's everybody that was. That was a lot of people, thank.

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Speaker 5: You for me.

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Speaker 4: Just my.

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Speaker 2: Oh me what right now?

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Speaker 5: My fo me.

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Speaker 1: Smile?

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Speaker 2: Can you just smile.

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Speaker 5: For me?

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Speaker 3: And the people say, all right, all right, let's talk

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Speaker 3: about these five star reviews y'all left some got three

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Speaker 3: on iTunes, two on Stitcher.

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Speaker 2: Uh, five stars. Wakanda by E K.

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Speaker 3: Hines, who says my go to for all things black,

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Speaker 3: black power Fish, thank you, Black pole Fish. Er Lady

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Speaker 3: says my favorite podcast, all five star you. Karen and

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Speaker 3: her husband are smart, funny, and secretly my auntie and

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Speaker 3: uncle in my head, so appreciate of all the work

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Speaker 3: they do. Black Guy who Tells is where I go

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Speaker 3: for insightful takes on current events and comedic relief. During

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Speaker 3: the longest h Auston commute, Love you guys, Thank you,

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Speaker 3: thank you, right back at you, Joe and Rich Boway

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Speaker 3: says first time, long time, and it's you two are

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Speaker 3: the shit. Now how they get that pass the screeners,

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Speaker 3: I know that's what you're wonder. They put dollar sign

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Speaker 3: for the s and shit, okay, and exclamation point for

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Speaker 3: the eye and shit and that's how you do it.

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Speaker 3: So if you guys want to get some cussing through iTunes,

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Speaker 3: you just gotta disguiset.

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Speaker 2: Okay.

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Speaker 4: They're not that smart, right, So for those of you,

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Speaker 4: it was like I sent one, but I said nigga

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Speaker 4: the regular way that.

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Speaker 3: Yeah, they don't allow cussing on on on iTunes. So

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Speaker 3: Steve Jobs is not a fan, you know, he's not.

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Speaker 3: Grace A left us a five star review on Stitcher.

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Speaker 3: You gotta least Stitcher reviews by going to the website

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Speaker 3: Stitcher dot com. You can search the Blackout Tips and

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Speaker 3: then you can leave it there and they will send

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Speaker 3: you an email to confirm that it was actually you

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Speaker 3: that sent it, So use your real email address or

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Speaker 3: else we will never see the review ever.

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Speaker 2: Grace A says five stars. I finally figured it out.

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Speaker 3: I've been trying to give the Blackout Tips five bit

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Speaker 3: ones since I started listening to the podcast. I have

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Speaker 3: an Android and was looking for the platforms to give

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Speaker 3: y'all galaxy of stars that tvg WT deserved. There's so

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Speaker 3: many ways as podcast touched my life. It's real honest,

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Speaker 3: a real honest take on the.

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Speaker 2: World around us with an insightful, humorous touch.

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Speaker 3: Rider Karen are like being or having a great conversation

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Speaker 3: with your friends over space. Game that passionate, unapologetic takes

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Speaker 3: on issues that not only affect pocs but other marginalized communities.

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Speaker 3: Resonate resonates with through the audience and will have you

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Speaker 3: joyfully thinking outside of your own box. Now I'm off

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Speaker 3: the find ways to give them five stars on other platforms.

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Speaker 3: Thank you Roder Karen for all your hard work and

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Speaker 3: the enjoy that you bring with every podcast.

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Speaker 1: Thank you.

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Speaker 2: We appreciate it.

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Speaker 3: Gothic Intellect says five stars fantasy progressive blacked black, I

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Speaker 3: mean fantasy, fantastic fantasy. What if they had fantasy podcasts,

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Speaker 3: what would the stats be like?

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Speaker 2: What would a touchdown? Anyway?

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Speaker 3: Fantastic progressive black of their black show. At least it

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Speaker 3: didn't get called blacky blacks. Apparently that's bad.

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Speaker 4: I don't know.

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Speaker 3: I don't know what it is exactly, but I just

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Speaker 3: connotations on the internet means it's not good.

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Speaker 2: I don't know what to say.

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Speaker 3: Oh wow, So where do I begin. I found this

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Speaker 3: podcast from searching the word black on Stitcher. Come through, Black,

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Speaker 3: Come on, That's what we're here for. It's the only

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Speaker 3: reason I wouldn't change the name.

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Speaker 4: That's not right.

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Speaker 2: It's the only reason.

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Speaker 3: So too many people found us by just typing in

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Speaker 3: black in podcasts, and then one of us we be

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Speaker 3: one of the ones that showed up, and I'm so

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Speaker 3: thankful Stitcher delivered. I love politics, pop culture, and most

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Speaker 3: of all, being black, and this podcast is all of

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Speaker 3: that combined. Y'all really have thought provoking, compassionate discussions while

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Speaker 3: being funny as fuck and.

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Speaker 2: Real as fuck.

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Speaker 3: This type of representation and presence is everything, and if

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Speaker 3: you're wondering whether or not it's worth trying out, don't wait.

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Speaker 3: Come for the comedy and the politics and opinion on

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Speaker 3: news events. Others rarely talk about thank you, thank you you.

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Speaker 3: I appreciate it, man.

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Speaker 4: I know there a lot of people.

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Speaker 2: I bet you.

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Speaker 4: We did the survey. A bunch of people were like, yeah,

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Speaker 4: I found y'all by just topping in black and iTunes,

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Speaker 4: a stitcher or whatever their podcast catch You Appy is

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Speaker 4: and y'all popped up.

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Speaker 2: Yeah.

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Speaker 3: I just want to say I sincerely appreciate all y'all,

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Speaker 3: even faster reviews this week. You know, we do the

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Speaker 3: show and it's not like in the vacuum. We have

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Speaker 3: a lot of chat room and stuff. But I mean,

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Speaker 3: we never know how people are taking it. And one

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Speaker 3: of the best ways to determine if people really truly

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Speaker 3: love your show is if they leave a review for it.

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Speaker 3: Because the review is not for us necessarily, it's for

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Speaker 3: other people who will find the show and go let

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Speaker 3: me check out the most recent reviews on this Oh wow,

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Speaker 3: people love the show.

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Speaker 2: Let me check it out.

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Speaker 3: So you know, we have an uphill battle selling this

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Speaker 3: podcast because we're pretty much five days a week podcast.

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Speaker 2: We're long format. You know, we really are.

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Speaker 3: Looking for people that want to be committed to listening.

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Speaker 3: We're looking for people that you know, you're sitting at

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Speaker 3: your QUB goo, you got a long commute or whatever.

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Speaker 3: But you know, it's hard to hit that button for

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Speaker 3: a lot of people because it's like, I don't know

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Speaker 3: if I had that much time. But sometimes you find something.

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Speaker 3: It it's because of reviews that they find us correct.

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Speaker 6: All right.

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Speaker 3: We had a couple con we had, let's do comments

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Speaker 3: on the website, the blackoutils dot com. We had a

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Speaker 3: couple comments on episode sixteen thirty four speedy feedback. Anonymous says,

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Speaker 3: not that it should matter to anyone, but just as.

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Speaker 2: A bit of chat, I really like to get out.

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Speaker 3: Oh okay, because I said, I don't know why white

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Speaker 3: people like get out, so I think these are white people, right, Okay.

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Speaker 3: The message was not spoon fed to me, but by

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Speaker 3: the end of the movie I was mouth agape, and

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Speaker 3: not with pain in my chest. What I got from

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Speaker 3: it was a horror of how white people have always

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Speaker 3: consumed black bodies and minds, and how for so many

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Speaker 3: people it's scenes. But nah, from the way that black

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Speaker 3: musicians have been copied by white musicians to the way

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Speaker 3: that white people want to enjoy urban fashions. It is

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Speaker 3: insidious that white people can't even recognize what they are doing.

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Speaker 3: I had a conversation with a coworker one time about Elvis.

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Speaker 3: I said, I can never enjoy his music because he

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Speaker 3: basically stole everything from his songs to his dance moves,

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Speaker 3: and black musicians he got rich, and the people he

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Speaker 3: got all who he got all his ideas from, got nothing.

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Speaker 3: She said, she never even thought of that, And that

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Speaker 3: sort of thing is basically the story of this country.

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Speaker 3: Black people do excellent and amazing things for our society,

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Speaker 3: and instead of getting credit in conversation, the work gets

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Speaker 3: copied badly and they get nothing.

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Speaker 2: As a white person, I found it in raging that white.

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Speaker 3: People have not been able to simply celebrate black greatness. Instead,

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Speaker 3: they need to own it and claim it as theirs.

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Speaker 3: That is the message I got from the film, and

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Speaker 3: that I already could recon one that I already could recognize,

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Speaker 3: but done in such a brilliant way that the movie

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Speaker 3: was creepy as hell too. Anyway, I hope that I'm

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Speaker 3: not totally off and I hope most of the white

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Speaker 3: people who claim to love the movie got what I

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Speaker 3: got from it. Anyways, that movie really hit me hard.

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Speaker 3: It was definitely not just a hard movie to me.

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Speaker 3: Jordan Peel created a massprot critique of society and history

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Speaker 3: embedded and the scary as fuck an amazingly active movie.

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Speaker 2: Yeah, I appreciate you right now.

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Speaker 4: I agree, and I hope that more people view did

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Speaker 4: like you. But I really think a lot of people

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Speaker 4: was like your coworker. They unless somebody talks to them,

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Speaker 4: they never see the connection.

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Speaker 3: This is just interesting because even one of those Oscar

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Speaker 3: people was like, I like the film.

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Speaker 2: But then when they came in and Daniel.

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Speaker 3: Calulia started talking to us, I felt like he was

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Speaker 3: playing a race card, And I'm like, the film. If

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Speaker 3: you have a problem with quote unquote playing a race card,

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Speaker 3: what did you enjoy about the film?

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Speaker 2: The film is a race card, right right? Uh, Mars,

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Speaker 2: go ahead.

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Speaker 4: No, I mean the sweetie, you just happen to be

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Speaker 4: a type of person that has an understanding and actually

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Speaker 4: sees It's almost like white people's eyes have to be open,

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Speaker 4: and you know, if you're blinded to something, you literally

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Speaker 4: cannot see it. And until the scales fall off your eyes,

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Speaker 4: you cannot understand. And you happen to be somebody that

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Speaker 4: can see, but a lot of people don't see. So,

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Speaker 4: like you said, you have somebody that said, I enjoyed

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Speaker 4: the movie, But then when you get to the reasons

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Speaker 4: of why, they can't explain it as etiquette as good

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Speaker 4: as you can. So then you're talking about here playing

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Speaker 4: the race card. It's like, but then, what did you see?

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Speaker 4: What did you enjoy about this movie?

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Speaker 2: Yeah?

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Speaker 3: Also, I mean I feel like if you're listening to

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Speaker 3: this show, you're probably already a white person that's a

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Speaker 3: little more open to to that type of stuff. You

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Speaker 3: probably listen to other shows that kind of talk about

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Speaker 3: it and all that stuff too, like kind of probably

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Speaker 3: on the spectrum of people that, you know, probab quote

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Speaker 3: unquote could get it right. But I think for a

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Speaker 3: lot of people, white people probably just thought it was

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Speaker 3: a good horror movie. Yeah, you know, and no no

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Speaker 3: extra level of subtext beyond that, just oh it was creepy.

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Speaker 2: Marcy says.

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Speaker 3: I know nobody asked my opinion, but I'm white, so

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Speaker 3: I have to give it lol.

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Speaker 2: But just a bit of chat. I wanted to tell

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Speaker 2: you guys, Oh wait, is this the same one? Let

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Speaker 2: me see? Oh no, no, okay, it's different. All right.

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Speaker 3: As a bit of chad, I wanted to tell you guys,

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Speaker 3: I love get Out. Hopefully other white people got the

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00:15:47,040 --> 00:15:49,480
Speaker 3: same minut I watched the movie myself and oh no,

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Speaker 3: it is the same.

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Speaker 2: Okay.

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Speaker 3: So one time it said anonymous and the other time

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Speaker 3: it was all right, okay, cool, all right. And then

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Speaker 3: the poe was when you're with your significant other? Do

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Speaker 3: you hold hands in public?

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Speaker 2: This nothing I know I do.

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Speaker 3: The answers yes, sometimes, never, and yes, but not a lot,

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Speaker 3: because I figured nobody does it all the time, like

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Speaker 3: it's probably that's probably crazy, but yeah, so yes sometimes,

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Speaker 3: sixty six percent yes, but not a lot. Fifteen percent

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Speaker 3: of people like we hold hands or not a lot,

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Speaker 3: and nineteen percent never, like don't hold my hand.

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Speaker 1: Nigga.

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Speaker 4: I'm an affectionate person, so yes, I hold your hand.

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Speaker 3: Brooklyn shoe Back says, yes, my honey and I hold

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Speaker 3: hands when we're out walking, but most of the time

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Speaker 3: wearing a car. He does it mostly out of affection

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Speaker 3: and for lack of a better word, possession.

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Speaker 2: It's his ways thowing. I know what she's saying, I

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Speaker 2: do to.

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Speaker 4: I'm laughing, but I get it. A form of ownership,

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Speaker 4: you know. And it's also a former thing too because

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00:16:50,520 --> 00:16:53,600
Speaker 4: of patriarch and wear is designed. You also do that.

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Speaker 4: So the other men quote unquote won't come trying to

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Speaker 4: talk to your look, don't even come over here.

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Speaker 3: Yeah, I just think, yeah, I mean, I just think

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Speaker 3: in society there is like a level of ownership that

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Speaker 3: people have of each other.

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Speaker 2: That's kind of what marriage is to a certain extent.

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Speaker 4: But the ownership normally goes men to women. It's never

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Speaker 4: reverse like like a woman owns he Like, you don't

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Speaker 4: see people saying that.

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Speaker 3: I'm gonna say the way that I'm talking about it

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Speaker 3: feels like it kind of goes both ways. Okay, because

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Speaker 3: I've also seen the like that's if someone would have

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Speaker 3: approach or show interest in a man, I've seen women

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Speaker 3: kind of be a little bit more like affectionate and possessive, like, hey,

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Speaker 3: this is my man now, y'all, bitch is no, y'all

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Speaker 3: better back to buck up right, Like, And I'm not

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Speaker 3: this is not a judgment thing. I'm just saying I

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Speaker 3: think that's just how society is, y'all. Can judge society,

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Speaker 3: of course, for but you know, I think marriage is

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Speaker 3: kind of a consensual quote unquote ownership, like, yes, I'm

382
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Speaker 3: your person and you're my person, and if you didn't

383
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Speaker 3: want to be that person's person, and then y'all wouldn't

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00:18:00,800 --> 00:18:04,040
Speaker 3: be married or in a relationship or whatever. And obviously

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Speaker 3: there's different types of relationships are different ways to correct

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Speaker 3: to carry out. But holding hands can be a thing

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Speaker 3: of I'm holding your hand to let people know your mind,

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Speaker 3: you're under my protection. Because society does recognize men as

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00:18:16,359 --> 00:18:19,600
Speaker 3: like a woman with her like men of street harass

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Speaker 3: a woman by herself or not, she's with a man.

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Speaker 4: Right, you know, So like even if it's nothing there,

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Speaker 4: for the fact that she has a male presence around her,

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Speaker 4: they are under the assumption that that that's a relationship.

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Speaker 3: Yeah, it's And as you say, like possession, I think

395
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Speaker 3: there's a loaded term, so most people think of it

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Speaker 3: as like possessive and jealous and owners owning and.

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Speaker 2: Things of that nature.

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Speaker 3: But I think there's a range of consensual like emotional

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Speaker 3: ownership and possession of I'm yours and I'm okay with

400
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Speaker 3: that right for men and women. You know what, I mean,

401
00:18:52,960 --> 00:18:55,440
Speaker 3: but that's a whole other world of shit that I

402
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Speaker 3: don't feel like getting into.

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Speaker 2: Correct.

404
00:18:58,440 --> 00:19:01,000
Speaker 3: Yes, she says, during my first last four years of

405
00:19:01,040 --> 00:19:04,040
Speaker 3: my marriage, my ex completely emotionally withdrew, which included those

406
00:19:04,040 --> 00:19:06,560
Speaker 3: little touches we take for granted, the shoulder squeeze, the

407
00:19:06,600 --> 00:19:10,119
Speaker 3: elbow hole when you're walking up the stairs. I'm not

408
00:19:10,160 --> 00:19:12,320
Speaker 3: gonna air out my ex husband too much, but withdrawing

409
00:19:12,359 --> 00:19:14,639
Speaker 3: instead of telling me straight up he was through with

410
00:19:14,680 --> 00:19:17,520
Speaker 3: me was super painful. When I first started dating my

411
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Speaker 3: new guy, he reached out so casually to touch me,

412
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Speaker 3: I flinched because I've been unaccustomed to touch it.

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Speaker 4: Right, that's very understandable.

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Speaker 2: Miss ct says, I've been married for seven years.

415
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Speaker 3: We're about fifty fifty for hold the hands in public

416
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Speaker 3: if we're on a date night when the mood is

417
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Speaker 3: more romantic and holding hands like an Armscune's naturally. But

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00:19:32,480 --> 00:19:35,000
Speaker 3: we're shopping a running errands, not so much because we

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Speaker 3: have things things to do, Thanks y'all. Yep, So sixty

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Speaker 3: six percent said they do it sometimes, fifteen percent yes,

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Speaker 3: not a lot, and never nineteen percent So that was

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Speaker 3: a good Poe didn't think we'd get too much interaction

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Speaker 3: off that.

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Speaker 2: I that's very random.

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Speaker 4: Yeah, I do. I hold hims for Rodrick a lot.

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Speaker 2: Mm hmm.

427
00:19:54,680 --> 00:20:00,680
Speaker 3: Screrely going to Jelly was episode sixty thirty five.

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Speaker 2: We got how many comments?

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Speaker 6: Was this?

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00:20:07,560 --> 00:20:09,480
Speaker 2: We got four comments?

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00:20:09,560 --> 00:20:11,840
Speaker 3: Let's get into these, and then of course we got

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Speaker 3: the poll which let me see how many we got

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Speaker 3: in the pole?

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00:20:19,040 --> 00:20:19,680
Speaker 2: Two comments?

435
00:20:19,680 --> 00:20:21,280
Speaker 3: All right, so we got a lot of interaction on

436
00:20:21,320 --> 00:20:22,840
Speaker 3: this episode. All right, let's do.

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00:20:22,840 --> 00:20:26,040
Speaker 2: It did all right?

438
00:20:26,080 --> 00:20:29,119
Speaker 3: So we got this from d Ramsey, pH done, she

439
00:20:29,240 --> 00:20:32,800
Speaker 3: said to Mark Johnson. To Mark Johnson, had snatched all

440
00:20:32,840 --> 00:20:36,080
Speaker 3: my edges and my scalp, I pops flavor and.

441
00:20:35,960 --> 00:20:36,879
Speaker 2: I dripped sauce.

442
00:20:37,359 --> 00:20:41,000
Speaker 3: Yes, be the Kanye to my cam, I need you

443
00:20:41,040 --> 00:20:44,760
Speaker 3: to match my fly checking out on Instagram at glittergon

444
00:20:45,080 --> 00:20:47,560
Speaker 3: with two ends, and j Full says, I heard your

445
00:20:47,640 --> 00:20:49,600
Speaker 3: name on the show so many times I never realized

446
00:20:49,640 --> 00:20:51,120
Speaker 3: it was spelled pH done.

447
00:20:51,320 --> 00:20:56,840
Speaker 2: Congratulations d Ramsey, pH done. She's done with that, PhD.

448
00:20:57,119 --> 00:21:00,760
Speaker 3: Come on, j Full says, regarding to Tiffy Had, I

449
00:21:00,800 --> 00:21:02,359
Speaker 3: feel the same way about Tiffany had this as I

450
00:21:02,359 --> 00:21:04,520
Speaker 3: feel about a lot of black comedians slash creators when

451
00:21:04,520 --> 00:21:06,359
Speaker 3: they blow up. I always worry that people would be

452
00:21:06,400 --> 00:21:09,960
Speaker 3: laughing at them, but not with them. Obviously, that could

453
00:21:09,960 --> 00:21:12,000
Speaker 3: totally be cool. They could totally be cool with people

454
00:21:12,040 --> 00:21:14,080
Speaker 3: laughing at them. But I always wonder what if they're

455
00:21:14,119 --> 00:21:17,080
Speaker 3: thinking everybody is sweet and it's hurt and it hurts

456
00:21:17,080 --> 00:21:20,080
Speaker 3: their feelings when they find out that. Being said, I

457
00:21:20,160 --> 00:21:22,000
Speaker 3: keep these thoughts to myself and I never let my

458
00:21:22,040 --> 00:21:24,280
Speaker 3: fears keep me from rooting for them to have as

459
00:21:24,320 --> 00:21:27,399
Speaker 3: much success as possible. Well, that last sentence is the

460
00:21:27,440 --> 00:21:30,240
Speaker 3: most important part of that sentence. The second thing is,

461
00:21:31,280 --> 00:21:33,600
Speaker 3: I don't think when we're talking about like thirty eight

462
00:21:33,680 --> 00:21:36,760
Speaker 3: year old Tiffany Hatters, she's stupid enough to think that.

463
00:21:38,640 --> 00:21:42,359
Speaker 4: To not know the difference, right, And maybe this is

464
00:21:42,440 --> 00:21:45,119
Speaker 4: just the way I view it. You've got to have

465
00:21:45,160 --> 00:21:47,840
Speaker 4: a certain level of tough skin, like you almost have

466
00:21:47,960 --> 00:21:52,480
Speaker 4: to as a form of self protection doing comedy. And

467
00:21:52,560 --> 00:21:59,520
Speaker 4: so most of them know, not that comedians finners don't

468
00:21:59,520 --> 00:22:01,439
Speaker 4: get hurt. But for the book, for the most part,

469
00:22:01,840 --> 00:22:04,959
Speaker 4: the stuff that these people are doing, they like, Okay,

470
00:22:05,560 --> 00:22:08,200
Speaker 4: you know, I'm making money, Like this is my thing,

471
00:22:08,240 --> 00:22:09,080
Speaker 4: this is what I do.

472
00:22:10,800 --> 00:22:18,200
Speaker 3: Yeah. I guess for me, it's like I think, whether

473
00:22:18,240 --> 00:22:20,560
Speaker 3: white people are laugh at or with at some point

474
00:22:21,000 --> 00:22:25,040
Speaker 3: that's either in our heads or something that's out of

475
00:22:25,080 --> 00:22:25,640
Speaker 3: our control.

476
00:22:25,760 --> 00:22:26,040
Speaker 4: Correct.

477
00:22:26,080 --> 00:22:28,280
Speaker 3: So I don't want to obsess about something I can't control,

478
00:22:29,160 --> 00:22:31,440
Speaker 3: and I don't worry about the artists getting that feelings hurt.

479
00:22:32,760 --> 00:22:34,919
Speaker 3: For the most part, I know Chappelle said that, but

480
00:22:35,000 --> 00:22:37,280
Speaker 3: I'm not one hundred percent convinced that that's why Chapelle

481
00:22:37,359 --> 00:22:38,720
Speaker 3: quit that County Central gig.

482
00:22:39,080 --> 00:22:39,320
Speaker 2: You know.

483
00:22:39,600 --> 00:22:44,040
Speaker 3: But even with Chapelle, like, it's still like he made

484
00:22:44,080 --> 00:22:47,600
Speaker 3: a choice, you know. So I just root for people

485
00:22:48,320 --> 00:22:50,600
Speaker 3: to do their thing, and and I try to keep

486
00:22:50,600 --> 00:22:54,520
Speaker 3: that shit out of the discussion, cause you know, people

487
00:22:54,520 --> 00:22:56,480
Speaker 3: can be really negative, and I don't want to add

488
00:22:56,480 --> 00:22:59,400
Speaker 3: any more on somebody's plate that's already just trying to live,

489
00:22:59,600 --> 00:23:03,320
Speaker 3: you know, right. I just feel like we as black people,

490
00:23:03,320 --> 00:23:05,720
Speaker 3: we do that to each other so fucking much. And

491
00:23:05,720 --> 00:23:08,520
Speaker 3: it's just like, I don't I don't know what the

492
00:23:08,600 --> 00:23:11,760
Speaker 3: responsible line to stop and let people be just healthy,

493
00:23:11,840 --> 00:23:15,719
Speaker 3: insane and they not hurting nobody, So can we just

494
00:23:16,119 --> 00:23:17,439
Speaker 3: like let them cook?

495
00:23:18,119 --> 00:23:20,440
Speaker 4: That's how I feel. It might not be my thing,

496
00:23:20,760 --> 00:23:23,199
Speaker 4: I might not care for it, it might not be

497
00:23:23,359 --> 00:23:25,879
Speaker 4: you know, the genre that I prefer, But as far

498
00:23:25,920 --> 00:23:28,440
Speaker 4: as I'm concerned as long as you're not being harmful

499
00:23:28,520 --> 00:23:31,000
Speaker 4: to people, as long as you're not being anti black like.

500
00:23:31,040 --> 00:23:32,840
Speaker 4: That's why I draw my line. You could just do

501
00:23:32,920 --> 00:23:35,440
Speaker 4: whatever you want to do and I'll let your ass

502
00:23:35,440 --> 00:23:36,760
Speaker 4: lill yep.

503
00:23:37,280 --> 00:23:40,320
Speaker 3: Regarding Joel's gun, as far as Santana goes, I imagine

504
00:23:40,359 --> 00:23:42,199
Speaker 3: he might be one of those Celestia always has a

505
00:23:42,240 --> 00:23:44,560
Speaker 3: gun around, but never in that possession. He came up

506
00:23:44,560 --> 00:23:47,120
Speaker 3: in the hip hop era, so I can hip hop

507
00:23:47,160 --> 00:23:49,119
Speaker 3: cop era, so I can totally see him not always

508
00:23:49,119 --> 00:23:51,840
Speaker 3: having a gun physically on this person and probably forget that.

509
00:23:51,960 --> 00:23:54,120
Speaker 3: Being said, I feel like he might have come out

510
00:23:54,240 --> 00:23:56,199
Speaker 3: better saying oh shit, I forgot the guns in the

511
00:23:56,240 --> 00:24:01,320
Speaker 3: bag and trying to leverage this credibility celebrity uh to

512
00:24:01,359 --> 00:24:04,359
Speaker 3: get a lesser penalty in the moment. Now, I bet

513
00:24:04,400 --> 00:24:06,200
Speaker 3: the judge's gonna throw the book at him. Hopefully the

514
00:24:06,240 --> 00:24:08,880
Speaker 3: paperwork on the gun is legaling up to date because

515
00:24:08,920 --> 00:24:11,080
Speaker 3: you ran, yeah, hopefully got.

516
00:24:11,000 --> 00:24:12,560
Speaker 2: A good lawyer. He'll be fine, hopefully.

517
00:24:13,119 --> 00:24:15,600
Speaker 3: Falcons Deva says, when are the mass is going to start?

518
00:24:15,640 --> 00:24:18,280
Speaker 3: The common can't keep a woman narrative, ha ha. I

519
00:24:18,359 --> 00:24:20,479
Speaker 3: might be out there, It might it might be out there,

520
00:24:20,480 --> 00:24:22,160
Speaker 3: but I don't see it like we see whatever that's

521
00:24:22,160 --> 00:24:25,280
Speaker 3: true comment. I'm gonna start. I'm starting at Falcons Deva.

522
00:24:25,359 --> 00:24:28,359
Speaker 3: We were doing it together. Let's say Colvin is Holly

523
00:24:28,359 --> 00:24:31,720
Speaker 3: Berry of men. Okay, he can't keep a woman. We

524
00:24:31,840 --> 00:24:33,760
Speaker 3: just need him to be crazy. That's what the problem is.

525
00:24:33,800 --> 00:24:36,760
Speaker 3: He ain't done enough quote unquote crazy stuff. Although I

526
00:24:36,760 --> 00:24:39,760
Speaker 3: don't really think Holly Berry that crazy. I feel like

527
00:24:39,760 --> 00:24:43,080
Speaker 3: people just say that because she's fine and a jealous regardless.

528
00:24:43,080 --> 00:24:45,560
Speaker 3: Tivity had its I'm so tired of folks being concerned

529
00:24:45,920 --> 00:24:47,080
Speaker 3: about the white gays.

530
00:24:47,359 --> 00:24:49,560
Speaker 2: Admittedly I was there when I was younger.

531
00:24:49,640 --> 00:24:51,720
Speaker 3: It was drilled into me when I was at A

532
00:24:51,840 --> 00:24:54,600
Speaker 3: and T and things not the things not to do

533
00:24:54,640 --> 00:24:55,520
Speaker 3: around white folks.

534
00:24:56,280 --> 00:24:57,400
Speaker 2: I had to represent the race.

535
00:24:57,440 --> 00:24:59,800
Speaker 3: Well, it wasn't long before I realized that there was

536
00:25:00,040 --> 00:25:01,880
Speaker 3: nothing I could do to make them respect the race.

537
00:25:02,440 --> 00:25:04,840
Speaker 3: They might think I'm special, but they would never believe.

538
00:25:05,080 --> 00:25:06,320
Speaker 3: They will believe whatever.

539
00:25:06,040 --> 00:25:08,920
Speaker 2: They wanted to about the race. That's true. That's the thing.

540
00:25:08,960 --> 00:25:11,080
Speaker 3: That's the old realization, and that's where you get your

541
00:25:11,119 --> 00:25:14,560
Speaker 3: freedom is Look, it don't even if you are excellent

542
00:25:14,760 --> 00:25:17,399
Speaker 3: or Tiffany Hattish were to be a different way, They

543
00:25:17,400 --> 00:25:20,680
Speaker 3: would just think she was different. They would never stop

544
00:25:20,720 --> 00:25:24,120
Speaker 3: and be like, why do I feel black people are

545
00:25:24,119 --> 00:25:26,919
Speaker 3: inferior to me? They would never take that next step.

546
00:25:27,119 --> 00:25:29,640
Speaker 3: It doesn't matter how many of us quote unquote act right.

547
00:25:29,960 --> 00:25:32,639
Speaker 3: It doesn't matter what type of English you speak, or

548
00:25:32,640 --> 00:25:34,760
Speaker 3: what type of antiques you do, or what kind of

549
00:25:34,800 --> 00:25:38,120
Speaker 3: comedy you do or no one black person is capable

550
00:25:38,200 --> 00:25:39,920
Speaker 3: of a racing.

551
00:25:41,240 --> 00:25:43,080
Speaker 2: White supremacy and racism.

552
00:25:43,200 --> 00:25:46,200
Speaker 3: So we should never put that burden on any black person,

553
00:25:46,840 --> 00:25:48,439
Speaker 3: you know, and we all have it.

554
00:25:48,520 --> 00:25:49,360
Speaker 2: Drilled into us.

555
00:25:49,480 --> 00:25:52,639
Speaker 3: It's all there, like we should constantly be trying to

556
00:25:52,720 --> 00:25:56,600
Speaker 3: unlearn and unwork that shit because upholding that is so

557
00:25:56,760 --> 00:25:58,600
Speaker 3: unhealthy for us in my opinion.

558
00:25:58,760 --> 00:26:01,040
Speaker 4: Yeah, and it comes at the of a lot of

559
00:26:01,440 --> 00:26:03,919
Speaker 4: black people. A lot of black people drive themselves insane

560
00:26:03,960 --> 00:26:07,639
Speaker 4: at their job, drive themselves insane in their social life.

561
00:26:08,200 --> 00:26:13,159
Speaker 4: They just going crazy by the white gaze. And a

562
00:26:13,160 --> 00:26:15,879
Speaker 4: lot of times white folks ain't even worried about us,

563
00:26:16,240 --> 00:26:18,120
Speaker 4: Like truth be told, we were like, we're worried about

564
00:26:18,119 --> 00:26:20,560
Speaker 4: their gaze. And then a lot of times with the

565
00:26:20,600 --> 00:26:22,600
Speaker 4: furthest thing from their minds.

566
00:26:22,760 --> 00:26:25,720
Speaker 3: They'll have you out here hating your own people, dog right,

567
00:26:26,000 --> 00:26:27,959
Speaker 3: like straight up. They'll have you out here hating your

568
00:26:27,960 --> 00:26:31,120
Speaker 3: own people, trying to try to impress them, and that ain't.

569
00:26:30,880 --> 00:26:33,760
Speaker 4: Cool and they'll never accept it, and they'll never will

570
00:26:33,840 --> 00:26:37,119
Speaker 4: accept you because the thing is you can't accept me

571
00:26:37,320 --> 00:26:38,919
Speaker 4: and my people. It don't work like that.

572
00:26:39,040 --> 00:26:42,800
Speaker 2: Look at Michael still, tell me he didn't play everything.

573
00:26:42,520 --> 00:26:45,560
Speaker 3: The quote unquote right way, and he like a damn

574
00:26:45,600 --> 00:26:47,959
Speaker 3: fool over there, like they gonna think the same thing

575
00:26:48,000 --> 00:26:52,040
Speaker 3: about him they think about tiftany hatis come on? So yeah,

576
00:26:52,119 --> 00:26:55,760
Speaker 3: she goes on to say, and add that to my

577
00:26:56,000 --> 00:26:58,840
Speaker 3: giver care levels being inversely proportioned to the time, my

578
00:26:58,920 --> 00:27:00,040
Speaker 3: time here on earth.

579
00:27:00,119 --> 00:27:02,160
Speaker 2: And now these folks get all my blackness.

580
00:27:02,240 --> 00:27:04,080
Speaker 3: Just the other day, my coworker was talking about how

581
00:27:04,119 --> 00:27:06,480
Speaker 3: Ryan Cougler needed to learn how to speak and asking

582
00:27:06,520 --> 00:27:08,880
Speaker 3: why Ava didn't give him some pointers before letting him

583
00:27:08,880 --> 00:27:11,560
Speaker 3: speaking to the public. I wanted to fight her. Then

584
00:27:11,560 --> 00:27:13,040
Speaker 3: I remember how it used to be. I cut her

585
00:27:13,119 --> 00:27:16,600
Speaker 3: some slack and tried to educate the youngster. Yeah, I

586
00:27:16,640 --> 00:27:19,080
Speaker 3: mean that's how it's weird, because I have that level

587
00:27:19,119 --> 00:27:22,560
Speaker 3: of empathy for people that's going through that shit, and

588
00:27:23,480 --> 00:27:25,160
Speaker 3: I don't. I'm not gonna let you drag me down

589
00:27:25,160 --> 00:27:27,720
Speaker 3: with you, and I'll never validate the things you're saying,

590
00:27:28,240 --> 00:27:31,960
Speaker 3: but I would love for you to examine what parts

591
00:27:31,960 --> 00:27:36,439
Speaker 3: did that come from anti blackness that you would you know,

592
00:27:37,240 --> 00:27:39,160
Speaker 3: be so uncomfortable.

593
00:27:38,520 --> 00:27:40,919
Speaker 2: By the way Ryan Coogler talks.

594
00:27:40,960 --> 00:27:45,440
Speaker 3: But like say, if if one of these white actors

595
00:27:45,440 --> 00:27:48,000
Speaker 3: did an interview and they were talking in their English

596
00:27:48,160 --> 00:27:51,119
Speaker 3: accent or some cockney shit, we would just be like, oh,

597
00:27:51,160 --> 00:27:54,800
Speaker 3: that's their culture. We would never stop to be like, well,

598
00:27:54,840 --> 00:27:57,080
Speaker 3: why is he trying to speak? I mean, he speaks

599
00:27:57,840 --> 00:28:00,000
Speaker 3: this way on the film, but he speaks differently when

600
00:28:00,119 --> 00:28:01,399
Speaker 3: we would We'll be okay with that.

601
00:28:02,520 --> 00:28:04,000
Speaker 2: Yeah, we yeah.

602
00:28:03,800 --> 00:28:06,320
Speaker 4: We wouldn't. It is one of the things, like I said,

603
00:28:06,320 --> 00:28:08,840
Speaker 4: and that's a difference in the personality because I can

604
00:28:08,880 --> 00:28:11,320
Speaker 4: feel you by getting angry, and like I said, some

605
00:28:11,320 --> 00:28:15,000
Speaker 4: people's personality is more of let's talk about it, and

606
00:28:15,040 --> 00:28:22,240
Speaker 4: then some personality like oh, okay, you're you're I'm gonna

607
00:28:22,240 --> 00:28:24,760
Speaker 4: say ignorant, but but you're just saying dumb shit and

608
00:28:24,960 --> 00:28:26,720
Speaker 4: I'm not here to educate you.

609
00:28:26,880 --> 00:28:27,080
Speaker 2: Yeah.

610
00:28:27,119 --> 00:28:31,800
Speaker 3: Even the defensiveness that some of us get about the

611
00:28:31,840 --> 00:28:35,240
Speaker 3: black people who we feel grew up with anti blackness

612
00:28:35,280 --> 00:28:38,440
Speaker 3: or that special snowflake syndrome where we want to shut

613
00:28:38,480 --> 00:28:40,520
Speaker 3: them down, to send them away and keep them from

614
00:28:40,520 --> 00:28:43,560
Speaker 3: talking to us and call them names and stuff like that.

615
00:28:43,680 --> 00:28:47,520
Speaker 2: Even that's somewhat anti blackness. Yes, it's all levels to

616
00:28:47,560 --> 00:28:47,920
Speaker 2: this shit.

617
00:28:48,080 --> 00:28:52,760
Speaker 3: Like even even my rejection of them because I feel

618
00:28:53,120 --> 00:28:57,440
Speaker 3: I fear their rejection of me. That's also part of

619
00:28:57,440 --> 00:29:00,240
Speaker 3: the problem that has to be solved. It can't just

620
00:29:00,280 --> 00:29:02,520
Speaker 3: be on the It's not just on their side. That's

621
00:29:02,520 --> 00:29:05,440
Speaker 3: how people treat it though. They're like, oh, it's your side.

622
00:29:05,600 --> 00:29:08,120
Speaker 3: You you grew up around white people or whatever, and

623
00:29:08,120 --> 00:29:10,080
Speaker 3: you look at me, you think I'm ghetto and you

624
00:29:10,120 --> 00:29:12,040
Speaker 3: ain't no better, you ain't no different than these white people,

625
00:29:12,080 --> 00:29:14,520
Speaker 3: blah blah. And that may be true, they may have

626
00:29:14,520 --> 00:29:16,360
Speaker 3: grown up like that and maybe they're trying to work

627
00:29:16,360 --> 00:29:16,720
Speaker 3: out of that.

628
00:29:17,240 --> 00:29:19,640
Speaker 2: But also there are some of us that.

629
00:29:19,560 --> 00:29:22,040
Speaker 3: Look at them and we immediately go, well, because of that,

630
00:29:22,800 --> 00:29:24,920
Speaker 3: I'm gonna treat you like shit, and you know, and

631
00:29:24,960 --> 00:29:28,360
Speaker 3: it's just like a self perpetuating problem. It will always

632
00:29:28,400 --> 00:29:31,080
Speaker 3: exist until someone breaks the barrier and be like, look,

633
00:29:31,320 --> 00:29:34,280
Speaker 3: I don't have a problem with your blackness.

634
00:29:33,720 --> 00:29:36,640
Speaker 4: Right right, And that's the thing. It's harm to get

635
00:29:36,680 --> 00:29:39,720
Speaker 4: people to get to the point wherever, like, when I

636
00:29:39,880 --> 00:29:42,480
Speaker 4: say I root for all black people, I really mean

637
00:29:43,080 --> 00:29:45,640
Speaker 4: all black people. Yes, they're black people that got problems

638
00:29:45,640 --> 00:29:47,480
Speaker 4: and issues and black people that I don't agree with

639
00:29:47,480 --> 00:29:50,240
Speaker 4: the shit they do, but I don't wish no hurt

640
00:29:50,480 --> 00:29:53,920
Speaker 4: or harm or danger upon them, you know. And there

641
00:29:53,960 --> 00:29:57,160
Speaker 4: are a lot of black people that in variation the

642
00:29:57,240 --> 00:29:59,360
Speaker 4: levels of blackness. It's some black people that go, I

643
00:29:59,400 --> 00:30:01,520
Speaker 4: love my black and as your there's some black people

644
00:30:01,600 --> 00:30:04,959
Speaker 4: to go, I ownly love my blackness, you know. And

645
00:30:05,000 --> 00:30:08,400
Speaker 4: it varies across the spectrum. They are black people that

646
00:30:08,440 --> 00:30:10,480
Speaker 4: I've been brought up and I'm black, y'all on black

647
00:30:10,480 --> 00:30:12,560
Speaker 4: in the black household, the black people that has been

648
00:30:12,640 --> 00:30:15,440
Speaker 4: raised in whitens. But I am the type of person

649
00:30:15,520 --> 00:30:18,560
Speaker 4: that I and I guess because I never questions people's blackness.

650
00:30:18,720 --> 00:30:21,880
Speaker 4: I just say your blackness and whatever your blackness is,

651
00:30:21,960 --> 00:30:23,640
Speaker 4: and my thing is as long as you ain't are

652
00:30:23,800 --> 00:30:25,560
Speaker 4: anti black, I don't have a problem with you.

653
00:30:26,280 --> 00:30:28,480
Speaker 3: The poem was, do you believe that radio argument was

654
00:30:28,520 --> 00:30:31,080
Speaker 3: a prank gone wrong? Yes, they were just playing a

655
00:30:31,080 --> 00:30:33,560
Speaker 3: prank and messed up. No, they intended to ambush her

656
00:30:33,600 --> 00:30:37,080
Speaker 3: and lied to cover it up. Of them think they

657
00:30:37,120 --> 00:30:39,560
Speaker 3: intended to ambush her and lied to cover it up.

658
00:30:39,840 --> 00:30:42,080
Speaker 3: Five percent think it was just a pranking and they

659
00:30:42,120 --> 00:30:42,640
Speaker 3: messed up.

660
00:30:42,800 --> 00:30:46,280
Speaker 4: I don't think it's a prank because if you actually

661
00:30:46,280 --> 00:30:49,000
Speaker 4: go back and listen to the interview, particularly at the

662
00:30:49,000 --> 00:30:51,160
Speaker 4: beginning when they was talking to her, she was like

663
00:30:51,160 --> 00:30:53,000
Speaker 4: something about this don't feel right. What is y'all doing?

664
00:30:53,120 --> 00:30:57,640
Speaker 4: Like you could tell that she really didn't have any

665
00:30:57,760 --> 00:31:01,720
Speaker 4: idea what was about then and ask the interview went on,

666
00:31:02,120 --> 00:31:06,400
Speaker 4: she got aggressively and aggressively angrier, which was valid because

667
00:31:06,440 --> 00:31:08,840
Speaker 4: she was like, this was not what I was expecting.

668
00:31:09,640 --> 00:31:11,520
Speaker 3: Yeah, I think it's just obvious she wasn't in on

669
00:31:11,560 --> 00:31:13,760
Speaker 3: the shit because they had to take a fucking week off.

670
00:31:14,360 --> 00:31:17,040
Speaker 3: That wasn't playing like you can say people. You know,

671
00:31:17,240 --> 00:31:20,080
Speaker 3: people are so cynical these days. They'll be like everything

672
00:31:20,240 --> 00:31:23,520
Speaker 3: is a fucking fraud, nothing's real, But nigga taking them

673
00:31:23,520 --> 00:31:25,920
Speaker 3: Fridays off. Ain't nobody think that was gonna happen because

674
00:31:25,920 --> 00:31:27,360
Speaker 3: they if you can get the fuck out of my face,

675
00:31:27,400 --> 00:31:28,960
Speaker 3: we think and it wasn't like a Friday, it was

676
00:31:29,000 --> 00:31:32,160
Speaker 3: a fucking Thursday. Then they did the response with the

677
00:31:32,320 --> 00:31:35,120
Speaker 3: all women panel, like Friday and then they had to

678
00:31:35,160 --> 00:31:36,040
Speaker 3: take a whole week off.

679
00:31:36,120 --> 00:31:37,920
Speaker 2: Yeah they're not okay, like.

680
00:31:37,880 --> 00:31:40,800
Speaker 3: I'm sure they'll be back Monday or whatever, but they

681
00:31:41,160 --> 00:31:44,440
Speaker 3: I mean that kind of shit Lingers capa Dona.

682
00:31:44,800 --> 00:31:47,160
Speaker 4: And it also messes up to chemistry. That's what I

683
00:31:47,160 --> 00:31:50,120
Speaker 4: mean when I said, Lingers, Okay, yeah, you gotta show

684
00:31:50,160 --> 00:31:52,440
Speaker 4: back up to work, and you'd be like, oh, I'm

685
00:31:52,480 --> 00:31:55,240
Speaker 4: now is a hostile working environment. Now I gotta keep

686
00:31:55,280 --> 00:31:57,600
Speaker 4: my eye on y'all niggas, And now I gotta question

687
00:31:57,680 --> 00:32:00,200
Speaker 4: everything you do. Now I gotta question your molder.

688
00:32:00,320 --> 00:32:01,719
Speaker 2: I always got to look at you. Funny.

689
00:32:01,880 --> 00:32:04,600
Speaker 3: It fu up the chemistry, and the dudes are playing

690
00:32:04,600 --> 00:32:06,800
Speaker 3: the dude. One dude is playing the victim himself. So

691
00:32:07,520 --> 00:32:12,000
Speaker 3: it's it's almost like they're trying to control the narrative. Correct,

692
00:32:12,200 --> 00:32:14,600
Speaker 3: Capadonna says, Can I say it's both. Yes, it was

693
00:32:14,640 --> 00:32:16,760
Speaker 3: a prank, but it was terrible premise for a prank.

694
00:32:16,960 --> 00:32:18,280
Speaker 2: This is a terrible joke by.

695
00:32:18,200 --> 00:32:20,600
Speaker 3: Vulgar, ignorant dudes who are willing to embarrass and I

696
00:32:20,640 --> 00:32:23,840
Speaker 3: hate to use the word trigger that they're women women

697
00:32:23,920 --> 00:32:26,800
Speaker 3: colleagues over private matter for the sake of cliques and

698
00:32:26,880 --> 00:32:30,280
Speaker 3: views of ving diagram of discussing sexism and desperation for ratings.

699
00:32:30,920 --> 00:32:33,480
Speaker 2: Well, I don't know if you can say it's both because.

700
00:32:36,200 --> 00:32:39,959
Speaker 3: It's only a prank to because the way put it

701
00:32:39,960 --> 00:32:41,440
Speaker 3: this way, I don't think you can say it's both.

702
00:32:41,520 --> 00:32:43,560
Speaker 2: No, I think it's one or the other. Right.

703
00:32:43,920 --> 00:32:46,680
Speaker 3: I think they can be thinking to themselves it's a prank,

704
00:32:46,760 --> 00:32:50,120
Speaker 3: but they they just because they call it, that doesn't

705
00:32:50,120 --> 00:32:52,280
Speaker 3: make it a prank. You know, A prank would be

706
00:32:52,480 --> 00:32:55,720
Speaker 3: either everybody's in on it, or to me, a prank

707
00:32:55,840 --> 00:32:59,680
Speaker 3: is something where you know, you go at some point

708
00:32:59,680 --> 00:33:03,000
Speaker 3: you go, oh, we was just fucking with you. Well,

709
00:33:03,040 --> 00:33:04,960
Speaker 3: I think the part that people like to skip over

710
00:33:05,000 --> 00:33:08,240
Speaker 3: in this whole thing is once she walked off the air,

711
00:33:09,200 --> 00:33:12,400
Speaker 3: those dudes stayed on the air with that woman and

712
00:33:12,440 --> 00:33:14,640
Speaker 3: then made it all about how she walked out the

713
00:33:14,720 --> 00:33:19,360
Speaker 3: air and she must be insecure, and like they didn't go, oh,

714
00:33:19,400 --> 00:33:21,400
Speaker 3: we was just fucking with her. I can't believe she

715
00:33:21,440 --> 00:33:24,280
Speaker 3: got mad. It was just come back, we were just joking.

716
00:33:25,280 --> 00:33:27,360
Speaker 3: That's a prank. To me, Like, if you've ever seen

717
00:33:27,360 --> 00:33:30,160
Speaker 3: a prank TV show, there's always a moment after what

718
00:33:30,480 --> 00:33:33,440
Speaker 3: even after the person gets heated, they're like, oh, we

719
00:33:33,440 --> 00:33:34,280
Speaker 3: were just fucking with you.

720
00:33:34,360 --> 00:33:34,520
Speaker 4: Man.

721
00:33:34,560 --> 00:33:37,960
Speaker 3: None of us believe that, like you know, we actually

722
00:33:38,040 --> 00:33:40,000
Speaker 3: cusher comes out from the back or whatever, you know,

723
00:33:40,040 --> 00:33:42,880
Speaker 3: and you go, oh, okay, that was an elaborate setup.

724
00:33:43,600 --> 00:33:46,120
Speaker 3: I don't think this was that, And I think I

725
00:33:46,120 --> 00:33:48,560
Speaker 3: don't know how people can feel that that's what happened.

726
00:33:48,600 --> 00:33:50,560
Speaker 3: But maybe y'all listen to the show, and y'all don't

727
00:33:50,560 --> 00:33:53,240
Speaker 3: want to believe those guys are quote unquote bad guys that.

728
00:33:53,480 --> 00:33:56,680
Speaker 4: And the thing is just because the dude say it

729
00:33:56,800 --> 00:33:59,360
Speaker 4: was a prank, don't mean like you said it, don't

730
00:33:59,400 --> 00:34:02,520
Speaker 4: mean it was a And it's one of those things

731
00:34:02,560 --> 00:34:05,200
Speaker 4: where you know, some people just take their word for it.

732
00:34:05,880 --> 00:34:09,600
Speaker 4: But I'm like you, I've seen in her prank shit

733
00:34:09,640 --> 00:34:12,920
Speaker 4: done before. Not at any period of time did somebody go, well,

734
00:34:12,920 --> 00:34:15,120
Speaker 4: oh this was a joke. Not in any period of

735
00:34:15,200 --> 00:34:17,840
Speaker 4: time did the other lady that come on, was she

736
00:34:17,880 --> 00:34:20,239
Speaker 4: in there? Know you're going the prank too, Because you know,

737
00:34:20,239 --> 00:34:22,080
Speaker 4: if this was a prank, all three of them should

738
00:34:22,080 --> 00:34:24,439
Speaker 4: have been in on the prank. But only the two

739
00:34:24,480 --> 00:34:25,319
Speaker 4: co hosts.

740
00:34:25,000 --> 00:34:26,040
Speaker 2: Was in on the prank.

741
00:34:26,080 --> 00:34:28,239
Speaker 4: Nobody else was in on the prank. This doesn't make

742
00:34:28,239 --> 00:34:30,160
Speaker 4: any sense to me, and My thing is this, This

743
00:34:30,200 --> 00:34:33,719
Speaker 4: is a professional radio station. Professional you do this shit

744
00:34:33,880 --> 00:34:36,880
Speaker 4: Monday through Friday, I'm assuming five days a week. Y'all

745
00:34:36,920 --> 00:34:39,640
Speaker 4: have probably done the pranks before or something to this extent,

746
00:34:39,760 --> 00:34:42,000
Speaker 4: or if you haven't, this is not the first time

747
00:34:42,040 --> 00:34:44,480
Speaker 4: you should be doing the prank on your coworkers. You

748
00:34:44,520 --> 00:34:47,359
Speaker 4: should do something a little differently. And my thing is

749
00:34:47,520 --> 00:34:50,919
Speaker 4: the way she responded and the way they responded after

750
00:34:50,920 --> 00:34:53,200
Speaker 4: she left. In my opinion, let me know that there

751
00:34:53,280 --> 00:34:55,680
Speaker 4: was no not in any period of time listen to that.

752
00:34:55,680 --> 00:34:57,640
Speaker 4: Did I hear the ha ha ha ha ha moment?

753
00:34:57,719 --> 00:35:02,080
Speaker 4: I didn't hear the joke, the laugh. Nobody says, we're

754
00:35:02,160 --> 00:35:05,360
Speaker 4: just kidding, you know, come back, you know, oh she

755
00:35:05,520 --> 00:35:07,480
Speaker 4: in on it. I didn't hear any of that, So

756
00:35:07,520 --> 00:35:10,520
Speaker 4: on my mind, I'm not here for the pranking.

757
00:35:12,120 --> 00:35:15,960
Speaker 2: Yeah, that's that's basically how I feel like. You can't have.

758
00:35:17,280 --> 00:35:19,279
Speaker 3: You can't have both ways on this one. It's just

759
00:35:19,360 --> 00:35:22,640
Speaker 3: it's not It doesn't line up that, you know, yeah.

760
00:35:22,719 --> 00:35:24,600
Speaker 4: Because a lot of people talking. You wouldn't want that

761
00:35:24,600 --> 00:35:27,160
Speaker 4: shit done. A lot of people talking. You show up

762
00:35:27,200 --> 00:35:29,840
Speaker 4: at your job, your boss or your coworkers put a

763
00:35:29,920 --> 00:35:32,600
Speaker 4: quote unquote prank on you and everybody in there on

764
00:35:32,719 --> 00:35:33,239
Speaker 4: it with you.

765
00:35:33,520 --> 00:35:35,879
Speaker 3: That, but nobody wants a regular prank throne on them.

766
00:35:36,000 --> 00:35:38,239
Speaker 3: That's not even a point, correct, Like I'm not talking

767
00:35:38,239 --> 00:35:41,399
Speaker 3: about that. I'm saying this was not a prank. Prank

768
00:35:41,400 --> 00:35:43,919
Speaker 3: should not even really be in the discussion. I only

769
00:35:43,960 --> 00:35:46,920
Speaker 3: said it because that was their reasoning to cover up.

770
00:35:46,880 --> 00:35:47,440
Speaker 2: In the background.

771
00:35:47,480 --> 00:35:49,919
Speaker 3: But ninety five percent of people that took this poll

772
00:35:50,040 --> 00:35:52,600
Speaker 3: was like, nah, because I don't. I don't, and I'm

773
00:35:52,640 --> 00:35:55,400
Speaker 3: with the ninety five percent. It's just it's kind of

774
00:35:55,480 --> 00:35:57,839
Speaker 3: ridiculous to act like they were all in on it

775
00:35:58,000 --> 00:36:00,920
Speaker 3: or she wasn't in on it, and then they were joking,

776
00:36:01,000 --> 00:36:04,279
Speaker 3: because then they never they never let up. You know,

777
00:36:04,400 --> 00:36:06,560
Speaker 3: you have to have that moment afterwards where you're like,

778
00:36:06,600 --> 00:36:09,359
Speaker 3: we were just joking, you know, I didn't know she

779
00:36:09,360 --> 00:36:11,040
Speaker 3: was gonna get so mad, Like that's what you have

780
00:36:11,160 --> 00:36:11,439
Speaker 3: to say.

781
00:36:11,600 --> 00:36:13,319
Speaker 2: He didn't. He never says that.

782
00:36:13,640 --> 00:36:15,680
Speaker 3: They go, she knew about she knew she was coming

783
00:36:15,719 --> 00:36:17,600
Speaker 3: on the air, They told us thirty minutes before.

784
00:36:18,120 --> 00:36:20,239
Speaker 2: That's still not that's still not the same.

785
00:36:20,440 --> 00:36:20,960
Speaker 4: No, it's not.

786
00:36:21,040 --> 00:36:24,520
Speaker 3: Y'all also had that woman's back and we're amping it

787
00:36:24,640 --> 00:36:28,040
Speaker 3: up and talking about your coworker. That also isn't the

788
00:36:28,040 --> 00:36:30,840
Speaker 3: same as this is a prank, So I don't believe them.

789
00:36:30,920 --> 00:36:33,880
Speaker 3: Ms CT says, this is a hurtful joke going exactly

790
00:36:33,880 --> 00:36:35,680
Speaker 3: how they wanted it to go, with the exception of

791
00:36:35,680 --> 00:36:37,839
Speaker 3: her quitting on the air. They wanted drama, They want

792
00:36:37,880 --> 00:36:40,200
Speaker 3: a discussion on social media, they wanted attention. Whatever the

793
00:36:40,239 --> 00:36:43,120
Speaker 3: cost was to coclude the lady getting hurt and embarrassed,

794
00:36:43,280 --> 00:36:43,960
Speaker 3: they did not care.

795
00:36:44,000 --> 00:36:47,359
Speaker 2: They are ignorant and should be removed. Yeah.

796
00:36:47,480 --> 00:36:49,839
Speaker 3: I guess they'll be back Monday. They'll probably see what

797
00:36:49,840 --> 00:36:51,600
Speaker 3: their ratings look like. They'll probably have to talk about

798
00:36:51,640 --> 00:36:52,120
Speaker 3: it on the air.

799
00:36:52,160 --> 00:36:53,560
Speaker 4: Then, of course.

800
00:36:54,920 --> 00:37:00,000
Speaker 3: Episode thirteen, I mean sixteen thirty six, bigotry.

801
00:36:59,520 --> 00:37:04,040
Speaker 2: Is expensif was the title of this one. We got three.

802
00:37:03,680 --> 00:37:07,000
Speaker 3: Comments, and what do we do in the polls?

803
00:37:07,400 --> 00:37:10,000
Speaker 2: We got one comment in the poll.

804
00:37:10,080 --> 00:37:14,040
Speaker 3: All right, cool, not bad, not bad at all with

805
00:37:14,239 --> 00:37:16,080
Speaker 3: this page load for a second.

806
00:37:18,320 --> 00:37:24,080
Speaker 2: Down, moving to slop. Yeah, so not all right, Neptune said.

807
00:37:24,280 --> 00:37:27,560
Speaker 3: Neptune eight hundred, I'm sorry, says thank you for your info.

808
00:37:27,840 --> 00:37:31,319
Speaker 3: If regarding Georgia Senate Bill three seventy five, Keep the

809
00:37:31,320 --> 00:37:33,839
Speaker 3: Faith in the Joption and Foster Care act. I live

810
00:37:34,000 --> 00:37:37,200
Speaker 3: in Senator Liggins district and made sure to call and

811
00:37:37,280 --> 00:37:40,040
Speaker 3: give them my thoughts regarding this legislative hate. While reading

812
00:37:40,040 --> 00:37:42,760
Speaker 3: the bell of bill, I stumbled across another bill he introduced.

813
00:37:42,800 --> 00:37:45,720
Speaker 3: Bill three thirty nine has to do with speech at colleges.

814
00:37:45,760 --> 00:37:48,480
Speaker 3: It basically compels colleges and universities in Georgia to provide

815
00:37:48,520 --> 00:37:50,879
Speaker 3: speaking opportunities for biggess and hate groups under the gods

816
00:37:50,880 --> 00:37:53,919
Speaker 3: of free speech. It also was to be punitive bill

817
00:37:54,000 --> 00:37:56,480
Speaker 3: for interrupters of those speakers.

818
00:37:56,680 --> 00:37:58,400
Speaker 2: While those provisions have been removed.

819
00:37:58,440 --> 00:38:01,400
Speaker 3: The Georgia Senate passed the bill and now goes before

820
00:38:01,440 --> 00:38:02,520
Speaker 3: the Georgia House of Reps.

821
00:38:02,560 --> 00:38:04,640
Speaker 2: I would be calling our representative tomorrow. Shit is getting

822
00:38:04,680 --> 00:38:06,160
Speaker 2: crazy down here right.

823
00:38:06,840 --> 00:38:09,399
Speaker 3: The brothers are putting their money in your state too,

824
00:38:09,400 --> 00:38:12,440
Speaker 3: because that's what to happened here. They put that we

825
00:38:12,480 --> 00:38:15,560
Speaker 3: start having stupid ass laws that nobody ever asked for,

826
00:38:15,600 --> 00:38:18,360
Speaker 3: it cared about until right we didn't even vote for.

827
00:38:18,440 --> 00:38:19,560
Speaker 4: And all of a sudden, you' like what the fuck?

828
00:38:19,600 --> 00:38:21,759
Speaker 4: While you're having a three am fucking session, you wake

829
00:38:21,840 --> 00:38:23,799
Speaker 4: up at six and you were like, how did bill pass?

830
00:38:23,920 --> 00:38:25,160
Speaker 4: Or nobody fucking heard about it?

831
00:38:25,480 --> 00:38:28,480
Speaker 2: Good luck? Classic R and B Lover says Hi rid

832
00:38:28,520 --> 00:38:28,879
Speaker 2: of caring.

833
00:38:29,160 --> 00:38:31,560
Speaker 3: Another casualty of the push the band gay couples from

834
00:38:31,600 --> 00:38:34,760
Speaker 3: adopting is that just as gay couples take older children

835
00:38:36,520 --> 00:38:39,680
Speaker 3: at lgbt q P children, they also take non white

836
00:38:39,760 --> 00:38:43,520
Speaker 3: children and are opening to adopting siblings. It's a damn

837
00:38:43,560 --> 00:38:46,080
Speaker 3: shame that loving gay couples are being denied children when

838
00:38:46,120 --> 00:38:48,320
Speaker 3: they are so often willing to provide homes and love.

839
00:38:48,239 --> 00:38:51,560
Speaker 2: To the children. Most other prospective parents don't.

840
00:38:51,320 --> 00:38:54,720
Speaker 4: Want right and like and one big thing you said,

841
00:38:55,040 --> 00:38:57,440
Speaker 4: they take siblings. So a lot of times you see

842
00:38:57,440 --> 00:38:59,440
Speaker 4: a Brotherlyn's sister, A lot of people who were like,

843
00:38:59,480 --> 00:39:02,480
Speaker 4: well I on one like they're not willing to take

844
00:39:02,520 --> 00:39:04,880
Speaker 4: the two and the threes, you know, and breaking and

845
00:39:04,880 --> 00:39:05,800
Speaker 4: breaking up children.

846
00:39:06,360 --> 00:39:08,799
Speaker 3: Amandi says Karen went blind and now she's turned into

847
00:39:08,840 --> 00:39:11,560
Speaker 3: a well my hug at tight, stay strong ride. I'm

848
00:39:11,560 --> 00:39:14,880
Speaker 3: sure payback will be forthcoming. I'm not sure that's in

849
00:39:14,920 --> 00:39:16,480
Speaker 3: reference to but I.

850
00:39:16,480 --> 00:39:16,879
Speaker 2: Hear you.

851
00:39:18,920 --> 00:39:23,800
Speaker 4: Probably when you was talking about who was at the

852
00:39:25,600 --> 00:39:28,160
Speaker 4: new the place, and that's getting the white women.

853
00:39:28,320 --> 00:39:30,640
Speaker 3: Should Beyonce take jay Z with her on tour. Yes,

854
00:39:30,680 --> 00:39:32,759
Speaker 3: that's her husband. No, I just want to see her

855
00:39:32,880 --> 00:39:34,799
Speaker 3: or a child. I can't afford them tickets either way.

856
00:39:36,920 --> 00:39:39,120
Speaker 3: Fifty nine percent of y'all said child, I can't afford

857
00:39:39,120 --> 00:39:43,400
Speaker 3: them tickets either way. So now back to the other people, Yes,

858
00:39:43,560 --> 00:39:46,000
Speaker 3: that's her husband twenty five percent. No, I just want

859
00:39:46,040 --> 00:39:49,560
Speaker 3: to see her sixteen percent. So mostly other.

860
00:39:49,400 --> 00:39:51,319
Speaker 2: People that can go see it, most of them say, yeah,

861
00:39:51,400 --> 00:39:53,399
Speaker 2: take your husband. I'm fine. Yes. See.

862
00:39:53,440 --> 00:39:55,400
Speaker 3: My thing is people be like, I don't want to

863
00:39:55,400 --> 00:39:57,080
Speaker 3: take her husband on tour, but do you know that

864
00:39:57,160 --> 00:39:58,799
Speaker 3: nigga be cheating if she don't take them. We gotta

865
00:39:58,840 --> 00:40:01,640
Speaker 3: watch them every times we get y'a. He just freshly

866
00:40:01,880 --> 00:40:04,360
Speaker 3: got this new common sense about him. I don't trust

867
00:40:04,400 --> 00:40:07,560
Speaker 3: him as far as I could throw them really dark.

868
00:40:07,600 --> 00:40:10,040
Speaker 2: Knight says. The subtle shade in this pole question is

869
00:40:10,360 --> 00:40:11,640
Speaker 2: is so good? Well done?

870
00:40:11,640 --> 00:40:17,360
Speaker 3: Once again, Rod, I don't know what the shade was really,

871
00:40:18,160 --> 00:40:20,360
Speaker 3: I mean, unless you think I'm shaving jay Z.

872
00:40:20,520 --> 00:40:23,399
Speaker 2: But that's really for the people on Twitter to do.

873
00:40:25,040 --> 00:40:27,719
Speaker 4: And honey, and they do a lot of it. Don't

874
00:40:27,719 --> 00:40:30,319
Speaker 4: worry about it. They got pliny of it out there.

875
00:40:30,320 --> 00:40:34,399
Speaker 4: And my thing is this husband and wife d o's

876
00:40:34,480 --> 00:40:36,919
Speaker 4: and other genres go around all the time.

877
00:40:37,000 --> 00:40:37,760
Speaker 2: What's the difference.

878
00:40:38,440 --> 00:40:41,720
Speaker 3: Yeah, Sonny and Share I don't know right. I'm surprised

879
00:40:41,760 --> 00:40:43,560
Speaker 3: they didn't really put a whole album out together. At

880
00:40:43,560 --> 00:40:46,440
Speaker 3: some point that might be coming. Who knows that announced

881
00:40:46,440 --> 00:40:47,120
Speaker 3: that before the tour.

882
00:40:47,280 --> 00:40:50,840
Speaker 4: That's what I'm assuming. It'll be like outcast a side

883
00:40:50,880 --> 00:40:53,920
Speaker 4: B side, like you'd be double dish.

884
00:40:54,080 --> 00:40:58,440
Speaker 3: Kochie says, also tired of Bruno mars is still in

885
00:40:58,480 --> 00:41:00,840
Speaker 3: black music argument that I voted with my wallet. I

886
00:41:00,920 --> 00:41:03,600
Speaker 3: bought two CDs. Well, I'm giving them to my mom,

887
00:41:03,680 --> 00:41:07,719
Speaker 3: but that isn't the point. I'll be able to have

888
00:41:07,800 --> 00:41:11,240
Speaker 3: the digital copies. Bruno isn't Pat Boone, he isn't Elvis,

889
00:41:11,280 --> 00:41:13,920
Speaker 3: he isn't even justin Timberlay. The little guy is a

890
00:41:13,920 --> 00:41:16,719
Speaker 3: great entertainer who always gets credit where is due, like

891
00:41:16,840 --> 00:41:17,399
Speaker 3: Bonnie Ray.

892
00:41:17,840 --> 00:41:20,560
Speaker 2: Let him cook or spend your money with artists that

893
00:41:20,680 --> 00:41:21,879
Speaker 2: you like. How about that?

894
00:41:22,080 --> 00:41:22,560
Speaker 4: Come on?

895
00:41:23,120 --> 00:41:25,359
Speaker 3: Steph s says, Oh my god, the guest to race

896
00:41:25,400 --> 00:41:28,920
Speaker 3: this time was too much. When Rod had to pause

897
00:41:28,960 --> 00:41:32,200
Speaker 3: and say Trntavious, I had the exact same reaction as Karen,

898
00:41:32,480 --> 00:41:37,080
Speaker 3: why is we playing? I dare that fell out and

899
00:41:37,160 --> 00:41:39,040
Speaker 3: was laughing so hard at work that several of my

900
00:41:39,120 --> 00:41:41,600
Speaker 3: colonizer coworkers were checking to see if I was okay.

901
00:41:41,920 --> 00:41:44,120
Speaker 3: As always, you guys get me through the work week,

902
00:41:44,239 --> 00:41:46,279
Speaker 3: both at the job and in transit. Keep up the

903
00:41:46,320 --> 00:41:50,040
Speaker 3: good work, popping that flavor and dripping that sauce. Hey,

904
00:41:50,800 --> 00:41:55,279
Speaker 3: we will keep popping flavor, dripping sauce. Plassy R and

905
00:41:55,280 --> 00:41:57,000
Speaker 3: B Lover says the story of the black woman who

906
00:41:57,080 --> 00:41:59,640
Speaker 3: discovered she was white was sad. How desperate do you

907
00:41:59,680 --> 00:42:02,800
Speaker 3: have to be to be in the proximity of whiteness,

908
00:42:02,800 --> 00:42:05,560
Speaker 3: that you a woman who is clearly black, to delude

909
00:42:05,600 --> 00:42:07,880
Speaker 3: yourself and to believe in both your parents are white.

910
00:42:07,920 --> 00:42:10,720
Speaker 3: It is so clear her birth mother's husband wasn't her father,

911
00:42:11,120 --> 00:42:13,279
Speaker 3: and that her racist half siblings want nothing to do

912
00:42:13,320 --> 00:42:16,120
Speaker 3: with her. Yet she persists, knowing that there is no

913
00:42:16,200 --> 00:42:18,279
Speaker 3: way black people will have been allowed to adopt a

914
00:42:18,280 --> 00:42:21,680
Speaker 3: white child in the South. Back then means nothing, because

915
00:42:21,840 --> 00:42:25,319
Speaker 3: the taste of whiteness means so much. Imagine being that

916
00:42:25,440 --> 00:42:27,719
Speaker 3: unhappy with who you are and what you want to

917
00:42:27,760 --> 00:42:31,319
Speaker 3: be embraced by people who call you nigger. I mean,

918
00:42:34,360 --> 00:42:37,480
Speaker 3: I would say this, that's not the kindest interpretation of

919
00:42:37,520 --> 00:42:38,239
Speaker 3: what happened, but.

920
00:42:38,200 --> 00:42:39,840
Speaker 2: I understand where you're coming from.

921
00:42:40,360 --> 00:42:42,440
Speaker 3: I don't really mean. I didn't buy her book, so

922
00:42:42,480 --> 00:42:45,640
Speaker 3: I don't really know where her motivation is. I can

923
00:42:46,160 --> 00:42:50,200
Speaker 3: understand that someone that is like, if you're being adopted

924
00:42:50,280 --> 00:42:52,720
Speaker 3: or something to a family, there may be a longing

925
00:42:52,760 --> 00:42:56,080
Speaker 3: to know where I come from, who my other family is,

926
00:42:56,840 --> 00:42:59,080
Speaker 3: stuff like that. I don't think that's so far fetched,

927
00:42:59,120 --> 00:43:01,919
Speaker 3: and I don't necessarily know that that means I long

928
00:43:02,080 --> 00:43:06,440
Speaker 3: to be white or to be part of whiteness. She

929
00:43:06,560 --> 00:43:08,880
Speaker 3: may I mean, she's old too, so she may have

930
00:43:08,960 --> 00:43:11,719
Speaker 3: just kind of you know, now that her parents have

931
00:43:11,840 --> 00:43:14,400
Speaker 3: passed or you know, her her parents who raised her,

932
00:43:14,440 --> 00:43:16,719
Speaker 3: maybe she felt like this will be a time where

933
00:43:16,719 --> 00:43:19,480
Speaker 3: I can explore this without being offensive to them and

934
00:43:19,560 --> 00:43:20,080
Speaker 3: just kind of.

935
00:43:20,040 --> 00:43:23,319
Speaker 2: See, like what what is the story? What happened? You know?

936
00:43:24,760 --> 00:43:27,239
Speaker 3: And she just happened to I mean, they would sound

937
00:43:27,280 --> 00:43:30,840
Speaker 3: like the worst possible white people to possibly even be

938
00:43:30,960 --> 00:43:33,720
Speaker 3: related to on anyone, even even if that was the case,

939
00:43:33,800 --> 00:43:36,759
Speaker 3: you know, but I mean, because even if nothing else,

940
00:43:36,800 --> 00:43:40,040
Speaker 3: that was her birth mother, So it's not like she

941
00:43:40,160 --> 00:43:42,400
Speaker 3: was complete, Like she may not see that's.

942
00:43:42,280 --> 00:43:43,560
Speaker 2: The thing she may not have.

943
00:43:43,719 --> 00:43:46,839
Speaker 3: She may have been raised as a quote unquote black child,

944
00:43:46,920 --> 00:43:50,600
Speaker 3: but she was biracial and that that was part of

945
00:43:50,640 --> 00:43:52,879
Speaker 3: her family as far as her lineage.

946
00:43:53,480 --> 00:43:54,319
Speaker 2: I don't know. I didn't.

947
00:43:54,320 --> 00:43:58,640
Speaker 3: I wouldn't find it so outlandish for her to want

948
00:43:58,680 --> 00:44:02,040
Speaker 3: to know what's the story and reconnect with some of them.

949
00:44:02,560 --> 00:44:05,920
Speaker 3: But it just sucks that it turned out to be

950
00:44:05,960 --> 00:44:15,000
Speaker 3: those white people, right. Takema Tekamina, says Saren, the Sarah

951
00:44:15,080 --> 00:44:19,799
Speaker 3: sense woman who was the one talking about what she said.

952
00:44:19,920 --> 00:44:21,839
Speaker 3: She was the one talking about Bruno Mars this time

953
00:44:22,000 --> 00:44:27,040
Speaker 3: started up. Saren actually uses sense ash Ti Masu as

954
00:44:27,080 --> 00:44:30,359
Speaker 3: a nickname on Twitter because it's a quote from one

955
00:44:30,400 --> 00:44:35,200
Speaker 3: of her favorite movies, Pacific Rim. It's something Mako says

956
00:44:35,040 --> 00:44:40,040
Speaker 3: a stacker. It's not appropriating wrong because if you go

957
00:44:40,080 --> 00:44:45,640
Speaker 3: by the definition she resents of appropriation, it's still Japanese.

958
00:44:45,880 --> 00:44:48,680
Speaker 3: Sense means teacher in Japanese, so it's not like you

959
00:44:48,719 --> 00:44:51,759
Speaker 3: can say, like it's not some gobbledygook, like, oh, they

960
00:44:51,840 --> 00:44:55,520
Speaker 3: just made that up. Then that just means that Pacific

961
00:44:55,640 --> 00:44:58,360
Speaker 3: Rim got it out of official Japanese and then she

962
00:44:58,560 --> 00:45:00,640
Speaker 3: used it as her name because she liked it the movie.

963
00:45:01,680 --> 00:45:05,200
Speaker 3: The whole appropriation argument of you can't be using the

964
00:45:05,239 --> 00:45:08,840
Speaker 3: other shit from other cultures, it still applies there. I

965
00:45:08,920 --> 00:45:10,920
Speaker 3: don't believe in that, So I don't have a problem

966
00:45:10,920 --> 00:45:13,680
Speaker 3: with her. I think it sounds a little bit hypocritical,

967
00:45:13,719 --> 00:45:15,680
Speaker 3: but she clearly don't give a fuck about that shit.

968
00:45:15,840 --> 00:45:17,200
Speaker 2: She's hot fire.

969
00:45:17,320 --> 00:45:19,719
Speaker 3: She out here saying whatever she comes to her mind

970
00:45:19,760 --> 00:45:21,920
Speaker 3: when it comes to the shit, and people give her

971
00:45:22,000 --> 00:45:24,200
Speaker 3: attention for it, and I think that seems to be

972
00:45:24,280 --> 00:45:28,279
Speaker 3: more the point than whether or not she's right or

973
00:45:28,280 --> 00:45:32,000
Speaker 3: wrong or can there will be any change for this.

974
00:45:32,400 --> 00:45:35,720
Speaker 3: All black people are not gonna abandon Bruno Mars because

975
00:45:35,760 --> 00:45:36,880
Speaker 3: of person on Twitter.

976
00:45:38,520 --> 00:45:40,120
Speaker 2: Doesn't like him, you know what I mean?

977
00:45:40,239 --> 00:45:44,920
Speaker 3: So, uh, but yeah, that's absolutely the same shit. So

978
00:45:45,320 --> 00:45:48,520
Speaker 3: I don't like this. No, there's no there's no two

979
00:45:48,600 --> 00:45:53,040
Speaker 3: ways about that shit. But I got it from a

980
00:45:53,120 --> 00:45:56,600
Speaker 3: movie which got it from Japan. Oh okay, yeah, okay, yeah,

981
00:45:56,760 --> 00:46:00,680
Speaker 3: I did call myself some sit Okay, cool, imagine that's

982
00:46:00,680 --> 00:46:01,439
Speaker 3: what Bruno said.

983
00:46:01,480 --> 00:46:03,200
Speaker 2: I saw. Actually I didn't.

984
00:46:03,320 --> 00:46:06,480
Speaker 3: I don't even like these R and B groups that

985
00:46:06,560 --> 00:46:09,040
Speaker 3: y'all say I'm stealing from. I actually just saw a

986
00:46:09,160 --> 00:46:13,080
Speaker 3: good episode. I saw a movie called Back to the Future.

987
00:46:14,440 --> 00:46:20,040
Speaker 3: I saw I saw a movie called I Just Listen.

988
00:46:20,120 --> 00:46:23,759
Speaker 3: I just saw a TV show, uh, and it just

989
00:46:23,800 --> 00:46:26,000
Speaker 3: happened to have some people dancing on it. They were

990
00:46:26,000 --> 00:46:28,000
Speaker 3: special guests of Scooby Doo, and I said, I think

991
00:46:28,000 --> 00:46:29,000
Speaker 3: I'm gonna try to do that.

992
00:46:31,120 --> 00:46:34,280
Speaker 2: Anyway. The poe was, are y'all tired of the Bruno

993
00:46:34,360 --> 00:46:37,760
Speaker 2: Mars argument yet? Yes? Seventy six percent.

994
00:46:38,520 --> 00:46:41,200
Speaker 3: Nah, I'm still into it. Two percent of steep will

995
00:46:41,239 --> 00:46:44,080
Speaker 3: still want to talk about it. And I appreciate the honesty.

996
00:46:44,080 --> 00:46:46,120
Speaker 3: By the way, A lot of people ain't honest about

997
00:46:46,680 --> 00:46:48,799
Speaker 3: how they like these tired ass arguments.

998
00:46:49,440 --> 00:46:50,120
Speaker 1: Am mad.

999
00:46:51,719 --> 00:46:54,719
Speaker 3: Went and like, I give a take. I guess now,

1000
00:46:54,800 --> 00:46:58,279
Speaker 3: let me just add this to this. Okay, this is

1001
00:46:58,360 --> 00:47:03,239
Speaker 3: why The Walking Dead so realistic. We're still fighting about

1002
00:47:03,280 --> 00:47:06,479
Speaker 3: Bruno Mars, but y'all expect them not to be fighting

1003
00:47:06,480 --> 00:47:08,759
Speaker 3: about if they can kill somebody in the zombie Apocalypse

1004
00:47:08,760 --> 00:47:09,760
Speaker 3: after non seasons.

1005
00:47:09,800 --> 00:47:11,880
Speaker 2: Come on, Maybe y'all are the one with the problem.

1006
00:47:13,080 --> 00:47:14,080
Speaker 2: The comments say.

1007
00:47:14,400 --> 00:47:16,920
Speaker 3: Liz says, I absolutely think cultural appropriation is real as

1008
00:47:16,920 --> 00:47:18,840
Speaker 3: fucking needs to be discussed, But in this case, I

1009
00:47:18,880 --> 00:47:21,160
Speaker 3: feel like the anger is misplaced. Is always ends up

1010
00:47:21,160 --> 00:47:23,879
Speaker 3: being about society preferring black culture from non black people,

1011
00:47:23,920 --> 00:47:26,960
Speaker 3: which is valid, rather than Bruno himself disrespecting the culture

1012
00:47:27,080 --> 00:47:30,480
Speaker 3: like a Miley wearing what she thinks is blackness for

1013
00:47:30,560 --> 00:47:32,799
Speaker 3: an album or Iggy's vocal blackface.

1014
00:47:32,880 --> 00:47:35,120
Speaker 2: I don't even check for him like that. And even

1015
00:47:35,160 --> 00:47:35,680
Speaker 2: I know he.

1016
00:47:35,719 --> 00:47:38,239
Speaker 3: Said there would be no Bruno Mars if it wasn't

1017
00:47:38,239 --> 00:47:40,880
Speaker 3: for what black people created. Isn't that what we always

1018
00:47:41,120 --> 00:47:43,279
Speaker 3: say we want from non black people to acknowledge that

1019
00:47:43,760 --> 00:47:45,719
Speaker 3: what they that when they do hip hop or R

1020
00:47:45,760 --> 00:47:45,960
Speaker 3: and B.

1021
00:47:46,400 --> 00:47:49,400
Speaker 2: So, then what's the issue with him as an individual?

1022
00:47:49,440 --> 00:47:52,000
Speaker 3: If he gives credit what the credits due and has

1023
00:47:52,080 --> 00:47:56,280
Speaker 3: mostly black people on his team without treating them like props.

1024
00:47:55,880 --> 00:47:57,399
Speaker 2: I'm gonna tell you what the issue is.

1025
00:47:58,280 --> 00:48:03,040
Speaker 3: He has been a to benefit from our culture without

1026
00:48:03,120 --> 00:48:07,879
Speaker 3: necessarily sharing in the exact same Black American pain. And

1027
00:48:08,040 --> 00:48:11,160
Speaker 3: there's a jealousy in that. There's a resentment in that.

1028
00:48:11,880 --> 00:48:15,719
Speaker 3: And even if he acknowledges that privilege, there's certain black

1029
00:48:15,719 --> 00:48:18,600
Speaker 3: people that will always be that petty and that jealous

1030
00:48:18,640 --> 00:48:21,960
Speaker 3: to be like, you can't play in my sandbox. The

1031
00:48:22,040 --> 00:48:25,680
Speaker 3: problem is those black people have no fucking power, you know,

1032
00:48:25,800 --> 00:48:28,520
Speaker 3: because and it's not their faull either, it's ultimately none

1033
00:48:28,520 --> 00:48:30,520
Speaker 3: of us has the power to make white people not

1034
00:48:30,719 --> 00:48:33,719
Speaker 3: like black shit from not black people. You know, it's

1035
00:48:33,719 --> 00:48:35,880
Speaker 3: the same reason people don't. You know, people hate on

1036
00:48:35,920 --> 00:48:39,200
Speaker 3: Tannahasee Coats. It's the same reason they you know, they

1037
00:48:39,200 --> 00:48:42,200
Speaker 3: hate on Easter Ray. It's the same reason motherfucker's turn

1038
00:48:42,239 --> 00:48:43,000
Speaker 3: on tifviny Haddish.

1039
00:48:43,080 --> 00:48:46,120
Speaker 2: It's always the same. I see the patterns coming every time.

1040
00:48:46,160 --> 00:48:50,279
Speaker 3: I'm like, eventually people are gonna fold because I can't

1041
00:48:50,320 --> 00:48:53,959
Speaker 3: believe quote unquote white people are enjoying this person, and

1042
00:48:54,760 --> 00:48:56,839
Speaker 3: now I feel like they need to be taken down

1043
00:48:56,880 --> 00:48:58,719
Speaker 3: a pig, and that's kind of what happened with him.

1044
00:48:58,800 --> 00:48:59,719
Speaker 2: I don't think.

1045
00:48:59,840 --> 00:49:04,040
Speaker 3: Even the people that are necessarily being critical of these folks,

1046
00:49:04,360 --> 00:49:07,400
Speaker 3: I don't even think they've done that level of introspection

1047
00:49:07,560 --> 00:49:09,600
Speaker 3: to say it the way I just said it, you know,

1048
00:49:10,239 --> 00:49:11,880
Speaker 3: to be like, I'm just kind of jealous of the

1049
00:49:11,880 --> 00:49:14,399
Speaker 3: fact that they get to kind of do their thing

1050
00:49:14,719 --> 00:49:17,840
Speaker 3: and white people let them because they know that that'll

1051
00:49:17,840 --> 00:49:20,680
Speaker 3: make them sound petty. They people don't like to sound jealous.

1052
00:49:21,360 --> 00:49:23,120
Speaker 3: People don't like to be dismissed. They know that we'll

1053
00:49:23,120 --> 00:49:25,120
Speaker 3: dismiss them once to go, yeah, well, okay, so you're

1054
00:49:25,120 --> 00:49:25,600
Speaker 3: just jealous.

1055
00:49:25,600 --> 00:49:27,840
Speaker 2: Fuck it, I'm moving on it, right, Like, why are

1056
00:49:27,840 --> 00:49:28,879
Speaker 2: we talking? Right?

1057
00:49:29,000 --> 00:49:31,799
Speaker 3: So, yeah, it's you know, and then of course with

1058
00:49:31,880 --> 00:49:35,560
Speaker 3: the Wokes, it's kind of like branding, right, like I

1059
00:49:35,640 --> 00:49:37,960
Speaker 3: gotta have something to say about the most popular person

1060
00:49:38,000 --> 00:49:40,359
Speaker 3: and blah blah blah. You know it's I remember when

1061
00:49:40,440 --> 00:49:43,480
Speaker 3: Beyonce dropped the album The Formation Joint, you know, don't

1062
00:49:43,480 --> 00:49:45,840
Speaker 3: even fucking woke people all read. They had a critique

1063
00:49:45,880 --> 00:49:49,640
Speaker 3: of how her feminism wasn't good enough, how she's just

1064
00:49:49,680 --> 00:49:53,040
Speaker 3: a she's too much of a capitalist, you know, as

1065
00:49:53,040 --> 00:49:56,240
Speaker 3: if one person can reform the entire system of fucking

1066
00:49:56,680 --> 00:49:58,560
Speaker 3: the way people make money in America. It was just

1067
00:49:58,800 --> 00:50:01,359
Speaker 3: they just heap everything her and why because she's at

1068
00:50:01,400 --> 00:50:03,840
Speaker 3: the top, Because these saying people be standing for yass

1069
00:50:03,920 --> 00:50:07,799
Speaker 3: Queen Rihanna whoo reread oh I love this fenty all

1070
00:50:07,840 --> 00:50:10,600
Speaker 3: this shit, and you're like, oh, you just don't like

1071
00:50:10,719 --> 00:50:13,759
Speaker 3: this one person, so you apply a different level of

1072
00:50:13,840 --> 00:50:15,960
Speaker 3: rules to them that you wouldn't apply to other people.

1073
00:50:16,360 --> 00:50:17,399
Speaker 2: So it is what it is.

1074
00:50:17,440 --> 00:50:20,239
Speaker 3: But you know, niggas always gonna have something to say. Uh,

1075
00:50:20,320 --> 00:50:23,680
Speaker 3: Lakita says, no comment, just an amen to lend that

1076
00:50:23,800 --> 00:50:27,279
Speaker 3: was well put. Yeah, And for the record, like I said,

1077
00:50:28,000 --> 00:50:32,439
Speaker 3: I understand the offense when there are people that quote

1078
00:50:32,520 --> 00:50:36,680
Speaker 3: unquote interlope like a Iggy or Miley or something.

1079
00:50:37,280 --> 00:50:39,560
Speaker 2: But at the same time, even with them.

1080
00:50:41,640 --> 00:50:46,520
Speaker 3: Like they're they don't give props to anyone they you know,

1081
00:50:46,600 --> 00:50:48,520
Speaker 3: Iggy comes in and says, I'm saving the game.

1082
00:50:48,680 --> 00:50:51,680
Speaker 2: I'm bringing real hip hop back. Shit like that. I

1083
00:50:51,680 --> 00:50:53,040
Speaker 2: get why people are like, fuck her.

1084
00:50:54,280 --> 00:50:56,759
Speaker 3: You know, Bruno comes back, comes out and he's like, nah,

1085
00:50:56,760 --> 00:50:59,120
Speaker 3: these people came before me and stuff, and these are

1086
00:50:59,160 --> 00:51:01,560
Speaker 3: the quote unquote rules that people clearly lay out for

1087
00:51:01,600 --> 00:51:04,200
Speaker 3: people that come into the culture. And you see that

1088
00:51:04,320 --> 00:51:08,560
Speaker 3: doesn't matter which is which kind of I'm not gonna

1089
00:51:08,600 --> 00:51:10,000
Speaker 3: do this, but it makes me want to throw the

1090
00:51:10,040 --> 00:51:13,000
Speaker 3: whole fucking point away, to be honest, and that maybe

1091
00:51:13,000 --> 00:51:15,359
Speaker 3: that's just my anger at the fact that people can't

1092
00:51:15,400 --> 00:51:18,680
Speaker 3: coot across stay on topic. But if you can't, if

1093
00:51:18,719 --> 00:51:23,360
Speaker 3: you can't admit that, you're saying, basically your ultimate dream

1094
00:51:23,480 --> 00:51:26,600
Speaker 3: vision of the world is no one other than black

1095
00:51:26,600 --> 00:51:30,520
Speaker 3: people can do certain types of art, and you don't

1096
00:51:30,560 --> 00:51:33,640
Speaker 3: apply that to everyone everywhere, then I feel like you're

1097
00:51:33,680 --> 00:51:36,399
Speaker 3: a bit of a hypocrite. You know, when I see

1098
00:51:36,400 --> 00:51:38,879
Speaker 3: people do the like I said, I don't remember y'all

1099
00:51:38,920 --> 00:51:42,319
Speaker 3: getting mad about fucking wu tang. You know, I don't

1100
00:51:42,320 --> 00:51:45,040
Speaker 3: see nobody calling out Lupe Fiasco for that shit he doing,

1101
00:51:45,200 --> 00:51:49,560
Speaker 3: practicing Samurai sores and dressing like fucking yo he meants

1102
00:51:49,560 --> 00:51:52,560
Speaker 3: to and shit like, nobody calls him out for that shit,

1103
00:51:52,719 --> 00:51:55,960
Speaker 3: you know, like we just kind of go, oh, he's

1104
00:51:56,000 --> 00:51:59,200
Speaker 3: a worldly person. That's fine like that, he's into that thing,

1105
00:51:59,280 --> 00:52:02,760
Speaker 3: and that's dope for him, you know. But for somehow, somehow,

1106
00:52:02,800 --> 00:52:05,080
Speaker 3: we always end up in this discussion. And I think

1107
00:52:05,120 --> 00:52:08,440
Speaker 3: it's just because I live in a really black circle onlinehinhness,

1108
00:52:08,280 --> 00:52:11,560
Speaker 3: it's some black people that's always on some like it's

1109
00:52:11,600 --> 00:52:14,880
Speaker 3: just us nobody else, And I'm like, that's so unrealistic.

1110
00:52:15,520 --> 00:52:18,000
Speaker 3: I'm not gonna choose to live with that standard because

1111
00:52:18,000 --> 00:52:19,719
Speaker 3: I don't want to join you in your misery.

1112
00:52:20,040 --> 00:52:24,080
Speaker 4: Right, And the world is bigger than that, and some

1113
00:52:24,160 --> 00:52:27,000
Speaker 4: things aren't fair and some things aren't right. But to

1114
00:52:27,040 --> 00:52:31,959
Speaker 4: an extent, a lot of cultures, particularly when it comes

1115
00:52:31,960 --> 00:52:35,520
Speaker 4: to music, appropriate in some way, shape form a fashion.

1116
00:52:35,960 --> 00:52:37,960
Speaker 4: You know, you listen to a lot of people and

1117
00:52:37,960 --> 00:52:40,719
Speaker 4: they'll tell you, even a lot of black artists, they'll

1118
00:52:40,719 --> 00:52:44,520
Speaker 4: tell you that they listened to Rolling Stones or whoever

1119
00:52:44,800 --> 00:52:47,120
Speaker 4: it is, and they picked up things from this and

1120
00:52:47,160 --> 00:52:51,080
Speaker 4: picked up things from that and crossed it over. I mean,

1121
00:52:51,200 --> 00:52:56,600
Speaker 4: hip hop started from us taking other music and literally

1122
00:52:56,680 --> 00:52:58,160
Speaker 4: reformatting it.

1123
00:52:58,160 --> 00:53:00,479
Speaker 2: It was it wasn't even music we play.

1124
00:53:00,600 --> 00:53:03,319
Speaker 3: It wasn't like, I'm gonna play these drums the way

1125
00:53:03,320 --> 00:53:05,560
Speaker 3: that I heard these drums and then I'm gonna do Nah,

1126
00:53:05,560 --> 00:53:08,239
Speaker 3: I'm gonna take the drums from this song. I'm gonna

1127
00:53:08,280 --> 00:53:11,200
Speaker 3: take the break from this song. I'm gonna scratch it,

1128
00:53:11,200 --> 00:53:13,560
Speaker 3: I'm gonna remix it. And that is the most beautiful

1129
00:53:13,719 --> 00:53:17,160
Speaker 3: art that has defined my life. I don't I don't

1130
00:53:17,200 --> 00:53:19,920
Speaker 3: want to exist in this world where the influences that

1131
00:53:19,960 --> 00:53:23,719
Speaker 3: we have are supposed to remain within some boundary. That's

1132
00:53:23,719 --> 00:53:27,160
Speaker 3: fucking stupid to me. Correct that's the exact opposite of art.

1133
00:53:27,200 --> 00:53:30,279
Speaker 3: To me, that that's not art, that's you know. But

1134
00:53:30,400 --> 00:53:32,799
Speaker 3: I feel like that makes a good argument on the

1135
00:53:32,840 --> 00:53:35,880
Speaker 3: social media, It makes good attention. It gets people fighting,

1136
00:53:36,320 --> 00:53:38,680
Speaker 3: and that's why people still have the same fights over

1137
00:53:38,719 --> 00:53:40,520
Speaker 3: and over. But I don't want to live in that world.

1138
00:53:40,920 --> 00:53:45,520
Speaker 3: You know, the cost of if the cost of black

1139
00:53:45,560 --> 00:53:49,120
Speaker 3: people having great art is you have some people like

1140
00:53:49,400 --> 00:53:52,520
Speaker 3: Iggy Azela, and you have a Miley Cyrus and you

1141
00:53:52,600 --> 00:53:54,839
Speaker 3: have I don't know, Robin Think or whatever the fuck

1142
00:53:55,000 --> 00:53:58,160
Speaker 3: justin Tim Lake. But we also have a Bruno Mars,

1143
00:53:59,080 --> 00:54:01,520
Speaker 3: you know, like I'm gonna ok with that, you know,

1144
00:54:01,719 --> 00:54:03,840
Speaker 3: because I think our artist is excellent and it should

1145
00:54:03,840 --> 00:54:06,279
Speaker 3: affect the world. It should make people do it. They

1146
00:54:06,440 --> 00:54:09,160
Speaker 3: trying to band hip hop in China and they can't, Right,

1147
00:54:09,600 --> 00:54:12,320
Speaker 3: That's beautiful to me. That's revolution to me. So I

1148
00:54:12,360 --> 00:54:16,920
Speaker 3: don't I don't have the same prison, the same presumptions

1149
00:54:16,920 --> 00:54:18,640
Speaker 3: that some of these other folks have, and they're allowed

1150
00:54:18,680 --> 00:54:21,360
Speaker 3: to have those. I'm not really good here to debate it.

1151
00:54:21,480 --> 00:54:22,680
Speaker 3: Just I think it sounds silly.

1152
00:54:24,040 --> 00:54:24,120
Speaker 6: Uh.

1153
00:54:24,239 --> 00:54:26,000
Speaker 3: The last episode we didn't get in comments. It was

1154
00:54:26,000 --> 00:54:27,680
Speaker 3: just our review of The Walking Dead. I'm sure we

1155
00:54:27,680 --> 00:54:30,280
Speaker 3: didn't get comments because nobody watches it anymore. The poe

1156
00:54:30,480 --> 00:54:33,240
Speaker 3: was who would you like to see redeemed the most

1157
00:54:34,040 --> 00:54:36,760
Speaker 3: d white or Eugene or kill them both?

1158
00:54:38,360 --> 00:54:38,920
Speaker 2: The white?

1159
00:54:39,360 --> 00:54:41,680
Speaker 3: Thirteen percent of y'all would like to see the white redeemed,

1160
00:54:42,960 --> 00:54:45,719
Speaker 3: six and a half percent of y'all say Eugene so

1161
00:54:45,920 --> 00:54:49,000
Speaker 3: very low, and eighty one percent of y'all.

1162
00:54:48,840 --> 00:54:51,239
Speaker 2: Basically say kill them both, which is the camp on men.

1163
00:54:52,120 --> 00:54:53,359
Speaker 4: I think they're going to die.

1164
00:54:53,360 --> 00:54:54,760
Speaker 2: We got some emails.

1165
00:54:54,840 --> 00:54:58,120
Speaker 3: Let's get to these now, ms smart right saying Karen Rodd,

1166
00:54:58,200 --> 00:55:00,880
Speaker 3: I have gotten great response from the tbg WT audience,

1167
00:55:01,120 --> 00:55:04,399
Speaker 3: so much so that I up the number to ten. Unfortunately,

1168
00:55:05,000 --> 00:55:06,960
Speaker 3: I couldn't take more than that right now, So I

1169
00:55:07,040 --> 00:55:08,759
Speaker 3: just wanted to thank you guys and your audience as

1170
00:55:08,800 --> 00:55:12,520
Speaker 3: well as let folks know I'm beyond capacity TPS. Thanks

1171
00:55:12,520 --> 00:55:16,360
Speaker 3: be smart, thank you, and uh yeah, appreciate your guys

1172
00:55:16,360 --> 00:55:20,680
Speaker 3: being so active and interactive. Bamby rights in Dear Sir

1173
00:55:20,800 --> 00:55:24,200
Speaker 3: Vidamus and Queen Karen, I love this podcast so much.

1174
00:55:24,480 --> 00:55:27,919
Speaker 2: You two have reignited the let me move that's over here.

1175
00:55:28,200 --> 00:55:30,680
Speaker 3: Sorry you guys have you too, have reignited the fire

1176
00:55:30,719 --> 00:55:33,200
Speaker 3: and my belly to write about race and comedy. I'm

1177
00:55:33,200 --> 00:55:35,239
Speaker 3: in Toronto right now and later today I will be

1178
00:55:35,280 --> 00:55:39,120
Speaker 3: talking about TBGWT at a round table on the Cultural

1179
00:55:39,160 --> 00:55:42,880
Speaker 3: Competencies in Black Media at the Society of Cinema and

1180
00:55:42,920 --> 00:55:43,600
Speaker 3: Media Studies.

1181
00:55:43,680 --> 00:55:45,920
Speaker 4: A little shit, nigga, we at the round table.

1182
00:55:46,120 --> 00:55:49,520
Speaker 2: That sounds fancy. I'll be rocking.

1183
00:55:50,000 --> 00:55:51,520
Speaker 4: Do you put your piggy up when you drink?

1184
00:55:51,680 --> 00:55:51,960
Speaker 6: Drink?

1185
00:55:52,560 --> 00:55:55,680
Speaker 3: I'll be rocking my new tvg W T shirt for

1186
00:55:56,040 --> 00:55:59,600
Speaker 3: the presentation. You and Karen are absolute Black treasures. Oh

1187
00:55:59,600 --> 00:56:04,160
Speaker 3: thank you at real and honesty and so damn funny.

1188
00:56:05,680 --> 00:56:08,280
Speaker 3: I'm afraid I might sign a little Matt David Eskire.

1189
00:56:08,440 --> 00:56:12,160
Speaker 3: But not all black academics are about jockeying for the spotlight,

1190
00:56:12,400 --> 00:56:14,799
Speaker 3: being the highlander, or talking to each other rather than

1191
00:56:14,880 --> 00:56:16,520
Speaker 3: talking and listening to a broader artist.

1192
00:56:16,840 --> 00:56:19,360
Speaker 2: You know what, absolutely I understand that.

1193
00:56:19,480 --> 00:56:22,160
Speaker 3: I mean, obviously the ones we talk about on the

1194
00:56:22,200 --> 00:56:24,880
Speaker 3: show are gonna be a handful of people that we've

1195
00:56:24,920 --> 00:56:27,520
Speaker 3: known through media lenses and that's why we know them

1196
00:56:27,560 --> 00:56:30,239
Speaker 3: as being famous. But if we're keeping it, you know,

1197
00:56:30,520 --> 00:56:33,160
Speaker 3: all the keeping it a buck. I mean, we have

1198
00:56:33,280 --> 00:56:37,759
Speaker 3: so many people that listen, I mean, pH Done, Prop,

1199
00:56:37,880 --> 00:56:42,160
Speaker 3: Cory prof Elsh, you like, we have a lot of

1200
00:56:42,200 --> 00:56:46,400
Speaker 3: people in black academia that you know, that work a

1201
00:56:46,440 --> 00:56:49,279
Speaker 3: lot of women, you know, so the spotlight doesn't always

1202
00:56:49,320 --> 00:56:53,279
Speaker 3: shine on them, even if they wanted it to. But

1203
00:56:53,440 --> 00:56:57,600
Speaker 3: now there's a ton of people doing work within black academia.

1204
00:56:57,040 --> 00:56:59,600
Speaker 2: And we need it like I don't want it.

1205
00:57:00,120 --> 00:57:02,320
Speaker 3: We all need each other, you know what I'm saying,

1206
00:57:02,360 --> 00:57:05,759
Speaker 3: Like that's my belief system. We all need each other,

1207
00:57:05,840 --> 00:57:08,920
Speaker 3: so it's never as simple as I don't like this

1208
00:57:09,040 --> 00:57:12,120
Speaker 3: genre of black people, I like, I kind of like

1209
00:57:12,160 --> 00:57:14,000
Speaker 3: I get the jokes. I'm not gonna try to knock

1210
00:57:14,000 --> 00:57:17,560
Speaker 3: people for making jokes, but you know the disdain people

1211
00:57:17,600 --> 00:57:20,280
Speaker 3: feel for like all the blavited blacks and to this

1212
00:57:20,400 --> 00:57:22,520
Speaker 3: type of black and that we need each other. I

1213
00:57:22,560 --> 00:57:24,440
Speaker 3: would like for us all to kind of wake up

1214
00:57:24,440 --> 00:57:26,400
Speaker 3: to that unity and be together.

1215
00:57:26,480 --> 00:57:27,680
Speaker 2: That's very unrealistic.

1216
00:57:27,680 --> 00:57:29,840
Speaker 3: That's probably the closest thing I have to a religion

1217
00:57:29,960 --> 00:57:34,160
Speaker 3: of I believe in some shit that's so unrealistic, but

1218
00:57:34,240 --> 00:57:37,040
Speaker 3: I really do believe that we be better served if

1219
00:57:37,040 --> 00:57:41,800
Speaker 3: everybody was working more together. And black academics have affected

1220
00:57:42,080 --> 00:57:46,160
Speaker 3: our lives. They've they've laid the foundation in many cases

1221
00:57:46,800 --> 00:57:50,400
Speaker 3: for people that just be on like Twitter. There's a

1222
00:57:50,400 --> 00:57:54,920
Speaker 3: lot of people that are basically imitating your favorite black academic. Uh,

1223
00:57:55,320 --> 00:57:57,880
Speaker 3: you know, there's still you know, there's people that want

1224
00:57:57,880 --> 00:58:02,360
Speaker 3: to be James Baldwin of video games and comic books

1225
00:58:02,720 --> 00:58:05,560
Speaker 3: on social media right now. And that's because that blueprint

1226
00:58:05,600 --> 00:58:09,040
Speaker 3: was laid down. They had the original job of explaining

1227
00:58:09,120 --> 00:58:12,080
Speaker 3: what black people are in our worth and we what

1228
00:58:12,120 --> 00:58:17,400
Speaker 3: we do to whiteness in mass to start, like the

1229
00:58:17,440 --> 00:58:22,040
Speaker 3: after slavery. Like even before slavery, you know, you had

1230
00:58:22,120 --> 00:58:24,680
Speaker 3: like these go to people Frederick ws and stuff, being like,

1231
00:58:24,800 --> 00:58:28,000
Speaker 3: let me, we are smart, We are as capable of

1232
00:58:28,200 --> 00:58:31,200
Speaker 3: as you, We are as sophisticated as you. This is

1233
00:58:31,240 --> 00:58:33,840
Speaker 3: our plight, This is the what, This is the conundrum

1234
00:58:33,840 --> 00:58:34,840
Speaker 3: we're in in this country.

1235
00:58:35,320 --> 00:58:37,400
Speaker 2: This is us explaining it. And we still need that

1236
00:58:37,440 --> 00:58:38,000
Speaker 2: to this day.

1237
00:58:38,880 --> 00:58:41,360
Speaker 3: Is the same way that we need activists the same

1238
00:58:41,360 --> 00:58:43,919
Speaker 3: way we need politicians right, the same way we need

1239
00:58:44,000 --> 00:58:49,240
Speaker 3: cops the same like in every single instance of whether

1240
00:58:49,280 --> 00:58:54,360
Speaker 3: it's an institution, whether it's just a way of life

1241
00:58:54,440 --> 00:58:57,960
Speaker 3: or whatever, we need black people, brown people, allies.

1242
00:58:58,240 --> 00:58:59,480
Speaker 2: We still need each other.

1243
00:58:59,760 --> 00:59:01,680
Speaker 3: But because that's the only way thing is gonna happen

1244
00:59:01,720 --> 00:59:05,120
Speaker 3: from outside and within, you know it can't. No one

1245
00:59:05,160 --> 00:59:07,920
Speaker 3: person can do it by themselves, and no one genre

1246
00:59:07,960 --> 00:59:10,520
Speaker 3: of people have it all figured out, because we're not

1247
00:59:10,560 --> 00:59:12,640
Speaker 3: a monolist and none of us is that one like,

1248
00:59:12,720 --> 00:59:14,800
Speaker 3: we don't represent all genres right.

1249
00:59:15,080 --> 00:59:17,840
Speaker 2: So absolutely, man, I.

1250
00:59:19,440 --> 00:59:22,840
Speaker 3: Have never thought to myself that all blackademics are this way. No,

1251
00:59:23,040 --> 00:59:28,320
Speaker 3: but I will always make the jokes about the black highlander. Blackademics,

1252
00:59:28,680 --> 00:59:31,480
Speaker 3: you know, like Cornell West and Michael Egg Dyson.

1253
00:59:31,240 --> 00:59:33,560
Speaker 4: I know, taking each other down. And also the thing

1254
00:59:33,680 --> 00:59:38,320
Speaker 4: about the blackademics that we talked about it, y'all are

1255
00:59:38,480 --> 00:59:41,760
Speaker 4: the ones that are doing these surveys that they've never

1256
00:59:41,840 --> 00:59:45,480
Speaker 4: done before. We finally got a survey after two hundred

1257
00:59:45,560 --> 00:59:49,360
Speaker 4: years that guess what black people get PTSD for living

1258
00:59:49,400 --> 00:59:51,720
Speaker 4: in the ghetto. Oh you know what? Black people are

1259
00:59:51,720 --> 00:59:54,400
Speaker 4: affected by not having good enough health care? Oh you

1260
00:59:54,440 --> 00:59:56,760
Speaker 4: know what? Like y'all are the ones that are pushing

1261
00:59:56,800 --> 00:59:59,760
Speaker 4: these surveys, getting the funding, putting these numbers out there

1262
01:00:00,080 --> 01:00:02,720
Speaker 4: for people to actually see. You know how to do

1263
01:00:02,760 --> 01:00:05,640
Speaker 4: the research. You know how to speak the language, because

1264
01:00:05,640 --> 01:00:07,440
Speaker 4: that's the thing. You have to know how to speak

1265
01:00:07,480 --> 01:00:11,200
Speaker 4: a certain language, and that language is a proximity to whiteness.

1266
01:00:11,280 --> 01:00:13,760
Speaker 4: But you happen to know how to speak that language

1267
01:00:13,760 --> 01:00:15,400
Speaker 4: to get them to see, to get people to open

1268
01:00:15,480 --> 01:00:17,439
Speaker 4: up their eyes, to get the laws to change, because

1269
01:00:17,440 --> 01:00:19,520
Speaker 4: you have to know much and statistics and facts to

1270
01:00:19,640 --> 01:00:22,240
Speaker 4: change these things. And not at any period of time

1271
01:00:22,240 --> 01:00:23,760
Speaker 4: for most of you're not an inn a perid of time,

1272
01:00:24,400 --> 01:00:26,680
Speaker 4: do you try to shy away from your blackness? Because

1273
01:00:26,720 --> 01:00:29,200
Speaker 4: if you did, a lot of these studies wouldn't even

1274
01:00:29,200 --> 01:00:29,920
Speaker 4: come out.

1275
01:00:30,080 --> 01:00:34,440
Speaker 3: Yeah, I think there's just so much distrust and that,

1276
01:00:34,640 --> 01:00:38,240
Speaker 3: and there's so much like the division. So people start

1277
01:00:38,440 --> 01:00:41,440
Speaker 3: immediately being like, oh you want of them type of blacks.

1278
01:00:41,440 --> 01:00:44,800
Speaker 3: But like niggas, black people do everything we do. We

1279
01:00:44,880 --> 01:00:49,160
Speaker 3: literally do everything. There's like so you know, and like

1280
01:00:49,200 --> 01:00:52,440
Speaker 3: I said, we need we do need people in these spaces.

1281
01:00:52,480 --> 01:00:55,840
Speaker 3: Like I know, coach isn't necessarily a blackademic, you know,

1282
01:00:55,880 --> 01:00:58,480
Speaker 3: since he didn't graduate college and doesn't have PhD and

1283
01:00:58,520 --> 01:01:00,240
Speaker 3: all this shit and a lot of that. There's a

1284
01:01:00,280 --> 01:01:02,760
Speaker 3: lot of class that comes along with that type of accomplishment.

1285
01:01:02,760 --> 01:01:07,320
Speaker 2: There's a lot of all kinds of the like I understand,

1286
01:01:07,360 --> 01:01:08,080
Speaker 2: it ain't all good.

1287
01:01:08,120 --> 01:01:09,880
Speaker 3: And to be able to make it up in the

1288
01:01:10,600 --> 01:01:14,240
Speaker 3: ranks of blackademia normally kind of entitled. It has some

1289
01:01:14,280 --> 01:01:16,640
Speaker 3: privilege to it, It has some entitlement to it. Especially to

1290
01:01:16,680 --> 01:01:18,960
Speaker 3: be one of those media dollar type niggas. It definitely

1291
01:01:19,000 --> 01:01:21,360
Speaker 3: got some to it. But all that to be said,

1292
01:01:21,560 --> 01:01:24,240
Speaker 3: I need those niggas in a room talking to these

1293
01:01:24,240 --> 01:01:27,600
Speaker 3: white folks about that shit, right. I need them writing

1294
01:01:27,920 --> 01:01:31,560
Speaker 3: in these fucking publications that I don't read. I need

1295
01:01:31,600 --> 01:01:34,080
Speaker 3: them writing about it from a perspective of somebody that

1296
01:01:34,080 --> 01:01:37,520
Speaker 3: can humanize us the same reason I felt strongly about

1297
01:01:39,560 --> 01:01:43,640
Speaker 3: Black Panther or about certain like certain media. Reaching Moonlight

1298
01:01:43,760 --> 01:01:47,320
Speaker 3: reaches me in a different way than say, like, I

1299
01:01:47,320 --> 01:01:48,440
Speaker 3: don't know black.

1300
01:01:48,280 --> 01:01:51,640
Speaker 2: Dynamite, like I need that, we all need that.

1301
01:01:52,280 --> 01:01:55,480
Speaker 3: Someone has to make the case, you know, and effectively

1302
01:01:55,680 --> 01:01:57,959
Speaker 3: this is this is what people do where they're at.

1303
01:01:58,080 --> 01:01:59,520
Speaker 2: So I appreciate that.

1304
01:01:59,440 --> 01:02:03,160
Speaker 4: Right, And I also, like you said that keep it

1305
01:02:03,200 --> 01:02:06,720
Speaker 4: one hundred A lot of times, Black academics, those that

1306
01:02:06,720 --> 01:02:08,919
Speaker 4: are out there that are doing these things on black

1307
01:02:08,920 --> 01:02:11,680
Speaker 4: people's behalf. Y'all are voice for the voiceless because it's

1308
01:02:11,720 --> 01:02:14,080
Speaker 4: a lot of people who have been saying a lot

1309
01:02:14,080 --> 01:02:16,560
Speaker 4: of things, and a lot of you are connected to

1310
01:02:16,560 --> 01:02:19,840
Speaker 4: the black community. So y'all can rise and bring these

1311
01:02:19,880 --> 01:02:22,840
Speaker 4: things to people attention that otherwise never will be heard

1312
01:02:22,920 --> 01:02:24,640
Speaker 4: in these platforms in any circles.

1313
01:02:24,960 --> 01:02:25,160
Speaker 2: Yeah.

1314
01:02:25,160 --> 01:02:27,400
Speaker 3: Also, we just don't have to sometimes we don't have

1315
01:02:27,440 --> 01:02:30,200
Speaker 3: a perspective as black people living our day to day lives,

1316
01:02:31,200 --> 01:02:35,200
Speaker 3: and we don't always have the.

1317
01:02:33,800 --> 01:02:35,600
Speaker 2: Methods to make the case.

1318
01:02:35,680 --> 01:02:38,560
Speaker 3: Now I'm not saying we don't have We're very sophisticated,

1319
01:02:38,600 --> 01:02:40,600
Speaker 3: we have intelligent thoughts all that shit. But I'm saying, like,

1320
01:02:41,120 --> 01:02:44,240
Speaker 3: if I'm living in a neighborhood and lead is poisoning me.

1321
01:02:44,760 --> 01:02:47,480
Speaker 3: I might not have the proper perspective to extrapulate that

1322
01:02:47,600 --> 01:02:51,160
Speaker 3: out to my entire community, to a state, through the country,

1323
01:02:51,280 --> 01:02:56,480
Speaker 3: to the world about economic racism and environmental racism.

1324
01:02:56,560 --> 01:02:57,920
Speaker 2: I may not be able to do that.

1325
01:02:58,040 --> 01:03:01,520
Speaker 3: But someone who has as those tools, who knows how

1326
01:03:01,560 --> 01:03:04,120
Speaker 3: to translate that, who knows how to study that, we

1327
01:03:04,200 --> 01:03:07,400
Speaker 3: need that person. That person is very valuable because without

1328
01:03:07,440 --> 01:03:09,040
Speaker 3: that person, the case don't get made.

1329
01:03:09,080 --> 01:03:10,400
Speaker 2: And well, we.

1330
01:03:10,360 --> 01:03:13,760
Speaker 3: All see every week a new study black people was

1331
01:03:13,800 --> 01:03:16,240
Speaker 3: right about some shit, and I feel like we can't

1332
01:03:16,240 --> 01:03:17,840
Speaker 3: be waiting on white people to study the shit.

1333
01:03:18,240 --> 01:03:20,080
Speaker 2: So we need as many black people making the.

1334
01:03:20,120 --> 01:03:22,800
Speaker 3: Case and kind of studying the long term effectsive things

1335
01:03:22,840 --> 01:03:23,560
Speaker 3: as possible.

1336
01:03:24,360 --> 01:03:27,000
Speaker 2: Some of us just want to encourage others rather than

1337
01:03:27,480 --> 01:03:28,800
Speaker 2: oh wait, I'm sorry. Some of us just want to

1338
01:03:28,840 --> 01:03:29,400
Speaker 2: encourage for us.

1339
01:03:29,360 --> 01:03:32,640
Speaker 3: To think about how racism, sexism, classrooms, inophobia, transphobia, and

1340
01:03:32,680 --> 01:03:36,000
Speaker 3: homophobia are so deeply ingrained in American culture and of

1341
01:03:36,040 --> 01:03:39,800
Speaker 3: course American media. We're teaching the next generation of media

1342
01:03:39,880 --> 01:03:42,280
Speaker 3: makers and we want them to think about what they

1343
01:03:42,280 --> 01:03:43,520
Speaker 3: can put into the world to be.

1344
01:03:43,480 --> 01:03:45,120
Speaker 2: Part of solutions that are part of problem.

1345
01:03:45,320 --> 01:03:47,440
Speaker 3: I believe comedy can do so to get people to

1346
01:03:47,520 --> 01:03:50,240
Speaker 3: consider perspectives that they might not otherwise be open to

1347
01:03:50,720 --> 01:03:53,960
Speaker 3: if they were just being told in a straight and

1348
01:03:54,000 --> 01:03:54,640
Speaker 3: serious way.

1349
01:03:55,480 --> 01:03:56,400
Speaker 2: Yeah, that's true.

1350
01:03:56,840 --> 01:04:00,000
Speaker 3: Comedy is a powerful discursive to the notion of trivia

1351
01:04:00,200 --> 01:04:04,680
Speaker 3: to multiple sources, from George Bernard Shaw and Joe Orton

1352
01:04:04,760 --> 01:04:08,520
Speaker 3: to my eighth grade English teacher Ms. Roschko, that if

1353
01:04:08,560 --> 01:04:11,880
Speaker 3: one gets the audience laughing, then while their mouths are open,

1354
01:04:12,080 --> 01:04:14,680
Speaker 3: they can shove in the truth. It seems quite applicable

1355
01:04:14,680 --> 01:04:17,360
Speaker 3: here Laughing Mad, page.

1356
01:04:17,080 --> 01:04:19,880
Speaker 2: Two forty three. I'd love to send you a copy

1357
01:04:19,920 --> 01:04:20,680
Speaker 2: of Laughing Mad.

1358
01:04:20,760 --> 01:04:23,240
Speaker 3: It isn't as accessible as I would like it to be,

1359
01:04:23,400 --> 01:04:25,640
Speaker 3: but I learned a lot since two thousand and seven.

1360
01:04:26,440 --> 01:04:29,320
Speaker 3: Writing is another way to teach, and commye is incredibly

1361
01:04:29,360 --> 01:04:31,520
Speaker 3: useful tool to try to shove the truth in. I

1362
01:04:31,520 --> 01:04:33,480
Speaker 3: hope the next book will be able to speak to

1363
01:04:33,600 --> 01:04:36,439
Speaker 3: more folks, and you and Karen have helped me think

1364
01:04:36,440 --> 01:04:38,840
Speaker 3: about how to do that, and of course TVGWT will

1365
01:04:38,880 --> 01:04:39,680
Speaker 3: have an honor space.

1366
01:04:39,760 --> 01:04:42,480
Speaker 2: And oh, thank you all the best.

1367
01:04:42,640 --> 01:04:46,000
Speaker 3: Bamby Higens aka doctor b in Film and Media Studies

1368
01:04:46,040 --> 01:04:49,960
Speaker 3: at UC Irvin ps. Sometimes when there's foolishness going on,

1369
01:04:50,040 --> 01:04:52,520
Speaker 3: which is common in academia, I've seen fucking with black

1370
01:04:52,520 --> 01:04:55,600
Speaker 3: people in my head, ah and rate a scale. See

1371
01:04:55,640 --> 01:04:58,400
Speaker 3: that's the other part too, why I don't want to

1372
01:04:58,440 --> 01:05:01,760
Speaker 3: give too much grief to blackademic because a lot of

1373
01:05:01,760 --> 01:05:04,520
Speaker 3: these places are so fucking white. Come on, and if

1374
01:05:04,560 --> 01:05:07,920
Speaker 3: they weren't there, there would be nobody there. It's not

1375
01:05:08,000 --> 01:05:10,439
Speaker 3: like the oh, we just just take this black person,

1376
01:05:10,440 --> 01:05:12,840
Speaker 3: I'll put this one in. It ain't exactly like they

1377
01:05:13,000 --> 01:05:17,400
Speaker 3: just doing that, you know. So and the challenges and

1378
01:05:17,440 --> 01:05:20,040
Speaker 3: the hurdles that that people face in that you know,

1379
01:05:20,200 --> 01:05:23,120
Speaker 3: like you listen to like you'll talk, I'll talk to

1380
01:05:23,160 --> 01:05:25,720
Speaker 3: somebody that's like a professor or something like. They'll tell

1381
01:05:25,760 --> 01:05:27,640
Speaker 3: me like the choices they have to make with their career,

1382
01:05:27,680 --> 01:05:30,720
Speaker 3: and I'm like, fuck, like is this or is that?

1383
01:05:31,040 --> 01:05:31,400
Speaker 2: Man?

1384
01:05:31,560 --> 01:05:35,120
Speaker 3: Like the dedication you gotta have, you know what I mean,

1385
01:05:35,280 --> 01:05:39,000
Speaker 3: Like it's a wild game. So yeah, I you know,

1386
01:05:39,640 --> 01:05:41,680
Speaker 3: that's one of the reasons I'm like, yeah, because.

1387
01:05:41,400 --> 01:05:44,320
Speaker 2: They gotta deal with this shit too. Anyway.

1388
01:05:44,440 --> 01:05:46,120
Speaker 3: On a scale of zero to one hundred increments of

1389
01:05:46,160 --> 01:05:48,200
Speaker 3: twenty five, how fuck with my am?

1390
01:05:48,280 --> 01:05:51,040
Speaker 2: I about what it's being pontificated about while.

1391
01:05:50,800 --> 01:05:55,040
Speaker 3: I use this sanity savor less as my new home institute.

1392
01:05:55,080 --> 01:05:56,240
Speaker 2: At my new home institution.

1393
01:05:56,360 --> 01:05:58,840
Speaker 3: This definitely kept me from throwing hands where I came

1394
01:05:58,880 --> 01:06:03,280
Speaker 3: from an ASU, Well, I'm glad you didn't throw no hands. Okay,

1395
01:06:03,480 --> 01:06:08,400
Speaker 3: we don't need handstone, and we appreciate you listening. Oh yeah,

1396
01:06:08,440 --> 01:06:14,600
Speaker 3: it's always wild because we both have undergraduate degrees. But uh,

1397
01:06:14,720 --> 01:06:17,600
Speaker 3: it's always wild when uh it's like all these smart

1398
01:06:17,600 --> 01:06:22,840
Speaker 3: people listening to us. Right, it's like so many people right, PhD, this,

1399
01:06:22,880 --> 01:06:24,160
Speaker 3: that and the other. I'm like, I hope I'm not

1400
01:06:24,200 --> 01:06:29,600
Speaker 3: embarrassing everybody. Brains hell right, Like these are all these

1401
01:06:29,680 --> 01:06:31,720
Speaker 3: mother fucking big old brains.

1402
01:06:31,760 --> 01:06:33,400
Speaker 4: All these papers all that.

1403
01:06:34,080 --> 01:06:35,600
Speaker 3: Do you mind if I cite you in the paper

1404
01:06:35,640 --> 01:06:37,880
Speaker 3: every email someone's ever you mind if I cite the

1405
01:06:37,880 --> 01:06:40,240
Speaker 3: pot like sure? If I hope you don't get an

1406
01:06:40,320 --> 01:06:42,760
Speaker 3: f now, I hope they don't go listen and come

1407
01:06:42,760 --> 01:06:43,439
Speaker 3: back and be like.

1408
01:06:43,520 --> 01:06:45,800
Speaker 2: I don't think this should be an academic paper.

1409
01:06:47,000 --> 01:06:49,160
Speaker 4: Could we have We're gonna have a discussion about this one.

1410
01:06:49,280 --> 01:06:52,640
Speaker 3: I'm gonna do my dissertation on guests the race. I'm like,

1411
01:06:52,680 --> 01:06:55,919
Speaker 3: all right, well, hey, good luck player. Okay, I didn't

1412
01:06:55,960 --> 01:06:57,160
Speaker 3: know they was letting people.

1413
01:06:56,920 --> 01:07:00,320
Speaker 4: Do this me either. I like that game has changed so.

1414
01:07:00,680 --> 01:07:02,640
Speaker 3: But I'm also so honored when you guys do that.

1415
01:07:03,520 --> 01:07:05,480
Speaker 3: I'll never get over when people are like, yeah, I

1416
01:07:05,520 --> 01:07:07,640
Speaker 3: wrote this thing about y'all and I got this grade,

1417
01:07:07,800 --> 01:07:10,120
Speaker 3: or I put this in my paper, or I did

1418
01:07:10,160 --> 01:07:12,760
Speaker 3: this presentation. I'm just like, holy shit, we're in the

1419
01:07:12,840 --> 01:07:16,360
Speaker 3: presentation right. And I still had the same feeling from

1420
01:07:16,360 --> 01:07:19,160
Speaker 3: episode one to just be in the room with my

1421
01:07:19,200 --> 01:07:20,000
Speaker 3: wife talking shit.

1422
01:07:20,240 --> 01:07:21,640
Speaker 4: That's all we've been doing, though.

1423
01:07:23,520 --> 01:07:26,040
Speaker 3: Miss Jojo Wright, saying for the last email, says thank you.

1424
01:07:26,400 --> 01:07:28,439
Speaker 3: I already gave my five star review a while back,

1425
01:07:28,480 --> 01:07:31,040
Speaker 3: but I wanted to say thank you again to you

1426
01:07:31,120 --> 01:07:33,439
Speaker 3: and care for everything you do. Thank you for sharing

1427
01:07:33,440 --> 01:07:35,720
Speaker 3: your experiences with us. Thank you for being an example

1428
01:07:35,760 --> 01:07:38,520
Speaker 3: for who you are. Just as you are is the

1429
01:07:38,520 --> 01:07:40,960
Speaker 3: best way to be. And thank you for exposing us

1430
01:07:40,960 --> 01:07:42,840
Speaker 3: to all the best people in the best podcast.

1431
01:07:43,120 --> 01:07:46,480
Speaker 2: I listened to TVGWT and TVGWT.

1432
01:07:45,800 --> 01:07:49,240
Speaker 3: Adjacent podcast to get me through my crazy workday. I

1433
01:07:49,360 --> 01:07:51,440
Speaker 3: recently changed jobs and they don't allow me to wear

1434
01:07:51,480 --> 01:07:53,760
Speaker 3: my earbruss during the work, but they played this.

1435
01:07:53,880 --> 01:07:59,400
Speaker 2: Ratchet ass light rock radio. That is the worst nothing.

1436
01:08:00,040 --> 01:08:01,640
Speaker 2: If I can't listen to my headphone, y'all gotta turn

1437
01:08:01,680 --> 01:08:05,400
Speaker 2: that ship off. That's my thing.

1438
01:08:05,600 --> 01:08:07,920
Speaker 4: Like if y'all don't allow me to, if you have

1439
01:08:07,960 --> 01:08:09,880
Speaker 4: a job to don't like headphone, Like, look, we just

1440
01:08:09,880 --> 01:08:12,760
Speaker 4: gonna be silently tapping on keyboards. I don't wanna hear

1441
01:08:12,760 --> 01:08:13,640
Speaker 4: that bullshit either.

1442
01:08:13,760 --> 01:08:15,040
Speaker 2: And you know why it's really the worst.

1443
01:08:15,760 --> 01:08:19,200
Speaker 3: Why it's really the worst because after a while you

1444
01:08:19,280 --> 01:08:20,479
Speaker 3: started liking them songs.

1445
01:08:20,560 --> 01:08:22,559
Speaker 4: That's how That's what happened, because it's on the loop.

1446
01:08:22,960 --> 01:08:25,800
Speaker 2: That's what happened to me. Man, next I know who

1447
01:08:25,840 --> 01:08:26,200
Speaker 2: I was.

1448
01:08:26,280 --> 01:08:31,120
Speaker 3: I had a shot an electrical engineering class at high school,

1449
01:08:31,560 --> 01:08:34,439
Speaker 3: and we go in there and be solidering all this

1450
01:08:34,520 --> 01:08:36,720
Speaker 3: ship and stuff, and this motherfucker would throw on that

1451
01:08:36,800 --> 01:08:37,360
Speaker 3: soft rock.

1452
01:08:38,720 --> 01:08:39,880
Speaker 2: By the end, I'll be like.

1453
01:08:40,240 --> 01:08:44,519
Speaker 3: I'm gonna be singing the fucking corny ass songs. Oh man,

1454
01:08:45,320 --> 01:08:49,519
Speaker 3: call me space Cowboy, Yeah, call.

1455
01:08:49,400 --> 01:08:53,559
Speaker 2: Me Marie, Like, what is heaven in to me? What

1456
01:08:53,680 --> 01:08:58,400
Speaker 2: is heaven? Oh my god? What terrible time?

1457
01:09:00,200 --> 01:09:03,040
Speaker 4: And recognizing in the elevator, you'll be out.

1458
01:09:03,560 --> 01:09:07,000
Speaker 3: You'd be like, I know this song, Lady Loove, you

1459
01:09:07,080 --> 01:09:10,559
Speaker 3: got me on? Where's this coming from Yeah, I didn't

1460
01:09:10,560 --> 01:09:11,080
Speaker 3: grow up to this.

1461
01:09:11,160 --> 01:09:13,480
Speaker 2: Throw on some more enemy.

1462
01:09:15,080 --> 01:09:15,919
Speaker 4: You'll be partying.

1463
01:09:16,800 --> 01:09:20,120
Speaker 2: I know it's office terrorist. I know it's office terrorism. Correct.

1464
01:09:20,360 --> 01:09:22,280
Speaker 3: So on my lunch break this week, while listening to

1465
01:09:22,320 --> 01:09:24,679
Speaker 3: you guys, while with Miss marsh your guest, she briefly

1466
01:09:24,680 --> 01:09:27,360
Speaker 3: mentioned helping some people who are interested in changing careers.

1467
01:09:27,400 --> 01:09:28,800
Speaker 2: I took her info, hit her up.

1468
01:09:28,880 --> 01:09:31,200
Speaker 3: Have expected her to have way too many people who

1469
01:09:31,240 --> 01:09:33,920
Speaker 3: had did the same, but she responded, she gave me

1470
01:09:34,080 --> 01:09:37,040
Speaker 3: feedback on my resume, a lot of helpful information. Don't

1471
01:09:37,080 --> 01:09:41,240
Speaker 3: have multiple job offers like her yet, but I have

1472
01:09:41,360 --> 01:09:44,080
Speaker 3: received emails from several recruiters who will review my newly

1473
01:09:44,160 --> 01:09:45,840
Speaker 3: revised resume and want to meet with me.

1474
01:09:46,080 --> 01:09:46,599
Speaker 6: All shit.

1475
01:09:47,080 --> 01:09:50,080
Speaker 3: So so thank you again Rider Camera. Having guests like

1476
01:09:50,120 --> 01:09:52,920
Speaker 3: Miss Smart on your podcast, I would be in the

1477
01:09:52,960 --> 01:09:57,200
Speaker 3: hostile free workplace again soon. Yes, come, I think you

1478
01:09:57,240 --> 01:09:59,240
Speaker 3: will be Okay, We're gonna get you up out of

1479
01:09:59,280 --> 01:10:02,880
Speaker 3: that soft rock hell you come on, you.

1480
01:10:02,880 --> 01:10:05,439
Speaker 4: Know, I mean, I'm not anti South rock, but yeah,

1481
01:10:05,520 --> 01:10:08,240
Speaker 4: if I came with my headphones nobody music.

1482
01:10:08,280 --> 01:10:11,040
Speaker 3: There's nothing worse than when a song but like you're

1483
01:10:11,080 --> 01:10:13,240
Speaker 3: not supposed to like a song, or you don't want

1484
01:10:13,280 --> 01:10:16,040
Speaker 3: to like a song, but you know, liking the song anyway,

1485
01:10:16,720 --> 01:10:18,559
Speaker 3: and then and now you can't get it out your head.

1486
01:10:18,640 --> 01:10:20,880
Speaker 4: You took it in the food service industry because you're

1487
01:10:20,920 --> 01:10:23,760
Speaker 4: there like albums and hours and hours on end, and

1488
01:10:23,760 --> 01:10:26,040
Speaker 4: particularly if they do like the satellite station, they just

1489
01:10:26,160 --> 01:10:28,840
Speaker 4: looped songs. And he be like, God, damn this eight

1490
01:10:28,920 --> 01:10:30,160
Speaker 4: hundred times I've heard the song.

1491
01:10:30,360 --> 01:10:33,320
Speaker 3: We just did it on the pregame. But Tarka the

1492
01:10:33,360 --> 01:10:37,240
Speaker 3: sheet the hotel podcast. Dude, he came out with a

1493
01:10:37,320 --> 01:10:42,680
Speaker 3: song by mink Slid call It's Time, and uh, that

1494
01:10:42,760 --> 01:10:45,880
Speaker 3: shit catchy as fuck, Like I said that. The three

1495
01:10:45,880 --> 01:10:48,439
Speaker 3: guys on they played it, they was making jokes about

1496
01:10:48,439 --> 01:10:51,559
Speaker 3: it and stuff, and but it is catchy as ship

1497
01:10:53,000 --> 01:10:55,519
Speaker 3: now and I won't stop singing this to carry in

1498
01:10:55,520 --> 01:10:57,200
Speaker 3: the car. So now y'all have to. Y'all have to

1499
01:10:57,200 --> 01:10:59,599
Speaker 3: live with it now too. I'm sorry. I'm sorry, y'all

1500
01:10:59,600 --> 01:11:02,200
Speaker 3: need to in your life. The Hotel two step.

1501
01:11:03,600 --> 01:11:17,160
Speaker 7: Yeah, I can't.

1502
01:11:17,320 --> 01:11:20,200
Speaker 3: I can't believe he catched all his hotel cards and

1503
01:11:20,360 --> 01:11:23,120
Speaker 3: cachet right now to be an R and B star man.

1504
01:11:23,240 --> 01:11:25,840
Speaker 3: Like I wish he had gone this route to start

1505
01:11:25,880 --> 01:11:29,639
Speaker 3: off his career. You know, and then he he could

1506
01:11:29,640 --> 01:11:32,439
Speaker 3: have just been like the fiftieth h R and b

1507
01:11:32,560 --> 01:11:35,639
Speaker 3: started I like that, also had problematic views about women,

1508
01:11:35,760 --> 01:11:37,880
Speaker 3: gave people and stuff, and I'd be like, well, I

1509
01:11:37,880 --> 01:11:39,920
Speaker 3: don't really go to him for that. I just listen

1510
01:11:39,960 --> 01:11:42,400
Speaker 3: to the music, you know. But we can't even do

1511
01:11:42,439 --> 01:11:45,080
Speaker 3: that with him because he he started off with being

1512
01:11:45,479 --> 01:11:48,320
Speaker 3: being problematic and did want to make music.

1513
01:11:48,360 --> 01:11:51,120
Speaker 2: It's he did it backwards, you know.

1514
01:11:51,160 --> 01:11:53,400
Speaker 3: I mean, people fuck with Akon, but he but a

1515
01:11:53,520 --> 01:12:00,840
Speaker 3: Kona says some wild ship, you know, just the opposite.

1516
01:12:02,080 --> 01:12:02,720
Speaker 2: I see her.

1517
01:12:06,600 --> 01:12:12,520
Speaker 3: I came here to Bardi, captured my paste.

1518
01:12:12,800 --> 01:12:15,920
Speaker 6: You what we gonna do?

1519
01:12:18,840 --> 01:12:20,000
Speaker 4: I got my bottles.

1520
01:12:21,600 --> 01:12:23,320
Speaker 2: And of course there's plenty of white women in here,

1521
01:12:23,560 --> 01:12:25,760
Speaker 2: you know. I think they got a white dude on

1522
01:12:25,840 --> 01:12:27,320
Speaker 2: drums and guitar.

1523
01:12:27,040 --> 01:12:29,800
Speaker 3: Too, so you know it's not all black, you know

1524
01:12:29,800 --> 01:12:31,280
Speaker 3: what I'm saying, Some whiteness in there.

1525
01:12:31,760 --> 01:12:40,000
Speaker 2: Good for good for him. They don't be nervous, be.

1526
01:12:40,400 --> 01:12:44,160
Speaker 6: With me, want to be.

1527
01:12:47,120 --> 01:12:59,880
Speaker 8: Float and ride next to mine myself and I got

1528
01:13:00,320 --> 01:13:10,479
Speaker 8: let you know, tis time.

1529
01:13:19,200 --> 01:13:21,559
Speaker 3: He ain't called nobody a winch yet, Like it's just

1530
01:13:22,240 --> 01:13:23,719
Speaker 3: how can you hate on this song?

1531
01:13:23,880 --> 01:13:26,120
Speaker 2: It's so catchy, it's so if.

1532
01:13:26,000 --> 01:13:28,240
Speaker 3: I just played it and didn't tell y'all to the end, like,

1533
01:13:28,360 --> 01:13:30,000
Speaker 3: hey man, it's made by a dude that kind of

1534
01:13:30,000 --> 01:13:34,519
Speaker 3: has problematic views about LGBT people, uh, black women, Uh,

1535
01:13:35,520 --> 01:13:38,960
Speaker 3: very anti factual with his documentaries and uh you know,

1536
01:13:39,400 --> 01:13:42,800
Speaker 3: kind of kind of overall cause people coons and stuff.

1537
01:13:42,840 --> 01:13:45,200
Speaker 3: They disagree with him on any level and clowns people

1538
01:13:45,240 --> 01:13:48,320
Speaker 3: and stuff. Y'all be like, oh yeah, okay, put this

1539
01:13:48,400 --> 01:13:49,080
Speaker 3: song back on.

1540
01:13:49,040 --> 01:14:02,120
Speaker 6: Though for me to get on the cross.

1541
01:14:05,120 --> 01:14:05,599
Speaker 4: On him.

1542
01:14:07,160 --> 01:14:10,320
Speaker 8: On the dance float down on the dance floor.

1543
01:14:14,280 --> 01:14:17,400
Speaker 3: I feel like he cultural appropriated from morrist Day at

1544
01:14:17,439 --> 01:14:17,800
Speaker 3: the time.

1545
01:14:18,320 --> 01:14:21,439
Speaker 4: Come, I'm here for a dollar. This song is catchy

1546
01:14:21,439 --> 01:14:24,439
Speaker 4: as hell. I can't get out my head.

1547
01:14:26,840 --> 01:14:27,679
Speaker 6: With your dream.

1548
01:14:27,920 --> 01:14:28,720
Speaker 5: Well, I.

1549
01:14:30,800 --> 01:14:33,000
Speaker 6: Know what your things.

1550
01:14:32,840 --> 01:14:37,280
Speaker 9: You want them to come and your feet.

1551
01:14:44,120 --> 01:14:48,440
Speaker 8: Dance up, ble my dancing.

1552
01:14:48,280 --> 01:14:50,960
Speaker 3: Dance up, he round dancing with dancing. But it's okay

1553
01:14:51,040 --> 01:14:51,599
Speaker 3: with you.

1554
01:14:51,760 --> 01:14:52,599
Speaker 4: That's where you party.

1555
01:14:52,680 --> 01:14:54,679
Speaker 2: Like this party is hard, it don't matter.

1556
01:14:55,000 --> 01:14:57,479
Speaker 4: I'm just gonna around to be at the club. Song

1557
01:14:57,560 --> 01:14:59,679
Speaker 4: they were when they play sound who who? I don't

1558
01:14:59,680 --> 01:14:59,920
Speaker 4: know who?

1559
01:15:00,439 --> 01:15:03,080
Speaker 3: All the aunties Auntie's gonna be grooving to the I

1560
01:15:03,120 --> 01:15:05,719
Speaker 3: can't play this in my family reunion because my auntie

1561
01:15:05,720 --> 01:15:07,080
Speaker 3: is gonna want me to put it on their phone.

1562
01:15:07,360 --> 01:15:07,679
Speaker 4: I can't.

1563
01:15:07,720 --> 01:15:10,960
Speaker 3: You walk around to find a rabbit hole of Tarita

1564
01:15:11,080 --> 01:15:12,920
Speaker 3: sheet and it's gonna be like club, Why you put

1565
01:15:12,920 --> 01:15:13,880
Speaker 3: this on my damn phone?

1566
01:15:13,920 --> 01:15:16,280
Speaker 2: You know, man, a goddamn food.

1567
01:15:16,400 --> 01:15:18,439
Speaker 4: I don't know that they're gonna actually put the CD.

1568
01:15:19,160 --> 01:15:21,759
Speaker 2: Here saying we wint what is this? What is this? Rotteney?

1569
01:15:22,960 --> 01:15:24,400
Speaker 4: Right, yeah, damn call you Rotney.

1570
01:15:26,040 --> 01:15:26,559
Speaker 5: I can't.

1571
01:15:29,920 --> 01:15:43,439
Speaker 9: Because I'm so crowd.

1572
01:15:40,800 --> 01:15:47,080
Speaker 6: I can see you can see that.

1573
01:15:51,120 --> 01:15:53,360
Speaker 3: I feel like he's trying trying to appropriate our culture

1574
01:15:53,360 --> 01:15:54,400
Speaker 3: back from Bruno Mars.

1575
01:15:54,560 --> 01:15:57,120
Speaker 2: Is that what's happening? Maybe that's what we take it back.

1576
01:15:57,280 --> 01:15:59,840
Speaker 2: Just feel a little crown royal in spot itself, you know,

1577
01:16:00,880 --> 01:16:01,600
Speaker 2: try trying to.

1578
01:16:01,600 --> 01:16:05,800
Speaker 4: Be like point dark skin, to take my hands.

1579
01:16:08,040 --> 01:16:13,040
Speaker 10: For you in and out of dan, to get you on,

1580
01:16:16,400 --> 01:16:21,120
Speaker 10: to get you out of that door, for me to

1581
01:16:21,200 --> 01:16:22,320
Speaker 10: keep my chain.

1582
01:16:24,760 --> 01:16:30,519
Speaker 6: To get to get you in the crow.

1583
01:16:34,080 --> 01:16:39,760
Speaker 8: A tool on that desk, float on the desk, float

1584
01:16:40,080 --> 01:16:41,560
Speaker 8: on that desk, float.

1585
01:16:42,160 --> 01:16:43,000
Speaker 6: On the desk.

1586
01:16:43,040 --> 01:16:51,040
Speaker 2: Float. Look, man, I gotta get proces with it. Dude. Man,

1587
01:16:51,040 --> 01:16:52,080
Speaker 2: he made a hotel box.

1588
01:16:52,479 --> 01:16:54,679
Speaker 4: He did the hotel bot doll.

1589
01:16:55,160 --> 01:16:57,800
Speaker 2: I mean look do you want to uncle with me?

1590
01:16:58,120 --> 01:17:03,080
Speaker 3: Cuz, come on, come on, that's what's gonna be called.

1591
01:17:03,960 --> 01:17:07,120
Speaker 3: Oh man, it's amazing. So it's got a guitar solo

1592
01:17:07,200 --> 01:17:08,160
Speaker 3: and everything it's got.

1593
01:17:08,280 --> 01:18:04,479
Speaker 1: I mean.

1594
01:17:40,800 --> 01:17:44,040
Speaker 4: This for you, will.

1595
01:17:45,560 --> 01:17:49,960
Speaker 2: Time on the float kiss Time.

1596
01:17:53,040 --> 01:17:55,000
Speaker 4: Who I like that?

1597
01:17:55,720 --> 01:17:57,120
Speaker 2: You such a chocolate.

1598
01:17:59,240 --> 01:18:02,439
Speaker 4: You You think Umar Johnson gonna come come with his

1599
01:18:02,520 --> 01:18:03,080
Speaker 4: own song?

1600
01:18:03,360 --> 01:18:04,479
Speaker 2: I want to see. Don see.

1601
01:18:04,520 --> 01:18:07,559
Speaker 3: That's the only thing I couldn't find on YouTube. I

1602
01:18:07,600 --> 01:18:11,400
Speaker 3: do want to see Umar Johnson's breakdown of the video

1603
01:18:11,520 --> 01:18:13,400
Speaker 3: because I know he was hating like shit.

1604
01:18:17,720 --> 01:18:20,000
Speaker 4: Instead of you having the whole tap off, I really

1605
01:18:20,280 --> 01:18:22,120
Speaker 4: have the song tap off anytime.

1606
01:18:22,200 --> 01:18:25,320
Speaker 3: I'm sure it's a whole lot of homophobic stuff said

1607
01:18:25,360 --> 01:18:28,080
Speaker 3: about this man's video in the Umar Johnson club.

1608
01:18:28,120 --> 01:18:28,880
Speaker 2: I don't I.

1609
01:18:28,800 --> 01:18:30,720
Speaker 3: Haven't found it yet. Maybe he ain't put it up,

1610
01:18:30,800 --> 01:18:32,880
Speaker 3: or maybe it's not on YouTube. I don't know what Umar.

1611
01:18:33,200 --> 01:18:34,760
Speaker 2: Maybe he's in jail. I don't know what he's up

1612
01:18:34,800 --> 01:18:35,680
Speaker 2: to right now, because you.

1613
01:18:35,680 --> 01:18:40,439
Speaker 3: Know he's having some issues legally, so but yeah, I

1614
01:18:40,760 --> 01:18:44,120
Speaker 3: do wonder what Umar. Umar probably was saying a lot

1615
01:18:44,160 --> 01:18:47,360
Speaker 3: about that fir coat and penises and ship.

1616
01:18:49,120 --> 01:18:52,840
Speaker 2: I like that song though, it's good.

1617
01:18:53,439 --> 01:18:56,000
Speaker 4: Yes before you know it, you start singing it in

1618
01:18:56,200 --> 01:18:58,360
Speaker 4: rhyme and shit together that don't make no sense.

1619
01:18:59,200 --> 01:19:01,320
Speaker 3: It's like the only thing better than if it was

1620
01:19:01,400 --> 01:19:03,640
Speaker 3: real whack. It's being real good.

1621
01:19:05,360 --> 01:19:08,000
Speaker 4: Ship. It's catchy dog.

1622
01:19:10,600 --> 01:19:12,639
Speaker 2: Oh man, oh man.

1623
01:19:13,520 --> 01:19:16,240
Speaker 3: Well hopefully he'll just start doing this full time and

1624
01:19:16,240 --> 01:19:17,519
Speaker 3: stop doing other stuff.

1625
01:19:17,720 --> 01:19:20,760
Speaker 2: You know, I would prefer that, you know, matter of fact,

1626
01:19:20,800 --> 01:19:22,720
Speaker 2: I would change my thumbs down to a thumbs up

1627
01:19:22,760 --> 01:19:23,360
Speaker 2: if he did that.

1628
01:19:23,840 --> 01:19:25,479
Speaker 3: If he said, you know what, I'm done with this,

1629
01:19:26,160 --> 01:19:28,679
Speaker 3: I'm done pretending to be pro black, y'all. I'm gonna

1630
01:19:28,720 --> 01:19:32,200
Speaker 3: get these motherfucking coins out here making people dance. I'll

1631
01:19:32,240 --> 01:19:34,720
Speaker 3: be like, you know what, brother, come on, olds up,

1632
01:19:34,840 --> 01:19:37,680
Speaker 3: go ahead, get you do you even know in.

1633
01:19:37,680 --> 01:19:40,040
Speaker 2: The next video out be like.

1634
01:19:40,000 --> 01:19:44,559
Speaker 4: It's time to stop my hotel way, It's time.

1635
01:19:44,760 --> 01:19:46,720
Speaker 2: I'm like, you know what, you know what I wh

1636
01:19:46,960 --> 01:19:49,840
Speaker 2: you go get paid. I'm with you, you know what

1637
01:19:49,920 --> 01:19:50,280
Speaker 2: I mean?

1638
01:19:50,760 --> 01:19:55,000
Speaker 3: Like shit, I feel like Friday Night just got like

1639
01:19:55,720 --> 01:19:57,920
Speaker 3: I can fit just right into a playlist right now,

1640
01:19:58,800 --> 01:20:04,519
Speaker 3: nothing but fucking uh Rick James and fucking new Jack

1641
01:20:04,600 --> 01:20:05,200
Speaker 3: swing Gass.

1642
01:20:05,240 --> 01:20:07,639
Speaker 4: So you can show it up. Most people would dance

1643
01:20:07,680 --> 01:20:09,800
Speaker 4: and wouldn't even be a tail different. You wouldn't even

1644
01:20:09,840 --> 01:20:10,800
Speaker 4: fuck the tempo up.

1645
01:20:10,840 --> 01:20:13,080
Speaker 2: What is this? Is this more the day at the time.

1646
01:20:12,880 --> 01:20:14,240
Speaker 4: I ain't never heard this on the radio.

1647
01:20:14,320 --> 01:20:16,040
Speaker 2: Boy, this that that taka shit?

1648
01:20:16,200 --> 01:20:16,880
Speaker 4: You know by that time?

1649
01:20:16,960 --> 01:20:17,200
Speaker 5: Join on?

1650
01:20:17,360 --> 01:20:20,080
Speaker 4: Never play this. I don't play this jam? What's this? Boy?

1651
01:20:20,400 --> 01:20:22,840
Speaker 2: All the winches get to the floor, all ship, that's

1652
01:20:22,880 --> 01:20:25,920
Speaker 2: my jam. That's my jam.

1653
01:20:26,680 --> 01:20:29,200
Speaker 3: Oh man, All right, guys, we have fun. We gotta

1654
01:20:29,200 --> 01:20:31,240
Speaker 3: get out of here though, Thank you so much. We'll

1655
01:20:31,280 --> 01:20:35,519
Speaker 3: be back tomorrow. Hey, yeah, my comment is still there.

1656
01:20:35,600 --> 01:20:37,840
Speaker 3: So I was I was doing the experiment to see

1657
01:20:37,840 --> 01:20:40,920
Speaker 3: if he was deleting the negative comments because all the

1658
01:20:40,960 --> 01:20:43,639
Speaker 3: comments are super positive, and I was like, oh man,

1659
01:20:44,000 --> 01:20:46,559
Speaker 3: and Justin was like, well, probably because he's deleting all

1660
01:20:46,560 --> 01:20:48,400
Speaker 3: the comments that he don't like what you can do

1661
01:20:48,520 --> 01:20:52,720
Speaker 3: on YouTube. But I love a negative comments, just to

1662
01:20:52,800 --> 01:20:55,200
Speaker 3: see if it was, you know, if he was deleting them,

1663
01:20:55,240 --> 01:20:57,160
Speaker 3: and it don't look like he is. So I'm gonna

1664
01:20:57,160 --> 01:20:58,519
Speaker 3: give it like two more days and if he don't

1665
01:20:58,560 --> 01:21:01,479
Speaker 3: delete it, I deleted myself because I actually do like

1666
01:21:01,520 --> 01:21:01,880
Speaker 3: the song.

1667
01:21:02,160 --> 01:21:03,879
Speaker 4: So the song is jamming.

1668
01:21:04,240 --> 01:21:06,720
Speaker 2: I know, man, can't play this around, You're honest.

1669
01:21:06,560 --> 01:21:10,799
Speaker 4: No, I like this shiit y'all. Might get this tomorrow

1670
01:21:10,840 --> 01:21:12,880
Speaker 4: for everybody else who don't listen to the feedback show.

1671
01:21:12,880 --> 01:21:15,559
Speaker 4: I like this jam. I need you on the.

1672
01:21:15,640 --> 01:21:18,360
Speaker 2: Dance floor, and you on the dance floor.

1673
01:21:20,320 --> 01:21:22,640
Speaker 3: I just wonder how you resisted the temptation from just

1674
01:21:22,640 --> 01:21:24,120
Speaker 3: being like putting some.

1675
01:21:24,000 --> 01:21:25,920
Speaker 2: Hotel ship in there, sucking it all up.

1676
01:21:27,080 --> 01:21:29,200
Speaker 4: I'm glad he said, fall away from it.

1677
01:21:29,360 --> 01:21:31,800
Speaker 3: Somebody on Twitter just now they listen to pre game.

1678
01:21:32,320 --> 01:21:34,479
Speaker 3: I'm furious with y'all. That song is stuck in my head.

1679
01:21:34,560 --> 01:21:35,320
Speaker 2: It's so good.

1680
01:21:35,479 --> 01:21:36,639
Speaker 4: It's so fucking catchy.

1681
01:21:36,840 --> 01:21:38,000
Speaker 2: I was in the car yesterday.

1682
01:21:38,040 --> 01:21:38,799
Speaker 4: It's time.

1683
01:21:40,840 --> 01:21:41,800
Speaker 2: Get so pizza up.

1684
01:21:42,200 --> 01:21:46,920
Speaker 6: It's time. It's just so good.

1685
01:21:47,600 --> 01:21:48,759
Speaker 4: It is so good.

1686
01:21:49,240 --> 01:21:51,320
Speaker 2: All right, Oh, three guys on did it too. I

1687
01:21:51,400 --> 01:21:53,240
Speaker 2: send it to them the best.

1688
01:21:53,439 --> 01:21:56,040
Speaker 3: The last three guys on the episode Dominic RIVERI is

1689
01:21:56,200 --> 01:21:56,719
Speaker 3: must listen.

1690
01:21:56,760 --> 01:21:59,960
Speaker 2: If y'all enjoyed the ish hilarious.

1691
01:22:00,160 --> 01:22:04,000
Speaker 4: Stop fucking with your kids, go, it's time to take

1692
01:22:04,040 --> 01:22:07,840
Speaker 4: your after school. It's time. Yeah, stop fucking with y'all kids.

1693
01:22:08,640 --> 01:22:10,439
Speaker 2: Anyway, guys, we'll talk to you'all tomorrow.

1694
01:22:10,920 --> 01:22:13,400
Speaker 3: We should be on the next Sandy check that comes

1695
01:22:13,439 --> 01:22:15,719
Speaker 3: out for you guys today as well.

1696
01:22:15,880 --> 01:22:18,240
Speaker 2: So if we're doing that with Chris So, until then,

1697
01:22:18,640 --> 01:22:19,120
Speaker 2: I love you.

1698
01:22:19,200 --> 01:22:20,040
Speaker 4: I love you too, my