WEBVTT - Steve Perry Is Back (After 30 Years!)

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<v Speaker 1>Hi, Brian, Hi Katie. You know, the past couple of

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<v Speaker 1>weeks we've been all about politics, but we thought it

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<v Speaker 1>would be nice to take a little break from it all,

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<v Speaker 1>which is kind of fitting because that's what today's guests

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<v Speaker 1>might be best known for, Brian, at least until recently,

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<v Speaker 1>taking a very long break. That's true. Our guest today

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<v Speaker 1>is Steve Perry. He was the frontman for the band

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<v Speaker 1>Journey in the nineteen eighties, and unless you're truly living

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<v Speaker 1>under a rock, you've heard Steve's lead vocals on the

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<v Speaker 1>most downloaded song of the twentieth century. St Just hearing

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<v Speaker 1>a few seconds of that transports me to another time

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<v Speaker 1>and place, specifically Atlanta, Georgia, when I was work keen

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<v Speaker 1>as an associate producer for CNN and this song came

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<v Speaker 1>on the radio and I loved it. Yeah, and I

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<v Speaker 1>would have loved it had I been born at the time.

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<v Speaker 1>But thanks, Brian, that is real. Welcol You're very welcome anyway.

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<v Speaker 1>Steve Perry always wanted to be a musician, but by

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<v Speaker 1>his late twenties he felt he'd run out his music

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<v Speaker 1>career playing for small time bands in dusty bars. He

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<v Speaker 1>left his musical dreams two men turkey coops on a

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<v Speaker 1>farm in California. But then one day he got a

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<v Speaker 1>call from a band manager named Herbie Herbert that would

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<v Speaker 1>change his life. That's an understatement, because Herbie asked Steve

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<v Speaker 1>if he'd be the lead singer in a band called Journey,

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<v Speaker 1>alongside guitarist Neil Seawn Now with Steve at the mic.

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<v Speaker 1>The band went on to record eight multi platinum albums

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<v Speaker 1>Toward the World, but the life of a mega star

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<v Speaker 1>grew kind of old for Steve. It was really hard

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<v Speaker 1>on him, so following his mom's death, he walked away.

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<v Speaker 1>The last time he performed live, which Journey, was in

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<v Speaker 1>n seven, more than thirty years ago, and Steve has

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<v Speaker 1>pretty much stayed out of the spotlight since then until

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<v Speaker 1>last month. That's right, after decades of keeping a very

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<v Speaker 1>low profile, Steve came out of retirement and recorded a

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<v Speaker 1>new album called Traces. He was motivated by a late

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<v Speaker 1>in life love who made him think twice about how

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<v Speaker 1>he was going to spend the next thirty years. So

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<v Speaker 1>we'll get to his music, his career, and why he

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<v Speaker 1>felt the need to walk away, or I should say, Katie,

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<v Speaker 1>you will get to all of that since I wasn't

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<v Speaker 1>able to join you for your conversation with Steve, we

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<v Speaker 1>missed you, Brian. I think you really would have liked him, Hi, Beat,

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<v Speaker 1>I would have, and honestly, I could have used some

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<v Speaker 1>backup vocals. You'll hear that a little bit later on.

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<v Speaker 1>But we talked about so many things. So let's get

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<v Speaker 1>right to my interview with Steve Perry. Are you having

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<v Speaker 1>fund Steve, where we talk about your life and what's

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<v Speaker 1>been going on and how you got to this moment

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<v Speaker 1>in time. Is it nice to be back. I'm having fun.

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<v Speaker 1>It's a lot of work and I haven't been working

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<v Speaker 1>for a long time, so I had a nice vacation.

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<v Speaker 1>I think that's probably you had a twenty year vacation.

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<v Speaker 1>Actually I left years ago. Yeah, I can't it. Wow,

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<v Speaker 1>And here we are February. I was home and that

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<v Speaker 1>was it. You just walked away from everything. And before

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<v Speaker 1>we talk about all that, I'm curious what your life

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<v Speaker 1>has been like since you left the band. You went

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<v Speaker 1>from such an intense, extreme grueling, high profile schedule right

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<v Speaker 1>and so many demands on you to being able to

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<v Speaker 1>kind of get up in the morning and say, what

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<v Speaker 1>am I going to do today? Was that a huge adjustment?

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<v Speaker 1>Did you love it? Tell me everything? It was? It

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<v Speaker 1>was very, very difficult just to go back to, uh,

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<v Speaker 1>the simplicities of life when as a child I reached

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<v Speaker 1>for so much more. I don't know why I needed more.

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<v Speaker 1>I think it was something that started when I watched

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<v Speaker 1>my father sing when I was about four or five

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<v Speaker 1>years old, and I saw him singing at the Hamperd

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<v Speaker 1>Civic Auditorium and my mother was performing in her big

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<v Speaker 1>can can dress in the same production. I can't remember

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<v Speaker 1>what it was, but I remember looking at my father

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<v Speaker 1>and he's singing, and I knew I had that inside

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<v Speaker 1>of me. I just knew I had it inside of

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<v Speaker 1>me because I said to myself, I can do that.

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<v Speaker 1>And so I would sing around the house. And then,

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<v Speaker 1>of course I discovered music. That was a big part

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<v Speaker 1>of my life. I started playing at an early age.

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<v Speaker 1>I guess it drove me. The discovery of music and

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<v Speaker 1>the songwriting, the recording, the sound of their voices, the

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<v Speaker 1>string parts, that it lifted me in such a way

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<v Speaker 1>emotionally that I wanted to get closer to it. I

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<v Speaker 1>was drawn to it. Now, you gotta know. Of course,

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<v Speaker 1>my dad was a musical guy. Did he play instruments?

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<v Speaker 1>You know? The only instrument I remember is he had

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<v Speaker 1>a forty nine Ford and he had this big steering

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<v Speaker 1>wheel and he literally had a ring on each finger.

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<v Speaker 1>And he was sitting there and you know, when some

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<v Speaker 1>swing song was on the radio, he'd be tapping away

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<v Speaker 1>like a drum pocket thing and um. And I would

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<v Speaker 1>just pay attention to certain things like that, simple things

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<v Speaker 1>at a very early age, like I'm I'm three or

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<v Speaker 1>four years old, like I said, you know, and everything

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<v Speaker 1>seemed musical to me at that point. You just had

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<v Speaker 1>that I guess I think I had a hyper connected

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<v Speaker 1>to you know, maybe it's an auditory auditory You're correct,

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<v Speaker 1>is auditory more than it is. I'm not trained. I

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<v Speaker 1>don't know how to really play in truments. I was

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<v Speaker 1>a drummer for years. That's my main instrument. Drummer, singer.

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<v Speaker 1>Do you play the piano a little bit? A little

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<v Speaker 1>enough to write, but I don't play. You were the

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<v Speaker 1>voice of Journey, so I mean it sounds like a

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<v Speaker 1>very difficult life. Your tour schedule was so relentless, the

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<v Speaker 1>demands on you as the voice were so But I

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<v Speaker 1>was a singer and the demands of the same. You're right, right,

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<v Speaker 1>but I mean I know you just performed, you went home,

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<v Speaker 1>and then you never went back. Let's talk about sort

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<v Speaker 1>of what led you to to make that decision and

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<v Speaker 1>what was it that brought you to that breaking point.

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<v Speaker 1>I would love to mind that a little bit. I guess, Well,

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<v Speaker 1>we weren't getting along very well. I mean, the band

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<v Speaker 1>is a band, and that happens to groups, right of course.

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<v Speaker 1>You know. Well, it's like you spend so much time together, right,

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<v Speaker 1>and and you have so many different opinions about the

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<v Speaker 1>direction you want things to go. H you disagree, and

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<v Speaker 1>you agree on so many levels. And um, as it's

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<v Speaker 1>moving forward and growing and becoming this other big thing

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<v Speaker 1>called success. Um, everybody digs in for their own I

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<v Speaker 1>think opinions, and it becomes a bit collidive. You collide

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<v Speaker 1>and I think that's a new word. I'm making up

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<v Speaker 1>words collidive, like collidive. I like it. And uh, um,

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<v Speaker 1>so we're writing songs here today, um, and that's what happens.

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<v Speaker 1>And uh we weren't talking much. We were just colliding

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<v Speaker 1>with each other a lot. And that was going on

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<v Speaker 1>for a while. And that's stressful and it was and

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<v Speaker 1>U and the touring schedule was intense, and I would

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<v Speaker 1>have liked to have slowed that all down a bit

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<v Speaker 1>and been a little bit more. How do I say? Um,

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<v Speaker 1>you know, if you go to a hardware store to

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<v Speaker 1>get a cart in the milk, you're probably in the

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<v Speaker 1>wrong place. It's not there. So you just felt like

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<v Speaker 1>your your visions weren't aligned. Yeah, I think I was

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<v Speaker 1>asking it to be something, is what I'm trying to say.

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<v Speaker 1>What did you want it to be? I wanted to

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<v Speaker 1>be more spaced out. I thought we would tour for

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<v Speaker 1>a while, stop for a while, have some life in

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<v Speaker 1>their tour for a while, stop for a while. And

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<v Speaker 1>when you would suggest that, suggest that what would be management?

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<v Speaker 1>And most of the members their lifestyles required more dare

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<v Speaker 1>I say? Cash flow? And and you know my upbringing

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<v Speaker 1>was Portuguese. My grandfather taught me when I was very young.

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<v Speaker 1>He said, it's not how much you make, it's how

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<v Speaker 1>much you save. And I went, what does that mean?

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<v Speaker 1>He says, if you make forty dollars, I want you

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<v Speaker 1>to put twenty in the bank, and I want you

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<v Speaker 1>to forget about it, and I want you to try

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<v Speaker 1>to make that work. Forget about the twenty I think, Dad,

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<v Speaker 1>I mean, really, it's such It's such wise stuff to

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<v Speaker 1>hear as kids. You know, I was raised that way,

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<v Speaker 1>so I was saving my money along the whole time.

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<v Speaker 1>So your lifestyle was clearly very different than a lot

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<v Speaker 1>of members, very different. Did you succumb to all the

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<v Speaker 1>sort of tropes that we associate with rock and rollers

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<v Speaker 1>and people you know on the road, like sex, drugs, alcohol,

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<v Speaker 1>lavish spending I had, I have had occasional for the

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<v Speaker 1>first three but lavish spending. It was not my game, right,

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<v Speaker 1>you know? Uh yeah, I thought that that was just crazy.

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<v Speaker 1>In fact, I kept my yellow Volkswagen that was so

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<v Speaker 1>beat up. I just thought it was fine. You know.

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<v Speaker 1>That was the way I was raised. When I came

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<v Speaker 1>off tour, I went home to my mom's house and

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<v Speaker 1>I remember coming down, going back in the back bedroom

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<v Speaker 1>and and crashing for a couple of days, and the

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<v Speaker 1>phone ring, and I swear this is the truth. I

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<v Speaker 1>ran down the hallway completely naked as a as a

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<v Speaker 1>as a jay bird, grabbing the phone, thinking I'm I'm

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<v Speaker 1>late for the bus because I was in deep sort

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<v Speaker 1>of like sleep. So that was how roadburn we used

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<v Speaker 1>to call it roadburn to where you're so burnt, because

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<v Speaker 1>this is what you do. You get a cycle. You know.

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<v Speaker 1>It seems to me from a business perspective if the

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<v Speaker 1>band heard your cries of help, that they would not,

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<v Speaker 1>as my dad would say, I want to kill the

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<v Speaker 1>goose that laid the golden egg. Right. Well, I think

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<v Speaker 1>at the time it was interpreted as just whining, you know,

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<v Speaker 1>you know, and maybe I was whining a bit because

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<v Speaker 1>it was hard work. Well, let's talk about the hard

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<v Speaker 1>work it was because when I mentioned that your voice

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<v Speaker 1>is your instrument, it required really an obsessive it sounds

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<v Speaker 1>to me amount of attention paid to it to keep

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<v Speaker 1>it Roger is the word. It's an erotic, obsessive feeling

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<v Speaker 1>that you just don't know what you have from one

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<v Speaker 1>night to the name. It sounds like it almost took

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<v Speaker 1>over your life. Steve, it does. It does take over

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<v Speaker 1>your life, because explain that to people who don't sing

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<v Speaker 1>for a living. Well, because if the instrument you have

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<v Speaker 1>is you, it's not just the vocal cords in your throat.

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<v Speaker 1>It's you and the vocal cords and their inflammation issues.

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<v Speaker 1>And if one vocal cord is slightly inflamed more than

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<v Speaker 1>the other. They don't line up. You've got trouble. If

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<v Speaker 1>you don't get enough sleep, if you don't drink enough water,

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<v Speaker 1>if you stay up too late, if you're just completely

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<v Speaker 1>burnt out and fatigue. That's enough on its own. And

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<v Speaker 1>if you if you ask anyone from striisand to anyone

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<v Speaker 1>about this, they will say, gosh, finally somebody's talking about it,

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<v Speaker 1>you know, because the truth is it is it is

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<v Speaker 1>an eurosis into itself. Do you think it is for

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<v Speaker 1>all singers or are more for you? Well, okay, I

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<v Speaker 1>guess I should speak for myself. I mean, I'm just curious.

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<v Speaker 1>You've probably talked to a lot of singers. Did you

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<v Speaker 1>find this commonality um most among nother heads to say?

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<v Speaker 1>Nobody gets it? Do they know? Nobody? Does? I understand?

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<v Speaker 1>That's so interesting. I wonder why don't people talk about

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<v Speaker 1>how much care and attention and neurosis often a company.

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<v Speaker 1>I think I think the word fear. The fear is this, Katie.

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<v Speaker 1>People have been waiting for a long time for you

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<v Speaker 1>to sing the songs that they have decided to embrace

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<v Speaker 1>and bring into their lives and make part of something

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<v Speaker 1>that enriches their emotional part of their lives. And you're

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<v Speaker 1>coming to town and you pull in the day of

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<v Speaker 1>the gig, and you go to the sound check and

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<v Speaker 1>you open your throat, you feel crumby and grumby, as

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<v Speaker 1>I call it our crusty. It can be really scary

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<v Speaker 1>to think that you're going to fall short of what

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<v Speaker 1>these people have been waiting so much for you to

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<v Speaker 1>give them. It's it's not fair to them, and at

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<v Speaker 1>some point then it is not fair to you to

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<v Speaker 1>put yourself in that position all the time. That's a

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<v Speaker 1>lot of pressure. Now, now I want to make clear

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<v Speaker 1>I'm not complaining. I'm not whining. Please anybody listening out there,

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<v Speaker 1>I'd like to talk about things that people don't talk about,

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<v Speaker 1>and this is certainly one of them. Have you ever

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<v Speaker 1>been performing and felt that you disappointed the crowd and

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<v Speaker 1>I'm curious what was their reaction and how did you

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<v Speaker 1>feel I did. Now that's a whole nether landscape of neurosis,

0:13:32.640 --> 0:13:36.360
<v Speaker 1>because sometimes what do you get? By the way, no, no,

0:13:36.760 --> 0:13:39.440
<v Speaker 1>only once I think I was in I was in

0:13:39.559 --> 0:13:42.960
<v Speaker 1>Toledo and I said Cleveland because I was so tired.

0:13:43.280 --> 0:13:46.240
<v Speaker 1>So from that point on, between the two bass drums

0:13:46.280 --> 0:13:48.520
<v Speaker 1>with a little led like the city would have to

0:13:48.559 --> 0:13:50.880
<v Speaker 1>be written on a piece of paper, because I didn't

0:13:50.880 --> 0:13:53.120
<v Speaker 1>want to make that mistake again. That's how tired I was.

0:13:53.760 --> 0:13:55.280
<v Speaker 1>That's what I got. The only time I got booed.

0:13:55.480 --> 0:13:57.640
<v Speaker 1>The only other time I could recall was I was

0:13:57.800 --> 0:14:00.600
<v Speaker 1>so fatigued that all I could remember it was the

0:14:00.640 --> 0:14:02.920
<v Speaker 1>first verse of Oll Sherry. I couldn't remember the second verse.

0:14:02.960 --> 0:14:04.880
<v Speaker 1>So I did the first verse twice, and I looked

0:14:04.920 --> 0:14:06.520
<v Speaker 1>at the answer and put my palms in me here,

0:14:06.559 --> 0:14:10.320
<v Speaker 1>like I don't know what to tell you. So you

0:14:10.600 --> 0:14:14.080
<v Speaker 1>were pretty much just completely burnt out, Steve, and you said,

0:14:14.559 --> 0:14:18.199
<v Speaker 1>I can't do this anymore. So so for all those years,

0:14:18.200 --> 0:14:22.480
<v Speaker 1>and obviously you had a a solo career after that,

0:14:22.600 --> 0:14:26.880
<v Speaker 1>but for for much of that time, you were just

0:14:27.000 --> 0:14:31.360
<v Speaker 1>living in California doing your thing. So what would you

0:14:31.360 --> 0:14:34.480
<v Speaker 1>do all day? Well, first I went to my hometown

0:14:34.840 --> 0:14:36.400
<v Speaker 1>and I hung out with friends, and I went to

0:14:36.400 --> 0:14:38.520
<v Speaker 1>the old ice cream parlor and went out to a cemetery,

0:14:38.600 --> 0:14:42.440
<v Speaker 1>and I would spend solitude moments when my departed parents

0:14:42.520 --> 0:14:48.120
<v Speaker 1>and grandparents and uh um. And then I had a

0:14:48.120 --> 0:14:51.680
<v Speaker 1>step grandmother, and I had my father's sister, my aunt Betty,

0:14:51.760 --> 0:14:54.360
<v Speaker 1>and I really I went back and took care of them,

0:14:54.360 --> 0:14:57.119
<v Speaker 1>to be honest with you, but that's that. That probably

0:14:57.440 --> 0:15:00.640
<v Speaker 1>wasn't your entire day. I mean, did you did you

0:15:00.680 --> 0:15:06.720
<v Speaker 1>still make music? Did you still think about songs? Did

0:15:06.760 --> 0:15:09.760
<v Speaker 1>you mean? I know you spent some time at the

0:15:09.840 --> 0:15:13.160
<v Speaker 1>carnival when it came at the fair. Well, the fair

0:15:13.200 --> 0:15:15.560
<v Speaker 1>would come to town in June in my hometown, and

0:15:15.840 --> 0:15:18.560
<v Speaker 1>I always dreamt of running away with that with the circus,

0:15:18.600 --> 0:15:20.800
<v Speaker 1>so to speak, because it would show up and it

0:15:20.800 --> 0:15:24.160
<v Speaker 1>would be so amazing and it looked like the island

0:15:24.200 --> 0:15:27.320
<v Speaker 1>on Pinocchio, you know, the Sperris wheels and the lights

0:15:27.440 --> 0:15:29.880
<v Speaker 1>and everything, and I thought it was so amazing, and

0:15:29.920 --> 0:15:33.200
<v Speaker 1>next thing I know, they're gone. So I thought, gosh,

0:15:33.200 --> 0:15:35.160
<v Speaker 1>some day I'd like to, you know, run away with

0:15:35.200 --> 0:15:37.520
<v Speaker 1>the circus. And being in a rocket roll band is

0:15:37.560 --> 0:15:39.560
<v Speaker 1>a circus life, you know, you do run away with

0:15:39.560 --> 0:15:41.920
<v Speaker 1>the circus, so to speak, and you do travel just

0:15:41.960 --> 0:15:44.760
<v Speaker 1>like that. When you were off and it turned like

0:15:44.880 --> 0:15:48.440
<v Speaker 1>the clock struck eight pm wherever you were, did you

0:15:48.440 --> 0:15:51.720
<v Speaker 1>ever think, wow, I you know, in my old life

0:15:51.760 --> 0:15:54.040
<v Speaker 1>I'd be stepping onto a stage right now. I mean,

0:15:54.040 --> 0:15:57.720
<v Speaker 1>did you miss the rush the adrenaline of course, of

0:15:58.280 --> 0:16:00.400
<v Speaker 1>kind of just being in that moment. To me, that

0:16:00.440 --> 0:16:03.520
<v Speaker 1>would be I wish I could could sing. And the

0:16:03.600 --> 0:16:06.920
<v Speaker 1>idea of just being able to sing something a song

0:16:07.000 --> 0:16:10.760
<v Speaker 1>you love and that people really respond to it, that

0:16:10.840 --> 0:16:17.760
<v Speaker 1>just must There must be nothing like it. Yeah, to

0:16:17.840 --> 0:16:22.520
<v Speaker 1>be able to write music that you believe in and

0:16:22.600 --> 0:16:26.560
<v Speaker 1>have someone else love it as you initially sort of

0:16:26.600 --> 0:16:31.600
<v Speaker 1>feel like it's worth being loved. Nothing like it, nothing

0:16:31.680 --> 0:16:33.840
<v Speaker 1>like it, and then and then to record it and

0:16:33.880 --> 0:16:37.000
<v Speaker 1>they embrace it, and then to go out and perform it.

0:16:37.000 --> 0:16:40.320
<v Speaker 1>It's just the whip cream on the cheesecake, you know,

0:16:40.480 --> 0:16:44.120
<v Speaker 1>it really is. It's just it's just something I can't explain.

0:16:44.520 --> 0:16:46.720
<v Speaker 1>And yes, to answer your question, I really did miss

0:16:46.720 --> 0:16:53.240
<v Speaker 1>it terribly, but it came with too much. I think

0:16:53.360 --> 0:16:58.040
<v Speaker 1>returned to our baggage together. I think that you know,

0:16:58.160 --> 0:17:01.320
<v Speaker 1>look were tired of me, and I was kind of

0:17:01.320 --> 0:17:03.080
<v Speaker 1>tired of them, you know, and I think we needed

0:17:03.200 --> 0:17:05.840
<v Speaker 1>just to go our ways. That's all. Well, you did

0:17:06.040 --> 0:17:10.240
<v Speaker 1>then go onto your solo career, right, and was that

0:17:10.320 --> 0:17:14.240
<v Speaker 1>more satisfying for you? You did? I really didn't go

0:17:14.240 --> 0:17:16.720
<v Speaker 1>into a solo career at that point. I did the

0:17:16.720 --> 0:17:21.119
<v Speaker 1>solo career because Neil Sean had done two solo albums

0:17:21.160 --> 0:17:23.480
<v Speaker 1>while I was in the band. I told the manager,

0:17:24.200 --> 0:17:26.720
<v Speaker 1>why is Neil doing a solo album? Well, I can't

0:17:26.720 --> 0:17:28.439
<v Speaker 1>stop him. He said, he wants to record it, you know.

0:17:28.480 --> 0:17:30.560
<v Speaker 1>So we did a song and a whole record with

0:17:30.640 --> 0:17:33.320
<v Speaker 1>John Hammer. Then we do another journey. I'm another tour,

0:17:33.880 --> 0:17:36.280
<v Speaker 1>and then I told the manager, look, I'm gonna do one,

0:17:36.320 --> 0:17:39.199
<v Speaker 1>and you shouldn't keep doing this because you know it's

0:17:39.240 --> 0:17:41.280
<v Speaker 1>gonna I think you could damage the band at some level.

0:17:42.240 --> 0:17:44.560
<v Speaker 1>Next thing, I know he's doing a second one beyond Hammer.

0:17:44.880 --> 0:17:46.879
<v Speaker 1>So I turned the manager and I said, Okay, I

0:17:46.960 --> 0:17:49.640
<v Speaker 1>told you I'm going to do one. So that's when

0:17:49.680 --> 0:17:53.440
<v Speaker 1>I went to l A and did street Talk and

0:17:53.800 --> 0:17:56.560
<v Speaker 1>wrote O's Sherry and full Shart with Randy Goodram and

0:17:56.640 --> 0:17:58.959
<v Speaker 1>strung out with with Craig Cramp and a bunch of

0:17:58.960 --> 0:18:02.040
<v Speaker 1>friends and and and Nicole Bolos as the engineer. We

0:18:02.080 --> 0:18:05.240
<v Speaker 1>recorded that record so fast at this little studio in

0:18:05.280 --> 0:18:08.679
<v Speaker 1>the valley, and we had a great time and the

0:18:08.760 --> 0:18:11.560
<v Speaker 1>record came out and it was just a great moment.

0:18:11.640 --> 0:18:16.320
<v Speaker 1>Then I asked my mother what should I do? Because

0:18:16.320 --> 0:18:18.720
<v Speaker 1>she was already sick at that point. She was very sick,

0:18:19.320 --> 0:18:23.040
<v Speaker 1>and I asked her what I should do. Should I

0:18:23.080 --> 0:18:25.800
<v Speaker 1>go back to Journey, should continue my solo career? Just

0:18:25.880 --> 0:18:27.959
<v Speaker 1>to think about it? Please Mom? Because she was so

0:18:28.040 --> 0:18:32.080
<v Speaker 1>instrumental in my early years of of being in bands

0:18:32.080 --> 0:18:34.200
<v Speaker 1>in high school and everything. I just wanted her opinion,

0:18:34.520 --> 0:18:37.520
<v Speaker 1>And honestly, she couldn't talk very well because her speech

0:18:37.560 --> 0:18:44.800
<v Speaker 1>was severely impaired. The next day she said, you and

0:18:44.840 --> 0:18:46.480
<v Speaker 1>I want, are you sure, Mom? Because that means I

0:18:46.520 --> 0:18:48.280
<v Speaker 1>won't be able to hang out with you. If I

0:18:48.359 --> 0:18:50.440
<v Speaker 1>do the solo stuff, I can. I can do it

0:18:50.480 --> 0:18:55.560
<v Speaker 1>at my own pace, she said, YOUNI just like that.

0:18:55.720 --> 0:18:59.040
<v Speaker 1>So I went back and did the record. Uh, and

0:18:59.800 --> 0:19:02.119
<v Speaker 1>you look at that record. It says this one's for

0:19:02.160 --> 0:19:06.199
<v Speaker 1>you Mom. After you left Journey, why wouldn't you just

0:19:06.280 --> 0:19:09.280
<v Speaker 1>do a solo career? Because that's not why I left

0:19:09.320 --> 0:19:15.720
<v Speaker 1>the band. I left the band for all kinds of reasons. Okay.

0:19:15.920 --> 0:19:18.120
<v Speaker 1>I didn't leave the band to hurt anybody or run

0:19:18.160 --> 0:19:20.440
<v Speaker 1>away from him. I left the band to go back

0:19:20.440 --> 0:19:24.840
<v Speaker 1>to my life, I think, and reconnect with some foundational

0:19:24.960 --> 0:19:32.200
<v Speaker 1>things um that I felt. I think we're slipping away.

0:19:32.359 --> 0:19:34.920
<v Speaker 1>I think we're slipping away. Thank you. I think we're

0:19:34.960 --> 0:19:38.240
<v Speaker 1>slipping away. Like I just I think that it was

0:19:38.320 --> 0:19:40.440
<v Speaker 1>such an amazing ride that I was on. There was

0:19:40.480 --> 0:19:43.199
<v Speaker 1>no room for anything else in my life. So I

0:19:43.240 --> 0:19:44.879
<v Speaker 1>think I had to leave it all to open up

0:19:44.880 --> 0:19:47.199
<v Speaker 1>and have some room for something else. And so that

0:19:47.280 --> 0:19:49.600
<v Speaker 1>meant to go back and find out what that is.

0:19:50.040 --> 0:19:53.120
<v Speaker 1>Any regrets that you that you left, or any regrets

0:19:53.160 --> 0:19:56.879
<v Speaker 1>the way your life unfolded? Mmmmm, I don't. It was

0:19:56.920 --> 0:19:59.119
<v Speaker 1>like tempering steel, to be honest with you. You know,

0:19:59.240 --> 0:20:02.240
<v Speaker 1>steel's kind of often to heat it up. I had

0:20:02.280 --> 0:20:04.120
<v Speaker 1>to get heated up and then putting the cold water

0:20:04.160 --> 0:20:07.439
<v Speaker 1>and heat it up, putting the cold water, and it

0:20:07.560 --> 0:20:09.719
<v Speaker 1>kind of tempered me at this point in my age.

0:20:09.960 --> 0:20:14.960
<v Speaker 1>Right now, I don't have any regrets. I can tell

0:20:15.000 --> 0:20:18.919
<v Speaker 1>you that, though others may not agree with me, I

0:20:18.960 --> 0:20:22.199
<v Speaker 1>think it was the best thing for everybody. I really do. Um.

0:20:22.480 --> 0:20:25.560
<v Speaker 1>But before we get a break, Um, at what moment

0:20:25.640 --> 0:20:32.960
<v Speaker 1>did you think, Wow, I have a good voice. Probably

0:20:33.840 --> 0:20:37.560
<v Speaker 1>singing into the into the well out the ranch. It

0:20:37.680 --> 0:20:40.440
<v Speaker 1>was so beautiful to hear that echo. I just loved

0:20:40.480 --> 0:20:43.159
<v Speaker 1>the way it sounded. And then also I used to

0:20:43.200 --> 0:20:46.160
<v Speaker 1>sing when I couldn't get to the ranch, I would

0:20:46.240 --> 0:20:49.560
<v Speaker 1>unplug mom's hose from the vacuum cleaner and put one

0:20:49.600 --> 0:20:52.040
<v Speaker 1>in my left ear and singing the other end. And

0:20:52.080 --> 0:20:54.840
<v Speaker 1>I love the way that sounded. What would you sing? Um?

0:20:54.880 --> 0:20:56.480
<v Speaker 1>I would just make things up. I don't know, I

0:20:56.480 --> 0:20:59.000
<v Speaker 1>would just I love the way it sounded. Those are

0:20:59.080 --> 0:21:06.280
<v Speaker 1>the young I do remember, though, um ah angels listending,

0:21:07.240 --> 0:21:13.480
<v Speaker 1>listen me crying. You know, I remember those guys. I

0:21:13.480 --> 0:21:16.560
<v Speaker 1>think it was the Crests. You know. I think it

0:21:16.640 --> 0:21:19.040
<v Speaker 1>was the crest You must have been singing some Sam

0:21:19.119 --> 0:21:22.880
<v Speaker 1>cooked too back in the day, and I worshiped him

0:21:22.920 --> 0:21:25.560
<v Speaker 1>because that was what was your favorite Sam Cooke song?

0:21:25.800 --> 0:21:28.879
<v Speaker 1>The first one would be, Um, Cupid came on the

0:21:29.000 --> 0:21:34.560
<v Speaker 1>radio and my mom's shifty six Thunderbird, and oh man, uh,

0:21:34.640 --> 0:21:38.000
<v Speaker 1>the whole world got so small, it got so tunnel vision.

0:21:38.040 --> 0:21:42.000
<v Speaker 1>I'll never forget it. And I was just captivated by

0:21:42.040 --> 0:21:45.520
<v Speaker 1>the emotion coming out of that speaker and how it

0:21:45.560 --> 0:21:49.280
<v Speaker 1>was landing. And so I think that's what got me

0:21:50.200 --> 0:21:54.040
<v Speaker 1>reaching for music from the very beginning, was why does

0:21:54.080 --> 0:21:56.800
<v Speaker 1>this make me feel this way? Why is what is

0:21:56.880 --> 0:22:00.359
<v Speaker 1>happening here? You know it connected with me. You know,

0:22:00.880 --> 0:22:03.280
<v Speaker 1>do you sink? Can you sing? Cupid? I know that

0:22:03.320 --> 0:22:08.200
<v Speaker 1>all the word Cupid, drawback your boat and let your

0:22:08.280 --> 0:22:13.879
<v Speaker 1>aero flow straight to my love is hot for me,

0:22:14.880 --> 0:22:19.440
<v Speaker 1>nobody even me. Now, I can't sing now, I'm criticizing

0:22:19.480 --> 0:22:23.120
<v Speaker 1>that just to show you. I just criticized for phrases

0:22:23.119 --> 0:22:24.879
<v Speaker 1>that I just sang at the same time I was

0:22:24.920 --> 0:22:28.080
<v Speaker 1>singing them, okay, And I really got to tell you

0:22:28.160 --> 0:22:31.520
<v Speaker 1>without echo, I'm singing dry in this room. I don't

0:22:31.560 --> 0:22:34.240
<v Speaker 1>sing dry. Well, thank you for singing dry for us

0:22:34.640 --> 0:22:37.840
<v Speaker 1>quick pro quo no no no, no, no no no.

0:22:38.200 --> 0:22:42.080
<v Speaker 1>But my favorite Sam Cook is I don't know much

0:22:42.119 --> 0:22:48.919
<v Speaker 1>about his story, don't know much blogy, I don't know

0:22:49.080 --> 0:22:53.000
<v Speaker 1>much about the French I took. I don't know much

0:22:53.000 --> 0:22:59.040
<v Speaker 1>about But I don't know that I love you right

0:22:59.560 --> 0:23:02.920
<v Speaker 1>and know that if you love me too, want a

0:23:03.080 --> 0:23:10.840
<v Speaker 1>wonderful world, this would be harmony. I'll never forget when

0:23:10.880 --> 0:23:14.200
<v Speaker 1>that was in the movie Witness and Harrison Ford and

0:23:14.280 --> 0:23:20.040
<v Speaker 1>Kelly McGinnis were dancing. It was so sexy, And isn't

0:23:20.080 --> 0:23:22.800
<v Speaker 1>that what it's about? It? It really is about the

0:23:22.840 --> 0:23:26.840
<v Speaker 1>intimacy of music is so personal. Well, I'm excited to

0:23:26.880 --> 0:23:30.399
<v Speaker 1>talk to you more about this new album and the

0:23:30.440 --> 0:23:33.920
<v Speaker 1>genesis of this album. We'll talk about that right after this.

0:23:42.880 --> 0:23:47.480
<v Speaker 1>Now back to my interview with Steve Perry. So, Steve,

0:23:47.520 --> 0:23:51.440
<v Speaker 1>you're back after all these years, after all still crazy

0:23:51.480 --> 0:23:53.720
<v Speaker 1>after a Yeah, I know, it's been a long time

0:23:53.800 --> 0:23:57.240
<v Speaker 1>coming since I saw your face. I know. So let's

0:23:57.280 --> 0:24:00.800
<v Speaker 1>talk about this new album, Traces, and it comes from

0:24:00.800 --> 0:24:05.040
<v Speaker 1>a deeply, deeply personal place. You fell in love with

0:24:05.160 --> 0:24:11.159
<v Speaker 1>someone who unfortunately was diagnosed with breast cancer, was in

0:24:11.240 --> 0:24:16.400
<v Speaker 1>remission when you first learned about her, and then when

0:24:16.400 --> 0:24:19.920
<v Speaker 1>you met her it had come spread and come back,

0:24:20.200 --> 0:24:25.280
<v Speaker 1>and uh, you decided to jump into the relationship anyway.

0:24:25.760 --> 0:24:29.560
<v Speaker 1>What was it about that relationship that just almost had

0:24:29.600 --> 0:24:32.640
<v Speaker 1>the same attraction for you as music? It was it

0:24:32.720 --> 0:24:38.840
<v Speaker 1>was just almost terrifyingly wonderful because I could not stay

0:24:38.880 --> 0:24:42.040
<v Speaker 1>away from her and I knew she was sick. It

0:24:42.160 --> 0:24:44.719
<v Speaker 1>was like it was like what am I doing? There

0:24:44.800 --> 0:24:46.639
<v Speaker 1>was times I would talk to a therapist that what

0:24:46.680 --> 0:24:48.720
<v Speaker 1>am I dooling? I was going to say. I wonder

0:24:48.760 --> 0:24:54.639
<v Speaker 1>if there was something about the potentially ephemeral nature of

0:24:54.680 --> 0:25:00.600
<v Speaker 1>that relationship that somehow attracted you not to be fleeting,

0:25:00.800 --> 0:25:06.440
<v Speaker 1>you know, not not permanent. Wow, I don't know. All

0:25:06.440 --> 0:25:10.800
<v Speaker 1>I know is that the connection was so strong and

0:25:10.840 --> 0:25:14.399
<v Speaker 1>it was very, very difficult to not run. At the

0:25:14.440 --> 0:25:18.560
<v Speaker 1>same time, there was this incredible connection that said, you

0:25:18.640 --> 0:25:23.159
<v Speaker 1>have nowhere to run, there's nowhere else you want to

0:25:23.200 --> 0:25:25.639
<v Speaker 1>be like. I talked to Nico Bollis, the front of

0:25:25.640 --> 0:25:28.560
<v Speaker 1>Mine Engineer, and one day I was watching him work

0:25:29.280 --> 0:25:32.760
<v Speaker 1>when I just started seeing Kelly, and he said, what

0:25:32.800 --> 0:25:35.560
<v Speaker 1>are you doing here? I said, well, I'm I'm hanging out,

0:25:35.600 --> 0:25:37.400
<v Speaker 1>but you're watching you mix a little bit on this

0:25:37.560 --> 0:25:39.600
<v Speaker 1>this cool band. He said, Man, you should be with

0:25:39.600 --> 0:25:42.760
<v Speaker 1>your girl. I said, well, we went on a few times.

0:25:42.760 --> 0:25:44.760
<v Speaker 1>Because I'm not sure what to do about that. I'm

0:25:44.800 --> 0:25:47.920
<v Speaker 1>just very confused about it because it's scary because she's

0:25:47.960 --> 0:25:50.040
<v Speaker 1>not well. I don't want to fall in love and

0:25:50.080 --> 0:25:52.600
<v Speaker 1>lose again. I don't I just don't want to. I

0:25:52.600 --> 0:25:55.040
<v Speaker 1>don't know what to do, you know. He said, Dude,

0:25:55.440 --> 0:25:58.639
<v Speaker 1>I've never seen you like this before. He says, I

0:25:58.680 --> 0:26:02.439
<v Speaker 1>have never see you're so happy with anyone. There's something

0:26:02.480 --> 0:26:04.959
<v Speaker 1>else going on for you and her. He said, men,

0:26:05.000 --> 0:26:07.040
<v Speaker 1>you should be with your girl. Man, that's your girl.

0:26:07.359 --> 0:26:10.679
<v Speaker 1>I could tell that, and so I left called her

0:26:10.720 --> 0:26:14.639
<v Speaker 1>when at luncheon that kept continued. How long were you together?

0:26:14.800 --> 0:26:17.879
<v Speaker 1>A year and a half. How long was she sick?

0:26:18.200 --> 0:26:22.439
<v Speaker 1>Really sick during that period of time, often on the

0:26:22.480 --> 0:26:27.119
<v Speaker 1>whole time, but not as bad as God. Of course

0:26:27.160 --> 0:26:30.719
<v Speaker 1>the last um I would say, the last six months,

0:26:30.920 --> 0:26:33.320
<v Speaker 1>especially for the last three months. Of course, we're the worst.

0:26:33.920 --> 0:26:36.640
<v Speaker 1>But there was a time here in New York where

0:26:36.680 --> 0:26:39.560
<v Speaker 1>she was on this incredible clinical trial treatment that didn't

0:26:39.600 --> 0:26:42.639
<v Speaker 1>make her sick, that was invented by this guy, and

0:26:42.720 --> 0:26:47.320
<v Speaker 1>it was doing amazing things for her. And she had

0:26:47.320 --> 0:26:50.560
<v Speaker 1>tumors in her lungs and she had um some in

0:26:50.640 --> 0:26:55.240
<v Speaker 1>her bone marrow. And we would do the scans and

0:26:55.280 --> 0:26:57.879
<v Speaker 1>the tumors would have scar tissue where the m r

0:26:57.960 --> 0:27:00.239
<v Speaker 1>I would show there's, well there was scar tissue there,

0:27:00.280 --> 0:27:02.560
<v Speaker 1>but I don't see the tumors anymore, they would say.

0:27:02.640 --> 0:27:04.520
<v Speaker 1>And we look at each other, said what what do

0:27:04.600 --> 0:27:07.760
<v Speaker 1>you say? What do you say? You know? And we

0:27:07.840 --> 0:27:10.760
<v Speaker 1>would go from not being able to ride bicycles in

0:27:10.800 --> 0:27:14.359
<v Speaker 1>New York to riding bicycles in the park and just thinking,

0:27:14.359 --> 0:27:16.359
<v Speaker 1>oh my god, this is insane, this is so great,

0:27:16.520 --> 0:27:20.840
<v Speaker 1>you know, And then come around September of that year

0:27:21.040 --> 0:27:23.520
<v Speaker 1>as when she said, you know, honey, something's not right.

0:27:23.600 --> 0:27:25.000
<v Speaker 1>I don't know what it is. I know my body,

0:27:25.160 --> 0:27:27.720
<v Speaker 1>believe me. I. So it's not right to just scan

0:27:27.880 --> 0:27:32.480
<v Speaker 1>and and come back, you know. So cancer is so cruel,

0:27:32.640 --> 0:27:36.160
<v Speaker 1>you know. And well, you know, let's talk about the

0:27:36.200 --> 0:27:39.560
<v Speaker 1>promise you made to Kelly Steve. You said that you

0:27:39.600 --> 0:27:44.000
<v Speaker 1>would not go back into isolation, that you would put

0:27:44.040 --> 0:27:47.840
<v Speaker 1>out some of the music that you were writing and

0:27:47.880 --> 0:27:53.280
<v Speaker 1>thinking about. Tell me about the promise you made to her. Well,

0:27:54.240 --> 0:27:58.040
<v Speaker 1>my favorite time we would spend together was, you know,

0:27:58.040 --> 0:28:00.359
<v Speaker 1>at the end of the day, we would kind of

0:28:00.480 --> 0:28:02.800
<v Speaker 1>lights down and give each other a smooch and I'd

0:28:02.800 --> 0:28:04.840
<v Speaker 1>either talk her to sleep or she talked me to sleep.

0:28:05.000 --> 0:28:10.120
<v Speaker 1>And one night she said, I, I need to ask

0:28:10.160 --> 0:28:13.960
<v Speaker 1>you to make me a promise and I and I said, well,

0:28:14.000 --> 0:28:16.840
<v Speaker 1>what's up. I want you to promise that if something

0:28:16.840 --> 0:28:19.040
<v Speaker 1>ever happened to me, that you would not go back

0:28:19.040 --> 0:28:22.680
<v Speaker 1>into isolation, for I think it would make this all

0:28:22.760 --> 0:28:31.200
<v Speaker 1>for not. So I was never given such an amazing

0:28:31.320 --> 0:28:37.200
<v Speaker 1>long sentence, was so in encompassing value of my whole

0:28:37.960 --> 0:28:42.000
<v Speaker 1>everything like that. But remember she was a PhD psychologist,

0:28:42.120 --> 0:28:45.800
<v Speaker 1>so she she was very good assembling her words and

0:28:45.800 --> 0:28:49.520
<v Speaker 1>and very clear when she had something to say or feel,

0:28:50.560 --> 0:28:52.960
<v Speaker 1>You're gonna hear pretty much to the to the bone

0:28:53.040 --> 0:28:55.040
<v Speaker 1>what it is, and this was one of those moments.

0:28:55.880 --> 0:28:57.720
<v Speaker 1>So I said, of course, I promise I won't go

0:28:57.760 --> 0:29:02.000
<v Speaker 1>back into isolation. But look, it wasn't like we weren't

0:29:02.320 --> 0:29:05.160
<v Speaker 1>hanging out or going on trips or having dinner with friends.

0:29:05.160 --> 0:29:08.360
<v Speaker 1>We were living our lives. But she knew that I

0:29:08.400 --> 0:29:12.120
<v Speaker 1>was isolating from music. She knew I was isolating from singing.

0:29:12.120 --> 0:29:15.680
<v Speaker 1>I never really sang much, So that's what she was

0:29:15.720 --> 0:29:20.800
<v Speaker 1>talking about. Your new album, Traces is full of ballad

0:29:21.040 --> 0:29:24.320
<v Speaker 1>summer sad. Others are nostalgic, and I think people listening

0:29:24.360 --> 0:29:28.080
<v Speaker 1>to this one song called No More Crying would assume

0:29:28.400 --> 0:29:32.360
<v Speaker 1>it's about losing Kelly. Let's listen to a little bit

0:29:32.480 --> 0:29:42.480
<v Speaker 1>and you can tell us how that song came about. Good,

0:30:04.000 --> 0:30:09.600
<v Speaker 1>let's talk about that song. Well, actually that song is

0:30:09.800 --> 0:30:13.720
<v Speaker 1>more of a of a of a of a different

0:30:13.800 --> 0:30:18.600
<v Speaker 1>sort of dyslexic version of what you're saying. That meaning

0:30:19.200 --> 0:30:22.280
<v Speaker 1>he's trying to convince himself the answer to not crying

0:30:22.360 --> 0:30:25.280
<v Speaker 1>is to just not love again and basically to shut

0:30:25.280 --> 0:30:27.880
<v Speaker 1>down his heart. Now, there is that component in there.

0:30:28.080 --> 0:30:30.640
<v Speaker 1>It is a relationship song. But if you listen to

0:30:30.680 --> 0:30:34.200
<v Speaker 1>the second verse, I'm so free. I need nobody, no

0:30:34.240 --> 0:30:40.560
<v Speaker 1>more lies, no surprises, no confrontations. It's a peaceful life

0:30:40.960 --> 0:30:43.960
<v Speaker 1>behind closed doors. But in the dark of the night,

0:30:44.480 --> 0:30:47.840
<v Speaker 1>I start to remember. Okay. So that whole arc of

0:30:47.920 --> 0:30:52.080
<v Speaker 1>all those lyrics right there is about isolation and how

0:30:53.280 --> 0:30:55.120
<v Speaker 1>just pull away from it all and you won't have

0:30:55.160 --> 0:30:58.480
<v Speaker 1>to deal with lies and and by the way, there's

0:30:58.520 --> 0:31:01.480
<v Speaker 1>a bit of my past past and there. Okay, but

0:31:01.680 --> 0:31:06.280
<v Speaker 1>lies and confrontations and you know, surprises. I mean there

0:31:06.360 --> 0:31:09.200
<v Speaker 1>was a lot of surprises that when you're in a band,

0:31:09.400 --> 0:31:12.120
<v Speaker 1>you're being told to do and go and perform and

0:31:12.200 --> 0:31:14.120
<v Speaker 1>do places that you just don't want to do. But

0:31:14.200 --> 0:31:17.520
<v Speaker 1>guess what, it's been booked in your stock. So there

0:31:17.560 --> 0:31:19.720
<v Speaker 1>was always this stuff I didn't like too much either.

0:31:20.280 --> 0:31:22.520
<v Speaker 1>So there's a bit of my past in all this.

0:31:23.280 --> 0:31:25.360
<v Speaker 1>But let me tell you the song I think you're

0:31:25.400 --> 0:31:29.400
<v Speaker 1>really looking for is most of All Now. If they

0:31:29.400 --> 0:31:31.800
<v Speaker 1>have most of All here, if you were to hear

0:31:31.880 --> 0:31:35.360
<v Speaker 1>the opening line of most of All, he says, promises

0:31:35.520 --> 0:31:43.800
<v Speaker 1>that won't fade away. Um, it's about reflecting all those memories. Uh,

0:31:43.880 --> 0:31:45.840
<v Speaker 1>it's about the whole thing. To the ones who have

0:31:45.960 --> 0:31:49.760
<v Speaker 1>lost their most of all many years won't heal when

0:31:49.880 --> 0:31:54.600
<v Speaker 1>tears still call their most of all, you know that

0:31:54.680 --> 0:31:56.920
<v Speaker 1>song I worked with any good Room before I met

0:31:57.000 --> 0:31:59.760
<v Speaker 1>Kelly and turned out it ended up becoming a song

0:31:59.800 --> 0:32:08.000
<v Speaker 1>of Let's listen to it for a second. From that

0:32:08.360 --> 0:32:25.680
<v Speaker 1>wall facely golden members read that will lave raise all

0:32:25.800 --> 0:32:40.400
<v Speaker 1>the plants and treads so hard to replace. From another

0:32:40.680 --> 0:33:07.600
<v Speaker 1>place to another town, still drifting to the minds fathers plenty,

0:33:10.040 --> 0:33:16.520
<v Speaker 1>still where you surprised Steve that a song that you

0:33:16.600 --> 0:33:20.640
<v Speaker 1>had already written before you met Kelly seemed to look

0:33:20.680 --> 0:33:25.680
<v Speaker 1>I have goose bumps on my arms. I can't. I

0:33:25.800 --> 0:33:30.720
<v Speaker 1>can't make that happen. It's something that happens to me.

0:33:31.520 --> 0:33:35.480
<v Speaker 1>Where that comes from is life sustaining, and He's the

0:33:35.560 --> 0:33:37.920
<v Speaker 1>most important thing of my life right now, Katie. I

0:33:38.000 --> 0:33:41.800
<v Speaker 1>mean to connect with music like that, and even if

0:33:41.840 --> 0:33:45.240
<v Speaker 1>it's my own music, it means so much to me

0:33:46.040 --> 0:33:50.440
<v Speaker 1>at this time in my life. I'm not a spring chicken, honey, okay,

0:33:50.880 --> 0:33:54.160
<v Speaker 1>you know, and I need this so more than I've

0:33:54.200 --> 0:33:57.400
<v Speaker 1>ever needed it in my whole life. This connect, this

0:33:57.600 --> 0:34:02.280
<v Speaker 1>connection with emotion in music and songwriting, nothing means more

0:34:02.400 --> 0:34:06.680
<v Speaker 1>to me than reconnecting like a song like that. Uh,

0:34:06.960 --> 0:34:09.640
<v Speaker 1>the lyrics of that. I'm so proud of him because

0:34:09.840 --> 0:34:13.640
<v Speaker 1>he's just being honest about the memories and everything is

0:34:13.680 --> 0:34:16.279
<v Speaker 1>going on. And then he says, from another place to

0:34:16.360 --> 0:34:19.880
<v Speaker 1>another town, still drifting, That's what I did when I

0:34:20.000 --> 0:34:23.560
<v Speaker 1>was home. He just shifts, He goes he's being memorable.

0:34:23.800 --> 0:34:27.240
<v Speaker 1>Then he shifts to like just drifting around again. Lost.

0:34:27.880 --> 0:34:29.759
<v Speaker 1>But to the ones you've lost their most of all

0:34:30.080 --> 0:34:34.359
<v Speaker 1>many years, won't heal when tears still call their most

0:34:34.440 --> 0:34:37.480
<v Speaker 1>of all? That means so much to me. I need

0:34:37.600 --> 0:34:39.920
<v Speaker 1>that out there for me, And I just hope it

0:34:40.000 --> 0:34:42.440
<v Speaker 1>touches somebody, but for me, I mean I need it.

0:34:43.080 --> 0:34:46.200
<v Speaker 1>I think that also there's some very up tempo songs,

0:34:46.280 --> 0:34:49.480
<v Speaker 1>kind of of course rock songs, like like Noah Racin,

0:34:49.600 --> 0:34:52.440
<v Speaker 1>which is about a high school reunion. Let's listen to

0:34:52.520 --> 0:35:09.479
<v Speaker 1>that song for a second. Sorry, offend together you'll call

0:35:12.600 --> 0:35:14.719
<v Speaker 1>what is it about high school that keeps drawing you

0:35:14.920 --> 0:35:18.359
<v Speaker 1>back there? Steve? I think we're all in high school still,

0:35:18.880 --> 0:35:22.640
<v Speaker 1>I think emotionally, if we look honestly within ourselves, some

0:35:22.800 --> 0:35:26.200
<v Speaker 1>of our teenage years, the foundation of our hearts and

0:35:26.320 --> 0:35:31.600
<v Speaker 1>soul were completely fed by all the fantasies. These teenage

0:35:31.640 --> 0:35:34.520
<v Speaker 1>fantasies of our youth. I read that you don't like

0:35:34.719 --> 0:35:38.319
<v Speaker 1>to dissect songs because you say, if you talk too

0:35:38.440 --> 0:35:42.040
<v Speaker 1>much about what they mean, it takes away the ability

0:35:42.160 --> 0:35:46.120
<v Speaker 1>for everyone to interpret it for themselves and for have

0:35:46.280 --> 0:35:51.279
<v Speaker 1>it to make it meaningful for them experience their own experience. Yeah,

0:35:51.360 --> 0:35:54.160
<v Speaker 1>that's right. Having said that, I love the story behind,

0:35:54.239 --> 0:35:56.680
<v Speaker 1>don't stop believe it. So you have to tell us

0:35:56.680 --> 0:36:00.839
<v Speaker 1>a little bit about the circumstances. You're in a hotel. Yeah, okay,

0:36:00.880 --> 0:36:03.240
<v Speaker 1>I'm in a hotel in Detroit, and we just finished

0:36:03.239 --> 0:36:06.680
<v Speaker 1>a show at the Cobo Hall and uh, I think

0:36:06.719 --> 0:36:09.000
<v Speaker 1>it was the Poncha train. Somebody brought it to my attention.

0:36:09.120 --> 0:36:12.080
<v Speaker 1>Hotel and I'm at the top floor looking down and

0:36:12.360 --> 0:36:14.920
<v Speaker 1>I'm not sleepy. It's like three in the morning. I'm

0:36:14.960 --> 0:36:19.320
<v Speaker 1>seeing the street lights glowing the entire streets from the

0:36:19.480 --> 0:36:23.800
<v Speaker 1>top down and they're sort of a of a rust

0:36:23.880 --> 0:36:27.080
<v Speaker 1>colored amber color, and I just could not believe it.

0:36:27.280 --> 0:36:31.560
<v Speaker 1>Everybody's still milling around, you know. Uh, I thought these

0:36:31.560 --> 0:36:34.319
<v Speaker 1>are like street light people. They're like people living under

0:36:34.400 --> 0:36:36.840
<v Speaker 1>these street lights. And it's three in the morning, so

0:36:36.920 --> 0:36:40.360
<v Speaker 1>I remember that street light people. And then down the

0:36:40.400 --> 0:36:43.759
<v Speaker 1>boulevard up and down the boulevard. That's right. And then uh,

0:36:43.960 --> 0:36:47.120
<v Speaker 1>and then I remembered, Um, there was this place in

0:36:47.280 --> 0:36:52.719
<v Speaker 1>my hometown called the l Rancho Hotel that had a bar,

0:36:53.320 --> 0:36:56.480
<v Speaker 1>a terrible bar and club with a little stage in

0:36:56.560 --> 0:36:59.320
<v Speaker 1>the corner. That's where I used to play all my

0:36:59.680 --> 0:37:01.759
<v Speaker 1>cover band music with the band I wasn't at the time.

0:37:02.320 --> 0:37:05.719
<v Speaker 1>And you'd walk into this place and it had a

0:37:05.840 --> 0:37:08.719
<v Speaker 1>red carpet that was just stained with all sorts of

0:37:08.840 --> 0:37:12.480
<v Speaker 1>alcohol and wine spilling and everything, and they never washed it.

0:37:12.960 --> 0:37:15.520
<v Speaker 1>And they're the smell of wine and cheap perfume. Women

0:37:15.560 --> 0:37:19.239
<v Speaker 1>would wear the cheapest perfume, okay, and to show up,

0:37:19.320 --> 0:37:21.520
<v Speaker 1>you know, to try to have a smile and share

0:37:21.520 --> 0:37:25.520
<v Speaker 1>of a night, right. So that came from it came

0:37:25.600 --> 0:37:28.200
<v Speaker 1>from there, you know. And that was just sort of

0:37:28.360 --> 0:37:31.359
<v Speaker 1>reflections of a bunch of different places in your life.

0:37:31.560 --> 0:37:35.359
<v Speaker 1>That's right. And this city motel or hotel, that's right.

0:37:35.680 --> 0:37:38.839
<v Speaker 1>And and and ultimately though it's a love story, isn't it. Well,

0:37:38.920 --> 0:37:41.600
<v Speaker 1>it's it's about not giving up. It's really about you know,

0:37:41.640 --> 0:37:44.719
<v Speaker 1>you've got to keep believing. It's about a city boy

0:37:44.760 --> 0:37:48.719
<v Speaker 1>and a city girl and and just taking the world. Well, yeah,

0:37:48.719 --> 0:37:50.800
<v Speaker 1>I'm making a midnight taking the midnight train to anywhere.

0:37:50.840 --> 0:37:53.880
<v Speaker 1>It's about throwing yourself to the wind and and just

0:37:54.160 --> 0:37:57.520
<v Speaker 1>living your life. You know. I think that is what

0:37:57.760 --> 0:38:02.400
<v Speaker 1>resonates with the youth of today because the song really

0:38:03.120 --> 0:38:06.160
<v Speaker 1>is about it's okay where you're at right now. You're

0:38:06.239 --> 0:38:08.399
<v Speaker 1>doing what you're supposed to be doing. You're throwing your

0:38:08.440 --> 0:38:11.440
<v Speaker 1>life to the wind and just follow the wind. You know,

0:38:12.280 --> 0:38:14.279
<v Speaker 1>it must be fun for you to see a whole

0:38:14.320 --> 0:38:19.279
<v Speaker 1>new generation fall in love with Journey. I think we

0:38:19.400 --> 0:38:22.560
<v Speaker 1>can give a little credit possibly to the cast of Glee,

0:38:23.280 --> 0:38:27.800
<v Speaker 1>which covered Don't Stop Believing. So let's listen for a second.

0:38:30.560 --> 0:38:46.560
<v Speaker 1>Stop hold on to that. When you saw that on Glee, Steve,

0:38:46.680 --> 0:38:48.200
<v Speaker 1>did you get such a kick out of it? Because

0:38:48.200 --> 0:38:51.680
<v Speaker 1>I remember my daughter we were super you know, glee freaks.

0:38:51.719 --> 0:38:53.880
<v Speaker 1>I guess they call them gleeks. We used to watch it,

0:38:54.120 --> 0:38:55.640
<v Speaker 1>you know, it was there a thing we did together,

0:38:55.760 --> 0:38:58.800
<v Speaker 1>and Kara used to record herself and put herself on YouTube.

0:38:58.880 --> 0:39:03.800
<v Speaker 1>She since taking it down, uh singing don't Stop Believing?

0:39:04.080 --> 0:39:06.960
<v Speaker 1>And I mean it really did you get a kick

0:39:07.000 --> 0:39:09.120
<v Speaker 1>out of that? Did I did? Because it was a

0:39:09.160 --> 0:39:12.879
<v Speaker 1>whole new generation and again a high school generation. You see,

0:39:13.280 --> 0:39:15.600
<v Speaker 1>it's that, it's that it's that period that I'm talking

0:39:15.640 --> 0:39:20.279
<v Speaker 1>about that is an important period in any evolution of

0:39:20.320 --> 0:39:23.799
<v Speaker 1>a human being. It just is a magical time our

0:39:23.880 --> 0:39:27.399
<v Speaker 1>teen years and and to see that song become part

0:39:27.600 --> 0:39:32.640
<v Speaker 1>of the joys of that generation really really warmed my heart.

0:39:32.719 --> 0:39:35.759
<v Speaker 1>And then it continued by the way, you know, I

0:39:35.840 --> 0:39:38.120
<v Speaker 1>mean it continued all sorts of places, sporting events and

0:39:38.239 --> 0:39:40.840
<v Speaker 1>ended up with sopranos of course, well, of course, and

0:39:41.080 --> 0:39:43.040
<v Speaker 1>and and that was a thrill for you. I know

0:39:43.320 --> 0:39:46.279
<v Speaker 1>that they reached out that you knew before the rest

0:39:46.360 --> 0:39:47.920
<v Speaker 1>of the country. I didn't know that it was going

0:39:48.000 --> 0:39:50.480
<v Speaker 1>to happen at the end of the Sopranos because I

0:39:50.600 --> 0:39:52.239
<v Speaker 1>held out. I was the only one who held out.

0:39:52.320 --> 0:39:55.200
<v Speaker 1>You know, there's three writers and everybody said yes, but me.

0:39:55.280 --> 0:39:57.640
<v Speaker 1>And the only reason I held out was because I

0:39:57.719 --> 0:39:59.480
<v Speaker 1>want to make sure if that David Chase wasn't gonna

0:39:59.520 --> 0:40:02.279
<v Speaker 1>whack the family with the song playing, you know, because

0:40:02.360 --> 0:40:05.000
<v Speaker 1>Scorsese would do that. You know. Going to the Rock

0:40:05.080 --> 0:40:07.800
<v Speaker 1>and Roll Hall of Fame, was it great senior bandmates

0:40:07.920 --> 0:40:10.680
<v Speaker 1>or did you? Were you conflicted? I was conflicted, and

0:40:11.040 --> 0:40:14.200
<v Speaker 1>I and I almost didn't go because I was so conflicted.

0:40:14.719 --> 0:40:17.440
<v Speaker 1>But what happened was I started going online and I

0:40:17.840 --> 0:40:21.320
<v Speaker 1>remembered the times I had spent away in my hometown

0:40:21.360 --> 0:40:24.800
<v Speaker 1>and we spoke of earlier and all my heroes that

0:40:24.880 --> 0:40:27.160
<v Speaker 1>I grew up with on those forty fives were inducted,

0:40:27.400 --> 0:40:29.839
<v Speaker 1>and I thought, oh my god, this is where I'm going.

0:40:30.520 --> 0:40:33.080
<v Speaker 1>This is this. I'm gonna goose bumps again, stee my

0:40:33.200 --> 0:40:35.680
<v Speaker 1>arms because I really felt like, oh my god, this

0:40:35.840 --> 0:40:39.120
<v Speaker 1>is real. I'm really going to be inducted with my heroes,

0:40:39.400 --> 0:40:42.239
<v Speaker 1>the ones that I looked up to. So I felt

0:40:42.280 --> 0:40:45.400
<v Speaker 1>a sense of purpose and insistence within myself that I

0:40:45.520 --> 0:40:48.960
<v Speaker 1>must be there because at that point, no matter what

0:40:49.719 --> 0:40:52.879
<v Speaker 1>we did or didn't do, or you know, you could

0:40:52.880 --> 0:40:54.719
<v Speaker 1>still love somebody and not hang out with him, by

0:40:54.760 --> 0:40:56.759
<v Speaker 1>the way, you know, I really think that needs to

0:40:56.840 --> 0:40:59.680
<v Speaker 1>be said, all right, And so the point is that

0:40:59.760 --> 0:41:03.520
<v Speaker 1>I still have feelings because we were in the trenches

0:41:03.600 --> 0:41:06.600
<v Speaker 1>together as a group, trying to accomplish a mission that

0:41:07.000 --> 0:41:09.200
<v Speaker 1>you know, the concept of a band is when you

0:41:09.520 --> 0:41:13.080
<v Speaker 1>band together to do collectively what you can't do by yourself.

0:41:13.160 --> 0:41:15.480
<v Speaker 1>It would have been so epic if you had just

0:41:15.640 --> 0:41:20.560
<v Speaker 1>done one song. But I didn't understand that. But but

0:41:20.719 --> 0:41:26.279
<v Speaker 1>instead I wanted to pay tribute to everyone who had

0:41:26.360 --> 0:41:30.200
<v Speaker 1>done so much for giving this kid, a San Joaquin

0:41:30.400 --> 0:41:34.319
<v Speaker 1>Valley kid from the Hanford, California a chance to live

0:41:34.400 --> 0:41:37.360
<v Speaker 1>his dream and chase after it. That meant more to me.

0:41:37.440 --> 0:41:39.759
<v Speaker 1>I think Greg Rowley, I think Neil Sean, I think

0:41:39.800 --> 0:41:42.000
<v Speaker 1>the manager for believing me. And then I had to

0:41:42.080 --> 0:41:45.359
<v Speaker 1>thank Arnell for for pouring his heart out every night

0:41:45.440 --> 0:41:48.680
<v Speaker 1>for ten years. You're the guy who, I can't say

0:41:48.719 --> 0:41:51.319
<v Speaker 1>your replacement, but the guy who became the lead singer.

0:41:51.400 --> 0:41:53.560
<v Speaker 1>But he but he's so good. He's a good kid.

0:41:53.680 --> 0:41:56.880
<v Speaker 1>He's he really has been pouring his heart out in

0:41:57.040 --> 0:42:00.239
<v Speaker 1>that band for ten years and generous about it. Look

0:42:00.360 --> 0:42:02.600
<v Speaker 1>why not? I mean, I mean that's the way I

0:42:02.680 --> 0:42:04.560
<v Speaker 1>see it. If you you know, you had some good

0:42:04.640 --> 0:42:07.520
<v Speaker 1>times with these band members, obviously didn't see eye to eye,

0:42:07.640 --> 0:42:10.280
<v Speaker 1>obviously got on each other's nerves, and you were happy

0:42:10.360 --> 0:42:12.719
<v Speaker 1>to walk away. But you know, a lot of this

0:42:12.840 --> 0:42:15.920
<v Speaker 1>is about friendship, and I don't know I have friends

0:42:15.960 --> 0:42:20.160
<v Speaker 1>that I have I'm no longer friends with me. Why well,

0:42:20.320 --> 0:42:26.800
<v Speaker 1>it's no, no, I mean, it's too complicated. But in

0:42:26.920 --> 0:42:29.279
<v Speaker 1>my heart, well it leaves a hole in your heart,

0:42:29.560 --> 0:42:32.600
<v Speaker 1>but it is too complicated. Why why can't you go

0:42:32.719 --> 0:42:36.400
<v Speaker 1>back to your friends because it's complicated. I should. I

0:42:36.480 --> 0:42:38.920
<v Speaker 1>want to and hope it will, but it's but it's

0:42:39.040 --> 0:42:42.280
<v Speaker 1>very to you. But it's very complicated, very difficult. I should.

0:42:42.520 --> 0:42:45.120
<v Speaker 1>I hope to and one day I will, and you,

0:42:45.920 --> 0:42:51.000
<v Speaker 1>I don't know if I can. Why not? It's too complicated.

0:42:51.760 --> 0:42:54.279
<v Speaker 1>I just can't. Can't go back. No, I don't think

0:42:54.360 --> 0:42:56.719
<v Speaker 1>people can go back. I think that's one of the

0:42:56.800 --> 0:42:59.799
<v Speaker 1>things I learned when I was away that if I'm

0:43:00.040 --> 0:43:04.040
<v Speaker 1>to push through life, I like the adventure of always

0:43:04.080 --> 0:43:07.680
<v Speaker 1>going somewhere I've never been and growing with that. And

0:43:07.800 --> 0:43:11.040
<v Speaker 1>the biggest thing, Katie, the biggest thing is a second ago.

0:43:11.080 --> 0:43:14.480
<v Speaker 1>I just played most of all for you, and I

0:43:14.560 --> 0:43:17.239
<v Speaker 1>got goose bumps on my arm. I have not had

0:43:17.320 --> 0:43:20.000
<v Speaker 1>that connection with something I lost when I left the

0:43:20.040 --> 0:43:24.200
<v Speaker 1>group in years, remember thirty one years I left. Then

0:43:24.239 --> 0:43:26.480
<v Speaker 1>somewhere in the middle, I came back to them again, tried.

0:43:27.080 --> 0:43:30.279
<v Speaker 1>I tried to go back. It didn't work a second time.

0:43:30.560 --> 0:43:32.920
<v Speaker 1>Why should I try a third time if it didn't work.

0:43:33.120 --> 0:43:35.520
<v Speaker 1>And I'm not even talking about music, I'm talking about

0:43:35.560 --> 0:43:39.920
<v Speaker 1>a relationship. I guess Steve, Look, if relationships were possible

0:43:40.360 --> 0:43:43.719
<v Speaker 1>like that, I just don't know if people can separate

0:43:44.440 --> 0:43:49.279
<v Speaker 1>there their motives from their relationships, if you know what

0:43:49.360 --> 0:43:52.480
<v Speaker 1>I mean, I think I know what you mean. Yeah, really,

0:43:52.640 --> 0:43:57.080
<v Speaker 1>I mean it's it's friendships are private and intimate and

0:43:57.800 --> 0:44:02.400
<v Speaker 1>protective to themselves. When they get spilled into motives, it

0:44:02.520 --> 0:44:05.120
<v Speaker 1>doesn't feel like a friendship. It seems like you're afraid

0:44:05.560 --> 0:44:09.960
<v Speaker 1>to rekindle a relationship for fear it will be exploited

0:44:10.040 --> 0:44:15.160
<v Speaker 1>for something else. Pretty much, if it's going to be

0:44:15.239 --> 0:44:19.280
<v Speaker 1>a friendship, exploitation of a friendship is just not a friendship.

0:44:19.840 --> 0:44:22.799
<v Speaker 1>I don't know. Time. Time tells everything. You know. Life

0:44:22.880 --> 0:44:27.480
<v Speaker 1>is a very strange place. And I think that the Eels,

0:44:27.560 --> 0:44:30.440
<v Speaker 1>that the lead singer of the Eels set, Yeah, he said,

0:44:30.960 --> 0:44:35.960
<v Speaker 1>Steve Perry moves in mysterious ways. Do you think you're

0:44:36.000 --> 0:44:38.440
<v Speaker 1>going to do another album? I mean, is this is this,

0:44:39.400 --> 0:44:43.200
<v Speaker 1>is this reconnection with music going to last? Or do

0:44:43.280 --> 0:44:45.839
<v Speaker 1>you think that this is a new chapter and we'll

0:44:45.840 --> 0:44:47.960
<v Speaker 1>be hearing a lot more from you? How much stuff

0:44:48.000 --> 0:44:50.080
<v Speaker 1>I want to do? I've got songs started, I've got

0:44:50.160 --> 0:44:54.400
<v Speaker 1>songs already recorded that are sketched. I've got more material.

0:44:54.600 --> 0:44:57.320
<v Speaker 1>I have more material than I need, and maybe that

0:44:57.440 --> 0:44:59.560
<v Speaker 1>I have time left in my life to finish. To

0:44:59.600 --> 0:45:03.560
<v Speaker 1>be honest, it's a commitment to continue to make music

0:45:03.960 --> 0:45:07.239
<v Speaker 1>for the time I have left. I tell you from

0:45:07.280 --> 0:45:09.680
<v Speaker 1>the bottom of my heart, this is life sustaining to me.

0:45:10.239 --> 0:45:12.960
<v Speaker 1>And I need that right now because Katie, have lost

0:45:13.040 --> 0:45:15.200
<v Speaker 1>my mother and my dad, my grandparents who raised me.

0:45:15.440 --> 0:45:19.640
<v Speaker 1>I'm an only child. I need this. Why didn't you

0:45:19.680 --> 0:45:25.800
<v Speaker 1>ever get married, Steve? Scared? Scared, And I'll tell you

0:45:25.920 --> 0:45:30.600
<v Speaker 1>With Kelly, I was really close, so close. I just

0:45:30.960 --> 0:45:34.839
<v Speaker 1>didn't like what happened and what I saw growing up,

0:45:34.960 --> 0:45:38.120
<v Speaker 1>and I just don't think it was for me. And

0:45:38.200 --> 0:45:40.880
<v Speaker 1>then I wasn't deposed, and so many divorces with the

0:45:40.920 --> 0:45:44.800
<v Speaker 1>band members, one after another, and the next time I

0:45:44.880 --> 0:45:46.719
<v Speaker 1>turned around, this guy is marrying a new one. And

0:45:46.840 --> 0:45:49.799
<v Speaker 1>now I've been across at least three wives with one

0:45:49.840 --> 0:45:53.160
<v Speaker 1>guy while I was in the band, and a couple

0:45:53.280 --> 0:45:56.400
<v Speaker 1>with others, and and deposed because you're in a partnership together.

0:45:56.520 --> 0:46:01.160
<v Speaker 1>So I watched them lose half of every thing every time,

0:46:01.239 --> 0:46:03.799
<v Speaker 1>and I'm thinking, it's not how much you make, it's

0:46:03.800 --> 0:46:06.960
<v Speaker 1>how much you save. So maybe I should stay single.

0:46:08.239 --> 0:46:11.120
<v Speaker 1>Or have a good prenup, Steve, Well, I hear they're

0:46:11.160 --> 0:46:14.920
<v Speaker 1>not so great, and I know the album is doing great.

0:46:16.000 --> 0:46:20.200
<v Speaker 1>I'm so happy, so happy. Nothing makes me happier right

0:46:20.239 --> 0:46:22.839
<v Speaker 1>now than the people here this music and hopefully love

0:46:22.920 --> 0:46:24.799
<v Speaker 1>it and feel it. That's all I want, that's all.

0:46:25.239 --> 0:46:27.080
<v Speaker 1>I don't care if they stream it. I don't even care.

0:46:28.680 --> 0:46:31.799
<v Speaker 1>I'm so happy for this new chapter in your life,

0:46:31.880 --> 0:46:34.360
<v Speaker 1>and I wish you a lot of happiness, but I

0:46:34.400 --> 0:46:42.000
<v Speaker 1>also wish you a lot of peace, Steve Perry. On

0:46:42.200 --> 0:46:45.120
<v Speaker 1>that note, that wraps up my interview with Steve Perry,

0:46:45.280 --> 0:46:47.680
<v Speaker 1>such a treat to talk with him and to sing

0:46:47.760 --> 0:46:49.920
<v Speaker 1>with him too. Well, Katie, we've gotten a lot of

0:46:50.040 --> 0:46:53.000
<v Speaker 1>listener emails asking for more singing from you, not from me.

0:46:53.320 --> 0:46:55.320
<v Speaker 1>I have to get the people what they want, then, Brian,

0:46:55.560 --> 0:46:57.920
<v Speaker 1>you do you do? Before we go, I want to

0:46:57.960 --> 0:47:01.160
<v Speaker 1>thank the team that produces this pot cast Producer Emma

0:47:01.280 --> 0:47:05.640
<v Speaker 1>morgen Stern, associate producer Noura, Richie Jared O'Connell, our engineer,

0:47:05.719 --> 0:47:09.000
<v Speaker 1>and special thanks to my good friend Matt Lombardi who

0:47:09.040 --> 0:47:13.000
<v Speaker 1>really helped me so much with this episode. Matt reunited

0:47:13.160 --> 0:47:16.640
<v Speaker 1>and it feels so good. Also, thank you, Gianna Palmer

0:47:16.760 --> 0:47:19.560
<v Speaker 1>for your help, and Casey Holford for putting up with

0:47:19.640 --> 0:47:22.800
<v Speaker 1>Steve and me on a Saturday morning in the studio.

0:47:23.160 --> 0:47:26.680
<v Speaker 1>Thanks to everyone at Katie currk Media Beta. Mas is

0:47:26.760 --> 0:47:29.960
<v Speaker 1>Katie's assistant and a fabulous one at that, and Julia

0:47:30.040 --> 0:47:34.000
<v Speaker 1>Lewis is the social media whiz. Jared Arnold composed our

0:47:34.080 --> 0:47:37.239
<v Speaker 1>theme music. You can find Brian on Twitter under Goldsmith

0:47:37.320 --> 0:47:41.799
<v Speaker 1>b and I am everywhere Twitter, Instagram, Facebook, all as

0:47:41.880 --> 0:47:44.680
<v Speaker 1>Katie CURRC. If you've thoughts about the show, or questions

0:47:44.719 --> 0:47:47.960
<v Speaker 1>for Katie or me, or guest suggestions, or really anything,

0:47:48.280 --> 0:47:52.120
<v Speaker 1>please reach out our email addresses comments at currect podcast

0:47:52.200 --> 0:47:54.880
<v Speaker 1>dot com, or you can leave us a voicemail by

0:47:54.960 --> 0:47:58.920
<v Speaker 1>calling nine to nine two to four, four six three seven.

0:47:59.400 --> 0:48:12.200
<v Speaker 1>We'll talk you next week. M